This is a modern-English version of A Week on the Concord and Merrimack Rivers, originally written by Thoreau, Henry David. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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A Week on the Concord and Merrimack Rivers

by Henry David Thoreau

AUTHOR OF “WALDEN,” ETC.


Contents

CONCORD RIVER
SATURDAY
SUNDAY
MONDAY
TUESDAY
WEDNESDAY
THURSDAY
FRIDAY

Where’er thou sail’st who sailed with me,
Though now thou climbest loftier mounts,
And fairer rivers dost ascend,
Be thou my Muse, my Brother—.

Wherever you sail, who sailed with me,
Though now you’re climbing higher mountains,
And rising on fairer rivers,
Be my Muse, my Brother—.

I am bound, I am bound, for a distant shore,
By a lonely isle, by a far Azore,
There it is, there it is, the treasure I seek,
On the barren sands of a desolate creek.

I am headed, I am headed, for a far-off land,
By a lonely island, by a distant Azore,
There it is, there it is, the treasure I’m after,
On the empty sands of a deserted creek.

I sailed up a river with a pleasant wind,
New lands, new people, and new thoughts to find;
Many fair reaches and headlands appeared,
And many dangers were there to be feared;
But when I remember where I have been,
And the fair landscapes that I have seen,
THOU seemest the only permanent shore,
The cape never rounded, nor wandered o’er.

I sailed up a river with a nice breeze,
Discovering new lands, new people, and fresh ideas;
Many beautiful stretches and headlands showed up,
And plenty of dangers were there to fear;
But when I think back on where I've been,
And the gorgeous landscapes I've seen,
THOU seem the only lasting shore,
The cape never rounded, nor wandered over.


Fluminaque obliquis cinxit declivia ripis;
Quæ, diversa locis, partim sorbentur ab ipsa;
In mare perveniunt partim, campoque recepta
Liberioris aquæ, pro ripis litora pulsant.

Fluminaque obliquis cinxit declivia ripis;
Quæ, diversa locis, partim sorbentur ab ipsa;
In mare perveniunt partim, campoque recepta
Liberioris aquæ, pro ripis litora pulsant.

OVID, Met. I. 39

OVID, Met. I. 39

He confined the rivers within their sloping banks,
Which in different places are part absorbed by the earth,
Part reach the sea, and being received within the plain
Of its freer waters, beat the shore for banks.

He kept the rivers within their sloped banks,
Which in various spots are partly soaked up by the ground,
Partly flow into the sea, and being taken in by the flat
Of its open waters, crash against the shore for banks.

CONCORD RIVER

“Beneath low hills, in the broad interval
Through which at will our Indian rivulet
Winds mindful still of sannup and of squaw,
Whose pipe and arrow oft the plough unburies,
Here, in pine houses, built of new-fallen trees,
Supplanters of the tribe, the farmers dwell.”

“Under low hills, in the wide space
Where our Indian stream freely flows
Still remembering the Sannup and the Squaw,
Whose pipe and arrow are often uncovered by the plow,
Here, in houses made of fresh-cut pine,
The farmers, who replaced the tribe, live.”

—EMERSON.

—EMERSON.

The Musketaquid, or Grass-ground River, though probably as old as the Nile or Euphrates, did not begin to have a place in civilized history, until the fame of its grassy meadows and its fish attracted settlers out of England in 1635, when it received the other but kindred name of CONCORD from the first plantation on its banks, which appears to have been commenced in a spirit of peace and harmony. It will be Grass-ground River as long as grass grows and water runs here; it will be Concord River only while men lead peaceable lives on its banks. To an extinct race it was grass-ground, where they hunted and fished, and it is still perennial grass-ground to Concord farmers, who own the Great Meadows, and get the hay from year to year. “One branch of it,” according to the historian of Concord, for I love to quote so good authority, “rises in the south part of Hopkinton, and another from a pond and a large cedar-swamp in Westborough,” and flowing between Hopkinton and Southborough, through Framingham, and between Sudbury and Wayland, where it is sometimes called Sudbury River, it enters Concord at the south part of the town, and after receiving the North or Assabeth River, which has its source a little farther to the north and west, goes out at the northeast angle, and flowing between Bedford and Carlisle, and through Billerica, empties into the Merrimack at Lowell. In Concord it is, in summer, from four to fifteen feet deep, and from one hundred to three hundred feet wide, but in the spring freshets, when it overflows its banks, it is in some places nearly a mile wide. Between Sudbury and Wayland the meadows acquire their greatest breadth, and when covered with water, they form a handsome chain of shallow vernal lakes, resorted to by numerous gulls and ducks. Just above Sherman’s Bridge, between these towns, is the largest expanse, and when the wind blows freshly in a raw March day, heaving up the surface into dark and sober billows or regular swells, skirted as it is in the distance with alder-swamps and smoke-like maples, it looks like a smaller Lake Huron, and is very pleasant and exciting for a landsman to row or sail over. The farm-houses along the Sudbury shore, which rises gently to a considerable height, command fine water prospects at this season. The shore is more flat on the Wayland side, and this town is the greatest loser by the flood. Its farmers tell me that thousands of acres are flooded now, since the dams have been erected, where they remember to have seen the white honeysuckle or clover growing once, and they could go dry with shoes only in summer. Now there is nothing but blue-joint and sedge and cut-grass there, standing in water all the year round. For a long time, they made the most of the driest season to get their hay, working sometimes till nine o’clock at night, sedulously paring with their scythes in the twilight round the hummocks left by the ice; but now it is not worth the getting when they can come at it, and they look sadly round to their wood-lots and upland as a last resource.

The Musketaquid, or Grass-ground River, while likely as ancient as the Nile or Euphrates, didn't enter civilized history until the allure of its grassy meadows and fish drew settlers from England in 1635. It then gained the additional but related name of CONCORD from the first settlement along its banks, which seems to have started in a spirit of peace and harmony. It will remain Grass-ground River as long as grass grows and water flows here; it will only be Concord River while people live peacefully on its banks. For an extinct tribe, it was grass-ground, where they hunted and fished, and it still remains perennial grass-ground for Concord farmers, who own the Great Meadows and harvest hay year after year. “One branch of it," according to the historian of Concord, whom I enjoy quoting for good authority, “rises in the southern part of Hopkinton, and another from a pond and a large cedar swamp in Westborough.” Flowing between Hopkinton and Southborough, through Framingham, and between Sudbury and Wayland, where it is sometimes called Sudbury River, it enters Concord at the southern part of town. After taking in the North or Assabeth River, which starts a bit further north and west, it exits at the northeast corner, flowing between Bedford and Carlisle, and through Billerica, finally joining the Merrimack at Lowell. In Concord, it is four to fifteen feet deep in summer and from one hundred to three hundred feet wide, but during spring floods, when it spills over its banks, it can be nearly a mile wide in some areas. Between Sudbury and Wayland, the meadows reach their widest point, and when covered with water, they create a beautiful chain of shallow spring lakes, frequented by many gulls and ducks. Just above Sherman’s Bridge, between these towns, is the largest section, and when the wind blows briskly on a chilly March day, creating dark, rolling waves or regular swells, bordered by alder swamps and smoke-like maples in the distance, it resembles a smaller Lake Huron, providing a thrilling experience for those who row or sail over it. The farmhouses along the Sudbury shore, which rises gently to a significant height, offer great water views at this time of year. The shore is flatter on the Wayland side, and this town suffers the most from the flooding. Its farmers tell me that thousands of acres are submerged now, since the dams were built, where they once saw white honeysuckle or clover growing, allowing them to walk dry-shod in summer. Now, it’s only blue-joint, sedge, and cut-grass standing in water year-round. For many years, they used the driest times to collect their hay, sometimes working until nine at night, carefully cutting around the hummocks left by the ice in the fading light; but now it's not worth the effort when they can reach it, and they sadly look to their wood lots and higher ground as their last resort.

It is worth the while to make a voyage up this stream, if you go no farther than Sudbury, only to see how much country there is in the rear of us; great hills, and a hundred brooks, and farm-houses, and barns, and haystacks, you never saw before, and men everywhere, Sudbury, that is Southborough men, and Wayland, and Nine-Acre-Corner men, and Bound Rock, where four towns bound on a rock in the river, Lincoln, Wayland, Sudbury, Concord. Many waves are there agitated by the wind, keeping nature fresh, the spray blowing in your face, reeds and rushes waving; ducks by the hundred, all uneasy in the surf, in the raw wind, just ready to rise, and now going off with a clatter and a whistling like riggers straight for Labrador, flying against the stiff gale with reefed wings, or else circling round first, with all their paddles briskly moving, just over the surf, to reconnoitre you before they leave these parts; gulls wheeling overhead, muskrats swimming for dear life, wet and cold, with no fire to warm them by that you know of; their labored homes rising here and there like haystacks; and countless mice and moles and winged titmice along the sunny windy shore; cranberries tossed on the waves and heaving up on the beach, their little red skiffs beating about among the alders;—such healthy natural tumult as proves the last day is not yet at hand. And there stand all around the alders, and birches, and oaks, and maples full of glee and sap, holding in their buds until the waters subside. You shall perhaps run aground on Cranberry Island, only some spires of last year’s pipe-grass above water, to show where the danger is, and get as good a freezing there as anywhere on the Northwest Coast. I never voyaged so far in all my life. You shall see men you never heard of before, whose names you don’t know, going away down through the meadows with long ducking-guns, with water-tight boots wading through the fowl-meadow grass, on bleak, wintry, distant shores, with guns at half-cock, and they shall see teal, blue-winged, green-winged, shelldrakes, whistlers, black ducks, ospreys, and many other wild and noble sights before night, such as they who sit in parlors never dream of. You shall see rude and sturdy, experienced and wise men, keeping their castles, or teaming up their summer’s wood, or chopping alone in the woods, men fuller of talk and rare adventure in the sun and wind and rain, than a chestnut is of meat; who were out not only in ’75 and 1812, but have been out every day of their lives; greater men than Homer, or Chaucer, or Shakespeare, only they never got time to say so; they never took to the way of writing. Look at their fields, and imagine what they might write, if ever they should put pen to paper. Or what have they not written on the face of the earth already, clearing, and burning, and scratching, and harrowing, and ploughing, and subsoiling, in and in, and out and out, and over and over, again and again, erasing what they had already written for want of parchment.

It’s definitely worth taking a trip up this stream, even if you don’t go further than Sudbury, just to see how much land lies behind us; there are great hills, countless brooks, farmhouses, barns, and haystacks that you’ve never seen before, with people all around—men from Sudbury, Southborough, Wayland, Nine-Acre-Corner, and Bound Rock, where four towns meet by a rock in the river: Lincoln, Wayland, Sudbury, and Concord. The waves are stirred up by the wind, keeping nature alive, with the spray hitting your face, reeds and rushes swaying; there are hundreds of ducks, all restless in the surf, in the chilly wind, ready to take off, quickly leaving with a clatter and a whistling sound, like they’re heading straight for Labrador, battling the strong wind with their wings tucked, or circling above first, paddling energetically just over the surf, checking you out before they leave the area; gulls flying overhead, muskrats swimming for their lives, soaked and cold, with no fire to warm them that you know of; their makeshift homes popping up here and there like haystacks; countless mice, moles, and little birds along the sunny, windy shore; cranberries tossed in the waves and washing up on the beach, their tiny red boats floating among the alders;—such vibrant natural chaos shows that the end isn’t near yet. All around stand the alders, birches, oaks, and maples brimming with joy and sap, holding their buds back until the waters go down. You might get stuck on Cranberry Island, with only some last year’s grass peeping above water to warn you of the danger, and you’ll get as cold there as anywhere on the Northwest Coast. I’ve never traveled this far in my life. You’ll see men you’ve never heard of before, whose names you don’t recognize, wandering through the meadows with long duck-hunting guns, waterproof boots wading through the wet grass, on cold, wintry distant shores, with guns at half-cock, and they’ll spot teal, blue-winged, green-winged ducks, shelldrakes, whistlers, black ducks, ospreys, and many other wild and amazing things before nightfall, things that people sitting in living rooms could never imagine. You’ll encounter rough, tough, seasoned men, managing their properties, hauling their summer wood, or chopping wood alone in the forest, men who are full of conversation and rare stories from the sun, wind, and rain, more than a chestnut is full of meat; they’ve been out not just in ’75 and 1812, but every day of their lives; greater men than Homer, Chaucer, or Shakespeare, though they never had the time to say so; they never took to writing. Look at their fields, and think about what they might write, if they ever picked up a pen. Or consider what they’ve already written on the surface of the earth, clearing, burning, scratching, harrowing, plowing, and subsoiling, again and again, erasing what they’d already written for lack of parchment.

As yesterday and the historical ages are past, as the work of to-day is present, so some flitting perspectives, and demi-experiences of the life that is in nature are in time veritably future, or rather outside to time, perennial, young, divine, in the wind and rain which never die.

As yesterday and the past are gone, and today’s work is what's happening now, some fleeting views and half-experiences of the life that exists in nature are truly future, or rather timeless—everlasting, youthful, divine, in the wind and rain that never fade.

The respectable folks,—
Where dwell they?
They whisper in the oaks,
And they sigh in the hay;
Summer and winter, night and day,
Out on the meadow, there dwell they.
They never die,
Nor snivel, nor cry,
Nor ask our pity
With a wet eye.
A sound estate they ever mend
To every asker readily lend;
To the ocean wealth,
To the meadow health,
To Time his length,
To the rocks strength,
To the stars light,
To the weary night,
To the busy day,
To the idle play;
And so their good cheer never ends,
For all are their debtors, and all their friends.

The respectable people,—
Where do they live?
They whisper in the oaks,
And they sigh in the hay;
Summer and winter, night and day,
Out in the meadow, that's where they are.
They never die,
Nor whine, nor cry,
Nor seek our pity
With a teary eye.
They always make a solid fortune
And readily lend to anyone who asks;
To the ocean, wealth,
To the meadow, health,
To Time, his length,
To the rocks, strength,
To the stars, light,
To the weary night,
To the busy day,
To the lazy play;
And so their good cheer never ends,
For everyone owes them, and all are their friends.

Concord River is remarkable for the gentleness of its current, which is scarcely perceptible, and some have referred to its influence the proverbial moderation of the inhabitants of Concord, as exhibited in the Revolution, and on later occasions. It has been proposed, that the town should adopt for its coat of arms a field verdant, with the Concord circling nine times round. I have read that a descent of an eighth of an inch in a mile is sufficient to produce a flow. Our river has, probably, very near the smallest allowance. The story is current, at any rate, though I believe that strict history will not bear it out, that the only bridge ever carried away on the main branch, within the limits of the town, was driven up stream by the wind. But wherever it makes a sudden bend it is shallower and swifter, and asserts its title to be called a river. Compared with the other tributaries of the Merrimack, it appears to have been properly named Musketaquid, or Meadow River, by the Indians. For the most part, it creeps through broad meadows, adorned with scattered oaks, where the cranberry is found in abundance, covering the ground like a moss-bed. A row of sunken dwarf willows borders the stream on one or both sides, while at a greater distance the meadow is skirted with maples, alders, and other fluviatile trees, overrun with the grape-vine, which bears fruit in its season, purple, red, white, and other grapes. Still farther from the stream, on the edge of the firm land, are seen the gray and white dwellings of the inhabitants. According to the valuation of 1831, there were in Concord two thousand one hundred and eleven acres, or about one seventh of the whole territory in meadow; this standing next in the list after pasturage and unimproved lands, and, judging from the returns of previous years, the meadow is not reclaimed so fast as the woods are cleared.

The Concord River is known for its gentle current, which is hardly noticeable, and some attribute the calmness of its waters to the famously moderate nature of the people in Concord, as seen during the Revolution and in later events. It has been suggested that the town should adopt a coat of arms featuring a green field with the Concord River circling it nine times. I’ve read that a drop of an eighth of an inch over a mile is enough to create a flow. Our river probably has nearly the least gradient possible. There's a story, though I suspect it might not be entirely accurate, that the only bridge ever swept away on the main branch within the town was actually pushed upstream by the wind. However, wherever the river takes a sharp turn, it becomes shallower and faster, proving its right to be called a river. Compared to other tributaries of the Merrimack, it seems the Indians aptly named it Musketaquid, or Meadow River. For the most part, it flows through wide meadows sprinkled with scattered oaks, where cranberry plants thrive, covering the ground like moss. A line of low, sunken willows lines the stream on one or both sides, while further back, maples, alders, and other riverside trees, intertwined with grapevines that produce purple, red, white, and other varieties of grapes in season, border the meadow. Even farther from the stream, on solid ground, you can see the gray and white homes of the residents. According to the 1831 assessment, there were two thousand one hundred eleven acres in Concord, or about one-seventh of the total land area classified as meadow; this was second only to pasture and unclaimed land, and based on reports from previous years, the meadow isn't being reclaimed as quickly as the forest is being cleared.

Let us here read what old Johnson says of these meadows in his “Wonder-working Providence,” which gives the account of New England from 1628 to 1652, and see how matters looked to him. He says of the Twelfth Church of Christ gathered at Concord: “This town is seated upon a fair fresh river, whose rivulets are filled with fresh marsh, and her streams with fish, it being a branch of that large river of Merrimack. Allwifes and shad in their season come up to this town, but salmon and dace cannot come up, by reason of the rocky falls, which causeth their meadows to lie much covered with water, the which these people, together with their neighbor town, have several times essayed to cut through but cannot, yet it may be turned another way with an hundred pound charge as it appeared.” As to their farming he says: “Having laid out their estate upon cattle at 5 to 20 pound a cow, when they came to winter them with inland hay, and feed upon such wild fother as was never cut before, they could not hold out the winter, but, ordinarily the first or second year after their coming up to a new plantation, many of their cattle died.” And this from the same author “Of the Planting of the 19th Church in the Mattachusets’ Government, called Sudbury”: “This year [does he mean 1654] the town and church of Christ at Sudbury began to have the first foundation stones laid, taking up her station in the inland country, as her elder sister Concord had formerly done, lying further up the same river, being furnished with great plenty of fresh marsh, but, it lying very low is much indamaged with land floods, insomuch that when the summer proves wet they lose part of their hay; yet are they so sufficiently provided that they take in cattle of other towns to winter.”

Let’s read what old Johnson says about these meadows in his “Wonder-working Providence,” which covers New England from 1628 to 1652, and see how things looked to him. He writes about the Twelfth Church of Christ established in Concord: “This town is located by a beautiful, fresh river, with its streams filled with fresh marsh and fish, a branch of the large Merrimack River. Allwifes and shad come up to this town during their season, but salmon and dace can’t get through because of the rocky falls, which causes their meadows to often be covered with water. The residents, along with their neighboring town, have tried several times to cut through it, but so far haven’t succeeded; however, it could be redirected another way for a cost of about a hundred pounds, as it seems.” Regarding their farming, he states: “After investing in cattle at £5 to £20 per cow, when they tried to winter them with inland hay and feed them on wild forage that had never been cut before, they couldn’t last through the winter. Typically, in the first or second year after they settled in a new area, many of their cattle died.” And from the same author about “The Planting of the 19th Church in the Massachusetts Government, called Sudbury”: “This year [he means 1654] the town and church of Christ at Sudbury started laying the first foundation stones, establishing their community in the inland region, as their older sister Concord had done before, situated further up the same river, with an abundance of fresh marsh. However, being quite low, it suffers significantly from floods, so when summer is wet, they lose some of their hay; still, they are well-prepared enough to bring in cattle from other towns for the winter.”

The sluggish artery of the Concord meadows steals thus unobserved through the town, without a murmur or a pulse-beat, its general course from southwest to northeast, and its length about fifty miles; a huge volume of matter, ceaselessly rolling through the plains and valleys of the substantial earth with the moccasoned tread of an Indian warrior, making haste from the high places of the earth to its ancient reservoir. The murmurs of many a famous river on the other side of the globe reach even to us here, as to more distant dwellers on its banks; many a poet’s stream floating the helms and shields of heroes on its bosom. The Xanthus or Scamander is not a mere dry channel and bed of a mountain torrent, but fed by the everflowing springs of fame;—

The slow-moving stream of the Concord meadows quietly flows through the town, without a sound or heartbeat, generally heading from southwest to northeast, stretching about fifty miles. It's a massive body of water, constantly moving across the plains and valleys of the solid earth like an Indian warrior on silent feet, rushing from the heights to its ancient reservoir. The whispers of many famous rivers from the other side of the world reach us here, just as they do to those living farther down their banks; countless poets have let their streams carry the helmets and shields of heroes. The Xanthus or Scamander isn't just a dry channel with the remnants of a mountain torrent but is nourished by the ever-flowing springs of fame;—

“And thou Simois, that as an arrowe, clere
Through Troy rennest, aie downward to the sea”;—

“And you Simois, that like an arrow, clear
Through Troy you run, straight down to the sea”;—

and I trust that I may be allowed to associate our muddy but much abused Concord River with the most famous in history.

and I hope that I can connect our muddy but often mistreated Concord River with the most renowned in history.

“Sure there are poets which did never dream
Upon Parnassus, nor did taste the stream
Of Helicon; we therefore may suppose
Those made not poets, but the poets those.”

“Sure, there are poets who never dreamed
Of Parnassus, nor did they taste the stream
Of Helicon; we can assume
It's not those who made the poets, but the poets who made them.”

The Mississippi, the Ganges, and the Nile, those journeying atoms from the Rocky Mountains, the Himmaleh, and Mountains of the Moon, have a kind of personal importance in the annals of the world. The heavens are not yet drained over their sources, but the Mountains of the Moon still send their annual tribute to the Pasha without fail, as they did to the Pharaohs, though he must collect the rest of his revenue at the point of the sword. Rivers must have been the guides which conducted the footsteps of the first travellers. They are the constant lure, when they flow by our doors, to distant enterprise and adventure, and, by a natural impulse, the dwellers on their banks will at length accompany their currents to the lowlands of the globe, or explore at their invitation the interior of continents. They are the natural highways of all nations, not only levelling the ground and removing obstacles from the path of the traveller, quenching his thirst and bearing him on their bosoms, but conducting him through the most interesting scenery, the most populous portions of the globe, and where the animal and vegetable kingdoms attain their greatest perfection.

The Mississippi, the Ganges, and the Nile—those flowing particles from the Rocky Mountains, the Himalayas, and the Mountains of the Moon—hold a special significance in the history of the world. The skies have not yet exhausted their sources, but the Mountains of the Moon still consistently send their yearly tribute to the Pasha, just as they did to the Pharaohs, even though he must gather the rest of his taxes by force. Rivers must have been the guides that led the first travelers. They constantly beckon us to engage in distant ventures and adventures when they flow by our homes, and naturally, those living along their banks will eventually follow their currents to the lowlands or explore, at their urging, the heart of continents. They are the natural highways for all nations, smoothing the ground and removing obstacles for travelers, quenching their thirst and carrying them along, while also guiding them through the most captivating landscapes, the most populated regions of the world, and where both animal and plant life flourish at their finest.

I had often stood on the banks of the Concord, watching the lapse of the current, an emblem of all progress, following the same law with the system, with time, and all that is made; the weeds at the bottom gently bending down the stream, shaken by the watery wind, still planted where their seeds had sunk, but erelong to die and go down likewise; the shining pebbles, not yet anxious to better their condition, the chips and weeds, and occasional logs and stems of trees that floated past, fulfilling their fate, were objects of singular interest to me, and at last I resolved to launch myself on its bosom and float whither it would bear me.

I often stood by the banks of the Concord, watching the flow of the current, a symbol of all progress, moving according to the same laws as the universe, time, and everything created; the weeds at the bottom gently bending downstream, stirred by the water's breeze, still rooted where their seeds had settled, but soon to die and flow away too; the shiny pebbles, not yet eager to improve their lot, alongside the chips, weeds, and occasional logs and branches that drifted by, each fulfilling its destiny, were captivating to me, and ultimately, I decided to launch myself into its embrace and float wherever it would take me.

SATURDAY

“Come, come, my lovely fair, and let us try
Those rural delicacies.”

Christ’s Invitation to the Soul. QUARLES

“Come, come, my lovely fair, and let’s try
those country treats.”

Christ’s Invitation to the Soul. QUARLES

At length, on Saturday, the last day of August, 1839, we two, brothers, and natives of Concord, weighed anchor in this river port; for Concord, too, lies under the sun, a port of entry and departure for the bodies as well as the souls of men; one shore at least exempted from all duties but such as an honest man will gladly discharge. A warm drizzling rain had obscured the morning, and threatened to delay our voyage, but at length the leaves and grass were dried, and it came out a mild afternoon, as serene and fresh as if Nature were maturing some greater scheme of her own. After this long dripping and oozing from every pore, she began to respire again more healthily than ever. So with a vigorous shove we launched our boat from the bank, while the flags and bulrushes courtesied a God-speed, and dropped silently down the stream.

Finally, on Saturday, the last day of August 1839, we two brothers, natives of Concord, set sail in this river port. Concord, too, is under the sun, a place for both arrivals and departures for people’s bodies and souls; one shore at least free from all duties except those an honest person is happy to take on. A warm, drizzly rain had clouded the morning and threatened to delay our journey, but eventually, the leaves and grass dried off, leading to a mild afternoon, as calm and fresh as if Nature was bringing about some bigger plan of her own. After all this long soaking and moisture from every surface, she seemed to breathe again more healthily than ever. So with a strong push, we launched our boat from the bank, while the flags and bulrushes waved us off, and we silently floated down the stream.

Our boat, which had cost us a week’s labor in the spring, was in form like a fisherman’s dory, fifteen feet long by three and a half in breadth at the widest part, painted green below, with a border of blue, with reference to the two elements in which it was to spend its existence. It had been loaded the evening before at our door, half a mile from the river, with potatoes and melons from a patch which we had cultivated, and a few utensils, and was provided with wheels in order to be rolled around falls, as well as with two sets of oars, and several slender poles for shoving in shallow places, and also two masts, one of which served for a tent-pole at night; for a buffalo-skin was to be our bed, and a tent of cotton cloth our roof. It was strongly built, but heavy, and hardly of better model than usual. If rightly made, a boat would be a sort of amphibious animal, a creature of two elements, related by one half its structure to some swift and shapely fish, and by the other to some strong-winged and graceful bird. The fish shows where there should be the greatest breadth of beam and depth in the hold; its fins direct where to set the oars, and the tail gives some hint for the form and position of the rudder. The bird shows how to rig and trim the sails, and what form to give to the prow that it may balance the boat, and divide the air and water best. These hints we had but partially obeyed. But the eyes, though they are no sailors, will never be satisfied with any model, however fashionable, which does not answer all the requisitions of art. However, as art is all of a ship but the wood, and yet the wood alone will rudely serve the purpose of a ship, so our boat, being of wood, gladly availed itself of the old law that the heavier shall float the lighter, and though a dull water-fowl, proved a sufficient buoy for our purpose.

Our boat, which cost us a week’s work in the spring, was shaped like a fisherman’s dory, fifteen feet long and three and a half feet wide at its widest point. It was painted green below, with a blue stripe to represent the two elements it would encounter. The night before, we loaded it at our door, half a mile from the river, with potatoes and melons from our cultivated patch, along with some utensils. It had wheels so we could roll it past falls, two sets of oars, several slender poles for pushing in shallow areas, and two masts, one of which doubled as a tent-pole at night. We used a buffalo-skin for our bed and a cotton cloth for our roof. The boat was well-built but heavy, and its design was nothing special. Ideally, a boat should resemble an amphibious creature, connected to a swift, sleek fish on one side and a strong, graceful bird on the other. The fish shows where to make the boat wide and deep; its fins indicate where to place the oars, and its tail suggests the design and location of the rudder. The bird demonstrates how to rig and trim the sails and what shape to give the bow for better balance in both air and water. We followed some of these suggestions but not all. Still, our eyes, even if not skilled sailors, aren’t satisfied with any design that doesn’t meet artistic standards. However, since art comprises everything about a ship except the wood, and wood alone can serve as a basic vessel, our boat, being made of wood, happily made use of the principle that heavier objects float lighter ones. And even though it was a clumsy watercraft, it was buoyant enough for our needs.

“Were it the will of Heaven, an osier bough
Were vessel safe enough the seas to plough.”

“If it were God's will, a willow branch
Would be a sturdy enough vessel to sail the seas.”

Some village friends stood upon a promontory lower down the stream to wave us a last farewell; but we, having already performed these shore rites, with excusable reserve, as befits those who are embarked on unusual enterprises, who behold but speak not, silently glided past the firm lands of Concord, both peopled cape and lonely summer meadow, with steady sweeps. And yet we did unbend so far as to let our guns speak for us, when at length we had swept out of sight, and thus left the woods to ring again with their echoes; and it may be many russet-clad children, lurking in those broad meadows, with the bittern and the woodcock and the rail, though wholly concealed by brakes and hardhack and meadow-sweet, heard our salute that afternoon.

Some village friends stood on a cliff further down the stream to wave us a final goodbye; but we, having already said our farewells, with understandable restraint, as is fitting for those embarking on unusual journeys, who observe but don’t speak, silently glided past the solid land of Concord, both the bustling cape and the quiet summer meadow, with steady strokes. Still, we did relax enough to let our guns make a noise for us when we finally drifted out of sight, leaving the woods to reverberate with our echoes; and it may be that many russet-clad children hiding in those wide meadows, along with the bittern, woodcock, and rail, although completely hidden by underbrush and meadow-sweet, heard our salute that afternoon.

We were soon floating past the first regular battle ground of the Revolution, resting on our oars between the still visible abutments of that “North Bridge,” over which in April, 1775, rolled the first faint tide of that war, which ceased not, till, as we read on the stone on our right, it “gave peace to these United States.” As a Concord poet has sung:—

We were soon drifting past the first official battleground of the Revolution, resting on our oars between the still-visible supports of that “North Bridge,” where, in April 1775, the initial faint wave of that war began, which didn’t stop until, as we read on the stone to our right, it “gave peace to these United States.” As a poet from Concord has sung:—

“By the rude bridge that arched the flood,
    Their flag to April’s breeze unfurled,
Here once the embattled farmers stood,
    And fired the shot heard round the world.

“The foe long since in silence slept;
    Alike the conqueror silent sleeps;
And Time the ruined bridge has swept
    Down the dark stream which seaward creeps.”

“By the rough bridge that spanned the river,
    Their flag fluttered in April’s breeze,
Here once the fighting farmers stood,
    And fired the shot that was heard around the world.

“The enemy has long since slept in silence;
    The conqueror also sleeps quietly;
And Time has swept the ruined bridge
    Down the dark stream that flows toward the sea.”

Our reflections had already acquired a historical remoteness from the scenes we had left, and we ourselves essayed to sing.

Our reflections were already distanced from the places we had left behind, and we tried to sing.

Ah, ’t is in vain the peaceful din
    That wakes the ignoble town,
Not thus did braver spirits win
    A patriot’s renown.

There is one field beside this stream,
    Wherein no foot does fall,
But yet it beareth in my dream
    A richer crop than all.

Let me believe a dream so dear,
    Some heart beat high that day,
Above the petty Province here,
    And Britain far away;

Some hero of the ancient mould,
    Some arm of knightly worth,
Of strength unbought, and faith unsold,
    Honored this spot of earth;

Who sought the prize his heart described,
    And did not ask release,
Whose free-born valor was not bribed
    By prospect of a peace.

The men who stood on yonder height
    That day are long since gone;
Not the same hand directs the fight
    And monumental stone.

Ye were the Grecian cities then,
    The Romes of modern birth,
Where the New England husbandmen
    Have shown a Roman worth.

In vain I search a foreign land
    To find our Bunker Hill,
And Lexington and Concord stand
    By no Laconian rill.

Ah, it’s pointless, the peaceful noise
That wakes the unworthy town,
Not this way did braver souls earn
A patriot's renown.

There’s one field by this stream,
Where no foot ever falls,
But it bears in my dreams
A richer crop than all.

Let me believe in a dream so dear,
Some heart beat high that day,
Above this petty Province here,
And Britain far away;

Some hero of ancient kind,
Some arm of noble worth,
Of strength unbought, and faith unsold,
Honored this piece of earth;

Who sought the prize his heart envisioned,
And didn’t ask to stop,
Whose free-born courage wasn’t bribed
By the promise of a peace.

The men who stood on that height
That day are long since gone;
Not the same hand guides the fight
And monumental stone.

You were the Greek cities then,
The modern Romes of birth,
Where the New England farmers
Have shown a Roman worth.

In vain I search a foreign land
To find our Bunker Hill,
And Lexington and Concord stand
By no Laconian stream.

With such thoughts we swept gently by this now peaceful pasture-ground, on waves of Concord, in which was long since drowned the din of war.

With those thoughts, we smoothly passed by this now peaceful pasture, on waves of Concord, where the noise of war has long since been silenced.

But since we sailed
Some things have failed,
And many a dream
Gone down the stream.

Here then an aged shepherd dwelt,
Who to his flock his substance dealt,
And ruled them with a vigorous crook,
By precept of the sacred Book;
But he the pierless bridge passed o’er,
And solitary left the shore.

Anon a youthful pastor came,
Whose crook was not unknown to fame,
His lambs he viewed with gentle glance,
Spread o’er the country’s wide expanse,
And fed with “Mosses from the Manse.”
Here was our Hawthorne in the dale,
And here the shepherd told his tale.

But since we set sail
Some things have gone wrong,
And many dreams
Have drifted away.

Here, an old shepherd lived,
Who shared his resources with his flock,
And managed them with a sturdy crook,
Guided by the teachings of the sacred Book;
But he crossed the endless bridge,
And left the shore all alone.

Soon a young pastor arrived,
Whose crook was well known,
He looked at his lambs with a gentle gaze,
Spread across the vast countryside,
And fed them with “Mosses from the Manse.”
Here was our Hawthorne in the valley,
And here the shepherd shared his story.

That slight shaft had now sunk behind the hills, and we had floated round the neighboring bend, and under the new North Bridge between Ponkawtasset and the Poplar Hill, into the Great Meadows, which, like a broad moccason print, have levelled a fertile and juicy place in nature.

That slight beam of light had now dipped below the hills, and we had drifted around the nearby bend, and under the new North Bridge between Ponkawtasset and Poplar Hill, into the Great Meadows, which, like a wide moccasin print, have created a lush and fertile spot in nature.

On Ponkawtasset, since, we took our way,
Down this still stream to far Billericay,
A poet wise has settled, whose fine ray
Doth often shine on Concord’s twilight day.

Like those first stars, whose silver beams on high,
Shining more brightly as the day goes by,
Most travellers cannot at first descry,
But eyes that wont to range the evening sky,

And know celestial lights, do plainly see,
And gladly hail them, numbering two or three;
For lore that’s deep must deeply studied be,
As from deep wells men read star-poetry.

These stars are never paled, though out of sight,
But like the sun they shine forever bright;
Ay, they are suns, though earth must in its flight
Put out its eyes that it may see their light.

Who would neglect the least celestial sound,
Or faintest light that falls on earthly ground,
If he could know it one day would be found
That star in Cygnus whither we are bound,
And pale our sun with heavenly radiance round?

On Ponkawtasset, we made our way,
Down this calm stream to distant Billericay,
A wise poet has settled here, whose fine light
Often shines on Concord’s twilight days.

Like those first stars, whose silver beams up high,
Shining brighter as the day goes by,
Most travelers can’t spot them at first,
But eyes used to scanning the evening sky,

And familiar with celestial lights, can clearly see,
And joyfully acknowledge them, counting two or three;
For knowledge that’s profound must be deeply studied,
Just as from deep wells, people read star-poetry.

These stars never fade, even when out of sight,
But like the sun, they shine forever bright;
Yes, they are suns, though the earth must turn
Its gaze away to appreciate their light.

Who would ignore the slightest heavenly sound,
Or the faintest light that touches the ground,
If they could know that one day it would be found
That star in Cygnus to which we’re bound,
And pale our sun with celestial brilliance all around?

Gradually the village murmur subsided, and we seemed to be embarked on the placid current of our dreams, floating from past to future as silently as one awakes to fresh morning or evening thoughts. We glided noiselessly down the stream, occasionally driving a pickerel or a bream from the covert of the pads, and the smaller bittern now and then sailed away on sluggish wings from some recess in the shore, or the larger lifted itself out of the long grass at our approach, and carried its precious legs away to deposit them in a place of safety. The tortoises also rapidly dropped into the water, as our boat ruffled the surface amid the willows, breaking the reflections of the trees. The banks had passed the height of their beauty, and some of the brighter flowers showed by their faded tints that the season was verging towards the afternoon of the year; but this sombre tinge enhanced their sincerity, and in the still unabated heats they seemed like the mossy brink of some cool well. The narrow-leaved willow (Salix Purshiana) lay along the surface of the water in masses of light green foliage, interspersed with the large balls of the button-bush. The small rose-colored polygonum raised its head proudly above the water on either hand, and flowering at this season and in these localities, in front of dense fields of the white species which skirted the sides of the stream, its little streak of red looked very rare and precious. The pure white blossoms of the arrow-head stood in the shallower parts, and a few cardinals on the margin still proudly surveyed themselves reflected in the water, though the latter, as well as the pickerel-weed, was now nearly out of blossom. The snake-head, Chelone glabra, grew close to the shore, while a kind of coreopsis, turning its brazen face to the sun, full and rank, and a tall dull red flower, Eupatorium purpureum, or trumpet-weed, formed the rear rank of the fluvial array. The bright blue flowers of the soap-wort gentian were sprinkled here and there in the adjacent meadows, like flowers which Proserpine had dropped, and still farther in the fields or higher on the bank were seen the purple Gerardia, the Virginian rhexia, and drooping neottia or ladies’-tresses; while from the more distant waysides which we occasionally passed, and banks where the sun had lodged, was reflected still a dull yellow beam from the ranks of tansy, now past its prime. In short, Nature seemed to have adorned herself for our departure with a profusion of fringes and curls, mingled with the bright tints of flowers, reflected in the water. But we missed the white water-lily, which is the queen of river flowers, its reign being over for this season. He makes his voyage too late, perhaps, by a true water clock who delays so long. Many of this species inhabit our Concord water. I have passed down the river before sunrise on a summer morning between fields of lilies still shut in sleep; and when, at length, the flakes of sunlight from over the bank fell on the surface of the water, whole fields of white blossoms seemed to flash open before me, as I floated along, like the unfolding of a banner, so sensible is this flower to the influence of the sun’s rays.

Gradually, the village chatter faded away, and it felt like we were riding the calm current of our dreams, moving from the past to the future as quietly as someone waking up to fresh thoughts in the morning or evening. We floated silently down the stream, occasionally scaring a pickerel or a bream from the shelter of the pads, and every now and then, a small bittern would lazily take off with sluggish wings from some spot along the shore, while a larger one would lift itself from the tall grass as we approached and carry its precious legs away to safety. The turtles also quickly dove into the water as our boat disturbed the surface among the willows, breaking the reflections of the trees. The banks had passed their peak beauty, and some of the brighter flowers showed their faded colors, hinting that the season was moving toward the year's afternoon; but this dull hue added to their authenticity, and in the still intense heat, they resembled the mossy edge of a cool well. The narrow-leaved willow (Salix Purshiana) lay along the water's surface in clumps of light green leaves, mixed with the large balls of button-bush. The small rose-colored polygonum proudly raised its head above the water on either side, blooming in this season and location, in front of dense patches of the white variety that flanked the stream; its little splash of red looked very rare and valuable. The pure white flowers of the arrowhead stood in the shallower areas, and a few cardinals along the edge still proudly admired their reflections in the water, even though both that and the pickerel-weed were nearly out of bloom. The snake-head, Chelone glabra, grew close to the shore, while a type of coreopsis, turning its shiny face to the sun, full and robust, and a tall muted red flower, Eupatorium purpureum, or trumpet-weed, formed the back line of this river display. Bright blue flowers of the soap-wort gentian were dotted throughout the nearby meadows, like flowers that Proserpine had dropped, and further in the fields or higher up the bank, the purple Gerardia, Virginian rhexia, and drooping neottia, or ladies’-tresses, could be seen; while from the more distant roadsides we occasionally passed, and banks where the sun had warmed, a dull yellow glow still reflected from the ranks of tansy, now past its peak. In short, Nature seemed to have dressed up for our departure with an abundance of fringes and curls, mixed with the bright colors of flowers, mirrored in the water. But we missed the white water-lily, the queen of river flowers, whose reign was over for the season. He may be running late for his voyage, perhaps, by a true water clock that takes too long to set off. Many of this type thrive in our Concord waters. I have floated down the river before sunrise on a summer morning between fields of lilies still in slumber; and when, at last, the rays of sunlight over the bank hit the water's surface, whole fields of white blooms seemed to burst open before me like the unfurling of a banner, so responsive is this flower to the sun’s light.

As we were floating through the last of these familiar meadows, we observed the large and conspicuous flowers of the hibiscus, covering the dwarf willows, and mingled with the leaves of the grape, and wished that we could inform one of our friends behind of the locality of this somewhat rare and inaccessible flower before it was too late to pluck it; but we were just gliding out of sight of the village spire before it occurred to us that the farmer in the adjacent meadow would go to church on the morrow, and would carry this news for us; and so by the Monday, while we should be floating on the Merrimack, our friend would be reaching to pluck this blossom on the bank of the Concord.

As we floated through the last of these familiar meadows, we noticed the large and eye-catching hibiscus flowers covering the dwarf willows and mixing with the grape leaves. We wished we could tell one of our friends behind about the location of this somewhat rare and hard-to-reach flower before it was too late to pick it. But just as we were gliding out of sight of the village spire, we remembered that the farmer in the nearby meadow would be going to church tomorrow and could share this news for us. So by Monday, while we were floating on the Merrimack, our friend would be reaching to pick this blossom on the banks of the Concord.

After a pause at Ball’s Hill, the St. Ann’s of Concord voyageurs, not to say any prayer for the success of our voyage, but to gather the few berries which were still left on the hills, hanging by very slender threads, we weighed anchor again, and were soon out of sight of our native village. The land seemed to grow fairer as we withdrew from it. Far away to the southwest lay the quiet village, left alone under its elms and buttonwoods in mid afternoon; and the hills, notwithstanding their blue, ethereal faces, seemed to cast a saddened eye on their old playfellows; but, turning short to the north, we bade adieu to their familiar outlines, and addressed ourselves to new scenes and adventures. Naught was familiar but the heavens, from under whose roof the voyageur never passes; but with their countenance, and the acquaintance we had with river and wood, we trusted to fare well under any circumstances.

After a pause at Ball’s Hill, the St. Ann’s of Concord travelers, not stopping to say a prayer for the success of our journey but instead gathering the few berries still left on the hills, which were hanging by very thin threads, we weighed anchor again and soon lost sight of our hometown. The land seemed to grow more beautiful as we moved away from it. Far off to the southwest lay the quiet village, resting alone under its elms and buttonwoods in the afternoon; and the hills, despite their blue, ethereal faces, seemed to cast a sad glance at their old companions; but, turning quickly to the north, we said goodbye to their familiar shapes and turned our attention to new sights and adventures. The only familiar thing was the sky, under which no traveler ever departs; but with its presence, and our familiarity with the river and woods, we felt confident we could manage well no matter what happened.

From this point, the river runs perfectly straight for a mile or more to Carlisle Bridge, which consists of twenty wooden piers, and when we looked back over it, its surface was reduced to a line’s breadth, and appeared like a cobweb gleaming in the sun. Here and there might be seen a pole sticking up, to mark the place where some fisherman had enjoyed unusual luck, and in return had consecrated his rod to the deities who preside over these shallows. It was full twice as broad as before, deep and tranquil, with a muddy bottom, and bordered with willows, beyond which spread broad lagoons covered with pads, bulrushes, and flags.

From this point, the river runs perfectly straight for a mile or more to Carlisle Bridge, which has twenty wooden piers. When we looked back at it, its surface shrank to just a thin line and looked like a cobweb shining in the sun. Now and then, you could see a pole sticking up to mark where some lucky fisherman had made a great catch and, as a thank you, dedicated his rod to the spirits that watch over these shallows. The river was twice as wide as before, deep and calm, with a muddy bottom, and lined with willows. Beyond that, broad lagoons spread out, covered with lily pads, bulrushes, and flags.

Late in the afternoon we passed a man on the shore fishing with a long birch pole, its silvery bark left on, and a dog at his side, rowing so near as to agitate his cork with our oars, and drive away luck for a season; and when we had rowed a mile as straight as an arrow, with our faces turned towards him, and the bubbles in our wake still visible on the tranquil surface, there stood the fisher still with his dog, like statues under the other side of the heavens, the only objects to relieve the eye in the extended meadow; and there would he stand abiding his luck, till he took his way home through the fields at evening with his fish. Thus, by one bait or another, Nature allures inhabitants into all her recesses. This man was the last of our townsmen whom we saw, and we silently through him bade adieu to our friends.

Late in the afternoon, we passed a man fishing on the shore with a long birch pole that still had its silvery bark, and a dog beside him. We rowed so close that our oars disturbed his cork and scared away his luck for a while. After rowing a mile in a straight line with our faces toward him, the bubbles in our wake still visible on the calm surface, there he stood with his dog like statues under the opposite sky, the only sight to break the expanse of the meadow. He would remain there, waiting for his luck, until he made his way home through the fields in the evening with his catch. In this way, Nature entices people into all her hidden corners with different baits. This man was the last of our townspeople we saw, and through him, we silently said goodbye to our friends.

The characteristics and pursuits of various ages and races of men are always existing in epitome in every neighborhood. The pleasures of my earliest youth have become the inheritance of other men. This man is still a fisher, and belongs to an era in which I myself have lived. Perchance he is not confounded by many knowledges, and has not sought out many inventions, but how to take many fishes before the sun sets, with his slender birchen pole and flaxen line, that is invention enough for him. It is good even to be a fisherman in summer and in winter. Some men are judges these August days, sitting on benches, even till the court rises; they sit judging there honorably, between the seasons and between meals, leading a civil politic life, arbitrating in the case of Spaulding versus Cummings, it may be, from highest noon till the red vesper sinks into the west. The fisherman, meanwhile, stands in three feet of water, under the same summer’s sun, arbitrating in other cases between muckworm and shiner, amid the fragrance of water-lilies, mint, and pontederia, leading his life many rods from the dry land, within a pole’s length of where the larger fishes swim. Human life is to him very much like a river,

The traits and ambitions of different ages and races of people are always reflected in every neighborhood. The joys of my early youth have become the legacy of others. This man is still a fisherman and belongs to a time I’ve also experienced. Perhaps he’s not overwhelmed by too much knowledge and hasn’t sought many inventions, but knowing how to catch plenty of fish before sundown with his slender birch pole and flax line is enough of an invention for him. It’s nice to be a fisherman in summer and winter. Some men are judges during these warm days, sitting on benches until the court adjourns; they sit there honorably judging cases, balancing their civic duties between the seasons and meals, possibly deciding on Spaulding versus Cummings, from high noon until the sun sets in the west. Meanwhile, the fisherman stands in three feet of water under the same summer sun, deliberating in other matters between muckworm and shiner, surrounded by the scent of water lilies, mint, and pontederia, living his life many rods away from dry land, within a pole’s length of where the larger fish swim. To him, human life is very much like a river,

—“renning aie downward to the sea.”

“running to the sea.”

This was his observation. His honor made a great discovery in bailments.

This was his observation. His honor made an important discovery in bailments.

I can just remember an old brown-coated man who was the Walton of this stream, who had come over from Newcastle, England, with his son,—the latter a stout and hearty man who had lifted an anchor in his day. A straight old man he was who took his way in silence through the meadows, having passed the period of communication with his fellows; his old experienced coat, hanging long and straight and brown as the yellow-pine bark, glittering with so much smothered sunlight, if you stood near enough, no work of art but naturalized at length. I often discovered him unexpectedly amid the pads and the gray willows when he moved, fishing in some old country method,—for youth and age then went a fishing together,—full of incommunicable thoughts, perchance about his own Tyne and Northumberland. He was always to be seen in serene afternoons haunting the river, and almost rustling with the sedge; so many sunny hours in an old man’s life, entrapping silly fish; almost grown to be the sun’s familiar; what need had he of hat or raiment any, having served out his time, and seen through such thin disguises? I have seen how his coeval fates rewarded him with the yellow perch, and yet I thought his luck was not in proportion to his years; and I have seen when, with slow steps and weighed down with aged thoughts, he disappeared with his fish under his low-roofed house on the skirts of the village. I think nobody else saw him; nobody else remembers him now, for he soon after died, and migrated to new Tyne streams. His fishing was not a sport, nor solely a means of subsistence, but a sort of solemn sacrament and withdrawal from the world, just as the aged read their Bibles.

I can just remember an old man in a brown coat who was the Walton of this stream, who had come over from Newcastle, England, with his son—a robust and hearty man who had lifted an anchor in his day. He was a straight old man who moved silently through the meadows, having passed the time for chatting with others; his old, worn coat hung long and straight, brown like the bark of yellow pine, sparkling with so much hidden sunlight that if you stood close enough, it felt like an artwork but was simply natural over time. I often came across him unexpectedly among the lily pads and gray willows when he moved, fishing in some traditional way—because youth and age fished together back then—full of unspoken thoughts, perhaps about his own Tyne and Northumberland. He could always be seen on calm afternoons haunting the river, almost blending in with the reeds; so many sunny hours in an old man’s life, catching foolish fish; almost like he had become a companion of the sun; what need did he have for a hat or clothes at all, having served his time and seen through such flimsy disguises? I’ve seen how his contemporaries rewarded him with yellow perch, yet I thought his luck didn’t match his years; and I watched as, with slow steps and weighed down by old thoughts, he disappeared with his catch under the low roof of his house on the edge of the village. I think no one else saw him; no one else remembers him now, for he soon after passed away and moved on to new Tyne streams. His fishing wasn’t just a hobby, nor solely a way to make a living, but a kind of serious ritual and retreat from the world, just like the elderly reading their Bibles.

Whether we live by the seaside, or by the lakes and rivers, or on the prairie, it concerns us to attend to the nature of fishes, since they are not phenomena confined to certain localities only, but forms and phases of the life in nature universally dispersed. The countless shoals which annually coast the shores of Europe and America are not so interesting to the student of nature, as the more fertile law itself, which deposits their spawn on the tops of mountains, and on the interior plains; the fish principle in nature, from which it results that they may be found in water in so many places, in greater or less numbers. The natural historian is not a fisherman, who prays for cloudy days and good luck merely, but as fishing has been styled “a contemplative man’s recreation,” introducing him profitably to woods and water, so the fruit of the naturalist’s observations is not in new genera or species, but in new contemplations still, and science is only a more contemplative man’s recreation. The seeds of the life of fishes are everywhere disseminated, whether the winds waft them, or the waters float them, or the deep earth holds them; wherever a pond is dug, straightway it is stocked with this vivacious race. They have a lease of nature, and it is not yet out. The Chinese are bribed to carry their ova from province to province in jars or in hollow reeds, or the water-birds to transport them to the mountain tarns and interior lakes. There are fishes wherever there is a fluid medium, and even in clouds and in melted metals we detect their semblance. Think how in winter you can sink a line down straight in a pasture through snow and through ice, and pull up a bright, slippery, dumb, subterranean silver or golden fish! It is curious, also, to reflect how they make one family, from the largest to the smallest. The least minnow that lies on the ice as bait for pickerel, looks like a huge sea-fish cast up on the shore. In the waters of this town there are about a dozen distinct species, though the inexperienced would expect many more.

Whether we live by the seaside, by lakes and rivers, or on the prairie, we should pay attention to the nature of fish, since they are not limited to specific locations but are a universal part of life in nature. The countless schools that coast the shores of Europe and America each year are not as fascinating to nature enthusiasts as the broader principles that deposit their eggs on mountaintops and across interior plains; the fish principle in nature explains why they can be found in various water bodies, in larger or smaller quantities. A natural historian isn’t just a fisherman hoping for cloudy days and good fortune; while fishing is often called “a contemplative man’s recreation,” which connects a person to the woods and waters, the outcome of a naturalist’s observations isn’t in discovering new genera or species, but in new contemplations instead. Science is simply a form of recreation for the more contemplative individual. The seeds of fish life are spread everywhere, whether carried by winds, floated by waters, or held by the earth itself; whenever a pond is dug, it immediately becomes home to this energetic species. They have a strong connection to nature that isn’t gone yet. The Chinese are even known to transport their eggs from province to province in jars or hollow reeds, or the water birds carry them to high-altitude lakes and mountain tarns. Fish exist wherever there’s a liquid medium, and we can even see their likeness in clouds and melted metals. Imagine how, in winter, you can drop a line straight into a pasture through the snow and ice and pull up a bright, slippery fish from beneath! It’s also interesting to consider how they all belong to one family, from the largest to the smallest. Even the tiniest minnow used as bait for pickerel resembles a huge sea fish washed up on the shore. In the waters around this town, there are about a dozen different species, though an inexperienced person might expect to find many more.

It enhances our sense of the grand security and serenity of nature, to observe the still undisturbed economy and content of the fishes of this century, their happiness a regular fruit of the summer. The Fresh-Water Sun-Fish, Bream, or Ruff, Pomotis vulgaris, as it were, without ancestry, without posterity, still represents the Fresh-Water Sun-Fish in nature. It is the most common of all, and seen on every urchin’s string; a simple and inoffensive fish, whose nests are visible all along the shore, hollowed in the sand, over which it is steadily poised through the summer hours on waving fin. Sometimes there are twenty or thirty nests in the space of a few rods, two feet wide by half a foot in depth, and made with no little labor, the weeds being removed, and the sand shoved up on the sides, like a bowl. Here it may be seen early in summer assiduously brooding, and driving away minnows and larger fishes, even its own species, which would disturb its ova, pursuing them a few feet, and circling round swiftly to its nest again: the minnows, like young sharks, instantly entering the empty nests, meanwhile, and swallowing the spawn, which is attached to the weeds and to the bottom, on the sunny side. The spawn is exposed to so many dangers, that a very small proportion can ever become fishes, for beside being the constant prey of birds and fishes, a great many nests are made so near the shore, in shallow water, that they are left dry in a few days, as the river goes down. These and the lamprey’s are the only fishes’ nests that I have observed, though the ova of some species may be seen floating on the surface. The breams are so careful of their charge that you may stand close by in the water and examine them at your leisure. I have thus stood over them half an hour at a time, and stroked them familiarly without frightening them, suffering them to nibble my fingers harmlessly, and seen them erect their dorsal fins in anger when my hand approached their ova, and have even taken them gently out of the water with my hand; though this cannot be accomplished by a sudden movement, however dexterous, for instant warning is conveyed to them through their denser element, but only by letting the fingers gradually close about them as they are poised over the palm, and with the utmost gentleness raising them slowly to the surface. Though stationary, they keep up a constant sculling or waving motion with their fins, which is exceedingly graceful, and expressive of their humble happiness; for unlike ours, the element in which they live is a stream which must be constantly resisted. From time to time they nibble the weeds at the bottom or overhanging their nests, or dart after a fly or a worm. The dorsal fin, besides answering the purpose of a keel, with the anal, serves to keep the fish upright, for in shallow water, where this is not covered, they fall on their sides. As you stand thus stooping over the bream in its nest, the edges of the dorsal and caudal fins have a singular dusty golden reflection, and its eyes, which stand out from the head, are transparent and colorless. Seen in its native element, it is a very beautiful and compact fish, perfect in all its parts, and looks like a brilliant coin fresh from the mint. It is a perfect jewel of the river, the green, red, coppery, and golden reflections of its mottled sides being the concentration of such rays as struggle through the floating pads and flowers to the sandy bottom, and in harmony with the sunlit brown and yellow pebbles. Behind its watery shield it dwells far from many accidents inevitable to human life.

It enhances our appreciation for the vast security and tranquility of nature to watch the untroubled lives and contentment of the fish in this century, with their happiness being a natural result of summer. The Fresh-Water Sun-Fish, Bream, or Ruff, Pomotis vulgaris, appears to exist without ancestry or descendants, yet it still embodies the Fresh-Water Sun-Fish in nature. This fish is the most common of all, often seen on every kid's fishing line; it's a simple and harmless creature whose nests are easily spotted along the shoreline, dug into the sand, where it hovers steadily through the summer on its waving fins. Sometimes, you can find twenty or thirty nests within a few yards, each two feet wide and half a foot deep, made with considerable effort as the weeds are cleared away and sand is piled up around the sides, resembling a bowl. Early in the summer, you might see them diligently guarding their nests, driving away minnows and larger fish—including their own kind—that could disturb their eggs, chasing them a few feet away before quickly returning to their nests. Meanwhile, the minnows, like young sharks, rush into the abandoned nests to eat the eggs attached to the weeds and the bottom in the sun. The eggs face numerous dangers, so only a small portion ever grow into fish, as they are constantly preyed upon by birds and other fish, and many nests are built so close to the shore in shallow water that they dry out within a few days as the river level drops. These, along with lampreys, are the only fish nests I've noticed, although eggs from some species may float on the surface. The bream are so protective of their young that you can stand close by in the water and observe them without scaring them away. I've spent over half an hour watching them, gently touching them without causing fear, letting them nibble at my fingers harmlessly, and I've seen them raise their dorsal fins in defense when my hand approached their eggs. I’ve even managed to lift them carefully out of the water with my hand; however, this requires slow movements, as any sudden action—no matter how skilled—sends a warning through the water. I would gradually close my fingers around them as they hovered above my palm, lifting them slowly to the surface. Though they remain still, they continuously paddle or wave their fins in a graceful manner that expresses their simple happiness, as the water they inhabit is a current they must constantly push against. Now and then, they nip at the weeds below or chase after a fly or a worm. The dorsal fin, in addition to acting as a keel, along with the anal fin, helps keep the fish upright; in shallow water, where they’re unprotected, they tend to roll over. As you lean over the bream in its nest, the tips of its dorsal and tail fins shine with a unique dusty golden hue, and its eyes, which protrude from its head, are clear and colorless. Seen in its natural habitat, it's a truly stunning and compact fish, flawless in all its features, resembling a brilliant coin fresh from the mint. It's a true gem of the river, with the green, red, copper, and golden glints of its mottled sides reflecting the light that pierces through the floating pads and flowers down to the sandy bottom, harmonizing with the sunlit brown and yellow pebbles. Behind its watery barrier, it lives free from many of the accidents that are a part of human life.

There is also another species of bream found in our river, without the red spot on the operculum, which, according to M. Agassiz, is undescribed.

There is also another type of bream found in our river, lacking the red spot on the gill cover, which, according to M. Agassiz, hasn't been described yet.

The Common Perch, Perca flavescens, which name describes well the gleaming, golden reflections of its scales as it is drawn out of the water, its red gills standing out in vain in the thin element, is one of the handsomest and most regularly formed of our fishes, and at such a moment as this reminds us of the fish in the picture which wished to be restored to its native element until it had grown larger; and indeed most of this species that are caught are not half grown. In the ponds there is a light-colored and slender kind, which swim in shoals of many hundreds in the sunny water, in company with the shiner, averaging not more than six or seven inches in length, while only a few larger specimens are found in the deepest water, which prey upon their weaker brethren. I have often attracted these small perch to the shore at evening, by rippling the water with my fingers, and they may sometimes be caught while attempting to pass inside your hands. It is a tough and heedless fish, biting from impulse, without nibbling, and from impulse refraining to bite, and sculling indifferently past. It rather prefers the clear water and sandy bottoms, though here it has not much choice. It is a true fish, such as the angler loves to put into his basket or hang at the top of his willow twig, in shady afternoons along the banks of the stream. So many unquestionable fishes he counts, and so many shiners, which he counts and then throws away. Old Josselyn in his “New England’s Rarities,” published in 1672, mentions the Perch or River Partridge.

The Common Perch, Perca flavescens, is well-named for its shining, golden scales that reflect light when it’s pulled from the water, its red gills making a vain display in the thin element. It’s one of the prettiest and best-shaped fish we have, and in moments like this, it reminds us of the fish in the picture that wanted to return to its home until it grew larger; in fact, most of this species caught aren’t even half-grown. In the ponds, there’s a light-colored, slender variety that swims in large schools in the sunny water alongside the shiner, usually averaging around six or seven inches long, while only a few bigger ones are found in the deeper areas, preying on their smaller relatives. I’ve often drawn these small perch to the shore in the evening by rippling the water with my fingers, and they can sometimes be caught while trying to swim between your hands. They are tough and carefree fish, biting out of instinct without nibbling, and also deciding to not bite and swimming past carelessly. They prefer clear water and sandy bottoms, though their options are limited here. They are the ideal catch for any angler who loves to add them to his basket or dangle them from the top of his willow twig on lazy afternoons by the stream. He keeps track of how many undeniable catches he has, noting the shiners he throws back. Old Josselyn in his “New England’s Rarities,” published in 1672, refers to the Perch or River Partridge.

The Chivin, Dace, Roach, Cousin Trout, or whatever else it is called, Leuciscus pulchellus, white and red, always an unexpected prize, which, however, any angler is glad to hook for its rarity. A name that reminds us of many an unsuccessful ramble by swift streams, when the wind rose to disappoint the fisher. It is commonly a silvery soft-scaled fish, of graceful, scholarlike, and classical look, like many a picture in an English book. It loves a swift current and a sandy bottom, and bites inadvertently, yet not without appetite for the bait. The minnows are used as bait for pickerel in the winter. The red chivin, according to some, is still the same fish, only older, or with its tints deepened as they think by the darker water it inhabits, as the red clouds swim in the twilight atmosphere. He who has not hooked the red chivin is not yet a complete angler. Other fishes, methinks, are slightly amphibious, but this is a denizen of the water wholly. The cork goes dancing down the swift-rushing stream, amid the weeds and sands, when suddenly, by a coincidence never to be remembered, emerges this fabulous inhabitant of another element, a thing heard of but not seen, as if it were the instant creation of an eddy, a true product of the running stream. And this bright cupreous dolphin was spawned and has passed its life beneath the level of your feet in your native fields. Fishes too, as well as birds and clouds, derive their armor from the mine. I have heard of mackerel visiting the copper banks at a particular season; this fish, perchance, has its habitat in the Coppermine River. I have caught white chivin of great size in the Aboljacknagesic, where it empties into the Penobscot, at the base of Mount Ktaadn, but no red ones there. The latter variety seems not to have been sufficiently observed.

The chivin, dace, roach, cousin trout, or whatever else it’s called, Leuciscus pulchellus, in white and red, is always an unexpected catch that any angler is happy to reel in due to its rarity. Its name brings to mind many unsuccessful outings by fast-moving streams, when the wind picked up to frustrate the fisherman. It's typically a silvery, soft-scaled fish with a graceful, scholarly, and classic appearance, resembling many images found in English books. It prefers a swift current and a sandy bottom and takes the bait unexpectedly, yet not without a genuine appetite. Minnows are used as bait for pickerel in the winter. Some believe the red chivin is simply the same fish, just older, or its colors intensified, as they think, by the darker water it swims in, like red clouds floating in the twilight sky. If you haven’t caught a red chivin, you’re not a complete angler yet. Other fish seem a bit amphibious, but this one is entirely aquatic. The cork bobs along the fast-moving stream, weaving through the weeds and sand, when suddenly, as if by an unforgettable coincidence, this incredible creature from another world appears—something only heard of, never seen, like it was created right there by an eddy, a true product of the flowing stream. And this bright coppery fish has been born and lived its life just beneath your feet in your own fields. Fish, like birds and clouds, also draw their colors from the earth. I’ve heard of mackerel visiting the copper banks during a certain season; this fish might just inhabit the Coppermine River. I’ve caught large white chivin in the Aboljacknagesic, where it flows into the Penobscot at the base of Mount Ktaadn, but I haven’t seen any red ones there. The latter variety doesn’t seem to have been closely observed.

The Dace, Leuciscus argenteus, is a slight silvery minnow, found generally in the middle of the stream, where the current is most rapid, and frequently confounded with the last named.

The Dace, Leuciscus argenteus, is a small silvery minnow usually found in the middle of the stream, where the current is strongest, and is often confused with the previously mentioned species.

The Shiner, Leuciscus crysoleucas, is a soft-scaled and tender fish, the victim of its stronger neighbors, found in all places, deep and shallow, clear and turbid; generally the first nibbler at the bait, but, with its small mouth and nibbling propensities, not easily caught. It is a gold or silver bit that passes current in the river, its limber tail dimpling the surface in sport or flight. I have seen the fry, when frightened by something thrown into the water, leap out by dozens, together with the dace, and wreck themselves upon a floating plank. It is the little light-infant of the river, with body armor of gold or silver spangles, slipping, gliding its life through with a quirk of the tail, half in the water, half in the air, upward and ever upward with flitting fin to more crystalline tides, yet still abreast of us dwellers on the bank. It is almost dissolved by the summer heats. A slighter and lighter colored shiner is found in one of our ponds.

The Shiner, Leuciscus crysoleucas, is a delicate fish with soft scales, often preyed upon by its more aggressive neighbors. It can be found in a variety of habitats, both deep and shallow, clear and murky. Typically, it’s the first to nibble at the bait, but its small mouth and nibbling nature make it tricky to catch. It’s like a little gold or silver coin that moves through the river, its flexible tail creating ripples on the surface as it plays or escapes. I've seen the fry jump out in groups when scared by something splashing into the water, crashing into a floating plank. It’s like a tiny, glimmering creature of the river, adorned with gold or silver specks, slipping through life with a flick of its tail, hovering between water and air, always rising and rising toward clearer waters, yet still staying close to us on the bank. It almost seems to vanish in the summer heat. A lighter-colored shiner can be found in one of our ponds.

The Pickerel, Esox reticulatus, the swiftest, wariest, and most ravenous of fishes, which Josselyn calls the Fresh-Water or River Wolf, is very common in the shallow and weedy lagoons along the sides of the stream. It is a solemn, stately, ruminant fish, lurking under the shadow of a pad at noon, with still, circumspect, voracious eye, motionless as a jewel set in water, or moving slowly along to take up its position, darting from time to time at such unlucky fish or frog or insect as comes within its range, and swallowing it at a gulp. I have caught one which had swallowed a brother pickerel half as large as itself, with the tail still visible in its mouth, while the head was already digested in its stomach. Sometimes a striped snake, bound to greener meadows across the stream, ends its undulatory progress in the same receptacle. They are so greedy and impetuous that they are frequently caught by being entangled in the line the moment it is cast. Fishermen also distinguish the brook pickerel, a shorter and thicker fish than the former.

The Pickerel, Esox reticulatus, the fastest, most cautious, and hungriest of fish, which Josselyn refers to as the Fresh-Water or River Wolf, is quite common in the shallow, weedy lagoons by the stream. It is a serious, majestic fish, hiding under the shade of a lily pad at noon, with a still, careful, greedy gaze, motionless like a gem in the water, or slowly moving to find its spot, darting occasionally at any unfortunate fish, frog, or insect that comes within reach and swallowing it in one gulp. I once caught one that had just devoured another pickerel half its size, with the tail still visible in its mouth, while the head was already digested in its stomach. Sometimes, a striped snake, trying to reach greener meadows across the stream, ends up in the same trap. They are so greedy and impulsive that they often get caught by getting tangled in the line the moment it is cast. Fishermen also recognize the brook pickerel, which is shorter and thicker than the former.

The Horned Pout, Pimelodus nebulosus, sometimes called Minister, from the peculiar squeaking noise it makes when drawn out of the water, is a dull and blundering fellow, and like the eel vespertinal in his habits, and fond of the mud. It bites deliberately as if about its business. They are taken at night with a mass of worms strung on a thread, which catches in their teeth, sometimes three or four, with an eel, at one pull. They are extremely tenacious of life, opening and shutting their mouths for half an hour after their heads have been cut off. A bloodthirsty and bullying race of rangers, inhabiting the fertile river bottoms, with ever a lance in rest, and ready to do battle with their nearest neighbor. I have observed them in summer, when every other one had a long and bloody scar upon his back, where the skin was gone, the mark, perhaps, of some fierce encounter. Sometimes the fry, not an inch long, are seen darkening the shore with their myriads.

The Horned Pout, Pimelodus nebulosus, sometimes called Minister due to the strange squeaking sound it makes when pulled from the water, is a dull and clumsy creature, similar to the nighttime habits of the eel, and enjoys muddy environments. It bites with intention, as if it's focused on its task. They are caught at night using a bunch of worms strung on a line, which they often snag in their teeth, sometimes taking three or four along with an eel in one go. They are incredibly resilient, continuing to open and close their mouths for half an hour even after their heads have been severed. This aggressive and domineering type of fish lives in the rich riverbanks, always ready to fight their nearest neighbor. I've noticed them in summer, when many have long, bloody scars on their backs, indicating some fierce battles. Occasionally, you can see tiny fry, less than an inch long, darkening the shore by the thousands.

The Suckers, Catostomi Bostonienses and tuberculati, Common and Horned, perhaps on an average the largest of our fishes, may be seen in shoals of a hundred or more, stemming the current in the sun, on their mysterious migrations, and sometimes sucking in the bait which the fisherman suffers to float toward them. The former, which sometimes grow to a large size, are frequently caught by the hand in the brooks, or like the red chivin, are jerked out by a hook fastened firmly to the end of a stick, and placed under their jaws. They are hardly known to the mere angler, however, not often biting at his baits, though the spearer carries home many a mess in the spring. To our village eyes, these shoals have a foreign and imposing aspect, realizing the fertility of the seas.

The suckers, Catostomi Bostonienses and tuberculati, common and horned, are probably the largest fish we have. You can often see them in groups of a hundred or more, swimming against the current in the sunlight during their mysterious migrations. Sometimes they take the bait that the fisherman lets float their way. The former can grow quite large and are often caught by hand in the streams, or like the red chivin, they are pulled out using a hook attached to a stick placed under their jaws. Most anglers don’t really know them, though, since they don’t usually bite at typical bait, even if the spear fisherman brings home a good catch in the spring. To us in the village, these groups look exotic and impressive, showcasing the abundance of the seas.

The Common Eel, too, Muraena Bostoniensis, the only species of eel known in the State, a slimy, squirming creature, informed of mud, still squirming in the pan, is speared and hooked up with various success. Methinks it too occurs in picture, left after the deluge, in many a meadow high and dry.

The Common Eel, also known as Muraena Bostoniensis, is the only type of eel found in the state. It's a slimy, wriggly creature that thrives in mud and can still be seen squirming in the frying pan. It’s caught using different methods with varying success. I think it can also be found in pictures, left behind after the flood, in many meadows that are now high and dry.

In the shallow parts of the river, where the current is rapid, and the bottom pebbly, you may sometimes see the curious circular nests of the Lamprey Eel, Petromyzon Americanus, the American Stone-Sucker, as large as a cart-wheel, a foot or two in height, and sometimes rising half a foot above the surface of the water. They collect these stones, of the size of a hen’s egg, with their mouths, as their name implies, and are said to fashion them into circles with their tails. They ascend falls by clinging to the stones, which may sometimes be raised, by lifting the fish by the tail. As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor. They are rarely seen in our waters at present, on account of the dams, though they are taken in great quantities at the mouth of the river in Lowell. Their nests, which are very conspicuous, look more like art than anything in the river.

In the shallow parts of the river, where the current is fast and the bottom is rocky, you might sometimes spot the interesting circular nests of the Lamprey Eel, Petromyzon Americanus, also known as the American Stone-Sucker. These nests can be as big as a cartwheel, standing about a foot or two tall and sometimes rising half a foot above the water's surface. They gather stones, about the size of a hen's egg, using their mouths, as their name suggests, and are said to arrange them into circles with their tails. They climb over falls by gripping onto the stones, which can sometimes be lifted by pulling the fish by the tail. Since they aren’t seen on their way back down the streams, fishermen believe they never return but instead fade away and die, clinging to rocks and tree stumps for an endless amount of time; a tragic aspect of the river's scenery that brings to mind Shakespeare’s description of the sea floor. They are rarely spotted in our waters today due to the dams, although they are caught in large numbers at the mouth of the river in Lowell. Their nests, which are very noticeable, look more like artwork than anything else in the river.

If we had leisure this afternoon, we might turn our prow up the brooks in quest of the classical trout and the minnows. Of the last alone, according to M. Agassiz, several of the species found in this town are yet undescribed. These would, perhaps, complete the list of our finny contemporaries in the Concord waters.

If we had some free time this afternoon, we could head up the streams looking for the classic trout and minnows. According to M. Agassiz, several species of minnows found in this town are still unknown. These might, perhaps, complete the list of our fishy neighbors in the waters of Concord.

Salmon, Shad, and Alewives were formerly abundant here, and taken in weirs by the Indians, who taught this method to the whites, by whom they were used as food and as manure, until the dam, and afterward the canal at Billerica, and the factories at Lowell, put an end to their migrations hitherward; though it is thought that a few more enterprising shad may still occasionally be seen in this part of the river. It is said, to account for the destruction of the fishery, that those who at that time represented the interests of the fishermen and the fishes, remembering between what dates they were accustomed to take the grown shad, stipulated, that the dams should be left open for that season only, and the fry, which go down a month later, were consequently stopped and destroyed by myriads. Others say that the fish-ways were not properly constructed. Perchance, after a few thousands of years, if the fishes will be patient, and pass their summers elsewhere, meanwhile, nature will have levelled the Billerica dam, and the Lowell factories, and the Grass-ground River run clear again, to be explored by new migratory shoals, even as far as the Hopkinton pond and Westborough swamp.

Salmon, shad, and alewives used to be plentiful here and were caught in weirs by the Native Americans, who taught this method to the settlers, who then used them for food and fertilizer, until the dam, and later the canal at Billerica, along with the factories at Lowell, stopped their migrations here. However, it's believed that a few more adventurous shad might occasionally be spotted in this part of the river. To explain the decline of the fishery, some say that the representatives of the fishermen and the fishes, recalling the times they were used to catching mature shad, insisted that the dams should only be open for that season, which led to the fry, which swim down a month later, being trapped and destroyed in huge numbers. Others argue that the fish passages weren't built properly. Perhaps, after a few thousand years, if the fish can be patient and spend their summers elsewhere in the meantime, nature will eventually level the Billerica dam and the Lowell factories, and the Grass-ground River will flow clear again, allowing new migratory schools to explore all the way up to Hopkinton pond and Westborough swamp.

One would like to know more of that race, now extinct, whose seines lie rotting in the garrets of their children, who openly professed the trade of fishermen, and even fed their townsmen creditably, not skulking through the meadows to a rainy afternoon sport. Dim visions we still get of miraculous draughts of fishes, and heaps uncountable by the river-side, from the tales of our seniors sent on horseback in their childhood from the neighboring towns, perched on saddle-bags, with instructions to get the one bag filled with shad, the other with alewives. At least one memento of those days may still exist in the memory of this generation, in the familiar appellation of a celebrated train-band of this town, whose untrained ancestors stood creditably at Concord North Bridge. Their captain, a man of piscatory tastes, having duly warned his company to turn out on a certain day, they, like obedient soldiers, appeared promptly on parade at the appointed time, but, unfortunately, they went undrilled, except in the manœuvres of a soldier’s wit and unlicensed jesting, that May day; for their captain, forgetting his own appointment, and warned only by the favorable aspect of the heavens, as he had often done before, went a-fishing that afternoon, and his company thenceforth was known to old and young, grave and gay, as “The Shad,” and by the youths of this vicinity this was long regarded as the proper name of all the irregular militia in Christendom. But, alas! no record of these fishers’ lives remains that we know, unless it be one brief page of hard but unquestionable history, which occurs in Day Book No. 4, of an old trader of this town, long since dead, which shows pretty plainly what constituted a fisherman’s stock in trade in those days. It purports to be a Fisherman’s Account Current, probably for the fishing season of the year 1805, during which months he purchased daily rum and sugar, sugar and rum, N. E. and W. I., “one cod line,” “one brown mug,” and “a line for the seine”; rum and sugar, sugar and rum, “good loaf sugar,” and “good brown,” W. I. and N. E., in short and uniform entries to the bottom of the page, all carried out in pounds, shillings, and pence, from March 25th to June 5th, and promptly settled by receiving “cash in full” at the last date. But perhaps not so settled altogether. These were the necessaries of life in those days; with salmon, shad, and alewives, fresh and pickled, he was thereafter independent on the groceries. Rather a preponderance of the fluid elements; but such is the fisherman’s nature. I can faintly remember to have seen this same fisher in my earliest youth, still as near the river as he could get, with uncertain undulatory step, after so many things had gone down stream, swinging a scythe in the meadow, his bottle like a serpent hid in the grass; himself as yet not cut down by the Great Mower.

One would like to know more about that now-extinct group of people, whose nets are now rotting in the attics of their children, who openly claimed to be fishermen and even provided their fellow townspeople with a decent supply of food, instead of sneaking through the meadows for some rainy afternoon sport. We still get faint glimpses of the miraculous catches of fish and countless heaps by the riverside from the stories of our elders, who rode horseback from nearby towns in their childhood, balancing bags on their saddles with instructions to fill one bag with shad and the other with alewives. At least one reminder of those days may linger in the memory of this generation, in the well-known name of a famous militia group in this town, whose untrained ancestors stood proudly at Concord North Bridge. Their leader, a man with a fondness for fishing, had properly told his company to show up on a certain day. Like obedient soldiers, they arrived on time for the parade, but unfortunately, they were untrained, except in soldierly humor and unlicensed joking that May day; for their captain, forgetting about his own appointment and only reminded by the pleasant weather, as he had often done before, went fishing that afternoon, and his group was thereafter known to all, young and old, serious and cheerful, as “The Shad.” The youths in this area long regarded this as the official name for all the irregular militias in the world. But, sadly! No record of these fishermen’s lives remains that we know of, unless it's one brief page of tough but undeniable history from Day Book No. 4, of an old trader from this town, long gone, which clearly shows what made up a fisherman’s stock in trade back then. It seems to be a Fisherman’s Account Current, likely from the fishing season of 1805, during which he bought rum and sugar every day—sugar and rum, from New England and the West Indies—“one cod line,” “one brown mug,” and “a line for the seine”; rum and sugar, sugar and rum, “good loaf sugar,” and “good brown,” from the West Indies and New England, in short and uniform entries that fill the page, all recorded in pounds, shillings, and pence, from March 25th to June 5th, and promptly settled by receiving “cash in full” on the last date. But maybe not entirely settled. These were the essentials of life in those days; with salmon, shad, and alewives, both fresh and pickled, he was thereafter self-sufficient when it came to groceries. There was quite a lot of liquid; but that’s just the nature of a fisherman. I can vaguely recall seeing this same fisherman in my earliest youth, still as close to the river as he could get, with an uncertain, undulating step, after so many things had gone downstream, swinging a scythe in the meadow, his bottle like a snake hiding in the grass; and he himself still not cut down by the Great Mower.

Surely the fates are forever kind, though Nature’s laws are more immutable than any despot’s, yet to man’s daily life they rarely seem rigid, but permit him to relax with license in summer weather. He is not harshly reminded of the things he may not do. She is very kind and liberal to all men of vicious habits, and certainly does not deny them quarter; they do not die without priest. Still they maintain life along the way, keeping this side the Styx, still hearty, still resolute, “never better in their lives”; and again, after a dozen years have elapsed, they start up from behind a hedge, asking for work and wages for able-bodied men. Who has not met such

Surely fate is always kind, even though Nature's laws are more unchanging than any tyrant’s. In everyday life, they don’t seem strict at all, allowing people to chill out during summer weather. They aren’t constantly reminded of what they can’t do. Nature is pretty generous to all those with bad habits and definitely gives them a break; they don’t pass away without a priest. They still manage to live along the way, staying on this side of the Styx, still lively, still determined, saying they’ve “never felt better in their lives.” Then, after a dozen years have gone by, they pop up from behind a hedge, asking for work and pay like any able-bodied person. Who hasn’t run into someone like that?

“a beggar on the way,
Who sturdily could gang? ….
Who cared neither for wind nor wet,
In lands where’er he past?”

“That bold adopts each house he views, his own;
Makes every pulse his checquer, and, at pleasure,
Walks forth, and taxes all the world, like Cæsar”;—

“a beggar on the way,
Who confidently could walk? ….
Who didn’t care about wind or rain,
In whatever lands he passed?”

“That bold person claims every house he sees as his own;
Makes every heartbeat his check, and, whenever he wants,
Steps out and taxes the whole world, like Caesar”;—

As if consistency were the secret of health, while the poor inconsistent aspirant man, seeking to live a pure life, feeding on air, divided against himself, cannot stand, but pines and dies after a life of sickness, on beds of down.

As if sticking to a routine were the key to good health, while the struggling, inconsistent person trying to lead a pure life, living on little more than air, torn within, can't hold on, but suffers and fades away after a life of illness, even while lying on soft beds.

The unwise are accustomed to speak as if some were not sick; but methinks the difference between men in respect to health is not great enough to lay much stress upon. Some are reputed sick and some are not. It often happens that the sicker man is the nurse to the sounder.

The unwise tend to talk as if some people aren't sick; but I think the difference between people regarding health isn’t significant enough to make a big deal out of it. Some are considered sick and some are not. It often happens that the sicker person ends up caring for the healthier one.

Shad are still taken in the basin of Concord River at Lowell, where they are said to be a month earlier than the Merrimack shad, on account of the warmth of the water. Still patiently, almost pathetically, with instinct not to be discouraged, not to be reasoned with, revisiting their old haunts, as if their stern fates would relent, and still met by the Corporation with its dam. Poor shad! where is thy redress? When Nature gave thee instinct, gave she thee the heart to bear thy fate? Still wandering the sea in thy scaly armor to inquire humbly at the mouths of rivers if man has perchance left them free for thee to enter. By countless shoals loitering uncertain meanwhile, merely stemming the tide there, in danger from sea foes in spite of thy bright armor, awaiting new instructions, until the sands, until the water itself, tell thee if it be so or not. Thus by whole migrating nations, full of instinct, which is thy faith, in this backward spring, turned adrift, and perchance knowest not where men do not dwell, where there are not factories, in these days. Armed with no sword, no electric shock, but mere Shad, armed only with innocence and a just cause, with tender dumb mouth only forward, and scales easy to be detached. I for one am with thee, and who knows what may avail a crow-bar against that Billerica dam?—Not despairing when whole myriads have gone to feed those sea monsters during thy suspense, but still brave, indifferent, on easy fin there, like shad reserved for higher destinies. Willing to be decimated for man’s behoof after the spawning season. Away with the superficial and selfish phil-anthropy of men,—who knows what admirable virtue of fishes may be below low-water-mark, bearing up against a hard destiny, not admired by that fellow-creature who alone can appreciate it! Who hears the fishes when they cry? It will not be forgotten by some memory that we were contemporaries. Thou shalt erelong have thy way up the rivers, up all the rivers of the globe, if I am not mistaken. Yea, even thy dull watery dream shall be more than realized. If it were not so, but thou wert to be overlooked at first and at last, then would not I take their heaven. Yes, I say so, who think I know better than thou canst. Keep a stiff fin then, and stem all the tides thou mayst meet.

Shad are still caught in the Concord River basin at Lowell, where they’re said to be a month earlier than the Merrimack shad due to the warmer water. Still patiently, almost sadly, with an instinct that refuses to be discouraged or reasoned with, they return to their old spots, hoping that their harsh fate will soften, only to be met again by the Corporation and its dam. Poor shad! Where is your relief? When Nature gave you instinct, did she also give you the heart to endure your fate? Still wandering the sea in your scaly armor, you humbly check at the mouths of rivers to see if man has perhaps left them open for you to enter. By countless shoals, you loiter uncertainly, just holding back the tide, in danger from sea predators despite your bright armor, waiting for new guidance, until the sands and the water itself tell you whether you can enter or not. Thus, whole nations of migrating fish, filled with instinct, which is your faith, in this backward spring, are set adrift, perhaps unaware of where men do not dwell, where there are not factories, these days. Armed with no sword, no electric shock, just Shad, innocent and with a rightful cause, with your tender, silent mouths only moving forward, and scales that can easily be shed. I, for one, stand with you, and who knows what a crowbar can accomplish against that Billerica dam?—Not despairing when countless others have been fed to those sea monsters during your wait, but still brave, indifferent, gliding easily, like shad reserved for greater purposes. Willing to be diminished for man's benefit after spawning season. Away with the superficial and selfish philanthropy of men—who knows what admirable virtues fish may possess below low-water mark, enduring a harsh fate, unnoticed by that fellow creature who alone can appreciate it! Who hears the fish when they cry? It won’t be forgotten by some memory that we were contemporaries. You will soon find your way up the rivers, up all the rivers of the world, if I’m not mistaken. Yes, even your dull, watery dream will be more than fulfilled. If it were not so, but you were to be ignored now and forever, then I would not take their heaven. Yes, I say that, believing I know better than you do. Keep a sturdy fin, then, and face all the tides you may encounter.

At length it would seem that the interests, not of the fishes only, but of the men of Wayland, of Sudbury, of Concord, demand the levelling of that dam. Innumerable acres of meadow are waiting to be made dry land, wild native grass to give place to English. The farmers stand with scythes whet, waiting the subsiding of the waters, by gravitation, by evaporation or otherwise, but sometimes their eyes do not rest, their wheels do not roll, on the quaking meadow ground during the haying season at all. So many sources of wealth inaccessible. They rate the loss hereby incurred in the single town of Wayland alone as equal to the expense of keeping a hundred yoke of oxen the year round. One year, as I learn, not long ago, the farmers standing ready to drive their teams afield as usual, the water gave no signs of falling; without new attraction in the heavens, without freshet or visible cause, still standing stagnant at an unprecedented height. All hydrometers were at fault; some trembled for their English even. But speedy emissaries revealed the unnatural secret, in the new float-board, wholly a foot in width, added to their already too high privileges by the dam proprietors. The hundred yoke of oxen, meanwhile, standing patient, gazing wishfully meadowward, at that inaccessible waving native grass, uncut but by the great mower Time, who cuts so broad a swathe, without so much as a wisp to wind about their horns.

Eventually, it seems that the needs of not just the fish, but also the people of Wayland, Sudbury, and Concord, demand the removal of that dam. Countless acres of meadow are ready to be transformed into dry land, with wild native grass making way for English varieties. The farmers are standing by with sharpened scythes, waiting for the water to lower—either by gravity, evaporation, or some other means—but often they can't keep their eyes on the swaying meadow during haying season. So many sources of wealth are out of reach. They estimate that the losses in the single town of Wayland amount to what it would cost to keep a hundred yoke of oxen for the whole year. One year, as I hear, not long ago, the farmers were ready to drive their teams into the fields as usual, but the water showed no signs of receding; without any new celestial attraction, flood, or obvious reason, it remained stagnant at an unprecedented level. All hydrometers were incorrect; some even feared for their English crops. But quick messengers uncovered the strange truth: a new float-board, a full foot wide, had been added to their already excessive privileges by the dam owners. Meanwhile, the hundred yoke of oxen stood patiently, gazing longingly at the inaccessible waving native grass, untouched except by the great mower Time, who takes such a wide swath without leaving even a wisp to wind around their horns.

That was a long pull from Ball’s Hill to Carlisle Bridge, sitting with our faces to the south, a slight breeze rising from the north, but nevertheless water still runs and grass grows, for now, having passed the bridge between Carlisle and Bedford, we see men haying far off in the meadow, their heads waving like the grass which they cut. In the distance the wind seemed to bend all alike. As the night stole over, such a freshness was wafted across the meadow that every blade of cut grass seemed to teem with life. Faint purple clouds began to be reflected in the water, and the cow-bells tinkled louder along the banks, while, like sly water-rats, we stole along nearer the shore, looking for a place to pitch our camp.

That was a long haul from Ball’s Hill to Carlisle Bridge, sitting with our faces to the south, a light breeze coming from the north. Still, water flows and grass grows. Having crossed the bridge between Carlisle and Bedford, we noticed men in the distance cutting hay in the meadow, their heads bobbing like the grass they were cutting. In the distance, the wind seemed to affect everything equally. As night fell, a refreshing scent filled the meadow, making every blade of cut grass seem alive. Faint purple clouds started to reflect in the water, and the cowbells chimed louder along the banks, while we quietly moved closer to the shore, searching for a spot to set up our camp.

At length, when we had made about seven miles, as far as Billerica, we moored our boat on the west side of a little rising ground which in the spring forms an island in the river. Here we found huckleberries still hanging upon the bushes, where they seemed to have slowly ripened for our especial use. Bread and sugar, and cocoa boiled in river water, made our repast, and as we had drank in the fluvial prospect all day, so now we took a draft of the water with our evening meal to propitiate the river gods, and whet our vision for the sights it was to behold. The sun was setting on the one hand, while our eminence was contributing its shadow to the night, on the other. It seemed insensibly to grow lighter as the night shut in, and a distant and solitary farm-house was revealed, which before lurked in the shadows of the noon. There was no other house in sight, nor any cultivated field. To the right and left, as far as the horizon, were straggling pine woods with their plumes against the sky, and across the river were rugged hills, covered with shrub oaks, tangled with grape-vines and ivy, with here and there a gray rock jutting out from the maze. The sides of these cliffs, though a quarter of a mile distant, were almost heard to rustle while we looked at them, it was such a leafy wilderness; a place for fauns and satyrs, and where bats hung all day to the rocks, and at evening flitted over the water, and fire-flies husbanded their light under the grass and leaves against the night. When we had pitched our tent on the hillside, a few rods from the shore, we sat looking through its triangular door in the twilight at our lonely mast on the shore, just seen above the alders, and hardly yet come to a stand-still from the swaying of the stream; the first encroachment of commerce on this land. There was our port, our Ostia. That straight geometrical line against the water and the sky stood for the last refinements of civilized life, and what of sublimity there is in history was there symbolized.

After traveling about seven miles to Billerica, we anchored our boat on the west side of a small rise that becomes an island in the river during spring. Here, we found huckleberries still hanging on the bushes, as if they had ripened just for us. Our meal consisted of bread and sugar, along with cocoa boiled in river water. Having enjoyed the river view all day, we now took a sip of the water with our evening meal to honor the river gods and sharpen our expectations for the sights to come. The sun was setting on one side while our hill cast its shadow into the night on the other. It seemed to get lighter as night approached, revealing a distant, solitary farmhouse that had been hidden in the shadows earlier. There were no other houses in sight, nor any cultivated fields. To the right and left, stretching to the horizon, were scattered pine woods with their plumes against the sky, and across the river, rugged hills covered with scrub oaks tangled with grapevines and ivy, with gray rocks jutting out here and there. The sides of those cliffs, about a quarter of a mile away, seemed almost to rustle as we gazed at them; it was such a leafy wilderness—a place for fauns and satyrs, where bats hung out on the rocks all day and flew over the water at dusk, and fireflies hid their light under the grass and leaves in preparation for the night. After setting up our tent on the hillside a short distance from the shore, we sat looking through its triangular entrance at our lonely mast on the shore, just visible above the alders, barely coming to rest after swaying in the current—the first sign of commerce encroaching on this land. There was our port, our Ostia. That straight line against the water and the sky represented the latest advancements of civilized life, symbolizing the grandeur found in history.

For the most part, there was no recognition of human life in the night, no human breathing was heard, only the breathing of the wind. As we sat up, kept awake by the novelty of our situation, we heard at intervals foxes stepping about over the dead leaves, and brushing the dewy grass close to our tent, and once a musquash fumbling among the potatoes and melons in our boat, but when we hastened to the shore we could detect only a ripple in the water ruffling the disk of a star. At intervals we were serenaded by the song of a dreaming sparrow or the throttled cry of an owl, but after each sound which near at hand broke the stillness of the night, each crackling of the twigs, or rustling among the leaves, there was a sudden pause, and deeper and more conscious silence, as if the intruder were aware that no life was rightfully abroad at that hour. There was a fire in Lowell, as we judged, this night, and we saw the horizon blazing, and heard the distant alarm-bells, as it were a faint tinkling music borne to these woods. But the most constant and memorable sound of a summer’s night, which we did not fail to hear every night afterward, though at no time so incessantly and so favorably as now, was the barking of the house-dogs, from the loudest and hoarsest bark to the faintest aerial palpitation under the eaves of heaven, from the patient but anxious mastiff to the timid and wakeful terrier, at first loud and rapid, then faint and slow, to be imitated only in a whisper; wow-wow-wow-wow—wo—wo—w—w. Even in a retired and uninhabited district like this, it was a sufficiency of sound for the ear of night, and more impressive than any music. I have heard the voice of a hound, just before daylight, while the stars were shining, from over the woods and river, far in the horizon, when it sounded as sweet and melodious as an instrument. The hounding of a dog pursuing a fox or other animal in the horizon, may have first suggested the notes of the hunting-horn to alternate with and relieve the lungs of the dog. This natural bugle long resounded in the woods of the ancient world before the horn was invented. The very dogs that sullenly bay the moon from farm-yards in these nights excite more heroism in our breasts than all the civil exhortations or war sermons of the age. “I would rather be a dog, and bay the moon,” than many a Roman that I know. The night is equally indebted to the clarion of the cock, with wakeful hope, from the very setting of the sun, prematurely ushering in the dawn. All these sounds, the crowing of cocks, the baying of dogs, and the hum of insects at noon, are the evidence of nature’s health or sound state. Such is the never-failing beauty and accuracy of language, the most perfect art in the world; the chisel of a thousand years retouches it.

For the most part, there was no sign of human life at night, no human breathing was heard, only the breath of the wind. As we sat up, kept awake by the novelty of our situation, we occasionally heard foxes moving over the dead leaves and brushing the dewy grass near our tent. Once, we noticed a muskrat fumbling among the potatoes and melons in our boat, but when we rushed to the shore, we could only see a ripple in the water disturbing the reflection of a star. From time to time, we were serenaded by the song of a dreaming sparrow or the muffled call of an owl. After each sound that interrupted the stillness of the night, like the crackling of twigs or rustling of leaves, there was a sudden pause, leading to a deeper and more conscious silence, as if the intruder knew that no life should be moving around at that hour. We noticed there was a fire in Lowell that night; the horizon was glowing, and we heard distant alarm bells like soft, tinkling music carried into the woods. But the most constant and memorable sound of summer nights, which we would hear regularly afterward, though never as continuously and favorably as at that moment, was the barking of house dogs. Their barks varied from the loudest and roughest to the faintest sounds under the heavens, from the patient but anxious mastiff to the timid and alert terrier, starting out loud and quick, then turning soft and slow, almost whispered: wow-wow-wow-wow—wo—wo—w—w. Even in a remote and uninhabited area like this, it was enough sound for the night and more impressive than any music. I once heard a hound’s voice just before dawn while the stars shone brightly, coming from over the woods and river far on the horizon, sounding as sweet and melodious as an instrument. The sound of a dog chasing a fox or another animal on the horizon might have first inspired the notes of the hunting horn to break the dog's breath. This natural bugle echoed through the ancient woods long before horns were invented. The very dogs that sulkily howl at the moon from farms at night inspire more courage in us than all the civil speeches or war sermons of our time. “I would rather be a dog howling at the moon” than many a Roman I know. The night also owes a lot to the rooster's crowing, eagerly promising sunrise even as the sun sets. All these sounds—the crowing of roosters, the howling of dogs, and the buzz of insects at noon—show nature's health or sound state. Such is the timeless beauty and precision of language, the most perfect art in the world; the touch of a thousand years polishes it.

At length the antepenultimate and drowsy hours drew on, and all sounds were denied entrance to our ears.

At last, the third-to-last and sleepy hours approached, and all sounds were kept away from our ears.

Who sleeps by day and walks by night,
Will meet no spirit but some sprite.

Who sleeps during the day and walks at night,
Will encounter no spirit, just a fairy.

SUNDAY

        “The river calmly flows,
    Through shining banks, through lonely glen,
Where the owl shrieks, though ne’er the cheer of men
        Has stirred its mute repose,
Still if you should walk there, you would go there again.”

“The river flows peacefully,
    Along bright banks, through quiet valleys,
Where the owl calls out, but the joy of men
        Has never disturbed its silent calm,
If you were to walk there, you would want to return.”

—CHANNING.

—CHANNING.

“The Indians tell us of a beautiful River lying far to the south, which they call Merrimack.”

“The Native Americans tell us about a beautiful river located far to the south, which they call Merrimack.”

SIEUR DE MONTS, Relations of the jesuits, 1604.

SIEUR DE MONTS, Relations of the Jesuits, 1604.

In the morning the river and adjacent country were covered with a dense fog, through which the smoke of our fire curled up like a still subtiler mist; but before we had rowed many rods, the sun arose and the fog rapidly dispersed, leaving a slight steam only to curl along the surface of the water. It was a quiet Sunday morning, with more of the auroral rosy and white than of the yellow light in it, as if it dated from earlier than the fall of man, and still preserved a heathenish integrity:—

In the morning, the river and the surrounding countryside were shrouded in thick fog, through which the smoke from our fire twisted up like a finer mist; but before we had rowed very far, the sun came up and the fog quickly lifted, leaving just a little steam that curled along the water's surface. It was a calm Sunday morning, filled with more rosy and white dawn light than yellow, as if it were from a time before the fall of man and still had a sort of untouched purity:—

An early unconverted Saint,
Free from noontide or evening taint,
Heathen without reproach,
That did upon the civil day encroach,
And ever since its birth
Had trod the outskirts of the earth.

An early unconverted saint,
Free from the taint of noon or evening,
A pagan without shame,
Who would disturb the civil day,
And ever since its beginning
Had walked the edges of the earth.

But the impressions which the morning makes vanish with its dews, and not even the most “persevering mortal” can preserve the memory of its freshness to mid-day. As we passed the various islands, or what were islands in the spring, rowing with our backs down stream, we gave names to them. The one on which we had camped we called Fox Island, and one fine densely wooded island surrounded by deep water and overrun by grape-vines, which looked like a mass of verdure and of flowers cast upon the waves, we named Grape Island. From Ball’s Hill to Billerica meeting-house, the river was still twice as broad as in Concord, a deep, dark, and dead stream, flowing between gentle hills and sometimes cliffs, and well wooded all the way. It was a long woodland lake bordered with willows. For long reaches we could see neither house nor cultivated field, nor any sign of the vicinity of man. Now we coasted along some shallow shore by the edge of a dense palisade of bulrushes, which straightly bounded the water as if clipt by art, reminding us of the reed forts of the East-Indians, of which we had read; and now the bank slightly raised was overhung with graceful grasses and various species of brake, whose downy stems stood closely grouped and naked as in a vase, while their heads spread several feet on either side. The dead limbs of the willow were rounded and adorned by the climbing mikania, Mikania scandens, which filled every crevice in the leafy bank, contrasting agreeably with the gray bark of its supporter and the balls of the button-bush. The water willow, Salix Purshiana, when it is of large size and entire, is the most graceful and ethereal of our trees. Its masses of light green foliage, piled one upon another to the height of twenty or thirty feet, seemed to float on the surface of the water, while the slight gray stems and the shore were hardly visible between them. No tree is so wedded to the water, and harmonizes so well with still streams. It is even more graceful than the weeping willow, or any pendulous trees, which dip their branches in the stream instead of being buoyed up by it. Its limbs curved outward over the surface as if attracted by it. It had not a New England but an Oriental character, reminding us of trim Persian gardens, of Haroun Alraschid, and the artificial lakes of the East.

But the impressions that the morning creates fade away with the dew, and even the most “persistent person” can’t hold onto the memory of its freshness until noon. As we passed various islands, or what had been islands in the spring, rowing downstream with our backs to the current, we named them. The one where we camped we called Fox Island, and one beautiful, densely wooded island surrounded by deep water and covered with grapevines, looking like a mass of greenery and flowers cast onto the waves, we named Grape Island. From Ball’s Hill to the Billerica meeting house, the river was still twice as wide as in Concord, a deep, dark, stagnant stream flowing between gentle hills and sometimes cliffs, and well-wooded all along the way. It felt like a long woodland lake bordered with willows. For long stretches, we could see neither houses nor cultivated fields, nor any sign of human presence. Now we navigated along some shallow shore next to a thick wall of bulrushes, which neatly bordered the water as if trimmed by design, reminding us of the reed forts of East Indians that we had read about; and now the slightly raised bank was covered with graceful grasses and various types of ferns, whose soft stems stood closely grouped and bare like in a vase, while their heads spread several feet on either side. The dead limbs of the willow were rounded and adorned by the climbing mikania, Mikania scandens, which filled every crevice in the leafy bank, contrasting nicely with the gray bark of its supporter and the balls of the buttonbush. The water willow, Salix Purshiana, when it is large and whole, is the most graceful and ethereal of our trees. Its masses of light green foliage, piled one on top of another to a height of twenty or thirty feet, seemed to float on the water’s surface, while the slight gray stems and the shore were hardly visible between them. No tree is so closely tied to the water, and none harmonizes so well with still streams. It is even more graceful than the weeping willow or any pendulous trees, which dip their branches into the stream instead of being lifted by it. Its limbs curved outward over the surface as if drawn to it. It had not a New England but an Oriental character, reminding us of neatly trimmed Persian gardens, of Haroun Alraschid, and the artificial lakes of the East.

As we thus dipped our way along between fresh masses of foliage overrun with the grape and smaller flowering vines, the surface was so calm, and both air and water so transparent, that the flight of a kingfisher or robin over the river was as distinctly seen reflected in the water below as in the air above. The birds seemed to flit through submerged groves, alighting on the yielding sprays, and their clear notes to come up from below. We were uncertain whether the water floated the land, or the land held the water in its bosom. It was such a season, in short, as that in which one of our Concord poets sailed on its stream, and sung its quiet glories.

As we made our way through the lush greenery filled with grapes and smaller flowering vines, the surface was so calm, and both the air and water so clear, that we could see the flight of a kingfisher or robin reflected in the water below just as clearly as in the air above. The birds seemed to dart through the submerged groves, landing on the soft branches, and their sweet songs echoed up from below. We couldn't tell if the water was floating the land or if the land was holding the water close. It was that kind of season, like when one of our poets from Concord sailed on its waters and sang about its peaceful beauty.

“There is an inward voice, that in the stream
Sends forth its spirit to the listening ear,
And in a calm content it floweth on,
Like wisdom, welcome with its own respect.
Clear in its breast lie all these beauteous thoughts,
It doth receive the green and graceful trees,
And the gray rocks smile in its peaceful arms.”

“There's a voice inside that, in the stream
Shares its spirit with the attentive ear,
And in a calm content it flows on,
Like wisdom, welcomed with its own respect.
Clear in its heart are all these beautiful thoughts,
It embraces the green and graceful trees,
And the gray rocks smile in its peaceful arms.”

And more he sung, but too serious for our page. For every oak and birch too growing on the hill-top, as well as for these elms and willows, we knew that there was a graceful ethereal and ideal tree making down from the roots, and sometimes Nature in high tides brings her mirror to its foot and makes it visible. The stillness was intense and almost conscious, as if it were a natural Sabbath, and we fancied that the morning was the evening of a celestial day. The air was so elastic and crystalline that it had the same effect on the landscape that a glass has on a picture, to give it an ideal remoteness and perfection. The landscape was clothed in a mild and quiet light, in which the woods and fences checkered and partitioned it with new regularity, and rough and uneven fields stretched away with lawn-like smoothness to the horizon, and the clouds, finely distinct and picturesque, seemed a fit drapery to hang over fairy-land. The world seemed decked for some holiday or prouder pageantry, with silken streamers flying, and the course of our lives to wind on before us like a green lane into a country maze, at the season when fruit-trees are in blossom.

And he sang more, but it was too serious for our page. For every oak and birch growing on the hilltop, as well as for these elms and willows, we knew there was a graceful, ethereal tree rooted down below, and sometimes Nature, in her height of beauty, brings her mirror to its base and makes it visible. The stillness was intense and almost aware, as if it were a natural Sabbath, and we imagined that the morning was the evening of a celestial day. The air was so fresh and clear that it affected the landscape like glass on a picture, giving it an ideal distance and perfection. The landscape was bathed in a soft, quiet light, where the woods and fences created new order, and the rough, uneven fields stretched out smoothly to the horizon, and the clouds, clearly defined and picturesque, seemed like a perfect curtain over a fairytale land. The world felt like it was dressed for a celebration or grand event, with silken banners waving, and the path of our lives winding ahead like a green lane into a country maze, at the time when fruit trees were in bloom.

Why should not our whole life and its scenery be actually thus fair and distinct? All our lives want a suitable background. They should at least, like the life of the anchorite, be as impressive to behold as objects in the desert, a broken shaft or crumbling mound against a limitless horizon. Character always secures for itself this advantage, and is thus distinct and unrelated to near or trivial objects, whether things or persons. On this same stream a maiden once sailed in my boat, thus unattended but by invisible guardians, and as she sat in the prow there was nothing but herself between the steersman and the sky. I could then say with the poet,—

Why shouldn’t our entire life and its surroundings actually be just as beautiful and clear? All our lives need an appropriate backdrop. They should, at the very least, like the life of a hermit, be as striking to see as objects in the desert, like a broken pillar or a crumbling mound against an endless horizon. Character always establishes this advantage for itself, making it distinct and separate from nearby or trivial things, whether they are objects or people. On this same stream, a maiden once sailed in my boat, attended only by invisible guardians, and as she sat at the front, there was nothing but her between the steersman and the sky. I could then say with the poet,—

        “Sweet falls the summer air
    Over her frame who sails with me;
    Her way like that is beautifully free,
        Her nature far more rare,
And is her constant heart of virgin purity.”

“Sweet is the summer air
    Over her figure who sails with me;
    Her path is beautifully free,
        Her nature even more rare,
And her unwavering heart of pure innocence.”

At evening still the very stars seem but this maiden’s emissaries and reporters of her progress.

At night, even the stars seem like this girl’s messengers, tracking her journey.

Low in the eastern sky
Is set thy glancing eye;
And though its gracious light
Ne’er riseth to my sight,
Yet every star that climbs
Above the gnarled limbs
        Of yonder hill,
Conveys thy gentle will.

Believe I knew thy thought,
And that the zephyrs brought
Thy kindest wishes through,
As mine they bear to you,
That some attentive cloud
Did pause amid the crowd
        Over my head,
While gentle things were said.

Believe the thrushes sung,
And that the flower-bells rung,
That herbs exhaled their scent,
And beasts knew what was meant,
The trees a welcome waved,
        And lakes their margins laved,
When thy free mind
To my retreat did wind.

It was a summer eve,
The air did gently heave
While yet a low-hung cloud
Thy eastern skies did shroud;
The lightning’s silent gleam,
Startling my drowsy dream,
        Seemed like the flash
Under thy dark eyelash.

Still will I strive to be
As if thou wert with me;
Whatever path I take,
It shall be for thy sake,
Of gentle slope and wide,
As thou wert by my side,
        Without a root
To trip thy gentle foot.

I’ll walk with gentle pace,
And choose the smoothest place
And careful dip the oar,
And shun the winding shore,
And gently steer my boat
Where water-lilies float,
        And cardinal flowers
Stand in their sylvan bowers.

Low in the eastern sky
Is your glancing eye;
And even though its kind light
Never rises into my sight,
Every star that climbs
Above the twisted branches
Of that hill,
Conveys your gentle will.

I believe I knew your thought,
And that the breezes brought
Your kindest wishes through,
As mine they bring to you,
That some attentive cloud
Paused among the crowd
Above my head,
While gentle things were said.

I believe the thrushes sang,
And that the flower-bells rang,
That herbs released their scent,
And animals knew what was meant,
The trees waved a welcome,
And lakes lapped their edges,
When your free mind
Wound its way to my retreat.

It was a summer evening,
The air moved gently
While a low cloud
Covered your eastern skies;
The lightning’s silent flash,
Startling my sleepy dream,
Seemed like the spark
Under your dark eyelash.

I will keep trying to be
As if you were with me;
Whatever path I take,
It will be for your sake,
Of gentle slope and wide,
As if you were by my side,
Without a root
To trip your gentle foot.

I’ll walk at a gentle pace,
And choose the smoothest path
And carefully dip the oar,
And avoid the winding shore,
And gently steer my boat
Where water lilies float,
And cardinal flowers
Stand in their forest homes.

It required some rudeness to disturb with our boat the mirror-like surface of the water, in which every twig and blade of grass was so faithfully reflected; too faithfully indeed for art to imitate, for only Nature may exaggerate herself. The shallowest still water is unfathomable. Wherever the trees and skies are reflected, there is more than Atlantic depth, and no danger of fancy running aground. We notice that it required a separate intention of the eye, a more free and abstracted vision, to see the reflected trees and the sky, than to see the river bottom merely; and so are there manifold visions in the direction of every object, and even the most opaque reflect the heavens from their surface. Some men have their eyes naturally intended to the one and some to the other object.

It took some rudeness to disturb the mirror-like surface of the water with our boat, where every twig and blade of grass was perfectly reflected; too perfectly, in fact, for art to replicate, since only Nature can exaggerate herself. Even the shallowest still water seems boundless. Wherever the trees and sky are reflected, there’s more depth than the Atlantic, and no risk of imagination getting stuck. We notice that it takes a distinct focus of the eye, a more open and abstract way of seeing, to perceive the reflected trees and sky compared to just seeing the riverbed; and so there are countless perspectives for every object, with even the most solid surfaces reflecting the sky. Some people naturally focus on one type of view, while others focus on the other.

“A man that looks on glass,
    On it may stay his eye,
Or, if he pleaseth, through it pass,
    And the heavens espy.”

“A man who looks at glass,
    Can either gaze at it,
Or, if he wants, look through it,
    And see the heavens.”

Two men in a skiff, whom we passed hereabouts, floating buoyantly amid the reflections of the trees, like a feather in mid-air, or a leaf which is wafted gently from its twig to the water without turning over, seemed still in their element, and to have very delicately availed themselves of the natural laws. Their floating there was a beautiful and successful experiment in natural philosophy, and it served to ennoble in our eyes the art of navigation; for as birds fly and fishes swim, so these men sailed. It reminded us how much fairer and nobler all the actions of man might be, and that our life in its whole economy might be as beautiful as the fairest works of art or nature.

Two men in a small boat, whom we passed nearby, floated effortlessly among the reflections of the trees, like a feather in the air or a leaf gently drifting from its branch to the water without flipping over. They appeared completely at ease, skillfully taking advantage of the natural laws. Their presence there was a beautiful and successful demonstration of natural principles, elevating our appreciation for the art of navigation; just as birds fly and fish swim, these men sailed. It reminded us of how much more graceful and noble human actions could be and that our lives, in their entirety, could be as beautiful as the finest works of art or nature.

The sun lodged on the old gray cliffs, and glanced from every pad; the bulrushes and flags seemed to rejoice in the delicious light and air; the meadows were a-drinking at their leisure; the frogs sat meditating, all sabbath thoughts, summing up their week, with one eye out on the golden sun, and one toe upon a reed, eying the wondrous universe in which they act their part; the fishes swam more staid and soberly, as maidens go to church; shoals of golden and silver minnows rose to the surface to behold the heavens, and then sheered off into more sombre aisles; they swept by as if moved by one mind, continually gliding past each other, and yet preserving the form of their battalion unchanged, as if they were still embraced by the transparent membrane which held the spawn; a young band of brethren and sisters trying their new fins; now they wheeled, now shot ahead, and when we drove them to the shore and cut them off, they dexterously tacked and passed underneath the boat. Over the old wooden bridges no traveller crossed, and neither the river nor the fishes avoided to glide between the abutments.

The sun rested on the old gray cliffs, reflecting off every surface; the bulrushes and cattails seemed to revel in the warm light and fresh air; the meadows were drinking it in at their own pace; the frogs sat in contemplation, reflecting on their week, one eye on the golden sun and one toe on a reed, taking in the amazing world around them; the fish swam more steadily, like maidens heading to church; swarms of golden and silver minnows surfaced to gaze at the sky and then darted into deeper waters; they moved as if driven by a single thought, continually gliding past one another while keeping their group formation intact, as if still surrounded by the transparent membrane that held their eggs; a young group of siblings trying out their new fins; now they turned, now they sped ahead, and when we pushed them to the shore and blocked their path, they skillfully maneuvered and slipped under the boat. Over the old wooden bridges, no traveler crossed, and neither the river nor the fish avoided gliding between the supports.

Here was a village not far off behind the woods, Billerica, settled not long ago, and the children still bear the names of the first settlers in this late “howling wilderness”; yet to all intents and purposes it is as old as Fernay or as Mantua, an old gray town where men grow old and sleep already under moss-grown monuments,—outgrow their usefulness. This is ancient Billerica, (Villarica?) now in its dotage, named from the English Billericay, and whose Indian name was Shawshine. I never heard that it was young. See, is not nature here gone to decay, farms all run out, meeting-house grown gray and racked with age? If you would know of its early youth, ask those old gray rocks in the pasture. It has a bell that sounds sometimes as far as Concord woods; I have heard that,—ay, hear it now. No wonder that such a sound startled the dreaming Indian, and frightened his game, when the first bells were swung on trees, and sounded through the forest beyond the plantations of the white man. But to-day I like best the echo amid these cliffs and woods. It is no feeble imitation, but rather its original, or as if some rural Orpheus played over the strain again to show how it should sound.

Here’s a village not far behind the woods, Billerica, which was settled not long ago, and the children still carry the names of the first settlers in this late “howling wilderness”; yet in every way, it's as old as Fernay or Mantua, an old gray town where men grow old and already rest under moss-covered monuments—outlive their usefulness. This is ancient Billerica (Villarica?), now in its decline, named after the English Billericay, with its Indian name being Shawshine. I’ve never heard that it was young. Look around; isn't nature here falling apart, farms all worn out, the meeting house faded and weathered with age? If you want to know about its early days, ask those old gray rocks in the pasture. There's a bell that can sometimes be heard as far as Concord woods; I have heard it—yes, I hear it now. It’s no surprise that such a sound startled the dreaming Indian and scared his game when the first bells were hung on trees and rang through the forest beyond the white man's plantations. But today, I love the echo among these cliffs and woods the most. It’s not a weak imitation, but rather its original, or as if some rural Orpheus played the melody again to show how it should really sound.

Dong, sounds the brass in the east,
As if to a funeral feast,
But I like that sound the best
Out of the fluttering west.

The steeple ringeth a knell,
But the fairies’ silvery bell
Is the voice of that gentle folk,
Or else the horizon that spoke.

Its metal is not of brass,
But air, and water, and glass,
And under a cloud it is swung,
And by the wind it is rung.

When the steeple tolleth the noon,
It soundeth not so soon,
Yet it rings a far earlier hour,
And the sun has not reached its tower.

Dong, the brass sounds in the east,
Like it's for a funeral feast,
But I like that sound the most
From the fluttering west.

The steeple tolls a knell,
But the fairies’ silvery bell
Is the voice of that gentle folk,
Or maybe it's the horizon that spoke.

Its metal isn't brass,
But air, water, and glass,
And it's swung beneath a cloud,
And rung by the wind aloud.

When the steeple chimes at noon,
It doesn’t sound that soon,
Yet it rings a much earlier hour,
And the sun hasn't reached its tower.

On the other hand, the road runs up to Carlisle, city of the woods, which, if it is less civil, is the more natural. It does well hold the earth together. It gets laughed at because it is a small town, I know, but nevertheless it is a place where great men may be born any day, for fair winds and foul blow right on over it without distinction. It has a meeting-house and horse-sheds, a tavern and a blacksmith’s shop, for centre, and a good deal of wood to cut and cord yet. And

On the other hand, the road leads to Carlisle, a city surrounded by woods, which may be less refined, but is more natural. It really does hold the land together. People might joke about it being a small town, but it’s still a place where remarkable people could emerge any day, as both good and bad circumstances affect it equally. It has a meeting house, horse sheds, a tavern, and a blacksmith’s shop at its center, along with a lot of wood still to be cut and stacked. And

“Bedford, most noble Bedford,
I shall not thee forget.”

“Bedford, most noble Bedford,
I will not forget you.”

History has remembered thee; especially that meek and humble petition of thy old planters, like the wailing of the Lord’s own people, “To the gentlemen, the selectmen” of Concord, praying to be erected into a separate parish. We can hardly credit that so plaintive a psalm resounded but little more than a century ago along these Babylonish waters. “In the extreme difficult seasons of heat and cold,” said they, “we were ready to say of the Sabbath, Behold what a weariness is it.”—“Gentlemen, if our seeking to draw off proceed from any disaffection to our present Reverend Pastor, or the Christian Society with whom we have taken such sweet counsel together, and walked unto the house of God in company, then hear us not this day, but we greatly desire, if God please, to be eased of our burden on the Sabbath, the travel and fatigue thereof, that the word of God may be nigh to us, near to our houses and in our hearts, that we and our little ones may serve the Lord. We hope that God, who stirred up the spirit of Cyrus to set forward temple work, has stirred us up to ask, and will stir you up to grant, the prayer of our petition; so shall your humble petitioners ever pray, as in duty bound—” And so the temple work went forward here to a happy conclusion. Yonder in Carlisle the building of the temple was many wearisome years delayed, not that there was wanting of Shittim wood, or the gold of Ophir, but a site therefor convenient to all the worshippers; whether on “Buttrick’s Plain,” or rather on “Poplar Hill.”—It was a tedious question.

History has remembered you; especially that gentle and humble request from your old settlers, like the cries of the Lord’s own people, “To the gentlemen, the selectmen” of Concord, asking to be made into a separate parish. We can hardly believe that such a sorrowful song echoed just over a century ago along these Babylonian waters. “In the extreme difficult seasons of heat and cold,” they said, “we were ready to say of the Sabbath, See how tiring it is.” — “Gentlemen, if our desire to separate comes from any discontent with our current Reverend Pastor or the Christian Society with whom we have shared such sweet fellowship and walked to the house of God together, then please don’t listen to us today. However, we sincerely wish, if God allows, to be relieved of our burden on the Sabbath, the travel and fatigue of it, so that the word of God may be close to us, near our homes and in our hearts, allowing us and our children to serve the Lord. We hope that God, who inspired Cyrus to advance the temple work, has inspired us to ask and will inspire you to grant our request; so shall your humble petitioners always pray, as is our duty—” And so the temple work moved forward here to a happy conclusion. Over in Carlisle, building the temple was delayed for many long years, not because there was a lack of Shittim wood or gold from Ophir, but because a suitable site for all the worshippers was needed; whether on “Buttrick’s Plain” or rather on “Poplar Hill.” — It was a tedious issue.

In this Billerica solid men must have lived, select from year to year; a series of town clerks, at least; and there are old records that you may search. Some spring the white man came, built him a house, and made a clearing here, letting in the sun, dried up a farm, piled up the old gray stones in fences, cut down the pines around his dwelling, planted orchard seeds brought from the old country, and persuaded the civil apple-tree to blossom next to the wild pine and the juniper, shedding its perfume in the wilderness. Their old stocks still remain. He culled the graceful elm from out the woods and from the river-side, and so refined and smoothed his village plot. He rudely bridged the stream, and drove his team afield into the river meadows, cut the wild grass, and laid bare the homes of beaver, otter, muskrat, and with the whetting of his scythe scared off the deer and bear. He set up a mill, and fields of English grain sprang in the virgin soil. And with his grain he scattered the seeds of the dandelion and the wild trefoil over the meadows, mingling his English flowers with the wild native ones. The bristling burdock, the sweet-scented catnip, and the humble yarrow planted themselves along his woodland road, they too seeking “freedom to worship God” in their way. And thus he plants a town. The white man’s mullein soon reigned in Indian cornfields, and sweet-scented English grasses clothed the new soil. Where, then, could the Red Man set his foot? The honey-bee hummed through the Massachusetts woods, and sipped the wild-flowers round the Indian’s wigwam, perchance unnoticed, when, with prophetic warning, it stung the Red child’s hand, forerunner of that industrious tribe that was to come and pluck the wild-flower of his race up by the root.

In this town of Billerica, solid men must have lived, chosen year after year; a series of town clerks, at the very least; and there are old records for you to explore. At some point, a white man arrived, built a house, and cleared some land here, letting in the sun, drying up a farm, stacking old gray stones into fences, cutting down the pines around his home, planting orchard seeds brought from the old country, and coaxing the cultivated apple tree to bloom next to the wild pine and juniper, spreading its fragrance in the wilderness. Their old varieties still remain. He selected the graceful elm from the woods and the riverside, thus refining and smoothing his village plot. He crudely bridged the stream, drove his team into the river meadows, harvested the wild grass, and exposed the homes of beaver, otter, and muskrat, while the sound of his scythe scared off the deer and bear. He set up a mill, and fields of English grain flourished in the untouched soil. And along with his grain, he scattered the seeds of dandelion and wild trefoil across the meadows, mixing his English flowers with the wild native ones. The prickly burdock, sweet-smelling catnip, and humble yarrow rooted themselves along his woodland road, also seeking “freedom to worship God” in their own way. And thus he established a town. The white man’s mullein soon dominated the Indian cornfields, and fragrant English grasses covered the new land. So where could the Red Man place his foot? The honeybee buzzed through the Massachusetts woods, sipping the wildflowers around the Indian’s wigwam, perhaps unnoticed, when, as a warning, it stung the Red child’s hand, a precursor to that industrious tribe that would come to uproot the wildflowers of his race.

The white man comes, pale as the dawn, with a load of thought, with a slumbering intelligence as a fire raked up, knowing well what he knows, not guessing but calculating; strong in community, yielding obedience to authority; of experienced race; of wonderful, wonderful common sense; dull but capable, slow but persevering, severe but just, of little humor but genuine; a laboring man, despising game and sport; building a house that endures, a framed house. He buys the Indian’s moccasins and baskets, then buys his hunting-grounds, and at length forgets where he is buried and ploughs up his bones. And here town records, old, tattered, time-worn, weather-stained chronicles, contain the Indian sachem’s mark perchance, an arrow or a beaver, and the few fatal words by which he deeded his hunting-grounds away. He comes with a list of ancient Saxon, Norman, and Celtic names, and strews them up and down this river,—Framingham, Sudbury, Bedford, Carlisle, Billerica, Chelmsford,—and this is New Angle-land, and these are the New West Saxons whom the Red Men call, not Angle-ish or English, but Yengeese, and so at last they are known for Yankees.

The white man arrives, pale as dawn, burdened with thoughts, his quiet intelligence smoldering like a pile of ash, fully aware of what he knows, not guessing but calculating; strong in community, obeying authority; from a seasoned race; full of remarkable common sense; dull yet capable, slow but determined, strict yet fair, with little humor but genuine; a working man, looking down on games and sports; constructing a house that lasts, a solidly built home. He purchases the Indian’s moccasins and baskets, then buys their hunting grounds, eventually forgetting where he’s buried and plowing over his bones. And here, town records, old and tattered, worn by time and weather, might contain the Indian chief’s mark, perhaps an arrow or a beaver, along with the few fateful words he used to give away his hunting grounds. He comes with a list of ancient Saxon, Norman, and Celtic names, scattering them along this river—Framingham, Sudbury, Bedford, Carlisle, Billerica, Chelmsford—and this is New Angle-land, and these are the New West Saxons whom the Native Americans call, not English, but Yengeese, and so eventually they are known as Yankees.

When we were opposite to the middle of Billerica, the fields on either hand had a soft and cultivated English aspect, the village spire being seen over the copses which skirt the river, and sometimes an orchard straggled down to the water-side, though, generally, our course this forenoon was the wildest part of our voyage. It seemed that men led a quiet and very civil life there. The inhabitants were plainly cultivators of the earth, and lived under an organized political government. The school-house stood with a meek aspect, entreating a long truce to war and savage life. Every one finds by his own experience, as well as in history, that the era in which men cultivate the apple, and the amenities of the garden, is essentially different from that of the hunter and forest life, and neither can displace the other without loss. We have all had our day-dreams, as well as more prophetic nocturnal vision; but as for farming, I am convinced that my genius dates from an older era than the agricultural. I would at least strike my spade into the earth with such careless freedom but accuracy as the woodpecker his bill into a tree. There is in my nature, methinks, a singular yearning toward all wildness. I know of no redeeming qualities in myself but a sincere love for some things, and when I am reproved I fall back on to this ground. What have I to do with ploughs? I cut another furrow than you see. Where the off ox treads, there is it not, it is farther off; where the nigh ox walks, it will not be, it is nigher still. If corn fails, my crop fails not, and what are drought and rain to me? The rude Saxon pioneer will sometimes pine for that refinement and artificial beauty which are English, and love to hear the sound of such sweet and classical names as the Pentland and Malvern Hills, the Cliffs of Dover and the Trosachs, Richmond, Derwent, and Winandermere, which are to him now instead of the Acropolis and Parthenon, of Baiæ, and Athens with its sea-walls, and Arcadia and Tempe.

When we were near the center of Billerica, the fields on either side had a soft, cultivated English look, with the village spire visible over the bushes lining the river. Sometimes an orchard stretched down to the water's edge, but generally, this part of our journey was the wildest. It seemed like the people there lived a quiet and civilized life. The residents were obviously farmers, living under an organized government. The schoolhouse stood meekly, pleading for a long break from war and brutal living. Everyone knows, from personal experience and history, that the time when people grow apples and enjoy gardening is fundamentally different from the time of hunters and forest dwellers, and neither can replace the other without consequences. We’ve all had our daydreams, as well as more prophetic nighttime visions; but when it comes to farming, I feel like my true passion comes from a time even before agriculture. I would at least dig into the earth with the same carefree precision as a woodpecker taps a tree. In my nature, I sense a unique longing for all things wild. I see no redeeming qualities in myself except a genuine love for certain things, and when I’m criticized, I retreat to that belief. What do I have to do with plows? I create a different path than the one you see. Where the off ox steps, it doesn’t land there; it’s farther away. Where the near ox walks, it won’t be there; it’s even closer. If the crops don’t grow, my harvest won’t fail, and what do drought and rain mean to me? The rough Saxon pioneer sometimes longs for the refinement and artificial beauty that are English, and loves to hear the names of such sweet and classic places as the Pentland and Malvern Hills, the Cliffs of Dover, and the Trosachs, Richmond, Derwent, and Windermere, which now serve as his Acropolis and Parthenon, his Baiæ, and Athens with its sea walls, and Arcadia and Tempe.

Greece, who am I that should remember thee,
Thy Marathon and thy Thermopylæ?
Is my life vulgar, my fate mean,
Which on these golden memories can lean?

Greece, who am I to remember you,
Your Marathon and your Thermopylæ?
Is my life ordinary, my fate insignificant,
That I can lean on these golden memories?

We are apt enough to be pleased with such books as Evelyn’s Sylva, Acetarium, and Kalendarium Hortense, but they imply a relaxed nerve in the reader. Gardening is civil and social, but it wants the vigor and freedom of the forest and the outlaw. There may be an excess of cultivation as well as of anything else, until civilization becomes pathetic. A highly cultivated man,—all whose bones can be bent! whose heaven-born virtues are but good manners! The young pines springing up in the cornfields from year to year are to me a refreshing fact. We talk of civilizing the Indian, but that is not the name for his improvement. By the wary independence and aloofness of his dim forest life he preserves his intercourse with his native gods, and is admitted from time to time to a rare and peculiar society with Nature. He has glances of starry recognition to which our saloons are strangers. The steady illumination of his genius, dim only because distant, is like the faint but satisfying light of the stars compared with the dazzling but ineffectual and short-lived blaze of candles. The Society-Islanders had their day-born gods, but they were not supposed to be “of equal antiquity with the atua fauau po, or night-born gods.” It is true, there are the innocent pleasures of country life, and it is sometimes pleasant to make the earth yield her increase, and gather the fruits in their season, but the heroic spirit will not fail to dream of remoter retirements and more rugged paths. It will have its garden-plots and its parterres elsewhere than on the earth, and gather nuts and berries by the way for its subsistence, or orchard fruits with such heedlessness as berries. We would not always be soothing and taming nature, breaking the horse and the ox, but sometimes ride the horse wild and chase the buffalo. The Indian’s intercourse with Nature is at least such as admits of the greatest independence of each. If he is somewhat of a stranger in her midst, the gardener is too much of a familiar. There is something vulgar and foul in the latter’s closeness to his mistress, something noble and cleanly in the former’s distance. In civilization, as in a southern latitude, man degenerates at length, and yields to the incursion of more northern tribes,

We tend to enjoy books like Evelyn’s Sylva, Acetarium, and Kalendarium Hortense, but they show that the reader is a bit too relaxed. Gardening is civilized and social, yet it lacks the energy and freedom of the forest and the outlaw. There can be an over-cultivation of anything until society becomes sad. A highly cultivated person is someone whose bones can be easily bent, where their so-called virtues are just good manners! The young pines sprouting in the cornfields yearly are refreshing to me. We speak about civilizing the Indian, but that’s not really the right term for his improvement. Through the cautious independence and detachment of his obscure forest life, he maintains his connection with his native gods and occasionally experiences a rare and unique relationship with Nature. He has insights of starlit recognition that our fancy salons don’t offer. The steady glow of his genius, dim only because it's far away, resembles the gentle but fulfilling light of the stars compared to the flashy yet ineffective and fleeting brightness of candles. The Society Islanders had their daytime gods, but they weren’t thought to be “of equal age with the atua fauau po, or night-born gods.” It’s true that there are innocent joys in country life, and it can be pleasant to make the earth produce and gather fruits in their season, but the adventurous spirit will always dream of distant retreats and wilder paths. It will want its garden plots and flower beds somewhere other than on the ground, gathering nuts and berries along the way for sustenance, or orchard fruits with the same carelessness as berries. We don’t always want to soothe and tame nature, breaking the horse and the ox; sometimes, we want to ride the horse wild and chase the buffalo. The Indian’s connection with Nature allows for the greatest independence of each. While he may be somewhat of a stranger in her midst, the gardener is too familiar. There’s something common and dirty in the gardener’s closeness to his mistress, and something noble and pure in the Indian’s distance. In civilization, just like in a southern climate, man eventually degenerates and succumbs to the invasion of northern tribes.

“Some nation yet shut in
    With hills of ice.”

“Some country still enclosed
    By mountains of ice.”

There are other, savager, and more primeval aspects of nature than our poets have sung. It is only white man’s poetry. Homer and Ossian even can never revive in London or Boston. And yet behold how these cities are refreshed by the mere tradition, or the imperfectly transmitted fragrance and flavor of these wild fruits. If we could listen but for an instant to the chant of the Indian muse, we should understand why he will not exchange his savageness for civilization. Nations are not whimsical. Steel and blankets are strong temptations; but the Indian does well to continue Indian.

There are more brutal and primitive aspects of nature than what our poets have expressed. It's only the poetry of white men. Even Homer and Ossian could never come back to life in London or Boston. And yet look how these cities are revitalized by the mere tradition, or the imperfectly transmitted scent and taste of these wild fruits. If we could listen, even just for a moment, to the songs of the Native American muse, we would understand why they won't trade their wildness for civilization. Nations don't act on a whim. Steel and blankets are strong temptations, but the Native American is wise to remain true to their roots.

After sitting in my chamber many days, reading the poets, I have been out early on a foggy morning, and heard the cry of an owl in a neighboring wood as from a nature behind the common, unexplored by science or by literature. None of the feathered race has yet realized my youthful conceptions of the woodland depths. I had seen the red Election-bird brought from their recesses on my comrades’ string, and fancied that their plumage would assume stranger and more dazzling colors, like the tints of evening, in proportion as I advanced farther into the darkness and solitude of the forest. Still less have I seen such strong and wilderness tints on any poet’s string.

After spending many days in my room reading poets, I went out early on a foggy morning and heard the hoot of an owl in a nearby woods, as if it were a part of a nature that’s untouched by science or literature. None of the birds have lived up to my youthful imaginations of the deep woods. I had seen the red Election-bird brought back by my friends, and I imagined that their feathers would take on even stranger and more vibrant colors, like the hues of dusk, as I ventured deeper into the darkness and solitude of the forest. I've also never seen such vivid and wild colors on any poet's collection.

These modern ingenious sciences and arts do not affect me as those more venerable arts of hunting and fishing, and even of husbandry in its primitive and simple form; as ancient and honorable trades as the sun and moon and winds pursue, coeval with the faculties of man, and invented when these were invented. We do not know their John Gutenberg, or Richard Arkwright, though the poets would fain make them to have been gradually learned and taught. According to Gower,—

These modern, clever sciences and arts don’t resonate with me like the older, respected activities of hunting, fishing, and even traditional farming in its basic form; these are ancient and honorable trades that are as timeless as the sun, moon, and winds, existing alongside humanity’s abilities and created when those abilities were first developed. We don’t know their John Gutenberg or Richard Arkwright, even though poets would like us to think they were gradually discovered and taught. According to Gower,—

“And Iadahel, as saith the boke,
Firste made nette, and fishes toke.
Of huntyng eke he fond the chace,
Whiche nowe is knowe in many place;
A tent of clothe, with corde and stake,
He sette up first, and did it make.”

“And Iadahel, as the book says,
First made nets, and caught fish.
He also created the hunt,
Which is now known in many places;
A tent of cloth, with cord and stake,
He set up first, and made it.”

Also, Lydgate says:—

Also, Lydgate says:—

“Jason first sayled, in story it is tolde,
Toward Colchos, to wynne the flees of golde,
Ceres the Goddess fond first the tilthe of londe;
* * * * *
Also, Aristeus fonde first the usage
Of mylke, and cruddis, and of honey swote;
Peryodes, for grete avauntage,
From flyntes smote fuyre, daryng in the roote.”

“Jason first sailed, as the story goes,
Towards Colchis, to win the golden fleece,
Ceres, the Goddess, first discovered the cultivation of land;
* * * * *
Also, Aristeus first found the use
Of milk, and curds, and sweet honey;
Periods, for great advantage,
From flint struck fire, daring in the root.”

We read that Aristeus “obtained of Jupiter and Neptune, that the pestilential heat of the dog-days, wherein was great mortality, should be mitigated with wind.” This is one of those dateless benefits conferred on man, which have no record in our vulgar day, though we still find some similitude to them in our dreams, in which we have a more liberal and juster apprehension of things, unconstrained by habit, which is then in some measure put off, and divested of memory, which we call history.

We read that Aristeus “got from Jupiter and Neptune that the deadly heat of the dog days, during which there was a high death rate, should be eased by wind.” This is one of those timeless gifts given to humanity, which aren't recorded in our everyday life, even though we still see some similarities in our dreams, where we have a broader and clearer understanding of things, free from the constraints of habit, which are somewhat shed and stripped of memory, which we refer to as history.

According to fable, when the island of Ægina was depopulated by sickness, at the instance of Æacus, Jupiter turned the ants into men, that is, as some think, he made men of the inhabitants who lived meanly like ants. This is perhaps the fullest history of those early days extant.

According to the fable, when the island of Ægina was emptied due to a plague, at Æacus's request, Jupiter transformed the ants into men. Some believe he created men from the inhabitants who lived in a lowly manner like ants. This might be the most complete account of those early times that still exists.

The fable which is naturally and truly composed, so as to satisfy the imagination, ere it addresses the understanding, beautiful though strange as a wild-flower, is to the wise man an apothegm, and admits of his most generous interpretation. When we read that Bacchus made the Tyrrhenian mariners mad, so that they leapt into the sea, mistaking it for a meadow full of flowers, and so became dolphins, we are not concerned about the historical truth of this, but rather a higher poetical truth. We seem to hear the music of a thought, and care not if the understanding be not gratified. For their beauty, consider the fables of Narcissus, of Endymion, of Memnon son of Morning, the representative of all promising youths who have died a premature death, and whose memory is melodiously prolonged to the latest morning; the beautiful stories of Phaeton, and of the Sirens whose isle shone afar off white with the bones of unburied men; and the pregnant ones of Pan, Prometheus, and the Sphinx; and that long list of names which have already become part of the universal language of civilized men, and from proper are becoming common names or nouns,—the Sibyls, the Eumenides, the Parcæ, the Graces, the Muses, Nemesis, &c.

The fable that's crafted in such a way that it captivates the imagination before it appeals to reason, beautiful yet odd like a wildflower, serves as a maxim to the wise man and allows for his most generous interpretation. When we read about Bacchus driving the Tyrrhenian sailors mad, causing them to leap into the sea, mistaking it for a meadow filled with flowers, and thus turning into dolphins, we aren't focused on whether this actually happened historically but rather on a deeper poetic truth. It feels like we're hearing the rhythm of an idea, and we don't mind if our understanding isn't fully satisfied. For their beauty, think of the fables of Narcissus, Endymion, and Memnon, the son of Morning, representing all the promising young men who died too soon, their memories beautifully celebrated to the last dawn; the lovely tales of Phaeton and the Sirens on the isle bright with the bones of the unburied; and the significant stories of Pan, Prometheus, and the Sphinx; along with that long list of names that have become a part of the universal language of civilized people, transitioning from proper names to common nouns—the Sibyls, the Eumenides, the Fates, the Graces, the Muses, Nemesis, etc.

It is interesting to observe with what singular unanimity the farthest sundered nations and generations consent to give completeness and roundness to an ancient fable, of which they indistinctly appreciate the beauty or the truth. By a faint and dream-like effort, though it be only by the vote of a scientific body, the dullest posterity slowly add some trait to the mythus. As when astronomers call the lately discovered planet Neptune; or the asteroid Astræa, that the Virgin who was driven from earth to heaven at the end of the golden age, may have her local habitation in the heavens more distinctly assigned her,—for the slightest recognition of poetic worth is significant. By such slow aggregation has mythology grown from the first. The very nursery tales of this generation, were the nursery tales of primeval races. They migrate from east to west, and again from west to east; now expanded into the “tale divine” of bards, now shrunk into a popular rhyme. This is an approach to that universal language which men have sought in vain. This fond reiteration of the oldest expressions of truth by the latest posterity, content with slightly and religiously retouching the old material, is the most impressive proof of a common humanity.

It’s fascinating to see how universally different nations and generations come together to complete and enrich an ancient story, which they may not fully understand but can appreciate for its beauty or truth. With a faint, dream-like effort, even the dullest descendants slowly add new elements to these myths. For example, when astronomers named the recently discovered planet Neptune, or the asteroid Astræa—after the Virgin who was taken from earth to heaven at the end of the golden age—it helps give her a clearer place in the heavens. Every small recognition of poetic value is significant. Mythology has grown gradually over time through this slow accumulation. The nursery tales of today were once the nursery tales of ancient races. They move from east to west and back again; sometimes expanded into the “divine tale” of poets, or reduced to a simple rhyme. This reflects a pursuit of a universal language that humanity has sought but failed to achieve. The loving repetition of the oldest truths by the latest generations, who are satisfied with just slightly and reverently updating the old material, is the most powerful evidence of our shared humanity.

All nations love the same jests and tales, Jews, Christians, and Mahometans, and the same translated suffice for all. All men are children, and of one family. The same tale sends them all to bed, and wakes them in the morning. Joseph Wolff, the missionary, distributed copies of Robinson Crusoe, translated into Arabic, among the Arabs, and they made a great sensation. “Robinson Crusoe’s adventures and wisdom,” says he, “were read by Mahometans in the market-places of Sanaa, Hodyeda, and Loheya, and admired and believed!” On reading the book, the Arabians exclaimed, “O, that Robinson Crusoe must have been a great prophet!”

All nations enjoy the same jokes and stories, including Jews, Christians, and Muslims, and the same translations work for everyone. Everyone is just a kid at heart and part of the same family. The same story puts them all to sleep and wakes them up in the morning. Joseph Wolff, the missionary, handed out copies of Robinson Crusoe, translated into Arabic, to the Arabs, and it caused quite a stir. “Robinson Crusoe’s adventures and wisdom,” he says, “were read by Muslims in the markets of Sanaa, Hodyeda, and Loheya, and they loved and believed it!” When they read the book, the Arabs exclaimed, “Oh, that Robinson Crusoe must have been a great prophet!”

To some extent, mythology is only the most ancient history and biography. So far from being false or fabulous in the common sense, it contains only enduring and essential truth, the I and you, the here and there, the now and then, being omitted. Either time or rare wisdom writes it. Before printing was discovered, a century was equal to a thousand years. The poet is he who can write some pure mythology to-day without the aid of posterity. In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence for our classical dictionary,—and then, perchance, have stuck up their names to shine in some corner of the firmament. We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which itself is but materials to serve for a mythology. How many volumes folio would the Life and Labors of Prometheus have filled, if perchance it had fallen, as perchance it did first, in days of cheap printing! Who knows what shape the fable of Columbus will at length assume, to be confounded with that of Jason and the expedition of the Argonauts. And Franklin,—there may be a line for him in the future classical dictionary, recording what that demigod did, and referring him to some new genealogy. “Son of —— and ——. He aided the Americans to gain their independence, instructed mankind in economy, and drew down lightning from the clouds.”

To some extent, mythology is just the oldest form of history and biography. Far from being false or made-up in the usual sense, it holds lasting and essential truths, while the personal elements like I and you, the here and there, and the now and then, are left out. It is either time or extraordinary wisdom that shapes it. Before printing was invented, a century felt like a thousand years. The poet is the one who can create some genuine mythology today without relying on future generations. For example, the Greeks would have summed up the story of Abelard and Heloise in just a few words, with a single line for our classical dictionary—and then maybe just left their names to shine in some corner of the sky. We moderns, however, only gather the raw materials of biography and history—"memoirs to serve for a history," which itself is just the groundwork for a mythology. How many volumes would the Life and Labors of Prometheus have taken up if it had emerged, as it probably did, in the era of inexpensive printing? Who knows what form the tale of Columbus will eventually take, to be mixed up with that of Jason and the Argonauts. And Franklin—there may be a line for him in the future classical dictionary, noting what this demigod did and linking him to some new lineage. "Son of —— and ——. He helped the Americans gain their independence, taught humanity about economics, and captured lightning from the clouds."

The hidden significance of these fables which is sometimes thought to have been detected, the ethics running parallel to the poetry and history, are not so remarkable as the readiness with which they may be made to express a variety of truths. As if they were the skeletons of still older and more universal truths than any whose flesh and blood they are for the time made to wear. It is like striving to make the sun, or the wind, or the sea symbols to signify exclusively the particular thoughts of our day. But what signifies it? In the mythus a superhuman intelligence uses the unconscious thoughts and dreams of men as its hieroglyphics to address men unborn. In the history of the human mind, these glowing and ruddy fables precede the noonday thoughts of men, as Aurora the sun’s rays. The matutine intellect of the poet, keeping in advance of the glare of philosophy, always dwells in this auroral atmosphere.

The hidden meaning of these fables, which some believe has been uncovered, and the morals that run alongside the poetry and history, aren't as impressive as how easily they can express various truths. It's as if they're the frameworks of even older and more universal truths than any they seem to embody in that moment. It's like trying to make the sun, wind, or sea symbolize only the specific ideas of our time. But what does that matter? In the myth, a superhuman intelligence uses the unconscious thoughts and dreams of people as its symbols to communicate with those yet to be born. In the history of human thought, these vibrant and vivid fables come before the midday thoughts of people, just like dawn comes before the sun. The early intellect of the poet, staying ahead of the brightness of philosophy, always exists in this dawn-like atmosphere.

As we said before, the Concord is a dead stream, but its scenery is the more suggestive to the contemplative voyager, and this day its water was fuller of reflections than our pages even. Just before it reaches the falls in Billerica, it is contracted, and becomes swifter and shallower, with a yellow pebbly bottom, hardly passable for a canal-boat, leaving the broader and more stagnant portion above like a lake among the hills. All through the Concord, Bedford, and Billerica meadows we had heard no murmur from its stream, except where some tributary runnel tumbled in,—

As we mentioned earlier, the Concord is a lifeless stream, but its scenery is even more thought-provoking for the reflective traveler, and today its water was full of reflections, even more so than our pages. Just before it reaches the falls in Billerica, it narrows and becomes faster and shallower, with a yellow pebbly bottom, barely navigable for a canal boat, leaving the wider and more still section above like a lake among the hills. Throughout the Concord, Bedford, and Billerica meadows, we hadn’t heard a sound from its stream, except where some small tributary trickled in—

Some tumultuous little rill,
    Purling round its storied pebble,
Tinkling to the selfsame tune,
From September until June,
    Which no drought doth e’er enfeeble.

Silent flows the parent stream,
    And if rocks do lie below,
Smothers with her waves the din,
As it were a youthful sin,
    Just as still, and just as slow.

Some lively little stream,
    Winding around its famous pebble,
Sounds the same sweet tune,
From September to June,
    Which no dryness ever weakens.

Quietly flows the main river,
    And if there are rocks beneath,
It drowns out their noise with its waves,
As if it were a youthful mistake,
    Just as calm, and just as slow.

But now at length we heard this staid and primitive river rushing to her fall, like any rill. We here left its channel, just above the Billerica Falls, and entered the canal, which runs, or rather is conducted, six miles through the woods to the Merrimack, at Middlesex, and as we did not care to loiter in this part of our voyage, while one ran along the tow-path drawing the boat by a cord, the other kept it off the shore with a pole, so that we accomplished the whole distance in little more than an hour. This canal, which is the oldest in the country, and has even an antique look beside the more modern railroads, is fed by the Concord, so that we were still floating on its familiar waters. It is so much water which the river lets for the advantage of commerce. There appeared some want of harmony in its scenery, since it was not of equal date with the woods and meadows through which it is led, and we missed the conciliatory influence of time on land and water; but in the lapse of ages, Nature will recover and indemnify herself, and gradually plant fit shrubs and flowers along its borders. Already the kingfisher sat upon a pine over the water, and the bream and pickerel swam below. Thus all works pass directly out of the hands of the architect into the hands of Nature, to be perfected.

But finally, we heard this steady and primitive river rushing to her fall, like any stream. We left its channel just above the Billerica Falls and entered the canal, which runs—or rather is managed—six miles through the woods to the Merrimack at Middlesex. Since we didn’t want to waste time on this part of our journey, while one person ran along the tow-path pulling the boat with a cord, the other kept it off the shore with a pole, allowing us to cover the whole distance in just over an hour. This canal, the oldest in the country, looks quite old-fashioned compared to the more modern railroads and is fed by the Concord, so we were still floating on its familiar waters. It’s just extra water that the river lets out for the benefit of commerce. There seemed to be some disharmony in its scenery since it wasn’t as old as the woods and meadows it runs through, and we missed the unifying influence of time on land and water. However, over the ages, Nature will reclaim and compensate herself, gradually planting suitable shrubs and flowers along its banks. Already, a kingfisher sat on a pine over the water, while bream and pickerel swam below. Thus, all man-made works eventually pass from the hands of the architect to the hands of Nature to be perfected.

It was a retired and pleasant route, without houses or travellers, except some young men who were lounging upon a bridge in Chelmsford, who leaned impudently over the rails to pry into our concerns, but we caught the eye of the most forward, and looked at him till he was visibly discomfited. Not that there was any peculiar efficacy in our look, but rather a sense of shame left in him which disarmed him.

It was a quiet and nice path, with no houses or travelers, except for a few young men hanging out on a bridge in Chelmsford. They leaned over the rails to peek into our business, but we locked eyes with the most brazen one and stared at him until he clearly felt uncomfortable. It wasn’t that our gaze had any special power; it was more that we made him feel ashamed, which took the wind out of his sails.

It is a very true and expressive phrase, “He looked daggers at me,” for the first pattern and prototype of all daggers must have been a glance of the eye. First, there was the glance of Jove’s eye, then his fiery bolt, then, the material gradually hardening, tridents, spears, javelins, and finally, for the convenience of private men, daggers, krisses, and so forth, were invented. It is wonderful how we get about the streets without being wounded by these delicate and glancing weapons, a man can so nimbly whip out his rapier, or without being noticed carry it unsheathed. Yet it is rare that one gets seriously looked at.

It’s a very accurate and expressive saying, “He looked daggers at me,” because the original idea of a dagger must have come from a glance. First, there was the look from Jove, then his fiery bolt, and as time went on, the concept evolved into tridents, spears, javelins, and eventually, for the convenience of regular folks, daggers, krisses, and so on were created. It’s amazing how we walk around the streets without getting hurt by these sharp and darting weapons; a person can quickly draw their rapier or, without attracting attention, carry it out of its sheath. Yet, it’s rare for someone to be seriously stared at.

As we passed under the last bridge over the canal, just before reaching the Merrimack, the people coming out of church paused to look at us from above, and apparently, so strong is custom, indulged in some heathenish comparisons; but we were the truest observers of this sunny day. According to Hesiod,

As we went under the last bridge over the canal, just before reaching the Merrimack, people coming out of church paused to look at us from above and, apparently, out of habit, made some unholy comparisons; but we were the truest observers of this sunny day. According to Hesiod,

        “The seventh is a holy day,
For then Latona brought forth golden-rayed Apollo,”

“The seventh is a sacred day,
Because that's when Latona gave birth to golden-rayed Apollo,”

and by our reckoning this was the seventh day of the week, and not the first. I find among the papers of an old Justice of the Peace and Deacon of the town of Concord, this singular memorandum, which is worth preserving as a relic of an ancient custom. After reforming the spelling and grammar, it runs as follows: “Men that travelled with teams on the Sabbath, Dec. 18th, 1803, were Jeremiah Richardson and Jonas Parker, both of Shirley. They had teams with rigging such as is used to carry barrels, and they were travelling westward. Richardson was questioned by the Hon. Ephraim Wood, Esq., and he said that Jonas Parker was his fellow-traveller, and he further said that a Mr. Longley was his employer, who promised to bear him out.” We were the men that were gliding northward, this Sept. 1st, 1839, with still team, and rigging not the most convenient to carry barrels, unquestioned by any Squire or Church Deacon and ready to bear ourselves out if need were. In the latter part of the seventeenth century, according to the historian of Dunstable, “Towns were directed to erect ‘a cage’ near the meeting-house, and in this all offenders against the sanctity of the Sabbath were confined.” Society has relaxed a little from its strictness, one would say, but I presume that there is not less religion than formerly. If the ligature is found to be loosened in one part, it is only drawn the tighter in another.

and by our calculation, this was the seventh day of the week, not the first. I came across a note among the papers of an old Justice of the Peace and Deacon from the town of Concord, which is worth keeping as a reminder of an old custom. After fixing the spelling and grammar, it reads: “Men who traveled with teams on the Sabbath, Dec. 18th, 1803, were Jeremiah Richardson and Jonas Parker, both from Shirley. They had teams with harnesses typically used to carry barrels, and they were heading west. Richardson was questioned by the Hon. Ephraim Wood, Esq., and he stated that Jonas Parker was his travel companion, and he also mentioned that a Mr. Longley was his employer, who promised to support him.” We were the men heading north on this Sept. 1st, 1839, with a still team, and harnesses not ideal for carrying barrels, going unchallenged by any Squire or Church Deacon, and ready to defend ourselves if necessary. In the late seventeenth century, according to the historian of Dunstable, “Towns were instructed to build ‘a cage’ near the meeting-house, and in this, all offenders against the sanctity of the Sabbath were confined.” Society has loosened up a bit, one might say, but I believe there is no less religion than before. If the ligature is found to be loosened in one area, it is only tightened in another.

You can hardly convince a man of an error in a lifetime, but must content yourself with the reflection that the progress of science is slow. If he is not convinced, his grandchildren may be. The geologists tell us that it took one hundred years to prove that fossils are organic, and one hundred and fifty more, to prove that they are not to be referred to the Noachian deluge. I am not sure but I should betake myself in extremities to the liberal divinities of Greece, rather than to my country’s God. Jehovah, though with us he has acquired new attributes, is more absolute and unapproachable, but hardly more divine, than Jove. He is not so much of a gentleman, not so gracious and catholic, he does not exert so intimate and genial an influence on nature, as many a god of the Greeks. I should fear the infinite power and inflexible justice of the almighty mortal, hardly as yet apotheosized, so wholly masculine, with no Sister Juno, no Apollo, no Venus, nor Minerva, to intercede for me, θυμῷ φιλέουσά τε, κηδομένη τε. The Grecian are youthful and erring and fallen gods, with the vices of men, but in many important respects essentially of the divine race. In my Pantheon, Pan still reigns in his pristine glory, with his ruddy face, his flowing beard, and his shaggy body, his pipe and his crook, his nymph Echo, and his chosen daughter Iambe; for the great god Pan is not dead, as was rumored. No god ever dies. Perhaps of all the gods of New England and of ancient Greece, I am most constant at his shrine.

You can hardly convince a man of a mistake in his lifetime, but you have to be satisfied with the thought that the progress of science is slow. If he doesn’t get it, maybe his grandchildren will. Geologists tell us it took a hundred years to prove that fossils are organic, and another hundred and fifty years to show that they shouldn't be linked to the Noachian flood. I'm not sure, but in extreme situations, I might turn to the liberal gods of Greece instead of my country’s God. Jehovah, though He has taken on new attributes with us, is more absolute and distant, but hardly more divine than Jove. He isn't as much of a gentleman, not as gracious or broad-minded; He doesn't have the same intimate and friendly influence on nature as many Greek gods do. I would fear the infinite power and strict justice of the almighty being, who is still very much mortal and entirely masculine, without any Sister Juno, no Apollo, no Venus, or Minerva to intercede for me. The Greek gods are youthful and flawed beings, falling like men but in many ways truly of the divine lineage. In my Pantheon, Pan still reigns in his original glory, with his ruddy face, flowing beard, and shaggy body, his pipe and crook, his nymph Echo, and his chosen daughter Iambe; because the great god Pan is not dead, as was rumored. No god ever dies. Perhaps of all the gods of New England and ancient Greece, I am most devoted at his shrine.

It seems to me that the god that is commonly worshipped in civilized countries is not at all divine, though he bears a divine name, but is the overwhelming authority and respectability of mankind combined. Men reverence one another, not yet God. If I thought that I could speak with discrimination and impartiality of the nations of Christendom, I should praise them, but it tasks me too much. They seem to be the most civil and humane, but I may be mistaken. Every people have gods to suit their circumstances; the Society Islanders had a god called Toahitu, “in shape like a dog; he saved such as were in danger of falling from rocks and trees.” I think that we can do without him, as we have not much climbing to do. Among them a man could make himself a god out of a piece of wood in a few minutes, which would frighten him out of his wits.

It seems to me that the god commonly worshipped in civilized countries isn’t truly divine, even though he has a divine name; rather, he represents the immense authority and respectability of humanity combined. People honor one another, but not yet God. If I believed I could speak fairly and impartially about the nations of Christendom, I would praise them, but it’s too much for me. They appear to be the most civilized and humane, but I might be wrong. Every culture has gods suited to their situations; the Society Islanders had a god named Toahitu, "shaped like a dog; he saved those in danger of falling from rocks and trees." I think we can do without him since we don’t have much climbing to do. Among them, a man could create a god from a piece of wood in just a few minutes, which would scare him out of his wits.

I fancy that some indefatigable spinster of the old school, who had the supreme felicity to be born in “days that tried men’s souls,” hearing this, may say with Nestor, another of the old school, “But you are younger than I. For time was when I conversed with greater men than you. For not at any time have I seen such men, nor shall see them, as Perithous, and Dryas, and ποιμένα λαῶν,” that is probably Washington, sole “Shepherd of the People.” And when Apollo has now six times rolled westward, or seemed to roll, and now for the seventh time shows his face in the east, eyes wellnigh glazed, long glassed, which have fluctuated only between lamb’s wool and worsted, explore ceaselessly some good sermon book. For six days shalt thou labor and do all thy knitting, but on the seventh, forsooth, thy reading. Happy we who can bask in this warm September sun, which illumines all creatures, as well when they rest as when they toil, not without a feeling of gratitude; whose life is as blameless, how blameworthy soever it may be, on the Lord’s Mona-day as on his Suna-day.

I imagine that some tireless old maid from earlier times, who had the ultimate blessing of being born in “times that tested people's spirits,” might say like Nestor, another figure from the past, “But you’re younger than I am. There was a time when I spoke with greater men than you. I’ve never seen men as great as Perithous, and Dryas, and ποιμένα λαῶν,” probably referring to Washington, the one and only “Shepherd of the People.” And now that Apollo has gone six times to the west, or at least seemed to, and now for the seventh time rises in the east, his eyes almost glazed, having looked for so long, they endlessly search some good book of sermons. For six days you should work and do all your knitting, but on the seventh, indeed, it’s time for reading. Lucky are we who can enjoy this warm September sun, which brightens all creatures, whether they’re resting or working, with a sense of gratitude; whose life is as pure, no matter how flawed it may be, on the Lord’s Monday as on his Sunday.

There are various, nay, incredible faiths; why should we be alarmed at any of them? What man believes, God believes. Long as I have lived, and many blasphemers as I have heard and seen, I have never yet heard or witnessed any direct and conscious blasphemy or irreverence; but of indirect and habitual, enough. Where is the man who is guilty of direct and personal insolence to Him that made him?

There are many, even incredible beliefs; why should we be worried about any of them? What one person believes, God believes. Throughout my life, despite the many blasphemers I've heard and seen, I've never actually encountered any outright and deliberate blasphemy or disrespect; but there has been plenty of indirect and habitual disrespect. Where is the person who shows direct and personal contempt for the one who created them?

One memorable addition to the old mythology is due to this era,—the Christian fable. With what pains, and tears, and blood these centuries have woven this and added it to the mythology of mankind. The new Prometheus. With what miraculous consent, and patience, and persistency has this mythus been stamped on the memory of the race! It would seem as if it were in the progress of our mythology to dethrone Jehovah, and crown Christ in his stead.

One notable addition to the old mythology comes from this era—the Christian story. With what effort, and tears, and sacrifice these centuries have created this and incorporated it into the mythology of humanity. The new Prometheus. With what extraordinary agreement, and patience, and determination this myth has been embedded in the collective memory of people! It seems as if our mythology is on a path to replace Jehovah and place Christ in his position.

If it is not a tragical life we live, then I know not what to call it. Such a story as that of Jesus Christ,—the history of Jerusalem, say, being a part of the Universal History. The naked, the embalmed, unburied death of Jerusalem amid its desolate hills,—think of it. In Tasso’s poem I trust some things are sweetly buried. Consider the snappish tenacity with which they preach Christianity still. What are time and space to Christianity, eighteen hundred years, and a new world?—that the humble life of a Jewish peasant should have force to make a New York bishop so bigoted. Forty-four lamps, the gift of kings, now burning in a place called the Holy Sepulchre;—a church-bell ringing;—some unaffected tears shed by a pilgrim on Mount Calvary within the week.—

If our lives aren't filled with tragedy, then I don’t know what to call them. The story of Jesus Christ is intertwined with the history of Jerusalem as part of Universal History. Just imagine the raw, unburied death of Jerusalem amidst its desolate hills. In Tasso’s poem, I hope some things are peacefully laid to rest. Think about how stubbornly they continue to preach Christianity. What do time and space mean to Christianity, with eighteen hundred years gone by and a new world existing?—that the simple life of a Jewish peasant could make a bishop in New York so narrow-minded. Forty-four lamps, gifted by kings, are now shining in a place called the Holy Sepulchre; there's a church bell ringing; and some genuine tears were shed by a pilgrim on Mount Calvary just this week.

“Jerusalem, Jerusalem, when I forget thee, may my right hand forget her cunning.”

“Jerusalem, Jerusalem, if I ever forget you, may my right hand lose its skill.”

“By the waters of Babylon there we sat down, and we wept when we remembered Zion.”

“By the rivers of Babylon, we sat down and cried when we remembered Zion.”

I trust that some may be as near and dear to Buddha, or Christ, or Swedenborg, who are without the pale of their churches. It is necessary not to be Christian to appreciate the beauty and significance of the life of Christ. I know that some will have hard thoughts of me, when they hear their Christ named beside my Buddha, yet I am sure that I am willing they should love their Christ more than my Buddha, for the love is the main thing, and I like him too. “God is the letter Ku, as well as Khu.” Why need Christians be still intolerant and superstitious? The simple-minded sailors were unwilling to cast overboard Jonah at his own request.—

I believe that some people may hold Buddha, Christ, or Swedenborg close to their hearts, even if they aren’t part of their respective churches. You don’t have to be a Christian to recognize the beauty and importance of Christ’s life. I know some might judge me harshly when they hear me mention Christ alongside Buddha, but I’m okay with them loving their Christ more than my Buddha, because love is what truly matters, and I appreciate him too. “God is both the letter Ku and Khu.” Why do Christians still have to be intolerant and superstitious? The simple-minded sailors were unwilling to throw Jonah overboard at his own request.

“Where is this love become in later age?
Alas! ’tis gone in endless pilgrimage
From hence, and never to return, I doubt,
Till revolution wheel those times about.”

“Where has this love gone in later years?
Unfortunately! It’s on an endless journey
From here, and I doubt it will ever return,
Until the world turns those times around.”

One man says,—

A man says,—

“The world’s a popular disease, that reigns
Within the froward heart and frantic brains
Of poor distempered mortals.”

“The world’s a widely spread illness that controls
The stubborn hearts and frantic minds
Of troubled souls.”

Another, that

Another one, that

    —“all the world’s a stage,
And all the men and women merely players.”

—“the whole world’s a stage,
And all the men and women are just actors.”

The world is a strange place for a playhouse to stand within it. Old Drayton thought that a man that lived here, and would be a poet, for instance, should have in him certain “brave, translunary things,” and a “fine madness” should possess his brain. Certainly it were as well, that he might be up to the occasion. That is a superfluous wonder, which Dr. Johnson expresses at the assertion of Sir Thomas Browne that “his life has been a miracle of thirty years, which to relate, were not history but a piece of poetry, and would sound like a fable.” The wonder is, rather, that all men do not assert as much. That would be a rare praise, if it were true, which was addressed to Francis Beaumont,—“Spectators sate part in your tragedies.”

The world is a weird place for a playhouse to exist. Old Drayton believed that a person living here who wanted to be a poet should have certain “brave, otherworldly things” in them, and a “fine madness” should fill their mind. It would definitely help if they could rise to the occasion. Dr. Johnson marvels at Sir Thomas Browne's claim that “his life has been a miracle of thirty years, which to relate, would not be history but a piece of poetry, and would sound like a fable.” But the real wonder is why not all men claim the same. If it were true, it would be quite a rare compliment, like the one given to Francis Beaumont—“Spectators took part in your tragedies.”

Think what a mean and wretched place this world is; that half the time we have to light a lamp that we may see to live in it. This is half our life. Who would undertake the enterprise if it were all? And, pray, what more has day to offer? A lamp that burns more clear, a purer oil, say winter-strained, that so we may pursue our idleness with less obstruction. Bribed with a little sunlight and a few prismatic tints, we bless our Maker, and stave off his wrath with hymns.

Think about how miserable and awful this world is; that half the time we have to turn on a lamp just to see to live in it. This is half of our lives. Who would take on this challenge if it were all? And really, what does daylight offer us? A lamp that shines brighter, purer oil, maybe winter-strained, so we can enjoy our laziness with fewer interruptions. With a bit of sunlight and some colorful hues, we praise our Creator, and keep His anger at bay with songs.

I make ye an offer,
Ye gods, hear the scoffer,
The scheme will not hurt you,
If ye will find goodness, I will find virtue.
Though I am your creature,
And child of your nature,
I have pride still unbended,
And blood undescended,
Some free independence,
And my own descendants.
I cannot toil blindly,
Though ye behave kindly,
And I swear by the rood,
I’ll be slave to no God.
If ye will deal plainly,
I will strive mainly,
If ye will discover,
Great plans to your lover,
And give him a sphere
Somewhat larger than here.

I make you an offer,
You gods, hear the mocker,
This plan won’t hurt you,
If you find goodness, I’ll find virtue.
Even though I’m your creation,
And a child of your essence,
I still have unbending pride,
And pure blood inside,
A bit of free independence,
And my own descendants.
I won’t work blindly,
Even if you treat me kindly,
And I swear by the cross,
I’ll be a slave to no god.
If you’ll be straightforward,
I’ll put in my best effort,
If you’ll reveal,
Great plans to your lover,
And give him a stage
Somewhat bigger than this one.

“Verily, my angels! I was abashed on account of my servant, who had no Providence but me; therefore did I pardon him.”—The Gulistan of Sadi.

“Truly, my angels! I was embarrassed for my servant, who had no support but me; so I forgave him.”—The Gulistan of Sadi.

Most people with whom I talk, men and women even of some originality and genius, have their scheme of the universe all cut and dried,—very dry, I assure you, to hear, dry enough to burn, dry-rotted and powder-post, methinks,—which they set up between you and them in the shortest intercourse; an ancient and tottering frame with all its boards blown off. They do not walk without their bed. Some, to me, seemingly very unimportant and unsubstantial things and relations, are for them everlastingly settled,—as Father, Son, and Holy Ghost, and the like. These are like the everlasting hills to them. But in all my wanderings I never came across the least vestige of authority for these things. They have not left so distinct a trace as the delicate flower of a remote geological period on the coal in my grate. The wisest man preaches no doctrines; he has no scheme; he sees no rafter, not even a cobweb, against the heavens. It is clear sky. If I ever see more clearly at one time than at another, the medium through which I see is clearer. To see from earth to heaven, and see there standing, still a fixture, that old Jewish scheme! What right have you to hold up this obstacle to my understanding you, to your understanding me! You did not invent it; it was imposed on you. Examine your authority. Even Christ, we fear, had his scheme, his conformity to tradition, which slightly vitiates his teaching. He had not swallowed all formulas. He preached some mere doctrines. As for me, Abraham, Isaac, and Jacob are now only the subtilest imaginable essences, which would not stain the morning sky. Your scheme must be the framework of the universe; all other schemes will soon be ruins. The perfect God in his revelations of himself has never got to the length of one such proposition as you, his prophets, state. Have you learned the alphabet of heaven and can count three? Do you know the number of God’s family? Can you put mysteries into words? Do you presume to fable of the ineffable? Pray, what geographer are you, that speak of heaven’s topography? Whose friend are you that speak of God’s personality? Do you, Miles Howard, think that he has made you his confidant? Tell me of the height of the mountains of the moon, or of the diameter of space, and I may believe you, but of the secret history of the Almighty, and I shall pronounce thee mad. Yet we have a sort of family history of our God,—so have the Tahitians of theirs,—and some old poet’s grand imagination is imposed on us as adamantine everlasting truth, and God’s own word! Pythagoras says, truly enough, “A true assertion respecting God, is an assertion of God”; but we may well doubt if there is any example of this in literature.

Most people I talk to, both men and women who are somewhat original and clever, have their view of the universe all figured out—very dry, I assure you, to listen to; it’s so dry it could catch fire, old and weak, I think—setting up between us in the briefest interactions a crumbling framework with all its boards stripped away. They can’t think without their setup. Some things and relationships that seem trivial and inconsequential to me are for them forever settled—like the Father, the Son, and the Holy Spirit. These ideas are as solid as the everlasting hills to them. But in all my travels, I’ve never found a trace of authority for these beliefs. They’ve left no clearer mark than the delicate flower from a distant geological age on the coal in my fireplace. The wisest person doesn’t preach doctrines; they have no plan; they see no beams, not even a cobweb, against the sky. It’s all clear. If I ever see more clearly at one moment than another, it’s because the way I see is clearer. To look from earth to heaven and still find that old Jewish idea standing there! What right do you have to present this barrier to my understanding you and to your understanding me? You didn’t create it; it was forced upon you. Question your authority. Even Christ, as we worry, had his own framework, his adherence to tradition, which slightly taints his teachings. He hadn’t accepted every theory. He preached some basic doctrines. For me, Abraham, Isaac, and Jacob are merely the most subtle essences imaginable, not visible against the morning sky. Your framework must be the structure of the universe; all other frameworks will soon become ruins. The perfect God in revealing himself has never gone as far as the propositions you, his prophets, claim. Have you learned the alphabet of heaven and can you count to three? Do you know how many are in God’s family? Can you put mysteries into words? Do you dare to fabricate stories about the indescribable? What geographer are you to talk about heaven’s geography? Whose ally are you when you discuss God’s character? Do you, Miles Howard, think he has made you his confidant? Tell me about the height of the moon’s mountains or the size of space, and I might believe you, but if you speak of the hidden history of the Almighty, I’ll call you mad. Yet we have a sort of family history of our God—just as the Tahitians have of theirs—and some ancient poet’s grand imagination is thrust upon us as unbreakable, eternal truth, as if it were God’s own word! Pythagoras says it well enough: “A true statement about God is a statement from God”; but we might rightly doubt that there’s any example of this in literature.

The New Testament is an invaluable book, though I confess to having been slightly prejudiced against it in my very early days by the church and the Sabbath school, so that it seemed, before I read it, to be the yellowest book in the catalogue. Yet I early escaped from their meshes. It was hard to get the commentaries out of one’s head and taste its true flavor.—I think that Pilgrim’s Progress is the best sermon which has been preached from this text; almost all other sermons that I have heard, or heard of, have been but poor imitations of this.—It would be a poor story to be prejudiced against the Life of Christ because the book has been edited by Christians. In fact, I love this book rarely, though it is a sort of castle in the air to me, which I am permitted to dream. Having come to it so recently and freshly, it has the greater charm, so that I cannot find any to talk with about it. I never read a novel, they have so little real life and thought in them. The reading which I love best is the scriptures of the several nations, though it happens that I am better acquainted with those of the Hindoos, the Chinese, and the Persians, than of the Hebrews, which I have come to last. Give me one of these Bibles and you have silenced me for a while. When I recover the use of my tongue, I am wont to worry my neighbors with the new sentences; but commonly they cannot see that there is any wit in them. Such has been my experience with the New Testament. I have not yet got to the crucifixion, I have read it over so many times. I should love dearly to read it aloud to my friends, some of whom are seriously inclined; it is so good, and I am sure that they have never heard it, it fits their case exactly, and we should enjoy it so much together,—but I instinctively despair of getting their ears. They soon show, by signs not to be mistaken, that it is inexpressibly wearisome to them. I do not mean to imply that I am any better than my neighbors; for, alas! I know that I am only as good, though I love better books than they.

The New Testament is an incredibly valuable book, although I admit that I was a bit biased against it during my early years because of the church and Sunday school. Before I actually read it, it seemed like the most boring book ever. But I eventually managed to escape that mindset. It was tough to shake off what I had learned from various commentaries and truly appreciate its content. I believe that "Pilgrim’s Progress" is the best sermon inspired by this text; nearly all the other sermons I’ve heard or know about are just poor copies of it. It would be silly to reject the Life of Christ just because the book was put together by Christians. Honestly, I rarely love this book; it's more like a dream for me, a kind of fantasy that I can enjoy. Since I've come to it recently, it holds even more charm for me, and I find it hard to discuss it with anyone. I don’t read novels because they often lack real substance and thought. What I enjoy most are the scriptures from different cultures, though I'm more familiar with those of the Hindus, the Chinese, and the Persians than with those of the Hebrews, which I’ve come to last. Just give me one of these Bibles, and it leaves me speechless for a while. Once I find my voice again, I tend to bore my neighbors with the new ideas I've picked up; unfortunately, most of them don’t see any humor in it. That has been my encounter with the New Testament. I still haven’t reached the crucifixion part even after reading it so many times. I would love to read it aloud to my friends, some of whom have a serious bent; it's so good, and I'm sure they’ve never heard it before. It applies perfectly to their situations, and we would enjoy it so much together—but I instinctively feel that they won't be interested. They quickly show signs that they find it unbearably tedious. I don’t mean to suggest that I'm any better than my neighbors; sadly, I know I'm just as good, even though I prefer better books than they do.

It is remarkable that, notwithstanding the universal favor with which the New Testament is outwardly received, and even the bigotry with which it is defended, there is no hospitality shown to, there is no appreciation of, the order of truth with which it deals. I know of no book that has so few readers. There is none so truly strange, and heretical, and unpopular. To Christians, no less than Greeks and Jews, it is foolishness and a stumbling-block. There are, indeed, severe things in it which no man should read aloud more than once.—“Seek first the kingdom of heaven.”—“Lay not up for yourselves treasures on earth.”—“If thou wilt be perfect, go and sell that thou hast, and give to the poor, and thou shalt have treasure in heaven.”—“For what is a man profited, if he shall gain the whole world, and lose his own soul? or what shall a man give in exchange for his soul?”—Think of this, Yankees!—“Verily, I say unto you, if ye have faith as a grain of mustard seed, ye shall say unto this mountain, Remove hence to yonder place; and it shall remove; and nothing shall be impossible unto you.”—Think of repeating these things to a New England audience! thirdly, fourthly, fifteenthly, till there are three barrels of sermons! Who, without cant, can read them aloud? Who, without cant, can hear them, and not go out of the meeting-house? They never were read, they never were heard. Let but one of these sentences be rightly read, from any pulpit in the land, and there would not be left one stone of that meeting-house upon another.

It’s striking that despite the widespread acceptance of the New Testament and the intense defense it receives, there is little appreciation for the profound truths it presents. I can’t think of any book that has so few readers. It’s truly odd, controversial, and unpopular. For Christians, just as much as for Greeks and Jews, it's often seen as foolishness and a barrier. There are harsh statements in it that most people wouldn’t want to read out loud more than once.—“Seek first the kingdom of heaven.”—“Don’t store up treasures on earth.”—“If you want to be perfect, go sell what you have and give to the poor, and you’ll have treasure in heaven.”—“What good is it for someone to gain the whole world, yet forfeit their soul? Or what can anyone give in exchange for their soul?”—Think about this, folks!—“Truly, I say to you, if you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move; nothing will be impossible for you.”—Imagine trying to say these things to an audience in New England! Thirdly, fourthly, fifteenthly, until there are three barrels of sermons! Who can read them aloud without being insincere? Who can listen to them without wanting to leave the meeting house? They were never truly read, or really heard. If just one of these sentences were read correctly from any pulpit in the country, there wouldn’t be a single stone left standing in that meeting house.

Yet the New Testament treats of man and man’s so-called spiritual affairs too exclusively, and is too constantly moral and personal, to alone content me, who am not interested solely in man’s religious or moral nature, or in man even. I have not the most definite designs on the future. Absolutely speaking, Do unto others as you would that they should do unto you, is by no means a golden rule, but the best of current silver. An honest man would have but little occasion for it. It is golden not to have any rule at all in such a case. The book has never been written which is to be accepted without any allowance. Christ was a sublime actor on the stage of the world. He knew what he was thinking of when he said, “Heaven and earth shall pass away, but my words shall not pass away.” I draw near to him at such a time. Yet he taught mankind but imperfectly how to live; his thoughts were all directed toward another world. There is another kind of success than his. Even here we have a sort of living to get, and must buffet it somewhat longer. There are various tough problems yet to solve, and we must make shift to live, betwixt spirit and matter, such a human life as we can.

Yet the New Testament focuses on people and their so-called spiritual matters too much, and is too consistently about morality and personal issues to satisfy me, as I’m not just interested in people’s religious or moral nature, or in people at all. I don’t have any clear plans for the future. In absolute terms, “Do unto others as you would have them do unto you” isn’t really a golden rule, but rather the best of the current silver. An honest person wouldn’t need it much. It’s actually golden to not have any rule at all in such situations. The perfect book has never been written that can be accepted without any reservations. Christ was a remarkable performer on the world stage. He knew what he meant when he said, “Heaven and earth shall pass away, but my words shall not pass away.” I feel drawn to him in those moments. Yet, he didn't fully teach humanity how to live; his thoughts were mostly directed toward another world. There is a different kind of success than his. Even here, we have a life to carve out and must deal with it a bit longer. There are still various difficult problems to solve, and we must find a way to live between spirit and matter, crafting the best human life we can.

A healthy man, with steady employment, as wood-chopping at fifty cents a cord, and a camp in the woods, will not be a good subject for Christianity. The New Testament may be a choice book to him on some, but not on all or most of his days. He will rather go a-fishing in his leisure hours. The Apostles, though they were fishers too, were of the solemn race of sea-fishers, and never trolled for pickerel on inland streams.

A healthy man with a stable job, like chopping wood for fifty cents a cord, and a cabin in the woods, isn't likely to be a good candidate for Christianity. The New Testament might be a valuable book for him sometimes, but not on most days. He would prefer to go fishing in his free time. The Apostles, even though they were fishermen too, were serious sea fishermen and never fished for pickerel in inland rivers.

Men have a singular desire to be good without being good for anything, because, perchance, they think vaguely that so it will be good for them in the end. The sort of morality which the priests inculcate is a very subtle policy, far finer than the politicians, and the world is very successfully ruled by them as the policemen. It is not worth the while to let our imperfections disturb us always. The conscience really does not, and ought not to monopolize the whole of our lives, any more than the heart or the head. It is as liable to disease as any other part. I have seen some whose consciences, owing undoubtedly to former indulgence, had grown to be as irritable as spoilt children, and at length gave them no peace. They did not know when to swallow their cud, and their lives of course yielded no milk.

Men have a strong desire to be good without being useful, because, perhaps, they vaguely believe that it will benefit them in the end. The kind of morality that priests promote is a very clever strategy, much more refined than that of politicians, and the world is effectively governed by them as the enforcers. It’s not worth our time to let our flaws upset us all the time. Conscience really shouldn't dominate our lives, just like the heart or the mind shouldn't. It can get just as sick as any other part. I've seen some whose consciences, surely because of past indulgences, had become as sensitive as spoiled children, and ultimately gave them no peace. They didn’t know when to move on, and their lives, as a result, produced nothing worthwhile.

Conscience is instinct bred in the house,
Feeling and Thinking propagate the sin
By an unnatural breeding in and in.
I say, Turn it out doors,
Into the moors.
I love a life whose plot is simple,
And does not thicken with every pimple,
A soul so sound no sickly conscience binds it,
That makes the universe no worse than ’t finds it.
I love an earnest soul,
Whose mighty joy and sorrow
Are not drowned in a bowl,
And brought to life to-morrow;
That lives one tragedy,
And not seventy;
A conscience worth keeping,
Laughing not weeping;
A conscience wise and steady,
And forever ready;
Not changing with events,
Dealing in compliments;
A conscience exercised about
Large things, where one may doubt.
I love a soul not all of wood,
Predestinated to be good,
But true to the backbone
Unto itself alone,
And false to none;
Born to its own affairs,
Its own joys and own cares;
By whom the work which God begun
Is finished, and not undone;
Taken up where he left off,
Whether to worship or to scoff;
If not good, why then evil,
If not good god, good devil.
Goodness!—you hypocrite, come out of that,
Live your life, do your work, then take your hat.
I have no patience towards
Such conscientious cowards.
Give me simple laboring folk,
Who love their work,
Whose virtue is a song
To cheer God along.

Conscience is an instinct raised at home,
Feeling and Thinking spread the sin
Through unnatural growth over and over.
I say, throw it outside,
Into the moors.
I love a life with a simple story,
That doesn’t complicate with every flaw,
A soul so strong that nothing weakens it,
That makes the universe no worse than it finds it.
I love a sincere soul,
Whose deep joy and sorrow
Are not drowned in a glass,
And brought back to life tomorrow;
That lives through one tragedy,
And not seventy;
A conscience worth keeping,
Laughing, not weeping;
A conscience wise and steady,
And always ready;
Not shifting with events,
Trading in compliments;
A conscience focused on
Big things where one might doubt.
I love a soul not all made of wood,
Predestined to be good,
But true to itself
And honest to none;
Born to its own business,
Its own joys and its own cares;
By whom the work that God started
Is completed, and not left unfinished;
Continuing where He left off,
Whether to worship or to scoff;
If not good, then evil,
If not a good God, a good devil.
Goodness!—you hypocrite, step out of that,
Live your life, do your work, then take your hat.
I have no patience for
Such timid souls.
Give me simple working folks,
Who love their work,
Whose virtue is a song
To uplift God along.

I was once reproved by a minister who was driving a poor beast to some meeting-house horse-sheds among the hills of New Hampshire, because I was bending my steps to a mountain-top on the Sabbath, instead of a church, when I would have gone farther than he to hear a true word spoken on that or any day. He declared that I was “breaking the Lord’s fourth commandment,” and proceeded to enumerate, in a sepulchral tone, the disasters which had befallen him whenever he had done any ordinary work on the Sabbath. He really thought that a god was on the watch to trip up those men who followed any secular work on this day, and did not see that it was the evil conscience of the workers that did it. The country is full of this superstition, so that when one enters a village, the church, not only really but from association, is the ugliest looking building in it, because it is the one in which human nature stoops the lowest and is most disgraced. Certainly, such temples as these shall erelong cease to deform the landscape. There are few things more disheartening and disgusting than when you are walking the streets of a strange village on the Sabbath, to hear a preacher shouting like a boatswain in a gale of wind, and thus harshly profaning the quiet atmosphere of the day. You fancy him to have taken off his coat, as when men are about to do hot and dirty work.

I was once scolded by a minister driving a poor horse to some meeting house among the hills of New Hampshire because I was heading up a mountain on a Sunday instead of going to church. I would have traveled farther than he would to hear a meaningful message on that day or any other. He claimed I was “breaking the Lord’s fourth commandment” and went on in a grave tone about the misfortunes he faced whenever he did any regular work on Sundays. He genuinely believed that a god was watching to punish those who engaged in secular activities on this day, not realizing it was the guilty conscience of the workers causing their problems. The area is full of this superstition, so when you enter a village, the church, both in reality and by association, is the ugliest building there because it’s where human nature stoops the lowest and feels most ashamed. Certainly, such places will soon no longer mar the landscape. There are few things more disheartening and frustrating than walking through a strange village on a Sunday and hearing a preacher yelling like a sailor in a storm, harshly disrupting the calm of the day. You imagine him having taken off his coat, as if preparing to do something hot and messy.

If I should ask the minister of Middlesex to let me speak in his pulpit on a Sunday, he would object, because I do not pray as he does, or because I am not ordained. What under the sun are these things?

If I were to ask the minister of Middlesex to let me speak in his pulpit on a Sunday, he would refuse because I don't pray the way he does, or because I'm not ordained. What on earth are those things?

Really, there is no infidelity, now-a-days, so great as that which prays, and keeps the Sabbath, and rebuilds the churches. The sealer of the South Pacific preaches a truer doctrine. The church is a sort of hospital for men’s souls, and as full of quackery as the hospital for their bodies. Those who are taken into it live like pensioners in their Retreat or Sailor’s Sung Harbor, where you may see a row of religious cripples sitting outside in sunny weather. Let not the apprehension that he may one day have to occupy a ward therein, discourage the cheerful labors of the able-souled man. While he remembers the sick in their extremities, let him not look thither as to his goal. One is sick at heart of this pagoda worship. It is like the beating of gongs in a Hindoo subterranean temple. In dark places and dungeons the preacher’s words might perhaps strike root and grow, but not in broad daylight in any part of the world that I know. The sound of the Sabbath bell far away, now breaking on these shores, does not awaken pleasing associations, but melancholy and sombre ones rather. One involuntarily rests on his oar, to humor his unusually meditative mood. It is as the sound of many catechisms and religious books twanging a canting peal round the earth, seeming to issue from some Egyptian temple and echo along the shore of the Nile, right opposite to Pharaoh’s palace and Moses in the bulrushes, startling a multitude of storks and alligators basking in the sun.

Honestly, there’s no infidelity today quite like the kind that keeps to the Sabbath, prays, and rebuilds churches. The sealer of the South Pacific shares a truer message. The church resembles a hospital for souls, filled with as much nonsense as a hospital for bodies. Those who enter it live like people on welfare in their Retreat or Sailor’s Sung Harbor, where you can see a line of religious invalids sitting outside in sunny weather. Don’t let the fear of possibly ending up in one of those wards discourage the hardworking and positive-minded person. While he keeps the ill in mind during their struggles, he shouldn’t view that as his ultimate destination. One grows weary of this pagoda worship. It’s akin to the sound of gongs in a Hindu temple underground. In dark corners and dungeons, a preacher's words might take root and flourish, but not in broad daylight anywhere I know of. The distant sound of the Sabbath bell, now ringing on these shores, doesn’t bring pleasant memories but rather bleak and somber ones. One naturally stops rowing to indulge his unusually reflective mood. It resembles the sound of countless catechisms and religious texts producing a pretentious echo around the globe, as if coming from some Egyptian temple and reverberating along the Nile, right across from Pharaoh’s palace and Moses in the reeds, startling a host of storks and alligators soaking up the sun.

Everywhere “good men” sound a retreat, and the word has gone forth to fall back on innocence. Fall forward rather on to whatever there is there. Christianity only hopes. It has hung its harp on the willows, and cannot sing a song in a strange land. It has dreamed a sad dream, and does not yet welcome the morning with joy. The mother tells her falsehoods to her child, but, thank Heaven, the child does not grow up in its parent’s shadow. Our mother’s faith has not grown with her experience. Her experience has been too much for her. The lesson of life was too hard for her to learn.

Everywhere “good people” are backing off, and the message is to retreat to innocence. Instead, move ahead toward whatever is out there. Christianity only offers hope. It has hung its harp on the weeping willows and can’t sing a song in unfamiliar territory. It has lived a sad dream and still doesn’t greet the morning with joy. The mother lies to her child, but, thank goodness, the child doesn’t grow up in her shadow. Our mother’s faith hasn’t evolved with her experiences. Her experiences have overwhelmed her. The lesson of life has been too difficult for her to grasp.

It is remarkable, that almost all speakers and writers feel it to be incumbent on them, sooner or later, to prove or to acknowledge the personality of God. Some Earl of Bridgewater, thinking it better late than never, has provided for it in his will. It is a sad mistake. In reading a work on agriculture, we have to skip the author’s moral reflections, and the words “Providence” and “He” scattered along the page, to come at the profitable level of what he has to say. What he calls his religion is for the most part offensive to the nostrils. He should know better than expose himself, and keep his foul sores covered till they are quite healed. There is more religion in men’s science than there is science in their religion. Let us make haste to the report of the committee on swine.

It’s noteworthy that almost all speakers and writers feel they need to prove or acknowledge the existence of God sooner or later. Some Earl of Bridgewater, thinking it’s better late than never, has included it in his will. It’s a disappointing error. When reading a book on agriculture, we often have to skip the author's moral reflections and the words “Providence” and “He” scattered throughout the text to get to the useful information he has to share. What he calls his religion is mostly off-putting. He should know better than to expose himself and should keep his wounds covered until they’re fully healed. There’s more genuine belief in people’s scientific work than there is science in their beliefs. Let’s hurry to the committee’s report on swine.

A man’s real faith is never contained in his creed, nor is his creed an article of his faith. The last is never adopted. This it is that permits him to smile ever, and to live even as bravely as he does. And yet he clings anxiously to his creed, as to a straw, thinking that that does him good service because his sheet anchor does not drag.

A man's true faith isn't found in his beliefs, nor are his beliefs the core of his faith. The latter is never fully embraced. This is what allows him to smile constantly and to live as bravely as he does. Still, he desperately holds onto his beliefs, like a lifeline, thinking they serve him well because his main support doesn’t fail.

In most men’s religion, the ligature, which should be its umbilical cord connecting them with divinity, is rather like that thread which the accomplices of Cylon held in their hands when they went abroad from the temple of Minerva, the other end being attached to the statue of the goddess. But frequently, as in their case, the thread breaks, being stretched, and they are left without an asylum.

In most men's beliefs, the bond that should connect them to the divine is more like the thread that Cylon's accomplices held when they left the temple of Minerva, with the other end tied to the goddess's statue. But often, just like in their situation, the thread snaps under pressure, leaving them without refuge.

“A good and pious man reclined his head on the bosom of contemplation, and was absorbed in the ocean of a revery. At the instant when he awaked from his vision, one of his friends, by way of pleasantry, said, What rare gift have you brought us from that garden, where you have been recreating? He replied, I fancied to myself and said, when I can reach the rose-bower, I will fill my lap with the flowers, and bring them as a present to my friends; but when I got there, the fragrance of the roses so intoxicated me, that the skirt dropped from my hands.——‘O bird of dawn! learn the warmth of affection from the moth; for that scorched creature gave up the ghost, and uttered not a groan: These vain pretenders are ignorant of him they seek after; for of him that knew him we never heard again:—O thou! who towerest above the flights of conjecture, opinion, and comprehension; whatever has been reported of thee we have heard and read; the congregation is dismissed, and life drawn to a close; and we still rest at our first encomium of thee!’”—Sadi.

“A good and devout man laid his head on the comfort of deep thought and got lost in a sea of daydreams. Just as he came out of his vision, one of his friends jokingly asked, 'What special gift did you bring us from that garden where you’ve been enjoying yourself?' He replied, 'I imagined that when I got to the rose garden, I would fill my lap with flowers to bring back as gifts for my friends; but when I arrived, the sweet scent of the roses overwhelmed me, and I dropped everything I was holding.——‘O bird of dawn! Learn the warmth of love from the moth; for that scorched creature died without a sound: These foolish pretenders don’t understand what they’re searching for; of the one who truly knew him, we never heard again:—O you! who rise above the limits of speculation, opinion, and understanding; whatever has been said about you, we have heard and read; the gathering has ended, and life is drawing to a close; and we still remain at our first praise of you!’”—Sadi.

By noon we were let down into the Merrimack through the locks at Middlesex, just above Pawtucket Falls, by a serene and liberal-minded man, who came quietly from his book, though his duties, we supposed, did not require him to open the locks on Sundays. With him we had a just and equal encounter of the eyes, as between two honest men.

By noon, we were lowered into the Merrimack through the locks at Middlesex, just above Pawtucket Falls, by a calm and open-minded guy, who came out of his book quietly, even though we figured his job didn’t require him to open the locks on Sundays. With him, we shared a fair and equal gaze, like two honest men.

The movements of the eyes express the perpetual and unconscious courtesy of the parties. It is said, that a rogue does not look you in the face, neither does an honest man look at you as if he had his reputation to establish. I have seen some who did not know when to turn aside their eyes in meeting yours. A truly confident and magnanimous spirit is wiser than to contend for the mastery in such encounters. Serpents alone conquer by the steadiness of their gaze. My friend looks me in the face and sees me, that is all.

The movements of the eyes show the constant and unintentional politeness between people. They say that a dishonest person won't look you in the eye, and an honest person won't stare at you as if they're trying to prove something. I've seen some people who don't know when to look away when their eyes meet yours. A genuinely confident and generous person is smarter than to try to dominate in these situations. Only snakes win by holding a steady gaze. My friend looks me in the eye and just sees me, and that's enough.

The best relations were at once established between us and this man, and though few words were spoken, he could not conceal a visible interest in us and our excursion. He was a lover of the higher mathematics, as we found, and in the midst of some vast sunny problem, when we overtook him and whispered our conjectures. By this man we were presented with the freedom of the Merrimack. We now felt as if we were fairly launched on the ocean-stream of our voyage, and were pleased to find that our boat would float on Merrimack water. We began again busily to put in practice those old arts of rowing, steering, and paddling. It seemed a strange phenomenon to us that the two rivers should mingle their waters so readily, since we had never associated them in our thoughts.

The best relationship was quickly established between us and this man, and even though we spoke only a few words, he couldn't hide his obvious interest in us and our trip. We found out he was a fan of advanced mathematics, and in the midst of some big, sunny problem, we caught up to him and shared our ideas. This man gave us the freedom to explore the Merrimack. We now felt like we were truly set out on the journey of our voyage and were happy to discover that our boat would float on Merrimack water. We eagerly returned to practicing those familiar skills of rowing, steering, and paddling. It struck us as odd that the two rivers mixed their waters so easily, as we had never connected them in our minds.

As we glided over the broad bosom of the Merrimack, between Chelmsford and Dracut, at noon, here a quarter of a mile wide, the rattling of our oars was echoed over the water to those villages, and their slight sounds to us. Their harbors lay as smooth and fairy-like as the Lido, or Syracuse, or Rhodes, in our imagination, while, like some strange roving craft, we flitted past what seemed the dwellings of noble home-staying men, seemingly as conspicuous as if on an eminence, or floating upon a tide which came up to those villagers’ breasts. At a third of a mile over the water we heard distinctly some children repeating their catechism in a cottage near the shore, while in the broad shallows between, a herd of cows stood lashing their sides, and waging war with the flies.

As we drifted over the wide expanse of the Merrimack, between Chelmsford and Dracut, at noon, about a quarter of a mile wide, the sound of our oars echoed across the water to those towns, while their faint sounds reached us. Their harbors looked as smooth and magical as the Lido, Syracuse, or Rhodes in our minds, while we moved past what seemed to be the homes of respectable locals, as noticeable as if they were on a hill or floating on a tide that reached the villagers' chests. A third of a mile across the water, we could clearly hear some kids reciting their catechism in a cottage near the shore, while a group of cows in the shallow water swatted at their sides, fighting off flies.

Two hundred years ago other catechizing than this was going on here; for here came the Sachem Wannalancet, and his people, and sometimes Tahatawan, our Concord Sachem, who afterwards had a church at home, to catch fish at the falls; and here also came John Eliot, with the Bible and Catechism, and Baxter’s Call to the Unconverted, and other tracts, done into the Massachusetts tongue, and taught them Christianity meanwhile. “This place,” says Gookin, referring to Wamesit,

Two hundred years ago, different kinds of teaching were happening here; the Sachem Wannalancet and his people came, and sometimes Tahatawan, our local Sachem from Concord, who later had a church at home, came to fish at the falls. John Eliot also came with the Bible and Catechism, Baxter’s Call to the Unconverted, and other pamphlets translated into the Massachusetts language, teaching them about Christianity in the process. “This place,” says Gookin, referring to Wamesit,

“being an ancient and capital seat of Indians, they come to fish; and this good man takes this opportunity to spread the net of the gospel, to fish for their souls.”—“May 5th, 1674,” he continues, “according to our usual custom, Mr. Eliot and myself took our journey to Wamesit, or Pawtuckett; and arriving there that evening, Mr. Eliot preached to as many of them as could be got together, out of Matt. xxii. 1-14, the parable of the marriage of the king’s son. We met at the wigwam of one called Wannalancet, about two miles from the town, near Pawtuckett falls, and bordering upon Merrimak river. This person, Wannalancet, is the eldest son of old Pasaconaway, the chiefest sachem of Pawtuckett. He is a sober and grave person, and of years, between fifty and sixty. He hath been always loving and friendly to the English.” As yet, however, they had not prevailed on him to embrace the Christian religion. “But at this time,” says Gookin, “May 6, 1674,”—“after some deliberation and serious pause, he stood up, and made a speech to this effect:—‘I must acknowledge I have, all my days, used to pass in an old canoe, (alluding to his frequent custom to pass in a canoe upon the river,) and now you exhort me to change and leave my old canoe, and embark in a new canoe, to which I have hitherto been unwilling; but now I yield up myself to your advice, and enter into a new canoe, and do engage to pray to God hereafter.’” One “Mr. Richard Daniel, a gentleman that lived in Billerica,” who with other “persons of quality” was present, “desired brother Eliot to tell the sachem from him, that it may be, while he went in his old canoe, he passed in a quiet stream; but the end thereof was death and destruction to soul and body. But now he went into a new canoe, perhaps he would meet with storms and trials, but yet he should be encouraged to persevere, for the end of his voyage would be everlasting rest.”—“Since that time, I hear this sachem doth persevere, and is a constant and diligent hearer of God’s word, and sanctifieth the Sabbath, though he doth travel to Wamesit meeting every Sabbath, which is above two miles; and though sundry of his people have deserted him, since he subjected to the gospel, yet he continues and persists.”— Gookin’s Hist. Coll. of the Indians in New England, 1674.

“Being an ancient and major center for Native Americans, they come to fish; and this good man seizes this opportunity to spread the gospel and fish for their souls.” — “May 5th, 1674,” he continues, “as usual, Mr. Eliot and I set out for Wamesit, or Pawtuckett; and upon our arrival that evening, Mr. Eliot preached to everyone we could gather, using Matt. xxii. 1-14, the parable of the king’s son’s marriage. We gathered at the wigwam of a man named Wannalancet, about two miles from town, near the Pawtuckett falls, and close to the Merrimak River. This man, Wannalancet, is the eldest son of the late Pasaconaway, the chief sachem of Pawtuckett. He is a serious and respected man, between fifty and sixty years old. He has always been kind and friendly to the English.” However, they had not yet convinced him to embrace Christianity. “But at this moment,” says Gookin, “May 6, 1674,” — “after some discussion and thoughtful consideration, he stood up and spoke as follows: ‘I must acknowledge that all my life, I have traveled in an old canoe’ (referring to his frequent use of a canoe on the river), ‘and now you urge me to change and leave my old canoe, to embark on a new one, which I have been unwilling to do. But now I accept your advice, and I will enter a new canoe, and I commit to praying to God from now on.’” One “Mr. Richard Daniel, a gentleman from Billerica,” who was present with other “people of distinction,” “asked brother Eliot to tell the sachem that while he used his old canoe, he may have traveled a quiet stream, but the end of it was death and destruction for both his soul and body. But now that he’s in a new canoe, he might face storms and trials, yet he should be encouraged to persevere because the end of his journey would be everlasting rest.” — “Since that time, I have heard that this sachem remains steadfast and is a regular and attentive listener to God’s word, and keeps the Sabbath, although he travels to Wamesit for meetings every Sabbath, which is over two miles; and even though many of his people have left him since he committed to the gospel, he continues and perseveres.” — Gookin’s Hist. Coll. of the Indians in New England, 1674.

Already, as appears from the records, “At a General Court held at Boston in New England, the 7th of the first month, 1643-4.”—“Wassamequin, Nashoonon, Kutchamaquin, Massaconomet, and Squaw Sachem, did voluntarily submit themselves” to the English; and among other things did “promise to be willing from time to time to be instructed in the knowledge of God.” Being asked “Not to do any unnecessary work on the Sabbath day, especially within the gates of Christian towns,” they answered, “It is easy to them; they have not much to do on any day, and they can well take their rest on that day.”—“So,” says Winthrop, in his Journal, “we causing them to understand the articles, and all the ten commandments of God, and they freely assenting to all, they were solemnly received, and then presented the Court with twenty-six fathom more of wampom; and the Court gave each of them a coat of two yards of cloth, and their dinner; and to them and their men, every of them, a cup of sack at their departure; so they took leave and went away.”

Already, as shown in the records, “At a General Court held in Boston, New England, on the 7th of the first month, 1643-4”—“Wassamequin, Nashoonon, Kutchamaquin, Massaconomet, and Squaw Sachem, voluntarily submitted themselves” to the English; and among other things, they “promised to be willing to learn about God from time to time.” When asked “not to do any unnecessary work on the Sabbath day, especially within the borders of Christian towns,” they replied, “That’s easy for us; we don’t have much to do on any day, and we can certainly rest on that day.”—“So,” Winthrop writes in his Journal, “we made sure they understood the articles and all the ten commandments of God, and they freely agreed to all. They were then formally accepted and presented the Court with twenty-six fathoms more of wampum; the Court gave each of them a coat made of two yards of cloth and their dinner; and to them and their men, each received a cup of sack as they departed; so they took their leave and went away.”

What journeyings on foot and on horseback through the wilderness, to preach the Gospel to these minks and muskrats! who first, no doubt, listened with their red ears out of a natural hospitality and courtesy, and afterward from curiosity or even interest, till at length there were “praying Indians,” and, as the General Court wrote to Cromwell, the “work is brought to this perfection, that some of the Indians themselves can pray and prophesy in a comfortable manner.”

What travels on foot and horseback through the wilderness to spread the Gospel to these minks and muskrats! At first, they probably listened out of natural hospitality and courtesy, and later out of curiosity or even genuine interest, until eventually there were “praying Indians,” and as the General Court informed Cromwell, the “work is brought to this perfection, that some of the Indians themselves can pray and prophesy in a comfortable manner.”

It was in fact an old battle and hunting ground through which we had been floating, the ancient dwelling-place of a race of hunters and warriors. Their weirs of stone, their arrowheads and hatchets, their pestles, and the mortars in which they pounded Indian corn before the white man had tasted it, lay concealed in the mud of the river bottom. Tradition still points out the spots where they took fish in the greatest numbers, by such arts as they possessed. It is a rapid story the historian will have to put together. Miantonimo,—Winthrop,—Webster. Soon he comes from Montaup to Bunker Hill, from bear-skins, parched corn, bows and arrows, to tiled roofs, wheat-fields, guns and swords. Pawtucket and Wamesit, where the Indians resorted in the fishing season, are now Lowell, the city of spindles and Manchester of America, which sends its cotton cloth round the globe. Even we youthful voyagers had spent a part of our lives in the village of Chelmsford, when the present city, whose bells we heard, was its obscure north district only, and the giant weaver was not yet fairly born. So old are we; so young is it.

It was actually an old battlefield and hunting ground that we had been drifting through, the ancient home of a group of hunters and warriors. Their stone fish traps, arrowheads, hatchets, pestles, and the mortars they used to grind corn before the white settlers arrived, all lay hidden in the mud at the bottom of the river. Tradition still highlights the places where they caught the most fish using the skills they had. It’s a quick tale that the historian will need to piece together. Miantonimo, Winthrop, Webster. Soon he travels from Montaup to Bunker Hill, from bear skins, roasted corn, bows and arrows, to roof tiles, wheat fields, guns, and swords. Pawtucket and Wamesit, where the Native Americans gathered during fishing season, are now Lowell, the city of spindles, and Manchester of America, which ships its cotton cloth around the world. Even we young travelers had spent part of our lives in the village of Chelmsford when the present city, whose bells we heard, was just an obscure northern district, and the giant weaver hadn’t even really come to life yet. We are so old; it is so young.

We were thus entering the State of New Hampshire on the bosom of the flood formed by the tribute of its innumerable valleys. The river was the only key which could unlock its maze, presenting its hills and valleys, its lakes and streams, in their natural order and position. The MERRIMACK, or Sturgeon River, is formed by the confluence of the Pemigewasset, which rises near the Notch of the White Mountains, and the Winnipiseogee, which drains the lake of the same name, signifying “The Smile of the Great Spirit.” From their junction it runs south seventy-eight miles to Massachusetts, and thence east thirty-five miles to the sea. I have traced its stream from where it bubbles out of the rocks of the White Mountains above the clouds, to where it is lost amid the salt billows of the ocean on Plum Island beach. At first it comes on murmuring to itself by the base of stately and retired mountains, through moist primitive woods whose juices it receives, where the bear still drinks it, and the cabins of settlers are far between, and there are few to cross its stream; enjoying in solitude its cascades still unknown to fame; by long ranges of mountains of Sandwich and of Squam, slumbering like tumuli of Titans, with the peaks of Moosehillock, the Haystack, and Kearsarge reflected in its waters; where the maple and the raspberry, those lovers of the hills, flourish amid temperate dews;—flowing long and full of meaning, but untranslatable as its name Pemigewasset, by many a pastured Pelion and Ossa, where unnamed muses haunt, tended by Oreads, Dryads, Naiads, and receiving the tribute of many an untasted Hippocrene. There are earth, air, fire, and water,—very well, this is water, and down it comes.

We were entering the State of New Hampshire along the flood created by its countless valleys. The river was the only way to navigate its complexities, showcasing its hills and valleys, lakes, and streams in their natural layout. The MERRIMACK, or Sturgeon River, is formed where the Pemigewasset, rising near the Notch of the White Mountains, meets the Winnipiseogee, which drains the lake of the same name, meaning “The Smile of the Great Spirit.” From that junction, it flows south for seventy-eight miles to Massachusetts and then east for thirty-five miles to the sea. I've followed its course from where it flows out of the rocks of the White Mountains above the clouds to where it gets lost in the salty waves of the ocean at Plum Island beach. At first, it trickles quietly past the bases of majestic, secluded mountains, through lush, untouched woods that nourish it, where bears still come to drink and settler cabins are few and far between, with hardly anyone crossing its waters; reveling in solitude by its cascades that are still unknown to fame; stretching alongside the long ranges of Sandwich and Squam mountains, lying like the graves of giants, with Moosehillock, the Haystack, and Kearsarge peaks reflected in its waters; where maples and raspberries, those lovers of the hills, thrive in the mild dew;—flowing long and rich with meaning, but untranslatable like its name Pemigewasset, through many lands, where unnamed muses linger, cared for by mountain nymphs, tree spirits, water nymphs, and gathering offerings from many an untouched spring. There’s earth, air, fire, and water—fine, this is water, and down it comes.

Such water do the gods distil,
And pour down every hill
    For their New England men;
A draught of this wild nectar bring,
And I’ll not taste the spring
    Of Helicon again.

Such water do the gods produce,
And pour down every hill
    For their New England people;
A sip of this wild nectar bring,
And I won’t drink from the spring
    Of Helicon again.

Falling all the way, and yet not discouraged by the lowest fall. By the law of its birth never to become stagnant, for it has come out of the clouds, and down the sides of precipices worn in the flood, through beaver-dams broke loose, not splitting but splicing and mending itself, until it found a breathing-place in this low land. There is no danger now that the sun will steal it back to heaven again before it reach the sea, for it has a warrant even to recover its own dews into its bosom again with interest at every eve.

Falling all the way down, yet not discouraged by the lowest point. By the law of its origin, it can never become stagnant, having emerged from the clouds and cascaded down the sides of cliffs shaped by the flood, going through beaver dams that broke loose—not splitting but mending and weaving itself together—until it found a resting place in this low land. There’s no risk now that the sun will take it back to the sky before it reaches the sea, because it even has the right to reclaim its own dew every evening with some extra.

It was already the water of Squam and Newfound Lake and Winnipiseogee, and White Mountain snow dissolved, on which we were floating, and Smith’s and Baker’s and Mad Rivers, and Nashua and Souhegan and Piscataquoag, and Suncook and Soucook and Contoocook, mingled in incalculable proportions, still fluid, yellowish, restless all, with an ancient, ineradicable inclination to the sea.

It was already the water of Squam, Newfound Lake, and Winnipesaukee, along with melted snow from the White Mountains, that we were floating on, and the waters from Smith’s, Baker’s, and Mad Rivers, and the Nashua and Souhegan and Piscataquag, as well as Suncook, Soucook, and Contoocook, all mixed together in countless proportions, still flowing, yellowish, and restless, with a deep-rooted pull towards the sea.

So it flows on down by Lowell and Haverhill, at which last place it first suffers a sea change, and a few masts betray the vicinity of the ocean. Between the towns of Amesbury and Newbury it is a broad commercial river, from a third to half a mile in width, no longer skirted with yellow and crumbling banks, but backed by high green hills and pastures, with frequent white beaches on which the fishermen draw up their nets. I have passed down this portion of the river in a steamboat, and it was a pleasant sight to watch from its deck the fishermen dragging their seines on the distant shore, as in pictures of a foreign strand. At intervals you may meet with a schooner laden with lumber, standing up to Haverhill, or else lying at anchor or aground, waiting for wind or tide; until, at last, you glide under the famous Chain Bridge, and are landed at Newburyport. Thus she who at first was “poore of waters, naked of renowne,” having received so many fair tributaries, as was said of the Forth,

So it flows on past Lowell and Haverhill, where it first changes significantly, and a few masts indicate that the ocean is nearby. Between Amesbury and Newbury, it becomes a wide commercial river, about a third to half a mile across, no longer bordered by yellow, crumbling banks, but instead backed by tall green hills and pastures, with plenty of white beaches where fishermen pull up their nets. I’ve traveled down this part of the river on a steamboat, and it was a nice sight from the deck to see the fishermen dragging their nets on the distant shore, like scenes from a foreign beach. Now and then, you might spot a schooner loaded with lumber, heading to Haverhill, or anchored or stuck, waiting for wind or tide; until finally, you glide under the famous Chain Bridge and arrive in Newburyport. Thus, she who was once “poor in waters, lacking in glory,” having received so many beautiful tributaries, as was said of the Forth,

“Doth grow the greater still, the further downe;
    Till that abounding both in power and fame,
    She long doth strive to give the sea her name”;

“Grows even more the further down;
    Until, abundant in both power and fame,
    She struggles for a long time to give the sea her name”;

or if not her name, in this case, at least the impulse of her stream. From the steeples of Newburyport you may review this river stretching far up into the country, with many a white sail glancing over it like an inland sea, and behold, as one wrote who was born on its head-waters, “Down out at its mouth, the dark inky main blending with the blue above. Plum Island, its sand ridges scolloping along the horizon like the sea-serpent, and the distant outline broken by many a tall ship, leaning, still, against the sky.”

or if not her name, at least the essence of her flow. From the steeples of Newburyport, you can look out over this river stretching far into the countryside, with many white sails flickering across it like an inland sea. And you can see, as someone wrote who was born near its source, “Down at its mouth, the dark, inky ocean blending with the blue above. Plum Island, its sandy ridges undulating along the horizon like a sea serpent, and the distant outline broken by many tall ships, leaning, still, against the sky.”

Rising at an equal height with the Connecticut, the Merrimack reaches the sea by a course only half as long, and hence has no leisure to form broad and fertile meadows, like the former, but is hurried along rapids, and down numerous falls, without long delay. The banks are generally steep and high, with a narrow interval reaching back to the hills, which is only rarely or partially overflown at present, and is much valued by the farmers. Between Chelmsford and Concord, in New Hampshire, it varies from twenty to seventy-five rods in width. It is probably wider than it was formerly, in many places, owing to the trees having been cut down, and the consequent wasting away of its banks. The influence of the Pawtucket Dam is felt as far up as Cromwell’s Falls, and many think that the banks are being abraded and the river filled up again by this cause. Like all our rivers, it is liable to freshets, and the Pemigewasset has been known to rise twenty-five feet in a few hours. It is navigable for vessels of burden about twenty miles; for canal-boats, by means of locks, as far as Concord in New Hampshire, about seventy-five miles from its mouth; and for smaller boats to Plymouth, one hundred and thirteen miles. A small steamboat once plied between Lowell and Nashua, before the railroad was built, and one now runs from Newburyport to Haverhill.

Rising to the same elevation as the Connecticut, the Merrimack flows to the sea along a route that’s only half as long and doesn’t have the time to create wide, fertile meadows like the Connecticut does. Instead, it rushes over rapids and multiple falls without much pause. The riverbanks are mostly steep and high, with a narrow stretch reaching back to the hills, which only occasionally gets flooded and is highly valued by farmers. Between Chelmsford and Concord in New Hampshire, the river varies from twenty to seventy-five rods in width. It’s likely wider than it used to be in many spots due to deforestation and the resulting erosion of its banks. The effect of the Pawtucket Dam is felt all the way up to Cromwell’s Falls, and many believe this is causing the banks to erode and the river to fill in. Like all our rivers, it is prone to flooding, and the Pemigewasset has been known to surge twenty-five feet in just a few hours. The river is navigable for heavy vessels for about twenty miles; for canal boats using locks, it stretches as far as Concord in New Hampshire, around seventy-five miles from its mouth; and for smaller boats to Plymouth, it’s one hundred thirteen miles. A small steamboat used to operate between Lowell and Nashua before the railroad was constructed, and there’s now one running from Newburyport to Haverhill.

Unfitted to some extent for the purposes of commerce by the sand-bar at its mouth, see how this river was devoted from the first to the service of manufactures. Issuing from the iron region of Franconia, and flowing through still uncut forests, by inexhaustible ledges of granite, with Squam, and Winnipiseogee, and Newfound, and Massabesic Lakes for its mill-ponds, it falls over a succession of natural dams, where it has been offering its privileges in vain for ages, until at last the Yankee race came to improve them. Standing at its mouth, look up its sparkling stream to its source,—a silver cascade which falls all the way from the White Mountains to the sea,—and behold a city on each successive plateau, a busy colony of human beaver around every fall. Not to mention Newburyport and Haverhill, see Lawrence, and Lowell, and Nashua, and Manchester, and Concord, gleaming one above the other. When at length it has escaped from under the last of the factories, it has a level and unmolested passage to the sea, a mere waste water, as it were, bearing little with it but its fame; its pleasant course revealed by the morning fog which hangs over it, and the sails of the few small vessels which transact the commerce of Haverhill and Newburyport. But its real vessels are railroad cars, and its true and main stream, flowing by an iron channel farther south, may be traced by a long line of vapor amid the hills, which no morning wind ever disperses, to where it empties into the sea at Boston. This side is the louder murmur now. Instead of the scream of a fish-hawk scaring the fishes, is heard the whistle of the steam-engine, arousing a country to its progress.

Unfit for commercial use to some degree because of the sandbar at its mouth, look how this river has always been dedicated to manufacturing. Coming from the iron region of Franconia and flowing through untouched forests, alongside endless granite ledges, with Squam, Winnipiseogee, Newfound, and Massabesic Lakes serving as its reservoirs, it cascades over a series of natural dams, where it has been trying to share its resources in vain for ages, until finally the Yankee population arrived to make use of them. Standing at its mouth, gaze up its sparkling stream to its source—a silver waterfall flowing all the way from the White Mountains to the sea—and witness a city on each rising plateau, a bustling community of industrious people around every waterfall. Aside from Newburyport and Haverhill, take note of Lawrence, Lowell, Nashua, Manchester, and Concord, shining one above the other. Once it finally escapes from beneath the last factory, it has a clear and undisturbed path to the sea, like a mere wastewater channel carrying little more than its reputation; its pleasant journey revealed by the morning fog that hangs over it, and the sails of a few small boats that handle the commerce of Haverhill and Newburyport. But its real vessels are railroad cars, and its true main flow, running along an iron track further south, can be marked by a long plume of steam among the hills, which no morning wind ever clears away, as it empties into the sea at Boston. This side is now the louder murmur. Instead of the cry of a fish hawk scaring the fish, the whistle of the steam engine is heard, awakening the land to its development.

This river too was at length discovered by the white man, “trending up into the land,” he knew not how far, possibly an inlet to the South Sea. Its valley, as far as the Winnipiseogee, was first surveyed in 1652. The first settlers of Massachusetts supposed that the Connecticut, in one part of its course, ran northwest, “so near the great lake as the Indians do pass their canoes into it over land.” From which lake and the “hideous swamps” about it, as they supposed, came all the beaver that was traded between Virginia and Canada,—and the Potomac was thought to come out of or from very near it. Afterward the Connecticut came so near the course of the Merrimack that, with a little pains, they expected to divert the current of the trade into the latter river, and its profits from their Dutch neighbors into their own pockets.

This river was eventually discovered by white settlers, “trending up into the land,” though he had no idea how far it went, possibly leading to the South Sea. Its valley, as far as the Winnipiseogee, was first mapped in 1652. The first settlers of Massachusetts believed that at one point, the Connecticut River ran northwest, “so near the great lake that the Indians could carry their canoes to it over land.” They thought that all the beaver fur traded between Virginia and Canada came from that lake and the “hideous swamps” surrounding it, and they believed the Potomac River originated from or was very close to it. Later, they discovered that the Connecticut River flowed so close to the Merrimack that, with a bit of effort, they could redirect trade from the latter river and profit from their Dutch neighbors directly.

Unlike the Concord, the Merrimack is not a dead but a living stream, though it has less life within its waters and on its banks. It has a swift current, and, in this part of its course, a clayey bottom, almost no weeds, and comparatively few fishes. We looked down into its yellow water with the more curiosity, who were accustomed to the Nile-like blackness of the former river. Shad and alewives are taken here in their season, but salmon, though at one time more numerous than shad, are now more rare. Bass, also, are taken occasionally; but locks and dams have proved more or less destructive to the fisheries. The shad make their appearance early in May, at the same time with the blossoms of the pyrus, one of the most conspicuous early flowers, which is for this reason called the shad-blossom. An insect called the shad-fly also appears at the same time, covering the houses and fences. We are told that “their greatest run is when the apple-trees are in full blossom. The old shad return in August; the young, three or four inches long, in September. These are very fond of flies.” A rather picturesque and luxurious mode of fishing was formerly practised on the Connecticut, at Bellows Falls, where a large rock divides the stream. “On the steep sides of the island rock,” says Belknap, “hang several arm-chairs, fastened to ladders, and secured by a counterpoise, in which fishermen sit to catch salmon and shad with dipping nets.” The remains of Indian weirs, made of large stones, are still to be seen in the Winnipiseogee, one of the head-waters of this river.

Unlike the Concord, the Merrimack is a living stream rather than a dead one, even though it has less vitality in its waters and along its banks. It has a swift current and, in this stretch, a muddy bottom, almost no weeds, and relatively few fish. We gazed into its yellow water with curiosity, being used to the Nile-like darkness of the former river. Shad and alewives are caught here when in season, but salmon, which were once more plentiful than shad, are now rarer. Bass are also caught occasionally; however, locks and dams have been quite harmful to the fisheries. The shad show up early in May, around the same time as the blossoms of the pyrus, one of the most noticeable early flowers, which is why it's called the shad-blossom. An insect known as the shad-fly also appears at the same time, covering homes and fences. We're told that "their biggest run is when the apple trees are in full bloom." The adult shad return in August; the young ones, about three or four inches long, come in September. These young fish really like flies. A rather picturesque and luxurious way of fishing used to take place on the Connecticut at Bellows Falls, where a large rock splits the stream. “On the steep sides of the island rock,” says Belknap, “there are several armchairs attached to ladders and balanced by a counterweight, where fishermen sit to catch salmon and shad with dipping nets.” The remnants of Indian weirs, made from large stones, can still be seen in the Winnipiseogee, one of the headwaters of this river.

It cannot but affect our philosophy favorably to be reminded of these shoals of migratory fishes, of salmon, shad, alewives, marsh-bankers, and others, which penetrate up the innumerable rivers of our coast in the spring, even to the interior lakes, their scales gleaming in the sun; and again, of the fry which in still greater numbers wend their way downward to the sea. “And is it not pretty sport,” wrote Captain John Smith, who was on this coast as early as 1614, “to pull up twopence, sixpence, and twelvepence, as fast as you can haul and veer a line?”—“And what sport doth yield a more pleasing content, and less hurt or charge, than angling with a hook, and crossing the sweet air from isle to isle, over the silent streams of a calm sea.”

It can only benefit our understanding to be reminded of the huge schools of migratory fish, like salmon, shad, alewives, marsh-bankers, and others, that swim up the countless rivers along our coast in the spring, reaching even the inland lakes, their scales shining in the sunlight. And then there's the fry, which travel in even bigger numbers down to the sea. “Isn’t it great fun,” wrote Captain John Smith, who was on this coast as early as 1614, “to haul in twopence, sixpence, and twelvepence as quickly as you can pull in a line?”—“And what activity offers more enjoyable satisfaction, with less risk or cost, than fishing with a hook, gliding through the fresh air from island to island over the calm waters of a peaceful sea?”

On the sandy shore, opposite the Glass-house village in Chelmsford, at the Great Bend where we landed to rest us and gather a few wild plums, we discovered the Campanula rotundifolia, a new flower to us, the harebell of the poets, which is common to both hemispheres, growing close to the water. Here, in the shady branches of an apple-tree on the sand, we took our nooning, where there was not a zephyr to disturb the repose of this glorious Sabbath day, and we reflected serenely on the long past and successful labors of Latona.

On the sandy shore, across from the Glass-house village in Chelmsford, at the Great Bend where we stopped to take a break and pick some wild plums, we found the Campanula rotundifolia, a new flower for us, the harebell that poets love, which is found in both hemispheres, growing close to the water. Here, in the shady branches of an apple tree on the sand, we took our lunch, with not a breeze to interrupt the peace of this beautiful Sabbath day, and we calmly reflected on the successful work of Latona from long ago.

“So silent is the cessile air,
    That every cry and call,
The hills, and dales, and forest fair
    Again repeats them all.

“The herds beneath some leafy trees,
    Amidst the flowers they lie,
The stable ships upon the seas
    Tend up their sails to dry.”

“So quiet is the still air,
    That every shout and call,
The hills, and valleys, and beautiful woods
    Echo them all.

“The herds beneath some leafy trees,
    Lie among the flowers,
The boats upon the seas
    Lift their sails to dry.”

As we thus rested in the shade, or rowed leisurely along, we had recourse, from time to time, to the Gazetteer, which was our Navigator, and from its bald natural facts extracted the pleasure of poetry. Beaver River comes in a little lower down, draining the meadows of Pelham, Windham, and Londonderry. The Scotch-Irish settlers of the latter town, according to this authority, were the first to introduce the potato into New England, as well as the manufacture of linen cloth.

As we relaxed in the shade or paddled gently along, we occasionally turned to the Gazetteer, our guide, and from its straightforward facts about nature, we found the joy of poetry. Beaver River flows in a bit further down, draining the fields of Pelham, Windham, and Londonderry. According to this source, the Scotch-Irish settlers in Londonderry were the first to bring the potato to New England, along with the production of linen cloth.

Everything that is printed and bound in a book contains some echo at least of the best that is in literature. Indeed, the best books have a use, like sticks and stones, which is above or beside their design, not anticipated in the preface, nor concluded in the appendix. Even Virgil’s poetry serves a very different use to me to-day from what it did to his contemporaries. It has often an acquired and accidental value merely, proving that man is still man in the world. It is pleasant to meet with such still lines as,

Everything printed and bound in a book carries at least some trace of the best in literature. In fact, the best books serve a purpose, like tools, that goes beyond their original intention, not mentioned in the preface or summarized in the appendix. Even Virgil’s poetry has a different significance for me today than it did for his contemporaries. Often, it has a value that feels more learned and incidental, showing that humanity remains constant in the world. It’s nice to come across lines like,

“Jam læto turgent in palmite gemmæ”;
Now the buds swell on the joyful stem.

“Now the buds swell on the joyful stem.”

or

or

“Strata jacent passim sua quæque sub arbore poma”;
The apples lie scattered everywhere, each under its tree.

“Strata jacent passim sua quæque sub arbore poma”;
The apples lie scattered everywhere, each under its tree.

In an ancient and dead language, any recognition of living nature attracts us. These are such sentences as were written while grass grew and water ran. It is no small recommendation when a book will stand the test of mere unobstructed sunshine and daylight.

In an ancient and dead language, any acknowledgment of living nature captivates us. These are the kinds of sentences that were penned while grass grew and water flowed. It’s not a small feat when a book can endure the test of simple, unfiltered sunlight and daylight.

What would we not give for some great poem to read now, which would be in harmony with the scenery,—for if men read aright, methinks they would never read anything but poems. No history nor philosophy can supply their place.

What wouldn't we give for a great poem to read right now, one that matches the scenery—because if people read properly, I believe they would never read anything but poems. No history or philosophy can take their place.

The wisest definition of poetry the poet will instantly prove false by setting aside its requisitions. We can, therefore, publish only our advertisement of it.

The smartest definition of poetry will be immediately proven wrong by the poet ignoring its requirements. So, we can only share our promotion of it.

There is no doubt that the loftiest written wisdom is either rhymed, or in some way musically measured,—is, in form as well as substance, poetry; and a volume which should contain the condensed wisdom of mankind need not have one rhythmless line.

There’s no doubt that the highest form of written wisdom is either rhymed or has some form of musical rhythm—it's both in form and substance poetry; and a book that holds the distilled wisdom of humanity shouldn't contain even one line that doesn’t have rhythm.

Yet poetry, though the last and finest result, is a natural fruit. As naturally as the oak bears an acorn, and the vine a gourd, man bears a poem, either spoken or done. It is the chief and most memorable success, for history is but a prose narrative of poetic deeds. What else have the Hindoos, the Persians, the Babylonians, the Egyptians done, that can be told? It is the simplest relation of phenomena, and describes the commonest sensations with more truth than science does, and the latter at a distance slowly mimics its style and methods. The poet sings how the blood flows in his veins. He performs his functions, and is so well that he needs such stimulus to sing only as plants to put forth leaves and blossoms. He would strive in vain to modulate the remote and transient music which he sometimes hears, since his song is a vital function like breathing, and an integral result like weight. It is not the overflowing of life but its subsidence rather, and is drawn from under the feet of the poet. It is enough if Homer but say the sun sets. He is as serene as nature, and we can hardly detect the enthusiasm of the bard. It is as if nature spoke. He presents to us the simplest pictures of human life, so the child itself can understand them, and the man must not think twice to appreciate his naturalness. Each reader discovers for himself that, with respect to the simpler features of nature, succeeding poets have done little else than copy his similes. His more memorable passages are as naturally bright as gleams of sunshine in misty weather. Nature furnishes him not only with words, but with stereotyped lines and sentences from her mint.

Yet poetry, while being the ultimate and most refined outcome, is a natural product. Just like an oak produces an acorn and a vine produces a gourd, a person creates a poem, whether spoken or written. It's the greatest and most unforgettable achievement, as history is just a prose account of poetic actions. What else have the Hindoos, the Persians, the Babylonians, and the Egyptians done that can be narrated? It’s the simplest connection of events, expressing common feelings with more truth than science, which slowly tries to imitate its style and methods from afar. The poet expresses how the blood flows through his veins. He fulfills his role so seamlessly that he only needs as much inspiration to create as plants need to grow leaves and flowers. He would struggle in vain to shape the distant and fleeting music that he sometimes hears, because his song is a vital process, just like breathing, and a natural result, like weight. It’s not an overflow of life but rather its settling, emerging from beneath the poet's feet. It is enough for Homer to merely say that the sun sets. He is as calm as nature itself, and it’s hard to notice the enthusiasm of the poet. It feels like nature is speaking. He offers us the simplest images of human life, easy enough for a child to understand, and a grown-up doesn’t have to think twice to appreciate his naturalness. Each reader finds out for themselves that, regarding the simpler aspects of nature, later poets have done little more than replicate his metaphors. His most memorable lines shine as naturally as sunbeams on a foggy day. Nature provides him not only with words but also with tried-and-true lines and phrases from her source.

“As from the clouds appears the full moon,
All shining, and then again it goes behind the shadowy clouds,
So Hector, at one time appeared among the foremost,
And at another in the rear, commanding; and all with brass
He shone, like to the lightning of ægis-bearing Zeus.”

“As the full moon emerges from the clouds,
All shining, then disappears behind the shadowy clouds,
So Hector, at one moment appeared among the leaders,
And at another at the back, commanding; all with bronze
He gleamed, like the lightning from Zeus with the aegis.”

He conveys the least information, even the hour of the day, with such magnificence and vast expense of natural imagery, as if it were a message from the gods.

He shares the least amount of information, even the time of day, with such splendor and extravagant natural imagery, as if it were a message from the gods.

“While it was dawn, and sacred day was advancing,
For that space the weapons of both flew fast, and the people fell;
But when now the woodcutter was preparing his morning meal,
In the recesses of the mountain, and had wearied his hands
With cutting lofty trees, and satiety came to his mind,
And the desire of sweet food took possession of his thoughts;
Then the Danaans, by their valor, broke the phalanxes,
Shouting to their companions from rank to rank.”

“While it was dawn and the holy day was unfolding,
For that moment, the weapons from both sides flew quickly, and people fell;
But when the woodcutter was getting ready for his breakfast,
In the depths of the mountain, and had tired his hands
From chopping tall trees, and a sense of fullness came to his mind,
And the craving for delicious food occupied his thoughts;
Then the Danaans, through their bravery, broke through the formations,
Shouting to their comrades from one line to the next.”

When the army of the Trojans passed the night under arms, keeping watch lest the enemy should re-embark under cover of the dark,

When the Trojan army spent the night on alert, watching to make sure the enemy didn’t sneak away under the cover of darkness,

“They, thinking great things, upon the neutral ground of war
Sat all the night; and many fires burned for them.
As when in the heavens the stars round the bright moon
Appear beautiful, and the air is without wind;
And all the heights, and the extreme summits,
And the wooded sides of the mountains appear; and from the heavens an infinite ether is diffused,
And all the stars are seen, and the shepherd rejoices in his heart;
So between the ships and the streams of Xanthus
Appeared the fires of the Trojans before Ilium.
A thousand fires burned on the plain, and by each
Sat fifty, in the light of the blazing fire;
And horses eating white barley and corn,
Standing by the chariots, awaited fair-throned Aurora.”

“They, dreaming of great things, sat all night on the neutral ground of war
with many fires burning for them.
Just like when stars appear around the bright moon
in the calm, windless sky;
and all the heights and the highest peaks,
and the wooded slopes of the mountains are visible; and from the heavens, an endless ether spreads out,
and all the stars can be seen, and the shepherd feels joy in his heart;
So between the ships and the streams of Xanthus
the fires of the Trojans shone before Ilium.
A thousand fires blazed across the plain, and by each
sat fifty, illuminated by the light of the flames;
and horses were eating white barley and corn,
standing by the chariots, waiting for the fair-throned Aurora.”

The “white-armed goddess Juno,” sent by the Father of gods and men for Iris and Apollo,

The "white-armed goddess Juno," sent by the Father of gods and humans for Iris and Apollo,

“Went down the Idæan mountains to far Olympus,
As when the mind of a man, who has come over much earth,
Sallies forth, and he reflects with rapid thoughts,
There was I, and there, and remembers many things;
So swiftly the august Juno hastening flew through the air,
And came to high Olympus.”

“Descended the Idæan mountains to distant Olympus,
Like a man who has traveled a lot, his mind racing,
As he thinks quickly, recalling many experiences;
There I was, and there, remembering so much;
So swiftly did the majestic Juno fly through the sky,
And arrived at high Olympus.”

His scenery is always true, and not invented. He does not leap in imagination from Asia to Greece, through mid air,

His scenery is always realistic and not made up. He doesn't jump in imagination from Asia to Greece in thin air,

ἐπειὴ μάλα πολλὰ μεταξύ
Ὄυρεά τε σκιοέντα, θαλάσσα τε ἠχήεσσα.
for there are very many
Shady mountains and resounding seas between.

for there are very many
shady mountains and echoing seas between.

If his messengers repair but to the tent of Achilles, we do not wonder how they got there, but accompany them step by step along the shore of the resounding sea. Nestor’s account of the march of the Pylians against the Epeians is extremely lifelike:—

If his messengers make their way to Achilles' tent, we don't question how they got there, but follow them closely along the shore of the roaring sea. Nestor’s story about the march of the Pylians against the Epeians is very vivid:—

“Then rose up to them sweet-worded Nestor, the shrill orator of the Pylians,
And words sweeter than honey flowed from his tongue.”

“Then sweet-talking Nestor, the eloquent speaker of the Pylians, rose to speak,
and words sweeter than honey flowed from his tongue.”

This time, however, he addresses Patroclus alone: “A certain river, Minyas by name, leaps seaward near to Arene, where we Pylians wait the dawn, both horse and foot. Thence with all haste we sped us on the morrow ere ’t was noonday, accoutred for the fight, even to Alpheus’s sacred source,” &c. We fancy that we hear the subdued murmuring of the Minyas discharging its waters into the main the livelong night, and the hollow sound of the waves breaking on the shore,—until at length we are cheered at the close of a toilsome march by the gurgling fountains of Alpheus.

This time, though, he speaks to Patroclus alone: “There’s a river called Minyas that flows into the sea near Arene, where we Pylians wait for dawn, both on foot and on horseback. From there, we rushed out the next day before noon, equipped for battle, heading to the sacred spring of Alpheus,” etc. We can almost hear the quiet murmur of the Minyas as it pours its waters into the sea all night long, and the distant sound of waves crashing on the shore—until finally, we are uplifted at the end of a grueling march by the bubbling springs of Alpheus.

There are few books which are fit to be remembered in our wisest hours, but the Iliad is brightest in the serenest days, and embodies still all the sunlight that fell on Asia Minor. No modern joy or ecstasy of ours can lower its height or dim its lustre, but there it lies in the east of literature, as it were the earliest and latest production of the mind. The ruins of Egypt oppress and stifle us with their dust, foulness preserved in cassia and pitch, and swathed in linen; the death of that which never lived. But the rays of Greek poetry struggle down to us, and mingle with the sunbeams of the recent day. The statue of Memnon is cast down, but the shaft of the Iliad still meets the sun in his rising.

There are few books that deserve to be remembered in our most thoughtful moments, but the Iliad shines brightest in our calmest days and still holds all the sunlight that fell on Asia Minor. No modern joy or excitement of ours can diminish its greatness or dull its brilliance; it stands in the east of literature as if it were both the origin and the culmination of human thought. The ruins of Egypt weigh us down and suffocate us with their dust, decay preserved in spices and pitch, and wrapped in linen; the remnants of a life that never truly thrived. But the light of Greek poetry reaches us, blending with the sunlight of the present day. The statue of Memnon may have fallen, but the essence of the Iliad still greets the sun at dawn.

“Homer is gone; and where is Jove? and where
The rival cities seven? His song outlives
Time, tower, and god,—all that then was, save Heaven.”

“Homer is gone; and where is Jove? and where
The seven rival cities? His song outlives
Time, tower, and god—all that existed back then, except Heaven.”

So too, no doubt, Homer had his Homer, and Orpheus his Orpheus, in the dim antiquity which preceded them. The mythological system of the ancients, and it is still the mythology of the moderns, the poem of mankind, interwoven so wonderfully with their astronomy, and matching in grandeur and harmony the architecture of the heavens themselves, seems to point to a time when a mightier genius inhabited the earth. But, after all, man is the great poet, and not Homer nor Shakespeare; and our language itself, and the common arts of life, are his work. Poetry is so universally true and independent of experience, that it does not need any particular biography to illustrate it, but we refer it sooner or later to some Orpheus or Linus, and after ages to the genius of humanity and the gods themselves.

So, just like that, Homer had his own version of Homer, and Orpheus had his Orpheus, way back in the ancient times before them. The mythological framework of the ancients, which is still the mythology of today, the poem of humanity, intricately woven with their astronomy and matching the beauty and harmony of the heavens, suggests a time when a greater genius walked the earth. But ultimately, it's humanity that is the true poet, not Homer or Shakespeare; our language and the everyday arts of life are his creations. Poetry is so universally true and separate from personal experience that it doesn’t require a specific biography to explain it. Instead, we eventually relate it back to some Orpheus or Linus, and later generations connect it to the genius of humanity and the gods themselves.

It would be worth the while to select our reading, for books are the society we keep; to read only the serenely true; never statistics, nor fiction, nor news, nor reports, nor periodicals, but only great poems, and when they failed, read them again, or perchance write more. Instead of other sacrifice, we might offer up our perfect (τελεία) thoughts to the gods daily, in hymns or psalms. For we should be at the helm at least once a day. The whole of the day should not be daytime; there should be one hour, if no more, which the day did not bring forth. Scholars are wont to sell their birthright for a mess of learning. But is it necessary to know what the speculator prints, or the thoughtless study, or the idle read, the literature of the Russians and the Chinese, or even French philosophy and much of German criticism. Read the best books first, or you may not have a chance to read them at all. “There are the worshippers with offerings, and the worshippers with mortifications; and again the worshippers with enthusiastic devotion; so there are those the wisdom of whose reading is their worship, men of subdued passions and severe manners;—This world is not for him who doth not worship; and where, O Arjoon, is there another?” Certainly, we do not need to be soothed and entertained always like children. He who resorts to the easy novel, because he is languid, does no better than if he took a nap. The front aspect of great thoughts can only be enjoyed by those who stand on the side whence they arrive. Books, not which afford us a cowering enjoyment, but in which each thought is of unusual daring; such as an idle man cannot read, and a timid one would not be entertained by, which even make us dangerous to existing institutions,—such call I good books.

It’s worth taking the time to choose our reading because the books we read shape the company we keep. We should only read what is truly profound; not statistics, fiction, news, reports, or magazines, but only great poetry, and if that doesn’t satisfy us, we should read it again or maybe write more ourselves. Instead of other sacrifices, we could dedicate our perfect thoughts to the gods daily, through hymns or psalms. We should take control at least once a day. The entire day shouldn’t just feel like daytime; there should be at least one hour, if not more, that feels different from the rest. Scholars often sell their birthright for a shallow education. But is it really necessary to know what the speculator writes, or the careless studies, or the casual reads, or the literature of Russians and Chinese, or even French philosophy and a lot of German criticism? Read the best books first, or you might not get a chance to read them at all. “There are those who offer sacrifices, and those who commit themselves to suffering; and then there are those who worship with enthusiastic dedication; likewise, there are those whose wise reading is their form of worship, men who control their passions and lead disciplined lives; — This world is not for those who do not worship; and where, O Arjoon, can you find another?” Certainly, we don’t always need to be coddled and entertained like children. Someone who turns to a simple novel out of boredom is no better off than if they took a nap. The surface of great thoughts can only be appreciated by those who understand where they come from. Good books are not those that provide us with a comfortable escape, but those where each thought is bold and daring; such that an idle person cannot read, and a timid one wouldn’t find interesting, which even make us a challenge to existing institutions.

All that are printed and bound are not books; they do not necessarily belong to letters, but are oftener to be ranked with the other luxuries and appendages of civilized life. Base wares are palmed off under a thousand disguises. “The way to trade,” as a pedler once told me, “is to put it right through,” no matter what it is, anything that is agreed on.

Not everything that's printed and bound counts as a book; they don't always relate to literature, but are more often grouped with the other luxuries and extras of modern life. Cheap goods are sold in a thousand different ways. "The trick to selling," as a peddler once told me, "is to push it through," no matter what it is, as long as there's an agreement.

“You grov’ling worldlings, you whose wisdom trades
Where light ne’er shot his golden ray.”

“You pathetic people, you whose knowledge is bought and sold
Where light never shines with its golden rays.”

By dint of able writing and pen-craft, books are cunningly compiled, and have their run and success even among the learned, as if they were the result of a new man’s thinking, and their birth were attended with some natural throes. But in a little while their covers fall off, for no binding will avail, and it appears that they are not Books or Bibles at all. There are new and patented inventions in this shape, purporting to be for the elevation of the race, which many a pure scholar and genius who has learned to read is for a moment deceived by, and finds himself reading a horse-rake, or spinning-jenny, or wooden nutmeg, or oak-leaf cigar, or steam-power press, or kitchen range, perchance, when he was seeking serene and biblical truths.

Through skilled writing and craftsmanship, books are cleverly put together and enjoy popularity even among scholars, as if they stem from a fresh perspective and were born amid some natural struggle. But soon, their covers come off, as no binding can hold them, revealing that they aren’t really books or Bibles at all. There are new and patented creations that claim to uplift humanity, which can momentarily mislead many a sincere scholar or genius who has learned to read, causing them to find themselves reading about a horse-rake, spinning jenny, wooden nutmeg, oak-leaf cigar, steam-powered press, or kitchen range, when they were actually seeking calm and profound truths.

        “Merchants, arise,
And mingle conscience with your merchandise.”

“Merchants, wake up,
And blend your principles with your products.”

Paper is cheap, and authors need not now erase one book before they write another. Instead of cultivating the earth for wheat and potatoes, they cultivate literature, and fill a place in the Republic of Letters. Or they would fain write for fame merely, as others actually raise crops of grain to be distilled into brandy. Books are for the most part wilfully and hastily written, as parts of a system, to supply a want real or imagined. Books of natural history aim commonly to be hasty schedules, or inventories of God’s property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.

Paper is inexpensive now, and authors don’t need to erase one book before writing another. Instead of farming for wheat and potatoes, they’re cultivating literature and carving out their space in the literary world. Some even aspire to write just for fame, similar to how others grow crops for distillation into brandy. Most books are written carelessly and quickly, as parts of a system, to meet a real or imagined need. Books on natural history often try to serve as quick references or lists of God’s creation, put together by some clerk. They don’t truly convey the divine perspective of nature; rather, they reflect the popular viewpoint, or the usual way of studying nature, and quickly lead the diligent learner into the same confusing dilemmas where professors often find themselves.

“To Athens gowned he goes, and from that school
Returns unsped, a more instructed fool.”

"To Athens he goes dressed in a gown, and from that school
Returns unsatisfied, a more educated fool."

They teach the elements really of ignorance, not of knowledge, for, to speak deliberately and in view of the highest truths, it is not easy to distinguish elementary knowledge. There is a chasm between knowledge and ignorance which the arches of science can never span. A book should contain pure discoveries, glimpses of terra firma, though by shipwrecked mariners, and not the art of navigation by those who have never been out of sight of land. They must not yield wheat and potatoes, but must themselves be the unconstrained and natural harvest of their author’s lives.

They really teach the basics of ignorance, not knowledge, because when it comes to speaking carefully about the highest truths, it’s tough to identify fundamental knowledge. There’s a gap between knowledge and ignorance that the structures of science can never bridge. A book should offer genuine discoveries, insights from terra firma—even if they come from shipwrecked sailors—and not just the navigation skills of those who have never left the shore. They shouldn’t provide wheat and potatoes but should instead be the free and natural output of their author’s experiences.

“What I have learned is mine; I’ve had my thought,
And me the Muses noble truths have taught.”

"What I've learned is mine; I've had my thoughts,
And the Muses have taught me noble truths."

We do not learn much from learned books, but from true, sincere, human books, from frank and honest biographies. The life of a good man will hardly improve us more than the life of a freebooter, for the inevitable laws appear as plainly in the infringement as in the observance, and our lives are sustained by a nearly equal expense of virtue of some kind. The decaying tree, while yet it lives, demands sun, wind, and rain no less than the green one. It secretes sap and performs the functions of health. If we choose, we may study the alburnum only. The gnarled stump has as tender a bud as the sapling.

We don’t learn much from academic books, but from genuine, heartfelt stories about real people, especially honest biographies. The life of a good person won’t necessarily teach us more than that of a rogue, because the fundamental truths show just as clearly in the wrongdoings as in the right actions, and we sustain our lives with roughly equal amounts of virtue in different forms. A dying tree, while it’s still alive, needs sunlight, wind, and rain just as much as a healthy one. It produces sap and carries out the functions of a living tree. If we want, we can focus only on the outer layer of the tree. The twisted stump has just as tender a bud as the young sapling.

At least let us have healthy books, a stout horse-rake or a kitchen range which is not cracked. Let not the poet shed tears only for the public weal. He should be as vigorous as a sugar-maple, with sap enough to maintain his own verdure, beside what runs into the troughs, and not like a vine, which being cut in the spring bears no fruit, but bleeds to death in the endeavor to heal its wounds. The poet is he that hath fat enough, like bears and marmots, to suck his claws all winter. He hibernates in this world, and feeds on his own marrow. We love to think in winter, as we walk over the snowy pastures, of those happy dreamers that lie under the sod, of dormice and all that race of dormant creatures, which have such a superfluity of life enveloped in thick folds of fur, impervious to cold. Alas, the poet too is, in one sense, a sort of dormouse gone into winter quarters of deep and serene thoughts, insensible to surrounding circumstances; his words are the relation of his oldest and finest memory, a wisdom drawn from the remotest experience. Other men lead a starved existence, meanwhile, like hawks, that would fain keep on the wing, and trust to pick up a sparrow now and then.

At least let’s have good books, a sturdy horse rake, or a kitchen range that isn't cracked. The poet shouldn’t only cry for the public good. He should be as strong as a sugar maple, with enough sap to keep his own leaves vibrant, in addition to what flows into the troughs, and not like a vine that, when cut in spring, bears no fruit but instead bleeds to death trying to heal its wounds. The poet is someone who has enough fat, like bears and marmots, to sustain himself all winter. He hibernates in this world and feeds on his own essence. We love to think in winter, as we walk over the snowy fields, about those happy dreamers lying beneath the soil, about dormice and all those dormant creatures that have so much life wrapped in thick fur, unable to feel the cold. Sadly, the poet is also, in a way, a kind of dormouse that has gone into winter quarters of deep and peaceful thoughts, unaffected by what’s happening around him; his words reflect his oldest and best memories, a wisdom drawn from distant experiences. Meanwhile, other men live like hawks, trying to stay in the air and hoping to catch a sparrow now and then.

There are already essays and poems, the growth of this land, which are not in vain, all which, however, we could conveniently have stowed in the till of our chest. If the gods permitted their own inspiration to be breathed in vain, these might be overlooked in the crowd, but the accents of truth are as sure to be heard at last on earth as in heaven. They already seem ancient, and in some measure have lost the traces of their modern birth. Here are they who

There are already essays and poems about the growth of this land, which are not in vain; we could easily have stored them away in our chest. If the gods allowed their inspiration to be wasted, these might be ignored in the crowd, but the sound of truth is sure to be heard in the end on earth just as it is in heaven. They already seem old, and in some ways have lost the marks of their modern origins. Here are those who

—“ask for that which is our whole life’s light,
For the perpetual, true and clear insight.”

—“ask for what is the light of our entire lives,
For the constant, true, and clear understanding.”

I remember a few sentences which spring like the sward in its native pasture, where its roots were never disturbed, and not as if spread over a sandy embankment; answering to the poet’s prayer,

I remember a few sentences that come to mind like grass in its natural field, where its roots have never been disturbed, rather than like being spread out over a sandy bank; responding to the poet’s plea,

    “Let us set so just
A rate on knowledge, that the world may trust
The poet’s sentence, and not still aver
Each art is to itself a flatterer.”

“Let’s establish a fair value for knowledge, so that the world can trust the poet’s words, rather than insist that every art just flatters itself.”

But, above all, in our native port, did we not frequent the peaceful games of the Lyceum, from which a new era will be dated to New England, as from the games of Greece. For if Herodotus carried his history to Olympia to read, after the cestus and the race, have we not heard such histories recited there, which since our countrymen have read, as made Greece sometimes to be forgotten?—Philosophy, too, has there her grove and portico, not wholly unfrequented in these days.

But above all, in our hometown, didn't we often enjoy the calm activities of the Lyceum, which will mark the beginning of a new era for New England, just like the games in Greece? For if Herodotus took his history to Olympia to read after the boxing and the races, haven't we heard such stories recited there that have occasionally made us forget about Greece?—Philosophy also has its grove and portico there, which isn't entirely overlooked these days.

Lately the victor, whom all Pindars praised, has won another palm, contending with

Lately, the champion, who was praised by all the Pindars, has achieved another victory, competing with

“Olympian bards who sung
Divine ideas below,
Which always find us young,
And always keep us so.”

“Olympian bards who sing
Divine ideas below,
Which always find us young,
And always keep us so.”

What earth or sea, mountain or stream, or Muses’ spring or grove, is safe from his all-searching ardent eye, who drives off Phœbus’ beaten track, visits unwonted zones, makes the gelid Hyperboreans glow, and the old polar serpent writhe, and many a Nile flow back and hide his head!

What land or ocean, mountain or river, or spring of the Muses or grove, is safe from his intense, all-seeing gaze? He strays from Apollo’s usual path, explores unfamiliar areas, warms up the icy Hyperboreans, makes the ancient polar serpent squirm, and even causes many Niles to run backward and hide!

That Phaeton of our day,
Who’d make another milky way,
And burn the world up with his ray;

By us an undisputed seer,—
Who’d drive his flaming car so near
Unto our shuddering mortal sphere,

Disgracing all our slender worth,
And scorching up the living earth,
To prove his heavenly birth.

The silver spokes, the golden tire,
Are glowing with unwonted fire,
And ever nigher roll and nigher;

The pins and axle melted are,
The silver radii fly afar,
Ah, he will spoil his Father’s car!

Who let him have the steeds he cannot steer?
Henceforth the sun will not shine for a year;
And we shall Ethiops all appear.

That Phaeton of our time,
Who’d create another Milky Way,
And burn the world with his rays;

By us, an undeniable prophet—
Who’d drive his blazing chariot so close
To our trembling mortal realm,

Disgracing all our fragile worth,
And scorching the living earth,
To prove his divine origins.

The silver spokes, the golden rims,
Are glowing with unusual fire,
And rolling closer and closer;

The pins and axle are melting,
The silver spokes are flying far away,
Ah, he’ll ruin his Father’s chariot!

Who gave him the horses he can’t control?
From now on, the sun won’t shine for a year;
And we’ll all appear like Ethiopians.

From his

From his

“lips of cunning fell
    The thrilling Delphic oracle.”

“lips of cunning fell
    The thrilling Delphic oracle.”

And yet, sometimes,

And sometimes,

We should not mind if on our ear there fell
Some less of cunning, more of oracle.

We shouldn't worry if our ears hear
Less cleverness and more wisdom.

It is Apollo shining in your face. O rare Contemporary, let us have far-off heats. Give us the subtler, the heavenlier though fleeting beauty, which passes through and through, and dwells not in the verse; even pure water, which but reflects those tints which wine wears in its grain. Let epic trade-winds blow, and cease this waltz of inspirations. Let us oftener feel even the gentle southwest wind upon our cheeks blowing from the Indian’s heaven. What though we lose a thousand meteors from the sky, if skyey depths, if star-dust and undissolvable nebulæ remain? What though we lose a thousand wise responses of the oracle, if we may have instead some natural acres of Ionian earth?

It’s Apollo shining on you. Oh, unique modern soul, let’s experience distant warmth. Give us the finer, more celestial though transient beauty that flows through and doesn’t reside in the words; even pure water that merely reflects the colors wine displays in its grains. Let epic trade winds blow, and end this dance of inspirations. Let’s feel the gentle southwest wind on our cheeks, blowing in from the Indian paradise. So what if we lose a thousand meteors from the sky, if we still have starry depths, star dust, and unbreakable nebulae? So what if we lose a thousand wise answers from the oracle, if we can instead enjoy some natural fields of Ionian land?

Though we know well,

Though we know well,

“That’t is not in the power of kings [or presidents] to raise
A spirit for verse that is not born thereto,
Nor are they born in every prince’s days”;

"Kings [or presidents] can't create
A spirit for verse that isn't naturally there,
Nor is it present in every ruler's time;"

yet spite of all they sang in praise of their “Eliza’s reign,” we have evidence that poets may be born and sing in our day, in the presidency of James K. Polk,

yet despite all their singing in praise of their “Eliza’s reign,” we have proof that poets can be born and sing in our day, during the presidency of James K. Polk,

“And that the utmost powers of English rhyme,”
Were not “within her peaceful reign confined.”

“And that the greatest abilities of English rhyme,”
Were not “within her calm reign limited.”

The prophecy of the poet Daniel is already how much more than fulfilled!

The prophecy of the poet Daniel is already so much more than fulfilled!

“And who in time knows whither we may vent
The treasure of our tongue? To what strange shores
This gain of our best glory shall be sent,
T’ enrich unknowing nations with our stores?
What worlds in th’ yet unformed occident,
May come refined with the accents that are ours.”

“And who knows in time where we might share
The treasure of our words? To what strange places
This gift of our greatest glory will be sent,
To enrich unaware nations with our wealth?
What new worlds in the still-unknown west,
Might be enriched with our unique accents?”

Enough has been said in these days of the charm of fluent writing. We hear it complained of some works of genius, that they have fine thoughts, but are irregular and have no flow. But even the mountain peaks in the horizon are, to the eye of science, parts of one range. We should consider that the flow of thought is more like a tidal wave than a prone river, and is the result of a celestial influence, not of any declivity in its channel. The river flows because it runs down hill, and flows the faster the faster it descends. The reader who expects to float down stream for the whole voyage, may well complain of nauseating swells and choppings of the sea when his frail shore-craft gets amidst the billows of the ocean stream, which flows as much to sun and moon as lesser streams to it. But if we would appreciate the flow that is in these books, we must expect to feel it rise from the page like an exhalation, and wash away our critical brains like burr millstones, flowing to higher levels above and behind ourselves. There is many a book which ripples on like a freshet, and flows as glibly as a mill-stream sucking under a causeway; and when their authors are in the full tide of their discourse, Pythagoras and Plato and Jamblichus halt beside them. Their long, stringy, slimy sentences are of that consistency that they naturally flow and run together. They read as if written for military men, for men of business, there is such a despatch in them. Compared with these, the grave thinkers and philosophers seem not to have got their swaddling-clothes off; they are slower than a Roman army in its march, the rear camping to-night where the van camped last night. The wise Jamblichus eddies and gleams like a watery slough.

Enough has been said lately about the appeal of smooth writing. Some people complain that certain brilliant works have great ideas but are disjointed and lack flow. But even the mountain peaks on the horizon, to the eye of science, are parts of one range. We should remember that the flow of thought is more like a tidal wave than a flat river, and is influenced by something celestial, not by any decline in its path. A river flows because it goes downhill, and the faster it descends, the more swiftly it flows. The reader who expects to drift downstream for the entire journey may rightly complain of uncomfortable swells and choppy waves when their fragile little boat gets caught in the ocean's currents, which move toward the sun and moon just as smaller streams do. However, if we want to appreciate the flow found in these books, we need to be ready to feel it rise from the pages like a vapor and sweep away our critical minds like millstones, lifting us to higher levels beyond ourselves. There are many books that babble on like a sudden flood and flow as smoothly as a millstream pulling under a roadway; and when their authors are engaged in their ideas, Pythagoras, Plato, and Jamblichus pause beside them. Their long, stringy, and somewhat tedious sentences have a consistency that causes them to flow and blend together naturally. They read as if written for military personnel or businesspeople, as there is such urgency in them. Compared to these, serious thinkers and philosophers seem to still be in their swaddling clothes; they are slower than a Roman army on the march, with the rear camped tonight where the front was last night. The wise Jamblichus swirls and sparkles like a muddy puddle.

“How many thousands never heard the name
    Of Sidney, or of Spenser, or their books?
And yet brave fellows, and presume of fame,
    And seem to bear down all the world with looks.”

“How many thousands have never heard of the name
    Of Sidney, or of Spenser, or their works?
And yet they are brave individuals, hoping for fame,
    And seem to challenge the whole world with their looks.”

The ready writer seizes the pen, and shouts, Forward! Alamo and Fanning! and after rolls the tide of war. The very walls and fences seem to travel. But the most rapid trot is no flow after all; and thither, reader, you and I, at least, will not follow.

The eager writer grabs the pen and shouts, "Let’s go! Alamo and Fanning!" and then the tide of war crashes in. Even the walls and fences seem to move. But the fastest pace is still just a trickle; and there, reader, you and I, at least, won’t be following.

A perfectly healthy sentence, it is true, is extremely rare. For the most part we miss the hue and fragrance of the thought; as if we could be satisfied with the dews of the morning or evening without their colors, or the heavens without their azure. The most attractive sentences are, perhaps, not the wisest, but the surest and roundest. They are spoken firmly and conclusively, as if the speaker had a right to know what he says, and if not wise, they have at least been well learned. Sir Walter Raleigh might well be studied if only for the excellence of his style, for he is remarkable in the midst of so many masters. There is a natural emphasis in his style, like a man’s tread, and a breathing space between the sentences, which the best of modern writing does not furnish. His chapters are like English parks, or say rather like a Western forest, where the larger growth keeps down the underwood, and one may ride on horseback through the openings. All the distinguished writers of that period possess a greater vigor and naturalness than the more modern,—for it is allowed to slander our own time,—and when we read a quotation from one of them in the midst of a modern author, we seem to have come suddenly upon a greener ground, a greater depth and strength of soil. It is as if a green bough were laid across the page, and we are refreshed as by the sight of fresh grass in midwinter or early spring. You have constantly the warrant of life and experience in what you read. The little that is said is eked out by implication of the much that was done. The sentences are verdurous and blooming as evergreen and flowers, because they are rooted in fact and experience, but our false and florid sentence have only the tints of flowers without their sap or roots. All men are really most attracted by the beauty of plain speech, and they even write in a florid style in imitation of this. They prefer to be misunderstood rather than to come short of its exuberance. Hussein Effendi praised the epistolary style of Ibrahim Pasha to the French traveller Botta, because of “the difficulty of understanding it; there was,” he said, “but one person at Jidda, who was capable of understanding and explaining the Pasha’s correspondence.” A man’s whole life is taxed for the least thing well done. It is its net result. Every sentence is the result of a long probation. Where shall we look for standard English, but to the words of a standard man? The word which is best said came nearest to not being spoken at all, for it is cousin to a deed which the speaker could have better done. Nay, almost it must have taken the place of a deed by some urgent necessity, even by some misfortune, so that the truest writer will be some captive knight, after all. And perhaps the fates had such a design, when, having stored Raleigh so richly with the substance of life and experience, they made him a fast prisoner, and compelled him to make his words his deeds, and transfer to his expression the emphasis and sincerity of his action.

A truly perfect sentence is quite rare. Most of the time, we miss the depth and richness of the thought, as if we could be satisfied by the morning or evening dew without their colors, or by the sky without its blue. The most appealing sentences might not necessarily be the wisest, but they are definitely the most certain and complete. They are delivered confidently and definitively, as if the speaker has the right to know what they are saying; and while they may not be wise, they have at least been learned well. Sir Walter Raleigh is worth studying just for the excellence of his style, standing out amid many great writers. His writing has a natural emphasis, much like a person's footsteps, and there’s a breathing space between sentences that modern writing often lacks. His chapters resemble English parks or, more accurately, a Western forest, where the larger trees keep the underbrush in check, allowing one to ride horseback through the clearings. All the notable writers from that time exhibit more vigor and naturalness than modern ones — it’s accepted to criticize our own era — and when we read a quote from one of them within a modern text, it feels as if we’ve stumbled onto greener pastures, encountering a richer and stronger ground. It’s like a green branch laid across the page, refreshing us like the sight of fresh grass in midwinter or early spring. There’s a constant assurance of life and experience in what you read. The little that’s said is supported by the implication of the much that has been done. The sentences are vibrant and blossoming like evergreens and flowers because they’re rooted in reality and experience, whereas our false and flowery sentences only have the colors of flowers without their essence or roots. People are fundamentally drawn to the beauty of plain speech, and they even write in a more elaborate style to imitate it. They'd rather be misunderstood than fall short of its richness. Hussein Effendi praised Ibrahim Pasha’s letter-writing style to the French traveler Botta for its "difficulty of understanding; there was," he remarked, "only one person in Jidda capable of understanding and explaining the Pasha's correspondence." A person’s entire life is weighed down by the least thing done well. It’s the overall result. Every sentence is the product of extensive testing. Where should we look for standard English if not in the words of a reputable person? The best word spoken often barely makes it out at all, as it is akin to an action the speaker could have better executed. In fact, it often must take the place of an action out of urgent necessity or misfortune, so the truest writer may indeed be a captive knight, after all. Perhaps the fates had such a plan when, having richly gifted Raleigh with the essence of life and experience, they made him a prisoner, compelling him to convert his words into actions and infusing his expressions with the weight and sincerity of his deeds.

Men have a respect for scholarship and learning greatly out of proportion to the use they commonly serve. We are amused to read how Ben Jonson engaged, that the dull masks with which the royal family and nobility were to be entertained should be “grounded upon antiquity and solid learning.” Can there be any greater reproach than an idle learning? Learn to split wood, at least. The necessity of labor and conversation with many men and things, to the scholar is rarely well remembered; steady labor with the hands, which engrosses the attention also, is unquestionably the best method of removing palaver and sentimentality out of one’s style, both of speaking and writing. If he has worked hard from morning till night, though he may have grieved that he could not be watching the train of his thoughts during that time, yet the few hasty lines which at evening record his day’s experience will be more musical and true than his freest but idle fancy could have furnished. Surely the writer is to address a world of laborers, and such therefore must be his own discipline. He will not idly dance at his work who has wood to cut and cord before nightfall in the short days of winter; but every stroke will be husbanded, and ring soberly through the wood; and so will the strokes of that scholar’s pen, which at evening record the story of the day, ring soberly, yet cheerily, on the ear of the reader, long after the echoes of his axe have died away. The scholar may be sure that he writes the tougher truth for the calluses on his palms. They give firmness to the sentence. Indeed, the mind never makes a great and successful effort, without a corresponding energy of the body. We are often struck by the force and precision of style to which hard-working men, unpractised in writing, easily attain when required to make the effort. As if plainness, and vigor, and sincerity, the ornaments of style, were better learned on the farm and in the workshop, than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine. As for the graces of expression, a great thought is never found in a mean dress; but though it proceed from the lips of the Woloffs, the nine Muses and the three Graces will have conspired to clothe it in fit phrase. Its education has always been liberal, and its implied wit can endow a college. The world, which the Greeks called Beauty, has been made such by being gradually divested of every ornament which was not fitted to endure. The Sibyl, “speaking with inspired mouth, smileless, inornate, and unperfumed, pierces through centuries by the power of the god.” The scholar might frequently emulate the propriety and emphasis of the farmer’s call to his team, and confess that if that were written it would surpass his labored sentences. Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the month’s labor in the farmer’s almanac, to restore our tone and spirits. A sentence should read as if its author, had he held a plough instead of a pen, could have drawn a furrow deep and straight to the end. The scholar requires hard and serious labor to give an impetus to his thought. He will learn to grasp the pen firmly so, and wield it gracefully and effectively, as an axe or a sword. When we consider the weak and nerveless periods of some literary men, who perchance in feet and inches come up to the standard of their race, and are not deficient in girth also, we are amazed at the immense sacrifice of thews and sinews. What! these proportions,—these bones,—and this their work! Hands which could have felled an ox have hewed this fragile matter which would not have tasked a lady’s fingers! Can this be a stalwart man’s work, who has a marrow in his back and a tendon Achilles in his heel? They who set up the blocks of Stonehenge did somewhat, if they only laid out their strength for once, and stretched themselves.

Men have a respect for scholarship and learning that is often way out of proportion to how useful they are. It’s amusing to read how Ben Jonson insisted that the dull performances meant to entertain the royal family and nobility should be “based on antiquity and solid learning.” Is there anything more shameful than useless learning? At least learn to chop wood. Scholars often forget how essential hard work and interacting with various people and things are. Working steadily with your hands, which also captures your attention, is definitely the best way to eliminate empty talk and sentimentality from how you speak and write. If a scholar has worked hard from morning until night, even if they regret not being able to ponder their thoughts, the few quick lines they write in the evening to capture their day’s experiences will be more genuine and musical than anything their idle imagination could have produced. The writer needs to connect with a world of workers, and their own discipline must reflect that. No one will waste time dancing around their tasks if they have wood to cut and stack before nightfall in the short winter days; each stroke will be intentional and resonate seriously through the wood; and similarly, the strokes of that scholar’s pen, which at night recount the day’s story, will ring clearly and cheerfully for the reader long after the echoes of their axe have faded. The scholar can be confident that they write a tougher truth because of the calluses on their hands. They lend firmness to their sentences. In fact, the mind never makes a significant and successful effort without a corresponding physical energy. We’re often struck by how forceful and precise the style of hardworking people, untrained in writing, can be when they need to make the effort. It’s as if plainness, vigor, and sincerity—elements of style—are better learned on a farm or in a workshop than in classrooms. Sentences crafted by such rough hands are strong and resilient, like tough thongs, deer sinews, or pine roots. As for the finer points of expression, a great thought is never poorly dressed; whether it comes from the lips of powerful figures or not, the nine Muses and three Graces will ensure it’s articulated properly. Its education is broad, and its implied wit could fill a college. The world that the Greeks referred to as Beauty has come to be by gradually shedding every decoration that couldn’t endure. The Sibyl, “speaking with an inspired voice, serious, straightforward, and unembellished, cuts through centuries by the power of the divine.” The scholar should often try to match the clarity and passion of a farmer calling to their team, and admit that if that were written down, it would surpass their carefully crafted sentences. Who has the truly labored sentences? We’re often relieved to turn from the weak and flimsy statements of politicians and writers to the straightforward account of a month’s labor in the farmer’s almanac, to restore our mood and spirit. A sentence should feel like its author, had they held a plow instead of a pen, could have carved a deep, straight furrow all the way to the end. The scholar needs hard and serious work to drive their thoughts. They'll learn to hold the pen firmly, and to use it skillfully and effectively, like an axe or a sword. When we observe the weak and feeble sentences of some literary figures, who might measure up to the physical standards of their peers, we marvel at the enormous sacrifice of strength. What! These proportions—these bones—and this is their work! Hands that could have taken down an ox have crafted this delicate stuff that wouldn’t challenge a lady’s fingers! Can this be the work of a strong man with strength in his back and a tough Achilles tendon? Those who erected the blocks of Stonehenge accomplished something if they merely exerted their strength for once and stretched themselves.

Yet, after all, the truly efficient laborer will not crowd his day with work, but will saunter to his task surrounded by a wide halo of ease and leisure, and then do but what he loves best. He is anxious only about the fruitful kernels of time. Though the hen should sit all day, she could lay only one egg, and, besides, would not have picked up materials for another. Let a man take time enough for the most trivial deed, though it be but the paring of his nails. The buds swell imperceptibly, without hurry or confusion, as if the short spring days were an eternity.

Yet, in the end, the truly efficient worker won’t fill their day with constant tasks, but will stroll to their work, surrounded by a sense of ease and relaxation, and then only do what they enjoy the most. They only worry about making the most of their time. Even if a hen sits all day, she’ll only lay one egg and won’t have gathered materials for another. A person should take enough time for even the simplest tasks, like clipping their nails. The buds grow gradually, without rush or chaos, as if the short spring days stretched on forever.

Then spend an age in whetting thy desire,
Thou needs’t not hasten if thou dost stand fast.

Then spend some time sharpening your desire,
You don't need to hurry if you hold steady.

Some hours seem not to be occasion for any deed, but for resolves to draw breath in. We do not directly go about the execution of the purpose that thrills us, but shut our doors behind us and ramble with prepared mind, as if the half were already done. Our resolution is taking root or hold on the earth then, as seeds first send a shoot downward which is fed by their own albumen, ere they send one upward to the light.

Some hours feel like they're not meant for action, but for making decisions about how to breathe. We don’t immediately act on the goals that excite us; instead, we close our doors and wander with a focused mind, as if we're already halfway there. Our determination is taking root, like seeds that first push down into the ground, nourished by their own reserves, before they send a shoot up towards the light.

There is a sort of homely truth and naturalness in some books which is very rare to find, and yet looks cheap enough. There may be nothing lofty in the sentiment, or fine in the expression, but it is careless country talk. Homeliness is almost as great a merit in a book as in a house, if the reader would abide there. It is next to beauty, and a very high art. Some have this merit only. The scholar is not apt to make his most familiar experience come gracefully to the aid of his expression. Very few men can speak of Nature, for instance, with any truth. They overstep her modesty, somehow or other, and confer no favor. They do not speak a good word for her. Most cry better than they speak, and you can get more nature out of them by pinching than by addressing them. The surliness with which the woodchopper speaks of his woods, handling them as indifferently as his axe, is better than the mealy-mouthed enthusiasm of the lover of nature. Better that the primrose by the river’s brim be a yellow primrose, and nothing more, than that it be something less. Aubrey relates of Thomas Fuller that his was “a very working head, insomuch that, walking and meditating before dinner, he would eat up a penny loaf, not knowing that he did it. His natural memory was very great, to which he added the art of memory. He would repeat to you forwards and backwards all the signs from Ludgate to Charing Cross.” He says of Mr. John Hales, that, “He loved Canarie,” and was buried “under an altar monument of black marble—— with a too long epitaph”; of Edmund Halley, that he “at sixteen could make a dial, and then, he said, he thought himself a brave fellow”; of William Holder, who wrote a book upon his curing one Popham who was deaf and dumb, “he was beholding to no author; did only consult with nature.” For the most part, an author consults only with all who have written before him upon a subject, and his book is but the advice of so many. But a good book will never have been forestalled, but the topic itself will in one sense be new, and its author, by consulting with nature, will consult not only with those who have gone before, but with those who may come after. There is always room and occasion enough for a true book on any subject; as there is room for more light the brightest day and more rays will not interfere with the first.

There’s a certain down-to-earth honesty and simplicity in some books that’s really hard to find, yet it seems cheap enough. There might not be anything grand in the feeling or elegant in the wording, but it’s just casual, rustic speech. This kind of straightforwardness is almost as valuable in a book as it is in a home, if the reader is comfortable there. It's close to beauty and a high form of art. Some authors have this quality alone. Scholars often struggle to express their most everyday experiences in a graceful way. Very few people can genuinely talk about Nature, for example, with any real feeling. They somehow overlook her modesty and fail to do her justice. They don’t offer her a kind word. Most people express themselves better in tears than in words, and you’ll get more honesty from them through frustration than through conversation. The blunt way a woodcutter talks about his forest, treating it as indifferently as his axe, is better than the overly sentimental chatter of a nature lover. It’s better for the primrose by the riverbank to be just a yellow primrose and nothing more than for it to be anything less. Aubrey mentions Thomas Fuller, saying he had “a very active mind, so much so that while walking and thinking before dinner, he would eat a penny loaf without even realizing it. His natural memory was impressive, which he built upon with techniques of memorization. He could recite all the signs from Ludgate to Charing Cross forwards and backwards.” He mentions Mr. John Hales, who “loved Canarie” and was buried “under a black marble altar monument—with an overly long epitaph”; of Edmund Halley, who “at sixteen could make a sundial, and thought that made him quite impressive”; and of William Holder, who wrote a book about curing a Popham who was deaf and mute, claiming “he relied on no author; he only consulted nature.” For the most part, an author only references what others have written on a topic, and their book is just a compilation of various opinions. But a truly good book will always stand on its own; the topic will feel fresh in one way, and by turning to nature, its author will engage with not only those who came before but also those who will come after. There’s always enough space and opportunity for a genuine book on any topic, just like there’s always room for more light on the brightest day, and additional rays won’t overshadow the first.

We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately we had no business in this country. The Concord had rarely been a river, or rivus, but barely fluvius, or between fluvius and lacus. This Merrimack was neither rivus nor fluvius nor lacus, but rather amnis here, a gently swelling and stately rolling flood approaching the sea. We could even sympathize with its buoyant tide, going to seek its fortune in the ocean, and, anticipating the time when “being received within the plain of its freer water,” it should “beat the shores for banks,”—

We made our way up this river, slowly adapting our thoughts to new experiences, witnessing from its calm waters a fresh nature and new creations of people. With growing confidence, we found nature still welcoming, friendly, and favorable to us; we didn’t follow any established path but took the twists and turns of the river, as it was always the closest route for us. Luckily, we had no obligations in this area. The Concord was rarely a river, or rivus, but more like fluvius, or somewhere between fluvius and lacus. The Merrimack was neither rivus nor fluvius nor lacus, but more like amnis, here—a gently rising and stately flowing body of water heading toward the sea. We even felt a connection with its uplifting tide, destined to seek its fortune in the ocean, anticipating the time when “being received within the plain of its freer water,” it should “beat the shores for banks,”—

        “campoque recepta
Liberioris aquæ, pro ripis litora pulsant.”

“campoque recepta
More open water washes against the shores.”

At length we doubled a low shrubby islet, called Rabbit Island, subjected alternately to the sun and to the waves, as desolate as if it lay some leagues within the icy sea, and found ourselves in a narrower part of the river, near the sheds and yards for picking the stone known as the Chelmsford granite, which is quarried in Westford and the neighboring towns. We passed Wicasuck Island, which contains seventy acres or more, on our right, between Chelmsford and Tyngsborough. This was a favorite residence of the Indians. According to the History of Dunstable, “About 1663, the eldest son of Passaconaway [Chief of the Penacooks] was thrown into jail for a debt of £45, due to John Tinker, by one of his tribe, and which he had promised verbally should be paid. To relieve him from his imprisonment, his brother Wannalancet and others, who owned Wicasuck Island, sold it and paid the debt.” It was, however, restored to the Indians by the General Court in 1665. After the departure of the Indians in 1683, it was granted to Jonathan Tyng in payment for his services to the colony, in maintaining a garrison at his house. Tyng’s house stood not far from Wicasuck Falls. Gookin, who, in his Epistle Dedicatory to Robert Boyle, apologizes for presenting his “matter clothed in a wilderness dress,” says that on the breaking out of Philip’s war in 1675, there were taken up by the Christian Indians and the English in Marlborough, and sent to Cambridge, seven “Indians belonging to Narragansett, Long Island, and Pequod, who had all been at work about seven weeks with one Mr. Jonathan Tyng, of Dunstable, upon Merrimack River; and, hearing of the war, they reckoned with their master, and getting their wages, conveyed themselves away without his privity, and, being afraid, marched secretly through the woods, designing to go to their own country.” However, they were released soon after. Such were the hired men in those days. Tyng was the first permanent settler of Dunstable, which then embraced what is now Tyngsborough and many other towns. In the winter of 1675, in Philip’s war, every other settler left the town, but “he,” says the historian of Dunstable, “fortified his house; and, although ‘obliged to send to Boston for his food,’ sat himself down in the midst of his savage enemies, alone, in the wilderness, to defend his home. Deeming his position an important one for the defence of the frontiers, in February, 1676, he petitioned the Colony for aid,” humbly showing, as his petition runs, that, as he lived “in the uppermost house on Merrimac river, lying open to ye enemy, yet being so seated that it is, as it were, a watch-house to the neighboring towns,” he could render important service to his country if only he had some assistance, “there being,” he said, “never an inhabitant left in the town but myself.” Wherefore he requests that their “Honors would be pleased to order him three or four men to help garrison his said house,” which they did. But methinks that such a garrison would be weakened by the addition of a man.

At last, we rounded a low, bushy islet called Rabbit Island, exposed alternately to the sun and the waves, looking as desolate as if it lay leagues away in the icy sea. We found ourselves in a narrower section of the river, near the sheds and yards for processing the stone known as Chelmsford granite, which is quarried in Westford and the surrounding towns. On our right, between Chelmsford and Tyngsborough, we passed Wicasuck Island, which has seventy acres or more. This was a favorite spot for the Indians. According to the History of Dunstable, “About 1663, the eldest son of Passaconaway [Chief of the Penacooks] was thrown into jail for a debt of £45 owed to John Tinker, by a member of his tribe, which he had verbally promised would be paid. To free him from prison, his brother Wannalancet and others, who owned Wicasuck Island, sold it and paid the debt.” However, it was returned to the Indians by the General Court in 1665. After the Indians left in 1683, it was granted to Jonathan Tyng as payment for his service to the colony for maintaining a garrison at his house. Tyng’s house was not far from Wicasuck Falls. Gookin, who, in his Epistle Dedicatory to Robert Boyle, apologizes for presenting his “matter clothed in a wilderness dress,” mentions that when Philip’s war broke out in 1675, seven “Indians belonging to Narragansett, Long Island, and Pequod, who had all been working for about seven weeks with Mr. Jonathan Tyng of Dunstable on the Merrimack River, heard of the war, settled up with their master, got their wages, and slipped away without his knowledge, afraid, and secretly marched through the woods, planning to return to their homeland.” However, they were released soon after. Such were the hired workers of that time. Tyng was the first permanent settler of Dunstable, which then included what is now Tyngsborough and several other towns. In the winter of 1675, during Philip’s war, every other settler left the town, but “he,” says the historian of Dunstable, “fortified his house; and although ‘obliged to send to Boston for his food,’ he stayed put in the midst of his savage enemies, alone, in the wilderness, to defend his home. Considering his position crucial for defending the frontiers, in February 1676, he petitioned the Colony for aid,” humbly stating in his petition that since he lived “in the uppermost house on Merrimack River, exposed to the enemy, yet situated in such a way that it serves as a watch-house for the neighboring towns,” he could provide significant service to his country if only he had some support, “there being,” he claimed, “no other inhabitants left in the town but myself.” Therefore, he requested that their “Honors would be pleased to order him three or four men to help garrison his house,” which they did. But I think that adding a man would only weaken such a garrison.

“Make bandog thy scout watch to bark at a thief,
Make courage for life, to be capitain chief;
Make trap-door thy bulwark, make bell to begin,
Make gunstone and arrow show who is within.”

“Make your guard dog your watchful scout to bark at a thief,
Make your courage strong enough to be the leader;
Use a trapdoor as your defense, let a bell announce,
Make sure your gun and arrows show who’s inside.”

Thus he earned the title of first permanent settler. In 1694 a law was passed “that every settler who deserted a town for fear of the Indians should forfeit all his rights therein.” But now, at any rate, as I have frequently observed, a man may desert the fertile frontier territories of truth and justice, which are the State’s best lands, for fear of far more insignificant foes, without forfeiting any of his civil rights therein. Nay, townships are granted to deserters, and the General Court, as I am sometimes inclined to regard it, is but a deserters’ camp itself.

Thus he earned the title of the first permanent settler. In 1694, a law was passed stating “that every settler who abandoned a town out of fear of the Indians would lose all his rights there.” But now, as I've often pointed out, a person can abandon the rich frontier lands of truth and justice, which are the best assets of the State, out of fear of much less significant enemies, without losing any of their civil rights there. In fact, townships are given to those who abandon their posts, and the General Court, as I sometimes see it, is nothing more than a camp for deserters.

As we rowed along near the shore of Wicasuck Island, which was then covered with wood, in order to avoid the current, two men, who looked as if they had just run out of Lowell, where they had been waylaid by the Sabbath, meaning to go to Nashua, and who now found themselves in the strange, natural, uncultivated, and unsettled part of the globe which intervenes, full of walls and barriers, a rough and uncivil place to them, seeing our boat moving so smoothly up the stream, called out from the high bank above our heads to know if we would take them as passengers, as if this were the street they had missed; that they might sit and chat and drive away the time, and so at last find themselves in Nashua. This smooth way they much preferred. But our boat was crowded with necessary furniture, and sunk low in the water, and moreover required to be worked, for even it did not progress against the stream without effort; so we were obliged to deny them passage. As we glided away with even sweeps, while the fates scattered oil in our course, the sun now sinking behind the alders on the distant shore, we could still see them far off over the water, running along the shore and climbing over the rocks and fallen trees like insects,—for they did not know any better than we that they were on an island,—the unsympathizing river ever flowing in an opposite direction; until, having reached the entrance of the island brook, which they had probably crossed upon the locks below, they found a more effectual barrier to their progress. They seemed to be learning much in a little time. They ran about like ants on a burning brand, and once more they tried the river here, and once more there, to see if water still indeed was not to be walked on, as if a new thought inspired them, and by some peculiar disposition of the limbs they could accomplish it. At length sober common sense seemed to have resumed its sway, and they concluded that what they had so long heard must be true, and resolved to ford the shallower stream. When nearly a mile distant we could see them stripping off their clothes and preparing for this experiment; yet it seemed likely that a new dilemma would arise, they were so thoughtlessly throwing away their clothes on the wrong side of the stream, as in the case of the countryman with his corn, his fox, and his goose, which had to be transported one at a time. Whether they got safely through, or went round by the locks, we never learned. We could not help being struck by the seeming, though innocent indifference of Nature to these men’s necessities, while elsewhere she was equally serving others. Like a true benefactress, the secret of her service is unchangeableness. Thus is the busiest merchant, though within sight of his Lowell, put to pilgrim’s shifts, and soon comes to staff and scrip and scallop shell.

As we rowed along the shore of Wicasuck Island, which was then covered in woods, to avoid the current, two guys who looked like they had just come from Lowell, where they had been delayed by Sunday, intending to go to Nashua, found themselves in this strange, wild, and undeveloped part of the world. It was rough and uncivilized for them. Seeing our boat moving smoothly up the stream, they called out from the high bank above us to ask if we could take them as passengers, as if this were the street they had missed, so they could sit and chat and pass the time, eventually reaching Nashua. They preferred this easy way. But our boat was packed with necessary gear, sitting low in the water, and needed to be paddled; even it couldn't move against the stream without effort, so we had to turn them down. As we smoothly glided away, the fates scattering oil in our path, the sun was sinking behind the alders on the distant shore, and we could still see them far away over the water, running along the shore and climbing over rocks and fallen trees like insects—neither of us realized we were on an island—the indifferent river continuously flowing in the opposite direction. Eventually, they reached the entrance of the island brook, which they had probably crossed at the locks below, finding a more effective barrier to their progress. They seemed to be learning quickly. They dashed around like ants on a hot rod, trying the river here and there again, as if a new idea had struck them—believing that by some strange positioning of their limbs, they might be able to walk on water. Eventually, common sense seemed to kick in, and they accepted that what they had long heard must be true, deciding to wade across the shallower stream. From nearly a mile away, we could see them taking off their clothes and getting ready for this attempt; yet it seemed likely that they would face a new problem, as they were thoughtlessly throwing their clothes on the wrong side of the stream, like the farmer with his corn, fox, and goose, which had to be moved one at a time. We never found out if they made it across safely or if they went around by the locks. We couldn’t help but notice the seemingly innocent indifference of Nature to these men’s needs while she was just as busy helping others elsewhere. Like a true benefactor, her secret to service remains unchanged. Thus, the busiest merchant, even within sight of his Lowell, is reduced to a pilgrim’s struggles, soon needing a staff, a bag, and a scallop shell.

We, too, who held the middle of the stream, came near experiencing a pilgrim’s fate, being tempted to pursue what seemed a sturgeon or larger fish, for we remembered that this was the Sturgeon River, its dark and monstrous back alternately rising and sinking in mid-stream. We kept falling behind, but the fish kept his back well out, and did not dive, and seemed to prefer to swim against the stream, so, at any rate, he would not escape us by going out to sea. At length, having got as near as was convenient, and looking out not to get a blow from his tail, now the bow-gunner delivered his charge, while the stern-man held his ground. But the halibut-skinned monster, in one of these swift-gliding pregnant moments, without ever ceasing his bobbing up and down, saw fit, without a chuckle or other prelude, to proclaim himself a huge imprisoned spar, placed there as a buoy, to warn sailors of sunken rocks. So, each casting some blame upon the other, we withdrew quickly to safer waters.

We, too, who were in the middle of the river, almost faced the fate of a fisherman, tempted to chase what looked like a sturgeon or a bigger fish, since we remembered this was the Sturgeon River, its dark, monstrous back rising and falling in the water. We kept falling behind, but the fish kept its back above the surface and didn’t dive, seeming to prefer swimming upstream, so it wouldn’t escape us by heading out to sea. Finally, getting as close as was practical and watching out to avoid a hit from its tail, the person at the front fired his shot while the person at the back held steady. But the halibut-skinned monster, in one of those quick, tense moments, without pausing for a laugh or any warning, revealed itself as a huge, trapped log, placed there as a marker to warn sailors of hidden rocks. So, pointing fingers at each other, we quickly retreated to safer waters.

The Scene-shifter saw fit here to close the drama, of this day, without regard to any unities which we mortals prize. Whether it might have proved tragedy, or comedy, or tragi-comedy, or pastoral, we cannot tell. This Sunday ended by the going down of the sun, leaving us still on the waves. But they who are on the water enjoy a longer and brighter twilight than they who are on the land, for here the water, as well as the atmosphere, absorbs and reflects the light, and some of the day seems to have sunk down into the waves. The light gradually forsook the deep water, as well as the deeper air, and the gloaming came to the fishes as well as to us, and more dim and gloomy to them, whose day is a perpetual twilight, though sufficiently bright for their weak and watery eyes. Vespers had already rung in many a dim and watery chapel down below, where the shadows of the weeds were extended in length over the sandy floor. The vespertinal pout had already begun to flit on leathern fin, and the finny gossips withdrew from the fluvial street to creeks and coves, and other private haunts, excepting a few of stronger fin, which anchored in the stream, stemming the tide even in their dreams. Meanwhile, like a dark evening cloud, we were wafted over the cope of their sky, deepening the shadows on their deluged fields.

The Scene-shifter decided to end the drama of this day without caring about any unities that we humans value. Whether it would have turned out to be a tragedy, comedy, tragicomedy, or pastoral, we can't say. This Sunday ended with the setting sun, leaving us still on the waves. But those on the water get to enjoy a longer and brighter twilight than those on land, because here both the water and the atmosphere absorb and reflect the light, making it seem like some of the day has sunk into the waves. The light slowly faded from the deep water as well as the deeper air, and twilight came to the fish just as it came to us, though it was more dim and gloomy for them, living in constant twilight that is bright enough for their weak, watery eyes. Vespers had already chimed in many a shadowy, watery chapel below, where the shadows of the weeds stretched long across the sandy floor. The evening pout had begun to move on leathery fins, while the fishy gossipers retreated from the flowing stream to creeks, coves, and other private spots, except for a few stronger fish that stayed in the current, pushing against the tide even in their dreams. Meanwhile, like a dark evening cloud, we were carried across their sky, deepening the shadows on their drenched fields.

Having reached a retired part of the river where it spread out to sixty rods in width, we pitched our tent on the east side, in Tyngsborough, just above some patches of the beach plum, which was now nearly ripe, where the sloping bank was a sufficient pillow, and with the bustle of sailors making the land, we transferred such stores as were required from boat to tent, and hung a lantern to the tent-pole, and so our house was ready. With a buffalo spread on the grass, and a blanket for our covering our bed was soon made. A fire crackled merrily before the entrance, so near that we could tend it without stepping abroad, and when we had supped, we put out the blaze, and closed the door, and with the semblance of domestic comfort, sat up to read the Gazetteer, to learn our latitude and longitude, and write the journal of the voyage, or listened to the wind and the rippling of the river till sleep overtook us. There we lay under an oak on the bank of the stream, near to some farmer’s cornfield, getting sleep, and forgetting where we were; a great blessing, that we are obliged to forget our enterprises every twelve hours. Minks, muskrats, meadow-mice, woodchucks, squirrels, skunks, rabbits, foxes, and weasels, all inhabit near, but keep very close while you are there. The river sucking and eddying away all night down toward the marts and the seaboard, a great wash and freshet, and no small enterprise to reflect on. Instead of the Scythian vastness of the Billerica night, and its wild musical sounds, we were kept awake by the boisterous sport of some Irish laborers on the railroad, wafted to us over the water, still unwearied and unresting on this seventh day, who would not have done with whirling up and down the track with ever increasing velocity and still reviving shouts, till late in the night.

Having reached a quiet part of the river where it spread out to sixty rods wide, we set up our tent on the east side in Tyngsborough, just above some patches of beach plum that were almost ripe. The sloping bank made for a comfortable pillow, and as sailors were busy coming ashore, we moved the supplies we needed from the boat to the tent, and hung a lantern on the tent pole, so our space was ready. With a buffalo spread on the grass and a blanket for cover, our bed was quickly made. A fire crackled cheerfully at the entrance, close enough that we could tend to it without stepping outside. After we had dinner, we put out the fire, closed the door, and mimicked domestic comfort by sitting up to read the Gazetteer to find out our latitude and longitude, and to write the journal of the voyage, or we listened to the wind and the rippling of the river until sleep took over. We lay there under an oak by the stream, near a farmer's cornfield, dozing off and forgetting where we were—a great blessing, since we need to forget our endeavors every twelve hours. Minks, muskrats, meadow mice, woodchucks, squirrels, skunks, rabbits, foxes, and weasels all lived nearby but kept hidden while we were there. The river flowed and swirled away all night toward the markets and the coast, a great rush and swelling, and no small thing to think about. Instead of the vastness and wild musical sounds of the Billerica night, we were kept awake by the raucous laughter of some Irish workers on the railroad, carried to us over the water, still lively and restless on this seventh day, whirling up and down the track with increasing speed and shouts, late into the night.

One sailor was visited in his dreams this night by the Evil Destinies, and all those powers that are hostile to human life, which constrain and oppress the minds of men, and make their path seem difficult and narrow, and beset with dangers, so that the most innocent and worthy enterprises appear insolent and a tempting of fate, and the gods go not with us. But the other happily passed a serene and even ambrosial or immortal night, and his sleep was dreamless, or only the atmosphere of pleasant dreams remained, a happy natural sleep until the morning; and his cheerful spirit soothed and reassured his brother, for whenever they meet, the Good Genius is sure to prevail.

One sailor was visited in his dreams this night by the Evil Destinies, along with all the forces that are against human life, which restrict and burden the minds of people, making their journey seem difficult and fraught with danger, so that even the most innocent and noble endeavors seem rash and tempt fate, and the gods do not favor us. But the other had a peaceful and almost heavenly night, and his sleep was without dreams, or just filled with the remnants of pleasant dreams, a blissful natural sleep until morning; and his cheerful spirit comforted and reassured his brother, for whenever they come together, the Good Genius is sure to triumph.

MONDAY

“I thynke for to touche also
The worlde whiche neweth everie daie,
So as I can, so as I maie.”

“I think I should also touch on
The world that changes every day,
As much as I can, as much as I may.”

GOWER.

GOWER.

“The hye sheryfe of Notynghame,
    Hym holde in your mynd.”

“The high sheriff of Nottingham,
    Keep him in your mind.”

Robin Hood Ballads.

Robin Hood Songs.

“His shoote it was but loosely shott,
    Yet flewe not the arrowe in vaine,
For it mett one of the sheriffe’s men,
    And William a Trent was slaine.”

“His shot was a bit off,
    Yet the arrow didn't fly in vain,
For it hit one of the sheriff’s men,
    And William a Trent was killed.”

Robin Hood Ballads

Robin Hood Songs

“Gazed on the heavens for what he missed on Earth.”

“Stared at the sky for what he lacked on Earth.”

Britania’s Pastorals

Britania's Pastorals

When the first light dawned on the earth and the birds, awoke, and the brave river was heard rippling confidently seaward, and the nimble early rising wind rustled the oak leaves about our tent, all men having reinforced their bodies and their souls with sleep, and cast aside doubt and fear, were invited to unattempted adventures.

When the first light broke over the earth, the birds woke up, and the robust river was heard flowing confidently toward the sea. The quick morning wind rustled the oak leaves around our tent. Everyone, having strengthened their bodies and souls with sleep and set aside doubt and fear, was invited to explore new adventures.

“All courageous knichtis
Agains the day dichtis
The breest-plate that bricht is,
        To feght with their foue.
The stoned steed stampis
Throw curage and crampis,
Syne on the land lampis;
        The night is neir gone.”

“All brave knights
Prepare for the day’s fight
With shining breastplates,
To battle their foe.
The armored steeds stomp
With courage and strength,
Then light up the land;
The night is almost over.”

One of us took the boat over to the opposite shore, which was flat and accessible, a quarter of a mile distant, to empty it of water and wash out the clay, while the other kindled a fire and got breakfast ready. At an early hour we were again on our way, rowing through the fog as before, the river already awake, and a million crisped waves come forth to meet the sun when he should show himself. The countrymen, recruited by their day of rest, were already stirring, and had begun to cross the ferry on the business of the week. This ferry was as busy as a beaver dam, and all the world seemed anxious to get across the Merrimack River at this particular point, waiting to get set over,—children with their two cents done up in paper, jail-birds broke loose and constable with warrant, travellers from distant lands to distant lands, men and women to whom the Merrimack River was a bar. There stands a gig in the gray morning, in the mist, the impatient traveller pacing the wet shore with whip in hand, and shouting through the fog after the regardless Charon and his retreating ark, as if he might throw that passenger overboard and return forthwith for himself; he will compensate him. He is to break his fast at some unseen place on the opposite side. It may be Ledyard or the Wandering Jew. Whence, pray, did he come out of the foggy night? and whither through the sunny day will he go? We observe only his transit; important to us, forgotten by him, transiting all day. There are two of them. May be, they are Virgil and Dante. But when they crossed the Styx, none were seen bound up or down the stream, that I remember. It is only a transjectus, a transitory voyage, like life itself, none but the long-lived gods bound up or down the stream. Many of these Monday men are ministers, no doubt, reseeking their parishes with hired horses, with sermons in their valises all read and gutted, the day after never with them. They cross each other’s routes all the country over like woof and warp, making a garment of loose texture; vacation now for six days. They stop to pick nuts and berries, and gather apples by the wayside at their leisure. Good religious men, with the love of men in their hearts, and the means to pay their toll in their pockets. We got over this ferry chain without scraping, rowing athwart the tide of travel,—no toll for us that day.

One of us took the boat to the other side, which was flat and easy to reach, a quarter of a mile away, to empty it of water and rinse out the clay, while the other started a fire and prepared breakfast. Early in the morning, we were on our way again, rowing through the fog as before, with the river already awake, and a million tiny waves ready to greet the sun when it finally appeared. The locals, refreshed from their day off, were already up and began crossing the ferry for the week ahead. This ferry was as bustling as a beaver dam, and everyone seemed eager to get across the Merrimack River at this spot, waiting to get on—children with their two cents wrapped in paper, recently released inmates and the constable with a warrant, travelers heading to faraway places, men and women for whom the Merrimack River was a barrier. There stood a carriage in the gray morning, in the mist, with an impatient traveler pacing the wet shore, whip in hand, shouting through the fog after the indifferent Charon and his departing boat, as if he might throw that passenger overboard and come back for himself; he’d make it worth his while. He was going to grab breakfast at some unseen spot on the other side. It could be Ledyard or the Wandering Jew. Where did he come from in the foggy night? And where would he go through the sunny day? We only see his journey; it's important to us, forgotten by him, traveling all day. There are two of them. They might be Virgil and Dante. But when they crossed the Styx, I don’t remember anyone going either up or down the stream. It’s just a transjectus, a fleeting journey, like life itself, only the long-lived gods go up or down the stream. Many of these Monday men are ministers, no doubt, heading back to their parishes on hired horses, with sermons in their bags all read and done, never looking back. They crisscross each other’s routes all over the country like threads in fabric, creating a loosely woven garment; vacation now for six days. They stop to pick nuts and berries, and gather apples by the roadside at their leisure. Good religious men, with love for people in their hearts, and the means to pay their fare in their pockets. We crossed this ferry chain without issue, rowing against the flow of traffic—no toll for us that day.

The fog dispersed and we rowed leisurely along through Tyngsborough, with a clear sky and a mild atmosphere, leaving the habitations of men behind and penetrating yet farther into the territory of ancient Dunstable. It was from Dunstable, then a frontier town, that the famous Captain Lovewell, with his company, marched in quest of the Indians on the 18th of April, 1725. He was the son of “an ensign in the army of Oliver Cromwell, who came to this country, and settled at Dunstable, where he died at the great age of one hundred and twenty years.” In the words of the old nursery tale, sung about a hundred years ago,—

The fog cleared up and we paddled slowly through Tyngsborough, under a clear sky and mild weather, leaving the homes of people behind as we ventured further into the ancient land of Dunstable. It was from Dunstable, which was a frontier town back then, that the famous Captain Lovewell and his group set out to hunt for the Indians on April 18, 1725. He was the son of “an ensign in Oliver Cromwell's army, who came to this country and settled in Dunstable, where he lived to be one hundred and twenty years old.” In the words of an old nursery rhyme, sung about a hundred years ago,—

“He and his valiant soldiers did range the woods full wide,
And hardships they endured to quell the Indian’s pride.”

“He and his brave soldiers roamed the wide woods,
And they faced many hardships to overcome the Indians’ pride.”

In the shaggy pine forest of Pequawket they met the “rebel Indians,” and prevailed, after a bloody fight, and a remnant returned home to enjoy the fame of their victory. A township called Lovewell’s Town, but now, for some reason, or perhaps without reason, Pembroke, was granted them by the State.

In the messy pine forest of Pequawket, they encountered the “rebel Indians” and, after a fierce battle, a small group came back to celebrate their victory. The town was originally called Lovewell’s Town, but now, for some reason, or maybe no reason at all, it’s been renamed Pembroke by the State.

“Of all our valiant English, there were but thirty-four,
And of the rebel Indians, there were about four-score;
And sixteen of our English did safely home return,
The rest were killed and wounded, for which we all must mourn.

“Our worthy Capt. Lovewell among them there did die,
They killed Lieut. Robbins, and wounded good young Frye,
Who was our English Chaplin; he many Indians slew,
And some of them he scalped while bullets round him flew.”

“Of all our brave English, there were only thirty-four,
And of the rebellious Indians, there were around eighty;
And sixteen of our English made it safely back home,
The rest were killed or injured, and we all must grieve for them.

“Our respected Captain Lovewell was among those who died,
They killed Lieutenant Robbins and wounded good young Frye,
Who was our English Chaplain; he took down many Indians,
And some he scalped while bullets were flying around him.”

Our brave forefathers have exterminated all the Indians, and their degenerate children no longer dwell in garrisoned houses nor hear any war-whoop in their path. It would be well, perchance, if many an “English Chaplin” in these days could exhibit as unquestionable trophies of his valor as did “good young Frye.” We have need to be as sturdy pioneers still as Miles Standish, or Church, or Lovewell. We are to follow on another trail, it is true, but one as convenient for ambushes. What if the Indians are exterminated, are not savages as grim prowling about the clearings to-day?—

Our brave ancestors have wiped out all the Native Americans, and their unworthy descendants no longer live in fortified homes or hear any war cries in their way. It would be nice, perhaps, if many an "English Chaplin" today could show as undeniable proofs of his bravery as "good young Frye" did. We need to be as tough as pioneers still, like Miles Standish, Church, or Lovewell. We are set to follow a different path, it’s true, but one still filled with potential dangers. Even if the Native Americans are gone, aren’t there still dangers lurking around the clearings today?

“And braving many dangers and hardships in the way,
They safe arrived at Dunstable the thirteenth (?) day of May.”

“And facing many dangers and hardships along the way,
They safely arrived at Dunstable on the thirteenth (?) day of May.”

But they did not all “safe arrive in Dunstable the thirteenth,” or the fifteenth, or the thirtieth “day of May.” Eleazer Davis and Josiah Jones, both of Concord, for our native town had seven men in this fight, Lieutenant Farwell, of Dunstable, and Jonathan Frye, of Andover, who were all wounded, were left behind, creeping toward the settlements. “After travelling several miles, Frye was left and lost,” though a more recent poet has assigned him company in his last hours.

But they didn’t all "safely arrive in Dunstable on the thirteenth," or the fifteenth, or the thirtieth "day of May." Eleazer Davis and Josiah Jones, both from Concord, since our hometown had seven men in this fight, Lieutenant Farwell from Dunstable, and Jonathan Frye from Andover, who were all injured, were left behind, making their way toward the settlements. "After traveling several miles, Frye was left and lost," although a more recent poet has given him company in his final moments.

“A man he was of comely form,
    Polished and brave, well learned and kind;
Old Harvard’s learned halls he left
    Far in the wilds a grave to find.

“Ah! now his blood-red arm he lifts;
    His closing lids he tries to raise;
And speak once more before he dies,
    In supplication and in praise.

“He prays kind Heaven to grant success,
    Brave Lovewell’s men to guide and bless,
And when they’ve shed their heart-blood true,
    To raise them all to happiness.” . . .

“Lieutenant Farwell took his hand,
    His arm around his neck he threw,
And said, ‘Brave Chaplain, I could wish
    That Heaven had made me die for you.’”

“A man he was of handsome build,
    Polished and brave, well-educated and kind;
He left the learned halls of Harvard
    To seek a grave in the wilds far away.

“Ah! now he lifts his blood-red arm;
    He tries to raise his closing eyelids;
And speak once more before he dies,
    In prayer and in gratitude.

“He prays that kind Heaven grants success,
    To guide and bless brave Lovewell’s men,
And when they’ve shed their true heart-blood,
    To lift them all to happiness.” . . .

“Lieutenant Farwell took his hand,
    Draped his arm around his neck,
And said, ‘Brave Chaplain, I wish
    That Heaven had chosen me to die for you.’”

Farwell held out eleven days. “A tradition says,” as we learn from the History of Concord, “that arriving at a pond with Lieut. Farwell, Davis pulled off one of his moccasins, cut it in strings, on which he fastened a hook, caught some fish, fried and ate them. They refreshed him, but were injurious to Farwell, who died soon after.” Davis had a ball lodged in his body, and his right hand shot off; but on the whole, he seems to have been less damaged than his companion. He came into Berwick after being out fourteen days. Jones also had a ball lodged in his body, but he likewise got into Saco after fourteen days, though not in the best condition imaginable. “He had subsisted,” says an old journal, “on the spontaneous vegetables of the forest; and cranberries which he had eaten came out of wounds he had received in his body.” This was also the case with Davis. The last two reached home at length, safe if not sound, and lived many years in a crippled state to enjoy their pension.

Farwell lasted eleven days. “A tradition says,” as we learn from the History of Concord, “that when they reached a pond with Lieutenant Farwell, Davis took off one of his moccasins, cut it into strips, attached a hook, caught some fish, fried them, and ate them. They gave him some energy, but they harmed Farwell, who died soon after.” Davis had a bullet lodged in his body and had lost his right hand; still, he seemed to have come out of it with less damage than his companion. He returned to Berwick after being out for fourteen days. Jones also had a bullet lodged in his body, but he made it to Saco after fourteen days, though not in the best shape. “He had survived,” says an old journal, “on the wild plants of the forest; and the cranberries he ate came from wounds he had suffered in his body.” This was also true for Davis. The last two eventually returned home, safe but not sound, and lived many years in a crippled condition to benefit from their pension.

But alas! of the crippled Indians, and their adventures in the woods,—

But unfortunately! of the disabled Native Americans, and their experiences in the woods,—

“For as we are informed, so thick and fast they fell,
Scarce twenty of their number at night did get home well,”—

“For as we’ve heard, they fell so thick and fast,
Barely twenty of them made it home safely at night,”—

how many balls lodged with them, how fared their cranberries, what Berwick or Saco they got into, and finally what pension or township was granted them, there is no journal to tell.

how many balls they collected, how their cranberries turned out, which Berwick or Saco they ended up in, and ultimately what pension or township was awarded to them, there is no record to share.

It is stated in the History of Dunstable, that just before his last march, Lovewell was warned to beware of the ambuscades of the enemy, but “he replied, ‘that he did not care for them,’ and bending down a small elm beside which he was standing into a bow, declared ‘that he would treat the Indians in the same way.’ This elm is still standing [in Nashua], a venerable and magnificent tree.”

It’s mentioned in the History of Dunstable that right before his final march, Lovewell was advised to watch out for enemy ambushes, but “he responded, ‘that he wasn’t worried about them,’ and bending a small elm next to him into a bow, declared ‘that he would deal with the Indians the same way.’ This elm is still standing [in Nashua], a grand and impressive tree.”

Meanwhile, having passed the Horseshoe Interval in Tyngsborough, where the river makes a sudden bend to the northwest,—for our reflections have anticipated our progress somewhat,—we were advancing farther into the country and into the day, which last proved almost as golden as the preceding, though the slight bustle and activity of the Monday seemed to penetrate even to this scenery. Now and then we had to muster all our energy to get round a point, where the river broke rippling over rocks, and the maples trailed their branches in the stream, but there was generally a backwater or eddy on the side, of which we took advantage. The river was here about forty rods wide and fifteen feet deep. Occasionally one ran along the shore, examining the country, and visiting the nearest farm-houses, while the other followed the windings of the stream alone, to meet his companion at some distant point, and hear the report of his adventures; how the farmer praised the coolness of his well, and his wife offered the stranger a draught of milk, or the children quarrelled for the only transparency in the window that they might get sight of the man at the well. For though the country seemed so new, and no house was observed by us, shut in between the banks that sunny day, we did not have to travel far to find where men inhabited, like wild bees, and had sunk wells in the loose sand and loam of the Merrimack. There dwelt the subject of the Hebrew scriptures, and the Esprit des Lois, where a thin vaporous smoke curled up through the noon. All that is told of mankind, of the inhabitants of the Upper Nile, and the Sunderbunds, and Timbuctoo, and the Orinoko, was experience here. Every race and class of men was represented. According to Belknap, the historian of New Hampshire, who wrote sixty years ago, here too, perchance, dwelt “new lights,” and free thinking men even then. “The people in general throughout the State,” it is written, “are professors of the Christian religion in some form or other. There is, however, a sort of wise men who pretend to reject it; but they have not yet been able to substitute a better in its place.”

Meanwhile, after passing the Horseshoe Interval in Tyngsborough, where the river makes a sharp turn to the northwest—our reflections have gotten ahead of our progress a bit—we were moving deeper into the countryside and into the day, which turned out to be almost as beautiful as the previous one, even though the slight buzz and activity of Monday seemed to reach even this scenery. Every now and then, we had to gather all our energy to maneuver around a spot where the river cascaded over rocks, and the maples hung their branches in the water, but there was usually a backwater or eddy on the side that we took advantage of. The river here was about forty rods wide and fifteen feet deep. Occasionally, one of us would run along the shore, exploring the area and visiting nearby farmhouses, while the other followed the twists of the stream alone, meeting his companion at some distant point to hear about his adventures—like how the farmer praised the coolness of his well, and his wife offered the stranger a glass of milk, or how the children fought over the one clear spot in the window to catch a glimpse of the man at the well. For although the countryside seemed so fresh and we didn’t see any houses that sunny day, we didn’t have to travel far to find where people lived, like wild bees, and had dug wells in the loose sand and loam of the Merrimack. There lived the subjects of Hebrew scriptures and the Esprit des Lois, where a thin plume of smoke curled up into the noon sky. Everything said about humanity, about the inhabitants of the Upper Nile, and the Sundarbans, and Timbuktu, and the Orinoco, was experienced here. Every race and class of people was represented. According to Belknap, the historian of New Hampshire, who wrote sixty years ago, perhaps “new lights” and free thinkers lived here even then. “The people in general throughout the State,” it is written, “are professors of the Christian religion in some form or other. There is, however, a sort of wise men who pretend to reject it; but they have not yet been able to substitute a better in its place.”

The other voyageur, perhaps, would in the mean while have seen a brown hawk, or a woodchuck, or a musquash creeping under the alders.

The other traveler might have seen a brown hawk, or a woodchuck, or a muskrat sneaking under the alders.

We occasionally rested in the shade of a maple or a willow, and drew forth a melon for our refreshment, while we contemplated at our leisure the lapse of the river and of human life; and as that current, with its floating twigs and leaves, so did all things pass in review before us, while far away in cities and marts on this very stream, the old routine was proceeding still. There is, indeed, a tide in the affairs of men, as the poet says, and yet as things flow they circulate, and the ebb always balances the flow. All streams are but tributary to the ocean, which itself does not stream, and the shores are unchanged, but in longer periods than man can measure. Go where we will, we discover infinite change in particulars only, not in generals. When I go into a museum and see the mummies wrapped in their linen bandages, I see that the lives of men began to need reform as long ago as when they walked the earth. I come out into the streets, and meet men who declare that the time is near at hand for the redemption of the race. But as men lived in Thebes, so do they live in Dunstable to-day. “Time drinketh up the essence of every great and noble action which ought to be performed, and is delayed in the execution.” So says Veeshnoo Sarma; and we perceive that the schemers return again and again to common sense and labor. Such is the evidence of history.

We sometimes took breaks in the shade of a maple or a willow and pulled out a melon to enjoy while we leisurely reflected on the flow of the river and human life. Just like the water carrying twigs and leaves, everything seemed to pass before us, while far off in cities and marketplaces along the same river, the usual routines continued. Indeed, there’s a rhythm to human affairs, as the poet suggests, and yet as things move along, they also circulate, and the ebb always balances the flow. All rivers ultimately lead to the ocean, which itself doesn’t flow, and the shorelines remain unchanged, but only over longer periods than a human can measure. No matter where we go, we find endless change in specifics, but not in the bigger picture. When I visit a museum and see the mummies wrapped in their linen bandages, I realize that people have needed change since the time they walked the earth. I step out into the streets and encounter people claiming that the time for humanity’s redemption is near. But just like people lived in Thebes, they live in Dunstable today. “Time consumes the essence of every great and noble action that should be taken, and delays its execution.” So says Veeshnoo Sarma; and we see that planners keep returning to common sense and hard work. This is what history shows us.

“Yet I doubt not through the ages one increasing purpose runs,
And the thoughts of men are widened with the process of the Suns.”

“Yet I have no doubt that through the ages, a single, growing purpose continues,
And people's thoughts expand as the Suns progress.”

There are secret articles in our treaties with the gods, of more importance than all the rest, which the historian can never know.

There are secret clauses in our treaties with the gods, more important than everything else, which the historian will never discover.

There are many skilful apprentices, but few master workmen. On every hand we observe a truly wise practice, in education, in morals, and in the arts of life, the embodied wisdom of many an ancient philosopher. Who does not see that heresies have some time prevailed, that reforms have already taken place? All this worldly wisdom might be regarded as the once unamiable heresy of some wise man. Some interests have got a footing on the earth which we have not made sufficient allowance for. Even they who first built these barns and cleared the land thus, had some valor. The abrupt epochs and chasms are smoothed down in history as the inequalities of the plain are concealed by distance. But unless we do more than simply learn the trade of our time, we are but apprentices, and not yet masters of the art of life.

There are many skilled apprentices, but few master craftsmen. Everywhere we see truly wise practices in education, morals, and the arts of living, reflecting the knowledge of many ancient philosophers. Who doesn’t recognize that heresies have occasionally prevailed and that reforms have already occurred? All this worldly wisdom could be seen as the once unappealing heresy of some wise individual. There are interests that have established themselves on this earth which we haven’t adequately acknowledged. Even those who first built these barns and cleared the land had a certain bravery. The sudden changes and gaps in history are smoothed out just like the unevenness of the landscape is hidden by distance. But unless we do more than just learn the trade of our time, we remain apprentices and have yet to become masters of the art of living.

Now that we are casting away these melon seeds, how can we help feeling reproach? He who eats the fruit, should at least plant the seed; aye, if possible, a better seed than that whose fruit he has enjoyed. Seeds! there are seeds enough which need only to be stirred in with the soil where they lie, by an inspired voice or pen, to bear fruit of a divine flavor. O thou spendthrift! Defray thy debt to the world; eat not the seed of institutions, as the luxurious do, but plant it rather, while thou devourest the pulp and tuber for thy subsistence; that so, perchance, one variety may at last be found worthy of preservation.

Now that we’re getting rid of these melon seeds, how can we not feel guilty? If you enjoy the fruit, you should at least plant the seed; ideally, a better seed than the one that gave you pleasure. Seeds! There are plenty of seeds that just need to be mixed into the soil where they lie, with a little inspiration from a voice or a pen, to grow fruit with a divine taste. Oh, you spendthrift! Pay your debt to the world; don’t just consume the seed of institutions like the rich do, but instead, plant it while you eat the pulp and tuber to sustain yourself; so that, maybe, we might finally find a variety worth keeping.

There are moments when all anxiety and stated toil are becalmed in the infinite leisure and repose of nature. All laborers must have their nooning, and at this season of the day, we are all, more or less, Asiatics, and give over all work and reform. While lying thus on our oars by the side of the stream, in the heat of the day, our boat held by an osier put through the staple in its prow, and slicing the melons, which are a fruit of the East, our thoughts reverted to Arabia, Persia, and Hindostan, the lands of contemplation and dwelling-places of the ruminant nations. In the experience of this noontide we could find some apology even for the instinct of the opium, betel, and tobacco chewers. Mount Sabér, according to the French traveller and naturalist, Botta, is celebrated for producing the Kát-tree, of which “the soft tops of the twigs and tender leaves are eaten,” says his reviewer, “and produce an agreeable soothing excitement, restoring from fatigue, banishing sleep, and disposing to the enjoyment of conversation.” We thought that we might lead a dignified Oriental life along this stream as well, and the maple and alders would be our Kát-trees.

There are times when all anxiety and hard work are calmed in the endless relaxation and peace of nature. Every worker needs a break, and at this time of day, we all become, in some way, more like people from Asia, taking a break from all work and reform. As we rest by the stream, in the heat of the day, with our boat secured by a willow branch, slicing into the melons, which are a fruit from the East, our thoughts drift to Arabia, Persia, and India, the lands of reflection and homes of thoughtful people. In this noon experience, we could even find some justification for the habits of those who chew opium, betel, and tobacco. Mount Sabér, noted by the French traveler and naturalist Botta, is famous for the Kát tree, whose “soft tips of the twigs and tender leaves are eaten,” as his reviewer states, “and provide a pleasant, soothing excitement, relieving fatigue, preventing sleep, and encouraging enjoyment of conversation.” We felt that we could live a dignified Eastern life by this stream too, with the maple and alders serving as our Kát trees.

It is a great pleasure to escape sometimes from the restless class of Reformers. What if these grievances exist? So do you and I. Think you that sitting hens are troubled with ennui these long summer days, sitting on and on in the crevice of a hay-loft, without active employment? By the faint cackling in distant barns, I judge that dame Nature is interested still to know how many eggs her hens lay. The Universal Soul, as it is called, has an interest in the stacking of hay, the foddering of cattle, and the draining of peat-meadows. Away in Scythia, away in India, it makes butter and cheese. Suppose that all farms are run out, and we youths must buy old land and bring it to, still everywhere the relentless opponents of reform bear a strange resemblance to ourselves; or, perchance, they are a few old maids and bachelors, who sit round the kitchen hearth and listen to the singing of the kettle. “The oracles often give victory to our choice, and not to the order alone of the mundane periods. As, for instance, when they say that our voluntary sorrows germinate in us as the growth of the particular life we lead.” The reform which you talk about can be undertaken any morning before unbarring our doors. We need not call any convention. When two neighbors begin to eat corn bread, who before ate wheat, then the gods smile from ear to ear, for it is very pleasant to them. Why do you not try it? Don’t let me hinder you.

It’s really nice to sometimes step away from the restless crowd of Reformers. So what if these problems exist? So do you and I. Do you think hens get bored just sitting there all day in a hayloft without anything to do? From the faint clucking I hear in the barns, I think Mother Nature still cares about how many eggs her hens lay. The Universal Soul, as it’s called, is interested in stacking hay, feeding cattle, and draining peat fields. Whether it’s in Scythia or India, it’s behind making butter and cheese. Let’s say all farms *are* run down, and we young people need to buy old land and improve it; still, everywhere the stubborn opponents of reform resemble us strangely; or maybe they’re just a few old maids and bachelors sitting around the kitchen, listening to the kettle sing. “The oracles often favor our choices and not just the order of worldly events. Like when they say our voluntary sorrows grow within us, influenced by the specific lives we lead.” The reform you’re talking about can happen any morning as soon as we open our doors. We don’t need to hold a convention. When two neighbors start eating corn bread instead of wheat bread, the gods smile from ear to ear because it makes them happy. Why don’t you give it a try? Don’t let me stop you.

There are theoretical reformers at all times, and all the world over, living on anticipation. Wolff, travelling in the deserts of Bokhara, says, “Another party of derveeshes came to me and observed, ‘The time will come when there shall be no difference between rich and poor, between high and low, when property will be in common, even wives and children.’” But forever I ask of such, What then? The derveeshes in the deserts of Bokhara and the reformers in Marlboro’ Chapel sing the same song. “There’s a good time coming, boys,” but, asked one of the audience, in good faith, “Can you fix the date?” Said I, “Will you help it along?”

There are always theoretical reformers everywhere, living on hope. Wolff, while traveling through the deserts of Bukhara, mentions, “Another group of dervishes came to me and said, ‘The time will come when there will be no difference between the rich and the poor, the high and the low, when property will be shared, including wives and children.’” But I always ask them, What happens then? The dervishes in the deserts of Bukhara and the reformers in Marlboro’ Chapel sing the same tune. “There’s a good time coming, folks,” but someone from the audience, genuinely curious, asked, “Can you give us a date?” I replied, “Will you help make it happen?”

The nonchalance and dolce-far-niente air of nature and society hint at infinite periods in the progress of mankind. The States have leisure to laugh from Maine to Texas at some newspaper joke, and New England shakes at the double-entendres of Australian circles, while the poor reformer cannot get a hearing.

The relaxed vibe and dolce-far-niente attitude of nature and society suggest endless phases in human progress. People all over the States, from Maine to Texas, take time to laugh at some newspaper joke, while New England cracks up at the double meanings from Australia, and the struggling reformer can't get a moment of attention.

Men do not fail commonly for want of knowledge, but for want of prudence to give wisdom the preference. What we need to know in any case is very simple. It is but too easy to establish another durable and harmonious routine. Immediately all parts of nature consent to it. Only make something to take the place of something, and men will behave as if it was the very thing they wanted. They must behave, at any rate, and will work up any material. There is always a present and extant life, be it better or worse, which all combine to uphold. We should be slow to mend, my friends, as slow to require mending, “Not hurling, according to the oracle, a transcendent foot towards piety.” The language of excitement is at best picturesque merely. You must be calm before you can utter oracles. What was the excitement of the Delphic priestess compared with the calm wisdom of Socrates?—or whoever it was that was wise.—Enthusiasm is a supernatural serenity.

Men don’t usually fail because they lack knowledge, but because they lack the judgment to prioritize wisdom. What we really need to know in any situation is quite straightforward. It’s all too easy to establish a new, lasting, and balanced routine. As soon as one is created, all parts of nature agree with it. Just replace something with something else, and people will act as if it's exactly what they wanted. They *have* to act, after all, and will work with whatever material is available. There’s always an ongoing life, whether it’s better or worse, that everyone helps to sustain. We should be cautious about making changes, my friends, just as we should be careful about needing changes, “Not hurling, according to the oracle, a transcendent foot towards piety.” The language of excitement is, at best, just colorful. You must be calm before you can deliver insights. What was the excitement of the Delphic priestess compared to the calm wisdom of Socrates?—or whoever it was that was wise.—Enthusiasm is a supernatural tranquility.

“Men find that action is another thing
    Than what they in discoursing papers read;
The world’s affairs require in managing
    More arts than those wherein you clerks proceed.”

“Men discover that taking action is different
    From what they read in discussions and papers;
Managing the world's affairs demands
    More skills than those you clerks use.”

As in geology, so in social institutions, we may discover the causes of all past change in the present invariable order of society. The greatest appreciable physical revolutions are the work of the light-footed air, the stealthy-paced water, and the subterranean fire. Aristotle said, “As time never fails, and the universe is eternal, neither the Tanais nor the Nile can have flowed forever.” We are independent of the change we detect. The longer the lever the less perceptible its motion. It is the slowest pulsation which is the most vital. The hero then will know how to wait, as well as to make haste. All good abides with him who waiteth wisely; we shall sooner overtake the dawn by remaining here than by hurrying over the hills of the west. Be assured that every man’s success is in proportion to his average ability. The meadow flowers spring and bloom where the waters annually deposit their slime, not where they reach in some freshet only. A man is not his hope, nor his despair, nor yet his past deed. We know not yet what we have done, still less what we are doing. Wait till evening, and other parts of our day’s work will shine than we had thought at noon, and we shall discover the real purport of our toil. As when the farmer has reached the end of the furrow and looks back, he can tell best where the pressed earth shines most.

Just like in geology, we can find the reasons for all past changes in the current, unchanging structure of society. The most significant physical shifts are caused by the nimble air, the quietly moving water, and the underground fire. Aristotle said, “Since time never stops and the universe is eternal, neither the Tanais nor the Nile can have flowed forever.” We are unaffected by the changes we notice. The longer the lever, the less noticeable its movement. It’s the slowest heartbeat that’s the most crucial. A true hero knows how to wait just as much as he knows how to rush. All good things come to those who wait wisely; we’ll reach dawn faster by staying here than by rushing over the hills to the west. Rest assured, every person's success equals their average ability. Meadow flowers grow and blossom where the waters regularly leave their deposits, not just where they reach during a flood. A person isn’t defined by their hopes, or their despair, nor by their past actions. We don’t fully understand what we’ve done yet, and we know even less about what we’re doing. Wait until evening, and you’ll see different aspects of our day’s work shining brighter than we thought at noon, and we’ll discover the true meaning of our efforts. Just like when a farmer finishes a row and looks back, he can best see where the pressed earth shines the most.

To one who habitually endeavors to contemplate the true state of things, the political state can hardly be said to have any existence whatever. It is unreal, incredible, and insignificant to him, and for him to endeavor to extract the truth from such lean material is like making sugar from linen rags, when sugar-cane may be had. Generally speaking, the political news, whether domestic or foreign, might be written to-day for the next ten years, with sufficient accuracy. Most revolutions in society have not power to interest, still less alarm us; but tell me that our rivers are drying up, or the genus pine dying out in the country, and I might attend. Most events recorded in history are more remarkable than important, like eclipses of the sun and moon, by which all are attracted, but whose effects no one takes the trouble to calculate.

For someone who regularly tries to understand the real situation, the political landscape hardly seems to exist at all. It's unreal, unbelievable, and trivial to them, and trying to find the truth in such sparse material is like trying to make sugar from old rags when sugarcane is available. In general, the political news, whether local or international, could be written today for the next decade with enough accuracy. Most social revolutions don’t really have the power to interest or worry us; but if you told me our rivers are drying up or that pine trees are dying out in the country, I might pay attention. Most events in history are more eye-catching than important, like solar and lunar eclipses, which draw everyone’s attention, but whose impacts nobody bothers to calculate.

But will the government never be so well administered, inquired one, that we private men shall hear nothing about it? “The king answered: At all events, I require a prudent and able man, who is capable of managing the state affairs of my kingdom. The ex-minister said: The criterion, O Sire! of a wise and competent man is, that he will not meddle with such like matters.” Alas that the ex-minister should have been so nearly right!

But will there ever be a time when the government is run so well that we ordinary folks won't have to hear about it? “The king replied: Regardless, I need a smart and capable person who can handle the state's affairs in my kingdom. The former minister said: The mark of a wise and skilled person, your Majesty, is that they won't get involved in those kinds of matters.” It's unfortunate that the former minister was so close to being right!

In my short experience of human life, the outward obstacles, if there were any such, have not been living men, but the institutions of the dead. It is grateful to make one’s way through this latest generation as through dewy grass. Men are as innocent as the morning to the unsuspicious.

In my brief experience of life, the outward obstacles, if there were any, haven't been other people, but the institutions created by those who are no longer living. It's refreshing to navigate this new generation like walking through wet grass. People are as innocent as the morning to those who don't suspect otherwise.

“And round about good morrows fly,
As if day taught humanity.”

"And all around, good mornings spread,
As if the day is teaching us."

Not being Reve of this Shire,

Not being the Reeve of this County,

“The early pilgrim blithe he hailed,
    That o’er the hills did stray,
And many an early husbandman,
    That he met on the way”;—

“The early pilgrim cheerfully greeted,
    That wandered over the hills,
And many an early farmer,
    That he encountered on the way”;—

thieves and robbers all, nevertheless. I have not so surely foreseen that any Cossack or Chippeway would come to disturb the honest and simple commonwealth, as that some monster institution would at length embrace and crush its free members in its scaly folds; for it is not to be forgotten, that while the law holds fast the thief and murderer, it lets itself go loose. When I have not paid the tax which the State demanded for that protection which I did not want, itself has robbed me; when I have asserted the liberty it presumed to declare, itself has imprisoned me. Poor creature! if it knows no better I will not blame it. If it cannot live but by these means, I can. I do not wish, it happens, to be associated with Massachusetts, either in holding slaves or in conquering Mexico. I am a little better than herself in these respects.—As for Massachusetts, that huge she Briareus, Argus and Colchian Dragon conjoined, set to watch the Heifer of the Constitution and the Golden Fleece, we would not warrant our respect for her, like some compositions, to preserve its qualities through all weathers.—Thus it has happened, that not the Arch Fiend himself has been in my way, but these toils which tradition says were originally spun to obstruct him. They are cobwebs and trifling obstacles in an earnest man’s path, it is true, and at length one even becomes attached to his unswept and undusted garret. I love man—kind, but I hate the institutions of the dead un-kind. Men execute nothing so faithfully as the wills of the dead, to the last codicil and letter. They rule this world, and the living are but their executors. Such foundation too have our lectures and our sermons, commonly. They are all Dudleian; and piety derives its origin still from that exploit of pius Æneas, who bore his father, Anchises, on his shoulders from the ruins of Troy. Or rather, like some Indian tribes, we bear about with us the mouldering relics of our ancestors on our shoulders. If, for instance, a man asserts the value of individual liberty over the merely political commonweal, his neighbor still tolerates him, that he who is living near him, sometimes even sustains him, but never the State. Its officer, as a living man, may have human virtues and a thought in his brain, but as the tool of an institution, a jailer or constable it may be, he is not a whit superior to his prison key or his staff. Herein is the tragedy; that men doing outrage to their proper natures, even those called wise and good, lend themselves to perform the office of inferior and brutal ones. Hence come war and slavery in; and what else may not come in by this opening? But certainly there are modes by which a man may put bread into his mouth which will not prejudice him as a companion and neighbor.

thieves and robbers all, nevertheless. I didn't foresee that any Cossack or Chippewa would come to disrupt the honest and straightforward community, but I did think that some monstrous institution would eventually engulf and smother its free members in its grasp; it's important to remember that while the law tightly binds the thief and murderer, it also allows itself to run free. When I haven't paid the tax that the State demanded for a protection I didn't ask for, it has robbed me; when I've asserted the freedom it claimed to endorse, it has imprisoned me. Poor thing! If it knows no better, I won't blame it. If it can only exist by these means, that's fine with me. I don't want to be associated with Massachusetts, whether in holding slaves or in conquering Mexico. I'm a little better than it in these respects. As for Massachusetts, that massive creature, part Briareus, part Argus, and part Colchian Dragon all combined, set to guard the Heifer of the Constitution and the Golden Fleece, I wouldn't guarantee our respect for her, like some concoctions, to maintain its integrity through any storm. Thus, it has happened that not even the Arch Fiend himself has obstructed my path, but these traps that tradition claims were originally spun to counter him. They are cobwebs and slight hurdles for a serious person, it's true, and eventually, one even starts to feel attached to his untidy and dusty attic. I love mankind, but I hate the institutions of the dead unkind. Men execute nothing as faithfully as the wills of the dead, down to the last detail. They govern this world, and the living are merely their executors. Such is the foundation of our lectures and sermons, generally speaking. They are all Dudleian; and piety still stems from that act of pius Æneas, who carried his father, Anchises, on his shoulders from the ruins of Troy. Or more precisely, like some Indian tribes, we carry the decaying remnants of our ancestors on our backs. If, for instance, a man champions the value of individual liberty over the merely political common good, his neighbor tolerates him, as someone who is living near him even supports him, but the State never does. Its officer, as a living person, may possess human virtues and thoughts in his mind, but as a tool of an institution, whether as a jailer or constable, he is no better than his prison key or his baton. Herein lies the tragedy; that men, in doing violence to their true natures, even those deemed wise and good, allow themselves to perform the roles of the inferior and brute. This is how war and slavery enter in; and what else might slip through this opening? But certainly, there are ways by which a man can put food on his table that won't compromise his role as a friend and neighbor.

“Now turn again, turn again, said the pindèr,
    For a wrong way you have gone,
For you have forsaken the king’s highway,
    And made a path over the corn.”

“Now turn back, turn back, said the farmer,
    For you have gone the wrong way,
For you have abandoned the king’s highway,
    And created a path through the corn.”

Undoubtedly, countless reforms are called for, because society is not animated, or instinct enough with life, but in the condition of some snakes which I have seen in early spring, with alternate portions of their bodies torpid and flexible, so that they could wriggle neither way. All men are partially buried in the grave of custom, and of some we see only the crown of the head above ground. Better are the physically dead, for they more lively rot. Even virtue is no longer such if it be stagnant. A man’s life should be constantly as fresh as this river. It should be the same channel, but a new water every instant.

Surely, many reforms are needed because society isn’t dynamic or full of life; it’s like some snakes I’ve seen in early spring, where parts of their bodies are stiff and parts are flexible, leaving them unable to move in any direction. Everyone is somewhat trapped in the grave of tradition, with some barely showing the crown of their heads above the surface. The physically dead are better off, as they decompose more actively. Even virtue isn’t truly virtue if it’s stagnant. A person’s life should always be as fresh as this river. It should be the same path, but with new water flowing every moment.

        “Virtues as rivers pass,
But still remains that virtuous man there was.”

“Virtues flow like rivers,
But still, there was that virtuous man.”

Most men have no inclination, no rapids, no cascades, but marshes, and alligators, and miasma instead. We read that when in the expedition of Alexander, Onesicritus was sent forward to meet certain of the Indian sect of Gymnosophists, and he had told them of those new philosophers of the West, Pythagoras, Socrates, and Diogenes, and their doctrines, one of them named Dandamis answered, that “They appeared to him to have been men of genius, but to have lived with too passive a regard for the laws.” The philosophers of the West are liable to this rebuke still. “They say that Lieou-hia-hoei, and Chao-lien did not sustain to the end their resolutions, and that they dishonored their character. Their language was in harmony with reason and justice; while their acts were in harmony with the sentiments of men.”

Most men lack ambition, excitement, and drive; instead, they dwell in swamps filled with alligators and illness. We learn that during Alexander's expedition, Onesicritus was sent ahead to encounter some Indian Gymnosophists. He shared with them stories of the new Western philosophers—Pythagoras, Socrates, and Diogenes—and their teachings. One of the Gymnosophists, named Dandamis, replied that while these philosophers seemed to be brilliant individuals, they lived with too passive an attitude toward the laws. This criticism still applies to Western philosophers today. “They claim that Lieou-hia-hoei and Chao-lien failed to uphold their resolutions till the end, thus tarnishing their reputations. Their words aligned with reason and justice, while their actions resonated more with the feelings of people.”

Chateaubriand said: “There are two things which grow stronger in the breast of man, in proportion as he advances in years: the love of country and religion. Let them be never so much forgotten in youth, they sooner or later present themselves to us arrayed in all their charms, and excite in the recesses of our hearts an attachment justly due to their beauty.” It may be so. But even this infirmity of noble minds marks the gradual decay of youthful hope and faith. It is the allowed infidelity of age. There is a saying of the Yoloffs, “He who was born first has the greatest number of old clothes,” consequently M. Chateaubriand has more old clothes than I have. It is comparatively a faint and reflected beauty that is admired, not an essential and intrinsic one. It is because the old are weak, feel their mortality, and think that they have measured the strength of man. They will not boast; they will be frank and humble. Well, let them have the few poor comforts they can keep. Humility is still a very human virtue. They look back on life, and so see not into the future. The prospect of the young is forward and unbounded, mingling the future with the present. In the declining day the thoughts make haste to rest in darkness, and hardly look forward to the ensuing morning. The thoughts of the old prepare for night and slumber. The same hopes and prospects are not for him who stands upon the rosy mountain-tops of life, and him who expects the setting of his earthly day.

Chateaubriand said, “There are two things that grow stronger in a person as they age: love for their country and religion. Even if they are forgotten in youth, they eventually come back to us, dressed in all their charms, stirring in our hearts a connection rightfully owed to their beauty.” That may be true. But this weakness of noble minds also shows the gradual fading of youthful hope and faith. It’s the accepted infidelity of old age. There’s a saying among the Yoloffs: “The one who was born first has the most old clothes,” so M. Chateaubriand has more old clothes than I do. It’s a softer and reflected beauty that is admired, not a true and intrinsic one. It’s because the old are frail, aware of their mortality, and believe they’ve measured human strength. They won’t brag; they’ll be honest and humble. Well, let them hold onto the few meager comforts they can manage. Humility remains a very human virtue. They look back on life, thus failing to see into the future. The outlook of the young is forward and limitless, blending the future with the present. In the late hours, thoughts rush to settle into darkness, hardly glancing forward to the coming morning. The old prepare for night and sleep. The same hopes and dreams aren’t meant for someone standing on the vibrant peaks of life and someone expecting the end of their earthly day.

I must conclude that Conscience, if that be the name of it, was not given us for no purpose, or for a hinderance. However flattering order and expediency may look, it is but the repose of a lethargy, and we will choose rather to be awake, though it be stormy, and maintain ourselves on this earth and in this life, as we may, without signing our death-warrant. Let us see if we cannot stay here, where He has put us, on his own conditions. Does not his law reach as far as his light? The expedients of the nations clash with one another, only the absolutely right is expedient for all.

I have to say that Conscience, if that’s what we call it, wasn’t given to us without a reason or to hold us back. No matter how appealing order and practicality may seem, it’s just a state of inactivity, and we’d rather be awake, even if it’s chaotic, and manage our lives here on Earth as best we can, without signing our own death warrant. Let’s see if we can’t stay where He has placed us, on His own terms. Doesn’t His law extend as far as His light? The solutions of different nations collide with each other; only what is absolutely right is beneficial for everyone.

There are some passages in the Antigone of Sophocles, well known to scholars, of which I am reminded in this connection. Antigone has resolved to sprinkle sand on the dead body of her brother Polynices, notwithstanding the edict of King Creon condemning to death that one who should perform this service, which the Greeks deemed so important, for the enemy of his country; but Ismene, who is of a less resolute and noble spirit, declines taking part with her sister in this work, and says,—

There are some passages in the Antigone by Sophocles, which scholars are familiar with, that come to mind in this context. Antigone has decided to sprinkle sand on the dead body of her brother Polynices, despite King Creon's decree that anyone who does this would be sentenced to death, as the Greeks saw this act as significant for an enemy of the state. However, Ismene, who has a less determined and noble spirit, refuses to join her sister in this task and says,—

“I, therefore, asking those under the earth to consider me, that I am compelled to do thus, will obey those who are placed in office; for to do extreme things is not wise.”

“I’m asking those below the earth to consider me, as I feel I have to do this, and I will obey those in authority; because doing extreme things is not smart.”

ANTIGONE.

ANTIGONE.

“I would not ask you, nor would you, if you still wished, do it joyfully with me. Be such as seems good to you. But I will bury him. It is glorious for me doing this to die. I beloved will lie with him beloved, having, like a criminal, done what is holy; since the time is longer which it is necessary for me to please those below, than those here, for there I shall always lie. But if it seems good to you, hold in dishonor things which are honored by the gods.”

“I wouldn’t ask you to, and you wouldn’t do it joyfully with me if you still wanted to. Do what seems right to you. But I will bury him. For me, it’s glorious to die doing this. I will lie with my loved one, having, like a criminal, done what’s sacred; because the time I need to please those below is longer than the time I need to please those here, since I will always lie there. But if you think it’s better, you can dishonor things that are honored by the gods.”

ISMENE.

Ismene.

“I indeed do not hold them in dishonor; but to act in opposition to the citizens I am by nature unable.”

“I definitely don’t see them as dishonorable; but I just can’t go against the citizens by nature.”

Antigone being at length brought before King Creon, he asks,—

Antigone was finally brought before King Creon, and he asks,—

“Did you then dare to transgress these laws?”

“Did you really dare to break these rules?”

ANTIGONE.

ANTIGONE.

“For it was not Zeus who proclaimed these to me, nor Justice who dwells with the gods below; it was not they who established these laws among men. Nor did I think that your proclamations were so strong, as, being a mortal, to be able to transcend the unwritten and immovable laws of the gods. For not something now and yesterday, but forever these live, and no one knows from what time they appeared. I was not about to pay the penalty of violating these to the gods, fearing the presumption of any man. For I well knew that I should die, and why not? even if you had not proclaimed it.”

“For it wasn't Zeus who shared this with me, nor Justice who resides with the gods below; they didn’t create these laws for humanity. I also didn't believe that your decrees were powerful enough for a mortal like you to override the timeless and unchangeable laws of the gods. These laws have existed not just recently, but for eternity, and no one knows how long they've been around. I wasn't going to face the consequences of breaking these laws for the sake of a man's pride. I knew I would die, and honestly, why wouldn’t I? Even if you hadn’t declared it.”

This was concerning the burial of a dead body.

This was about the burial of a dead body.

The wisest conservatism is that of the Hindoos. “Immemorial custom is transcendent law,” says Menu. That is, it was the custom of the gods before men used it. The fault of our New England custom is that it is memorial. What is morality but immemorial custom? Conscience is the chief of conservatives. “Perform the settled functions,” says Kreeshna in the Bhagvat-Geeta; “action is preferable to inaction. The journey of thy mortal frame may not succeed from inaction.”—“A man’s own calling with all its faults, ought not to be forsaken. Every undertaking is involved in its faults as the fire in its smoke.”—“The man who is acquainted with the whole, should not drive those from their works who are slow of comprehension, and less experienced than himself.”—“Wherefore, O Arjoon, resolve to fight,” is the advice of the God to the irresolute soldier who fears to slay his best friends. It is a sublime conservatism; as wide as the world, and as unwearied as time; preserving the universe with Asiatic anxiety, in that state in which it appeared to their minds. These philosophers dwell on the inevitability and unchangeableness of laws, on the power of temperament and constitution, the three goon or qualities, and the circumstances of birth and affinity. The end is an immense consolation; eternal absorption in Brahma. Their speculations never venture beyond their own table-lands, though they are high and vast as they. Buoyancy, freedom, flexibility, variety, possibility, which also are qualities of the Unnamed, they deal not with. The undeserved reward is to be earned by an everlasting moral drudgery; the incalculable promise of the morrow is, as it were, weighed. And who will say that their conservatism has not been effectual? “Assuredly,” says a French translator, speaking of the antiquity and durability of the Chinese and Indian nations, and of the wisdom of their legislators, “there are there some vestiges of the eternal laws which govern the world.”

The most intelligent conservatism comes from the Hindus. “Timeless custom is the ultimate law,” says Menu. This means that it was the custom of the gods before humans followed it. The problem with our New England customs is that they are based on memory. What is morality if not timeless custom? Conscience is the key conservative. “Fulfill your established duties,” says Kreeshna in the Bhagvat-Geeta; “action is better than inaction. Your mortal journey won't progress if you don’t take action.” — “A man should not abandon his own calling, faults and all. Every endeavor comes with its flaws, just like fire comes with smoke.” — “Someone who understands the whole shouldn’t push those who are slower and less experienced away from their own work.” — “Therefore, O Arjoon, resolve to fight,” is the advice given to the hesitant soldier who fears harming his closest friends. This is a profound conservatism; as vast as the world, and as tireless as time, preserving the universe with careful diligence, in the state they perceive it. These philosophers focus on the inevitability and unchangeability of laws, the influence of temperament and constitution, the three qualities (goon), and the circumstances of birth and connections. The ultimate goal is immense comfort; eternal unity with Brahma. Their ideas never go beyond their own heights, although they are expansive. They do not engage with qualities like buoyancy, freedom, flexibility, variety, and possibility, which are also attributes of the Unnamed. The undeserved reward must be earned through relentless moral labor; the unpredictable promise of tomorrow is, in a sense, measured. And who will deny that their conservatism has been effective? “Indeed,” says a French translator, referring to the ancient and enduring nature of the Chinese and Indian nations and the wisdom of their lawmakers, “there are traces of the eternal laws that govern the world.”

Christianity, on the other hand, is humane, practical, and, in a large sense, radical. So many years and ages of the gods those Eastern sages sat contemplating Brahm, uttering in silence the mystic “Om,” being absorbed into the essence of the Supreme Being, never going out of themselves, but subsiding farther and deeper within; so infinitely wise, yet infinitely stagnant; until, at last, in that same Asia, but in the western part of it, appeared a youth, wholly unforetold by them,—not being absorbed into Brahm, but bringing Brahm down to earth and to mankind; in whom Brahm had awaked from his long sleep, and exerted himself, and the day began,—a new avatar. The Brahman had never thought to be a brother of mankind as well as a child of God. Christ is the prince of Reformers and Radicals. Many expressions in the New Testament come naturally to the lips of all Protestants, and it furnishes the most pregnant and practical texts. There is no harmless dreaming, no wise speculation in it, but everywhere a substratum of good sense. It never reflects, but it repents. There is no poetry in it, we may say nothing regarded in the light of beauty merely, but moral truth is its object. All mortals are convicted by its conscience.

Christianity, on the other hand, is compassionate, practical, and, in many ways, radical. For so many years, those Eastern sages sat contemplating Brahm, silently uttering the mystic “Om,” absorbed in the essence of the Supreme Being, never venturing out of themselves, but sinking deeper within; so infinitely wise, yet infinitely stagnant; until, eventually, in that same Asia, but in its western part, appeared a young man, totally unexpected by them—not absorbed into Brahm, but bringing Brahm down to earth and to humanity; in whom Brahm awoke from his long slumber, and took action, and a new day began—a new incarnation. The Brahman had never considered being a brother to humanity as well as a child of God. Christ is the leader of Reformers and Radicals. Many phrases in the New Testament come easily to the lips of all Protestants, providing the most impactful and practical messages. There is no harmless dreaming, no clever speculation in it, but an underlying foundation of common sense. It doesn’t just reflect, but it repents. There is no poetry in it; we might say nothing is viewed merely through the lens of beauty; rather, moral truth is its focus. All humans are confronted by its conscience.

The New Testament is remarkable for its pure morality; the best of the Hindo Scripture, for its pure intellectuality. The reader is nowhere raised into and sustained in a higher, purer, or rarer region of thought than in the Bhagvat-Geeta. Warren Hastings, in his sensible letter recommending the translation of this book to the Chairman of the East India Company, declares the original to be “of a sublimity of conception, reasoning, and diction almost unequalled,” and that the writings of the Indian philosophers “will survive when the British dominion in India shall have long ceased to exist, and when the sources which it once yielded of wealth and power are lost to remembrance.” It is unquestionably one of the noblest and most sacred scriptures which have come down to us. Books are to be distinguished by the grandeur of their topics, even more than by the manner in which they are treated. The Oriental philosophy approaches, easily, loftier themes than the modern aspires to; and no wonder if it sometimes prattle about them. It only assigns their due rank respectively to Action and Contemplation, or rather does full justice to the latter. Western philosophers have not conceived of the significance of Contemplation in their sense. Speaking of the spiritual discipline to which the Brahmans subjected themselves, and the wonderful power of abstraction to which they attained, instances of which had come under his notice, Hastings says:—

The New Testament stands out for its high moral values, while the best of Hindu scripture is known for its intellectual depth. Readers are elevated into a higher, purer, and rarer realm of thought in the Bhagvat-Geeta. Warren Hastings, in his thoughtful letter recommending the translation of this book to the Chairman of the East India Company, describes the original as “of a sublimity of conception, reasoning, and diction almost unequalled,” and asserts that the writings of Indian philosophers “will endure long after British rule in India has faded away, and when the sources of wealth and power it once provided are forgotten.” It is undoubtedly one of the noblest and most revered scriptures that we have. Books should be judged by the grandeur of their topics even more than by how those topics are handled. Oriental philosophy easily tackles loftier themes than what modern philosophy aims for, so it's no surprise if it sometimes seems to ramble about them. It simply gives proper status to Action and Contemplation, or rather fully appreciates the latter. Western philosophers haven’t recognized the significance of Contemplation in the same way. Discussing the spiritual discipline the Brahmans practiced and the remarkable level of abstraction they achieved, of which he had seen examples, Hastings states:—

“To those who have never been accustomed to the separation of the mind from the notices of the senses, it may not be easy to conceive by what means such a power is to be attained; since even the most studious men of our hemisphere will find it difficult so to restrain their attention, but that it will wander to some object of present sense or recollection; and even the buzzing of a fly will sometimes have the power to disturb it. But if we are told that there have been men who were successively, for ages past, in the daily habit of abstracted contemplation, begun in the earliest period of youth, and continued in many to the maturity of age, each adding some portion of knowledge to the store accumulated by his predecessors; it is not assuming too much to conclude, that as the mind ever gathers strength, like the body, by exercise, so in such an exercise it may in each have acquired the faculty to which they aspired, and that their collective studies may have led them to the discovery of new tracts and combinations of sentiment, totally different from the doctrines with which the learned of other nations are acquainted; doctrines which, however speculative and subtle, still as they possess the advantage of being derived from a source so free from every adventitious mixture, may be equally founded in truth with the most simple of our own.”

“To those who have never experienced separating their mind from sensory input, it might be hard to understand how to achieve that kind of focus; even the most dedicated scholars in our hemisphere struggle to keep their attention from drifting to something they can see or remember, and even the buzzing of a fly can sometimes break their concentration. However, if we consider that there have been people who, for generations, have made it a daily practice to engage in deep contemplation, starting from a young age and continuing into adulthood, each person adding to the knowledge gathered by those before them, it isn’t too far-fetched to think that, just like the body grows stronger through exercise, the mind can also develop the skills they sought after through similar practice. Their combined efforts may have led them to find new ideas and combinations of thought, vastly different from the theories known to scholars in other nations; these ideas, however complex and nuanced, still have the advantage of coming from a source free from any external influences, making them just as valid as the simplest truths of our own.”

“The forsaking of works” was taught by Kreeshna to the most ancient of men, and handed down from age to age,

“The abandonment of deeds” was taught by Krishna to the earliest humans and passed down through generations,

“until at length, in the course of time, the mighty art was lost.

“until eventually, over time, the great skill was lost.

“In wisdom is to be found every work without exception,” says
Kreeshna.

“In wisdom is to be found every work without exception,” says
Kreeshna.

“Although thou wert the greatest of all offenders, thou shalt
be able to cross the gulf of sin with the bark of wisdom.”

"Even though you were the greatest of all wrongdoers, you will be able to cross the gap of sin with the boat of wisdom."

“There is not anything in this world to be compared with wisdom
for purity.”

“There’s nothing in this world that compares to wisdom
for purity.”

“The action stands at a distance inferior to the application of
wisdom.”

“The action is at a lower level than the application of
wisdom.”

The wisdom of a Moonee “is confirmed, when, like the tortoise, he can draw in all his members, and restrain them from their wonted purposes.”

The wisdom of a Moonee “is confirmed when, like the tortoise, he can pull in all his limbs and hold them back from their usual actions.”

“Children only, and not the learned, speak of the speculative and the practical doctrines as two. They are but one. For both obtain the selfsame end, and the place which is gained by the followers of the one is gained by the followers of the other.”

“Only children, not the educated, talk about the theoretical and the practical ideas as if they are separate. They are actually one and the same. Both paths lead to the same goal, and what those who follow one achieve is also achieved by those who follow the other.”

“The man enjoyeth not freedom from action, from the non-commencement of that which he hath to do; nor doth he obtain happiness from a total inactivity. No one ever resteth a moment inactive. Every man is involuntarily urged to act by those principles which are inherent in his nature. The man who restraineth his active faculties, and sitteth down with his mind attentive to the objects of his senses, is called one of an astrayed soul, and the practiser of deceit. So the man is praised, who, having subdued all his passions, performeth with his active faculties all the functions of life, unconcerned about the event.”

“The man does not enjoy freedom from action or from avoiding what he needs to do; nor does he find happiness in complete inactivity. No one ever really rests for a moment without doing something. Every person is naturally driven to act by the principles that are part of their nature. The man who holds back his active abilities and sits passively while focusing on sensory experiences is seen as someone with a lost soul and a deceiver. In contrast, the man who has mastered all his passions and carries out the functions of life with his active abilities, without worrying about the outcome, is praised.”

“Let the motive be in the deed and not in the event. Be not one whose motive for action is the hope of reward. Let not thy life be spent in inaction.”

“Let the reason for your actions be in what you do and not in what happens. Don’t be someone who acts just for the sake of reward. Don’t waste your life being inactive.”

“For the man who doeth that which he hath to do, without affection, obtaineth the Supreme.”

“For the person who does what they need to do, without attachment, achieves the ultimate success.”

“He who may behold, as it were inaction in action, and action in inaction, is wise amongst mankind. He is a perfect performer of all duty.”

“Anyone who can see, so to speak, stillness in movement and movement in stillness is wise among people. They perfectly fulfill all their duties.”

“Wise men call him a Pandeet, whose every undertaking is free from the idea of desire, and whose actions are consumed by the fire of wisdom. He abandoneth the desire of a reward of his actions; he is always contented and independent; and although he may be engaged in a work, he, as it were, doeth nothing.”

“Wise people refer to him as a Pandeet, someone whose every action is free from wanting and whose deeds are driven by wisdom. He lets go of the desire for rewards from his actions; he is always content and self-reliant; and even when he is involved in work, it seems as if he is doing nothing.”

“He is both a Yogee and a Sannyasee who performeth that which he hath to do independent of the fruit thereof; not he who liveth without the sacrificial fire and without action.”

“He is both a yogi and a renouncer who does what he needs to do without being attached to the outcome; not the one who lives without the sacrificial fire and without taking action.”

“He who enjoyeth but the Amreeta which is left of his offerings, obtaineth the eternal spirit of Brahm, the Supreme.”

“He who enjoys only the remnants of his offerings receives the eternal spirit of Brahm, the Supreme.”

What, after all, does the practicalness of life amount to? The things immediate to be done are very trivial. I could postpone them all to hear this locust sing. The most glorious fact in my experience is not anything that I have done or may hope to do, but a transient thought, or vision, or dream, which I have had. I would give all the wealth of the world, and all the deeds of all the heroes, for one true vision. But how can I communicate with the gods who am a pencil-maker on the earth, and not be insane?

What does the practicality of life really mean? The things I have to do right now are pretty insignificant. I could put them all off just to listen to this locust sing. The most amazing thing I've experienced isn't anything I've done or even hope to do, but a fleeting thought, vision, or dream that I've had. I'd trade all the wealth in the world and every heroic deed for just one true vision. But how can I connect with the gods when I'm just a pencil maker on earth, without losing my mind?

“I am the same to all mankind,” says Kreeshna; “there is not one who is worthy of my love or hatred.”

“I treat everyone the same,” says Kreeshna; “there's no one who deserves my love or my hate.”

This teaching is not practical in the sense in which the New Testament is. It is not always sound sense in practice. The Brahman never proposes courageously to assault evil, but patiently to starve it out. His active faculties are paralyzed by the idea of cast, of impassable limits, of destiny and the tyranny of time. Kreeshna’s argument, it must be allowed, is defective. No sufficient reason is given why Arjoon should fight. Arjoon may be convinced, but the reader is not, for his judgment is not “formed upon the speculative doctrines of the Sankhya Sastra.” “Seek an asylum in wisdom alone”; but what is wisdom to a Western mind? The duty of which he speaks is an arbitrary one. When was it established? The Brahman’s virtue consists in doing, not right, but arbitrary things. What is that which a man “hath to do”? What is “action”? What are the “settled functions”? What is “a man’s own religion,” which is so much better than another’s? What is “a man’s own particular calling”? What are the duties which are appointed by one’s birth? It is a defence of the institution of casts, of what is called the “natural duty” of the Kshetree, or soldier, “to attach himself to the discipline,” “not to flee from the field,” and the like. But they who are unconcerned about the consequences of their actions are not therefore unconcerned about their actions.

This teaching is not practical like the New Testament is. It doesn't always make sense in real life. The Brahman never boldly tackles evil but patiently tries to starve it out. His active abilities are paralyzed by concepts like caste, unbreakable limits, destiny, and the oppression of time. Kreeshna’s argument, it must be said, has flaws. There's no sufficient reason given for why Arjoon should fight. Arjoon might be convinced, but the reader isn’t, because his judgment is not “based on the speculative ideas of the Sankhya Sastra.” “Seek refuge in wisdom alone”; but what does wisdom mean to a Western mind? The duty he talks about is arbitrary. When was it set? The Brahman’s virtue is about doing, not what is right, but random things. What exactly is it that a man “needs to do”? What constitutes “action”? What are the “fixed functions”? What does “a man’s own religion” mean that makes it superior to another’s? What is “a man’s unique calling”? What duties come with one’s birth? It's a defense of the caste system, of what is termed the “natural duty” of the Kshetree, or soldier, “to commit to the discipline,” “not to run from the battlefield,” and so on. However, those who are indifferent to the consequences of their actions are still not indifferent to their actions.

Behold the difference between the Oriental and the Occidental. The former has nothing to do in this world; the latter is full of activity. The one looks in the sun till his eyes are put out; the other follows him prone in his westward course. There is such a thing as caste, even in the West; but it is comparatively faint; it is conservatism here. It says, forsake not your calling, outrage no institution, use no violence, rend no bonds; the State is thy parent. Its virtue or manhood is wholly filial. There is a struggle between the Oriental and Occidental in every nation; some who would be forever contemplating the sun, and some who are hastening toward the sunset. The former class says to the latter, When you have reached the sunset, you will be no nearer to the sun. To which the latter replies, But we so prolong the day. The former “walketh but in that night, when all things go to rest the night of time. The contemplative Moonee sleepeth but in the day of time, when all things wake.”

Look at the difference between the East and the West. The East has no real purpose in this world; the West is bustling with activity. One gazes at the sun until he’s blinded; the other follows the sun as it sets in the west. There is a form of social hierarchy in the West too, but it’s considerably less severe; here it takes the shape of conservatism. It says, don’t abandon your job, don’t challenge any institutions, don’t use violence, don’t break any ties; the State is your parent. Its value or identity is entirely based on family. There’s a conflict between the East and the West in every nation; some are always fixated on the sun, while others hurry toward the sunset. The first group tells the second, “When you reach the sunset, you won't be any closer to the sun.” To which the second replies, “But we extend the day.” The first group “only walks in that night when everything rests — the night of time. The contemplative Moonee sleeps only during the day of time, when everything is awake.”

To conclude these extracts, I can say, in the words of Sanjay, “As, O mighty Prince! I recollect again and again this holy and wonderful dialogue of Kreeshna and Arjoon, I continue more and more to rejoice; and as I recall to my memory the more than miraculous form of Haree, my astonishment is great, and I marvel and rejoice again and again! Wherever Kreeshna the God of devotion may be, wherever Arjoon the mighty bowman may be, there too, without doubt, are fortune, riches, victory, and good conduct. This is my firm belief.”

To wrap up these excerpts, I can echo the words of Sanjay: “As, O mighty Prince! The more I think about this holy and amazing conversation between Krishna and Arjuna, the more I find joy in it; and as I remember the miraculous form of Hari, my amazement grows, and I marvel and celebrate again and again! Wherever Krishna, the God of devotion, is, and wherever Arjuna, the great archer, is, there too, without a doubt, are fortune, wealth, victory, and righteousness. This is my strong belief.”

I would say to the readers of Scriptures, if they wish for a good book, read the Bhagvat-Geeta, an episode to the Mahabharat, said to have been written by Kreeshna Dwypayen Veias,—known to have been written by——, more than four thousand years ago,—it matters not whether three or four, or when,—translated by Charles Wilkins. It deserves to be read with reverence even by Yankees, as a part of the sacred writings of a devout people; and the intelligent Hebrew will rejoice to find in it a moral grandeur and sublimity akin to those of his own Scriptures.

I would tell the readers of the Scriptures that if they want a great book, they should read the Bhagavad Gita, a part of the Mahabharata, said to have been written by Krishna Dwaipayana Vyasa—known to have been written over four thousand years ago—it doesn't really matter if it was three or four thousand years, or exactly when. It was translated by Charles Wilkins. It should be read with respect, even by people from New England, as it is part of the sacred writings of a devoted culture; and thoughtful Jews will be pleased to find in it a moral depth and greatness similar to those in their own Scriptures.

To an American reader, who, by the advantage of his position, can see over that strip of Atlantic coast to Asia and the Pacific, who, as it were, sees the shore slope upward over the Alps to the Himmaleh Mountains, the comparatively recent literature of Europe often appears partial and clannish, and, notwithstanding the limited range of his own sympathies and studies, the European writer who presumes that he is speaking for the world, is perceived by him to speak only for that corner of it which he inhabits. One of the rarest of England’s scholars and critics, in his classification of the worthies of the world, betrays the narrowness of his European culture and the exclusiveness of his reading. None of her children has done justice to the poets and philosophers of Persia or of India. They have even been better known to her merchant scholars than to her poets and thinkers by profession. You may look in vain through English poetry for a single memorable verse inspired by these themes. Nor is Germany to be excepted, though her philological industry is indirectly serving the cause of philosophy and poetry. Even Goethe wanted that universality of genius which could have appreciated the philosophy of India, if he had more nearly approached it. His genius was more practical, dwelling much more in the regions of the understanding, and was less native to contemplation than the genius of those sages. It is remarkable that Homer and a few Hebrews are the most Oriental names which modern Europe, whose literature has taken its rise since the decline of the Persian, has admitted into her list of Worthies, and perhaps the worthiest of mankind, and the fathers of modern thinking,—for the contemplations of those Indian sages have influenced, and still influence, the intellectual development of mankind,—whose works even yet survive in wonderful completeness, are, for the most part, not recognized as ever having existed. If the lions had been the painters it would have been otherwise. In every one’s youthful dreams philosophy is still vaguely but inseparably, and with singular truth, associated with the East, nor do after years discover its local habitation in the Western world. In comparison with the philosophers of the East, we may say that modern Europe has yet given birth to none. Beside the vast and cosmogonal philosophy of the Bhagvat-Geeta, even our Shakespeare seems sometimes youthfully green and practical merely. Some of these sublime sentences, as the Chaldaean oracles of Zoroaster, still surviving after a thousand revolutions and translations, alone make us doubt if the poetic form and dress are not transitory, and not essential to the most effective and enduring expression of thought. Ex oriente lux may still be the motto of scholars, for the Western world has not yet derived from the East all the light which it is destined to receive thence.

To an American reader, who, thanks to his position, can see across that stretch of Atlantic coast to Asia and the Pacific, who, in a sense, views the land rise up over the Alps to the Himalayas, the relatively recent literature of Europe often seems limited and insular. Despite the narrowness of his own interests and studies, the European writer who thinks he is speaking for the world is seen by him as only representing that specific part of it where he lives. A rare scholar and critic from England, in his classification of the great figures of the world, shows the limitations of his European background and the exclusivity of his reading. None of England's intellectuals have properly acknowledged the poets and philosophers of Persia or India. In fact, those figures are often better known to her merchant scholars than to her professional poets and thinkers. You will look in vain through English poetry for a single memorable line inspired by these subjects. Germany isn't an exception, even though its linguistic scholarship indirectly supports philosophy and poetry. Even Goethe lacked that universal genius that could have appreciated Indian philosophy had he engaged with it more closely. His genius was more practical, focusing much more on understanding rather than contemplation compared to those sages. It's striking that Homer and a few Hebrews are the most Oriental names in modern Europe's list of greats, whose literature has emerged since the decline of Persian influence—and perhaps the most deserving of humanity and the forefathers of modern thought—since the reflections of those Indian sages have influenced and still shape human intellectual growth, whose works, even today, exist in remarkable completeness but are mostly unrecognized. If the lions had been the painters, it would be different. In everyone’s youth, philosophy remains vaguely yet inseparably linked with the East, and later years reveal its location in the Western world. Compared to Eastern philosophers, we can say that modern Europe has produced none. Next to the vast and cosmic philosophy of the Bhagavad Gita, even our Shakespeare sometimes seems a bit naive and overly practical. Some of these profound sentences, like the Chaldaean oracles of Zoroaster, which have survived countless changes and translations, make us question whether poetic form is not merely transient and not essential for the most effective and lasting expression of thought. Ex oriente lux may still be the motto of scholars, for the Western world has yet to gain all the illumination it is destined to receive from the East.

It would be worthy of the age to print together the collected Scriptures or Sacred Writings of the several nations, the Chinese, the Hindoos, the Persians, the Hebrews, and others, as the Scripture of mankind. The New Testament is still, perhaps, too much on the lips and in the hearts of men to be called a Scripture in this sense. Such a juxtaposition and comparison might help to liberalize the faith of men. This is a work which Time will surely edit, reserved to crown the labors of the printing-press. This would be the Bible, or Book of Books, which let the missionaries carry to the uttermost parts of the earth.

It would be worthwhile to publish together the collected Scriptures or Sacred Writings of various nations, including the Chinese, Hindus, Persians, Hebrews, and others, as the common Scripture of humanity. The New Testament is still too prevalent in people's thoughts and hearts to be considered Scripture in this sense. Such a comparison could help open up people's faith. This is a project that Time will inevitably undertake, destined to honor the efforts of the printing press. This would be the Bible, or Book of Books, that missionaries could take to the farthest corners of the earth.

While engaged in these reflections, thinking ourselves the only navigators of these waters, suddenly a canal-boat, with its sail set, glided round a point before us, like some huge river beast, and changed the scene in an instant; and then another and another glided into sight, and we found ourselves in the current of commerce once more. So we threw our rinds in the water for the fishes to nibble, and added our breath to the life of living men. Little did we think, in the distant garden in which we had planted the seed and reared this fruit, where it would be eaten. Our melons lay at home on the sandy bottom of the Merrimack, and our potatoes in the sun and water at the bottom of the boat looked like a fruit of the country. Soon, however, we were delivered from this fleet of junks, and possessed the river in solitude, once more rowing steadily upward through the noon, between the territories of Nashua on the one hand, and Hudson, once Nottingham, on the other. From time to time we scared up a kingfisher or a summer duck, the former flying rather by vigorous impulses than by steady and patient steering with that short rudder of his, sounding his rattle along the fluvial street.

While lost in these thoughts, believing we were the only ones navigating these waters, a canal boat with its sail up suddenly appeared around a bend, gliding toward us like a giant river creature, instantly changing the scene. Then another boat and then another came into view, and we found ourselves back in the flow of commerce. So we tossed our scraps into the water for the fish to nibble on and contributed our breath to the lives of others. Little did we know, in the distant garden where we planted the seed and grew this fruit, where it would eventually be consumed. Our melons rested at home on the sandy bottom of the Merrimack, and our potatoes soaking in the sun and water at the bottom of the boat looked like local produce. Soon, however, we escaped this fleet of boats and enjoyed the river in solitude again, paddling steadily upstream through the afternoon between Nashua on one side and Hudson, formerly Nottingham, on the other. Occasionally, we startled a kingfisher or a summer duck, the kingfisher flying more by bursts of energy than by careful steering, making its distinctive noise along the riverside.

Erelong another scow hove in sight, creeping down the river; and hailing it, we attached ourselves to its side, and floated back in company, chatting with the boatmen, and obtaining a draught of cooler water from their jug. They appeared to be green hands from far among the hills, who had taken this means to get to the seaboard, and see the world; and would possibly visit the Falkland Isles, and the China seas, before they again saw the waters of the Merrimack, or, perchance, they would not return this way forever. They had already embarked the private interests of the landsman in the larger venture of the race, and were ready to mess with mankind, reserving only the till of a chest to themselves. But they too were soon lost behind a point, and we went croaking on our way alone. What grievance has its root among the New Hampshire hills? we asked; what is wanting to human life here, that these men should make such haste to the antipodes? We prayed that their bright anticipations might not be rudely disappointed.

Soon, another scow came into view, making its way down the river; as we hailed it, we attached ourselves alongside and floated back together, chatting with the boatmen and enjoying a sip of cooler water from their jug. They seemed to be inexperienced folks from far in the hills, taking this chance to reach the coast and see the world; they might even visit the Falkland Islands and the China seas before they returned to the waters of the Merrimack, or maybe they would never come back this way again. They had already given up the personal interests of the land for the bigger thrill of adventure and were ready to mingle with humanity, keeping only a small stash for themselves. But they soon disappeared behind a bend, and we continued on our way alone. What issues stem from the New Hampshire hills, we wondered; what is missing in life here, that these men would rush to the ends of the earth? We hoped that their bright expectations wouldn’t be harshly dashed.

Though all the fates should prove unkind,
Leave not your native land behind.
The ship, becalmed, at length stands still;
The steed must rest beneath the hill;
But swiftly still our fortunes pace
To find us out in every place.

The vessel, though her masts be firm,
Beneath her copper bears a worm;
Around the cape, across the line,
Till fields of ice her course confine;
It matters not how smooth the breeze,
How shallow or how deep the seas,
Whether she bears Manilla twine,
Or in her hold Madeira wine,
Or China teas, or Spanish hides,
In port or quarantine she rides;
Far from New England’s blustering shore,
New England’s worm her hulk shall bore,
And sink her in the Indian seas,
Twine, wine, and hides, and China teas.

Though all the fates may be unkind,
Don’t leave your homeland behind.
The ship, at last, is stuck in place;
The horse must rest beneath the hill;
But still, our fortunes move quickly
To find us in every spot.

The ship, though her masts are strong,
Beneath her copper has a worm;
Around the cape, across the equator,
Until fields of ice block her path;
It doesn’t matter how smooth the breeze,
Whether the seas are shallow or deep,
If she carries Manila twine,
Or has Madeira wine in her hold,
Or Chinese tea, or Spanish hides,
In port or quarantine she stays;
Far from New England’s stormy shore,
New England’s worm will eat through her hull,
And sink her in the Indian seas,
Twine, wine, hides, and Chinese tea.

We passed a small desert here on the east bank, between Tyngsborough and Hudson, which was interesting and even refreshing to our eyes in the midst of the almost universal greenness. This sand was indeed somewhat impressive and beautiful to us. A very old inhabitant, who was at work in a field on the Nashua side, told us that he remembered when corn and grain grew there, and it was a cultivated field. But at length the fishermen, for this was a fishing place, pulled up the bushes on the shore, for greater convenience in hauling their seines, and when the bank was thus broken, the wind began to blow up the sand from the shore, until at length it had covered about fifteen acres several feet deep. We saw near the river, where the sand was blown off down to some ancient surface, the foundation of an Indian wigwam exposed, a perfect circle of burnt stones, four or five feet in diameter, mingled with fine charcoal, and the bones of small animals which had been preserved in the sand. The surrounding sand was sprinkled with other burnt stones on which their fires had been built, as well as with flakes of arrow-head stone, and we found one perfect arrow-head. In one place we noticed where an Indian had sat to manufacture arrow-heads out of quartz, and the sand was sprinkled with a quart of small glass-like chips about as big as a fourpence, which he had broken off in his work. Here, then, the Indians must have fished before the whites arrived. There was another similar sandy tract about half a mile above this.

We came across a small sandy area on the east bank, between Tyngsborough and Hudson, that was interesting and even refreshing to look at amid the nearly constant greenery. The sand was actually quite striking and beautiful to us. An elderly local, who was working in a field on the Nashua side, told us he remembered when crops like corn and grain grew there, and it was a cultivated field. Eventually, the fishermen—since this was a fishing spot—cleared away the bushes along the shore for easier access to haul their nets, and when the bank was disturbed, the wind started to blow the sand from the shore, eventually covering about fifteen acres with several feet of sand. We noticed near the river, where the sand had been blown away to reveal an older surface, the remains of an Indian wigwam— a perfect circle of burnt stones, about four or five feet in diameter, mixed with fine charcoal and bones of small animals preserved in the sand. The sand around it was dotted with other burnt stones that had been used for their fires, as well as pieces of arrowhead stone, and we found one intact arrowhead. In one spot, we saw where an Indian had sat making arrowheads out of quartz, and the sand was scattered with a quart of small glass-like chips about the size of a fourpence, which he had broken while working. So, it seems the Indians must have fished here before the arrival of the white settlers. There was another similar sandy area about half a mile upstream from this one.

Still the noon prevailed, and we turned the prow aside to bathe, and recline ourselves under some buttonwoods, by a ledge of rocks, in a retired pasture sloping to the water’s edge, and skirted with pines and hazels, in the town of Hudson. Still had India, and that old noontide philosophy, the better part of our thoughts.

Still, it was noon, and we turned the boat aside to swim and relax under some buttonwood trees, by a ledge of rocks, in a quiet pasture sloping down to the water’s edge, surrounded by pines and hazels, in the town of Hudson. We were still caught up in India and that old midday philosophy that occupied most of our thoughts.

It is always singular, but encouraging, to meet with common sense in very old books, as the Heetopades of Veeshnoo Sarma; a playful wisdom which has eyes behind as well as before, and oversees itself. It asserts their health and independence of the experience of later times. This pledge of sanity cannot be spared in a book, that it sometimes pleasantly reflect upon itself. The story and fabulous portion of this book winds loosely from sentence to sentence as so many oases in a desert, and is as indistinct as a camel’s track between Mourzouk and Darfour. It is a comment on the flow and freshet of modern books. The reader leaps from sentence to sentence, as from one stepping-stone to another, while the stream of the story rushes past unregarded. The Bhagvat-Geeta is less sententious and poetic, perhaps, but still more wonderfully sustained and developed. Its sanity and sublimity have impressed the minds even of soldiers and merchants. It is the characteristic of great poems that they will yield of their sense in due proportion to the hasty and the deliberate reader. To the practical they will be common sense, and to the wise wisdom; as either the traveller may wet his lips, or an army may fill its water-casks at a full stream.

It’s always striking yet reassuring to encounter common sense in very old books, like the Heetopades of Veeshnoo Sarma; it offers a playful wisdom that looks both forward and back, and reflects on itself. It confirms their quality and independence from the experienced trends of later times. This assurance of clarity can't be absent in a book that sometimes amusingly reflects on itself. The story and mythical parts of this book flow loosely from one sentence to another, like a series of oases in a desert, and are as vague as a camel's track between Mourzouk and Darfour. It serves as a commentary on the overflow and rapid changes of modern literature. The reader jumps from sentence to sentence, like stepping from one stone to another, while the current of the story rushes by unnoticed. The Bhagvat-Geeta may be less profound and poetic, but it’s still more wonderfully cohesive and developed. Its clarity and depth have left an impression even on soldiers and merchants. Great poems have the ability to convey meaning in proportion to the quick and the thoughtful reader. For the practical person, they provide common sense, and for the wise, they offer wisdom; like travelers quenching their thirst or an army filling its water barrels at a flowing stream.

One of the most attractive of those ancient books that I have met with is the Laws of Menu. According to Sir William Jones, “Vyasa, the son of Parasara, has decided that the Veda, with its Angas, or the six compositions deduced from it, the revealed system of medicine, the Puranas or sacred histories, and the code of Menu, were four works of supreme authority, which ought never to be shaken by arguments merely human.” The last is believed by the Hindoos “to have been promulged in the beginning of time, by Menu, son or grandson of Brahma,” and “first of created beings”; and Brahma is said to have “taught his laws to Menu in a hundred thousand verses, which Menu explained to the primitive world in the very words of the book now translated.” Others affirm that they have undergone successive abridgments for the convenience of mortals, “while the gods of the lower heaven and the band of celestial musicians are engaged in studying the primary code.”—“A number of glosses or comments on Menu were composed by the Munis, or old philosophers, whose treatises, together with that before us, constitute the Dherma Sastra, in a collective sense, or Body of Law.” Culluca Bhatta was one of the more modern of these.

One of the most interesting ancient texts I've come across is the Laws of Menu. According to Sir William Jones, “Vyasa, the son of Parasara, determined that the Veda, along with its Angas—six texts derived from it—the revealed system of medicine, the Puranas or sacred histories, and the code of Menu, were four works of supreme authority that should never be undermined by mere human arguments.” Hindus believe it was “promulgated in the beginning of time by Menu, son or grandson of Brahma,” and “the first of created beings”; Brahma is said to have “taught his laws to Menu in a hundred thousand verses, which Menu explained to the early world in the exact words of this translated text.” Others claim these texts have gone through successive summaries for the convenience of humans, “while the gods of the lower heaven and the group of celestial musicians are busy studying the primary code.” A number of glosses or comments on Menu were written by the Munis, or ancient philosophers, whose writings, along with the one we are discussing, make up the Dherma Sastra, or Body of Law. Culluca Bhatta was one of the more recent scholars on this topic.

Every sacred book, successively, has been accepted in the faith that it was to be the final resting-place of the sojourning soul; but after all, it was but a caravansary which supplied refreshment to the traveller, and directed him farther on his way to Isphahan or Bagdat. Thank God, no Hindoo tyranny prevailed at the framing of the world, but we are freemen of the universe, and not sentenced to any caste.

Every sacred text has been embraced with the belief that it would serve as the final resting place for the wandering soul; however, it was merely a stopping point offering refreshment to the traveler and guiding him further on his journey to Isphahan or Bagdat. Thank God, there was no Hindu oppression at the creation of the world, but we are free individuals of the universe, not bound to any caste.

I know of no book which has come down to us with grander pretensions than this, and it is so impersonal and sincere that it is never offensive nor ridiculous. Compare the modes in which modern literature is advertised with the prospectus of this book, and think what a reading public it addresses, what criticism it expects. It seems to have been uttered from some eastern summit, with a sober morning prescience in the dawn of time, and you cannot read a sentence without being elevated as upon the table-land of the Ghauts. It has such a rhythm as the winds of the desert, such a tide as the Ganges, and is as superior to criticism as the Himmaleh Mountains. Its tone is of such unrelaxed fibre, that even at this late day, unworn by time, it wears the English and the Sanscrit dress indifferently; and its fixed sentences keep up their distant fires still, like the stars, by whose dissipated rays this lower world is illumined. The whole book by noble gestures and inclinations renders many words unnecessary. English sense has toiled, but Hindoo wisdom never perspired. Though the sentences open as we read them, unexpensively, and at first almost unmeaningly, as the petals of a flower, they sometimes startle us with that rare kind of wisdom which could only have been learned from the most trivial experience; but it comes to us as refined as the porcelain earth which subsides to the bottom of the ocean. They are clean and dry as fossil truths, which have been exposed to the elements for thousands of years, so impersonally and scientifically true that they are the ornament of the parlor and the cabinet. Any moral philosophy is exceedingly rare. This of Menu addresses our privacy more than most. It is a more private and familiar, and, at the same time, a more public and universal word, than is spoken in parlor or pulpit now-a-days. As our domestic fowls are said to have their original in the wild pheasant of India, so our domestic thoughts have their prototypes in the thoughts of her philosophers. We are dabbling in the very elements of our present conventional and actual life; as if it were the primeval conventicle where how to eat, and to drink, and to sleep, and maintain life with adequate dignity and sincerity, were the questions to be decided. It is later and more intimate with us even than the advice of our nearest friends. And yet it is true for the widest horizon, and read out of doors has relation to the dim mountain line, and is native and aboriginal there. Most books belong to the house and street only, and in the fields their leaves feel very thin. They are bare and obvious, and have no halo nor haze about them. Nature lies far and fair behind them all. But this, as it proceeds from, so it addresses, what is deepest and most abiding in man. It belongs to the noontide of the day, the midsummer of the year, and after the snows have melted, and the waters evaporated in the spring, still its truth speaks freshly to our experience. It helps the sun to shine, and his rays fall on its page to illustrate it. It spends the mornings and the evenings, and makes such an impression on us overnight as to awaken us before dawn, and its influence lingers around us like a fragrance late into the day. It conveys a new gloss to the meadows and the depths of the wood, and its spirit, like a more subtile ether, sweeps along with the prevailing winds of a country. The very locusts and crickets of a summer day are but later or earlier glosses on the Dherma Sastra of the Hindoos, a continuation of the sacred code. As we have said, there is an orientalism in the most restless pioneer, and the farthest west is but the farthest east. While we are reading these sentences, this fair modern world seems only a reprint of the Laws of Menu with the gloss of Culluca. Tried by a New England eye, or the mere practical wisdom of modern times, they are the oracles of a race already in its dotage, but held up to the sky, which is the only impartial and incorruptible ordeal, they are of a piece with its depth and serenity, and I am assured that they will have a place and significance as long as there is a sky to test them by.

I don't know of any book that has come to us with more impressive claims than this one, and it is so unbiased and genuine that it never feels offensive or silly. Compare how modern literature is marketed to the overview of this book, and consider what kind of audience it appeals to, what kind of criticism it anticipates. It seems to come from some eastern peak, with a clear morning vision from the dawn of time, and you can't read a sentence without feeling uplifted like you’re standing on the flatlands of the Ghauts. It has a rhythm like the winds of the desert, a flow like the Ganges, and it is above criticism just like the Himalayan Mountains. Its tone is so steadfast that even now, unblemished by time, it wears both English and Sanskrit equally well; its enduring sentences continue to blaze their distant fires like the stars that illuminate this lower world with their faded light. The whole book, through its noble gestures and inclinations, makes many words unnecessary. English thought has labored, while Hindu wisdom has never strained. Although the sentences unfold as we read them, simply and at first almost meaninglessly like a flower's petals, they sometimes surprise us with a rare kind of wisdom that could only have come from the simplest experiences; yet it arrives refined like the porcelain that settles on the ocean floor. They are clean and dry like fossil truths that have weathered the elements for thousands of years, so objectively and scientifically true that they enhance any parlor or cabinet. Any moral philosophy is extremely rare. This one from Manu speaks to our personal lives more than most. It is a more private and familiar, and yet also a more public and universal word than what is spoken in parlors or pulpits today. Just as our domestic chickens are said to come from the wild pheasants of India, our household thoughts originate from the ideas of her philosophers. We are engaging with the very essence of our current conventional lives, as if it were an ancient gathering where topics like eating, drinking, sleeping, and living with dignity and sincerity were the key questions to resolve. It feels closer and more intimate than the advice from our closest friends. Yet it remains true across the broadest horizons, and when read outdoors, it connects to the faint mountain outlines, feeling at home and original there. Most books belong to the confines of the house and street, and in nature, their messages feel thin. They appear bare and straightforward, lacking any halo or haze. Nature lies far and beautifully behind them all. But this book, as it emerges from, addresses what is deepest and most enduring in humanity. It belongs to the peak of the day, the height of summer, and even after the snow has melted and the spring waters have evaporated, its truths resonate freshly with our experiences. It helps the sun shine, and its rays illuminate its pages. It resonates in the mornings and evenings, leaving such an impression on us overnight that it awakens us before dawn, and its influence lingers like a fragrance throughout the day. It gives a fresh shine to the meadows and forest depths, and its spirit, like a finer ether, flows along with the prevailing winds. The very locusts and crickets of a summer day are just later or earlier reflections of the Dharma Sastra of the Hindus, carrying on the sacred code. As we’ve said, there’s an element of Eastern thought in even the most restless pioneers, and the farthest west is just the farthest east. While we read these sentences, this beautiful modern world feels like just a reprint of the Laws of Manu with the commentary of Culluca. Judged by a New England perspective or the mere practical wisdom of today, they may seem like the oracles of a culture already past its prime, but held up to the sky, the one truly impartial and incorruptible judge, they align with its depth and calm, and I believe they will hold their place and significance as long as there’s a sky to measure them against.

Give me a sentence which no intelligence can understand. There must be a kind of life and palpitation to it, and under its words a kind of blood must circulate forever. It is wonderful that this sound should have come down to us from so far, when the voice of man can be heard so little way, and we are not now within ear-shot of any contemporary. The woodcutters have here felled an ancient pine forest, and brought to light to these distant hills a fair lake in the southwest; and now in an instant it is distinctly shown to these woods as if its image had travelled hither from eternity. Perhaps these old stumps upon the knoll remember when anciently this lake gleamed in the horizon. One wonders if the bare earth itself did not experience emotion at beholding again so fair a prospect. That fair water lies there in the sun thus revealed, so much the prouder and fairer because its beauty needed not to be seen. It seems yet lonely, sufficient to itself, and superior to observation.—So are these old sentences like serene lakes in the southwest, at length revealed to us, which have so long been reflecting our own sky in their bosom.

Give me a sentence that no intelligence can understand. It must have a kind of life and energy to it, and beneath its words, a sort of blood must circulate forever. It's amazing that this sound has come down to us from so far away, especially when the voice of man can be heard so briefly, and we aren't currently within earshot of anyone contemporary. The woodcutters have cut down an ancient pine forest here, revealing a beautiful lake to these distant hills in the southwest; and now, in an instant, it is clearly shown to these woods as if its image has traveled here from eternity. Perhaps these old tree stumps on the knoll remember when this lake once sparkled on the horizon. One wonders if the bare ground itself didn't feel something when it saw such a beautiful view again. That lovely water lies there in the sun, revealed, even prouder and more beautiful because its beauty didn’t need to be noticed. It still seems lonely, content in itself, and above observation. — So are these old sentences like calm lakes in the southwest, finally revealed to us, which have for so long been reflecting our own sky in their depths.

The great plain of India lies as in a cup between the Himmaleh and the ocean on the north and south, and the Brahmapootra and Indus, on the east and west, wherein the primeval race was received. We will not dispute the story. We are pleased to read in the natural history of the country, of the “pine, larch, spruce, and silver fir,” which cover the southern face of the Himmaleh range; of the “gooseberry, raspberry, strawberry,” which from an imminent temperate zone overlook the torrid plains. So did this active modern life have even then a foothold and lurking-place in the midst of the stateliness and contemplativeness of those Eastern plains. In another era the “lily of the valley, cowslip, dandelion,” were to work their way down into the plain, and bloom in a level zone of their own reaching round the earth. Already has the era of the temperate zone arrived, the era of the pine and the oak, for the palm and the banian do not supply the wants of this age. The lichens on the summits of the rocks will perchance find their level erelong.

The great plain of India sits like a bowl between the Himalayas and the ocean to the north and south, and between the Brahmaputra and Indus rivers to the east and west, where the ancient race was welcomed. We won't argue about the story. We're happy to read in the natural history of the country about the “pine, larch, spruce, and silver fir” that cover the southern slopes of the Himalayas; about the “gooseberry, raspberry, strawberry” that look out over the hot plains from a nearby temperate zone. Even then, this active modern life had a presence and hiding place amid the grandeur and tranquility of those Eastern plains. In another time, the “lily of the valley, cowslip, dandelion” would push their way into the plain, blooming in a flat zone of their own that would circle the earth. The age of the temperate zone has already come, the age of the pine and the oak, as the palm and the banyan no longer meet the needs of this time. The lichens on the peaks of the rocks may soon find their level.

As for the tenets of the Brahmans, we are not so much concerned to know what doctrines they held, as that they were held by any. We can tolerate all philosophies, Atomists, Pneumatologists, Atheists, Theists,—Plato, Aristotle, Leucippus, Democritus, Pythagoras, Zoroaster, and Confucius. It is the attitude of these men, more than any communication which they make, that attracts us. Between them and their commentators, it is true, there is an endless dispute. But if it comes to this, that you compare notes, then you are all wrong. As it is, each takes us up into the serene heavens, whither the smallest bubble rises as surely as the largest, and paints earth and sky for us. Any sincere thought is irresistible. The very austerity of the Brahmans is tempting to the devotional soul, as a more refined and nobler luxury. Wants so easily and gracefully satisfied seem like a more refined pleasure. Their conception of creation is peaceful as a dream. “When that power awakes, then has this world its full expansion; but when he slumbers with a tranquil spirit, then the whole system fades away.” In the very indistinctness of their theogony a sublime truth is implied. It hardly allows the reader to rest in any supreme first cause, but directly it hints at a supremer still which created the last, and the Creator is still behind increate.

As for the beliefs of the Brahmans, we're not so much interested in what specific doctrines they held, but that they actually held some. We can accept all philosophies—Atomists, Pneumatologists, Atheists, Theists—Plato, Aristotle, Leucippus, Democritus, Pythagoras, Zoroaster, and Confucius. It’s their attitude that draws us in more than anything they communicate. It’s true that there's endless debate between them and their commentators. But if it comes down to comparing notes, then everyone is missing the point. Each one lifts us into the serene heavens, where even the smallest bubble rises just like the biggest, and paints a picture of earth and sky for us. Any sincere thought is compelling. The very seriousness of the Brahmans appeals to the devoted soul, presenting a more refined and noble luxury. Desires that are so effortlessly satisfied feel like a higher pleasure. Their idea of creation is as peaceful as a dream. “When that power awakens, the world fully expands; but when it rests in tranquility, the whole system fades away.” In the very vagueness of their theology, a profound truth is suggested. It hardly lets the reader settle on any ultimate first cause, but instead hints at an even higher power that created the last, and the Creator remains beyond creation.

Nor will we disturb the antiquity of this Scripture; “From fire, from air, and from the sun,” it was “milked out.” One might as well investigate the chronology of light and heat. Let the sun shine. Menu understood this matter best, when he said, “Those best know the divisions of days and nights who understand that the day of Brahma, which endures to the end of a thousand such ages, [infinite ages, nevertheless, according to mortal reckoning,] gives rise to virtuous exertions; and that his night endures as long as his day.” Indeed, the Mussulman and Tartar dynasties are beyond all dating. Methinks I have lived under them myself. In every man’s brain is the Sanscrit. The Vedas and their Angas are not so ancient as serene contemplation. Why will we be imposed on by antiquity? Is the babe young? When I behold it, it seems more venerable than the oldest man; it is more ancient than Nestor or the Sibyls, and bears the wrinkles of father Saturn himself. And do we live but in the present? How broad a line is that? I sit now on a stump whose rings number centuries of growth. If I look around I see that the soil is composed of the remains of just such stumps, ancestors to this. The earth is covered with mould. I thrust this stick many æons deep into its surface, and with my heel make a deeper furrow than the elements have ploughed here for a thousand years. If I listen, I hear the peep of frogs which is older than the slime of Egypt, and the distant drumming of a partridge on a log, as if it were the pulse-beat of the summer air. I raise my fairest and freshest flowers in the old mould. Why, what we would fain call new is not skin deep; the earth is not yet stained by it. It is not the fertile ground which we walk on, but the leaves which flutter over our heads. The newest is but the oldest made visible to our senses. When we dig up the soil from a thousand feet below the surface, we call it new, and the plants which spring from it; and when our vision pierces deeper into space, and detects a remoter star, we call that new also. The place where we sit is called Hudson,—once it was Nottingham,—once —

Nor will we disturb the age of this Scripture; “From fire, from air, and from the sun,” it was “milked out.” One might as well investigate the timeline of light and heat. Let the sun shine. Menu understood this best when he said, “Those who truly know the divisions of day and night understand that the day of Brahma, which lasts for a thousand such ages, gives rise to virtuous efforts; and that his night lasts just as long as his day.” Indeed, the Muslim and Tartar dynasties can't be dated accurately. I think I've lived under them myself. Every man carries the Sanskrit in his mind. The Vedas and their Angas aren’t as ancient as calm reflection. Why do we let antiquity impose itself on us? Is the baby young? When I see it, it seems more venerable than the oldest man; it is older than Nestor or the Sibyls, and shows the wrinkles of father Saturn himself. And do we live only in the present? How wide a line is that? I’m sitting on a stump whose rings record centuries of growth. If I look around, I see that the soil is made from the remains of just such stumps, ancestors to this one. The earth is covered with mold. I push this stick deep into the ground, and with my heel, I make a deeper mark than the elements have plowed here for a thousand years. If I listen, I hear the croak of frogs, which is older than the mud of Egypt, and the distant drumming of a partridge on a log, almost like the heartbeat of the summer air. I grow my most beautiful and fresh flowers in the old soil. Why, what we want to call new isn’t as superficial as we think; the earth has not yet been marked by it. It’s not the fertile ground under us, but the leaves fluttering above our heads. The newest is just the oldest made visible to our senses. When we dig soil from a thousand feet below the surface, we call it new, and the plants that spring up from it; and when we see deeper into space and spot a more distant star, we call that new too. The place where we sit is called Hudson—once it was Nottingham—once—

We should read history as little critically as we consider the landscape, and be more interested by the atmospheric tints and various lights and shades which the intervening spaces create, than by its groundwork and composition. It is the morning now turned evening and seen in the west,—the same sun, but a new light and atmosphere. Its beauty is like the sunset; not a fresco painting on a wall, flat and bounded, but atmospheric and roving or free. In reality, history fluctuates as the face of the landscape from morning to evening. What is of moment is its hue and color. Time hides no treasures; we want not its then, but its now. We do not complain that the mountains in the horizon are blue and indistinct; they are the more like the heavens.

We should approach history with the same level of curiosity as we have for a landscape, focusing more on the atmospheric colors and varying lights and shadows that the gaps create than on the actual structure and details. It's like morning changing into evening and viewed from the west—it's the same sun, but with a different light and mood. Its beauty resembles a sunset; it's not a flat mural on a wall, but something that is atmospheric and free-moving. In truth, history shifts just like the landscape does from morning to evening. What really matters is its tone and color. Time doesn't hide any treasures; we don't need its then, but its now. We don’t complain that the mountains on the horizon are blue and blurry; they resemble the sky even more.

Of what moment are facts that can be lost,—which need to be commemorated? The monument of death will outlast the memory of the dead. The pyramids do not tell the tale which was confided to them; the living fact commemorates itself. Why look in the dark for light? Strictly speaking, the historical societies have not recovered one fact from oblivion, but are themselves, instead of the fact, that is lost. The researcher is more memorable than the researched. The crowd stood admiring the mist and the dim outlines of the trees seen through it, when one of their number advanced to explore the phenomenon, and with fresh admiration all eyes were turned on his dimly retreating figure. It is astonishing with how little co-operation of the societies the past is remembered. Its story has indeed had another muse than has been assigned it. There is a good instance of the manner in which all history began, in Alwákidis’ Arabian Chronicle: “I was informed by Ahmed Almatin Aljorhami, who had it from Rephâa Ebn Kais Alámiri, who had it from Saiph Ebn Fabalah Alchâtquarmi, who had it from Thabet Ebn Alkamah, who said he was present at the action.” These fathers of history were not anxious to preserve, but to learn the fact; and hence it was not forgotten. Critical acumen is exerted in vain to uncover the past; the past cannot be presented; we cannot know what we are not. But one veil hangs over past, present, and future, and it is the province of the historian to find out, not what was, but what is. Where a battle has been fought, you will find nothing but the bones of men and beasts; where a battle is being fought, there are hearts beating. We will sit on a mound and muse, and not try to make these skeletons stand on their legs again. Does Nature remember, think you, that they were men, or not rather that they are bones?

Of what importance are facts that can be forgotten and need to be remembered? The monument of death will last longer than the memory of the dead. The pyramids don't share the stories they were meant to hold; the living reality speaks for itself. Why search in darkness for light? To be precise, historical societies haven't brought back a single fact from oblivion; they are themselves, rather than the fact, that has been lost. The researcher is more memorable than the research subject. The crowd stood admiring the mist and the faint outlines of the trees visible through it, when one of them stepped forward to investigate the phenomenon, and everyone's gaze shifted with renewed admiration to his fading figure. It's remarkable how little help these societies provide in remembering the past. Its story has indeed been inspired by a different muse than expected. There’s a perfect example of how all history began in Alwákidis’ Arabian Chronicle: “I was informed by Ahmed Almatin Aljorhami, who had it from Rephâa Ebn Kais Alámiri, who got it from Saiph Ebn Fabalah Alchâtquarmi, who heard it from Thabet Ebn Alkamah, who said he was present at the event.” These fathers of history weren’t eager to preserve but to learn the fact; and because of that, it wasn’t forgotten. Critical sharpness is wasted in trying to uncover the past; the past cannot be presented; we can’t know what we aren’t. But one veil hangs over the past, present, and future, and it’s the job of the historian to discover not what was but what is. Where a battle has taken place, you will find only bones of men and beasts; where a battle is ongoing, there are hearts beating. We will sit on a mound and reflect, not trying to make these skeletons stand on their legs again. Does Nature remember, do you think, that they were men, or rather that they are bones?

Ancient history has an air of antiquity. It should be more modern. It is written as if the spectator should be thinking of the backside of the picture on the wall, or as if the author expected that the dead would be his readers, and wished to detail to them their own experience. Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall a prey to the arch enemy. History has neither the venerableness of antiquity, nor the freshness of the modern. It does as if it would go to the beginning of things, which natural history might with reason assume to do; but consider the Universal History, and then tell us,—when did burdock and plantain sprout first? It has been so written for the most part, that the times it describes are with remarkable propriety called dark ages. They are dark, as one has observed, because we are so in the dark about them. The sun rarely shines in history, what with the dust and confusion; and when we meet with any cheering fact which implies the presence of this luminary, we excerpt and modernize it. As when we read in the history of the Saxons that Edwin of Northumbria “caused stakes to be fixed in the highways where he had seen a clear spring,” and “brazen dishes were chained to them to refresh the weary sojourner, whose fatigues Edwin had himself experienced.” This is worth all Arthur’s twelve battles.

Ancient history feels outdated. It should be more current. It’s written as if the reader should be focused on the back of the picture hanging on the wall, or as if the author expected that the dead would be his audience and wanted to recount their own experiences to them. People seem eager to make a well-organized retreat through the years, diligently reconstructing what’s been lost to the passage of time; but while they hesitate, both they and their efforts fall victim to the ultimate enemy. History lacks both the respectability of the past and the freshness of the present. It behaves as if it aims to go back to the origins, which natural history might reasonably attempt; but if you consider Universal History, then tell us—when did burdock and plantain first appear? For the most part, it has been documented in such a way that the periods it covers are aptly called dark ages. They are dark, as has been pointed out, because we know so little about them. The sun rarely shines in history, clouded by dust and confusion; and when we find any uplifting fact that suggests the presence of this light, we highlight and update it. For example, when we read in the history of the Saxons that Edwin of Northumbria “had stakes set up in the roads where he had noticed a clear spring,” and “brazen dishes were chained to them to refresh the weary traveler, whose fatigue Edwin had himself felt.” This holds more value than all of Arthur’s twelve battles.

“Through the shadow of the world we sweep into the younger day:
Better fifty years of Europe than a cycle of Cathay.”
Than fifty years of Europe better one New England ray!

“Through the shadow of the world, we move into a brighter day:
Better fifty years in Europe than a whole cycle in China.”
But better than fifty years in Europe is a single ray from New England!

Biography, too, is liable to the same objection; it should be autobiography. Let us not, as the Germans advise, endeavor to go abroad and vex our bowels that we may be somebody else to explain him. If I am not I, who will be?

Biography is also subject to the same criticism; it should really be autobiography. Let's not follow the German advice to go out of our way and make ourselves uncomfortable just to be someone else explaining them. If I’m not me, then who will be?

But it is fit that the Past should be dark; though the darkness is not so much a quality of the past as of tradition. It is not a distance of time, but a distance of relation, which makes thus dusky its memorials. What is near to the heart of this generation is fair and bright still. Greece lies outspread fair and sunshiny in floods of light, for there is the sun and daylight in her literature and art. Homer does not allow us to forget that the sun shone,—nor Phidias, nor the Parthenon. Yet no era has been wholly dark, nor will we too hastily submit to the historian, and congratulate ourselves on a blaze of light. If we could pierce the obscurity of those remote years, we should find it light enough; only there is not our day. Some creatures are made to see in the dark. There has always been the same amount of light in the world. The new and missing stars, the comets and eclipses, do not affect the general illumination, for only our glasses appreciate them. The eyes of the oldest fossil remains, they tell us, indicate that the same laws of light prevailed then as now. Always the laws of light are the same, but the modes and degrees of seeing vary. The gods are partial to no era, but steadily shines their light in the heavens, while the eye of the beholder is turned to stone. There was but the sun and the eye from the first. The ages have not added a new ray to the one, nor altered a fibre of the other.

But it's fitting that the Past should be dark; though the darkness is less about the past itself and more about tradition. It's not just a matter of time passing, but rather a matter of connection that makes its memories feel dim. What is close to the heart of this generation is still beautiful and bright. Greece spreads out fair and sunny in bright, flowing light, with the sun and daylight shining through her literature and art. Homer reminds us that the sun was shining—so do Phidias and the Parthenon. Yet no era has been completely dark, and we won’t too quickly agree with historians or congratulate ourselves on a burst of brightness. If we could break through the obscurity of those distant years, we would find it just as bright; only that is not our time. Some beings are meant to see in the dark. The amount of light in the world has always been the same. The new and missing stars, the comets and eclipses, do not change the overall brightness; only our instruments can appreciate them. The eyes of the oldest fossil remains, scientists tell us, indicate that the same laws of light existed then as they do now. The laws of light have always been consistent, but the ways and degrees of seeing differ. The gods are not biased toward any era, but their light continues to shine steadily in the heavens, while the viewer’s eyes are clouded. From the very beginning, there was only the sun and the eye. The ages have not added a new ray to the former, nor changed a fiber of the latter.

If we will admit time into our thoughts at all, the mythologies, those vestiges of ancient poems, wrecks of poems, so to speak, the world’s inheritance, still reflecting some of their original splendor, like the fragments of clouds tinted by the rays of the departed sun; reaching into the latest summer day, and allying this hour to the morning of creation; as the poet sings:—

If we allow time to enter our thoughts, the mythologies, those remnants of ancient poems, are like wrecks of poems, so to speak—our world's legacy. They still reflect some of their original beauty, like fragments of clouds colored by the light of the setting sun, reaching into the last summer day and connecting this moment to the morning of creation, as the poet sings:—

    “Fragments of the lofty strain
    Float down the tide of years,
As buoyant on the stormy main
    A parted wreck appears.”

“Pieces of the grand melody
    Drift down the river of time,
Like a separate wreck on the rough sea
    That still rises above the waves.”

These are the materials and hints for a history of the rise and progress of the race; how, from the condition of ants, it arrived at the condition of men, and arts were gradually invented. Let a thousand surmises shed some light on this story. We will not be confined by historical, even geological periods which would allow us to doubt of a progress in human affairs. If we rise above this wisdom for the day, we shall expect that this morning of the race, in which it has been supplied with the simplest necessaries, with corn, and wine, and honey, and oil, and fire, and articulate speech, and agricultural and other arts, reared up by degrees from the condition of ants to men, will be succeeded by a day of equally progressive splendor; that, in the lapse of the divine periods, other divine agents and godlike men will assist to elevate the race as much above its present condition. But we do not know much about it.

These are the materials and hints for a history of how the human race rose and progressed; how, moving from the state of insects, it evolved into what we now recognize as humanity, and how arts were gradually developed. Let a thousand guesses illuminate this narrative. We won’t be limited by historical or even geological periods that could make us doubt progress in human affairs. If we rise above the wisdom of today, we can hope that this early stage of humanity, where it has been provided with basic necessities like grain, wine, honey, oil, fire, clear speech, and agricultural skills, evolving step by step from the state of insects to that of humans, will lead to an era of even greater progress; that, over time, other divine forces and extraordinary individuals will help elevate humanity even further beyond its current state. But we don’t know much about it.

Thus did one voyageur waking dream, while his companion slumbered on the bank. Suddenly a boatman’s horn was heard echoing from shore to shore, to give notice of his approach to the farmer’s wife with whom he was to take his dinner, though in that place only muskrats and kingfishers seemed to hear. The current of our reflections and our slumbers being thus disturbed, we weighed anchor once more.

Thus, one traveler drifted into a dream while his companion slept on the bank. Suddenly, a boatman’s horn echoed from shore to shore, signaling his approach to the farmer’s wife with whom he was supposed to have lunch, although in that place, only muskrats and kingfishers seemed to hear it. With our thoughts and sleep interrupted, we weighed anchor once more.

As we proceeded on our way in the afternoon, the western bank became lower, or receded farther from the channel in some places, leaving a few trees only to fringe the water’s edge; while the eastern rose abruptly here and there into wooded hills fifty or sixty feet high. The bass, Tilia Americana, also called the lime or linden, which was a new tree to us, overhung the water with its broad and rounded leaf, interspersed with clusters of small hard berries now nearly ripe, and made an agreeable shade for us sailors. The inner bark of this genus is the bast, the material of the fisherman’s matting, and the ropes and peasant’s shoes of which the Russians make so much use, and also of nets and a coarse cloth in some places. According to poets, this was once Philyra, one of the Oceanides. The ancients are said to have used its bark for the roofs of cottages, for baskets, and for a kind of paper called Philyra. They also made bucklers of its wood, “on account of its flexibility, lightness, and resiliency.” It was once much used for carving, and is still in demand for sounding-boards of piano-fortes and panels of carriages, and for various uses for which toughness and flexibility are required. Baskets and cradles are made of the twigs. Its sap affords sugar, and the honey made from its flowers is said to be preferred to any other. Its leaves are in some countries given to cattle, a kind of chocolate has been made of its fruit, a medicine has been prepared from an infusion of its flowers, and finally, the charcoal made of its wood is greatly valued for gunpowder.

As we continued our journey in the afternoon, the western bank became lower in some places, pulling back from the channel and leaving only a few trees along the water’s edge; meanwhile, the eastern bank rose sharply here and there into wooded hills fifty or sixty feet high. The bass, Tilia Americana, also known as the lime or linden, which was a new tree for us, stretched over the water with its broad, rounded leaves, dotted with clusters of small, hard berries that were nearly ripe, providing us sailors with nice shade. The inner bark of this tree is the bast, used for making fisherman’s mats, ropes, and peasant shoes, which are popular in Russia, as well as for nets and coarse cloth in some regions. According to poets, this tree was once Philyra, one of the Oceanides. It’s said that ancient people used its bark for cottage roofs, baskets, and a type of paper called Philyra. They also made shields from its wood because of its flexibility, lightness, and resilience. It was once commonly used for carving and is still sought after for piano soundboards, carriage panels, and various applications where toughness and flexibility are needed. Baskets and cradles are made from its twigs. Its sap produces sugar, and the honey derived from its flowers is said to be the most preferred. In some countries, its leaves are given to cattle, a kind of chocolate has been made from its fruit, a medicine has been created from an infusion of its flowers, and finally, the charcoal from its wood is highly valued for making gunpowder.

The sight of this tree reminded us that we had reached a strange land to us. As we sailed under this canopy of leaves we saw the sky through its chinks, and, as it were, the meaning and idea of the tree stamped in a thousand hieroglyphics on the heavens. The universe is so aptly fitted to our organization that the eye wanders and reposes at the same time. On every side there is something to soothe and refresh this sense. Look up at the tree-tops and see how finely Nature finishes off her work there. See how the pines spire without end higher and higher, and make a graceful fringe to the earth. And who shall count the finer cobwebs that soar and float away from their utmost tops, and the myriad insects that dodge between them. Leaves are of more various forms than the alphabets of all languages put together; of the oaks alone there are hardly two alike, and each expresses its own character.

The view of this tree reminded us that we had arrived in a strange land. As we sailed under this canopy of leaves, we could see the sky through the gaps, and it felt like the meaning of the tree was written in a thousand hieroglyphics across the heavens. The universe is so perfectly suited to us that our eyes wander while also feeling at ease. Everywhere you look, there's something to calm and refresh your senses. Look up at the tree tops and notice how beautifully Nature completes her work there. See how the pines reach higher and higher, creating a graceful border for the earth. And who can count the delicate webs that drift down from the very tops, or the countless insects that flit between them? Leaves come in more shapes than the alphabets of all languages combined; even among oaks, it's rare to find two leaves that are exactly alike, and each one has its own unique character.

In all her products Nature only develops her simplest germs. One would say that it was no great stretch of invention to create birds. The hawk, which now takes his flight over the top of the wood, was at first, perchance, only a leaf which fluttered in its aisles. From rustling leaves she came in the course of ages to the loftier flight and clear carol of the bird.

In all her creations, Nature only nurtures her most basic forms. It seems that coming up with birds wasn't such a huge leap of imagination. The hawk, now soaring above the treetops, may have originally been just a leaf dancing in the breeze below. Over the ages, those rustling leaves evolved into the high-flying, melodious birds we see today.

Salmon Brook comes in from the west under the railroad, a mile and a half below the village of Nashua. We rowed up far enough into the meadows which border it to learn its piscatorial history from a haymaker on its banks. He told us that the silver eel was formerly abundant here, and pointed to some sunken creels at its mouth. This man’s memory and imagination were fertile in fishermen’s tales of floating isles in bottomless ponds, and of lakes mysteriously stocked with fishes, and would have kept us till nightfall to listen, but we could not afford to loiter in this roadstead, and so stood out to our sea again. Though we never trod in those meadows, but only touched their margin with our hands, we still retain a pleasant memory of them.

Salmon Brook flows in from the west beneath the railroad, a mile and a half downstream from the village of Nashua. We paddled up far enough into the meadows along its banks to hear its fishing stories from a haymaker nearby. He told us that silver eels used to be plentiful here and pointed to some old nets at the brook's mouth. This guy had a vivid memory and imagination, sharing fishermen’s tales of floating islands in bottomless ponds and lakes mysteriously filled with fish, and he could have talked to us until sunset. However, we couldn't afford to linger in this spot, so we headed back out to the sea. Even though we never walked through those meadows, only brushed our hands along their edges, we still cherish a nice memory of them.

Salmon Brook, whose name is said to be a translation from the Indian, was a favorite haunt of the aborigines. Here, too, the first white settlers of Nashua planted, and some dents in the earth where their houses stood and the wrecks of ancient apple-trees are still visible. About one mile up this stream stood the house of old John Lovewell, who was an ensign in the army of Oliver Cromwell, and the father of “famous Captain Lovewell.” He settled here before 1690, and died about 1754, at the age of one hundred and twenty years. He is thought to have been engaged in the famous Narragansett swamp fight, which took place in 1675, before he came here. The Indians are said to have spared him in succeeding wars on account of his kindness to them. Even in 1700 he was so old and gray-headed that his scalp was worth nothing, since the French Governor offered no bounty for such. I have stood in the dent of his cellar on the bank of the brook, and talked there with one whose grandfather had, whose father might have, talked with Lovewell. Here also he had a mill in his old age, and kept a small store. He was remembered by some who were recently living, as a hale old man who drove the boys out of his orchard with his cane. Consider the triumphs of the mortal man, and what poor trophies it would have to show, to wit:—He cobbled shoes without glasses at a hundred, and cut a handsome swath at a hundred and five! Lovewell’s house is said to have been the first which Mrs. Dustan reached on her escape from the Indians. Here probably the hero of Pequawket was born and bred. Close by may be seen the cellar and the gravestone of Joseph Hassell, who, as is elsewhere recorded, with his wife Anna, and son Benjamin, and Mary Marks, “were slain by our Indian enemies on September 2d, [1691,] in the evening.” As Gookin observed on a previous occasion, “The Indian rod upon the English backs had not yet done God’s errand.” Salmon Brook near its mouth is still a solitary stream, meandering through woods and meadows, while the then uninhabited mouth of the Nashua now resounds with the din of a manufacturing town.

Salmon Brook, which is believed to be translated from the Native American language, was a favorite spot for the indigenous people. Here, the first white settlers of Nashua also settled, and some depressions in the ground where their homes once stood and the remnants of old apple trees are still noticeable. About a mile up this stream was the home of old John Lovewell, who served as an ensign in Oliver Cromwell's army and was the father of the “famous Captain Lovewell.” He settled here before 1690 and died around 1754 at the remarkable age of one hundred and twenty. He is thought to have participated in the famous Narragansett swamp fight in 1675, before moving here. The Native Americans are said to have spared him in later conflicts because of his kindness towards them. Even in 1700, he was so old and gray that his scalp had no value, as the French Governor didn't offer a bounty for someone of his age. I've stood in the depression of his cellar by the brook, talking with someone whose grandfather had spoken with Lovewell, and whose father might have as well. In his later years, he also had a mill and ran a small store. Some who were alive recently remembered him as a strong old man who would shoo the boys out of his orchard with his cane. Consider the achievements of a mortal man and what meager trophies they have to show: he cobbled shoes without glasses at one hundred and cut a good swath at one hundred and five! Lovewell’s house is said to be the first place Mrs. Dustan reached after escaping from the Native Americans. Here, the hero of Pequawket likely grew up. Nearby, you can see the cellar and gravestone of Joseph Hassell, who, as noted elsewhere, along with his wife Anna, son Benjamin, and Mary Marks, “were slain by our Indian enemies on September 2nd, [1691,] in the evening.” As Gookin noted previously, “The Indian rod upon the English backs had not yet done God’s errand.” Near its mouth, Salmon Brook is still a quiet stream, winding through woods and meadows, while the once-uninhabited mouth of the Nashua now buzzes with the noise of a manufacturing town.

A stream from Otternic Pond in Hudson comes in just above Salmon Brook, on the opposite side. There was a good view of Uncannunuc, the most conspicuous mountain in these parts, from the bank here, seen rising over the west end of the bridge above. We soon after passed the village of Nashua, on the river of the same name, where there is a covered bridge over the Merrimack. The Nashua, which is one of the largest tributaries, flows from Wachusett Mountain, through Lancaster, Groton, and other towns, where it has formed well-known elm-shaded meadows, but near its mouth it is obstructed by falls and factories, and did not tempt us to explore it.

A stream from Otternic Pond in Hudson flows in just above Salmon Brook, on the opposite side. There was a great view of Uncannunuc, the most noticeable mountain in this area, from the bank here, seen rising over the west end of the bridge above. Shortly after, we passed the village of Nashua, on the river of the same name, where there's a covered bridge over the Merrimack. The Nashua, which is one of the largest tributaries, flows from Wachusett Mountain, through Lancaster, Groton, and other towns, creating well-known meadows shaded by elm trees. However, near its mouth, it’s blocked by falls and factories, so we didn’t feel compelled to explore it.

Far away from here, in Lancaster, with another companion, I have crossed the broad valley of the Nashua, over which we had so long looked westward from the Concord hills without seeing it to the blue mountains in the horizon. So many streams, so many meadows and woods and quiet dwellings of men had lain concealed between us and those Delectable Mountains;—from yonder hill on the road to Tyngsborough you may get a good view of them. There where it seemed uninterrupted forest to our youthful eyes, between two neighboring pines in the horizon, lay the valley of the Nashua, and this very stream was even then winding at its bottom, and then, as now, it was here silently mingling its waters with the Merrimack. The clouds which floated over its meadows and were born there, seen far in the west, gilded by the rays of the setting sun, had adorned a thousand evening skies for us. But as it were, by a turf wall this valley was concealed, and in our journey to those hills it was first gradually revealed to us. Summer and winter our eyes had rested on the dim outline of the mountains, to which distance and indistinctness lent a grandeur not their own, so that they served to interpret all the allusions of poets and travellers. Standing on the Concord Cliffs we thus spoke our mind to them:—

Far away from here, in Lancaster, with another friend, I crossed the wide valley of the Nashua, which we had often gazed at from the Concord hills without seeing it, all the way to the blue mountains on the horizon. So many streams, meadows, woods, and quiet homes were hidden between us and those beautiful mountains; from that hill on the road to Tyngsborough, you can get a good view of them. What looked like an unbroken forest to our youthful eyes held the valley of the Nashua between two nearby pines on the horizon, and this very stream was already winding through it, quietly joining its waters with the Merrimack. The clouds that floated over its meadows, born there and visible far in the west, lit up by the rays of the setting sun, had decorated countless evening skies for us. But it was as if a turf wall concealed this valley, and it was only during our journey to those hills that it slowly revealed itself to us. All year round, our eyes had rested on the faint outline of the mountains, which, due to distance and blurriness, gained a grandeur they didn't really possess, allowing them to reflect all the references made by poets and travelers. Standing on the Concord Cliffs, we shared our thoughts with them:—

With frontier strength ye stand your ground,
With grand content ye circle round,
Tumultuous silence for all sound,
Ye distant nursery of rills,
Monadnock and the Peterborough Hills;—
Firm argument that never stirs,
Outcircling the philosophers,—
Like some vast fleet,
Sailing through rain and sleet,
Through winter’s cold and summer’s heat;
Still holding on upon your high emprise,
Until ye find a shore amid the skies;
Not skulking close to land,
With cargo contraband,
For they who sent a venture out by ye
Have set the Sun to see
Their honesty.

Ships of the line, each one,
Ye westward run,
Convoying clouds,
Which cluster in your shrouds,
Always before the gale,
Under a press of sail,
With weight of metal all untold,—
I seem to feel ye in my firm seat here,
Immeasurable depth of hold,
And breadth of beam, and length of running gear

Methinks ye take luxurious pleasure
In your novel western leisure;
So cool your brows and freshly blue,
As Time had naught for ye to do;
For ye lie at your length,
An unappropriated strength,
Unhewn primeval timber,
For knees so stiff, for masts so limber;
The stock of which new earths are made,
One day to be our western trade,
Fit for the stanchions of a world
Which through the seas of space is hurled.

While we enjoy a lingering ray,
Ye still o’ertop the western day,
Reposing yonder on God’s croft
Like solid stacks of hay;
So bold a line as ne’er was writ
On any page by human wit;
The forest glows as if
An enemy’s camp-fires shone
Along the horizon,
Or the day’s funeral pyre
Were lighted there;
Edged with silver and with gold,
The clouds hang o’er in damask fold,
And with such depth of amber light
The west is dight,
Where still a few rays slant,
That even Heaven seems extravagant.
Watatic Hill
Lies on the horizon’s sill
Like a child’s toy left overnight,
And other duds to left and right,
On the earth’s edge, mountains and trees
Stand as they were on air graven,
Or as the vessels in a haven
Await the morning breeze.
I fancy even
Through your defiles windeth the way to heaven;
And yonder still, in spite of history’s page,
Linger the golden and the silver age;
Upon the laboring gale
The news of future centuries is brought,
And of new dynasties of thought,
From your remotest vale.

But special I remember thee,
Wachusett, who like me
Standest alone without society.
Thy far blue eye,
A remnant of the sky,
Seen through the clearing or the gorge,
Or from the windows of the forge,
Doth leaven all it passes by.
Nothing is true
But stands ’tween me and you,
Thou western pioneer,
Who know’st not shame nor fear,
By venturous spirit driven
Under the eaves of heaven;
And canst expand thee there,
And breathe enough of air?
Even beyond the West
Thou migratest,
Into unclouded tracts,
Without a pilgrim’s axe,
Cleaving thy road on high
With thy well-tempered brow,
And mak’st thyself a clearing in the sky.
Upholding heaven, holding down earth,
Thy pastime from thy birth;
Not steadied by the one, nor leaning on the other,
May I approve myself thy worthy brother!

With frontier strength you hold your ground,
With great content you circle around,
Tumultuous silence for all sound,
You distant nursery of streams,
Monadnock and the Peterborough Hills;—
Strong reasons that never sway,
Surpassing the philosophers,—
Like some vast fleet,
Sailing through rain and sleet,
Through winter’s chill and summer’s heat;
Still pressing on in your lofty quest,
Until you find a shore among the skies;
Not hiding close to land,
With illegal cargo in hand,
For those who sent a venture out with you
Have set the Sun to witness
Their honesty.

Ships of the line, each one,
You head westward,
Convoying clouds,
Gathering in your sails,
Always before the gale,
Under a full press of sail,
With untold weight of metal,—
I can almost feel you in my firm seat here,
Immeasurable depth of hold,
And breadth of beam, and length of running gear

I think you take luxurious pleasure
In your new western leisure;
So cool your brows and fresh blue,
As if Time had nothing for you to do;
For you lie at your length,
An unclaimed strength,
Uncut primeval timber,
For knees so stiff, for masts so limber;
The stock from which new lands are made,
One day to be our western trade,
Fit for the supports of a world
Which races through the seas of space.

While we enjoy a lingering ray,
You still rise above the western day,
Resting yonder on God’s land
Like solid stacks of hay;
So bold a line as never was written
On any page by human wit;
The forest glows as if
An enemy’s campfires shone
Along the horizon,
Or the day’s funeral pyre
Were lit there;
Edged with silver and gold,
The clouds hang over in damask folds,
And with such depth of amber light
The west is adorned,
Where still a few rays slant,
That even Heaven seems extravagant.
Watatic Hill
Lies on the horizon’s edge
Like a child’s toy left overnight,
And other stuff to left and right,
On the earth’s edge, mountains and trees
Stand as if carved in air,
Or like vessels in a harbor
Awaiting the morning breeze.
I imagine even
Through your passes winds the way to heaven;
And yonder still, despite history’s page,
Linger the golden and silver age;
Upon the laboring gale
The news of future centuries is brought,
And of new dynasties of thought,
From your furthest valley.

But especially I remember you,
Wachusett, who like me
Stands alone without company.
Your far blue eye,
A remnant of the sky,
Seen through the clearing or gorge,
Or from the windows of the forge,
Does elevate all it passes by.
Nothing is true
But stands between me and you,
You western pioneer,
Who knows no shame nor fear,
By adventurous spirit driven
Under the eaves of heaven;
And can you expand there,
And breathe enough of air?
Even beyond the West
You migrate,
Into unclouded lands,
Without a pilgrim’s axe,
Cleaving your road high
With your well-tempered brow,
And create your own clearing in the sky.
Upholding heaven, holding down earth,
Your pastime from your birth;
Not steadied by one, nor leaning on the other,
May I prove myself your worthy brother!

At length, like Rasselas and other inhabitants of happy valleys, we had resolved to scale the blue wall which bounded the western horizon, though not without misgivings that thereafter no visible fairy-land would exist for us. But it would be long to tell of our adventures, and we have no time this afternoon, transporting ourselves in imagination up this hazy Nashua valley, to go over again that pilgrimage. We have since made many similar excursions to the principal mountains of New England and New York, and even far in the wilderness, and have passed a night on the summit of many of them. And now, when we look again westward from our native hills, Wachusett and Monadnock have retreated once more among the blue and fabulous mountains in the horizon, though our eyes rest on the very rocks on both of them, where we have pitched our tent for a night, and boiled our hasty-pudding amid the clouds.

Eventually, like Rasselas and other people from happy valleys, we decided to climb the blue wall that marked the western horizon, even though we felt uncertain that there would be no visible fairy-land left for us after that. But it would take too long to recount our adventures, and we don’t have time this afternoon to imagine ourselves again in this hazy Nashua valley and revisit that journey. Since then, we have made many similar trips to the main mountains of New England and New York, and even deep into the wilderness, and we have spent nights on the summits of many of them. And now, when we look westward again from our hometown hills, Wachusett and Monadnock have once again faded into the blue and mythical mountains on the horizon, even though our eyes rest on the very rocks of both where we set up our tent for the night and cooked our hasty-pudding among the clouds.

As late as 1724 there was no house on the north side of the Nashua, but only scattered wigwams and grisly forests between this frontier and Canada. In September of that year, two men who were engaged in making turpentine on that side, for such were the first enterprises in the wilderness, were taken captive and carried to Canada by a party of thirty Indians. Ten of the inhabitants of Dunstable, going to look for them, found the hoops of their barrel cut, and the turpentine spread on the ground. I have been told by an inhabitant of Tyngsborough, who had the story from his ancestors, that one of these captives, when the Indians were about to upset his barrel of turpentine, seized a pine knot and flourishing it, swore so resolutely that he would kill the first who touched it, that they refrained, and when at length he returned from Canada he found it still standing. Perhaps there was more than one barrel. However this may have been, the scouts knew by marks on the trees, made with coal mixed with grease, that the men were not killed, but taken prisoners. One of the company, named Farwell, perceiving that the turpentine had not done spreading, concluded that the Indians had been gone but a short time, and they accordingly went in instant pursuit. Contrary to the advice of Farwell, following directly on their trail up the Merrimack, they fell into an ambuscade near Thornton’s Ferry, in the present town of Merrimack, and nine were killed, only one, Farwell, escaping after a vigorous pursuit. The men of Dunstable went out and picked up their bodies, and carried them all down to Dunstable and buried them. It is almost word for word as in the Robin Hood ballad:—

As late as 1724, there were no houses on the north side of the Nashua, just scattered wigwams and dense forests between this frontier and Canada. In September of that year, two men who were making turpentine on that side—these were the first ventures in the wilderness—were captured and taken to Canada by a group of thirty Indians. Ten residents of Dunstable went to search for them and found the hoops of their barrel cut, with turpentine spilled on the ground. An inhabitant of Tyngsborough, who heard the story from his ancestors, told me that one of the captives, when the Indians were about to tip over his barrel of turpentine, grabbed a pine knot and swore so fiercely that he would kill the first person who touched it that they backed off, and when he finally returned from Canada, he found the barrel still standing. There might have been more than one barrel. Regardless, the scouts recognized from marks on the trees, made with coal mixed with grease, that the men had not been killed but taken prisoner. One of the group, named Farwell, noticed that the turpentine had not spread much, so he figured the Indians had just left, and they quickly set off in pursuit. Ignoring Farwell's advice and following directly on their trail up the Merrimack, they walked into an ambush near Thornton’s Ferry, in what is now Merrimack, where nine were killed, leaving only Farwell to escape after a tough chase. The people of Dunstable went out to collect the bodies and brought them back to Dunstable for burial. It’s almost exactly like the Robin Hood ballad:—

“They carried these foresters into fair Nottingham,
    As many there did know,
They digged them graves in their churchyard,
    And they buried them all a-row.”

“They brought these foresters to beautiful Nottingham,
    As many there did know,
They dug their graves in the churchyard,
    And they buried them all in a row.”

Nottingham is only the other side of the river, and they were not exactly all a-row. You may read in the churchyard at Dunstable, under the “Memento Mori,” and the name of one of them, how they “departed this life,” and

Nottingham is just across the river, and they weren't exactly lined up. You can read in the churchyard at Dunstable, under the “Memento Mori,” and the name of one of them, how they “departed this life,” and

“This man with seven more that lies in
    this grave was slew all in a day by
        the Indians.”

“This man, along with seven others buried in
    this grave, was killed all in one day by
        the Indians.”

The stones of some others of the company stand around the common grave with their separate inscriptions. Eight were buried here, but nine were killed, according to the best authorities.

The stones of some others in the group are arranged around the shared grave with their individual inscriptions. Eight were buried here, but nine were killed, according to the most reliable sources.

“Gentle river, gentle river,
    Lo, thy streams are stained with gore,
Many a brave and noble captain
    Floats along thy willowed shore.

“All beside thy limpid waters,
    All beside thy sands so bright,
Indian Chiefs and Christian warriors
    Joined in fierce and mortal fight.”

“Gentle river, gentle river,
    Look, your streams are stained with blood,
Many brave and noble leaders
    Float along your willowed shore.

“All beside your clear waters,
    All beside your bright sands,
Indian chiefs and Christian warriors
    Joined in fierce and deadly battle.”

It is related in the History of Dunstable, that on the return of Farwell the Indians were engaged by a fresh party which they compelled to retreat, and pursued as far as the Nashua, where they fought across the stream at its mouth. After the departure of the Indians, the figure of an Indian’s head was found carved by them on a large tree by the shore, which circumstance has given its name to this part of the village of Nashville,—the “Indian Head.” “It was observed by some judicious,” says Gookin, referring to Philip’s war, “that at the beginning of the war the English soldiers made a nothing of the Indians, and many spake words to this effect: that one Englishman was sufficient to chase ten Indians; many reckoned it was no other but Veni, vidi, vici.” But we may conclude that the judicious would by this time have made a different observation.

It’s noted in the History of Dunstable that when Farwell returned, the Indians were confronted by a new group that forced them to retreat, chasing them all the way to the Nashua, where they fought across the stream at its mouth. After the Indians left, they found the carving of an Indian’s head on a large tree by the shore, which is how this part of the village of Nashville got its name—the “Indian Head.” “It was noted by some wise observers,” says Gookin, referring to Philip’s war, “that at the start of the war, the English soldiers thought very little of the Indians, and many said things like: one Englishman was enough to chase ten Indians; many believed it was nothing more than Veni, vidi, vici.” But we can assume that those wise observers would have made a different observation by now.

Farwell appears to have been the only one who had studied his profession, and understood the business of hunting Indians. He lived to fight another day, for the next year he was Lovewell’s lieutenant at Pequawket, but that time, as we have related, he left his bones in the wilderness. His name still reminds us of twilight days and forest scouts on Indian trails, with an uneasy scalp;—an indispensable hero to New England. As the more recent poet of Lovewell’s fight has sung, halting a little but bravely still:—

Farwell seems to have been the only one who actually studied his profession and understood the business of hunting Native Americans. He lived to fight another day, and the following year he was Lovewell’s lieutenant at Pequawket, but that time, as we’ve mentioned, he lost his life in the wilderness. His name still brings to mind those twilight days and forest scouts on Native trails, always with an uneasy scalp;—an essential hero to New England. As the more recent poet of Lovewell’s fight has sung, pausing slightly but still bravely:—

“Then did the crimson streams that flowed
    Seem like the waters of the brook,
That brightly shine, that loudly dash,
    Far down the cliffs of Agiochook.”

“Then the red streams that flowed
    Looked like the waters of the brook,
That sparkle brightly, that crash loudly,
    Far down the cliffs of Agiochook.”

These battles sound incredible to us. I think that posterity will doubt if such things ever were; if our bold ancestors who settled this land were not struggling rather with the forest shadows, and not with a copper-colored race of men. They were vapors, fever and ague of the unsettled woods. Now, only a few arrow-heads are turned up by the plough. In the Pelasgic, the Etruscan, or the British story, there is nothing so shadowy and unreal.

These battles seem unbelievable to us. I believe future generations will question whether such events actually occurred; whether our courageous ancestors who settled this land were really fighting against the forest's darkness rather than against a copper-skinned race of people. They were battling the fog, fever, and chills of the untamed woods. Now, only a few arrowheads are unearthed by the plow. In the stories of the Pelasgians, the Etruscans, or the British, nothing is as vague and unreal.

It is a wild and antiquated looking graveyard, overgrown with bushes, on the high-road, about a quarter of a mile from and overlooking the Merrimack, with a deserted mill-stream bounding it on one side, where lie the earthly remains of the ancient inhabitants of Dunstable. We passed it three or four miles below here. You may read there the names of Lovewell, Farwell, and many others whose families were distinguished in Indian warfare. We noticed there two large masses of granite more than a foot thick and rudely squared, lying flat on the ground over the remains of the first pastor and his wife.

It’s a wild and old-looking graveyard, overgrown with bushes, along the main road, about a quarter of a mile away from and overlooking the Merrimack, with an abandoned mill stream bordering it on one side, where the remains of the early residents of Dunstable rest. We passed it three or four miles below here. You can see the names of Lovewell, Farwell, and many others whose families were notable in Indian warfare. We noticed two large pieces of granite, more than a foot thick and roughly squared, lying flat on the ground over the remains of the first pastor and his wife.

It is remarkable that the dead lie everywhere under stones,—

It’s striking that the dead are scattered beneath stones,—

“Strata jacent passim suo quæque sub” lapide

“Layers spread throughout suo each under” stone

corpora, we might say, if the measure allowed. When the stone is a slight one, it does not oppress the spirits of the traveller to meditate by it; but these did seem a little heathenish to us; and so are all large monuments over men’s bodies, from the pyramids down. A monument should at least be “star-y-pointing,” to indicate whither the spirit is gone, and not prostrate, like the body it has deserted. There have been some nations who could do nothing but construct tombs, and these are the only traces which they have left. They are the heathen. But why these stones, so upright and emphatic, like exclamation-points? What was there so remarkable that lived? Why should the monument be so much more enduring than the fame which it is designed to perpetuate,—a stone to a bone? “Here lies,”—“Here lies”;—why do they not sometimes write, There rises? Is it a monument to the body only that is intended? “Having reached the term of his natural life”;—would it not be truer to say, Having reached the term of his unnatural life? The rarest quality in an epitaph is truth. If any character is given, it should be as severely true as the decision of the three judges below, and not the partial testimony of friends. Friends and contemporaries should supply only the name and date, and leave it to posterity to write the epitaph.

Corpora, we might say, if the measure allowed. When the stone is small, it doesn't weigh down the spirits of the traveler meditating nearby; but these did seem a bit pagan to us, and so do all large monuments over people's bodies, from the pyramids down. A monument should at least be “star-pointing” to indicate where the spirit has gone, not lying flat like the body it has left behind. Some nations could do nothing but build tombs, and those are the only traces they have left. They are the pagans. But why are these stones so upright and emphatic, like exclamation points? What was so remarkable about the lives they honor? Why should the monument last longer than the fame it's meant to preserve—a stone for a bone? “Here lies,”—“Here lies”;—why don't they sometimes write, There rises? Is it only a monument to the body that’s intended? “Having reached the end of his natural life”—wouldn’t it be more accurate to say, Having reached the end of his unnatural life? The rarest quality in an epitaph is truth. If any character is given, it should be as strictly true as the decision of the three judges below, not the biased testimony of friends. Friends and contemporaries should only provide the name and date, leaving it to future generations to write the epitaph.

Here lies an honest man,
Rear-Admiral Van.

        ———

Faith, then ye have
Two in one grave,
For in his favor,
Here too lies the Engraver.

Here lies an honest man,
Rear-Admiral Van.

        ———

So you see, there are
Two in one grave,
Because in his honor,
Here too lies the Engraver.

Fame itself is but an epitaph; as late, as false, as true. But they only are the true epitaphs which Old Mortality retouches.

Fame is just an epitaph; as recent, as misleading, as genuine. But the only real epitaphs are the ones that Old Mortality touches up.

A man might well pray that he may not taboo or curse any portion of nature by being buried in it. For the most part, the best man’s spirit makes a fearful sprite to haunt his grave, and it is therefore much to the credit of Little John, the famous follower of Robin Hood, and reflecting favorably on his character, that his grave was “long celebrous for the yielding of excellent whetstones.” I confess that I have but little love for such collections as they have at the Catacombs, Père la Chaise, Mount Auburn, and even this Dunstable graveyard. At any rate, nothing but great antiquity can make graveyards interesting to me. I have no friends there. It may be that I am not competent to write the poetry of the grave. The farmer who has skimmed his farm might perchance leave his body to Nature to be ploughed in, and in some measure restore its fertility. We should not retard but forward her economies.

A man might well hope that he doesn’t disrespect any part of nature by being buried in it. Most of the time, the best person’s spirit becomes a frightening ghost that haunts their grave, so it’s quite commendable that Little John, the famous companion of Robin Hood, is remembered for his grave being “long famous for producing excellent whetstones.” I admit that I don’t have much appreciation for collections like those at the Catacombs, Père la Chaise, Mount Auburn, or even this Dunstable graveyard. In any case, only great age can make graveyards interesting to me. I have no friends there. Perhaps I’m not cut out to write poetry about graves. The farmer who has worked his land might leave his body to nature to be plowed under, helping restore its fertility. We shouldn't hold back but rather support her cycles.

Soon the village of Nashua was out of sight, and the woods were gained again, and we rowed slowly on before sunset, looking for a solitary place in which to spend the night. A few evening clouds began to be reflected in the water and the surface was dimpled only here and there by a muskrat crossing the stream. We camped at length near Penichook Brook, on the confines of what is now Nashville, by a deep ravine, under the skirts of a pine wood, where the dead pine-leaves were our carpet, and their tawny boughs stretched overhead. But fire and smoke soon tamed the scene; the rocks consented to be our walls, and the pines our roof. A woodside was already the fittest locality for us.

Soon, the village of Nashua disappeared from view, and we entered the woods again, rowing slowly before sunset, searching for a quiet spot to spend the night. A few evening clouds started to reflect in the water, and the surface was only occasionally disturbed by a muskrat crossing the stream. Finally, we set up camp near Penichook Brook, at the edge of what is now Nashville, by a deep gorge, under the cover of a pine forest, where the fallen pine needles served as our carpet, and their brown branches stretched above us. But fire and smoke quickly transformed the scene; the rocks became our walls, and the pines our roof. A spot by the woods was already the perfect place for us.

The wilderness is near as well as dear to every man. Even the oldest villages are indebted to the border of wild wood which surrounds them, more than to the gardens of men. There is something indescribably inspiriting and beautiful in the aspect of the forest skirting and occasionally jutting into the midst of new towns, which, like the sand-heaps of fresh fox-burrows, have sprung up in their midst. The very uprightness of the pines and maples asserts the ancient rectitude and vigor of nature. Our lives need the relief of such a background, where the pine flourishes and the jay still screams.

The wilderness is close and precious to everyone. Even the oldest villages rely more on the wild woods around them than on cultivated gardens. There's something indescribably inspiring and beautiful about the forest that edges into and sometimes intrudes upon new towns, which have popped up like fresh fox burrows. The tall pines and maples stand as a testament to the timeless strength and integrity of nature. Our lives need the refreshment that such a backdrop provides, where pines thrive and jays still call out.

We had found a safe harbor for our boat, and as the sun was setting carried up our furniture, and soon arranged our house upon the bank, and while the kettle steamed at the tent door, we chatted of distant friends and of the sights which we were to behold, and wondered which way the towns lay from us. Our cocoa was soon boiled, and supper set upon our chest, and we lengthened out this meal, like old voyageurs, with our talk. Meanwhile we spread the map on the ground, and read in the Gazetteer when the first settlers came here and got a township granted. Then, when supper was done and we had written the journal of our voyage, we wrapped our buffaloes about us and lay down with our heads pillowed on our arms listening awhile to the distant baying of a dog, or the murmurs of the river, or to the wind, which had not gone to rest:—

We had found a safe spot for our boat, and as the sun was setting, we brought up our furniture and quickly set up our house on the bank. While the kettle was steaming at the tent door, we talked about distant friends and the sights we were going to see, and wondered which way the towns were from us. Our cocoa was soon boiling, and we set supper on our chest, stretching out the meal like seasoned travelers with our conversation. Meanwhile, we spread the map on the ground and looked in the Gazetteer to see when the first settlers came here and got a township granted. After supper was finished and we had written about our journey in the journal, we wrapped ourselves in our buffalo blankets and lay down with our heads resting on our arms, listening for a while to the distant barking of a dog, the murmurs of the river, or the wind, which hadn’t gone to rest yet:—

The western wind came lumbering in,
Bearing a faint Pacific din,
Our evening mail, swift at the call
Of its Postmaster General;
Laden with news from Californ’,
Whate’er transpired hath since morn,
How wags the world by brier and brake
From hence to Athabasca Lake;—

The western wind rolled in,
Carrying a soft sound from the Pacific,
Our evening mail, quick on the call
Of its Postmaster General;
Loaded with news from California,
Whatever happened since this morning,
How the world moves through thorns and brambles
From here to Athabasca Lake;—

or half awake and half asleep, dreaming of a star which glimmered through our cotton roof. Perhaps at midnight one was awakened by a cricket shrilly singing on his shoulder, or by a hunting spider in his eye, and was lulled asleep again by some streamlet purling its way along at the bottom of a wooded and rocky ravine in our neighborhood. It was pleasant to lie with our heads so low in the grass, and hear what a tinkling ever-busy laboratory it was. A thousand little artisans beat on their anvils all night long.

or half awake and half asleep, dreaming of a star that flickered through our cotton roof. Maybe at midnight, you’d get woken up by a cricket chirping loudly on your shoulder, or by a spider crawling into your eye, and then be lulled back to sleep by a little stream trickling its way through the wooded and rocky ravine nearby. It felt nice to lie with our heads low in the grass and listen to the tinkling sounds of a busy workshop all night long. A thousand tiny workers hammered on their anvils nonstop.

Far in the night as we were falling asleep on the bank of the Merrimack, we heard some tyro beating a drum incessantly, in preparation for a country muster, as we learned, and we thought of the line,—

Far into the night as we were drifting off to sleep on the bank of the Merrimack, we heard some newbie pounding a drum non-stop, getting ready for a local muster, as we found out, and we remembered the line,—

“When the drum beat at dead of night.”

“When the drum beat in the dead of night.”

We could have assured him that his beat would be answered, and the forces be mustered. Fear not, thou drummer of the night, we too will be there. And still he drummed on in the silence and the dark. This stray sound from a far-off sphere came to our ears from time to time, far, sweet, and significant, and we listened with such an unprejudiced sense as if for the first time we heard at all. No doubt he was an insignificant drummer enough, but his music afforded us a prime and leisure hour, and we felt that we were in season wholly. These simple sounds related us to the stars. Ay, there was a logic in them so convincing that the combined sense of mankind could never make me doubt their conclusions. I stop my habitual thinking, as if the plough had suddenly run deeper in its furrow through the crust of the world. How can I go on, who have just stepped over such a bottomless skylight in the bog of my life. Suddenly old Time winked at me,—Ah, you know me, you rogue,—and news had come that IT was well. That ancient universe is in such capital health, I think undoubtedly it will never die. Heal yourselves, doctors; by God, I live.

We could have assured him that his call would be answered, and the troops would be gathered. Don't worry, you drummer of the night, we will be there too. And still he drummed on in the silence and darkness. This distant sound from another realm reached our ears now and then, far, sweet, and significant, and we listened with an open mind as if we were hearing it for the first time. No doubt he was a rather insignificant drummer, but his music gave us a moment of leisure, and we felt completely in tune with the season. These simple sounds connected us to the stars. Yes, there was a logic in them so convincing that no consensus of humanity could ever make me doubt their conclusions. I stop my usual thinking, as if the plow had suddenly cut deeper into the earth. How can I continue, having just stepped over such a bottomless pit in the mire of my life? Suddenly, old Time winked at me,—Ah, you know me, you rascal,—and news had come that IT was well. That ancient universe is in such great health, I truly believe it will never die. Heal yourselves, doctors; by God, I live.

    Then idle Time ran gadding by
    And left me with Eternity alone;
I hear beyond the range of sound,
I see beyond the verge of sight,—

Then lazy Time went wandering by
    And left me all alone with Eternity;
I hear things beyond what I can sound,
I see things beyond what I can see,—

I see, smell, taste, hear, feel, that everlasting Something to which we are allied, at once our maker, our abode, our destiny, our very Selves; the one historic truth, the most remarkable fact which can become the distinct and uninvited subject of our thought, the actual glory of the universe; the only fact which a human being cannot avoid recognizing, or in some way forget or dispense with.

I see, smell, taste, hear, and feel that eternal Something we're all connected to, which is simultaneously our creator, our home, our future, and our true Selves; the one undeniable truth, the most extraordinary fact that can become a clear and unavoidable focus of our thoughts, the real wonder of the universe; the only fact that no one can ignore, forget, or do without in some way.

    It doth expand my privacies
To all, and leave me single in the crowd.

It opens up my personal space
To everyone, and leaves me feeling alone in the crowd.

I have seen how the foundations of the world are laid, and I have not the least doubt that it will stand a good while.

I have seen how the foundations of the world are built, and I have no doubt that it will last a long time.

Now chiefly is my natal hour,
And only now my prime of life.
I will not doubt the love untold,
Which not my worth nor want hath bought,
Which wooed me young and wooes me old,
And to this evening hath me brought.

Now is the time of my birth,
And right now is my peak in life.
I won’t question the love that’s endless,
That I didn’t earn or lack,
That courted me when I was young and still courts me now,
And has led me to this evening.

What are ears? what is Time? that this particular series of sounds called a strain of music, an invisible and fairy troop which never brushed the dew from any mead, can be wafted down through the centuries from Homer to me, and he have been conversant with that same aerial and mysterious charm which now so tingles my ears? What a fine communication from age to age, of the fairest and noblest thoughts, the aspirations of ancient men, even such as were never communicated by speech, is music! It is the flower of language, thought colored and curved, fluent and flexible, its crystal fountain tinged with the sun’s rays, and its purling ripples reflecting the grass and the clouds. A strain of music reminds me of a passage of the Vedas, and I associate with it the idea of infinite remoteness, as well as of beauty and serenity, for to the senses that is farthest from us which addresses the greatest depth within us. It teaches us again and again to trust the remotest and finest as the divinest instinct, and makes a dream our only real experience. We feel a sad cheer when we hear it, perchance because we that hear are not one with that which is heard.

What are ears? What is time? That this specific series of sounds, known as a piece of music, an invisible and magical group that has never touched the dew on any meadow, can float down through the centuries from Homer to me, and that I can share in that same ethereal and mysterious charm that now tingles in my ears? What a beautiful connection from one generation to another, sharing the noblest and finest thoughts, the aspirations of ancient people, even those that were never expressed through words, is music! It is the flower of language, thoughts dressed up and shaped, fluid and adaptable, its clear fountain colored by the sun’s rays, and its gentle ripples reflecting the grass and clouds. A piece of music reminds me of a passage from the Vedas, and with it, I connect the ideas of vast distance, beauty, and tranquility, for to our senses, what is farthest from us speaks to the deepest parts within us. It teaches us over and over to trust the most distant and delicate as the highest instinct, making a dream our only true experience. We feel a bittersweet joy when we hear it, perhaps because we who listen are not one with what is being played.

Therefore a torrent of sadness deep,
Through the strains of thy triumph is heard to sweep.

Therefore, a wave of deep sadness
Can be heard flowing through the sounds of your success.

The sadness is ours. The Indian poet Calidas says in the Sacontala: “Perhaps the sadness of men on seeing beautiful forms and hearing sweet music arises from some faint remembrance of past joys, and the traces of connections in a former state of existence.” As polishing expresses the vein in marble, and grain in wood, so music brings out what of heroic lurks anywhere. The hero is the sole patron of music. That harmony which exists naturally between the hero’s moods and the universe the soldier would fain imitate with drum and trumpet. When we are in health all sounds fife and drum for us; we hear the notes of music in the air, or catch its echoes dying away when we awake in the dawn. Marching is when the pulse of the hero beats in unison with the pulse of Nature, and he steps to the measure of the universe; then there is true courage and invincible strength.

The sadness belongs to us. The Indian poet Kalidasa says in the Sacontala: “Maybe the sadness that men feel when they see beautiful forms and hear sweet music comes from some faint memory of past joys and the traces of connections from a previous existence.” Just as polishing reveals the veins in marble and the grain in wood, music uncovers the heroism that lurks within. The hero is the main supporter of music. That natural harmony between the hero’s moods and the universe is something the soldier tries to replicate with drum and trumpet. When we are healthy, every sound feels like fife and drum to us; we hear musical notes in the air or catch their echoes fading away when we wake at dawn. Marching is when the hero’s pulse beats in sync with the rhythm of Nature, and he moves to the universe's beat; that’s when true courage and unstoppable strength emerge.

Plutarch says that “Plato thinks the gods never gave men music, the science of melody and harmony, for mere delectation or to tickle the ear; but that the discordant parts of the circulations and beauteous fabric of the soul, and that of it that roves about the body, and many times, for want of tune and air, breaks forth into many extravagances and excesses, might be sweetly recalled and artfully wound up to their former consent and agreement.”

Plutarch says that “Plato believes the gods didn’t give humans music, the art of melody and harmony, just for enjoyment or to please the ear; instead, it’s to bring back the discordant parts of our nature and the beautiful structure of the soul, which often wanders through the body and, lacking melody and rhythm, breaks into various craziness and excesses, so that it can be gently reminded and skillfully brought back to harmony and unity.”

Music is the sound of the universal laws promulgated. It is the only assured tone. There are in it such strains as far surpass any man’s faith in the loftiness of his destiny. Things are to be learned which it will be worth the while to learn. Formerly I heard these

Music is the sound of universal laws being expressed. It is the only guaranteed note. Within it are melodies that far exceed anyone's belief in the greatness of their destiny. There are lessons to be learned that are truly worth learning. In the past, I heard these

RUMORS FROM AN ÆOLIAN HARP.

RUMORS FROM AN ÆOLIAN HARP.

There is a vale which none hath seen,
Where foot of man has never been,
Such as here lives with toil and strife,
An anxious and a sinful life.

There every virtue has its birth,
Ere it descends upon the earth,
And thither every deed returns,
Which in the generous bosom burns.

There love is warm, and youth is young,
And poetry is yet unsung,
For Virtue still adventures there,
And freely breathes her native air.

And ever, if you hearken well,
You still may hear its vesper bell,
And tread of high-souled men go by,
Their thoughts conversing with the sky.

There’s a valley that no one has seen,
Where no human foot has ever stepped,
Unlike the lives we lead full of hard work and struggle,
An anxious and sinful existence.

In that place, every virtue is born,
Before it comes down to our world,
And there returns every act,
That burns in a generous heart.

In that valley, love is warm, and youth is alive,
And poetry hasn’t yet been written,
Because Virtue still ventures there,
And breathes her natural air freely.

And if you listen closely,
You might still hear its evening bell,
And the footsteps of noble souls passing by,
Their thoughts mingling with the sky.

According to Jamblichus, “Pythagoras did not procure for himself a thing of this kind through instruments or the voice, but employing a certain ineffable divinity, and which it is difficult to apprehend, he extended his ears and fixed his intellect in the sublime symphonies of the world, he alone hearing and understanding, as it appears, the universal harmony and consonance of the spheres, and the stars that are moved through them, and which produce a fuller and more intense melody than anything effected by mortal sounds.”

According to Jamblichus, “Pythagoras didn’t acquire anything like this through tools or spoken words, but by tapping into a certain indescribable divinity that is hard to grasp. He tuned his ears and focused his mind on the profound harmonies of the universe, seemingly the only one able to hear and understand the universal harmony and alignment of the spheres, and the stars moving through them, creating a richer and more intense melody than anything produced by human sounds.”

Travelling on foot very early one morning due east from here about twenty miles, from Caleb Harriman’s tavern in Hampstead toward Haverhill, when I reached the railroad in Plaistow, I heard at some distance a faint music in the air like an Æolian harp, which I immediately suspected to proceed from the cord of the telegraph vibrating in the just awakening morning wind, and applying my ear to one of the posts I was convinced that it was so. It was the telegraph harp singing its message through the country, its message sent not by men, but by gods. Perchance, like the statue of Memnon, it resounds only in the morning, when the first rays of the sun fall on it. It was like the first lyre or shell heard on the sea-shore,—that vibrating cord high in the air over the shores of earth. So have all things their higher and their lower uses. I heard a fairer news than the journals ever print. It told of things worthy to hear, and worthy of the electric fluid to carry the news of, not of the price of cotton and flour, but it hinted at the price of the world itself and of things which are priceless, of absolute truth and beauty.

Traveling on foot very early one morning due east from here about twenty miles, from Caleb Harriman’s tavern in Hampstead toward Haverhill, when I reached the railroad in Plaistow, I heard a faint music in the air like an Aeolian harp. I immediately suspected it was coming from the telegraph wires vibrating in the just-awakening morning wind. By pressing my ear to one of the posts, I confirmed it. It was the telegraph harp singing its message across the countryside, a message sent not by humans, but by divine forces. Perhaps, like the statue of Memnon, it only resonates in the morning, when the first rays of the sun touch it. It was reminiscent of the first lyre or shell heard on the beach—the vibrating cord high in the air over the shores of the Earth. Everything has its higher and lower uses. I heard news more beautiful than anything the newspapers print. It spoke of things worth hearing, worthy of the electric current carrying the news, not about the price of cotton and flour, but hinting at the value of the world itself and things that are priceless, of absolute truth and beauty.

Still the drum rolled on, and stirred our blood to fresh extravagance that night. The clarion sound and clang of corselet and buckler were heard from many a hamlet of the soul, and many a knight was arming for the fight behind the encamped stars.

Still the drum rolled on, energizing our spirits for new adventures that night. The bright sound and clash of armor and shields echoed from many places within us, and many a knight was gearing up for the battle behind the stars that were set up like a camp.

                    “Before each van
Prick forth the aery knights, and couch their spears
Till thickest legions close; with feats of arms
From either end of Heaven the welkin burns.”

        —————

Away! away! away! away!
    Ye have not kept your secret well,
I will abide that other day,
    Those other lands ye tell.

Has time no leisure left for these,
    The acts that ye rehearse?
Is not eternity a lease
    For better deeds than verse?

’T is sweet to hear of heroes dead,
    To know them still alive,
But sweeter if we earn their bread,
    And in us they survive.

Our life should feed the springs of fame
    With a perennial wave.
As ocean feeds the babbling founts
    Which find in it their grave.

Ye skies drop gently round my breast,
    And be my corselet blue,
Ye earth receive my lance in rest,
    My faithful charger you;

Ye stars my spear-heads in the sky,
    My arrow-tips ye are;
I see the routed foemen fly,
    My bright spears fixed are.

Give me an angel for a foe,
    Fix now the place and time,
And straight to meet him I will go
    Above the starry chime.

And with our clashing bucklers’ clang
    The heavenly spheres shall ring,
While bright the northern lights shall hang
    Beside our tourneying.

And if she lose her champion true,
    Tell Heaven not despair,
For I will be her champion new,
    Her fame I will repair.

“Before each van
Spring forth the airy knights, and set their spears
Until thickest legions close; with feats of arms
From either end of Heaven the sky burns.”

        —————

Away! away! away! away!
    You haven’t kept your secret well,
I will wait for another day,
    Those other lands you mention.

Does time have no leisure left for these,
    The acts that you practice?
Is not eternity a lease
    For better deeds than verse?

It’s sweet to hear of dead heroes,
    To know they’re still alive,
But sweeter if we earn their bread,
    And in us they survive.

Our lives should feed the springs of fame
    With a never-ending wave.
As the ocean feeds the babbling springs
    Which find in it their grave.

You skies drop gently around my chest,
    And be my armor blue,
You earth receive my lance at rest,
    My faithful charger too;

You stars, my spearheads in the sky,
    My arrow tips you are;
I see the routed enemies fly,
    My bright spears are fixed.

Give me an angel as a foe,
    Set now the place and time,
And right away to meet him I will go
    Above the starry chime.

And with our clashing shields’ clash
    The heavenly spheres shall ring,
While bright the northern lights shall hang
    Beside our tournament.

And if she loses her true champion,
    Tell Heaven not to despair,
For I will be her new champion,
    Her fame I will repair.

There was a high wind this night, which we afterwards learned had been still more violent elsewhere, and had done much injury to the cornfields far and near; but we only heard it sigh from time to time, as if it had no license to shake the foundations of our tent; the pines murmured, the water rippled, and the tent rocked a little, but we only laid our ears closer to the ground, while the blast swept on to alarm other men, and long before sunrise we were ready to pursue our voyage as usual.

There was a strong wind that night, which we later found out had been even worse in other places, causing a lot of damage to the nearby cornfields; but we only heard it sigh occasionally, as if it didn't have permission to shake our tent's foundations. The pines whispered, the water flowed gently, and the tent swayed a bit, but we just pressed our ears closer to the ground while the wind continued on to disturb others. Long before sunrise, we were prepared to continue our journey as usual.

TUESDAY

“On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And through the fields the road runs by
        To many-towered Camelot.”

“On either side of the river lie
Long fields of barley and rye,
That cover the hills and touch the sky;
And through the fields, the road goes by
        To many-towered Camelot.”

TENNYSON.

Tennyson.

Long before daylight we ranged abroad, hatchet in hand, in search of fuel, and made the yet slumbering and dreaming wood resound with our blows. Then with our fire we burned up a portion of the loitering night, while the kettle sang its homely strain to the morning star. We tramped about the shore, waked all the muskrats, and scared up the bittern and birds that were asleep upon their roosts; we hauled up and upset our boat and washed it and rinsed out the clay, talking aloud as if it were broad day, until at length, by three o’clock, we had completed our preparations and were ready to pursue our voyage as usual; so, shaking the clay from our feet, we pushed into the fog.

Long before dawn, we set out with a hatchet in hand, looking for firewood, and made the still-sleeping forest echo with our chopping. Then, with our fire, we burned away part of the lingering night while the kettle hummed its familiar tune to the morning star. We walked along the shore, waking all the muskrats and startling the bitterns and birds that were sleeping in their nests; we pulled our boat up, flipped it over, washed it, and cleaned out the clay, chatting as if it were broad daylight, until finally, by three o'clock, we had finished our preparations and were ready to continue our journey as usual; so, shaking the clay off our feet, we pushed into the fog.

Though we were enveloped in mist as usual, we trusted that there was a bright day behind it.

Though we were surrounded by fog as usual, we believed that there was a sunny day beyond it.

    Ply the oars! away! away!
In each dew-drop of the morning
    Lies the promise of a day.

Rivers from the sunrise flow,
    Springing with the dewy morn;
Voyageurs ’gainst time do row,
Idle noon nor sunset know,
    Ever even with the dawn.

Paddle hard! Let’s go!
In every drop of morning dew
    Is the promise of the day ahead.

Rivers flow from the sunrise,
    Bursting forth with the fresh morning;
Travelers row against time,
Never resting at noon or sunset,
    Always in sync with the dawn.

Belknap, the historian of this State, says that, “In the neighborhood of fresh rivers and ponds, a whitish fog in the morning lying over the water is a sure indication of fair weather for that day; and when no fog is seen, rain is expected before night.” That which seemed to us to invest the world was only a narrow and shallow wreath of vapor stretched over the channel of the Merrimack from the seaboard to the mountains. More extensive fogs, however, have their own limits. I once saw the day break from the top of Saddle-back Mountain in Massachusetts, above the clouds. As we cannot distinguish objects through this dense fog, let me tell this story more at length.

Belknap, the historian of this state, says that, “In the vicinity of fresh rivers and ponds, a white fog in the morning hovering over the water is a reliable sign of clear weather for that day; and when no fog is visible, rain is expected before nightfall.” What seemed to surround us was just a narrow and shallow band of mist stretched over the Merrimack River from the coast to the mountains. However, more extensive fogs have their own limits. I once witnessed the sunrise from the top of Saddleback Mountain in Massachusetts, above the clouds. Since we can't see objects through this thick fog, let me share this story in more detail.

I had come over the hills on foot and alone in serene summer days, plucking the raspberries by the wayside, and occasionally buying a loaf of bread at a farmer’s house, with a knapsack on my back which held a few traveller’s books and a change of clothing, and a staff in my hand. I had that morning looked down from the Hoosack Mountain, where the road crosses it, on the village of North Adams in the valley three miles away under my feet, showing how uneven the earth may sometimes be, and making it seem an accident that it should ever be level and convenient for the feet of man. Putting a little rice and sugar and a tin cup into my knapsack at this village, I began in the afternoon to ascend the mountain, whose summit is three thousand six hundred feet above the level of the sea, and was seven or eight miles distant by the path. My route lay up a long and spacious valley called the Bellows, because the winds rush up or down it with violence in storms, sloping up to the very clouds between the principal range and a lower mountain. There were a few farms scattered along at different elevations, each commanding a fine prospect of the mountains to the north, and a stream ran down the middle of the valley on which near the head there was a mill. It seemed a road for the pilgrim to enter upon who would climb to the gates of heaven. Now I crossed a hay-field, and now over the brook on a slight bridge, still gradually ascending all the while with a sort of awe, and filled with indefinite expectations as to what kind of inhabitants and what kind of nature I should come to at last. It now seemed some advantage that the earth was uneven, for one could not imagine a more noble position for a farm-house than this vale afforded, farther from or nearer to its head, from a glen-like seclusion overlooking the country at a great elevation between these two mountain walls.

I had walked over the hills by myself on peaceful summer days, picking raspberries along the way and occasionally buying a loaf of bread at a farmer's house. With a knapsack on my back that held a few travel books and a change of clothes, and a walking stick in my hand, I had looked down that morning from the top of Hoosack Mountain, where the road crosses, at the village of North Adams in the valley three miles below me. It showed how uneven the earth can be and made it seem like an accident that it’s ever flat and easy for people to walk on. After grabbing a little rice, sugar, and a tin cup in this village, I started to hike up the mountain, which rises three thousand six hundred feet above sea level and is seven or eight miles away by the trail. My path led up a long, wide valley called the Bellows, because the winds rush violently up and down it during storms, sloping up to the very clouds between the main mountain range and a lower peak. There were a few farms scattered at various heights, all with great views of the mountains to the north, and a stream ran down the center of the valley, where there was a mill near the head. It felt like a path for a pilgrim wishing to reach the gates of heaven. I crossed a hay field and then a small bridge over the stream, still gradually climbing with a sense of awe and filled with vague expectations about what kind of people and nature I would encounter in the end. It now seemed like an advantage that the earth was uneven, as one couldn't imagine a better spot for a farmhouse than this valley offered, whether further from or closer to its head, with a secluded glen that overlooked the countryside from a high elevation between these two mountain walls.

It reminded me of the homesteads of the Huguenots, on Staten Island, off the coast of New Jersey. The hills in the interior of this island, though comparatively low, are penetrated in various directions by similar sloping valleys on a humble scale, gradually narrowing and rising to the centre, and at the head of these the Huguenots, who were the first settlers, placed their houses quite within the land, in rural and sheltered places, in leafy recesses where the breeze played with the poplar and the gum-tree, from which, with equal security in calm and storm, they looked out through a widening vista, over miles of forest and stretching salt marsh, to the Huguenot’s Tree, an old elm on the shore at whose root they had landed, and across the spacious outer bay of New York to Sandy Hook and the Highlands of Neversink, and thence over leagues of the Atlantic, perchance to some faint vessel in the horizon, almost a day’s sail on her voyage to that Europe whence they had come. When walking in the interior there, in the midst of rural scenery, where there was as little to remind me of the ocean as amid the New Hampshire hills, I have suddenly, through a gap, a cleft or “clove road,” as the Dutch settlers called it, caught sight of a ship under full sail, over a field of corn, twenty or thirty miles at sea. The effect was similar, since I had no means of measuring distances, to seeing a painted ship passed backwards and forwards through a magic-lantern.

It reminded me of the homesteads of the Huguenots on Staten Island, off the coast of New Jersey. The hills in the interior of this island, while relatively low, are intersected in different directions by similar gentle valleys that gradually narrow and rise toward the center. At the head of these valleys, the Huguenots, who were the first settlers, built their homes deep within the land, in rural and sheltered spots, in leafy nooks where the breeze played with the poplar and gum trees. From there, they looked out, safely in both calm and storm, through an expanding view over miles of forest and sprawling salt marsh, to the Huguenot’s Tree, an old elm on the shore where they had landed. They gazed across the broad outer bay of New York to Sandy Hook and the Highlands of Neversink, and then over leagues of the Atlantic, perhaps spotting a distant ship on the horizon, a day’s sail away on its journey back to the Europe they had left behind. While walking in the interior, surrounded by rural scenery that reminded me little of the ocean, just like in the New Hampshire hills, I would suddenly catch sight of a full-sail ship through a gap, a cleft or “clove road,” as the Dutch settlers called it. It was similar to seeing a painted ship passing back and forth through a magic lantern, especially since I had no way to gauge distances.

But to return to the mountain. It seemed as if he must be the most singular and heavenly minded man whose dwelling stood highest up the valley. The thunder had rumbled at my heels all the way, but the shower passed off in another direction, though if it had not, I half believed that I should get above it. I at length reached the last house but one, where the path to the summit diverged to the right, while the summit itself rose directly in front. But I determined to follow up the valley to its head, and then find my own route up the steep as the shorter and more adventurous way. I had thoughts of returning to this house, which was well kept and so nobly placed, the next day, and perhaps remaining a week there, if I could have entertainment. Its mistress was a frank and hospitable young woman, who stood before me in a dishabille, busily and unconcernedly combing her long black hair while she talked, giving her head the necessary toss with each sweep of the comb, with lively, sparkling eyes, and full of interest in that lower world from which I had come, talking all the while as familiarly as if she had known me for years, and reminding me of a cousin of mine. She at first had taken me for a student from Williamstown, for they went by in parties, she said, either riding or walking, almost every pleasant day, and were a pretty wild set of fellows; but they never went by the way I was going. As I passed the last house, a man called out to know what I had to sell, for seeing my knapsack, he thought that I might be a pedler who was taking this unusual route over the ridge of the valley into South Adams. He told me that it was still four or five miles to the summit by the path which I had left, though not more than two in a straight line from where I was, but that nobody ever went this way; there was no path, and I should find it as steep as the roof of a house. But I knew that I was more used to woods and mountains than he, and went along through his cow-yard, while he, looking at the sun, shouted after me that I should not get to the top that night. I soon reached the head of the valley, but as I could not see the summit from this point, I ascended a low mountain on the opposite side, and took its bearing with my compass. I at once entered the woods, and began to climb the steep side of the mountain in a diagonal direction, taking the bearing of a tree every dozen rods. The ascent was by no means difficult or unpleasant, and occupied much less time than it would have taken to follow the path. Even country people, I have observed, magnify the difficulty of travelling in the forest, and especially among mountains. They seem to lack their usual common sense in this. I have climbed several higher mountains without guide or path, and have found, as might be expected, that it takes only more time and patience commonly than to travel the smoothest highway. It is very rare that you meet with obstacles in this world which the humblest man has not faculties to surmount. It is true we may come to a perpendicular precipice, but we need not jump off nor run our heads against it. A man may jump down his own cellar stairs or dash his brains out against his chimney, if he is mad. So far as my experience goes, travellers generally exaggerate the difficulties of the way. Like most evil, the difficulty is imaginary; for what’s the hurry? If a person lost would conclude that after all he is not lost, he is not beside himself, but standing in his own old shoes on the very spot where he is, and that for the time being he will live there; but the places that have known him, they are lost,—how much anxiety and danger would vanish. I am not alone if I stand by myself. Who knows where in space this globe is rolling? Yet we will not give ourselves up for lost, let it go where it will.

But back to the mountain. It felt like he must be the most unique and otherworldly person living at the highest point in the valley. The thunder had followed me all the way, but the rain moved off in another direction; still, I half believed I could get above it. Finally, I reached the second-to-last house, where the path to the top branched off to the right, while the summit rose directly ahead. I decided to continue up the valley to its end and then find my own way up the steep incline, thinking it would be the shorter and more exciting route. I considered returning to this house, which was well-kept and beautifully situated, the next day, maybe staying there for a week if I could find a place to stay. Its owner was a straightforward and welcoming young woman who stood in front of me, casually combing her long black hair while we talked, tossing her head back with each stroke of the comb, her lively, sparkling eyes full of interest in the outside world I had just left, chatting as if she had known me for years and reminding me of a cousin. At first, she thought I was a student from Williamstown because they often passed by in groups, either riding or walking, on pleasant days and seemed like a pretty wild bunch; but they never took the route I was going. As I walked past the last house, a man called out to ask what I was selling, thinking from my backpack that I might be a peddler taking this unusual path over the ridge into South Adams. He told me it was still four or five miles to the summit by the path I had left, though only about two miles in a straight line from where I was. But he said nobody ever took that way; there was no path, and I would find it as steep as a house roof. I knew I was more familiar with woods and mountains than he was, so I continued through his cow yard. He, looking at the sun, shouted after me that I wouldn’t make it to the top that night. I soon reached the end of the valley, but since I couldn’t see the summit from there, I climbed a low mountain on the opposite side to get my bearings with my compass. I immediately entered the woods and started climbing the steep side of the mountain at an angle, taking the direction of a tree every dozen rods. The climb was neither difficult nor unpleasant and took much less time than if I had followed the path. I've observed that even country folks often exaggerate how hard it is to travel in the forest, especially among mountains. They seem to lose their usual common sense about it. I've climbed several taller mountains without a guide or path, finding, as you might expect, that it only usually requires more time and patience than traveling the smoothest road. It’s very rare to encounter obstacles in this world that the humblest person can’t overcome. It’s true we might come across a vertical cliff, but we don’t have to jump off it or bang our heads against it. A person might fall down their own cellar stairs or crash their head against the chimney if they’re mad. From my experience, travelers generally overstate the difficulties of the journey. Like most problems, the difficulty is often imagined; after all, what’s the hurry? If someone thinks they’re lost, they might realize they’re not lost after all; they’re just standing in their old familiar shoes right where they are for the moment. But the places that used to know them, those places are lost—how much anxiety and danger would disappear! I'm not alone when I'm by myself. Who knows where in the universe this globe is spinning? Yet we refuse to accept we’re lost, no matter where it goes.

I made my way steadily upward in a straight line through a dense undergrowth of mountain laurel, until the trees began to have a scraggy and infernal look, as if contending with frost goblins, and at length I reached the summit, just as the sun was setting. Several acres here had been cleared, and were covered with rocks and stumps, and there was a rude observatory in the middle which overlooked the woods. I had one fair view of the country before the sun went down, but I was too thirsty to waste any light in viewing the prospect, and set out directly to find water. First, going down a well-beaten path for half a mile through the low scrubby wood, till I came to where the water stood in the tracks of the horses which had carried travellers up, I lay down flat, and drank these dry, one after another, a pure, cold, spring-like water, but yet I could not fill my dipper, though I contrived little siphons of grass-stems, and ingenious aqueducts on a small scale; it was too slow a process. Then remembering that I had passed a moist place near the top, on my way up, I returned to find it again, and here, with sharp stones and my hands, in the twilight, I made a well about two feet deep, which was soon filled with pure cold water, and the birds too came and drank at it. So I filled my dipper, and, making my way back to the observatory, collected some dry sticks, and made a fire on some flat stones which had been placed on the floor for that purpose, and so I soon cooked my supper of rice, having already whittled a wooden spoon to eat it with.

I made my way steadily upward in a straight line through a thick underbrush of mountain laurel, until the trees started to look scraggly and eerie, almost like they were fighting off frost goblins. Finally, I reached the top just as the sun was setting. Several acres had been cleared here, revealing rocks and stumps, and in the middle was a makeshift observatory that overlooked the woods. I got a brief glimpse of the countryside before the sun dipped below the horizon, but I was too thirsty to waste any light admiring the view, so I set off to find water. I followed a well-worn path for half a mile through the low, scrubby woods until I found where the water had pooled in the hoof prints of horses that had carried travelers up. I lay down flat and drank them dry, one after another—pure, cold spring-like water—but I still couldn't fill my dipper, even though I tried making little siphons out of grass stems and clever mini aqueducts. It was just too slow. Then I remembered that I had passed a damp spot near the top on my way up, so I went back to find it again. Here, using sharp rocks and my hands in the twilight, I dug a well about two feet deep, which quickly filled with pure cold water, and birds came to drink from it too. I finally filled my dipper and, making my way back to the observatory, gathered some dry sticks and built a fire on some flat stones that had been set out for that purpose. Soon, I cooked my dinner of rice, having already whittled a wooden spoon to eat with.

I sat up during the evening, reading by the light of the fire the scraps of newspapers in which some party had wrapped their luncheon; the prices current in New York and Boston, the advertisements, and the singular editorials which some had seen fit to publish, not foreseeing under what critical circumstances they would be read. I read these things at a vast advantage there, and it seemed to me that the advertisements, or what is called the business part of a paper, were greatly the best, the most useful, natural, and respectable. Almost all the opinions and sentiments expressed were so little considered, so shallow and flimsy, that I thought the very texture of the paper must be weaker in that part and tear the more easily. The advertisements and the prices current were more closely allied to nature, and were respectable in some measure as tide and meteorological tables are; but the reading-matter, which I remembered was most prized down below, unless it was some humble record of science, or an extract from some old classic, struck me as strangely whimsical, and crude, and one-idea’d, like a school-boy’s theme, such as youths write and after burn. The opinions were of that kind that are doomed to wear a different aspect to-morrow, like last year’s fashions; as if mankind were very green indeed, and would be ashamed of themselves in a few years, when they had outgrown this verdant period. There was, moreover, a singular disposition to wit and humor, but rarely the slightest real success; and the apparent success was a terrible satire on the attempt; the Evil Genius of man laughed the loudest at his best jokes. The advertisements, as I have said, such as were serious, and not of the modern quack kind, suggested pleasing and poetic thoughts; for commerce is really as interesting as nature. The very names of the commodities were poetic, and as suggestive as if they had been inserted in a pleasing poem,—Lumber, Cotton, Sugar, Hides, Guano, Logwood. Some sober, private, and original thought would have been grateful to read there, and as much in harmony with the circumstances as if it had been written on a mountain-top; for it is of a fashion which never changes, and as respectable as hides and logwood, or any natural product. What an inestimable companion such a scrap of paper would have been, containing some fruit of a mature life. What a relic! What a recipe! It seemed a divine invention, by which not mere shining coin, but shining and current thoughts, could be brought up and left there.

I sat up in the evening, reading by the firelight the scraps of newspapers that someone had used to wrap their lunch: the prices from New York and Boston, the ads, and the strange editorials that some had chosen to publish, not realizing how critically they would be read later. I found reading these at that moment very enlightening, and it seemed to me that the ads—or what you might call the business section of a paper—were by far the best, most useful, natural, and respectable part. Almost all the opinions and feelings expressed were so poorly thought out, so shallow and flimsy, that I imagined the actual paper felt weaker in that section and would tear more easily. The ads and the price listings were more closely aligned with reality and had a certain degree of respectability, like tide and weather tables; but the articles, which I remembered were greatly valued below, unless they were a simple record of science or an excerpt from some old classic, came across to me as strangely whimsical, crude, and simplistic, like a schoolboy’s essay that gets written and then burned. The opinions had that quality of being destined to look outdated tomorrow, like last year's fashion; as if humanity were really naive and would feel embarrassed in a few years when they'd outgrown this naive phase. In addition, there was an odd tendency toward wit and humor, but rarely any real success; and the perceived success was a harsh joke on the effort; the darker aspects of humanity seemed to mock his best attempts at humor. The ads, as I mentioned, those that were serious and not of the modern scam type, inspired pleasing and poetic thoughts; because commerce is truly as fascinating as nature. The very names of the goods were poetic, and as suggestive as if they’d been included in an enjoyable poem—Lumber, Cotton, Sugar, Hides, Guano, Logwood. Some thoughtful, original, and serious reflection would have been wonderful to read there, in harmony with the surroundings as if it had been written on a mountaintop; for this is a form that never changes, and is as respectable as hides and logwood, or any natural product. What an invaluable companion such a scrap of paper would have made, containing some insights from a life well-lived. What a treasure! What a guide! It felt like a brilliant invention, allowing not just mere shiny coin, but shining and present thoughts to be captured and left behind.

As it was cold, I collected quite a pile of wood and lay down on a board against the side of the building, not having any blanket to cover me, with my head to the fire, that I might look after it, which is not the Indian rule. But as it grew colder towards midnight, I at length encased myself completely in boards, managing even to put a board on top of me, with a large stone on it, to keep it down, and so slept comfortably. I was reminded, it is true, of the Irish children, who inquired what their neighbors did who had no door to put over them in winter nights as they had; but I am convinced that there was nothing very strange in the inquiry. Those who have never tried it can have no idea how far a door, which keeps the single blanket down, may go toward making one comfortable. We are constituted a good deal like chickens, which taken from the hen, and put in a basket of cotton in the chimney-corner, will often peep till they die, nevertheless, but if you put in a book, or anything heavy, which will press down the cotton, and feel like the hen, they go to sleep directly. My only companions were the mice, which came to pick up the crumbs that had been left in those scraps of paper; still, as everywhere, pensioners on man, and not unwisely improving this elevated tract for their habitation. They nibbled what was for them; I nibbled what was for me. Once or twice in the night, when I looked up, I saw a white cloud drifting through the windows, and filling the whole upper story.

As it was cold, I gathered a good amount of wood and lay down on a board against the side of the building, having no blanket to cover me, with my head by the fire so I could keep an eye on it, which isn't how the Indians do it. But as it got colder towards midnight, I eventually surrounded myself completely with boards, even managing to put one on top of me, weighted down by a large stone, so I could sleep comfortably. It did remind me of the Irish kids who wondered what their neighbors did when they had no door to cover them during winter nights like they did; but I believe there was nothing really unusual about that question. Those who have never experienced it can't understand how much a door, which holds down a single blanket, can contribute to one's comfort. We're somewhat like chickens, which, when taken from the hen and placed in a basket with cotton in the corner of the chimney, will often peep until they die. However, if you add a book or something heavy that presses down the cotton and feels like the hen, they’ll fall asleep right away. My only companions were the mice that came to gather the crumbs left among the scraps of paper; like everywhere, they rely on humans and sensibly take advantage of this elevated spot for their home. They nibbled what was theirs; I nibbled what was mine. Once or twice during the night, when I looked up, I saw a white cloud drifting through the windows, filling up the entire upper story.

This observatory was a building of considerable size, erected by the students of Williamstown College, whose buildings might be seen by daylight gleaming far down in the valley. It would be no small advantage if every college were thus located at the base of a mountain, as good at least as one well-endowed professorship. It were as well to be educated in the shadow of a mountain as in more classical shades. Some will remember, no doubt, not only that they went to the college, but that they went to the mountain. Every visit to its summit would, as it were, generalize the particular information gained below, and subject it to more catholic tests.

This observatory was a pretty big building, built by the students of Williamstown College, whose buildings could be seen shining in the valley during the day. It would be a huge benefit if every college were located at the base of a mountain, at least as valuable as having a well-funded professor. Being educated in the shadow of a mountain is just as good as being educated in more traditional surroundings. Some will surely remember not just that they attended the college, but that they also visited the mountain. Every trip to its peak would help connect the specific knowledge gained below and apply it to broader concepts.

I was up early and perched upon the top of this tower to see the daybreak, for some time reading the names that had been engraved there, before I could distinguish more distant objects. An “untamable fly” buzzed at my elbow with the same nonchalance as on a molasses hogshead at the end of Long Wharf. Even there I must attend to his stale humdrum. But now I come to the pith of this long digression.—As the light increased I discovered around me an ocean of mist, which by chance reached up exactly to the base of the tower, and shut out every vestige of the earth, while I was left floating on this fragment of the wreck of a world, on my carved plank, in cloudland; a situation which required no aid from the imagination to render it impressive. As the light in the east steadily increased, it revealed to me more clearly the new world into which I had risen in the night, the new terra firma perchance of my future life. There was not a crevice left through which the trivial places we name Massachusetts or Vermont or New York could be seen, while I still inhaled the clear atmosphere of a July morning,—if it were July there. All around beneath me was spread for a hundred miles on every side, as far as the eye could reach, an undulating country of clouds, answering in the varied swell of its surface to the terrestrial world it veiled. It was such a country as we might see in dreams, with all the delights of paradise. There were immense snowy pastures, apparently smooth-shaven and firm, and shady vales between the vaporous mountains; and far in the horizon I could see where some luxurious misty timber jutted into the prairie, and trace the windings of a water-course, some unimagined Amazon or Orinoko, by the misty trees on its brink. As there was wanting the symbol, so there was not the substance of impurity, no spot nor stain. It was a favor for which to be forever silent to be shown this vision. The earth beneath had become such a flitting thing of lights and shadows as the clouds had been before. It was not merely veiled to me, but it had passed away like the phantom of a shadow, σκιᾶς ὄναρ, and this new platform was gained. As I had climbed above storm and cloud, so by successive days’ journeys I might reach the region of eternal day, beyond the tapering shadow of the earth; ay,

I woke up early and sat on top of this tower to watch the sunrise. I spent some time reading the names carved there before I could see anything farther away. An “untamable fly” buzzed near me, just like it would on a molasses barrel at the end of Long Wharf. Even then, I had to listen to its boring hum. But now I get to the main point of this long digression.—As the light grew, I noticed an ocean of mist around me, which happened to reach up to the base of the tower and blocked out any sign of the earth. I felt like I was floating on this piece of a world wreck, on my carved plank, in a land of clouds; a scene that needed no extra imagination to feel impressive. As the light in the east got brighter, it clearly revealed the new world I had entered during the night, this new terra firma that might be my future. There wasn’t a crack through which I could see the mundane places we call Massachusetts, Vermont, or New York, while I breathed in the clear atmosphere of a July morning—if it really was July there. All around me stretched a hundred miles in every direction, as far as I could see, an undulating sea of clouds, moving in waves that echoed the land they covered. It looked like a dreamland, full of paradise's delights. There were vast, snowy fields that seemed smooth and firm, and shady valleys nestled between misty mountains. Far on the horizon, I glimpsed a lush misty forest jutting into a plain, and I could trace the winding path of a waterway—some unknown Amazon or Orinoco—by the misty trees lining its banks. There was no sign of impurity, no spot or stain. It felt like a privilege to witness this vision in complete silence. The earth below had transformed into a fleeting scene of lights and shadows, just like the clouds had been before. It was not only hidden from me, but it had vanished like a shadowy illusion, and I had reached this new platform. Just as I had climbed above storms and clouds, I hoped that through days of travel, I might eventually reach a realm of eternal daylight, beyond the tapering shadow of the earth; yes,

        “Heaven itself shall slide,
And roll away, like melting stars that glide
Along their oily threads.”

“Heaven itself will shift,
And roll away, like melting stars that move
Along their smooth paths.”

But when its own sun began to rise on this pure world, I found myself a dweller in the dazzling halls of Aurora, into which poets have had but a partial glance over the eastern hills, drifting amid the saffron-colored clouds, and playing with the rosy fingers of the Dawn, in the very path of the Sun’s chariot, and sprinkled with its dewy dust, enjoying the benignant smile, and near at hand the far-darting glances of the god. The inhabitants of earth behold commonly but the dark and shadowy under-side of heaven’s pavement; it is only when seen at a favorable angle in the horizon, morning or evening, that some faint streaks of the rich lining of the clouds are revealed. But my muse would fail to convey an impression of the gorgeous tapestry by which I was surrounded, such as men see faintly reflected afar off in the chambers of the east. Here, as on earth, I saw the gracious god

But when its own sun began to rise in this pure world, I found myself living in the dazzling halls of Aurora, where poets have only caught a glimpse over the eastern hills, drifting among the saffron-colored clouds and playing with the rosy fingers of Dawn, right in the path of the Sun’s chariot, sprinkled with its dewy dust, enjoying the gentle smile and nearby the far-reaching glances of the god. The people on earth usually see only the dark and shadowy underside of heaven’s pavement; it’s only when viewed from a good angle at dawn or dusk that faint hints of the rich lining of the clouds are revealed. But my muse wouldn’t be able to capture the impression of the gorgeous tapestry surrounding me, like men see faintly reflected from afar in the chambers of the east. Here, like on earth, I saw the gracious god.

“Flatter the mountain-tops with sovereign eye,

. . . . . .

Gilding pale streams with heavenly alchemy.”

“Praise the mountain peaks with a royal gaze,

. . . . . .

Brightening pale rivers with magical transformation.”

But never here did “Heaven’s sun” stain himself.

But here, the "Heaven's sun" never tarnished itself.

But, alas, owing, as I think, to some unworthiness in myself, my private sun did stain himself, and

But, unfortunately, I believe due to some shortcomings in myself, my personal sun did tarnish itself, and

“Anon permit the basest clouds to ride
With ugly wrack on his celestial face,”—

“Soon allow the lowest clouds to pass
With their ugly wreckage across his heavenly face,”—

for before the god had reached the zenith the heavenly pavement rose and embraced my wavering virtue, or rather I sank down again into that “forlorn world,” from which the celestial sun had hid his visage,—

for before the god had reached the peak, the heavenly pavement rose and caught my unsteady virtue, or rather I sank back into that “forlorn world,” from which the celestial sun had concealed his face,—

“How may a worm that crawls along the dust,
Clamber the azure mountains, thrown so high,
And fetch from thence thy fair idea just,
That in those sunny courts doth hidden lie,
Clothed with such light as blinds the angel’s eye?
    How may weak mortal ever hope to file
    His unsmooth tongue, and his deprostrate style?
O, raise thou from his corse thy now entombed exile!”

“How can a worm that crawls in the dirt,
Climb the blue mountains, towering so high,
And bring back your beautiful image,
That lies hidden in those sunny courts,
Dressed in such light it blinds the angel’s eye?
    How can a weak mortal ever hope to refine
    His rough tongue and his humble style?
Oh, raise from his corpse your now entombed exile!”

In the preceding evening I had seen the summits of new and yet higher mountains, the Catskills, by which I might hope to climb to heaven again, and had set my compass for a fair lake in the southwest, which lay in my way, for which I now steered, descending the mountain by my own route, on the side opposite to that by which I had ascended, and soon found myself in the region of cloud and drizzling rain, and the inhabitants affirmed that it had been a cloudy and drizzling day wholly.

The night before, I had spotted the peaks of new and even taller mountains, the Catskills, which I hoped would lead me back to heaven, and I had aimed for a beautiful lake to the southwest that was on my path. I now headed that way, going down the mountain by my own route on the opposite side from how I came up, and soon found myself in a cloudy and drizzly area. The locals said it had been completely cloudy and rainy all day.

But now we must make haste back before the fog disperses to the blithe Merrimack water.

But now we need to hurry back before the fog clears up over the cheerful Merrimack River.

Since that first “Away! away!”
    Many a lengthy reach we’ve rowed,
Still the sparrow on the spray
Hastes to usher in the day
    With her simple stanza’d ode.

Since that first “Away! away!”
    We've rowed many long stretches,
Still the sparrow on the branch
Rushes to welcome the day
    With her simple little song.

We passed a canal-boat before sunrise, groping its way to the seaboard, and, though we could not see it on account of the fog, the few dull, thumping, stertorous sounds which we heard, impressed us with a sense of weight and irresistible motion. One little rill of commerce already awake on this distant New Hampshire river. The fog, as it required more skill in the steering, enhanced the interest of our early voyage, and made the river seem indefinitely broad. A slight mist, through which objects are faintly visible, has the effect of expanding even ordinary streams, by a singular mirage, into arms of the sea or inland lakes. In the present instance it was even fragrant and invigorating, and we enjoyed it as a sort of earlier sunshine, or dewy and embryo light.

We passed a canal boat before sunrise, making its way to the coast, and even though we couldn't see it because of the fog, the few dull, thumping, labored sounds we heard gave us a sense of weight and unstoppable movement. There was already a hint of commerce stirring on this remote New Hampshire river. The fog, which required more skill in navigation, added to the excitement of our early journey and made the river seem endlessly wide. A slight mist, through which objects are barely visible, causes even ordinary streams to look like arms of the sea or inland lakes, creating a unique mirage. In this case, it was even fragrant and refreshing, and we enjoyed it like an early sunshine or a dewy, nascent light.

Low-anchored cloud,
Newfoundland air,
Fountain-head and source of rivers,
Dew-cloth, dream drapery,
And napkin spread by fays;
Drifting meadow of the air,
Where bloom the daisied banks and violets,
And in whose fenny labyrinth
The bittern booms and heron wades;
Spirit of lakes and seas and rivers,
Bear only perfumes and the scent
Of healing herbs to just men’s fields!

Low-hanging clouds,
Newfoundland air,
Source of rivers,
Dewy fabric, dreamlike curtain,
And napkin laid out by fairies;
Drifting meadow of the sky,
Where daisies and violets grow,
And in its marshy maze
The bittern calls and heron wades;
Spirit of lakes, seas, and rivers,
Bring only fragrances and the scent
Of healing herbs to the fields of the righteous!

The same pleasant and observant historian whom we quoted above says, that, “In the mountainous parts of the country, the ascent of vapors, and their formation into clouds, is a curious and entertaining object. The vapors are seen rising in small columns like smoke from many chimneys. When risen to a certain height, they spread, meet, condense, and are attracted to the mountains, where they either distil in gentle dews, and replenish the springs, or descend in showers, accompanied with thunder. After short intermissions, the process is repeated many times in the course of a summer day, affording to travellers a lively illustration of what is observed in the Book of Job, ‘They are wet with the showers of the mountains.’”

The same pleasant and observant historian we quoted earlier says that, “In the mountain regions of the country, the rise of vapor and its transformation into clouds is a fascinating and entertaining sight. The vapor rises in small columns that look like smoke coming from many chimneys. Once it reaches a certain height, it spreads out, meets, condenses, and is drawn towards the mountains, where it either falls as gentle dew to refill the springs or comes down in showers with thunder. After brief pauses, this process repeats several times throughout a summer day, providing travelers with a vivid illustration of what is mentioned in the Book of Job, ‘They are wet with the showers of the mountains.’”

Fogs and clouds which conceal the overshadowing mountains lend the breadth of the plains to mountain vales. Even a small-featured country acquires some grandeur in stormy weather when clouds are seen drifting between the beholder and the neighboring hills. When, in travelling toward Haverhill through Hampstead in this State, on the height of land between the Merrimack and the Piscataqua or the sea, you commence the descent eastward, the view toward the coast is so distant and unexpected, though the sea is invisible, that you at first suppose the unobstructed atmosphere to be a fog in the lowlands concealing hills of corresponding elevation to that you are upon; but it is the mist of prejudice alone, which the winds will not disperse. The most stupendous scenery ceases to be sublime when it becomes distinct, or in other words limited, and the imagination is no longer encouraged to exaggerate it. The actual height and breadth of a mountain or a waterfall are always ridiculously small; they are the imagined only that content us. Nature is not made after such a fashion as we would have her. We piously exaggerate her wonders, as the scenery around our home.

Fogs and clouds that cover the towering mountains give the appearance of wide plains in the valleys. Even a small, simple landscape seems grand during a storm when you can see clouds drifting between you and the nearby hills. When traveling toward Haverhill through Hampstead in this state, as you reach the high land between the Merrimack and the Piscataqua or the sea and start descending eastward, the view toward the coast is surprisingly distant, even though the sea isn’t visible. At first, you might think the clear atmosphere is just fog in the lowlands hiding hills that match your current elevation, but it’s just a haze of bias that the winds won’t clear away. The most breathtaking scenery loses its awe when it becomes clear and defined, meaning your imagination can no longer embellish it. The actual size of a mountain or waterfall always seems ridiculously small; it’s only the imagined version that satisfies us. Nature doesn’t conform to our expectations. We tend to exaggerate her wonders, just like the scenery around our homes.

Such was the heaviness of the dews along this river that we were generally obliged to leave our tent spread over the bows of the boat till the sun had dried it, to avoid mildew. We passed the mouth of Penichook Brook, a wild salmon-stream, in the fog, without seeing it. At length the sun’s rays struggled through the mist and showed us the pines on shore dripping with dew, and springs trickling from the moist banks,—

Such was the heaviness of the dew along this river that we usually had to leave our tent spread over the front of the boat until the sun dried it, to prevent mildew. We passed the mouth of Penichook Brook, a wild salmon stream, in the fog, without noticing it. Finally, the sun's rays broke through the mist and revealed the pines on the shore dripping with dew and springs trickling from the damp banks,—

“And now the taller sons, whom Titan warms,
Of unshorn mountains blown with easy winds,
Dandle the morning’s childhood in their arms,
And, if they chanced to slip the prouder pines,
The under corylets did catch their shines,
To gild their leaves.”

“And now the taller sons, warmed by Titan,
Of untrimmed mountains swaying in gentle winds,
Cradle the morning’s youth in their arms,
And, if they happen to brush past the prouder pines,
The lower corylets catch their light,
To brighten their leaves.”

We rowed for some hours between glistening banks before the sun had dried the grass and leaves, or the day had established its character. Its serenity at last seemed the more profound and secure for the denseness of the morning’s fog. The river became swifter, and the scenery more pleasing than before. The banks were steep and clayey for the most part, and trickling with water, and where a spring oozed out a few feet above the river the boatmen had cut a trough out of a slab with their axes, and placed it so as to receive the water and fill their jugs conveniently. Sometimes this purer and cooler water, bursting out from under a pine or a rock, was collected into a basin close to the edge of and level with the river, a fountain-head of the Merrimack. So near along life’s stream are the fountains of innocence and youth making fertile its sandy margin; and the voyageur will do well to replenish his vessels often at these uncontaminated sources. Some youthful spring, perchance, still empties with tinkling music into the oldest river, even when it is falling into the sea, and we imagine that its music is distinguished by the river-gods from the general lapse of the stream, and falls sweeter on their ears in proportion as it is nearer to the ocean. As the evaporations of the river feed thus these unsuspected springs which filter through its banks, so, perchance, our aspirations fall back again in springs on the margin of life’s stream to refresh and purify it. The yellow and tepid river may float his scow, and cheer his eye with its reflections and its ripples, but the boatman quenches his thirst at this small rill alone. It is this purer and cooler element that chiefly sustains his life. The race will long survive that is thus discreet.

We paddled for several hours between sparkling banks before the sun dried the grass and leaves or the day showed what it would be like. Its calmness felt even deeper and more secure because of the morning fog. The river picked up speed, and the scenery became more enjoyable. The banks were mostly steep and muddy, seeping with water, and where a spring bubbled up a few feet above the river, the boatmen had carved a trough from a slab with their axes, positioning it to collect water and conveniently fill their jugs. Sometimes this fresher, cooler water, flowing out from under a pine tree or a rock, was gathered into a basin close to the river, serving as a source for the Merrimack. Along life’s journey, the fountains of innocence and youth are so close, enriching its sandy shores; travelers should refuel their vessels often at these pure sources. Perhaps a youthful spring still flows with tinkling music into the oldest river, even as it heads towards the sea, and we like to think that the river-gods can distinguish its melody from the general flow of the stream, appreciating it more the closer it gets to the ocean. Just as the river’s evaporation feeds these hidden springs that filter through its banks, maybe our dreams refresh and purify the stream of life. The muddy, warm river might carry his scow and please his eyes with its reflections and ripples, but the boatman only satisfies his thirst at this small brook. It’s this cleaner, cooler water that truly sustains his life. The thoughtful ones will endure for a long time.

Our course this morning lay between the territories of Merrimack, on the west, and Litchfield, once called Brenton’s Farm, on the east, which townships were anciently the Indian Naticook. Brenton was a fur-trader among the Indians, and these lands were granted to him in 1656. The latter township contains about five hundred inhabitants, of whom, however, we saw none, and but few of their dwellings. Being on the river, whose banks are always high and generally conceal the few houses, the country appeared much more wild and primitive than to the traveller on the neighboring roads. The river is by far the most attractive highway, and those boatmen who have spent twenty or twenty-five years on it must have had a much fairer, more wild, and memorable experience than the dusty and jarring one of the teamster who has driven, during the same time, on the roads which run parallel with the stream. As one ascends the Merrimack he rarely sees a village, but for the most part alternate wood and pasture lands, and sometimes a field of corn or potatoes, of rye or oats or English grass, with a few straggling apple-trees, and, at still longer intervals, a farmer’s house. The soil, excepting the best of the interval, is commonly as light and sandy as a patriot could desire. Sometimes this forenoon the country appeared in its primitive state, and as if the Indian still inhabited it, and, again, as if many free, new settlers occupied it, their slight fences straggling down to the water’s edge; and the barking of dogs, and even the prattle of children, were heard, and smoke was seen to go up from some hearthstone, and the banks were divided into patches of pasture, mowing, tillage, and woodland. But when the river spread out broader, with an uninhabited islet, or a long, low sandy shore which ran on single and devious, not answering to its opposite, but far off as if it were sea-shore or single coast, and the land no longer nursed the river in its bosom, but they conversed as equals, the rustling leaves with rippling waves, and few fences were seen, but high oak woods on one side, and large herds of cattle, and all tracks seemed a point to one centre behind some statelier grove,—we imagined that the river flowed through an extensive manor, and that the few inhabitants were retainers to a lord, and a feudal state of things prevailed.

Our route this morning was situated between the regions of Merrimack to the west and Litchfield, previously known as Brenton’s Farm, to the east, which used to be part of the Indian territory of Naticook. Brenton was a fur trader among the local tribes, and these lands were granted to him in 1656. The latter area has around five hundred residents, but we didn’t see any of them, nor many of their homes. Being alongside the river, where the banks are usually high and tend to hide the few houses, the landscape appeared much wilder and more primitive than what travelers experience on the nearby roads. The river is definitely the most appealing route, and those boatmen who have spent twenty to twenty-five years navigating it must have had a far more beautiful, wild, and memorable experience than the dusty and bumpy one of a teamster driving along the parallel roads. As you travel upstream on the Merrimack, you seldom come across a village; instead, you mostly see alternating woods and pastures, along with the occasional field of corn or potatoes, rye or oats, or English grass, interspersed with a few scattered apple trees and, even less frequently, a farmhouse. The soil, except for the best parts of the riverbank, is generally light and sandy, just as a patriot would wish. Sometimes this morning, the area seemed untouched and as if the Indians still lived here, and at other times it felt like many free, new settlers were present, their modest fences stretching down to the water's edge; we heard dogs barking and even the chatter of children, and smoke rising from some hearth, with the banks divided into patches of pasture, hay, cultivated land, and woodland. But when the river widened, revealing an uninhabited small island or a long, low sandy shore winding along like a single, winding coastline, detached from its opposite bank, as if it were the sea shore, and where the land no longer embraced the river, but instead they shared conversations as equals—the rustling leaves whispering with the rippling waves, and with few fences visible, just towering oak forests on one side and large herds of cattle on the other—all paths seemed to converge toward one point behind some grander grove. We imagined the river flowed through a vast estate, and that the few inhabitants were vassals to a lord, living under a feudal system.

When there was a suitable reach, we caught sight of the Goffstown mountain, the Indian Uncannunuc, rising before us on the west side. It was a calm and beautiful day, with only a slight zephyr to ripple the surface of the water, and rustle the woods on shore, and just warmth enough to prove the kindly disposition of Nature to her children. With buoyant spirits and vigorous impulses we tossed our boat rapidly along into the very middle of this forenoon. The fish-hawk sailed and screamed overhead. The chipping or striped squirrel, Sciurus striatus (Tamias Lysteri, Aud.), sat upon the end of some Virginia fence or rider reaching over the stream, twirling a green nut with one paw, as in a lathe, while the other held it fast against its incisors as chisels. Like an independent russet leaf, with a will of its own, rustling whither it could; now under the fence, now over it, now peeping at the voyageurs through a crack with only its tail visible, now at its lunch deep in the toothsome kernel, and now a rod off playing at hide-and-seek, with the nut stowed away in its chops, where were half a dozen more besides, extending its cheeks to a ludicrous breadth,—as if it were devising through what safe valve of frisk or somerset to let its superfluous life escape; the stream passing harmlessly off, even while it sits, in constant electric flashes through its tail. And now with a chuckling squeak it dives into the root of a hazel, and we see no more of it. Or the larger red squirrel or chickaree, sometimes called the Hudson Bay squirrel (Scriurus Hudsonius), gave warning of our approach by that peculiar alarum of his, like the winding up of some strong clock, in the top of a pine-tree, and dodged behind its stem, or leaped from tree to tree with such caution and adroitness, as if much depended on the fidelity of his scout, running along the white-pine boughs sometimes twenty rods by our side, with such speed, and by such unerring routes, as if it were some well-worn familiar path to him; and presently, when we have passed, he returns to his work of cutting off the pine-cones, and letting them fall to the ground.

When we could see clearly, we spotted Goffstown Mountain, also known as Indian Uncannunuc, rising in front of us to the west. It was a calm and beautiful day, with just a light breeze rippling the water's surface and rustling the trees along the shore, and just warm enough to show Nature's friendly intentions towards her children. With upbeat spirits and energetic impulses, we quickly paddled our boat into the middle of the morning. The fish hawk soared and screeched above us. The chipping or striped squirrel, Sciurus striatus (Tamias Lysteri, Aud.), sat on the end of a Virginia fence or wooden support reaching over the stream, twirling a green nut with one paw while keeping it steady against its teeth with the other. Like an adventurous russet leaf, it moved freely, now under the fence, now over it, now peeking at us through a crack with just its tail showing, now munching on the tasty kernel, and now a few feet away playing hide-and-seek, with the nut tucked away in its cheeks, where it had half a dozen more, puffing its cheeks to a comical size—as if it were figuring out how to let its extra energy out without causing a scene; the stream flowed harmlessly away even as it sat, sending quick electric flashes through its tail. Then, with a chuckle and a squeak, it dove into the roots of a hazel tree, and we saw no more of it. Meanwhile, the larger red squirrel, or chickaree, sometimes known as the Hudson Bay squirrel (Scriurus Hudsonius), warned us of our approach with its distinct alarm, like the winding of a strong clock, high up in a pine tree, then ducked behind the trunk or jumped from tree to tree with such care and skill, as if its life depended on its stealth, running along the white-pine branches sometimes twenty rods beside us with incredible speed, navigating routes as if they were well-known to it; and once we had passed, it returned to its business of snipping off pine cones and letting them drop to the ground.

We passed Cromwell’s Falls, the first we met with on this river, this forenoon, by means of locks, without using our wheels. These falls are the Nesenkeag of the Indians. Great Nesenkeag Stream comes in on the right just above, and Little Nesenkeag some distance below, both in Litchfield. We read in the Gazetteer, under the head of Merrimack, that “The first house in this town was erected on the margin of the river [soon after 1665] for a house of traffic with the Indians. For some time one Cromwell carried on a lucrative trade with them, weighing their furs with his foot, till, enraged at his supposed or real deception, they formed the resolution to murder him. This intention being communicated to Cromwell, he buried his wealth and made his escape. Within a few hours after his flight, a party of the Penacook tribe arrived, and, not finding the object of their resentment, burnt his habitation.” Upon the top of the high bank here, close to the river, was still to be seen his cellar, now overgrown with trees. It was a convenient spot for such a traffic, at the foot of the first falls above the settlements, and commanding a pleasant view up the river, where he could see the Indians coming down with their furs. The lock-man told us that his shovel and tongs had been ploughed up here, and also a stone with his name on it. But we will not vouch for the truth of this story. In the New Hampshire Historical Collections for 1815 it says, “Some time after pewter was found in the well, and an iron pot and trammel in the sand; the latter are preserved.” These were the traces of the white trader. On the opposite bank, where it jutted over the stream cape-wise, we picked up four arrow-heads and a small Indian tool made of stone, as soon as we had climbed it, where plainly there had once stood a wigwam of the Indians with whom Cromwell traded, and who fished and hunted here before he came.

We passed Cromwell’s Falls, the first ones we encountered on this river this morning, using locks instead of our wheels. These falls are the Nesenkeag to the Indians. Great Nesenkeag Stream joins on the right just above, and Little Nesenkeag is a little farther down, both in Litchfield. According to the Gazetteer about Merrimack, “The first house in this town was built on the riverbank [soon after 1665] as a trading post with the Indians. For a while, a man named Cromwell ran a profitable trade with them, weighing their furs with his foot, until they were angry at what they thought was his trickery and decided to kill him. When Cromwell learned of their plan, he buried his valuables and escaped. Just hours after he fled, a group from the Penacook tribe came, and not finding him, burned down his home.” On the high bank here, near the river, you can still see his cellar, now covered with trees. It was a great spot for trading, at the foot of the first falls above the settlements, with a nice view of the river where he could see the Indians coming down with their furs. The lock-man told us that his shovel and tongs were dug up here, along with a stone with his name on it. But we can't confirm that story. The New Hampshire Historical Collections for 1815 mentions, “Some time later, pewter was found in the well, along with an iron pot and trammel in the sand; the latter are preserved.” These were signs of the white trader. On the opposite bank, where it jutted out over the stream, we found four arrowheads and a small Indian tool made of stone as soon as we climbed up, where there clearly had once been a wigwam of the Indians with whom Cromwell traded, who fished and hunted here before he arrived.

As usual the gossips have not been silent respecting Cromwell’s buried wealth, and it is said that some years ago a farmer’s plough, not far from here, slid over a flat stone which emitted a hollow sound, and, on its being raised, a small hole six inches in diameter was discovered, stoned about, from which a sum of money was taken. The lock-man told us another similar story about a farmer in a neighboring town, who had been a poor man, but who suddenly bought a good farm, and was well to do in the world, and, when he was questioned, did not give a satisfactory account of the matter; how few, alas, could! This caused his hired man to remember that one day, as they were ploughing together, the plough struck something, and his employer, going back to look, concluded not to go round again, saying that the sky looked rather lowering, and so put up his team. The like urgency has caused many things to be remembered which never transpired. The truth is, there is money buried everywhere, and you have only to go to work to find it.

As usual, rumors have been swirling about Cromwell’s hidden treasure, and it’s said that a few years back, a farmer's plow, not far from here, ran over a flat stone that made a hollow sound. When it was lifted, they discovered a small hole about six inches in diameter, surrounded by stones, from which some money was taken. The local lock-man shared another similar story about a farmer from a nearby town who used to be poor but suddenly bought a nice farm and became quite wealthy. When asked about it, he didn’t provide a convincing explanation—and who could, really? This prompted his hired man to recall that one day, while they were plowing together, the plow hit something, and when his boss went back to check, he decided not to investigate further, saying that the weather looked a bit ominous, and he chose to halt work for the day. Similar instances have led to many memories of things that never actually happened. The truth is, there’s money buried everywhere, and you just need to dig in to find it.

Not far from these falls stands an oak-tree, on the interval, about a quarter of a mile from the river, on the farm of a Mr. Lund, which was pointed out to us as the spot where French, the leader of the party which went in pursuit of the Indians from Dunstable, was killed. Farwell dodged them in the thick woods near. It did not look as if men had ever had to run for their lives on this now open and peaceful interval.

Not far from these waterfalls, there's an oak tree on the flat land, about a quarter of a mile from the river, on Mr. Lund's farm. This was pointed out to us as the site where French, the leader of the group that went after the Indians from Dunstable, was killed. Farwell managed to avoid them in the dense woods nearby. It didn't seem like anyone had ever had to run for their lives in this now open and peaceful area.

Here too was another extensive desert by the side of the road in Litchfield, visible from the bank of the river. The sand was blown off in some places to the depth of ten or twelve feet, leaving small grotesque hillocks of that height, where there was a clump of bushes firmly rooted. Thirty or forty years ago, as we were told, it was a sheep-pasture, but the sheep, being worried by the fleas, began to paw the ground, till they broke the sod, and so the sand began to blow, till now it had extended over forty or fifty acres. This evil might easily have been remedied, at first, by spreading birches with their leaves on over the sand, and fastening them down with stakes, to break the wind. The fleas bit the sheep, and the sheep bit the ground, and the sore had spread to this extent. It is astonishing what a great sore a little scratch breedeth. Who knows but Sahara, where caravans and cities are buried, began with the bite of an African flea? This poor globe, how it must itch in many places! Will no god be kind enough to spread a salve of birches over its sores? Here too we noticed where the Indians had gathered a heap of stones, perhaps for their council-fire, which, by their weight having prevented the sand under them from blowing away, were left on the summit of a mound. They told us that arrow-heads, and also bullets of lead and iron, had been found here. We noticed several other sandy tracts in our voyage; and the course of the Merrimack can be traced from the nearest mountain by its yellow sandbanks, though the river itself is for the most part invisible. Lawsuits, as we hear, have in some cases grown out of these causes. Railroads have been made through certain irritable districts, breaking their sod, and so have set the sand to blowing, till it has converted fertile farms into deserts, and the company has had to pay the damages.

Here was another large stretch of desert next to the road in Litchfield, visible from the riverbank. In some places, the sand had been blown away to a depth of ten or twelve feet, creating small, strange-looking hills where clumps of bushes were firmly rooted. About thirty or forty years ago, as we were told, this area was a sheep pasture, but the sheep were bothered by fleas, which caused them to scratch the ground, breaking the sod and allowing the sand to start blowing. Now, it has spread over forty or fifty acres. This issue could have been easily fixed at first by spreading birch branches with leaves over the sand and staking them down to break the wind. The fleas bothered the sheep, and the sheep damaged the ground, leading to this problem. It's amazing how a small scratch can lead to such a big issue. Who knows if the Sahara, where caravans and cities are buried, began from the bite of an African flea? This poor planet must be itching in many places! Will no god be kind enough to spread a healing layer of birch over its wounds? We also noticed where the Indians had collected a pile of stones, perhaps for their council fire, which, because of their weight, had prevented the sand underneath from blowing away, leaving the stones on top of a mound. They told us that arrowheads, as well as lead and iron bullets, had been found here. We observed several other sandy areas during our journey; the course of the Merrimack can be traced from the nearest mountain by its yellow sandbanks, even though the river itself is mostly hidden. We’ve heard that some lawsuits have arisen from these issues. Railroads have been built through certain sensitive areas, breaking their sod and causing the sand to blow, turning fertile farms into deserts, and the company has had to compensate for the damages.

This sand seemed to us the connecting link between land and water. It was a kind of water on which you could walk, and you could see the ripple-marks on its surface, produced by the winds, precisely like those at the bottom of a brook or lake. We had read that Mussulmen are permitted by the Koran to perform their ablutions in sand when they cannot get water, a necessary indulgence in Arabia, and we now understood the propriety of this provision.

This sand felt like the connection between land and water. It was like a kind of water that you could walk on, and you could see the ripples on its surface caused by the wind, just like those at the bottom of a stream or lake. We had read that Muslims are allowed by the Koran to perform their ablutions in sand when water isn't available, which is an important allowance in Arabia, and we now understood why this rule makes sense.

Plum Island, at the mouth of this river, to whose formation, perhaps, these very banks have sent their contribution, is a similar desert of drifting sand, of various colors, blown into graceful curves by the wind. It is a mere sand-bar exposed, stretching nine miles parallel to the coast, and, exclusive of the marsh on the inside, rarely more than half a mile wide. There are but half a dozen houses on it, and it is almost without a tree, or a sod, or any green thing with which a countryman is familiar. The thin vegetation stands half buried in sand, as in drifting snow. The only shrub, the beach-plum, which gives the island its name, grows but a few feet high; but this is so abundant that parties of a hundred at once come from the main-land and down the Merrimack, in September, pitch their tents, and gather the plums, which are good to eat raw and to preserve. The graceful and delicate beach-pea, too, grows abundantly amid the sand, and several strange, moss-like and succulent plants. The island for its whole length is scalloped into low hills, not more than twenty feet high, by the wind, and, excepting a faint trail on the edge of the marsh, is as trackless as Sahara. There are dreary bluffs of sand and valleys ploughed by the wind, where you might expect to discover the bones of a caravan. Schooners come from Boston to load with the sand for masons’ uses, and in a few hours the wind obliterates all traces of their work. Yet you have only to dig a foot or two anywhere to come to fresh water; and you are surprised to learn that woodchucks abound here, and foxes are found, though you see not where they can burrow or hide themselves. I have walked down the whole length of its broad beach at low tide, at which time alone you can find a firm ground to walk on, and probably Massachusetts does not furnish a more grand and dreary walk. On the seaside there are only a distant sail and a few coots to break the grand monotony. A solitary stake stuck up, or a sharper sand-hill than usual, is remarkable as a landmark for miles; while for music you hear only the ceaseless sound of the surf, and the dreary peep of the beach-birds.

Plum Island, at the river's mouth, which may have contributed to its formation, is a barren stretch of shifting sand, in various colors, shaped into graceful curves by the wind. It's essentially a sandbar exposed to the elements, extending nine miles parallel to the coastline, and, apart from the marsh on the inside, it's rarely wider than half a mile. There are only about half a dozen houses on the island, and it’s nearly devoid of trees, grass, or any green plants familiar to a farmer. The sparse vegetation appears half-buried in sand, like it’s covered in snow. The only shrub, the beach-plum, after which the island is named, only grows a few feet tall; but it’s so plentiful that groups of up to a hundred people come from the mainland and down the Merrimack in September, set up tents, and gather the plums, which are tasty both raw and for preserves. The graceful and delicate beach-pea also grows abundantly amidst the sand, along with several unusual, moss-like, and succulent plants. The island is lined with low hills, not more than twenty feet high, formed by the wind, and aside from a faint trail along the edge of the marsh, it is as trackless as the Sahara. There are dreary sand bluffs and valleys carved by the wind, where you might expect to find the bones of a caravan. Schooners come from Boston to collect sand for masonry, and within hours the wind erases all signs of their activity. Yet, if you dig a foot or two anywhere, you’ll find fresh water; and you might be surprised to learn that woodchucks and foxes thrive here, although it’s hard to imagine where they can burrow or hide. I’ve walked the entire length of its wide beach at low tide, which is the only time you can find solid ground to walk on, and it’s probably the most grand and desolate walk Massachusetts offers. At the seaside, there’s only a distant sail and a few coots to interrupt the grand monotony. A lone stake stuck in the ground or a sharper sand mound is notable as a landmark for miles, while the only sounds are the endless crashing of the surf and the melancholic calls of the beach birds.

There were several canal-boats at Cromwell’s Falls passing through the locks, for which we waited. In the forward part of one stood a brawny New Hampshire man, leaning on his pole, bareheaded and in shirt and trousers only, a rude Apollo of a man, coming down from that “vast uplandish country” to the main; of nameless age, with flaxen hair, and vigorous, weather-bleached countenance, in whose wrinkles the sun still lodged, as little touched by the heats and frosts and withering cares of life as a maple of the mountain; an undressed, unkempt, uncivil man, with whom we parleyed awhile, and parted not without a sincere interest in one another. His humanity was genuine and instinctive, and his rudeness only a manner. He inquired, just as we were passing out of earshot, if we had killed anything, and we shouted after him that we had shot a buoy, and could see him for a long while scratching his head in vain to know if he had heard aright.

There were several canal boats at Cromwell’s Falls going through the locks, which we waited for. In the front of one stood a muscular New Hampshire man, leaning on his pole, bareheaded and dressed only in a shirt and pants, a rough version of Apollo, coming down from that “vast uplandish country” to the main; of indeterminate age, with light hair, and a strong, sun-damaged face, in whose wrinkles the sun still lingered, as little affected by the heat, cold, and burdens of life as a mountain maple; an unrefined, disheveled, and uncivil man, with whom we chatted for a while, parting with a genuine interest in each other. His humanity was real and instinctual, and his roughness was just a manner of speaking. He asked, just as we were getting out of earshot, if we had killed anything, and we shouted back that we had shot a buoy, and we could see him scratching his head for quite a while, trying to figure out if he had heard us correctly.

There is reason in the distinction of civil and uncivil. The manners are sometimes so rough a rind that we doubt whether they cover any core or sap-wood at all. We sometimes meet uncivil men, children of Amazons, who dwell by mountain paths, and are said to be inhospitable to strangers; whose salutation is as rude as the grasp of their brawny hands, and who deal with men as unceremoniously as they are wont to deal with the elements. They need only to extend their clearings, and let in more sunlight, to seek out the southern slopes of the hills, from which they may look down on the civil plain or ocean, and temper their diet duly with the cereal fruits, consuming less wild meat and acorns, to become like the inhabitants of cities. A true politeness does not result from any hasty and artificial polishing, it is true, but grows naturally in characters of the right grain and quality, through a long fronting of men and events, and rubbing on good and bad fortune. Perhaps I can tell a tale to the purpose while the lock is filling,—for our voyage this forenoon furnishes but few incidents of importance.

There’s a valid reason for distinguishing between civil and uncivil behavior. Sometimes, people's manners are so rough that we question whether they have any depth or substance at all. We occasionally encounter uncivil people, fierce as Amazons, who live along mountain paths and are known for being unwelcoming to outsiders; their greetings are as blunt as their strong grips, and they interact with others as casually as they do with nature. They just need to clear more land, let in some sunlight, and seek the sunlit slopes of the hills where they can overlook the civilized plains or ocean. By adjusting their diet to include more grains and eating less wild meat and acorns, they could become more like city dwellers. Genuine politeness doesn’t come from quick and superficial refinement; instead, it develops naturally in individuals who have the right character and quality, shaped by prolonged encounters with people and experiences, and tempered by both good and bad luck. I might share a story related to this while we wait—since our journey this morning hasn’t presented many significant events.

Early one summer morning I had left the shores of the Connecticut, and for the livelong day travelled up the bank of a river, which came in from the west; now looking down on the stream, foaming and rippling through the forest a mile off, from the hills over which the road led, and now sitting on its rocky brink and dipping my feet in its rapids, or bathing adventurously in mid-channel. The hills grew more and more frequent, and gradually swelled into mountains as I advanced, hemming in the course of the river, so that at last I could not see where it came from, and was at liberty to imagine the most wonderful meanderings and descents. At noon I slept on the grass in the shade of a maple, where the river had found a broader channel than usual, and was spread out shallow, with frequent sand-bars exposed. In the names of the towns I recognized some which I had long ago read on teamsters’ wagons, that had come from far up country; quiet, uplandish towns, of mountainous fame. I walked along, musing and enchanted, by rows of sugar-maples, through the small and uninquisitive villages, and sometimes was pleased with the sight of a boat drawn up on a sand-bar, where there appeared no inhabitants to use it. It seemed, however, as essential to the river as a fish, and to lend a certain dignity to it. It was like the trout of mountain streams to the fishes of the sea, or like the young of the land-crab born far in the interior, who have never yet heard the sound of the ocean’s surf. The hills approached nearer and nearer to the stream, until at last they closed behind me, and I found myself just before nightfall in a romantic and retired valley, about half a mile in length, and barely wide enough for the stream at its bottom. I thought that there could be no finer site for a cottage among mountains. You could anywhere run across the stream on the rocks, and its constant murmuring would quiet the passions of mankind forever. Suddenly the road, which seemed aiming for the mountain-side, turned short to the left, and another valley opened, concealing the former, and of the same character with it. It was the most remarkable and pleasing scenery I had ever seen. I found here a few mild and hospitable inhabitants, who, as the day was not quite spent, and I was anxious to improve the light, directed me four or five miles farther on my way to the dwelling of a man whose name was Rice, who occupied the last and highest of the valleys that lay in my path, and who, they said, was a rather rude and uncivil man. But “what is a foreign country to those who have science? Who is a stranger to those who have the habit of speaking kindly?”

Early one summer morning, I left the banks of the Connecticut and spent the entire day traveling up the river that flowed in from the west. Sometimes I looked down at the stream, which was foaming and rippling through the forest a mile away, and at other times I sat at its rocky edge, dipping my feet into the rapids or taking daring baths in the middle of the channel. The hills became more frequent and slowly developed into mountains as I moved along, surrounding the river’s path, until I could no longer see where it began, allowing me to imagine the most amazing twists and descents. At noon, I took a nap on the grass under the shade of a maple tree, where the river had widened into a shallower area, exposing sandbars. In the names of the towns, I recognized some that I had read about long ago on the wagons of teamsters from far upstate; quiet, hilly towns known for their mountains. I strolled along, lost in thought and delighted, past rows of sugar maples, through small, unassuming villages, and was occasionally pleased to spot a boat stranded on a sandbar, with no one around to use it. However, it seemed just as essential to the river as a fish, lending it a certain dignity. It reminded me of the trout in mountain streams compared to the fish in the ocean, or the young land-crabs born far inland, who had never heard the sound of ocean waves. The hills moved closer to the stream until they finally closed in behind me, and just before nightfall, I found myself in a beautiful and secluded valley, about half a mile long and barely wide enough for the stream at its base. I thought it would be the perfect spot for a cottage among the mountains. You could easily hop across the stream on the rocks, and its constant murmuring would calm the storms of human passions forever. Suddenly, the road, which seemed to lead toward the mountain, veered sharply to the left, revealing another valley that hid the previous one but shared its charm. It was the most remarkable and beautiful scenery I had ever encountered. I met a few friendly and welcoming locals, who, since the day wasn't over yet and I wanted to make the most of the light, directed me four or five miles further to the home of a man named Rice. He lived in the last and highest valley in my path and was said to be quite rough and unfriendly. But “what is a foreign land to those who possess knowledge? Who is a stranger to those who are kind?”

At length, as the sun was setting behind the mountains in a still darker and more solitary vale, I reached the dwelling of this man. Except for the narrowness of the plain, and that the stones were solid granite, it was the counterpart of that retreat to which Belphœbe bore the wounded Timias,—

At last, as the sun was setting behind the mountains in a darker and more isolated valley, I arrived at this man's home. Aside from the narrowness of the plain and the fact that the stones were solid granite, it resembled the retreat where Belphœbe took the injured Timias,—

        “In a pleasant glade,
With mountains round about environed,
And mighty woods, which did the valley shade,
And like a stately theatre it made,
Spreading itself into a spacious plain;
And in the midst a little river played
Amongst the pumy stones which seemed to plain,
With gentle murmur, that his course they did restrain.”

“In a lovely clearing,
Surrounded by towering mountains,
And grand forests that shaded the valley,
It felt like a grand theater,
Opening up into a wide plain;
And in the center, a small river flowed
Among the smooth stones that seemed to complain,
With a soft murmur, as if they were holding it back.”

I observed, as I drew near, that he was not so rude as I had anticipated, for he kept many cattle, and dogs to watch them, and I saw where he had made maple-sugar on the sides of the mountains, and above all distinguished the voices of children mingling with the murmur of the torrent before the door. As I passed his stable I met one whom I supposed to be a hired man, attending to his cattle, and I inquired if they entertained travellers at that house. “Sometimes we do,” he answered, gruffly, and immediately went to the farthest stall from me, and I perceived that it was Rice himself whom I had addressed. But pardoning this incivility to the wildness of the scenery, I bent my steps to the house. There was no sign-post before it, nor any of the usual invitations to the traveller, though I saw by the road that many went and came there, but the owner’s name only was fastened to the outside; a sort of implied and sullen invitation, as I thought. I passed from room to room without meeting any one, till I came to what seemed the guests’ apartment, which was neat, and even had an air of refinement about it, and I was glad to find a map against the wall which would direct me on my journey on the morrow. At length I heard a step in a distant apartment, which was the first I had entered, and went to see if the landlord had come in; but it proved to be only a child, one of those whose voices I had heard, probably his son, and between him and me stood in the doorway a large watch-dog, which growled at me, and looked as if he would presently spring, but the boy did not speak to him; and when I asked for a glass of water, he briefly said, “It runs in the corner.” So I took a mug from the counter and went out of doors, and searched round the corner of the house, but could find neither well nor spring, nor any water but the stream which ran all along the front. I came back, therefore, and, setting down the mug, asked the child if the stream was good to drink; whereupon he seized the mug, and, going to the corner of the room, where a cool spring which issued from the mountain behind trickled through a pipe into the apartment, filled it, and drank, and gave it to me empty again, and, calling to the dog, rushed out of doors. Erelong some of the hired men made their appearance, and drank at the spring, and lazily washed themselves and combed their hair in silence, and some sat down as if weary, and fell asleep in their seats. But all the while I saw no women, though I sometimes heard a bustle in that part of the house from which the spring came.

I noticed, as I got closer, that he wasn't as rude as I had expected. He had a lot of cattle and dogs to watch them, and I saw where he had made maple syrup on the mountainsides. Above all, I could hear children playing along with the sound of the stream right outside the door. As I walked past his stable, I encountered someone I assumed was a worker taking care of the cattle, and I asked if they hosted travelers at the house. "Sometimes we do," he replied gruffly, before walking to the farthest stall from me, and I realized it was Rice himself I had spoken to. However, I forgave his rudeness considering the wildness of the surroundings and made my way to the house. There was no signpost or any typical invitations for travelers, even though I noticed many people coming and going. The owner's name was the only thing posted outside; it felt like a sort of implied, sullen invitation. I moved from room to room without encountering anyone until I found what seemed to be the guests' room, which was tidy and had a sense of refinement. I was pleased to see a map on the wall that would guide me on my journey the next day. Eventually, I heard footsteps in a distant room, which was the first one I had entered, and I went to see if the landlord had arrived. But it turned out to be just a child, one of those I had heard earlier, likely his son. Standing in the doorway between us was a large watchdog that growled at me and looked ready to pounce, but the boy didn’t say anything to it. When I asked for a glass of water, he simply told me, "It runs in the corner." So I grabbed a mug from the counter and went outside to look around the corner of the house, but I couldn't find any well or spring, just the stream that ran along the front. I came back and, putting down the mug, asked the child if the stream was good to drink. He took the mug, went to the corner of the room where a cool spring flowed from the mountain behind, filled it, drank from it, and then handed it back to me empty before calling to the dog and rushing outside. Soon after, some of the hired men appeared, took drinks from the spring, lazily washed up and combed their hair in silence, while others sat down, looking tired, and dozed off in their seats. Throughout all this, I didn’t see any women, though I could occasionally hear some commotion coming from the part of the house where the spring was.

At length Rice himself came in, for it was now dark, with an ox-whip in his hand, breathing hard, and he too soon settled down into his seat not far from me, as if, now that his day’s work was done, he had no farther to travel, but only to digest his supper at his leisure. When I asked him if he could give me a bed, he said there was one ready, in such a tone as implied that I ought to have known it, and the less said about that the better. So far so good. And yet he continued to look at me as if he would fain have me say something further like a traveller. I remarked, that it was a wild and rugged country he inhabited, and worth coming many miles to see. “Not so very rough neither,” said he, and appealed to his men to bear witness to the breadth and smoothness of his fields, which consisted in all of one small interval, and to the size of his crops; “and if we have some hills,” added he, “there’s no better pasturage anywhere.” I then asked if this place was the one I had heard of, calling it by a name I had seen on the map, or if it was a certain other; and he answered, gruffly, that it was neither the one nor the other; that he had settled it and cultivated it, and made it what it was, and I could know nothing about it. Observing some guns and other implements of hunting hanging on brackets around the room, and his hounds now sleeping on the floor, I took occasion to change the discourse, and inquired if there was much game in that country, and he answered this question more graciously, having some glimmering of my drift; but when I inquired if there were any bears, he answered impatiently that he was no more in danger of losing his sheep than his neighbors; he had tamed and civilized that region. After a pause, thinking of my journey on the morrow, and the few hours of daylight in that hollow and mountainous country, which would require me to be on my way betimes, I remarked that the day must be shorter by an hour there than on the neighboring plains; at which he gruffly asked what I knew about it, and affirmed that he had as much daylight as his neighbors; he ventured to say, the days were longer there than where I lived, as I should find if I stayed; that in some way, I could not be expected to understand how, the sun came over the mountains half an hour earlier, and stayed half an hour later there than on the neighboring plains. And more of like sort he said. He was, indeed, as rude as a fabled satyr. But I suffered him to pass for what he was,—for why should I quarrel with nature?—and was even pleased at the discovery of such a singular natural phenomenon. I dealt with him as if to me all manners were indifferent, and he had a sweet, wild way with him. I would not question nature, and I would rather have him as he was than as I would have him. For I had come up here not for sympathy, or kindness, or society, but for novelty and adventure, and to see what nature had produced here. I therefore did not repel his rudeness, but quite innocently welcomed it all, and knew how to appreciate it, as if I were reading in an old drama a part well sustained. He was indeed a coarse and sensual man, and, as I have said, uncivil, but he had his just quarrel with nature and mankind, I have no doubt, only he had no artificial covering to his ill-humors. He was earthy enough, but yet there was good soil in him, and even a long-suffering Saxon probity at bottom. If you could represent the case to him, he would not let the race die out in him, like a red Indian.

At last, Rice came in, as it was getting dark, holding an ox-whip in his hand, breathing heavily. He soon settled into his seat not far from me, as if, now that his day’s work was over, he had no further journeys to make, just to relax and digest his dinner. When I asked if he could offer me a bed, he replied that there was one ready, in a tone that suggested I should have known that, and the less said about it, the better. So far, so good. Yet, he kept looking at me, as if he wanted me to say something more like a traveler. I remarked that it was a wild and rugged country he lived in, worth traveling many miles to see. “Not so rough,” he said, appealing to his men to vouch for the breadth and smoothness of his fields, which consisted of just one small area, and the size of his crops; “and if we have some hills,” he added, “there’s no better grazing anywhere.” I then asked if this place was the one I had heard of, using a name I had seen on the map, or if it was another place; he gruffly replied that it was neither, that he had settled and cultivated it, and made it what it was, and I wouldn’t know anything about it. Noticing some guns and other hunting gear hanging on brackets around the room, and his hounds sleeping on the floor, I saw an opportunity to change the subject and asked if there was much game in the area; he answered this more kindly, sensing my interest. But when I asked about bears, he impatiently said he was no more at risk of losing his sheep than his neighbors; he had tamed and civilised that region. After a pause, thinking about my journey tomorrow and the short hours of daylight in that hollow, mountainous area, which would require me to leave early, I mentioned that the days must be shorter there by an hour than in the neighboring plains; he gruffly asked what I knew about it and insisted that he had as much daylight as his neighbors; he boldly claimed that the days were longer there than where I lived, as I’d discover if I stayed; that somehow, which I wouldn’t understand, the sun rose over the mountains half an hour earlier and stayed half an hour longer there than on the neighboring plains. He went on with more to that effect. He was, in fact, as rude as a mythical satyr. But I let him be what he was—after all, why should I argue with nature?—and even found pleasure in discovering such a unique natural phenomenon. I treated him as if all manners didn’t matter to me, and he had a wild, charming way about him. I wouldn’t question nature, and I’d prefer him as he was, rather than how I might wish him to be. I had come up here not for sympathy, kindness, or companionship, but for novelty, adventure, and to see what nature had created here. So, I didn’t resist his rudeness; I innocently welcomed it all and appreciated it, as if I were reading a well-delivered part in an old play. He was indeed a crude and sensual man, as I’ve said, uncivil, but he had his rightful grievances with nature and humanity, I have no doubt, only he had no artificial cover for his bad moods. He was earthy enough, but there was good soil in him, and, at his core, a genuine Saxon honesty. If you could present the case to him, he wouldn’t let his spirit fade away like that of a Native American.

At length I told him that he was a fortunate man, and I trusted that he was grateful for so much light; and, rising, said I would take a lamp, and that I would pay him then for my lodging, for I expected to recommence my journey even as early as the sun rose in his country; but he answered in haste, and this time civilly, that I should not fail to find some of his household stirring, however early, for they were no sluggards, and I could take my breakfast with them before I started, if I chose; and as he lighted the lamp I detected a gleam of true hospitality and ancient civility, a beam of pure and even gentle humanity, from his bleared and moist eyes. It was a look more intimate with me, and more explanatory, than any words of his could have been if he had tried to his dying day. It was more significant than any Rice of those parts could even comprehend, and long anticipated this man’s culture,—a glance of his pure genius, which did not much enlighten him, but did impress and rule him for the moment, and faintly constrain his voice and manner. He cheerfully led the way to my apartment, stepping over the limbs of his men, who were asleep on the floor in an intervening chamber, and showed me a clean and comfortable bed. For many pleasant hours after the household was asleep I sat at the open window, for it was a sultry night, and heard the little river

Eventually, I told him he was a lucky guy, and I hoped he appreciated all this light. Then I got up, said I would grab a lamp, and offered to pay him for my lodging since I planned to resume my journey at dawn in his country. He quickly replied, this time politely, that I would find some of his household awake, no matter how early it was, as they weren't lazy, and I could have breakfast with them before I left, if I wanted. As he lit the lamp, I noticed a spark of genuine hospitality and old-fashioned kindness in his bleary, moist eyes. It was a look that felt more personal and revealing than any words he could have spoken until the end of his days. It was more meaningful than anything the locals could understand, reflecting a glimpse of his true character, which didn’t completely illuminate him but definitely affected and governed him for that moment, subtly influencing his voice and demeanor. He happily led me to my room, stepping over the bodies of his men who were sleeping on the floor in another room, and showed me a clean and cozy bed. For many enjoyable hours after the household fell asleep, I sat by the open window on that warm night, listening to the little river.

“Amongst the pumy stones, which seemed to plain,
With gentle murmur, that his course they did restrain.”

“Among the smooth stones, which seemed to clearly say,
With a gentle whisper, that they held him back on his way.”

But I arose as usual by starlight the next morning, before my host, or his men, or even his dogs, were awake; and, having left a ninepence on the counter, was already half-way over the mountain with the sun before they had broken their fast.

But I got up as usual by starlight the next morning, before my host, his men, or even his dogs were awake; and, having left a ninepence on the counter, I was already halfway over the mountain with the sun by the time they had eaten breakfast.

Before I had left the country of my host, while the first rays of the sun slanted over the mountains, as I stopped by the wayside to gather some raspberries, a very old man, not far from a hundred, came along with a milking-pail in his hand, and turning aside began to pluck the berries near me:—

Before I left my host's country, while the first rays of sunlight slanted over the mountains, I stopped by the roadside to pick some raspberries. An elderly man, nearing a hundred, walked by with a milking pail in his hand and, noticing me, began to pick the berries nearby.

    “His reverend locks
In comelye curles did wave;
And on his aged temples grew
    The blossoms of the grave.”

“His respected hair
In stylish curls flowed;
And on his weathered temples grew
    The signs of aging.”

But when I inquired the way, he answered in a low, rough voice, without looking up or seeming to regard my presence, which I imputed to his years; and presently, muttering to himself, he proceeded to collect his cows in a neighboring pasture; and when he had again returned near to the wayside, he suddenly stopped, while his cows went on before, and, uncovering his head, prayed aloud in the cool morning air, as if he had forgotten this exercise before, for his daily bread, and also that He who letteth his rain fall on the just and on the unjust, and without whom not a sparrow falleth to the ground, would not neglect the stranger (meaning me), and with even more direct and personal applications, though mainly according to the long-established formula common to lowlanders and the inhabitants of mountains. When he had done praying, I made bold to ask him if he had any cheese in his hut which he would sell me, but he answered without looking up, and in the same low and repulsive voice as before, that they did not make any, and went to milking. It is written, “The stranger who turneth away from a house with disappointed hopes, leaveth there his own offences, and departeth, taking with him all the good actions of the owner.”

But when I asked for directions, he replied in a low, rough voice, without looking up or acknowledging my presence, which I figured was due to his age. Soon after, mumbling to himself, he started gathering his cows from a nearby pasture. When he returned close to the roadside, he suddenly stopped, while his cows continued on ahead, and, removing his hat, he prayed out loud in the cool morning air, as if he had forgotten to do so earlier, asking for his daily bread and that He who sends rain on both the good and the bad, and without whom not a single sparrow falls to the ground, wouldn’t overlook the stranger (meaning me), with even more personal requests, though mainly following the long-standing formula typical of lowlanders and mountain dwellers. After he finished praying, I felt brave enough to ask him if he had any cheese in his hut that he would sell me, but he answered without looking up, in the same low and unpleasant voice as before, that they didn’t make any, and went back to milking. It is written, “The stranger who turns away from a house with disappointed hopes leaves behind his own offenses and departs, taking with him all the good actions of the owner.”

Being now fairly in the stream of this week’s commerce, we began to meet with boats more frequently, and hailed them from time to time with the freedom of sailors. The boatmen appeared to lead an easy and contented life, and we thought that we should prefer their employment ourselves to many professions which are much more sought after. They suggested how few circumstances are necessary to the well-being and serenity of man, how indifferent all employments are, and that any may seem noble and poetic to the eyes of men, if pursued with sufficient buoyancy and freedom. With liberty and pleasant weather, the simplest occupation, any unquestioned country mode of life which detains us in the open air, is alluring. The man who picks peas steadily for a living is more than respectable, he is even envied by his shop-worn neighbors. We are as happy as the birds when our Good Genius permits us to pursue any out-door work, without a sense of dissipation. Our penknife glitters in the sun; our voice is echoed by yonder wood; if an oar drops, we are fain to let it drop again.

Being now well into this week’s activities, we started to see more boats and waved to them like sailors do. The boatmen seemed to live a relaxed and happy life, and we thought we would prefer their job over many others that people chase after. They pointed out how few things are actually needed for a person’s happiness and peace of mind, how unimportant most jobs are, and that any job can look noble and poetic if done with the right spirit and freedom. With the freedom of the open air and nice weather, even the simplest job, any ordinary country lifestyle that keeps us outdoors, is appealing. The person who steadily picks peas for a living is not just respectable; he’s even envied by his tired neighbors. We feel as happy as the birds when our Good Genius allows us to engage in outdoor work without feeling like we’re wasting time. Our pocketknife shines in the sun; our voices echo in the woods; and if an oar drops, we’re happy to let it drop again.

The canal-boat is of very simple construction, requiring but little ship-timber, and, as we were told, costs about two hundred dollars. They are managed by two men. In ascending the stream they use poles fourteen or fifteen feet long, pointed with iron, walking about one third the length of the boat from the forward end. Going down, they commonly keep in the middle of the stream, using an oar at each end; or if the wind is favorable they raise their broad sail, and have only to steer. They commonly carry down wood or bricks,—fifteen or sixteen cords of wood, and as many thousand bricks, at a time,—and bring back stores for the country, consuming two or three days each way between Concord and Charlestown. They sometimes pile the wood so as to leave a shelter in one part where they may retire from the rain. One can hardly imagine a more healthful employment, or one more favorable to contemplation and the observation of nature. Unlike the mariner, they have the constantly varying panorama of the shore to relieve the monotony of their labor, and it seemed to us that as they thus glided noiselessly from town to town, with all their furniture about them, for their very homestead is a movable, they could comment on the character of the inhabitants with greater advantage and security to themselves than the traveller in a coach, who would be unable to indulge in such broadsides of wit and humor in so small a vessel for fear of the recoil. They are not subject to great exposure, like the lumberers of Maine, in any weather, but inhale the healthfullest breezes, being slightly encumbered with clothing, frequently with the head and feet bare. When we met them at noon as they were leisurely descending the stream, their busy commerce did not look like toil, but rather like some ancient Oriental game still played on a large scale, as the game of chess, for instance, handed down to this generation. From morning till night, unless the wind is so fair that his single sail will suffice without other labor than steering, the boatman walks backwards and forwards on the side of his boat, now stooping with his shoulder to the pole, then drawing it back slowly to set it again, meanwhile moving steadily forward through an endless valley and an everchanging scenery, now distinguishing his course for a mile or two, and now shut in by a sudden turn of the river in a small woodland lake. All the phenomena which surround him are simple and grand, and there is something impressive, even majestic, in the very motion he causes, which will naturally be communicated to his own character, and he feels the slow, irresistible movement under him with pride, as if it were his own energy.

The canal boat is really simple in construction, needing very little timber, and we were told it costs about two hundred dollars. Two men operate it. When going upstream, they use poles that are fourteen or fifteen feet long with iron tips, walking about a third of the way from the front of the boat. When traveling downstream, they usually stay in the middle of the stream, using an oar at each end; if the wind is good, they raise their big sail and just steer. They often transport wood or bricks—fifteen or sixteen cords of wood and just as many thousand bricks at a time—and bring back goods for the area, taking two or three days each way between Concord and Charlestown. Sometimes they stack the wood in a way that leaves a spot for shelter from the rain. It’s hard to think of a healthier job, or one that’s better for reflecting and observing nature. Unlike sailors, they have the constantly changing view of the shore to break the routine of their work, and it seemed to us that as they silently moved from town to town with all their gear around them—since their very home is portable—they could comment on the character of the people living there with more insight and safety than a traveler in a coach, who couldn’t joke around in such a small boat for fear of backlash. They aren’t exposed to harsh weather like lumberjacks in Maine, but instead breathe in the healthiest breezes, usually wearing light clothing, often with their heads and feet bare. When we saw them at noon while they were casually drifting down the stream, their busy work didn’t look like hard labor, but more like some ancient Eastern game still played on a grand scale, like chess, passed down to this generation. From morning to night, unless the wind is so good that a single sail is enough without any other effort than steering, the boatman walks back and forth alongside his boat, sometimes leaning down to push with the pole, then slowly pulling it back to set it again, while steadily moving forward through an endless valley with ever-changing scenery, sometimes seeing his path for a mile or two, and other times being enclosed by a sudden twist in the river leading into a small wooded lake. Everything around him is simple and grand, and there’s something impressive, even majestic, about the very movement he creates, which naturally reflects in his own character, making him feel the slow, unstoppable progress beneath him with pride, as if it were his own strength.

The news spread like wildfire among us youths, when formerly, once in a year or two, one of these boats came up the Concord River, and was seen stealing mysteriously through the meadows and past the village. It came and departed as silently as a cloud, without noise or dust, and was witnessed by few. One summer day this huge traveller might be seen moored at some meadow’s wharf, and another summer day it was not there. Where precisely it came from, or who these men were who knew the rocks and soundings better than we who bathed there, we could never tell. We knew some river’s bay only, but they took rivers from end to end. They were a sort of fabulous river-men to us. It was inconceivable by what sort of mediation any mere landsman could hold communication with them. Would they heave to, to gratify his wishes? No, it was favor enough to know faintly of their destination, or the time of their possible return. I have seen them in the summer when the stream ran low, mowing the weeds in mid-channel, and with hayers’ jests cutting broad swaths in three feet of water, that they might make a passage for their scow, while the grass in long windrows was carried down the stream, undried by the rarest hay-weather. We admired unweariedly how their vessel would float, like a huge chip, sustaining so many casks of lime, and thousands of bricks, and such heaps of iron ore, with wheelbarrows aboard, and that, when we stepped on it, it did not yield to the pressure of our feet. It gave us confidence in the prevalence of the law of buoyancy, and we imagined to what infinite uses it might be put. The men appeared to lead a kind of life on it, and it was whispered that they slept aboard. Some affirmed that it carried sail, and that such winds blew here as filled the sails of vessels on the ocean; which again others much doubted. They had been seen to sail across our Fair Haven bay by lucky fishers who were out, but unfortunately others were not there to see. We might then say that our river was navigable,—why not? In after-years I read in print, with no little satisfaction, that it was thought by some that, with a little expense in removing rocks and deepening the channel, “there might be a profitable inland navigation.” I then lived some-where to tell of.

The news spread quickly among us young people when, in the past, one of these boats would come up the Concord River every year or two, quietly moving through the meadows and past the village. It arrived and left as silently as a cloud, without making a noise or kicking up dust, and only a few people saw it. One summer day, you might see this massive traveler docked at some meadow’s wharf, and the next summer day, it would be gone. We could never figure out exactly where it came from or who these men were who knew the underwater rocks and depths better than we did when we swam there. We only knew one bay of the river, but they seemed to know every part of it. To us, they were like legendary river-men. It was hard to imagine how a regular land-dweller could communicate with them. Would they stop to fulfill his wishes? No, it was enough just to have a vague idea of where they were headed or when they might come back. I saw them in the summer when the water was low, cutting down weeds in the middle of the river, laughing as they created wide paths in three feet of water so their barge could pass, while the grass they cut was carried downstream, still wet from the seldom dry hay weather. We endlessly admired how their vessel floated like a giant chip, holding so many barrels of lime, thousands of bricks, and piles of iron ore, with wheelbarrows on board, and when we stepped on it, it didn’t sink under our weight. It gave us confidence in the principle of buoyancy, and we dreamed of the infinite uses it could have. The men seemed to live a certain kind of life on that boat, and it was rumored that they slept on it. Some claimed it had sails, and that the winds here were strong enough to fill the sails of ocean vessels, which others doubted. They had been seen sailing across our Fair Haven bay by lucky fishermen, but unfortunately, not everyone was there to witness it. We could then say that our river was navigable—why not? Years later, I read with great satisfaction that some thought that with a little investment in removing rocks and deepening the channel, “there might be a profitable inland navigation.” I then lived somewhere to tell the tale.

Such is Commerce, which shakes the cocoa-nut and bread-fruit tree in the remotest isle, and sooner or later dawns on the duskiest and most simple-minded savage. If we may be pardoned the digression, who can help being affected at the thought of the very fine and slight, but positive relation, in which the savage inhabitants of some remote isle stand to the mysterious white mariner, the child of the sun?—as if we were to have dealings with an animal higher in the scale of being than ourselves. It is a barely recognized fact to the natives that he exists, and has his home far away somewhere, and is glad to buy their fresh fruits with his superfluous commodities. Under the same catholic sun glances his white ship over Pacific waves into their smooth bays, and the poor savage’s paddle gleams in the air.

Such is Commerce, which shakes the coconut and breadfruit trees in the most remote island and eventually reaches even the darkest and simplest savage. If we can take a moment to think about it, who wouldn't feel something about the delicate but real connection that the native people of some faraway island have with the mysterious white sailor, a child of the sun?—as if we were dealing with a creature more advanced than ourselves. The locals barely acknowledge that he exists, far away, but they know he is happy to trade their fresh fruits for his extra goods. Under the same vast sun, his white ship glides over Pacific waves into their calm bays, and the poor savage’s paddle sparkles in the sunlight.

Man’s little acts are grand,
Beheld from land to land,
There as they lie in time,
Within their native clime
    Ships with the noontide weigh,
    And glide before its ray
    To some retired bay,
    Their haunt,
    Whence, under tropic sun,
    Again they run,
    Bearing gum Senegal and Tragicant.
For this was ocean meant,
For this the sun was sent,
And moon was lent,
And winds in distant caverns pent.

Man's small actions are significant,
Seen from place to place,
There as they exist over time,
In their natural home
    Ships at noon set sail,
    And glide in the sunlight
    To some secluded bay,
    Their refuge,
    Where, under the tropical sun,
    They head out again,
    Carrying Senegal gum and tragic tales.
For this is what the ocean was made for,
For this the sun was created,
And the moon was borrowed,
And winds trapped in far-off caves.

Since our voyage the railroad on the bank has been extended, and there is now but little boating on the Merrimack. All kinds of produce and stores were formerly conveyed by water, but now nothing is carried up the stream, and almost wood and bricks alone are carried down, and these are also carried on the railroad. The locks are fast wearing out, and will soon be impassable, since the tolls will not pay the expense of repairing them, and so in a few years there will be an end of boating on this river. The boating at present is principally between Merrimack and Lowell, or Hooksett and Manchester. They make two or three trips in a week, according to wind and weather, from Merrimack to Lowell and back, about twenty-five miles each way. The boatman comes singing in to shore late at night, and moors his empty boat, and gets his supper and lodging in some house near at hand, and again early in the morning, by starlight perhaps, he pushes away up stream, and, by a shout, or the fragment of a song, gives notice of his approach to the lock-man, with whom he is to take his breakfast. If he gets up to his wood-pile before noon he proceeds to load his boat, with the help of his single “hand,” and is on his way down again before night. When he gets to Lowell he unloads his boat, and gets his receipt for his cargo, and, having heard the news at the public house at Middlesex or elsewhere, goes back with his empty boat and his receipt in his pocket to the owner, and to get a new load. We were frequently advertised of their approach by some faint sound behind us, and looking round saw them a mile off, creeping stealthily up the side of the stream like alligators. It was pleasant to hail these sailors of the Merrimack from time to time, and learn the news which circulated with them. We imagined that the sun shining on their bare heads had stamped a liberal and public character on their most private thoughts.

Since our trip, the railroad along the riverbank has been expanded, and there's now hardly any boating on the Merrimack. Various goods and supplies used to be transported by water, but now nothing travels upstream, and mostly just wood and bricks are carried downstream, and those are also moved by the railroad. The locks are quickly falling apart and will soon be unusable since the tolls aren't enough to cover repair costs, so in a few years, boating on this river will come to an end. Currently, boating mainly happens between Merrimack and Lowell, or Hooksett and Manchester. They make two or three trips a week, depending on the wind and weather, from Merrimack to Lowell and back, about twenty-five miles each way. The boatman comes singing to shore late at night, moors his empty boat, and gets his dinner and a place to sleep at a nearby house. Early in the morning, sometimes by starlight, he pushes upstream again, calling out or singing a bit to let the lock-man know he's on his way for breakfast. If he reaches his woodpile before noon, he loads his boat with help from his lone "hand" and heads back down before nightfall. When he arrives in Lowell, he unloads his cargo, gets a receipt, and after catching up on the news at the local pub in Middlesex or elsewhere, he returns with his empty boat and receipt in his pocket to the owner for a new load. We often heard them approaching by some faint sound behind us, and looking back, we’d see them a mile away, stealthily moving up the river like alligators. It was nice to greet these Merrimack sailors occasionally and hear the news they carried. We thought the sun shining on their bare heads had imprinted a generous and open nature on their most private thoughts.

The open and sunny interval still stretched away from the river sometimes by two or more terraces, to the distant hill-country, and when we climbed the bank we commonly found an irregular copse-wood skirting the river, the primitive having floated down-stream long ago to——the “King’s navy.” Sometimes we saw the river-road a quarter or half a mile distant, and the particolored Concord stage, with its cloud of dust, its van of earnest travelling faces, and its rear of dusty trunks, reminding us that the country had its places of rendezvous for restless Yankee men. There dwelt along at considerable distances on this interval a quiet agricultural and pastoral people, with every house its well, as we sometimes proved, and every household, though never so still and remote it appeared in the noontide, its dinner about these times. There they lived on, those New England people, farmer lives, father and grandfather and great-grandfather, on and on without noise, keeping up tradition, and expecting, beside fair weather and abundant harvests, we did not learn what. They were contented to live, since it was so contrived for them, and where their lines had fallen.

The open and sunny stretch still extended from the river, sometimes by two or more terraces, to the distant hills. When we climbed the bank, we usually found a patchy thicket along the river, where the original timber had floated downstream long ago to the “King’s navy.” Sometimes we spotted the river road a quarter or half a mile away, with the colorful Concord stage, sending up a cloud of dust, its group of eager travelers, and a line of dusty luggage, reminding us that the area had spots where restless Yankees gathered. Along this stretch lived a quiet farming and pastoral community, with every house having its own well, as we discovered from time to time, and every household, no matter how still and remote it seemed at noon, was preparing dinner around this time. The New England folks lived on, farmers for generations—father, grandfather, and great-grandfather—without much fuss, upholding tradition and, alongside fair weather and good harvests, awaiting something we never learned about. They were satisfied to live their lives as they were meant to, in the places where they found themselves.

Our uninquiring corpses lie more low
Than our life’s curiosity doth go.

Our uncurious bodies lie lower
Than our life's curiosity goes.

Yet these men had no need to travel to be as wise as Solomon in all his glory, so similar are the lives of men in all countries, and fraught with the same homely experiences. One half the world knows how the other half lives.

Yet these men didn't need to travel to be as wise as Solomon in all his glory, since the lives of people in all countries are so similar and filled with the same everyday experiences. One half of the world knows how the other half lives.

About noon we passed a small village in Merrimack at Thornton’s Ferry, and tasted of the waters of Naticook Brook on the same side, where French and his companions, whose grave we saw in Dunstable, were ambuscaded by the Indians. The humble village of Litchfield, with its steepleless meeting-house, stood on the opposite or east bank, near where a dense grove of willows backed by maples skirted the shore. There also we noticed some shagbark-trees, which, as they do not grow in Concord, were as strange a sight to us as the palm would be, whose fruit only we have seen. Our course now curved gracefully to the north, leaving a low, flat shore on the Merrimack side, which forms a sort of harbor for canal-boats. We observed some fair elms and particularly large and handsome white-maples standing conspicuously on this interval; and the opposite shore, a quarter of a mile below, was covered with young elms and maples six inches high, which had probably sprung from the seeds which had been washed across.

About noon, we passed a small village in Merrimack at Thornton’s Ferry and tried the waters of Naticook Brook on the same side, where French and his companions, whose grave we saw in Dunstable, were ambushed by the Indians. The humble village of Litchfield, with its steepleless meeting house, was on the opposite or east bank, near a dense grove of willows backed by maples that lined the shore. We also noticed some shagbark trees, which don't grow in Concord, making them as unusual to us as a palm tree would be since we've only seen its fruit. Our path now curved gracefully to the north, leaving a low, flat shore on the Merrimack side that serves as a sort of harbor for canal boats. We saw some nice elms and particularly large and attractive white maples standing out prominently on this stretch of land; and the opposite shore, a quarter of a mile down, was filled with young elms and maples about six inches tall, likely growing from seeds that had washed over.

Some carpenters were at work here mending a scow on the green and sloping bank. The strokes of their mallets echoed from shore to shore, and up and down the river, and their tools gleamed in the sun a quarter of a mile from us, and we realized that boat-building was as ancient and honorable an art as agriculture, and that there might be a naval as well as a pastoral life. The whole history of commerce was made manifest in that scow turned bottom upward on the shore. Thus did men begin to go down upon the sea in ships; quæque diu steterant in montibus altis, Fluctibus ignotis insultavêre carinæ; “and keels which had long stood on high mountains careered insultingly (insultavêre) over unknown waves.” (Ovid, Met. I. 133.) We thought that it would be well for the traveller to build his boat on the bank of a stream, instead of finding a ferry or a bridge. In the Adventures of Henry the fur-trader, it is pleasant to read that when with his Indians he reached the shore of Ontario, they consumed two days in making two canoes of the bark of the elm-tree, in which to transport themselves to Fort Niagara. It is a worthy incident in a journey, a delay as good as much rapid travelling. A good share of our interest in Xenophon’s story of his retreat is in the manœuvres to get the army safely over the rivers, whether on rafts of logs or fagots, or sheep-skins blown up. And where could they better afford to tarry meanwhile than on the banks of a river?

Some carpenters were working here fixing a flatboat on the green, sloping bank. The sounds of their mallets echoed from one side of the shore to the other, and up and down the river. Their tools glimmered in the sun a quarter of a mile away, and we realized that boat-building is as ancient and respected an art as farming, and that there might be a life on the water as well as one on land. The entire history of commerce was evident in that flatboat turned upside down on the shore. This is how people began to venture out to sea in ships; quæque diu steterant in montibus altis, Fluctibus ignotis insultavêre carinæ; “and keels which had long stood on high mountains careered insultingly (insultavêre) over unknown waves.” (Ovid, Met. I. 133.) We thought it would be better for travelers to build their boats on the bank of a stream rather than looking for a ferry or a bridge. In the Adventures of Henry the fur-trader, it’s nice to read that when he and his group reached the shores of Ontario, they spent two days making two canoes out of elm bark to take them to Fort Niagara. It’s a noteworthy moment in a journey, a delay as valuable as much quick travel. A big part of our interest in Xenophon’s story of his retreat comes from the strategies used to get the army safely across the rivers, whether on rafts made of logs or bundles of sticks, or inflated sheepskins. And where could they better afford to pause than on the banks of a river?

As we glided past at a distance, these out-door workmen appeared to have added some dignity to their labor by its very publicness. It was a part of the industry of nature, like the work of hornets and mud-wasps.

As we moved by from a distance, these outdoor workers seemed to have given their labor a sense of dignity just by being out in the open. It was like a part of nature's industry, similar to the work of hornets and mud wasps.

The waves slowly beat,
Just to keep the noon sweet,
And no sound is floated o’er,
Save the mallet on shore,
Which echoing on high
Seems a-calking the sky.

The waves gently crash,
Just to keep the afternoon sweet,
And there's no sound that carries over,
Except the hammer on the shore,
Which echoes up high
Seems to be sealing the sky.

The haze, the sun’s dust of travel, had a Lethean influence on the land and its inhabitants, and all creatures resigned themselves to float upon the inappreciable tides of nature.

The haze, the sun’s dust from traveling, had a forgetful effect on the land and its people, and all living beings accepted their fate to drift along the barely noticeable currents of nature.

Woof of the sun, ethereal gauze,
Woven of Nature’s richest stuffs,
Visible heat, air-water, and dry sea,
Last conquest of the eye;
Toil of the day displayed sun-dust,
Aerial surf upon the shores of earth.
Ethereal estuary, frith of light,
Breakers of air, billows of heat
Fine summer spray on inland seas;
Bird of the sun, transparent-winged
Owlet of noon, soft-pinioned,
From heath or stubble rising without song;
Establish thy serenity o’er the fields

Woof of the sun, ethereal gauze,
Woven from Nature’s finest materials,
Visible heat, air and water, and dry sea,
The ultimate treasure for the eye;
The day’s labor shown as sun-dust,
Aerial waves on the shores of the earth.
Ethereal estuary, river of light,
Air waves, heat billows
Delicate summer mist on inland seas;<
Bird of the sun, with transparent wings
Noon’s owl, soft-feathered,
Rising from heath or stubble without a song;
Establish your calm over the fields.

The routine which is in the sunshine and the finest days, as that which has conquered and prevailed, commends itself to us by its very antiquity and apparent solidity and necessity. Our weakness needs it, and our strength uses it. We cannot draw on our boots without bracing ourselves against it. If there were but one erect and solid standing tree in the woods, all creatures would go to rub against it and make sure of their footing. During the many hours which we spend in this waking sleep, the hand stands still on the face of the clock, and we grow like corn in the night. Men are as busy as the brooks or bees, and postpone everything to their business; as carpenters discuss politics between the strokes of the hammer while they are shingling a roof.

The routine that happens in the sunshine and the best days, like what has won and succeeded, appeals to us because of its age and its obvious strength and necessity. Our weakness relies on it, and our strength utilizes it. We can’t put on our boots without leaning on it for support. If there were just one tall, sturdy tree in the woods, all creatures would go to lean against it to secure their balance. During the long hours we spend in this waking sleep, the hand on the clock stands still, and we grow like corn in the night. People are as busy as streams or bees, putting everything aside for their work; just like carpenters who chat about politics between hammer strokes while they’re roofing.

This noontide was a fit occasion to make some pleasant harbor, and there read the journal of some voyageur like ourselves, not too moral nor inquisitive, and which would not disturb the noon; or else some old classic, the very flower of all reading, which we had postponed to such a season

This noon was a perfect time to relax somewhere nice and read the journal of a traveler like us, not too preachy or nosy, and that wouldn't interrupt our lunch; or maybe an old classic, the best of all literature, which we had saved for just such a moment.

“Of Syrian peace, immortal leisure.”

"Syrian peace, eternal relaxation."

But, alas, our chest, like the cabin of a coaster, contained only its well-thumbed “Navigator” for all literature, and we were obliged to draw on our memory for these things.

But, unfortunately, our chest, like the cabin of a roller coaster, held only its well-worn “Navigator” for all literature, and we had to rely on our memory for these things.

We naturally remembered Alexander Henry’s Adventures here, as a sort of classic among books of American travel. It contains scenery and rough sketching of men and incidents enough to inspire poets for many years, and to my fancy is as full of sounding names as any page of history,—Lake Winnipeg, Hudson Bay, Ottaway, and portages innumerable; Chipeways, Gens de Terres, Les Pilleurs, The Weepers; with reminiscences of Hearne’s journey, and the like; an immense and shaggy but sincere country, summer and winter, adorned with chains of lakes and rivers, covered with snows, with hemlocks, and fir-trees. There is a naturalness, an unpretending and cold life in this traveller, as in a Canadian winter, what life was preserved through low temperatures and frontier dangers by furs within a stout heart. He has truth and moderation worthy of the father of history, which belong only to an intimate experience, and he does not defer too much to literature. The unlearned traveller may quote his single line from the poets with as good right as the scholar. He too may speak of the stars, for he sees them shoot perhaps when the astronomer does not. The good sense of this author is very conspicuous. He is a traveller who does not exaggerate, but writes for the information of his readers, for science, and for history. His story is told with as much good faith and directness as if it were a report to his brother traders, or the Directors of the Hudson Bay Company, and is fitly dedicated to Sir Joseph Banks. It reads like the argument to a great poem on the primitive state of the country and its inhabitants, and the reader imagines what in each case, with the invocation of the Muse, might be sung, and leaves off with suspended interest, as if the full account were to follow. In what school was this fur-trader educated? He seems to travel the immense snowy country with such purpose only as the reader who accompanies him, and to the latter’s imagination, it is, as it were, momentarily created to be the scene of his adventures. What is most interesting and valuable in it, however, is not the materials for the history of Pontiac, or Braddock, or the Northwest, which it furnishes; not the annals of the country, but the natural facts, or perennials, which are ever without date. When out of history the truth shall be extracted, it will have shed its dates like withered leaves.

We naturally remember Alexander Henry’s Adventures as a classic in American travel literature. It features enough scenery and vivid descriptions of people and events to inspire poets for years to come. To me, it’s packed with memorable names like Lake Winnipeg, Hudson Bay, Ottawa, and countless portages; Chipeways, Gens de Terres, Les Pilleurs, The Weepers; along with memories of Hearne’s journey and more. It presents a vast and rugged yet sincere landscape, both in summer and winter, adorned with chains of lakes and rivers, blanketed in snow, with hemlocks and fir trees. There’s a naturalness and unpretentiousness in this traveler, similar to the Canadian winter, embodying the resilient spirit that survives harsh temperatures and frontier dangers wrapped in furs. He possesses a truth and moderation that are worthy of the father of history, coming only from intimate experience, and doesn't overly lean on literature. The uneducated traveler can quote a single line from the poets just as rightly as a scholar. He too can talk about the stars, as he might see them shooting when the astronomer does not. The author's common sense stands out. He’s a traveler who doesn’t exaggerate but writes to inform his readers, for science and history. His narrative is as sincere and straightforward as if he were reporting to his fellow traders or the Directors of the Hudson Bay Company, and it’s appropriately dedicated to Sir Joseph Banks. It reads like the introduction to a grand poem about the primitive state of the country and its people, leaving the reader to imagine what could be sung for each aspect, concluding with a sense of anticipation as if a complete account will follow. Where did this fur trader get his education? He seems to traverse the vast snowy landscape with a purpose that mirrors that of the reader who joins him, and for the reader, it momentarily becomes the scene of his adventures. However, what is most fascinating and valuable is not the historical materials about Pontiac, Braddock, or the Northwest that it provides; nor the annals of the country, but the timeless natural facts, or perennials, that exist beyond dates. When the truth is drawn from history, it will have shed its dates like withered leaves.

The Souhegan, or Crooked River, as some translate it, comes in from the west about a mile and a half above Thornton’s Ferry. Babboosuck Brook empties into it near its mouth. There are said to be some of the finest water privileges in the country still unimproved on the former stream, at a short distance from the Merrimack. One spring morning, March 22, in the year 1677, an incident occurred on the banks of the river here, which is interesting to us as a slight memorial of an interview between two ancient tribes of men, one of which is now extinct, while the other, though it is still represented by a miserable remnant, has long since disappeared from its ancient hunting-grounds. A Mr. James Parker, at “Mr. Hinchmanne’s farme ner Meremack,” wrote thus “to the Honred Governer and Council at Bostown, Hast, Post Hast”:

The Souhegan, or Crooked River, as some translate it, flows in from the west about a mile and a half above Thornton’s Ferry. Babboosuck Brook empties into it near its mouth. It’s said that there are some of the best water rights in the country still untouched along the former stream, not far from the Merrimack. One spring morning, March 22, 1677, an interesting incident took place on the banks of the river, serving as a small reminder of a meeting between two ancient tribes, one of which is now extinct, while the other, though still existing as a small remnant, has long vanished from its original hunting grounds. A Mr. James Parker, at “Mr. Hinchmanne’s farm near Meremack,” wrote to “the Honred Governour and Council at Bostown, Hast, Post Hast”:—

“Sagamore Wanalancet come this morning to informe me, and then went to Mr. Tyng’s to informe him, that his son being on ye other sid of Meremack river over against Souhegan upon the 22 day of this instant, about tene of the clock in the morning, he discovered 15 Indians on this sid the river, which he soposed to be Mohokes by ther spech. He called to them; they answered, but he could not understand ther spech; and he having a conow ther in the river, he went to breck his conow that they might not have ani ues of it. In the mean time they shot about thirty guns at him, and he being much frighted fled, and come home forthwith to Nahamcock [Pawtucket Falls or Lowell], wher ther wigowames now stand.”

“Sagamore Wanalancet came this morning to inform me, and then went to Mr. Tyng’s to inform him, that his son was on the other side of the Merrimack River across from Souhegan on the 22nd of this month, around ten in the morning. He spotted 15 Indians on this side of the river, whom he assumed were Mohawks based on their speech. He called out to them; they responded, but he couldn't understand their language. Since he had a canoe in the river, he went to break it so they couldn't use it. In the meantime, they shot about thirty rounds at him, and he was so frightened that he immediately fled home to Nahamcock [Pawtucket Falls or Lowell], where their wigwams now stand.”

Penacooks and Mohawks! ubique gentium sunt? In the year 1670, a Mohawk warrior scalped a Naamkeak or else a Wamesit Indian maiden near where Lowell now stands. She, however, recovered. Even as late as 1685, John Hogkins, a Penacook Indian, who describes his grandfather as having lived “at place called Malamake rever, other name chef Natukkog and Panukkog, that one rever great many names,” wrote thus to the governor:—

Penacooks and Mohawks! Are they everywhere among the people? In 1670, a Mohawk warrior scalped a Naamkeak or a Wamesit Indian girl near where Lowell is today. She, however, survived. Even as late as 1685, John Hogkins, a Penacook Indian, who described his grandfather as having lived "at a place called Malamake river, also known as chef Natukkog and Panukkog, that river has many names," wrote this to the governor:—

“May 15th, 1685.

May 15, 1685.

“Honor governor my friend,—

"Respect the governor, my friend,"

“You my friend I desire your worship and your power, because I hope you can do som great matters this one. I am poor and naked and I have no men at my place because I afraid allwayes Mohogs he will kill me every day and night. If your worship when please pray help me you no let Mohogs kill me at my place at Malamake river called Pannukkog and Natukkog, I will submit your worship and your power. And now I want pouder and such alminishon shatt and guns, because I have forth at my hom and I plant theare.

“You, my friend, I seek your support and strength because I believe you can achieve great things. I’m poor and defenseless, and I have no men with me because I'm always afraid the Mohogs will kill me day and night. If you would kindly pray for me and help me, please don’t let the Mohogs kill me at my place by the Malamake River, known as Pannukkog and Natukkog. I will submit to your authority and power. Right now, I need gunpowder and ammunition, as I have some at my home and I’m trying to grow there.”

“This all Indian hand, but pray you do consider your humble servant,

“This is all from India, but please consider your humble servant,

JOHN HOGKINS.”

JOHN HOGKINS.

Signed also by Simon Detogkom, King Hary, Sam Linis, Mr. Jorge Rodunnonukgus, John Owamosimmin, and nine other Indians, with their marks against their names.

Signed also by Simon Detogkom, King Hary, Sam Linis, Mr. Jorge Rodunnonukgus, John Owamosimmin, and nine other Native Americans, with their signatures next to their names.

But now, one hundred and fifty-four years having elapsed since the date of this letter, we went unalarmed on our way without “brecking” our “conow,” reading the New England Gazetteer, and seeing no traces of “Mohogs” on the banks.

But now, one hundred and fifty-four years have passed since this letter was written, and we went on our way without worry, not "brecking" our "conow," reading the New England Gazetteer, and seeing no signs of "Mohogs" on the banks.

The Souhegan, though a rapid river, seemed to-day to have borrowed its character from the noon.

The Souhegan, even though it's a fast-moving river, today appeared to have taken on the vibe of noon.

Where gleaming fields of haze
Meet the voyageur’s gaze,
And above, the heated air
Seems to make a river there,
The pines stand up with pride
By the Souhegan’s side,
And the hemlock and the larch
With their triumphal arch
Are waving o’er its march
        To the sea.
No wind stirs its waves,
But the spirits of the braves
        Hov’ring o’er,
Whose antiquated graves
Its still water laves
        On the shore.
With an Indian’s stealthy tread
It goes sleeping in its bed,
Without joy or grief,
Or the rustle of a leaf,
Without a ripple or a billow,
Or the sigh of a willow,
From the Lyndeboro’ hills
To the Merrimack mills.
With a louder din
Did its current begin,
When melted the snow
On the far mountain’s brow,
And the drops came together
In that rainy weather.
Experienced river,
Hast thou flowed forever?
Souhegan soundeth old,
But the half is not told,
What names hast thou borne,
In the ages far gone,
When the Xanthus and Meander
Commenced to wander,
Ere the black bear haunted
        Thy red forest-floor,
Or Nature had planted
        The pines by thy shore?

Where shining fields of mist
Meet the traveler’s gaze,
And above, the heated air
Looks like a river there,
The pines stand tall with pride
By the Souhegan’s side,
And the hemlock and larch
Form their grand arch
Waving over its journey
        To the sea.
No wind stirs its waves,
But the spirits of the brave
        Hover above,
Whose old graves
Are washed by its calm waters
        On the shore.
With a stealthy tread like an Indian’s
It rests quietly in its bed,
With no joy or grief,
Or the rustle of a leaf,
Without a ripple or a wave,
Or the sigh of a willow,
From the Lyndeboro’ hills
To the Merrimack mills.
With a louder rush
Did its current start,
When the snow melted
On the distant mountain’s edge,
And the drops came together
In that rainy weather.
Experienced river,
Have you flowed forever?
Souhegan sounds ancient,
But the story's not complete,
What names have you carried,
In the ages long gone,
When the Xanthus and Meander
First began to wander,
Before the black bear roamed
        Your red forest floor,
Or Nature had planted
        The pines by your shore?

During the heat of the day, we rested on a large island a mile above the mouth of this river, pastured by a herd of cattle, with steep banks and scattered elms and oaks, and a sufficient channel for canal-boats on each side. When we made a fire to boil some rice for our dinner, the flames spreading amid the dry grass, and the smoke curling silently upward and casting grotesque shadows on the ground, seemed phenomena of the noon, and we fancied that we progressed up the stream without effort, and as naturally as the wind and tide went down, not outraging the calm days by unworthy bustle or impatience. The woods on the neighboring shore were alive with pigeons, which were moving south, looking for mast, but now, like ourselves, spending their noon in the shade. We could hear the slight, wiry, winnowing sound of their wings as they changed their roosts from time to time, and their gentle and tremulous cooing. They sojourned with us during the noontide, greater travellers far than we. You may frequently discover a single pair sitting upon the lower branches of the white-pine in the depths of the wood, at this hour of the day, so silent and solitary, and with such a hermit-like appearance, as if they had never strayed beyond its skirts, while the acorn which was gathered in the forests of Maine is still undigested in their crops. We obtained one of these handsome birds, which lingered too long upon its perch, and plucked and broiled it here with some other game, to be carried along for our supper; for, beside the provisions which we carried with us, we depended mainly on the river and forest for our supply. It is true, it did not seem to be putting this bird to its right use to pluck off its feathers, and extract its entrails, and broil its carcass on the coals; but we heroically persevered, nevertheless, waiting for further information. The same regard for Nature which excited our sympathy for her creatures nerved our hands to carry through what we had begun. For we would be honorable to the party we deserted; we would fulfil fate, and so at length, perhaps, detect the secret innocence of these incessant tragedies which Heaven allows.

During the hottest part of the day, we rested on a large island about a mile upstream from the river's mouth, which was home to a herd of cattle, had steep banks, scattered elms and oaks, and a wide enough channel for canal boats on either side. When we built a fire to cook some rice for dinner, the flames spread through the dry grass, and the smoke curled silently upward, casting strange shadows on the ground. It felt like a natural part of noon, and we imagined moving upstream effortlessly, just like the wind and tide flowed downstream, not disturbing the peaceful days with unnecessary hustle or impatience. The woods on the nearby shore were buzzing with pigeons heading south in search of food, but like us, they were enjoying their noon in the shade. We could hear the soft, quick sounds of their wings as they shifted their resting spots from time to time, along with their gentle, tremulous cooing. They spent the midday with us, being much more experienced travelers than we were. You can often spot a single pair resting on the lower branches of a white pine in the depths of the woods at this time of day, so quiet and solitary, looking almost hermit-like, as if they had never ventured beyond the trees, while the acorns gathered in the forests of Maine remain undigested in their crops. We managed to catch one of these beautiful birds that stayed too long on its perch, and we plucked and grilled it along with some other game to take with us for dinner. Besides the food we packed, we mainly relied on the river and forest for our supplies. It did feel wrong to strip this bird of its feathers, remove its insides, and grill its body on the coals, but we persisted bravely, waiting for more insight. The same respect for Nature that stirred our compassion for her creatures drove us to follow through with what we started. We wanted to honor the party we left behind; we would accept our fate, and perhaps in the end, uncover the hidden innocence behind these endless tragedies that Heaven allows.

“Too quick resolves do resolution wrong,
What, part so soon to be divorced so long?
Things to be done are long to be debated;
Heaven is not day’d, Repentance is not dated.”

“Making quick decisions can lead to mistakes,
What, to be separated so soon after being together for so long?
Some things take time to think over;
Heaven isn’t on a schedule, and neither is regret.”

We are double-edged blades, and every time we whet our virtue the return stroke straps our vice. Where is the skilful swordsman who can give clean wounds, and not rip up his work with the other edge?

We are like double-edged swords, and every time we sharpen our virtues, the other edge cuts into our vices. Where is the skilled swordsman who can deliver clean strikes without also damaging his own work with the other side?

Nature herself has not provided the most graceful end for her creatures. What becomes of all these birds that people the air and forest for our solacement? The sparrows seem always chipper, never infirm. We do not see their bodies lie about. Yet there is a tragedy at the end of each one of their lives. They must perish miserably; not one of them is translated. True, “not a sparrow falleth to the ground without our Heavenly Father’s knowledge,” but they do fall, nevertheless.

Nature itself hasn't given the most graceful end to its creatures. What happens to all these birds that fill the air and forest for our comfort? The sparrows always seem cheerful, never weak. We don’t see their bodies lying around. Yet there’s a tragedy at the end of each of their lives. They must die painfully; not one of them is taken away peacefully. It’s true that “not a sparrow falls to the ground without our Heavenly Father’s knowledge,” but they do still fall, nonetheless.

The carcasses of some poor squirrels, however, the same that frisked so merrily in the morning, which we had skinned and embowelled for our dinner, we abandoned in disgust, with tardy humanity, as too wretched a resource for any but starving men. It was to perpetuate the practice of a barbarous era. If they had been larger, our crime had been less. Their small red bodies, little bundles of red tissue, mere gobbets of venison, would not have “fattened fire.” With a sudden impulse we threw them away, and washed our hands, and boiled some rice for our dinner. “Behold the difference between the one who eateth flesh, and him to whom it belonged! The first hath a momentary enjoyment, whilst the latter is deprived of existence!” “Who would commit so great a crime against a poor animal, who is fed only by the herbs which grow wild in the woods, and whose belly is burnt up with hunger?” We remembered a picture of mankind in the hunter age, chasing hares down the mountains; O me miserable! Yet sheep and oxen are but larger squirrels, whose hides are saved and meat is salted, whose souls perchance are not so large in proportion to their bodies.

The bodies of some poor squirrels, the same ones that had been happily playing in the morning, which we had skinned and gutted for our dinner, we abandoned in disgust, showing a bit of delayed compassion, as they were too pitiful a resource for anyone but starving people. It was a reminder of a brutal era. If they had been bigger, our crime would have felt less serious. Their small red bodies, tiny bundles of flesh, mere chunks of meat, wouldn’t have been worth much. In a sudden moment of clarity, we tossed them aside, washed our hands, and boiled some rice for dinner. “Look at the difference between the one who eats flesh and the one to whom it belonged! The eater enjoys a fleeting pleasure, while the other loses its life!” “Who would commit such a terrible act against a poor animal that feeds only on the wild herbs of the forest and whose belly is burning with hunger?” We remembered a scene of humanity in the age of hunters, chasing hares down the mountains; oh, how miserable! Yet sheep and cows are just larger squirrels, whose skins are saved and meat preserved, perhaps with souls no bigger relative to their bodies.

There should always be some flowering and maturing of the fruits of nature in the cooking process. Some simple dishes recommend themselves to our imaginations as well as palates. In parched corn, for instance, there is a manifest sympathy between the bursting seed and the more perfect developments of vegetable life. It is a perfect flower with its petals, like the houstonia or anemone. On my warm hearth these cerealian blossoms expanded; here is the bank whereon they grew. Perhaps some such visible blessing would always attend the simple and wholesome repast.

There should always be some blooming and ripening of nature’s fruits in the cooking process. Some simple dishes appeal to both our imaginations and our taste buds. Take parched corn, for example; there’s a clear connection between the popping kernels and the more refined forms of plant life. It resembles a beautiful flower with its petals, like the houstonia or anemone. On my warm stove, these grain blossoms opened up; here is where they thrived. Maybe some visible blessing like this should always accompany a simple and healthy meal.

Here was that “pleasant harbor” which we had sighed for, where the weary voyageur could read the journal of some other sailor, whose bark had ploughed, perchance, more famous and classic seas. At the tables of the gods, after feasting follow music and song; we will recline now under these island trees, and for our minstrel call on

Here was that “pleasant harbor” we had longed for, where the tired traveler could read the journal of another sailor, whose ship had navigated perhaps more famous and classic seas. At the tables of the gods, after feasting come music and song; we will relax now under these island trees, and for our entertainer, we’ll call on

ANACREON.

ANACREON.

“Nor has he ceased his charming song, for still that lyre,
Though he is dead, sleeps not in Hades.”

“Nor has he stopped his beautiful song, for that lyre,
Even though he is dead, doesn't rest in Hades.”

Simonides’ Epigram on Anacreon.

Simonides’ Poem on Anacreon.

I lately met with an old volume from a London bookshop, containing the Greek Minor Poets, and it was a pleasure to read once more only the words, Orpheus, Linus, Musæus,—those faint poetic sounds and echoes of a name, dying away on the ears of us modern men; and those hardly more substantial sounds, Mimnermus, Ibycus, Alcaeus, Stesichorus, Menander. They lived not in vain. We can converse with these bodiless fames without reserve or personality.

I recently came across an old book from a London bookstore that had the Greek Minor Poets, and it was a joy to read again just the names Orpheus, Linus, Musæus—those faint poetic sounds and echoes of names, fading away on the ears of us modern people; and those barely more tangible names, Mimnermus, Ibycus, Alcaeus, Stesichorus, Menander. They didn’t live in vain. We can talk to these disembodied reputations freely and without any personal connection.

I know of no studies so composing as those of the classical scholar. When we have sat down to them, life seems as still and serene as if it were very far off, and I believe it is not habitually seen from any common platform so truly and unexaggerated as in the light of literature. In serene hours we contemplate the tour of the Greek and Latin authors with more pleasure than the traveller does the fairest scenery of Greece or Italy. Where shall we find a more refined society? That highway down from Homer and Hesiod to Horace and Juvenal is more attractive than the Appian. Reading the classics, or conversing with those old Greeks and Latins in their surviving works, is like walking amid the stars and constellations, a high and by way serene to travel. Indeed, the true scholar will be not a little of an astronomer in his habits. Distracting cares will not be allowed to obstruct the field of his vision, for the higher regions of literature, like astronomy, are above storm and darkness.

I don’t know of any studies as engaging as those of a classical scholar. When we dive into them, life feels calm and peaceful, as if it were a world away, and I think it’s rarely viewed from such a clear and accurate perspective as through the lens of literature. In quiet moments, we enjoy exploring the works of Greek and Latin authors even more than travelers enjoy the beautiful landscapes of Greece or Italy. Where can we find a more sophisticated society? The path from Homer and Hesiod to Horace and Juvenal is more appealing than the Appian Way. Reading the classics or engaging with those ancient Greeks and Latins through their works is like walking among the stars and constellations, a high and tranquil journey. Indeed, a true scholar is somewhat like an astronomer in their habits. Distracting worries won’t block their vision, because the higher realms of literature, like astronomy, are above storms and darkness.

But passing by these rumors of bards, let us pause for a moment at the Teian poet.

But putting aside these rumors about bards, let's take a moment to focus on the Teian poet.

There is something strangely modern about him. He is very easily turned into English. Is it that our lyric poets have resounded but that lyre, which would sound only light subjects, and which Simonides tells us does not sleep in Hades? His odes are like gems of pure ivory. They possess an ethereal and evanescent beauty like summer evenings, ὅ χρή σε νοεῖν νόου ἄνθει,—which you must perceive with the flower of the mind,—and show how slight a beauty could be expressed. You have to consider them, as the stars of lesser magnitude, with the side of the eye, and look aside from them to behold them. They charm us by their serenity and freedom from exaggeration and passion, and by a certain flower-like beauty, which does not propose itself, but must be approached and studied like a natural object. But perhaps their chief merit consists in the lightness and yet security of their tread;

There’s something oddly modern about him. He translates easily into English. Is it that our lyric poets have only echoed that lyre, which plays only light themes, and which Simonides says doesn’t rest in Hades? His odes are like pure ivory gems. They have a delicate and fleeting beauty, like summer evenings, ὅ χρή σε νοεῖν νόου ἄνθει,—which you must perceive with the flower of the mind,—and show how subtle beauty can be conveyed. You need to view them like faint stars, with the corner of your eye, and turn your gaze slightly away from them to truly see them. They captivate us with their calmness and lack of exaggeration and passion, and their floral beauty, which doesn’t assert itself, but must be approached and examined like something natural. But perhaps their greatest strength lies in their lightness and yet the security of their step;

“The young and tender stalk
Ne’er bends when they do walk.”

“The young and tender shoot
Never bends when they walk.”

True, our nerves are never strung by them; it is too constantly the sound of the lyre, and never the note of the trumpet; but they are not gross, as has been presumed, but always elevated above the sensual.

True, our nerves are never rattled by them; it's always the sound of the lyre and never the note of the trumpet; but they are not crude, as has been assumed, but always elevated above the sensual.

These are some of the best that have come down to us.

These are some of the best that have been passed down to us.

ON HIS LYRE.

I wish to sing the Atridæ,
And Cadmus I wish to sing;
But my lyre sounds
Only love with its chords.
Lately I changed the strings
And all the lyre;
And I began to sing the labors
Of Hercules; but my lyre
Resounded loves.
Farewell, henceforth, for me,
Heroes! for my lyre
Sings only loves.

I want to sing about the Atridæ,
And also Cadmus;
But my lyre only plays
Songs of love.
I recently changed the strings
And the whole lyre;
I started to sing about the labors
Of Hercules, but my lyre
Just echoed love.
Goodbye, from now on,
Heroes! because my lyre
Only sings about love.

TO A SWALLOW.

Thou indeed, dear swallow,
Yearly going and coming,
In summer weavest thy nest,
And in winter go’st disappearing
Either to Nile or to Memphis.
But Love always weaveth
His nest in my heart….

You, dear swallow,
Coming and going each year,
In summer you build your nest,
And in winter you disappear
Either to the Nile or to Memphis.
But Love always builds
His nest in my heart….

ON A SILVER CUP.

Turning the silver,
Vulcan, make for me,
Not indeed a panoply,
For what are battles to me?
But a hollow cup,
As deep as thou canst
And make for me in it
Neither stars, nor wagons,
Nor sad Orion;
What are the Pleiades to me?
What the shining Bootes?
Make vines for me,
And clusters of grapes in it,
And of gold Love and Bathyllus
Treading the grapes
With the fair Lyæus

Turning the silver,
Vulcan, create for me,
Not a full suit of armor,
Because what do battles mean to me?
But a hollow cup,
As deep as you can make it
And don’t include
Any stars, or wagons,
Or the gloomy Orion;
What do the Pleiades mean to me?
What is the shining Bootes?
Create vines for me,
And clusters of grapes in it,
And of gold, Love and Bathyllus
Treading the grapes
With the lovely Lyæus

ON HIMSELF.

Thou sing’st the affairs of Thebes,
And he the battles of Troy,
But I of my own defeats.
No horse have wasted me,
Nor foot, nor ships;
But a new and different host,
From eyes smiting me.

You sing about the events of Thebes,
And he tells the battles of Troy,
But I speak of my own losses.
No horse has worn me down,
Nor foot, nor ships;
But a new and different force,
From eyes striking me.

TO A DOVE.

Lovely dove,
Whence, whence dost thou fly?
Whence, running on air,
Dost thou waft and diffuse
So many sweet ointments?
Who art? What thy errand?—
Anacreon sent me
To a boy, to Bathyllus,
Who lately is ruler and tyrant of all.
Cythere has sold me
For one little song,
And I’m doing this service
For Anacreon.
And now, as you see,
I bear letters from him.
And he says that directly
He’ll make me free,
But though he release me,
His slave I will tarry with him.
For why should I fly
Over mountains and fields,
And perch upon trees,
Eating some wild thing?
Now indeed I eat bread,
Plucking it from the hands
Of Anacreon himself;
And he gives me to drink
The wine which he tastes,
And drinking, I dance,
And shadow my master’s
Face with my wings;
And, going to rest,
On the lyre itself I sleep.
That is all; get thee gone.
Thou hast made me more talkative,
Man, than a crow.

Lovely dove,
Where are you flying from?
Where, gliding through the air,
Are you spreading and sharing
So many sweet scents?
Who are you? What’s your mission?—
Anacreon sent me
To a boy, to Bathyllus,
Who has recently become the ruler and tyrant of all.
Cythere has sold me
For one little song,
And I’m doing this for Anacreon.
And now, as you can see,
I carry letters from him.
And he says that soon
He’ll set me free,
But even if he releases me,
I will stay his slave.
Why should I fly
Over mountains and fields,
And perch in trees,
Eating some wild food?
Right now I eat bread,
Taken right from the hands
Of Anacreon himself;
And he pours me the wine
That he drinks,
And while drinking, I dance,
And shade my master’s
Face with my wings;
And when it’s time to rest,
I sleep right on the lyre.
That’s all; now leave me.
You’ve made me more chatty,
Man, than a crow.

ON LOVE.

Love walking swiftly,
With hyacinthine staff,
Bade me to take a run with him;
And hastening through swift torrents,
And woody places, and over precipices,
A water-snake stung me.
And my heart leaped up to
My mouth, and I should have fainted;
But Love fanning my brows
With his soft wings, said,
Surely, thou art not able to love.

Love walked quickly,
With a staff like hyacinth,
Asked me to run with him;
And rushing through fast streams,
And wooded areas, and over cliffs,
A water snake bit me.
And my heart jumped up to
My throat, and I almost fainted;
But Love, fanning my forehead
With his gentle wings, said,
Surely, you can't really love.

ON WOMEN.

Nature has given horns
To bulls, and hoofs to horses,
Swiftness to hares,
To lions yawning teeth,
To fishes swimming,
To birds flight,
To men wisdom.
For woman she had nothing beside;
What then does she give? Beauty,—
Instead of all shields,
Instead of all spears;
And she conquers even iron
And fire, who is beautiful.

Nature has given horns
To bulls and hooves to horses,
Speed to hares,
To lions, strong teeth,
To fish, the ability to swim,
To birds, the power of flight,
And to humans, wisdom.
But for women, she had nothing else;
So what does she give? Beauty,—
Instead of armor,
Instead of all weapons;
And she conquers even iron
And fire, who is beautiful.

ON LOVERS.

Horses have the mark
Of fire on their sides,
And some have distinguished
The Parthian men by their crests;
So I, seeing lovers,
Know them at once,
For they have a certain slight
Brand on their hearts.

Horses have a mark
Of fire on their sides,
And some have distinguished
The Parthian men by their crests;
So I, seeing lovers,
Recognize them immediately,
For they carry a subtle
Brand on their hearts.

TO A SWALLOW.

What dost thou wish me to do to thee,—
What, thou loquacious swallow?
Dost thou wish me taking thee
Thy light pinions to clip?
Or rather to pluck out
Thy tongue from within,
As that Tereus did?
Why with thy notes in the dawn
Hast thou plundered Bathyllus
From my beautiful dreams?

What do you want me to do for you,—
What, you chatty swallow?
Do you want me to
Clip your light wings?
Or maybe to pull out
Your tongue from inside,
Like Tereus did?
Why have you stolen Bathyllus
From my sweet dreams with your morning songs?

TO A COLT.

Thracian colt, why at me
Looking aslant with thy eyes,
Dost thou cruelly flee,
And think that I know nothing wise?
Know I could well
Put the bridle on thee,
And holding the reins, turn
Round the bounds of the course.
But now thou browsest the meads,
And gambolling lightly dost play,
For thou hast no skilful horseman
Mounted upon thy back.

Thracian colt, why are you looking at me
With that sideways glance,
Do you really run away so cruelly,
Thinking I don't know anything smart?
Just know that I could easily
Put a bridle on you,
And holding the reins, steer
Around the edges of the track.
But right now you're wandering the fields,
And playfully frolicking around,
Because you have no skilled rider
On your back.

CUPID WOUNDED.

Love once among roses
Saw not
A sleeping bee, but was stung;
And being wounded in the finger
Of his hand, cried for pain.
Running as well as flying
To the beautiful Venus,
I am killed, mother, said he,
I am killed, and I die.
A little serpent has stung me,
Winged, which they call
A bee,—the husbandmen.
And she said, If the sting
Of a bee afflicts you,
How, think you, are they afflicted,
Love, whom you smite?

—————

Love once among roses
Didn’t see
A sleeping bee, but got stung;
And being hurt on his finger
Cried out in pain.
Running as much as flying
To beautiful Venus,
“I’m dying, mother,” he said,
“I’m dying, and I’m done for.
A little snake has stung me,
With wings, which they call
A bee— the farmers.
And she said, If the sting
Of a bee troubles you,
How, do you think, are they hurt,
Love, whom you strike?

Late in the afternoon, for we had lingered long on the island, we raised our sail for the first time, and for a short hour the southwest wind was our ally; but it did not please Heaven to abet us along. With one sail raised we swept slowly up the eastern side of the stream, steering clear of the rocks, while, from the top of a hill which formed the opposite bank, some lumberers were rolling down timber to be rafted down the stream. We could see their axes and levers gleaming in the sun, and the logs came down with a dust and a rumbling sound, which was reverberated through the woods beyond us on our side, like the roar of artillery. But Zephyr soon took us out of sight and hearing of this commerce. Having passed Read’s Ferry, and another island called McGaw’s Island, we reached some rapids called Moore’s Falls, and entered on “that section of the river, nine miles in extent, converted, by law, into the Union Canal, comprehending in that space six distinct falls; at each of which, and at several intermediate places, work has been done.” After passing Moore’s Falls by means of locks, we again had recourse to our oars, and went merrily on our way, driving the small sandpiper from rock to rock before us, and sometimes rowing near enough to a cottage on the bank, though they were few and far between, to see the sunflowers, and the seed vessels of the poppy, like small goblets filled with the water of Lethe, before the door, but without disturbing the sluggish household behind. Thus we held on, sailing or dipping our way along with the paddle up this broad river, smooth and placid, flowing over concealed rocks, where we could see the pickerel lying low in the transparent water, eager to double some distant cape, to make some great bend as in the life of man, and see what new perspective would open; looking far into a new country, broad and serene, the cottages of settlers seen afar for the first time, yet with the moss of a century on their roofs, and the third or fourth generation in their shadows. Strange was it to consider how the sun and the summer, the buds of spring and the seared leaves of autumn, were related to these cabins along the shore; how all the rays which paint the landscape radiate from them, and the flight of the crow and the gyrations of the hawk have reference to their roofs. Still the ever rich and fertile shores accompanied us, fringed with vines and alive with small birds and frisking squirrels, the edge of some farmer’s field or widow’s wood-lot, or wilder, perchance, where the muskrat, the little medicine of the river, drags itself along stealthily over the alder-leaves and muscle-shells, and man and the memory of man are banished far.

Late in the afternoon, since we had stayed on the island for quite a while, we raised our sail for the first time, and for a short hour, the southwest wind was on our side; but it didn’t please Heaven to keep helping us. With one sail up, we slowly glided up the eastern side of the stream, carefully avoiding the rocks, while from the top of a hill on the opposite bank, some lumberjacks were rolling timber to be rafted down the stream. We could see their axes and levers shining in the sun, and the logs came down with a cloud of dust and a rumbling sound that echoed through the woods on our side, like the roar of cannon. But the breeze quickly took us out of sight and sound of this activity. After passing Read’s Ferry and another island called McGaw’s Island, we reached some rapids known as Moore’s Falls and entered “that section of the river, nine miles long, designated by law as the Union Canal, which includes six distinct falls; at each of these, and at several spots in between, work has been carried out.” After navigating Moore’s Falls using locks, we returned to our oars and cheerfully continued on our journey, driving the small sandpiper from rock to rock in front of us, and sometimes getting close enough to a cottage along the bank, though they were few and far apart, to see the sunflowers and the seed pods of the poppy, like little goblets filled with the waters of oblivion, in front of the door, without disturbing the lethargic household inside. We continued onward, sailing or paddling along this broad, smooth river, flowing over hidden rocks where we could see pickerel lying low in the clear water, eager to double some distant point, make a sharp turn as in the journey of life, and discover what new scenery would unfold; looking far into a new land, wide and peaceful, the cottages of settlers first seen from a distance, yet covered with a century of moss on their roofs, and the third or fourth generation living in their shadows. It was strange to think about how the sun and summer, the buds of spring, and the dried leaves of autumn were connected to these homes along the shore; how all the light that shapes the landscape radiates from them, and how the flight of crows and the soaring hawks relate to their rooftops. Meanwhile, the always rich and fertile shores accompanied us, lined with vines and buzzing with small birds and playful squirrels, bordering some farmer’s field or widow’s woodlot, or perhaps wilder, where the muskrat, the little creature of the river, stealthily drags itself over the alder leaves and mussel shells, while both man and the memory of man are left far behind.

At length the unwearied, never-sinking shore, still holding on without break, with its cool copses and serene pasture-grounds, tempted us to disembark; and we adventurously landed on this remote coast, to survey it, without the knowledge of any human inhabitant probably to this day. But we still remember the gnarled and hospitable oaks which grew even there for our entertainment, and were no strangers to us, the lonely horse in his pasture, and the patient cows, whose path to the river, so judiciously chosen to overcome the difficulties of the way, we followed, and disturbed their ruminations in the shade; and, above all, the cool, free aspect of the wild apple-trees, generously proffering their fruit to us, though still green and crude,—the hard, round, glossy fruit, which, if not ripe, still was not poison, but New-English too, brought hither its ancestors by ours once. These gentler trees imparted a half-civilized and twilight aspect to the otherwise barbarian land. Still farther on we scrambled up the rocky channel of a brook, which had long served nature for a sluice there, leaping like it from rock to rock through tangled woods, at the bottom of a ravine, which grew darker and darker, and more and more hoarse the murmurs of the stream, until we reached the ruins of a mill, where now the ivy grew, and the trout glanced through the crumbling flume; and there we imagined what had been the dreams and speculations of some early settler. But the waning day compelled us to embark once more, and redeem this wasted time with long and vigorous sweeps over the rippling stream.

At last, the tireless, unfailing shore, still holding firm without interruption, with its cool groves and peaceful pastures, tempted us to get off the boat; so we courageously landed on this secluded coast to explore it, probably without knowing if any human had ever been here before. But we remember the twisted and welcoming oaks that grew there for our enjoyment, and the solitary horse in its pasture, along with the patient cows, whose path to the river we followed, interrupting their grazing in the shade. Above all, we recall the fresh, wild apple trees, generously offering us their fruit, although it was still green and unripe—the hard, round, shiny fruit that, while not ripe, wasn’t poisonous either, brought here by our ancestors from New England. These gentler trees gave a half-civilized and twilight vibe to the otherwise wild land. Further along, we climbed up the rocky bed of a brook that had long served nature as a sluice, hopping from rock to rock through tangled woods at the bottom of a ravine that became darker and darker, with the stream's murmurs growing louder and more rough until we reached the ruins of a mill, where ivy now grew, and trout darted through the crumbling water channel. There, we imagined what dreams and ideas some early settler might have had. But as the day faded, we had to board the boat again and make up for lost time with long, vigorous strokes over the rippling stream.

It was still wild and solitary, except that at intervals of a mile or two the roof of a cottage might be seen over the bank. This region, as we read, was once famous for the manufacture of straw bonnets of the Leghorn kind, of which it claims the invention in these parts; and occasionally some industrious damsel tripped down to the water’s edge, to put her straw a-soak, as it appeared, and stood awhile to watch the retreating voyageurs, and catch the fragment of a boat-song which we had made, wafted over the water.

It was still wild and isolated, except that every mile or two, you could spot the roof of a cottage peeking over the bank. This area, as we read, was once known for making Leghorn-style straw hats, claiming to be the birthplace of that craft. Every now and then, a hardworking young woman would walk down to the water's edge to soak her straw, it seemed, and she would pause for a moment to watch the departing travelers and hear a snippet of a boat song we made, carried across the water.

Thus, perchance, the Indian hunter,
    Many a lagging year agone,
Gliding o’er thy rippling waters,
    Lowly hummed a natural song.

Now the sun’s behind the willows,
    Now he gleams along the waves,
Faintly o’er the wearied billows
    Come the spirits of the braves.

Thus, maybe, the Indian hunter,
    Many years ago,
Gliding over your rippling waters,
    Softly hummed a natural song.

Now the sun's behind the willows,
    Now it shines along the waves,
Gently over the tired billows
    Come the spirits of the warriors.

Just before sundown we reached some more falls in the town of Bedford, where some stone-masons were employed repairing the locks in a solitary part of the river. They were interested in our adventure, especially one young man of our own age, who inquired at first if we were bound up to “’Skeag”; and when he had heard our story, and examined our outfit, asked us other questions, but temperately still, and always turning to his work again, though as if it were become his duty. It was plain that he would like to go with us, and, as he looked up the river, many a distant cape and wooded shore were reflected in his eye, as well as in his thoughts. When we were ready he left his work, and helped us through the locks with a sort of quiet enthusiasm, telling us that we were at Coos Falls, and we could still distinguish the strokes of his chisel for many sweeps after we had left him.

Just before sunset, we arrived at some more falls in the town of Bedford, where some stone masons were busy repairing the locks in a remote part of the river. They were curious about our adventure, especially one young man our age, who first asked if we were headed to “’Skeag.” After he heard our story and looked over our gear, he asked us more questions, still maintaining a calm demeanor and regularly returning to his work, as if it had become his duty. It was clear that he wanted to join us, and as he gazed up the river, many distant coves and wooded shores were reflected in his eyes, as well as in his thoughts. Once we were ready, he set aside his work and helped us through the locks with a kind of quiet excitement, sharing that we were at Coos Falls, and we could still hear the sounds of his chisel for a long while after we left him.

We wished to camp this night on a large rock in the middle of the stream, just above these falls, but the want of fuel, and the difficulty of fixing our tent firmly, prevented us; so we made our bed on the main-land opposite, on the west bank, in the town of Bedford, in a retired place, as we supposed, there being no house in sight.

We wanted to camp tonight on a big rock in the middle of the stream, right above the falls, but we couldn't because there was no firewood and it was tough to set up our tent securely. So, we set up our bed on the main land across from the stream, on the west bank, in the town of Bedford, in what we thought was a quiet spot since there were no houses in sight.

WEDNESDAY

“Man is man’s foe and destiny.”

“Man is his own enemy and fate.”

COTTON.

COTTON.

Early this morning, as we were rolling up our buffaloes and loading our boat amid the dew, while our embers were still smoking, the masons who worked at the locks, and whom we had seen crossing the river in their boat the evening before while we were examining the rock, came upon us as they were going to their work, and we found that we had pitched our tent directly in the path to their boat. This was the only time that we were observed on our camping-ground. Thus, far from the beaten highways and the dust and din of travel, we beheld the country privately, yet freely, and at our leisure. Other roads do some violence to Nature, and bring the traveller to stare at her, but the river steals into the scenery it traverses without intrusion, silently creating and adorning it, and is as free to come and go as the zephyr.

Early this morning, while we were rolling up our buffaloes and loading our boat in the dew, and our embers were still smoking, the masons who worked at the locks, whom we had seen crossing the river in their boat the night before while we were checking out the rock, came across us as they were heading to work, and we realized we had set up our tent right in the way of their boat. This was the only time we were spotted on our campsite. So, far away from the busy roads and the dust and noise of travel, we got to see the countryside privately, yet freely, and at our own pace. Other roads disrupt Nature and make the traveler stop and stare at her, but the river flows through the scenery it passes without interrupting, quietly enhancing it, and is as free to move as the breeze.

As we shoved away from this rocky coast, before sunrise, the smaller bittern, the genius of the shore, was moping along its edge, or stood probing the mud for its food, with ever an eye on us, though so demurely at work, or else he ran along over the wet stones like a wrecker in his storm-coat, looking out for wrecks of snails and cockles. Now away he goes, with a limping flight, uncertain where he will alight, until a rod of clear sand amid the alders invites his feet; and now our steady approach compels him to seek a new retreat. It is a bird of the oldest Thalesian school, and no doubt believes in the priority of water to the other elements; the relic of a twilight antediluvian age which yet inhabits these bright American rivers with us Yankees. There is something venerable in this melancholy and contemplative race of birds, which may have trodden the earth while it was yet in a slimy and imperfect state. Perchance their tracks too are still visible on the stones. It still lingers into our glaring summers, bravely supporting its fate without sympathy from man, as if it looked forward to some second advent of which he has no assurance. One wonders if, by its patient study by rocks and sandy capes, it has wrested the whole of her secret from Nature yet. What a rich experience it must have gained, standing on one leg and looking out from its dull eye so long on sunshine and rain, moon and stars! What could it tell of stagnant pools and reeds and dank night-fogs! It would be worth the while to look closely into the eye which has been open and seeing at such hours, and in such solitudes, its dull, yellowish, greenish eye. Methinks my own soul must be a bright invisible green. I have seen these birds stand by the half-dozen together in the shallower water along the shore, with their bills thrust into the mud at the bottom, probing for food, the whole head being concealed, while the neck and body formed an arch above the water.

As we pushed away from the rocky coast before sunrise, the little bittern, a master of the shore, was either wandering along its edge or probing the mud for food, always keeping an eye on us, though seemingly focused on its task. Sometimes, it darted over the wet stones like a shipwrecked sailor looking for snails and cockles. Now it takes off with a limping flight, uncertain where to land, until it finds a patch of clear sand among the alders that beckons to its feet; our steady approach forces it to find another hiding spot. This bird is from the oldest school of thought, likely believing that water comes before the other elements; a remnant of an ancient, pre-flood era that still shares these bright American rivers with us Yankees. There's something venerable about this melancholy, reflective species of bird, which might have walked the Earth when it was still slimy and imperfect. Perhaps their tracks are still visible on the stones. It continues to thrive through our blazing summers, bravely facing its fate without any sympathy from humans, as if it anticipates a second coming that it knows nothing about. One wonders if, through its patient observations by rocks and sandy shores, it has uncovered all of Nature's secrets. What a wealth of experience it must have gained, balancing on one leg and gazing with its dull eye at the sunshine and rain, the moon and stars! What stories could it share about stagnant pools, reeds, and damp night mists? It would be worth examining the eye that has been open and watching during those hours and in such solitude, its dull, yellowish-green eye. I feel like my own soul must be a bright, invisible green. I've seen these birds huddled together by the shallow water along the shore, their bills buried in the mud below, searching for food, with their heads hidden while their necks and bodies formed an arch above the water.

Cohass Brook, the outlet of Massabesic Pond,—which last is five or six miles distant, and contains fifteen hundred acres, being the largest body of fresh water in Rockingham County,—comes in near here from the east. Rowing between Manchester and Bedford, we passed, at an early hour, a ferry and some falls, called Goff’s Falls, the Indian Cohasset, where there is a small village, and a handsome green islet in the middle of the stream. From Bedford and Merrimack have been boated the bricks of which Lowell is made. About twenty years before, as they told us, one Moore, of Bedford, having clay on his farm, contracted to furnish eight millions of bricks to the founders of that city within two years. He fulfilled his contract in one year, and since then bricks have been the principal export from these towns. The farmers found thus a market for their wood, and when they had brought a load to the kilns, they could cart a load of bricks to the shore, and so make a profitable day’s work of it. Thus all parties were benefited. It was worth the while to see the place where Lowell was “dug out.” So likewise Manchester is being built of bricks made still higher up the river at Hooksett.

Cohass Brook, which flows out of Massabesic Pond—located about five or six miles away and covering fifteen hundred acres, making it the largest freshwater body in Rockingham County—flows in from the east. While rowing between Manchester and Bedford, we passed, early in the day, a ferry and some waterfalls known as Goff's Falls, the Indian name Cohasset, where there's a small village and a lovely green island in the middle of the stream. The bricks that make up Lowell were transported from Bedford and Merrimack. About twenty years ago, we were told, a man named Moore from Bedford, who had clay on his farm, made a deal to supply eight million bricks to the founders of that city within two years. He completed the contract in just one year, and ever since, bricks have been the main export from these towns. This created a market for the farmers' wood. After bringing a load to the kilns, they could haul a load of bricks to the shore, making for a profitable day’s work. This arrangement benefited everyone involved. It was interesting to see the spot where Lowell was "dug out." Similarly, Manchester is being built with bricks made even further up the river at Hooksett.

There might be seen here on the bank of the Merrimack, near Goff’s Falls, in what is now the town of Bedford, famous “for hops and for its fine domestic manufactures,” some graves of the aborigines. The land still bears this scar here, and time is slowly crumbling the bones of a race. Yet, without fail, every spring, since they first fished and hunted here, the brown thrasher has heralded the morning from a birch or alder spray, and the undying race of reed-birds still rustles through the withering grass. But these bones rustle not. These mouldering elements are slowly preparing for another metamorphosis, to serve new masters, and what was the Indian’s will erelong be the white man’s sinew.

There can still be seen along the bank of the Merrimack, near Goff’s Falls, in what is now the town of Bedford, known “for hops and its fine local products,” some graves of the Native Americans. The land still shows this mark, and time is gradually wearing away the bones of a people. Yet, every spring, since they first fished and hunted here, the brown thrasher has welcomed the morning from a birch or alder branch, and the resilient reed-birds still rustle through the dying grass. But these bones do not rustle. These decaying remnants are slowly getting ready for another transformation, to serve new masters, and what once belonged to the Native American will soon belong to the white man.

We learned that Bedford was not so famous for hops as formerly, since the price is fluctuating, and poles are now scarce. Yet if the traveller goes back a few miles from the river, the hop-kilns will still excite his curiosity.

We found out that Bedford isn't as well-known for hops as it used to be, since the price is going up and down, and poles are now hard to find. Still, if a traveler goes a few miles back from the river, the hop kilns will still catch their interest.

There were few incidents in our voyage this forenoon, though the river was now more rocky and the falls more frequent than before. It was a pleasant change, after rowing incessantly for many hours, to lock ourselves through in some retired place,—for commonly there was no lock-man at hand,—one sitting in the boat, while the other, sometimes with no little labor and heave-yo-ing, opened and shut the gates, waiting patiently to see the locks fill. We did not once use the wheels which we had provided. Taking advantage of the eddy, we were sometimes floated up to the locks almost in the face of the falls; and, by the same cause, any floating timber was carried round in a circle and repeatedly drawn into the rapids before it finally went down the stream. These old gray structures, with their quiet arms stretched over the river in the sun, appeared like natural objects in the scenery, and the kingfisher and sandpiper alighted on them as readily as on stakes or rocks.

There were a few incidents during our journey this morning, though the river was getting rockier and the falls were happening more often than before. It felt good to take a break after rowing nonstop for many hours, to go through the locks in a quiet spot—since usually there wasn’t a lock operator around—one of us stayed in the boat while the other, sometimes with quite a bit of effort, opened and closed the gates, waiting patiently for the locks to fill. We didn’t use the wheels we had brought at all. Taking advantage of the current, we sometimes got pushed up to the locks almost right in front of the falls; and because of the same current, any floating wood was carried around in circles and repeatedly pulled into the rapids before it finally went down the river. These old gray structures, with their arms stretched out over the river in the sunlight, seemed like natural parts of the landscape, and the kingfisher and sandpiper landed on them just as easily as they would on stakes or rocks.

We rowed leisurely up the stream for several hours, until the sun had got high in the sky, our thoughts monotonously beating time to our oars. For outward variety there was only the river and the receding shores, a vista continually opening behind and closing before us, as we sat with our backs up-stream; and, for inward, such thoughts as the muses grudgingly lent us. We were always passing some low, inviting shore, or some overhanging bank, on which, however, we never landed.

We rowed slowly up the river for several hours, until the sun was high in the sky, our thoughts rhythmically matching the strokes of our oars. For external variety, there was just the river and the shores fading away, a view that constantly opened behind us and closed in front as we sat with our backs to the current; and for internal variety, only the thoughts the muses reluctantly gave us. We were always passing some low, inviting shore or some overhanging bank, but we never actually stopped there.

Such near aspects had we
Of our life’s scenery.

Such close experiences did we
Have of our life's landscape.

It might be seen by what tenure men held the earth. The smallest stream is mediterranean sea, a smaller ocean creek within the land, where men may steer by their farm-bounds and cottage-lights. For my own part, but for the geographers, I should hardly have known how large a portion of our globe is water, my life has chiefly passed within so deep a cove. Yet I have sometimes ventured as far as to the mouth of my Snug Harbor. From an old ruined fort on Staten Island, I have loved to watch all day some vessel whose name I had read in the morning through the telegraph-glass, when she first came upon the coast, and her hull heaved up and glistened in the sun, from the moment when the pilot and most adventurous news-boats met her, past the Hook, and up the narrow channel of the wide outer bay, till she was boarded by the health-officer, and took her station at Quarantine, or held on her unquestioned course to the wharves of New York. It was interesting, too, to watch the less adventurous newsman, who made his assault as the vessel swept through the Narrows, defying plague and quarantine law, and, fastening his little cockboat to her huge side, clambered up and disappeared in the cabin. And then I could imagine what momentous news was being imparted by the captain, which no American ear had ever heard, that Asia, Africa, Europe—were all sunk; for which at length he pays the price, and is seen descending the ship’s side with his bundle of newspapers, but not where he first got up, for these arrivers do not stand still to gossip; and he hastes away with steady sweeps to dispose of his wares to the highest bidder, and we shall erelong read something startling,—“By the latest arrival,”—“by the good ship——.” On Sunday I beheld, from some interior hill, the long procession of vessels getting to sea, reaching from the city wharves through the Narrows, and past the Hook, quite to the ocean stream, far as the eye could reach, with stately march and silken sails, all counting on lucky voyages, but each time some of the number, no doubt, destined to go to Davy’s locker, and never come on this coast again. And, again, in the evening of a pleasant day, it was my amusement to count the sails in sight. But as the setting sun continually brought more and more to light, still farther in the horizon, the last count always had the advantage, till, by the time the last rays streamed over the sea, I had doubled and trebled my first number; though I could no longer class them all under the several heads of ships, barks, brigs, schooners, and sloops, but most were faint generic vessels only. And then the temperate twilight light, perchance, revealed the floating home of some sailor whose thoughts were already alienated from this American coast, and directed towards the Europe of our dreams. I have stood upon the same hill-top when a thunder-shower, rolling down from the Catskills and Highlands, passed over the island, deluging the land; and, when it had suddenly left us in sunshine, have seen it overtake successively, with its huge shadow and dark, descending wall of rain, the vessels in the bay. Their bright sails were suddenly drooping and dark, like the sides of barns, and they seemed to shrink before the storm; while still far beyond them on the sea, through this dark veil, gleamed the sunny sails of those vessels which the storm had not yet reached. And at midnight, when all around and overhead was darkness, I have seen a field of trembling, silvery light far out on the sea, the reflection of the moonlight from the ocean, as if beyond the precincts of our night, where the moon traversed a cloudless heaven,—and sometimes a dark speck in its midst, where some fortunate vessel was pursuing its happy voyage by night.

It might be understood by what rights people held the land. The smallest stream is the Mediterranean Sea, a smaller ocean creek inland where people can navigate by their farm boundaries and the lights of their cottages. For my part, if not for the geographers, I would hardly have realized how large a portion of our planet is covered in water; my life has mainly unfolded within that deep cove. Yet I have sometimes ventured as far as the entrance of Snug Harbor. From an old ruined fort on Staten Island, I loved to spend the day watching a vessel whose name I had read that morning through the telescopic glass when it first came into view along the coast, its hull rising and glistening in the sun, from the moment the pilot and the most daring news boats met her, past the Hook, and up the narrow channel of the vast outer bay, until she was boarded by the health officer and took her place at Quarantine or continued on her route to the wharves of New York without question. It was also fascinating to watch the less daring newsman who made his approach as the vessel passed through the Narrows, defying plague and quarantine laws, fastening his little boat to her enormous side, climbing aboard and disappearing into the cabin. I could then imagine what significant news the captain was sharing that no American had ever heard: that Asia, Africa, Europe — were all submerged; for which he eventually pays the price, seen descending the ship’s side with his bundle of newspapers, but not from where he first boarded, since these arrivals don’t stop to chat; and he hurries away with determined strokes to sell his goods to the highest bidder, and soon we’ll read something shocking — “By the latest arrival,” — “by the good ship——.” On Sunday, I saw from some inland hill the long procession of vessels leaving the harbor, stretching from the city wharves through the Narrows and past the Hook, right to the open sea, as far as the eye could see, with their stately march and silken sails, all hoping for successful voyages, though each time, no doubt, some of them were destined for Davy Jones' locker, never to return to this shore. Again, on a pleasant day’s evening, I entertained myself by counting the sails visible. But as the setting sun increasingly revealed more ships farther on the horizon, my last count always had the upper hand, until by the time the final rays gleamed across the sea, I had doubled or tripled my initial number; though I could no longer sort them neatly into categories like ships, barks, brigs, schooners, and sloops, as most appeared to be faint generic vessels only. And then the gentle twilight light maybe revealed the floating home of some sailor whose thoughts had already drifted away from this American coast and moved toward the Europe of our dreams. I have stood on that same hilltop when a thunderstorm, rolling down from the Catskills and Highlands, swept over the island, saturating the land; and when it had suddenly left us in sunshine, I saw it successively overtake with its vast shadow and dark, descending wall of rain the vessels in the bay. Their bright sails suddenly drooped and darkened, like the sides of barns, as they seemed to cower before the storm; while still far beyond them on the sea, through that dark veil, shone the sunny sails of vessels that the storm had not yet reached. And at midnight, when everything around and above was dark, I saw a field of shimmering, silvery light far out on the sea, the reflection of the moonlight on the ocean, as if it were beyond the boundaries of our night, where the moon traversed a cloudless sky — and sometimes a dark speck in its midst, where some fortunate vessel was making its happy voyage by night.

But to us river sailors the sun never rose out of ocean waves, but from some green coppice, and went down behind some dark mountain line. We, too, were but dwellers on the shore, like the bittern of the morning; and our pursuit, the wrecks of snails and cockles. Nevertheless, we were contented to know the better one fair particular shore.

But for us river sailors, the sun didn't rise from the ocean waves; it came up from some green grove and set behind some dark mountain range. We were just shore dwellers, like the bittern in the morning, and our focus was on the remnants of snails and cockles. Still, we were happy to know one beautiful, specific shore better.

My life is like a stroll upon the beach,
    As near the ocean’s edge as I can go,
My tardy steps its waves sometimes o’erreach,
    Sometimes I stay to let them overflow.

My sole employment ’t is, and scrupulous care,
    To place my gains beyond the reach of tides,
Each smoother pebble, and each shell more rare,
    Which ocean kindly to my hand confides.

I have but few companions on the shore,
    They scorn the strand who sail upon the sea,
Yet oft I think the ocean they’ve sailed o’er
    Is deeper known upon the strand to me.

The middle sea contains no crimson dulse,
    Its deeper waves cast up no pearls to view,
Along the shore my hand is on its pulse,
    And I converse with many a shipwrecked crew.

My life is like a walk on the beach,
    As close to the ocean’s edge as I can get,
My slow steps sometimes get caught by the waves,
    Sometimes I pause to let them wash over me.

My only job is to carefully place my finds
    Beyond the reach of the tides,
Each smooth pebble, and each rarer shell,
    Which the ocean kindly gives to my hands.

I have only a few companions on the shore,
    They dismiss the beach who sail on the sea,
Yet often I think the ocean they’ve crossed
    Is deeper understood along the shore to me.

The open sea has no red seaweed,
    Its deeper waves reveal no pearls,
Along the shore my hand feels its pulse,
    And I talk with many a shipwrecked crew.

The small houses which were scattered along the river at intervals of a mile or more were commonly out of sight to us, but sometimes, when we rowed near the shore, we heard the peevish note of a hen, or some slight domestic sound, which betrayed them. The lock-men’s houses were particularly well placed, retired, and high, always at falls or rapids, and commanding the pleasantest reaches of the river,—for it is generally wider and more lake-like just above a fall,—and there they wait for boats. These humble dwellings, homely and sincere, in which a hearth was still the essential part, were more pleasing to our eyes than palaces or castles would have been. In the noon of these days, as we have said, we occasionally climbed the banks and approached these houses, to get a glass of water and make acquaintance with their inhabitants. High in the leafy bank, surrounded commonly by a small patch of corn and beans, squashes and melons, with sometimes a graceful hop-yard on one side, and some running vine over the windows, they appeared like beehives set to gather honey for a summer. I have not read of any Arcadian life which surpasses the actual luxury and serenity of these New England dwellings. For the outward gilding, at least, the age is golden enough. As you approach the sunny doorway, awakening the echoes by your steps, still no sound from these barracks of repose, and you fear that the gentlest knock may seem rude to the Oriental dreamers. The door is opened, perchance, by some Yankee-Hindoo woman, whose small-voiced but sincere hospitality, out of the bottomless depths of a quiet nature, has travelled quite round to the opposite side, and fears only to obtrude its kindness. You step over the white-scoured floor to the bright “dresser” lightly, as if afraid to disturb the devotions of the household,—for Oriental dynasties appear to have passed away since the dinner-table was last spread here,—and thence to the frequented curb, where you see your long-forgotten, unshaven face at the bottom, in juxtaposition with new-made butter and the trout in the well. “Perhaps you would like some molasses and ginger,” suggests the faint noon voice. Sometimes there sits the brother who follows the sea, their representative man; who knows only how far it is to the nearest port, no more distances, all the rest is sea and distant capes,—patting the dog, or dandling the kitten in arms that were stretched by the cable and the oar, pulling against Boreas or the trade-winds. He looks up at the stranger, half pleased, half astonished, with a mariner’s eye, as if he were a dolphin within cast. If men will believe it, sua si bona nôrint, there are no more quiet Tempes, nor more poetic and Arcadian lives, than may be lived in these New England dwellings. We thought that the employment of their inhabitants by day would be to tend the flowers and herds, and at night, like the shepherds of old, to cluster and give names to the stars from the river banks.

The small houses scattered along the river at least a mile apart were usually out of sight from us, but sometimes, when we rowed close to the shore, we heard the annoying cluck of a hen or some other domestic sound that gave them away. The lock-men's houses were particularly well-placed, secluded, and elevated, always near falls or rapids, overlooking the most pleasant stretches of the river—because it’s generally wider and more lake-like just above a fall—and they waited for boats. These humble homes, simple and genuine, where the hearth remained the heart of the home, were more appealing to us than any palace or castle could be. During the noon of those days, as we mentioned, we sometimes climbed the banks and approached these houses to get a glass of water and meet their residents. High on the leafy bank, usually surrounded by a small patch of corn and beans, squashes, and melons, with a graceful hop yard on one side and running vines over the windows, they looked like beehives collecting honey for summer. I haven't read about any idealized rural life that surpasses the real luxury and tranquility of these New England homes. At least on the surface, the times are golden enough. As you approach the sunny doorway, stirring echoes with your footsteps, there's still no sound from these havens of peace, and you worry that even the gentlest knock might seem impolite to the dreamy residents. The door might be opened by some Yankee-Hindoo woman, whose quiet but genuine hospitality, emerging from a deep and calm nature, has come full circle and only hesitates to offer its kindness. You step lightly over the freshly scrubbed floor to the bright “dresser,” as if afraid to interrupt the household's quiet rituals—since it seems an age has passed since the last meal was served here—and then to the well-frequented curb, where you catch a glimpse of your long-forgotten, unshaven face reflected in contrast with fresh butter and trout in the well. “Maybe you’d like some molasses and ginger,” suggests the soft voice of noon. Sometimes there's the brother who works at sea, the family's representative; he knows only how far the nearest port is—nothing beyond that, just sea and distant shores—petting the dog or cradling a kitten in arms that have been strengthened by ropes and oars against the wind. He looks up at the visitor, half pleased, half surprised, with a mariner’s gaze, as if he were a dolphin caught in the net. If people will believe it, sua si bona nôrint, there are no quieter moments of peace or more poetic, rural lives than can be found in these New England homes. We imagined that the daily tasks of their residents involved tending to flowers and livestock, and at night, like the ancient shepherds, gathering to name the stars from the riverbanks.

We passed a large and densely wooded island this forenoon, between Short’s and Griffith’s Falls, the fairest which we had met with, with a handsome grove of elms at its head. If it had been evening we should have been glad to camp there. Not long after, one or two more were passed. The boatmen told us that the current had recently made important changes here. An island always pleases my imagination, even the smallest, as a small continent and integral portion of the globe. I have a fancy for building my hut on one. Even a bare, grassy isle, which I can see entirely over at a glance, has some undefined and mysterious charm for me. There is commonly such a one at the junction of two rivers, whose currents bring down and deposit their respective sands in the eddy at their confluence, as it were the womb of a continent. By what a delicate and far-stretched contribution every island is made! What an enterprise of Nature thus to lay the foundations of and to build up the future continent, of golden and silver sands and the ruins of forests, with ant-like industry! Pindar gives the following account of the origin of Thera, whence, in after times, Libyan Cyrene was settled by Battus. Triton, in the form of Eurypylus, presents a clod to Euphemus, one of the Argonauts, as they are about to return home.

We passed a large, heavily wooded island this morning, located between Short’s and Griffith’s Falls, which was the prettiest one we had seen. It had a nice grove of elms at its edge. If it had been evening, we would have loved to camp there. Not long after, we passed by a couple more islands. The boatmen told us that the current had recently changed things up quite a bit here. An island always sparks my imagination, even the tiniest one, like a small continent that’s part of the Earth. I often think about building a hut on one. Even a bare, grassy isle, which I can see all at once, has some undefined and mysterious appeal to me. There’s usually one like that at the junction of two rivers, where their currents come together and drop off their sands in a little whirlpool, almost like the birthplace of a continent. Just think about how delicately and extensively every island is formed! It’s amazing how Nature works to lay the groundwork and build up a future continent from golden and silver sands and the remnants of forests, all with incredible diligence! Pindar tells the story of how Thera originated, from which Libyan Cyrene was later established by Battus. Triton, taking the form of Eurypylus, hands a clod to Euphemus, one of the Argonauts, just as they are about to head home.

        “He knew of our haste,
And immediately seizing a clod
With his right hand, strove to give it
As a chance stranger’s gift.
Nor did the hero disregard him, but leaping on the shore,
Stretching hand to hand,
Received the mystic clod.
But I hear it sinking from the deck,
Go with the sea brine
At evening, accompanying the watery sea.
Often indeed I urged the careless
Menials to guard it, but their minds forgot.
And now in this island the imperishable seed of spacious Libya
Is spilled before its hour.”

“He was aware of our urgency,
And right away grabbed a clump of dirt
With his right hand, trying to offer it
As a gift from a random stranger.
The hero didn’t ignore him; instead, he jumped ashore,
Extending his hand,
And took the mysterious clump.
But I can hear it sinking from the deck,
Being washed away by the sea brine
In the evening, joining the watery ocean.
I often urged the careless
Servants to keep an eye on it, but they forgot.
And now on this island, the eternal seed of vast Libya
Is spilled before its time.”

It is a beautiful fable, also related by Pindar, how Helius, or the Sun, looked down into the sea one day,—when perchance his rays were first reflected from some increasing glittering sandbar,—and saw the fair and fruitful island of Rhodes

It’s a beautiful tale, also told by Pindar, about how Helius, or the Sun, looked down into the sea one day—perhaps when his rays were first reflected off a growing glittering sandbar—and spotted the lovely and bountiful island of Rhodes.

        “springing up from the bottom,
Capable of feeding many men, and suitable for flocks;

“springing up from the bottom,
Able to nourish many people, and good for herds;”

and at the nod of Zeus,

and with a nod from Zeus,

        “The island sprang from the watery
Sea; and the genial Father of penetrating beams,
Ruler of fire-breathing horses, has it.”

“The island emerged from the watery
sea; and the warm Father of penetrating rays,
ruler of fire-breathing horses, possesses it.”

The shifting islands! who would not be willing that his house should be undermined by such a foe! The inhabitant of an island can tell what currents formed the land which he cultivates; and his earth is still being created or destroyed. There before his door, perchance, still empties the stream which brought down the material of his farm ages before, and is still bringing it down or washing it away,—the graceful, gentle robber!

The shifting islands! Who wouldn’t want their home to be affected by such an enemy? The person living on an island knows which currents shaped the land they farm; their soil is constantly being created or eroded. Right outside their door, perhaps, flows the stream that carried the materials for their farm ages ago, and is still delivering them or washing them away—the graceful, gentle thief!

Not long after this we saw the Piscataquoag, or Sparkling Water, emptying in on our left, and heard the Falls of Amoskeag above. Large quantities of lumber, as we read in the Gazetteer, were still annually floated down the Piscataquoag to the Merrimack, and there are many fine mill privileges on it. Just above the mouth of this river we passed the artificial falls where the canals of the Manchester Manufacturing Company discharge themselves into the Merrimack. They are striking enough to have a name, and, with the scenery of a Bashpish, would be visited from far and near. The water falls thirty or forty feet over seven or eight steep and narrow terraces of stone, probably to break its force, and is converted into one mass of foam. This canal-water did not seem to be the worse for the wear, but foamed and fumed as purely, and boomed as savagely and impressively, as a mountain torrent, and, though it came from under a factory, we saw a rainbow here. These are now the Amoskeag Falls, removed a mile down-stream. But we did not tarry to examine them minutely, making haste to get past the village here collected, and out of hearing of the hammer which was laying the foundation of another Lowell on the banks. At the time of our voyage Manchester was a village of about two thousand inhabitants, where we landed for a moment to get some cool water, and where an inhabitant told us that he was accustomed to go across the river into Goffstown for his water. But now, as I have been told, and indeed have witnessed, it contains fourteen thousand inhabitants. From a hill on the road between Goffstown and Hooksett, four miles distant, I have seen a thunder-shower pass over, and the sun break out and shine on a city there, where I had landed nine years before in the fields; and there was waving the flag of its Museum, where “the only perfect skeleton of a Greenland or river whale in the United States” was to be seen, and I also read in its directory of a “Manchester Athenæum and Gallery of the Fine Arts.”

Not long after that, we saw the Piscataquoag, also known as Sparkling Water, flowing on our left, and we heard the Falls of Amoskeag up ahead. According to the Gazetteer, a significant amount of lumber was still floated down the Piscataquoag to the Merrimack each year, and there are many great mill sites along it. Right above where the river meets the Merrimack, we passed the artificial falls created by the canals of the Manchester Manufacturing Company as they emptied into the Merrimack. These falls are impressive enough to have earned a name and, coupled with the scenic beauty, would attract visitors from far and wide. The water drops thirty to forty feet over seven or eight steep and narrow stone terraces, likely to reduce its force, creating a huge mass of foam. The water from the canal didn’t seem worse for the wear; it foamed and bubbled as cleanly and crashed with the wild power of a mountain torrent, and even though it flowed from under a factory, we spotted a rainbow there. These are now the Amoskeag Falls, moved a mile downstream. But we didn’t linger to examine them closely, eager to get past the gathered village and away from the sound of the hammer working on the foundation of another Lowell at the riverbank. At the time of our journey, Manchester was a village of around two thousand residents, where we paused briefly for some cool water, and a local told us he usually had to cross the river into Goffstown for his water. But now, as I’ve heard and even seen, it has grown to fourteen thousand residents. From a hill on the road between Goffstown and Hooksett, four miles away, I've seen a thunderstorm pass by and then the sun break through, shining down on a city where I had disembarked nine years earlier in the fields. There proudly flew the flag of its Museum, which featured “the only perfect skeleton of a Greenland or river whale in the United States,” and I also noticed in its directory a “Manchester Athenæum and Gallery of the Fine Arts.”

According to the Gazetteer, the descent of Amoskeag Falls, which are the most considerable in the Merrimack, is fifty-four feet in half a mile. We locked ourselves through here with much ado, surmounting the successive watery steps of this river’s staircase in the midst of a crowd of villagers, jumping into the canal to their amusement, to save our boat from upsetting, and consuming much river-water in our service. Amoskeag, or Namaskeak, is said to mean “great fishing-place.” It was hereabouts that the Sachem Wannalancet resided. Tradition says that his tribe, when at war with the Mohawks, concealed their provisions in the cavities of the rocks in the upper part of these falls. The Indians, who hid their provisions in these holes, and affirmed “that God had cut them out for that purpose,” understood their origin and use better than the Royal Society, who in their Transactions, in the last century, speaking of these very holes, declare that “they seem plainly to be artificial.” Similar “pot-holes” may be seen at the Stone Flume on this river, on the Ottaway, at Bellows’ Falls on the Connecticut, and in the limestone rock at Shelburne Falls on Deerfield River in Massachusetts, and more or less generally about all falls. Perhaps the most remarkable curiosity of this kind in New England is the well-known Basin on the Pemigewasset, one of the head-waters of this river, twenty by thirty feet in extent and proportionably deep, with a smooth and rounded brim, and filled with a cold, pellucid, and greenish water. At Amoskeag the river is divided into many separate torrents and trickling rills by the rocks, and its volume is so much reduced by the drain of the canals that it does not fill its bed. There are many pot-holes here on a rocky island which the river washes over in high freshets. As at Shelburne Falls, where I first observed them, they are from one foot to four or five in diameter, and as many in depth, perfectly round and regular, with smooth and gracefully curved brims, like goblets. Their origin is apparent to the most careless observer. A stone which the current has washed down, meeting with obstacles, revolves as on a pivot where it lies, gradually sinking in the course of centuries deeper and deeper into the rock, and in new freshets receiving the aid of fresh stones, which are drawn into this trap and doomed to revolve there for an indefinite period, doing Sisyphus-like penance for stony sins, until they either wear out, or wear through the bottom of their prison, or else are released by some revolution of nature. There lie the stones of various sizes, from a pebble to a foot or two in diameter, some of which have rested from their labor only since the spring, and some higher up which have lain still and dry for ages,—we noticed some here at least sixteen feet above the present level of the water,—while others are still revolving, and enjoy no respite at any season. In one instance, at Shelburne Falls, they have worn quite through the rock, so that a portion of the river leaks through in anticipation of the fall. Some of these pot-holes at Amoskeag, in a very hard brown-stone, had an oblong, cylindrical stone of the same material loosely fitting them. One, as much as fifteen feet deep and seven or eight in diameter, which was worn quite through to the water, had a huge rock of the same material, smooth but of irregular form, lodged in it. Everywhere there were the rudiments or the wrecks of a dimple in the rock; the rocky shells of whirlpools. As if by force of example and sympathy after so many lessons, the rocks, the hardest material, had been endeavoring to whirl or flow into the forms of the most fluid. The finest workers in stone are not copper or steel tools, but the gentle touches of air and water working at their leisure with a liberal allowance of time.

According to the Gazetteer, the drop at Amoskeag Falls, the largest in the Merrimack, is fifty-four feet over half a mile. We navigated through here with great effort, overcoming the cascading waters of this river's stairs amidst a crowd of villagers, who amused themselves by watching us jump into the canal to keep our boat from capsizing, while we soaked ourselves in river water. Amoskeag, or Namaskeak, is thought to mean “great fishing-place.” It was around here that the Sachem Wannalancet lived. Tradition says that his tribe, during their conflict with the Mohawks, hid their food supplies in the crevices of the rocks at the upper part of these falls. The Indigenous people, who concealed their food in these hollows and claimed “that God had created them for that purpose,” understood their purpose better than the Royal Society, which in their Transactions from the last century stated that “they seem plainly to be artificial.” Similar “pot-holes” can be found at the Stone Flume on this river, on the Ottaway, at Bellows’ Falls on the Connecticut, and in the limestone at Shelburne Falls on the Deerfield River in Massachusetts, appearing more or less generally around all falls. Perhaps the most remarkable curiosity of this type in New England is the well-known Basin on the Pemigewasset, one of the headwaters of this river, measuring twenty by thirty feet in size and proportionally deep, featuring a smooth and rounded edge, filled with cold, clear, greenish water. At Amoskeag, the river splits into many separate torrents and gentle streams due to the rocks, and its flow is reduced significantly by the drainage of the canals, leaving it unable to fill its bed. Here, there are many pot-holes on a rocky island that the river covers during high floods. Much like at Shelburne Falls, where I first saw them, they range from one foot to four or five in diameter, and can be as deep as that, perfectly round and regular, with smooth, elegantly curved edges, resembling goblets. Their origin is clear to even the casual observer. A stone washed down by the current comes across an obstacle and begins to rotate in place, gradually sinking deeper into the rock over centuries. During subsequent floods, fresh stones are also caught in this trap and revolve there indefinitely, endlessly working through their rocky penance, until they either wear away, erode through the bottom of their confinement, or are freed by some natural occurrence. The stones, varying in size from pebbles to one or two feet in diameter, are scattered around; some have only recently stopped moving since the spring, while others have remained still and dry for ages—we noticed some at least sixteen feet above the current water level—while some still spin and find no rest at any time. In one case, at Shelburne Falls, they have worn completely through the rock, leading a portion of the river to seep through before the drop. Some pot-holes at Amoskeag, in very hard brownstone, featured an elongated, cylindrical stone of the same material fitting loosely inside them. One, measuring up to fifteen feet deep and seven or eight across, which was completely worn through to the water, contained a massive, smooth yet irregularly shaped rock of the same material lodged within it. All around, there were signs of or remnants of dimples in the rock; the rocky shells of whirlpools. As if motivated by countless lessons in movement, the rocks, the toughest material, seemed to be trying to swirl or flow into the shapes of the most fluid forms. The best sculptors of stone aren’t copper or steel tools, but the gentle influence of air and water, working at their own pace with ample time to spare.

Not only have some of these basins been forming for countless ages, but others exist which must have been completed in a former geological period. In deepening the Pawtucket Canal, in 1822, the workmen came to ledges with pot-holes in them, where probably was once the bed of the river, and there are some, we are told, in the town of Canaan in this State, with the stones still in them, on the height of land between the Merrimack and Connecticut, and nearly a thousand feet above these rivers, proving that the mountains and the rivers have changed places. There lie the stones which completed their revolutions perhaps before thoughts began to revolve in the brain of man. The periods of Hindoo and Chinese history, though they reach back to the time when the race of mortals is confounded with the race of gods, are as nothing compared with the periods which these stones have inscribed. That which commenced a rock when time was young, shall conclude a pebble in the unequal contest. With such expense of time and natural forces are our very paving-stones produced. They teach us lessons, these dumb workers; verily there are “sermons in stones, and books in the running streams.” In these very holes the Indians hid their provisions; but now there is no bread, but only its old neighbor stones at the bottom. Who knows how many races they have served thus? By as simple a law, some accidental by-law, perchance, our system itself was made ready for its inhabitants.

Not only have some of these basins been forming for countless ages, but others were completed in a previous geological period. While deepening the Pawtucket Canal in 1822, the workers found ledges with pot-holes, which likely used to be the riverbed. We’re also told that there are similar pot-holes in the town of Canaan in this State, with stones still inside them, located on the ridge between the Merrimack and Connecticut Rivers, almost a thousand feet above them, showing that the mountains and rivers have switched places. There lie the stones that completed their journey perhaps long before human thought ever began. The timeframes of Hindu and Chinese history, even though they trace back to when humans mingled with gods, pale in comparison to the time these stones have marked. What began as a rock when time was young will end as a pebble in this uneven battle. Such a lengthy process and immense natural forces have produced even our paving stones. These silent workers teach us lessons; indeed, there are “sermons in stones, and books in the running streams.” In these very holes, the Native Americans hid their food, but now there’s no bread, only the old neighboring stones at the bottom. Who knows how many cultures they’ve served this way? By some simple law, perhaps an accidental by-law, our system was made ready for its inhabitants.

These, and such as these, must be our antiquities, for lack of human vestiges. The monuments of heroes and the temples of the gods which may once have stood on the banks of this river are now, at any rate, returned to dust and primitive soil. The murmur of unchronicled nations has died away along these shores, and once more Lowell and Manchester are on the trail of the Indian.

These, and things like them, must be our ancient relics, since there are no more human traces. The monuments of heroes and the temples of the gods that may have once stood by this river are now, in any case, reduced to dust and basic soil. The whispers of unknown nations have faded along these shores, and again Lowell and Manchester are following the path of the Native American.

The fact that Romans once inhabited her reflects no little dignity on Nature herself; that from some particular hill the Roman once looked out on the sea. She need not be ashamed of the vestiges of her children. How gladly the antiquary informs us that their vessels penetrated into this frith, or up that river of some remote isle! Their military monuments still remain on the hills and under the sod of the valleys. The oft-repeated Roman story is written in still legible characters in every quarter of the Old World, and but to-day, perchance, a new coin is dug up whose inscription repeats and confirms their fame. Some “Judæa Capta” with a woman mourning under a palm-tree, with silent argument and demonstration confirms the pages of history.

The fact that Romans once lived here adds a lot of dignity to Nature herself; from a specific hill, a Roman would have looked out at the sea. She shouldn't be embarrassed by the traces of her children. How happily the historian tells us that their ships traveled into this bay or up that river of some distant island! Their military monuments are still present on the hills and beneath the soil of the valleys. The well-known Roman story is still clearly marked in every part of the Old World, and just today, perhaps, a new coin is found with an inscription that reaffirms their legacy. Some “Judea Capta” featuring a woman mourning under a palm tree quietly reinforces the pages of history.

“Rome living was the world’s sole ornament;
And dead is now the world’s sole monument.
     *     *     *     *     *
With her own weight down pressed now she lies,
And by her heaps her hugeness testifies.”

“Living in Rome was the only decoration in the world;
And now the world’s only monument is in ruins.
     *     *     *     *     *
Now she lies pressed down by her own weight,
And her massive remains testify to her greatness.”

If one doubts whether Grecian valor and patriotism are not a fiction of the poets, he may go to Athens and see still upon the walls of the temple of Minerva the circular marks made by the shields taken from the enemy in the Persian war, which were suspended there. We have not far to seek for living and unquestionable evidence. The very dust takes shape and confirms some story which we had read. As Fuller said, commenting on the zeal of Camden, “A broken urn is a whole evidence; or an old gate still surviving out of which the city is run out.” When Solon endeavored to prove that Salamis had formerly belonged to the Athenians, and not to the Megareans, he caused the tombs to be opened, and showed that the inhabitants of Salamis turned the faces of their dead to the same side with the Athenians, but the Megareans to the opposite side. There they were to be interrogated.

If you question whether Greek bravery and patriotism are just a creation of poets, you can visit Athens and see on the walls of the temple of Minerva the circular marks made by the shields taken from the enemy during the Persian war, which were displayed there. We don't need to look far for clear evidence. The very dust takes shape and confirms stories we've read. As Fuller commented on Camden's enthusiasm, “A broken urn is complete evidence; or an old gate still standing through which the city has emptied.” When Solon tried to prove that Salamis used to belong to the Athenians rather than the Megareans, he had the tombs opened and demonstrated that the people of Salamis faced their dead in the same direction as the Athenians, while the Megareans faced them the other way. They were about to be questioned.

Some minds are as little logical or argumentative as nature; they can offer no reason or “guess,” but they exhibit the solemn and incontrovertible fact. If a historical question arises, they cause the tombs to be opened. Their silent and practical logic convinces the reason and the understanding at the same time. Of such sort is always the only pertinent question and the only satisfactory reply.

Some minds are as illogical or unarguable as nature; they can't provide any reason or "guess," but they show the serious and undeniable truth. When a historical question comes up, they make the tombs open. Their quiet and practical reasoning convinces both reason and understanding at the same time. Such minds always have the only relevant question and the only satisfying answer.

Our own country furnishes antiquities as ancient and durable, and as useful, as any; rocks at least as well covered with lichens, and a soil which, if it is virgin, is but virgin mould, the very dust of nature. What if we cannot read Rome, or Greece, Etruria, or Carthage, or Egypt, or Babylon, on these; are our cliffs bare? The lichen on the rocks is a rude and simple shield which beginning and imperfect Nature suspended there. Still hangs her wrinkled trophy. And here too the poet’s eye may still detect the brazen nails which fastened Time’s inscriptions, and if he has the gift, decipher them by this clew. The walls that fence our fields, as well as modern Rome, and not less the Parthenon itself, are all built of ruins. Here may be heard the din of rivers, and ancient winds which have long since lost their names sough through our woods;—the first faint sounds of spring, older than the summer of Athenian glory, the titmouse lisping in the wood, the jay’s scream, and blue-bird’s warble, and the hum of

Our country has ancient relics that are just as old, sturdy, and valuable as any others; rocks that are covered with lichens, and soil that, even if untouched, is just natural earth, the very dust of nature. So what if we can’t read about Rome, Greece, Etruria, Carthage, Egypt, or Babylon in these things; are our cliffs empty? The lichen on the rocks is a rough and simple shield that early and imperfect Nature left behind. It still displays its wrinkled trophy. And here too, a poet’s eye can still see the bronze nails that held Time’s messages, and if he’s talented enough, he can decode them by this hint. The walls that enclose our fields, just like modern Rome, and just as much the Parthenon itself, are all made of ruins. You can hear the noise of rivers, and ancient winds that have long lost their names, whispering through our woods; the first soft sounds of spring, older than the height of Athenian glory, the titmouse chirping in the woods, the jay shouting, and the bluebird singing, and the buzz of

            “bees that fly
About the laughing blossoms of sallowy.”

“Bees that fly
Around the laughing blossoms of pale yellow.”

Here is the gray dawn for antiquity, and our to-morrow’s future should be at least paulo-post to theirs which we have put behind us. There are the red-maple and birchen leaves, old runes which are not yet deciphered; catkins, pine-cones, vines, oak-leaves, and acorns; the very things themselves, and not their forms in stone,—so much the more ancient and venerable. And even to the current summer there has come down tradition of a hoary-headed master of all art, who once filled every field and grove with statues and god-like architecture, of every design which Greece has lately copied; whose ruins are now mingled with the dust, and not one block remains upon another. The century sun and unwearied rain have wasted them, till not one fragment from that quarry now exists; and poets perchance will feign that gods sent down the material from heaven.

Here is the gray dawn for the past, and our tomorrow's future should be at least a bit ahead of theirs that we’ve left behind. There are the red maple and birch leaves, ancient symbols that are still not understood; catkins, pine cones, vines, oak leaves, and acorns; the actual items themselves, not just their shapes in stone—much more ancient and respected. And even this current summer carries on the tradition of a wise old master of all arts, who once filled every field and grove with statues and god-like architecture, of every design that Greece has recently copied; whose ruins are now mixed with the dust, and not a single stone remains on another. The passing sun and endless rain have worn them away, until not a single piece from that site exists anymore; and poets might just pretend that the gods sent down the material from the heavens.

What though the traveller tell us of the ruins of Egypt, are we so sick or idle, that we must sacrifice our America and to-day to some man’s ill-remembered and indolent story? Carnac and Luxor are but names, or if their skeletons remain, still more desert sand, and at length a wave of the Mediterranean Sea are needed to wash away the filth that attaches to their grandeur. Carnac! Carnac! here is Carnac for me. I behold the columns of a larger and purer temple.

What if the traveler tells us about the ruins of Egypt? Are we so sick or lazy that we have to give up our America and our present for some guy’s poorly remembered and lazy story? Carnac and Luxor are just names, and even if their remains still exist, they’re just more desert sand. Eventually, we need a wave from the Mediterranean Sea to wash away the dirt that clings to their greatness. Carnac! Carnac! This is what I see as Carnac. I envision the columns of a larger and purer temple.

This is my Carnac, whose unmeasured dome
Shelters the measuring art and measurer’s home.
Behold these flowers, let us be up with time,
Not dreaming of three thousand years ago,
Erect ourselves and let those columns lie,
Not stoop to raise a foil against the sky.
Where is the spirit of that time but in
This present day, perchance the present line?
Three thousand years ago are not agone,
They are still lingering in this summer morn,
And Memnon’s Mother sprightly greets us now,
Wearing her youthful radiance on her brow.
If Carnac’s columns still stand on the plain,
To enjoy our opportunities they remain.

This is my Carnac, whose vast dome
Houses the measuring art and the measurer’s home.
Check out these flowers, let’s keep up with the times,
Not lost in thoughts of three thousand years ago,
Let’s stand tall and leave those columns where they are,
Not bow down to push back against the sky.
Where is the spirit of that time if not in
This present day, maybe in this present line?
Three thousand years ago aren’t far away,
They’re still hanging around this summer morning,
And Memnon’s Mother cheerfully greets us now,
Wearing her youthful glow on her brow.
If Carnac’s columns still stand on the ground,
They’re here for us to take advantage of our chances.

In these parts dwelt the famous Sachem Pasaconaway, who was seen by Gookin “at Pawtucket, when he was about one hundred and twenty years old.” He was reputed a wise man and a powwow, and restrained his people from going to war with the English. They believed “that he could make water burn, rocks move, and trees dance, and metamorphose himself into a flaming man; that in winter he could raise a green leaf out of the ashes of a dry one, and produce a living snake from the skin of a dead one, and many similar miracles.” In 1660, according to Gookin, at a great feast and dance, he made his farewell speech to his people, in which he said, that as he was not likely to see them met together again, he would leave them this word of advice, to take heed how they quarrelled with their English neighbors, for though they might do them much mischief at first, it would prove the means of their own destruction. He himself, he said, had been as much an enemy to the English at their first coming as any, and had used all his arts to destroy them, or at least to prevent their settlement, but could by no means effect it. Gookin thought that he “possibly might have such a kind of spirit upon him as was upon Balaam, who in xxiii. Numbers, 23, said ‘Surely, there is no enchantment against Jacob, neither is there any divination against Israel.’” His son Wannalancet carefully followed his advice, and when Philip’s War broke out, he withdrew his followers to Penacook, now Concord in New Hampshire, from the scene of the war. On his return afterwards, he visited the minister of Chelmsford, and, as is stated in the history of that town, “wished to know whether Chelmsford had suffered much during the war; and being informed that it had not, and that God should be thanked for it, Wannalancet replied, ‘Me next.’”

In this region lived the famous Sachem Pasaconaway, who was seen by Gookin “at Pawtucket, when he was about one hundred and twenty years old.” He was known to be a wise man and a powwow, who kept his people from going to war with the English. They believed “that he could make water burn, rocks move, and trees dance, and transform himself into a flaming man; that in winter he could bring a green leaf out of the ashes of a dry one, and create a living snake from the skin of a dead one, along with many similar miracles.” In 1660, according to Gookin, at a big feast and dance, he delivered his farewell speech to his people, saying that since he was unlikely to see them gathered together again, he would offer them this piece of advice: to be careful about quarreling with their English neighbors, because even though they might inflict harm at first, it would ultimately lead to their own destruction. He admitted that he had been just as much an enemy to the English when they first arrived as anyone else, and had tried every means to destroy them or at least stop their settlement, but he couldn’t achieve that. Gookin suggested that he “possibly had a kind of spirit upon him like Balaam, who in xxiii. Numbers, 23, said ‘Surely, there is no enchantment against Jacob, neither is there any divination against Israel.’” His son Wannalancet took his advice seriously, and when Philip’s War broke out, he led his followers to Penacook, now Concord in New Hampshire, away from the conflict. Later, when he returned, he visited the minister of Chelmsford, and as recorded in the history of that town, “asked if Chelmsford had suffered much during the war; and when told that it had not, and that God should be thanked for it, Wannalancet replied, ‘Me next.’”

Manchester was the residence of John Stark, a hero of two wars, and survivor of a third, and at his death the last but one of the American generals of the Revolution. He was born in the adjoining town of Londonderry, then Nutfield, in 1728. As early as 1752, he was taken prisoner by the Indians while hunting in the wilderness near Baker’s River; he performed notable service as a captain of rangers in the French war; commanded a regiment of the New Hampshire militia at the battle of Bunker Hill; and fought and won the battle of Bennington in 1777. He was past service in the last war, and died here in 1822, at the age of 94. His monument stands upon the second bank of the river, about a mile and a half above the falls, and commands a prospect several miles up and down the Merrimack. It suggested how much more impressive in the landscape is the tomb of a hero than the dwellings of the inglorious living. Who is most dead,—a hero by whose monument you stand, or his descendants of whom you have never heard?

Manchester was the home of John Stark, a hero of two wars and a survivor of a third, and at his death, he was the second to last of the American generals from the Revolution. He was born in the neighboring town of Londonderry, then called Nutfield, in 1728. As early as 1752, he was captured by the Indians while hunting in the wilderness near Baker’s River; he served notably as a captain of rangers during the French war; commanded a regiment of the New Hampshire militia at the Battle of Bunker Hill; and fought and won the Battle of Bennington in 1777. He had already served in the last war and died here in 1822 at the age of 94. His monument stands on the second bank of the river, about a mile and a half upstream from the falls, and offers a view several miles up and down the Merrimack. It highlights how much more impressive a hero's grave is in the landscape compared to the homes of the unremarkable living. Who is more dead—a hero whose monument you stand beside or his descendants whom you've never heard of?

The graves of Pasaconaway and Wannalancet are marked by no monument on the bank of their native river.

The graves of Pasaconaway and Wannalancet aren't marked by any monument along the bank of their home river.

Every town which we passed, if we may believe the Gazetteer, had been the residence of some great man. But though we knocked at many doors, and even made particular inquiries, we could not find that there were any now living. Under the head of Litchfield we read:—

Every town we passed through, if we can trust the Gazetteer, was once home to some notable figure. But even though we knocked on many doors and made specific inquiries, we couldn't find anyone living there now. Under the section for Litchfield, we read:—

“The Hon. Wyseman Clagett closed his life in this town.” According to another, “He was a classical scholar, a good lawyer, a wit, and a poet.” We saw his old gray house just below Great Nesenkeag Brook.—Under the head of Merrimack: “Hon. Mathew Thornton, one of the signers of the Declaration of American Independence, resided many years in this town.” His house too we saw from the river.—“Dr. Jonathan Gove, a man distinguished for his urbanity, his talents and professional skill, resided in this town [Goffstown]. He was one of the oldest practitioners of medicine in the county. He was many years an active member of the legislature.”—“Hon. Robert Means, who died Jan. 24, 1823, at the age of 80, was for a long period a resident in Amherst. He was a native of Ireland. In 1764 he came to this country, where, by his industry and application to business, he acquired a large property, and great respect.”—“William Stinson [one of the first settlers of Dunbarton], born in Ireland, came to Londonderry with his father. He was much respected and was a useful man. James Rogers was from Ireland, and father to Major Robert Rogers. He was shot in the woods, being mistaken for a bear.”—“Rev. Matthew Clark, second minister of Londonderry, was a native of Ireland, who had in early life been an officer in the army, and distinguished himself in the defence of the city of Londonderry, when besieged by the army of King James II. A. D. 1688-9. He afterwards relinquished a military life for the clerical profession. He possessed a strong mind, marked by a considerable degree of eccentricity. He died Jan. 25, 1735, and was borne to the grave, at his particular request, by his former companions in arms, of whom there were a considerable number among the early settlers of this town; several of them had been made free from taxes throughout the British dominions by King William, for their bravery in that memorable siege.”—Col. George Reid and Capt. David M’Clary, also citizens of Londonderry, were “distinguished and brave” officers.—“Major Andrew M’Clary, a native of this town [Epsom], fell at the battle of Breed’s Hill.”—Many of these heroes, like the illustrious Roman, were ploughing when the news of the massacre at Lexington arrived, and straightway left their ploughs in the furrow, and repaired to the scene of action. Some miles from where we now were, there once stood a guide-post on which were the words, “3 miles to Squire MacGaw’s.”

“The Hon. Wyseman Clagett passed away in this town.” According to another source, “He was a classic scholar, a good lawyer, a wit, and a poet.” We saw his old gray house just below Great Nesenkeag Brook.—Under Merrimack: “Hon. Mathew Thornton, one of the signers of the Declaration of American Independence, lived in this town for many years.” His house was also visible from the river.—“Dr. Jonathan Gove, known for his friendliness, talent, and professional skill, lived in this town [Goffstown]. He was one of the oldest medical practitioners in the county and served as an active member of the legislature for many years.”—“Hon. Robert Means, who died on Jan. 24, 1823, at the age of 80, was a long-time resident of Amherst. He was originally from Ireland. In 1764, he came to this country and, through hard work and dedication, built up a considerable fortune and gained great respect.”—“William Stinson [one of the first settlers of Dunbarton], born in Ireland, came to Londonderry with his father. He was well-respected and was a valuable member of the community. James Rogers was from Ireland and was the father of Major Robert Rogers. He was shot in the woods after being mistaken for a bear.”—“Rev. Matthew Clark, the second minister of Londonderry, was born in Ireland and had previously served as an officer in the army, gaining recognition for his defense of Londonderry during the siege by King James II’s army in 1688-89. He later left military life for the clergy. He had a strong, though somewhat eccentric, mind. He died on Jan. 25, 1735, and, at his request, was carried to his grave by his former comrades in arms, many of whom were among the early settlers of this town; several had been exempted from taxes in all British territories by King William for their bravery during that famous siege.”—Col. George Reid and Capt. David M’Clary, also residents of Londonderry, were “distinguished and brave” officers.—“Major Andrew M’Clary, a native of this town [Epsom], fell in the battle of Breed’s Hill.”—Many of these heroes, like the renowned Roman, were plowing when they heard the news of the massacre at Lexington and immediately left their plows in the field to head to the site of the conflict. A few miles from where we were, there used to be a guidepost that read, “3 miles to Squire MacGaw’s.”

But generally speaking, the land is now, at any rate, very barren of men, and we doubt if there are as many hundreds as we read of. It may be that we stood too near.

But generally speaking, the land is now, at any rate, very barren of men, and we doubt if there are as many hundreds as we read of. It may be that we stood too near.

Uncannunuc Mountain in Goffstown was visible from Amoskeag, five or six miles westward. It is the north-easternmost in the horizon, which we see from our native town, but seen from there is too ethereally blue to be the same which the like of us have ever climbed. Its name is said to mean “The Two Breasts,” there being two eminences some distance apart. The highest, which is about fourteen hundred feet above the sea, probably affords a more extensive view of the Merrimack valley and the adjacent country than any other hill, though it is somewhat obstructed by woods. Only a few short reaches of the river are visible, but you can trace its course far down stream by the sandy tracts on its banks.

Uncannunuc Mountain in Goffstown was visible from Amoskeag, about five or six miles to the west. It's the northeasternmost peak on the horizon that we can see from our hometown, but it looks too ethereal and blue to be the same mountain that people like us have ever climbed. Its name is said to mean “The Two Breasts,” due to two peaks that are some distance apart. The highest peak, which is about fourteen hundred feet above sea level, likely offers a wider view of the Merrimack Valley and the surrounding area than any other hill, even though it's somewhat blocked by trees. You can see only a few short stretches of the river, but you can follow its path downstream by the sandy areas along its banks.

A little south of Uncannunuc, about sixty years ago, as the story goes, an old woman who went out to gather pennyroyal, tript her foot in the bail of a small brass kettle in the dead grass and bushes. Some say that flints and charcoal and some traces of a camp were also found. This kettle, holding about four quarts, is still preserved and used to dye thread in. It is supposed to have belonged to some old French or Indian hunter, who was killed in one of his hunting or scouting excursions, and so never returned to look after his kettle.

A little south of Uncannunuc, about sixty years ago, as the story goes, an old woman who went out to gather pennyroyal tripped over the handle of a small brass kettle in the dry grass and bushes. Some say that flint, charcoal, and some evidence of a camp were also found. This kettle, which holds about four quarts, is still kept and used for dyeing thread. It’s believed to have belonged to an old French or Indian hunter who was killed during one of his hunting or scouting trips and never came back to collect his kettle.

But we were most interested to hear of the pennyroyal, it is soothing to be reminded that wild nature produces anything ready for the use of man. Men know that something is good. One says that it is yellow-dock, another that it is bitter-sweet, another that it is slippery-elm bark, burdock, catnip, calamint, elicampane, thoroughwort, or pennyroyal. A man may esteem himself happy when that which is his food is also his medicine. There is no kind of herb, but somebody or other says that it is good. I am very glad to hear it. It reminds me of the first chapter of Genesis. But how should they know that it is good? That is the mystery to me. I am always agreeably disappointed; it is incredible that they should have found it out. Since all things are good, men fail at last to distinguish which is the bane, and which the antidote. There are sure to be two prescriptions diametrically opposite. Stuff a cold and starve a cold are but two ways. They are the two practices both always in full blast. Yet you must take advice of the one school as if there was no other. In respect to religion and the healing art, all nations are still in a state of barbarism. In the most civilized countries the priest is still but a Powwow, and the physician a Great Medicine. Consider the deference which is everywhere paid to a doctor’s opinion. Nothing more strikingly betrays the credulity of mankind than medicine. Quackery is a thing universal, and universally successful. In this case it becomes literally true that no imposition is too great for the credulity of men. Priests and physicians should never look one another in the face. They have no common ground, nor is there any to mediate between them. When the one comes, the other goes. They could not come together without laughter, or a significant silence, for the one’s profession is a satire on the other’s, and either’s success would be the other’s failure. It is wonderful that the physician should ever die, and that the priest should ever live. Why is it that the priest is never called to consult with the physician? Is it because men believe practically that matter is independent of spirit. But what is quackery? It is commonly an attempt to cure the diseases of a man by addressing his body alone. There is need of a physician who shall minister to both soul and body at once, that is, to man. Now he falls between two souls.

But we were really curious to hear about pennyroyal; it's comforting to remember that nature provides things ready for human use. People know that something is good. One person claims it’s yellow-dock, another says it’s bitter-sweet, someone else argues for slippery-elm bark, burdock, catnip, calamint, elicampane, thoroughwort, or pennyroyal. A person can feel fortunate when what feeds them is also their medicine. There’s no type of herb that someone doesn’t claim is beneficial. I’m genuinely glad to hear it. It reminds me of the first chapter of Genesis. But how do they know it’s good? That’s the mystery to me. I’m always pleasantly surprised; it's unbelievable that they figured it out. Since everything is good, people eventually struggle to tell which is harmful and which is a remedy. There are definitely two opposing prescriptions. "Stuff a cold" and "starve a cold" are just two approaches. They are both commonly practiced. Yet you have to follow the advice of one school as if there were no other. In terms of religion and medicine, all cultures are still somewhat primitive. Even in the most advanced societies, the priest is just a kind of shaman, and the doctor is like a great healer. Look at the respect given to a doctor's opinions. Nothing reveals human gullibility more than medicine. Quackery is widespread and universally successful. In this case, it’s literally true that no trick is too large for human credulity. Priests and doctors should never face each other. They have no common ground, nor is there anything to mediate between them. When one arrives, the other leaves. They couldn’t meet without laughter or a significant silence, as one’s profession mocks the other’s, and the success of one would mean the failure of the other. It’s remarkable that doctors ever die, and that priests ever live. Why is the priest never called to consult with the doctor? Is it because people practically believe that matter is separate from spirit? But what is quackery? It’s usually an attempt to cure a person’s ailments by only addressing their body. There’s a need for a physician who treats both the soul and the body at the same time—that is, the whole person. Now they find themselves caught between two souls.

After passing through the locks, we had poled ourselves through the canal here, about half a mile in length, to the boatable part of the river. Above Amoskeag the river spreads out into a lake reaching a mile or two without a bend. There were many canal-boats here bound up to Hooksett, about eight miles, and as they were going up empty with a fair wind, one boatman offered to take us in tow if we would wait. But when we came alongside, we found that they meant to take us on board, since otherwise we should clog their motions too much; but as our boat was too heavy to be lifted aboard, we pursued our way up the stream, as before, while the boatmen were at their dinner, and came to anchor at length under some alders on the opposite shore, where we could take our lunch. Though far on one side, every sound was wafted over to us from the opposite bank, and from the harbor of the canal, and we could see everything that passed. By and by came several canal-boats, at intervals of a quarter of a mile, standing up to Hooksett with a light breeze, and one by one disappeared round a point above. With their broad sails set, they moved slowly up the stream in the sluggish and fitful breeze, like one-winged antediluvian birds, and as if impelled by some mysterious counter-current. It was a grand motion, so slow and stately, this “standing out,” as the phrase is, expressing the gradual and steady progress of a vessel, as if it were by mere rectitude and disposition, without shuffling. Their sails, which stood so still, were like chips cast into the current of the air to show which way it set. At length the boat which we had spoken came along, keeping the middle of the stream, and when within speaking distance the steersman called out ironically to say, that if we would come alongside now he would take us in tow; but not heeding his taunt, we still loitered in the shade till we had finished our lunch, and when the last boat had disappeared round the point with flapping sail, for the breeze had now sunk to a zephyr, with our own sails set, and plying our oars, we shot rapidly up the stream in pursuit, and as we glided close alongside, while they were vainly invoking Æolus to their aid, we returned their compliment by proposing, if they would throw us a rope, to “take them in tow,” to which these Merrimack sailors had no suitable answer ready. Thus we gradually overtook and passed each boat in succession until we had the river to ourselves again.

After we went through the locks, we navigated the half-mile-long canal to get to the boatable part of the river. Above Amoskeag, the river opens up into a lake that stretches a mile or two straight without a bend. There were several canal boats here heading to Hooksett, about eight miles away, and since they were empty and had a good wind, one boatman offered to tow us if we waited. But when we got closer, we realized they wanted us to come aboard, as otherwise, we would slow them down too much. However, our boat was too heavy to lift onboard, so we continued up the stream on our own while the boatmen had their lunch. Eventually, we anchored under some alders on the opposite shore to eat our own lunch. Even though we were far away, we could hear every sound drifting over from the other bank and from the canal harbor, and we could see everything happening. Soon, several canal boats came by at quarter-mile intervals, heading towards Hooksett with a light breeze, and one by one they disappeared around a bend. With their wide sails up, they moved slowly upriver in the sluggish breeze, looking like ancient birds with one wing, as if some mysterious current was pushing them along. It was a magnificent sight, so slow and dignified, this “standing out,” a term that communicates the gradual progress of a vessel as if moving with perfect alignment, without any jerky motion. Their sails, which stood motionless, resembled chips tossed into the air to indicate the wind’s direction. Eventually, the boat we had talked to arrived, keeping to the middle of the stream. When they were within earshot, the steersman called out sarcastically, saying he would take us in tow if we came alongside now. Ignoring his taunt, we stayed in the shade until we finished our lunch. When the last boat vanished around the bend and the breeze had calmed to a gentle wind, we set our own sails and rowed rapidly upstream in pursuit. As we glided alongside them, while they were unsuccessfully calling on the wind for help, we returned the favor by suggesting that if they tossed us a rope, we would “tow them," to which the Merrimack sailors had no suitable response. Gradually, we caught up with and passed each boat until we had the river to ourselves again.

Our course this afternoon was between Manchester and Goffstown.

Our route this afternoon was between Manchester and Goffstown.

——————

Understood. Please provide the text for modernizing.

While we float here, far from that tributary stream on whose banks our Friends and kindred dwell, our thoughts, like the stars, come out of their horizon still; for there circulates a finer blood than Lavoisier has discovered the laws of,—the blood, not of kindred merely, but of kindness, whose pulse still beats at any distance and forever.

While we drift here, far from that little stream where our friends and family live, our thoughts, like the stars, always emerge beyond their limits; because there flows a deeper connection than Lavoisier ever identified—the connection not just of family, but of kindness, whose heartbeat continues at any distance and for all time.

True kindness is a pure divine affinity,
Not founded upon human consanguinity.
It is a spirit, not a blood relation,
Superior to family and station.

True kindness is a genuine connection,
Not based on human family ties.
It’s a spirit, not just blood relations,
Greater than family and social status.

After years of vain familiarity, some distant gesture or unconscious behavior, which we remember, speaks to us with more emphasis than the wisest or kindest words. We are sometimes made aware of a kindness long passed, and realize that there have been times when our Friends’ thoughts of us were of so pure and lofty a character that they passed over us like the winds of heaven unnoticed; when they treated us not as what we were, but as what we aspired to be. There has just reached us, it may be, the nobleness of some such silent behavior, not to be forgotten, not to be remembered, and we shudder to think how it fell on us cold, though in some true but tardy hour we endeavor to wipe off these scores.

After years of familiar indifference, a distant gesture or unconscious act that we remember speaks to us more powerfully than the wisest or kindest words. Sometimes, we become aware of a kindness from the past and realize there were times when our friends thought of us in such pure and elevated ways that it passed over us like the winds of heaven, unnoticed; they treated us not as we were, but as we wanted to be. Perhaps we've just become aware of the nobility in some of these silent actions, which shouldn’t be forgotten nor intentionally remembered, and we shudder at how they reached us coldly, even though, in some genuine yet delayed moment, we try to make amends for these past misunderstandings.

In my experience, persons, when they are made the subject of conversation, though with a Friend, are commonly the most prosaic and trivial of facts. The universe seems bankrupt as soon as we begin to discuss the character of individuals. Our discourse all runs to slander, and our limits grow narrower as we advance. How is it that we are impelled to treat our old Friends so ill when we obtain new ones? The housekeeper says, I never had any new crockery in my life but I began to break the old. I say, let us speak of mushrooms and forest trees rather. Yet we can sometimes afford to remember them in private.

In my experience, when people become the topic of conversation, even with a friend, the details tend to be dull and uninteresting. The universe feels empty the moment we start talking about individual personalities. Our conversations usually turn to gossip, and our discussions become more restricted as we go on. Why do we feel the need to treat our old friends poorly when we make new ones? The housekeeper says, “I’ve never gotten new dishes without starting to break the old ones.” I say, let’s talk about mushrooms and trees instead. Still, sometimes we can allow ourselves to think about them in private.

Lately, alas, I knew a gentle boy,
    Whose features all were cast in Virtue’s mould,
As one she had designed for Beauty’s toy,
    But after manned him for her own strong-hold.

On every side he open was as day,
    That you might see no lack of strength within,
For walls and ports do only serve alway
    For a pretence to feebleness and sin.

Say not that Cæsar was victorious,
    With toil and strife who stormed the House of Fame,
In other sense this youth was glorious,
    Himself a kingdom wheresoe’er he came.

No strength went out to get him victory,
    When all was income of its own accord;
For where he went none other was to see,
    But all were parcel of their noble lord.

He forayed like the subtile haze of summer,
    That stilly shows fresh landscapes to our eyes,
And revolutions works without a murmur,
    Or rustling of a leaf beneath the skies.

So was I taken unawares by this,
    I quite forgot my homage to confess;
Yet now am forced to know, though hard it is,
    I might have loved him had I loved him less.

Each moment as we nearer drew to each,
    A stern respect withheld us farther yet,
So that we seemed beyond each other’s reach,
    And less acquainted than when first we met.

We two were one while we did sympathize,
    So could we not the simplest bargain drive;
And what avails it now that we are wise,
    If absence doth this doubleness contrive?

Eternity may not the chance repeat,
    But I must tread my single way alone,
In sad remembrance that we once did meet,
    And know that bliss irrevocably gone.

The spheres henceforth my elegy shall sing,
    For elegy has other subject none;
Each strain of music in my ears shall ring
    Knell of departure from that other one.

Make haste and celebrate my tragedy;
    With fitting strain resound ye woods and fields;
Sorrow is dearer in such case to me
    Than all the joys other occasion yields.

—————

Is’t then too late the damage to repair?
    Distance, forsooth, from my weak grasp hath reft
The empty husk, and clutched the useless tare,
    But in my hands the wheat and kernel left.

If I but love that virtue which he is,
    Though it be scented in the morning air,
Still shall we be truest acquaintances,
    Nor mortals know a sympathy more rare.

Lately, unfortunately, I met a kind boy,
    Whose features were all shaped by Virtue’s design,
As one she intended for Beauty’s plaything,
    But then made him her own stronghold.

He was open as the day on every side,
    So you could see no lack of strength within,
For walls and barriers only serve
    As a cover for weakness and sin.

Don’t say that Cæsar was victorious,
    Who fought hard to storm the House of Fame,
In another way, this youth was glorious,
    Himself a kingdom wherever he went.

No effort was needed to achieve victory,
    When everything was simply his by right;
For where he went, no one else was seen,
    But all were part of their noble lord.

He moved like the subtle summer haze,
    That quietly reveals fresh landscapes to our eyes,
And creates changes without a sound,
    Or rustling of a leaf beneath the skies.

So I was caught off guard by this,
    I completely forgot to show my respect;
Yet now I’m forced to face the truth, though it’s hard,
    I might have loved him had I loved him less.

Each moment we got closer to each other,
    A stern respect kept us at a distance,
So we seemed beyond each other’s reach,
    And less familiar than when we first met.

We were one while we felt a connection,
    Yet we couldn’t even make the simplest deal;
And what good is it now that we are wise,
    If absence has created this distance?

Eternity may not repeat this chance,
    But I must walk my path alone,
In sad remembrance that we once met,
    And know that happiness is irrevocably gone.

The heavens will henceforth sing my elegy,
    For elegy has no other subject;
Each note of music in my ears will echo
    The toll of departure from that other one.

Hurry and celebrate my tragedy;
    With fitting tunes resound the woods and fields;
Sorrow is dearer in this case to me
    Than all the joys that other occasions bring.

—————

Is it then too late to fix the damage?
    Distance, indeed, has taken from my weak grasp
The empty shell and grabbed the useless husk,
    But in my hands, it left the wheat and kernel.

If I simply love that virtue that he embodies,
    Even if it’s scented in the morning air,
We will still be the truest acquaintances,
    And no mortals know a sympathy more rare.

Friendship is evanescent in every man’s experience, and remembered like heat lightning in past summers. Fair and flitting like a summer cloud;—there is always some vapor in the air, no matter how long the drought; there are even April showers. Surely from time to time, for its vestiges never depart, it floats through our atmosphere. It takes place, like vegetation in so many materials, because there is such a law, but always without permanent form, though ancient and familiar as the sun and moon, and as sure to come again. The heart is forever inexperienced. They silently gather as by magic, these never failing, never quite deceiving visions, like the bright and fleecy clouds in the calmest and clearest days. The Friend is some fair floating isle of palms eluding the mariner in Pacific seas. Many are the dangers to be encountered, equinoctial gales and coral reefs, ere he may sail before the constant trades. But who would not sail through mutiny and storm, even over Atlantic waves, to reach the fabulous retreating shores of some continent man? The imagination still clings to the faintest tradition of

Friendship is fleeting in everyone's life, remembered like flashes of heat lightning from past summers. It's as beautiful and passing as a summer cloud; there’s always some humidity in the air, no matter how long the dry spell lasts; there are even April showers. Surely, from time to time, it lingers in our atmosphere, as its traces never really go away. It appears, like plants in various materials, because that's just how it is, but it always lacks a permanent form, though it’s as ancient and familiar as the sun and moon and just as certain to return. The heart remains forever naive. These visions gather silently, almost magically, never fully misleading us, like bright, fluffy clouds on the calmest, clearest days. A friend is like a beautiful, elusive island of palm trees to a sailor in the Pacific. There are many dangers to face, like stormy gales and treacherous reefs, before he can sail with the steady winds. But who wouldn’t brave mutiny and storms, even crossing the Atlantic, to reach the enchanting shores of some land? The imagination still holds on to the faintest echoes of

THE ATLANTIDES.

The smothered streams of love, which flow
More bright than Phlegethon, more low,
Island us ever, like the sea,
In an Atlantic mystery.
Our fabled shores none ever reach,
No mariner has found our beach,
Scarcely our mirage now is seen,
And neighboring waves with floating green,
Yet still the oldest charts contain
Some dotted outline of our main;
In ancient times midsummer days
Unto the western islands’ gaze,
To Teneriffe and the Azores,
Have shown our faint and cloud-like shores.

But sink not yet, ye desolate isles,
Anon your coast with commerce smiles,
And richer freights ye’ll furnish far
Than Africa or Malabar.
Be fair, be fertile evermore,
Ye rumored but untrodden shore,
Princes and monarchs will contend
Who first unto your land shall send,
And pawn the jewels of the crown
To call your distant soil their own.

The hidden streams of love, which flow
Brighter than Phlegethon, deeper,
Surround us forever, like the sea,
In an Atlantic mystery.
Our legendary shores that no one can reach,
No sailor has discovered our beach,
Barely our illusion is seen now,
And nearby waves with floating green,
Yet still the oldest maps have
Some sketchy outline of our land;
In ancient times, midsummer days
To the western islands’ view,
To Tenerife and the Azores,
Have revealed our faint and misty shores.

But don’t fade yet, you lonely isles,
Soon your coast will be welcoming commerce,
And you’ll provide richer cargoes far
Than Africa or Malabar.
Be beautiful, be fertile forever,
You rumored but untouched shore,
Kings and rulers will compete
To see who first sends ships to your land,
And offer the jewels of their crowns
To claim your distant soil as their own.

Columbus has sailed westward of these isles by the mariner’s compass, but neither he nor his successors have found them. We are no nearer than Plato was. The earnest seeker and hopeful discoverer of this New World always haunts the outskirts of his time, and walks through the densest crowd uninterrupted, and as it were in a straight line.

Columbus sailed west of these islands using the mariner’s compass, but neither he nor his successors have found them. We are no closer than Plato was. The dedicated seeker and hopeful discoverer of this New World always lingers on the fringes of his era, moving through the thickest crowds without interruption, almost in a straight line.

Sea and land are but his neighbors,
And companions in his labors,
Who on the ocean’s verge and firm land’s end
Doth long and truly seek his Friend.
Many men dwell far inland,
But he alone sits on the strand.
Whether he ponders men or books,
Always still he seaward looks,
Marine news he ever reads,
And the slightest glances heeds,
Feels the sea breeze on his cheek,
At each word the landsmen speak,
In every companion’s eye
A sailing vessel doth descry;
In the ocean’s sullen roar
From some distant port he hears,
Of wrecks upon a distant shore,
And the ventures of past years.

The sea and land are just his neighbors,
And partners in his work,
Who on the edge of the ocean and the end of the land
Eagerly and genuinely seek his Friend.
Many people live far inland,
But he alone sits by the shore.
Whether he thinks about people or books,
He always looks toward the sea,
Keeping up with marine news,
And paying attention to the smallest details,
Feeling the sea breeze on his cheek,
Listening to every word the land dwellers say,
In every friend's eye
He sees a sailing ship;
In the ocean's deep rumble,
He hears tales from some distant port,
Of shipwrecks on faraway shores,
And the adventures of years gone by.

Who does not walk on the plain as amid the columns of Tadmore of the desert? There is on the earth no institution which Friendship has established; it is not taught by any religion; no scripture contains its maxims. It has no temple, nor even a solitary column. There goes a rumor that the earth is inhabited, but the shipwrecked mariner has not seen a footprint on the shore. The hunter has found only fragments of pottery and the monuments of inhabitants.

Who doesn't walk on the plain like among the columns of Tadmore in the desert? There’s no institution on earth that Friendship has founded; it’s not taught by any religion; no scripture has its principles. It has no temple or even a single column. There are stories that the earth is populated, but the shipwrecked sailor hasn’t seen a footprint on the beach. The hunter has only found bits of pottery and the remains of past inhabitants.

However, our fates at least are social. Our courses do not diverge; but as the web of destiny is woven it is fulled, and we are cast more and more into the centre. Men naturally, though feebly, seek this alliance, and their actions faintly foretell it. We are inclined to lay the chief stress on likeness and not on difference, and in foreign bodies we admit that there are many degrees of warmth below blood heat, but none of cold above it.

However, our destinies are connected. Our paths don’t stray; rather, as the fabric of fate is created, we are pulled further into the center. People, although timidly, naturally desire this connection, and their actions subtly hint at it. We tend to focus more on similarities than on differences, and when it comes to others, we recognize that there are many levels of warmth below body temperature, but none above freezing.

Mencius says: “If one loses a fowl or a dog, he knows well how to seek them again; if one loses the sentiments of his heart, he does not know how to seek them again. . . . The duties of practical philosophy consist only in seeking after those sentiments of the heart which we have lost; that is all.”

Mencius says: “If someone loses a chicken or a dog, they know exactly how to look for them again; if someone loses their feelings, they don’t know how to find them. . . . The role of practical philosophy is simply to help us search for the feelings we’ve lost; that’s all.”

One or two persons come to my house from time to time, there being proposed to them the faint possibility of intercourse. They are as full as they are silent, and wait for my plectrum to stir the strings of their lyre. If they could ever come to the length of a sentence, or hear one, on that ground they are dreaming of! They speak faintly, and do not obtrude themselves. They have heard some news, which none, not even they themselves, can impart. It is a wealth they can bear about them which can be expended in various ways. What came they out to seek?

One or two people come to my house occasionally, where the idea of connection is barely suggested. They are just as full of thoughts as they are quiet, waiting for me to strum the strings of their ideas. If they could ever get through a complete sentence, or even hear one, they would realize what they’re dreaming about! They talk softly and don’t force themselves on anyone. They've heard some news that none, not even they, can share. It’s a treasure they carry with them that could be used in different ways. What did they come here looking for?

No word is oftener on the lips of men than Friendship, and indeed no thought is more familiar to their aspirations. All men are dreaming of it, and its drama, which is always a tragedy, is enacted daily. It is the secret of the universe. You may thread the town, you may wander the country, and none shall ever speak of it, yet thought is everywhere busy about it, and the idea of what is possible in this respect affects our behavior toward all new men and women, and a great many old ones. Nevertheless, I can remember only two or three essays on this subject in all literature. No wonder that the Mythology, and Arabian Nights, and Shakespeare, and Scott’s novels entertain us,—we are poets and fablers and dramatists and novelists ourselves. We are continually acting a part in a more interesting drama than any written. We are dreaming that our Friends are our Friends, and that we are our Friends’ Friends. Our actual Friends are but distant relations of those to whom we are pledged. We never exchange more than three words with a Friend in our lives on that level to which our thoughts and feelings almost habitually rise. One goes forth prepared to say, “Sweet Friends!” and the salutation is, “Damn your eyes!” But never mind; faint heart never won true Friend. O my Friend, may it come to pass once, that when you are my Friend I may be yours.

No word comes up more often in conversation than Friendship, and truly, no thought is more common in people's hopes. Everyone is dreaming about it, and its storyline, which is always a tragedy, plays out every day. It’s the secret of the universe. You can walk around the town or explore the countryside, and no one will mention it, yet everyone is thinking about it, and the idea of what’s possible in this area influences how we behave toward all new people and many old ones. Still, I only recall two or three essays on this topic in all of literature. It’s no wonder that works like Mythology, Arabian Nights, Shakespeare, and Scott’s novels entertain us—we are poets, storytellers, playwrights, and novelists ourselves. We are constantly playing roles in a more interesting drama than anything written. We imagine that our Friends are our Friends, and that we are our Friends' Friends. Our actual Friends are merely distant relations of those to whom we are committed. We rarely exchange more than three words with a Friend at the level our thoughts and feelings usually reach. One sets out intending to say, “Sweet Friends!” but the greeting turns into, “Damn your eyes!” But it doesn't matter; a timid heart never won true Friendship. Oh my Friend, may it someday happen that when you are my Friend, I can be yours.

Of what use the friendliest dispositions even, if there are no hours given to Friendship, if it is forever postponed to unimportant duties and relations? Friendship is first, Friendship last. But it is equally impossible to forget our Friends, and to make them answer to our ideal. When they say farewell, then indeed we begin to keep them company. How often we find ourselves turning our backs on our actual Friends, that we may go and meet their ideal cousins. I would that I were worthy to be any man’s Friend.

Of what good are the friendliest attitudes if we never make time for Friendship, constantly pushing it aside for trivial duties and relationships? Friendship comes first and last. But it’s also impossible to forget our Friends and expect them to live up to our ideals. When they say goodbye, we really start to feel their presence. How often do we turn our backs on our actual Friends just to chase after our ideal versions? I wish I were worthy of being anyone's Friend.

What is commonly honored with the name of Friendship is no very profound or powerful instinct. Men do not, after all, love their Friends greatly. I do not often see the farmers made seers and wise to the verge of insanity by their Friendship for one another. They are not often transfigured and translated by love in each other’s presence. I do not observe them purified, refined, and elevated by the love of a man. If one abates a little the price of his wood, or gives a neighbor his vote at town-meeting, or a barrel of apples, or lends him his wagon frequently, it is esteemed a rare instance of Friendship. Nor do the farmers’ wives lead lives consecrated to Friendship. I do not see the pair of farmer Friends of either sex prepared to stand against the world. There are only two or three couples in history. To say that a man is your Friend, means commonly no more than this, that he is not your enemy. Most contemplate only what would be the accidental and trifling advantages of Friendship, as that the Friend can assist in time of need, by his substance, or his influence, or his counsel; but he who foresees such advantages in this relation proves himself blind to its real advantage, or indeed wholly inexperienced in the relation itself. Such services are particular and menial, compared with the perpetual and all-embracing service which it is. Even the utmost good-will and harmony and practical kindness are not sufficient for Friendship, for Friends do not live in harmony merely, as some say, but in melody. We do not wish for Friends to feed and clothe our bodies,—neighbors are kind enough for that,—but to do the like office to our spirits. For this few are rich enough, however well disposed they may be. For the most part we stupidly confound one man with another. The dull distinguish only races or nations, or at most classes, but the wise man, individuals. To his Friend a man’s peculiar character appears in every feature and in every action, and it is thus drawn out and improved by him.

What we typically call Friendship isn’t a very deep or powerful instinct. People don’t really love their Friends that much. I don’t often see farmers become wise to the point of madness because of their Friendship with each other. They’re not usually transformed or uplifted when they’re around one another. I don’t notice them being purified, refined, or elevated by loving a man. If someone lowers the price of their wood a little, or gives a neighbor their vote at a town meeting, or offers a barrel of apples, or lends out their wagon often, that’s considered a rare example of Friendship. The farmers’ wives don’t lead lives dedicated to Friendship either. I don’t see two farmer Friends of any gender ready to take on the world together. There are only a few couples in history who do. Saying someone is your Friend usually just means they aren’t your enemy. Most people only think about the minor, incidental advantages of Friendship, like how a Friend can help in times of need through their resources, influence, or advice; but anyone who only sees those benefits shows they don’t really understand the true value of this relationship or are completely inexperienced with it. Those services are specific and trivial compared to the ongoing and all-encompassing nature of what Friendship really is. Even the best intentions, harmony, and practical kindness aren’t enough for Friendship because Friends don’t just live in harmony, as some say, but in melody. We don’t want Friends just to take care of our physical needs—neighbors can handle that—but to support our spirits. Few are truly capable of this, no matter how well-meaning they are. Most of the time, we mindlessly confuse one person with another. The unaware only recognize races, nations, or at most social classes, while the wise see individuals. To a Friend, a person’s unique character is visible in every detail and action, and it’s through this relationship that it’s drawn out and enhanced.

Think of the importance of Friendship in the education of men.

Think about how important friendship is in men's education.

“He that hath love and judgment too,
Sees more than any other doe.”

“He who has love and judgment,
Sees more than anyone else.”

It will make a man honest; it will make him a hero; it will make him a saint. It is the state of the just dealing with the just, the magnanimous with the magnanimous, the sincere with the sincere, man with man.

It will make a person honest; it will make them a hero; it will make them a saint. It is the condition of the just interacting with the just, the generous with the generous, the genuine with the genuine, person with person.

And it is well said by another poet,

And another poet has said it well,

“Why love among the virtues is not known,
Is that love is them all contract in one.”

“Why love is not recognized among the virtues,
Is because love unites them all into one.”

All the abuses which are the object of reform with the philanthropist, the statesman, and the housekeeper are unconsciously amended in the intercourse of Friends. A Friend is one who incessantly pays us the compliment of expecting from us all the virtues, and who can appreciate them in us. It takes two to speak the truth,—one to speak, and another to hear. How can one treat with magnanimity mere wood and stone? If we dealt only with the false and dishonest, we should at last forget how to speak truth. Only lovers know the value and magnanimity of truth, while traders prize a cheap honesty, and neighbors and acquaintance a cheap civility. In our daily intercourse with men, our nobler faculties are dormant and suffered to rust. None will pay us the compliment to expect nobleness from us. Though we have gold to give, they demand only copper. We ask our neighbor to suffer himself to be dealt with truly, sincerely, nobly; but he answers no by his deafness. He does not even hear this prayer. He says practically, I will be content if you treat me as “no better than I should be,” as deceitful, mean, dishonest, and selfish. For the most part, we are contented so to deal and to be dealt with, and we do not think that for the mass of men there is any truer and nobler relation possible. A man may have good neighbors, so called, and acquaintances, and even companions, wife, parents, brothers, sisters, children, who meet himself and one another on this ground only. The State does not demand justice of its members, but thinks that it succeeds very well with the least degree of it, hardly more than rogues practise; and so do the neighborhood and the family. What is commonly called Friendship even is only a little more honor among rogues.

All the issues that the philanthropist, politician, and homemaker aim to fix are unintentionally improved through the interactions among Friends. A Friend is someone who constantly gives us the compliment of expecting all the best qualities from us and can truly see those qualities in us. It takes two to communicate truth—one to speak and another to listen. How can we treat lifeless objects with generosity? If we only interacted with the fake and dishonest, we would eventually forget how to speak the truth. Only lovers truly understand the value and generosity of truth, while merchants value a cheap honesty, and neighbors and acquaintances settle for basic politeness. In our everyday dealings with people, our higher qualities remain inactive and risk being neglected. No one will honor us with the expectation of nobility. Although we may offer gold, they only ask for copper. We want our neighbors to allow us to engage with them genuinely, sincerely, and nobly; but they respond with deafness. They don't even acknowledge this request. They essentially say, "I'm fine if you treat me as 'no better than I deserve,' as deceitful, petty, dishonest, and selfish." Most of the time, we are content to interact and be interacted with in this way, and we don't believe that a truer and nobler relationship is possible for the majority of people. A person may have “good” neighbors, acquaintances, and even close relationships like a spouse, parents, siblings, or children, who only meet each other on this superficial level. The State doesn't ask for justice from its citizens, believing it gets by with the bare minimum, hardly more than what criminals would practice; and the same applies to our neighborhoods and families. What is commonly referred to as Friendship is just a slight step up from honor among thieves.

But sometimes we are said to love another, that is, to stand in a true relation to him, so that we give the best to, and receive the best from, him. Between whom there is hearty truth, there is love; and in proportion to our truthfulness and confidence in one another, our lives are divine and miraculous, and answer to our ideal. There are passages of affection in our intercourse with mortal men and women, such as no prophecy had taught us to expect, which transcend our earthly life, and anticipate Heaven for us. What is this Love that may come right into the middle of a prosaic Goffstown day, equal to any of the gods? that discovers a new world, fair and fresh and eternal, occupying the place of the old one, when to the common eye a dust has settled on the universe? which world cannot else be reached, and does not exist. What other words, we may almost ask, are memorable and worthy to be repeated than those which love has inspired? It is wonderful that they were ever uttered. They are few and rare, indeed, but, like a strain of music, they are incessantly repeated and modulated by the memory. All other words crumble off with the stucco which overlies the heart. We should not dare to repeat these now aloud. We are not competent to hear them at all times.

But sometimes we say we love someone, meaning we have a genuine connection with them, giving and receiving the best from each other. Where there is heartfelt honesty, there is love; and depending on our truthfulness and trust in one another, our lives can be extraordinary and align with our ideals. There are moments of affection in our interactions with others that no prophecy prepared us for, which go beyond our earthly existence and hint at Heaven. What is this Love that can suddenly appear in the midst of an ordinary Goffstown day, equal to any of the gods? It reveals a new world, beautiful and endless, taking the place of the old one, while to the casual observer, it seems like the universe has settled into dust. This world can’t be accessed in any other way; it doesn’t exist otherwise. What other words could be as memorable and worth repeating as those inspired by love? It’s amazing that they were ever spoken. They are indeed few and rare, but like a piece of music, they are constantly played and reinterpreted in our memories. All other words fade away like the plaster covering the heart. We wouldn’t even dare to say these out loud right now. We are not ready to hear them all the time.

The books for young people say a great deal about the selection of Friends; it is because they really have nothing to say about Friends. They mean associates and confidants merely. “Know that the contrariety of foe and Friend proceeds from God.” Friendship takes place between those who have an affinity for one another, and is a perfectly natural and inevitable result. No professions nor advances will avail. Even speech, at first, necessarily has nothing to do with it; but it follows after silence, as the buds in the graft do not put forth into leaves till long after the graft has taken. It is a drama in which the parties have no part to act. We are all Mussulmen and fatalists in this respect. Impatient and uncertain lovers think that they must say or do something kind whenever they meet; they must never be cold. But they who are Friends do not do what they think they must, but what they must. Even their Friendship is to some extent but a sublime phenomenon to them.

The books for young people have a lot to say about selecting friends, but they really don’t say much about what friendship actually is. They just mean acquaintances and close confidants. “Know that the difference between an enemy and a friend comes from God.” Friendship occurs between people who share a connection, and it’s a completely natural and unavoidable outcome. No amount of declarations or gestures will make it happen. Even talking, at first, doesn’t really play a part; it comes after silence, just like how buds on a graft don’t turn into leaves until long after the graft takes. It’s a drama in which no one has to act. In this sense, we’re all believers in fate. Anxious and unsure lovers think they need to say or do something nice every time they meet; they should never be distant. But those who are true friends don’t do what they think they should; they do what they must. Even their friendship is, in some ways, just a remarkable occurrence for them.

The true and not despairing Friend will address his Friend in some such terms as these.

The true and hopeful Friend will talk to their Friend in some words like these.

“I never asked thy leave to let me love thee,—I have a right. I love thee not as something private and personal, which is your own, but as something universal and worthy of love, which I have found. O, how I think of you! You are purely good, —you are infinitely good. I can trust you forever. I did not think that humanity was so rich. Give me an opportunity to live.”

“I never asked for your permission to love you—I have a right to. I don’t love you as something personal and private, which belongs to you, but as something universal and worthy of love, which I have discovered. Oh, how I think of you! You are purely good—you are infinitely good. I can trust you forever. I didn’t think humanity could be so rich. Give me a chance to live.”

“You are the fact in a fiction,—you are the truth more strange and admirable than fiction. Consent only to be what you are. I alone will never stand in your way.”

“You are the reality in a story—you are the truth that's stranger and more impressive than fiction. Just be who you are. I will never be an obstacle for you.”

“This is what I would like,—to be as intimate with you as our spirits are intimate,—respecting you as I respect my ideal. Never to profane one another by word or action, even by a thought. Between us, if necessary, let there be no acquaintance.”

“This is what I want—to be as close to you as our souls are close—honoring you as I honor my ideal. Never to disrespect each other by word or action, not even by a thought. If needed, let there be no familiarity between us.”

“I have discovered you; how can you be concealed from me?”

“I've found you; how can you hide from me?”

The Friend asks no return but that his Friend will religiously accept and wear and not disgrace his apotheosis of him. They cherish each other’s hopes. They are kind to each other’s dreams.

The Friend asks for nothing in return except that his Friend will sincerely accept and embrace his idealization of him. They support each other’s hopes. They are considerate of each other’s dreams.

Though the poet says, “’Tis the pre-eminence of Friendship to impute excellence,” yet we can never praise our Friend, nor esteem him praiseworthy, nor let him think that he can please us by any behavior, or ever treat us well enough. That kindness which has so good a reputation elsewhere can least of all consist with this relation, and no such affront can be offered to a Friend, as a conscious good-will, a friendliness which is not a necessity of the Friend’s nature.

Though the poet says, “It’s the greatness of Friendship to attribute excellence,” we can never truly praise our Friend, regard him as commendable, or allow him to believe he can satisfy us with any behavior, or ever treat us well enough. The kindness that enjoys such a good reputation elsewhere can hardly exist in this relationship, and no greater offense can be given to a Friend than a conscious goodwill, a friendliness that isn't inherent to the Friend’s nature.

The sexes are naturally most strongly attracted to one another, by constant constitutional differences, and are most commonly and surely the complements of each other. How natural and easy it is for man to secure the attention of woman to what interests himself. Men and women of equal culture, thrown together, are sure to be of a certain value to one another, more than men to men. There exists already a natural disinterestedness and liberality in such society, and I think that any man will more confidently carry his favorite books to read to some circle of intelligent women, than to one of his own sex. The visit of man to man is wont to be an interruption, but the sexes naturally expect one another. Yet Friendship is no respecter of sex; and perhaps it is more rare between the sexes than between two of the same sex.

The sexes are naturally most drawn to each other, due to constant differences, and they typically complement each other best. It's so natural and easy for a man to grab a woman's attention with what interests him. When men and women of similar backgrounds come together, they’re sure to benefit each other more than men do with other men. There’s already a natural generosity and openness in such a group, and I believe a man is more likely to share his favorite books with a group of smart women than with a group of men. A visit between men often feels like an interruption, but the sexes naturally look forward to each other. However, friendship doesn’t care about gender; it might actually be less common between the sexes than between two people of the same sex.

Friendship is, at any rate, a relation of perfect equality. It cannot well spare any outward sign of equal obligation and advantage. The nobleman can never have a Friend among his retainers, nor the king among his subjects. Not that the parties to it are in all respects equal, but they are equal in all that respects or affects their Friendship. The one’s love is exactly balanced and represented by the other’s. Persons are only the vessels which contain the nectar, and the hydrostatic paradox is the symbol of love’s law. It finds its level and rises to its fountain-head in all breasts, and its slenderest column balances the ocean.

Friendship is, in any case, a relationship of complete equality. It doesn’t allow for any outward signs of unequal obligations or benefits. A nobleman can never truly have a friend among his servants, nor can a king have one among his subjects. This doesn’t mean that the people involved are equal in every way, but they are equal in everything that matters to their friendship. One person’s love is perfectly mirrored by the other’s. People are just the vessels that hold the nectar, and the hydrostatic paradox represents the law of love. It finds its balance and rises to its source in everyone’s heart, and even the thinnest column can level with the ocean.

“And love as well the shepherd can
As can the mighty nobleman.”

“And the shepherd can love just as much
As the powerful nobleman can.”

The one sex is not, in this respect, more tender than the other.
A hero’s love is as delicate as a maiden’s.

The two sexes are, in this regard, equally tender.
A hero’s love is just as delicate as a maiden’s.

Confucius said, “Never contract Friendship with a man who is not better than thyself.” It is the merit and preservation of Friendship, that it takes place on a level higher than the actual characters of the parties would seem to warrant. The rays of light come to us in such a curve that every man whom we meet appears to be taller than he actually is. Such foundation has civility. My Friend is that one whom I can associate with my choicest thought. I always assign to him a nobler employment in my absence than I ever find him engaged in; and I imagine that the hours which he devotes to me were snatched from a higher society. The sorest insult which I ever received from a Friend was, when he behaved with the license which only long and cheap acquaintance allows to one’s faults, in my presence, without shame, and still addressed me in friendly accents. Beware, lest thy Friend learn at last to tolerate one frailty of thine, and so an obstacle be raised to the progress of thy love. There are times when we have had enough even of our Friends, when we begin inevitably to profane one another, and must withdraw religiously into solitude and silence, the better to prepare ourselves for a loftier intimacy. Silence is the ambrosial night in the intercourse of Friends, in which their sincerity is recruited and takes deeper root.

Confucius said, “Never form a friendship with someone who isn’t better than you.” True friendship rests on a level that's higher than what the actual characters of the people involved might suggest. The way light shines on us makes everyone we meet appear taller than they really are. This foundation is built on civility. A friend is someone I can connect with on my deepest thoughts. I always imagine him doing something more noble while I’m not around than what I actually see him doing, and I picture the time he spends with me as time taken from a more elevated circle. The greatest insult I’ve ever received from a friend was when he acted with the freedom that only an old, casual friendship allows when it comes to my faults, doing so without any shame while still speaking to me in a friendly way. Be cautious, or your friend might eventually start to accept one of your weaknesses, which could create a barrier to the growth of your friendship. There are moments when we’ve had enough of our friends, and we start to disrespect each other, forcing us to retreat into solitude and silence to prepare for a deeper connection. Silence is the sweet nighttime in the friendship where their sincerity is refreshed and grows stronger.

Friendship is never established as an understood relation. Do you demand that I be less your Friend that you may know it? Yet what right have I to think that another cherishes so rare a sentiment for me? It is a miracle which requires constant proofs. It is an exercise of the purest imagination and the rarest faith. It says by a silent but eloquent behavior,—“I will be so related to thee as thou canst imagine; even so thou mayest believe. I will spend truth,—all my wealth on thee,”—and the Friend responds silently through his nature and life, and treats his Friend with the same divine courtesy. He knows us literally through thick and thin. He never asks for a sign of love, but can distinguish it by the features which it naturally wears. We never need to stand upon ceremony with him with regard to his visits. Wait not till I invite thee, but observe that I am glad to see thee when thou comest. It would be paying too dear for thy visit to ask for it. Where my Friend lives there are all riches and every attraction, and no slight obstacle can keep me from him. Let me never have to tell thee what I have not to tell. Let our intercourse be wholly above ourselves, and draw us up to it.

Friendship is never something that’s just naturally understood. Do you expect me to be less of a friend so you can recognize it? But what right do I have to think that someone else feels such a rare sentiment for me? It’s a miracle that needs constant proof. It’s an exercise in pure imagination and the rarest faith. It silently, yet eloquently, communicates—“I will relate to you as you can imagine; believe that. I will give you my truth—all that I have.” And the friend responds silently through their nature and life, treating their friend with the same kind of divine respect. They know us deeply, through thick and thin. They never ask for a sign of love but can recognize it by its natural traits. We never need to stand on formalities regarding their visits. Don’t wait for my invitation; just notice that I’m happy to see you when you arrive. It would be too costly to ask for your visit. Wherever my friend is, there are all kinds of treasures and attractions, and nothing can keep me from them. Let me never have to tell you what I can't share. Let our interactions be completely beyond ourselves, lifting us up to something greater.

The language of Friendship is not words, but meanings. It is an intelligence above language. One imagines endless conversations with his Friend, in which the tongue shall be loosed, and thoughts be spoken without hesitancy or end; but the experience is commonly far otherwise. Acquaintances may come and go, and have a word ready for every occasion; but what puny word shall he utter whose very breath is thought and meaning? Suppose you go to bid farewell to your Friend who is setting out on a journey; what other outward sign do you know than to shake his hand? Have you any palaver ready for him then? any box of salve to commit to his pocket? any particular message to send by him? any statement which you had forgotten to make?—as if you could forget anything.—No, it is much that you take his hand and say Farewell; that you could easily omit; so far custom has prevailed. It is even painful, if he is to go, that he should linger so long. If he must go, let him go quickly. Have you any last words? Alas, it is only the word of words, which you have so long sought and found not; you have not a first word yet. There are few even whom I should venture to call earnestly by their most proper names. A name pronounced is the recognition of the individual to whom it belongs. He who can pronounce my name aright, he can call me, and is entitled to my love and service. Yet reserve is the freedom and abandonment of lovers. It is the reserve of what is hostile or indifferent in their natures, to give place to what is kindred and harmonious.

The language of friendship isn't about words, but about meanings. It's a deeper understanding that goes beyond language. We imagine countless conversations with our friend, where we can speak freely and share thoughts without hesitation or end; but the reality is usually quite different. Acquaintances may come and go, always ready with a word for any situation; but what feeble words can he say whose every breath is filled with thought and meaning? Suppose you go to say goodbye to your friend who is about to leave on a journey; what else can you do besides shake his hand? Do you have any special words prepared for him? Any little gift to tuck into his pocket? Any last message to send with him? Any expression you forgot to mention?—as if you could actually forget anything.—No, saying goodbye and taking his hand is a lot; that’s something you could easily skip; traditions have taken over. It’s even hard, when he has to leave, that he stays so long. If he has to go, let him go quickly. Do you have any last words? Sadly, it’s just that elusive word you've been searching for and still can’t find; you don’t even have a first word yet. There are few people I would even feel comfortable calling by their true names. A name spoken is the acknowledgment of the person it belongs to. He who can say my name correctly can call me, and deserves my love and support. Yet, there’s a reserved freedom between lovers that allows them to let go of what feels hostile or indifferent, making way for what is kindred and harmonious.

The violence of love is as much to be dreaded as that of hate. When it is durable it is serene and equable. Even its famous pains begin only with the ebb of love, for few are indeed lovers, though all would fain be. It is one proof of a man’s fitness for Friendship that he is able to do without that which is cheap and passionate. A true Friendship is as wise as it is tender. The parties to it yield implicitly to the guidance of their love, and know no other law nor kindness. It is not extravagant and insane, but what it says is something established henceforth, and will bear to be stereotyped. It is a truer truth, it is better and fairer news, and no time will ever shame it, or prove it false. This is a plant which thrives best in a temperate zone, where summer and winter alternate with one another. The Friend is a necessarius, and meets his Friend on homely ground; not on carpets and cushions, but on the ground and on rocks they will sit, obeying the natural and primitive laws. They will meet without any outcry, and part without loud sorrow. Their relation implies such qualities as the warrior prizes; for it takes a valor to open the hearts of men as well as the gates of castles. It is not an idle sympathy and mutual consolation merely, but a heroic sympathy of aspiration and endeavor.

The intensity of love can be just as frightening as hate. When it lasts, it is calm and steady. Even its well-known pains only start when love fades, for few truly love, even though many wish they could. A sign of someone being worthy of friendship is their ability to live without what is shallow and passionate. True friendship is as wise as it is affectionate. Those involved naturally follow the guidance of their love and recognize no other law or kindness. It’s not reckless or crazy, but what it states is something established from then on, and it could stand the test of time. It’s a deeper truth, better and fairer news, and no time will ever shame it or prove it wrong. This is a bond that thrives best in a balanced environment, where summer and winter alternate. A friend is a necessity and meets their companion on familiar ground; not on fancy carpets and cushions, but on the earth and rocks they sit, following the natural and simple laws. They will meet quietly and part without loud grief. Their relationship involves qualities that a warrior values; it takes courage to open people’s hearts just as it does to open the gates of castles. It’s not just idle sympathy and mutual consolation, but a brave sympathy of aspiration and effort.

“When manhood shall be matched so
    That fear can take no place,
Then weary works make warriors
    Each other to embrace.”

“When manhood is equal,
    And fear has no part,
Then tired work makes warriors
    Embrace one another.”

The Friendship which Wawatam testified for Henry the fur-trader, as described in the latter’s “Adventures,” so almost bare and leafless, yet not blossomless nor fruitless, is remembered with satisfaction and security. The stern, imperturbable warrior, after fasting, solitude, and mortification of body, comes to the white man’s lodge, and affirms that he is the white brother whom he saw in his dream, and adopts him henceforth. He buries the hatchet as it regards his friend, and they hunt and feast and make maple-sugar together. “Metals unite from fluxility; birds and beasts from motives of convenience; fools from fear and stupidity; and just men at sight.” If Wawatam would taste the “white man’s milk” with his tribe, or take his bowl of human broth made of the trader’s fellow-countrymen, he first finds a place of safety for his Friend, whom he has rescued from a similar fate. At length, after a long winter of undisturbed and happy intercourse in the family of the chieftain in the wilderness, hunting and fishing, they return in the spring to Michilimackinac to dispose of their furs; and it becomes necessary for Wawatam to take leave of his Friend at the Isle aux Outardes, when the latter, to avoid his enemies, proceeded to the Sault de Sainte Marie, supposing that they were to be separated for a short time only. “We now exchanged farewells,” says Henry, “with an emotion entirely reciprocal. I did not quit the lodge without the most grateful sense of the many acts of goodness which I had experienced in it, nor without the sincerest respect for the virtues which I had witnessed among its members. All the family accompanied me to the beach; and the canoe had no sooner put off than Wawatam commenced an address to the Kichi Manito, beseeching him to take care of me, his brother, till we should next meet. We had proceeded to too great a distance to allow of our hearing his voice, before Wawatam had ceased to offer up his prayers.” We never hear of him again.

The friendship that Wawatam spoke of for Henry the fur trader, as described in Henry's "Adventures," was almost bare and leafless, yet still not without blossoms or fruit, and it is remembered with warmth and assurance. The tough, unshakeable warrior, after fasting, solitude, and self-discipline, arrives at the white man's lodge and confirms that he is the white brother he saw in his dream, choosing him as a brother from then on. He buries the hatchet regarding his friend, and they hunt, feast, and make maple sugar together. “Metals join together from melting; animals come together for convenience; fools unite out of fear and ignorance; and just people meet by chance.” If Wawatam wants to share the “white man’s milk” with his tribe, or take a bowl of human broth made from the trader’s fellow countrymen, he first ensures safety for his friend, whom he has saved from a similar fate. Eventually, after a long winter of peaceful and joyful interactions in the chief's family in the wilderness, hunting and fishing, they return in the spring to Michilimackinac to sell their furs; and Wawatam must say goodbye to his friend at Isle aux Outardes, while the latter, to avoid his enemies, heads to Sault de Sainte Marie, thinking they will be apart only for a short time. “We then exchanged farewells,” says Henry, “with mutual emotion. I left the lodge feeling incredibly grateful for the many acts of kindness I had received there, and with sincere respect for the virtues I had seen in its members. The whole family accompanied me to the shore; and no sooner had the canoe pushed off than Wawatam started praying to the Kichi Manito, asking him to watch over me, his brother, until we meet again. We had gone too far away to hear his voice before he stopped his prayers.” We never hear from him again.

Friendship is not so kind as is imagined; it has not much human blood in it, but consists with a certain disregard for men and their erections, the Christian duties and humanities, while it purifies the air like electricity. There may be the sternest tragedy in the relation of two more than usually innocent and true to their highest instincts. We may call it an essentially heathenish intercourse, free and irresponsible in its nature, and practising all the virtues gratuitously. It is not the highest sympathy merely, but a pure and lofty society, a fragmentary and godlike intercourse of ancient date, still kept up at intervals, which, remembering itself, does not hesitate to disregard the humbler rights and duties of humanity. It requires immaculate and godlike qualities full-grown, and exists at all only by condescension and anticipation of the remotest future. We love nothing which is merely good and not fair, if such a thing is possible. Nature puts some kind of blossom before every fruit, not simply a calyx behind it. When the Friend comes out of his heathenism and superstition, and breaks his idols, being converted by the precepts of a newer testament; when he forgets his mythology, and treats his Friend like a Christian, or as he can afford; then Friendship ceases to be Friendship, and becomes charity; that principle which established the almshouse is now beginning with its charity at home, and establishing an almshouse and pauper relations there.

Friendship isn't as kind as people think; it doesn't involve much genuine compassion, but instead has a certain disregard for people and their struggles, the duties of kindness, and the essence of humanity, while clearing the atmosphere like electricity. There can be a serious tragedy in the bond between two unusually innocent people who are true to their highest ideals. We might call it a fundamentally pagan connection, free and careless in nature, practicing virtues without expecting anything in return. It's not just the highest level of empathy, but a pure and elevated relationship, an ancient and divine connection that's still renewed occasionally, which, in remembering its past, doesn't hesitate to overlook the simpler rights and responsibilities of humanity. It requires flawless and godlike qualities that are fully developed, and only exists through grace and the anticipation of a distant future. We don't truly cherish anything that's merely good but not beautiful, if that's even possible. Nature places some kind of blossom before every fruit, not just a covering behind it. When the Friend emerges from his primitive beliefs and breaks his idols, transformed by the teachings of a new testament; when he forgets his myths and treats his Friend with the kindness of a Christian, or as best he can; then Friendship stops being Friendship and turns into charity; that principle which created the shelter for the needy is now starting with its charity at home, setting up a shelter and dependent relationships there.

As for the number which this society admits, it is at any rate to be begun with one, the noblest and greatest that we know, and whether the world will ever carry it further, whether, as Chaucer affirms,

As for the number this society accepts, it should definitely start with one, the most noble and greatest that we know of, and whether the world will ever take it further, whether, as Chaucer claims,

“There be mo sterres in the skie than a pair,”

“There are more stars in the sky than just a couple,”

remains to be proved;

yet to be proven;

“And certaine he is well begone
Among a thousand that findeth one.”

“And for sure he is well on his way
Among a thousand who find one.”

We shall not surrender ourselves heartily to any while we are conscious that another is more deserving of our love. Yet Friendship does not stand for numbers; the Friend does not count his Friends on his fingers; they are not numerable. The more there are included by this bond, if they are indeed included, the rarer and diviner the quality of the love that binds them. I am ready to believe that as private and intimate a relation may exist by which three are embraced, as between two. Indeed, we cannot have too many friends; the virtue which we appreciate we to some extent appropriate, so that thus we are made at last more fit for every relation of life. A base Friendship is of a narrowing and exclusive tendency, but a noble one is not exclusive; its very superfluity and dispersed love is the humanity which sweetens society, and sympathizes with foreign nations; for though its foundations are private, it is, in effect, a public affair and a public advantage, and the Friend, more than the father of a family, deserves well of the state.

We shouldn't completely commit ourselves to anyone while we're aware that someone else deserves our love more. However, friendship isn't about numbers; a friend doesn't count their friends on their fingers; they're not measurable. The more people connected by this bond, if they're truly connected, the more unique and divine the love that unites them becomes. I believe that just as deep and personal a relationship can exist between three people as it can between two. In fact, we can't have too many friends; the qualities we admire become part of us, making us more suitable for every area of life. A shallow friendship can be limiting and exclusive, but a true one isn't exclusive; its abundance and widespread love enrich society and connect us with other nations. While its foundations may be personal, it ultimately serves a public purpose and benefits society, and the friend deserves recognition from the community even more than a family leader.

The only danger in Friendship is that it will end. It is a delicate plant, though a native. The least unworthiness, even if it be unknown to one’s self, vitiates it. Let the Friend know that those faults which he observes in his Friend his own faults attract. There is no rule more invariable than that we are paid for our suspicions by finding what we suspected. By our narrowness and prejudices we say, I will have so much and such of you, my Friend, no more. Perhaps there are none charitable, none disinterested, none wise, noble, and heroic enough, for a true and lasting Friendship.

The only risk in friendship is that it might end. It’s a fragile thing, even though it’s natural. The slightest flaw, even if we’re not aware of it, can spoil it. A friend should realize that the faults they see in their friend are often their own faults reflected back. There's no law more consistent than the idea that our doubts are often confirmed by what we discover. Due to our narrow views and biases, we say, "I only want this much of you, my friend, nothing more." Perhaps there aren't many who are generous, selfless, wise, noble, and brave enough to maintain a true and lasting friendship.

I sometimes hear my Friends complain finely that I do not appreciate their fineness. I shall not tell them whether I do or not. As if they expected a vote of thanks for every fine thing which they uttered or did. Who knows but it was finely appreciated. It may be that your silence was the finest thing of the two. There are some things which a man never speaks of, which are much finer kept silent about. To the highest communications we only lend a silent ear. Our finest relations are not simply kept silent about, but buried under a positive depth of silence never to be revealed. It may be that we are not even yet acquainted. In human intercourse the tragedy begins, not when there is misunderstanding about words, but when silence is not understood. Then there can never be an explanation. What avails it that another loves you, if he does not understand you? Such love is a curse. What sort of companions are they who are presuming always that their silence is more expressive than yours? How foolish, and inconsiderate, and unjust, to conduct as if you were the only party aggrieved! Has not your Friend always equal ground of complaint? No doubt my Friends sometimes speak to me in vain, but they do not know what things I hear which they are not aware that they have spoken. I know that I have frequently disappointed them by not giving them words when they expected them, or such as they expected. Whenever I see my Friend I speak to him; but the expecter, the man with the ears, is not he. They will complain too that you are hard. O ye that would have the cocoa-nut wrong side outwards, when next I weep I will let you know. They ask for words and deeds, when a true relation is word and deed. If they know not of these things, how can they be informed? We often forbear to confess our feelings, not from pride, but for fear that we could not continue to love the one who required us to give such proof of our affection.

I sometimes hear my friends complain that I don't appreciate their depth. I'm not going to tell them if I do or not. It's as if they expect a thank-you for every insightful thing they say or do. Who knows, maybe it was appreciated in silence. Sometimes, your silence is the most important response. There are things that are better left unsaid, which are much more meaningful when kept quiet. We only give our quiet attention to the most significant exchanges. Our deepest relationships aren't just kept silent; they're buried under a profound silence that may never be uncovered. We might not even be truly acquainted yet. In human interactions, the real tragedy doesn't come from misunderstandings about words, but from not understanding silence. Then, there's no chance for explanation. What good is it for someone to love you if they don't understand you? That kind of love can feel like a burden. What kind of friends are those who always assume their silence conveys more than yours? How foolish, inconsiderate, and unfair it is to act like you're the only one who feels wronged! Doesn’t your friend have their own reasons to feel aggrieved? Sure, my friends sometimes talk to me for nothing, but they don’t realize the things I notice that they don’t know they’ve expressed. I know I’ve often let them down by not providing the words they expected. Whenever I see my friend, I talk to him; but the one who’s expecting to be heard is not him. They also complain that I'm tough. Oh you who want the coconut turned inside out, when I next cry, I will let you know. They ask for words and actions, when true connection is both word and action. If they don’t have this understanding, how can they be enlightened? We often hold back on expressing our feelings, not from pride, but from the fear that we might not be able to keep loving someone who asks for such proof of our affection.

I know a woman who possesses a restless and intelligent mind, interested in her own culture, and earnest to enjoy the highest possible advantages, and I meet her with pleasure as a natural person who not a little provokes me, and I suppose is stimulated in turn by myself. Yet our acquaintance plainly does not attain to that degree of confidence and sentiment which women, which all, in fact, covet. I am glad to help her, as I am helped by her; I like very well to know her with a sort of stranger’s privilege, and hesitate to visit her often, like her other Friends. My nature pauses here, I do not well know why. Perhaps she does not make the highest demand on me, a religious demand. Some, with whose prejudices or peculiar bias I have no sympathy, yet inspire me with confidence, and I trust that they confide in me also as a religious heathen at least,—a good Greek. I, too, have principles as well founded as their own. If this person could conceive that, without wilfulness, I associate with her as far as our destinies are coincident, as far as our Good Geniuses permit, and still value such intercourse, it would be a grateful assurance to me. I feel as if I appeared careless, indifferent, and without principle to her, not expecting more, and yet not content with less. If she could know that I make an infinite demand on myself, as well as on all others, she would see that this true though incomplete intercourse, is infinitely better than a more unreserved but falsely grounded one, without the principle of growth in it. For a companion, I require one who will make an equal demand on me with my own genius. Such a one will always be rightly tolerant. It is suicide, and corrupts good manners to welcome any less than this. I value and trust those who love and praise my aspiration rather than my performance. If you would not stop to look at me, but look whither I am looking, and farther, then my education could not dispense with your company.

I know a woman with a curious and smart mind who is interested in her own culture and eager to enjoy the best advantages. I find it enjoyable to meet her as a genuine person who challenges me, and I believe she feels inspired by me in return. However, our relationship clearly doesn't reach the level of trust and sentiment that women—and everyone, really—desires. I’m happy to help her, and I’m grateful for the help she gives me. I like getting to know her as if I have a bit of a stranger's privilege, and I hesitate to visit her often like her other friends do. My instincts hold me back here, and I’m not quite sure why. Maybe it’s because she doesn’t demand the highest expectations from me, a kind of spiritual demand. Some people, whose beliefs or quirks I don’t relate to, still inspire confidence in me, and I hope they trust that I’m at least a spiritual outsider—a good person at heart. I also have principles as solid as theirs. If she could understand that, without any insistence, I connect with her as far as our paths align and as much as our Good Spirits allow, and still value that connection, it would be a comforting reassurance for me. I feel like I come across as careless, indifferent, and without principles to her, not expecting more but also not satisfied with less. If she knew that I place enormous demands on myself, just like I do on everyone else, she would realize that this genuine, though imperfect, connection is infinitely better than a more open but shallow one that lacks growth potential. For a companion, I need someone who challenges me as much as my own instincts do. Such a person will always be appropriately accepting. It feels like a betrayal and ruins good manners to welcome anything less than this. I value and trust those who believe in my aspirations rather than just my achievements. If you wouldn't just stop to glance at me but instead looked where I’m looking and further, then my growth would definitely benefit from your company.

My love must be as free
    As is the eagle’s wing,
Hovering o’er land and sea
    And everything.

I must not dim my eye
    In thy saloon,
I must not leave my sky
    And nightly moon.

Be not the fowler’s net
    Which stays my flight,
And craftily is set
    T’allure the sight.

But be the favoring gale
    That bears me on,
And still doth fill my sail
    When thou art gone.

I cannot leave my sky
    For thy caprice,
True love would soar as high
    As heaven is.

The eagle would not brook
    Her mate thus won,
Who trained his eye to look
    Beneath the sun.

My love should be as free
    As an eagle's wings,
Soaring over land and sea
    And everything.

I can't let my eyes fade
    In your presence,
I can't abandon my sky
    And the moon at night.

Don't be the hunter's trap
    That stops my flight,
Set up cleverly
    To catch the eye.

But be the supportive wind
    That carries me along,
And still fills my sail
    When you're gone.

I can't leave my sky
    For your whims,
True love would rise as high
    As heaven itself.

The eagle wouldn't accept
    Her partner being tamed,
Who learned to look
    Below the sun.

Few things are more difficult than to help a Friend in matters which do not require the aid of Friendship, but only a cheap and trivial service, if your Friendship wants the basis of a thorough practical acquaintance. I stand in the friendliest relation, on social and spiritual grounds, to one who does not perceive what practical skill I have, but when he seeks my assistance in such matters, is wholly ignorant of that one with whom he deals; does not use my skill, which in such matters is much greater than his, but only my hands. I know another, who, on the contrary, is remarkable for his discrimination in this respect; who knows how to make use of the talents of others when he does not possess the same; knows when not to look after or oversee, and stops short at his man. It is a rare pleasure to serve him, which all laborers know. I am not a little pained by the other kind of treatment. It is as if, after the friendliest and most ennobling intercourse, your Friend should use you as a hammer, and drive a nail with your head, all in good faith; notwithstanding that you are a tolerable carpenter, as well as his good Friend, and would use a hammer cheerfully in his service. This want of perception is a defect which all the virtues of the heart cannot supply:—

Few things are more challenging than helping a friend with tasks that don’t really need the support of friendship, but just a simple, trivial service, especially if your friendship is missing a solid understanding of practical skills. I have a friendly relationship, both socially and spiritually, with someone who doesn't recognize my practical abilities. When he asks for my help with these tasks, he's completely unaware of the expertise I possess; he only sees my hands, not the skills that are far beyond his own. On the other hand, I know someone who is exceptional at recognizing the abilities of others. He knows how to utilize the talents of people around him when he lacks them, understands when to step back and not micromanage, and respects the individual he’s working with. It’s a genuine pleasure to assist him, something all workers can appreciate. The other type of treatment, however, is quite disheartening. It feels like after a very friendly and uplifting interaction, your friend decides to use you as a tool, driving a nail with your head, all in good faith; even though you can happily utilize a hammer for him, as you’re also quite capable as a carpenter. This lack of awareness is a flaw that none of the heart’s virtues can compensate for:—

The Good how can we trust?
Only the Wise are just.
The Good we use,
The Wise we cannot choose.
These there are none above;
The Good they know and love,
But are not known again
By those of lesser ken.
They do not charm us with their eyes,
But they transfix with their advice;
No partial sympathy they feel,
With private woe or private weal,
But with the universe joy and sigh,
Whose knowledge is their sympathy.

The Good, how can we trust?
Only the Wise are fair.
The Good we rely on,
The Wise we cannot select.
There’s no one above them;
The Good they understand and cherish,
But aren’t recognized again
By those who see less.
They don’t captivate us with their looks,
But they enthrall us with their guidance;
They don’t show favoritism,
With personal sorrow or personal joy,
But with the universe, they experience joy and sorrow,
Whose understanding is their empathy.

Confucius said: “To contract ties of Friendship with any one, is to contract Friendship with his virtue. There ought not to be any other motive in Friendship.” But men wish us to contract Friendship with their vice also. I have a Friend who wishes me to see that to be right which I know to be wrong. But if Friendship is to rob me of my eyes, if it is to darken the day, I will have none of it. It should be expansive and inconceivably liberalizing in its effects. True Friendship can afford true knowledge. It does not depend on darkness and ignorance. A want of discernment cannot be an ingredient in it. If I can see my Friend’s virtues more distinctly than another’s, his faults too are made more conspicuous by contrast. We have not so good a right to hate any as our Friend. Faults are not the less faults because they are invariably balanced by corresponding virtues, and for a fault there is no excuse, though it may appear greater than it is in many ways. I have never known one who could bear criticism, who could not be flattered, who would not bribe his judge, or was content that the truth should be loved always better than himself.

Confucius said, “Building a friendship with someone means connecting with their virtues. There shouldn't be any other reason for friendship.” But some people want us to accept their flaws too. I have a friend who wants me to see something as right when I know it's wrong. But if friendship means I have to close my eyes to the truth, if it's going to cloud my judgement, then I don’t want it. Friendship should be broadening and incredibly liberating. True friendship allows for true understanding. It doesn't rely on ignorance or blindness. Lack of discernment can't be a part of it. If I can clearly see my friend's virtues more than anyone else's, then his faults stand out even more by comparison. We have no greater right to dislike anyone than our friend. Flaws don't become less significant just because they are balanced by virtues, and there’s no excuse for a flaw, even if it seems larger than it actually is in various ways. I've never met anyone who could handle criticism, who couldn't be flattered, who wouldn't bribe their judge, or who would be okay with the truth always being valued over themselves.

If two travellers would go their way harmoniously together, the one must take as true and just a view of things as the other, else their path will not be strewn with roses. Yet you can travel profitably and pleasantly even with a blind man, if he practises common courtesy, and when you converse about the scenery will remember that he is blind but that you can see; and you will not forget that his sense of hearing is probably quickened by his want of sight. Otherwise you will not long keep company. A blind man, and a man in whose eyes there was no defect, were walking together, when they came to the edge of a precipice. “Take care! my friend,” said the latter, “here is a steep precipice; go no farther this way.”—“I know better,” said the other, and stepped off.

If two travelers want to journey together smoothly, both need to share a similar perspective; otherwise, their path won’t be easy. However, you can still have a rewarding and enjoyable trip with someone who is blind, as long as they’re polite, and when you talk about the surroundings, you remember they can’t see, but you can; and you won’t forget that their sense of hearing is likely sharper because of their blindness. If you don’t keep this in mind, the companionship won’t last long. One day, a blind man and a sighted man were walking together when they reached the edge of a cliff. “Watch out! My friend,” the sighted man said, “there’s a steep drop here; don’t go any further this way.” —“I know better,” the blind man replied, and he stepped off.

It is impossible to say all that we think, even to our truest Friend. We may bid him farewell forever sooner than complain, for our complaint is too well grounded to be uttered. There is not so good an understanding between any two, but the exposure by the one of a serious fault in the other will produce a misunderstanding in proportion to its heinousness. The constitutional differences which always exist, and are obstacles to a perfect Friendship, are forever a forbidden theme to the lips of Friends. They advise by their whole behavior. Nothing can reconcile them but love. They are fatally late when they undertake to explain and treat with one another like foes. Who will take an apology for a Friend? They must apologize like dew and frost, which are off again with the sun, and which all men know in their hearts to be beneficent. The necessity itself for explanation,—what explanation will atone for that?

It’s impossible to express everything we think, even to our closest friend. We might say goodbye forever before we complain, because our complaints are too valid to voice. No matter how well two people understand each other, revealing a serious flaw in one will lead to a misunderstanding proportional to the severity of the fault. The inherent differences that always exist serve as barriers to perfect friendship and are a topic that friends must avoid discussing. They communicate through their actions. Only love can bring them back together. It’s too late for them when they try to explain things to each other as if they were enemies. Who would accept an apology from a friend? Apologies should be like dew and frost, vanishing quickly with the sun, and everyone knows deep down that they’re ultimately beneficial. What explanation could ever make up for the need to explain itself?

True love does not quarrel for slight reasons, such mistakes as mutual acquaintances can explain away, but, alas, however slight the apparent cause, only for adequate and fatal and everlasting reasons, which can never be set aside. Its quarrel, if there is any, is ever recurring, notwithstanding the beams of affection which invariably come to gild its tears; as the rainbow, however beautiful and unerring a sign, does not promise fair weather forever, but only for a season. I have known two or three persons pretty well, and yet I have never known advice to be of use but in trivial and transient matters. One may know what another does not, but the utmost kindness cannot impart what is requisite to make the advice useful. We must accept or refuse one another as we are. I could tame a hyena more easily than my Friend. He is a material which no tool of mine will work. A naked savage will fell an oak with a firebrand, and wear a hatchet out of a rock by friction, but I cannot hew the smallest chip out of the character of my Friend, either to beautify or deform it.

True love doesn't argue over minor issues that mutual friends can easily explain, but sadly, even the slightest trigger can stem from deep, serious, and lasting reasons that can't be ignored. Its arguments, if they happen, are always recurring, despite the moments of affection that often brighten its tears; like a rainbow, no matter how beautiful and trustworthy it seems, it doesn't guarantee perfect weather forever, just for a little while. I've known a couple of people quite well, and I’ve found that advice is only helpful for small and temporary problems. Someone might know things the other doesn’t, but even the kindest intentions can’t provide what’s necessary to make that advice effective. We have to accept or reject each other as we truly are. I could tame a hyena more easily than I could change my Friend. He is a type of person that no tool of mine can shape. A bare savage could fell an oak with a burning stick and wear down a hatchet from stone by rubbing it, but I can't chip even a small piece off my Friend's character, neither to improve it nor to change it.

The lover learns at last that there is no person quite transparent and trustworthy, but every one has a devil in him that is capable of any crime in the long run. Yet, as an Oriental philosopher has said, “Although Friendship between good men is interrupted, their principles remain unaltered. The stalk of the lotus may be broken, and the fibres remain connected.”

The lover finally realizes that no one is completely open and reliable; everyone has their dark side that can lead to wrongdoing eventually. However, as an Eastern philosopher once said, “Even when friendship between good people is strained, their values stay the same. The stem of the lotus may snap, but the fibers remain linked.”

Ignorance and bungling with love are better than wisdom and skill without. There may be courtesy, there may be even temper, and wit, and talent, and sparkling conversation, there may be good-will even,—and yet the humanest and divinest faculties pine for exercise. Our life without love is like coke and ashes. Men may be pure as alabaster and Parian marble, elegant as a Tuscan villa, sublime as Niagara, and yet if there is no milk mingled with the wine at their entertainments, better is the hospitality of Goths and Vandals.

Ignorance and clumsiness in love are better than having wisdom and skill without it. There can be politeness, a calm demeanor, wit, talent, and lively conversation, even goodwill—yet the most human and divine abilities still crave expression. Our lives without love are like coal and ashes. People may be as pure as alabaster and Parian marble, as elegant as a Tuscan villa, as majestic as Niagara Falls, but if there's no warmth mixed in with their hospitality, it's better to have the hospitality of the Goths and Vandals.

My Friend is not of some other race or family of men, but flesh of my flesh, bone of my bone. He is my real brother. I see his nature groping yonder so like mine. We do not live far apart. Have not the fates associated us in many ways? It says, in the Vishnu Purana: “Seven paces together is sufficient for the friendship of the virtuous, but thou and I have dwelt together.” Is it of no significance that we have so long partaken of the same loaf, drank at the same fountain, breathed the same air summer and winter, felt the same heat and cold; that the same fruits have been pleased to refresh us both, and we have never had a thought of different fibre the one from the other!

My friend isn't from some other race or family; he's made of the same flesh as me, bone of my bone. He is my true brother. I see his nature reaching out just like mine. We don't live far from each other. Haven't the fates linked us in so many ways? It says in the Vishnu Purana: “Seven paces together is enough for the friendship of the virtuous, but you and I have lived together.” Doesn't it mean something that we have shared the same bread for so long, drunk from the same fountain, breathed the same air in both summer and winter, experienced the same heat and cold; that the same fruits have delighted us both, and we've never thought of ourselves as different from each other?

Nature doth have her dawn each day,
    But mine are far between;
Content, I cry, for sooth to say,
    Mine brightest are I ween.

For when my sun doth deign to rise,
    Though it be her noontide,
Her fairest field in shadow lies,
    Nor can my light abide.

Sometimes I bask me in her day,
    Conversing with my mate,
But if we interchange one ray,
    Forthwith her heats abate.

Through his discourse I climb and see,
    As from some eastern hill,
A brighter morrow rise to me
    Than lieth in her skill.

As ’t were two summer days in one,
    Two Sundays come together,
Our rays united make one sun,
    With fairest summer weather.

Nature has her dawn each day,
    But mine are rare;
Content, I say, to speak the truth,
    Mine are the brightest, I believe.

For when my sun does rise,
    Even if it’s at noon,
Her finest fields are in shadow,
    Nor can my light stay bright.

Sometimes I enjoy her day,
    Talking with my friend,
But if we share even one ray,
    Her warmth fades right away.

Through his conversation, I climb and see,
    As from some eastern hill,
A brighter tomorrow is rising for me
    Than what she can create.

As if it were two summer days in one,
    Two Sundays joined together,
Our rays combined make one sun,
    With the finest summer weather.

As surely as the sunset in my latest November shall translate me to the ethereal world, and remind me of the ruddy morning of youth; as surely as the last strain of music which falls on my decaying ear shall make age to be forgotten, or, in short, the manifold influences of nature survive during the term of our natural life, so surely my Friend shall forever be my Friend, and reflect a ray of God to me, and time shall foster and adorn and consecrate our Friendship, no less than the ruins of temples. As I love nature, as I love singing birds, and gleaming stubble, and flowing rivers, and morning and evening, and summer and winter, I love thee, my Friend.

As definitely as the sunset in my latest November will take me to the beyond and remind me of the vibrant mornings of my youth; as definitely as the final note of music that reaches my aging ears will make me forget about growing old, or, in short, as the many influences of nature last throughout our lives, so will my Friend always be my Friend, reflecting a glimpse of God to me, and time will nurture, beautify, and bless our Friendship, just like the ruins of temples. Just as I love nature, singing birds, golden fields, flowing rivers, mornings and evenings, and both summer and winter, I love you, my Friend.

But all that can be said of Friendship, is like botany to flowers. How can the understanding take account of its friendliness?

But everything that can be said about friendship is like botany to flowers. How can understanding fully grasp its warmth?

Even the death of Friends will inspire us as much as their lives. They will leave consolation to the mourners, as the rich leave money to defray the expenses of their funerals, and their memories will be incrusted over with sublime and pleasing thoughts, as monuments of other men are overgrown with moss; for our Friends have no place in the graveyard.

Even the death of friends will inspire us just as much as their lives did. They will offer comfort to those grieving, just like the wealthy leave behind money to cover funeral costs, and their memories will be filled with uplifting and comforting thoughts, like how the monuments of others are covered in moss; because our friends don't belong in the graveyard.

This to our cis-Alpine and cis-Atlantic Friends.

This is to our friends in the cis-Alpine and cis-Atlantic regions.

Also this other word of entreaty and advice to the large and respectable nation of Acquaintances, beyond the mountains;—Greeting.

Also, here's another message of request and advice to the large and respected community of Friends, across the mountains;—Hello.

My most serene and irresponsible neighbors, let us see that we have the whole advantage of each other; we will be useful, at least, if not admirable, to one another. I know that the mountains which separate us are high, and covered with perpetual snow, but despair not. Improve the serene winter weather to scale them. If need be, soften the rocks with vinegar. For here lie the verdant plains of Italy ready to receive you. Nor shall I be slow on my side to penetrate to your Provence. Strike then boldly at head or heart or any vital part. Depend upon it, the timber is well seasoned and tough, and will bear rough usage; and if it should crack, there is plenty more where it came from. I am no piece of crockery that cannot be jostled against my neighbor without danger of being broken by the collision, and must needs ring false and jarringly to the end of my days, when once I am cracked; but rather one of the old-fashioned wooden trenchers, which one while stands at the head of the table, and at another is a milking-stool, and at another a seat for children, and finally goes down to its grave not unadorned with honorable scars, and does not die till it is worn out. Nothing can shock a brave man but dulness. Think how many rebuffs every man has experienced in his day; perhaps has fallen into a horse-pond, eaten fresh-water clams, or worn one shirt for a week without washing. Indeed, you cannot receive a shock unless you have an electric affinity for that which shocks you. Use me, then, for I am useful in my way, and stand as one of many petitioners, from toadstool and henbane up to dahlia and violet, supplicating to be put to my use, if by any means ye may find me serviceable; whether for a medicated drink or bath, as balm and lavender; or for fragrance, as verbena and geranium; or for sight, as cactus; or for thoughts, as pansy. These humbler, at least, if not those higher uses.

My dear and carefree neighbors, let’s make sure we take full advantage of each other; we'll be helpful, if not remarkable, to one another. I know the mountains between us are tall and always covered in snow, but don’t lose hope. Use this calm winter weather to climb them. If necessary, soften the rocks with vinegar. Here lie the lush plains of Italy, ready to welcome you. I won't hesitate to reach out to your Provence either. So go ahead and make a bold move at any point that matters. Trust me, the wood is well-prepared and durable, and it can handle wear and tear; if it breaks, there’s always more where it came from. I’m not some fragile dish that can't withstand a little bump from my neighbor without the risk of breaking and sounding off-key for the rest of my days once I’m cracked; I’m more like one of those old wooden plates that can serve at the table, be a milking stool, act as a seat for kids, and ultimately goes to its end not without some honorable marks, and doesn’t fade away until it’s completely worn out. Nothing can truly shock a brave person except boredom. Think about how many setbacks each person faces throughout their lives; maybe they’ve fallen into a muddy pond, eaten raw clams, or gone a week wearing the same shirt without washing it. In fact, you can’t really be shocked unless there’s something in you that resonates with whatever’s shocking you. So, use me if you can; I'm of value in my own way and stand among many petitioners, from mushrooms and henbane to dahlias and violets, begging to be put to good use, whether it’s for a medicinal drink or bath, like balm and lavender; or for scent, like verbena and geranium; or for sight, like cactus; or for thoughts, like pansy. These simpler uses, at the very least, if not those greater ones.

Ah, my dear Strangers and Enemies, I would not forget you. I can well afford to welcome you. Let me subscribe myself Yours ever and truly,—your much obliged servant. We have nothing to fear from our foes; God keeps a standing army for that service; but we have no ally against our Friends, those ruthless Vandals.

Ah, my dear Strangers and Enemies, I won't forget you. I'm more than happy to welcome you. Let me sign off as Yours forever and truly,—your grateful servant. We have nothing to fear from our enemies; God has a constant army for that purpose; but we have no protection against our Friends, those relentless Vandals.

Once more to one and all,

Once again, everyone,

“Friends, Romans, Countrymen, and Lovers.”

Let such pure hate still underprop
Our love, that we may be
Each other’s conscience.
And have our sympathy
Mainly from thence.

We’ll one another treat like gods,
And all the faith we have
In virtue and in truth, bestow
On either, and suspicion leave
To gods below.

Two solitary stars,—
Unmeasured systems far
Between us roll,
But by our conscious light we are
Determined to one pole.

What need confound the sphere,—
Love can afford to wait,
For it no hour’s too late
That witnesseth one duty’s end,
Or to another doth beginning lend.

It will subserve no use,
More than the tints of flowers,
Only the independent guest
Frequents its bowers,
Inherits its bequest.

No speech though kind has it,
But kinder silence doles
Unto its mates,
By night consoles,
By day congratulates.

What saith the tongue to tongue?
What heareth ear of ear?
By the decrees of fate
From year to year,
Does it communicate.

Pathless the gulf of feeling yawns,—
No trivial bridge of words,
Or arch of boldest span,
Can leap the moat that girds
The sincere man.

No show of bolts and bars
Can keep the foeman out,
Or ’scape his secret mine
Who entered with the doubt
That drew the line.

No warder at the gate
Can let the friendly in,
But, like the sun, o’er all
He will the castle win,
And shine along the wall.

There’s nothing in the world I know
That can escape from love,
For every depth it goes below,
And every height above.

It waits as waits the sky,
Until the clouds go by,
Yet shines serenely on
With an eternal day,
Alike when they are gone,
And when they stay.

Implacable is Love,—
Foes may be bought or teased
From their hostile intent,
But he goes unappeased
Who is on kindness bent.

“Friends, Romans, Countrymen, and Lovers.”

Let such pure hate still support
Our love, so we may be
Each other’s conscience.
And have our understanding
Mainly from that.

We’ll treat each other like gods,
And all the trust we have
In virtue and in truth, give
To one another, leaving doubt
To the gods below.

Two lonely stars,—
Unmeasured systems far
Between us roll,
But by our shared light we are
Determined to one direction.

What need to complicate things,—
Love can afford to wait,
For there’s no time too late
That witnesses one duty’s end,
Or to another gives a start.

It serves no purpose,
More than the colors of flowers,
Only the independent guest
Visits its spots,
Inherits its gift.

No words, though kind, have it,
But kinder silence gives
To those close,
By night comforts,
By day celebrates.

What does one tongue say to another?
What does one ear hear from another?
By the laws of fate
From year to year,
Does it communicate.

Boundless is the gulf of feeling,—
No trivial bridge of words,
Or boldest arch,
Can cross the moat that surrounds
The sincere person.

No display of locks and bars
Can keep the enemy out,
Or escape his secret plan
Who entered with the doubt
That drew the line.

No guard at the gate
Can let the friendly in,
But, like the sun, over all
He will conquer the castle,
And shine along the wall.

There’s nothing in the world I know
That can escape from love,
For every depth it goes below,
And every height above.

It waits like the sky,
Until the clouds pass,
Yet shines steadily on
With an eternal day,
Whether they are gone,
Or when they stay.

Unyielding is Love,—
Enemies can be bought or teased
From their hostile intent,
But he remains unappeased
Who is set on kindness.

Having rowed five or six miles above Amoskeag before sunset, and reached a pleasant part of the river, one of us landed to look for a farm-house, where we might replenish our stores, while the other remained cruising about the stream, and exploring the opposite shores to find a suitable harbor for the night. In the mean while the canal-boats began to come round a point in our rear, poling their way along close to the shore, the breeze having quite died away. This time there was no offer of assistance, but one of the boatmen only called out to say, as the truest revenge for having been the losers in the race, that he had seen a wood-duck, which we had scared up, sitting on a tall white-pine, half a mile down stream; and he repeated the assertion several times, and seemed really chagrined at the apparent suspicion with which this information was received. But there sat the summer duck still, undisturbed by us.

Having rowed five or six miles upstream from Amoskeag before sunset and reached a nice spot on the river, one of us got out to look for a farmhouse where we could restock our supplies, while the other stayed on the water, exploring the opposite shores for a good place to anchor for the night. In the meantime, the canal boats started to round a bend behind us, pushing along close to the shore since the breeze had died down. This time, there was no offer of help, but one of the boatmen called out to say, as a way to get back at us for losing the race, that he had seen a wood-duck, which we had startled, perched on a tall white pine half a mile downstream; he repeated this several times and seemed genuinely upset at the doubtfulness with which we received his news. But there sat the summer duck, still undisturbed by us.

By and by the other voyageur returned from his inland expedition, bringing one of the natives with him, a little flaxen-headed boy, with some tradition, or small edition, of Robinson Crusoe in his head, who had been charmed by the account of our adventures, and asked his father’s leave to join us. He examined, at first from the top of the bank, our boat and furniture, with sparkling eyes, and wished himself already his own man. He was a lively and interesting boy, and we should have been glad to ship him; but Nathan was still his father’s boy, and had not come to years of discretion.

Eventually, the other traveler returned from his inland journey, bringing with him a native boy with light hair. This little boy had some version of the story of Robinson Crusoe in his mind and was captivated by our adventures, asking his father if he could join us. He initially observed our boat and gear from the top of the bank, his eyes shining with excitement, wishing he could be his own person. He was a lively and engaging boy, and we would have loved to take him on board, but Nathan was still his father's son and hadn't yet reached an age of maturity.

We had got a loaf of home-made bread, and musk and water melons for dessert. For this farmer, a clever and well-disposed man, cultivated a large patch of melons for the Hooksett and Concord markets. He hospitably entertained us the next day, exhibiting his hop-fields and kiln and melon-patch, warning us to step over the tight rope which surrounded the latter at a foot from the ground, while he pointed to a little bower at one corner, where it connected with the lock of a gun ranging with the line, and where, as he informed us, he sometimes sat in pleasant nights to defend his premises against thieves. We stepped high over the line, and sympathized with our host’s on the whole quite human, if not humane, interest in the success of his experiment. That night especially thieves were to be expected, from rumors in the atmosphere, and the priming was not wet. He was a Methodist man, who had his dwelling between the river and Uncannunuc Mountain; who there belonged, and stayed at home there, and by the encouragement of distant political organizations, and by his own tenacity, held a property in his melons, and continued to plant. We suggested melon-seeds of new varieties and fruit of foreign flavor to be added to his stock. We had come away up here among the hills to learn the impartial and unbribable beneficence of Nature. Strawberries and melons grow as well in one man’s garden as another’s, and the sun lodges as kindly under his hillside,—when we had imagined that she inclined rather to some few earnest and faithful souls whom we know.

We had a loaf of homemade bread and musk and watermelons for dessert. This farmer, a smart and friendly guy, cultivated a big patch of melons for the Hooksett and Concord markets. He graciously hosted us the next day, showing us his hop fields, kiln, and melon patch, warning us to step over the tight rope that surrounded the latter, which was just a foot off the ground. He pointed to a little shelter in one corner, where it connected with a gun, and told us he sometimes sat there on nice nights to protect his property from thieves. We carefully stepped over the rope and understood our host's completely human, albeit not entirely humane, concerns about his experiment's success. That night in particular, thieves were expected due to rumors in the air, and the priming wasn't wet. He was a Methodist man who lived between the river and Uncannunuc Mountain; he belonged there, stayed home, and, with encouragement from far-off political groups and his own determination, owned the rights to his melons and continued to plant. We suggested adding new varieties of melon seeds and fruits with exotic flavors to his collection. We had come up among the hills to learn about the unbiased and unbribable generosity of Nature. Strawberries and melons grow just as well in one person's garden as in another's, and the sun shines just as kindly on his hillside—although we had thought it favored a few earnest and dedicated souls we know.

We found a convenient harbor for our boat on the opposite or east shore, still in Hooksett, at the mouth of a small brook which emptied into the Merrimack, where it would be out of the way of any passing boat in the night,—for they commonly hug the shore if bound up stream, either to avoid the current, or touch the bottom with their poles,—and where it would be accessible without stepping on the clayey shore. We set one of our largest melons to cool in the still water among the alders at the mouth of this creek, but when our tent was pitched and ready, and we went to get it, it had floated out into the stream, and was nowhere to be seen. So taking the boat in the twilight, we went in pursuit of this property, and at length, after long straining of the eyes, its green disk was discovered far down the river, gently floating seaward with many twigs and leaves from the mountains that evening, and so perfectly balanced that it had not keeled at all, and no water had run in at the tap which had been taken out to hasten its cooling.

We found a convenient harbor for our boat on the east shore, still in Hooksett, at the mouth of a small brook that flowed into the Merrimack. This spot was sheltered from any passing boats at night, since they typically hug the shore when heading upstream, either to avoid the current or to use their poles to gauge the depth. Plus, it was easily accessible without having to step on the muddy bank. We placed one of our biggest melons to cool in the still water among the alders at the creek’s mouth, but after we set up our tent and were ready to retrieve it, we found it had floated away into the stream and was nowhere in sight. So, we took the boat out at twilight to search for our lost melon, and finally, after straining our eyes for a long time, we spotted its green outline far down the river, gently drifting downstream with twigs and leaves from the mountains that evening. It was perfectly balanced, not tilting at all, and no water had spilled in through the hole we made to help it cool off.

As we sat on the bank eating our supper, the clear light of the western sky fell on the eastern trees, and was reflected in the water, and we enjoyed so serene an evening as left nothing to describe. For the most part we think that there are few degrees of sublimity, and that the highest is but little higher than that which we now behold; but we are always deceived. Sublimer visions appear, and the former pale and fade away. We are grateful when we are reminded by interior evidence of the permanence of universal laws; for our faith is but faintly remembered, indeed, is not a remembered assurance, but a use and enjoyment of knowledge. It is when we do not have to believe, but come into actual contact with Truth, and are related to her in the most direct and intimate way. Waves of serener life pass over us from time to time, like flakes of sunlight over the fields in cloudy weather. In some happier moment, when more sap flows in the withered stalk of our life, Syria and India stretch away from our present as they do in history. All the events which make the annals of the nations are but the shadows of our private experiences. Suddenly and silently the eras which we call history awake and glimmer in us, and there is room for Alexander and Hannibal to march and conquer. In short, the history which we read is only a fainter memory of events which have happened in our own experience. Tradition is a more interrupted and feebler memory.

As we sat on the riverbank eating our dinner, the clear light of the western sky shone on the eastern trees and reflected in the water, creating a serene evening that felt perfect beyond words. Mostly, we think there are few levels of greatness, and that the highest is only slightly above what we’re experiencing now; but we often get it wrong. Greater visions arise, and the previous ones dim and disappear. We feel grateful when we're reminded by our inner feelings of the consistency of universal laws; our faith is more of a faint recollection—it's not a remembered certainty but rather a practical use and enjoyment of knowledge. It’s when we don't just have to believe, but actually come into direct contact with Truth, connecting with it in the most immediate and personal way. Waves of peaceful life wash over us from time to time, like patches of sunlight on fields during cloudy weather. In some happier moments, when more life flows in the withered stalks of our existence, Syria and India stretch away from our present as they do in history. All the events that make up the histories of nations are just shadows of our personal experiences. Suddenly and silently, the eras we call history awaken and shimmer within us, and there's space for Alexander and Hannibal to march and conquer. In short, the history we read is just a fainter recollection of events that have occurred in our own lives. Tradition is a more disrupted and weaker memory.

This world is but canvas to our imaginations. I see men with infinite pains endeavoring to realize to their bodies, what I, with at least equal pains, would realize to my imagination,—its capacities; for certainly there is a life of the mind above the wants of the body, and independent of it. Often the body is warmed, but the imagination is torpid; the body is fat, but the imagination is lean and shrunk. But what avails all other wealth if this is wanting? “Imagination is the air of mind,” in which it lives and breathes. All things are as I am. Where is the House of Change? The past is only so heroic as we see it. It is the canvas on which our idea of heroism is painted, and so, in one sense, the dim prospectus of our future field. Our circumstances answer to our expectations and the demand of our natures. I have noticed that if a man thinks that he needs a thousand dollars, and cannot be convinced that he does not, he will commonly be found to have them; if he lives and thinks a thousand dollars will be forthcoming, though it be to buy shoe-strings with. A thousand mills will be just as slow to come to one who finds it equally hard to convince himself that he needs them.

This world is just a canvas for our imaginations. I see people working tirelessly to turn into reality what I, with at least as much effort, want to bring to life in my mind—its possibilities; because there is definitely a life of the mind that goes beyond physical needs and exists independently of them. Often the body is energized, but the imagination is sluggish; the body may be full, but the imagination is thin and shriveled. But what good is all other wealth if this is missing? “Imagination is the air of the mind,” in which it thrives and flourishes. Everything reflects who I am. Where is the House of Change? The past is only as heroic as we perceive it. It serves as the canvas for our idea of heroism and, in a way, offers a vague preview of our future path. Our situations correspond to our expectations and the demands of our nature. I've observed that if someone believes they need a thousand dollars and can't be convinced otherwise, they are usually able to find that amount; if they live and believe a thousand dollars will appear, even if it's just to buy shoelaces. A thousand mills will come just as slowly to someone who struggles to convince themselves that they need them.

Men are by birth equal in this, that given
Themselves and their condition, they are even.

Men are born equal in this: given
Who they are and their circumstances, they are equal.

I am astonished at the singular pertinacity and endurance of our lives. The miracle is, that what is is, when it is so difficult, if not impossible, for anything else to be; that we walk on in our particular paths so far, before we fall on death and fate, merely because we must walk in some path; that every man can get a living, and so few can do anything more. So much only can I accomplish ere health and strength are gone, and yet this suffices. The bird now sits just out of gunshot. I am never rich in money, and I am never meanly poor. If debts are incurred, why, debts are in the course of events cancelled, as it were by the same law by which they were incurred. I heard that an engagement was entered into between a certain youth and a maiden, and then I heard that it was broken off, but I did not know the reason in either case. We are hedged about, we think, by accident and circumstance, now we creep as in a dream, and now again we run, as if there were a fate in it, and all things thwarted or assisted. I cannot change my clothes but when I do, and yet I do change them, and soil the new ones. It is wonderful that this gets done, when some admirable deeds which I could mention do not get done. Our particular lives seem of such fortune and confident strength and durability as piers of solid rock thrown forward into the tide of circumstance. When every other path would fail, with singular and unerring confidence we advance on our particular course. What risks we run! famine and fire and pestilence, and the thousand forms of a cruel fate,—and yet every man lives till he—dies. How did he manage that? Is there no immediate danger? We wonder superfluously when we hear of a somnambulist walking a plank securely,—we have walked a plank all our lives up to this particular string-piece where we are. My life will wait for nobody, but is being matured still without delay, while I go about the streets, and chaffer with this man and that to secure it a living. It is as indifferent and easy meanwhile as a poor man’s dog, and making acquaintance with its kind. It will cut its own channel like a mountain stream, and by the longest ridge is not kept from the sea at last. I have found all things thus far, persons and inanimate matter, elements and seasons, strangely adapted to my resources. No matter what imprudent haste in my career; I am permitted to be rash. Gulfs are bridged in a twinkling, as if some unseen baggage-train carried pontoons for my convenience, and while from the heights I scan the tempting but unexplored Pacific Ocean of Futurity, the ship is being carried over the mountains piecemeal on the backs of mules and lamas, whose keel shall plough its waves, and bear me to the Indies. Day would not dawn if it were not for

I’m amazed by the stubbornness and resilience of our lives. The miracle is that what exists, exists, even when it's so difficult, if not impossible, for anything else to exist; that we keep walking along our paths until we face death and fate, simply because we must choose some path; that every person can make a living, yet so few can do anything more. I can only accomplish so much before my health and strength are gone, and still, that’s enough. The bird now sits just out of range. I’m never rich, but I’m never desperately poor either. If I rack up debts, well, debts get canceled eventually, just like they were incurred. I heard about a certain guy who got engaged to a girl, then that engagement was called off, but I never found out why in either case. We think we’re surrounded by chance and circumstance; sometimes we move through life as if in a dream, and other times we rush forward, as if there’s some fate at play, with everything either hindering or helping us. I can’t change my clothes except when I do, and yet I do change them and dirty the new ones. It’s amazing that this happens, especially when some remarkable actions that I could mention do not. Our individual lives seem to possess such fortune, confidence, strength, and durability like solid rock jutting into the waves of circumstance. When every other path could fail, we advance on our chosen course with singular and unwavering confidence. What risks do we take! Famine, fire, disease, and countless forms of harsh fate—and yet every person lives until they die. How do we manage that? Is there no immediate danger? We wonder unnecessarily when we hear about someone sleepwalking on a plank safely—we’ve been walking our own plank all our lives up to this very point where we are. My life won’t wait for anyone, but it continues to grow without delay while I navigate the streets, bargaining with various people to secure it a living. In the meantime, it’s as carefree and easy as a poor man’s dog, making friends with others like it. It’ll carve its own path like a mountain stream, and by the longest ridges, it won't be kept from reaching the sea in the end. So far, I’ve found everything—people, objects, elements, and seasons—strangely in tune with my resources. No matter what hasty decisions I’ve made; I’m allowed to be reckless. Gaps are crossed in an instant, as if an unseen cargo train is carrying pontoons for my convenience, and while I scan the tempting yet unexplored Pacific Ocean of the future from above, the ship is being transported over the mountains bit by bit on the backs of mules and llamas, ready to plow its waves and take me to the Indies. Day wouldn’t break if it weren’t for...

THE INWARD MORNING

Packed in my mind lie all the clothes
    Which outward nature wears,
And in its fashion’s hourly change
    It all things else repairs.

In vain I look for change abroad,
    And can no difference find,
Till some new ray of peace uncalled
    Illumes my inmost mind.

What is it gilds the trees and clouds,
    And paints the heavens so gay,
But yonder fast-abiding light
    With its unchanging ray?

Lo, when the sun streams through the wood,
    Upon a winter’s morn,
Where’er his silent beams intrude,
    The murky night is gone.

How could the patient pine have known
    The morning breeze would come,
Or humble flowers anticipate
    The insect’s noonday hum,—

Till the new light with morning cheer
    From far streamed through the aisles,
And nimbly told the forest trees
    For many stretching miles?

I’ve heard within my inmost soul
    Such cheerful morning news,
In the horizon of my mind
    Have seen such orient hues,

As in the twilight of the dawn,
    When the first birds awake,
Are heard within some silent wood,
    Where they the small twigs break,

Or in the eastern skies are seen,
    Before the sun appears,
The harbingers of summer heats
    Which from afar he bears.

Packed in my mind are all the clothes
That nature shows outside,
And in its ever-changing style
It fixes everything else inside.

I search in vain for change around,
And can't find any differences,
Until some new, uninvited ray of peace
Lights up my deepest thoughts.

What is it that brightens the trees and clouds,
And colors the sky so brightly,
But that constant, shining light
With its unchanging glow?

Look, when the sun streams through the woods,
On a winter morning,
Wherever his silent rays touch,
The dark of night disappears.

How could the patient pine ever know
The morning breeze would show up,
Or humble flowers predict
The buzzing of insects at noon,—

Until the new light brings morning joy
From far away through the aisles,
And tells the forest trees
For many miles around?

I've felt within my deepest soul
Such joyful morning news,
In the horizon of my mind
I've seen such bright colors,

Like in the twilight of dawn,
When the first birds wake,
Are heard in some quiet woods,
As they break the small twigs,

Or in the skies to the east are seen,
Before the sun shows up,
The signs of summer heat
Which he carries from afar.

Whole weeks and months of my summer life slide away in thin volumes like mist and smoke, till at length, some warm morning, perchance, I see a sheet of mist blown down the brook to the swamp, and I float as high above the fields with it. I can recall to mind the stillest summer hours, in which the grasshopper sings over the mulleins, and there is a valor in that time the bare memory of which is armor that can laugh at any blow of fortune. For our lifetime the strains of a harp are heard to swell and die alternately, and death is but “the pause when the blast is recollecting itself.”

Whole weeks and months of my summer life slip away in thin wisps like mist and smoke, until finally, on some warm morning, I might see a sheet of mist being carried down the brook to the swamp, and I drift as high above the fields with it. I can remember the calmest summer moments, when the grasshopper sings over the mulleins, and there's a strength in that time whose mere memory acts as armor that can shrug off any misfortune. Throughout our lives, we hear the notes of a harp swelling and fading alternately, and death is just “the pause when the blast is gathering itself.”

We lay awake a long while, listening to the murmurs of the brook, in the angle formed by whose bank with the river our tent was pitched, and there was a sort of human interest in its story, which ceases not in freshet or in drought the livelong summer, and the profounder lapse of the river was quite drowned by its din. But the rill, whose

We stayed awake for a long time, listening to the sounds of the brook where our tent was set up at the bend between it and the river. There was something relatable in its story that continued all summer long, whether it was flooding or dry, and the deeper flow of the river was completely overshadowed by its noise. But the stream, whose

“Silver sands and pebbles sing
Eternal ditties with the spring,”

“Silver sands and pebbles sing
Timeless tunes with the spring,”

is silenced by the first frosts of winter, while mightier streams, on whose bottom the sun never shines, clogged with sunken rocks and the ruins of forests, from whose surface comes up no murmur, are strangers to the icy fetters which bind fast a thousand contributary rills.

is silenced by the first frosts of winter, while larger streams, where the sun never shines on the bottom, filled with submerged rocks and the remains of forests, from which no sound rises, are not affected by the icy chains that tightly bind a thousand smaller streams.

I dreamed this night of an event which had occurred long before. It was a difference with a Friend, which had not ceased to give me pain, though I had no cause to blame myself. But in my dream ideal justice was at length done me for his suspicions, and I received that compensation which I had never obtained in my waking hours. I was unspeakably soothed and rejoiced, even after I awoke, because in dreams we never deceive ourselves, nor are deceived, and this seemed to have the authority of a final judgment.

I dreamed last night about an event that happened a long time ago. It was a disagreement with a friend that still hurt me, even though I had no reason to blame myself. But in my dream, I finally got the justice I deserved for his suspicions, and I received the closure that I had never found while awake. I felt incredibly comforted and happy, even after I woke up, because in dreams, we are never deceived and we never deceive ourselves, and this felt like a final decision.

We bless and curse ourselves. Some dreams are divine, as well as some waking thoughts. Donne sings of one

We bless and curse ourselves. Some dreams are heavenly, just like some of our waking thoughts. Donne sings about one.

“Who dreamt devoutlier than most use to pray.”

“Who dreamed more devoutly than most pray.”

Dreams are the touchstones of our characters. We are scarcely less afflicted when we remember some unworthiness in our conduct in a dream, than if it had been actual, and the intensity of our grief, which is our atonement, measures the degree by which this is separated from an actual unworthiness. For in dreams we but act a part which must have been learned and rehearsed in our waking hours, and no doubt could discover some waking consent thereto. If this meanness had not its foundation in us, why are we grieved at it? In dreams we see ourselves naked and acting out our real characters, even more clearly than we see others awake. But an unwavering and commanding virtue would compel even its most fantastic and faintest dreams to respect its ever-wakeful authority; as we are accustomed to say carelessly, we should never have dreamed of such a thing. Our truest life is when we are in dreams awake.

Dreams are the benchmarks of our character. We're barely less troubled when we recall some shameful behavior in a dream than if it had actually happened, and the depth of our sorrow, which serves as our atonement, reflects how far removed this is from real wrongdoing. In dreams, we merely play a role that must have been learned and practiced in our waking life, and there’s no doubt that some waking part of us consented to it. If this wrongdoing didn’t have its roots in us, why would we feel upset about it? In dreams, we see ourselves exposed and acting out our true selves, even more clearly than we see others when we’re awake. But unwavering and strong virtue would demand that even its wildest and faintest dreams obey its ever-alert authority; as we like to say casually, we should never have dreamed of such a thing. Our truest life is when we’re awake in our dreams.

“And, more to lulle him in his slumber soft,
A trickling streame from high rock tumbling downe,
And ever-drizzling raine upon the loft,
Mixt with a murmuring winde, much like the sowne
Of swarming bees, did cast him in a swowne.
No other noyse, nor people’s troublous cryes,
As still are wont t’ annoy the walled towne,
Might there be heard; but careless Quiet lyes
Wrapt in eternall silence farre from enemyes.”

“And, to help him drift into a gentle sleep,
A trickling stream tumbles down from high rocks,
Along with a light rain falling from above,
Mixed with a murmuring wind, much like the sound
Of swarming bees, lulled him into a daze.
No other noise, nor the troubling cries of people,
As is common to disturb the walled town,
Could be heard there; but peaceful Quiet lies
Wrapped in eternal silence, far from enemies.”

THURSDAY

“He trode the unplanted forest floor, whereon
The all-seeing sun for ages hath not shone,
Where feeds the moose, and walks the surly bear,
And up the tall mast runs the woodpecker.
     *     *     *     *     *
Where darkness found him he lay glad at night;
There the red morning touched him with its light.
     *     *     *     *     *
Go where he will, the wise man is at home,
His hearth the earth,—his hall the azure dome;
Where his clear spirit leads him, there’s his road,
By God’s own light illumined and foreshowed.”

“He walked on the untouched forest floor, where
The all-seeing sun hasn’t shone for ages,
Where the moose grazes and the grumpy bear roams,
And up the tall tree, the woodpecker climbs.
     *     *     *     *     *
Where darkness found him, he lay content at night;
There the red morning greeted him with its light.
     *     *     *     *     *
Wherever he goes, the wise man feels at home,
The earth is his hearth,—the sky is his hall;
Wherever his clear spirit guides him is his path,
Illuminated and shown by God’s own light.”

EMERSON.

EMERSON.

When we awoke this morning, we heard the faint, deliberate, and ominous sound of rain-drops on our cotton roof. The rain had pattered all night, and now the whole country wept, the drops falling in the river, and on the alders, and in the pastures, and instead of any bow in the heavens, there was the trill of the hair-bird all the morning. The cheery faith of this little bird atoned for the silence of the whole woodland choir beside. When we first stepped abroad, a flock of sheep, led by their rams, came rushing down a ravine in our rear, with heedless haste and unreserved frisking, as if unobserved by man, from some higher pasture where they had spent the night, to taste the herbage by the river-side; but when their leaders caught sight of our white tent through the mist, struck with sudden astonishment, with their fore-feet braced, they sustained the rushing torrent in their rear, and the whole flock stood stock-still, endeavoring to solve the mystery in their sheepish brains. At length, concluding that it boded no mischief to them, they spread themselves out quietly over the field. We learned afterward that we had pitched our tent on the very spot which a few summers before had been occupied by a party of Penobscots. We could see rising before us through the mist a dark conical eminence called Hooksett Pinnacle, a landmark to boatmen, and also Uncannunuc Mountain, broad off on the west side of the river.

When we woke up this morning, we heard the soft, intentional, and eerie sound of raindrops hitting our cotton roof. The rain had been falling all night, and now the whole country seemed to be crying, with drops landing in the river, on the alders, and in the pastures. Instead of a rainbow in the sky, we heard the cheerful song of a little bird all morning. This bird's happy spirit made up for the silence of the rest of the woods. When we stepped outside, a flock of sheep, led by their rams, came rushing down a ravine behind us, moving quickly and playfully as if no one was watching them. They were coming from a higher pasture where they had spent the night, eager to munch on the grass by the riverbank. But when their leaders spotted our white tent through the mist, they suddenly stopped in shock, bracing themselves on their front feet. The entire flock froze in place, trying to figure out what was going on in their simple minds. Eventually, deciding it didn't seem threatening, they spread out calmly across the field. Later, we found out that we had set up our tent right on the spot where a group of Penobscots had camped a few summers before. We could see through the mist a dark cone-shaped hill called Hooksett Pinnacle, a landmark for boaters, as well as Uncannunuc Mountain, broad on the west side of the river.

This was the limit of our voyage, for a few hours more in the rain would have taken us to the last of the locks, and our boat was too heavy to be dragged around the long and numerous rapids which would occur. On foot, however, we continued up along the bank, feeling our way with a stick through the showery and foggy day, and climbing over the slippery logs in our path with as much pleasure and buoyancy as in brightest sunshine; scenting the fragrance of the pines and the wet clay under our feet, and cheered by the tones of invisible waterfalls; with visions of toadstools, and wandering frogs, and festoons of moss hanging from the spruce-trees, and thrushes flitting silent under the leaves; our road still holding together through that wettest of weather, like faith, while we confidently followed its lead. We managed to keep our thoughts dry, however, and only our clothes were wet. It was altogether a cloudy and drizzling day, with occasional brightenings in the mist, when the trill of the tree-sparrow seemed to be ushering in sunny hours.

This marked the end of our journey, as spending a few more hours in the rain would have taken us to the last of the locks, and our boat was too heavy to be pulled around the long and numerous rapids ahead. On foot, we continued along the bank, navigating with a stick through the rainy and foggy day, climbing over the slippery logs in our way with just as much joy and energy as if it were bright sunshine; enjoying the scent of the pines and the wet clay beneath our feet, and buoyed by the sounds of unseen waterfalls; imagining toadstools, wandering frogs, and strands of moss hanging from the spruce trees, with thrushes silently flitting beneath the leaves; our path still holding together through that rainiest of weather, like faith, as we confidently followed its lead. We managed to keep our thoughts dry, and only our clothes ended up wet. Overall, it was a cloudy and drizzly day, with occasional breaks in the mist, when the trill of the tree-sparrow seemed to be welcoming in sunny hours.

“Nothing that naturally happens to man can hurt him, earthquakes and thunder-storms not excepted,” said a man of genius, who at this time lived a few miles farther on our road. When compelled by a shower to take shelter under a tree, we may improve that opportunity for a more minute inspection of some of Nature’s works. I have stood under a tree in the woods half a day at a time, during a heavy rain in the summer, and yet employed myself happily and profitably there prying with microscopic eye into the crevices of the bark or the leaves or the fungi at my feet. “Riches are the attendants of the miser; and the heavens rain plenteously upon the mountains.” I can fancy that it would be a luxury to stand up to one’s chin in some retired swamp a whole summer day, scenting the wild honeysuckle and bilberry blows, and lulled by the minstrelsy of gnats and mosquitoes! A day passed in the society of those Greek sages, such as described in the Banquet of Xenophon, would not be comparable with the dry wit of decayed cranberry vines, and the fresh Attic salt of the moss-beds. Say twelve hours of genial and familiar converse with the leopard frog; the sun to rise behind alder and dogwood, and climb buoyantly to his meridian of two hands’ breadth, and finally sink to rest behind some bold western hummock. To hear the evening chant of the mosquito from a thousand green chapels, and the bittern begin to boom from some concealed fort like a sunset gun!—Surely one may as profitably be soaked in the juices of a swamp for one day as pick his way dry-shod over sand. Cold and damp,—are they not as rich experience as warmth and dryness?

“Nothing that naturally happens to a person can hurt them, not even earthquakes or thunderstorms,” said a brilliant man who lived a few miles further down our path. When we’re forced to seek shelter under a tree because of rain, we can take the chance to closely inspect some of Nature’s creations. I’ve spent half a day standing under a tree in the woods during a heavy summer rain, happily and productively using my keen observation to explore the crevices of the bark, the leaves, or the fungi at my feet. “Wealth attracts the greedy, and the heavens shower abundance on the mountains.” I can imagine it would be a luxury to stand in a quiet swamp all day in the summer, breathing in the scent of wild honeysuckle and bilberry blooms, lulled by the music of gnats and mosquitoes! A day spent with those Greek philosophers, like those described in Xenophon's Symposium, wouldn’t compare to the dry humor of decaying cranberry vines or the fresh Attic salt of the moss beds. Imagine twelve hours of pleasant and easy conversation with the leopard frog; the sun rising behind the alders and dogwoods, climbing steadily to its zenith, and finally setting behind a prominent western hill. To hear the evening song of the mosquito from a thousand green sanctuaries, and the bittern starting to sound from a hidden spot like a sunset cannon!—Surely one could gain just as much from spending a day immersed in the essence of a swamp as from crossing over dry sand. Cold and damp—aren’t they just as enriching an experience as warmth and dryness?

At present, the drops come trickling down the stubble while we lie drenched on a bed of withered wild oats, by the side of a bushy hill, and the gathering in of the clouds, with the last rush and dying breath of the wind, and then the regular dripping of twigs and leaves the country over, enhance the sense of inward comfort and sociableness. The birds draw closer and are more familiar under the thick foliage, seemingly composing new strains upon their roosts against the sunshine. What were the amusements of the drawing-room and the library in comparison, if we had them here? We should still sing as of old,—

Right now, the raindrops are trickling down the stubble while we lie soaked on a bed of dried wild oats, next to a bushy hill. The gathering clouds, along with the last gusts and fading breath of the wind, and the steady dripping from twigs and leaves all around the countryside, make us feel cozy and connected. The birds come closer and seem more at ease under the thick leaves, as if they’re creating new melodies on their perches in the sunlight. What could the entertainment of the drawing-room and the library compare to this? We would still sing as we used to,—

My books I’d fain cast off, I cannot read,
’Twixt every page my thoughts go stray at large
Down in the meadow, where is richer feed,
And will not mind to hit their proper targe.

Plutarch was good, and so was Homer too,
Our Shakespeare’s life were rich to live again,
What Plutarch read, that was not good nor true,
Nor Shakespeare’s books, unless his books were men.

Here while I lie beneath this walnut bough,
What care I for the Greeks or for Troy town,
If juster battles are enacted now
Between the ants upon this hummock’s crown?

Bid Homer wait till I the issue learn,
If red or black the gods will favor most,
Or yonder Ajax will the phalanx turn,
Struggling to heave some rock against the host.

Tell Shakespeare to attend some leisure hour,
For now I’ve business with this drop of dew,
And see you not, the clouds prepare a shower,—
I’ll meet him shortly when the sky is blue.

This bed of herd’s-grass and wild oats was spread
Last year with nicer skill than monarchs use,
A clover tuft is pillow for my head,
And violets quite overtop my shoes.

And now the cordial clouds have shut all in
And gently swells the wind to say all’s well
The scattered drops are falling fast and thin,
Some in the pool, some in the flower-bell.

I am well drenched upon my bed of oats;
But see that globe come rolling down its stem
Now like a lonely planet there it floats,
And now it sinks into my garment’s hem.

Drip drip the trees for all the country round,
And richness rare distils from every bough,
The wind alone it is makes every sound,
Shaking down crystals on the leaves below.

For shame the sun will never show himself,
Who could not with his beams e’er melt me so,
My dripping locks,—they would become an elf,
Who in a beaded coat does gayly go.

My books, I wish I could set aside, I can't read,
With every page my thoughts wander freely
Down to the meadow, where there's better feed,
And they won't aim for their proper target.

Plutarch was great, and so was Homer too,
Living our Shakespeare’s life would be rich again,
What Plutarch read wasn't good or true,
Nor were Shakespeare’s books, unless his books were people.

Here I lie beneath this walnut tree,
What do I care for the Greeks or for Troy,
If fairer battles are happening now
Between the ants on this little hill's top?

Tell Homer to wait until I find out,
If red or black the gods will favor most,
Or whether Ajax will shift the phalanx,
Struggling to lift some rock against the army.

Tell Shakespeare to wait for some free time,
Because right now I have business with this drop of dew,
And can’t you see, the clouds are gathering for a shower—
I’ll catch up with him when the sky is clear.

This bed of grass and wild oats was laid out
Last year with more care than kings usually use,
A clover patch serves as my pillow,
And violets nearly cover my shoes.

And now the friendly clouds have enclosed everything
And the wind rises gently to say all’s well,
The scattered drops are falling fast and thin,
Some in the puddle, some in the flower bell.

I’m getting soaked on my bed of oats;
But look at that drop rolling down its stem,
Now like a lonely planet it floats there,
And now it sinks into the hem of my garment.

Drip drip, the trees are wet all around,
And rare richness drips from every branch,
The wind alone makes every sound,
Shaking down crystals on the leaves below.

Shame on the sun for never showing himself,
Who could never with his rays melt me so,
My dripping hair—they’d suit an elf,
Who goes merrily in a beaded coat.

The Pinnacle is a small wooded hill which rises very abruptly to the height of about two hundred feet, near the shore at Hooksett Falls. As Uncannunuc Mountain is perhaps the best point from which to view the valley of the Merrimack, so this hill affords the best view of the river itself. I have sat upon its summit, a precipitous rock only a few rods long, in fairer weather, when the sun was setting and filling the river valley with a flood of light. You can see up and down the Merrimack several miles each way. The broad and straight river, full of light and life, with its sparkling and foaming falls, the islet which divides the stream, the village of Hooksett on the shore almost directly under your feet, so near that you can converse with its inhabitants or throw a stone into its yards, the woodland lake at its western base, and the mountains in the north and northeast, make a scene of rare beauty and completeness, which the traveller should take pains to behold.

The Pinnacle is a small wooded hill that rises steeply to about two hundred feet, near the shore at Hooksett Falls. While Uncannunuc Mountain might be the best spot to view the Merrimack Valley, this hill offers the best view of the river itself. I've sat on its summit, a steep rock only a short distance long, during clear weather, when the sun was setting and casting light over the river valley. You can see several miles up and down the Merrimack in both directions. The wide, straight river, filled with light and life, its sparkling and rushing falls, the small island dividing the stream, the village of Hooksett almost directly below you—so close you could talk to its residents or toss a stone into their yards—the woodland lake at its western base, and the mountains to the north and northeast create a scene of stunning beauty and completeness that travelers should make an effort to see.

We were hospitably entertained in Concord, New Hampshire, which we persisted in calling New Concord, as we had been wont, to distinguish it from our native town, from which we had been told that it was named and in part originally settled. This would have been the proper place to conclude our voyage, uniting Concord with Concord by these meandering rivers, but our boat was moored some miles below its port.

We were warmly welcomed in Concord, New Hampshire, which we kept calling New Concord, as we used to, to differentiate it from our hometown, from which it was said to be named and partially settled. This would have been the perfect ending to our journey, connecting Concord with Concord through these winding rivers, but our boat was anchored a few miles south of its destination.

The richness of the intervals at Penacook, now Concord, New Hampshire, had been observed by explorers, and, according to the historian of Haverhill, in the

The richness of the intervals at Penacook, now Concord, New Hampshire, had been observed by explorers, and, according to the historian of Haverhill, in the

“year 1726, considerable progress was made in the settlement, and a road was cut through the wilderness from Haverhill to Penacook. In the fall of 1727, the first family, that of Captain Ebenezer Eastman, moved into the place. His team was driven by Jacob Shute, who was by birth a Frenchman, and he is said to have been the first person who drove a team through the wilderness. Soon after, says tradition, one Ayer, a lad of 18, drove a team consisting of ten yoke of oxen to Penacook, swam the river, and ploughed a portion of the interval. He is supposed to have been the first person who ploughed land in that place. After he had completed his work, he started on his return at sunrise, drowned a yoke of oxen while recrossing the river, and arrived at Haverhill about midnight. The crank of the first saw-mill was manufactured in Haverhill, and carried to Penacook on a horse.”

“By 1726, significant progress was made in the settlement, and a road was cut through the wilderness from Haverhill to Penacook. In the fall of 1727, the first family, that of Captain Ebenezer Eastman, moved into the area. His team was driven by Jacob Shute, who was originally from France, and he is said to have been the first person to drive a team through the wilderness. Not long after, tradition says that a young man named Ayer, just 18, drove a team of ten yoke of oxen to Penacook, swam the river, and plowed a section of the land. He is believed to be the first person to plow in that area. After finishing his work, he set out on his return at sunrise, lost a yoke of oxen while recrossing the river, and reached Haverhill around midnight. The crank of the first sawmill was made in Haverhill and taken to Penacook on a horse.”

But we found that the frontiers were not this way any longer. This generation has come into the world fatally late for some enterprises. Go where we will on the surface of things, men have been there before us. We cannot now have the pleasure of erecting the last house; that was long ago set up in the suburbs of Astoria City, and our boundaries have literally been run to the South Sea, according to the old patents. But the lives of men, though more extended laterally in their range, are still as shallow as ever. Undoubtedly, as a Western orator said, “Men generally live over about the same surface; some live long and narrow, and others live broad and short”; but it is all superficial living. A worm is as good a traveller as a grasshopper or a cricket, and a much wiser settler. With all their activity these do not hop away from drought nor forward to summer. We do not avoid evil by fleeing before it, but by rising above or diving below its plane; as the worm escapes drought and frost by boring a few inches deeper. The frontiers are not east or west, north or south, but wherever a man fronts a fact, though that fact be his neighbor, there is an unsettled wilderness between him and Canada, between him and the setting sun, or, farther still, between him and it. Let him build himself a log-house with the bark on where he is, fronting IT, and wage there an Old French war for seven or seventy years, with Indians and Rangers, or whatever else may come between him and the reality, and save his scalp if he can.

But we found that the boundaries had changed. This generation has come into the world too late for some adventures. Wherever we go on the surface of things, someone has been there before us. We can’t experience the pleasure of building the last house; that was established long ago in the suburbs of Astoria City, and our limits have literally stretched to the South Sea, according to old patents. But while people's lives may have expanded laterally, they remain as shallow as ever. As a Western speaker said, “People generally live over about the same surface; some live long and narrow, while others live broad and short,” but it’s all superficial living. A worm is just as good a traveler as a grasshopper or a cricket, and a much smarter settler. Despite their activity, these insects don't escape drought or chase summer. We don’t avoid evil by running from it; we do so by rising above or digging below its level; like the worm, who escapes drought and frost by burrowing a few inches deeper. The frontiers aren't defined by east or west, north or south, but wherever a person faces a fact—even if that fact is their neighbor—there's an unsettled wilderness between them and Canada, between them and the setting sun, or even further, between them and it. Let them build a log cabin with the bark still on it where they are, facing IT, and fight an Old French war for seven or seventy years against Indians and Rangers, or whatever else may come between them and reality, and save their scalp if they can.

We now no longer sailed or floated on the river, but trod the unyielding land like pilgrims. Sadi tells who may travel; among others, “A common mechanic, who can earn a subsistence by the industry of his hand, and shall not have to stake his reputation for every morsel of bread, as philosophers have said.” He may travel who can subsist on the wild fruits and game of the most cultivated country. A man may travel fast enough and earn his living on the road. I have at times been applied to to do work when on a journey; to do tinkering and repair clocks, when I had a knapsack on my back. A man once applied to me to go into a factory, stating conditions and wages, observing that I succeeded in shutting the window of a railroad car in which we were travelling, when the other passengers had failed. “Hast thou not heard of a Sufi, who was hammering some nails into the sole of his sandal; an officer of cavalry took him by the sleeve, saying, Come along and shoe my horse.” Farmers have asked me to assist them in haying, when I was passing their fields. A man once applied to me to mend his umbrella, taking me for an umbrella-mender, because, being on a journey, I carried an umbrella in my hand while the sun shone. Another wished to buy a tin cup of me, observing that I had one strapped to my belt, and a sauce-pan on my back. The cheapest way to travel, and the way to travel the farthest in the shortest distance, is to go afoot, carrying a dipper, a spoon, and a fish-line, some Indian meal, some salt, and some sugar. When you come to a brook or pond, you can catch fish and cook them; or you can boil a hasty-pudding; or you can buy a loaf of bread at a farmer’s house for fourpence, moisten it in the next brook that crosses the road, and dip into it your sugar,—this alone will last you a whole day;—or, if you are accustomed to heartier living, you can buy a quart of milk for two cents, crumb your bread or cold pudding into it, and eat it with your own spoon out of your own dish. Any one of these things I mean, not all together. I have travelled thus some hundreds of miles without taking any meal in a house, sleeping on the ground when convenient, and found it cheaper, and in many respects more profitable, than staying at home. So that some have inquired why it would not be best to travel always. But I never thought of travelling simply as a means of getting a livelihood. A simple woman down in Tyngsborough, at whose house I once stopped to get a draught of water, when I said, recognizing the bucket, that I had stopped there nine years before for the same purpose, asked if I was not a traveller, supposing that I had been travelling ever since, and had now come round again; that travelling was one of the professions, more or less productive, which her husband did not follow. But continued travelling is far from productive. It begins with wearing away the soles of the shoes, and making the feet sore, and erelong it will wear a man clean up, after making his heart sore into the bargain. I have observed that the after-life of those who have travelled much is very pathetic. True and sincere travelling is no pastime, but it is as serious as the grave, or any part of the human journey, and it requires a long probation to be broken into it. I do not speak of those that travel sitting, the sedentary travellers whose legs hang dangling the while, mere idle symbols of the fact, any more than when we speak of sitting hens we mean those that sit standing, but I mean those to whom travelling is life for the legs, and death too, at last. The traveller must be born again on the road, and earn a passport from the elements, the principal powers that be for him. He shall experience at last that old threat of his mother fulfilled, that he shall be skinned alive. His sores shall gradually deepen themselves that they may heal inwardly, while he gives no rest to the sole of his foot, and at night weariness must be his pillow, that so he may acquire experience against his rainy days.—So was it with us.

We no longer sailed or floated on the river, but walked the hard ground like travelers. Sadi describes who can travel; among others, “A common worker, who can earn a living by his own effort and won’t have to risk his reputation for every bite of food, as philosophers have said.” Anyone can travel who can live off the wild fruits and game available in even the most developed areas. A person can move quickly enough and earn a living on the road. At times, people have asked me to do work while traveling; to fix things and repair clocks while carrying a backpack. One person approached me to enter a factory, outlining the conditions and pay, noting that I managed to close the window of a train car when the other passengers couldn’t. “Haven’t you heard of a Sufi, who was nailing his sandal? A cavalry officer grabbed him by the sleeve, saying, 'Come help me shoe my horse.'” Farmers have asked me to help them with hay when I passed their fields. Someone once asked me to fix his umbrella, mistaking me for an umbrella repairman because I was carrying one while the sun was out. Another wanted to buy a tin cup from me, noting that I had one strapped to my belt, along with a saucepan on my back. The cheapest way to travel, and to cover the most distance, is to walk, carrying a dipper, a spoon, some fishing line, cornmeal, salt, and sugar. When you come to a stream or pond, you can catch fish and cook them; or you can make a quick pudding; or you can buy a loaf of bread from a farmer for four pence, wet it in the next stream you come across, and dip it in your sugar—this alone can last you all day; or, if you prefer something heartier, you can buy a quart of milk for two cents, crumble your bread or cold pudding into it, and eat it with your own spoon from your own dish. Any of these options will work, not all at once. I’ve traveled hundreds of miles this way without eating a meal in someone’s home, sleeping on the ground when convenient, and found it cheaper and, in many ways, more rewarding than staying at home. Some have even asked why it wouldn’t be best to travel all the time. But I never thought of traveling simply as a way to make a living. A simple woman in Tyngsborough, where I once stopped to get a drink of water, asked if I was a traveler when I mentioned I had stopped there nine years ago for the same reason. She thought I had been traveling ever since and had now come back around; that traveling was one of the jobs, more or less productive, her husband didn’t pursue. But continuous traveling is far from productive. It starts with wearing out the soles of your shoes and making your feet sore, and soon enough it’ll wear a person down completely, leaving their heart sore as well. I’ve noticed that the aftermath of those who have traveled a lot is often quite sad. True and genuine traveling isn’t just a leisure activity; it’s as serious as life itself, and it requires a long initiation to truly understand it. I’m not talking about those who travel seated, the sedentary travelers whose legs dangle uselessly, mere symbols of the act. I mean those for whom traveling is a full-bodied experience, and ultimately, it can be fatal. The traveler must be reborn on the road and earn a passport from the elements, the main forces that govern him. In the end, he’ll face that old threat from his mother realized, that he’ll be stripped bare. His wounds will gradually deepen so they can heal inside, while he gives no rest to the soles of his feet, and at night, tiredness must be his pillow, so he can gain wisdom for the tough days ahead.—So it was for us.

Sometimes we lodged at an inn in the woods, where trout-fishers from distant cities had arrived before us, and where, to our astonishment, the settlers dropped in at nightfall to have a chat and hear the news, though there was but one road, and no other house was visible,—as if they had come out of the earth. There we sometimes read old newspapers, who never before read new ones, and in the rustle of their leaves heard the dashing of the surf along the Atlantic shore, instead of the sough of the wind among the pines. But then walking had given us an appetite even for the least palatable and nutritious food.

Sometimes we stayed at an inn in the woods, where trout fishers from distant cities had arrived before us, and where, to our surprise, the locals came by at night to chat and catch up on the news, even though there was only one road and no other houses were in sight—like they had come up from the ground. There we sometimes read old newspapers, having never before read new ones, and in the rustling of their pages, we heard the crashing of the waves along the Atlantic coast, instead of the sound of the wind through the pines. But walking had given us an appetite even for the least appealing and nutritious food.

Some hard and dry book in a dead language, which you have found it impossible to read at home, but for which you have still a lingering regard, is the best to carry with you on a journey. At a country inn, in the barren society of ostlers and travellers, I could undertake the writers of the silver or the brazen age with confidence. Almost the last regular service which I performed in the cause of literature was to read the works of

Some tough and dry book in a dead language that you've found impossible to read at home, but for which you still have a lingering affection, is the best one to take with you on a trip. At a country inn, surrounded by the sparse company of stable hands and travelers, I could tackle the works of writers from the silver or the bronze age with confidence. Almost the last proper thing I did for the sake of literature was to read the works of

AULUS PERSIUS FLACCUS.

If you have imagined what a divine work is spread out for the poet, and approach this author too, in the hope of finding the field at length fairly entered on, you will hardly dissent from the words of the prologue,

If you've envisioned what a divine work is laid out for the poet, and you come to this author hoping to find the field finally well explored, you will likely agree with the words of the prologue,

            “Ipse semipaganus
Ad sacra Vatum carmen affero nostrum.”

            I half pagan
Bring my verses to the shrine of the poets.

“Ipse semipaganus
Ad sacra Vatum carmen affero nostrum.”

            I’m half pagan
I bring my verses to the shrine of the poets.

Here is none of the interior dignity of Virgil, nor the elegance and vivacity of Horace, nor will any sibyl be needed to remind you, that from those older Greek poets there is a sad descent to Persius. You can scarcely distinguish one harmonious sound amid this unmusical bickering with the follies of men.

Here is none of the inner grace of Virgil, nor the style and liveliness of Horace, and you won’t need a prophet to point out that there is a disappointing drop from those earlier Greek poets to Persius. You can hardly pick out a single pleasing sound in this noisy argument about the foolishness of people.

One sees that music has its place in thought, but hardly as yet in language. When the Muse arrives, we wait for her to remould language, and impart to it her own rhythm. Hitherto the verse groans and labors with its load, and goes not forward blithely, singing by the way. The best ode may be parodied, indeed is itself a parody, and has a poor and trivial sound, like a man stepping on the rounds of a ladder. Homer and Shakespeare and Milton and Marvell and Wordsworth are but the rustling of leaves and crackling of twigs in the forest, and there is not yet the sound of any bird. The Muse has never lifted up her voice to sing. Most of all, satire will not be sung. A Juvenal or Persius do not marry music to their verse, but are measured fault-finders at best; stand but just outside the faults they condemn, and so are concerned rather about the monster which they have escaped, than the fair prospect before them. Let them live on an age, and they will have travelled out of his shadow and reach, and found other objects to ponder.

One can see that music has its role in thought, but not yet in language. When the Muse arrives, we wait for her to reshape language and give it her own rhythm. Until now, the verse struggles under its burden and doesn’t move forward cheerfully, singing along the way. The best ode can be parodied; in fact, it is itself a parody, and sounds weak and trivial, like a person stepping on a ladder. Homer, Shakespeare, Milton, Marvell, and Wordsworth are just the rustling of leaves and the snapping of twigs in the forest, and there’s still no sound of any birds. The Muse has never raised her voice to sing. Most importantly, satire won’t be sung. A Juvenal or Persius does not blend music with their verse; they’re just critical observers at best, standing just outside the flaws they criticize, more focused on the monsters they’ve avoided than on the beautiful scenery ahead of them. Let them live through an age, and they will have moved out of its shadow and influence, discovering new things to think about.

As long as there is satire, the poet is, as it were, particeps criminis. One sees not but he had best let bad take care of itself, and have to do only with what is beyond suspicion. If you light on the least vestige of truth, and it is the weight of the whole body still which stamps the faintest trace, an eternity will not suffice to extol it, while no evil is so huge, but you grudge to bestow on it a moment of hate. Truth never turns to rebuke falsehood; her own straightforwardness is the severest correction. Horace would not have written satire so well if he had not been inspired by it, as by a passion, and fondly cherished his vein. In his odes, the love always exceeds the hate, so that the severest satire still sings itself, and the poet is satisfied, though the folly be not corrected.

As long as there’s satire, the poet is, in a way, particeps criminis. It seems like it’s better to let the bad deal with itself and focus only on what’s above suspicion. If you find even the smallest hint of truth, its significance still outweighs everything else, and an eternity wouldn’t be enough to celebrate it, while no evil is so great that you want to waste even a moment hating it. Truth never strikes back at falsehood; its own clarity is the harshest correction. Horace wouldn’t have written satire so well if he hadn’t been deeply inspired by it, almost as if by a passion, cherishing his style. In his odes, love always outweighs hate, so even the harshest satire still has a lyrical quality, and the poet is content, even if the foolishness isn’t addressed.

A sort of necessary order in the development of Genius is, first, Complaint; second, Plaint; third, Love. Complaint, which is the condition of Persius, lies not in the province of poetry. Erelong the enjoyment of a superior good would have changed his disgust into regret. We can never have much sympathy with the complainer; for after searching nature through, we conclude that he must be both plaintiff and defendant too, and so had best come to a settlement without a hearing. He who receives an injury is to some extent an accomplice of the wrong-doer.

A necessary order in the development of genius starts with Complaint; next is Plaint; and finally, Love. Complaint, which is the state of Persius, doesn’t really belong in poetry. Soon, the enjoyment of something better would have changed his disgust into regret. We can never really sympathize with the complainer because after examining nature thoroughly, we realize that he must also be both the accuser and the accused, so it's better if he settles things without a trial. The person who suffers an injury is, to some extent, an accomplice of the one who wronged him.

Perhaps it would be truer to say, that the highest strain of the muse is essentially plaintive. The saint’s are still tears of joy. Who has ever heard the Innocent sing?

Perhaps it would be more accurate to say that the highest expression of inspiration is essentially sorrowful. The saints’ are still tears of joy. Who has ever heard the Innocent sing?

But the divinest poem, or the life of a great man, is the severest satire; as impersonal as Nature herself, and like the sighs of her winds in the woods, which convey ever a slight reproof to the hearer. The greater the genius, the keener the edge of the satire.

But the most divine poem, or the life of an exceptional person, is the harshest satire; as impersonal as Nature herself, and like the whispers of her winds in the woods, which always carry a subtle critique to the listener. The greater the genius, the sharper the edge of the satire.

Hence we have to do only with the rare and fragmentary traits, which least belong to Persius, or shall we say, are the properest utterances of his muse; since that which he says best at any time is what he can best say at all times. The Spectators and Ramblers have not failed to cull some quotable sentences from this garden too, so pleasant is it to meet even the most familiar truth in a new dress, when, if our neighbor had said it, we should have passed it by as hackneyed. Out of these six satires, you may perhaps select some twenty lines, which fit so well as many thoughts, that they will recur to the scholar almost as readily as a natural image; though when translated into familiar language, they lose that insular emphasis, which fitted them for quotation. Such lines as the following, translation cannot render commonplace. Contrasting the man of true religion with those who, with jealous privacy, would fain carry on a secret commerce with the gods, he says:—

Hence, we only deal with the rare and scattered traits that least represent Persius, or should we say, are the most fitting expressions of his muse; because what he expresses best at any moment is what he can express best at all times. The Spectators and Ramblers have certainly highlighted some quotable lines from this collection too, as it’s enjoyable to encounter even the most well-known truths in a fresh way, which if our neighbor had said, we might have dismissed as cliched. From these six satires, you might choose around twenty lines that match thoughts so well that they will come to the scholar almost instinctively, like a natural image; although, when translated into everyday language, they lose that particular emphasis that made them suitable for quoting. Such lines as the following cannot be rendered commonplace through translation. While contrasting the truly religious person with those who, out of jealous secrecy, would prefer to maintain a hidden connection with the gods, he says:—

“Haud cuivis promptum est, murmurque humilesque susurros
Tollere de templis; et aperto vivere voto.”

It is not easy for every one to take murmurs and low
Whispers out of the temples, and live with open vow.

“It's not easy for everyone to remove murmurs and quiet whispers from the temples, and to live with an open vow.”

To the virtuous man, the universe is the only sanctum sanctorum, and the penetralia of the temple are the broad noon of his existence. Why should he betake himself to a subterranean crypt, as if it were the only holy ground in all the world which he had left unprofaned? The obedient soul would only the more discover and familiarize things, and escape more and more into light and air, as having henceforth done with secrecy, so that the universe shall not seem open enough for it. At length, it is neglectful even of that silence which is consistent with true modesty, but by its independence of all confidence in its disclosures, makes that which it imparts so private to the hearer, that it becomes the care of the whole world that modesty be not infringed.

To the virtuous person, the universe is the only sanctum sanctorum, and the innermost part of the temple is the bright noon of their existence. Why would they retreat to a hidden crypt as if it were the only holy ground left in the world that they hadn't desecrated? The obedient soul would only discover and get used to things more, escaping more and more into light and air, as they have now moved beyond secrecy, making the universe feel too small for them. Eventually, it becomes careless even of that silence which aligns with true modesty, but through its independence from any reliance on its revelations, what it shares becomes so private to the listener that it becomes everyone's responsibility to ensure that modesty is respected.

To the man who cherishes a secret in his breast, there is a still greater secret unexplored. Our most indifferent acts may be matter for secrecy, but whatever we do with the utmost truthfulness and integrity, by virtue of its pureness, must be transparent as light.

To the guy who holds a secret close to his heart, there’s an even bigger unexplored secret. Even our most casual actions can be a source of secrecy, but anything we do with complete honesty and integrity, because of its purity, should be as clear as day.

In the third satire, he asks:—

In the third satire, he asks:—

“Est aliquid quò tendis, et in quod dirigis arcum?
An passim sequeris corvos, testâve, lutove,
Securus quò pes ferat, atque ex tempore vivis?”

Is there anything to which thou tendest, and against which thou directest thy bow?
Or dost thou pursue crows, at random, with pottery or clay,
Careless whither thy feet bear thee, and live ex tempore?

“Is there anything you're aiming for, or something you're directing your bow at?
Or do you randomly chase after crows with pottery or clay,
Not caring where your feet take you, and living in the moment?”

The bad sense is always a secondary one. Language does not appear to have justice done it, but is obviously cramped and narrowed in its significance, when any meanness is described. The truest construction is not put upon it. What may readily be fashioned into a rule of wisdom, is here thrown in the teeth of the sluggard, and constitutes the front of his offence. Universally, the innocent man will come forth from the sharpest inquisition and lecturing, the combined din of reproof and commendation, with a faint sound of eulogy in his ears. Our vices always lie in the direction of our virtues, and in their best estate are but plausible imitations of the latter. Falsehood never attains to the dignity of entire falseness, but is only an inferior sort of truth; if it were more thoroughly false, it would incur danger of becoming true.

The negative interpretation is always a secondary one. Language doesn't seem to do justice; it’s clearly restricted and limited in meaning when describing any sort of meanness. The best interpretation isn't applied. What could easily be turned into a lesson of wisdom is instead used against the lazy person, highlighting their wrongdoing. Typically, the innocent person will emerge from the harshest interrogation and criticism, amidst a mix of disapproval and praise, with a faint echo of flattery in their ears. Our vices always align with our virtues and, at their best, are just convincing copies of the latter. Falsehood never reaches the level of complete untruth; it’s merely a lesser form of truth. If it were completely false, it would risk becoming true.

“Securus quo pes ferat, atque ex tempore vivit,”

“Securus quo pes ferat, atque ex tempore vivit,”

is then the motto of a wise man. For first, as the subtle discernment of the language would have taught us, with all his negligence he is still secure; but the sluggard, notwithstanding his heedlessness, is insecure.

is then the motto of a wise person. Because, as the careful analysis of the language would have shown us, despite all his carelessness he is still safe; but the lazy person, despite his thoughtlessness, is not secure.

The life of a wise man is most of all extemporaneous, for he lives out of an eternity which includes all time. The cunning mind travels further back than Zoroaster each instant, and comes quite down to the present with its revelation. The utmost thrift and industry of thinking give no man any stock in life; his credit with the inner world is no better, his capital no larger. He must try his fortune again to-day as yesterday. All questions rely on the present for their solution. Time measures nothing but itself. The word that is written may be postponed, but not that on the lip. If this is what the occasion says, let the occasion say it. All the world is forward to prompt him who gets up to live without his creed in his pocket.

The life of a wise person is mostly spontaneous, as they live from an eternity that encompasses all time. The clever mind reaches back further than Zoroaster every moment and connects to the present with its insights. No amount of careful thinking or hard work gives anyone an advantage in life; their standing with the inner world isn’t any better, their resources aren’t greater. They have to seek their fortune again today just like yesterday. All questions depend on the present for their answers. Time measures nothing but itself. What’s written can be postponed, but what’s spoken cannot. If this is what the situation calls for, then let it be said. The whole world is eager to support someone who steps up to live without their beliefs in their pocket.

In the fifth satire, which is the best, I find,—

In the fifth satire, which is the best, I find,—

“Stat contrà ratio, et secretam garrit in aurem,
Ne liceat facere id, quod quis vitiabit agendo.”

Reason opposes, and whispers in the secret ear,
That it is not lawful to do that which one will spoil by doing.

“Reason opposes and whispers in the secret ear,
That it’s not right to do what one will ruin by doing.”

Only they who do not see how anything might be better done are forward to try their hand on it. Even the master workman must be encouraged by the reflection, that his awkwardness will be incompetent to do that thing harm, to which his skill may fail to do justice. Here is no apology for neglecting to do many things from a sense of our incapacity,—for what deed does not fall maimed and imperfect from our hands?—but only a warning to bungle less.

Only those who can't see how to improve things are quick to jump in and try. Even the skilled worker needs the reassurance that their clumsiness won't ruin something, even if their talent isn't enough to perfect it. This isn't an excuse to avoid doing things because we feel inadequate—after all, what task doesn't come out flawed and incomplete when we handle it?—but rather a caution to mess up less.

The satires of Persius are the furthest possible from inspired; evidently a chosen, not imposed subject. Perhaps I have given him credit for more earnestness than is apparent; but it is certain, that that which alone we can call Persius, which is forever independent and consistent, was in earnest, and so sanctions the sober consideration of all. The artist and his work are not to be separated. The most wilfully foolish man cannot stand aloof from his folly, but the deed and the doer together make ever one sober fact. There is but one stage for the peasant and the actor. The buffoon cannot bribe you to laugh always at his grimaces; they shall sculpture themselves in Egyptian granite, to stand heavy as the pyramids on the ground of his character.

The satires of Persius are as far from being inspired as possible; it's clearly a chosen subject, not one that was forced on him. Maybe I’ve given him more credit for seriousness than it appears he deserves; however, what we can truly call Persius, which remains always independent and consistent, was indeed serious, and so deserves thoughtful consideration from all. The artist and his work shouldn't be separated. Even the most deliberately foolish person can’t completely distance themselves from their foolishness; the action and the actor always form one solid truth. There’s just one stage for the farmer and the performer. The joker can’t pay you to laugh at his antics all the time; they will carve themselves into Egyptian granite, heavy like the pyramids, rooted in his character.

Suns rose and set and found us still on the dank forest path which meanders up the Pemigewasset, now more like an otter’s or a marten’s trail, or where a beaver had dragged his trap, than where the wheels of travel raise a dust; where towns begin to serve as gores, only to hold the earth together. The wild pigeon sat secure above our heads, high on the dead limbs of naval pines, reduced to a robin’s size. The very yards of our hostelries inclined upon the skirts of mountains, and, as we passed, we looked up at a steep angle at the stems of maples waving in the clouds.

Suns rose and set, and we stayed on the soggy forest path that winds up the Pemigewasset, now more like a trail made by otters or martens, or where a beaver had dragged its trap, than a road where wheels kick up dust; where towns serve merely as patches to hold the earth together. A wild pigeon perched safely above us, high on the dead branches of spruce pines, shrunk down to the size of a robin. The front yards of our inns sloped down the mountainsides, and as we walked by, we looked up at a steep angle at the maple trees swaying in the clouds.

Far up in the country,—for we would be faithful to our experience,—in Thornton, perhaps, we met a soldier lad in the woods, going to muster in full regimentals, and holding the middle of the road; deep in the forest, with shouldered musket and military step, and thoughts of war and glory all to himself. It was a sore trial to the youth, tougher than many a battle, to get by us creditably and with soldierlike bearing. Poor man! He actually shivered like a reed in his thin military pants, and by the time we had got up with him, all the sternness that becomes the soldier had forsaken his face, and he skulked past as if he were driving his father’s sheep under a sword-proof helmet. It was too much for him to carry any extra armor then, who could not easily dispose of his natural arms. And for his legs, they were like heavy artillery in boggy places; better to cut the traces and forsake them. His greaves chafed and wrestled one with another for want of other foes. But he did get by and get off with all his munitions, and lived to fight another day; and I do not record this as casting any suspicion on his honor and real bravery in the field.

Far up in the country—because we want to stay true to our experience—in Thornton, we met a young soldier in the woods, heading to a muster in full uniform and taking up the middle of the road; deep in the forest, with a shouldered musket and a military stride, lost in thoughts of war and glory. It was a tough challenge for him, harder than many battles, to pass by us with any dignity and soldierly composure. Poor guy! He literally shivered like a reed in his thin military pants, and by the time we caught up with him, all the sternness typical of a soldier had vanished from his face, and he scurried past as if he were herding his father's sheep while wearing a sword-proof helmet. It was too much for him to bear any extra weight then, considering he couldn't easily handle his own natural arms. As for his legs, they felt like heavy artillery in muddy spots; it would have been better to cut the straps and leave them behind. His greaves rubbed against each other for lack of any other foes. But he did manage to get by and walked away with all his gear, living to fight another day; and I'm not saying this to cast any doubt on his honor and true bravery in battle.

Wandering on through notches which the streams had made, by the side and over the brows of hoar hills and mountains, across the stumpy, rocky, forested, and bepastured country, we at length crossed on prostrate trees over the Amonoosuck, and breathed the free air of Unappropriated Land. Thus, in fair days as well as foul, we had traced up the river to which our native stream is a tributary, until from Merrimack it became the Pemigewasset that leaped by our side, and when we had passed its fountain-head, the Wild Amonoosuck, whose puny channel was crossed at a stride, guiding us toward its distant source among the mountains, and at length, without its guidance, we were enabled to reach the summit of AGIOCOCHOOK.

Wandering through the valleys carved by the streams, alongside and over the peaks of ancient hills and mountains, across the uneven, rocky, wooded, and grazed land, we finally crossed the fallen trees over the Amonoosuck and took in the fresh air of Unappropriated Land. So, in both good and bad weather, we followed the river that our local stream feeds into, until it changed from Merrimack to the Pemigewasset that rushed beside us. After we passed its source, the Wild Amonoosuck, whose small channel we could leap over, it guided us toward its distant origin in the mountains. Eventually, without its guidance, we managed to reach the summit of AGIOCOCHOOK.

“Sweet days, so cool, so calm, so bright,
The bridal of the earth and sky,
Sweet dews shall weep thy fall to-night,
            For thou must die.”

“Lovely days, so cool, so calm, so bright,
The union of the earth and sky,
Sweet dews will weep for your end tonight,
            Because you must die.”

HERBERT.

HERBERT.

When we returned to Hooksett, a week afterward, the melon man, in whose corn-barn we had hung our tent and buffaloes and other things to dry, was already picking his hops, with many women and children to help him. We bought one watermelon, the largest in his patch, to carry with us for ballast. It was Nathan’s, which he might sell if he wished, having been conveyed to him in the green state, and owned daily by his eyes. After due consultation with “Father,” the bargain was concluded,—we to buy it at a venture on the vine, green or ripe, our risk, and pay “what the gentlemen pleased.” It proved to be ripe; for we had had honest experience in selecting this fruit.

When we got back to Hooksett a week later, the melon man, whose corn-barn we had used to dry our tent, buffaloes, and other stuff, was already picking his hops with the help of many women and children. We bought the largest watermelon in his patch to take with us for ballast. It belonged to Nathan, who could sell it if he wanted, since it had been given to him while it was still green, and he had watched it daily. After a discussion with "Father," we finalized the deal—we would buy it as a gamble, whether it was green or ripe, our choice, and pay "whatever the gentlemen thought was fair." It turned out to be ripe because we had good experience in picking this fruit.

Finding our boat safe in its harbor, under Uncannunuc Mountain, with a fair wind and the current in our favor, we commenced our return voyage at noon, sitting at our ease and conversing, or in silence watching for the last trace of each reach in the river as a bend concealed it from our view. As the season was further advanced, the wind now blew steadily from the north, and with our sail set we could occasionally lie on our oars without loss of time. The lumbermen throwing down wood from the top of the high bank, thirty or forty feet above the water, that it might be sent down stream, paused in their work to watch our retreating sail. By this time, indeed, we were well known to the boatmen, and were hailed as the Revenue Cutter of the stream. As we sailed rapidly down the river, shut in between two mounds of earth, the sounds of this timber rolled down the bank enhanced the silence and vastness of the noon, and we fancied that only the primeval echoes were awakened. The vision of a distant scow just heaving in sight round a headland also increased by contrast the solitude.

Finding our boat safe in its harbor, under Uncannunuc Mountain, with a good wind and the current on our side, we started our return journey at noon, relaxing and chatting, or quietly watching for the last glimpse of each stretch of the river as a bend hid it from our sight. Since the season had progressed, the wind now blew consistently from the north, and with our sail up, we could occasionally rest on our oars without losing any time. The lumbermen, tossing wood from the top of the high bank, thirty or forty feet above the water, so it could float downstream, paused their work to watch our sail as we moved away. By this time, we were well known to the boaters, and they called out to us as the Revenue Cutter of the stream. As we sailed quickly down the river, wedged between two mounds of earth, the sounds of the timber tumbling down the bank echoed in the silence and vastness of the noon, making us feel as if only ancient echoes had been stirred. The sight of a distant barge just surfacing around a bend also heightened the sense of solitude.

Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of Nature. The Ægean Sea is but Lake Huron still to the Indian. Also there is all the refinement of civilized life in the woods under a sylvan garb. The wildest scenes have an air of domesticity and homeliness even to the citizen, and when the flicker’s cackle is heard in the clearing, he is reminded that civilization has wrought but little change there. Science is welcome to the deepest recesses of the forest, for there too nature obeys the same old civil laws. The little red bug on the stump of a pine,—for it the wind shifts and the sun breaks through the clouds. In the wildest nature, there is not only the material of the most cultivated life, and a sort of anticipation of the last result, but a greater refinement already than is ever attained by man. There is papyrus by the river-side, and rushes for light, and the goose only flies overhead, ages before the studious are born or letters invented, and that literature which the former suggest, and even from the first have rudely served, it may be man does not yet use them to express. Nature is prepared to welcome into her scenery the finest work of human art, for she is herself an art so cunning that the artist never appears in his work.

Through the noise and randomness of noon, even in the most Eastern city, the fresh, raw, and untamed nature where Scythians, Ethiopians, and Indians live is evident. What is echo, what are light and shadow, day and night, ocean and stars, earthquake and eclipse, there? The achievements of humanity are lost in the vastness of Nature. The Aegean Sea is just Lake Huron to the Indian. Additionally, there is all the sophistication of civilized life in the woods dressed in natural beauty. The wildest scenes still feel homey, even to city dwellers, and when the flicker’s call is heard in the clearing, it reminds them that civilization has made little impact there. Science is welcome in the deepest parts of the forest because even there, nature follows the same basic laws. The little red bug on the stump of a pine watches as the wind shifts and the sun peeks through the clouds. In the wildest nature, there exists not just the materials for the most refined life and a hint of what is to come, but also a greater sophistication than humanity has ever achieved. There is papyrus by the riverbank, and reeds for light, while the goose flies overhead, ages before scholars are born or writing is invented. That literature which the former hint at, and has crudely served even from the beginning, may still not be used by man to express himself. Nature is ready to embrace the finest creations of human art, for she is an art herself, so skillfully crafted that the artist seems to vanish in his work.

Art is not tame, and Nature is not wild, in the ordinary sense. A perfect work of man’s art would also be wild or natural in a good sense. Man tames Nature only that he may at last make her more free even than he found her, though he may never yet have succeeded.

Art isn't tame, and Nature isn't wild in the usual way. A perfect piece of human art would also be wild or natural in a positive sense. Humans tame Nature so that they can eventually make her even freer than they found her, even if they haven't succeeded yet.

With this propitious breeze, and the help of our oars, we soon reached the Falls of Amoskeag, and the mouth of the Piscataquoag, and recognized, as we swept rapidly by, many a fair bank and islet on which our eyes had rested in the upward passage. Our boat was like that which Chaucer describes in his Dream, in which the knight took his departure from the island,

With this favorable breeze and the help of our oars, we quickly reached the Falls of Amoskeag and the mouth of the Piscataquoag. As we rushed by, we noticed many beautiful banks and islands that we had admired on the way up. Our boat was similar to the one Chaucer describes in his Dream, where the knight set off from the island,

“To journey for his marriage,
And return with such an host,
That wedded might be least and most. . . . .
Which barge was as a man’s thought,
After his pleasure to him brought,
The queene herself accustomed aye
In the same barge to play,
It needed neither mast ne rother,
I have not heard of such another,
No master for the governance,
Hie sayled by thought and pleasaunce,
Without labor east and west,
All was one, calme or tempest.”

“To travel for his marriage,
And come back with such a crowd,
That both high and low could be wed. . . . .
That boat was like a man's thoughts,
Bringing him whatever he desired,
The queen herself always
Played in that same boat,
It needed no mast or oar,
I haven't heard of anything like it,
No captain to steer it,
It sailed by thought and pleasure,
Without effort east or west,
It was all the same, calm or stormy.”

So we sailed this afternoon, thinking of the saying of Pythagoras, though we had no peculiar right to remember it, “It is beautiful when prosperity is present with intellect, and when sailing as it were with a prosperous wind, actions are performed looking to virtue; just as a pilot looks to the motions of the stars.” All the world reposes in beauty to him who preserves equipoise in his life, and moves serenely on his path without secret violence; as he who sails down a stream, he has only to steer, keeping his bark in the middle, and carry it round the falls. The ripples curled away in our wake, like ringlets from the head of a child, while we steadily held on our course, and under the bows we watched

So we set sail this afternoon, reflecting on Pythagoras’s saying, even though we didn’t have any special reason to remember it: “It’s beautiful when success comes together with intelligence, and when sailing with a favorable wind, actions are guided by virtue, just like a pilot observes the movement of the stars.” The whole world is beautiful for those who maintain balance in their lives and move peacefully along their path without hidden turmoil; just like someone floating down a river, they only need to steer, keeping their boat centered, and navigate around the rapids. The ripples trailed behind us like curls from a child’s hair, while we kept a steady course, and beneath the bow, we watched.

            “The swaying soft,
Made by the delicate wave parted in front,
As through the gentle element we move
Like shadows gliding through untroubled dreams.”

“The gentle sway,
Created by the soft wave that opens up ahead,
As we glide through the serene surroundings
Like shadows drifting through peaceful dreams.”

The forms of beauty fall naturally around the path of him who is in the performance of his proper work; as the curled shavings drop from the plane, and borings cluster round the auger. Undulation is the gentlest and most ideal of motions, produced by one fluid falling on another. Rippling is a more graceful flight. From a hill-top you may detect in it the wings of birds endlessly repeated. The two waving lines which represent the flight of birds appear to have been copied from the ripple.

The ways of beauty naturally surround someone who is doing their rightful work, just like curled shavings fall from a plane and chips gather around an auger. Undulation is the softest and most perfect type of motion, created by one liquid flowing over another. Rippling is a more elegant movement. From the top of a hill, you can see in it the wings of birds repeating endlessly. The two waving lines representing the flight of birds seem to be inspired by the ripple.

The trees made an admirable fence to the landscape, skirting the horizon on every side. The single trees and the groves left standing on the interval appeared naturally disposed, though the farmer had consulted only his convenience, for he too falls into the scheme of Nature. Art can never match the luxury and superfluity of Nature. In the former all is seen; it cannot afford concealed wealth, and is niggardly in comparison; but Nature, even when she is scant and thin outwardly, satisfies us still by the assurance of a certain generosity at the roots. In swamps, where there is only here and there an ever-green tree amid the quaking moss and cranberry beds, the bareness does not suggest poverty. The single-spruce, which I had hardly noticed in gardens, attracts me in such places, and now first I understand why men try to make them grow about their houses. But though there may be very perfect specimens in front-yard plots, their beauty is for the most part ineffectual there, for there is no such assurance of kindred wealth beneath and around them, to make them show to advantage. As we have said, Nature is a greater and more perfect art, the art of God; though, referred to herself, she is genius; and there is a similarity between her operations and man’s art even in the details and trifles. When the overhanging pine drops into the water, by the sun and water, and the wind rubbing it against the shore, its boughs are worn into fantastic shapes, and white and smooth, as if turned in a lathe. Man’s art has wisely imitated those forms into which all matter is most inclined to run, as foliage and fruit. A hammock swung in a grove assumes the exact form of a canoe, broader or narrower, and higher or lower at the ends, as more or fewer persons are in it, and it rolls in the air with the motion of the body, like a canoe in the water. Our art leaves its shavings and its dust about; her art exhibits itself even in the shavings and the dust which we make. She has perfected herself by an eternity of practice. The world is well kept; no rubbish accumulates; the morning air is clear even at this day, and no dust has settled on the grass. Behold how the evening now steals over the fields, the shadows of the trees creeping farther and farther into the meadow, and erelong the stars will come to bathe in these retired waters. Her undertakings are secure and never fail. If I were awakened from a deep sleep, I should know which side of the meridian the sun might be by the aspect of nature, and by the chirp of the crickets, and yet no painter can paint this difference. The landscape contains a thousand dials which indicate the natural divisions of time, the shadows of a thousand styles point to the hour.

The trees formed a beautiful border around the landscape, outlining the horizon on all sides. The individual trees and the groves left standing in the fields seemed to blend in naturally, even though the farmer was only looking out for his own convenience, as he too is part of Nature’s plan. Art can never compare to the richness and abundance of Nature. In art, everything is visible; it offers no hidden treasures and is stingy by comparison; but Nature, even when it seems sparse on the surface, still satisfies us with the promise of plenty beneath the ground. In swamps, where there’s only an occasional evergreen tree among the quaking moss and cranberry patches, the emptiness doesn't imply poverty. The lone spruce, which I barely noticed in gardens, captivates me in these areas, and now I finally understand why people want to plant them around their homes. Yet, even with perfect examples in front yards, their beauty often feels ineffective there, as there's no assurance of the rich support beneath and around them to enhance their appearance. As we mentioned, Nature is a greater and more perfect art, the art of God; though, in relation to herself, she is genius; and there’s a resemblance between her methods and human art, even in the little details. When an overhanging pine dips into the water, the sun, water, and wind shape its branches into striking forms, smooth and white, like they’ve been turned on a lathe. Human art wisely imitates the shapes that matter naturally tends to take, like foliage and fruit. A hammock swung in a grove takes on the exact outline of a canoe, wider or narrower, higher or lower at the ends, depending on how many people are in it, and it sways in the air like a canoe on the water. Our art leaves its scraps and dust scattered about; her art reveals itself even in the remnants and dust we create. She has honed herself over an eternity of practice. The world is well-maintained; no clutter builds up; the morning air is clear even today, and no dust has settled on the grass. Look at how evening softly settles over the fields, the shadows of the trees stretching further into the meadow, and soon the stars will come to bathe in these secluded waters. Her efforts are reliable and never fail. If I woke from a deep sleep, I could tell which side of noon the sun was on by the state of nature and the chirping of crickets, yet no artist can capture this difference. The landscape holds a thousand dials marking the natural divisions of time, and the shadows of a thousand styles point to the hour.

“Not only o’er the dial’s face,
    This silent phantom day by day,
With slow, unseen, unceasing pace
    Steals moments, months, and years away;
From hoary rock and aged tree,
    From proud Palmyra’s mouldering walls,
From Teneriffe, towering o’er the sea,
    From every blade of grass it falls.”

“Not only over the clock’s face,
    This silent ghost day by day,
With a slow, invisible, unending pace
    Steals moments, months, and years away;
From ancient rock and old tree,
    From proud Palmyra’s crumbling walls,
From Teneriffe, towering over the sea,
    From every blade of grass it drops.”

It is almost the only game which the trees play at, this tit-for-tat, now this side in the sun, now that, the drama of the day. In deep ravines under the eastern sides of cliffs, Night forwardly plants her foot even at noonday, and as Day retreats she steps into his trenches, skulking from tree to tree, from fence to fence, until at last she sits in his citadel and draws out her forces into the plain. It may be that the forenoon is brighter than the afternoon, not only because of the greater transparency of its atmosphere, but because we naturally look most into the west, as forward into the day, and so in the forenoon see the sunny side of things, but in the afternoon the shadow of every tree.

It’s almost the only game the trees play, this back-and-forth, now one side in the sun, now the other, the drama of the day. In deep ravines on the eastern sides of cliffs, Night boldly steps in even at noon, and as Day retreats, she slips into his trenches, hiding from tree to tree, from fence to fence until she finally sits in his stronghold and pulls her forces out into the open. It may be that the morning is brighter than the afternoon, not just because the air is clearer, but because we naturally look most towards the west, moving forward into the day, and so in the morning we see the sunny side of things, whereas in the afternoon we see the shadow of every tree.

The afternoon is now far advanced, and a fresh and leisurely wind is blowing over the river, making long reaches of bright ripples. The river has done its stint, and appears not to flow, but lie at its length reflecting the light, and the haze over the woods is like the inaudible panting, or rather the gentle perspiration of resting nature, rising from a myriad of pores into the attenuated atmosphere.

The afternoon is well underway, and a fresh, gentle breeze is blowing over the river, creating long stretches of bright ripples. The river has done its part and doesn't seem to flow; instead, it lies still, reflecting the light, while the haze over the woods resembles the quiet sighs—or rather, the soft sweat—of nature resting, rising from countless tiny pores into the thin atmosphere.

On the thirty-first day of March, one hundred and forty-two years before this, probably about this time in the afternoon, there were hurriedly paddling down this part of the river, between the pine woods which then fringed these banks, two white women and a boy, who had left an island at the mouth of the Contoocook before daybreak. They were slightly clad for the season, in the English fashion, and handled their paddles unskilfully, but with nervous energy and determination, and at the bottom of their canoe lay the still bleeding scalps of ten of the aborigines. They were Hannah Dustan, and her nurse, Mary Neff, both of Haverhill, eighteen miles from the mouth of this river, and an English boy, named Samuel Lennardson, escaping from captivity among the Indians. On the 15th of March previous, Hannah Dustan had been compelled to rise from child-bed, and half dressed, with one foot bare, accompanied by her nurse, commence an uncertain march, in still inclement weather, through the snow and the wilderness. She had seen her seven elder children flee with their father, but knew not of their fate. She had seen her infant’s brains dashed out against an apple-tree, and had left her own and her neighbors’ dwellings in ashes. When she reached the wigwam of her captor, situated on an island in the Merrimack, more than twenty miles above where we now are, she had been told that she and her nurse were soon to be taken to a distant Indian settlement, and there made to run the gauntlet naked. The family of this Indian consisted of two men, three women, and seven children, beside an English boy, whom she found a prisoner among them. Having determined to attempt her escape, she instructed the boy to inquire of one of the men, how he should despatch an enemy in the quickest manner, and take his scalp. “Strike ’em there,” said he, placing his finger on his temple, and he also showed him how to take off the scalp. On the morning of the 31st she arose before daybreak, and awoke her nurse and the boy, and taking the Indians’ tomahawks, they killed them all in their sleep, excepting one favorite boy, and one squaw who fled wounded with him to the woods. The English boy struck the Indian who had given him the information, on the temple, as he had been directed. They then collected all the provision they could find, and took their master’s tomahawk and gun, and scuttling all the canoes but one, commenced their flight to Haverhill, distant about sixty miles by the river. But after having proceeded a short distance, fearing that her story would not be believed if she should escape to tell it, they returned to the silent wigwam, and taking off the scalps of the dead, put them into a bag as proofs of what they had done, and then retracing their steps to the shore in the twilight, recommenced their voyage.

On March 31, 142 years ago, likely around this time in the afternoon, two white women and a boy were paddling quickly down a section of the river, surrounded by the pine woods that lined the banks. They had left an island at the mouth of the Contoocook before sunrise. Dressed lightly for the season in the English style, they struggled with their paddles but displayed nervous energy and determination. At the bottom of their canoe lay the still-bloody scalps of ten Native Americans. The women were Hannah Dustan and her nurse, Mary Neff, both from Haverhill, which is eighteen miles from where we are now, along with an English boy named Samuel Lennardson, who was escaping from captivity with the Indians. On March 15, Hannah had been forced to get out of bed after giving birth and, half-dressed with one foot bare, began an uncertain trek through the snowy wilderness, accompanied by her nurse. She had witnessed her seven older children flee with their father, but she didn’t know what had happened to them. She had seen her infant’s brains dashed out against an apple tree and had left her own home and those of her neighbors in ruins. When she reached the wigwam of her captor on an island in the Merrimack, more than twenty miles upstream from where we are now, she was told that she and her nurse would soon be taken to a distant Indian settlement, where they would have to run the gauntlet naked. This Indian family consisted of two men, three women, and seven children, along with an English boy who she found was also a prisoner. Determined to escape, she instructed the boy to ask one of the men how to kill an enemy quickly and take their scalp. “Strike there,” he said, pointing to his temple, and he showed him how to remove the scalp. On the morning of the 31st, she got up before dawn, awakened her nurse and the boy, and using the Indians' tomahawks, they killed all of them in their sleep except for one favorite boy and a woman who fled wounded into the woods. The English boy struck the Indian who had given him the advice on the temple, as instructed. They then gathered all the food they could find, took their master’s tomahawk and gun, and sunk all the canoes except for one, starting their escape towards Haverhill, about sixty miles away by river. However, after going only a short distance, fearing that no one would believe her story if she made it back to tell it, they returned to the silent wigwam, scalped the dead, and put the scalps into a bag as proof of what they had done. Then, retracing their steps to the shore at twilight, they continued their journey.

Early this morning this deed was performed, and now, perchance, these tired women and this boy, their clothes stained with blood, and their minds racked with alternate resolution and fear, are making a hasty meal of parched corn and moose-meat, while their canoe glides under these pine roots whose stumps are still standing on the bank. They are thinking of the dead whom they have left behind on that solitary isle far up the stream, and of the relentless living warriors who are in pursuit. Every withered leaf which the winter has left seems to know their story, and in its rustling to repeat it and betray them. An Indian lurks behind every rock and pine, and their nerves cannot bear the tapping of a woodpecker. Or they forget their own dangers and their deeds in conjecturing the fate of their kindred, and whether, if they escape the Indians, they shall find the former still alive. They do not stop to cook their meals upon the bank, nor land, except to carry their canoe about the falls. The stolen birch forgets its master and does them good service, and the swollen current bears them swiftly along with little need of the paddle, except to steer and keep them warm by exercise. For ice is floating in the river; the spring is opening; the muskrat and the beaver are driven out of their holes by the flood; deer gaze at them from the bank; a few faint-singing forest birds, perchance, fly across the river to the northernmost shore; the fish-hawk sails and screams overhead, and geese fly over with a startling clangor; but they do not observe these things, or they speedily forget them. They do not smile or chat all day. Sometimes they pass an Indian grave surrounded by its paling on the bank, or the frame of a wigwam, with a few coals left behind, or the withered stalks still rustling in the Indian’s solitary cornfield on the interval. The birch stripped of its bark, or the charred stump where a tree has been burned down to be made into a canoe, these are the only traces of man,—a fabulous wild man to us. On either side, the primeval forest stretches away uninterrupted to Canada, or to the “South Sea”; to the white man a drear and howling wilderness, but to the Indian a home, adapted to his nature, and cheerful as the smile of the Great Spirit.

Early this morning, this act was done, and now, maybe, these exhausted women and this boy, their clothes stained with blood, and their minds torn between resolution and fear, are quickly eating parched corn and moose meat while their canoe glides under the pine roots, with stumps still standing on the bank. They’re thinking about the dead they left behind on that lonely island far up the stream, and about the relentless warriors chasing them. Every dried leaf that winter has left seems to know their story and rustles to repeat it, betraying them. An Indian hides behind every rock and pine, and their nerves can’t handle the tapping of a woodpecker. Or they lose themselves in thoughts of their relatives’ fate, wondering if they escape the Indians, whether their loved ones are still alive. They don’t stop to cook their meals on the bank, nor do they land, except to carry their canoe around the falls. The stolen birch forgets its owner and serves them well, while the swelling current carries them swiftly along with little need for paddling, except to steer and keep warm through exercise. Ice floats in the river; spring is arriving; muskrats and beavers are driven from their holes by the flood; deer watch them from the bank; a few faint-singing forest birds might fly across the river to the northern shore; the fish hawk circles and screams overhead, and geese fly over with a startling noise; but they don’t notice these things, or they quickly forget them. They don’t smile or chat all day. Sometimes, they pass an Indian grave surrounded by a fence on the bank, or the remains of a wigwam, with a few coals left behind, or the dried stalks still rustling in the Indian’s lonely cornfield nearby. The birch stripped of its bark, or the charred stump where a tree has been burned down to make a canoe, these are the only signs of man—a legendary wild man to us. On both sides, the ancient forest stretches uninterrupted to Canada, or to the “South Sea”; to the white man, a dreary and howling wilderness, but to the Indian, a home, suited to his nature, and as cheerful as the smile of the Great Spirit.

While we loiter here this autumn evening, looking for a spot retired enough, where we shall quietly rest to-night, they thus, in that chilly March evening, one hundred and forty-two years before us, with wind and current favoring, have already glided out of sight, not to camp, as we shall, at night, but while two sleep one will manage the canoe, and the swift stream bear them onward to the settlements, it may be, even to old John Lovewell’s house on Salmon Brook to-night.

While we hang out here on this autumn evening, looking for a secluded spot where we can relax tonight, they, on that chilly March evening, one hundred and forty-two years before us, with the wind and current in their favor, have already disappeared from view. They won't be camping like we will; while two of them sleep, one will steer the canoe, and the fast-flowing stream will carry them on towards the settlements, perhaps even to old John Lovewell's house on Salmon Brook tonight.

According to the historian, they escaped as by a miracle all roving bands of Indians, and reached their homes in safety, with their trophies, for which the General Court paid them fifty pounds. The family of Hannah Dustan all assembled alive once more, except the infant whose brains were dashed out against the apple-tree, and there have been many who in later times have lived to say that they had eaten of the fruit of that apple-tree.

According to the historian, they miraculously avoided all the roaming Indian bands and safely made it back home with their trophies, for which the General Court awarded them fifty pounds. The family of Hannah Dustan was reunited, except for the infant whose brains were dashed against the apple tree, and many people in later times have claimed they tasted the fruit from that apple tree.

This seems a long while ago, and yet it happened since Milton wrote his Paradise Lost. But its antiquity is not the less great for that, for we do not regulate our historical time by the English standard, nor did the English by the Roman, nor the Roman by the Greek. “We must look a long way back,” says Raleigh, “to find the Romans giving laws to nations, and their consuls bringing kings and princes bound in chains to Rome in triumph; to see men go to Greece for wisdom, or Ophir for gold; when now nothing remains but a poor paper remembrance of their former condition.” And yet, in one sense, not so far back as to find the Penacooks and Pawtuckets using bows and arrows and hatchets of stone, on the banks of the Merrimack. From this September afternoon, and from between these now cultivated shores, those times seemed more remote than the dark ages. On beholding an old picture of Concord, as it appeared but seventy-five years ago, with a fair open prospect and a light on trees and river, as if it were broad noon, I find that I had not thought the sun shone in those days, or that men lived in broad daylight then. Still less do we imagine the sun shining on hill and valley during Philip’s war, on the war-path of Church or Philip, or later of Lovewell or Paugus, with serene summer weather, but they must have lived and fought in a dim twilight or night.

This seems like a long time ago, yet it was only after Milton wrote his *Paradise Lost*. But its age is no less significant for that, because we don't measure our historical timeline by the English standard, nor did the English measure it by the Roman standard, nor the Romans by the Greek. “We need to look quite a ways back,” says Raleigh, “to see the Romans giving laws to nations and their consuls parading kings and princes bound in chains through Rome in triumph; to see men travel to Greece for wisdom or to Ophir for gold; when now all that remains is a mere paper remembrance of their past.” And yet, in one way, it’s not that far back to find the Penacooks and Pawtuckets using bows and arrows and stone hatchets along the Merrimack River. From this September afternoon, and from these now-farmed shores, those times feel more distant than the dark ages. Looking at an old picture of Concord from just seventy-five years ago, with a beautiful open view and sunlight on the trees and river as if it were high noon, I realize I hadn't thought the sun shone in those days or that people lived in bright daylight back then. Even less do we picture the sun shining on the hills and valleys during Philip's war, on the war paths of Church or Philip, or later of Lovewell or Paugus, with calm summer weather, but they surely lived and fought in dim twilight or darkness.

The age of the world is great enough for our imaginations, even according to the Mosaic account, without borrowing any years from the geologist. From Adam and Eve at one leap sheer down to the deluge, and then through the ancient monarchies, through Babylon and Thebes, Brahma and Abraham, to Greece and the Argonauts; whence we might start again with Orpheus and the Trojan war, the Pyramids and the Olympic games, and Homer and Athens, for our stages; and after a breathing space at the building of Rome, continue our journey down through Odin and Christ to—America. It is a wearisome while. And yet the lives of but sixty old women, such as live under the hill, say of a century each, strung together, are sufficient to reach over the whole ground. Taking hold of hands they would span the interval from Eve to my own mother. A respectable tea-party merely,—whose gossip would be Universal History. The fourth old woman from myself suckled Columbus,—the ninth was nurse to the Norman Conqueror,—the nineteenth was the Virgin Mary,—the twenty-fourth the Cumæan Sibyl,—the thirtieth was at the Trojan war and Helen her name,—the thirty-eighth was Queen Semiramis,—the sixtieth was Eve the mother of mankind. So much for the

The age of the world is vast enough for our imaginations, even according to the Mosaic account, without needing to take any years from the geologist. From Adam and Eve right down to the flood, then through the ancient kingdoms, through Babylon and Thebes, Brahma and Abraham, to Greece and the Argonauts; from there we could start again with Orpheus and the Trojan war, the Pyramids and the Olympic games, and Homer and Athens as our milestones; and after a short pause at the founding of Rome, continue our journey through Odin and Christ to—America. It’s a long stretch of time. Yet the lives of just sixty old women, like those who live under the hill, each living around a century, strung together would be enough to cover the whole span. By holding hands, they would connect the time from Eve to my own mother. Just a simple tea party—whose chatter would be Universal History. The fourth old woman from me nursed Columbus—the ninth was the caregiver for the Norman Conqueror—the nineteenth was the Virgin Mary—the twenty-fourth was the Cumæan Sibyl—the thirtieth fought in the Trojan war and her name was Helen—the thirty-eighth was Queen Semiramis—the sixtieth was Eve, the mother of all humanity. So much for the

“Old woman that lives under the hill,
And if she’s not gone she lives there still.”

“Old woman who lives under the hill,
And if she hasn't left, she still lives there.”

It will not take a very great-granddaughter of hers to be in at the death of Time.

It won't take a distant great-granddaughter of hers to witness the end of Time.

We can never safely exceed the actual facts in our narratives. Of pure invention, such as some suppose, there is no instance. To write a true work of fiction even, is only to take leisure and liberty to describe some things more exactly as they are. A true account of the actual is the rarest poetry, for common sense always takes a hasty and superficial view. Though I am not much acquainted with the works of Goethe, I should say that it was one of his chief excellences as a writer, that he was satisfied with giving an exact description of things as they appeared to him, and their effect upon him. Most travellers have not self-respect enough to do this simply, and make objects and events stand around them as the centre, but still imagine more favorable positions and relations than the actual ones, and so we get no valuable report from them at all. In his Italian Travels Goethe jogs along at a snail’s pace, but always mindful that the earth is beneath and the heavens are above him. His Italy is not merely the fatherland of lazzaroni and virtuosi, and scene of splendid ruins, but a solid turf-clad soil, daily shined on by the sun, and nightly by the moon. Even the few showers are faithfully recorded. He speaks as an unconcerned spectator, whose object is faithfully to describe what he sees, and that, for the most part, in the order in which he sees it. Even his reflections do not interfere with his descriptions. In one place he speaks of himself as giving so glowing and truthful a description of an old tower to the peasants who had gathered around him, that they who had been born and brought up in the neighborhood must needs look over their shoulders, “that,” to use his own words, “they might behold with their eyes, what I had praised to their ears,”—“and I added nothing, not even the ivy which for centuries had decorated the walls.” It would thus be possible for inferior minds to produce invaluable books, if this very moderation were not the evidence of superiority; for the wise are not so much wiser than others as respecters of their own wisdom. Some, poor in spirit, record plaintively only what has happened to them; but others how they have happened to the universe, and the judgment which they have awarded to circumstances. Above all, he possessed a hearty good-will to all men, and never wrote a cross or even careless word. On one occasion the post-boy snivelling, “Signor perdonate, quésta è la mia patria,” he confesses that “to me poor northerner came something tear-like into the eyes.”

We can never safely go beyond the actual facts in our stories. There’s no such thing as pure invention, despite what some might think. Writing a true work of fiction is simply taking the time and freedom to describe things more accurately as they are. A genuine account of reality is the rarest form of poetry because common sense often takes a quick and superficial view. Although I’m not very familiar with Goethe's works, I believe one of his greatest strengths as a writer was his ability to provide a precise description of things as they appeared to him and their impact on him. Most travelers lack the self-respect to simply do this; they position themselves as the center of attention, imagining more favorable circumstances than what actually exist, which means we often get no valuable insights from them at all. In his Italian Travels, Goethe moves at a slow pace, always aware that the earth is beneath him and the sky is above. His Italy isn’t just the homeland of loafers and virtuosos or a backdrop of splendid ruins, but a solid, grass-covered land, basking in the sun during the day and illuminated by the moon at night. Even the few rain showers are recorded faithfully. He writes as an objective observer, aiming to accurately describe what he sees, mostly in the order that he experiences it. Even his reflections don’t interrupt his descriptions. At one point, he mentions giving such a vivid and honest portrayal of an old tower to the farmers who had gathered around him, that they, having grown up in the area, had to look over their shoulders, "so that," to quote him directly, "they might see with their eyes what I had praised to their ears,"—"and I added nothing, not even the ivy that had adorned the walls for centuries." It would be possible for lesser minds to produce invaluable books, if this very restraint weren’t clear evidence of greatness, as the wise are not so much wiser than others as they are respectful of their own wisdom. Some, lacking spirit, only record what has happened to them; others, however, describe how they've interacted with the universe and the judgments they've made about circumstances. Above all, he had a genuine goodwill towards everyone and never wrote a harsh or even thoughtless word. At one point, when the post-boy was sniffling and saying, “Sir, forgive me, this is my homeland,” he admits that “as a poor northerner, I felt something tear-like in my eyes.”

Goethe’s whole education and life were those of the artist. He lacks the unconsciousness of the poet. In his autobiography he describes accurately the life of the author of Wilhelm Meister. For as there is in that book, mingled with a rare and serene wisdom, a certain pettiness or exaggeration of trifles, wisdom applied to produce a constrained and partial and merely well-bred man,—a magnifying of the theatre till life itself is turned into a stage, for which it is our duty to study our parts well, and conduct with propriety and precision,—so in the autobiography, the fault of his education is, so to speak, its merely artistic completeness. Nature is hindered, though she prevails at last in making an unusually catholic impression on the boy. It is the life of a city boy, whose toys are pictures and works of art, whose wonders are the theatre and kingly processions and crownings. As the youth studied minutely the order and the degrees in the imperial procession, and suffered none of its effect to be lost on him, so the man aimed to secure a rank in society which would satisfy his notion of fitness and respectability. He was defrauded of much which the savage boy enjoys. Indeed, he himself has occasion to say in this very autobiography, when at last he escapes into the woods without the gates: “Thus much is certain, that only the undefinable, wide-expanding feelings of youth and of uncultivated nations are adapted to the sublime, which, whenever it may be excited in us through external objects, since it is either formless, or else moulded into forms which are incomprehensible, must surround us with a grandeur which we find above our reach.” He further says of himself: “I had lived among painters from my childhood, and had accustomed myself to look at objects, as they did, with reference to art.” And this was his practice to the last. He was even too well-bred to be thoroughly bred. He says that he had had no intercourse with the lowest class of his towns-boys. The child should have the advantage of ignorance as well as of knowledge, and is fortunate if he gets his share of neglect and exposure.

Goethe’s entire education and life mirrored that of an artist. He lacks the naivety of a poet. In his autobiography, he accurately describes the life of the author of Wilhelm Meister. Just as that book mixes rare and calm wisdom with a certain pettiness or exaggeration of trivial matters, the wisdom ends up creating a constrained, partial, and merely polished man—a magnification of the theater, turning life itself into a stage, where it’s our duty to know our roles well and act with decorum and precision. In the autobiography, the flaw in his education is essentially its purely artistic completeness. Nature is stifled, although she ultimately creates a surprisingly broad impression on the boy. This is the life of a city boy, whose toys are pictures and works of art, whose wonders are the theater and royal parades and coronations. As the youth meticulously studied the order and ranks in the imperial procession and ensured that none of its impact was lost on him, the man aimed to achieve a status in society that aligned with his ideas of suitability and respectability. He was deprived of much that a wild boy gets to enjoy. Indeed, he himself notes in this very autobiography, when he finally escapes into the woods beyond the city gates: “It is certain that only the indescribable, expansive feelings of youth and of uncultivated nations are suited for the sublime, which, whenever it is stirred in us by external objects, since it is either formless or shaped into forms that are hard to grasp, must envelop us in a grandeur we feel is beyond our grasp.” He also reflects on himself: “I had been among painters since childhood and had trained myself to view objects as they did, in relation to art.” And this remained his practice until the end. He was even too well-bred to be thoroughly raised. He mentions that he had no interactions with the lower class of local boys. A child should benefit from both ignorance and knowledge, and is fortunate if he receives his fair share of neglect and exposure.

“The laws of Nature break the rules of Art.”

“The laws of nature ignore the rules of art.”

The Man of Genius may at the same time be, indeed is commonly, an Artist, but the two are not to be confounded. The Man of Genius, referred to mankind, is an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored. The Artist is he who detects and applies the law from observation of the works of Genius, whether of man or nature. The Artisan is he who merely applies the rules which others have detected. There has been no man of pure Genius; as there has been none wholly destitute of Genius.

The Genius is often also an Artist, but the two should not be confused. A Genius, in relation to humanity, is a creator, a visionary or almost otherworldly person, who produces flawless work by following laws that haven’t been discovered yet. The Artist is someone who identifies and uses these laws by observing the works of Genius, whether from people or nature. The Artisan simply follows the guidelines that others have found. No one has been completely a Genius, just as no one has been entirely without Genius.

Poetry is the mysticism of mankind.

Poetry is the mysticism of humanity.

The expressions of the poet cannot be analyzed; his sentence is one word, whose syllables are words. There are indeed no words quite worthy to be set to his music. But what matter if we do not hear the words always, if we hear the music?

The poet's expressions can't really be broken down; his sentence is just one word made up of syllables that are words. There truly are no words that can do justice to his music. But does it really matter if we don't always hear the words, as long as we can hear the music?

Much verse fails of being poetry because it was not written exactly at the right crisis, though it may have been inconceivably near to it. It is only by a miracle that poetry is written at all. It is not recoverable thought, but a hue caught from a vaster receding thought.

Much verse misses being poetry because it wasn't written at the exact right moment, even if it was incredibly close. Poetry is only created by a miracle. It's not just a collection of ideas; it's a glimpse of something much bigger that's fading away.

A poem is one undivided unimpeded expression fallen ripe into literature, and it is undividedly and unimpededly received by those for whom it was matured.

A poem is a complete, uninterrupted expression that has naturally found its place in literature, and it is fully embraced by those for whom it was created.

If you can speak what you will never hear, if you can write what you will never read, you have done rare things.

If you can say what you’ll never hear, if you can write what you’ll never read, you’ve achieved something extraordinary.

The work we choose should be our own,
            God lets alone.

The work we pick should be ours,
            God leaves us be.

The unconsciousness of man is the consciousness of God.

The unconscious mind of a person is the awareness of God.

Deep are the foundations of sincerity. Even stone walls have their foundation below the frost.

Deep are the roots of sincerity. Even stone walls have their foundation beneath the frost.

What is produced by a free stroke charms us, like the forms of lichens and leaves. There is a certain perfection in accident which we never consciously attain. Draw a blunt quill filled with ink over a sheet of paper, and fold the paper before the ink is dry, transversely to this line, and a delicately shaded and regular figure will be produced, in some respects more pleasing than an elaborate drawing.

What comes from a free stroke fascinates us, much like the shapes of lichens and leaves. There's a unique perfection in chance that we never truly reach on purpose. If you drag a dull quill filled with ink across a piece of paper and then fold the paper before the ink dries, creating a crease across that line, you'll get a beautifully shaded and consistent shape that's, in some ways, more appealing than a detailed drawing.

The talent of composition is very dangerous,—the striking out the heart of life at a blow, as the Indian takes off a scalp. I feel as if my life had grown more outward when I can express it.

The skill of writing is quite risky—it's like tearing the essence of life away in one quick move, just like how an Indian removes a scalp. I feel like my life has expanded outward when I can put it into words.

On his journey from Brenner to Verona, Goethe writes:

On his trip from Brenner to Verona, Goethe writes:

“The Tees flows now more gently, and makes in many places broad sands. On the land, near to the water, upon the hillsides, everything is so closely planted one to another, that you think they must choke one another,—vineyards, maize, mulberry-trees, apples, pears, quinces, and nuts. The dwarf elder throws itself vigorously over the walls. Ivy grows with strong stems up the rocks, and spreads itself wide over them, the lizard glides through the intervals, and everything that wanders to and fro reminds one of the loveliest pictures of art. The women’s tufts of hair bound up, the men’s bare breasts and light jackets, the excellent oxen which they drive home from market, the little asses with their loads,—everything forms a living, animated Heinrich Roos. And now that it is evening, in the mild air a few clouds rest upon the mountains, in the heavens more stand still than move, and immediately after sunset the chirping of crickets begins to grow more loud; then one feels for once at home in the world, and not as concealed or in exile. I am contented as though I had been born and brought up here, and were now returning from a Greenland or whaling voyage. Even the dust of my Fatherland, which is often whirled about the wagon, and which for so long a time I had not seen, is greeted. The clock-and-bell jingling of the crickets is altogether lovely, penetrating, and agreeable. It sounds bravely when roguish boys whistle in emulation of a field of such songstresses. One fancies that they really enhance one another. Also the evening is perfectly mild as the day.”

“The Tees flows more gently now and creates wide sandy areas in many spots. Along the shore, close to the water, everything grows so densely on the hillsides that it seems like they might suffocate each other—vineyards, corn, mulberry trees, apples, pears, quinces, and nuts. The dwarf elder vigorously spills over the walls. Ivy climbs strong up the rocks and spreads out wide over them, while lizards glide through the gaps, and everything that moves around evokes the most beautiful art. The women have their hair tied up, the men wear light jackets and show off their bare chests, and the fine oxen they drive home from market, along with the little donkeys carrying loads—everything creates a lively, animated scene. As evening falls, a few clouds rest on the mountains in the mild air, with more in the sky standing still than moving. Right after sunset, the chirping of crickets gets louder; at that moment, you feel truly at home in the world, not hidden away or in exile. I feel as if I was born and raised here, returning from a journey in Greenland or on a whaling trip. Even the dust from my homeland, which often swirls around the wagon and that I haven’t seen in so long, feels welcoming. The clock-and-bell sounds of the crickets are simply beautiful, soothing, and pleasant. It sounds lively when mischievous boys whistle in competition with such singers. It feels like they genuinely complement each other. The evening is as perfectly mild as the day.”

“If one who dwelt in the south, and came hither from the south, should hear of my rapture hereupon, he would deem me very childish. Alas! what I here express I have long known while I suffered under an unpropitious heaven, and now may I joyful feel this joy as an exception, which we should enjoy everforth as an eternal necessity of our nature.”

“If someone from the south, who came here from there, were to hear about my excitement, they would think I’m being really childish. Sadly, what I’m expressing now is something I’ve known for a long time while I dealt with difficult times. Now, I can feel this joy, which is a special exception, and we should embrace it as an essential part of our nature forever.”

Thus we “sayled by thought and pleasaunce,” as Chaucer says, and all things seemed with us to flow; the shore itself, and the distant cliffs, were dissolved by the undiluted air. The hardest material seemed to obey the same law with the most fluid, and so indeed in the long run it does. Trees were but rivers of sap and woody fibre, flowing from the atmosphere, and emptying into the earth by their trunks, as their roots flowed upward to the surface. And in the heavens there were rivers of stars, and milky-ways, already beginning to gleam and ripple over our heads. There were rivers of rock on the surface of the earth, and rivers of ore in its bowels, and our thoughts flowed and circulated, and this portion of time was but the current hour. Let us wander where we will, the universe is built round about us, and we are central still. If we look into the heavens they are concave, and if we were to look into a gulf as bottomless, it would be concave also. The sky is curved downward to the earth in the horizon, because we stand on the plain. I draw down its skirts. The stars so low there seem loath to depart, but by a circuitous path to be remembering me, and returning on their steps.

So we “sailed by thought and pleasure,” as Chaucer puts it, and everything around us felt fluid; the shoreline and distant cliffs melted into the clear air. Even the toughest materials seemed to follow the same rules as the most fluid things, and in the long run, they do. Trees were just rivers of sap and wood, drawing in from the atmosphere and pouring into the earth through their trunks, while their roots reached up to the surface. In the sky, there were rivers of stars and milkways already starting to sparkle and ripple above us. There were rivers of rock on the earth’s surface and rivers of ore beneath it, and our thoughts flowed and circulated, this moment in time just being the current hour. No matter where we wander, the universe surrounds us, and we remain central. When we look at the sky, it appears concave, and if we gazed into a bottomless abyss, it would look concave too. The sky curves down to the earth at the horizon because we are standing on flat ground. I pull down its edges. The stars seem so close that they appear reluctant to leave, as if they are taking a winding path to remember me and retrace their steps.

We had already passed by broad daylight the scene of our encampment at Coos Falls, and at length we pitched our camp on the west bank, in the northern part of Merrimack, nearly opposite to the large island on which we had spent the noon in our way up the river.

We had already gone past the area where we set up camp at Coos Falls in broad daylight, and finally, we set up our camp on the west bank, in the northern part of Merrimack, almost directly across from the large island where we had spent our lunchtime during our trip up the river.

There we went to bed that summer evening, on a sloping shelf in the bank, a couple of rods from our boat, which was drawn up on the sand, and just behind a thin fringe of oaks which bordered the river; without having disturbed any inhabitants but the spiders in the grass, which came out by the light of our lamp, and crawled over our buffaloes. When we looked out from under the tent, the trees were seen dimly through the mist, and a cool dew hung upon the grass, which seemed to rejoice in the night, and with the damp air we inhaled a solid fragrance. Having eaten our supper of hot cocoa and bread and watermelon, we soon grew weary of conversing, and writing in our journals, and, putting out the lantern which hung from the tent-pole, fell asleep.

There we went to bed that summer evening, on a sloping shelf by the riverbank, a short distance from our boat, which was pulled up onto the sand, and just behind a thin line of oaks that lined the river; without disturbing anyone except for the spiders in the grass, which came out in the light of our lamp and crawled over our blankets. When we looked out from under the tent, we could see the trees faintly through the mist, and a cool dew rested on the grass, which seemed to embrace the night, and with the damp air, we breathed in a rich fragrance. After having our supper of hot cocoa, bread, and watermelon, we quickly grew tired of talking and writing in our journals, and, turning off the lantern that hung from the tent pole, we fell asleep.

Unfortunately, many things have been omitted which should have been recorded in our journal; for though we made it a rule to set down all our experiences therein, yet such a resolution is very hard to keep, for the important experience rarely allows us to remember such obligations, and so indifferent things get recorded, while that is frequently neglected. It is not easy to write in a journal what interests us at any time, because to write it is not what interests us.

Unfortunately, many things have been left out that should have been noted in our journal. Even though we made it a point to document all our experiences, it's really hard to stick to that commitment. Important experiences often distract us from remembering to write things down, so we end up recording unimportant details while neglecting the significant ones. It’s not easy to write in a journal about what fascinates us because the act of writing itself is not what captures our interest.

Whenever we awoke in the night, still eking out our dreams with half-awakened thoughts, it was not till after an interval, when the wind breathed harder than usual, flapping the curtains of the tent, and causing its cords to vibrate, that we remembered that we lay on the bank of the Merrimack, and not in our chamber at home. With our heads so low in the grass, we heard the river whirling and sucking, and lapsing downward, kissing the shore as it went, sometimes rippling louder than usual, and again its mighty current making only a slight limpid, trickling sound, as if our water-pail had sprung a leak, and the water were flowing into the grass by our side. The wind, rustling the oaks and hazels, impressed us like a wakeful and inconsiderate person up at midnight, moving about, and putting things to rights, occasionally stirring up whole drawers full of leaves at a puff. There seemed to be a great haste and preparation throughout Nature, as for a distinguished visitor; all her aisles had to be swept in the night, by a thousand hand-maidens, and a thousand pots to be boiled for the next day’s feasting;—such a whispering bustle, as if ten thousand fairies made their fingers fly, silently sewing at the new carpet with which the earth was to be clothed, and the new drapery which was to adorn the trees. And then the wind would lull and die away, and we like it fell asleep again.

Whenever we woke up at night, still trying to hold onto our dreams with groggy thoughts, it wasn't until after a while, when the wind picked up and flapped the tent curtains, making its cords vibrate, that we remembered we were lying by the Merrimack River, not in our bedroom at home. With our heads low in the grass, we could hear the river swirling and sucking, flowing downstream, kissing the shore as it passed by, sometimes rippling louder than usual, and at other times the strong current made just a gentle, trickling sound, like our water bucket had sprung a leak, and water was seeping into the grass beside us. The wind rustling the oaks and hazels felt like an insomniac person moving around at midnight, tidying things up, occasionally stirring up whole piles of leaves with a gust. It seemed like Nature was in a rush, preparing for a special visitor; all her pathways had to be cleaned up at night by a thousand helpers, and a thousand pots needed to be boiled for the next day’s feast;—such a soft flurry, as if ten thousand fairies were busily sewing the new carpet to cover the earth and the new drapery to adorn the trees. Then the wind would quiet down and fade away, and we would drift off to sleep again.

FRIDAY

            “The Boteman strayt
Held on his course with stayed stedfastnesse,
Ne ever shroncke, ne ever sought to bayt
His tryed armes for toylesome wearinesse;
But with his oares did sweepe the watry wildernesse.”

“The Boatman straight
Kept on his path with steady determination,
Never shrank back, nor sought to bait
His tested strength for tiresome weariness;
But with his oars did sweep the watery wilderness.”

SPENSER.

SPENSER.

            “Summer’s robe grows
Dusky, and like an oft-dyed garment shows.”

“Summer's robe becomes
Dark, and like a frequently dyed outfit, it shows.”

DONNE.

DONNE.

As we lay awake long before daybreak, listening to the rippling of the river, and the rustling of the leaves, in suspense whether the wind blew up or down the stream, was favorable or unfavorable to our voyage, we already suspected that there was a change in the weather, from a freshness as of autumn in these sounds. The wind in the woods sounded like an incessant waterfall dashing and roaring amid rocks, and we even felt encouraged by the unusual activity of the elements. He who hears the rippling of rivers in these degenerate days will not utterly despair. That night was the turning-point in the season. We had gone to bed in summer, and we awoke in autumn; for summer passes into autumn in some unimaginable point of time, like the turning of a leaf.

As we lay awake long before dawn, listening to the sound of the river and the rustling leaves, uncertain if the wind was blowing upstream or downstream, whether it would help or hinder our journey, we could already sense a change in the weather, a freshness reminiscent of autumn in those sounds. The wind in the trees resembled a constant waterfall crashing and roaring against the rocks, and the unusual activity of the elements even gave us some encouragement. Anyone who hears the gentle flow of rivers in these troubled times won’t completely lose hope. That night marked a shift in the season. We went to bed in summer and woke up in autumn; summer shifts to autumn at some unimaginable moment, like the turning of a leaf.

We found our boat in the dawn just as we had left it, and as if waiting for us, there on the shore, in autumn, all cool and dripping with dew, and our tracks still fresh in the wet sand around it, the fairies all gone or concealed. Before five o’clock we pushed it into the fog, and, leaping in, at one shove were out of sight of the shores, and began to sweep downward with the rushing river, keeping a sharp lookout for rocks. We could see only the yellow gurgling water, and a solid bank of fog on every side, forming a small yard around us. We soon passed the mouth of the Souhegan, and the village of Merrimack, and as the mist gradually rolled away, and we were relieved from the trouble of watching for rocks, we saw by the flitting clouds, by the first russet tinge on the hills, by the rushing river, the cottages on shore, and the shore itself, so coolly fresh and shining with dew, and later in the day, by the hue of the grape-vine, the goldfinch on the willow, the flickers flying in flocks, and when we passed near enough to the shore, as we fancied, by the faces of men, that the Fall had commenced. The cottages looked more snug and comfortable, and their inhabitants were seen only for a moment, and then went quietly in and shut the door, retreating inward to the haunts of summer.

We found our boat at dawn just as we left it, as if it had been waiting for us, there on the shore, in autumn, all cool and covered in dew, with our footprints still fresh in the wet sand around it, the fairies all gone or hidden. Before five o'clock we pushed it into the fog, and, jumping in, with one strong shove we were out of sight of the shores, beginning to glide downstream with the rushing river, keeping a sharp lookout for rocks. All we could see was the yellow, gurgling water and a thick bank of fog on every side, forming a small yard around us. We soon passed the mouth of the Souhegan and the village of Merrimack. As the mist gradually lifted, freeing us from the worry of watching for rocks, we noticed the changing clouds, the first hints of red on the hills, the rushing river, the cottages along the shore, and the shore itself, cool and fresh, shining with dew. Later in the day, we noticed the color of the grapevines, the goldfinches on the willows, the flickers flying in flocks, and when we got close enough to the shore, we thought we could see on the faces of the men that autumn had begun. The cottages looked cozier, and their residents were only seen for a moment before quietly retreating inside, closing the door, going back to the places of summer.

“And now the cold autumnal dews are seen
    To cobweb ev’ry green;
And by the low-shorn rowens doth appear
    The fast-declining year.”

“And now the chilly autumn dew is visible
    To cover everything in cobwebs;
And by the freshly cut hedges appears
    The quickly fading year.”

We heard the sigh of the first autumnal wind, and even the water had acquired a grayer hue. The sumach, grape, and maple were already changed, and the milkweed had turned to a deep rich yellow. In all woods the leaves were fast ripening for their fall; for their full veins and lively gloss mark the ripe leaf, and not the sered one of the poets; and we knew that the maples, stripped of their leaves among the earliest, would soon stand like a wreath of smoke along the edge of the meadow. Already the cattle were heard to low wildly in the pastures and along the highways, restlessly running to and fro, as if in apprehension of the withering of the grass and of the approach of winter. Our thoughts, too, began to rustle.

We heard the sigh of the first autumn wind, and even the water had taken on a grayer shade. The sumac, grape, and maple leaves were already changing, and the milkweed had turned a deep, rich yellow. In every woodland, the leaves were quickly ripening for their fall; for their full veins and lively sheen mark the mature leaf, not the dry one of the poets; and we knew that the maples, stripped of their leaves earliest, would soon look like a wreath of smoke along the edge of the meadow. Already, the cattle were lowing wildly in the pastures and along the roads, restlessly running back and forth, as if sensing the grass dying and winter approaching. Our thoughts, too, began to stir.

As I pass along the streets of our village of Concord on the day of our annual Cattle-Show, when it usually happens that the leaves of the elms and buttonwoods begin first to strew the ground under the breath of the October wind, the lively spirits in their sap seem to mount as high as any plough-boy’s let loose that day; and they lead my thoughts away to the rustling woods, where the trees are preparing for their winter campaign. This autumnal festival, when men are gathered in crowds in the streets as regularly and by as natural a law as the leaves cluster and rustle by the wayside, is naturally associated in my mind with the fall of the year. The low of cattle in the streets sounds like a hoarse symphony or running bass to the rustling of the leaves. The wind goes hurrying down the country, gleaning every loose straw that is left in the fields, while every farmer lad too appears to scud before it,—having donned his best pea-jacket and pepper-and-salt waistcoat, his unbent trousers, outstanding rigging of duck or kerseymere or corduroy, and his furry hat withal,—to country fairs and cattle-shows, to that Rome among the villages where the treasures of the year are gathered. All the land over they go leaping the fences with their tough, idle palms, which have never learned to hang by their sides, amid the low of calves and the bleating of sheep,—Amos, Abner, Elnathan, Elbridge,—

As I walk through the streets of our village of Concord on the day of our annual Cattle-Show, it's usually when the leaves of the elms and buttonwoods start to scatter on the ground, stirred by the October wind. The energy in the air seems to lift my spirits just like any farm boy's excitement that day; it takes my thoughts to the rustling woods, where the trees are getting ready for winter. This autumn festival, when people gather in the streets as regularly and naturally as leaves cluster and rustle along the path, is closely tied in my mind to the fall season. The sound of cattle in the streets resonates like a deep symphony accompanying the whisper of the leaves. The wind rushes through the countryside, picking up every loose straw left in the fields, while every farm boy appears to hurry along with it—dressed in his best pea coat and pepper-and-salt waistcoat, his unfettered trousers, along with his sturdy outfits of duck, wool, or corduroy, and topped off with a furry hat—to country fairs and cattle shows, that bustling center among the villages where the year's bounty is showcased. All over the land, they leap over fences with their sturdy, restless hands, which never seem to hang still at their sides, amid the sounds of calves mooing and sheep bleating—Amos, Abner, Elnathan, Elbridge—

“From steep pine-bearing mountains to the plain.”

“From steep mountains filled with pine trees to the flatland.”

I love these sons of earth every mother’s son of them, with their great hearty hearts rushing tumultuously in herds from spectacle to spectacle, as if fearful lest there should not be time between sun and sun to see them all, and the sun does not wait more than in haying-time.

I love these guys, every single one of them, with their big, passionate hearts rushing around in groups from one event to another, as if they're worried they won't have enough time between sunrises to see everything, and the sun doesn't wait any longer than during hay harvesting season.

“Wise Nature’s darlings, they live in the world
Perplexing not themselves how it is hurled.”

“Nature’s favorites, they live in the world
Not puzzling over how it all came to be.”

Running hither and thither with appetite for the coarse pastimes of the day, now with boisterous speed at the heels of the inspired negro from whose larynx the melodies of all Congo and Guinea Coast have broke loose into our streets; now to see the procession of a hundred yoke of oxen, all as august and grave as Osiris, or the droves of neat cattle and milch cows as unspotted as Isis or Io. Such as had no love for Nature

Running back and forth with a craving for the rough entertainments of the day, now racing after the energetic Black performer whose voice has unleashed the songs of all the Congo and Guinea Coast into our streets; now to witness the procession of a hundred yoke of oxen, all as dignified and serious as Osiris, or the herds of sleek cattle and milk cows as pure as Isis or Io. Those who had no appreciation for Nature

                “at all,
Came lovers home from this great festival.”

“at all,
Came lovers home from this big celebration.”

They may bring their fattest cattle and richest fruits to the fair, but they are all eclipsed by the show of men. These are stirring autumn days, when men sweep by in crowds, amid the rustle of leaves, like migrating finches; this is the true harvest of the year, when the air is but the breath of men, and the rustling of leaves is as the trampling of the crowd. We read now-a-days of the ancient festivals, games, and processions of the Greeks and Etruscans, with a little incredulity, or at least with little sympathy; but how natural and irrepressible in every people is some hearty and palpable greeting of Nature. The Corybantes, the Bacchantes, the rude primitive tragedians with their procession and goat-song, and the whole paraphernalia of the Panathenæa, which appear so antiquated and peculiar, have their parallel now. The husbandman is always a better Greek than the scholar is prepared to appreciate, and the old custom still survives, while antiquarians and scholars grow gray in commemorating it. The farmers crowd to the fair to-day in obedience to the same ancient law, which Solon or Lycurgus did not enact, as naturally as bees swarm and follow their queen.

They can bring their biggest cattle and finest fruits to the fair, but they're all overshadowed by the people. These are lively autumn days, when men rush by in groups, among the rustling leaves, like migrating finches; this is the true harvest of the year, when the air is filled with the breath of people, and the rustling of leaves sounds like the stomping of the crowd. Nowadays, we read about the ancient festivals, games, and parades of the Greeks and Etruscans with a bit of skepticism, or at least with little connection; but how natural and undeniable in every culture is some genuine and tangible celebration of Nature. The Corybantes, the Bacchantes, the early primitive tragedians with their procession and goat-songs, and all the trappings of the Panathenæa, which seem so outdated and strange, have their modern equivalents. The farmer is always a truer representative of the Greek spirit than the scholar can appreciate, and the old traditions still exist, even as antiquarians and scholars grow old studying them. The farmers gather at the fair today in accordance with the same ancient instinct, which Solon or Lycurgus did not create, as naturally as bees swarm and follow their queen.

It is worth the while to see the country’s people, how they pour into the town, the sober farmer folk, now all agog, their very shirt and coat-collars pointing forward,—collars so broad as if they had put their shirts on wrong end upward, for the fashions always tend to superfluity,—and with an unusual springiness in their gait, jabbering earnestly to one another. The more supple vagabond, too, is sure to appear on the least rumor of such a gathering, and the next day to disappear, and go into his hole like the seventeen-year locust, in an ever-shabby coat, though finer than the farmer’s best, yet never dressed; come to see the sport, and have a hand in what is going,—to know “what’s the row,” if there is any; to be where some men are drunk, some horses race, some cockerels fight; anxious to be shaking props under a table, and above all to see the “striped pig.” He especially is the creature of the occasion. He empties both his pockets and his character into the stream, and swims in such a day. He dearly loves the social slush. There is no reserve of soberness in him.

It’s definitely worth seeing how the locals pour into town—the serious farmers, now all excited, with their shirt and coat collars sticking out as if they’d put their shirts on upside down, since fashion always leans toward excess. They’re bouncing with energy, chatting intensely with each other. The more agile drifter is sure to show up at the slightest hint of a crowd, only to vanish the next day, retreating to his hole like a seventeen-year cicada, in a shabby coat that’s a bit nicer than the farmer’s best, but never quite put together; he’s there to catch the action, to find out what’s going on, to see if there’s any drama, to witness some folks getting drunk, some horses racing, some roosters fighting; he’s eager to be the one propping up a table, and above all, to see the “striped pig.” He’s really the life of the party. He pours out both his pockets and his reputation into the mix and revels in such a day. He truly enjoys the social chaos. There’s no hint of seriousness in him.

I love to see the herd of men feeding heartily on coarse and succulent pleasures, as cattle on the husks and stalks of vegetables. Though there are many crooked and crabbled specimens of humanity among them, run all to thorn and rind, and crowded out of shape by adverse circumstances, like the third chestnut in the burr, so that you wonder to see some heads wear a whole hat, yet fear not that the race will fail or waver in them; like the crabs which grow in hedges, they furnish the stocks of sweet and thrifty fruits still. Thus is nature recruited from age to age, while the fair and palatable varieties die out, and have their period. This is that mankind. How cheap must be the material of which so many men are made.

I love to watch the group of guys enjoying simple but satisfying pleasures, like cows munching on husks and vegetable stalks. Even though there are many flawed and rough examples of humanity among them, all twisted and battered by tough situations, like the third chestnut in its burr, you’re amazed to see some people wearing a whole hat, yet you don’t worry that humanity will falter or decline; like the crabs growing in hedges, they still produce the seeds of sweet and fruitful lives. This is how nature rejuvenates itself over time, while the beautiful and desirable varieties fade away and have their moment. This is mankind. It makes you realize how cheap the material is that so many men are made of.

The wind blew steadily down the stream, so that we kept our sails set, and lost not a moment of the forenoon by delays, but from early morning until noon were continually dropping downward. With our hands on the steering-paddle, which was thrust deep into the river, or bending to the oar, which indeed we rarely relinquished, we felt each palpitation in the veins of our steed, and each impulse of the wings which drew us above. The current of our thoughts made as sudden bends as the river, which was continually opening new prospects to the east or south, but we are aware that rivers flow most rapidly and shallowest at these points. The steadfast shores never once turned aside for us, but still trended as they were made; why then should we always turn aside for them?

The wind blew steadily down the stream, so we kept our sails up and didn’t waste a moment of the morning with delays. From early morning until noon, we kept moving downstream. With our hands on the steering paddle, which was pushed deep into the river, or pulling on the oar, which we hardly ever let go of, we felt every pulse in the veins of our boat and every push from the wings that lifted us. The flow of our thoughts took sudden turns just like the river, which was constantly revealing new views to the east or south, but we knew that rivers flow fastest and are shallowest at those points. The solid shores never changed course for us, but still followed their paths; so why should we always change for them?

A man cannot wheedle nor overawe his Genius. It requires to be conciliated by nobler conduct than the world demands or can appreciate. These winged thoughts are like birds, and will not be handled; even hens will not let you touch them like quadrupeds. Nothing was ever so unfamiliar and startling to a man as his own thoughts.

A man can't charm or intimidate his Genius. It needs to be won over with behavior that's better than what the world expects or can recognize. These soaring ideas are like birds and won't be tamed; even chickens won't let you handle them like mammals. Nothing is as strange and surprising to a man as his own thoughts.

To the rarest genius it is the most expensive to succumb and conform to the ways of the world. Genius is the worst of lumber, if the poet would float upon the breeze of popularity. The bird of paradise is obliged constantly to fly against the wind, lest its gay trappings, pressing close to its body, impede its free movements.

To the rare genius, it's the costliest thing to give in and fit in with the norms of the world. Genius is the heaviest burden if the poet wants to ride the waves of popularity. The bird of paradise has to constantly struggle against the wind, or its colorful feathers will cling to its body, restricting its movements.

He is the best sailor who can steer within the fewest points of the wind, and extract a motive power out of the greatest obstacles. Most begin to veer and tack as soon as the wind changes from aft, and as within the tropics it does not blow from all points of the compass, there are some harbors which they can never reach.

He is the best sailor who can navigate with the fewest adjustments to the wind and harness power from the biggest challenges. Most people start to change direction as soon as the wind shifts from behind them, and since in the tropics the wind doesn't come from all directions, there are some harbors they will never be able to reach.

The poet is no tender slip of fairy stock, who requires peculiar institutions and edicts for his defence, but the toughest son of earth and of Heaven, and by his greater strength and endurance his fainting companions will recognize the God in him. It is the worshippers of beauty, after all, who have done the real pioneer work of the world.

The poet isn’t a delicate creature who needs special rules and protections; he’s the strongest child of both earth and heaven. His greater strength and resilience will lead his weary companions to see the divine within him. Ultimately, it’s the admirers of beauty who have truly done the groundbreaking work in the world.

The poet will prevail to be popular in spite of his faults, and in spite of his beauties too. He will hit the nail on the head, and we shall not know the shape of his hammer. He makes us free of his hearth and heart, which is greater than to offer one the freedom of a city.

The poet will succeed in being popular despite his flaws, and even his strengths. He will get straight to the point, and we won’t know what his approach is. He invites us into his home and his feelings, which is a bigger gift than giving someone the freedom of a city.

Great men, unknown to their generation, have their fame among the great who have preceded them, and all true worldly fame subsides from their high estimate beyond the stars.

Great men, overlooked by their own generation, gain recognition among the greats who came before them, and all genuine worldly fame fades away from their lofty standards that reach beyond the stars.

Orpheus does not hear the strains which issue from his lyre, but only those which are breathed into it; for the original strain precedes the sound, by as much as the echo follows after. The rest is the perquisite of the rocks and trees and beasts.

Orpheus doesn’t hear the melodies that come from his lyre, but only the ones that are whispered into it; because the original note comes before the sound, just like the echo comes after. The rest belongs to the rocks, trees, and animals.

When I stand in a library where is all the recorded wit of the world, but none of the recording, a mere accumulated, and not truly cumulative treasure, where immortal works stand side by side with anthologies which did not survive their month, and cobweb and mildew have already spread from these to the binding of those; and happily I am reminded of what poetry is,—I perceive that Shakespeare and Milton did not foresee into what company they were to fall. Alas! that so soon the work of a true poet should be swept into such a dust-hole!

When I’m in a library filled with all the cleverness of the world but lacking any real recording, a mere collection rather than a truly valuable resource, where timeless works sit next to anthologies that barely lasted a month, and dust and mildew have already spread from the lesser works to the bindings of the great ones; I am thankfully reminded of what poetry really is—I realize that Shakespeare and Milton could never have imagined the company they would end up in. It’s a shame that the work of a true poet should be tossed into such a neglected corner!

The poet will write for his peers alone. He will remember only that he saw truth and beauty from his position, and expect the time when a vision as broad shall overlook the same field as freely.

The poet will write only for his peers. He will only remember that he saw truth and beauty from his perspective, and he looks forward to the time when a vision as wide will freely overlook the same landscape.

We are often prompted to speak our thoughts to our neighbors, or the single travellers whom we meet on the road, but poetry is a communication from our home and solitude addressed to all Intelligence. It never whispers in a private ear. Knowing this, we may understand those sonnets said to be addressed to particular persons, or “To a Mistress’s Eyebrow.” Let none feel flattered by them. For poetry write love, and it will be equally true.

We often feel encouraged to share our thoughts with our neighbors or the solo travelers we encounter on the road, but poetry is a message from our home and solitude directed at all Intelligence. It never quietly speaks in a private ear. Understanding this, we can grasp those sonnets claimed to be directed at specific individuals, like “To a Mistress’s Eyebrow.” No one should feel flattered by them. For poetry expresses love, and it remains equally true.

No doubt it is an important difference between men of genius or poets, and men not of genius, that the latter are unable to grasp and confront the thought which visits them. But it is because it is too faint for expression, or even conscious impression. What merely quickens or retards the blood in their veins and fills their afternoons with pleasure they know not whence, conveys a distinct assurance to the finer organization of the poet.

No doubt, there's a significant difference between geniuses or poets and those who aren't geniuses; the latter can't fully understand or face the ideas that come to them. This happens because those ideas are too subtle for them to express or even fully recognize. What simply stimulates or slows their blood and fills their afternoons with an unknown joy conveys a clear message to the more sensitive nature of the poet.

We talk of genius as if it were a mere knack, and the poet could only express what other men conceived. But in comparison with his task, the poet is the least talented of any; the writer of prose has more skill. See what talent the smith has. His material is pliant in his hands. When the poet is most inspired, is stimulated by an aura which never even colors the afternoons of common men, then his talent is all gone, and he is no longer a poet. The gods do not grant him any skill more than another. They never put their gifts into his hands, but they encompass and sustain him with their breath.

We talk about genius as if it’s just a simple talent, and the poet can only say what others think. But compared to his job, the poet is the least skilled of all; a prose writer has more ability. Look at the talent of the blacksmith. The material is flexible in his hands. When the poet is truly inspired, energized by an aura that doesn’t even touch the afternoons of everyday people, then his talent disappears, and he stops being a poet. The gods don’t give him any more skill than anyone else. They don’t place their gifts in his hands; instead, they surround and support him with their presence.

To say that God has given a man many and great talents, frequently means that he has brought his heavens down within reach of his hands.

To say that God has given someone many great talents often means that they have made their dreams attainable.

When the poetic frenzy seizes us, we run and scratch with our pen, intent only on worms, calling our mates around us, like the cock, and delighting in the dust we make, but do not detect where the jewel lies, which, perhaps, we have in the mean time cast to a distance, or quite covered up again.

When the creative rush hits us, we dash and scribble with our pen, focused only on the easy stuff, gathering our friends around us like a rooster, and enjoying the mess we make, but we don’t notice where the real treasure is, which we might have thrown away or buried again in the process.

The poet’s body even is not fed like other men’s, but he sometimes tastes the genuine nectar and ambrosia of the gods, and lives a divine life. By the healthful and invigorating thrills of inspiration his life is preserved to a serene old age.

The poet's body isn't nourished like everyone else's, but he occasionally enjoys the true nectar and ambrosia of the gods, leading a divine life. The refreshing and energizing rush of inspiration keeps him alive into a peaceful old age.

Some poems are for holidays only. They are polished and sweet, but it is the sweetness of sugar, and not such as toil gives to sour bread. The breath with which the poet utters his verse must be that by which he lives.

Some poems are just for holidays. They're refined and nice, but it's a sweetness like sugar, not the kind that comes from hard work like sourdough bread. The energy that the poet uses to express his lines should be the same energy that fuels his life.

Great prose, of equal elevation, commands our respect more than great verse, since it implies a more permanent and level height, a life more pervaded with the grandeur of the thought. The poet often only makes an irruption, like a Parthian, and is off again, shooting while he retreats; but the prose writer has conquered like a Roman, and settled colonies.

Great prose, with its consistent quality, deserves our respect more than great poetry, as it suggests a more lasting and stable presence, a life fully infused with the majesty of thought. The poet often bursts onto the scene, like a Parthian, and then fades away, firing as they go; but the prose writer has won the battle like a Roman and established their presence for good.

The true poem is not that which the public read. There is always a poem not printed on paper, coincident with the production of this, stereotyped in the poet’s life. It is what he has become through his work. Not how is the idea expressed in stone, or on canvas or paper, is the question, but how far it has obtained form and expression in the life of the artist. His true work will not stand in any prince’s gallery.

The real poem isn’t the one that people read. There’s always a poem that isn’t printed on paper, existing alongside the published one, embedded in the poet’s life. It’s what he has become through his work. The question isn’t how the idea is expressed in stone, on canvas, or on paper, but how much it has taken form and expression in the artist's life. His true work won’t be found in any royal gallery.

My life has been the poem I would have writ,
But I could not both live and utter it.

My life has been the poem I would have written,
But I couldn't both live it and speak it.

THE POET’S DELAY.

In vain I see the morning rise,
    In vain observe the western blaze,
Who idly look to other skies,
    Expecting life by other ways.

Amidst such boundless wealth without,
    I only still am poor within,
The birds have sung their summer out,
    But still my spring does not begin.

Shall I then wait the autumn wind,
    Compelled to seek a milder day,
And leave no curious nest behind,
    No woods still echoing to my lay?

In vain, I watch the morning come up,
    In vain, I see the sunset glow,
Those who casually look to other skies,
    Hoping to find life in different ways.

With so much wealth all around,
    I still feel poor inside,
The birds have finished their summer songs,
    But my spring hasn’t started yet.

Should I just wait for the autumn wind,
    Forced to look for a nicer day,
And leave behind no curious nest,
    No forests still echoing my song?

This raw and gusty day, and the creaking of the oaks and pines on shore, reminded us of more northern climes than Greece, and more wintry seas than the Ægean.

This chilly and blustery day, along with the creaking of the oaks and pines on the shore, reminded us of northern climates rather than Greece and colder seas than the Aegean.

The genuine remains of Ossian, or those ancient poems which bear his name, though of less fame and extent, are, in many respects, of the same stamp with the Iliad itself. He asserts the dignity of the bard no less than Homer, and in his era we hear of no other priest than he. It will not avail to call him a heathen, because he personifies the sun and addresses it; and what if his heroes did “worship the ghosts of their fathers,” their thin, airy, and unsubstantial forms? we worship but the ghosts of our fathers in more substantial forms. We cannot but respect the vigorous faith of those heathen, who sternly believed somewhat, and are inclined to say to the critics, who are offended by their superstitious rites,—Don’t interrupt these men’s prayers. As if we knew more about human life and a God, than the heathen and ancients. Does English theology contain the recent discoveries!

The true remains of Ossian, or those ancient poems named after him, although less famous and widespread, are in many ways similar to the Iliad itself. He upholds the dignity of the bard just like Homer, and in his time, we hear of no other priest besides him. It won’t help to call him a heathen just because he personifies the sun and speaks to it; and so what if his heroes "worship the spirits of their ancestors," their thin, ghostly, and insubstantial forms? We worship only the spirits of our ancestors in more tangible forms. We can’t help but respect the strong faith of those heathens, who genuinely believed in something, and we might say to the critics who are bothered by their superstitious practices—Don’t interrupt these men’s prayers. As if we know more about human life and God than the heathens and ancients did. Does English theology hold the latest discoveries?

Ossian reminds us of the most refined and rudest eras, of Homer, Pindar, Isaiah, and the American Indian. In his poetry, as in Homer’s, only the simplest and most enduring features of humanity are seen, such essential parts of a man as Stonehenge exhibits of a temple; we see the circles of stone, and the upright shaft alone. The phenomena of life acquire almost an unreal and gigantic size seen through his mists. Like all older and grander poetry, it is distinguished by the few elements in the lives of its heroes. They stand on the heath, between the stars and the earth, shrunk to the bones and sinews. The earth is a boundless plain for their deeds. They lead such a simple, dry, and everlasting life, as hardly needs depart with the flesh, but is transmitted entire from age to age. There are but few objects to distract their sight, and their life is as unencumbered as the course of the stars they gaze at.

Ossian reminds us of both the most refined and the roughest times, of Homer, Pindar, Isaiah, and the American Indian. In his poetry, much like Homer’s, we see only the simplest and most enduring aspects of humanity—essential parts of a person that Stonehenge shows of a temple; we see only the stone circles and the upright pillars. The phenomena of life take on an almost unreal and gigantic scale when seen through his mists. Like all older and greater poetry, it is marked by the few elements present in the lives of its heroes. They stand on the heath, between the stars and the earth, reduced to their bones and sinews. The earth is an endless plain for their actions. They lead such a simple, stark, and timeless life that it hardly needs to depart with the flesh but is passed down completely from generation to generation. There are only a few objects to distract their view, and their lives are as unencumbered as the paths of the stars they look at.

“The wrathful kings, on cairns apart,
Look forward from behind their shields,
And mark the wandering stars,
That brilliant westward move.”

“The angry kings, standing on separate burial mounds,
Peer out from behind their shields,
And observe the drifting stars,
That shine as they move westward.”

It does not cost much for these heroes to live; they do not want much furniture. They are such forms of men only as can be seen afar through the mist, and have no costume nor dialect, but for language there is the tongue itself, and for costume there are always the skins of beasts and the bark of trees to be had. They live out their years by the vigor of their constitutions. They survive storms and the spears of their foes, and perform a few heroic deeds, and then

It doesn’t take much for these heroes to live; they don’t need much furniture. They are the kind of men who can only be seen from a distance through the fog, and they have no costumes or accents, but in terms of language, there’s the tongue itself, and for clothing, there are always animal skins and tree bark available. They live out their lives relying on their strong bodies. They weather storms and avoid the spears of their enemies, accomplish a few heroic acts, and then

“Mounds will answer questions of them,
For many future years.”

“Mounds will answer their questions,
For many years to come.”

Blind and infirm, they spend the remnant of their days listening to the lays of the bards, and feeling the weapons which laid their enemies low, and when at length they die, by a convulsion of nature, the bard allows us a short and misty glance into futurity, yet as clear, perchance, as their lives had been. When Mac-Roine was slain,

Blind and frail, they spend the rest of their days listening to the songs of the bards, feeling the weapons that defeated their enemies, and when they finally die, with a natural convulsion, the bard gives us a brief and unclear glimpse into the future, though perhaps as clear as their lives had been. When Mac-Roine was killed,

“His soul departed to his warlike sires,
To follow misty forms of boars,
In tempestuous islands bleak.”

“His spirit left to join his warrior ancestors,
To chase after shadowy shapes of wild boars,
In stormy, desolate islands.”

The hero’s cairn is erected, and the bard sings a brief significant strain, which will suffice for epitaph and biography.

The hero's memorial is set up, and the singer performs a short, meaningful melody, which will serve as both epitaph and biography.

“The weak will find his bow in the dwelling,
The feeble will attempt to bend it.”

“The weak will find his bow at home,
The feeble will try to bend it.”

Compared with this simple, fibrous life, our civilized history appears the chronicle of debility, of fashion, and the arts of luxury. But the civilized man misses no real refinement in the poetry of the rudest era. It reminds him that civilization does but dress men. It makes shoes, but it does not toughen the soles of the feet. It makes cloth of finer texture, but it does not touch the skin. Inside the civilized man stand the savage still in the place of honor. We are those blue-eyed, yellow-haired Saxons, those slender, dark-haired Normans.

Compared to this simple, basic life, our civilized history looks like a story of weakness, trends, and luxury. But the civilized person doesn't lack any true refinement found in the poetry of the most primitive times. It serves as a reminder that civilization merely dresses people up. It creates shoes, but it doesn't toughen our feet. It produces finer fabric, but it doesn't actually touch the skin. Inside every civilized person, the primitive self remains in a place of honor. We are those blue-eyed, yellow-haired Saxons, and those slender, dark-haired Normans.

The profession of the bard attracted more respect in those days from the importance attached to fame. It was his province to record the deeds of heroes. When Ossian hears the traditions of inferior bards, he exclaims,—

The profession of the bard drew more respect in those times because fame was seen as very important. It was his role to document the actions of heroes. When Ossian hears the stories from lesser bards, he exclaims,—

“I straightway seize the unfutile tales,
And send them down in faithful verse.”

“I immediately grab the useless stories,
And express them in honest verse.”

His philosophy of life is expressed in the opening of the third Duan of Ca-Lodin.

His philosophy of life is expressed in the opening of the third Duan of Ca-Lodin.

“Whence have sprung the things that are?
And whither roll the passing years?
Where does Time conceal its two heads,
In dense impenetrable gloom,
Its surface marked with heroes’ deeds alone?
I view the generations gone;
The past appears but dim;
As objects by the moon’s faint beams,
Reflected from a distant lake.
I see, indeed, the thunderbolts of war,
But there the unmighty joyless dwell,
All those who send not down their deeds
To far, succeeding times.”

“Where did everything come from?
And where do the years go?
Where does Time hide its two faces,
In thick, impenetrable darkness,
Its surface marked only by the deeds of heroes?
I look at the generations that have passed;
The past seems so vague;
Like objects illuminated by the moon’s faint light,
Reflected in a distant lake.
I do see the devastating strikes of war,
But there dwell those who are powerless and unhappy,
All who do not pass their deeds
Down to future generations.”

The ignoble warriors die and are forgotten;

The dishonorable warriors die and are forgotten;

“Strangers come to build a tower,
And throw their ashes overhand;
Some rusted swords appear in dust;
One, bending forward, says,
‘The arms belonged to heroes gone;
We never heard their praise in song.’”

“Strangers come to build a tower,
And throw their ashes overhand;
Some rusty swords show up in the dust;
One person bends forward and says,
‘The weapons belonged to heroes long gone;
We never heard their stories sung.’”

The grandeur of the similes is another feature which characterizes great poetry. Ossian seems to speak a gigantic and universal language. The images and pictures occupy even much space in the landscape, as if they could be seen only from the sides of mountains, and plains with a wide horizon, or across arms of the sea. The machinery is so massive that it cannot be less than natural. Oivana says to the spirit of her father, “Gray-haired Torkil of Torne,” seen in the skies,

The grandeur of the comparisons is another feature that defines great poetry. Ossian appears to speak a massive and universal language. The images and scenes take up so much space in the landscape, as if they can only be seen from mountain sides and wide plains or across stretches of the sea. The elements are so vast that they seem entirely natural. Oivana says to the spirit of her father, “Gray-haired Torkil of Torne,” who is seen in the sky,

“Thou glidest away like receding ships.”

“You glide away like ships that are pulling away.”

So when the hosts of Fingal and Starne approach to battle,

So when the armies of Fingal and Starne come close to fighting,

“With murmurs loud, like rivers far,
The race of Torne hither moved.”

“With loud whispers, like distant rivers,
The Torne race moved here.”

And when compelled to retire,

And when forced to leave,

“dragging his spear behind,
Cudulin sank in the distant wood,
Like a fire upblazing ere it dies.”

“Dragging his spear behind,
Cudulin sank in the distant woods,
Like a fire blazing up before it dies.”

Nor did Fingal want a proper audience when he spoke;

Nor did Fingal want a proper audience when he spoke;

“A thousand orators inclined
To hear the lay of Fingal.”

“A thousand speakers gathered
To listen to the tale of Fingal.”

The threats too would have deterred a man. Vengeance and terror were real. Trenmore threatens the young warrior whom he meets on a foreign strand,

The threats would have scared off anyone. Revenge and fear were real. Trenmore intimidates the young warrior he encounters on a foreign shore,

“Thy mother shall find thee pale on the shore,
While lessening on the waves she spies
The sails of him who slew her son.”

“Your mother will find you pale on the shore,
While watching the sails of the man who killed her son
As they fade away on the waves.”

If Ossian’s heroes weep, it is from excess of strength, and not from weakness, a sacrifice or libation of fertile natures, like the perspiration of stone in summer’s heat. We hardly know that tears have been shed, and it seems as if weeping were proper only for babes and heroes. Their joy and their sorrow are made of one stuff, like rain and snow, the rainbow and the mist. When Fillan was worsted in fight, and ashamed in the presence of Fingal,

If Ossian’s heroes cry, it’s because of their overwhelming strength, not weakness, a tribute or offering from vibrant souls, like the sweat of stone in the summer heat. We barely realize that tears have been shed, and it feels like crying is only for babies and heroes. Their happiness and sadness come from the same place, like rain and snow, the rainbow and the fog. When Fillan was defeated in battle and felt ashamed in front of Fingal,

“He strode away forthwith,
And bent in grief above a stream,
His cheeks bedewed with tears.
From time to time the thistles gray
He lopped with his inverted lance.”

“He walked away immediately,
And bent over a stream in sorrow,
His cheeks wet with tears.
From time to time he trimmed the gray thistles
With his upside-down lance.”

Crodar, blind and old, receives Ossian, son of Fingal, who comes to aid him in war;—

Crodar, blind and elderly, welcomes Ossian, the son of Fingal, who has come to assist him in battle;—

“‘My eyes have failed,’ says he, ‘Crodar is blind,
Is thy strength like that of thy fathers?
Stretch, Ossian, thine arm to the hoary-haired.’
        I gave my arm to the king.
The aged hero seized my hand;
He heaved a heavy sigh;
Tears flowed incessant down his cheek.
’Strong art thou, son of the mighty,
Though not so dreadful as Morven’s prince.

Let my feast be spread in the hall,
Let every sweet-voiced minstrel sing;
Great is he who is within my walls,
Sons of wave-echoing Croma.’”

“‘My eyesight has failed,’ he says, ‘Crodar is blind,
Is your strength like that of your ancestors?
Stretch out, Ossian, your arm to the gray-haired.’
        I reached out my arm to the king.
The aged hero grasped my hand;
He let out a deep sigh;
Tears flowed continuously down his face.
’You are strong, son of the mighty,
Though not as fearsome as Morven’s prince.

Let my feast be set in the hall,
Let every sweet-voiced minstrel sing;
Great is he who is within my walls,
Sons of the wave-resounding Croma.’”

Even Ossian himself, the hero-bard, pays tribute to the superior strength of his father Fingal.

Even Ossian himself, the legendary bard, acknowledges the greater strength of his father Fingal.

“How beauteous, mighty man, was thy mind,
Why succeeded Ossian without its strength?”

“How beautiful, strong man, was your mind,
Why did Ossian succeed without its strength?”

————————

Understood! Please provide the text you would like me to modernize.

While we sailed fleetly before the wind, with the river gurgling under our stern, the thoughts of autumn coursed as steadily through our minds, and we observed less what was passing on the shore, than the dateless associations and impressions which the season awakened, anticipating in some measure the progress of the year.

While we sailed quickly with the wind, and the river flowed beneath us, thoughts of autumn filled our minds. We noticed less of what was happening on the shore and more of the timeless memories and feelings that the season brought up, as we looked forward to the progress of the year.

I hearing get, who had but ears,
    And sight, who had but eyes before,
I moments live, who lived but years,
    And truth discern, who knew but learning’s lore.

I hear, those who have ears,
    And see, those who have eyes before,
I live moments, those who lived just years,
    And understand truth, those who only knew what they learned.

Sitting with our faces now up stream, we studied the landscape by degrees, as one unrolls a map, rock, tree, house, hill, and meadow, assuming new and varying positions as wind and water shifted the scene, and there was variety enough for our entertainment in the metamorphoses of the simplest objects. Viewed from this side the scenery appeared new to us.

Sitting with our faces now upstream, we carefully observed the landscape like someone unfolding a map—looking at the rocks, trees, houses, hills, and meadows—as the wind and water changed the scene, shifting our perspectives. The endless transformations of even the simplest objects provided plenty of entertainment. From this angle, the scenery seemed entirely new to us.

The most familiar sheet of water viewed from a new hill-top, yields a novel and unexpected pleasure. When we have travelled a few miles, we do not recognize the profiles even of the hills which overlook our native village, and perhaps no man is quite familiar with the horizon as seen from the hill nearest to his house, and can recall its outline distinctly when in the valley. We do not commonly know, beyond a short distance, which way the hills range which take in our houses and farms in their sweep. As if our birth had at first sundered things, and we had been thrust up through into nature like a wedge, and not till the wound heals and the scar disappears, do we begin to discover where we are, and that nature is one and continuous everywhere. It is an important epoch when a man who has always lived on the east side of a mountain, and seen it in the west, travels round and sees it in the east. Yet the universe is a sphere whose centre is wherever there is intelligence. The sun is not so central as a man. Upon an isolated hill-top, in an open country, we seem to ourselves to be standing on the boss of an immense shield, the immediate landscape being apparently depressed below the more remote, and rising gradually to the horizon, which is the rim of the shield, villas, steeples, forests, mountains, one above another, till they are swallowed up in the heavens. The most distant mountains in the horizon appear to rise directly from the shore of that lake in the woods by which we chance to be standing, while from the mountain-top, not only this, but a thousand nearer and larger lakes, are equally unobserved.

The most recognizable body of water seen from a new hilltop brings a fresh and surprising joy. After traveling a few miles, we often don't recognize the shapes of the hills surrounding our hometown, and maybe no one is completely familiar with the horizon from the hill closest to their home, recalling its outline clearly when down in the valley. Typically, we don't really know, beyond a short distance, how the hills that include our houses and farms are arranged. It’s as if our birth initially separated us from everything, and we were pushed into nature like a wedge; it's only when the wound heals and the scar fades that we start to understand where we are, realizing that nature is one continuous presence everywhere. It’s a significant moment when someone who's always lived on the east side of a mountain and seen it from the west travels around and views it from the east. Yet, the universe is a sphere with a center wherever there is awareness. The sun isn’t as central as a person. On an isolated hilltop in an open area, we feel like we're standing on the center of a giant shield, with the immediate landscape seemingly lower than the distant scenery, which gradually rises to the horizon—the edge of the shield—where villas, steeples, forests, and mountains stack on top of each other until they disappear into the sky. The furthest mountains on the horizon seem to rise straight from the shore of that lake in the woods where we happen to be standing, while from the mountaintop, not only this, but also a thousand closer and larger lakes, remain unnoticed.

Seen through this clear atmosphere, the works of the farmer, his ploughing and reaping, had a beauty to our eyes which he never saw. How fortunate were we who did not own an acre of these shores, who had not renounced our title to the whole. One who knew how to appropriate the true value of this world would be the poorest man in it. The poor rich man! all he has is what he has bought. What I see is mine. I am a large owner in the Merrimack intervals.

Seen through this clear atmosphere, the farmer's work—his plowing and harvesting—held a beauty we appreciated that he never recognized. How lucky were we, who didn’t own a single acre of these shores, who hadn't given up our claim to everything. Someone who truly understood the real value of this world would actually be the most impoverished person. The poor rich man! All he possesses is what he's purchased. What I see is mine. I am a significant owner in the Merrimack valleys.

Men dig and dive but cannot my wealth spend,
    Who yet no partial store appropriate,
Who no armed ship into the Indies send,
    To rob me of my orient estate.

Men dig and dive but can't spend my wealth,
    They still don't have their own share stored away,
They don’t send armed ships to the Indies,
    To steal my treasures from the East.

He is the rich man, and enjoys the fruits of riches, who summer and winter forever can find delight in his own thoughts. Buy a farm! What have I to pay for a farm which a farmer will take?

He is the wealthy man, who enjoys the benefits of his riches, and can find joy in his own thoughts all year round. Buy a farm! How much do I need to pay for a farm that a farmer is willing to accept?

When I visit again some haunt of my youth, I am glad to find that nature wears so well. The landscape is indeed something real, and solid, and sincere, and I have not put my foot through it yet. There is a pleasant tract on the bank of the Concord, called Conantum, which I have in my mind;—the old deserted farm-house, the desolate pasture with its bleak cliff, the open wood, the river-reach, the green meadow in the midst, and the moss-grown wild-apple orchard,—places where one may have many thoughts and not decide anything. It is a scene which I can not only remember, as I might a vision, but when I will can bodily revisit, and find it even so, unaccountable, yet unpretending in its pleasant dreariness. When my thoughts are sensible of change, I love to see and sit on rocks which I have known, and pry into their moss, and see unchangeableness so established. I not yet gray on rocks forever gray, I no longer green under the evergreens. There is something even in the lapse of time by which time recovers itself.

When I visit a place from my youth again, I'm happy to see that nature has held up so well. The landscape feels real, solid, and honest, and I haven’t disturbed it yet. I’m thinking of a nice spot by the Concord River called Conantum—the old abandoned farmhouse, the lonely pasture with its stark cliff, the open woods, the stretch of the river, the green meadow in the middle, and the moss-covered wild apple orchard—places where I can have lots of thoughts without making any decisions. It’s a scene I can remember like a vision, but I can also physically go back to it whenever I want and find it still there, oddly beautiful yet unpretentious in its pleasant gloom. When my thoughts notice change, I love to visit and sit on rocks that I know, examining their moss and seeing how unchanging they are. I’m not yet gray on rocks that have always been gray, and I’m no longer green beneath the evergreens. There’s something even in the passing of time that allows time to restore itself.

As we have said, it proved a cool as well as breezy day, and by the time we reached Penichook Brook we were obliged to sit muffled in our cloaks, while the wind and current carried us along. We bounded swiftly over the rippling surface, far by many cultivated lands and the ends of fences which divided innumerable farms, with hardly a thought for the various lives which they separated; now by long rows of alders or groves of pines or oaks, and now by some homestead where the women and children stood outside to gaze at us, till we had swept out of their sight, and beyond the limit of their longest Saturday ramble. We glided past the mouth of the Nashua, and not long after, of Salmon Brook, without more pause than the wind.

As we've mentioned, it turned out to be a cool and breezy day, and by the time we got to Penichook Brook, we had to sit wrapped in our cloaks while the wind and current carried us along. We quickly glided over the rippling surface, passing by many cultivated fields and the ends of fences that separated countless farms, barely thinking about the different lives they kept apart; now by long rows of alders or groves of pines and oaks, and at times by some homestead where women and children stood outside watching us until we were out of their sight, beyond where their longest Saturday stroll would take them. We smoothly passed the mouth of the Nashua and soon after Salmon Brook, without stopping for more than the wind.

        Salmon Brook,
        Penichook,
Ye sweet waters of my brain,
        When shall I look,
        Or cast the hook,
    In your waves again?

        Silver eels,
        Wooden creels,
These the baits that still allure,
        And dragon-fly
        That floated by,
    May they still endure?

Salmon Brook,
        Penichook,
Oh sweet waters of my mind,
        When will I see,
        Or throw the line,
    In your waves again?

        Shiny eels,
        Wooden baskets,
These are the baits that still entice,
        And dragonflies
        That drifted by,
    Will they still last?

The shadows chased one another swiftly over wood and meadow, and their alternation harmonized with our mood. We could distinguish the clouds which cast each one, though never so high in the heavens. When a shadow flits across the landscape of the soul, where is the substance? Probably, if we were wise enough, we should see to what virtue we are indebted for any happier moment we enjoy. No doubt we have earned it at some time; for the gifts of Heaven are never quite gratuitous. The constant abrasion and decay of our lives makes the soil of our future growth. The wood which we now mature, when it becomes virgin mould, determines the character of our second growth, whether that be oaks or pines. Every man casts a shadow; not his body only, but his imperfectly mingled spirit. This is his grief. Let him turn which way he will, it falls opposite to the sun; short at noon, long at eve. Did you never see it?—But, referred to the sun, it is widest at its base, which is no greater than his own opacity. The divine light is diffused almost entirely around us, and by means of the refraction of light, or else by a certain self-luminousness, or, as some will have it, transparency, if we preserve ourselves untarnished, we are able to enlighten our shaded side. At any rate, our darkest grief has that bronze color of the moon eclipsed. There is no ill which may not be dissipated, like the dark, if you let in a stronger light upon it. Shadows, referred to the source of light, are pyramids whose bases are never greater than those of the substances which cast them, but light is a spherical congeries of pyramids, whose very apexes are the sun itself, and hence the system shines with uninterrupted light. But if the light we use is but a paltry and narrow taper, most objects will cast a shadow wider than themselves.

The shadows raced after each other quickly over the woods and meadows, and their shifting matched our feelings. We could spot the clouds that created each shadow, even though they were never too high in the sky. When a shadow sweeps across the landscape of our soul, where’s the real substance? If we were wise enough, we’d realize which virtue we owe for any happy moments we experience. Surely, we earned it at some point; after all, the blessings from above are never completely free. The constant wear and tear of our lives forms the foundation of our future growth. The woods we nurture now, when they become rich soil, will determine the character of our next growth, whether it turns out to be oaks or pines. Every person casts a shadow; not just their body, but also their imperfectly blended spirit. This is their sorrow. No matter which way they turn, it falls opposite the sun; short at noon, long in the evening. Haven't you noticed?—But in relation to the sun, it is widest at its base, which is no bigger than its own opacity. The divine light surrounds us almost completely, and through the refraction of light, or a certain inner glow, or as some say, transparency, if we keep ourselves unspoiled, we can brighten our shaded side. In any case, our deepest sorrow has the bronze hue of a lunar eclipse. There’s no sorrow that can’t be dispelled, like the darkness, if you let in a stronger light. Shadows, when compared to the source of light, are pyramids whose bases are never larger than those of the objects casting them, but light is a spherical collection of pyramids, whose very peaks are the sun itself, and thus the system shines with constant light. However, if the light we use is just a feeble and narrow candle, most objects will cast a shadow wider than themselves.

The places where we had stopped or spent the night in our way up the river, had already acquired a slight historical interest for us; for many upward day’s voyaging were unravelled in this rapid downward passage. When one landed to stretch his limbs by walking, he soon found himself falling behind his companion, and was obliged to take advantage of the curves, and ford the brooks and ravines in haste, to recover his ground. Already the banks and the distant meadows wore a sober and deepened tinge, for the September air had shorn them of their summer’s pride.

The places where we stopped or spent the night on our way up the river had already gained a bit of historical significance for us; many days of traveling upward were reflected in this fast-paced journey downstream. When one stepped ashore to stretch his legs, he quickly found himself lagging behind his companion, and had to take advantage of the curves, rushing to cross the streams and valleys to catch up. The banks and the distant meadows already had a muted and deepened color, as the September air had stripped them of their summer glory.

“And what’s a life? The flourishing array
Of the proud summer meadow, which to-day
Wears her green plush, and is to-morrow hay.”

“And what is life? The vibrant display
Of the proud summer meadow, which today
Wears its green carpet, and tomorrow turns to hay.”

The air was really the “fine element” which the poets describe. It had a finer and sharper grain, seen against the russet pastures and meadows, than before, as if cleansed of the summer’s impurities.

The air was truly the “fine element” that poets talk about. It had a finer and sharper quality, especially against the brown pastures and meadows, as if it had been cleaned of the summer’s dirt.

Having passed the New Hampshire line and reached the Horseshoe Interval in Tyngsborough, where there is a high and regular second bank, we climbed up this in haste to get a nearer sight of the autumnal flowers, asters, golden-rod, and yarrow, and blue-curls (Trichostema dichotoma), humble roadside blossoms, and, lingering still, the harebell and the Rhexia Virginica. The last, growing in patches of lively pink flowers on the edge of the meadows, had almost too gay an appearance for the rest of the landscape, like a pink ribbon on the bonnet of a Puritan woman. Asters and golden-rods were the livery which nature wore at present. The latter alone expressed all the ripeness of the season, and shed their mellow lustre over the fields, as if the now declining summer’s sun had bequeathed its hues to them. It is the floral solstice a little after midsummer, when the particles of golden light, the sun-dust, have, as it were, fallen like seeds on the earth, and produced these blossoms. On every hillside, and in every valley, stood countless asters, coreopses, tansies, golden-rods, and the whole race of yellow flowers, like Brahminical devotees, turning steadily with their luminary from morning till night.

Having crossed the New Hampshire border and reached the Horseshoe Interval in Tyngsborough, where there's a tall and even second bank, we hurried up this to get a closer look at the autumn flowers—asters, goldenrod, yarrow, and blue curls (Trichostema dichotoma), those modest roadside blooms, and still lingering, the harebell and Rhexia Virginica. The latter, with its patches of vibrant pink flowers at the meadow's edge, looked almost too cheerful compared to the rest of the landscape, like a pink ribbon on a Puritan woman's bonnet. Asters and goldenrods were the attire nature wore right now. The goldenrod alone captured the full essence of the season, casting its warm glow over the fields, as if the fading summer sun had passed on its colors to them. It’s the floral solstice just past midsummer, when particles of golden light, the sun-dust, have fallen like seeds onto the earth, giving rise to these blossoms. On every hillside and in every valley, countless asters, coreopses, tansies, goldenrods, and all kinds of yellow flowers stood tall, like devoted Brahmins, turning steadily with their star from morning till night.

“I see the golden-rod shine bright,
    As sun-showers at the birth of day,
A golden plume of yellow light,
    That robs the Day-god’s splendid ray.

“The aster’s violet rays divide
    The bank with many stars for me,
And yarrow in blanch tints is dyed,
    As moonlight floats across the sea.

“I see the emerald woods prepare
    To shed their vestiture once more,
And distant elm-trees spot the air
    With yellow pictures softly o’er.
     *     *     *     *     *
“No more the water-lily’s pride
    In milk-white circles swims content,
No more the blue-weed’s clusters ride
    And mock the heavens’ element.
     *     *     *     *     *
“Autumn, thy wreath and mine are blent
    With the same colors, for to me
A richer sky than all is lent,
    While fades my dream-like company.

“Our skies glow purple, but the wind
    Sobs chill through green trees and bright grass,
To-day shines fair, and lurk behind
    The times that into winter pass.

“So fair we seem, so cold we are,
    So fast we hasten to decay,
Yet through our night glows many a star,
    That still shall claim its sunny day.”

“I see the goldenrod shining bright,
    Like sun-showers at the break of day,
A golden plume of yellow light,
    That steals from the sun’s glorious rays.

“The aster’s violet rays divide
    The bank, sparkling with many stars for me,
And yarrow is dyed in pale tones,
    As moonlight drifts across the sea.

“I see the emerald woods getting ready
    To shed their leaves once again,
And distant elm trees mark the air
    With soft yellow pictures everywhere.
     *     *     *     *     *
“No longer does the water-lily’s pride
    Swim in milk-white circles, satisfied,
No longer do blueweed clusters float
    And mock the heavens above their side.
     *     *     *     *     *
“Autumn, your wreath and mine are mixed
    With the same colors, for to me
A richer sky than all has been given,
    While my dream-like friends start to fade.

“Our skies glow purple, but the wind
    Wails cold through green trees and bright grass,
Today shines fair, yet lurking behind
    Are the days that lead into winter’s grasp.

“So beautiful we seem, so cold we are,
    So quickly we rush toward decay,
Yet through our night shine many stars,
    That will still claim their sunny day.”

So sang a Concord poet once.

So sang a poet from Concord once.

There is a peculiar interest belonging to the still later flowers, which abide with us the approach of winter. There is something witch-like in the appearance of the witch-hazel, which blossoms late in October and in November, with its irregular and angular spray and petals like furies’ hair, or small ribbon streamers. Its blossoming, too, at this irregular period, when other shrubs have lost their leaves, as well as blossoms, looks like witches’ craft. Certainly it blooms in no garden of man’s. There is a whole fairy-land on the hillside where it grows.

There’s a unique charm to the late-blooming flowers that stick around as winter approaches. The witch-hazel, which flowers in late October and November, has a somewhat magical look with its odd, angular branches and petals resembling wild hair or small ribbons. Its blooming at such an unusual time, when most shrubs have already shed their leaves and flowers, seems almost like sorcery. Clearly, it doesn’t grow in any typical garden. There’s an entire fairy-tale world on the hillside where it thrives.

Some have thought that the gales do not at present waft to the voyager the natural and original fragrance of the land, such as the early navigators described, and that the loss of many odoriferous native plants, sweet-scented grasses and medicinal herbs, which formerly sweetened the atmosphere, and rendered it salubrious,—by the grazing of cattle and the rooting of swine, is the source of many diseases which now prevail; the earth, say they, having been long subjected to extremely artificial and luxurious modes of cultivation, to gratify the appetite, converted into a stye and hot-bed, where men for profit increase the ordinary decay of nature.

Some believe that the winds no longer carry the natural and original scent of the land to travelers, like the early explorers described. They suggest that the disappearance of many fragrant native plants, sweet-smelling grasses, and medicinal herbs, which once made the air pleasant and healthy, has led to the rise of various diseases. They argue that the land has been subjected to overly artificial and lavish farming practices meant to satisfy our cravings, turning it into a pigsty and breeding ground that accelerates natural decay for profit.

According to the record of an old inhabitant of Tyngsborough, now dead, whose farm we were now gliding past, one of the greatest freshets on this river took place in October, 1785, and its height was marked by a nail driven into an apple-tree behind his house. One of his descendants has shown this to me, and I judged it to be at least seventeen or eighteen feet above the level of the river at the time. According to Barber, the river rose twenty-one feet above the common high-water mark, at Bradford in the year 1818. Before the Lowell and Nashua railroad was built, the engineer made inquiries of the inhabitants along the banks as to how high they had known the river to rise. When he came to this house he was conducted to the apple-tree, and as the nail was not then visible, the lady of the house placed her hand on the trunk where she said that she remembered the nail to have been from her childhood. In the mean while the old man put his arm inside the tree, which was hollow, and felt the point of the nail sticking through, and it was exactly opposite to her hand. The spot is now plainly marked by a notch in the bark. But as no one else remembered the river to have risen so high as this, the engineer disregarded this statement, and I learn that there has since been a freshet which rose within nine inches of the rails at Biscuit Brook, and such a freshet as that of 1785 would have covered the railroad two feet deep.

According to the account of an old resident of Tyngsborough, who has since passed away, as we floated past his farm, one of the biggest floods on this river happened in October 1785, and its height was marked by a nail driven into an apple tree behind his house. One of his descendants showed this to me, and I estimated it to be at least seventeen or eighteen feet above the river's level at that time. Barber noted that the river rose twenty-one feet above the usual high-water mark at Bradford in 1818. Before the Lowell and Nashua railroad was built, the engineer asked the locals along the riverbanks how high they had seen the river rise. When he got to this house, they took him to the apple tree, and since the nail wasn’t visible at that time, the lady of the house placed her hand on the trunk, saying she remembered where the nail had been from her childhood. Meanwhile, the old man reached inside the hollow tree and felt the point of the nail sticking through, which was exactly aligned with her hand. The spot is now marked by a notch in the bark. However, since no one else recalled the river rising that high, the engineer dismissed this claim. I've since learned that there was another flood which came within nine inches of the railroad tracks at Biscuit Brook, and a flood like the one in 1785 would have covered the railroad by two feet.

The revolutions of nature tell as fine tales, and make as interesting revelations, on this river’s banks, as on the Euphrates or the Nile. This apple-tree, which stands within a few rods of the river, is called “Elisha’s apple-tree,” from a friendly Indian, who was anciently in the service of Jonathan Tyng, and, with one other man, was killed here by his own race in one of the Indian wars,—the particulars of which affair were told us on the spot. He was buried close by, no one knew exactly where, but in the flood of 1785, so great a weight of water standing over the grave, caused the earth to settle where it had once been disturbed, and when the flood went down, a sunken spot, exactly of the form and size of the grave, revealed its locality; but this was now lost again, and no future flood can detect it; yet, no doubt, Nature will know how to point it out in due time, if it be necessary, by methods yet more searching and unexpected. Thus there is not only the crisis when the spirit ceases to inspire and expand the body, marked by a fresh mound in the churchyard, but there is also a crisis when the body ceases to take up room as such in nature, marked by a fainter depression in the earth.

The changes in nature tell just as beautiful stories and reveal just as interesting truths along this riverbank as they do by the Euphrates or the Nile. This apple tree, which stands just a short distance from the river, is known as "Elisha’s apple-tree," named after a friendly Indian who historically served Jonathan Tyng and was killed here, alongside another man, by his own people during one of the Indian wars—details of which were shared with us right here. He was buried nearby; no one knew the exact spot, but during the flood of 1785, the heavy water above his grave caused the ground to settle where it had once been disturbed, and when the flood receded, a depressed area that matched the shape and size of the grave revealed its location. However, this was soon lost again, and no future flood will uncover it; yet, no doubt, Nature will eventually find a way to reveal it if needed, through methods that are even more thorough and surprising. So, there’s not just the moment when the spirit stops animating the body, marked by a fresh mound in the graveyard, but there's also a moment when the body stops occupying space in nature, marked by a subtle dip in the earth.

We sat awhile to rest us here upon the brink of the western bank, surrounded by the glossy leaves of the red variety of the mountain laurel, just above the head of Wicasuck Island, where we could observe some scows which were loading with clay from the opposite shore, and also overlook the grounds of the farmer, of whom I have spoken, who once hospitably entertained us for a night. He had on his pleasant farm, besides an abundance of the beach-plum, or Prunus littoralis, which grew wild, the Canada plum under cultivation, fine Porter apples, some peaches, and large patches of musk and water melons, which he cultivated for the Lowell market. Elisha’s apple-tree, too, bore a native fruit, which was prized by the family. He raised the blood peach, which, as he showed us with satisfaction, was more like the oak in the color of its bark and in the setting of its branches, and was less liable to break down under the weight of the fruit, or the snow, than other varieties. It was of slower growth, and its branches strong and tough. There, also, was his nursery of native apple-trees, thickly set upon the bank, which cost but little care, and which he sold to the neighboring farmers when they were five or six years old. To see a single peach upon its stem makes an impression of paradisaical fertility and luxury. This reminded us even of an old Roman farm, as described by Varro:—Cæsar Vopiscus Ædilicius, when he pleaded before the Censors, said that the grounds of Rosea were the garden (sumen the tid-bit) of Italy, in which a pole being left would not be visible the day after, on account of the growth of the herbage. This soil may not have been remarkably fertile, yet at this distance we thought that this anecdote might be told of the Tyngsborough farm.

We sat for a while to rest on the edge of the western bank, surrounded by the shiny leaves of the red variety of mountain laurel, just above the head of Wicasuck Island. From here, we could watch some scows loading clay from the opposite shore and also overlook the farm of the man I mentioned earlier, who once kindly hosted us for a night. On his lovely farm, he had plenty of wild beach-plum, or Prunus littoralis, along with cultivated Canada plums, fine Porter apples, some peaches, and large patches of musk and watermelons that he grew for the Lowell market. Elisha’s apple tree also produced a local fruit that was valued by his family. He grew the blood peach, which, as he proudly pointed out, resembled the oak in the color of its bark and the way its branches were set, and was less likely to break under the weight of the fruit or snow compared to other varieties. It grew more slowly, but its branches were strong and tough. There was also his nursery of native apple trees planted closely on the bank, which required little care and were sold to local farmers when they were about five or six years old. Just seeing a single peach on its stem gives an impression of paradise-like fertility and luxury. This even reminded us of an old Roman farm described by Varro:—Cæsar Vopiscus Ædilicius, when he was addressing the Censors, said that the grounds of Rosea were the garden (sumen the tid-bit) of Italy, where you wouldn’t even see a pole left standing the next day because of the overgrowth. This soil may not have been exceptionally fertile, yet from this distance, we thought that this anecdote could apply to the Tyngsborough farm as well.

When we passed Wicasuck Island, there was a pleasure-boat containing a youth and a maiden on the island brook, which we were pleased to see, since it proved that there were some hereabouts to whom our excursion would not be wholly strange. Before this, a canal-boatman, of whom we made some inquiries respecting Wicasuck Island, and who told us that it was disputed property, suspected that we had a claim upon it, and though we assured him that all this was news to us, and explained, as well as we could, why we had come to see it, he believed not a word of it, and seriously offered us one hundred dollars for our title. The only other small boats which we met with were used to pick up driftwood. Some of the poorer class along the stream collect, in this way, all the fuel which they require. While one of us landed not far from this island to forage for provisions among the farm-houses whose roofs we saw, for our supply was now exhausted, the other, sitting in the boat, which was moored to the shore, was left alone to his reflections.

When we passed Wicasuck Island, we spotted a pleasure boat with a young man and a young woman on the island’s stream. It was nice to see them, as it meant there were some people around who wouldn't find our outing completely unusual. Earlier, we had talked to a canal boatman about Wicasuck Island, and he mentioned it was disputed land. He seemed to think we had a claim to it, and even though we assured him we didn't know anything about that and explained why we came to see it, he didn’t believe us at all and seriously offered us a hundred dollars for our title. The only other small boats we saw were used to collect driftwood. Some of the less fortunate people along the stream gather all the fuel they need this way. While one of us got off the boat not far from the island to search for food among the houses we could see, as our supplies had run out, the other remained in the boat, which was tied to the shore, left alone with his thoughts.

If there is nothing new on the earth, still the traveller always has a resource in the skies. They are constantly turning a new page to view. The wind sets the types on this blue ground, and the inquiring may always read a new truth there. There are things there written with such fine and subtile tinctures, paler than the juice of limes, that to the diurnal eye they leave no trace, and only the chemistry of night reveals them. Every man’s daylight firmament answers in his mind to the brightness of the vision in his starriest hour.

If nothing new exists on earth, the traveler always finds inspiration in the skies. They are constantly revealing a new perspective. The wind organizes the elements on this blue canvas, and those who seek can always discover a new truth there. Some things are written with such delicate and subtle shades, lighter than lime juice, that to the everyday eye they leave no mark, and only the chemistry of night uncovers them. Each person's daytime sky reflects in their mind the brilliance of their most visionary moments.

These continents and hemispheres are soon run over, but an always unexplored and infinite region makes off on every side from the mind, further than to sunset, and we can make no highway or beaten track into it, but the grass immediately springs up in the path, for we travel there chiefly with our wings.

These continents and hemispheres are quickly traversed, but there’s always an unexplored and limitless area extending from the mind, beyond the horizon, and we can’t create a road or a established route into it; instead, the grass quickly grows back in our path, as we mainly travel there with our imagination.

Sometimes we see objects as through a thin haze, in their eternal relations, and they stand like Palenque and the Pyramids, and we wonder who set them up, and for what purpose. If we see the reality in things, of what moment is the superficial and apparent longer? What are the earth and all its interests beside the deep surmise which pierces and scatters them? While I sit here listening to the waves which ripple and break on this shore, I am absolved from all obligation to the past, and the council of nations may reconsider its votes. The grating of a pebble annuls them. Still occasionally in my dreams I remember that rippling water.

Sometimes we see objects through a thin haze, in their eternal connections, and they stand like Palenque and the Pyramids, making us wonder who built them and why. If we truly see the reality of things, what does it matter how superficial and apparent they are anymore? What do the earth and all its concerns mean compared to the deeper insights that penetrate and scatter them? While I sit here listening to the waves that ripple and crash on this shore, I feel free from any ties to the past, and the world leaders can rethink their decisions. The sound of a pebble grinding changes everything. Yet sometimes in my dreams, I still remember that flowing water.

Oft, as I turn me on my pillow o’er,
I hear the lapse of waves upon the shore,
Distinct as if it were at broad noonday,
And I were drifting down from Nashua.

Often, as I turn on my pillow,
I hear the sound of waves on the shore,
Clear as if it were midday,
And I were drifting down from Nashua.

With a bending sail we glided rapidly by Tyngsborough and Chelmsford, each holding in one hand half of a tart country apple-pie which we had purchased to celebrate our return, and in the other a fragment of the newspaper in which it was wrapped, devouring these with divided relish, and learning the news which had transpired since we sailed. The river here opened into a broad and straight reach of great length, which we bounded merrily over before a smacking breeze, with a devil-may-care look in our faces, and our boat a white bone in its mouth, and a speed which greatly astonished some scow boatmen whom we met. The wind in the horizon rolled like a flood over valley and plain, and every tree bent to the blast, and the mountains like school-boys turned their cheeks to it. They were great and current motions, the flowing sail, the running stream, the waving tree, the roving wind. The north-wind stepped readily into the harness which we had provided, and pulled us along with good will. Sometimes we sailed as gently and steadily as the clouds overhead, watching the receding shores and the motions of our sail; the play of its pulse so like our own lives, so thin and yet so full of life, so noiseless when it labored hardest, so noisy and impatient when least effective; now bending to some generous impulse of the breeze, and then fluttering and flapping with a kind of human suspense. It was the scale on which the varying temperature of distant atmospheres was graduated, and it was some attraction for us that the breeze it played with had been out of doors so long. Thus we sailed, not being able to fly, but as next best, making a long furrow in the fields of the Merrimack toward our home, with our wings spread, but never lifting our heel from the watery trench; gracefully ploughing homeward with our brisk and willing team, wind and stream, pulling together, the former yet a wild steer, yoked to his more sedate fellow. It was very near flying, as when the duck rushes through the water with an impulse of her wings, throwing the spray about her, before she can rise. How we had stuck fast if drawn up but a few feet on the shore!

With a bent sail, we sped by Tyngsborough and Chelmsford, each holding in one hand half of a country apple pie we bought to celebrate our return, and in the other, a piece of the newspaper it was wrapped in, enjoying our treats while catching up on the news that had happened since we set sail. The river widened into a long, straight stretch that we joyfully crossed with a strong breeze at our backs, carefree expressions on our faces, our boat gliding through the water, impressing some fishermen we encountered. The wind rolled across the horizon like a wave over the valleys and fields, causing the trees to bend and the mountains to tilt their heads. There was a dynamic energy: the billowing sail, the flowing water, the swaying trees, and the roaming wind. The north wind eagerly embraced the setup we created and propelled us forward with enthusiasm. Sometimes we sailed as smoothly and steadily as the clouds above, observing the shrinking shorelines and the rhythms of our sail; its pulsing movements reflecting our own lives—so delicate yet full of vitality—silent when it worked hardest and loud and restless when it was least effective; bending to the breeze’s gentle push and then fluttering nervously. It served as a gauge for the varying temperatures of distant airs, and there was a certain appeal in the fact that the breeze had been outside for so long. So we sailed, unable to fly but, as a close alternative, carving a long line in the Merrimack towards home, wings spread but never lifting off the water; gracefully making our way home with our happy and willing team, wind and water working in sync, the wind still a wild steer paired with its more measured partner. It felt almost like flying, similar to how a duck rushes through the water with her wings, spraying droplets everywhere before she takes off. How stuck we would have been if we had been pulled just a few feet onto the shore!

When we reached the great bend just above Middlesex, where the river runs east thirty-five miles to the sea, we at length lost the aid of this propitious wind, though we contrived to make one long and judicious tack carry us nearly to the locks of the canal. We were here locked through at noon by our old friend, the lover of the higher mathematics, who seemed glad to see us safe back again through so many locks; but we did not stop to consider any of his problems, though we could cheerfully have spent a whole autumn in this way another time, and never have asked what his religion was. It is so rare to meet with a man out-doors who cherishes a worthy thought in his mind, which is independent of the labor of his hands. Behind every man’s busy-ness there should be a level of undisturbed serenity and industry, as within the reef encircling a coral isle there is always an expanse of still water, where the depositions are going on which will finally raise it above the surface.

When we got to the big bend just above Middlesex, where the river flows east thirty-five miles to the sea, we finally lost the advantage of the favorable wind, but we managed to make one long and smart tack that took us almost to the canal locks. We were let through at noon by our old friend, the math enthusiast, who seemed happy to see us safely back after so many locks; however, we didn't stop to think about any of his problems, even though we could have easily spent an entire autumn doing that another time, and never bothered to ask about his religion. It's so rare to meet someone outdoors who holds a meaningful thought in their mind that isn't tied to their physical work. Behind every person's busyness, there should be a sense of calm and productivity, just like in the lagoon surrounding a coral island, where there’s always a stretch of still water where the processes are happening that will eventually raise it above the surface.

The eye which can appreciate the naked and absolute beauty of a scientific truth is far more rare than that which is attracted by a moral one. Few detect the morality in the former, or the science in the latter. Aristotle defined art to be Λόγος τοῦ ἔργου ἄνευ ὕλης, The principle of the work without the wood; but most men prefer to have some of the wood along with the principle; they demand that the truth be clothed in flesh and blood and the warm colors of life. They prefer the partial statement because it fits and measures them and their commodities best. But science still exists everywhere as the sealer of weights and measures at least.

The ability to appreciate the pure and absolute beauty of a scientific truth is much rarer than the ability to be drawn to a moral one. Few recognize the morality in the former or the science in the latter. Aristotle defined art as Λόγος τοῦ ἔργου ἄνευ ὕλης, The principle of the work without the wood; however, most people prefer to have some of the wood along with the principle; they want the truth to be expressed in flesh and blood and the vibrant colors of life. They favor a partial statement because it fits and measures them and their possessions best. Yet, science still exists everywhere as the standard for weights and measures at least.

We have heard much about the poetry of mathematics, but very little of it has yet been sung. The ancients had a juster notion of their poetic value than we. The most distinct and beautiful statement of any truth must take at last the mathematical form. We might so simplify the rules of moral philosophy, as well as of arithmetic, that one formula would express them both. All the moral laws are readily translated into natural philosophy, for often we have only to restore the primitive meaning of the words by which they are expressed, or to attend to their literal instead of their metaphorical sense. They are already supernatural philosophy. The whole body of what is now called moral or ethical truth existed in the golden age as abstract science. Or, if we prefer, we may say that the laws of Nature are the purest morality. The Tree of Knowledge is a Tree of Knowledge of good and evil. He is not a true man of science who does not bring some sympathy to his studies, and expect to learn something by behavior as well as by application. It is childish to rest in the discovery of mere coincidences, or of partial and extraneous laws. The study of geometry is a petty and idle exercise of the mind, if it is applied to no larger system than the starry one. Mathematics should be mixed not only with physics but with ethics, that is mixed mathematics. The fact which interests us most is the life of the naturalist. The purest science is still biographical. Nothing will dignify and elevate science while it is sundered so wholly from the moral life of its devotee, and he professes another religion than it teaches, and worships at a foreign shrine. Anciently the faith of a philosopher was identical with his system, or, in other words, his view of the universe.

We’ve heard a lot about the poetry in mathematics, but very little of it has actually been celebrated. The ancients had a better understanding of its poetic value than we do today. The clearest and most beautiful expression of any truth must ultimately take on a mathematical form. We could simplify the rules of moral philosophy and arithmetic so that one formula could express both. All moral laws can easily be translated into natural philosophy; often, we just need to restore the original meaning of the words used to express them, or focus on their literal rather than metaphorical sense. They are already a form of supernatural philosophy. The entire collection of what we now call moral or ethical truth existed in the golden age as abstract science. Alternatively, we could say that the laws of Nature represent the purest morality. The Tree of Knowledge is a Tree of Knowledge of good and evil. A true scientist is someone who approaches their studies with empathy and expects to learn not just from application, but from their behavior as well. It’s naïve to be satisfied with merely discovering coincidences or partial and unrelated laws. The study of geometry is a trivial and pointless exercise of the mind if it’s applied to no larger system than the starry one. Mathematics should be combined not just with physics, but also with ethics—this is what we call mixed mathematics. What interests us the most is the life of the naturalist. The purest science is still biographical. Nothing will uplift and honor science while it remains completely disconnected from the moral life of the person dedicated to it, who professes a different belief than what it teaches and worships at a foreign shrine. In ancient times, a philosopher’s faith was the same as his system, or in other words, his perspective on the universe.

My friends mistake when they communicate facts to me with so much pains. Their presence, even their exaggerations and loose statements, are equally good facts for me. I have no respect for facts even except when I would use them, and for the most part I am independent of those which I hear, and can afford to be inaccurate, or, in other words, to substitute more present and pressing facts in their place.

My friends make a mistake when they try so hard to communicate facts to me. Their presence, along with their exaggerations and casual comments, are just as valid for me. I don’t really respect facts unless I find them useful, and most of the time I’m independent of what I hear. I can afford to be inaccurate, or in other words, to replace those facts with ones that are more relevant and urgent.

The poet uses the results of science and philosophy, and generalizes their widest deductions.

The poet draws on the findings of science and philosophy and makes broad generalizations from their most significant conclusions.

The process of discovery is very simple. An unwearied and systematic application of known laws to nature, causes the unknown to reveal themselves. Almost any mode of observation will be successful at last, for what is most wanted is method. Only let something be determined and fixed around which observation may rally. How many new relations a foot-rule alone will reveal, and to how many things still this has not been applied! What wonderful discoveries have been, and may still be, made, with a plumb-line, a level, a surveyor’s compass, a thermometer, or a barometer! Where there is an observatory and a telescope, we expect that any eyes will see new worlds at once. I should say that the most prominent scientific men of our country, and perhaps of this age, are either serving the arts and not pure science, or are performing faithful but quite subordinate labors in particular departments. They make no steady and systematic approaches to the central fact. A discovery is made, and at once the attention of all observers is distracted to that, and it draws many analogous discoveries in its train; as if their work were not already laid out for them, but they had been lying on their oars. There is wanting constant and accurate observation with enough of theory to direct and discipline it.

The discovery process is pretty straightforward. A persistent and organized application of known laws to nature helps uncover the unknown. Almost any method of observation will eventually pay off, as what’s most important is having a strategy. Just establish something definite that observations can focus on. Think of how many new relationships a ruler alone can uncover, and how many things haven’t even been measured with one yet! Incredible discoveries have been—and can still be—made with a plumb line, a level, a surveyor’s compass, a thermometer, or a barometer! When there's an observatory and a telescope, we expect any observer to immediately spot new worlds. I’d say that the leading scientists in our country, and maybe even today, are either working on practical applications rather than pure science or are doing important but rather minor work in specific areas. They don’t take consistent and organized approaches to the core issues. A discovery is made, and instantly everyone's attention shifts to that, sparking numerous related discoveries, as if they weren't already presented with tasks, but had been idling. What’s missing is continuous and precise observation, supported by enough theory to guide and refine it.

But, above all, there is wanting genius. Our books of science, as they improve in accuracy, are in danger of losing the freshness and vigor and readiness to appreciate the real laws of Nature, which is a marked merit in the ofttimes false theories of the ancients. I am attracted by the slight pride and satisfaction, the emphatic and even exaggerated style in which some of the older naturalists speak of the operations of Nature, though they are better qualified to appreciate than to discriminate the facts. Their assertions are not without value when disproved. If they are not facts, they are suggestions for Nature herself to act upon. “The Greeks,” says Gesner, “had a common proverb (Λαγος καθευδον) a sleeping hare, for a dissembler or counterfeit; because the hare sees when she sleeps; for this is an admirable and rare work of Nature, that all the residue of her bodily parts take their rest, but the eye standeth continually sentinel.”

But, more than anything, there’s a lack of genius. Our science books, as they get more accurate, risk losing the freshness, energy, and ability to truly understand the real laws of Nature, which is a notable strength of the often flawed theories from ancient times. I’m drawn to the slight pride and satisfaction, the emphatic and even exaggerated way some older naturalists describe Nature’s workings, even though they’re better at appreciating than at distinguishing the facts. Their claims have value even when proven wrong. If they aren't facts, they are suggestions for Nature to consider. “The Greeks,” says Gesner, “had a common proverb (Λαγος καθευδον) a sleeping hare, for a dissembler or counterfeit; because the hare sees when she sleeps; for this is an admirable and rare work of Nature, that all the other parts of her body rest, but her eye remains constantly on guard.”

Observation is so wide awake, and facts are being so rapidly added to the sum of human experience, that it appears as if the theorizer would always be in arrears, and were doomed forever to arrive at imperfect conclusions; but the power to perceive a law is equally rare in all ages of the world, and depends but little on the number of facts observed. The senses of the savage will furnish him with facts enough to set him up as a philosopher. The ancients can still speak to us with authority, even on the themes of geology and chemistry, though these studies are thought to have had their birth in modern times. Much is said about the progress of science in these centuries. I should say that the useful results of science had accumulated, but that there had been no accumulation of knowledge, strictly speaking, for posterity; for knowledge is to be acquired only by a corresponding experience. How can we know what we are told merely? Each man can interpret another’s experience only by his own. We read that Newton discovered the law of gravitation, but how many who have heard of his famous discovery have recognized the same truth that he did? It may be not one. The revelation which was then made to him has not been superseded by the revelation made to any successor.

Observation is so alert, and facts are being added to the total of human experience so quickly, that it seems like theorists will always be behind and are destined to reach incomplete conclusions; however, the ability to recognize a law is just as rare throughout history and relies little on the number of facts seen. A primitive person's senses can provide enough facts for him to claim the title of philosopher. The ancients still have authority on topics like geology and chemistry, even though these fields are considered to have emerged in modern times. There’s a lot of talk about the progress of science in recent centuries. I would say that while the useful outcomes of science have increased, there hasn’t been a real accumulation of knowledge for future generations; because knowledge can only be gained through corresponding experience. How can we know what we are merely told? Each individual can only understand another’s experience through their own. We learn that Newton discovered the law of gravitation, but how many of those who have heard of his famous discovery actually recognized the same truth he did? Perhaps none. The insight he received has not been replaced by any insight given to his successors.

We see the planet fall,
And that is all.

We watch the planet fall, And that's it.

In a review of Sir James Clark Ross’s Antarctic Voyage of Discovery, there is a passage which shows how far a body of men are commonly impressed by an object of sublimity, and which is also a good instance of the step from the sublime to the ridiculous. After describing the discovery of the Antarctic Continent, at first seen a hundred miles distant over fields of ice,—stupendous ranges of mountains from seven and eight to twelve and fourteen thousand feet high, covered with eternal snow and ice, in solitary and inaccessible grandeur, at one time the weather being beautifully clear, and the sun shining on the icy landscape; a continent whose islands only are accessible, and these exhibited “not the smallest trace of vegetation,” only in a few places the rocks protruding through their icy covering, to convince the beholder that land formed the nucleus, and that it was not an iceberg;—the practical British reviewer proceeds thus, sticking to his last, “On the 22d of January, afternoon, the Expedition made the latitude of 74° 20’ and by 7h P.M., having ground (ground! where did they get ground?) to believe that they were then in a higher southern latitude than had been attained by that enterprising seaman, the late Captain James Weddel, and therefore higher than all their predecessors, an extra allowance of grog was issued to the crews as a reward for their perseverance.”

In a review of Sir James Clark Ross’s Antarctic Voyage of Discovery, there's a section that highlights how much a group of people can be influenced by something awe-inspiring, and it also serves as a great example of how something sublime can turn ridiculous. After detailing the discovery of the Antarctic Continent, first spotted a hundred miles away over ice fields—massive mountain ranges reaching heights of seven to eight and then twelve to fourteen thousand feet, blanketed in perpetual snow and ice, standing in solitary, unreachable grandeur, with one moment featuring beautifully clear weather and the sun shining on the icy landscape—a continent whose only accessible islands showed “not the smallest trace of vegetation,” with just a few spots where the rocks peeked through their icy covering to prove that land was the core, not an iceberg— the practical British reviewer continues, sticking to the facts, “On January 22nd, in the afternoon, the Expedition reached a latitude of 74° 20’, and by 7 PM, believing (believing! where did they find ground?) that they were now at a higher southern latitude than had been reached by that adventurous sailor, the late Captain James Weddell, and thus further than all their predecessors, an extra ration of rum was given to the crews as a reward for their persistence.”

Let not us sailors of late centuries take upon ourselves any airs on account of our Newtons and our Cuviers; we deserve an extra allowance of grog only.

Let’s not act superior, we sailors of the modern age, just because of our Newtons and Cuviers; we only deserve a little extra grog.

We endeavored in vain to persuade the wind to blow through the long corridor of the canal, which is here cut straight through the woods, and were obliged to resort to our old expedient of drawing by a cord. When we reached the Concord, we were forced to row once more in good earnest, with neither wind nor current in our favor, but by this time the rawness of the day had disappeared, and we experienced the warmth of a summer afternoon. This change in the weather was favorable to our contemplative mood, and disposed us to dream yet deeper at our oars, while we floated in imagination farther down the stream of time, as we had floated down the stream of the Merrimack, to poets of a milder period than had engaged us in the morning. Chelmsford and Billerica appeared like old English towns, compared with Merrimack and Nashua, and many generations of civil poets might have lived and sung here.

We tried unsuccessfully to get the wind to blow through the long corridor of the canal, which cuts straight through the woods here, and had to go back to our old method of pulling by a cord. When we got to the Concord, we had to row hard again, with neither the wind nor the current helping us, but by then the chill of the day had faded away, and we felt the warmth of a summer afternoon. This change in the weather suited our reflective mood and encouraged us to dream even deeper as we rowed, floating in our minds further down the stream of time, just as we had floated down the Merrimack, to poets from a gentler era than those who had inspired us in the morning. Chelmsford and Billerica looked like old English towns compared to Merrimack and Nashua, and many generations of civil poets could have lived and sung here.

What a contrast between the stern and desolate poetry of Ossian, and that of Chaucer, and even of Shakespeare and Milton, much more of Dryden, and Pope, and Gray. Our summer of English poetry like the Greek and Latin before it, seems well advanced toward its fall, and laden with the fruit and foliage of the season, with bright autumnal tints, but soon the winter will scatter its myriad clustering and shading leaves, and leave only a few desolate and fibrous boughs to sustain the snow and rime, and creak in the blasts of ages. We cannot escape the impression that the Muse has stooped a little in her flight, when we come to the literature of civilized eras. Now first we hear of various ages and styles of poetry; it is pastoral, and lyric, and narrative, and didactic; but the poetry of runic monuments is of one style, and for every age. The bard has in a great measure lost the dignity and sacredness of his office. Formerly he was called a seer, but now it is thought that one man sees as much as another. He has no longer the bardic rage, and only conceives the deed, which he formerly stood ready to perform. Hosts of warriors earnest for battle could not mistake nor dispense with the ancient bard. His lays were heard in the pauses of the fight. There was no danger of his being overlooked by his contemporaries. But now the hero and the bard are of different professions. When we come to the pleasant English verse, the storms have all cleared away and it will never thunder and lighten more. The poet has come within doors, and exchanged the forest and crag for the fireside, the hut of the Gael, and Stonehenge with its circles of stones, for the house of the Englishman. No hero stands at the door prepared to break forth into song or heroic action, but a homely Englishman, who cultivates the art of poetry. We see the comfortable fireside, and hear the crackling fagots in all the verse.

What a difference between the serious and bleak poetry of Ossian and that of Chaucer, or even Shakespeare and Milton, and much more so with Dryden, Pope, and Gray. Our summer of English poetry, like the Greek and Latin before it, seems to be nearing its decline, filled with the fruits and leaves of the season, boasting bright autumn colors, but soon winter will scatter its countless clustered and shaded leaves, leaving only a few bare and tough branches to bear the snow and frost and creak in the winds of time. We can't help but feel that the Muse has lowered herself a bit in her journey when we look at the literature from more civilized times. For the first time, we hear about various ages and styles of poetry; there's pastoral, lyric, narrative, and didactic poetry; but the poetry of runic monuments has just one style that spans all ages. The bard has largely lost the dignity and sacredness of his role. He was once called a seer, but now it’s believed that anyone can see as well as anyone else. He no longer possesses the bardic passion and only imagines the actions he once was ready to perform. Armies eager for battle couldn’t afford to overlook the ancient bard. His songs were heard in the breaks of combat. There was no chance he would be ignored by his peers. But today, the hero and the bard have different roles. When we arrive at the delightful English verse, all storms have passed, and there will be no more thunder and lightning. The poet has come inside, trading the forest and cliffs for the warmth of the fireside, the Gael's hut, and Stonehenge with its stone circles for the Englishman's home. No hero stands at the door ready to burst into song or heroic action, just an ordinary Englishman who practices the art of poetry. We see the cozy fireside and hear the crackling wood in all the verses.

Notwithstanding the broad humanity of Chaucer, and the many social and domestic comforts which we meet with in his verse, we have to narrow our vision somewhat to consider him, as if he occupied less space in the landscape, and did not stretch over hill and valley as Ossian does. Yet, seen from the side of posterity, as the father of English poetry, preceded by a long silence or confusion in history, unenlivened by any strain of pure melody, we easily come to reverence him. Passing over the earlier continental poets, since we are bound to the pleasant archipelago of English poetry, Chaucer’s is the first name after that misty weather in which Ossian lived, which can detain us long. Indeed, though he represents so different a culture and society, he may be regarded as in many respects the Homer of the English poets. Perhaps he is the youthfullest of them all. We return to him as to the purest well, the fountain farthest removed from the highway of desultory life. He is so natural and cheerful, compared with later poets, that we might almost regard him as a personification of spring. To the faithful reader his muse has even given an aspect to his times, and when he is fresh from perusing him, they seem related to the golden age. It is still the poetry of youth and life, rather than of thought; and though the moral vein is obvious and constant, it has not yet banished the sun and daylight from his verse. The loftiest strains of the muse are, for the most part, sublimely plaintive, and not a carol as free as nature’s. The content which the sun shines to celebrate from morning to evening, is unsung. The muse solaces herself, and is not ravished but consoled. There is a catastrophe implied, and a tragic element in all our verse, and less of the lark and morning dews, than of the nightingale and evening shades. But in Homer and Chaucer there is more of the innocence and serenity of youth than in the more modern and moral poets. The Iliad is not Sabbath but morning reading, and men cling to this old song, because they still have moments of unbaptized and uncommitted life, which give them an appetite for more. To the innocent there are neither cherubim nor angels. At rare intervals we rise above the necessity of virtue into an unchangeable morning light, in which we have only to live right on and breathe the ambrosial air. The Iliad represents no creed nor opinion, and we read it with a rare sense of freedom and irresponsibility, as if we trod on native ground, and were autochthones of the soil.

Despite Chaucer's wide-ranging humanity and the many comforts of social and domestic life found in his poetry, we need to focus our attention a bit to see him as if he takes up less space in the landscape, not sprawling across hills and valleys like Ossian. However, viewed from a modern perspective as the father of English poetry, emerging after a long silence in history without the spark of pure melody, we easily come to admire him. Skipping over earlier continental poets, since we are drawn to the delightful realm of English poetry, Chaucer is the first name that stands out after the murky times when Ossian thrived, commanding our attention. Even though he embodies a very different culture and society, he can be seen as the English poets’ version of Homer in many ways. Perhaps he's the most youthful among them all. We return to him like a pure well, a fountain far from the busy road of everyday life. He feels so natural and cheerful compared to later poets that we might almost think of him as a symbol of spring. To loyal readers, his muse has given a character to his times, and after reading him, the past feels connected to a golden age. His poetry embodies youth and life more than thought; while the moral themes are evident and constant, they haven't yet pushed out the sunlight from his verse. The highest expressions of the muse are mostly profoundly sorrowful, lacking the carefree joy of nature’s songs. The beauty celebrated by the sun from morning to evening remains unspoken. The muse finds solace, not ecstasy. There’s an implied tragedy in all our poetry, with less of the lark and morning dew and more of the nightingale and evening shadows. Yet, in Homer and Chaucer, there’s more innocence and calm of youth than in modern, moralistic poets. The Iliad isn’t something to reflect on in solemnity but rather a morning read, and people hold onto this ancient song because they still have moments of unexamined, unburdened life that create a thirst for more. For the innocent, there are no cherubs or angels. Occasionally, we rise above the need for virtue into an unchanging morning light, in which all we have to do is live truthfully and breathe the divine air. The Iliad conveys no doctrine or opinion; we read it with a rare sense of freedom and irresponsibility, as if we were stepping on familiar ground, natives of the soil.

Chaucer had eminently the habits of a literary man and a scholar. There were never any times so stirring that there were not to be found some sedentary still. He was surrounded by the din of arms. The battles of Hallidon Hill and Neville’s Cross, and the still more memorable battles of Cressy and Poictiers, were fought in his youth; but these did not concern our poet much, Wickliffe and his reform much more. He regarded himself always as one privileged to sit and converse with books. He helped to establish the literary class. His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy. If Greek sufficeth for Greek, and Arabic for Arabian, and Hebrew for Jew, and Latin for Latin, then English shall suffice for him, for any of these will serve to teach truth “right as divers pathes leaden divers folke the right waye to Rome.” In the Testament of Love he writes, “Let then clerkes enditen in Latin, for they have the propertie of science, and the knowinge in that facultie, and lette Frenchmen in their Frenche also enditen their queinte termes, for it is kyndely to their mouthes, and let us shewe our fantasies in soche wordes as we lerneden of our dames tonge.”

Chaucer was definitely a literary figure and a scholar. Even during the most exciting times, there were still those who preferred to stay put. He was amidst the noise of battles. The fights at Hallidon Hill and Neville’s Cross, and the even more famous battles of Cressy and Poictiers, took place while he was young; however, these didn’t concern our poet as much as Wickliffe and his reforms did. He always saw himself as someone lucky enough to sit down and engage with books. He played a key role in establishing the literary class. His status as one of the founding figures of the English language alone makes his works significant, even those with little poetic quality. He was as straightforward as Wordsworth in choosing his simple but strong Saxon language when it was ignored by the court and hadn’t yet gained the respect of a literature, providing a similar service to his country as Dante did for Italy. If Greek is sufficient for Greeks, Arabic for Arabs, Hebrew for Jews, and Latin for Latins, then English will suffice, for each will serve to convey truth “just as different paths lead different people the right way to Rome.” In the Testament of Love, he writes, “Let the clerks write in Latin, as they have the knowledge and expertise in that field, and let the French also write their elegant terms in their French, for it comes naturally to them, and let us express our ideas in the words we learned from our mothers' tongue.”

He will know how to appreciate Chaucer best, who has come down to him the natural way, through the meagre pastures of Saxon and ante-Chaucerian poetry; and yet, so human and wise he appears after such diet, that we are liable to misjudge him still. In the Saxon poetry extant, in the earliest English, and the contemporary Scottish poetry, there is less to remind the reader of the rudeness and vigor of youth, than of the feebleness of a declining age. It is for the most part translation of imitation merely, with only an occasional and slight tinge of poetry, oftentimes the falsehood and exaggeration of fable, without its imagination to redeem it, and we look in vain to find antiquity restored, humanized, and made blithe again by some natural sympathy between it and the present. But Chaucer is fresh and modern still, and no dust settles on his true passages. It lightens along the line, and we are reminded that flowers have bloomed, and birds sung, and hearts beaten in England. Before the earnest gaze of the reader, the rust and moss of time gradually drop off, and the original green life is revealed. He was a homely and domestic man, and did breathe quite as modern men do.

He who really understands Chaucer is the one who has come to him naturally, through the sparse fields of Saxon and pre-Chaucer poetry; and yet, he seems so human and wise after such a journey that we might still misjudge him. In the existing Saxon poetry, in the earliest English, and in contemporary Scottish poetry, there’s less to remind the reader of youthful energy and strength than of the weakness of an aging era. Most of it is just imitation or translation, with only a slight hint of poetry here and there, often filled with the falsehood and exaggeration of fables, lacking the imagination to make it worthwhile. We search in vain for a revival of antiquity that feels alive and joyful through some natural connection with the present. But Chaucer remains fresh and modern, untouched by time. His words shine brightly, reminding us that flowers have bloomed, birds have sung, and hearts have beaten in England. Before the earnest reader, the rust and moss of time fall away, revealing the original vibrant life. He was a down-to-earth and domestic man, breathing just like modern people do.

There is no wisdom that can take place of humanity, and we find that in Chaucer. We can expand at last in his breadth, and we think that we could have been that man’s acquaintance. He was worthy to be a citizen of England, while Petrarch and Boccacio lived in Italy, and Tell and Tamerlane in Switzerland and in Asia, and Bruce in Scotland, and Wickliffe, and Gower, and Edward the Third, and John of Gaunt, and the Black Prince, were his own countrymen as well as contemporaries; all stout and stirring names. The fame of Roger Bacon came down from the preceding century, and the name of Dante still possessed the influence of a living presence. On the whole, Chaucer impresses us as greater than his reputation, and not a little like Homer and Shakespeare, for he would have held up his head in their company. Among early English poets he is the landlord and host, and has the authority of such. The affectionate mention which succeeding early poets make of him, coupling him with Homer and Virgil, is to be taken into the account in estimating his character and influence. King James and Dunbar of Scotland speak of him with more love and reverence than any modern author of his predecessors of the last century. The same childlike relation is without a parallel now. For the most part we read him without criticism, for he does not plead his own cause, but speaks for his readers, and has that greatness of trust and reliance which compels popularity. He confides in the reader, and speaks privily with him, keeping nothing back. And in return the reader has great confidence in him, that he tells no lies, and reads his story with indulgence, as if it were the circumlocution of a child, but often discovers afterwards that he has spoken with more directness and economy of words than a sage. He is never heartless,

There’s no wisdom that can replace humanity, and we see that in Chaucer. We can finally expand in his depth, and we feel like we could have been friends with him. He was worthy of being a citizen of England, while Petrarch and Boccaccio lived in Italy, and Tell and Tamerlane in Switzerland and Asia, and Bruce in Scotland, along with Wycliffe, Gower, Edward the Third, John of Gaunt, and the Black Prince, who were his countrymen and contemporaries; all strong and inspiring figures. The fame of Roger Bacon came down from the previous century, and Dante's name still had the influence of a living presence. Overall, Chaucer seems greater than his reputation, and somewhat like Homer and Shakespeare, as he would have held his own among them. Among early English poets, he is the landlord and host, and carries that authority. The fond mentions that later early poets make of him, linking him with Homer and Virgil, should be considered when assessing his character and influence. King James and Dunbar of Scotland speak of him with more love and respect than any modern author of the last century’s predecessors. That same childlike relationship is unmatched today. For the most part, we read him without criticism, as he doesn’t advocate for himself but speaks for his readers, showing a remarkable trust and reliability that wins popularity. He opens up to the reader and shares privately, holding nothing back. In return, the reader trusts him greatly, believing he tells no lies, and reads his story with kindness, as if it were the meanderings of a child, only to often find later that he has communicated with more clarity and brevity than a wise person. He is never heartless,

“For first the thing is thought within the hart,
Er any word out from the mouth astart.”

“For first the thing is thought within the heart,
Before any word comes out from the mouth.”

And so new was all his theme in those days, that he did not have to invent, but only to tell.

And so new was all his subject back then, that he didn’t need to create, just to share.

We admire Chaucer for his sturdy English wit. The easy height he speaks from in his Prologue to the Canterbury Tales, as if he were equal to any of the company there assembled, is as good as any particular excellence in it. But though it is full of good sense and humanity, it is not transcendent poetry. For picturesque description of persons it is, perhaps, without a parallel in English poetry; yet it is essentially humorous, as the loftiest genius never is. Humor, however broad and genial, takes a narrower view than enthusiasm. To his own finer vein he added all the common wit and wisdom of his time, and everywhere in his works his remarkable knowledge of the world, and nice perception of character, his rare common sense and proverbial wisdom, are apparent. His genius does not soar like Milton’s, but is genial and familiar. It shows great tenderness and delicacy, but not the heroic sentiment. It is only a greater portion of humanity with all its weakness. He is not heroic, as Raleigh, nor pious, as Herbert, nor philosophical, as Shakespeare, but he is the child of the English muse, that child which is the father of the man. The charm of his poetry consists often only in an exceeding naturalness, perfect sincerity, with the behavior of a child rather than of a man.

We admire Chaucer for his strong English wit. The effortless way he speaks in his Prologue to the Canterbury Tales, as if he fits right in with everyone there, is just as impressive as any specific talent he shows. While it's full of common sense and humanity, it's not transcendent poetry. For colorful descriptions of people, it's probably unmatched in English poetry; yet it is fundamentally humorous, which the greatest geniuses often aren't. Humor, no matter how broad and friendly, tends to be more limited than enthusiasm. He combined his own finer insights with the collective wit and wisdom of his time, and throughout his works, his remarkable understanding of the world, keen perception of character, and rare common sense and proverbial wisdom are clear. His genius doesn't soar like Milton's but is warm and relatable. It conveys great tenderness and sensitivity but lacks heroic sentiment. It showcases a greater portion of humanity with all its flaws. He isn't heroic like Raleigh, pious like Herbert, or philosophical like Shakespeare; rather, he is the child of the English muse—the child who shapes the man. The charm of his poetry often lies in its extreme naturalness, genuine sincerity, and a childlike demeanor rather than an adult one.

Gentleness and delicacy of character are everywhere apparent in his verse. The simplest and humblest words come readily to his lips. No one can read the Prioress’s tale, understanding the spirit in which it was written, and in which the child sings O alma redemptoris mater, or the account of the departure of Constance with her child upon the sea, in the Man of Lawe’s tale, without feeling the native innocence and refinement of the author. Nor can we be mistaken respecting the essential purity of his character, disregarding the apology of the manners of the age. A simple pathos and feminine gentleness, which Wordsworth only occasionally approaches, but does not equal, are peculiar to him. We are tempted to say that his genius was feminine, not masculine. It was such a feminineness, however, as is rarest to find in woman, though not the appreciation of it; perhaps it is not to be found at all in woman, but is only the feminine in man.

Gentleness and delicacy of character are clearly evident in his poetry. The simplest and humblest words come easily to him. Anyone who reads the Prioress’s tale, understanding the spirit in which it was written, and in which the child sings O alma redemptoris mater, or the story of Constance leaving with her child on the sea in the Man of Lawe’s tale, can't help but feel the natural innocence and refinement of the author. We also can't overlook the essential purity of his character, regardless of the societal norms of his time. A simple pathos and feminine gentleness, which Wordsworth only occasionally touches but does not match, are unique to him. We might suggest that his genius was feminine rather than masculine. However, it's a femininity that is rare to find in women, even if there’s an appreciation for it; perhaps it's not found at all in women, but is merely the feminine side of men.

Such pure and genuine and childlike love of Nature is hardly to be found in any poet.

Such a pure, genuine, and childlike love of Nature is rare to find in any poet.

Chaucer’s remarkably trustful and affectionate character appears in his familiar, yet innocent and reverent, manner of speaking of his God. He comes into his thought without any false reverence, and with no more parade than the zephyr to his ear. If Nature is our mother, then God is our father. There is less love and simple, practical trust in Shakespeare and Milton. How rarely in our English tongue do we find expressed any affection for God. Certainly, there is no sentiment so rare as the love of God. Herbert almost alone expresses it, “Ah, my dear God!” Our poet uses similar words with propriety; and whenever he sees a beautiful person, or other object, prides himself on the “maistry” of his God. He even recommends Dido to be his bride,—

Chaucer’s remarkably trusting and affectionate character shows in his familiar, yet innocent and respectful way of talking about his God. He engages with his thoughts without any false humility, and with no more show than a gentle breeze. If Nature is our mother, then God is our father. There’s less love and straightforward, practical trust in Shakespeare and Milton. How rarely in our English language do we express any affection for God. Truly, the love of God is a sentiment that is very uncommon. Herbert is nearly the only one who conveys it, saying, “Ah, my dear God!” Our poet uses similar phrases appropriately, and whenever he sees a beautiful person or object, he takes pride in the “maistry” of his God. He even suggests that Dido should be his bride,—

“if that God that heaven and yearth made,
Would have a love for beauty and goodnesse,
And womanhede, trouth, and semeliness.”

“if that God who made heaven and earth,
Would have a love for beauty and goodness,
And womanhood, truth, and grace.”

But in justification of our praise, we must refer to his works themselves; to the Prologue to the Canterbury Tales, the account of Gentilesse, the Flower and the Leaf, the stories of Griselda, Virginia, Ariadne, and Blanche the Dutchesse, and much more of less distinguished merit. There are many poets of more taste, and better manners, who knew how to leave out their dulness; but such negative genius cannot detain us long; we shall return to Chaucer still with love. Some natures, which are really rude and ill-developed, have yet a higher standard of perfection than others which are refined and well balanced. Even the clown has taste, whose dictates, though he disregards them, are higher and purer than those which the artist obeys. If we have to wander through many dull and prosaic passages in Chaucer, we have at least the satisfaction of knowing that it is not an artificial dulness, but too easily matched by many passages in life. We confess that we feel a disposition commonly to concentrate sweets, and accumulate pleasures; but the poet may be presumed always to speak as a traveller, who leads us through a varied scenery, from one eminence to another, and it is, perhaps, more pleasing, after all, to meet with a fine thought in its natural setting. Surely fate has enshrined it in these circumstances for some end. Nature strews her nuts and flowers broadcast, and never collects them into heaps. This was the soil it grew in, and this the hour it bloomed in; if sun, wind, and rain came here to cherish and expand the flower, shall not we come here to pluck it?

But to justify our praise, we need to look at his works themselves: the Prologue to the Canterbury Tales, the story of Gentilesse, the Flower and the Leaf, the tales of Griselda, Virginia, Ariadne, and Blanche the Duchess, along with much more of lesser merit. There are many poets with better taste and manners who know how to avoid their dullness, but that kind of negative talent doesn’t hold our attention for long; we still return to Chaucer with affection. Some people, who are truly rough and underdeveloped, actually have a higher standard of perfection than those who are polished and well-adjusted. Even the simpleton has a sense of taste, whose preferences, even if he ignores them, are higher and purer than those the artist follows. If we have to wade through many dull and mundane passages in Chaucer, at least we can take comfort in knowing that it’s not an artificial dullness but one that is easily found in many parts of life. We admit that we often prefer to focus on sweetness and gather pleasures; however, the poet may be seen as a traveler who guides us through diverse scenery, from one peak to another, and perhaps it’s more enjoyable, after all, to encounter a profound thought in its natural context. Surely fate has placed it in these circumstances for a reason. Nature spreads her nuts and flowers everywhere and never piles them up. This is the soil in which it grew, and this is the time it bloomed; if sun, wind, and rain came here to nurture and develop the flower, shouldn’t we come here to pick it?

A true poem is distinguished not so much by a felicitous expression, or any thought it suggests, as by the atmosphere which surrounds it. Most have beauty of outline merely, and are striking as the form and bearing of a stranger; but true verses come toward us indistinctly, as the very breath of all friendliness, and envelop us in their spirit and fragrance. Much of our poetry has the very best manners, but no character. It is only an unusual precision and elasticity of speech, as if its author had taken, not an intoxicating draught, but an electuary. It has the distinct outline of sculpture, and chronicles an early hour. Under the influence of passion all men speak thus distinctly, but wrath is not always divine.

A true poem is defined not just by its beautiful wording or the thoughts it inspires, but by the ambiance that surrounds it. Most poems only have an attractive structure, standing out like the appearance and demeanor of a stranger; however, true poetry approaches us gently, like a warm breath of friendliness, wrapping us in its spirit and essence. Much of our poetry is very polite, but lacks individuality. It often demonstrates an unusual clarity and flexibility in language, as if the writer had taken not a strong drink, but a soothing potion. It has the clear form of a sculpture and reflects an earlier time. In moments of passion, everyone speaks this clearly, but not all anger is noble.

There are two classes of men called poets. The one cultivates life, the other art,—one seeks food for nutriment, the other for flavor; one satisfies hunger, the other gratifies the palate. There are two kinds of writing, both great and rare; one that of genius, or the inspired, the other of intellect and taste, in the intervals of inspiration. The former is above criticism, always correct, giving the law to criticism. It vibrates and pulsates with life forever. It is sacred, and to be read with reverence, as the works of nature are studied. There are few instances of a sustained style of this kind; perhaps every man has spoken words, but the speaker is then careless of the record. Such a style removes us out of personal relations with its author; we do not take his words on our lips, but his sense into our hearts. It is the stream of inspiration, which bubbles out, now here, now there, now in this man, now in that. It matters not through what ice-crystals it is seen, now a fountain, now the ocean stream running under ground. It is in Shakespeare, Alpheus, in Burns, Arethuse; but ever the same. The other is self-possessed and wise. It is reverent of genius, and greedy of inspiration. It is conscious in the highest and the least degree. It consists with the most perfect command of the faculties. It dwells in a repose as of the desert, and objects are as distinct in it as oases or palms in the horizon of sand. The train of thought moves with subdued and measured step, like a caravan. But the pen is only an instrument in its hand, and not instinct with life, like a longer arm. It leaves a thin varnish or glaze over all its work. The works of Goethe furnish remarkable instances of the latter.

There are two types of poets. One nurtures life, while the other focuses on art—one searches for nourishment, and the other looks for flavor; one satisfies hunger, and the other pleases the palate. There are two kinds of writing, both valuable and rare; one comes from genius or inspiration, and the other stems from intellect and taste during moments without inspiration. The first is beyond critique, always right, setting the standard for criticism. It pulses with life forever. It is sacred and should be read with respect, just like we study nature's creations. There are few examples of this sustained style; perhaps everyone has spoken inspiring words, but in those moments, speakers are often indifferent to how they are recorded. This style separates us from personal connections with the author; we don’t recite their words but internalize their meaning. It flows with inspiration, emerging here and there, through different voices. It doesn’t matter how it is presented, whether as a fountain or an underground stream. It exists in Shakespeare, Alpheus, in Burns, Arethuse; yet it remains consistent. The other style is composed and wise. It respects genius and craves inspiration. It is self-aware to varying degrees. It showcases the perfect mastery of its faculties. It exists in a calm state, much like a desert, where objects are as clear as oases or palms on the sandy horizon. The flow of thought moves steadily and purposefully, like a caravan. But the pen is just a tool in its hands, not alive like a longer arm. It leaves a thin sheen over all its creations. The works of Goethe are notable examples of this second type.

There is no just and serene criticism as yet. Nothing is considered simply as it lies in the lap of eternal beauty, but our thoughts, as well as our bodies, must be dressed after the latest fashions. Our taste is too delicate and particular. It says nay to the poet’s work, but never yea to his hope. It invites him to adorn his deformities, and not to cast them off by expansion, as the tree its bark. We are a people who live in a bright light, in houses of pearl and porcelain, and drink only light wines, whose teeth are easily set on edge by the least natural sour. If we had been consulted, the backbone of the earth would have been made, not of granite, but of Bristol spar. A modern author would have died in infancy in a ruder age. But the poet is something more than a scald, “a smoother and polisher of language”; he is a Cincinnatus in literature, and occupies no west end of the world. Like the sun, he will indifferently select his rhymes, and with a liberal taste weave into his verse the planet and the stubble.

There isn’t a fair and calm critique yet. Nothing is seen just as it is in the presence of everlasting beauty; instead, our thoughts and our bodies need to be styled according to the latest trends. Our tastes are too refined and specific. They reject the poet’s work but never embrace his hopes. They urge him to decorate his flaws rather than shed them like a tree sheds its bark. We are a society that lives in bright light, in homes made of pearl and porcelain, and we only drink light wines that make our teeth sensitive to even the slightest natural sourness. If we had been asked, the backbone of the earth wouldn’t be made of granite but of Bristol spar. A modern writer wouldn’t have survived in a harsher time. But the poet is more than just a critic, “a smoother and polisher of language”; he is like Cincinnatus in literature, with no claim to any prestigious part of the world. Like the sun, he chooses his rhymes without bias and weaves into his verses both the planet and the stubble.

In these old books the stucco has long since crumbled away, and we read what was sculptured in the granite. They are rude and massive in their proportions, rather than smooth and delicate in their finish. The workers in stone polish only their chimney ornaments, but their pyramids are roughly done. There is a soberness in a rough aspect, as of unhewn granite, which addresses a depth in us, but a polished surface hits only the ball of the eye. The true finish is the work of time, and the use to which a thing is put. The elements are still polishing the pyramids. Art may varnish and gild, but it can do no more. A work of genius is rough-hewn from the first, because it anticipates the lapse of time, and has an ingrained polish, which still appears when fragments are broken off, an essential quality of its substance. Its beauty is at the same time its strength, and it breaks with a lustre.

In these old books, the plaster has long since fallen off, and we see what was carved into the stone. They are bold and heavy in their proportions, rather than smooth and delicate in their finish. The stoneworkers only polish their chimney decorations, but their pyramids are roughly made. There’s a seriousness in a rough look, like uncut stone, that touches something deep in us, while a polished surface only captures our attention momentarily. The true finish is the result of time and how something is used. The elements are still smoothing the pyramids. Art can only add a gloss and shine, but nothing more. A work of genius is rough from the start because it anticipates the passage of time and has a natural beauty that remains even when pieces are chipped away, an essential quality of its makeup. Its beauty is also its strength, and it breaks with a shine.

The great poem must have the stamp of greatness as well as its essence. The reader easily goes within the shallowest contemporary poetry, and informs it with all the life and promise of the day, as the pilgrim goes within the temple, and hears the faintest strains of the worshippers; but it will have to speak to posterity, traversing these deserts, through the ruins of its outmost walls, by the grandeur and beauty of its proportions.

The great poem needs to have the mark of greatness along with its core. Readers can easily dive into the simplest modern poetry and fill it with all the energy and hope of today, just like a traveler enters a temple and hears the soft sounds of worshippers; however, it must also connect with future generations, crossing these barren lands, through the remnants of its outer walls, with the majesty and beauty of its structure.

———————

Understood. Please provide the text you would like me to modernize.

But here on the stream of the Concord, where we have all the while been bodily, Nature, who is superior to all styles and ages, is now, with pensive face, composing her poem Autumn, with which no work of man will bear to be compared.

But here on the Concord River, where we've always been physically present, Nature, who surpasses all styles and eras, is now, with a thoughtful expression, creating her poem Autumn, a piece that no human work can compare to.

In summer we live out of doors, and have only impulses and feelings, which are all for action, and must wait commonly for the stillness and longer nights of autumn and winter before any thought will subside; we are sensible that behind the rustling leaves, and the stacks of grain, and the bare clusters of the grape, there is the field of a wholly new life, which no man has lived; that even this earth was made for more mysterious and nobler inhabitants than men and women. In the hues of October sunsets, we see the portals to other mansions than those which we occupy, not far off geographically,—

In summer, we live outdoors and are driven only by impulses and feelings, all geared towards action. We often have to wait for the calm and longer nights of autumn and winter before any thoughts settle down. We can sense that behind the rustling leaves, stacks of grain, and bare bunches of grapes, there’s a realm of entirely new life that no one has experienced. Even this earth was created for more mysterious and nobler beings than just men and women. In the colors of October sunsets, we see doorways to other places than the ones we inhabit, not far away geographically,—

“There is a place beyond that flaming hill,
    From whence the stars their thin appearance shed,
A place beyond all place, where never ill,
    Nor impure thought was ever harbored.”

“There is a place beyond that burning hill,
    From where the stars cast their faint light,
A place beyond all places, where no harm,
    Nor unworthy thought has ever been held.”

Sometimes a mortal feels in himself Nature, not his Father but his Mother stirs within him, and he becomes immortal with her immortality. From time to time she claims kindredship with us, and some globule from her veins steals up into our own.

Sometimes a person feels within themselves Nature, not as a Father but as a Mother stirring inside them, and they become immortal with her immortality. Occasionally, she asserts kinship with us, and some essence from her veins flows into our own.

I am the autumnal sun,
With autumn gales my race is run;
When will the hazel put forth its flowers,
Or the grape ripen under my bowers?
When will the harvest or the hunter’s moon,
Turn my midnight into mid-noon?
        I am all sere and yellow,
        And to my core mellow.
The mast is dropping within my woods,
The winter is lurking within my moods,
And the rustling of the withered leaf
Is the constant music of my grief.

I am the autumn sun,
With autumn winds, my time is done;
When will the hazel bloom its flowers,
Or the grapes ripen in my bower?
When will the harvest or the hunter’s moon,
Make my midnight feel like noon?
        I am all dry and yellow,
        And deep down, soft and mellow.
The acorns are falling in my woods,
Winter is creeping into my moods,
And the rustling of the dried-up leaves
Is the ongoing sound of my grief.

To an unskilful rhymer the Muse thus spoke in prose:

To a clumsy poet, the Muse spoke in plain language:

The moon no longer reflects the day, but rises to her absolute rule, and the husbandman and hunter acknowledge her for their mistress. Asters and golden-rods reign along the way, and the life-everlasting withers not. The fields are reaped and shorn of their pride, but an inward verdure still crowns them. The thistle scatters its down on the pool, and yellow leaves clothe the vine, and naught disturbs the serious life of men. But behind the sheaves, and under the sod, there lurks a ripe fruit, which the reapers have not gathered, the true harvest of the year, which it bears forever, annually watering and maturing it, and man never severs the stalk which bears this palatable fruit.

The moon no longer reflects the daylight but rises to take complete control, and the farmer and hunter recognize her as their mistress. Asters and goldenrods line the path, and the everlasting life blooms tirelessly. The fields have been harvested and stripped of their pride, but a deep green still crowns them. The thistle spreads its fluff over the pond, and yellow leaves cover the vine, while nothing disturbs the serious lives of people. Yet, behind the bundles and beneath the soil, there’s a ripe fruit waiting to be picked, the true harvest of the year, which continues to grow every year, nourishing and maturing it, and humans never cut the stalk that produces this delicious fruit.

Men nowhere, east or west, live yet a natural life, round which the vine clings, and which the elm willingly shadows. Man would desecrate it by his touch, and so the beauty of the world remains veiled to him. He needs not only to be spiritualized, but naturalized, on the soil of earth. Who shall conceive what kind of roof the heavens might extend over him, what seasons minister to him, and what employment dignify his life! Only the convalescent raise the veil of nature. An immortality in his life would confer immortality on his abode. The winds should be his breath, the seasons his moods, and he should impart of his serenity to Nature herself. But such as we know him he is ephemeral like the scenery which surrounds him, and does not aspire to an enduring existence. When we come down into the distant village, visible from the mountain-top, the nobler inhabitants with whom we peopled it have departed, and left only vermin in its desolate streets. It is the imagination of poets which puts those brave speeches into the mouths of their heroes. They may feign that Cato’s last words were

Men today, no matter where they are, east or west, don't live a natural life, one where the vine wraps around them and the elm provides shade. Humans would ruin it with their presence, leaving the world's beauty hidden from them. They need to be not just more spiritual but also natural, rooted in the earth. Who can imagine the kind of roof the heavens might create for him, what seasons would nurture him, and what work would give his life meaning? Only those recovering from illness can truly see nature’s beauty. If they could achieve a sense of immortality in their lives, it would bring everlasting quality to their surroundings. The winds should feel like his breath, the seasons like his emotions, and he should share his calmness with Nature itself. But as we know him now, he is as fleeting as the scenery around him and doesn't seek a lasting existence. When we descend into the distant village visible from the mountaintop, the noble people we imagined living there are gone, leaving only pests in its empty streets. It is the creativity of poets that gives bold words to their heroes. They might pretend that Cato’s last words were

“The earth, the air, and seas I know, and all
The joys and horrors of their peace and wars;
And now will view the Gods’ state and the stars,”

“The earth, the air, and the seas I know, and all
The joys and horrors of their peace and wars;
And now I will observe the Gods’ realm and the stars,”

but such are not the thoughts nor the destiny of common men. What is this heaven which they expect, if it is no better than they expect? Are they prepared for a better than they can now imagine? Where is the heaven of him who dies on a stage, in a theatre? Here or nowhere is our heaven.

but those aren't the thoughts or the fate of ordinary people. What kind of heaven do they hope for if it’s no better than what they currently imagine? Are they ready for something better than they can conceive? Where is the heaven for someone who dies on a stage, in a theater? Here or nowhere is our heaven.

“Although we see celestial bodies move
Above the earth, the earth we till and love.”

“Even though we see celestial bodies moving
Above the earth, the earth we cultivate and cherish.”

We can conceive of nothing more fair than something which we have experienced. “The remembrance of youth is a sigh.” We linger in manhood to tell the dreams of our childhood, and they are half forgotten ere we have learned the language. We have need to be earth-born as well as heaven-born, γηγενεῖς, as was said of the Titans of old, or in a better sense than they. There have been heroes for whom this world seemed expressly prepared, as if creation had at last succeeded; whose daily life was the stuff of which our dreams are made, and whose presence enhanced the beauty and ampleness of Nature herself. Where they walked,

We can’t imagine anything fairer than what we’ve experienced. “The memory of youth is a sigh.” We stick around in adulthood to share the dreams of our childhood, yet they’re mostly forgotten before we even learn to express them. We need to be born of the earth as well as from the heavens, γηγενεῖς, as the Titans of old were described, or in a better way than they were. There have been heroes for whom this world seemed specifically prepared, as if creation had finally succeeded; their everyday lives were made of the stuff our dreams are made of, and their presence made Nature herself more beautiful and abundant. Wherever they walked,

“Largior hic campos æther et lumine vestit
Purpureo: Solemque suum, sua sidera nôrunt.”

“Here the vast fields are clothed with light
In purple: They know their sun, their stars.”

“Here a more copious air invests the fields, and clothes with purple light; and they know their own sun and their own stars.” We love to hear some men speak, though we hear not what they say; the very air they breathe is rich and perfumed, and the sound of their voices falls on the ear like the rustling of leaves or the crackling of the fire. They stand many deep. They have the heavens for their abettors, as those who have never stood from under them, and they look at the stars with an answering ray. Their eyes are like glow-worms, and their motions graceful and flowing, as if a place were already found for them, like rivers flowing through valleys. The distinctions of morality, of right and wrong, sense and nonsense, are petty, and have lost their significance, beside these pure primeval natures. When I consider the clouds stretched in stupendous masses across the sky, frowning with darkness or glowing with downy light, or gilded with the rays of the setting sun, like the battlements of a city in the heavens, their grandeur appears thrown away on the meanness of my employment; the drapery is altogether too rich for such poor acting. I am hardly worthy to be a suburban dweller outside those walls

“Here, a richer air fills the fields and bathes them in purple light; and they recognize their own sun and stars.” We enjoy listening to some people talk, even if we can’t catch what they say; the very air they breathe is rich and fragrant, and the sound of their voices is like the rustling of leaves or the crackling of a fire. They stand in groups, and the heavens support them, as those who have never stepped away from their shelter, and they gaze at the stars with a reflective shine. Their eyes shimmer like glow-worms, and their movements are graceful and fluid, as if they've found their place, like rivers winding through valleys. The distinctions of morality, right and wrong, sense and nonsense, seem trivial and have lost their meaning compared to these pure, primal souls. When I think about the clouds spread out in magnificent formations across the sky, dark and brooding or glowing with soft light, or touched by the setting sun like the ramparts of a city in the sky, their majesty feels wasted on the triviality of my task; the scenery is way too beautiful for such humble work. I hardly feel worthy to live outside those walls.

        “Unless above himself he can
Erect himself, how poor a thing is man!”

“Unless he can rise above himself, how pitiful is man!”

With our music we would fain challenge transiently another and finer sort of intercourse than our daily toil permits. The strains come back to us amended in the echo, as when a friend reads our verse. Why have they so painted the fruits, and freighted them with such fragrance as to satisfy a more than animal appetite?

With our music, we want to briefly create a different and deeper kind of connection than our everyday work allows. The melodies return to us improved in the echo, just like when a friend reads our poetry. Why have they depicted the fruits so beautifully and filled them with such a fragrance that it satisfies more than just a basic craving?

“I asked the schoolman, his advice was free,
But scored me out too intricate a way.”

“I asked the teacher, and his advice was free,
But he gave me a way that was too complicated.”

These things imply, perchance, that we live on the verge of another and purer realm, from which these odors and sounds are wafted over to us. The borders of our plot are set with flowers, whose seeds were blown from more Elysian fields adjacent. They are the pot-herbs of the gods. Some fairer fruits and sweeter fragrances wafted over to us, betray another realm’s vicinity. There, too, does Echo dwell, and there is the abutment of the rainbow’s arch.

These things suggest, perhaps, that we are on the edge of another and more perfect realm, from which these scents and sounds drift over to us. The edges of our space are filled with flowers, whose seeds were carried here from more heavenly fields nearby. They are the herbs of the gods. Some more beautiful fruits and sweeter fragrances coming our way hint at the closeness of another world. There, too, resides Echo, and there is the end of the rainbow's arc.

A finer race and finer fed
Feast and revel o’er our head,
And we titmen are only able
To catch the fragments from their table.
Theirs is the fragrance of the fruits,
While we consume the pulp and roots.
What are the moments that we stand
Astonished on the Olympian land!

A better breed and better fed
Celebrate and party above our heads,
And we workers can only manage
To catch the leftovers from their feast.
They enjoy the scent of the fruits,
While we eat the scraps and roots.
What are the moments when we stand
Amazed on that heavenly land!

We need pray for no higher heaven than the pure senses can furnish, a purely sensuous life. Our present senses are but the rudiments of what they are destined to become. We are comparatively deaf and dumb and blind, and without smell or taste or feeling. Every generation makes the discovery, that its divine vigor has been dissipated, and each sense and faculty misapplied and debauched. The ears were made, not for such trivial uses as men are wont to suppose, but to hear celestial sounds. The eyes were not made for such grovelling uses as they are now put to and worn out by, but to behold beauty now invisible. May we not see God? Are we to be put off and amused in this life, as it were with a mere allegory? Is not Nature, rightly read, that of which she is commonly taken to be the symbol merely? When the common man looks into the sky, which he has not so much profaned, he thinks it less gross than the earth, and with reverence speaks of “the Heavens,” but the seer will in the same sense speak of “the Earths,” and his Father who is in them. “Did not he that made that which is within, make that which is without also?” What is it, then, to educate but to develop these divine germs called the senses? for individuals and states to deal magnanimously with the rising generation, leading it not into temptation,—not teach the eye to squint, nor attune the ear to profanity. But where is the instructed teacher? Where are the normal schools?

We need to pray for no higher heaven than what our pure senses can provide, a purely sensuous life. Our current senses are just the basics of what they're meant to become. We are relatively deaf, mute, and blind, lacking smell, taste, and touch. Each generation realizes that its divine energy has been wasted, with each sense and ability misused and corrupted. Ears were made not for the trivial purposes people usually think, but to hear celestial sounds. Eyes weren’t intended for the lowly uses they've been subjected to and exhausted by, but to see beauty that is currently invisible. Can we not see God? Are we meant to be distracted and entertained in this life with just a mere metaphor? Isn’t Nature, when interpreted correctly, something more than just the symbol she’s commonly seen as? When an ordinary person looks up at the sky, which he has not so deeply tarnished, he considers it less base than the earth and speaks of “the Heavens” with reverence, but the visionary will similarly refer to “the Earths” and his Father who is in them. “Didn’t he who created what is within also create what is without?” So, what is education but the development of these divine seeds known as the senses? For individuals and societies to generously engage with the next generation, guiding it away from temptation — not teaching the eye to squint, nor the ear to indulge in profanity. But where is the educated teacher? Where are the normal schools?

A Hindoo sage said, “As a dancer, having exhibited herself to the spectator, desists from the dance, so does Nature desist, having manifested herself to soul—. Nothing, in my opinion, is more gentle than Nature; once aware of having been seen, she does not again expose herself to the gaze of soul.”

A Hindu sage said, “Just like a dancer, after showing herself to the audience, stops dancing, Nature also stops revealing herself to the soul. In my view, nothing is gentler than Nature; once she knows she has been seen, she doesn’t expose herself to the soul’s gaze again.”

It is easier to discover another such a new world as Columbus did, than to go within one fold of this which we appear to know so well; the land is lost sight of, the compass varies, and mankind mutiny; and still history accumulates like rubbish before the portals of nature. But there is only necessary a moment’s sanity and sound senses, to teach us that there is a nature behind the ordinary, in which we have only some vague pre-emption right and western reserve as yet. We live on the outskirts of that region. Carved wood, and floating boughs, and sunset skies, are all that we know of it. We are not to be imposed on by the longest spell of weather. Let us not, my friends, be wheedled and cheated into good behavior to earn the salt of our eternal porridge, whoever they are that attempt it. Let us wait a little, and not purchase any clearing here, trusting that richer bottoms will soon be put up. It is but thin soil where we stand; I have felt my roots in a richer ere this. I have seen a bunch of violets in a glass vase, tied loosely with a straw, which reminded me of myself.

It’s easier to find another new world like Columbus did than to explore the one we think we know so well; the land disappears from view, the compass shifts, and people rebel; yet history piles up like junk at the gates of nature. All it takes is a moment of clarity and common sense to realize there’s a deeper nature beyond the ordinary, where we hold just some vague ownership and land rights for now. We live on the fringes of that area. Carved wood, floating branches, and sunset skies are all we really know about it. We shouldn’t be fooled by even the longest stretch of good weather. Let’s not, my friends, be persuaded and tricked into behaving just to earn our daily bread, no matter who tries to make us. Let’s wait a bit, and not invest in any land here, trusting that better opportunities will come up soon. The soil we’re on is pretty poor; I’ve felt my roots in richer ground before. I’ve seen a bunch of violets in a glass vase, loosely tied with a straw, which reminded me of myself.

I am a parcel of vain strivings tied
        By a chance bond together,
    Dangling this way and that, their links
        Were made so loose and wide,
                Methinks,
            For milder weather.

A bunch of violets without their roots,
        And sorrel intermixed,
    Encircled by a wisp of straw
        Once coiled about their shoots,
The law
By which I’m fixed.

A nosegay which Time clutched from out
        Those fair Elysian fields,
    With weeds and broken stems, in haste,
        Doth make the rabble rout
                That waste
            The day he yields.

And here I bloom for a short hour unseen,
        Drinking my juices up,
    With no root in the land
        To keep my branches green,
                But stand
            In a bare cup.

Some tender buds were left upon my stem
        In mimicry of life,
    But ah! the children will not know,
        Till time has withered them,
                The woe
            With which they’re rife.

But now I see I was not plucked for naught,
        And after in life’s vase
    Of glass set while I might survive,
        But by a kind hand brought
                Alive
            To a strange place.

That stock thus thinned will soon redeem its hours,
        And by another year,
    Such as God knows, with freer air,
        More fruits and fairer flowers
                Will bear,
            While I droop here.

I’m just a bundle of vain attempts tied together
        By a random connection,
    Hanging this way and that, with links
        So loose and wide,
                I think,
            For nicer weather.

A bunch of violets without roots,
        And mixed with sorrel,
    Surrounded by a bit of straw
        That used to wrap around their stems,
The rule
By which I’m stuck.

A bouquet that Time snatched from
        Those beautiful Elysian fields,
    With weeds and broken stems, in a rush,
        Makes the crowd scatter
                That squanders
            The day he gives up.

And here I bloom for a brief moment unseen,
        Sipping up my juices,
    With no roots in the ground
        To keep my branches green,
                But just
            In an empty cup.

Some tender buds were left on my stem
        In imitation of life,
    But oh! the children won’t know,
        Until time has withered them,
                The sorrow
            With which they’re full.

But now I realize I wasn't picked for nothing,
        And later in life’s vase
    Of glass set while I could survive,
        But by a kind hand brought
                Alive
            To a strange place.

That stock so thinned will soon recover its time,
        And by another year,
    Such as God knows, with freer air,
        More fruits and prettier flowers
                Will grow,
            While I fade here.

This world has many rings, like Saturn, and we live now on the outmost of them all. None can say deliberately that he inhabits the same sphere, or is contemporary with, the flower which his hands have plucked, and though his feet may seem to crush it, inconceivable spaces and ages separate them, and perchance there is no danger that he will hurt it. What do the botanists know? Our lives should go between the lichen and the bark. The eye may see for the hand, but not for the mind. We are still being born, and have as yet but a dim vision of sea and land, sun, moon and stars, and shall not see clearly till after nine days at least. That is a pathetic inquiry among travellers and geographers after the site of ancient Troy. It is not near where they think it is. When a thing is decayed and gone, how indistinct must be the place it occupied!

This world has many rings, like Saturn, and we now live on the outermost one. No one can truly say that they're in the same realm as the flower they’ve picked, and even though they might crush it underfoot, vast spaces and ages keep them apart, making it unlikely they'll cause it any harm. What do botanists really know? Our lives should exist between the lichen and the bark. The eye can see for the hand, but not for the mind. We are still being born and have only a vague sense of the sea and land, sun, moon, and stars, and we won’t see clearly for at least nine days. That’s a sad question travelers and geographers ask when searching for the location of ancient Troy. It's not where they think it is. When something is decayed and gone, how unclear must be the place it once occupied!

The anecdotes of modern astronomy affect me in the same way as do those faint revelations of the Real which are vouchsafed to men from time to time, or rather from eternity to eternity. When I remember the history of that faint light in our firmament, which we call Venus, which ancient men regarded, and which most modern men still regard, as a bright spark attached to a hollow sphere revolving about our earth, but which we have discovered to be another world, in itself,—how Copernicus, reasoning long and patiently about the matter, predicted confidently concerning it, before yet the telescope had been invented, that if ever men came to see it more clearly than they did then, they would discover that it had phases like our moon, and that within a century after his death the telescope was invented, and that prediction verified, by Galileo,—I am not without hope that we may, even here and now obtain some accurate information concerning that OTHER WORLD which the instinct of mankind has so long predicted. Indeed, all that we call science, as well as all that we call poetry, is a particle of such information, accurate as far as it goes, though it be but to the confines of the truth. If we can reason so accurately, and with such wonderful confirmation of our reasoning, respecting so-called material objects and events infinitely removed beyond the range of our natural vision, so that the mind hesitates to trust its calculations even when they are confirmed by observation, why may not our speculations penetrate as far into the immaterial starry system, of which the former is but the outward and visible type? Surely, we are provided with senses as well fitted to penetrate the spaces of the real, the substantial, the eternal, as these outward are to penetrate the material universe. Veias, Menu, Zoroaster, Socrates, Christ, Shakespeare, Swedenborg,—these are some of our astronomers.

The stories of modern astronomy impact me the same way as those fleeting glimpses of reality that are occasionally revealed to people throughout time. When I think about the faint light in our sky, which we call Venus—once seen by ancient people and still perceived by many today as just a bright spot attached to a hollow sphere orbiting the Earth—it's astounding to realize that we've discovered it is another world on its own. Copernicus, after thinking deeply and patiently about this, confidently predicted before the telescope was invented that if humanity ever managed to observe it more clearly, they would find it has phases just like our moon. It's remarkable that within a century after his death, the telescope was created, and Galileo confirmed that prediction. This gives me hope that we might even now uncover some reliable information about that OTHER WORLD which humanity's instincts have long suggested. In fact, everything we define as science and poetry is a piece of such knowledge, as accurate as it can be, even if it only touches the edge of the truth. If we can reason so precisely and with such strong confirmation about so-called material objects and events that are far beyond our natural sight—making the mind hesitate to trust its calculations, even when they’re backed by observation—then why can't our thoughts explore as deeply into the immaterial universe, of which the tangible world is just a visible representation? Certainly, we have senses just as capable of exploring the realm of the real, the substantial, and the eternal as they are of navigating the physical universe. Veias, Menu, Zoroaster, Socrates, Christ, Shakespeare, Swedenborg—these are some of our astronomers.

There are perturbations in our orbits produced by the influence of outlying spheres, and no astronomer has ever yet calculated the elements of that undiscovered world which produces them. I perceive in the common train of my thoughts a natural and uninterrupted sequence, each implying the next, or, if interruption occurs, it is occasioned by a new object being presented to my senses. But a steep, and sudden, and by these means unaccountable transition, is that from a comparatively narrow and partial, what is called common sense view of things, to an infinitely expanded and liberating one, from seeing things as men describe them, to seeing them as men cannot describe them. This implies a sense which is not common, but rare in the wisest man’s experience; which is sensible or sentient of more than common.

There are disturbances in our paths caused by the influence of distant spheres, and no astronomer has ever calculated the elements of that unknown world which creates them. I notice in my usual way of thinking a natural and constant flow, where each thought leads to the next, or if there is a break, it’s because a new object has caught my senses. But the shift, which is steep, sudden, and difficult to explain, is from a relatively narrow and limited view, what is called common sense, to an infinitely broader and freeing perspective, from seeing things as people describe them to seeing them in ways people can't put into words. This suggests a sense that isn't common but rare even in the wisest person's experience, which perceives or feels more than the ordinary.

In what enclosures does the astronomer loiter! His skies are shoal, and imagination, like a thirsty traveller, pants to be through their desert. The roving mind impatiently bursts the fetters of astronomical orbits, like cobwebs in a corner of its universe, and launches itself to where distance fails to follow, and law, such as science has discovered, grows weak and weary. The mind knows a distance and a space of which all those sums combined do not make a unit of measure,—the interval between that which appears, and that which is. I know that there are many stars, I know that they are far enough off, bright enough, steady enough in their orbits,—but what are they all worth? They are more waste land in the West,—star territory,—to be made slave States, perchance, if we colonize them. I have interest but for six feet of star, and that interest is transient. Then farewell to all ye bodies, such as I have known ye.

In what places does the astronomer linger? His skies are shallow, and his imagination, like a thirsty traveler, longs to cross their barren expanse. The restless mind impatiently breaks free from the constraints of astronomical orbits, like cobwebs in a corner of its universe, and propels itself to where distance can no longer reach, and the laws that science has uncovered start to weaken and fade. The mind recognizes a distance and a space that no combination of measurements can define — the gap between what seems and what is. I know there are many stars, I know they are far enough away, bright enough, and stable enough in their paths — but what are they really worth? They are just more empty land in the West — star territory — to potentially become slave states if we colonize them. My interest lies only in six feet of starlit space, and that interest is fleeting. So, farewell to all you celestial bodies, as I have come to know you.

Every man, if he is wise, will stand on such bottom as will sustain him, and if one gravitates downward more strongly than another, he will not venture on those meads where the latter walks securely, but rather leave the cranberries which grow there unraked by himself. Perchance, some spring a higher freshet will float them within his reach, though they may be watery and frost-bitten by that time. Such shrivelled berries I have seen in many a poor man’s garret, ay, in many a church-bin and state-coffer, and with a little water and heat they swell again to their original size and fairness, and added sugar enough, stead mankind for sauce to this world’s dish.

Every wise man will make sure to stand on solid ground, and if one person is more likely to fall than another, they won't risk walking in the areas where the other feels safe. Instead, they’ll leave the cranberries growing there untouched. Perhaps one day a stronger flood will bring those berries within reach, even if they end up being watery and frostbitten by then. I've seen those withered berries in many a poor man’s attic, yes, even in many a church donation box and government coffers. With a bit of water and heat, they expand back to their original size and quality, and when you add enough sugar, they serve as a fitting side dish in this world.

What is called common sense is excellent in its department, and as invaluable as the virtue of conformity in the army and navy,—for there must be subordination,—but uncommon sense, that sense which is common only to the wisest, is as much more excellent as it is more rare. Some aspire to excellence in the subordinate department, and may God speed them. What Fuller says of masters of colleges is universally applicable, that “a little alloy of dulness in a master of a college makes him fitter to manage secular affairs.”

What we refer to as common sense is great in its area and as valuable as the quality of conformity in the army and navy—because there has to be hierarchy—but uncommon sense, which is only found in the wisest people, is much more exceptional because it’s rarer. Some aim for excellence in the subordinate area, and may they find success. What Fuller says about college heads applies to everyone: “a little bit of dullness in a college leader makes them better suited to handle worldly matters.”

“He that wants faith, and apprehends a grief
Because he wants it, hath a true belief;
And he that grieves because his grief’s so small,
Has a true grief, and the best Faith of all.”

“He who desires faith and feels sorrow
Because he lacks it, truly believes;
And he who mourns because his sorrow’s so slight,
Has a genuine sorrow and the greatest Faith of all.”

Or be encouraged by this other poet’s strain,—

Or take inspiration from this other poet's work,—

“By them went Fido marshal of the field:
    Weak was his mother when she gave him day;
And he at first a sick and weakly child,
    As e’er with tears welcomed the sunny ray;
        Yet when more years afford more growth and might,
        A champion stout he was, and puissant knight,
    As ever came in field, or shone in armor bright.

“Mountains he flings in seas with mighty hand;
    Stops and turns back the sun’s impetuous course;
Nature breaks Nature’s laws at his command;
    No force of Hell or Heaven withstands his force;
        Events to come yet many ages hence,
        He present makes, by wondrous prescience;
    Proving the senses blind by being blind to sense.”

“By them went Fido, the commander of the battlefield:
    His mother was weak when she brought him into the world;
And he was initially a sickly and frail child,
    Who always welcomed the sunlight with tears;
        But as the years went by, he grew stronger and braver,
        A stout champion and powerful knight,
    Like no one else in the field, shining in bright armor.

“He throws mountains into the seas with mighty strength;
    Stops and redirects the sun’s wild path;
Nature breaks its own laws at his command;
    No force of Hell or Heaven can resist him;
        He foretells events many ages ahead,
        Making the future present through his amazing insight;
    Proving the senses blind by being blind to the senses.”

“Yesterday, at dawn,” says Hafiz, “God delivered me from all worldly affliction; and amidst the gloom of night presented me with the water of immortality.”

“Yesterday, at dawn,” says Hafiz, “God freed me from all worldly troubles; and in the darkness of night, gave me the water of immortality.”

In the life of Sadi by Dowlat Shah occurs this sentence: “The eagle of the immaterial soul of Shaikh Sadi shook from his plumage the dust of his body.”

In the life of Sadi by Dowlat Shah, there's this sentence: “The eagle of the immaterial soul of Shaikh Sadi shook the dust of his body from its feathers.”

Thus thoughtfully we were rowing homeward to find some autumnal work to do, and help on the revolution of the seasons. Perhaps Nature would condescend to make use of us even without our knowledge, as when we help to scatter her seeds in our walks, and carry burrs and cockles on our clothes from field to field.

Thus, we were thoughtfully rowing home to find some autumn tasks to complete and assist in the changing of the seasons. Maybe Nature would graciously use us without us even realizing it, just like when we help scatter her seeds during our walks and carry burrs and cockles on our clothes from one field to another.

All things are current found
On earthly ground,
Spirits and elements
Have their descents.

Night and day, year on year,
High and low, far and near,
These are our own aspects,
These are our own regrets.

Ye gods of the shore,
Who abide evermore,
I see your far headland,
Stretching on either hand;

I hear the sweet evening sounds
From your undecaying grounds;
Cheat me no more with time,
Take me to your clime.

All things are currently found
On this earthly ground,
Spirits and elements
Have their origins.

Night and day, year after year,
High and low, far and near,
These are our own aspects,
These are our own regrets.

You gods of the shore,
Who exist forevermore,
I see your distant headland,
Stretching on either side;

I hear the sweet evening sounds
From your eternal grounds;
Don’t deceive me with time,
Take me to your place.

As it grew later in the afternoon, and we rowed leisurely up the gentle stream, shut in between fragrant and blooming banks, where we had first pitched our tent, and drew nearer to the fields where our lives had passed, we seemed to detect the hues of our native sky in the southwest horizon. The sun was just setting behind the edge of a wooded hill, so rich a sunset as would never have ended but for some reason unknown to men, and to be marked with brighter colors than ordinary in the scroll of time. Though the shadows of the hills were beginning to steal over the stream, the whole river valley undulated with mild light, purer and more memorable than the noon. For so day bids farewell even to solitary vales uninhabited by man. Two herons, Ardea herodias, with their long and slender limbs relieved against the sky, were seen travelling high over our heads,—their lofty and silent flight, as they were wending their way at evening, surely not to alight in any marsh on the earth’s surface, but, perchance, on the other side of our atmosphere, a symbol for the ages to study, whether impressed upon the sky, or sculptured amid the hieroglyphics of Egypt. Bound to some northern meadow, they held on their stately, stationary flight, like the storks in the picture, and disappeared at length behind the clouds. Dense flocks of blackbirds were winging their way along the river’s course, as if on a short evening pilgrimage to some shrine of theirs, or to celebrate so fair a sunset.

As the afternoon got later and we casually rowed up the gentle stream, flanked by fragrant, blooming banks where we first set up our tent, getting closer to the fields where we lived our lives, we thought we could see the colors of our familiar sky in the southwestern horizon. The sun was just setting behind a wooded hill, a sunset so beautiful it seemed like it would never end, marked by brighter hues than usual in the timeline of our memories. Although the shadows from the hills were starting to creep over the stream, the whole river valley was bathed in a soft light, purer and more memorable than noon. This is how the day bids farewell even to lonely valleys untouched by humans. Two herons, Ardea herodias, with their long, slender bodies silhouetted against the sky, were flying high above us—gliding silently in the evening, surely not landing in any marsh below, but perhaps making their way to the other side of our atmosphere, leaving a symbol for future generations to ponder, whether etched in the sky or carved among the hieroglyphs of Egypt. Headed for a northern meadow, they continued their elegant, steady flight like storks in an artwork, eventually disappearing behind the clouds. Large flocks of blackbirds were flying along the river, as if on a brief evening pilgrimage to some sacred place, or to celebrate such a beautiful sunset.

“Therefore, as doth the pilgrim, whom the night
    Hastes darkly to imprison on his way,
Think on thy home, my soul, and think aright
    Of what’s yet left thee of life’s wasting day:
        Thy sun posts westward, passed is thy morn,
        And twice it is not given thee to be born.”

“Therefore, just like the pilgrim, who the night
Quickly tries to trap on his journey,
Remember your home, my soul, and think clearly
About what’s still left of life’s dwindling day:
Your sun is setting, your morning is gone,
And you won’t get a second chance to be born.”

The sun-setting presumed all men at leisure, and in a contemplative mood; but the farmer’s boy only whistled the more thoughtfully as he drove his cows home from pasture, and the teamster refrained from cracking his whip, and guided his team with a subdued voice. The last vestiges of daylight at length disappeared, and as we rowed silently along with our backs toward home through the darkness, only a few stars being visible, we had little to say, but sat absorbed in thought, or in silence listened to the monotonous sound of our oars, a sort of rudimental music, suitable for the ear of Night and the acoustics of her dimly lighted halls;

The setting sun suggested that everyone was relaxed and reflecting on life, but the farmer’s boy just whistled more thoughtfully as he brought his cows home from the pasture, and the teamster didn’t crack his whip, steering his team with a quiet voice. Gradually, the last traces of daylight faded away, and as we rowed silently with our backs to home through the darkness, with only a few stars visible, we didn’t have much to say. We were lost in thought or silently listening to the steady rhythm of our oars, a kind of basic music fitting for Night and the acoustics of her softly lit spaces;

“Pulsæ referunt ad sidera valles,”

“Waves point to the stars,”

and the valleys echoed the sound to the stars.

and the valleys sent the sound to the stars.

As we looked up in silence to those distant lights, we were reminded that it was a rare imagination which first taught that the stars are worlds, and had conferred a great benefit on mankind. It is recorded in the Chronicle of Bernaldez, that in Columbus’s first voyage the natives “pointed towards the heavens, making signs that they believed that there was all power and holiness.” We have reason to be grateful for celestial phenomena, for they chiefly answer to the ideal in man. The stars are distant and unobtrusive, but bright and enduring as our fairest and most memorable experiences. “Let the immortal depth of your soul lead you, but earnestly extend your eyes upwards.”

As we quietly gazed at those distant lights, we were reminded that it takes a rare imagination to understand that the stars are worlds, which has provided a great benefit to humanity. It’s noted in the Chronicle of Bernaldez that during Columbus's first voyage, the natives “pointed towards the heavens, making signs that they believed there was all power and holiness.” We have many reasons to appreciate celestial phenomena, as they align closely with the ideals within us. The stars are far away and subtle, yet they are as bright and lasting as our most beautiful and unforgettable experiences. “Let the immortal depth of your soul guide you, but earnestly direct your gaze upwards.”

As the truest society approaches always nearer to solitude, so the most excellent speech finally falls into Silence. Silence is audible to all men, at all times, and in all places. She is when we hear inwardly, sound when we hear outwardly. Creation has not displaced her, but is her visible framework and foil. All sounds are her servants, and purveyors, proclaiming not only that their mistress is, but is a rare mistress, and earnestly to be sought after. They are so far akin to Silence, that they are but bubbles on her surface, which straightway burst, an evidence of the strength and prolificness of the under-current; a faint utterance of Silence, and then only agreeable to our auditory nerves when they contrast themselves with and relieve the former. In proportion as they do this, and are heighteners and intensifiers of the Silence, they are harmony and purest melody.

As the truest society gets closer to isolation, the best words eventually fade into Silence. Silence can be heard by everyone, everywhere, and at all times. It exists when we listen inwardly and when we hear outwardly. Creation hasn’t replaced it; rather, it serves as its visible backdrop. All sounds are its servants, showcasing not just that their master exists, but that it is a rare and sought-after treasure. They share a connection with Silence, like bubbles on its surface that quickly pop, revealing the strength and abundance of the deeper flow. They provide a faint expression of Silence, only pleasing to our ears when they contrast with and relieve what came before. To the extent that they do this and enhance the Silence, they become harmony and the purest melody.

Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality disturb us.

Silence is a universal escape, the remedy for all boring conversations and foolish actions, a comfort for all our frustrations, welcomed just as much after we've had too much as after we've been let down; it’s the backdrop that no artist, whether skilled or clumsy, can mess with, and no matter how clumsy our appearance in the foreground, it remains our unassailable refuge, where no humiliation can touch us, and no individual can disrupt our peace.

The orator puts off his individuality, and is then most eloquent when most silent. He listens while he speaks, and is a hearer along with his audience. Who has not hearkened to Her infinite din? She is Truth’s speaking-trumpet, the sole oracle, the true Delphi and Dodona, which kings and courtiers would do well to consult, nor will they be balked by an ambiguous answer. For through Her all revelations have been made, and just in proportion as men have consulted her oracle within, they have obtained a clear insight, and their age has been marked as an enlightened one. But as often as they have gone gadding abroad to a strange Delphi and her mad priestess, their age has been dark and leaden. Such were garrulous and noisy eras, which no longer yield any sound, but the Grecian or silent and melodious era is ever sounding and resounding in the ears of men.

The speaker sets aside their individuality and is most persuasive when they are quiet. They listen while they talk and share in the audience's experience. Who hasn’t listened to her endless noise? She is Truth’s loudspeaker, the only oracle, the true Delphi and Dodona, which kings and courtiers should consult, and they won’t be disappointed with vague answers. Through her, all revelations have been made, and the more people have turned to her inner oracle, the clearer their understanding has been, marking their era as enlightened. But whenever they wandered off to a false Delphi and her crazy priestess, their time has been dark and heavy. Such were the talkative and chaotic times, which no longer produce any sound, but the Greek or silent and harmonious era continues to resonate in people's ears.

A good book is the plectrum with which our else silent lyres are struck. We not unfrequently refer the interest which belongs to our own unwritten sequel, to the written and comparatively lifeless body of the work. Of all books this sequel is the most indispensable part. It should be the author’s aim to say once and emphatically, “He said,” ἔφη, ἔ. This is the most the book-maker can attain to. If he make his volume a mole whereon the waves of Silence may break, it is well.

A good book is the pick that strums our otherwise silent instruments. We often attribute the excitement of our own unwritten stories to the written and relatively lifeless text. Among all books, this unwritten story is the most essential part. The author’s goal should be to assert clearly, “He said,” ἔφη, ἔ. This is the highest achievement a writer can aim for. If they create a work that allows the waves of Silence to crash against it, that’s a win.

It were vain for me to endeavor to interrupt the Silence. She cannot be done into English. For six thousand years men have translated her with what fidelity belonged to each, and still she is little better than a sealed book. A man may run on confidently for a time, thinking he has her under his thumb, and shall one day exhaust her, but he too must at last be silent, and men remark only how brave a beginning he made; for when he at length dives into her, so vast is the disproportion of the told to the untold, that the former will seem but the bubble on the surface where he disappeared. Nevertheless, we will go on, like those Chinese cliff swallows, feathering our nests with the froth, which may one day be bread of life to such as dwell by the sea-shore.

It would be pointless for me to try to break the silence. She can’t be fully translated into English. For six thousand years, people have tried to translate her with whatever loyalty they had, and still, she remains nearly an unreadable book. A person might confidently assume they have her figured out for a while, thinking they'll eventually master her, but eventually, they must fall silent too. People will only note how bold a start they made; when they finally dive into her, the gap between what has been shared and what remains hidden is so vast that what has been shared seems like just a bubble on the surface where they disappeared. Still, we will continue, like those Chinese cliff swallows, building our nests with the froth, which may one day become the bread of life for those who live by the shore.

We had made about fifty miles this day with sail and oar, and now, far in the evening, our boat was grating against the bulrushes of its native port, and its keel recognized the Concord mud, where some semblance of its outline was still preserved in the flattened flags which had scarce yet erected themselves since our departure; and we leaped gladly on shore, drawing it up, and fastening it to the wild apple-tree, whose stem still bore the mark which its chain had worn in the chafing of the spring freshets.

We had covered about fifty miles that day by sail and rowing, and now, late in the evening, our boat was scraping against the reeds of its home port, and its keel could feel the Concord mud, where some trace of its shape was still visible in the flattened grass that had barely risen since we left. We jumped happily ashore, pulled it up, and tied it to the wild apple tree, whose trunk still showed the mark that its chain had left from the wear of the spring floods.

THE END.

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