This is a modern-English version of Ten Thousand Wonderful Things: Comprising whatever is marvellous and rare, curious, eccentric and extraordinary in all ages and nations, originally written by unknown author(s). It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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Front Cover

TEN THOUSAND
AMAZING THINGS

COMPRISING

INCLUDING

WHATEVER IS MARVELLOUS AND RARE, CURIOUS
ECCENTRIC AND EXTRAORDINARY

IN ALL AGES AND NATIONS

WHATEVER IS WONDERFUL AND UNCOMMON, INTERESTING
UNUSUAL AND REMARKABLE

Throughout all time periods and countries

ENRICHED WITH
HUNDREDS OF AUTHENTIC ILLUSTRATIONS

ENRICHED WITH
HUNDREDS OF REAL ILLUSTRATIONS

EDITED BY
EDMUND FILLINGHAM KING, M.A.

EDITED BY
EDMUND FILLINGHAM KING, M.A.

LONDON
GEORGE ROUTLEDGE AND SONS, Limited
BROADWAY, LUDGATE HILL
MANCHESTER AND NEW YORK

1894

LONDON
GEORGE ROUTLEDGE AND SONS, Limited
BROADWAY, LUDGATE HILL
MANCHESTER AND NEW YORK

1894


STANDARD WORKS OF REFERENCE.
UNIFORM WITH THIS VOLUME.

STANDARD WORKS OF REFERENCE.
UNIFORM WITH THIS VOLUME.

LEMPRIÈRE'S CLASSICAL DICTIONARY.
WALKER'S RHYMING DICTIONARY.
MACKAY'S THOUSAND AND ONE GEMS OF ENGLISH POETRY.
D'ISRAELI'S CURIOSITIES OF LITERATURE.
BARTLETT'S FAMILIAR QUOTATIONS.
CRUDEN'S CONCORDANCE TO THE BIBLE.
THE FAMILY DOCTOR.

LEMPRIÈRE'S CLASSICAL DICTIONARY.
WALKER'S RHYMING DICTIONARY.
MACKAY'S THOUSAND AND ONE GEMS OF ENGLISH POETRY.
D'ISRAELI'S CURIOSITIES OF LITERATURE.
BARTLETT'S FAMILIAR QUOTATIONS.
CRUDEN'S CONCORDANCE TO THE BIBLE.
THE FAMILY DOCTOR.


PREFACE.

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A Book of Wonders requires but a brief introduction. Our title-page tells its own tale and forms the best exposition of the contents of the volume.

A Book of Wonders only needs a short introduction. Our title page tells its own story and provides the clearest explanation of what’s inside the book.

Everything that is marvellous carries with it much that is instructive, and, in this sense, "Ten Thousand Wonderful Things," may be made useful for the highest educational purposes. Events which happen in the regular course have no claim to a place in any work that professes to be a register of what is uncommon; and were we to select such Wonders only as are capable of familiar demonstration, we should destroy their right to be deemed wondrous, and, at the same time, defeat the very object which we profess to have in view. A marvel once explained away ceases to be a marvel. For this reason, while rejecting everything that is obviously fictitious and untrue, we have not hesitated to insert many incidents which appear at first sight to be wholly incredible.

Everything amazing comes with a lot of lessons, and in this way, "Ten Thousand Wonderful Things" can be really useful for educational purposes. Events that occur in everyday life don’t belong in a collection that aims to showcase the extraordinary; if we were to only highlight wonders that can be easily explained, we would take away their status as wonders and miss the very goal we set out to achieve. Once a marvel is explained, it stops being a marvel. That’s why, while we avoid anything that is clearly made up or false, we haven’t held back from including many incidents that might first seem completely unbelievable.

In the present work, interesting Scenes from Nature, Curiosities of Art, Costume and Customs of a bygone period rather predominate; but we have devoted many of its pages to descriptions of remarkable Occurrences, beautiful Landscapes, stupendous Water-falls, and sublime Sea-pieces. It is true that some of our illustrations may not be beautiful according to the sense in which the word is generally used; but they are all the more curious and characteristic, as well as truthful, on that account; for whatever is lost of beauty, is gained by accuracy. What is odd or quaint, strange or startling, rarely possesses much claim to the picturesque and refined. Scrape the rust off an antique coin, and, while you make it look more shining, you invariably render it worthless in the eyes of a collector. To polish up a fact which derives its value either from the strangeness of its nature, or from the quaintness of its narration, is like the obliterating process of scrubbing up a painting by one of the old masters. It looks all the cleaner for the operation, but, the chances are, it is spoilt as a work of art.

In this work, you'll find interesting scenes from nature, curiosities of art, and customs from a past era that take the spotlight; however, we've dedicated a lot of its pages to descriptions of remarkable events, stunning landscapes, impressive waterfalls, and breathtaking seascapes. It's true that some of our illustrations might not be beautiful in the conventional sense; but they are all the more intriguing and authentic because of it. What might be lacking in beauty is compensated for by accuracy. Things that are odd or quirky, strange or surprising, rarely have much appeal in terms of the picturesque and refined. If you scrape the rust off an antique coin, it may shine brighter, but you also make it worthless to a collector. Polishing up a fact that gains its value from its unusual nature or unique storytelling is like ruining a painting by an old master. It may look cleaner afterward, but chances are it has been spoiled as a piece of art.

We trust it is needless to say that we have closed our pages against everything that can be considered objectionable in its tendency; and, while every statement in this volume has been culled with conscientious care from authentic, although not generally accessible, sources, we have scrupulously rejected every line that could give offence, and endeavoured, in accordance with what we profess in our title-page, to amuse by the eccentric, to startle by the unexpected, and to astonish by the marvellous.

We believe it’s unnecessary to mention that we’ve filtered out anything that could be seen as objectionable. Every statement in this book has been carefully selected from reliable, though not widely available, sources. We have diligently avoided including anything that might cause offense and aimed, as we state in our title page, to entertain with the unusual, surprise with the unexpected, and amaze with the extraordinary.


INDEX TO ENGRAVINGS

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  PAGE
ABYSSINIAN ARMS, 509
—— LADIES, 492
—— ORNAMENTS OF, 493
—— LADY TATTOOED, 496
ALTAR-PIECE OF SAN MINIATO, 601
AMULET WORN BY EGYPTIAN FEMALES, 452
AMULET BROTCHE, 332
ANCIENT METHOD OF KEEPING A WASHING ACCOUNT, 3
—— NUT-CRACKERS, 236
—— SNUFF-BOXES, 210
ANGLO-SAXONS, SEPULCHRAL BARROW OF THE, 27
APTERYX, THE, OR WINGLESS BIRD, 308
ARCH, A BEAUTIFUL, IN CANNISTOWN CHURCH, 433
—— OF TRAJAN AT BENEVENTUM, 445
ARCHITECTURE FOR EARTHQUAKES, 324
ARMLET, AN ANCIENT, 425
ARMOUR, ANCIENT, CURIOUS PIECE OF, 341
ASH, THE SHREW, 397
AZTEC CHILDREN, THE, 37
 
BAGPIPES, 505
BANDOLIERS, 560
BANNERS AND STANDARDS, ANCIENT, 584, 585
BASTILLE, STORMING OF THE, 195
BEAU BRUMMELL (A), OF THE SEVENTEENTH CENTURY, 61
BECTIVE ABBEY, 392
BEDESMEN IN THE TIME OF HENRY VII, 593
BELLOWS, A PRIMITIVE PAIR OF, 637
BELL SHRINE, AN ANCIENT, 348
—— OF SAINT MURA, 412
BIBLE USED BY CHARLES I. ON THE SCAFFOLD, 271
BILLY IN THE SALT BOX, 181
BLACKFRIARS, PARIS GARDEN AT, 465
BLIND GRANNY, 70
—— JACK, 23
BOAT, A BURMESE, 668
BOOK-SHAPED WATCH, 328
BRACELET, A MAGICIAN'S, 345
BRAMA, THE HINDOO DEITY, 556
BRANK, THE, 2
BRASS MEDAL OF OUR SAVIOUR, 241
BRITANNIA TUBULAR BRIDGE, 173
BROOCH, ANCIENT SCANDINAVIAN, 401
BRICKS OF BABYLON, 613
BRIDGE OVER THE THAMES, THE FIRST, 428
—— A CHINESE, 440
—— CROMWELL'S, AT GLENGARIFF, 648
BUCKINGER, MATTHEW, 53
BUCKLER OF THE FIFTEENTH CENTURY, WITH PISTOL INSERTED, 30
BUNYAN'S (JOHN) TOMB, 157
BURMESE PRIEST PREACHING, 266
BUST, AN ANCIENT ETRURIAN, 677
 
CAMDEN CUP, THE, 250
CANDLESTICK, A REMARKABLE, IN FAYENCE, 592
—— OF MARY, QUEEN OF SCOTS, 436
CARFAX CONDUIT, 333
CARRIAGE, A TURKISH, 656
CASCADE DES PELERINES, 135
CATACOMBS AT ROME, 87
CAVE, PORT COON, 516
—— THE TIGER, AT CUTTACK, 361
CHAIR BROUGHT OVER TO AMERICA BY THE PILGRIM FATHERS, 186
—— DAGOBERT'S, ANCIENT, 421
—— HENRY VIII.'S, 488
—— THE DUCHESS OF LAUDERDALE'S, 401
CHAPTER-HOUSE, A, IN THE TIME OF HENRY VII., 600
CHARLEMAGNE, CROWN OF, 377
CHIEFTAIN, ANCIENT SCOTTISH, 500
CHINESE METHOD OF FISHING, 316
—— PUNISHMENT OF THE KANG, OR WOODEN COLLAR, 134
CHRISTMAS, PROCLAIMING THE NON-OBSERVANCE OF, 19
CISTERN OF MAJOLICA WARE, 597
COFFEE POT, IN STONEWARE, A CURIOUS, 649
COIN, THE FIRST, WITH BRITANNIA ON IT, 468
COLLARS, ANCIENT STONE, 665
COLUMN AT CUSSI, 533
COMB, A CURIOUS INDIAN, 657
CORAL REEFS, 74
CORPSE BEARER DURING THE PLAGUE, 284
COSTUMES, ANCIENT, 18, 71, 78, 86, 212, 213, 220, 296, 297
—— GERMAN, OF THE 16TH CENTURY, 548
COSTUME, FOREIGN, IN 1492, 543
—— OF A GERMAN NOBLE, 536
COUTEAU-DE-CHASSE, 633
CRADLE OF MOSS, 325
—— HENRY V., 416
CROSBY, SIR JOHN, HELMET OF, 520
CROSS OF CONG, 457
—— MUIREDACH, 369
CUCKING STOOL, 1
CUPID OF THE HINDOOS, THE, 552
CURFEW BELL, THE, 33
CURIOUS FIGURES ON A SMALL SHRINE, 203
 
DAGGER OF RAOUL DE COURCY, 263
—— AN ANCIENT, 673
DAGOBERT, ANCIENT CHAIR OF, 421
DANCING NATIVES OF NEW SOUTH WALES, 225
DARNEY (JENNY), A HARMLESS ECCENTRIC OF THE YEAR 1790, 187
DERVISHES DANCING, 669
DIAL AND FOUNTAIN IN LEADENHALL STREET, 553
DINNER PARTY IN THE 17TH CENTURY, 609 [Pg vi]
—— TABLE, AN EGYPTIAN, 537
DIOGENES IN A PITHOS—NOT TUB, 524
DOG-WHEEL, THE OLD, 101
DRINKING CUP, A CURIOUSLY SHAPED, 413
—— EARLY GERMAN, 460
—— VESSEL, A DECORATIVE, 336
—— GLASS, ANCIENT, 153
DROPPING WELL OF KNARESBOROUGH, 143
DRUID'S SEAT, THE, 464
DUCK-BILLED PLATYPUS, OR ORNITHORYNCHUS PARADOXUS, 273
DYAK WITH HEADS, SKULL HOUSE, AND HOUSE OF SEA DYAKS, 276, 277
—— WAR BOAT IN BORNEO, 540
DYAKS OF BORNEO, WAR DANCE OF THE, 541
 
EAST INDIA HOUSE, THE FIRST, 206
EDDYSTONE LIGHTHOUSE, 109
EGYPTIAN TOYS IN THE BRITISH MUSEUM, 130
EMBROIDERED GLOVE, PRESENTED BY MARY, QUEEN OF SCOTLAND, TO AN ATTENDANT ON THE MORNING OF HER EXECUTION, 263
EXTRAORDINARY CATARACT, 224
—— SITUATION FOR A TREE, 313
—— TREE, 183
 
FASHIONABLE DISFIGUREMENT OF THE TIME OF CHARLES I., 213
FAWKES HALL, OLD MANOR HOUSE OF, 380
FETE OF THE FEDERATION OF THE NATIONAL GUARDS OF FRANCE, 1790, 289
FIGG (JAMES), THE CHAMPION PRIZE-FIGHTER OF 1733, 113
FISH, SHOOTING, 432
FISHERMAN, BULGARIAN, 497
FLOATING CITY OF BANKOK, 309
FONT AT KILCARN, THE, 417
FRENCH ASSIGNATS, FAC-SIMILE OF THE FORMS IN WHICH THEY WERE ISSUED TO THE PUBLIC, 254
FULLERTON'S (COLONEL) DEVICE FOR PASSING A MOUNTAIN TORRENT, 194
FUNEREAL JAR, 481
 
GARDEN, EGYPTIAN, 349
GARRICK'S CUP, 232
GATE, THE, ON OLD LONDON BRIDGE, 561
GAUNTLET OF HENRY, PRINCE OF WALES, 661
GIANT TREE, 229
GLAIVE, A, 504
GRACE KNIVES, 641
GRAVES OF THE STONE PERIOD, 364
GREAT WALL OF CHINA, 233
GREY MAN'S PATH, THE, 528
GUN, A CELEBRATED, 568
GUY, THOMAS, PORTRAIT OF, 605
 
HACKNEY COACHMAN OF THE TIME OF CHARLES II., 258
HACKNEY COACH, THE EARLIEST, 211
HEAD-BREAKER, A, 665
—— ORNAMENT, ANTIQUE, 393
HEART OF LORD EDWARD BRUCE AND CASE, 246, 247
HELMET, AN EARLY ENGLISH, 632
HELMET OF SIR JOHN CROSBY, 520
HENRY V., CRADLE OF, 516
—— VII., BEDESMEN IN THE TIME OF, 393
—— VIII., CHAIR OF, 488
—— I. (KING) DREAM OF, 26
—— VIII.'S WALKING STICK, 30
HINDOO ADORATION OF THE SÁLAGRÁM, 588
HOLY-WATER SPRINKLER, 532
HOOPS, LADIES', IN 1740, 6
HUDSON, JEFFERY, THE DWARF OF THE COURT OF CHARLES I., 472
 
IMPLEMENTS USED IN BUDDHIST TEMPLES, 621
INCENSE CHARIOT, AN ANCIENT, 513
INSTRUMENTS OF TORTURE:—THE EXECUTIONER'S AXE; THE BLOCK ON WHICH LORDS BALMERINO AND LOVAT WERE BEHEADED; THE SCAVENGER'S DAUGHTER; SPANISH BILBOES; MASSIVE IRON COLLAR FOR THE NECK; THUMB SCREW. BRAND FOR MARKING FELONS: IMPRESSION OF BRAND; PUNISHMENT FOR DRUNKARDS, FORMERLY IN USE AT NEWCASTLE-ON-TYNE; THE WHIRLIGIG, A MILITARY METHOD OF PUNISHMENT; PILLORY, STOCKS, AND WHIPPING-POST FORMERLY ON LONDON BRIDGE, 60, 90
IRRIGATION, TURKISH MACHINE FOR, 681
 
JAMES I., CURIOUS JEWEL WHICH BELONGED TO, 456
—— II., AND THE CHURCH OF DONORE, 557
JEWEL PRESENTED BY MARY, QUEEN OF SCOTS, TO EARL HUNTLEY, 243
JOHNSON'S (DR. SAMUEL), RESIDENCE IN INNER TEMPLE LANE, 48
— — OLD STAIRCASE IN, 49
JOY (WILLIAM), THE ENGLISH SAMPSON, 177
 
KING'S STONE, THE, 461
KNIGHT'S COSTUME OF THE 13TH CENTURY, 480
 
LAMPS, ANCIENT ROMAN, 437
LOCOMOTIVE, THE FIRST, 96
—— THE PRESENT, AND TRAIN, 97
LORD OF MISRULE, 15
LOUIS XII., IVORY SCEPTRE OF, 476
LOUIS XVI., EXECUTION OF, 255
LUTHER'S (MARTIN) TANKARD, 150
LYNCH'S CASTLE, GALWAY, 581
 
MAGICIAN'S MIRROR, 344
—— BRACELET, 345
MAY-POLES, 101
MAIL, ANCIENT SUIT OF, 484
MARY, QUEEN OF SCOTS', CANDLESTICK, 436
MEDMENHAM ABBEY, 429
MILITARY HATS IN THE OLDEN TIME, 75
MILL AT LISSOY, 469
MIRROR, A MAGICIAN'S, 344
MONSOONS, 180
MONSTROUS HEAD-DRESS OF 1782, 242 [Pg vii]
MONUMENTS, WAYSIDE, 588
—— ROCK CUT, OF ASIA MINOR, 444
MORAYSHIRE FLOODS, 126
MOSQUE OF OMAR, 317
—— ST. SOPHIA, 104
MUMMERS, OR ANCIENT WAITS, 14
MUMMY CASES, 409
MUSICAL INSTRUMENT, HINDOO, 684
—— —— A CURIOUS BURMESE, 628, 629
—— —— EGYPTIAN, 405
 
NAORA, THE, 636
NEBUCHADNEZZAR, MASK OF, 105
NECKLACE, ANCIENT JET, 529
NELL GWYNNE'S LOOKING-GLASS, 237
NEWTON CHURCH, DOORWAY OF, 473
NEWTON'S (SIR ISAAC) OBSERVATORY, 10
—— HOUSE, ST. MARTIN'S STREET, 11
NORMAN CAPS, 44
NORTH AMERICAN INDIAN WAR DESPATCH, 45
 
OLD LONDON BRIDGE, GATE ON THE, 561
—— —— SIGNS, 120
ORNAMENTS ABYSSINIAN FEMALE, 493
—— ANTIQUE HEAD, 393
—— FEMALE, OF THE IRON PERIOD, 400
—— EGYPTIAN FEMALE, 448
—— PERSONAL, OF EGYPTIANS, 453
—— OF FEMALE DRESS IN THE TIMES OF THE ANCIENT BRITONS, 79
 
PAGODA, THE GREAT SHOEMADOO, 572
PAILOOS, CHINESE, 625
PAPYRUS ROLL, FROM A SPECIMEN IN THE BRITISH MUSEUM, 82
—— SYRIAN, WITH AND WITHOUT FLOWERS, 83
PARIS GARDEN AT BLACKFRIARS, 465
PASS OF KEIM-AN-EIGH, 329
PENN'S (WILLIAM) SILVER TEA SERVICE, 202
PENNSYLVANIA JOURNAL, FAC-SIMILE OF THE HEADING OF THE LAST NUMBER, 1765, 63
PEST HOUSE DURING THE PLAGUE IN TOTHILL FIELDS, 573
PETER THE GREAT, HOUSE OF, AT ZAANDAM, 545
PLOUGHING, ANCIENT MODE OF, 66
POISON CUP, THE, 485
PONT DU GARD, THE GREAT AQUEDUCT OF, 312
POPE'S CHAIR, 577
POPULAR AMUSEMENTS IN 1743, 56
PORCELAIN FIGURES, 517
POTTERY IN CHINA, THE ART OF, 321
POWERSCOURT FALL, PHENOMENON AT, 305
PREACHING FRIAR, 221
PRE-ADAMITE BONE CAVERNS, 199
PRIESTS OF SIKKIM, 664
PRINCE RUPERT, HEAD QUARTERS OF, DURING THE SIEGE OF LIVERPOOL, IN 1644, 292
PULPIT OF JOHN KNOX AT ST. ANDREW'S, 270
PUNISHMENT, ANCIENT INSTRUMENT OF, 680
PYRAMIDS OF EGYPT, 131
 
QUEEN ELIZABETH'S STATE COACH, 198
—— —— SIDE SADDLE OF, 340
 
RAFFAELLE, TOMB OF, 569
RALEIGH'S (SIR WALTER) ANCIENT RESIDENCE AT BLACKWALL, 161
REVOLVER, A, OF THE FIFTEENTH CENTURY, 30
RING, FORMERLY THE PROPERTY OF CHARLES I., 263
RINGS, CALCINATED, 408
—— SARDONYX, WITH CAMEO HEAD OF QUEEN ELIZABETH, 372
—— A TOAD STONE, 424
ROCK OF CASHEL, THE, 352
RUINS OF CLONMACNOIS, 612
 
SACK-POT, OLD ENGLISH, 521
SAINT GEORGE, TOMB OF, 281
SAINT GEORGE'S HALL, GIBRALTAR, 7
SALAGRAM, HINDOO ADORATION OF THE, 589
SARDONYX RING, WITH CAMEO HEAD OF QUEEN ELIZABETH, 373
SCEPTRE, IVORY, OF LOUIS XII., 476
SCHOOL, A CHINESE, 525
SCRIPTURAL ANTIQUITIES:—DRUM, OR TIMBREL; DRUM IN USE IN THE EAST; HARP; LUTES; INSCRIBED STONE; SANDALS; DISTAFF; ROMAN FARTHING; STONEMONEY-WRIGHTS; HAND MILL; EASTERN WINE AND WATER BOTTLES, 217
SELKIRK (ALEXANDER) AND THE DANCING GOATS, 22
SEPULCHRAL VASE, 320, 608
SHAKESPEARE'S JUG, 576
SHIELD, ANCIENT DANISH, 420
SHRINE OF ST. SEBALD AT NUREMBERG, 604
SILVER LOCKET IN MEMORY OF THE EXECUTION OF CHARLES I., 263
SNAKE CHARMER, 300
SOUTH STACK LIGHTHOUSE, 240
SPANISH DAGGER OF THE SIXTEENTH CENTURY, 263
SPIDER, THE TRAP-DOOR, 384
—— NEST OF THE, 385
ST. WINIFRED'S WELL, 304
STAMP, MEDICINE, ANTIQUE ROMAN, 449
STANDARDS, EGYPTIAN, 396
—— ASSYRIAN, 584, 585
STEAM BOAT, FAC-SIMILE OF THE FIRST, 301
STICKS, OLD WALKING, 388
SWORD BREAKER, ANCIENT, 672
—— AN EXECUTIONER'S, 676
—— CURIOUS ANTIQUE, 596
—— THE HAWTHORNDEN, 353
—— THE SETON, 357
SUMMERS' MAGNET, OR LOADSTONE, 41
 
TEMPLAR'S BANNER, CALLED BEAUSEANT, 565
TEMPLE AT SIMONBONG, INTERIOR VIEW OF, 620
THRASHING CORN, ANCIENT METHOD OF, 67
TILBURY FORT, WATER-GATE OF, 190
TOILET BOXES, EGYPTIAN, 381
TOMB, ANCIENT GREEK, INTERIOR VIEW OF, 617
—— A CHINESE, 508
—— OF RAFFAELLE, 569
TOMB OF CÆCILIA METELLA, 477 [Pg viii]
TOPE, THE SANCHI, 389
TORTURE CHAMBER AT NUREMBERG, 616
TOWER OF THE THUNDERING WINDS, 93
TRAJAN, ARCH OF, AT BENEVENTUM, 445
TREATY STONE AT LIMERICK, 564
TRIPOD, AN ANCIENT, 549
TUMBREL, THE, 2
TUNISIAN TURNER, A, 652
TYRIAN PURPLE, THE SHELL FISH FROM WHICH IT IS OBTAINED, 644
 
UMBRELLA, ANGLO-SAXON, 624
 
VASES, ANCIENT, 337
—— GREEK, 501
—— ROMAN, IN BLACK WARE, 372
—— A SEPULCHRAL, OF ANCIENT EGYPT, 608
VASES TEUTONIC, HUT-SHAPED, 580
VAUXHALL, 380
VESSEL, A CURIOUSLY SHAPED, 376
VESUVIUS, CRATER OF, IN 1829, 165
VISHNU, THE GOD, 645
VOLCANO OF JORULLO, MEXICO, 161
 
WAR CHARIOT OF EGYPT, 365
WATCH, ANTIQUE, 368
—— PRESENTED BY LOUIS XII. OF FRANCE TO CHARLES I. OF ENGLAND, 640
—— PRESENTED BY MARY OF SCOTLAND TO MARY SKATON, 285
WATER CARRIER OF THE OLDEN TIME, 259
WEAPON, AN ANCIENT, 660
—— A POISON, 672
WEAVER BIRD, SOCIAL NEST OF, 441
WIGS OF VARIOUS PERIODS, 31

INDEX.

  PAGE
Abbey Buildings, The Arrangement of, 658
Abraham and Sarah, 101
Abyssinian Ladies, Dress of the, 491
Abyssinian Lady, Tattooed, 495
Advertisement, an American, 111
Advertisements, Curious, 406, 447, 455, 478
—— in the last Century, 207
—— of a Dying-speech Book, 116
—— New Style of, 249
—— a Pudding as an, 228
—— of a Fleet Parson, 116
A False Find, 31
A Female Sampson, 62
A Fine Old Soldier, 314
A Floating City, 308
A Funeral appropriately conducted, 235
Aged Persons, instances of many Dying, 283
Ages of Celebrated Men, 102
A Great Marvel seen in Scotland, 138
A Happy Family, 28
A Harmless Eccentric, 186
Albertus Magnus, Receipts from, 91
Ale Too Strong, 267
Alexandria, Pharos at, 274
Algerine Invasion of Ireland, 176
A Last Chance, 103
All Humbugs, 85
A Lucky Find, 6
A Man in a Vault Eleven Days, 69
—— Carries his House on his Head, 290
—— Selling his own Body, 95
—— aged One Hundred Years, 256
A Monster, 287
Ambassador, French, Entry into London, 262
—— why Held by the Arms, 162
Amphitheatres, 102
Amulets worn by Egyptian Females, 120
—— Brotche, 332
Amusements in the 15th Century, 254
—— in 1743, Popular, 56
An apparent Singularity accounted for, 93
An Eccentric Tourist, 139
Ancients, Credulity of the, 144
Anglo-Saxons, Sepulchral Barrow of, 26
Animals, Food of, 24
—— Communication between, 294
Animation, Suspended, 374
Anne Boleyn, Execution of, 375
Antimony, 570
Antipathies, 391
—— Unaccountable, 196
Antiquities, Egyptian, 642
Apollo, Oracles of, in France, 675
Arabian Horses, 291
Arabs, Horses of the, 498
Archbishop, an, Washing Feet, 5
Arch, A Beautiful, 433
A remarkable Old Man, 214
Armlet, Ancient, 425
Armour, Ancient, Curious Piece of, 341
Arms, Abyssinian, 509
Artists, Duration of Life amongst, 196
A Sea above the Sky, 81
Ash, the Shrew, 397
Ass, The, 116
Assiduity and Perseverance, 304
Attar of Roses, Origin of, 343
Attar of Roses, 298
A Woman takes the Lighted Match, 40
—— Defends a Post singly, 52
Authors, some Learned, Amusements of, 137
A Unique Library, 211
Aztec Children, 37
 
Babes of Bethlehem, The, 660
Bagpipes, Irish, 505
Ballot, Origin of the, 673
Bandoliers, 560
Bank, A Mattrass for a, 323
Banner, The Templars', called Beauseant, 564
Banquets of the Ancients, 439
Bara, a Machine used in Sicily, 415
Barbers, 94
Barometer, Incident connected with, 136
Bartholomew Fair in 1700, Handbill of, 148
Bastille of Paris, Storming of the, 194
Bazaar, a Turkish, 614
Bear, a Shaved, 17
Beard, Care of the, 503
Beau Brummell (a) of the 17th Century, 61
Bective Abbey, 392
Bedesmen in the time of Henry VII., 593
Bedford Missal, The, 407
Bee, The Queen, 25
Bees, Obedient to Training, 95
Beggars, Severe Enactment against, 302
—— selected as Models by Painters, 281
Bell, The Great, of Burmah, 559
—— of Rouen, 650
Bells, 193
—— of the Ancients, 279
—— of St. Mura, 411
Bell-Shrine, an Ancient, 347
Bellows, Primitive Pair of, 637
Bible, 118, 372, 490
—— Bunyan's, 121
—— Summary of the, 169
—— used by Charles I. on the Scaffold, 271
Billy in the Salt-box, 181
Birds, The Ear of, not to be Deceived, 228
Blind Jack, 23
—— Granny, 70
—— Workman, 155
Boat, Burmese, 667
Bobart, Jacob, 22
Boiling to Death, 663
Bolton Abbey, Origin of, 273
Bombardier Beetle, The, 68 [Pg x]
Bones, Adaptation of to Age, 52
Book-shaped Watch, 328
Boots an object of Honour, 232
Boydell, Alderman, 9
Brama, the Hindoo Deity, 555
Bramins, Philosophy of the, 371
Brank, The, 2
Brass Medal, of our Saviour, 241
Breakfasting Hut in 1745, 158
Bribery, 141
Bricks of Babylon, The, 612
Bridge, Old London, The Gate of, 561
—— Chinese, 439
—— Suspension, at Freybourg, 166
Britannia Tubular Bridge, 172
British Islands, Size of the, 245
Brooch, Ancient Scandinavian, 401
Bruce, Lord Edward, Case containing the Heart of, 215
Brunswick, House of, Anecdote of the, 459
Buckinger, Matthew, 53
Buddist Temples, Instruments used in, 621
Bumper, 153
Bunyan's, John, Tomb, 156
Burial Places of Distinguished Men, 390
Burmah, Elephant God of, 537
Bust, Etrurian, An Ancient, 677
Byng, Admiral, Execution of, 182
 
Cader Idris, 118
Cagots, The, 638
Calculation, Interesting, 474
Cambridge Clods, 20
Camden Cup, 250
Camel, as a Scape-Goat, 522
Cameleon, The Eye of the, 479
Candles in the Church, 449
Cannon, Ancient, raised from the Sea, 40
—— at the Siege of Constantinople, 69
—— First Iron, 320
Canute, The Discovery of the Body of, 176
Cardinals, Colour of the Hat for, 234
Cards, Games with, in the 16th Century, 618
Carfax Conduit, 333
Carronades, 149
Carrara, Francis, Cruelty of, 504
Carriage, Turkish, 655
Cascade des Pelerines, 135
Cat, Instinct in a, 353
Catacombs at Rome, 87
Cataract, Extraordinary, 223
Cat-Clock, A, 631
Cats, White, 51
—— with Knotted Tails, 238
Caves, The Hawthornden, 382
Chaffinch Contest, 651
Chalice, Iona, The Golden, 422
Changes of Fortune, 371
Chaplain, Instructions to a, 458
Chapter-House in Henry VIIth's time, 599
Charing Cross, Autobiography of, 128
Charity instead of Pomp, 407
—— Rewarded by a Mendicant, 257
Charlemagne, Clock presented to, 145
Charles I., Anecdote relative to, 174
—— II., Privy Purse, Expenses of, 234
Cherry Tree, 458
Chess, in India, How it Originated, 305
Chieftain, Ancient Scottish, 500
Chilcott, the Giant, 71
Child, Test of Courage in a, 132
Children of Aged Parents, 319
China, Origin of the Great Wall of, 233
Chinese Dainties, 91
—— Ivory Balls, 144
—— Method of Fishing, 315
—— Punishment of the Kang, 134
—— Ladies, Small Feet of, 475
—— Mirrors, 425
—— School, 525
—— Therapeutics, 369
Chocolate, Early use of, 52
Christmas Customs, Bygone, 14, 19
Christening, Novel Mode of Celebrating a, 393
Chronology of Remarkable Events, 218
Church of Donore, James II. and the, 557
Cigars, Extraordinary Fashion in, 274
Circumstance, a Curious, 430
—— Extraordinary, 15
Cistern of Majolica Ware, 597
Clock at Hernhuth, Watchmen Imitating, 20
—— Wonderful, 167
Clocks, Early, 171
Clonmacnois, Ruins of, 289
Coachmen of the Time of Charles II., 257
Cock Fighting at Schools, 219
Coffee, 153
Coffee and Tea, 122
Coffee-house in London, the First, 4
—— Attractions in 1760, 41
Coin, The First, with Britannia on it, 468
Coinage, Variations in the, 650
Coincidences, some Curious, 434
Collars, Stone, Ancient, 665
Column at Cussi, 533
Comb, Curious Indian, 657
Conecte, Thomas, 433
Confectionary Art in 1660, 373
Conjuring, Public Taste for in 1718, 122
Conway Church, Inscription in, 112
Coral Reefs, 73
Coronations, Prices for Seats at, 160
—— Expenses at, 283
Corpulent Man, 78
Corpulence, Cure for, 80
Cost of Articles in the 14th Century, 330
Costume, Ancient Female, 71, 78
Costumes, 395, 437, 536, 544, 547, 630, 651
Couteau-de-Chasse, Ancient, 633
Cranmer's (Archbishop) Dietary, 137
Credulity, Extraordinary Instance of, 311
Cricket-Matches, Extraordinary, 408
Criminal, a Rich and Cruel, 450
Criminals, Old Custom Relating to, 598
Cromwell's Bridge at Glengariff, 648
Cross of Cong, The, 457
—— —— Muiredach, 369
—— Ordeal of the, 463
Crown of Charlemagne, 377
Cucking-Stool, The, 1
Cupid, The, of the Hindoos, 230
Curious Feats, 181, 239
—— Law, 8
—— Manuscript, 214
Curiously-shaped Vessel, 376
Curiously-shaped Drinking Cups, 413 [Pg xi]
Curiosities, Strange, 457
Custom, Means of attracting, 683
Customs, Singular Local, 653
 
Daffeys' Elixir, 173
Dagger, An Ancient, 673
Dagobert, Ancient Chair of, 421
Dance, Curious Provincial in France, 679
Dances, Fashionable of the last Century, 220
Dancing Rooms, 57
Dead, Fashions for the, 523
Dead Bodies, Preservation of, 251, 280, 638
Death, Boiling to, 663
—— Lunar Influence in, 346
—— Pressing to, 515
Decorative Drinking Vessel, 336
Della Robbia Ware, 601
Demons, Bribing the, 531
Dervishes, Dancing, 669
Desolation, Scene of, 329
Destitute Cats, Asylum for, 280
Dial and Fountain in Leadenhall Street, 553
Dilemma, 499
Dinner, an Egyptian, 537
—— in China, 596
—— Party in the 17th Century, 609
Diogenes in a Pithos, not Tub, 101
Disorders Cured by Fright, 307
Dispute and appropriate Decision, 140
Dog (A) Extinguishing a Fire, 20
—— Combination of Instinct and Force, 284
—— A Sensible, Refusing to Bait a Cat, 76
—— Persevering, 80
—— Friendship, 84
—— A Piscatorial, 367
—— Sensible, 376
—— in Japan, 622
—— Figures of on Ancient Tombs, 682
Dog-wheel, The Old, 101
Dole in consequence of a Dream, 503
Doles, 399
Down among the Dead Men, 185
Dress, Forty years ago, 212
Dress in London, 18, 114, 253, 295
—— Fastidiousness at an Old Age, 243
—— of the Ancient Britons, 79
Drinking Bouts in Persia, 547
Drinks, Intoxicating, Antiquity of, 611
Dropping Wells, 142
Druids' Seat, 464
Drunkenness, the Offspring of, 666
Duns in the Mahratta Country, 379
Dyaks of Borneo, 275
 
Ears, Character Indicated by, 65
Earthenware, English, 575
Earthquake Panic, 520
—— Swallowed up by an, 329
—— at Lisbon, 200
—— Nottingham, in 1816, 280
Earthquakes, 398, 432
East India House, the First, 206
Eating for a Wager, 4
Eccentric Englishman, An, 438
Eccentrics, a Couple of, 318
Echo, Extraordinary, 341
Eddystone Lighthouse, 108
Edicts against Fiddlers, 328
Eel, Large, 10
Egypt, 491
—— Pyramids of, 130
Egyptian Toys in the British Museum, 129
Elephant Detects a Robber, An, 99
Elephants Frightened at Pigs, 9
Energy, A Triumph of, 193
England before the Romans, 86
Englishman, A Fat, 28
Epitaph, an Inculpatory, 268
Etna, Mount, Great Eruption of, 451
—— Changes of, 406
Europa, Ruins of, 567
Exchequer-bills, Origin of, 676
Execution, in 1793, 84
Extraordinary Tree, 183
Extravagance at Elections, 149
—— Oriental, 499
Eyam, The Desolation of, 226
 
Fallacy of the Virtues of a Seventh Son, 315
False Accusers, Punishing, 230
Farmers, Illustrious, 304
Fashionable Disfigurement, 213
Fayence, The, of Henry II. of France, 591
Feasts, Anglo-Saxon, 517
Federation, Fête of the, 288
Female Intrepidity, Extraordinary, 248
Ferrers, Earl, Execution of, 107
Figg, Champion, 113
Finger Rings, Porcelain, 486
Fire at Burwell, Cambridgeshire, 293
Fire-arms in the Tower of London, 29
Fire-engines, When first made, 223
Fish, Shooting, 432
—— High Price of, in London, 312
—— Extraordinary Ponds and, 561
—— Tame, 659
—— Wonderful, 542
Fishermen, Bulgarian, 497
Fleet Marriages, about 1740, 299
Floods, the Morayshire, 126
Flying Coach, 228
Fog of 1783, The Great, 414
Font at Kilcarn, The, 417
Food of the Ancients, 450
Foot-Racing in 1699, 457
Foreigners in London in 1567, 371
Fortune, Change of, 371
Fox Killed by a Swan, 4
Francis I., Funeral Oration of, 363
Franklin's Celebrated Letter to Strahan, 39
Frederick the Great at Table, 579
French Dress, 102
—— Assignats, the Origin, 253
Friars, Preaching, 221
Frost Fairs, 67
—— Extraordinary, 209
Funeral, an Eccentric, 395
—— Jar, 481
—— Obsequies, Strange, 108
 
Game Preserves at Chantilly, 362
Gamblers, Chinese, Playing for Fingers, 593
Gambling, Legalised, 141
—— Extraordinary, 359
Gaming, a National Taste for, 267
Gander, an Old, 27
Garden, an Egyptian, 349 [Pg xii]
—— at Kenilworth, when in its Prime, 641
—— Love of, 419
—— Sacred, 420
—— The Hanging, of Babylon, 558
Garrick's Cup, 232
Gauntlet of Henry, Prince of Wales, 661
George II., Proclamation for, 200
Georgians as Topers, 511
Giant Tree, 229
Gibraltar, Siege of, 6
Gigantic Bones, 248
Glaives, 504
Glove Money, 503
Gloves, Anne Boleyn's, 600
—— Origin of "Pin Money", 275
Grace Knives, 641
Graham Island, 443
Graves of the Stone Period, 363
Greek Vases, 501
Gretna Green Marriages, 159
Grey Man's Path, The, 528
Grinning for a Wager, 13
Groaning Boards, 66
Groat, a Castle for a, 470
Grotto, Remarkable, and Story connected with it, 625
Guillotine, Decapitation by the, 8
Gun, Celebrated, 568
Gunpowder, Making a Candlestick of, 249
 
Hackney Coach, The Earliest, 211
Hair, Ancient, Quantity and Colour of the, 4
—— Price of Human, 242
—— Remarkable Preservation of, 122
—— Transplantation of, 40
—— Turned Grey by Fright, 327
—— Two of the Fathers, on False, 24
Hamster Rat, The, 265
Handbills, Distributing, 178
—— from Peckham Fair, in 1726, 72
Hanging a Mayor, 140
"Happy Dispatch" in Japan, The, 578
Head Breaker, A., 338
Head-dress, Monstrous, 242
—— Ornament, Antique, 393
Hejirs, The, 222
Helmet, Early English, 632
—— of Sir John Crosby, 520
Henry I., Dream of, 26
—— II., Stripped when Dead, 39
—— V., Cradle of, 416
—— the VIIIth's Chair, 488
—— VIII., Curious Extracts from the Household Book of Lady Mary, Daughter of, 399
Highlander, A Remarkable, 238
Highwaymen in 1782, 5
Hindoo Computation, 507
—— Rites, Cruelty of, 627
Historical Anecdote, 156
Holy Water Sprinkler, 532
Homer in a Nutshell, 127
Hooking a Boy Instead of a Fish, 319
Hoops, in 1740, 6
Horse, A, Getting himself Shod, 76
Horse-race, Indenture of a, 52
Horses of the Arabs, 498
Horses, Different Sorts of, in the 16th Century, 634
—— Feeding one another, 368
—— Vicious, Novel Way of Curing, 174
Hot Cross Buns, 251
House, Novel Way of Designating a, 539
—— of Hens' Feathers, 646
Household Rules of the 16th Century, 518
How Distant Ages are Connected, 200
Hudson, Jeffery, the Dwarf of the Court of Charles I., 472
"Humbug," Origin of the Term, 97
Hume, David, on his own Death, 215
Hundred Families' Lock, 435
Hunting Party, a Regal, 391
Husband, Novel way of Purchasing a, 275
Hydra, Extraordinary Reproductive Power of the, 490
 
Ice, Ground, 506
Ignorance and Fear, 290
Impostor, An, 50
Impudence or Candour? Which is it? 239
Incense Chariot, An Ancient, 513
Incremation, Instance of, 353
Indian Jugglers, European Balancing, 293
Inhumanity, Extraordinary Instances of, 436
Innkeeper's Bill in 1762, 431
Insects, Wonderful Formation of the Eye in, 467
Insect Life, Minuteness of, 338
Instinct of Animals, 410
Insurance Agent, Canvass of an, 465
Interesting and Fanciful Relique, 243
Inventors, The Perils of, 141
Irrigation, Turkish Machine for, 349
"It's much the same Now", 94
 
James II. and the Church of Donore, 557
James II., Spent by the Corporation of Coventry at the Entertainment of, in his Progress through Coventry, 378
Javanese, Superstition of the, 244
Jenny's Whim, 174
Jewel, A Curious, which belonged to James I., 456
Jews, Wealth of the, 359
Johnson, Dr., A Visit to the Residence of, 48
Joy, William, the English Sampson, 176
Judas Iscariot, Legends of, 339
Judges attending Public Balls, 303
—— Salaries, 446
Jugglers in Japan, 529
—— of Modern Egypt, 342
 
Kildare, Death of the Earl of, 172
Killed by eating Mutton and Pudding, 73
King Edward I., Household Expenses of, 231
—— Fine for Insulting a, 149
—— of Kippen, The, 139
—— John and Pope Innocent, 463
King-Maker, Warwick the, 527
King's Bed, Ceremonial for Making the, 562
—— Cock Crower, The, 137
—— Dishes with the Cook's Name, 235
—— Stone, The, at Kingston, 461
Kitchen, Spacious, 383
Knight's Costume of the 13th Century, 480
Knives and Forks, 133
Knox, John, The Pulpit of, at St. Andrews, 269
 
Lady, Origin of the Word, 147 [Pg xiii]
Lagmi, and the Use made of it, 623
Lambeth Wells, the Apollo Gardens, 272
Lamps, Roman, 437
Land, Change in the Value of, 196
Landslip at Colebroke, Shropshire, 184
Lantern, Curious, 100
Lauderdale, The Duchess of, 403
Law of the Mozcas, 454
Law and Order in the Streets of London, 131
Laws, a Hundred years ago, Severity of, 234
Leadenhall Street, Old Dial and Fountain in, 553
Legend, A Superstitious, 351
Legends among Savage Nations, 146
Length of Life without Bodily Exercise, 274
Lepers, Treatment of, in England, 493
Leprosy, Lazars, and Lazar Houses, 169
Letter, Extraordinary, 322
Lettsom's (Dr.) Reasons, 71
Lewson, The Eccentric Lady, 221
Life, An Eventful, 427
—— in Death, 443
Lighting the Streets, Bequests for, 310
Lightning, Calmuc's Opinion of, 63
Living, Style of, among the Nobility of the 15th Century, 533
—— in the 16th Century, 357
Lizards, Swallowing, 41
Loaf Sugar, 166
Locomotives, the First, 96
Locusts, 151
London Localities in the 16th Century, 526
London Water Carrier in Olden Time, 258
—— in 1756, State of, 147
London Resorts a Hundred Years Ago, 197
Longevity, 269
Long Meg and her Daughters, 394
Lord Mayor's Feast in 1663, 551
Lotteries, 619
Louis XVI., Execution of, 258
Luther's (Martin) Tankard, 149
Luxury in 1562, 418
Lynch's Castle, Galway, 581
 
Mackarel, Price of, 576
Madness, Sudden Recovery from, 168
Madyn, the Capital of Persia, Magnificence of, when invaded by the Saracens A.D. 636, 554
Magic Rain Stone, 168
Magician's Mirror and Bracelet, 344
Magnet, The Summers' or Loadstone, 41
Magnificence of Former Times, 111
Magpie Stoning a Toad, 92
Mahomet, Personal Appearance of, 571
Mail, Ancient suit of, 483
Malady, Extraordinary, 670
Mandrin, the Smuggler, 167
Manners, Ancient, of the Italian, 585
Man without Hands, 77
Manufacture, One of the Effects of, 142
Marat, Funeral of, 375
Marriage Custom, Curious, 543
—— Lottery, 91
—— Vow, 419
Mary, Queen of Scots, her First Letter to English, 370
Mary Queen of Scots, her Candlestick, 436
Maternal Affection in a Dumb Woman, 140
May-pole in the Strand, 534
—— Fate of the Last, in the Strand, 682
May-poles, 100
Mecca, The Black Stone at, 550
Medmenham Abbey, 429
Memento-Mori Watch, 285
Mental Affection, A Curious, 335
Merman, A, 16
Mexican Tennis, 375
Michaelmas-day, Origin of eating Goose on, 198
Military Hats in Olden Time, 75
Mill at Lissoy, 469
Miraculous Escape, 266
Misers, Two, 459
Missal, The Bedford, 163
Mob Wisdom, 294
Monasteries, Libraries of destroyed, 334
Monkeys Demanding their Dead, 415
Monkish Prayers, 383
Monks, Gluttony of the, 347
—— and Friars, 680
Monsey (Dr.) bequeaths his own Body, 93
Monsoons, 179
Monument, Rock-cut, of Asia Minor, 441
Monuments, Wayside, 587
Mosque of Omar, 316
Mother Mapp, the Bone Setter, 158
Mountains, Height of, 148
Mouth, Character of the, 106
M.P.'s and Mayors, Privateers, 176
Mulgrave, Origin of the House of, 602
Mullet and Turbot, with the Romans, 488
Mummy Cases, 409
Murderess, a Young but Cruel, 392
Music, Effect of, on a Pigeon, 64
—— of the Hindoos, 683
—— —— —— Sea, 351
Musical Instrument, A Curious, 628
Musical Instruments, Burmese, 629
—— —— Egyptian, 404
 
Names, Strange Custom about, 295
Naora, The, 635
Narrow Escape, 121
Nature, Wonderful Provision of, 55
Nebuchadnezzar, Gold Mask of, 105
Necklace, Ancient Jet, 529
Negro, Bill of Sale for a, in 1770, 39
Nell Gwynne's Looking-Glass, 237
Never Sleeping in a Bed, 331
Newspapers, Vacillating, 514
New South Wales, Dances of the Natives of, 225
Newton, A Visit to the Observatory of, 10
New Zealand, The Wingless Bird of, 307
Norman Caps, 44
North American Indian War Dispatch, 45
Nose, Effect of a New, 102
Nostrums, 63
Nun, The First English, 330
Nut Crackers, Ancient, 236
 
Oaks, Extraordinary, 310, 426, 466, 455
—— Remarkable, 405
Old Age, Dying of, at Seventeen Years, 47
Old Books, 360
Old London Signs, 118 [Pg xiv]
Opera, The First, 567
Opium, Best Position for Smoking, 675
Oræfa Mountain, in Ireland, 356
Ornaments, Personal Antique, 293, 400, 447, 452
Orthography in the Sixteenth Century, 17
 
Pagoda, The Great Shoëmadoo, 572
Pailoos, Chinese, 625
Panama, Isthmus of, Passage through, 148
Paper, 619
Papyrus, The, 82
Parental Authority, Too Much, 513
Paris Garden at Blackfriars, 465
Parlour Dogs, 320
Passport, A Traveller's, 679
Pastimes, Popular, 514
Pâtés de Foies Gras, 142
Peacocks, 366
Pear-Tree, Great, 454
Pearls, British, 363
—— Fondness of the Romans for, 208
Pedestrian Feat, Wonderful, 327
Peg Tankards, 43
Penn, Tea Service which belonged to, 201
Penny Post, Origin of the, 47
Pennsylvania Journal, 63
Perfumes, 253
Persecution, 430
—— in the Reign of Queen Mary, 587
Perseverance rewarded by Fortune, 287
Persia, Drinking Bouts in, 547
Personal Charms Disclaimed, 118
Peru, Condor in, 170
Peruvian Bark, 51
Pest-house, during the Plague, in Tothill Fields, 573
Pestilence, The Black, 402
Peter the Great at Zaandam, 544
Physic, A Friend to, 267
Physick for the Poor, Choice Receipts for, 117
Pigeon Catching near Naples, 437
Pig, Roast, Advertisement of, in 1726, 46
Pike, An Old, 667
Pilgrim Fathers, Chair belonging to, 186
Pillory for Eating Flesh in Lent, 68
Plague in England, The, 183
—— Corpse Bearers during the, 283
Plantagenets, Yellow Hair in the Time, 103
Plate, Use of, in the time of Henry VIII., 523
Platypus, the Duck-billed, 273
Playbill, Curious, 227
—— in the time of William III., 530
Ploughing and Threshing, Ancient, 66
Poets, English, Fates of the Families of, 471
Pogonias Vocal Fish, 478
Poison Cup, The, 485
Poisoning the Monarch, 12
Police, London, Disgraceful State of, 193
Pont du Gard, Great Aqueduct of, 312
Pope's Chair, 577
Porcelain, Anecdote in, 517
Port Coon Cave, 516
Poet Haste One Hundred Years ago, 182
"Postman," The, Paragraph from, in 1697, 219
Pottery in China, Art of, 321
Powerscourt Fall, Phenomenon at the, 304
Prayers, Unusual Locality for Saying, 171
Praying by Machinery, 314
—— by Wheel and Axle, 539
Pre-Adamite Bone Caverns, 199
Precocious Children, 64
Presence of Mind—Escape from a Tiger, 330
Priests in Burmah, Knavery of the, 266
—— of Sikkim, 663
Prince of Wales, Origin of the Crest of the, 115
Prince Rupert, at Everton, 291
Prolific Author, 320
Proteus Anguinus, The, 152
Psalm, Value of a Long, 512
Pterodactylus, The, 360
Pulpit, Refreshments for the, 262
Punishing by Wholesale, 680
Punishment, Ancient Instrument of, 680
—— Russian, 654
—— and Torture, Ancient Instruments of, 58, 88
Puritan Zeal, 579
Purple, Tyrian, 643
 
Quackery in the Olden Time, 671
Queen Elizabeth, Banquets of, 414
—— —— Dresses of, 501
—— —— Old Verses on, 204
—— —— saddle of, 340
—— —— State Coach of, 128
—— —— 's Laws, 151
 
Raffaelle, Tomb of, 568
Raffle, A, in 1725, 47
Raleigh, Sir Walter, Residence of, 160
Ranelagh, 204
Ranz des Vaches, 173
Rats, Destructive Force of, 463
Ravilliac, Execution of, 132
Receipts, Quaint, 153
Red Sea, Luminous Appearance of the, 454
Regiments, The Modern Names of, 639
Reichstadt, The Duke de, 435
Relics, 393
—— A Group of, 261
—— Rescued, 618
Remarkable Events and Inventions, 145
Revenge, New Mode of, 423
Rheumatism, Strange Cure for the, 201
Rhinoceros, First in Europe, 655
Richardson, the Showman, 251
Ringing the Changes, 192
Rings, Calcinated, 408
Rites, Hindoo, Cruelty of, 627
Roads in 1780, 327
Rock of Cashel, 352
Romans in Britain, Dress of Native Females at that Period, 86
Rouen, The Great Bell of, 650
Royal Touch, The, 42
Royal Giants, Specimens of, 121
—— Prisoner, Expenses of, 260
 
Sack Pot, Old English, 521
Sacro Catino, The, 608
Sadler's Wells, 112
Saint George, Tomb of, 281
Saint Lawrence, 464
Sálagrám, Hindoo Adoration of the, 589 [Pg xv]
Sand Columns in Africa, 610
Sandwiches, Origin of the, 563
Sardonyx Ring, with Cameo Head of Queen Elizabeth, in the possession of Rev. Lord Thynne, 373
Scape Goat, Camel as a, 190
Sceptre, Ivory, of Louis XII., 476
School, Chinese, 525
School Expenses in the Olden Time, 427
Science and Perseverance, Triumphs of, 123
Scottish Wild Cattle, 278
Scriptural Antiquities, 215
Sea, Phosphorescence of the, 418
Sea Serpent, Immense, 42
Sea-Urchin, Wonderful Construction of, 475
Second Sight, 65
Seeing Two Generations, 211
Self-Nourishment, 315
Selkirk and the Dancing Goats, 22
Sepulchral Vase from Peru, 320
Sermons, Anecdotes in, 147
Serpent, Anecdote of a, 85
Seven, The Number, 354
Sèvres Porcelain, Prices of, 487
Sex, Change of, 189
"Sforza," Origin of the Title, 554
Shakspeare's Jug, 575
Sham Prophets, 319
Sharks, The Queen's, 203
Sheba, The Queen of, 518
Sheep Killer, Hunting a, 268
Shell Fish, in 1675, Price of, 178
Shetland, The Noss in, 324
Shield, Ancient Danish, 420
Shilling, Cutting a Wife off with a, 359
Shocking Depravity, 117
Shoes, Long-toed, Origin of, 646
Shrine, Curious Figures on a, 202
Shrine of St. Sebald at Nuremberg, 271
Simoom, The, 662
Skin, Human, a Drum made of, 398
Slave Advertisements, 25
Slave Trade, Iniquities of the, 175
Slaves, Recent Prices of, 435
Sleep, Protracted, 483
—— State of the Mind during, 350
Sleeper, An Extraordinary, 28
Smoking, Attachment to, 322
Snake Charmers, 299
Snakes, Power of Fascination in, 64
Snow Storm, Memorable, 327
Snuff Boxes, Ancient, 209
Snuff, Time Wasted in taking, 512
Something like a Feast, 129
Somnambulism, 72
Sound, Phenomena of, 367
Southcottian Delusion, A Phase of the, 230
South-stack Lighthouse, 239
Spain, Wealth of, under the Moors, 235
Spider, Bite of the Tarantula, 13
Spiders Fond of Music, 157
Spirit Drinker, An Aged, 228
Spontaneous Combustion, 431
Sports of the Lower Classes, 155
Sportsman, A Royal, 443
Springs, Intermittent, 455
Stage Coach in 1760, 155
Stag-Hunt in the 16th Century, 511
Stags like Cattle, Driving, 208
Stamps, Antique Roman, 448, 643
Standards, Ancient Banner and, 396, 583
State Coach in 1796, 156
Statue, Metal, the Largest in the World, 454
Steam boat, Facsimile of the First, 301
Stevens's Specific, 50
St. George's Cavern, 421
St. James's Square, 123
St. Paul's, Old, 162
St. Paul and the Viper, 125
St. Winifred's Well, 303
Sticks, Old Walking, 387
Stirrups, 571
Stomach Brush, 55
Stoneware, 649
Strasburg, Curious Custom at, 185
Strength, Feats of, in 1789, 9
Street Cries of Modern Egypt, 401
Stuff Ball at Lincoln, Origin of the, 49
Sultan, City of the, 103
Sun and Moon, Worship of the, 81
Superstition in 1856, 538
—— Curious, 424
—— Death caused by, 124
—— in France, 519
—— Vitality of, 474
Sweating Sickness, 110
Sweets, Artificial, 579
Sword, Curious Antique, 596
—— Executioner's, 340
—— The Hawthornden, 353
—— The Seton, 356
—— Fish and Whales, 565
Sword-Breaker, An Ancient, 672
 
Taking a Man to Pieces, 79
Tapestry, The Bayeux, 642
Tar and Feather, Notices to, 38
Taxation, Universality of, 318
Tea, 94
Tea-Drinkers, The First, Puzzled, 532
Teapot, The, 482
Temple of Pou-tou, The, 673
—— at Simonbong, 620
Temples of Brambanam, 442
Terrier, Anecdote of a, 358
Thames, Frost Fair on the, 106
—— The First Bridge over the, 428
Thanksgiving Day in 1697, 527
Theatre, Roman, at Orange, 366
Theatres in the Time of Shakespeare, 597
The First Hermits—Why so Called, 125
The Ruling Passion, 32, 188
Theodora de Verdion, 207
Thief Caught in his own Trap, The, 77
—— Singular Discovery of a, 115
Thugs, The, 574
Tiger Cave at Cuttack, 361
Tilbury Fort, 189
Time, Division of, in Persia, 633
Tobacco, Origin of the Use of, 57
Toilet, Absurdities of the, 536
—— Boxes, Egyptian, 381
Tomb, Chinese, 508
—— of Cæcilia Metella, 477
—— of Darius, 560
Tomb of the Emperor Maximilian at Inspruck, 590 [Pg xvi]
"Too Late," quoth Boice, 489
Tope, the Sanchi, 389
Topers, Georgians as, 511
Toping in the Last Century, 314
Torture, 639
—— Chamber at Nuremberg, 615
Tower of the Thundering Winds, 93
Trajan, Arch of, at Beneventum, 112
Trance, A, 354
—— at Will, 462
Trap-door Spider, 383
Travelling, Common, 220
—— in Olden Times, 108, 162
—— in the United States, 208
Treaty-Stone at Limerick, 563
Tree, Extraordinary Situation for a, 313
Trees, Age of, 521
—— that Grow Shirts, 62
Tripod, Ancient, 549
Trivial Circumstances, A Great Result from, 605
Tumbrel, The, 2
Tunisians, Ingenuity of the, 652
Turban, The, in Arabia, 618
Turkish Mode of Reparation, 326
Twin-Worm, Extraordinary Formation of the, 136
Types, the Invention of, 152
 
Umbrella, Anglo-Saxon, 624
Upas Tree, 123
Useful and the Beautiful, 647
 
Vampire, The Blood-sucking, 417
Varnish-Tree of the Japanese, 615
Vases, Ancient, 337
—— Greek, 169
—— Greek, Prices of, 385
—— Roman, in Black Ware, 373
—— Sepulchral, of Greek Pottery, 616
—— Sepulchral, of Ancient Egypt, 607
—— Teutonic, Hut-shaped, 580
Vauxhall, 380
Venetians, The, 428
Vengeance, Novel Mode of taking, 586
Ventriloquist, a Female, 62
Vesuvius, Crater of, in 1829, 165
Vinegar on the Skin, Effect of, 115
Vishnu, Incarnations of, 645
Volcanic Eruption in Japan, 601
Volcano of Jurullo, Formation of the, 163
Volition, Suspended, 199
Voltaire, English Letter of, 422
Vow, Singular Hindoo, 658
 
Wagers, Curious, 373
Walking-Sticks, Old, 387
Wall, Governor, Execution of, 154
Wallace, the Hero of Scotland, 99
War Boat, A Dyak, in Borneo, 540
—— Dance of the Dyaks of Borneo, 540
—— Chariot of Ancient Egypt, 365
Warwick, the King-Maker, 527
Washing Account, Method of Keeping, 3
Washington, 583
Watch, An Antique, 368
—— presented by Louis XIII. to Charles I. of England, 640
Watches, the First in England, 515
Water for Old London, Supply of, 282
—— Preservative Power of Coal-pit, 25
—— Supply of, for London, in Olden Times, 546
—— Snakes, Battle of, 470
"We hae been", 47
Weapon, Ancient, 660
—— A Poison, 672
Weaver-Bird, The Sociable, 440
Wedding, A, A Hundred Years Ago, 640
Weight, Reducing, 85
Whipping Prisoners, 175
Whitehall, Ceiling of, 121
Whitsuntide, at Durham Cathedral, 8
Why a Man Measures more in the Morning than in the Evening, 75
Wife, Diving for a, 479
Wigs, 17, 31
Will, Eccentric, 209
William the Conqueror, Courtship of, 555
Willow, Weeping, Introduction of the, 148
Wind Mills, The First, 577
Witch-Testing, at Newcastle, in 1649, 21
Wolves in England, 441
Woman, The Hairy, of Burmah, 677
Woman's Cleverness, 260
Women of England, The, 159
—— in Former Times, 127
Wonderful Escape, 215, 300
Wren's (Sir Christopher) Cost of Churches, 171
—— —— —— Report, 183
Writing Materials, 481
Writings, Terra Cotta, 466
 
Yorkshire Tike, The, 24
Yorkshire in the Last Century, 283

TEN THOUSAND WONDERFUL THINGS.

PUNISHMENTS IN PROVINCIAL TOWNS IN THE OLDEN TIME.

PUNISHMENTS IN PROVINCIAL TOWNS IN THE PAST.

The instruments most in vogue with our ancestors were three—the cucking-stool, the brank, and the tumbrel.

The most popular tools among our ancestors were three—the cucking-stool, the brank, and the tumbrel.

The Cucking-stool was used by the pond in many village greens about one hundred years ago or little more, and then deemed the best corrective of a scolding woman.

The cucking stool was used by the pond in many village greens about a hundred years ago or a little more, and was then considered the best way to correct a scolding woman.

The CUCKING-STOOL.

By the sea, the quay offered a convenient spot. The barbican, at Plymouth, was a locality, doubtless terrible to offenders, however careless of committing their wordy nuisance of scolding. Two pounds were paid for a cucking-stool at Leicester in 1768. Since that it has been placed at the door of a notorious scold as a warning. Upon admission to the House of Correction at Liverpool, a woman had to undergo the severity of the cucking-stool till a little before the year 1803, when Mr. James Neild wrote to Dr. Lettsom. The pump in the men's court was the whipping-post for females, which discipline continued, though not weekly.

By the sea, the quay was a convenient spot. The barbican in Plymouth was a place that was definitely terrible for offenders, no matter how careless they were about their verbal abuse. Two pounds were paid for a cucking-stool in Leicester in 1768. Since then, it has been placed at the door of a notorious scold as a warning. When a woman was admitted to the House of Correction in Liverpool, she had to endure the harshness of the cucking-stool until just before 1803, when Mr. James Neild wrote to Dr. Lettsom. The pump in the men's courtyard served as the whipping post for women, a punishment that continued, although not every week.

Kingston-upon-Thames.

Kingston upon Thames.

    s. d.
1572, The making of the cucking-stool 8 0
  Iron work for the same 3 0
  Timber for the same 7 6
  Three brasses for the same, and three wheels 4 10
    —— ——
    £1  3 4

At Marlborough, in 1625, a man had 4d. for his help at the cucking of Joan Neal.

At Marlborough, in 1625, a man received 4d. for assisting in the punishment of Joan Neal.

Gravesend.

Gravesend.

    s. d.
1636, The porters for ducking of Goodwife Campion 2 0
  Two porters for laying up the ducking-stool 0 8
THE BRANK.

The Brank, for taming shrews, was preferred to the cucking-stool in some counties, and was used there for the same purpose. The brank was in favour in the northern counties, and in Worcestershire, though there were, notwithstanding, some of the other instruments of punishment used, called in that county gum-stools.

The Brank, used for taming shrews, was favored over the cucking-stool in some counties and served the same purpose. The Brank was popular in the northern counties and in Worcestershire, although there were, nevertheless, other punishment devices used, known in that county as gum-stools.

The brank was put over the head, and was fastened with a padlock. There are entries at Worcester about mending the "scould's bridle and cords for the same."

The brank was placed over the head and secured with a padlock. There are notes in Worcester about repairing the "scold's bridle and cords for the same."

The cucking-stool not only endangered the health of the party, but also gave the tongue liberty 'twixt every dip. The brank was put over the head, and was fastened with a padlock.

The cucking-stool not only put the health of the person at risk, but also allowed for plenty of gossip every time it was used. The brank was placed over the head and secured with a padlock.

THE TUMBREL.

The tumbrel was a low-rolling cart or carriage (in law Latin, tumberella) which was used as a punishment of disgrace and infamy. Millers, when they stole corn, were chastised by the tumbrel. Persons were sometimes fastened with an iron chain to a tumbrel, and conveyed bareheaded with din and cry through the principal streets of towns.

The tumbrel was a low, rolling cart used as a punishment for disgrace and infamy. Millers who stole corn were punished with the tumbrel. Sometimes, people were chained with an iron chain to a tumbrel and taken, bareheaded, with noise and commotion through the main streets of towns.

Court of Hustings Book, 1581. (Lyme.)

Court of Hustings Book, 1581. (Lyme.)

"The jury present that the tumbrel be repaired and maintained from time to time, according to the statute."

"The jury recommends that the tumbrel be repaired and maintained regularly, following the law."

In 1583, Mr. Mayor was to provide a tumbrel before All Saints Day, under a penalty of 10s.

In 1583, Mr. Mayor was required to provide a tumbrel before All Saints Day, with a penalty of 10s.

ANCIENT METHOD OF KEEPING A WASHING ACCOUNT.

ANCIENT METHOD OF KEEPING A WASHING ACCOUNT.

Shakerley Marmion, in his "Antiquary," says:—

Shakerley Marmion, in his "Antiquary," says:—

"I must rev'rence and prefer the precedent
Times before these, which consum'd their wits in
Experiments; and 'twas a virtuous
Emulation amongst them, that nothing
Which, might profit posterity should perish."
Washing Account

Without a full adherence to this dictum, we would nevertheless admit that we are indebted to the past for the germ of many of our most important discoveries. The ancient washing tablet, although of humble pretensions to notice, is yet a proof of the simple and effective means frequently adopted in olden times for the economy of time and materials.

Without fully following this guideline, we still acknowledge that we owe much to the past for the origins of many of our key discoveries. The ancient washing tablet, despite its modest significance, is a testament to the straightforward and efficient methods often used in earlier times to save time and resources.

A reference to the engraving obviates a lengthened explanation. It will there be seen that if the mistress of a family has fifteen pillow-covers, or so many collars, or so many bands, to be mentioned in the washing account, she can turn the circular dial, by means of the button or handle, to the number corresponding with the rough mark at the bottom of the dial, above which is written sheets, table-cloths, &c. This simple and ingenious contrivance, obviates the necessity of keeping a book.

A reference to the engraving eliminates the need for a lengthy explanation. It will be clear that if the head of a household has fifteen pillow covers, or a certain number of collars, or a number of bands listed in the laundry account, she can turn the circular dial using the button or handle to the number that matches the rough mark at the bottom of the dial, above which is labeled sheets, tablecloths, etc. This simple and clever device removes the need to keep a book.

The original "washing board," from which the engraving is taken, was of a larger size, and showed the numbers very distinctly. Similar dials may be made of either ivory or metal.

The original "washing board," from which the engraving is taken, was larger and clearly displayed the numbers. Similar dials can be made from either ivory or metal.

THE HAIR.

THE HAIR.

The quality and colour of the hair was a subject of speculative theory for the ancients. Lank hair was considered indicative of pusillanimity and cowardice; yet the head of Napoleon was guiltless of a curl! Frizzly hair was thought an indication of coarseness and clumsiness. The hair most in esteem, was that terminating in ringlets. Dares, the historian, states that Achilles and Ajax Telamon had curling locks; such also was the hair of Timon, the Athenian. As to the Emperor Augustus, nature had favoured him with such redundant locks, that no hair-dresser in Rome could produce the like. Auburn or light brown hair was thought the most distinguished, as portending intelligence, industry, a peaceful disposition, as well as great susceptibility to the tender passion. Castor and Pollux had brown hair; so also had Menelaus. Black hair does not appear to have been esteemed by the Romans; but red was an object of aversion. Ages before the time of Judas, red hair was thought a mark of reprobation, both in the case of Typhon, who deprived his brother of the sceptre of Egypt, and Nebuchadnezzar who acquired it in expiation of his atrocities. Even the donkey tribe suffered from this ill-omened visitation, according to the proverb of "wicked as a red ass." Asses of that colour were held in such detestation among the Copths, that every year they sacrificed one by hurling it from a high wall.

The quality and color of hair were topics of speculation for ancient people. Straight hair was seen as a sign of weakness and cowardice; yet, Napoleon had no curls! Curly hair was associated with roughness and awkwardness. The most valued hair ended in ringlets. Dares, the historian, notes that Achilles and Ajax Telamon had curled hair; Timon, the Athenian, did too. As for Emperor Augustus, he had such thick hair that no barber in Rome could replicate it. Auburn or light brown hair was considered the most distinguished, suggesting intelligence, hard work, a peaceful nature, and a strong capacity for love. Castor and Pollux had brown hair, as did Menelaus. The Romans didn’t seem to value black hair, while red hair was looked down upon. Long before Judas’s time, red hair was thought to symbolize wrongdoing, as seen with Typhon, who took the Egyptian throne from his brother, and Nebuchadnezzar, who regained it as a punishment for his crimes. Even donkeys were said to carry this bad omen, as shown in the saying "wicked as a red ass." Donkeys of that color were so despised among the Copts that they sacrificed one each year by throwing it from a high wall.

THE FIRST COFFEE HOUSE IN LONDON.

THE FIRST COFFEE HOUSE IN LONDON.

Coffee is a native of Arabia, supposed by some to have been the chief ingredient of the old Lacedemonian broth. The use of this berry was not known in England till the year 1657, at which time Mr. D. Edwards, a Turkey merchant, on his return from Smyrna to London, brought with him one Pasquet Rossee, a Greek of Ragusa, who was used to prepare this liquor for his master every morning, who, by the way, never wanted company. The merchant, therefore, in order to get rid of a crowd of visitants, ordered his Greek to open a coffee-house, which he did in St. Michael's Alley, in Cornhill. This was the first coffee-house opened in London.

Coffee originates from Arabia and is believed by some to have been a key ingredient in the old Spartan broth. This berry was unknown in England until 1657, when Mr. D. Edwards, a Turkey merchant, returned to London from Smyrna with a Greek named Pasquet Rossee, who was skilled at making this drink for his master every morning, who, by the way, always had visitors. To manage the crowd of guests, the merchant instructed his Greek to open a coffee house, which he did in St. Michael's Alley, in Cornhill. This became the first coffee house opened in London.

EATING FOR A WAGER.

BETTING ON FOOD.

The handbill, of which the subjoined is a literal copy, was circulated by the keeper of the public-house at which the gluttony was to happen, as an attraction for all the neighbourhood to witness:—

The flyer, of which the following is an exact copy, was distributed by the owner of the pub where the gluttony was set to take place, as a way to draw the whole neighborhood to watch:—

"Bromley in Kent, July 14, 1726.—A strange eating worthy is to perform a Tryal of Skill on St. James's Day, which is the day of our Fair for a wager of Five Guineas,—viz.: he is to eat four pounds of bacon, a bushel of French beans, with two pounds of butter, a quartern loaf, and to drink a gallon of strong beer!"

"Bromley in Kent, July 14, 1726.—An unusual competitor is set to showcase his skills on St. James's Day, the day of our Fair, betting Five Guineas—specifically: he will eat four pounds of bacon, a bushel of French beans with two pounds of butter, a quarter loaf, and drink a gallon of strong beer!"

FOX KILLED BY A SWAN.

Swan killed by a fox.

At Peusey, a swan sitting on her eggs, on one side of the river, observed a fox swimming towards her from the opposite side; rightly judging she could best grapple with the fox in her own element, she plunged into the water, and after beating him off for some time with her wings, at length succeeded in drowning him.

At Peusey, a swan sitting on her eggs on one side of the river noticed a fox swimming toward her from the other side. Realizing she could fight the fox better in the water, she jumped in and, after fending him off with her wings for a while, finally managed to drown him.

HIGHWAYMEN IN 1782.

Highwaymen in 1782.

On Wednesday, the 9th January, 1782, about four o'clock in the afternoon, as Anthony Todd, Esq., Secretary to the Post-office, was going in his carriage to his house at Walthamstow to dinner, and another gentleman with him, he was stopt within a small distance of his house by two highwaymen, one of whom held a pistol to the coachman's breast, whilst the other, with a handkerchief over his face, robbed Mr. Todd and the gentleman of their gold watches and what money they had about them. As soon as Mr. Todd got home all his men-servants were mounted on horses, and pursued the highwaymen; they got intelligence of their passing Lee-bridge, and rode on to Shoreditch; but could not learn anything farther of them.

On Wednesday, January 9, 1782, around four in the afternoon, Anthony Todd, Esq., the Secretary of the Post Office, was on his way home to Walthamstow for dinner in his carriage with another gentleman when they were stopped by two highwaymen right near his house. One of the robbers pointed a pistol at the coachman, while the other, wearing a handkerchief over his face, took Mr. Todd and the gentleman’s gold watches and any money they had on them. As soon as Mr. Todd arrived home, all his male servants quickly mounted their horses and chased after the highwaymen. They learned that the criminals had gone past Lee Bridge and rode on to Shoreditch, but they couldn't find out anything more about them.

The same evening a gentleman going along Aldermanbury, near the church, was accosted by a man with an enquiry as to the time; on which the gentleman pulled out his gold watch. The man immediately said, "I must have that watch and your money, sir, so don't make a noise." The gentleman seeing nobody near, he delivered his gold watch and four guineas, with some silver. The thief said he was in distress, and hoped the gentleman would not take away his life if ever he had the opportunity.

The same evening, a man walking along Aldermanbury, near the church, was approached by someone asking for the time. The man then took out his gold watch. The stranger quickly said, "I need that watch and your money, sir, so don’t make a fuss." Since there was no one around, the man handed over his gold watch, four guineas, and some silver. The thief claimed he was in trouble and hoped the man wouldn’t harm him if he ever had the chance.

Sunday, the 13th January, 1782, about twelve o'clock, a man was, by force, dragged up the yard of the French-Horn Inn, High Holborn, by some person or persons unknown, and robbed of his watch, four guineas, and some silver; when they broke his arm and otherwise cruelly treated him. He was found by a coachman, who took him to the hospital.

Sunday, January 13, 1782, around noon, a man was forcibly pulled up the yard of the French-Horn Inn on High Holborn by one or more unknown assailants, who robbed him of his watch, four guineas, and some silver. They broke his arm and treated him cruelly. He was discovered by a coachman, who then took him to the hospital.

AN ARCHBISHOP WASHING THE FEET OF THE POOR.

AN ARCHBISHOP WASHING THE FEET OF THE POOR.

In the Gentleman's Magazine, we find the following observance:—Thursday, April 15, 1731.—Being Maunday-Thursday, there was distributed at the Banquetting-house, Whitehall, to forty-eight poor men, and forty-eight poor women (the King's age 48) boiled beef and shoulders of mutton, and small bowls of ale, which is called dinner; after that, large wooden platters of fish and loaves, viz., undress'd, one large old ling, and one large dry'd cod; twelve red herrings, and nineteen white herrings, and four half quartern loaves; each person had one platter of this provision: after which was distributed to them shoes, stockings, linnen and woolen cloath, and leathern bags, with one penny, two penny, three penny, and four penny pieces of silver, and shillings: to each about £4 in value. His Grace the Lord Archbishop of York, Lord High Almoner, performed the annual ceremony of washing the feet of a certain number of poor in the Royal Chapel, Whitehall, which was formerly done by the Kings themselves, in imitation of our Saviour's pattern of humility, &c. James II. was the last King who performed this in person. His doing so was thus recorded in the Chapel Royal Register.—"On Maunday Thursday April 16 1685 our gracious King James ye 2d wash'd wip'd and kiss'd the feet of 52 poor men wth wonderful humility. And all the service of the Church of England usuall on that occasion was performed, his Maty being psent all the time."

In the Gentleman's Magazine, we see the following account:—Thursday, April 15, 1731.—On Maundy Thursday, a banquet was held at Whitehall where forty-eight poor men and forty-eight poor women (the King’s age was 48) were given boiled beef and shoulders of mutton, along with small bowls of ale, which counted as their dinner; afterward, they received large wooden platters filled with fish and bread, including one big old ling and one large dried cod; twelve red herrings, and nineteen white herrings, plus four half quartern loaves; each person received one platter of this food. After that, they were given shoes, stockings, linen and woolen clothing, and leather bags, along with coins of one penny, two pennies, three pennies, and four pennies, as well as shillings: each person received about £4 worth. His Grace the Lord Archbishop of York, Lord High Almoner, carried out the annual ceremony of washing the feet of a number of poor individuals in the Royal Chapel at Whitehall, a practice that was previously done by the Kings themselves, following the example of our Savior's humility, etc. James II was the last King to do this personally. His act was recorded in the Chapel Royal Register.—“On Maundy Thursday, April 16, 1685, our gracious King James II washed, dried, and kissed the feet of 52 poor men with extraordinary humility. All the customary Church of England services for that occasion were performed, with His Majesty present the entire time.”

A LUCKY FIND.

A lucky discovery.

Sunday, April 1.—A few days ago, Sir Simon Stuart, of Hartley, in Hampshire, looking over some old writings, found on the back of one of them a memorandum noting that 1,500 broad pieces were buried in a certain spot in an adjoyning field. Whereupon he took a servant, and after digging a little in the place, found the treasure in a pot, hid there in the time of the late civil wars, by his grandfather, Sir Nicholas Stuart.—Gentleman's Magazine, 1733.

Sunday, April 1.—A few days ago, Sir Simon Stuart from Hartley, Hampshire, was going through some old documents and found a note on the back of one of them that said 1,500 broad pieces were buried in a specific spot in a nearby field. So, he took a servant with him, and after digging a bit in that spot, they uncovered the treasure in a pot that had been hidden there during the last civil wars by his grandfather, Sir Nicholas Stuart.—Gentleman's Magazine, 1733.

HOOPS IN 1740.

Basketball in 1740.

Hoops in 1740

The monstrous appearance of the ladies' hoops, when viewed behind, may be seen from the following cut, copied from one of Rigaud's views. The exceedingly small cap, at this time fashionable, and the close up-turned hair beneath it, give an extraordinary meanness to the head, particularly when the liberality of gown and petticoat is taken into consideration: the lady to the left wears a black hood with an ample fringed cape, which envelopes her shoulders, and reposes on the summit of the hoop. The gentleman wears a small wig and bag; the skirts of his coat are turned back, and were sometimes of a colour different from the rest of the stuff of which it was made, as were the cuffs and lappels.

The monstrous look of the ladies' hoops, seen from behind, can be observed in the following image taken from one of Rigaud's views. The ridiculously small cap, which was fashionable at the time, along with the tightly styled hair underneath, gives the head an unusual smallness, especially when you consider the generous size of the gown and petticoat. The lady on the left is wearing a black hood with a large fringed cape that wraps around her shoulders and sits on top of the hoop. The gentleman has on a small wig and bag; the tails of his coat are turned back and were sometimes a different color from the rest of the fabric, just like the cuffs and lapels.

SIEGE OF GIBRALTAR.

Gibraltar Siege.

Gibraltar had been taken by a combined English and Dutch fleet in 1704, and was confirmed as a British possession, in 1713, by the peace of Utrecht; but in 1779 it was assailed by the united forces of France and Spain, and the siege continued till the 2nd of February, 1783. The chief attack was made on the 13th September, 1782. On the part of the besiegers, besides stupendous batteries on the land side, mounting two hundred pieces of ordnance, there was an army of 40,000 men, under the command of the Duc de Crillon. In the bay lay the combined fleets of France and Spain, comprising forty-seven sail of the line, beside ten battering ships of powerful construction, that cost upwards of £50,000 each. From these the heaviest shells rebounded, but ultimately two of them were set on fire by red-hot shot, and the others were destroyed to prevent them from falling into the hands of the British commander. The rest of the fleet also suffered considerably; but the defenders escaped with very little loss. In this engagement 8,300 rounds were fired by [Pg 7] the garrison, more than half of which consisted of red-hot balls. During this memorable siege, which lasted upwards of three years, the entire expenditure of the garrison exceeded 200,000 rounds,—8,000 barrels of powder being used. The expenditure of the enemy, enormous as this quantity is, must have been much greater; for they frequently fired, from their land-batteries, 4,000 rounds in the short space of twenty-four hours. Terrific indeed must have been the spectacle as the immense fortress poured forth its tremendous volleys, and the squadron and land-batteries replied with a powerful cannonade. But all this waste of human life and of property was useless on the part of the assailants; for the place was successfully held, and Gibraltar still remains one of the principal strongholds of British power in Europe.

Gibraltar was captured by a joint English and Dutch fleet in 1704 and officially recognized as a British territory in 1713 through the Treaty of Utrecht. However, in 1779, it came under attack from a combined French and Spanish force, and the siege lasted until February 2, 1783. The main assault occurred on September 13, 1782. The besieging forces included massive land-based batteries with 200 cannons and an army of 40,000 troops led by the Duc de Crillon. In the bay, the French and Spanish fleets consisted of 47 ships of the line and 10 heavily armed battering ships, each costing over £50,000. These vessels launched the heaviest shells against Gibraltar, but ultimately two of them were set ablaze by red-hot shot, and the rest were destroyed to prevent them from being captured by the British commander. The remaining fleet also suffered significant losses, while the defenders experienced very few casualties. During this engagement, the garrison fired 8,300 rounds, over half of which were red-hot balls. Throughout this long siege, which lasted more than three years, the garrison used over 200,000 rounds of ammunition, including 8,000 barrels of gunpowder. The enemy's expenditure was likely much higher, as they would fire 4,000 rounds from their land batteries within just 24 hours at times. The scene must have been terrifying as the massive fortress unleashed its powerful volleys, with the squadron and land batteries responding with their own heavy cannonfire. However, all this loss of life and destruction by the attackers was in vain, as Gibraltar held firm and remains one of the key strongholds of British power in Europe.

SAINT GEORGE'S HALL, GIBRALTAR.

During the progress of the siege, the fortifications were considerably strengthened, and numerous galleries were excavated in the solid rock, having port-holes at which heavy guns were mounted, which, keeping up an incessant fire, proved very efficacious in destroying the enemy's encampments on the land side. Communicating with the upper tier of these galleries are two grand excavations, known as Lord Cornwallis's and St. George's Halls. The latter, which is capable of holding several hundred men, has numerous pieces of ordnance pointed in various directions, ready to deal destruction on an approaching enemy.

During the siege, the fortifications were significantly reinforced, and several tunnels were dug into the solid rock, with openings for heavy cannons. These cannons maintained a constant barrage that effectively destroyed the enemy’s camps on the land side. Connected to the upper level of these tunnels are two large chambers, known as Lord Cornwallis's and St. George's Halls. The latter can hold several hundred men and is equipped with numerous cannons aimed in different directions, prepared to wreak havoc on any approaching enemy.

KEEPING WHITSUNTIDE AT DURHAM CATHEDRAL.

Celebrating Whit Sunday at Durham Cathedral.

The following curious account of the consumption of provisions in the cathedral of Durham, during Whitsun week, in 1347, together with the prices of the articles, is taken from the rolls of the cellarer, at present in the treasury at Durham:—six hundred salt herrings, 3s.; four hundred white herrings, 2s. 6d.; thirty salted salmon, 7s. 6d.; twelve fresh salmon, 5s. 6d.; fourteen ling, fifty-five "kelengs;" four turbot, 23s. 1d.; two horse loads of white fish, and a "congr," 5s. 10d.; "playc," "sparlings," and eels, and fresh water fish, 2s. 9d.; nine carcases of oxen, salted, so bought, 36s.; one carcase and a quarter, fresh, 6s. 11-3/4d.; a quarter of an oxe, fresh, bought in the town, 3s. 6d.; seven carcases and a half of swine, in salt, 22s. 2-1/4d.; six carcases, fresh, 12s. 9d.; fourteen calves, 28s. 4d.; three kids, and twenty-six sucking porkers, 9s. 7-1/2d.; seventy-one geese with their feed, 11s. 10d.; fourteen capons, fifty-nine chickens, and five dozen pidgeons, 10s. 3d.; five stones of hog's lard, 4s. 2d.; four stones of cheese, butter, and milk, 6s. 6d.; a pottle of vinegar, and a pottle of honey, 6-1/2d.; fourteen pounds of figs and raisins, sixteen pounds of almonds, and eight pounds of rice, 3s. 7d.; pepper, saffron, cinnamon, and other spices, 2s. 6d.; one thousand three hundred eggs, 15s. 5d.—sum total, £11 4s. Similar consumptions took place during the week of the feast of St. Cuthbert, and other feasts, among the monks of Durham, for a long period of years.

The following interesting account of food consumption in the cathedral of Durham during Whitsun week in 1347, along with the prices of the items, is taken from the records of the cellarer, currently stored in the treasury at Durham:—six hundred salt herrings, 3s.; four hundred white herrings, 2s. 6d.; thirty salted salmon, 7s. 6d.; twelve fresh salmon, 5s. 6d.; fourteen ling, fifty-five "kelengs;" four turbot, 23s. 1d.; two horse loads of white fish, and a "congr," 5s. 10d.; "playc," "sparlings," and eels, and fresh water fish, 2s. 9d.; nine carcasses of oxen, salted, purchased for 36s.; one carcass and a quarter, fresh, 6s. 11-3/4d.; a quarter of an ox, fresh, bought in the town, 3s. 6d.; seven and a half carcasses of swine, in salt, 22s. 2-1/4d.; six carcasses, fresh, 12s. 9d.; fourteen calves, 28s. 4d.; three kids, and twenty-six sucking piglets, 9s. 7-1/2d.; seventy-one geese with their feed, 11s. 10d.; fourteen capons, fifty-nine chickens, and five dozen pigeons, 10s. 3d.; five stones of hog's lard, 4s. 2d.; four stones of cheese, butter, and milk, 6s. 6d.; a pottle of vinegar, and a pottle of honey, 6-1/2d.; fourteen pounds of figs and raisins, sixteen pounds of almonds, and eight pounds of rice, 3s. 7d.; pepper, saffron, cinnamon, and other spices, 2s. 6d.; one thousand three hundred eggs, 15s. 5d.—total, £11 4s. Similar food consumption occurred during the week of the feast of St. Cuthbert and other feasts among the monks of Durham for many years.

CURIOUS LAW.

Curious Law.

The following curious law was enacted during the reign of Richard I. for the government of those going by sea to the Holy Land:—"He who kills a man on shipboard, shall be bound to the dead body and thrown into the sea; if the man is killed on shore, the slayer shall be bound to the dead body and buried with it. He who shall draw his knife to strike another, or who shall have drawn blood from him, to lose his hand; if he shall have only struck with the palm of his hand without drawing blood, he shall be thrice ducked in the sea."

The following curious law was enacted during the reign of Richard I for those traveling by sea to the Holy Land:—"Anyone who kills a person on a ship shall be tied to the dead body and thrown into the sea; if the person is killed on land, the killer shall be tied to the dead body and buried with it. If someone pulls out a knife to stab another person, or causes them to bleed, they will lose their hand; if they only hit them with the palm of their hand without drawing blood, they will be dunked in the sea three times."

DECAPITATION BY THE GUILLOTINE.

Guillotine decapitation.

A gentleman of intelligence and literary attainments, makes, in an account of his travels on the continent, the following most singular remarks on an execution he witnessed, in which the culprit was beheaded by the guillotine:—"It appears," says he, "to be the best of all possible modes of inflicting the punishment of death; combining the greatest impression on the spectator, with the least possible suffering to the victim. It is so rapid, that I should doubt whether there were any suffering; but from the expression of the countenance, when the executioner held up the head, I am inclined to believe that sense and consciousness may remain for a few seconds after the head is off. The eyes seemed to retain speculation for a moment or two, and there was a look in the ghastly stare with which they stared upon the crowd, which implied that the head was aware of its ignominious situation."

A smart and well-read gentleman, in his account of his travels on the continent, makes some very unique observations about an execution he witnessed, where the offender was beheaded by the guillotine:—"It seems," he says, "to be the best possible way to carry out the death penalty; it leaves a strong impression on the spectators while causing the least pain to the victim. It happens so quickly that I doubt there was any suffering; however, based on the expression on the face when the executioner held up the head, I tend to think that some awareness and consciousness might linger for a few seconds after the head is separated. The eyes appeared to hold a glimmer of thought for a moment or two, and there was a look in the horrifying stare they directed at the crowd, suggesting that the head was aware of its disgraceful situation."

ALDERMAN BOYDELL.

Alderman Boydell.

It was the regular custom of Mr. Alderman Boydell, who was a very early riser, at five o'clock, to go immediately to the pump in Ironmonger Lane. There, after placing his wig upon the ball at the top of it, he used to sluice his head with its water. This well-known and highly respected character, who has done more for the British artist than all the print-publishers put together, was also one of the last men who wore a three-cornered hat.

It was Mr. Alderman Boydell's regular routine, as a very early riser, to head straight to the pump on Ironmonger Lane at five o'clock. There, after putting his wig on the ball at the top of the pump, he would splash his head with water. This well-known and highly respected figure, who has contributed more to British artists than all the print publishers combined, was also one of the last men to wear a three-cornered hat.

FEATS OF STRENGTH IN 1739.

Strength Competitions in 1739.

April 21.—The following notice was given to the public:—"For the benefit of Thomas Topham, the strong man, from Islington, whose performances have been looked upon by the Royal Society and several persons of distinction, to be the most surprising as well as curious of any thing ever performed in England; on which account, as other entertainments are more frequently met with than that he proposes, he humbly hopes gentlemen and ladies, &c., will honour him with their presence at the Nag's Head, in Gateshead, on Monday the 23d of this instant, at four o'clock, where he intends to perform several feats of strength, viz.:—He bends an iron poker three inches in circumference, over his arm, and one of two inches and a quarter round his neck; he breaks a rope that will bear two thousand weight, and with his fingers rolls up a pewter dish of seven pounds hard metal; he lays the back part of his head on one chair, and his heels on another, and suffering four men to stand on his body, he moves them up and down at pleasure; he lifts a table six feet in length, by his teeth, with a half hundred weight hanging at the further end of it; and, lastly, to oblige the publick, he will lift a butt full of water." "Each person to pay one shilling." This "strong man" fell a victim to jealousy, as is proved by the following:—"August 10th, 1749, died, Mr. Thomas Topham, known by the name of the strong man, master of a publick house in Shoreditch, London. In a fit of jealousy, he stabbed his wife, then cut his own throat and stabbed himself, after which he lived two days."

April 21.—The following notice was given to the public:—"For the benefit of Thomas Topham, the strong man from Islington, whose performances have been regarded by the Royal Society and several distinguished individuals as some of the most surprising and curious ever seen in England; for this reason, as other entertainments are more common than what he offers, he humbly hopes that gentlemen and ladies, etc., will honor him with their presence at the Nag's Head in Gateshead on Monday the 23rd of this month at 4:00 PM, where he plans to perform several feats of strength, namely:—He bends an iron poker three inches in circumference over his arm, and one that is two inches and a quarter around his neck; he breaks a rope that can hold two thousand pounds, and with his fingers, rolls up a seven-pound pewter dish; he lays the back of his head on one chair and his heels on another, allowing four men to stand on his body while he moves them up and down at will; he lifts a six-foot-long table by his teeth while a fifty-pound weight hangs from the far end; and lastly, to please the public, he will lift a barrel full of water." "Each person to pay one shilling." This "strong man" became a victim of jealousy, as evidenced by the following:—"August 10th, 1749, died Mr. Thomas Topham, known as the strong man, who owned a public house in Shoreditch, London. In a fit of jealousy, he stabbed his wife, then cut his own throat and stabbed himself, after which he lived for two days."

ELEPHANTS FRIGHTENED AT PIGS.

Elephants scared of pigs.

"Then on a tyme there were many grete clerkes and rad of kyng Alysaunder how on a tyme as he sholde have a batayle with ye kynge of Inde. And this kynge of Inde broughte with hym many olyphauntes berynge castelles of tree on theyr backes as the kynde of the is to haue armed knyghtes in ye castell for the batayle, them ne knewe Alysaunder the kynge, of the olyphauntes that they drad no thynge more than the jarrynge of swyne, wherefore he made to gader to gyder all ye swyne that myghte be goten, and caused them to be dryuen as ny the olyphauntes as they myghte well here the jarrynge of the swyne, and thenne they made a pygge to crye, and whan the swyne herde the pygges a none they made a great jarrynge, and as soone as the olyphauntes herde that, they began to fle eche one, and keste downe the castelles and slewe the knyghtes that were in them, and by this meane Alysaunder had ye vyctory."—Liber Festivalis, printed by W. Caxton in 1483.

"Then at one time, there were many great scholars who read about King Alexander, how he was set to battle the King of India. This King of India brought with him many elephants carrying wooden castles on their backs, as was customary to have armed knights in those castles for battle. Alexander, the king, knew that the elephants feared nothing more than the grunting of pigs. Therefore, he gathered all the pigs that could be found and had them driven as close to the elephants as possible so they could hear the grunting. Then, they made a pig cry, and when the pigs heard the sound, they all started grunting loudly. As soon as the elephants heard that, they began to flee, knocking down the castles and killing the knights inside them, and by this means, Alexander achieved victory."—Liber Festivalis, printed by W. Caxton in 1483.

A VISIT TO THE OBSERVATORY OF SIR ISAAC NEWTON.

A VISIT TO THE OBSERVATORY OF SIR ISAAC NEWTON.

The memory of a great and good man is imperishable. A thousand years may pass away, but the fame that has survived the wreck of time remains unsullied, and is even brighter with age.

The memory of a great and good man never fades. A thousand years may go by, but the legacy that endures the test of time stays pure and even shines brighter as time goes on.

"The actions of the just
Smell sweet, and blossom in the dust."

In an age of progress like our own we have frequently to regret the destruction (sometimes necessary) of places associated with the genius of the past; but in the case of Sir Isaac Newton we have several relics existing, none of which, perhaps, are more interesting than the house in which he resided, still standing in St. Martin's Street, on the south side of Leicester Square. The engravings of the interior and exterior of this building have been made from drawings made on the spot. The house was long occupied as an hotel for foreigners, and was kept by a M. Pagliano. In 1814 it was devoted to the purposes of education. The Observatory, which is at the top, and where Sir Isaac Newton made his astronomical researches, was left in a dilapidated condition until 1824, when two gentlemen, belonging to a committee of the school, had it repaired at their own expense, and wrote a brief memoir of the philosopher, which was placed in the Observatory, with a portrait of him.

In our own era of advancement, we often find ourselves lamenting the loss (sometimes necessary) of places connected to the brilliance of the past; however, in the case of Sir Isaac Newton, we have several relics that still exist, none perhaps more fascinating than the house where he lived, still standing on St. Martin's Street, on the south side of Leicester Square. The engravings of the building's interior and exterior were created from on-site drawings. The house was long used as a hotel for foreigners, managed by a Mr. Pagliano. In 1814, it was repurposed for educational use. The Observatory, located on the top floor, where Sir Isaac Newton conducted his astronomical studies, remained in poor condition until 1824, when two gentlemen from a school committee paid for its repairs and wrote a brief memoir about the philosopher, which was placed in the Observatory along with a portrait of him.

INTERIOR OF SIR ISAAC NEWTON'S OBSERVATORY.
HOUSE OF SIR ISAAC NEWTON, ST. MARTIN'S STREET, LEICESTER SQUARE.

In this house Sir Isaac Newton resided for many years; and it was here, according to his biographer, that he dispensed, under the superintendence of his beautiful niece, an elegant hospitality. Our sketch gives a good idea of the appearance of the exterior of the house at the present [Pg 11] day; the front, it will be seen, has been well plastered, which, although clean and pleasant-looking to some eyes, seems to us to destroy the character of the building. The old doorway, with a projecting top, has also been removed. The interior of the house is in excellent repair, and has undergone very little change. The cornices, panelling, and the spacious staircase, are not altered since the days of Newton. The rooms are very large. Tradition states it was in the back drawing-room that the manuscript of his work, the "New Theory of Light and Colours," was destroyed by fire, caused by a favourite little dog in Sir Isaac's absence. The name of this canine incendiary was Diamond. The manner in which the accident occurred is thus related:—The animal was wantoning about the philosopher's study, when it knocked down a candle, and set fire to a heap of manuscript calculations upon which he had been employed for years. The loss was irretrievable; but Sir Isaac only exclaimed [Pg 12] with simplicity, "Ah, Diamond, Diamond, you little know what mischief you have been doing!"

In this house, Sir Isaac Newton lived for many years, and it was here, according to his biographer, that he hosted elegant gatherings under the guidance of his beautiful niece. Our sketch gives a good idea of how the exterior of the house looks today; the front has been nicely plastered, which, while clean and appealing to some, seems to us to take away from the building's character. The old doorway with the projecting top has also been removed. The interior of the house is in excellent condition and has changed very little. The cornices, paneling, and spacious staircase remain just as they were in Newton's time. The rooms are quite large. According to tradition, it was in the back drawing-room that the manuscript of his work, the "New Theory of Light and Colours," was destroyed by fire, caused by a favorite little dog during Sir Isaac's absence. This little arsonist's name was Diamond. The story of how the accident happened goes like this: The dog was playing around the philosopher's study when it knocked over a candle, igniting a pile of manuscript calculations that he had been working on for years. The loss was devastating, but Sir Isaac simply exclaimed, "Ah, Diamond, Diamond, you little know what mischief you have been doing!"

Passing upstairs, and looking slightly at the various rooms, which are all well panelled, but which do not require particular notice, we reached the little observatory shown in the engraving. There, in the room in which Sir Isaac has quietly studied, and in which he may have held conferences with the most distinguished of his contemporaries, we found two shoemakers busily at work, with whom we had some pleasant conversation. Our artist has represented the interior of the observatory, with its laborious occupants, worthy sons of St. Crispin. Shoemakers are well known to be a thoughtful class of men, although sometimes they unfortunately do not make the best use of their knowledge. Brand, the historian and author of the excellent book on "Popular Antiquities," was at one time a shoemaker; so was Bloomfield, the poet, who, when working at the "last" in Bell Alley, near the Bank, strung together the charming recollection of his plough-boy life. We could give a long list of shoemakers who have been eminent for talents.

As we went upstairs, glancing briefly at the various rooms—well-paneled but not particularly noteworthy—we reached the small observatory shown in the engraving. In the room where Sir Isaac quietly studied and possibly held discussions with some of the greatest minds of his time, we found two shoemakers hard at work, and we had a pleasant chat with them. Our artist captured the interior of the observatory, featuring its diligent occupants, the deserving sons of St. Crispin. Shoemakers are known to be a reflective group, although they sometimes don’t always make the best use of their insights. Brand, the historian and author of the excellent book on "Popular Antiquities," was once a shoemaker; so was Bloomfield, the poet, who, while working at the "last" in Bell Alley near the Bank, wove together the beautiful memories of his life as a ploughboy. We could compile a long list of shoemakers who have distinguished themselves through their talents.

We have not the exact date at which Newton came to reside here, but certainly he was living in this house, at intervals, after 1695, when he was appointed Warder of the Mint, of which establishment he rose to be Master in the course of three years. The emoluments of this office amounted to £1200 a-year, which enabled him to live in ease and dignity.

We don't know the exact date when Newton moved here, but he was definitely living in this house at various times after 1695, when he was made Warden of the Mint, a position he climbed to Master of within three years. The salary for this job was £1200 a year, allowing him to live comfortably and with respect.

In 1703 he was chosen President of the Royal Society—an honourable post, to which he was annually elected until the time of his death.

In 1703, he was elected President of the Royal Society—an esteemed position, which he held through annual elections until his death.

POISONING THE MONARCH.

Killing the King.

An idea of the popular notions about poisoning in the middle of the seventeenth century, may be formed from the following extract from an old tract, published in 1652, with the title of "Papa Patris, or the Pope in his Colours":—"Anno Dom: 1596; one Edward Squire, sometimes a scrivener at Grenewich, afterwards a deputy purveyor for the Queene's stable, in Sir Francis Drake's last voyage was taken prisoner and carried into Spaine, and being set at liberty, one Walpole, a Jesuite, grew acquainted with him, and got him into the Inquisition, whence he returned a resolved Papist, he persuaded Squire to undertake to poyson the pummell of the Queene (Elizabeth's) saddle, and, to make him constant, made Squire receive the Sacrament upon it; he then gave him the poyson, showing that he should take it in a double bladder, and should prick the bladder full of hoales in the upper part, when he should use it (carrying it within a thick glove for the safety of his hand) should after turne it downward, pressing the bladder upon the pummell of the Queene's saddle. This Squire confest. Squire is now in Spaine, and for his safer dispatch into England it was devised that two Spanish prisoners taken at Cales should be exchanged for Squire and one Rawles, that it might not be thought that Squire came over but as a redeemed captive. The Munday sennight after Squire returned into England, he, understanding the horses were preparing for the Queene's riding abroad, laid his hand, and crushed the poyson upon the pummell of the Queene's saddle, saying, 'God save the Queene,' the Queene rode abroad, and as it should seem [Pg 13] laid not her hand upon the place, or els received no hurt (through God's goodnesse) by touching it. Walpole, counting the thing as done, imparted it to some principall fugitives there, but being disappointed of his hope, supposing Squire to have been false, to be revenged on him sent one hither (who should pretend to have stolne from thence) with letters, wherein the plot of Squires was contained; this letter was pretended to be stolne out of one of their studies. Squire, being apprehended, confessed all without any rigor, but after denied that he put it in execution, although he acknowledged he consented to it in the plot, at length he confessed the putting it in execution also."

An idea of the popular beliefs about poisoning in the mid-seventeenth century can be gained from the following excerpt from an old pamphlet published in 1652, titled "Papa Patris, or the Pope in his Colors":—"In the year 1596, Edward Squire, who was once a scrivener in Greenwich and later a deputy purveyor for the Queen's stables, was captured in Sir Francis Drake's last voyage and taken to Spain. After his release, a Jesuit named Walpole befriended him and brought him into the Inquisition, from which he returned as a committed Catholic. He convinced Squire to poison the pommel of the Queen (Elizabeth's) saddle and, to ensure Squire's commitment, made him take the Sacrament on it. Walpole then gave Squire the poison, instructing him to carry it in a double bladder and to puncture holes in the upper part of it. When the time came to use it, he was to turn it upside down and press the bladder onto the Queen's saddle. Squire admitted this. He was now in Spain, and it was planned that two Spanish prisoners taken at Cadiz would be exchanged for Squire and one Rawles, to prevent it from looking like Squire was coming over as anything other than a freed captive. The following Monday, after Squire returned to England, he learned that the horses were being readied for the Queen to ride, so he laid his hand and crushed the poison onto the pommel of the Queen's saddle, saying, 'God save the Queen.' The Queen rode out, and apparently didn’t touch the spot or, through God's goodness, was unharmed by it. Walpole, thinking the deed was done, shared this with some prominent fugitives there, but when his hopes were dashed, suspecting Squire was deceitful, he sent someone here (who pretended to have stolen this information) with letters detailing Squire's plot; the letter was said to have been stolen from one of their studies. When Squire was captured, he confessed everything without any harsh treatment, but later claimed he didn’t carry it out, although he admitted he agreed to the plan and eventually confessed to executing it as well."

GRINNING FOR A WAGER.

SMILING FOR A BET.

June 9, 1786.—On Whit-Tuesday was celebrated at Hendon, in Middlesex, a burlesque imitation of the Olympic Games. One prize was a gold-laced hat, to be grinned for by six candidates, who were placed on a platform, with horses' collars to exhibit through. Over their heads was printed in capitals,—

June 9, 1786.—On Whit-Tuesday, a parody of the Olympic Games was held in Hendon, Middlesex. One of the prizes was a gold-laced hat, which was competed for by six candidates standing on a platform, showcasing horses' collars. Above their heads, it was printed in capital letters,—

Detur Tetriori; or
The ugliest grinner
Shall be the winner.

Each party grinned five minutes solus, and then all united in a grand chorus of distortion. This prize was carried by a porter to a vinegar merchant, though he was accused by his competitors of foul play, for rinsing his mouth with verjuice. The whole was concluded by a hog, with has tail shaved and soaped, being let loose among nine peasants; any one of which that could seize him by the queue, and throw him across his shoulders, was to have him for a reward. This occasioned much sport: the animal, after running some miles, so tired his hunters that they gave up the chase in despair. A prodigious concourse of people attended, among whom were the Tripoline Ambassador, and several other persons of distinction.

Each group smiled for five minutes solus, and then all came together for a big chorus of chaos. A porter carried this prize to a vinegar merchant, although his competitors accused him of cheating for rinsing his mouth with verjuice. The event wrapped up with a hog, whose tail was shaved and soaped, being let loose among nine peasants; anyone who could grab him by the queue and throw him over their shoulders would win him as a prize. This led to a lot of fun: the animal, after running several miles, wore out its pursuers so much that they ended the chase in frustration. A huge crowd gathered, including the Tripoline Ambassador and several other distinguished individuals.

BITE OF THE TARANTULA SPIDER.

Tarantula spider bite.

A Neapolitan soldier who had been bitten by a tarantula, though apparently cured, suffered from an annual attack of delirium, after which he used to sink into a state of profound melancholy; his face becoming livid, his sight obscure, his power of breathing checked, accompanied by sighs and heavings. Sometimes he fell senseless, and devoid of pulsation; ejecting blood from his nose and mouth, and apparently dying. Recourse was had to the influence of music; and the patient began to revive at the sound, his hands marking the measure, and the feet being similarly affected. Suddenly rising and laying hold of a bystander, he began to dance with the greatest agility during an uninterrupted course of four-and-twenty hours. His strength was supported by administering to him wine, milk, and fresh eggs. If he appeared to relapse, the music was repeated, on which he resumed his dancing. This unfortunate being used to fall prostrate if the music accidentally stopped, and imagine that the tarantula had again stung him. After a few years he died, in one of these annual attacks of delirium.

A Neapolitan soldier who had been bitten by a tarantula, though seemingly cured, experienced an annual episode of delirium, after which he would fall into a deep melancholy; his face would turn pale, his vision would become blurry, his breathing would be labored, accompanied by sighs and gasps. Sometimes he would lose consciousness and have no pulse; blood would come from his nose and mouth, and it seemed he was dying. They turned to the power of music; he began to recover at the sound, with his hands keeping time and his feet responding in kind. Suddenly, he would jump up and grab a bystander, dancing with incredible agility for a continuous stretch of twenty-four hours. His stamina was maintained by giving him wine, milk, and fresh eggs. If he looked like he was going to relapse, the music would play again, and he would return to dancing. This unfortunate man would collapse if the music stopped unexpectedly, believing the tarantula had bitten him again. After a few years, he died during one of these annual delirium episodes.

BYGONE CHRISTMAS CUSTOMS.

Old Christmas Traditions.

——————"Now, too, is heard
The hapless cripple, tuning through the streets
His carol new; and oft, amid the gloom
Of midnight hours, prevail th' accustom'd sounds
Of wakeful waits, whose harmony (composed
Of hautboy, organ, violin, and flute,
And various other instruments of mirth),
Is meant to celebrate the coming time."
THE MUMMERS, OR ANCIENT WAITS.

The manner in which this period of the year has been observed has often varied. The observances of the day first became to be pretty general in the Catholic church about the year 300. By some of our ancestors it was viewed in the double light of a religious and joyful season of festivities. The midnight preceding Christmas-day every person went to mass, and on Christmas-day three different masses were sung with much solemnity. Others celebrated it with great parade, splendour, and conviviality. Business was superseded by merriment and hospitality; the most careworn countenance brightened on the occasion. The nobles and the barons encouraged and participated in the various sports: the industrious labourer's cot, and the residence of proud royalty, equally resounded with tumultuous joy. From Christmas-day to Twelfth-day there was a continued run of entertainments. Not only [Pg 15] did our ancestors make great rejoicings on, but before and after Christmas-day. By a law in the time of Alfred, the "twelve days after the nativity of our Saviour were made festivals;" [1] and it likewise appears from Bishop Holt, that the whole of the days were dedicated to feasting.

The way this time of year has been celebrated has often changed. The observances of the day became quite common in the Catholic Church around the year 300. Some of our ancestors viewed it as both a religious and joyful time of festivities. On the midnight before Christmas, everyone attended mass, and on Christmas Day, three different masses were conducted with great solemnity. Others celebrated with much fanfare, extravagance, and good cheer. Work was replaced by fun and hospitality; even the most weary faces lit up for the occasion. Nobles and barons encouraged and took part in various games: the homes of hardworking laborers and those of proud royalty alike echoed with joyful cheer. From Christmas Day to Twelfth Night, there was a continuous stream of entertainment. Our ancestors celebrated not only on Christmas Day, but also before and after it. A law during the time of Alfred stated that the "twelve days after the nativity of our Savior were made festivals;" and it also appears from Bishop Holt that all these days were dedicated to feasting.

Our ancestors' various amusements were conducted by a sort of master of the ceremonies, called the "Lord of Misrule," whose duty it was to keep order during the celebration of the different sports and pastimes. The universities, the lord mayor and sheriffs, and all noblemen and gentlemen, had their "lords of misrule." These "lords" were first preached against at Cambridge by the Puritans, in the reign of James I., as unbecoming the gravity of the university.

Our ancestors' various activities were overseen by a kind of master of ceremonies known as the "Lord of Misrule," whose job was to maintain order during the celebration of different sports and pastimes. The universities, the lord mayor and sheriffs, as well as all noblemen and gentlemen, had their own "lords of misrule." These "lords" were first criticized at Cambridge by the Puritans during the reign of James I, as inappropriate for the seriousness of the university.

THE LORD OF MISRULE.

The custom of serving boars' heads at Christmas bears an ancient date, and much ceremony and parade has been occasionally attached to it. Henry II. "served his son (upon the young prince's coronation) at the table as server, bringing up the boar's head with trumpets before it."

The tradition of serving boar's heads at Christmas goes way back, and it has often been accompanied by a lot of ceremony and spectacle. Henry II "served his son (during the young prince's coronation) at the table as the server, bringing in the boar's head with trumpets preceding it."

The custom of strolling from street to street with musical instruments and singing seems to have originated from a very ancient practice which[Pg 16] prevailed, of certain minstrels who were attached to the king's court and other great persons, who paraded the streets, and sounded the hour—thus acting as a sort of watchmen. Some slight remains of these still exist, but they no longer partake of the authoritative claim as they originally did, as the "lord mayor's music," &c. It may not, perhaps, be generally known, that even at the present day "waits" are regularly sworn before the "court of burgesses" at Westminster, and act under the authority of a warrant, signed by the clerk, and sealed with the arms of the city and liberty; in addition to which, they were bound to provide themselves with a silver badge, also bearing the arms of Westminster.

The tradition of walking from street to street with musical instruments and singing seems to have come from a very old practice where certain minstrels, associated with the king's court and other important figures, paraded through the streets and announced the time—essentially serving as a kind of watchmen. Some remnants of this still exist, but they no longer hold the same official status as they used to, like the "Lord Mayor's music," etc. It might not be widely known that even today, "waits" are officially sworn in before the "court of burgesses" at Westminster and operate under an authority warrant, signed by the clerk and sealed with the city's arms; additionally, they are required to have a silver badge displaying the arms of Westminster.

In the north they have their Yule log, or Yuletide log, which is a huge log burning in the chimney corner, whilst the Yule cakes are baked on a "girdle," (a kind of frying-pan) over the fire; little lads and maidens assemble nightly at some neighbouring friends to hear the goblin story, and join in "fortune-telling," or some game. There is a part of an old song which runs thus:

In the north, they have their Yule log, or Yuletide log, which is a big log burning in the fireplace, while the Yule cakes are cooked on a "girdle" (a type of frying pan) over the fire. Young boys and girls gather each night at a nearby friend's house to listen to goblin stories and participate in "fortune-telling" or some games. There's a part of an old song that goes like this:

"Now all our neighbours' chimneys smoke.
And Christmas logs are burning;
Their ovens they with baked meate choke,
And all their spits are turning."

Among the plants usual to Christmas are the rosemary, the holly, and the mistletoe. Gay says:

Among the plants commonly associated with Christmas are rosemary, holly, and mistletoe. Gay says:

"When rosemary and bays, the poet's crown,
Are bawled in frequent cries through all the town,
Then judge the festival of Christmas near—
Christmas, the joyous period of the year.
Now with bright holly all your temples strow,
With laurel green and sacred mistletoe."

A MERMAN.

A merman.

"The wind being easterly, we had thirty fathoms of water, when at ten o'clock in the morning a sea monster like a man appeared near our ship, first on the larboard, where the master was, whose name is William Lomone, who took a grappling iron to pull him up; but our captain, named Oliver Morin, hindered him, being afraid that the monster would drag him away into the sea. The said Lomone struck him on the back, to make him turn about, that he might view him the better. The monster, being struck, showed his face, having his two hands closed as if he had expressed some anger. Afterwards he went round the ship: when he was at the stern, he took hold of the helm with both hands, and we were obliged to make it fast lest he should damage it. From thence he proceeded to the starboard, swimming still as men do. When he came to the forepart of the ship, he viewed for some time the figure that was in our prow, which represented a beautiful woman, and then he rose out of the water as if he had been willing to catch that figure. All this happened in the sight of the whole crew. Afterwards he came again to the larboard, where they presented to him a cod-fish hanging down with a rope; he handled it without spoiling it, and then removed the length of a cable and came again to the stern, where he took hold of the helm a [Pg 17] second time. At that very moment, Captain Morin got a harping-iron ready, and took it himself to strike him with it; but the cordage being entangled, he missed his aim, and the harping-iron touched only the monster, who turned about, showing his face, as he had done before. Afterwards he came again to the fore part, and viewed again the figure in our prow. The mate called for the harping-iron; but he was frightened, fancying that this monster was one La Commune, who had killed himself in the ship the year before, and had been thrown into the sea in the same passage. He was contented to push his back with the harping-iron, and then the monster showed his face, as he had done at other times. Afterwards he came along the board, so that one might have given him the hand. He had the boldness to take a rope held up by John Mazier and John Deffiete, who being willing to pluck it out of his hands, drew him to our board; but he fell into the water and then removed at the distance of a gun's shot. He came again immediately near our board, and rising out of the water to the navel, we observed that his breast was as large as that of a woman of the best plight. He turned upon his back and appeared to be a male. Afterwards he swam again round the ship, and then went away, and we have never seen him since. I believe that from ten o'clock till twelve that this monster was along our board; if the crew had not been frighted, he might have been taken many times with the hand, being only two feet distant. That monster is about eight feet long, his skin is brown and tawny, without any scales, all his motions are like those of men, the eyes of a proportionable size, a little mouth, a large and flat nose, very white teeth, black hair, the chin covered with a mossy beard, a sort of whiskers under the nose, the ears like those of men, fins between the fingers of his hands and feet like those of ducks. In a word, he is a well-shaped man. Which is certified to be true by Captain Oliver Morin, and John Martin, pilot, and by the whole crew, consisting of two and thirty men."—An article from Brest, in the Memoirs of Trevoux.—This monster was mentioned in the Gazette of Amsterdam, October 12, 1725, where it is said it was seen in the ocean in August, same year.

"The wind was coming from the east, and we had thirty fathoms of water when, at ten o'clock in the morning, a sea creature resembling a man appeared near our ship. It first showed up on the left side, where the master, William Lomone, was. He grabbed a grappling iron to try to pull it up, but our captain, Oliver Morin, stopped him, fearing the creature would drag him into the sea. Lomone struck the creature on the back to make it turn around for a better look. When it was hit, it revealed its face, with its hands clenched as if expressing anger. Then it swam around the ship. At the back, it grabbed the helm with both hands, and we had to secure it to prevent damage. From there, it moved to the right side, swimming just like a man. When it reached the front of the ship, it stared at the figure on our prow representing a beautiful woman, and then it emerged from the water as if trying to catch that figure. All of this happened in front of the entire crew. Later, it returned to the left side, where they offered it a codfish hanging from a rope. It handled the fish carefully without ruining it, then swam back to the stern again, seizing the helm a second time. At that moment, Captain Morin prepared a harping iron to strike it, but the tangled ropes caused him to miss, and the harping iron only grazed the creature, which turned around to show its face again, just like before. Then it swam back to the front, looking at the figure on the prow once more. The mate called for the harping iron, but he was scared, thinking this creature was La Commune, who had committed suicide on the ship the year before and had been thrown into the sea in the same passage. He was only willing to nudge it with the harping iron, and the creature revealed its face again as it had done before. Then it swam alongside the ship, close enough that someone could have reached out and touched it. It had the nerve to grab a rope held by John Mazier and John Deffiete. When they tried to pull it away, it fell into the water and swam back a distance of about a cannon shot. It returned right away near the ship, rising out of the water to its waist, and we saw that its chest was as big as that of a well-formed woman. It rolled over to show its back and appeared male. It then swam around the ship again and then left, and we have never seen it since. I believe it stayed near our ship from ten o'clock until noon; if the crew hadn’t been so frightened, it could have been captured many times, as it was only two feet away. That creature is about eight feet long, with brown and tawny skin, without scales. Its movements are human-like, with proportionate-sized eyes, a small mouth, a large flat nose, very white teeth, black hair, a mossy beard on the chin, whiskers under the nose, ears like a man's, and fins between the fingers of its hands and feet like those of ducks. In short, it has the shape of a well-built man. This is confirmed to be true by Captain Oliver Morin, pilot John Martin, and the whole crew of thirty-two men."—An article from Brest, in the Memoirs of Trevoux.—This monster was mentioned in the Gazette of Amsterdam on October 12, 1725, where it is reported that it was spotted in the ocean in August of the same year.

A SHAVED BEAR.

A shaved bear.

At Bristol I saw a shaved monkey shown for a fairy; and a shaved bear, in a check waistcoat and trousers, sitting in a great chair as an Ethiopian savage. This was the most cruel fraud I ever saw. The unnatural position of the beast, and the damnable brutality of the woman-keeper who sat upon his knee, put her arm round his neck, called him husband and sweet-heart, and kissed him, made it the most disgusting spectacle I ever witnessed! Cottle was with me.—Southey.

At Bristol, I saw a shaved monkey presented as a fairy, and a shaved bear dressed in a checkered waistcoat and trousers, sitting in a big chair as an Ethiopian savage. This was the most cruel deception I’ve ever seen. The unnatural position of the animal, along with the downright brutal behavior of the woman-keeper who sat on his lap, put her arm around his neck, called him husband and sweetheart, and kissed him, made it the most disgusting spectacle I’ve ever witnessed! Cottle was with me.—Southey.

THE ORIGIN OF WIGS.

The History of Wigs.

As for the origin of wigs, the honour of the invention is attributed to the luxurious Sapygians in Southern Italy. The Louvain theologians, who published a French version of the Bible, affected, however, to discover the first mention of perukes in a passage in the fourth chapter of Isaiah. The Vulgate has these words: "Decalvabit Dominus verticem filiarum Sion, et Dominus crinem earum nudabit." This, the Louvain [Pg 18] gentlemen translated into French as follows: "Le Seigneur déchèvelera les têtes des filles de Sion, et le Seigneur découvrira leurs perruques;" which, done into English, implies that "The Lord will pluck the hair from the heads of the daughters of Sion, and will expose their periwigs."

As for the origin of wigs, the credit for the invention goes to the luxurious Sapygians in Southern Italy. The theologians from Louvain, who published a French version of the Bible, claimed to find the first mention of perukes in a passage from the fourth chapter of Isaiah. The Vulgate includes the words: "Decalvabit Dominus verticem filiarum Sion, et Dominus crinem earum nudabit." The Louvain gentlemen translated this into French as follows: "Le Seigneur déchèvelera les têtes des filles de Sion, et le Seigneur découvrira leurs perruques;" which, when translated into English, means "The Lord will pluck the hair from the heads of the daughters of Sion and will expose their periwigs."

DRESS IN 1772.

DRESS IN 1772.

Dress in 1772

The year 1772 introduced a new style for gentlemen, imported by a number of young men of fashion who had travelled into Italy, and formed an association called the Maccaroni Club, in contradistinction to the Beef-steak Club of London. Hence these new-fashioned dandies were styled Maccaronies, a name that was afterwards applied to ladies of the same genus. The accompanying cut delineates the peculiarities of both. The hair of the gentleman was dressed in an enormous toupee, with very large curls at the sides; while behind it was gathered and tied up into an enormous club, or knot, that rested on the back of the neck like a porter's knot; upon this an exceedingly small hat was worn, which was sometimes lifted from the head with the cane, generally very long, and decorated with extremely large silk tassels; a full white handkerchief was tied in a large bow round the neck; frills from the shirt-front projected from the top of the waistcoat, which was much shortened, reaching very little below the waist, and being without the flap-covered pockets. The coat was also short, reaching only to the hips, fitting closely, having a small turn-over collar as now worn; it was edged with lace or braid, or decorated with frog-buttons, tassels, or embroidery; the breeches were tight, of spotted or striped silk, with enormous bunches of strings at the knee. A watch was carried in each pocket, from which hung bunches of chains and seals: silk stockings and small shoes with little diamond buckles completed the gentleman's dress. The ladies decorated their heads much like the gentlemen, with a most enormous heap of hair, which was frequently surmounted by plumes of large feathers and bunches of flowers, until the head seemed to overbalance the body. The gown was open in front; hoops were discarded except in full-dress; and the gown gradually spread outward from the waist, and trailed upon the ground behind, shewing the rich laced petticoat ornamented with flowers and needlework; the sleeves widened to the elbow, where a succession of ruffles and lappets, each wider than the other, hung down below the hips.

The year 1772 brought a new style for men, introduced by several young trendsetters who had traveled to Italy and formed a group called the Maccaroni Club, in contrast to London's Beef-steak Club. As a result, these new fashionable guys were called Maccaronies, a term that later also referred to similarly styled women. The accompanying image highlights the features of both. The man's hair was styled in a huge toupee with large curls at the sides, while at the back, it was gathered and tied into a massive bun that rested on the nape of his neck like a porter's knot. On top of this sat an extremely small hat, which he sometimes tipped with a long cane adorned with oversized silk tassels. A full white handkerchief was tied in a large bow around his neck; frills from the shirt front peeked out above the waistcoat, which was greatly shortened and barely reached below the waist, lacking the flap-covered pockets. The coat was also short, extending only to the hips, fitted closely with a small turn-down collar like today’s styles; it was trimmed with lace or braid or decorated with frog buttons, tassels, or embroidery. The breeches were tight, made from spotted or striped silk, with large bows of strings at the knee. He carried a watch in each pocket, from which hung chains and seals; silk stockings and small shoes with tiny diamond buckles completed the outfit. The women styled their hair similarly to the men, creating enormous hairdos often topped with large feathers and flowers, making their heads appear larger than their bodies. The gown was open in front; hoops were mostly discarded except for formal occasions; it flared outward from the waist, trailing on the ground behind and showcasing an intricate laced petticoat adorned with flowers and embroidery. The sleeves widened at the elbow, where layers of ruffles and lappets, each wider than the last, hung down below the hips.

CHRISTMAS OBSERVANCES PUT DOWN BY THE PURITANS.

CHRISTMAS CELEBRATIONS BANNED BY THE PURITANS.

During the Commonwealth, when puritanical feelings held iron sway over the rulers of the land, and rode rampant in high places, many strong attempts were made to put down what they were pleased to term superstitious festivals, and amongst these was that of Christmas Day. So determined was the Puritan party to sweep away all vestiges of evil creeds and evil deeds, that they were resolved to make one grand attempt upon the time-honoured season of Christmas. The Holly and the Mistletoe-bough were to be cut up root and branch, as plants of the Evil One. Cakes and Ale were held to be impious libations to superstition; and the Roundheads would have none of it.

During the Commonwealth, when Puritan beliefs had strict control over the leaders of the country and were widespread in high places, there were many strong efforts to eliminate what they called superstitious festivals, including Christmas Day. The Puritan faction was so determined to eradicate all remnants of sinful beliefs and actions that they aimed to make a significant effort against the traditional celebration of Christmas. Holly and mistletoe were to be completely removed, considered plants of the devil. Cakes and ale were deemed offensive offerings to superstition, and the Roundheads wanted nothing to do with them.

PROCLAIMING THE NON-OBSERVANCE OF CHRISTMAS.

Accordingly, we learn that, in the year 1647, the Cromwell party ordered throughout the principal towns and cities of the country, by the mouth of the common crier, that Christmas Day should no longer be observed—it being a superstitious and hurtful custom; and that in place thereof, and the more effectually to work a change, markets should be held on the 25th day of December.

Accordingly, we learn that in 1647, the Cromwell group announced in the main towns and cities of the country, through public announcements by town criers, that Christmas Day should no longer be celebrated—as it was viewed as a superstitious and harmful tradition. Instead, to promote this change more effectively, markets should be held on December 25th.

This was attacking the people, especially the country folks, in their most sensitive part. It was hardly to be expected that they would quietly submit to such a bereavement; nor did they, as the still-existing "News-letters" of those days amply testify.

This was hitting the people, particularly the rural folks, right in their most vulnerable spot. It was unlikely they would just accept such a loss; and they didn’t, as the existing "News-letters" from that time clearly show.

THE MANNER OF WATCHMEN INTIMATING THE CLOCK AT HERRENHUTH IN GERMANY.

THE WAY WATCHMEN SIGNAL THE TIME IN HERRENHUTH, GERMANY.

VIII. Past eight o'clock! O, Herrenhuth, do thou ponder;
Eight souls in Noah's ark were living yonder.
IX.    'Tis nine o'clock! ye brethren, hear it striking;
Keep hearts and houses clean, to our Saviour's liking.
X.     Now, brethren, hear, the clock is ten and passing;
None rest but such as wait for Christ embracing.
XI.    Eleven is past! still at this hour eleven,
The Lord is calling us from earth to heaven.
XII.   Ye brethren, hear, the midnight clock is humming;
At midnight, our great Bridegroom will be coming.
I.       Past one o'clock; the day breaks out of darkness:
Great Morning-star appear, and break our hardness!
II.     'Tis two! on Jesus wait this silent season,
Ye two so near related, will and reason.
III.    The clock is three! the blessed Three doth merit
The best of praise, from body, soul, and spirit.
IV.    'Tis four o'clock, when three make supplication,
The Lord will be the fourth on that occasion.
V.      Five is the clock! five virgins were discarded,
When five with wedding garments were rewarded.
VI.    The clock is six, and I go off my station;
 Now, brethren, watch yourselves for your salvation.

A DOG EXTINGUISHING A FIRE.

A dog putting out a fire.

On the evening of the 21st February, 1822, the shop of Mr. Coxon, chandler, at the Folly, Sandgate, in Newcastle, was left in charge of his daughter, about nine years of age, and a large mastiff, which is generally kept there as a safeguard since an attempt was made to rob the shop. The child had on a straw bonnet lined with silk, which took fire from coming too near the candle. She endeavoured to pull it off, but being tied, she could not effect her purpose, and in her terror shrieked out, on which the mastiff instantly sprang to her assistance, and with mouth and paws completely smothered out the flame by pressing the bonnet together. The lining of the bonnet and the child's hair only were burnt.

On the evening of February 21, 1822, Mr. Coxon’s shop, a grocery store in the Folly, Sandgate, Newcastle, was left under the care of his daughter, who was around nine years old, and a large mastiff that usually stayed there for protection after a burglary attempt. The girl was wearing a straw bonnet lined with silk that caught fire when she got too close to a candle. She tried to take it off, but since it was tied on, she couldn’t manage to do so and screamed in fear. The mastiff immediately rushed to help her and used its mouth and paws to smother the flames by pressing the bonnet down. Only the lining of the bonnet and the girl’s hair were burned.

CAMBRIDGE CLODS.

CAMBRIDGE GEEKS.

About sixty years since, two characters, equally singular in their way, resided at Cambridge: Paris, a well-known bookseller, and Jackson, a bookbinder, and principal bass-singer at Trinity College Chapel in that University; these two gentlemen, who were both remarkably corpulent, were such small consumers in the article of bread, that their abstemiousness in that particular was generally noticed; but, to make amends, they gave way to the greatest excess and indulgence of their appetites in meat, poultry, and fish, of almost every description. So one day, having taken an excursion, in walking a few miles from home, [Pg 21] they were overtaken by hunger, and, on entering a public-house, the only provision they could procure was a clod of beef, weighing near fourteen pounds, which had been a day or two in salt; and this these two moderate bread consumers contrived to manage between them broiled, assisted by a due proportion of buttered potatoes and pickles. The landlord of the house, having some knowledge of his guests, the story got into circulation, and the two worthies were ever after denominated the Cambridge Clods!

About sixty years ago, two unique characters lived in Cambridge: Paris, a well-known bookseller, and Jackson, a bookbinder and the main bass singer at Trinity College Chapel in that University. These two gentlemen, both quite overweight, were such light eaters when it came to bread that their moderation in that regard was widely noted. However, to make up for it, they indulged heavily in meat, poultry, and fish of nearly every kind. One day, after taking a walk a few miles from home, they realized they were starving and, upon entering a pub, the only food they could find was a large chunk of beef, weighing almost fourteen pounds, that had been salted for a day or two. These two moderate bread eaters managed to cook it up between them, grilling it and pairing it with an appropriate amount of buttered potatoes and pickles. The landlord, familiar with his guests, shared the story, and from then on, the two became known as the Cambridge Clods!

WITCH-TESTING AT NEWCASTLE IN 1649.

Witch Trials in Newcastle, 1649.

March 26.—Mention occurs of a petition in the common council books of Newcastle, of this date, and signed, no doubt, by the inhabitants, concerning witches, the purport of which appears, from what followed, to have been to cause all such persons as were suspected of that crime to be apprehended and brought to trial. In consequence of this, the magistrates sent two of their sergeants, viz.—Thomas Shevill and Cuthbert Nicholson, into Scotland, to agree with a Scotchman, who pretended knowledge to find out witches, by pricking them with pins, to come to Newcastle, where he should try such who should be brought to him, and to have twenty shillings a piece, for all he should condemn as witches, and free passage thither and back again. When the sergeants had brought the said witch-finder on horseback to town, the magistrates sent their bellman through the town, ringing his bell and crying, all people that would bring in any complaint against any woman for a witch, they should be sent for, and tried by the person appointed. Thirty women were brought into the town-hall, and stripped, and then openly had pins thrust into their bodies, and most of them were found guilty. The said reputed witch-finder acquainted Lieutenant-Colonel Paul Hobson, deputy-governor of Newcastle, that he knew women whether they were witches or no by their looks; and when the said person was searching of a personable and good-like woman, the said colonel replied, and said, surely this woman is none, and need not be tried, but the Scotchman said she was, and, therefore, he would try her; and presently, in the sight of all the people, laid her body naked to the waist, with her cloathes over her head, by which fright and shame all her blood contracted into one part of her body, and then he ran a pin into her thigh, and then suddenly let her cloathes fall, and then demanded whether she had nothing of his in her body, but did not bleed! but she being amazed, replied little; then he put his hands up her cloathes and pulled out the pin, and set her aside as a guilty person, and child of the devil, and fell to try others, whom he made guilty. Lieutenant-Colonel Hobson, perceiving the alteration of the aforesaid woman, by her blood settling in her right parts, caused that woman to be brought again, and her cloathes pulled up to her thigh, and required the Scot to run the pin into the same place, and then it gushed out of blood, and the said Scot cleared her, and said she was not a child of the devil. The witch-finder set aside twenty-seven out of the thirty suspected persons, and in consequence, fourteen witches and one wizard, belonging to Newcastle, were executed on the town moor.

March 26.—A petition appears in the common council records of Newcastle, dated today, and likely signed by local residents, regarding witches. The petition seems to have been aimed at apprehending and putting on trial all individuals suspected of witchcraft. As a result, the magistrates sent two of their sergeants, Thomas Shevill and Cuthbert Nicholson, to Scotland to enlist a Scotsman who claimed to have the ability to identify witches by pricking them with pins. This man was to come to Newcastle, where he would examine those brought to him and was to be paid twenty shillings for each person he condemned as a witch, with his travel expenses covered. After the sergeants brought the witch-finder to town on horseback, the magistrates sent their bellman through the streets, ringing his bell and announcing that anyone wishing to accuse a woman of witchcraft should come forward, and they would be tried by the appointed person. Thirty women were gathered in the town hall, stripped, and then had pins stuck into their bodies, and most of them were found guilty. The witch-finder informed Lieutenant-Colonel Paul Hobson, the deputy-governor of Newcastle, that he could tell whether someone was a witch just by looking at them. When this individual was examining a particularly attractive woman, the colonel stated that she surely wasn't a witch and didn’t need to be tried. However, the Scotsman insisted that she was and proceeded to try her. In front of the gathered crowd, he laid her bare from the waist up, draping her clothes over her head, which caused her blood to concentrate in one part of her body due to fright and shame. He then poked a pin into her thigh, pulled her clothes down, and asked if she had anything of his inside her, but she didn’t bleed! Amazed, she said very little. He then reached under her clothes, removed the pin, and declared her guilty and a child of the devil, moving on to try others whom he also found guilty. Noticing the change in the woman, with her blood settling, Lieutenant-Colonel Hobson had her brought back, lifting her clothes to her thigh and asking the Scotsman to poke the same spot with the pin again, resulting in a gush of blood, leading the Scotsman to declare her innocent. The witch-finder exonerated twenty-seven of the thirty women, and ultimately, fourteen witches and one wizard from Newcastle were executed on the town moor.

ALEXANDER SELKIRK AND THE DANCING GOATS.

ALEXANDER SELKIRK AND THE DANCING GOATS.

The adventures of Alexander Selkirk, an English sailor, who, more than one hundred and fifty years since, was left alone on the island of Juan Fernandez are very wonderful.

The adventures of Alexander Selkirk, an English sailor, who, more than one hundred and fifty years ago, was left alone on the island of Juan Fernandez, are truly incredible.

This extraordinary man sought to beguile his solitude by rearing kids, and he would often sing to them, and dance with his motley group around him. His clothes having worn out, he dressed himself in garments made from the skins of such as run wild about the island; these he sewed together with thongs of the same material. His only needle was a long slender nail; and when his knife was no longer available, he made an admirable substitute from an iron hoop that was cast ashore.

This remarkable man tried to escape his loneliness by raising kids, and he often sang to them and danced with the colorful group around him. Since his clothes had worn out, he made new ones from the skins of animals that roamed the island; he sewed them together using thongs made from the same material. His only needle was a long, thin nail, and when his knife was gone, he cleverly fashioned a substitute from an iron hoop that washed up on shore.

Alexander Selkirk and the Dancing Goats

Upon the wonderful sojourn of this man, Defoe founded his exquisite tale of "Robinson Crusoe," a narrative more extensively read and better known than perhaps any other ever written.

Upon the incredible journey of this man, Defoe created his remarkable story of "Robinson Crusoe," a tale that is more widely read and better known than probably any other ever written.

JACOB BOBART.

JACOB BOBART.

A curious anecdote of Jacob Bobart, keeper of the physic garden at Oxford, occurs in one of Grey's notes to Hudibras—"He made a dead rat resemble the common picture of dragons, by altering its head and tail, and thrusting in taper sharp sticks, which, distended the skin on each side till it resembled wings. He let it dry as hard as possible. The learned immediately pronounced it a dragon; and one of them sent an accurate description of it to Dr. Magliabecchi, librarian to the Grand Duke of Tuscany; several fine copies of verses were wrote on so rare a subject; but at last Mr. Bobart owned the cheat. However, it was looked upon as a masterpiece of the art; and, as such, deposited in the Museum."

A curious story about Jacob Bobart, the keeper of the physic garden at Oxford, appears in one of Grey's notes to Hudibras: "He made a dead rat look like a dragon by changing its head and tail and inserting thin sticks that stretched the skin on each side to mimic wings. He let it dry as much as possible. The scholars quickly declared it a dragon, and one of them even sent a detailed description of it to Dr. Magliabecchi, the librarian for the Grand Duke of Tuscany. Many impressive poems were written about such a rare topic; but eventually, Mr. Bobart admitted it was a hoax. Still, it was considered a masterpiece of the art and was then placed in the Museum."

BLIND JACK.

Blind Jack.

Blind Jack

The streets of London, in the reigns of Queen Anne and Georges I. and II., were infested with all sorts of paupers, vagabonds, impostors, and common adventurers; and many, who otherwise might be considered real objects of charity, by their disgusting manners and general appearance in public places, rather merited the interference of the parish beadles, and the discipline of Bridewell, than the countenance and encouragement of such persons as mostly congregated around common street exhibitions. One-eyed Granny and Blind Jack were particular nuisances to the neighbourhoods in which the first practised her [Pg 24] mad-drunk gambols, and the latter his beastly manner of performing on the flageolet. John Keiling, alias Blind Jack, having the misfortune to lose his sight, thought of a strange method to insure himself a livelihood. He was constitutionally a hale, robust fellow, without any complaint, saving blindness, and having learnt to play a little on the flageolet, he conceived a notion that, by performing on that instrument in a different way to that generally practised, he should render himself more noticed by the public, and be able to levy larger contributions on their pockets.

The streets of London during the reigns of Queen Anne and Kings George I and II were overrun with all kinds of beggars, drifters, con artists, and everyday hustlers. Many who could be seen as genuine cases for charity, because of their offensive behavior and overall appearance in public, were more deserving of the attention of the parish beadles and the punishments of Bridewell than the support and encouragement of those who typically gathered around public street performances. One-eyed Granny and Blind Jack were particular annoyances in the neighborhoods where the former showcased her crazy, drunken antics, and the latter performed in a disgusting manner on the flageolet. John Keiling, known as Blind Jack, unfortunately lost his sight and came up with a strange way to make a living. He was naturally a healthy, strong guy, with no issues other than being blind. After learning to play a bit on the flageolet, he figured that by playing in a different way than usual, he could capture more attention from the public and collect more money from them.

The manner of Blind Jack's playing the flageolet was by obtruding the mouthpiece of the instrument up one of his nostrils, and, by long custom, he could produce as much wind as most others with their lips into the pipe; but the continued contortion and gesticulation of his muscles and countenance rendered him an object of derision and disgust, as much as that of charity and commiseration.

The way Blind Jack played the flageolet was by shoving the mouthpiece of the instrument up one of his nostrils, and over time, he could generate as much wind as most people could with their lips on the pipe; however, the constant twisting and grimacing of his muscles and face made him both a target of mockery and revulsion, as well as a figure of pity and sympathy.

THE YORKSHIRE TIKE.

THE YORKSHIRE TYKE.

Ah iz i truth a country youth,
Neean us'd teea Lunnon fashions;
Yet vartue guides, an' still presides,
Ower all mah steps an' passions.
Neea coortly leear, bud all sincere,
Neea bribe shall ivver blinnd me,
If thoo can like a Yorkshire tike,
A rooague thoo'll nivver finnd me.
Thof envy's tung, seea slimlee hung,
Wad lee aboot oor country,
Neea men o' t' eearth booast greter wurth,
Or mare extend ther boounty.
Oor northern breeze wi' uz agrees,
An' does for wark weel fit uz;
I' public cares, an' all affairs,
Wi' honour we acquit uz.
Seea gret a moind is ne'er confiand,
Tu onny shire or nation;
They geean meeast praise weea weel displays
A leearned iddicasion.
Whahl rancour rolls i' lahtle souls,
By shallo views dissarning,
They're nobbut wise 'at awlus prize
Gud manners, sense, and leearnin.

TWO OF THE FATHERS ON FALSE HAIR.

TWO OF THE FATHERS ON FAKE HAIR.

Tertullian says, "If you will not fling away your false hair, as hateful to Heaven, cannot I make it hateful to yourselves, by reminding you that the false hair you wear may have come not only from a criminal, but from a very dirty head; perhaps from the head of one already damned?" This was a very hard hit indeed; but it was not nearly so clever a stroke at wigs as that dealt by Clemens of Alexandria. The latter informed the astounded wig-wearers, when they knelt at church to receive the blessing, that they must be good enough to recollect that the benediction remained on the wig, and did not pass through to the wearer! This was a stumbling-block to the people; many of whom, however, retained the peruke, and took their chance as to the percolating through it of the benediction.

Tertullian says, "If you won't get rid of your fake hair, which is detestable to Heaven, how can I make it detestable to you by reminding you that the fake hair you wear might have come not just from a criminal, but from a very dirty head; maybe even from the head of someone already damned?" That was a pretty harsh jab; but it wasn’t nearly as clever a dig at wigs as the one made by Clemens of Alexandria. He told the shocked wig-wearers, when they kneeled at church to receive the blessing, that they should remember that the blessing stayed on the wig and didn't pass through to them! This was a real stumbling block for the people; many of them, however, kept their wigs and took their chances on whether the blessing would make its way through.

FOOD OF ANIMALS.

Animal food.

Linnæus states the cow to eat 276 plants, and to refuse 218; the goat eats 449, and declines 126; the sheep takes 387, and rejects 141; the horse likes 262, and avoids 212; but the hog, more nice in its provision than any of the former, eats but 72 plants, and rejects 171.

Linnæus says that the cow eats 276 plants and turns down 218; the goat consumes 449 and avoids 126; the sheep takes in 387 and dismisses 141; the horse enjoys 262 and shuns 212; but the pig, being more selective about its food than the others, only eats 72 plants and refuses 171.

SLAVE ADVERTISEMENTS.

Slave ads.

The following announcements are curious, as showing the merchandise light in which the negro was regarded in America while yet a colony of Great Britain:—

The following announcements are interesting, as they reveal the way the merchandise and the status of Black people were viewed in America when it was still a colony of Great Britain:—

FRANCIS LEWIS, Has for SALE,

FRANCIS LEWIS, For SALE,

A Choice Parcel of Muscovado and Powder Sugars, in Hogsheads, Tierces, and Barrels; Ravens, Duck, and a Negro Woman and Negro Boy.—The Coach-House and Stables, with or without the Garden Spot, formerly the Property of Joseph Murray, Esq; in the Broad Way, to be let separately or together:—Inquire of said Francis Lewis.

A selection of muscovado and powdered sugars in hogsheads, tierces, and barrels; ravens, ducks, and a Black woman and boy. — The coach house and stables, with or without the garden area, formerly owned by Joseph Murray, Esq., on the Broadway, available for rent separately or together: — Inquire with Francis Lewis.

New York Gazette, Apr. 25, 1765.

New York Gazette, Apr. 25, 1765.


This Day Run away from John M' Comb, Junier, an Indian Woman, about 17 Years of Age, Pitted in the face, of a middle Stature and Indifferent fatt, having on her a Drugat, Wastcoat, and Kersey Petticoat, of a Light Collour. If any Person or Persons, shall bring the said Girle to her said Master, shall be Rewarded for their Trouble to their Content.

This day an Indian woman named John M' Comb, Junior, age 17, ran away. She has pockmarks on her face, is of average height, and has a bit of extra weight. She was last seen wearing a drugget, waistcoat, and a light-colored kersey petticoat. Anyone who returns her to her owner will be rewarded for their efforts.

American Weekly Mercury, May 24, 1726.

American Weekly Mercury, May 24, 1726.


A Female Negro Child (of an extraordinary good Breed) to be given away; Inquire of Edes and Gill.

A Black girl (from an exceptionally good background) is up for adoption; contact Edes and Gill for details.

Boston Gazette, Feb. 25, 1765.

Boston Gazette, Feb. 25, 1765.


To be Sold, for want of Employ.

For Sale, due to lack of work.

A Likely Negro Fellow, about 25 Years of Age, he is an extraordinary good Cook, and understands setting or tending a Table very well, likewise all Kind of House Work, such as washing, scouring, scrubbing, &c. Also a Negro Wench his Wife, about 17 Years old, born in this City, and understands all Sorts of House Work. For farther Particulars inquire of the Printer.

A likely young Black man, about 25 years old, he is an excellent cook and knows how to set or manage a table very well, as well as all kinds of housework, like washing, scrubbing, etc. His wife is a young Black woman, about 17 years old, born in this city, and she understands all types of housework. For more details, inquire with the printer.

New York Gazette, Mar. 21, 1765.

New York Gazette, Mar. 21, 1765.

PRESERVATIVE POWER OF COAL-PIT WATER.

Coal-pit water's preservative power.

The following is extracted from the register of St. Andrew's, in Newcastle:—"April 24th, 1695, wear buried, James Archer and his son Stephen, who, in the moneth of May, 1658, were drowned in a coal-pit in the Galla-Flat, by the breaking in of water from an old waste. The bodys were found intire, after they had lyen in the water 36 years and 11 months."

The following is extracted from the register of St. Andrew's, in Newcastle:—"April 24th, 1695, buried James Archer and his son Stephen, who, in May 1658, drowned in a coal pit in Galla-Flat when water broke in from an old waste. The bodies were found intact after they had been in the water for 36 years and 11 months."

THE QUEEN BEE.

THE QUEEN BEE.

Reaumur relates the following anecdote of which he was a witness:—A queen bee, and some of her attendants, were apparently drowned in a brook. He took them out of the water, and found that neither the queen bee, nor her attendants were quite dead. Reaumur exposed them to a gentle heat, by which they were revived. The plebeian bees recovered first. The moment they saw signs of animation in their queen, they approached her, and bestowed upon her all the care in their power, licking and rubbing her; and when the queen had acquired sufficient force to move, they hummed aloud, as if in triumph!

Reaumur shares an anecdote he witnessed: a queen bee and some of her attendants seemed to have drowned in a stream. He pulled them out of the water and found that neither the queen nor her attendants were completely dead. Reaumur warmed them gently, which helped revive them. The worker bees recovered first. As soon as they noticed their queen showing signs of life, they gathered around her and did everything they could to help, licking and grooming her. When the queen regained enough strength to move, they buzzed loudly, as if celebrating!

DREAM OF KING HENRY I.

DREAM OF KING HENRY I.

A singular dream, which happened to this monarch when passing over to Normandy in 1130, has been depicted in a manuscript of Florence of Worcester, in Corpus Christi College, Oxford. The rapacity and oppressive taxation of his government, and the reflection forced on him by his own unpopular measures, may have originated the vision. He imagined himself to have been visited by the representatives of the three most important grades of society—the husbandmen, the knights, and the clergy—who gathered round his bed, and so fearfully menaced him, that he awoke in great alarm, and, seizing his sword, loudly called for his attendants. The drawings that accompany this narrative, and represent each of these visions, appear to have been executed shortly afterwards, and are valuable illustrations of the general costume of the period. One of them is introduced in this place.

A unique dream experienced by this king while traveling to Normandy in 1130 is described in a manuscript by Florence of Worcester, located in Corpus Christi College, Oxford. His government’s greed and heavy taxes, along with the consequences of his unpopular decisions, may have sparked this vision. He envisioned being visited by representatives from the three key social classes—the farmers, the knights, and the clergy—who surrounded his bed and threatened him so intensely that he woke up in a panic, grabbed his sword, and called loudly for his attendants. The illustrations that accompany this story, depicting each of these visions, seem to have been created shortly afterward and provide valuable insights into the clothing styles of the time. One of these illustrations is included here.

Dream of King Henry I

The king is here seen sleeping; behind him stand three husbandmen, one carrying a scythe, another a pitchfork, and the third a shovel. They are each dressed in simple tunics, without girdles, with plain close-fitting sleeves; the central one has a mantle fastened by a plain brooch, leaving the right arm free. The beards of two of these figures are as ample as those of their lords, this being an article of fashionable indulgence within their means. The one with the scythe wears a hat not unlike the felt hat still worn by his descendants in the same grade: the scroll in his left hand is merely placed there to contain the words he is supposed to utter to the king.

The king is shown here sleeping; behind him stand three farmers, one holding a scythe, another a pitchfork, and the third a shovel. They are all dressed in simple tunics, without belts, with plain, fitted sleeves; the one in the center has a cloak held in place by a simple brooch, leaving his right arm free. Two of these figures have beards as full as their lord's, which is a fashionable indulgence within their means. The farmer with the scythe wears a hat similar to the felt hat still worn by his descendants in the same social class; the scroll in his left hand is just there to contain the words he’s supposed to say to the king.

SEPULCHRAL BARROW OF THE ANGLO-SAXONS.

Anglo-Saxon burial mound.

Sepulchral Barrow of the Anglo-Saxons

The engraving on the next page is copied from a plate in Douglas's Neniæ and represents one of the most ancient of the Kentish barrows opened by him in the Chatham Lines, Sept. 1779; and it will enable the reader at once to understand the structure of these early graves, and the interesting nature of their contents. The outer circle marks the extent of the mound covering the body, and which varied considerably in elevation, sometimes being but a few inches or a couple of feet from the level of the ground, at others of a gigantic structure. In the centre of the mound, and at the depth of a few feet from the surface, an oblong rectangular grave is cut, the space between that and the outer circle being filled in with chalk, broken into small bits, and deposited carefully and[Pg 27] firmly around and over the grave. The grave contained the body of a male adult, tall and well-proportioned, holding in his right hand a spear, the shaft of which was of wood, and had perished, leaving only the iron head, 15 inches in length, and at the bottom a flat iron stud (a), having, a small pin in the centre, which would appear to have been driven into the bottom of the spear-handle; an iron knife lay by the right side, with remains of the original handle of wood. Adhering to its under side were very discernible impressions of coarse linen cloth, showing that the warrior was buried in full costume. An iron sword is on the left side, thirty-five and a quarter inches in its entire length, from the point to the bottom of the handle, which is all in one piece, the wood-work which covered the handle having perished; the blade thirty inches in length and two in breadth, flat, double-edged, and sharp-pointed, a great portion of wood covering the blade, which indicates that it was buried with a scabbard, the external covering being of leather, the internal of wood. A leathern strap passed round the waist, from which hung the knife and sword, and which was secured by the brass buckle (b), which was found near the last bone of the vertebræ, or close to the os sacrum. Between the thigh-bones lay the iron umbo of a shield, which had been fastened by studs of iron, four of which were found near it, the face and reverse of one being represented at (c.) A thin plate of iron (d), four and a half inches in length, lay exactly under the centre of the umbo, having two rivets at the end, between which and the umbo were the remnants of the original wooden (and perhaps hide-bound) shield; the rivets of the umbo having apparently passed through the wood to this plate as its bracer or stay. In a recess at the feet was placed a vase of red earth, slightly ornamented round the neck with concentric circles and zigzag lines.

The engraving on the next page is taken from a plate in Douglas's Neniæ and shows one of the oldest Kentish barrows he uncovered in the Chatham Lines in September 1779. It helps the reader immediately grasp the structure of these ancient graves and the intriguing contents within them. The outer circle indicates the area of the mound covering the body, which varied significantly in height, sometimes being just a few inches or a couple of feet above the ground, while at other times it was of a massive scale. In the center of the mound, a few feet below the surface, there’s an oblong rectangular grave. The space between that and the outer circle is filled with chalk, broken into small pieces, and carefully and firmly placed around and over the grave. The grave held the body of a tall, well-built adult male, who had a spear in his right hand. The spear's wooden shaft had decayed, leaving only the 15-inch iron head, and at the bottom, there was a flat iron stud (a) with a small pin in the center, which likely had been driven into the bottom of the spear handle. Next to the right side, there was an iron knife with remnants of its original wooden handle. On the underside of the knife were noticeable impressions of coarse linen fabric, indicating that the warrior was buried in full attire. An iron sword lay on the left side, measuring thirty-five and a quarter inches in total length from the tip to the bottom of the handle, which is all one piece, as the wood covering the handle has rotted away. The blade measures thirty inches long and two inches wide, flat, double-edged, and sharp-pointed, with a significant amount of wood covering the blade, suggesting it was buried with a scabbard, the outer layer being leather and the inner one wood. A leather strap wrapped around the waist held the knife and sword, secured by a brass buckle (b) found near the last bone of the vertebrae or close to the sacrum. Between the thigh bones lay the iron umbo of a shield, which had been attached with iron studs. Four of these studs were found nearby, with the face and back of one illustrated at (c). A thin iron plate (d), four and a half inches long, rested right beneath the center of the umbo, featuring two rivets at one end. Between this plate and the umbo were remnants of the original wooden (and possibly hide-bound) shield, with the rivets of the umbo seemingly passing through the wood to this plate as a bracer or support. At the feet, there was a vase made of red earth, slightly decorated around the neck with concentric circles and zigzag lines.

AN OLD GANDER.

AN OLD GOOSE.

Willoughby states in his work on Ornithology, that a friend of his possessed a gander eighty years of age; which in the end became so ferocious that they were forced to kill it, in consequence of the havock it committed in the barn-yard. He also talks of a swan three centuries old; and several celebrated parrots are said to have attained from one hundred to one hundred and fifty years.

Willoughby mentions in his work on Ornithology that a friend of his had a gander that lived to be eighty years old, but eventually it became so aggressive that they had to put it down because of the destruction it caused in the barnyard. He also refers to a swan that was three centuries old, and several famous parrots are said to have lived between one hundred and one hundred and fifty years.

EXTRAORDINARY SLEEPER.

AMAZING SLEEPER.

M. Brady, Physician to Prince Charles of Lorraine, gives the following particulars of an extraordinary sleeper:—

M. Brady, Doctor to Prince Charles of Lorraine, shares the details of an extraordinary sleeper:—

"A woman, named Elizabeth Alton, of a healthful strong constitution, who had been servant to the curate of St. Guilain, near the town of Mons, about the beginning of the year 1738, when she was about thirty-six years of age grew extremely restless and melancholy. In the month of August, in the same year, she fell into a sleep which held four days, notwithstanding all possible endeavours to awake her. At length she awoke naturally, but became more restless and uneasy than before; for six or seven days, however, she resumed her usual employments, until she fell asleep again, which continued eighteen hours. From that time to the year 1753, which is fifteen years, she fell asleep daily about three o'clock in the morning, without waking until about eight or nine at night. In 1754 indeed her sleep returned to the natural periods for four months, and, in 1748, a tertian ague prevented her sleeping for three weeks. On February 20, 1755, M. Brady, with a surgeon, went to see her. About five o'clock in the evening, they found her pulse extremely regular; on taking hold of her arm it was so rigid, that it was not bent without much trouble. They then attempted to lift up her head, but her neck and back were as stiff as her arms. He hallooed in her ear as loud as his voice could reach; he thrust a needle into her flesh up to the bone; he put a piece of rag to her nose flaming with spirits of wine, and let it burn some time, yet all without being able to disturb her in the least. At length, in about six hours and a half, her limbs began to relax; in eight hours she turned herself in the bed, and then suddenly raised herself up, sat down by the fire, ate heartily, and began to spin. At other times, they whipped her till the blood came; they rubbed her back with honey, and then exposed it to the stings of bees; they thrust nails under her finger-nails; and it seems these triers of experiments consulted more the gratifying their own curiosity than the recovery of the unhappy object of the malady."

"A woman named Elizabeth Alton, who had a strong and healthy constitution, had been a servant to the curate of St. Guilain near the town of Mons. Around the beginning of 1738, when she was about thirty-six years old, she became extremely restless and melancholic. In August of that same year, she fell into a sleep that lasted four days, despite all efforts to wake her. Eventually, she woke up naturally, but became even more restless and uneasy than before. For six or seven days, however, she returned to her usual activities until she fell asleep again, which lasted eighteen hours. From that point until 1753, for fifteen years, she fell asleep daily around three o'clock in the morning and didn’t wake up until about eight or nine at night. In 1754, her sleep patterns returned to normal for four months, and in 1748, a tertian ague kept her from sleeping for three weeks. On February 20, 1755, M. Brady and a surgeon went to see her. Around five o'clock in the evening, they found her pulse extremely regular; her arm was so rigid that it couldn't be bent without significant effort. They attempted to lift her head, but her neck and back were as stiff as her arms. He yelled in her ear as loud as he could; he pushed a needle into her flesh down to the bone; he held a piece of cloth soaked in spirits of wine to her nose and let it burn for a while, but nothing could stir her. Finally, after about six and a half hours, her limbs began to relax; in eight hours, she turned in bed and then suddenly sat up, moved to the fire, ate a hearty meal, and began to spin. At other times, they whipped her until she bled; they rubbed honey on her back and then exposed her to bee stings; they pushed nails under her fingernails; it seemed these experimenters were more interested in satisfying their own curiosity than in helping the unfortunate woman suffering from this condition."

A FAT ENGLISHMAN.

An overweight Englishman.

Keysler, in his travels, speaks of a corpulent Englishman, who in passing through Savoy, was obliged to make use of twelve chairmen. He is said to have weighed five hundred and fifty pounds, or thirty-nine stone four pounds.

Keysler, in his travels, mentions a heavyset Englishman who, while passing through Savoy, had to rely on twelve chairmen. It's reported that he weighed five hundred and fifty pounds, or thirty-nine stone four pounds.

A HAPPY FAMILY.

A Joyful Family.

A gentleman travelling through Mecklenburg, some years since, witnessed a singular association of incongruous animals. After dinner, the landlord of the inn placed on the floor a large dish of soup, and gave a loud whistle. Immediately there came into the room a mastiff, an Angora cat, an old raven, and a remarkably large rat, with a bell about its neck. They all four went to the dish, and, without disturbing each other, fed together; after which the dog, cat, and rat, lay before the fire, while the raven hopped about the room. The landlord, after accounting for the familiarity of these animals, informed his guest [Pg 29] that the rat was the most useful of the four; for the noise he made had completely freed his house from the rats and mice with which it was before infested.

A gentleman traveling through Mecklenburg a few years ago witnessed a strange gathering of mismatched animals. After dinner, the innkeeper placed a large bowl of soup on the floor and let out a loud whistle. Immediately, a mastiff, an Angora cat, an old raven, and a particularly large rat with a bell around its neck entered the room. They all approached the dish and ate together without bothering one another; afterward, the dog, cat, and rat settled down in front of the fire while the raven hopped around the room. The innkeeper explained to his guest [Pg 29] that the rat was the most useful of the four because its noise had completely cleared his house of the rats and mice that had previously infested it.

ANCIENT FIRE-ARMS IN THE TOWER OF LONDON ARMORY.

ANCIENT FIREARMS IN THE TOWER OF LONDON ARMORY.

We have just now before us a drawing of an old piece of ordnance, formed of bars of iron, strongly hooped with the same material, which forms a striking contrast with the finely-wrought cannons which may be seen in store at Woolwich Arsenal, and elsewhere, at the present day. The exact date and manner of the introduction of cannon is a matter which has caused much dispute. The earliest mention of the use of cannon on shipboard is in Rymer's "Fœdera." It is an order to Henry Somer, Keeper of the Private Wardrobe in the Tower, to deliver to Mr. Goveney, Treasurer to Queen Philippa, Queen of Sweeden, Denmark, and Norway, (who was then sent by her uncle, Henry the Fourth, to her husband, in the ship called the Queen's Hall,) the following military stores: 11 guns, 40 petras pro gunnes, 40 tumpers, 4 torches, 1 mallet, 2 fire-pans, 40 pavys, 24 bows, 40 sheaves of arrows.

We currently have a drawing of an old piece of artillery made from iron bars, heavily reinforced with the same material. This stands in striking contrast to the beautifully crafted cannons that can be found in stock at Woolwich Arsenal and other places today. The precise date and method of how cannons were introduced is a topic that has sparked much debate. The earliest reference to the use of cannons on ships appears in Rymer's "Fœdera." It is an order to Henry Somer, Keeper of the Private Wardrobe in the Tower, to provide Mr. Goveney, Treasurer to Queen Philippa of Sweden, Denmark, and Norway (who had just been sent by her uncle, Henry the Fourth, to her husband on the ship called the Queen's Hall), with the following military supplies: 11 guns, 40 stone projectiles for cannons, 40 tumpers, 4 torches, 1 mallet, 2 fire-pans, 40 shields, 24 bows, and 40 bundles of arrows.

After the old cannon composed of bars of iron, hooped together, had been some time in use, hand-cannon, a simple tube fixed on a straight stake, was used in warfare, charged with gunpowder and an iron bullet. This was made with trunnions and casabel precisely like the large cannon. In course of time, the touch-hole was improved, and the barrel cast in brass. This, fixed to a rod, had much the appearance of a large sky-rocket. What is now called the stock was originally called the frame of the gun.

After the old cannon made of iron bars banded together had been in use for a while, the hand-cannon, a simple tube mounted on a straight stake, was used in battle, filled with gunpowder and an iron bullet. This was built with trunnions and a muzzle just like the large cannons. Over time, the touch-hole was enhanced, and the barrel was made of brass. This, attached to a rod, looked a lot like a big firework. What we now call the stock was originally referred to as the frame of the gun.

Various improvements were from time to time made in the hand-gun, amongst which was a pan fixed for containing the touch-powder. In rainy weather, this became a receptacle for water; to obviate which, a small piece of brass made to turn on a pin was placed as a cover. This done, there was a difficulty in preserving the aim in consequence of the liability of the eye to be diverted from the sight by the motion of the right hand when conveying the lighted match to the priming. This was, to a certain extent, prevented by a piece of brass being fixed to the breech and perforated. The improved plan for holding the lighted match for firing the hand-guns is shown in the engraving of the Buckler and Pistol; it consists of a thin piece of metal something in shape of an S reversed, the upper part slit to hold the match, the lower pushed up by the hand when entended to ignite the powder.

Various improvements were periodically made to the handgun, including a pan designed to hold the touch powder. In rainy weather, this pan often collected water; to prevent this, a small piece of brass that could pivot on a pin was added as a cover. However, this created a challenge in maintaining aim because the right hand's movement when bringing the lit match to the priming could distract the eye from the sight. This issue was somewhat mitigated by attaching a perforated piece of brass to the breech. The upgraded method for holding the lit match to fire the handguns is illustrated in the engraving of the Buckler and Pistol; it features a thin piece of metal shaped like a reversed S, with the upper part slotted to hold the match and the lower part pushed up by the hand when it's time to ignite the powder.

After the invention of the hand-cannon, its use became general in a very short space of time in most parts of the civilized world.

After the invention of the hand cannon, it quickly became widely used in most parts of the civilized world.

Philip de Comines, in his account of the battle of Morat, in 1476, says he encountered in the confederate army 10,000 arquebusiers.

Philip de Comines, in his account of the battle of Morat in 1476, says he encountered 10,000 arquebusiers in the confederate army.

The arquebusiers in Hans Burgmain's plates of the "Triumph of Maximilian the First," have suspended from their necks large powder flasks or horns, a bullet bag on the right hip, and a sword on the left, while they carry the matchlock in their hands.

The arquebusiers in Hans Burgmain's plates of the "Triumph of Maximilian the First" have large powder flasks or horns hanging from their necks, a bullet bag on their right hip, and a sword on their left, while they hold the matchlock in their hands.

Henry the Eighth's Walking-stick, as the Yeomen of Guard at the Tower call it, is a short spiked mace, in the head of which are three [Pg 30] short guns or pistols, which may be fired at very primitive touch-holes by a match.

Henry the Eighth's walking stick, as the Yeomen of Guard at the Tower call it, is a short spiked mace, with three [Pg 30] short guns or pistols in the head that can be fired from very basic touch holes using a match.

The Revolver has four barrels, and although clumsy in construction, is not very different in principles from those recently introduced.

The revolver has four barrels, and even though it's a bit awkwardly built, it operates on principles that are not very different from the ones that have been introduced recently.

1. Henry the Eighth's Walking-stick. 2. A Revolver of the Fifteenth century. 3. Buckler, with Pistol inserted.

The use of the pistol inserted inside the buckler is obvious as the latter affords protection to the person while using the former.

The use of the pistol tucked inside the shield is clear since the shield provides protection to the person while using the pistol.

WIGS.

Wigs.

Wigs

In 1772 the Maccaronies, as the exquisites of that time were called, wore wigs similar to 1, 2, 3, with a large toupee, noticed as early as 1731, in the play of the Modern Husband: "I meet with nothing but a parcel of toupet coxcombs, who plaster up their brains upon their periwigs," alluding to the pometum with which they were covered. Those worn by the ladies in 1772 are given as 4, showing the rows of curls at the sides. The pig-tails were worn hanging down the back, or tied up in a knot behind, as in 5. About 1780 the hair which formed it was allowed to stream in a long lock down the back, as in 6, and soon afterwards was turned up in a knot behind. Towards the end of the century, the wig, as a general and indispensable article of attire to young and old, went out of fashion.

In 1772, the Maccaronies, as the fashionable people of that time were called, wore wigs similar to 1, 2, 3, complete with a large toupee, which had been noted as early as 1731 in the play Modern Husband: "I encounter nothing but a bunch of toupet fools, who stuff their brains beneath their periwigs," referring to the pomade they used. The wigs worn by ladies in 1772 are shown as 4, highlighting the rows of curls at the sides. The pig-tails were worn hanging down the back or tied up in a knot, as in 5. Around 1780, the hair was allowed to flow down the back in a long lock, as illustrated in 6, and shortly after, it was styled in a knot at the back. By the end of the century, wigs, which had been a common and essential part of attire for both young and old, fell out of fashion.

A FALSE FIND.

A false discovery.

At Falmouth, some years ago, the sexton found coal in digging a grave; he concluded it must be a mine, and ran with the news and the specimen to the clergyman. The surgeon explained that they had stolen a French prisoner who died, and filled his coffin with coal that the bearers might not discover its emptiness.

At Falmouth, several years ago, the grave digger discovered coal while digging a grave; he assumed it must be a mine and rushed to tell the clergyman with his find. The doctor explained that they had taken a French prisoner who had died and filled his coffin with coal so the bearers wouldn't notice it was empty.

BELLS.

Bells.

As far back as the Anglo-Saxon times, before the conclusion of the seventh century, bells had been in use in the churches of this country, particularly in the monastic societies of Northumbria; and were, therefore, in use from the first erection of parish churches among us. Those of France and England appear to have been furnished with several bells. In the time of Clothaire II., King of France, and in the year 610, the army of that king was frightened from the siege of the city of Sens, by ringing the bells of St. Stephen's Church. They were sometimes composed of iron in France; and in England, as formerly at Rome, they were frequently made of brass. And as early as the ninth century many were cast of a large size and deep note.

As early as the Anglo-Saxon period, before the end of the seventh century, bells were used in churches across this country, especially in the monastic communities of Northumbria; thus, they were present from the initial establishment of parish churches among us. Churches in France and England seemed to have multiple bells. During the reign of Clothaire II, King of France, in the year 610, his army was driven away from the siege of the city of Sens by the ringing of the bells at St. Stephen's Church. In France, some bells were made of iron, while in England, as previously in Rome, they were often made of brass. By the ninth century, many had been cast in large sizes with a deep sound.

Weever, in his work on funeral monuments, says—"In the little sanctuary at Westminster, King Edward III., erected a clochier, and placed therein three bells, for the use of St. Stephen's Chapel. About the biggest of them were cast in the metal these words:—

Weever, in his work on funeral monuments, says—"In the small sanctuary at Westminster, King Edward III. built a bell tower and installed three bells for St. Stephen's Chapel. Around the largest of them, these words were inscribed in the metal:—

"King Edward made mee thirty thousand weight and three;
Take me down and wey mee, and more you shall find mee."

"But these bells being taken down in the reign of Henry VIII., one wrote underneath with a coal:—

"But these bells were removed during the reign of Henry VIII, and someone wrote underneath with a piece of coal:—"

"But Henry the Eight,
Will bait me of my weight."

This last distich alludes to a fact mentioned by Stow, in his survey of London—ward of Farringdon Within to wit—that near to St. Paul's School stood a clochier, in which were four bells, called Jesus' bells, the greatest in all England, against which Sir Miles Partridge staked an hundred pounds, and won them of Henry VIII., at a cast of dice.

This last couplet refers to a fact noted by Stow in his survey of London—specifically, the ward of Farringdon Within—that near St. Paul's School stood a bell tower with four bells, known as Jesus' bells, the largest in all England, which Sir Miles Partridge bet a hundred pounds on and won from Henry VIII. in a dice game.

Matthew Paris observes, that anciently the use of bells was prohibited in time of mourning. Mabillon adds, that it was an old practice to ring the bells for persons about to expire, to advertise the people to pray for them—whence our passing-bell. The passing-bell, indeed, was anciently for two purposes—one to bespeak the prayers of all good Christians for a soul just departing; the other to drive away the evil spirits who were supposed to stand at the bed's foot.

Matthew Paris notes that in the past, ringing bells was banned during mourning. Mabillon adds that it used to be common to ring bells for people on the verge of death to alert others to pray for them, which is where the term "passing-bell" comes from. The passing-bell originally served two purposes: one was to request the prayers of all good Christians for a soul that was about to leave this world; the other was to ward off the evil spirits believed to be waiting at the foot of the bed.

This dislike of spirits to bells is mentioned in the Golden Legend, by Wynkyn de Worde. "It is said, evill spirytes that ben in the regyon of thayre, doubte moche when they here the belles rongen; and this is the cause why the belles ben rongen when it thondreth, and when grete tempeste and outrages of wether happen; to the ende that the fiends and wycked spirytes shold be abashed and flee, and cease of the movynge of tempeste." Another author observes, that the custom of ringing bells at the approach of thunder is of some antiquity; but that the design was not so much to shake the air, and so dissipate the thunder, as to call the people to church, to pray that the parish might be preserved from the terrible effect of lightning.

This dislike of spirits for bells is mentioned in the Golden Legend by Wynkyn de Worde. "It is said that evil spirits in the air are very afraid when they hear the bells ringing; and this is why the bells are rung when it thunders and when there are great storms and outrageous weather; so that the demons and wicked spirits will be frightened and flee, and stop the movement of the storm." Another author notes that the tradition of ringing bells when thunder approaches has been around for a long time; however, the purpose was not so much to shake the air and dissipate the thunder, but to gather the people in church to pray for the parish's protection from the devastating effects of lightning.

Warner, in his history of Hampshire, enumerates the virtues of a bell, by translating the lines from the "Helpe to Discourse:—

Warner, in his history of Hampshire, lists the benefits of a bell by translating the lines from the "Helpe to Discourse:—

"Men's death's I tell by doleful knell;
Lightning and thunder I break asunder.
On Sabbath all to church I call;
The sleepy head I raise from bed;
The winds so fierce I doe disperse;
Men's cruel rage I doe assuage."
THE CURFEW BELL.

Four of the bells of the ancient Abbey of Hexham were dedicated or baptised; and although the old bells no longer exist, the legends upon the whole six have been preserved, and a free translation given by Mr. Wright, is as follows:—

Four of the bells from the old Abbey of Hexham were dedicated or baptized; and even though the original bells are no longer around, the stories about all six have been kept, and a free translation provided by Mr. Wright is as follows:—

1. Even at our earliest sound,
The light of God is spread around.
2. At the echo of my voice,
Ocean, earth and air, rejoice.
3. Blend thy mellow tones with mine,
Silver voice of Catherine!
4. Till time on ruin's lap shall nod.
John shall sound the praise of God.
5. With John in heavenly harmony,
Andrew, pour thy melody.
6. Be mine to chant Jehovah's fame,
While Maria is my name.

These epigraphs or legends on bells, are not uncommon. The Rev. W. C. Lukis, in his notices on church bells, read at the Wilts Archæological Meeting, gave the following instances:—

These inscriptions or legends on bells are quite common. The Rev. W. C. Lukis, in his notes on church bells, presented the following examples at the Wilts Archaeological Meeting:—

At Aldbourne, on the first bell, we read, "The gift of Jos. Pizzie and Wm. Gwynn.

At Aldbourne, when the first bell rang, we read, "The gift of Jos. Pizzie and Wm. Gwynn.

"Music and ringing we like so well,
And for that reason we gave this bell."

On the fourth bell is,—

On the fourth bell is,—

"Humphry Symsin gave xx pound to buy this bell,
And the parish gave xx more to make this ring go well."

A not uncommon epigraph is,—

A common epigraph is,—

"Come when I call
To serve God all."

At Chilton Foliatt, on the tenor, is,—

At Chilton Foliatt, on the tenor, is,—

"Into the church the living I call,
And to the grave I summon all.
Attend the instruction which I give,
That so you may for ever live."

At Devizes, St. Mary, on the first bell, is,—

At Devizes, St. Mary, on the first bell, is,—

"I am the first, altho' but small.
I will be heard above you all."

And on the second bell is,—

And on the second bell is,—

"I am the second in this ring,
Therefore next to thee I will sing."

Which, at Broadchalk, is thus varied:—

Which, at Broadchalk, is therefore varied:—

"I in this place am second bell,
I'll surely do my part as well."

On the third bell at Coln is,—

On the third bell at Coln is,—

"Robert Forman collected the money for casting this bell
Of well-disposed people, as I do you tell."

At Bath Abbey, on the tenth bell, is,—

At Bath Abbey, on the tenth bell, is,—

"All you of Bath that hear me sound,
Thank Lady Hopton's hundred pound."

On the fifth bell at Amesbury is,—

On the fifth bell at Amesbury is,—

"Be strong in faith, praise God well,
Frances Countess Hertford's bell."

And, on the tenor,—

And, on the tenor, —

"Altho' it be unto my loss,
I hope you will consider my cost."

At Stowe, Northamptonshire, and at St. Mary the Virgin, Oxford, we find,—

At Stowe, Northamptonshire, and at St. Mary the Virgin, Oxford, we find,—

"Be it known to all that doth me see,
That Newcombe, of Leicester, made me."

At St. Michael's, Coventry, on the fourth bell, is,—

At St. Michael's, Coventry, on the fourth bell, is,—

"I ring at six to let men know
When to and from their work to go."

On the seventh bell is,—

At the seventh bell is,—

"I ring to Sermon with a lusty bome,
That all may come and none can stay at home."

On the eighth bell is—

At eight o'clock is—

"I am and have been called the common bell
To ring, when fire breaks out to tell."

At St. Peter's-le-Bailey, Oxford, four bells were sold towards finishing the tower, and in 1792 a large bell was put up, with this inscription:—

At St. Peter's-le-Bailey, Oxford, four bells were sold to help complete the tower, and in 1792, a large bell was installed, with this inscription:—

"With seven more I hope soon to be
For ages joined in harmony."

But this very reasonable wish has not yet been realized; whereas at St. Lawrence's, Reading, when two bells were added to form a peal of ten, on the second we find—

But this very reasonable wish hasn't been fulfilled yet; while at St. Lawrence's, Reading, when two bells were added to create a peal of ten, on the second we find—

"By adding two our notes we'll raise,
And sound the good subscribers' praise."

The occasion of the erection of the Westminster Clock-tower, is said to have been as follows:—A certain poor man, in an action for debt, being fined the sum of 13s. 4d., Radulphus Ingham, Chief Justice of the King's Bench, commiserating his case, caused the court roll to be erased, and the fine reduced to 6s. 8d., which being soon after discovered, Ingham was amerced in a pecuniary mulct of eight hundred marks, which was employed in erecting the said bell-tower, in which was placed a bell and a clock, which, striking hourly, was to remind the judges in the hall of the offence of their brother. This bell was originally called Edward; "but," says a writer in the "Antiquarian Repertory," "when the Reformation caused St. Edward and his hours to be but little regarded; as other bells were frequently called Tom, as fancied to pronounce that name when stricken—that at Lincoln, for instance, and that at Oxford—this also followed the fashion, of which, to what I remember of it before it was hung up, I may add another proof from a catch made by the late Mr. Eccles, which begins—

The story of how the Westminster Clock Tower was built goes like this: A poor man, who was in a debt case, was fined 13s. 4d. Radulphus Ingham, Chief Justice of the King's Bench, felt sorry for him and had the court record erased, reducing the fine to 6s. 8d. Once this was discovered, Ingham was fined 800 marks, which was used to build the bell tower. Inside, they put a bell and a clock that would ring every hour to remind the judges in the hall of their colleague's mistake. This bell was originally named Edward; however, as stated by a writer in the "Antiquarian Repertory," "when the Reformation led to St. Edward and his hours being largely ignored, other bells were often named Tom, as it was thought they sounded like that name when rung—like the one in Lincoln and the one in Oxford—this bell also adopted that trend. To support this, I recall a catch by the late Mr. Eccles that starts—

"'Hark, Harry, 'tis late—'tis time to be gone,
For Westminster Tom, by my faith, strikes one."

Hawkins, in his "History of Music," says,—"The practice of ringing bells in change, or regular peals, is said to be peculiar to England: whence Britain has been termed the ringing island. The custom seems to have commenced in the time of the Saxons, and was common before the Conquest. The ringing of bells, although a recreation chiefly of the lower sort, is, in itself, not incurious. The tolling of a bell is nothing more than the producing of a sound by a stroke of the clapper against the side of the bell, the bell itself being in a pendant position, and at rest. In ringing, the bell, by means of a wheel and a rope, is elevated to a perpendicular; in its motion, the clapper strikes forcibly on one side, and in its return downwards, on the other side of the bell, producing at each stroke a sound." There are still in London several societies of ringers. There was one called the College Youths (bell-ringers, like post-boys, never seem to acquire old age). Of this it is said Sir Matthew Hale, Lord Chief Justice of the King's Bench, was, in his youthful days, a member; and in the life of that upright judge, by Burnet, some facts [Pg 36] are mentioned which favour this relation. In England the practice of ringing has been reduced to a science, and peals have been composed which bear the names of their inventors; some of the most celebrated of these were composed about fifty years ago by one Patrick. This man was a maker of barometers. In the year 1684, one Abraham Rudhall, of the city of Gloucester, brought the art of bell-founding to great perfection. His descendants in succession have continued the business of casting bells; and by a list published by them at Lady Day, 1774, the family, in peals and odd bells, had cast to the amount of 3,594. The peals of St. Dunstan's in the East, St. Bride's, London, and St. Martin's-in-the-Fields, are among the number. The following "Articles of Ringing" are upon the walls of the belfry in the pleasant village of Dunster, in Somersetshire. They are dated 1787:—

Hawkins, in his "History of Music," states, "The practice of ringing bells in change, or regular peals, is said to be unique to England, which is why Britain has been called the ringing island. This custom seems to have started during the Saxon era and was common before the Conquest. Although bell ringing is mainly a pastime of the lower classes, it is, in itself, quite interesting. The tolling of a bell is simply the sound made when the clapper strikes the side of the bell while it is hanging still. In ringing, the bell is lifted to a vertical position using a wheel and a rope; during its motion, the clapper hits one side forcefully, and as it returns downward, it strikes the other side, creating a sound with each strike." There are still several societies of ringers in London. One was called the College Youths (bell-ringers, like post-boys, never seem to grow old). It is said that Sir Matthew Hale, Lord Chief Justice of the King's Bench, was a member in his youth; in Burnet's biography of that honorable judge, some details are mentioned that support this claim. In England, the practice of ringing has become a science, and peals have been created that bear the names of their inventors; some of the most well-known were composed about fifty years ago by a man named Patrick, who was a barometer maker. In 1684, a man named Abraham Rudhall from Gloucester perfected the art of bell founding. His descendants have continued the business of casting bells, and according to a list they published on Lady Day, 1774, the family had cast a total of 3,594 bells and peals. The peals of St. Dunstan's in the East, St. Bride's, London, and St. Martin's-in-the-Fields are among them. The following "Articles of Ringing" are posted on the walls of the belfry in the charming village of Dunster, in Somersetshire. They are dated 1787:—

"1. You that in ringing take delight,
Be pleased to draw near;
These articles you must observe,
If you mean to ring here.
"2. And first, if any overturn
A bell, as that he may,
He forthwith for that only fault
In beer shall sixpence pay.
"3. If any one shall curse or swear
When come within the door,
He then shall forfeit for that fault
As mentioned before.
"4. If any one shall wear his hat
When he is ringing here,
He straightway then shall sixpence pay
In cyder or in beer.
"5. If any one these articles
Refuseth to obey,
Let him have nine strokes of the rope,
And so depart away."

BILL OF SALE FOR A NEGRO IN 1770.

BILL OF SALE FOR A BLACK PERSON IN 1770.

"Know all Men by these Presents, That I, Elizabeth Treat, of Boston, in the county of Suffolk, widow, in consideration of the sum of £25 13s. 4d. to me in hand, paid before the ensealing hereof by Samuel Breck, of Boston aforesaid, merchant, the receipt whereof I do hereby acknowledge, have granted, bargained, and sold, and by these presents do fully and absolutely grant, bargain, and sell unto the said Samuel Breck, my Negro man named Harry, aged about forty years, with his apparel, to have and to hold the said Negro man Harry, with his apparel, unto the said Samuel Breck, his executors, administrators, and assigns, to his and their only proper use, benefit, and behoof for ever; And I, the said Elizabeth Treat, for myself, my heirs, executors, and administrators, do covenant, that at the time of ensealing, and until the delivery hereof, I am the true and lawful owner of the said Negro man, and that he is free from all former sales, charges, and incumbrances whatsoever, and that I will warrant and defend the said Negro man unto the said Samuel Breck, his heirs, and assigns for ever, against the lawful claims and demands of all persons whomsoever.

"Know all people by these presents, that I, Elizabeth Treat, of Boston, in Suffolk County, widow, for the sum of £25 13s. 4d. that I received in cash before signing this document from Samuel Breck, a merchant in Boston, the receipt of which I acknowledge, have granted, bargained, and sold, and by these presents do fully and absolutely grant, bargain, and sell to Samuel Breck, my Negro man named Harry, who is about forty years old, along with his clothes, to have and hold the said Negro man Harry, with his clothes, to Samuel Breck, his executors, administrators, and assigns, for his and their only proper use, benefit, and advantage forever. And I, Elizabeth Treat, for myself, my heirs, executors, and administrators, do promise that at the time of signing, and until delivery hereof, I am the true and lawful owner of the said Negro man, that he is free from all previous sales, debts, and claims, and that I will defend the said Negro man against the lawful claims and demands of all persons forever."

"Witness my hand and seal, this tenth day of October, Anno Domini, one thousand seven hundred and seventy, in the tenth year of His Majesty's reign.

"Witness my hand and seal, this tenth day of October, 1770, in the tenth year of His Majesty's reign."

"Signed, sealed, and delivered in presence of us.

"Signed, sealed, and delivered in our presence."

"Thomas Melville.
"Mary White.
"Elizabeth Treat."

"Thomas Melville.
"Mary White.
"Elizabeth Treat."

THE AZTEC CHILDREN.

AZTEC KIDS.

THE AZTEC CHILDREN, AS EXHIBITED IN ENGLAND.

Among the animated curiosities which are occasionally exposed to the gaze of the wonder-loving public, we may prominently notice the Aztec Children—two singular Lilliputians who were recently exhibited throughout the kingdom. Maximo and Bartolo (for by these names the two Aztec children have been baptized) are by some medical men supposed to be of the respective ages of twenty-two and sixteen. Professor Owen, stated them to be ten or twelve, and seven or nine in 1853. The height of the boy (the elder is about three feet, and the girl does not reach quite two feet six inches). Their limbs, though slender, are proportionate and well formed, and the general development of their figures is remarkably graceful. The cranium is peculiar, being narrower than that of any other races of beings known to the world; and though the face is somewhat prominent, the features are regular and the countenances agreeable, and, after a short acquaintance, highly interesting. Each has a beautiful head of jet black hair, which flows gracefully in curls. They are lively and intelligent, showing considerable aptitude for mental training, and have already learned to give utterance to several expressions which can be readily understood by visitors.

Among the animated curiosities that occasionally catch the attention of the wonder-loving public, we can particularly mention the Aztec Kids—two unique little people who were recently showcased throughout the kingdom. Maximo and Bartolo (as the two Aztec children are named) are thought by some medical professionals to be twenty-two and sixteen years old, respectively. Professor Owen estimated their ages to be ten to twelve and seven to nine back in 1853. The height of the older boy is about three feet, while the girl stands just under two feet six inches. Their limbs, though slender, are proportionate and well-formed, and the overall development of their figures is notably graceful. Their skull shape is unusual, narrower than that of any other known races in the world; although their faces are somewhat prominent, their features are regular and their expressions pleasant, becoming quite interesting after a brief acquaintance. Each has a beautiful head of jet black hair that flows gracefully in curls. They are lively and intelligent, showing a good ability for learning, and have already picked up several phrases that visitors can easily understand.

Since the arrival of these prodigies from the United States, they have been the objects of curious ethnological speculations. Dr. Latham does not consider them as a new species of the genus homo. Professor Owen regards them as instances of impeded development, and Dr. Conolly was struck with their resemblance to idiots.

Since the arrival of these wonders from the United States, they've sparked a lot of curious theories about their background. Dr. Latham doesn't see them as a new species of the genus homo. Professor Owen views them as examples of stunted development, and Dr. Conolly was impressed by how much they resemble individuals with intellectual disabilities.

NOTICES TO TAR AND FEATHER.

NOTICES TO TAR AND FEATHER.

The original handbills of the committee for Tarring and Feathering subjoined, are of singular interest, as they were the earliest emanations of the spirit that led to England's losing her American colonies, and the consequent rise of the United States:—

The original handbills from the committee for Tarring and Feathering below are particularly interesting, as they were the first expressions of the spirit that caused England to lose its American colonies and the resulting rise of the United States:—

To the Delaware Pilots.

To the Delaware Pilots.

The Regard we have for your Characters, and our Desire to promote your future Peace and Safety, are the Occasion of this Third Address to you.

The respect we have for your character and our desire to support your future peace and safety are the reasons for this third address to you.

In our second Letter we acquainted you, that the Tea Ship was a Three Decker; We are now informed by good Authority, she is not a Three Decker, but an old black Ship, without a Head, or any Ornaments.

In our second letter, we informed you that the tea ship was a three-decker; we have now learned from a reliable source that it is not a three-decker but an old black ship, without a head, or any ornaments.

The Captain is a short fat Fellow, and a little obstinate withal.—So much the worse for him.—For, so sure as he rides rusty, We shall heave him Keel out, and see that his Bottom be well fired, scrubb'd and paid.—His Upper-Works too, will have an Overhawling—and as it is said, he has a good deal of Quick Work about him, We will take particular Care that such Part of him undergoes a thorough Rummaging.

The Captain is a short, chubby guy, and a bit stubborn too.—That’s his problem.—Because, as sure as he acts out, we’ll pull him out and make sure his bottom is well heated, scrubbed, and treated.—His upper parts will also get a thorough check—and since it’s said he has a lot of quick fixes about him, we’ll make sure that part of him gets a thorough inspection.

We have a still worse Account of his Owner;—for it is said, the Ship Polly was bought by him on Purpose, to make a Penny of us: and that he and Captain Ayres were well advised, of the Risque they would run, in thus daring to insult and abuse us.

We have an even worse story about his owner; they say he bought the ship Polly just to make money off us. It’s also said that he and Captain Ayres knew the risks they were taking by daring to insult and mistreat us.

Captain Ayres was here in the Time of the Stamp-Act, and ought to have known our People better, than to have expected we would be so mean as to suffer his rotten TEA to be funnel'd down our Throats, with the Parliament's Duty mixed with it.

Captain Ayres was here during the Stamp Act era and should have understood our people better than to expect us to be so petty as to let his rotten TEA be forced down our throats along with the Parliament's Duty mixed in.

We know him well, and have calculated to a Gill and a Feather, how much it will require to fit him for an American Exhibition. And we hope, not one of your Body will behave so ill, as to oblige us to clap him in the Cart along Side of the Captain.

We know him well and have figured out to the last detail how much it will take to prepare him for an American Exhibition. And we hope none of you will act so poorly as to force us to put him in the cart alongside the Captain.

We must repeat, that the SHIP POLLY is an old black Ship, of about Two Hundred and Fifty Tons burthen, without a Head, and without Ornaments,—and, that CAPTAIN AYRES is a thick chunky Fellow.—As such, Take Care to avoid THEM.

We have to say again that the SHIP POLLY is an old black ship, weighing about Two Hundred and Fifty Tons, without a bow, and without decorations,—and that CAPTAIN AYRES is a big, stocky guy.—So, make sure to stay away from THEM.

Your Old Friends,
The Committee for Tarring and Feathering.
Philadelphia, December 7, 1773.

Your Old Friends,
The Committee for Tarring and Feathering.
Philadelphia, December 7, 1773.

To Capt. Ayres, of the Ship Polly, on a Voyage from London to Philadelphia.

To Captain Ayres, of the Ship Polly, on a Voyage from London to Philadelphia.

Sir,

Sir,

We are informed that you have, imprudently, taken Charge of a Quantity of Tea; which has been sent out by the India Company, under the Auspices of the Ministry, as a Trial of American Virtue and Resolution.

We’ve been told that you have, foolishly, taken responsibility for a shipment of tea that was sent out by the India Company, under the guidance of the Ministry, to test American integrity and determination.

Now, as your Cargo, on your Arrival here, will most assuredly bring you into hot water; and as you are perhaps a Stranger to these Parts, we have concluded to advise you of the present Situation of Affairs in Philadelphia—that, taking Time by the Forelock, you may stop short [Pg 39] in your dangerous Errand—secure your Ship against the Rafts of combustible Matter which may be set on Fire, and turned loose against her: and more than all this, that you may preserve your own Person, from the Pitch and Feathers that are prepared for you.

Now, since your cargo will definitely land you in trouble when you arrive here, and since you might not be familiar with this area, we’ve decided to inform you about the current situation in Philadelphia—so you can think ahead and avoid your risky mission—protect your ship from the piles of flammable materials that might be set on fire and aimed at her: and most importantly, to help you keep yourself safe from the pitch and feathers that are ready for you.

In the first Place, we must tell you, that the Pennsylvanians are, to a Man, passionately fond of Freedom; the Birthright of Americans; and at all Events are determined to enjoy it.

In the first place, we need to tell you that the Pennsylvanians are, without exception, deeply passionate about freedom; the birthright of Americans; and, in any case, they are set on enjoying it.

That they sincerely believe, no Power on the Face of the Earth has a Right to tax them without their Consent.

That they genuinely believe no one on Earth has the right to tax them without their consent.

That in their Opinion, the Tea in your Custody is designed by the Ministry to enforce such a Tax, which they will undoubtedly oppose; and in so doing, give you every possible Obstruction.

That in their opinion, the tea in your possession is intended by the ministry to impose such a tax, which they will certainly oppose; and in doing so, will create every possible obstacle for you.

We are nominated to a very disagreeable, but necessary Service.—To our Care are committed all Offenders against the Rights of America; and hapless is he, whose evil Destiny has doomed him to suffer at our Hands.

We are assigned to a very unpleasant but essential duty. All offenders against the rights of America are entrusted to our care, and woe to anyone whose bad luck has led them to face our judgment.

You are sent out on a diabolical Service; and if you are so foolish and obstinate as to compleat your Voyage; by bringing your Ship to Anchor in this Port; you may run such a Gauntlet, as will induce you, in your last Moments, most heartily to curse those who have made you the Dupe of their Avarice and Ambition.

You’ve been sent on a wicked mission, and if you’re foolish and stubborn enough to finish your journey by docking your ship at this port, you might face a challenge that will make you, in your final moments, truly curse those who have used you as a pawn in their greed and ambition.

What think you Captain, of a Halter around your Neck—ten Gallons of liquid Tar decanted on your Pate—with the Feathers of a dozen wild Geese laid over that to enliven your Appearance?

What do you think, Captain, about having a noose around your neck—ten gallons of liquid tar poured over your head—with the feathers of a dozen wild geese on top to jazz up your look?

Only think seriously of this—and fly to the Place from whence you came—fly without Hesitation—without the Formality of a Protest—and above all, Captain Ayres let us advise you to fly without the wild Geese Feathers.

Only think seriously about this—and get back to where you came from—leave without hesitation—without the need for formal objections—and above all, Captain Ayres, we suggest you leave without the wild goose feathers.

Your Friends to serve
The Committee as before subscribed.
Philadelphia, Nov. 27, 1773.

Your Friends to serve
The Committee has subscribed as before.
Philadelphia, Nov. 27, 1773.

B. FRANKLIN'S CELEBRATED LETTER TO STRAHAN.

B. FRANKLIN'S CELEBRATED LETTER TO STRAHAN.

As a sequel to the foregoing notices, we give Dr. Franklin's celebrated letter, written in the actual heat of the first outbreak.

As a follow-up to the previous notices, we present Dr. Franklin's famous letter, written in the midst of the first outbreak.

Philadelphia, July 5, 1775.

Philadelphia, July 5, 1775.

Mr. Strahan,—You are a member of Parliament, and one of that majority which has doomed my country to destruction. You have begun to burn our towns, and murder our people. Look upon your hands! They are stained with the blood of your relations! You and I were long friends; you are now my enemy, and
I am, yours,
Ben Franklin.

HENRY II. STRIPT WHEN DEAD.

HENRY II. STRIPPED WHEN DEAD.

1189. Immediately upon his death, those that were about him applied their market so busilie in catching and filching awaie things that laie readie for them, that the king's corps laie naked a long time, till a child covered the nether parts of his body with a short cloke, and then it seemed that his surname was fulfilled that he had from his childhood, which was Shortmantell, being so called, because he was the first who brought short clokes out of Anjou into England.

1189. Right after his death, those around him hurriedly went about grabbing and stealing things that were ready for them, so much that the king's body lay uncovered for a long time until a child covered his lower parts with a short cloak. It then seemed that his nickname from childhood, Shortmantell, was fulfilled, as he was called that because he was the first to bring short cloaks from Anjou to England.

TRANSPLANTATION OF HAIR.

Hair Transplant.

The Signor Dottore Domenico Nardo addressed a letter to the Academy of Padua, in 1826, on the subject of the growth of hair after death, and even after its separation from the body. The latter property had been previously observed by Krafft. The Signor Nardo recounts the results of experiments made on his own person in the transplantation of hair, and relates, that by transplanting quickly a hair, with its root, from a pore of his head, into a pore of his chest, easily to be accomplished by widening the pore somewhat with the point of a needle, introducing the root with nicety, and exciting within the pore itself, by friction, a slight degree of inflammation, the hair takes root, continues to vegetate, and grows; in due season changes colour, becomes white, and falls.

Signor Doctor Domenico Nardo wrote a letter to the Academy of Padua in 1826 about hair growth after death and even after it has been separated from the body. This latter phenomenon had already been noted by Krafft. Nardo shares the results of experiments conducted on himself regarding hair transplantation. He explains that by quickly transplanting a hair with its root from a pore on his head to a pore on his chest—something easily done by slightly widening the pore with the tip of a needle, carefully inserting the root, and stimulating the pore with a bit of friction to create a slight inflammation—the hair can take root, continue to grow, eventually change color, turn white, and fall out.

ANCIENT CANNON RAISED FROM THE SEA.

ANCIENT CANNON RAISED FROM THE SEA.

A fisherman of Calais some time since, drew up a cannon, of very ancient form, from the bottom of the sea, by means of his nets. M. de Rheims has since removed the rust from it, and on taking off the breech was much surprised to find the piece still charged. Specimens of the powder have been taken, from which, of course, all the saltpetre has disappeared after a submersion of three centuries. The ball was of lead, and was not oxidized to a depth greater than that of a line.

A fisherman from Calais recently pulled up an old cannon from the bottom of the sea using his nets. M. de Rheims later cleaned off the rust and was quite surprised to find the cannon still loaded when he opened the breech. They extracted some of the gunpowder, which, after being underwater for three centuries, had of course lost all its saltpeter. The cannonball was made of lead and was only oxidized to about the depth of a line.

COFFEE-HOUSE ATTRACTIONS IN 1760.

Coffee Shop Attractions in 1760.

The great attraction of Don Saltero's Coffee-house was its collection of rarities, a catalogue of which was published as a guide to the visitors. It comprehends almost every description of curiosity, natural and artificial. "Tigers' tusks; the Pope's candle; the skeleton of a Guinea-pig; a fly-cap monkey; a piece of the true Cross; the Four Evangelists' heads cut on a cherry-stone; the King of Morocco's tobacco-pipe; Mary Queen of Scot's pincushion; Queen Elizabeth's prayer-book; a pair of Nun's stockings; Job's ears, which grew on a tree; a frog in a tobacco-stopper;" and five hundred more odd relics! The Don had a rival, as appears by "A Catalogue of the Rarities to be seen at Adams's, at the Royal Swan, in Kingsland Road, leading from Shoreditch Church, 1756." Mr. Adams exhibited, for the entertainment of the curious, "Miss Jenny Cameron's shoes; Adam's eldest daughter's hat; the heart of the famous Bess Adams, that was hanged at Tyburn with Lawyer Carr, January 18, 1736-7; Sir Walter Raleigh's tobacco-pipe; Vicar of Bray's clogs; engine to shell green pease with; teeth that grew in a fish's belly; Black Jack's ribs; the very comb that Abraham combed his son Isaac and Jacob's head with; Wat Tyler's spurs; rope that cured Captain Lowry of the head-ach, ear-ach, tooth-ach and belly-ach; Adam's key of the fore and back door of the Garden of Eden, &c., &c." These are only a few out of five hundred others equally marvellous.

The main draw of Don Saltero's Coffee-house was its collection of curiosities, which was listed in a guide for visitors. It included almost every type of oddity, both natural and man-made. "Tiger tusks; the Pope's candle; the skeleton of a guinea pig; a fly-cap monkey; a piece of the true Cross; the heads of the Four Evangelists carved on a cherry stone; the King of Morocco's tobacco pipe; Mary Queen of Scots' pincushion; Queen Elizabeth's prayer book; a pair of nun's stockings; Job's ears, which grew on a tree; a frog in a tobacco stopper;" and five hundred more strange relics! Don also had a competitor, as shown in "A Catalogue of the Rarities to be seen at Adams's, at the Royal Swan, in Kingsland Road, leading from Shoreditch Church, 1756." Mr. Adams displayed, for the amusement of the curious, "Miss Jenny Cameron's shoes; Adam's oldest daughter's hat; the heart of the famous Bess Adams, who was hanged at Tyburn with Lawyer Carr on January 18, 1736-7; Sir Walter Raleigh's tobacco pipe; the Vicar of Bray's clogs; a machine to shell green peas; teeth that grew in a fish's belly; Black Jack's ribs; the very comb that Abraham used to comb his son Isaac and Jacob's hair; Wat Tyler's spurs; the rope that cured Captain Lowry of headaches, earaches, toothaches, and stomachaches; Adam's key to the front and back doors of the Garden of Eden, etc., etc." These are just a few out of five hundred others equally amazing.

A WOMAN TAKES THE LIGHTED MATCH FROM A BOMB.

A WOMAN TAKES THE LIT MATCH FROM A BOMB.

During the siege of Gibraltar, in 1782, the Count d'Artois came to St. Roch, to visit the place and works. While his highness was inspecting [Pg 41] the lines, in company with the Duke de Crillon, they both alighted with their suite, and all lay flat upon the ground, to avoid the effects of a bomb that fell near a part of the barracks where a Frenchwoman had a canteen. This woman, who had two children in her arms at the time, rushed forth with them, and having seated herself, with the utmost sang-froid, on the bomb-shell, she put out the match, thus extricating from danger all that were around her, many of whom witnessed this courageous and devoted act. His highness rewarded this intrepid female by bestowing on her a pension of three francs a day, and engaged to promote her husband after the siege; while the Duke de Crillon, imitating the generous example of the prince, ensured to her likewise a daily payment of five francs.

During the siege of Gibraltar in 1782, Count d'Artois visited St. Roch to check out the area and the work being done. While he was inspecting the lines with Duke de Crillon, they both got down on the ground with their group to avoid being hit by a bomb that fell near a part of the barracks where a French woman had a canteen. This woman, who was holding two children at the time, rushed out with them and calmly sat on the bomb shell, putting out the fuse and saving everyone around her, many of whom witnessed her courageous and selfless act. The prince rewarded this brave woman with a pension of three francs a day and promised to promote her husband after the siege; meanwhile, Duke de Crillon, following the prince's generous lead, also ensured she received an additional daily payment of five francs.

THE SUMMERS MAGNET, OR LOADSTONE.

The Summer's Magnet, or Loadstone.

Summers Magnet or Loadstone

Among the great naval officers of Elizabeth's reign must be ranked Sir George Summers, the discoverer of the Bermudas, often called the Summers Islands from that circumstance. Here is a representation given of what the descendants of Sir George Summers call the "Summers magnet, or loadstone." It is in the possession of Peter Franklin Bellamy, Esq., surgeon, second son of Dr. Bellamy, of Plymouth. The tradition in the family is that the admiral before going to sea used to touch his needle with it. The stone is dark-coloured, the precise geological formation doubtful. This curious stone, with armature of iron, was probably an ancient talisman.

Among the great naval officers of Elizabeth's reign is Sir George Summers, the discoverer of the Bermudas, often referred to as the Summers Islands because of this. Here is a depiction of what the descendants of Sir George Summers call the "Summers magnet, or loadstone." It is owned by Peter Franklin Bellamy, Esq., a surgeon and the second son of Dr. Bellamy of Plymouth. The family tradition says that the admiral used to touch his needle to it before going to sea. The stone is dark-colored, and its exact geological formation is uncertain. This unusual stone, with iron attachment, was likely an ancient talisman.

SWALLOWING LIZARDS.

Swallowing lizards.

Bertholin, the learned Swedish doctor, relates strange anecdotes of lizards, toads, and frogs; stating that a woman, thirty years of age, being thirsty, drank plentifully of water at a pond. At the end of a few months, she experienced singular movements in her stomach, as if something were crawling up and down; and alarmed by the sensation, consulted a medical man, who prescribed a dose of orvietan in a decoction of fumitory. Shortly afterwards, the irritation of the stomach increasing, she vomited three toads and two young lizards, after which, she became more at ease. In the spring following, however, her irritation of the stomach was renewed; and aloes and bezoar being administered, she vomited three female frogs, followed the next day by their numerous progeny. In the month of January following, she vomited five more living frogs, and in the course of seven years ejected as many as eighty. Dr. Bertholin protests that he heard them croak in her stomach!

Bertholin, the knowledgeable Swedish doctor, shares bizarre stories about lizards, toads, and frogs, recounting one about a thirty-year-old woman who was thirsty and drank a lot of water from a pond. A few months later, she felt strange movements in her stomach, as if something was crawling around, and worried by the sensation, she consulted a doctor who advised her to take a dose of orvietan mixed with fumitory. Soon after, as her stomach irritation worsened, she vomited three toads and two baby lizards, after which she felt better. However, the following spring, her stomach issues returned, and after taking aloes and bezoar, she threw up three female frogs, followed by many of their tadpoles the next day. By January of the following year, she vomited five more live frogs, and over the course of seven years, she expelled as many as eighty. Dr. Bertholin insists that he could hear them croaking in her stomach!

IMMENSE SEA SERPENT.

Giant Sea Serpent.

A species of sea-serpent was thrown on shore near Bombay in 1819. It was about forty feet long, and must have weighed many tons. A violent gale of wind threw it high above the reach of ordinary tides, in which situation it took nine months to rot; during which process travellers were obliged to change the direction of the road for nearly a quarter of a mile, to avoid the offensive effluvia. It rotted so completely that not a vestige of bone remained.

A type of sea serpent washed up on the shore near Bombay in 1819. It was about forty feet long and probably weighed several tons. A strong wind blew it far above the normal tide level, and it took nine months to decompose; during that time, travelers had to reroute their path for nearly a quarter of a mile to avoid the unpleasant smell. It decomposed so thoroughly that not a single bone was left behind.

THE ROYAL TOUCH.

THE ROYAL TOUCH.

For many ages one of the regal prerogatives in this country was to touch for the cure of regius morbus, or scrofula; a disease too well known to need any description. At different periods hundreds of persons assembled from all parts of the country annually to receive the royal interposition. Lists of the afflicted were published, to afford a criterion for determining as to its success; and from Edward the Confessor to the reign of Queen Anne, its efficacy appears to have obtained a ready and general belief.

For many years, one of the royal privileges in this country was to touch for the cure of regius morbus, or scrofula; a disease too well known to need any description. At different times, hundreds of people gathered from all over the country each year to receive the king's help. Lists of the afflicted were published to provide a way to measure its success; and from Edward the Confessor to the reign of Queen Anne, its effectiveness seems to have been widely and generally believed.

The ceremony was announced by public proclamations; one of which we copy from "The Newes," of the 18th of May, 1664. "His Sacred Majesty" (Charles II.) "having declared it to be his royal will and purpose to continue the healing of his people for the Evil during the month of May, and then to give over until Michaelmas next, I am commanded to give notice thereof, that the people may not come up to town in the interim, and lose their labour."

The ceremony was announced through public notices; one of which we quote from "The Newes," dated May 18, 1664. "His Sacred Majesty" (Charles II.) "has declared that it is his royal will and intention to continue healing his people for the Evil throughout the month of May, and then to pause until Michaelmas, so I am instructed to inform the public so they do not travel to the city in the meantime and waste their efforts."

An extract from the "Mercurius Politicus" affords additional information. "Saturday," says that paper, "being appointed by His Majesty to touch such as were troubled with the Evil, a great company of poor afflicted creatures were met together, many brought in chairs and flaskets, and being appointed by His Majesty to repair to the banqueting-house, His Majesty sat in a chair of state, where he stroked all that were brought unto him, and then put about each of their necks a white ribbon, with an angel of gold on it. In this manner His Majesty stroked above six hundred; and such was his princely patience and tenderness to the poor afflicted creatures, that, though it took up a very long time, His Majesty, who is never weary of well-doing, was pleased to make inquiry whether there were any more who had not yet been touched. After prayers were ended, the Duke of Buckingham brought a towel, and the Earl of Pembroke a basin and ewer, who, after they had made obeisance to His Majesty, kneeled down, till His Majesty had washed."

An excerpt from "Mercurius Politicus" provides extra details. "Saturday," the paper states, "was designated by His Majesty to touch those suffering from the Evil. A large group of poor afflicted individuals gathered, many brought in chairs and baskets. As instructed by His Majesty, they made their way to the banqueting house, where His Majesty sat in a high-backed chair, stroking everyone who was brought to him, then placing a white ribbon with a gold angel around each of their necks. In this way, His Majesty touched over six hundred people; his royal patience and compassion for the poor afflicted individuals were so great that, even though it took a long time, His Majesty, who never tires of doing good, was eager to find out if there were any others who hadn’t been touched yet. After the prayers ended, the Duke of Buckingham brought a towel, and the Earl of Pembroke brought a basin and pitcher, and after they had bowed to His Majesty, they knelt down while His Majesty washed."

This sovereign is said to have touched nearly one hundred thousand patients.

This ruler is said to have healed nearly one hundred thousand patients.

With Queen Anne the practice was discontinued. But so late as the 28th of February, 1712, little more than two years before her death, the following proclamation appeared in the "Gazette":—"It being Her Majesty's royal intention to touch for the Evil on Wednesday, the 19th of March next, and so to continue weekly during Lent, it is Her Majesty's [Pg 43] command that tickets be delivered the day before at the office in Whitehall; and that all persons shall bring a certificate signed by the Minister and Churchwardens of their respective parishes, that they have never received the royal touch." Dr. Johnson, when an infant, was brought, with others, for this purpose; "and when questioned upon the subject, confessed he had a faint recollection of an old lady with something black about her head."

With Queen Anne, the practice was stopped. But as late as February 28, 1712, just over two years before her death, the following proclamation was published in the "Gazette":—"It is Her Majesty's royal intention to touch for the Evil on Wednesday, March 19, and to continue this every week during Lent. It is Her Majesty's [Pg 43] command that tickets be issued the day before at the office in Whitehall; and that all individuals must bring a certificate signed by their Minister and Churchwardens from their respective parishes, confirming they have never received the royal touch." Dr. Johnson was brought as a baby, along with others, for this purpose; "and when asked about it, he admitted he had a vague memory of an old lady with something dark on her head."

A religious service, of which Dr. Heylin, Prebendary of Westminster, in his "Examen Historicum," has given us the particulars, accompanied the ceremony; which, as a document of pious interest, we transcribe:—"The first Gospel is the same as that on the Ascension-day, Mark xvi. 14, to the end. At the touching of every infirm person these words are repeated: 'They shall lay their hands on the sick, and they shall recover.' The second Gospel begins with the first of St. John, and ends a these words: (John i. 14:) 'Full of grace and truth.' At the putting the angel about their necks were repeated, 'That light was the true light, which lighteth every man that cometh into the world.'

A religious service, which Dr. Heylin, Prebendary of Westminster, detailed in his "Examen Historicum," accompanied the ceremony; as a document of religious significance, we share it here:—"The first Gospel is the same as that read on Ascension Day, Mark xvi. 14, to the end. When every sick person is touched, these words are repeated: 'They shall lay their hands on the sick, and they shall recover.' The second Gospel starts with the first of St. John and ends with these words: (John i. 14:) 'Full of grace and truth.' While placing the angel around their necks, they repeated, 'That light was the true light, which lighteth every man that cometh into the world.'"

"'Lord, have mercy upon us.'

'Lord, have mercy on us.'

"'Christ have mercy upon us.'

"Christ, have mercy on us."

"'Lord have mercy upon us. Our Father, &c.'

"'Lord, have mercy on us. Our Father, &c.'"

"'Minister.—O Lord, save thy servants:'

"'Minister.—O Lord, save your servants:'"

"'Response.—Which put their trust in thee.'

"'Response.—Which put their trust in you.'"

"'M.—Send unto them help from above:'

'M.—Send them help from above:'

"'R.—And ever more defend them.'

'R.—And always defend them.'

"'M.—Help us, O God, our Saviour!'

'M.—Help us, O God, our Savior!'

"'R.—And for the glory of thy name sake deliver us: be merciful unto us, sinners, for thy name sake!'

"'R.—And for the glory of your name, deliver us: be merciful to us, sinners, for your name's sake!'"

"'M.—O Lord, hear our prayer:'

"M.—Lord, hear our prayer:"

"'R.—And let our cry come unto thee.'

"'R.—And may our plea reach you.'"

"'The Collect.—Almighty God, the eternal health of all such as put their trust in thee, hear us, we beseech thee, on the behalf of these thy servants, for whom we call for thy merciful help; that they receiving health, may give thanks unto thee in thy holy Church, through Jesus Christ our Lord! Amen.'

"The Collect.—Almighty God, the eternal source of health for all who trust in you, hear us, we ask you, on behalf of these your servants, for whom we seek your merciful help; that they, receiving healing, may give thanks to you in your holy Church, through Jesus Christ our Lord! Amen."

"'The peace of God,' &c."

"The peace of God," etc.

PEG TANKARDS.

PEG TANKARDS.

The pegging, or marking the drinking cups, was introduced by St. Dunstan, to check the intemperate habits of the times, by preventing one man from taking a larger draught than his companions. But the device proved the means of increasing the evil it was intended to remedy; for, refining upon Dunstan's plan, the most abstemious were required to drink precisely to a peg or pin, whether they could soberly take such a quantity of liquor or not. To the use of such cups may be traced the origin of many of our popular phrases. When a person is much elated, we still say, "He is in a merry pin;" and, "He is a peg too low," when he is not in good spirits. On the same principle we talk of "taking a man down a peg," when we would check forwardness.

The pegging, or marking of drinking cups, was introduced by St. Dunstan to address the excessive drinking habits of the time by making sure no one person could drink more than their friends. However, this idea ended up increasing the problem it aimed to solve; because of Dunstan's method, even the most moderate drinkers were forced to consume exactly to a peg or pin, regardless of whether they could healthily handle that amount of alcohol. The use of such cups has influenced many of our common phrases. When someone is really happy, we still say, "He is in a merry pin," and when they’re feeling down, we say, "He is a peg too low." Similarly, we express the idea of "taking a man down a peg" when we want to tone down someone's arrogance.

NORMAN CAPS.

NORMAN CAPS.

There is nothing more amusing to the traveller on the continent, than to observe the extraordinary variety of those head-appendages, many of them heirlooms for generations in some families, all more or less prized according to the richness of materials employed upon them, and the peculiarity of shape. There is no article of dress more important to the Normande, whatever may be her means, than the cap which so jauntily and triumphantly asserts the dignity of the wearer. The wives of fermières who can afford such luxuries as expensive lace and trimmings, spend a little income in the decoration of their caps. Many cost upwards of three thousand francs for the materials and manufacture; and these, as we have before observed, are handed from mother to daughter through successive years, and are highly prized.

There’s nothing more amusing for travelers on the continent than noticing the incredible variety of headwear. Many of these hats are heirlooms passed down through generations in some families and are valued differently based on the materials used and their unique shapes. For the Normande, no piece of clothing is as important as the cap that proudly displays the wearer's dignity, regardless of her finances. The wives of farmers who can splurge on luxuries like fancy lace and trimmings invest part of their income into decorating their caps. Many of these caps cost over three thousand francs for the materials and craftsmanship, and as we mentioned earlier, they're passed down from mother to daughter through the years and are treasured significantly.

Norman Caps

In the primitive villages of Normandy, on some holidays, it is a pleasing sight to see the dense army of caps, with flaps fanning the air, and following the gesticulatory movements of their talkative and volatile owners. When the weather is doubtful, the cap-wearers take care to be provided with a red umbrella of a clumsy construction, remarkably heavy, and somewhat similar, perhaps, to the original with which Jonas Hanway braved the jeers of a London populace in first introducing it.

In the simple villages of Normandy, on certain holidays, it's a delightful sight to see the thick crowd of caps, flaps waving in the breeze, following the animated gestures of their chatty and lively wearers. When the weather is uncertain, those wearing caps make sure to carry a clumsy, heavy red umbrella, which is somewhat similar to the original one that Jonas Hanway used to face the ridicule of London crowds when he first brought it out.

NORTH AMERICAN INDIAN WAR DESPATCH.

NORTH AMERICAN INDIAN WAR REPORT.

The following is a facsimile of a gazette of a tribe of North American Indians, who assisted the French forces in Canada, during the war between France and England:—

The following is a facsimile of a newspaper from a tribe of North American Indians, who helped the French forces in Canada during the war between France and England:—

North American Indian Tribe Gazette

Explanation of the Gazette, giving an account of one of their expeditions. The following divisions explain those on the plate, as referred to by the numbers:—

Explanation of the Gazette, providing details about one of their expeditions. The following sections describe those shown on the plate, as indicated by the numbers:—

1. Each of these figures represents the number ten. They all signify, that 18 times 10, or 180 American Indians, took up the hatchet, or declared war, in favour of the French, which is represented by the hatchet placed over the arms of France.

1. Each of these figures represents the number ten. They all signify that 18 times 10, or 180 American Indians, took up the hatchet or declared war in support of the French, which is shown by the hatchet placed over the arms of France.

2. They departed from Montreal—represented by the bird just taking wing from the top of a mountain. The moon and the buck show the time to have been in the first quarter of the buck-moon, answering to July.

2. They left Montreal—symbolized by the bird just taking flight from the peak of a mountain. The moon and the buck indicate that it was the first quarter of the buck moon, corresponding to July.

3. They went by water—signified by the canoe. The number of huts, such as they raise to pass the night in, shows they were 21 days on their passage.

3. They traveled by water—indicated by the canoe. The number of huts they set up for overnight stays shows they were on their journey for 21 days.

4. Then they came on shore, and travelled seven days by land—represented by the foot and the seven huts.

4. Then they landed and traveled seven days on land—shown by the foot and the seven huts.

5. When they arrived near the habitations of their enemies, at sunrise—shown by the sun being to the eastward of them, beginning, as they think, its daily course, there they lay in wait three days—represented by the hand pointing, and the three huts.

5. When they got close to their enemies' homes at sunrise—indicated by the sun rising to the east, starting its daily journey—they waited there for three days—symbolized by the hand pointing and the three huts.

6. After which, they surprised their enemies, in number 12 times 10, or 120. The man asleep shows how they surprised them, and the hole in the top of the building is supposed to signify that they broke into some of their habitations in that manner.

6. After that, they ambushed their enemies, who numbered 120. The sleeping man demonstrates how they caught them off guard, and the hole in the top of the building is thought to indicate that they broke into some of their homes that way.

7. They killed with the club eleven of their enemies, and took five prisoners. The former represented by the club and the eleven heads, the latter by the figures on the little pedestals.

7. They killed eleven of their enemies with a club and captured five prisoners. The former are represented by the club and the eleven heads, and the latter by the figures on the small pedestals.

8. They lost nine of their own men in the action—represented by the nine heads within the bow, which is the emblem of honour among the Americans, but had none taken prisoners—a circumstance they lay great weight on, shown by all the pedestals being empty.

8. They lost nine of their own men in the battle—indicated by the nine heads within the bow, which symbolizes honor among Americans—but did not take any prisoners—a point they emphasized, as shown by all the pedestals being empty.

9. The heads of the arrows, pointing opposite ways, represent the battle.

9. The tips of the arrows, facing in different directions, symbolize the conflict.

10. The heads of the arrows all pointing the same way, signify the flight of the enemy.

10. The tips of the arrows all pointing in the same direction indicate the enemy's retreat.

RECEIPTS FROM ALBERTUS MAGNUS.

RECEIPTS FROM ALBERTUS MAGNUS.

If thou wylt make a Carbuckle stone, or a thyng shyning in the nyght.—Take verye many of the lyttle beastes shyninge by nyghte, and put them beaten smale in a bottel of glasse, and close it, and burye it in hoate horses doung, and let it tarye xv dayes, afterwarde thou shalte destyll water of them Peralembicum, which thou shalt put in a vessel of Christal or glasse. It giueth so great clearnesse, that euery man may reade and write in a darke place where it is. Some men make this water of the gall of a snale, the gal of a wesel, the gall of a feret, and of a water dogge: they burie them in doung and destyll water out of them.

If you want to make a Carbuncle stone, or something that shines at night.—Take a lot of the little creatures that shine at night, crush them finely, put them in a glass bottle, seal it, and bury it in hot horse manure for fifteen days. After that, you should distill a water called Peralembicum, which you will put in a crystal or glass vessel. It gives such great clarity that anyone can read and write in a dark place where it is. Some people make this water from the bile of a snail, the bile of a weasel, the bile of a ferret, and from a water dog; they bury them in manure and distill water from them.

If thou wylt see that other men can not see.—Take the gall of a male cat, and the fat of a hen all whyte, and mixe them together, and anoint thy eyes, and thou shalt see it that others cannot see.

If you want to see what others can't.—Take the gall of a male cat and the fat of a white hen, mix them together, and apply it to your eyes, and you will see what others cannot see.

If the hart, eye, or brayne of a lapwyng or blacke plover be hanged vpon a mans necke it is profitable agaynste forgetfulnesse, and sharpeth mans vnderstanding.—"Albertus Magnus." Black Letter: very old.

If you hang the heart, eye, or brain of a lapwing or black plover around your neck, it helps with forgetfulness and sharpens your understanding.—"Albertus Magnus." Black Letter: very old.

ADVERTISEMENT OF ROAST PIG IN 1726.

ADVERTISEMENT OF ROAST PIG IN 1726.

"On Tuesday next, being Shrove Tuesday, there will be a fine hog barbyqu'd whole, at the house of Peter Brett, at the Rising Sun, in Islington Road, with other diversions.—Note. It is the house where the ox was roasted whole at Christmas last."

"Next Tuesday, which is Shrove Tuesday, there will be a great whole hog barbecue at Peter Brett's house at the Rising Sun on Islington Road, along with other entertainment. —Note. This is the place where the whole ox was roasted at Christmas last year."

A hog barbecu'd is a West Indian term, and means a hog roasted whole, stuffed with spice, and basted with Madeira wine. Oldfield, an eminent glutton of former days, gormandised away a fortune of fifteen hundred pounds a-year. Pope thus alludes to him,—

A hog barbecued is a West Indian term, meaning a whole hog roasted, stuffed with spices, and basted with Madeira wine. Oldfield, a well-known glutton from the past, devoured a fortune of fifteen hundred pounds a year. Pope makes a reference to him,—

"Oldfield, with more than harpy throat endu'd,
Cries, 'Send me, O, gods, a whole hog barbecu'd!'"

DYING OF OLD AGE AT SEVENTEEN YEARS.

DYING OF OLD AGE AT SEVENTEEN YEARS.

March 19th, 1754, died, in Glamorganshire, of mere old age and a gradual decay of nature, at seventeen years and two months, Hopkins Hopkins, the little Welchman lately shown in London. He never weighed more than seventeen pounds, but for three years past no more than twelve. The parents have still six children left, all of whom no way differ from other children, except one girl of twelve years of age, who weighs only eighteen pounds, and bears upon her most of the marks of old age, and in all respects resembles her brother when at that age.

March 19th, 1754, died in Glamorganshire from old age and gradual physical decline, at seventeen years and two months, Hopkins Hopkins, the little Welsh boy recently seen in London. He never weighed more than seventeen pounds, but for the past three years, no more than twelve. The parents still have six children left, all of whom are just like other children, except for one girl who is twelve years old and weighs only eighteen pounds. She shows many signs of old age and resembles her brother at that age in every way.

"WE HAE BEEN."

"WE HAVE BEEN."

In Ayrshire there is a tradition, that the family motto of De Bruce—"We have been," originated from a lady named Fullarton, married to a cadet of the family of Cassilis. They had been gained to favour England during the chivalrous achievements of Wallace, and still continued zealous partisans of Edward. Before Bruce avowed his purpose to emancipate his country, he came, disguised as a palmer, to acquaint himself how far he could rely on aid from the people. A storm compelled him, and a few faithful adherents, to take shelter on the coast of Ayrshire. Extreme darkness, and the turbulence of the billows, deprived them of all knowledge where they landed; and as, in those unhappy times, the appearance of a few strangers would create alarm, the chiefs dispersed in different directions. Bruce chanced to go into the house of Mr. Kennedy, where the servants treated him with great reverence. The lady had gone to bed, and the prince wished they would not disturb her, but permit him to sit by the fire till day; however, one damsel had given her immediate notice of the visitor. He was ushered into her presence. She eyed him with scrutinizing earnestness. "We hae been—we hae been fause," said she, in the Scottish dialect, "but a royal ee takes me back to haly loyalty. I seid ye, mes royal de Bruce, I ken ye weel. We hae been baith untrue to Scotland, but rest ye safe: and albiet a' that's gane, Meg Fullarton wad dee in your cause."

In Ayrshire, there’s a tradition that the family motto of De Bruce—"We have been"—came from a woman named Fullarton, who was married to a younger son of the Cassilis family. They had shown support for England during the heroic times of Wallace and continued to be strong supporters of Edward. Before Bruce declared his intention to free his country, he came, disguised as a pilgrim, to see how much he could count on help from the people. A storm forced him and a few loyal followers to take shelter on the Ayrshire coast. The darkness and the rough waves left them unaware of where they had landed, and since those were troubled times, the appearance of a few strangers would cause panic, so the leaders scattered in different directions. Bruce happened upon the home of Mr. Kennedy, where the servants treated him with great respect. The lady of the house had gone to bed, and the prince wished they wouldn’t disturb her but allow him to sit by the fire until morning; however, one maid quickly informed her about the visitor. He was brought into her presence. She looked at him with intense scrutiny. "We have been—we have been false," she said in a Scottish accent, "but a royal eye takes me back to holy loyalty. I say to you, my royal de Bruce, I know you well. We have both been untrue to Scotland, but rest assured: despite all that has happened, Meg Fullarton would die for your cause."

ORIGIN OF THE PENNY POST.

Penny Post Origins.

The penny-post was devised in 1683, by one Mr. David Murray, an upholder in Paternoster Row. It soon became an object of attention to Government; but so low were its profits that one Dockwra, who succeeded Murray, had a pension of only £200 a year given him in lieu of it. This occurred in 1716.

The penny post was created in 1683 by a man named David Murray, a book seller in Paternoster Row. It quickly caught the government’s interest, but its profits were so low that Dockwra, who took over from Murray, received a pension of only £200 a year instead. This happened in 1716.

A RAFFLE IN 1725.

A raffle in 1725.

May 8. The following copy of an advertisement, in the Newcastle Courant of this date, may be considered curious:—"On Friday in the race week, being the 28th of May, at the Assembly House, in Westgate, will be raffled for, 12 fine Fans, the highest three guineas, the worst 5s., at half a Crown per Ticket. Note: the lowest throw is to have the second best Fan, value £3, the other according to the height of the numbers which shall be thrown. There will be an assembly after for those who raffle."

May 8. The following advertisement, in the Newcastle Courant from this date, is quite intriguing:—"On Friday during race week, which is the 28th of May, at the Assembly House in Westgate, we will be raffling off 12 beautiful fans. The top three fans will go for three guineas each, while the least desirable one will be 5s., with tickets priced at half a crown each. Please note: the lowest throw wins the second-best fan, worth £3, and the rest will be awarded based on the height of the numbers rolled. There will be a gathering afterwards for those participating in the raffle."

A VISIT TO THE RESIDENCE OF DR. JOHNSON, IN INNER TEMPLE LANE, LONDON.

A VISIT TO THE HOME OF DR. JOHNSON, IN INNER TEMPLE LANE, LONDON.

In one of the dreary, old-fashioned houses leading from the arched entrance to the Temple, which almost every passenger through Temple Bar must have remarked, whether he is a stranger, or a resident in the metropolis, Dr. Johnson, who occupies one of the most distinguished positions in the literature of our country, resided for several years.

In one of the gloomy, old houses that lead from the arched entrance to the Temple, which almost every passerby at Temple Bar must have noticed, whether they are a visitor or a local in the city, Dr. Johnson, who holds one of the most prominent places in our country’s literature, lived for several years.

DR. JOHNSON'S RESIDENCE IN INNER TEMPLE LANE.

It was in this place that Dr. Johnson became acquainted with his future biographer, Boswell, who thus describes their first meeting:—

It was in this place that Dr. Johnson met his future biographer, Boswell, who describes their first meeting like this:—

"A few days afterwards I called on Davies, and asked him if he thought I might take the liberty of waiting on Mr. Johnson at his chambers in the Temple. He said I certainly might, and that Mr. Johnson would take it as a compliment. His chambers were on the first floor of No. 1, Inner Temple Lane, and I entered them with an impression given me by the Rev. Dr. Blair, of Edinburgh, who described his having found the giant in his den. He received me very courteously; but it must be confessed, that his apartment, and furniture, and morning dress, were sufficiently uncouth. His brown suit of clothes looked very rusty; he had on a little, old, shrivelled, unpowdered wig, which was too small for his head; his shirt neck and knees of his breeches were loose, his black worsted stockings ill drawn up, and he had a pair of unbuckled shoes by way of slippers;—but all these slovenly particulars were forgotten the moment he began to talk."

A few days later, I visited Davies and asked if I could take the liberty of dropping by Mr. Johnson at his chambers in the Temple. He assured me I could, and that Mr. Johnson would appreciate the visit. His chambers were on the first floor of No. 1, Inner Temple Lane, and as I entered, I recalled the Rev. Dr. Blair from Edinburgh describing how he found the giant in his lair. Mr. Johnson welcomed me very politely; however, I must admit that his room, furniture, and morning attire were quite peculiar. His brown suit looked rather worn out; he wore a small, old, shriveled, unpowdered wig that was too small for his head; his shirt collar and the knees of his trousers were loose, his black worsted stockings hung poorly, and he wore a pair of unbuckled shoes as slippers. But all those untidy details faded from memory the moment he started to speak.

The "den" in which the "giant" lived, the staircase leading to it, and indeed the whole appearance of the locality, has recently undergone [Pg 49] demolition, and its interesting features knocked down to the highest bidder, to be, let us hope, preserved in some museum or other place of safety.

The "den" where the "giant" lived, the staircase leading to it, and the overall look of the area have recently been demolished, and its interesting features have been sold off to the highest bidder, hopefully to be preserved in some museum or other safe place.

OLD STAIRCASE IN THE RESIDENCE OF DR. JOHNSON.

Dr. Johnson resided at various times in Holborn, the Strand, and other places, and died, as it is well known, in No. 8, Bolt Court, Fleet Street, in 1784. His remains were placed in a grave under the statue of Shakspere, in Westminster Abbey, and near the resting-place of his friend and companion, David Garrick.

Dr. Johnson lived at different times in Holborn, the Strand, and other places, and he died, as is widely known, at No. 8, Bolt Court, Fleet Street, in 1784. His body was laid to rest in a grave beneath the statue of Shakespeare in Westminster Abbey, close to the burial site of his friend and companion, David Garrick.

ORIGIN OF THE STUFF BALL AT LINCOLN.

ORIGIN OF THE STUFF BALL AT LINCOLN.

During the want of employment in the manufactories in 1801, Mrs. Chaplain, of Blankney, in Lincolnshire, formed a patriotic institution for the encouragement of the local trade of the district. A ball was given at Lincoln for the benefit of the stuff manufactory, at which ladies were admitted gratis, on their appearance in a stuff gown and petticoat, spun, wove, and finished within the county, and producing a ticket [Pg 50] signed by the weaver and dyer at Louth, one of which tickets was delivered with every twelve yards of stuff. The gentlemen were required to appear without silk or cotton in their dress, stockings excepted. The impulse thus given to trade, was of the most signal service in relieving distress, and at the same time promoting habits of industry.

During the lack of jobs in the factories in 1801, Mrs. Chaplain, from Blankney in Lincolnshire, set up a patriotic organization to support local businesses. A ball was held in Lincoln to benefit the fabric factory, where women could attend for free if they wore a gown and petticoat made from fabric spun, woven, and finished in the county, along with a ticket [Pg 50] signed by the weaver and dyer in Louth. Each ticket was given out with every twelve yards of fabric. The men were required to dress without silk or cotton, except for stockings. This initiative greatly boosted trade, helping to ease hardship while also encouraging a strong work ethic.

STEVENS'S SPECIFIC.

STEVENS'S SPECIFIC.

In the reign of Charles II., Dr. Jonathan Goddard obtained 5,000l. for disclosing his secret for making a medicine, called "Guttæ Anglicanæ." And in 1739, the Parliament of England voted 5,000l. to Mrs. Stevens for a solvent for stone.

In the reign of Charles II, Dr. Jonathan Goddard received £5,000 for revealing his secret for creating a medicine called "Guttæ Anglicanæ." And in 1739, the Parliament of England allocated £5,000 to Mrs. Stevens for a solution for stone.

The celebrated David Hartley was very instrumental in procuring this grant to Joanna Stevens. He obtained also a private subscription to the amount of £1,356, published one hundred and fifty-five successful cases, and, by way of climax to the whole, after eating two hundred pounds weight of soap! David himself died of the stone.

The well-known David Hartley played a key role in securing this grant for Joanna Stevens. He also raised a private subscription totaling £1,356, published one hundred and fifty-five successful cases, and, to top it all off, he managed to eat two hundred pounds weight of soap! David himself died from kidney stones.

AN IMPOSTOR.

A fake.

From the Testament of Jerome Sharp, printed in 1786:—"I entered," says the narrator, "with one of my friends, and found a man resembling an ourang-outang crouched upon a stool in the manner of a tailor. His complexion announced a distant climate, and his keeper stated that he found him in the island of Molucca. His body was bare to the hips, having a chain round the waist, seven or eight feet long, which was fastened to a pillar, and permitted him to circulate out of the reach of the spectators. His looks and gesticulations were frightful. His jaws never ceased snapping, except when sending forth discordant cries, which were said to be indicative of hunger. He swallowed flints when thrown to him, but preferred raw meat, which he rushed behind his pillar to devour. He groaned fearfully during his repast, and continued groaning until fully satiated. When unable to procure more meat, he would swallow stones with frightful avidity; which, upon examination of those which he accidentally dropped, proved to be partly dissolved by the acrid quality of his saliva. In jumping about, the undigested stones were heard rattling in his stomach."

From the Testament of Jerome Sharp, printed in 1786:—"I entered," says the narrator, "with one of my friends, and found a man resembling an orangutan crouched on a stool like a tailor. His skin hinted at a distant climate, and his keeper said he found him on the island of Molucca. His body was bare to the hips, with a chain around his waist, seven or eight feet long, fastened to a pillar, allowing him to move within reach of the spectators. His looks and gestures were terrifying. His jaws never stopped snapping, except when he was letting out discordant cries, which were thought to signify hunger. He swallowed stones when thrown to him, but preferred raw meat, which he rushed behind his pillar to eat. He groaned loudly while eating and continued to groan until he was fully satisfied. When he couldn't get more meat, he would swallow stones with disturbing eagerness; upon inspection of the stones he accidentally dropped, they were found to be partly dissolved by the acidic quality of his saliva. When jumping around, you could hear the undigested stones rattling in his stomach."

The men of science quickly set to work to account for these feats, so completely at variance with the laws of nature. Before they had hit upon a theory, the pretended Molucca savage was discovered to be a peasant from the neighbourhood of Besançon, who chose to turn to account his natural deformities. When staining his face for the purpose, in the dread of hurting his eyes, he left the eyelids unstained, which completely puzzled the naturalists. By a clever sleight of hand, the raw meat was left behind the pillar, and cooked meat substituted in its place. Some asserted his passion for eating behind the pillar to be a proof of his savage origin; most polite persons, and more especially kings, being addicted to feeding in public. The stones swallowed by the pretended savage were taken from a vessel left purposely in the room full of them; small round stones, encrusted with plaster, which afterwards gave them the appearance of having been masticated in the mouth. Before the discovery of all this, the impostor had contrived to reap a plentiful harvest.

The scientists quickly got to work to explain these feats, which were completely against the laws of nature. Before they could come up with a theory, the supposed Molucca savage was found to be a peasant from the Besançon area, who decided to make use of his natural deformities. When he was dyeing his face for the role, in fear of hurting his eyes, he left his eyelids unstained, which completely baffled the naturalists. With a clever trick, he hid raw meat behind a pillar and replaced it with cooked meat. Some claimed that his habit of eating behind the pillar proved his savage origins, as most polite people, especially kings, preferred to eat in public. The stones that the supposed savage swallowed were taken from a bowl purposely left in the room full of them; small round stones covered in plaster, which later made them look like they had been chewed in his mouth. Before all this was discovered, the impostor had managed to make quite a profit.

PERUVIAN BARK.

PERUVIAN BARK.

In 1693, the Emperor Kanghi (then in the thirty-second year of his reign, and fortieth of his age) had a malignant fever, which resisted the remedies given by his physicians; the emperor recollected that Tchang-tchin, (Father Gerbillon), and Pe-tsin, (Father Bouret) two jesuit missionaries, had extolled to him a remedy for intermittents, brought from Europe, and to which they had given the name of chin-yo (two Chinese words, which signify "divine remedies;") and he proposed to try it, but the physicians opposed it. The emperor, however, without their knowledge took it, and with good effect. Sometime afterwards, he experienced afresh several fits of an intermittent, which, though slight, made him uneasy; this led him to proclaim through the city, that any person possessed of a specific for this sort of fever, should apply without delay at the palace, where patients might also apply to get cured. Some of the great officers of his household were charged to receive such remedies as might be offered, and to administer them to the patients. The Europeans, Tchang-tching, (Gerbillon) Hang-jo, (Father de Fontenay, jesuit) and Pe-tsin, (Bouret) presented themselves among others, with a certain quantity of quinquina, offered it to the grandees, and instructed them in the manner of using it. The next day it was tried on several patients, who were kept in sight, and were cured by it. The officers, or grandees who had been appointed to superintend the experiment, gave an account to the Emperor of the astonishing effect of the remedy, and the monarch decided instantly on trying it himself, provided the hereditary prince gave his consent. The prince, however, not only refused, but was angry with the grandees for having spoken so favourably of a remedy, of which only one successful trial had been made; at last, after much persuasion, the Prince reluctantly grants his consent, and the emperor takes the bark without hesitation, and permanently recovers. A house is given by the emperor to the Europeans, who had made known the remedy, and through the means of Pe-tsin (Father Bouret) presents were conveyed to the King of France, accompanied with the information, that the Europeans (that is, the French jesuits) were in high favour.—Histoire Generale de la Chine, &c. tome xi. p. 168, 4to. Paris, 1780.

In 1693, Emperor Kanghi, who was in the thirty-second year of his reign and the fortieth year of his life, had a serious fever that didn’t respond to the treatments provided by his doctors. He remembered that Tchang-tchin (Father Gerbillon) and Pe-tsin (Father Bouret), two Jesuit missionaries, had praised a remedy for fevers that came from Europe, which they called chin-yo (two Chinese words that mean "divine remedies"), and he suggested trying it. However, the physicians opposed the idea. The emperor, without informing them, took the remedy secretly and it worked well. Later on, he had several mild but concerning episodes of intermittent fever. This prompted him to announce throughout the city that anyone who had a cure for this type of fever should come to the palace immediately, where patients could also seek treatment. Some of his high-ranking officials were assigned to collect any remedies that were offered and to administer them to the patients. Among others, the Europeans Tchang-tching (Gerbillon), Hang-jo (Father de Fontenay, a Jesuit), and Pe-tsin (Bouret) arrived with some quinine, presented it to the nobles, and explained how to use it. The next day, it was tested on several patients, who were observed and cured by it. The officials in charge of the trial reported back to the Emperor about the impressive results of the remedy, and the emperor decided to try it himself, provided the hereditary prince agreed. However, the prince not only refused but was also upset with the nobles for praising a treatment that had only been proven effective once. After a lot of persuasion, the prince reluctantly agreed, and the emperor took the bark without hesitation and fully recovered. The emperor awarded a house to the Europeans who introduced the remedy, and through Pe-tsin (Father Bouret), gifts were sent to the King of France, along with the news that the Europeans (the French Jesuits) were highly regarded. —Histoire Generale de la Chine, &c. tome xi. p. 168, 4to. Paris, 1780.

WHITE CATS.

White cats.

In a number of "Loudon Gardener's Magazine," it is stated that white cats with blue eyes are always deaf, of which extraordinary fact there is the following confirmation in the "Magazine of Natural History," No. 2, likewise conducted by Mr. Loudon:—Some years ago, a white cat of the Persian kind (probably not a thorough-bred one), procured from Lord Dudley's at Hindley, was kept in a family as a favourite. The animal was a female, quite white, and perfectly deaf. She produced, at various times, many litters of kittens, of which, generally, some were quite white, others more or less mottled, tabby, &c. But the extraordinary circumstance is, that of the offspring produced at one and the same birth, such as, like the mother, were entirely white, were, like her, invariably deaf; while those that had the least speck of colour on their fur, as invariably possessed the usual faculty of hearing.

In several issues of "Loudon Gardener's Magazine," it’s mentioned that white cats with blue eyes are always deaf. This remarkable fact is confirmed in "Magazine of Natural History," No. 2, also edited by Mr. Loudon: A few years ago, a white Persian cat (likely not a purebred) was obtained from Lord Dudley's place in Hindley and was kept as a beloved pet by a family. The cat was female, completely white, and totally deaf. She had multiple litters of kittens over time, some of which were entirely white, while others were mottled, tabby, etc. Interestingly, of the kittens born in the same litter, those that were completely white, like their mother, were always deaf; while those with even the slightest hint of color in their fur were always able to hear normally.

A WOMAN DEFENDS A FORT SINGLY.

A woman defends a fort by herself.

Lord Kames in his "Sketches of the History of Man," relates an extraordinary instance of presence of mind united with courage.

Lord Kames in his "Sketches of the History of Man" shares an amazing example of quick thinking combined with bravery.

Some Iroquois in the year 1690, attacked the fort de Verchères, in Canada, which belonged to the French, and had approached silently, hoping to scale the palisade, when some musket-shot forced them to retire: on their advancing a second time they were again repulsed, in wonder and amazement that they could perceive no person, excepting a woman who was seen everywhere. This was Madame de Verchères, who conducted herself with as much resolution and courage as if supported by a numerous garrison. The idea of storming a place wholly undefended, except by women, occasioned the Iroquois to attack the fortress repeatedly, but, after two days' siege, they found it necessary to retire, lest they should be intercepted in their retreat.

Some Iroquois in 1690 attacked Fort de Verchères in Canada, which was owned by the French. They approached quietly, hoping to climb the palisade, but some musket fire forced them to pull back. When they tried to advance a second time, they were pushed back again, confused and amazed to see no one there except for a woman who seemed to be everywhere. This was Madame de Verchères, who acted with as much determination and bravery as if she had a large garrison behind her. The thought of attacking a place that seemed completely undefended except by women led the Iroquois to assault the fortress multiple times. However, after two days of siege, they decided to retreat to avoid being cut off.

Two years afterwards, a party of the same nation so unexpectedly made their appearance before the same fort, that a girl of fourteen, the daughter of the proprietor, had but just time to shut the gate. With this young woman there was no person whatever except one soldier, but not at all intimidated by her situation, she showed herself sometimes in one place, sometimes in another, frequently changing her dress, in order to give some appearance of a garrison, and always fired opportunely. In short, the faint-hearted Iroquois once more departed without success. Thus the presence of mind of this young girl was the means of saving the fort.

Two years later, a group from the same nation showed up unexpectedly at the same fort, and a fourteen-year-old girl, the daughter of the owner, barely managed to close the gate in time. There was no one with her except for one soldier, but she wasn’t intimidated at all. She moved around, changing her outfit often to make it seem like there was a garrison, and she always fired her weapon at just the right moment. In short, the cowardly Iroquois ended up leaving without success once again. Thanks to the quick thinking of this young girl, the fort was saved.

INDENTURE OF A HORSE-RACE BETWIXT THE EARLS OF MORTON AND ABERCORN AND THE LORD BOYDE.

INDENTURE OF A HORSE-RACE BET BETWEEN THE EARLS OF MORTON AND ABERCORN AND LORD BOYDE.

As indicating the state of the English language amongst the nobility of Scotland in 1621, the following is curious:—

As a sign of the English language's status among the Scottish nobility in 1621, the following is interesting:—

"Ane Indentour of ane Horse-raise betuix my Lords Mortoun, Abercorne, and Boyde.—The erle of Mortoun obleissis himselff to produce George Rutherfuirdis Barb Naig: The erle of Abercorne obleissis him to produce his gray Naig: My lord Boyd obleissis him to produce his bay horse; Upone the conditions following. Thay ar to run the first Thursday November nixtocum, thrie mett myleis of Cowper raise in Fyff. The waidger to be for euery horse ten dowbill Anegellis. The foirmest horse to win the hail thretty. Ilk rydare to be aucht scottis stanewecht. And the pairtie not comperaud, or refuisand to consigne the waidger, sall undergo the foirfaltour of this sowme, and that money foirfaltit salbe additt to the staik to be tane away be the wynner. Forder, we declair it to be lesum to ony gentilman to produce ane horse and the lyk waidger, and thay salbe welcum. Subscrybith with all our handis, at Hammiltoune the fyfteine day off August 1621. Morton, Abercorne, Boyde."

"A Bet on a Horse Race between my Lords Morton, Abercorne, and Boyde.—The Earl of Morton promises to produce George Rutherford's Barb Horse: The Earl of Abercorne promises to produce his gray Horse: My Lord Boyd promises to produce his bay horse; Under the following conditions. They are to run on the first Thursday of November next, three miles at Cowper raised in Fife. The wager is ten double Angel coins for each horse. The first horse to win takes the entire thirty. Each rider must weigh eight stone. Any party that does not show up, or refuses to deposit the wager, will forfeit this sum, and that forfeited money will be added to the pool for the winner to take away. Furthermore, we declare it to be permissible for any gentleman to bring a horse and the same wager, and they will be welcomed. Signed by all our hands, at Hamilton, the fifteenth day of August 1621. Morton, Abercorn, Boyd."

EARLY USE OF CHOCOLATE.

First Use of Chocolate.

An advertisement in "The Public Adviser," from Tuesday, June 16th, to Tuesday, June 23d, 1657, informs us that "in Bishopsgate-street, in Queen's-head-alley, at a Frenchman's House, is an excellent West India drink, called Chocolate, to be sold, where you may have it ready at any time, and also unmade, at reasonable rates."

An ad in "The Public Adviser," from Tuesday, June 16th, to Tuesday, June 23rd, 1657, tells us that "in Bishopsgate Street, in Queen's Head Alley, at a Frenchman's house, there's an excellent West India drink called Chocolate for sale. You can get it ready to drink at any time or as an unmade option, all at reasonable prices."

MATTHEW BUCKINGER.

MATTHEW BUCKINGER.

Matthew Buckinger

Of all the imperfect beings brought into the world, few can challenge, for mental and acquired endowments, any thing like a comparison to vie with this truly extraordinary little man. Matthew Buckinger was a native of Nuremberg, in Germany, where he was born, June 2, 1674, without hands, feet, legs, or thighs; in short, he was little more than the trunk of a man, saving two excrescences growing from the shoulder-blades, more resembling fins of a fish than arms of a man. He was the last of nine children, by one father and mother, viz. eight sons and one daughter; after arriving at the age of maturity, from the singularity of [Pg 54] his case, and the extraordinary abilities he possessed, he attracted the notice and attention of all persons, of whatever rank in life, to whom he was occasionally introduced.

Of all the imperfect beings brought into the world, few can compare, in terms of mental and acquired talents, to this truly extraordinary little man. Matthew Buckinger was born in Nuremberg, Germany, on June 2, 1674, without hands, feet, legs, or thighs; in short, he was little more than the trunk of a man, except for two growths from his shoulder blades that looked more like fish fins than human arms. He was the youngest of nine children, having one father and mother; that is, eight sons and one daughter. After reaching adulthood, due to his unique circumstances and the remarkable abilities he had, he caught the attention and interest of people from all walks of life whom he met.

It does not appear, by any account extant, that his parents exhibited him at any time for the purposes of emolument, but that the whole of his time must have been employed in study and practice, to attain the wonderful perfection he arrived at in drawing, and his performance on various musical instruments; he played the flute, bagpipe, dulcimer, and trumpet, not in the manner of general amateurs, but in the style of a finished master. He likewise possessed great mechanical powers, and conceived the design of constructing machines to play on all sorts of musical instruments.

It doesn’t seem, according to any existing accounts, that his parents ever showcased him for profit. Instead, he must have devoted all his time to studying and practicing to achieve the incredible skill he had in drawing and his performances on various musical instruments. He played the flute, bagpipe, dulcimer, and trumpet—not like an average amateur, but like a true master. He also had exceptional mechanical skills and came up with the idea of creating machines to play all kinds of musical instruments.

If Nature played the niggard in one respect with him she amply repaid the deficiency by endowments that those blessed with perfect limbs could seldom achieve. He greatly distinguished himself by beautiful writing, drawing coats of arms, sketches of portraits, history, landscapes, &c., most of which were executed in Indian ink, with a pen, emulating in perfection the finest and most finished engraving. He was well skilled in most games of chance, nor could the most experienced gamester or juggler obtain the least advantage at any tricks, or game, with cards or dice.

If Nature shortchanged him in one area, she fully compensated for it by giving him talents that people with perfect bodies could rarely match. He stood out for his beautiful handwriting, drawing coats of arms, sketching portraits, and capturing history and landscapes, most of which he executed in Indian ink with a pen, perfectly imitating the finest and most polished engravings. He was skilled at most games of chance, and even the most seasoned gambler or magician couldn't gain any advantage in tricks or games with cards or dice.

He used to perform before company, to whom he was exhibited, various tricks with cups and balls, corn, and living birds; and could play at skittles and ninepins with great dexterity; shave himself with perfect ease, and do many other things equally surprising in a person so deficient, and mutilated by Nature. His writings and sketches of figures, landscapes, &c., were by no means uncommon, though curious; it being customary, with most persons who went to see him, to purchase something or other of his performance; and as he was always employed in writing or drawing, he carried on a very successful trade, which, together with the money he obtained by exhibiting himself, enabled him to support himself and family in a very genteel manner. The late Mr. Herbert, of Cheshunt, in Hertfordshire, editor of "Ames's History of Printing," had many curious specimens of Buckinger's writing and drawing, the most extraordinary of which was his own portrait, exquisitely done on vellum, in which he most ingeniously contrived to insert, in the flowing curls of the wig, the 27th, 121st, 128th, 140th, 149th, and the 150th Psalms, together with the Lord's Prayer, most beautifully and fairly written. Mr. Isaac Herbert, son of the former, while carrying on the business of a bookseller in Pall-Mall, caused this portrait to be engraved, for which he paid Mr. Harding fifty guineas.

He used to perform in front of audiences, showcasing various tricks with cups and balls, corn, and live birds; he could also play skittles and ninepins with impressive skill, shave himself with perfect ease, and do many other things that were surprising for someone so disabled and deformed by nature. His writings and sketches of figures, landscapes, etc., were quite uncommon, though intriguing; it was typical for most visitors to buy something from his performance. Since he was always busy writing or drawing, he had a very successful business, which, along with the money he earned from performing, allowed him to support himself and his family in a very respectable way. The late Mr. Herbert of Cheshunt, Hertfordshire, the editor of "Ames's History of Printing," owned many intriguing examples of Buckinger's writing and drawing, the most remarkable of which was his own portrait, exquisitely done on vellum, where he cleverly incorporated the 27th, 121st, 128th, 140th, 149th, and 150th Psalms, along with the Lord's Prayer, beautifully and skillfully written into the flowing curls of the wig. Mr. Isaac Herbert, the son of the former, while running a bookselling business in Pall-Mall, had this portrait engraved, for which he paid Mr. Harding fifty guineas.

Buckinger was married four times, and had eleven children, viz., one by his first wife, three by his second, six by his third, and one by his last. One of his wives was in the habit of treating him extremely ill, frequently beating and other ways insulting him, which, for a long time, he very patiently put up with; but once his anger was so much aroused, that he sprung upon her like a fury, got her down, and buffeted her with his stumps within an inch of her life; nor would he suffer her to arise until she promised amendment in future, which it seems she prudently [Pg 55] adopted, through fear of another thrashing. Mr. Buckinger was but twenty-nine inches in height, and died in 1722.

Buckinger was married four times and had eleven children: one with his first wife, three with his second, six with his third, and one with his last. One of his wives often treated him very poorly, frequently beating and insulting him in various ways, which he tolerated patiently for a long time. But one time, he became so angry that he attacked her like a wild animal, tackled her down, and pummeled her with his stumps nearly to the point of death. He wouldn't let her get up until she promised to change her ways, which she wisely agreed to, fearing another beating. Mr. Buckinger was only twenty-nine inches tall and died in 1722.

WONDERFUL PROVISION OF NATURE.

AMAZING GIFT FROM NATURE.

The insects that frequent the waters, require predaceous animals to keep them within due limits, as well as those that inhabit the earth; and the water-spider (Argyroneta aquatica) is one of the most remarkable upon whom that office is devolved. To this end, her instinct instructs her to fabricate a kind of diving-bell in the bosom of that element. She usually selects still waters for this purpose. Her house is an oval cocoon, filled with air, and lined with silk, from which threads issue in every direction, and are fastened to the surrounding plants. In this cocoon, which is open below, she watches for her prey, and even appears to pass the winter, when she closes the opening. It is most commonly, yet not always, under water; but its inhabitant has filled it for her respiration, which enables her to live in it. She conveys the air to it in the following manner: she usually swims on her back, when her abdomen is enveloped in a bubble of air, and appears like a globe of quicksilver. With this she enters her cocoon, and displacing an equal mass of water, again ascends for a second lading, till she has sufficiently filled her house with it, so as to expel all water. How these little animals can envelope their abdomen with an air-bubble, and retain it till they enter their cells, is still one of Nature's mysteries that has not been explained. It is a wonderful provision, which enables an animal that breathes the atmospheric air, to fill her house with it under water, and by some secret art to clothe her body with air, as with a garment, which she can put off when it answers her purpose. This is a kind of attraction and repulsion that mocks all inquiries.

The insects that dwell in the water need predators to keep their populations in check, just like those that live on land; and the water spider (Argyroneta aquatica) is one of the most notable ones tasked with this role. To achieve this, her instincts guide her to build a kind of diving bell in the water. She typically chooses calm waters for this purpose. Her home is an oval cocoon, filled with air and lined with silk, with threads extending in all directions and attaching to nearby plants. In this cocoon, which has an opening at the bottom, she waits for her prey and even seems to spend the winter inside when she seals the opening. It is most often submerged, though not always; however, its occupant has filled it with air, allowing her to breathe inside. She delivers the air in the following way: she usually swims on her back, her abdomen surrounded by a bubble of air, looking like a ball of quicksilver. With this bubble, she enters her cocoon, displacing an equal amount of water, and then rises again for another bubble until her home is completely filled with air and free of water. How these tiny creatures manage to form an air bubble around their abdomen and hold it until they reach their cocoons is still one of the mysteries of nature that remains unexplained. It’s an amazing adaptation that allows an air-breathing animal to fill her home with air underwater and, through some hidden method, to envelop her body in air as if wearing a garment, which she can shed when needed. This shows a kind of attraction and repulsion that defies all attempts to understand it.

STOMACH BRUSH.

Belly brush.

One of the Court Physicians, in the reign of Charles II., invented an instrument to cleanse the stomach, and wrote a pamphlet on it; and ridiculous as a chylopoietic-scrubbing-brush may appear, it afterwards got a place among surgical instruments, and is described as the Excutor Ventriculi, or cleanser of the stomach; but the moderns not having stomach for it, have transferred it to the wine merchant, who more appropriately applies it to the scouring the interior of bottles. Heister gives a minute description of it, and very gravely enters on the mode and manner of using it: the patient is to drink a draught of warm water, or spirit of wine, that the mucus and foulness of the stomach may be washed off thereby: then, the brush being moistened in some convenient liquor, is to be introduced into the œsophagus, and slowly protruded into the stomach, by twisting round its wire handle. When arrived in the stomach, it is to be drawn up and down, and through the œsophagus, like the sucker in a syringe, till it be at last wholly extracted. Some recommend plentiful drinking in the operation, to be continued till no more foulness is discharged. But though this contrivance is greatly extolled, and said to prolong life to a great age, especially if practiced once a week, month, or fortnight; yet, there are very few (probably, because tried by very few) instances of its happy effects.

One of the court physicians during Charles II's reign created a device to clean the stomach and wrote a pamphlet about it. And while a chylopoietic-scrubbing-brush might sound silly, it eventually found its place among surgical instruments, known as the Excutor Ventriculi, or stomach cleanser. However, since modern people don't have much use for it, it has been repurposed by wine merchants, who use it to clean the insides of bottles. Heister provides a detailed description of it and earnestly explains how to use it: the patient is to drink a warm concoction of water or spirit to wash away the mucus and impurities in the stomach. Then, with the brush dampened in some suitable liquid, it's to be inserted into the esophagus and slowly pushed into the stomach by twisting the wire handle. Once in the stomach, it should be moved up and down, and through the esophagus, like the plunger of a syringe, until it is finally pulled out completely. Some recommend continuing to drink plenty during the process until no more impurities are released. Although this method is highly praised and said to significantly extend life, especially when done weekly, monthly, or bi-weekly, there are very few (likely because very few have tried it) examples of its successful outcomes.

POPULAR AMUSEMENTS IN 1743.

Popular Entertainment in 1743.

In Merrie England of the Olden Time, we find the following copy of a handbill announcing performances:—

In Merrie England of the Olden Time, we see this copy of a handbill announcing performances:—

By a company of English, French, and Germans, at Phillips's New Wells, near the London Spa, Clerkenwell, 20th August, 1743.

By a group of English, French, and Germans, at Phillips's New Wells, near the London Spa, Clerkenwell, August 20, 1743.

Popular Amusements

This evening, and during the Summer Season, will be performed several new exercises of Rope-dancing, Tumbling, Vaulting, Equilibres, Ladder-dancing, and Balancing, by Madame Kerman, Sampson Rogetzi, Monsieur German, and Monsieur Dominique; with a new Grand Dance, called Apollo and Daphne, by Mr. Phillips, Mrs. Lebrune, and others; singing by Mrs. Phillips and Mrs. Jackson; likewise the extraordinary performance of Herr Von Eeckenberg, who imitates the lark, thrush, blackbird, goldfinch, canary-bird, flageolet, and German flute; a Sailor's Dance by Mr. Phillips; and Monsieur Dominique flies through a hogshead, and forces both heads out. To which will be added The Harlot's Progress. Harlequin by Mr. Phillips; Miss Kitty by Mrs. Phillips. Also, an exact representation of the late glorious victory gained over the French by the English at the battle of Dettingen, with the taking of the White Household Standard by the Scots Greys, and blowing up the bridge, and destroying and drowning most part of the French army. To begin every evening at five o'clock. Every one will be admitted for a pint of wine, as usual.

This evening, and throughout the summer season, there will be several new acts including rope dancing, tumbling, vaulting, balancing, and ladder dancing, performed by Madame Kerman, Sampson Rogetzi, Monsieur German, and Monsieur Dominique. A new grand dance titled Apollo and Daphne will be showcased by Mr. Phillips, Mrs. Lebrune, and others. Mrs. Phillips and Mrs. Jackson will also sing. Additionally, the amazing performance by Herr Von Eeckenberg, who imitates the lark, thrush, blackbird, goldfinch, canary, flageolet, and German flute, will take place. Mr. Phillips will perform a sailor's dance, and Monsieur Dominique will fly through a hogshead, forcing both ends out. The Harlot's Progress will also be included, featuring Harlequin by Mr. Phillips and Miss Kitty by Mrs. Phillips. Furthermore, there will be an exact depiction of the recent glorious victory achieved over the French by the English at the Battle of Dettingen, showcasing the Scots Greys capturing the White Household Standard, blowing up the bridge, and destroying or drowning most of the French army. The performances will begin every evening at five o'clock. Admission will be one pint of wine, as usual.

DANCING ROOMS.

Dance Studios.

Dancing rooms were much frequented a century or so ago in London, which was then pretty well supplied with this means of recreation. We find that there were rare dancing doings at the original dancing room

Dancing rooms were very popular in London about a century ago, which had plenty of options for this type of entertainment. We see that there were exceptional dance events at the original dancing room.

  in the year
at the field-end of King-Street, Bloomsbury, 1742
Hickford's great room, Panton-Street, Haymarket, 1743
Mitre Tavern, Charing-Cross, 1743
Barber's Hall, 1745
Richmond Assembly, 1745
Lambeth Wells, 1747
Duke's long room, Paternoster Row, 1748
Large Assembly Room at the Two Green Lamps, near Exeter Change, (at the particular desire of Jubilee Dickey!) 1749
The large room next door to the Hand and Slippers, Long-lane, West Smithfield, 1750
Lambeth Wells, where a Penny Wedding, in the Scotch manner, was celebrated for the benefit of a young couple, 1752
Old Queen's Head, in Cock-lane, Lambeth, 1755

and at Mr. Bell's, at the sign of the Ship, in the Strand, where, in 1755, a Scotch Wedding was kept. The bride "to be dressed without any linen; all in ribbons, and green flowers, with Scotch masks. There will be three bagpipes; a band of Scotch music, &c. &c. To begin precisely at two o'clock. Admission, two shillings and sixpence."

and at Mr. Bell's, at the sign of the Ship, in the Strand, where, in 1755, a Scotch Wedding was held. The bride "will be dressed without any linen; all in ribbons and green flowers, with Scottish masks. There will be three bagpipes; a band of Scottish music, etc., etc. To start precisely at two o'clock. Admission, two shillings and sixpence."

ORIGIN OF THE USE OF TOBACCO.

ORIGIN OF THE USE OF TOBACCO.

"Maister John Nicot, Counsellor to the Kyng, beeyng Embassadour for the Kyng in Portugall, in the yeres of our Lorde, 1559, 60, 61, wente one daye to see the Prysons of the Kyng of Portugall, and a gentleman beeyng the keeper of the saide Prisons presented hym this hearbe, as a strange Plant brought from Florida; the same Maister Nicot, hauyng caused the saide hearbe to be set in his garden, where it grewe and multiplied marveillously, was vpon a tyme aduertised, by one of his Pages, that a young man, a kinne to that Page, made a saye of that hearbe bruised, both the herbe and the joice together upon an ulcer whiche he had vpon his cheeke nere vnto his nose, coming of a Noli me tangere whiche bega to take roote already at the gristles of the Nose, wherewith he founde hym self marveillously eased. Therefore the said Maister Nicot caused the sicke yong man to be brought before hym, causing the said herbe to be continued to the sore eight or tenne daies, this saide Noli me tangere, was vtterly extinguished and healed: and he had sent it, while this cure was a working to a certaine Physition of the Kyng of Portugall of the moste fame, for to see the further workyng and effect of the said Nicotiane, and sending for the same yong man at the end of tenne daies, the said Phisition seeyng the uisage of the said sicke yong man certified, that the saide Noli me tangere was utterly extinguished, as in deede he never felt it since. Within a while after, one of the Cookes of the said Embassadour hauyng almost cut off his Thombe, with a great choppyng knife, the steward of the house of the saide gentleman [Pg 58] ranne to the saide Nicotiane, and dresssed him there with fyve or sixe times, and so in the ende thereof he was healed: from that time forwarde this hearbe began to bee famous throughout all Lisborne, where the court of the Kyng of Portugall was at that presente, and the vertue of this saide hearbe was preached, and the people beganne to name it the Ambassadour's hearbe! Wherefore there came certaine daies after, a gentleman of the country, Father to one of the Pages of the Ambassadour, who was troubled with an vlcer in his Legge, hauyng had the same two yeres, and demaunded of the saide Ambassadour for his hearbe, and vsing the same in suche order as is before written, at the ende of tenne or twelve daies he was healed. From that time fourth the fame of that hearbe encreased in such sorte, that manye came from all places to have that same herbe. Emong all others there was a woman that had her face covered with a Ringworme rooted, as though she had a Visour on her face, to whom the saide L: Ambassadour caused the herbe to be given her, and told how she should vse it, and at the ende of eight or tenne daies, this woman was thoroughleye healed, she came and shewed herself to the Ambassadour, shewing him of her healyng. After there came a captain to presente his sonne, sick of the Kinges euill to the saide L: Ambassadour, for to send him into France, vnto whom there was saye made of the saide hearbe, whiche in fewe daies did beginne to shewe greate signes of healing, and finally was altogether healed of the kinges euill. The L: Ambassadour seeing so great effectes proceeding of this hearbe, and hauing heard say that the Lady Montigny that was, dyed at Saint Germans, of an vlcer bredde in her breast, that did turn to a Noli me tangere, for which there could never be remedey bee founde, and likewise that the Countesse of Ruffe, had sought for all the famous Phisitions of that Realme, for to heale her face, unto whom they could give no remedy, he thought it good to communicate the same into Fraunce, and did send it to Kyng Fraunces the seconde; and to the Queen Mother, and to many other Lords of the Courte with the maner of governyng the same: and how to applie it vnto the said diseases, even as he had found it by experience; and chiefly to the lorde of Jarnac governour of Rogell, with whom the saide Lorde Ambassadour had great amitie for the service of the Kyng. The whiche Lorde of Jarnac, told one daye at the Queenes Table, that he had caused the saide Nicotiane to be distilled, and caused the water to be dronke, mingled with water Euphrasie, otherwise called eyebright, to one that was shorte breathed, and was therewith healed."—Joyfvll News ovt of the newe found worlde, &c., 1577.—Black Letter.

"Master John Nicot, Counselor to the King, serving as the King’s Ambassador in Portugal, in the years of our Lord, 1559, 60, 61, went one day to visit the prisons of the King of Portugal. A gentleman who was the keeper of those prisons presented him with this herb, as a rare plant brought from Florida. Master Nicot had this herb planted in his garden, where it grew and multiplied remarkably. One day, one of his Pages informed him that a young man, a relative of that Page, applied a poultice made of that bruised herb and its juice on an ulcer he had on his cheek near his nose, resulting from a Noli me tangere that was already starting to take hold at the cartilage of his nose, and he felt greatly relieved. Therefore, Master Nicot had the sick young man brought to him and continued applying the herb to the sore for about eight or ten days. The Noli me tangere was completely destroyed and healed. During this time, he sent it to a well-known physician of the King of Portugal to observe its further effects. After ten days, the physician, seeing the young man's appearance, confirmed that the Noli me tangere was completely gone, as he hadn’t felt anything since. Shortly after, one of the cooks of the ambassador nearly cut off his thumb with a large chopping knife. The steward of the ambassador’s household rushed to get the Nicotiane and treated him with it five or six times, and eventually, he was healed. From that time on, this herb began to gain fame throughout Lisbon, where the court of the King of Portugal was located, and the properties of this herb were praised, leading people to call it the ambassador's herb! A few days later, a gentleman from the area, the father of one of the ambassador's Pages, who had been suffering from an ulcer on his leg for two years, asked the ambassador for his herb. After using it as instructed, he was healed after ten or twelve days. From that point on, the fame of that herb increased to such an extent that many people came from all over to obtain it. Among them was a woman whose face was covered with a deeply rooted ringworm, looking as if she wore a visor. The ambassador had the herb given to her and explained how to use it; after eight or ten days, she was fully healed and came to show herself to the ambassador, demonstrating her healing. Then a captain came to present his son, ill with the King’s evil, to the ambassador, asking him to send the boy to France. They discussed the herb, which began to show great signs of healing and ultimately completely cured the boy of the King’s evil. The ambassador, seeing such great effects from this herb, and having heard that Lady Montigny died at Saint Germains from an ulcer that developed in her breast and turned into a Noli me tangere, for which no remedy had ever been found, as well as that the Countess of Ruffe had sought out all the famous physicians of that realm for help with her face without success, decided it would be good to share it with France. He sent it to King Francis the Second, the Queen Mother, and many other lords at the court, along with instructions for using it to treat those diseases based on his experience; particularly to the Lord of Jarnac, governor of Rogell, with whom the ambassador had a strong friendship for the service of the King. The Lord of Jarnac mentioned one day at the Queen's table that he had caused the Nicotiane to be distilled and mixed the water with Euphrasie, also called eyebright, to treat someone who was short of breath, and that person was healed."—Joyful News out of the New Found World, etc., 1577.—Black Letter.

ANCIENT INSTRUMENTS OF PUNISHMENT AND TORTURE IN THE TOWER OF LONDON.

ANCIENT TOOLS OF PUNISHMENT AND TORTURE IN THE TOWER OF LONDON.

There are few things among the valuable collection of antiquities preserved in the Tower of London, which excite so much interest as the grim-looking objects forming the group figured in the accompanying engraving.

There are few things in the valuable collection of antiques kept in the Tower of London that generate as much interest as the ominous-looking items shown in the accompanying engraving.

With the executioner's axe, that long list of unfortunates who have met their fate within the walls of the Tower, or on Tower Hill, since the [Pg 59] time of Henry VIII., have been beheaded. Among them may be enumerated Queen Anne Boleyn, whom Henry first presented to his people as their Queen while standing with her on the Tower Stairs, after she had been conveyed thither from Greenwich with every possible pomp. Crowds of gilded barges, with gay banners waving at their sterns, then lined the stream. The noblest of the land were in the young Queen's train or were waiting to receive her. Loud rounds of cannon, and soft, merry strains, announced her arrival; and the burly King stepped forward to kiss her in the sight of the assembled multitude. On the same day, three short years afterwards, she was led forth to execution within the Tower walls. The good Sir Thomas More and the chivalrous Earl of Surrey, Lady Jane Grey and her young husband, the gallant Raleigh, and a host of others, also perished by that sad symbol of the executioner's office.

With the executioner's axe, that long list of unfortunate people who have met their fate within the walls of the Tower, or on Tower Hill, since the [Pg 59] time of Henry VIII have been beheaded. Among them is Queen Anne Boleyn, whom Henry first presented to his people as their Queen while standing with her on the Tower Stairs, after she had been brought there from Greenwich with all possible pomp. Crowds of fancy boats, with colorful banners waving at their sterns, lined the river. The noblest people of the land were in the young Queen's procession or were waiting to greet her. Loud cannon fire and lively music announced her arrival, and the burly King stepped forward to kiss her in front of the gathered crowd. Just three short years later, she was led out for execution within the Tower walls. The good Sir Thomas More, the chivalrous Earl of Surrey, Lady Jane Grey and her young husband, the brave Raleigh, and many others also fell to that sad symbol of the executioner's office.

The block is said to be of less ancient date, but is known to have been used at the execution of three Scotch lords—the unfortunate adherents of the Pretender—a little more than a century ago. On the top part of the block, there are three distinct cuts, two of them very deep and parallel, and the other at an angle and less effective.

The block is considered to be less ancient, but it is known to have been used in the execution of three Scottish lords—the unfortunate supporters of the Pretender—just over a century ago. On the upper part of the block, there are three distinct cuts; two of them are very deep and parallel, while the other one is at an angle and less prominent.

The horrible instrument of torture called the "Scavenger's Daughter," was, in the "good old days," used as a means of extorting confession. The head of the culprit was passed through the circular hole at the top, and the arms through those below. The whole of this part of the machine opens in somewhat the same manner as a pair of tongs, the upper part being fixed round the neck and arms, and the semicircular irons placed on the legs. The body was then bent, and a strong iron bar was passed through the irons connected with the head and arms, and those in which the legs were placed. "The culprit would then," as one of the "Beefeaters" who attends on visitors makes a point of observing, "be doubled up into very small compass, and made exceedingly uncomfortable."

The terrible torture device known as the "Scavenger's Daughter" was, in the "good old days," used to force confessions. The person's head was pushed through the circular hole at the top, and their arms went through the holes below. This part of the machine opened similarly to a pair of tongs, with the upper section secured around the neck and arms, and the semicircular irons placed on the legs. The body would then be bent, and a strong iron bar was inserted through the irons connected to the head and arms, as well as those for the legs. "The person would then," as one of the "Beefeaters" who guides visitors often points out, "be twisted into a very compact position and made extremely uncomfortable."

The Bilboes need little explanation, being only a strong rod of iron, with a nob at one end, on which are two moveable hoops, for the purpose of holding the legs; these being fixed, and a heavy iron padlock put on the proper part—the wearer was said to be in a Bilboe. Instruments of this description were much used on board of ship for the purpose of securing prisoners of war.

The Bilboes need little explanation; they are simply a strong iron rod with a knob at one end, featuring two movable hoops designed to hold the legs. Once fixed and secured with a heavy iron padlock, the person was said to be in a Bilboe. This type of device was commonly used on ships for securing prisoners of war.

The Iron Collar is a persuader of a formidable description, for it weighs upwards of 14 lbs., and is so made that it can be fixed on the neck and then locked. Such a necklace would, we think, be sufficiently inconvenient; but it is rendered still more uncomfortable by sundry prickles of iron knowingly placed.

The Iron Collar is a powerful tool for manipulation, weighing over 14 lbs., and is designed to be fastened around the neck and then locked in place. We believe that such a necklace would be quite bothersome on its own, but it becomes even more unpleasant due to various iron spikes intentionally positioned on it.

The Thumb-screw, also preserved in the Tower, is a characteristic example of a species of torture at one time much resorted to. The engraved example has been constructed so as to press both thumbs; nevertheless, it is a convenient little instrument, which might be easily carried about in the pocket. We have met with varieties of the thumb-screw in several collections—some for the accommodation of one thumb only. In the Museum of the Royal Antiquarian Society of Scotland there are some thumb-screws which are said to have been used upon the Covenanters.

The Thumb-screw, also kept in the Tower, is a typical example of a type of torture that was once widely used. The engraved version is designed to press both thumbs; however, it's a handy little device that can easily fit in your pocket. We've come across different types of thumb-screws in various collections—some designed for just one thumb. In the Museum of the Royal Antiquarian Society of Scotland, there are thumb-screws that are said to have been used on the Covenanters.

1. The Executioner's Axe. 2. The Block on which Lords Balmerino, Lovat, &c., were beheaded. 3. The Scavenger's Daughter. 4. Spanish Bilboes. 5. Massive Iron Collar for the Neck. 6. Thumb-Screw.

Times have changed for the better since the "Scavenger's Daughter," and the other matters represented, were amongst the mildest of the methods used for the purposes of punishment and intimidation. The stocks, the public whipping-posts, boilings, and burnings in Smithfield and elsewhere, the exhibition of dead men's heads over gateways, the boot, the rack, the pillory, the practice of making men eat their own books in Cheapside, drawing on hurdles to the place of execution, and then hanging, drawing, and quartering, chopping off hands and ears, and other revolting punishments, have gone out of use, and it is gratifying to know that we are all the better for it.

Times have improved since the "Scavenger's Daughter," and the other methods mentioned were some of the least brutal ways of punishing and intimidating people. The stocks, public whipping posts, boiling, and burning in Smithfield and other places, displaying the heads of the dead above gates, the boot, the rack, the pillory, forcing people to eat their own books in Cheapside, being dragged on hurdles to execution, and then hanging, drawing, and quartering, chopping off hands and ears, and other disgusting punishments have become obsolete, and it's reassuring to know that we’re all better off for it.

A BEAU BRUMMELL OF THE 17TH CENTURY.

A BEAU BRUMMELL OF THE 17TH CENTURY.

A Beau Brummell

This very curious representation of a first-rate exquisite is copied from a very rare broadside, printed in 1646, and styled The Picture of an English Anticke, with a List of his ridiculous Habits and apish Gestures. The engraving is a well-executed copperplate, and the description beneath is a brief recapitulation of his costume: from which we learn that he wears a tall hat, with a bunch of riband on one side, and a feather on the other; his face spotted with patches; two love-locks, one on each side of his head, which hang upon his bosom, and are tied at the ends with silk riband in bows. His beard on the upper lip encompassing his mouth; his band or collar edged with lace, and tied with band-strings, secured by a ring; a tight vest, partly open and short in the skirts, between which and his breeches his shirt protruded. His cloak was carried over his arm. His breeches were ornamented by "many dozen of points at the knees, and above them, on either side, were two great bunches of riband of several colours." His legs were incased in "boot-hose tops, tied about the middle of the calf, as long as a pair of shirt-sleeves, double at the ends like a ruff-band; the tops of his boots very large, fringed with lace, and turned down as low as his spurres, which gingled like the bells of a morrice-dancer as he walked;" the "feet of his boots were two inches too long." In his right hand he carried a stick, which he "played with" as he "straddled" along the streets "singing."

This very interesting depiction of a top-notch eccentric is taken from a rare broadside printed in 1646, titled The Picture of an English Anticke, with a List of his ridiculous Habits and apish Gestures. The engraving is a well-done copperplate, and the description below is a brief summary of his outfit: we see that he wears a tall hat with a ribbon on one side and a feather on the other; his face is covered with patches; he has two love-locks, one on each side of his head, which fall onto his chest and are tied at the ends with silk ribbons in bows. His mustache encircles his mouth; his collar is edged with lace and tied with strings secured by a ring; a fitted vest, partly open and short at the hem, allows his shirt to stick out between it and his breeches. He carried his cloak over his arm. His breeches were decorated with "many dozens of points at the knees, and above them, on either side, were two large bunches of ribbons in various colors." His legs were wrapped in "boot-hose tops, secured around the middle of the calf, as long as a pair of shirt sleeves, doubled at the ends like a ruff; the tops of his boots were very large, fringed with lace, and turned down as low as his spurs, which jingled like the bells of a morris dancer as he walked;" the "feet of his boots were two inches too long." In his right hand, he carried a stick, which he "played with" as he "strutted" down the streets "singing."

PRAYING FOR REVENGE.

Seeking revenge.

In North Wales, when a person supposes himself highly injured, it is not uncommon for him to go to some church dedicated to a celebrated saint, as Llan Elian in Anglesea, and Clynog in Carnarvonshire, and there to offer his enemy. He kneels down on his bare knees in the church, and offering a piece of money to the saint, calls down curses and misfortunes upon the offender and his family for generations to come; in the most firm belief that the imprecations will be fulfilled. Sometimes they repair to a sacred well instead of a church.

In North Wales, when someone feels deeply wronged, it's not unusual for them to visit a church dedicated to a famous saint, like Llan Elian in Anglesey or Clynog in Gwynedd. There, they kneel on the bare ground and offer a piece of money to the saint while calling down curses and misfortunes on their enemy and their family for generations. They truly believe that these curses will come true. Sometimes, they go to a sacred well instead of a church.

A FEMALE SAMPSON: FROM A HANDBILL.

A WOMAN SAMSON: FROM A FLYER.

September 4th, 1818, was shown at Bartholomew Fair, "The strongest woman in Europe, the celebrated French Female Hercules, Madame Gobert, who will lift with her teeth a table five feet long and three feet wide, with several persons seated upon it; also carry thirty-six weights, fifty-six pounds each, equal to 2,016 lbs., and will disengage herself from them without any assistance; will carry a barrel containing 340 bottles; also an anvil 400 lbs. weight, on which they will forge with four hammers at the time she supports it on her stomach; she will also lift with her hair the same anvil, swing it from the ground, and suspend it in that position to the astonishment of every beholder; will take up a chair by the hind stave with her teeth, and throw it over her head, ten feet from her body. Her travelling caravan, (weighing two tons,) on its road from Harwich to Leominster, owing to the neglect of the driver, and badness of the road, sunk in the mud, nearly up to the box of the wheels; the two horses being unable to extricate it she descended, and, with apparent ease, disengaged the caravan from its situation, without any assistance whatever."

September 4th, 1818, was highlighted at Bartholomew Fair, "The strongest woman in Europe, the renowned French Female Hercules, Madame Gobert, who can lift a five-foot-long and three-foot-wide table with her teeth, even with several people seated on it; also lift thirty-six weights, each weighing fifty-six pounds, totaling 2,016 lbs., and free herself from them without any help; carry a barrel holding 340 bottles; also lift a 400 lbs. anvil while four hammers are used on it at the same time, supported on her stomach; she can also lift that same anvil with her hair, swing it off the ground, and hold it up to the amazement of all onlookers; will pick up a chair by the back leg with her teeth and toss it over her head, ten feet away. Her traveling caravan, weighing two tons, got stuck in the mud on its way from Harwich to Leominster because of the driver's negligence and the poor condition of the road, sinking nearly up to the box of the wheels; since the two horses couldn’t pull it out, she got down and, with seeming ease, freed the caravan from the mud without any help at all."

TREES THAT GROW SHIRTS.

Trees that grow shirts.

"We saw on the slope of the Cerra Dnida," says M. Humboldt, "shirt trees, fifty feet high. The Indians cut off cylindrical pieces two feet in diameter, from which they peel the red and fibrous bark, without making any longitudinal incision. This bark affords them a sort of garment which resembles a sack of a very coarse texture, and without a seam. The upper opening serves for the head, and two lateral holes are cut to admit the arms. The natives wear these shirts of Marina in the rainy season; they have the form of the ponchos and manos of cotton which are so common in New Grenada, at Quito, and in Peru. As in this climate the riches and beneficence of nature are regarded as the primary causes of the indolence of the inhabitants, the missionaries do not fail to say in showing the shirts of Marina, 'in the forests of Oroonoko, garments are found ready made upon the trees.'"

"We saw on the slope of Cerra Dnida," says M. Humboldt, "shirt trees that are fifty feet tall. The Indians cut cylindrical pieces two feet in diameter from which they peel the red, fibrous bark without making any lengthwise cuts. This bark provides them with a type of garment that looks like a sack made from very coarse material, and it has no seams. The opening at the top is for the head, and two side holes are cut for the arms. The natives wear these Marina shirts during the rainy season; they are shaped like the ponchos and manos made of cotton that are common in New Grenada, Quito, and Peru. Since the richness and generosity of nature in this climate are seen as the main reasons for the locals' laziness, the missionaries often say when showing the Marina shirts, 'in the forests of Oroonoko, garments are found ready-made on the trees.'"

A FEMALE VENTRILOQUIST.

A woman ventriloquist.

A female ventriloquist, named Barbara Jacobi, narrowly escaped being burnt at the stake in 1685, at Haarlem, where she was an inmate of the public Hospital. The curious daily resorted thither to hear her hold & dialogue with an imaginary personage with whom she conversed as if concealed behind the curtains of her bed. This individual, whom she called Joachim, and to whom she addressed a thousand ludicrous questions, which he answered in the same familiar strain, was for some time supposed to be a confederate. But when the bystanders attempted to search for him behind the curtains, his voice instantly reproached them with their curiosity from the opposite corner of the room. As Barbara Jacobi had contrived to make herself familiar with all the gossip of the city of Haarlem, the revelations of the pretended familiar were such as to cause considerable embarrassment to those who beset her with impertinent questions.

A female ventriloquist named Barbara Jacobi narrowly escaped being burned at the stake in 1685 in Haarlem, where she was staying at the public hospital. Curious onlookers came every day to hear her have a conversation with an imaginary character, whom she spoke to as if hidden behind the curtains of her bed. This character, whom she called Joachim, responded to her countless humorous questions in a similarly playful manner, leading some to believe he was an accomplice. However, when people tried to look for him behind the curtains, his voice would immediately scold them for their curiosity from the opposite corner of the room. As Barbara Jacobi had managed to stay well-informed about all the gossip in Haarlem, the things her supposed companion revealed were quite embarrassing for those who pressed her with intrusive questions.

CALMUC OPINION OF LIGHTNING.

CALMUC VIEW ON LIGHTNING.

The Calmucs hold the lightning to be the fire spit out of the mouth of a dragon, ridden and scourged by evil Dæmons, and the thunder they make to be his roarings.

The Calmucs believe that lightning is the fire breathed out of a dragon's mouth, ridden and whipped by evil demons, and they think that thunder is the dragon's roaring.

THE HEADING OF THE EXPIRING PENNSYLVANIA JOURNAL.

THE HEADING OF THE EXPIRING PENNSYLVANIA JOURNAL.

Journalism has had its trials and difficulties in England as well as in America; but we do not remember to have ever seen a more quaint last Number, than the subjoined facsimile exhibits:—

Journalism has faced its challenges in England and America; however, we don't recall seeing a more unusual last issue than what is shown in the following facsimile:—

Pennsylvania Journal

NOSTRUMS.

Nonsense.

Unsuccessful gamesters used formerly to make a knot in their linen, of late years they have contented themselves with changing their chair as a remedy against ill-luck. As a security against cowardice, it was once only necessary to wear a pin plucked from the winding sheet of a corpse. To insure a prosperous accouchement to your wife, you had but to tie her girdle to a bell and ring it three times. To get rid of warts, you were to fold up in a rag as many peas as you had warts, and throw them upon the high road; when the unlucky person who picked them up became your substitute. In the present day, to cure a toothache, you go to your dentist. In the olden time you would have solicited alms in honour of St. Lawrence, and been relieved without cost or pain.

Unsuccessful gamblers used to tie a knot in their cloth, but in recent years, they've just switched chairs to ward off bad luck. In the past, if you wanted to prove your bravery, all you needed was to wear a pin taken from a corpse's burial shroud. To ensure a smooth childbirth for your wife, you simply had to tie her waist to a bell and ring it three times. If you wanted to get rid of warts, you were supposed to wrap as many peas as you had warts in a rag and toss them on the road; when an unlucky person picked them up, they would take your warts in exchange. Nowadays, to fix a toothache, you just go to the dentist. Back then, you would have begged for alms in honor of St. Lawrence and received help for free and without pain.

PRECOCIOUS CHILDREN.

Gifted kids.

Baillet mentions one hundred and sixty-three children endowed with extraordinary talents, among whom few arrived at an advanced age. The two sons of Quintilian, so vaunted by their father, did not reach their tenth year. Hermogenes, who, at the age of fifteen, taught rhetoric to Marcus Aurelius, who triumphed over the most celebrated rhetoricians of Greece, did not die, but at twenty-four, lost his faculties, and forgot all he had previously acquired. Pica di Mirandola died at thirty-two; Johannes Secundus at twenty-five; having at the age of fifteen composed admirable Greek and Latin verses, and become profoundly versed in jurisprudence and letters. Pascal, whose genius developed itself at ten years old, did not attain the third of a century.

Baillet notes that one hundred and sixty-three children had extraordinary talents, but very few lived to an old age. The two sons of Quintilian, praised by their father, didn’t make it past their tenth year. Hermogenes, who taught rhetoric to Marcus Aurelius at fifteen, a man who excelled over the most famous rhetoricians in Greece, didn’t die, but by twenty-four, he lost his abilities and forgot everything he had learned. Pica di Mirandola passed away at thirty-two; Johannes Secundus at twenty-five, having written impressive Greek and Latin poetry at fifteen and become highly knowledgeable in law and literature. Pascal, whose brilliance emerged at ten, didn’t live to see thirty.

In 1791, a child was born at Lubeck, named Henri Heinekem, whose precocity was miraculous. At ten months of age, he spoke distinctly; at twelve, learnt the Pentateuch by rote, and at fourteen months, was perfectly acquainted with the Old and New Testaments. At two years of age, he was as familiar with Ancient History as the most erudite authors of antiquity. Sanson and Danville only could compete with him in geographical knowledge; Cicero would have thought him an "alter ego," on hearing him converse in Latin; and in modern languages he was equally proficient. This wonderful child was unfortunately carried off in his fourth year. According to a popular proverb—"the sword wore out the sheath."

In 1791, a child named Henri Heinekem was born in Lubeck, and his intelligence was extraordinary. By ten months old, he spoke clearly; at twelve, he memorized the Pentateuch, and by fourteen months, he knew the Old and New Testaments inside and out. At two years old, he was as knowledgeable about Ancient History as the most learned scholars of the past. Sanson and Danville could only match him when it came to geography; Cicero would have considered him a "kindred spirit" after hearing him speak in Latin; and he was equally skilled in modern languages. Tragically, this remarkable child passed away at just four years old. According to a popular saying—"the sword wore out the sheath."

EFFECT OF MUSIC ON A PIGEON.

EFFECT OF MUSIC ON A PIGEON.

Bingley gives a singular anecdote of the effect of music on a pigeon, as related by John Lockman, in some reflections concerning operas, prefixed to his musical drama of Rosalinda. He was staying at a friend's house, whose daughter was a fine performer on the harpsichord, and observed a pigeon, which, whenever the young lady played the song of "Speri-si," in Handel's opera of Admetus (and this only), would descend from an adjacent dove-house to the room-window where she sat, and listen to it apparently with the most pleasing emotions; and when the song was finished it always returned immediately to the dove-house.

Bingley shares a unique story about how music affects a pigeon, as told by John Lockman in some thoughts about operas that he included before his musical drama, Rosalinda. He was visiting a friend's house, where the daughter was an amazing harpsichord player. He noticed that a pigeon, whenever the young lady played the song "Speri-si" from Handel's opera Admetus (and only that song), would come from a nearby dove-cote to the window where she was sitting and listen with what seemed like great enjoyment. Once the song ended, it would always fly back to the dove-cote right away.

POWER OF FASCINATION IN SNAKES.

Fascination with Snakes.

Some animals are held in universal dread by others, and not the least terrible is the effect produced by the rattle-snake. Mr. Pennant says, that this snake will frequently lie at the bottom of a tree, on which a squirrel is seated. He fixes his eyes on the animal, and from that moment it cannot escape: it begins a doleful outcry, which is so well known that a passer by, on hearing it, immediately knows that a snake is present. The squirrel runs up the tree a little way, comes down again, then goes up and afterwards comes still lower. The snake continues at the bottom of the tree, with his eyes fixed on the squirrel, and his attention is so entirely taken up, that a person accidentally approaching may make a considerable noise, without so much as the snake's turning about. The squirrel comes lower, and at last [Pg 65] leaps down to the snake, whose mouth is already distended for its reception. Le Vaillant confirms this fascinating terror, by a scene he witnessed. He saw on the branch of a tree a species of shrike trembling as if in convulsions, and at the distance of nearly four feet, on another branch, a large species of snake, that was lying with outstretched neck and fiery eyes, gazing steadily at the poor animal. The agony of the bird was so great that it was deprived of the power of moving away, and when one of the party killed the snake, it was found dead upon the spot—and that entirely from fear—for, on examination, it appeared not to have received the slightest wound. The same traveller adds, that a short time afterwards he observed a small mouse in similar agonizing convulsions, about two yards from a snake, whose eyes were intently fixed upon it; and on frightening away the reptile, and taking up the mouse, it expired in his hand.

Some animals are universally feared by others, and among the most terrifying is the rattlesnake. Mr. Pennant explains that this snake often lies at the base of a tree where a squirrel is perched. It locks its gaze on the creature, and from that moment, the squirrel cannot escape. It starts to wail mournfully, a sound so recognizable that anyone passing by knows immediately that a snake is nearby. The squirrel tries to escape by climbing up the tree a bit, then coming back down, then going up again, and eventually coming down even lower. The snake stays at the bottom of the tree, its eyes fixed on the squirrel, so focused that a person could approach and make a lot of noise without the snake even flinching. Eventually, the squirrel comes down closer and finally leaps down to the snake, which has its mouth open wide, ready to catch it. Le Vaillant confirms this fascinating terror with a scene he witnessed. He saw a type of shrike on a branch trembling as if it were convulsing, while almost four feet away, a large snake lay on another branch, neck extended and eyes burning, staring intensely at the poor bird. The bird was so overwhelmed with fear that it couldn’t move, and when someone in the group killed the snake, they found it dead right there—completely from fear—revealing that it had no visible wounds. The same traveler notes that shortly after, he saw a small mouse in similar distress about two yards from a snake, which was fixated on it. When the snake was scared off and the mouse was picked up, it died in his hand.

SECOND SIGHT.

Second Sight.

About the year 1725, the marvellous history of a Portuguese woman set the whole world of science into confusion, as will be found by referring to the "Mercure de France." This female was said to possess the gift of discovering treasures. Without any other aid than the keen penetration of her eyes, she was able to distinguish the different strata of earth, and pronounce unerringly upon the utmost distances at a single glance. Her eye penetrated through every substance, even the human body; and she could discern the mechanism, and circulation of all animal fluids, and detect latent diseases; although less skilful than the animal magnetisers, she did not affect to point out infallible remedies. Ladies could learn from her the sex of their forthcoming progeny.

About the year 1725, the incredible story of a Portuguese woman confused the entire scientific community, as noted in the "Mercure de France." This woman was said to have the ability to find treasures. With nothing but her keen eyesight, she could identify different layers of soil and accurately assess distances with just a glance. Her vision could see through all materials, even the human body; she could understand the mechanisms and circulation of all bodily fluids and identify hidden diseases. Although not as skilled as animal magnetizers, she didn't claim to provide guaranteed cures. Women could learn from her the sex of their future children.

The King of Portugal, greatly at a loss for water in his newly built palace, consulted her; and after a glance at the spot, she pointed out an abundant spring, upon which his Majesty rewarded her with a pension, the order of Christ, and a patent of nobility.

The King of Portugal, struggling to find water for his newly built palace, asked for her advice; after a quick look at the area, she identified a plentiful spring. In gratitude, his Majesty granted her a pension, the Order of Christ, and a title of nobility.

In the exercise of her miraculous powers, certain preliminaries were indispensable. She was obliged to observe a rigid fast; indigestion, or the most trifling derangement of the stomach, suspending the marvellous powers of her visual organs.

In using her miraculous powers, some essential steps were necessary. She had to follow a strict fast; any indigestion or even the slightest upset stomach would interrupt the amazing abilities of her eyesight.

The men of science of the day were of course confounded by such prodigies. But instead of questioning the woman, they consulted the works of their predecessors; not forgetting the inevitable Aristotle. By dint of much research, they found a letter from Huygens asserting that there was a prisoner of war at Antwerp, who could see through stuffs of the thickest texture provided they were not red. The wonderful man was cited in confirmation of the wonderful woman, and vice versâ.

The scientists of the time were obviously baffled by such marvels. But instead of asking the woman questions, they referred to the writings of those who came before them, always keeping Aristotle in mind. After extensive research, they discovered a letter from Huygens stating that there was a prisoner of war in Antwerp who could see through even the thickest fabrics as long as they weren’t red. The extraordinary man was referenced to validate the extraordinary woman, and vice versa.

CHARACTER INDICATED BY THE EARS.

Character signified by the ears.

According to Aristotle, large ears are indicative of imbecility; while small ones announce madness. Ears which are flat, point out the rustic and brutal man. Those of the fairest promise, are firm and of middling size. Happy the man who boasts of square ears; a sure indication of sublimity of soul and purity of life. Such, according to Suetonius, were the ears of the Emperor Augustus.

According to Aristotle, big ears suggest foolishness, while small ears indicate madness. Flat ears signal a rough and uncivilized person. The best kind of ears are firm and medium-sized. Lucky is the man who has square ears; they are a clear sign of a noble spirit and a pure life. This is what Suetonius said about the ears of Emperor Augustus.

GROANING BOARDS.

Groaning boards.

Groaning boards were the wonder in London in 1682. An elm plank was exhibited to the king, which, being touched by a hot iron, invariably produced a sound resembling deep groans. At the Bowman Tavern, in Drury Lane, the mantel-piece did the same so well that it was supposed to be part of the same elm-tree; and the dresser at the Queen's Arm Tavern, St. Martin le Grand, was found to possess the same quality. Strange times when such things were deemed wonderful; even to meriting exhibition before the monarch.

Groaning boards were the talk of London in 1682. An elm plank was shown to the king, and when a hot iron touched it, it always made a sound that sounded like deep groans. At the Bowman Tavern on Drury Lane, the mantelpiece did the same so well that people believed it was part of the same elm tree; and the dresser at the Queen's Arm Tavern on St. Martin le Grand was found to have the same feature. It was a strange time when such things were considered amazing, even worthy of being shown to the king.

ANCIENT PLOUGHING AND THRESHING.

Ancient farming and grain processing.

The ancient plough was light, the draught comparatively easy; but then the very lightness required that the ploughman should lean upon it with his whole weight, or else it would glide over the soil without making a single furrow. "Unless," said Pliny, "the ploughman stoop forward, to press down the plough, as well as to conduct it, truly it will turn aside."

The old-fashioned plough was lightweight, making it easier to pull; however, this very lightness meant that the ploughman had to lean into it with all his weight, or else it would slide over the ground without creating a single furrow. "Unless," said Pliny, "the ploughman leans forward to push down the plough as well as guide it, it will definitely veer off course."

Ancient Ploughing and Treshing

Oxen were anciently employed in threshing corn, and the same custom is still retained in Egypt and the east. This operation is effected by trampling upon the sheaves, and by dragging a clumsy machine, furnished with three rollers that turn on their axles. A wooden chair is attached to the machine, and on this a driver seats himself, urging his oxen backwards and forwards among the sheaves, which have previously been thrown into a heap of about eight feet wide and two in height. The grain thus beaten out, is collected in an open place, and shaken against the wind by an attendant, with a small shovel, or, as it is termed, a winnowing fan, which disperses the chaff and leaves the grain uninjured:—

Oxen were used in the past for threshing corn, and this practice is still common in Egypt and the East. This process involves trampling on the sheaves and dragging a heavy machine equipped with three rollers that rotate on their axles. A wooden chair is attached to the machine, where a driver sits, directing his oxen back and forth among the sheaves, which have been piled into a mound about eight feet wide and two feet high. The grain that’s knocked out is collected in an open area and tossed into the wind by a worker using a small shovel, known as a winnowing fan, which blows away the chaff and leaves the grain intact.

"Thus, with autumnal harvests covered o'er,
And thick bestrewn, lies Ceres' sacred floor;
While round and round, with never-wearied pain,
The trampling steers beat out th' unnumber'd grain."

Homer.

Homer.

Horace further tells us, that the threshing floor was mostly a smooth space, surrounded with mud walls, having a barn or garner on one side; occasionally an open field, outside the walls, was selected for this purpose, yet uniformly before the town or city gates. Such was the void place wherein the king of Israel, and Jehoshaphat, king of Judah, sat each of them on his throne, clothed in his robes, at the entering in of the gate of Samaria, and all the prophets prophesied before them. In the marginal reading we are informed, that this void space was no other than a threshing floor; and truly the area was well adapted for such an assemblage, being equally suited to accommodate the two kings and their attendants, and to separate them from the populace.

Horace also tells us that the threshing floor was mainly a smooth area, surrounded by mud walls, with a barn or storage building on one side; sometimes an open field outside the walls was chosen for this purpose, but it was always located in front of the town or city gates. This was the empty space where the king of Israel and Jehoshaphat, the king of Judah, each sat on their thrones, dressed in their robes, at the entrance of the gate of Samaria, while all the prophets prophesied before them. The marginal note informs us that this empty space was actually a threshing floor; and indeed, the area was well suited for such a gathering, as it could comfortably hold both kings and their attendants while keeping them separated from the crowd.

OXEN THRESHING CORN.

Eastern ploughshares were of a lighter make than ours, and those who notice the shortness and substance of ancient weapons, among such as are preserved in museums, will understand how readily they might be applied to agricultural uses.

Eastern ploughshares were made lighter than ours, and anyone who observes the small size and material of ancient weapons, like those that are kept in museums, will see how easily they could be used for farming.

FROST FAIRS.

Frost Fairs.

In 1788-9, the Thames was completely frozen over below London-bridge. Booths were erected on the ice; and puppet-shows, wild beasts, bear-baiting, turnabouts, pigs and sheep roasted, exhibited the various amusements of Bartholomew Fair multiplied and improved. From Putney-bridge down to Redriff was one continued scene of jollity during this seven weeks' saturnalia. The last frost fair was celebrated in the [Pg 68] year 1814. The frost commenced on 27th December, 1813, and continued to the 5th February, 1814. There was a grand walk, or mall, from Blackfriars-bridge to London-bridge, that was appropriately named The City Road, and lined on each side with booths of all descriptions. Several printing-presses were erected, and at one of these an orange-coloured standard was hoisted, with "Orange Boven" printed in large characters. There were E O and Rouge et Noir tables, tee-totums, and skittles; concerts of rough music, viz. salt-boxes and rolling-pins, gridirons and tongs, horns, and marrow-bones and cleavers. The carousing booths were filled with merry parties, some dancing to the sound of the fiddle, others sitting round blazing fires smoking and drinking. A printer's devil bawled out to the spectators, "Now is your time, ladies and gentlemen,—now is your time to support the freedom of the press! Can the press enjoy greater liberty? Here you find it working in the middle of the Thames!"

In 1788-89, the Thames was completely frozen over below London Bridge. Stalls were set up on the ice, showcasing puppet shows, wild animals, bear-baiting, rides, and roasted pigs and sheep, offering a variety of entertainment similar to and better than Bartholomew Fair. From Putney Bridge down to Rotherhithe, it was a nonstop scene of fun during this seven-week festivity. The last frost fair took place in the [Pg 68] year 1814. The frost began on December 27, 1813, and lasted until February 5, 1814. There was a grand walkway, or mall, from Blackfriars Bridge to London Bridge, aptly named The City Road, lined on both sides with all sorts of stalls. Several printing presses were set up, and at one of them, an orange flag was raised with "Orange Boven" printed in large letters. There were E O and Rouge et Noir tables, spinning tops, and skittles; concerts featuring makeshift instruments like salt boxes, rolling pins, gridirons, tongs, horns, and marrow bones with cleavers. The lively booths were filled with joyful groups, some dancing to the fiddle, while others sat around roaring fires, smoking and drinking. A young printer shouted to the crowd, "Now is your chance, ladies and gentlemen—now is your chance to support the freedom of the press! Can the press have greater liberty? Here you see it working right in the middle of the Thames!"

MAGIC RAIN STONE.

MAGICAL RAIN STONE.

The Indian magi, who are to invoke Yo He Wah, and mediate with the supreme holy fire that he may give seasonable rains, have a transparent stone of supposed great power in assisting to bring down the rain, when it is put in a basin of water, by a reputed divine virtue, impressed on one of the like sort, in time of old, which communicates it circularly. This stone would suffer a great decay, they assert, were it even seen by their own laity; but if by foreigners, it would be utterly despoiled of its divine communicative power.

The Indian magicians, who are meant to call upon Yo He Wah and connect with the supreme holy fire so that he may provide timely rains, possess a clear stone believed to have great power in helping to bring down the rain when placed in a basin of water. This is said to happen due to a divine virtue that was impressed on a similar stone long ago, which transfers its power in a circular manner. They claim that this stone would deteriorate significantly if even seen by their own people; however, if seen by outsiders, it would completely lose its divine ability to communicate.

THE BOMBARDIER BEETLE.

The Bombardier Beetle.

The bombardier beetle (Carabus crepitans) when touched produces a noise resembling the discharge of a musket in miniature, during which a blue smoke may be seen to proceed from its extremity. Rolander says that it can give twenty discharges successively. A bladder placed near its posterior extremity, is the arsenal that contains its store. This is its chief defence against its enemies; and the vapour or liquid that proceeds from it is of so pungent a nature, that if it happens to be discharged into the eyes, it makes them smart as though brandy had been thrown into them. The principal enemy of the bombardier is another insect of the same tribe, but three or four times its size. When pursued and fatigued it has recourse to this stratagem; it lies down in the path of its enemy, who advances with open mouth to seize it; but on the discharge of the artillery, this suddenly draws back, and remains for a while confused, during which the bombardier conceals itself in some neighbouring crevice, but if not lucky enough to find one, the other returns to the attack, takes the insect by the head, and bears it off.

The bombardier beetle (Carabus crepitans) makes a noise like a tiny musket shot when touched, and you can see a blue smoke coming from its rear end. Rolander mentions that it can make twenty shots in a row. A bladder located near its back end is the storage area filled with its defense mechanism. This is its main way of protecting itself from enemies, and the vapor or liquid it releases is so irritating that if it gets into the eyes, it stings like brandy. The beetle’s main enemy is a larger insect from the same family, which is three or four times its size. When it’s being chased and gets tired, it uses a clever trick; it lies down in the path of its predator, which comes forward with its mouth open to grab it. However, when the beetle releases its chemical defense, the predator quickly pulls back and is momentarily confused, giving the bombardier a chance to hide in a nearby crevice. If it can’t find one, the predator returns to attack, grabs the beetle by the head, and carries it away.

THE PILLORY FOR EATING FLESH IN LENT.

THE PILLORY FOR EATING MEAT DURING LENT.

Even in this kingdom, so late as the Reformation, eating flesh in Lent was rewarded with the pillory. An instance of this occurs in the "Patriot King," the particulars of which, quoted in "Clavis Calendaria," are somewhat amusing. Thomas Freburn's wife, of Paternoster-row, London, having expressed a particular inclination for pig, [Pg 69] one was procured, ready for the spit; but the butter-woman who provided it, squeamish as to the propriety of what she had done, carried a foot of it to the Dean of Canterbury. The Dean was at dinner, and one of his guests was Freburn's landlord, and Garter King at Arms, who sent to know if any of his family were ill, that he ate flesh in Lent. 'All well,' quoth Freburn, (perhaps too much of a Dissenter for the times,) 'only my wife longs for pig.' His landlord sends for the Bishop of London's apparitor, and orders him to take Freburn and his pig before Stocksly, the Bishop, who sent them both to Judge Cholmley; but he not being at home, they were again brought back to the Bishop, who committed them to the Compter. Next day, being Saturday, Freburn was carried before the Lord Mayor, who sentenced him to stand in the pillory on the Monday following, with one half of the pig on one shoulder, and the other half on the other. Through Cromwell's intercession, the poor man at last gained his liberty by a bond of twenty pounds for his appearance. The mischief-making pig was, by the order of the Bishop, buried in Finsbury-field, by the hand of his Lordship's apparitor; but Freburn was turned out of his house, and could not get another in four years. Hence we may infer his ruin.

Even in this kingdom, as late as the Reformation, eating meat during Lent could get you put in the pillory. A funny example of this is found in the "Patriot King," details of which are quoted in "Clavis Calendaria." Thomas Freburn’s wife, from Paternoster-row, London, had a strong craving for pig. So, one was acquired, ready for cooking; however, the butter vendor who sold it, feeling guilty about what she did, took a foot of it to the Dean of Canterbury. The Dean was having dinner, and one of his guests was Freburn’s landlord, who was also Garter King at Arms, and he asked if anyone in Freburn’s family was sick since he was eating meat during Lent. “All’s well,” replied Freburn (perhaps too much of a Dissenter for the times), “only my wife craves pig.” His landlord called for the Bishop of London’s apparitor and ordered him to take Freburn and his pig to Stocksly, the Bishop, who then sent them both to Judge Cholmley; but since he wasn’t home, they were taken back to the Bishop, who locked them up in the Compter. The next day, which was Saturday, Freburn was brought before the Lord Mayor, who sentenced him to stand in the pillory the following Monday, with one half of the pig on one shoulder, and the other half on the other. Thanks to Cromwell’s intervention, the poor man was eventually released by posting a bond of twenty pounds for his appearance. The troublesome pig was buried in Finsbury Field by the Bishop's apparitor under the Bishop’s orders; however, Freburn was kicked out of his home and couldn’t find another for four years. Hence, we can infer his downfall.

HUGE CANNON AT THE SIEGE OF CONSTANTINOPLE.

HUGE CANNON AT THE SIEGE OF CONSTANTINOPLE.

In 1432, several kinds of artillery are mentioned, cannons, bombards, vulgaires, coulverins. The vulgaires were ordinary artillery. In the year 1460, James II. of Scotland was killed by the accidental bursting of a cannon. The artillery of the Turks, in the year 1453, surpassed whatever had yet appeared in the world. A stupendous piece of ordnance was made by them; its bore was twelve palms, and the stone bullet weighed about 600 lbs.; it was brought with great difficulty before Constantinople, and was flanked by two almost of equal magnitude: fourteen batteries were brought to bear against the place, mounting 130 guns; the great cannon could not be loaded and fired more than seven times in one day. Mines were adopted by the Turks, and counter-mines by the Christians. At this siege, which was in 1453, ancient and modern artillery were both used. Cannons, intermingled with machines for casting stones and darts, and the battering-ram was directed against the walls. The fate of Constantinople could no longer be averted: the diminutive garrison was exhausted by a double attack; the fortifications were dismantled on all sides by the Ottoman cannon; a spirit of discord impaired the Christian strength. After a siege of fifty-three days, Constantinople, which had defied the power of Chosroes, the Chagan, and the Caliphs, was subdued by the arms of Mahomet II.

In 1432, various types of artillery were mentioned, including cannons, bombards, vulgaires, and coulverins. The vulgaires were the standard artillery. In 1460, James II of Scotland died when a cannon accidentally exploded. The artillery used by the Turks in 1453 was more advanced than anything seen before. They created an enormous piece of ordnance; its bore was twelve palms wide, and the stone bullet weighed around 600 lbs. This massive cannon was difficult to transport to Constantinople and was flanked by two nearly equal-sized cannons. Fourteen batteries were set up against the city, totaling 130 guns; the great cannon could only be loaded and fired seven times in a day. The Turks used mines, while the Christians employed counter-mines. During this siege in 1453, both ancient and modern artillery were utilized. Cannons were used alongside machines that hurled stones and darts, and battering rams targeted the walls. The fall of Constantinople was inevitable; the small garrison was worn down by simultaneous attacks, the fortifications were battered by Ottoman cannon fire, and a spirit of division weakened the Christian defense. After a fifty-three-day siege, Constantinople, which had withstood the forces of Chosroes, the Chagan, and the Caliphs, fell to the might of Mahomet II.

A MAN IN A VAULT ELEVEN DAYS.

A MAN IN A VAULT FOR ELEVEN DAYS.

St. Benedict Fink.—"1673, April 23, was buried Mr Thomas Sharrow, Cloth-worker, late Churchwarden of this parish, killed by an accidental fall into a vault, in London Wall, Amen Corner, by Paternoster Row, and was supposed had lain there eleven days and nights before any one could tell where he was, Let all that read this take heed of drink."—Truly, a quaint warning!

St. Benedict Fink.—"On April 23, 1673, Mr. Thomas Sharrow, a cloth worker and former churchwarden of this parish, was buried. He died from an accidental fall into a vault on London Wall, near Amen Corner by Paternoster Row, and it was believed he had been there for eleven days and nights before anyone discovered his location, Let all who read this be cautious with alcohol."—Indeed, a strange warning!

BLIND GRANNY.

Blind Grandma.

Blind Granny

This miserable, wretched, drunken object, who was blind of one eye, used to annoy the passengers in the streets of London, while sober, with licking her blind eye with her tongue, which was of a most enormous length, and thickness; indeed, it was of such a prodigious size, that her mouth could not contain it, and she could never close her lips, or to use a common expression, keep her tongue within her teeth. This wonderful feat of washing her eye with her tongue was exhibited with a view of obtaining money from such as crowded around her, and no sooner had [Pg 71] she obtained sufficient means, but she hastened to the first convenient liquor-shop, to indulge her propensity in copious libations, and when properly inspired, would rush into the streets with all the gestures of a frantic maniac, and roll and dance about, until she became a little sobered, which was sometimes accelerated by the salutary application of a pail of water, gratuitously bestowed upon her by persons whose doorway she had taken possession of, as shelter from the persecuting tormentings of boys and girls who generally followed her.

This miserable, wretched, drunken person, who was blind in one eye, used to annoy the passengers on the streets of London while sober by licking her blind eye with her incredibly long and thick tongue. It was so large that her mouth couldn't contain it, and she could never close her lips or, to put it simply, keep her tongue inside her mouth. This impressive act of washing her eye with her tongue was done to beg for money from those who gathered around her, and as soon as she collected enough, she would hurry to the nearest bar to indulge in drinks. When properly intoxicated, she would burst into the streets with the wild movements of a frantic maniac, rolling and dancing around until she became somewhat sober, which was sometimes sped up by a bucket of water thrown on her by people whose doorsteps she had claimed as shelter from the teasing of the boys and girls who usually followed her.

ANCIENT FEMALE COSTUME.

Ancient women's outfit.

Ancient Female Costume

A good specimen of the costume of a female of the higher classes is here given, from an effigy of a lady of the Ryther family, in Ryther church, Yorkshire, engraved in Hollis's Monumental Effigies. She wears a wimple, covering the neck and encircling the head, the hair of which is gathered in plaits at the sides, and covered with a kerchief, which falls upon the shoulders, and is secured by a fillet passing over the forehead. The sleeves of the gown hang midway from the elbow and the wrist, and display the tight sleeve with its rows of buttons beneath. The mantle is fastened by a band of ribbon, secured by ornamental studs. The lower part of the dress consists of the wide gown, lying in folds, and completely concealing the feet, which have been omitted, in order to display the upper part of this interesting effigy to greater advantage.

A good example of the costume of a woman from the upper classes is shown here, based on an effigy of a lady from the Ryther family in Ryther church, Yorkshire, as engraved in Hollis's Monumental Effigies. She wears a wimple that covers her neck and wraps around her head, with her hair styled in plaits on the sides and covered by a kerchief that drapes over her shoulders, secured by a band across her forehead. The sleeves of her gown hang halfway between her elbow and her wrist and show the tight sleeves underneath with their rows of buttons. The mantle is held in place by a ribbon band, fastened with decorative studs. The lower part of the dress features a wide gown that flows in folds, completely hiding the feet, which have been left out to showcase the upper part of this fascinating effigy more effectively.

CHILCOTT, THE GIANT.

CHILCOTT, THE GIANT.

1815. Died at Trenaw, in Cornwall, a person known by the appellation of Giant Chilcott. He measured at the breast six feet nine inches, and weighed four hundred and sixty pounds. One of his stockings held six gallons of wheat.

1815. Died at Trenaw, in Cornwall, a person known as Giant Chilcott. He stood six feet nine inches tall at the chest and weighed four hundred and sixty pounds. One of his stockings could hold six gallons of wheat.

DR. LETTSOM'S REASONS FOR DISMISSING A SERVANT.

DR. LETTSOM'S REASONS FOR DISMISSING A SERVANT.

The Doctor was in the practice of carrying the produce of his fees carelessly in his coat-pocket. His footman being aware of this, used to make free with a guinea occasionally, while it hung up in the passage. The Doctor, having repeatedly missed his gold, was suspicious of the footman, and took an opportunity of watching him. He succeeded in the detection, and, without even noticing it to the other servants, called him into his study, and coolly said to him, "John, art in want of money?" "No;" replied John. "Oh! then, why didst thou make so free with my pocket? And since thou didst not want money, and hast told me a lie, I must part with thee. Now, say what situation thou wouldst like abroad, and I will obtain it for thee; for I cannot keep thee; I cannot recommend thee; therefore thou must go." Suffice it to say, the Doctor procured John a situation, and he went abroad.

The Doctor had a habit of carelessly carrying his earnings in his coat pocket. His footman knew this and sometimes took a guinea when it was hanging up in the hallway. After repeatedly missing his gold, the Doctor became suspicious of the footman and decided to watch him. He caught him in the act and, without mentioning it to the other servants, called him into his study and casually said, "John, do you need money?" "No," John replied. "Oh! Then why did you help yourself to my pocket? Since you didn't need money and lied to me, I have to let you go. Now, tell me what job you'd like abroad, and I'll get it for you; I can't keep you or recommend you, so you have to leave." To sum it up, the Doctor found John a job, and he went overseas.

HANDBILL FROM PECKHAM FAIR IN 1726.

HANDBILL FROM PECKHAM FAIR IN 1726.

Our ancestors just 133 years ago had but limited opportunities for gratifying a taste for Natural History if we may judge from the supply of animals deemed sufficient to attract attention in 1726:—

Our ancestors just 133 years ago had very few options for satisfying their interest in Natural History, at least judging by the number of animals available to capture attention in 1726:—

"Geo. I. R.

Geo. I. R.

"To the lovers of living curiosities. To be seen during the time of Peckham Fair, a Grand Collection of Living Wild Beasts and Birds, lately arrived from the remotest parts of the World.

"To the fans of unique attractions. On display during Peckham Fair, a Grand Collection of Living Wild Animals and Birds, recently arrived from the farthest corners of the World."

"1. The Pellican that suckles her young with her heart's blood, from Egypt.

"1. The Pellican that feeds her young with her own blood, from Egypt."

"2. The Noble Vultur Cock, brought from Archangell, having the finest tallons of any bird that seeks his prey; the fore part of his head is covered with hair, the second part resembles the wool of a Black; below that is a white ring, having a Ruff, that he cloaks his head with at night.

"2. The Noble Vultur Cock, brought from Archangell, has the finest talons of any bird that hunts for its food; the front part of its head is covered with feathers, the second part looks like the wool of a Black; below that is a white ring, and he has a ruff that he uses to cover his head at night."

"3. An Eagle of the Sun, that takes the loftiest flight of any bird that flies. There is no bird but this that can fly to the face of the Sun with a naked eye.

"3. An Eagle of the Sun, that takes the highest flight of any bird that flies. There is no bird other than this one that can fly to the face of the Sun with the naked eye."

"4. A curious Beast, bred from a Lioness, like a foreign Wild Cat.

"4. A curious creature, bred from a Lioness, resembling a foreign Wild Cat.

"5. The He-Panther, from Turkey, allowed by the curious to be one of the greatest rarities ever seen in England, on which are thousands of spots, and not two of a likeness.

"5. The He-Panther, from Turkey, allowed by the curious to be one of the greatest rarities ever seen in England, with thousands of spots, and no two alike."

"6 & 7. The two fierce and surprising Hyænas, Male and Female, from the River Gambia. These Creatures imitate the human voice, and so decoy the Negroes out of their huts and plantations to devour them. They have a mane like a horse, and two joints in their hinder leg more than any other creature. It is remarkable that all other beasts are to be tamed, but Hyænas they are not.

"6 & 7. The two fierce and surprising Hyenas, Male and Female, from the River Gambia. These animals can mimic the human voice, luring the local people out of their homes and fields to attack them. They have a mane like a horse and two extra joints in their back legs compared to any other creature. It’s interesting to note that while most animals can be domesticated, Hyenas cannot."

"8. An Ethiopian Toho Savage, having all the actions of the human species, which (when at its full growth) will be upwards of five feet high.

"8. An Ethiopian Toho Savage, displaying all the characteristics of humans, which (when it reaches full size) will stand over five feet tall."

"Also several other surprising Creatures of different sorts. To be seen from 9 in the morning till 9 at night, till they are sold. Also, all manner of curiosities of different sorts, are bought and sold at the above place by John Bennett."

"Also, several other surprising creatures of various kinds. On display from 9 in the morning until 9 at night, until they are sold. Additionally, all kinds of curiosities of different sorts are bought and sold at the above location by John Bennett."

SOMNAMBULISM.

Sleepwalking.

Some years ago a Hampshire Baronet was nearly driven to distraction by the fact that, every night, he went to bed in a shirt, and every morning awoke naked, without the smallest trace of the missing garment being discovered.

Some years ago, a Baronet from Hampshire was almost driven mad by the fact that every night he went to bed in a shirt, and every morning he woke up naked, with no sign of the missing garment ever being found.

Hundreds of shirts disappeared in this manner; and as there was no fire in his room, it was impossible to account for the mystery. The servants believed their master to be mad; and even he began to fancy himself bewitched. In this conjuncture, he implored an intimate friend to sleep in the room with him; and ascertain by what manner of mysterious midnight visitant his garment was so strangely removed. The friend, accordingly, took up his station in the haunted chamber; and lo! as the clock struck one, the unfortunate Baronet, who had previously given audible intimation of being fast asleep, rose from his bed, rekindled with a match the candle which had been extinguished, deliberately [Pg 73] opened the door, and quitted the room. His astonished friend followed: saw him open in succession a variety of doors, pass along several passages, traverse an open court, and eventually reach the stable-yard; where he divested himself of his shirt, and disposed of it in an old dung-heap, into which he thrust it by means of a pitchfork. Having finished this extraordinary operation, without taking the smallest heed of his friend who stood looking on, and plainly saw that he was walking in his sleep, he returned to the house, carefully reclosed the doors, re-extinguished the light, and returned to bed; where the following morning he awoke as usual, stripped of his shirt!

Hundreds of shirts disappeared like this, and since there was no fire in his room, it was impossible to explain the mystery. The servants thought their master was crazy, and he even started to believe he was cursed. At this point, he asked a close friend to stay with him in the room to figure out how his clothes were disappearing at night. The friend agreed and took his place in the strange room; then, as the clock struck one, the unfortunate Baronet, who had previously made it clear that he was sound asleep, got out of bed, lit the candle that had gone out with a match, carefully opened the door, and left the room. His shocked friend followed him, watching as he opened several different doors, walked down various hallways, crossed an open courtyard, and eventually made it to the stable yard; where he took off his shirt and tossed it into an old manure pile using a pitchfork. After completing this bizarre task, oblivious to his friend who was standing there and clearly saw he was sleepwalking, he went back into the house, securely shut the doors, blew out the candle, and got back into bed; where the next morning he woke up as usual, missing his shirt!

The astonished eye-witness of this extraordinary scene, instead of apprising the sleep-walker of what had occurred, insisted that the following night, a companion should sit up with him; choosing to have additional testimony to the truth of the statement he was about to make; and the same singular events were renewed, without the slightest change or deviation. The two witnesses, accordingly, divulged all they had seen to the Baronet; who, though at first incredulous, became of course convinced, when, on proceeding to the stable-yard, several dozens of shirts were discovered; though it was surmised that as many more had been previously removed by one of the helpers, who probably looked upon the hoard as stolen goods concealed by some thief.

The amazed eyewitness of this incredible scene, instead of telling the sleepwalker what had happened, insisted that a friend stay up with him the following night; he wanted more proof of the story he was about to share. The same strange events happened again, without any change at all. The two witnesses then shared everything they had seen with the Baronet, who, although initially skeptical, became convinced when they went to the stable yard and found several dozens of shirts. It was believed that many more had already been taken by one of the workers, who likely thought of the stash as stolen property hidden by some thief.

KILLED BY EATING MUTTON AND PUDDING.

KILLED BY EATING LAMB AND DESSERT.

Teddington.—"James Parsons, who had often eat a shoulder of mutton or a peck of hasty pudding, at a time, which caused his death, buried March 7, 1743-4, aged 36."

Teddington.—"James Parsons, who had often eaten a shoulder of mutton or a peck of hasty pudding at a time, which led to his death, was buried on March 7, 1743-4, at the age of 36."

CORAL REEFS.

Coral reefs.

Coral reefs are produced by innumerable small zoophytes, properly called Coral-insects. The Coral insect consists of a little oblong bag of jelly closed at one end, but having the other extremity open, and surrounded by tentacles or feelers, usually six or eight in number, set like the rays of a star. Multitudes of these diminutive animals unite to form a common stony skeleton called Coral, or Madrepore, in the minute openings of which they live, protruding their mouths and tentacles when under water; but suddenly drawing them into their holes when danger approaches. These animals cannot exist at a greater depth in the sea than about ten fathoms, and as the Coral Islands often rise with great steepness from a sea more than three hundred fathoms deep, it would seem that a great alteration must have taken place in the depth of the ocean since the time when these little architects commenced their labours. Throughout the whole range of the Polynesian and Australasian islands, there is scarcely a league of sea unoccupied by a coral reef, or a coral island; the former springing up to the surface of the water, perpendicularly from the fathomless bottom, "deeper than did ever plummet sound;" and the latter in various stages, from the low and naked rock, with the water rippling over it, to an uninterrupted forest of tall trees.

Coral reefs are formed by countless tiny creatures known as Coral-insects. A Coral insect looks like a small, oblong bag filled with jelly, closed at one end but open at the other, surrounded by tentacles or feelers, usually six or eight in number, resembling the rays of a star. Many of these tiny animals come together to create a shared stony skeleton called Coral or Madrepore, where they live in small openings, extending their mouths and tentacles when submerged; however, they quickly retract them into their holes when danger arises. These creatures can't survive at depths greater than about ten fathoms, and since Coral Islands often rise steeply from ocean depths over three hundred fathoms, it suggests that significant changes have occurred in the ocean's depth since these little builders started their work. Throughout the entire range of the Polynesian and Australasian islands, there's hardly a stretch of sea without a coral reef or a coral island; the former rising perpendicularly to the water's surface from the bottom that's "deeper than did ever plummet sound," and the latter appearing in various stages, from bare low rocks with water lapping over them to an unbroken forest of tall trees.

"Every one," says Mr. Darwin, "must be struck with astonishment when he first beholds one of these vast rings of coral rock, often many leagues in diameter, here and there surmounted by a low verdant island [Pg 74] with dazzling white shores, bathed on the outside by the foaming breakers of the ocean, and on the inside surrounding a calm expanse of water, which, from reflection, is of a bright but pale green colour. The naturalist will feel this astonishment more deeply after having examined the soft and almost gelatinous bodies of these apparently insignificant creatures; and when he knows that the solid reef increases only on the outer edge, which, day and night, is lashed by the breakers of an ocean never at rest."

"Everyone," says Mr. Darwin, "must be amazed when they first see one of these huge rings of coral rock, often many miles in diameter, occasionally topped with a low green island [Pg 74] with dazzling white beaches, washed by the crashing waves of the ocean on the outside, and on the inside surrounded by a calm body of water that, when reflected, appears a bright but pale green color. The naturalist will feel this amazement even more intensely after examining the soft and almost jelly-like bodies of these seemingly unimportant creatures; and when they realize that the solid reef only grows on the outer edge, which, day and night, is battered by the waves of an ocean that is never still."

Coral Reefs

Coral being beautiful in form and colour, is sought after for purposes of ornament; and its fishery or gathering gives employment to many persons in the Red Sea, the Persian Gulf, the Mediterranean, and other places. In the Straits of Messina, the rocks which yield coral are from about 350 to 650 feet below the surface of the water. The coral here grows to about the height or length of twelve inches, and requires eight or ten years to come to perfection. In the general mode of fishing for coral, the instrument used consists of two heavy beams of wood, secured together at right angles, and loaded with stones to sink them.

Coral, with its beautiful shape and colors, is highly prized for decoration, and collecting it provides jobs for many people in the Red Sea, the Persian Gulf, the Mediterranean, and other areas. In the Straits of Messina, the coral-rich rocks lie about 350 to 650 feet below the water's surface. The coral grows to about twelve inches tall and takes eight to ten years to fully develop. The typical method for harvesting coral involves using a tool made of two heavy wooden beams joined at right angles and weighed down with stones to help them sink.

MILITARY HATS IN OLDEN TIME.

Vintage Military Hats.

No. 1, Charles I. No. 2, William III. No. 3, Nivernois. No. 4, Kevenhuller. No. 5, Ramilies. No. 6, Wellington.

WHY A MAN MEASURES MORE IN THE MORNING THAN IN THE EVENING, &c.

WHY A MAN MEASURES MORE IN THE MORNING THAN IN THE EVENING, &c.

There is an odd phenomenon attending the human body, as singular as common: that a person is shorter standing than lying; and shorter in the evening when he goes to bed, than in the morning when he rises.

There’s a curious phenomenon with the human body, as unique as it is common: a person is shorter when standing than when lying down; and shorter in the evening when they go to bed than in the morning when they wake up.

This remark was first made in England, and afterwards confirmed at Paris, by M. Morand, a member of the Royal Academy of Sciences in France, and by the Abbot Fontana likewise.

This comment was first made in England, and was later confirmed in Paris by M. Morand, a member of the Royal Academy of Sciences in France, as well as by Abbot Fontana.

The last-mentioned person found, from a year's experience, that ordinarily in the night he gained five or six lines, and lost nearly as much in the day.

The last-mentioned person found that after a year of experience, he usually gained five or six lines at night, and lost almost the same amount during the day.

The cause of which effect, so ancient, so common, but so lately perceived, proceeds from the different state or condition of the intervertebral annular cartilages.

The cause of this effect, which is so ancient and so common, yet has only recently been recognized, comes from the different condition of the intervertebral annular cartilages.

The vertebræ, or joints of the spine, are kept separate, though joined by particular cartilages, every one of which has a spring. These yield[Pg 76] on all sides, without any inflexion on the spine, to the weight of the head and upper extremities; but this is done by very small and imperceptible degrees, and most of all when the upper parts of the body are loaded with any exterior weight. So that a man is really taller after lying some time, than after walking, or carrying a burthen a great while.

The vertebrae, or joints of the spine, are kept separate but connected by specific cartilages, each of which acts like a spring. These cartilages give slightly in all directions without bending the spine in response to the weight of the head and upper body. This happens in very small and barely noticeable amounts, especially when the upper body is carrying additional weight. As a result, a person is actually taller after lying down for a while than after walking or carrying a heavy load for a long time.

For this reason it is that, in the day and evening, while one is sitting or standing, the superior parts of the body that weigh or press upon the inferior, press those elastic annular cartilages, the bony jointed work is contracted, the superior parts of the body descend towards the inferior, and proportionably as one approaches the other, the height of the stature diminishes.

For this reason, during the day and evening, whether sitting or standing, the upper parts of the body that weigh down on the lower ones compress the flexible ring-shaped cartilage, the bony joints are contracted, the upper parts of the body move closer to the lower ones, and as they get closer together, a person's height decreases.

Hence it was, that a fellow enlisting for a soldier, by being measured over-night, was found deficient in height, and therefore refused; but by accident being gauged again the next morning, and coming up to the stature, he was admitted.

Hence it was that a guy who tried to enlist as a soldier was found to be too short when measured the night before, so he was turned away. But by chance, when he was measured again the next morning and met the height requirement, he was accepted.

On the contrary, in the night-time, when the body is laid a-bed, as it is in an horizontal situation, or nearly so, the superior parts do not weigh, or but very little, upon the inferior; the spring of the cartilages is unbent, the vertebræ are removed from one another, the long jointed work of the spine is dilated, and the body thereby prolonged; so that a person finds himself about half an inch, or more, higher in stature in the morning than when going to bed. This is the most natural and simple reason that can be given, for the different heights of the same person at different times.

On the contrary, at night, when the body is lying down, nearly in a horizontal position, the upper parts don't exert much weight on the lower ones; the flexibility of the cartilage is relaxed, the vertebrae are spaced apart, the long structure of the spine expands, and the body elongates. As a result, a person may be about half an inch, or more, taller in the morning than when they went to bed. This is the most straightforward explanation for why a person's height varies at different times.

A SENSIBLE DOG REFUSING TO BAIT A CAT.

A SMART DOG NOT FALLING FOR A CAT'S TRICK.

A dustman of the name of Samuel Butcher, residing at Mile-end, who kept a large dog, having taken it into his head to divert himself and others, a few days ago, by the cruel sport of cat baiting, which the dog refusing to perform to the satisfaction of his master, was beat by him in a most brutal manner, when the animal at length, in retaliation, flew at his unmerciful keeper, and inflicted very severe wounds about his face, limbs, and body, in some instances tearing large mouthfuls of his flesh quite clean out, and at one time clung so fast to the man, that before he disengaged from him the animal's throat was obliged to be cut. The man was promptly conveyed to the London Hospital, and there died of the injuries he received.

A garbage collector named Samuel Butcher, who lived in Mile End and owned a large dog, recently decided to entertain himself and others by engaging in the cruel practice of cat baiting. When the dog didn’t perform well enough to satisfy him, Samuel beat the animal in a brutal way. Eventually, the dog retaliated and attacked its abusive owner, inflicting severe wounds to his face, limbs, and body, even tearing away large chunks of flesh. At one point, the dog held on so tightly that they had to cut the animal's throat to get it off him. The man was quickly taken to the London Hospital, where he later died from his injuries.

A HORSE GETTING HIMSELF SHOD.

A horse getting shoes.

A horse having been turned into a field by its owner, Mr. Joseph Lane, of Fascombe, in the parish of Ashelworth, was missed therefrom the next morning, and the usual inquiries set afoot, as to what could have become of him. He had, it seems, been shod (all fours) a few days before, and as usual got pinched in a foot. Feeling, no doubt, a lively sense of proper shoeing, and desirous of relieving the cause of pain, he contrived to unhang the gate of his pasture with his mouth, and make the best of his way to the smithy, a distance of a mile and a half from Fascombe, waiting respectfully at the door until the bungling artist got up. The smith relates that he found him there at opening his shed; that the horse advanced to the forge and held up his ailing foot; and [Pg 77] that he himself, upon examination, discovered the injury, took off the shoe, and replaced it more carefully, which having done, the sagacious creature set off at a merry pace homewards. Soon after, Mr. Lane's servants passed by the forge in quest of the animal, and upon inquiry, received for answer—"Oh, he has been here and got shod, and is gone home again."

A horse owned by Mr. Joseph Lane from Fascombe was missing the next morning after being turned out to pasture in the parish of Ashelworth. After the usual searches to find him, it turns out he had just been shod a few days earlier, and as expected, he ended up with a sore foot. Feeling the discomfort and wanting to relieve the pain, he managed to unhinge the gate of his pasture with his mouth and made his way to the blacksmith, which was about a mile and a half from Fascombe. He waited patiently at the door until the clumsy blacksmith woke up. The smith told that when he opened his shed, he saw the horse standing there. The horse then approached the forge and lifted his hurting foot. Upon examining it, the smith found the problem, removed the shoe, and put it back on more carefully. Once that was done, the clever horse trotted happily back home. Shortly after, Mr. Lane's servants came by the forge looking for the horse, and when they asked, they were told, "Oh, he was here, got shod, and went home again."

MAN WITHOUT HANDS.

Man Without Hands.

The following account is extracted from a letter sent to the Rev. Mr. Wesley by a person named Walton, dated Bristol, October 14, 1788:—

The following account is taken from a letter sent to Rev. Mr. Wesley by someone named Walton, dated Bristol, October 14, 1788:—

"I went with a friend to visit this man, who highly entertained us at breakfast, by putting his half-naked foot upon the table as he sat, and carrying his tea and toast between his great and second toe to his mouth, with as much facility as if his foot had been a hand, and his toes fingers. I put half a sheet of paper upon the floor, with a pen and ink-horn: he threw off his shoes as he sat, took the ink-horn in the toes of his left foot, and held the pen in those of his right. He then wrote three lines, as well as most ordinary writers, and as swiftly. He writes out all his own bills, and other accounts. He then showed how he shaves himself with a razor in his toes, and how he combs his own hair. He can dress and undress himself, except buttoning his clothes. He feeds himself, and can bring both his meat or his broth to his mouth, by holding the fork or spoon in his toes. He cleans his own shoes; can clean the knives, light the fire, and do almost every other domestic business as well as any other man. He can make his hen-coops. He is a farmer by occupation; he can milk his own cows with his toes, and cut his own hay, bind it up in bundles, and carry it about the field for his cattle. Last winter he had eight heifers constantly to fodder. The last summer he made all his own hay-ricks. He can do all the business of the hay-field (except mowing), as fast and as well, with only his feet, as others can with rakes and forks. He goes to the field and catches his horse; he saddles and bridles him with his feet and toes. If he has a sheep among his flock that ails anything, he can separate it from the rest, drive it into a corner, and catch it when nobody else can. He then examines it, and applies a remedy to it. He is so strong in his teeth, that he can lift ten pecks of beans with them. He can throw a great sledge-hammer as far with his feet as other men can with their hands. In a word, he can nearly do as much without, as others can with, their arms. He began the world with a hen and chicken; with the profit of these he purchased an ewe; the sale of these procured him a ragged colt (as he expressed it) and then a better; after this he raised a few sheep, and now occupies a small farm."

"I went with a friend to visit this guy, who entertained us at breakfast by putting his bare foot on the table while sitting and bringing his tea and toast to his mouth with his toes as easily as if his foot were a hand and his toes fingers. I set down half a sheet of paper on the floor with a pen and ink. He kicked off his shoes while sitting, grabbed the ink with the toes of his left foot, and held the pen with those of his right. He then wrote three lines just as well and quickly as most regular writers. He manages all his own bills and other accounts. He then showed us how he shaves with a razor using his toes and how he combs his hair. He can dress and undress himself, except for buttoning his clothes. He feeds himself and can bring both meat and broth to his mouth by holding the fork or spoon with his toes. He cleans his own shoes, can clean the knives, light the fire, and handle almost all other household tasks just as well as anyone else. He can build his hen coops. He's a farmer by trade; he can milk his cows with his toes and cut his own hay, bundle it up, and carry it around the field for his cattle. Last winter, he had eight heifers to feed. Last summer, he made all his own haystacks. He can do all the hayfield work (except mowing) as quickly and as efficiently with just his feet as others can with rakes and forks. He goes to the field to catch his horse; he saddles and bridles it using his toes. If there's a sheep in his flock that isn’t well, he can separate it from the rest, corner it, and catch it when no one else can. Then he checks it and gives it a remedy. His teeth are so strong that he can lift ten pecks of beans with them. He can throw a big sledgehammer as far with his feet as other guys can with their hands. In short, he can do almost as much without arms as others can with them. He started out with a hen and a chick; from the profit of those, he bought a ewe; selling those got him a scrappy colt (as he put it) and then a better one; after that, he raised a few sheep, and now he runs a small farm."

THE THIEF CAUGHT IN HIS OWN TRAP.

THE THIEF CAUGHT IN HIS OWN TRAP.

A man having, some years since, stolen a sheep at Mitcham, in Surrey, tied its hind legs together, and put them over his forehead to carry it away, but in getting over a gate the sheep, it is thought, struggled, and, by a sudden spring, slipped its feet down to his throat; for they were found in that posture, the sheep hanging on one side of this gate and the man dead on the other.

A man, some years ago, stole a sheep in Mitcham, Surrey. He tied its back legs together and put them over his forehead to carry it away, but when he tried to climb over a gate, the sheep apparently struggled and suddenly kicked its legs down to his throat. They were found like that, with the sheep hanging on one side of the gate and the man dead on the other.

COSTUME OF THE LADIES IN THE TIME OF THE PLANTAGENETS.

COSTUME OF THE LADIES IN THE TIME OF THE PLANTAGENETS.

The ladies' costume may be seen to advantage in the annexed engraving from the Sloane MSS., No. 3983. A wimple or gorget is wrapped round the neck, and is fastened by pins at the sides of the face, which are covered above the ears; a gown of capacious size, unconfined at the waist and loose in the sleeves, trails far behind in the dirt. The under-garment, which is darker, has sleeves that fit closely; and it appears to be turned over, and pinned up round the bottom. The unnecessary amount of stuff that was used in ladies' robes rendered them obnoxious to the satirists of that period.

The ladies' costume can be appreciated in the attached engraving from the Sloane MSS., No. 3983. A wimple or gorget is wrapped around the neck and secured with pins at the sides of the face, which are covered above the ears; a gown of generous size, loose at the waist and flowing in the sleeves, drags on the ground. The undergarment, which is a darker color, has fitted sleeves and appears to be turned over and pinned at the bottom. The excessive fabric used in women's robes made them targets for the satirists of that time.

Costume of the Ladies in Time of Plantagenets

In Mr. Wright's collection of Latin stories, published by the Percy Society, there is one of the fourteenth century, which is so curious an instance of monkish satire, and is so apt an illustration of the cut before us, that I cannot resist presenting it to my readers. It runs thus:—

In Mr. Wright's collection of Latin stories, published by the Percy Society, there's a curious example from the fourteenth century that showcases monkish satire and perfectly illustrates the topic we’re discussing. I can’t help but share it with my readers. It goes like this:—

"Of a Proud Woman.—I have heard of a proud woman who wore a white dress with a long train, which, trailing behind her, raised a dust as far as the altar and the crucifix. But, as she left the church, and lifted up her train on account of the dirt, a certain holy man saw a devil laughing; and having adjured him to tell why he laughed, the devil said, "A companion of mine was just now sitting on the train of that woman, using it as if it were his chariot, but when she lifted her train up, my companion was shaken off into the dirt: and that is why I was laughing."

"Of a Proud Woman.—I have heard of a proud woman who wore a white dress with a long train that kicked up dust all the way to the altar and the crucifix. But as she left the church and lifted her train to avoid the dirt, a certain holy man noticed a devil laughing; and when he asked the devil why he laughed, the devil replied, "A friend of mine was just sitting on that woman's train, using it like a chariot, but when she lifted her train, my friend was knocked off into the dirt: that’s why I was laughing."

CORPULENT MAN. NOTTINGHAM, 1819.

Overweight Man. Nottingham, 1819.

November 10.—Death of Mr. Henry Bucknall, confectioner, Chandlers-lane, aged forty-nine. He was excessively corpulent, weighing more than twenty-five stone, and died very suddenly, immediately after eating a hearty breakfast. In Lord Howe's memorable engagement, on the 1st of June, 1794, he had served as a marine on board the Brunswick. His interment, at St. Mary's New Burial-ground, on the 14th, drew together a large concourse of spectators. The coffin was of enormous size, and nearly equalled the body in weight. It was made of excellent oak, was 6 feet 8 inches in length, and 2 feet 11 inches across the breast; the bottom was 2½ inches thick, the sides 1½, and the lid 1. The whole, including the body, considerably exceeded five hundred-weight.

November 10.—Death of Mr. Henry Bucknall, confectioner, Chandlers-lane, aged forty-nine. He was extremely overweight, weighing more than twenty-five stone, and passed away very suddenly, right after having a big breakfast. In Lord Howe's notable battle on June 1, 1794, he served as a marine on the Brunswick. His burial at St. Mary's New Burial-ground on the 14th attracted a large crowd of onlookers. The coffin was huge, almost matching the body in weight. It was made of high-quality oak, measuring 6 feet 8 inches in length and 2 feet 11 inches across the chest; the bottom was 2½ inches thick, the sides 1½, and the lid 1. Altogether, including the body, it weighed well over five hundred-weight.

TAKING A MAN TO PIECES AND SETTING HIM UP AGAIN.

TAKING A MAN APART AND PUTTING HIM BACK TOGETHER.

"Don John, of Austria," says Staveley, "Governor of the Netherlands for Philip the 2d of Spain, dying at his camp at Buge (Bouges, a mile from Namur), was carried from thence to the great church at Havre, where his funeral was solemnised, and a monument to posterity erected for him there by Alexander Farnese, the Prince of Parma. Afterwards his body was taken to pieces, and the bones, packed in mails, were privately carried into Spain, where being set together with small wires, the body was rejointed again, which being filled or stuffed with cotton, and richly habited, Don John was presented to the king entire, leaning on his commander's staff. Afterwards the corpse being carried to the church of St. Laurence, at the Escurial, was there buried near his father, Charles V., with a fitting monument for him."

"Don John of Austria," Staveley says, "the Governor of the Netherlands for Philip II of Spain, died at his camp in Buge (Bouges, a mile from Namur). His body was taken to the large church in Havre, where his funeral was held and a monument was created for him by Alexander Farnese, the Prince of Parma. Later, his body was disassembled, and the bones were packed in bags and secretly transported to Spain, where they were reassembled with small wires. The body was filled with cotton and dressed in fine clothes, and Don John was presented to the king in full form, leaning on his commander's staff. Afterward, the corpse was taken to the church of St. Laurence at the Escurial, where it was buried near his father, Charles V, with an appropriate monument for him."

ORNAMENTS OF FEMALE DRESS IN THE TIMES OF THE ANCIENT BRITONS.

ORNAMENTS OF WOMEN'S DRESS IN ANCIENT BRITAIN.

Ornaments of Female Dress

Fig. 1 is a necklace of beads, each bead being cut so as to represent a group of several, and give the effect of many small round beads to what are in reality long and narrow ones. Fig. 2 is a necklace of simpler construction, consisting of a row of rudely-shaped beads, its centre being remarkable for containing a rude attempt at representing a human face, the only thing of the kind Hoare discovered of so ancient a date in Britain. Fig. 3 is another necklace, consisting of a series of curious little shells, like the hirlas horn used by the Britons, which are perforated lengthways, and thus strung together. Fig. 4 is a pin of iron, supposed to have been used as a fastening for a mantle; it is ornamented with two movable rings. Fig. 5 is a small gold ornament, checkered like a chessboard, and suspended from a chain of beautiful workmanship, which, in taste and execution, bears a striking similarity to our modern curb-chains. Fig. 6 is an ear-ring, a bead suspended from a twisted wire of gold. Fig. 7 is a brass ornament, and Fig. 8 a similar one of gold: such ornaments are usually found upon the breasts of the exhumed skeletons of our barrows, and were probably fastened on their clothes as ornaments. Their cruciform character might lead to a doubt of their high antiquity, if we were not aware of the fact, that the symbol of the cross was worn, as an amulet or ornament, ages before the Christian era.

Fig. 1 is a necklace made of beads, each bead shaped to represent a group of several, creating the illusion of many small round beads from what are actually long and narrow ones. Fig. 2 is a simpler necklace, featuring a row of roughly shaped beads, with the center notable for a crude attempt at depicting a human face, the only such discovery of its age in Britain by Hoare. Fig. 3 is another necklace, made up of a series of interesting little shells, similar to the hirlas horn used by the Britons, which are drilled lengthwise and strung together. Fig. 4 is an iron pin, thought to have been used to fasten a cloak; it’s decorated with two movable rings. Fig. 5 is a small gold ornament, patterned like a chessboard, hanging from a beautifully crafted chain that resembles our modern curb chains in both style and execution. Fig. 6 is an ear-ring, featuring a bead hanging from a twisted gold wire. Fig. 7 is a brass ornament, and Fig. 8 is a similar item made of gold: such ornaments are typically found on the chests of skeletons excavated from our barrows, likely pinned to their clothing as decorations. Their cross shape may raise doubts about their ancient origins, if we didn't know that the cross symbol was worn as an amulet or ornament long before the Christian era.

LARGE EEL.

BIG EEL.

Lately, near Malden, an eel was taken, measuring five feet six inches in length, seventeen in girth, and weighing 26 pounds, the largest of the species ever caught, or described in natural history.

Lately, near Malden, an eel was caught that measured five feet six inches in length, seventeen in girth, and weighed 26 pounds, the largest of its kind ever caught or described in natural history.

PERSEVERING DOG.

Determined Dog.

A boast being made of the obedience of a Newfoundland dog in fetching and carrying, the master put a marked shilling under a large square stone by the road side, and, having ridden on three miles, ordered the dog to go back and fetch it. The dog set off, but did not return the whole day. He had gone to the place, and being unable to turn the stone, sat howling by it. Two horsemen came by and saw his distress, and one of them alighting removed the stone, and finding the shilling, put it in his pocket, not supposing that the dog could possibly be looking for that. The dog followed the horses for upwards of twenty miles, stayed in the room where they supped, got into the bed-room, got the breeches in which the fatal shilling had been put, made his escape with them, and dragged them through mud and mire, hedge and ditch, to his master's house.

A brag was made about a Newfoundland dog's ability to fetch and carry, so the owner placed a marked shilling under a big square stone by the side of the road. After riding three miles, he told the dog to go back and get it. The dog took off but didn't come back all day. He reached the spot but, unable to move the stone, sat there howling. Two horsemen passed by and noticed his distress. One of them got off his horse, removed the stone, found the shilling, and put it in his pocket, not thinking the dog could possibly be looking for it. The dog followed the horses for over twenty miles, stayed in the room where they ate, got into the bedroom, found the pants where the lost shilling was hidden, escaped with them, and dragged them through mud, hedges, and ditches all the way back to his owner's house.

CURE FOR CORPULENCE.

CURE FOR OBESITY.

A few years ago, a man of about forty years of age, hired himself as a labourer, in one of the most considerable ale-breweries in the City: at this time he was a personable man; stout, active, and not fatter than a moderate-sized man in high health should be. His chief occupation was to superintend the working of the new beer, and occasionally to set up at night to watch the sweet-wort, an employment not requiring either activity or labour; of course, at these times, he had an opportunity of tasting the liquor, of which, it appears, he always availed himself; besides this, he had constant access to the new beer. Thus leading a quiet inactive life, he began to increase in bulk, and continued to enlarge, until, in a very short time, he became of such an unwieldy size, as to be unable to move about, and was too big to pass up the brewhouse staircase; if by any accident he fell down, he was unable to get up again without help. The integuments of his face hung down to the shoulders and breast: the fat was not confined to any particular part, but diffused over the whole of his body, arms, legs, &c., making his appearance such as to attract the attention of all who saw him. He left this service to go into the country, being a burthen to himself, and totally useless to his employers. About two years afterwards he called upon his old masters in very different shape to that above described, being reduced in size nearly half, and weighing little more than ten stone. The account that he gave of himself was, that as soon as he had quitted the brewhouse he went into Bedfordshire, where having soon spent the money he had earned, and being unable to work, he was brought into such a state of poverty, as to be scarcely able to obtain the sustenance of life, often being a whole day without food; that he drank very little, and that was generally water. By this mode of living he began to diminish in size, so as to be able to walk about with tolerable ease. He then engaged himself [Pg 81] to a farmer, with whom he stayed a considerable time, and in the latter part of his service he was able to go through very hard labour, being sometimes in the field ploughing and following various agricultural concerns, for a whole day, with no other food than a small pittance of bread and cheese. This was the history he gave of the means by which this extraordinary change was brought about. He added, his health had never been so good as it then was.

A few years ago, a man in his forties took a job as a laborer at one of the biggest breweries in the city. At that time, he was a good-looking guy; sturdy, active, and not heavier than a healthy man of average size should be. His main job was to oversee the brewing of new beer, and occasionally he would stay up at night to monitor the sweet wort, a task that didn’t require much physical effort. Naturally, during these times, he had the chance to taste the beer, which he seemed to do every time; plus, he had constant access to the new brew. Living this quiet, inactive lifestyle made him start to gain weight, and he continued to put on size until he quickly became so large that he could hardly move around and was too big to get up the brewhouse stairs; if he ever fell, he needed help to get back up. The skin on his face hung down to his shoulders and chest; the fat wasn't just in one area, but spread across his entire body, making him noticeable to everyone who saw him. He left this job to go to the countryside, becoming a burden to himself and completely useless to his employers. About two years later, he visited his former bosses in a very different shape, having lost almost half his size and weighing just over ten stone. He explained that as soon as he left the brewery, he went to Bedfordshire, where he quickly spent the money he had earned and, unable to work, fell into such poverty that he could barely find enough to eat, often going an entire day without food; he drank very little, mostly just water. This lifestyle led him to lose weight, allowing him to walk with relative ease. He then took a job with a farmer, where he stayed for a considerable time, and by the end of his stint, he was able to do very hard labor, sometimes spending the whole day in the fields plowing and doing various farm tasks with nothing but a small amount of bread and cheese to eat. This was how he described the incredible transformation he underwent. He added that his health had never been better than it was at that time.

WORSHIP OF THE SUN AND MOON.

WORSHIP OF THE SUN AND MOON.

The Sun was first worshipped, probably, as a bright manifestation of God, but soon began to be regarded as the Deity himself. The Moon, in the absence of the Sun, and next in splendour, would succeed it in superstitious attention. And so we find the Romans, as well as the Saxons, dedicating the first and second days of the week respectively to these "great lights." Formerly, festivals were held on the appearance of a New Moon; and in some parts of England it is still customary to bless it, and in Scotland at the same time to drop a courtesy. And in times not long past, the influence of the Moon was considered to be so great as to regulate the growth of air, and the effect of medicine, and to cause steeples and other elevated buildings to bend from their upright positions.

The Sun was likely first worshipped as a bright sign of God, but soon people began to see it as the Deity itself. The Moon, being next in brilliance and taking the Sun's place when it's absent, also received superstitious attention. As a result, we find that both the Romans and the Saxons dedicated the first and second days of the week to these "great lights." In the past, festivals were held to celebrate the appearance of a New Moon; in some parts of England, it's still customary to bless it, and in Scotland, people would bow at the same time. Not too long ago, people believed that the Moon had such a strong influence that it could control the growth of crops, affect medicine, and even cause steeples and other tall buildings to tilt from their upright positions.

A SEA ABOVE THE SKY.

A sea in the sky.

This belief is curiously illustrated by two legendary stories preserved by Gervase of Tilbury. "One Sunday," he says, "the people of a village in England were coming out of church on a thick cloudy day, when they saw the anchor of a ship hooked to one of the tombstones; the cable, which was tightly stretched, hanging down from the air. The people were astonished, and while they were consulting about it, suddenly they saw the rope move as though some one laboured to pull up the anchor. The anchor, however, still held fast by the stone, and a great noise was suddenly heard in the air, like the shouting of sailors. Presently a sailor was seen sliding down the cable for the purpose of unfixing the anchor; and when he had just loosened it, the villagers seized hold of him, and while in their hands he quickly died, just as though he had been drowned. About an hour after, the sailors above, hearing no more of their comrade, cut the cable and sailed away. In memory of this extraordinary event, the people of the village made the hinges of the church doors out of the iron of the anchor, and 'there they are still to be seen.'—At another time, a merchant of Bristol set sail with his cargo for Ireland. Some time after this, while his family were at supper, a knife suddenly fell in through the window on the table. When the husband returned, he saw the knife, declared it to be his own, and said that on such a day, at such an hour, while sailing in an unknown part of the sea, he dropped the knife overboard, and the day and hour were known to be exactly the time when it fell through the window. These accidents, Gervase thinks, are a clear proof of there being a sea above hanging over us."—St. Patrick's Purgatory. By Thos. Wright. 1844.

This belief is interestingly illustrated by two legendary stories preserved by Gervase of Tilbury. "One Sunday," he says, "the people of a village in England were coming out of church on a thick, cloudy day when they saw the anchor of a ship hooked to one of the tombstones; the cable, which was tightly stretched, hanging down from the air. The people were astonished, and while they were discussing it, suddenly they saw the rope move as if someone was trying to pull up the anchor. The anchor, however, still held fast to the stone, and a loud noise was suddenly heard in the air, like the shouting of sailors. Soon a sailor was seen sliding down the cable to unhook the anchor; and when he had just loosened it, the villagers grabbed him, and he quickly died in their hands, as if he had been drowned. About an hour later, the sailors above, hearing nothing more from their comrade, cut the cable and sailed away. In memory of this extraordinary event, the people of the village made the hinges of the church doors from the iron of the anchor, and 'there they are still to be seen.'—At another time, a merchant from Bristol set sail with his cargo for Ireland. Some time later, while his family was having dinner, a knife suddenly fell through the window onto the table. When the husband returned, he saw the knife, recognized it as his own, and said that on that same day, at that same hour, while sailing in an unknown part of the sea, he had dropped the knife overboard, and the day and hour were known to be exactly when it fell through the window. Gervase believes these incidents are clear proof that there is a sea above us."—St. Patrick's Purgatory. By Thos. Wright. 1844.

THE PAPYRUS.

THE PAPYRUS.

Paper as we now have it, that is to say, paper made of the pulp of fibrous materials, pressed into thin sheets, dried, and, when intended for writing or printing purposes, sized, is of comparatively modern introduction to Europe and Western Asia; although the Chinese appear to have formed paper out of silk pulp, mixed with the inner pith of the bamboo, as early at least as 95 A.D.:—not from time immemorial, as some authors have stated, because the circumstance is well attested, that in the time of Confucius, the Chinese wrote with a style on the inner bark of trees.

Paper, as we know it today—made from the pulp of fibrous materials, pressed into thin sheets, dried, and sized for writing or printing—is a relatively modern introduction to Europe and Western Asia. However, the Chinese seem to have created paper from silk pulp mixed with the inner pith of bamboo as early as 95 A.D.. It wasn't from ancient times, as some sources claim, because it's well documented that during Confucius's era, the Chinese wrote with a stylus on the inner bark of trees.

PAPYRUS ROLL, FROM A SPECIMEN IN THE BRITISH MUSEUM.

Before the invention of paper, the surfaces employed for writing upon were numerous. Surfaces of lead or other metal; tables covered with wax, skins of animals,—(parchment in fact)—all were used; but no one of these was ever so extensively employed as the Egyptian papyrus, whenever the latter material could be obtained. So soon, however, as the Saracens in the seventh century conquered Egypt, the exportation of papyrus was at an end; and writing surfaces became so scarce in Europe that many ancient documents of great value were erased in order to render them adapted for being written on once more. Thus perished many treasures of antiquity.

Before paper was invented, people used many different surfaces for writing. They wrote on lead or other metals, wax-covered tables, and animal skins—essentially parchment—but none of these materials were as widely used as Egyptian papyrus, whenever it was available. However, when the Saracens conquered Egypt in the seventh century, the export of papyrus stopped, and writing surfaces became so rare in Europe that many important ancient documents were erased to make them usable again. As a result, many treasures of antiquity were lost.

As the Saracens closed the avenue of supply for the ancient papyrus, so they compensated to Europe for this deprivation by discovering the manufacture of ordinary paper—at least paper made in the ordinary modern fashion,—though the material was cotton, not linen. This discovery was made some time anterior to the year 706 A.D., for at that period a manufactory of paper existed at Samarcand. In the eighth century the Saracens conquered Spain, and introduced into the Peninsula, amongst other arts, that of the manufacture of paper, which art was a long time finding its way into other parts of Europe,—in Italy not until the eleventh or twelfth century. The vast amount of papyrus [Pg 83] which must have been employed in Italy, may be inferred from the number of rolls or scapi of this substance discovered in Herculaneum and Pompeii; also from a perusal of many existing documents bearing directly or indirectly on this branch of commerce. Even so late as the commencement of the sixth century, Cassiodorus congratulated the world on the abolition, by King Theodoric, of the high duty on papyrus from Egypt; and he spoke in high flown terms of the great utility of the material. The latest papyrus roll known is of the twelfth century, containing a brief of Pope Paschal II., in favour of the Archiepiscopal see of Ravenna.

As the Saracens blocked off the supply route for the ancient papyrus, they made up for this loss to Europe by discovering how to make regular paper—at least paper made in the standard modern way—even though the material used was cotton instead of linen. This discovery happened sometime before the year 706 CE, because by that time a paper factory was already in operation in Samarcand. In the eighth century, the Saracens conquered Spain and brought the art of paper making to the Peninsula, which took a long time to spread to other parts of Europe—reaching Italy only in the eleventh or twelfth century. The large amount of papyrus [Pg 83] that was used in Italy can be inferred from the number of rolls or scapi of this material found in Herculaneum and Pompeii, as well as from reading many existing documents that relate directly or indirectly to this trade. Even as late as the beginning of the sixth century, Cassiodorus praised the world for the elimination, by King Theodoric, of the high tax on papyrus from Egypt, and he spoke highly of the material's great usefulness. The most recent known papyrus roll is from the twelfth century, containing a brief from Pope Paschal II, supporting the Archiepiscopal see of Ravenna.

SYRIAN PAPYRUS WITHOUT FLOWERS.
SYRIAN PAPYRUS WITH FLOWERS.

The various species of papyrus plants belong to the natural order "Cyperaceæ," or sedges, of botanists; a main characteristic of which is a certain triangularity of stem. The method of constructing a writing surface from these stems was as follows:—The available portion being cut off (it was seldom more than twelve inches in length), and split, or, more properly speaking, unfolded into thin sheets, which were glued together transversely in such a manner that the original length of the papyrus stem became the breadth of the future sheet; the length of which might be increased at the pleasure of the operator. Frequently the manufactured scrolls were more than thirty feet long. As different methods prevail in the manufacture of our ordinary paper, so in like manner there were different processes of fashioning the papyrus into shape. The rudest manufacture appears to have been that of Egypt, and the best papyrus sheets appear to have been made in Rome during the [Pg 84] Augustine Æra. The preceding sketch represents a papyrus roll, copied from a specimen in the Egyptian Room of the British Museum.

The different types of papyrus plants belong to the plant family "Cyperaceæ," or sedges, known for their triangular stems. To create a writing surface from these stems, the following method was used: the usable part was cut off (usually no more than twelve inches long) and split, or more accurately, unfolded into thin sheets. These sheets were glued together across in such a way that the original length of the papyrus stem became the width of the new sheet, allowing the length to be extended as desired by the maker. Often, the finished scrolls were over thirty feet long. Just like there are different ways to make our regular paper, there were also various processes for shaping papyrus. The simplest method seems to have originated in Egypt, while the highest quality papyrus sheets were likely produced in Rome during the [Pg 84] Augustine Era. The previous description shows a papyrus roll, based on a sample in the Egyptian Room of the British Museum.

Considering the numerous pieces entering into the composition of the roll, of which our illustration represents a portion, the lines of juncture are remarkably well concealed, only a sort of grain being visible. The surface, moreover, is smoothed, and its colour very much like that of India paper. The hieroglyphics are coloured as is usual, red is the predominant tint, and the colours are no less well demarcated and separate than they would have been on glazed paper.

Considering the many elements that make up the roll, of which our illustration shows a part, the seams are surprisingly well hidden, with just a faint grain visible. The surface is also smooth, and its color closely resembles that of India paper. The hieroglyphics are colored as is typical, with red being the main color, and the hues are just as clearly defined and separate as they would have been on glossy paper.

Our preceding wood-cuts represent the Sicilian or Syrian papyrus, hitherto termed cyperus papyrus, in two states of development—one with flowers, the other without. In order that inflorescence may take place, the plant requires to be well supplied with water.

Our previous illustrations depict the Sicilian or Syrian papyrus, formerly known as cyperus papyrus, in two stages of growth—one with flowers and one without. For the plant to bloom, it needs to have plenty of water.

EXECUTION IN 1733.

Execution in 1733.

Friday, March 9—Was executed at Northampton, William Alcock, for the murder of his wife. He never own'd the fact, nor was at all concerned at his approaching death; refusing the prayers and assistance of any persons. In the morning he drank more than was sufficient, yet sent and paid for a pint of wine, which being deny'd him, he would not enter the cart before he had his money return'd. On his way to the gallows he sung part of an old song of "Robin Hood," with the chorus, "Derry, derry, down," &c., and swore, kick'd, and spurn'd at every person that laid hold of the cart; and before he was turn'd off, took off his shoes, to avoid a well known proverb; and being told by a person in the cart with him, it was more proper for him to read, or hear somebody read to him, than so vilely to swear and sing, he struck the book out of the person's hands, and went on damning the spectators and calling for wine. Whilst psalms and prayers were performing at the tree he did little but talk to one or other, desiring some to remember him, others to drink to his good journey, and to the last moment declared the injustice of his case.

Friday, March 9—William Alcock was executed at Northampton for the murder of his wife. He never admitted to the crime, nor did he seem at all troubled by his impending death; he declined the prayers and help of anyone. In the morning, he drank more than enough, yet he sent someone to buy a pint of wine, and when it was refused, he wouldn’t get into the cart until his money was returned. On the way to the gallows, he sang part of an old "Robin Hood" song, with the chorus, "Derry, derry, down," and he swore, kicked, and lashed out at everyone who touched the cart. Before he was hanged, he took off his shoes to avoid a well-known saying, and when someone in the cart with him suggested it was more appropriate for him to read or listen to someone read rather than swear and sing so crudely, he struck the book from their hands and continued cursing the spectators and calling for wine. While psalms and prayers were being said at the tree, he mostly talked to one person or another, asking some to remember him, others to toast his journey, and up to the last moment, he insisted on the injustice of his situation.

DOG FRIENDSHIP.

Dog friendship.

At Bishops Stortford there were two dogs, which belonged to nobody, and lived upon the quay of the river or canal there. They took the greatest delight in rat hunting, and when the maltsters went about at night to see that all was safe, these dogs invariably followed them. Their mode of proceeding was very ingenious. As soon as the door of the malt-house was unlocked, one rushed in and coursed round the warehouse, not chasing any rat which might start, but pursuing its way among the malt. The other stood at the door and snapped at the rats as they endeavoured to escape. The one standing at the door was known to kill six rats, all of which had rushed to the door at the same time. The next room they came to, they would change posts; the one which hunted before, now standing at the door and seizing the prey. By this means the dogs killed in the malting-houses of one maltster alone, upwards of 2,000 rats in the course of one year. One of them on one occasion killed sixty-seven in less than five minutes. They seemed to pursue the sport simply for their amusement.

At Bishops Stortford, there were two dogs that didn’t belong to anyone and lived by the river or canal. They loved rat hunting, and whenever the maltsters patrolled at night to make sure everything was secure, the dogs always followed them. Their method was quite clever. As soon as the malt-house door was unlocked, one dog would rush in and run around the warehouse, not chasing any rat that might startle, but weaving through the malt. The other dog would wait at the door and snap at the rats trying to escape. The dog at the door was known to kill six rats that all rushed out at the same time. When they moved to the next room, they would switch places; the one that hunted before would now stand at the door and catch the prey. Because of this technique, the dogs killed over 2,000 rats in the malting houses of just one maltster in a year. On one occasion, one of them killed sixty-seven rats in less than five minutes. They seemed to enjoy the sport purely for their own amusement.

ALL HUMBUGS.

ALL NONSENSE.

Just as a strolling actor at Newcastle had advertised his benefit, a remarkable stranger, no less than the Prince Annamaboo, arrived, and placarded the town that he granted audiences at a shilling a-head. The stroller, without delay, waited on the proprietor of the Prince, and for a good round sum prevailed on him to command his Serene Highness to exhibit his august person on his benefit night. The bills of the day announced that between the acts of the comedy Prince Annamaboo would give a lively representation of the scalping operation, sound the Indian war-whoop in all its melodious tones, practice the tomahawk exercise, and dine à la cannibal. An intelligent mob were collected to witness these interesting exploits. At the conclusion of the third act, his Highness marched forward flourishing his tomahawk, and shouting, "Ha, ha!—ho, ho!" Next entered a man with his face blacked, and a piece of bladder fastened to his head with gum; the Prince, with an enormous carving-knife, began the scalping part of the entertainment, which he performed in a truly imperial style, holding up the piece of bladder as a token of triumph. Next came the war-whoop, an unearthly combination of discordant sounds; and lastly, the banquet, consisting of raw beef-steaks, which he rolled up into rouleaus, and devoured with right royal avidity. Having finished his delicate repast, he wielded his tomahawk in an exulting manner, bellowed "Ha, ha!—ho, ho!" and made his exit. The bénéficiaire strolling through the market-place the following-day, spied the most puissant Prince Annamaboo selling penknives, scissors, and quills, in the character of a Jew pedlar. "What!" said the astonished Lord Townley, "my Prince, is it you? Are you not a pretty circumcised little scoundrel to impose upon us in this manner?" Moses turned round, and with an arch look, replied, "Princh be d—d! I vash no Princh; I vash acting like you. Your troop vash Lords and Ladies last night; and to-night dey vil be Kings, Prinches, and Emperor! I vash humpugs, you vash humpugs, all vash humpugs!"

Just as a street performer in Newcastle had announced his benefit show, a remarkable stranger, none other than the Prince Annamaboo, arrived and posted flyers around town advertising that he was available for private audiences for a shilling each. The performer promptly visited the owner of the Prince and, for a generous amount of money, convinced him to have his Serene Highness perform on his benefit night. The day’s posters declared that between acts of the comedy, Prince Annamaboo would give a lively demonstration of the scalping operation, perform the Indian war-whoop in all its melodious tones, showcase tomahawk skills, and dine à la cannibal. An eager crowd gathered to witness these fascinating displays. At the end of the third act, his Highness strode forward, waving his tomahawk and shouting, "Ha, ha!—ho, ho!" Then a man entered with his face painted black and a piece of bladder stuck to his head with gum; the Prince, with a huge carving knife, began the scalping segment of the show, which he executed in a truly imperial fashion, holding up the piece of bladder as a trophy. Next came the war-whoop, an otherworldly mix of jarring noises; and finally, the feast, featuring raw beefsteaks, which he rolled up and devoured with royal enthusiasm. After finishing his extravagant meal, he brandished his tomahawk triumphantly, bellowed "Ha, ha!—ho, ho!" and left the stage. The next day, the bénéficiaire was walking through the market when he spotted the mighty Prince Annamaboo selling penknives, scissors, and quills, dressed as a Jewish peddler. "What!" exclaimed the astonished Lord Townley, "my Prince, is that you? Aren’t you a sneaky little scoundrel to trick us like this?" Moses turned around, and with a cheeky expression, replied, "Princh be damned! I vash no Princh; I vash acting like you. Your crew vash Lords and Ladies last night; and tonight, they will be Kings, Prinches, and Emperors! I vash humpugs, you vash humpugs, all vash humpugs!"

REDUCING WEIGHT.

Losing weight.

A gentleman, of great respectability in the mercantile world, who weighed thirty-two stone nine pounds, put himself upon a strict diet of four ounces of animal food, six ounces of bread, and two pounds of liquid, in twenty-four hours. In one week he lost thirty pounds weight, and in six months he was diminished the astonishing quantity of one hundred and thirty-four pounds. His health and spirits were much improved, and considering his remaining size of twenty-three stone, he was very active.

A well-respected businessman, who weighed 458 pounds, started a strict diet of four ounces of meat, six ounces of bread, and two pounds of liquids each day. In one week, he lost thirty pounds, and in six months, he dropped an impressive one hundred and thirty-four pounds. His health and mood improved a lot, and despite still weighing twenty-three stone (322 pounds), he was quite active.

ANECDOTE OF A SERPENT.

SERPENT ANECDOTE.

Lord Monboddo relates the following singular anecdote of a serpent:—"I am well informed of a tame serpent in the East Indies, which belonged to the late Dr. Vigot, once kept by him in the suburbs of Madras. This serpent was taken by the French, when they invested Madras, and was carried to Pondicherry in a close carriage. But from thence, he found his way back again to his old quarters, though Madras was above one hundred miles distant from Pondicherry."

Lord Monboddo shares an unusual story about a snake:—"I have reliable information about a tame snake in the East Indies, which belonged to the late Dr. Vigot, who once kept it in the suburbs of Madras. This snake was captured by the French when they laid siege to Madras and was transported to Pondicherry in a closed carriage. However, it managed to find its way back to its old home, even though Madras is more than a hundred miles away from Pondicherry."

ENGLAND BEFORE THE ROMANS.

PRE-ROMAN ENGLAND.

Shoes Made of Rawhide

Before the Roman invasion, the dress of its chieftains consisted of a close coat or covering for the body, called by Dio a tunic, and described as checkered with various colours in divisions. It was open before, and had long close sleeves to the wrist. Below were loose pantaloons, called by the Irish brigis, and by the Romans brages and bracæ; whence the modern term "breeches." Over their shoulders was thrown the mantle or cloak, called by the Romans sagum, and derived from the Celtic word saic, which signified a skin or hide, and which was the original cloak of the country. Diodorus tells us that it was of one uniform colour, generally either blue or black, the predominating tint in the checkered trousers and tunic being red. On their heads they wore a conical cap, which derived its name from the "cab," or hut of the Briton, which was of similar form. On their feet were shoes made of raw cow-hide, that had the hair turned outward, and which reached to the ankles. Shoes so constructed were worn within the last few years in Ireland; and we engrave two from specimens in the Royal Irish Academy. One is of cow-hide, and drawn together by a string over the foot; and the other has a leather thong, which is fastened beneath the heel inside, and, passing over the instep, draws the shoe like a purse over the foot. It is of untanned leather.

Before the Roman invasion, the clothing of its leaders consisted of a fitted coat or body covering, referred to by Dio as a tunic, and described as checkered in various colors. It was open in the front and had long, fitted sleeves that went down to the wrist. Below, they wore loose pants, known as brigis in Irish, and brages and bracæ in Roman terms; this is where the modern word "breeches" comes from. Draped over their shoulders was a mantle or cloak, called sagum by the Romans, which comes from the Celtic word saic, meaning skin or hide, and was the original cloak of the land. Diodorus states that it was of a single color, usually blue or black, with the prominent color in the checkered trousers and tunic being red. They wore a conical hat, named after the "cab," or hut of the Briton, which had a similar shape. On their feet, they wore shoes made from raw cowhide, with the hair turned outward, which reached up to the ankles. Shoes like these were still being worn in Ireland a few years ago, and we illustrate two examples from the Royal Irish Academy. One is made of cowhide and has a string that pulls it together over the foot, while the other has a leather strap that is fastened beneath the heel on the inside and goes over the instep, pulling the shoe snugly over the foot like a purse. It is made from untanned leather.

ROMANS IN BRITAIN—DRESS OF NATIVE FEMALES AT THAT PERIOD.

ROMANS IN BRITAIN—CLOTHING OF LOCAL WOMEN DURING THAT TIME.

Roman Female Shoes

The British gwn, from whence comes the modern "gown," descended to the middle of the thigh, the sleeves barely reaching to the elbows: it was sometimes confined by a girdle. Beneath this a longer dress reached to the ancles. The hair was trimmed after the Roman fashion; and upon the feet, when covered, were sometimes worn shoes of a costly character, of which we know the Romans themselves to have been fond. An extremely beautiful pair was discovered upon opening a Roman burial-place at Southfleet in Kent, in 1802. They were placed in a stone sarcophagus, between two large glass urns or vases, each containing a considerable quantity of burnt bones. They were of superb and expensive workmanship, being made of fine purple leather, reticulated in the form of hexagons all over, and each hexagonal division worked with gold, in an elaborate and beautiful manner.

The British gwn, which is where the modern "gown" comes from, ended at the middle of the thigh, with sleeves that barely reached the elbows; it was sometimes held in place by a belt. Underneath was a longer dress that went down to the ankles. Hair was styled in the Roman fashion, and on the feet, when they were covered, people sometimes wore expensive shoes that the Romans also liked. An incredibly beautiful pair was found when a Roman burial site was opened at Southfleet in Kent in 1802. They were placed in a stone sarcophagus, between two large glass urns or vases, each holding a significant amount of burnt bones. The shoes were of superb and costly craftsmanship, made of fine purple leather, decorated in a hexagonal pattern all over, with each hexagonal section intricately designed with gold.

THE CATACOMBS.
ROME.

Amid the ruins of stately temples, and numerous remains of the "Eternal City," there are no objects which have such great and general interest as the subterranean churches, dwellings, and places of sepulchre of the early Christians, which perforate, by a network of excavations, the neighbourhood of Rome.

Amid the ruins of grand temples and many remnants of the "Eternal City," there are no objects that spark as much interest as the underground churches, homes, and burial sites of the early Christians, which create a complex network of excavations in the area around Rome.

The great increase in the extent and magnificence of Rome during the times of the Republic, led to the formation of quarries in the surrounding parts. The peculiar nature of the soil has caused the excavations to be [Pg 88] made in a manner similar to that used in the working of coal, iron, stone, lime, &c. The useful material has, in fact, been cleared away, leaving long ranges of dark caves and passages. After the stone had been removed from these underground quarries, it was, for many centuries, customary to work out the sand for the purpose of making cement. Vitruvius has stated that the sand obtained from the Esquiline pits was preferable to any other. Ultimately the quarries and sandpits extended to a distance of upwards of fifteen miles on one side of Rome. Parts of this large range of excavations were from time to time used as burial-grounds by such of the Romans as could not afford the cost of burning the bodies of their dead relations. And, in addition, the Esquiline hills became infested by banditti, and was from these various causes rendered almost impassable.

The significant growth in the size and splendor of Rome during the Republic led to the development of quarries in the nearby areas. The unique nature of the soil has resulted in excavations being carried out similarly to how coal, iron, stone, lime, etc., are mined. Essentially, the valuable materials have been removed, leaving behind long stretches of dark caves and tunnels. After the stone was taken from these underground quarries, it became common for centuries to extract sand for making cement. Vitruvius noted that the sand from the Esquiline pits was better than any other. Eventually, the quarries and sandpits stretched out over fifteen miles on one side of Rome. Parts of this extensive range of excavations were occasionally used as burial grounds by Romans who couldn’t afford to cremate their deceased relatives. Additionally, the Esquiline hills became overrun with bandits, making the area almost impassable for various reasons.

In these excavations, it is said, that not only persons, but cattle, contrived to support existence; and although it was well known that large numbers were lodged in these dismal dwellings, their intricacy and numberless entrances rendered them a comparatively secure retreat. It is related that attempts were made to cover the galleries with earth, in order to destroy those who were concealed within.

In these digs, it's said that not just people but also cattle managed to survive; and even though it was well known that many were hiding in these gloomy homes, the complexity and countless entrances made them a fairly safe place to hide. It's reported that there were attempts to cover the tunnels with dirt to eliminate those who were hiding inside.

Inscription in Catacomb

In course of time the catacombs became, with the exception of one or two, neglected and filled up with rubbish, and remained for a period of upwards of one thousand years untouched and almost unknown. In the sixteenth century the whole range of the catacombs were reopened, and numerous inscriptions and other matters connected with the struggles and hardships of the early Christians brought to light. The annexed brief memorial will show the general style of the lettering.

In time, the catacombs became, with a few exceptions, neglected and filled with trash, remaining untouched and almost forgotten for over a thousand years. In the sixteenth century, the entire range of catacombs was reopened, revealing numerous inscriptions and other items related to the struggles and hardships of early Christians. The attached brief memorial will illustrate the general style of the lettering.

OBSOLETE MODES OF PUNISHMENT.

OUTDATED PUNISHMENT METHODS.

Ante page 60, we gave representations of some ancient instruments of punishment and torture, all more or less terrible in their character, the use of which, for many a long year, has been happily abandoned. As a companion to this group, we have engraved a few of the instruments of punishment by which criminals of a vulgar character were sought to be reformed. The first of these is the felon's brand, the mark of which rendered a man infamous for life. Figure 1, p. 90 represents the instrument itself. Figure 2, the mark branded in, which latter has been engraved the exact size. The device, which is deeply cut into the metal, is a gallows, such as was used before the invention of the Drop and the Wheel for Execution and torture.

Ante page 60, we showed images of some ancient instruments of punishment and torture, all of which were quite horrific in nature, and thankfully, their use has been abandoned for many years. As a complement to this collection, we have illustrated a few tools of punishment intended to reform common criminals. The first of these is the felon's brand, a mark that made a person infamous for life. Figure 1, p. 90 shows the instrument itself. Figure 2 illustrates the brand mark, which has been engraved at the exact size. The design, which is deeply engraved into the metal, represents a gallows, similar to those used before the introduction of the Drop and the Wheel for execution and torture.

The Stocks and Whipping-post, although long since removed from London Bridge, may be met with in retired country places. We have noticed some characteristic examples in the Forest of Dean, Gloucestershire, where some of the may-poles, day-wheels, and other curious relics, may still be seen. [2] In some instances the Stocks and Whipping-posts [Pg 89] were richly carved, and clamped with iron work of an ornamental character. We remember seeing the stocks used within the last thirty years, once at Newcastle-on-Tyne, and once at Gateshead, the adjoining town. The culprit in the one instance was an elector, who, in the excess of zeal and beer, during an old-fashioned contested election, rushed into one of the churches during the Sunday's service, and shouted out, "Bell (one of the candidates) for ever." He was speedily taken hold of, and placed for several hours in the stocks in the churchyard; and, as the stimulating effect of the strong drink passed away, he looked a deplorable object, decked as he was with numerous cockades, the "favours" of the candidate, whose cause he so indiscreetly supported.

The stocks and whipping post, although long gone from London Bridge, can still be found in quiet rural areas. We've noticed some notable examples in the Forest of Dean, Gloucestershire, where some maypoles, day-wheels, and other intriguing remnants can still be seen. [2] In some cases, the stocks and whipping posts were beautifully carved and featured ornamental ironwork. We remember seeing the stocks used within the last thirty years, once in Newcastle-on-Tyne and once in the nearby town of Gateshead. In one case, the offender was an elector who, fueled by enthusiasm and beer during an old-school contested election, burst into a church during Sunday service and shouted, "Bell (one of the candidates) forever." He was quickly apprehended and placed in the stocks for several hours in the churchyard. As the effects of the alcohol wore off, he looked quite pathetic, adorned with several cockades, the "favours" of the candidate he had so carelessly supported.

The punishment of the barrel we should think to have been adapted for drunkards who could preserve a perpendicular position.

The punishment of the barrel seems to have been designed for drunks who could still stand up straight.

In the histories of London, it is mentioned that bakers and other dealers caught giving false weight, or in any other ways cheating the poor, were exhibited occasionally in this manner; but more frequently they were placed in the parish dung-cart, and slowly drawn through the streets of the district.

In the histories of London, it is mentioned that bakers and other sellers caught giving false weight, or cheating the poor in any other way, were sometimes displayed like this; but more often they were put in the parish dung-cart and slowly pulled through the streets of the area.

The Whirligig, a circular cage which could be moved swiftly round on a pivot, was, in bygone days, in use for offenders in the English army. There was another instrument used for the same purpose called the Horse, which was made in rude resemblance of the animal whose name it bore. The body was composed of planks of wood, which formed a sharp angle along the back. On this the soldier was seated, and his legs fastened below to several heavy muskets. This is said to have been a very severe and dangerous punishment. In addition to the above, and flogging, imprisonment, &c., there were three ancient methods of punishment in the English army—viz., beheading, hanging, and drowning. The latter of these, according to Grose, was in use only in the reign of Richard I. This author observes that, some centuries ago, capital punishment was rare in our army, the men having generally property, which was confiscated in case of ill conduct. He, however, refers to some terrible means which were resorted to for the purpose of preserving discipline. Hanging was chiefly confined to spies; who were taken to a tree in sight of the camp, and yet sufficiently distant, and there hung up. In many instances, when a corps or a considerable body of men were guilty of crime, for which the established punishment was death, to prevent too great a weakening of the army, the delinquents, Grose says, "were decimated, that is, only every tenth man was taken. A number of billets, equal to that of the body to be decimated, were put into a helmet, every tenth billet being marked with the letter D, or some other character signifying death; the helmet was then shaken, in order to mix them, and the soldiers, filing off singly from the right, passed by the commanding officers, before whom, on a table, stood the helmet; as they passed, each drew a billet and presented it to an officer placed to receive them. If the billet had the fatal mark; the soldier was seized and marched into the rear."

The Whirligig, a circular cage that could be quickly rotated on a pivot, was used in the past for punishing offenders in the English army. There was another device for the same purpose called the Horse, which roughly resembled the animal it was named after. Its body was made of wooden planks that formed a sharp angle along the back. The soldier would sit on this, with their legs tied below to several heavy muskets. This method was said to be quite severe and dangerous. Alongside this, and other forms of punishment like flogging and imprisonment, there were three ancient methods of punishment in the English army: beheading, hanging, and drowning. The latter, according to Grose, was only used during the reign of Richard I. This author points out that, centuries ago, capital punishment was rare in our army, as soldiers generally had property that would be confiscated for bad behavior. However, he mentions some horrific methods that were employed to maintain discipline. Hanging was mainly reserved for spies, who were taken to a tree visible from the camp but far enough away, and were hung there. In many cases, when a unit or a large group of soldiers committed an offense punishable by death, to avoid significantly weakening the army, Grose states that "they were decimated," meaning only every tenth man was punished. A number of slips, equal to the number of men to be decimated, were placed in a helmet, with every tenth slip marked with the letter D or another symbol signifying death. The helmet was then shaken to mix them up, and the soldiers would file past the commanding officers, who had the helmet on a table. As they passed by, each soldier would draw a slip and present it to an officer assigned to collect them. If the slip had the deadly mark, the soldier was taken away and marched to the rear.

This wholesale method of capital punishment must have been a solemn affair. At times, it was customary to punish the man at the right hand of companies; without giving them the chance of the billet—on the principal [Pg 90] that these were the most influential persons, and must, from their companionship with the others, have been acquainted with and have possessed the means of checking or giving information, which would prevent dangerous offences.

This widespread method of capital punishment must have been a serious matter. Sometimes, it was common to punish the man next to the powerful figures, without giving them a chance to defend themselves—based on the idea that these were the most influential individuals, and that, by being around others, they must have been aware of and had the ability to report or stop any dangerous actions.

1. Brand for Marking Felons. 2. Impression of Brand. 3. Punishment for Drunkards, formerly in use at Newcastle-on-Tyne. 4. The Whirligig, a military method of punishment. 5. Pillory, Stocks, and Whipping Post, formerly on London Bridge.

The regulations of the English army during the time of Henry VIII., and previous reigns, may be met with in "Grose's Military Antiquities."

The rules of the English army during the time of Henry VIII and earlier reigns can be found in "Grose's Military Antiquities."

ORIGIN OF THE TERM "HUMBUG."

ORIGIN OF THE TERM "HUMBUG."

This, now, common expression, is a corruption of the word Hamburgh, and originated in the following manner:—During a period when war prevailed on the Continent, so many false reports and lying bulletins were fabricated at Hamburgh, that at length, when any one would signify his disbelief of a statement, he would say, "You had that from Hamburgh;" and thus, "That is Hamburgh," or Humbug, became a common expression of incredulity.

This well-known phrase is a corruption of the word Hamburgh and came about in this way: During a time when war was raging in Europe, so many false reports and misleading updates were made in Hamburgh that eventually, when someone wanted to express doubt about a claim, they would say, "You heard that from Hamburgh." As a result, "That's Hamburgh" or Humbug became a common way to express disbelief.

MARRIAGE LOTTERY.

Marriage Lottery.

It has often been said figuratively that marriage is a lottery; but we do not recollect to have met with a practical illustration of the truth of the simile, before the following, which is a free translation of an advertisement in the Louisiana Gazette:—"A young man of good figure and disposition, unable, though desirous to procure a wife, without the preliminary trouble of amassing a fortune, proposes the following expedient to attain the object of his wishes. He offers himself as the prize of a lottery to all widows and virgins under 32. The number of tickets to be 600, at 50 dollars each. But one number to be drawn from the wheel, the fortunate proprietor of which is to be entitled to himself and the 30,000 dollars."

It’s often said that marriage is like a lottery, but we don’t recall seeing a real example of this comparison until we found the following, a loose translation of an ad in the Louisiana Gazette:—"A young man with a good appearance and character, who wants to get married but doesn’t want to deal with the hassle of building up a fortune first, proposes the following plan to achieve his goal. He offers himself as the prize in a lottery for all widows and single women under 32. There will be 600 tickets available, each costing 50 dollars. Only one number will be drawn from the wheel, and the lucky winner will get him along with 30,000 dollars."

CHINESE DAINTIES.

Chinese Delicacies.

The common people of the country seem to fare hardly and sparingly enough, but one of our envoys praises much of the good cheer he found at the tables of the great men. They had pork, fish, and poultry, prepared in a great variety of ways, and very nice confectionery in abundance. The feasts, moreover, were served up in a very neat and cleanly manner. But there was one dainty which much offended their nostrils, and nearly turned their stomachs when it was named to them. It was not stewed dog or fricaséed pup. No; it consisted of three bowls of hatched eggs! When the Englishmen expressed some surprise at the appearance of this portion of the repast, one of the native attendants observed that hatched eggs formed a delicacy beyond the reach of the poor—a delicacy adapted only for persons of distinction! On inquiry, it was found that they cost in the market some thirty per cent. more than fresh eggs. It seems that they always form a distinguished part of every great entertainment, and that it is the practice, when invitations are sent out, to set the hens to hatch. The feast takes place about the tenth or twelfth day from the issuing the invitations,—the eggs being then considered as ripe, and exactly in the state most agreeable and pleasant to the palate of a Chinese epicure.

The common people in the country seem to struggle quite a bit, but one of our envoys was impressed with the hospitality he experienced at the tables of the elite. They had pork, fish, and poultry, prepared in many different ways, along with plenty of delicious sweets. The feasts were also served very neatly and cleanly. However, there was one dish that really offended their senses and almost made them sick just hearing about it. It wasn’t stewed dog or cooked puppy. No, it was three bowls of hatched eggs! When the Englishmen looked surprised at the sight of this dish, one of the local attendants explained that hatched eggs were a delicacy that the poor could not afford—something only the distinguished could enjoy! Upon investigation, it turned out that they cost about thirty percent more than fresh eggs in the market. They are always a prominent feature of every grand event, and it’s customary to have the hens set to hatch when invitations are sent out. The feast happens about ten or twelve days after the invitations go out, with the eggs deemed ripe and perfectly suited to the taste of a Chinese food connoisseur.

RECEIPTS FROM ALBERTUS MAGNUS.

RECEIPTS FROM ALBERTUS MAGNUS.

"Bubo a shrick owle, is a byrd wel inough knowen, which is called Magis of the Chaldes, and Hysopus of the Greekes. There bee maruaylous vertues of this Fowle, for if the hart and ryght foote of it be put upon a man sleeping, hee shall saye anone to thee whatsoever thou shalt aske of him. And thys hath beene prooued of late tyme of our [Pg 92] brethren. And if any man put thys onder his arme hole, no Dog wyll barke at hym, but keepe silence. And yf these thynges aforesayde ioyned together with a wyng of it be hanged up to a tree, byrdes wyl gather together to that tree."

"Bubo, a screech owl, is a well-known bird, called Magis by the Chaldeans and Hysopus by the Greeks. This bird has several amazing powers; if its heart and right foot are placed on a sleeping person, that person will immediately tell you anything you ask of them. This has been proven recently by our [Pg 92] brethren. Also, if someone places this under their armpit, no dog will bark at them but will remain silent. Furthermore, if these mentioned parts, along with a wing of the owl, are hung from a tree, birds will gather around that tree."

"When thou wylt that thy wyfe or wenche shewe to thee all that shee hath done, take the hart of a Doove, and the heade of a Frog, and drye them both, and braie them vnto poulder, and lay them vpon the brest of her sleeping, and shee shall shew to thee all that shee hath done, but when shee shall wake, wipe it awaye from her brest, that it bee not lifted vp."

"When you want your wife or girlfriend to reveal everything she has done, take the heart of a dove and the head of a frog, dry them both, grind them into powder, and place them on her chest while she sleeps. She will then show you all that she has done. However, when she wakes up, wipe it away from her chest so that it isn’t brought back to her mind."

"Take an Adders skyn, and Auri pigmentum, and greeke pitch of Reuponticum, and the waxe of newe Bees, and the fat or greace of an Asse, and breake them all, and put them all in a dull seething pot full of water, and make it to seeth at a slowe fire, and after let it waxe cold, and make a taper, and euery man that shall see light of it shall seeme headlesse."—The Secreetes of Nature, set foorth by Albertus Magnus in Latine, newlye translated into English. Imprinted at London by me Wyllyam Copland. No date. Black letter, very old.

"Take an adder's skin, some gold pigment, Greek pitch from Reuponticum, the wax of new bees, and the fat or grease of a donkey. Break them all up and put everything into a dull boiling pot full of water. Let it simmer over a slow fire, and then allow it to cool. Once it’s cooled, make a candle from it, and anyone who sees its light will appear headless."—The Secrets of Nature, set forth by Albertus Magnus in Latin, newly translated into English. Imprinted at London by me Wyllyam Copland. No date. Black letter, very old.

THE MAGPIE STONING A TOAD.

THE MAGPIE THROWING STONES AT A TOAD.

There is a story told of a tame magpie, which was seen busily employed in a garden, gathering pebbles, and with much solemnity, and a studied air, dropping them in a hole, about eighteen inches deep, made to receive a post. After dropping each stone, it cried, Currack! triumphantly, and set off for another. On examining the spot a poor toad was found in the hole, which the magpie was stoning for his amusement.

There’s a story about a domesticated magpie that was spotted hard at work in a garden, collecting pebbles and, with great seriousness and a deliberate style, dropping them into a hole about eighteen inches deep that was meant for a post. After dropping each stone, it would shout, "Currack!" in triumph and then go off to find another. Upon closer inspection of the hole, a poor toad was discovered inside, which the magpie was targeting with stones for its own entertainment.

ADAPTATION OF BONES TO AGE IN THE HUMAN FRAME.

ADAPTATION OF BONES TO AGE IN THE HUMAN FRAME.

Growth produces in the species a somewhat remarkable change in the mechanical qualities of the bones. This important part of our organism consists of three constituents—fibre, cartilage, and the earthy matter already mentioned called phosphate of lime. From the fibre they derive their toughness; from the cartilage their elasticity; and from the lime their hardness and firmness. Nothing can be more admirable in the economy of our body than the manner in which the proportion of these constituents adapts itself to the habitudes of age. The helpless infant, exposed by a thousand incidents to external shocks, has bones, the chief constituents of which being gristly and cartilaginous, are yielding and elastic, and incur little danger of fracture. Those of the youth, whose augmented weight and increased activity demand greater strength, have a larger proportion of the calcareous and fibrous elements, but still enough of the cartilaginous to confer upon the solid framework of his body the greatest firmness, toughness, and elasticity. As age advances, prudence and tranquil habits increasing, as well as the weight which the bones have to sustain, the proportion of the calcareous constituent increases, giving the requisite hardness and strength, but diminishing the toughness and elasticity.

Growth leads to a noticeable change in the mechanical properties of bones in the species. This crucial part of our body is made up of three components—fiber, cartilage, and the mineral substance known as phosphate of lime. The fiber provides toughness; the cartilage offers elasticity; and the lime contributes to hardness and stability. There's nothing more impressive in our body's design than how the balance of these components adjusts to the changes that come with age. The vulnerable infant, subjected to numerous external impacts, has bones primarily made of cartilage, making them flexible and elastic, which reduces the risk of fractures. In youth, with greater weight and activity demanding more strength, there is a higher proportion of mineral and fibrous parts, yet enough cartilage remains to ensure the body’s structure has optimal firmness, toughness, and elasticity. As people age, the need for steadiness and calm increases along with the weight the bones support, leading to a higher level of the mineral component, which adds necessary hardness and strength, but reduces toughness and elasticity.

While the bones thus change their mechanical qualities as age advances, they diminish in number, the frame consequently having fewer joints [Pg 93] and less flexibility. The bones of a child, whose habits require greater bodily pliability, are more numerous than those of an adult, several of the articulations becoming ossified between infancy and maturity. In like manner, the bones at maturity are more numerous than in advanced age, the same progressive ossification of the joints being continued.

As the bones change their mechanical properties with age, they decrease in number, which means the body has fewer joints and is less flexible. A child's bones, which need to allow for more movement, are more numerous than an adult's, with several joints becoming hardened as they grow from infancy to adulthood. Similarly, the bones in adulthood are more numerous than in old age, as the same process of joint hardening continues.

It has been ascertained by anatomists that, on attaining the adult state, the number of bones constituting the framework of the human body is 198; of which 52 belong to the trunk, 22 to the head, 64 to the arms, and 60 to the legs.

It has been determined by anatomists that, upon reaching adulthood, the number of bones that make up the structure of the human body is 198; of which 52 are in the trunk, 22 in the head, 64 in the arms, and 60 in the legs.

TOWER OF THE THUNDERING WINDS.

TOWER OF THE THUNDERING WINDS.

Tower of the Thundering Winds

The Great Wall is certainly a wonderful monument of ancient times; but it is almost the only one that we read of in China, except a famous Temple, or Tower, partly in ruins, which stands on an eminence in the neighbourhood of Hang-chow-foo. It is called the "Tower of the Thundering Winds," and is supposed to have been built about 2,500 years ago.

The Great Wall is definitely an amazing monument from ancient times, but it’s almost the only one we hear about in China, aside from a famous temple or tower that’s partly in ruins, located on a hill near Hangzhou. It’s called the "Tower of the Thundering Winds" and is believed to have been built around 2,500 years ago.

DR. MONSEY BEQUEATHS HIS OWN BODY.

DR. MONSEY LEAVES HIS BODY BEHIND.

This eccentric person died at the great age of 96, and was for half a century, physician to Chelsea Hospital. He left his body for dissection, [Pg 94] and a few days before he died, wrote to Mr. Cruikshanks, the Anatomist, begging him to know, whether it would suit his convenience to do it, as he felt he could not live many hours, and Mr. Forster, his surgeon, was then out of town. He died as he predicted, and his wishes with respect to his body, were strictly attended to.

This quirky individual passed away at the impressive age of 96 and had been the physician for Chelsea Hospital for fifty years. He donated his body for dissection, [Pg 94], and just a few days before his death, he wrote to Mr. Cruikshanks, the anatomist, asking if it would be convenient for him to perform the procedure, since he felt he didn’t have many hours left and Mr. Forster, his surgeon, was out of town at the time. He died as he had predicted, and his wishes regarding his body were carefully respected.

TEA.

Tea.

A folio sheet of the time of Charles II. entitled "An Exact Description of the Growth, Quality, and Virtues of the Leaf Tea, by Thomas Garway, in Exchange Alley, near the Royal Exchange, in London, Tobacconist, and Seller and Retailer of Tea and Coffee," informs us that "in England it hath been sold in the leaf for six pounds, and sometimes for ten pounds the pound weight; and in respect of its former scarceness and dearness, it hath been only used as a regalia in high treatments, and entertainments, and presents made thereof to princes and grandees till the year 1657. The said Thomas Garway did purchase a quantity thereof, and first publikely sold the said Tea in leaf and drink, made according to the direction of the most knowing merchants and travellers in those eastern countries: and upon knowledge and experience of the said Garway's continued care and industry, in obtaining the best Tea, and making drink thereof, very many noblemen, physicians, merchants, and gentlemen of quality, have ever since sent to him for the said leaf, and daily resort to his house, in Exchange Alley, to drink the drink thereof."

A folio sheet from the time of Charles II, titled "An Exact Description of the Growth, Quality, and Virtues of the Leaf Tea, by Thomas Garway, in Exchange Alley, near the Royal Exchange, in London, Tobacconist, and Seller and Retailer of Tea and Coffee," tells us that "in England it was sold in the leaf for six pounds, and sometimes for ten pounds per pound; and because it was once so rare and expensive, it was only used as a luxury in high-end events and given as gifts to princes and nobles until the year 1657. Thomas Garway purchased a quantity of it and was the first to publicly sell the tea in leaf form and as a drink, prepared according to the advice of knowledgeable merchants and travelers from those eastern countries. Due to Garway's dedication and effort to secure the best tea and to make beverages from it, many noblemen, physicians, merchants, and quality gentlemen have since ordered the leaf from him and regularly visit his establishment in Exchange Alley to enjoy the drink."

IT'S MUCH THE SAME NOW.

IT'S PRETTY MUCH THE SAME NOW.

The following lines, from the Gentleman's Magazine of 1733, will give us some idea of what fashionable life was at that period:—

The following lines, from the Gentleman's Magazine of 1733, will give us some idea of what fashionable life was like at that time:—

The Town Lady's Answer to,—"What tho' I am a Country Lass."

The Town Lady's Response to,—"What if I am a Country Girl."

What tho' I am a London dame,
And lofty looks I bear, a?
I carry, sure, as good a name,
As those who russet wear, a.
What tho' my cloaths are rich brocades?
My skin it is more white, a
Than any of the country maids
That in the fields delight, a.
What tho' I to assemblies go,
And at the Opera's shine, a?
It is a thing all girls must do,
That will be ladies fine, a:
And while I hear Faustina sing,
Before the king and queen, a
By Eyes they are upon the wing,
To see, if I am seen, a.
My Peko and Imperial Tea
Are brought me in the Morn, a.
At Noon Champaign and rich Tokay
My table do adorn, a.
The Evening then does me invite
To play at dear Quadrille, a:
And sure in this there's more delight,
Than in a purling rill, a.
Then since my Fortune does allow
Me to live as I please, a;
I'll never milk my father's cow
Nor press his coming cheese, a.
But take my swing both night and day,
I'm sure it is no sin, a:
And as for what the grave ones say,
I value not a pin, a.

BARBERS.

Barbershops.

The barber's pole, one of the popular relics of Merrie England, is still to be seen in some of the old streets of London and in country towns, painted with its red, blue, and yellow stripes, and surmounted with [Pg 95] a gilt acorn. The lute and violin were formerly among the furniture of a barber's shop. He who waited to be trimmed, if of a musical turn, played to the company. The barber himself was a nimble-tongued, pleasant-witted fellow. William Rowley, the dramatist, in "A Search for Money, 1609," thus describes him:—"As wee were but asking the question, steps me from over the way (over-listning us) a news-searcher, viz. a barber: hee, hoping to attaine some discourse for his next patient, left his baner of basons swinging in the ayre, and closely eave-drops our conference. The saucie treble-tongu'd knave would insert somewhat of his knowledge (treble-tongu'd I call him, and thus I prove't: hee has a reasonable mother-tonger, his barber-surgions tongue; and a tongue betweene two of his fingers, and from thence proceeds his wit, and 'tis a snapping wit too). Well, sir, hee (before hee was askt the question,) told us that the wandring knight (Monsier L'Argent) sure was not farre off; for on Saterday-night hee was faine to watch till morning to trim some of his followers, and its morning they went away from him betimes. Hee swore hee never clos'd his eyes till hee came to church, and then hee slept all sermon-time; (but certainly hee is not farre afore, and at yonder taverne showing us the bush) I doe imagine hee has tane a chamber." In ancient times the barber and the tailor, as news-mongers, divided the crown. The barber not only erected his pole as a sign, but hung his basins upon it by way of ornament.

The barber's pole, a well-known symbol of Merrie England, can still be seen in some of the older streets of London and in small towns, painted with its red, blue, and yellow stripes, topped with a [Pg 95] gilt acorn. The lute and violin used to be part of a barber's shop. If someone was waiting to get a haircut and had a musical talent, they would play to entertain everyone. The barber himself was a quick-tongued, witty guy. William Rowley, the playwright, in "A Search for Money, 1609," describes him like this: “As we were just asking the question, a nosy news-hound stepped out from across the way (eavesdropping on us), a barber; hoping to get some gossip for his next customer, he let his collection of basins swing in the air and secretly listened to our conversation. The cheeky, chatty rascal wanted to share something he knew (I call him chatty, and here’s how I show it: he has a good parent-tongue, his barber-surgeon’s tongue; and a tongue between two of his fingers, which is where his wit comes from, and it's a sharp wit too). Well, sir, before we even asked, he told us that the wandering knight (Monsier L'Argent) couldn’t be far away; because on Saturday night he had to stay up until morning to trim some of his followers, and in the morning they left him early. He swore he never closed his eyes until he got to church, and then he slept through the whole sermon; (but surely he’s not far ahead, and at that tavern showing us the bush) I imagine he’s booked a room.” In ancient times, the barber and the tailor were the go-to sources for news, sharing the spotlight. The barber not only put up his pole as a sign but also hung his basins on it as decoration.

BEES OBEDIENT TO TRAINING.

Trained bees.

Though it is customary in many rural districts of England, when bees are swarming, to make a clanging noise with metal implements, under the impression—an erroneous one we believe—that it will induce the swarm to settle, it is not generally supposed that bees are susceptible of being trained to obey in many respects the orders of their teacher. Such, however, is the fact, and an instance of it occurs in the following advertisement, which we have copied from an old newspaper. We give it as we find it, but it is not very clear what locality is meant by "their proper places":—

Though it's common in many rural areas of England to make a loud noise with metal objects when bees are swarming, believing—incorrectly, we think—that it will cause the swarm to settle, it's generally not believed that bees can be trained to respond to their trainer's commands in various ways. However, that is indeed the case, and an example of this appears in the following advertisement, which we've taken from an old newspaper. We present it as we found it, but it's not very clear what location is referred to by "their proper places":—

"At the Jubilee Gardens, Dobney's, 1772. Daniel Wildman rides, standing upright, one foot on the saddle, and the other on the horse's neck, with a curious mask of bees on his face. He also rides, standing upright on the saddle, with the bridle in his mouth, and, by firing a pistol, makes one part of the bees march over a table, and the other part swarm in the air, and return to their proper places again."

"At the Jubilee Gardens, Dobney's, 1772. Daniel Wildman rides, standing straight, one foot on the saddle and the other on the horse's neck, with a strange mask of bees on his face. He also rides, standing upright on the saddle, with the bridle in his mouth, and by firing a pistol, he makes one group of the bees march over a table while the other group swarms in the air and then returns to their rightful places."

A MAN SELLING HIS OWN BODY.

A man promoting himself.

Anatomists and surgeons have frequently incurred the odium of being precipitate in their post mortem examinations. It has been charged upon the illustrious Vessalius, and, in more modern times, on Mons. de Lassone, and others; nay, credulity has gone so far, as to suppose, that subjects have occasionally been kept till wanted; nor is such a notion altogether extravant, when we find an article of this kind offered to Joshua Brookes, the anatomical lecturer, in the following terms:—

Anatomists and surgeons have often faced criticism for being hasty in their autopsies. This accusation has been directed at the famous Vessalius, and, more recently, at Mons. de Lassone, among others; in fact, some people have even believed that bodies have sometimes been stored until needed; this idea isn't entirely outlandish when we see an article of this type offered to Joshua Brookes, the anatomy lecturer, in the following terms:—

"Mr. Brooke, i have taken it into consideration to send this poor man [Pg 96] to you, being greatly in distress, hopeing you will find sum employment for him in silling the dead carcases; and if you can find him no employment, the berer of this wishes to sill himself to you, as he is weary of this life. And I remain your humble servant,

"Mr. Brooke, I've thought about sending this poor man [Pg 96] to you, as he's in great distress, hoping you'll find some work for him in dealing with the dead bodies; and if you can't find him any work, the bearer of this message wishes to sell himself to you, as he is tired of this life. I remain your humble servant,"

"John Davis."

"John Davis."

THE FIRST LOCOMOTIVES.

THE FIRST TRAINS.

THE FIRST LOCOMOTIVE.

It is little more than thirty years ago, when, on the river Tyne, a large fleet of peculiarly-formed vessels was to be seen daily employed in the carriage of coals to the ships from the "staiths," which projected into the river from the various colliery tramways. At that period, there was only one very small and ill-constructed steam-packet for the conveyance of passengers between Newcastle and Shields, and against which so much prejudice existed, that the majority of persons preferred the covered wherries, which, for some centuries before, had been in use; yet so slow and uncertain was this means of transit between the two towns, that persons in a hurry often found it advisable to walk the intervening distance, which is about eight miles.

It’s just a little over thirty years ago when, on the River Tyne, a large fleet of uniquely-shaped boats could be seen every day transporting coal to the ships from the "staiths" that extended into the river from various colliery tramways. At that time, there was only one very small and poorly built steam packet for ferrying passengers between Newcastle and Shields, which faced so much bias that most people preferred the covered wherries that had been in use for centuries. However, this mode of transit was so slow and unreliable between the two towns that those in a hurry often found it better to walk the roughly eight-mile distance.

The Present Locomotive and Train
THE PRESENT LOCOMOTIVE AND TRAIN.

The collieries situated away from the river had tramways of wood let into the ordinary roads, in such a manner as to form wheel-tracks for carriages. These, drawn by horses, were the only means thought of for [Pg 97] bringing the coals to the river bank. Some of these tramways were nearly as old as the times of Queen Elizabeth or James I., when the increase of London and other causes began to overcome the prejudice against the use of "sea-coal." Many of the tramways passed amid green and shadowy woods and other pleasant places, and we have often thought when wandering through them, of the difficulties that beset travellers at that time. Even at a more recent date, in 1673, day coaches were considered dangerous, and it was suggested that the multitude of them in London should be limited, and not more than one be allowed to each shire, to go once a week backwards and forwards, and to perform the whole journey with the same horses they set out with, and not to travel [Pg 98] more than thirty miles a day in summer, and twenty-five in winter. The arguments advanced in favour of these proposals were, that coaches and caravans were mischievous to the public, destructive to trade, and prejudicial to the land—because, firstly, they destroyed the breed of good horses, and made men careless of horsemanship; secondly, they hindered the breed of watermen, who were the nursery of seamen; thirdly, they lessened the revenue.

The coal mines located away from the river had wooden tramways built into the regular roads, creating tracks for carriages. These were pulled by horses and were the only way to transport coal to the riverbank. Some of these tramways were nearly as old as the times of Queen Elizabeth or James I., when the expansion of London and other factors began to break down the prejudice against "sea-coal." Many of the tramways ran through green, shaded woods and other beautiful areas, and we’ve often thought about the challenges that travelers faced back then while wandering through these places. Even more recently, in 1673, stagecoaches were considered dangerous, and it was proposed that the number of them in London should be limited, allowing only one per county to operate weekly, using the same horses for the entire trip, and not travel more than thirty miles a day in summer and twenty-five in winter. The reasons given for these suggestions were that coaches and caravans were harmful to the public, damaging to trade, and bad for the land—because, first, they ruined the breeding of good horses and made people careless about horsemanship; second, they harmed the training of watermen, who were the foundation of seamen; and third, they decreased revenue.

In 1703, the road from Petworth to London (less than 50 miles) was so bad that the Duke of Somerset was obliged to rest a night on the road.

In 1703, the road from Petworth to London (under 50 miles) was in such poor condition that the Duke of Somerset had to stop and spend the night on the way.

In March, 1739 or 1740, Mr. Pennant, the historian, travelled by the stage, then no despicable vehicle for country gentlemen, and in the first day, with "much labour," got from Chester to Whitechurch—twenty miles; and, after a "wondrous effort," reached London before the commencement of the sixth night.

In March, 1739 or 1740, Mr. Pennant, the historian, traveled by the stage, which was then a respectable mode of transport for country gentlemen. On the first day, after "much labor," he made it from Chester to Whitechurch—twenty miles; and after a "wondrous effort," he arrived in London before the sixth night began.

Without entering into an account of the rapid improvement of the English roads soon after the time of Pennant, we may mention that, at about the date 1765, the colliery tramways underwent considerable improvement, by plating the wooden rails in many parts with iron: stone-ways were tried in some instances, but were not found successful; and in course of time the old tramways were covered with cast-iron rails laid on the old foundations. Inclined planes, with fixed steam-engines, also came into use; and at the same time the idea of a locomotive engine was attracting attention in various directions. In 1805 a machine was used on a tramway near Merthyr Tydvil, and soon after this the "Iron Horse," shown in the engraving, was placed upon the wagon way of the Wylam Colliery, from Wylam to Newburn, on the Tyne, near Newcastle, and greatly astonished all who saw it drawing along, at the rate of three miles and a half per hour, from fifteen to twenty wagons of coals, making all the while a horrible and snorting noise, difficult to describe, and sending forth at the same time fire and dense clouds of black smoke. George Stephenson was then beginning to make way, and had provided several improved locomotives for Heaton Colliery. In 1816-1817, patents for improvements in locomotives were taken out by George Stephenson, in connexion with Messrs. Dodd and Losh; and in 1825 the projection of the Liverpool and Manchester Railway afforded a further opportunity for their development. The opposition to the use of steam-engines on this line of railway seems singular enough at the present day; still it was very great. The use of horses was, however, found to be too expensive, and George Stephenson having stated that he could work a locomotive with safety at a rate of from six to eight miles an hour ("I knew," said he, "that if I told them more than that, they would look upon me as more fit for a lunatic house than to give evidence in the House of Commons"), a reward of 500l. was offered for the best locomotive engine. A trial took place in October, 1829—only twenty-seven years ago!—of the steam locomotive engines which were offered in competition. Of these, one was withdrawn at the commencement of the experiment. The "Novelty," by Braithwait and Ericsson, met with an accident; and the "Sanspareil," by Hackworth, attained a velocity of fifteen miles an hour, with a gross load of nineteen tons, but at length gave way, owing to an [Pg 99] accident; the remaining engine, constructed by Robert Stephenson and Mr. Booth, succeeded in performing more than was stipulated.

Without detailing the quick improvements of English roads shortly after Pennant's time, we can mention that around 1765, the colliery tramways saw significant upgrades by laying iron plates over the wooden rails in many areas. Stone paths were tested in some cases, but they didn’t work out well; eventually, the old tramways were covered with cast-iron rails placed on the original foundations. Inclined planes with fixed steam engines also started to be used, while the concept of a locomotive engine was gaining attention in various fields. In 1805, a machine was utilized on a tramway near Merthyr Tydvil, and shortly after, the “Iron Horse,” depicted in the engraving, was put on the wagon way of the Wylam Colliery, stretching from Wylam to Newburn on the Tyne, near Newcastle, astonishing everyone who witnessed it pull along fifteen to twenty coal wagons at a speed of three and a half miles per hour, all the while making a loud and snorting noise that was hard to describe and releasing fire and thick clouds of black smoke. George Stephenson was starting to make progress and had developed several improved locomotives for Heaton Colliery. In 1816-1817, patents for locomotive improvements were filed by George Stephenson in partnership with Messrs. Dodd and Losh; and in 1825, the plan for the Liverpool and Manchester Railway provided another chance for their advancement. The resistance to using steam engines on this railway line seems quite strange today, yet it was substantial at the time. However, the cost of using horses was too high, and George Stephenson claimed he could operate a locomotive safely at speeds between six and eight miles per hour (“I knew,” he remarked, “that if I told them more than that, they would see me as more suited for a psychiatric hospital than for giving evidence in the House of Commons”), leading to a reward of 500l. for the best locomotive engine. A trial took place in October 1829—only twenty-seven years ago!—for steam locomotive engines competing for the prize. One of the engines was withdrawn before the trial began. The “Novelty,” created by Braithwait and Ericsson, encountered an accident; meanwhile, the “Sanspareil,” by Hackworth, reached a speed of fifteen miles an hour while hauling a total of nineteen tons, but ultimately failed due to an [Pg 99] accident; the last engine, built by Robert Stephenson and Mr. Booth, managed to perform better than expected.

The contrast between the date mentioned at the commencement of our article and the present time is remarkable: the old and clumsy fleet has vanished from the Tyne; a railway carries passengers from Newcastle to Shields in a few minutes; numerous steam vessels sail upon the river, some of large size; which travel to various and distant ports. On the colliery railway hundreds of locomotives are at work, and hundreds of thousands of miles of iron rails spread over a wide extent of the civilized world; and, in addition to other wonders, the electric telegraph will, ere long, outrival the power of Puck, the fairy, and "put a girdle round the world in (less than) forty minutes."

The difference between the date mentioned at the beginning of our article and now is striking: the old, awkward fleet has disappeared from the Tyne; a railway transports passengers from Newcastle to Shields in just a few minutes; numerous steamships navigate the river, some of considerable size, traveling to various distant ports. On the colliery railway, hundreds of locomotives are in operation, and there are hundreds of thousands of miles of iron rails stretching across a vast part of the civilized world; and, in addition to other marvels, the electric telegraph will soon outdo the magic of Puck, the fairy, and "put a girdle round the world in (less than) forty minutes."

SIR WILLIAM WALLACE THE HERO OF SCOTLAND.

SIR WILLIAM WALLACE, THE HERO OF SCOTLAND.

1305.—This year was marked by the capture of Sir William Wallace. It appears that the King of England had anxiously sought to discover his retreat, and that, tempted by the prospects of the rewards his baseness might earn for him, Ralph de Haliburton, one of the prisoners taken a short time previously at Sterling, had proffered his services for that purpose. Upon being seized, he was conveyed to the castle of Dumbarton, and thence to England. He was brought to London, "with great numbers of men and women," says Stow, "wondering upon him. He was lodged in the house of William Delect, a citizen of London, in Fenchurch-street. On the morrow, being the eve of St. Bartholomew, he was brought on horseback to Westminster, John Segrave and Geoffrey, knights, the mayor, sheriffs, and aldermen of London, and many others, both on horseback and on foot, accompanying him; and in the great hall at Westminster, he being placed on the south bench, crowned with laurel—for that he had said in times past that he ought to bear a crown in that hall, as it was commonly reported—and being appeached for a traitor by Sir Peter Malorie, the king's justice, he answered, that he was never traitor to the king of England, but for other things whereof he was accused, he confessed them." These circumstantial and minute details, inartificially as they are put together, and homely or trivial as some of them may be thought, are yet full of interest for all who would call up a living picture of the scene. Wallace was put to death as a traitor, on the 23rd of August, 1305, at the usual place of execution—the Elms in West Smithfield. He was dragged thither at the tails of horses, and there hanged on a high gallows, after which, while he yet breathed, his bowels were taken out and burnt before his face. The barbarous butchery was then completed by the head being struck off, and the body being divided into quarters. The head was afterwards placed on a pole on London-bridge; the right arm was sent to be set up at Newcastle, the left arm to Berwick, the right foot and limb to Perth, and the left to Aberdeen.

1305.—This year was marked by the capture of Sir William Wallace. It seems the King of England had been eagerly trying to find out where he was hiding, and Ralph de Haliburton, one of the prisoners taken recently at Stirling, offered his help in exchange for the rewards that might come from betraying Wallace. After being captured, Wallace was taken to the castle of Dumbarton and then transported to England. He arrived in London "with many people, both men and women," according to Stow, who were curious about him. He stayed at the home of William Delect, a citizen of London, on Fenchurch Street. The next day, the eve of St. Bartholomew, he was brought on horseback to Westminster, accompanied by knights John Segrave and Geoffrey, the mayor, sheriffs, and aldermen of London, along with many others on horseback and on foot. In the great hall at Westminster, he was placed on the south bench, crowned with laurel—since he had previously claimed he deserved to wear a crown in that hall, as was widely reported. When accused of treason by Sir Peter Malorie, the king's justice, he replied that he had never betrayed the king of England, but he admitted to other accusations against him. These detailed accounts, though simply presented and some might find them trivial, are still rich with interest for anyone wishing to visualize the scene. Wallace was executed as a traitor on August 23, 1305, at the usual execution site—the Elms in West Smithfield. He was dragged there behind horses and hanged on a tall gallows, after which, while he was still alive, his insides were removed and burned before his eyes. The horrific execution concluded with his head being cut off and his body being divided into quarters. His head was later placed on a pole on London Bridge; the right arm was sent to Newcastle, the left arm to Berwick, the right leg to Perth, and the left to Aberdeen.

AN ELEPHANT DETECTS A ROBBER.

An elephant spots a thief.

An officer in the Bengal army had a very fine and favourite elephant, which was supplied daily in his presence with a certain allowance of [Pg 100] food, but being compelled to absent himself on a journey, the keeper of the beast diminished the ration of food, and the animal became daily thinner and weaker. When its master returned, the elephant exhibited the greatest signs of pleasure; the feeding time came, and the keeper laid before it the former full allowance of food, which it divided into two parts, consuming one immediately, and leaving the other untouched. The officer, knowing the sagacity of his favourite, saw immediately the fraud that had been practiced, and made the man confess his crime.

An officer in the Bengal army had a beloved elephant, which was given a specific amount of food daily in his presence. However, when he had to go away on a journey, the animal's keeper reduced its food supply, causing the elephant to grow thinner and weaker each day. When the officer returned, the elephant showed great joy; at feeding time, the keeper presented the full amount of food again, but the elephant split it into two portions, eating one right away and leaving the other untouched. The officer, aware of his elephant's intelligence, quickly recognized the trick that had been played and forced the keeper to admit his wrongdoing.

MAY-POLES.

Morris dancing poles.

May-Poles

The May-pole, decked with garlands, round which the rustics used to dance in this month, yet stands in a few of our villages through the whole circle of the year. A May-pole formerly stood in the Strand, upon the site of the church by Somerset House, but was taken down in 1717. The village May-pole we engrave still remains by the ruins of St. Briavel Castle, Forest of Dean, Gloucestershire, and forms an object of considerable interest to the visitor. Several in the village could remember the May-day dancers, and the removal and setting up of the May-pole. No notice whatever of this old English festival has, however, been taken for some years. The May-pole is about sixty feet high; about half-way up is the rod to which it was usual to fasten the garlands and ribbons. Let us observe, that in many parts of Dean Forest, those who love to trace [Pg 101] the remains of old manners and customs will find ample employment. The people are civil and hospitable; their manner of address reminds us of the wording of the plays of Shakspere's times; and in most houses, if a stranger calls, cider and bread are offered, as in the olden time.

The Maypole, decorated with garlands, around which the villagers used to dance this month, still stands in a few of our villages year-round. A Maypole once stood in the Strand, where the church by Somerset House is now, but it was taken down in 1717. The village Maypole we illustrate still exists by the ruins of St. Briavel Castle, Forest of Dean, Gloucestershire, and is quite an attraction for visitors. Several villagers can remember the May Day dancers and the raising and lowering of the Maypole. However, there hasn’t been any acknowledgment of this old English festival for some years. The Maypole is about sixty feet tall; about halfway up is the pole where garlands and ribbons used to be attached. We should note that in many parts of Dean Forest, those who enjoy exploring the remnants of old traditions and customs will find plenty to do. The people are friendly and welcoming; their way of speaking reminds us of the language in Shakespeare's plays, and in most homes, if a stranger visits, cider and bread are offered, just like in the old days.

THE OLD DOG WHEEL.

THE OLD DOG GEAR.

Old Dog Wheel

About a century and a half ago, the long-backed "turnspit" dog, and the curious apparatus here shown, yclept the "Old Dog Wheel," were to be found in most farm houses; simple machinery has, however, now been substituted for the wheel which the dog was made to turn round, like the imprisoned squirrels and white mice of the present day; and not only the dog wheels, but also the long-backed "turnspit" dog have almost disappeared. That which we engrave, however, still exists, and may be seen by the curious, at the Castle of St. Briavel, which stands on the borders of the Forest of Dean, in Gloucestershire.

About a century and a half ago, the long-backed "turnspit" dog and the curious device shown here, called the "Old Dog Wheel," were common in most farmhouses. However, simple machinery has now replaced the wheel that the dog used to turn, similar to how squirrels and white mice are kept in captivity today. Both the dog wheels and the long-backed "turnspit" dogs have nearly vanished. However, what we depict still exists and can be seen by those curious at the Castle of St. Briavel, located on the edges of the Forest of Dean in Gloucestershire.

ABRAHAM AND SARAH.

Abraham and Sarah.

The Talmudists relate that Abraham, in travelling to Egypt, brought with him a chest. At the custom-house the officers exacted the duties. Abraham would have readily paid them, but desired they would not open the chest. They first insisted on the duties for clothes, which Abraham consented to pay; but then they thought by his ready acquiescence that it might be gold. Abraham consents to pay for gold. They now suspect it might be silk. Abraham was willing to pay for silk, or more costly pearls—in short, he consented to pay as if the chest contained [Pg 102] the most valuable of things. It was then they resolved to open and examine the chest; and, behold, as soon as the chest was opened, that great lustre of human beauty broke out which made such a noise in the land of Egypt—it was Sarah herself! The jealous Abraham, to conceal her beauty, had locked her up in this chest.

The Talmudists tell that Abraham, while traveling to Egypt, had a chest with him. At the customs, the officers demanded duties. Abraham would have gladly paid them but asked that they wouldn’t open the chest. They first required duties for clothes, which Abraham agreed to pay; but then they suspected it might contain gold because of his willingness to comply. Abraham agreed to pay for gold. They then thought it could be silk. Abraham was willing to pay for silk or even more expensive pearls—in short, he agreed to pay as if the chest held the most valuable items. It was then that they decided to open and inspect the chest; and, behold, as soon as the chest was opened, the stunning beauty of a woman emerged that caused a stir throughout Egypt—it was Sarah herself! The jealous Abraham had locked her up in this chest to hide her beauty.

AGES OF CELEBRATED MEN.

Famous Men's Ages.

Hippocrates, the greatest physician the world has ever seen, died at the age of one hundred and nine, in the island of Cos, his native country. Galen, the most illustrious of his successors, reached the age of one hundred and four. The three sages of Greece, Solon, Thales, and Pittacus, lived for a century. The gay Democritus outlived them by two years. Zeno wanted only two years of a century when he died. Diogenes ten years more; and Plato died at the age of ninety-four, when the eagle of Jupiter is said to have borne his soul to heaven. Xenophon, the illustrious warrior and historian, lived ninety years. Polemon and Epicharmus ninety-seven; Lycurgus eighty-five; Sophocles more than a hundred. Gorgias entered his hundred and eighth year; and Asclepiades, the physician, lived a century and a half. Juvenal lived a hundred years; Pacuvius and Varro but one year less. Carneades died at ninety; Galileo at sixty-eight; Cassini at ninety-eight; and Newton at eighty-five. In the last century, Fontenelle expired in his ninety-ninth year; Buffon in his eighty-first; Voltaire in his eighty-fourth. In the present century, Prince Talleyrand, Goethe, Rogers, and Niemcewicz are remarkable instances. The Cardinal du Belloy lived nearly a century; and Marshal Moncey lately terminated a glorious career at eighty-five.

Hippocrates, the greatest doctor the world has ever known, died at the age of one hundred and nine on the island of Cos, his home country. Galen, the most renowned of his successors, lived to be one hundred and four. The three wise men of Greece—Solon, Thales, and Pittacus—all lived for a century. The cheerful Democritus outlived them by two years. Zeno fell just two years short of a century when he passed away. Diogenes lived ten years longer than that; Plato died at ninety-four, when it's said the eagle of Jupiter carried his soul to heaven. Xenophon, the renowned soldier and historian, lived ninety years. Polemon and Epicharmus reached ninety-seven; Lycurgus lived to eighty-five; and Sophocles lived for more than a hundred. Gorgias entered his hundred and eighth year, and Asclepiades, the physician, lived a century and a half. Juvenal lived for a hundred years; Pacuvius and Varro lived just one year less. Carneades died at ninety; Galileo at sixty-eight; Cassini at ninety-eight; and Newton at eighty-five. In the last century, Fontenelle passed away at ninety-nine; Buffon at eighty-one; Voltaire at eighty-four. In the current century, Prince Talleyrand, Goethe, Rogers, and Niemcewicz are notable examples. Cardinal du Belloy lived nearly a century, and Marshal Moncey recently concluded a remarkable life at eighty-five.

EFFECT OF A NEW NOSE.

EFFECT OF A NEW NOSE.

Van Helmont tells a story, of a person who applied to Taliacotius to have his nose restored. This person, having a dread of an incision being made in his own arm, for the purpose of removing enough skin therefrom for a nose, got a labourer, who, for a remuneration, suffered the skin for the nose to be taken from his arm. About thirteen months after, the adscitious nose suddenly became cold, and, after a few days, dropped off, in a state of putrefaction. The cause of this unexpected occurrence having been investigated, it was discovered that, at the same moment in which the nose grew cold, the labourer at Bologna expired.

Van Helmont shares a story about a man who went to Taliacotius to have his nose restored. This man, fearing that an incision would be made in his own arm to take enough skin for a nose, hired a worker who, for payment, allowed the skin to be taken from his arm for the procedure. About thirteen months later, the newly attached nose suddenly became cold and, after a few days, fell off in a state of decay. When the cause of this unexpected event was investigated, it was found that the moment the nose grew cold, the worker in Bologna died.

FRENCH DRESS.

French dress.

Sigebert was buried in St. Medrad's church, at Soissons, where his statue is still seen in long clothes, with the mantle, which the Romans called chlamys. This was the dress of Colvil's children, whether as more noble and majestic, or that they looked on the title of Augustus as hereditary in their family. However it be, long clothes were, for several ages, the dress of persons of distinction, with a border of sable, ermine, or miniver. Under Charles V. it was emblazoned with all the pieces of the coat of arms. At that time, neither ruffs, collars, nor bands were known, being introduced by Henry II. 'Till this time the neck of the French king was always quite bare, except Charles the Wise, who is [Pg 103] everywhere represented with an ermin collar. The short dress anciently worn in the country and the camp, came to be the general fashion under Louis XI. but was laid aside under Louis XII. Francis I. revived it, with the improvement of flashes. The favourite dress of Henry II. and his children was a tight, close doublet, with trunk hose, and a cloak scarce reaching the waist. The dress of French ladies, it may be supposed, had likewise its revolutions. They seem for nine hundred years, not to have been much taken up with ornament. Nothing could require less time or nicety than their head-dress, and the disposition of their hair. Every part of their linen was quite plain, but at the same time extremely fine. Laces were long unknown. Their gowns, on the right side of which was embroidered their husband's coat of arms, and on the left that of their own family, were so close as to shew all the delicacy of their shape, and came up so high as to cover their whole breast, up to their neck. The habit of widows was very much like that of the nuns. It was not until Charles VI. that they began to expose their shoulders. The gallantry of Charles the VII.'s Court brought in the use of bracelets, necklaces, and ear-rings. Queen Anne de Bretagne despised those trinkets; and Catherine de Medicis made it her whole business to invent new.

Sigebert was buried in St. Medrad's church in Soissons, where his statue can still be seen wearing long garments and a mantle, which the Romans called chlamys. This was the attire of Colvil's children, either because it was more noble and majestic, or because they viewed the title of Augustus as something hereditary in their family. Regardless, long garments were, for several ages, the dress of distinguished people, often trimmed with sable, ermine, or miniver. Under Charles V, it was embellished with all the elements of the coat of arms. At that time, neither ruffs, collars, nor bands were known, as those were introduced by Henry II. Until then, the neck of the French king was always completely bare, except for Charles the Wise, who is [Pg 103] depicted everywhere with an ermin collar. The short dress that was previously worn in the countryside and military became the general fashion under Louis XI, but was discarded under Louis XII. Francis I revived it, enhancing it with details. The favored outfit of Henry II and his children was a fitted doublet with trunk hose, and a cloak that barely reached the waist. It can be assumed that the fashion of French ladies experienced changes as well. For nine hundred years, they seemed to be less focused on ornamentation. Their head-dress and the arrangement of their hair required minimal time and effort. Every part of their linen was quite plain, yet extremely fine. Laces were unknown for a long time. Their gowns featured their husband's coat of arms embroidered on the right side and their own family’s coat of arms on the left, tightly fitted to display their figure, and high enough to cover their entire chest up to the neck. The attire of widows closely resembled that of nuns. It wasn't until Charles VI that they began to show their shoulders. The elegance of Charles VII's Court led to the introduction of bracelets, necklaces, and earrings. Queen Anne de Bretagne dismissed those accessories, while Catherine de Medicis made it her mission to create new ones.

A LAST CHANCE.

A FINAL OPPORTUNITY.

John Jones and Jn. Davis, condemn'd for robberries on the highway, were executed at Tyburn. Davis feign'd himself sick, and desir'd he might not be ty'd in the cart: But when he came to the tree, while the hangman was fastening the other's halter, he jumpt out of the cart, and ran over two fields; but being knock'd down by a countryman, was convey'd back and hang'd without any more ceremony. Jones confessed he had been confederate in several robberies with Gordon, lately executed.—Gentleman's Magazine 1733.

John Jones and Jn. Davis, sentenced for highway robbery, were executed at Tyburn. Davis pretended to be sick and asked not to be tied in the cart. But when he got to the tree, while the hangman was securing the other man's noose, he jumped out of the cart and ran across two fields. However, he was tackled by a local farmer and brought back, where he was hanged without any more fuss. Jones admitted that he had been involved in several robberies with Gordon, who had been executed recently.—Gentleman's Magazine 1733.

A convict running away over two fields at Tyburn, and then being caught by a countryman! How strange this seems, when we look at the streets and squares which now cover the locality, and when the only countrymen now seen there are those who come up from the rural districts!

A convict escaping across two fields at Tyburn, only to be caught by a farmer! It feels so bizarre when we think about the streets and squares that now occupy the area, especially when the only farmers we see there today are those who travel in from the countryside!

YELLOW HAIR IN THE TIME OF THE PLANTAGENETS.

YELLOW HAIR IN THE TIME OF THE PLANTAGENETS.

Yellow hair was at this time esteemed a beauty, and saffron was used by the ladies to dye it of a colour esteemed "odious" by modern ladies. Elizabeth also made yellow hair fashionable, as hers was of the same tint. In the romance of King Alisaunder, we are told of Queen Olympias:—

Yellow hair was considered beautiful back then, and ladies used saffron to dye their hair a color that modern women find "unappealing." Elizabeth also made yellow hair trendy, as her hair was the same shade. In the romance of King Alisaunder, we learn about Queen Olympias:—

"Hire yellow hair was fair atyred
With riche strings of gold wyred,
And wryen hire abouten all
To hire gentil myddel small."

THE CITY OF THE SULTAN.

THE SULTAN'S CITY.

THE MOSQUE OF ST. SOPHIA.

The Mosques of Constantinople are the most wonderful objects of that renowned city. More than 300 are picturesquely distributed in conspicuous parts, and form a most attractive feature to the eye of the traveller. The city itself is built upon seven gentle hills, which is the main cause [Pg 104] not only of its grandeur of appearance, but also of its salubrity and comparative cleanliness. There are fourteen chief or imperial mosques, all lofty, and magnificent in their general dimensions, and built from base to dome, of enduring materials, chiefly of white marble, slightly tinged with grey. Some of these have two, some four, and one (that of Sultan Achmet) has even six of those light, thin, lofty, arrowy, and most graceful towers called minarets. The mosque of Santa Sophia was once a Christian cathedral, and is rich in historical recollections. This mosque ranks as one of the grandest edifices. The ridge of the first hill on which the city stands, setting out from the north eastern part, is covered by the Serai or palace of the Sultan, behind which, a little on the reverse of the hill, the dome of Santa Sophia shows itself. The colleges and hospitals, which are generally attached to or near the great mosques, offer no striking [Pg 105] architectural features; but some of the detached chapels or sepulchres (turbés), where sultans, viziers, and other great personages repose, are handsome.

The mosques of Constantinople are the most impressive landmarks of that famous city. Over 300 are beautifully scattered throughout prominent areas, making them a highly attractive sight for travelers. The city itself is built on seven gentle hills, which is the main reason for its stunning appearance, as well as its healthiness and relative cleanliness. There are fourteen main or imperial mosques, all tall and magnificent in size, constructed from durable materials, mainly white marble with a slight grey tint. Some of these have two, some four, and one (the Sultan Ahmed Mosque) even has six slender, tall, elegant towers known as minarets. The Santa Sophia mosque was once a Christian cathedral and is filled with historical significance. This mosque is considered one of the grandest structures. The ridge of the first hill where the city is located, starting from the northeastern part, is topped by the Sultan's palace (Serai), behind which, slightly around the back of the hill, the dome of Santa Sophia is visible. The colleges and hospitals that are usually found near or attached to the great mosques don’t have remarkable architectural features; however, some of the separate chapels or tombs (turbés) where sultans, viziers, and other notable figures are buried are quite beautiful.

GOLD MASK FROM THE BANKS OF THE EUPHRATES.

GOLD MASK FROM THE BANKS OF THE EUPHRATES.

MASK OF NEBUCHADNEZZAR.

This interesting relic of remote antiquity is at present preserved in the Museum of the East India Company. It was found by Colonel Rawlinson while engaged in prosecuting the discoveries commenced by Layard and Botta, at Nineveh and Babylon; and is supposed to have belonged to King Nebuchadnezzar. In exhuming from the mounds of these long-lost rival cities, the instructive remains of this once gigantic Power, the Colonel discovered, in a perfect state of preservation, what is well believed to be the mummy of Nebuchadnezzar. The face of the rebellious monarch of Babylon, covered by one of those gold masks usually found in Assyrian tombs, is described as very handsome—the forehead high [Pg 106] and commanding, the features marked and regular. The mask is of thin gold, and independent of its having once belonged to the great monarch, has immense value as a relic of an ancient and celebrated people.

This fascinating artifact from ancient history is currently housed in the Museum of the East India Company. It was discovered by Colonel Rawlinson while he was continuing the explorations started by Layard and Botta at Nineveh and Babylon, and it's believed to have belonged to King Nebuchadnezzar. While digging through the mounds of these long-lost rival cities, the Colonel found, in excellent condition, what is widely thought to be Nebuchadnezzar's mummy. The face of the rebellious Babylonian king, covered by one of those gold masks usually found in Assyrian tombs, is described as very handsome—the forehead high and commanding, with marked and regular features. The mask is made of thin gold, and aside from its connection to the great monarch, it holds immense value as a relic of an ancient and renowned civilization.

The Arab tribes encamping about Wurka and other great mounds search in the loose gravel with their spears for coffins. Gold and silver ornaments, which have been buried in these graves for centuries, are worn by the Arab women of the present day; and many a rare object recovered from them is sold and melted by the goldsmiths of the East. The Arabs mention the discovery, by some fortunate shepherd, of Royal tombs, in which were crowns and sceptres of solid gold.

The Arab tribes camped around Wurka and other large mounds dig through the loose gravel with their spears looking for coffins. Gold and silver jewelry that has been buried in these graves for centuries is worn by today's Arab women; and many valuable items recovered from them are sold and melted down by Eastern goldsmiths. The Arabs talk about a lucky shepherd who found royal tombs that contained solid gold crowns and scepters.

FROST FAIR ON THE THAMES.

THAMES FROST FAIR.

"I went crosse the Thames," says Evelyn, January 9, 1683-4, "on the ice, which now became so thick as to bear not only streetes of boothes, in which they roasted meate, and had divers shops of wares, quite acrosse as in a towne, but coaches, carts, and horses passed over. So I went from Westminster Stayres to Lambeth, and din'd with the Archbishop. I walked over the ice (after dinner) from Lambeth Stayres to the Horseferry.

"I crossed the Thames," says Evelyn, January 9, 1683-4, "on the ice, which had become so thick that it could support not only streets of stalls where they roasted meat and had various shops, just like in a town, but also coaches, carts, and horses went over it. So I went from Westminster Stairs to Lambeth and had dinner with the Archbishop. I walked over the ice (after dinner) from Lambeth Stairs to the Horseferry."

"The Thames (Jany 16) was filled with people and tents, selling all sorts of wares as in a citty. The frost (Jany 24) continuing more and more severe, the Thames before London was still planned with boothes in formal streetes, all sorts of trades and shops furnished and full of commodities, even to a printing-presse, where the people and ladyes took a fancy to have their names printed on the Thames. This humour took so universally, that 'twas estimated the printer gained £5 a-day, for printing a line only, at sixpence a day, besides what he got by ballads, &c. Coaches plied from Westminster to the Temple, and from several other staires to and fro, as in the streetes, sleds, sliding with skeates, a bull-baiting, horse and coach races, puppet playes and interludes, cookes, tipling, and other lewd places, so that it seem'd to be a bacchanalian triumph, or carnival on the water."

"The Thames (Jan 16) was packed with people and tents, selling all kinds of goods like in a city. The frost (Jan 24) kept getting more severe, and the Thames in front of London was still lined with booths in organized streets, filled with all kinds of trades and shops offering a range of products, including a printing press, where people and ladies wanted to have their names printed on the Thames. This trend caught on so widely that it was estimated the printer made £5 a day just by printing a line for sixpence, not including what he earned from ballads, etc. Coaches ran from Westminster to the Temple, and from several other stairs back and forth, just like in the streets, with sleds, skates, bull-baiting, horse and coach races, puppet shows and plays, food vendors, taverns, and other places of ill-repute, making it feel like a wild celebration or carnival on the water."

"It began to thaw (Feb. 5), but froze againe. My coach crossed from Lambeth to the Horseferry at Millbank, Westminster. The booths were almost all taken down; but there was first a map, or landskip, cut in copper, representing all the manner of the camp, and the several actions, sports, and pastimes thereon, in memory of so signal a frost."

"It started to thaw (Feb. 5), but then froze again. My coach went from Lambeth to the Horseferry at Millbank, Westminster. Most of the booths had been taken down, but there was initially a map, or landscape, cut in copper, showing all kinds of activities, actions, sports, and pastimes there to remember such a notable frost."

THE CHARACTER OF THE MOUTH.

THE NATURE OF THE MOUTH.

We give the following extract from a very old work; not only because it contains several shrewd observations, but also because it is a good specimen of the spelling and diction which prevailed in the sixteenth century, at which period there is internal evidence that the book was written, though it bears no date on the title page:—

We are sharing the following excerpt from a very old work, not only because it includes some insightful observations, but also because it serves as a good example of the spelling and language that were common in the sixteenth century, which is indicated by internal evidence within the text, even though the title page doesn’t have a date:—

"The mouth greate and wyde betokeneth wrath, boldnes and warre. And such men are commonly glottons. A wyde mouth withoute meesure, as thought it were cutte and stretched out, sygnifieth ravening inhumanitie, wickednes, a warlyke hart and cruell, like unto beastes of the [Pg 107] sea. Such men are greate talkers, boasters, babblers, enuious, lyars, and full of follye. The mouthe that hathe but a lyttle closynge and a lyttle openynge, sygnyfyeth a fearful man, quyet, and yet unfaithfull. The mouthe that is verye apparent and rounde with thycknes of lyppes, sygnyfyeth vnclenlynes, follye, and cruelltye. The mouth whyche hath a quantitie in his sytuation with a lyttle shutting, and smylynge eyes wyth the reste of the face, sygnyfyeth a carnall man, a lover of daunces, and a greate lyar. When the mouthe turneth in speakinge it is a sygne that it is infected with some catarre or murre as is manyfest ynough. The long chynne declareth the man to be very lyttle subiecte to anger, and of a good complexion: and yet he is somewhat a babbler and a boaster of hymselfe. They that have a lyttle chinne, are much to be avoyded and taken heede of, for besydes all vices with the whyche they are fylled they are full of impietye and wyckednes and are spyes, lyke unto serpents. If the ende of the chynne be round it is a sygne of feminine maners and also it is a sygne of a woman. But the chynne of a man muste be almoste square."—"The most excellent, profitable, and pleasant booke of the famous doctour and expert Astrologien Arcandam or Aleandrin." ***. Now ready turned out of French into our vulgare tonge, by Will. Warde. Black letter. No date. Printed by J. Rowbothum.

"The mouth large and wide indicates wrath, boldness, and war. Such individuals are usually gluttonous. A mouth that is excessively wide, as if it has been cut and stretched, signifies a ravenous inhumanity, wickedness, a warlike and cruel heart, similar to wild beasts of the sea. These individuals tend to be great talkers, boasters, gossips, envious, liars, and full of foolishness. A mouth with a small opening signifies a fearful man, quiet, yet untrustworthy. A mouth that is very prominent and round with thick lips signifies uncleanliness, folly, and cruelty. A mouth that has a moderate size and a slight closing, along with smiling eyes and the rest of the face, indicates a carnal man, a lover of dancing, and a great liar. When the mouth turns when speaking, it is a sign that it is infected with some flaw, as is quite evident. A long chin shows that the man is very little subject to anger and has a good disposition; yet he is somewhat of a gossip and a braggart. Those with a small chin should be avoided and watched closely, for besides all the vices they are filled with, they are full of impiety and wickedness and act as spies, like serpents. If the tip of the chin is rounded, it is a sign of feminine traits and it also signifies a woman. But a man’s chin should be almost square."—"The most excellent, profitable, and pleasant booke of the famous doctour and expert Astrologien Arcandam or Aleandrin." ***. Now ready turned out of French into our vulgare tonge, by Will. Warde. Black letter. No date. Printed by J. Rowbothum.

EXECUTION OF EARL FERRERS FOR MURDER, 1760.

EXECUTION OF EARL FERRERS FOR MURDER, 1760.

Lord Ferrers was hung for the deliberate and cruel murder of his steward, Mr. Johnson, and his execution at Tyburn furnishes a curious instance of the exhibition of egregious vanity in a man who was just about to meet an ignominious death, and of misplaced pride in his family who could actually decorate the scaffold with the emblems of respectful mourning.

Lord Ferrers was hung for the intentional and brutal murder of his steward, Mr. Johnson, and his execution at Tyburn provides a strange example of extreme vanity in a man who was about to face a dishonorable death, and of misplaced pride in his family who could actually adorn the scaffold with symbols of respectful mourning.

His lordship was dressed in his wedding-clothes, which were of light colour, and embroidered in silver. He set out from the Tower at nine o'clock, amidst crowds of spectators. First went a large body of constables, preceded by one of the high constables; next came a party of grenadiers and a party of foot; then the sheriff, in a chariot and six, the horses dressed with ribbons; and next, Lord Ferrers, in a landau and six, escorted by parties of horse and foot. The other sheriff's carriage followed, succeeded by a mourning-coach and six, conveying some of the malefactor's friends; and lastly, a hearse and six, provided for the purpose of taking the corpse from the place of execution to Surgeons' Hall.

His lordship was wearing his wedding outfit, which was light-colored and embroidered with silver. He left the Tower at nine o'clock, surrounded by crowds of spectators. First, a large group of constables marched, led by one of the high constables; then came a group of grenadiers and a group of infantry; after that was the sheriff, in a grand chariot drawn by six horses adorned with ribbons; next, Lord Ferrers arrived in a landau pulled by six horses, escorted by groups of cavalry and infantry. Following him was the other sheriff's carriage, then a mourning coach with six horses carrying some friends of the condemned; and lastly, a hearse with six horses, designated to carry the body from the execution site to Surgeons' Hall.

The procession was two hours and three-quarters on its way. Lord Ferrers conversed very freely during the passage. He said, "the apparatus of death, and the passing through such crowds of people, are ten times worse than death itself; but I suppose they never saw a lord hanged, and perhaps they will never see another." He said to the sheriff. "I have written to the king, begging that I might suffer where my ancestor, the Earl of Essex, the favourite of Elizabeth, suffered, and was in great hopes of obtaining that favour, as I have the honour of being allied to his Majesty, and of quartering part of the royal arms. I think it hard that I must die at the place appointed for the execution of common felons."

The procession had been going for two hours and three-quarters. Lord Ferrers talked openly during the journey. He said, "The whole setup of death and walking through these crowds is ten times worse than death itself; but I guess they’ve never seen a lord hanged, and maybe they won’t see another." He told the sheriff, "I wrote to the king, asking to be executed where my ancestor, the Earl of Essex, who was a favorite of Elizabeth, was executed. I had high hopes of getting that favor since I’m related to His Majesty and bear part of the royal arms. I find it unfair that I have to die in the place designated for common criminals."

The scaffold was hung with black by the undertaker, at the expense of Lord Ferrers' family. His lordship was pinioned with a black sash, and was unwilling to have his hands tied, or his face covered, but was persuaded to both. On the silken rope being put round his neck, he turned pale, but recovered instantly. Within seven minutes after leaving the landau, the signal was given for striking the stage, and in four minutes he was quite dead. The corpse was subjected to dissection.

The scaffold was draped in black by the undertaker, paid for by Lord Ferrers' family. His lordship was secured with a black sash and was reluctant to have his hands tied or his face covered, but he was convinced to do both. When the silk rope was placed around his neck, he turned pale but quickly regained his composure. Within seven minutes of leaving the carriage, the signal was given to remove the stage, and in four minutes, he was completely dead. The body was then dissected.

STRANGE FUNERAL OBSEQUIES.

Weird funeral rites.

The following, taken from an old magazine, is a singular manifestation of eccentricity in a person who, from the books he selected to be buried with him, was evidently a man of an educated and refined mind:—

The following, taken from an old magazine, shows a unique expression of eccentricity in a person who, based on the books he chose to be buried with, was clearly someone with an educated and refined mind:—

Died, May 4, 1733, Mr. John Underwood, of Whittlesea, in Cambridgeshire. At his burial, when the service was over, an arch was turn'd over the coffin, in which was placed a small piece of white marble, with this inscription, "Non omnis moriar, 1733." Then the six gentlemen who follow'd him to the grave sung the last stanza of the 20th Ode of the 2d book of Horace. No bell was toll'd, no one invited but the six gentlemen, and no relation follow'd his corpse; the coffin was painted green, and he laid in it with all his cloaths on; under his head was placed Sanadon's "Horace," at his feet Bentley's "Milton;" in his right hand a small Greek Testament, with this inscription in gold letters, "eimientôbaus [Greek: ei mi en tô bausa], J. U," in his left hand a little edition of "Horace" with this inscription, "Musis Amicus, J. U.;" and Bentley's "Horace" under his back. After the ceremony was over they went back to his house, where his sister had provided a cold supper; the cloth being taken away the gentlemen sung the 31st Ode of the 1st Book of "Horace," drank a chearful glass, and went home about eight. He left about 6,000l. to his sister, on condition of her observing this his will, order'd her to give each of the gentlemen ten guineas, and desir'd they would not come in black cloaths. The will ends thus, "Which done I would have them take a chearful glass, and think no more of John Underwood."

Died on May 4, 1733, Mr. John Underwood of Whittlesea, Cambridgeshire. At his burial, when the service was over, an arch was placed over the coffin, which held a small piece of white marble with this inscription, "Non omnis moriar, 1733." Then the six gentlemen who followed him to the grave sang the last stanza of the 20th Ode from the 2nd book of Horace. No bell was rung, no one was invited except for the six gentlemen, and no relatives followed his body; the coffin was painted green, and he was laid in it dressed in all his clothes; under his head was Sanadon's "Horace," at his feet Bentley's "Milton;" in his right hand was a small Greek Testament with the inscription in gold letters, "eimientôbaus [Greek: ei mi en tô bausa], J. U," and in his left hand a small edition of "Horace" with the inscription, "Musis Amicus, J. U.;" with Bentley's "Horace" under his back. After the ceremony, they returned to his house, where his sister had prepared a cold supper; after the cloth was removed, the gentlemen sang the 31st Ode from the 1st Book of "Horace," enjoyed a cheerful drink, and headed home around eight. He left about £6,000 to his sister, on the condition that she observed his will, instructed her to give each of the gentlemen ten guineas, and requested that they not wear black clothes. The will concludes with, "Once that’s done, I want them to have a cheerful drink and forget about John Underwood."

QUICK TRAVELLING IN OLD TIMES.

FAST TRAVEL IN THE PAST.

Saturday, the seventeenth day of July, 1619, Bernard Calvert, of Andover, about three o'clock in the morning, tooke horse at St. George's Church in Southwarke, and came to Dover about seaven of the clocke the same morning, where a barge, with eight oares, formerly sent from London thither, attended his suddaine coming: he instantly tooke barge, and went to Callice, and in the same barge returned to Dover, about three of the clocke the same day, where, as well there as in diverse other places, he had layed sundry swift horses, besides guides: he rode back from thence to St. George's Church in Southwarke the same evening, a little after eight o'clock, fresh and lusty.—Stow's Annals.

Saturday, July 17, 1619, Bernard Calvert from Andover set off on horseback from St. George's Church in Southwark around 3 a.m. He arrived in Dover by 7 a.m., where a barge with eight oars, previously sent from London, was waiting for his unexpected arrival. He quickly boarded the barge and traveled to Calais, returning to Dover by around 3 p.m. the same day. There, as well as in several other locations, he had arranged for various fast horses and guides. He rode back to St. George's Church in Southwark that evening, shortly after 8 p.m., feeling refreshed and energetic.—Stow's Annals.

EDDYSTONE LIGHTHOUSE.

EDDYSTONE LIGHTHOUSE.

THE EDDYSTONE LIGHTHOUSE.

As the arts and sciences improved, so did the construction of Lighthouses, until one of the greatest accomplishments of engineering skill, ever attempted upon such works, was exhibited in the construction of the [Pg 109] Eddystone Lighthouse, which is, indeed, much more entitled than the Pharos of Alexandria to be considered one of the wonders of the world. The rock on which this tower is built is placed about twelve miles south-west of Plymouth, and consists of a series of submarine cliffs, stretching from the west side (which is so precipitous that the largest ship can ride close beside them) in an easterly direction, for nearly half a mile. At the distance of about a quarter of a mile more is another rock, so that a more dangerous marine locality can hardly be imagined. Both these rocks had proved the cause of many fatal shipwrecks, and it was at last resolved to make an attempt to obviate the danger. In the year 1696, a gentleman of Essex, named Winstanley, who had a turn for architecture and mechanics, was engaged to erect a lighthouse upon the Eddystone rock, and in four years he completed it. It did not, however, stand long, for while some repairs were in progress under his direction in 1703, on [Pg 110] the 26th November, a violent hurricane came on which blew the lighthouse down, and Mr. Winstanley and all his workmen perished—nothing remaining of the edifice but a few stones and a piece of iron chain.

As the arts and sciences advanced, so did the construction of lighthouses, leading to one of the greatest engineering feats ever attempted with the building of the [Pg 109] Eddystone Lighthouse, which is far more deserving than the Pharos of Alexandria to be considered one of the wonders of the world. The rock on which this tower stands is located about twelve miles southwest of Plymouth and consists of a series of underwater cliffs that extend from the steep western side (which is so sheer that the largest ships can anchor close to them) toward the east for nearly half a mile. About a quarter of a mile further lies another rock, making it hard to imagine a more dangerous marine area. Both rocks had caused many deadly shipwrecks, and it was finally decided to take action to reduce the danger. In 1696, a gentleman from Essex named Winstanley, who had a knack for architecture and mechanics, was hired to build a lighthouse on the Eddystone rock, and he finished it in four years. However, it did not last long, because while he was overseeing some repairs in 1703, on [Pg 110] November 26th, a violent hurricane struck, bringing the lighthouse down, and Mr. Winstanley and all his workers perished—leaving nothing of the structure but a few stones and a piece of iron chain.

In the spring of 1706 an Act of Parliament was obtained for rebuilding the lighthouse, and a gentleman named Rudyerd, a silk mercer, was the engineer engaged. He placed five courses of heavy stones upon the rock and then erected a superstructure of wood. The lighthouse on the Bell Rock, off the coast of Fife, and the one placed at the entrance of the Mersey on the Black Rock, are similarly constructed, so that there seemed to be good reason for adopting the principle. Mr. Smeaton thought that the work was done in a masterly and effective manner; but in 1755 the edifice was destroyed by fire, and he was next retained as the engineer for this important building.

In the spring of 1706, Parliament passed a law to rebuild the lighthouse, and a man named Rudyerd, who sold silk, was hired as the engineer. He put down five layers of heavy stones on the rock and then built a wooden structure on top. The lighthouse on Bell Rock, off the coast of Fife, and the one at the entrance of the Mersey on Black Rock, are built in a similar way, so it made sense to follow that design. Mr. Smeaton believed the work was done expertly and effectively; however, in 1755, the building was destroyed by fire, and he was then hired as the engineer for this significant project.

The result of his labours has justly been considered worthy of the admiration of the world, for it is distinguished alike for its strength, durability, and beauty of form. The base of the tower is about twenty-six feet nine inches in diameter, and the masonry is so formed as to be a part of the solid rock, to the height of thirteen feet above the surface, where the diameter is diminished to nineteen feet and a half. The tower then rises in a gradually diminishing curve to the height of eighty-five feet, including the lantern, which is twenty-four feet high. The upper extremity is finished by a cornice, a balustrade being placed around the base of the lantern for use as well as ornament.

The result of his work has rightfully been regarded as worthy of global admiration, as it stands out for its strength, durability, and aesthetic appeal. The base of the tower measures about twenty-six feet nine inches in diameter, and the masonry is integrated with the solid rock, reaching up thirteen feet above the surface, where the diameter narrows to nineteen and a half feet. The tower then rises in a slowly tapering curve to a height of eighty-five feet, including the lantern, which is twenty-four feet tall. The top is completed with a cornice, and a balustrade surrounds the base of the lantern for both function and decoration.

The tower is furnished with a door and windows, and the whole edifice outside bears the graceful outline of the trunk of a mighty tree, combining lightness with elegance and strength. Mr. Smeaton commenced his labours in 1756, and completed the building in four years. Before commencing operations he took accurate drawings of the exterior of the rock, and the stones, which were brought from the striking and romantic district of Dartmoor, were all formed to fit into its crevices, and so prepared as to be dovetailed together, and strung by oaken plugs. When put into their places, and then firmly cemented, the whole seemed to form, and does indeed constitute, a part of the solid rock.

The tower has a door and windows, and the entire structure outside has the elegant shape of a huge tree trunk, blending lightness with elegance and strength. Mr. Smeaton started his work in 1756 and finished the building in four years. Before he began, he made detailed drawings of the rock's exterior, and the stones, sourced from the stunning and picturesque Dartmoor area, were all shaped to fit into its crevices. They were designed to interlock and secured with oak plugs. Once placed and firmly cemented, the entire structure appeared to be—and truly is—a part of the solid rock.

SWEATING SICKNESS.

Sweating illness.

The Sweating Sickness first visited England Anno Dom. 1483, and repeated its visitations 1485, 1506, 1517, 1528, and last of all, 1551.

The Sweating Sickness first appeared in England in the year 1483, and returned in 1485, 1506, 1517, 1528, and finally, in 1551.

This epidemic disease raged with such peculiar violence in England, and had so quick a crisis, that it was distinguished by the name of Ephemera Britannica. This singular fever seems to have been of the most simple, though of the most acute kind, and notwithstanding princes and nobles were its chief victims, the physicians of the day never agreed upon the method of treating it.

This epidemic disease spread so violently in England and had such a rapid crisis that it was called Ephemera Britannica. This unusual fever appeared to be simple but very severe, and even though princes and nobles were its main victims, the doctors of the time could never agree on how to treat it.

The splendid French embassy, which arrived in England in 1550, found the court-festivities damped by a visitation of that strange and terrific malady.

The impressive French embassy, which arrived in England in 1550, found the court festivities overshadowed by an outbreak of that strange and terrible disease.

"This pestilence, first brought into the island by the foreign mercenaries who composed the army of the Earl of Richmond, afterwards Henry VII., now made its appearance for the fourth and last time in [Pg 111] our annals. It seized principally, it is said, on males, on such as were in the prime of their age, and rather on the higher than the lower classes: within the space of twenty-four hours, the fate of the sufferer was decided for life or death. Its ravages were prodigious; two princes died of it; and the general consternation was augmented, by a superstitious idea which went forth, that Englishmen alone were the destined victims of this mysterious minister of fate, which tracked their steps, with a malice and sagacity of an evil spirit, into every distant country of the earth whither they might have wandered, whilst it left unassailed all foreigners in their own."

"This plague, first introduced to the island by the foreign mercenaries in the army of the Earl of Richmond, who later became Henry VII, made its fourth and final appearance in [Pg 111] our history. It mostly affected men, particularly those in their prime, and more often those from higher social classes than lower ones: within twenty-four hours, the fate of the sufferer was determined for life or death. Its destruction was immense; two princes died from it, and the widespread panic was increased by a superstitious belief that only Englishmen were the chosen victims of this mysterious force of fate, which pursued them with the malice and cunning of an evil spirit into every far corner of the earth they could wander, while leaving all foreigners untouched in their own lands."

AN AMERICAN ADVERTISEMENT.

AN AMERICAN AD.

The following is an early specimen of that system of poetical advertising which in recent times has become so common. It is always interesting to note the origin of customs with which we subsequently become familiar:—

The following is an early example of that system of poetic advertising that has become so common lately. It's always interesting to look at where customs we later become familiar with started from:—

Notice to the Public, and especially to Emigrants, who wish to settle on Lands.—The Subscriber offers for Sale, several Thousand Acres of Land, situated in well settled Front Townships, in Lots to suit Purchasers.

Notice to the Public, and especially to Emigrants, who wish to settle on Lands.—The Subscriber is selling several thousand acres of land located in well-established front townships, in lots that suit buyers.

Particulars about Location,
May be known by application.
For quality of soil, and so forth,
Buyers to see, on Nag must go forth.
This much I'll tell ye plainly,
Of big trees ye'll see mainly.
'Bout Butter Nut and Beach,
A whole week I could preach;
But what the plague's the use of that?
The lands are nigh, low, round, and flat.
There's rocks and stumps, no doubt enough,
And bogs and swamps, just quantum-suff
To breed the finest of Musquitoes;
As in the sea are bred Bonitos,
No lack of fever or of ague;
And many other things to plague you.
In short, they're just like other people's,
Sans houses, pigsties, barns, or steeples
What most it imports you to know,
'S the terms on which I'll let 'em go.
So now I offer to the Buyer,
A Credit to his own desire,
For butter, bacon, bread, and cheese,
Lean bullocks, calves, or ducks and geese,
Corn, Tates, flour, barley, rye,
Or any thing but Punkin-Pie.
In three, four years, Aye, five or six,
If that won't do, why let him fix.
But when once fix'd, if payment's slack,
As sure as Fate, I'll take 'em back.

THOMAS DALTON.
Kingston Brewery, (Canada,) Nov. 2, 1821.

THOMAS DALTON.
Kingston Brewery, Canada, Nov. 2, 1821.

MAGNIFICENCE OF FORMER TIMES.

GLORY OF BYGONE DAYS.

Account how the Earl of Worcester lived at Ragland Castle in Monmouthshire, before the Civil Wars, which began in 1641.

Describe how the Earl of Worcester lived at Ragland Castle in Monmouthshire, before the Civil Wars, which started in 1641.

At eleven o'clock in the forenoon, the Castle gates were shut, and the tables laid; two in the dining-room; three in the hall; one in Mrs. Watson's apartment, where the chaplains are, (Sir Toby Mathews being the first;) and two in the housekeeper's room for the lady's women.

At eleven o'clock in the morning, the Castle gates were closed, and the tables were set; two in the dining room; three in the hall; one in Mrs. Watson's room, where the chaplains are (with Sir Toby Mathews being the first); and two in the housekeeper's room for the lady's maids.

The Earl came into the dining-room attended by his gentlemen. As soon as he was seated, Sir Ralph Blackstone, Steward of the house, retired. The Comptroller, Mr. Holland, attended with his staff, as did the Sewer, Mr. Blackburne; the daily waiters, Mr. Clough, Mr. Selby, and Mr. Scudamore; with many gentlemen's sons, from two to seven [Pg 112] hundred pounds a year, bred up in the Castle; my Lady's Gentleman Usher, Mr. Harcourt; my Lord's Gentlemen of the Chamber, Mr. Morgan and Mr. Fox.

The Earl walked into the dining room with his attendants. Once he sat down, Sir Ralph Blackstone, the Steward of the house, left the room. The Comptroller, Mr. Holland, was there with his team, along with the Sewer, Mr. Blackburne; the daily waiters, Mr. Clough, Mr. Selby, and Mr. Scudamore; and several young men, making between two to seven hundred pounds a year, who were raised in the Castle; my Lady's Gentleman Usher, Mr. Harcourt; and my Lord's Gentlemen of the Chamber, Mr. Morgan and Mr. Fox.

At the first table sat the noble family, and such of the nobility as came.

At the first table sat the noble family and anyone from the nobility who attended.

At the second table, in the dining-room, sat Knights and Honourable Gentlemen, attended by footmen.

At the second table in the dining room sat Knights and Honorable Gentlemen, attended by footmen.

In the hall, at the first table sat Sir Ralph Blackstone, Steward; the Comptroller, Mr. Holland; the Secretary; the Master of the Horse, Mr. Delewar; the Master of the Fish Ponds, Mr. Andrews; my Lord Herbert's Preceptor, Mr. Adams; with such Gentlemen as came there under the degree of a Knight, attended by footmen, and plentifully served with wine.

In the hall, at the first table sat Sir Ralph Blackstone, the Steward; the Comptroller, Mr. Holland; the Secretary; the Master of the Horse, Mr. Delewar; the Master of the Fish Ponds, Mr. Andrews; my Lord Herbert's tutor, Mr. Adams; along with various gentlemen of lower rank, accompanied by footmen, and generously served with wine.

At the second table in the hall, (served from my Lord's table, and with other hot meats,) sat the Sewer, with the Gentlemen Waiters and Pages, to the number of twenty-four.

At the second table in the hall, (served from my Lord's table, and with other hot dishes,) sat the Sewer, along with the Gentlemen Waiters and Pages, totaling twenty-four.

At the third table in the hall, sat the Clerk of the Kitchen, with the Yeomen Officers of the House, two Grooms of the Chamber, &c.

At the third table in the hall, sat the Kitchen Clerk, along with the House Yeomen Officers, two Chamber Grooms, etc.

Other Officers of the Household were, Chief Auditor, Mr. Smith; Clerk of the Accounts, Mr. George Wharton; Purveyor of the Castle, Mr. Salsbury; Ushers of the Hall, Mr. Moyle and Mr. Croke; Closet Keeper, Gentleman of the Chapel, Mr. Davies; Keeper of the Records; Master of the Wardrobe; Master of the Armoury; Master Groom of the Stable for the War Horses; Master of the Hounds; Master Falconer; Porter and his man.

Other Officers of the Household included Chief Auditor Mr. Smith; Clerk of Accounts Mr. George Wharton; Castle Purveyor Mr. Salsbury; Ushers of the Hall Mr. Moyle and Mr. Croke; Closet Keeper and Gentleman of the Chapel Mr. Davies; Keeper of Records; Master of the Wardrobe; Master of the Armoury; Head Groom of the Stable for the War Horses; Master of the Hounds; Master Falconer; and the Porter with his assistant.

Two Butchers; two Keepers of the Home Park; two Keepers of the Red Deer Park.

Two Butchers; two Caretakers of the Home Park; two Caretakers of the Red Deer Park.

Footmen, Grooms, and other menial Servants, to the number of 150. Some of the footmen were brewers and bakers.

Footmen, grooms, and other low-level servants, totaling 150. Some of the footmen were brewers and bakers.

Out Officers.—Steward of Ragland, William Jones, Esq.; the Governor of Chepstow Castle, Sir Nicholas Kemys, Bart.; Housekeeper of Worcester House, in London, James Redman, Esq.

Out Officers.—Steward of Ragland, William Jones, Esq.; the Governor of Chepstow Castle, Sir Nicholas Kemys, Bart.; Housekeeper of Worcester House, in London, James Redman, Esq.

Thirteen Bailiffs.

Thirteen Bailiffs.

Two Counsel for the Bailiffs to have recourse to.

Two Counsel for the Bailiffs to consult.

Solicitor, Mr. John Smith.

Lawyer, Mr. John Smith.

SADLER'S WELLS.

Sadler's Wells.

"T. G., Doctor in Physic," published, in 1684, a pamphlet upon this place, in which he says:—"The water of this well, before the Reformation, was very much famed for several extraordinary cures performed thereby, and was thereupon accounted sacred, and called Holywell. The priests belonging to the priory of Clerkenwell using to attend there, made the people believe that the virtue of the water proceeded from the efficacy of their prayers; but at the Reformation the well was stopped, upon the supposition that the frequenting of it was altogether superstitious; and so by degrees it grew out of remembrance, and was wholly lost until then found out; when a gentleman named Sadler, who had lately built a new music-house there, and being surveyor of the highways, had employed men to dig gravel in his garden, in the midst whereof they found it stopped up and covered with an arch of stone." After the decease of Sadler, Francis Forcer, a musician of some eminence in his profession, became proprietor of the well and music-room; he was [Pg 113] succeeded by his son, who first exhibited there the diversions of rope-dancing and tumbling, which were then performed in the garden. The rural vicinity of the "Wells," long made it a favourite retreat of the pleasure-seeking citizens.

"T. G., Doctor in Physic," published a pamphlet in 1684 about this place, where he says:—"The water from this well, before the Reformation, was well-known for several extraordinary cures attributed to it, and was thus considered sacred, being called Holywell. The priests of the priory of Clerkenwell used to attend there and convinced people that the water's power came from the effectiveness of their prayers; however, during the Reformation, the well was sealed up, as it was believed that visiting it was purely superstitious. Gradually, it fell out of memory and was completely forgotten until it was rediscovered when a gentleman named Sadler, who had recently built a new music hall there and was also the surveyor of the highways, had men digging for gravel in his garden. In the middle of that work, they found the well, which had been blocked and covered with a stone arch." After Sadler passed away, Francis Forcer, a well-known musician, became the owner of the well and music room; he was succeeded by his son, who was the first to showcase rope dancing and tumbling performances in the garden. The peaceful surroundings of the "Wells" long made it a popular getaway for city dwellers seeking enjoyment.

CHAMPION FIGG.

James Figg, a native of Thame, in Oxfordshire, was a man of remarkable athletic strength and agility, and signalized himself greatly over any of his country competitors in the art of cudgel-playing, single-stick, and other gymnastic exercises. Having acquired a considerable knowledge of the broadsword, he came to London, and set up as master in [Pg 114] that science, undertaking to teach the nobility and gentry of his day the noble art of self defence; and championed himself against all comers. He took a waste piece of ground, the corner of Wells and Castle-streets, Oxford-road, and erected a wooden edifice, which, in imitation of the Romans, he denominated an amphitheatre; and established here a regular academy, to train pupils in the practice of cudgeling, broadsword, &c. &c., as well to use it, on fixed occasions, for the exhibition of prizefighting. He had many followers, and we find him commemorated and praised by most of the wits of his time. "The Tattler," "Guardian," and "Craftsman," have equally contributed to preserve his memory, as have several writers. Bramstone, in his "Man of Taste" tells us:—

James Figg, who was born in Thame, Oxfordshire, was a man of incredible athletic strength and agility, and stood out among his local competitors in cudgel-playing, single-stick, and other physical activities. After gaining substantial knowledge of the broadsword, he moved to London and established himself as a master in [Pg 114] that discipline, offering to teach the nobility and gentry of his time the noble art of self-defense, and challenged anyone to fight him. He took a vacant piece of land at the corner of Wells and Castle Streets on Oxford Road and built a wooden structure, which he called an amphitheater, modeled after the Romans. He set up a proper academy there to train students in cudgeling, broadsword, etc., as well as to host prizefighting events on specific occasions. He gathered many followers, and he is remembered and celebrated by most of the writers of his era. Publications like "The Tattler," "Guardian," and "Craftsman" have all contributed to keeping his memory alive, along with several other authors. Bramstone, in his "Man of Taste," tells us:—

"In Figg the prize-fighter by day delight,
And sup with Colley Cibber every night."

Another writer notices him in the following lines:—

Another writer sees him in the following lines:—

"To Figg and Broughton he commits his breast,
To steel it to the fashionable test."

Sutton, the pipe-maker of Gravesend, was his rival, and dared the mighty Figg to the combat. Twice they fought, with alternate advantage; but, at the third trial, a considerable time elapsed before victory decided for either party; at length the palm of victory was obtained by Figg. In short, neither Ned Sutton, Tom Buck, nor Bob Stokes, could resist, or stand against his skill and valour. He was never defeated but once, and then by Sutton, in one of their previous combats, and that was generally supposed to have been in consequence of an illness he had on him at the time he fought.

Sutton, the pipe-maker from Gravesend, was his rival and challenged the great Figg to a fight. They battled twice, with each gaining the upper hand at different times. However, during their third match, it took quite a while before either could claim victory; ultimately, Figg emerged victorious. In short, neither Ned Sutton, Tom Buck, nor Bob Stokes could withstand his skill and bravery. He was only defeated once, and that was by Sutton in one of their earlier fights, which was generally believed to have been due to an illness he was dealing with at the time of the match.

When Faber engraved his portrait from a painting by Ellys, he was at a loss what he should insert, as an appropriate motto, and consulting with a friend what he should put, was answered, "A Figg for the Irish." This was immediately adopted, and the print had a rapid sale.

When Faber created his portrait based on a painting by Ellys, he wasn't sure what to use as a fitting motto. After discussing it with a friend, he was told, "A Figg for the Irish." He quickly decided to go with that, and the print sold very well.

Figg died in 1734. William Flander a noted scholar of his, fought at the amphitheatre, in 1723, with Christopher Clarkson, from Lancashire, who was called the Old Soldier. The fashion of attending prizefighting matches had attained its highest zenith in Figg's time, and it was looked upon as a very great proof of self-denial in an amateur if he failed a meeting on those occasions.

Figg died in 1734. William Flander, a well-known scholar of his, fought at the amphitheater in 1723 against Christopher Clarkson, known as the Old Soldier from Lancashire. Going to prizefighting matches had reached its peak during Figg's time, and it was considered a significant act of self-discipline for an amateur to miss an event on those occasions.

From Figg's theatre he will not miss a night,
Though cocks, and bulls, and Irish women, fight.

Figg left a widow and several children; so recently as 1794 a daughter-in-law of his was living, and resided in Charles-street, Westminster, where she kept a house, and supported herself very decently by letting lodgings, aided by a very small income.

Figg left behind a widow and several children; as recently as 1794, one of his daughters-in-law was living in Charles Street, Westminster, where she ran a boarding house and supported herself reasonably well by renting out rooms, supplemented by a modest income.

DRESS IN 1573.

DRESS IN 1573.

The wardrobe of a country gentleman is thus given from a will, dated 1573, in the Prerogative Court of Canterbury, in Brayley and Britton's Graphic Illustrator—"I give unto my brother Mr. William Sheney [Pg 115] my best black gown, garded and faced with velvet, and my velvet cap; also I will unto my brother Thomas Marcal my new shepe colored gowne, garded with velvet and faced with cony; also I give unto my son Tyble my shorte gown, faced with wolf (skin), and laid with Billements lace; also I give unto my brother Cowper my other shorte gowne, faced with foxe; also I give unto Thomas Walker my night gown, faced with cony, with one lace also, and my ready (ruddy) colored hose; also I give unto my man Thomas Swaine my doublet of canvas that Forde made me, and my new gaskyns that Forde made me; also I give unto John Wyldinge a cassock of shepes colour, edged with ponts skins; also I give unto John Woodzyle my doublet of fruite canvas, and my hose with fryze bryches; also I give unto Strowde my frize jerkin with silke buttons; also I give Symonde Bisshoppe, the smyth, my other frize jerkyn, with stone buttons; also I give to Adam Ashame my hose with the frendge (fringe), and lined with crane-coloured silk; which gifts I will to be delivered, immediately after my decease."

The wardrobe of a country gentleman is detailed in a will from 1573, recorded in the Prerogative Court of Canterbury, in Brayley and Britton's Graphic Illustrator—"I give my brother Mr. William Sheney my best black gown, trimmed and lined with velvet, and my velvet cap; I also leave to my brother Thomas Marcal my new sheep-colored gown, trimmed with velvet and lined with rabbit fur; I give my son Tyble my short gown, lined with wolf fur and adorned with lace; I give my brother Cowper my other short gown, lined with fox fur; I give Thomas Walker my nightgown, lined with rabbit fur, with an additional lace, and my red-colored hose; I give my man Thomas Swaine my canvas doublet that Forde made for me, and my new leggings that Forde made for me; I give John Wyldinge a sheep-colored cassock, edged with fur; I give John Woodzyle my fruit-colored canvas doublet, and my hose with frieze britches; I give Strowde my frieze jerkin with silk buttons; I give Symonde Bisshoppe, the smith, my other frieze jerkin, with stone buttons; I give Adam Ashame my hose with fringe, lined with crane-colored silk; these gifts I want to be delivered immediately after my death."

ORIGIN OF THE CREST OF THE PRINCE OF WALES.

ORIGIN OF THE CREST OF THE PRINCE OF WALES.

The loss of the French at the battle of Creçy was immense. There fell 1,200 knights; 1,400 esquires; 4,000 commissioned officers; 30,000 rank and file; Dukes of Lorraine and Bourbon; Earls of Flanders, Blois, Harcourt, Vaudemont, and Aumale; the King of Bohemia; the King of Majorca. The English lost one esquire, three knights, and less than one hundred rank and file. Here did they first use field artillery; and on this battle-field did the young Prince of Wales adopt the ostrich plumes and motto of the slain King of Bohemia, who, being blind, desired to be led at a gallop between two knights into the thick of the fight, and thus met death. Those feathers and the two words "Ich dien," "I serve," are to this day the heraldic bearings of the Prince of Wales, whom God preserve! So much for Creçy or Cressy!

The loss of the French at the battle of Crécy was massive. They lost 1,200 knights, 1,400 squires, 4,000 officers, and 30,000 foot soldiers; including the Dukes of Lorraine and Bourbon, the Earls of Flanders, Blois, Harcourt, Vaudemont, and Aumale; as well as the King of Bohemia and the King of Majorca. The English, on the other hand, lost one squire, three knights, and fewer than one hundred foot soldiers. This battle marked the first use of field artillery, and here, the young Prince of Wales took on the ostrich feathers and motto of the slain King of Bohemia, who, being blind, requested to be led into the chaos of battle between two knights, where he ultimately met his end. Those feathers and the words "Ich dien," meaning "I serve," are still the heraldic symbols of the Prince of Wales, whom God preserve! So much for Crécy or Cressy!

SINGULAR DISCOVERY OF A THIEF IN 1822.

SINGULAR DISCOVERY OF A THIEF IN 1822.

On February 20, as a servant in the employ of J. L. King, Esq., of Stogumber, was entering a field, his attention was attracted by a magpie, which appeared to have escaped from a neighbouring house. The bird spoke so uncommonly plain that the man was induced to follow it. "Cheese for Marget, Cheese for Marget," was its continual cry, as it hopped forward, till it stopped behind a hay-stack, and began to eat. On inspection, a number of hams, a quantity of cheese, &c., were discovered, which had been stolen, a short time previously, from Mr. Bowering, of Williton. The plunder was deposited in sacks, on one of which was marked the name of a person residing in the neighbourhood, which led to the apprehension of four fellows, who have been committed to Wilton gaol.

On February 20, a servant working for J. L. King, Esq., in Stogumber, was walking into a field when he noticed a magpie that seemed to have escaped from a nearby house. The bird spoke so clearly that the man felt compelled to follow it. "Cheese for Marget, Cheese for Marget," was its constant call as it hopped along until it stopped behind a haystack and started to eat. Upon closer inspection, several hams, a bunch of cheese, etc., were found, which had been stolen recently from Mr. Bowering in Williton. The loot was packed in sacks, one of which had the name of a local resident on it, leading to the arrest of four men, who have been taken to Wilton jail.

EFFECT OF VINEGAR ON THE SKIN.

EFFECT OF VINEGAR ON THE SKIN.

By the use of vinegar the Spanish General Vitellis, made his skin hang about him like a pelisse; but of the wonderful dilatability of the skin, no instance equals the Spaniard who showed himself to Van-Horn, Silvius, Piso, and other learned men at Amsterdam. Taking up with his left [Pg 116] hand the skin of his right shoulder, he would bring the same up to his mouth: again he would draw the skin of his chin down to his breast like a beard, and presently put it upwards to the top of his head, hiding both his eyes therewith; after which, the same would return orderly and equally to its proper place.

By using vinegar, the Spanish General Vitellis made his skin hang off him like a cape; however, nothing compares to the incredible stretchiness of the skin shown by the Spaniard who demonstrated this to Van-Horn, Silvius, Piso, and other scholars in Amsterdam. Using his left [Pg 116] hand, he would take the skin from his right shoulder and pull it up to his mouth; then, he would stretch the skin of his chin down to his chest like a beard, and soon after, he would lift it back up to the top of his head, covering both his eyes with it; afterward, it would return neatly and evenly to its original position.

ADVERTISEMENT OF A DYING SPEECH BOOK IN 1731.

ADVERTISEMENT OF A DYING SPEECH BOOK IN 1731.

Newgate literature was more popular in the last century than it is now. The following is an advertisement in the Gentleman's Magazine of the above date:—

Newgate literature was more popular last century than it is today. The following is an ad in the Gentleman's Magazine from that time:—

"A General History of Executions for the year, 1730. Containing the lives, actions, dying speeches, confessions and behaviour, of sixty malefactors executed at Tyburn, and elsewhere; particularly three unfortunate young gentlemen, viz., Mr. Goodburn, a Cambridge scholar, Mr. Johnston, and Mr. Porter, son to the late Lord Mayor of Dublin: and of several notorious highwaymen, foot-pads, street-robbers, and housebreakers, as Dalton, Everet, Doyle, Newcomb, &c., and of the five young highwaymen taken at Windsor, said to have formed a design to rob the Queen there. To which is added, the trial of William Gordon at Chelmsford for a robbery on the highway; an account of the incendiaries at Bristol, and the apprehending John Power, for sending threatening letters, and firing Mr. Packer's house; also the life of Col. Ch—s. Together with an alphabetical list of all the persons indicted or tried at the Old Bailey, the year past. With the judgment of the court respectively passed upon each, referring to the pages in the session books for the trials at large. Printed for R. Newton at St. John's Gate, and sold by the booksellers price bound 2s. 6d."

A General History of Executions for the year 1730. It includes the lives, actions, last words, confessions, and behaviors of sixty criminals executed at Tyburn and elsewhere; especially three unfortunate young men: Mr. Goodburn, a Cambridge student, Mr. Johnston, and Mr. Porter, son of the late Lord Mayor of Dublin. It also covers several notorious highwaymen, footpads, street robbers, and housebreakers, such as Dalton, Everet, Doyle, Newcomb, etc., along with five young highwaymen captured at Windsor, who were said to have planned to rob the Queen there. Additionally, there's the trial of William Gordon at Chelmsford for a highway robbery; an account of the arsonists in Bristol, and the arrest of John Power for sending threatening letters and setting fire to Mr. Packer's house; plus the life of Col. Ch—s. Along with an alphabetical list of all the individuals indicted or tried at the Old Bailey in the past year. Including the court’s judgment on each case, with references to the session books for the full trials. Printed for R. Newton at St. John's Gate, and sold by booksellers, priced bound 2s. 6d.

ADVERTISEMENT OF A FLEET PARSON.

AD FOR A FLEET PARSON.

In the last century, when marriages were allowed to be transacted—we cannot say solemnized—in the Fleet Prison, and the adjacent taverns, the profligate wretches who disgraced their sacred profession by taking part in such iniquities, were obliged to bid against one another for custom—here is one of their advertisements:—

In the last century, when marriages could be arranged—not exactly solemnized—in the Fleet Prison and the nearby taverns, the reckless individuals who brought shame to their sacred profession by participating in such wrongdoings had to compete with each other for business—here's one of their advertisements:—

G. R.
At the true Chapel
at the old Red Hand and Mitre, three doors from Fleet Lane and next Door to the White Swan;
Marriages are performed by authority by the Reverend Mr. Symson educated at the University of Cambridge, and late Chaplain to the Earl of Rothes.
N.B. Without Imposition.

THE ASS.

THE ASS.

In all countries, this sure-footed and faithful animal is adopted as an emblem of stupidity, from the patience with which it submits to punishment and endures privation. A pair of ass's ears is inflicted upon a child [Pg 117] in reproof of his duncehood; and through life we hear every blockhead of our acquaintance called an ass. Whereas the ass is a beast of great intelligence; and we often owe our safety to its sure and unerring foot beside the perilous precipice, where the steps of the man of science would have faltered.

In every country, this sure-footed and loyal animal is seen as a symbol of foolishness, because of the way it patiently accepts punishment and copes with hardship. A child is often mocked with a pair of donkey ears as a way of calling them stupid; throughout life, we hear every fool we know called an ass. However, the donkey is actually a very intelligent creature, and we often owe our safety to its steady and reliable footing near dangerous cliffs, where a knowledgeable person might hesitate.

The Fathers of the Church, and the Disciples of the Sorbonne, persuaded of the universal influence of the Christian faith, believed the dark cross on the back of the ass to date only from the day on which our Saviour made his entry into Jerusalem. The ass of the desert was an animal of great price. Pliny mentions that the Senator Arius paid for one the sum of four hundred thousand sesterces. Naturalists have frequently remarked the extraordinary dimensions of an ass's heart, which is thought an indication of courage; and it is the custom of the peasantry of some countries to make their children wear a piece of ass's skin about their person. The ass's skin is peculiarly valuable, both for the manufacture of writing-tablets and drums; which may be the reason why a dead ass is so rarely seen. It is too valuable to be left on the highway. In many places, the ass serves as a barometer. If he roll in the dust, fine weather may be expected; but if he erect his ears, rain is certain. Why should not these animals experience the same atmospheric influences as man? Are we not light-hearted in the sunshine, and depressed in a heavy atmosphere?

The Church Fathers and the Sorbonne students, convinced of the widespread impact of the Christian faith, believed that the dark cross on the donkey's back only appeared when our Savior entered Jerusalem. The desert donkey was a highly valued animal. Pliny mentions that the Senator Arius paid four hundred thousand sesterces for one. Naturalists have often noted the unusually large size of a donkey's heart, which is thought to symbolize courage; and in some regions, it's customary for children to wear a piece of donkey skin on their bodies. Donkey skin is especially valuable for making writing tablets and drums, which may explain why dead donkeys are rarely seen. They're too precious to be left on the road. In many places, donkeys act as a barometer. If a donkey rolls in the dust, good weather can be expected; but if it perks up its ears, rain is likely. Why shouldn't these animals be affected by the same weather changes as humans? Don’t we feel cheerful in sunshine and downcast in gloomy weather?

CHOICE RECEIPTS FROM "PHYSICK FOR THE POOR. LONDON, 1657."

CHOICE RECEIPTS FROM "PHYSICK FOR THE POOR. LONDON, 1657."

To make any one that Sleepeth answer to whatsoever thou ask.—Take the heart of an oul, and his right legg, and put them upon the breast of one that sleepeth, and they shall reveal whatsoever thou ask them.

To make anyone who is sleeping answer whatever you ask.—Take the heart of an owl and its right leg, place them on the chest of the person who is sleeping, and they will reveal whatever you ask them.

To know any Man or Woman's minde when they are Asleep.—Take the hart of a dove, and the legg of a frog, dry it well, and beat them to powder in a morter, put this up in a linnen cloth, with three or four round pibble stones, as big as wallnuts, then lay this upon the parties pit of their stomach, and they shall tell you all things that they have done, if there is anything remarkable that troubles them.

To know anyone's thoughts when they are asleep.—Take the heart of a dove and the leg of a frog, dry them well, and grind them into powder in a mortar. Put this in a linen cloth, along with three or four round pebble stones, about the size of walnuts. Then lay this on the person's stomach, and they will reveal everything they have done, especially if something notable is bothering them.

To make the Nose Bleed.—Take the leaves of yerrow, put it up in thy nose; this will make the nose bleed immediately.

To make the Nose Bleed.—Take the leaves of yarrow, put them in your nose; this will make your nose bleed immediately.

To make a Tooth Drop out.—Mizaldus saith that if you make a powder of earth-worms and put it in the hollow of a rotten tooth, it will immediately drop out.

To make a Tooth Drop out.—Mizaldus says that if you grind earthworms into a powder and place it in the cavity of a decayed tooth, it will fall out right away.

How strange must have been the education and intelligence of the period, when people could write, publish, and practice such incredible trash!

How odd must the education and intelligence of that time have been, when people could write, publish, and engage in such unbelievable nonsense!

SHOCKING DEPRAVITY.

SHOCKING IMMORALITY.

The following account, from an old magazine, affords a strange and lamentable instance of a wretch just about to die, being only intent with his latest breath to defame his own mother:—

The following account, from an old magazine, provides a strange and tragic example of a miserable person, on the verge of death, who, with their last breath, is solely focused on slandering their own mother:—

Mary Lynn, condemn'd last Assizes for the County of Norfolk, was burnt to ashes at a stake, for being concern'd in the murder of her mistress; and Smith, the principal, was hang'd for the same fact. She deny'd her being guilty, and said Smith could clear her if he would. [Pg 118] She behaved with decency, and died penitent. Smith was drunk at the gallows; and seem'd to have but little sense either of his crime or punishment; however, desired all masters to pay their servants' wages on Saturday night, that they might have money to spend, and not run in debt. Said, "My mother always told me I should die in my shoes, but I will make her a liar;" so threw them off.

Mary Lynn, who was sentenced during the last court session for the County of Norfolk, was burned at the stake for her involvement in the murder of her mistress. Smith, the main perpetrator, was hanged for the same crime. She maintained her innocence and claimed that Smith could exonerate her if he chose to. [Pg 118] She acted with dignity and died feeling remorseful. Smith was drunk at the gallows and seemed to have little awareness of his crime or the consequences. However, he urged all employers to pay their workers’ wages on Saturday night so they would have money to spend and wouldn't go into debt. He said, "My mom always told me I would die in my shoes, but I will prove her wrong," and then he took them off.

PERSONAL CHARMS DISCLAIMED.

No personal charms.

If any human being was free from personal vanity, it must have been the second Duchess d'Orleans, Charlotte Elizabeth of Bavaria. In one of her letters (dated 9th August, 1718), she says, "I must certainly be monstrously ugly. I never had a good feature. My eyes are small, my nose short and thick, my lips broad and thin. These are not materials to form a beautiful face. Then I have flabby, lank cheeks, and long features, which suit ill with my low stature. My waist and my legs are equally clumsy. Undoubtedly I must appear to be an odious little wretch; and had I not a tolerable good character, no creature could endure me. I am sure a person must be a conjuror to judge me by my eyes that I have a grain of wit."

If any person was free from personal vanity, it had to be the second Duchess d'Orleans, Charlotte Elizabeth of Bavaria. In one of her letters (dated August 9, 1718), she says, "I must be incredibly ugly. I've never had a good feature. My eyes are small, my nose is short and thick, my lips are wide and thin. These aren’t exactly the ingredients for a beautiful face. Plus, I have loose, flat cheeks and long features that don’t match my short stature. My waist and legs are just as awkward. I must look like a hideous little wretch; if I didn’t have a somewhat decent character, no one could stand me. I'm sure someone would have to be a magician to see any wit in me just by looking into my eyes."

CADER IDRIS.

Cader Idris.

On the very summit of Cader Idris there is an excavation in the solid rock, resembling a couch; and it is said that whoever should rest a night in that seat, will be found in the morning either dead, raving mad, or endued with supernatural genius.

On the very peak of Cader Idris, there’s a hollow in the solid rock that looks like a couch; and it's said that anyone who spends the night in that spot will be found in the morning either dead, completely insane, or gifted with extraordinary talent.

OLD LONDON SIGNS.

OLD LONDON SIGNS.

Some notion of the houses and shops of old London may be gathered by a visit to Bell Yard, near Temple Bar; Great Winchester Street, near the Bank; the wooden houses near Cripplegate Church; and a few other districts which were spared by the Great Fire of 1666. In Bell Yard, for instance, the national feeling for improvement has from time to time effected changes; the lattices of diamond-shaped lead-work, carved pendants, and the projecting signs of the various tradesmen, have disappeared, and here and there sheets of plate glass have been used, to give a somewhat modern appearance to the places of business. Still the projecting and massive wood-work of the shops, and the peculiar picturesque appearance of the houses, cannot be altogether disguised; and if any of our readers, who may be curious in such matters, will walk up Bailey's Court, on the west side of Bell Yard, he will there see a group of wooden buildings exactly like the great mass which was cleared by the fire. In some of the pictures of London of about this time, the shops of the various tradesmen were chiefly unglazed, and above the door of each was suspended the silver swans; the golden swans; the chained swans; the golden heads; mitres; bells—black, red, white, and blue; rising and setting suns; moons of different phases; men in the moon; sceptres; crowns, and many other devices, which, even at that time, were necessary to distinguish one shop from another. The chequers; St. George and the dragon; royal oaks; king's heads; and double signs, such as the [Pg 119] horseshoe and magpie; bell and crown; bell and horns, and such like, were more particularly set apart for the use of the various hostelries. Everyone, however, who had a London shop of any kind or consequence, had his sign. Many of them were well carved in wood, and ornamented with emblazonry and gilding.

Some idea of the houses and shops of old London can be gathered from a visit to Bell Yard, near Temple Bar; Great Winchester Street, near the Bank; the wooden houses near Cripplegate Church; and a few other areas that were untouched by the Great Fire of 1666. In Bell Yard, for example, the national push for improvement has occasionally led to changes; the diamond-shaped lead lattices, carved pendants, and the hanging signs of various tradesmen have vanished, and here and there, sheets of plate glass have been used to give a somewhat modern look to the businesses. Still, the protruding and solid woodwork of the shops, along with the unique picturesque look of the houses, can't be completely hidden. If any of our readers, interested in such things, take a walk up Bailey's Court on the west side of Bell Yard, they will see a cluster of wooden buildings similar to the large mass that was cleared by the fire. In some of the illustrations of London from around this time, the shops of the various tradesmen were mostly unglazed, and above each door hung signs like the silver swans; the golden swans; the chained swans; the golden heads; mitres; bells—black, red, white, and blue; rising and setting suns; moons in different phases; men in the moon; sceptres; crowns, and many other designs that were, even then, necessary to tell one shop from another. The chequers; St. George and the dragon; royal oaks; king's heads; and double signs, such as the [Pg 119] horseshoe and magpie; bell and crown; bell and horns, and so on, were especially reserved for various inns. Everyone, however, who had a shop of any significance in London had their own sign. Many of these were well carved in wood and adorned with embellishments and gilding.

No doubt if it were possible to find at the present time the same picturesque architectural displays as were to be met with in London in Queen Elizabeth's days, our artistic friends would be able to pick up many a nice subject for their pencils, but in those days there were plenty of drawbacks; the pavement was bad, the drainage was worse, and from the eaves of the houses and pents of the shops, streams of water ran down in wet weather upon the wayfarers, and, by lodging in the thoroughfares, made the London streets something in the same state as those of Agar Town and some other neglected parts of the metropolis. We must not forget that in the days to which we allude there were no flagged footpaths, and that the only distinction from the horse and cart roads, and that for the foot passengers, was a separation by wooden posts, which, in genteel places, were made supports for chains. People, however, got tired of this bad state of things, and measures were taken to put a stop to the streams of water from the roofs, &c. After the Great Fire, an enactment was made for an alteration in the spouts, &c.; all barbers poles, and projecting signs, and other projections were to be done away with, and other changes made for the better. Up to the reign of Queen Anne, we find, by reference to views of Cheapside and the neighbourhood of the Monument, that the projecting signs were still in use; and that even at that recent date, many of the London shops in the important neighbourhoods above mentioned were without glazing, and looked much like some of the greengrocers' sheds in use now in Bermondsey and some other places.

No doubt if it were possible to find the same picturesque architectural displays today as were seen in London during Queen Elizabeth's reign, our artistic friends would have plenty of great subjects for their sketches. However, back then, there were many drawbacks; the pavement was poor, the drainage was even worse, and in wet weather, streams of water ran down from the eaves of houses and shop awnings onto pedestrians, turning the London streets into a condition similar to that of Agar Town and other neglected areas of the city. We must not forget that during the time we're discussing, there were no paved sidewalks, and the only distinction between the horse and cart roads and the paths for pedestrians was a separation created by wooden posts, which, in more upscale areas, served as supports for chains. People eventually grew tired of this situation, and efforts were made to stop the water streams from roofs, etc. After the Great Fire, a law was passed to change the spouts, and all barber poles, projecting signs, and other protrusions were to be removed, along with other improvements. Up to the reign of Queen Anne, references to views of Cheapside and the area around the Monument show that projecting signs were still in use, and even at that relatively recent time, many shops in those important neighborhoods lacked glass windows and resembled the greengrocers' sheds found today in Bermondsey and other places.

Severe measures seem to have been at length taken against the projecting signs, and most of them disappeared, and then it became a most difficult matter either to address letters, or find a man's shop. In Dr. Johnson's day, he and other persons gave the address "over against" a particular sign, or so many doors from such a sign. In consequence of this uncertainty, many houses in London, which from their association with eminent men would possess much interest now, cannot be pointed out; and it was a wonderful benefit to the metropolis when the plan of numbering the houses in each street was hit upon. But for this, considering that the population has doubled in the last fifty years, it is difficult to know how the genius of Rowland Hill would have worked his plan of London post-office delivery, or business could be carried on with any kind of comfort.

Severe measures have finally been taken against the projecting signs, and most of them have disappeared, making it really difficult to address letters or find a shop. In Dr. Johnson's time, he and others would give the address as "across from" a specific sign or a certain number of doors from a sign. Because of this confusion, many houses in London that would now be of great interest due to their connection with notable people can’t be identified. It was a huge benefit to the city when they decided to number the houses on each street. Without this, considering that the population has doubled in the last fifty years, it would be hard to imagine how Rowland Hill's vision for London's postal delivery would have worked, or how business could be conducted comfortably.

The booksellers and publishers seem to have been the last, with the exception of the tavern-keepers, to give up the old signs. After the Great Fire, some of the ancient signs which were cut in stone, and which had escaped the conflagration, were got out of the ruins, and afterwards placed in the front of the plain, yet solid, brick buildings which were erected after that event. Some of these—the "Chained Bear," the "Collared Swan," the "Moon and Seven Stars," and "Sun," in Cheapside, [Pg 120] and some others which we now engrave—are still preserved. The carved wooden sign of the "Man in the Moon," in Wych Street, Strand, is a rare example; and the "Horse-shoe and Magpie," in Fetter Lane, is one of the last of the suspended signs to be now found in the City.

The booksellers and publishers were among the last, except for the tavern owners, to abandon the old signs. After the Great Fire, some of the ancient signs that were cut in stone and survived the blaze were retrieved from the ruins and later put up in front of the simple yet sturdy brick buildings constructed afterwards. Some of these—the "Chained Bear," the "Collared Swan," the "Moon and Seven Stars," and "Sun," in Cheapside, [Pg 120] along with a few others we still engrave—are still kept. The carved wooden sign of the "Man in the Moon," on Wych Street, Strand, is a rare find; and the "Horse-shoe and Magpie," on Fetter Lane, is one of the last hanging signs still seen in the City.

Old London Signs

Amongst the painted signs of London taverns worth notice, is one in Oxford-street (nearly opposite Rathbone-place), said to have been painted by Hogarth. The subject is "a man loaded with mischief." He has a stout woman on his shoulders, together with a monkey, magpie, etc. The male figure shown in this street picture seems to bear up pretty well under his burden.

Among the painted signs of London pubs worth mentioning, there's one on Oxford Street (almost across from Rathbone Place) that's said to have been painted by Hogarth. The theme is "a man burdened with trouble." He's carrying a hefty woman on his shoulders, along with a monkey, a magpie, and so on. The man in this street artwork appears to be handling his load quite well.

NARROW ESCAPE.—CALM RELIANCE ON PROVIDENCE.

Narrow escape—trusting in fate.

In the year 1552, Francis Pelusius, of sixty-three years old, digging a well forty foot deep in the hill of St. Sebastian, the earth above him fell in upon him to thirty-five foot depth; he was somewhat sensible before of what was coming, and opposed a plank, which by chance he had with him, against the ruins, himself lying under it; by this means he was protected from the huge weight of earth, and retained some room and breath to himself, by which he lived seven days and nights without food or sleep, without any pain or sorrow, being full of hope, which he placed in God only. Ever and anon he called for help, as being yet safe, but was heard by none, though he could hear the motion, noise and words of those that were above him, and could count the hours as the clock went. After the seventh day, he being all this while given for dead, they brought a bier for his corpse, and when a good part of the well was digged up, on a sudden they heard the voice of one crying from the bottom. At first they were afraid, as if it had been the voice of a subterranean spirit; the voice continuing, they had some hope of his life, and hastened to dig to him, till at last, after they had given him a glass of wine, they drew him up living and well, his strength so entire that to lift him out he would not suffer himself to be bound, nor would use any help of another. Yea, he was of so sound understanding, that, jesting, he drew out his purse and gave them money, saying He had been with such good hosts, that for seven days it had not cost him a farthing.

In 1552, Francis Pelusius, who was sixty-three years old, was digging a well forty feet deep on the hill of St. Sebastian when the earth above him collapsed to a depth of thirty-five feet. He sensed the danger beforehand and used a plank he happened to have with him to shield himself from the falling debris while lying underneath it. This allowed him to be protected from the massive weight of the earth, giving him enough space and air to survive for seven days and nights without food or sleep, remaining free from pain or sorrow, filled with hope solely in God. Occasionally, he called for help, thinking he was safe, but no one heard him, although he could hear the movement, noises, and conversations of those above, counting the hours as time passed. After seven days, having been presumed dead the whole time, they brought a bier for his body, and just as they had dug up a good part of the well, they suddenly heard a voice crying out from the bottom. At first, they were scared, thinking it might be a spirit from the underworld; but when the voice continued, they felt some hope for his survival and hurried to dig for him. Finally, after giving him a glass of wine, they pulled him up alive and well, his strength intact to the point that he wouldn’t let himself be tied up or accept help from anyone else. In fact, he was so clear-headed that, jokingly, he took out his purse and gave them money, saying he had been with such good hosts that for seven days it hadn’t cost him a penny.

CEILING OF WHITEHALL.

WHITEHALL CEILING.

The celebrated painting on the roof of the Banqueting House, has been restored, re-painted, and refreshed, not fewer than three times. In the reign of James II., 1687, Parrey Walton, a painter of still life, and the keeper of the king's pictures, was appointed to re-touch this grand work of art, which had then (as appears by the Privy Council Book) been painted only sixty years. Walton was paid £212 for its complete restoration, which sum was considered by Sir Christopher Wren, "as very modest and reasonable." It was restored a second time by the celebrated Cipriani; and for a third time by a painter named Rigaud.

The famous painting on the roof of the Banqueting House has been restored, repainted, and refreshed at least three times. During the reign of James II in 1687, Parrey Walton, a still-life painter and the keeper of the king's paintings, was hired to touch up this great work of art, which had only been painted sixty years prior, as noted in the Privy Council Book. Walton was paid £212 for the complete restoration, a sum that Sir Christopher Wren described as "very modest and reasonable." It was restored a second time by the well-known Cipriani, and a third time by a painter named Rigaud.

BUNYAN'S BIBLE.

Bunyan's Bible.

John Bunyan's Bible (printed by Bill and Barker) bound in morocco, and which had been his companion during his twelve years' unjustifiable confinement in Bedford gaol, where he wrote his "Pilgrim's Progress," was purchased at the sale of the library of the Rev. S. Palmer, of Hackney, March, 1814, for the late Samuel Whitbread, Esq., for the sum of £21. This Bible, and the "Book of Martyrs," are said to have constituted the whole library of Bunyan during his imprisonment.

John Bunyan's Bible (printed by Bill and Barker), which was bound in morocco and kept him company during his twelve years of unjust confinement in Bedford jail, where he wrote "Pilgrim's Progress," was bought at the auction of Rev. S. Palmer's library in Hackney in March 1814 for the late Samuel Whitbread, Esq., for £21. This Bible, along with the "Book of Martyrs," is said to have made up Bunyan's entire library during his imprisonment.

SPECIMENS OF ROYAL GRANTS.

Royal grant specimens.

In 1206, King John grants to W. de Camville a licence to destroy game in any of the royal forests, which proves the origin of the Game Laws.

In 1206, King John gives W. de Camville permission to hunt in any of the royal forests, marking the beginning of the Game Laws.

1238. Henry III. gave 500l. to Baldwyn, Emperor of Constantinople.

1238. Henry III gave 500l. to Baldwyn, Emperor of Constantinople.

1342. King Edward III. forgives to the mayor and citizens of London the indignation and rancour of mind that he had conceived against them.

1342. King Edward III forgives the mayor and citizens of London for the anger and resentment he felt towards them.

1344. The king grants to Adam Thorp, the trimmer of his beard, certain lands at Eye, near Westminster. The scrupulous attention which Edward III. paid to that ornament of his face, may be seen in his bronze effigy in Westminster Abbey, which was taken from a mask after his death.

1344. The king gives Adam Thorp, his beard trimmer, certain lands at Eye, near Westminster. The meticulous care that Edward III. took with that feature of his face can be observed in his bronze statue in Westminster Abbey, created from a mask after his death.

1409. The king settles on Joan of Navarre, his queen, 10,000l. per annum.

1409. The king decides to give Joan of Navarre, his queen, £10,000 per year.

1417. Henry V. grants to Joan Warin, his nurse, an annuity of 20l. during life.

1417. Henry V. grants to Joan Warin, his nurse, an annual payment of 20l. for her lifetime.

1422. The jewels which had belonged to King Henry V., and were valued at so large a sum as 40,000l., were delivered to Sir Henry Fitz Hugh, and his other executors, for the payment of his personal debts.

1422. The jewels that had belonged to King Henry V, valued at a substantial 40,000l., were handed over to Sir Henry Fitz Hugh and his other executors to pay off his personal debts.

1422. The "Pysane," or great collar of gold and rubies, was pawned by the king to his uncle, Cardinal Beaufort, who is supposed, at the time of his death, to have amassed more wealth than any subject in England.

1422. The "Pysane," or the huge necklace of gold and rubies, was pawned by the king to his uncle, Cardinal Beaufort, who is believed to have gathered more wealth than any other subject in England at the time of his death.

COFFEE AND TEA.

Coffee and Tea.

The bill for attendance at the Dorchester Assizes in 1686 of Mr. John Bragge, the town-clerk of Lyme, presents this novelty—the article coffee is charged 2d. This may have been drunk at a coffee-house. Coffee was introduced from Turkey in 1650.

The bill for attending the Dorchester Assizes in 1686 by Mr. John Bragge, the town clerk of Lyme, shows something interesting—the item coffee is priced at 2d. This might have been consumed at a coffee house. Coffee was brought over from Turkey in 1650.

An advertisement in the "Mercurius Politicus," Sept. 30, 1658, instructs how "That excellent and by all physitians approved China drink, called by the Chineans Tcha, by other nations, tay alias tee, is sold at the Sultana's Head Coffee-house, in Sweeting's-rents, by the Exchange, London.—"

An ad in the "Mercurius Politicus," Sept. 30, 1658, explains that "This excellent drink from China, known as Tcha by the Chinese and as tay or tee by other nations, is sold at the Sultana's Head Coffee-house in Sweeting's-rents, by the Exchange, London."

There was a "cophee-house" in St. Michael's-alley, Cornhill, about 1657. Tea, coffee, and chocolate were placed under the excise. There was no tax upon these commodities when imported, but when made into drink, as tea was, at 8d. a gallon, and sold at these houses.

There was a "coffee house" in St. Michael's Alley, Cornhill, around 1657. Tea, coffee, and chocolate were subject to excise duties. There was no tax on these products when imported, but once they were brewed into drinks, like tea, they were taxed at 8d. a gallon and sold at these establishments.

REMARKABLE PRESERVATION OF HUMAN HAIR SINCE THE NORMAN PERIOD.

REMARKABLE PRESERVATION OF HUMAN HAIR SINCE THE NORMAN PERIOD.

In 1839 a coffin was discovered in the abbey church of Romsey, which had originally contained the body of a female of the above early time. The bones had entirely decayed, but the hair, with its characteristic indestructibility, was found entire, and appeared as if the skull had only recently been removed from it, retaining its form entire, and having plaited tails eighteen inches in length. It is still preserved in a glass case, lying upon the same block of oak which has been its pillow for centuries.

In 1839, a coffin was found in the abbey church of Romsey, which had originally held the remains of a woman from that early time. The bones had completely decayed, but the hair, known for its unique durability, was intact and looked as if the skull had just been taken away, keeping its shape and having braided lengths of eighteen inches. It is still kept in a glass case, resting on the same block of oak that has served as its pillow for centuries.

PUBLIC TASTE FOR CONJURING IN 1718.

PUBLIC TASTE FOR CONJURING IN 1718.

One of the amusements of 1718 was the juggling exhibition of a fire-eater, whose name was De Hightrehight, a native of the valley of Annivi in the Alps. This tremendous person ate burning coals, chewed flaming brimstone and swallowed it, licked a red-hot poker, placed a red-hot heater on his tongue, kindled coals on his tongue, suffered them to be blown, and broiled meat on them, ate melted pitch, brimstone, bees-wax, [Pg 123] sealing-wax, and rosin, with a spoon; and, to complete the business, he performed all these impossibilities five times per diem, at the Duke of Marlborough's Head, in Fleet-street, for the trifling receipts of 2s. 6d., 1s. 6d., and 1s. Master Hightrehight had the honour of exhibiting before Lewis XIV., the Emperor of Germany, the King of Sicily, the Doge of Venice, and an infinite number of princes and nobles—and the Prince of Wales, who had nearly lost this inconceivable pleasure by the envious interposition of the Inquisition at Bologna and in Piedmont, which holy office seemed inclined to try their mode of burning on his body, leaving to him the care of resisting the flames and rendering them harmless; but he was preserved from the unwelcome ordeal by the interference of the Dutchess Royal Regent of Savoy and the Marquis Bentivoglia.

One of the highlights of 1718 was the juggling show of a fire-eater named De Hightrehight, who hailed from the Annivi valley in the Alps. This amazing performer ate burning coals, chewed flaming brimstone and swallowed it, licked a red-hot poker, held a red-hot heater on his tongue, lit coals on his tongue, endured them being blown, cooked meat on them, ate melted pitch, brimstone, beeswax, sealing-wax, and rosin with a spoon; and to top it all off, he performed these astonishing feats five times a day at the Duke of Marlborough's Head in Fleet Street, for the modest earnings of 2s. 6d., 1s. 6d., and 1s. Master Hightrehight had the honor of performing before Louis XIV, the Emperor of Germany, the King of Sicily, the Doge of Venice, countless princes and nobles—and the Prince of Wales, who nearly missed out on this incredible experience due to the envious interference of the Inquisition in Bologna and Piedmont, which holy office seemed ready to try their method of burning on him, leaving him to fend off the flames and make them harmless; however, he was saved from this unwanted ordeal by the intervention of the Duchess Royal Regent of Savoy and the Marquis Bentivoglia.

THE TRIUMPHS OF SCIENCE AND PERSEVERANCE.

THE TRIUMPHS OF SCIENCE AND PERSEVERANCE.

Distance seems not to have entered into the calculations of the engineers who built those monuments of human skill—carriage-roads over the Alps. They were after a certain grade, and they obtained it, though by contortions and serpentine windings that seem almost endless. Thus the Simplon averages nowhere more than one inch elevation to a foot, and, indeed, not quite that. Thirty thousand men were employed on this road six years. There are six hundred and eleven bridges in less than forty miles, ten galleries, and twenty houses of refuge, while the average width of the road is over twenty-five feet. The Splugen presents almost as striking features as the Simplon. From these facts, some idea may be gathered of the stupendous work it must be to carry a carriage-road over the Alps.

Distance doesn’t seem to have been a factor for the engineers who built those incredible feats of human ingenuity—carriage roads through the Alps. They aimed for a specific grade and achieved it, even though it involved twists and turns that seem hardly ever-ending. For example, the Simplon averages just over one inch of elevation for every foot, and it’s really not even that. Thirty thousand workers spent six years on this road. There are six hundred and eleven bridges in less than forty miles, ten tunnels, and twenty rest houses, while the road itself is more than twenty-five feet wide on average. The Splugen has almost as impressive features as the Simplon. From these details, you can get an idea of the massive effort it took to build a carriage road over the Alps.

CHRISTMAS PIE.

Christmas Pie.

The following appeared in the Newcastle Chronicle, 6th January, 1770:—

The following appeared in the Newcastle Chronicle, January 6, 1770:—

"Monday last was brought from Howick to Berwick, to be shipped for London, for Sir Henry Grey, bart., a pie, the contents whereof are as follows:—2 bushels of flour, 20 lbs. of butter, 4 geese, 2 turkeys, 2 rabbits, 4 wild ducks, 2 woodcocks, 6 snipes, 4 partridges, 2 neats' tongues, 2 curlews, 7 blackbirds, and 6 pigeons: it is supposed a very great curiosity, was made by Mrs. Dorothy Patterson, housekeeper at Howick. It was near nine feet in circumference at bottom, weighs about twelve stones, will take two men to present it at table; it is neatly fitted with a case, and four small wheels to facilitate its use to every guest that inclines to partake of its contents at table."

"Last Monday, a pie was transported from Howick to Berwick to be shipped to London for Sir Henry Grey, bart. The pie contains the following: 2 bushels of flour, 20 lbs. of butter, 4 geese, 2 turkeys, 2 rabbits, 4 wild ducks, 2 woodcocks, 6 snipes, 4 partridges, 2 beef tongues, 2 curlews, 7 blackbirds, and 6 pigeons. It is considered quite a curiosity and was made by Mrs. Dorothy Patterson, the housekeeper at Howick. The pie is nearly nine feet in circumference at the bottom, weighs about twelve stones, and will require two men to serve it at the table. It is neatly enclosed in a case and has four small wheels to help guests access its contents easily at the table."

THE UPAS, (POISON) TREE.

THE UPAS TREE (POISON)

We give here an instance of the extravagancies of ancient travellers, this tissue of falsehoods being taken from "Foersch's Description of Java:"—

We present an example of the absurdities of ancient travelers, this collection of lies taken from "Foersch's Description of Java:"—

The Bohon Upas is situated in the Island of Java about twenty-seven leagues from Batavia, fourteen from Soulis Charta, the seat of the Emperor, and between eighteen and twenty leagues from Tinkjoe, the present residence of the Sultan of Java. It is surrounded on all sides by a circle of high hills and mountains; and the country round [Pg 124] it, to the distance of ten or twelve miles from the tree, is entirely barren. Not a tree, nor a shrub, nor even the least plant or grass is to be seen. I have made the tour all around this dangerous spot, at about eighteen miles distant from the centre, and I found the aspect of the country on all sides equally dreary. The easiest ascent of the hills is from that part where the old Ecclesiastick dwells. From his house the criminals are sent for the poison, into which the points of all warlike instruments are dipped. It is of high value, and produces a considerable revenue to the Emperor. The poison which is procured from this tree is a gum that issues out between the bark and the tree itself, like the camphor. Malefactors, who for their crimes are sentenced to die, are the only persons who fetch the poison; and this is the only chance they have of saving their lives. After sentence is pronounced upon them by the Judge, they are asked in Court, whether they will die by the hands of the executioner, or whether they will go to the Upas-tree for a box of poison? They commonly prefer the latter proposal, as there is not only some chance of preserving their lives, but also a certainty, in case of their safe return, that a provision will be made for them in future by the Emperor. They are also permitted to ask a favour from the Emperor, which is generally of a trifling nature, and commonly granted. They are then provided with a silver or tortoise-shell box, in which they are to put the poisonous gum, and are properly instructed how to proceed while they are upon their dangerous expedition. They are always told to attend to the direction of the wind, as they are to go towards the tree before the wind; so that the effluvia from the tree is always blown from them. They go to the house of the old ecclesiastick who prepares them by prayers and admonitions for their future fate; he puts them on a long leathern cap with two glasses before their eyes, which comes down as far as their breast; and also provides them with a pair of leather gloves. They are conducted by the priest, and their friends, and relations, about two miles on their journey. The old Ecclesiastick assured me that in upwards of thirty years, he had dismissed above seven hundred criminals in the manner described, and that scarcely two out of twenty have returned. All the Malayans consider this tree as an holy instrument of the great prophet to punish the sins of mankind, and, therefore, to die of the poison of the Upas is generally considered among them as an honourable death. This, however, is certain, that from fifteen to eighteen miles round this tree, not only no human creature can exist, but no animal of any kind has ever been discovered, there are no fish in the waters, and when any birds fly so near this tree that the effluvia reaches them, they drop down dead.

The Bohon Upas is located on the Island of Java, about twenty-seven leagues from Batavia, fourteen from Soulis Charta, the Emperor’s seat, and between eighteen and twenty leagues from Tinkjoe, where the Sultan of Java currently lives. It’s surrounded by a circle of tall hills and mountains; the land around it, around ten to twelve miles from the tree, is completely desolate. There’s not a tree, nor a shrub, nor even a tiny plant or blade of grass in sight. I’ve traveled all around this dangerous area, about eighteen miles from the center, and the landscape looks equally bleak in every direction. The easiest way to climb the hills is from the spot where the old ecclesiastic lives. From his house, the criminals are sent to fetch the poison, into which the tips of all weaponry are dipped. It’s highly valued and provides significant revenue for the Emperor. The poison obtained from this tree is a sap that oozes from between the bark and the tree itself, similar to camphor. Only those criminals sentenced to death are sent to get the poison, and it’s their only chance of saving their lives. After the Judge passes their sentence, they’re asked in court whether they prefer to be executed or go to the Upas tree for a dose of poison. They usually pick the latter, as there’s a chance of survival, and if they return safely, they’re often provided for by the Emperor in the future. They can also request a small favor from the Emperor, which is typically granted. They’re given a silver or tortoise-shell box to hold the poisonous gum and are instructed on how to proceed during their perilous journey. They’re always told to pay attention to the wind direction, as they must approach the tree with the wind at their backs, so the poisonous fumes are blown away from them. They visit the old ecclesiastic who prepares them with prayers and advice for what lies ahead; he makes them wear a long leather cap with two glass lenses covering their eyes that extends down to their chest; he also gives them a pair of leather gloves. They’re escorted by the priest and their friends and family about two miles on their journey. The old ecclesiastic assured me that in over thirty years, he has sent more than seven hundred criminals in this way, and barely two out of twenty have returned. All Malaysians regard this tree as a divine instrument of the great prophet for punishing human sins, and thus dying from the Upas poison is typically seen as an honorable death. However, it is certain that within fifteen to eighteen miles of this tree, not only can no human survive, but no animals of any kind have ever been found, there are no fish in the waters, and when birds fly too close to this tree and breathe in the fumes, they drop dead.

DEATH CAUSED BY SUPERSTITION.

Death Due to Superstition.

In Hamburg, in 1784, a singular accident occasioned the death of a young couple. The lady going to the church of the Augustin Friars, knelt down near a Mausoleum, ornamented with divers figures in marble, among which was that of Death, armed with a scythe, a small piece of the scythe being loose, fell on the hood of the lady's mantelet. On her return home, she mentioned the circumstance as a matter of indifference [Pg 125] to her husband, who, being a credulous and superstitious man, cried out in a terrible panic, that it was a presage of the death of his dear wife. The same day he was seized with a violent fever, took to his bed, and died. The disconsolate lady was so affected at the loss, that she was taken ill, and soon followed him. They were both interred in the same grave; and their inheritance, which was very considerable, fell to some very distant relations.

In Hamburg, in 1784, a strange accident led to the death of a young couple. The woman was on her way to the church of the Augustin Friars when she knelt down near a mausoleum decorated with various marble figures, including one of Death holding a scythe. A small piece of the scythe broke off and fell onto the hood of her cloak. On her way home, she casually mentioned this to her husband, who, being superstitious and easily frightened, panicked and claimed it was a sign of his beloved wife's impending death. That same day, he fell ill with a severe fever, went to bed, and died. The heartbroken woman was so devastated by his loss that she became ill and soon passed away as well. They were buried in the same grave, and their substantial inheritance went to some distant relatives.

ST. PAUL AND THE VIPER.—THE CHURCH AT MALTA.

ST. PAUL AND THE VIPER.—THE CHURCH AT MALTA.

Not far from the old city of Valetta, in the island of Malta, there is a small church dedicated to St. Paul, and just by the church, a miraculous statue of the Saint with a viper on his hand; supposed to be placed on the very spot on which he was received after his shipwreck on this island, and where he shook the viper off his hand into the fire, without being hurt by it. At which time the Maltese assure us, the Saint cursed all the venomous animals of the island, and banished them for ever; just as St. Patrick treated those of his favourite isle. Whether this be the cause of it or not, we shall leave to divines to determine, though if it had, St. Luke would probably have mentioned it in the Acts of the Apostles; but the fact is certain, that there are no venomous animals in Malta.

Not far from the old city of Valletta, on the island of Malta, there’s a small church dedicated to St. Paul, and right next to the church is a miraculous statue of the Saint holding a viper in his hand. It’s said to be located on the exact spot where he was received after his shipwreck on this island, where he shook the viper off his hand and into the fire without getting hurt. At that time, the Maltese claim, the Saint cursed all the venomous animals on the island and banished them forever, just like St. Patrick did with those on his favorite island. Whether this is the reason for it or not is something we’ll leave for theologians to decide, though if it were true, St. Luke would likely have mentioned it in the Acts of the Apostles. The fact remains that there are no venomous animals in Malta.

THE FIRST HERMITS—WHY SO-CALLED.

THE FIRST HERMITS—WHY THEY'RE CALLED THAT.

Hermits, or Eremites, (from the Greek [Greek: erêmos], a desert place,) were men who retired to desert places to avoid persecution; they lodged in caves and cells:—

Hermits, or Eremites, (from the Greek [Greek: erêmos], meaning a desert place,) were people who withdrew to remote areas to escape persecution; they lived in caves and small rooms:—

"Where from the mountain's grassy side,
Their guiltless feast they bring;
A scrip with herbs and fruit supply'd,
And water from the spring."

The first hermit was Paul, of Thebes, in Egypt, who lived about the year 260; the second, was St. Anthony, also of Egypt, who died in 345, at the age of 105.

The first hermit was Paul of Thebes in Egypt, who lived around the year 260; the second was St. Anthony, also from Egypt, who died in 345 at the age of 105.

ST. JAMES'S SQUARE.

St. James's Square.

The author of A Tour through the Island of Great Britain (Daniel Defoe), second edition, 1738, gives us the following particulars of this aristocratic locality:—"The alterations lately made in St. James's Square are entitled to our particular notice. It used to be in a very ruinous condition, considering the noble houses in it, which are inhabited by the first quality. But now it is finely paved all over with heading-stone; a curious oval bason full of water, surrounded with iron rails on a dwarf wall, is placed in the middle, mostly 7 feet deep and 150 diameter. In the centre is a pedestal about fifteen feet square, designed for a statue of King William III. The iron rails are octagonal, and at each angle without the rails, is a stone pillar about 9 feet high, and a lamp on the top. The gravel walk within the rails is about 26 feet broad from each angle to the margin of the basin. It was done at the expense of the inhabitants by virtue of an act of parliament. The house that once belonged to the Duke of Ormond, and since to the Duke of Chandos, [Pg 126] is pulled down and makes three noble ones, besides fine stables and coach-houses behind, and two or three more good houses in the street leading to St. James's Church. This noble square wants nothing but to have the lower part of it, near Pall Mall, built of a piece with the rest, and the designed statue to be erected in the middle of the basin.

The author of A Tour through the Island of Great Britain (Daniel Defoe), second edition, 1738, provides the following details about this upscale area:—"The recent changes made in St. James's Square deserve our special attention. It used to be in very poor condition, considering the grand houses in it, which are lived in by the elite. But now it is beautifully paved all over with stone; a lovely oval basin full of water, surrounded by iron railings on a low wall, is placed in the center, mostly 7 feet deep and 150 feet in diameter. In the middle is a pedestal about fifteen feet square, intended for a statue of King William III. The iron railings are octagonal, and at each corner outside the railings, there is a stone pillar about 9 feet tall, with a lamp on top. The gravel walkway inside the railings is about 26 feet wide from each corner to the edge of the basin. It was built at the expense of the residents under an act of parliament. The house that once belonged to the Duke of Ormond, and later to the Duke of Chandos, [Pg 126] has been torn down and replaced with three grand houses, along with nice stables and coach houses behind, and two or three more decent houses on the street leading to St. James's Church. This splendid square only needs the lower part near Pall Mall to be built in keeping with the rest, and the planned statue to be erected in the middle of the basin."

"His Royal Highness the Prince of Wales has taken the Duke of Norfolk's house, and another adjoining to it, which are now (October, 1737), actually repairing for his town residence; Carlton House being too small for that purpose."

"His Royal Highness the Prince of Wales has taken the Duke of Norfolk's house, along with another one next to it, which are currently being repaired for his town residence; Carlton House is too small for that purpose."

THE MORAYSHIRE FLOODS.

THE MORAYSHIRE FLOODS.

Morayshire Floods

In the month of August, 1829, the province of Moray and adjoining districts were visited by a tremendous flood. Its ravages were most destructive along the course of those rivers which have their source in the Cairngorm mountains. The waters of the Findhorn and the Spey, and their tributaries, rose to an unexampled height. In some parts of their course these streams rose fifty feet above their natural level. Many houses were laid desolate, much agricultural produce was destroyed, and several lives were lost. The woodcut in our text represents the situation of a boatman called Sandy Smith, and his family, in the plains of Forres. "They were huddled together," says the eloquent historian of the Floods, "on a spot of ground a few feet square, some forty or fifty yards below their inundated dwelling. Sandy was sometimes standing and sometimes sitting on a small cask, and, as the beholders fancied, watching with intense anxiety the progress of the flood, and trembling for every large tree that it brought sweeping past them. His wife, covered with a blanket, sat shivering on a bit of a log, one child in her lap, and a girl of [Pg 127] about seventeen, and a boy of about twelve years of age, leaning against her side. A bottle and a glass on the ground, near the man, gave the spectators, as it had doubtless given him, some degree of comfort. About a score of sheep were standing around, or wading or swimming in the shallows. Three cows and a small horse, picking at a broken rick of straw that seemed to be half-afloat, were also grouped with the family." The account of the rescue of the sufferers is given with a powerful dramatic effect, but we cannot afford space for the quotation. The courageous adventurers who manned the boat for this dangerous enterprise, after being carried over a cataract, which overwhelmed their boat, caught hold of a floating hay-cock, to which they clung till it stuck among some young alder-trees. Each of them then grasping a bough, they supported themselves for two hours among the weak and brittle branches. They afterwards recovered the boat under circumstances almost miraculous, and finally succeeded in rescuing Sandy and his family from their perilous situation.

In August 1829, the province of Moray and nearby areas were hit by a massive flood. Its destruction was most severe along the rivers that start in the Cairngorm mountains. The waters of the Findhorn and the Spey, along with their tributaries, rose to unprecedented heights. In some places, these rivers surged fifty feet above their usual level. Many homes were left in ruins, a lot of crops were destroyed, and several lives were lost. The illustration in our text shows a boatman named Sandy Smith and his family in the plains of Forres. "They were huddled together," says the passionate historian of the Floods, "on a patch of ground just a few feet wide, around forty or fifty yards away from their flooded home. Sandy alternated between standing and sitting on a small barrel, seemingly watching the flood with great anxiety, worried for every large tree that floated past them. His wife, wrapped in a blanket, sat shivering on a piece of log, holding one child in her lap, while a girl around seventeen and a boy about twelve leaned against her. A bottle and a glass on the ground near Sandy provided him some comfort, just as they did the observers. About twenty sheep were nearby, wading or swimming in the shallow waters. Three cows and a small horse were also gathered with the family, munching on a broken straw stack that seemed to be half-submerged." The account of the rescue of these victims is filled with dramatic impact, but we don’t have the space to quote it. The brave adventurers who operated the boat for this perilous task, after being swept over a waterfall that nearly capsized their boat, managed to grab onto a floating haystack, clinging to it until it became lodged in some young alder trees. Each of them then held onto a branch, supporting themselves for two hours among the fragile branches. They later retrieved the boat under nearly miraculous conditions and ultimately succeeded in rescuing Sandy and his family from their dangerous situation.

TREATMENT AND CONDITION OF WOMEN IN FORMER TIMES.

TREATMENT AND CONDITION OF WOMEN IN THE PAST.

From the subversion of the Roman Empire, to the fourteenth or fifteenth century, women spent most of their time alone, almost entire strangers to the joys of social life; they seldom went abroad, but to be spectators of such public diversions and amusements as the fashions of the times countenanced. Francis I. was the first who introduced women on public days to Court; before his time nothing was to be seen at any of the Courts of Europe, but grey-bearded politicians, plotting the destruction of the rights and liberties of mankind, and warriors clad in complete armour, ready to put their plots in execution. In the thirteenth and fourteenth centuries elegance had scarcely any existence, and even cleanliness was hardly considered as laudable. The use of linen was not known; and the most delicate of the fair sex wore woollen shifts. In Paris they had meat only three times a week; and one hundred livres, (about five pounds sterling,) was a large portion for a young lady. The better sort of citizens used splinters of wood and rags dipped in oil, instead of candles, which, in those days, were a rarity hardly to be met with. Wine was only to be had at the shops of the Apothecaries, where it was sold as a cordial; and to ride in a two-wheeled cart, along the dirty rugged streets, was reckoned a grandeur of so enviable a nature, that Philip the Fair prohibited the wives of citizens from enjoying it. In the time of Henry VIII. of England, the peers of the realm carried their wives behind them on horseback, when they went to London; and in the same manner took them back to their country seats with hoods of waxed linen over their heads, and wrapped in mantles of cloth to secure them from the cold.

From the collapse of the Roman Empire to the fourteenth or fifteenth century, women spent most of their time alone, largely disconnected from the pleasures of social life; they rarely ventured out except to watch the public events and entertainments that were popular at the time. Francis I was the first to invite women to Court on public days; before him, the Courts of Europe were filled with old politicians scheming to undermine people's rights and freedoms, and warriors in full armor, ready to carry out their plans. In the thirteenth and fourteenth centuries, elegance was nearly non-existent, and even cleanliness was rarely valued. Linen wasn’t commonly used, and even the most refined women wore woolen garments. In Paris, meat was served only three times a week, and one hundred livres (about five pounds sterling) was considered a generous portion for a young lady. Wealthier citizens relied on wooden splinters and rags soaked in oil instead of candles, which were extremely rare at the time. Wine could only be bought at apothecaries, where it was sold as a medicinal drink; and riding in a two-wheeled cart along the dirty, rough streets was seen as such an impressive privilege that Philip the Fair banned the wives of citizens from doing so. During the reign of Henry VIII of England, noblemen took their wives behind them on horseback when traveling to London, and brought them back to their estates wrapped in waxed linen hoods and warm cloth mantles to protect against the cold.

HOMER IN A NUTSHELL.

Homer in a nutshell.

Huet, Bishop of Avranches, thus writes in his autobiography:—"When his Highness the Dauphin was one day confined to his bed by a slight illness, and we who stood round were endeavouring to entertain him by pleasant conversation, mention was by chance made of the person [Pg 128] who boasted that he had written Homer's Iliad in characters so minute, that the whole could be enclosed in a walnut shell. This appearing incredible to many of the company, I contended not only that it might be done, but that I could do it. As they expressed their astonishment at this assertion, that I might not be suspected of idle boasting, I immediately put it to the proof. I therefore took the fourth part of a common leaf of paper, and on its narrower side wrote a single line in so small a character that it contained twenty verses of the Iliad: of such lines each page of the paper could easily admit 120, therefore the page would contain 2400 Homeric verses: and as the leaf so divided would give eight pages it would afford room for above 19,000 verses, whereas the whole number in the Iliad does not exceed 17,000. Thus by my single line I demonstrated my proposition."

Huet, Bishop of Avranches, writes in his autobiography:—"One day, when His Highness the Dauphin was stuck in bed with a minor illness, we who were around him tried to keep him entertained with some light conversation. At one point, someone casually mentioned a person who claimed to have written Homer's Iliad in such tiny characters that it could fit inside a walnut shell. Many in the group found this hard to believe, and I argued not only that it was possible but that I could actually do it. As they expressed their surprise at my claim, I wanted to prove I wasn’t just boasting. So, I took a quarter of a regular sheet of paper and wrote a single line on its narrow side in such small letters that it included twenty lines of the Iliad. Each page of the paper could easily hold 120 of these lines, meaning a single page would contain 2400 lines of Homer. Since that divided sheet would yield eight pages, I could fit more than 19,000 lines, while the Iliad contains no more than 17,000. Thus, with my single line, I proved my point."

AUTOBIOGRAPHY OF CHARING CROSS AND CHEAPSIDE CROSS.

AUTOBIOGRAPHY OF CHARING CROSS AND CHEAPSIDE CROSS.

The following interesting "Autobiographies" of the Old London Crosses, are extracted from Henry Peacham's Dialogue between the Crosse in Cheap and Charing Cross, confronting each other, as fearing their fall in these uncertaine times, four leaves, 4to. 1641.

The following intriguing "Autobiographies" of the Old London Crosses are taken from Henry Peacham's Dialogue between the Crosse in Cheap and Charing Cross, confronting each other, as fearing their fall in these uncertain times, four leaves, 4to. 1641.

"Charing Cross.—I am made all of white marble (which is not perceived of euery one) and so cemented with mortar made of the purest lime, Callis sand, whites of eggs and the strongest wort, that I defie all hatchets and hammers whatsoever. In King Henry the Eighth's daies I was begged, and should have been degraded for that I had:—Then in Edward the Sixe, when Somerset-house was building, I was in danger; after that, in the reign of Queen Elizabeth, one of her footmen had like to have run away with me; but the greatest danger of all I was in, when I quak'd for fear, was in the time of King James, for I was eight times begged:—part of me was bespoken to make a kitchen chimney for a chiefe constable in Shoreditch; an inn-keeper in Holborn had bargained for as much of me as would make two troughes, one to stand under a pumpe to water his guests' horses, and the other to give his swine their meate in; the rest of my poore carcase should have been carried I know not whither to the repaire of a decayed stone bridge (as I was told) on the top of Harrow-hill. Our royall forefather and founder, King Edward the First you know, built our sister crosses, Lincolne, Granthame, Woburne, Northampton, Stonie-Stratford, Dunstable, Saint Albanes, and ourselves here in London, in the 21st yeare of his raigne, in the yeare 1289."

"Charing Cross.—I am made entirely of white marble (which not everyone can see) and so cemented with mortar made from the purest lime, Calais sand, egg whites, and strong wort, that I can withstand any hatchet or hammer. Back in the days of King Henry the Eighth, I was almost removed, and I should have been taken down for that reason. Then during the reign of Edward the Sixth, when Somerset House was being built, I was at risk again; later, in Queen Elizabeth's time, one of her footmen almost tried to steal me. But the greatest danger I faced, when I truly trembled with fear, was during King James's reign because I was requested eight times: part of me was promised to make a kitchen chimney for a chief constable in Shoreditch; an innkeeper in Holborn had negotiated for enough of me to create two troughs, one for watering his guests' horses, and the other for feeding his pigs; I was also supposed to be taken away, I believe, to repair a decaying stone bridge (as I was told) on top of Harrow Hill. You know our royal ancestor and founder, King Edward the First, built our sister crosses—Lincoln, Grantham, Woburn, Northampton, Stony Stratford, Dunstable, Saint Albans, and us here in London, in the 21st year of his reign, in the year 1289."

"Cheapside Cross.—After this most valiant and excellent king had built me in forme, answerable in beauty and proportion to the rest, I fell to decay, at which time one John Hatherley, maior of London, having first obtained a licence of King Henry the Sixt, anno 1441, I was repaired in a beautiful manner. John Fisher, a mercer, after that gave 600 markes to my new erecting or building, which was finished anno 1484, and after in the second yeare of Henry the Eighth, I was gilded over against the coming in of Charles the Fift Emperor, and newly then gilded against the coronation of King Edward the Sixt, and gilded againe anno 1554, against the coronation of King Philip. Lord, how often have [Pg 129] I been presented by juries of the quest for incombrance of the street, and hindring of cartes and carriages, yet I have kept my standing; I shall never forget how upon the 21st of June, anno 1581, my lower statues were in the night with ropes pulled and rent down, as in the resurrection of Christ—the image of the Virgin Mary, Edward the Confessor, and the rest. Then arose many divisions and new sects formerly unheard of, as Martin Marprelate, alias Penrie, Browne, and sundry others, as the chronicle will inform you. My crosse should have been taken quite away, and a Piramis errected in the place, but Queen Elizabeth (that queen of blessed memory) commanded some of her privie councell, in her Majesties name, to write unto Sir Nicholas Mosely, then Maior, to have me againe repaired with a crosse; yet for all this I stood bare for a yeare or two after: Her Highness being very angry, sent expresse word she would not endure their contempt, but expressly commanded forthwith the crosse should be set up, and sent a strict command to Sir William Rider, Lord Maior, and bade him to respect my antiquity; for that is the ancient ensigne of Christianity, &c. This letter was dated December 24, anno 1600. Last of all I was marvellously beautified and adorned against the comming in of King James, and fenced about with sharp pointed barres of iron, against the rude and villainous hands of such as upon condition as they might have the pulling me down, would be bound to rifle all Cheapside."

"Cheapside Cross.—After this brave and remarkable king had built me to match the beauty and proportions of the other structures, I fell into disrepair. At that time, John Hatherley, the mayor of London, first obtained a license from King Henry the Sixth in 1441 to restore me beautifully. John Fisher, a mercer, then donated 600 marks for my reconstruction, which was completed in 1484. In the second year of Henry the Eighth's reign, I was gilded in preparation for the arrival of Charles the Fifth, Emperor, and later gilded again for the coronation of King Edward the Sixth, and once more in 1554 for the coronation of King Philip. Lord, how often have I been brought up by juries for obstructing the street and hindering carts and carriages, yet I remained standing. I will never forget how, on June 21, 1581, my lower statues were pulled down and torn apart at night with ropes, much like the resurrection of Christ—the image of the Virgin Mary, Edward the Confessor, and the others. This led to many divisions and new sects that were previously unheard of, like Martin Marprelate, alias Penrie, Browne, and many others, as chronicled. There were plans to completely remove my cross and erect a Pyramids in its place, but Queen Elizabeth (that queen of blessed memory) ordered her privy council to write to Sir Nicholas Mosely, then Mayor, to have me restored with a cross again. Yet, even after this, I stood bare for a year or two afterward; Her Highness, being quite angry, sent word that she would not tolerate their disrespect and explicitly commanded that the cross be erected immediately, sending strict orders to Sir William Rider, the Lord Mayor, to honor my antiquity, as it is the ancient emblem of Christianity, etc. This letter was dated December 24, 1600. Finally, I was wonderfully beautified and adorned for the arrival of King James, surrounded by sharp iron bars to protect against the rude and villainous hands of those who, if given the chance, would have pulled me down and looted all of Cheapside."

It is scarcely necessary to say that both crosses have long since disappeared, and their sites become uncertain, although the name of Charing Cross still distinguishes an important London district.

It hardly needs to be mentioned that both crosses have long since vanished, and their locations are now unknown, although the name Charing Cross still identifies a significant area in London.

SOMETHING LIKE A FEAST.

A feast-like gathering.

Leland mentions a feast given by the Archbishop of York, at his installation, in the reign of Edward IV. The following is a specimen:—300 quarters of wheat, 300 tuns of ale, 100 tuns of wine, 1,000 sheep, 104 oxen, 304 calves, 304 swine, 2,000 geese, 1,000 capons, 2,000 pigs, 400 swans, 104 peacocks, 1,500 hot venison pasties, 4,000 cold, 5,000 custards hot and cold. Such entertainments are a picture of manners.

Leland talks about a feast held by the Archbishop of York during his installation in the reign of Edward IV. Here’s a sample: 300 measures of wheat, 300 casks of ale, 100 casks of wine, 1,000 sheep, 104 oxen, 304 calves, 304 pigs, 2,000 geese, 1,000 capons, 2,000 pigs, 400 swans, 104 peacocks, 1,500 hot venison pies, 4,000 cold ones, and 5,000 custards, both hot and cold. These feasts are a reflection of social customs.

EGYPTIAN TOYS IN THE BRITISH MUSEUM.

EGYPTIAN TOYS IN THE BRITISH MUSEUM.

The truth of the old proverb, that "there is nothing new under the sun," will be recognised on an examination of the interesting group which forms the subject of our engraving. Here are dolls of different shapes, some of them for good children, and some, perhaps, for bad; foot-balls, covered with leather, &c., the stitches in parts still firmly adhering; models of fishes and fruit; and round pellets, which the "small boys" of the present day would call "marbles." These toys have been played with by little Egyptians who have been dead and buried three or four thousand years.

The truth of the old saying, "there's nothing new under the sun," becomes clear when we look at the fascinating collection depicted in our engraving. Here are dolls of various shapes, some meant for good children and some, maybe, for naughty ones; leather-covered footballs, with stitches in parts still securely attached; models of fish and fruit; and round balls that today's kids would call "marbles." These toys were played with by little Egyptians who have been dead and buried for three or four thousand years.

Many of the toys that hold places in the English and other markets are, so far as fashion is concerned, of considerable antiquity, having been made, without any alteration in pattern, by certain families for several generations. In the mountainous districts of the Savoy and Switzerland, large numbers, both of children and grown persons, are [Pg 130] constantly employed in the manufacture of Noah's-arks, milkmaids &c. Some of the animals carved in wood, and sold here for small prices, show considerable skill in the imitation of the forms of nature, and could only be produced at their present cost, owing to the cheapness of living in those districts, and to the systematic division of labour.

Many of the toys that are popular in the English and other markets are quite old-fashioned, as they have been made, without any changes in design, by certain families for several generations. In the mountainous regions of Savoy and Switzerland, many children and adults are constantly engaged in making Noah's arks, milkmaids, etc. Some of the wooden animals carved here, which are sold at low prices, show a great deal of skill in mimicking the shapes found in nature, and they can only be sold at their current prices thanks to the low cost of living in these areas and the organized division of labor.

Egyptian Toys in the British Museum

Near the birthplace of Prince Albert is a very large manufactory of military toys, such as drums, trumpets, helmets, &c.; and in parts of Holland—

Near the birthplace of Prince Albert is a large factory that makes military toys like drums, trumpets, helmets, etc.; and in parts of Holland—

"——The children take pleasure in making
What the children of England take pleasure in breaking."

THE PYRAMIDS OF EGYPT.

Egyptian Pyramids.

The Pyramids of Egypt, especially the two largest of the Pyramids of[Pg 131] Jizeh, are the most stupendous masses of building, in stone, that human labour has ever been known to accomplish. The Egyptian Pyramids, of which, large and small, and in different states of preservation, the number is very considerable, are all situated on the west side of the Nile, and they extend, in an irregular line, and in groups, at some distance from each other, from the neighbourhood of Jizeh, in 30° N. lat. as far south as 29° N. lat., a length of between 60 and 70 miles. All the Pyramids have square bases, and their sides face the cardinal points.

The Pyramids of Egypt, particularly the two largest ones at Giza, are the most incredible stone structures that humanity has ever built. There are many Egyptian Pyramids, both large and small, in various states of preservation, all located on the west side of the Nile. They stretch in an irregular line, grouped at a distance from each other, from the area around Giza at 30° N latitude down to 29° N latitude, covering a length of about 60 to 70 miles. All the Pyramids have square bases, and their sides align with the cardinal directions.

Pyramids of Egypt

The Pyramids of Jizeh are nearly opposite to Cairo. They stand on a plateau or terrace of limestone, which is a projection from the Libyan mountain-chain. The surface of the terrace is barren and irregular, and is covered with sand and small fragments of rock; its height, measured [Pg 132] from the base of the Great Pyramids, is 164 feet above the Nile in its low state, taken at an average of the years 1798 to 1801. The north-east angle of the Great Pyramid is 1700 yards from the canal which runs between the terrace and the Nile, and about five miles from the Nile itself.

The Pyramids of Giza are almost directly across from Cairo. They sit on a limestone plateau that juts out from the Libyan mountain range. The surface of this terrace is barren and uneven, covered with sand and small rock fragments; its height, measured [Pg 132] from the base of the Great Pyramids, is 164 feet above the Nile at its lowest level, averaged from the years 1798 to 1801. The northeast corner of the Great Pyramid is 1,700 yards from the canal that runs between the terrace and the Nile, and about five miles from the Nile itself.

Herodotus was informed by the priests of Memphis that the Great Pyramid was built by Cheops, King of Egypt, about 900 B. C., or about 450 years before Herodotus visited Egypt. He says that 100,000 men were employed twenty years in building it, and that the body of Cheops was placed in a room beneath the bottom of the Pyramid, surrounded by a vault to which the waters of the Nile were conveyed through a subterranean tunnel. A chamber under the centre of the Pyramid has indeed been discovered, but it does not appear to be the tomb of Cheops. It is about 56 feet above the low-water level of the Nile. The second Pyramid was built, Herodotus says, by Cephren, or Cephrenes, the brother and successor of Cheops; and the third by Mycerinus, the son of Cheops.

Herodotus was told by the priests of Memphis that the Great Pyramid was built by Cheops, King of Egypt, around 900 BCE, which is about 450 years before Herodotus visited Egypt. He states that 100,000 workers were employed for twenty years to construct it, and that Cheops’s body was placed in a room beneath the base of the Pyramid, surrounded by a vault that was connected to the waters of the Nile through an underground tunnel. A chamber beneath the center of the Pyramid has indeed been found, but it doesn’t seem to be Cheops's tomb. It is located about 56 feet above the Nile's low-water level. Herodotus mentions that the second Pyramid was built by Cephren, or Cephrenes, the brother and successor of Cheops; and the third by Mycerinus, the son of Cheops.

TEST OF COURAGE IN A CHILD.

TEST OF COURAGE IN A CHILD.

In the education of their children, the Anglo-Saxons only sought to render them dauntless and apt for the two most important occupations of their future lives—war and the chase. It was a usual trial of a child's courage, to place him on the sloping roof of a building, and if, without screaming or terror he held fast, he was styled a stout herce, or brave boy.—Howel.

In raising their children, the Anglo-Saxons aimed to make them fearless and skilled in the two most important pursuits of their future lives—war and hunting. A common test of a child's bravery involved placing him on the sloping roof of a building, and if he managed to hold on without screaming or showing fear, he was called a stout herce, or a brave boy.—Howel.

EXECUTION OF RAVILLIAC, WHO ASSASSINATED HENRY THE FOURTH OF FRANCE.

EXECUTION OF RAVILLIAC, WHO ASSASSINATED HENRY THE FOURTH OF FRANCE.

The scene is thus described in a volume published in 1728:—

The scene is described like this in a book published in 1728:—

"This Francis Ravilliac was born in Angoulesme, by profession a lawyer, who, after the committing of that horrid fact, being seized and put upon the rack, May 27; the 25th he had sentence of death passed on him, and was executed accordingly in the manner following. He was brought out of prison in his shirt, with a torch of two pound weight lighted in one hand, and the knife wherewith he murdered the king chained to the other; he was then set upright in a dung-cart, wherein he was carried to the greve or place of execution, where a strong scaffold was built; at his coming upon the scaffold he crossed himself, a sign that he dyed a Papist; then he was bound to an engine of wood made like St. Andrew's cross; which done, his hand with the knife chained to it was put into a furnace, then flaming with fire and brimstone, wherein it was in a most terrible manner consumed, at which he cast forth horrible cries yet would he not confess any thing; after which the executioner having made pincers red hot in the same furnace, they did pinch the brawn of his arms and thighs, the calves of his legs, with other fleshy parts of his body, then they poured into the wounds scalding oil, rosin, pitch, and brimstone melted together; but to make the last act of his tragedy equal in torments to the rest, they caused four strong horses to be brought to tear his body in pieces, where being ready to suffer his last torment, he was again questioned, but would not reveal any thing, and so died without calling upon God, or speaking one word concerning Heaven: his flesh and joints were so [Pg 133] strongly knit together, that these four horses could not in a long time dismember him, but one of them fainting, a gentleman who was present, mounted upon a mighty strong horse, alighted, and tyed him to one of the wretch's limbs, yet for all this they were constrained to cut the flesh under his arms and thighs with a sharp razor, whereby his body was the easier torn in pieces; which done, the fury of the people was so great, that they pulled his dismembered carcass out of the executioner's hands, which they dragged up and down the dirt, and, cutting off the flesh with their knives, the bones which remained were brought to the place of execution, and there burnt, the ashes were cast in the wind, being judged unworthy of the earth's burial; by the same sentence all his goods were forfeited to the king. It was also ordained that the house where he had been born should be beaten down, a recompence being given the owner thereof, and never any house to be built again upon that ground; that within fifteen days after the publication of the sentence, by sound of trumpet in the town of Angoulesme, his father and mother should depart the realm, never to return again; if they did, to be hanged up presently: his brethren, sisters, and other kindred were forbidden to carry the name of Ravilliac, but to take some other, and the substitute of the king's attorney-general had charge to see the execution of the sentence at his peril."

Francis Ravilliac was born in Angouleme and worked as a lawyer. After committing that horrific act, he was captured and tortured on the rack. On May 25, he was sentenced to death, and was executed in the following manner. He was brought out of prison in just his shirt, holding a two-pound torch in one hand and the knife he used to murder the king chained to the other. He was then placed upright in a dung cart and taken to the execution site, where a sturdy scaffold had been erected. Upon arriving at the scaffold, he crossed himself, indicating he died as a Catholic. He was then bound to a wooden device shaped like St. Andrew's cross. Once secured, his hand, with the knife still attached, was placed in a furnace blazing with fire and brimstone, which burned it in a horrific way. He let out terrible screams but refused to confess anything. After that, the executioner heated up pincers in the same furnace and used them to pinch the flesh of his arms and thighs, and the calves of his legs, along with other meaty parts of his body. They poured scalding oil, rosin, pitch, and melted brimstone into the wounds. To make the final act of his suffering equal to the preceding tortures, they brought in four strong horses to tear his body apart. As he prepared to endure his last torment, he was questioned again but still wouldn’t reveal anything and died without calling upon God or saying a word about Heaven. His flesh and joints were so tightly knit that the four horses struggled for a long time to dismember him. Eventually, one horse collapsed, prompting a gentleman present to dismount from his powerful horse, tie it to one of Ravilliac's limbs, and help with the dismemberment. However, they had to cut under his arms and thighs with a sharp razor to make it easier to tear him apart. Once this was done, the crowd’s rage was so intense that they snatched his body from the executioner and dragged it through the dirt. They used knives to cut off the flesh, and the remaining bones were taken to the execution site and burned; the ashes were scattered in the wind, deemed unworthy of burial on earth. By the same decree, all his possessions were forfeited to the king. It was also ordered that the house where he was born be demolished, compensating the owner, and no house would ever be built again on that land. Within fifteen days of the sentence being announced, a trumpet was to sound in Angouleme, ordering his father and mother to leave the kingdom and never return; if they did, they would be hanged immediately. His siblings and other relatives were forbidden from using the last name Ravilliac, and instead, they were to adopt a different name. The king’s attorney general was tasked with ensuring the execution of this sentence at his own risk.

KNIVES AND FORKS.

Cutlery.

"In all ancient pictures of Eating, &c. knives are seen in the hands of the guests, but no Forks."—Turner's Saxons.

"In all ancient depictions of eating, etc., knives are seen in the hands of the guests, but no forks."—Turner's Saxons.

"Here I will mention a thing," says Coryat in his 'Crudities,' "that might have been spoken of before in the discourse of the first Italian toun. I obserued a custome in all those Italian cities and townes through which I passed, that is not vsed in any other country that I saw in my traules, neither doe I think that any other nation of Christendome doth vse it, but only Italy. The Italians, and also most strangers that are commorant in Italy, doe alwaies at their meales vse a little forke when they cut their meate. For while with their knife, which they hold in one hand, they cut their meate out of the dish, they fasten their forke, which they hold in their other hand, upon the same dish, so that whatsoever he be that sitting in the company of others at meate, should vnaduisedly touch the dish of meate with his fingers from which all at the table doe cut, he will give occasion of offence unto the company, as hauing transgressed the laws of good manners, in so much that for his error he shall be at the least broue-beaten, if not reprehended in words.

"Here’s something I want to mention," says Coryat in his 'Crudities,' "that might have been talked about earlier in the discussion of the first Italian town. I noticed a custom in all the Italian cities and towns I passed through that isn’t practiced in any other country I've seen during my travels, and I don't think any other Christian nation does this, but only Italy. The Italians, along with most foreigners living in Italy, always use a little fork when they cut their meat at meals. While they cut their meat from the dish with a knife in one hand, they hold a fork, which they grip in the other hand, against the same dish. Therefore, if anyone at the table accidentally touches the dish of food with their fingers—where everyone else is cutting from—they’d cause offense to the group by breaking the rules of good manners, to the extent that they might get at least a beating or, if not that, be reprimanded verbally."

This form of feeding, I vnderstand, is generally vsed in all places of Italy, their forkes being for the most part made of yron or steele, and some of siluer; but those are used only by gentlemen. The reason of this their curiosity is, because the Italian cannot by any means indure to have his dish touched with fingers, seeing all men's fingers are not alike clean. Hereupon I myself thought good to imitate the Italian fashion by this forked cutting of meate, not only while I was in Italy, but also in Germany, and oftentimes in England, since I came home: being once quipped for that frequent vsing of my forke, by a certain [Pg 134] gentleman, a familiar friend of mine, one Mr. Laurence Whitaker, who in his merry humour doubted not to call me at table furcifer, only for vsing a forke at feeding, but for no other cause."—Coryat's Crudities, 1611.

This way of eating, I understand, is commonly practiced all over Italy, with forks mostly made of iron or steel, and some in silver; but those are used only by gentlemen. The reason for this preference is that Italians can't stand having their food touched by fingers, since not everyone's hands are equally clean. Because of this, I decided to adopt the Italian style of using a fork to cut my food, not just while I was in Italy, but also in Germany, and often in England since I returned. I was once teased about my frequent use of a fork by a certain [Pg 134] gentleman, a good friend of mine, Mr. Laurence Whitaker, who, in his playful mood, didn’t hesitate to call me furcifer at the table just for using a fork while eating, but for no other reason."—Coryat's Crudities, 1611.

Even when Heylin published his Cosmography, (1652,) forks were still a novelty. See his Third Book, where having spoken of the ivory sticks used by the Chinese, he adds, "The use of silver forks, which is by some of our spruce gallants taken up of late, came from thence into Italy, and from thence into England."—Antiquarian Repertory.

Even when Heylin published his Cosmography (1652), forks were still a new thing. In his Third Book, after mentioning the ivory sticks used by the Chinese, he adds, "The use of silver forks, which some of our fashionable young men have picked up recently, came from there to Italy, and from there to England." — Antiquarian Repertory.

CHINESE PUNISHMENT OF THE KANG OR WOODEN COLLAR.

CHINESE PUNISHMENT OF THE KANG OR WOODEN COLLAR.

The Chinese are very quiet and orderly; and no wonder, because they are afraid of the great bamboo stick.

The Chinese people are very calm and organized; it's not surprising, since they're afraid of the big bamboo stick.

Chinese Punishment of the Kang

The mandarins (or rulers of towns) often sentence offenders to lie upon the ground, and to have thirty strokes of the bamboo. But the wooden collar is worse than the bamboo stick. It is a great piece of wood with a hole for a man to put his head through. The men in wooden collars are brought out of their prisons every morning and chained to a wall, where everybody passing by can see them. They cannot feed themselves in their wooden collars, because they cannot bring their hands to their mouths; but sometimes a son may be seen [Pg 135] feeding his father, as he stands chained to the wall. There are men also whose business it is to feed the prisoners. For great crimes men are strangled or beheaded.

The mandarins (or town leaders) often punish offenders by making them lie on the ground and giving them thirty strokes of the bamboo. But the wooden collar is worse than the bamboo stick. It’s a large piece of wood with a hole for a person to put their head through. The men in wooden collars are taken out of their prisons every morning and chained to a wall, where everyone passing by can see them. They can’t feed themselves while in their wooden collars because they can’t reach their mouths; but sometimes a son can be seen feeding his father as he stands chained to the wall. There are also men whose job it is to feed the prisoners. For serious crimes, men are strangled or beheaded.

CASCADE DES PELERINES.

Pelerines Waterfall.

Cascade des Pelerines

There is a waterfall in Chamouni which no traveller should omit going to see, called the Cascade des Pelerines. It is one of the most curious and beautiful scenes in Switzerland. A torrent issues from the Glacier des Pelerines, high up the mountain, above the Glacier [Pg 136] du Bossons, and descends, by a succession of leaps, in a deep gorge, from precipice to precipice, almost in one continual cataract; but it is all the while merely gathering force, and preparing for its last magnificent deep plunge and recoil of beauty. Springing in one round condensed column out of the gorge, over a perpendicular cliff, it strikes, at its fall, with its whole body of water, into a sort of vertical rock basin, which one would suppose its prodigious velocity and weight would split into a thousand pieces; but the whole cataract, thus arrested, at once suddenly rebounds in a parabolic arch, at least sixty feet into the air; and then, having made this splendid airy curvature, falls with great noise and beauty into the natural channel below. It is beyond measure beautiful. It is like the fall of divine grace into chosen hearts, that send it forth again for the world's refreshment, in something like such a shower and spray of loveliness, to go winding its life-giving course afterwards, as still waters in green pastures. The force of the recoil from the plunge of so large a body of water, at such a height, is so great, that large stones, thrown into the stream above the fall, may be heard amidst the din striking into the basin, and then are instantly seen careering in the arch of flashing waters. The same is the case with bushes and pieces of wood, which the boys are always active in throwing in, for the curiosity of visitors, who stand below, and see each object invariably carried aloft with the cataract, in its rebounding atmospheric gambols. When the sun is in the right position, the rainbows play about the fall like the glancing of supernatural wings, as if angels were taking a shower-bath. If you have "the head and the legs of a chamois," you may climb entirely above this magnificent scene, and look out over the cliff right down into the point where the cataract shoots like the lightning, to be again shot back in ten thousand branching jets of diamonds.

There’s a waterfall in Chamonix that no traveler should miss seeing, called the Cascade des Pelerines. It’s one of the most interesting and beautiful sights in Switzerland. A torrent flows from the Glacier des Pelerines, high up the mountain, above the Glacier [Pg 136] du Bossons, and tumbles down through a deep gorge, cascading from cliff to cliff, almost in a continuous waterfall; but it's continuously gathering power, preparing for its final stunning deep drop and explosion of beauty. Springing out in a solid column from the gorge, over a vertical cliff, it hits a kind of vertical rock basin with its full force, suggesting that its incredible speed and weight would shatter it into a thousand pieces; yet, when the whole waterfall is abruptly stopped, it suddenly rebounds in a parabolic arc, at least sixty feet into the air; and then, after making this spectacular aerial curve, it falls with great noise and beauty into the natural channel below. It’s indescribably beautiful. It’s like the fall of divine grace into chosen hearts, which sends it forth again for the world’s refreshment, in something like a shower and spray of loveliness, flowing its life-giving course later, like still waters in green pastures. The force of the rebound from such a large body of water falling from such a height is so powerful that you can hear large stones thrown into the stream above the fall striking the basin, and then they are instantly seen flying through the arch of shimmering waters. The same goes for bushes and pieces of wood, which the boys always throw in for the curiosity of visitors, who stand below and see each object consistently carried up with the waterfall, joining in its airborne antics. When the sun is positioned just right, rainbows dance around the fall like the fluttering of supernatural wings, as if angels were taking a shower. If you have “the legs and head of a chamois,” you can climb all the way above this magnificent scene and look over the cliff directly down into the spot where the waterfall shoots down like lightning, only to be shot back up in ten thousand branching jets of diamonds.

INTERESTING INCIDENT CONNECTED WITH THE BAROMETER.

INTERESTING INCIDENT CONNECTED WITH THE BAROMETER.

In navigation, the barometer has become an important element of guidance, and a most interesting incident is recounted by Capt. Basil Hall, indicative of its value in the open sea. While cruising off the coast of South America, in the Medusa frigate, one day, when within the tropics, the commander of a brig in company was dining with him. After dinner, the conversation turned on the natural phenomena of the region, when Captain Hall's attention was accidentally directed to the barometer in the state-room where they were seated, and to his surprise he observed it to evince violent and frequent alteration. His experience told him to expect bad weather, and he mentioned it to his friend. His companion, however, only laughed, for the day was splendid in the extreme, the sun was shining with its utmost brilliance, and not a cloud specked the deep blue sky above. But Captain Hall was too uneasy to be satisfied with bare appearances. He hurried his friend to his ship, and gave immediate directions for shortening the top hamper of the frigate as speedily as possible. His lieutenants and the men looked at him in mute surprise, and one or two of the former ventured to suggest the inutility of the proceeding. The captain, however, persevered. The sails were furled; [Pg 137] the topmasts were struck; in short, everything that could oppose the wind was made as snug as possible. His friend, on the contrary, stood in under every sail.

In navigation, the barometer has become an important tool for guidance, and an interesting story is shared by Capt. Basil Hall that illustrates its value at sea. While sailing off the coast of South America on the frigate Medusa, one day in the tropics, the commander of a brig dining with him was part of the discussion. After dinner, they talked about the natural phenomena of the area, when Captain Hall noticed the barometer in their state-room was fluctuating wildly. His experience told him bad weather was coming, and he mentioned it to his friend. However, his companion just laughed, as the day was exceptionally beautiful, the sun shining brightly, and not a single cloud in the deep blue sky above. But Captain Hall felt too uneasy to rely on appearances alone. He rushed his friend back to his ship and quickly ordered the crew to reduce the top sails of the frigate as fast as possible. His lieutenants and crew looked at him in silent surprise, and a couple of them suggested that it wasn’t necessary. Nevertheless, the captain insisted. The sails were furled; [Pg 137] the topmasts were lowered; in short, everything that could block the wind was made as secure as possible. Meanwhile, his friend remained under full sail.

The wisdom of Captain Hall's proceedings was, however, speedily evident; just, indeed, as he was beginning to doubt the accuracy of his instrument. For hardly had the necessary preparations been made, and while his eye was ranging over the vessel to see if his instructions had been obeyed, a dark hazy hue was seen to rise in the horizon, a leaden tint rapidly overspread the sullen waves, and one of the most tremendous hurricanes burst upon the vessels that ever seaman encountered on his ocean home. The sails of the brig were immediately torn to ribbons, her masts went by the board, and she was left a complete wreck on the tempestuous surf which raged around her, while the frigate was driven wildly along at a furious rate, and had to scud under bare poles across the wide Pacific, full three thousand miles, before it could be said that she was in safety from the blast.

The wisdom of Captain Hall's actions quickly became clear; just as he started to doubt the accuracy of his instrument. Hardly had they finished the necessary preparations, and while he was checking the ship to ensure his orders had been followed, a dark haze appeared on the horizon, a grim gray color rapidly spread over the angry waves, and one of the most furious hurricanes struck the vessels that any sailor had faced on his ocean home. The brig's sails were instantly shredded, her masts snapped off, leaving her a complete wreck in the raging surf surrounding her, while the frigate was tossed wildly along at a breakneck speed, having to rush under bare poles across the wide Pacific, nearly three thousand miles, before it could be considered safe from the storm.

ARCHBISHOP CRANMER'S DIETARY.

ARCHBISHOP CRANMER'S DIET.

In this curious document, quoted by Warton (Hist. of Poet, iii., 177, edit. 1840) an archbishop is allowed to have two swans or two capons in a dish, a bishop one; an archbishop six blackbirds at once, a bishop five, a dean four, an archdeacon two. If a dean has four dishes in his first course, he is not afterwards to have custards or fritters. An Archbishop may have six snipes, an archdeacon two. Rabbits, larks, pheasants, and partridges, are allowed in these proportions. A canon residentiary is to have a swan only on a Sunday; a rector of sixteen marks, only three blackbirds in a week.

In this intriguing document, cited by Warton (Hist. of Poet, iii., 177, edit. 1840), an archbishop is entitled to have two swans or two capons on a dish, while a bishop can have one. An archbishop is allowed six blackbirds at once, a bishop five, a dean four, and an archdeacon two. If a dean includes four dishes in his first course, he shouldn’t have custards or fritters afterwards. An archbishop can have six snipes, and an archdeacon can have two. Rabbits, larks, pheasants, and partridges are permitted in these amounts. A canon residentiary may only have a swan on a Sunday; a rector with sixteen marks is allowed just three blackbirds in a week.

THE KING'S COCK CROWER.

THE KING'S ROOSTER.

A singular custom, of matchless absurdity, formerly existed in the English Court. During Lent, an ancient officer of the crown, styled the King's Cock Crower, crowed the hour each night within the precincts of the Palace. On the Ash Wednesday, after the accession of the house of Hanover, as the Prince of Wales (afterwards George II) sat down to supper, this officer abruptly entered the apartment, and in a sound resembling the shrill pipe of a cock, crowed past ten o'clock! The astonished prince, at first conceiving it to be a premeditated insult, rose to resent the affront, but upon the nature of the ceremony being explained to him, he was satisfied. Since that period, this silly custom has been discontinued.

A bizarre tradition, unlike any other, used to exist in the English Court. During Lent, an old royal official known as the King's Cock Crower announced the hour every night within the Palace grounds. On Ash Wednesday, after the Hanoverian succession began, the Prince of Wales (who later became George II) was sitting down to supper when this officer suddenly entered the room and, in a sound that mimicked a rooster's crow, announced it was past ten o'clock! The shocked prince initially thought it was an intentional insult and stood up to confront the disrespect. However, once the purpose of the ceremony was explained to him, he calmed down. Since then, this silly custom has been discontinued.

CHINESE DELICACIES.

Chinese Cuisine.

The Chinese eat, indiscriminately, almost every living creature which comes in their way; dogs, cats, hawks, owls, eagles and storks, are regular marketable commodities: in default of which a dish of rats, field-mice, or snakes, is not objected to. Cockroaches, and other insects and reptiles are used for food or for medicine. Their taste for dogs' flesh is quite a passion. Young pups—plump, succulent, and tender—fetch good prices at the market-stalls, where a supply is always to be found. A dish of puppies, prepared by a skilful cook, is esteemed as a dish fit [Pg 138] for the gods. At every grand banquet it makes its appearance as a hash or stew. A young Englishman attached to our Canton factory, dining one day with a wealthy Hong merchant, was determined to satisfy his curiosity in Chinese gastronomy by tasting all or most of the numerous dishes which were successively handed round. One dish pleased him so well that he ate nearly all that was put before him. On returning homewards some of his companions asked him how he liked the dinner, and how such and such dishes; and then began to imitate the whining and barking of half a dozen puppies. The poor young man then understood, for the first time, that he had been eating dog, and was very angry, and very sick at the stomach. Other Europeans, however, have been known to declare that they succeeded in conquering a prejudice, and that a six weeks old pup, properly fattened upon rice, and dressed à la Chinoise, was really a bonne bouche.

The Chinese eat almost every living creature they come across; dogs, cats, hawks, owls, eagles, and storks are regular market items. If those aren’t available, dishes made from rats, field mice, or snakes are accepted. Cockroaches and other insects and reptiles are used as food or medicine. Their taste for dog meat is particularly strong. Young pups—plump, tender, and juicy—fetch high prices at market stalls, where they are always available. A dish of puppies, prepared by a skilled cook, is considered a delicacy fit for the gods. At every lavish banquet, it appears as a hash or stew. One day, a young Englishman working at our Canton factory decided to satisfy his curiosity about Chinese cuisine by trying most of the various dishes offered to him. One dish impressed him so much that he ate nearly all of it. When he returned home, some of his friends asked him how he liked the dinner and what he thought of certain dishes, then began imitating the whining and barking of several puppies. It was then that the poor young man realized for the first time that he had been eating dog and was both very angry and very nauseated. However, other Europeans have claimed to overcome their biases, saying that a six-week-old pup, properly fattened on rice and cooked à la Chinoise, is truly a delicacy. [Pg 138]

A GREAT MARVEL SEEN IN SCOTLAND.

A GREAT MARVEL SEEN IN SCOTLAND.

The following strange and almost incredible account is given by Lindsay, of Pitscottie:—"About this time (the beginning of the sixteenth century) there was a great marvel seen in Scotland. A bairn was born, reckoned to be a man-child, but from the waist up was two fair persons, with all members pertayning to two bodies; to wit, two heads, well-eyed, well-eared, and well-handed. The two bodies, the one's back was fast to the other's, but from the waist down they were but one personage; and it could not be known by the ingene of men from which of the bodies the legs, &c., proceeded. Notwithstanding the King's Majesty caused great care and diligence on the up-bringing of both bodies; caused nourish them, and learn them to sing and play on instruments of music. Who within short time became very ingenious and cunning in the art of music, whereby they could play and sing two parts, the one the treble, and the other the tenor, which was very dulce and melodious to hear; the common people (who treated them also) wondered that they could speak diverse and sundry languages, that is to say, Latin, French, Italian, Spanish, Dutch, English, and Irish. Their two bodies long continued to the age of twenty-eight years, and the one continued long before the other, which was dolorous and heavy to the other; for which, when many required of the other to be merry, he answered, "How can I be merry which have my true marrow as a dead carrion about my back, which was wont to sing and play with me: when I was sad he would give me comfort, and I would do the like to him. But now I have nothing but dolour of the having so heavy a burthen, dead, cold, and unsavoury, on my back, which taketh all earthly pleasure from me in this present life; therefore I pray to God Allmighty to deliver me out of this present life, that we may be laid and dissolved in the earth, wherefrom we came, &c."

The following strange and almost unbelievable story is told by Lindsay of Pitscottie:—"Around this time (the beginning of the sixteenth century), a great marvel was witnessed in Scotland. A child was born, believed to be a boy, but from the waist up, there were two beautiful figures, each with their own heads, eyes, ears, and hands. The two bodies were joined at the back, but from the waist down, they were just one person; it was impossible to tell from which body the legs, etc., came. Despite this, the King made sure both bodies were well cared for; he provided for their nourishment and taught them to sing and play musical instruments. In a short time, they became very skilled in music, being able to play and sing in two parts, one singing the treble and the other the tenor, which was very sweet and melodious to hear. The common people, who also treated them well, were amazed that they could speak several different languages, including Latin, French, Italian, Spanish, Dutch, English, and Irish. Their two bodies survived until they were twenty-eight years old, with one living significantly longer than the other, which was painful and heavy for the one remaining; when many urged him to be cheerful, he replied, 'How can I be happy when my true companion is a dead weight on my back, who used to sing and play with me? When I was sad, he would comfort me, and I would do the same for him. Now, all I feel is the sorrow of carrying such a heavy, cold, and lifeless burden, which takes away all joy from my present life. Therefore, I pray to God Almighty to free me from this life so we may be laid to rest in the earth from which we came.'"

Buchanan, who relates the same strange tale, avers that he received it from "many honest and credible persons, who saw the prodigy with their own eyes." He adds that the two bodies discovered different tastes and appetites; that they would frequently disagree and quarrel, and sometimes would consult each other, and concert measures for the good [Pg 139] of both; that when any hurt was done to the lower parts, each upper body felt pain; but that when the injury was above the junction, then one body only was affected. This monster, he writes, lived twenty-eight years, but died wretchedly; one part expiring some days before the other, which, half-putrified, pined away by degrees.

Buchanan, who tells the same strange story, claims that he got it from "many honest and credible people who saw the phenomenon with their own eyes." He adds that the two bodies had different tastes and appetites; they would often disagree and argue, and sometimes they would consult each other and plan together for the benefit of both; that when any harm was done to the lower parts, each upper body felt pain; but when the injury was above the junction, only one body was affected. This creature, he writes, lived for twenty-eight years but died in misery; one part passed away a few days before the other, which, half-decayed, gradually wasted away.

THE KING OF KIPPEN.

THE KING OF KIPPEN.

The following anecdote is valuable, inasmuch as it gives us an idea of the manners which a King of Scotland could practice without offence to his subjects:—

The following story is valuable because it shows us the behavior that a King of Scotland could display without offending his subjects:—

King James V. was a very sociable, debonnaire prince. Residing at Stirling in Buchanan of Arnpryor's time, carriers were very frequently passing along the common road with necessaries for the use of the king's family. One of these being near Arnpryor's house, and he having some extraordinary occasion, ordered him to leave his load at his house and he would pay him for it; which the carrier refused to do, telling him he was the king's carrier, and his load was for his majesty's use. To which Arnpryor seemed to have small regard, compelling the carrier, in the end, to leave his load; telling him, if King James was King of Scotland, he was king of Kippen, so that it was reasonable he should share with his neighbour king in some of these loads so frequently carried that road. The carrier representing this usage, and telling the story as Arnpryor spoke it, to some of the king's servants, it came at length to his majesty's ears, who, shortly thereafter, with a few attendants, came to visit his neighbour king, who was, in the meantime, at dinner. King James having sent a servant to demand access, was denied the same by a tall fellow with a battle-axe, who stood porter at the gate, telling him there could be no access till dinner was over. This answer not satisfying the king, he sent to demand access a second time; upon which he was desired by the porter to desist, otherwise he would find cause to repent his rudeness. His majesty finding this method would not do, desired the porter to tell his master that the good man of Ballangeich desired to speak with the King of Kippen. The porter telling Arnpryor so much, he, in all humble manner, came and received the king, and having entertained him with much sumptuousness and jollity, became so agreeable to King James, that he allowed him to take so much of any provision he found carrying that road as he had occasion for; and, seeing he made the first visit, desired Arnpryor in a few days to return him a second at Stirling, which he performed, and continued in very much favour with the king, always thereafter being termed King of Kippen while he lived.

King James V was a very sociable, charming prince. While living at Stirling during Buchanan of Arnpryor's time, carriers often traveled along the main road with supplies for the king's family. One of these carriers, near Arnpryor's house and having an extraordinary reason, asked the carrier to drop off his load at his place, promising to pay him for it; however, the carrier refused, saying he was the king's carrier and his load was meant for the king. Arnpryor didn't seem to care much about that, eventually forcing the carrier to leave his load, saying that if King James was King of Scotland, he was the king of Kippen, so it was fair he should share some of those loads that frequently passed by. The carrier reported this treatment, sharing the story as Arnpryor had told it, with some of the king's servants, and eventually, it reached the king's ears. Shortly after, with a few attendants, he came to visit his neighboring king, who was having dinner at the time. King James sent a servant to request entry but was denied by a tall guy with a battle-axe, the gatekeeper, who said no one could enter until dinner was done. The king was unsatisfied with this response and sent a request again; the porter told him to stop or he'd regret his rudeness. Finding this approach unhelpful, the king asked the porter to inform his master that the good man of Ballangeich wanted to speak with the King of Kippen. The porter conveyed this, and Arnpryor, in a humble manner, came out to welcome the king. After hosting him with great hospitality and cheer, he became so agreeable to King James that he was allowed to take as much of any provisions he found on that road as he needed. Since he made the first visit, King James asked Arnpryor to return the favor with a visit to Stirling in a few days, which he did, and thereafter, he remained in the king's good graces, always being referred to as the King of Kippen for the rest of his life.

AN ECCENTRIC TOURIST.

A quirky tourist.

Sir Hildebrand Jacob, of Yewhall, in Oxfordshire, died at Malvern in 1790. He succeeded his grandfather, Sir John, 1740, his father, Hildebrand, having died in 1739. He was a very extraordinary character. As a general scholar, he was exceeded by few; in his knowledge of the Hebrew language he scarcely had an equal. In the earlier part of his life, one custom which he constantly followed was very remarkable. As soon as the roads became pretty good, and the fine weather [Pg 140] began to set in, his man was ordered to pack-up a few things in a portmanteau, and with these his master and himself set off, without knowing whither they were going. When it drew towards evening, they enquired at the first village they saw, whether the great man in it was a lover of books, and had a fine library. If the answer was in the negative, they went on farther; if in the affirmative, Sir Hildebrand sent his compliments, that he was come to see him; and there he used to stay till time or curiosity induced him to move elsewhere. In this manner Sir Hildebrand had, very early, passed through the greatest part of England, without scarcely ever sleeping at an inn, unless where the town or village did not afford one person in it civilized enough to be glad to see a gentleman and a scholar.

Sir Hildebrand Jacob, from Yewhall in Oxfordshire, passed away at Malvern in 1790. He succeeded his grandfather, Sir John, in 1740, as his father, Hildebrand, had died in 1739. He was an extraordinary individual. As a general scholar, few matched his abilities; in his knowledge of Hebrew, he had hardly any equals. In the earlier part of his life, he followed a particularly remarkable custom. Once the roads got decent and the nice weather set in, his servant would pack a few things into a suitcase, and they would set off without knowing where they were headed. When evening approached, they would ask at the first village they encountered if the notable resident enjoyed books and had a great library. If the answer was no, they would move on; if yes, Sir Hildebrand would send his regards, letting them know he came to visit. He would stay there until either time or curiosity prompted him to leave. This way, Sir Hildebrand had traveled through most of England early on, rarely staying at an inn unless the town or village couldn’t provide a person who was glad to host a gentleman and a scholar.

HANGING A MAYOR.

Hanging a Mayor.

On the right of the road leading towards Caergwrle, and about a mile from Mold, is an old structure, which presents a singular specimen of the style of domestic architecture during the ages of lawless violence in which it was erected: it consists of an ancient square tower of three stories, and appears to have been designed as a place of fortified habitation. During the wars between the houses of York and Lancaster, it was inhabited by Reinallt ab Gruffydd ab Bleddyn, who was constantly engaged in feuds with the citizens of Chester. In 1495, a considerable number of the latter came to Mold fair, and a fray arising between the hostile parties, great slaughter ensued on both sides; but Reinallt, who obtained the victory, took the mayor of Chester prisoner, and conveyed him to his mansion, where he hung him on the staple in his great hall. To avenge this affront, a party of two hundred men was despatched from Chester to seize Reinallt, who, retiring from his house into the adjoining woods, permitted a few of them to enter the building, when, rushing from his concealment, he blocked up the door, and, setting fire to the house, destroyed them in the flames; he then attacked the remainder, whom he pursued with great slaughter; and such as escaped the sword were drowned in attempting to regain their homes. The staple on which the mayor was hung still remains fixed on the ceiling of the lower apartment.

On the right side of the road heading towards Caergwrle, about a mile from Mold, stands an old building that showcases a unique example of domestic architecture from the lawless times it was built during. It features an ancient square tower with three stories and seems to have been designed as a fortified residence. During the conflicts between the houses of York and Lancaster, it was occupied by Reinallt ab Gruffydd ab Bleddyn, who was frequently involved in disputes with the citizens of Chester. In 1495, a large number of people from Chester attended the Mold fair, and when a brawl broke out between the rival groups, significant casualties occurred on both sides; however, Reinallt emerged victorious, capturing the mayor of Chester and bringing him to his home, where he hanged him from a staple in his grand hall. To retaliate for this insult, a group of two hundred men was sent from Chester to capture Reinallt, who, retreating into the nearby woods, allowed a few of them to enter his home. When they did, he suddenly charged from his hiding place, blocked the door, and set fire to the house, killing them in the flames. He then attacked the others, pursuing them mercilessly, and those who managed to escape the sword drowned while trying to return home. The staple from which the mayor was hanged still hangs on the ceiling of the lower room.

MATERNAL AFFECTION IN A DUMB WOMAN.

MATERNAL AFFECTION IN A NONVERBAL WOMAN.

Mary, Countess of Orkney, was both deaf and dumb; she was married in the year 1753, by signs. Shortly after the birth of her first child, the nurse, with considerable astonishment, saw the mother cautiously approach the cradle in which the infant was sleeping, evidently full of some deep design. The Countess, having perfectly assured herself that the child really slept, raised an immense stone which she had concealed under her shawl, and, to the horror of the nurse, (who was an Irishwoman, and like all persons of the lower orders in her country, and indeed in most countries, was fully impressed with an idea of the peculiar cunning and malignity of "dumbies,") lifted it with an apparent intent to fling it down vehemently. Before the nurse could interpose, the Countess had flung the stone,—not, however, as the servant had apprehended, at the child, but on the floor, where, of course, it made a [Pg 141] great noise. The child immediately awoke, and cried. The Countess, who had looked with maternal eagerness to the result of her experiment, fell on her knees in a transport of joy. She had discovered that her child possessed the sense which was wanting in herself. She exhibited on many other occasions similar proofs of intelligence, but none so interesting.

Mary, Countess of Orkney, was both deaf and mute; she got married in 1753 using sign language. Shortly after her first child was born, the nurse, quite surprised, watched as the mother cautiously approached the cradle where the baby was sleeping, clearly with some deep intention. After making sure the child was truly asleep, the Countess lifted a heavy stone she had hidden under her shawl, to the horror of the nurse, who was Irish and, like many of her social class, believed in the peculiar craftiness and malice of "mute people." She lifted the stone as if she meant to throw it down violently. Before the nurse could intervene, the Countess hurled the stone—not at the baby, as the servant feared, but on the floor, which naturally made a loud noise. The child immediately woke up and cried. The Countess, who had been eagerly anticipating the outcome of her experiment, fell to her knees in a burst of joy. She had discovered that her child had the sense she lacked. She showed similar signs of intelligence on many other occasions, but none were as remarkable as this.

THE PERILS OF INVENTORS.

THE RISKS OF INVENTORS.

The dangers which inventors have frequently to encounter are very great. Among many instances we may mention the following:—

The dangers that inventors often face are quite significant. Among many examples, we can mention the following:—

Mr. Day perished in a diving bell, or diving boat of his own construction, at Plymouth, in June, 1774, in which he was to have continued for a wager, twelve hours, one hundred feet deep in water, and probably, perished from his not possessing all the hydrostatic knowledge that was necessary. Mr. Spalding was professionally ingenious in the art of constructing and managing the diving bell, he had practised the business many years with success. He went down, accompanied by one of his young men, twice to view the wreck of the Imperial East Indiaman, at Kish Bank, in Ireland; on descending the third time, in June, 1783, they remained about an hour under water, and had two barrels of air sent down to them, but on the signals from below not being repeated, after a certain time, they were drawn up by their assistants, and both found dead in the bell.

Mr. Day died in a diving bell, or diving boat of his own design, in Plymouth in June 1774. He was supposed to stay underwater for twelve hours at a depth of one hundred feet as part of a bet, but he likely died because he didn't have all the necessary knowledge of hydrostatics. Mr. Spalding was skilled in building and operating diving bells; he had been doing this successfully for many years. He went down with one of his crew members twice to inspect the wreck of the Imperial East Indiaman at Kish Bank in Ireland. On their third descent in June 1783, they stayed underwater for about an hour and had two barrels of air sent down to them. However, when the signals from below stopped being repeated after a while, they were pulled back up by their assistants, only to be found dead in the bell.

BRIBERY.

Bribery.

The triumphant exposure and punishments of corrupt bribe-takers on a grand scale belongs to the close of the seventeenth century. In 1695 Sir John Trevor, the Speaker of the House of Commons, was compelled to put the question himself that he should be expelled. A bill for securing the right application to poor orphans of freemen of London of funds belonging to them could not be carried without purchasing the support of influential members and of the Speaker himself, at a bribe for the latter of 1,000 guineas!

The successful uncovering and punishment of corrupt bribe-takers on a large scale happened at the end of the seventeenth century. In 1695, Sir John Trevor, the Speaker of the House of Commons, had to ask if he should be expelled himself. A bill aimed at ensuring that funds belonging to poor orphans of freemen of London were used properly couldn’t pass without buying the support of important members and the Speaker himself, with a bribe of 1,000 guineas for the latter!

Sir Thomas Cook, the governor of the East India Company, paid £167,000 in one year for bribes to members of the House, of which Sir Basil Firebrace took for his share £40,000. Corruption was universal, therefore deemed venial.

Sir Thomas Cook, the governor of the East India Company, paid £167,000 in one year for bribes to members of the House, of which Sir Basil Firebrace took £40,000 as his cut. Corruption was widespread, so it was seen as minor.

LEGALISED GAMBLING.

Legalized Gambling.

The following statement shows the extent to which lotteries encouraged a spirit of gambling among the people, and we may hence appreciate the soundness of the policy which dictated their suppression:—

The following statement illustrates how much lotteries promoted a culture of gambling among the people, and we can therefore understand the rationale behind their ban:—

The Post Boy of December 27, says:—"We are informed that the Parliamentary Lottery will be fixed in this manner:—150,000 tickets will be delivered out at 10l. each ticket, making in all the sum of 1,500,000l. sterling; the principal whereof is to be sunk, the Parliament allowing nine per cent. interest for the whole during the term of 32 years, which interest is to be divided as follows: 3,750 tickets will be prizes from 1,000l. to 5l. per annum during the said 32 years; all the other tickets will be blanks, so that there will be 39 of these to one prize, but then [Pg 142] each blank ticket will be entitled to fourteen shillings a year for the term of 32 years, which is better than an annuity for life at ten per cent. over and above the chance of getting a prize." Such was the eagerness of the publick in subscribing to the above profitable scheme, that Mercers'-hall was literally crowded, and the Clerks were found incompetent to receive the influx of names. 600,000l. was subscribed January 21; and on the 28th of February, the sum of 1,500,000l. was completed.

The Post Boy from December 27 says:—"We have learned that the Parliamentary Lottery will be set up like this:—150,000 tickets will be issued at £10 each, totaling £1,500,000 sterling; the principal amount will be set aside, with Parliament agreeing to pay nine percent interest on the entire amount for 32 years. This interest will be distributed as follows: 3,750 tickets will be prizes ranging from £1,000 to £5 per year for the entire 32 years; all other tickets will be blanks, creating a ratio of 39 blanks for every prize. However, each blank ticket will be entitled to fourteen shillings per year for 32 years, which is better than a lifetime annuity at ten percent, in addition to the chance of winning a prize." The public was so eager to participate in this profitable scheme that Mercers' Hall became completely packed, and the clerks were overwhelmed by the number of names coming in. £600,000 was subscribed by January 21; and by February 28, the total of £1,500,000 was achieved.

ONE OF THE EFFECTS OF MANUFACTURES.

ONE OF THE EFFECTS OF MANUFACTURING.

How greatly does the introduction of a manufacturing establishment into a town where none previously existed, alter its whole character and condition!

How much does bringing a manufacturing plant into a town that didn't have one before change its entire character and situation!

It is said that the burgh of Lanark was, till very recent times, so poor that the single butcher of the town, who also exercised the calling of a weaver, in order to fill up his spare time, would never venture upon the speculation of killing a sheep till every part of the animal was ordered beforehand. When he felt disposed to engage in such an enterprise, he usually prevailed upon the minister, the provost, and the town-council, to take shares; but when no person came forward to bespeak the fourth quarter, the sheep received a respite till better times should cast up. The bellman or skellyman, as he is there called, used often to go through the streets of Lanark with advertisements such as are embodied in the following popular rhyme:—

It is said that the town of Lanark was, until very recently, so poor that the only butcher in town, who also worked as a weaver to fill his free time, would never risk killing a sheep until every part of the animal was already ordered. When he was ready to take on such a task, he would usually convince the minister, the mayor, and the town council to invest, but if no one stepped up to claim the last quarter, the sheep would be put on hold until better times came along. The town crier, or skellyman, as he is called there, often walked through the streets of Lanark with announcements like those captured in the following popular rhyme:—

"Bell-ell-ell!
There's a fat sheep to kill!
A leg for the provost,
Another for the priest,
The bailies and deacons,
They'll tak the neist;
And if the fourth leg we connot sell,
The sheep it maun leeve and gae back to the hill!"

PÂTÉS DE FOIES GRAS.

Foie gras pâtés.

Strasbourg is the great market for pâtés de foies gras, made, as it is known, of the livers of geese. These poor creatures are shut up in coops, so narrow they cannot turn round in them, and then stuffed twice a day with Indian corn, to enlarge their livers, which have been known to swell till they reached the enormous weight of two pounds and a half. Garlick, steeped in water, is given them, to increase their appetites. This invention is worthy of the French nation, where cooks are great as nobles.

Strasbourg is the major market for pâtés de foies gras, which, as everyone knows, are made from goose livers. These unfortunate birds are kept in cages so small they can't turn around, and then they are force-fed corn twice a day to fatten their livers, which can balloon to an astonishing weight of two and a half pounds. They are also given garlic soaked in water to boost their appetite. This technique truly reflects the French spirit, where chefs are as esteemed as nobles.

INSCRIPTION IN CONWAY CHURCH.

INSCRIPTION IN CONWAY CHURCH.

Here lyeth the body of Nicholas Hookes, of Conway, gentleman, (who was the forty-first child of his father, Wm. Hookes, Esq., by Alice, his wife,) the father of twenty-seven children, who died the 27th day of March, 1637.

Here lies the body of Nicholas Hookes, of Conway, gentleman, (who was the forty-first child of his father, Wm. Hookes, Esq., by Alice, his wife,) the father of twenty-seven children, who died on March 27, 1637.

DROPPING-WELLS.

Dewatering wells.

If you journey through Yorkshire, be sure to stop opposite the ruins of Knaresborough Castle, because, on the south-west bank of the river Nidd,[Pg 143] you will observe the petrifying spring of Knaresborough,—the celebrated dropping-well—where the peasants and the needy crowd to make their humble fortunes by afterwards retailing small sprigs of trees, such as the elder or ash, or pieces of the elegant geranium, the wild angelica, or the lovely violet, turned into "obdurate stone."

If you travel through Yorkshire, make sure to stop in front of the ruins of Knaresborough Castle, because on the southwest bank of the River Nidd,[Pg 143] you'll see the petrifying spring of Knaresborough—the famous dropping-well—where locals and those in need gather to try to make their fortunes by selling small branches of trees like elder or ash, or bits of beautiful geranium, wild angelica, or lovely violet, all turned into "hard stone."

Petrifying Spring of Knaresborough

Every spring does not possess the petrifying properties of that of Knaresborough; but there are, doubtless, many dropping-wells distributed over the earth's crust; and some of these are well known to possess the property of petrifying various objects submitted to the action of their waters. For example: we have seen birds' nests, with the eggs, and delicate sprigs of moss surrounding them, and even the fibres of wool turned into stone, aye, and delicate flowers. Whence is this extraordinary power? From the soil over which the waters flow! The limpid streams absorb the silicious particles, and deposit them in the intimate structure of the materials submitted to the action of the waters; and [Pg 144] thus we find the materials of which the earth's crust is composed, always undergoing a change.

Not every spring has the petrifying qualities of Knaresborough; however, there are certainly many mineral springs around the world, and some are well known for turning various objects exposed to their waters into stone. For instance, we've observed bird nests, complete with eggs and delicate moss surrounding them, as well as wool fibers and even fragile flowers turned to stone. Where does this remarkable power come from? From the soil that the water flows over! The clear streams absorb silica particles and deposit them into the structure of the materials that come into contact with the water; and [Pg 144] so we see the materials making up the earth's crust continually changing.

Twenty gallons are poured forth every minute from the top of the Knaresborough cliff, and the beauty of the scene can only be appreciated by those who have stood upon the margin of those "stony waters" and beheld the crystal fluid descend from above with metallic fall.

Twenty gallons pour out every minute from the top of the Knaresborough cliff, and the beauty of the scene can only be truly appreciated by those who have stood at the edge of those "stony waters" and watched the clear water cascade down with a metallic sound.

CHINESE IVORY BALLS.

Chinese ivory balls.

Nothing can afford a greater proof of the patience and perseverance, as well as of the taste of a Chinese handicraftsman, than one of these elegant baubles, each ball being exquisitely carved, and no two alike in pattern. Each of the balls rolls freely within that which encloses it, and is visible through apertures; so that however many there be, the beauties of each can be examined, and the number of the whole counted. Much time is spent upon the carving of these toys, for the cleverest artist will employ a whole month in the execution of each separate ball; consequently the labour of two years is not unfrequently bestowed on the production of a single toy, which is formed out of a solid globe of ivory, and has no junction in any part. The outside of this globe is first carved in some very open pattern, and is then carefully cut with a sharp, fine instrument, through the openings, till a complete coating is detached from the solid part inside, as the peel of an orange might be loosened with a scoop from the fruit, without being taken off. One hollow ball is thus formed, with a solid one inside of it. The surface of the inner ball is then carved through the interstices of the outer one, and when finished, is subjected to the same operation as the first; and thus a second hollow ball is produced, still with a solid one of smaller dimensions inside. This process is repeated again and again, the difficulties increasing as the work proceeds, till at length only a small ball, of the size of a marble, is left in the centre, which is also ornamented with figures cut upon it, and then the ingenious but useless bauble is complete. This process is said to be performed under water.

Nothing showcases the patience, perseverance, and skill of a Chinese craftsman better than one of these elegant ornaments, each ball intricately carved, with no two patterns alike. Each ball rolls freely within its casing and is visible through openings, allowing every single beauty to be admired and the total number counted. A lot of time goes into crafting these items, as even the most talented artist might spend a whole month working on a single ball; therefore, it's not uncommon for the labor of two years to go into creating one toy, which is made from a solid piece of ivory with no joints at any point. The outer layer of this globe is first carved into an open pattern and then precisely cut with a sharp, fine tool through the openings until a complete shell is detached from the solid interior, similar to how an orange peel can be gently removed without being taken off in one piece. This forms one hollow ball, with a solid one inside it. The surface of the inner ball is then carved through the gaps of the outer one, and once completed, it undergoes the same process as the first; this produces a second hollow ball, still containing a smaller solid one inside. This process is repeated over and over, with the challenges increasing as the work continues, until finally, a small ball, about the size of a marble, is left at the center, also decorated with figures carved onto it, completing the ingenious yet impractical ornament. This process is said to be performed underwater.

CREDULITY OF THE ANCIENTS.

Belief of the Ancients.

The credulity of even the learned men in the early ages may be judged of by the following facts:—

The gullibility of even educated men in the early ages can be judged by the following facts:—

Marcus Varro writeth, that there was a town in Spain undermined with rabbits; another likewise in Thessaly by moles or molewharps. In Africa the people were compelled by locusts to leave their habitations; and out of Gyaros, an island, one of the Cyclades, the islanders were forced by rats and mice to fly away; moreover in Italy the city of Amyclæ was destroyed by serpents. In Ethiopia there is a great country lies waste and desert, by reason it was formerly dispeopled by scorpions; and if it be true that Theophrastus reporteth, the Treriens were chased away by certain worms called scolopendres. Annius writes, that an ancient city situate near the Volscian Lake, and called Contenebra, was in times past overthrown by pismires, and that the place is thereupon vulgarly called to this day, the Camp of Ants. In Media, saith Diodorus Siculus, there was such an infinite [Pg 145] number of sparrows that eat up and devoured the seed which was cast into the ground, so that men were constrained to depart from their old habitations, and remove to other places.

Marcus Varro writes that there was a town in Spain overrun by rabbits; another one in Thessaly was infested by moles. In Africa, people were forced to abandon their homes because of locusts. From Gyaros, an island in the Cyclades, the locals had to flee due to a rat and mouse invasion; additionally, in Italy, the city of Amyclae was destroyed by snakes. In Ethiopia, a large area lies vacant and barren because it was previously depopulated by scorpions. If Theophrastus is to be believed, the Treriens were driven away by creatures called centipedes. Annius states that an ancient city near the Volscian Lake, known as Contenebra, was once destroyed by ants, and the place is still commonly referred to today as the Camp of Ants. In Media, Diodorus Siculus notes that there were so many sparrows that they consumed the seeds planted in the ground, forcing people to leave their homes and relocate elsewhere.

CLOCK PRESENTED TO CHARLEMAGNE.

Clock Given to Charlemagne.

The French historians describe a clock sent to Charlemagne in the year 807, by the famous eastern caliph, Haroun al Raschid, which was evidently furnished with some kind of wheelwork, although the moving power appears to have been produced by the fall of water. This clock was a rather wonderful affair, and excited a great deal of attention at the French court. In the dial of it were twelve small doors forming the divisions for the hours, each door opened at the hour marked by the index, and let out small brass balls, which, falling on a bell, struck the hours—a great novelty at that time. The doors continued open until the hour of twelve, when twelve figures representing knights on horseback came out and paraded round the dial plate.

The French historians talk about a clock that was sent to Charlemagne in 807 by the famous eastern caliph, Haroun al Raschid. This clock clearly had some kind of mechanical movement, though it seems the power came from falling water. It was quite an amazing device and drew a lot of attention at the French court. The clock's face had twelve small doors marking the hours; each door opened at the designated hour, releasing small brass balls that fell onto a bell to chime the hours—this was a great novelty at the time. The doors stayed open until twelve o'clock, when twelve figures representing knights on horseback emerged and paraded around the clock face.

REMARKABLE EVENTS, INVENTIONS, &c.

Notable events, inventions, etc.

Memnon, the Egyptian, invents the letters, in the year 1822, before Christ.

Memnon, the Egyptian, invented letters in 1822 B.C.

The Alexandrian library, consisting of 400,000 valuable books, burnt by accident, B. C. 52.

The Alexandrian library, with 400,000 valuable books, was accidentally burned in 52 B.C.

Silk first brought from India, 274: the manufactory of it introduced into Europe by some monks, 551: first worn by the clergy in England, in 1534.

Silk was first brought from India, 274: the manufacturing of it was introduced into Europe by some monks, 551: first worn by the clergy in England, in 1534.

Glass invented in England by Benalt, a monk, A. C. 400.

Glass was invented in England by Benalt, a monk, around 400 A.C.

The University of Cambridge founded A. C. 915.

The University of Cambridge was founded in A.D. 915.

Paper made of cotton rags was in use, 1000; that of linen rags in 1170: the manufactory introduced into England, at Dartford, 1588.

Paper made from cotton rags was in use by 1000; linen rag paper appeared in 1170. The factory started in England, in Dartford, in 1588.

Musical notes invented, 1070.

Musical notes created, 1070.

Justices of the Peace first appointed in England in 1076.

Justices of the Peace were first appointed in England in 1076.

Doomsday-book began to be compiled by order of William, from a survey of all the estates in England (and finished in 1086), 1080.

Doomsday Book started to be compiled by order of William, based on a survey of all the estates in England (and completed in 1086), 1080.

Glass windows began to be used in private houses in England in 1186.

Glass windows started to be used in private homes in England in 1186.

Surnames now began to be used, first among the nobility, in 1200.

Surnames started to be used, first among the nobility, in 1200.

The houses of London and other cities in England, France, and Germany, still thatched with straw in 1233.

The houses in London and other cities in England, France, and Germany were still thatched with straw in 1233.

Tallow candles so great a luxury, that splinters of wood were used for lights, 1298.

Tallow candles were such a luxury that people used wood splinters for light. 1298.

Wine sold by apothecaries as a cordial, 1298.

Wine sold by pharmacies as a tonic, 1298.

Gunpowder and guns first invented by Swartz, a monk of Cologn, 1340; Edward 3rd had four pieces of cannon, which contributed to gain him the battle of Cressy, 1346; bombs and mortars were invented in the same year.

Gunpowder and guns were first invented by Swartz, a monk from Cologne, in 1340; Edward III had four cannons, which helped him win the Battle of Crécy in 1346; bombs and mortars were invented the same year.

Cards invented in France for the king's amusement in 1391.

Cards were created in France for the king's entertainment in 1391.

Windsor Castle built by Edward 3rd, 1386.

Windsor Castle was built by Edward III in 1386.

Guildhall, London, built 1410.

Guildhall, London, established 1410.

About 1430, Laurentius, of Haarlem, invented the art of Printing, which he practised with separate wooden types. Guttenburg afterwards [Pg 146] invented cut metal types: but the art was carried to perfection by Peter Schoeffer, who invented the mode of casting the types in matrices. Frederick Corsellis began to print at Oxford, in 1468, with wooden types; but it was William Caxton who introduced into England the art of printing with fusile types, in 1474.

About 1430, Laurentius from Haarlem invented printing using individual wooden letters. Gutenberg later invented metal movable type; however, it was Peter Schoeffer who perfected the craft by creating a system for casting types in molds. Frederick Corsellis started printing in Oxford in 1468 with wooden letters, but it was William Caxton who brought the art of printing with cast metal type to England in 1474.

Shillings first coined in England, 1505.

Shillings were first minted in England in 1505.

Silk stockings first worn by the French King, 1543; first worn in England by Queen Elizabeth in 1561.

Silk stockings were first worn by the French King in 1543 and were introduced in England by Queen Elizabeth in 1561.

Tobacco first brought from Virginia into England, 1583.

Tobacco was first brought from Virginia to England in 1583.

Watches first brought into England from Germany, in 1597.

Watches were first brought to England from Germany in 1597.

Regular Posts established from London to Scotland, Ireland, &c., 1635.

Regular Posts were set up from London to Scotland, Ireland, etc., in 1635.

The Plague rages in London, and carries off 68,000 persons, 1665.

The plague is spreading wildly in London, and it has taken the lives of 68,000 people, 1665.

The great fire of London began, September 2nd, and continued three days, in which were destroyed 13,000 houses, and 400 streets, 1666.

The great fire of London started on September 2nd and went on for three days, during which 13,000 houses and 400 streets were destroyed, in 1666.

Tea first used in England, 1666.

Tea was first used in England in 1666.

The Habeas Corpus act passed, 1678.

The Habeas Corpus Act was passed in 1678.

William Penn, a Quaker, receives a charter for planting Pennsylvania, 1680.

William Penn, a Quaker, gets a charter to establish Pennsylvania, 1680.

Bank of England established by King William 1693.

Bank of England established by King William in 1693.

The first public Lottery was drawn same year.

The first public lottery was drawn that same year.

The first British Parliament, 1707.

The first British Parliament, 1707.

The Cathedral Church of St. Paul, London, rebuilt by Sir Christopher Wren, in 37 years, at one million expense, by a duty on coals, 1710.

The Cathedral Church of St. Paul, London, rebuilt by Sir Christopher Wren, took 37 years and cost one million, funded by a tax on coal, completed in 1710.

Westminster Bridge, consisting of 15 arches, begun 1738, finished in 1750, at the expense of 389,000l., defrayed by parliament.

Westminster Bridge, made up of 15 arches, started in 1738 and completed in 1750, at a cost of 389,000l., funded by Parliament.

Commodore Anson returns from his voyage round the world, 1774.

Commodore Anson comes back from his journey around the world, 1774.

The British Museum erected at Montagu House, 1753.

The British Museum was established at Montagu House in 1753.

149 Englishmen are confined in the black-hole at Calcutta, in the East Indies, by order of the Nabob, and 123 found dead next morning, 1755.

149 Englishmen are trapped in the black hole in Calcutta, in the East Indies, by order of the Nabob, and 123 were found dead the next morning, 1755.

LEGENDS AMONG SAVAGE NATIONS.

Legends Among Savage Nations.

It is curious to note how savages endeavour to account for the prodigies of nature. In the island of Samoa, one of the Sandwich group, there is the following legend.

It’s interesting to see how primitive people try to make sense of the wonders of nature. On the island of Samoa, part of the Sandwich Islands, there’s a legend that goes like this.

Mafuie is their god of earthquakes, who was deemed to possess great power, but has, according to the Samoans, lost much of it. The way in which they say this occurred is as follows:—One Talago, who possessed a charm capable of causing the earth to divide, coming to a well-known spot, cried, "Rock, divide! I am Talago; come to work!" The earth separating at his command, he went down to cultivate his taro patch. His son, whose name was Tiitii, became acquainted with the charm, and watching his father, saw him descend, and the earth close after him. At the same spot, Tiitii said, "Rock, divide! I am Talago; come to work!" The rock did not open, but on repeating the words and stamping his foot violently, the earth separated, and he descended. Being a young man, he made a great noise and bustle, notwithstanding the advice of his father to be quiet, lest Mafuie would hear him. The son then asked, "Who is Mafuie, that I should be afraid of him?" Observing [Pg 147] smoke at a distance, he inquired the cause of it. Talago said, "It is Mafuie heating his oven." Tiitii determined to go and see, notwithstanding all the persuasions of his father, and met Mafuie, who inquired who he was, "Are you a planter of taro, a builder, or a twister of ropes?" "I am a twister of ropes," said Tiitii; "give me your arm, and I shall show you." So, taking the arm of Mafuie, he twisted it off in a moment. Such a practical illustration of his powers soon made Mafuie cry out, "Na fia ola, na fia ola!"—I desire to live, I desire to live! Tiitii then took pity upon him, and let him go. The natives, on feeling an earthquake, exclaim, "Thanks that Mafuie has but one arm! if he had two, he would shake the earth to pieces."

Mafuie is their god of earthquakes, who is believed to have great power but has lost much of it, according to the Samoans. The story goes like this: One Talago, who had a charm that could make the earth split, visited a well-known spot and shouted, "Rock, divide! I'm Talago; let's get to work!" The ground opened at his command, and he went down to tend to his taro patch. His son, named Tiitii, learned about the charm by watching his father and saw him descend while the earth closed behind him. At the same spot, Tiitii shouted, "Rock, divide! I'm Talago; let's get to work!" The rock didn’t open, but after repeating the words and stomping his foot forcefully, the earth split, and he went down. Being young, he made a lot of noise despite his father's warning to be quiet so Mafuie wouldn’t hear him. Tiitii then asked, "Who is Mafuie that I should be scared of him?" Noticing smoke in the distance, he asked what it was. Talago replied, "It's Mafuie heating his oven." Tiitii, determined to check it out despite his father’s pleas, met Mafuie, who asked who he was: "Are you a taro planter, a builder, or a rope maker?" Tiitii answered, "I’m a rope maker; let me show you." Then, taking Mafuie’s arm, he twisted it off in an instant. This demonstration of his strength made Mafuie cry out, "Na fia ola, na fia ola!"—I want to live, I want to live! Tiitii then took pity on him and let him go. When natives feel an earthquake, they shout, "Thank goodness Mafuie has only one arm! If he had two, he would shake the earth to pieces."

ORIGIN OF THE WORD LADY.

ORIGIN OF THE WORD WOMAN.

It was the custom at the time of the Plantagenets, and previously, for ladies of distinction and wealth regularly to distribute money or food to the poor. The title of lady, is derived from the Anglo-Saxon, and literally signifies giver of bread. The purse, with similar meaning, was named as a receptacle for alms, and not as an invention for the preservation of money.

It was the custom during the time of the Plantagenets, and before that, for women of high status and wealth to regularly give money or food to those in need. The title of lady comes from the Anglo-Saxon language and literally means giver of bread. The purse, with a similar meaning, was originally named as a container for alms, and not as a tool for storing money.

ANECDOTES IN SERMONS.

Stories in sermons.

The fashion which once prevailed of introducing historical anecdotes into addresses from the pulpit, is illustrated by the following extract from a sermon by the Martyr Bishop Ridley:—

The trend of including historical stories in sermons from the pulpit is demonstrated by the following excerpt from a sermon by Martyr Bishop Ridley:—

Cambyses was a great emperor, such another as our master is; he had many lord-deputies, lord-presidents, and lieutenants under him. It is a great while ago since I read the history. It chanced he had under him, in one of his dominions, a briber, a gift-taker, a gratifier of rich men; he followed gifts as fast as he that followed the pudding, a hand-maker in his office, to make his son a great man; as the old saying is, "Happy is the child whose father goeth to the devil." The cry of the poor widow came to the emperor's ear, and caused him to flay the judge quick, and laid his skin in his chair of judgment, that all judges that should give judgment afterward should sit in the same skin. Surely it was a goodly sign, a goodly monument, the sign of the judge's skin: I pray God we may once see the sign of the skin in England.

Cambyses was a great emperor, just like our leader is; he had many governors, presidents, and deputies working under him. It’s been a while since I read the history. It happened that he had, in one of his territories, a briber, a gift-taker, someone who pleased wealthy people; he pursued gifts as eagerly as a person chasing after dessert, trying to make his son a powerful man; as the old saying goes, "Happy is the child whose father goes to the devil." The cries of a poor widow reached the emperor's ears, prompting him to flay the judge alive and hang his skin on the judgment chair, so that all future judges would have to sit in that same skin. Surely it was a striking sign, a powerful monument, the sign of the judge's skin: I pray God we may one day see a similar sight in England.

STATE OF LONDON IN 1756.

STATE OF LONDON IN 1756.

The state of the police regulations in the metropolis at the above date, is exhibited in the following extract from an old magazine:—

The condition of the police rules in the city as of that date is shown in the following quote from an old magazine:—

"At one o'clock this morning (Oct. 4, 1756), the Hon. Captain Brudenel was stopped in his chair, just as it entered Berkeley-square, from the Hay-hill, by two fellows with pistols, who demanded his money; he gave them five-sixpences, telling them he had no more, which having taken, they immediately made off. The captain then put his purse and watch under the cushion, got out, drew his sword, and being followed by one of the chairmen with his pole, and the watchman, pursued them up the hill, where the Hon. Captain West, who was walking, having joined them, one of the fellows having got off, they followed the other into [Pg 148] Albemarle-mews, where finding himself closely beset, he drew a pistol, and presented it, upon which the captain made a lunge at him, and ran him through the body. The fellow at the same time fired his pistol, which, the captain being still stooping, went over his head and shot the watchman through the lungs; at the instant the pistol was discharged, while the fellow's arm was extended, the chairman struck it with his pole and broke it; he was then seized and carried with the watchman to the round-house in Dover-street, where Mr. Bromfield and Mr. Gataker, two eminent surgeons, came; but the captain would not suffer the villain to be dressed, till he discovered who he and his confederates were; when he acknowledged they were both grenadiers in Lord Howe's company. The poor watchman died in half an hour after he was shot; and the soldier was so disabled by his wound that he was carried in a chair to Justice Fielding, who sent him to New Prison, where he died."

"At one o'clock this morning (Oct. 4, 1756), the Hon. Captain Brudenel was stopped in his chair as it entered Berkeley Square from Hay Hill by two guys with pistols who demanded his money. He handed over five sixpences, claiming he had no more, and after taking it, they quickly fled. The captain then hid his purse and watch under the cushion, got out, drew his sword, and, followed by one of the chairmen with his pole and the watchman, pursued them up the hill. There, he was joined by the Hon. Captain West, who was walking. With one of the attackers having escaped, they chased the other into Albemarle Mews. Feeling cornered, the assailant drew a pistol and aimed it at them. The captain lunged at him and stabbed him. At the same moment, the assailant fired his pistol, which, as the captain was still bending over, went over him and shot the watchman in the lungs. As the pistol fired and the attacker extended his arm, the chairman struck it with his pole, breaking it. The attacker was then apprehended and taken with the watchman to the roundhouse in Dover Street, where Mr. Bromfield and Mr. Gataker, two well-known surgeons, arrived. However, the captain refused to let the criminal be treated until he discovered who he and his accomplices were. Eventually, he admitted they were both grenadiers in Lord Howe's company. Sadly, the watchman died half an hour after being shot, and the soldier was so badly injured that he had to be carried in a chair to Justice Fielding, who sent him to New Prison, where he later died."

FROM A HANDBILL OF BARTHOLOMEW FAIR IN 1700.

FROM A HANDBILL OF BARTHOLOMEW FAIR IN 1700.

The following extract is worth notice, inasmuch as it shows that in the matter of amusement, the tastes of the lower orders of the present day are not much improved since the last century:—

The following extract is worth noting, as it shows that when it comes to entertainment, the preferences of the lower classes today haven't changed much since the last century:—

"You will see a wonderful girl of ten years of age, who walks backwards up the sloping rope driving a wheelbarrow behind her; also you will see the great Italian Master, who not only passes all that has yet been seen upon the low rope, but he dances without a pole upon the head of a mast as high as the booth will permit, and afterwards stands upon his head on the same. You will be also entertained with the merry conceits of an Italian scaramouch, who dances on the rope with two children and a dog in a wheelbarrow, and a duck on his head."

"You'll see an amazing ten-year-old girl walking backward up a sloping rope while pushing a wheelbarrow behind her. You'll also witness the incredible Italian Master, who not only surpasses everything you've seen on the low rope, but also dances pole-less on top of a mast as high as the booth allows, and then stands on his head on the same mast. You'll also be entertained by the funny antics of an Italian clown, who dances on the rope with two kids and a dog in a wheelbarrow, plus a duck on his head."

PASSAGE THROUGH THE ISTHMUS OF PANAMA SUGGESTED THREE HUNDRED TEARS AGO.

PASSAGE THROUGH THE ISTHMUS OF PANAMA SUGGESTED THREE HUNDRED YEARS AGO.

Ancient Globe.—In the Town Library (Stadt Bibliothek) of Nuremberg is preserved an interesting globe made by John Schoner, professor of mathematics in the Gymnasium there, A.D. 1520. It is very remarkable that the passage through the Isthmus of Panama, so much sought after in later times, is, on this old globe, carefully delineated.

Ancient Globe.—In the Town Library (Stadt Bibliothek) of Nuremberg, there is an interesting globe made by John Schoner, who was a math professor at the local high school, CE 1520. It's quite remarkable that the route through the Isthmus of Panama, which was highly sought after in later times, is carefully mapped out on this old globe.

HEIGHT OF MOUNTAINS.

MOUNTAIN HEIGHT.

The perpendicular height of Snowdon is, by late admeasurements, 1,190 yards above the level of the sea. This makes it, according to Pennant, 240 yards higher than Cader Idris. Some state Whernside, in Yorkshire to be the highest mountain in South Britain, and more than 4,000 feet. Helvellyn is 3,324 feet, Ben Lomond 3,262. Mont Blanc rises 15,680 feet; the American Chimborazo is 20,909 feet, the highest ground ever trodden by man; and the mountains of Thibet above 25,000 feet, the highest at present known.

The height of Snowdon is, based on recent measurements, 1,190 yards above sea level. This makes it, according to Pennant, 240 yards taller than Cader Idris. Some people claim that Whernside in Yorkshire is the highest mountain in Southern Britain, measuring over 4,000 feet. Helvellyn is 3,324 feet, and Ben Lomond is 3,262 feet. Mont Blanc reaches 15,680 feet; the American Chimborazo is 20,909 feet, the highest point ever reached by humans; and the mountains in Tibet are over 25,000 feet, currently the tallest known.

INTRODUCTION OF THE WEEPING WILLOW INTO ENGLAND.

INTRODUCTION OF THE WEEPING WILLOW INTO ENGLAND.

The Salix Babylonica, that is the Willow of Babylon, or our English weeping Willow, is a native of the Levant, the coast of Persia, and [Pg 149] other places in the East. The manner of its introduction into England is curious; the account is as follows: Pope, the celebrated poet, having received a present of Turkey figs, observed a twig of the basket, in which they were packed, putting out a shoot. The twig he planted in his garden: it soon became a fine tree, and from this stock, all our weeping Willows have descended. This species of Willow is generally planted by a still pool, to which it is a beautiful appropriate ornament; and when in misty weather, drops of water are seen distilling from the extremities of its branches, nothing can be more descriptive than the title it has obtained of the weeping Willow.

The Salix Babylonica, known as the Willow of Babylon or the English weeping Willow, originates from the Levant, the Persian coast, and [Pg 149] other eastern locations. The story of how it made its way to England is quite interesting: the famous poet Pope received a gift of Turkish figs and noticed a twig in the basket starting to sprout. He planted that twig in his garden, and it quickly grew into a beautiful tree. All our weeping Willows trace back to that original tree. This type of Willow is often planted by still waters, where it serves as a lovely decoration. On misty days, when droplets of water hang from the tips of its branches, it perfectly earns the name the weeping Willow.

FINE FOR INSULTING A KING.

FINE FOR DISRESPECTING A KING.

The use of gold and silver was not unknown to the Welsh in 842, when their laws were collected. The man who dared to insult the King of Aberfraw, was to pay (besides certain cows and a silver rod) a cup, which would hold as much wine as his majesty could swallow at a draught; its cover was to be as broad as the king's face; and the whole as thick as a goose's egg, or a ploughman's thumb-nail.

The Welsh were already aware of gold and silver in 842 when their laws were gathered. A man who insulted the King of Aberfraw had to pay, in addition to certain cows and a silver rod, for a cup that could hold as much wine as the king could drink in one go; its cover had to be as wide as the king's face, and the whole cup had to be as thick as a goose's egg or a ploughman’s thumbnail.

CARRONADES.

Cannon.

This species of great gun, so much used on board of ships, is generally accounted a modern invention, taking its name from the Carron foundry where they were made. In the patent office, however, will be found a notice dated September, 1727, to the following effect: "That his Majesty was pleased to grant to Henry Brown, Esquire, a patent for the sole use and benefit of his new invention of making cannon and great guns, both in iron and brass, which will be much shorter and lighter, and with less powder will carry farther than those of equal bore now in use, and which, it is said, will save great expense to the public."

This type of big gun, commonly used on ships, is usually considered a modern invention, named after the Carron foundry where they were produced. However, there is a notice at the patent office dated September 1727 stating: "His Majesty has granted Henry Brown, Esquire, a patent for the exclusive use and benefit of his new invention for making cannons and large guns, both in iron and brass, which will be significantly shorter and lighter, and will shoot farther with less powder than the ones of the same caliber currently in use, and it is said that this will save a lot of money for the public."

EXTRAVAGANCE AT ELECTIONS.

Election extravagance.

On the death of Sir James Lowther, his son William stood for the shire of Cumberland, and entertained 3,650 gentlemen freeholders at a dinner, at which were consumed 768 gallons of wine, 1,454 gallons of ale, and 5,814 bottles of punch. Sir James appears to have been eccentric in some of his habits, for after his decease £30,000 in bank notes were discovered in a closet, and £10,000 in the sleeve of an old coat.

On the death of Sir James Lowther, his son William ran for the Cumberland county seat and hosted 3,650 gentlemen freeholders at a dinner, during which 768 gallons of wine, 1,454 gallons of ale, and 5,814 bottles of punch were consumed. Sir James seemed to have had some eccentric habits, as after his death, £30,000 in bank notes was found in a closet and £10,000 in the sleeve of an old coat.

MARTIN LUTHER'S TANKARD.

MARTIN LUTHER'S MUG.

This interesting relic of the great Reformer is of ivory, very richly carved, and mounted in silver gilt. There are six medallions on its surface, which consist, however, of a repetition of two subjects. The upper one represents the agony in the garden, and the Saviour praying that the cup might pass from Him; the base represents the Lord's Supper, the centre dish being the incarnation of the bread. This tankard, now in the possession of Lord Londesborough, was formerly in the collection of Elkington of Birmingham, who had some copies of it made. On the lid, in old characters, is the following inscription—"C. M. L., MDXXIIII." This drinking vessel, which, independent of its [Pg 150] artistic merit, was no doubt highly valued as a mere household possession, brings to mind many recollections of the life of him who raised himself from a very lowly position to one of great power and usefulness.

This fascinating relic from the great Reformer is made of ivory, beautifully carved, and mounted in silver gilt. Its surface features six medallions, showing two repeating subjects. The top one depicts the agony in the garden, with the Savior praying for the cup to pass from Him; the bottom one illustrates the Last Supper, with the central dish symbolizing the incarnation of the bread. This tankard, now owned by Lord Londesborough, was previously part of Elkington's collection in Birmingham, who had some replicas made. On the lid, in old script, is the inscription—"C. M. L., 1524." Besides its [Pg 150] artistic value, this drinking vessel was likely highly treasured as a household item and evokes many memories of the life of the man who rose from a lowly position to achieve great power and usefulness.

Martin Luther's Tankard

Martin Luther, who was the son of John Lotter or Lauther (which name our Reformer afterwards changed to Luther) and Margaret Lindenen, was born in the little town of Islebern, in Saxony, on November 10th, 1483. His father was a miner. Luther died in 1546, and princes, earls, nobles, and students without number, attended the funeral of the miner's son in the church of Islebern. On this occasion, Melancthon delivered the funeral oration.

Martin Luther, the son of John Lotter or Lauther (a name he later changed to Luther) and Margaret Lindenen, was born in the small town of Islebern, Saxony, on November 10, 1483. His father worked as a miner. Luther died in 1546, and many princes, earls, nobles, and countless students attended the funeral of the miner's son at the church in Islebern. Melancthon delivered the eulogy on this occasion.

HOT CROSS BUNS.

Hot Cross Buns.

How strange the following reads from an old journal! and how odd the state of things to give rise to such an intimation!

How strange the following sounds from an old journal! And how unusual the circumstances that led to such a suggestion!

1793.
Wednesday, 27th March.
ROYAL BUN HOUSE, CHELSEA, GOOD FRIDAY.
No Cross Buns.

1793.
Wednesday, March 27th.
ROYAL BUN HOUSE, CHELSEA, GOOD FRIDAY.
No Cross Buns.

Mrs. Hand respectfully informs her friends, and the public, that in consequence of the great concourse of people which assembled before her house at a very early hour, on the morning of Good Friday; by which her neighbours (with whom she has always lived in friendship and repute,) have been much alarmed and annoyed; it having also been intimated, that to encourage or countenance a tumultuous assembly at this particular period, might be attended with consequences more serious than have hitherto been apprehended; desirous, therefore, of testifying her regard and obedience to those laws by which she is happily protected, she is determined, though much to her loss, not to sell Cross Buns on that day, to any person whatever; but Chelsea Buns as usual.

Mrs. Hand respectfully informs her friends and the public that due to the large crowd that gathered in front of her house very early on Good Friday morning, which has caused much alarm and annoyance to her neighbors (with whom she has always maintained a friendly and respectable relationship), and because it has been suggested that encouraging or supporting a tumultuous gathering at this time could lead to more serious consequences than previously expected; she, wanting to show her respect and compliance with the laws that happily protect her, has decided, though it is a great loss for her, not to sell Cross Buns on that day to anyone at all; but Chelsea Buns will be available as usual.

Mrs. Hand would be wanting in gratitude to a generous public, who, for more than fifty years past, have so warmly patronized and encouraged her shop, to omit so favourable an opportunity of offering her sincere acknowledgments for their favours; at the same time, to assure them she will, to the utmost of her power, endeavour to merit a continuance of them.

Mrs. Hand would be ungrateful to her generous public, who for more than fifty years have so warmly supported and encouraged her shop, if she didn't take this opportunity to express her sincere thanks for their kindness. At the same time, she wants to assure them that she will do her best to deserve their continued support.

LOCUSTS.

LOCUSTS.

The locusts are remarkable for the hieroglyphic that they bear upon the forehead. Their colour is green throughout the whole body, excepting a little yellow rim that surrounds their head, and which is lost at the eyes. This insect has two upper wings, pretty solid. They are green, like the rest of the body, except that there is in each a little white spot. The locust keeps them extended like great sails of a ship going before the wind. It has besides two other wings underneath the former, and which resemble a light transparent stuff pretty much like a cobweb, and which it makes use of in the manner of smack sails, that are along a vessel. But when the locust reposes herself, she does like a vessel that lies at anchor; for she keeps the second sails furled under the others.

The locusts are notable for the hieroglyphics on their foreheads. They’re green all over, except for a small yellow rim around their heads, which fades near the eyes. This insect has two strong upper wings that are also green, but each has a small white spot. The locust holds them out like large sails on a ship going before the wind. Additionally, it has two more wings underneath that look like light, transparent material, similar to cobwebs, which it uses like the sails on a boat. When the locust rests, it behaves like a ship at anchor, tucking its second set of sails underneath the upper ones.

QUEEN ELIZABETH'S LAWS.

QUEEN ELIZABETH'S REGULATIONS.

The following extract from a very old book is truly curious:—

The following excerpt from a very old book is quite interesting:—

"Queene Elizabeth, in the xiiii and xviii yeres of hir gracious rayne, two Actes were made for ydle vagrante and maisterlesse persons, that vsed to loyter, and would not worke, should for the first offence haue a hole burned through the gristle of one of his eares of an ynch compasse. And for the second offence committed therein, to be hanged. If these and such lyke lawes were executed iustlye, treulye, and severelye (as they ought to be,) without any respect of persons, favour, or friendshippe, this dung and filth of ydlenesse woulde easily be reiected and cast oute of thys Commonwealth, there woulde not be so many loytering ydle persons, [Pg 152] so many Ruffians, Blasphemers, Swinge-Buckelers, so many Drunkards, Tossepottes, Dauncers, Fydlers, and Minstrels, Dice-players, and Maskers, Fencers, Theeves, Enterlude-players, Cut-purses, Cosiners, Maisterlesse Seruantes, Jugglers, Roges, sturdye Beggars, counterfaite Egyptians, &c., as there are, nor yet so manye Plagues to bee amongst vs as there are, if these Dunghilles and filthe in Commonweales were remooued, looked into, and cleane caste oute, by the industrie, payne, and trauell of those that are sette in authoritie, and haue gouernment."—"A Treatise against Dicing, Dauncing, Vaine playes or Enterluds." Black Letter; no date.

"Queen Elizabeth, in the 14th and 18th years of her reign, enacted two laws for idle vagrants and masterless individuals who lounged around and refused to work. For the first offense, they would get a hole burned through the cartilage of one of their ears, about an inch wide. For a second offense, they would be hanged. If these and similar laws were enforced fairly, strictly, and without favoritism or bias (as they should be), this dirt and mess of idleness would quickly be rejected and removed from this Commonwealth. There wouldn’t be so many idle loafers, so many ruffians, blasphemers, swaggerers, drunkards, tosspots, dancers, fiddlers, musicians, gamblers, maskers, fencers, thieves, performers, pickpockets, con artists, masterless servants, jugglers, rogues, or stubborn beggars, or counterfeit Egyptians, as there currently are, nor would we have so many troubles among us as we do if these nuisances and filth in society were addressed, examined, and completely eliminated by the effort, diligence, and labor of those in authority and governance."—"A Treatise against Dicing, Dancing, Vain Plays or Interludes." Black Letter; no date.

THE INVENTION OF TYPES.

The invention of fonts.

The honour of the invention of movable types has been disputed by two cities, Haarlem and Mentz. The claims of Haarlem rest chiefly upon a statement of Hadrien Junius, who gave it upon the testimony of Cornelius, alleged to be a servant of Lawrence Coster, for whom the invention is claimed. The claims of Mentz, which appear to be more conclusive, are in favour of Peter Schæffer, the assistant and son-in-law of John Faust, better known as Dr. Faustus. The first edition of the Speculum humanæ salvationis was printed by Coster at Haarlem, about the year 1440, and is one of the earliest productions of the press of which the printer is known. The celebrated Bible, commonly known as the Mentz Bible, without date, is the first important specimen of printing with moveable metal types. This was executed by Gutenberg and Faust, or Fust, as it is sometimes spelt, between the years 1450 and 1455. The secret of the method then becoming known, presses were speedily established in all parts of Europe, so that before the year 1500 there were printing-offices in upwards of 220 different places in Austria, Bavaria, Bohemia, Calabria, the Cremonese, Denmark, England, Flanders, France, Franconia, Frioul, Geneva, Genoa, Germany, Holland, Hungary, Italy, Lombardy, Mecklenburg, Moravia, Naples, the Palatinate, Piedmont, Poland, Portugal, Rome, Sardinia, Upper and Lower Saxony, Sicily, Silesia, Spain, Suabia, Switzerland, Thessalonica, Turkey, Tuscany, the Tyrol, Venice, Verona, Westphalia, Wurtemberg, &c.

The honor of inventing movable type has been claimed by two cities, Haarlem and Mainz. Haarlem's claim mainly relies on a statement from Hadrien Junius, who cited the testimony of Cornelius, said to be a servant of Lawrence Coster, the person credited with the invention. Mainz's claims, which seem to be more convincing, support Peter Schæffer, the assistant and son-in-law of John Faust, better known as Dr. Faustus. The first edition of the Speculum humanæ salvationis was printed by Coster in Haarlem around 1440 and is one of the earliest known works from a printer. The famous Bible, commonly referred to as the Mainz Bible, which has no date, is the first significant example of printing with movable metal types. This was completed by Gutenberg and Faust, or Fust, as it is sometimes spelled, between 1450 and 1455. Once the secret of the method became known, printing presses quickly spread across Europe, so that by 1500 there were printing offices in over 220 different locations including Austria, Bavaria, Bohemia, Calabria, Cremona, Denmark, England, Flanders, France, Franconia, Friuli, Geneva, Genoa, Germany, Holland, Hungary, Italy, Lombardy, Mecklenburg, Moravia, Naples, the Palatinate, Piedmont, Poland, Portugal, Rome, Sardinia, Upper and Lower Saxony, Sicily, Silesia, Spain, Swabia, Switzerland, Thessalonica, Turkey, Tuscany, Tyrol, Venice, Verona, Westphalia, Württemberg, and more.

This vast and rapid extension of the art, combined with the skill which the earlier printers displayed in it, seems to be totally incompatible with the date assigned to the invention, and it is more than probable, that the art having been long practised in private under continued attempts at secrecy, it at length broke into publicity after it had already attained a considerable degree of perfection.

This large and quick expansion of the art, along with the skill that the early printers showed in it, seems completely incompatible with the date given for its invention. It’s very likely that the art had been practiced privately for a while, with ongoing efforts to keep it secret, before finally becoming public after it had already reached a significant level of perfection.

THE PROTEUS ANGUINUS.

The Proteus anguinus.

It has been satisfactorily proved that the polypus cannot see its prey, but is only aware of its presence by the actual agitation of the water, from its remaining altogether passive when a thin piece of glass is interposed between them. There are many Monads, which, without possessing any trace of an eye, are yet susceptible of light. An equally extraordinary phenomenon presents itself in the Proteus Anguinus. This singular animal is found in the subterranean lakes of the interminable [Pg 153] stalactital caverns in the limestone range of the Carniolan Alps, where the author saw it. In appearance it is between a fish and a lizard; it is of a flesh-colour, and its respiratory organs, which are connected with lungs, so as to enable it to breathe above or below the water, form a red crest round the throat, like a cock's comb. It has no eyes, but small points in the place of them, and light is so obnoxious to it, that it uses every effort to exclude it, by thrusting its head under stones. It is reported also to exist in Sicily, but is known nowhere else.

It has been satisfactorily proven that the polyp cannot see its prey but is only aware of its presence through the actual movement of the water, as it remains entirely passive when a thin piece of glass is placed between them. There are many Monads that, without having any sign of an eye, are still sensitive to light. An equally remarkable phenomenon is found in the Proteus Anguinus. This unique creature is located in the underground lakes of the endless stalactite caves in the limestone range of the Carniolan Alps, where the author observed it. It looks like a mix between a fish and a lizard; it has a flesh-colored body, and its respiratory organs, which are linked to lungs, allow it to breathe both above and below water, forming a red crest around its throat, similar to a rooster's comb. It has no eyes, just small points where they would be, and light is so irritating to it that it makes every effort to avoid it by pushing its head under rocks. It's also said to exist in Sicily, but it's not known anywhere else.

BUMPER.

BUMPER.

Bumper

The jolly toper is so fond of the thing we call a bumper, that he troubles not himself about the name, and so long as the liquor is but fine and clear, cares not a farthing in how deep an obscurity the etymology is involved. The sober antiquarian, on the contrary, being prone to etymology, contemplates the sparkling contents of a full glass with much less delight than he does the meaning, the occasion, and the original of the name. The common opinion is, that the bumper took its name from the grace-cup; our Roman Catholic ancestors, say they, after their meals, always drinking the Pope's health in this form, au bon Pere. But there are great objections to this; the Pope was not the bon Pere, but the Saint Pere; amongst the elder inhabitants of this kingdom, the attribute of sanctity being in a manner appropriated to the Pope of Rome, and his see. Again, the grace-cup, which went round of course, after every repast, did not imply anything extraordinary, or a full glass. Drinking-glasses were not in use at the time here supposed, for the grace-cup was a large vessel, proportioned to the number of the society, which went round the table, the guests drinking out of one cup, one after another.

The cheerful drinker loves what we call a bumper so much that he doesn’t care about the name. As long as the drink is fine and clear, he wouldn’t bother at all about how complicated the origins of the word are. In contrast, the serious history buff, who is into etymology, gazes at the sparkling contents of a full glass with much less pleasure than he does at the meaning, the reason, and the origin of the name. The common belief is that the bumper got its name from the grace-cup; our Roman Catholic ancestors would always drink to the Pope’s health in this way after meals, saying au bon Pere. However, there are significant objections to this; the Pope was not the bon Pere, but the Saint Pere; the title of sanctity was basically reserved for the Pope of Rome and his authority among the earlier inhabitants of this kingdom. Moreover, the grace-cup, which naturally passed around after every meal, didn’t imply anything special or a full glass. Drinking glasses weren’t used at that time, as the grace-cup was a large vessel suited to the number of people at the table, with guests sharing one cup and drinking one after another.

COFFEE.

Coffee.

From a number of the "Public Advertiser," of May 19 to May 26, 1657, we have 'In Bartholomew-lane, on the back side of the Old Exchange, the drink called Coffee is advertised as to be sold in the morning, and at three of the clock in the afternoon.'

From several issues of the "Public Advertiser" dated May 19 to May 26, 1657, we have, 'In Bartholomew Lane, at the back of the Old Exchange, the beverage known as Coffee is advertised to be sold in the morning and at three o'clock in the afternoon.'

QUAINT RECEIPTS.

Charming receipts.

The following Receipts are taken from a work entitled, "New Curiosities in Art and Nature, or a Collection of the most valuable Secrets in all Arts and Sciences. Composed and Experimented by Sieur Lemery, Apothecary to the French King. London: John King, Little Britain. 1711."

The following recipes are taken from a work titled, "New Curiosities in Art and Nature, or a Collection of the most valuable Secrets in all Arts and Sciences. Compiled and Tested by Sieur Lemery, Apothecary to the French King. London: John King, Little Britain. 1711."

To make one Wake or Sleep.—You must cut off dexterously the head of a toad alive, and at once, and let it dry, in observing that one eye be shut, and the other open; that which is found open makes one wake, and that shut causes sleep, by carrying it about one.

To make one Wake or Sleep.—You need to quickly cut off the head of a live toad, then let it dry, making sure one eye is closed and the other is open; the open eye makes you wake up, while the closed one causes sleep if you carry it around with you.

Preservative against the Plague.—Take three or four great toads, seven or eight spiders, and as many scorpions, put them into a pot well stopp'd, and let them lye some time; then add virgin-wax, make a good fire till all become a liquor, then mingle them all with a spatula, and make an ointment, and put it into a silver box well stopp'd, the which carry about you, being well assured that while you carry it about you, you will never be infected with the plague.

Plague Preventative.—Take three or four large toads, seven or eight spiders, and the same number of scorpions. Place them in a tightly sealed pot and let them sit for some time. Then add beeswax, create a strong fire until everything turns into a liquid, mix it all with a spatula to make an ointment, and store it in a tightly sealed silver box. Carry this with you, and you can be confident that as long as you have it with you, you won’t get infected with the plague.

We give the above as indicating the delusions which prevailed with respect to certain nostrums as late as the year 1711.

We present the above to show the misconceptions that existed about certain remedies as recently as the year 1711.

EXECUTION OF GOVERNOR WALL IN 1802.

EXECUTION OF GOVERNOR WALL IN 1802.

As the following account, by a gentleman who witnessed the scene, avoids all disgusting details, we give it as containing a description of some of the circumstances which attended the execution, at the commencement of the present century, of a criminal of the higher class. The wretched man was hung for murder and barbarity: his victims were the men he had under his charge as Governor of the Island of Goree:—

As the following account, by a gentleman who witnessed the scene, avoids all graphic details, we present it because it provides a description of some of the circumstances surrounding the execution, at the beginning of the current century, of a high-profile criminal. The unfortunate man was hanged for murder and brutality: his victims were the men he was responsible for as Governor of the Island of Goree:—

"As we crossed the Press-yard, a cock crew; and the solitary clanking of a restless chain was dreadfully horrible.

"As we walked through the Press-yard, a rooster crowed; and the lonely clanking of a restless chain was incredibly unsettling."

"The prisoner entered. He was death's counterfeit, tall, shrivelled, and pale; and his soul shot so piercingly through the port-holes of his head that the first glance of him nearly petrified me. I said in my heart, putting my pencil in my pocket, God forbid that I should disturb thy last moments! His hands were clasped, and he was truly penitent. After the yeoman had requested him to stand up, 'he pinioned him,' as the Newgate phrase is, and tied the cord with so little feeling that the governor, who had not given the wretch the accustomed fee, observed 'You have tied me very tight;' upon which Dr. Ford, the chaplain, ordered him to slacken the cord, which he did, but not without muttering, 'Thank you, sir,' said the governor to the doctor: 'it is of little moment.' He then observed to the attendant, who had brought in an immense iron shovel-full of coals to throw on the fire, 'Ay, in one hour that will be a blazing fire,' then turning to the doctor, questioned him: 'Do tell me, sir: I am informed I shall go down with great force; is it so?' After the construction and action of the machine had been explained, the doctor questioned the governor as to what kind of men he had at Goree:—'Sir,' he answered, 'they sent me the very riff-raff.' The poor soul then joined the doctor in prayer; and never did I witness more contrition at any condemned sermon than he then evinced.

"The prisoner came in. He looked like a ghost, tall, thin, and pale; his eyes were so intense that the moment I saw him, I was nearly frozen. I thought to myself, putting my pencil away, God forbid that I should interrupt your last moments! His hands were together, and he truly felt regret. After the guard asked him to stand up, 'he secured him,' as they say in Newgate, and tied the rope with such indifference that the governor, who hadn’t given the usual fee to the poor man, remarked, 'You’ve tied me very tight;' to which Dr. Ford, the chaplain, told him to loosen the rope. He did this, but not without mumbling, 'Thank you, sir,' the governor said to the doctor: 'it doesn’t matter much.' He then commented to the attendant, who had brought in a huge shovel full of coal to put on the fire, 'Yes, in an hour that will be a blazing fire,' and then turning to the doctor, he asked, 'Please tell me, sir: I’ve heard I will go down with great force; is that true?' After the mechanism of the machine was explained, the doctor asked the governor what kind of men he had at Goree:—'Sir,' he replied, 'they sent me the absolute worst.' The poor soul then joined the doctor in prayer; and I’ve never seen more regret during any execution than what he showed at that moment."

"The sheriff arrived, attended by his officers, to receive the prisoner from the keeper. A new hat was then partly flattened on his head, for owing to its being too small in the crown, it stood many inches too high behind. As we were crossing the Press Yard, the dreadful execrations of some of the felons so shook his frame that he observed, the clock had struck; and quickening his pace, he soon arrived at the room where the sheriff was to give a receipt for his body, according to the usual custom. Owing, however, to some informality in the wording of this receipt, he was not brought out as soon as the multitude expected; and it was this [Pg 155] delay which occasioned a partial exultation from those who betted as to a reprieve, and not from any pleasure in seeing him executed.

"The sheriff arrived, accompanied by his officers, to take custody of the prisoner from the keeper. A new hat was awkwardly placed on his head, as it was too small in the crown, causing it to sit many inches too high in the back. As we were walking through the Press Yard, the terrifying curses from some of the inmates rattled him so much that he noticed the clock had struck. Picking up his pace, he quickly reached the room where the sheriff was to officially acknowledge receipt of the prisoner, as was customary. However, due to some vague language in the receipt, the prisoner wasn't brought out as soon as the crowd anticipated, and this [Pg 155] delay led to a bit of excitement among those who were betting on a reprieve, rather than any enjoyment in witnessing the execution."

"After the execution, as soon as I was permitted to leave the prison, I found the Yeoman selling the rope with which the malefactor had been suspended, at a shilling an inch; and no sooner had I entered Newgate-street, than a lath of a fellow, passed threescore years and ten, who had just arrived from the purlieus of Black Boy Alley, woe-begone as Romeo's apothecary, exclaimed, 'Here is the identical rope at sixpence an inch.'"

"After the execution, as soon as I was allowed to leave the prison, I found the Yeoman selling the rope used to hang the criminal for a shilling an inch; and as soon as I entered Newgate Street, a skinny old man, over seventy years old, who had just come from the outskirts of Black Boy Alley, looking as miserable as Romeo's apothecary, shouted, 'Here is the exact same rope for sixpence an inch.'"

STAGE-COACH IN 1760.

Stagecoach in 1760.

Ayscough's Nottingham Courant of this date, contained the following advertisement:—The flying machines on steel springs set off from the Swan with Two Necks Inn, Lad-lane, London, and from the Angel Inn in Sheffield, every Monday and Thursday morning at five o'clock, and lies the first night from London at the Angel Inn in Northampton, the second at the Blackmoor's Head Inn, Nottingham, and the third at Sheffield. Each passenger to pay 1l. 17s., and to be allowed fourteen pounds of luggage. Performed (if God permit) by John Hanforth and Samuel Glanville.

Ayscough's Nottingham Courant of this date included the following advertisement:—The flying machines on steel springs depart from the Swan with Two Necks Inn, Lad-lane, London, and from the Angel Inn in Sheffield, every Monday and Thursday morning at five o'clock. They spend the first night in Northampton at the Angel Inn, the second at the Blackmoor's Head Inn in Nottingham, and the third in Sheffield. Each passenger pays £1 17s and is permitted fourteen pounds of luggage. Operated (God willing) by John Hanforth and Samuel Glanville.

BLIND WORKMAN.

VISUALLY IMPAIRED WORKER.

A young man, in Greenock, of the name of Kid, who was blind from his infancy, finished the model of a sixty-four gun ship, of about five feet keel, planked from the keel, with carriages for the guns, and every necessary material and apparelling of a ship of that rate, without any assistance whatever, or other instrument than a small knife and hammer.

A young man named Kid, from Greenock, who had been blind since birth, completed a model of a sixty-four gun ship, about five feet long, made from the keel up, with gun carriages and all the necessary materials and fittings for a ship of that size, using no help at all and only a small knife and hammer.

SPORTS OF THE LOWER CLASSES IN 1749.

SPORTS OF THE LOWER CLASSES IN 1749.

The following handbill is curious, on account of the light it sheds on what was considered attractive to the million a hundred years ago:—

The following handbill is interesting because of the insight it provides into what was appealing to the masses a hundred years ago:—

"According to Law. September 22, 1749. On Wednesday next, the 27th inst., will be run for by Asses (!!) in Tothill Fields, a purse of gold, not exceeding the value of Fifty Pounds. The first will be entitled to the gold; the second to two pads; the third to thirteen pence half-penny; the last to a halter fit for the neck of any ass in Europe. Each ass must be subject to the following articles:—

"According to Law. September 22, 1749. Next Wednesday, the 27th, there will be a race for Asses (!!) in Tothill Fields, with a prize pool of gold not exceeding Fifty Pounds. The winner will receive the gold; the second place will get two pads; the third will earn thirteen and a half pence; and the last will receive a halter suitable for any ass in Europe. Each ass must adhere to the following articles:—"

"No person will be allowed to run but Taylors and Chimney-sweepers; the former to have a cabbage-leaf fixed in his hat, the latter a plumage of white feathers; the one to use nothing but his yard-wand, and the other a brush.

"No one will be allowed to run except Taylors and Chimney-sweepers; the Taylors will wear a cabbage leaf in their hat, while the Chimney-sweepers will have a bunch of white feathers; the Taylors will only use their yard-wand, and the Chimney-sweepers will use a brush."

"No jockey-tricks will be allowed upon any consideration.

"No trickery will be permitted under any circumstances."

"No one to strike an ass but the rider, lest he thereby cause a retrograde motion, under a penalty of being ducked three times in the river.

"No one should hit a donkey except the rider, or else he might cause it to move backward, risking being dunked three times in the river."

"No ass will be allowed to start above thirty years old, or under ten months, nor any that has won above the value of fifty pounds.

"No donkey will be allowed to start if it's over thirty years old, under ten months, or has won more than fifty pounds."

"No ass to run that has been six months in training, particularly above stairs, lest the same accident happen to it that did to one nigh a town ten miles from London, and that for reasons well known to that place.

"No donkey to run that has been training for six months, especially upstairs, so the same accident doesn’t happen to it that happened to one near a town ten miles from London, for reasons well known in that area."

"Each ass to pay sixpence entrance, three farthings of which are to be given to the old clerk of the race, for his due care and attendance.

"Each donkey has to pay sixpence to enter, three farthings of which will be given to the old clerk of the race for his proper care and attendance."

"Every ass to carry weight for inches, if thought proper."

"Every donkey carries weight for miles, if that's what you think is right."

Then follow a variety of sports, with "an ordinary of proper victuals, particularly for the riders, if desired."

Then follow a variety of sports, with "a selection of good food, especially for the riders, if wanted."

"Run, lads, run! there's rare sport in Tothill Fields!"

"Run, guys, run! There's some awesome fun in Tothill Fields!"

STATE COACH AT THE PROROGATION OF PARLIAMENT IN 1796.

STATE COACH AT THE PROROGATION OF PARLIAMENT IN 1796.

Never was a greater assemblage of persons collected together than on this occasion: in the Park and in Parliament-street there were at least 20,000 people. By the repair of the state coach, which has undergone several material alterations since the damage it received at the opening of the last session, the king is now secluded from the sight. Hitherto, the upper pannels of it had always been of glass, so that the multitude could see the king in all directions, through the front, through the sides, as well as through the windows in the doors: it has been newly glazed, and the whole of the carriage is lined with sheet copper, musket proof; between the crimson lining of the carriage is a wadding of fine wool, coated with buffalo skin, the nature of which is so close that no bullets can penetrate it.

Never had there been a larger gathering of people than on this occasion: in the Park and on Parliament Street, there were at least 20,000 individuals. Due to repairs on the state coach, which has undergone several significant changes since it was damaged at the start of the last session, the king is now shielded from view. Previously, the upper panels were made of glass, allowing the crowd to see the king from the front, sides, and through the doors' windows. It has been re-glazed, and the entire carriage is now lined with musket-proof sheet copper; between the crimson lining of the carriage is a layer of fine wool covered with buffalo skin, so tightly woven that no bullets can get through.

HISTORICAL ANECDOTE.

Historical story.

On the dollars, stivers, &c., coined at the town of Dordrecht in Holland, is the figure of a milk-maid sitting under her cow, which figure is also exhibited in relievo on the water-gate of the place. The occasion was as follows: In the noble struggle of the United Provinces for their liberties, the Spaniards detached a body of forces from the main army, with the view of surprising Dordrecht. Certain milkmaids, belonging to a rich farmer in the vicinity of the town, perceived as they were going to milk, some soldiers concealed under the hedges. They had the presence of mind to pursue their occupation without any symptoms of alarm. On their return home they informed their master of what they had seen, who gave information to the Burgomaster, and the sluices were let loose, by which great numbers of the Spaniards were drowned, and the expedition defeated. The States ordered the farmer a handsome revenue for the loss he sustained by the overflowing of his lands, rewarded the women, and perpetuated the event in the manner described.

On the coins, stivers, etc., minted in the town of Dordrecht in Holland, there's a figure of a milkmaid sitting under her cow, which is also displayed in relief on the water gate of the town. This happened during the noble struggle of the United Provinces for their freedom when the Spaniards sent a group of soldiers from the main army to surprise Dordrecht. Some milkmaids from a wealthy farmer nearby noticed soldiers hiding in the hedges as they were going to milk. They had the presence of mind to continue their work without showing any signs of fear. When they got home, they told their master what they had seen, and he informed the Burgomaster. Consequently, the sluices were opened, drowning many of the Spaniards and thwarting their expedition. The States awarded the farmer a generous compensation for the damage to his land from the flooding, rewarded the women, and commemorated the event in the way described.

TOMB OF JOHN BUNYAN.

TOMB OF JOHN BUNYAN.

"Who has not read the "Pilgrim's Progress," "that wonderful book," writes Mr. Macaulay, "which, while it obtains admiration from the most fastidious critics, is loved by those who are too simple to admire it?" We can remember our own delight on reading, for the first time, the precious volume. This was in the days of our childhood, when we were deeply imbued with the fairy lore which at that time was so plentifully supplied, and so eagerly devoured.

"Who hasn't read 'Pilgrim's Progress,' 'that amazing book,' writes Mr. Macaulay, 'which, while it earns admiration from the most selective critics, is cherished by those who are too straightforward to admire it?' We remember our own joy when we read that precious book for the first time. This was during our childhood, when we were filled with the fairy tales that were so abundantly available and eagerly devoured."

John Bunyan was buried in Bunhill Fields burying-ground, City-road; and the tablet on his tomb, which the engraving very correctly represents is as follows:—"Mr. John Bunyan, author of the 'Pilgrim's [Pg 157] Progress,' ob. 12 Aust. 1688, æt. 60." Formerly there were also the following lines:—

John Bunyan was buried in Bunhill Fields cemetery, City Road; and the inscription on his tomb, which the engraving accurately shows, reads:—"Mr. John Bunyan, author of the 'Pilgrim's [Pg 157] Progress,' died 12 Aug. 1688, aged 60." There were also the following lines:—

"The Pilgrim's Progress now is finished.
And death has laid him in his earthly bed."
Tomb of John Bunyan

Bunhill Fields burying-ground was opened as a suburban cemetery in 1665, in the time of the great plague, and was a favourite burying-place with the Dissenters. Here are buried Daniel Defoe; Dr. Isaac Watts; Joseph Ritson the antiquary; Dr. Thomas Goodwin, the chaplain who attended Cromwell's death-bed; George Fox, the founder of the Quakers; the mother of John Wesley; Lieut.-General Fleetwood, son-in-law of Oliver Cromwell; Thomas Stothard, R.A., and other eminent men.

Bunhill Fields cemetery was opened as a suburban burial site in 1665 during the great plague, and it became a popular resting place for Dissenters. Notable individuals buried here include Daniel Defoe, Dr. Isaac Watts, the antiquarian Joseph Ritson, Dr. Thomas Goodwin who was the chaplain at Cromwell’s deathbed, George Fox the founder of the Quakers, John Wesley's mother, Lieut.-General Fleetwood who was Oliver Cromwell's son-in-law, Thomas Stothard, R.A., and other distinguished figures.

SPIDERS FOND OF MUSIC.

SPIDERS LOVE MUSIC.

Spiders hear with great acuteness, and it is affirmed that they are attracted by music. Disjonval relates the instance of a spider which [Pg 158] used to place itself on the ceiling of a room over the spot where a lady played the harp, and which followed her if she removed to another part; and he also says that the celebrated violinist Berthome, when a boy, saw a spider habitually approach him as soon as he began to play, and which eventually became so familiar that it would fix itself on his desk, and on his arm. Bettina noticed the same effect with a guitar, on a spider which accidentally crossed over it as she was playing.

Spiders have an impressive sense of hearing, and it's said they are drawn to music. Disjonval shares a story about a spider that would position itself on the ceiling above where a lady played the harp, and it would follow her if she moved to another spot. He also mentions that the famous violinist Berthome, when he was a boy, noticed a spider that would regularly come to him as soon as he started playing, eventually becoming so comfortable that it would settle on his desk and on his arm. Bettina observed a similar reaction with a spider that happened to wander near her guitar while she was playing.

BREAKFASTING HUT IN 1745.

Breakfast Hut in 1745.

This quaint announcement, in a handbill of the time, shows how cheaply those who lived a century or so past could enjoy suburban pleasures in merrie Islington:—

This charming announcement, in a handbill from that time, shows how affordably those who lived about a century ago could enjoy suburban pleasures in cheerful Islington:—

"This is to give notice to all Ladies and Gentlemen, at Spencer's original Breakfasting-Hut, between Sir Hugh Middleton's Head and St. John Street Road, by the New River side, fronting Sadler's Wells, may be had every morning, except Sundays, fine tea, sugar, bread, butter, and milk, at fourpence per head; coffee at threepence a dish. And in the afternoon, tea, sugar, and milk, at threepence per head, with good attendance. Coaches may come up to the farthest garden-door next to the bridge in St. John Street Road, near Sadler's Wells back gate.—Note. Ladies, &c., are desired to take notice that there is another person set up in opposition to me, the next door, which is a brick-house, and faces the little gate by the Sir Hugh Middleton's, and therefore mistaken for mine; but mine is the little boarded place by the river side, and my backdoor faces the same as usual; for

"This is to inform all Ladies and Gentlemen that at Spencer's original Breakfast Hut, located between Sir Hugh Middleton's Head and St. John Street Road, by the New River side, facing Sadler's Wells, you can enjoy fine tea, sugar, bread, butter, and milk every morning except Sundays for fourpence per person; coffee is available for threepence a serving. In the afternoon, tea, sugar, and milk are offered for threepence per person, with attentive service. Coaches can arrive at the farthest garden door next to the bridge on St. John Street Road, near Sadler's Wells' back gate.—Note. Ladies, etc., please be aware that there is another establishment competing with me next door, which is a brick house facing the small gate by Sir Hugh Middleton's, and may be mistaken for mine; however, mine is the little boarded place by the riverside, and my backdoor is as it always has been; for

I am not dead, I am not gone,
Nor liquors do I sell;
But, as at first, I still go on,
Ladies, to use you well.
No passage to my hut I have,
The river runs before;
Therefore your care I humbly crave,
Pray don't mistake my door.

"Yours to serve,
S. Spencer."

"Yours to serve,
S. Spencer."

SPONTANEOUS COMBUSTION.

SPONTANEOUS COMBUSTION.

In Leroux's Journal de Medicine, is an account of a very fat woman, twenty-eight years of age, who was found on fire in her chamber, where nothing else was burning. The neighbours heard a noise of something like frying, and when the body was removed it left a layer of black grease. The doctor conceives that the combustion began in the internal parts, and that the clothes were burnt secondarily.

In Leroux's Journal de Medicine, there’s a report about a very overweight woman, twenty-eight years old, who was discovered on fire in her room, where nothing else was ablaze. The neighbors heard a sound similar to frying, and when the body was taken away, it left behind a layer of black grease. The doctor believes that the fire started inside her body, and that the clothes caught fire afterward.

MOTHER MAPP THE BONE-SETTER.

MOTHER MAPP THE BONESETTER.

She was the daughter of a man named Wallis, a bone-setter at Hindon, in Wiltshire, and sister to the celebrated "Polly Peachem," who married the Duke of Bolton. Upon some family quarrel, Sally Wallis left her professional parent, and wandered up and down the country in a miserable manner, calling herself "Crazy Sally," and pursuing, in her perambulations, a course that fairly justified the title. Arriving at last at Epsom, she succeeded in humbugging the worthy bumkins of that place, so decidedly, that a subscription was set on foot to keep her among them; but her fame extending to the metropolis, the dupes of London, a numerous class then as well as now, thought it no trouble to go ten miles to [Pg 159] see the conjuror, till at length, she was pleased to bless the afflicted of London with her presence, and once a week drove to the Grecian Coffee-house, in a coach and six with out-riders! and all the appearance of nobility. It was in one of these journeys, passing through Kent-street, in the Borough, that being taken for a certain woman of quality from the Electorate in Germany, a great mob followed and bestowed on her many bitter reproaches, till Madame, perceiving some mistake, looked out of the window, and accosted them in this gentle manner, "Confound you, don't you know me? I am Mrs. Mapp, the bone-setter!" upon which, they instantly changed their revilings into loud huzzas.

She was the daughter of a man named Wallis, a bone-setter in Hindon, Wiltshire, and the sister of the famous "Polly Peachem," who married the Duke of Bolton. After a family quarrel, Sally Wallis left her professional father and wandered around the country in a sad state, calling herself "Crazy Sally," and her aimless travels certainly justified the name. Eventually, she arrived in Epsom, where she managed to fool the local folk so well that they started a subscription to keep her there; however, her fame spread to the city, and the gullible people of London, a large group then as now, thought it worth the trip to see the conjuror, until finally, she chose to grace the troubled souls of London with her presence, driving to the Grecian Coffee-house in a fancy carriage and six horses with outriders, looking every bit like nobility. It was during one of these trips, passing through Kent Street in the Borough, that she was mistaken for a certain lady of nobility from Germany, and a large crowd gathered, hurling insults at her until she realized they were confused. Leaning out of the window, she addressed them in a somewhat irritated manner, "Confound you, don’t you know me? I am Mrs. Mapp, the bone-setter!" Upon hearing this, they instantly switched from insults to loud cheers.

TWO CERTIFICATES OF GRETNA-GREEN MARRIAGES AT DIFFERENT DATES.

TWO CERTIFICATES OF GRETNA-GREEN MARRIAGES ON DIFFERENT DATES.

"This is to sartfay all persons that my be consernid, that A B from the parish of C in the County of D and E F from the parish of G and in the county of H and both comes before me and declayred themseless both to be single persons, and now mayried by the form of the Kirk of Scotland, and agreible to the Church of England, and givine ondre my hand, this 18th day of March 1793."

"This is to certify all persons that may be concerned, that A B from the parish of C in the County of D and E F from the parish of G in the County of H both came before me and declared themselves to be single persons, and are now married by the form of the Kirk of Scotland, and in accordance with the Church of England, given under my hand, this 18th day of March 1793."

"Kingdom of Scotland
"County of Dumfries
"Parish of Gretna

"Kingdom of Scotland
"County of Dumfries
"Parish of Gretna

"These are to certify, to all whom it may concern, that John N.... from the parish of Chatham in the County of Kent, and Rosa H.... from the Parish of St. Maries in the County of Nottingham, being both here now present and having declared to me that they are single persons, but have now been married conformable to the Laws of the Church of England, and agreeable to the Kirk of Scotland. As witness our hands at Springfield this 4th day of October 1822.

"These are to certify, to all whom it may concern, that John N.... from the parish of Chatham in the County of Kent, and Rosa H.... from the Parish of St. Maries in the County of Nottingham, are both here present and have declared to me that they are single individuals, but have now been married according to the Laws of the Church of England and in accordance with the Kirk of Scotland. As witness our hands at Springfield this 4th day of October 1822."

"Witness"Witness me.
Jane RaeDavid Lang.
John Ainslie."John N....
Rosa H...."

"Witness""Check me out."
Jane RaeDavid Lang.
John AinslieJohn N....
Rosa H.....

THE WOMEN OF ENGLAND.

The Women of England.

The women here are generally more handsome than in other places, sufficiently endowed with natural beauties, without the addition of adulterate sophistications. In an absolute woman, say the Italians, are required the parts of a Dutch woman, from the girdle downwards; of a French woman, from the girdle to the shoulders: over which must be placed an English face. As their beauties, so also their prerogatives are greater than any nation; neither so servilely submissive as the French, nor so jealously guarded as the Italians; but keeping so true a decorum, that as England is termed the Pergatorie of Servants, and the Hell of Horses, so is it acknowledged the Paradise of Women. And it is a common by-word amongst the Italians, that if there were a bridge built across the narrow seas, all the women in Europe would run into England. For here they have the upper hand in the streets, the upper place at the table, the thirds of their husband's estates, and their equal share of all lands; privileges with which other women are not acquainted. They [Pg 160] were in high esteem in former times amongst foreign nations, for the modestie and gravitie of their conversation; but of late so much addicted to the light garb of the French, that they have lost much of their ancient honour and reputation amongst knowing and more sober men of foreign countries who before admired them.—Peter Heylin's Cosmographie, 1652.

The women here are generally more attractive than in other places, naturally beautiful without any fake enhancements. According to the Italians, the ideal woman should have the body of a Dutch woman from the waist down, the body of a French woman from the waist up, topped off with an English face. Just like their beauty, their rights and privileges are greater than other nations; they’re neither as submissive as the French nor as possessive as the Italians. They maintain such good decorum that as England is called the Purgatory for Servants and the Hell for Horses, it’s also recognized as the Paradise of Women. It’s a common saying among Italians that if there were a bridge built across the narrow seas, all the women in Europe would run into England. Here, they have the advantage in the streets, they get the best seats at the table, a third of their husbands’ estates, and equal shares of all property—privileges that other women don’t have. They were once highly regarded by foreign nations for their modesty and seriousness in conversation, but lately, they’ve become so fond of the flashy style of the French that they have lost much of their former respect and reputation among discerning and more reserved men from other countries who once admired them.—Peter Heylin's Cosmographie, 1652.

PRICES FOR SEATS AT CORONATIONS.

Seat prices for coronations.

On consulting Stowe, Speed, and other antiquaries, it appears that the price of a good place at the coronation of William the Conqueror was a blank; and probably the same at that of his son William Rufus. At that of Henry I. it was a crocard, and at King Stephen's and Henry the Second's a pillard. At King Richard's and King John's, it was a fuskin; and rose at Henry the Third's to a dodkin. In the reign of Edward I. the coins began to be more intelligible; and we find that for seeing his coronation a Q was given, or the half of a ferling, or farthing, which was, as now, the fourth part of a sterling, or penny. At the coronation of Edward II. it was a farthing; and at that of Edward III. a halfpenny, which was very generally given. In the reign of Richard II. it was a penny, and continued the same at that of Henry IV. But at that of Henry V. it was two pennies, or half of a grossus, or groat; and the same at that of Henry VI. and of Edward IV.; nor do we find it raised at the coronation of Richard III. or that of Henry VII.

On checking with Stowe, Speed, and other historians, it turns out that the cost of a good spot at William the Conqueror's coronation was a blank; likely the same for his son William Rufus. For Henry I, it was a crocard, and at the coronations of King Stephen and Henry II, it was a pillard. During King Richard's and King John's reigns, it was a fuskin; then at Henry III's it increased to a dodkin. In Edward I's time, the coins started to make more sense; we see that for attending his coronation a Q was given, or half of a ferling (farthing), which, like today, was a quarter of a sterling (penny). At Edward II's coronation, it was a farthing; at Edward III's, it was a halfpenny, which was quite common. In Richard II's reign, it was a penny, and it remained the same at Henry IV's. However, at Henry V's coronation, it was two pennies, or half of a grossus (groat); the same for Henry VI and Edward IV; we also don't see any increases at Richard III's or Henry VII's coronation.

At that of Henry VIII. it was the whole grossus, or groat, nor was the price altered at those of Edward VI. and Queen Mary; but at Queen Elizabeth's it was a teston, tester, or sixpence. At those of James I. and Charles I. a shilling was given; which sum was advanced to half a crown at the coronations of Charles and James II. At King William's and Queen Anne's, it was a crown; and at George the First's the show was seen by many at the same price.

At the time of Henry VIII, it was the whole grossus or groat, and the price didn’t change during the reigns of Edward VI and Queen Mary. But during Queen Elizabeth's time, it became a teston, tester, or sixpence. Under James I and Charles I, it was a shilling, which was increased to half a crown during the coronations of Charles II and James II. At King William's and Queen Anne's, it was a crown, and during George I's reign, many people saw the event for the same price.

At the coronation of George II. some gave half a guinea; but at that of George III. and Queen Charlotte, anno 1761, curiosity seems to have risen to an amazing height. On this occasion the price given for single seats were almost incredible; in some houses ten guineas, and in ordinary houses five guineas. Great and universal anxiety prevailed to see this grand spectacle, from the reflection how improbable it was that many who were there could ever have an opportunity of witnessing the like again. As an instance of this extreme anxiety, it is confidently related, that a gentleman was prevailed on to take a room for his lady, at the price of one hundred and forty guineas; but the appointment of the solemnity of the coronation falling unluckily at the exact time when she expected to be delivered, she actually further prevailed on her husband to let a skilful man-midwife, nurse, &c., attend her, and to hire another room, lest the hurry of the day should bring on her labour, when it might be impossible for her to be removed without endangering her life.

At the coronation of George II, some people paid half a guinea; but at the coronation of George III and Queen Charlotte in 1761, the demand to see the event reached astonishing levels. On this occasion, ticket prices for single seats were nearly unbelievable; some places charged ten guineas, while more ordinary venues asked for five guineas. There was a widespread and intense desire to witness this grand event, especially considering how unlikely it was that many of those attending would have another chance to see something like it. As an example of this extreme eagerness, it's confidently reported that a gentleman was convinced to book a room for his wife at the cost of one hundred and forty guineas. However, the timing of the coronation unfortunately coincided with her expected delivery date, and she further convinced her husband to hire a skilled midwife and nurse, and to book another room, in case the excitement of the day triggered her labor, making it risky for her to be moved.

ANCIENT HOUSE AT BLACKWALL—SAID TO BE THE RESIDENCE OF SIR WALTER RALEIGH.

ANCIENT HOUSE AT BLACKWALL—THOUGHT TO BE THE HOME OF SIR WALTER RALEIGH.

The house shown in the engraving is interesting from two causes; first, that it was the house in which Sir Walter Raleigh smoked his first pipe [Pg 161] of tobacco in England, and secondly, that it is one of the few relics remaining of those picturesque old houses of the days of Queen Bess. The house is built of strongly framed timber, which, in recent years, has been plastered over; and the carved heads that ornament the gables, and which are good both in design and execution, show that this house is at least 350 years old.

The house shown in the engraving is interesting for two reasons: first, it’s the place where Sir Walter Raleigh smoked his first pipe of tobacco in England, and second, it’s one of the few remaining examples of the charming old houses from the time of Queen Elizabeth I. The house has a sturdy timber frame that has been plastered over in recent years, and the carved heads decorating the gables, which are well-designed and well-made, indicate that this house is at least 350 years old.

Ancient House at Blackwall

At the present time a tavern has been built between this house and the river. Formerly, however, there was, no doubt, a trimmed garden and terrace towards the Thames, from which the inhabitants may have watched the progress of Queen Elizabeth from the Tower to her palace at Greenwich.

At the moment, a pub has been built between this house and the river. However, there used to be a well-kept garden and terrace facing the Thames, where the residents might have watched Queen Elizabeth travel from the Tower to her palace in Greenwich.

It is singular to notice the fashion of these old houses, arising from the value of space within walled towns; each floor projects over the other, so that the upper apartments have more room than the lower. While, in an artistic point of view, we cannot help regretting the disappearance of the venerable and quaint gables, for sanitary and other reasons we must be content with the change.

It’s interesting to see the design of these old houses, shaped by the value of space in walled towns; each floor sticks out over the one below, giving the upper apartments more room than the lower ones. Though we can’t help but miss the charming old gables from an artistic perspective, we have to accept the change for health and other practical reasons.

AMBASSADORS—WHY HELD BY THE ARMS AT THE OTTOMAN COURT.

AMBASSADORS—WHY HELD BY THE ARMS AT THE OTTOMAN COURT.

A dervise addressed Bajazet, emperor of the Turks, 1495, for alms, and while the charitable Sultan searched for his money, the treacherous beggar wounded him with a dagger, and was instantly slain by the royal attendants. This incident is rendered memorable by its having occasioned the ungracious restraint under which even the ambassadors of Christian powers were subject to in former times when they received an audience from the Ottoman Emperor.

A dervish approached Bajazet, the emperor of the Turks, in 1495, asking for charity. As the generous Sultan looked for his money, the deceitful beggar stabbed him with a dagger and was immediately killed by the royal attendants. This event is remembered for leading to the ungracious restrictions that even ambassadors from Christian nations had to endure when they were granted an audience with the Ottoman Emperor.

They were held by the arms by two attendants, when they approached the throne, nor were their arms loosed till they had quitted the presence.

They were held by the arms by two attendants as they approached the throne, and their arms weren't released until they left the presence.

TRAVELLING IN 1760.

Traveling in 1760.

The nobility and gentry were accustomed to make their long journeys in ponderous family-carriages, drawn by four horses. These vehicles would be laden at the top with an array of trunks and boxes, while perhaps six or seven persons, with a lapdog, would be stowed within. The danger of famine on the road was averted by a travelling larder of baskets of various condiments; the risk of thirst would be provided against by bottles of usquebaugh, black cherry-brandy, cinnamon-water, sack, port, or strong beer: while the convoy would be protected by a basket-hilted sword, an old blunderbuss, and a bag of bullets and a great horn of gunpowder.

The nobility and gentry would typically embark on their long trips in heavy family carriages pulled by four horses. These vehicles were stacked on top with a variety of trunks and boxes, while perhaps six or seven people, along with a small dog, would be squeezed inside. To avoid running out of food on the journey, they packed a travel pantry filled with different condiments; to combat thirst, they brought along bottles of whiskey, black cherry brandy, cinnamon water, sack, port, or strong beer. They also made sure to have protection on hand with a basket-hilted sword, an old blunderbuss, a bag of bullets, and a large horn of gunpowder.

OLD ST. PAUL'S.

Old St. Paul's.

In the old cathedral was a tower of stone, in height from the ground 260 feet, on which was a spire of wood, covered with lead, 274 feet high. In the tower was a celebrated peal of bells; and somewhat above the stone-work was a "faire dial," from which there was order taken in the eighteenth year of Edward III. that the rich chasing and gilding should be always kept in good preservation. On this dial was the figure of an angel pointing to the hours of both day and night—a device more appropriate than most of the clock-hands in present use. From this lofty steeple, which formed such an important feature of old London, the chimes rung merrily on saints' days and holidays; and at times the choristers mounted up aloft and chaunted forth their orisons at dawn and sunset—a custom still observed at Durham Cathedral. Before the fire of London, the spire of St. Paul's was more than once destroyed or damaged by fire and lightning.

In the old cathedral, there was a stone tower that rose 260 feet from the ground, topped with a wooden spire covered in lead, making it 274 feet high. The tower housed a famous set of bells, and just above the stone work was a "faire dial," for which an order was given in the eighteenth year of Edward III to ensure that the ornate chasing and gilding were always kept in good condition. This dial featured an angel that pointed to the hours of both day and night—a design more suitable than most of the clock hands we use today. From this tall steeple, a significant feature of old London, the chimes rang cheerfully on saints' days and holidays; and occasionally, the choristers would go up high and sing their prayers at dawn and sunset—a tradition still practiced at Durham Cathedral. Before the Great Fire of London, St. Paul's spire was damaged or destroyed several times by fire and lightning.

On Candlemas Eve, 1444, about two o'clock in the afternoon, the lightning fired the steeple. The citizens came forth and succeeded in overcoming the fire; it, however, broke forth again at night, and but little of the spire was saved. In the year 1561, in the month of June, there fell a prodigious quantity of rain, attended with thunder and lightning. St. Paul's steeple was struck within a yard of the top. At first, a little fire appeared, resembling the light of a torch, and in eight minutes the weather-cock fell; and the wind rising high, the fire within an hour afterwards destroyed the steeple down to the very battlements, and then, in consequence of the mass of burning timber that fell from the spire, burnt so violently that the iron-work and the bells melted and fell upon the stairs in the church; the east and west roofs catching fire communicated with the north and south, and destroyed them all. Much damage was also done to other parts.

On Candlemas Eve, 1444, around two o'clock in the afternoon, lightning struck the steeple. The townspeople rushed out and managed to put out the fire; however, it flared up again at night, and very little of the spire was saved. In June 1561, an enormous amount of rain fell, accompanied by thunder and lightning. St. Paul's steeple was hit less than a yard from the top. At first, a small fire appeared, looking like a torchlight, and in eight minutes, the weather vane fell; as the wind picked up, the fire completely destroyed the steeple down to the battlements within an hour. Consequently, the massive amount of burning wood that fell from the spire burned so fiercely that the iron and the bells melted and collapsed onto the stairs in the church. The roofs on the east and west caught fire and connected with those on the north and south, destroying all of them. There was also significant damage to other areas.

The spire was again reared, and the damaged bells properly replaced. In addition to the bells in the tower of old St. Paul's there was a common bell, the property of the city, hung in a suitable building, closely adjoining to the Cathedral, which was rung that the inhabitants might assemble at wardmotes and other important occasions. Another fire damaged the ancient church, and then the great fire of 1666, swept steeples, bells, churches, and all before it.

The spire was raised again, and the damaged bells were properly replaced. In addition to the bells in the tower of old St. Paul's, there was a public bell, owned by the city, hung in a nearby building next to the Cathedral, which was rung so that the residents could gather for ward meetings and other important events. Another fire damaged the historic church, and then the great fire of 1666 destroyed steeples, bells, churches, and everything in its path.

THE BEDFORD MISSAL.

THE BEDFORD MISSAL.

In January, 1786, when the Bedford Missal was on sale, with the rest of the Duchess of Portland's collection, King George III. sent for his bookseller, and expressed his intention to become the purchaser. The bookseller ventured to submit to his majesty, that the article in question, as one highly curious, was likely to fetch a high price. "How high?" exclaimed the king. "Probably two hundred guineas," replied the bookseller. "Two hundred guineas for a Missal!" exclaimed the Queen, who was present, and lifted up her hands with astonishment. "Well, well," said his Majesty, "I'll have it still; but since the Queen thinks two hundred guineas so enormous a price for a Missal, I'll go no further." The biddings for the royal library did actually stop at that point; and Mr. Edwards carried off the prize by adding three pounds more. The same Missal was afterwards sold at Mr. Edwards's sale, in 1815, and purchased by the Duke of Marlborough, for £637 15s.

In January 1786, when the Bedford Missal was on sale along with the rest of the Duchess of Portland's collection, King George III called for his bookseller and expressed his intention to buy it. The bookseller took the chance to inform His Majesty that the item in question was quite rare and likely to sell for a high price. "How high?" the king asked. "Probably two hundred guineas," the bookseller replied. "Two hundred guineas for a Missal!" the Queen, who was present, exclaimed, raising her hands in astonishment. "Well, well," the king said, "I'll still get it; but since the Queen thinks two hundred guineas is such an enormous price for a Missal, I won’t go any higher." The bidding for the royal library actually stopped at that point, and Mr. Edwards won the Missal by adding just three pounds more. The same Missal was later sold at Mr. Edwards’s auction in 1815 and bought by the Duke of Marlborough for £637 15s.

FORMATION OF THE VOLCANO OF JORULLO.

FORMATION OF THE VOLCANO OF JORULLO.

The Mexican volcanoes of Orizaba, Popocatepetl, Jorullo, and Colima appear to be connected with each other, being placed in the direction of a line running transverse to the former, and passing east and west from sea to sea.

The Mexican volcanoes of Orizaba, Popocatepetl, Jorullo, and Colima seem to be linked, aligned along a line that runs across them, stretching east and west from ocean to ocean.

As was first observed by Humboldt, these mountains are all situated between north latitude 18° 59' and 19° 12'. In an exact line of direction with the other volcanoes, and over the same transverse fissure, Jorullo was suddenly elevated on the 29th of September, 1759. The circumstances attending the production of this volcano are so remarkable, that we shall here notice them in some detail.

As Humboldt first noted, these mountains are all located between north latitude 18° 59' and 19° 12'. In a straight line with the other volcanoes, and over the same cross fissure, Jorullo suddenly rose on September 29, 1759. The events surrounding the formation of this volcano are so striking that we will discuss them in some detail here.

VOLCANO OF JORULLO, MEXICO.

An extensive plain, called the Malpays, was covered by rich fields of cotton, sugar-cane, and indigo, irrigated by streams, and bounded by basaltic mountains, the nearest active volcano being at the distance of eighty miles. This district, situated at an elevation of about 2600 feet above the level of the sea, was celebrated for its beauty and extreme fertility. In June, 1759, alarming subterranean sounds were heard, and these were accompanied, by frequent earthquakes, which were succeeded by others for several weeks, to the great consternation of the neighbouring inhabitants. In September tranquillity appeared to be re-established, when, in the night of the 28th, the subterranean noise was again heard, and part of the plain of Malpays, from three to four miles in diameter, rose up like a mass of viscid fluid, in the shape of a bladder or dome, to a height of nearly 1700 feet; flames issued forth, fragments of red-hot stones were thrown to prodigious heights, and, through a thick cloud of ashes, illumined by volcanic fire, the softened surface of the earth was seen to swell up like an agitated sea. A huge cone, above 500 feet high, with five smaller conical mounds, suddenly appeared, and thousands of lesser cones (called by the natives hornitos, or ovens,) issued forth from the upraised plain. These consisted of clay intermingled with decomposed basalt, each cone being a fumarolle, or gaseous vent, from which issued thick vapour. The central cone of Jorullo is still burning, and on [Pg 165] one side has thrown up an immense quantity of scoriaceous and basaltic lavas, containing fragments of primitive rocks. Two streams, of the temperature of 186° of Fahrenheit, have since burst through the argillaceous vault of the hornitos, and now flow into the neighbouring plains. For many years after the first eruption, the plains of Jorullo were uninhabitable from the intense heat that prevailed.

An extensive plain, known as the Malpays, was filled with lush fields of cotton, sugarcane, and indigo, watered by streams and surrounded by basalt mountains, with the nearest active volcano about eighty miles away. This area, sitting at around 2600 feet above sea level, was famous for its stunning beauty and incredible fertility. In June 1759, disturbing underground noises were heard, accompanied by frequent earthquakes that continued for several weeks, causing great panic among the local residents. By September, calm seemed to return, but on the night of the 28th, the subterranean noise resurfaced. A section of the Malpays plain, spanning three to four miles, rose up like a thick fluid, taking on a dome shape reaching nearly 1700 feet high; flames erupted, and chunks of red-hot stone were propelled to staggering heights. Through a dense cloud of ash illuminated by volcanic fire, the softened ground appeared to swell like a turbulent sea. A massive cone, over 500 feet tall, along with five smaller conical mounds, suddenly emerged, and thousands of smaller cones, called hornitos by the locals, appeared on the raised plain. These were made of clay mixed with decomposed basalt, with each cone acting as a fumarolle, or gas vent, releasing thick vapor. The central cone of Jorullo is still active, and on [Pg 165] one side it has expelled a huge amount of scoria and basalt lava, which includes fragments of ancient rocks. Two streams with a temperature of 186°F have since burst through the clay layer of the hornitos and now flow into the surrounding plains. For many years after the initial eruption, the Jorullo plains were uninhabitable due to the extreme heat that lasted.

CRATER OF VESUVIUS IN 1829.

Crater of Vesuvius in 1829.

Crater of Vesuvius

The crater Stromboli, which has been in activity since the most ancient times, presents at present the same appearances as those which were described by Spallanzani, in 1788. It is constantly filled with lava in a state of fusion, which alternately rises and falls in the cavity. Having ascended to ten or twelve yards below the summit of the walls, this boiling fluid is covered with large bubbles, which burst with noise, letting enormous quantities of gas escape from them, and projecting on all sides scoriaceous matter. After these explosions, it again subsides, but only to rise again and produce like effects—these alternations being repeated [Pg 166] regularly at intervals of some minutes. In craters where the lava is less fluid than in that of Stromboli, new cones are sometimes formed in the midst of the Crater, which first rise in the form of a dome, and then burst out so as to form a small active volcano in the middle of the crater of the great one. This phenomenon is often presented within the crater of Vesuvius, and was more particularly witnessed in 1829.

The Stromboli crater, which has been active since ancient times, looks the same now as it did when Spallanzani described it in 1788. It's constantly filled with molten lava that rises and falls within the cavity. When it rises to about ten or twelve yards below the summit of the walls, this bubbling liquid is covered with large bubbles that burst loudly, releasing huge amounts of gas and sending scoria flying in all directions. After these explosions, the lava lowers again, only to rise once more and create similar effects—this pattern repeats regularly at intervals of a few minutes. In craters where the lava is thicker than that of Stromboli, new cones can sometimes form in the middle of the crater, starting as domes and then bursting to create a small active volcano inside the larger one. This phenomenon is often seen in the crater of Vesuvius and was particularly noted in 1829.

LOAF SUGAR.

Sugar loaf.

In 1553 a sugar-loaf was presented to Mr. Waldron, of Bovey House, which weighed 7 lbs., at 1s. 1d. per lb. (7s. 7d.)

In 1553, a sugar loaf was given to Mr. Waldron of Bovey House, weighing 7 lbs., at 1s. 1d. per lb. (7s. 7d.)

The late Lord Rolle married the last of that branch of the Waldron family. The house remains about ten miles west of Lyme. The sugar-loaf was charged at a high rate, considering the greater value of money in Queen Mary's reign. This article began to be highly prized. The sugar-cane, which had been grown from the year 1148 in Sicily, had been imported into Madeira A.D. 1419. About the year 1503 the art of refining sugar, before called "blanch powdre," was discovered by a Venetian; before which the juice, when selected instead of honey for sweetening, was used as it came from the cane. Only twenty-seven years from this date, in 1526, it was imported from St. Lucar in Spain by Bristol merchants. Let not the present of the Mayor of Lyme be considered as a cheap article produced in abundance in the islands of the West Indies. The sugar-cane was not imported thither into Barbadoes from the Brazils till the year 1641. How surprising the result of official inquiries in the year 1853 into the consumption of sugar! It amounted to 7,523,187 cwts., or 30 lbs. each individual of the United Kingdom.

The late Lord Rolle married the last member of the Waldron family. The house is located about ten miles west of Lyme. The price of sugar was quite high, especially considering the greater value of money during Queen Mary's reign. This product began to be highly valued. Sugarcane, which had been cultivated in Sicily since 1148, was brought to Madeira in A.D. 1419. Around 1503, a Venetian discovered the method of refining sugar, previously known as "blanch powdre." Before that, when people chose sugar over honey for sweetening, they used the juice straight from the cane. Just twenty-seven years later, in 1526, sugar was imported from St. Lucar in Spain by merchants from Bristol. The Mayor of Lyme's current gift should not be seen as a cheap product readily available from the West Indies. The sugarcane wasn't imported into Barbados from Brazil until 1641. It's remarkable to see the results of official investigations in 1853 regarding sugar consumption! It totaled 7,523,187 cwts., which is about 30 pounds for every person in the United Kingdom.

SUSPENSION BRIDGES AT FREYBOURG.

SUSPENSION BRIDGES IN FREYBOURG.

There are two suspension bridges in Freybourg; one remarkable for its great length, the other for its extreme beauty. The latter connects the top of two mountains, swinging over a frightful gulf that makes one dizzy to look down into. There are no buttresses or masonwork in sight at a little distance; shafts are sunk in the solid rock of the mountains, down which the wires that sustain it are dropped. There it stretches, a mere black line, nearly three hundred feet in the heavens, from summit to summit. It looks like a spider's web flung across a chasm; its delicate tracery showing clear and distinct against the sky. While you are looking at the fairy creation suspended in mid-heaven, almost expecting the next breeze will waft it away, you see a heavy waggon driven on it; you shrink back with horror at the rashness that could trust so frail a structure at that dizzy height; but the air-hung cobweb sustains the pressure, and the vehicle passes in safety. Indeed, weight steadies it; while the wind, as it sweeps down the gulf, makes it swing under you. The large suspension bridge is supported on four cables of iron wire, each one composed of one thousand and fifty-six wires. As the Menai bridge of Wales is often said to be longer than this, I give the dimensions of both as I find them in Mr. Murray:—Freybourg: length, nine hundred and five feet; height, one hundred and seventy-four feet; breadth, twenty eight feet. Menai: length, five hundred and eighty feet; height, one [Pg 167] hundred and thirty feet; breadth, twenty-five feet. A span of nine hundred and five feet, without any intermediate pier, seems impossible at first, and one needs the testimony of his own eyes before he can fully believe it.

There are two suspension bridges in Freybourg; one is notable for its impressive length, while the other is admired for its stunning beauty. The beautiful one connects the tops of two mountains, arching over a terrifying chasm that makes you dizzy just looking down. From a distance, there are no visible supports or masonry; instead, the cables are anchored deep into the solid rock of the mountains, with the wires that hold the bridge dropping down from them. It stretches out as a slender black line, nearly three hundred feet in the air, connecting peak to peak. It resembles a spider's web thrown across a ravine, its delicate design clearly visible against the sky. While you gaze at this enchanting structure suspended in midair, almost anticipating that the next gust of wind will carry it away, you suddenly see a heavy wagon being driven across it; you recoil in horror at the audacity of trusting such a fragile-looking bridge at that dizzying height. Yet the suspended web holds strong under the weight, allowing the vehicle to pass safely. In fact, the weight gives it stability; as the wind rushes down the gorge, it causes the bridge to sway beneath you. The large suspension bridge is supported by four iron wire cables, each made up of one thousand fifty-six individual wires. Since the Menai Bridge in Wales is often claimed to be longer than this one, I'll share the measurements of both as listed by Mr. Murray: Freybourg: length, nine hundred five feet; height, one hundred seventy-four feet; width, twenty-eight feet. Menai: length, five hundred eighty feet; height, one hundred thirty feet; width, twenty-five feet. A span of nine hundred five feet without any intermediate pier seems unbelievable at first, and you need to see it with your own eyes to fully grasp it.

WONDERFUL CLOCK.

GREAT CLOCK.

Towards the end of the last century, a clock was constructed by a Genevan mechanic named Droz, capable of performing a variety of surprising movements, which were effected by the figures of a negro, a shepherd, and a dog. When the clock struck, the shepherd played six tunes on his flute, and the dog approached and fawned upon him. This clock was exhibited to the King of Spain, who was highly delighted with the ingenuity of the artist. The king, at the request of Droz, took an apple from the shepherd's basket, when the dog started up and barked so loud that the king's dog, which was in the same room, began to bark also. We are moreover informed that the negro, on being asked what hour it was, answered the question in French, so that he could be understood by those present.

Towards the end of the last century, a clock was made by a mechanic from Geneva named Droz, capable of performing a variety of surprising movements, which were done by the figures of a Black man, a shepherd, and a dog. When the clock struck, the shepherd played six tunes on his flute, and the dog came over and fawned on him. This clock was shown to the King of Spain, who was really impressed with the artist's creativity. At Droz's request, the king took an apple from the shepherd's basket, causing the dog to jump up and bark so loudly that the king's dog, which was in the same room, started barking too. We are also told that when the Black man was asked what time it was, he answered in French so that everyone could understand him.

MANDRIN THE SMUGGLER, 1757.

MANDRIN THE SMUGGLER, 1757.

Mandrin was the son of a peasant in Dauphiny who dealt in cattle. His first employment was buying and selling horses, by which he subsisted several years. But having on some occasion committed a murder, he was obliged to fly from justice, and in his absence was condemned by the Parliament of Grenoble to be broken on the wheel. Being now a fugitive, and destitute of employment, he learned to counterfeit money, and by this fraud made considerable gain, till, being discovered, the officers of the Mint at Lyons issued a warrant for apprehending him, and he was again obliged to quit the country. While he was wandering about from place to place, and hiding himself in caves and woods, he became acquainted with a gang of smugglers, and associating with them was, after some time, made their captain. As this gang was very numerous, he was less cautious of being seen, and having at length lost his sense of fear by habitual danger, he frequently entered towns and cities, raised contributions on the king's officers by force, and spread the same terror among others that others had brought upon him. But in proportion as he became more formidable he was, in fact, less secure; for the Government found it necessary to detach after him such a force as he could not resist, and the Farmers-General offered 48,000 livres reward for taking him. After many times attacking his party in a running fight, in which several were cut off, Mandrin, with eight of his men, took shelter in a castle on the frontiers of Savoy. They were closely pursued by several detachments, under the command of Colonel de Molière, who entered the King of Sardinia's territory after him, without having first obtained leave. Molière was immediately opposed by a great number of peasants: whether they were instigated by Mandrin, or whether they were jealous of their privilege, is not known; but all his expostulations being fruitless, and being determined not to relinquish his prey, for whom he hoped to receive so considerable a reward, he forced his way against them, killing twelve and wounding many others. Mandrin waited the [Pg 168] issue of this contest in his castle, where he was soon besieged by 150 men, who attacked the place with great vigour. Mandrin and his partisans defended themselves like men who had nothing to fear in a battle equal to being taken alive; and after several of them were killed, and the castle gates burst open, they retreated, fighting from chamber to chamber, and from story to story, till, reaching the garret, and being able to proceed no further, they were at last overpowered by numbers, having killed twenty of their adversaries, and spent all their ammunition. Mandrin, with those that survived of his little party, were carried prisoners to Valence in Dauphiny. * * * Mandrin was examined every day from the 13th of May to the 25th, in order to discover his accomplices. In the mean time several of his associates were put to the torture to discover what they knew of him, and were afterwards broken on the wheel, that death might give a sanction to their testimony.

Mandrin was the son of a peasant in Dauphiny who traded cattle. His first job was buying and selling horses, which he did for several years. However, after committing a murder, he had to flee from justice and was in absentia sentenced by the Parliament of Grenoble to be executed by breaking on the wheel. Now a fugitive and out of work, he learned to counterfeit money, making a lot of money from this crime until he was caught. The officers at the Mint in Lyons issued a warrant for his arrest, forcing him to leave the country again. While wandering from place to place and hiding in caves and woods, he connected with a group of smugglers and eventually became their leader. As this gang became quite large, he started being less careful about being seen. Losing his sense of fear from the constant danger, he frequently entered towns and cities, extorted money from the king's officials, and instilled the same fear in others that had been put upon him. However, the more powerful he became, the less secure he truly was; the Government decided to send a force after him that he couldn’t resist, and the Farmers-General offered a reward of 48,000 livres for his capture. After several engagements with his group, in which many were killed, Mandrin and eight of his men took refuge in a castle near the Savoy border. They were closely pursued by several detachments led by Colonel de Molière, who entered the King of Sardinia's territory without permission. Molière faced strong opposition from numerous peasants, possibly stirred by Mandrin or resentful of their privileges. Despite his attempts to negotiate, he refused to give up his target, which promised a substantial reward, so he forced his way through, killing twelve and wounding many others. Mandrin stayed in his castle, waiting to see how things would play out, but soon 150 men besieged them, attacking fiercely. Mandrin and his supporters fought bravely, knowing they faced death if captured. After several of them were killed and the castle gates were breached, they retreated room by room until they reached the top floor, where they could go no further. Eventually, they were overwhelmed by numbers, having killed twenty of their attackers and used up all their ammunition. Mandrin and the surviving members of his small group were taken prisoner to Valence in Dauphiny. Mandrin was interrogated every day from May 13 to May 25 to uncover his accomplices. Meanwhile, several of his associates were tortured to reveal information about him and were later executed by breaking on the wheel to validate their testimonies.

He himself was subjected to torture, but without eliciting anything further than he had previously revealed. Throughout he steadfastly refused to betray his comrades, and conducted himself with much dignity and heroism. On the day of his execution he received absolution from Father Gasperini, a Jesuit, who had administered to him the consolations of religion during his confinement.

He was tortured, but didn't give away anything more than what he had already told. All the while, he stood firm and refused to betray his friends, showing great dignity and bravery. On the day he was executed, he received forgiveness from Father Gasperini, a Jesuit, who had provided him with spiritual support during his time in prison.

Before he was led out of the prison, his shoes and stockings were taken from him; but, though barefooted, he walked along with great firmness and a good grace. When he came to the cathedral to perform the amende honorable, he asked forgiveness of the monks and priests for his want of respect to their order, and was then conducted to the scaffold. He mounted with great composure, and addressed himself in a short and pathetic exhortation to the spectators, especially the young persons of both sexes; he then sat down on the nave of the wheel, and loosened the buttons of his shirt-sleeves himself. Then he entreated pardon of the custom-house officers, whom he had so often and so grossly injured; and turning to the penitents who surrounded the scaffold—with his confessor and two other eminent persons of his order—he earnestly recommended himself as the object of their prayer, and immediately delivered himself up to the executioner. He received eight blows on his arms and legs, and one on his stomach, and was intended to have been left to expire of the wounds; but as the executioner was going down from the scaffold, an order came to strangle him; the bishop and all the considerable persons at Valence having interceded for this mitigation of his punishment. Mandrin was twenty-nine years of age, about five feet five inches high, well made, had a long visage, blue eyes, and sandy chesnut hair; he had something rough in his countenance, and a strong robust port; he was perpetually smoking tobacco, with which he drank plentifully of any liquor that was at hand, and ate till the last with a good appetite.

Before he was led out of prison, his shoes and socks were taken from him; but, even barefoot, he walked with great confidence and grace. When he arrived at the cathedral to make amends, he asked the monks and priests for forgiveness for not respecting their order, and was then taken to the scaffold. He climbed up calmly and gave a short and heartfelt speech to the crowd, especially the young men and women; then he sat on the wheel and loosened the buttons of his shirt sleeves himself. He then asked for forgiveness from the customs officers, whom he had often hurt deeply; and turning to the penitents surrounding the scaffold—with his confessor and two other notable figures from his order—he earnestly requested their prayers for him, before immediately surrendering to the executioner. He received eight blows to his arms and legs, and one to his stomach, and was supposed to be left to die from the wounds; but as the executioner was leaving the scaffold, an order came to strangle him, as the bishop and all the prominent people in Valence had pleaded for this reduction of his punishment. Mandrin was twenty-nine years old, about five feet five inches tall, well-built, with a long face, blue eyes, and sandy chestnut hair; he had a somewhat rough look and a strong, robust presence; he was constantly smoking tobacco, drinking plenty of whatever liquor was available, and eating heartily until the end.

SUDDEN RECOVERY FROM MADNESS.

SUDDEN RECOVERY FROM INSANITY.

The following extraordinary account is taken from the Gentleman's Magazine of 1784:—"About six years since, a seafaring person was taken into the Asylum for Maniacs at York; during the space of five years and six months he never expressed any desire for sustenance, and [Pg 169] was fed in the manner of an infant. The servants undressed him at night, and dressed him in the morning; he never spoke, and remained with his body bent all day, and was regarded by all about him as an animal nearly converted into a vegetable. About the middle of May, 1783, he suddenly astonished the people round him with saying, 'Good morrow to you all.' He then thanked the servants for the care they had taken of him, and appeared perfectly sane. A few days after, he wrote a letter to his wife, in which he expressed himself with great propriety. On the 28th of May following he was allowed to leave the hospital, and return to his family; and has now the command of a ship in the Baltic trade, and is in full enjoyment of perfect health, both in mind and body. This very singular case is attested by Dr. Hunter, F.E.S., of York, in a letter to Dr. Percival, of Manchester, and by the servants now at the Asylum in York."

The following extraordinary account is taken from the Gentleman's Magazine of 1784:—"About six years ago, a sailor was admitted to the Asylum for Maniacs in York; for five years and six months, he showed no desire for food and [Pg 169] was fed like an infant. The staff undressed him at night and dressed him in the morning; he never spoke and spent his days hunched over, being viewed by those around him as an animal nearly turned into a vegetable. Around mid-May 1783, he shocked those nearby by saying, 'Good morning to you all.' He then thanked the staff for their care and seemed completely sane. A few days later, he wrote a letter to his wife, expressing himself very appropriately. On May 28, he was allowed to leave the hospital and return to his family; he now commands a ship in the Baltic trade and enjoys perfect health, both mentally and physically. This very unusual case is confirmed by Dr. Hunter, F.E.S., of York, in a letter to Dr. Percival, of Manchester, and by the staff currently at the Asylum in York."

SUMMARY OF THE BIBLE.

Bible Summary.

The following table is published, as containing accurate particulars of the English version of the Bible:—

The following table is published, as it contains accurate details of the English version of the Bible:—

In the Old Testament. In the New Testament. Total.
Books, 39 Books, 27 Books, 66
Chapters, 929 Chapters, 260 Chapters, 1,189
Verses, 23,214 Verses, 7,959 Verses, 31,173
Words, 592,493 Words, 181,253 Words, 773,746
Letters, 2,728,100 Letters, 838,380 Letters, 3,566,480

The middle chapter and the shortest in the Bible is the hundred and seventeenth Psalm; the middle verse is the eighth of the hundred and eighteenth Psalm. The twenty-first verse of the seventh chapter of Ezra, in the English version, has all the letters of the alphabet in it. The nineteenth chapter of the second book of Kings and the thirty-seventh chapter of Isaiah are alike.

The middle chapter and the shortest in the Bible is the one hundred seventeenth Psalm; the middle verse is the eighth of the one hundred eighteenth Psalm. The twenty-first verse of the seventh chapter of Ezra, in the English version, includes all the letters of the alphabet. The nineteenth chapter of the second book of Kings and the thirty-seventh chapter of Isaiah are similar.

THE LEPROSY.—LAZARS.—LAZAR-HOUSES.

LEPROSY - LAZARUS - LAZAR HOUSES.

That loathsome disorder, leprosy, was introduced into England in the reign of Henry I., and was supposed to have been brought out of Egypt, or perhaps the East, by means of the crusaders. To add to the horror, it was contagious, which enhanced the charity of a provision for such miserables, who were not only naturally shunned, but even chased by royal edict, from the society of their fellow-creatures.

That terrible disease, leprosy, arrived in England during the reign of Henry I and was thought to have been brought back from Egypt or possibly the East by the crusaders. To make matters worse, it was contagious, which increased the need for charity towards those who were not just naturally avoided but were even driven away by royal decree from the company of other people.

Lepers, or Lazars, were sick persons removed out of monasteries to cells or hospitals, always built out of cities and towns. Their usual maintainence was, from liberty allowed them to go upon every market-day, to the market, where with a dish, called a clap dish, they would beg corn.

Lepers, or Lazars, were sick individuals taken out of monasteries to live in cells or hospitals, which were always located outside of cities and towns. They usually got their support by being allowed to go to the market on market days, where they would beg for grain using a dish called a clap dish.

Their sickness and loathsome appearance giving great disgust, many withheld their charity, upon which account they were afterwards restrained from begging at large, but permitted to send the proctor of the hospital, who came with his box one day in every month to the churches, and other religious houses, at time of service; and there received the voluntary charity of the congregations. This custom is said to be the origin of the present practice of collecting briefs.

Their illness and unappealing looks repulsed many people, causing them to withhold their donations. As a result, they were later prohibited from begging openly but were allowed to send the hospital's proctor, who came once a month to churches and other religious places during services to collect donations. This practice is said to be the origin of the current method of collecting requests for aid.

The leprosy was much more common formerly, in this part of the globe, than at present. It is said, that there were in Europe fifteen thousand hospitals founded for them. Perhaps near half the hospitals that were in England were built for lepers.

Leprosy used to be much more common in this part of the world than it is today. It's said that there were fifteen thousand hospitals established for lepers in Europe. Maybe about half of the hospitals in England were built for them.

Lepers were so numerous in the twelfth century, that by a decree of the Lateran Council under pope Alexander III., A.D. 1179, they were empowered to erect churches for themselves, and to have their own ministers to officiate in them. This shows at once how infectious and offensive their distemper was.

Lepers were so common in the twelfth century that by a decree from the Lateran Council under Pope Alexander III in A.D. 1179, they were allowed to build churches for themselves and have their own ministers to serve in them. This clearly indicates how contagious and alarming their condition was.

And on this account, "In England where a man was a leper, and was dwelling in a town, and would come into the churches, or among his neighbours when they were assembled, to talk to them to their annoyance or disturbance, a writ lay De Leproso amovendo."—What follows is remarkable. The writ is for those lepers "who appear to the sight of all men, they are lepers, by their voice and their sores, the putrefaction of their flesh, and by the smell of them."

And because of this, "In England, if a man had leprosy and lived in a town, he would come into the churches or join his neighbors when they gathered, to talk to them, causing them annoyance or disturbance, a writ lay De Leproso amovendo."—What comes next is noteworthy. The writ is for those lepers "who are obviously lepers to everyone, by their voice and their sores, the rotting of their flesh, and their smell."

And so late as the reign of Edward VI. multitudes of lepers seem to have been in England; for in 1 Edw. 6. c. 3. in which directions are given for carrying the poor to the places where they were born, &c. we read the following clause: "Provided always, that all leprous and poor bed-red creatures may, at their liberty, remain and continue in such houses appointed for lepers, or bed-red people, as they now be in."

And even as late as the reign of Edward VI, there seem to have been many lepers in England; for in 1 Edw. 6. c. 3, which outlines directions for taking the poor back to the places where they were born, we read the following clause: "Provided always, that all leprous and poor bed-red individuals may, at their discretion, stay and continue in the houses designated for lepers or bed-red people, as they currently are."

1184 to 1191.—The leprosy was at this period, and long after, a cruel epidemic in our country, possibly brought by the crusaders from the Holy Land, and spread here by filth and bad diet. It was supposed to be infectious, and was shunned as the plague; so that, had it not been for these pious institutions, multitudes must have perished under this loathsome disorder.

1184 to 1191.—During this time, leprosy was a brutal epidemic in our country, likely brought by the crusaders from the Holy Land, and spread here due to poor hygiene and diet. People thought it was contagious and avoided it like the plague; without these charitable institutions, countless individuals would have suffered and died from this horrific disease.

Among other wild fancies of the age, it was imagined that the persons afflicted with leprosy, a disease at that time (1327, Edward II.) very common, probably from bad diet, had conspired with the Saracens to poison all springs and fountains; and men being glad of any pretence to get rid of those who were a burthen to them, many of those unhappy people were burnt alive on the chimerical imputation.

Among other crazy ideas of the time, people believed that individuals suffering from leprosy, a disease that was quite common back then (1327, Edward II.), likely due to poor diet, had teamed up with the Saracens to poison all the springs and fountains. Taking any excuse they could to eliminate those they saw as a burden, many of these unfortunate individuals were burned alive based on this unfounded accusation.

Every one of the lazar-houses had a person, called a fore-goer, who used to beg daily for them.

Every one of the lazar houses had a person, called a fore-goer, who used to beg daily for them.

THE CONDOR IN PERU.

THE CONDOR IN PERU.

Dr. Pickering, of the United States Antarctic Expedition of 1839, being in the vicinity of the Andes, attempted the ascent of one of the summits; by noon he had reached a high elevation, and looking up, he espied a huge condor soaring down the valley. He stopped to observe the majestic bird as it sailed slowly along. To his surprise it took a turn around him, then a second and a third, the last time drawing so near that he began to apprehend that it meditated an attack. He describes himself as being in the worst possible condition for a fight, his strength being exhausted by climbing, and his right hand having been lamed for some days from a hurt. The nature of the ground, too, was anything but favourable for defence; but there was nothing left but to prepare for a [Pg 171] fight, and with this intent he took a seat and drew his knife. At the instant, as if intimidated by the sight of the weapon, the bird whirled off in another direction. Dr. Pickering confessed, however humiliating the acknowledgment, that he was at the time very well satisfied with the condor's determination to let him alone.

Dr. Pickering, of the United States Antarctic Expedition of 1839, was near the Andes when he tried to climb one of the peaks. By noon, he had reached a high point and looked up to see a massive condor gliding down the valley. He paused to watch the impressive bird as it floated by leisurely. To his surprise, it circled around him, then a second time and a third, coming so close that he started to fear it might attack. He described himself as being in the worst possible shape for a fight, having exhausted his strength from climbing, and his right hand was still weak from an injury he had sustained a few days earlier. The terrain wasn’t ideal for defense either, but he had no choice but to prepare for a fight, so he sat down and pulled out his knife. At that moment, as if scared by the sight of the weapon, the bird flew off in another direction. Dr. Pickering admitted, as embarrassing as it was to say, that he was quite relieved the condor had chosen to leave him alone.

COST OF SIR CHRISTOPHER WREN'S CHURCHES.

COST OF SIR CHRISTOPHER WREN'S CHURCHES.

The following is an account of what the undermentioned churches cost building, the designs for which were furnished by Sir Christopher Wren :—

The following is a record of the expenses for constructing the churches listed below, with designs provided by Sir Christopher Wren:—

  £ s. d.
St. Paul's 736,752 2
Allhallows the Great 5,641 9 9
—— Bread-street 3,348 7 2
—— Lombard-street 8,058 15 6
St. Alban's, Wood-street 3,165 0 8
St. Anne and Agnes 2,448 0 10
St. Andrew's, Wardrobe 7,060 16 11
—— Holborn 9,000 0 0
St. Antholin's 5,685 5 10¾
St. Austin's 3,145 3 10
St. Benet, Grailchurch 3,583 9
—— Paul's Wharf 3,328 18 10
—— Fink 4,129 16 10
St. Bride's 11,430 5 11
St. Bartholomew's 5,077 1 1
Christ Church 11,778 9 6
St. Clement, Eastcheap 4,365 3
—— Danes 8,786 17
St. Dionis Back Church 5,737 10 8
St. Edmund the King 5,207 11 0
St. George, Botolph-lane 4,509 4 10
St. James, Garlick-hill 5,357 12 10
—— Westminster 8,500 0 0
St. Lawrence, Jewry 11,872 1 9
St. Michael, Basinghall 2,822 17 1
—— Royal 7,455 7 9
St. Michael, Queenhithe 4,354 3 8
—— Wood-street 2,554 2 11
—— Crooked-lane 4,641 5 11
—— Cornhill 4,686 5 11
St. Martin, Ludgate 5,378 18 8
St. Matthew, Friday-str 2,301 8 2
St. Margaret Pattens 4,986 10 4
—— Lothbury 5,340 8 1
St. Mary, Abchurch 4,922 2
—— Magdalen 4,291 12
—— Somerset 6,579 18
—— at Hill 3,980 12 3
—— Aldermanbury 5,237 3 6
—— le Bow 8,071 18 1
—— le Steeple 7,388 8
St. Magnus, Lond. bridge 9,579 19 10
St. Mildred, Bread-street 3,705 13
—— Poultry 4,654 9
St. Nicholas Cole Abbey 5,042 6 11
St. Olav, Jewry 5,580 4 10
St. Peter's, Cornhill 5,647 8 2
St. Swithin, Canon-street 4,687 4 6
St. Stephen, Wallbrook 7,652 13 8
—— Coleman-str 4,020 16 6
St. Vedast, Foster-lane 1,853 15 6

EARLY CLOCKS.

Old clocks.

The first clock which appeared in Europe, was probably that which Eginhard (the secretary of Charlemagne), describes as sent to his royal master by Abdalla, King of Persia. "A horologe of brass, wonderfully constructed, for the course of the twelve hours, answered to the hourglass, with as many little brazen balls, which drop down on a sort of bells underneath, and sounded each other."—The Venetians had clocks in 872, and sent a specimen of them that year to Constantinople.

The first clock that appeared in Europe was likely the one that Eginhard (Charlemagne’s secretary) described as being sent to his royal master by Abdalla, King of Persia. "A brass clock, incredibly designed, tracking the twelve hours, corresponded with the hourglass, featuring several small brass balls that dropped onto bells below and chimed each other." The Venetians had clocks in 872 and sent a sample of them that same year to Constantinople.

SINGULAR SPECIMEN OF ORTHOGRAPHY IN THE SIXTEENTH CENTURY.

SINGLE EXAMPLE OF SPELLING IN THE SIXTEENTH CENTURY.

The following letter was written by the Duchess of Norfolk to Cromwell, Earl of Essex. It exhibits a curious instance of the monstrous anomalies of our orthography in the infancy of our literature, when a spelling book was yet a precious thing:—

The following letter was written by the Duchess of Norfolk to Cromwell, Earl of Essex. It shows a weird example of the strange inconsistencies in our spelling during the early days of our literature, when a spelling book was still a valuable item:—

"My ffary gode lord,—her I sand you in tokyn hoff the neweyer, a [Pg 172] glasse hoff Setyl set in Sellfer gyld, I pra you tak hit in wort. An hy wer babel het showlde be bater. I woll hit war wort a m crone."

"My dear good lord,—here I send you as a token of the New Year, a glass of Setyl set in silver gilt. I pray you take it to heart. An honorary title would be better. I think it would be worth a great deal."

Thus translated:—

Thus translated:—

"My very good lord,—Here I send you, in token of the new year, a glass of setyll set in silver gilt; I pray you take it in worth. An I were able it should be better. I would it were worth a thousand crown."

"My very good lord,—Here I’m sending you, to celebrate the new year, a silver-gilt glass of setyll; I hope you appreciate it. If I could, it would be better. I wish it were worth a thousand crowns."

DEATH OF THE EARL OF KILDARE.

DEATH OF THE EARL OF KILDARE.

In 1513, died the most powerful baron and active soldier of his age, Fitzgerald, Earl of Kildare. He had been, during thirty years, at different times, chief governor of Ireland, and was too potent to be set aside, otherwise his strong attachment to the house of York would probably have been his ruin. The untameable spirit of the earl sometimes involved him in trouble, from which he was extricated by a lucky bluntness; as when once, when charged before Henry VIII. with setting fire to the cathedral of Cashel, "I own it," said the earl, "but I never would have done it had I not believed that the archbishop was in it." The king laughed, and pardoned the ludicrous culprit. The Bishop of Meath was his bitterest foe. He accused him to Henry of divers misdeeds, and closed his accusation with "Thus, my liege, you see that all Ireland cannot rule the earl." "Then," said the perverse monarch, "the earl shall rule all Ireland," and instantly made him lord-deputy. The English loved the earl because he was brave and generous, and because his good humour equalled his valour. Once, when he was in a furious paroxysm, a domestic who knew his temper, whispered in his ear, "My lord, yonder fellow has betted me a fine horse, that I dare not take a hair from your lordship's beard; I pray, my lord, win me that wager." The earl's features relaxed, and he said to the petitioner, "Take the hair, then, but if thou exceedest thy demand, my fist shall meet thy head."

In 1513, the most powerful baron and active soldier of his time, Fitzgerald, Earl of Kildare, died. He had served as the chief governor of Ireland at various times over thirty years and was too influential to be dismissed; otherwise, his strong loyalty to the house of York might have led to his downfall. The earl's untamable spirit sometimes got him into trouble, from which he was saved by his bluntness; for example, when he was accused before Henry VIII of setting fire to the cathedral of Cashel, he replied, "I admit it, but I wouldn't have done it if I hadn't thought the archbishop was inside." The king laughed and pardoned him for his ridiculous admission. The Bishop of Meath was his arch-enemy. He accused the earl of various wrongdoings to Henry, concluding with "So, my liege, you can see that all of Ireland cannot control the earl." "Then," said the contrary king, "the earl shall control all of Ireland," and immediately made him lord-deputy. The English admired the earl for his bravery and generosity, as well as his good humor matching his valor. Once, during a fit of rage, a servant who knew his temper whispered in his ear, "My lord, that guy has bet me a fine horse that I won't dare take a hair from your beard; please, my lord, win me that bet." The earl's expression softened, and he replied to the servant, "Go ahead and take the hair, but if you take more than you ask for, my fist will meet your head."

THE BRITANNIA TUBULAR BRIDGE.

THE BRITANNIA TUBE BRIDGE.

This is one of the most remarkable structures in the world, the design of the celebrated architect, Sir R. Stephenson. This bridge is on the line of the Chester and Holyhead Railway, crossing the Menai Straits, within sight of Telford's Chain Suspension Bridge. It is made of cast iron of a tubular form, in the tube of which the railway passes. Four of these span the Strait, and are supported by piles of masonry; that on the Anglesea side is 143 feet 6 inches high, and from the front to the end of the wing walls is 173 feet. These wing walls terminate in pedestals, on which repose colossal lions of Egyptian character. The Anglesea pier is 196 feet high, 55 feet wide, and 32 feet long. In the middle of the Strait is the Britannia Rock, from which the bridge derives its name; on this the Britannia pier is raised. It is equi-distant from the Anglesea and Carnarvon piers, being 460 feet in the clear from each, and sustains the four ends of the four long tubes, which span the distance from shore to shore. There are two pairs of short and two of long tubes, the lengths of these pairs being 250 feet and 470 respectively. The Egyptian lions are 25 feet 6 inches long, 12 feet 6 inches high, 8 feet wide, and weigh 80 tons. Two thousand cubic feet of stone were [Pg 173] required for each lion. The total quantity of stone in the bridge is 1,400,000 cubic feet. The weight of malleable iron in the tubes is 10,000 tons; of cast iron, 1,400 tons. The whole length of the entire bridge, measuring from the extreme front of the wing walls, is 1,833 feet, and its greatest elevation at Britannia pier, 240 feet above low-water-mark. The total cost of the structure is £601,865. This wonderful structure was begun April 13, 1846, and completed July 25, 1850; opened for traffic Oct. 21, 1850.

This is one of the most impressive structures in the world, designed by the famous architect, Sir R. Stephenson. This bridge is part of the Chester and Holyhead Railway, crossing the Menai Straits, and is visible from Telford's Chain Suspension Bridge. It is constructed from cast iron in a tubular shape, with the railway running through the tube. Four of these tubes span the Strait and are supported by masonry piles; the one on the Anglesea side stands 143 feet 6 inches high, and the distance from the front to the end of the wing walls is 173 feet. These wing walls end in pedestals that feature massive lions with an Egyptian style. The Anglesea pier is 196 feet tall, 55 feet wide, and 32 feet long. In the center of the Strait lies Britannia Rock, from which the bridge gets its name; the Britannia pier is built on this rock. It is equally spaced from the Anglesea and Carnarvon piers, at 460 feet clear from each, and supports the four ends of the four long tubes, which stretch from shore to shore. There are two pairs of short tubes and two pairs of long tubes, measuring 250 feet and 470 feet long, respectively. The Egyptian lions are 25 feet 6 inches long, 12 feet 6 inches tall, 8 feet wide, and weigh 80 tons. Each lion required 2,000 cubic feet of stone. The total amount of stone used for the bridge is 1,400,000 cubic feet. The weight of malleable iron in the tubes is 10,000 tons, and the weight of cast iron is 1,400 tons. The entire length of the bridge, measured from the furthest point of the wing walls, is 1,833 feet, with its highest point at the Britannia pier, standing 240 feet above low-water mark. The total cost of the structure is £601,865. This amazing structure was started on April 13, 1846, completed on July 25, 1850, and opened for traffic on October 21, 1850.

Britannia Tubular Bridge

DAFFEY'S ELIXIR.

DAFFEY'S ELIXIR.

In the Postboy, Jan. 1, 1707-8, is the following curious advertisement:—"Daffey's famous Elixir Salutis by Catherine Daffey, daughter [Pg 174] of Mr. Thomas Daffy, late rector of Redmile, in the valley of Belvoir, who imparted it to his kinsman, Mr. Anthony Daffy, who published the same to the benefit of the community and his own great advantage. The original receipt is now in my possession, left to me by my father. My own brother, Mr. Daniel Daffy, apothecary in Nottingham, made the Elixir from the said receipt, and sold it there during his life. Those who know it, will believe what I declare; and those who do not, may be convinced that I am no counterfeit, by the colour, taste, smell, and operation of my Elixir. To be had at the Hand and Pen, Maiden-Lane, Covent Garden."

In the Postboy, Jan. 1, 1707-8, there's an interesting advertisement:—"Daffey's famous Elixir Salutis by Catherine Daffey, daughter [Pg 174] of Mr. Thomas Daffy, former rector of Redmile in the Belvoir valley. He shared it with his relative, Mr. Anthony Daffy, who published it for the benefit of the community and for his own significant gain. I have the original recipe, which was passed down to me from my father. My brother, Mr. Daniel Daffy, an apothecary in Nottingham, used this recipe to create the Elixir and sold it throughout his life. Those who are familiar with it will believe my claims, and those who aren’t can be assured that I’m genuine by the color, taste, smell, and effects of my Elixir. Available at the Hand and Pen, Maiden-Lane, Covent Garden."

JENNY'S WHIM.

Jenny's Idea.

"This was a tea garden, situated, after passing over a wooden bridge on the left, previous to entering the long avenue, the coach way to where Ranelagh once stood. This place was much frequented, from its novelty, being an inducement to allure the curious, by its amusing deceptions, particularly on their first appearance there. Here was a large garden, in different parts of which were recesses; and if treading on a spring, taking you by surprise, up started different figures, some ugly enough to frighten you—a harlequin, a Mother Shipton, or some terrific animal. In a large piece of water, facing the tea alcoves, large fish or mermaids, were showing themselves above the surface. This queer spectacle was first kept by a famous mechanist, who had been employed at one of the winter theatres, there being then two."—Angelo's Pic Nic or Table Talk, p. 106.

"This was a tea garden, located just after crossing a wooden bridge on the left, before entering the long avenue that leads to where Ranelagh used to be. This place attracted many visitors because it was new and drew in the curious with its entertaining tricks, especially on their first visit. There was a large garden with different areas, and if you stepped on a hidden spring, different figures would pop up to surprise you—some were scary enough to frighten you, like a harlequin, a Mother Shipton, or some terrifying creature. In a large body of water facing the tea alcoves, big fish or mermaids would show themselves above the surface. This strange spectacle was originally run by a famous mechanist who had worked at one of the winter theaters, as there were two at the time."—Angelo's Pic Nic or Table Talk, p. 106.

Horace Walpole, more than once alludes to this place of entertainment in his Letters; and in 1755 a 4to. satirical tract appeared entitled Jenny's Whim; or a Sure Guide to the Nobility, Gentry, and other Eminent Persons, in this Metropolis.

Horace Walpole mentions this entertainment spot several times in his letters, and in 1755, a satirical booklet was published titled Jenny's Whim; or a Sure Guide to the Nobility, Gentry, and other Eminent Persons, in this Metropolis.

ANECDOTE RELATIVE TO THE MASKED EXECUTIONER OF CHARLES I.

ANECDOTE RELATIVE TO THE MASKED EXECUTIONER OF CHARLES I.

It is universally known, that, at the execution of King Charles I., a man in a vizor performed the office of executioner. This circumstance has given rise to a variety of conjectures and accounts. In the Gentleman's Magazine for November, 1767, and January, 1768, are accounts of one William Walker, who is said to be the executioner. In the same magazine for June, 1784, it is supposed to be a Richard Brandon, of whom a long account is copied from an Exeter newspaper. But William Lilly, in his "History of his Life and Times," has the following remarkable passage:—"Many have curiously inquired who it was that cut off his [the king's] head: I have no permission to speak of such things: only thus much I say, he that did it is as valiant and resolute a man as lives, and one of a competent fortune." To clear up this passage, we shall present our readers with Lilly's examination (as related by himself) before the first parliament of King Charles II. in June, 1660.

It is widely known that during the execution of King Charles I, a man wearing a mask served as the executioner. This situation has led to various theories and reports. In the Gentleman's Magazine for November 1767 and January 1768, there are accounts of a man named William Walker, who is said to have been the executioner. In the same magazine for June 1784, it is believed that the executioner was a Richard Brandon, and a detailed account is taken from an Exeter newspaper. However, William Lilly, in his "History of his Life and Times," shares this notable passage: “Many have eagerly asked who it was that beheaded him [the king]: I am not authorized to discuss such matters; I will only say this much: the one who did it is as brave and determined a man as exists, and he is of substantial means.” To clarify this passage, we will present our readers with Lilly’s testimony (as he recounts it) before the first parliament of King Charles II in June 1660.

"At my first appearance, many of the young members affronted me highly, and demanded several scurrilous questions. Mr. Weston held a paper before his mouth; bade me answer nobody but Mr. Prinn; I obeyed his command, and saved myself much trouble thereby, and when Mr. Prinn put any difficult or doubtful query unto me, Mr. Weston prompted me with a fit question. At last, after almost one hour's [Pg 175] tugging, I desired to be fully heard what I could say as to the person that cut Charles I.'s head off. Liberty being given me to speak, I related what follows, viz.:—

"During my first appearance, many of the young members challenged me aggressively and asked some pretty rude questions. Mr. Weston held a paper in front of his mouth and told me to only answer Mr. Prinn; I followed his advice, which saved me a lot of trouble. When Mr. Prinn asked me a tough or confusing question, Mr. Weston helped me with a suitable response. Finally, after nearly an hour of back-and-forth, I asked to be fully heard about what I could say regarding the person who beheaded Charles I. Once I was given permission to speak, I shared the following:"

"That the next Sunday but one after Charles I. was beheaded, Robert Spavin, Secretary to Lieutenant-General Cromwell at that time, invited himself to dine with me, and brought Anthony Pearson, and several others, along with him to dinner. That their principal discourse all dinner-time was only who it was that beheaded the king; one said it was the common hangman; another, Hugh Peters; others were also nominated; but none concluded. Robert Spavin, so soon as dinner was done, took me by the hand, and carried me to the south window: saith he. 'These are all mistaken; they have not named the man that did the fact; it was Lieutenant-Colonel Joice. I was in the room when he fitted himself for the work, stood behind him when he did it; when done, went in with him again. There is no man knows this but my master, viz., Cromwell, Commissary Ireton, and myself.'—'Doth Mr. Rushworth know it?' saith I.—'No, he doth not know it,' saith Spavin. The same thing Spavin since has often related to me when we were alone."

"On the Sunday two weeks after Charles I was executed, Robert Spavin, who was Secretary to Lieutenant-General Cromwell at the time, invited himself over for dinner and brought Anthony Pearson and several others with him. Their main conversation throughout dinner was about who actually beheaded the king. Some said it was the common hangman, others said it was Hugh Peters, and various other names came up, but no one reached a conclusion. Once dinner was over, Robert Spavin took my hand and led me to the south window. He said, 'Everyone is wrong; they haven't named the actual person who did it; it was Lieutenant-Colonel Joice. I was in the room when he prepared for the act, stood behind him while he did it, and went back in with him afterward. No one else knows this except my master, Cromwell, Commissary Ireton, and me.' I asked, 'Does Mr. Rushworth know?' He replied, 'No, he doesn’t know.' Spavin has often reminded me of this when it was just the two of us."

WHIPPING PRISONERS.

Beating prisoners.

Mr. Ellesdon, Mayor of Lyme, in 1595, paid for—

Mr. Ellesdon, Mayor of Lyme, in 1595, paid for—

  s. d.
Four yards of canvas to make a coat to whip the rogues in 3 0
Making the same 0 6
Whipping of three of the ship boys for stealing of Mr. Hassard's salmon fish in the Cobb 1 0
(N.B.—Salmon was plentiful in the west at this epoch.)

The charge of fourpence made for whipping a boy continued for many years the same. The whipping of a woman who was a stranger was little more costly; but the inflicting such a punishment upon a townswoman was remunerated at a higher rate, as may well be supposed, from a consideration of several circumstances. To take a violent, noisy woman from her chamber, tie madam to the tumbrel and whip her round the town, was an undertaking that demanded assistance and protection to the official or hireling that wielded the thong. In the Town Accompt Book are found such entries as those which are given in illustration:—

The charge of fourpence for whipping a boy stayed the same for many years. Whipping a woman who was a stranger cost only a bit more; however, punishing a local woman brought a higher fee, as you might expect, considering various factors. To drag a loud, unruly woman from her room, tie her to the cart, and whip her around town required support and protection for the official or hired hand holding the whip. In the Town Accounts Book, you can find entries like the ones shown as examples:—

    s. d.
1625. For whipping William Wynter's boy 0 4
  " Agnes Abbott 2x 2 4
1644. Paid two soldiers to attend the whipping of a woman 2 6
  Paid to whipping four women 4 0

THE INIQUITIES OF THE SLAVE TRADE.

THE WRONGS OF THE SLAVE TRADE.

We may form some idea of the temptations which the trade in human beings held out, even to people who held an honourable position in the world, from the fact that the captain of a frigate, within a few years before the slave trade was abolished, was known to purchase slaves in the West India market, have them entered as able seamen, and compel the artificers to teach them a trade; so that when the ship [Pg 176] returned each was sold at a high rate as a valuable piece of property. The worst, however, has to be told. Upon sailing from Portsmouth, some of the best men were sent away upon duty in a ship's boat, in order that they might be returned "run," by which they lost pay and clothes, but made room for the negroes lately kidnapped, who were entered, though they did no work for the ship, as able seamen! We have all heard of a naval officer who had his pocket picked at a Westminster election, and who openly professed his vow, which he rigidly performed, of flogging every Londoner that joined his ship for this act. This, it is said, was no idle vow!

We can get a sense of the temptations of the human trafficking trade, even for those with respectable standing in society, from the fact that a frigate captain, just a few years before the abolition of the slave trade, was known to buy slaves in the West India market, list them as skilled sailors, and force the craftsmen to teach them a trade. So, when the ship [Pg 176] returned, each one was sold for a high price as valuable property. However, there's a darker side to this. When sailing from Portsmouth, some of the best crew members were sent off on duty in a ship's boat, so they could be marked as "run," which cost them pay and clothes, but made space for the recently kidnapped Black individuals, who were listed as able seamen even though they did no actual work for the ship! We've all heard of a naval officer who had his wallet stolen during a Westminster election, and who publicly declared his vow—one he enforced strictly—to punish every Londoner who joined his ship for this act. It is said that this vow was not made lightly!

DISCOVERY OF THE BODY OF CANUTE THE GREAT.

DISCOVERY OF THE BODY OF CANUTE THE GREAT.

In June 1766, some workmen who were repairing Winchester Cathedral discovered a monument, wherein was contained the body of King Canute. It was remarkably fresh, had a wreath round the head, and several other ornaments of gold and silver bands. On his finger was a ring, in which was set a large and remarkably fine stone; and in one of his hands a silver penny. Archæologia, vol. iii. The penny found in the hand is a singular instance of a continuance of the pagan custom of always providing the dead with money to pay Charon.

In June 1766, some workers who were fixing Winchester Cathedral found a monument that held the body of King Canute. It was surprisingly well-preserved, adorned with a wreath around the head and several other decorations made of gold and silver bands. On his finger was a ring featuring a large and exceptionally fine stone; in one of his hands, he held a silver penny. Archæologia, vol. iii. The penny discovered in his hand is an unusual example of the ongoing pagan tradition of placing money with the dead to pay Charon.

M.P.'S AND MAYORS PRIVATEERS.

M.P.s and Mayors Privateers.

William Morfote, who represented Winchelsea in Parliament in 1428, was a privateer with a hundred men under him. He found it necessary to obtain the king's pardon in 1435, by the advice of Parliament, there being a legal difficulty about his having broken prison at Dover Castle.

William Morfote, who represented Winchelsea in Parliament in 1428, was a privateer commanding a hundred men. In 1435, he saw the need to seek the king's pardon, following Parliament's advice, due to a legal issue regarding his escape from prison at Dover Castle.

Two merchants of Sherborne in Dorsetshire were robbed of their cargo, worth £80, A.D. 1322, by Robert de Battyle. This transaction did not lose him the good opinion of his townsmen, who chose him Mayor of Winchelsea a few years later.

Two merchants from Sherborne in Dorsetshire were robbed of their cargo, worth £80, CE 1322, by Robert de Battyle. This incident didn’t tarnish his reputation with the townspeople, who elected him Mayor of Winchelsea a few years later.

ALGERINE INVASION OF IRELAND.

ALGERIAN INVASION OF IRELAND.

The Algerines landed in Ireland in 1627, killed 50 persons, and carried off about 400 into slavery. One vessel captured by them was worth £260,000. They made purchases of stores and provisions they wanted in the western parts of Ireland by Baltimore, and in 1631 carried off 100 captives from that town. They landed their poor captives at Rochelle, and marched them in chains to Marseilles. Twenty-six children are said to have been carried off at one time from Cornwall. In 1633, Lord Wentworth, appointed lord deputy of Ireland, named noted pirate vessels off the coast of Ireland and their captures. Persons in their wills used to leave sums of money for redeeming well-known captives from bondage in Algiers and other places.

The Algerines landed in Ireland in 1627, killed 50 people, and took about 400 into slavery. One ship they captured was worth £260,000. They bought supplies and provisions in the western parts of Ireland by Baltimore, and in 1631, they took 100 captives from that town. They brought their unfortunate captives to Rochelle and marched them in chains to Marseilles. It's said that twenty-six children were taken at one time from Cornwall. In 1633, Lord Wentworth, who was appointed Lord Deputy of Ireland, identified notorious pirate ships off the coast of Ireland and their captures. People would often leave money in their wills to help free well-known captives from bondage in Algiers and other places.

WILLIAM JOY, THE ENGLISH SAMPSON.

William Joy, the English Samson.

William Joy

William Joy was a native of Kent, and born May 2, 1675, at St. Lawrence, a small village one mile from Ramsgate, in the Isle of Thanet. When very young, he distinguished himself among his juvenile companions and playmates, by his amazing superiority in strength, over any [Pg 177] antagonist that dare to come in competition with his power, whether in play or earnest When about twenty-four years of age, he first began to exhibit in public his astonishing feats, in a display of personal prowess inferior to none but the Hebrew champion recorded in holy writ. Among many other of this man's extraordinary performances may be recorded:—1. A strong horse, urged by the whip to escape his powerful rein, is restrained and kept from escape solely by the check of his pull, aided by a strong rope, and this without any stay or support whatever. 2. Seated upon a stool, with his legs horizontally elevated, solely by muscular power, he jumps clearly from his seat. 3. To prove the agility and [Pg 178] flexibility of his joints, he places a glass of wine on the sole of his foot, and, in an erect posture, without the least bending of his head or body, raises the glass to his mouth, and drinks the contents, turning his foot with both hands, to accommodate his draught. 4. Aided by a strong leather girdle, or belt, and supporting himself by pressing his arms on a railing, he lifts from the ground a stone of the enormous weight of 2,240 lbs. 5. A rope fastened to a wall, which had borne 3,500 lbs. weight, without giving way, is broke asunder by his amazing strength. The celebrity of this man attracted the curiosity of King William III., before whom he exhibited at Kensington Palace; likewise before George, Prince of Denmark, and his royal consort, the Princess, afterwards Queen Anne, and their son William, Duke of Gloucester, called the Hope of England. He also went through a regular course of performances at the Duke's Theatre, in Dorset-gardens, Salisbury-square, which was attended by the first nobility and gentry in the kingdom.

William Joy was from Kent and was born on May 2, 1675, in St. Lawrence, a small village about a mile from Ramsgate in the Isle of Thanet. Even as a child, he stood out among his friends and playmates due to his incredible strength, easily overpowering anyone who dared to compete with him, whether in games or for real. At around twenty-four years old, he began showcasing his impressive feats in public, demonstrating physical abilities unmatched except by the biblical champion noted in scripture. Some of this man's remarkable performances include: 1. A strong horse, spurred on by a whip in an attempt to escape, is held back solely by the tension of its pull and a strong rope, without any other support. 2. Seated on a stool with his legs raised horizontally, he jumps straight up from his seat using only his muscles. 3. To demonstrate the agility and flexibility of his joints, he places a glass of wine on the sole of his foot, and while standing upright without bending his head or body, he lifts the glass to his mouth and drinks, adjusting his foot with both hands to facilitate the action. 4. With the help of a strong leather belt and using his arms to press against a railing for support, he lifts a stone weighing 2,240 lbs off the ground. 5. A rope, secured to a wall and capable of holding 3,500 lbs without breaking, snaps due to his astonishing strength. The fame of this man caught the attention of King William III, for whom he performed at Kensington Palace, as well as before George, Prince of Denmark, his royal wife, Princess Anne (who later became Queen Anne), and their son William, Duke of Gloucester, known as the Hope of England. He also performed a series of shows at the Duke's Theatre in Dorset Gardens, Salisbury Square, attended by the kingdom’s highest nobility and gentry.

PRICE OF SHELL-FISH IN 1675.

PRICE OF SHELLFISH IN 1675.

A bill for shell-fish enables us to ascertain the prices paid in Charles II.'s reign for these delicacies. Mr. Walter Tucker, mayor of Lyme, Dorset, paid for the judges, for—

A bill for shellfish lets us find out the prices paid during Charles II's reign for these treats. Mr. Walter Tucker, the mayor of Lyme, Dorset, paid for the judges, for—

30 lobsters £1 10 0
6 crabs 0 6 0
100 scallops 0 5 0
300 oysters 0 4 0
50 oranges 0 2 0
 
  £2 7 0

DISTRIBUTING HAND-BILLS.

Distributing flyers.

The month of July 1736 afforded a singular popular explosion, contrived in the following strange manner:—A brown paper parcel, which had been placed unobserved near the side-bar of the Court of King's-bench, Westminster-hall, blew up during the solemn proceedings of the Courts of Justice assembled, and scattered a number of printed bills, giving notice, that on the last day of Term five Acts of Parliament would be publicly burnt in the hall, between the hours of twelve and one, at the Royal Exchange, and at St. Margaret's hill, which were the Gin Act, the Smuggling Act, the Mortmain Act, the Westminster Bridge Act, and the Act for borrowing 600,000l. on the Sinking fund.

The month of July 1736 saw a remarkable popular explosion, caused in this unusual way: A brown paper package, which had been left unnoticed near the side-bar of the Court of King's Bench, Westminster Hall, suddenly blew up during the formal proceedings of the Courts of Justice that were in session, scattering a number of printed notices. These notices announced that on the last day of Term, five Acts of Parliament would be publicly burned in the hall, between noon and one o'clock, at the Royal Exchange and at St. Margaret's Hill. The Acts included the Gin Act, the Smuggling Act, the Mortmain Act, the Westminster Bridge Act, and the Act for borrowing £600,000 on the Sinking Fund.

One of the bills was immediately carried to the Grand Jury then sitting, who found it an infamous libel, and recommended the offering of a reward to discover the author.

One of the bills was quickly taken to the Grand Jury that was in session, which deemed it an infamous libel and suggested offering a reward to find the author.

RANZ DES VACHES.

Cattle run.

The "Ranz des Vaches," which is commonly supposed to be a single air, stands in Switzerland for a class of melodies, the literal meaning of which is cow-rows. The German word is Kureihen—rows of cows. It derives its origin from the manner the cows march home along the Alpine paths at milking time. The shepherd goes before, keeping every straggler in its place by the tones of his horn, while the whole herd wind [Pg 179] along in Indian file, obedient to the call. From its association it always creates home-sickness in a Swiss mountaineer, when he hears it in a foreign land. It is said, these melodies are prohibited in the Swiss regiments attached to the French army, because it produces so many desertions. One of the "Ranz des Vaches" brings back to his imagination his Alpine cottage—the green pasturage—the bleating of his mountain goats—the voices of the milkmaids, and all the sweetness and innocence of a pastoral life; till his heart turns with a sad yearning to the haunts of his childhood, and the spot of his early dreams and early happiness.

The "Ranz des Vaches," which is usually thought to be a single tune, actually represents a category of melodies in Switzerland, literally meaning cow-rows. The German term is Kureihen—rows of cows. It comes from the way the cows walk home along the Alpine paths at milking time. The shepherd leads the way, keeping any stragglers in line with the sounds of his horn, while the entire herd moves in single file, responding to the call. Because of its connection, it often makes a Swiss mountaineer feel homesick when he hears it in another country. It’s said that these melodies are banned in Swiss regiments serving in the French army, as they lead to many desertions. One version of the "Ranz des Vaches" brings back memories of his Alpine cottage—the lush green pastures—the bleating of his mountain goats—the voices of the milkmaids, and all the sweetness and innocence of rural life; until his heart aches with a longing for the places of his childhood and the location of his early dreams and happiness.

The Swiss retain their old fondness for rifle-shooting, and there is annually a grand rifle match at some of the large towns, made up of the best marksmen in all Switzerland. There are also yearly contests in wrestling, called Zwing Feste, the most distinguished wrestlers at which are from Unterwalden, Appenzel, and Berne.

The Swiss still have their strong love for rifle shooting, and every year there’s a big rifle match in some of the larger towns, featuring the best marksmen from all over Switzerland. There are also annual wrestling competitions called Zwing Feste, with the top wrestlers coming from Unterwalden, Appenzel, and Berne.

MONSOONS.

Monsoon season.

Monsoons

These are periodical winds which blow over the Indian Ocean, between Africa and Hindustan for nearly six months from the north-east, and during an equal period from the south-west. The region of the monsoons lies a little to the north of the northern border of the trade-winds, and they blow with the greatest force and with most regularity between the eastern coast of Africa and Hindustan. When the sun is in the southern hemisphere a north-east wind, and when it is in the northern hemisphere, a south-west wind blows over this sea. The north-east monsoon blows from November to March. It extends one or two degrees south of the equator. It becomes regular near the coasts of Africa sooner than in the middle of the sea, and near the equator sooner than in the vicinity of the coasts of Arabia. This wind brings rain on the eastern coasts of Africa. The south-west monsoon does not extend south of the equator, but usually begins a short distance north of it. It blows from the latter end of April to the middle of October. Along the coast of Africa, it appears at the end of March; but along the coast of Malabar, not before the middle of April; it ceases, however, sooner in the former than in the latter region. The rainy season on the west coast of Hindustan commences with the first approach of the south-west monsoon. The monsoons prevail also on the seas between Australia and China.

These are seasonal winds that blow over the Indian Ocean, between Africa and India, for nearly six months from the northeast, and for an equal period from the southwest. The area where the monsoons occur is slightly north of the northern edge of the trade winds, and they blow most strongly and consistently between the eastern coast of Africa and India. When the sun is in the southern hemisphere, a northeast wind blows over this sea, and when it’s in the northern hemisphere, a southwest wind takes over. The northeast monsoon lasts from November to March, stretching one or two degrees south of the equator. It becomes steady near the coasts of Africa earlier than it does in the open sea, and near the equator earlier than it does near the Arabian coasts. This wind brings rain to the eastern coasts of Africa. The southwest monsoon typically doesn’t extend south of the equator and usually starts just north of it. It blows from late April to mid-October. It arrives along the coast of Africa by the end of March, but along the coast of Malabar not until mid-April; however, it ends sooner in the former than in the latter area. The rainy season on the west coast of India begins with the first signs of the southwest monsoon. The monsoons are also present in the seas between Australia and China.

The effect of the struggle which precedes the change in the direction of the wind in this part of the world is thus described in "Forbes's Oriental Memoirs." The author was encamped with the English troops:

The impact of the struggle before the wind shifts direction in this region is described in "Forbes's Oriental Memoirs." The author was camped with the English troops:

"The shades of evening approached as we reached the ground, and just as the encampment was completed, the atmosphere grew suddenly dark, the heat became oppressive, and an unusual stillness presaged the immediate setting-in of the monsoon. The whole appearance of external nature resembled those solemn preludes to earthquakes and hurricanes in the West Indies, from which the East in general is providentially free. We were allowed very little time for conjecture. In a few minutes the heavy clouds burst over us. I had witnessed seventeen monsoons in India, but this surpassed them all in its awful appearance and dreadful effects. Encamped in a low situation on the borders of a lake formed to [Pg 180] collect the surrounding water, we found ourselves in a few hours in a liquid plain; tent-pins giving way in a loose soil—the tents fell down—and left the whole army exposed to the contending elements. It requires a lively imagination to conceive the situation of a hundred thousand human beings of every description, with more than two hundred thousand elephants, camels, horses, and oxen, suddenly overwhelmed by this dreadful storm in a strange country, without any knowledge of high or low ground, the whole being covered by an immense lake, and surrounded by thick darkness, which rendered it impossible for us to distinguish a single object except such as the vivid glare of the lightning occasionally displayed in horrible forms. No language can adequately describe the wreck of a large encampment thus instantaneously destroyed, and covered with water, amid the cries of old men and helpless women, terrified by the piercing shrieks of their expiring children, unable to afford them relief. During this dreadful night more than two hundred persons and three thousand cattle perished miserably, and the morning dawn exhibited a shocking spectacle!"

The evening shadows drew closer as we reached the ground, and just as the camp was set up, the atmosphere suddenly darkened, the heat became stifling, and an unusual stillness signaled the imminent arrival of the monsoon. The whole scene outside felt like the eerie calm before earthquakes and hurricanes in the West Indies, from which the East is generally spared. We had little time to wonder about it. Within minutes, the heavy clouds unleashed their fury upon us. I had experienced seventeen monsoons in India, but this one surpassed them all in its terrifying appearance and dreadful impact. Positioned in a low area by a lake designed to gather the surrounding water, we found ourselves within hours in a flooded expanse; tent pegs gave way in the loose soil, the tents collapsed, leaving the entire army exposed to the raging elements. It takes a vivid imagination to grasp the plight of a hundred thousand people of all kinds, along with more than two hundred thousand elephants, camels, horses, and oxen, suddenly caught in this brutal storm in an unfamiliar land, with no knowledge of higher or lower ground, all submerged under a vast lake and enveloped in thick darkness, making it impossible to see anything except for the violent flashes of lightning that revealed terrifying shapes. No words can truly capture the devastation of a large camp wiped out in an instant and submerged in water, amid the cries of elderly men and helpless women, terrified by the anguished wails of their dying children, unable to help them. During that horrific night, over two hundred people and three thousand animals perished tragically, and when morning came, the scene was shocking!

UNUSUAL LOCALITY FOR SAYING PRAYERS.

UNIQUE PLACE FOR PRAYING.

Francis Atkins was porter at the palace gate, at Salisbury, from the time of Bishop Burnet to the period of his death in 1761, at the age of 104 years. It was his office every night to wind up the clock, which he was capable of performing regularly till within a year of his decease, though on the summit of the palace. In ascending the lofty flight of stairs, he usually made a halt at a particular place and said his evening prayers. He lived a regular and temperate life, and took a great deal of exercise; he walked well, and carried his frame upright and well balanced to the last.

Francis Atkins was the porter at the palace gate in Salisbury from the time of Bishop Burnet until he died in 1761 at the age of 104. Every night, it was his job to wind the clock, which he did consistently until a year before his death, despite the height of the palace. As he climbed the long flight of stairs, he would often stop at a specific spot to say his evening prayers. He led a regular and moderate lifestyle and got plenty of exercise; he walked well and maintained an upright and well-balanced posture right up to the end.

BILLY IN THE SALT BOX.

BILLY IN THE SALT BOX.

Political caricatures are generally well worth preserving, they familiarize us with the features and peculiarities of celebrated men, and they tell us what was the popular feeling of the day. We regret that in general they are too large for our pages, but now and then we meet with a small one which we are glad to present to our readers.

Political cartoons are usually worth keeping because they help us recognize the traits and quirks of famous people, and they reflect the popular sentiment of the time. We wish that most of them weren’t too large for our pages, but every now and then we come across a small one that we’re happy to share with our readers.

Billy in the Salt Box

Mr. Pitt's budget of 1805 was not allowed to pass without severe remarks, and a heavily increased duty on salt excited general dissatisfaction. People said that the grand contriver of taxes had visited every corner of the house above stairs, and that he had now descended into the kitchen; and the annexed caricature, by Gilray, which was published at this period, represents the premier alarming the poor cook by popping his head out of the salt-box, with the unexpected salutation—"How do you do, cookey?" The person thus apostrophised cries out in consternation, "Curse the fellow, how he has frightened me!—I think, on my heart, he is getting in everywhere!—who the deuce would have thought of finding him in the salt-box?"

Mr. Pitt's budget from 1805 faced harsh criticism, and the significantly raised salt tax caused widespread discontent. People joked that the master of taxes had searched every room upstairs and had now made his way into the kitchen. The accompanying caricature by Gilray, published at the time, shows the Prime Minister startling the poor cook by popping his head out of the salt box, greeting her with the unexpected line, "How do you do, cookey?" The cook responds in shock, "Curse the guy, he scared me!—I swear, he's getting into everything!—who on earth would think to find him in the salt box?"

DANGEROUS FEAT.

RISKY STUNT.

An extraordinary instance of the rash feats which men with cool heads and courageous hearts will sometimes perform, was witnessed at Nottingham on January 22, 1789.—The vane at the top of St. Peter's spire, which was placed there in 1735, and measured thirty-three inches in length, having become insecure, the parish officers agreed with Mr. Robert Wooton, of Kegworth, to take it down and reinstate it.

An incredible example of the daring actions that people with calm minds and brave hearts can sometimes take place was seen in Nottingham on January 22, 1789. The weather vane at the top of St. Peter's spire, which was installed in 1735 and measured thirty-three inches long, had become loose, so the parish officials hired Mr. Robert Wooton from Kegworth to remove it and put it back in place.

This venturous man, henceforth known as "the steeple climber," commenced his undertaking by placing a ladder against the steeple, and securing it to the wall with tenters: he then mounted that with another on his shoulder, which he fastened above it in like manner; and so on till he reached the top. To prevent himself falling, he was girded round with belts, which he connected with the ladders by means of [Pg 182] hooks. In this manner he replaced the vane and cock, and rebuilt four yards of the steeple.

This adventurous man, now known as "the steeple climber," started his task by leaning a ladder against the steeple and securing it to the wall with tenters. He then climbed that ladder with another one on his shoulder, which he attached above it in the same way, and continued this process until he reached the top. To keep from falling, he strapped himself with belts, which he connected to the ladders using [Pg 182] hooks. In this way, he replaced the weather vane and rooster and rebuilt four yards of the steeple.

The celerity with which the man placed the ladders was remarkable. He began to affix the first at eleven in the morning, and brought the vane down in triumph by two in the afternoon. The bells were then set a-ringing, the congregation of people became very great, and Wooton re-ascended the spire, to exhibit his daring. He extended himself on its summit, only thirteen inches in diameter, and spread out his arms and legs. He afterwards balanced himself on the uppermost stave of the top ladder, and for a quarter of an hour capered about in every imaginable posture, the admiring crowd beneath expecting momentarily to witness his descent in a manner much less agreeable than precipitate.

The speed at which the man set up the ladders was impressive. He started putting the first one up at eleven in the morning and successfully brought down the vane by two in the afternoon. The bells then rang out, the crowd gathered in large numbers, and Wooton climbed back up the spire to show off his bravery. He laid down on the tiny summit, just thirteen inches wide, and spread his arms and legs out. He then balanced on the top rung of the highest ladder and spent a good fifteen minutes moving around in every possible position, while the amazed crowd below anxiously expected to see him fall in a way that would be anything but pleasant.

Subsequently, when his undertaking was accomplished, to excite admiration and obtain money, he again balanced himself on the apex of the spire, beat a drum, and drank a bottle of ale, in the sight of thousands of people, on a market-day; but the reprobation of the man's temerity so far preponderated over public approval, as in a considerable degree to diminish his expected reward.

After he finished his task, to draw attention and make some money, he climbed back to the top of the spire, beat a drum, and drank a bottle of ale, all in front of thousands of people on market day. However, the public's disapproval of his boldness outweighed their approval, which significantly reduced the reward he expected.

POST-HASTE ONE HUNDRED YEARS AGO.

POST-HASTE 100 YEARS AGO.

Glasgow is now within one minute of London; in the last century it was scarcely within a fortnight of it. It is a positive fact that when the post arrived there a hundred years ago, the firing of a gun announced its coming in. The members of the clubs who heard it tumbled out of bed, and rushed down to the club-room, where a tankard of hot herb ale, or a beverage which was a mixture of rum and sugar, was ready for them before breakfast. How forcibly do these things bring before us the size of Glasgow at that time, and the habits of its citizens.

Glasgow is now just a minute away from London; a hundred years ago, it was hardly a fortnight away. It's a fact that when the post arrived back then, the firing of a gun announced its arrival. The club members who heard it jumped out of bed and rushed to the clubroom, where a tankard of hot herbal ale, or a drink that was a mix of rum and sugar, was waiting for them before breakfast. These details really highlight how much smaller Glasgow was at that time, as well as the habits of its citizens.

EXECUTION OF ADMIRAL BYNG.

ADMIRAL BYNG'S EXECUTION.

The horrid details of the execution of criminals are wholly unfitted for our pages, but Admiral Byng was not a criminal; his life was sacrificed to party spirit and party interests, and an account of his murder—for such it really was—is therefore highly interesting, as it enables us to see the dauntless manner in which a brave man can meet a dreadful fate, which he knew to be wholly undeserved. The execution took place on board the "St. George," man-of-war in Portsmouth harbour, on the 14th of March, 1757. The Admiral, accompanied by a clergyman who attended him during his confinement, and two gentlemen, his relations, walked out of the great cabin to the quarterdeck, where he suffered, on the larboard side, a few minutes before twelve o'clock. He was dressed in a light grey coat, white waistcoat, and white stockings, and a large white wig, and had in each hand a white handkerchief. He threw his hat on the deck, kneeled on a cushion, tied one handkerchief over his eyes, and dropped the other as a signal, on which a volley from six marines was fired, five of whose bullets went through him, and he was in an instant no more. The sixth went over his head. From his coming out of his cabin could not be two minutes till he fell motionless on his left side. He died with great resolution[Pg 183] and composure, not showing the least sign of timidity. The Ramillies, the ship the admiral had in the Mediterranean, was riding at her moorings in the harbour, and about half an hour before he suffered, she broke her mooring chain, and only held by her bridle, which is looked on as a wonderful incident by people who do not consider the high wind at that time.

The gruesome details of the execution of criminals aren't suitable for our pages, but Admiral Byng was not a criminal; his life was sacrificed to political agendas and party interests, and an account of his execution—because that's what it really was—is therefore very compelling, as it shows how a courageous man can face a terrible fate that he knew was completely undeserved. The execution took place on board the "St. George," a warship in Portsmouth harbor, on March 14, 1757. The Admiral, accompanied by a clergyman who had been with him during his confinement and two of his relatives, walked out of the great cabin to the quarterdeck, where he was executed on the left side, just before noon. He was dressed in a light gray coat, white waistcoat, and white stockings, and wore a large white wig, holding a white handkerchief in each hand. He tossed his hat onto the deck, knelt on a cushion, tied one handkerchief over his eyes, and dropped the other as a signal, which prompted six marines to fire a volley; five of the bullets hit him, and in an instant, he was gone. The sixth bullet went over his head. From the moment he left his cabin, it couldn't have been more than two minutes until he fell motionless on his left side. He died with great determination and calmness, showing no signs of fear at all. The Ramillies, the ship the admiral had commanded in the Mediterranean, was anchored in the harbor, and about half an hour before his execution, it broke its mooring chain and was only held by its bridle, which is seen as a remarkable event by those who don't take into account the strong wind at that time.

EXTRAORDINARY TREE.

AMAZING TREE.

Extraordinary Tree

The Samoan group of islands in the South Sea lies between the latitudes of 13° 30' and 14° 30' S, and the longitudes of 168° and 173° W. In some of these islands there is a most remarkable tree which well deserves a place in our roll of extraordinary productions. It is a species of banyan (Ficus religiosa), and is called by the natives Ohwa. Our sketch gives a good idea of some of these trees. The pendant branches of many of them take root in the ground to the number of thousands, forming stems from an inch to two feet in diameter, uniting in the main trunk more than eighty feet above the ground, and supporting a vast system of horizontal branches, spreading like an umbrella over the tops of the other trees.

The Samoan group of islands in the South Sea is located between the latitudes of 13° 30' and 14° 30' S, and the longitudes of 168° and 173° W. On some of these islands, there is a truly remarkable tree that definitely deserves a spot on our list of extraordinary natural wonders. It is a type of banyan (Ficus religiosa), known to the locals as Ohwa. Our drawing provides a good representation of some of these trees. The dangling branches of many of them take root in the ground, often numbering in the thousands, creating trunks that range from an inch to two feet in diameter. These trunks connect to the main trunk over eighty feet above the ground, supporting a vast network of horizontal branches that spread out like an umbrella over the tops of other trees.

THE PLAGUE IN ENGLAND.

THE PLAGUE IN ENGLAND.

The Register of Ramsay, in Huntingdonshire, mentions 400 people who died there of the plague, in or about February 1665, and that it was introduced into the place by a gentleman, who first caught the infection by wearing a coat, the cloth of which came from London: the tailor who made the coat, with all his family, died, as did no less than the number above mentioned.

The Register of Ramsay, in Huntingdonshire, notes that 400 people died there from the plague around February 1665, and that it was brought to the area by a gentleman who first contracted the infection from a coat made from cloth sourced in London: the tailor who made the coat, along with his entire family, also died, along with the aforementioned number of others.

But the ravages made by the plague in London, about 1665, are [Pg 184] well known: it was brought over from Holland, in some Levant goods, about the close of the year 1664: its progress was arrested, in a great degree, by a hard frost which set in in the winter; but as the spring of 1665 advanced, its virulence advanced. Infected houses were shut up and red crosses painted on the doors, with this inscription, "Lord have mercy upon us." Persons going to market took the meat off the hooks themselves, for their own security, and for the Butcher's, dropped their money into pans of vinegar; for it was supposed that even their provisions were tainted with the infection. In the months of August and September the greatest mortality occurred; for the deaths of one week have been estimated at 10,000! It may be supposed, that no great accuracy existed in the Registers, to afford a correct estimate; for, in the parish of Stepney, it is said they lost, within the year, 116 sextons, grave-diggers and their assistants; and, as the disorder advanced, the churchyards were incapable of holding more bodies, and large pits were therefore dug in several parts, to which the dead were brought by cartloads, collected by the ringing of a bell and the mournful cry of "Bring out your dead." Add to this, that these carts worked in the night, and no exact account was kept, as the clerks and sextons were averse to a duty exposing them to such dangerous consequences, and often carried off before such accounts as they had taken were delivered in. All the shops were shut up, grass grew in the most public streets, until about December 1665, when the plague abated, and the citizens who had left their abodes for the country, crowded back again to their residences. The computation is, that this horrible disease carried off 100,000 persons in London: it is singular, that the only parish quite exempt from infection was St. John the Evangelist, in Watling Street.

But the devastation caused by the plague in London around 1665 is [Pg 184] well known: it came over from Holland, in some goods from the Levant, towards the end of 1664. Its spread was largely halted by a harsh winter frost, but as spring 1665 arrived, it worsened. Infected homes were boarded up, and red crosses were painted on the doors, with the words, "Lord have mercy upon us." People going to market took the meat off the hooks themselves for their own safety and for the Butcher's, dropping their money into pans of vinegar because it was believed that even their food was infected. The highest death toll occurred in August and September, with estimates of up to 10,000 deaths in a single week! It's likely that the accuracy of the records was poor; in the parish of Stepney, it’s said they lost 116 sextons, grave-diggers, and their assistants that year. As the disease spread, graveyards couldn't hold any more bodies, so large pits were dug in several locations to accommodate the dead, who were transported by cartloads, summoned by the ringing of a bell and the sorrowful call of "Bring out your dead." Furthermore, these carts operated at night, and no precise record was kept, as the clerks and sextons were reluctant to take on such risky tasks, often abandoning their accounts before they could be submitted. All the shops were closed, and grass grew in the busiest streets, until about December 1665, when the plague began to decline, and the citizens who had fled to the countryside returned to their homes. The estimate is that this dreadful disease claimed the lives of 100,000 people in London. Interestingly, the only parish completely free from the infection was St. John the Evangelist on Watling Street.

LANDSLIP AT COLEBROOK, SHROPSHIRE.

Landslide in Colebrook, Shropshire.

A most remarkable circumstance happened there in the morning of the 27th of May, 1773, about four o'clock. Near 4,000 yards from the river Severn stood a house, where a family dwelt; the man got up about three o'clock, heard a rumbling noise, and felt the ground shake under him, on which he called up his family. They perceived the ground begin to move, but knew not which way to run; however, they providentially and wonderfully escaped, by taking an immediate flight, for just as they got to an adjacent wood, the ground they had left separated from that on which they stood. They first observed a small crack in the ground about four or five inches wide, and a field that was sown with oats to heave up and roll about like waves of water; the trees moved as if blown with wind, but the air was calm and serene; the Severn (in which at that time was a considerable flood) was agitated very much, and the current seemed to run upwards. They perceived a great crack run very quick up the ground from the river. Immediately about thirty acres of land, with the hedges and trees standing (except a few that were overturned), moved with great force and swiftness towards the Severn, attended with great and uncommon noise, compared to a large flock of sheep running swiftly. That part of the land next the river was a small wood, less than two acres, in which grew twenty large oaks; a few of them were [Pg 185] thrown down, and as many more were undermined and overturned; some left leaning, the rest upright, as if never disturbed. The wood was pushed with such velocity into the channel of the Severn (which at that time was remarkably deep), that it forced the waters up in columns a considerable height, like mighty fountains, and drove the bed of the river before it on the opposite shore, many feet above the surface of the water, where it lodged, as did one side of the wood; the current being instantly stopped, occasioned a great inundation above, and so sudden a fall below, that many fish were left on dry land, and several barges were heeled over, and when the stream came down were sunk, but none were damaged above. The river soon took its course over a large meadow that was opposite the small wood, and in three days wore a navigable channel through the meadow. A turnpike road was moved more than thirty yards from its former situation, and to all appearance rendered for ever impassable. A barn was carried about the same distance, and left as a heap of rubbish in a large chasm; the house received but little damage. A hedge that was joined to the garden was removed about fifty yards. A great part of the land was in confused heaps, full of cracks, from four inches to more than a yard wide. Several very long and deep chasms were formed in the upper part of the land, from about fourteen to upwards of thirty yards wide, in which were many pyramids of earth standing, with the green turf remaining on the tops of some of them. Hollows were raised into mounts, and mounts reduced into hollows. Less than a quarter of an hour completed this dreadful scene.

A truly remarkable event occurred there on the morning of May 27, 1773, around four o'clock. About 4,000 yards from the River Severn, there was a house where a family lived. The man woke up around three o'clock, heard a rumbling noise, and felt the ground shake beneath him, prompting him to wake his family. They noticed the ground starting to move but didn’t know where to run; fortunately, they quickly escaped by fleeing to a nearby forest, just as the ground they had left broke away from where they stood. They first spotted a small crack in the ground, about four or five inches wide, and saw a field of oats heave and roll like waves. The trees swayed as if blown by the wind, even though the air was calm and clear. The Severn, which was quite full at the time, was stirred up, and the current seemed to flow upstream. They noticed a large crack rapidly running up the ground from the river. Suddenly, about thirty acres of land, including the hedges and trees (except for a few that had fallen), moved swiftly towards the Severn with a loud and unusual noise, similar to a large herd of sheep running quickly. The part of the land closest to the river contained a small wood, less than two acres, with twenty large oaks; several were knocked down, and many more were uprooted, some leaning and others remaining upright, as if untouched. The wood was shoved rapidly into the channel of the Severn, which was notably deep at that time, forcing the water up into columns as high as mighty fountains and pushing the riverbed ahead of it on the opposite shore, several feet above the water's surface, where it settled, along with one side of the wood; the sudden halt of the current caused significant flooding upstream and a swift drop downstream, leaving many fish stranded on dry land and causing several barges to tip over and sink when the waters returned, but no damage occurred upstream. The river quickly redirected over a large meadow across from the small wood, carving a navigable channel through the meadow within three days. A toll road was shifted more than thirty yards from its original position, seemingly made impassable forever. A barn was carried about the same distance and left as rubble in a large pit; the house sustained little damage. A hedge connected to the garden was displaced about fifty yards. A substantial portion of the land was in disarray, with cracks ranging from four inches to more than a yard wide. Several long and deep chasms formed in the higher part of the land, measuring from around fourteen to over thirty yards wide, with piles of earth standing, patches of green grass remaining on some of them. Low areas became elevated, and high spots were flattened. In less than a quarter of an hour, this dreadful scene unfolded.

CURIOUS CUSTOM AT STRASBOURG.

UNIQUE CUSTOM IN STRASBOURG.

At Strasbourg they show a large French horn, whose history is as follows:—About 400 years ago, the Jews formed a conspiracy to betray the city, and with this identical horn they intended to give the enemy notice when to attack.

At Strasbourg, they display a large French horn, and its history is as follows: About 400 years ago, the Jews hatched a plan to betray the city, and with this very horn, they meant to signal the enemy when to launch their attack.

The plot, however, was discovered; many of the Jews were burnt alive, the rest were plundered of their money and effects, and banished the town; and this horn is sounded twice every night from the battlements of the steeple in gratitude for the deliverance.

The plot was found out; many of the Jews were burned alive, the others were robbed of their money and belongings, and expelled from the town; and this horn is sounded twice every night from the steeple as a way to express gratitude for the deliverance.

The Jews deny the fact of this story, except the murdering and pillaging their countrymen. They say the whole story is fabricated to furnish a pretext for these robberies and murders, and assert that the steeple of Strasbourg, as has been said of the Monument of London,—

The Jews deny this story, except for the part about killing and robbing their fellow countrymen. They claim the entire narrative is made up to create a reason for these thefts and murders, and they state that the steeple of Strasbourg, as has been said about the Monument of London,—

"Like a tall bully lifts the head and lies."

"Like a tall bully raises their head and lies."

DOWN AMONG THE DEAD MEN.

Down Among the Dead Men.

The following is an extraordinary instance of the recklessness of sailors when in the pursuit of what they call pleasure. In the year 1779, a Mr. Constable, of Woolwich, passing through the churchyard there at midnight, heard people singing jovially. At first he thought they were in the church, but the doors were locked, and it was all silent there:—on looking about he found some drunken sailors who had got into a large family vault, and were regaling with bread, cheese, tobacco, [Pg 186] and strong beer. They belonged to the Robust, man of war, and having resolved to spend a jolly night on shore, had kept it up in a neighbouring alehouse till the landlord turned them out, and then they came here to finish their evening. They had opened some of the coffins in their dare-devil drunkenness and crammed the mouth of one of the bodies with bread, and cheese, and beer. Constable, with much difficulty, prevailed on them to return to the ship. In their way one fell down in the mud, and was suffocated, as much from drunkenness as the real danger. The comrades took him on their shoulders, and carried him back to sleep in company with the honest gentlemen with whom he had passed the evening.

The following is an incredible example of the carelessness of sailors when chasing what they call fun. In 1779, a Mr. Constable from Woolwich was walking through the churchyard at midnight and heard people singing cheerfully. At first, he thought they were inside the church, but the doors were locked, and it was quiet in there:—after looking around, he discovered some drunk sailors who had snuck into a large family vault, enjoying bread, cheese, tobacco, [Pg 186] and strong beer. They were from the Robust, a man-of-war, and decided to have a wild night out, staying at a nearby pub until the landlord kicked them out, after which they came here to wrap up their night. In their reckless drunkenness, they had opened some of the coffins and stuffed one of the bodies' mouths with bread, cheese, and beer. Constable had a tough time convincing them to go back to the ship. On their way, one of them fell into the mud and suffocated, partly from being drunk and partly from the real danger. His friends picked him up and carried him back to join the honest gentlemen with whom he had spent the evening.

CHAIR BROUGHT OVER TO AMERICA IN THE MAYFLOWER BY THE PILGRIM FATHERS.

CHAIR BROUGHT OVER TO AMERICA IN THE MAYFLOWER BY THE PILGRIM FATHERS.

Chair Brought Over to America

How frequently do we obtain, from the ordinary articles of domestic life which they were accustomed to use, a correct idea of the habits and tastes of whole communities which have long since passed away. A striking instance of this is the chair, of which the above is a correct sketch. It belonged to John Carver, who was one of the band of single-hearted men who constituted the Pilgrim Fathers, and who after first setting out from Holland, eventually sailed from Plymouth in England, in August, 1620. They landed in Cape Cod Harbour, New England, on the 9th of November following. Carver, was one of the chief spirits of the band, and the chair which we have sketched was one of his best articles of furniture, which he took with him in the Mayflower. He was elected the first governor of the community, and died in the year following his election. How forcibly does it show the simplicity of taste, and the freedom from pomp and vanity which characterised the devoted and fearless men who left their native shores, and sought "freedom to worship God" in a land to them unknown, that they should have selected as their first governor, an individual, the best chair in whose house was the homely article which we have here depicted.

How often do we get a true sense of the habits and preferences of entire communities from the everyday items they used, even though those communities have long since disappeared? A great example of this is the chair illustrated above. It belonged to John Carver, one of the devoted individuals who made up the Pilgrim Fathers. After initially departing from Holland, they eventually set sail from Plymouth, England, in August 1620. They landed in Cape Cod Harbour, New England, on November 9th that same year. Carver was one of the key figures in the group, and the chair we’ve sketched was one of his finest pieces of furniture, which he took with him on the Mayflower. He was elected the first governor of the community and passed away the year after his election. This clearly reflects the simplicity of taste and the lack of ostentation that defined the dedicated and brave men who left their homeland to seek "freedom to worship God" in an unknown land—they chose as their first governor a man whose best chair was the modest piece we’ve shown here.

A HARMLESS ECCENTRIC.

A quirky but harmless person.

A Harmless Eccentric.

The annexed cut represents a singular character who was well known about the year 1790 in the southern part of the county of Cumberland. Her appearance is thus described by a correspondent of the Gentleman's [Pg 187] Magazine of that date:—"Though I have seen her at various times, and frequently conversed with her, for these 20 years, I have never been able to learn any particulars respecting her family, friends, or name. The country people know her by the appellation of Jenny Darney, from the manner, I presume, in which she used to mend her clothes. Her present garb is entirely of her own manufacture. She collects the small parcels of wool which lie about the fields in sheep farms, spins it on a rock and spindle of her own making; and as she cannot find any other method of making the yarn into cloth, she knits it on wooden needles, and by that means procures a warm comfortable dress. In the lifetime of the late Charles Lutwidge, Esq., of Holm Rook, she took possession of an old cottage, or rather cow-house, on his estate, in which she has ever since been suffered to continue. Her intellects seem at certain times greatly deranged, but her actions are harmless, and her language inoffensive. On that score she is caressed by all the villagers, who supply her with eatables, &c., for money she utterly refuses. She seems a person in her lucid intervals, of much shrewdness, and her understanding is[Pg 188] above the common level. This has also been improved by a tolerable education. Her appearance has been much the same for these 20 years, so that she must now be nearly 90 years of age; but of this, as well as her family and name, she is always silent. She seems to have chosen out the spot where she now lives, to pass the remainder of her days unknown to her friends, and in a great measure from a distaste of a wicked world, to 'prepare herself,' as she often in her quiet hours says, 'for a better.'"

The attached drawing shows a unique character who was well-known around 1790 in the southern part of Cumberland County. A writer for the Gentleman's [Pg 187] Magazine described her appearance: "Even though I've seen her numerous times and talked to her for the past 20 years, I've never been able to find out any details about her family, friends, or name. The locals call her Jenny Darney, probably because of the way she used to repair her clothes. Her current outfit is entirely made by her. She collects small bits of wool scattered in the fields of sheep farms, spins it on a rock and spindle she made herself, and since she can't figure out any other way to turn the yarn into cloth, she knits it with wooden needles, which allows her to create a warm and comfortable dress. During the lifetime of the late Charles Lutwidge, Esq., of Holm Rook, she moved into an old cottage, or rather a cow shed, on his property, where she has been allowed to stay ever since. At times, her mind seems quite disturbed, but her behavior is harmless, and her speech is kind. Because of this, the villagers look after her, providing her with food and other necessities, as she completely refuses money. At times of clarity, she shows considerable sharpness, and her understanding is [Pg 188] above average. This has also benefited from a decent education. Her appearance has remained mostly unchanged for the past 20 years, so she must be nearly 90 years old now; however, she always remains silent about this, as well as her family and name. She seems to have chosen this place to spend the rest of her days away from her friends and largely due to her dislike of a wicked world, to 'prepare herself,' as she often says in her quiet moments, 'for a better one.'"

THE RULING PASSION.

THE DRIVING FORCE.

A remarkable instance of the irresistible strength of the ruling passion was to be seen a few years ago in a Londoner, who had kept are retail spirit-shop, and retired into the adjoining county when he had made a fortune, to enjoy himself. This man used to amuse himself by having one puncheon filled with water, and measuring it off by pints into another. There was also another retired cit who used every day to angle in his round wash-hand-basin sized fish-pond for gold-fish. One fish he knew, because it had once lost its eye in being caught—and he used to say "Confound that fellow, this is the fifth, sixth, &c., time that I have caught him this season." It used to provoke him.

A striking example of the overpowering influence of one's true passion was seen a few years ago in a Londoner who owned a retail spirit shop. After making a fortune, he moved to the neighboring county to enjoy his life. This man entertained himself by filling one barrel with water and then pouring it out by pints into another. There was also another retired businessman who would fish every day in his round washbasin-sized pond for goldfish. He recognized one fish because it had lost an eye when he caught it before, and he would say, "Darn that fish, this is the fifth, sixth, etc., time I've caught him this season." It really annoyed him.

INTERESTING REPORT WRITTEN BY SIR CHRISTOPHER WREN.

INTERESTING REPORT BY SIR CHRISTOPHER WREN.

In the history of public buildings and monuments, it is always curious to note the original plans of those who designed them, and to mark the different proposals and suggestions which were taken into consideration. On this account our readers will no doubt be gratified by perusing the following Report of Sir Christopher Wren, on the ornament which it would, in his opinion, be most desirable to place on summit of the Monument, on Fish Street-hill. The Report was drawn up for the use of the Committee of City Lands:—

In the history of public buildings and monuments, it's always interesting to look at the original plans of their designers and see the various proposals and suggestions that were considered. For this reason, our readers will surely appreciate reading the following report by Sir Christopher Wren about the decoration he believed would be best suited for the top of the Monument on Fish Street Hill. The report was prepared for the Committee of City Lands:—

"In pursuance of an Order of the Comittee for City Landes, I doe heerwith offer the several designes which some monthes since I showed His Mtie. for his approbation; who was then pleased to thinke a large Ball of metall, gilt, would be most agreeable, in regard it would give an Ornament to the Town at a very great distance; not that His Mtie. disliked a statue; and if any proposall of this sort be more acceptable to the City, I shall most readily represent the same to His Mtie.

"In accordance with an Order from the Committee for City Lands, I hereby present the various designs that I showed His Majesty a few months ago for his approval. He seemed to prefer a large gilded metal ball, as it would serve as a notable ornament for the town visible from a great distance; it's not that His Majesty was against a statue, and if any proposal of this kind is more appealing to the City, I will gladly present it to His Majesty."

"I cannot but comend a large Statue, as carrying much dignitie with it, and that wch would be more valewable in the eyes of Forreiners and strangers. It hath been proposed to cast such a one in Brasse, of 12 foot high for £1,000. I hope (if it be allowed) wee may find those who will cast a figure for that mony of 15 foot high, wch will suit the greatnesse of the pillar, & is (as I take it) the largest at this day extant, and this would undoubtedly be the noblest finishing that can be found answerable to soe goodly a worke in all men's judgements.

"I can't help but admire a large statue, as it carries a lot of dignity with it and would be more valuable in the eyes of foreigners and strangers. It has been suggested to create one in bronze, 12 feet tall, for £1,000. I hope that, if it's approved, we can find someone to create a figure for that amount that is 15 feet tall, which will match the grandeur of the pillar and is, as far as I know, the largest currently in existence. This would undoubtedly be the most impressive finishing touch that could correspond to such a wonderful work in everyone's opinion."

"A Ball of Copper, 9 foot diameter, cast in severall peeces with the Flames and gilt, may well be don with the iron worke and fixing for 350lb., and this will be most acceptable of any thing inferior to a statue, by reason of the good appearance at distance, and because one may goe up into it, & upon occasion use it for fireworkes.

"A ball of copper, 9 feet in diameter, cast in several pieces with flames and gilding, can be completed with the ironwork and fittings for £350. This will be more appealing than anything short of a statue, due to its impressive appearance from a distance, and because people can climb inside it and, if needed, use it for fireworks."

"A Phœnix was at first thought of, & is the ornament in the wooden modell of the pilar wch I caused to be made before it was begun; but upon second thoughtes I rejected it, because it will be costly, not easily understood at that highth, and worse understood at a distance, and lastly dangerous, by reason of the sayle, the spread winges will carry in the winds.

"A phoenix was initially considered and is featured as the decoration in the wooden model of the pillar I had made before it was constructed; however, upon reconsideration, I decided against it because it would be expensive, not easily recognizable from that height, even harder to understand from a distance, and ultimately dangerous due to the sail—the spread wings would catch the wind."

"The Belcony must be made of substantial well forged worke, there being noe need at that distance of filed worke, and I suppose (for I cannot exactly guesse the weight) it may be well performed and fixed according to a good designe for fourscore & ten poundes, including painting, All wch is humbly submitted to your consideration.

"The balcony should be made of solid, well-forged materials, since there's no need for refined work at that distance. I estimate (though I can't precisely guess the weight) that it can be well made and installed according to a good design for eighty and ten pounds, including painting. All of this is respectfully submitted for your consideration."

"July 28, 1675.
"Chr. Wren."

July 28, 1675.
"Chr. Wren."

CHANGE OF SEX.

GENDER TRANSITION.

Connected with the plumage of birds is an extraordinary problem which has baffled all research, and towards the solution of which not the slightest approach has been made. Among certain of the gallinaceous birds, and it has been observed in no other family, the females occasionally assume the male plumage. Among pheasants in a wild state, the hen thus metamorphosed, assumes with the livery a disposition to war with her own race, but in confinement she is spurned and buffeted by the rest. From what took place in a hen pheasant in the possession of a lady, a friend of the late Sir Joseph Banks, it would seem probable that this change arises from some alteration in the temperament at a late period of the animal's life. This lady had paid particular attention to the breeding of pheasants. One of the hens, after having produced several broods, moulted, and the succeeding feathers were exactly those of a cock. This animal never afterwards laid an egg. The pea-hen, has sometimes been known to take the plumage of the cock bird. Lady Tynte had a favourite pea-hen, which at eight several times produced chicks. Having moulted when about eleven years old, the lady and her family were astonished by her displaying the feathers peculiar to the other sex, and appearing like a pied peacock. In this process the tail, which was like that of the cock, first appeared. In the following year she moulted again, and produced similar feathers. In third year she did the same, and then had also spurs resembling those of the cock. The bird never bred after this change of her plumage.

Connected to the feathers of birds is an incredible puzzle that has puzzled researchers, and no progress has been made toward solving it. Among certain gamebirds, and this has been noted in no other group, the females sometimes take on the male's plumage. In wild pheasants, the hen that undergoes this transformation tends to become aggressive toward her own kind, but in captivity, she is rejected and bullied by the others. A specific case involving a hen pheasant belonging to a friend of the late Sir Joseph Banks suggests that this change might result from some shift in the animal's temperament later in life. This woman was particularly focused on breeding pheasants. One of her hens, after raising several broods, molted and then grew feathers identical to those of a male. After this change, she never laid another egg. Similarly, female peafowl have been known to adopt the plumage of males. Lady Tynte had a beloved peahen that had produced chicks eight times. When she molted at around eleven years old, both the lady and her family were amazed to see her displaying feathers typical of the other sex, resembling a pied peacock. During this process, the tail, which looked like that of a male, appeared first. The following year, she molted again and grew similar feathers. In the third year, she did the same and developed spurs like those of a male. After this change in plumage, the bird never bred again.

TILBURY FORT.

TILBURY FORT.

The chief fame of Tilbury rests on the formation of the camp here, in the reign of Queen Elizabeth, to defend London against the Spanish invasion. Although it is unnecessary to recount the well-known circumstances which led to the formation of the Tilbury camp, it may not be out of place to give the famous speech of Queen Elizabeth on the occasion of her visit:—

The main reason Tilbury is known is because of the camp set up here during Queen Elizabeth's reign to protect London from the Spanish invasion. While it’s not necessary to go over the familiar events that led to the establishment of the Tilbury camp, it might be fitting to share Queen Elizabeth's famous speech from her visit:—

"My loving People,—We have been persuaded by some that are careful of our safety, to take heed how we trust ourselves to armed multitudes for fear of treachery; but assure you I do not desire to live to distrust my faithful and loving people. Let tyrants fear. I have always so behaved [Pg 190] myself that under God I have placed my chiefest strength and safeguard in the loyal hearts and goodwill of my subjects; and therefore I am come among you at this time, not as for my recreation or sport, but being resolved, in the midst and heat of the battle, to live or die amongst you all—to lay down for my God, and for my kingdom, and for my people, my honour and my blood even in the dust. I know that I have but the body of a weak and feeble woman, but I have the heart of a king, and a king of England too; and I think foul scorn that Parma or Spain, or any prince of Europe, should dare to invade the borders of my realms to which, rather than any dishonour shall grow by me, I will myself take up arms—I myself will be your general, judge, and rewarder of every one of your victories in the field."

"My dear people, —Some who care for my safety have advised me to be cautious about trusting myself to armed crowds out of fear of betrayal; but I want you to know that I don’t want to live with distrust for my loyal and loving people. Let tyrants be afraid. I have always conducted myself in a way that, with God’s help, I rely most heavily on the loyal hearts and goodwill of my subjects. That’s why I am here with you now, not for fun or games, but determined, in the heat of battle, to live or die alongside all of you—to sacrifice my honor and my life for my God, my kingdom, and my people. I know that I am just the body of a weak and fragile woman, but I possess the heart of a king, and a king of England at that; and I feel great disdain for Parma or Spain, or any prince in Europe that would dare to invade my lands. Instead of allowing any dishonor to come from me, I will take up arms myself—I will be your leader, judge, and rewarder of every one of your victories in the field."

The most full description of Elizabeth's reception at Tilbury is printed in a sort of doggrel poem, headed, "Elizabetha Triumphans, briefly, truly, and effectually set forth, declared, and handled by James Aske."

The most complete description of Elizabeth's reception at Tilbury is printed in a kind of rough poem, titled, "Elizabetha Triumphans, briefly, truly, and effectively set forth, declared, and handled by James Aske."

The poem mentions, that when about 20,000 well-appointed men had[Pg 191] arrived at Tilbury, orders were sent to the various shires to cause the troops in each to remain until further notice; and so great was the desire to meet the enemy, that one thousand men of Dorsetshire offered £500 to be allowed to march to the camp at Tilbury.

The poem states that when around 20,000 well-equipped men had[Pg 191] arrived at Tilbury, orders were issued to the different counties to keep their troops in place until further notice; and the eagerness to confront the enemy was so intense that one thousand men from Dorsetshire offered £500 to be allowed to march to the camp at Tilbury.

The alarm of the Spanish invasion was, however, not the last to threaten the Londoners, and direct attention to Tilbury.

The alarm of the Spanish invasion wasn’t the last threat to the people of London, drawing direct attention to Tilbury.

On the 8th of June, 1667, Ruyter, the Dutch admiral, sailed out of the Texel with fifty ships, and came to the mouth of the Thames, from whence he detached Vice-Admiral Van Ghent, with seventeen of his lightest ships and some fire-ships. Van Ghent in the same month sailed up the Medway, made himself master of the fort of Sheerness, and, after burning a magazine of stores to the value of £40,000, blew up the fortifications. This action alarmed the City of London; so that to prevent similar mischief, several ships were sunk, and a large chain put across the narrowest part of the Medway. But by means of an easterly wind and a strong tide, the Dutch ships broke through the chain, and sailed between the sunk vessels. They burnt three ships, and carried away with them the hull of the "Royal Charles," besides burning and damaging several others. After this they advanced as far as Upnor Castle, and burnt the "Royal Oak," the "Loyal London," and the "Great James." Fearing that the whole Dutch fleet would sail to London Bridge, the citizens caused thirteen ships to be sunk at Woolwich, and four at Blackwall, and platforms furnished with artillery to defend them were raised in several places. The consternation was very great, and the complaints were no less so. It was openly said the king, out of avarice, had kept the money so generously given to him to continue the war, and left his ships and subjects exposed to the insults of the enemy. After this exploit, Ruyter sailed to Portsmouth, with a design to burn the ships in that harbour; but finding them secured, he sailed to the west, and took some ships in Torbay. He then sailed eastward, beat the English force before Harwich, and chased a squadron of nineteen men-of-war, commanded by Sir Edward Spragg, who was obliged to retire into the Thames. In a word, he kept the coasts of England in a continual alarm all July, till he received news of the conclusion of peace.

On June 8, 1667, Admiral Ruyter of the Dutch Navy set sail from the Texel with fifty ships and arrived at the mouth of the Thames. From there, he sent Vice-Admiral Van Ghent with seventeen of his lighter ships and some fire ships. Later that month, Van Ghent sailed up the Medway, took control of the fort at Sheerness, and after burning down a supply depot worth £40,000, blew up the fortifications. This action caused panic in the City of London, prompting them to sink several ships and place a large chain across the narrowest part of the Medway to prevent similar attacks. However, due to an easterly wind and strong tide, the Dutch ships managed to break through the chain and sailed between the sunk vessels. They set fire to three ships and took the hull of the "Royal Charles," also burning and damaging several others. They then advanced to Upnor Castle and burned the "Royal Oak," "Loyal London," and "Great James." Fearing that the entire Dutch fleet would make its way to London Bridge, the citizens sunk thirteen ships at Woolwich and four at Blackwall, building platforms with artillery to defend these locations. There was widespread panic and numerous complaints. It was openly claimed that the king, out of greed, had kept the funds generously provided for continuing the war, leaving his ships and subjects vulnerable to enemy attacks. After this raid, Ruyter headed to Portsmouth intending to set fire to the ships in that harbor, but finding them secured, he sailed west and captured some ships in Torbay. He then moved eastward, defeated the English forces near Harwich, and pursued nineteen warships commanded by Sir Edward Spragg, who was forced to retreat into the Thames. In short, he kept the English coasts in a state of constant alarm throughout July until he learned that peace had been established.

WATER-GATE OF TILBURY FORT.

This daring attack was no doubt the cause of Tilbury Fort being made to assume its present form. It is now a regular fortification, and may be justly looked upon as the key to the City of London. The plan of the building was laid out by Sir Martin Beckman, chief engineer to Charles II., who also designed the works at Sheerness. The foundation is laid upon piles driven down, two on end of each other, till they were assured they were below the channel of the river, and that the piles, which were pointed with iron, entered into the solid chalk rock. On the land side, the works are complete; the bastions are faced with brick. There is a double ditch, or moat, the innermost of which is 180 feet broad, with a good counterscarp, and a covered way marked out with ravelins and tenailles. There are some small brick redoubts; the chief strength, however, of this part of the fort consists in being able to lay the whole level under water, and, by that means, make it impossible for an enemy to carry on approaches that way. On the river side is a very strong curtain, [Pg 192] with the picturesque water-gate shown in our engraving in the middle. Before this curtain is a platform, in the place of a counterscarp, on which are planted cannon of large size. These completely command the river, and would no doubt cripple the ships of an enemy attempting to pass in this direction. A few years ago there were placed on the platform 106 cannon, carrying from 24 to 46 pounds each, besides smaller ones planted between them. The bastions and curtains are also planted with guns.

This bold attack was definitely the reason Tilbury Fort was built into its current shape. It's now a proper fortification and can rightly be seen as the key to the City of London. The design of the building was created by Sir Martin Beckman, the chief engineer for Charles II., who also designed the structures at Sheerness. The foundation is set on piles driven down, one stacked on top of the other, until they confirmed they were below the river channel, and that the pointed iron piles reached solid chalk rock. On the land side, the construction is complete; the bastions are faced with brick. There’s a double ditch, or moat, the inner one being 180 feet wide, with a solid counterscarp, and a covered way marked out with ravelins and tenailles. There are a few small brick redoubts; however, the main strength of this part of the fort is its ability to flood the entire area, making it impossible for an enemy to approach that way. On the river side, there's a very strong curtain, [Pg 192] with the attractive water-gate shown in our engraving in the center. In front of this curtain is a platform, where a counterscarp would be, equipped with large cannons. These can fully control the river and would likely damage enemy ships trying to pass through here. A few years ago, there were 106 cannons placed on the platform, each carrying between 24 and 46 pounds, along with some smaller ones situated between them. The bastions and curtains are also armed with guns.

The circular tower shown in the engraving was in existence in the time of Queen Elizabeth, and was called the Block-house.

The round tower depicted in the engraving was around during Queen Elizabeth's reign and was known as the Block-house.

RINGING THE CHANGES.

Changing things up.

It is curious to note the number of changes which may be rung on different peals. The changes on seven bells are 5,040; on twelve 479,001,600, which it would take ninety-one years to ring at the rate of two strokes in a second. The changes on fourteen bells could not be rung through at the same rate in less than 16,575 years: and upon four-and-twenty, they would require more than 117,000 billions of years.

It’s interesting to see how many different combinations can be made with various bell arrangements. The combinations with seven bells are 5,040; with twelve, there are 479,001,600, which would take ninety-one years to ring at a speed of two strokes per second. The combinations with fourteen bells couldn’t be completed at that same speed in less than 16,575 years, and for twenty-four bells, it would take over 117,000 billion years.

DISGRACEFUL STATE OF THE LONDON POLICE IN 1724.

DISGRACEFUL STATE OF THE LONDON POLICE IN 1724.

That notorious burglar, Jack Sheppard, finished his disgraceful career at Tyburn in the year 1724, and we notice the event, not with the view of detailing the disgusting particulars of an execution, but because the outrages which were allowed to take place after the dreadful scene was over, exhibit in a striking light the miserable police regulations which existed at that period, and the manner in which the mob were allowed to have it nearly all their own way. The Sheriff's officers, aware of the person they had to contend with, thought it prudent to secure his hands on the morning of execution. This innovation produced the most violent resistance on Sheppard's part; and the operation was performed by force. They then proceeded to search him, and had reason to applaud their vigilance, for he had contrived to conceal a penknife in some part of his dress. The ceremony of his departure from our world passed without disorder; but, the instant the time expired for the suspension of the body, an undertaker, who had followed by his friends' desire with a hearse and attendants, would have conveyed it to St. Sepulchre's churchyard for interment; but the mob, conceiving that surgeons had employed this unfortunate man, proceeded to demolish the vehicle, and attack the sable dependants, who escaped with difficulty. They then seized the body, and, in the brutal manner common to those wretches, beat it from each to the other till it was covered with bruises and dirt, and till they reached Long-acre, where they deposited the miserable remains at a public-house called the Barley-mow. After it had rested there a few hours the populace entered into an enquiry why they had contributed their assistance in bringing Sheppard to Long-acre; when they discovered they were duped by a bailiff, who was actually employed by the surgeons; and that they had taken the corpse from a person really intending to bury it. The elucidation of their error exasperated them almost to phrensy, and a riot immediately commenced, which threatened the most serious consequences, The inhabitants [Pg 193] applied to the police, and several magistrates attending, they were immediately convinced the civil power was insufficient to resist the torrent of malice ready to burst forth in acts of violence. They therefore sent to the Prince of Wales and the Savoy, requesting detachments of the guards; who arriving, the ringleaders were secured, the body was given to a person, a friend of Sheppard, and the mob dispersed to attend it to the grave at St. Martin's in the fields, where it was deposited in an elm coffin, at ten o'clock the same night, under a guard of soldiers, and with the ceremonies of the church.

That infamous thief, Jack Sheppard, ended his disgraceful career at Tyburn in 1724. We mention this not to recount the gruesome details of an execution but because the chaos that followed highlights the terrible police regulations of that time and how the mob was allowed to largely do as they pleased. The Sheriff's officers, knowing who they were dealing with, thought it wise to secure his hands on the morning of the execution. This led to fierce resistance from Sheppard, and they had to use force to carry it out. They then searched him and, thankfully, found a penknife he had hidden in his clothing. His exit from this world went smoothly, but as soon as the time came for the body to be hung, an undertaker, following the wishes of Sheppard’s friends, arrived with a hearse and attendants to take it to St. Sepulchre's churchyard for burial. However, the mob, thinking that surgeons had used this unfortunate man, proceeded to destroy the carriage and attacked the attendants, who barely managed to escape. They then grabbed the body and, in the brutal manner typical of such thugs, passed it around violently until it was covered in bruises and dirt. They eventually took it to Long-acre, where they left the remains at a pub called the Barley-mow. After a few hours there, the crowd began to question why they had helped bring Sheppard to Long-acre. When they realized they had been tricked by a bailiff working for the surgeons and that they had taken the body from someone genuinely intending to bury it, their anger escalated to a frenzy, and a riot quickly broke out, threatening serious consequences. The locals called the police, and several magistrates arrived, quickly realizing that the civil power couldn’t contain the wave of malice that was about to turn violent. They sent for the Prince of Wales and the Savoy, asking for detachments of the guards. Once they arrived, the ringleaders were arrested, the body was handed over to a friend of Sheppard’s, and the mob dispersed to follow it to the grave at St. Martin's in the Fields, where it was laid to rest in an elm coffin at ten o'clock that same night, under the guard of soldiers and with church ceremonies.

A TRIUMPH OF ENERGY.

A Victory of Energy.

After the accession of Tippoo Saib to the throne of Mysore in 1782, the English made overtures for a termination of the war which had been commenced by his father; but flushed by the possession of a large army, a well-filled treasury, a passion for war, and an inordinate sense of his own importance, Tippoo refused all terms of pacification, and left the English no alternative but to battle against him as they could. Lord Macartney, who was at that time the Governor of Madras, on becoming acquainted with the determination of Tippoo, resolved to prosecute hostilities with the greatest vigour, and having placed Col. Fullerton at the head of his force, he provided him with an army, collected from various parts, of 16,000 good troops, and afforded that excellent officer all available assistance in carrying the war into Tippoo's territory. Fullerton laid his plans with considerable skill; he encouraged the natives to bring and sell provisions to him on his march, effectually checked devastation and plundering, scrupulously respected the religious opinions of the Hindus, consolidated and improved the mode of march, and availed himself of the subtle cunning and nimble feet of the natives to establish a remarkably complete courier-system, whereby he could receive and communicate intelligence with a rapidity never before attained by any European officer in India. He had to choose between two systems of strategy—either to march through the Mysore territory, and frustrate Tippoo in his siege of Mangalore; or boldly to attack Seringapatam, in order to compel Tippoo to leave Mangalore as a means of defending his own capital. The colonel decided on the adoption of the latter course, as promising more fruitful results. Being at Daraporam, 200 miles south of Seringapatam, Fullerton resolved to divert the route, and take a circuit nearer the western coast, where the capture of the strong fort of Palagatcherry would afford him a valuable intermediate depôt, commanding one of the chief roads from the Malabar to the Coromandel coasts. On the 18th of October he started. After capturing a few small forts, he ascended to high ground, where dense forests, deep ravines, and tortuous water courses embarrassed every yard of his progress: to fill up the ravines before he could drag his artillery over them, to throw trees across them where the depth was too great for filling up, to clear gaps through forests with the axe, to contend against tremendous rains—were only part of the difficulties he had to meet; but he met them like a skilful commander, reached Palagatcherry on the 5th of November, and captured the fort on the 15th, obtaining with it a welcome supply of money, grain, guns, [Pg 194] powder, shot, and military stores. When the difficulties which Colonel Fullerton had to encounter, and the triumphant manner in which he overcame them, are taken into consideration, it will be readily admitted, we think, that his enterprise is well deserving of being recorded as a striking example of what may be accomplished by a union of professional skill and invincible energy. Our engraving represents one of the devices which Colonel Fullerton employed for the purpose of enabling his forces to pass over a mountain torrent.

After Tippoo Saib took the throne of Mysore in 1782, the English sought to end the war his father had started. However, filled with confidence from his large army, a well-stocked treasury, a love for battle, and an inflated sense of his own importance, Tippoo rejected all peace proposals, leaving the English with no choice but to fight. At that time, Lord Macartney, the Governor of Madras, learned of Tippoo's resolve and decided to pursue military action with great determination. He appointed Col. Fullerton to lead his forces and provided him with an army of 16,000 skilled troops gathered from different regions, offering him all the support needed to bring the fight into Tippoo's territory. Fullerton crafted his plans with notable skill; he encouraged locals to sell food to his troops during their march, effectively curbed destruction and looting, respected the religious beliefs of the Hindus, enhanced the efficiency of their march, and utilized the cleverness and agility of the locals to create an exceptionally effective courier system, allowing him to receive and share intelligence faster than any European officer had ever done in India. He faced a choice between two strategies: march through Mysore territory to thwart Tippoo's siege of Mangalore, or boldly attack Seringapatam to force Tippoo to abandon Mangalore to defend his capital. The colonel opted for the latter, believing it would yield better results. While at Daraporam, 200 miles south of Seringapatam, Fullerton decided to change his route, taking a path closer to the western coast, where capturing the strong fort of Palagatcherry would give him a crucial base controlling one of the main roads from Malabar to Coromandel. He set off on October 18. After taking a few small forts, he ascended to elevated ground, where thick forests, deep ravines, and winding streams hindered his progress at every turn: filling in ravines to move his artillery, placing trees across gaps too deep for filling, carving paths through forests with axes, and battling heavy rains were just some of the challenges he faced. Yet, he tackled them like a skilled commander, reaching Palagatcherry on November 5 and capturing the fort on the 15th, securing a much-needed supply of money, grain, guns, powder, shot, and military supplies. Considering the difficulties that Colonel Fullerton encountered and the triumphant way he overcame them, it’s clear that his endeavor deserves recognition as a remarkable example of what can be achieved through a combination of professional skill and relentless energy. Our engraving shows one of the methods Colonel Fullerton used to help his troops cross a mountain stream.

Triumph of Energy

STORMING OF THE BASTILLE AT PARIS.

STORMING OF THE BASTILLE IN PARIS.

Storming of the Bastille

The great Revolution in France, at the close of the last century, was full of wonderful events, many of which might be appropriately recorded in our pages. One of the most striking among them was the storming and capture of the Bastille, a vast state-prison which was begun to be built in 1369 by Charles V., and finished by his successor in 1383. The [Pg 195] demolition of this fortress was the first triumph of the armed populace of Paris, and it rendered the progress of the revolution irresistible. As the day closed in on the evening of Monday, the 14th of July, 1789, a reckless multitude of rioters, after seizing 30,000 muskets and several pieces of artillery at the Hotel des Invalides, rushed in wild excitement to the Bastille, rendered hateful to the people by the political imprisonment of many hapless men in past times, although less frequently applied to similar purposes under the milder rule of Louis XVI. An armed mob of at least 100,000 men, aided by troops who joined them in whole regiments at a time, had not long to contend against the old fortress. The governor, De Launay, made such a defence as a brave officer might at such a juncture; but his few troops were bewildered and wavering; he received orders from the Hotel de Ville which he knew not whether to obey or resist, but no instructions from the court or the ministers; and the military aid to the mob became stronger than any force he could bring to bear against them. The chains of three drawbridges [Pg 196] were broken by hatchets; straw, wood, oil, and turpentine were brought and kindled, to burn down the gates; and after many volleys from the mob had been answered by a few from the fortress, De Launay, seeing no hope of succour, resolved to blow up the place rather than yield. In this he was prevented by the Swiss guards, who formed a part of the small garrison, and who, after a parley with the insurgents, opened the gates, and surrendered. The Bastille was taken. The ruffians, heeding nothing but their own furious passions, disregarded the honourable rules of capitulation; they beheaded De Launay in a clumsy and barbarous manner, and putting his head on a spike, carried it through the streets shouting, laughing, and singing; they were prevented only by an accidental interruption from burning alive a young lady whom they found in one of the court-yards; they hung or maltreated many of the Swiss and invalid soldiers; and they fearfully hacked the bodies of three or four officers in the endeavour to decapitate them. The prisoners within, only seven in number, were liberated, and treated with a drunken revel; while the Châtelet and other prisons became scenes of renewed disorders. The sketch which we give above, of the attack on the Bastille, is taken from a medallion by Andrieu.

The great Revolution in France, at the end of the last century, was filled with remarkable events, many of which could be rightfully noted in our pages. One of the most notable was the storming and capture of the Bastille, a massive state prison that began construction in 1369 under Charles V. and was completed by his successor in 1383. The [Pg 195] destruction of this fortress marked the first victory of the armed citizens of Paris, making the progress of the revolution unstoppable. As the day ended on Monday, July 14, 1789, an unruly crowd of rioters, after seizing 30,000 muskets and several pieces of artillery from the Hotel des Invalides, rushed in wild excitement to the Bastille, which was despised by the people due to the political imprisonment of many unfortunate men in the past, though it had been used less for such purposes under the gentler rule of Louis XVI. An armed mob of at least 100,000 men, helped by troops who joined them in entire regiments, didn’t have to fight long against the old fortress. The governor, De Launay, defended the fortress as best as a brave officer could at such a moment; however, his small number of troops were confused and hesitant. He received orders from the Hotel de Ville that he was unsure whether to follow or resist but no guidance from the court or the ministers, and the military support for the mob grew stronger than any force he could muster against them. The chains of three drawbridges [Pg 196] were cut with hatchets; straw, wood, oil, and turpentine were collected and set on fire to burn down the gates; and after many shots from the crowd had been met with a few from the fortress, De Launay, seeing no hope of rescue, resolved to blow up the place rather than surrender. He was stopped by the Swiss guards, who were part of the small garrison and, after negotiating with the insurgents, opened the gates and surrendered. The Bastille was taken. The rioters, driven only by their own rage, ignored the honorable terms of surrender; they brutally beheaded De Launay in a clumsy manner and displayed his head on a spike, parading it through the streets while shouting, laughing, and singing; they were only stopped from burning alive a young woman they found in one of the courtyards by an accidental interruption; they hanged or abused many of the Swiss and invalid soldiers; and they horrifyingly mutilated the bodies of three or four officers in their attempt to decapitate them. The seven prisoners inside were freed and celebrated with a drunken party, while the Châtelet and other prisons became scenes of fresh chaos. The outline provided above of the attack on the Bastille is taken from a medallion by Andrieu.

DURATION OF LIFE AMONG ARTISTS.

Lifespan of artists.

In Gould's Dictionary of Artists, published in 1839, the names, with the ages, of 1,122 persons are given; which furnish the following remarkable facts as to the longevity of this class of men. Died under 60 years old, 474; 60 years and under 70, 250; 70 years and under 80, 243; 80 years and under 90, 134; 90 years and under 100, 19; above 100, 1. The mean age at death of the whole number being 55 years; from which it would appear that the pursuit of the fine arts has a tranquilizing effect upon the spirits, and a tendency to moral refinement in the habits and manners of its professors extremely favourable to the prolongation of life.

In Gould's Dictionary of Artists, published in 1839, the names and ages of 1,122 individuals are listed, revealing some interesting facts about the longevity of this group. Died under 60 years old: 474; 60 years and under 70: 250; 70 years and under 80: 243; 80 years and under 90: 134; 90 years and under 100: 19; above 100: 1. The average age at death for the entire group is 55 years; this suggests that pursuing the fine arts has a calming effect on the spirit and promotes moral refinement in the habits and behaviors of those who practice it, which is very beneficial for extending life.

CHANGE IN THE VALUE OF LAND.

CHANGE IN THE VALUE OF LAND.

At Brighton, within the present century, a spot of ground was offered to a hair-dresser in fee, upon condition of shaving the possessor for life. The terms were declined, and the land soon became of immense value.

At Brighton, in this century, a piece of land was offered to a hairdresser for free, on the condition that he would shave the owner for life. The offer was turned down, and the land quickly became worth a lot of money.

UNACCOUNTABLE ANTIPATHIES.

Unjustified grudges.

The following are a few of the more striking manifestations of that unaccountable feeling of antipathy to certain objects, to which so many persons are subject, and with instances of which—in a modified form perhaps—most people are acquainted with:—

The following are a few of the more noticeable expressions of that inexplicable dislike towards certain things, to which many people are prone, and with examples of which—in a different form maybe—most people are familiar:—

Erasmus, though a native of Rotterdam, had such an aversion to fish, that the smell of it threw him into a fever.

Erasmus, although he was from Rotterdam, had such a strong dislike for fish that the smell of it made him feel ill.

Ambrose Paré mentions a gentleman, who never could see an eel without fainting.

Ambrose Paré mentions a guy who would faint every time he saw an eel.

There is an account of another gentleman, who would fall into convulsions at the sight of a carp.

There’s a story about another guy who would have seizures just from seeing a carp.

A lady, a native of France, always fainted on seeing boiled lobsters. Other persons from the same country experienced the same inconvenience [Pg 197] from the smell of roses, though they were particularly partial to the odour of jonquils or tuberoses.

A woman from France always passed out at the sight of boiled lobsters. Other people from the same country had the same problem with the smell of roses, even though they really loved the scent of jonquils or tuberoses. [Pg 197]

Joseph Scaliger and Peter Abono never could drink milk.

Joseph Scaliger and Peter Abono could never drink milk.

Cardan was particularly disgusted at the sight of eggs.

Cardan was especially repulsed by the sight of eggs.

Uladislaus, king of Poland, could not bear to see apples.

Uladislaus, king of Poland, couldn't stand the sight of apples.

If an apple was shown to Chesne, secretary to Francis I., he bled at the nose.

If an apple was shown to Chesne, secretary to Francis I., he would bleed from his nose.

A gentleman, in the court of the emperor Ferdinand, would bleed at the nose on hearing the mewing of a cat, however great the distance might be from him.

A gentleman in Emperor Ferdinand's court would bleed from his nose whenever he heard a cat meowing, no matter how far away it was.

Henry III. of France could never sit in a room with a cat.

Henry III of France could never be in a room with a cat.

The Duke of Schomberg had the same aversion.

The Duke of Schomberg felt the same way.

M. de Lancre gives an account of a very sensible man, who was so terrified at seeing a hedgehog, that for two years he imagined his bowels were gnawed by such an animal.

M. de Lancre shares the story of a very sensible man who was so scared when he saw a hedgehog that for two years he believed his insides were being gnawed by one.

The same author was intimate with a very brave officer, who was so terrified at the sight of a mouse, that he never dared to look at one unless he had his sword in his hand.

The same author was close with a very brave officer, who was so scared at the sight of a mouse that he never dared to look at one unless he had his sword in his hand.

M. Vangheim, a great huntsman in Hanover, would faint, or, if he had sufficient time, would run away at the sight of a roasted pig.

M. Vangheim, a skilled hunter in Hanover, would either faint or, if he had enough time, would flee at the sight of a roasted pig.

John Rol, a gentleman in Alcantara, would swoon on hearing the word lana, wool, pronounced, although his cloak was woollen.

John Rol, a gentleman in Alcantara, would faint at the sound of the word lana, wool, even though his cloak was made of wool.

The philosophical Boyle could not conquer a strong aversion to the sound of water running through a pipe.

The thoughtful Boyle couldn’t overcome a strong dislike for the sound of water flowing through a pipe.

La Mothe le Vayer could not endure the sound of musical instruments, though he experienced a lively pleasure whenever it thundered.

La Mothe le Vayer couldn't stand the sound of musical instruments, but he felt a deep pleasure whenever it thundered.

The author of the Turkish Spy tells us that he would rather encounter a lion in the deserts of Arabia, provided he had but a sword in his hand, than feel a spider crawling on him in the dark. He observes, that there is no reason to be given for these secret dislikes. He humorously attributes them to the doctrine of the transmigration of the soul; and as regarded himself, he supposed he had been a fly, before he came into his body, and that having been frequently persecuted with spiders, he still retained the dread of his old enemy.

The author of the Turkish Spy shares that he would prefer to face a lion in the Arabian deserts, as long as he had a sword, than to feel a spider crawling on him in the dark. He notes that there’s no explanation for these hidden dislikes. He jokingly connects them to the belief in the transmigration of the soul; he thinks he might have been a fly before coming into his current body, and because he often dealt with spiders, he still carries the fear of his old enemy.

LONDON RESORTS A HUNDRED YEARS AGO.

LONDON RESORTS A HUNDRED YEARS AGO.

In addition to the regular theatres, there were many places of amusement, such as the Vauxhall and Ranelagh Gardens, the site of the latter being now occupied by the houses that hem in Chelsea College; the Rotunda, famous for its music, its gardens, and its piece of water; Bell-size House and Gardens on the Hampstead Road, where tea, coffee, and other refreshments could be had, together with music, from seven in the morning,—with the advantage of having the road to London patrolled during the season by twelve "lusty fellows," and of being able to ride to Hampstead by coach for sixpence a-head; Perrot's inimitable grotto, which could be seen by calling for a pot of beer; Jenny's Whim, at the end of Chelsea Bridge, where "the royal diversion of duck-hunting" could be enjoyed, "together with a decanter of Dorchester" for sixpence; Cuper's Gardens, in Lambeth, nearly opposite Somerset House, through [Pg 198] which the Waterloo Road was ruthlessly driven; the Marble Hall, at Vauxhall, where an excellent breakfast was offered for one shilling; Sadler's Wells, celebrated both for its aquatic and its wire-dancing attractions; the Floating Coffee-House, on the river Thames, the Folly House at Blackwall, Marybone Gardens, the White Conduit House, and a multitude of others, to enumerate which would be tedious and unprofitable. On Sunday, we are told, the "snobocracy," amused themselves by thrusting their heads into the pillory at Georgia, by being sworn at Highgate, or rolling down Flamstead Hill in Greenwich Park. Some regaled their wives and families with buns at Chelsea and Paddington; others indulged in copious draughts of cyder at the Castle in the pleasant village of Islington; while the undomestic cit, in claret-coloured coat and white satin vest, sipped his beer and smoked his pipe at Mile End, or at the "Adam and Eve" in Pancras, or "Mother Red Cap's" at Camden.

In addition to the regular theaters, there were many places for fun, like Vauxhall and Ranelagh Gardens, the latter of which is now where the houses crowd around Chelsea College; the Rotunda, known for its music, gardens, and water; Bell-size House and Gardens on the Hampstead Road, where you could get tea, coffee, and other snacks along with music starting at seven in the morning—plus the perk of having the road to London patrolled during the season by twelve "strong guys," and you could ride to Hampstead by coach for sixpence each; Perrot's unique grotto, which you could see by ordering a pot of beer; Jenny's Whim at the end of Chelsea Bridge, where you could enjoy "the royal pastime of duck-hunting" along with a decanter of Dorchester for sixpence; Cuper's Gardens in Lambeth, almost directly across from Somerset House, through [Pg 198] which the Waterloo Road was brutally cut through; the Marble Hall at Vauxhall, where a great breakfast was available for one shilling; Sadler's Wells, famous for its water and wire-dancing performances; the Floating Coffee-House on the River Thames, the Folly House at Blackwall, Marybone Gardens, the White Conduit House, and many others, which would be tedious and pointless to list. On Sundays, we hear, the "snobocracy" entertained themselves by sticking their heads into the pillory at Georgia, being sworn in at Highgate, or rolling down Flamstead Hill in Greenwich Park. Some treated their wives and families to buns at Chelsea and Paddington; others enjoyed large servings of cider at the Castle in the charming village of Islington; while the carefree city guy, in a claret-colored coat and white satin vest, sipped his beer and smoked his pipe at Mile End, or at the "Adam and Eve" in Pancras, or "Mother Red Cap's" at Camden.

QUEEN ELIZABETH'S STATE COACH.

QUEEN ELIZABETH'S STATE COACH.

Queen Elizabeth's State Coach

The accompanying engraving is taken from a very old print representing the state procession of Queen Elizabeth on her way to open Parliament on 2nd April, 1571. This was the first occasion on which a state coach had ever been used by a Sovereign of England, and it was the only vehicle in the procession; the Lord Keeper, and the Lords Spiritual and Temporal, all attending on horseback. It was drawn by two palfreys, which were decked with trappings of crimson velvet; and, according to an old authority, the name of the driver was William Boonen, a Dutchman, who thus became the first state coachman.

The accompanying engraving is taken from a very old print showing the state procession of Queen Elizabeth as she headed to open Parliament on April 2, 1571. This was the first time a state coach was used by an English Sovereign, and it was the only vehicle in the procession; the Lord Keeper and the Lords Spiritual and Temporal all attended on horseback. It was pulled by two horses, which were adorned with crimson velvet decorations; and, according to an old source, the driver's name was William Boonen, a Dutchman, who thus became the first state coachman.

THE ORIGIN OF EATING GOOSE ON MICHAELMAS DAY.

THE ORIGIN OF EATING GOOSE ON MICHAELMAS DAY.

Queen Elizabeth, on her way to Tilbury Fort on the 29th of September, 1589, dined at the ancient seat of Sir Neville Umfreville, near that place; and as British Bess had much rather dine off a high-seasoned and substantial dish than a simple fricassee or ragout, the knight thought [Pg 199] proper to provide a brace of fine geese, to suit the palate of his royal guest. After the Queen had dined heartily, she asked for a half-pint bumper of Burgundy, and drank "Destruction to the Spanish Armada." She had but that moment returned the glass to the knight who had done the honours of the table, when the news came (as if the Queen had been possessed with the spirit of prophecy) that the Spanish fleet had been destroyed by a storm. She immediately took another bumper, in order to digest the goose and good news; and was so much pleased with the event, that she every year after, on that day, had the above excellent dish served up. The Court made it a custom, and the people the same, ever since.

Queen Elizabeth, on her way to Tilbury Fort on September 29, 1589, had dinner at the historic home of Sir Neville Umfreville, nearby. Since British Bess preferred a richly seasoned and hearty meal over a simple stew or ragout, the knight thought it appropriate to serve a pair of fine geese to please his royal guest. After the Queen enjoyed her meal, she requested a half-pint of Burgundy and toasted, "Destruction to the Spanish Armada." Just as she handed the glass back to the knight, who had hosted the table, news arrived (as if the Queen had some prophetic insight) that the Spanish fleet had been destroyed by a storm. She immediately raised another glass to celebrate both the goose and the good news; she was so delighted by the event that from then on, she had that great dish served every year on that day. The Court followed suit, and so did the people, ever since.

PRE-ADAMITE BONE CAVERNS.

PRE-ADAMITE BONE CAVES.

Pre-Adamite Bone Caverns

Among the wonders of the world, the bone caves of the pre-Adamite period deserve a prominent place. It is to this period that the extensive remains of Mammiferæ found in the strata of the Pampas of Buenos Ayres, and in the caverns which are scattered in such vast numbers over the continents of Europe and America, and even in Australia, are to be ascribed. We regret that we can find room for a description of only one of these caverns, but it is a most extensive one, and among the first which attracted attention. It is situated at Baylenreuth, in Franconia, and the engraving which we here give represents a section of it.

Among the wonders of the world, the bone caves from the pre-Adamite period deserve a prominent spot. This period is associated with the extensive remains of mammals found in the layers of the Pampas of Buenos Aires and in the numerous caverns scattered across Europe, America, and even Australia. We regret that we can only include a description of one of these caverns, but it is a very large one and one of the first to attract attention. It's located at Baylenreuth in Franconia, and the illustration we provide here shows a section of it.

The entrance of this cave, about seven feet in height, is placed on the face of a perpendicular rock, and leads to a series of chambers from fifteen to twenty feet in height, and several hundred feet in extent, in a deep chasm. The cavern is perfectly dark, and the icicles and pillars of stalactite reflected by the torches present a highly picturesque effect. The [Pg 200] floor is literally paved with bones and fossil teeth, and the pillars and corbels of stalactite also contain osseous remains. Cuvier showed that three-fourths of the remains in this and like caverns were those of bears, the remainder consisting of bones of hyenas, tigers, wolves, foxes, gluttons, weasels, and other Carnivora.

The entrance to this cave, about seven feet tall, is situated on a sheer rock face and leads into a series of chambers that are fifteen to twenty feet high and several hundred feet long, within a deep chasm. The cavern is completely dark, and the icicles and stalactite pillars illuminated by the torches create a striking visual. The [Pg 200] floor is literally covered with bones and fossilized teeth, and the stalactite pillars and corbels also contain skeletal remains. Cuvier demonstrated that three-quarters of the remains in this and similar caves belonged to bears, with the rest made up of bones from hyenas, tigers, wolves, foxes, wolverines, weasels, and other carnivorous animals.

HOW DISTANT AGES ARE CONNECTED BY INDIVIDUALS.

HOW DISTANT AGES ARE CONNECTED BY INDIVIDUALS.

Mr. Robert Chambers, in a curious and interesting chapter in the "Edinburgh Journal," entitled "Distant Ages connected by Individuals," states, in 1847, "There is living, in the vicinity of Aberdeen, a gentleman who can boast personal acquaintance with an individual who had seen and conversed with another who actually had been present at the battle of Flodden Field!" Marvellous as this may appear, it is not the less true. The gentleman to whom allusion is made was personally acquainted with the celebrated Peter Garden, of Auchterless, who died in 1775, at the reputed age of 131, although there is reason to believe that he was several years older. Peter, in his young days, was servant to Garden, of Troup, whom he accompanied on a journey through the north of England, where he saw and conversed with the famous Henry Jenkins, who died 1670, at the age of 169. Jenkins was born in 1501, and was of course twelve years old at the period of the battle of Flodden Field; and, on that memorable occasion, bore arrows to an English nobleman whom he served in the capacity of page. "When we think of such things," adds Mr. Chambers, "the ordinary laws of nature seem to have undergone some partial relaxation; and the dust of ancient times almost becomes living flesh before our eyes."

Mr. Robert Chambers, in a fascinating chapter of the "Edinburgh Journal," titled "Distant Ages connected by Individuals," states in 1847, "There is a gentleman living near Aberdeen who can proudly claim to know someone who met and talked to another person who was actually present at the battle of Flodden Field!" Amazing as this may sound, it's nonetheless true. The gentleman in question was personally acquainted with the famous Peter Garden of Auchterless, who died in 1775 at around 131 years old, though there’s reason to believe he was several years older. In his youth, Peter served Garden of Troup, whom he accompanied on a trip through northern England, where he met and spoke with the renowned Henry Jenkins, who died in 1670 at the age of 169. Jenkins was born in 1501, making him twelve years old at the time of the Flodden Field battle; during that historic event, he delivered arrows to an English nobleman he served as a page. “When we reflect on such things,” Mr. Chambers adds, “the usual laws of nature seem to have partially loosened; and the dust of ancient times almost transforms into living flesh before our eyes.”

THE EARTHQUAKE AT LISBON.

THE LISBON EARTHQUAKE.

On the 1st of November, 1755, a few minutes before 10 a.m. the inhabitants of Lisbon were alarmed by several violent vibrations of the ground which then rose and fell several times with such force that hundreds of houses came toppling into the streets, crushing thousands of people. At the same time the air grew pitchy dark from the clouds of dust that rose from the crumbling edifices. Many persons ran down to the river side, in the hope of escaping to the shipping; but the water suddenly rose some yards perpendicularly, and swept away everything before it. The quay, with nearly 200 human beings standing on it, all at once disappeared. Large ships, which were lying high and dry, floated off, and were dashed against each other or carried down the river. In every direction the surface of the water was overspread with boats, timber, casks, household furniture and corpses. The scene on dry land was yet more horrifying. Churches, government buildings, and private houses, were all involved in the same ruin. Many thousands of trembling fugitives had collected in the great square, when it was discovered that flames were spreading in every quarter. Taking advantage of the universal panic and confusion, a band of miscreants had fired the city. Nothing could be done to stay the progress of the flames, and for eight days they raged unchecked. Whatever the earthquake had spared fell a prey to this new calamity. "It is not to be expressed by human tongue," writes an eye-witness, [Pg 201] "how dreadful and how awful it was to enter the city after the fire was abated; and looking upwards, one was struck with horror in beholding dead bodies, by six or seven in a heap, crushed to death, half buried and half burnt; and if one went through the broad places or squares, nothing was to be met with but people bewailing their misfortunes, wringing their hands, and crying, 'The world is at an end.' If you go out of the city, you behold nothing but barracks, or tents made with canvass or ship's sails, where the poor inhabitants lye."

On November 1, 1755, just before 10 a.m., the people of Lisbon were startled by several violent tremors of the ground, which then shifted up and down repeatedly with such force that hundreds of buildings collapsed into the streets, crushing thousands of people. At the same time, the air turned pitch black from the clouds of dust rising from the fallen structures. Many people ran to the riverside, hoping to escape on the ships, but the water suddenly surged upward several feet and swept everything away. The quay, with nearly 200 people standing on it, vanished instantly. Large ships, which were stranded on land, floated away and crashed into each other or were carried down the river. Everywhere, the water was covered with boats, timber, barrels, furniture, and bodies. The scene on solid ground was even more horrifying. Churches, government buildings, and private homes were all caught in the same devastation. Many thousands of terrified survivors gathered in the large square when it became evident that flames were spreading in every direction. Seizing the chaos and panic, a group of criminals had set the city on fire. Nothing could stop the fire's progress, and for eight days it raged uncontrollably. Whatever the earthquake had left intact fell victim to this new disaster. "It cannot be expressed in human words," wrote an eyewitness, [Pg 201] "how dreadful and terrifying it was to enter the city after the fire had died down; and looking up, one was horrified to see dead bodies, piled six or seven high, crushed, half-buried, and half-burned; and if you walked through the broad areas or squares, all you encountered were people lamenting their misfortunes, wringing their hands, and crying, 'The world is ending.' If you leave the city, all you see are makeshift shelters or tents made from canvas or ship sails, where the poor residents lie."

Another eye-witness is still more graphic. "The terror of the people was beyond description: nobody wept,—it was beyond tears;—they ran hither and thither, delirious with horror and astonishment—beating their faces and breasts—crying 'Misericordia, the world's at an end;' mothers forgot their children, and ran about loaded with crucifixed images. Unfortunately, many ran to the churches for protection; but in vain was the sacrament exposed; in vain did the poor creatures embrace the altars; images, priests, and people, were buried in one common ruin. * * * The prospect of the city was deplorable. As you passed along the streets you saw shops of goods with the shopkeepers buried with them, some alive crying out from under the ruins, others half buried, others with broken limbs, in vain begging for help; they were passed by crowds without the least notice or sense of humanity. The people lay that night in the fields, which equalled, if possible, the horrors of the day; the city all in flames; and if you happened to forget yourself with sleep, you were awakened by the tremblings of the earth and the howlings of the people. Yet the moon shone, and the stars, with unusual brightness. Long wished-for day at last appeared, and the sun rose with great splendour on the desolated city. In the morning, some of the boldest, whose houses were not burnt, ventured home for clothes, the want of which they had severely felt in the night, and a blanket was now become of more value than a suit of silk."

Another eyewitness is even more vivid. "The terror of the people was indescribable: nobody cried—there were no tears; they ran around in a panic, overwhelmed with horror and shock—hitting their faces and chests—shouting 'Misericordia, the world is ending;' mothers forgot their children and ran about clutching crucifixed images. Unfortunately, many rushed to the churches for safety; but the sacrament on display was useless; the poor souls clung to the altars in vain; images, priests, and people were all buried in one massive destruction. * * * The outlook for the city was grim. As you walked through the streets, you saw shops filled with goods, and the shopkeepers buried beneath them; some were alive, crying out from under the rubble, others half-buried, others with broken limbs, pleading for help; they were ignored by crowds who had no sense of compassion. That night, the people slept in the fields, which were as horrific as the day; the city was ablaze; and if you happened to doze off, you were jolted awake by the trembling earth and the cries of the people. Yet the moon shone, and the stars were unusually bright. The long-awaited day finally arrived, and the sun rose gloriously over the ruined city. In the morning, some of the bravest, whose houses were still standing, dared to go home for clothes, which they had desperately missed during the night, and a blanket had become more valuable than a suit of silk."

STRANGE CURE FOR RHEUMATISM.

Weird remedy for rheumatism.

Bridget Behan, of Castle-waller, in the county of Wicklow, Ireland, retained the use of all her powers of body and mind to the close of her long life, 110 years, in 1807. About six years preceding her death she fell down stairs, and broke one of her thighs. Contrary to all expectation, she not only recovered from the effects of the accident, but actually, from thence, walked stronger on this leg, which, previously to the accident, had been a little failing, than she had done for many years before. Another remarkable circumstance relating to this fracture was, that she became perfectly cured of a chronic rheumatism of long standing, and from which on particular occasions she had suffered a good deal of affliction. A short while before her death she cut a new tooth.

Bridget Behan, from Castle-waller in County Wicklow, Ireland, kept all her physical and mental abilities sharp right up until the end of her long life at 110 years old in 1807. About six years before she passed away, she fell down the stairs and broke her thigh. Surprisingly, she not only recovered from the accident but started walking better on that leg, which had previously given her some trouble, than she had in many years. Another interesting thing about her injury was that she completely healed from a long-standing chronic rheumatism, which had caused her quite a bit of pain at times. A short time before she died, she grew a new tooth.

SILVER TEA SERVICE WHICH BELONGED TO WILLIAM PENN.

SILVER TEA SERVICE THAT BELONGED TO WILLIAM PENN.

Silver Tea Service

Articles of ordinary use, however small may be their intrinsic value, which have once been the property of men who have been good and great—how rare the conjunction!—are always invested with a peculiar interest. They often afford a clue to the tastes of those who once [Pg 202] possessed them. On this account we have great pleasure in laying before our readers a representation of the silver tea-service which belonged to the celebrated William Penn, the founder and legislator of Pennsylvania, whom Montesquieu denominates the modern Lycurgus. He was the son of Admiral Penn, was born at London in 1644, and was educated at Christchurch, Oxford. At college he imbibed the principles of Quakerism, and having endeavoured to disseminate them by preaching in public, he was thrice thrown into prison. It was during his first imprisonment that he wrote "No Cross, no Crown." In March, 1680-81, he obtained from Charles II. the grant of that territory which now bears the name of Pennsylvania. In 1682 he embarked for his new colony; and in the following year he founded Philadelphia. He returned to England in 1684, and died in July, 1718. He was a philosopher, a legislator, an author, the friend of man, and, above all, a pious Christian. In addition to the reasons above given, the sketch of the tea-service is an object of curiosity, as showing the state of silversmith's work in England, at the close of the seventeenth century, for articles of domestic use.

Everyday items, no matter how little their inherent worth, that once belonged to remarkable people—what a rare combination!—always hold a special interest. They often give us insight into the preferences of their previous owners. For this reason, we are excited to present to our readers an image of the silver tea set that belonged to the renowned William Penn, the founder and legislator of Pennsylvania, whom Montesquieu referred to as the modern Lycurgus. He was the son of Admiral Penn, born in London in 1644, and educated at Christchurch, Oxford. While at college, he adopted the principles of Quakerism, and after trying to spread these beliefs through public preaching, he was imprisoned three times. It was during his first imprisonment that he wrote "No Cross, no Crown." In March 1680-81, he received a land grant from Charles II for the territory now known as Pennsylvania. In 1682, he set sail for his new colony, and the following year, he established Philadelphia. He returned to England in 1684 and passed away in July 1718. He was a philosopher, a lawmaker, an author, an advocate for humanity, and above all, a devout Christian. Along with the reasons mentioned, the depiction of the tea set is intriguing as it reflects the level of silversmith craftsmanship in England at the end of the seventeenth century for household items.

CURIOUS FIGURES ON A SMALL SHRINE.

CURIOUS FIGURES ON A SMALL SHRINE.

Curious figures on a Small Shrine

The figures here given are copied from a curious little bronze, strongly gilt, which was engraved in the "Gentleman's Magazine" for 1833, accompanied with a description, by A. J. Kempe, Esq., the author of the letterpress [Pg 203] to "Stothard's Monumental Effigies," whose intimate knowledge in these matters enables him to well authenticate dates; and he considers this relic may safely be attributed to the early part of the twelfth century; it was discovered in the Temple Church, and had originally formed a portion of a pyx, or small shrine, in which the consecrated host was kept. Our engraving is more than half the size of the original, which represents the soldiers watching the body of Our Lord, who was, in mystical form, supposed to be enshrined in the pyx. They wear scull-caps of the Phrygian form, with the nasal like those in the Bayeux Tapestry; and the mailles or rings of the hauberk appear, as in the armour there, sewn down, perhaps, on a sort of gambeson, but not interlaced. They bear kite-shaped shields, raised to an obtuse angle in the centre, and having large projecting bosses: the third of these figures is represented beside the cut in profile, which will enable the reader more clearly to detect its peculiarities. On two of these shields are some approaches to armorial bearings; the first is marked with four narrow bendlets; the second is fretted, the frets being repeated in front of his helmet, or chapelle de fer: all the helmets have the nasal. A long tunic, bordered, and in one instance ornamented with cross-lines, or chequered, appears beneath the tunic. The sword is very broad, and the spear carried by the first figure, obtuse in the head,—a mark of its antiquity. The shoes are admirable illustrations of that passage of Geoffry of Malmesbury, where, representing the luxury of costume in which the English indulged at the time when Henry I. began his reign, he says: "Then was there flowing hair, and extravagant dress; and then was invented the fashion of shoes with curved points: then the model for young men was to rival women in delicacy of person, to mimic their gait, to walk with loose gesture, half-naked." The curvature of the points of the shoes in the little relic before us, in conformity with the custom censured by Malmesbury, is quite remarkable. One turns up, another down; one to the left, another to the right; and scarcely any two in the same direction.

The figures shown here are taken from an interesting little bronze, heavily gilded, which was featured in the "Gentleman's Magazine" for 1833, with a description by A. J. Kempe, Esq., the author of the text for "Stothard's Monumental Effigies." His deep understanding in these subjects allows him to accurately verify dates, and he believes this artifact can be safely dated to the early part of the twelfth century. It was found in the Temple Church and was originally part of a pyx, or small shrine, where the consecrated host was kept. Our engraving is more than half the size of the original, showing the soldiers watching over the body of Our Lord, who was believed to be mystically enshrined in the pyx. They wear Phrygian-style skullcaps with a nasal piece similar to those in the Bayeux Tapestry, and the rings of the hauberk appear sewn onto what might be a type of gambeson, rather than interlaced. They hold kite-shaped shields, tilted at an obtuse angle in the center, equipped with large protruding bosses. The third figure is shown next to the profile cut, which will help the reader better understand its unique features. Two of these shields display some semblances of armorial bearings; the first has four narrow diagonal stripes, while the second is patterned with frets, which are also repeated in front of his helmet, or chapelle de fer: all helmets feature a nasal piece. A long tunic, trimmed, and in one case decorated with cross-lines or a checkered pattern, can be seen beneath the tunic. The sword is wide, and the spear held by the first figure has a blunt tip, a sign of its age. The shoes are excellent examples of a passage from Geoffrey of Malmesbury, where he describes the fashion trends of the English during Henry I's reign, saying: "At that time, there was long hair, and extravagant clothing; and that’s when the fashion for shoes with curled tips was invented: young men aimed to rival women in their delicate appearance, to imitate their walk, to stroll with a relaxed demeanor, half-naked." The curled points of the shoes in this artifact, reflecting the style criticized by Malmesbury, are quite striking. One shoe curls up, another down; one turns left, another right; and hardly any two point in the same direction.

THE QUEEN'S SHARKS.

THE QUEEN'S SHARKS.

The harbour of Trincomalee swarms with gigantic sharks, and strange to relate, they are all under British protection; and if any one is found molesting or injuring them, the fine is £10, or an imprisonment! [Pg 204] How this ridiculous custom originated, it is hard to say; but we are told, that in the early days of British conquest in the East, sailors were apt to desert, and seek refuge in the then inaccessible wilds of the interior; and of later years, when civilisation has unbarred the gates of Cingalese commerce to all nations of the world, the soldiers of the regiment stationed at Trincomalee, discontented with their lot in life, were wont to escape from the thraldom of the service, by swimming off to American and other foreign vessels, preferring chance, under a strange flag, to a hard certainty under their own. Thus the Queen's sharks are duly protected as a sort of water-police for the prevention of desertion both from the army and navy.

The harbor of Trincomalee is filled with huge sharks, and strangely enough, they are all under British protection; if anyone is caught bothering or harming them, the fine is £10 or imprisonment! [Pg 204] It's hard to say how this absurd practice started, but we’ve been told that in the early days of British rule in the East, sailors were known to desert and seek refuge in the then-inaccessible wilderness of the interior. In more recent years, after commerce with Cingalese had opened up to the world, soldiers stationed at Trincomalee, unhappy with their situation, began to escape the constraints of military life by swimming over to American and other foreign ships, preferring the uncertainty under a foreign flag to the harsh reality of their own. Thus, the Queen's sharks are effectively protected as a form of water patrol to prevent desertion from both the army and navy.

OLD VERSES ON QUEEN ELIZABETH.

Old Poems About Queen Elizabeth.

The following quaint and curious verses are taken from a very old volume, entitled A Crowne Garland of Goulden Roses, Gathered out of England's Royall Garden, &c., &c. By Richard Johnson.

The following charming and interesting verses are taken from a very old book, titled A Crowne Garland of Goulden Roses, Gathered out of England's Royall Garden, & c., & c. By Richard Johnson.

A SHORT AND SWEET SONNET MADE BY ONE OF THE MAIDES OF HONOR UPON THE DEATHE OF QUEENE ELIZABETH, WHICH SHE SOWED UPON A SAMPLER IN RED SILKE.

A SHORT AND SWEET SONNET MADE BY ONE OF THE MAIDS OF HONOR UPON THE DEATH OF QUEEN ELIZABETH, WHICH SHE STITCHED ON A SAMPLER IN RED SILK.

To a new tune, or "Phillida flouts me."

To a new tune, or "Phillida is teasing me."

Gone is Elizabeth,
Whom we have lov'd so deare;
She our kind mistres was
Full foure and forty yeare.
England she govern'd well,
Not to be blamed;
Flanders she govern'd well
And Ireland tamed.
France she befrended,
Spaine she hath foiled,
Papists rejected,
And the Pope spoyled.
To princes powerfull,
To the world vertuous,
To her foes mercifull,
To her subjects gracious.
Her soule is in heaven,
The world keeps her glory,
Subjects her good deeds,
And so ends my story.

RANELAGH.

Ranelagh.

Ranelagh, of which no traces now remain, was situated on part of Chelsea Hospital garden, between Church Row and the river, to the east of the Hospital. It takes its name from a house erected in 1691, by Viscount Ranelagh. This house, in which the Viscount had resided from the period of its being built, was sold in 1733 to an eminent builder named Timbrell for £3,200, who advertised it for sale in the following year, as a freehold with garden, kitchen garden, and offices, and a smaller house and garden with fruit trees, coach-houses, &c., &c. These were the first vicissitudes of Ranelagh, preparatory to its conversion into a place of public amusement.

Ranelagh, of which no traces now remain, was located on part of the Chelsea Hospital garden, between Church Row and the river, to the east of the Hospital. It gets its name from a house built in 1691 by Viscount Ranelagh. This house, where the Viscount lived from the time it was constructed, was sold in 1733 to a prominent builder named Timbrell for £3,200, who put it up for sale the next year as a freehold with a garden, a kitchen garden, and facilities, along with a smaller house and garden featuring fruit trees, coach houses, etc. These were the first ups and downs of Ranelagh, setting the stage for its transformation into a public entertainment venue.

Walpole, in one of his entertaining letters to Mann, April 22nd, 1742, thus speaks of the gardens, which were then unfinished:—

Walpole, in one of his amusing letters to Mann, April 22nd, 1742, writes about the gardens, which were still not complete:—

"I have been breakfasting this morning at Ranelagh Garden; they have built an immense ampitheatre, with balconies full of little alehouses; it is in rivalry to Vauxhall, and cost above twelve thousand pounds. The building is not finished, but they got great sums by people going to see it and breakfasting in the house: there were yesterday [Pg 205] no less than three hundred and eighty persons, at eighteen-pence a piece." Again, under the date May 26th, 1742, he writes to his friend as follows:—

"I had breakfast this morning at Ranelagh Garden; they’ve built a huge amphitheater with balconies filled with little pubs; it's competing with Vauxhall and cost over twelve thousand pounds. The building isn’t finished yet, but they made a lot of money from people coming to see it and having breakfast there: yesterday, there were no less than three hundred and eighty people, each paying eighteen pence." Again, under the date May 26th, 1742, he writes to his friend as follows:—

"Two nights ago, Ranelagh Gardens were opened at Chelsea; the prince, princess, duke, much nobility, and much mob besides were there. There is a vast ampitheatre, finely gilt, painted, and illuminated; into which everybody that loves eating, drinking, staring, or crowding, is admitted for twelve pence. The building and disposition of the gardens cost sixteen thousand pounds. Twice a week there are to be ridottos at guinea tickets, for which you are to have a supper and music. I was there last night, but did not find the joy of it. Vauxhall is a little better, for the garden is pleasanter, and one goes by water."

"Two nights ago, Ranelagh Gardens opened in Chelsea; the prince, princess, duke, a lot of nobility, and a big crowd were all there. There's a huge amphitheater, beautifully gilded, painted, and lit up; anyone who enjoys eating, drinking, watching, or mingling can get in for twelve pence. The construction and layout of the gardens cost sixteen thousand pounds. There will be ridottos twice a week with tickets selling for a guinea, which includes supper and music. I was there last night but didn't find it enjoyable. Vauxhall is a bit better because the garden is nicer, and you can get there by boat."

"The only defect in the elegance and beauty of the ampitheatre at Ranelagh," says the London Chronicle for August, 1763, "is an improper and inconvenient orchestra, which, breaking into the area of that superb room about twenty feet farther than it ought to do, destroys the symmetry of the whole, and diffuses the sound of music with such irregular rapidity, that the harmonious articulations escape the nicest ear when placed in the most commodious attitude; it also hurts the eye upon your first entry.

"The only flaw in the elegance and beauty of the amphitheater at Ranelagh," says the London Chronicle for August 1763, "is a poorly placed orchestra, which intrudes into the main area of that stunning room about twenty feet more than it should, ruining the symmetry of the whole space and scattering the music's sound so unevenly that even the most discerning ear misses the harmonious notes when positioned most comfortably; it also strikes the eye unpleasantly upon your first entry."

"To remedy these defects, a plan has been drawn by Messrs. Wale and Gwin, for adding a new orchestra, which being furnished with a well-proportioned curvature over it, will contract into narrower bounds the modulations of the voice, and render every note more distinctly audible. It will, by its form, operate upon the musical sounds, in the same manner as concave glasses affect the rays of light, by collecting them into a focus. The front of this orchestra being planned so as to range parallel to the balustrade, the whole area also will be disencumbered of every obstruction that might incommode the audience in their circular walk. There is likewise provision made in this plan for a stage capable of containing 30 or 40 performers, to officiate as chorus-singers, or otherwise assist in giving additional solemnity on any extraordinary occasion."

"To fix these issues, Messrs. Wale and Gwin have designed a new orchestra that will have a nicely curved shape, which will help focus the voice, making every note clearer. Its design will affect the musical sounds like concave lenses affect light rays, bringing them into focus. The front of the orchestra is designed to align parallel to the railing, ensuring the entire area is free of any obstacles that might disrupt the audience's movement. The plan also includes a stage that can accommodate 30 to 40 performers, who can act as chorus singers or help add more significance during special occasions."

"At Ranelagh House, on the 12th of May, 1767," says the Gentleman's Magazine, "were performed (in the new orchestra) the much admired catches and glees, selected from the curious collection of the Catch Club; being the first of the kind publickly exhibited in this or any other kingdom. The entertainments consisted of the favourite catches and glees, composed by the most eminent masters of the last and present age, by a considerable number of the best vocal and instrumental performers. The choral and instrumental parts were added, to give the the catches and glees their proper effect in so large an amphitheatre; being composed for that purpose by Dr. Arne."

"At Ranelagh House, on May 12, 1767," says the Gentleman's Magazine, "the much-loved catches and glees were performed (in the new orchestra), chosen from the unique collection of the Catch Club; this was the first time such a performance was publicly shown in this or any other kingdom. The entertainment included popular catches and glees created by the most prominent composers of both the past and present, performed by a significant number of the best vocal and instrumental artists. The choral and instrumental sections were added to enhance the impact of the catches and glees in such a large venue, composed for that purpose by Dr. Arne."

The Rotunda, or amphitheatre, was 185 feet in diameter, with an orchestra in the centre, and tiers of boxes all round. The chief amusement was promenading (as it was called) round and round the circular area below, and taking refreshments in the boxes while the orchestra and vocalists executed different pieces of music. It was a kind of 'Vauxhall under cover,' warmed with coal fires. The rotunda is said to have been [Pg 206] projected by Lacy, the patentee of Drury Lane Theatre. "The coup d'œil," Dr. Johnson declared, "was the finest thing he had ever seen."

The Rotunda, or amphitheater, was 185 feet in diameter, featuring an orchestra in the center and rows of boxes all around. The main entertainment was walking around the circular area below and enjoying snacks in the boxes while the orchestra and singers performed various pieces of music. It was like a covered version of Vauxhall, heated by coal fires. The rotunda is said to have been [Pg 206] designed by Lacy, the patent holder of Drury Lane Theatre. "The coup d'œil," Dr. Johnson declared, "was the finest thing he had ever seen."

The last great event in the history of Ranelagh was the installation ball of the knights of the Bath, in 1802, shortly after which the place was pulled down.

The final major event in Ranelagh's history was the installation ball of the knights of the Bath in 1802, shortly after which the venue was demolished.

THE FIRST EAST INDIA HOUSE.

The First East India Company.

First East India House

The tradition is, that the East India Company, incorporated December 31st, 1600, first transacted their business in the great room of the Nag's Head Inn, opposite St. Botolph's Church, Bishopsgate Street. The maps of London, soon after the Great Fire of 1666, place the India House on a part of its present site in Leadenhall Street. Here originally stood the mansion of Alderman Kerton, built in the reign of Edward VI., rebuilt on the accession of Elizabeth, and enlarged by its next purchaser, Sir W. Craven, Lord Mayor in 1610. Here was born the great Lord Craven, who, in 1701, leased his house and a tenement in Lime Street [Pg 207] to the Company at £100 a year. A scarce Dutch etching, in the British Museum, of which the annexed engraving is a correct copy, shows this house to have been half timbered, its lofty gable surmounted with two dolphins and a figure of a mariner, or, as some say, of the first governor; beneath are mecrhant ships at sea, the royal arms, and those of the Company. This grotesque structure was taken down in 1726, and upon its site was erected the old East India House, portions of which yet remain; although the present stone front, 200 feet long, and a great part of the house, were built in 1798 and 1799, and subsequently enlarged by Cockerell, R.A., and Wilkins, R.A.

The tradition is that the East India Company, incorporated on December 31, 1600, first conducted its business in the large room of the Nag's Head Inn, across from St. Botolph's Church on Bishopsgate Street. Maps of London, shortly after the Great Fire of 1666, show the India House located on part of its current site on Leadenhall Street. Originally, the mansion of Alderman Kerton stood here, built during the reign of Edward VI, then rebuilt when Elizabeth I came to the throne, and later expanded by its next owner, Sir W. Craven, who was Lord Mayor in 1610. The notable Lord Craven was born here, and in 1701, he leased his house and a tenement on Lime Street [Pg 207] to the Company for £100 a year. A rare Dutch etching in the British Museum, which the accompanying engraving accurately reproduces, shows this building as half-timbered, with its tall gable topped by two dolphins and a figure of a mariner, or, as some say, the first governor; below are merchant ships at sea, along with the royal arms and those of the Company. This unusual structure was demolished in 1726, and the old East India House was built on its site, parts of which still exist today; though the current stone front, measuring 200 feet long, along with much of the house, was constructed in 1798 and 1799 and later expanded by Cockerell, R.A., and Wilkins, R.A.

ADVERTISEMENTS IN THE LAST CENTURY.

ADVERTISING IN THE LAST CENTURY.

The following strange advertisements have been culled at random from magazines and newspapers circa 1750. They give us a good idea of the manners and tastes of that period:—

The following unusual ads have been taken randomly from magazines and newspapers circa 1750. They provide a clear insight into the customs and preferences of that time:—

"Whereas a tall young Gentleman above the common size, dress'd in a yellow-grounded flowered velvet (supposed to be a Foreigner), with a Solitair round his neck and a glass in his hand, was narrowly observed and much approved of by a certain young lady at the last Ridotto. This is to acquaint the said young Gentleman, if his heart is entirely disengaged, that if he will apply to A. B. at Garaway's Coffee House in Exchange Alley, he may be directed to have an interview with the said young lady, which may prove greatly to his advantage. Strict secresy on the Gentleman's side will be depended on."

"At the last Ridotto, a tall young man, dressed in a yellow floral velvet outfit (thought to be a foreigner), caught the eye of a certain young lady. He had a solitaire necklace around his neck and a glass in his hand, and she quite liked him. This is to inform the young man, if he is completely free in heart, that if he approaches A. B. at Garaway’s Coffee House on Exchange Alley, he can be arranged to meet this young lady, which could be very beneficial for him. It will be expected that the gentleman keeps this matter strictly confidential."

"A Lady who had on a Pink-coloured Capuchin, edged with Ermine, a black Patch near her right eye, sat in a front seat in the next Side Box but one to the Stage on Wednesday night at Drury Lane Playhouse; if that Lady is single and willing to treat on terms of honour and generosity of a married state, it would be deemed a favour to receive a line directed to C. D., at Clifford's Inn Old Coffee House, how she may be address'd, being a serious affair."

"A lady wearing a pink capuchin trimmed with ermine, with a black patch near her right eye, sat in the front seat of the side box just next to the stage on Wednesday night at Drury Lane Playhouse. If that lady is single and open to discussing an honorable and generous relationship like marriage, it would be appreciated if she could send a note addressed to C. D. at Clifford's Inn Old Coffee House, indicating how she can be reached, as this is a serious matter."

"To be seen this week, in a large commodious room at the George Inn, in Fenchurch-street, near Aldgate, the Porcupine Man and his Son, which has given such great satisfaction to all that ever saw them: their solid quills being not to be numbered nor credited till seen; but give universal satisfaction to all that ever saw them; the youth being allowed by all to be of a beautiful and fine complexion, and great numbers resort daily to see them."

"Available this week in a spacious room at the George Inn, located on Fenchurch Street near Aldgate, are the Porcupine Man and his Son, who have impressed everyone who has come to see them. Their solid quills are countless and unbelievable until witnessed in person, providing satisfaction to all viewers. The young man is universally recognized for his beautiful complexion, and many people visit daily to see them."

"A Bullfinch, that pipes 'Britons rouse up your great magnanimity,' at command, also talks, is to be sold at the Cane Shop facing New Broad street, Moorfields; likewise to be sold, two Starlings that whistle and talk extremely plain.

"A bullfinch that sings 'Britons, awaken your great generosity' on command, and also talks, is for sale at the cane shop across from New Broad Street, Moorfields; along with that, two starlings that whistle and talk very clearly are also for sale."

"Great variety of fine long Walking Canes."

"Wide selection of high-quality long walking canes."

THEODORA DE VERDION.

THEODORA DE VERDION.

This singular woman was born in 1744, at Leipsic, in Germany, and died at her lodgings, in Upper Charles-street, Hatton Garden, London, 1802. She was the only daughter of an architect of the name of Grahn, who erected several edifices in the city of Berlin, particularly the Church [Pg 208] of St. Peter's. She wrote an excellent hand, and had learned the mathematics, the French, Italian, and English languages, and possessed a complete knowledge of her native tongue. Upon her arrival in England she commenced teaching of the German language, under the name of Dr. John de Verdion.

This remarkable woman was born in 1744 in Leipzig, Germany, and passed away in her lodgings on Upper Charles Street, Hatton Garden, London, in 1802. She was the only daughter of an architect named Grahn, who built several structures in Berlin, especially St. Peter's Church. She had beautiful handwriting and had learned mathematics, as well as French, Italian, and English, and she was completely fluent in her native language. When she arrived in England, she began teaching German under the name Dr. John de Verdion.

In her exterior, she was extremely grotesque, wearing a bag wig, a large cocked hat, three or four folio books under one arm, and an umbrella under the other, her pockets completely filled with small volumes, and a stick in her right hand. She had a good knowledge of English books; many persons entertained her for her advice relative to purchasing them. She obtained a comfortable subsistence from teaching and translating foreign languages, and by selling books chiefly in foreign literature. She taught the Duke of Portland the German language, and was always welcomed to his house, the Prussian Ambassador to our Court received from her a knowledge of the English language; and several distinguished noblemen she frequently visited to instruct them in the French tongue; she also taught Edward Gibbon, the celebrated Roman Historian, the German language, previous to his visiting that country. This extraordinary female has never been known to have appeared in any other but the male dress, since her arrival in England, where she remained upwards of thirty years; and upon occasions she would attend court, decked in very superb attire; and was well remembered about the streets of London; and particularly frequent in attending book auctions, and would buy to a large amount, sometimes a coachload. Here her singular figure generally made her the jest of the company. Her general purchase at these sales was odd volumes, which she used to carry to other booksellers, and endeavour to sell, or exchange for other books. She was also a considerable collector of medals and foreign coins of gold and silver; but none of these were found after her decease. She frequented the Furnival's Inn Coffee-house, in Holborn, dining there almost every day; she would have the first of every thing in season, and was as strenuous for a large quantity, as she was dainty in the quality of what she chose for her table. At times, it is well-known, she could dispense with three pounds of solid meat; and we are very sorry to say, she was much inclined to the dreadful sin of drunkenness. Her death was occasioned by falling down stairs, and she was, after much affliction, at length compelled to make herself known to a German physician, who prescribed for her, when the disorder she had, turned to a dropsy, defied all cure, and finished the life of so remarkable a female.

In her appearance, she was quite unusual, wearing a fake wig, a big floppy hat, three or four thick books under one arm, and an umbrella under the other. Her pockets were stuffed with small books, and she held a cane in her right hand. She had a solid grasp of English literature, and many people sought her advice on buying books. She made a decent living teaching and translating foreign languages, as well as selling mostly foreign literature. She taught the Duke of Portland German and was always welcomed at his home; the Prussian Ambassador learned English from her, and she frequently visited several noblemen to teach them French. She also taught Edward Gibbon, the famous Roman historian, German before he traveled there. This remarkable woman was known to have worn only men’s clothing since arriving in England, where she lived for over thirty years. Occasionally, she would attend court dressed very stylishly and was well-remembered in the streets of London, especially for going to book auctions, where she would buy large amounts, sometimes enough to fill a coach. Her unusual appearance often made her the subject of jokes among those present. At these sales, she usually bought random volumes, which she would try to resell or trade with other booksellers. She was also a notable collector of medals and foreign gold and silver coins, but none were found after she passed away. She often visited the Furnival’s Inn Coffee-house in Holborn, dining there almost daily; she would always choose the best seasonal dishes and was as eager for a large quantity as she was particular about the quality of her meals. At times, it was well-known that she could eat three pounds of solid meat, and sadly, she had a strong tendency toward the terrible vice of alcoholism. Her death was caused by falling down the stairs, and after much suffering, she was finally forced to consult a German doctor, who prescribed treatment for her when her condition turned into dropsy, which proved untreatable and ultimately ended the life of such an extraordinary woman.

DRIVING STAGS LIKE CATTLE.

Driving stags like cattle.

Buried at Disley, Cheshire, June 2nd, 1753, Mr. Joseph Watson, in the 105th year of his age. He was born at Moseley Common, in the parish of Leigh, in the county of Lancaster; and married his wife from Etchells, near Manchester, in the said county. They were an happy couple 72 years. She died in the 94th year of her age. He was park-keeper to the late Peter Leigh, Esq., of Lime, and his father used to drive and show red deer to most of the nobility and gentry in that part of the kingdom, to the general satisfaction of all who [Pg 209] ever saw them; for he could have driven and commanded them at his pleasure, as if they had been common horned-cattle. In the reign of Queen Anne, Squire Leigh was at Macclesfield, in Cheshire, in company with a number of gentlemen, amongst whom was Sir Roger Mason, who was then one of the members for the said county; they being merry and free, Squire Leigh said his keeper should drive 12 brace of stags to the Forest of Windsor, a present to the Queen. Sir Roger opposed it with a wager of 500 guineas, saying that neither his keeper, nor any other person, could drive 12 brace of red deer from Lime Park to Windsor Forest on any account. So Squire Leigh accepted the wager from Sir Roger, and immediately sent a messenger to Lime for his keeper, who directly came to his master, who told him he must immediately prepare himself to drive 12 brace of stags to Windsor Forest, for a wager of 500 guineas. He gave the Squire, his master, this answer, that he would, at his command, drive him 12 brace of stags to Windsor Forest, or to any part of the kingdom by his worship's direction, or he would lose his life and fortune. He undertook, and accomplished this most astonishing performance, which is not to be equalled in the annals of the most ancient history. He was a man of low stature, not bulky, of a fresh complexion, pleasant countenance, and he believed he had drank a gallon of malt liquor a day, one day with another, for above sixty years of his time.

Buried in Disley, Cheshire, on June 2nd, 1753, Mr. Joseph Watson passed away at 105 years old. He was born in Moseley Common, in the parish of Leigh, Lancashire, and married his wife from Etchells, near Manchester, in the same county. They had a happy marriage for 72 years. She died at 94 years old. He was the park keeper for the late Peter Leigh, Esq., of Lime, and his father used to drive and show red deer to many of the nobility and gentry in that area, pleasing everyone who saw them; he could handle and lead them as easily as if they were regular cattle. During Queen Anne's reign, Squire Leigh was in Macclesfield, Cheshire, with several gentlemen, including Sir Roger Mason, who was a member of parliament for the county. They were having a good time when Squire Leigh said his keeper would drive 12 brace of stags to Windsor Forest as a gift for the Queen. Sir Roger challenged him with a bet of 500 guineas, claiming that neither his keeper nor anyone else could drive 12 brace of red deer from Lime Park to Windsor Forest. Squire Leigh accepted the bet and immediately sent for his keeper from Lime. The keeper soon arrived, and Squire Leigh told him he had to prepare to drive 12 brace of stags to Windsor Forest for the wager of 500 guineas. The keeper confidently replied that he would, at his master’s command, drive the stags to Windsor Forest or anywhere else in the kingdom as directed, or he would risk his life and fortune. He took on the challenge and accomplished this remarkable feat, unmatched in the most ancient histories. He was a man of short stature, not heavyset, with a fresh complexion and a pleasant face, and he believed he had consumed a gallon of malt liquor every day, on average, for over sixty years.

ECCENTRIC WILL.

Eccentric Will.

The following will, as an exhibition of strange eccentricity, is not inappropriate to our pages. Mr. Tuke, of Wath, near Rotherham, who died in 1810, bequeathed one penny to every child that attended his funeral (there came from 600 to 700); 1s. to every poor woman in Wath; 10s. 6d. to the ringers to ring one peal of grand bobs, which was to strike off while they were putting him into the grave. To seven of the oldest navigators, one guinea for puddling him up in his grave. To his natural daughter, £4 4s. per annum. To his old and faithful servant, Joseph Pitt, £21 per annum. To an old woman who had for eleven years tucked him up in bed, £1 1s. only. Forty dozen penny loaves to be thrown from the church leads at twelve o'clock on Christmas day for ever. Two handsome brass chandeliers for the church, and £20 for a set of new chimes.

The following will, as an example of unusual eccentricity, is quite fitting for our pages. Mr. Tuke, from Wath, near Rotherham, who passed away in 1810, left one penny to every child who attended his funeral (which had between 600 and 700 attendees); 1 shilling to every poor woman in Wath; 10 shillings and 6 pence to the bell ringers to perform one peal of grand bobs, which was to sound as they were lowering him into the grave. To seven of the oldest navigators, he left one guinea for covering him up in his grave. To his natural daughter, he bequeathed £4 4s. per year. To his old and loyal servant, Joseph Pitt, he allowed £21 per year. To an old woman who had tucked him in for bed for eleven years, he gave only £1 1s. Forty dozen penny loaves were to be thrown from the church roof at noon on Christmas day forever. Two beautiful brass chandeliers for the church, and £20 for a new set of chimes.

EXTRAORDINARY FROST.

AMAZING FROST.

As an instance of great rarity in England of the severity of a frost, it is worth notice, that in January, 1808, the rain froze as it fell, and in London the umbrellas were so stiffened that they could not be closed. Birds had their feathers frozen so that they could not fly, and many were picked up as they lay helpless on the ground.

As a rare event in England for the intensity of a frost, it's interesting to note that in January 1808, the rain froze as it fell, and in London, the umbrellas became so stiff that they couldn't be closed. Birds had their feathers frozen, preventing them from flying, and many were found helpless on the ground.

ANCIENT SNUFF-BOXES.

OLD SNUFF BOXES.

These ancient snuff-boxes furnish proof of the love of our ancestors for the titillating powder. An admiring writer of the last century, reflecting on the curious and precious caskets in which snuff was then imprisoned, asks—

These old snuff boxes show how much our ancestors loved the exciting powder. A writer from the last century, thinking about the interesting and valuable containers that held snuff, asks—

"What strange and wondrous virtue must there be,
And secret charm, O snuff! concealed in thee,
That bounteous nature and inventive art,
Bedecking thee thus all their powers exert."
Ancient Snuff Boxes

But every age, since snuff was in use, appears to have cherished great regard for the beauty and costliness of its snuff boxes, and even at the present time, the snuff box is the recognised vehicle of the highest honour a corporation can bestow. Those here represented are not so much boxes as bottles. They are richly and elaborately ornamented with sporting subjects, and no doubt once belonged to some famous personage. Judging of their very antique form and figures, we are inclined to think they must have been in use earlier than it is generally supposed that snuff was introduced into this country.

But every era, since snuff became popular, seems to have valued the beauty and expense of its snuff boxes. Even today, the snuff box is seen as the highest honor a corporation can give. The ones shown here are more like bottles than traditional boxes. They are beautifully and intricately decorated with sporting scenes, and they likely belonged to some notable person. Based on their very old shape and designs, we think they must have been used earlier than most people believe snuff was first brought to this country.

SEEING THE FIRST AND THE LAST OF TWO GENERATIONS.

SEEING THE FIRST AND LAST OF TWO GENERATIONS.

Frances Barton, of Horsley, Derbyshire, died 1789, aged 107. She followed the profession of a midwife during the long period of eighty years. Her husband had been sexton of the parish seventy years; so that this aged pair frequently remarked, that she had twice brought into the world, and he had twice buried, the whole parish. Her faculties, her memory in particular, were remarkably good, so that she was enabled well to remember the Revolution in 1688, and being present at a merry making on that glorious occasion.

Frances Barton from Horsley, Derbyshire, passed away in 1789 at the age of 107. She worked as a midwife for an impressive eighty years. Her husband served as the parish sexton for seventy years; together, they often joked that she had brought every person in the parish into the world, and he had buried them. Her mental faculties, especially her memory, were exceptionally good, allowing her to vividly recall the Revolution of 1688 and her experience at a celebration for that remarkable event.

THE EARLIEST HACKNEY-COACH.

THE FIRST HACKNEY CARRIAGE.

Earliest Hackney-Coach

The above is a correct representation of one of the earliest forms in which coaches for hire were first made. They were called Hackney, not, as is erroneously supposed, from their being first used to carry the citizens of London to their villas in the suburb of Hackney, but from the word "hack," which signifies to offer any article for sale or hire. Hackney coaches were first established in 1634, and the event is thus mentioned in one of Strafford's Letters, dated April in that year:—

The above accurately describes one of the earliest types of carriages available for hire. They were called Hackney, not because they were first used to transport residents of London to their homes in the suburb of Hackney, as is commonly believed, but because of the word "hack," which means to offer something for sale or rent. Hackney coaches were first introduced in 1634, and this event is noted in one of Strafford's Letters, dated April of that year:—

"One Captain Bailey hath erected some four Hackney-coaches, put his men in livery, and appointed them to stand, at the May-pole in the Strand, giving them instructions at what rates to carry men into several parts of the town, where all day they may be had. Other hackney-men seeing this way, they flock to the same place, and perform their journeys at the same rate. So that sometimes there is twenty of them together, which disperse up and down; that they and others are to be had everywhere, as watermen are to be had by the water-side. * * * Everybody is much pleased with it."

"Captain Bailey has set up about four hackney coaches, dressed his drivers in uniforms, and assigned them to wait at the May-pole in the Strand, giving them instructions on the rates to charge for rides to various parts of the city, available all day long. Other cab drivers seeing this also gather at the same spot and offer their rides at the same prices. Sometimes, there are as many as twenty of them together, spreading out afterward; they are available everywhere, just like watermen by the riverside. * * * Everyone is really happy about it."

A UNIQUE LIBRARY.

A ONE-OF-A-KIND LIBRARY.

A singular library existed in 1535, at Warsenstein, near Cassel; the books composing it, or rather the substitutes for them, being made of wood, and every one of them is a specimen of some different tree. The back is formed of its bark, and the sides are constructed of polished pieces of the same stock. When put together, the whole forms a box; and inside of it are stored the fruit, seed, and leaves, together with the [Pg 212] moss which grows on the trunk, and the insects which feed upon the tree; every volume corresponds in size, and the collection altogether has an excellent effect.

A unique library existed in 1535 at Warsenstein, near Cassel; the books in it, or rather their substitutes, were made of wood, with each one showcasing a different type of tree. The spine is made from the bark, and the sides are built from polished pieces of the same wood. When assembled, it all forms a box; inside are stored the fruit, seeds, and leaves, along with the moss that grows on the trunk and the insects that feed on the tree. Each volume is the same size, and the entire collection looks impressive.

DRESS FORTY YEARS AGO.

DRESS 40 YEARS AGO.

Caricature, even by its very exaggeration, often gives us a better idea of many things than the most exact sketches could do. This is more especially the case with respect to dress, a proof of which is here given by the three caricatures which we now lay before our readers. They are copied from plates published at the period to which they refer, and how completely do they convey to us a notion of the fashions of the day!

Caricature, with its exaggeration, often provides a clearer understanding of many things than the most precise sketches could offer. This is particularly true when it comes to clothing, as seen in the three caricatures we present to our readers. They are taken from plates published during the time period they depict, and they effectively convey the fashion trends of the day!

Dress Forty Years Ago

With the peace of 1815 commenced a new era in English history; and within the few years immediately preceding and following it, English society went through a remarkably rapid change; a change, as far as we can see, of a decidedly favourable kind. The social condition of public sentiment and public morals, literature, and science, were all improved. As the violent internal agitation of the country during the regency increased the number of political caricatures and satirical writings, so the succession of fashions, varying in extravagance, which characterised the same period, produced a greater number of caricatures on dress and on fashionable manners than had been seen at any previous period. During the first twelve or fifteen years of the present century, the general character of the costume appears not to have undergone any great change. The two figures here given represent the mode in 1810.

With the peace of 1815, a new era in English history began; and in the few years just before and after that, English society experienced a remarkably rapid change—a change that, as far as we can tell, was definitely positive. The social state of public sentiment and public morals, literature, and science all improved. Just as the intense internal turmoil in the country during the regency led to an increase in political cartoons and satirical writings, the varying and extravagant fashions of the same period produced more caricatures of clothing and fashionable behaviors than had ever been seen before. During the first twelve or fifteen years of the current century, the general style of dress doesn't seem to have changed much. The two figures presented here represent the fashion in 1810.

A few years later the fashionable costume furnished an extraordinary contrast with that just represented. The waist was again shortened, as well as the frock and petticoat, and, instead of concealment, it seemed to be the aim of the ladies to exhibit to view as much of the body as possible. The fops of 1819 and 1820 received the name of dandies, the ladies that of dandizettes. The accompanying cut is from a rather broadly caricatured print of a dandizette of the year 1819. It must be considered only as a type of the general character of the foppish costume of the period; for in no time was there ever such a variety of forms in the dresses of both sexes as at the period alluded to.

A few years later, the trendy costume provided a striking contrast to the one just described. The waist was once again shortened, along with the dress and underskirt, and instead of hiding the body, it seemed the goal of the women was to show off as much skin as possible. The stylish men of 1819 and 1820 were called dandies, while the women were referred to as dandizettes. The accompanying illustration is from a somewhat exaggerated print of a dandizette from 1819. It should only be seen as a representation of the general style of flamboyant fashion from that time; for never before had there been such a variety of styles in the clothing of both genders as during the period mentioned.

DANDIZETTE.
DANDY.

We give with the same reservation, a figure of a dandy, from a caricature [Pg 213] of the same year. The number of caricatures on the dandies and dandizettes, and on their fopperies and follies, during the years 1819, 1820, and 1821, was perfectly astonishing.

We provide, with the same caution, an image of a dandy from a caricature [Pg 213] from the same year. The sheer volume of caricatures depicting dandies and dandizettes, along with their absurdities and pretensions, in the years 1819, 1820, and 1821, was truly remarkable.

FASHIONABLE DISFIGUREMENT.

TRENDY SCAR.

Fashionable Disfigurement

The extent to which people may be led to disfigure themselves by a blind compliance with the fashion of the day, was never more strikingly displayed than in the custom of dotting the face with black patches of different patterns. It might easily be supposed that the annexed sketch is a caricature, but such is not the case; it is a correct likeness of a lady of the time of Charles the First, with her face in full dress. Patching was much admired during the reign of that sovereign, and for several succeeding years. Some authors think that the fashion came originally from Arabia. No sooner was it brought to England and France, than it became an absolute fureur. In the former country, old and young, the maiden of sixteen and the grey-haired grandmama, covered their faces with these black spots, shaped like suns, moons, stars, hearts, crosses, and lozenges; and some even, as in the [Pg 214] instance before us, carried the mode to the extravagant extent of shaping the patches to represent a carriage and horses.

The extent to which people can be led to distort their appearance through blind adherence to current trends has never been more clearly shown than in the custom of dotting the face with black patches of various patterns. You might think the attached image is a joke, but it's actually a true likeness of a lady from the time of Charles the First, with her face fully adorned. Patching was highly fashionable during that reign and for several years after. Some writers believe this trend originated in Arabia. Once it made its way to England and France, it became an absolute craze. In England, both young and old, from sixteen-year-old maidens to gray-haired grandmothers, covered their faces with these black spots shaped like suns, moons, stars, hearts, crosses, and diamonds; some even took the trend to the extreme, shaping the patches to resemble a carriage and horses, as seen in the [Pg 214] instance before us.

A REMARKABLE OLD MAN.

An extraordinary old man.

Mr. Ingleby, of Battle Abbey, Sussex, died 1798, aged 117. He had been for upwards of ninety-five years a domestic in the family of Lady Webster. The following narrative of this remarkable man is by a gentleman who visited him in the autumn of 1797:—

Mr. Ingleby, of Battle Abbey, Sussex, passed away in 1798 at the age of 117. He had worked for more than ninety-five years as a servant in Lady Webster's household. The following account of this extraordinary man is written by a gentleman who visited him in the autumn of 1797:—

"To my great surprise," he says, "I found Mr. Ingleby in a situation very far removed from the luxuries of life, or the place which might be deemed necessary for his years. He was in an antique outbuilding, near the Castle Gate, where his table was spread under an arched roof; nearly the whole of the building being filled with billet-wood, and scarcely affording room for the oaken bench on which this wonder of longevity was reclining by the fire. His dress was a full-bottomed wig, and a chocolate-coloured suit of clothes with yellow buttons. His air and demeanour was pensive and solemn; though there was nothing in his look which impressed the mind with the idea of a person more than fourscore years old, except a slight falling of the under jaw, which bespoke a more advanced age. We were introduced by a matron, who served as a sort of interpreter between us—Mr. Ingleby's deafness not permitting any regular conversation. When the nurse explained our errand, he replied, in a very distinct but hollow voice, 'I am much obliged to the gentlemen for the favour they do me; but I am not well, and unable to converse with them.' He then turned his face to the higher part of the bench on which he reclined, and was silent. In each of his withered hands he held a short, rude, beechen walking stick, about three feet high, by the help of which he was accustomed not only to walk about the extensive premises in which he passed the most part of his life, but also to take his little rambles about the town; and once (for, occasionally, the old gentleman was irascible,) he set out on a pedestrian excursion to Hastings, to inquire for another situation in service, because his patroness desired him to be more attentive to personal neatness. It is but justice to the lady alluded to, to add, that the uncouth abode in which Mr. Ingleby dwelt was the only one in which he could be persuaded to reside, and which long familiarity had rendered dear to him. The choice appeared very extraordinary; but such persons, in their conduct, are seldom governed by the fixed and settled rules by which human life is ordinarily regulated."

"To my great surprise," he says, "I found Mr. Ingleby in a situation far from the luxuries of life, or the kind of place you’d expect for someone his age. He was in an old outbuilding near the Castle Gate, where his table was set up under an arched roof; most of the space was filled with firewood, leaving barely enough room for the oak bench where this remarkable elderly man was reclining by the fire. He wore a full-bottomed wig and a chocolate-colored suit with yellow buttons. His expression and demeanor were thoughtful and serious; though there was nothing in his appearance that suggested he was over eighty, except for a slight droop of his lower jaw, which hinted at his older age. We were introduced by a matron who acted as an interpreter for us—Mr. Ingleby’s deafness prevented any regular conversation. When the nurse explained our purpose, he responded in a very clear but hollow voice, 'I am much obliged to the gentlemen for their kindness; however, I am unwell and unable to talk with them.' He then turned his face toward the upper part of the bench where he lay and fell silent. In each of his frail hands, he held a short, rough, beech walking stick about three feet tall, which he used not only to walk around the large property where he spent most of his time but also to take small walks around town; and once (as the old gentleman could be irritable at times), he set out on a walk to Hastings, to look for another job, because his patroness wanted him to pay more attention to his personal grooming. It’s only fair to mention that the shabby home where Mr. Ingleby lived was the only place he could be persuaded to stay, and that long familiarity had made it dear to him. The choice seemed quite strange, but people like him are rarely guided by the fixed and settled rules that usually govern human life."

CURIOUS MANUSCRIPT.

Mysterious manuscript.

A very curious manuscript was presented to the Antiquarian Society of Yorkshire in 1828. It contains sundry rules to be observed by the household of Henry the 8th, and enjoins the following singular particulars:—"None of his Highness's attendants to steal any locks, or keys, tables, forms, cupboards, or other furniture, out of noblemen's, or gentlemen's, houses where he goes to visit. No herald, minstrel, falconer, or other, to bring to the Court any boy or rascal; nor to keeps lads or rascals in Court to do their business for them. Master [Pg 215] cooks not to employ such scullions as shall go about naked, or lie all night on the ground before the kitchen fire. Dinner to be at ten, and supper at four. The Knight Marshal to take care that all such unthrifty and common women as follow the Court be banished. The proper officers are, between six and seven o'clock every morning, to make the fire in and straw his Highness's Privy Chamber. Officers of his Highness's Privy Chamber to keep secret every thing said or done, leaving hearkening or inquiring where the King is or goes, be it early or late, without grudging, mumbling, or talking of the King's past time, late or early going to bed, or any other matter. Coal only allowed to the King's, Queen's, and Lady Mary's Chambers. The Queen's Maids of Honour to have a chet loaf, a manchet, a gallon of ale, and a chine of beef, for their breakfasts. Among the fishes for the table is a porpoise, and if it is too big for a horse-load, a further allowance is made for it to the purveyor." The manuscript ends with several proclamations. One is "to take up and punish strong and mighty beggars, rascals, and vagabonds, who hang about the Court."

A very interesting manuscript was presented to the Antiquarian Society of Yorkshire in 1828. It includes various rules for the household of Henry VIII and emphasizes the following unusual details: "None of His Highness's attendants are allowed to steal any locks, keys, tables, benches, cupboards, or other furniture from noblemen's or gentlemen's homes while visiting. No herald, minstrel, falconer, or anyone else may bring any boys or rascals to the Court; nor should they keep boys or rascals at the Court to do their chores. Master [Pg 215] cooks must not hire scullions who go about naked or sleep all night on the ground in front of the kitchen fire. Dinner is to be served at ten, and supper at four. The Knight Marshal is to ensure that all disreputable and common women following the Court are removed. The proper officers are to light the fire in and straw His Highness's Privy Chamber every morning between six and seven o'clock. Officers of His Highness's Privy Chamber must keep everything said or done a secret, refraining from listening or inquiring about where the King is or goes, whether early or late, without complaining, muttering, or discussing the King's pastimes, his late nights, or any other matters. Coal is only permitted for the King's, Queen's, and Lady Mary's chambers. The Queen's Maids of Honour are to receive a chet loaf, a manchet, a gallon of ale, and a chine of beef for their breakfasts. Among the fish served at the table is a porpoise, and if it is too large for a horse-load, additional provisions will be made for the purveyor." The manuscript concludes with several proclamations, one of which is "to round up and punish strong and powerful beggars, rascals, and vagabonds who hang around the Court."

WONDERFUL ESCAPE.

AMAZING GETAWAY.

In 1809, a barge was going along the new cut from Paddington with casks of spirits and barrels of gunpowder. It is supposed that one of the crew bored a hole in a powder-barrel by mistake, meaning to steal spirits; the gimlet set fire to the powder, and eleven other barrels were driven to the distance of 150 yards; but only the single barrel exploded.

In 1809, a barge was traveling along the new cut from Paddington with casks of liquor and barrels of gunpowder. It’s believed that one of the crew accidentally bored a hole in a gunpowder barrel while trying to steal some liquor; the drill sparked and ignited the powder, sending eleven other barrels flying 150 yards away, but only that one barrel exploded.

DAVID HUME ON HIS OWN DEATH.

DAVID HUME ON HIS OWN DEATH.

The letter which we here lay before our readers was addressed by David Hume to the Countess de Boufflers, and is supposed to be the last that was ever written by that great historian, as he died only five days afterwards, August 25th. With what calmness did that illustrious philosopher contemplate the rapid approach of his own death!

The letter we present to our readers was written by David Hume to the Countess de Boufflers and is believed to be the last one he ever wrote, as he passed away just five days later, on August 25th. How calmly that renowned philosopher faced the swift approach of his own death!

The letter was torn at the places where the words are printed in italics:

The letter was ripped at the spots where the words are written in italics:

"Edinburgh, 20th of August, 1776.

Edinburgh, August 20, 1776.

"Tho' I am certainly within a few weeks, dear Madam, and perhaps within a few days, of my own death, I could not forbear being struck with the death of the Prince of Conti, so great a loss in every particular. My reflection carried me immediately to your situation in this melancholy incident. What a difference to you in your whole plan of life! Pray, write me some particulars; but in such terms that you need not care, in event of decease, into whose hands your letter may fall.

"Though I am definitely only a few weeks away, dear Madam, and perhaps just a few days, from my own death, I couldn't help but be affected by the passing of the Prince of Conti, which is such a significant loss in every way. This made me think about your situation in this sad event. What a change this brings to your entire life plan! Please write to me with some details, but in a way that you won't mind if your letter ends up in someone else's hands in the event of your passing."

"My distemper is a diarrhœa, or disorder in my bowels, which has been gradually undermining me these two years; but within these six months has been visibly hastening me to my end. I see death approach gradually without any anxiety or regret. I salute you with great affection and regard for the last time.

"My illness is a diarrhea, or a problem with my bowels, which has been slowly wearing me down for the past two years; but in the last six months, it has clearly been speeding up my decline. I watch death approach slowly without any anxiety or regret. I greet you with great love and respect for the last time."

"David Hume."

"David Hume."

SCRIPTURAL ANTIQUITIES.

Biblical Antiquities.

A. Drum, or Timbrel, of Baked Potter's Clay. —AA. Drum in use in the East.—B. Harp.—C. Lutes.—D. Inscribed Stone.—E. Sandals.

The rude musical instruments here represented, have been collected by modern travellers, and are but little changed from the ancient forms. [Pg 216] The drum or timbrel marked A, is made of thin baked clay, something in the shape of a bottle, with parchment stretched over the wider part. On being struck with the finger, this instrument makes a remarkably loud sound. These relics are lodged in the London Scriptural Museum, and are all ticketed with the texts they serve to illustrate. This arrangement is very judicious, and gives a great additional interest to the sacred objects while under inspection.

The simple musical instruments shown here have been gathered by modern travelers and have changed little from their ancient versions. [Pg 216] The drum or timbrel labeled A is made of thin baked clay, somewhat shaped like a bottle, with parchment stretched over the wider part. When struck with a finger, this instrument produces a surprisingly loud sound. These artifacts are housed in the London Scriptural Museum and are all labeled with the texts they illustrate. This setup is very thoughtful and adds significant interest to the sacred objects while being observed.

1. Distaff.—2. Roman Farthing.—3. Stone Money Weights.—4. Hand Mill. 5. Eastern Wine and Water Bottles.

The distaff was the instrument which wrought the materials for the robes of the Egyptian Kings, and for the "little coat" which Hannah made for Samuel; by it, too, were wrought the cloths, and other fabrics used in Solomon's temple. By reference to the above engraving, it will be seen that nothing can be more simple than this ancient instrument, which is a sort of wooden skewer, round which the flax is wrapped; it is then spun on the ground in the same manner as a boy's top, and the [Pg 218] thread wrought off, and wound upon a reel shown in the foreground of the picture. "Querns," or stone hand-mills of various sizes, similar to that represented in our engraving, have been repeatedly found in connection with Roman, Saxon, and other ancient remains in this country. They are still to be met with in constant use over the greater part of India, in Africa, and also those districts of the East which are more particularly associated with Holy Writ. It may be worth while to mention that this description of mill is an improvement upon the method of simply crushing the corn laid on a flat stone with another held in the hand. The "Quern" is a hard stone roughly rounded, and partly hollowed, into which another stone, which has a handle, is loosely fitted. The corn required to be ground is placed in the hollow receptacle, and the inner stone is moved rapidly round, and, in course of time, by immense labour, the wheat &c. is ground into flour. The Scripture prophecies mention that of two women grinding at the mill, one shall be left, and the other taken—the two-handled mill will explain the meaning of this passage.

The distaff was the tool used to make the materials for the robes of the Egyptian kings and for the “little coat” that Hannah made for Samuel. It was also used to create the cloths and other fabrics used in Solomon’s temple. As shown in the engraving, this ancient tool is quite simple, resembling a wooden skewer around which flax is wrapped; it is then spun on the ground like a boy’s top, and the thread is pulled off and wound onto a reel shown in the foreground of the picture. “Querns,” or stone hand-mills of various sizes, similar to the one depicted in our engraving, have often been found in association with Roman, Saxon, and other ancient remains in this country. They are still commonly used in much of India, Africa, and those areas of the East that are especially tied to the Bible. It’s worth mentioning that this type of mill is an improvement over the older method of simply crushing grain on a flat stone with another stone held in the hand. The “Quern” is a hard stone that is roughly rounded and partially hollowed out, into which another stone with a handle fits loosely. The grain that needs to be ground is placed in the hollow, and the inner stone is turned quickly; after much effort, the grain is ground into flour. The Scriptures mention two women grinding at the mill, with one being taken and the other left—this two-handled mill helps clarify the meaning of that passage.

CHRONOLOGICAL TABLE OF REMARKABLE EVENTS.

TIMELINE OF SIGNIFICANT EVENTS.

  • The following curious table is extracted literatim from Arthur Hopton's Concordancie of Years, 1615:—
  • 1077.—A blazing star on Palm Sunday, nere the sun.
  • 1100.—The yard (measure) made by Henry I.
  • 1116.—The moone seemed turned into bloud.
  • 1128.—Men wore haire like women.
  • 1180.—Paris in France, and London in Englande, paued, and thatching in both left, because all Luberick was spoiled thereby with fire.
  • 1189.—Robin Hood and Little John lived. This yeare London obtained to be gouerned by sheriffes and maiors.
  • 1205.—By reason of a frost from January to March wheate was sold for a marke the quarter, which before was at 12 pence. Anno Regni 6. John.
  • 1209.—London bridge builded with stone; and this yeare the citizens of London had a grant to choose them a maior.
  • 1227.—The citizens of London had libertie to hunt a certain distance about the citie, and to passe toll-free through England.
  • 1231.—Thunder lasted fifteen daies; beginning the morrow after St. Martin's day.
  • 1233.—Four sunnes appeared, beside the true sunne, of a red colour.
  • 1235.—The Jews of Norwich stole a boy and circumcised him, minding to have crucified him at Easter.
  • 1247.—The king farmed Queene-hiue for fifty pounds per annum, to the citizens.
  • 1252.—Great tempests upon the sea, and fearful; and this year the king (Henry III.) granted, that wheretofore the citizens of London were to present the maior before the king, wheresoeuer he were, that now barons of the exchequer should serue.
  • 1292.—The Jewes corrupting England with vsury, had first a badge giuen them to weare, that they might be knowne, and after were banished to the number of 150,000 persons.
  • 1313.—This yeare the king of France burned all his leporous and pocky people, as well men as women: for that he supposed they had poysoned the waters, which caused his leprosie. About this time, also, the Jews had a purpose to poyson all the Christians, by poysoning all their springs.
  • 1361.—Men and beasts perished in diuers places with thunder and lightning, and fiends were seene speake unto men as they trauelled.
  • 1372.—The first bailiffes, in Shrewsbury.
  • 1386.—The making of gunnes found; and rebels in Kent and Essex, who entred London, beheaded all lawyers, and burnt houses and all bookes of law.
  • 1388.—Picked shooes, tyed to their knees with siluer chaines were vsed. And women with long gownes rode in side-saddles, like the queene, that brought side-saddles first to England; for before they rode astrid.
  • 1401.—Pride exceeding in monstrous apparrell.
  • 1411.—Guildhall in London begun.
  • 1417.—A decree for lantherne and candle-light in London.
  • 1427.—Rain from the 1st of Aprill to Hollontide.
  • 1510.—St. John's College in Cambridge being an ancient hostell, was conuerted to a college by the executors of the Countesse of Richmond and Derby, and mother of Henry VII., in this yeare, as her will was.
  • 1552.—The new service book in English.
  • 1555.—The first use of coaches in England.
  • 1606.—The cawsies about London taken down.
  • 1610.—Britaines Bursse builded. Hix Hall builded. Aldgate builded new. Sutton's Hospitall founded. Moore fields new railed and planted with trees. Westminster palace paued.

COCK-FIGHTING AT SCHOOLS.

School Cockfighting.

Many years ago the scholars at our large schools had regular cock-fights, which would appear to have been an affair of the school, recognised by the masters, and the charges for which were defrayed by them, to be afterwards paid by the parents, just as some innocent excursions and festivities are managed now a days. The credit of the school was, without doubt, often involved in the proper issue of the fight.

Many years ago, the scholars at our large schools held regular cockfights, which seemed to be an official school event, recognized by the teachers, with the costs covered by them and later paid back by the parents, similar to how some innocent trips and celebrations are organized today. The reputation of the school was undoubtedly often tied to the outcome of the fight.

Sir James Mackintosh, when at school at Fortrose in 1776-7, had this entry in his account, in which books were charged 3s. 6d.:—

Sir James Mackintosh, while he was at school in Fortrose from 1776 to 1777, recorded this entry in his account, where books were listed at 3s. 6d.:—

To cocks'-fight dues for 2 years, 2s. 6d. each, 5s.

To pay for cockfighting fees for 2 years, £2.50 each, £5.00.

Associated are three months' fees at the dancing-school, minuet, country-dances, and hornpipe, &c. Cock-fighting up to the end of the last century was a very general amusement, and an occasion for gambling. It entered into the occupations of the old and young. Travellers agreed with coachmen that they were to wait a night if there was a cock-fight in any town through which they passed. A battle between two cocks had five guineas staked upon it. Fifty guineas, about the year 1760, depended upon the main or odd battle. This made the decision [Pg 220] of a "long main," at cock-fighting an important matter. The church bells at times announced the winning of a "long main." Matches were sometimes so arranged as to last the week. When country gentlemen had sat long at table, and the conversation had turned upon the relative merits of their several birds, a cock-fight often resulted, as the birds in question were brought for the purpose into the dining-room.

Associated are three months' fees at the dance school, including minuet, country dances, and hornpipe, etc. Cock-fighting, up until the end of the last century, was a very common pastime and often involved gambling. It engaged both the young and the old. Travelers made arrangements with coachmen to wait overnight if there was a cock-fight in any town they passed through. A match between two cocks had five guineas bet on it. Around the year 1760, fifty guineas were at stake for the main or odd battle. This made the outcome of a "long main" at cock-fighting a significant issue. Church bells occasionally announced the winner of a "long main." Matches were sometimes set up to last a whole week. When country gentlemen had been at the table for a long time and the discussion turned to the relative qualities of their respective birds, a cock-fight often ensued, as the birds in question were brought into the dining room for that purpose.

COMMON TRAVELLING.

Common Travel.

Common Travelling

We have here the common travelling dress in use at the commencement of the 12th century, tempus Henry I. and Stephen. The original is intended for the Saviour meeting the two disciples on the road to Emmaus. The Saviour wears an under tunic, and his mantle, fastened by a narrow band across the chest, is held up by the right hand. The figures of the disciples are, however, the most curious, the central one particularly so, as he would seem to wear a dress expressly invented for travelling: his large round hat, with its wide brim, seems to be the original of the pilgrim's hat so well known in later times, and which formed so distinguishing a mark in their costume. His short green tunic, well adapted for journeying, is protected by a capacious mantle of skin, provided with a "capa" or cowl, to draw over the head, and which was frequently used instead of a hat. He wears white breeches ornamented with red cross-stripes; they end at the ankle, where they are secured by a band or garter, the foot being covered by close shoes. His companion wears the common cap so frequently met with, and he has his face ornamented to profusion by moustaches and beard, each lock of which appears to be most carefully separated and arranged in the nicest order. He has an under-tunic of white, and an upper one of red, and a white mantle bordered with gold; he also wears the same kind of breeches, reaching to the ankle, but he has no shoes, which frequently appears to have been the case when persons were on a journey.

We have here the typical travel outfit worn at the start of the 12th century, during the time of Henry I and Stephen. The original depicts the Savior meeting the two disciples on the road to Emmaus. The Savior is dressed in an under tunic, and his mantle, secured by a narrow band across his chest, is held up by his right hand. The figures of the disciples are particularly interesting, especially the central one, as he seems to wear a costume specifically designed for traveling: his large round hat with a wide brim appears to be the precursor to the pilgrim's hat well-known in later times, a key feature of their outfit. His short green tunic, perfect for traveling, is protected by a roomy skin mantle, equipped with a "capa" or hood that can be pulled over his head, often used in place of a hat. He wears white breeches adorned with red cross stripes that end at the ankle, secured with a band or garter, while his feet are covered with tight shoes. His companion wears the common cap often seen, and his face is lavishly adorned with a mustache and beard, each hair carefully styled and arranged. He has a white under-tunic and a red upper one, along with a white mantle trimmed with gold; he also wears similar ankle-length breeches, but he has no shoes, which seems to have often been the case for travelers.

FASHIONABLE DANCES OF THE LAST CENTURY.

FASHIONABLE DANCES OF THE LAST CENTURY.

The style of dancing which was fashionable at the latter part of the last century, may be seen from the following advertisement from a dancing-master, which we have copied from a newspaper of the year 1775:—

The dance style that was popular at the end of the last century can be seen in the following ad from a dance instructor, which we’ve taken from a newspaper from 1775:—

"At Duke's Long Room, in Paternoster Row, Grown Gentlemen or Ladies are taught a Minuet, or the Method of Country Dances, with the modern Method of Footing; and that in the genteelest, and most expeditious, and private Manner. And for the greater expedition of such [Pg 221] gentlemen, as chuse to dance in company, there's a complete Set of Gentlemen assembled every Monday and Wednesday evening for the said purpose. Gentlemen or Ladies may be waited on at their own Houses by favouring me with a line directed as above. Likewise to be had at my House, as above, a Book of Instructions for the figuring part of Country Dances, with the Figure of the Minuet annex'd thereon, drawn out in Characters, and laid down in such a Manner, that at once casting your Eye on it, you see the Figure directly form'd as it is to be done; so that a person, even that had never learnt, might, by the help of this book, soon make himself Master of the figuring Part. Such as reside in the Country, I doubt not, would find it of immediate Service, as they have not always an Opportunity of having Recourse to a Dancing Master. Price 10s. 6d. N. Dukes, Dancing Master."

"At Duke's Long Room on Paternoster Row, adults are taught the Minuet or the methods of Country Dances, alongside the modern Footing style, all in a classy, quick, and private manner. To help those gentlemen who prefer to dance in company, a complete group of gentlemen meets every Monday and Wednesday evening for this purpose. Gentlemen or ladies can also request lessons at their own homes by sending me a note addressed as above. Additionally, at my home, a book of instructions for the figures of Country Dances is available, featuring the Minuet figure illustrated in a way that allows you to see the figure clearly as it should be performed; so even someone who has never learned could quickly master it with the help of this book. Those living in the countryside will surely find it especially useful, as they don’t always have access to a dancing master. Price 10s. 6d. N. Dukes, Dancing Master."

PREACHING FRIARS.

Preaching Friars.

Preaching Friars

In the romance of "St. Graal," executed in the fourteenth century, we have this representation of one of these preaching friars in his rude portable pulpit. From the contrast afforded by their mendicancy, and enthusiasm in teaching, to the pride and riches of the higher clergy, and their constant mixing with the people, they became excessively popular. The preacher in the cut has a crowded and attentive audience (though one lady seems inclined to nap); the costume of the entire body, who are all seated, after a primitive fashion, on the bare ground, is worthy of note, and may be received as a fair picture of the commonalty of England about the year 1350.

In the story of "St. Graal," produced in the fourteenth century, we see this portrayal of one of the preaching friars in his simple, portable pulpit. The contrast between their begging lifestyle and passion for teaching and the pride and wealth of the high clergy, along with their frequent interactions with the people, made them very popular. The preacher in the image has a packed and attentive audience (although one lady seems ready to doze off); the clothing of everyone, who are all sitting in a basic manner on the bare ground, is noteworthy and can be seen as an accurate representation of the common people of England around the year 1350.

THE ECCENTRIC LADY LEWSON.

The quirky Lady Lewson.

Mrs. Jane Lewson, widow, of No. 12, Coldbath Square, London, died 1816, aged 116. Mrs. Lewson, from the very eccentric style of her dress, was almost universally recognised as Lady Lewson. She was born in Essex Street, Strand, in the year 1700, during the reign of William and Mary; and was married at an early age to a wealthy gentleman then living in the house in which she died. She became a widow at the early age of 26, having only one child, a daughter, living at the time. Mrs. Lewson being left by her husband in affluent circumstances, though she had many suitors, preferred to remain in a state of widowhood. When her daughter married, being left alone, she became very fond of retirement, [Pg 222] and rarely went out or permitted the visits of any person. For the last thirty years of her life she had kept no servant, except one old female, who died in 1806; she was succeeded by the old woman's granddaughter, who was married about 1813; and she was followed in the situation by an old man, who attended the different houses in the square to go on errands, clean shoes, &c. Mrs. Lewson took this man into her house, and he acted as her steward, butler, cook, and housemaid; and with the exception of two old lap-dogs and a cat, he was her only companion. The house she occupied was elegantly furnished, but after the old style; the beds were kept constantly made, although they had not been slept in for about fifty years. Her apartment was only occasionally swept out, but never washed; the windows were so encrusted with dirt that they hardly admitted a ray of light to pass through them. She had used to tell her acquaintances that if the rooms were wetted, it might be the occasion of her taking cold; and as to cleaning the windows, she observed that many accidents happened through that ridiculous practice; the glass might be broke, and the person wounded, when the expense of repairing the one, and curing the other, would both fall upon her. A large garden at the rear of the house was the only thing connected with her establishment to which she really paid attention. This was always kept in good order; and here, when the weather permitted, she enjoyed the air, or sometimes sat and read by way of pastime; or else chatted on times past with any of the few remaining acquaintances whose visits she permitted. She seldom visited any person except Mr. Jones, a grocer at the corner of the square, with whom she dealt. She was so partial to the fashions prevailing in her youthful days, that she never changed the manner of her dress from that worn by ladies in the reign of George the First. She always wore powder with a large toupée made of horsehair on her head, nearly half a foot high, over which her front hair was turned up; a cap over it, which knotted under the chin, and three or four curls hanging down her neck. She generally wore silk gowns, the train long with a deep flounce all round, a very long narrow waist, very tightly laced up to her neck, round which was a ruff or frill. The sleeves of her gown, to which four or five large ruffles were attached, came below the elbow; a large straw bonnet, quite flat, high-heeled shoes, a full-made black silk cloak trimmed round with lace, and a gold-headed cane, completed her every-day costume for the last eighty years of her life, and in which habiliments she occasionally walked round the square, when she was uniformly spoken of by all spectators as Lady Lewson. She never practised ablutions of any kind, or hardly in any degree, because, as she alleged, those persons who washed themselves were always taking cold, or laying the foundation of some dreadful disorder. Her method was to besmear her face and neck all over with hog's lard, because that was soft and lubricating; and then, because she required a little colour in her cheeks to set off her person to advantage, she had used to paint them with rose-pink. Her manner of living was so methodical, that she would not take her tea out of any other than a favourite cup. She was equally particular with respect to her knives, forks, plates, &c. At breakfast she arranged, in a particular manner, the paraphernalia of her table: at [Pg 223] dinner she always observed a particular rule as to the placing of the two or three empty chairs, by which the table was surrounded, but herself always sat in one favourite chair. She constantly enjoyed an excellent state of health; assisted at all times in regulating the affairs of her household; and never, until a little previous to her decease, had an hour's illness. She entertained the greatest aversion to medicine; and, what is remarkable, cut two new teeth at the age of 87, and was never troubled with the toothache. Towards the close of her life her sight failed her. She lived in five reigns, and was believed to be the most faithful living chronicler of the age. A few days previous to her decease, an old lady who was her neighbour died suddenly, which had such an effect upon her that she frequently said her time was also come, and she should soon follow. She enjoyed the use of all her faculties till that period, when she became weak and took to her bed; but steadily refused all medical aid. Her conduct to a few relations was extremely capricious; and she would never see any of them; and it was not until a few hours before her dissolution that any relaxation in her temper was manifested. She was interred in Bunhill Fields burying-ground.

Mrs. Jane Lewson, widow, of No. 12, Coldbath Square, London, died in 1816 at the age of 116. Mrs. Lewson was almost universally recognized as Lady Lewson due to her very eccentric style of dress. She was born in Essex Street, Strand, in 1700, during the reign of William and Mary, and married a wealthy gentleman living in the house where she died at a young age. She became a widow at just 26, with only one child, a daughter, still alive then. Left in comfortable circumstances by her husband, she had many suitors but chose to remain a widow. After her daughter married, she became very fond of solitude and rarely went out or allowed visitors. For the last thirty years of her life, she had no servants except one elderly woman who died in 1806; she was succeeded by the old woman's granddaughter, who got married around 1813, and then by an old man who ran errands and cleaned shoes around the square. Mrs. Lewson took him in, and he served as her steward, butler, cook, and housemaid; apart from two elderly lap-dogs and a cat, he was her only companion. The house was elegantly furnished, but in an old style; the beds were kept constantly made, even though they hadn't been slept in for about fifty years. Her rooms were only occasionally cleaned but never washed; the windows were so dirty that hardly any light came through. She would tell her acquaintances that wetting the rooms might lead to her catching a cold; and regarding cleaning the windows, she noted that accidents could happen from that ridiculous practice; the glass might break, and someone could get hurt, leaving her responsible for the costs of repairs and medical care. The only part of her home she genuinely cared about was the large garden at the back, which she kept in good order. There, when the weather allowed, she enjoyed the fresh air and sometimes sat reading or reminiscing with a few remaining acquaintances whose visits she allowed. She rarely visited anyone except Mr. Jones, the grocer at the corner of the square, where she shopped. Sticking to the fashions from her youth, she never changed her style of dress from that of ladies during the reign of George I. She always wore powder with a large horsehair toupée on her head, nearly half a foot high, with her front hair styled up; a cap that knotted under her chin, and three or four curls hanging down her neck. She typically wore silk gowns with long trains and deep flounces all around, a very long, narrow waist tightly laced to her neck, surrounded by a ruff or frill. The sleeves of her gown had four or five large ruffles below the elbow; she completed her look with a flat straw bonnet, high-heeled shoes, a full black silk cloak trimmed with lace, and a gold-headed cane, which made up her everyday outfit for the last eighty years of her life. While walking around the square, she was uniformly referred to by onlookers as Lady Lewson. She never practiced any washing routines, claiming that those who did always ended up taking cold or suffering from some dreadful illness. Instead, she applied hog's lard all over her face and neck because it was soft and moisturizing. To add some color to her cheeks, she used to paint them with rose-pink. Her living habits were so methodical that she wouldn't drink tea from any cup other than her favorite. She was just as particular about her knives, forks, plates, etc. At breakfast, she meticulously arranged her tableware; at dinner, she followed specific rules for arranging the two or three empty chairs around the table, but she always sat in one favorite chair. She consistently enjoyed good health, managed her household affairs, and hadn’t experienced illness until shortly before her death. Notably, she had an extreme aversion to medicine and even grew two new teeth at the age of 87, never having dental pain. Towards the end of her life, her eyesight began to fail. She lived through five reigns and was considered the most reliable living chronicler of her time. A few days before her death, her neighbor, an old lady, passed away unexpectedly, which affected her deeply; she frequently expressed that her time had come and she would soon follow. Until then, she retained her faculties but eventually grew weak and took to her bed, refusing all medical assistance. Her behavior towards a few relatives was quite erratic, and she would never see them; not until a few hours before her passing did she show any signs of easing her temperament. She was buried in Bunhill Fields.

WHEN FIRE ENGINES WERE FIRST MADE.

WHEN FIRE ENGINES WERE FIRST BUILT.

The Phœnix was the first fire-office established, in 1682. There were used, in towns, squirts or syringes, for extinguishing fire, which did not exceed two or three feet in length. These yielded to the Fire Engine, with leathern pipes, which was patented in 1676. Water-tight, seamless hose was made in Bethnal Green in 1720. About this date—

The Phœnix was the first fire insurance company established in 1682. In towns, they used small squirts or syringes, which were only two or three feet long, for putting out fires. These were replaced by the Fire Engine, which had leather hoses and was patented in 1676. Water-tight, seamless hoses were made in Bethnal Green in 1720. Around this time—

  £ s. d.
A fire engine and pipe for Lyme cost 6 0 0
A square pipe, 23 feet long 1 18 0
12 leather fire-buckets 2 3 3

A Fire Engine was considered an appropriate present for an aspirant to a borough. At Lewes, in 1726, T. Pelham, Esq., gave one, and having been chosen representative in 1731, he presented a second.

A fire engine was seen as a suitable gift for someone looking to advance in local politics. In Lewes, in 1726, T. Pelham, Esq., donated one, and after being elected as a representative in 1731, he gifted another.

EXTRAORDINARY CATARACT.

UNBELIEVABLE CATARACT.

Extraordinary Cataract

In the Island of Pulo Penang, in the Straits of Malacca, there is a cataract which is surpassed by very few in the four quarters of the earth. It is rarely visited, and, therefore, has been but seldom described; but those who have been fortunate enough to witness it all agree in the opinion that it forms one of the wonders of the world. The stream which supplies it is of considerable volume, and after traversing a long tract of comparatively level country, is suddenly precipitated almost without a break into a ravine nearly two hundred feet below the summit of the fall. The annexed engraving gives an excellent representation of the scene. The stream descends with a mighty roar, and rushes on with a lightning speed. If you take the trouble of bringing a small looking-glass in your pocket, and come here about an hour before noon, you will be able to produce some very beautiful artificial rainbows. But, whatever you do, never attempt to clamber to the top of the rocks; for though, doubtless, [Pg 224] the scenery is very sublime up there, the pathway is slippery and dangerous in the extreme; and the guides can tell how two hapless youths, officers belonging to a regiment stationed here some twenty years ago, clambered up that hill, and how they shouted with triumph on reaching yon summit, and waved their handkerchiefs bravely; but they can also tell the gloomy and disastrous end of all this; how the wild screams echoed far and wide, as both slipped and fell headlong into the surging torrent, and the sun shone brightly upon the [Pg 225] bright red uniforms as they were hurried over the precipice, and dashed from rock to rock; and, whilst yet the horror-stricken spectators gazed with speechless agony and terror, the bodies of the poor young men were borne away and hid by the blood-stained waters from human recovery.

In the island of Pulo Penang, in the Straits of Malacca, there is a waterfall that few can match anywhere in the world. It's rarely visited, so it hasn't been described much; however, everyone who has had the chance to see it agrees that it is one of the wonders of the world. The river that feeds it is quite large, and after flowing across a flat area, it suddenly plunges nearly two hundred feet down into a ravine without much of a break. The accompanying illustration gives a great depiction of the location. The water crashes down with a powerful roar and rushes by at lightning speed. If you take a small mirror with you and come here about an hour before noon, you can create some beautiful artificial rainbows. But whatever you do, don't try to climb to the top of the rocks; because while the view up there is undoubtedly stunning, the path is really slippery and extremely dangerous. The guides can recount how two unfortunate young soldiers, stationed here about twenty years ago, climbed that hill. They shouted in triumph when they reached the top and waved their handkerchiefs victoriously; but they also tell the grim and tragic end of this adventure. The wild screams echoed as both slipped and fell into the raging torrent, with the sun shining brightly on their bright red uniforms as they were swept over the edge and crashed from rock to rock. While the horrified spectators looked on in speechless shock and terror, the bodies of those young men were carried away and hidden by the blood-stained water, unreachable by any human.

DANCES OF THE NATIVES IN NEW SOUTH WALES.

Dances of the Natives in New South Wales.

The manners and customs of the uncivilized are always legitimate objects of wonder and curiosity to the civilized. It is on this account that we give the above sketch of one of the festival dances of the natives of Australia.

The behaviors and traditions of the uncivilized always spark wonder and curiosity among the civilized. That's why we've provided the above description of one of the festival dances of the native Australians.

Dances of the Natives in New South Wales

These dances are not only the usual close of their combats, but are frequent in time of peace. They appear almost necessary to stir up their blood; and under the excitement they produce, the whole nature of the people seems to be changed. To a spectator the effect of one of these exhibitions almost equals that of a tragic melo-drama.

These dances are not just the typical end to their fights, but they also happen often during peacetime. They seem almost essential to get their energy going; and under the thrill they create, the entire character of the people seems to shift. For an onlooker, the impact of one of these performances nearly matches that of a dramatic play.

A suitable place for the performance is selected in the neighbourhood of their huts. Here a fire is built by the women and boys, while such of the men as are to take a share in the exhibition, usually about twenty in number, disappear to arrange their persons. When these preparations [Pg 226] are completed, and the fire burns brightly, the performers are seen advancing in the guise of as many skeletons. This effect is produced by means of pipe clay, with which they paint broad white lines on their arms and legs, and on the head, while others of less breadth are drawn across the body, to correspond to the ribs. The music consists in beating time on their shields, and singing, and to it the movements of the dancers conform. It must not be supposed that this exhibition is a dance in our sense of the word. It consists of violent and odd movements of the arms, legs, and body, contortions and violent muscular actions, amounting almost to frenzy. The performers appear more like a child's pasteboard supple-jack than anything human in their movements.

A suitable spot for the performance is chosen near their huts. Here, the women and boys build a fire while the men participating in the show, usually about twenty, go off to get ready. Once the preparations are done and the fire is burning brightly, the performers come out dressed as skeletons. They create this effect using pipe clay to paint broad white lines on their arms, legs, and heads, with narrower lines across their bodies to resemble ribs. The music involves beating time on their shields and singing, which guides the movements of the dancers. It's important to note that this performance isn't a dance in the way we think of it. Instead, it features exaggerated and unusual movements of the arms, legs, and body, with contortions and intense muscular actions that almost resemble frenzy. The performers resemble a child's flexible action figure more than they do human beings in their movements.

This action continues for a time, and then the skeletons, for so they appear to be, since they truly resemble them, suddenly seem to vanish and reappear. The disappearance is effected by merely turning round, for the figures are painted only in front, and their dusky forms are lost by mingling with the dark background. The trees, illuminated by the fire, are brought out with some of the figures in bold relief, while others were indistinct and ghost-like. All concurs to give an air of wildness to the strange scene. As the dance proceeds, the excitement increases, and those who a short time before appear only half alive, become full of animation, and finally are obliged to stop from exhaustion.

This action goes on for a while, and then the skeletons, which they seem to be since they really look like them, suddenly appear to disappear and reappear. They vanish just by turning around because the figures are only painted in front, and their dark bodies blend in with the dark background. The trees, lit by the fire, stand out along with some of the figures, while others look faint and ghostly. Everything adds to the wild atmosphere of the strange scene. As the dance continues, the excitement builds, and those who just a short time ago seemed half alive become full of energy, but eventually, they have to stop from exhaustion.

A PUDDING AS AN ADVERTISEMENT.

A pudding for advertising.

The following fact is interesting, inasmuch as it gives us an insight into the popular tastes of the period, and the power of mob-law:—

The following fact is interesting because it gives us a glimpse into the popular tastes of the time and the influence of mob justice:—

In 1718, James Austin, inventor of the Persian ink powder, invited his customers to a feast. There was a pudding promised, which was to be boiled fourteen days, instead of seven hours, and for which he allowed a chaldron of coals. It weighed 900 pounds. The copper for boiling it was erected at the Red Lion in Southwark Park, where crowds went to see it; and when boiled, it was to be conveyed to the Swan Tavern, Fish Street Hill, to the tune of "What lumps of pudding my mother gave me." The place was changed to the Restoration Gardens in St. George's Fields, in consequence of the numerous company expected, and the pudding set out in procession with banners, streamers, drums, &c., but the mob chased it on the way and carried all off.

In 1718, James Austin, the inventor of Persian ink powder, invited his customers to a feast. He promised a pudding that would be boiled for fourteen days instead of seven hours, and he allocated a chaldron of coals for it. It weighed 900 pounds. The copper for boiling was set up at the Red Lion in Southwark Park, attracting crowds who came to watch; when it was done, it was supposed to be taken to the Swan Tavern on Fish Street Hill, accompanied by the tune "What lumps of pudding my mother gave me." The venue was later moved to the Restoration Gardens in St. George's Fields due to the large number of guests expected, and the pudding was paraded with banners, streamers, drums, etc., but the crowd chased after it along the way and ended up taking everything.

THE DESOLATION OF EYAM.

THE DESOLATION OF EYAM.

The ancient custom of hanging a garland of white roses, made of writing paper, and a pair of white gloves over the pew of the unmarried villagers who die in the flower of their age, prevailed up to the year 1837 in the village of Eyam, and in most other villages and little towns in the Peak of Derbyshire. In the year 1665, the plague was conveyed to this unfortunate village, which for a time had been chiefly confined to London. The infection, it appears, was carried in a box of woollen clothes; the tailor, to whom they were directed was, together with his family, the immediate victims of this fatal importation; and a few days sufficed to confirm the fact, that the entire hamlet was deeply infected. A general [Pg 227] panic ensued, the worthy and truly christian Rector, the Rev. William Mompesson, at this eventful and awful crisis, summoned the parish, and after energetically stating the case, and declaring his decided intention of remaining at his post, induced his hearers to adopt the measures he was about to propose, if not for their own preservation, at least for the more important cause, the preservation of the surrounding country. Eyam, from this moment, like a besieged city, was cut off from the living world, and to the zeal and fidelity of this ever-to-be-respected minister was confided the present, as well as eternal welfare of those who were about to prove to posterity, that devotion to their country, as well as to their God, was combined in the truly christian creed taught them by this reverend man. But alas! it was the will of the Almighty that the ranks of this devoted flock should be rapidly thinned, though Mr. and Mrs. Mompesson had been hitherto spared; but in August, the latter was carried off by the fatal disease, in the 27th year of her age; her monument may still be seen at no great distance from the chancel door. A number of grave-stones, bearing date 1666, in the churchyard, show that for a time, at least, the dead had been deposited there in the usual manner. Soon after the death of Mrs. Mompesson, the disorder began to abate, and in about two months might be said to have entirely ceased. The pious and amiable Rector was graciously preserved.

The old custom of hanging a garland of white roses made of writing paper and a pair of white gloves over the pew of unmarried villagers who died young lasted until 1837 in the village of Eyam, as well as in many other villages and small towns in the Peak of Derbyshire. In 1665, the plague reached this unfortunate village, which had been mostly confined to London for a time. The infection was brought in a box of woolen clothes; the tailor it was addressed to, along with his family, were the first victims of this deadly introduction, and it didn’t take long for the whole village to be seriously affected. A widespread panic followed, and the noble and truly Christian Rector, the Rev. William Mompesson, during this critical and terrible time, called the parish together and, after clearly laying out the situation and stating his firm intention to stay at his post, encouraged his audience to adopt the measures he proposed, not just for their own safety, but more importantly, for the safety of the surrounding area. From that moment on, Eyam, like a besieged city, was cut off from the outside world, and it was entrusted to the passion and dedication of this respected minister to look after both the present and eternal welfare of those who were about to demonstrate to future generations that devotion to their country and their God could be found in the truly Christian values taught by this reverend man. Sadly, it was the will of the Almighty that the ranks of this devoted congregation would be quickly reduced, although Mr. and Mrs. Mompesson had so far been spared; however, in August, the latter was taken by the deadly disease at the age of 27, and her monument can still be seen not far from the chancel door. Several gravestones from 1666 in the churchyard indicate that, at least for a time, the dead were buried there in the usual way. Shortly after Mrs. Mompesson's death, the plague started to diminish, and in about two months, it could be said to have come to an end. The pious and kind Rector was graciously spared.

CURIOUS PLAY BILL.

Curious Play Bill.

The following remarkable theatrical announcement is worth preservation, inasmuch as it forms a curious effusion of vanity and poverty, in the shape of an appeal to the taste and feelings of the inhabitants of a town in Sussex:—

The following noteworthy theater announcement deserves to be saved, as it represents an interesting mix of pride and hardship, in the form of a request for the preferences and emotions of the people living in a town in Sussex:—

(Copy.)

Copy.

At the old theatre in East Grinstead, on Saturday, May 5th, 1758, will be represented (by particular desire, and for the benefit of Mrs. P.) the deep and affecting Tragedy of Theodosius, or the Force of Love, with magnificent scenes, dresses, &c.

At the old theater in East Grinstead, on Saturday, May 5th, 1758, there will be a performance (by special request, and for the benefit of Mrs. P.) of the powerful and moving tragedy Theodosius, or the Force of Love, featuring stunning scenes, costumes, etc.

Varanes, by Mr. P., who will strive, as far as possible, to support the character of this fiery Persian Prince, in which he was so much admired and applauded at Hastings, Arundel, Petworth, Midworth, Lewes, &c.

Varanes, by Mr. P., who will do his best to uphold the character of this passionate Persian Prince, which he was so widely admired and praised for at Hastings, Arundel, Petworth, Midworth, Lewes, etc.

Theodosius, by a young gentleman from the university of Oxford, who never appeared on any stage.

Theodosius, by a young man from the University of Oxford, who never performed on any stage.

Athenais, by Mrs. P. Though her present condition will not permit her to wait on gentlemen and ladies out of the town with tickets, she hopes, as on former occasions, for their liberality and support.

Athenais, by Mrs. P. Although she can't currently attend to gentlemen and ladies from out of town with tickets, she hopes, as she has in the past, for their generosity and support.

Nothing in Italy can exceed the altar, in the first scene of the play. Nevertheless, should any of the Nobility or Gentry wish to see it ornamented with flowers, the bearer will bring away as many as they choose to favour him with.

Nothing in Italy can top the altar in the first scene of the play. However, if any members of the nobility or gentry want to see it decorated with flowers, the bearer will take as many as they wish to offer him.

As the coronation of Athenais, to be introduced in the fifth act, contains a number of personages, more than sufficient to fill all the dressing rooms, &c., it is hoped no gentlemen and ladies will be offended at being refused admission behind the scenes.

As the coronation of Athenais, which will be introduced in the fifth act, includes a number of characters, more than enough to fill all the dressing rooms, etc., we hope that no gentlemen or ladies will be upset about not being allowed backstage.

N.B. The great yard dog, that made so much noise on Thursday night, [Pg 228] during the last act of King Richard the Third, will be sent to a neighbour's over the way; and on account of the prodigious demand for places, part of the stable will be laid into the boxes on one side, and the granary be open for the same purpose on the other.

N.B. The loud yard dog that made such a racket on Thursday night, [Pg 228] during the final scene of King Richard the Third, will be sent to a neighbor's place across the street; and due to the huge demand for seats, part of the stable will be turned into boxes on one side, and the granary will be opened for the same purpose on the other.

Vivat Rex.

Long live the King.

THE EAR OF BIRDS NOT TO BE DECEIVED.

THE EAR OF BIRDS NOT TO BE DECEIVED.

The sense of hearing in birds is singularly acute, and their instinct leads them instantly to detect the slightest variation in the song of those of their own kind. The following is a laughable instance of this:—

The sense of hearing in birds is exceptionally sharp, and their instinct allows them to quickly notice even the slightest change in the song of their own species. Here's a funny example of this:—

A bird-catcher, wishing to increase his stock of bullfinches, took out his caged bird and his limed twigs, and placed them in such a situation of hedge and bush as he judged favourable to his success. It so happened that his own bird was one of education, such as is usually termed a piping bullfinch. In the first instance a few accidentally thrown out natural notes, or calls, had attracted three or four of his kindred feather, which had now taken their station not far distant from the cage. There they stood in doubt and curiosity, and presently moving inch by inch, and hop by hop towards him and the fatal twigs, they again became stationary and attentive. It was in this eager and suspended moment that the piping bullfinch set up the old country-dance of "Nancy Dawson." Away flew every astounded bullfinch as fast as wings could move, in such alarm and confusion as bullfinches could feel and they only can venture to describe.

A birdcatcher, wanting to increase his collection of bullfinches, took out his caged bird and his sticky twigs, and positioned them in a spot among the hedge and bushes that he thought would help him succeed. It so happened that his own bird was one that had been trained, often called a piping bullfinch. At first, a few randomly sung natural notes had attracted three or four of its fellow bullfinches, which had now settled not far from the cage. They stood there in hesitation and curiosity, gradually inching closer and closer toward him and the deadly twigs, only to pause again, watching intently. In that tense moment, the piping bullfinch began to perform the old country dance tune of "Nancy Dawson." Every startled bullfinch took off as fast as their wings could carry them, in a panic and confusion that only bullfinches could truly describe.

FLYING COACH.

FLYING COACH.

If the Exeter Flying Stage arrived from London at Dorchester in two days, and at Exeter at the end of the third day, about 1739, the speed must have been considered surprising. Those who made use of such a conveyance were doubtless looked upon as presumptuous, neck-or-nothing mortals.

If the Exeter Flying Stage got from London to Dorchester in two days, and to Exeter by the end of the third day, around 1739, that speed must have seemed impressive. Those who used that mode of travel were probably seen as bold, risk-taking people.

There was a "Devizes chaise" from London at this time which took a route through Reading, Newbury, and Marlborough.

There was a "Devizes coach" from London at this time that took a route through Reading, Newbury, and Marlborough.

There is a good house at Morcomb Lake, east of Charmouth, now no longer in the road, owing to this having been diverted. This was a road-side inn, where the judges slept. The Fly Coach from London to Exeter slept there the fifth night from town. The coach proceeded the next morning to Axminster, where it breakfasted, and there a woman barber shaved the coach.

There is a nice house at Morcomb Lake, east of Charmouth, which is no longer on the road because it was redirected. This used to be a roadside inn where the judges stayed. The Fly Coach from London to Exeter stopped there on the fifth night out of town. The coach left the next morning for Axminster, where it had breakfast, and there a woman barber shaved the coach.

AN AGED SPIRIT DRINKER.

AN OLD SPIRIT CONNOISSEUR.

Daniel Bull M'Carthy, of the county of Kerry, Ireland, died 1752, aged 111. At the age of eighty-four he married a fifth wife, a girl little more than fourteen years of age, by whom he had twenty children—one every subsequent year of his life. It was remarked that he was scarcely ever seen to expectorate; nor did any extent of cold ever seem to affect him. For the last seventy years of his life, when in company, he drank plentifully of rum and brandy, which he always took neat; and, if in compliance with solicitations he took wine or punch, always drank an equal [Pg 229] sized glass of rum or brandy, which he designated a wedge. The temperature of his body was generally so hot that he could bear but little clothing, either by day or night upon his person.

Daniel Bull M'Carthy, from County Kerry, Ireland, died in 1752 at the age of 111. At eighty-four, he married a fifth wife, a girl just over fourteen, and they had twenty children—one for each year of his life afterwards. It was noted that he almost never spat; no amount of cold seemed to bother him. For the last seventy years of his life, when he was around others, he drank a lot of rum and brandy, always straight. If he drank wine or punch at someone’s insistence, he would always take an equally sized glass of rum or brandy, which he called a wedge. His body temperature was usually so high that he could barely wear any clothing, day or night. [Pg 229]

GIANT TREE.

HUGE TREE.

Giant Tree

There are few trees in the world like the giant tree in the island of Pulo Penang, of which the annexed engraving is a correct representation. It is one of the various kinds of palm, and some idea may be formed of [Pg 230] its height from the fact that it is twice as tall, and quite as straight, as the mainmast of a line-of-battle ship; there are no branches, no twigs anywhere to be seen, save just at the very summit, and here they bend over gracefully, something like what one would imagine a large-sized palm-tree to be if gazed at through Lord Rosse's telescope. It is a only specimen of its kind to be met with in the whole island.

There are few trees in the world like the giant tree on the island of Pulo Penang, which is accurately shown in the attached engraving. It's one of several types of palm, and you can get an idea of its height from the fact that it’s twice as tall and just as straight as the main mast of a warship. There are no branches or twigs visible anywhere except at the very top, where they bend over gracefully, resembling what you might picture a large palm tree to look like when viewed through Lord Rosse's telescope. It’s the only one of its kind found on the entire island.

PUNISHING FALSE ACCUSERS.

Punishing false accusers.

Wisdom may sometimes be learned at a Quarter Sessions, and it would be advantageous if we occasionally took a hint from our ancestors. The magistrates at sessions in Charles the First's reign could and did address themselves to questions arising between parties moving in humble life, very important to them, and who could now-a-day in vain seek redress in the same quarter. A modern Bridget might continue to charge men with a breach of promise of marriage without legal measures being available against her. This was not so in 1626. Her case was considered, and her injurious conduct and mode of life were duly estimated, with what result we shall learn from the following entry in the minute book of a quarter sessions in Devonshire of that date:—"Forasmuch as it hath appeared unto this Court that Bridget Howsley of Langton, spinster, liveth idly and lewdly at home, not betaking herself to any honest course of life, and hath lately falsely and scandalously accused one [left blank in the original] of Honiton, in Devon, challenging a promise of marriage from him, which tended much to his disgrace, and that she is a continual brawler and sower of strife and debate between her neighbours, inhabitants of Langton aforesaid, this court doth therefore think fit and order that the said Bridget Howsley be forthwith committed to the House of Correction, there to be set on work and remain for the space of six whole months, and from thenceforth until she shall find very good sureties for her appearance at the next Sessions, after the said six months shall be expired, or until she shall procure a master that will take her into service."

Wisdom can sometimes be found at a Quarter Sessions, and it would be beneficial if we occasionally took a lesson from our forebears. The magistrates during the reign of Charles the First could and did address issues between people living modest lives, which were very important to them, and who would now struggle to find justice in the same way. A modern Bridget might continue to accuse men of breaking promises of marriage without any legal recourse available to her. This wasn’t the case in 1626. Her situation was taken seriously, and her harmful behavior and lifestyle were properly evaluated, as we see in the following entry from the minute book of a quarter sessions in Devonshire from that time:—"Because it has been shown to this Court that Bridget Howsley of Langton, spinster, lives idly and immorally at home, not engaging in any honest way of life, and has recently falsely and scandalously accused one [left blank in the original] of Honiton, in Devon, claiming a promise of marriage from him, which caused him great disgrace, and that she is a constant troublemaker and instigator of conflict among her neighbors in Langton, the court therefore decides and orders that the said Bridget Howsley be immediately committed to the House of Correction, where she will be put to work and remain for six whole months, and from then on until she can provide good sureties for her attendance at the next Sessions after the six months are over, or until she finds a master who will take her into service."

A PHASE OF THE SOUTHCOTTIAN DELUSION.

A STAGE OF THE SOUTHCOTTIAN DELUSION.

One of the most remarkable cases on record of combined knavery, credulity, and superstition, is the belief which so extensively prevailed about fifty years ago in the mission and doctrines of Joanna Southcott, and of which, strange to say, some traces remain even to the present day. Is it not astonishing that so recently as the year 1814, August 3rd, the following paragraph—which we believe gives a correct statement of the facts—should have appeared in the Courier newspaper? "Joanna Southcott has lately given out that she expects in a few weeks to become the mother of the true Messiah. She is nearly seventy years of age. A cradle of most expensive and magnificent materials has been bespoken by a lady of fortune for the accouchement, and has been for some days exhibited at the warehouse of an eminent cabinet maker in Aldersgate-street. Hundreds of genteel persons of both sexes have been to see this cradle, in which her followers believe the true Messiah is to be rocked. The following has been given us as a correct description: 'A child's crib, three feet [Pg 231] six inches, by two feet, of satin wood, with brass trellis, side and foot board; turned feet, carved and gilt, on castors; a swing cot, inside caned, to swing on centre; at each end gilt mouldings, top and bottom for gold letters; a canopy cover, with blue silk; carved and gilt under it, a gold ball, and dove, and olive branch; green stars at each corner, gilt; blue silk furniture; an embroidered celestial crown, with Hebrew characters, gold letters; a lambs'-wool mattress, with white fustian down bed, down pillow, and two superfine blankets.'"

One of the most remarkable cases in history of combined deceit, gullibility, and superstition is the belief that spread widely about fifty years ago in the mission and teachings of Joanna Southcott, and oddly enough, some traces of this belief still exist today. Isn’t it shocking that as recently as August 3rd, 1814, the following paragraph—which we believe accurately reflects the facts—could be found in the Courier newspaper? "Joanna Southcott has recently stated that she expects to become the mother of the true Messiah in a few weeks. She is nearly seventy years old. A cradle made of the finest material has been ordered by a wealthy lady for the birth, and it has been on display for several days at the workshop of a prominent cabinet maker in Aldersgate Street. Hundreds of well-to-do people of both genders have come to see this cradle, which her followers believe will be where the true Messiah is rocked. Here’s a description we have received: 'A child's crib, three feet six inches by two feet, made of satin wood, with brass trellis, side and foot board; turned feet, carved and gilt, on casters; a swing cot inside that swings from the center; gilt moldings at each end, top and bottom for gold letters; a canopy cover with blue silk; carved and gilt underneath it, with a gold ball, dove, and olive branch; green stars at each corner, gilt; blue silk bedding; an embroidered heavenly crown with Hebrew characters in gold letters; a lamb’s wool mattress, with a white fustian duvet, down pillow, and two fine blankets.'"

HOUSEHOLD EXPENSES OF KING EDWARD THE FIRST.

HOUSEHOLD EXPENSES OF KING EDWARD THE FIRST.

Edward the First kept three Christmasses at Rhuddlan castle, in Flintshire; and it is a fact not generally known, that his queen Eleanor, exclusively of the young prince Edward, born at Caernarvon, was delivered of a princess there in 1283. This shows that his entire household must have been transferred into Wales, at the time his policy was directed to complete the annexation of the principality of Wales to that of England. In an ancient record in the tower of London, dated 1281-2, and translated by Samuel Lysons, Esq., is a curious roll of Edward's expenses when at Rhuddlan. It consists of four sheets, containing the particulars, under proper heads, of the sums of money paid for the maintenance of his household. The sum of the expenses in this roll is £1,395 10s., which sum, with the expenses of the other roll of the queen's household is £2,220 2s. 10-1/2d. The roll is very curious, but too long to be inserted here. We append the following as a specimen of the various items it contains:—

Edward the First spent three Christmases at Rhuddlan Castle in Flintshire. It’s not widely known that his queen, Eleanor, gave birth to a princess there in 1283, apart from the young prince Edward, who was born in Caernarvon. This indicates that his entire household must have relocated to Wales while he was working to fully annex the principality of Wales to England. An ancient record in the Tower of London, dated 1281-2 and translated by Samuel Lysons, Esq., features an interesting list of Edward's expenses during his time at Rhuddlan. It consists of four sheets that detail the amounts spent on his household’s maintenance. The total expenses in this record amount to £1,395 10s., and with the expenses from another record for the queen's household, the total comes to £2,220 2s. 10-1/2d. The record is fascinating, but it's too lengthy to include here. We provide the following as a sample of the various items included:—

Paid on the day of the queen's churching in oblations to mass £0 3 0
The queen's gift to divers minstrels attending her churching 10 0 0
The queen's gift to a female spy 0 1 0
A certain female spy, to purchase her a house as a spy 1 0 0
For the brethren at the hospital at Rhuddlan 0 1 1
For a certain player as a gift 0 8 0
For the celebration of mass for the soul of William de Bajor 0 1 10
For the messenger carrying letters to the king at London, to be sent to the court of Rome, for his expenses 0 1 0
Paid sundry bailiffs at the castle 0 4 10
For the carriage of 80 casks of wine from the water to the castle 0 22 0
For a cart bringing lances and cross bows from Ruthlan to Hope 0 1 4
For the carriage of £3,000 from the king's wardrobe to the queen's wardrobe 0 10 5
For 600 turves, to place about the queen's stew pond in the castle 0 1 0
Carriage of figs and raisins to Aberconway 0 0 1
Paid wages for 1,060 archers at twopence, with 53 captains at fourpence, with 10 constables of cavalry at 12d. a day 68 8 6
Paid the same for 1,040 archers, &c. &c. 67 4 0

GARRICK'S CUP.

Garrick's Trophy.

Garrick's Cup

This celebrated Shakspearean relic was presented to David Garrick, by the Mayor and Corporation of Stratford-upon-Avon, in September, 1769, at the Jubilee which he instituted in honour of his favourite Bard. It measures about 11 inches in height. The tree from which it is carved was planted by Shakspeare's own hand, in the year 1609, and after having stood 147 years, was, in an evil hour, and when at its full growth and remarkably large, cut down, and cleft to pieces for fire-wood, by order of the Rev. Francis Gastrell, to whom it had become an object of dislike, from its subjecting him to the frequent importunities of travellers. Fortunately, the greater part of it fell into the possession of Mr. Thomas Sharp, a watchmaker of Stratford, who, "out of sincere veneration" for the memory of its immortal planter, and well knowing the value the world set upon it, converted the fragments to uses widely differing from that to which they had been so sacrilegiously condemned. Garrick held this cup in his hand at the Jubilee, while he sung the beautiful and well-known air, which he had composed for the occasion, beginning

This famous Shakespearean relic was given to David Garrick by the Mayor and Corporation of Stratford-upon-Avon in September 1769, during the Jubilee he organized in honor of his favorite Bard. It stands about 11 inches tall. The tree from which it is carved was planted by Shakespeare himself in 1609, and after standing for 147 years, it was, unfortunately, cut down and chopped into firewood by Rev. Francis Gastrell, who disliked it because it brought him constant solicitations from travelers. Luckily, most of it ended up with Mr. Thomas Sharp, a watchmaker in Stratford, who, “out of sincere veneration” for the memory of its legendary planter and knowing the world’s appreciation for it, repurposed the pieces for very different uses than those they had been so disrespectfully assigned. Garrick held this cup in his hand at the Jubilee while singing the beautiful and well-known tune he had composed for the occasion, beginning

"Behold this fair goblet, 'twas carved from the tree,
Which, O my sweet Shakspeare, was planted by thee;
As a relic I kiss it, and bow at the shrine,
What comes from thy hand must be ever divine!
All shall yield to the Mulberry tree,
Bend to thee,
Blest Mulberry;
Matchless was he
Who planted thee,
And thou like him immortal be!"

QUICK WORK.

Quick job.

Mr. John Coxetter, of Greenham Mills, Newbury, had two South down sheep shorn at his factory exactly at five o'clock in the morning, from the wool of which, after passing its various processes, a complete [Pg 233] damson coloured coat was made, and worn by Sir John Throckmorton, at a quarter past six in the evening, being two and three-quarter hours within the time allotted, for a wager of 1,000 guineas. The sheep were roasted whole, and a sumptuous dinner given by Mr. Coxetter.

Mr. John Coxetter, from Greenham Mills, Newbury, had two Southdown sheep sheared at his factory precisely at five o'clock in the morning. From the wool, after going through various processes, a complete [Pg 233] damson-colored coat was made, which was worn by Sir John Throckmorton at a quarter past six in the evening, finishing two hours and forty-five minutes ahead of schedule, for a bet of 1,000 guineas. The sheep were roasted whole, and Mr. Coxetter hosted a lavish dinner.

ORIGIN OF THE GREAT WALL OF CHINA.

ORIGIN OF THE GREAT WALL OF CHINA.

Great Wall of China

As has been invariably the case in the early history of all the leading nations of the earth, great confusion and civil discord existed in the empire of China in its first stages. It was divided into petty princedoms, each prince striving to outwit the other, and all anxiously aiming at the supreme power of the land, till the Emperor Chi-hoang-ti, who came to the throne about three hundred years before the Christian era, conquered the whole of the jealous petty princes, and united their states into one vast empire. But no sooner had he achieved this, than the Tartars began to be troublesome, and, hoping effectually to exclude their invasions, this emperor caused to be constructed the often-read-of great wall of China, a stupendous work of masonry, extending from the sea to the western province of Shensee and carried over a tract of fifteen hundred miles, comprising high mountains, deep valleys, and broad rivers, the wall being supported over the latter by gigantic arches. Fortified towers were erected at every hundred yards, and its summit admitted of six horsemen riding abreast. This sovereign is said to be the founder of the Hau dynasty. The wall proved an insignificant [Pg 234] barrier to the Huns or Tartars, who harassed the princes of the Hau dynasty, and were a very scourge to the farmers of the frontier provinces. About the year 264, the Hau dynasty gave way to the Tsin, which latter was founded by a lineal descendant, through many generations, of the builder of the great wall. In the sketch which we have given, our chief object has been to show the extraordinary inflexibility of the Chinese in carrying their wall strictly along their frontier line, in spite of the stupendous obstacles which, intervened in the shape of mountains and valleys.

As has been the case in the early history of all the major nations around the world, there was great confusion and civil strife in China during its initial stages. It was split into small princedoms, with each prince trying to outsmart the others, all eager to gain control over the land. Then came Emperor Chi-hoang-ti, who took the throne about three hundred years before the Common Era, conquered all the envious petty princes, and united their states into one massive empire. However, shortly after achieving this, the Tartars started to become a problem, and in an effort to effectively keep their invasions at bay, this emperor ordered the construction of the famous Great Wall of China, an incredible masonry feat stretching from the sea to the western province of Shensee over a distance of fifteen hundred miles, crossing high mountains, deep valleys, and wide rivers, with the wall being supported across the rivers by enormous arches. Fortified towers were built every hundred yards, and the top of the wall was wide enough for six horsemen to ride side by side. This ruler is considered the founder of the Hau dynasty. The wall turned out to be an ineffective barrier against the Huns or Tartars, who troubled the princes of the Hau dynasty and posed a significant threat to the farmers in the border provinces. Around the year 264, the Hau dynasty fell to the Tsin, which was established by a direct descendant, through many generations, of the builder of the Great Wall. In this overview, our main goal has been to highlight the remarkable determination of the Chinese in constructing their wall strictly along their border, despite the immense challenges posed by mountains and valleys.

PRIVY PURSE EXPENSES OF CHARLES II.

PRIVY PURSE EXPENSES OF CHARLES II.

Malone, the well known editor of Shakespeare, possessed a curious volume—an account of the privy expenses of Charles II, kept by Baptist May. A few extracts from this MS., taken from Malone's transcripts, are here offered:—

Malone, the famous editor of Shakespeare, had an interesting book—an account of the private expenses of Charles II, maintained by Baptist May. Here are a few excerpts from this manuscript, taken from Malone's copies:—

  £ s. d.
My Lord St. Alban's bill 1,746 18 11
Lady Castlemaine's debts 1,116 1 0
Sir R. Viner, for plate 850 0 0
For grinding cocoa-nuts 5 8 0
Paid Lady C., play money 300 0 0
For a band of music 50 0 0
To the footman that beat Teague 5 7 6
To Mr. Pears, for the charges of a body dissected before the king 5 1 0
Lady C., play money 300 0 0
To the Morrice Dancers at Ely 1 1 0
Lady C., play money 300 0 0
Mr. Knight for bleeding the king 10 10 0
For a receipt of chocolate 227 0 0
Mr. Price, for milking the asses 10 0 0
To one that showed tumblers' tricks 5 7 6
For weighing the king 1 0 0
Paid Hall for dancing on the rope 20 0 0
The Queen's allowance 1,250 0 0
Paid Lord Lauderdale for ballads 5 0 0
To a bone-setter attending the Duchess of Monmouth 10 0 0
Paid Terry for waiting on the king swimming 10 0 0
For 3,685 ribbons for the healing 107 10 4
Mrs. Blague, the king's valentine 218 0 0
Nell Gwyn 100 0 0
Lost by the king at play on Twelfth-night 220 0 0
Paid what was borrowed for the Countess of Castlemaine 1,650 0 0

COLOUR OF THE HAT FOR CARDINALS.

COLOUR OF THE HAT FOR CARDINALS.

Innocent IV. first made the hat the symbol or cognizance of the cardinals, enjoining them to wear a red hat at the ceremonies and processions, in token of their being ready to spill their blood for Jesus Christ.

Innocent IV was the first to make the hat the symbol of the cardinals, instructing them to wear a red hat during ceremonies and processions, as a sign of their willingness to shed their blood for Jesus Christ.

SEVERITY OF THE LAWS A HUNDRED YEARS AGO.

SEVERITY OF THE LAWS A HUNDRED YEARS AGO.

Two lads were hanged for stealing a purse containing two shillings and a brass counter. Of ten criminals convicted at one sessions, four were hanged and six transported. Very often half a dozen were sentenced to death at a single sessions. On the 17th March, 1755, eight malefactors were hanged together at Tyburn. It was recorded as a matter of surprise, that, "only six convicts received sentence of death at Gloucester Assizes." One of these was a woman named Anne Ockley, who was executed on the following day, on the charge of murdering an illegitimate child. To the last she denied her guilt, except in not having called in medical advice [Pg 235] for her infant after a bad fall. She took the Sacrament, and begged for more time to prepare herself for the change; this favour being denied, she remained praying for two hours on the drop before she would give the signal.

Two young men were hanged for stealing a purse that contained two shillings and a brass token. Of ten criminals convicted in a single session, four were hanged and six were transported. Often, as many as six were sentenced to death in one session. On March 17, 1755, eight criminals were hanged together at Tyburn. It was noted with surprise that "only six convicts received a death sentence at Gloucester Assizes." One of these was a woman named Anne Ockley, who was executed the next day for murdering an illegitimate child. Until the end, she maintained her innocence, admitting only that she hadn’t sought medical help for her infant after a bad fall. She took the Sacrament and requested more time to prepare for her fate; when this request was denied, she prayed for two hours on the gallows before finally giving the signal. [Pg 235]

MARKING THE KING'S DISHES WITH THE COOK'S NAMES.

MARKING THE KING'S DISHES WITH THE COOK'S NAMES.

King George II. was accustomed every other year to visit his German dominions, with the greater part of the officers of his household, and especially those belonging to the kitchen. Once on his passage at sea, his first cook was so ill with the sea-sickness, that he could not hold up his head to dress his majesty's dinner; this being told to the king, he was exceedingly sorry for it, as he was famous for making a Rhenish soup, which his majesty was very fond of; he therefore ordered inquiry to be made among the assistant-cooks, if any of them could make the above soup. One named Weston (father of Tom Weston, the player) undertook it, and so pleased the king, that he declared it was full as good as that made by the first cook. Soon after the king's return to England, the first cook died; when the king was informed of it, he said, that his steward of the household always appointed his cooks, but that he would now name one for himself, and therefore asking if one Weston was still in the kitchen, and being answered that he was, "That man," said he, "shall be my first cook, for he makes most excellent Rhenish soup." This favour begot envy among all the servants, so that, when any dish was found fault with, they used to say it was Weston's dressing: the king took notice of this, and said to the servants, it was very extraordinary that every dish he disliked should happen to be Weston's; "In future," said he, "let every dish be marked with the name of the cook that makes it." By this means the king detected their arts, and from that time Weston's dishes pleased him most.

King George II was used to visiting his German territories every other year, along with most of his household staff, especially the kitchen crew. Once, while at sea, his head chef was so seasick that he couldn't even lift his head to prepare the king's dinner. When the king heard this, he felt very sorry since the chef was known for making a Rhenish soup that the king loved. So, he asked the assistant cooks if any of them could make the soup. A cook named Weston (father of Tom Weston, the actor) took on the task and impressed the king so much that he declared it was just as good as the first chef's. Shortly after the king returned to England, the head chef passed away. When the king learned of this, he said that his household steward usually appointed the cooks, but now he would choose one himself. He inquired if Weston was still in the kitchen, and upon learning he was, he declared, "That man shall be my head chef, for he makes the most excellent Rhenish soup." This favoritism caused jealousy among the other staff, and whenever any dish was criticized, they would claim it was Weston's cooking. The king noticed this and remarked that it was strange how every dish he disliked was supposedly Weston's. "From now on," he said, "let every dish be labeled with the name of the cook who made it." This way, the king uncovered their scheming, and from that point on, Weston's dishes pleased him the most.

This custom was kept up till late in the reign of George III.

This custom continued until the late years of George III's reign.

PARLOUS DAYS.

Dangerous times.

Bloodletting, considered during the last century to be necessary for every one in health or not, at spring and fall, was an operation performed by the country surgeons on the labourers on a Sunday morning, at a charge of 6d. each. Bleeding in bed by a barber was, in the reign of Charles II., sometimes charged, for a lady, so high as 10s., and for a gentleman, 1s. and 2s. 6d. The operator perhaps barboured the patient at an additional charge. Barbouring by the year was charged 16s. Superstition had marked certain days in each month as dangerous for bloodletting, which were called parlous days. In July, the 1st, 7th, 13th, 12th, 25th, and 20th were of the above kind.

Bloodletting, which was seen as essential for everyone’s health, whether well or unwell, in the last century, was done by local surgeons on laborers every spring and fall, costing 6d. each. Bleeding in bed by a barber during the reign of Charles II. could cost a lady as much as 10s., while a gentleman would pay between 1s. and 2s. 6d. The barber might also groom the patient for an extra fee. Annual grooming services were charged at 16s. Superstition designated specific days each month as risky for bloodletting, referred to as parlous days. In July, those days included the 1st, 7th, 13th, 12th, 25th, and 20th.

As the whole population had recourse to bloodletting twice a year, bleeders or barbers were in constant demand.

As the entire population resorted to bloodletting twice a year, bleeders or barbers were always in high demand.

A FUNERAL APPROPRIATELY CONDUCTED.

A well-organized funeral.

During the year 1700, the minister of a parish in Kent was interred at the age of 96 years; the gentleman who preached his funeral sermon was [Pg 236] 82; he who read the service 87; the clerk of the parish was the same age; the sexton was 86; in addition to which list of aged persons, there were several present from the adjacent parishes 100 years old each, and upwards.

During the year 1700, a parish minister in Kent was buried at the age of 96. The man who delivered his funeral sermon was [Pg 236] 82; the one who read the service was 87; the parish clerk was the same age; the sexton was 86; and, in addition to this list of elderly individuals, there were several others present from nearby parishes who were each 100 years old or older.

ANCIENT NUT-CRACKERS.

OLD SCHOOL NUT CRACKERS.

Ancient Nut-Cracker

The two quaint instruments pictured in our engraving, of about the time of Charles I. or II., are made of hard wood rather rudely carved; and look as if in their time they had seen good service. The grotesque heads, with the mouth, affording the means of cracking the nuts, are examples of the fitness of design for a particular purpose, which characterize many of the objects in domestic use in the middle ages, and up to the reign of Queen Anne, after which ornamental art for household uses [Pg 237] seems almost to have been disused. Even in the time of George III., our chairs, tables, side-boards, &c., were made heavy, very ugly, and without any attempt at appropriate pattern.

The two charming instruments shown in our engraving, from around the time of Charles I or II, are made of hard wood and roughly carved; they look like they were well-used in their time. The quirky heads, which include a mouth for cracking nuts, demonstrate a design that's well-suited for its purpose, a feature seen in many household items from the Middle Ages up through the reign of Queen Anne. After that, it seems decorative art for everyday use was almost abandoned. Even during the time of George III, our chairs, tables, sideboards, etc., were heavy, quite unattractive, and lacked any thoughtful design. [Pg 237]

NELL GWYNNE'S LOOKING-GLASS.

Nell Gwynne's Mirror.

Bell Gwynne's Looking Glass

This glass is in the possession of Sir Page Dicks, of Port Hall. It bears the likeness of Nell Gwynne and King Charles, which are modelled in wax; and also the supporters, or crest, which Nell assumed, namely, the lion and the leopard. The whole is curiously worked in coloured glass beads, and the figures, with the dresses, made to project in very high relief; indeed, they are merely attached to the groundwork. In the upper compartment is Charles in his state dress; and the bottom one, that of Nell Gwynne, in her court dress—the pattern of which is [Pg 238] very tasteful. On the right is Charles in his hunting dress. The beads have retained their colours, which are very appropriate to the subject, and must have been a work of considerable time and patience; but whether done by Nell or not, there is no record.

This glass is owned by Sir Page Dicks of Port Hall. It features the likeness of Nell Gwynne and King Charles, crafted from wax, along with the supporters or crest that Nell adopted, which are the lion and the leopard. The entire piece is intricately made with colored glass beads, and the figures, including their outfits, are designed to stand out in high relief; they are essentially just attached to the base. In the top section, Charles is depicted in his formal attire, while in the bottom section, Nell Gwynne is shown in her court dress—the design of which is [Pg 238] very elegant. On the right, Charles is in his hunting outfit. The beads have kept their colors, which are quite fitting for the theme, and it must have taken a lot of time and effort to create; however, there’s no record of whether Nell was the one who made it.

A REMARKABLE HIGHLANDER.

A Remarkable Highlander.

In August, 1827, John Macdonald expired in his son's house, in the Lawnmarket, Edinburgh, at the advanced age of one hundred and seven years. He was born in Glen Tinisdale, in the Isle of Skye, and, like the other natives of that quarter, was bred to rural labour. Early one morning in his youth, when looking after his black cattle, he was surprised by the sight of two ladies, as he thought, winding slowly round a hill, and approaching the spot where he stood. When they came up, they inquired for a well or stream, where a drink of water could be obtained. He conducted them to the "Virgin Well," an excellent spring, which was held in great reverence on account of its being the scene of some superstitious and legendary tales. When they had quenched their thirst, one of the ladies rewarded Macdonald with a shilling, the first silver coin of which he was possessed. At their own request he escorted them to a gentleman's house at some distance, and there, to his great surprise and satisfaction, he learned that the two "ladies" were Flora Macdonald and Prince Charles Stewart.

In August 1827, John Macdonald passed away at his son's house in the Lawnmarket, Edinburgh, at the remarkable age of 107. He was born in Glen Tinisdale on the Isle of Skye and, like others from that area, was raised to do rural work. One early morning during his youth, while looking after his black cattle, he was surprised to see two ladies, as he thought, slowly making their way around a hill towards him. When they reached him, they asked for a well or stream where they could get a drink of water. He took them to the "Virgin Well," a great spring that was held in high regard because of some superstitious and legendary stories connected to it. After they quenched their thirst, one of the ladies rewarded Macdonald with a shilling, the first silver coin he had ever owned. At their request, he then accompanied them to a gentleman's house a bit further away, and to his great surprise and delight, he learned that the two "ladies" were Flora Macdonald and Prince Charles Stewart.

This was the proudest incident in Macdonald's patriarchal life; and, when surrounded by his Celtic brethren, he used to dilate on all the relative circumstances with a sort of hereditary enthusiasm, and more than the common garrulity of age. He afterwards turned joiner, and bore a conspicuous part in the building of the first Protestant church which was erected in the island of North Uist. He came to Edinburgh twenty-three years before his death, and continued to work at his trade till he was ninety-seven years of age.

This was the proudest moment in Macdonald's life as a patriarch; when he was with his Celtic friends, he would talk excitedly about all the related details with a kind of inherited passion, and more than the usual chatteriness of old age. He later became a carpenter and played a significant role in building the first Protestant church on the island of North Uist. He moved to Edinburgh twenty-three years before he died and kept working at his trade until he was ninety-seven years old.

Macdonald was a temperate, regular-living man, and never paid a sixpence to a surgeon for himself, nor had an hour's sickness in the whole course of his life. He used to dance regularly on New-year's day, along with some Highland friends, to the bagpipe. On New-year's day, 1825, he danced a reel with the father, the son, the grandson, and great-grandson, and was in more than his usual spirits. His hearing was nothing impaired, and till within three weeks of his demise he could have threaded the finest needle with facility, without glasses.

Macdonald was a healthy, disciplined man who never spent a dime on a doctor for himself and didn't experience a single hour of sickness in his entire life. Every New Year's Day, he would dance to the bagpipes with some Highland friends. On New Year's Day, 1825, he danced a reel with his father, son, grandson, and great-grandson, and was in higher spirits than usual. His hearing was perfectly fine, and up until three weeks before he passed away, he could easily thread the finest needle without glasses.

CATS WITH KNOTTED TAILS.

Cats with knotted tails.

We extract the following paragraph from the narrative of a voyager in the Indian Ocean, because it contains an account of a rarity in natural history with which few, we believe, are acquainted.

We take the following paragraph from the story of a traveler in the Indian Ocean because it includes a description of a rare phenomenon in natural history that, we believe, few people are familiar with.

"The steward is again pillowed on his beloved salt fish, and our only companion is a Malacca cat, who has also an attachment for the steward's pillow. Puss is a tame little creature, and comes rubbing herself mildly against our shoes, looking up in our faces, and mewing her thoughts. Doubtless she is surprised that you have been so long looking at her without noticing the peculiarity in her tail, which so much distinguishes [Pg 239] her from the rest of the feline race in other quarters of the globe. Take her up in your lap, and see for yourself. Did you ever observe such a singular knot—so regular, too, in its formation? Some cruel monster must have tied it in a knot whilst puss was yet a kitten, and she has outlived both the pain and inconvenience. But here comes a kitten, all full of gambols and fun, and we find that her tail is in precisely the same condition. So, then, this is a remarkable feature amongst the whole race of Malayan cats, but for which, no one we meet with, is able to give us a satisfactory explanation."

"The steward is once again resting on his favorite salt fish pillow, and our only companion is a Malacca cat, who also has a fondness for the steward's pillow. The little cat is friendly, rubbing against our shoes, looking up at us, and meowing her thoughts. She’s probably surprised that you've been staring at her for so long without noticing the unique feature of her tail, which really sets her apart from other cats around the world. Pick her up in your lap and see for yourself. Have you ever seen such a peculiar knot—so perfectly formed? Some cruel person must have tied it in a knot when she was just a kitten, and she has lived on despite both the pain and inconvenience. But here comes a kitten, full of energy and play, and we see that her tail is in exactly the same condition. So, this must be a distinctive trait among all Malayan cats, yet no one we meet can provide a clear explanation."

CURIOUS FEATS.

Cool tricks.

In 1553, the following extraordinary exhibition was performed in the presence of Queen Mary, in her passage through London to Westminster.—It is thus described by Holinshed, in his "Chronicle," printed 1577:—"When shee didd come to Sainte Paule's churchyarde, Maister Haywood sat in a pageant under a vine, and made to her an oration in Latine; and then there was one Peter, a man of Holland, who didd stand upon the weathercocke of St. Paule's steeple, holdyng a streamer in his handes of five yardes long, and waving thereof. Hee sometimes stood on one foot and shock the other, and then hee kneeled on his knees to the verie grate marvel of al the people. Hee hadd made two scaffolds under him—one above the cross, having torches and streamers sett upon it, and another over the ball of the cross, likewise sett with streamers and torches which could not burne, the wind was so greate." Our chronicler further informs us, that "Peter didd have xvi pounds xiii shillings and iii pence given to him by the citie of London for his costes and pains, and for all his stuffe."

In 1553, the following extraordinary event took place in front of Queen Mary as she passed through London to Westminster. Holinshed describes it in his "Chronicle," published in 1577: "When she arrived at St. Paul's churchyard, Master Haywood was seated in a pageant under a vine and delivered a speech to her in Latin. Then there was a man named Peter from Holland, who stood on the weathercock of St. Paul's steeple, holding a five-yard-long streamer and waving it. He sometimes balanced on one foot and shook the other, and then he knelt down to the great amazement of the crowd. He had built two scaffolds beneath him—one above the cross, with torches and streamers on it, and another over the ball of the cross, also decorated with streamers and torches that couldn't catch fire because the wind was so strong." Our chronicler also informs us that "Peter received sixteen pounds, thirteen shillings, and three pence from the city of London for his expenses and efforts, as well as for all his equipment."

IMPUDENCE OR CANDOUR, WHICH IS IT?

IMPUDENCE OR CANDOR, WHICH IS IT?

The following advertisement appeared in the St. James's Chronicle of 1772. "Wanted immediately, fifteen hundred, or two thousand pounds, by a person not worth a groat; who, having neither houses, land, annuities, or public funds, can offer no other security than that of simple bond, bearing simple interest, and engaging the repayment of the sum borrowed in five, six, or seven years, as may be agreed on by the parties. Whoever this may suit, (for it is hoped it will suit somebody), by directing a line for A. Z. in Rochester, shall be immediately replied to, or waited on, as may appear necessary."

The following advertisement appeared in the St. James's Chronicle of 1772. "Looking for immediate funding of fifteen hundred to two thousand pounds from someone without any assets. This person has no houses, land, annuities, or public funds and can only offer a simple bond as security, with basic interest. The repayment of the borrowed amount will be made within five, six, or seven years, as agreed upon by both parties. If this interests you (and we hope it does), please send a message to A. Z. in Rochester, and we will respond or meet with you as needed."

THE SOUTH STACK LIGHTHOUSE.

South Stack Lighthouse.

South Stack Lighthouse

Though not so celebrated as the Eddystone, the South Stack Lighthouse is unquestionably one of the marvels of science, and as such may be appropriately described in our pages. It is erected on the summit of an isolated rock, three or four miles westward from Holyhead, and separated from the main land by a chasm ninety feet in width. This splendid structure was raised in the year 1808. The elevation of the summit of the rock on which it is erected is 140 feet above the level of the sea at high-water mark; the height of the tower, from the base to the gallery, is sixty feet; and the lantern is twelve feet high from the [Pg 240] gallery; making the total elevation of the light 212 feet above high-water mark. The light is produced by twenty-one brilliant lamps, with powerful reflectors, placed on a revolving triangular frame, displaying a full-faced light every two minutes, which, in clear weather, is distinctly visible at a distance of ten leagues. Latterly there has been an addition of three red lights placed at the rock, which are more distinctly visible in foggy weather than the lighthouse lights. The rough sea caused by the strong tides about the head rendered the communication by boat very precarious. In order to obviate the danger, a passage was contrived by means of two ropes thrown across the gulf, along which the individual was drawn in a box or cradle, by the assistance of pulleys affixed at each end. This plan was superseded by a bridge of ropes, which was used some years after, though always considered unsafe, on account of the constant wear of the ropes. In 1827, a modern suspension chain-bridge was thrown over the sound, the span of which is 110 feet, the chains being firmly bolted in the rock on each side, and carried over two massive stone pillars erected for the purpose. The chain supports a platform of timber five feet wide, and seventy feet above high-water mark. The bridge is attained by descending the Holyhead mountain in a zigzag direction by a flight of 380 steps.

Though not as famous as the Eddystone, the South Stack Lighthouse is definitely one of the wonders of science and deserves to be featured in our pages. It stands atop an isolated rock about three or four miles west of Holyhead, separated from the mainland by a chasm that is ninety feet wide. This impressive structure was built in 1808. The top of the rock it sits on is 140 feet above the high-water mark, the tower is sixty feet tall from the base to the gallery, and the lantern is twelve feet high from the [Pg 240] gallery; giving a total height of 212 feet above the high-water mark. The light is generated by twenty-one bright lamps with powerful reflectors, arranged on a revolving triangular frame, producing a full light every two minutes, which can be seen in clear weather from ten leagues away. Recently, three red lights were added at the rock, which are more visible in foggy weather than the lighthouse lights. The rough seas caused by strong tides at the head made boat communication very risky. To avoid danger, a method was created using two ropes thrown across the gulf, allowing people to be pulled in a box or cradle with the help of pulleys at each end. This was later replaced by a rope bridge, which was used for several years but always considered unsafe due to the constant wear on the ropes. In 1827, a modern suspension chain bridge was built across the sound, spanning 110 feet, with chains securely bolted into the rock on each side and supported by two massive stone pillars designed for this purpose. The chain holds up a wooden platform that is five feet wide and seventy feet above high-water mark. You reach the bridge by descending the Holyhead mountain in a zigzag path of 380 steps.

BRASS MEDAL OF OUR SAVIOUR.

BRASS MEDAL OF OUR SAVIOR.

In 1702, the late Rev. H. Rowlands, author of Mona Antiqua, while superintending the removal of some stones, near Aberfraw, Wales, for the purpose of making an antiquarian research, found a beautiful brass medal of our Saviour, in a fine state of preservation, which he forwarded to his friend and countryman, the Rev. E. Llwyd, author of the Archeologiæ Britannica, and at that time keeper of the Ashmolean library at Oxford.

In 1702, the late Rev. H. Rowlands, who wrote Mona Antiqua, was overseeing the removal of some stones near Aberfraw, Wales, to conduct some archaeological research. During this process, he discovered a beautiful brass medal of our Savior, which was well-preserved. He sent it to his friend and fellow Welshman, Rev. E. Llwyd, the author of Archeologiæ Britannica, who was then the keeper of the Ashmolean library at Oxford.

Brass Medals of Our Saviour

This medal, of which an engraving is subjoined, has on one side the figure of a head exactly answering the description given by Publius Lentulus of our Saviour, in a letter sent by him to the emperor Tiberius and the senate of Rome. On the reverse side, it has the following legend or inscription, written in Hebrew characters, "This is Jesus Christ, the Mediator or Reconciler;" or "Jesus, the Great Messias, or Man Mediator." And being found among the ruins of the chief Druids resident in Anglesea, it is not improbable that the curious relic belonged to some Christian connected with Brân the Blessed, who was one of Caractacus's hostages at Rome from A.D. 52 to 59, at which time the Apostle Paul was preaching the gospel of Christ at Rome. In two years afterwards, A.D. 61, the Roman General Suetonius extirpated all the Druids in the island. The following is a translation of the letter alluded to, a very antique copy of which is in the possession of the family of Kellie, afterwards Lord Kellie, now represented by the Earl of Mar, a very ancient Scotch family—taken from the original at Rome:—

This medal, which has an engraving shown below, features a head that perfectly matches the description given by Publius Lentulus of our Savior in a letter he sent to Emperor Tiberius and the Senate of Rome. On the back, it has the following inscription written in Hebrew characters: "This is Jesus Christ, the Mediator or Reconciler;" or "Jesus, the Great Messiah, or Man Mediator." Found among the ruins of the main Druids in Anglesea, it's quite possible this intriguing relic belonged to a Christian associated with Brân the Blessed, who was one of Caractacus's hostages in Rome from A.D. 52 to 59, during which time the Apostle Paul was preaching the gospel of Christ in Rome. Two years later, A.D. 61, the Roman General Suetonius eliminated all the Druids on the island. Below is a translation of the referenced letter, a very old copy of which is held by the Kellie family, later Lord Kellie, now represented by the Earl of Mar, a very ancient Scottish family—taken from the original in Rome:—

"There hath appeared in these our days, a man of great virtue, named Jesus Christ, who is yet living among us, and of the Gentiles is accepted as a prophet, but his disciples call him 'the Son of God.' He raiseth the dead, and cures all manner of diseases; a man of stature somewhat tall and comely, with very reverend countenance, such as the beholders both love and fear; his hair the colour of chesnut, full ripe, plain to his ears, whence downwards it is more orient, curling, and waving about his shoulders. In the midst of his head is a seam or a partition of his hair after the manner of the Nazarites; his forehead plain and very delicate; his face without a spot or wrinkle, beautified with the most [Pg 242] lovely red; his nose and mouth so formed that nothing can be reprehended; his beard thickish, in colour like his hair, not very long but forked; his look, innocent and mature; his eyes, grey, clear, and quick. In reproving, he is terrible; in admonishing, courteous and fair spoken; pleasant in conversation, mixed with gravity. It cannot be remarked that any one saw him laugh, but many have seen him weep. In proportion of body, most excellent; his hands and arms most delicate to behold. In speaking, very temperate, modest, and wise. A man, for his singular beauty, surpassing the children of men!"

"There has appeared in our time a man of great virtue named Jesus Christ, who is still living among us. The Gentiles accept him as a prophet, but his disciples call him 'the Son of God.' He raises the dead and heals all kinds of diseases; he is somewhat tall and handsome, with a very dignified appearance that both captivates and intimidates those who see him. His hair is the color of ripe chestnuts, straight to his ears, and from there downward it becomes more radiant, curling and waving around his shoulders. At the top of his head, there is a parting in his hair like that of the Nazarites; his forehead is smooth and very refined; his face is without blemish or wrinkle, adorned with a lovely shade of red; his nose and mouth perfectly shaped, leaving nothing to criticize. His beard is somewhat thick, the same color as his hair, not very long but pointed; his expression is innocent and mature; his eyes are gray, clear, and bright. When he reproves, he is intimidating; in advising, courteous and well-spoken; pleasant in conversation while maintaining seriousness. It's rarely noted that anyone has seen him laugh, but many have seen him weep. His body is excellently proportioned; his hands and arms are very delicate. When he speaks, he is very moderate, humble, and wise. A man whose singular beauty surpasses that of any other!"

The representation of this sacred person which is in the Bodleian library, somewhat resembles that of the print of this medal, when compared together. It was taken from a likeness engraved in agate, and sent as a present from the sultan for the release of his brother, who was taken prisoner. There is a well-executed drawing of this at the Mostyn library, much worse for age.

The depiction of this sacred figure that’s in the Bodleian library looks somewhat like the print of this medal when you compare them. It was created from a likeness engraved in agate and given as a gift from the sultan for the release of his brother, who had been captured. There's a nicely done drawing of this at the Mostyn library, but it has significantly deteriorated over time.

MONSTROUS HEAD-DRESS.

Giant Headdress.

Monstrous Head-Dress

At no period in the history of the world was anything more absurd in head-dress worn than that here depicted, which was in vogue with the fashionables of 1782. The body of this erection was formed of tow, over which the hair was turned, and false hair added in great curls, bobs, and ties, powdered to profusion; then hung all over with vulgarly-large rows of pearls, or glass beads, fit only to decorate a chandelier; flowers as obtrusive were stuck about this heap of finery, which was surmounted by broad silken bands and great ostrich-feathers, until the head-dress of a lady added three feet to her stature, and the male sex, to use the words of the Spectator, "became suddenly dwarfed beside her." To effect this, much time and trouble was wasted, and great personal annoyance was suffered. Heads, when properly dressed, "kept for three weeks," as the barbers quietly phrased it; that they would not really "keep" longer may be seen by the many recipes they give for the destruction of insects which bred in the flour and pomatum so liberally bestowed upon them. The description of "opening a lady's head," after a three weeks' dressing, given in the magazines of this period, it would be imagined, would have taught the ladies common sense; but fashion could reconcile even the disgust that must have been felt by all.

At no point in history has there been a more absurd headpiece than the one described here, which was popular among the fashionable in 1782. The base of this creation was made of tow, over which the hair was styled, with fake hair added in big curls, bobs, and ties, all heavily powdered. It was adorned with outrageously large strings of pearls or glass beads, more suitable for a chandelier than a hat. Flowers, equally showy, were stuck all over this pile of finery, which was topped with wide silk ribbons and large ostrich feathers, making the headpiece add three feet to a woman’s height, while men, in the words of the Spectator, “suddenly looked dwarfed beside her.” Achieving this look required a lot of time and effort, along with significant personal discomfort. When styled properly, heads would “last for three weeks,” as the barbers would say; that they wouldn't actually “last” any longer is evident from the numerous recipes they provided for eliminating the insects that thrived in the flour and pomade so generously applied to them. The magazines of the time offered descriptions of “opening a lady’s head” after three weeks of styling, which might have been expected to teach women some common sense; however, fashion could even overcome the disgust that everyone must have felt.

PRICE OF HUMAN HAIR.

COST OF HUMAN HAIR.

Long flaxen hair was bought from the head at 10s. the ounce, and any other fine hair at 5s. or 7s. the ounce in 1662.

Long blonde hair was sold for 10 shillings an ounce, and other fine hair was sold for 5 or 7 shillings an ounce in 1662.

Within the present century the heads of hair of whole families in [Pg 243] Devonshire were let out by the year at so much rent per poll. An Exeter perriwig maker went round periodically, cut the locks, and oiled the numskull of each thus left in stubble.

Within this century, the hair of entire families in [Pg 243] Devonshire was rented out annually at a price per head. A wig maker from Exeter would come around regularly, cut the hair, and style the bald heads of those left with stubble.

INTERESTING AND FANCIFUL RELIQUE.

Unique and whimsical artifact.

Interesting and Fanciful Relique

The enamelled jewel, of which we give an engraving, was presented by Mary, Queen of Scots, to George Gordon, fourth Earl of Huntley. The precise period at which the gift was made is not now known, though the time was not improbably during the residence of the Queen in France, when the Order of St. Michael was conferred on the Duke of Chatelherault, the Earl of Huntley, and several other Scottish nobles, about 1548. The lock of Mary's hair which is attached to the small ivory skull, is of a light auburn, inclining to a gold-colour; and if allowance be made for some fading in the course of years, and for the hair of the Queen having generally become darker as she advanced in life, the accuracy of Melvil will be confirmed, when, in speaking of her after her return to Scotland, he says, "her hair was light auburn; Elizabeth's more red than yellow." In this particular little reliance can be placed upon the portraits of Queen Mary; since it is well known, that in the latter part of her life, it was a fashionable practice to wear false hair of various hues, though in some of her pictures the colour of the locks is nearly similar to the hue of that represented in the present. The skull, from which it issues is connected by a twisted skein of silk with the figure of a Cupid shooting an arrow, standing on a heart enamelled red, transfixed with a dart. On one side the heart is a setting for a precious stone, now vacant; and, on the other, in white letters, the words "Willingly Wounded." From the point of the heart is a pendant, containing on one side a small ruby, and having the other enamelled blue with an ornament in white. Our engraving represents one side of the jewel, of the exact size of the original.

The enamelled jewel shown in our engraving was given by Mary, Queen of Scots, to George Gordon, the fourth Earl of Huntley. The exact time when this gift was made isn’t known, but it likely occurred when the Queen was in France, around 1548, during the bestowment of the Order of St. Michael to the Duke of Chatelherault, the Earl of Huntley, and other Scottish nobles. The lock of Mary’s hair attached to the small ivory skull is a light auburn color, leaning towards gold; and if we consider some fading over the years and the fact that the Queen’s hair darkened as she aged, Melvil’s description holds true when he mentions her after returning to Scotland, stating, “her hair was light auburn; Elizabeth's more red than yellow.” In this respect, we can’t fully trust the portraits of Queen Mary; it’s well known that during the later part of her life, wearing false hair in various colors was in vogue, although in some of her paintings, the color of her locks closely resembles that of the hair we see now. The skull where the hair comes from is linked by a twisted silk thread to a Cupid figure shooting an arrow, standing on a heart enamelled red, which is pierced by a dart. One side of the heart has a setting for a precious stone, which is now empty, and on the other side, in white letters, are the words "Willingly Wounded." From the point of the heart hangs a pendant, which has a small ruby on one side and is blue enamelled with a white ornament on the other. Our engraving showcases one side of the jewel, exactly the same size as the original.

FASTIDIOUSNESS IN DRESS AT AN OLD AGE.

FASTIDIOUSNESS IN DRESS AT AN OLD AGE.

Jonn Benbow, of Northwood, in the parish of Prees, Salop, died 1806, aged 107. His occupation was that of a maker of clocks and watches. [Pg 244] His steadiness of hand, clearness of intellect, and complete command of all his faculties, were such that, till within a very few years of his decease, he was enabled to execute the most intricate and delicate manipulations connected with his business. He lived in three centuries; and, at the time of his decease, had a son, a grandson, and several great-grandchildren, living in the house with him. He was remarkable for industry, sobriety, early rising, and soon retiring to rest, and was universally respected for his integrity and ingenuity. His favourite beverage was "small beer" brewed of molasses. To the very close of his life he was remarkable for his extreme attention to his dress and everything relating to his personal appearance, as will be seen by the following anecdote. About three years before his death, his tailor brought him home a new coat; on examining which he discovered that the man, either through not being provided with the necessary material or inadvertence, had substituted a cloth collar for a velvet one, which he was accustomed to have added to his garment. Mortified at this circumstance, and learning that the tailor had not velvet of the necessary quality by him, he took up his walking-stick and straitway went off to Whitchurch, a distance of seven miles, to purchase the materials proper to make a new collar, and, to the astonishment of all his family, returned home in a few hours.

Jonn Benbow, from Northwood in the parish of Prees, Salop, died in 1806 at the age of 107. He was a clock and watchmaker. [Pg 244] His steady hands, clear mind, and full control of all his abilities allowed him to perform the most complex and delicate tasks related to his trade until just a few years before he passed away. He lived through three centuries and, at the time of his death, had a son, a grandson, and several great-grandchildren living with him. He was known for his hard work, sobriety, early rising, and going to bed early, and he was widely respected for his honesty and skill. His favorite drink was "small beer" made from molasses. Even at the end of his life, he paid great attention to his clothing and personal appearance, as the following story illustrates. About three years before he died, his tailor delivered a new coat. Upon inspection, he noticed that the tailor had mistakenly used a cloth collar instead of the customary velvet collar due to either a lack of material or an oversight. Upset by this, and learning the tailor didn't have the right quality of velvet, he grabbed his walking stick and immediately set off to Whitchurch, seven miles away, to buy the right materials for a new collar, astonishing his family by returning home just a few hours later.

SUPERSTITION OF THE JAVANESE.

Javanese Superstitions.

Nowhere has superstition a greater power over the human mind than among the inhabitants of Java.

Nowhere does superstition have a greater influence over people's minds than among the people of Java.

When the proper chord is touched, there is scarcely anything too gross for the belief of these islanders. Mr. Crawfurd relates that some years since, it was almost accidentally discovered, that the skull of a buffalo was superstitiously conveyed from one part of the island to another. The point insisted upon was, never to let it rest, but to keep it in constant progressive motion. It was carried in a basket, and no sooner was one person relieved from the load than it was taken up by another; for the understanding was, that some dreadful imprecation was denounced against the man who should let it rest. In this manner, the scull was hurried from one province to another, and after a circulation of many hundred miles, at length reached the town of Samarang, the Dutch governor of which seized it and threw it into the sea, and thus the spell was broken. The Javanese expressed no resentment, and nothing further was heard of this unaccountable transaction. None could tell how or where it originated.

When the right chord is struck, there's hardly anything too outrageous for these islanders to believe. Mr. Crawfurd reports that some years ago, it was almost accidentally discovered that the skull of a buffalo was superstitiously transported from one part of the island to another. The key point was to never let it come to rest, but to keep it in constant motion. It was carried in a basket, and as soon as one person was relieved of the load, another picked it up; the belief was that a terrible curse would be placed on anyone who let it stop. In this way, the skull was rushed from one province to another, and after traveling many hundreds of miles, it eventually reached the town of Samarang, where the Dutch governor seized it and threw it into the sea, thereby breaking the spell. The Javanese showed no anger, and nothing more was ever mentioned about this strange event. No one could explain how or where it all started.

The same writer relates a still more extraordinary instance of infatuation. During the occupation of Java by the English, in the month of May 1814, it was unexpectedly discovered, that, in a remote but populous part of the island, a road, leading to the top of the mountain of Sumbeng, one of the highest in Java, had been constructed. An enquiry being set on foot, it was discovered that the delusion which gave rise to the work had its origin in the province of Banyunas, in the territories of the Susunan, and that the infection had spread to the territory of the Sultan, and thence extended to that of the Europeans. On examination [Pg 245] a road was found constructed twenty feet broad, and from fifty to sixty miles long, and it was wonderfully smooth and well made. One point which appears to have been considered necessary, was, that this road should not cross rivers, and in consequence it wound in a thousand ways. Another point as peremptorily insisted on was, that its straight course should not be interrupted by any private rights; and in consequence trees and houses were overturned to make way for it. The population of whole districts, occasionally to the amount of five or six thousand labourers, were employed on the road, and, among a people disinclined to active exertion the laborious work was nearly completed in two months—such was the effect of the temporary enthusiasm with which they were inspired. It was found in the sequel that the whole work was set in motion by an old woman, who dreamt, or pretended to have dreamt, that a divine personage was about to descend from heaven on the mountain in question. Piety suggested the propriety of constructing a road to facilitate his descent; and it was rumoured that divine vengeance would pursue the sacrilegious person who refused to join in the meritorious labour. These reports quickly wrought on the fears and ignorance of the people, and they heartily joined in the enterprise. The old woman distributed slips of palm-leaves to the labourers, with magic letters written upon them, which were charms to secure them against sickness and accidents. When this strange affair was discovered by the native authorities, orders were issued to desist from the work, and the inhabitants returned without a murmur to their wonted occupations.

The same writer shares an even more astonishing case of obsession. During the English occupation of Java in May 1814, it was unexpectedly found that, in a remote but densely populated area of the island, a road had been built leading up to the summit of Mount Sumbeng, one of the tallest mountains in Java. Upon investigation, it was revealed that the delusion that sparked the construction originated in the province of Banyunas, within the territories of the Susunan, and that this frenzy had spread to the Sultan's territory and subsequently to that of the Europeans. Upon examination, [Pg 245] a road was discovered, measuring twenty feet wide and fifty to sixty miles long, and it was remarkably smooth and well-constructed. One key requirement seemed to be that this road should not cross any rivers, leading it to wind in countless directions. Another strict condition was that its straight path should not be obstructed by any private property; as a result, trees and houses were removed to clear the way. Entire districts, sometimes employing five or six thousand laborers, were engaged in the construction, and, despite their usual reluctance to work hard, the laborious task was nearly finished in two months—such was the impact of the temporary enthusiasm that inspired them. Ultimately, it was discovered that the entire initiative was sparked by an old woman who dreamed, or claimed to have dreamed, that a divine figure was about to descend from heaven onto that mountain. Piety led to the idea of building a road to aid his descent; rumors spread that divine retribution would befall anyone who refused to participate in this noble effort. These stories quickly played on the fears and ignorance of the people, prompting them to eagerly join the project. The old woman distributed slips of palm leaves to the workers, inscribed with magical letters that were charms to protect them from illness and accidents. When this bizarre situation was discovered by the local authorities, orders were given to stop the work, and the inhabitants returned to their usual activities without complaint.

SIZE OF THE BRITISH ISLANDS.

SIZE OF THE BRITISH ISLES.

The exact size of our own country is a legitimate object of curiosity. We believe the following will be found strictly accurate:—

The exact size of our country is a genuine topic of interest. We believe the following will be completely accurate:—

The area of England is estimated at 31,929,340 acres.
" Wales 4,320,000 "
" Scotland 16,240,000 "
" S. Isles adjacent to the coast 1,055,080 "
" W. Isles 851,200 "
" Orkneys 153,606 "
" Shetlands 643,840 "

CASE CONTAINING THE HEART OF LORD EDWARD BRUCE.

CASE CONTAINING THE HEART OF LORD EDWARD BRUCE.

Case Containing the Heart of Lord Edward Bruce

Lord Edward Bruce was eldest son of Sir Edward, baron of Kinloss, so created by James I. in 1603, to whom the king gave the dissolved abbey of Kinloss, in Ayrshire, after he had been instrumental in his succession to the crown of England; whither accompanying the king, he was made master of the Rolls in 1604, died in 1610, and was buried in the Rolls chapel. His son, the lord Edward, killed in duel by Sir Edward Sackville in 1613, was succeeded by his brother, who was created Earl of Elgin in 1633, and an English baron in 1641.

Lord Edward Bruce was the eldest son of Sir Edward, Baron of Kinloss, who was appointed by James I in 1603. The king granted him the dissolved abbey of Kinloss in Ayrshire after Sir Edward played a key role in James's rise to the English throne. Accompanying the king, he became Master of the Rolls in 1604 and passed away in 1610, being buried in the Rolls chapel. His son, Lord Edward, was killed in a duel by Sir Edward Sackville in 1613, and he was succeeded by his brother, who was made Earl of Elgin in 1633 and an English baron in 1641.

Sir Edward Sackville, by whose hand the Lord Edward Bruce fell, was younger brother to Richard Sackville, Earl of Dorset, on whose death he succeeded to the title. He was lord president of the council, a joint lord keeper, and filled several other distinguished offices under Charles I., [Pg 246] to whom he adhered, by whose side he fought at the battle of Edge-hill, and whose death he took so much to heart, that he never afterwards stirred out of his house in Salisbury-court, but died there on the 17th of July, 1652.

Sir Edward Sackville, who was responsible for the death of Lord Edward Bruce, was the younger brother of Richard Sackville, Earl of Dorset, and inherited the title upon Richard's death. He served as the lord president of the council, a joint lord keeper, and held several other prominent positions under Charles I., [Pg 246] to whom he remained loyal, fighting alongside him at the battle of Edgehill. His grief over Charles's death was so profound that he never left his house in Salisbury Court again, and he passed away there on July 17, 1652.

Between these noblemen there arose a quarrel, which terminated in their duel; and all that is, or probably can be known respecting it, is contained in the following correspondence, preserved in a manuscript in Queen's college library, Oxford.

Between these noblemen, a dispute broke out that ended in their duel; and everything that is, or likely can be known about it is included in the following correspondence, kept in a manuscript at Queen's College Library, Oxford.

A Monsieur, Monsieur Sackvile.

To Mr. Sackvile.

"I that am in France, hear how much you attribute to yourself in this time, that I have given the world leave to ring your praises; and for me, the truest almanack, to tell you how much I suffer. If you call to memory, when as I gave you my hand last, I told you I reserved the heart for a truer reconcilliation. Now be that noble gentleman, my love once spoke, and come and do him right that could recite the tryals you owe your birth and country, were I not confident your honour gives you the same courage to do me right, that it did to do me wrong. Be master of your own weapons and time; the place wheresoever, I will wait on you. By doing this, you shall shorten revenge, and clear the idle opinion the world hath of both our worths.

I’m in France, and I hear how much you take credit for lately, while I’ve let the world celebrate you. As for me, the real calendar would tell you about my suffering. If you remember, when I last took your hand, I said I was keeping my heart for a more genuine reconciliation. Now be that noble gentleman my love once mentioned, and come to make things right, just as someone who could talk about the trials you owe to your birth and country. I believe your honor gives you the same bravery to do me right as it did to wrong me. Take control of your own actions and timing; wherever it is, I will be waiting for you. By doing this, you will ease the need for revenge and improve the wrong opinions the world has about both of us.

"Ed. Bruce."

Ed. Bruce.

A Monsieur, Monsieur Baron de Kinloss.

To Mr. Baron de Kinloss.

"As it shall be always far from me to seek a quarrel, so will I always be ready to meet with any that is desirous to make tryal of my valour, by so fair a course as you require. A witness whereof yourself shall be, who, within a month, shall receive a strict account of time, place and weapon, where you shall find me ready disposed to give honourable satisfaction, by him that shall conduct you thither. In the mean time, be as secret of the appointment, as it seems you are desirous of it.

"As much as I will never seek a fight, I will always be ready to face anyone who wants to test my courage in the fair way you suggest. You will be my witness, and within a month, you will receive a detailed account of the time, place, and weapon where you can find me prepared to give an honorable response, arranged by the person who will take you there. In the meantime, please keep the details of this meeting just as secret as it seems you want it to be."

"E. Sackvile."

"E. Sackvile."

A Monsieur, Monsieur Baron de Kinloss.

A Monsieur, Monsieur Baron de Kinloss.

"I am at Tergose, a town in Zeland, to give what satisfaction your sword can render you, accompanied with a worthy gentleman for my second, in degree a knight. And, for your coming, I will not limit you a peremptory day, but desire you to make a definite and speedy repair, for your own honour, and fear of prevention; at which time you shall find me there.

"I am in Tergose, a town in Zeland, ready to provide whatever satisfaction your sword can offer, accompanied by a reputable gentleman as my second, who is a knight. I won’t set a strict date for your arrival, but I ask that you come quickly, for your own honor and to avoid any delays; at that time, you will find me there."

Tergose, 10th of August, 1613.
"E. Sackvile.""

Tergose, August 10, 1613.
"E. Sackvile.""

A Monsieur, Monsieur Sackvile.

To Mr. Sackvile.

"I have received your letter by your man, and acknowledge you have dealt nobly with me; and now I come, with all possible haste, to meet you.

"I got your letter through your guy, and I appreciate you treating me well; now I'm coming as quickly as I can to meet you."

"E. Bruce."

"E. Bruce."

The combat was fierce, and fatal to Lord Bruce.

The battle was intense and deadly for Lord Bruce.

It has always been presumed that the duel was fought under the walls of Antwerp; but the combatants disembarked at Bergen-op-Zoom, and fought near that town, and not Antwerp.

It has always been believed that the duel took place under the walls of Antwerp; however, the fighters actually landed at Bergen-op-Zoom and fought near that town, not Antwerp.

Bruce Heart Silver Case

In consequence of a tradition, that the heart of Lord Edward Bruce had been sent from Holland, and interred in the vault or burying-ground adjoining the old abbey church of Culross, in Perthshire, Sir Robert Preston directed a search in that place in 1808, with the following result:— Two flat stones, without inscription, about four feet in length and two in breadth, were discovered about two feet below the level of the pavement, and partly under an old projection in the wall of the old building. These stones were strongly clasped together with iron; and when separated, a silver case, or box, of foreign workmanship, shaped like a heart, was found in a hollow or excavated place between them. Its lid was engraved with the arms and name "Lord Edward Bruse;" it had hinges and clasps; and when opened, was found to contain a heart, carefully embalmed, in a brownish coloured liquid. After drawings had been taken of it, as represented in the present engravings, it was carefully replaced in its former situation. There was a small leaden box between the stones in another excavation; the contents of which, whatever they were originally, appeared reduced to dust.

Due to a tradition that the heart of Lord Edward Bruce was sent from Holland and buried in the vault next to the old abbey church of Culross in Perthshire, Sir Robert Preston arranged a search at that site in 1808. The results were as follows: Two flat stones, with no inscriptions, measuring about four feet long and two feet wide, were found roughly two feet below the pavement and partially under an old projection in the wall of the building. These stones were tightly bound together with iron, and when they were separated, a silver case or box, crafted in a foreign style and shaped like a heart, was located in a hollow space between them. Its lid was engraved with the arms and name "Lord Edward Bruse"; it had hinges and clasps, and when opened, revealed a carefully embalmed heart immersed in a brownish liquid. After drawings were made, as shown in the current engravings, it was carefully returned to its original place. Additionally, there was a small leaden box found between the stones in another hollow; its contents, whatever they originally were, had turned to dust.

Some time after this discovery, Sir Robert Preston caused a delineation of the silver case, according to the exact dimensions, with an inscription recording its exhumation and re-deposit, to be engraved on a [Pg 248] brass plate, and placed upon the projection of the wall where the heart was found.

Some time after this discovery, Sir Robert Preston had a detailed drawing of the silver case made, according to its exact size, along with an inscription noting its excavation and re-deposition, which was engraved on a [Pg 248] brass plate and placed on the ledge of the wall where the heart was found.

It is a remarkable fact, that the cause of the quarrel between Lord Bruce and Sir Edward Sackville has remained wholly undetected, notwithstanding successive investigations at different periods. Lord Clarendon, in his "History of the Rebellion," records the combat as an occurrence of magnitude, from its sanguinary character and the eminence of the parties engaged in it. He does not say any thing respecting the occasion of the feud, although Lord Bruce's challenge seems to intimate that it was a matter of public notoriety.

It’s notable that the reason for the fight between Lord Bruce and Sir Edward Sackville has gone completely unnoticed, despite numerous investigations over time. Lord Clarendon, in his "History of the Rebellion," describes the duel as a significant event due to its bloody nature and the high status of those involved. He doesn’t mention the cause of the dispute, although Lord Bruce’s challenge suggests it was widely known.

The exact day of the duel is not known, but it was certainly in 1613, and most probably in August from the date of one of the above letters.

The exact day of the duel isn't known, but it definitely took place in 1613, most likely in August, based on one of the letters mentioned above.

EXTRAORDINARY FEMALE INTREPIDITY.

EXTRAORDINARY FEMALE COURAGE.

Early on the 24th of January, 1822, the turnpike-house, about four miles from Basingstoke, on this side of Overton, was attacked, with intent to enter, by two men, who had taken off some tiles at the back part of the premises (the roof being very low) to effect their purpose. These villains knew, it would appear, that a lone woman, Mrs. Whitehouse, received the tolls at this gate, and that her husband attended a gate as far distant as Colebrook. Mrs. Whitehouse, however, very fortunately possessed three loaded pistols, one of which she fired—then a second, and a third, without effect. These determined ruffians (notwithstanding being thrice fired at) were, it appears, resolved not to depart without accomplishing the projected robbery. Mrs. Whitehouse's little boy, only 11 years of age, in the mean time had re-loaded a brace of pistols, one of which Mrs. Whitehouse fired, and wounded one of the desperadoes full in the face—he fell, and the blood flowed profusely; yet, strange to relate, the accomplice had hardihood enough to drag away the wounded robber! On observing this, Mrs. Whitehouse fired the fifth pistol at them, but missed them. The fellow who received the contents of the fourth pistol being supposed to have been killed, and some persons residing at a considerable distance from the spot having heard of the circumstance, assembled, and made diligent search at daybreak to discover the body of the deceased; but, although the blood could be traced some distance from the house, the body could not be found; nor were those concerned in the attack ever found out. The successful resistance, however, deserves to be recorded.

Early on January 24, 1822, the toll house, about four miles from Basingstoke, near Overton, was attacked by two men who removed some tiles from the low roof at the back of the building in an attempt to break in. These criminals seemed to know that a lone woman, Mrs. Whitehouse, was collecting the tolls at this gate while her husband worked far away at another gate. Luckily, Mrs. Whitehouse had three loaded pistols, and she fired one—then a second, and a third, but missed. Despite being fired at three times, the determined intruders were set on carrying out their robbery. Meanwhile, Mrs. Whitehouse's 11-year-old son reloaded a couple of pistols, and when Mrs. Whitehouse fired one of them, she hit one of the attackers square in the face—he fell, bleeding heavily; yet, remarkably, his accomplice had the audacity to drag him away! Seeing this, Mrs. Whitehouse shot her fifth pistol at them, but missed again. The man who got shot with the fourth pistol was thought to be dead, and some people living nearby heard about the incident and gathered at dawn to search for the body of the deceased. However, even though the blood could be traced a good distance from the house, the body was never found, nor were the attackers ever identified. Still, the successful defense deserves to be noted.

GIGANTIC BONES.

HUGE BONES.

Whenever any bones of unusual magnitude were discovered, it was invariably the custom to ascribe them to some giant. This was always so up to recent years, and no wonder it was intensely the case at the early period of 1660. About that period, when the brook or rivulet from which the town of Corbridge, in the north of England, derives its name, had been worn away by some impetuous land-flood, a skeleton, supposed to be that of a man of extraordinary and prodigious size, was discovered. The length of the thigh bone was nearly six feet, and the skull, teeth, and other parts proportionably monstrous, so that [Pg 249] the length of the whole body was computed at twenty-one feet. It is conjectured, by the more enlightened men of modern times, that these strange bones belonged to some large animal that had been sacrificed by the Romans at the altar dedicated to Hercules, which was found here some years ago. Notwithstanding that the superstition of our forefathers has lost nearly all its credit and influence, a singularly large bone found here is now exhibited in the Keswick Museum as the rib of the giant Cor.

Whenever any bones of unusual size were found, it was a common practice to attribute them to some giant. This was especially true up until recent years, and it was certainly the case back in 1660. Around that time, when the stream that gives Corbridge, in the north of England, its name had been carved away by a strong flood, a skeleton, believed to be that of a man of extraordinary size, was discovered. The thigh bone was nearly six feet long, and the skull, teeth, and other parts were also proportionately huge, leading to the estimate that the entire body was around twenty-one feet long. More enlightened people today believe that these unusual bones belonged to a large animal that had been sacrificed by the Romans at the altar dedicated to Hercules, which was discovered here a few years ago. Although the superstitions of our ancestors have lost much of their credibility and influence, an unusually large bone found here is now displayed in the Keswick Museum as the rib of the giant Cor.

NEW STYLE OF ADVERTISEMENT.

NEW ADVERTISING APPROACH.

The following editorial announcement is taken from the Philadelphia Weekly Mercury, of November 30, 1752, because it forms a complete novelty in its way, and also affords us an insight into the degree of communication which existed at that period between the large towns and the provinces in America. It is, moreover, a curious jumble of information, strangely mixing up the starting of the stage coach with the news of the day:—

The following editorial announcement is from the Philadelphia Weekly Mercury, dated November 30, 1752, as it represents a unique novelty in its style and also gives us a glimpse into the level of communication that existed at that time between the big cities and the provinces in America. Additionally, it's an interesting mix of information, oddly blending the launch of the stagecoach with the news of the day:—

On Monday next the Northern Post sets out from New-York, in order to perform his Stage but once a Fortnight, during the Winter Quarter; the Southern Post changes also, which will cause this Paper to come out on Tuesdays during that Time. The Colds which have infested the Northern Colonies have also been troublesome here, few Families having escaped the same, several have been carry'd off by the Cold, among whom was David Brintnall, in the 77th Year of his Age; he was the first Man that had a Brick House in the City of Philadelphia, and was much esteem'd for his just and upright dealing. There goes a Report here, that the Lord Baltimore and his Lady are arrived in Maryland, but the Southern Post being not yet come in, the said Report wants Confirmation.

On Monday next, the Northern Post will leave New-York to operate its service only once every two weeks throughout the winter season. The Southern Post is also changing, which means this paper will be published on Tuesdays during that time. The cold weather affecting the Northern Colonies has also been a problem here, with few families escaping it; several have been taken by the cold, including David Brintnall, who passed away at 77. He was the first person to own a brick house in the city of Philadelphia and was highly regarded for his fairness and integrity. There's a rumor going around that Lord Baltimore and his wife have arrived in Maryland, but since the Southern Post hasn't arrived yet, that report remains unconfirmed.

MAKING A CANDLESTICK OF GUNPOWDER.

Making a gunpowder candlestick.

A marvellous escape from destruction is related in the MS. Life of Alderman Barnes.—"One of his brother-in-law's (Alderman Hutchinson's) apprentices, stepping up into the back-lofts to fetch somewhat he wanted, in his heedlessness and haste, stops his candle into a barrel of gunpowder whose head was struck off, to serve instead of a candlestick. But the man reflecting what he had done, was struck with affrightment, his heart failed him, nor durst he stay any longer, but running down stairs, leaves the candle burning in the gunpowder cask, and with horror, trembling, and despair, tells the family what indiscretion he had committed; they were all immediately as their wits' end, and well they might, for the lofts were three stories high, very large, and stowed full with whatever is combustible, as brandy, oil, pitch, tar, rosin, flax, alum, hops, and many barrels of gunpowder. Had the candle fallen to one side, or had the least spark fallen from the snuff into the cask, the whole town had been shaken, and the whole of the house immediately blown up and in a blaze; but one of the labourers, a stout fellow, ran forthwith into the loft, and joining both his hands together, [Pg 250] drew the candle softly up between his middlemost fingers, so that if any snuff had dropped, it must have fallen into the hollow of the man's hand, and by this means was Newcastle saved from being laid in ashes." This must have happened about the year 1684.

A remarkable escape from destruction is recounted in the MS. Life of Alderman Barnes.—"One of his brother-in-law's apprentices (Alderman Hutchinson's) went up into the back lofts to get something he needed. In his carelessness and hurry, he stuck his candle into a barrel of gunpowder, whose top had been removed, using it as a makeshift candlestick. Realizing what he had done, he was filled with fear; his heart sank, and he couldn’t stay any longer. He ran downstairs, leaving the candle burning in the gunpowder barrel, and in horror, trembling, and despair, he told the family about his mistake. They were all immediately at their wits' end, and understandably so, because the lofts were three stories high, very large, and packed with combustible materials like brandy, oil, pitch, tar, rosin, flax, alum, hops, and many barrels of gunpowder. If the candle had tipped over or a spark had fallen from the wick into the barrel, the entire town would have been shaken, and the house would have exploded and caught fire. But one of the workers, a strong man, quickly ran into the loft, and by cupping his hands together, he gently lifted the candle between his fingers, ensuring that any falling snuff would have landed in his palm. This act saved Newcastle from being reduced to ashes." This must have happened around the year 1684.

THE CAMDEN CUP.

The Camden Cup.

Camden Cup

The subjoined engraving represents the Silver-gilt Standing Cup and Cover bequeathed by the celebrated historian, William Camden, Clarenceux King at Arms, to the Worshipful Company of Painter Stainers'. Camden's will is recorded in the Prerogative Court of Canterbury (in the register designated III Swann 3, probate granted November 10, 1623), and it has been printed by Hearne in his Collection of Curious Discourses, Ox. 1720. After directing the sum of eight pounds to be given "to the poore of that place (Chislehurst) when it shall please God to call me to his mercie," Camden continues—"I bequeath to Sir Foulke Greville, Lord Brooke, Chancellor of the Exchequer, who preferred me gratis to my Office, a peece of plate of ten pounds; Item, to the Company of Painter-Stainers of London, to buy them a peece of plate in memoriall of mee, sixteene pounds;" the inscription upon which is directed to be—"Guil. Camdenus Clarenceux, filius Sampsonis, Pictoris Londinensis, dono dedit." This stately and richly-decorated cup and cover is used on Corporation Festivals, in memory of the illustrious donor. In height, it is altogether twenty-three inches and a quarter, the cover only being eight inches and three-quarters; and the cup, independent of the stand, five inches and a-half, its greatest diameter being five inches and a-half. The inscription encircles the upper rim of the cup; and directly under it is an engraved escutcheon of Camden's arms; Or, a fess engrailed, between six cross crosslets fitchée, Sable. The cover presents an object of much elegance, a richly ornamented open pyramid, based on the heads of birds, the breasts bending gracefully with cartouche ornaments: the pinnacle of the pyramid surmounted by a female figure, the right hand resting on a shield, charged with the same arms as shown on the side of the cup. [Pg 251] The birds' heads have apparently a reference to the phœnix heads in the second and third quarters of the armorial ensigns, and to the crest of the Company of Paper-Stainers.

The engraving below shows the Silver-gilt Standing Cup and Cover left to the Worshipful Company of Painter Stainers by the famous historian, William Camden, Clarenceux King at Arms. Camden's will is recorded in the Prerogative Court of Canterbury (in the register marked III Swann 3, probate granted November 10, 1623), and it has been published by Hearne in his Collection of Curious Discourses, Ox. 1720. After directing eight pounds to be given "to the poor of that place (Chislehurst) when it shall please God to call me to His mercy," Camden continues—"I bequeath to Sir Foulke Greville, Lord Brooke, Chancellor of the Exchequer, who appointed me to my Office without charge, a piece of plate worth ten pounds; Item, to the Company of Painter-Stainers of London, to buy them a piece of plate in memory of me, sixteen pounds;" the inscription on which is meant to read—"Guil. Camdenus Clarenceux, filius Sampsonis, Pictoris Londinensis, dono dedit." This impressive and elaborately decorated cup and cover is used at Corporation Festivals to honor the notable donor. It measures twenty-three and a quarter inches in height, with the cover being eight and three-quarters inches and the cup, not including the stand, five and a half inches, its widest diameter also being five and a half inches. The inscription wraps around the upper rim of the cup; directly below it is an engraved coat of arms representing Camden's family; Or, a fess engrailed, between six cross crosslets fitchée, Sable. The cover is a stylish piece, featuring a beautifully adorned open pyramid, supported by the heads of birds, their necks elegantly curved with cartouche decorations: atop the pyramid sits a female figure, her right hand resting on a shield displaying the same arms as on the side of the cup. [Pg 251] The birds' heads seem to reference the phoenix heads in the second and third quarters of the heraldic insignia and the crest of the Company of Paper-Stainers.

RICHARDSON, THE SHOWMAN.

RICHARDSON, THE SHOWMAN.

This eccentric individual, who died in 1836, left behind him upwards of £20,000. He was born in the workhouse of Marlow, Bucks, but ran away from that place in order to seek his fortune in London. After various vicissitudes, he became the landlord of the Harlequin public-house, in Drury-lane, where he saved some money, which he embarked in fitting up a portable theatre, and was known for forty years as the "Prince of Showmen," and used frequently to boast that Edmund Kean and several other eminent actors were brought out by him. His property, after various legacies to the itinerant company which had attended him for many years, descended to two nephews and a niece, and he desired by his will to be buried in Marlow churchyard, in the same grave as his favourite "spotted boy," a lad who, some years before, was exhibited by him, and attracted great notice in consequence of the extraordinary manners in which he was marked on various parts of his body. Some years since the scenery, dresses, and decorations of Richardson's theatre were exposed for auction by Mr. George Robins, and £2,000 were bid for them. They were bought in; the "old man," as he was technically denominated, considering them to be worth at least £3,000.

This quirky individual, who passed away in 1836, left behind over £20,000. He was born in the Marlow workhouse in Bucks but ran away to seek his fortune in London. After a series of ups and downs, he became the landlord of the Harlequin pub on Drury Lane, where he saved some money and invested it into setting up a portable theater. For forty years, he was known as the "Prince of Showmen" and often boasted that he had launched the careers of Edmund Kean and several other famous actors. His estate, after various legacies to the traveling troupe that had been with him for many years, went to two nephews and a niece. In his will, he requested to be buried in Marlow churchyard, in the same grave as his favorite "spotted boy," a young lad he had exhibited years earlier, who drew a lot of attention due to the unique markings on his body. A few years ago, the scenery, costumes, and decorations from Richardson's theater were put up for auction by Mr. George Robins, with bids reaching £2,000. They were ultimately not sold, as the "old man," as he was technically known, believed they were worth at least £3,000.

PRESERVATION OF DEAD BODIES.

Preserving dead bodies.

There is an arched vault, or burying-ground, under the church of Kilsyth, in Scotland, which was the burying-place of the family of Kilsyth, until the estate was forfeited, and the title became extinct in the year 1715; since which it has never been used for that purpose, except once. The last Earl fled with his family to Flanders, and, according to tradition, was smothered to death about the year 1717, along with his lady and an infant child, and a number of other unfortunate Scottish exiles, by the falling in of the roof of a house in which they were assembled. What became of the body of the Earl is not known, but the bodies of Lady Kilsyth and her infant were emboweled and embalmed, and soon afterwards sent over to Scotland. They were landed, and lay at Leith for some time in a cellar, whence they were afterwards carried to Kilsyth, and buried in great pomp in the vault above mentioned. In the spring of 1796, some rude regardless young men, having paid a visit to this ancient cemetery, tore open the coffin of Lady Kilsyth and her infant. With astonishment and consternation, they saw the bodies of Lady Kilsyth and her child as perfect as in the hour they were entombed. For some weeks this circumstance was kept secret, but at last it began to be whispered in several companies, and soon excited great and general curiosity.

There’s an arched vault, or burial ground, under the church of Kilsyth in Scotland, which was the resting place for the Kilsyth family until the estate was forfeited and the title disappeared in 1715; since then, it hasn’t been used for that purpose, except for once. The last Earl escaped with his family to Flanders and, according to legend, was smothered to death around 1717, along with his wife and an infant child, along with a number of other unfortunate Scottish exiles, when the roof of the house they were in collapsed. It's unknown what happened to the Earl’s body, but Lady Kilsyth and her infant were embalmed and later sent back to Scotland. They were landed and stayed in a cellar in Leith for some time before they were taken to Kilsyth and buried with great ceremony in the mentioned vault. In the spring of 1796, some callous young men visited this ancient cemetery and pried open the coffin of Lady Kilsyth and her infant. To their shock and horror, they found the bodies of Lady Kilsyth and her child perfectly preserved as if they had just been buried. For a few weeks, this discovery was kept quiet, but soon it began to be whispered in various circles, sparking widespread curiosity.

"On the 12th of June," says the Minister of the parish of Kilsyth, in a letter to J. Garnet, M.D., "when I was from home, great crowds assembled, and would not be denied admission. At all hours of the night, as well as the day, they afterwards persisted in gratifying their [Pg 252] curiosity. I saw the body of Lady Kilsyth soon after the coffin was opened; it was quite entire. Every feature and every limb was as full, nay, the very shroud was as clear and fresh, and the colours of the ribbons as bright, as the day they were lodged in the tomb. What rendered this scene more striking and truly interesting was, that the body of her son and only child, the natural heir of the title and estates of Kilsyth, lay at her knee. His features were as composed as if he had been only asleep. His colour was as fresh, and his flesh as plump and full, as in the perfect glow of health; the smile of infancy and innocence sat on his lips. His shroud was not only entire, but perfectly clean, without a particle of dust upon it. He seems to have been only a few months old. The body of Lady Kilsyth was equally well preserved; and at a little distance, from the feeble light of a taper, it would not have been easy to distinguish whether she was dead or alive. The features, nay the very expression of her countenance, were marked and distinct; and it was only in a certain light that you could distinguish anything like the ghastly and agonizing traits of a violent death. Not a single fold of her shroud was decomposed nor a single member impaired.

"On June 12th," says the Minister of the parish of Kilsyth, in a letter to J. Garnet, M.D., "when I was away, huge crowds gathered and refused to leave. They kept returning at all hours of the night and day to satisfy their curiosity. I saw Lady Kilsyth's body shortly after the coffin was opened; it looked completely intact. Every feature and limb was full, and even the shroud was as clear and fresh, with the colors of the ribbons just as bright as the day they were placed in the tomb. What made this scene even more striking and truly interesting was that the body of her son and only child, the natural heir to the title and estates of Kilsyth, lay at her knee. His features appeared peaceful as if he were just asleep. His color was vibrant, and his flesh was plump and full, showing the perfect glow of health; a smile of infancy and innocence rested on his lips. His shroud was not only intact but also perfectly clean, without a speck of dust. He seemed to be only a few months old. Lady Kilsyth's body was equally well preserved; from a little distance, in the dim light of a candle, it would have been hard to tell if she was dead or alive. Her features, even the expression on her face, were clear and distinct; it was only under certain lighting that you could see any hint of the ghastly and agonizing signs of a violent death. Not a single fold of her shroud was deteriorated, nor was any part of her body damaged."

"Let the candid reader survey this sketch; let him recal to mind the tragic tale it unfolds; and say, if he can, that it does not arrest the attention and interest the heart. For my own part, it excited in my memory a thousand melancholy reflections; and I could not but regret that such rudeness had been offered to the ashes (remains) of the dead, as to expose them thus to the public view.

"Let the open-minded reader take a look at this sketch; let them remember the tragic story it tells; and say, if they can, that it doesn’t capture their attention and stir their emotions. For my part, it brought back a thousand sad thoughts to my mind, and I couldn’t help but feel regret that such disrespect had been shown to the remains of the dead by exposing them to public view."

"The body seemed to have been preserved in some liquid, nearly of the colour and appearance of brandy. The whole coffin seemed to have been full of it, and all its contents saturated with it. The body had assumed somewhat the same tinge, but this only served to give it a fresher look. It had none of the ghastly livid hue of death, but rather a copper complexion. It would, I believe, have been difficult for a chemist to ascertain the nature of this liquid; though perfectly transparent; it had lost all its pungent qualities, its taste being quite vapid.

"The body looked like it had been preserved in some liquid that was almost the color and appearance of brandy. The entire coffin seemed to be filled with it, and everything inside was soaked in it. The body had taken on a similar tint, but this only made it look healthier. It didn’t have the ghastly pale look of death; instead, it had a coppery complexion. I think it would have been hard for a chemist to figure out what this liquid was; even though it was perfectly clear, it had lost all its sharp qualities, and its taste was quite bland."

"The head reclined on a pillow, and, as the covering decayed, it was found to contain a collection of strong-scented herbs. Balm, sage, and mint were easily distinguished; and it was the opinion of many, that the body was filled with the same. Although the bodies were thus entire at first, I confess I expected to see them crumble into dust; especially as they were exposed to the open air, and the pure aromatic fluid had evaporated; and it seems surprising that they did not. For several weeks they underwent no visible change, and had they not been sullied with dust and drops of grease from the candles held over them, I am confident they might have remained as entire as ever; for even a few months ago (many months after), the bodies were as firm and compact as at first, and though pressed with the finger did not yield to the touch, but seemed to retain the elasticity of the living body. Even the shroud, through torn by the rude hands of the regardless multitude, is still strong and free from rot.

"The head rested on a pillow, and as the covering wore away, it revealed a mixture of strongly scented herbs. You could easily identify balm, sage, and mint; many believed the body was filled with the same. Although the bodies were whole at first, I honestly expected them to turn to dust; especially since they were exposed to the open air, and the pure aromatic liquid had evaporated. It's surprising that they didn't. For several weeks, there was no visible change, and if they hadn't gotten dirty with dust and grease from the candles held over them, I believe they might have stayed as intact as ever. Even a few months ago (many months later), the bodies were still as firm and solid as initially, and though I pressed them with my finger, they didn't give way but seemed to keep the elasticity of a living body. Even the shroud, though torn by the careless hands of the uncaring crowd, remains strong and free from decay."

"Perhaps the most singular phenomenon is, that the bodies seem not [Pg 253] to have undergone the smallest decomposition or disorganization. Several medical gentlemen have made a small incision into the arm of the infant; the substance of the body was quite firm, and every part in its original state." To the above remarkable instance we may add the following:—The tomb of Edward the First, who died on the 7th July, 1307, was opened on the 2nd of January, 1770, and after the lapse of 463 years, the body was found not decayed; the flesh on the face was a little wasted, but not putrid.

"Perhaps the most unique phenomenon is that the bodies seem not [Pg 253] to have experienced the slightest decomposition or disorganization. Several medical professionals made a small incision into the arm of the infant; the body was quite firm, and every part remained in its original state." To this remarkable example, we can add the following:—The tomb of Edward the First, who died on July 7, 1307, was opened on January 2, 1770, and after 463 years, the body was found to be not decayed; the flesh on the face was a little wasted, but not rotten.

The body of Canute the Dane, who got possession of England in the year 1017, was found very fresh in the year 1766, by the workmen repairing Winchester Cathedral. In the year 1522, the body of William the Conqueror was found as entire as when first buried, in the Abbey Church of St. Stephen, at Caen; and the body of Matilda, his wife, was found entire in 1502, in the Abbey Church of the Holy Trinity in the same city.

The body of Canute the Dane, who took control of England in 1017, was discovered in surprisingly good condition in 1766 by workers repairing Winchester Cathedral. In 1522, the body of William the Conqueror was found just as intact as when it was first buried in the Abbey Church of St. Stephen in Caen; and the body of Matilda, his wife, was found whole in 1502 in the Abbey Church of the Holy Trinity in the same city.

No device of art, however, for the preservation of the remains of the dead, appears equal to the simple process of plunging them over head and ears in peat-moss.

No artistic method for preserving the remains of the dead seems to match the straightforward technique of burying them completely in peat moss.

In a manuscript by one Abraham Grey, who lived about the middle of the 16th century, now in the possession of his representative, Mr. Goodbehere Grey, of Old Mills, near Aberdeen, it is stated, that in 1569, three Roman soldiers in the dress of their country, fully equipped with warlike instruments, were dug out of a moss of great extent, called Kazey Moss. When found, after a lapse of probably about fifteen hundred years, they "were quite fresh and plump."

In a manuscript by Abraham Grey, who lived around the middle of the 16th century, currently held by his descendant, Mr. Goodbehere Grey, from Old Mills near Aberdeen, it states that in 1569, three Roman soldiers dressed in their military gear were excavated from a large moss called Kazey Moss. When they were unearthed, after approximately fifteen hundred years, they "were quite fresh and plump."

PERFUMES.

Fragrances.

So perfect were the Egyptians in the manufacture of perfumes, that some of their ancient ointment, preserved in an alabaster vase in the Museum at Alnwick, still retains a very powerful odour, though it must be between 2,000 and 3,000 years old.

So skilled were the Egyptians in making perfumes that some of their ancient ointments, kept in an alabaster vase at the Museum in Alnwick, still have a very strong scent, even though they are around 2,000 to 3,000 years old.

FRENCH ASSIGNATS—THEIR ORIGIN.

FRENCH ASSIGNATS—THEIR ORIGIN.

Extraordinary devices for raising money are legitimate subjects for our pages. Of these devices, the French Assignats are not the least remarkable. They originated thus—in the year 1789, at the commencement of the great Revolution in France, Talleyrand proposed in the National Assembly a confiscation of all church property to the service of the state. The Abbé Maury opposed this project with great vehemence, but being supported by Mirabeau, it received the sanction of the Assembly by an immense majority on the 2nd of November. The salaries fixed for the priesthood were small, and, moreover, were not sufficiently guaranteed; whence originated much misery to all classes of priests, from the archbishops down to the humble cures; and as monastic institutions were treated in the same way, monks and nuns were suddenly placed in precarious circumstances regarding the means of subsistence. Here, however, an unexpected difficulty sprang up; the National Assembly were willing to sell church property, but buyers were wanting; conscience, prudence, and poverty combined to lessen the number of those willing to purchase; and thus the urgent claims of the [Pg 254] treasury could not be satisfied. Applications for loans were not responded to; taxes had been extinguished; voluntary donations had dwindled almost to nothing; and 400,000,000 of livres were necessary for the vast claims of the year 1790. The municipalities of Paris and other cities sought to ameliorate the state of affairs by subscribing for a certain amount of church property, endeavouring to find private purchasers for it, and paying the receipts into the national exchequer. This, however, being but a very partial cure for the enormity of the evils, the National Assembly fell upon the expedient of creating state-paper or bank-notes, to have a forced currency throughout the kingdom. Such was the birth of the memorable assignats. Four hundred millions of this paper were put in circulation; and a decree was passed that church property to that amount should be held answerable for the assignats. Our sketch represents several of the different forms in which the Assignats were issued to the public.

Extraordinary ways to raise money are valid topics for our pages. Among these methods, the French Assignats stand out. They originated like this—in 1789, at the start of the great Revolution in France, Talleyrand proposed in the National Assembly to confiscate all church property for the state. The Abbé Maury strongly opposed this idea, but with Mirabeau's support, it was approved by the Assembly with a large majority on November 2nd. The salaries set for the clergy were low and not sufficiently secured, leading to great hardship for all levels of priests, from archbishops to lowly curates. Similarly, monastic institutions faced similar challenges, leaving monks and nuns in precarious situations regarding their livelihoods. However, an unexpected problem arose; while the National Assembly was willing to sell church property, there were no buyers. Conscience, caution, and poverty reduced the number of willing purchasers, and as a result, the pressing needs of the [Pg 254] treasury couldn't be met. Loan requests went unanswered; taxes had been eliminated; voluntary donations had nearly disappeared; and 400 million livres were necessary to satisfy the extensive claims for 1790. The municipalities of Paris and other cities tried to improve the situation by purchasing a certain amount of church property, seeking private buyers for it, and depositing the proceeds into the national treasury. However, this was only a partial solution to the significant problems, leading the National Assembly to create state paper or banknotes to establish a mandatory currency across the kingdom. Thus, the memorable assignats were born. Four hundred million of this paper currency were put into circulation, and a decree declared that church property equivalent to that amount would back the assignats. Our overview shows several of the different forms in which the Assignats were issued to the public.

French Assignats

EXECUTION OF LOUIS XVI.

EXECUTION OF LOUIS XVI.

The judicial murder of Louis XVI. was the climax of the Revolution in France. The Convention voted his death at three o'clock on the [Pg 255] morning of the 20th January, 1793, and he was taken to execution in twenty-six hours afterwards.

The judicial murder of Louis XVI was the peak of the Revolution in France. The Convention voted for his death at three o'clock in the morning on January 20, 1793, and he was executed twenty-six hours later.

Execution of Louis XVI

The guillotine was erected in the middle of the Place Louis XV., a large open square, having the Champs Elysées on one side, and the gardens of the Tuileries on the other. The Place bristled with artillery, and every street and avenue leading to it was crowded with troops and armed multitudes, who had cannon with them charged with grape-shot; while the carriage was surrounded by picked men, who had orders to despatch the king with their carbines in case of any rescue being attempted. At about half-past ten, the king, who had been engaged in prayer during the ride, arrived at the spot; he descended from the coach, and his confessor followed him. Three executioners approached to remove his upper garments, but he put them back, and performed that simple office for himself. He resisted somewhat the indignity of having his hands tied, and only yielded on the entreaty of his confessor; and had also to yield on the subject of cutting off his back hair. He ascended the steps that led to the platform with a firm bearing, still followed by M. Edgeworth. When on the top, he made a sudden movement towards the edge of the scaffold, and exclaimed with a loud and firm voice: "Frenchmen, I die innocent; it is from the scaffold, and when about to appear before my [Pg 256] God, that I tell you so. I pardon my enemies; I pray that France"——Here Santerre, on horseback, raised his right hand, and cried: "Drums! Executioners, do your duty!" Several drummers immediately began by their noise to drown the sound of the king's voice: and six executioners brought him to the centre of the scaffold. He exclaimed again: "I die innocent; I ever desired the good of my people;" but his voice could be heard only by the executioners and the priest. He then knelt down, in order to place his head in the appointed spot; the confessor, bending over him said: "Son of St. Louis, ascend to heaven!" The spring of the machine was touched, the heavy axe descended in its grooves, and the once royal head was severed from the body. Samson, the chief executioner, took up the bleeding head by the hair, and walked three times round the scaffold, holding it up at arm's-length to show it to the people. The troops and the spectators shouted: "Vive la République!" put their hats and caps upon their bayonets and pikes, and waved them in the air, with prolonged and re-echoing cries of "Vive la République!" "Vive la Nation!" "Vive la Liberte!" Many of the savage men standing near the scaffold dipped their pike-heads into the king's blood, and others their handkerchiefs—not as a sacred memento, but as a symbol of the downfall of all kings; they even paraded these gore-stained objects before the windows of the Temple, that perchance the queen and her children might see them. The headless trunk of Louis was put into a large wicker-basket, placed in the coach, and carried to the cemetery of La Madeleine; where, without coffin or shroud, it was thrown into a deep pit, partly filled up with quicklime. On that same morning, one Benoit Leduc, a tailor, who had on some occasions worked for Louis, presented a petition to the Convention, praying to be allowed, at his own expense, to bury the body of the king by the side of his father, Louis XV., and under the monument raised to that prince by the city of Sens; but the Convention rejected his petition, and ordered the executive council to see that Louis was buried like other criminals.

The guillotine was set up in the middle of Place Louis XV, a large open square bordered by the Champs Elysées on one side and the Tuileries gardens on the other. The square was filled with artillery, and every street and avenue leading to it was packed with troops and armed crowds, who had cannons loaded with grape-shot; meanwhile, the carriage was surrounded by select soldiers ordered to shoot the king with their rifles if there was any attempt to rescue him. Around half-past ten, the king, who had been praying during the ride, arrived at the location; he got out of the coach, followed by his confessor. Three executioners came to remove his upper garments, but he put them back on and dressed himself. He initially resisted the humiliation of having his hands tied but relented at his confessor's request; he also yielded regarding the trimming of his back hair. He climbed the steps to the platform with a steady demeanor, still followed by M. Edgeworth. Once at the top, he suddenly moved toward the edge of the scaffold and declared loudly and firmly: "Frenchmen, I die innocent; from this scaffold, facing my God, I tell you so. I forgive my enemies; I pray that France"—At this point, Santerre, on horseback, raised his right hand and shouted: "Drums! Executioners, do your duty!" Several drummers immediately began to play loudly to drown out the king's voice, and six executioners brought him to the center of the scaffold. He shouted again: "I die innocent; I have always wished for the good of my people," but only the executioners and the priest could hear him. He then knelt to place his head in the designated spot; his confessor leaned over him and said: "Son of St. Louis, ascend to heaven!" The machine was triggered, the heavy axe dropped, and the former king's head was severed from his body. Samson, the chief executioner, grabbed the bleeding head by the hair and walked around the scaffold three times, holding it up to show the crowd. The troops and spectators yelled: "Vive la République!" They placed their hats and caps on their bayonets and pikes, waving them in the air with shouts of "Vive la République!" "Vive la Nation!" "Vive la Liberté!" Many of the brutal men standing by the scaffold dipped their pike heads into the king's blood, while others soaked their handkerchiefs—not as a sacred keepsake, but as a symbol of the end of all kings; they even paraded these blood-stained items in front of the windows of the Temple, so the queen and her children could see them. The headless body of Louis was put into a large wicker basket, placed in the coach, and taken to the La Madeleine cemetery; there, without a coffin or shroud, it was tossed into a deep pit partly filled with quicklime. That same morning, a tailor named Benoit Leduc, who had worked for Louis on occasion, submitted a petition to the Convention, asking for permission to bury the king's body next to his father, Louis XV, under the monument built for that prince by the city of Sens; however, the Convention denied his request and instructed the executive council to ensure that Louis was buried like any other criminal.

A MAN AGED ONE HUNDRED YEARS CLAIMING A BOTTLE OF WINE.

A 100-Year-Old Man Claiming a Bottle of Wine.

John Bull, of London, stock-broker, died 1848, aged 100 years. When at the age of about 93, and in the employ of Messrs. Spurling, stock-brokers, he left by mistake in the office of the accountant of the Bank of England, a large number of bank notes. On discovering his loss, after diligently searching for the missing parcel, he went back to the accountant's office, partly to acquaint Mr. Smee with the circumstance, and partly as a last hope that he might there find the missing treasure. To his great joy he found the parcel safe in the accountant's possession, whom he earnestly implored to keep the secret, lest his employers should think his faculties were failing. Mr. Smee of course gave him the required assurance, and goodnaturedly added, that when Mr. Bull should attain the age of 100 years, he would treat him to the finest bottle of wine in his cellar. Some time before his becoming a centenarian, he was pensioned off by his employer, and Mr. Smee had, in all probability, quite forgotten the affair; when, true to the engagement, the venerable, but still active old clerk, made his appearance at the bank on the important [Pg 257] day, and claimed the promised bottle of wine. The claim was promptly allowed; and the last birthday of the aged official was one of the happiest among his friends of the long list of such events which had been its precursor. After continuing vigorous and active, and almost free from indisposition up to this time, he, along with many other aged persons, fell a victim to that fatal influenza which prevailed so extensively throughout the country, and more especially in London and its suburbs, during the autumn of 1847 and the winter of 1848.

John Bull, a stockbroker from London, died in 1848 at the age of 100. When he was about 93 and working for Messrs. Spurling, he accidentally left a large amount of banknotes in the office of the accountant at the Bank of England. After searching diligently for the missing bundle, he returned to the accountant's office, both to inform Mr. Smee about what had happened and as a last hope to recover his lost treasure. To his great relief, he found the parcel safely with the accountant, who he urgently asked to keep the incident a secret so that his employers wouldn’t think he was losing his mental sharpness. Mr. Smee assured him he would keep it confidential and jokingly added that when Mr. Bull turned 100, he would treat him to the best bottle of wine in his collection. Some time before reaching his centenary, he was retired by his employer, and Mr. Smee had probably completely forgotten about the promise. However, true to his word, the elderly but still spry clerk showed up at the bank on the important day to collect the promised bottle of wine. His request was quickly granted, making that last birthday one of the happiest among the many celebrations he had enjoyed over the years. After remaining active and mostly healthy up until then, he, like many other elderly individuals, succumbed to the deadly influenza that spread widely throughout the country, particularly in London and its suburbs, during the autumn of 1847 and the winter of 1848.

CHARITY REWARDED BY A RICH AND LIBERAL MENDICANT.

CHARITY REWARDED BY A WEALTHY AND GENEROUS BEGGAR.

Within the present century, a beggar in Moorfields used daily to have a penny given him by a merchant on his way to the Exchange. The penny was withheld, and the appearance of the merchant manifested his embarrassment and distress. The beggar at length spoke to him, offered him a loan of £500, and another of the same sum if it were required. It re-established his affairs.

Within this century, a beggar in Moorfields would regularly receive a penny from a merchant on his way to the Exchange. The penny was no longer given, and the merchant looked embarrassed and distressed. Finally, the beggar spoke to him, offering him a loan of £500, and another £500 if needed. This helped him fix his situation.

HACKNEY COACHMAN OF THE TIME OF CHARLES II.

HACKNEY COACH DRIVER FROM THE TIME OF CHARLES II.

The print from which the engraving on next page is taken, is one of a set published by Overton, at the sign of the "White Horse" without Newgate; and its similarity to the figures given by Francis Barlow in his Æsop's Fables, and particularly in a most curious sheet-print etched by that artist, exhibiting Charles the Second, the Duke of York, &c., viewing the Races on Dorset Ferry, near Windsor, in 1687, sufficiently proves this Hackney Coachman to have been of the reign of that monarch.

The print that the engraving on the next page is based on is part of a set published by Overton at the "White Horse" sign, just outside Newgate. Its resemblance to the figures created by Francis Barlow in his Æsop's Fables, especially in a fascinating sheet print etched by that artist, which shows Charles the Second, the Duke of York, and others watching the races at Dorset Ferry near Windsor in 1687, clearly indicates that this Hackney Coachman was from the time of that king.

The early Hackney Coachman did not sit upon the box as the present drivers do, but upon the horse, like a postillion; his whip is short for that purpose; his boots, which have large open broad tops, must have been much in his way, and exposed to the weight of the rain. His coat was not according to the fashion of the present drivers as to the numerous capes, which certainly are most rational appendages, as the shoulders never get wet; the front of the coat has not the advantage of the present folding one, as it is single breasted.

The early Hackney Coachman didn't sit on the box like today's drivers do; instead, he sat on the horse like a postillion. His whip is short for that reason. His boots, which have wide open tops, must have been quite cumbersome and vulnerable to getting soaked in the rain. His coat wasn’t in line with the style of today’s drivers, who wear coats with numerous capes, which are definitely practical since they keep the shoulders dry. The front of his coat also lacks the benefit of today's folding design, as it's single-breasted.

His hat was pretty broad, and so far he was screened from the weather. Another convincing proof that he rode as a postillion is, that his boots are spurred. In that truly curious print representing the very interesting Palace of Nonsuch, engraved by Hoefnagle, in the reign of Queen Elizabeth, the coachman who drives the royal carriage in which the Queen is seated, is placed on a low seat behind the horses, and has a long whip to command those he guides. How soon, after Charles the Second's time, the Hackney Coachmen rode on a box we have not been able to learn, but in all the prints of King William's time the coachmen are represented upon the box, though by no means so high as at present; nor was it the fashion at the time of Queen Anne to be so elevated as to deprive the persons in the carriage of the pleasure of looking over their shoulders.

His hat was quite wide, which kept him relatively sheltered from the weather. Another clear indication that he was riding as a postilion is that his boots have spurs. In that fascinating print depicting the intriguing Palace of Nonsuch, engraved by Hoefnagle during Queen Elizabeth's reign, the coachman driving the royal carriage with the Queen seated inside is positioned on a low seat behind the horses and carries a long whip to control them. It's unclear how soon after Charles the Second's time the Hackney Coachmen started riding on a box, but in all the prints from King William's era, the coachmen are shown on the box, although not as high as they are today; additionally, during Queen Anne's time, it wasn't fashionable to sit so high that it prevented those in the carriage from enjoying the view over their shoulders.

In 1637, the number of Hackney Coaches in London was confined to 50, in 1652 to 200, in 1654 to 300, in 1662 to 400, in 1694 to 700, in 1710 to 800, in 1771 to 1,000, and in 1802 to 1,100. In imitation of [Pg 258] our Hackney Coaches, Nicholas Sauvage introduced the Fiacres at Paris, in the year 1650. The hammer-cloth is an ornamental covering of the coach-box. Mr. S. Pegge says, "The coachman formerly used to carry a hammer, pincers, a few nails, &c., in a leather pouch hanging to his box, and this cloth was devised for the hiding of them from public view."

In 1637, the number of Hackney Coaches in London was limited to 50, in 1652 to 200, in 1654 to 300, in 1662 to 400, in 1694 to 700, in 1710 to 800, in 1771 to 1,000, and in 1802 to 1,100. Following the example of our Hackney Coaches, Nicholas Sauvage introduced the Fiacres in Paris in 1650. The hammer-cloth is a decorative cover for the coach-box. Mr. S. Pegge notes, "The coachman used to carry a hammer, pliers, a few nails, etc., in a leather pouch hanging from his box, and this cloth was created to conceal them from public view."

Hackney Coachman

It is said that the sum of £1,500, arising from the duty on Hackney Coaches, was applied to part of the expense in rebuilding Temple Bar.

It is said that the total of £1,500, collected from the duty on Hackney Coaches, was used to cover some of the costs of rebuilding Temple Bar.

A LONDON WATER-CARRIER IN OLDEN TIMES.

A LONDON WATER-CARRIER IN THE PAST.

The conduits of London and its environs, which were established at an early period, supplied the metropolis with water until Sir Hugh Middleton brought the New River from Amwell to London, and then the conduits gradually fell into disuse, as the New River water was by degrees laid on in pipes to the principal buildings in the City, and, in the course of time, let into private houses.

The water channels in London and the surrounding areas, which were created a long time ago, provided the city with water until Sir Hugh Middleton brought the New River from Amwell to London. After that, the channels slowly became unused as New River water was gradually piped to the main buildings in the City and, eventually, to private homes.

When the conduits afforded a supply, the inhabitants either carried their vessels, or sent their servants for the water as they wanted it; but we may suppose that at an early period there were a number of men who for a fixed sum carried the water to the adjoining houses.

When the pipes provided a water supply, the residents either carried their containers themselves or sent their staff to fetch the water as needed; however, we can assume that early on, there were several individuals who for a set fee transported water to the nearby homes.

London Water-Carrier

The figure of a Water-carrier in the following engraving, is copied from one of a curious and rare set of cries and callings of London, published by Overton, at the "White Horse" without Newgate. The figure retains the dress of Henry the Eighth's time; his cap is similar to that usually worn by Sir Thomas More, and also to that given in the portrait of Albert Durer, engraved by Francis Stock. It appears by this print, that the tankard was borne upon the shoulder, and, to keep the carrier dry, two towels were fastened over him, one to fall before him, the other to cover his back. His pouch, in which we are to conclude he carried his money, has been thus noticed in a very curious and rare [Pg 260] tract, entitled, Green's Ghost, with the merry Conceits of Doctor Pinch-backe, published 1626: "To have some store of crownes in his purse, coacht in a faire trunke flop, like a boulting hutch."

The image of a Water-carrier in the following engraving is taken from a rare and interesting set of cries and callings from London, published by Overton at the "White Horse" near Newgate. The figure still wears the clothing from the time of Henry the Eighth; his cap resembles the one typically worn by Sir Thomas More and is also similar to the one in the portrait of Albert Durer, engraved by Francis Stock. From this print, we see that the tankard was carried on the shoulder, and to keep the carrier dry, two towels were draped over him, one hanging in front and the other covering his back. His pouch, which we can assume he used for carrying his money, has been mentioned in a very interesting and rare [Pg 260] tract titled, Green's Ghost, with the merry Conceits of Doctor Pinch-backe, published in 1626: "To have some store of crowns in his purse, tucked in a nice trunk like a bolting hutch."

EXPENSES OF A ROYAL PRISONER TWO HUNDRED YEARS AGO.

EXPENSES OF A ROYAL PRISONER TWO HUNDRED YEARS AGO.

The following curious document is a return, by the Parliamentary Committee of Revenue, of the expenses of Charles the First and his retinue, during a residence of twenty days, at Holdenby, in Northamptonshire, in the year 1647, commencing February the 13th and ending March the 4th inclusive. Sir Christopher Hatton had built a splendid mansion at Holdenby in the time of Queen Elizabeth, and to it King Charles was conveyed a prisoner by the Parliamentary Commissioners, after he had been given up to them by the Scottish army:—

The following interesting document is a report by the Parliamentary Committee of Revenue detailing the expenses of Charles the First and his entourage during a twenty-day stay at Holdenby, Northamptonshire, in the year 1647, from February 13th to March 4th, inclusive. Sir Christopher Hatton built an impressive mansion at Holdenby during Queen Elizabeth's reign, and it was to this place that King Charles was taken as a prisoner by the Parliamentary Commissioners after being surrendered to them by the Scottish army:—

His Majestie's diet of xxviij dishes at xxxl. per diem £700
The Lords' diet of xx days 520
For the Clarke of the green cloth, kitchen, and spicery, a messe of vij dishes 40
Dyetts for the household and chamber officers, and the guard 412
Board wages for common houshold servants, pott and scourers, and turnbroaches 36
Badges of Court and riding wages 140
For linnen for his Majestie's table, the lords and other diets 273
For wheat, wood, and cole 240
For all sorts of spicery store, wax-lights, torches, and tallow-lights 160
For pewter, brasse, and other necessaries incident to all officers and carriages 447

WOMAN'S CLEVERNESS.

WOMAN'S INTELLIGENCE.

It is a singular fact that on one occasion the lives of thousands, probably, of the Irish Protestants, were saved by a clever device, which the unaided wit and presence of mind of a woman enabled her to plan and execute.

It’s a remarkable fact that at one point, the lives of probably thousands of Irish Protestants were saved by a clever plan, which a woman was able to devise and carry out with her quick thinking and resourcefulness.

At the latter end of Queen Mary's reign, a commission was signed for the purpose of punishing the heretics in that kingdom, and Dr. Cole, Dean of St. Paul's, was honoured with this humane appointment, to execute which, he set off with great alacrity. On his arrival at Chester, he sent for the mayor to sup with him, and in the course of conversation related his business; then going to his cloak-bag, he took out the box containing the commission, and having shewn it, with great joy exclaimed, 'This will lash the heretics of Ireland.' Mrs. Edmonds, the landlady, overheard this discourse, and having several relations in Ireland, who were Protestants as well as herself, resolved to put a trick upon the doctor; and while he went to attend the magistrate to the door, took the commission out of the box, and in its room placed a pack of cards, with the knave of clubs uppermost. The zealous doctor, suspecting nothing of the matter, put up his box, took shipping, and, arriving safe in Dublin, went immediately to the Viceroy. A council was called; and, after a speech, the doctor delivered his box, which [Pg 261] being opened by the secretary, the first thing that presented itself was the knave of clubs. This sight surprised the Viceroy and the council, but much more the doctor, who assured them that he had received a commission from the Queen, but what was come of it, he could not tell. 'Well, well,' replied the Viceroy, 'you must go back for another, and we will shuffle the cards in the mean time.' The doctor accordingly hastened across the channel; but at Holyhead he received the intelligence of the Queen's death, and the accession of Elizabeth, who settled on Mrs. Edmonds a pension of forty pounds a year, for saving her Protestant subjects in Ireland.

At the end of Queen Mary's reign, a commission was signed to punish heretics in that kingdom, and Dr. Cole, the Dean of St. Paul’s, was given this humane position. Eager to get started, he set off promptly. Upon arriving in Chester, he invited the mayor to dinner and shared the purpose of his visit during their conversation. Then he went to his bag, pulled out the box containing the commission, and, filled with excitement, exclaimed, "This will punish the heretics of Ireland." Mrs. Edmonds, the landlady, overheard them and, since she had several relatives who were Protestants in Ireland, decided to play a trick on the doctor. While he went to escort the magistrate to the door, she took the commission out of the box and replaced it with a pack of cards, placing the knave of clubs on top. The unsuspecting doctor packed up his box, boarded a ship, and, upon safely arriving in Dublin, went straight to the Viceroy. A council was convened, and after delivering a speech, the doctor handed over his box. When the secretary opened it, the first thing they saw was the knave of clubs. This shocked the Viceroy and the council, but it astonished the doctor even more, who insisted that he had received a legitimate commission from the Queen, but he had no idea what had happened to it. "Well, well," the Viceroy replied, "you’ll have to go back for another one, and in the meantime, we’ll shuffle the cards." The doctor quickly traveled back across the channel; however, at Holyhead, he learned of the Queen’s death and Elizabeth's rise to the throne, who granted Mrs. Edmonds a pension of forty pounds a year for saving her Protestant subjects in Ireland.

DRESS IN THE PROVINCES IN 1777.

DRESS IN THE PROVINCES IN 1777.

In the days when mail-coaches had not begun to run, and when railroads and telegraphs had not entered into the imagination of man, the style of dress in the provinces was often very different to what it was in London, and on this account the following paragraph is deserving of record. We have taken it from a copy of the Nottingham Journal, of September 6, 1777, where it is headed "Ladies undress."—"The ladies' fashionable undress, commonly called a dishabille, to pay visits in the morning, also for walking in the country, on account of its being neat, light, and short, consists of a jacket, the front part of which is made like a sultana; the back part is cut out in four pieces; the middle part is not wider at the bottom than about half an inch; the sides in proportion very narrow. The materials most in vogue are, white muslins with a coloured printed border chintz pattern, printed on purpose, in borders about an inch deep. The silks, which are chiefly lutestrings, are mostly trimmed with gauze. The gauze is tuckered upon the bottom of the jacket, and edged with different-coloured fringes. The petticoat is drawn up in a festoon, and tied with a true lover's knot, two tassels hanging down from each festoon. A short gauze apron, striped or figured, cut in three scollops at the bottom, and trimmed round, with a broad trimming closely plaited; the middle of the apron has three scollops reversed. The cuffs are puckered in the shape of a double pine, one in the front of the arm, the other behind, but the front rather lower. To complete this dress for summer walking, the most elegant and delicate ladies carry a long japanned walking-cane, with an ivory hook head, and on the middle of the cane is fastened a silk umbrella, or what the French call 'a parasol,' which defends them from the sun and slight showers of rain. It opens by a spring, and it is pushed up towards the head of the cane, when expanded for use. Hats, with the feathers spread, chiefly made of chip, covered with fancy gauze puckered, variegated artificial flowers, bell tassels, and other decorations, are worn large."

In the days before mail coaches started running, and when railroads and telegraphs were still just ideas, the way people dressed in the provinces was often quite different from the fashion in London. For this reason, the following excerpt deserves to be noted. We’ve taken it from a copy of the Nottingham Journal, dated September 6, 1777, where it’s titled "Ladies undress."—"The ladies' fashionable undress, commonly known as dishabille, for morning visits and country walks, is neat, light, and short. It consists of a jacket with a front resembling a sultana; the back is cut into four pieces, with the middle part no wider at the bottom than about half an inch, and the sides proportionately very narrow. The most popular materials are white muslins with a colored printed border chintz pattern, made intentionally about an inch deep. The silks, mainly lutestrings, are often trimmed with gauze. The gauze is gathered at the bottom of the jacket and bordered with fringes of various colors. The petticoat is drawn up in a festoon and tied with a true lover's knot, with two tassels hanging down from each festoon. A short gauze apron, either striped or patterned, is cut into three scallops at the bottom and trimmed all around with closely plaited broad trimming; the middle of the apron has three scallops turned upside down. The cuffs are gathered in the shape of double pine, with one on the front of the arm and the other at the back, the front being slightly lower. To complete this summer walking outfit, the most elegant ladies carry a long japanned walking cane with an ivory hook at the top, and attached to the middle of the cane is a silk umbrella, or what the French call 'a parasol,' which protects them from the sun and light rain. It opens with a spring mechanism and is pushed up towards the head of the cane when in use. Large hats made of chip, adorned with spread feathers, fancy gauze, variegated artificial flowers, bell tassels, and other decorations, are worn as well."

A GROUP OF RELICS.

A collection of artifacts.

The Dagger of Raoul de Courcy, of which a representation is included in the cut over leaf, is an interesting relic, and its authenticity can be relied upon. Raoul de Courcy, according to the old French chroniclers was a famous knight, the lord of a noble castle, built upon a mountain that overlooks the Valée d'Or, and the descendant of that [Pg 262] haughty noble who took for his motto: "Neither king, nor prince, nor duke, nor earl am I, but I am the Lord of Courcy"—in other words, greater than them all. He fell in love with the wife of his neighbour, the Lord of Fayel, and the beautiful Gabrielle loved him in return. One night he went as usual to meet her in a tower of the Château of Fayel, but found himself face to face with her lord and master. Raoul escaped, and Gabrielle was ever after closely guarded. Still they found the opportunity for numerous interviews, at which they interchanged their vows of love. At length, Raoul, like a true knight, set out to fight beneath the banner of the Cross, for the possession of the Holy Sepulchre. Ere he went, at a stolen meeting, he bade the fair Gabrielle adieu, giving to her "a silken love-knot, with locks of his own hair worked in with the threads of silk." She gave him a costly ring, which she had always worn, and which he swore to wear till his last breath. What tears were shed—what kisses were exchanged at this last meeting!—for the Holy Land was very far from France in the Middle Ages.

The Dagger of Raoul de Courcy, which you can see represented in the illustration on the next page, is a fascinating artifact, and you can trust its authenticity. Raoul de Courcy, according to old French historians, was a renowned knight and the lord of a noble castle perched on a mountain overlooking the Valée d'Or. He was a descendant of that proud noble who had as his motto: "I am neither king, nor prince, nor duke, nor earl, but I am the Lord of Courcy"—in other words, he considered himself greater than all of them. He fell in love with the wife of his neighbor, the Lord of Fayel, and the beautiful Gabrielle returned his affection. One night, as usual, he went to meet her in a tower of the Château of Fayel, only to come face to face with her husband. Raoul managed to escape, and Gabrielle was kept under strict watch from then on. Even so, they found ways to meet secretly and express their love for one another. Eventually, Raoul, being a true knight, set off to fight under the banner of the Cross for the Holy Sepulchre. Before he left, during a secret rendezvous, he said goodbye to the lovely Gabrielle, giving her "a silken love-knot, with strands of his own hair woven in with the threads of silk." She gave him a precious ring that she had always worn, which he promised to keep until his dying breath. There were so many tears and kisses exchanged at this final meeting! For in the Middle Ages, the Holy Land was a long way from France.

On his arrival in Syria, Ralph de Courcy became known as the "Knight of Great Deeds," for it seems he could only conquer his love by acts of daring valour. After braving every danger, he was at length wounded in the side by an arrow, at the siege of Acre. The king of England took him in his arms with respect, and gave him the kiss of hope, but the arrow was a poisoned one, Raoul felt that he had little time to live. He stretched out his arms towards France, exclaiming, "France, France! Gabrielle, Gabrielle!"

On arriving in Syria, Ralph de Courcy earned the title "Knight of Great Deeds," because it seemed he could only win his love through brave and daring acts. After facing every danger, he was finally wounded in the side by an arrow during the siege of Acre. The king of England held him with respect and gave him a kiss of hope, but the arrow was poisoned, and Raoul knew he had little time left. He extended his arms towards France, shouting, "France, France! Gabrielle, Gabrielle!"

He resolved to return home, but he was hardly on board the ship that was to waft him there, ere he summoned his squire, and begged of him after he was dead, to carry his heart to France, and to give it the Lady Fayel, with all the armlets, diamonds, and other jewels which he possessed, as pledges of love and remembrance.

He decided to go home, but as soon as he got on the ship that would take him there, he called his squire and asked him, after he passed away, to take his heart to France and give it to Lady Fayel, along with all the armlets, diamonds, and other jewels he owned, as tokens of love and memory.

The heart was embalmed, and the squire sought to deliver his precious legacy. He disguised himself in a mean dress, but unluckily met with the Lord of Fayel, and, not knowing him, applied to him for information as to how admittance into the château could be gained. The Lord of Fayel at once attacked and disarmed the poor squire, who was wounded in the side with a hunting-hanger. The precious packet was soon torn open, and the heart discovered. The Lord of Fayel hastened home, and, giving it to his cook, desired that it might be dressed with such a sauce as would make it very palatable.

The heart was preserved, and the squire tried to deliver his valuable legacy. He dressed in shabby clothes but unfortunately ran into the Lord of Fayel, and not recognizing him, asked for information on how to get inside the château. The Lord of Fayel immediately attacked and disarmed the poor squire, who was wounded in the side with a hunting knife. The precious package was quickly opened, revealing the heart. The Lord of Fayel hurried home and, giving it to his cook, asked for it to be prepared with a sauce that would make it really tasty.

Raoul's heart was served up at table, and the fair Gabrielle partook of it. When she had finished eating, the Lord of Fayel said—"Lady, was the meat you eat good?" She replied, that the meat was good. "That is the reason I had it cooked," said the Castellan; "for know that this same meat, which you found so good, was the heart of Raoul de Courcy."

Raoul's heart was served on the table, and the beautiful Gabrielle ate it. When she finished, the Lord of Fayel asked, "Lady, was the meat good?" She replied that it was good. "That's why I had it cooked," said the Castellan; "because this same meat that you found so good was the heart of Raoul de Courcy."

"Lord of Fayel," said Gabrielle, "the vengeance you have taken corresponds with the meanness of your soul; you have made me eat his heart, but it is the last meat I shall ever eat. After such noble food I will never partake of any other."

"Lord of Fayel," Gabrielle said, "the revenge you’ve taken reflects the smallness of your character; you’ve forced me to eat his heart, but that’s the last meal I will ever have. After such a noble delicacy, I will never consume anything else."

She fainted, and only recovered her consciousness a few minutes [Pg 263] before death. Such is the history of Raoul de Courcy and the Lady Gabrielle, as told in the language of the old chroniclers.

She fainted and only regained consciousness a few minutes [Pg 263] before she died. This is the story of Raoul de Courcy and Lady Gabrielle, as described by the old chroniclers.

1. Dagger of Raoul de Courcy. 2. Embroidered Glove, presented by Mary Queen of Scotland, on the Morning of her Execution, to one of her Attendants. 3. Spanish Dagger of the Sixteenth Century. 4. Ring, with Inscription, "Behold the End," formerly the Property of Charles I. 5. Silver Locket, in Memory of the Execution of Charles I.

The glove shown in the engraving is said to have been presented by the unfortunate Queen Mary, on the morning of her execution, to a lady [Pg 264] of the Denny family. The embroidery is of tasteful design, and may be useful as a contrast with many of the patterns for needlework at present in fashion. Moreover, the sight of this memorial brings to recollection a few particulars in connection with this somewhat important part of both male and female costume.

The glove illustrated in the engraving is said to have been given by the tragic Queen Mary, on the morning of her execution, to a lady [Pg 264] from the Denny family. The embroidery has an elegant design and can serve as a contrast to many of the current needlework patterns. Additionally, seeing this item brings to mind a few details related to this significant aspect of both men's and women's fashion.

The ancient Persians wore gloves, and the Romans, towards the decline of the empire, began to use them. In England they seemed to have been introduced at a very early period. In the Anglo-Saxon literature we meet with glof, a covering for the hand, and in the illuminated MSS. of that period the hands of bishops and other dignitaries are shown encased in gloves which, in many instances, were ornamented with costly rings; while on the tombs of kings and queens, &c., the hands are shown almost invariably covered.

The ancient Persians wore gloves, and the Romans started using them as the empire declined. In England, they appeared to be introduced pretty early on. In Anglo-Saxon literature, we encounter glof, which means a covering for the hand, and in the illuminated manuscripts from that time, the hands of bishops and other dignitaries are depicted in gloves that were often decorated with expensive rings. Additionally, the hands on the tombs of kings and queens are almost always shown covered.

It is related of the patron Saint of Brussels, who lived in the sixth century, that she was famous for only two miracles: one consisted in lighting a candle by means of her prayers, after it had been extinguished; the other happened in this way—the fair saint being in a church barefooted, a person near, with respectful gallantry, took off his gloves and attempted to place them under her feet. This comfort she declined; and, kicking the gloves away, they became suspended at some height in the church for the space of an hour.

It is said that the patron Saint of Brussels, who lived in the sixth century, was known for only two miracles: one involved lighting a candle through her prayers after it had gone out; the other occurred when the saint was in a church barefoot. A nearby person, with polite gallantry, removed his gloves and tried to place them under her feet. She declined this comfort and kicked the gloves away, and they remained suspended in the church for an hour.

On opening the tomb of Edward the First, some years ago, in Westminster Abbey, the antiquaries assembled on that occasion were surprised to find no traces of gloves. It has been suggested that in this instance linen or silk gloves had been used at the burial of the king, but which are supposed to have perished with age.

On opening the tomb of Edward the First a few years ago in Westminster Abbey, the historians present were surprised to find no signs of gloves. It has been suggested that linen or silk gloves were used during the king's burial, but they are believed to have disintegrated over time.

The practice of throwing down a glove as a challenge, is mentioned by Matthew Paris as far back as 1245; and a glove was worn in the hat or cap as a mistress's favour, as the memorial of a friend, and as a mark to be challenged by an enemy.

The act of tossing down a glove as a challenge is noted by Matthew Paris as early as 1245; a glove was also worn in a hat or cap as a sign of a woman's favor, as a memento of a friend, and as a signal to be challenged by an opponent.

At a time when the Borders were in a state of incessant strife, Barnard Gilpin, who has been so justly called "the Apostle of the North," wandered unharmed amid the confusion. On one occasion, entering a church (we believe that of Rothbury, Northumberland,) he observed a glove suspended in a conspicuous place, and was informed that it had been hung up as a challenge by some horse-trooper of the district. Mr. Gilpin requested the sexton to remove it; who answered, "Not I sir, I dare not do it." Then Gilpin called for a long staff, took down the glove, and put it in his bosom, and in the course of his sermon, said, "I hear that there is one among you who has even in this sacred place hung up a glove in defiance;" and then producing it in the midst of the congregation, he challenged them to compete with him in acts of Christian charity.

At a time when the Borders were constantly in turmoil, Barnard Gilpin, rightly known as "the Apostle of the North," moved through the chaos without harm. One day, when he entered a church (believed to be in Rothbury, Northumberland), he noticed a glove displayed prominently and learned that it had been placed there as a challenge by a local horse-trooper. Mr. Gilpin asked the sexton to take it down, but the sexton replied, "I can't do that, sir, I'm too afraid." So, Gilpin asked for a long staff, took down the glove, and tucked it into his coat. During his sermon, he said, "I've heard that someone among you has dared to hang up a glove in defiance, even in this holy place;" then he held it up before the congregation and challenged them to join him in acts of Christian kindness.

Gloves, in former times, were common amongst other gifts offered to friends at the new year; and they were received without offence by the ministers of justice. It is related that Sir Thomas More, as Lord Chancellor, decreed in favour of Mrs. Crooker against the Earl of Arundel. On the following New-year's day, in token of her gratitude, she presented Sir Thomas with a pair of gloves containing forty angels. "It [Pg 265] would be against good manners," said the chancellor, "to forsake the ladies' New-year's gift, and I accept the gloves; the lining you may bestow otherwise."

Gloves, in the past, were a common gift exchanged among friends for the new year, and they were accepted without any issue by those in law. It’s said that Sir Thomas More, while serving as Lord Chancellor, ruled in favor of Mrs. Crooker against the Earl of Arundel. The next New Year's Day, in appreciation, she gave Sir Thomas a pair of gloves filled with forty angels. "It [Pg 265] would be rude," said the chancellor, "to reject a woman's New Year's gift, so I will take the gloves; you can give away the lining as you wish."

The custom of the presentation by the sheriff of a pair of white gloves to the judge on the occasion of a maiden assize is still in vogue; and, judging from the reports in the newspapers, such presents appear to be of frequent occurrence.

The tradition of the sheriff presenting a pair of white gloves to the judge at a maiden assize is still practiced; and, based on reports in the newspapers, these gifts seem to happen often.

"Gloves, as sweet as damask roses," were highly prized by Queen Elizabeth, and, in her day, formed such an important item of a lady's expenses, that a sum was generally allowed for "glove money."

"Gloves, as lovely as damask roses," were highly valued by Queen Elizabeth, and during her time, they were such an essential part of a lady's expenses that a budget was typically set aside for "glove money."

The old fashioned gloves have now a considerable value amongst the curious. At the sale of the Earl of Arran's goods in 1759, the gloves given by Henry VIII. to Sir Anthony Denny, sold for 38l. 17s.; those given by James I. to Edward Denny, sold for 22l. 4s.; and the mitten given by Queen Elizabeth to Sir Edward Denny's lady, for 25l. 4s.

The vintage gloves are now quite valuable among collectors. At the auction of the Earl of Arran's possessions in 1759, the gloves gifted by Henry VIII to Sir Anthony Denny sold for £38 17s; those given by James I to Edward Denny went for £22 4s; and the mitten presented by Queen Elizabeth to Sir Edward Denny's wife fetched £25 4s.

Some of the English towns which formerly were famous for the manufacture of gloves, still keep up their character. Amongst these Woodstock, Yeovil, Leominster, Ludlow, and Worcester may be mentioned.

Some of the English towns that used to be famous for making gloves still maintain that reputation. Notable mentions include Woodstock, Yeovil, Leominster, Ludlow, and Worcester.

The Spanish dagger formerly belonged to a governor of Castile, in the sixteenth century, as is shown by the perforated fetter-lock on the blade; and although the initials are engraven there also, we have not been able to discover any particulars of the original owner. The workmanship and style of the dagger are of great beauty.

The Spanish dagger used to belong to a governor of Castile in the sixteenth century, which is indicated by the perforated fetter-lock on the blade. Although the initials are also engraved there, we haven't been able to find any details about the original owner. The craftsmanship and design of the dagger are stunning.

The little ring with the inscription "Behold the end," was once the property of Charles I., and was presented by him to Bishop Juxon on the morning of his execution. The silver lockets, on which are the emblems of death, were extensively manufactured and sold after the execution of Charles I. They generally bore the date of the king's death.

The small ring with the engraving "Behold the end," was once owned by Charles I and was given by him to Bishop Juxon on the morning of his execution. The silver lockets, featuring symbols of death, were widely produced and sold after Charles I's execution. They typically showed the date of the king's death.

THE HAMSTER RAT.

THE HAMSTER RAT.

There are various kinds of rats, and one of these is the Hamster, of the genus Cricetus of Cuvier. Though rare in Europe to the west of the Rhine, it is widely spread from that river to the Danube on the south-west, and north-easterly through a vast extent of country into Siberia. We notice it in our pages on account of its extraordinary habits. Its life appears to be divided between eating and fighting. It seems to have no other passion than that of rage, which induces it to attack every animal that comes in its way, without in the least attending to the superior strength of its enemy. Ignorant of the art of saving itself by flight, rather than yield, it will allow itself to be beaten to pieces with a stick. If it seizes a man's hand, it must be killed before it will quit its hold. The magnitude of the horse terrifies it as little as the address of the dog, which last is fond of hunting it. When the hamster perceives a dog at a distance, it begins by emptying its cheek-pouches if they happen to be filled with grain; it then blows them up so prodigiously, that the size of the head and neck greatly exceed that of the rest of the body. It raises itself on its hind legs, and thus darts upon the enemy. If it catches hold, it never quits it but with the loss [Pg 266] of its life; but the dog generally seizes it from behind, and strangles it. This ferocious disposition prevents the hamster from being at peace with any animal whatever. It even makes war against its own species. When two hamsters meet, they never fail to attack each other, and the stronger always devours the weaker. A combat between a male and a female commonly lasts longer than between two males. They begin by pursuing and biting each other, then each of them retires aside, as if to take breath. After a short interval, they renew the combat, and continue to fight till one of them falls. The vanquished uniformly serves for a repast to the conqueror.

There are different types of rats, and one of them is the Hamster, from the genus Cricetus as classified by Cuvier. While it's rare in Western Europe beyond the Rhine, it's quite common from that river to the Danube in the southwest and further northeast across a large area into Siberia. We mention it here because of its unusual habits. Its life seems to revolve around eating and fighting. It appears to have no other motivation than rage, which drives it to attack any animal in its path, regardless of the greater strength of its opponent. Unfamiliar with the idea of escaping, it would rather withstand an attack than back down, even allowing itself to be beaten to death with a stick. If it bites down on a person’s hand, it has to be killed before it will let go. The size of a horse doesn’t frighten it any more than the skill of a dog, which usually enjoys hunting it. When the hamster spots a dog from a distance, it starts by emptying its cheek pouches if they're filled with grain; then it inflates them so much that its head and neck appear much larger than the rest of its body. It stands on its hind legs and charges at the foe. If it manages to latch on, it won’t release its grip until it dies; however, the dog usually grabs it from behind and chokes it. This aggressive nature prevents the hamster from living peacefully with any animal. It even fights against its own kind. When two hamsters meet, they always end up attacking each other, with the stronger one eventually eating the weaker. A fight between a male and a female usually lasts longer than a fight between two males. They start by chasing and biting each other, then each takes a moment to catch its breath. After a brief pause, they resume fighting until one of them falls. The defeated one is always eaten by the victor.

KNAVERY OF THE PRIESTS IN BURMAH.

KNAVERY OF THE PRIESTS IN BURMAH.

BURMESE PRIEST PREACHING.

The manner in which an uncivilized people will calmly submit to be duped by the extortionate rascality of their priests, is strongly exhibited in the kingdom of Burmah. The people who are there held in the highest estimation are the priests. Any one who pleases may be a priest. The priests pretend to be poor, and go out begging every morning with their empty dishes in their hands; but they get them well filled, and then return to their handsome houses, all shining with gold, in which they live together in plenty and in pride. They are expected to dress in rags, to show that they are poor; but not liking rags, they cut up cloth in little pieces, and sew the pieces together to make their yellow robes; and this they call wearing rags. They pretend to be so modest, that they do not like to show their faces, and so hide them with a fan, even when they preach; for they do preach in their way, that is, they tell foolish stories about Buddha. The name they give him is Guadama, while the Chinese call him Fo. They have five hundred and fifty stories written in their books about him; for they say he was once a bird, a fly, an elephant, and all manner of creatures, and was so good whatever he was, that at last he was born the son of a king. Is it not marvellous that a whole people should, for generation after generation, not only submit to be thus scandalously cheated, but should also hold those who cheat them in the highest esteem? A curious fact, indeed, in the history of mankind.

The way an uncivilized population will calmly allow themselves to be fooled by the greedy trickery of their priests is clearly seen in the kingdom of Burma. The people there hold the priests in the highest regard. Anyone who wants to can become a priest. The priests pretend to be poor and go out begging every morning with their empty bowls in hand; however, they return with them well filled and go back to their nice houses, all gleaming with gold, where they live in comfort and pride. They are expected to wear rags to show that they're poor, but not wanting to actually wear rags, they cut cloth into small pieces and sew them together to create their yellow robes, which they claim is wearing rags. They act so modest that they don't want to show their faces, so they cover them with a fan, even while they preach; and yes, they do preach in their way—telling silly stories about Buddha. They call him Guadama, while the Chinese refer to him as Fo. They have five hundred and fifty stories written in their texts about him, claiming he was once a bird, a fly, an elephant, and all kinds of other creatures, and was so virtuous in whatever form he took that he eventually was born as the son of a king. Isn’t it astounding that an entire population would, for generation after generation, not only endure such outrageous deception but also hold the very people who deceive them in the highest esteem? It's quite a curious fact in human history.

MIRACULOUS ESCAPE.

MIRACULOUS ESCAPE.

One of the most singular circumstances occurred a few years ago that ever came within our observation. Mr. Charlton, surgeon, of Wylam, near Newcastle-on-Tyne, having at a late hour been called upon in haste to give his attendance at Ovingham, borrowed a spirited horse of a friend, that he might proceed with the least possible delay. He had not gone above half a mile when he perceived his horse stumble, and he immediately threw himself from the saddle. It was fortunate he did so, for the next instant his horse had fallen down a precipice of near seventy [Pg 267] feet; and, incredible as it may seem, the animal sustained no injury, but immediately dashed into the Tyne, and swam to the opposite side. Search was made after him, and hearing his master's voice, he was heard to neigh even across the water in token of recognition, and was ultimately restored without speck or blemish.

One of the most unusual things happened a few years ago that we ever observed. Mr. Charlton, a surgeon from Wylam, near Newcastle-on-Tyne, was called out late at night to attend to a situation in Ovingham. In a hurry, he borrowed a spirited horse from a friend so he could leave without delay. He hadn't traveled more than half a mile when he saw his horse stumble, and he quickly jumped off the saddle. It was a good thing he did because the next moment, his horse fell down a cliff that was nearly seventy [Pg 267] feet high; and, incredibly, the horse wasn't hurt at all. Instead, it jumped straight into the Tyne and swam to the other side. A search was conducted for him, and upon hearing his owner's voice, he neighs across the water in recognition and was eventually brought back without a single mark or injury.

A NATIONAL TASTE FOR GAMING.

A national love for gaming.

It is a remarkable fact that a taste for gaming appears in some cases to pervade a whole people, and to become one of the chief national characteristics. No where is this more manifest than among the inhabitants of the Asiatic Islands.

It’s an interesting fact that a love for gaming seems to be common among entire populations, becoming one of their main national traits. Nowhere is this more evident than among the people of the Asiatic Islands.

Games of hazard are the favourites of these islanders. Some of them they have learned of the Chinese, the most debauched of gamesters, and others of the Portuguese. The only game of hazard, of native origin, among the Javanese consists in guessing the number of a certain kind of beans which the players hold in their hands.

Games of chance are the favorites of these islanders. Some they’ve learned from the Chinese, who are the most reckless gamblers, and others from the Portuguese. The only game of chance that is of local origin among the Javanese involves guessing the number of a certain type of beans that the players hold in their hands.

But of all the species of gaming that to which the Indian islanders are most fondly addicted is betting on the issue of the combats of pugnacious animals, and particularly the cock. The breed in highest estimation is the produce of Celebes. The people of Java fight their cocks without spurs; but the Malays and natives of Celebes with an artificial spur, in the shape of a small scythe, which, notwithstanding its barbarous appearance, is in reality less destructive than the contrivance employed among ourselves.

But among all the types of gambling, the one that the Indian islanders are most passionate about is betting on the outcomes of fights between aggressive animals, especially roosters. The most prized breed comes from Celebes. The people of Java fight their roosters without spurs, while the Malays and the locals of Celebes use an artificial spur shaped like a small scythe, which, despite looking brutal, is actually less harmful than the devices used in our own practices.

Quail fighting also is extremely common in Java. The most famous breed of this bird is found in the island of Lombok; and it is a singular fact, that the female is used in these bitter but bloodless combats, the male being comparatively small and timid. Neither do the Javanese hesitate to bet considerable sums on a battle between two crickets, which are excited to the conflict by the titillation of a blade of grass judiciously applied to their noses. They will likewise risk their money on the strength and hardness of a nut, called kamiri; and much skill, patience and dexterity, are exercised in the selection and the strife. At other times two paper kites decide the fortune of the parties; the object of each in this contest being to cut the string of his adversary. On a favourable day fifty or sixty kites, raised for this purpose, may sometimes be seen hovering over a Javanese city.

Quail fighting is also really popular in Java. The most well-known breed of this bird comes from the island of Lombok, and it's interesting that the females are used in these tough but bloodless fights, while the males are smaller and more timid. The Javanese also don't hesitate to bet significant amounts on battles between two crickets, which are riled up for the fight by gently tickling their noses with a blade of grass. They will also wager their money on the strength and toughness of a nut called kamiri; a lot of skill, patience, and finesse goes into selecting and preparing for these contests. Sometimes, two paper kites determine the outcome for the gamblers, aiming to cut the string of the opponent's kite. On a good day, you might see fifty or sixty kites, specifically raised for this purpose, flying over a Javanese city.

A FRIEND TO PHYSIC.

A friend to healing.

Mr. Samuel Jessup, who died at Heckington, Lincolnshire, in 1817, was an opulent grazier and of pill-taking memory. He lived in a very eccentric way, as a bachelor, without known relatives, and at his decease was possessed of a good fortune, notwithstanding a most inordinate craving for physic, by which he was distinguished for the last thirty years of his life, as appeared on a trial for the amount of an apothecary's bill, at the assizes at Lincoln, a short time before Mr. Jessup's death, wherein he was defendant. The evidence on the trial affords the following materials for the epitaph of the deceased, which will not be transcended by the memorabilia of the life of any man. In twenty-one years (from [Pg 268] 1791 to 1816) the deceased took 226,934 pills (supplied by a most highly respectable apothecary and worthy person of the name of Wright, who resided at Bottesford), which is at the rate of 10,806 pills a year, or 29 pills each day; but as the patient begun with a more moderate appetite, and increased it as he proceeded, in the last five years preceding 1816, he took the pills at the rate of 78 a-day, and in the year 1814, he swallowed not less than 51,590. Notwithstanding this, and the addition of 40,000 bottles of mixture, and juleps and electuaries, extending altogether to fifty-five closely written columns of an apothecary's bill, the deceased lived to attain the advanced age of sixty-five years.

Mr. Samuel Jessup, who died in Heckington, Lincolnshire, in 1817, was a wealthy grazier with a notorious habit of taking pills. He lived an unusual life as a bachelor with no known relatives, and at the time of his death, he had amassed a considerable fortune, despite his excessive need for medicine, which had characterized the last thirty years of his life. This was highlighted during a trial concerning an apothecary's bill at the Lincoln assizes shortly before his death, where he was the defendant. Evidence from the trial provides intriguing details for the epitaph of the deceased, which is unlikely to be surpassed by the memoirs of any other man. Over twenty-one years (from [Pg 268] 1791 to 1816), the deceased consumed 226,934 pills (provided by a highly reputable apothecary named Wright, who lived in Bottesford), averaging 10,806 pills a year, or 29 pills a day. However, since he started with a more moderate intake and increased it over time, in the last five years leading up to 1816, he was taking pills at a rate of 78 a day, and in 1814 alone, he swallowed no less than 51,590 pills. Despite this, plus an additional 40,000 bottles of mixtures, juleps, and electuaries, which altogether filled fifty-five densely written columns of an apothecary's bill, the deceased lived to the remarkable age of sixty-five.

AN INCULPATORY EPITAPH.

A Blameworthy Epitaph.

The following epitaph at West Allington, Devon, is deserving a place in our record of curiosities, inasmuch as it appears to be a successful attempt in making a monumental stone, both a memorial of the deceased, and also a means of reproving the parson of the parish:—

The following epitaph at West Allington, Devon, deserves a spot in our collection of curiosities, as it seems to be a successful effort to create a monument that serves both as a tribute to the deceased and as a way to admonish the parish priest:—

"Here lyeth the Body of
Daniel Jeffery the Son of Michael
Jeffery and Joan his Wife he
was buried ye 22 day of September
1746 and in ye 18th year of his age.
This Youth When In his sickness lay
did for the minister Send + that he would
Come and With him Pray + But he would not atend
But When this young man Buried was
The minister did him admit + he should be
Caried into Church + that he might money geet
By this you See what man will dwo + to geet
money if he can + who did refuse to come
pray + by the Foresaid young man."

"Here lies the body of"
Daniel Jeffery, the son of Michael
Jeffery and his wife, Joan. He
was buried on September 22nd
1746 and at 18 years old.
This young man, when he was ill,
sent for the minister to come over
and pray with him, but he refused to join.
However, when this young man was laid to rest,
The minister did agree to leave him alone.
brought into the church so he could earn money.
This lets you see what people will do.
to earn money if they can, even those who declined to come
"to pray for the young man mentioned above."

HUNTING A SHEEP KILLER.

Hunting a sheep killer.

It has been remarked, that when once a dog acquires wild habits, and takes to killing sheep, he does far more mischief than a wild beast, since to the cunning of the tamed animal he adds the ferocity of the untamed. A remarkable case of this sort is mentioned in the following paragraph, which we have copied from the Newcastle Courant of the year 1823. It is also curious to note the account of the chase, and of the joy which the whole country-side seems to have manifested at the slaughter of the animal.—September 21—A few days ago a dog of a most destructive nature infested the fells of Caldbeck, Carrock, and High Pike, about sixteen miles south of Carlisle. Little doubt remains of its being the same dog which has been so injurious to the farmers in the northern parts of Northumberland, as no less than sixty sheep or upwards have fallen victims to its ferocity. It was thought proper to lose no time in attempting to destroy it, and Tuesday last was fixed upon. Sir H. Fletcher, Bart., of Clea Hall, offered his pack of hounds, and several other dogs with about fifty horsemen set out from Hesket [Pg 269] New-market. Several persons with firearms were stationed at different parts. The dog was descried upon an eminence of Carrock-fell, and on sight of the pursuers set off by way of Hesket New-market, Stocklewath, and Barwick-field, then returned by Cowclose, Castle Sowerby, and attempted to gain the fells again, when Mr. Sewell, farmer at Wedlock, lying in ambush at Mossdale, fired, and succeeded in shooting him. He appears to be of the Newfoundland breed, of a common size, wire-haired, and extremely lean. During the chase he frequently turned upon the dogs which were headmost, and so wounded several as obliged them to give up the pursuit. The joy manifested on this occasion was uncommon, insomuch that on the day following about thirty persons sat down to a dinner provided at Mr. Tomlinson's, Hesket New-market. Upon the most moderate computation, excluding the various windings, the chase could not be less than thirty miles, and occupied no less than six hours.

It’s been noted that once a dog picks up wild habits and starts killing sheep, it causes way more trouble than a wild animal. This is because the cleverness of a domesticated dog is combined with the savagery of a wild one. A striking case of this is discussed in the following paragraph, which we’ve taken from the Newcastle Courant from 1823. It’s also interesting to see how everyone in the area reacted with joy at the death of the animal. —September 21—A few days ago, a particularly destructive dog roamed the fells of Caldbeck, Carrock, and High Pike, about sixteen miles south of Carlisle. It’s believed to be the same dog that has caused so much damage to farmers in northern Northumberland, with no less than sixty sheep or more falling victim to its attacks. It was decided that action needed to be taken quickly to kill it, and last Tuesday was chosen for the attempt. Sir H. Fletcher, Bart., of Clea Hall, offered his pack of hounds, and several other dogs along with about fifty horsemen set off from Hesket New-market. Several people with firearms were positioned at various locations. The dog was spotted on a rise of Carrock-fell, and upon seeing the hunters, it ran towards Hesket New-market, Stocklewath, and Barwick-field, then attempted to head back up into the fells. However, Mr. Sewell, a farmer at Wedlock, who was hiding at Mossdale, shot it successfully. It appears to be of the Newfoundland breed, of average size, wire-haired, and very lean. During the chase, it often turned on the lead dogs and injured several of them, forcing them to give up the chase. The excitement over this event was quite unusual; the day after, about thirty people gathered for a dinner arranged at Mr. Tomlinson's in Hesket New-market. By a conservative estimate, excluding the various twists and turns, the chase covered at least thirty miles and took no less than six hours.

LONGEVITY.

Lifespan.

Henry Jenkins, of Ellerton-upon-Swale, Yorkshire, died 1670, aged 169. He remembered the battle of Flodden Field, fought between the English and the Scotch, September 9, 1513, when he was about twelve years old. He was then sent to Northallerton with a cartload of arrows, but an older boy was employed to convey them to the army. At Ellerton there was also living, at the same time, four or five other old men, reputed to be of the age of one hundred years and thereabouts, and they all testified that Jenkins was an elderly man when first they knew him. Jenkins was once butler to Lord Conyers; he perfectly remembered the Abbot of Fountain's Dale before the dissolution of the monasteries. In the last century of his life he was a fisherman, and often swam in the river after he was a hundred years old. In the King's Remembrancer Office in the Exchequer, there is a record of a deposition in a cause, taken April, 1665, at Kettlewell, Yorkshire, where Henry Jenkins, of Ellerton-upon-Swale, labourer, aged 157 years, was produced, and made deposition as a witness. He was buried at Bolton, Yorkshire. In 1743, a monument, with a suitable inscription, was erected to perpetuate his memory.

Henry Jenkins, from Ellerton-upon-Swale, Yorkshire, died in 1670 at the age of 169. He recalled the battle of Flodden Field, which took place between the English and the Scots on September 9, 1513, when he was about twelve years old. At that time, he was sent to Northallerton with a cartload of arrows, but an older boy was assigned to take them to the army. Living in Ellerton at the same time were four or five other old men, believed to be around one hundred years old, and they all said that Jenkins was already an old man when they first met him. Jenkins had once been the butler for Lord Conyers; he clearly remembered the Abbot of Fountain's Dale before the monasteries were dissolved. In the last century of his life, he worked as a fisherman and often swam in the river even after turning one hundred. In the King's Remembrancer Office in the Exchequer, there is a record of a statement made in a case, taken in April 1665 at Kettlewell, Yorkshire, where Henry Jenkins, from Ellerton-upon-Swale, a laborer aged 157, was presented and gave testimony as a witness. He was buried in Bolton, Yorkshire. In 1743, a monument with an appropriate inscription was put up to honor his memory.

THE PULPIT OF JOHN KNOX AT ST. ANDREW'S.

THE PULPIT OF JOHN KNOX AT ST. ANDREW'S.

John Knox, the great precursor of the Protestant Reformation, having been driven from Edinburgh by the threats of his opponents, reluctantly withdrew to St. Andrew's, in the county of Fife, where he continued with undiminished boldness to denounce the enemies of the reformed faith. It was in that place that he had first discoursed against the degeneracy of the Church of Rome, and there he occupied the Pulpit represented in the accompanying engraving; and the following curious and characteristic anecdote connected with his preaching in it, is related in the Manuscript Diary of James Melville, then a student at the college of St. Andrew's, and subsequently Minister of Anstruther. "Of all the benefits I haid that year (1571) was the coming of that maist notable profet and apostle of our nation, Mr. Jhone Knox, to St. Andrew's: who, be the faction [Pg 270] of the Queen occupying the castell and town of Edinburgh, was compellit to remove therefra, with a number of the best, and chusit to come to St. Andrew's. I heard him teache there the Prophecies of Daniel that simmer, and the winter following; I haid my pen and my little buike, and tuk away sic things as I could comprehend. In the opening up of his text he was moderat the space of an half houre; but when he onterit to application, he made me so to grew (thrill) and tremble, that I could not hold a pen to wryt. He was very weak. I saw him every day of his life go hulie and fear (hoolie and fairly—slowly and warily) with a furring of marticks, (martins) about his neck, a staffe in the ane hand, and gud godlie Richard Ballanden, his servand, haldin up the uther oxier (arm-pit), from the Abbey to the Parish-Kirk; and be the said Richart and another servant lifted up to the Pulpit, whar he behovit (was obliged) to lean at his first entry: bot er he had done with his sermone he was sa active and vigourous, that he was lyk to ding the pulpit in blads (beat it into shivers) and flie out of it."

John Knox, the significant forerunner of the Protestant Reformation, was forced to leave Edinburgh due to threats from his adversaries. He reluctantly moved to St. Andrew's in Fife, where he continued to boldly criticize the enemies of the reformed faith. It was here that he first spoke out against the decline of the Roman Church, and he occupied the pulpit shown in the accompanying engraving. A curious and characteristic anecdote related to his preaching there is recounted in the Manuscript Diary of James Melville, who was a student at the College of St. Andrew's and later became the Minister of Anstruther. "Of all the benefits I had that year (1571), the most notable was the arrival of that remarkable prophet and apostle of our nation, Mr. John Knox, in St. Andrew's. He had to leave Edinburgh, where the Queen's faction occupied the castle and town, along with several prominent figures, and chose to come to St. Andrew's. I heard him teach the Prophecies of Daniel that summer, and the following winter; I had my pen and my little book, and noted down what I could understand. At the start of his sermon, he was moderate for about half an hour, but when he got to the application, I was so thrilled and shaken that I couldn’t hold a pen to write. He was quite frail. I saw him every day move slowly and carefully, with a fur around his neck, a staff in one hand, and good pious Richard Ballanden, his servant, holding up his other arm, from the Abbey to the Parish Church; and Richard along with another servant lifted him up to the pulpit, where he had to lean at first. But by the end of his sermon, he was so active and vigorous that it seemed like he would beat the pulpit to pieces and jump out of it."

Puplit of John Knox

The interesting relique commemorated in this curious extract, is of that stately style of carving which was introduced towards the close of the sixteenth century in Protestant preaching-places; and continued, though of a more heavy character, throughout the whole of the succeeding century. A scroll-bracket remaining on the preacher's left hand, and some broken pieces at the top of the back, appear to indicate that it was once more extended, and had probably a canopy or sounding-board.

The interesting relic mentioned in this excerpt refers to that elegant style of carving that was introduced near the end of the sixteenth century in Protestant churches. This style continued, although it became a bit heavier, throughout the entire next century. A scroll-bracket still on the preacher's left side, along with some broken pieces at the top of the back, suggests that it used to be more elaborate and likely had a canopy or sounding-board.

THE BIBLE USED BY KING CHARLES THE FIRST ON THE SCAFFOLD.

THE BIBLE THAT KING CHARLES THE FIRST USED ON THE SCAFFOLD.

Bible Used by Charles the First on the Scaffold

There is so much external evidence of the genuineness of this very beautiful and interesting relique, that no doubt can exist as to its perfect authenticity, though the circumstance of the King having a Bible with him on the scaffold, and of presenting it to Dr. Juxon, is not mentioned in any contemporaneous account of his death. The only notice of such a volume, as a dying gift, appears to be that recorded by Sir Thomas Herbert, in his narrative, which forms a part of the Memoirs of the last Two Years of the Reign of that unparalleled Prince of ever-blessed memory, King Charles I. London, 1702, 8vo, p. 129, in the following passage:—"The King thereupon gave him his hand to kiss: having the day before been graciously pleased under his royal hand, to give him a certificate that the said Mr. Herbert was not imposed upon him, but by his Majesty made choice of to attend him in his bed-chamber, and had served him with faithfulness and loyal affection. His Majesty also delivered him his Bible, in the margin whereof he had with his own hand, written many annotations and quotations, and charged him to give it to the Prince so soon as he returned." That this might be the book represented in our engraving, is rendered extremely probable, by admitting that the King would be naturally anxious, that his son should possess that very copy of the Scriptures which had been provided for himself when he was Prince of Wales. It will be observed [Pg 272] that the cover of the volume is decorated with the badge of the Principality within the Garter, surmounted by a royal coronet in silver gilt, inclosed by an embroidered border; the initials C. P. apparently improperly altered to an R., and the badges of the Rose and Thistle, upon a ground of blue velvet: and the book was therefore bound between the death of Prince Henry in 1612, and the accession of King Charles to the throne in 1625, when such a coronet would be no longer used by him. If the Bible here represented were that referred to by Herbert, the circumstance of Bishop Juxon becoming the possessor of it might be accounted for, by supposing that it was placed in his hands to be transmitted to Charles II. with the George of the Order of the Garter belonging to the late King, well known to have been given to that Prelate upon the scaffold, January 30th, 1648-9.

There is a lot of external evidence supporting the authenticity of this beautiful and interesting relic, leaving no doubt about its true validity, even though the fact that the King had a Bible with him on the scaffold and gave it to Dr. Juxon isn't mentioned in any contemporary accounts of his death. The only mention of such a volume as a dying gift seems to come from Sir Thomas Herbert, in his narrative included in the Memoirs of the Last Two Years of the Reign of that Unparalleled Prince of Ever-Blessed Memory, King Charles I. London, 1702, 8vo, p. 129, where it states: "The King then offered his hand to be kissed: having graciously decided the day before, under his royal hand, to give him a certificate that Mr. Herbert was not imposed upon him, but that his Majesty chose him to attend him in his bed-chamber, and that he had served him with faithfulness and loyal affection. His Majesty also handed him his Bible, on the margin of which he had written many notes and quotes in his own hand, and instructed him to give it to the Prince as soon as he returned." It’s highly likely that this is the book depicted in our engraving since one can assume the King would naturally want his son to have that exact copy of the Scriptures that had been prepared for him when he was Prince of Wales. It should be noted that the cover of the volume is adorned with the badge of the Principality within the Garter, topped with a silver gilt royal coronet, surrounded by an embroidered border; the initials C. P. seemingly altered to an R., and the badges of the Rose and Thistle set on a blue velvet background: and the book was likely bound between the death of Prince Henry in 1612 and King Charles's ascension to the throne in 1625, when he would no longer use such a coronet. If the Bible shown here is the one Herbert referred to, it’s understandable that Bishop Juxon would have become its possessor, possibly having received it to pass on to Charles II. along with the George of the Order of the Garter belonging to the late King, which is known to have been given to that Prelate on the scaffold on January 30th, 1648-9.

LAMBETH WELLS, THE APOLLO GARDENS, AND FINCH'S GROTTO.

Lambeth Wells, the Apollo Gardens, and Finch's Grotto.

Among the numerous public places of amusement which arose upon the success of Vauxhall Gardens, which were first opened about 1661, was one in Lambeth Walk, known as Lambeth Wells. This place was first opened on account of its mineral waters, which were sold at a penny per quart. The music commenced at seven o'clock in the morning, and the price of admission was three pence. A monthly concert under the direction of Mr. Starling Goodwin, organist of St. Saviour's Church Southwark, was afterwards held here, and Erasmus King, who had been coachman to the celebrated Dr. Desaguliers, read lectures and exhibited experiments in natural philosophy, the price of admission being raised to sixpence.

Among the many entertainment spots that popped up after the success of Vauxhall Gardens, which first opened around 1661, was one in Lambeth Walk called Lambeth Wells. This place initially opened due to its mineral waters, which were sold for a penny per quart. Music started at seven in the morning, and the admission fee was three pence. Later on, a monthly concert was held here under the direction of Mr. Starling Goodwin, the organist of St. Saviour's Church in Southwark, and Erasmus King, who had been the coachman for the famous Dr. Desaguliers, gave lectures and showed experiments in natural philosophy, increasing the admission fee to sixpence.

This place was open before 1698, and existed as late as 1752, when "A Penny Wedding after the Scotch fashion, for the benefit of a young couple," was advertised to be kept there.

This place was open before 1698 and lasted until at least 1752, when "A Penny Wedding in the Scottish style, for the benefit of a young couple," was advertised to be held there.

Lambeth Wells at length becoming a public nuisance, the premises were shut up, and ultimately let as a Methodist Meeting-house. The music gallery was used as a pulpit; but the preacher being greatly disturbed in his enthusiastic harangues, he was obliged to quit, when the premises were converted to various purposes, except the dwelling, which is now known by the sign of the Fountain public-house.

Lambeth Wells eventually became a public nuisance, so the place was closed down and ultimately rented out as a Methodist meeting house. The music gallery was turned into a pulpit; however, since the preacher was frequently interrupted during his passionate speeches, he had to leave. After that, the premises were used for different purposes, except for the dwelling, which is now called the Fountain pub.

On the site of Messrs. Maudslay's factory, in the Westminster Road, formerly stood the Apollo Gardens. This place of amusement was opened in 1788, by an ingenious musician named Clagget, who published, in 1793, a small quarto pamphlet, entitled "Musical Phenomena: An Organ made without Pipes, Strings, Bells, or Glasses; the only Instrument in the world that will never require to be re-tuned. A Cromatic Trumpet, capable of producing just Intervals, and regular Melodies in all Keys, without undergoing any change whatever. A French Horn answering the above description of the Trumpet."

On the site of Maudslay's factory on Westminster Road, there used to be Apollo Gardens. This amusement venue opened in 1788, created by a clever musician named Clagget, who published a small quarto pamphlet in 1793 titled "Musical Phenomena: An Organ Made without Pipes, Strings, Bells, or Glasses; the only Instrument in the world that will never need re-tuning. A Chromatic Trumpet capable of producing exact Intervals and regular Melodies in all Keys, without any changes. A French Horn that matches the description of the Trumpet."

The Apollo Gardens had one spacious room elegantly fitted up, and decorated in taste suitably to its intention. The gardens consisted of a number of elegant pavilions or alcoves, well adapted for the accommodation of different companies; they were ornamented chiefly with a succession of paintings, relating to romantic histories, particularly the [Pg 273] different adventures of Don Quixote. It had a fine orchestra erected in the centre of the gardens. The place being ultimately converted into a receptacle for loose and dissolute characters, the magistracy very properly suppressed it about the year 1799.

The Apollo Gardens had one spacious room beautifully furnished and decorated to match its purpose. The gardens included several stylish pavilions or alcoves, well-suited for accommodating different groups; they were mainly adorned with a series of paintings depicting romantic stories, especially the various adventures of Don Quixote. There was a great orchestra set up in the center of the gardens. Eventually, the place became a gathering spot for unruly and immoral people, so the authorities rightly closed it down around 1799.

In Gravel Lane, Southwark, was Finch's Grotto, a public garden and place of amusement, so named from William Finch, the proprietor. The Grotto was opened to the public in 1770 upon the plan of Vauxhall gardens. An orchestra and a band of musicians, added to the rural character of the place, and drew a numerous body of visitors.

In Gravel Lane, Southwark, was Finch's Grotto, a public garden and entertainment spot, named after its owner, William Finch. The Grotto opened to the public in 1770, modeled after Vauxhall gardens. An orchestra and a band of musicians enhanced the garden's rural vibe and attracted a large number of visitors.

Very little is known about the Grotto, but it is supposed to have been closed early in the present century.

Very little is known about the Grotto, but it is believed to have been closed early in this century.

THE DUCK-BILLED PLATYPUS, OR, ORNITHORYNCHUS PARADOXUS.

THE DUCK-BILLED PLATYPUS, OR, ORNITHORYNCHUS PARADOXUS.

Duck-Billed Platypus

Of the genus Ornithorynchus only one species—the Paradoxus—has yet been discovered in the whole world, and it is, therefore, one of the great curiosities of animal life. It appears to be a union of a quadruped and a bird, and is only to be found in New Holland, where it inhabits the reeds by the side of rivers. Our engraving represents it very accurately. It is about twenty inches long, having a flattened body, somewhat like the otter, and is clothed with a dark soft fur. The elongated nose very much resembles the beak of a duck, like which these animals feed upon water insects, shell-fish, and aquatic plants. The feet are five-toed and webbed, and in the fore-feet this membrane extends beyond the nails: the male is armed with a spur on each hind leg. This curious animal, in which a duck's beak is united to the body of a quadruped, rolls itself up like a hedgehog, when it sleeps in its burrows on the banks of the streams whence its food is derived.

Of the genus Ornithorynchus, only one species—the Paradoxus—has been discovered worldwide, making it one of the great wonders of the animal kingdom. It seems to be a mix of a mammal and a bird, and is found only in Australia, where it lives in the reeds next to rivers. Our illustration shows it quite accurately. It’s about twenty inches long, with a flattened body similar to that of an otter, and is covered in dark, soft fur. Its long nose looks a lot like a duck's bill, and these animals feed on water insects, shellfish, and aquatic plants. They have five-toed, webbed feet, and in the front paws, the webbing extends past the nails. Males have a spur on each hind leg. This fascinating animal, with a duck's bill attached to a mammal's body, curls up like a hedgehog when it sleeps in its burrows along the banks of the streams where it finds its food.

ORIGIN OF BOLTON ABBEY.

Bolton Abbey Origins.

About midway up the Vale of Bolton, amidst the gloomy recesses of the woods, the Wharfe, which is otherwise a wide and shallow river, is suddenly contracted by two huge rocks, which approach each other so nearly, that the country folk, or rather the villagers, call it the Strid, because adventurous people stride or leap from one rock to the other. In ancient [Pg 274] days, the whole of this valley belonged to Baron Romillie, whose eldest son having died, left a younger brother, of the name of Egremont, sole heir of the domains and inheritance of this family. One day, however, when this young man, familiarly called the "Boy of Egremont," was returning from hunting with the hounds in the leash, he, as he had done many times before, was going to leap the Strid, when, just as he had attempted it, the hounds held back, and precipitated him headlong into the deep and awful chasm, which the impetuous fall of water (thus produced by the sudden contraction of the river) had worn in the base of the two rude rocks, and he was never seen afterwards. The Baron, being now left childless, built the Abbey, and endowed it with the domains of Bolton.

About halfway up the Vale of Bolton, in the shadowy depths of the woods, the Wharfe, which is usually a wide and shallow river, suddenly narrows between two massive rocks that come so close together that the locals, or more precisely the villagers, call it the Strid, because adventurous people leap from one rock to the other. In ancient times, this entire valley belonged to Baron Romillie, whose eldest son passed away, leaving a younger brother named Egremont as the sole heir to the family's lands and inheritance. One day, however, when this young man, commonly known as the "Boy of Egremont," was returning from hunting with the hounds, he planned to jump the Strid as he had many times before, but just as he was about to do it, the hounds hesitated and caused him to fall headfirst into the deep and terrifying chasm carved out by the rushing water due to the sudden narrowing of the river, and he was never seen again. The Baron, now left without a child, built the Abbey and gifted it with the lands of Bolton.

LENGTH OF LIFE WITHOUT BODILY EXERCISE.

LENGTH OF LIFE WITHOUT PHYSICAL ACTIVITY.

The Rev. William Davies, Rector of Staunton-upon-Wye, and Vicar of All Saints, Hereford, died 1790, aged 105. The life of this gentleman displays one of the most extraordinary instances of departure from all those rules of temperance and exercise, which so much influence the lives of the mass of mankind, that is, probably to be found in the whole records of longevity. During the last thirty-five years of his life, he never used any other exercise than that of just slipping his feet, one before the other, from room to room; and they never after that time were raised, but to go down or up stairs, a task, however, to which he seldom subjected himself. His breakfast was hearty; consisting of hot rolls well buttered, with a plentiful supply of tea or coffee. His dinner was substantial, and frequently consisted of a variety of dishes. At supper he generally eat hot roast meat, and always drank wine, though never to excess. Though nearly blind for a number of years, he was always cheerful in his manners, and entertaining in his conversation, and was much beloved by all who knew him. He had neither gout, stone, paralysis, rheumatism, nor any of those disagreeable infirmities which mostly attend old age; but died peaceably in the full possession of all his faculties, mental and corporeal, save his eyesight. Like most long livers he was very short of stature.

The Rev. William Davies, Rector of Staunton-upon-Wye and Vicar of All Saints, Hereford, died in 1790 at the age of 105. His life showcases one of the most remarkable examples of breaking the typical rules of exercise and moderation, which greatly affect the lives of most people. For the last thirty-five years of his life, he only moved by shuffling his feet from one room to another; his feet hardly left the ground except to go up or down stairs, a task he rarely did. His breakfast was hearty, featuring hot rolls well buttered and plenty of tea or coffee. His dinner was substantial and often included a variety of dishes. At supper, he usually ate hot roast meat and always drank wine, though never excessively. Despite being nearly blind for many years, he remained cheerful and engaging in conversation, earning the affection of everyone who knew him. He did not suffer from gout, kidney stones, paralysis, rheumatism, or any of the common ailments of old age; he passed away peacefully, fully alert both mentally and physically, except for his eyesight. Like many people who live long lives, he was quite short in stature.

EXTRAORDINARY FASHION IN CIGARS.

AMAZING CIGAR FASHION.

A taste for tobacco in some form or other seems to extend over the whole inhabitable globe. In this respect it matters not whether nations are civilized or uncivilized; and however completely they may differ from each other in everything else, they all agree in a fondness for "the weed." In the mode, however, of indulging in the luxury, there is the greatest diversity, and no where is this more strikingly manifested than in the Philippine Islands.

A preference for tobacco in some form seems to cover the entire inhabitable world. In this regard, it doesn't matter if nations are civilized or not; no matter how different they are in every other way, they all share a love for "the weed." However, the ways in which they enjoy this luxury vary widely, and nowhere is this more evident than in the Philippine Islands.

"It is not till evening that the inhabitants of the higher class begin to stir; till that time they are occupied in eating, sleeping, and smoking tobacco, which is no where more general than on the island of Luzon; for children, before they can walk, begin to smoke segars. The women carry their fondness for it to a greater height than the men; for, not content with the usual small segars, they have others made for them, [Pg 275] which are a foot long and proportionably thick. These are here called the women's segars, and it is a most ludicrous sight to see elegant ladies taking their evening walk, with these burning brands in their mouths."

"It’s not until evening that the upper-class residents start to move about; until then, they’re busy eating, sleeping, and smoking tobacco, which is more popular here than anywhere else, especially on the island of Luzon. Children begin to smoke cigars before they can even walk. The women take their love for it a step further than the men; they’re not satisfied with the regular small cigars and have larger ones made for themselves, [Pg 275] about a foot long and thicker. These are referred to as women’s cigars, and it’s quite a funny sight to see stylish ladies strolling in the evening with these flaming sticks in their mouths."

How widely does the fashion in Luzon differ from the fashion at Paris!

How different is the fashion in Luzon compared to the fashion in Paris!

NOVEL WAY OF PURCHASING A HUSBAND.

NOVEL WAY OF BUYING A HUSBAND.

The following paragraph, which we have copied from a magazine of 1790, not only gives us a curious instance of female determination in the pursuit of a husband, but tells us of the price which human hair was worth at the period when ladies wore such monstrous head-dresses of false curls.

The following paragraph, which we have copied from a magazine of 1790, not only provides an interesting example of a woman's determination to find a husband but also reveals the value of human hair at a time when women wore such outrageous wigs with fake curls.

"An Oxfordshire lass was lately courted by a young man of that country, who was not willing to marry her unless her friends could advance 50l. for her portion; which they being incapable of doing, the lass came to London to try her fortune, where she met with a good chapman in the Strand, who made a purchase of her hair (which was delicately long and light), and gave her sixty pounds for it, being 20 ounces at 3l. an ounce; with which money she joyfully returned into the country, and bought her a husband."

"Recently, a girl from Oxfordshire was pursued by a young man from the area who refused to marry her unless her family could provide £50 for her dowry. Since they couldn't manage that, the girl decided to head to London to seek her fortune. There, she met a good merchant in the Strand who bought her beautifully long, light hair and paid her £60 for it, which was 20 ounces at £3 an ounce. With that money, she happily returned home and found herself a husband."

GLOVES.—ORIGIN OF "PIN MONEY."

GLOVES.—ORIGIN OF "SPENDING MONEY."

Gloves were very common as New Year's gifts. For many hundreds of years after their introduction into England in the 10th century, they were worn only by the most opulent classes of society, and hence constituted a valuable present. They are often named in old records. Exchange of gloves was at one period a mode of investiture into possession of property, as amongst the ancient Jews was that of a shoe or sandal; and "glove-money" is to this day presented by High Sheriffs to the officers of their courts, upon occasion of a maiden assize, or one in which no cause is tried. Pins, which at the commencement of the sixteenth century displaced the wooden skewers previously in use, became a present of similar consequence; and at their first introduction were considered of so much importance in female dress, that "pin-money" grew into the denomination of dower, which, by the caution of parents, or justice of a consort, was settled upon a lady at her marriage.

Gloves used to be a popular New Year's gift. For many hundreds of years after they were brought to England in the 10th century, they were only worn by the wealthiest people, making them a valuable present. They are often mentioned in old records. At one time, giving gloves was a way to symbolize the transfer of property, similar to how ancient Jews used shoes or sandals; even today, "glove-money" is given by High Sheriffs to court officers during a maiden assize, or one where no cases are tried. Pins, which replaced wooden skewers in the early sixteenth century, also became significant gifts; when they were first introduced, they were so important in women's fashion that "pin-money" came to refer to a type of dower, which was secured for a woman at her marriage through the caution of her parents or fairness of her husband.

HABITS AND HABITATIONS OF THE DYAKS OF BORNEO.

HABITS AND HABITATIONS OF THE DYAKS OF BORNEO.

It is impossible to appreciate properly the courage, determination, and skill which have been displayed by the gallant Sir James Brooke, unless we make ourselves acquainted with the character and habits of the extraordinary race of men over whom he triumphed. The Dyaks are a savage people who inhabit Borneo. They lived there before the Malays came, and they have been obliged to submit to them. They are savages indeed. They are darker than the Malays; yet they are not black; their skin is only the colour of copper. Their hair is cut short in front, but streams down their backs; their large mouths show a quantity of black teeth, made black by chewing the betel-nut. They wear but very little clothing, but they adorn their ears and arms, and legs, with numbers of brass rings. Their looks are wild and fierce, [Pg 276] but not cunning like the looks of the Malays. They are not Mahomedans; they have hardly any religion at all. They believe there are some gods, but they know hardly anything about them, and they do not want to know. They neither make images to the gods, nor say prayers to them. They live like the beasts, thinking only of this life; yet they are more unhappy than beasts, for they imagine there are evil spirits among the woods and hills, watching to do them harm. It is often hard to persuade them to go to the top of a mountain, where they say evil spirits dwell. Such a people would be more ready to listen to a missionary than those who have idols, and temples, and priests, and sacred books.

It’s hard to truly appreciate the bravery, determination, and skill shown by the brave Sir James Brooke without understanding the character and habits of the unique people he overcame. The Dyaks are a fierce group from Borneo. They lived there long before the Malays arrived and have had to submit to them. They are indeed savage. Their skin is darker than that of the Malays, but not black; it’s the color of copper. Their hair is cut short in the front but falls down their backs; their large mouths reveal many black teeth from chewing betel nut. They wear very little clothing, but they decorate their ears, arms, and legs with numerous brass rings. Their expressions are wild and fierce, but not sly like the Malays. They aren’t Muslims; they have hardly any religion at all. They believe in some gods but know very little about them and don’t want to know more. They don’t create images of the gods or pray to them. They live like animals, focused only on this life, yet they are unhappier than animals because they fear that evil spirits lurk in the woods and hills, watching them to do harm. It’s often difficult to convince them to climb a mountain, which they believe is home to evil spirits. Such a people would be more likely to listen to a missionary than those who have idols, temples, priests, and sacred books.

DYAK WITH HEADS.

Their wickedness is very great. It is their chief delight to get the heads of their enemies. There are a great many different tribes of Dyaks, and each tribe tries to cut off the heads of other tribes. The Dyaks who live by the sea are the most cruel; they go out into the boats to rob and bring home, not slaves, but HEADS!! And how do they treat a head when they get it? They take out the brains, and then they dry it in the smoke, with the flesh and hair still on; then they put a string through it, and fasten it to their waists. The evening that they have got some new heads, the warriors dance with delight,—their heads dangling by their sides;—and they turn round in the dance, and gaze upon their heads,—and shout,—and yell with triumph! At night they still keep the heads near them; and in the day they play with them, as children with their dolls, talking to them, putting food in their mouths, and the betel-nut between their ghastly lips. After wearing the heads many days, they hang them up to the ceilings of their rooms.

Their wickedness is extremely intense. It’s their main joy to collect the heads of their enemies. There are many different tribes of Dyaks, and each tribe competes to claim the heads of others. The Dyaks who live by the sea are the most brutal; they go out in boats to raid and bring back not slaves, but HEADS!! And how do they treat a head once they capture it? They remove the brains, then smoke it to dry it, keeping the flesh and hair intact; next, they thread a string through it and attach it to their waists. That evening, after obtaining new heads, the warriors dance with excitement—their heads swinging at their sides; they twirl around in the dance, admiring their trophies, shouting, and celebrating in victory! At night, they keep the heads close by; during the day, they play with them like children with their dolls, talking to them, putting food in their mouths, and offering betel-nut between their ghastly lips. After wearing the heads for several days, they hang them from the ceilings of their huts.

HEAD OF A DYAK.

No English lord thinks so much of his pictures, as the Dyaks do of their heads. They think these heads are the finest ornaments of their houses. The man who has most heads, is considered the greatest man. A man who has no heads is despised! If he wishes to be respected, he must get a head as soon as he can. Sometimes a man, in order to get a head, will go out to look for a poor fisherman, who has done him no harm, and will come back with his head. When the Dyaks fight against their enemies, they try to get, not only the heads of men, but also the [Pg 277] heads of women and children. How dreadful it must be to see a poor baby's head hanging from the ceiling! There was a Dyak who lost all his property by fire, but he cared not for losing anything, so much as for losing his precious heads; nothing could console him for his loss; some of them he had cut off himself, and others had been cut off by his father, and left to him!

No English lord values his paintings as much as the Dyaks value their heads. They see these heads as the most impressive decorations of their homes. The man with the most heads is regarded as the greatest man. A man with no heads is looked down upon! If he wants to earn respect, he needs to get a head as soon as possible. Sometimes, a man will go out searching for a poor fisherman, who hasn't harmed him, and return with his head. When the Dyaks fight their enemies, they aim to take not only the heads of men but also the [Pg 277] heads of women and children. How horrifying it must be to see a poor baby's head hanging from the ceiling! There was a Dyak who lost all his belongings in a fire, but he didn’t care about losing anything as much as he cared about losing his treasured heads; nothing could comfort him for his loss; some he had taken himself and others had been taken by his father and passed down to him!

HOUSE OF SEA DYAKS.
SKULL HOUSE.

People who are so bent on killing, as these Dyaks are, must have many enemies. The Dyaks are always in fear of being attacked by their enemies. They are afraid of living in lonely cottages; they think it a better plan for a great many to live together, that they may be able to defend themselves, if surprised in the night. Four hundred Dyaks will live together in one house. The house is very large. To make it more safe, it is built upon very high posts, and there are ladders [Pg 278] to get up by. The posts are sometimes forty feet high; so that when you are in the house, you find yourself as high as the tall trees. There is one very large room, where all the men and women sit, and talk, and do their work in the day. The women pound the rice, and weave the mats, while the men make weapons of war, and the little children play about. There is always much noise and confusion in this room. There are a great many doors along one side of the long room; and each of these doors leads into a small room where a family lives! the parents, the babies, and the girls sleep there, while the boys of the family sleep in the large room, that has just been described.

People who are so focused on killing, like these Dyaks, must have a lot of enemies. The Dyaks constantly fear being attacked by their foes. They’re wary of living in isolated homes; they think it’s better for many of them to stay together so they can defend themselves if they are surprised at night. Four hundred Dyaks will live together in one house. The house is quite large. To make it safer, it's built on very high posts, with ladders to get up. The posts can be as tall as forty feet, so when you’re inside the house, you feel as high as the tall trees. There’s one big room where all the men and women gather to talk and do their work during the day. The women pound rice and weave mats while the men make weapons for war, and the little kids play around. There’s always a lot of noise and activity in this room. There are many doors along one side of the long room, each leading into a small room where a family lives. The parents, babies, and girls sleep there, while the boys of the family sleep in the large room just described.

The Hill Dyaks do not live in houses quite so large. Yet several families inhabit the same house. In the midst of their villages, there is always one house where the boys sleep. In this house all the heads of the village are kept. The house is round, and built on posts, and the entrance is underneath, through the floor. As this is the best house in the village, travellers are always brought to this house to sleep. Think how dreadful it must be, when you wake in the night to see thirty or forty horrible heads, dangling from the ceiling! The wind, too, which comes in through little doors in the roof, blows the heads about; so that they knock against each other, and seem almost as if they were still alive. This is the Dead-house. Such are the men whom the Rajah Brooke subdued!

The Hill Dyaks don’t live in houses that are very big. Still, several families share the same house. In the middle of their villages, there’s always one house where the boys sleep. This house holds all the heads of the village. It’s round, built on posts, and you enter through the floor. Since this is the best house in the village, travelers are always brought here to stay. Just imagine how terrifying it must be to wake up in the night and see thirty or forty gruesome heads hanging from the ceiling! The wind also comes in through small doors in the roof, causing the heads to sway and bump into each other, making it seem like they’re almost alive. This is the Dead-house. These are the men that Rajah Brooke conquered!

SCOTTISH WILD CATTLE.

Scottish Wild Cattle.

The wild white cattle, a few of which are still to be found in Chatelherault Park, belonging to the Duke of Hamilton, in Lanarkshire, are great objects of curiosity, inasmuch as they are identical with the primitive source of all our domestic cattle.

The wild white cattle, some of which can still be found in Chatelherault Park, owned by the Duke of Hamilton in Lanarkshire, are fascinating to see because they are the same as the original ancestors of all our farm animals.

The following description of their habits is abridged from an article by the Rev. W. Patrick, in the Quarterly Journal of Agriculture:—

The following description of their habits is shortened from an article by the Rev. W. Patrick, in the Quarterly Journal of Agriculture:—

"I am inclined to believe that the Hamilton breed of cattle is the oldest in Scotland, or perhaps in Britain. Although Lord Tankerville has said they have 'no wild habits,' I am convinced, from personal observation, that this is one of their peculiar features. In browsing their extensive pasture, they always keep close together, never scattering or straggling over it, a peculiarity which does not belong to the Kyloe, or any other breed, from the wildest or most inhospitable regions of the Highlands. The white cows are also remarkable for their systematic manner of feeding. At different periods of the year their tactics are different, but by those acquainted with their habits they are always found about the same part of the forest at the same hour of the day. In the height of summer, they always bivouac for the night towards the northern extremity of the forest; from this point they start in the morning, and browse to the southern extremity, and return at sunset to their old rendezvous; and during these perambulations they always feed en masse.

"I believe that the Hamilton breed of cattle is the oldest in Scotland, or maybe even in Britain. Although Lord Tankerville has stated that they have 'no wild habits,' I’m convinced from what I’ve personally seen that this is one of their unique traits. While grazing in their large pasture, they always stay close together, never spreading out or straying, which is not the case for the Kyloe or any other breed from the wildest and harshest areas of the Highlands. The white cows are also notable for the organized way they feed. At different times of the year, their strategies change, but for those familiar with their patterns, they can always be found in the same part of the forest at the same time of day. In the height of summer, they always camp for the night at the northern edge of the forest; from there, they head out in the morning and graze to the southern edge, returning at sunset to their usual spot, and during these movements, they always feed en masse.

"The bulls are seldom ill-natured, but when they are so they display a disposition more than ordinarily savage, cunning, pertinacious, and revengeful. A poor bird-catcher, when exercising his vocation among the 'Old Oaks,' as the park is familiarly called, chanced to be attacked [Pg 279] by a savage bull. By great exertion he gained a tree before his assailant made up to him. Here he had occasion to observe the habits of the animal. It did not roar or bellow, but merely grunted, the whole body quivered with passion and savage rage, and he frequently attacked the tree with his head and hoofs. Finding all to no purpose, he left off the vain attempt, began to browse, and removed to some distance from the tree. The bird-catcher tried to descend, but this watchful Cerberus was again instantly at his post, and it was not till after six hours' imprisonment, and various bouts at 'bo-peep' as above, that the unfortunate man was relieved by some shepherds with their dogs. A writer's apprentice, who had been at the village of Quarter on business, and who returned by the 'Oaks' as a 'near-hand cut,' was also attacked by one of these savage brutes, near the northern extremity of the forest. He was fortunate, however, in getting up a tree, but was watched by the bull, and kept there during the whole of the night, and till near two o'clock the next day.

"The bulls are rarely bad-tempered, but when they are, they show a particularly vicious, clever, stubborn, and vengeful side. A struggling bird-catcher, while working in the 'Old Oaks,' as the park is commonly known, happened to be confronted by a fierce bull. With great effort, he managed to climb a tree just before the bull reached him. From his vantage point, he had the chance to observe the animal's behavior. Instead of roaring or bellowing, it simply grunted, its whole body shaking with anger and ferocity, frequently charging the tree with its head and hooves. After realizing it was getting nowhere, the bull gave up its futile attempts, started grazing, and moved some distance away from the tree. The bird-catcher then tried to climb down, but this vigilant creature came back immediately, and it wasn't until six hours later, after several rounds of 'peek-a-boo' as described, that the unfortunate man was rescued by some shepherds with their dogs. An apprentice writer, who had been in the village of Quarter on errands and took the shortcut through the 'Oaks,' was also attacked by one of these fierce animals near the northern edge of the forest. Fortunately, he managed to climb a tree, but the bull kept a close watch on him, forcing him to stay there all night and until around two o'clock the next day."

"These animals are never taken and killed like other cattle, but are always shot in the field. I once went to see a bull and some cows destroyed in this manner—not by any means for the sake of the sight, but to observe the manner and habits of the animal under peculiar circumstances. When the shooters approached, they, as usual, scampered off in a body, then stood still, tossed their heads on high, and seemed to snuff the wind; the manœuvre was often repeated, till they got so hard pressed (and seemingly having a sort of half-idea of the tragedy which was to be performed), that they at length ran furiously in a mass, always preferring the sides of the fence and sheltered situations, and dexterously taking advantage of any inequality in the ground, or other circumstances, to conceal themselves from the assailing foe. In their flight, the bulls, or stronger of the flock, always took the lead! a smoke ascended from them which could be seen at a great distance; and they were often so close together, like sheep, that a carpet would have covered them. The cows which had young, on the first 'tug of war,' all retreated to the thickets where their calves were concealed; from prudential motives, they are never, if possible, molested. These and other wild habits I can testify to be inherent in the race, and are well known to all who have an opportunity of acquainting themselves with them."

"These animals are never rounded up and slaughtered like other livestock; instead, they’re always shot in the field. I once witnessed a bull and some cows being killed this way—not for the spectacle, but to study their behavior under these unusual circumstances. When the hunters approached, they typically scattered as a group, then paused, raised their heads, and seemed to smell the air; this behavior was repeated until they became increasingly panicked (as if they had a vague sense of the tragedy that was about to unfold). Eventually, they bolted together, always seeking the sides of the fence and sheltered spots, skillfully using any uneven ground or other features to hide from their attackers. During their escape, the bulls, being the strongest of the herd, always led the way! A cloud of dust rose from them that could be seen from far away, and they often crowded together so closely that they could have been covered by a single carpet. The cows with calves, at the first sign of danger, quickly retreated to the thickets where their young were hidden; for safety reasons, they are never interfered with if it can be avoided. These and other wild behaviors are ingrained in the species and are well-known to anyone who takes the time to learn about them."

BELLS OF THE ANCIENTS.

ANCIENT BELLS.

Bells were known in the earliest ages of which we have any certain account. But the bells of the ancients were very small in comparison with those of modern times, since, according to Polydore Virgil, the invention of such as are hung in the towers, or steeples of Christian churches, did not occur till the latter end of the fourth, or beginning of the fifth century; when they were introduced by Paulinus, Bishop of Nola. The Jews certainly employed bells, since they are spoken of in Scriptures; and the mention of them by Thucydides, Diodorus Siculus, Suidas, Aristophanes, and other ancient writers, proves that they were used in Greece; while Plautus, Ovid, Tibullus, Statius, and a variety of Latin authors, speak of bells as in use among the Romans. But these [Pg 280] bells of the ancients were all made for the hand; or were of a size to be affixed to other musical instruments, like those which were occasionally appended to the drum. Whether, when detached from other instruments, they were used on other occasions, or only in particular ceremonies, or as signals, is not known; nor have we any clue by which to guess whether they were tuned in concordance with any scale, or whether they were unisons to each other, or not formed to any particular pitch, but merely used as sonorous auxiliaries to other instruments, without any regard to their agreement of tone, either with one another, or with the instruments they accompanied.

Bells were known in the earliest eras we have information about. However, the bells used by the ancients were quite small compared to today's bells, as Polydore Virgil notes that the invention of larger bells, hung in the towers or steeples of Christian churches, only happened towards the end of the fourth century or the beginning of the fifth century, introduced by Paulinus, Bishop of Nola. The Jews definitely used bells, as mentioned in the Scriptures; the references by Thucydides, Diodorus Siculus, Suidas, Aristophanes, and other ancient writers confirm their use in Greece, while Plautus, Ovid, Tibullus, Statius, and various Latin authors refer to bells being used among the Romans. However, these [Pg 280] ancient bells were all designed for handheld use or were sized to be attached to other musical instruments, like those that were sometimes added to drums. It is unclear whether they were used away from other instruments on different occasions, only during specific ceremonies, or as signals; we also have no indication of whether they were tuned to any musical scale, if they were harmonious with each other, or if they were simply made to sound together without any regard to matching tones, either among themselves or with the instruments they accompanied.

EARTHQUAKE AT NOTTINGHAM IN 1816.

Earthquake in Nottingham, 1816.

Earthquakes are providentially occurrences of great rarity in England. The one which took place on the 17th of March, 1816, was one of the most dangerous that has ever been experienced in this kingdom. It extended over a vast area of country, and in some localities its effects were felt very severely. As a proof of this, we have copied the following paragraph from a Nottingham paper of the day:—

Earthquakes are thankfully rare events in England. The one that happened on March 17, 1816, was one of the most dangerous ever recorded in this country. It affected a large area, and in some places, the impact was quite severe. To illustrate this, we’ve included the following excerpt from a Nottingham newspaper from that time:—

Nottingham, in common with a great part of the North Midland district, experienced a smart shock of an earthquake. It was felt at half-past twelve p.m., and as Divine service, it being Sunday, was not over at the churches, great alarm was expressed by the congregations. At St. Peter's and St. Nicholas's, the consternation was so great, that service had to be suspended for a few seconds, and one lady was borne out in a state of insensibility. The pillars supporting St. Mary's tower shook very visibly, but, fortunately, the attention of the crowded congregation was so engrossed by the eloquence of the sheriff's chaplain, and the presence of the Judge and his retinue, that the alarm was but slight, or the rush and loss of life might have been great. In various parts of the town and neighbourhood, glasses were shaken off of shelves, articles of domestic use displaced, window-casements thrown open, and other indications manifest of the influence of the subterranean movement.

Nottingham, like much of the North Midland area, experienced a strong earthquake. It was felt at 12:30 p.m., and since it was Sunday, church services were still going on, causing great alarm among the congregations. At St. Peter's and St. Nicholas's, the panic was so intense that services had to be paused for a few seconds, and one woman had to be carried out unconscious. The pillars holding up St. Mary's tower shook noticeably, but luckily, the crowded congregation was so captivated by the sheriff's chaplain's speech and the presence of the Judge and his entourage that the panic was minimal; otherwise, a rush could have caused significant injury or fatalities. In various parts of the town and surrounding area, items fell off shelves, household goods were knocked over, windows flew open, and other signs showed the impact of the underground movement.

SINGULAR STATE OF PRESERVATION OF A DEAD BODY.

SINGULAR STATE OF PRESERVATION OF A DEAD BODY.

According to a statement in Holinshed, in 1495, while digging for a foundation for the church of St. Mary-at-hill, in London, the body of Alice Hackney was discovered. It had been buried 175 years, and yet the skin was whole, and the joint pliable. It was kept above ground four days without annoyance, and then re-interred.

According to a statement in Holinshed, in 1495, while digging for a foundation for the church of St. Mary-at-hill in London, the body of Alice Hackney was found. It had been buried for 175 years, and yet the skin was intact, and the joints flexible. It was kept above ground for four days without any issues, and then reburied.

ASYLUM FOR DESTITUTE CATS.

Shelter for homeless cats.

Of all the curious charitable institutions in the world, the most curious probably is the Cat Asylum at Aleppo, which is attached to one of the mosques there, and was founded by a misanthropic old Turk, who being possessed of large granaries, was much annoyed by rats and mice, to rid himself of which he employed a legion of cats, who so effectually rendered him service, that in return he left them a sum in the Turkish funds, with strict injunctions that all destitute and sickly cats should be provided for, till such time as they took themselves [Pg 281] off again. In 1845, when a famine was ravaging in all North Syria—when scores of poor people were dropping down in the streets from sheer exhaustion and want, and dying there by dozens per diem before the eyes of their well-to-do fellow creatures, men might daily be encountered carrying away sack loads of cats to be fed up and feasted on the proceeds of the last will and testament of that vagabond old Turk, whilst fellow creatures were permitted to perish.

Of all the unusual charitable institutions in the world, the Cat Asylum in Aleppo is probably the most interesting. It's connected to one of the local mosques and was established by a misanthropic old Turk. He owned large granaries and was quite annoyed by rats and mice, so he hired a lot of cats to deal with the problem. The cats did such a great job that in return, he left them a sum in the Turkish funds with strict instructions to care for all destitute and sickly cats until they eventually passed away. [Pg 281] In 1845, when a famine swept through all of North Syria—when many poor people were collapsing in the streets from sheer exhaustion and hunger, dying by the dozens every day in front of wealthy bystanders—people could often be seen carrying sackloads of cats to be fed and spoiled with the money from that old Turk's will, while their fellow humans were left to perish.

TOMB OF SAINT GEORGE.

SAINT GEORGE'S TOMB.

Tomb of Saint George

The tomb of Saint George, England's patron-saint, is situated in the Bay of Kesrouan, between the Nahr-et-Kelb and Batroun, surrounded by luxuriant gardens and groups of romantic-looking villages and convents. The Arabs venerate St. George, whom they style Mar Djurios, and point to a small ruined chapel (as in our engraving), originally dedicated to him to commemorate his victory over the dragon, which, they say, took place near to the spot. The tradition is, that the dragon was about to devour the king of Beyrout's daughter, when St. George slew him, and thus saved the lady fair; and the credulous natives point to a kind of well, upwards of sixty feet deep, where they stoutly affirm that the dragon used to come out to feed upon his victims.

The tomb of Saint George, England's patron saint, is located in the Bay of Kesrouan, between the Nahr-et-Kelb and Batroun, surrounded by lush gardens and picturesque villages and convents. The Arabs honor St. George, whom they call Mar Djurios, and refer to a small ruined chapel (as shown in our engraving), originally dedicated to him to celebrate his victory over the dragon, which they say happened nearby. According to tradition, the dragon was about to eat the daughter of the king of Beirut when St. George killed it and saved the fair lady. The believing locals point to a well that is over sixty feet deep, where they insist the dragon would come out to feast on its victims.

All this is very curious, inasmuch as it gives an Arabian interest to the career of the patron saint of England, whose portrait, in the act of slaying the dragon, constitutes the reverse of most English coin, and is regarded as the embodiment of English valour.

All of this is interesting because it adds an Arabian twist to the story of the patron saint of England, whose image, depicted while defeating the dragon, appears on the back of most English coins and is seen as a symbol of English bravery.

BEGGARS SELECTED AS MODELS BY PAINTERS.

BEGGARS CHOSEN AS MODELS BY ARTISTS.

Michael Angelo Buonarotti often drew from beggars; and report says, that in the early part of his life, when he had not the means of paying them in money, he would make an additional sketch, and, presenting it to the party, desire him to take it to some particular person, who would purchase it. Fuseli, in his life of Michael Angelo, says that "a beggar rose from his hand the patriarch of poverty." The same artist, in one of his lectures, delivered at the Royal Academy, also observes, that "Michael Angelo ennobled his beggars into Patriarchs and Prophets, in the ceiling of the Sistine Chapel."

Michael Angelo Buonarotti often drew pictures of beggars; and it’s said that early in his life, when he couldn't pay them with money, he would create an extra sketch and ask them to take it to someone specific who would buy it. Fuseli, in his biography of Michael Angelo, mentions that "a beggar rose from his hand the patriarch of poverty." The same artist also noted in one of his lectures at the Royal Academy that "Michael Angelo turned his beggars into Patriarchs and Prophets, in the ceiling of the Sistine Chapel."

Annibal Caracci frequently drew subjects in low life. His Cries of Bologna, etched by Giuseppe Maria Mitelli: pub. 1660, in folio, are evidently from real characters. It will also be recollected, that some of the finest productions of Murillo, Jan Miel, and Drogsloot, are beggars. Callot's twenty-four beggars are evidently from nature; and among Rembrandt's etchings are to be found twenty-three plates of this description.

Annibal Caracci often depicted everyday people. His Cries of Bologna, etched by Giuseppe Maria Mitelli and published in 1660, clearly come from real individuals. It's also worth noting that some of the best works of Murillo, Jan Miel, and Drogsloot are of beggars. Callot's twenty-four beggars are clearly inspired by real life, and Rembrandt's etchings include twenty-three plates of this kind.

Sir Joshua Reynolds frequently painted from beggars, and from these people have originated some of his finest pictures, particularly his "Mercury as a Pickpocket," and "Cupid as a Link-boy." His Count Ugolino was painted from a paviour, soon after he had left St. George's Hospital, from a severe fever. Mr. West painted the portrait of a beggar, on the day when he became a hundred years old; and considered him as a pensioner for several years afterwards. The same person was used also as a model, by Copley, Opie, &c. Who can forget the lovely countenance of Gainsborough's "Shepherd's Boy," that has once seen Earlom's excellent engraving from it? He was a lad, well known as a beggar to those who walked St. James's-street seventy years ago. The model for the celebrated picture of the "Woodman," by the same artist, died in the Borough, at the venerable age of 107.

Sir Joshua Reynolds often painted beggars, and from these people came some of his best works, especially "Mercury as a Pickpocket" and "Cupid as a Link-boy." His Count Ugolino was painted from a pavior who had just recovered from a severe fever at St. George's Hospital. Mr. West painted a portrait of a beggar on his hundredth birthday and considered him as a pensioner for several years afterward. The same person also modeled for Copley, Opie, and others. Who can forget the beautiful face of Gainsborough's "Shepherd's Boy," especially after seeing Earlom's amazing engraving of it? He was a boy well-known as a beggar to those who walked along St. James's Street seventy years ago. The model for the famous "Woodman," by the same artist, passed away in the Borough at the impressive age of 107.

Mr. Nollekens, in 1778, when modelling the bust of Dr. Johnson, who then wore a wig, called in a beggar to sit for the hair. The same artist was not equally fortunate in the locks of another great character; for on his application to a beggar for the like purpose, the fellow declined to sit, with an observation that three half-crowns were not sufficient for the trouble.

Mr. Nollekens, in 1778, when sculpting the bust of Dr. Johnson, who was then wearing a wig, asked a beggar to model for the hair. The same artist wasn’t as lucky with the hair of another famous figure; when he approached a beggar for the same purpose, the man refused to sit, stating that three half-crowns weren’t enough for the hassle.

SUPPLY OF WATER FOR OLD LONDON.

SUPPLY OF WATER FOR OLD LONDON.

Leaden pipes conveyed spring water to London city from Tyburn in 1236; and in 1285 the first great conduit of lead was begun there. In 1442 Henry VI. granted to John Hatherley, Mayor, license to take up 200 fother of lead. The pipes from Highbury brought in the water in 1483. We may learn how much was thought of this useful work by the fact that the Lord Mayor, Aldermen, and many worshipful persons used to ride and view the conduit heads at Tyburn; and after dinner there, somewhat different from recent sportsmen, they hunted a fox.

Leaden pipes carried spring water to London from Tyburn in 1236; and in 1285, the first major lead conduit was started there. In 1442, Henry VI granted John Hatherley, the Mayor, permission to take up 200 fother of lead. The pipes from Highbury brought in water in 1483. We can see how valued this project was by the fact that the Lord Mayor, Aldermen, and many respected individuals would ride out to check the conduit heads at Tyburn; and after lunch there, quite unlike today's sports enthusiasts, they would hunt a fox.

The water-works at London Bridge were established in 1512. In 1534, two-fifteenths were granted by the Common Council for defraying the expense of bringing water from Hackney to Aldgate to a conduit. But Peter Morris did not bring his supply of water to the highest parts of London till the year 1569, and Sir Hugh Middleton's far-famed New River was only rendered available in 1618, that is, a space of sixty-eight years after the introduction of a stream of pure water into the western parts of the town of Lyme in Dorset.

The water system at London Bridge was set up in 1512. In 1534, the Common Council approved two-fifteenths of funds to cover the cost of bringing water from Hackney to a conduit at Aldgate. However, it wasn't until 1569 that Peter Morris delivered his water supply to the highest areas of London, and Sir Hugh Middleton’s well-known New River became available only in 1618, which was sixty-eight years after pure water was first introduced to the western parts of Lyme in Dorset.

COMBINATION OF INSTINCT AND FORCE OF HABIT IN A DOG.

COMBINATION OF INSTINCT AND HABIT IN A DOG.

A dog which had been accustomed to go with his master regularly for some time to Penkridge church, still continued to go there by himself every Sunday for a whole year, while the edifice was under repair, and divine service was not held. Whenever he could, he would get into the [Pg 283] family pew and there pass the proper time. His instinct enabled him to perceive the occasion, and to measure the regular time, but it could carry him no further. A remarkable exemplification of the difference between instinct and reason.

A dog that had been used to going with his owner regularly to Penkridge church continued to go there by himself every Sunday for a whole year while the building was being repaired, and church services were not held. Whenever he could, he would get into the [Pg 283] family pew and spend the appropriate amount of time there. His instinct allowed him to recognize the occasion and keep track of the usual time, but it couldn’t take him any further. This is a remarkable example of the difference between instinct and reason.

YORKSHIRE IN THE LAST CENTURY.

YORKSHIRE IN THE LAST 100 YEARS.

Anecdotes which are apparently trifling in themselves, are often of importance, as exhibiting in a striking light the dialect and social condition of the people, and the period they refer to. An instance of this is the following, which has been recorded as the bellman's cry at Ripon, on the occasion of a great frost and fall of snow, about 1780:—

Anecdotes that may seem trivial actually hold significance as they showcase the dialect and social conditions of the people and the time they represent. One such example is the bellman’s cry at Ripon during a significant frost and snowfall around 1780:—

"I is to gie notidge, that Joanie Pickersgill yeats yewn to neit, to moarn at moarn, an to moarn at neit, an nea langer, as lang as storm hods, 'cause he can git na mare eldin."

"I want to give notice that Joanie Pickersgill is to be mourned tonight, to mourn in the morning, and to mourn tonight, and no longer, as long as the storm lasts, because he can get no more help."

The Translation.

The Translation.

I am to give notice, that John Pickersgill heats his oven to-night, to-morrow morning, and to-morrow at night, and no longer as long as the storm lasts, because he can get no more fuel.

I want to let you know that John Pickersgill is heating his oven tonight, tomorrow morning, and tomorrow night, but no longer as long as the storm continues, because he can't get any more fuel.

INSTANCE OF MANY AGED PERSONS DYING ABOUT THE SAME DATE.

INSTANCE OF MANY AGED PERSONS DYING ABOUT THE SAME DATE.

The following is taken from a copy of Nile's "Weekly Register," published at Baltimore, in the month of January, 1823. It is the list of deaths which had been notified to the paper within one week, and we give it, as a singular instance of the decease of so many persons above one hundred years old being announced in the same paragraph.

The following is taken from a copy of Nile's "Weekly Register," published in Baltimore in January 1823. It lists the deaths reported to the paper within one week, and we present it as a unique instance of so many people over one hundred years old being mentioned in the same paragraph.

"In Franklin co. Pennsylvania, Elizabeth Campbell, aged 104—several of her relatives had reached 100.—At Troy, N. Y., Ann Fowler, 100.—At Tyngsboro', N. Y., Abigail Hadlock, 104.—At Somers, N. Y., Michael Makeel, 103.—At Rutland, Oswego, N. Y., Mrs. Buroy, 110.—At Brunswick, Maine, Gen. James W. Ryan, 107—his wife is yet living, aged 94; they were married together 75 years before his death.—At Georgetown, Col. Yarrow, a Moor, (supposed) 135!—At the city of New York, a woman, a native of St. Domingo, 106. At Sargus, Mass., Mrs. Edwards, 101.—In Edgecomb county, N. C., William Spicer, aged about 112.—In Boston, William Homer, 116."

"In Franklin County, Pennsylvania, Elizabeth Campbell, 104—several of her relatives have reached 100. In Troy, NY, Ann Fowler, 100. In Tyngsboro, NY, Abigail Hadlock, 104. In Somers, NY, Michael Makeel, 103. In Rutland, Oswego, NY, Mrs. Buroy, 110. In Brunswick, Maine, Gen. James W. Ryan, 107—his wife is still living, aged 94; they were married for 75 years before his death. In Georgetown, Col. Yarrow, a Moor (supposed) 135! In New York City, a woman, a native of St. Domingo, 106. In Sargus, Mass., Mrs. Edwards, 101. In Edgecomb County, NC, William Spicer, about 112. In Boston, William Homer, 116."

CORPSE BEARERS DURING THE PLAGUE.

Plague corpse bearers.

Of all the calamities with which a great city is infested, there can be none so truly awful as that of a plague, when the street doors of the houses that were visited with the dreadful pest were padlocked up, and only accessible to the surgeons and medical men, whose melancholy duty frequently exposed them even to death itself; and when the fronts of the houses were pasted over with large bills exhibiting red crosses, to denote that in such houses the pestilence was raging, and requesting the solitary passenger, to pray that the Lord might have mercy upon those who were confined within. Of these bills there are many extant in the libraries of the curious, some of which have borders engraved on wood printed in black, displaying figures of skeletons, bones, and coffins [Pg 284] They also contain various recipes for the cure of the distemper. The Lady Arundel, and other persons of distinction, published their methods for making what was then called plague-water, and which are to be found in many of the rare books on cookery of the time; but happily for London, it has not been visited by this affliction since 1665, a circumstance owing probably to the Great Fire in the succeeding year, which consumed so many old and deplorable buildings, then standing in narrow streets and places so confined, that it was hardly possible to know where any pest would stop.

Of all the disasters that can strike a big city, none is as truly terrifying as a plague. During such times, the doors of the homes affected by the terrible disease were padlocked, only allowing entry to doctors and medical workers, whose sad duty often put them at risk of death. The fronts of these houses were marked with large posters featuring red crosses to indicate that the plague was spreading there. These notices asked any solitary passersby to pray for mercy for those confined inside. Many of these posters still exist in libraries, some adorned with wood-engraved borders printed in black, featuring images of skeletons, bones, and coffins. They also included various recipes for curing the illness. Lady Arundel and other notable individuals published their methods for making what was then known as plague water, which can be found in several rare cookbooks from that era. Fortunately for London, the city has not faced this affliction since 1665, likely due to the Great Fire the following year, which destroyed so many old, cramped buildings in narrow streets, making it nearly impossible to contain the spread of any disease.

Corpse Bearers During the Plague

Every one who inspects Agas's Plan of London, engraved in the reign of Elizabeth, as well as those published subsequently to the rebuilding of the City after the fire, must acknowledge the great improvements as to the houses, the widening of the streets, and the free admission of fresh air. It is to be hoped, and indeed we may conclude from the very great and daily improvements on that most excellent plan of widening streets, that this great city will never again witness such visitations.

Anyone who looks at Agas's Plan of London, created during Elizabeth's reign, as well as those published after the City was rebuilt following the fire, must recognize the significant improvements in housing, the widening of streets, and the influx of fresh air. It's hopeful, and we can indeed conclude from the ongoing and substantial enhancements to that excellent plan for widening streets, that this great city will not experience such disasters again.

When the plague was at its height, perhaps nothing could have been more silently or solemnly conducted than the removal of the dead to the various pits round London, that were opened for their reception; and it was the business of Corpse Bearers, such as the one exhibited in the preceding engraving, to give directions to the carmen, who went through the city with bells, which they rang, at the same time crying "Bring out your Dead." This melancholy description may be closed, by observing that many parts of London, particularly those leading to the Courts of Westminster, were so little trodden down, that the grass grew in the middle of the streets.

When the plague was at its worst, nothing was done more quietly or seriously than the removal of the dead to the various pits around London that had been opened for this purpose. It was the job of the Corpse Bearers, like the one shown in the previous illustration, to direct the cart drivers who moved through the city ringing bells while shouting, "Bring out your Dead." This sad description can be concluded by noting that many areas of London, especially those leading to the Courts of Westminster, were so rarely walked on that grass grew in the middle of the streets.

A MEMENTO-MORI WATCH.

A reminder of mortality watch.

Memento-Mori Watch

The curious relic, of which we herewith give an engraving, was presented by Mary, Queen of Scots, to her Maid of Honour, Mary Seaton, of the house of Wintoun, one of the four celebrated Maries, who were Maids of Honour to her Majesty.

The interesting artifact, which we’re including an illustration of here, was given by Mary, Queen of Scots, to her Maid of Honour, Mary Seaton, from the house of Wintoun, one of the four famous Maries who served as Maids of Honour to her Majesty.

"Yestreen the Queen had four Maries,
The night she'll hae but three;
There was Marie Seaton, and Marie Beaton,
And Marie Carmichael and me."

The watch is of silver, in the form of a skull. On the forehead of the skull is the figure of Death, with his scythe and sand-glass; he stands between a palace on the one hand, and a cottage on the other, with his toes applied equally to the door of each, and around this is the legend from Horace "Pallida mors æquo pulsat pede pauperum tabernas Regumque turres." On the opposite, or posterior part of the skull, is a representation of Time, devouring all things. He also has a scythe, and near him is the serpent with its tail in its mouth, being an emblem of eternity; this is surrounded by another legend from Horace, "Tempus [Pg 286] edax rerum tuque invidiosa vetustas." The upper part of the skull is divided into two compartments: on one is represented our first parents in the garden of Eden, attended by some of the animals, with the motto, "Peccando perditionem miseriam æternam posteris meruere." The opposite compartment is filled with the subject of the salvation of lost man by the crucifixion of our Saviour, who is represented as suffering between the two thieves, whilst the Mary's are in adoration below; the motto to this is "Sic justitiæ satisfecit, mortem superavit salutem comparavit." Running below these compartments on both sides, there is an open work of about an inch in width, to permit the sound to come more freely out when the watch strikes. This is formed of emblems belonging to the crucifixion, scourges of various kinds, swords, the flagon and cup of the Eucharist, the cross, pincers, lantern used in the garden, spears of different kinds, and one with the sponge on its point, thongs, ladder, the coat without seam, and the dice that were thrown for it, the hammer and nails, and the crown of thorns. Under all these is the motto, "Scala cæli ad gloriam via."

The watch is made of silver and shaped like a skull. On the forehead of the skull is the figure of Death, holding his scythe and hourglass; he stands between a palace on one side and a cottage on the other, with his toes touching the door of each, and around this is the inscription from Horace "Pallida mors æquo pulsat pede pauperum tabernas Regumque turres." On the back of the skull is a depiction of Time, consuming all things. He also wields a scythe, and next to him is a serpent with its tail in its mouth, symbolizing eternity; this is surrounded by another inscription from Horace, "Tempus [Pg 286] edax rerum tuque invidiosa vetustas." The upper part of the skull is divided into two sections: one shows our first parents in the Garden of Eden, accompanied by some animals, with the motto, "Peccando perditionem miseriam æternam posteris meruere." The opposite section depicts the salvation of lost mankind through the crucifixion of our Savior, who is shown suffering between two thieves, while the Marys are in adoration below; the motto here is "Sic justitiæ satisfecit, mortem superavit salutem comparavit." Below these sections on both sides runs an openwork about an inch wide, allowing sound to come out more freely when the watch strikes. This is made up of symbols related to the crucifixion: different scourges, swords, the flagon and cup of the Eucharist, the cross, pincers, a lantern used in the garden, various spears including one with a sponge on its tip, thongs, a ladder, the seamless coat, the dice that were cast for it, the hammer and nails, and the crown of thorns. Under all these is the motto, "Scala cæli ad gloriam via."

The watch is opened by reversing the skull, and placing the upper part of it in the hollow of the hand, and then lifting the under jaw which rises on a hinge. Inside, on the plate, which thus may be called the lid, is a representation of the Holy Family in the stable, with the infant Jesus laid in the manger, and angels ministering to him; in the upper part an angel is seen descending with a scroll on which is written, "Gloria excelsis Deo, et in terra pax hominibus bonæ volu——" In the distance are the shepherds with their flocks, and one of the men is in the act of performing on a cornemuse. The works of the watch occupy the position of the brains in the skull itself, the dial plate being on a flat where the roof of the mouth and the parts behind it under the base of the brain, are to be found in the real subject. The dial plate is of silver, and it is fixed within a golden circle richly carved in a scroll pattern. The hours are marked in large Roman letters, and within them is the figure of Saturn devouring his children, with this relative legend round the outer rim of the flat, "Sicut meis sic et omnibus idem."

The watch opens by flipping the skull over, placing the top part in the palm of your hand, and then lifting the lower jaw, which swings on a hinge. Inside, on what can be called the lid, there's a depiction of the Holy Family in the stable, with the infant Jesus laid in the manger and angels attending to him; an angel is seen descending from above with a scroll that reads, "Gloria excelsis Deo, et in terra pax hominibus bonæ volu——" In the background, there are shepherds with their flocks, and one man is playing a bagpipe. The inner workings of the watch take the place of the brains in the skull itself, with the dial plate located where you’d find the roof of the mouth and the area behind it, under the base of the brain, in the actual subject. The dial plate is silver and is set within a gold circle that’s ornately carved in a scroll design. The hours are marked with large Roman numerals, and inside them is the image of Saturn devouring his children, with the phrase around the outer rim of the plate, "Sicut meis sic et omnibus idem."

Lifting up the body of the works on the hinges by which they are attached, they are found to be wonderfully entire. There is no date, but the maker's name, with the place of manufacture, "Moyse, Blois," are distinctly engraven. Blois was the place where it is believed watches were first made, and this suggests the probability of the opinion that the watch was expressly ordered by Queen Mary at Blois, when she went there with her husband, the Dauphin, previous to his death. The watch appears to have been originally constructed with catgut, instead of the chain which it now has, which must have been a more modern addition. It is now in perfect order, and performs wonderfully well, though it requires to be wound up within twenty-six hours to keep it going with tolerable accuracy. A large silver bell, of very musical sound, fills the entire hollow of the skull, and receives the works within it when the watch is shut; a small hammer set in motion by a separate escapement, strikes the hours on it.

Lifting up the body of the works on the hinges where they’re attached, they are found to be impressively intact. There’s no date, but the maker’s name, along with the place of manufacture, “Moyse, Blois,” is clearly engraved. Blois is thought to be where watches were first made, which supports the idea that Queen Mary specifically ordered the watch in Blois when she was there with her husband, the Dauphin, before his death. The watch seems to have originally been made with catgut, instead of the chain it has now, which must be a more recent addition. It’s currently in perfect working order and operates remarkably well, although it needs to be wound up every twenty-six hours to keep it going accurately. A large silver bell, which sounds very musical, fills the entire hollow of the skull and contains the works inside it when the watch is closed; a small hammer, activated by a separate escapement, strikes the hours on it.

This very curious relic must have been intended to occupy a stationary [Pg 287] place on a prie-dieu, or small altar in a private oratory, for its weight is much too great to have admitted of its having been carried in any way attached to the person.

This really interesting relic was probably meant to stay in one spot on a prie-dieu or small altar in a private chapel, since it's way too heavy to have been carried while connected to someone.

A MONSTER.

A monster.

It is almost incredible that such a monster, as the one we are about to describe should have been allowed to continue his wicked career for some years, in a civilized country like France, little more than a hundred years ago, but the following paragraph is copied from a Paris journal of that period—1755, January the 17th—and there is every reason to believe that it is strictly correct. "What was his fate we do not know, but can hardly doubt.—The Marquis de Plumartin, whose execrable crimes are known over all France, has at last been taken in his castle, by 300 men of the King's Own regiment of foot, and carried to Poitiers, loaded with irons. The king is going to appoint a commission to try him. This monster turned away his wife some years ago, and became the terror of Poitou. Neither woman nor man durst appear in the neighbourhood. Having one day lost a cause in one of the king's courts, he caused the usher and his man, who came to intimate the sentence to him, to be burnt alive. Some days after, having drawn six of his creditors into his castle, where he had shut himself up with several of his crew, he ordered some of his people to drag them into a pond, tied to the tails of horses, and afterwards fastened them to a stake near a great fire, where three expired, and the other three died a few days after. Thirty of the Marshalsea guards, who were sent to apprehend him, having beset his castle, he barricaded the doors and fired on them from the garret window, killing the commanding officer and five others. After which he left the kingdom, but absurdly imagining that his crimes were forgot, he lately returned."

It’s almost hard to believe that such a monster, as the one we're about to describe, was allowed to continue his wicked ways for several years in a civilized country like France, just over a hundred years ago. However, the following paragraph is taken from a Paris newspaper from that time—January 17, 1755—and there’s every reason to believe it’s completely accurate. "What happened to him we don’t know, but we can hardly doubt it.—The Marquis de Plumartin, whose horrible crimes are known throughout France, has finally been captured in his castle by 300 men from the King’s Own regiment and taken to Poitiers, loaded with chains. The king will appoint a commission to try him. This monster sent away his wife years ago and became the terror of Poitou. Neither women nor men dared to be seen in the area. After losing a case in one of the king’s courts, he had the usher and his assistant, who came to inform him of the judgment, burned alive. Days later, he lured six of his creditors to his castle, where he had locked himself up with some of his crew, and ordered his men to drag them into a pond tied to the tails of horses. Afterwards, he had them tied to a stake near a large fire, where three died, and the other three died a few days later. Thirty guards from the Marshalsea, sent to arrest him, surrounded his castle, but he barricaded the doors and shot at them from the attic window, killing the commanding officer and five others. After that, he fled the kingdom, but ridiculously thinking his crimes were forgotten, he returned not long ago."

PERSEVERANCE REWARDED BY FORTUNE.

Hard work pays off.

We have copied the following paragraph from the pages of a local historian, because it gives us a striking instance of what perseverance and good fortune will accomplish, in raising a man to comparative distinction from the humblest walks of life.

We’ve taken the following paragraph from a local historian because it provides a striking example of what determination and luck can achieve in elevating a person to relative prominence from the most humble beginnings.

August 26, 1691—Sir John Duck, bart., departed this life, being Wednesday at night, and was buried upon the Monday after, being the 31st of August. The wealthiest burgess on the civic annals of Durham. Of Sir John's birth, parentage, and education, the two first have hitherto remained veiled in impenetrable obscurity; as to the third, he was bred a butcher under John Heslop, in defiance of the trade and mystery of butchers, in whose books a record still exists, warning John Heslop that he forbear to sett John Ducke on worke in the trade of a butcher. John Duck however grew rich, married the daughter of his benefactor, and was created a baronet by James II. He built a splendid mansion in Silver-street, where a panel still exists recording his happy rise to fortune. The baronet, then humble Duck, cast out by the butchers, stands near a bridge in an attitude of despondency; in the air is seen a raven bearing in his bill a piece of silver, which according to tradition fell at the feet of the [Pg 288] lucky John, and was naturally calculated to make a strong impression on his mind. He bought a calf, which calf became a cow, and which cow being sold enabled John to make further purchases in cattle, and from such slender beginnings, to realise a splendid fortune. On the right of the picture is a view of his mansion in Silver-street, and he seems to point at another, which is presumed to be the hospital he endowed at Lumley. He died without issue, and was buried at St. Margaret's, where his wife, Pia—— Prudens—— Felix, lies buried beside him.

August 26, 1691—Sir John Duck, bart., passed away on Wednesday night and was buried the following Monday, August 31. He was the wealthiest member recorded in the civic history of Durham. The details of Sir John's birth and parents remain shrouded in mystery, but regarding his education, he was trained as a butcher under John Heslop, despite the butchers’ trade and guild, which still has a record warning John Heslop not to employ John Duck in his butchery. Despite this, John Duck became wealthy, married his benefactor's daughter, and was made a baronet by James II. He built an impressive mansion on Silver Street, where a plaque still exists celebrating his fortunate rise. The baronet, who began as humble Duck, rejected by the butchers, stands near a bridge looking despondent; a raven is depicted in the air holding a piece of silver, which, according to tradition, fell at the feet of the lucky John and made a lasting impression on him. He bought a calf, which grew into a cow, and selling that cow allowed John to make further cattle purchases, leading him to accumulate a great fortune from such modest beginnings. To the right of the painting is a depiction of his mansion on Silver Street, and he appears to be pointing to another building, believed to be the hospital he funded in Lumley. He died without children and was buried at St. Margaret's, where his wife, Pia—— Prudens—— Felix, is also buried beside him.

On Duck the Butchers shut the door;
But Heslop's Daughter Johnny wed:
In mortgage rich, in offspring poor,
Nor son nor daughter crown'd his bed.

TRAVELLING IN THE UNITED STATES EXACTLY ONE HUNDRED YEARS AGO.

TRAVELING IN THE UNITED STATES ONE HUNDRED YEARS AGO.

The American advertisement, of which we here give a literal copy, is deserving of preservation on account of the quaintness of the inn-signs, the peculiarity of the spelling and diction, the "shifting" of the passengers which it announces, and the general idea it gives us of the way in which travelling was performed in America at the time when it was issued.

The American advertisement that we are providing a literal copy of is worth keeping because of the quirky inn signs, the unique spelling and wording, the "shifting" of the passengers it mentions, and the overall sense it gives us of how travel was done in America at the time it was published.

Philadelphia STAGE-WAGGON, and New-York STAGE BOAT performs their Stages twice a Week.

Philadelphia STAGE-WAGGON and New-York STAGE BOAT perform their shows twice a week.

John Butler, with his waggon, sets out on Mondays from his House, at the Sign of the Death of the Fox, in Strawberry ally, and drives the same day to Trenton Ferry, when Francis Holman meets him, and proceeds on Tuesday to Brunswick, and the passengers and goods being shifted into the waggon of Isaac Fitzrandolph, he takes them to the New Blazing-Star to Jacob Fitzrandolph's the same day, where Rubin Fitzrandolph, with a boat well suted, will receive them, and take them to New-York that night. John Butler returning to Philadelphia on Tuesday with the passengers and goods delivered to him by Francis Holman, will again set out for Trenton Ferry on Thursday, and Francis Holman, &c. will carry his passengers and goods, with the same expedition as above to New-York.

John Butler, with his wagon, leaves on Mondays from his House, at the Sign of the Death of the Fox, in Strawberry Alley, and drives the same day to Trenton Ferry, where Francis Holman meets him. On Tuesday, they proceed to Brunswick, and the passengers and goods are transferred into the wagon of Isaac Fitzrandolph, who takes them to the New Blazing-Star at Jacob Fitzrandolph's the same day. There, Rubin Fitzrandolph, with a suitable boat, will receive them and take them to New York that night. John Butler returns to Philadelphia on Tuesday with the passengers and goods delivered to him by Francis Holman, and he will set out for Trenton Ferry again on Thursday. Francis Holman, etc., will carry his passengers and goods with the same speed as before to New York.

Weekly Mercury.
March 8, 1759.

Weekly Mercury.
March 8, 1759.

FÊTE OF THE FEDERATION. PARIS 1790.

FESTIVAL OF THE FEDERATION. PARIS 1790.

Fete of the Federation

The leading events of the great Revolution in France, may be fairly classed with the marvellous, and among our "Ten Thousand Wonderful Things" there will be found few more wonderful than the civic festival of the general federation of the National Guards of France, which took place on the 14th of July, 1790, and of which the above is a correct representation, taken from a view by Duplessis Bertaux. The proceedings of that memorable day had in them a mixture of religious celebration apparently singular among a people who had lately so much trampled on religion; but as this celebration was more pagan than Christian in its character, the singularity becomes less marked. On the preceding evening, a Hiérodrame was performed at the cathedral of Nôtre Dame—a kind of sacred drama, made up by M. Désaugiers of scraps from the Bible mixed with other matter, and set to music; it professed [Pg 289] to tell the story of the taking of the Bastille, and to typify the sadness, trouble, confusion, joy, and alarm of the Parisians. Then succeeded a Te Deum, chanted in presence of some of the principal federal and municipal bodies. Early in the morning of the 14th, amid dense clouds and heavy rain, the National Guards from all the eighty-three departments of France, together with deputations from the state army and navy, began to assemble, and speedily formed an immense line from the Porte St. Antoine to the Porte St. Martin; whence they marched, with bands playing and colours flying, to the Champ de Mars, regaled and cheered by the Parisians on the route. On reaching the great square of the Tuileries, the procession was headed by the municipality of Paris and the members of the National Assembly, and followed by a body of gray-headed veterans. The procession traversed the Seine by one of the bridges, greeted by salvos of artillery drawn up on the quays, and entered the Champ de Mars under a triumphal arch almost hidden by flags and patriotic inscriptions. One o'clock had arrived before the various bodies forming the procession had taken their destined places in the enclosed [Pg 290] parallelogram, surrounded by nearly 300,000 spectators on the raised terraces, most of whom were by this time drenched by the continuous rain. In the centre of the area was a lofty altar, half pagan, half Catholic in its adornments; and around this altar the provincial National Guards danced and sang in very excited fashion. The royal family appeared at three o'clock. In an immense gallery near the altar, the National Assembly were seated, with the king and the president on two chairs of state exactly equal in height and richness, and the queen and the rest of the court seated behind—a significant interpretation of the decree just announced. At the instant of the king taking his seat, the air was rent with cries of Vive le Roi! Vive la Nation! The banners were unfurled; 1,800 musicians burst forth with jubilant strains; cannon poured out continuous volleys; Talleyrand, as bishop of Autun, assisted by sixty chaplains of the Paris National Guards, performed mass at the altar; and the banners were blessed by sprinkling with holy-water. Then Lafayette, dismounting from his white charger, received from the hands of the king a written form of oath; he swore to this oath at the altar, and with his raised arm gave a signal for the countless host to do likewise—every one raising his right hand, and saying Je le jure! The king took the oath prescribed to him; and the queen held up the dauphin in her arms, as if to denote that he also, poor child, had sworn to defend the national liberties. At five o'clock the royal family retired, and the crowd began to leave the Champ de Mars. Twenty-five thousand federates or provincial deputies went to a royal château about a mile distant, where a dinner had been prepared for them by order of the municipality of Paris, with Lafayette as chairman of the banquet. At night all Paris was illuminated; and for three or four days the feastings, reviews, and celebrations were numerous, including a grand dance on the site of the demolished Bastille. On the 18th, Lafayette reviewed the provincial or federate National Guards, and on the 19th they were reviewed by the king. Paris was intoxicated for an entire week, each man displaying at once his delight and his vanity.

The key events of the great Revolution in France can truly be considered remarkable, and among our "Ten Thousand Wonderful Things," few are more astonishing than the civic festival of the general federation of the National Guards of France, which took place on July 14, 1790, and which is accurately depicted above in a view by Duplessis Bertaux. The events of that memorable day included a blend of religious celebration that seemed unusual for a people who had recently disregarded religion; however, since this celebration was more pagan than Christian in nature, the oddity is less pronounced. On the evening before, a Hiérodrame was performed at the cathedral of Nôtre Dame—a kind of sacred drama created by M. Désaugiers, combining excerpts from the Bible with other material, accompanied by music; it aimed to tell the story of the storming of the Bastille and to express the sorrow, turmoil, confusion, joy, and fear of the Parisians. Then a Te Deum was sung in the presence of some of the key federal and municipal bodies. Early in the morning of the 14th, amidst thick clouds and heavy rain, the National Guards from all eighty-three departments of France, along with representatives from the state army and navy, began to gather and quickly formed a massive line from the Porte St. Antoine to the Porte St. Martin; they marched on, with bands playing and flags waving, to the Champ de Mars, celebrated and cheered by the Parisians along the way. When they reached the great square of the Tuileries, the procession was led by the municipality of Paris and the members of the National Assembly, followed by a group of gray-headed veterans. The procession crossed the Seine via one of the bridges, welcomed by cannon fire from the quays, and entered the Champ de Mars under a triumphal arch almost obscured by flags and patriotic slogans. It was one o'clock before the various groups making up the procession had taken their designated places in the enclosed [Pg 290] rectangle, surrounded by nearly 300,000 spectators on the raised terraces, most of whom were soaked by the persistent rain. In the center of the area stood a tall altar, partly pagan and partly Catholic in its decorations; around this altar, the provincial National Guards danced and sang excitedly. The royal family arrived at three o'clock. In a large gallery near the altar, the National Assembly was seated, with the king and the president in two state chairs that were equal in height and decoration, and the queen and the rest of the court seated behind—a significant reflection of the recently announced decree. At the moment the king took his seat, the air was filled with cries of Vive le Roi! Vive la Nation! The banners were unfurled; 1,800 musicians played jubilant tunes; cannons fired continuous salutes; Talleyrand, as bishop of Autun, assisted by sixty chaplains of the Paris National Guards, conducted mass at the altar; and the banners were blessed with holy water. Then Lafayette, dismounting from his white horse, received a written oath from the king; he swore the oath at the altar and, raising his arm, signaled the countless crowd to do the same—everyone raising their right hand and saying Je le jure! The king took the oath prescribed for him; and the queen held up the dauphin in her arms, as if to signify that he, poor child, had also pledged to defend national liberties. At five o'clock, the royal family departed, and the crowd began to leave the Champ de Mars. Twenty-five thousand federates or provincial deputies headed to a royal château about a mile away, where dinner had been arranged for them by the municipality of Paris, with Lafayette serving as banquet chairman. That night, all of Paris was lit up; and for three or four days, there were numerous feasts, reviews, and celebrations, including a grand dance on the site of the demolished Bastille. On the 18th, Lafayette reviewed the provincial or federate National Guards, and on the 19th, they were reviewed by the king. Paris was in a state of euphoria for an entire week, with every man displaying both his joy and his pride.

A MAN CARRIES HIS HOUSE ON HIS HEAD.

A man carries his house on his head.

Simeon Ellerton, of Craike, Durham, died 1799, aged 104. This man, in his day, was a noted pedestrian, and before the establishment of regular "Posts," was frequently employed in walking commissions, from the northern counties to London and other places, which he executed with singular fidelity and despatch. He lived in a neat stone cottage of his own erecting; and what is remarkable, he had literally carried his house on his head; it being his constant practice to bring back with him from every journey which he undertook, some suitable stone, or other material for his purpose, and which, not unfrequently, he carried 40 or 50 miles on his head.

Simeon Ellerton from Craike, Durham, died in 1799 at the age of 104. In his time, he was well-known as a walker and before the establishment of regular postal services, he was often hired to walk long distances for various tasks, traveling from the northern counties to London and other locations, which he did with exceptional reliability and speed. He lived in a tidy stone cottage that he built himself; what’s remarkable is that he literally carried his house on his head. It was his regular practice to bring back some suitable stone or other materials from every trip he took, and he often carried these items 40 or 50 miles on his head.

IGNORANCE AND FEAR.

Ignorance and fear.

In the year 1712, Whiston predicted that the comet would appear on Wednesday, 14th October, at five minutes after five in the morning, and that the world would be destroyed by fire on the Friday following. [Pg 291] His reputation was high, and the comet appeared. A number of persons got into boats and barges on the Thames, thinking the water the safest place. South Sea and India stock fell. A captain of a Dutch ship threw all his powder into the river, that the ship might not be endangered. At noon, after the comet had appeared, it is said that more than one hundred clergymen were ferried over to Lambeth, to request that proper prayers might be prepared, there being none in the church service. People believed that the day of judgment was at hand, and acted some on this belief, more as if some temporary evil was to be expected. There was a prodigious run on the bank, and Sir Gilbert Heathcote, at that time the head director, issued orders to all the fire offices in London, requiring them to keep a good look out, and have a particular eye upon the Bank of England.

In 1712, Whiston predicted that the comet would show up on Wednesday, October 14th, at five minutes after five in the morning, and that the world would end by fire the following Friday. [Pg 291] His reputation was strong, and the comet appeared. Many people got into boats and barges on the Thames, thinking the water was the safest place. Stocks for the South Sea and India fell. A captain of a Dutch ship dumped all his gunpowder into the river to avoid putting his ship at risk. At noon, after the comet had appeared, it’s said that more than a hundred clergymen were ferried over to Lambeth, asking for proper prayers to be prepared, since there weren’t any in the church service. People believed that Judgment Day was coming and acted on this belief, mostly as if some temporary disaster was expected. There was a huge rush on the bank, and Sir Gilbert Heathcote, who was the head director at the time, ordered all the fire offices in London to keep a close watch, paying particular attention to the Bank of England.

ARABIAN HORSES.

Arabian horses.

It is a singular circumstance, that it is to the Arabian that England is indebted for her improved, and now unrivalled, breed of horses for the turf, the field, and the road.

It’s a remarkable fact that England owes its improved and now unmatched breed of horses for racing, farming, and transport to the Arabians.

The Arabian horses are divided into two great branches; the Kadischi whose descent is unknown, and the Kochlani, of whom a written genealogy has been kept for 2000 years. These last are reserved for riding solely, they are highly esteemed and consequently very dear. They are said to derive their origin from King Solomon's studs. However this may be they are fit to bear the greatest fatigues, and can pass whole days without food. They are also said to show uncommon courage against an enemy. It is even asserted, that when a horse of this race finds himself wounded and unable to bear his rider much longer, he retires from the fray, and conveys him to a place of security. If the rider falls upon the ground, his horse remains beside him, and neighs till assistance is brought. The Kochlani are neither large nor handsome but amazingly swift. The whole race is divided into several families, each of which has its proper name. Some of these have a higher reputation than others on account of their more ancient and uncontaminated nobility.

The Arabian horses are split into two main branches: the Kadischi, whose ancestry is unknown, and the Kochlani, for whom a written genealogy has been maintained for 2000 years. The Kochlani are specifically kept for riding, they are highly valued, and therefore very expensive. They are said to have originated from the studs of King Solomon. Regardless of their origin, they can endure great hardships and can go entire days without food. They are also reputed to display remarkable bravery in battle. It is even claimed that if a horse from this breed gets wounded and can no longer carry its rider, it retreats from the fight and brings the rider to safety. If the rider falls to the ground, the horse stays by his side and neighs until help arrives. The Kochlani aren’t particularly large or beautiful, but they are incredibly fast. The entire breed is divided into several families, each with its own name. Some of these families are more highly regarded than others due to their older and purer lineage.

We may not believe, perhaps, all that is told us of the Arabian. It has been remarked that there are, on the deserts which his horse traverses, no milestones to mark the distance, or watch to calculate the time; and the Bedouin is naturally given to exaggeration, and most of all when relating the prowess of the animal which he loves as dearly as his children; yet it cannot be denied that at the introduction of the Arabian into the European stables, there was no other horse comparable to him.

We might not fully believe everything we hear about the Arabian horse. It's been noted that on the deserts his horse travels, there are no milestones to indicate the distance or clocks to keep track of time. The Bedouin tends to exaggerate, especially when talking about the incredible abilities of an animal he cherishes as much as his own children. However, it can't be denied that when the Arabian horse was brought into European stables, there was no other horse like him.

HEAD-QUARTERS OF PRINCE RUPERT AT EVERTON, DURING THE SIEGE OF LIVERPOOL, IN 1644.

HEADQUARTERS OF PRINCE RUPERT AT EVERTON, DURING THE SIEGE OF LIVERPOOL, IN 1644.

Prince Rupert, assisted by the Earl of Derby, having taken Bolton by storm, and refreshed his army there for some days, advanced on Liverpool, where the Parliament had a strong garrison under the command of Colonel More, of Bank-hall; and finding on his approach to the town, the high ground near it favourable to his design, compared it to a crow's nest, probably imagining it would be taken with as little difficulty; but [Pg 292] the resistance he met with, induced him to declare it was more like an eagle's nest, or a den of lions.

Prince Rupert, with the help of the Earl of Derby, captured Bolton and rested his army there for a few days before moving on to Liverpool, where the Parliament had a strong garrison led by Colonel More of Bank-hall. As he approached the town, he found the high ground nearby advantageous for his plans, comparing it to a crow's nest and probably thinking it would be seized without much trouble; but [Pg 292] the resistance he encountered led him to say it was more like an eagle's nest or a den of lions.

Head-Quarters of Prince Rupert at Everton

The siege began about the 2nd of June, and the view exhibits his head-quarters from that time till the reduction of the place. His main camp was established round the beacon, about a mile from the town, and his officers were placed in the adjoining villages, from whence a detachment marched every day, being relieved every twenty-four hours, to open trenches and erect batteries. From these advances Prince Rupert frequently attacked the besieged and their works in the way of storm, but was constantly repulsed with great slaughter of his men. At length, Colonel More, finding the town must of necessity surrender, and desirous of ingratiating himself with the Prince, for the preservation of his house and effects at Bank Hall, gave such orders for his soldiers to retire, that the works on the enemy's side were abandoned, and the royalists entered the town at three o'clock in the morning of June 26, putting to the sword all they met with, till they arrived at the High Cross, which then stood on the site where the Exchange now stands. Here the soldiers of the Castle, drawn up in line, beat a parley, and demanded quarter, which, on their submitting as prisoners of war, and surrendering the Castle to the Prince, was granted. The soldiers were then sent to the [Pg 293] tower, St. Nicholas's Church, and other places of security; but the Parliament-army, soon after the siege, repossessed themselves of the Castle, and appointed Col. Birch, as governor.

The siege started around June 2nd, and this view shows his headquarters from that time until the place was taken. His main camp was set up around the beacon, about a mile from the town, and his officers were stationed in the nearby villages. A detachment would march out every day, getting relieved every twenty-four hours, to dig trenches and set up batteries. From these positions, Prince Rupert frequently attacked the besieged and their fortifications in a storming manner, but was consistently pushed back with heavy losses among his men. Finally, Colonel More realized that the town had to surrender and, wanting to win favor with the Prince to protect his property and belongings at Bank Hall, issued orders for his soldiers to retreat. This led to the abandonment of their works, and the royalists entered the town at three in the morning on June 26, killing everyone they encountered until they reached the High Cross, which then stood where the Exchange is now. Here, the soldiers from the Castle formed lines, requested a parley, and asked for mercy, which was granted when they surrendered as prisoners of war and handed over the Castle to the Prince. The soldiers were then sent to the [Pg 293] tower, St. Nicholas's Church, and other secure locations; however, shortly after the siege, the Parliament army took back control of the Castle and appointed Col. Birch as governor.

FIRE AT BURWELL, CAMBRIDGESHIRE. 1727.

Fire at Burwell, Cambridgeshire. 1727.

Some strollers brought down a puppet-show, which was exhibited in a large thatched barn. Just as the show was about to begin, an idle fellow attempted to thrust himself in without paying, which the people of the show preventing, a quarrel ensued. After some altercation, the fellow went away, and the door being made fast, all was quiet; but the same man, to gain admittance privately, got over a heap of hay and straw, which stood near to the barn, and accidentally set it on fire. The spectators of the show, alarmed by the flames, which had communicated to the barn, rushed to the door; but it happened unfortunately that it opened inwards, and the crowd pressing violently against the door, there could be no escape. Thus the whole company, consisting of more than 160 persons, were kept confined till the roof fell in, and covered them with fire and smoke: six only escaped with life; the rest, among whom were several young ladies of fortune, were reduced to one undistinguishable heap of mangled bodies, totally disfigured. The friends of the dead, not knowing which were the remains they sought, caused a large hole to be dug in the churchyard, and all the bodies were promiscuously interred together, and a tablet erected in the church to perpetuate this most melancholy event.

Some people brought in a puppet show, which was set up in a large thatched barn. Just as the show was about to start, an idle guy tried to sneak in without paying, but the people in charge stopped him, which led to an argument. After some back and forth, the guy left, and once the door was secured, everything went quiet. However, he then tried to get in secretly by climbing over a pile of hay and straw next to the barn, accidentally starting a fire. The audience, alarmed by the flames spreading to the barn, rushed to the door, but unfortunately, it opened inward, and with the crowd pushing against it, they couldn't escape. As a result, the entire group, more than 160 people, was trapped until the roof collapsed and buried them in fire and smoke. Only six managed to escape with their lives; the rest, including several wealthy young ladies, were left in a horrific pile of mangled bodies, completely disfigured. The friends of the deceased, not knowing which remains they were looking for, had a large hole dug in the churchyard, and all the bodies were buried together, with a tablet put up in the church to commemorate this tragic event.

AN APPARENT SINGULARITY ACCOUNTED FOR.

A clear singularity is noted.

It is generally well known that birds are very active agents in the extension of vegetation, and that fruit and flowers are, to a great extent, rendered prolific by the insects which visit their blossoms; but few people are aware of the means through which fish are formed in lakes and ponds, which are not connected with other waters. Here, also, an insect is the principal agent. The large water-beetle, which is in the habit of feeding upon the spawn of fish, occasionally in the evening climbs up the stems of rushes, &c. out of the water, sufficiently high to enable it to take wing; in these circumstances it has been caught, and, putting it into water, has been found to give out the spawn with which it had gorged itself previous to taking flight, both in a digested and undigested state; so that, on trial, it has been found that it produced fish of various kinds.

It's generally well known that birds play a big role in spreading plants, and that fruit and flowers become abundant largely thanks to the insects that visit them; however, not many people know how fish are formed in lakes and ponds that aren’t connected to other bodies of water. In this case, an insect is the main player. The large water-beetle, which usually feeds on fish eggs, sometimes climbs up the stems of reeds and other plants out of the water in the evening, high enough to take off. In these situations, it has been captured and, when placed in water, has been found to release the eggs it had eaten before flying, both in a digested and undigested state; therefore, experiments have shown that it can produce various types of fish.

EUROPEAN BALANCING EQUAL TO THE INDIAN JUGGLERS.

EUROPEAN BALANCING EQUAL TO THE INDIAN JUGGLERS.

The astonishing dexterity of the Indian jugglers is known to all, but many years ago a Spaniard named Cadenas made himself equal, if not superior to them. He may be truly said to be superior to them, inasmuch as several of his feats have never been attempted by them. Don Cadenas extended himself flat on his back on a large table. He then elevated his legs until they were at right angles with his body; he was assisted in keeping this position by a sort of pyramidal cushion, which was placed under him, a little below the lower end of his back. His feet and ankles were covered with boots, on which were many small castanets [Pg 294] and little bells. The tranca, which is a round piece of wood, about 8 feet long and five inches in diameter, handsomely painted, was then laid horizontally on the soles of his feet, his legs being perpendicular. Having exactly balanced the tranca, he alternately struck his feet against it, the castanets, &c., keeping time with the music. In proportion to the strength with which he struck the tranca, with one foot or both feet, was the height to which he elevated it, always catching it, in its descent, with great accuracy, on the soles of his feet. Sometimes by bending his knees and then striking out with his limbs, he threw the tranca several feet into the air, catching it, in its descent, on his feet, with as much neatness and more certainty than the Indian jugglers used to catch the brass balls in their hands. He concluded the performance with the tranca, by exactly balancing it on the sole of his left foot, and then by repeated strokes of his right foot set it rapidly in motion like a horizontal fly-wheel.

The incredible skill of Indian jugglers is well-known, but many years ago, a Spaniard named Cadenas matched, if not surpassed, them. He can truly be considered superior since several of his feats have never been attempted by them. Don Cadenas lay flat on his back on a large table. He raised his legs until they were at a right angle to his body; a kind of pyramidal cushion was placed under him, slightly below the lower part of his back, to help him maintain this position. His feet and ankles were covered with boots adorned with several small castanets and tiny bells. The tranca, which is a round piece of wood about 8 feet long and 5 inches in diameter, beautifully painted, was laid horizontally on the soles of his feet while his legs were vertical. After perfectly balancing the tranca, he alternately struck his feet against it, with the castanets and bells keeping time with the music. The strength with which he struck the tranca with one or both feet determined how high he elevated it, always catching it upon its descent with remarkable precision on the soles of his feet. Occasionally, by bending his knees and then kicking out with his limbs, he tossed the tranca several feet into the air, catching it on its way down with as much finesse and more certainty than the Indian jugglers caught brass balls in their hands. He concluded the performance with the tranca by perfectly balancing it on the sole of his left foot and then, with repeated strikes of his right foot, set it spinning rapidly like a horizontal flywheel.

MOB-WISDOM.

GROUP-WISDOM.

A singular instance of a mob cheating themselves by their own headlong impetuosity, is to be found in the life of Woodward, the comedian. On one occasion, when he was in Dublin, and lodged opposite the Parliament House, a mob who were making the members swear to oppose an unpopular bill, called out to his family to throw them a Bible out of the window. Mr. W. was frightened, for they had no such book in the house, but he threw out a volume of Shakespere, telling the mob they were welcome to it. They gave him three cheers, swore the members upon this book, and afterwards returned it without discovering its contents.

A clear example of a mob undermining themselves through their own reckless behavior can be found in the life of Woodward, the comedian. Once, while he was in Dublin, staying across from the Parliament House, a mob rallied to pressure the members to swear against an unpopular bill and shouted for his family to toss them a Bible out the window. Mr. W. was scared because they didn’t have any such book in the house, but he threw out a volume of Shakespeare, telling the mob they could have it. They cheered him three times, swore the members in on this book, and later returned it without realizing what it was.

COMMUNICATION BETWEEN ANIMALS.

Animal communication.

The means by which animals contrive to communicate their ideas to each other is a phenomenon which has never been satisfactorily explained. The two following instances of it are very curious. A gentleman who was in the habit of occasionally visiting London from a distant county performed the journey on horseback, accompanied by a favourite little terrier dog, which he left at an inn at some distance from London till his return. On one occasion on calling for his dog the landlady told him that it was lost; it had had a quarrel with the great house dog, and had been so worried and bit that it was thought he would never recover, but at the end of a few days he crawled out of the yard, and no one saw him for almost a week, when he returned with another dog bigger than his enemy, on whom they both fell and nearly destroyed him. This dog had actually travelled to its own home at Whitmore in Staffordshire, had coaxed away the great dog in question, which followed him to St. Alban's to assist in resenting the injury of his friend. The following story is related of a little spaniel which had been found lame by a surgeon at Leeds. He carried the poor animal home, bandaged up his leg, and after two or three days turned him out. The dog returned to the surgeon's house every morning till his leg was perfectly well. At the end of several months, the spaniel again presented himself in company with another dog, which had also been lamed; and he intimated, as well as piteous and intelligent looks could [Pg 295] intimate, that he desired the same assistance to be rendered to his friend as had been bestowed upon himself. The combination of ideas in this case, growing out of the recollection of his own injury, and referring that to the cure which had been performed; the compassion he had for his friend to whom he communicated the occurrence, and induced to seek relief under his guidance, together with the appeal to the humane surgeon, is as extraordinary a piece of sagacity as can be found in all the annals of animals.

The way animals manage to share their thoughts with each other is a phenomenon that has never been fully explained. The following two instances are quite intriguing. A gentleman who often traveled to London from a distant county made the journey on horseback, accompanied by his beloved little terrier, which he left at an inn far from London until he returned. One time, when he asked for his dog, the landlady informed him that it was lost; it had fought with the big house dog and had been so hurt that it was thought he might never recover. However, after a few days, he crawled out of the yard, and no one saw him for almost a week. He returned with another dog larger than his enemy, and they both attacked the big dog and nearly destroyed it. This dog had actually traveled back to its own home in Whitmore, Staffordshire, and had coaxed the big dog to follow him to St. Alban's to help avenge the injury done to his friend. Another story involves a little spaniel that was found lame by a surgeon in Leeds. He took the poor dog home, bandaged its leg, and after a few days, let it go. The dog returned to the surgeon's house every morning until its leg was completely healed. After several months, the spaniel returned with another dog that had also been injured, and it signaled, through its sorrowful and intelligent looks, that it wanted the same help for its friend as it had received. The combination of ideas in this case, stemming from the memory of its own injury and relating that to the treatment it had received, along with the compassion it felt for its friend and the encouragement to seek help together, is an extraordinary example of cleverness that can be found in the entire history of animals.

STRANGE CUSTOM ABOUT NAMES.

Unusual tradition regarding names.

The following anecdote forcibly illustrates the absurd custom which prevailed many years ago in America, of giving children names, made up of Scripture sentences. We record the anecdote as being descriptive of a curious local custom. About the beginning of the present century a New England sea captain having some business at a public office, which required him to sign his name, was rather tedious in performing the operation, which did not escape the observation of the officer, who was a little impatient at the delay, and curious withal to see what sort of a name it could be that required so long a time to spread it upon paper. Perhaps the captain had a long string of titles to grace it, such as honorable, esquire, colonel of militia, selectman of the town of ——, &c., which he chose to make an ostentatious parade of; or perhaps it was his whim to subscribe the place of his nativity and that of his residence, together with his age, height, and complexion. He was mistaken; for the captain had subscribed nothing but simply his name, which, when he had done, the officer, after some trouble in decyphering, found to read thus:—Through-Much-Tribulation-We-Enter-Into-the-Kingdom-of-Heaven Clapp. "Will you please to tell me, Captain Clapp," said he, with as demure a face as his violent inclination to indulge in a hearty laugh would allow him to put on, "what might your mother have called you in your infancy, to save herself the trouble of repeating a sermon whenever she had occasion to name her darling?" "Why, sir," replied Captain Clapp, with laughable simplicity, "when I was little they used to call me Tribby, for shortness."

The following story clearly shows the ridiculous tradition that existed many years ago in America, where children were given names made up of Bible verses. We share this story as it reflects an interesting local custom. Around the start of the 21st century, a New England sea captain, who had to do some business at a public office that required him to sign his name, took quite a while to complete the task. This caught the attention of the officer, who was a bit impatient with the delay and curious about what kind of name could take so long to write down. Maybe the captain had a long list of fancy titles, like honorable, esquire, colonel of militia, selectman of the town of —, etc., that he wanted to show off; or maybe he felt it necessary to include his birthplace, residence, age, height, and complexion. He was wrong; the captain wrote nothing but his name, which, after some effort to decipher, the officer found to read as: Through-Much-Tribulation-We-Enter-Into-the-Kingdom-of-Heaven Clapp. "Could you please tell me, Captain Clapp," said the officer, trying to keep a straight face despite his strong urge to laugh, "what did your mother call you when you were a baby, so she wouldn’t have to repeat a sermon every time she wanted to name her dear child?" "Well, sir," Captain Clapp replied with amusing honesty, "when I was little, they used to call me Tribby, for short."

DRESS IN LONDON DURING THE LAST CENTURY.

DRESS IN LONDON DURING THE LAST CENTURY.

The seven illustrations which accompany this article represent the progress of dress in London from 1690 to 1779. They speak for themselves, and tell their own tale far better than any description in words could tell it for them. The scale in society to which the persons depicted in the engravings belong, is what may be called the upper middle class, and we thus obtain a more correct idea of the general style of dress, than we should have done had we confined our observations solely to the higher ranks.

The seven illustrations that go along with this article show the evolution of fashion in London from 1690 to 1779. They speak for themselves and tell their story much better than any words could. The people shown in the engravings belong to what we might call the upper middle class, giving us a clearer understanding of the overall style of dress than if we had only looked at the higher social classes.

DRESS 1690-1715.
DRESS 1721.
DRESS, 1735—COMMON LIFE.
DRESS, 1738.
DRESS, 1752.
DRESS CIRCA 1773, 1778.
DRESS, 1779.

It is, however, very curious to notice the value placed upon dress during the period indicated; and how frequently its loss is recorded. Thus we find it mentioned that Lady Anderson, whose house was robbed at a fire in Red Lion Square in 1700, lost a gown of orange [Pg 296] damask, lined with, striped silk. The family of George Heneage, Esq., at the same time, and by the same casualty, lost "a head, with very fine looped lace of very great value, a Flanders' laced hood, a pair of double ruffles and tuckers, two laced aprons, one [Pg 297] edged with point lace, and a large black scarf embroidered with gold." At the same period the ladies wore Holland petticoats, embroidered in figures with different coloured silks and gold, with broad orrice at the bottom. In 1702 diamond stomachers adorned the ladies; they were composed of that valuable stone set in silver, and sewed in a variety of figures upon black silk. The men imported the Champaign wig from France. They were made very full, curled, and eighteen [Pg 298] inches in length to the point, with drop locks. In the Post Boy, of November 15, 1709, there were advertised as stolen, "A black silk petticoat, with red and white calico border, cherry-coloured stays, trimmed with blue and silver, a red and dove-coloured damask gown, flowered with large trees; a yellow satin apron, trimmed with white Persian, and muslin head-clothes, with crow-foot edging; a black silk furbelowed scarf, and a spotted hood." Black and beaver hats for ladies were advertised in 1719, faced with coloured silks, and trimmed with gold and silver lace. A man of fashion in 1720 wore the full flowing curled wig, which fell in ringlets half-way down his arms and back, a laced coat, straight, formal, with buttons to the very bottom, and several on the pockets and sleeves; his shoes were square at the toes, had diminutive buckles, a monstrous flap on the instep, and high heels, a belt secured the coat and supported the sword. Perukes were a highly important article of dress in 1734. Fans were much used, ladies seldom appeared without this useful ornament in their hands. The hoop underwent many important changes; sometimes it projected at the sides only, or, like its ancestor, the fardingale, it spread itself all round in imposing majesty. High-heeled shoes maintained their place. In 1740 tight sleeves with full ruffles, small pointed waists, enclosed in whalebone, loose gowns, called sacques, and cloaks with hoods, named cardinals, were la grande monde. Among the gentlemen's costumes, the most striking was the Ramilies tail, which was a plaited tail to the wig, with an immense bow at the top and one at the bottom. Claret coloured clothes were considered as handsome; and light blue with silver button-holes, and silver garters to the knees, was very fashionable between 1740 and 1751. The change to wearing the natural hair instead of wigs took place about 1765. From that date the female dress altered by degrees: the cap was enlarged to an enormous size, and the bonnet swelled in proportion. Hoops were entirely discontinued. Hats and bonnets of straw, chip, and beaver, became well proportioned, and velvet pelisses, shawls and silk spencers were contrived to improve rather than injure the form. The male dress also insensibly changed from formality to ease, and thus, by degrees, the fashion became what our illustrations represent it to have been in 1779.

It’s really interesting to see how much value was placed on clothing during that time and how often its loss was noted. For instance, Lady Anderson, whose house was robbed in a fire at Red Lion Square in 1700, reported losing an orange damask gown lined with striped silk. At the same time, the family of George Heneage, Esq. lost "a headpiece with very fine looped lace of great value, a Flanders lace hood, a pair of double ruffles and tuckers, two laced aprons—one edged with point lace—and a large black scarf embroidered with gold." Back then, ladies wore Holland petticoats embroidered with colorful designs in silk and gold, complete with wide orrice at the bottom. By 1702, ladies adorned themselves with diamond stomachers made of valuable stones set in silver, sewn in various designs on black silk. Men brought in the Champaign wig from France, which was full, curled, and 18 inches long, complete with drop locks. In the *Post Boy* of November 15, 1709, advertisements noted the theft of "a black silk petticoat with a red and white calico border, cherry-colored stays trimmed with blue and silver, a red and dove-colored damask gown with large tree patterns, a yellow satin apron trimmed with white Persian, muslin head-clothes with crow-foot edging, a black silk furbelowed scarf, and a spotted hood." In 1719, black and beaver hats for ladies were advertised, faced with colored silks and trimmed with gold and silver lace. A fashionable man in 1720 wore a full, flowing curled wig that fell in ringlets halfway down his arms and back, a straight laced coat with buttons all the way down and more on the pockets and sleeves; his shoes were square-toed with small buckles, a large flap on the instep, high heels, and a belt that secured his coat and held his sword. Perukes were a crucial part of a man's outfit in 1734. Fans were widely used, and ladies rarely appeared without this handy accessory in hand. The hoop skirt saw many changes; at times it only extended at the sides or, like its predecessor the fardingale, spread out all around dramatically. High-heeled shoes remained in style. In 1740, tight sleeves with full ruffles, small pointed waists supported by whalebone, loose gowns called sacques, and cloaks with hoods known as cardinals were all the rage. Among men, the most notable style was the *Ramilies* tail—a plaited tail on the wig with a huge bow at both the top and bottom. Claret-colored outfits were viewed as attractive, while light blue with silver buttonholes and silver garters to the knees was very trendy between 1740 and 1751. The shift to wearing natural hair instead of wigs began around 1765. After that, women's fashion evolved gradually: the cap grew to an enormous size, and the bonnet followed suit. Hoops were completely phased out. Hats and bonnets made of straw, chip, and beaver became better proportioned, and velvet pelisses, shawls, and silk spencers were designed to enhance rather than distort the figure. Men's clothing also shifted subtly from formality to comfort, and thus, over time, the style came to resemble what our illustrations depict from 1779.

ATTAR OF ROSES.

Rose oil.

Lieutenant Colonel Polier gives a full history of extracting this essential oil, in vol i. p. 332, of the Asiatic Researches. The roses grow, cultivated near Lucknow, in fields of eleven acres each. The oil is procured by distillation; the petals of the flowers only are used; and in that country no more than a quantity of about two drachms can be procured from an hundred-weight of rose leaves, and even that in a favourable season, and by the process being performed with the utmost care. The oil is by accident of different colours; of a bright yellow, of a reddish hue, and a fine emerald. It is to the mother of Mebrul Nessa Begum, afterwards called Nourjehan Begum, or, Light of the World, that the fair sex is indebted for this discovery. On this occasion the emperor of Hindostan rewarded the inventress with a string of valuable pearls. Nourjehan Begum was the favourite wife of Jehangir, [Pg 299] and her game the fiercest of India. In a hunting party she killed four tigers with a matchlock, from her elephant, and her spouse was so delighted at her skill, that he made her a present of a pair of emerald bracelets, valued at a lack of rupees, and bestowed in charity a thousand mohurs.

Lieutenant Colonel Polier provides a detailed history of how this essential oil is extracted in vol i. p. 332 of the Asiatic Researches. The roses are cultivated near Lucknow in fields of eleven acres each. The oil is obtained through distillation, using only the petals of the flowers. In that region, you can get about two drachms from a hundred-weight of rose leaves, and that’s only in favorable conditions and when the process is done very carefully. The oil can accidentally come in different colors, including bright yellow, reddish, and a beautiful emerald. It's thanks to the mother of Mebrul Nessa Begum, later known as Nourjehan Begum, or Light of the World, that women owe this discovery. On this occasion, the emperor of Hindostan rewarded the inventor with a string of valuable pearls. Nourjehan Begum was the favorite wife of Jehangir, [Pg 299] and she was a skilled hunter. During one hunting party, she killed four tigers with a matchlock while on her elephant, and her husband was so impressed with her skills that he gifted her a pair of emerald bracelets worth a lack of rupees and gave away a thousand mohur in charity.

FLEET MARRIAGES ABOUT 1740.

Fleet Marriages, circa 1740.

Many of the early Fleet weddings were really performed at the chapel of the Fleet; but as the practice extended, it was found more convenient to have other places within the Rules of the Fleet, (added to which the Warden was compelled by act of parliament not to suffer them,) and thereupon many of the Fleet parsons and tavern-keepers in the neighbourhood fitted up a room in their respective lodgings or houses as a chapel. The parsons took the fees, allowing a portion to the plyers, &c., and the tavern-keepers, besides sharing in the fees, derived a profit from the sale of liquors which the wedding party drank. In some instances the tavern-keepers kept a parson on their establishment at a weekly salary of twenty shillings; while others, upon a wedding-party arriving, sent for any clergyman they might please to employ, and divided the fee with him. Most of the taverns near the Fleet kept their own registers, in which (as well as in their own books,) the parsons entered the weddings.

Many of the early Fleet weddings were actually held at the Fleet chapel; however, as the practice grew, it became more convenient to have other venues within the Rules of the Fleet (especially since the Warden was legally required to not allow them), so many of the Fleet clergymen and tavern owners in the area set up a room in their homes or establishments to serve as a chapel. The clergymen collected the fees, giving a portion to the facilitators, etc., and the tavern owners, in addition to sharing in the fees, made a profit from selling drinks to the wedding party. In some cases, tavern owners employed a clergyman on a weekly salary of twenty shillings; in other cases, when a wedding party arrived, they would call for any clergyman they wanted to hire and split the fee with him. Most of the taverns close to the Fleet maintained their own registers, where the clergymen recorded the weddings, as well as in their own books.

EFFECTS OF THE GREAT EARTHQUAKE AT LISBON.

EFFECTS OF THE GREAT EARTHQUAKE AT LISBON.

The earthquake happened on November the 1st, 1755, and its sphere of action embraced many cities and states. St. Ubes was totally destroyed. At Cadiz the sea broke down the outer wall, flooded the town, and drowned some hundreds of persons. The Cathedral of Seville was seriously damaged, several houses overthrown, and many persons injured. The shock was felt, indeed, throughout the whole of Spain, except in Catalonia, and also in Germany. In many parts of Great Britain the water in lakes and ponds was violently upheaved, and ebbed and flowed over the banks. A solemn Fast was consequently commanded to be observed on the 6th of February next ensuing, in the hope to avert, by prayer and penitence, a similar calamity from this country. A ship at sea, 100 leagues to the westward of Lisbon, had her cabin windows shattered to fragments, and many vessels in deep water quivered as if they had struck against a rock. In Morocco the effects of the shock were most disastrous. In Mequinez two-thirds of the houses were destroyed, and above 300 in Fez. A caravan of 200 persons going along the coast from Sallee to Morocco were overwhelmed by the sea, and a still more numerous caravan was swept away by the sudden rise of the inland rivers. In France and Holland earthquakes were repeatedly felt during the entire month of November, and occasionally even in December.

The earthquake occurred on November 1, 1755, and its impact reached many cities and regions. St. Ubes was completely destroyed. In Cadiz, the sea breached the outer wall, flooded the town, and drowned several hundred people. The Cathedral of Seville was severely damaged, many houses were toppled, and numerous people were injured. The shock was felt throughout all of Spain, except in Catalonia, and also in Germany. In many areas of Great Britain, the water in lakes and ponds was violently disturbed, overflowing their banks. As a result, a solemn fast was ordered to be observed on February 6 of the following year, in the hope that prayer and repentance would prevent a similar disaster in this country. A ship at sea, 100 leagues west of Lisbon, had its cabin windows shattered, and many vessels in deep water trembled as if they had hit a rock. In Morocco, the earthquake's effects were devastating. In Mequinez, two-thirds of the houses were destroyed, and over 300 in Fez. A caravan of 200 people traveling from Sallee to Morocco was overwhelmed by the sea, and an even larger caravan was swept away by the sudden rise of inland rivers. In France and Holland, earthquakes were felt repeatedly throughout November and occasionally even in December.

SNAKE-CHARMERS.

Snake charmers.

In the East Indies, the Pambatees, or snake-charmers, come from the mountains called the Ghauts. They make a trade of catching serpents, training them and exhibiting them for money. These reptiles are commonly the cobra-di-capello, the hooded or spectacle serpent, and of other [Pg 300] similar species. A Pambatee will sometimes carry eight or more of them in a low round basket, in which the serpents lie coiled round one another.

In the East Indies, the Pambatees, or snake charmers, come from the mountains known as the Ghauts. They make a living by catching snakes, training them, and showing them for money. These reptiles usually include the cobra-di-capello, the hooded or spectacle snake, and other similar species. A Pambatee might sometimes carry eight or more of them in a low round basket, where the snakes are coiled around each other.

As soon as the lid is removed from the basket, the serpent creeps out of it. The master plays on an instrument somewhat resembling the bagpipe, and the snakes are taught to mark the cadence by the motion of their heads, till at length they fall asleep. In order to rouse them, the Pambatee suspends his music and shakes a ring round his arm to which a piece of red cloth is fastened. The irritated serpent darts at the ring; but as the master has taken care to extract the pouch containing the poison, and to file his teeth, he can do no harm.

As soon as the lid is taken off the basket, the snake slithers out. The master plays an instrument that looks a bit like a bagpipe, and the snakes learn to move their heads in time with the music until they eventually fall asleep. To wake them up, the Pambatee stops playing and shakes a ring attached to his arm with a piece of red cloth. The annoyed snake lunges at the ring; however, since the master has removed the poison pouch and filed down its teeth, it can't do any harm.

Snake-Charmers

The musical instrument just mentioned is called magootee. It is composed of a hollow calebash, to one end of which is fitted a mouthpiece similar to that of the clarinet. To the other extremity is adapted a tube perforated with several holes, which are successively stopped by the fingers, like those of the flute, while the player blows into the mouthpiece. In the middle of the instrument is a small mirror, on which the serpents fix their eyes while dancing. The above engraving will convey a correct idea of the Pambatee and his instrument.

The musical instrument just mentioned is called magootee. It consists of a hollow gourd, with a mouthpiece at one end that's similar to that of a clarinet. At the other end, there's a tube with several holes, which the player covers with their fingers, like on a flute, while blowing into the mouthpiece. In the middle of the instrument is a small mirror that the serpents focus on while dancing. The engraving above will provide a clear idea of the Pambatee and his instrument.

WONDERFUL ESCAPE.

AMAZING ESCAPE.

In 1785, at Winster, in Derbyshire, a show being exhibited at a public-house, some gunpowder being scattered on the floor of an upper chamber, took fire, and communicated to the remainder of a barrel, by which the whole upper part of the house was blown up; about sixty persons were below, and not one hurt.

In 1785, at Winster in Derbyshire, during a show at a pub, some gunpowder that was strewn across the floor of an upper room caught fire and ignited the rest of a barrel, causing the entire upper part of the building to explode; about sixty people were downstairs, and not one was injured.

FAC-SIMILE OF THE FIRST STEAM BOAT.

FAC-SIMILE OF THE FIRST STEAM BOAT.

Fac-Simile of the First Steam Boat

The triumph of steam navigation is one of the wonders of science; and, traversed in all directions as the navigable waters of the earth now are, by vessels propelled by steam, it is not a little curious to look at the first rude effort, and to examine the attempt which has been followed by such extraordinary success.

The success of steam-powered navigation is one of the great achievements of science; and, with navigable waters around the world now being accessed by steam-driven vessels, it's quite fascinating to look back at the initial crude attempts and examine the beginnings that led to such remarkable success.

The world stands indebted, not for the discovery, but for the successful application of steam power to navigation, to Robert Fulton, who was born in Pennsylvania in 1765, being the son of a poor Irish labourer who had emigrated to America. He came to London in 1786, and subsequently, in the character of an inventor and projector, proceeded to Paris, where, however, he did not meet with much success or encouragement. It is evident, from the following letter to a friend, that while residing in the French capital, that his attention was even then turned to the subject of propelling vessels by mechanical power:—

The world owes a debt, not for the discovery, but for the successful use of steam power in navigation, to Robert Fulton, who was born in Pennsylvania in 1765, the son of a poor Irish laborer who immigrated to America. He moved to London in 1786, and later, as an inventor and entrepreneur, went to Paris, where he didn’t find much success or support. It’s clear from the following letter to a friend that while living in the French capital, he was already focused on the idea of using mechanical power to propel boats:—

Paris, the 20th of September, 1802.

Paris, Sept 20, 1802.

To Mr. Fulner Skipwith.
Sir,—The expence of a patent in France is 300 livers for three years, 800 ditto for ten years, and 1500 ditto for fifteen years; there can be no difficulty in obtaining a patent for the mode of propelling a boat which you have shewn me; but if the author of the model wishes to be assured of the mirits of his invention before he goes to the expence of a patent, I advise him to make the model of a boat, in which he can place a clock spring which will give about eight revolutions; he can then combine the movements so as to try oars, paddles, and the leaves which he proposes; if he finds that the leaves drive the boat a greater distance in the same [Pg 302] time than either oars or paddles, they consequently are a better application of power. About eight years ago the Earl of Stanhope tried an experiment on similar leaves in Greenland Dock, London, but without success. I have also tried experiments on similar leaves, wheels, oars, paddles, and flyars similar to those of a smoak jack, and found oars to be the best. The velocity with which a boat moves, is in proportion as the sum of the surfaces of the oars, paddles, leaves, or other machine is to the bow of the boat presented to the water, and in proportion to the power with which such machinery is put in motion; hence, if the sum of the surfaces of the oars is equal to the sum of the surfaces of the leaves, and they pass through similar curves in the same time, the effect must be the same; but oars have this advantage, they return through air to make a second stroke, and hence create very little resistance; whereas the leaves return through water, and add considerably to the resistance, which resistance is increased as the velocity of the boat is augmented: no kind of machinery can create power; all that can be done is to apply the manuel or other power to the best advantage. If the author of the model is fond of mechanics, he will be much amused, and not lose his time, by trying the experiments in the manner I propose, and this perhaps is the most prudent measure, before a patent is taken.

To Mr. Fulner Skipwith.
Sir,—The cost of a patent in France is 300 livres for three years, 800 for ten years, and 1500 for fifteen years. There shouldn't be any issue in getting a patent for the method of propelling a boat that you've shown me; however, if the creator of the model wants to be sure about the merits of his invention before incurring the patent costs, I suggest he create a model of a boat equipped with a clock spring that can make about eight revolutions. He can then test oars, paddles, and the blades he’s proposing by combining their movements; if he finds that the blades propel the boat farther in the same time than either the oars or paddles, then they are clearly a better use of power. About eight years ago, the Earl of Stanhope tested similar blades in Greenland Dock, London, but it was unsuccessful. I have also conducted tests with similar blades, wheels, oars, paddles, and flyars akin to those of a smoke jack, and found oars to be the most effective. The speed of a boat is proportional to the total surface area of the oars, paddles, blades, or other devices relative to the boat's bow that faces the water, and also to the force applied to such equipment. Therefore, if the total surface area of the oars equals that of the blades, and they move through similar paths at the same time, the results should be the same; however, oars have the advantage of returning through the air for a second stroke, creating very little resistance, while blades return through water, significantly increasing resistance, which escalates as the boat's speed increases. No machine can generate power; it can only apply manual or other power as effectively as possible. If the model's creator enjoys mechanics, he will find trying these experiments enjoyable and worthwhile, which is probably the wisest course of action before applying for a patent.

I am, Sir, with much respect, yours,
Robt. Fulton.

I am, Sir, with great respect, yours,
Robert Fulton.

In the following year, 1803, he appears to have made an experiment in France of propelling a vessel by mechanism, and though it failed in consequence of the timbers of the boat being too weak, it served to convince him so completely of ultimate success, that he immediately gave instructions to Watt and Boulton to prepare a suitable steam engine for him, and send it to New York. Having returned to that city in 1806, he set about building a boat, and having received the engines he had ordered, he successfully started the first steam-boat in the world on her trial trip to Albany from New York in August, 1807. Her name was the "Clermont," and the above engraving is a correct representation of her. She was in length 133 feet, in depth 7, and in breadth 18.

In the following year, 1803, he seems to have conducted an experiment in France to propel a vessel using machinery, and although it failed because the boat's materials were too weak, it completely convinced him of the potential for success. He immediately instructed Watt and Boulton to build a suitable steam engine for him and send it to New York. After returning to that city in 1806, he began constructing a boat, and after receiving the engines he had ordered, he successfully launched the world's first steamboat on her trial trip to Albany from New York in August 1807. Her name was the "Clermont," and the engraving above accurately depicts her. She measured 133 feet in length, 7 feet in depth, and 18 feet in width.

SEVERE ENACTMENT AGAINST BEGGARS.

HARSH LAWS AGAINST BEGGARS.

At the commencement of the reign of Edward VI., a most severe and extraordinary statute was made for the punishment of vagabonds and relief of poor persons. It does not appear who were the contrivers of this instrument, the preamble and general spirit of which were more in accordance with the tyrannical and arbitrary measures of the preceding reign, than with the mild and merciful character of the infant sovereign, who is well known to have taken a very active part in the affairs of government. It repeals all the former statutes on this subject, and enacts, that if any beggar or other person, not being lame or impotent, and after loitering or idly wandering for the space of three days or more, shall not offer himself to labour, or being engaged in any person's service, shall run away or leave his work, it shall be lawful for the master to carry him before a justice of peace, who, on proof of the offence, shall cause the party to be marked with a hot iron with the [Pg 303] letter V on the breast, and adjudge him to be his master's slave for the space of two years, who shall feed him "on bread and water, or at his discretion, on refuse of meat, and cause the said slave to work by beating, chaining, or otherwise in such work or labour (how vile soever it be) as he shall put him unto." If the slave should run away or absent himself for a fortnight without leave, the master may pursue and punish him by chaining or beating, and have his action of damage against any one who shall harbour or detain him. On proof before the justice of the slave's escape, he is to be sentenced to be marked on the forehead or ball of the cheek with a hot iron with the letter S, and adjudged to be his master's slave for ever; and for the second offence of running away, he is to be regarded as a felon and suffer death. The children of beggars to be taken from them, and, with other vagrant children, to be apprenticed by the magistrate to whoever will take them; and if such children so apprenticed run away, they are to be retaken, and become slaves till the age of twenty in females, and twenty-four in males, with punishment by chains, &c., and power to the master to let, sell, or bequeath them, as goods and chattels, for the term aforesaid. If any slave should maim or wound the master, in resisting correction, or conspire to wound or murder him, or burn his house or other property, he is to suffer death as a felon, unless the master will consent to retain him as a slave for ever; and if any parent, nurse, or bearer about of children, so become slaves, shall steal, or entice them away from the master, such person shall be liable to become a slave to the said master for ever, and the party so stolen or enticed away restored. If any vagrant be brought to a place, where he shall state himself to have been born, and it shall be manifest that he was not so born there, for such lie he shall be marked in the face with an S, and become a slave to the inhabitants or corporation of the city for ever. Any master of a slave may put a ring of iron about his neck, arm, or leg, for safe custody, and any person taking or helping to take off such ring, without consent of the master, shall forfeit the sum of ten pounds.

At the start of Edward VI's reign, a harsh and unusual law was established to punish vagabonds and assist poor people. It's unclear who came up with this law, but its preamble and overall intent were more aligned with the oppressive policies of the previous reign than with the kind and compassionate nature of the young king, who was known to be quite active in government affairs. This law repeals all previous regulations on the matter and states that if any beggar or person who isn't disabled loiters or wanders idly for three days or more without offering to work, or if someone working for another person runs away or quits their job, the master can take them before a justice of the peace. If proved guilty, the individual will be branded with a hot iron marked with the letter V on their chest and sentenced to be the master's slave for two years, during which they will be fed "on bread and water, or at the master's discretion, on leftover food, and forced to work through beatings, chaining, or other means in whatever work the master assigns." If the slave runs away or is absent for two weeks without permission, the master can pursue and punish them with chaining or beating and can sue anyone who shelters or keeps them. If proven before the justice that the slave escaped, they will be branded on the forehead or cheek with a hot iron marked S and sentenced to be the master's slave for life; if they escape again, they are considered a felon and can be executed. Children of beggars will be taken from them and, along with other vagrant children, will be apprenticed by the magistrate to anyone willing to take them; if such children run away from their apprenticeship, they will be recaptured and enslaved until they are twenty for females and twenty-four for males, subject to punishment by chains, etc., and the master can lease, sell, or bequeath them as property for that period. If any slave injures the master while resisting punishment or conspires to harm or kill him, or tries to burn his house or property, they will face the death penalty unless the master agrees to keep them as a lifelong slave. If any parent, nurse, or guardian of children who become slaves steals or entices them away from the master, that person will also become a slave to the master for life, and the stolen or enticed party will be returned. If a vagrant is taken to a place claiming to be their birthplace and it's clear they weren't born there, they will be marked on the face with an S for lying and will become a slave to the city's inhabitants or corporation forever. Any master of a slave can put an iron ring around the slave's neck, arm, or leg for safekeeping, and anyone who removes that ring without the master's consent will be fined ten pounds.

This diabolical statute, after remaining for two years, was repealed, on the ground that, from its extreme severity, it had not been enforced.

This terrible law, after being in place for two years, was repealed because it was so harsh that it hadn't been enforced.

JUDGES IN THEIR ROBES ATTENDING PUBLIC BALLS.

JUDGES IN THEIR ROBES AT PUBLIC BALLS.

That the ideas of good taste and propriety which now prevail are greatly in advance of those which our ancestors entertained, is strikingly manifested by the fact, that the dreadful scenes which followed the last business of a county assize did not prevent a festive beginning of the same. On the commission day at each county town was held an assize ball. The judges attended in black silk gowns with band and two-curl bob-wig. They did not dance, but usually played at whist. What would be thought now-a-days of judges who went to a public ball room on commission day, and played at whist in their robes?

The ideas of good taste and propriety that are common today are clearly much more advanced than those held by our ancestors. This is strikingly shown by the fact that the terrible events following the last county court didn’t stop the festive start of the same. On the day of the commission, every county town hosted an assize ball. The judges attended in black silk gowns, wearing bands and two-curl wigs. They didn’t dance but usually played whist instead. What would people think nowadays if judges went to a public ballroom on commission day and played whist in their robes?

ST. WINIFRED'S WELL.

St. Winifred's Well.

The most copious spring in Great Britain is St. Winifred's Well, near the town of Holywell, in Flintshire. The well is an oblong square, [Pg 304] about twelve feet by seven. The water passes into a small square court through an arch; it has never been known to freeze, and scarcely ever varies in quantity either in drought or after the greatest rains. The water thrown up is not less than eighty-four hogsheads every minute.

The largest spring in Great Britain is St. Winifred's Well, near the town of Holywell, in Flintshire. The well is an oblong square, [Pg 304] about twelve feet by seven. The water flows into a small square courtyard through an arch; it has never been known to freeze and hardly ever changes in quantity, whether during drought or after heavy rains. The water that erupts is no less than eighty-four hogsheads every minute.

ST. WINIFRED'S WELL.

This sacred well is the object of many pilgrimages, even in the present day, and several modern miracles are related of the influence of its waters. Pope Martin V. especially enjoined such pilgrimages, and the monks of Basingwerk were furnished with pardons and indulgences to sell to the devotees. James the 2nd visited the well in 1686, and Leopold, King of the Belgians, in 1819. Apart from all superstitious notions, its waters doubtless possess many curative properties.

This sacred well attracts many pilgrims even today, and several modern miracles are associated with the effects of its waters. Pope Martin V especially encouraged these pilgrimages, and the monks of Basingwerk were given pardons and indulgences to sell to the worshippers. James II visited the well in 1686, and Leopold, King of the Belgians, visited in 1819. Aside from all superstitions, its waters definitely have many healing properties.

Over the well, Queen Margaret, the mother of Henry VII., erected a beautiful chapel, whose elegantly fretted roof, and graceful columns and arches, are generally admired as examples of good architecture. Our engraving is a correct representation of the interior.

Over the well, Queen Margaret, the mother of Henry VII, built a beautiful chapel, whose intricately designed roof, and elegant columns and arches, are widely praised as examples of great architecture. Our engraving provides an accurate representation of the interior.

INSTANCE OF ASSIDUITY AND PERSEVERANCE.

EXAMPLE OF DEDICATION AND PERSISTENCE.

The Rev. Wm. Davy, a Devonshire curate, in the year 1795, begun a most desperate undertaking, viz., that of printing himself twenty-six volumes of sermons, which he actually did, working off page by page, for fourteen copies; and continuing this almost hopeless task for twelve [Pg 305] years, in the midst of poverty! Such wonderful perseverance almost amounts to a ruling passion.

The Rev. Wm. Davy, a curate from Devonshire, started a challenging project in 1795: he decided to print twenty-six volumes of his sermons, which he did by producing page by page for fourteen copies. He persisted with this nearly impossible task for twelve [Pg 305] years, all while dealing with poverty! Such remarkable perseverance is truly a driving passion.

PHENOMENON AT THE POWERSCOURT FALL.

PHENOMENON AT POWERSCOURT FALLS.

The Powerscourt Fall, of which the annexed is an engraving, is formed by the river Dargle, and is situated in the county of Wicklow. When the river is full, it presents a very grand appearance. The stream precipitates itself over a nearly perpendicular cliff, 300 feet in height, and falls into a natural basin or reservoir, encircled by rocky masses of considerable magnitude, whilst the whole scene is backed by mountains. This fall exhibits rather a singular phenomenon, in the different degrees of velocity with which the water descends in different parts of the cascade. Thus, on one side, the water may be observed to pour down with considerable velocity; while, on the other side, the fall, in the upper part, presents the appearance of a continued stream of frothy foam, gliding slowly down the face of the cliff, though the lower part moves with greater velocity. This circumstance is, however, readily accounted for; being, in fact, mainly attributable to the comparatively small body of water which forms the cascade. The water, on the one side, that which descends with the greater velocity (and this forms by far the larger portion of the cascade) meets with no interruption in its descent, but falls, almost from the top, to the bottom in an unbroken sheet. On the other side, however, the cliff in the upper part deviates from the perpendicular, and the consequence is, that, owing to the slope or inclination of the rock over which it flows, the progress of the water is checked in that particular part, though lower down, where the cliff is again perpendicular, it regains its velocity. If the body of water in this cascade were greater, this phenomenon would not occur.

The Powerscourt Falls, shown in the attached engraving, is created by the River Dargle and located in County Wicklow. When the river is full, it looks very impressive. The water plunges over a nearly vertical cliff that is 300 feet high and falls into a natural basin surrounded by large rocky formations, with mountains in the background. This waterfall has a unique characteristic in the differing speeds at which the water descends in various parts of the cascade. On one side, the water falls with significant speed, while on the other side, the upper section appears as a continuous stream of frothy foam that slowly glides down the cliff, although the lower part moves faster. This difference can easily be explained: it’s primarily due to the relatively small volume of water that creates the cascade. On one side, the water that falls more quickly (which is the larger part of the cascade) descends without interruption, tumbling straight from the top to the bottom in a smooth sheet. On the other side, the cliff’s angle changes, causing the water to slow down in that area, but further down, where the cliff is vertical again, it regains speed. If the volume of water in this cascade were greater, this effect would not happen.

HOW CHESS ORIGINATED IN INDIA.

HOW CHESS STARTED IN INDIA.

By the unanimous consent of all nations, chess holds the first place among social amusements. The history of this game has exercised many [Pg 306] able pens. According to Sir William Jones, it is decidedly of Hindoo invention. "If," says he, in a learned memoir on this subject inserted in the second volume of the Asiatic Researches, "evidence were required to prove this fact, we may be satisfied with the testimony of the Persians, who, though as much inclined as other nations to appropriate the ingenious inventions of a foreign people, unanimously agree that the game was imported from the west of India in the sixth century of our era. It seems to have been immemorially known in Hindoostan by the name of Cheturanga, the four angas, or members of an army, which are elephants, horses, chariots, and foot-soldiers; and in this sense, the word is frequently used by epic poets in their description of real armies. By a natural corruption of the pure Sanscrit word, it was changed by the old Persians into chetrang; but the Arabs, who soon after took possession of their country, had neither the initial nor the final letter of that word in their alphabet, and consequently altered it farther into shetranj, which presently found its way into the modern Persian, and at length into the dialects of India, where the true derivation of the name is known only to the learned. Thus has a very significant word in the sacred language of the Brahmins been transformed by successive changes into axedrez, scacchi, echecs, chess, and by a whimsical concurrence of circumstances given birth to the English word check, and even a name to the exchequer of Great Britain."

By the unanimous agreement of all nations, chess is the top choice among social pastimes. The history of this game has inspired many skilled writers. According to Sir William Jones, it was definitely invented in India. "If," he states, in a scholarly article on this topic found in the second volume of the Asiatic Researches, "we needed evidence to support this fact, we can rely on the testimony of the Persians, who, despite their tendency to claim the clever inventions of others, all agree that the game was brought from Western India in the sixth century of our era. It appears to have been known in India by the name Cheturanga, which refers to the four angas, or members of an army, represented by elephants, horses, chariots, and foot-soldiers; and in this context, the term is often used by epic poets when describing real armies. Through a natural evolution of the pure Sanskrit word, it was altered by the ancient Persians to chetrang; however, the Arabs, who later took over the region, did not have the initial or final letters of that word in their alphabet, and thus further modified it to shetranj, which then made its way into modern Persian and eventually into Indian dialects, where the true origin of the name is known only to scholars. In this way, a highly meaningful term in the sacred language of the Brahmins has been transformed through various changes into axedrez, scacchi, echecs, chess, and as a result of interesting coincidences, it also spawned the English word check, and even a name for the exchequer of Great Britain."

Of the origin of this game various accounts are given. Some Hindoo legends relate, that it was invented by the wife of Ravanen, king of Lanca, or Ceylon, to amuse her husband with an image of war, when Rama, in the second age of the world, was besieging his capital. The high degree of civilization which the court of Ravanen had attained at so remote a period is worthy of notice. An ancient Hindoo painting represents his capital regularly fortified with embattled towers. He there defended himself with equal skill and valour, whence he and his subjects were denominated magicians and giants. Ravanen seems to have been the Archimedes of Lanca; and his science must have appeared supernatural to the invader, Rama, and his wild horde of mountaineers, who were termed in derision satyrs or apes, whence the fable of the divine Hanooman.

There are various accounts about the origin of this game. Some Hindu legends say it was created by Ravanen's wife, the king of Lanka (or Ceylon), to entertain her husband with a representation of war while Rama was besieging his capital in the second age of the world. The advanced level of civilization that Ravanen's court reached at such an early time is noteworthy. An ancient Hindu painting shows his capital as well-fortified with fortress towers. He defended himself there with equal skill and bravery, which is why he and his subjects were called magicians and giants. Ravanen seems to have been the Archimedes of Lanka, and his knowledge must have seemed supernatural to the invader, Rama, and his wild group of mountain dwellers, who mockingly referred to them as satyrs or apes, leading to the legend of the divine Hanuman.

According to another account, the occasion of this invention was as follows:—Behub, a young and dissolute Indian prince, oppressed his people in the most cruel manner. Nassir, a Brahmin, deeply afflicted by his excesses, and the lamentations of his subjects, undertook to recal the tyrant to reason. With this view he invented a game, in which the king, impotent by himself, is protected only by his subjects, even of the lowest class, and frequently ruined by the loss of a single individual.

According to another account, this invention came about in the following way: Behub, a young and reckless Indian prince, treated his people with extreme cruelty. Nassir, a Brahmin, who was deeply troubled by Behub's actions and the suffering of his subjects, decided to bring the tyrant back to his senses. To do this, he created a game in which the king, powerless on his own, is protected only by his subjects, even those from the lowest class, and can often be defeated by the loss of a single person.

The fame of this extraordinary invention reached the throne, and the king summoned the Brahmin to teach him the game, as a new amusement. The virtuous Brahmin availed himself of this opportunity to instil into the mind of the young tyrant the principles of good government, and to awaken him to a sense of his duties. Struck by the truths which he inculcated, the prince conceived an esteem for the inventor of the new game, and assured him of his willingness to confer a liberal [Pg 307] remuneration, if he would mention his own terms. Nassir demanded as many grains of wheat as would arise from allowing one for the first square, two for the second, four for the third, and so on, doubling for each square of the sixty-four on the chessboard. The king, piqued at the apparently trivial value of the demand, desired him somewhat angrily to ask a gift more worthy of a monarch to bestow. When, however, Nassir adhered to his first request, he ordered the required quantity of corn to be delivered to him. On calculating its amount, the superintendents of the public granaries, to their utter astonishment, found the demand to be so enormous, that not Behub's kingdom only, but even all Hindoostan would have been inadequate to the discharge of it. The king now admired the Brahmin still more for the ingenuity of his request than for the invention, appointed him his prime-minister, and his kingdom was thenceforward prosperous and happy.

The fame of this incredible invention reached the throne, and the king called the Brahmin to teach him the game as a new form of entertainment. The virtuous Brahmin seized this opportunity to instill the principles of good governance into the mind of the young tyrant and to make him aware of his responsibilities. Struck by the truths he shared, the prince developed respect for the inventor of the new game and promised him a generous reward if he would state his terms. Nassir requested as many grains of wheat as would be produced by starting with one grain for the first square, two for the second, four for the third, and so on, doubling for each of the sixty-four squares on the chessboard. The king, annoyed at what seemed like a trivial request, angrily urged him to ask for something more befitting a monarch to give. However, when Nassir stood by his initial request, the king ordered the required amount of grain to be delivered. Upon calculating the total, the superintendents of the public granaries were utterly shocked to find the demand so massive that not only Behub's kingdom but all of Hindoostan would be insufficient to fulfill it. The king now admired the Brahmin even more for the cleverness of his request than for the invention itself, appointed him as his prime minister, and from that point on, his kingdom thrived and prospered.

The claim of the Hindoos to the invention of chess has been disputed in favour of the Chinese; but as they admit that they were unacquainted with the game till 174 years before Christ, and the Hindoos unquestionably played it long before that time, the pretensions of the latter must naturally fall to the ground.

The claim of the Hindus to the invention of chess has been challenged in favor of the Chinese; however, since they acknowledge that they didn't know about the game until 174 years before Christ, and the Hindus definitely played it well before that time, the arguments of the latter must clearly be dismissed.

DISORDERS CURED BY FRIGHT.

DISORDERS CURED BY FEAR.

Fabritius makes mention of a gentleman, with whom he was familiar, who, being unjustly suspected, was tortured upon the rack, and, when released, found himself quite cured of the gout, which was, before this violent remedy, rather troublesome. Again, we have instances of disorders being cured by fright. We find, in the Journal de Henri IV., that, "On Friday, June the 9th, 1606, as Henry IV. of France, and his Queen, were crossing the water in the ferry-boat of Neuilly, the Duke of Vendome being with them, they were all three in great danger of being drowned, especially the queen, who was obliged to drink a great deal more than was agreeable to her; and had not one of her footmen, and a gentleman called La Chatagnieraie, who caught hold of her hair, desperately thrown themselves into the water to pull her out, she would have inevitably lost her life. This accident cured the king of a violent toothache; and, after having escaped the danger, he diverted himself with it, saying he had never met with so good a remedy for that disorder before, and that they had ate too much salt meat at dinner, therefore they had a mind to make them drink after it."

Fabritius talks about a gentleman he knew who, after being wrongly suspected, was tortured on the rack. When he was finally released, he discovered he was completely cured of the gout, which had been quite bothersome for him before this extreme treatment. Similarly, there are cases where fright has cured ailments. According to the *Journal de Henri IV.*, "On Friday, June 9, 1606, King Henry IV of France and his Queen were crossing the river in the ferry at Neuilly, accompanied by the Duke of Vendome. They were all in serious danger of drowning, especially the Queen, who was forced to swallow more water than she would have preferred. If not for one of her footmen and a gentleman named La Chatagnieraie, who jumped into the water and grabbed her hair to pull her out, she surely would have died. This incident cured the king of a severe toothache, and after escaping the peril, he jokingly remarked that he had never found such an effective remedy for that problem before, and that they must have eaten too much salty food at dinner, which made them drink afterward."

THE WINGLESS BIRD OF NEW ZEALAND.

THE WINGLESS BIRD OF NEW ZEALAND.

One of the chief wonders of the world of Ornithology is the Apteryx, a bird which is found only in New Zealand, and even there, is rapidly becoming extinct. It is a creature so strange, that no imagination could have fancied a bird without wings or tail, with robust legs, and with claws which are suited for digging, and are actually used in forming excavations, in which this singular bird lays its eggs, and hatches its young. If the Apteryx were to become extinct, and all that remained of it, after the lapse of one or two centuries, for the scrutiny of the naturalist were a foot in one Museum, and a head in another, with a few [Pg 308] conflicting figures of its external form, the real nature and affinities of this most remarkable species would be involved in as much obscurity and doubt, and become the subject of as many conflicting opinions among the ornithologists of that period, as are those of the Dodo in the present day.

One of the main wonders in the world of Ornithology is the Apteryx, a bird that’s found only in New Zealand, and even there, it’s quickly becoming extinct. It’s such a peculiar creature that no one could imagine a bird without wings or a tail, with strong legs and claws designed for digging. These claws are actually used to create burrows where this unique bird lays its eggs and raises its young. If the Apteryx were to go extinct, and all that remained of it, after one or two centuries, for naturalists to study were a foot in one museum and a head in another, along with a few [Pg 308] conflicting illustrations of its shape, the true nature and relationships of this remarkable species would be just as unclear and debated among ornithologists of that time as the Dodo is today.

The Apteryx is not larger than a full-grown fowl, and has only a rudimentary wing, so covered with the body feathers as to be quite concealed; the terminating slender claw may, however, be discerned on examination.

The Apteryx is no bigger than a fully grown chicken and has only a basic wing, which is so covered with body feathers that it's mostly hidden; however, the thin claw at the end can be seen if you take a closer look.

THE WINGLESS BIRD.

The bill is long and slightly curved, having the nostrils at the extremity; its feathers, the sides of which are uniform in structure, do not exceed four and a-half inches in length, and are much prized as material for mantles or cloaks by the chiefs. It is a nocturnal bird, using its long bill in search of worms, upon which it principally feeds; it kicks with great power, and burrows at the root of the rata, at the base of which tree is also found the extraordinary Sphæria Robertsia, a species of vegetating caterpillar. Retaining the form of the caterpillar, the fungus pervades the whole body, and shoots up a small stem above the surface of the ground, the body of the caterpillar being below the earth in an erect position. The Apteryx frequently leans with its bill upon the earth—one of its chief characteristics—and thus, when viewed from a distance, appears to be standing on three legs.

The bill is long and slightly curved, with nostrils at the tip; its feathers, which have a consistent structure on the sides, measure up to four and a half inches long, and are highly valued by the chiefs for making mantles or cloaks. It's a nocturnal bird that uses its long bill to hunt for worms, its main food source; it kicks powerfully and digs at the base of the rata tree, which also has the unusual Sphæria Robertsia, a type of caterpillar that turns into a fungus. This fungus takes on the shape of the caterpillar, spreading throughout its body and sending up a small stem above ground, while the caterpillar's body remains below the surface standing upright. The Apteryx often rests its bill on the ground—one of its distinctive traits—so when seen from a distance, it looks like it's standing on three legs.

By the natives of New Zealand, these birds are called Kiwis, from the cry they utter, and they are frequently caught by a cunning imitator of their tone, who, when they approach, dazzles and frightens them with a light previously concealed, and throwing his blanket over them thus secures them.

By the people of New Zealand, these birds are called Kiwis because of the sound they make. They are often caught by a clever imitator of their call, who, when they come near, blinds and scares them with a light that was hidden before, and by throwing a blanket over them, he captures them.

A FLOATING CITY.

A floating city.

FLOATING CITY OF BANKOK.

One of the most wonderful cities in the world is Bankok. It is the capital of Siam, and is situated on—or rather in—the great river Meinam. Our engraving represents a portion of this unique metropolis, and we find the following graphic account of it in a volume of recent travels—"The capital of Siam! Did you ever witness such a sight in [Pg 309] your life? On either side of the wide, majestic stream, moored in regular streets and alleys, and extending as far as the eye can reach, are upwards of seventy thousand neat little wooden houses, each house floating on a compact raft of bamboos; and the whole intermediate space of the river presents to our astonished gaze one dense mass of ships, junks, and boats, of every conceivable shape, colour, and size. As we glide along amongst these, we occasionally encounter a stray floating house, broken loose from its moorings, and hurrying down the stream with the tide, amidst the uproar and shouts of the inhabitants and all the spectators. We also observe that all the front row of houses are neatly painted shops, in which various tempting commodities are exposed for sale; behind these again, at equal distances, rise the lofty and elegant porcelain towers of the various watts and temples. On our right-hand side, far away as we can see, are three stately pillars, erected to the memory of three defunct kings, celebrated for some acts of valour and justice; and a little beyond these, looming like a line-of-battle ship amongst a lot of cockle-shells, rises the straggling and not very elegant palace of the king, where his Siamese Majesty, with ever so many wives and children, resides. Right ahead, where the city terminates, and the river, making a curve, flows behind the palace, is a neat-looking-fort, [Pg 310] surmounted with a tope of mango-trees, over which peep the roofs of one or two houses, and a tall flag-staff, from which floats the royal pendant and jack of Siam—a flag of red groundwork, with a white elephant worked into the centre. That is the fort and palace of the prince Chou Fau, now king of Siam, and one of the most extraordinary and intellectual men in the East. Of him, however, we shall see and hear more, after we have bundled our traps on shore, and taken a little rest. Now, be careful how you step out of the boat into the balcony of the floating house, for it will recede to the force of your effort to mount, and if not aware of this, you lose your balance and fall into the river. Now we are safely transhipped, for we cannot as yet say landed; but we now form an item, though a very small one, of the vast population of the city of Bangkok.

One of the most amazing cities in the world is Bangkok. It’s the capital of Siam and sits on—or rather in—the great river Meinam. Our engraving shows a part of this unique metropolis, and we find the following vivid description in a recent travel book—"The capital of Siam! Have you ever seen anything like this in your life? On either side of the wide, majestic river, lined up in orderly streets and alleys, stretching as far as the eye can see, are over seventy thousand neat little wooden houses, each floating on a sturdy bamboo raft; and the entire area of the river presents a stunning view of a dense mass of ships, junks, and boats of every imaginable shape, color, and size. As we glide through this scene, we occasionally spot a lone floating house that has broken loose from its moorings, rushing down the river with the tide, amid the noise and shouts of the residents and onlookers. We also notice that the front row of houses are tidy painted shops, showcasing a variety of tempting goods for sale; behind these, at regular intervals, rise the tall and elegant porcelain towers of various watts and temples. To our right, as far as we can see, stand three grand pillars dedicated to the memory of three deceased kings, known for their acts of bravery and justice; just beyond them, looming like a battleship among a bunch of smaller boats, is the sprawling and not very elegant palace of the king, where His Siamese Majesty resides with many wives and children. Straight ahead, where the city ends and the river curves behind the palace, there’s a neat little fort, topped with mango trees, peeking over which are the roofs of a couple of houses and a tall flagpole, from which hangs the royal standard and jack of Siam—a flag with a red background and a white elephant in the center. That’s the fort and palace of Prince Chou Fau, now king of Siam and one of the most remarkable and intelligent men in the East. We’ll learn more about him after we get our things on shore and take a short break. Now, be careful as you step out of the boat onto the balcony of the floating house, because it will pull back from your weight when you try to get on, and if you’re not careful, you’ll lose your balance and fall into the river. Now we’re safely transferred; although we can’t quite say landed yet, we are now part of the vast population of the city of Bangkok.

We take a brief survey of our present apartments, and find everything, though inconveniently small, cleanly and in other respects comfortable. First, we have a little balcony which overhangs the river, and is about twenty yards long by one and a half broad. Then we have an excellent sitting-room, which serves us for parlour, dining-room, and all; then we have a little side room for books and writing; and behind these, extending the length of the other two, a bed-room. Of course we must bring or make our own furniture; for, though those houses inhabited by the Chinese are pretty well off on this score, the Siamese have seldom anything besides their bedding materials, a few pots and pans to cook with, a few jars of stores and fishing-net or two. Every house has a canoe attached to it, and no nation detests walking so much as the Siamese; at the same time they are all expert swimmers, and both men and women begin to acquire this very necessary art at a very early age. Without it a man runs momentary risk of being drowned, as, when a canoe upsets, none of the passers-by ever think it necessary to lend any aid, supposing them fully adequate to the task of saving their own lives. Canoes are hourly being upset, owing to the vast concourse of vessels and boats plying to and fro; and, owing to this negligence or carelessness in rendering assistance, a Mr. Benham, an American missionary, lost his life some twelve years ago, having upset his own canoe when it was just getting dusk, and though surrounded by hundreds of boats, not one deemed it necessary to stop and pick the poor man up."

We take a quick look at our current apartment and find everything is clean and reasonably comfortable, even if it's a bit small. First, there's a small balcony that overlooks the river, about twenty yards long and one and a half yards wide. Then, we have a great living room that serves as our parlor, dining room, and everything else. We also have a tiny side room for books and writing, and behind these, stretching the length of the other two, a bedroom. Of course, we need to bring or make our own furniture; the houses the Chinese live in are pretty well furnished, but the Siamese usually only have their bedding, a few pots and pans for cooking, some jars for food storage, and a fishing net or two. Every house has a canoe tied to it, and no one hates walking as much as the Siamese do. At the same time, everyone is a skilled swimmer, and both men and women learn this essential skill at a very young age. Without it, a person risks drowning, because when a canoe capsizes, no passerby feels it's necessary to help, assuming they can save themselves just fine. Canoes regularly capsize due to the heavy traffic of boats. Because of this negligence in helping others, an American missionary named Mr. Benham lost his life around twelve years ago after his canoe overturned at dusk, surrounded by hundreds of boats, and not one stopped to rescue him.

BEQUESTS FOR LIGHTING THE STREETS.

Donations for street lighting.

There cannot be a greater contrast than between the present and the ancient mode of lighting the streets of London. What a picture do the two following bequests present to us of the state of things a hundred years ago!

There can't be a greater contrast than between how we light the streets of London today and how it was done in the past. The two following legacies provide us with a vivid picture of what things were like a hundred years ago!

John Wardall, by will, dated 29th August, 1656, gave to the Grocers' Company a tenement called the White Bear, in Walbrook, to the intent that they should yearly, within thirty days after Michaelmas, pay to the churchwardens of St. Botolph, Billingsgate, £4, to provide a good and sufficient iron and glass lantern, with a candle, for the direction of passengers to go with more security to and from the water-side, all night long, to be fixed at the north-east corner of the parish church of St. [Pg 311] Botolph, from the feast-day of St. Bartholomew to Lady-Day; out of which sum £1 was to be paid to the sexton for taking care of the lantern. This annuity is now applied to the support of a lamp in the place prescribed, which is lighted with gas.

John Wardall, in his will dated August 29, 1656, left the Grocers' Company a property called the White Bear, located in Walbrook, with the intention that they would pay the churchwardens of St. Botolph, Billingsgate £4 each year, within thirty days after Michaelmas, to provide a good and reliable iron and glass lantern, with a candle, to help guide people safely to and from the waterside all night long. This lantern was to be placed at the northeast corner of the parish church of St. Botolph, from the feast day of St. Bartholomew to Lady-Day. Out of this amount, £1 was designated to be given to the sexton for maintaining the lantern. This annual payment is now used to support a lamp in the designated location, which is lit with gas.

John Cooke, by will, dated 12th September, 1662, gave to the churchwardens, &c., of St. Michael's, Crooked Lane, £76, to be laid out to the most profit and advantage, for various uses, and amongst them, for the maintenance of a lantern and candle, to be eight in the pound at least, to be kept and hanged out at the corner of St. Michael's Lane, next Thames Street, from Michaelmas to Lady-Day, between the hours of nine and ten o'clock at night, until the hours of four or five in the morning, for affording light to passengers going through Thames Street, or St. Michael's Lane.

John Cooke, in his will dated September 12, 1662, left £76 to the churchwardens of St. Michael's, Crooked Lane, to be invested for the greatest benefit in various ways. Among these uses, he specified funding for a lantern and candle, with a brightness of at least eight candlepower, to be hung at the corner of St. Michael's Lane, next to Thames Street, from Michaelmas to Lady Day, between 9 and 10 PM, until 4 or 5 AM, to provide light for people passing through Thames Street or St. Michael's Lane.

EXTRAORDINARY INSTANCE OF CREDULITY.

Unbelievable example of gullibility.

To the honour of the lords of the creation, there are some husbands who so grieve at the death of their partners, that they will not part with them when actually dead; and even go so far as to wish, and try hard, for their resurrection; witness Sir John Pryse, of Newtown, Montgomeryshire, who married three wives, and kept the first two who died, in his room, one on each side of his bed; his third lady, however, declined the honour of his hand till her defunct rivals were committed to their proper place. Sir John was a gentleman of strange singularities. During the season of miracles worked by Bridget Bostock, of Cheshire, who healed all diseases by prayer, faith, and an embrocation of fasting spittle, multitudes resorted to her from all parts, and kept her salivary glands in full employ. Sir John, with a high spirit of enthusiasm, wrote to this wonderful woman to make him a visit at Newtown Hall, in order to restore to him his third and favourite wife (above mentioned), now dead. His letter will best tell the foundation on which he built his strange hope, and very uncommon request:—

To the honor of the lords of creation, there are some husbands who grieve so deeply at the death of their partners that they refuse to let go of them even when they are dead; some even go so far as to wish for and desperately try to bring them back to life. Take, for example, Sir John Pryse of Newtown, Montgomeryshire, who married three wives and kept the first two who died in his room, one on each side of his bed. However, his third wife refused to marry him until his deceased rivals were buried properly. Sir John was a man of peculiar habits. During the time of miracles performed by Bridget Bostock from Cheshire, who healed all ailments through prayer, faith, and a special mixture of fasting saliva, crowds gathered from everywhere, keeping her salivary glands busy. Sir John, filled with enthusiasm, wrote to this extraordinary woman asking her to visit him at Newtown Hall to bring back his third and favorite wife (as mentioned earlier), who was now deceased. His letter will best explain the basis of his unusual hope and very rare request:—

Purport of Sir J. Pryse's letter to Mrs. Bridget Bostock, 1748.

Purport of Sir J. Pryse's letter to Mrs. Bridget Bostock, 1748.

Madam,—Having received information, by repeated advices, both public and private, that you have, of late, performed many wonderful cures, even where the best physicians have failed, and that the means used appeared to be very inadequate to the effects produced, I cannot but look upon you as an extraordinary and highly-favoured person; and why may not the same most merciful God, who enables you to restore sight to the blind, hearing to the deaf, and strength to the lame, also enable you to raise the dead to life? Now, having lately lost a wife, whom I most tenderly loved; my children an excellent step-mother, and our acquaintances a very dear and valuable friend, you will lay us all under the highest obligations; and I earnestly entreat you, for God Almighty's sake, that you will put up your petitions to the Throne of Grace, on our behalf, that the deceased may be restored to us, and the late dame Eleanor Pryse be raised from the dead. If your personal attendance appears to you to be necessary, I will send my coach and six, with proper servants, to wait on you hither, whenever you please to appoint. Recompense [Pg 312] of any kind, that you could propose, would be made with the utmost gratitude; but I wish the bare mention of it is not offensive to both God and you.

Dear Madam,—I’ve heard from multiple sources, both public and private, that you have recently performed many amazing cures, even where the best doctors have failed, and that the methods you’ve used seem very simple compared to the incredible results. I can’t help but see you as an extraordinary and highly favored person; and why shouldn’t the same merciful God who allows you to give sight to the blind, hearing to the deaf, and strength to the lame also enable you to bring the dead back to life? Recently, I lost a beloved wife; my children lost a wonderful stepmother, and our friends lost a dear and valued friend. We would all be extremely grateful if you could ask God to restore her to us and raise the late Eleanor Pryse from the dead. If you think it’s necessary for you to come in person, I will send my carriage and six horses with suitable attendants to bring you here whenever you’d like. Any kind of compensation you might suggest would be met with the greatest appreciation, but I hope that even bringing it up does not offend either you or God.

I am, madam, your obedient, &c.
John Pryse.
(Pennant's Wales, vol. 3, p. 190.)

I am, madam, your obedient, etc.
John Pryse.
(Pennant's Wales, vol. 3, p. 190.)

HIGH PRICE OF FISH IN LONDON.

HIGH PRICE OF FISH IN LONDON.

It is on record that on January 4, 1809, there being only four cod-fish in Billingsgate, a fishmonger gave fourteen guineas for them, and salmon soon after was sold at a guinea a pound!

It’s recorded that on January 4, 1809, with only four cod fish at Billingsgate, a fishmonger paid fourteen guineas for them, and soon after, salmon was sold for a guinea a pound!

THE GREAT AQUEDUCT OF PONT DU GARD.

THE GREAT AQUEDUCT OF PONT DU GARD.

Great Aqueduct of Pont Du Gard

The remains of Roman aqueducts, of great extent and massiveness, occur in various parts of Europe, over which the Roman dominion once extended. Among these, the most celebrated are the Pont du Gard, near Nismes, in the Department du Gard, in the south of France; the aqueduct over the Moselle, near Metz; and the aqueduct of Segovia, in Old Castile. The Pont du Gard (of which we here give an engraving) was designed to convey the waters of the fountain of Aure to the town of Nismes, the ancient Nemausus. This aqueduct crosses the beautiful valley, and the stream of the river Gardon, uniting two steep hills, by which the valley is bounded at this place. It consists of two tiers of large arches, the lower of which are eighty feet in span, and a third tier of small arches, which support the trunk of the aqueduct. The channel for the water is above four feet wide, and five deep, and is lined with cement three inches thick, and covered with a thin coating of red clay. The whole work, with the exception of the above-mentioned channel for [Pg 313] the water, is built without mortar or any other cement; and its elevation above the bed of the river Gardon, is not less than a hundred and fifty feet. The extremities of this splendid structure are in a dilapidated condition, but the remainder is in a very good state of preservation.

The remains of Roman aqueducts, which are vast and impressive, can be found in various parts of Europe where Roman control once existed. Among these, the most famous are the Pont du Gard, near Nîmes in the Department du Gard, in southern France; the aqueduct over the Moselle, near Metz; and the aqueduct of Segovia, in Old Castile. The Pont du Gard (which we have included an engraving of) was built to carry water from the fountain of Aure to the town of Nîmes, the ancient Nemausus. This aqueduct spans a beautiful valley and crosses the Gardon River, linking two steep hills that border the valley at this spot. It has two tiers of large arches, with the lower arches spanning eighty feet, and a third tier of smaller arches that support the main structure of the aqueduct. The water channel is over four feet wide and five feet deep, lined with three inches of cement and topped with a thin layer of red clay. The entire structure, except for the mentioned water channel, is built without mortar or any other cement, and it stands at least one hundred and fifty feet above the bed of the Gardon River. While the ends of this magnificent structure are somewhat deteriorated, the rest is in very good condition.

EXTRAORDINARY SITUATION FOR A TREE.

UNUSUAL SITUATION FOR A TREE.

Extraordinary Situation for a Tree

The Lower and Middle Lakes at Killarney are separated by a peninsula, upon which stands the ruin of the Abbey of Muckross, which was founded in 1440, and re-edified in 1602. The ruin, which consists of parts of the convent and church, is not remarkable either for extent, or for beauty of workmanship, but its preservation, seclusion, beauty of situation, and accompanying venerable trees, render it one of the most interesting abbey remains in Ireland. The entire length of the church is about 100 feet, its breadth 24. The cloister, which consists of twenty-two arches, ten of them semicircular, and twelve pointed, is [Pg 314] the best preserved portion of the abbey. In the centre grows a magnificent yew-tree, as represented in our engraving, which covers as a roof the whole area; its circumference is thirteen feet, and its height in proportion. It is more than probable that the tree is coeval with the abbey, and that it was planted by the hands of the monks who first inhabited the building. It is believed by the common people that any person daring to pluck a branch, or in any way attempting to injure this tree, will not be alive on that day twelvemonth.

The Lower and Middle Lakes at Killarney are separated by a peninsula, where the ruins of the Abbey of Muckross stand. Founded in 1440 and rebuilt in 1602, the ruins, which include parts of the convent and church, aren’t particularly impressive in size or craftsmanship. However, their preservation, isolation, picturesque location, and the ancient trees surrounding them make it one of the most intriguing abbey ruins in Ireland. The church measures about 100 feet in length and 24 feet in width. The cloister, featuring twenty-two arches—ten semicircular and twelve pointed—is [Pg 314] the best-preserved part of the abbey. In the center, there’s a magnificent yew tree, as shown in our engraving, that provides a natural roof over the entire area; it has a circumference of thirteen feet and is proportionately tall. It’s very likely that the tree is as old as the abbey and that the monks who first lived there planted it. Local legend says that anyone who dares to pluck a branch or harm this tree will not survive until the next year on that same day.

PRAYING BY MACHINERY.

PRAYING WITH MACHINES.

Mr. Moorcroft informs us, in his "Journey to Lake Manasawara, in Undés, a province in Little Thibet," that the inhabitants used the following most extraordinary way of saying their prayers:—It is done by motion, which may be effected by the powers of steam, wind, or water. A large hollow cylinder, like a drum, is erected, within which is inclosed all the written prayers the people choose to offer, and then it is set going, by being whirled round its own axis; thus saving the trouble of repeating them. Mr. Turner, whose travels in Thibet are before the public, corroborates the account of these whirligigs. They are common, also, among the Monguls, the Calmucs, and the Kalkas; so that the engineers for these pious wheels must have a tolerably extensive trade, as this national mode of worship is naturally liable to wear out. But even this mode is innocence itself, compared with that of a set of savages, who pray people to death; for Lisiansky, in his Voyage round the World, gives us an account of an extra-religious sect, in the Sandwich Islands, who arrogate to themselves the power of praying people to death. Whosoever incurs their displeasure, receives notice that the homicide-litany is about to begin; and such are the effects of imagination, that the very notice is frequently sufficient, with these weak people, to produce the effect, or to drive them to acts of suicide.

Mr. Moorcroft tells us in his "Journey to Lake Manasawara, in Undés, a province in Little Thibet," that the locals have an incredibly unique way of saying their prayers: it’s done through motion, which can be created by steam, wind, or water. A large hollow cylinder, similar to a drum, is built, containing all the written prayers that people want to offer, and then it’s set in motion by spinning it around its own axis; this way, they don’t have to repeat them. Mr. Turner, whose travels in Thibet are publicly available, confirms this account of these prayer wheels. They are also common among the Monguls, the Calmucs, and the Kalkas, so the engineers who make these prayer wheels must have a pretty good business, as this form of worship is naturally prone to wear and tear. But even this way is innocent compared to that of a group of savages who pray people to death; Lisiansky, in his Voyage round the World, describes an extra-religious sect in the Sandwich Islands that claims to have the power to pray people to death. Anyone who draws their ire is warned that the deadly prayer chant is about to start; and the power of suggestion is such that just the notice is often enough to cause these vulnerable people to suffer the effects or even to push them to suicide.

TOPING IN THE LAST CENTURY.

TOPPING IN THE LAST CENTURY.

At a Somersetshire hunt dinner, seventy years since, thirteen toasts used to be drunk in strong beer; then every one did as he liked. Some members of the hunt occasionally drank a glass of wine at the wind up, who were not themselves previously wound up. In country towns, after a dinner at one o'clock P.M., friends used to meet to discuss the local news over their glasses of strong beer, the merits of which furnished a daily theme. At Bampton one knot of gentlemen took four times the duration of the Trojan war, and even then failed to settle which of the party brewed the best beer.

At a hunt dinner in Somersetshire, seventy years ago, thirteen toasts were raised with strong beer; after that, everyone did as they pleased. Some members of the hunt would occasionally have a glass of wine at the end, but they weren’t previously intoxicated. In small towns, after a one o'clock PM dinner, friends would gather to chat about local news over their glasses of strong beer, which provided a daily topic of conversation. In Bampton, a group of gentlemen spent four times the duration of the Trojan war trying to decide who among them brewed the best beer, and even then, they couldn’t agree.

A FINE OLD SOLDIER.

A great veteran.

Jeremiah Atkins, of the Scar, near Bromyard, Herefordshire, died in 1796, aged 102. He had been a soldier through all the earlier periods of his manhood, and had seen much service; was present at the taking of Martinico, and at the Havannah; and, on one occasion, being taken prisoner by the Indians of North America, was very near being scalped, as he was only rescued at the moment they were about to perform the [Pg 315] operation. He was likewise at the taking of Crown Point, in America, and in the battle of Fontenoy with the Duke of Cumberland, whom he also accompanied in his resistance to the advance of the Scotch rebels, being in several of the skirmishes and battles fought on that occasion. He afterwards went again to America, and took part in the storming of Quebec, when Wolfe was killed. The last battle in which he was engaged was that of Tournay, in Flanders. This extraordinary man retained the full use of all his natural faculties, save hearing, to the very close of his life.

Jeremiah Atkins, from the Scar near Bromyard, Herefordshire, passed away in 1796 at the age of 102. He had served as a soldier throughout much of his early adulthood and had experienced significant military engagements; he was present during the capture of Martinique and Havana. At one point, he was taken prisoner by Native Americans in North America and came very close to being scalped, as he was rescued just as they were about to carry out the operation. He also fought at the capture of Crown Point in America and participated in the Battle of Fontenoy alongside the Duke of Cumberland, with whom he stood against the advancing Scottish rebels in several skirmishes and battles. He returned to America again, taking part in the storming of Quebec, where Wolfe was killed. The last battle he fought in was at Tournay in Flanders. This remarkable man kept all his natural abilities, except for his hearing, right up until the end of his life.

POPULAR FALLACY OF THE VIRTUES OF A SEVENTH SON.

POPULAR FALLACY OF THE VIRTUES OF A SEVENTH SON.

It is believed that a seventh son can cure diseases, but that a seventh son of a seventh son, and no female child born between, can cure the king's evil. Such a favoured individual is really looked on with veneration. An artist visiting Axminster in 1828, noticing the indulgence granted to one urchin in preference to others, and seeing something particular in this child, addressed his mother as follows:—"This little man appears to be a favourite: I presume he is your little Benjamin." "He's a seventh son, sir," said the mother. Affecting an air of surprise, I expressed myself at the instant as being one very anxious to know what a seventh son could do? The mother, a very civil woman, told me that "she did think, to cure all diseases, should be the seventh son of a seventh son; but many folk do come to touch my son." In April, 1826, a respectable looking woman was engaged in collecting a penny from each of thirty young women, unmarried; the money to be laid out in purchasing a silver ring, to cure her son of epileptic fits. The money was to be freely given, without any consideration, or else the charm would have been destroyed. The young women gave their pence, because it would have been a pity for the lad to continue afflicted if the charm would cure him.

It’s believed that a seventh son can heal diseases, but only a seventh son of a seventh son—and no girls born in between—can cure the king’s evil. Such a lucky individual is truly regarded with great respect. An artist visiting Axminster in 1828 noticed how one kid was favored over the others and saw something special in him. He addressed the mother, saying, “This little guy seems to be a favorite; I assume he’s your little Benjamin.” “He’s a seventh son, sir,” the mother replied. Pretending to be surprised, I expressed my curiosity about what a seventh son could actually do. The mother, quite polite, told me, “I do think that to cure all diseases, it should be the seventh son of a seventh son; but many people do come to touch my son.” In April 1826, a respectable-looking woman was collecting a penny from each of thirty unmarried young women; the money was meant to buy a silver ring to cure her son of epileptic fits. The money had to be given freely, without any expectation in return, or else the charm would be ruined. The young women contributed their pennies because it would have been a shame for the boy to remain afflicted if the charm could heal him.

SELF-NOURISHMENT.

Self-care.

That animals may sometimes be kept alive for a long time solely on nourishment supplied from their own bodies, is evident from the fact that after a great fall of earth on one occasion from the cliff at Dover, which buried a whole family, a hog was found alive five months and nine days after it had thus been buried! It weighed about seven score when the accident happened, and had wasted to about thirty pounds, but was likely to do well.

That animals can sometimes survive for a long time on nourishment from their own bodies is clear from the fact that after a massive landslide at the cliff at Dover, which buried an entire family, a pig was found alive five months and nine days later! It weighed about 140 pounds when the accident happened and had lost weight down to about 30 pounds, but it seemed likely to recover.

CHINESE METHOD OF FISHING.

Chinese fishing technique.

There is nothing more extraordinary in the history of the different nations of the world than the ingenuity of the Chinese. They are the most handy people on the face of the earth, and the lower orders are just as clever as the higher. A proof of this may be seen at a fishing village which is contiguous to the town of Victoria, in Hong Kong. It remains in much the same state as that in which it existed prior to the British occupation of the island. Old worn-out boats, and torn mat-sails, bamboos and dried rushes,—these are the principal materials employed in the construction of their domiciles. The fishing boats are most ingeniously [Pg 316] built. Each of these has a long projecting bamboo, which is rigged out from the stem in the form of a bowsprit, only working on a pivot. From the extremity of this outrigger, a strong rope communicates with a balance-board, that exactly poises the bamboo outrigger, when the net is immersed in water, and the fisherman has only to walk up and down this plank to raise the net and let it drop again in the water. But opposite to the island, and on many of the little insular rocks which constitute the "ten thousand isles," of which the emperor of China, amongst his vast pretensions to titles, lays claim to be lord, fishing is conducted on a larger scale, though worked upon the same principles. Huge poles are driven into the ground where the water is comparatively shallow, and leading ropes, which pass over a block-wheel inserted in the tops of these poles, communicate at one end with large circular nets, (constructed somewhat in the shape of a funnel, the upper rim being attached to floats, whilst from the centre are pendant weights,) the other end being fastened on shore to a balance plank, which the weight of one man suffices to work.

There’s nothing more remarkable in the history of the various nations of the world than the creativity of the Chinese. They are the most skilled people on the planet, and the lower classes are just as clever as the upper. A prime example of this can be seen in a fishing village near the town of Victoria in Hong Kong. It remains almost exactly as it was before the British took over the island. Old, worn-out boats and tattered mat sails, bamboo, and dried rushes are the main materials used in building their homes. The fishing boats are incredibly well made. Each one has a long bamboo stick extending out from the front like a bowsprit, pivoting to move. From the end of this outrigger, a strong rope connects to a balance board that keeps the bamboo steady when the net goes into the water, allowing the fisherman to walk back and forth on this plank to lift the net and drop it back in the water. However, opposite the island and on many of the small rocky islets that make up the "ten thousand isles," which the emperor of China claims to rule over, fishing is done on a larger scale but still based on the same principles. Tall poles are driven into the ground where the water is shallow, and ropes that go over block wheels at the top of these poles connect at one end to large circular nets (designed like a funnel, with the top rim attached to floats and weights hanging from the center) and the other end fastened to a balance plank onshore, which can be operated by the weight of one person.

CHINESE METHOD OF FISHING.

MOSQUE OF OMAR.

Omar Mosque.

The opposite engraving represents the Great Mosque at Jerusalem. It is built on the exact site of Solomon's Temple, and takes its name from its original founder, the Caliph Omar. It is a Turkish edifice, and is devoted to the worship of Mahomet.

The opposite engraving shows the Great Mosque in Jerusalem. It’s built on the exact location of Solomon’s Temple and is named after its original founder, Caliph Omar. It’s a Turkish structure and is dedicated to the worship of Muhammad.

Titus having taken Jerusalem in the second year of Vespasian's reign, not one stone was left upon another of that Temple where Christ had done such glorious things, and the destruction of which he had predicted. When the Caliph Omar took Jerusalem, in 636 A.D., it appears that the site of the Temple, with the exception of a very small part, had been abandoned by the Christians. Said-Eben-Batrick, an Arabian [Pg 317] historian, relates that the Caliph applied to the Patriarch Sophronius, and enquired of him what would be the most proper place at Jerusalem for building a mosque. Sophronius conducted him to the ruins of Solomon's Temple. Omar, delighted with the opportunity of erecting a mosque on so celebrated a spot, caused the ground to be cleared, and the earth to be removed from a large rock, where God is said to have conversed with Jacob. From that rock the new mosque took its name of Gameat-el-Sakhra, and became almost as sacred an object to the Mussulmans, as the mosques of Mecca and Medina. The Caliph El-Oulid contributed still more to the embellishment of El-Sakhra, and covered it with a dome of copper, gilt, taken from a church at Balbeck. In the sequel, the crusaders converted the Temple of Mahomet into a sanctuary of Christ; but when Saladin re-took Jerusalem, he restored this edifice to its original use.

Titus captured Jerusalem in the second year of Vespasian's reign, and not a single stone was left standing from the Temple where Christ had performed such glorious acts, which he had foretold would be destroyed. When Caliph Omar captured Jerusalem in 636 A.D., it seems that the site of the Temple, except for a small section, had been deserted by Christians. Said-Eben-Batrick, an Arabian historian, mentions that the Caliph asked Patriarch Sophronius for the best location in Jerusalem to build a mosque. Sophronius took him to the ruins of Solomon's Temple. Omar, excited about the chance to build a mosque on such a renowned site, had the ground cleared and the earth removed from a large rock where God allegedly spoke with Jacob. This rock gave the new mosque its name, Gameat-el-Sakhra, and it became almost as sacred to Muslims as the mosques in Mecca and Medina. Caliph El-Oulid further enhanced El-Sakhra by covering it with a gilded copper dome taken from a church in Balbeck. Later, the Crusaders transformed the Temple of Mahomet into a Christian sanctuary; however, when Saladin recaptured Jerusalem, he returned the building to its original purpose.

GREAT MOSQUE AT JERUSALEM.

The form is an octagon, either side being seventy feet in width; it is entered by four spacious doors, the walls are white below, intermingled with blue, adorned with pilasters, but above, it is faced with glazed tiles of various colours. The interior is described as paved with grey marble, the plain walls are covered with the same material in white. It contains many noble columns, in two tiers. The dome is painted, and gilt in arabesque, whence depend antique vessels of gold and silver; immediately beneath it stands a mass of limestone, reported to have fallen from heaven when the spirit of prophecy commenced. On this sat the destroying angel, during the slaughter caused by David's numbering the [Pg 318] people. From this Mahomet ascended to heaven. Within the storied walls, moreover, are the scales for weighing the souls of men, the shield of Mahomet, and other relics, besides the entrance to the infernal regions; seventy thousand angels ever guard the precious stone.

The building is in the shape of an octagon, with each side measuring seventy feet wide. It has four large doors, and the walls are white on the bottom, mixed with blue, decorated with pilasters, while the upper part is covered with glazed tiles in different colors. The inside is said to have a grey marble floor, and the plain walls are also made of white marble. There are many elegant columns in two levels. The dome is painted and gilded in an arabesque style, and from it hang ancient vessels made of gold and silver. Below it is a large mass of limestone, which is said to have fallen from the sky when the spirit of prophecy began. The destroying angel sat on this stone during the slaughter caused by David's census of the [Pg 318] people. From this point, Mahomet ascended to heaven. Additionally, within these significant walls are the scales for weighing human souls, Mahomet's shield, and other relics, along with the entrance to the underworld; seventy thousand angels constantly guard the precious stone.

Entrance to this hallowed edifice has been gained only by two or three Europeans; indeed, the Turks will not allow infidels to approach the sacred enclosure around it, which measures about sixteen hundred feet in length, by one thousand in width, and is adorned with fountains, orange, cypress, and other trees.

Entrance to this sacred building has only been allowed to two or three Europeans; in fact, the Turks won't let non-believers get close to the holy area around it, which is about sixteen hundred feet long and one thousand feet wide, decorated with fountains, orange trees, cypress trees, and other plants.

The mosque itself is esteemed the finest piece of Saracenic architecture in existence, far surpassing St. Sophia in beauty. Its view, combined with the distinguished monuments in the City of the Sultan, in Egypt, Greece, and Italy, strongly induces a belief in the accuracy of an able article in the Quarterly Review, in which the origin of the five predominant styles of architecture throughout the world, viz., the Byzantine, Chinese, Egyptian, Grecian, and Gothic are assigned respectively to the convex and concave curves, to the oblique, horizontal, and perpendicular lines.

The mosque is considered the finest example of Saracenic architecture in existence, far exceeding St. Sophia in beauty. Its view, along with the notable monuments in the City of the Sultan, in Egypt, Greece, and Italy, strongly supports the claims made in a well-written article in the Quarterly Review, which attributes the origin of the five main architectural styles around the world—Byzantine, Chinese, Egyptian, Grecian, and Gothic—to the respective convex and concave curves and the oblique, horizontal, and vertical lines.

A COUPLE OF ECCENTRICS.

A couple of quirks.

Mr. Day, the eccentric founder of Fairlop fair, had a housekeeper, who had lived with him for thirty years, and was equally eccentric. She had two very strong attachments; one to her wedding-ring and garments, and the other to tea. When she died, Mr. Day would not permit her ring to be taken off; he said, "If that was attempted, she would come to life again;" and directed that she should be buried in her wedding-suit, and a pound of tea in each hand; and these directions were literally obeyed.

Mr. Day, the quirky founder of Fairlop fair, had a housekeeper who had been with him for thirty years and was just as unusual. She had two very strong attachments: one to her wedding ring and clothes, and the other to tea. When she died, Mr. Day refused to let her ring be removed; he stated, "If that happened, she would come back to life," and insisted that she be buried in her wedding outfit, with a pound of tea in each hand; and these wishes were followed to the letter.

THE UNIVERSALITY OF TAXATION.

The Universality of Taxation.

The following extract, from the Edinburgh Review, is not inappropriate to our pages, inasmuch as it is both a rare specimen of effective composition, and also serves to show us what the state of taxation was in England even within the last forty years.—Taxes upon every article which enters into the mouth, or covers the back, or is placed upon the feet—taxes upon every thing which it is pleasant to see, hear, feel, smell, or taste—taxes upon warmth, light, and locomotion—taxes on everything on earth, and the waters under the earth—on every thing that comes from abroad, or is grown at home—taxes on the raw material—taxes on every fresh value that is added to it by the industry of man—taxes on the sauce which pamper's man's appetite, and the drug that restores him to health—on the ermine which decorates the judge, and the rope which hangs the criminal—on the poor man's salt, and the rich man's spice—on the brass nails of the coffin, and the ribands of the bride at bed or board, couchant or levant, we must pay;—the schoolboy whips his taxed top—the beardless youth manages his taxed horse, with a taxed bridle, on a taxed road:—and the dying Englishman, pouring his medicine, which has paid seven per cent., into a spoon that has paid fifteen per cent., flings himself back upon his chintz bed, which has paid twenty-two [Pg 319] per cent.—makes his will on an eight-pound stamp, and expires in the arms of an apothecary, who has paid a license of an hundred pounds for the privilege of putting him to death. His whole property is then immediately taxed from two to ten per cent. Besides the probate, large fees are demanded for burying him in the chancel; his virtues are handed down to posterity on taxed markle; and he is then gathered to his fathers—to be taxed no more.

The following excerpt from the Edinburgh Review fits well in our pages since it is a rare example of effective writing and illustrates the state of taxation in England even within the last forty years. There are taxes on everything that goes into our mouths, covers our bodies, or is placed on our feet—taxes on everything pleasing to see, hear, feel, smell, or taste—taxes on warmth, light, and movement—taxes on everything on earth and everything underground—on everything imported or produced locally—taxes on raw materials—taxes on every additional value created by human effort—taxes on the food that satisfies cravings and the medicine that heals—on the robe that adorns the judge and the rope that executes the criminal—on the salt for the poor and the spices for the wealthy—on the brass nails of a coffin and the ribbons of the bride at home or away, couchant or levant, we must pay; the schoolboy spins his taxed top—the young man rides his taxed horse, with a taxed bridle, on a taxed road:—and the dying Englishman, pouring his medicine that’s taxed at seven percent into a spoon taxed at fifteen percent, lies back on his chintz bed, taxed at twenty-two percent—makes his will on an eight-pound stamp, and dies in the care of an apothecary who has paid a hundred pounds for the right to help him die. His entire estate is then taxed between two to ten percent. In addition to probate, hefty fees are charged to bury him in the chancel; his virtues are recorded on taxed parchment; and then he is laid to rest with his ancestors—to be taxed no more.

SHAM PROPHETS.

FAKE PROPHETS.

William Hackett, a fanatic of the sixteenth century, after a very ill life, turned prophet, and signified the desolation of England. He prophesied at York and at Lincoln; where, for his boldness, he was whipped publicly, and condemned to be banished. He had an extraordinary fluency of speech, and much assurance in his prayers; for he said, that if all England should pray for rain, and he should pray to the contrary, it should not rain. Hackett had two brother-prophets joined with him, Edward Coppinger, named the prophet of mercy, and Henry Arthington, the prophet of judgment. Coppinger, the merciful prophet, declared that Hackett was the sole monarch of Europe; and at length they proclaimed him, July 16, 1592. On the 28th of the same month, however, the monarch of the whole earth, who had also personated divinity, was hanged and quartered. Coppinger famished himself in prison, and Arthington was pardoned. Fitz Simon relates, that in a quarrel Hackett had at Oundle, "He threw down his adversary, and bit off his nose; and, instead of returning it to the surgeon, who pretended to set it on again, while the wound was fresh, ate it." Hackett, on the scaffold, made a blasphemous prayer, which is recorded by Fitz Simon and Camden, too horrid to be repeated. He hated Queen Elizabeth, and tried to deprive her of her crown; he confessed to the judges that he had stabbed the effigies of this princess to the heart, with an iron pin; and a little before he was hanged, being an accomplished swearer, he cursed her with all manner of imprecations.

William Hackett, a zealot from the sixteenth century, after a troubled life, became a prophet and declared the ruin of England. He prophesied in York and Lincoln, where he was publicly whipped for his boldness and sentenced to banishment. He was exceptionally articulate and very confident in his prayers; he claimed that if all of England prayed for rain and he prayed against it, it would not rain. Hackett had two fellow prophets with him, Edward Coppinger, known as the prophet of mercy, and Henry Arthington, the prophet of judgment. Coppinger, the merciful prophet, declared that Hackett was the sole ruler of Europe, and they eventually proclaimed him so on July 16, 1592. However, on July 28 of the same month, the supposed ruler of the entire earth, who also posed as a divine figure, was hanged and quartered. Coppinger starved himself in prison, while Arthington was pardoned. Fitz Simon recounts that during a fight in Oundle, "He knocked down his opponent and bit off his nose; rather than giving it back to the surgeon who tried to reattach it while the wound was still fresh, he ate it." On the scaffold, Hackett made a blasphemous prayer, recorded by Fitz Simon and Camden, too shocking to repeat. He despised Queen Elizabeth and attempted to take her crown; he admitted to the judges that he had stabbed an effigy of her to the heart with an iron pin, and just before he was hanged, being a skilled swearer, he cursed her with every kind of curse imaginable.

HOOKING A BOY INSTEAD OF A FISH.

HOOKING A BOY INSTEAD OF A FISH.

About five and thirty years ago, as Mr. George Moor was fishing in the river Tyne at Pipewellgate, Gateshead, he espied something in the water which seemed like a drowned dog, but the day being clear, and the sun shining, he thought he perceived a face, upon which he threw his line to it (which had but three hairs at the hook) and hooked a coat, by which he found it was a boy, but the hook loosing hold, he again cast his line and struck him in the temple and drew him to the shore, and in less than quarter of an hour he revived.

About thirty-five years ago, while Mr. George Moor was fishing in the River Tyne at Pipewellgate, Gateshead, he noticed something in the water that looked like a drowned dog. However, since it was a clear day with the sun shining, he thought he saw a face. So, he cast his line to it (which had only three hairs on the hook) and caught a coat, which made him realize it was a boy. The hook slipped, but he cast his line again and hit the boy in the temple, pulling him to shore. In less than fifteen minutes, the boy revived.

CHILDREN OF AGED PARENTS.

Kids of elderly parents.

Margaret Krasiowna, of the village of Koninia, Poland, died 1763, aged 108. The following extraordinary circumstances are stated, by Eaton, as connected with the life of this woman:—"At the age of ninety-four she married her third husband, Gaspard Raycolt, of the village of Ciwouszin, then aged one hundred and five. During the fourteen years they [Pg 320] lived together she brought him two boys and a girl; and, what is very remarkable, these three children, from their very birth, bore evident marks of the old age of their parents—their hair being grey, and a vacuity appearing in their gums, like that which is occasioned by the loss of teeth, though they never had any. They had not strength enough, even as they grew up, to chew solid food, but lived on bread and vegetables, they were of a proper size for their age, but their backs were bent, their complexions sallow, with all the other external symptoms of decrepitude. Though most of these particulars," he adds, "may appear fabulous, they are certified by the parish registers. The village of Ciwouszin is in the district of Stenzick, in the palatinate of Sendonier. Gaspard Raycolt, the father, died soon after, aged 119."

Margaret Krasiowna, from the village of Koninia, Poland, died in 1763 at the age of 108. The following remarkable details are reported by Eaton about her life: “At ninety-four, she married her third husband, Gaspard Raycolt, who was then a hundred and five, from the village of Ciwouszin. During their fourteen years together, she had two boys and a girl; notably, these three children were born with clear signs of their parents’ old age—they had grey hair and their gums appeared empty, as if they had lost teeth, although they never had any. Even as they grew, they lacked the strength to chew solid food and survived on bread and vegetables. They were of normal size for their age but had hunched backs and sallow complexions, along with all the other signs of old age. Though many of these details,” he adds, “may seem incredible, they are confirmed by the parish records. The village of Ciwouszin is in the Stenzick district of the Sendonier palatinate. Gaspard Raycolt, the father, died shortly after at the age of 119.”

SEPULCHRAL VASE FROM PERU.

Peruvian Sepulchral Vase.

Sepulchral Vase from Peru

The vessel of which the annexed is an engraving, was taken from the tomb of one of the ancient inhabitants of Peru; the subjects of the Incas, or princes who ruled over that country before it was conquered by the Spaniards. Vases of this sort were probably placed in the sepulchres of the Peruvians to contain the ashes of the dead, or offerings to their disembodied spirits;—usages which are familiar to us through the frequent allusions to them which we meet with in the works of the poets of ancient Rome, and the discovery of urns and lachrymatories in Roman tombs which have been in our own and other cemeteries. The specimen which we have engraved is quadruple, but forms one vessel.

The vase shown in the engraving was taken from the tomb of one of the ancient people of Peru, the subjects of the Incas, or the princes who ruled that land before it was conquered by the Spaniards. Vases like this were likely placed in the tombs of the Peruvians to hold the ashes of the dead or serve as offerings to their spirits; practices that we recognize from the numerous mentions in the works of ancient Roman poets, as well as from the discovery of urns and lachrymatories in Roman tombs found in our own cemeteries and others. The example we’ve engraved is composed of four parts but appears as a single vessel.

FIRST IRON CANNON.

FIRST IRON CANNON.

The first cannon was cast in Sussex in 1535. In after years bonds were taken in £1,000 from the owners of the charcoal furnaces, that none should be sold till a license for the sale or issue of the ordnance had been procured. Fears were entertained that the enemy would purchase them.

The first cannon was made in Sussex in 1535. Later on, owners of the charcoal furnaces were required to post a £1,000 bond, ensuring that none of the cannons would be sold until a license for selling or issuing the ordnance had been obtained. There were concerns that the enemy might buy them.

PROLIFIC AUTHOR.

Prolific writer.

No one need despair, after the following instance, of shining in quantity, if not in quality:—"Hans Sacks was a Nuremberg shoemaker, born there in 1494; he was instructed, by the master-singers of those days, in the praiseworthy art of poetry; he, therefore, continued to make verses and shoes, and plays and pumps, boots and books, until the seventy-seventh year of his age; when he took an inventory of his poetical stock in trade, and found, according to his narrative, that his works filled thirty folio volumes, all written with his own hand; and consisted of [Pg 321] four thousand two hundred mastership songs, two hundred and eight comedies, tragedies, and farces (some of which were extended to seven acts), one thousand seven hundred fables, tales, and miscellaneous poems, and seventy-three devotional, military, and love songs; making a sum total of six thousand and forty-eight pieces, great and small." Out of these, we are informed, he culled as many as filled three massy folios, which were published in the year 1558-61; and, another edition being called for, he increased this three volumes folio abridgement of his works, in the second, from his other works. None but Lope de Vega exceeded him in quantity of rhyme-making.

No one should feel discouraged, after this example, about standing out in quantity, if not necessarily in quality:—"Hans Sacks was a shoemaker from Nuremberg, born there in 1494. He was taught by the master-singers of the time in the respected art of poetry; as a result, he continued to create verses and shoes, plays and pumps, boots and books, until he was seventy-seven years old. When he took stock of his poetic output, he found, according to his own account, that his works filled thirty folio volumes, all written by hand, which included [Pg 321] four thousand two hundred master songs, two hundred and eight comedies, tragedies, and farces (some of which were extended to seven acts), one thousand seven hundred fables, tales, and miscellaneous poems, and seventy-three devotional, military, and love songs; totaling six thousand and forty-eight pieces, both large and small." From these, we learn that he selected enough to fill three thick folios, which were published between 1558 and 1561; and when another edition was requested, he expanded this three-volume folio collection in the second edition with more of his works. Only Lope de Vega surpassed him in the amount of poetry produced.

THE ART OF POTTERY IN CHINA.

THE ART OF POTTERY IN CHINA.

Art of Pottery in China

The Chinese traditions carry back the practice of the potter's art to a very remote epoch. Father Entrecolles, a French missionary, resided in China at the beginning of the last century, and his letters published in Paris, in 1741, supply some curious and interesting information on this subject. Writing in 1712, he says that at that time ancient porcelain was very highly prized, and bore large prices. Articles were extant which were reputed to have belonged to the Emperors Yao and Chun, two of the most ancient mentioned in the Chinese annals. Yao reigned in 2357 and Chun in 2255 before Christ. Other authorities place the reign of Chun in 2600 before Christ. It appears from the researches of M. Stanislaus Julian that, from the time of the Emperor Hoang-ti, who reigned 2698 to 2599 before Christ, there had always existed a public officer bearing the title of the Intendant of Pottery, and that it was under the reign of Hoang-ti that the potter's art was invented by Kouen-ou. It is also certain that porcelain, or fine pottery, was common in China in the time of the Emperors Han, 163 B.C. [Pg 322]

The Chinese traditions trace the practice of pottery back to a very distant time. Father Entrecolles, a French missionary, lived in China at the beginning of the last century, and his letters published in Paris in 1741 provide some fascinating and interesting information on this topic. Writing in 1712, he mentions that at that time, ancient porcelain was highly valued and commanded high prices. Items were said to have belonged to Emperors Yao and Chun, two of the earliest figures recorded in Chinese history. Yao ruled in 2357 and Chun in 2255 BC. Other sources suggest Chun's reign began in 2600 BC. Research by M. Stanislaus Julian shows that since the time of Emperor Hoang-ti, who ruled from 2698 to 2599 BC, there had always been a public officer called the Intendant of Pottery, and it was during Hoang-ti's reign that the art of pottery was invented by Kouen-ou. It is also confirmed that porcelain, or fine pottery, was common in China during the Han Emperors. 163 B.C. [Pg 322]

In digging the foundations of the palaces, erected by the dynasties of Han and Thang, from 163 B.C. to 903 A.D. great quantities of ancient vases were found which were of a pure whiteness, but exhibited little beauty of form or fabrication. It was only under the dynasty of Song, that is to say, from 960 to 1278 A.D., that Chinese porcelain began to attain a high degree of perfection.

In digging the foundations of the palaces built by the Han and Tang dynasties, from 163 BCE to 903 CE, large amounts of ancient vases were discovered that were pure white but showed little beauty in shape or craftsmanship. It wasn't until the Song dynasty, from 960 to 1278 CE, that Chinese porcelain started to reach a high level of perfection.

Further evidence of the antiquity of the potter's art in China, as well as of the existence of intercommunication between that country and Egypt, is supplied by the discoveries of Rossellina, Wilkinson, and others, who found numerous vases of Chinese fabrication, and bearing Chinese inscriptions, in the tombs at Thebes. Professor Rossellini found a small vase of Chinese porcelain with a painting of a flower on one side, and on the other Chinese characters not differing much from those used at the present day. The tomb was of the time of the Pharaohs, a little later than the eighteenth dynasty.

Further evidence of the ancient pottery craft in China, as well as the communication between that country and Egypt, comes from discoveries made by Rossellini, Wilkinson, and others. They found many vases made in China with Chinese inscriptions in the tombs at Thebes. Professor Rossellini discovered a small vase of Chinese porcelain featuring a painting of a flower on one side and Chinese characters on the other that are quite similar to those used today. The tomb dates back to the time of the Pharaohs, slightly after the eighteenth dynasty.

This vase, with its Chinese inscription, is represented in Fig. 1, from an exact cast made by Mr. Francis Davis.

This vase, featuring its Chinese inscription, is shown in Fig. 1, from an accurate cast made by Mr. Francis Davis.

Another of the Chinese vases, found in the Theban tombs, is represented in Fig. 2. This is preserved in the Museum of the Louvre. The shape of the vase is that of a flat-sided flask. A side view is given in Fig. 3.

Another one of the Chinese vases, discovered in the Theban tombs, is shown in Fig. 2. This vase is kept in the Museum of the Louvre. It has the shape of a flat-sided flask. A side view is displayed in Fig. 3.

These flasks are very small. The engravings represent them of their proper dimensions. Mr. Wilkinson thinks it probable that they were brought to Egypt from India, the Egyptians having had commercial relations with that country at a very remote epoch, and that they came not as pieces of porcelain, but as vessels containing some articles of importation.

These flasks are very small. The engravings show them at their actual size. Mr. Wilkinson believes it’s likely they were brought to Egypt from India, as the Egyptians had trade relations with that country a long time ago, and that they arrived not as porcelain items, but as containers holding imported goods.

STRONG ATTACHMENT TO SMOKING.

STRONG ATTACHMENT TO VAPING.

The following is a curious case of extreme fondness for smoking in a very poor and very old man. In the year 1810, there died in Dartford workhouse, aged 106, one John Gibson. He had been an inmate of the house for ten years, and till within two months of his death used daily to perambulate the town. His faculties were entire to the last. He was so much attached to smoking, that he requested his pipe, together with his walking-stick, might be placed in his coffin, which request was complied with.

The following is a curious case of extreme fondness for smoking in a very poor and very old man. In the year 1810, a man named John Gibson died in the Dartford workhouse at the age of 106. He had been living there for ten years and until just two months before his death, he would walk around the town every day. His faculties remained intact right up to the end. He was so attached to smoking that he asked to have his pipe, along with his walking stick, placed in his coffin, and this request was honored.

EXTRAORDINARY LETTER.

AMAZING LETTER.

The following strange and curious epistle, we are assured, was sent to a surgeon of eminence by a malefactor who had been sentenced to death. It has a degree of character and quaintness about it which is rarely found in the letters of convicts. Whether or not the surgeon complied with his request we do not know.

The following strange and interesting letter, we're told, was sent to a well-known surgeon by a criminal who had been sentenced to death. It has a certain uniqueness and charm that is rarely seen in the letters of prisoners. We don't know whether the surgeon agreed to his request.

"Sir,—Being informed that you are the only surgeon in this county, in the habit of dissecting dead bodies—being very poor, I am desirous of passing what remains to me of life, with as much comfort as my unhappy condition admits of. In all probability I shall be executed in the course of a month; having no friend to intercede for me, nor even to afford me a morsel of bread, to keep body and soul together till the fatal moment [Pg 323] arrives, I beg you will favour me with a visit; I am desirous of disposing of my body, which is healthy and sound, for a moderate sum of money. It shall be delivered to you on demand, being persuaded that on the day of general resurrection, I shall as readily find it in your laboratory, as if it were deposited in a tomb. Your speedy answer will much oblige your obedient servant,

"Dear Sir, I've been told that you're the only surgeon in this county who regularly dissects dead bodies. Since I'm very poor, I want to spend whatever time I have left in life with as much comfort as I can manage, given my unfortunate situation. I’ll likely be executed within the next month, and I have no friends to advocate for me or even to give me a bit of food to survive until the end comes. I kindly ask that you visit me. I would like to arrange for my body, which is healthy and sound, to be given to you for a reasonable amount of money. I believe that on the day of resurrection, I will find it in your lab just as easily as if it were buried in a grave. A prompt response would be greatly appreciated. Sincerely, Your obedient servant,"

James Brown."

James Brown."

A MATTRESS FOR A BANK.

A mattress for a bank.

In the month of April, 1822, Mrs. Motley, broker, Bedford-street, North Shields, purchased an old mattress for 2s. from a shipowner, who was going to reside with his daughter; in arranging some papers a few days ago, he found a document in the hand-writing of his deceased wife, not intended for his perusal, but that of her son by a former husband, in which it was stated that property to a considerable amount was deposited in the said mattress. His daughter in consequence waited on Mrs. Motley, and offered her a few shillings to return it. Mrs. M. naturally supposed that this seeming generosity was not without a cause, but having sold it to a Mrs. Hill for 3s., for a small consideration she regained possession of the prize, but on entering her house the original proprietor and a constable were ready to receive her, and without ceremony cut open the mattress, when a purse, said to contain 100gs., two gloves filled with current silver coin, several valuable rings, trinkets, silver spoons, &c., were discovered. Mrs. Hill had considerably reduced the mattress to fit a small bedstead without finding the hidden treasure.

In April 1822, Mrs. Motley, a broker on Bedford Street in North Shields, bought an old mattress for 2 shillings from a shipowner who was moving in with his daughter. A few days ago, while going through some papers, he discovered a document written by his late wife, meant for their son from her previous marriage, which mentioned that a significant amount of property was hidden in the mattress. As a result, his daughter approached Mrs. Motley and offered her a few shillings to get it back. Mrs. M. understandably thought this unexpected generosity had a reason behind it, but after selling it to a Mrs. Hill for 3 shillings, she managed to reclaim the mattress. However, when she entered her home, the original owner and a constable were waiting for her and without any formalities, they cut open the mattress, revealing a purse said to contain 100 guineas, two gloves filled with current coins, several valuable rings, trinkets, silver spoons, and more. Mrs. Hill had already altered the mattress to fit a small bed without finding the hidden treasure.

ARCHITECTURE FOR EARTHQUAKES.

Earthquake-resistant architecture.

Sumatra is one of the largest islands in the Indian Archipelago, and the houses of the inhabitants are deserving of notice, inasmuch as they furnish a correct and curious specimen of the style of building, which the frequent occurrence of earthquakes renders the safest in the countries where such visitations are common.

Sumatra is one of the largest islands in the Indian Archipelago, and the homes of the locals are worth mentioning, as they provide an accurate and interesting example of the architectural style that is considered the safest in areas prone to frequent earthquakes.

The frames of the houses are of wood, the under-plates resting on pillars six or eight feet high, which have a sort of capital, but no base, and are wider at top than at bottom. The people appear to have no idea of architecture as a science, though much ingenuity is often shown in working up their materials. The general appearance of their houses is accurately represented in the annexed plate. For the floorings they lay whole bamboos, four or five inches in diameter, close to each other, and fasten them at the ends to the timbers. Across these are laid laths of split bamboo, about an inch wide and of the length of the room, which are tied down with filaments of the rattan, and over these are usually spread mats of different kinds. This sort of flooring has an elasticity alarming to strangers when they first tread on it.

The frames of the houses are made of wood, with the lower plates resting on pillars that are six to eight feet high. These pillars have a sort of capital but no base, and they are wider at the top than at the bottom. The people seem to have no concept of architecture as a science, although they often show a lot of creativity in working with their materials. The overall look of their houses is accurately depicted in the attached illustration. For flooring, they lay whole bamboos, four or five inches in diameter, closely together and secure the ends to the timbers. Across these, they place strips of split bamboo, about an inch wide and the length of the room, which are tied down with rattan fibers, and over these, they typically spread various types of mats. This kind of flooring has a bounce that can be quite startling for newcomers when they first step on it.

The sides of the houses are generally closed in with bamboo, opened and rendered flat by notching or splitting the circular joints on the outside, chipping away the corresponding divisions within, and laying it to dry in the sun pressed down with weights. This is sometimes nailed to the upright timbers or bamboos, but in the country parts it is more commonly interwoven or matted in breadths of six inches, and a piece or [Pg 324] sheet formed at once of the size required. In some places they use for the same purpose the inner bark procured from some particular trees. When they prepare to take it, the outer bark is first torn or cut away; the inner is then marked out with a proper tool to the requisite size, usually three cubits by one; it is afterwards beaten for some time with a heavy stick to loosen it from the stem, and being peeled off, laid in the sun to dry, care being taken to prevent its warping. The bark used in building has nearly the texture and hardness of wood; but the pliable and delicate bark of which clothing is made is procured from a bastard species of the bread-fruit.

The sides of the houses are usually finished with bamboo, which is flattened by notching or splitting the circular joints on the outside, chipping away the corresponding sections inside, and then laid out to dry in the sun under weights. Sometimes this is nailed to the vertical timbers or bamboos, but in rural areas, it's more often woven or matted in six-inch strips, making a piece or [Pg 324] sheet to the size needed. In some places, they also use the inner bark from specific trees for the same purpose. When they prepare to take it, the outer bark is first torn or cut away; then, the inner bark is measured out with a special tool to the required size, usually three cubits by one. It’s then beaten for a while with a heavy stick to loosen it from the trunk, peeled off, and laid out in the sun to dry, making sure to avoid warping. The bark used in construction is nearly as tough and hard as wood, but the soft and delicate bark used for clothing comes from a variety of the breadfruit tree.

Architecture for Earthquakes

The most general mode of covering houses is with the leaf of a kind of palm called nipah. These, before they are laid on, are formed into sheets about five feet long, and as deep as the length of the leaf will admit, which is doubled at one end over a slip or lath of bamboo. They are then disposed on the roof so that one sheet shall lap over the other, and are tied to the bamboos which serve for rafters.

The most common way to cover houses is with the leaves of a type of palm called nipah. Before being placed on the roof, these leaves are shaped into sheets that are about five feet long and as deep as the leaf allows, with one end folded over a piece of bamboo. They are then arranged on the roof so that one sheet overlaps the other and are tied to the bamboo beams that act as rafters.

THE NOSS IN SHETLAND.

THE NOSS IN SHETLAND.

Off Bressay is the most remarkable of the rock phenomena of Shetland, the Noss, a small high island, with a flat summit, girt on all sides by [Pg 325] perpendicular walls of rock. It is only 500 feet in length, and 170 broad, and rises abruptly from the sea to the height of 160 feet. The communication with the coast of Bressay is maintained by strong ropes stretched across, along which a cradle or wooden chair is run, in which the passenger is seated. It is of a size sufficient for conveying across a man and a sheep at a time. The purpose of this strange contrivance is to give the tenant the benefit of putting a few sheep upon the Holm, the top of which is level, and affords good pasture. The animals are transported in the cradle, one at a time, a shepherd holding them upon his knees in crossing.

Off Bressay is the most impressive rock formation in Shetland, the Noss, a small, high island with a flat top, surrounded on all sides by [Pg 325] sheer rock walls. It measures just 500 feet long and 170 feet wide, rising sharply from the sea to a height of 160 feet. There's a strong rope system connecting it to the Bressay coast, along which a cradle or wooden chair is moved, allowing a passenger to be seated. This contraption is large enough to carry a person and a sheep at the same time. The unique purpose of this setup is to enable the tenant to bring a few sheep onto the Holm, which has a flat top and provides good grazing. The animals are carried in the cradle one at a time, with a shepherd holding them on his lap during the crossing.

CRADLE OF NOSS.

The temptation of getting access to the numberless eggs and young of the sea-fowl which whiten the surface of the Holm, joined to the promised reward of a cow, induced a hardy and adventurous fowler, about two centuries ago, to scale the cliff of the Holm, and establish a connexion by ropes with the neighbouring main island. Having driven two stakes into the rock and fastened his ropes, the desperate man was entreated to avail himself of the communication thus established in [Pg 326] returning across the gulf. But this he refused to do, and in attempting to descend the way he had climbed, he fell, and perished by his foolhardiness.

The lure of accessing the countless eggs and young birds that dotted the surface of the Holm, combined with the promise of a cow as a reward, motivated a brave and adventurous bird hunter about two hundred years ago to climb the Holm's cliff and set up a rope connection to the nearby main island. After driving two stakes into the rock and securing his ropes, the desperate man was urged to use the line he had established in [Pg 326] to return across the gulf. However, he refused and, while trying to descend the way he had climbed, he fell and died due to his recklessness.

SWALLOWED UP BY AN EARTHQUAKE AND THROWN OUT AGAIN.

SWALLOWED UP BY AN EARTHQUAKE AND THROWN OUT AGAIN.

A tombstone in the island of Jamaica has the following inscription:—

A tombstone on the island of Jamaica has this inscription:—

"Here lieth the body of Lewis Galdy, Esq., who died on the 22nd of September, 1737, aged 80. He was born at Montpellier, in France, which place he left for his religion, and settled on this island, where, in the great earthquake, 1672, he was swallowed up, and by the wonderful providence of God, by a second shock was thrown out into the sea, where he continued swimming until he was taken up by a boat, and thus miraculously preserved. He afterwards lived in great reputation, and died universally lamented."

"Here lies the body of Lewis Galdy, Esq., who passed away on September 22, 1737, at the age of 80. He was born in Montpellier, France, which he left due to his religious beliefs, and settled on this island. During the major earthquake in 1672, he was swallowed up, but through the amazing providence of God, a second shock threw him back into the sea, where he swam until he was rescued by a boat, thus miraculously saved. He later lived with great respect and died deeply mourned by all."

CUSTOMS OF THE BORDER BETWEEN ENGLAND AND SCOTLAND.

CUSTOMS OF THE BORDER BETWEEN ENGLAND AND SCOTLAND.

In the courts held by the lords wardens of the Marches, a jury was established: the English lord chose six out of Scotland, and the Scotch six out of England. The defendant, upon the trials, was acquitted upon his own oath; these oaths are singular: we transcribe them.—1. Juror's Oath. You shall clean no bills worthy to be fouled: you shall foul no bills worthy to be cleaned; but shall do that which appeareth with truth, for the maintenance of truth, and suppressing of attempts. So help you God.—2. Plaintiff's Oath. You shall leile (little) price make, and truth say, what your goods were worth at the time of their taking, to have been bought and sold in the market, taken all at one time, and that you know no other recovery but this. So help you God.—3. Defendant's Oath. You shall swear, by heaven above you, hell beneath you, by your part in Paradise, by all that God made in six days and seven nights, and by God himself, you are whart and sackless, of art, part, way, witting, ridd, kenning, having, or reciting, of any of the goods and chattles named in this bill. So help you God. These oaths and proceedings arose from the frequent incursions of both Scotch and English, on both sides the wall, to where they had no right.

In the courts run by the lords wardens of the Marches, a jury was set up: the English lord chose six from Scotland, and the Scottish lord chose six from England. The defendant was acquitted based on their own oath; these oaths are unique: we’ll write them down.—1. Juror's pledge. You shall not handle any claims that are unworthy; you shall not ignore any claims that are valid; but you shall act in accordance with the truth, for the sake of truth, and to prevent wrongful actions. So help you God.—2. Plaintiff's Affirmation. You shall state honestly, without exaggeration, what your goods were worth at the time they were taken, as if they had been bought and sold in the market, all at once, and that you know of no other recovery besides this. So help you God.—3. Defendant's Declaration. You shall swear, by heaven above, hell below, your place in Paradise, by all that God made in six days and seven nights, and by God Himself, that you are innocent and have no knowledge, involvement, culpability, or possession of any of the goods listed in this claim. So help you God. These oaths and procedures were a response to the frequent raids by both Scottish and English on both sides of the border, where they had no right.

TURKISH MODE OF REPARATION.

TURKISH REPARATION METHOD.

On April 25th, 1769, at Constantinople, the Turks were removing the standard of Mahomet, making a grand procession through the city; all Christians, upon this occasion, were forbid to appear in the streets or at their windows. But the wife and daughter of the Imperial minister, being excited by curiosity, placed themselves at a secret window to observe the procession; which was no sooner discovered by the Turks, than they attacked the ambassador's house, and endeavoured to force an entrance. But the servants of the minister opposing them, well-armed, a dreadful fray ensued, in which no less than one hundred persons lost their lives, and the ambassador's lady was very severely treated. Some of the rioters dragged her down into the court-yard, and made preparations to strangle her; when a party of Janissaries, who were despatched to her assistance by an aga in the neighbourhood, happily came and preserved [Pg 327] her. Upon complaint being made of this outrage, by her husband, to the grand vizier, that minister expressed great sorrow for the insult that had been offered, and assured him he should have all the reparation it was possible to procure. A few hours after the vizier sent the Imperial minister a rich present of jewels for his lady, and a bag, which was found to contain the heads of the three principal rioters.

On April 25th, 1769, in Constantinople, the Turks were taking down the standard of Mahomet, holding a grand parade through the city. All Christians were forbidden from appearing in the streets or at their windows during this time. However, the wife and daughter of the Imperial minister, driven by curiosity, positioned themselves at a hidden window to watch the procession. As soon as the Turks noticed them, they attacked the ambassador's house and tried to break in. The minister's armed servants resisted, leading to a violent clash in which at least one hundred people lost their lives, and the ambassador's wife was treated very harshly. Some rioters dragged her into the courtyard and prepared to strangle her when a group of Janissaries, sent to help her by a local aga, fortunately arrived and rescued her. After her husband made a complaint about this outrage to the grand vizier, the minister expressed deep regret for the insult and assured him he would receive all the recompense possible. A few hours later, the vizier sent the Imperial minister a lavish gift of jewels for his wife, along with a bag containing the heads of the three main rioters.

HAIR TURNED GREY BY FRIGHT.

HAIR TURNED GRAY FROM FRIGHT.

There is an interesting anecdote of a boy, in one of the rudest parts of the County of Clare, in Ireland, who, in order to destroy some eaglets, lodged in a hole one hundred feet from the summit of a rock, which rose four hundred feet perpendicular from the sea, caused himself to be suspended by a rope, with a scimitar in his hand for his defence, should he meet with an attack from the old ones; which precaution was found necessary; for no sooner had his companions lowered him to the nest, than one of the old eagles made at him with great fury, at which he struck, but, unfortunately missing his aim, nearly cut through the rope that supported him. Describing his horrible situation to his comrades, they cautiously and safely drew him up; when it was found that his hair, which a quarter of an hour before was a dark auburn, was changed to grey.

There’s an interesting story about a boy from one of the roughest areas in County Clare, Ireland. To get rid of some eaglets, he had himself lowered by a rope into a hole a hundred feet down from the top of a rock that jutted out four hundred feet straight up from the sea. He had a sword in his hand to defend himself in case the adult eagles attacked, which turned out to be a smart move. As soon as his friends lowered him to the nest, one of the adult eagles charged at him in a rage. He tried to strike it, but unfortunately, he missed and almost cut through the rope holding him up. He described his terrifying situation to his friends, and they carefully pulled him back up. When they got him up, they saw that his hair, which had been a dark auburn just half an hour before, had turned grey.

MEMORABLE SNOW-STORM.

MEMORABLE SNOWSTORM.

The following characteristic account is taken literatim from the parish register of the village of Youlgrave in Derbyshire:—"This year 1614-5 Jan. 16 began the greatest snow which ever fell uppon the earth, within man's memorye. It cover'd the earth five quarters deep uppon the playne. And for heapes or drifts of snow, they were very deep, so that passengers, both horse and foot, passed over yates hedges and walles. It fell at ten severall tymes, and the last was the greatest, to the greate admiration and fear of all the land, for it came from the foure pts of the world, so that all c'ntryes were full, yea, the south p'te as well as these mountaynes. It continued by daily encreasing until the 12th day of March, (without the sight of any earth, eyther uppon hilles or valleys) uppon wch daye, being the Lordes day, it began to decrease; and so by little and little consumed and wasted away, till the eight and twentyth day of May, for then all the heapes or drifts of snow were consumed, except one uppon Kinder-Scout, wch lay till Witson week."

The following detailed account is taken literatim from the parish register of the village of Youlgrave in Derbyshire:—"This year 1614-5, on January 16, began the greatest snowfall ever recorded within living memory. It covered the ground five quarters deep on the plain. The snowdrifts were so deep that people, both on horseback and on foot, could pass over gates, hedges, and walls. It fell ten separate times, with the last being the heaviest, which caused great amazement and fear across the land, as it came from all four corners of the world, so that every region was affected, including the southern part as well as these mountains. It kept increasing daily until March 12 (without any sight of the ground, either on hills or in valleys), on which day, being the Lord's Day, it began to melt; and so it gradually diminished and disappeared, until May 28, when all the snowdrifts were gone, except for one on Kinder Scout, which lasted until Whitsun week."

ROADS IN 1780.

Roads in 1780.

A squire from the neighbourhood of Glastonbury, journeying to Sarum in his carriage, about 1780, took care that his footman was provided with a good axe to lop off any branches of trees that might obstruct the progress of the vehicle.

A squire from the area around Glastonbury, traveling to Sarum in his carriage around 1780, made sure his footman had a good axe to trim any tree branches that could block the way of the vehicle.

WONDERFUL PEDESTRIAN FEAT.

AMAZING WALKING ACHIEVEMENT.

Captain Cochrane, who set out from St. Petersburg in May, 1820, to walk through the interior of Russia to the east of Asia, with a view of ascertaining the fact of a north-east cape, travelled at the rate of forty-three miles a day for one hundred and twenty-three successive days. He [Pg 328] afterwards walked upwards of four hundred miles without meeting a human being. Wherever he went he seems to have accommodated himself to the habits of the people, however rude and disgusting. With the Kalmucks, he ate horse-flesh, elks, and wolves; and with the Tchutski he found as little difficulty in pasturing upon bears, rein-deer, and raw frozen fish, the latter of which he considered a great delicacy.

Captain Cochrane, who left St. Petersburg in May 1820, set out to trek through the interior of Russia to Eastern Asia to determine whether a northeast cape existed. He traveled at a pace of forty-three miles a day for one hundred and twenty-three consecutive days. He [Pg 328] then walked more than four hundred miles without encountering another person. No matter where he went, he adapted to the customs of the locals, no matter how rough or off-putting they were. With the Kalmucks, he dined on horse meat, elk, and wolves; with the Tchutski, he had no trouble feasting on bears, reindeer, and raw frozen fish, which he considered a real treat.

BOOK-SHAPED WATCH.

Book-shaped watch.

Book-Shaped Watch

The unique curiosity, of which the annexed is an accurate representation, was one of the choicest rarities of the Bernal collection, and is, therefore, highly appropriate to our pages. It once belonged to, and was made for, Bogislaus XIV., Duke of Pomerania, in the time of Gustavus Adolphus. On the dial-side there is an engraved inscription of the Duke and his titles, with the date 1627, and the engraving of his armorial bearings; on the back of the case there are engraved two male portraits, buildings, &c.; the dial-plate is of silver, chased in relief; the insides are chased with birds and foliage. This watch has apparently two separate movements, and a large bell; at the back, over the bell, the metal is ornamentally pierced in a circle, with a dragon and other devices, and the sides are pierced and engraved in scrolls. It bears the maker's name, "Dionistus Hessichti."

The unique curiosity attached here is an accurate representation of one of the prized rarities in the Bernal collection, making it a great fit for our pages. It was once owned by and created for Bogislaus XIV, Duke of Pomerania, during the time of Gustavus Adolphus. On the dial side, there's an engraved inscription of the Duke and his titles, along with the date 1627, and his coat of arms is also engraved. The back of the case features two male portraits, buildings, etc. The dial plate is made of silver and is raised with intricate designs, while the insides are decorated with birds and foliage. This watch apparently has two separate movements and a large bell; on the back, above the bell, the metal is ornately pierced in a circle, featuring a dragon and other designs, and the sides are pierced and engraved in scroll patterns. It displays the maker's name, "Dionistus Hessichti."

THE RULING PASSION.

The Driving Force.

Mr. Henry Stribling, farmer, who died at Goodleigh, near Barnstaple, August 1st, 1800, in the eightieth year of his age, was one of the greatest fox-hunters in Devonshire, and had collected such a number of foxes pads, all of which he had himself cut off when in at the death, that they entirely covered his stable door and door-posts. At his own particular request, a pad was placed in each of his hands in his coffin, and he was attended to the grave by the huntsmen and whippers-in of the packs with which he had hunted.

Mr. Henry Stribling, a farmer who passed away at Goodleigh, near Barnstaple, on August 1st, 1800, at the age of eighty, was one of the best fox hunters in Devon. He had collected so many fox pads, all of which he personally cut off when he was present at the kill, that they completely covered his stable door and door posts. At his own specific request, a pad was placed in each of his hands in his coffin, and he was accompanied to the grave by the huntsmen and whippers-in from the packs he had hunted with.

EDICTS AGAINST FIDDLERS.

Bans on fiddlers.

An idea may be formed of the strictness with which all popular amusements were prohibited when the Puritans had the ascendancy, from the fact that in 1656-7 Oliver Cromwell prohibited all persons called fiddlers or minstrels from playing, fiddling, or making music in any inn, alehouse, [Pg 329] or tavern, &c. If they proffered themselves or offered to make music, they were to be adjudged to be rogues, vagabonds, and sturdy vagabonds, and were to be proceeded against as such.

An idea of how strictly all popular entertainment was banned during the Puritan dominance can be seen in the fact that in 1656-7, Oliver Cromwell banned anyone known as fiddlers or minstrels from playing, fiddling, or making music in any inn, alehouse, [Pg 329] or tavern, etc. If they presented themselves or offered to play music, they would be deemed rogues, vagabonds, and persistent vagabonds, and would be dealt with accordingly.

SCENE OF DESOLATION.

Desolate scene.

Scene of Desolation

The pass of Keim-an-eigh is one of the numerous wonders of nature. It is situated on the road from Macroom to Bantry, in the county of Cork, and winds through a deep and narrow rocky defile, about two English miles in length. Its name means, in Irish, "The Path of the Deer." Perhaps, in no part of the kingdom, is there to be found a place so utterly desolate and gloomy. A mountain has been divided by some convulsion of nature, and the narrow pass is overhung on either side, as seen in our engraving, by perpendicular cliffs clothed in wild ivy and underwood, with, occasionally, a stunted yew-tree or arbutus growing among them. At every step advance seems impossible—some huge rock jutting out into the path, or sweeping round it, seeming to conduct only to some barrier still more insurmountable; while from all sides [Pg 330] rush down the "wild fountains," and forming for themselves a rugged channel, make their way onward, the first tributary to the gentle and fruitful Lee. Nowhere has Nature assumed a more apalling aspect, or manifested a more stern resolve to dwell in her own loneliness and grandeur, undisturbed by any living thing; for even the birds seem to shun a solitude so awful, and the hum of bee or chirp of grasshopper is never heard within its precincts.

The Keim-an-eigh pass is one of the many natural wonders. It's located on the road from Macroom to Bantry in County Cork and winds through a deep, narrow rocky gorge that's about two English miles long. Its name means "The Path of the Deer" in Irish. There may be no other place in the kingdom that feels as completely desolate and gloomy. A mountain has been split apart by some natural force, and the narrow pass is flanked on both sides, as shown in our engraving, by steep cliffs covered in wild ivy and underbrush, with the occasional stunted yew or arbutus tree growing among them. With every step, moving forward seems impossible—some massive rock juts into the path or curves around it, seemingly leading only to an even greater barrier; while all around, the "wild fountains" rush down, carving out a rough channel as they flow toward the gentle, fruitful Lee. Nowhere does nature present a more terrifying face or show a more determined intent to exist in its own isolation and majesty, undisturbed by anything alive; even the birds seem to avoid such an awful solitude, and the buzz of bees or the chirp of grasshoppers is never heard within its borders.

THE FIRST ENGLISH NUN.

THE FIRST ENGLISH NUN.

Face, widow of Edwin, king of Northumberland, is said to have been the first English nun; and the first nunnery in England appears to have been at Barking, in Essex, which was founded by Erkenwald, Bishop of London, wherein he placed a number of Benedictine or black nuns. The most rigid nuns are those of St. Clara, of the order of St. Francis, both of which individuals were born and lived in the same town: the nuns are called poor Clares, and both they and the monks wear grey clothes. Abbesses had formerly seats in parliament. In one, held in 694, says Spelman, they sat and deliberated, and several of them subscribed the decrees made in it. They sat, says Ingulphus, in a parliament held in 855. In the reigns of Henry III. and Edward I. four of them were summoned to a national council, viz. those of Shaftesbury, Barking, Winchester, and Wilton.

Face, the widow of Edwin, king of Northumberland, is believed to be the first English nun. The first nunnery in England seems to have been at Barking in Essex, founded by Erkenwald, the Bishop of London, where he placed several Benedictine or black nuns. The strictest nuns belong to St. Clara's order, founded by St. Francis, and both were born and lived in the same town. The nuns are called Poor Clares, and both they and the monks wear gray clothing. Abbesses used to have seats in parliament. In one session held in 694, Spelman notes that they participated and several of them signed the decrees made there. They also attended a parliament in 855, according to Ingulphus. During the reigns of Henry III and Edward I, four abbesses were summoned to a national council: those from Shaftesbury, Barking, Winchester, and Wilton.

PRESENCE OF MIND—ESCAPE FROM A TIGER.

STAY CALM—ESCAPING A TIGER.

In 1812, a party of British naval and military officers were dining in a jungle at some distance from Madras, when a ferocious tiger rushed in among them, seized a young midshipman, and flung him across his back. In the first emotion of terror, the other officers had all snatched up their arms, and retired some paces from their assailant, who stood lashing his sides with his tail, as if doubtful whether he should seize more prey, or retire with that which he had already secured. They knew that it is usual with the tiger, before he seizes his prey, to deprive it of life, by a pat on the head, which generally breaks the skull; but this is not his invariable practice. The little midshipman lay motionless on the back of his enemy; but yet the officers, who were uncertain whether he had received the mortal pat or not, were afraid to fire, lest they should kill him together with the tiger. While in this state of suspense, they perceived the hand of the youth gently move over the side of the animal, and conceiving the motion to result from the convulsive throbs of death, they were about to fire, when, to their utter astonishment, the tiger dropped stone dead; and their young friend sprung from the carcass, waving in triumph a bloody dirk drawn from the heart, for which he had been feeling with the utmost coolness and circumspection, when the motion of his hand had been taken for a dying spasm.

In 1812, a group of British naval and military officers were having dinner in a jungle not far from Madras when a fierce tiger charged in, grabbed a young midshipman, and tossed him over its back. In a moment of pure terror, the other officers quickly grabbed their weapons and stepped back from the attacker, who was whipping its tail as if unsure whether to go for more prey or to leave with the one it already had. They knew that it’s common for a tiger to kill its prey with a swift blow to the head, usually crushing the skull, but this isn't always the case. The young midshipman lay still on the tiger's back, but the officers, unsure if he had already received the fatal blow, were afraid to shoot in case they hit him along with the tiger. While in this tense situation, they noticed the young man's hand move gently along the side of the beast, and thinking it was a sign of death's grip, they were ready to fire when, to their shock, the tiger suddenly dropped dead. Their young friend jumped off the carcass, triumphantly waving a bloody dagger pulled from the tiger's heart, which he had been searching for with remarkable calm, at the moment when his hand movement had been mistaken for a dying spasm.

COST OF ARTICLES IN THE FOURTEENTH CENTURY.

COST OF ARTICLES IN THE FOURTEENTH CENTURY.

The following article is taken from Martin's History of Thetford. It is copied from an original record in that borough, when John le Forester was mayor, in the tenth year of Edward the Third, A.D. 1336. It is so [Pg 331] far curious, as it exhibits an authentic account of the value of many articles at that time; being a bill, inserted in the town book, of the expenses attending the sending two light-horsemen from Thetford to the army, which was to march against the Scots that year.

The following article is taken from Martin's History of Thetford. It is copied from an original record in that borough, when John le Forester was mayor, in the tenth year of Edward the Third, CE 1336. It is so [Pg 331] far interesting, as it provides an authentic account of the value of many items at that time; being a bill, included in the town book, of the expenses related to sending two light-horsemen from Thetford to the army, which was set to march against the Scots that year.

  £ s. d.
To two men chosen to go into the army against Scotland 1 0 0
For cloth, and to the tailor for making it into two gowns 0 6 11
For two pair of gloves, and a stick or staff 0 0 2
For two horses 1 15
For shoeing these horses 0 0 4
For two pair of boots for the light-horsemen 0 2 8
Paid to a lad for going with the mayor to Lenn (Lynn), to take care of the horses (the distance between Thetford and Lynn is 53 miles) 0 0 3
To a boy for a letter at Lenn (viz., carrying it thither) 0 0 3
Expenses for the horses of two light-horsemen for four days before they departed 0 1 0

LAW AND ORDER IN THE STREETS OF LONDON IN 1733.

LAW AND ORDER IN THE STREETS OF LONDON IN 1733.

What an extraordinary state of things does the following extract from the Weekly Register of December 8th, 1733, disclose! The stages and hackney-coaches actually made open war upon private carriages. "The drivers," says the paragraph, "are commissioned by their masters to annoy, sink, and destroy all the single and double horse-chaises they can conveniently meet with, or overtake in their way, without regard to the lives or limbs of the persons who travel in them. What havoc these industrious sons of blood and wounds have made within twenty miles of London in the compass of a summer's season, is best known by the articles of accidents in the newspapers: the miserable shrieks of women and children not being sufficient to deter the villains from doing what they call their duty to their masters; for besides their daily or weekly wages, they have an extraordinary stated allowance for every chaise they can reverse, ditch, or bring by the road, as the term or phrase is." Verily, we who live in the present day have reason to rejoice that in some things there is a decided improvement upon "the good old times."

What an incredible situation the following excerpt from the Weekly Register dated December 8th, 1733, reveals! The coaches and hackney carriages were openly waging war on private vehicles. "The drivers," the paragraph states, "are instructed by their bosses to harass, overturn, and destroy any single or double horse-drawn carriages they encounter or catch up to, without caring about the lives or safety of the people traveling in them. The chaos these hard-working agents of violence have caused within twenty miles of London over a summer season is best understood by the accident reports in the newspapers: the desperate cries of women and children have not been enough to stop these perpetrators from fulfilling what they refer to as their duty to their employers; in addition to their regular daily or weekly pay, they receive a special bonus for every carriage they can overturn, ditch, or damage, as the saying goes." Truly, we who live in today’s world have every reason to celebrate that in some aspects there is a clear improvement compared to "the good old days."

NEVER SLEEPING IN A BED.

NEVER SLEEPING ON A BED.

Christopher Pivett, of the city of York, died 1796, aged 93. He was a carver and gilder by trade; but during the early part of his life served in the army, and was in the retinue of the Duke of Cumberland, under whose command he took part in the battle of Fontenoy, as he did at the battle of Dettingen under the Earl of Stair; he was likewise at the siege of Carlisle, and the great fight of Culloden. His house, after he had settled at York, being accidentally burnt down, he formed the singular resolution of never again sleeping in a bed, lest he should be burned to death whilst asleep, or not have time sufficient, should such a misfortune again befall him, to remove his property; and this resolution he rigidly acted upon during the last forty years of his life. His practice was to repose upon the floor, or on two chairs, or sitting in a chair, but always [Pg 332] with his clothes on. During the whole of this period he lived entirely alone, cooked his own victuals, and seldom admitted any one into his habitation: nor would he ever disclose to any the place of his birth, or to whom he was related. He had many singularities, but possessed, politically as well as socially, a laudable spirit of independence, which he boldly manifested on several trying occasions. Among other uncommon articles which composed the furniture of his dwelling, was a human skull, which he left strict injunctions should be interred with him.

Christopher Pivett, from the city of York, died in 1796 at the age of 93. He was a carver and gilder by trade, but in the early part of his life, he served in the army and was part of the Duke of Cumberland's entourage. Under this command, he participated in the battle of Fontenoy, as well as the battle of Dettingen under the Earl of Stair. He was also present at the siege of Carlisle and the major battle of Culloden. After settling in York, his house was accidentally burned down, leading him to make the unusual decision never to sleep in a bed again, fearing he might be burned to death in his sleep or not have enough time to save his belongings if such a disaster happened again. He stuck to this resolve for the last forty years of his life. He would rest on the floor, on two chairs, or while sitting in a chair but always fully dressed. Throughout this time, he lived entirely alone, cooked his own meals, and rarely allowed anyone into his home. He also never revealed the location of his birth or his family ties. He had many quirks but possessed a commendable spirit of independence, which he confidently displayed on various challenging occasions. Among the unusual items in his home was a human skull, which he insisted should be buried with him.

AMULET BROTCHE.

AMULET BROOCH.

The subjoined engraving represents an ancient Gaelic Brotche, which was made in the reign of Queen Elizabeth, and once belonged to a Highland Chief, Maclean of Lochbuy in the Isle of Mull, being formed of silver found on his estate. It is of circular form, scolloped, and surrounded by small upright obelisks, each set with a pearl at top; in the centre is a round crystalline ball, considered a magical gem; the top may be taken off, showing a hollow, originally for reliques. On the reverse side of the brotche are engraved the names of the three kings of Cologne, with the word consummation. It was probably a consecrated brotche, and worn not only for the purpose of fastening the dress, but as an amulet.

The engraving below shows an ancient Gaelic brooch that was made during Queen Elizabeth's reign and once belonged to a Highland Chief, Maclean of Lochbuy from the Isle of Mull. It was crafted from silver found on his land. The brooch is circular, scalloped, and surrounded by small upright obelisks, each topped with a pearl. In the center is a round crystal ball, thought to be a magical gem; the top can be removed, revealing a hollow space that was originally for relics. The back of the brooch is engraved with the names of the three kings of Cologne, along with the word consummation. It was likely a consecrated brooch, worn not only to fasten clothing but also as an amulet.

Golynos Oak

THE GOLYNOS OAK.

The Golynos Oak.

This wonderful tree grew on the estate from which it takes its name, about four miles from Newport, Monmouth. It was purchased by Thomas Harrison, Esq., in the year 1810, for 100 guineas, and was felled and converted by him the same year. Five men were twenty days stripping and cutting it down; and a pair of sawyers were employed 138 days in its conversion. The expense of stripping, felling, and sawing was £82. The trunk of the tree was 9½ feet in diameter, and no saw could be found [Pg 333] long enough to cut it down; two saws were therefore brazed together. The rings in its butt being reckoned, it was discovered that this tree had been improving upwards of 400 years! and, as many of its lateral branches were dead, and some broken off, it is presumed it must have stood a century after it had attained maturity. When standing it overspread 452 square yards of ground, and produced 2,426 feet of timber. When all its parts were brought to market they produced nearly £600.

This remarkable tree grew on the estate that shares its name, about four miles from Newport, Monmouth. Thomas Harrison, Esq., bought it in 1810 for 100 guineas and had it cut down and processed that same year. Five men spent twenty days stripping and cutting it down, while a pair of sawyers worked for 138 days to finish the job. The total cost for stripping, felling, and sawing came to £82. The trunk measured 9½ feet in diameter, and no saw was long enough to cut it, so two saws were welded together. Counting the rings at its base revealed that this tree had been growing for over 400 years! Since many of its side branches were dead and some broken off, it’s assumed it remained alive for a century after reaching maturity. When it was standing, it covered 452 square yards of ground and produced 2,426 feet of timber. Once all its parts were sold, they generated nearly £600.

CARFAX CONDUIT.

CARFAX CONNECTION.

Carfax Conduit

In the grounds at Nuneham Courtenay, near Oxford, belonging to Mr. Harcourt, on one of the slopes that ascend directly from the river [Pg 334] Thames, stands the ancient and far-famed Carfax Conduit, which formerly stood as a kind of central point to the four principal streets of Oxford. Certain alterations requiring its removal, it was, with the most perfect propriety, presented to the Earl Harcourt.

In the grounds at Nuneham Courtenay, near Oxford, owned by Mr. Harcourt, on one of the slopes that rise directly from the River Thames, stands the historic and well-known Carfax Conduit, which used to be a central point for the four main streets of Oxford. After some changes necessitated its removal, it was rightfully given to the Earl Harcourt.

It was built in 1610, by Otho Nicholson—a liberal and enterprising gentleman—in order to supply the city with pure water, brought from a hill above North Hinksey; and although the conduit is removed, the pipes still remain, and afford a partial supply that will be superseded by the new City Waterworks. It is a square, decorated in accordance with the taste of the time—mermaids holding combs and mirrors, and dragons, antelopes, unicorns, being scattered about, while the Empress Maude is introduced riding an ox over a ford, in allusion to the name of the city. The letters O. N., the initials of the founder, are conspicuous; while above the centres of the four arches are the cardinal virtues—Justice, Temperance, Fortitude, and Prudence.

It was built in 1610 by Otho Nicholson—a forward-thinking and ambitious man—to provide the city with clean water brought from a hill above North Hinksey. Although the conduit has been removed, the pipes are still there and provide a partial supply that will eventually be replaced by the new City Waterworks. It features a square design, decorated in the style of the time—with mermaids holding combs and mirrors, as well as dragons, antelopes, and unicorns scattered around. There's also an image of Empress Maude riding an ox over a ford, referencing the city’s name. The initials O. N., for the founder, are prominently displayed, and above the centers of the four arches are the cardinal virtues—Justice, Temperance, Fortitude, and Prudence.

Carfax is from a Bishop of that name, who presided over the diocese of Tours in France, and died in the year 399. He was canonized, and is the tutelar saint of Carfax, or St. Martin's church, in the city of Oxford.

Carfax comes from a bishop with that name who oversaw the diocese of Tours in France and died in the year 399. He was canonized and is the patron saint of Carfax, or St. Martin's Church, in the city of Oxford.

DESTRUCTION OF LIBRARIES IN THE TIME OF HENRY VIII., AT THE DISSOLUTION OF THE MONASTERIES.

DESTRUCTION OF LIBRARIES DURING THE TIME OF HENRY VIII., AT THE DISSOLUTION OF THE MONASTERIES.

It is a circumstance well known, to every one at all conversant in English history, that the suppression of the lesser monasteries by that rapacious monarch Henry the Eighth took place in 1536. Bishop Fisher, when the abolition was first proposed in the convocation, strenuously opposed it, and told his brethren that this was fairly shewing the king how he might come at the great monasteries. "And so my lords," continued he, "if you grant the king these smaller monasteries, you do but make him a handle whereby he may cut down all the cedars within your Lebanon." Fisher's fears were borne out by the subsequent act of Henry, who, after quelling a civil commotion occasioned by the suppression of the lesser monasteries, immediately abolished the remainder, and in the whole suppressed six hundred and forty-five monasteries, of which twenty-eight had abbots who enjoyed seats in Parliament. Ninety colleges were demolished; two thousand three hundred and seventy-four charities and free chapels, and one hundred and ten hospitals. The havoc that was made among the libraries cannot be better described than in the words of Bayle, Bishop of Ossory, in the preface to Leland's "New Year's Gift to King Henry the Eighth."

It’s a well-known fact among anyone familiar with English history that King Henry the Eighth’s suppression of the smaller monasteries happened in 1536. Bishop Fisher strongly opposed this when it was first brought up in the convocation, warning his fellow bishops that this would show the king a way to target the larger monasteries. “So my lords,” he added, “if you give the king these smaller monasteries, you’re just giving him a tool to take down all the great ones.” Fisher's concerns were proven correct when Henry, after quelling a civil disturbance caused by the suppression of the smaller monasteries, quickly abolished the rest, ultimately shutting down six hundred and forty-five monasteries, including twenty-eight that had abbots in Parliament. Ninety colleges were destroyed, two thousand three hundred and seventy-four charities and free chapels were shut down, and one hundred and ten hospitals were closed. The destruction of libraries was so severe that it can best be expressed in the words of Bayle, Bishop of Ossory, in the preface to Leland's "New Year's Gift to King Henry the Eighth."

"A greate nombre of them whyche purchased those superstychouse mansyons (monesteries) reserved of those librarye bookes, some to serve theyr jokes, some to scoure thyr candlestyckes, and some to rubbe theyr bootes. Some they solde to the grossers and sope-sellers, and some they sent over see to the book bynders, not in small nombre, but at tymes whole shyppes full to the wonderynge of foren nacyons: yea ye universytes of thys realme are not alle clere in this detestable fact, but cursed is that bellye whych seketh to be fedde with suche ungodlye [Pg 335] gaynes, and so depelye shameth hys natural conterye. I knowe a merchant manne whyche shall at thys tyme be namelesse, that boughte ye contentes of two noble lybraryes for forty shyllinges pryce: a shame it is to be spoken: Thys stuffe hath he occupyed in the stede of grey paper by the space of more than these ten yeares and yet he hath store ynoughe for as manye yeares to come. A prodygyouse example is thys to be abhorred of all men whych love thyr nacyon as they shoulde do. The monkes kept them undre dust, ye ydle headed prestes regarded them not, theyr latter owners have most shamefully abused them, and ye covetouse merchantes have solde them awaye into foren nacyons for moneye."

"A large number of those who purchased those superstitious mansions (monasteries) kept some of the library books for their own jokes, some to clean their candlesticks, and some to polish their boots. Some they sold to grocers and soap sellers, and some they shipped overseas to bookbinders, not in small quantities, but at times entire ships full, to the astonishment of foreign nations. Yes, the universities of this realm are not entirely innocent in this shameful act; cursed is the belly that seeks to be filled with such ungodly profits, and so deeply shames its own homeland. I know of a merchant who shall remain nameless at this time, who bought the contents of two noble libraries for forty shillings: it’s a disgrace to speak of it. He has used this material instead of gray paper for over ten years and still has enough left for many more years to come. This is a shocking example that should be condemned by all who love their nation as they ought to. The monks kept them under dust, the idle priests paid them no mind, their later owners have most shamefully misused them, and the greedy merchants have sold them off to foreign nations for money."

CURIOUS MENTAL AFFECTION.

Curious mental condition.

Singular faculties have been developed during somnambulism in the mental condition. Thus a case is related of a woman in the Edinburgh infirmary who, during her paroxysm, not only mimicked the manner of the attendant physicians, but repeated correctly some of their prescriptions in Latin.

Singular abilities have emerged during somnambulism in the mental state. One case involves a woman at the Edinburgh infirmary who, during her episodes, not only imitated the behavior of the attending physicians but also accurately repeated some of their prescriptions in Latin.

Dr. Dyce, of Aberdeen, describes the case of a girl, in which this affection began with fits of somnolency, which came upon her suddenly during the day, and from which she could at first be roused by shaking or by being taken into the open air. During these attacks she was in the habit of talking of things that seemed to pass before her like a dream, and was not at the time sensible of anything that was said to her. On one occasion she repeated the entire of the baptismal service, and concluded with an extempore prayer. In her subsequent paroxysms she began to understand what was said to her, and to answer with a considerable degree of consistency, though these replies were in a certain measure influenced by her hallucination. She also became capable of following her usual employment during her paroxysm. At one time she would lay out the table for breakfast, and repeatedly dress herself and the children, her eyes remaining shut the whole time. The remarkable circumstance was now discovered, that, during the paroxysm, she had a distinct recollection of what had taken place in former attacks, though she had not the slightest recollection of it during the intervals. She was taken to church during the paroxysm, and attended the service with apparent devotion, and at one time was so affected by the sermon that she actually shed tears; yet in the interval she had no recollection whatever of the circumstance, but in the following paroxysm she gave a most distinct account of it, and actually repeated the passage of the sermon that had so much affected her. This sort of somnambulism, relating distinctly to two periods, has been called, perhaps erroneously, a state of double consciousness.

Dr. Dyce from Aberdeen discusses the case of a girl whose condition started with sudden episodes of drowsiness during the day. Initially, she could be woken up by shaking or taking her outside. During these episodes, she would talk about things that seemed to unfold like a dream, and she was unaware of what was said to her. At one point, she recited the entire baptismal service and finished with an impromptu prayer. In later episodes, she began to understand what was said to her and could respond with a fair amount of coherence, though her answers were somewhat influenced by her hallucinations. She could also perform her regular tasks during these episodes, such as setting the breakfast table and dressing herself and the children, all while her eyes remained closed. A noteworthy discovery was that during the episodes, she had a clear memory of what had occurred during past attacks, even though she had no memory of it in between. She was taken to church during one of these episodes and participated in the service with obvious devotion; at one point, she was so moved by the sermon that she cried. However, in between, she had no memory of this experience, but during the next episode, she vividly recounted it and even repeated the part of the sermon that affected her so deeply. This type of sleepwalking, which relates distinctly to two different periods, has been called, perhaps incorrectly, a state of double consciousness.

This girl described the paroxysm as coming on with a dimness of sight and a noise in the head. During the attack, her eyelids were generally half shut, and frequently resembled those of a person labouring under amaurosis, the pupil dilated and insensible. Her looks were dull and vacant, and she often mistook the person who was speaking to her. The paroxysms usually lasted an hour, but she often could be roused from [Pg 336] them. She then yawned and stretched herself like a person awakening from sleep, and instantly recognised those about her. At one time, Dr. Dyce affirms, she read distinctly a portion of a book presented to her, and she would frequently sing pieces of music more correctly and with better taste than when awake.

This girl described the episodes as starting with blurry vision and a ringing in her ears. During the attack, her eyelids were usually half-closed and often looked like someone suffering from blindness, with a dilated and unresponsive pupil. Her expression was dull and blank, and she often confused the person speaking to her. The episodes typically lasted about an hour, but she could often be awakened from them. She would then yawn and stretch like someone waking up from sleep, instantly recognizing those around her. At one point, Dr. Dyce claims, she clearly read a part of a book handed to her, and she often sang musical pieces more accurately and with better taste than when she was awake.

DECORATIVE DRINKING VESSEL.

Decorative cup.

Decorative Drinking Vessel

The above represents a German decorative drinking vessel of the early part of the seventeenth century. It is a stork bearing in its beak an infant; in accordance with the old German nursery tale that the king of the Storks is the bringer and protector of babies. It is of silver, chased all over; the eyes are formed of rubies; and one wing takes off that liquid may be placed in the body, and imbibed through the neck, by a hole in the crown of the bird. It was probably a quaint fancy for some German noble nursery.

The above shows a German decorative drinking vessel from the early seventeenth century. It features a stork holding an infant in its beak, inspired by the old German fairy tale that the king of the storks brings and protects babies. Made of silver and intricately chased, the eyes are rubies, and one wing opens so that liquid can be poured into the body and sipped through a hole in the crown of the bird. It was likely a charming item meant for the nursery of some German noble.

EXAMPLES OF ANCIENT VASES.

ANCIENT VASE EXAMPLES.

The Vases which are grouped in the annexed engraving are highly deserving of a place in our collection of curiosities, inasmuch as they are truly unique and beautiful specimens of the degree of perfection to which the art of glass-making had been carried at the period when Rome was mistress of the world. They all belong to that period, and in elegance of form and skill of workmanship they equal—we had almost said, surpass, the most artistic productions of the present day.

The vases shown in the attached engraving truly deserve a spot in our collection of curiosities, as they are unique and beautiful examples of the glass-making perfection achieved when Rome was the center of the world. They all come from that era, and in terms of elegance and craftsmanship, they are equal to—we might even say, surpass—the most artistic works of today.

Ancient Vases

Figure 1 is that celebrated vase which for more than two centuries was the principal ornament of the Barberini palace at Rome. It was thence generally known as the "Barberini Vase;" but having been purchased by Sir W. Hamilton, and then sold by him to the Duchess of Portland, it was at her death munificently presented by her son, the Duke of Portland, to the British Museum, where it has ever since remained as one of its choicest gems, and is now known as the "Portland Cinerary Vase." It was found about the middle of the sixteenth century, enclosed in a marble sarcophagus, within a sepulchral chamber under the Monte del Grane, two miles and a half from Rome, on the road to Frascati. The tomb is believed to have been that of the Emperor Alexander Severus, and his mother Mammæa. The vase is made of purple glass, ornamented with white opaque figures in bas-relief. The execution of the design is most admirable. In the first place, the artist must have had the aptitude to blow in purple glass a beautiful form of vase, with handles attached: and, even thus far, this is considered in our day a masterpiece of skill at our best glass-houses. Secondly, with the oxide of tin forming an opaque white glass, the artist managed to cover the whole of the purple vase with this white opaque glass, to at least the thickness of a quarter of an inch. The artist then, in the manner of [Pg 338] cutting a cameo on the onyx stone, cut the opaque glass away, leaving the white figures and allegory embossed upon the purple. The figures in relief are in two groups: in the former of these, a female is represented in a recumbent posture, with a cupid hovering above her head, and a serpent in her lap; a young man on one side supporting her stretched out arm, and on the other a bearded personage of more mature age, attentively regarding her. The latter group, on the opposite side of the vase, consists of a female reclining on a pile of tablets, with her right hand placed on her head, and holding in her hand a lighted torch with the flame downwards—a young man being seated on a pile on one side of her, and a female, holding a rod or staff in the right hand, sitting on the other. The subject of the bas-relief has created much difference of opinion, but it is generally supposed to have reference to the birth of Severus. A few years ago this vase was broken by a madman, but it has since been repaired in a most artistic manner.

Figure 1 is the famous vase that was the main decoration of the Barberini palace in Rome for over two centuries. It became widely known as the "Barberini Vase." After being purchased by Sir W. Hamilton and then sold to the Duchess of Portland, it was generously given to the British Museum by her son, the Duke of Portland, after her death. It's been one of the museum's prized pieces ever since and is now referred to as the "Portland Cinerary Vase." It was discovered around the mid-sixteenth century, inside a marble sarcophagus in a burial chamber beneath the Monte del Grane, about two and a half miles from Rome, along the road to Frascati. The tomb is believed to belong to Emperor Alexander Severus and his mother, Mammæa. The vase is made of purple glass, decorated with white opaque figures in bas-relief. The craftsmanship is exceptional. First, the artist must have had the skill to blow a beautifully shaped vase in purple glass with handles attached, which even today is considered a masterpiece at our finest glassworks. Second, using tin oxide to make the opaque white glass, the artist managed to coat the entire purple vase with this white glass, to a thickness of at least a quarter of an inch. The artist then, like cutting a cameo from onyx, removed the opaque glass, leaving the white figures and symbols raised against the purple background. The relief figures are arranged in two groups: in the first group, a woman is lying down, with a cupid hovering over her head and a serpent in her lap; a young man supports her stretched-out arm on one side, and on the other, an older man with a beard watches her closely. The second group, on the opposite side of the vase, features a woman reclining on a stack of tablets, with her right hand on her head, holding a downward flame-lit torch; a young man sits beside her on one side, and another woman with a rod or staff in her right hand sits on the other side. The meaning of the bas-relief has sparked various opinions, but it is generally believed to relate to the birth of Severus. A few years ago, this vase was damaged by a madman, but it has since been meticulously repaired.

Figure 2 is the "Alexandrian Vase," of the Museo Borbonico, Naples.

Figure 2 is the "Alexandrian Vase" from the Museo Borbonico in Naples.

Figure 3 is the "Pompeii Vase," also of the Museo Borbonico. It was discovered in a sepulchre of Pompeii in 1839, and is of the same character in the colours and quality of the glass as the Portland Vase, but of a more recent date. It is probably the production of Greek artists working in Rome.

Figure 3 is the "Pompeii Vase," also from the Museo Borbonico. It was found in a tomb in Pompeii in 1839 and shares similar colors and glass quality with the Portland Vase, but it dates from a later time. It was likely created by Greek artists working in Rome.

Figure 4 is the "Aldjo Vase," which was found in 1833 at Pompeii, in the house of the Fauna. The ground of the vase is of a deep sapphire blue, on which, in opaque white glass, the ornaments are cut. It was found broken. Part is in the possession of Mr. Auldjo; the other in the British Museum. The shape of this vase is elegant, the handle and lip of exquisite form, and the taste and execution of the ornamental work in the purest style.

Figure 4 is the "Aldjo Vase," discovered in 1833 at Pompeii, in the House of the Faun. The vase has a deep sapphire blue base, with opaque white glass ornaments cut into it. It was found broken. One part is owned by Mr. Auldjo, while the other is at the British Museum. The shape of this vase is elegant, with the handle and lip designed beautifully, and the taste and craftsmanship of the ornamental work are of the highest quality.

MINUTENESS OF INSECT LIFE.

Small size of insect life.

As the telescope enables the eye of man to penetrate into far-distant space, and reveals to him myriads of suns and systems which otherwise would have remained for ever hidden from his natural sight, so the microscope opens up a world of life everywhere around us, but altogether unsuspected, astounding us as much by the inappreciable minuteness of its discoveries, as the former by the stupendous magnitude and remoteness of the objects. If we go to any ditch or pool which the summer sun has covered with a mantle of stagnant greenness, and lift from it a minute drop of water, such as would adhere to the head of a pin, we shall find it, under a high magnifying power, swarming with living beings, moving about with great rapidity, and approaching or avoiding each other with evident perception and will.

As the telescope allows us to see deep into distant space and reveals countless suns and systems that would otherwise remain hidden from our sight, the microscope opens up a world of life all around us that we never suspected. It astonishes us just as much with the incredible smallness of its discoveries as the telescope does with the enormous size and distance of its objects. If we go to any ditch or pool covered in stagnant green by the summer sun and take a tiny drop of water, no bigger than what would stick to a pinhead, we'll discover, under a powerful magnification, that it's teeming with tiny living things, darting around quickly and interacting with each other with clear awareness and intent.

"Vain would it be," observes Professor Jones, "to attempt by words to give anything like a definite notion of the minuteness of some of these multitudinous races. Let me ask the reader to divide an inch into 22,000 parts, and appreciate mentally the value of each division: having done so, and not till then, shall we have a standard sufficiently minute to enable us to measure the microscopic beings upon the consideration of which we are now entering. Neither is it easy to give the student of nature, [Pg 339] who has not accurately investigated the subject for himself, adequate conceptions relative to the numbers in which the Infusoria sometimes crowd the waters they frequent; but let him take his microscope, and the means of making a rough estimate, at least, are easily at his disposal. He will soon perceive that the animalcule-inhabitants of a drop of putrid water, possessing, as many of them do, dimensions not larger than the 2,000th part of a line, swim so closely together, that the intervals separating them are not greater than their own bodies. The matter, therefore, becomes a question for arithmetic to solve, and we will pause to make the calculation.

"Attempting to describe how tiny some of these countless races are would be pointless," says Professor Jones. "Let me ask you to divide an inch into 22,000 parts and mentally appreciate the value of each division. Only after doing that will we have a scale fine enough to measure the microscopic beings we’re about to discuss. It’s also challenging to help the nature enthusiast, [Pg 339] who hasn’t thoroughly looked into the topic themselves, understand the sheer numbers of Infusoria that can sometimes swarm the waters they occupy. But if they grab a microscope, they will find it’s easy to make at least a rough estimate. They will quickly see that the tiny creatures living in a drop of decaying water, many of which are no larger than 1/2000 of an inch, swim so closely together that the spaces between them are no bigger than their own bodies. So, this becomes a question for math to figure out, and we’ll take a moment to calculate it."

"The Monas termo, for example—a creature that might be pardonably regarded as an embodiment of the mathematical point, almost literally without either length, or breadth, or thickness—has been calculated to measure about the 22,000th part of an inch in its transverse diameter; and in water taken from the surface of many putrid infusions, they are crowded as closely as we have stated above. We may therefore safely say, that, swimming at ordinary distances apart, 10,000 of them would be contained in a linear space one inch in length, and consequently a cubic inch of such water will thus contain more living and active organized beings than there are human inhabitants upon the whole surface! However astounding such a fact may seem when first enunciated, none is more easily demonstrated with the assistance of a good microscope."

The Monas termo, for example—a creature that could reasonably be seen as a representation of a mathematical point, practically without any length, width, or thickness—measures about 1/22,000th of an inch across. In water taken from the surface of many decaying infusions, they are packed as closely as we've mentioned above. Therefore, we can confidently say that, swimming at typical distances from each other, 10,000 of them would fit in a linear space one inch long, and thus a cubic inch of that water would contain more living and active organisms than there are human residents on the entire planet! While this fact may seem shocking at first glance, it can be easily shown with a good microscope.

The term Infusoria has been by some naturalists applied to these diminutive animals, because they are invariably found in the infusions of vegetable or animal substances. They can thus be obtained at all times, by simply steeping a little hay, or chaff, or leaves or stems of any plant, in a vessel of water, and placing the infusion in the sun for a week or ten days.

The term Infusoria has been used by some naturalists to describe these tiny creatures because they are always found in the infusions of plant or animal materials. They can be easily obtained at any time by just soaking a bit of hay, chaff, or leaves or stems of any plant in a container of water and placing the mixture in the sun for about a week or ten days.

LEGENDS OF JUDAS ISCARIOT.

Legends of Judas Iscariot.

It was believed in Pier della Valle's time, that the descendants of Judas Iscariot still existed at Corfu, though the persons who suffered this imputation stoutly denied the truth of the genealogy.

It was thought during Pier della Valle's time that the descendants of Judas Iscariot were still living in Corfu, although those accused of this lineage strongly denied the truth of the claim.

When the ceremony of washing the feet is performed in the Greek Church at Smyrna, the bishop represents Christ, and the twelve apostles are acted by as many priests. He who personates Judas must be paid for it, and such is the feeling of the people, that whoever accepts this odious part, commonly retains the name of Judas for life (Hasselquist, p. 43).

When the foot-washing ceremony is held in the Greek Church in Smyrna, the bishop acts as Christ, and twelve priests take on the roles of the apostles. The priest who plays Judas has to be compensated for it, and because of how people feel about this role, anyone who takes on this unpleasant part is often stuck with the nickname Judas for life (Hasselquist, p. 43).

Judas serves in Brazil for a Guy Faux to be carried about by the boys, and made the subject of an auto-da-fe. The Spanish sailors hang him at the yard arm. It is not long since a Spaniard lost his life at Portsmouth, during the performance of this ceremony, by jumping overboard after the figure.

Judas is used in Brazil for a Guy Fawkes to be carried around by the kids and made the center of a public burning. The Spanish sailors hang him at the yardarm. Not too long ago, a Spaniard lost his life in Portsmouth during this ceremony by jumping overboard after the figure.

The Armenians, who believe hell and limbo to be the same place, say that Judas, after having betrayed our Lord, resolved to hang himself, because he knew Christ was to go to limbo, and deliver all the souls which he found there, and therefore he thought to get there in time. But the Devil was cunninger than he, and knowing his intent, held him [Pg 340] over limbo till the Lord had passed through, and then let him fall plum into hell. (Thevenot.)

The Armenians, who believe that hell and limbo are the same place, say that Judas, after betraying our Lord, decided to hang himself because he knew Christ was going to limbo to free all the souls he found there. He thought he could get there first. But the Devil was smarter than he was, and knowing his plan, kept him hanging over limbo until the Lord had passed through, then dropped him straight into hell. [Pg 340]

QUEEN ELIZABETH'S SIDE-SADDLE.

QUEEN ELIZABETH'S SIDE-SADDLE.

In a retired part of the county of Essex, at a short distance from the road, in a secluded and lovely spot, stands the picturesque residence called Horeham Hall. The mansion is in the parish of Thaxted, and is about two miles south-west of the church. It was once in the possession of the important family of the De Wauton's; it afterwards belonged to Sir John Cutts, and eventually it became the property of Sir W. Smijth, of Hill Hall, in whose family it has remained up to the present time.

In a quiet area of Essex, not far from the road, in a beautiful and hidden location, stands the charming house known as Horeham Hall. The mansion is located in the parish of Thaxted, about two miles southwest of the church. It was once owned by the prominent De Wauton family; later, it belonged to Sir John Cutts, and eventually, it became the property of Sir W. Smijth from Hill Hall, whose family has owned it ever since.

Of the learned Sir Thomas Smijth, the secretary to King Edward VI. and Queen Elizabeth, there is still preserved an ancient portrait on panel, which is let into a circle over the carved fire-place of one of the parlours. It is remarkable as being one of the very few portraits painted by Titian.

Of the knowledgeable Sir Thomas Smijth, the secretary to King Edward VI and Queen Elizabeth, there is still an old portrait on panel, which is set into a circle above the carved fireplace of one of the parlors. It is notable as one of the very few portraits painted by Titian.

Queen Elizabeth's Side-Saddle

Another interesting relic is represented in the annexed cut. It is preserved in the Great Hall, and is the side-saddle of Queen Elizabeth; the pommel is of wrought metal, and has been gilt; the ornament upon it is in the then fashionable style of the Renaissance; the seat of velvet is now in a very ruinous condition; but it is carefully kept beneath a glass case, as a memento of the Queen's visits to this place. When princess, Elizabeth retired to Horeham as a place of refuge during the reign of her sister Mary; the loveliness of the situation and its distance from the metropolis rendered it a seclusion befitting the quietude of one anxious to remain unnoticed in troublous times. A room on the first floor in the square tower is shown as that in which Queen Elizabeth resided. She found the retirement of Horeham so agreeable, that often after she had succeeded to the throne she took a pleasure in re-visiting the place.

Another interesting artifact is shown in the attached image. It is displayed in the Great Hall, and it’s Queen Elizabeth's side-saddle. The pommel is made of wrought metal and has been gilded; the design on it reflects the fashionable style of the Renaissance at the time. The velvet seat is now in very poor condition, but it’s carefully kept under a glass case as a reminder of the Queen's visits to this site. When she was a princess, Elizabeth went to Horeham for refuge during her sister Mary’s reign. The beauty of the location and its distance from the capital made it a perfect hideaway for someone wanting to stay out of sight during turbulent times. A room on the first floor of the square tower is said to be where Queen Elizabeth stayed. She found the tranquility of Horeham so pleasant that even after becoming queen, she often returned to visit the place.

THE WINFARTHING OAK, IN NORFOLK.

The Winfarthing Oak, in Norfolk.

A writer in the "Gardener's Magazine" gives the following account of this remarkable tree:—"Of its age I regret to be unable to give any correct data. It is said to have been called the 'Old Oak' at the time of William the Conqueror, but upon what authority I could never learn. Nevertheless, the thing is not impossible, if the speculations of certain writers on the age of trees be at all correct. Mr. South, in one of his letters to the Bath Society (vol. x.) calculates that an oak tree forty-seven feet in circumference cannot be less than fifteen hundred years old; and Mr. Marsham calculated the Bentley Oak, from its girting thirty-four feet, to be of the same age. Now, an inscription on a brass [Pg 341] plate affixed to the Winfarthing Oak gives us the following as its dimensions:—'This oak, in circumference, at the extremities of the roots, is seventy feet; in the middle, forty feet, 1820.' Now, I see no reason, if the size of the rind is to be any criterion of age, why the Winfarthing should not, at least, equal the Bentley oak; and if so, it would be upwards of seven hundred years old at the Conquest; an age which might very well justify its then title of the 'Old Oak.' It is now a mere shell, a mighty ruin, bleached to a snowy white; but it is magnificent in its decay. The only mark of vitality it exhibits is on the south side, where a narrow strip of bark sends forth a few branches, which even now occasionally produce acorns. It is said to be very much altered of late; but I own I did not think so when I saw it about a month ago (May 1836); and my acquaintance with the veteran is of more than forty years' standing: an important portion of my life, but a mere span of its own."

A writer in the "Gardener's Magazine" provides the following account of this remarkable tree: "I'm sorry I can't give any accurate information about its age. It’s said to have been called the 'Old Oak' during the time of William the Conqueror, but I could never find out on what basis. However, it’s not impossible if the theories from certain authors on tree ages are even somewhat accurate. Mr. South, in one of his letters to the Bath Society (vol. x.), estimates that an oak tree with a circumference of forty-seven feet must be at least fifteen hundred years old; Mr. Marsham calculated that the Bentley Oak, with its thirty-four-foot girth, is of similar age. Now, an inscription on a brass plate attached to the Winfarthing Oak states the following dimensions: 'This oak, at the extremities of the roots, has a circumference of seventy feet; in the middle, forty feet, 1820.' If the thickness of the bark is any indication of age, then the Winfarthing should, at the very least, be as old as the Bentley Oak; if that’s the case, it would have been over seven hundred years old at the time of the Conquest, a great age that would certainly justify its title of 'Old Oak.' It is now just a shell, a huge ruin, bleached a snowy white; yet it is stunning in its deterioration. The only sign of life it shows is on the south side, where a thin strip of bark has produced a few branches that occasionally bear acorns even now. They say it has changed quite a bit lately, but I honestly didn’t notice when I saw it about a month ago (May 1836); and my familiarity with this ancient tree spans over forty years: a significant part of my life, but just a brief moment in its own."

CURIOUS PIECE OF ANCIENT ARMOUR.

Interesting ancient armor piece.

Curious Piece of Ancient Armour

The above engraving represents a helmet, of the time of Richard II., which was termed by ancient armourers a bascinet. This extremely rare specimen was obtained from Her von Hulshoff, at his castle, near Munster, in Westphalia. The visor lifts upward on a hinge, and its position may be further regulated by the screw which slips in the groove above it. The row of holes on the lower edge of the bascinet was made to secure the camail, or tippet of chain-mail which covered the neck of the wearer.

The engraving above shows a helmet from the time of Richard II, called a bascinet by ancient armorers. This very rare piece was acquired from Her von Hulshoff at his castle near Munster in Westphalia. The visor lifts upward on a hinge, and you can adjust its position further with the screw that fits into the groove above it. The row of holes along the lower edge of the bascinet were made to secure the camail, or chain-mail tippet, that protected the wearer's neck.

EXTRAORDINARY ECHO.

AMAZING ECHO.

Beneath the suspension-bridge across the Menai Strait in Wales, close to one of the main piers, is a remarkably fine echo. The sound of a blow on the pier with a hammer, is returned in succession from each of the [Pg 342] cross beams which support the roadway, and from the opposite pier, at a distance of 576 feet; and in addition to this, the sound is many times repeated between the water and the roadway. The effect is a series of sounds, which may be thus described:—The first return is sharp and strong from the roadway overhead, the rattling which succeeds dies rapidly away; but the single repercussion from the opposite pier is very strong, and is succeeded by a faint palpitation, repeating the sound at the rate of twenty-eight times in five seconds, and which, therefore, corresponds to a distance of 180 feet, or very nearly the double interval from the roadway to the water. Thus it appears, that in the repercussion between the water and the roadway, that from the latter only affects the ear, the line drawn from the auditor to the water being too oblique for the sound to diverge sufficiently in that direction. Another peculiarity deserves especial notice,—viz., that the echo from the opposite pier is best heard when the auditor stands precisely opposite to the middle of the breadth of the pier, and strikes just on that point. As it deviates to one or the other side, the return is proportionably fainter, and is scarcely heard by him when his station is a little beyond the extreme edge of the pier, though another person stationed on the same side of the water, at an equal distance from the central point, so as to have the pier between them, hears it well.

Beneath the suspension bridge over the Menai Strait in Wales, near one of the main piers, there’s an amazing echo. When you hit the pier with a hammer, the sound bounces back in succession from each of the [Pg 342] cross beams that support the roadway, and from the opposite pier, which is 576 feet away; plus, the sound is echoed multiple times between the water and the roadway. The result is a series of sounds, which can be described as follows: the first echo is sharp and strong from the roadway above, followed by a rattling sound that quickly fades away; however, the single echo from the opposite pier is very strong and is followed by a faint pulsation, repeating the sound twenty-eight times in five seconds, which corresponds to a distance of 180 feet, nearly double the distance from the roadway to the water. It seems that in the echoing between the water and the roadway, only the sound from the roadway reaches the ear, since the line drawn from the listener to the water is too oblique for the sound to spread out enough in that direction. Another interesting point to note is that the echo from the opposite pier is best heard when the listener stands directly opposite the middle of the pier and strikes that specific point. If they shift to either side, the echo becomes noticeably fainter, and is hardly heard if they are a little beyond the edge of the pier, even though another person, positioned on the same side of the water at an equal distance from the center point, with the pier between them, can hear it clearly.

JUGGLERS OF MODERN EGYPT.

Modern Egyptian Jugglers.

Performers of sleight-of-hand tricks, who are called hhowa'h (in the singular, hha'wee) are numerous in Cairo. They generally perform in public places, collecting a ring of spectators around them; from some of whom they receive small voluntary contributions during and after their performances. They are most frequently seen on the occasions of public festivals; but often also at other times. By indecent jests and actions, they attract as much applause as they do by other means. The hha'wee performs a great variety of tricks, the most usual of which we will here mention. He generally has two boys to assist him. From a large leather bag, he takes out four or five snakes, of a largish size. One of these he places on the ground, and makes it erect its head and part of its body; another he puts round the head of one of the boys, like a turban, and two more over the boy's neck. He takes these off, opens the boy's mouth, apparently passes the bolt of a kind of padlock through his cheek, and locks it. Then, in appearance, he forces an iron spike into the boy's throat; the spike being really pushed up into a wooden handle. He also performs another trick of the same kind as this. Placing the boy on the ground, he puts the edge of a knife upon his nose, and knocks the blade until half its width seems to have entered. The tricks which he performs alone are more amusing. He draws a great quantity of various-coloured silk from his mouth, and winds it on his arm; puts cotton in his mouth, and blows out fire; takes out of his mouth a great number of round pieces of tin, like dollars; and, in appearance, blows an earthen pipe-bowl from his nose. In most of his tricks he occasionally blows through a large shell (called the hha'wee's zoomma'rah), producing sounds like those of a horn. Most of his sleight-of-hand performances are nearly similar to [Pg 343] those of exhibitors of the same class in our own and other countries. Taking a silver finger-ring from one of the bystanders, he puts it in a little box, blows his shell, and says, "'Efree't change it!" He then opens the box, and shows, in it, a different ring: shuts the box again; opens it, and shows the first ring: shuts it a third time: opens it, and shows a melted lump of silver, which he declares to be the ring melted, and offers to the owner. The latter insists upon having his ring in its original state. The hha'wee then asks for five or ten fud'dahs to recast it; and having obtained this, opens the box again (after having closed it, and blown his shell), and takes out of it the perfect ring. He next takes a larger covered box; puts one of his boy's skull-caps in it, blows his shell, opens the box, and out comes a rabbit: the cap seems to be gone. He puts the rabbit in again; covers the box; uncovers it, and out run two little chickens. These he puts in again, blows his shell, uncovers the box, and shows it full of fatee'rehs (or pancakes), and koona'feh (which resembles vermicelli): he tells his boys to eat its contents; but they refuse to do it without honey. He then takes a small jug, turns it upside-down, to show that it is empty; blows his shell, and hands round the jug full of honey. The boys, having eaten, ask for water to wash their hands. The hha'wee takes the same jug, and hands it filled with water, in the same manner. He takes the box again, and asks for the cap; blows his shell, uncovers the box, and pours out from it, into the boy's lap (the lower part of his shirt held up), four or five small snakes. The boy, in apparent fright, throws them down, and demands the cap. The hha'wee puts the snakes back into the box; blows his shell, uncovers the box, and takes out the cap. Another of his common tricks is to put a number of slips of white paper into a tinned copper vessel (the tisht of a seller of sherbet), and to take them out dyed of various colours. He pours water into the same vessel; puts in a piece of linen; then gives to the spectators, to drink, the contents of the vessel, changed to sherbet of sugar. Sometimes he apparently cuts in two a muslin shawl, or burns it in the middle, and then restores it whole. Often he strips himself of all his clothes, excepting his drawers; tells two persons to bind him, hands and feet, and put him in a sack. This done, he asks for a piaster; and some one tells him that he shall have it if he will put out his hand and take it. He puts out his hand free; draws it back, and is then taken out of the sack, bound as at first. He is put in again, and comes out unbound, handing to the spectators a small tray, upon which are four or five little plates filled with various eatables; and, if the performance be at night, several small lighted candles placed round. The spectators eat the food.

Performers of sleight-of-hand tricks, known as hhowa'h (singular: hha'wee), are plentiful in Cairo. They typically perform in public areas, gathering a circle of onlookers around them, some of whom contribute small voluntary donations during and after their performances. They are most often seen during public festivals but also at other times. Through crude jokes and actions, they garner as much applause as they do through other methods. The hha'wee showcases a wide array of tricks, most of which we will outline here. He usually has two boys assisting him. From a large leather bag, he produces four or five fairly large snakes. One snake is placed on the ground, making it raise its head and part of its body; another is wrapped around one of the boys' heads like a turban, with two more draped over the boy's neck. He removes these snakes, opens the boy's mouth, and pretends to pass the bolt of a padlock through his cheek, locking it. Then, as it appears, he forces an iron spike into the boy's throat, the spike really being pushed into a wooden handle. He performs another similar trick by placing a knife's edge upon the boy's nose and striking the blade until half its width seems to have entered. The tricks he performs solo are even more entertaining. He draws a considerable amount of various-colored silk from his mouth and wraps it around his arm; he puts cotton in his mouth and blows out fire; retrieves numerous round pieces of tin resembling dollars from his mouth; and seemingly blows an earthen pipe-bowl out of his nose. In most of his tricks, he occasionally blows through a large shell (called the hha'wee's zoomma'rah), producing sounds like those of a horn. Many of his sleight-of-hand acts are quite similar to [Pg 343] those of performers of the same type in our own and other countries. Taking a silver ring from one of the spectators, he places it in a small box, blows his shell, and exclaims, "'Efree't change it!" He then opens the box to reveal a different ring inside, closes it again, opens it to show the original ring, shuts it for a third time, opens it, and presents a melted lump of silver, claiming it to be the melted ring and offering it to the owner. The owner insists on having his ring in its original form. The hha'wee then asks for five or ten fud'dahs to recast it; after receiving this, he opens the box again (having closed it and blown his shell) and retrieves the perfect ring. Next, he takes a larger covered box, puts one of the boys' skull-caps inside, blows his shell, opens the box, and out pops a rabbit, seemingly having made the cap disappear. He puts the rabbit back in, covers the box, uncovers it, and two little chickens emerge. He places the chickens back in, blows his shell, uncovers the box again, and reveals it filled with fatee'rehs (or pancakes) and koona'feh (which is similar to vermicelli). He tells his boys to eat the contents, but they refuse without honey. He then takes a small jug, turns it upside down to show that it's empty; blows his shell, and hands around the jug full of honey. After eating, the boys ask for water to wash their hands. The hha'wee takes the same jug and hands it filled with water in the same manner. He takes the box once more, asks for the cap, blows his shell, uncovers the box, and pours out four or five small snakes into the boy's lap (the lower part of his shirt held up). The boy, apparently frightened, throws them down and asks for the cap. The hha'wee returns the snakes to the box; blows his shell, uncovers the box, and retrieves the cap. Another common trick involves putting several slips of white paper into a tinned copper vessel (the tisht of a sherbet seller) and pulling them out dyed in various colors. He pours water into the same vessel; places a piece of linen inside; then serves the spectators the contents of the vessel, transformed into sweetened sherbet. Sometimes he seems to cut a muslin shawl in two or burns it in the middle, only to restore it completely. Often, he removes all his clothing except for his drawers, instructs two people to bind him, hands and feet, and puts him in a sack. After this, he asks for a piaster, and someone tells him he can have it if he extends his hand and takes it. He reaches out his hand freely, pulls it back, and is then taken out of the sack, still bound as before. He is placed back in, reemerges unbound, and presents the spectators with a small tray holding four or five little plates filled with various foods; if this performance takes place at night, several small lit candles are arranged around. The spectators enjoy the food.

ORIGIN OF ATTAR OF ROSES.

Origin of rose perfume.

"In the Histoire Generale de l'Empire du Mogol, (T. 1, p, 327,) compiled by Catrou the Jesuit, from Manouchi's papers, this perfume is said to have been discovered by accident. Nur-Jahan, the favorite wife of the Mogul Jahan-Ghur, among her other luxuries, had a small canal of rose water. As she was a walking with the Mogul upon its banks, they perceived a thin film upon the water,—it was an essential oil made [Pg 344] by the heat of the sun. They were delighted with its exquisite odour, and means were immediately taken for preparing by art a substance like that which had been thus fortuitously produced."

"In the *Histoire Generale de l'Empire du Mogol* (T. 1, p, 327), compiled by Catrou the Jesuit from Manouchi's papers, this perfume is said to have been discovered by chance. Nur-Jahan, the favored wife of the Mogul Jahan-Ghur, had a small canal of rose water as one of her many luxuries. While walking along its banks with the Mogul, they noticed a thin film on the surface of the water—it was an essential oil created by the heat of the sun. Delighted by its exquisite fragrance, they immediately took steps to artificially produce a similar substance to what had been fortuitously created."

A MAGICIAN'S MIRROR AND BRACELET.

A magician's mirror and bracelet.

A strange blending of pure science and gross superstition is remarkably illustrated in the history of the celebrated Dr. Dee. Born in London in 1527, John Dee raised himself at an early age to a great reputation for his learning, in the mathematical sciences especially, in the most celebrated universities in his own country and of the continent. He is said to have imbibed a taste for the occult sciences while a student at Louvain, but there was evidently in his temper much of an enthusiastic and visionary turn, which must have given him a taste for such mysterious pursuits, without the necessity of an external impulse. One of the oldest and most generally credited of magical operations, was that of bringing spirits or visions into a glass or mirror, a practice which has continued to exist in the East even to the present day, and which prevailed to a very considerable extent in all parts of Western Europe during the sixteenth century. The process was not a direct one, for the magician did not himself see the vision in the mirror, but he had to depend upon an intermediate agent, a sort of familiar, who in England was known by the name of a skyrer, and whose business it was to look into the mirror and describe what he saw. Dr. Dee's principal skyrer was one Edward Kelly, and during his connexion with him, Dee kept an exact diary of all his visions, a portion of which was printed in a folio volume by Merio Casaubon in 1659. In this journal more than one magical mirror is evidently mentioned, and that which we here engrave [Pg 345] is believed to have been of the number. It is now in the collection of Lord Londesborough.

A peculiar mix of pure science and extreme superstition is clearly shown in the story of the famous Dr. Dee. Born in London in 1527, John Dee earned a great reputation for his knowledge, particularly in mathematics, at the most renowned universities in his own country and across the continent from a young age. It's said he developed an interest in the occult while studying at Louvain, but his temperament had a lot of enthusiasm and vision, which likely drew him to such mysterious pursuits without needing any outside influence. One of the oldest and most widely recognized magical practices was that of summoning spirits or visions into a glass or mirror, a technique that continues to exist in the East even today, and which was quite popular throughout Western Europe during the sixteenth century. The process wasn’t direct; the magician didn’t see the vision in the mirror himself but relied on an intermediary, a sort of familiar known in England as a skyrer, whose job was to look into the mirror and describe what he saw. Dr. Dee's main skyrer was Edward Kelly, and during their partnership, Dee kept an accurate diary of all his visions, a part of which was published in a folio volume by Merio Casaubon in 1659. This journal mentions more than one magical mirror, and the one we discuss here [Pg 345] is believed to be among them. It is now part of Lord Londesborough's collection.

Magician's Mirror

It is a polished oval slab of black stone, of what kind we have not been able to ascertain, but evidently of a description which was not then common in Western Europe, and Dr. Dee, who died in 1608, may have considered it as extremely precious, and as only to be obtained by some extraordinary means. It was one of the ornaments of the museum of Horace Walpole at Strawberry Hill; and Walpole has attached to it a statement of its history in his own hand-writing, from which we learn that it was "long" in the possession of the Mordaunts, earls of Peterborough, in whose catalogue it was described as "the black stone into which Dr. Dee used to call his spirits." It passed from that collection to Lady Elizabeth Germaine, from whom it went to John Campbell, Duke of Argyll, whose son, Lord Frederick Campbell, presented it to Horace Walpole. This interesting relic was bought at the Strawberry Hill sale for the late Mr. Pigott; and at the more recent sale of that gentleman's collection, it passed into the hands of Lord Londesborough. Its history and authenticity appear, therefore, to be very well made out. The family of the Mordaunts held a prominent place in English history during the whole of the seventeenth century, and it is hardly probable that they would have received an object like this without having good reason for believing that its history was authentic. It is believed that Butler alluded to this identical stone in his well-known lines:—

It is a smooth oval slab of black stone, of a type we haven't been able to identify, but clearly from a category that wasn’t common in Western Europe at the time. Dr. Dee, who died in 1608, likely considered it very valuable and believed it could only be acquired through extraordinary means. It was one of the displays in Horace Walpole's museum at Strawberry Hill; he wrote a history of it in his own handwriting, from which we learn that it was "long" in the possession of the Mordaunts, earls of Peterborough, who listed it as "the black stone into which Dr. Dee used to call his spirits." It then transferred from that collection to Lady Elizabeth Germaine, from her to John Campbell, Duke of Argyll, whose son, Lord Frederick Campbell, gifted it to Horace Walpole. This intriguing relic was purchased at the Strawberry Hill sale for the late Mr. Pigott, and at a later sale of his collection, it ended up with Lord Londesborough. Its history and authenticity seem to be very well established. The Mordaunt family played a significant role in English history throughout the seventeenth century, and it’s unlikely they would have accepted an item like this without having strong reasons to believe its history was genuine. It's thought that Butler referred to this very stone in his famous lines:—

"Kelly did all his feats upon
The devil's looking-glass or stone,
When, playing with him at bo-peep,
He solv'd all problems ne'er so deep."

Hudibras. Part II. Canto 3.

Hudibras. Part 2. Canto 3.

Magician's Bracelet

The regular fitting out of the magician at this period was a complicated process. He required his implements of various kinds, and, in addition to these, various robes, made especially for the occasion, with [Pg 346] girdles and head-pieces, and magical rings and bracelets. A very curious example of the last-mentioned article of the magician's accoutrements, is represented in the preceding cut, about one-third the size of the original. It was purchased by Lord Londesborough in 1851, and had formerly been in the possession of Charles Mainwaring, Esq., of Coleby, near Lincoln. It is of silver, the letters of the inscription round the bracelet being engraved and filled with niello. This inscription may be distinctly read as follows:—

The usual preparation of the magician during this time was a complex task. He needed various tools and, in addition to these, several robes specifically designed for the occasion, along with [Pg 346] belts, headpieces, magical rings, and bracelets. A particularly interesting example of the last item in the magician's gear is shown in the previous illustration, about one-third the size of the original. It was bought by Lord Londesborough in 1851 and was previously owned by Charles Mainwaring, Esq., of Coleby, near Lincoln. It is made of silver, with the inscription around the bracelet engraved and filled with niello. This inscription can be clearly read as follows:—

+ IONA + IHOAT + LONA + HELOI + YSSARAY + || + MEPHENOLPHETON + AGLA + ACHEDION + YANA + BACHIONODONAVALI M[*] ILIOR + || BACHIONODONAVALI M[**] ACH +

+ IONA + IHOAT + LONA + HELOI + YSSARAY + || + MEPHENOLPHETON + AGLA + ACHEDION + YANA + BACHIONODONAVALI M[*] ILIOR + || BACHIONODONAVALI M[**] ACH +

Some explanation of this mysterious inscription might, no doubt, be obtained by a diligent comparison of some of the numerous works on magic compiled in the age of Dr. Dee, and in the seventeenth century. The bracelet has had four pendants on it, of which three still remain, with the silver setting of the fourth. One of the pendants which remain is a brownish pebble, secured by three flat bands of silver; another is an oval cage of strong silver wire, containing a nut of some kind and some other vegetable substance; the third has on one side a circular convex pebble set in silver, and on the back three smaller pebbles.

Some insights into this mysterious inscription could likely be gained by carefully comparing it to the many works on magic created during Dr. Dee's time and in the seventeenth century. The bracelet originally had four pendants, of which three still exist, along with the silver setting of the fourth. One of the remaining pendants is a brownish pebble held by three flat silver bands; another is an oval cage made of strong silver wire, containing a nut of some sort and another vegetable material; the third features a circular convex pebble set in silver on one side and three smaller pebbles on the back.

LUNAR INFLUENCE IN DEATH.

Lunar Influence on Death.

Many modern physicians have stated the opinions of the ancients as regards lunar influence in diseases, but none have pushed their inquiries with such indefatigable zeal as the late Dr. Moseley; he affirms that almost all people in extreme age die at the new or at full moon, and this he endeavours to prove by the following records:—

Many modern doctors have echoed the beliefs of ancient thinkers about the moon's influence on diseases, but none have pursued their investigations with such relentless energy as the late Dr. Moseley. He claims that nearly all elderly people pass away during the new or full moon, and he seeks to support this by the following records:—

Thomas Parr died at the age of 152, two days after the full moon.
Henry Jenkins died at the age of 169, the day of the new moon.
Elizabeth Steward, 124, the day of the new moon.
William Leland, 140, the day after the new moon.
John Effingham, 144, two days after full moon.
Elizabeth Hilton, 121, two days after the full moon.
John Constant, 113, two days after the new moon.

Thomas Parr died at the age of 152, two days after the full moon.
Henry Jenkins died at the age of 169, on the day of the new moon.
Elizabeth Steward, 124, on the day of the new moon.
William Leland, 140, the day after the new moon.
John Effingham, 144, two days after the full moon.
Elizabeth Hilton, 121, two days after the full moon.
John Constant, 113, two days after the new moon.

The doctor then proceeds to show, by the deaths of various illustrious persons, that a similar rule holds good with the generality of mankind:

The doctor then goes on to demonstrate, through the deaths of various famous people, that a similar rule applies to most of humanity:

Chaucer, 25th October, 1400, the day of the first quarter.
Copernicus, 24th May, 1543, day of the last quarter.
Luther, 18th February, 1546, three days after the full.
Henry VIII., 28th January, 1547, the day of the first quarter.
Calvin, 27th May, 1564, two days after the full.
Cornaro, 26th April, 1566, day of the first quarter.
Queen Elizabeth, 24th March, 1603, day of the last quarter.
Shakspeare, 23rd April, 1616, day after the full.
Camden, 2nd November, 1623, day before the new moon.
Bacon, 9th April, 1626, one day after last quarter.
Vandyke, 9th April, 1641, two days after full moon.
[Pg 347] Cardinal Richelieu, 4th December, 1642, three days before full moon.
Doctor Harvey, 30th June, 1657, a few hours before the new moon.
Oliver Cromwell, 3rd September, 1658, two days after full moon.
Milton, 15th November, 1674, two days before the new moon.
Sydenham, 29th December, 1689, two days before the full moon.
Locke, 28th November, 1704, two days before the full moon.
Queen Anne, 1st August, 1714, two days after the full moon.
Louis XIV., 1st September, 1715, a few hours before the full moon.
Marlborough, 16th June, 1722, two days before the full moon.
Newton, 20th March, 1726, two days before the new moon.
George I., 11th June, 1727, three days after new moon.
George II., 25th October, 1760, one day after full moon.
Sterne, 13th September, 1768, two days after new moon.
Whitfield, 18th September, 1770, a few hours before the new moon.
Swedenburg, 19th March, 1772, the day of the full moon.
Linnæus, 10th January, 1778, two days before the full moon.
The Earl of Chatham, 11th May, 1778, the day of the full moon.
Rousseau, 2nd July, 1778, the day after the first quarter.
Garrick, 20th January, 1779, three days after the new moon.
Dr. Johnson, 14th December, 1784, two days after the new moon.
Dr. Franklin, 17th April, 1790, three days after the new moon.
Sir Joshua Reynolds, 23rd February, 1792, the day after the new moon.
Lord Guildford, 5th August, 1722, three days after the full moon.
Dr. Warren, 23rd June, 1797, a day before the new moon.
Burke, 9th July, 1797, at the instant of the full moon.
Macklin, 11th July, 1797, two days after full moon.
Wilkes, 26th December, 1797, the day of the first quarter.
Washington, 15th December, 1790, three days after full moon.
Sir W. Hamilton, 6th April, 1803, a few hours before the full moon.

Chaucer, October 25, 1400, the day of the first quarter.
Copernicus, May 24, 1543, day of the last quarter.
Luther, February 18, 1546, three days after the full.
Henry VIII, January 28, 1547, the day of the first quarter.
Calvin, May 27, 1564, two days after the full.
Cornaro, April 26, 1566, day of the first quarter.
Queen Elizabeth, March 24, 1603, day of the last quarter.
Shakespeare, April 23, 1616, day after the full.
Camden, November 2, 1623, day before the new moon.
Bacon, April 9, 1626, one day after last quarter.
Vandyke, April 9, 1641, two days after full moon.
[Pg 347] Cardinal Richelieu, December 4, 1642, three days before full moon.
Doctor Harvey, June 30, 1657, a few hours before the new moon.
Oliver Cromwell, September 3, 1658, two days after full moon.
Milton, November 15, 1674, two days before the new moon.
Sydenham, December 29, 1689, two days before the full moon.
Locke, November 28, 1704, two days before the full moon.
Queen Anne, August 1, 1714, two days after the full moon.
Louis XIV, September 1, 1715, a few hours before the full moon.
Marlborough, June 16, 1722, two days before the full moon.
Newton, March 20, 1726, two days before the new moon.
George I, June 11, 1727, three days after new moon.
George II, October 25, 1760, one day after full moon.
Sterne, September 13, 1768, two days after new moon.
Whitfield, September 18, 1770, a few hours before the new moon.
Swedenborg, March 19, 1772, the day of the full moon.
Linnaeus, January 10, 1778, two days before the full moon.
The Earl of Chatham, May 11, 1778, the day of the full moon.
Rousseau, July 2, 1778, the day after the first quarter.
Garrick, January 20, 1779, three days after the new moon.
Dr. Johnson, December 14, 1784, two days after the new moon.
Dr. Franklin, April 17, 1790, three days after the new moon.
Sir Joshua Reynolds, February 23, 1792, the day after the new moon.
Lord Guildford, August 5, 1722, three days after the full moon.
Dr. Warren, June 23, 1797, a day before the new moon.
Burke, July 9, 1797, at the instant of the full moon.
Macklin, July 11, 1797, two days after full moon.
Wilkes, December 26, 1797, the day of the first quarter.
Washington, December 15, 1790, three days after full moon.
Sir W. Hamilton, April 6, 1803, a few hours before the full moon.

The doctor winds up this extract from the bills of mortality by the following appropriate remark: "Here we see the moon, as she shines on all alike, so she makes no distinction of persons in her influence:

The doctor concludes this excerpt from the bills of mortality with this fitting observation: "Here we see the moon, shining on everyone the same way, without making any distinction between people in her influence:

"——æquo pulsat pede pauperum tabernas,
Regumque turres."

GLUTTONY OF THE MONKS.

MONK GLUTTONY.

King John, pointing to a fat deer said, "See how plump he is, and yet he has never heard mass!" John might have alluded to the gluttony of the monks, which was notorious in his days; for Giraldus Cambrensis says, that from the monks of St. Swithin's, Winchester, Henry II. received a formal complaint against the abbot for depriving his priests of three out of thirteen dishes at every meal. The monks of Canterbury exceeded those of St. Swithin; they had seventeen dishes every day, and each of these cooked with spices and the most savoury and rich sauces.

King John, pointing at a fat deer, said, "Look how plump he is, and yet he’s never heard a mass!" John might have been referencing the notorious gluttony of the monks during his time; Giraldus Cambrensis notes that Henry II received a formal complaint from the monks of St. Swithin's, Winchester, against the abbot for cutting three out of thirteen dishes from their priests' meals. The monks of Canterbury outdid those at St. Swithin; they had seventeen dishes every day, each cooked with spices and the richest, most flavorful sauces.

ANCIENT BELL-SHRINE.

Ancient Bell Shrine.

The annexed engraving represents one of the most valuable and curious ecclesiastical relics of the early Christian Period that has ever been discovered. [Pg 348] It consists of a bronze bell-shrine and bell, found about the year 1814, on the demolition of the ruined wall at Torrebhlaurn farm, in the parish of Kilmichael-Glassrie, Argyleshire, and now one of the most valued treasures in the Museum of the Scottish Antiquaries.

The attached engraving shows one of the most important and intriguing church relics from the early Christian Period ever found. [Pg 348] It includes a bronze bell-shrine and bell, discovered around 1814, during the demolition of the crumbling wall at Torrebhlaurn farm, in the parish of Kilmichael-Glassrie, Argyleshire. It is now considered one of the most treasured items in the Museum of the Scottish Antiquaries.

Ancient Bell-Shrine

That it must have been deposited in the wall where it was found, for the purpose of concealment at a period of danger and alarm, seems abundantly obvious; but of the occasion of this concealment no tradition has been preserved. Within the beautiful case is a rude iron bell, so greatly corroded that its original form can only be imperfectly traced; yet this, and not the shrine, was obviously the chief object of veneration, and may, indeed, be assumed, with much probability, to be some centuries older than the ornamental case in which it is preserved. Whether it shall be thought to have been an ancient reliquary or a mass-bell, or whatever else may be conjectured of its nature and use, it may fairly be presumed to have remained in the neglected spot in which it was found since the subversion of the Roman Catholic worship in the sixteenth century, when the favoured objects of external adoration and reverence, [Pg 349] under the former superstition, came to be regarded with impatient contempt and abhorrence.

It’s clear that this must have been hidden in the wall where it was found, to protect it during a time of danger and fear; however, no stories about this concealment have been passed down. Inside the beautiful case is a rough iron bell, so corroded that its original shape can only be vaguely made out; still, this bell, and not the shrine, was clearly the main object of reverence, and it can likely be assumed to be several centuries older than the decorative case that holds it. Whether it's believed to have been an ancient reliquary or a mass-bell, or whatever else might be speculated about its purpose and function, it can reasonably be assumed that it has remained in the neglected location where it was found since the decline of Roman Catholic worship in the sixteenth century, when the previously revered objects of devotion came to be viewed with impatience and disgust.

It is deserving of attention that the figure of our crucified Saviour in invested with a regal crown, and not with a crown of thorns, as is usually the case. The brass chain or collar, of rude workmanship, about three feet six inches long, now attached to the case, and the extremities of which are connected with a small cross of the same metal, was discovered at the same time, not far from the case.

It’s worth noting that the image of our crucified Savior is adorned with a royal crown, rather than the typical crown of thorns. The brass chain or collar, roughly three feet six inches long and made of crude craftsmanship, is now attached to the case, with its ends connected to a small cross made of the same metal, which was found at the same time, not far from the case.

EGYPTIAN GARDEN.

EGYPTIAN GARDEN.

The diagram which accompanies this article is an Egyptian sketch of an Egyptian garden; and it is expressly curious, both as an example of the pictorial art of the period, and as giving us an idea of the pleasure-gardens of Egypt in its most flourishing days.

The diagram that goes along with this article is a sketch of an Egyptian garden; it is particularly interesting, both as an example of the artwork from that time and for giving us a glimpse into the pleasure gardens of Egypt during its most prosperous days.

Egyptian Garden

The garden here represented stood beside a canal of the Nile, with an avenue of trees between it and the bank, on which side was the entrance. It was surrounded by an embattled wall, through which a noble gateway gave access to the garden. The central space was occupied by the vineyard, surrounded by its own wall, in which the vines were trained on trellises supported by slender pillars. At the further end of the vineyard was a building of three storeys, the windows from which opened over the luxurious foliage and purple clusters, regaling the senses both [Pg 350] of sight and smell. Four large tanks of water kept the vegetation well supplied with nutritive moisture; and, with the smooth and verdant turf which borders them, the water-fowl that sported over the surface, and the lotus-flowers that sprang from their clear depths, added a new beauty to the scene. Near the tanks stood summer-houses, overlooking beds of various flowers, and sheltered from the sun by surrounding trees. Two enclosed spaces between the tanks, being filled with trees, were probably devoted to some species of particular rarity, or remarkable for the excellence of their fruit. Rows of date trees and Theban palms, alternating with other trees, bordered the whole garden, and environed the vineyard wall.

The garden described here was by a canal of the Nile, with a tree-lined avenue between it and the bank, where the entrance was located. It was enclosed by a fortified wall, through which a grand gateway led into the garden. The main area featured a vineyard, surrounded by its own wall, with vines trained on trellises supported by slender pillars. At the far end of the vineyard stood a three-story building, with windows that overlooked the lush greenery and purple grape clusters, delighting both the eyes and nose. Four large water tanks kept the plants well-watered; plus, the smooth green grass around them, the waterfowl enjoying the surface, and the lotus flowers rising from the clear water added extra beauty to the scene. Near the tanks were summer houses that looked out over various flower beds, shaded by the surrounding trees. Two enclosed areas between the tanks were filled with trees, likely reserved for unique species or exceptional fruit. Rows of date palms and Theban palms, mixed with other trees, lined the entire garden and surrounded the vineyard's wall.

The very numerous allusions to gardens in the Sacred Scriptures show that the Hebrews inherited the same taste as the Egyptians. In these allusions we find the same characteristics that are so observable in those depicted on the monuments; such as the absolute necessity of water, the custom of having pools in them, the advantage of a situation by the side of a river, the practice of enclosing them from intrusion, and appropriation of enclosures to particular productions.

The many references to gardens in the Sacred Scriptures indicate that the Hebrews shared the same appreciation as the Egyptians. In these references, we see the same features that are evident in those shown on monuments, including the crucial need for water, the tradition of having pools, the benefit of being located by a river, the practice of protecting them from outside access, and dedicating specific areas to certain types of plants.

With the early Egyptians the love of flowers seems to have been almost a passion; they appear to have been in constant request in offerings to the gods, and as ornaments of the person, as decorations of furniture; as graceful additions to several entertainments, they occur at every turn. Flowers were painted on walls, furniture, dresses, chairs, boxes, boats, and, in short, on whatever was wished to be ornamental. Wreaths and chaplets were likewise in common use among the Egyptians, and artificial flowers were not uncommon.

With the early Egyptians, the love of flowers seems to have been almost a passion; they were constantly used in offerings to the gods, as personal ornaments, as decorations for furniture, and as elegant touches for various gatherings. Flowers were painted on walls, furniture, clothing, chairs, boxes, boats, and basically anything meant to look nice. Wreaths and garlands were also commonly used by the Egyptians, and artificial flowers were not unusual.

STATE OF THE MIND DURING SLEEP.

STATE OF THE MIND DURING SLEEP.

The following is an instance of phantasms being produced by our associations with bodily sensations, and tends to show how alive our faculties continue during sleep to the highest impressions:—

The following is an example of illusions created by our connections with physical sensations, and it shows how active our abilities remain during sleep in response to strong impressions:—

The subject of this observation was an officer in the expedition to Louisburg in 1758, who had this peculiarity in so remarkable a degree, that his companions in the transport were in the constant habit of amusing themselves at his expense. They could produce in him any kind of dream by whispering in his ear, especially if this was done by a friend with whose voice he had become familiar. One time they conducted him through the whole progress of a trial, which ended in a duel; and when the parties were supposed to have met, a pistol was put into his hand, which he fired, and was awakened by the report. On another occasion they found him asleep on the top of a locker in the cabin, when they made him believe he had fallen overboard, and exhorted him to save himself by swimming. They then told him that a shark was pursuing him, and entreated him to dive for his life. He instantly did so, and with so much force as to throw himself from the locker upon the cabin floor, by which he was much bruised, and awakened of course. After the landing of the army at Louisburg, his friends found him one day asleep in his tent, and evidently annoyed by the cannonading. They then made him believe that he was engaged, when he expressed great [Pg 351] fear, and showed an evident disposition to run away. Against this they remonstrated, but at the same increased his fears by imitating the groans of the wounded and the dying; and when he asked, as he often did, who was hit, they named his particular friends. At last they told him that the man next himself in his company had fallen, when he instantly sprung from his bed, rushed out of the tent, and was only roused from his danger and his dream by falling over the tent-ropes. A remarkable thing in this case was, that after these experiments he had no distinct recollection of his dreams, but only a confused feeling of oppression or fatigue, and used to tell his friends that he was sure they had been playing some trick upon him. It has been observed that we seldom feel courageous or daring in our dreams, and generally avoid danger when menaced by a foe, or exposed to any probable peril.

The subject of this observation was an officer in the expedition to Louisburg in 1758, who had this unique trait to such a remarkable degree that his companions on the transport constantly amused themselves at his expense. They could induce any kind of dream in him by whispering in his ear, especially if a friend whose voice he recognized did it. One time, they led him through the entire course of a trial that ended in a duel; when the parties were supposed to meet, a pistol was placed in his hand, which he fired, waking up to the sound. On another occasion, they found him asleep on top of a locker in the cabin and made him think he had fallen overboard, urging him to save himself by swimming. They then told him that a shark was chasing him and insisted he dive for his life. He immediately did so with such force that he launched himself off the locker onto the cabin floor, getting badly bruised and, of course, waking up. After the army landed at Louisburg, his friends found him one day sleeping in his tent, clearly annoyed by the cannon fire. They made him believe he was engaged in battle, causing him to show great fear and a clear urge to run away. They protested against this but simultaneously increased his fears by mimicking the groans of the wounded and dying; when he often asked who was hit, they named his close friends. Finally, they told him that the man next to him in his company had fallen, causing him to jump out of bed, rush out of the tent, and only snap out of his fear and dream when he tripped over the tent ropes. A notable aspect of this case was that after these experiences, he had no clear memory of his dreams, only a vague sense of oppression or fatigue, and would tell his friends he was sure they had been playing some trick on him. It has been noted that we rarely feel brave or daring in our dreams and generally avoid danger when confronted by an enemy or facing any likely peril.

MUSIC OF THE SEA.

OCEAN MUSIC.

The mysterious music that is heard in the bay at West Pascagoula, is described by those who have listened to it as being singularly beautiful. "It has, for a long time," says Mrs. Child, an American authoress, "been one of the greatest wonders of the south-west. Multitudes have heard it, rising, as it were, from the water, like the drone of a bagpipe, then floating away, away, away, in the distance, soft, plaintive, and fairy-like, as if Æolian harps sounded with richer melody through the liquid element; but none have been able to account for the beautiful phenomenon. There are several legends touching these mysterious sounds; but in these days few things are allowed to remain mysterious." These strange sounds, which thus assume the beauty and the harmony of regular music, are stated to proceed from the cat-fish. A correspondent of the Baltimore Republican thus explains the phenomenon:—"During several of my voyages on the Spanish main, in the neighbourhood of Paraguay and San Juan de Nicaragua, from the nature of the coast, we were compelled to anchor at a considerable distance from the shore; and every evening, from dark to late night, our ears were delighted with Æolian music, that could be heard beneath the counter of our schooner. At first I thought it was the sea-breeze sweeping through the strings of my violin (the bridge of which I had inadvertently left standing); but after examination I found it was not so. I then placed my ear on the rail of the vessel, when I was continually charmed with the most heavenly strains that ever fell upon my ear. They did not sound as close to us, but were sweet, mellow, and aerial, like the soft breathings of a thousand lutes, touched by fingers of the deep sea nymphs, at an immense distance. Although I have considerable "music in my soul," one night I became tired, and determined to fish. My luck, in half-an-hour, was astonishing. I had half filled my bucket with the finest white cat-fish I ever saw; and it being late, and the cook asleep, and the moon shining, I filled my bucket with water, and took fish and all into my cabin for the night. I had not yet fallen asleep, when the same sweet notes fell upon my ear; and, getting up, what was my surprise to find my cat-fish discoursing sweet sounds to the sides of my bucket! I examined them closely, and discovered that there was attached to each [Pg 352] lower lip an excrescence, divided by soft wiry fibres. By the pressure of the upper lip thereon, and by the exhalation and discharge of breath, a vibration was created, similar to that produced by the breath on the tongue of the Jews' harp."

The mysterious music heard in the bay at West Pascagoula is described by those who have listened to it as uniquely beautiful. "For a long time," says Mrs. Child, an American author, "it has been one of the greatest wonders of the southwest. Many have heard it rising from the water, like the drone of a bagpipe, then floating away, away, away in the distance, soft, sad, and fairy-like, as if Aeolian harps were playing a richer melody through the liquid element; but no one has been able to explain this beautiful phenomenon. There are several legends about these mysterious sounds; however, these days, few things are allowed to remain a mystery." These strange sounds, which take on the beauty and harmony of regular music, are said to come from catfish. A correspondent of the Baltimore Republican explains the phenomenon: "During several of my trips on the Spanish Main, near Paraguay and San Juan de Nicaragua, due to the nature of the coast, we had to anchor a considerable distance from the shore; and every evening, from dark until late at night, we were delighted by Aeolian music that could be heard beneath the deck of our schooner. At first, I thought it was the sea breeze sweeping through the strings of my violin (the bridge of which I had accidentally left standing); but after checking, I realized it wasn't so. I then pressed my ear against the rail of the vessel, and I was continuously enchanted by the most heavenly sounds I had ever heard. They didn’t seem to be close, but were sweet, mellow, and airy, like the gentle notes of a thousand lutes strummed by deep sea nymphs from a great distance. Although I carry a lot of “music in my soul,” one night I got tired and decided to go fishing. Amazingly, in just half an hour, I filled my bucket with the finest white catfish I’d ever seen; and since it was late, the cook was asleep, and the moon was shining, I filled my bucket with water and took the fish into my cabin for the night. I hadn’t fallen asleep yet when the same sweet notes reached my ears; and when I got up, I was surprised to find my catfish making beautiful sounds against the sides of my bucket! I looked closely and discovered that each lower lip had a growth divided by soft, wiry fibers. When the upper lip pressed against it, and with the exhalation of breath, vibrations were created similar to those produced by blowing on the tongue of a Jew's harp."

THE ROCK OF CASHEL.

THE ROCK OF CASHEL.

Any work which professed to be a record of what is rare and curious, would surely be incomplete if it did not contain an account of the celebrated Rock of Cashel; for the venerable buildings which crown its summit are, from their number, variety, preservation, and site, decidedly the most interesting ruins in the Emerald Isle, and, to use the words of Sir Walter Scott, "such as Ireland may be proud of." Cashel, which is distant about one hundred miles from Dublin, appears to be a place of high antiquity, and was long the residence of the kings of Munster; but as its early history is involved in much obscurity, it is uncertain at what period it became a diocesan site. It is stated that previous to the year 1101 the buildings on the Rock were occupied as a royal residence, and that in that year the hitherto royal seat was dedicated solely to ecclesiastical uses.

Any work that claims to be a record of what is rare and curious would definitely be incomplete if it didn't include an account of the famous Rock of Cashel; the impressive buildings that sit at its peak are, due to their number, diversity, preservation, and location, undoubtedly the most fascinating ruins in the Emerald Isle, and, in the words of Sir Walter Scott, "such as Ireland may be proud of." Cashel, located about one hundred miles from Dublin, seems to be an ancient site and was long the home of the kings of Munster; however, since its early history is shrouded in much uncertainty, it's unclear when it became a diocesan site. It is said that before the year 1101, the buildings on the Rock served as a royal residence, and that in that year the previously royal seat was dedicated exclusively to religious purposes.

Rock of Cashel

The buildings consist of a round tower, Cormack's chapel, cathedral, castle and monastery; the latter is a few yards detached, and the least remarkable of the number; all the former are closely connected. The Round Tower, the date and uses of which are in common with those of all other similar structures involved in much obscurity, raises its tall and yet scarce dilapidated head far above its younger and more decaying companions. It is fifty-six feet in circumference, and ninety feet in height. Cormack's Chapel, which, with the exception of the Round Tower, is the most ancient structure of the group, was built by Cormack M'Carthy, king of Munster, in 1136. It is roofed with stone, and in its capitals, arches, and other features and details, the Norman style is distinctly marked. The numerous ornaments, grotesque heads, and other curious sculptures, which adorn the arches, columns, and pilasters, are all in uniformity of style. The building altogether is a perfect gem, and the architectural antiquary and the artist will find in it a most valuable addition to their studies. The cathedral is a noble remnant of what is usually termed the pointed Gothic, and contains many interesting relics.

The buildings include a round tower, Cormack's chapel, a cathedral, a castle, and a monastery; the latter is a short distance away and the least impressive of the group; all the others are closely linked. The Round Tower, whose date and purpose are largely unknown like other similar structures, stands tall and fairly well-preserved above its younger and more crumbling neighbors. It measures fifty-six feet around and ninety feet high. Cormack's Chapel, which is the oldest building in the group apart from the Round Tower, was constructed by Cormack M'Carthy, king of Munster, in 1136. It has a stone roof, and the Norman style is clearly visible in its capitals, arches, and other features. The many decorations, grotesque heads, and unique sculptures that embellish the arches, columns, and pilasters all share a consistent style. Overall, the building is a true gem, and both architectural historians and artists will find it a valuable addition to their studies. The cathedral is a grand remnant of what is commonly known as pointed Gothic architecture and holds many interesting relics.

The rock, which is here presented as it appears from the plain below, has the buildings we have just mentioned on its very summit; it rises abruptly from a widely extended fertile country, to a considerable height [Pg 353] above the town, and from many parts at a distance it forms a very striking object. On the top of the rock, and around the ruins, an area of about three acres has been enclosed, which is open to the public.

The rock, as shown from the plain below, has the buildings we just mentioned at the very top. It rises sharply from a large fertile area to a significant height above the town, and from many distant viewpoints, it stands out dramatically. On the top of the rock, around the ruins, there’s an enclosed area of about three acres that is open to the public. [Pg 353]

INSTANCE OF INCREMATION.

INSTANCE OF INCINERATION.

Last night (26th September, 1769), say the chronicles of the day, the will of Mrs. Pratt, a widow lady, who lately died at her house in George Street, Hanover Square, was punctually fulfilled, by the burning of her body to ashes in her grave, in the new burying-ground adjoining to Tyburn turnpike.

Last night (September 26, 1769), according to the records of the time, the wishes of Mrs. Pratt, a widow who recently passed away at her home on George Street, Hanover Square, were faithfully carried out by cremating her body to ashes in her grave at the new cemetery near the Tyburn turnpike.

THE HAWTHORNDEN SWORD.

HAWTHORNDEN SWORD.

The great antiquity of the Scottish claymore is proved by its being figured in the sculptures both of Iona and Oronsay, with considerable variety of details. In some the blade is highly ornamented, and the handle varies in form, but all present the same characteristic, having the guards bent back towards the blade. A curious variety of this peculiar form is seen in a fine large two-handed sword preserved at Hawthornden, the celebrated castle of the Drummonds, where the Scottish poet entertained Ben Johnson during his visit to Scotland in 1619. It is traditionally affirmed to have been the weapon of Robert Bruce, though little importance can be attached to a reputation which it shares with one-half the large two-handed swords still preserved. Our engraving is a correct representation of it.

The long history of the Scottish claymore is shown in the carvings found in both Iona and Oronsay, featuring a variety of details. In some examples, the blade is intricately decorated, and the handle differs in shape, but they all share the same defining feature: the guards curve back towards the blade. A unique version of this design can be seen in a large two-handed sword displayed at Hawthornden, the famous castle of the Drummonds, where the Scottish poet hosted Ben Jonson during his visit to Scotland in 1619. It is traditionally said to have belonged to Robert Bruce, although that claim holds little weight since many large two-handed swords still exist with similar associations. Our engraving accurately depicts it.

Hawthornden Sword

The handle appears to be made from the tusk of the narwhal, and it has four reverse guards, as shown in the cut. The object aimed at by this form of guard, doubtless, was to prevent the antagonist's sword glancing off, and inflicting a wound ere he recovered his weapon, and, in the last example especially, it seems peculiarly well adapted for the purpose.

The handle looks like it's made from a narwhal tusk and has four backward guards, as shown in the picture. The purpose of this type of guard was clearly to stop the opponent's sword from slipping off and causing a wound before he could regain his weapon, and in the last example especially, it seems particularly well-suited for that purpose.

INSTINCT IN A CAT.

CAT INSTINCT.

The following anecdote almost places the cat on a level with the dog:—"A physician of Lyons was requested to inquire into a murder that had been committed on a woman of that city. In consequence of this request he went to the habitation of the deceased, where he found her extended lifeless on the floor, weltering in her blood. A large white cat was mounted on the cornice of a cupboard, at the far end of the apartment, where he seemed to have taken refuge. He sat motionless, with his eyes fixed on the corpse, and his attitude and looks expressing [Pg 354] horror and affright. The following morning he was found in the same station and attitude, and when the room was filled with officers of justice, neither the clattering of the soldiers' arms, nor the loud conversation of the company, could in the least degree divert his attention. As soon, however, as the suspected persons were brought in, his eyes glared with increased fury, his hair bristled, he darted into the middle of the apartment, where he stopped for a moment to gaze at them, and then precipitately retreated under the bed. The countenances of the assassins were disconcerted, and they were now, for the first time, abandoned by their atrocious audacity."

The following story almost puts the cat on the same level as the dog:—"A doctor from Lyons was asked to investigate a murder of a woman in that city. In response to this request, he went to the home of the deceased, where he found her lifeless body on the floor, covered in blood. A large white cat was perched on the top of a cupboard at the far end of the room, where it seemed to have taken shelter. It sat completely still, with its eyes fixed on the corpse, its posture and expression showing horror and fear. The next morning, it was still in the same spot and position, and when the room filled with law enforcement officers, neither the clattering of the soldiers' equipment nor the loud conversations could distract it in the slightest. However, as soon as the suspects were brought in, its eyes widened with intense rage, its fur stood on end, and it dashed into the center of the room, paused for a moment to stare at them, and then quickly retreated under the bed. The faces of the murderers reflected their unease, and for the first time, they were overtaken by their terrible audacity."

A TRANCE.

A trance.

Mrs. Godfrey, sister to the Duke of Marlborough, had nearly been buried alive; the physicians all declaring that the breath of life was irrecoverably gone. Her husband, Colonel Godfrey, had, however, the pleasure to see her revive, seven days after (that day week, and same hour), and what is more, she never knew till the day of her death the length of her trance, or sleep.

Mrs. Godfrey, sister of the Duke of Marlborough, was nearly buried alive; the doctors all claiming that she was beyond recovery. However, her husband, Colonel Godfrey, was pleased to see her come back to life, seven days later (that same day and hour), and what’s more, she never found out the duration of her trance or sleep until the day she died.

THE NUMBER SEVEN.

The number 7.

The number is composed of the first two perfect numbers, equal and unequal, 3 and 4; for the number 2, consisting of repeated unity, which is no number, is not perfect, it comprehends the primary numerical triangle or trine, and square or quartile conjunction, considered by the favourers of planetary influence as of the most benign aspect. In six days creation was completed, and the 7th was consecrated to rest. On the 7th day of the 7th month, a holy observance was ordained to the children of Israel, who feasted 7 days, and remained 7 days in tents; the 7th year was directed to be a Sabbath of rest for all things; and at the end of 7 times 7 years commenced the grand jubilee. Every 7th year the land lay fallow; every 7th year there was a general release from all debts, and all bondmen were set free. From this law may have originated the custom of our binding young men to 7 years' apprenticeship, and punishing incorrigible offenders by transportation for 7, twice 7, and three times 7, years. Every 7 years the law was to be read to the people. Jacob served 7 years for the possession of Rachael; and also other 7. Noah had 7 days' warning of the flood, and was commanded to take the fowls of the air in by 7, and the clean beasts by 7. The ark touched ground on the 7th month; and in 7 days the dove was sent out, and again in 7 days after. The 7 years of plenty, and 7 years of famine were foretold in Pharaoh's dream by 7 fat and 7 lean beasts, and the 7 full and 7 blasted ears of corn. Nebuchadnezzar was 7 years a beast; and the fiery furnace was 7 times hotter to receive Shadrach, &c. A man defiled was, by the Mosaic law, unclean 7 days; the young of both animals was to remain with the dam 7 days, and at the end of the 7th was to be taken away. By the old law, man was commanded to forgive his offending brother 7 times; but the meekness of the revealed law extended his humility to 70 times 7: if Cain shall be avenged 7 times, truly Lamech 70 times 7. In the destruction of Jericho, 7 priests [Pg 355] bore 7 trumpets 7 days; on the 7th they surrounded the wall 7 times; after the 7th, the walls fell. Balaam prepared 7 years for a sacrifice; and 7 of Saul's sons were hanged to stay a famine. Laban pursued Jacob 7 days' journey. Job's friends sat 7 days and 7 nights, and offered 7 bullocks and 7 rams, as an atonement for their wickedness. In the 7th year of his reign, King Ahazuerus feasted 7 days, and on the 7th deputed his 7 chamberlains to find a queen, who was allowed 7 maidens to attend her. Miriam was cleansed of her leprosy by being shut up 7 days. Solomon was 7 years in building the Temple, at the dedication of which he feasted 7 days; in the Temple were 7 lamps; 7 days were appointed for an atonement upon the altar, and the priest's son was ordained to wear his father's garments 7 days. The children of Israel eat unleavened bread 7 days. Abraham gave 7 ewe-lambs to Abimelech, as a memorial for a well. Joseph mourned 7 days for Jacob. Naaman was cleansed of his leprosy by bathing 7 times in Jordan. The Rabbins say that God employed the power of this number to perfect the greatness Of Samuel, his name answering the value of the letters in the Hebrew word, which signifies 7; whence Hannah his mother, in her thanksgiving, says, the barren hath brought forth 7. In Scripture are enumerated 7 resurrections: the widow's son, by Elias; the Shunamite's son, by Elisha; the soldier who touched the bones of the prophet; the daughter of the ruler of the synagogue; the widow's son of Nain; Lazarus, and our Lord. The apostles chose 7 deacons. Enoch, who was translated, was the 7th from Adam; and Jesus Christ was the 77th in a direct line. Our Lord spoke 7 times on the cross, on which he was 7 hours; he appeared 7 times; and after 7 times 7 days sent the Holy Ghost. In the Lord's prayer are 7 petitions, contained in 7 times 7 words, omitting those of mere grammatical connexion; within this number are concealed all the mysteries of apocalypse revealed to the 7 churches of Asia. There appeared seven golden candlesticks and 7 stars in the hand of him that was in the midst; 7 lambs before the 7 spirits of God; the book with 7 seals; the lamb with 7 horns and 7 eyes; 7 angels with 7 trumpets; 7 kings; 7 thunders; 7,000 men slain. The dragon with 7 heads and 7 crowns; and the beast with 7 heads; 7 angels bearing 7 plagues, and 7 vials of wrath. The vision of Daniel was of 70 weeks and the elders of Israel were 70. There were also 7 heavens, 7 planets (query), 7 stars, 7 wise men, 7 champions of Christendom, 7 notes in music, 7 primary colours, 7 deadly sins, and 7 sacraments in the Catholic church. The 7th son was considered as endowed with pre-eminent wisdom; and the 7th son of a 7th son is still thought to possess the power of healing diseases spontaneously. Perfection is likened to gold 7 times purified in the fire; and we yet say you frightened me out of my 7 senses. The opposite sides of a dice make 7, whence the players at hazard make 7 the main. Hippocrates says the septenary number, by its occult virtues, tends to the accomplishment of all things, to be the dispense of life, and fountain of all its changes; and, like Shakespeare, he divided the life of man into 7 ages; for as the moon changes her phases every seven days, this number influences all sublunary beings. The teeth [Pg 356] spring out on the 7th month, and are shed and renewed in the 7th year, when infancy is changed into childhood; at twice 7 years puberty begins; at three times 7 the faculties are developed, and manhood commences, and we are become legally competent to all civil acts; at four times 7 man is in full possession of all his strength; at five times 7 he is fit for the business of the world; at six times 7 he becomes grave and wise, or never: at 7 times 7 he is in his apogee, and from that time decays; at eight times 7 he is in his first climacterick; at nine times 7, or 63, he is in his last or grand climacterick, or year of danger; and ten times 7, or three score and ten, has, by the royal prophet, been pronounced the natural period of human life.

The number is made up of the first two perfect numbers, both equal and unequal, 3 and 4; because the number 2, which consists of a repeated one, isn’t actually a number, it represents the primary numerical triangle or trine and the square or quartile conjunction, seen by those who believe in planetary influence as having the most favorable aspect. Creation was completed in six days, and the 7th day was set aside for rest. On the 7th day of the 7th month, a holy observance was established for the children of Israel, who celebrated for 7 days and stayed in tents for another 7 days; every 7th year was meant to be a Sabbath of rest for everything; and after 7 times 7 years, the grand jubilee began. Every 7th year, the land was left fallow; every 7th year, there was a general release from all debts, and all bondmen were freed. This law may have led to the practice of binding young men to 7 years of apprenticeship, and punishing serious offenders by transportation for 7, twice 7, or three times 7 years. Every 7 years, the law was read to the people. Jacob worked for 7 years to marry Rachel; and then another 7. Noah had 7 days' notice before the flood and was instructed to bring the birds in by 7, and the clean animals by 7. The ark landed in the 7th month; and after 7 days, the dove was released, and again after another 7 days. The 7 years of abundance and 7 years of famine were foretold in Pharaoh's dream by 7 fat and 7 thin cows, and the 7 full and 7 withered ears of corn. Nebuchadnezzar lived as a beast for 7 years; and the fiery furnace was heated 7 times hotter to torment Shadrach and others. According to the Mosaic law, a man who was defiled was unclean for 7 days; the young of both animals had to stay with their mother for 7 days and then could be taken away. By the old law, man was commanded to forgive his offending brother 7 times; but the humility of the revealed law expanded his forgiveness to 70 times 7: if Cain was avenged 7 times, Lamech truly was avenged 70 times 7. In the destruction of Jericho, 7 priests carried 7 trumpets for 7 days; on the 7th day, they circled the wall 7 times; after the 7th time, the walls fell. Balaam prepared for 7 years for a sacrifice; and 7 of Saul's sons were hanged to prevent a famine. Laban chased Jacob for 7 days. Job's friends sat with him for 7 days and 7 nights, offering 7 bullocks and 7 rams as atonement for their wrongs. In the 7th year of his reign, King Ahazuerus had a feast that lasted 7 days, and on the 7th day, he sent his 7 chamberlains to find a queen, who was given 7 maidens to attend her. Miriam was healed of her leprosy after being shut up for 7 days. Solomon took 7 years to build the Temple, where he celebrated for 7 days; there were 7 lamps in the Temple; 7 days were set for atonement on the altar, and the priest's son had to wear his father's garments for 7 days. The children of Israel ate unleavened bread for 7 days. Abraham gave 7 ewe-lambs to Abimelech as a reminder of a well. Joseph mourned for Jacob for 7 days. Naaman was cured of his leprosy by bathing 7 times in the Jordan. The Rabbis say that God used the power of this number to highlight the greatness of Samuel, as his name corresponds to the value of the letters in the Hebrew word that means 7; hence Hannah, his mother, in her thanksgiving says, the barren has given birth to 7. The Bible mentions 7 resurrections: the widow's son by Elijah; the Shunamite's son by Elisha; the soldier who touched the bones of the prophet; the daughter of the synagogue ruler; the widow's son of Nain; Lazarus; and our Lord. The apostles chose 7 deacons. Enoch, who was taken up to heaven, was the 7th from Adam; and Jesus Christ was the 77th in a direct line. Our Lord spoke 7 times on the cross, where he hung for 7 hours; he appeared 7 times; and after 7 times 7 days, he sent the Holy Spirit. In the Lord's Prayer, there are 7 requests made in 7 times 7 words, excluding mere grammatical connections; contained within this number are all the mysteries of the apocalypse revealed to the 7 churches of Asia. There were seven golden lampstands and 7 stars in the hand of him who was in the midst; 7 lambs before the 7 spirits of God; the book with 7 seals; the lamb with 7 horns and 7 eyes; 7 angels with 7 trumpets; 7 kings; 7 thunders; and 7,000 men slain. The dragon had 7 heads and 7 crowns; and the beast had 7 heads; 7 angels bore 7 plagues, and 7 vials of wrath. Daniel's vision was about 70 weeks, and the elders of Israel were 70. There were also 7 heavens, 7 planets (just a thought), 7 stars, 7 wise men, 7 champions of Christendom, 7 notes in music, 7 primary colors, 7 deadly sins, and 7 sacraments in the Catholic Church. The 7th son was considered to have special wisdom; and the 7th son of a 7th son is still believed to have the power to heal diseases spontaneously. Perfection is compared to gold that has been purified 7 times in the fire; and we still say you scared me out of my 7 senses. The opposite sides of a die add up to 7, hence players in games of chance make 7 the main number. Hippocrates noted that the number seven, by its hidden powers, contributes to the completion of all things, acting as the giver of life, and fountain of all its changes; and like Shakespeare, he divided human life into 7 stages; for as the moon changes her phases every seven days, this number influences all earthly beings. The teeth come in during the 7th month and are lost and replaced in the 7th year, when infancy transitions into childhood; at 14 years, puberty begins; at 21, the faculties are developed, and manhood starts, and we are legally capable of all civil actions; at 28, one possesses all his strength; at 35, he is ready for the responsibilities of the world; at 42, he becomes wise and serious, or not at all; at 49, he reaches his peak, and from then on, he declines; at 56, he experiences his first major turning point; at 63, he faces his last major turning point, or a year of risk; and at 70, or three score and ten, has, by the royal prophet, been deemed the natural limit of human life.

SUPERSTITIOUS LEGEND.

Superstitious legend.

We are told that when St. Helena, of pious memory, had discovered the true Cross of Christ, she permitted various fragments to be taken from it, which were encased, some in gold, and some in gems, and conveyed to Europe, leaving the principal or main part of the wood in the charge of the Bishop of Jerusalem, who exhibited it annually at Easter, until Chosroes, king of Persia, plundered Jerusalem in the reign of the emperor Phocas, and took away this holy relic.

We are told that when St. Helena, who is remembered for her piety, found the true Cross of Christ, she allowed various pieces to be taken from it. Some of these fragments were placed in gold and others in gems, and then sent to Europe, while the main part of the wood was entrusted to the Bishop of Jerusalem. He displayed it every Easter until Chosroes, the king of Persia, looted Jerusalem during the reign of Emperor Phocas and took this holy relic.

Before this fatal event we are taught to believe, by Rigordus, an historian of the thirteenth century, that the mouths of Christians used to be supplied with 30, or in some instances, no doubt according to their faith, with 32 teeth; but that after the Cross was stolen by the infidels no mortal has ever been allowed more than 23!

Before this tragic event, we're told by Rigordus, a thirteenth-century historian, that Christians typically had 30 teeth, or sometimes, depending on their faith, even 32; but that after the Cross was taken by the infidels, no one has ever been allowed more than 23!

ORÆFA MOUNTAIN IN ICELAND.

ORÆFA MOUNTAIN, ICELAND.

This mountain, which is the loftiest in Iceland, has been rendered celebrated by an eruption which took place about a century ago. Nothing can be more striking than the account given of this calamity by the aged minister of the parish. He was in the midst of his service on the Sabbath, when the agitation of the earth gave warning that some alarming event was to follow. Rushing from the church, he saw a peak of the neighbouring mountain alternately heaved up and sinking; till at last, the stone, of which this portion of the mountain was composed, ran down in a melted state into the plain, like melted metal from a crucible, filling it to such a height, that no more of the mountain, which formerly towered to such a height, remains, than about the size of a bird; volumes of water being in the meantime thrown forth in a deluge from the crater, and sweeping away whatever they encountered in their course. The Oræfa then broke forth, hurling large masses of ice to a great distance; fire burst out in every direction from its side; the sky was darkened by the smoke and ashes, so that the day could hardly be distinguished from the night. This scene of horror continued for more than three days, during which the whole region was converted into utter desolation.

This mountain, the highest in Iceland, became famous after an eruption that happened about a hundred years ago. The account of this disaster by the elderly parish minister is incredibly striking. He was in the middle of his service on Sunday when the ground began to shake, signaling that something alarming was about to happen. Rushing out of the church, he saw a peak of the nearby mountain being lifted and lowered alternately; eventually, the rock from that part of the mountain melted and flowed down into the plain, like molten metal from a crucible, filling it to such an extent that hardly more than a bird-sized remnant of the once towering mountain remained. At the same time, a massive deluge of water gushed out from the crater, sweeping away everything in its path. The Oræfa then erupted, sending huge chunks of ice flying far away; fire erupted from all sides; the sky was darkened with smoke and ash, making it hard to tell day from night. This horrifying scene lasted for over three days, turning the entire region into complete desolation.

THE SETON SWORD.

THE SETON SWORD.

Seton Sword

The two-handed sword, which was introduced later than the claymore, though still so familiar to us, is perhaps the most interesting, in an [Pg 357] archaeological point of view, of all the military relics pertaining to the Medieval Period. The huge, ponderous, and unwieldy weapon, seems the fittest emblem that could be devised, of the rude baron of the thirteenth century, who lived by "the good old rule" of physical force, and whose hardy virtues, not unsuited to an illiterate age—are strangely mistaken for a chivalry such as later ages have not seen. Calmly reasoning from this characteristic heirloom, we detect in it the evidence of just such hardy, skilless, overbearing power, as history informs us was the character of the medieval baron, before the rise of the burgher class readjusted the social balance by the preponderance of rival interests. The weapon figured here is a remarkably fine and unusually large specimen of the old Scottish two-handed sword, now in the possession of George Seton, Esq., representative of the Setons of Cariston. It measures forty-nine inches in the blade, five feet nine inches in entire length, and weighs seven and a half pounds. But the chief interest of this old relic arises from the well-authenticated family traditions which associate it with the memory of its first knightly owner, Sir Christopher Seton of that Ilk, from whom some of the oldest scions of the Scottish peerage have been proud to trace their descent. He was married to Christian, sister of King Robert the Bruce, whom he bravely defended at the battle of Methven. He was shortly after taken prisoner by Edward I., and basely hanged as a traitor.

The two-handed sword, which came after the claymore but is still so well-known to us, is probably the most fascinating, from an archaeological perspective, of all the military artifacts from the Medieval Period. This massive, heavy, and awkward weapon seems like the perfect symbol of the rough baron of the thirteenth century, who lived by the “good old rule” of brute strength, and whose strong virtues—suitable for an illiterate age—are oddly mistaken for a type of chivalry that later ages have not experienced. Calmly analyzing this characteristic heirloom, we see evidence of the same tough, clumsy, domineering power that history tells us defined the medieval baron, before the rise of the merchant class shifted the social balance with competing interests. The weapon illustrated here is an exceptionally fine and unusually large example of the old Scottish two-handed sword, currently owned by George Seton, Esq., a representative of the Setons of Cariston. It measures forty-nine inches in the blade, five feet nine inches in total length, and weighs seven and a half pounds. However, the greatest interest in this old relic stems from the well-documented family traditions linking it to its first knightly owner, Sir Christopher Seton of that Ilk, from whom some of the oldest branches of the Scottish peerage proudly trace their lineage. He was married to Christian, the sister of King Robert the Bruce, whom he valiantly defended at the battle of Methven. Shortly thereafter, he was captured by Edward I and cruelly hanged as a traitor.

STYLE OF LIVING IN THE SIXTEENTH CENTURY.

STYLE OF LIVING IN THE SIXTEENTH CENTURY.

The most perfect notion of the living and domestic arrangements of the old English nobility and gentry will be found in the entries of what were called the Household Books of the times. One of the most celebrated of these records is the Northumberland Household Book, being the regulations of the establishment of the fifth earl of Northumberland, at his castles of Wrenill and Lekinfield, in Yorkshire, begun in 1512. No baron's family was on a nobler or more splendid footing. It consisted of [Pg 358] one hundred and sixty-six persons, masters and servants; fifty-seven strangers were reckoned upon every day; on the whole two hundred and twenty-three. During winter they fed mostly on salt meat and salt fish; and with that view there was a provision of one hundred and sixty gallons of mustard per year; so that there cannot be any thing more erroneous than the magnificent ideas formed of "the roast beef of Old England." On flesh days, (that is, when meat was not forbidden by the Catholic religion), through the year, breakfast for my lord and lady was a loaf of bread, two manchets, a quart of beer, a quart of wine, half a chine of mutton, or a chine of beef boiled. On meagre days (or when meat was forbidden), a loaf of bread, two manchets, a quart of beer, a quart of wine, a dish of butter, a piece of salt fish, or a dish of buttered eggs. During Lent, a loaf of bread, two manchets, a quart of beer, a quart of wine, two pieces of salt fish, six baconed herrings, four white herrings, or a dish of sprats. There was as little variety in other meals, except on festival days; and this way of living was, at the time, high luxury. There were but two cooks to dress victuals for two hundred persons; and fowls, pigeons, plovers, and partridges were prohibited as delicacies, except at my lord's table. The table-cloth was washed about once a month; no sheets were used; and only forty shillings were allowed for washing throughout the year. The family rose at six in the morning, dined at ten, and supped at four in the afternoon; and the castle gates were shut at nine. Mass was said in the chapel at six o'clock, that all the servants might rise early. The earl passed the year at three country seats, but he had furniture only for one: he carried every thing along with him, beds, tables, chairs, kitchen utensils; and seventeen carts and one waggon conveyed the whole: one cart sufficed for all his kitchen utensils, cooks' beds, &c. There were in the establishment eleven priests, besides seventeen persons, chanters, musicians, &c., belonging to the chapel. No mention is made of plate, but only of the hiring of pewter vessels. Wine was allowed in abundance for the lord's table, but the beer for the hall was poor indeed, only a quarter of malt being allowed for two hogsheads. The servants seem all to have bought their own clothes from their wages. Every thing in the household was done by order, with the pomp of proclamation; and laughable as it may now seem, an order was issued for the right making of mustard, beginning "It seemeth good to us and our council."

The best understanding of the living and domestic arrangements of the old English nobility and gentry can be found in the records known as the Household Books of the time. One of the most well-known of these documents is the Northumberland Household Book, which outlines the regulations of the household of the fifth earl of Northumberland at his castles of Wrenill and Lekinfield in Yorkshire, started in 1512. No baron's household was more prestigious or lavish. It comprised [Pg 358] one hundred and sixty-six people, including both masters and servants; fifty-seven guests were expected every day, making a total of two hundred and twenty-three. During winter, their diet mostly consisted of salted meat and salted fish; hence, they had a supply of one hundred and sixty gallons of mustard each year, showing how misleading the idea of "the roast beef of Old England" can be. On meat days (when eating meat was not restricted by the Catholic religion), throughout the year, breakfast for my lord and lady included a loaf of bread, two small loaves, a quart of beer, a quart of wine, and either half a piece of mutton or a piece of boiled beef. On fast days (when meat was prohibited), breakfast consisted of a loaf of bread, two small loaves, a quart of beer, a quart of wine, a dish of butter, a piece of salted fish, or a dish of buttered eggs. During Lent, a loaf of bread, two small loaves, a quart of beer, a quart of wine, two pieces of salted fish, six baconed herrings, four white herrings, or a dish of sprats was provided. There was little variety in other meals, except on festive occasions; this lifestyle was considered luxury at the time. There were only two cooks preparing meals for two hundred people, and fowls, pigeons, plovers, and partridges were considered delicacies reserved solely for my lord's table. The tablecloth was washed about once a month; no sheets were used, and only forty shillings were allocated for laundry over the entire year. The household woke up at six in the morning, had dinner at ten, and supper at four in the afternoon, with the castle gates closing at nine. Mass was held in the chapel at six o'clock to ensure all the servants could rise early. The earl spent the year at three country estates, but he only had furniture for one; he moved everything with him, including beds, tables, chairs, and kitchen utensils, transported by seventeen carts and one wagon: one cart was sufficient for all his kitchen tools and the cooks' beds, etc. The household included eleven priests, along with seventeen other individuals for chanting, music, etc., associated with the chapel. There’s no mention of silverware, only the hiring of pewter vessels. Wine was plentiful at the lord's table, but the beer served in the hall was quite poor, with just a quarter of malt allocated for two hogsheads. The servants apparently purchased their own clothing from their wages. Everything in the household was conducted systematically, with formal proclamations, and amusing as it may sound now, an edict was issued for properly making mustard, starting with "It seems good to us and our council."

ANECDOTE OF A TERRIER.

Tale of a Terrier.

A terrier, known to Professor Owen, was taught to play at hide and seek with his master, who summoned him, by saying "Let us have a game;" upon which the dog immediately hid his eyes between his paws, in the most honourable manner, and when the gentleman had placed a sixpence, or a piece of cake in a most improbable place, he started up and invariably found it. His powers were equalled by what was called a fox-terrier, named Fop, who would hide his eyes, and suffer those at play with him to conceal themselves before he looked up. If his play-fellow hid himself behind a window-curtain, Fop would, for a certain time, carefully pass that curtain, and look behind all the others, behind [Pg 359] doors, etc., and when he thought he had looked long enough, seize the concealing curtain and drag it aside in triumph. The drollest thing, however, was to see him take his turn of hiding; he would get under a chair, and fancy that he was not seen; of course, those at play with him pretended not to see him, and it was most amusing to witness his agitation as they passed. When he was ill he had been cured by some homœopathic globules, and ever after, if anything were the matter with him, he would stand near the medicine box, and hold his mouth open.

A terrier that Professor Owen knew was taught to play hide and seek with his owner, who would call him by saying, "Let’s have a game." The dog would immediately cover his eyes with his paws in a very dignified way, and when the man placed a sixpence or a piece of cake in an unlikely spot, the dog would jump up and always find it. His skills were matched by a fox-terrier named Fop, who would also cover his eyes and allow his playmates to hide before he looked up. If his playmate hid behind a window curtain, Fop would carefully check all the other curtains and behind doors before deciding he had looked long enough, then he would triumphantly pull aside the hiding curtain. The funniest part was watching him hide; he would crawl under a chair and think he was completely invisible. Of course, his playmates pretended not to see him, and it was really funny to watch him get anxious as they walked by. When he was sick, he had been treated with some homeopathic pellets, and after that, if he felt unwell, he would stand by the medicine box with his mouth open.

CUTTING A WIFE OFF WITH A SHILLING.

CUTTING A WIFE OFF WITH A SHILLING.

In the year 1772, died at Lambeth, J—— G——e, Esq. In his will was found the following remarkable clause:—"Whereas, it was my misfortune to be made very uneasy by Elizabeth G——, my wife, for many years, from our marriage, by her turbulent behaviour; for she was not content with despising my admonitions, but she contrived every method to make me unhappy; she was so perverse in her nature, that she would not be reclaimed, but seemed only to be born to be a plague to me; the strength of Sampson, the knowledge of Homer, the prudence of Augustus, the cunning of Pyrrhus, the patience of Job, the subtlety of Hannibal, and the watchfulness of Hermogenes, could not have been sufficient to subdue her; for no skill or force in the world would make her good; and, as we have lived several years separate, and apart from each other eight years, and she having perverted her son to leave and totally abandon me; therefore I give her one shilling only."

In 1772, J—— G——e, Esq. died in Lambeth. His will included the following notable clause:—"It was unfortunately very distressing for me to be married to Elizabeth G——, my wife, for many years due to her tumultuous behavior; she not only ignored my advice but did everything she could to make me miserable. Her nature was so stubborn that she wouldn’t change and seemed destined to be a torment to me. The strength of Sampson, the wisdom of Homer, the judgment of Augustus, the cunning of Pyrrhus, the patience of Job, the cleverness of Hannibal, and the vigilance of Hermogenes wouldn’t have been enough to control her; no skill or force in the world could make her a good person. Since we’ve spent several years living separately, including eight years apart, and she has influenced our son to leave and completely cut ties with me; therefore, I leave her only one shilling."

WEALTH OF THE JEWS.

JEWISH WEALTH.

About the year 1707, the Jews offered Lord Godolphin, Minister of Queen Anne, to pay £500,000, (and they would have made it a million,) if the government would allow them to purchase the town of Brentford, with leave of settling there entirely, with full privileges of trade, &c. Lord Godolphin did not comply with the request, and a curious reason is assigned by Dean Lockier, because it would provoke two of the most powerful bodies in the nation, the clergy and the merchants. The Jews had better success with Oliver Cromwell: they offered him £60,000 to have a synagogue in London. He took the money, and they had their temple.

Around the year 1707, the Jews offered Lord Godolphin, the Minister for Queen Anne, £500,000 (and they would have raised it to a million) if the government would let them buy the town of Brentford and settle there completely, with full trading privileges, etc. Lord Godolphin turned down the request, and Dean Lockier gives a curious reason: it would upset two of the most powerful groups in the nation, the clergy and the merchants. The Jews had better luck with Oliver Cromwell; they offered him £60,000 to establish a synagogue in London. He accepted the money, and they got their temple.

GAMBLING EXTRAORDINARY.

EXTRAORDINARY GAMBLING.

The following instance of frantic or drunken gambling appeared in the Times of April 17, 1812:—

The following example of frantic or drunken gambling was published in the Times on April 17, 1812:—

"On Wednesday evening an extraordinary investigation took place at Bow Street. Croker, the officer, was passing the Hampstead Road; he observed at a short distance before him two men on a wall, and directly after saw the tallest of them, a stout man about six feet high, hanging by his neck from a lamp-post, attached to the wall, being that instant tied up and turned off by the short man. This unexpected and extraordinary sight astonished the officer; he made up to the spot with all speed, and just after he arrived there, the tall man who had been hanged, fell to the ground, the handkerchief with which he had been suspended [Pg 360] having given way. Croker produced his staff, said he was an officer, and demanded to know of the other man the cause of such conduct; in the mean time the man who had been hanged recovered, got up, and on Croker interfering, gave him a violent blow on the nose, which nearly knocked him backward. The short man was endeavouring to make off; however, the officer procured assistance, and both were brought to the office, when the account they gave was, that they worked on canals. They had been together on Wednesday afternoon, tossed up for money, and afterwards for their clothes, the tall man who was hanged won the other's jacket, trowsers and shoes; they then tossed up which should hang the other, and the short one won the toss. They got upon the wall, the one to submit, and the other to hang him on the lamp-iron. They both agreed in this statement. The tall one who had been hanged said, if he won the toss, he would have hanged the other. He said, he then felt the effects on his neck at the time he was hanging, and his eyes was so much swelled that he saw double. The magistrates expressed their horror and disgust, and ordered the man who had been hanged to find bail for the violent and unjustifiable assault upon the officer, and the short one for hanging the other. Not having bail, they were committed to Bridewell for trial."

"On Wednesday evening, an unusual investigation took place at Bow Street. Officer Croker was passing by Hampstead Road when he noticed two men on a wall a short distance ahead. He then saw the taller man, a heavyset guy about six feet tall, hanging by his neck from a lamp-post attached to the wall, with the shorter man tying him up and pulling him down. This shocking scene startled the officer, who rushed to the spot. Just as he got there, the man who had been hanged fell to the ground when the handkerchief he was suspended with broke. Croker pulled out his staff, identified himself as an officer, and asked the shorter man why he was doing this. Meanwhile, the taller man who had just fallen got up, and when Croker intervened, he hit him hard on the nose, nearly knocking him over. The shorter man attempted to escape, but the officer called for backup, and both men were taken to the office. They claimed they worked on canals and had been together on Wednesday afternoon, gambling for money and then for their clothes. The taller man had won the shorter man's jacket, trousers, and shoes; then they flipped a coin to decide who would hang the other, and the shorter man won. They climbed on the wall, one to submit and the other to hang him on the lamp post. They agreed on this account. The taller man said that if he had won, he would have hanged the other. He mentioned feeling the effects on his neck while hanging and that his eyes were so swollen he saw double. The magistrates expressed their horror and disgust and ordered the man who had been hanged to find bail for violently assaulting the officer, and the shorter man for hanging the other. Since neither could provide bail, they were taken to Bridewell for trial."

OLD BOOKS.

Vintage books.

The Pentateuch and the history of Job are the most ancient books in the world; and in profane literature the works of Homer and Hesiod. The first book known to have been written in our own vernacular was "The Confessions of Richard, Earl of Cambridge," temp. 1415; and the earliest English ballad is supposed to be the "Cuckoo Song," which commences in the following style:—

The Pentateuch and the story of Job are the oldest books in the world; in secular literature, it’s the works of Homer and Hesiod. The first book known to have been written in our own language was "The Confessions of Richard, Earl of Cambridge," around 1415; and the earliest English ballad is thought to be the "Cuckoo Song," which starts in this way:—

"Sumer is icumen in
Lhudé sing cuccu,
Groweth sed, and bloweth med,
And springth ye wedé nu:
Singe cuccu."

FOSSIL REPTILE; THE PTERODACTYLUS.

Fossil reptile: Pterodactylus.

The pterodactylus was a flying animal. It had the wings of a bat, and the structure of a reptile; jaws with sharp teeth, and claws with long hooked nails. The power which it had of flying was not by means of its ribs, nor by wings without fingers, as in birds, but by wings supported by one very elongated toe, the others being short and furnished with claws. The remains of this animal were brought under examination by M. Collini, director of the Museum of the Elector Palatine at Manheim. There was at first some discussion as to the actual character of the animal. M. Blumenbach supposed it to be a bird, and M. de Soemmering classed it among the bats. M. Cuvier, however, maintained that it was a reptile, and showed that all its bones, from the teeth to the claws, possessed the characters which distinguish that class of animals. But still it differed from all other reptiles in possessing the capability of flying. It is probable that it could at [Pg 361] pleasure fold up its wings in the same manner as birds, and might suspend itself on branches of trees by its fore toes, though it possessed the power of sitting upright on its hind feet. This is the most anomalous of all the fossil reptiles.

The pterodactyl was a flying creature. It had bat-like wings and a reptile's body; jaws filled with sharp teeth and claws with long, hooked nails. It didn't fly using its ribs or wings without fingers like birds do, but rather with wings supported by one very elongated toe, while the other toes were short and had claws. M. Collini, the director of the Museum of the Elector Palatine in Manheim, examined the remains of this creature. Initially, there was some debate about what kind of animal it was. M. Blumenbach thought it was a bird, while M. de Soemmering classified it as a bat. However, M. Cuvier argued that it was a reptile and demonstrated that all its bones, from the teeth to the claws, had the characteristics that define that category of animals. Still, it was different from all other reptiles because it had the ability to fly. It's likely that it could fold its wings like birds do and hang from tree branches using its fore toes, even though it could also sit upright on its hind feet. This is the most unusual of all fossil reptiles.

TIGER CAVE AT CUTTACK.

TIGER CAVE IN CUTTACK.

The geographical distribution of the rock-cut caves of the Buddhists in India is somewhat singular, more than nine-tenths of those now known being found within the limits of the Bengal Presidency. The remainder consist of two groups, those of Behar and Cuttack, neither of which are important in extent, in Bengal; one only, that of Mahavellipore, in Madras; and two or three not very important groups which have been traced in Afghanistan and the Punjaub.

The location of rock-cut caves created by Buddhists in India is quite unique, with over 90% of them found within the boundaries of the Bengal Presidency. The rest are made up of two smaller groups, located in Behar and Cuttack, neither of which are significant in size. There's only one notable site in Madras, at Mahavellipore, and a few less important groups identified in Afghanistan and Punjab.

One of the most remarkable of these caves is that at Cuttack, which is called the Tiger cave—being in fact a large mass of rock, carved into a form intended to represent the head of that animal, whose extended jaws form the verandah leading into a small apartment excavated in the interior of the skull: our engraving is a correct representation of it.

One of the most impressive caves is the one in Cuttack, known as the Tiger Cave. It's essentially a large piece of rock that's been carved to resemble the head of a tiger, with its open jaws creating a verandah that leads into a small room carved out inside the skull. Our illustration accurately depicts it.

Generally speaking, these single cells have a porch of two pillars to protect the doorway, which leads into a small room, 10 or 12 ft. square, constituting the whole cave. Buildings on precisely the same plan are still very common in India, except that now, instead of being the abode of a hermit, the cell is occupied by an image of some god or other, and is surmounted by a low dome, or pyramidal spire, converting it into a temple of some pretensions. The lower part, however, of these small temples is very similar to the rock-cut hermitages of which we are speaking.

Generally speaking, these single cells have a porch with two pillars that protect the doorway, which leads into a small room, 10 or 12 feet square, making up the entire cave. Buildings with the same design are still quite common in India, except that now, instead of being a hermit's home, the cell is occupied by an image of some deity, and is topped with a low dome or pyramidal spire, turning it into a somewhat grand temple. The lower part, however, of these small temples is very similar to the rock-cut hermitages we are discussing.

THE JEWS IN ENGLAND.

Jewish Community in England.

William the Conqueror permitted great numbers of Jews to come over from Rouen, and to settle in England in the last year of his reign. Their number soon increased, and they spread themselves throughout most of the cities and capital towns in England where they built synagogues. There were fifteen hundred at York about the year 1189. At Bury, in Suffolk, is a very complete remain of a Jewish synagogue of stone in the Norman style, large and magnificent. Hence it was that many of the learned English ecclesiastics of those times became acquainted with their books and their language. In the reign of William Rufus, the Jews were remarkably numerous at Oxford, and had acquired [Pg 362] considerable property; and some of their Rabbis were permitted to open a school in the university, where they instructed not only their own people, but many Christian students in Hebrew literature, about the year 1094. Within 200 years after their admission or establishment by the Conqueror, they were banished from the kingdom. This circumstance was highly favourable to the circulation of their learning in England. The suddenness of their dismission obliged them for present subsistence, and other reasons, to sell their moveable goods of all kinds, among which were large quantities of all Rabbinical books. The monks in various parts availed themselves of the distribution of these treasures. At Huntingdon and Stamford there was a prodigious sale of their effects, containing immense stores of Hebrew manuscripts, which were immediately purchased by Gregory of Huntingdon, Prior of the abbey of Ramsey. Gregory speedily became an adept in the Hebrew, by means of these valuable acquisitions, which he bequeathed to his monastery about the year 1250. Other members of the same convent, in consequence of these advantages, are said to have been equal proficients in the same language, soon after the death of Prior Gregory, among whom were Robert Dodford, Librarian of Ramsey, and Laurence Holbech, who compiled a Hebrew Lexicon. At Oxford a great number of their books fell into the hands of Roger Bacon, or were bought by his brethren the Franciscan friars of that university.

William the Conqueror allowed many Jews to come over from Rouen and settle in England in the last year of his reign. Their numbers quickly grew, and they established themselves in most cities and major towns in England, building synagogues. There were about fifteen hundred in York around the year 1189. In Bury, Suffolk, there is a well-preserved stone synagogue from the Norman era that is large and impressive. As a result, many educated English clergy of that time became familiar with their texts and language. During William Rufus’s reign, the Jews were quite numerous in Oxford and had amassed significant property, with some of their Rabbis being allowed to open a school at the university, teaching not only their own community but also many Christian students in Hebrew literature around the year 1094. Within 200 years of their admission by the Conqueror, they were expelled from the kingdom. This event greatly facilitated the spread of their knowledge in England. The abruptness of their expulsion forced them to sell off their movable goods, which included large amounts of Rabbinical books. Monks in various regions took advantage of this distribution of treasures. In Huntingdon and Stamford, there was a massive sale of their belongings, filled with extensive Hebrew manuscripts, which were quickly bought by Gregory of Huntingdon, the Prior of the Abbey of Ramsey. Gregory quickly became skilled in Hebrew through these valuable acquisitions, which he left to his monastery around 1250. Other members of the convent, benefiting from these resources, are said to have also become proficient in the language shortly after Gregory's death, including Robert Dodford, Librarian of Ramsey, and Laurence Holbech, who compiled a Hebrew Lexicon. At Oxford, a significant number of their books ended up in the possession of Roger Bacon or were purchased by his fellow Franciscan friars at the university.

GAME PRESERVES AT CHANTILLY.

GAME PRESERVES IN CHANTILLY.

The establishment at Chantilly, which formerly belonged to the great family of Condé, included 21 miles of park, and 48 miles of forest. The horses, when the family were at that place, were above 500. The dogs, 60 to 80 couple: the servants, above 500. The stables the finest and best in Europe. We shall now present to the sporting and un-sporting reader, for both will lift up their eyes, a list of game killed, year by year, through a series of thirty-two years—beginning with the year 1748, ending with the year 1779:—

The estate at Chantilly, which used to belong to the prominent Condé family, featured 21 miles of parkland and 48 miles of forest. When the family was at the estate, they had over 500 horses. The number of dogs ranged from 60 to 80 pairs, and there were more than 500 servants. The stables were among the finest and best in Europe. We will now present a list of game hunted, year by year, over a span of thirty-two years—starting from 1748 and ending in 1779:—

List of the Game.

Game List.

  54,878 24,029 37,209 19,932
  37,160 27,013 42,902 27,164
  58,712 26,405 31,620 30,429
  39,892 33,055 25,994 30,859
  32,470 50,812 18,479 25,813
  39,893 40,234 18,550 50,666
  32,470 26,267 26,371 13,304
  16,186 25,953 19,774 17,566

Now let us give (of birds and beasts) their bill of mortality; that is the numbers, in detail, of each specific description, registered as below, and detailed to have been killed at Chantilly, in the above-mentioned series of years. Hares, 77,750; rabbits, 587,470; partridges, 117,574; red ditto, 12,426; pheasants, 86,193; quails, 19,696; rattles (the male quail), 449; woodcocks, 2,164; snipes, 2,856; ducks, 1,353; wood-piquers, 317; lapwings, 720; becfique (small birds like our wheatear), 67; [Pg 363] curlews, 32; oyes d'Egypte, 3; oyes sauvage, 14; bustards, 2; larks, 106; tudells, 2; fox, 1; crapeaux, 8; thrushes, 1,313; guynard, 4; stags, 1,712; hinds, 1,682; facons, 519; does, 1,921; young does, 135; roebucks, 4,669; young ditto, 810; wild boars, 1,942; marcassins (young boars), 818. A magnificent list of animal slaughter, carefully and systematically recorded as achievements.

Now let’s present the death toll of birds and beasts; that is, the numbers for each specific type, listed below, detailing those that were killed at Chantilly over the previously mentioned years. Hares, 77,750; rabbits, 587,470; partridges, 117,574; red partridges, 12,426; pheasants, 86,193; quails, 19,696; male quails, 449; woodcocks, 2,164; snipes, 2,856; ducks, 1,353; woodpeckers, 317; lapwings, 720; small birds like our wheatear, 67; [Pg 363] curlews, 32; Egyptian geese, 3; wild geese, 14; bustards, 2; larks, 106; tudells, 2; fox, 1; toads, 8; thrushes, 1,313; guynard, 4; stags, 1,712; hinds, 1,682; facons, 519; does, 1,921; young does, 135; roebucks, 4,669; young roebucks, 810; wild boars, 1,942; young boars, 818. A remarkable record of animal deaths, meticulously and systematically documented as accomplishments.

BRITISH PEARLS.

British Pearls.

The river Conway, in North Wales, was of considerable importance, even before the Roman invasion, for the pearl mussel (the Mya Margaritifera of Linnæus) and Suetonius acknowledged that one of his inducements for undertaking the subjugation of Wales was the pearl fishery carried forward in that river. According to Pliny, the mussels, called by the natives Kregindilin, were sought for with avidity by the Romans, and the pearls found within them were highly valued; in proof of which it is asserted that Julius Cæsar dedicated a breastplate set with British pearls to Venus Genetrix, and placed it in her temple at Rome. A fine specimen from the Conway is said to have been presented to Catherine, consort of Charles II., by Sir Richard Wynne, of Gwydir; and it is further said that it has since contributed to adorn the regal crown of England. Lady Newborough possessed a good collection of the Conway pearls, which she purchased of those who were fortunate enough to find them, as there is no regular fishery at present. The late Sir Robert Vaughan had obtained a sufficient number to appear at Court with a button and loop to his hat, formed of these beautiful productions, about the year 1780.

The River Conway in North Wales was quite significant even before the Roman invasion because of the pearl mussel (the Mya Margaritifera as classified by Linnæus). Suetonius noted that one of his reasons for conquering Wales was the pearl fishery located in that river. According to Pliny, the mussels, known by locals as Kregindilin, were eagerly sought after by the Romans, and the pearls inside them were highly prized. It’s said that Julius Caesar dedicated a breastplate adorned with British pearls to Venus Genetrix and placed it in her temple in Rome as proof of their value. A remarkable specimen from the Conway is reportedly given to Catherine, the wife of Charles II, by Sir Richard Wynne of Gwydir, and it’s believed it later helped embellish the royal crown of England. Lady Newborough had a nice collection of Conway pearls, which she bought from those lucky enough to find them, as there’s no regular fishery today. The late Sir Robert Vaughan managed to gather enough to appear at Court wearing a hat adorned with a button and loop made from these beautiful gems around the year 1780.

FUNERAL ORATION OF FRANCIS THE FIRST.

FUNERAL ORATION OF FRANCIS THE FIRST.

Pierre Duchatel, in a funeral oration on the death of Francis I., published 1547, took upon himself to affirm, that the soul of the king had gone direct to Paradise. This passing over of purgatory gave offence to the doctors of the Sorbonne, who sent a deputation to warn him of his error. The prelate being absent, one of his friends received them, and, in reply, gaily said—"Be not uneasy, gentlemen, every one knows that the late king, my master, never stopped long in any one place, however agreeable. Supposing, then, that he went to purgatory, be assured that his stay would be very short." This pleasantry disarmed the severity of the doctors, and the affair went no farther.

Pierre Duchatel, in a funeral speech for Francis I, published in 1547, confidently claimed that the king's soul had gone directly to Paradise. This bypassing of purgatory upset the scholars at the Sorbonne, who sent a delegation to inform him of his mistake. Since the prelate was absent, one of his friends met them and cheerfully replied, "Don’t worry, gentlemen; everyone knows that the late king, my master, never lingered long in any place, no matter how nice it was. So if he did go to purgatory, you can be sure his stay would be very brief." This joke eased the tension of the scholars, and the matter ended there.

GRAVES OF THE STONE PERIOD.

STONE AGE GRAVES.

Stone Chambers, which once formed places of interment, are frequently discovered within large barrows of earth raised by the hands of man. They are to be referred to the period of the Danish Invasion, which is generally termed among antiquaries the "Stone Period," because the use of metals was then in a great measure unknown; and while a few are to be found in Great Britain, there are many more of them in Denmark. These tombs, which are covered with earth, have most probably contained the remains of the powerful and the rich. They are almost all provided with long entrances, which lead from the exterior of the mound of earth [Pg 364] to the east or south side of the chambers. The entrances, like the chambers, are formed of large stones, smooth on the side which is turned inwards, on which very large roof-stones are placed. The chambers, and even the entrances, which are from sixteen to twenty feet in length, are filled with trodden earth and pebbles, the object of which, doubtless, was to protect the repose of the dead in their graves, and the contents which are found in them consist of unburnt human skeletons (which were occasionally placed on a pavement of flat or round stones), together with implements and weapons, and tools of flint or bone, ornaments, pieces of amber, and urns of clay. In some cases smaller chambers have been discovered, annexed to one side of the passage which leads to the larger chamber, and one of these smaller chambers we have engraved as a specimen of the sort of tombs we are now describing.

Stone chambers, which used to serve as burial places, are often found within large earth mounds built by humans. These date back to the time of the Danish Invasion, commonly referred to by historians as the "Stone Period," because metal use was largely unknown at that time. While a few can be found in Great Britain, many more exist in Denmark. These tombs, covered with earth, likely held the remains of the powerful and wealthy. Almost all of them have long entrances that lead from the outside of the earth mound to the east or south side of the chambers. The entrances, like the chambers, are made of large stones that are smooth on the inward side, supporting very large roof stones. The chambers and even the entrances, which measure between sixteen to twenty feet in length, are filled with compacted earth and pebbles, intending to preserve the resting place of the dead. Inside, you can find unburned human skeletons (sometimes resting on a floor made of flat or round stones), along with tools and weapons made of flint or bone, ornaments, pieces of amber, and clay urns. In some cases, smaller chambers have been found attached to one side of the passage leading to the larger chamber, and we have included an engraving of one of these smaller chambers as an example of the types of tombs we are describing.

Grave of the Stone Period

The above sketch represents a chamber which was discovered in a barrow, situated near Paradis, in the parish of the Vale, in the island of Guernsey. On digging into the mound, a large flat stone was soon discovered; this formed the top, or cap-stone, of the tomb, and on removing it, the upper part of two human skulls were exposed to view. One was facing the north, the other the south, but both disposed in a line from east to west. The chamber was filled up with earth mixed with limpet-shells, and as it was gradually removed, while the examination was proceeding downwards into the interior, the bones of the extremities became exposed to view, and were seen to greater advantage. They were [Pg 365] less decomposed than those of the upper part; and the teeth and jaws, which were well preserved, denoted that they were the skeletons of adults, and not of old men. The reason why the skeletons were found in this extraordinary position it is impossible to determine. Probably the persons who were thus interred were prisoners, slaves, or other subordinates, who were slain—perhaps buried alive—on occasion of the funeral of some great or renowned personage, who was placed in the larger chamber at the end of the passage; and this view of the case is considerably strengthened by the fact that the total absence of arms, weapons, or vases, in the smaller chamber, denotes that the quality of the persons within it was of less dignity or estimation.

The above sketch shows a chamber that was found in a barrow near Paradis, in the parish of the Vale, on the island of Guernsey. When digging into the mound, a large flat stone was uncovered; this was the top, or capstone, of the tomb. After removing it, the upper parts of two human skulls were visible. One was facing north, the other south, but both were lined up from east to west. The chamber was packed with earth mixed with limpet shells, and as this was gradually cleared away during the examination, the bones of the limbs became visible and were better exposed. They were less decomposed than those of the upper part, and the well-preserved teeth and jaws indicated that they belonged to adults, not elderly men. It's impossible to determine why the skeletons were found in such an unusual position. It's likely that the people buried this way were prisoners, slaves, or others of lower status who were killed—possibly even buried alive—during the funeral of some significant or well-known individual who was placed in the larger chamber at the end of the passage. This theory is supported by the complete absence of weapons, arms, or vases in the smaller chamber, suggesting that those inside it were of lesser status or importance.

WAR CHARIOT OF ANCIENT EGYPT.

Ancient Egyptian war chariot.

War Chariot

This chariot, which is mentioned in various parts of Scripture, and more especially in the description of the pursuit of the Israelites by Pharaoh, and of his overthrow in the Red Sea, was a very light structure, consisting of a wooden framework strengthened and adorned with metal, and leather binding, answering to the descriptions which Homer has given of those engaged in the Trojan war.

This chariot, referenced in different parts of Scripture, especially in the account of Pharaoh chasing the Israelites and his defeat in the Red Sea, was a really light structure made of a wooden frame reinforced and decorated with metal and leather. This matches the descriptions Homer provided of those involved in the Trojan war.

The sides were partly, and the back wholly open; and it was so low that a man could easily step into it from behind; for there was no seat, the rider always standing in war or hunting, though when wearied he might occasionally sit on the sides, or squat, in eastern fashion, on his heels. The body of the car was not hung on the axle in equilibrio, but considerably forward, so that the weight was thrown more upon the horses. Its lightness, however, would prevent this from being very fatiguing to them, and this mode of placing it had the advantage of rendering the motion more easy to the driver. To contribute further to this end, the bottom or floor consisted of a network of interlaced thongs, the elasticity of which in some measure answered the purpose of modern springs.

The sides were partly open, and the back was completely open; it was so low that a person could easily step into it from behind. There was no seat, so the rider always stood during battle or hunting, though when tired, he could occasionally sit on the edges or squat on his heels in the eastern style. The body of the vehicle was not balanced on the axle but rather tilted forward, which put more weight on the horses. However, its lightness would keep it from being too tiring for them, and this setup made the movement easier for the driver. To further enhance this, the bottom or floor was made of a network of interlaced thongs, whose elasticity served a similar purpose to modern springs.

The Egyptian chariots were invariably drawn by two horses abreast, [Pg 366] which were richly caparisoned; it is, perhaps, to the extreme elegance and magnificence of their trappings, no less than to their own beauty, that allusion is made in the Song of Songs (1-9), where the royal bridegroom addresses his spouse thus: "I have compared thee, O my love, to a company of horses in Pharaoh's chariots." The chariot of Egypt ordinarily carried two persons, one of whom acted as the warrior, the other as the charioteer. Occasionally we find three persons in a chariot, as when two princes of the blood, each bearing the royal sceptre, or flabellum, accompanying the king in a state procession, requiring a charioteer to manage the reins.

The Egyptian chariots were typically pulled by two horses side by side, [Pg 366] which were dressed in elaborate decorations; it's likely that the extreme elegance and splendor of their adornments, as well as their own beauty, inspired the reference in the Song of Songs (1-9), where the royal groom speaks to his beloved, saying: "I have compared you, my love, to a group of horses in Pharaoh's chariots." A typical Egyptian chariot carried two people, with one serving as the warrior and the other as the charioteer. Sometimes, we see three people in a chariot, as when two princes of royal blood, each holding a royal scepter or fan, accompany the king in a ceremonial procession, which requires a charioteer to handle the reins.

PEACOCKS.

Peacocks.

India, says Mr. Pennant, gave us peacocks, and we are assured by Knox, in his "History of Ceylon," that they are still found in the wild state, in vast flocks, in that island and in Java. So beautiful a bird could not be permitted to be a stranger in the more distant parts; for so early as the days of Solomon (1 Kings, x. 22) we find among the articles imported in his Tarshish navies, apes and peacocks. A monarch so conversant in all branches of natural history, would certainly not neglect furnishing his officers with instructions for collecting every curiosity in the country to which they made voyages, which gave him a knowledge that distinguished him from all the princes of his time. Ælian relates that they were brought into Greece from some barbarous country, and that they were held in such high estimation that a male and female were valued at Athens at 1,000 drachmæ, or £32 5s. 10d. Their next step might be to Samos, where they were preserved about the temple of Juno, being the birds sacred to that goddess; and Gellius, in his "Noctes Atticæ" commends the excellency of the Samian peacocks. It is, therefore probable that they were brought there originally for the purposes of superstition, and afterwards cultivated for the uses of luxury. We are also told, when Alexander was in India, he found vast numbers of wild ones on the banks of the Hyarotis, and was so struck with their beauty as to appoint a severe punishment on any person that killed them.

India, Mr. Pennant tells us, gave us peacocks, and Knox assures us in his "History of Ceylon" that they still exist in the wild, in large flocks, on that island and in Java. Such a beautiful bird couldn’t possibly be unknown in more distant regions; even in the days of Solomon (1 Kings, x. 22), we see that among the items imported by his ships from Tarshish were apes and peacocks. A ruler so knowledgeable about natural history would definitely have given instructions to his officers to collect every curiosity from the places they visited, enhancing his unique understanding compared to other kings of his time. Ælian reports that they were brought to Greece from some remote region, and they were valued so highly that a male and female were worth 1,000 drachmæ, or £32 5s. 10d., in Athens. Their next destination might have been Samos, where they were kept around the temple of Juno, as they were sacred to that goddess. Gellius, in his "Noctes Atticæ," praises the quality of the Samian peacocks. It’s likely they were initially brought there for religious reasons and later raised for luxury. We also learn that when Alexander was in India, he saw large numbers of wild ones along the banks of the Hyarotis and was so impressed by their beauty that he decreed severe penalties for anyone who killed them.

Peacocks' crests, in ancient times, were among the ornaments of the kings of England. Ernald de Aclent (Acland) paid a fine to King John in a hundred and forty palfries, with sackbuts, lorains, gilt spurs, and peacocks' crests, such as would be for his credit.—Some of our regiments of cavalry bear on their helmets, at present, the figure of a peacock.

Peacocks' crests, in ancient times, were among the decorations of the kings of England. Ernald de Aclent (Acland) paid a fine to King John with a hundred and forty palfreys, sackbuts, lorains, gilt spurs, and peacocks' crests, which were considered fitting for his reputation. Some of our cavalry regiments still display a peacock design on their helmets today.

ROMAN THEATRE AT ORANGE.

ORANGE ROMAN THEATRE.

One of the most striking Roman provincial theatres is that of Orange, in the south of France. Perhaps it owes its existence, or at all events its splendour, to the substratum of Grecian colonists that preceded the Romans in that country. Its auditorium is 340 ft. in diameter, but much ruined, in consequence of the princes of Orange having used this part as a bastion in some fortification they were constructing.

One of the most impressive Roman provincial theaters is in Orange, in the south of France. It probably owes its existence, or at least its grandeur, to the Greek colonists who settled there before the Romans. Its auditorium is 340 ft. in diameter, but it is largely in ruins because the princes of Orange used part of it as a bastion for some fortifications they were building.

The stage is tolerably preserved. It shows well the increased extent and complication of arrangements required for the theatrical representations of the age in which it was constructed, being a considerable advance [Pg 367] towards the more modern idea of a play, as distinguished from the stately semi-religious spectacle in which the Greeks delighted. The noblest part of the building is the great wall at the back, an immense mass of masonry, 340 ft. in extent, and 116 ft. in height, without a single opening above the basement, and no ornament except a range of blank arches, about midway between the basement and the top, and a few projecting corbels to receive the footings of the masts that supported the velarium. Nowhere does the architecture of the Romans shine so much as when their gigantic buildings are left to tell their own tale by the imposing grandeur of their masses. Whenever ornament is attempted, their bad taste comes out. The size of their edifices, and the solidity of their construction, were only surpassed by the Egyptians, and not always by them; and when, as here, their mass stands unadorned in all its native grandeur, criticism is disarmed, and the spectator stands awe-struck at its majesty, and turns away convinced that truly "there were giants in those days." This is not, it is true, the most intellectual way of obtaining architectural effect, but it is the easiest and the most certain to secure the desired result.

The stage is fairly well-preserved. It clearly shows the expanded complexity of setups needed for theatrical performances during the time it was built, representing a significant step towards the modern concept of a play, as opposed to the grand semi-religious spectacles that the Greeks enjoyed. The most impressive part of the structure is the massive wall at the back, which spans 340 ft. in length and rises 116 ft. high, without any openings above the basement, and lacking in decoration except for a series of blank arches located about halfway up and a few jutting corbels to hold the supports for the velarium. The architecture of the Romans is most evident when their monumental buildings are left to convey their own story through the impressive scale of their structures. Whenever they attempt decoration, their poor taste becomes apparent. The sheer size and strength of their buildings were only outdone by the Egyptians, and even then not always; when their mass stands bare in its natural grandeur, as here, criticism is silenced, and the viewer is left in awe of its magnificence, walking away with the belief that there truly "were giants in those days." Admittedly, this is not the most sophisticated method for achieving architectural impact, but it is the simplest and most reliable way to achieve the desired effect.

A PISCATORIAL DOG.

A fishing dog.

Mr. Jukes, in his "Excursions in and about Newfoundland," speaks of a dog which appeared to be of the pure breed, and which he thought to be more intelligent than the mixed race. This animal caught his own fish, for which purpose he sat on a projecting rock, beneath a fish stage, on which the fish were laid to dry, watching the water, the depth being from six to eight feet, and the bottom quite white with fish-bones. On throwing a piece of cod-fish into the water, three or four heavy, clumsy-looking fish, called in Newfoundland sculpins, would swim to catch it. The instant one turned his broadside towards him, he darted down, and seldom came up without the fish in his mouth. He regularly carried them as he caught them to a place a few yards off, where he deposited them, sometimes making a pile of fifty or sixty in the day. As he never attempted to eat them, he appeared to fish for his amusement.

Mr. Jukes, in his "Excursions in and about Newfoundland," talks about a dog that seemed to be a pure breed and was thought to be smarter than mixed breeds. This dog caught fish for himself by sitting on a ledge of rock under a fish drying rack, watching the water, which was about six to eight feet deep and covered with fish bones. When he tossed a piece of cod into the water, three or four hefty, clumsy fish, known in Newfoundland as sculpins, would swim over to grab it. The moment one turned its side toward him, he would dive down and rarely came back up without a fish in his mouth. He consistently took the fish he caught to a spot a few yards away, where he would drop them, sometimes piling up fifty or sixty in a day. Since he never tried to eat them, it seemed like he fished just for fun.

PHENOMENA OF SOUND.

Sound phenomena.

In the gardens of Les Rochas, once the well-known residence of Madame de Sevigné, is a remarkable echo, which illustrates finely the conducting and reverberating powers of a flat surface. The Château des Rochas is situated not far from the interesting and ancient town of Vitre. A broad gravel walk on a dead flat conducts through the garden to the house. In the centre of this, on a particular spot, the listener is placed at the distance of about ten or twelve yards from another person, who, similarly placed, addresses him in a low and, in the common acceptation of the term, inaudible whisper, when, "Lo! what myriads rise!" for immediately, from thousands and tens of thousands of invisible tongues, starting from the earth beneath, or as if every pebble was gifted with powers of speech, the sentence is repeated with a slight hissing sound, not unlike the whirling of small shot passing through the air. On removing from this spot, however trifling the distance, the intensity of [Pg 368] the repetition is sensibly diminished, and within a few feet ceases to be heard. Under the idea that the ground was hollow beneath, the soil has been dug up to a considerable depth; but without discovering any clue to the solution of the mystery.

In the gardens of Les Rochas, once the famous home of Madame de Sevigné, there's an incredible echo that perfectly shows how sound can travel and bounce off flat surfaces. The Château des Rochas is located not far from the charming, historic town of Vitre. A wide gravel path leads, perfectly flat, through the garden to the house. In the center of this path, in a specific spot, one person stands about ten or twelve yards away from another, who, in a soft whisper that’s usually considered inaudible, addresses them. Suddenly, "Lo! what myriads rise!" Because right away, countless invisible voices rise up from the ground, as if every pebble has the ability to speak, repeating the phrase with a faint hissing sound, similar to small shot whizzing through the air. However, if you move even a small distance from this spot, the volume of the echo decreases noticeably, and within just a few feet, it can no longer be heard. Believing that the ground must be hollow underneath, the soil has been excavated to a significant depth, but no clues have been found to explain the mystery.

ANTIQUE WATCH.

VINTAGE WATCH.

Antique Watch

The above engraving represents a fancy silver watch of the time of Queen Elizabeth. It is shaped like a duck; the feathers chased. The lower part opens, and the dial plate, which is also of silver, is encircled with a gilt ornamental design of floriated scrolls and angels' heads. The wheels work on small rubies. It has no maker's name. It is preserved in the original case of thin brass, covered with black leather, and ornamented with silver studs, as represented in the woodcut below. It forms one of the curiosities in the Museum of Lord Londesborough.

The engraving above shows a decorative silver watch from the time of Queen Elizabeth. It has a duck shape with detailed feathers. The bottom part opens up, revealing a silver dial plate surrounded by a gilded ornamental design featuring floral scrolls and angel heads. The internal wheels operate on small rubies. There's no maker's name on it. It's kept in its original case made of thin brass, covered in black leather and decorated with silver studs, as shown in the woodcut below. It’s one of the interesting items in the Museum of Lord Londesborough.

Antique Watch in Case

HORSES FEEDING ONE ANOTHER.

Horses grooming each other.

M. de Bossanelle, captain of cavalry in the regiment of Beauvilliers, relates in his "Military Observations," printed in Paris, 1760, "That, in the year 1757, an old horse of his company, that was very fine and full of mettle, had his teeth all on a sudden so worn down, that he could not chew his hay and corn; and that he was fed for two months, and would still have been so had he been kept, by two horses on each side of him, that ate in the same manger. These two horses drew hay from the rack, which they chewed, and afterwards threw before the old [Pg 369] horse; that they did the same with the oats, which they ground very small, and also put before him. This (adds he) was observed and witnessed by a whole company of cavalry, officers and men."

M. de Bossanelle, captain of cavalry in the Beauvilliers regiment, shares in his "Military Observations," published in Paris in 1760, "That, in 1757, an old horse in his unit, which was very impressive and spirited, suddenly had all his teeth worn down so much that he couldn’t chew his hay and grain; and that he was fed for two months, and would have continued to be so if he had been kept, by two horses on either side of him, that ate from the same trough. These two horses pulled hay from the rack, chewed it, and then threw it in front of the old [Pg 369] horse; they did the same with the oats, grinding them very small and also placing them before him. This (he adds) was seen and confirmed by an entire cavalry company, both officers and men."

CROSS OF MUIREDACH.

CROSS OF MUIREDACH.

Cross of Muiredach

From the rude pillar-stone marked with the symbol of our faith, enclosed within a circle, the emblem of Eternity, the finely-proportioned and elaborately-sculptured crosses of a later period are derived. In the latter, the circle, instead of being simply cut on the face of the stone, is represented by a ring, binding, as it were, the shaft, arms, and upper portion of the cross together. There are two beautiful specimens of this style of cross at Monasterboice, near Drogheda, about thirty-five miles from Dublin. The smaller, more beautiful, and more perfect of these we here engrave. The figures and ornaments with which its various sides are enriched appear to have been executed with an unusual degree of artistic skill. It is now almost as perfect as it was when, nearly nine centuries ago, the artist, we may suppose, pronounced his work finished, and chiefs and abbots, bards, shanachies, warriors, and ecclesiastics, and, perhaps, many a rival sculptor, crowded round this very spot full of wonder and admiration for what they must have considered a truly glorious, and, perhaps, unequalled work. An inscription in Irish upon the lower part of the shaft, desires "A prayer for Muiredach, by whom was made this cross," and there is reason for assigning it to an abbot of that name who died in the year 924. Its total height is exactly fifteen feet, and it is six in breadth at the arms. The shaft, which at the base measures in breadth two feet six inches, and in thickness one foot nine inches, diminishes slightly in its ascent, and is divided upon its various sides by twisted bands into compartments, each of which contains either sculptured figures, or tracery of very intricate design, or animals, probably symbolical.

From the rough pillar-stone marked with the symbol of our faith, enclosed within a circle—the emblem of Eternity—the beautifully proportioned and intricately carved crosses of a later period are derived. In these later crosses, the circle, instead of being simply carved on the stone's surface, is represented by a ring that binds the shaft, arms, and upper part of the cross together. There are two stunning examples of this style of cross at Monasterboice, near Drogheda, about thirty-five miles from Dublin. The smaller, more beautiful, and more complete of these crosses is the one we depict here. The figures and decorations on its various sides appear to have been crafted with an extraordinary level of artistic skill. It is now nearly as perfect as when, nearly nine centuries ago, the artist likely declared his work finished, and chiefs, abbots, bards, storytellers, warriors, and religious leaders—and perhaps many rival sculptors—gathered around this very spot in awe and admiration for what they must have regarded as a truly glorious, and possibly unmatched, creation. An inscription in Irish on the lower part of the shaft reads, "A prayer for Muiredach, by whom this cross was made," and there is reason to attribute it to an abbot of that name who died in the year 924. Its total height is exactly fifteen feet, and it is six feet wide at the arms. The shaft, at the base measuring two feet six inches wide and one foot nine inches thick, tapers slightly as it rises and is divided on its various sides by twisted bands into compartments, each featuring either sculpted figures, intricate tracery, or animals that are likely symbolic.

CHINESE THERAPEUTICS.

Traditional Chinese Medicine.

In the treatment of disease, the Chinese, so fond of classification, divide the medicinal substances they employ into heating, cooling, refreshing, and temperate: their materia medica is contained in the work called the Pen-tsaocang-mou in fifty-two large volumes, with an atlas of plates; most of our medicines are known to them and prescribed; the mineral [Pg 370] waters, with which their country abounds, are also much resorted to; and their emperor, Kang-Hi, has given an accurate account of several thermal springs. Fire is a great agent, and the moxa recommended in almost every aliment, while acupuncture is in general use both in China and Japan; bathing and champooing are also frequently recommended, and bloodletting is seldom resorted to.

In treating illness, the Chinese, who really like to categorize, divide the medicines they use into heating, cooling, refreshing, and temperate: their materia medica is found in a work called the Pen-tsaocang-mou, which has fifty-two large volumes and an atlas of illustrations; they are familiar with most of our medications and prescribe them; the mineral [Pg 370] waters, which their country has in abundance, are also popular; and their emperor, Kang-Hi, has provided a detailed account of several hot springs. Fire is a significant factor, and moxa is recommended for almost every ailment, while acupuncture is widely practiced in both China and Japan; bathing and champooing are often suggested, and bloodletting is rarely used.

China has also her animal magnetisers, practising the Cong fou, a mysterious manipulation taught by the bonzes, in which the adepts produce violent convulsions.

China also has its animal magnetizers, practicing the Cong fou, a mysterious technique taught by the monks, where the practitioners induce violent convulsions.

The Chinese divide their prescriptions into seven categories:

The Chinese categorize their prescriptions into seven groups:

1. The great prescription.
2. The little prescription.
3. The slow prescription.
4. The prompt prescription.
5. The odd prescription.
6. The even prescription.
7. The double prescription.

1. The great prescription.
2. The little prescription.
3. The slow prescription.
4. The quick prescription.
5. The strange prescription.
6. The even prescription.
7. The dual prescription.

Each of these receipts being applied to particular cases, and the ingredients that compose them being weighed with the most scrupulous accuracy.

Each of these receipts is applied to specific cases, and the ingredients that make them up are measured with the utmost precision.

Medicine was taught in the imperial colleges of Pekin; but in every district, a physician, who had studied six years, is appointed to instruct the candidate for the profession, who was afterwards allowed to practise, without any further studies or examination; and it is said, that, in general, the physician only receives his fee when the patient is cured. This assertion, however, is very doubtful, as the country abounds in quacks, who, under such restrictions as to remuneration, would scarcely earn a livelihood. Another singular, but economical practice prevails amongst them—a physician never pays a second visit to a patient unless he is sent for. Whatever may be the merits of Chinese practitioners both in medicine and surgery, or their mode of receiving remuneration, it appears that they are as much subject to animadversion as in other countries:—A missionary having observed to a Chinese, that their medical men had constantly recourse to fire in the shape of moxa, red-hot iron, and burning needles; he replied, "Alas! you Europeans are carved with steel, while we are martyrized with hot iron; and I fear that in neither country will the fashion subside, since the operators do not feel the anguish they inflict, and are equally paid to torment us or to cure us!"

Medicine was taught in the imperial colleges of Beijing; however, in every district, a physician who had studied for six years is appointed to train the candidate for the profession, who is thereafter permitted to practice without any further studies or exams. It is said that, generally, the physician only receives their fee when the patient is cured. However, this claim is quite doubtful, as the country is filled with charlatans who, under such payment restrictions, would hardly make a living. Another interesting but economical practice among them is that a physician never pays a second visit to a patient unless they are requested to do so. Regardless of the skills of Chinese practitioners in both medicine and surgery, or their way of receiving payment, it seems they face just as much criticism as in other countries: A missionary once remarked to a Chinese person that their medical professionals often relied on fire, using moxa, hot iron, and burning needles; the person replied, "Alas! You Europeans are carved with steel, while we are tortured with hot iron; and I fear that in neither country will this practice fade away, since the practitioners do not feel the pain they cause, and are equally compensated for torturing us or curing us!"

MARY QUEEN OF SCOTS TO SIR FRANCIS KNOLLYS, FROM BOLTON, SEPT. 1ST, 1568: HER FIRST LETTER IN ENGLISH.
(MS. Cotton. Calig. C. I. fol. 161 b. Orig.)

MARY QUEEN OF SCOTS TO SIR FRANCIS KNOLLYS, FROM BOLTON, SEPT. 1ST, 1568: HER FIRST LETTER IN ENGLISH.
(MS. Cotton. Calig. C. I. fol. 161 b. Orig.)

Mester Knoleis, y heuv har (I have heard) sum neus from Scotland; y send zou the double off them y vreit (wrote) to the quin (queen) my gud Sister, and pres (pray) zou to du the lyk, conforme to that y spak zesternicht vnto zou, and sut hesti ansur y refer all to zour discretion, and wil lipne beter in zour gud delin (dealing) for mi, (me) nor y kan persuad zou, nemli in this langasg (language) excus my ivil vreitin [Pg 371] (writing) for y neuver vsed it afor, and am hestit (hasted). Ze schal si my bel (bill) vhuilk (which) is opne, it is sed Seterday my unfrinds wil be vth (with) zou, y sey nething bot trests weil, and ze send oni to zour wiff ze mey asur schu (she) wald a bin weilcom to apur (poor) strenger hua (who) nocht bien (not being) aquentet vth her, wil nocht bi ouuer bald (bold) to vreit bot for the aquentans betuix ous (us: i. e. herself and Sir Francis Knolles). Y wil send zou letle tokne (token) to rember (remember) zou off the gud hop y heuu (have) in zou guef (gif—if) ze fend (find) a mit (meet) mesager y wald wish ze bestouded (bestowed) it reder (rather) apon her non (than) ani vder; thus effter my commendations y prey God heuu zou in his kipin.

Mester Knoleis, I have heard some news from Scotland; I’m sending you a copy of what I wrote to the queen, my good sister, and I ask you to do the same, as I mentioned to you last night. I trust everything to your discretion, and I believe you will handle things better for me than I can persuade you to do, especially in this language. Please excuse my poor writing, as I have never used it before and am in a hurry. You will see my bill, which is open; it is said that my friends will be with you on Saturday. I say nothing but trust that all will go well, and you should send anything to your wife, as she would have been welcome to appear to a poor stranger who, not being acquainted with her, will not be too bold to write except for the acquaintance between us (i.e., herself and Sir Francis Knolles). I will send you a little token to remind you of the good hope I have in you, and if they find a suitable messenger, I would prefer that it be sent to her rather than anyone else. Thus, after my commendations, I pray God keep you in His care.

"Zour asured gud frind.
"Marie R.

"You're a good friend.
"Marie R.

"Excus my ivel vreitin thes furst tym."

"Excuse my poor writing this first time."

PHILOSOPHY OF THE BRAMINS.

BRAMIN PHILOSOPHY.

The order of creation, which is described in the Institutes of Menu (c. 1, pp. 75-8), is remarkable. "First emerges the subtle ether, to which philosophers ascribe the quality of conveying sound: from ether, effecting a transmutation in form, springs the pure and potent air, a vehicle of all scents; and air is held endued with the quality of touch: then from air, operating a change, rises light, or fire, making objects visible, dispelling gloom, spreading bright rays; and it is declared to have the quality of figure: but from light, a change being effected, comes water, with the quality of taste: and from water is deposited earth, with the quality of smell; such were they created in the beginning." This passage bears at least as strong a resemblance to the chemical philosophy of our days, as certain parts of the Hindoo fables bear to the mysteries of the Christian religion. But it is more difficult to account for the philosophy, (if, indeed, it be any thing more than mere theory,) than to explain how the distorted traces of Christianity found their way into the fables of Hindostan.

The order of creation described in the Institutes of Menu (c. 1, pp. 75-8) is fascinating. "First comes the subtle ether, which philosophers say has the quality of carrying sound: from ether, changing in form, comes pure and potent air, carrying all scents; and air is considered to have the quality of touch: then from air, changing again, arises light, or fire, which makes things visible, drives away darkness, and spreads bright rays; and it is said to possess the quality of shape: but from light, after a transformation, comes water, which has the quality of taste: and from water, earth is formed, with the quality of smell; this is how they were created in the beginning." This passage closely resembles modern chemical philosophy, much like certain aspects of Hindu fables relate to Christian mysteries. However, it's more challenging to understand this philosophy (if it's more than just a theory) than to figure out how elements of Christianity ended up in the fables of Hindostan.

FOREIGNERS IN LONDON IN 1567.

Foreigners in London in 1567.

"We learn from the Bishop of London's certificate, that, in December, 1567, there were then in London and its immediate vicinity, or places which are now included in the word 'London,' 3838 Dutchmen; 720 Frenchmen; 137 Italians; 14 Venetians; 56 Spaniards; 25 Portuguese; 2 Grecians; 2 Blackamores; 1 Dane; and but 58 Scots! making a total of 4851 foreigners."

"We learn from the Bishop of London's certificate that, in December 1567, there were 3,838 Dutch people, 720 French people, 137 Italians, 14 Venetians, 56 Spaniards, 25 Portuguese, 2 Greeks, 2 people of African descent, 1 Dane, and only 58 Scots in London and its nearby areas, which are now considered part of 'London.' This brings the total to 4,851 foreigners."

CHANGES OF FORTUNE.

Change in fortune.

In 1454, Sir Stephen Forster was Lord Mayor of London. He had been long in prison and penury, on account of his inordinate profuseness. It chanced that a most fantastical widow, who knew not how to get rid of her immense wealth, saw him begging at the gate; she admired his fine person, learnt his history, paid his debts, and married him; asking of him only this one favour, that he would lavish away her fortune as fast as he could. Forster, probably from perverseness, became a sober [Pg 372] husband and a prudent manager, and only expended large sums in adding a chapel and other advantageous appendages to Ludgate, where he had suffered so many hardships.

In 1454, Sir Stephen Forster was the Lord Mayor of London. He had spent a long time in prison and poverty because of his excessive spending. It happened that a very quirky widow, who didn't know how to manage her vast wealth, saw him begging at the gate; she admired his good looks, learned about his past, paid off his debts, and married him, asking him for just one favor: that he would spend her fortune as quickly as possible. Forster, likely out of stubbornness, became a responsible husband and a careful manager, only spending large amounts on adding a chapel and other beneficial features to Ludgate, where he had experienced so much suffering.

ROMAN VASES IN BLACK WARE.

Black Ware Roman Vases.

The principal subjects represented on vases of ancient Roman pottery of black ware are hunting scenes—such as dogs chasing stags, deer, hares,—also, dolphins, ivy wreaths, and engrailed lines; and engine-turned patterns. In a few instances men with spears are represented, but in a rude and debased style of art. The principal form is the cup of a jar shape, sometimes with deep oval flutings, as on one found at Castor; but dishes, cups, plates, and mortars are not found in this ware.

The main themes depicted on ancient Roman black pottery vases are hunting scenes—like dogs chasing stags, deer, and hares—along with dolphins, ivy wreaths, and decorated lines; and patterns created by engines. In some cases, men with spears are shown, but in a rough and less sophisticated artistic style. The main shape is a jar-like cup, sometimes featuring deep oval grooves, as seen on one discovered at Castor; however, dishes, cups, plates, and mortars are not found in this type of pottery.

Roman Vases

Some of the vases of this ware have ornaments, and sometimes letters painted on them in white slip upon their black ground, as represented in our engraving. They are generally of a small size, and of the nature of bottles or cups, with inscriptions, such as AVE, hail! VIVAS, may you live! IMPLE, fill; BIBE, drink; VINVM, wine; VIVA, life; VIVE BIBE MVLTIS; showing that they were used for purposes purely convivial. Such are the vases found at Etaples, near Boulogne, the ancient Gessoriacum, and at Mesnil.

Some of the vases from this type of pottery have decorations and sometimes letters painted in white slip on a black background, as shown in our illustration. They are generally small, resembling bottles or cups, with inscriptions like AVE (hail!), VIVAS (may you live!), IMPLE (fill), BIBE (drink), VINVM (wine), VIVA (life), and VIVE BIBE MVLTIS (live and drink often), indicating that they were used for purely festive purposes. These vases are found in Etaples, near Boulogne, the ancient Gessoriacum, and at Mesnil.

Some rarer and finer specimens from Bredene, in the department of Lis, have a moulding round the foot. Great quantities are found in England, Holland, Belgium, and France. It is found on the right bank of the Rhine. A variety of this ware has been lately found at a spot called Crockhill, in the New Forest, together with the kilns in which it was made, and a heap of potter's sherds, or pieces spoilt in the baking. The paste was made of the blue clay of the neighbourhood, covered with an alkaline glaze of a maroon colour, perhaps the result of imperfect baking; for the pieces when submitted again to the action of the fire, decrepitated and split. They were so much vitrified as to resemble modern stone ware, yet as all of them have proofs of having been rejected by the potters, it is probable that this was not the proper colour of the ware. Almost all were of the pinched up fluted shape, and had no bas-reliefs, having been ornamented with patterns laid on in white colour. The kilns are supposed to be of the third century of our era, and the ware was in local use, for some of it was found at Bittern.

Some rarer and finer examples from Bredene, in the Lis department, have a molding around the foot. A lot are found in England, Holland, Belgium, and France. It can be found on the right bank of the Rhine. A variety of this pottery was recently discovered at a place called Crockhill, in the New Forest, along with the kilns where it was made and a pile of potter's shards, or pieces that were ruined in the firing process. The clay was made from the blue clay found in the area, covered with an alkaline glaze of a maroon color, which might have been caused by inadequate firing; because the pieces, when heated again, cracked and split. They were so vitrified that they looked like modern stoneware, but since all of them showed signs of having been rejected by the potters, it’s likely that this wasn’t the intended color of the ware. Almost all of them were in a pinched fluted shape and had no bas-reliefs, as they were decorated with patterns applied in white. The kilns are believed to date back to the third century AD, and the ware was used locally, as some of it was found at Bittern.

FRENCH BIBLE.

French Bible.

There was a French Bible, printed at Paris in 1538, by Anthony Bonnemere, wherein is related "that the ashes of the golden calf which Moses caused to be burnt, and mixed with the water that was drank by [Pg 373] the Israelites, stuck to the beards of such as has had fallen down before it; by which they appeared with gilt beards, as a peculiar mark to distinguish those which had worshipped the calf." This idle story is actually interwoven with the 32nd chapter of Exodus. And Bonnemere says, in his preface, this French Bible was printed in 1495, at the request of his most Christian Majesty Charles VIII.; and declares further that the French translator "has added nothing but the genuine truths, according to the express terms of the Latin Bible; nor omitted anything but what was improper to be translated!" So that we are to look upon this fiction of the gilded beards as matter of fact; and another of the same stamp, inserted in the chapter above mentioned, viz., that, "Upon Aaron's refusing to make gods for the Israelites, they spat upon him with so much fury and violence that they quite suffocated him."

There was a French Bible printed in Paris in 1538 by Anthony Bonnemere, which states "that the ashes of the golden calf that Moses had burned and mixed with the water drunk by the Israelites stuck to the beards of those who had fallen down before it; as a result, they appeared with gilded beards, serving as a unique mark to distinguish those who had worshipped the calf." This ridiculous story is actually woven into the 32nd chapter of Exodus. Bonnemere mentions in his preface that this French Bible was printed in 1495 at the request of his most Christian Majesty Charles VIII.; he further asserts that the French translator "has added nothing but the genuine truths, according to the explicit terms of the Latin Bible; nor omitted anything except what was inappropriate to translate!" Therefore, we are to consider this tale of the gilded beards as factual; and another similar story, included in the aforementioned chapter, states that, "After Aaron refused to make gods for the Israelites, they spat on him with such fury and violence that they completely suffocated him."

SARDONYX RING WITH CAMEO HEAD OF QUEEN ELIZABETH, IN THE POSSESSION OF REV. LORD THYNNE.

SARDONYX RING WITH CAMEO HEAD OF QUEEN ELIZABETH, IN THE POSSESSION OF REV. LORD THYNNE.

Sardonyx Ring

This is said to be the identical ring given by Queen Elizabeth to Essex, and so fatally retained by Lady Nottingham. It has descended from Lady Frances Devereux, Essex's daughter, in unbroken succession from mother and daughter to the present possessor. The ring is gold, the sides engraved, and the inside of blue enamel; the execution of the head of Elizabeth is of a high order, and whether this be the ring or not, it is valuable as a work of art.

This is said to be the same ring that Queen Elizabeth gave to Essex, and which was tragically kept by Lady Nottingham. It has been passed down from Lady Frances Devereux, Essex's daughter, in an unbroken line from mother to daughter to the current owner. The ring is gold, with engraved sides, and the inside is blue enamel; the craftsmanship of Elizabeth's portrait is impressive, and whether this is *the* ring or not, it is valuable as a piece of art.

CURIOUS WAGERS.

Curious bets.

There have been travelling wagers, and none of the least singular of such was that of Mr. Whalley, an Irish gentleman (and who we believe edited Ben Johnson's works), who, for a very considerable wager (twenty thousand pounds, it was said,) set out on Monday the 22nd of September, 1788, to walk to Constantinople and back again in one year. This wager, however whimsical, is not without a precedent. Some years ago a baronet of good fortune (Sir Henry Liddel) laid a considerable wager that he would go to Lapland, bring home two females of that country, and two rein-deer, in a given time. He performed the journey, and effected his purpose in every respect. The Lapland women lived with him about a year, but desiring to go back to their own country, the baronet furnished them with means and money.

There have been some unique traveling bets, and one of the most interesting was made by Mr. Whalley, an Irish gentleman (who we believe edited Ben Johnson's works). He set out on Monday, September 22, 1788, for a substantial wager (reportedly twenty thousand pounds) to walk to Constantinople and back in one year. This bet, though quirky, does have some precedent. A few years earlier, a wealthy baronet (Sir Henry Liddel) made a significant wager that he would travel to Lapland, bring back two women from there, and two reindeer within a set time. He completed the journey and achieved all his goals. The Lapland women lived with him for about a year, but when they wanted to return to their homeland, the baronet provided them with means and money to do so.

CONFECTIONERY ART IN 1660.

Candy Art in 1660.

The following is extracted from a work on Cookery, by Robert May, published in 1660. It is entitled the "Accomplisht Cook, &c., &c.

The following is taken from a cookbook by Robert May, published in 1660. It is called the "Accomplisht Cook, &c., &c."

"Triumphs and Trophies in Cookery, to be used in Festival Times, as Twelfth Day, &c.:—Make the likeness of a ship in pasteboard with flags and streamers, the guns belonging to it of kickses, bind them about with [Pg 374] pack-thread and cover them with paste proportionable to the fashion of a cannon with carriages; lay them in places convenient, as you see them in ships of war, with such holes and trains of powder that they may all take fire. Place your ships firm in a great charger; then make a salt round about it, and stick therein egg-shells full of sweet water; you may by a great pin take out all the meat out of the egg by blowing, and then fill it with rose-water. Then in another charger have the proportion of a stag made of coarse paste, with a broad arrow in the side of him, and his body filled up with claret wine. In another charger at the end of the stag have the proportion of a castle with battlements, percullices, gates, and drawbridges, made of pasteboard, the guns of kickses, and covered with coarse paste as the former; place it at a distance from the ship to fire at each other. The stag being placed betwixt them, with egg-shells full of sweet water (as before) placed in salt. At each side of the charger wherein is the stag, place a pie made of coarse paste, in one of which let there be some live frogs, in the other live birds; make these pies of coarse paste, filled with bran, and yellowed over saffron, or yolks of eggs: gild them over in spots, as also the stag, the ship and castle; bake them, and place them with gilt bay leaves on the turrets and tunnels of the castle and pies; being baked make a hole in the bottom of your pies, take out the bran, put in your frogs and birds, and close up the holes with the same coarse paste; then cut the lids neatly up to be taken off by the tunnels. Being all placed in order upon the table, before you fire the trains of powder, order it so that some of the ladies may be persuaded to pluck the arrow out of the stag; then will the claret wine follow, as blood running out of a wound. This being done with admiration to the beholders, after some short pause, fire the train of the castle, that the pieces all of one side may go off; then fire the trains of one side of the ship as in a battle; next turn the chargers, and by degrees fire the trains of each other side, as before. This done, to sweeten the stink of the powder, the ladies take the egg-shells full of sweet waters, and throw them at each other, all dangers being seemed over, and by this time you may suppose they will desire to see what is in the pies; when lifting first the lid off one pie, out skip some frogs, which makes the ladies to skip and shriek; next after the other pie, whence comes out the birds; who by a natural instinct flying at the light, will put out the candles; so that what with the flying birds and skipping frogs, the one above, the other beneath, will cause much delight and pleasure to the whole company: at length the candles are lighted and a banquet brought in, the music sounds, and every one with much delight and content rehearses their actions in the former passages. These were formerly the delights of the nobility, before good house-keeping had left England, and the sword really acted that which was only counterfeited in such honest and laudable exercises as these."

"Triumphs and Trophies in Cookery, for Festival Times like Twelfth Night, etc.:—Create a ship out of cardboard with flags and streamers. Use kickses for the cannons, wrap them with [Pg 374] pack-thread, and cover them with a paste that resembles the shape of cannons with carriages. Arrange them like they would be on a warship, with holes and trails of gunpowder to ensure they can all ignite. Position your ships securely on a large platter, then create a ring of salt around it, placing egg-shells filled with sweet water inside. Use a large pin to blow the contents out of the eggs and fill them with rose water. Next, on another platter, sculpt a stag out of coarse paste, with a broad arrow sticking out of its side, and fill its body with claret wine. On another platter, place a castle with battlements, turrets, gates, and drawbridges made of cardboard, with cannons made from kickses and covered in coarse paste like the stag. Position this castle at a distance from the ship to fire at each other. The stag should be set between them, with egg-shells filled with sweet water in salt around it. On either side of the platter with the stag, position a pie made of coarse paste; one should contain live frogs, and the other live birds. Make these pies with coarse paste, filled with bran, and dyed yellow with saffron or egg yolks, gilding them in spots, along with the stag, ship, and castle. Bake them and place gilded bay leaves on the towers and tunnels of the castle and pies. After baking, make a hole in the bottom of the pies, remove the bran, add the frogs and birds, and seal the holes with the same coarse paste, then cut the lids neatly so they can be removed via the tunnels. Once everything is set on the table, before igniting the gunpowder, convince some ladies to pull the arrow from the stag. The claret wine will then spill out, resembling blood from a wound. After this spectacle, wait a moment, then fire the castle's powder trail so all the pieces on one side go off; follow with firing the powder from one side of the ship as if in battle, and then gradually fire the trails on the other side as before. Once this is done, to sweeten the gunpowder smell, the ladies throw egg-shells filled with sweet waters at each other, considering the danger over. By this time, they’ll likely wish to see what's inside the pies; when they lift the lid off one pie, frogs will leap out, causing the ladies to jump and scream. Then, from the other pie, birds will fly out, instinctively heading toward the light and putting out the candles. With birds flying above and frogs hopping below, this creates a great deal of delight and amusement for everyone. Eventually, the candles are relit and a banquet is served, music plays, and everyone joyfully recounts their experiences from earlier. These were once the pleasures of the nobility before good hospitality faded from England, and when the sword truly enacted what was only simulated in such honorable and commendable activities."

SUSPENDED ANIMATION.

Suspended animation.

David Beck, the celebrated portrait painter, and pupil of Vandyke, travelling through Germany, was suddenly taken ill, and to all appearance died, and was laid out as a corpse. His servants, sitting round the [Pg 375] bed, grieved heartily for the loss of so good a master; and, as grief is thirsty, drank as heartily at the same time. One of them, becoming more fuddled than the rest, then addressed his companions thus: "Our master when alive was fond of his glass, let us now, out of gratitude, then give him one now he is dead." Assent was given, the head of the dead painter was raised up, and some wine poured down or spilt about, the fragrance or spirit of which caused Beck to open his eyes; upon which the servant, who, being drunk, half forgetting his master was dead, forced down the remainder of the glass. The painter gradually revived, and thus escaped a living interment.

David Beck, the famous portrait painter and student of Vandyke, was traveling through Germany when he suddenly fell ill and seemed to have died. His servants gathered around the bed, mourning the loss of such a great master, and, as people often do in sorrow, they drank heavily at the same time. One of them, getting more drunk than the others, said to his companions, "Our master loved a drink when he was alive, so let's give him one now that he's gone." They agreed, propped up the dead painter's head, and poured some wine down or spilled it, the scent of which made Beck open his eyes. The drunken servant, forgetting that his master was dead, forced the rest of the drink down him. The painter gradually came back to life, narrowly escaping being buried alive.

FUNERAL OF MARAT.

Marat's Funeral.

The funeral of Marat was celebrated at Paris, July 17th, 1793, with the greatest pomp and solemnity. All the sections joined the procession. An immense crowd of people attended it. Four women bore the bathing machine in which Marat was standing when he was assassinated; his shirt, stained with blood, was carried by a fury, in the shape of a woman, at the top of a pike. After this followed a wooden bedstead, on which the corpse of Marat was carried by citizens. His head was uncovered, and the gash he had received could be easily distinguished. The procession was paraded through several streets, and was saluted on its march by several discharges of artillery.

The funeral of Marat took place in Paris on July 17th, 1793, with great glory and seriousness. All the sections joined the procession. A huge crowd of people attended. Four women carried the bathing machine where Marat was when he was killed; his bloodstained shirt was held up by a woman in a fury, on top of a pole. Following this was a wooden bed, on which Marat's body was carried by citizens. His head was uncovered, and the wound he suffered was clearly visible. The procession moved through various streets and received salutes along the way from several rounds of artillery.

EXECUTION OF ANNE BOLEYN.

EXECUTION OF ANNE BOLEYN.

In Houssaie's "Memoirs," Vol. I. p. 435, a little circumstance is recorded concerning the decapitation of the unfortunate Anne Boleyn, which illustrates an observation of Hume. Our historian notices that her executioner was a Frenchman of Calais, who was supposed to have uncommon skill; it is probable that the following incident might have been preserved by tradition in France, from the account of the executioner himself. Anne Boleyn being on the scaffold, would not consent to have her eyes covered with a bandage, saying that she had no fear of death. All that the divine who assisted at her execution could obtain from her was, that she would shut her eyes. But as she was opening them at every moment, the executioner could not bear their tender and mild glances. Fearful of missing his aim, he was obliged to invent an expedient to behead the queen. He drew off his shoes, and approached her silently; while he was at her left hand, another person advanced at her right, who made a great noise in walking, so that this circumstance drawing the attention of Anne, she turned, her face from the executioner, who was enabled by this artifice to strike the fatal blow without being disarmed by that pride of affecting resignation which shone in the eyes of the lovely Anne Boleyn.

In Houssaie’s "Memoirs," Vol. I, p. 435, there’s a small incident recorded about the beheading of the unfortunate Anne Boleyn that highlights a point made by Hume. Our historian notes that her executioner was a Frenchman from Calais, known for his exceptional skill; it’s likely that this story has been passed down in France from the account of the executioner himself. When Anne Boleyn was on the scaffold, she refused to allow her eyes to be covered with a blindfold, stating that she wasn't afraid of death. The priest who was there during her execution could only get her to close her eyes. But since she kept opening them, the executioner couldn’t stand her gentle and soft gaze. Worried about missing his target, he had to come up with a clever way to behead the queen. He took off his shoes and approached her quietly; while he was on her left side, another person walked up on her right, making a lot of noise. This distraction caught Anne's attention, causing her to turn her face away from the executioner, which allowed him to deliver the fatal blow without being overwhelmed by the pride of the seemingly calm resignation that showed in the beautiful eyes of Anne Boleyn.

MEXICAN TENNIS.

MEXICAN TENNIS.

The Mexicans had one singular law in their play with the ball. In the walls of the court where they played certain stones, like mill-stones were fixed, with a hole in the middle, just large enough to let the ball pass through; and whoever drove it through, which required great [Pg 376] skill, and was, of course, rarely effected, won the cloaks of the lookers-on. They, therefore, took to their heels to save their cloaks, and others pursued to catch them, which was a new source of amusement.

The Mexicans had one main rule in their ball game. In the walls of the court where they played, certain stones, similar to millstones, were fixed in place with a hole in the middle, just big enough for the ball to go through. Whoever managed to get the ball through, which took a lot of skill and was, of course, rarely achieved, won the cloaks of the spectators. Therefore, the spectators sprinted away to protect their cloaks, while others chased after them, creating a new source of entertainment.

CURIOUSLY-SHAPED VESSEL.

Unusually shaped container.

Curiously-Shaped Vessel

There is a singular class of Northern relics, of the Christian Period, of which analogous types have been found in Scotland, which well deserve our attention. The relics of which we speak consist of a curious variety of vessels, presumed to have been designed for holding liquors, but invariably made in the form of some animal or monstrous hybrid. The annexed figure represents one of these, in the collection of Charles Kirkpatrick Sharp, Esq., and found by him among a hoard of long-forgotten family heirlooms, in a vault of his paternal mansion of Hoddam Castle, Dumfriesshire. Of its previous history nothing is known. It is made of bronze. The principal figure is a lion, without a tail, measuring fourteen inches in length, and nearly fourteen inches in greatest height. On the back is perched a nondescript animal, half greyhound, half fish, apparently intended for a handle to the whole, while from the breast projects a stag's head with large antlers. This has a perforation in the back of the neck, as if for the insertion of a stop-cock, and it appears probable was designed for running off the liquid contained within the singular vessel to which it is attached. A small square lid on the top of the lion's head, opening with a hinge, supplies the requisite aperture for whatever liquor it was designed to hold. A similar relic, possessed by Sir John Maxwell, Bart., was dug up a few years since on the Pollock estate; and another, in the collection of the late E. W. A. Drummond Hay, Esq., was also in the form of a lion.

There is a unique class of Northern artifacts from the Christian Period, similar to types found in Scotland, that deserves our attention. These artifacts consist of a fascinating range of vessels, thought to be made for holding liquids, but always crafted in the shape of some animal or bizarre hybrid. The figure shown here represents one of these items, which is part of the collection of Charles Kirkpatrick Sharp, Esq., and was discovered among a stash of long-forgotten family heirlooms in a vault of his ancestral home, Hoddam Castle in Dumfriesshire. Nothing is known about its history. It is made of bronze. The main figure is a lion without a tail, measuring fourteen inches long and nearly fourteen inches tall at its highest point. Perched on its back is an unusual creature, half greyhound and half fish, likely intended as a handle for the entire vessel. From its chest protrudes a stag's head with large antlers. This head has a hole at the back of the neck, as if meant for the insertion of a stop-cock, suggesting it might have been designed to dispense the liquid inside the unique vessel it is attached to. A small square lid on top of the lion's head, which opens with a hinge, provides the necessary opening for whatever liquid it was meant to hold. A similar artifact owned by Sir John Maxwell, Bart., was unearthed a few years ago on the Pollock estate; and another, in the collection of the late E. W. A. Drummond Hay, Esq., was also shaped like a lion.

A SENSIBLE DOG.

A smart dog.

Professor Owen was walking with a friend, the master of the dog, by the side of a river, near its mouth, on the coast of Cornwall, and picked up a small piece of seaweed. It was covered with minute animals, and Mr. Owen observed to his companion, throwing the weed into the water,—"If this small piece afforded so many treasures, how microscopically rich the whole plant would be! I should much like to have one!" The gentleman walked on; but hearing a splashing in the water, turned round and saw it violently agitated. "It is Lion!" both exclaimed. "What can he be about? He was walking quietly enough by our side a minute ago." At one moment they saw his tail above the water, then [Pg 377] his head raised for a breath of air, then the surrounding element shook again, and at last he came ashore, panting from his exertions, and laid a whole plant of the identical weed at Mr. Owen's feet. After this proof of intelligence, it will not be wondered at, that when Lion was joyfully expecting to accompany his master and his guest on an excursion, and was told to go and take care of and comfort Mrs. Owen, who was ill, that he should immediately return to the drawing-room, and lay himself by her side, which he never left during the absence of his owner; his countenance alone betraying his disappointment, and that only for a few minutes.

Professor Owen was walking with a friend, the owner of the dog, alongside a river near its mouth on the coast of Cornwall, when he picked up a small piece of seaweed. It was teeming with tiny creatures, and Mr. Owen remarked to his companion, tossing the seaweed back into the water, “If this small piece has so many treasures, just imagine how rich the whole plant must be! I’d really like to have one!” The gentleman continued walking, but when he heard a splash in the water, he turned around to see it thrashing around. “It’s Lion!” they both exclaimed. “What could he be up to? He was walking quietly beside us just a moment ago.” For a moment, they saw his tail above the water, then his head popped up for air, and then the water stirred again. Finally, he emerged on the shore, panting from his efforts, and laid a whole plant of the same seaweed at Mr. Owen's feet. After this display of intelligence, it’s no surprise that when Lion happily anticipated accompanying his master and his guest on an outing but was told to go care for and comfort Mrs. Owen, who was unwell, he immediately returned to the drawing-room and settled down next to her, not leaving her side during his owner’s absence; his expression alone revealed his disappointment, but only for a few minutes.

THE CROWN OF CHARLEMAGNE.

THE CROWN OF CHARLEMAGNE.

As the emblem of sovereignty which once adorned the brows of one of earth's mightiest men, and as a unique specimen of the state at which the goldsmith's art had arrived as early as the ninth century, we here present our readers with an engraving of the crown of Charlemagne.

As the symbol of power that once rested on the heads of one of history's greatest leaders, and as a remarkable example of the goldsmith's craftsmanship achieved by the ninth century, we now present our readers with an engraving of Charlemagne's crown.

Crown of Charlemagne

This great man was the eldest son of Pepin the Short, and grandson of Charles Martel, and was born at the castle of Ingelheim, near Metz, in the year 742. His father dying in 768 he succeeded to the crown in conjunction with his brother Carloman, whose death in 771 left him sole monarch of the Franks. By his alliances, negociations, and principally by his numerous and glorious wars, he so enlarged his dominions, that at length they extended from the Ebro to the mouth of the Elbe, from the Atlantic to the mountains of Bohemia and the Saal, and from the British Channel to the Volturno. In the year 800 he was crowned at Rome, as Emperor of the West, by Pope Leo III., and died of a pleurisy in 814, at Aix-la-Chapelle, in the cathedral of which city he was buried with extraordinary magnificence. Equally illustrious in the cabinet and in the field, a wise legislator, and a great warrior, the patron of men of letters, and the restorer of learning, Charlemagne has united in his favour the suffrages of statesmen and soldiers, and of ecclesiastics, lawyers, and men of letters, who have all vied with one another in bestowing the homage of their praise on the celebrated founder of the Western Empire.

This great man was the oldest son of Pepin the Short and grandson of Charles Martel. He was born at the castle of Ingelheim, near Metz, in 742. After his father died in 768, he took the crown alongside his brother Carloman, but after Carloman's death in 771, he became the sole ruler of the Franks. Through his alliances, negotiations, and especially his numerous and glorious wars, he expanded his territories so much that eventually they stretched from the Ebro River to the mouth of the Elbe, from the Atlantic to the mountains of Bohemia and the Saal, and from the English Channel to the Volturno River. In 800, he was crowned in Rome as Emperor of the West by Pope Leo III, and he died from pleurisy in 814 at Aix-la-Chapelle, where he was buried with extraordinary grandeur in the cathedral of that city. Equally notable in politics and in battle, a wise lawmaker and a great warrior, a supporter of scholars, and a restorer of knowledge, Charlemagne earned the respect of statesmen, soldiers, clergy, lawyers, and intellectuals, all of whom competed to give praise to the celebrated founder of the Western Empire.

The crown of this illustrious man, of which our engraving is a correct representation, is now preserved at Vienna in the Imperial Treasury. It is composed of eight plates of gold, four large and four small, connected by hinges. The large ones, studded with precious stones, form the front, the back, and the intermediate points of the crown; the small ones, placed alternately with these, are ornamented with enamels representing Solomon, David, King Hezekiah seated on his throne, and Christ [Pg 378] seated between two flaming seraphim, such as the Greeks usually represent them. The costume of the figures resembles that of the Emperors of the Lower Empire, and although the inscriptions which accompany the figures are in Latin, the whole bears the impress of Greek workmanship. The ground of the figures is formed by the metal itself, which has been hollowed out to receive the enamel; but all the details of the design are traced out with fine fillets of gold. The flesh-tints are in rose-coloured enamel; the colours employed in the draperies and accessories are deep and light blue, red, and white. The crown has unquestionably been retouched at various periods, but yet there is nothing to invalidate the tradition which assigns the more ancient portions to the time of Charlemagne. The enamels must belong to the same early period.

The crown of this famous man, which our engraving accurately depicts, is now housed in the Imperial Treasury in Vienna. It consists of eight gold plates, four large and four small, connected by hinges. The large plates, adorned with precious stones, make up the front, back, and sides of the crown; the small plates, placed alternately, are decorated with enamels depicting Solomon, David, King Hezekiah on his throne, and Christ seated between two flaming seraphim, as often illustrated by the Greeks. The costumes of the figures resemble those of the Emperors of the Lower Empire, and while the inscriptions accompanying the figures are in Latin, the entire piece reflects Greek craftsmanship. The background for the figures is created by the metal itself, which has been carved out to hold the enamel; however, all the intricate details of the design are outlined with thin gold fillets. The skin tones are in rose-colored enamel, while the colors used in the drapery and accessories are deep and light blue, red, and white. The crown has certainly been touched up at various times, but there is nothing to discredit the tradition that attributes the older parts to the era of Charlemagne. The enamels likely belong to the same early period.

SPENT BY THE CORPORATION OF COVENTRY AT THE ENTERTAINMENT OF KING JAMES II. IN HIS PROGRESS THROUGH COVENTRY, 1687.
(Mr. Richard Haywood, Treasurer.)

SPENT BY THE CORPORATION OF COVENTRY AT THE ENTERTAINMENT OF KING JAMES II. IN HIS PROGRESS THROUGH COVENTRY, 1687.
(Mr. Richard Haywood, Treasurer.)

  £ s. d.
Gave a gold cup 171 17 6
Mr. Septimus Butt, mayor, for sweetmeats 27 17 0
Meat 13 14 0
Wine 21 12 6
Homage fee 41 6 8
King's cook 10 0 0
City cook 9 8 6
Steward Fielding, for making a speech to his Majesty 5 7 6
For linen spoiled, borrowed of Mrs. Smith, Spon-street 2 12 6
The aldermen that went to Worcester to invite him 3 18 9
Several companies for waiting on the King 27 9 4
Alderman Webster, for meat 3 6 0
Alderman Bradney for corn 3 5 6
His Majesty's clerk of the market 1 1 6
The King's trumpeters 2 0 0
Richard Howcott, for carrying the city streamer 0 7 0
The city bailiff's bill for fish, fowl, and wine 88 18 2
—— —— ——
£434 2 9
—— —— ——

TRAVELLING EXPENSES IN THE THIRTEENTH CENTURY.

TRAVELING EXPENSES IN THE THIRTEENTH CENTURY.

Of travelling expenses in the thirteenth century, a roll is in existence, and is too interesting to be passed over. It contains a steward's accompts of the daily expenses of a person of rank in the reign of Edward I, on a journey from Oxford to Canterbury, and during his sojourn in London, about the year 1289; while the record throws much light upon the mode of our ancestors' living, at a period concerning which we have very few similar memorials. One day's expenses are as follow: "In bread, sixpence. Two gallons of wine, a gift of hospitality from the rector of Berton. Item in bread, sixpence. Two gallons of [Pg 379] wine, a gift of hospitality from the rector of Mistern. Beer, sixpence. Herrings, threepence. Stockfish, fourpence. Porpoise and fish, fourpence. Perch and roach, seven-pence. Large eels, seven-pence. Vegetables, threepence farthing. Figs and raisins, twopence. Fuel, five-pence. A bed for two nights, twopence. Hay for seven horses, seven-pence. A bushel of oats, twenty-pence. Apples, a halfpenny. Sum, six shillings and eight-pence halfpenny." The most expensive day in the roll is on a Sunday, "in expenses of my lord at Westminster, when he held a breakfast there for knights, clerks, and squires. Bread, two shillings. Beer, twelve-pence. Wine, three shillings and eight-pence. Half a salmon, for the standard, with the chine, three shillings and eight-pence. A fresh conger eel, three shillings. Three fat pikes, five fat eels, and twenty-seven fat roaches, twelve shillings and fourpence. Half a hundred lamprorns, twelve-pence. Oysters, threepence. Vegetables, twopence. The hire of a boy to prepare the breakfast, one penny. Fare to Westminster, one penny. A basket, one penny farthing. On the same day at the inn: bread, five-pence farthing. Beer from the store. Two gallons of beer for the boys, twopence. Fish from the store. Candles, a halfpenny. Fuel, a halfpenny. Hay bought, five-pence three farthings. Straw, sixpence. Two bushels of oats, eight-pence. Two pair of shoes for my lord, twelve-pence. Sum, thirty shillings and threepence farthing."

Of travel expenses in the thirteenth century, there’s a record that’s too interesting to ignore. It includes a steward's accounts of the daily costs for a noble during the reign of Edward I, on a trip from Oxford to Canterbury, and while he stayed in London, around the year 1289. This record sheds light on how our ancestors lived during a time for which we have very few similar records. One day’s expenses are as follows: "For bread, sixpence. Two gallons of wine, a gift of hospitality from the rector of Berton. Also for bread, sixpence. Two gallons of wine, a gift of hospitality from the rector of Mistern. Beer, sixpence. Herrings, threepence. Stockfish, fourpence. Porpoise and fish, fourpence. Perch and roach, sevenpence. Large eels, sevenpence. Vegetables, threepence farthing. Figs and raisins, twopence. Fuel, fivepence. A bed for two nights, twopence. Hay for seven horses, sevenpence. A bushel of oats, twenty pence. Apples, a halfpenny. Total: six shillings and eightpence halfpenny." The most expensive day recorded is a Sunday, "for my lord’s expenses at Westminster, when he hosted a breakfast for knights, clerks, and squires. Bread, two shillings. Beer, twelve-pence. Wine, three shillings and eightpence. Half a salmon, for the standard, with the chine, three shillings and eightpence. A fresh conger eel, three shillings. Three fat pikes, five fat eels, and twenty-seven fat roaches, twelve shillings and fourpence. Half a hundred lamprorns, twelve-pence. Oysters, threepence. Vegetables, twopence. The hire of a boy to prepare the breakfast, one penny. Fare to Westminster, one penny. A basket, one penny farthing. On the same day at the inn: bread, fivepence farthing. Beer from the store. Two gallons of beer for the boys, twopence. Fish from the store. Candles, a halfpenny. Fuel, a halfpenny. Hay bought, fivepence three farthings. Straw, sixpence. Two pairs of shoes for my lord, twelvepence. Total: thirty shillings and threepence farthing."

DUNS IN THE MAHRATTA COUNTRY.

Duns in the Maratha region.

The Mahratta mode of recovering debts is curious. When the creditor cannot get his money, and begins to see the debt as rather desperate, he sits dhurna upon his debtor; that is, he squats down at the door of the tent, and becomes, in a certain mysterious degree, the master of it. No one goes in or out without his approbation. He neither eats himself, nor suffers his debtor to eat; and this famishing contest is carried on till the debt is paid, or till the creditor begins to feel that want of food is a greater punishment than the want of money. This curious mode of enforcing a demand is in universal practice among the Mahrattas; Scindiah himself, the chieftain, not being exempt from it. The man who sits the dhurna, goes to the house, or tent, of him whom he wishes to bring to terms, and remains there till the affair is settled; during which time, the one under restraint is confined to his apartment, and not suffered to communicate with any persons but those whom the other may approve of. The laws by which the dhurna is regulated are as well defined and understood as those of any other custom whatever. When it is meant to be very strict, the claimant carries a number of his followers, who surround the tent, sometimes even the bed of his adversary, and deprive him altogether of food; in which case, however, etiquette prescribes the same abstinence to himself: the strongest stomach, of course, carries the day. A custom of this kind was once so prevalent in the province and city of Benares, that Brahmins were trained to remain a long time without food. They were then sent to the door of some rich individual, where they made a vow to remain without eating, till they should obtain a certain sum of money. To preserve the life of a Brahmin is so absolutely [Pg 380] a duty, that the money was generally paid; but never till a good struggle had taken place, to ascertain whether the man was staunch or not; for money is the life and soul of all Hindoos.

The Mahratta way of collecting debts is quite interesting. When a creditor can't get his money and feels like the situation is hopeless, he sits in dhurna at his debtor's door. This means he squats down at the entrance of the tent and, in a somewhat mysterious way, takes control of it. No one can go in or out without his approval. He won’t eat himself, and won't let his debtor eat either; this starving standoff continues until the debt is paid, or until the creditor realizes that going without food is worse than being short on cash. This unusual method of enforcing payment is commonly practiced among the Mahrattas; even Scindiah, the chieftain, isn't exempt from it. The person sitting the dhurna goes to the house or tent of the person he wants to negotiate with and stays there until the issue is resolved. During this time, the debtor is confined to his space and can only speak to people that the creditor approves of. The rules governing dhurna are as clearly defined and understood as any other custom. When aimed to be very strict, the claimant brings several followers who surround the tent, sometimes even the bed of his opponent, and completely cut off his food supply; however, etiquette requires the claimant to abstain from food as well. In this case, the one with the strongest stomach usually wins. A custom like this was once so common in Benares that Brahmins were trained to go long periods without food. They would then go to the door of a wealthy individual and vow to remain without eating until they received a specific amount of money. Preserving the life of a Brahmin is considered a vital duty, so the money was typically paid, but not without a good struggle first to see if the person was truly resolute, because money is extremely important to all Hindoos.

VAUXHALL.

VAUXHALL.

Vauxhall

The trees seen above the houses at the foot of the Surrey side of Westminster Bridge are those of Vauxhall Gardens, the site of which will soon be covered with buildings. These grounds were once the glory of English pleasure-gardens, frequented by the highest in the land from the gay days of Charles II. to those of "the Regency," and were celebrated in musical history for talent of the highest kind here introduced. In the old orchestra, whose towering summit may be seen from the Thames, the greatest musical celebrities have sung. Handel, Dr. Arne, and Hook superintended its concerts; and Hogarth decorated its walls with paintings. It obtained its name from a very old mansion that once stood near it. This old manor-house of Fawkes Hall, as it existed in the reign of Charles I., is shown in our engraving; at that time it was described as a "fair dwelling-house, strongly built, of three stories high, and a pier staircase breaking out from it nineteen feet square." This staircase occupied one of the towers, in accordance with the ancient plan, and the house was a curious specimen of the old timber houses of the gentry in the sixteenth century.

The trees above the houses at the Surrey side of Westminster Bridge are from Vauxhall Gardens, which will soon be replaced by buildings. These grounds were once the pride of English pleasure gardens, visited by the elite from the lively times of Charles II to the Regency era, and were famous in musical history for showcasing top talent. In the old orchestra, visible from the Thames, the greatest musical stars performed. Handel, Dr. Arne, and Hook managed its concerts, while Hogarth decorated its walls with his paintings. It got its name from a very old mansion that once stood nearby. This old manor house, Fawkes Hall, as it was during Charles I's reign, is depicted in our engraving; back then, it was described as a "handsome dwelling house, strongly built, three stories high, with a pier staircase measuring nineteen feet square." This staircase was part of one of its towers, following traditional designs, and the house was a fascinating example of the old timber houses from the gentry in the sixteenth century.

It appears to have obtained its name from Foukes de Breut, who married the heiress of the manor, the Countess of Albemarle, sister to Baldwin, Archbishop of Canterbury; and it was granted by the name of [Pg 381] the manor of Foukeshall, by Edward III. to his favourite Hugh le Despenser. In 1615 the records of the Duchy of Cornwall prove the premises known as Vauxhall Gardens to have been the leasehold property of Jane Vaux, widow of John Vaux, citizen and vintner of London, and a benefactor to the parish of Lambeth. It has always remained, with the manor of Kennington, as the property of the crown, and belongs to the Prince of Wales as part of his Duchy of Cornwall. Vauxhall Gardens closed for ever on July 25th, 1859, with an al fresco fête.

It seems to have gotten its name from Foukes de Breut, who married the heiress of the manor, the Countess of Albemarle, sister of Baldwin, Archbishop of Canterbury; and it was granted as the manor of Foukeshall by Edward III to his favorite Hugh le Despenser. In 1615, records from the Duchy of Cornwall show that the place known as Vauxhall Gardens was leased by Jane Vaux, widow of John Vaux, a citizen and wine merchant from London, who was a benefactor to the parish of Lambeth. It has always stayed, along with the manor of Kennington, as property of the crown and belongs to the Prince of Wales as part of his Duchy of Cornwall. Vauxhall Gardens closed permanently on July 25, 1859, with an al fresco fête.

EGYPTIAN TOILET BOXES.

Egyptian toilet kits.

Egyptian Toilet Boxes

The ladies of ancient Egypt were very fond of having their apartments set off with a profusion of knick-knacks, and among other articles of that sort, they usually had several different kinds of toilet-boxes on their dressing-tables. The above engraving represents a group of them. They have been found in considerable numbers among the ruins of the palaces, and they form interesting objects among the Egyptian curiosities in many of our museums. They were made of wood, or of ivory, often inlaid, and always elaborately carved. Sometimes they partook of the nature of spoons, the containing part being shallow, at the end of a long solid handle; the handle was carved into the most fanciful forms—a grotesque human figure, a woman, a fox, or a fish—and the spoon part was generally covered with a lid, which turned on a pivot. In one of those in the engraving, the spoon takes the form of a fish, the cover being carved to resemble its scales, while another, also in the form of a fish, has two cavities, the one covered, the other permanently open. Sometimes the body of a goose formed the box, either trussed for the table, or in the posture of life, and other forms were devised from the fancy of the artist. Some of these shallow boxes are supposed to have been used for holding small quantities of ointments and cosmetics upon the toilet-table.

The women of ancient Egypt loved to decorate their rooms with a variety of knick-knacks, and among those items, they often had several types of toiletry boxes on their dressing tables. The engraving above shows a collection of them. They have been discovered in large numbers among the ruins of the palaces and are fascinating objects in many of our museums filled with Egyptian artifacts. They were made from wood or ivory, often inlaid, and always intricately carved. Sometimes they resembled spoons, with a shallow container at the end of a long solid handle; the handle was carved into whimsical shapes—a quirky human figure, a woman, a fox, or a fish—and the spoon part usually had a lid that pivoted open. In one of the examples in the engraving, the spoon is shaped like a fish, with the cover carved to look like scales, while another fish-shaped box has two compartments, one covered and the other always open. Occasionally, the box was formed from the body of a goose, either prepared for a feast or in a lifelike pose, while other designs arose from the artist’s imagination. Some of these shallow boxes were likely used to hold small amounts of ointments and cosmetics on the vanity.

SPACIOUS KITCHEN.

LARGE KITCHEN.

One of the most spacious kitchens in England is that of Raby Castle, the magnificent seat of the Duke of Cleveland. It is a square of thirty feet, having three chimneys, one for the grate, a second for stoves, and the third, (now stopped up,) for the great cauldron. The roof is arched, with a small cupola in the centre: it has likewise five windows, from each of which steps descend, but only in one instance to the floor; and a gallery runs round the whole interior of the building. The ancient oven is said to have allowed a tall person to stand upright in it, its diameter being fifteen feet. It has since been converted into a wine cellar, the sides being divided into ten parts, and each holding a hogshead of wine in bottles. Vast as is this kitchen, it must have been but suitable to the hospitality of former ages: for, in one of the apartments of Raby Castle, seven hundred knights are stated to have been entertained at one time.

One of the largest kitchens in England is at Raby Castle, the stunning home of the Duke of Cleveland. It's a square measuring thirty feet, featuring three chimneys: one for the fireplace, another for the stoves, and the third, which is now sealed off, for the large cauldron. The roof is arched and includes a small dome in the center. There are also five windows, each leading down steps, but only one set reaches the floor; a gallery wraps around the entire interior of the kitchen. The old oven is said to be so spacious that a tall person could stand up straight inside it, as its diameter is fifteen feet. It has since been turned into a wine cellar, with the sides divided into ten sections, each capable of holding a hogshead of wine in bottles. Despite its vast size, this kitchen must have been fitting for the hospitality of earlier times: in one of the rooms at Raby Castle, it’s recorded that seven hundred knights were entertained at once.

THE HAWTHORNDEN CAVES.

The Hawthornden Caves.

In almost every country on the earth there are natural or artificial caves, which have supplied hiding-places, retreats for anchorites, and even permanent native dwellings. Such caves abound in Scotland, and especially along the coast, but in general their interest arises rather from the associations of popular traditions, than from any intrinsic peculiarity of character pertaining to them. Few such retreats are more remarkable, either for constructive art, or historic associations, than the well-known caves beneath the old tower of Hawthornden, near Edinburgh. They have been hewn, with great labour and ingenuity, in the rocky cliff which overhangs the river Esk. No tradition preserves the history or date of their execution, but concealment was evidently the chief design of the excavators. The original entrance is most ingeniously made in the shaft of a very deep draw-well, sunk in the court-yard of the castle, and from its manifest utility as the ordinary and indispensable appendage of the fortress, it most effectually conceals its adaptation as a means of ingress and communication with the rock chambers beneath. These are of various forms and sizes, and one in particular is pierced with a series of square recesses, somewhat resembling the columbaria of a Roman tomb, but assigned by popular tradition as the library of its later owner, Drummond, the Scottish poet. Whatever was the purpose for which these were thus laboriously cut, the example is not singular. A large cave in Roxburghshire, hewn out in the lofty cliff which overhangs the Teviot, has in its sides similar recesses, and from their supposed resemblance to the interior of a pigeon-house, the cavern has received the name of the Doo-cave. Authentic notices of the Hawthornden caves occur so early as the reign of David II., when a daring band of Scottish adventurers made good their head-quarters there, while Edward held the newly-fortified castle of Edinburgh, and the whole surrounding district. In the glen of the little river Ale, which falls into the Teviot at Ancrum, extensive groups of caves occur, all indicating, more or less, artificial adaptation as human dwellings; and in many other districts similar evidences may be seen of temporary or permanent habitation, at some remote period, in these rude recesses. Along [Pg 383] the coast of Arran there are several caves of various dimensions, one of which, at Drumandruin, or Drumidoon, is noted in the older traditions of the island as the lodging of Fin M'Coul, the Fingal of Ossian, during his residence in Arran. Though low in the roof, it is sufficiently capacious for a hundred men to sit or lie in it. In this, as in other examples, we find evidences of artificial operations, proving its connexion with races long posterior to those with whose works we have chiefly to do in this section of archaeological inquiry. In the further end a large detached column of rock has a two-handed sword engraved on it, surmounted by a deer, and on the southern side of the cave a lunar figure is cut, similar in character to those frequently found on the sculptured pillars and crosses which abound in Scotland. It is now more frequently styled the king's cave, and described as the retreat of Robert the Bruce, while he lurked as a fugitive in the Western Isles; but, like many other traditions of the Bruce, this seems to be of very recent origin. Other caves in the same island are also of large dimensions, and variously associated with popular traditions, as, indeed, is generally the case where subterranean retreats of any considerable extent occur. Some are the supposed dwellings of old mythic chiefs, whose names still live in the traditional songs of the Gael. Others are the retreats which the primitive confessors of Scotland excavated or enlarged for their oratories or cells. Of the latter class are the caves of St. Molio, on the little island of Lamlash, or the Holy Isle, on the east coast of Arran; of St. Columba and St. Cormac, on the Argyleshire coast; of St. Ninian, in Wigtonshire; of St. Serf, at Dysart, on the Fifeshire coast; and the celebrated "ocean cave of St. Rule, in Saint Andrew's Bay." This last oratory consists of two chambers hewn out of the sandstone cliffs of that exposed coast. The inner apartment is a plain cell, entered from the supposed oratory of the Greek saint. The latter is nearly circular, measuring about ten feet in diameter, and has a stone altar hewn in the solid rock on its eastern side.

In almost every country in the world, there are natural or man-made caves that have provided hiding spots, retreats for hermits, and even permanent homes for locals. Scotland has a lot of these caves, especially along the coast, but their appeal usually comes more from the stories and legends attached to them rather than any unique features. Among these, the well-known caves beneath the old tower of Hawthornden, near Edinburgh, stand out for both their craftsmanship and historical significance. They were painstakingly carved into the rocky cliff overlooking the River Esk. No records exist telling us when they were made, but it’s clear that concealment was the main goal of those who created them. The original entrance is cleverly hidden in the shaft of a deep draw-well located in the castle's courtyard, and since it serves an essential purpose for the fortress, it effectively disguises its use as a way in and out of the rock chambers below. These chambers come in various shapes and sizes, and one, in particular, features a series of square recesses that look a bit like the columbaria of a Roman tomb, but local legend claims it was the library of Drummond, the Scottish poet. Whatever their original purpose, this isn’t an isolated example. A large cave in Roxburghshire, carved into the high cliff overlooking the Teviot, has similar recesses, and due to their resemblance to a pigeonhouse, the cave is called the Doo-cave. Records of the Hawthornden caves date back to the reign of David II, when a bold group of Scottish adventurers set up headquarters there while Edward held the newly fortified Edinburgh Castle and surrounding area. In the glen of the small River Ale, which flows into the Teviot at Ancrum, there are extensive groups of caves that show clear signs of being adapted for human habitation, and many other areas also have similar proof of temporary or permanent living spaces in these rough recesses from a distant time. Along [Pg 383] the coast of Arran, there are several caves of different sizes, one of which, at Drumandruin or Drumidoon, is mentioned in older island legends as the home of Fin M'Coul, the Fingal of Ossian, during his time in Arran. Though the ceiling is low, it’s spacious enough for a hundred people to sit or lie down. In this and other examples, we see signs of human modification, indicating its connection to later cultures than those typically examined in this section of archaeological study. At the far end, a large isolated rock column features an engraving of a two-handed sword topped by a deer, and on the southern wall of the cave, there's a lunar figure similar to those often found on the sculpted pillars and crosses throughout Scotland. Today, it’s more commonly called the king's cave and is described as the hideout of Robert the Bruce while he was a fugitive in the Western Isles; however, like many other stories about Bruce, this one seems to have appeared only recently. Other caves on the island are also large and linked to popular legends, which is typical where there are extensive underground spaces. Some are thought to be the dwellings of ancient mythical leaders whose names still appear in traditional Gaelic songs. Others were the shelters that early Scottish confessors dug out or expanded for their prayer spaces or cells. Such caves include those of St. Molio on the small island of Lamlash, also known as the Holy Isle, on Arran's east coast; St. Columba and St. Cormac on the Argyleshire coast; St. Ninian in Wigtonshire; St. Serf at Dysart on the Fifeshire coast; and the famous "ocean cave of St. Rule in Saint Andrew's Bay." This last oratory consists of two chambers carved out of the sandstone cliffs of that rugged coastline. The inner room is a plain cell, accessed from what is believed to be the oratory of the Greek saint. The oratory itself is nearly circular, about ten feet across, and has a stone altar carved into the solid rock on its eastern side.

MONKISH PRAYERS.

Monk prayers.

The Monks used to pray heartily, or rather say their prayers no less than seven times in the twenty-four hours. We will give their names:—

The monks used to pray sincerely, or rather say their prayers at least seven times in a twenty-four hour period. Here are their names:—

1st.—Nocturnal, at cock-crowing, or two o'clock in the morning.
2nd.—Matins, at six o'clock in the morning.
3rd.—Tierce, at nine o'clock in the morning.
4th.—Sext, at twelve o'clock at noon.
5th.—None, at three o'clock in the afternoon.
6th.—Vespers, at six o'clock in the afternoon.
7th.—Compline, soon after seven.

1st.—Nighttime, at dawn, or two o'clock in the morning.
2nd.—Morning prayer, at six o'clock in the morning.
3rd.—Third hour, at nine o'clock in the morning.
4th.—Sixth hour, at twelve o'clock at noon.
5th.—Ninth hour, at three o'clock in the afternoon.
6th.—Evening prayer, at six o'clock in the afternoon.
7th.—Night prayer, shortly after seven.

Quarles has a neat epigram on the subject:—

Quarles has a clever saying on the subject:—

For all our prayers th' Almighty does regard
The judgment of the balance, not the yard;
He loves not words, but matter; 'tis his pleasure
To buy his wares by weight, and not by measure.

THE TRAP-DOOR SPIDER.

The trapdoor spider.

There are few insects of such extraordinary habits as the Trap-door Spider, and the following account of it by Professor Jones is so interesting, [Pg 384] that we are glad to extract it from his excellent work on insect Architecture:—

There are few insects with such unusual habits as the Trap-door Spider, and the following description by Professor Jones is so fascinating, [Pg 384] that we're happy to take it from his outstanding work on insect Architecture:—

TRAP-DOOR SPIDER.

In the Ionian islands, and also in the West Indies [as well as in the south of France, and in Corsica], there are found certain spiders (Cteniza) commonly known as Trap-door Spiders, which make a cylindrical nest in the earth, and cover the entrance with a door of their own construction, framed of alternate layers of silk and earth, and fastened to the opening by a hinge of stout silk. These spiders also line their nests throughout with numerous layers of silken web to the thickness of stout cartridge paper, and finish it with the greatest care. This beautiful lining is yet further strengthened in particular parts, where the nest is likely to be exposed to danger. But the greatest amount of skill and care is bestowed upon the trap-door and its silken hinge. The door is about the eighth of an inch thick, rough on the outside, not much unlike an oyster-shell, which it also resembles in being thick and strong near the hinge, but thinner towards the circumference. The breadth of this hinge is various, but sometimes it is very considerable, as shown in the figure accompanying. It also possesses great elastic force, so that, on being opened, it closes again of itself. This is principally accomplished by a fold or doubling of the web, at each end of the hinge, which permits the door to be opened nearly to a right angle with the aperture, but no further, unless violence be used. The underside of the door is perfectly smooth and firm, being shaped so as to fit accurately, and yet to offer no resistance when pushed open by the insect.

In the Ionian Islands, as well as in the West Indies, the south of France, and Corsica, you can find certain spiders (Cteniza), commonly called Trap-door Spiders. They create a cylindrical nest in the ground and cover the entrance with a door they build themselves, made of alternating layers of silk and earth, secured to the opening with a sturdy silk hinge. These spiders also line their nests with multiple layers of silkweb, about the thickness of strong cartridge paper, and finish the lining with great attention to detail. This beautiful lining is reinforced in areas where the nest might be at risk. However, the most effort and skill are devoted to the trap-door and its silk hinge. The door is roughly an eighth of an inch thick, rough on the outside, somewhat resembling an oyster shell, being thick and strong near the hinge but thinner towards the edges. The width of the hinge varies, but in some cases, it can be quite substantial, as illustrated in the accompanying figure. It also has significant elastic force, which allows it to close on its own after being opened. This is mainly achieved through a fold or doubling of the web at each end of the hinge, which lets the door open nearly to a right angle with the opening, but not further unless force is applied. The underside of the door is perfectly smooth and firm, shaped to fit precisely while offering no resistance when pushed open by the spider.

SECTION OF NESt.
NEST OF TRAP-DOOR SPIDER.
TRAP-DOOR OPENING BY A LEVER

As might be expected, there are varieties in the shape and size of these nests. Some specimens found in the island of Zante had the silken layers of the lid extended into a sort of handle, or lever, just above the hinge, on pressing which, in ever so slight a degree, the trap-door opened. From this it would appear, that the entrance to such a nest could be effected as easily by the enemies of the spider as by the spider itself; this, however, is not the case; for repeated observation has shown that the spider keeps guard at the entrance, and actually holds the door with her fore-feet and palpi, while the hind-feet are extended down the side of the nest, and the mandibles are thrust into the opposite side near the door. By this means the insects gets such power as to resist with considerable force the opening of the door. If it be asked how this is known, we are able to refer to the experiments of careful observers, who extracted a number of nests from the ground, and opening them at the lower end, looked up, and saw the spider so occupied. A section view of the nest will show that the curved form of the cover, and the shape of the side walls, must favour this method of keeping the door shut. In some cases, small hollows were formed round the interior edge of the lid, into which the spider thrust [Pg 385] its feet when keeping guard. It is a curious fact, that when several of these spiders enclosed in their nests were kept as a matter of curiosity in a box of earth, and the doors frequently opened to examine their proceedings, one or two of them, as if wearied at these repeated interruptions, effectually closed their doors by weaving a piece of silken tapestry, which was spread over the interior of the opening, and rounded like the inside of a thimble. This was so strongly attached to the door and to the side walls, that no opening could be made without destroying the nest.

As you might expect, these nests come in different shapes and sizes. Some nests found on the island of Zante had the silken layers of the lid extended into a sort of handle or lever just above the hinge, which, when pressed even slightly, would open the trap-door. This suggests that the entrance to such a nest could be opened as easily by the spider's enemies as by the spider itself; however, that’s not true. Observations have shown that the spider guards the entrance and actually holds the door with her forelegs and palps, while her hind legs extend down the side of the nest, and her jaws are pressed against the opposite side near the door. This allows her to resist the door opening with considerable force. If you’re wondering how this is known, we can refer to the experiments of careful observers who removed several nests from the ground, opened them from the bottom, looked up, and saw the spider busy at work. A cross-section view of the nest reveals that the curved cover and the shape of the side walls help keep the door shut. In some cases, small hollows formed around the interior edge of the lid, where the spider inserted her feet while on guard. Interestingly, when several of these spiders were kept in a box of soil as a curiosity, and their doors were opened frequently to check on them, one or two closed their doors effectively by weaving a piece of silk tapestry that covered the opening and was rounded like the inside of a thimble. This was attached so securely to the door and the side walls that no opening could be made without destroying the nest.

PRICES OF GREEK VASES.

COSTS OF GREEK VASES.

In the ancient times of Rome the vases of Greek pottery bore a high value, and sold for enormous sums to connoisseurs, which has also been the case in modern times. Cleopatra spent daily, on the fragrant or flowery ware of Rhossus, a Syrian town, six minæ. Of the actual prices paid for painted vases, no positive mention occurs in classical authorities, yet it is most probable that vases of the best class, the products of eminent painters, obtained considerable prices. Among the Greeks, works of merit were at all times handsomely remunerated, and it is probable that vases of excellence shared the general favour shown to the fine arts. For works of inferior merit only small sums were paid, as will be seen by referring to the chapter on inscriptions, which were incised on their feet, and which mentioned their contemporary value. In modern times little is known about the prices paid for these works of art till quite a recent period, when their fragile remains have realised considerable sums. In this country the collections of Mr. Townley, Sir W. Hamilton, Lord Elgin, and Mr. Payne Knight, all contained painted vases. A sum of £500 was paid in consideration of the Athenian vases in Lord Elgin's collection, which is by no means large when the extraordinary nature of these vases is considered, as they are the finest in the world of the old primitive vases of Athens. £8,400 were paid for the vases of the [Pg 386] Hamilton collection, one of the most remarkable of the time, and consisting of many beautiful specimens from southern Italy. The great discoveries of the Prince of Canino, in 1827, and the subsequent sale of numerous vases, gave them, however, a definite market value, to which the sale of the collection of Baron Durand, which consisted almost entirely of vases, affords some clue. His collection sold in 1836 for 313,160 francs, or about £12,524. The most valuable specimen in the collection was the vase representing the death of Crœsus, which was purchased for the Louvre at the price of 6,600 francs, or £264. The vase with the subject of Arcesilaus brought 1,050 francs. Another magnificent vase, now in the Louvre, having the subject of the youthful Hercules strangling the serpents, was only secured for France after reaching the price of 6,000 francs, or £240: another, with the subject of Hercules, Dejanira, and Hyllus, was purchased for the sum of 3,550 francs, or £142. A crater, with the subject of Acamas and Demophoon bringing back Æthra, was obtained by M. Magnoncourt for 4,250 francs, or £170. A Bacchic amphora, of the maker Execias, of the archaic style, was bought by the British Museum for 3,600 francs, or £142 in round numbers. Enough has, however, been said to show the high price attained by the most remarkable of these works of art. The inferior vases of course realised much smaller sums, varying from a few francs to a few pounds; but high prices continued to be obtained, and the sale by the Prince of Canino in 1837, of some of his finest vases, contributed to enrich the museums of Europe, although, as many of the vases were bought in, it does not afford a good criterion as to price. An œnochoe, with Apollo and the Muses, and a hydria, with the same subject, were bought for 2,000 francs, or £80 each. A cylix, with a love scene, and another with Priam redeeming Hector's corpse, brought 6,600 francs, or £264. An amphora with the subject of Dionysius, and a cup with that of Hercules, sold for 8,000 francs, or £320 each. Another brought 7,000 francs, or £280. A vase with the subject of Theseus seizing Helen, another with the arming of Paris, and a third with Peleus and Thetis, sold for 6,000 francs, or £240. Nor can the value of the finest specimens of the art be considered to have deteriorated since. The late Mr. Steuart was offered 7,500 francs for a large crater, found in southern Italy, ornamented with the subject of Cadmus and the dragon; 3,000 francs, or £120, were paid by the British Museum for a fine crater ornamented with the exploits of Achilles: 2,500 francs, or £100, for an amphora of Apulian style, with the subject of Pelops and Œnomaus at the altar of the Olympian Zeus. For another vase, with the subject of Musæus, 3,000 francs, or £120 were paid, and 2,500 francs, or £100, for the Athenian prize vase, the celebrated Vas Burgonianum, exhumed by Mr. Burgon. At Mr. Beckford's sale, the late Duke of Hamilton gave £200 for a small vase, with the subject of the Indian Bacchus.

In ancient Rome, Greek pottery vases were highly valued and sold for significant amounts to collectors, which remains true today. Cleopatra spent six minæ daily on the fragrant or decorative pottery from Rhossus, a Syrian town. Although ancient texts do not provide specific prices for painted vases, it is likely that top-quality vases from renowned painters fetched high prices. In Greek culture, high-quality works were always well-compensated, and it's reasonable to assume that exceptional vases enjoyed the same appreciation as other fine arts. Lesser-quality works received only small payments, as indicated by the chapter on inscriptions found on the bases of these vases, which noted their contemporary value. In modern times, not much is known about the prices for these artworks until relatively recently, when their fragile remnants have been sold for substantial sums. In this country, collections by Mr. Townley, Sir W. Hamilton, Lord Elgin, and Mr. Payne Knight all included painted vases. Lord Elgin's collection saw the Athenian vases sell for £500, which is modest compared to their significance as some of the finest ancient vases. The Hamilton collection, one of the most notable of its time, fetched £8,400 for its vases, which included many beautiful examples from southern Italy. Major discoveries by the Prince of Canino in 1827 and the following sale of numerous vases established clear market values, as seen in the auction of Baron Durand's collection, mainly composed of vases, which sold in 1836 for 313,160 francs, around £12,524. The most valuable piece in that collection was a vase depicting the death of Crœsus, purchased by the Louvre for 6,600 francs, or £264. Another vase, featuring Arcesilaus, sold for 1,050 francs. A stunning vase now in the Louvre, depicting the young Hercules battling serpents, was secured for France at a price of 6,000 francs, or £240, while another vase featuring Hercules, Dejanira, and Hyllus sold for 3,550 francs, or £142. A crater representing Acamas and Demophoon bringing back Æthra was acquired by M. Magnoncourt for 4,250 francs, or £170. A Bacchic amphora made by Execias in the archaic style was purchased by the British Museum for 3,600 francs, or about £142. It’s clear that the most remarkable works of art commanded high prices. Lesser vases obviously sold for much lower amounts, ranging from a few francs to several pounds; however, high prices continued to be realized, as evidenced by the Prince of Canino’s sale of outstanding vases in 1837, which benefitted European museums, although many vases were bought in, making it difficult to assess actual market prices. An œnochoe featuring Apollo and the Muses, along with a hydria depicting the same theme, were purchased for 2,000 francs, or £80 each. A cylix showing a love scene, and another with Priam retrieving Hector's body, fetched 6,600 francs, or £264. An amphora featuring Dionysius and a cup with Hercules sold for 8,000 francs, or £320 each, and another vase sold for 7,000 francs, or £280. Vases illustrating Theseus capturing Helen, the arming of Paris, and another of Peleus and Thetis sold for 6,000 francs, or £240. The value of the finest examples of this art hasn’t diminished since then. The late Mr. Steuart was offered 7,500 francs for a large crater found in southern Italy, adorned with a scene of Cadmus and the dragon; the British Museum paid 3,000 francs, or £120, for a beautiful crater showing Achilles’s deeds; 2,500 francs, or £100, were spent on an Apulian-style amphora depicting Pelops and Œnomaus at the altar of Zeus. For another vase featuring Musæus, 3,000 francs, or £120, were given, and 2,500 francs, or £100, for the well-known Athenian prize vase, the Vas Burgonianum, unearthed by Mr. Burgon. At Mr. Beckford’s auction, the late Duke of Hamilton paid £200 for a small vase depicting the Indian Bacchus.

The passion for possessing fine vases has outstripped these prices at Naples; 2,400 ducats, or £500, was given for the vase with gilded figures discovered at Cumæ. Still more incredible, half a century back, 8,000 ducats, £1,500, was paid to Vivenzio for the vase in the Museo Borbonico representing the last night of Troy; 6,000 ducats, or £1,000, for the one [Pg 387] with a Dionysiac feast; and 4,000 ducats, or £800, for the vase with the grand battle of the Amazons, published by Shultz. But such sums will not be hereafter realised, not that taste is less, but that fine vases are more common. No sepulchre has been spared when detected, and no vase neglected when discovered; and vases have been exhumed with more activity than the most of precious relics.

The desire to own beautiful vases has exceeded these prices in Naples; 2,400 ducats, or £500, was paid for the vase with gilded figures found at Cumæ. Even more astonishing, fifty years ago, 8,000 ducats, £1,500, was given to Vivenzio for the vase in the Museo Borbonico depicting the last night of Troy; 6,000 ducats, or £1,000, for the vase featuring a Dionysian feast; and 4,000 ducats, or £800, for the vase showcasing the grand battle of the Amazons, published by Shultz. However, such amounts will not be realized in the future, not because taste has declined, but because fine vases have become more common. No tomb has been overlooked when found, and no vase has been disregarded when discovered; vases have been dug up with more intensity than most precious relics.

OLD WALKING STICKS.

Old walking sticks.

It would seem that at the present time the fashion of carrying walking-sticks has to a considerable extent "gone out." So great is the bustle in our city thoroughfares, that the use of a staff, except by those who are lame, is seldom adopted by business people. Professional men still affect the custom, however; and your City man, although he may repudiate the use of a walking-stick in town, straps a good sapling to his portmanteau whenever he has a chance of getting amongst the woods and green fields. About a century and a-half ago everybody carried a cane. Dr. Johnson, Oliver Goldsmith, and a host of others, considered a good stick as necessary as a coat; and a collection of these staves would, if they could be had at the present day, be valuable, not only as relics, but also as an indication of the characters of the owners, perhaps.

It seems that nowadays the trend of carrying walking sticks has largely faded away. The hustle and bustle of our city's streets means that only those who are disabled really use them, and even then, it's rare among business people. However, professionals still keep this tradition alive; your City guy may reject using a walking stick in town, but he definitely packs a nice walking stick when he gets the chance to escape to the woods and green fields. About a hundred and fifty years ago, everyone carried a cane. Dr. Johnson, Oliver Goldsmith, and many others considered a good cane just as essential as a coat. If we could find a collection of those canes today, they'd be valuable not just as keepsakes but also as reflections of their owners’ personalities, perhaps.

In former times, a golden-mounted stick or staff was commonly used by both the male and female heads of families. Queen Elizabeth carried one of these towards the end of her life. They were then more frequently used, however, as a sign of authority than for any other purpose.

In the past, a stick or staff with a golden mount was commonly used by both male and female heads of families. Queen Elizabeth carried one of these toward the end of her life. They were more often used then as a symbol of authority rather than for any other reason.

The staff was a weapon long before flint-headed arrows and such-like instruments were invented. Sheriffs, and others high in authority, have wands or staffs borne before them on important occasions; the bishops' pastoral staff is as old as episcopal authority.

The staff was a tool long before the invention of flint-tipped arrows and similar weapons. Sheriffs and other high-ranking officials carry wands or staffs before them on significant occasions; the bishops' pastoral staff is as ancient as episcopal authority.

In former times the running footmen, who, in a body of half-a-dozen, on each side of a carriage ran to alarm robbers and to assist the lumbering vehicle out of the ruts, were well armed with stout staves. At the present time they are still carried by the Plush family, although the use of them is not so clear. In the royal state processions, the footmen with their staves walk as in former days, and we should be sorry were these little bits of ceremony dispensed with, inasmuch as they bring to recollection a former condition of things, which makes us feel comfortable by comparison.

In the past, the footmen who would run alongside a carriage to scare off robbers and help the heavy vehicle out of ruts were well-equipped with sturdy staffs. Nowadays, the Plush family still carries these staffs, although their purpose isn't as obvious. In royal state processions, the footmen still carry their staffs just like they used to, and it would be a shame to do away with these small traditions, as they remind us of a different time, making us feel more at ease by comparison.

The monstrous sticks shown in the engraving are drawn from specimens which have been preserved by dealers in London, and put as a sort of sign at the doors of umbrella and walking-stick dealers. These were, however, a century ago, common enough, and might have been seen by the hundred together, borne by tall footmen behind ladies dressed in the old hooped dresses which we are trying now to imitate. At that time there was also a taste for various kinds of monsters, in China, wood, and other materials. Monkeys and pug-dogs were made pets of, and the sticks of the footmen fashioned into such ugly forms as no modern bogey ever dreamed of.

The huge sticks shown in the engraving come from specimens that have been kept by sellers in London and displayed as a kind of sign outside umbrella and walking-stick shops. However, a century ago, they were quite common and could often be seen by the hundreds, carried by tall footmen behind ladies dressed in the old-fashioned hooped gowns that we're now trying to replicate. Back then, there was also a trend for various types of monsters, made from materials like wood and other substances. Monkeys and pug-dogs were popular pets, and the footmen's sticks were crafted into shapes so grotesque that no modern monster has ever imagined them.

These clubs, sticks, maces, or whatever they may be called, were about six feet high, and were in parts painted and gilt. The centre one [Pg 388] is an elm-sapling, and the natural bumps have been taken advantage of by the artist to model a sort of Moorish head, with ornamental covering; lower down, the knobs are fashioned into terrible heads, in which are mounted glass eyes of various and impossible colours.

These clubs, sticks, maces, or whatever you want to call them, were around six feet tall and were partly painted and gilded. The center one [Pg 388] is made from an elm sapling, and the natural bumps have been used by the artist to create a kind of Moorish head with decorative covering; further down, the knobs are shaped into frightening heads, each with glass eyes in various and impossible colors.

Old Walking Sticks

No doubt before long these staffs, which might be necessary for the protection of the ladies from the "Mohawks" of the time, will have [Pg 389] disappeared, and people will look with curiosity at Hogarth's representation of them. Perhaps good specimens of such objects, which have passed out of use, would be worthy of a place in our national museum. One of the old-fashioned tinder-boxes would be a curiosity there now. Although but a few years have passed since the introduction of lucifer matches, it is no easy matter to get one of those old-fashioned machines.

No doubt before long these staffs, which were likely needed to protect the ladies from the "Mohawks" of the time, will have [Pg 389] disappeared, and people will look at Hogarth's depiction of them with curiosity. Maybe good examples of such items, which have fallen out of use, would deserve a spot in our national museum. An old-fashioned tinder-box would be a real curiosity there now. Even though only a few years have passed since lucifer matches were introduced, it’s not easy to find one of those old-fashioned devices.

THE SANCHI TOPE.

THE Sanchi Stupa.

Under the name of topes are included the most important class of Buddhist architecture in India. They consist of detached pillars, towers, and tumuli, all of a sacred or monumental character. The word is a corruption of the Sanscrit sthupa, meaning a mound, heap, or cairn.

Under the name of topes are included the most significant type of Buddhist architecture in India. They consist of separate pillars, towers, and burial mounds, all of a sacred or monumental nature. The term is a variation of the Sanskrit sthupa, meaning a mound, heap, or cairn.

By far the finest as well as the most perfect tope in India is that of Sanchi, the principal one of those opened near Bilsah, in Central India. It is uncertain whether it ever contained relics or not, as it had been dug into in 1819 by Sir Herbert Maddock, since which time it has remained a ruin, and may have been plundered by the natives. At any rate it must have been a spot of peculiar sanctity, judging both from its own magnificence, and from the number of subordinate topes grouped around it. In fact there are a greater number of these monuments on this spot, within a space not exceeding 17 miles, than there are, so far at least as we now know, in the whole of India from the Sutlej to Cape Comorin.

By far, the most impressive and perfect stupa in India is the one at Sanchi, the main one located near Bilsah in Central India. It’s unclear if it ever held relics, as it was excavated in 1819 by Sir Herbert Maddock, and since then, it has been in ruins and may have been looted by locals. Regardless, it must have been a place of unique significance, judging by its remarkable grandeur and the number of smaller stupas surrounding it. In fact, there are more of these monuments in this area, within a distance of just 17 miles, than there are in the entire span of India from the Sutlej to Cape Comorin, at least as far as we currently know.

The Sanchi Tope

The general appearance of the Sanchi Tope will be understood from the annexed view of it. The principal building consists of a dome somewhat less than a hemisphere, 106 feet in diameter, and 42 feet in height, with a platform on the top 34 feet across, which originally formed the basis of the tee or capital, which was the invariable finish of these monuments.

The overall look of the Sanchi Tope can be seen in the attached view. The main structure features a dome that's just under a hemisphere, measuring 106 feet in diameter and 42 feet tall, with a platform at the top that is 34 feet wide. This platform originally supported the tee or capital, which was always the final touch on these monuments.

The dome rests on a sloping base, 14 feet in height by 120 in diameter, [Pg 390] having an offset on its summit about 6 feet wide. This, if we may judge from the representations of topes on the sculptures, must have been surrounded by a balustrade, and was ascended by a broad double ramp on one side. It was probably used for processions encircling the monument, which seem to have been among the most common Buddhist ceremonials. The centre of this great mound is quite solid, being composed of bricks laid in mud; but the exterior is faced with dressed stones. Over these was laid a coating of cement nearly 4 inches in thickness, which was, no doubt, originally adorned either with painting or ornaments in relief.

The dome sits on a sloping base, 14 feet tall and 120 feet wide, [Pg 390] with a ledge on top that is about 6 feet wide. Based on the depictions of topes in the sculptures, it likely had a balustrade around it and could be accessed by a wide double ramp on one side. This area was probably used for processions that went around the monument, which were among the most common Buddhist rituals. The center of this large mound is quite solid, made of bricks laid in mud, while the outside is covered with dressed stones. On top of this was a layer of cement nearly 4 inches thick, which was likely originally decorated with either paint or relief ornaments.

The fence by which this tope is surrounded is extremely curious. It consists of stone posts 8 ft. 8 in. high, and little more than 2 ft. apart. These are surmounted by a plain architrave, 2 ft. 4 in. deep, slightly rounded at the top. So far this enclosure resembles the outer circle at Stonehenge; but between every two uprights three horizontal cross-pieces of stone are inserted of an elliptical form, of the same depth as the top piece, but only 9 in. thick in the thickest part. This is the only built example yet discovered of an architectural ornament which is found carved in every cave, and, indeed, in almost every ancient Buddhist building known in India. The upright posts or pillars of this enclosure bear inscriptions indicating that they were all given by different individuals. But neither these nor any other inscriptions found in the whole tope, nor in the smaller topes surrounding it (though there are as many as 250 inscriptions in all), contain any known name, or any clue to their age.

The fence surrounding this tope is quite interesting. It consists of stone posts that are 8 feet 8 inches high and just over 2 feet apart. These posts are topped with a simple architrave that is 2 feet 4 inches deep and slightly rounded at the top. Up to this point, the enclosure resembles the outer circle at Stonehenge; however, between every two upright posts, there are three horizontal stone cross-pieces inserted in an elliptical shape, the same depth as the top piece but only 9 inches thick at the thickest part. This is the only built example found of an architectural feature that is carved in every cave and nearly every ancient Buddhist structure known in India. The upright posts or pillars of this enclosure have inscriptions indicating that they were all donated by different individuals. However, neither these nor any other inscriptions found throughout the whole tope, nor in the smaller topes around it (though there are up to 250 inscriptions in total), contain any known names or provide any clues to their age.

Still more curious, however, than even the stone railing are the four gateways. One of these is shown in our view. It consists of two square pillars, covered with sculptures, with bold elephant capitals, rising to a height of 18 ft. 4 in.; above this are three lintels, slightly curved upwards in the centre, and ending in Ionic scrolls; they are supported by continuations of the columns, and three uprights inserted in the spaces between the lintels. They are covered with elaborate sculptures, and surmounted by emblems. The total height is 33 ft. 6 in. One gateway has fallen, and if removed to this country would raise the character of Indian sculpture, as nothing comparable to it has yet been transported from that part of the world to Europe.

Still more interesting than the stone railing are the four gateways. One of these is shown in our view. It consists of two square pillars, adorned with sculptures, featuring impressive elephant capitals, reaching a height of 18 ft. 4 in. Above this are three lintels, slightly curved upward in the center, ending in Ionic scrolls; they are supported by extensions of the columns and three vertical pieces inserted in the spaces between the lintels. They are decorated with intricate sculptures and topped with emblems. The total height is 33 ft. 6 in. One gateway has collapsed, and if brought to this country, it would elevate the status of Indian sculpture, as nothing comparable to it has yet been shipped from that part of the world to Europe.

BURIAL PLACES OF DISTINGUISHED MEN.

Graves of Notable People.

Chaucer was buried in the cloisters of Westminster Abbey, without the building, but removed to the south aisle in 1555; Spenser lies near him. Beaumont, Drayton, Cowley, Denham, Dryden, Howe, Addison, Prior, Congreve, Gray, Johnson, Sheridan, and Campbell, all lie within Westminster Abbey. Shakspeare, as every one knows, was buried in the chancel of the church at Stratford, where there is a monument to his memory. Chapman and Shirley are buried at St. Giles'-in-the-Fields; Marlow, in the churchyard of St. Paul's, Deptford; Fletcher and Massinger, in the churchyard of St. Saviour's, Southwark; Dr. Donne, in Old St. Paul's; Edward Waller, in Beaconsfield churchyard; Milton, in the churchyard of St. Giles', Cripplegate; Butler, in the churchyard of [Pg 391] St. Paul's, Covent Garden; Otway, no one knows where; Garth, in the churchyard at Harrow; Pope, in the church at Twickenham; Swift, in St. Patrick's, Dublin; Savage, in the churchyard of St. Peter's, Dublin; Parnell, at Chester, where he died on his way to Dublin; Dr. Young, at Welwyn, in Hertfordshire, of which place he was the rector; Thomson, in the churchyard at Richmond, in Surrey; Collins, in St. Andrew's Church, at Chichester; Gray, in the churchyard at Stoke-Pogis, where he conceived his "Elegy;" Goldsmith, in the churchyard of the Temple Church; Falconer, at sea, with "all ocean for his grave;" Churchill, in the churchyard of St. Martin's, Dover; Cowper, in the church at Dereham; Chatterton, in a churchyard belonging to the parish of St. Andrew's, Holborn; Burns, in St. Michael's churchyard, Dumfries; Byron, in the church of Hucknall, near Newstead; Crabbe, at Trowbridge; Coleridge, in the church at Highgate; Sir Walter Scott, in Dryburgh Abbey; Southey, in Crosthwaite Church, near Keswick.

Chaucer was buried in the cloisters of Westminster Abbey, outside the building, but was moved to the south aisle in 1555; Spenser is buried near him. Beaumont, Drayton, Cowley, Denham, Dryden, Howe, Addison, Prior, Congreve, Gray, Johnson, Sheridan, and Campbell all rest within Westminster Abbey. Shakespeare, as everyone knows, was buried in the chancel of the church in Stratford, where there is a monument in his memory. Chapman and Shirley are buried at St. Giles-in-the-Fields; Marlow is in the churchyard of St. Paul's, Deptford; Fletcher and Massinger rest in the churchyard of St. Saviour's, Southwark; Dr. Donne is in Old St. Paul's; Edward Waller is buried in Beaconsfield churchyard; Milton is in the churchyard of St. Giles', Cripplegate; Butler is in the churchyard of [Pg 391] St. Paul's, Covent Garden; where Otway lies is unknown; Garth is in the churchyard at Harrow; Pope is in the church at Twickenham; Swift is in St. Patrick's, Dublin; Savage is in the churchyard of St. Peter's, Dublin; Parnell is at Chester, where he died on his way to Dublin; Dr. Young is in Welwyn, Hertfordshire, where he was rector; Thomson is in the churchyard at Richmond, Surrey; Collins is in St. Andrew's Church, Chichester; Gray is in the churchyard at Stoke Pogis, where he wrote his "Elegy;" Goldsmith is in the churchyard of the Temple Church; Falconer was lost at sea, with "all ocean for his grave;" Churchill is in the churchyard of St. Martin's, Dover; Cowper is in the church at Dereham; Chatterton is in a churchyard belonging to the parish of St. Andrew's, Holborn; Burns is in St. Michael's churchyard, Dumfries; Byron is in the church at Hucknall, near Newstead; Crabbe is at Trowbridge; Coleridge is in the church at Highgate; Sir Walter Scott is in Dryburgh Abbey; Southey is in Crosthwaite Church, near Keswick.

A REGAL HUNTING PARTY.

A royal hunting party.

The following is an account of the destruction of game in Bohemia, by a hunting party of which the Emperor Francis made one, in 1755. There were twenty-three persons in the party, three of whom were ladies; the Princess Charlotte of Lorraine was one of them. The chase lasted eighteen days, and during that time they killed 47,950 head of game, and wild deer; of which 19 were stags, 77 roebucks, 10 foxes, 18,243 hares, 19,545 partridges, 9,499 pheasants, 114 larks, 353 quails, 454 other birds. The Emperor fired 9,798 shots, and the Princess Charlotte 9,010; in all, there were 116,209 shots fired.

The following is a record of the game destruction in Bohemia by a hunting party that included Emperor Francis in 1755. There were twenty-three people in the group, three of whom were women; Princess Charlotte of Lorraine was one of them. The hunt lasted eighteen days, and during that time, they killed 47,950 pieces of game and wild deer, including 19 stags, 77 roebucks, 10 foxes, 18,243 hares, 19,545 partridges, 9,499 pheasants, 114 larks, 353 quails, and 454 other birds. The Emperor took 9,798 shots, while Princess Charlotte took 9,010; in total, they fired 116,209 shots.

ANTIPATHIES.

DISLIKES.

Certain antipathies appear to depend upon a peculiarity of the senses. The horror inspired by the odour of certain flowers may be referred to this cause. Amatus Lusitanus relates the case of a monk who fainted when he beheld a rose, and never quitted his cell when that flower was blooming. Scaliger mentions one of his relations who experienced a similar horror when seeing a lily. In these instances it is not the agreeableness or the offensive nature of the aroma that inspires the repugnance; and Montaigne remarked on this subject, that there were men who dreaded an apple more than a musket-ball. Zimmerman tells us of a lady who could not endure the feeling of silk and satin, and shuddered when touching the velvety skin of a peach. Boyle records the case of a man who felt a natural abhorrence to honey. Without his knowledge, some honey was introduced in a plaster applied to his foot, and the accidents that resulted compelled his attendants to withdraw it. A young man was known to faint whenever he heard the servant sweeping. Hippocrates mentions one Nicanor who swooned whenever he heard a flute: our Shakspeare has alluded to the effects of the bagpipe. Julia daughter of Frederick, king of Naples, could not taste meat without serious accidents. Boyle fainted when he heard the splashing of water; Scaliger turned pale at the sight of water-cresses; Erasmus experienced febrile symptoms when smelling fish; the Duke d'Epernon swooned on [Pg 392] beholding a leveret, although a hare did not produce the same effect. Tycho Brahe fainted at the sight of a fox, Henry the Third of France at that of a cat, and Marshal d'Albert at a pig. The horror that whole families entertain of cheese is generally known. Many individuals cannot digest, or even retain certain substances, such as rice, wine, various fruits, and vegetables.

Certain dislikes seem to stem from a quirk of the senses. The dread caused by the scent of certain flowers can be attributed to this. Amatus Lusitanus tells the story of a monk who fainted when he saw a rose and never left his cell while that flower was in bloom. Scaliger mentions a relative who felt a similar horror at the sight of a lily. In these cases, it’s not the pleasantness or unpleasantness of the smell that causes the aversion; Montaigne noted that some men feared an apple more than a gunshot. Zimmerman shares the story of a woman who couldn’t stand the feel of silk and satin, shuddering when she touched the soft skin of a peach. Boyle recounts a man who felt a natural aversion to honey. Unbeknownst to him, some honey was mixed in a plaster placed on his foot, and the resulting reactions forced his attendants to remove it. A young man was known to faint whenever he heard the sound of someone sweeping. Hippocrates mentions a man named Nicanor who fainted at the sound of a flute; our Shakespeare referenced the effects of the bagpipe. Julia, the daughter of Frederick, King of Naples, experienced serious reactions when tasting meat. Boyle fainted at the sound of splashing water; Scaliger turned pale at the sight of watercress; Erasmus showed fever-like symptoms when smelling fish; and the Duke d'Epernon fainted at the sight of a leveret, although a hare did not have the same effect. Tycho Brahe fainted when he saw a fox, Henry III of France at the sight of a cat, and Marshal d'Albert at the sight of a pig. The aversion that entire families have to cheese is well-known. Many people cannot digest or even keep down certain foods like rice, wine, various fruits, and vegetables.

A YOUNG BUT CRUEL MURDERESS.

A young but ruthless murderer.

On the 3d of July, 1772, was executed at Lisbon, pursuant to her sentence, Louisa de Jesus, for the murder of the thirty-three infants, that were at different times committed to her care by the Directors of the Foundling Hospital at Coimbra; for which (as appears by the sentence published) she had no other inducement but six hundred reals in money, a coverda of baize, and a cradle, that she received with each of them. She was but twenty-two years of age when executed. Going to execution, she was pinched with hot irons, and at the gallows her hands were struck off; she was then strangled, and her body burnt.

On July 3, 1772, Louisa de Jesus was executed in Lisbon, following her sentencing for the murder of thirty-three infants who had been entrusted to her care at different times by the Directors of the Foundling Hospital in Coimbra. According to the published sentence, her only motivation was six hundred reals in cash, a piece of baize, and a cradle, which she received with each child. She was only twenty-two years old at the time of her execution. While being taken to the execution site, she was tormented with hot irons, and at the gallows, her hands were severed. She was then strangled, and her body was burned.

BECTIVE ABBEY.

Bective Abbey.

Bective Abbey, the ruins of which form the subject of the annexed engraving differs in its general arrangement from every other monastic structure in the kingdom. It was, in fact, a monastic castle, and, previous to the use of artillery, must have been regarded as a place of great strength. It is for this reason that we select it as one of our "Wonderful Things."

Bective Abbey, the ruins of which are shown in the attached engraving, has a different overall design compared to any other monastery in the country. It was actually a monastic castle and, before the advent of artillery, must have been seen as a highly fortified location. This is why we choose it as one of our "Wonderful Things."

Bective Abbey

The ruins are in the immediate neighbourhood of Trim, and about thirty miles from Dublin.

The ruins are located right next to Trim and about thirty miles from Dublin.

The ruins combine a union of ecclesiastical with military and domestic architecture in a remarkable degree. Their chief feature is a strong battlemented tower, the lower compartment of which is vaulted, placed at the south-west corner of the quadrangular space occupied by the various buildings, and in the centre of which the cloisters remain in excellent preservation. The cloister arches are late in the first pointed style, and are cinque-foiled. The featherings are mostly plain, but several are ornamented with flowers or leaves, and upon one a hawk-like bird is sculptured. A fillet is worked upon each of the clustered shafts, by which the openings are divided, and also upon their capitals. The bases, which are circular, rest upon square plinths, the angles of which are ornamented with a leaf, as it were, growing out of the base of the moulding.

The ruins feature a mix of church, military, and residential architecture to an impressive degree. The main highlight is a sturdy tower with battlements, located at the southwest corner of the rectangular area that houses various buildings. In the middle of this space, the cloisters are exceptionally well-preserved. The arches of the cloisters are designed in the late first pointed style and have five foils. The featherings are mostly simple, although some are decorated with flowers or leaves, and one even has a sculpted hawk-like bird. Each of the clustered shafts that divide the openings has a fillet worked on it, which also appears on their capitals. The bases are circular and sit on square plinths, with the corners adorned with a leaf that seems to sprout from the base of the molding.

Of the church there are scarcely any remains. As the northern wall of the cloister is pierced with several windows, which have now the appearance of splaying externally, it is extremely probable that it also served as the south wall of the church, no other portion of which can at present be identified. Those buildings which were for the most part [Pg 393] devoted to domestic purposes are for the most part situated upon the east side of the quadrangle. Their architectural details are of a character later than those of the tower and of the other portions, but additions and alterations have evidently been made.

There are hardly any remains of the church. Since the northern wall of the cloister has several windows that now look like they've been opened up on the outside, it's very likely that this wall also served as the south wall of the church, which we currently can't identify any other parts of. Most of the buildings, which were mainly used for domestic purposes, are located on the east side of the quadrangle. Their architectural details are more modern than those of the tower and the other sections, but it's clear that there have been additions and changes made.

NOVEL MODE OF CELEBRATION.

New Way to Celebrate.

Upon the occasion of the christening of the 21st child of Mr. Wright, of Widaker, near Whitehaven, by the same woman, in the year 1767, the company came from 21 parishes, and the entertainment consisted of 21 pieces of beef, 21 legs of mutton and lamb, 21 gallons of brandy, three times 21 gallons of strong ale, three times 21 fowls, roasted and boiled, 21 pies, &c.

Upon the christening of Mr. Wright's 21st child from Widaker, near Whitehaven, in 1767, guests arrived from 21 parishes, and the feast included 21 pieces of beef, 21 legs of mutton and lamb, 21 gallons of brandy, three times 21 gallons of strong ale, three times 21 chickens, both roasted and boiled, 21 pies, etc.

ANTIQUE HEAD ORNAMENT.

VINTAGE HEADPIECE.

Antique Head Ornament

The annexed engraving represents an exceedingly beautiful bronze relic, apparently of the class of head rings, in the collection of the Society of Antiquaries of Scotland, which was discovered in the year 1747, about seven feet below the surface, when digging for a well, at the east end of the village of Stitchel, in the county of Roxburgh. It bears a resemblance in some respects to relics of the same class in the Christiansborg Palace, yet nothing exactly similar to it has yet been found among Scandinavian relics; while some of its ornamental details closely correspond to those which characterize the British horse furniture and other native relics of this period. One of its most remarkable peculiarities is, that it opens and shuts by means of a hinge, being clasped when closed by a pin which passes through a double catch at a line intersecting the ornament; and so perfect is it that it can still be opened and secured with ease. It is probable that this also should rank among the ornaments of the head, though it differs in some important respects from any other object of the same class. The oval which it forms is not only too small to encircle the head, but it will be observed from the engraving that its greatest length is from side to side, the internal measurements being five and nine-tenth inches by five and one-tenth inches.

The attached engraving shows a stunning bronze artifact, likely a type of head ring, from the collection of the Society of Antiquaries of Scotland. It was discovered in 1747, about seven feet underground, while digging a well at the east end of the village of Stitchel in Roxburgh County. It resembles some similar artifacts in Christiansborg Palace, but nothing exactly like it has been found among Scandinavian items. Some of its decorative features closely match those seen in British horse equipment and other local relics from this period. One of its most unique characteristics is that it opens and closes with a hinge, secured when closed by a pin that goes through a double catch at a line crossing the ornament. It's so well-made that it can still be opened and locked easily. This piece likely belongs among head ornaments, although it has some significant differences from other items in the same category. Its oval shape is too small to fit around the head; as shown in the engraving, its largest dimensions are five and nine-tenths inches by five and one-tenth inches.

RELICS.

Artifacts.

At the commencement of the seventeenth century there was a crucifix belonging to the Augustine friars at Burgos in Spain, which produced a revenue of nearly seven thousand crowns per annum. It was found upon the sea, not far from the coast, with a scroll of parchment appended to it, descriptive of the various virtues it possessed. The [Pg 394] image was provided with a false beard and a chesnut periwig, which its holy guardians declared were natural, and they also assured all pious visitors that on every Friday it sweated blood and water into a silver basin. In the garden of this convent grew a species of wheat, the grain of which was peculiarly large, and which its possessors averred was brought by Adam out of Paradise. Of this wheat they made small cakes called pançillos, kneaded with the aforesaid blood and water, and sold them to the credulous multitude for a quartillo a piece. These cakes were an infallible remedy for all disorders, and over those who carried them the devil had no power. They sold also blue ribands of the exact length of the crucifix, for about a shilling each, with this inscription in silver letters, "La madi del santo crucifisco de Burgos." These ribands were a sovereign cure for the headache.

At the start of the seventeenth century, there was a crucifix belonging to the Augustinian friars in Burgos, Spain, that generated nearly seven thousand crowns a year. It was discovered at sea, not far from the shore, with a scroll of parchment attached, detailing its various virtues. The [Pg 394] image had a fake beard and a chestnut wig, which its holy caretakers claimed were real. They also assured all devout visitors that every Friday it bled water and blood into a silver basin. In the garden of this convent, a type of wheat grew, known for its unusually large grains, which its owners claimed Adam brought from Paradise. They used this wheat to make small cakes called pançillos, mixed with the aforementioned blood and water, and sold them to the gullible public for a quartillo each. These cakes were said to be a guaranteed cure for all ailments, and anyone who carried them was immune to the devil's influence. They also sold blue ribbons the exact length of the crucifix for about a shilling each, inscribed in silver letters, "La madi del santo crucifisco de Burgos." These ribbons were reputed to be a sure fix for headaches.

LONG MEG AND HER DAUGHTERS.

LONG MEG AND HER KIDS.

As there is something remarkable or out of the way in this family of heavy stone, we present it to the reader. This venerable Druidical monument, which is by the country-people called Long Meg and her Daughters, stands near Little Salkeld, in the county of Cumberland. It consists of 67 massy stones, of different sorts and sizes, ranged in a circle of nearly 120 paces diameter; some of these stones are granite, some blue and grey limestone, and others flint; many of them are ten feet high, and fifteen or sixteen feet in circumference: these are called Long Meg's Daughters. On the southern side of this circle, about seventeen or eighteen paces out of the line, stands the stone called Long Meg, which is of that kind of red stone found about Penrith. It is so placed, that each of its angles faces one of the cardinal points of the compass; it measures upwards of eighteen feet in height, and fifteen feet in girth; its figure is nearly that of a square prism; it weighs about sixteen tons and a half. In the part of the circle the most contiguous, four large stones are placed in a square form, as if they had been intended to support an altar; and towards the east, west, and north, two large stones stand a greater distance from each other than any of the rest, seemingly to form the entrances into a circle. It is remarkable that no stone-quarry is to be found hereabouts. The appearance of this circle is much hurt by a stone wall built across it, that cuts off a considerable segment, which stands in the road. The same ridiculous story is told of these stones, as of those at Stonehenge, i. e., that it is impossible to count them, and that many persons who have made the trial, could never find them amount twice to the same number. It is added, that this was a holy place, and that Long Meg and her Daughters were a company of witches transformed into stones, on the prayers of some saint, for venturing to prophane it; but when, and by whom, the story does not say. Thus has tradition obscurely, and clogged with fable, handed down the destination of this spot, accompanied with some of that veneration in which it was once undoubtedly held, though not sufficiently to protect its remains from the depredations of avarice; the inclosure and cultivation of the ground bidding fair to destroy them. These stones are mentioned by Camden, who was either misinformed as to, or mis-reckoned their [Pg 395] number; unless, which seems improbable, some have been taken away. "At Little Salkeld, (says he,) there is a circle of stones seventy-seven in number, each ten feet high; and before these, at the entrance, is a single one by itself, fifteen feet high. This the common people call Long Meg, and the rest her Daughters; and within the circle, are two heaps of stones, under which they say there are dead bodies buried; and, indeed, it is probable enough that this has been a monument erected in memory of some victory." The history of the British Druidical Antiquities having been thoroughly investigated, since Camden's time, these circles are now universally agreed to have been temples and places of judgment, and not sepulchral monuments. Indeed his editor has, in some measure, rectified his mistake, by the following addition: "But, as to the heaps in the middle, they are no part of the monument, but have been gathered off the ploughed lands adjoining; and (as in many other parts of the county) thrown up here in a waste corner of the field; and as to the occasion of it, both this, and the Rolrick stones in Oxfordshire, are supposed by many, to have been monuments erected at the solemn investiture of some Danish Kings, and of the same kind as the Kingstolen in Denmark, and Moresteen in Sweden; concerning which, several large discourses have been written."

As there’s something extraordinary about this group of large stones, we present it to you. This ancient Druidic monument, known to locals as Long Meg and Her Daughters, is located near Little Salkeld in Cumberland. It consists of 67 massive stones of various types and sizes arranged in a circle with a diameter of nearly 120 paces; some are granite, others are blue and grey limestone, and some are flint. Many of these stones are ten feet tall and fifteen or sixteen feet around; these are referred to as Long Meg's Daughters. On the southern side of this circle, about seventeen or eighteen paces off the line, stands the stone called Long Meg, which is made of red stone found near Penrith. It’s positioned so that each of its angles points toward one of the cardinal directions; it measures over eighteen feet in height and fifteen feet around; its shape is nearly that of a square prism; it weighs about sixteen and a half tons. In the part of the circle that is closest, four large stones are arranged in a square shape, as if meant to support an altar; and towards the east, west, and north, two large stones stand farther apart than any of the others, seemingly marking entrances into the circle. It’s notable that there are no stone quarries nearby. The appearance of this circle is marred by a stone wall built across it, which cuts off a significant segment that lies in the road. The same absurd story exists about these stones as does for those at Stonehenge, namely, that it's impossible to count them, and that many people who have tried have never found them to add up to the same number twice. It's also said that this was a holy place, and that Long Meg and her Daughters were a group of witches turned to stone for desecrating it, due to the prayers of some saint, although it doesn’t disclose when or by whom. Thus, tradition, muddied with myth, has passed down the history of this site, together with some of the reverence it once undoubtedly held, though not enough to protect its remains from exploitation; the enclosure and cultivation of the land threaten to destroy them. These stones are mentioned by Camden, who either misreported or miscalculated their number; unless, which seems unlikely, some have been removed. "At Little Salkeld," he writes, "there is a circle of stones numbering seventy-seven, each ten feet high; and in front of these, at the entrance, is a single stone by itself, fifteen feet high. This is what the locals call Long Meg, and the rest her Daughters; and within the circle are two heaps of stones, under which they say there are dead bodies buried; and indeed, it seems likely that this was a monument erected in memory of some victory." The history of British Druidic Antiquities has been thoroughly explored since Camden's time, and it is now widely accepted that these circles were temples and places of judgment, not burial sites. In fact, his editor has somewhat corrected his mistake with the following note: "But, regarding the heaps in the middle, they are not part of the monument but have been collected from the neighboring ploughed lands and, as in many other parts of the county, heaped up here in a waste corner of the field; and concerning this, both this and the Rolrick stones in Oxfordshire are believed by many to have been monuments erected during the formal crowning of Danish kings, similar to the Kingstolen in Denmark and Moresteen in Sweden; several extensive discussions have been written on this topic."

CURIOUS PARTICULARS RELATIVE TO DRESS AT THE COMMENCEMENT OF THE FIFTEENTH CENTURY.

CURIOUS DETAILS ABOUT FASHION AT THE START OF THE FIFTEENTH CENTURY.

Cloth of gold, satin, and velvet, enriched by the florid decorations of the needle, were insufficient to satisfy the pride of nobles; robes formed of these costly materials were frequently ornamented with embroidery of goldsmiths' work, thickly set with precious stones; and the most absurd and fantastic habits were continually adopted, in the restless desire to appear in new inventions. John of Ghent is represented in a habit divided straight down the middle, one side white, the other half dark blue; and his son, Henry IV., on his return from exile, rode in procession through London in a jacket of cloth-of-gold, "after the German fashion." The dukes and earls who attended his coronation wore three bars of ermine on the left arm, a quarter of a yard long, "or thereabouts;" the barons had but two: and over the monarch's head was borne a canopy of blue silk, supported by silver staves, with four gold bells, "that rang at the corners." "Early in the reign of Richard II. began," says Stowe, "the detestable use of piked shoes, tied to the knees with chains of silver gilt; also women used high attire on their heads with piked horns and long training gowns. The commons also were besotted in excesse of apparel; in wide surcoates reaching to their loines; some in a garment reaching to their heels, close before and sprowting out at the sides, so that on the backe they make men seeme women, and this they call by a ridiculous name—gowne. Their hoodes are little, and tied under the chin."

Cloth of gold, satin, and velvet, decorated with fancy needlework, weren’t enough to satisfy the nobles' pride; robes made from these expensive materials were often adorned with elaborate embroidery and studded with precious stones. The most extravagant and outrageous styles were constantly adopted in a restless quest for new trends. John of Ghent is depicted in a outfit divided straight down the middle, one side white and the other dark blue; his son, Henry IV, returned from exile riding in a gold cloth jacket, "in the German style." The dukes and earls at his coronation wore three bars of ermine on their left arms, about a quarter of a yard long; the barons had just two. Over the king’s head was a blue silk canopy held up by silver poles, with four gold bells that "rang at the corners." "Early in the reign of Richard II. began," says Stowe, "the awful trend of pointed shoes, tied to the knees with chains of gilded silver; women wore high headpieces with pointed horns and long trailing gowns. The common people were also obsessed with excessive clothing; in wide surcoats that reached their waists; some wore garments that reached their heels, fitting closely in the front and flaring out at the sides, making them look feminine from behind, and they called this by a silly name—gown. Their hoods are small and tied under the chin."

ECCENTRIC FUNERAL.

Unique funeral.

Mr. John Oliver, an eccentric miller of Highdown Hill, in Sussex, died, aged eighty-three, the 27th of May, 1793. His remains were [Pg 396] interred near his mill, in a tomb he had caused to be erected there for that purpose, near thirty years ago; the ground having been previously consecrated. His coffin, which he had for many years kept under his bed, was painted white; and the body was borne by eight men clothed in the same colour. A girl about twelve years old read the burial service, and afterwards, on the tomb, delivered a sermon on the occasion, from Micah 7, 8, 9, before at least two thousand auditors, whom curiosity had led to see this extraordinary funeral.

Mr. John Oliver, an eccentric miller from Highdown Hill in Sussex, passed away at the age of eighty-three on May 27, 1793. His remains were [Pg 396] buried near his mill in a tomb he had built there almost thirty years earlier, after the ground had been consecrated. His coffin, which he had kept under his bed for many years, was painted white; and the body was carried by eight men dressed in the same color. A girl about twelve years old read the burial service, and later, at the tomb, she delivered a sermon on the occasion from Micah 7:8-9, in front of at least two thousand people who had come out of curiosity to witness this unusual funeral.

EGYPTIAN STANDARDS.

Egyptian Standards.

The engraving which we here lay before our friends, represents a group of Egyptian standards, as they were used in the army in the time of Pharaoh.

The engraving we present to our friends shows a collection of Egyptian standards as they were utilized in the army during the time of Pharaoh.

Egyptian Standards

Each regiment and company had its own peculiar banner or standard, which were therefore very numerous, and various in their devices. A beast, bird, or reptile, a sacred boat, a royal name in a cartouche, or a symbolic combination of emblems, were the most common forms. As they appear to have been objects of superstitious veneration that were selected for this purpose, they must have contributed greatly to the enthusiasm so highly valued in battle; and instances are common in all history of desponding courage revived, and prodigies of valour performed, on behalf of those objects which were so identified with national and personal honour.

Each regiment and company had its own unique flag or standard, leading to a wide variety of them with different designs. The most common forms included animals, birds, reptiles, sacred boats, royal names in a cartouche, or a mix of symbolic emblems. Since these flags seemed to have been objects of superstitious reverence chosen for this purpose, they likely played a significant role in boosting the enthusiasm that was so important in battle. Throughout history, there are many examples of people regaining courage and displaying remarkable bravery for the sake of these symbols, which were closely linked to national and personal honor.

Allusions to standards, banners, and ensigns are frequent in the Holy Scriptures. The four divisions in which the tribes of Israel marched through the wilderness had each its governing standard, and tradition has assigned to these ensigns the respective forms of the symbolic cherubim seen in the vision of Ezekiel and John—that of Judah being a lion, [Pg 397] that of Reuben a man, that of Ephraim an ox, and that of Dan an eagle. The post of standard-bearer was at all times of the greatest importance, and none but officers of approved valour were ever chosen for such a service; hence Jehovah, describing the ruin and discomfiture which he was about to bring on the haughty King of Assyria, says, "And they shall be as when a standard-bearer fainteth."

References to standards, banners, and flags are common in the Holy Scriptures. The four groups in which the tribes of Israel traveled through the wilderness each had its own governing standard, and tradition has associated these banners with the symbolic cherubim seen in the visions of Ezekiel and John—Judah’s being a lion, [Pg 397] Reuben’s a man, Ephraim’s an ox, and Dan’s an eagle. The role of the standard-bearer was always extremely important, and only officers of proven bravery were chosen for this duty; therefore, when Jehovah describes the destruction and humiliation he was about to bring upon the proud King of Assyria, he says, "And they shall be like when a standard-bearer faints."

THE SHREW ASH.

THE SHREW ASH.

Shrew Ash

At that end of Richmond Park where a gate leads to Mortlake, and near a cottage in which resides one of the most estimable gentlemen of the age—Professor Owen—there still lives and flourishes a tree that has been famous for many ages: it is the Shrew Ash, and the above is a correct engraving of it. It stands on rising ground, only a few yards beyond the pond which almost skirts the Professor's lawn. White, in his Natural History of Selborne, describes a shrew-ash as an ash whose twigs or branches, when gently applied to the limbs of cattle, will immediately relieve the pains which a beast suffers from the running of a shrew-mouse over the part affected; for it is supposed that a shrew-mouse is of so baleful and deleterious a nature, that wherever it creeps over a beast, be it horse, cow, or sheep, the suffering animal is afflicted [Pg 398] with cruel anguish, and threatened with the loss of the use of the limb. Against this evil, to which they were continually liable, our provident forefathers always kept a shrew-ash at hand, which, when once medicated, would maintain its virtue for ever. A shrew-ash was made potent thus:—Into the body of a tree a deep hole was bored with an auger, and a poor devoted shrew-mouse was thrust in alive, and plugged in, no doubt with several quaint incantations, long since forgotten. The shrew-ash in Richmond Park is, therefore, amongst the few legacies of the kind bequeathed to their country by the wisdom of our ancestors.

At the end of Richmond Park where a gate leads to Mortlake, near a cottage where one of the most respected gentlemen of our time—Professor Owen—lives, there still stands a famous tree that has been known for ages: it’s the Shrew Ash, and the image above is an accurate representation of it. It sits on a slight rise, just a few yards from the pond that nearly touches the Professor's lawn. White, in his Natural History of Selborne, describes a shrew-ash as an ash tree whose twigs or branches, when lightly brushed against the limbs of cattle, will instantly relieve the pain that arises when a shrew-mouse runs over the affected area; it's believed that a shrew-mouse has such a harmful nature that whenever it passes over an animal—be it horse, cow, or sheep—the suffering creature is left in intense pain and risks losing the use of the limb. To combat this constant threat, our wise ancestors always kept a shrew-ash nearby, which, once treated, would retain its healing properties indefinitely. A shrew-ash was empowered this way: a deep hole was drilled into the trunk of the tree using an auger, and a poor shrew-mouse was pushed in alive and sealed up, surely accompanied by various strange incantations that have long been forgotten. Thus, the shrew-ash in Richmond Park is among the few cherished gifts left to us by the wisdom of our forebears.

Our readers will perceive that across the hollow of the tree near the top there is a little bar of wood. The legend runs that were this bar removed every night, it would be replaced in the same spot every morning. The superstition is, that if a child afflicted with what the people in the neighbourhood call "decline," or whooping-cough, or any infantine disease, is passed nine times up the hollow of that tree, and over the bar, while the sun is rising, it will recover. If the charm fails to produce the desired effect, the old women believe that the sun was too far up, or not up enough. If the child recovers, of course, the fame of the tree is whispered about. There is a sort of shrew-mother to every shrew-ash, who acts as guide and teacher to any young mother who has an afflicted child and believes in the charm. The ash in Richmond Park is still used, and still firmly believed in.

Our readers will notice that there’s a small piece of wood across the hollow of the tree near the top. The story goes that if this piece is taken away each night, it will be back in the same spot every morning. The belief is that if a child suffering from what the locals call "decline," whooping cough, or any childhood illness, is passed nine times through the hollow of that tree and over the bar while the sun is rising, they will get better. If the charm doesn’t work, the older women think it’s because the sun was either too high or not high enough. If the child does recover, the reputation of the tree spreads through whispers. There’s a sort of wise woman for every young mother who guides and supports any mother with an ill child who believes in the charm. The ash tree in Richmond Park is still in use and remains strongly believed in.

A DRUM MADE OF HUMAN SKIN.

A DRUM MADE OF HUMAN SKIN.

John Zisca, general of the insurgents who took up arms in the year 1419 against the Emperor Sigismund, to revenge the deaths of John Huss, and Jerome of Prague, who had been cruelly burnt to death for their religious tenets, defeated the Emperor in several pitched battles. He gave orders that, after his death, they should make a drum of his skin; which was most religiously obeyed, and those very remains of the enthusiastic Zisca proved, for many years, fatal to the Emperor, who, with difficulty, in the space of sixteen years, recovered Bohemia, though assisted by the forces of Germany, and the terror of Crusades. The insurgents were 40,000 in number, and well disciplined.

John Zisca, the leader of the rebels who rose up in 1419 against Emperor Sigismund to avenge the deaths of John Huss and Jerome of Prague, who had been brutally burned for their religious beliefs, defeated the Emperor in several major battles. He instructed that, after his death, they should make a drum from his skin; this was strictly followed, and those remains of the passionate Zisca proved to be, for many years, disastrous for the Emperor, who, with great difficulty, took sixteen years to regain control of Bohemia, even with the help of German forces and the fear of Crusades. The insurgents numbered 40,000 and were well trained.

EARTHQUAKE IN JAMAICA.

Jamaica Earthquake.

The Earthquake of Jamaica, in 1692, is one of the most dreadful that history has to record. It was attended with a hollow rumbling noise like that of thunder, and in less than a minute all the houses on one side of the principal street in the town of Port Royal sank into a fearful gulf forty fathoms deep, and water came roaring up where the houses had been. On the other side of the street the ground rose up and down like the waves of the sea, raising the houses and throwing them into heaps as it subsided. In another part of the town the street cracked along all its length, and the houses appeared suddenly twice as far apart as they were before. In many places the earth opened and closed again, so that several hundred of these openings were to be seen at the same time; and as the wretched inhabitants ran out of their tottering dwellings, the earth opened under their feet, and in some cases swallowed [Pg 399] them up entirely; while in others, the earth suddenly closing, caught them by the middle, and thus crushed them to death. In some cases these fearful openings spouted up cataracts of water, which were attended by a most noisome stench. It is not possible for any place to exhibit a scene of greater desolation than the whole island presented at this period. The thundering bellowing of the distant mountains, the dusky gloom of the sky, and the crash of the falling buildings gave unspeakable horror to the scene. Such of the inhabitants as were saved sought shelter on board the ships in the harbour, and remained there for more than two months, the shocks continuing with more or less violence every day. When, at length, the inhabitants were enabled to return, they found the whole face of the country changed. Very few of the houses which had not been swallowed up were left standing, and what had been cultivated plantations were converted into large pools of water. The greater part of the rivers had been choked up by the falling in of detached masses of the mountains, and spreading over the valleys, they had changed what was once fertile soil into morasses, which could only be drained by cutting new channels for the rivers; while the mountains themselves had changed their shapes so completely, that it was conjectured that they had formed the chief seat of the earthquake.

The Jamaica Earthquake of 1692 is one of the most horrific events recorded in history. It was accompanied by a deep rumbling noise like thunder, and in under a minute, all the houses on one side of the main street in Port Royal sank into a terrifying chasm forty fathoms deep, with water crashing up where the homes once stood. On the opposite side of the street, the ground moved up and down like ocean waves, lifting houses and tossing them into piles as it settled. In other areas of the town, the street cracked along its entire length, and houses suddenly appeared to be twice as far apart as before. In many places, the earth opened and closed again, creating several hundred visible openings at once. As the terrified residents fled their shaky homes, the ground opened beneath them, completely swallowing some individuals, while others were caught in the middle as the earth suddenly closed, crushing them to death. In some instances, these terrifying openings erupted with torrents of water, accompanied by a foul smell. Nothing could depict a greater scene of desolation than what the entire island presented at that time. The booming echoes from the distant mountains, the dark gloom of the sky, and the sound of collapsing buildings created an indescribable horror. Those who survived sought refuge on the ships in the harbor and stayed there for over two months, with tremors continuing daily with varying intensity. When the survivors were finally able to return, they found the landscape completely altered. Very few houses that hadn't been swallowed were still standing, and cultivated fields had turned into large pools of water. Most rivers were blocked by fallen chunks of mountains, spreading over the valleys and transforming once-fertile land into marshes, which could only be drained by creating new river channels. The mountains themselves had changed shape so drastically that it was believed they were the epicenter of the earthquake.

CURIOUS EXTRACTS FROM THE HOUSEHOLD BOOK OF LADY MARY, DAUGHTER OF THE KING, IN VARIOUS YEARS, FROM THE 28TH TO THE 36TH OF HENRY VIII. ROYAL MSS. BRIT. MUS.

CURIOUS EXTRACTS FROM THE HOUSEHOLD BOOK OF LADY MARY, DAUGHTER OF THE KING, IN VARIOUS YEARS, FROM THE 28TH TO THE 36TH OF HENRY VIII. ROYAL MSS. BRIT. MUS.

"Item, geven to George Mountejoye drawing my Layde's Grace to his Valentine, xls.

"Item, given to George Mountejoye for his Valentine from my Lady's Grace, 40 shillings."

"Item, geven amongs the yeomen of the King's guard bringing a Leke to my Lady's Grace on Saynt David's Day, xvs.

"Item, given among the yeomen of the King's guard bringing a leek to my Lady's Grace on St. David's Day, 15."

"Item, geven to Heywood playeng an enterlude with his children before my Lady's Grace, xls.

"Item, given to Heywood performing a play with his children in front of my Lady's Grace, 40 shillings."

"Item, payed for a yerde and a halfe of damaske for Jane the fole, vijs.

"Item, paid for a yard and a half of damask for Jane the foal, 7s."

"Item, for shaving of Jane fooles hedde, iiijd.

"Charge for shaving Jane Fool's head, 4d."

"Payed for a frountlet lost in a wager to my Lady Margaret, iiijli.

"Paid for a frontlet lost in a bet to my Lady Margaret, 4l."

"Item, payed for a brekefast lost at bolling by my Lady Mary's Grace, xs."

"Item, paid for a breakfast lost at bowling by my Lady Mary's Grace, 10s."

GIVING DOLES.

Distributing assistance.

A bishop of Durham, in the reign of Edward III, had every week eight quarters of wheat made into bread for the poor, besides his alms-dishes, fragments from his table, and money given away by him in journeys. The bishop of Ely, in 1532, fed daily at his gates two hundred poor persons, and the Lord Cromwell fed the same number. Edward, earl of Derby, fed upwards of sixty aged poor, besides all comers, thrice a week, and furnished, on Good Friday, two thousand seven hundred people with meat, drink, and money. Robert Winchelsey, archbishop of Canterbury, gave, besides the daily fragments of his house, on Fridays and Sundays, to every beggar that came to his door, a loaf of bread of a farthing value; in time of dearth he thus gave away five thousand loaves, and this charity is said to have cost his lordship five [Pg 400] hundred pounds a year. Over and above this he gave on every festival day one hundred and fifty pence to as many poor persons, and he used to send daily meat, drink, and bread unto such as by age and sickness were not able to fetch alms from his gate; he also sent money, meat, apparel, &c., to such as he thought wanted the same, and were ashamed to beg; and, above all, this princely prelate was wont to take compassion upon such as were by misfortune decayed, and had fallen from wealth to poor estate. Such acts deserve to be written in letters of gold.

A bishop of Durham, during the reign of Edward III, had eight quarters of wheat turned into bread for the poor every week, in addition to his alms dishes, leftover food from his meals, and money he gave away while traveling. The bishop of Ely, in 1532, fed two hundred needy people at his gates every day, and Lord Cromwell did the same. Edward, the Earl of Derby, fed over sixty elderly poor people, along with anyone who came, three times a week, and on Good Friday, he provided meat, drink, and money for two thousand seven hundred people. Robert Winchelsey, Archbishop of Canterbury, gave out a loaf of bread worth a farthing to every beggar who came to his door on Fridays and Sundays, in addition to the daily leftovers from his house; during times of scarcity, he handed out five thousand loaves, which reportedly cost him five hundred pounds a year. Furthermore, he gave one hundred and fifty pence to as many poor individuals as he could on every festival day, and he sent daily meat, drink, and bread to those who were unable to collect alms due to age and illness; he also sent money, food, clothing, etc., to those he thought were in need but embarrassed to beg. Above all, this noble bishop was known for having compassion for those who had fallen on hard times and lost their wealth. Such deeds are worthy of being remembered in golden letters.

FEMALE ORNAMENT OF THE IRON PERIOD.

FEMALE ORNAMENT OF THE IRON PERIOD.

Female Ornament of the Iron Period

One of the most beautiful neck ornaments of the Teutonic or Iron Period ever found in Scotland is a beaded torc, discovered by a labourer while cutting turf in Lochar Moss, Dumfriesshire, about two miles to the north of Cumlongan Castle; and exhibited by Mr. Thomas Gray, of Liverpool, at the York meeting of the Archæological Institute. We here annex an engraving of it. The beads, which measure rather more than an inch in diameter, are boldly ribbed and grooved longitudinally. Between every two ribbed beads there is a small flat one formed like the wheel of a pulley, or the vertebral bone of a fish. The portion which must have passed round the nape of the neck is flat and smooth on the inner edge, but chased on the upper side in an elegant incised pattern corresponding to the ornamentation already described as characteristic of this period, and bearing some resemblance to that on the beautiful bronze diadem found at Stitchel in Roxburghshire, figured on a subsequent page. The beads are disconnected, having apparently been strung upon a metal wire, as was the case in another example found in the neighbourhood of Worcester. A waved ornament, chased along the outer edge of the solid piece, seems to have been designed in imitation of a cord; the last tradition, as it were, of the string with which the older necklace of shale or jet was secured. Altogether this example of the class of neck ornaments, to which Mr. Birch has assigned the appropriate name of beaded torcs, furnishes an exceedingly interesting illustration of the development of imitative design, in contradistinction to the more simple and archaic funicular torc, which, though continued in use down to a later period, pertains to the epoch of primitive art.

One of the most stunning neck ornaments from the Teutonic or Iron Period ever found in Scotland is a beaded torc, discovered by a laborer while cutting turf in Lochar Moss, Dumfriesshire, about two miles north of Cumlongan Castle. It was exhibited by Mr. Thomas Gray from Liverpool at the York meeting of the Archæological Institute. We include an engraving of it here. The beads, which are just over an inch in diameter, are bold with ribbed and grooved designs running lengthwise. Between every two ribbed beads, there’s a small flat bead shaped like a pulley wheel or a fish vertebra. The section that would have gone around the back of the neck is flat and smooth on the inside, but intricately engraved on the top side with an elegant pattern typical of this period, resembling the design found on the beautiful bronze diadem discovered at Stitchel in Roxburghshire, which is illustrated on a later page. The beads are not connected; they seem to have been strung on a metal wire, similar to another example found near Worcester. A wavy decoration carved along the outer edge of the solid part appears to mimic a cord, representing the final reminder of the string that held the older necklace made of shale or jet. Overall, this example of the type of neck ornaments that Mr. Birch has aptly named beaded torcs provides a fascinating insight into the evolution of imitative design, contrasting with the simpler and more primitive funicular torc, which, although still in use later, belongs to the era of primitive art.

CURIOUS LANTERN.

CURIOUS LANTERN.

In 1602, it is related that Sir John Harrington, of Bath, sent to James VI King of Scotland, at Christmas, for a new year's gift, a dark [Pg 401] lantern. The top was a crown of pure gold, serving also to cover a perfume pan; within it was a shield of silver, embossed, to reflect the light; on one side of which were the sun, moon, and planets, and on the other side, the story of the birth and passion of Christ, as it was engraved by David II King of Scotland, who was a prisoner at Nottingham. On this present, the following passage was inscribed in Latin—"Lord, remember me when thou comest into thy kingdom."

In 1602, it’s said that Sir John Harrington from Bath sent a dark [Pg 401] lantern to James VI, King of Scotland, as a New Year's gift at Christmas. The top was a crown of pure gold, which also covered a compartment for perfume; inside was a silver shield, embossed to reflect the light. One side featured the sun, moon, and planets, while the other side depicted the story of the birth and passion of Christ, engraved by David II, King of Scotland, who was a prisoner in Nottingham. The following passage was inscribed in Latin on this gift—"Lord, remember me when thou comest into thy kingdom."

ANCIENT SCANDINAVIAN BROOCH.

Viking brooch.

Ancient Scandinavian Brooch

The characteristic and beautiful ornament, usually designated the shell-shaped brooch, and equally familiar to Danish and British antiquaries, belongs to the Scoto-Scandinavian Period. In Scotland many beautiful examples have been found, several of which are preserved in the Museum of Scottish Antiquaries. From these we select the one represented in the annexed engraving, as surpassing in beauty of design and intricacy of ornament any other example of which we are aware. It consists, as usual, of a convex plate of metal, with an ornamental border, surmounted by another convex plate of greater depth, highly ornamented with embossed and perforated designs, the effect of which appears to have been further heightened by the lower plate being gilded so as to show through the open work. In this example the gilding still remains tolerably perfect. On the under side are the projecting plates, still retaining a fragment of the corroded iron pin, where it has turned on a hinge, and at the opposite end the bronze catch into which it clasped. The under side of the brooch appears to have been lined with coarse linen, the texture of which is still clearly defined of the coating of verd antique with which it is now covered. But its peculiar features consist of an elevated central ornament resembling a crown, and four intricately-chased projections terminating in horses' heads. It was found in September, 1786, along with another brooch of the same kind, lying beside a skeleton, under a flat stone, very near the surface, above the ruins of a Pictish house or burgh, in Caithness. It measures nearly four and a half inches in length, by three inches in breadth, and two and two-fifth inches in height to the top of the crown. Like many others of the same type, it appears to have been jewelled. In several examples of these brooches which we have compared, the lower convex plates so nearly resemble each other, as to suggest the probability of their having been cast in the same mould, while the upper plates entirely differ.

The beautiful ornament, commonly known as the shell-shaped brooch, which is well-known to both Danish and British historians, dates back to the Scoto-Scandinavian Period. In Scotland, many stunning examples have been discovered, with several preserved in the Museum of Scottish Antiquities. We highlight the one shown in the accompanying engraving as it stands out in design and decorative complexity compared to any other example we know of. It features a convex metal plate with a decorative border, topped by another deeper convex plate that is richly adorned with embossed and perforated designs, enhanced by the gilding on the lower plate that shines through the openwork. In this particular example, the gilding is still fairly intact. On the underside, there are projecting plates that still hold a fragment of the corroded iron pin, which pivots on a hinge, along with the bronze clasp at the opposite end. The underside of the brooch seems to have been lined with coarse linen, the texture of which is still visible beneath the verd antique coating that currently covers it. Its distinctive features include a raised central ornament resembling a crown and four intricately designed projections ending in horse heads. It was discovered in September 1786, along with another similar brooch, lying next to a skeleton under a flat stone, very close to the surface, above the remains of a Pictish house or settlement in Caithness. It measures nearly four and a half inches long, three inches wide, and two and two-fifths inches high at the crown. Like many other examples of this type, it seems to have been embellished with jewels. In several similar brooches we've examined, the lower convex plates are so alike that it suggests they may have been cast from the same mold, while the upper plates vary significantly.

STREET CRIES OF MODERN EGYPT.

Street Calls of Modern Egypt.

The cries of the street hawkers in Egypt at the present day are very singular, and well deserve a place in our repertory of curiosities. The seller of tir'mis (or lupins) often cries "Aid! O Imba'bee! aid!" This [Pg 402] is understood in two senses: as an invocation for aid to the sheykh El-Imba'bee, a celebrated Moos'lim saint, buried at the Imba'beh, on the west bank of the Nile, opposite Cairo; in the neighbourhood of which village the best tir'mis is grown; and also as implying that it is through the aid of the saint above mentioned that the tir'mis of Imba'beh is so excellent. The seller of this vegetable also cries, "The tir'mis of Imba'beh surpasses the almond!" Another cry of the seller of tir'mis is, "O how sweet are the little children of the river!" This last cry, which is seldom heard but in the country towns and villages of Egypt, alludes to the manner in which the tir'mis is prepared for food. To deprive it of its natural bitterness, it is soaked, for two or three days, in a vessel full of water; then boiled, and, after this, sewed up in a basket of palm-leaves (called furd), and thrown into the Nile, where it is left to soak again, two or three days; after which, it is dried, and eaten cold, with a little salt. The seller of sour limes cries, "God make them light [or easy of sale]! O limes!" The toasted pips of a kind of melon called 'abdalla'wee, and of the water-melon, are often announced by the cry of "O consoler of the embarrassed! O pips!" though more commonly, by the simple cry of "Roasted pips!" A curious cry of the seller of a kind of sweetmeat (hhala'wee), composed of treacle fried with some other ingredients, is, "For a nail! O sweetmeat!" He is said to be half a thief: children and servants often steal implements of iron, &c., from the house in which they live, and give them to him in exchange for his sweetmeat. The hawker of oranges cries, "Honey! O oranges! Honey!" and similar cries are used by the sellers of other fruits and vegetables; so that it is sometimes impossible to guess what the person announces for sale; as, when we hear the cry of "Sycamore-figs! O grapes!" excepting by the rule that what is for sale is the least excellent of the fruits, &c., mentioned; as sycamore-figs are not so good as grapes. A very singular cry is used by the seller of roses: "The rose was a thorn: from the sweat of the Prophet it opened [its flowers]." This alludes to a miracle related of the Prophet. The fragrant flowers of the hhen'na-tree (or Egyptian privet) are carried about for sale, and the seller cries, "Odours of paradise! O flowers of the hhen'na!" A kind of cotton cloth, made by machinery which is put in motion by a bull, is announced by the cry of "The work of the bull! O maidens!"

The calls of street vendors in Egypt today are quite unique and definitely deserve a spot in our collection of interesting things. The seller of tir'mis (or lupins) often shouts, "Help! O Imba'bee! help!" This [Pg 402] can be understood in two ways: as a plea for help to the sheykh El-Imba'bee, a famous Muslim saint buried in Imba'beh, on the west bank of the Nile across from Cairo, where the best tir'mis is grown; and also suggesting that it's with the help of the mentioned saint that the tir'mis from Imba'beh is so good. The seller also declares, "The tir'mis of Imba'beh is better than almonds!" Another shout from the tir'mis vendor is, "Oh, how sweet are the little children of the river!" This last call, which is rarely heard outside the rural towns and villages of Egypt, refers to how the tir'mis is prepared. To remove its natural bitterness, it is soaked for two or three days in a container filled with water; then boiled, and afterwards wrapped in a palm-leaf basket (called furd) and thrown into the Nile, where it soaks again for another two or three days; after that, it's dried and eaten cold with a little salt. The seller of sour limes calls out, "God make them easy to sell! O limes!" The toasted seeds of a melon known as 'abdalla'wee, and of watermelon, are often announced with the cry, "O comforter of the troubled! O seeds!" though more commonly, just "Roasted seeds!" A curious shout from the seller of a type of sweet (hhala'wee), made from treacle fried with other ingredients, is, "For a nail! O sweet!" He is said to be half a thief: children and servants often steal iron tools, etc., from their homes and trade them for his sweets. The orange vendor calls, "Honey! O oranges! Honey!" similar shouts are used by other fruit and vegetable sellers; making it sometimes impossible to figure out what is for sale, like when you hear "Sycamore-figs! O grapes!" except by the rule that the item for sale is the least desirable of the fruits mentioned, as sycamore-figs are not as good as grapes. A very unique call comes from the seller of roses: "The rose was a thorn: it opened [its flowers] from the sweat of the Prophet." This refers to a miracle associated with the Prophet. The fragrant flowers of the hhen'na tree (or Egyptian privet) are sold with the shout, "Scents of paradise! O flowers of the hhen'na!" A type of cotton fabric, made by machinery powered by a bull, is announced with the cry, "The work of the bull! O maidens!"

THE BLACK PESTILENCE.

THE BLACK PLAGUE.

The black pestilence of the fourteenth century caused the most terrific ravages in England. It has been supposed to have borne some resemblance to the cholera, but that is not the case; it derived its name from the dark, livid colour of the spots and boils that broke out upon the patient's body. Like the cholera, the fatal disease appeared to have followed a regular route in its destructive progress; but it did not, like the cholera, advance westward, although, like that fearful visitation, it appears to have originated in Asia.

The Black Death of the fourteenth century inflicted devastating damage in England. It was once thought to be similar to cholera, but that's not accurate; it got its name from the dark, discolored spots and boils that appeared on the patient's body. Like cholera, this deadly disease seemed to follow a specific path in its destructive spread; however, it didn’t move westward like cholera did, although it also appears to have originated in Asia.

The black pestilence descended along the Caucasus to the shores of the Mediterranean, and, instead of entering Europe through Russia, first appeared over the south, and, after devastating the rest of Europe, penetrated [Pg 403] into that country. It followed the caravans, which came from China across Central Asia, until it reached the shores of the Black Sea; thence it was conveyed by ships to Constantinople, the centre of commercial intercourse between Asia, Europe, and Africa. In 1347 it reached Sicily and some of the maritime cities of Italy and Marseilles. During the following year it spread over the northern part of Italy, France, Germany, and England. The northern kingdoms of Europe were invaded by it in 1349, and finally Russia in 1351—four years after it had appeared in Constantinople.

The black plague spread down the Caucasus to the shores of the Mediterranean, and instead of entering Europe through Russia, it first appeared in the south. After ravaging the rest of Europe, it made its way into that country. It traveled along the caravans from China across Central Asia until it reached the Black Sea. From there, it was transported by ships to Constantinople, the hub of trade between Asia, Europe, and Africa. In 1347, it reached Sicily and several coastal cities in Italy and Marseilles. The following year, it spread throughout northern Italy, France, Germany, and England. The northern kingdoms of Europe were hit in 1349, and finally, it reached Russia in 1351—four years after it had emerged in Constantinople.

The following estimate of deaths was considered far below the actual number of victims:—

The following estimate of deaths was seen as significantly lower than the actual number of victims:—

Florence lost   60,000 inhabitants
Venice "   10,000 "
Marseilles " in one month 56,000 "
Paris " " 50,000 "
Avignon " " 60,000 "
Strasburg " " 16,000 "
Basle " " 14,000 "
Erfurth " " 16,000 "
London " " 100,000 "
Norwich " " 50,000 "

Hecker states that this pestilence was preceded by great commotion in the interior of the globe. About 1333, several earthquakes and volcanic eruptions did considerable injury in upper Asia, while in the same year, Greece, Italy, France, and Germany suffered under similar disasters. The harvests were swept away by inundations, and clouds of locusts destroyed all that floods had spared, while dense masses of offensive insects strewed the land.

Hecker notes that this plague was preceded by significant upheaval inside the Earth. Around 1333, numerous earthquakes and volcanic eruptions caused substantial damage in Central Asia, while that same year, Greece, Italy, France, and Germany faced similar disasters. Floods wiped out the harvests, and swarms of locusts devastated what the floods had left untouched, while large numbers of unpleasant insects covered the land.

As in the recent invasion of cholera, the populace attributed this scourge to poison and to the Jews, and these hapless beings were persecuted and destroyed wherever they could be found. In Mayence, after vainly attempting to defend themselves, they shut themselves up in their quarters, where 1,200 of them burnt to death. The only asylum found by them was Lithuania, where Casimir afforded them protection; and it is, perhaps, owing to this circumstance that so many Jewish families are still to be found in Poland.

As in the recent cholera outbreak, the public blamed this disaster on poison and the Jews, leading to the persecution and destruction of these unfortunate people wherever they were found. In Mainz, after unsuccessfully trying to defend themselves, they locked themselves in their quarters, where 1,200 of them perished in a fire. The only safe haven they found was in Lithuania, where Casimir offered them protection; perhaps this is why so many Jewish families still live in Poland today.

THE DUCHESS OF LAUDERDALE.

The Duchess of Lauderdale.

Few mansions are more pleasantly situated than Ham House, the dwelling of the Tollemaches, Earls of Dysart. It stands on the south bank of the Thames, distant about twelve miles from London, and immediately opposite to the pretty village of Twickenham. It was erected early in the seventeenth century; the date 1610 still stands on the door of the principal entrance. Its builder was Sir Thomas Vavasour, and it subsequently came into the possession of Katherine, daughter of the Earl of Dysart, who married first Sir Lionel Tollemache, and for her second husband Earl, afterwards Duke, of Lauderdale.

Few mansions are better located than Ham House, the home of the Tollemaches, Earls of Dysart. It sits on the south bank of the Thames, about twelve miles from London, directly across from the charming village of Twickenham. It was built in the early seventeenth century; the year 1610 is still engraved on the main entrance door. Its original builder was Sir Thomas Vavasour, and it later became the property of Katherine, daughter of the Earl of Dysart, who first married Sir Lionel Tollemache and then the Earl, who later became the Duke, of Lauderdale.

The Duchess of Lauderdale was one of the "busiest" women of the [Pg 404] busy age in which she lived. Burnet insinuates that, during the life time of her first husband, "she had been in a correspondence with Lord Lauderdale that had given occasion for censure." She succeeded in persuading him that he was indebted for his escape after "Worcester fight" to "her intrigues with Cromwell. She was a woman," continues the historian, "of great beauty, but of far greater parts. She had a wonderful quickness of apprehension, and an amazing vivacity in conversation. She had studied, not only divinity and history, but mathematics and philosophy. She was violent in everything she set about,—a violent friend, but a much more violent enemy. She had a restless ambition, lived at a vast expense, and was ravenously covetous, and would have stuck at nothing by which she might compass her ends." Upon the accession of her husband to political power after the Restoration, "all applications were made to her. She took upon her to determine everything; she sold all places; and was wanting in no method that could bring her money, which she lavished out in a most profuse vanity."

The Duchess of Lauderdale was one of the "busiest" women of the [Pg 404] busy age she lived in. Burnet hints that, during her first husband's lifetime, "she had been in a correspondence with Lord Lauderdale that had given occasion for censure." She convinced him that his escape after the "Worcester fight" was due to "her intrigues with Cromwell." The historian continues, "She was a woman of great beauty, but even greater intelligence. She had an impressive quickness of understanding and an amazing liveliness in conversation. She studied not just theology and history, but also mathematics and philosophy. She was intense in everything she pursued—a fierce friend but an even fiercer enemy. She had an insatiable ambition, lived extravagantly, and was greedily covetous, willing to do anything to achieve her goals." After her husband gained political power following the Restoration, "all applications were directed to her. She took charge of decision-making; she sold all positions; and she tried every possible method to acquire money, which she spent in extravagantly vain ways."

Duchess of Lauderdale Chair

This Duchess of Lauderdale—famous during the reigns of four monarchs—the First and Second James, and the First and Second Charles, and through the Protectorship of Cromwell—refurnished the house at Ham, where she continued to reside until her death at a very advanced age.

This Duchess of Lauderdale—well-known during the reigns of four monarchs: James I and II, and Charles I and II, as well as during Cromwell's rule—renovated the house at Ham, where she lived until her death at a very old age.

Among other untouched relics of gone-by days, is a small ante-chamber, where, it is said, she not only condescended to receive the second Charles, but, if tradition is to be credited, where she "cajoled" Oliver Cromwell. There still remains the chair in which she used to sit, her small walking cane, and a variety of objects she was wont to value and cherish as memorials of her active life, and the successful issue of a hundred political intrigues.

Among other unspoiled relics from the past, there’s a small anteroom where, it’s said, she not only graciously received the second Charles but, according to tradition, where she "cajoled" Oliver Cromwell. The chair she used to sit in still remains, along with her small walking cane and a variety of objects she valued and cherished as mementos of her vibrant life and the successful outcomes of countless political intrigues.

MODERN EGYPTIAN MUSICAL INSTRUMENTS.

Modern Egyptian Musical Instruments.

Sa'ga't (1), Ta'r (2), and Dar'abook'keh (3).

The durwee'shes, who constitute a sort of religious mendicant order in Egypt, often make use of, in their processions and in begging, a little tubl, or kettle-drum, called ba'z; six or seven inches in diameter; which is held in the left hand, by a little projection in the centre of the back, and beaten by the right hand, with a short leather strap, or a stick. They also use cymbals, which are called ka's, on similar occasions. The ba'z is used by the Moosahh'hhir, to attract attention to his cry in the nights of Rum'ada'n. Castanets of brass, called sa'ga't are used by the [Pg 405] public female and male dancers. Each dancer has two pairs of these instruments. They are attached, each by a loop of string, to the thumb and second finger, and have a more pleasing sound than castanets of wood or ivory. There are two instruments which are generally found in the hharee'm of a person of moderate wealth, and which the women often use for their diversion. One of these is a tambourine, called ta'r, of which we insert an engraving. It is eleven inches in diameter. The hoop is overlaid with mother-of-pearl, tortoise-shell, and white bone, or ivory, both without and within, and has ten circular plates of brass attached to it, each two pairs having a wire passing through their centres. The ta'r is held by the left or right hand, and beaten with the fingers of that hand and by the other hand. The fingers of the hand which holds the instrument, striking only near the hoop, produce higher sounds than the other hand, which strikes in the centre. A tambourine of a larger and more simple kind than that here described, without the metal plates, is often used by the lower orders. The other instrument alluded to in the commencement of this paragraph is a kind of drum, called dar'abook'keh. The best kind is made of wood, covered with mother-of-pearl and tortoise-shell, &c. One of this description is here represented with the ta'r. It is fifteen inches in length, covered with a piece of fishes' skin at the larger extremity, and open at the smaller. It is placed under the left arm; generally suspended by a string that passes over the left shoulder; and is beaten with both hands.

The durwee'shes, who make up a kind of religious begging group in Egypt, often use a small drum called ba'z, which is about six or seven inches in diameter. They hold it in their left hand using a small projection on the back and beat it with a short leather strap or a stick in their right hand. They also use cymbals, known as ka's, during similar occasions. The ba'z is used by the Moosahh'hhir to draw attention to his call during the nights of Rum'ada'n. Brass castanets, called sa'ga't, are used by both male and female dancers. Each dancer has two pairs of these instruments. They are attached with loops of string to the thumb and second finger, and they produce a more appealing sound than wooden or ivory castanets. There are two instruments typically found in the hharee'm of a moderately wealthy person, which women often use for entertainment. One of these is a tambourine called ta'r, which we have included an engraving of. It measures eleven inches in diameter. The frame is decorated with mother-of-pearl, tortoise-shell, and white bone or ivory, both inside and out, and has ten circular brass plates attached, with each pair having a wire through their centers. The ta'r is held in one hand and played with the fingers of that hand as well as with the other hand. When the fingers of the hand holding the instrument strike near the rim, they create higher sounds than the other hand, which strikes in the center. A simpler, larger tambourine without the metal plates is often used by the lower class. The second instrument mentioned at the beginning of this paragraph is a type of drum called dar'abook'keh. The best version is made of wood and covered with mother-of-pearl and tortoise-shell, among other materials. One like this is shown alongside the ta'r. It is fifteen inches long, covered with fish skin at the larger end, and open at the smaller end. It is held under the left arm, usually suspended by a string over the left shoulder, and is played with both hands.

REMARKABLE OAKS.

Amazing Oaks.

The oaks most remarkable for their horizontal expansion, are, according to Loudon, the following:—"The Three-shire Oak, near Worksop, was so situated, that it covered part of the three counties of York, Nottingham, and Derby, and dripped over seven hundred and seventy-seven square yards. An oak between Newnham Courtney and Clifton shaded a circumference of five hundred and sixty yards of ground, under which two thousand four hundred and twenty men might have commodiously taken shelter. The immense Spread Oak in Worksop Park, near the white gate, gave an extent, between the ends of its opposite branches, of an hundred and eighty feet. It dripped over an area of nearly three thousand square yards, which is above half an acre, and would have afforded shelter to a regiment of nearly a thousand horse. The Oakley Oak, now growing on an estate of the Duke of Bedford, has a head of an hundred and ten feet in diameter. The oak [Pg 406] called Robur Britannicum, in the Park, at Rycote, is said to have been extensive enough to cover five thousand men; and at Ellerslie, in Renfrewshire, the native village of the hero Wallace, there is still standing 'the old oak tree,' among the branches of which, it is said, that he and three hundred of his men hid themselves from the English."

The oaks most notable for their wide spread, according to Loudon, are as follows:—"The Three-shire Oak, near Worksop, was positioned so that it covered part of the three counties of York, Nottingham, and Derby, and extended over seven hundred and seventy-seven square yards. An oak between Newnham Courtney and Clifton shaded an area of five hundred and sixty yards of ground, which could comfortably shelter two thousand four hundred and twenty men. The immense Spread Oak in Worksop Park, near the white gate, had a reach of one hundred and eighty feet between the ends of its opposite branches. It covered nearly three thousand square yards, which is over half an acre, and could have provided cover for a regiment of nearly a thousand cavalry. The Oakley Oak, now growing on an estate owned by the Duke of Bedford, has a canopy measuring one hundred and ten feet in diameter. The oak [Pg 406] known as Robur Britannicum, located in the Park at Rycote, is reported to have been large enough to shelter five thousand men; and in Ellerslie, Renfrewshire, the native village of the hero Wallace, there still stands 'the old oak tree,' among whose branches, it is said, he and three hundred of his men concealed themselves from the English."

CURIOUS ADVERTISEMENT.

Intriguing ad.

A few years ago the following actually appeared in one of the London papers: certainly a most economical speculation for the use of soul and body:—

A few years ago, the following actually appeared in one of the London papers: definitely a very cost-effective investment for both soul and body:—

"Wanted, for a family who have bad health, a sober, steady person, in the capacity of doctor, surgeon, apothecary, and man-midwife. He must occasionally act as butler, and dress hair and wigs. He will be required sometimes to read prayers, and to preach a sermon every Sunday. A good salary will be given."

"Wanted, for a family with health issues, a reliable and steady individual to work as a doctor, surgeon, pharmacist, and midwife. They must occasionally function as a butler and style hair and wigs. Sometimes, they’ll need to read prayers and deliver a sermon every Sunday. A good salary will be offered."

CHANGES OF MOUNT ETNA.

Changes of Mount Etna.

Signor Maria Gemmellario has given, from a meteorological journal kept at Catania, a very interesting view of the successive changes of Mount Etna, at a period in which it was in the phase of moderate activity; and no description could convey so accurate a conception of the ever-changing phenomena.

Signor Maria Gemmellario has provided, from a meteorological journal maintained in Catania, a really interesting perspective on the ongoing changes of Mount Etna, during a time when it was moderately active; and no description could offer such an accurate understanding of the constantly changing phenomena.

On the 9th of February, 1804, there was a sensible earthquake. Etna smoked ninety-seven days, but there was no eruption nor any thunder.

On February 9, 1804, there was a noticeable earthquake. Etna emitted smoke for ninety-seven days, but there were no eruptions or thunder.

On the 3rd of July, 1805, there was an earthquake. Etna smoked forty-seven days, and emitted flame twenty-eight days. There was an eruption in June, but no thunder.

On July 3, 1805, there was an earthquake. Etna smoked for forty-seven days and released flames for twenty-eight days. There was an eruption in June, but no thunder.

There were earthquakes on the 27th of May and 10th of October, 1806. The mountain smoked forty-seven days, flamed seven, and detonated twenty-eight: little thunder.

There were earthquakes on May 27 and October 10, 1806. The mountain smoked for forty-seven days, flamed for seven, and erupted twenty-eight times: minor thunder.

On the 24th of February and 25th of November, 1807, there were earthquakes. Etna smoked fifty-nine days: little thunder.

On February 24th and November 25th, 1807, there were earthquakes. Etna smoked for fifty-nine days: there was some light thunder.

In August, September, and December, 1808, earthquakes were frequent. Etna smoked twelve days, flamed one hundred and two, and often detonated. Thunder storms were frequent.

In August, September, and December of 1808, earthquakes happened often. Mount Etna smoked for twelve days, erupted one hundred and two times, and frequently exploded. Thunderstorms were common.

From January to May, and during September and December, 1809, there were thirty-seven earthquakes. The most sensible shock was on the 27th of March, when the mountain ejected lava on the western side. This eruption lasted thirteen days, and part of the Bosco di Castiglione was injured. The mountain smoked one hundred and fifty-two days, flamed three, and detonated eleven. Little thunder.

From January to May, and during September and December of 1809, there were thirty-seven earthquakes. The most noticeable shock occurred on March 27, when the mountain erupted lava on its western side. This eruption lasted for thirteen days and damaged part of the Bosco di Castiglione. The mountain smoked for one hundred and fifty-two days, flared up for three, and exploded eleven times. There was little thunder.

On the 16th and 17th of February, 1810, there were four earthquakes. On the 27th of October, Etna was in a state of eruption on the eastern side, and the lava flowed into the Valle del Bue. There were about twenty thunder storms.

On February 16 and 17, 1810, there were four earthquakes. On October 27, Etna erupted on the eastern side, and the lava flowed into the Valle del Bue. There were about twenty thunderstorms.

1811, no earthquakes, but the mountain continued until the 24th of April to eject lava from the east. At this time the Mount St. Simon was formed. No thunder.

1811, no earthquakes, but the mountain kept erupting lava from the east until April 24th. During this time, Mount St. Simon was formed. No thunder.

Earthquake on the 3rd and 13th of March, 1813. The mountain [Pg 407] smoked twenty-eight days. On the 30th of June, and on the 5th of August, St. Simon smoked. There were twenty-one thunder storms.

Earthquake on March 3rd and 13th, 1813. The mountain [Pg 407] smoked for twenty-eight days. On June 30th and August 5th, St. Simon smoked. There were twenty-one thunderstorms.

On the 3rd of November, 1814, there was an earthquake, preceded by a discharge of sand from that part of the mountain called Zoccolaro. There were twelve thunder storms.

On November 3, 1814, there was an earthquake, followed by a release of sand from the area of the mountain known as Zoccolaro. There were twelve thunderstorms.

On the 6th of September, 1815, there was an earthquake. The mountain smoked forty-two days, and there were eleven thunder storms. On the 6th, 7th, and 11th of January the lightning was tremendous.

On September 6, 1815, there was an earthquake. The mountain smoked for forty-two days, and there were eleven thunderstorms. On January 6, 7, and 11, the lightning was incredible.

1816, no earthquakes. On the 13th of August a part of the interior side of the crater fell in. Ten thunder storms.

1816, no earthquakes. On August 13th, part of the inner side of the crater collapsed. Ten thunderstorms.

There was an earthquake on the 18th of October, 1817. The mountain smoked twenty-two days. There were eight thunder storms.

There was an earthquake on October 18, 1817. The mountain smoked for twenty-two days. There were eight thunderstorms.

During 1818 there were twenty-five earthquakes. The most violent was in the neighbourhood of Catania, on the 20th of February. The mountain smoked twenty-four days. No thunder.

During 1818, there were twenty-five earthquakes. The most intense one was near Catania on February 20th. The mountain emitted smoke for twenty-four days. There was no thunder.

CHARITY INSTEAD OF POMP.

Giving Instead of Showboating.

According to the "Annual Register" for August, 1760, there were expended at the funeral of Farmer Keld, of Whitby, in that year, one hundred and ten dozen of penny loaves, eight large hams, eight legs of veal, twenty stone of beef (fourteen pounds to the stone), sixteen stone of mutton, fifteen stone of Cheshire cheese, and thirty ankers of ale, besides what was distributed to about one thousand poor people, who had sixpence each in money given them.

According to the "Annual Register" for August 1760, at the funeral of Farmer Keld from Whitby, they spent one hundred and ten dozen penny loaves, eight large hams, eight legs of veal, twenty stone of beef (fourteen pounds per stone), sixteen stone of mutton, fifteen stone of Cheshire cheese, and thirty ankers of ale, in addition to what was given to about one thousand poor people, who each received sixpence in cash.

THE BEDFORD MISSAL.

THE BEDFORD MISSAL.

One of the most celebrated books in the annals of bibliography, is the richly illuminated Missal, executed for John, Duke of Bedford, Regent of France, under Henry VI.; by him it was presented to that king, in 1430. This rare volume is eleven inches long, seven and a-half wide, and two and a-half thick; contains fifty-nine large miniatures, which nearly occupy the whole page, and above a thousand small ones, in circles of about an inch and a-half diameter, displayed in brilliant borders of golden foliage, with variegated flowers, etc.; at the bottom of every page are two lines in blue and gold letters, which explain the subject of each miniature. This relic, after passing through various hands, descended to the Duchess of Portland, whose valuable collection was sold by auction, in 1786. Among its many attractions was the Bedford Missal. A knowledge of the sale coming to the ears of George III., he sent for his bookseller, and expressed his intention to become the purchaser. The bookseller ventured to submit to his majesty the probable high price it would fetch. "How high?" exclaimed the king. "Probably, two hundred guineas," replied the bookseller. "Two hundred guineas for a Missal!" exclaimed the queen, who was present, and lifted her hands up with astonishment. "Well, well," said his majesty, "I'll have it still; but since the queen thinks two hundred guineas so enormous a price for a Missal, I'll go no further." The biddings for the Royal Library did actually stop at that point; a celebrated collector, Mr. Edwards, became the purchaser by adding three pounds more. The [Pg 408] same Missal was afterwards sold at Mr. Edwards' sale, in 1815, and purchased by the Duke of Marlborough, for the enormous sum of £637 l5s. sterling.

One of the most renowned books in the history of bibliography is the beautifully illustrated Missal created for John, Duke of Bedford, Regent of France, under Henry VI. He presented it to the king in 1430. This rare volume measures eleven inches long, seven and a half inches wide, and two and a half inches thick; it contains fifty-nine large miniatures that nearly cover the entire page, along with over a thousand small ones, in circles about an inch and a half in diameter, all set in vibrant borders of golden foliage with colorful flowers, etc. At the bottom of each page, there are two lines in blue and gold letters explaining the subject of each miniature. This artifact changed hands several times before ending up with the Duchess of Portland, whose valuable collection was auctioned off in 1786. Among its many highlights was the Bedford Missal. When George III heard about the sale, he called for his bookseller and expressed his intention to buy it. The bookseller dared to inform his majesty of the likely high price. "How high?" the king asked. "Probably two hundred guineas," the bookseller replied. "Two hundred guineas for a Missal!" exclaimed the queen, who was present, raising her hands in astonishment. "Well, well," the king said, "I'll still get it; but since the queen thinks two hundred guineas is such an outrageous price for a Missal, I won’t go any higher." The bidding for the Royal Library actually stopped there; a well-known collector, Mr. Edwards, ended up buying it by adding three more pounds. The same Missal was later resold at Mr. Edwards' auction in 1815 and bought by the Duke of Marlborough for the staggering amount of £637 l5s.

CALICINATED RINGS.

Calcinated rings.

Calicinated Rings

There is a particular class of antique gold ornaments, belonging to the Bronze Period, which is deserving of especial attention, from the circumstance that the British Isles is the only locality in which it has yet been discovered. These ornaments consist of a solid cylindrical gold bar, beat into a semicircle or segmental arc, most frequently tapering from the centre, and terminated at both ends with hollow cups, resembling the mouth of a trumpet, or the expanded calix of a flower. A remarkable example of these curious native relics is engraved in the "Archæological Journal." The cups are formed merely by hollows in the slightly dilated ends; but it is further interesting from being decorated with the style of incised ornaments of most frequent occurrence on the primitive British pottery. It was dug up at Brahalish, near Bantry, county Cork, and weighs 3 oz. 5 dwts. 6 grs. In contrast to this, another is engraved in the same journal, found near the entrance lodge at Swinton Park, Yorkshire, scarcely two feet below the surface. In this beautiful specimen the terminal cups are so unusually large, that the solid bar of gold dwindles into a mere connecting-link between them. The annexed figure of a very fine example found by a labourer while cutting peats in the parish of Cromdale, Inverness-shire, somewhat resembles that of Swinton Park in the size of its cups. It is from a drawing by the late Sir Thomas Dick Lauder, and represents it about one-half the size of the original. Similar relics of more ordinary proportions have been brought to light, at different times, in various Scottish districts.

There is a specific type of antique gold jewelry from the Bronze Age that deserves special attention because it has only been found in the British Isles. These ornaments consist of a solid cylindrical gold bar shaped into a semicircle or arc, usually tapering from the center and ending with hollow cups that look like trumpet mouths or the open petals of a flower. A notable example of these intriguing artifacts is shown in the "Archaeological Journal." The cups are simply hollows at the slightly widened ends, and it's also interesting because it's decorated with incised designs commonly seen on ancient British pottery. It was unearthed at Brahalish, near Bantry in County Cork, and weighs 3 oz. 5 dwt. 6 gr. In contrast, another example featured in the same journal was found near the entrance lodge at Swinton Park in Yorkshire, just under two feet below the surface. In this beautiful piece, the terminal cups are so large that the solid gold bar appears to be just a tiny link connecting them. The accompanying illustration of a very fine example discovered by a laborer while cutting peat in the parish of Cromdale, Inverness-shire, is somewhat similar to the one from Swinton Park in the size of its cups. It is based on a drawing by the late Sir Thomas Dick Lauder and is about half the size of the original. Relics of more typical proportions have also been discovered over time in various Scottish regions.

EXTRAORDINARY CRICKET MATCHES.

AMAZING CRICKET MATCHES.

Every day in summer wagers are made at Lord's cricket ground, upon matches there to be played; but there have been more extraordinary matches elsewhere relative to this exercising game; for a cricket match was played on Blackheath, in the year 1766, between eleven Greenwich pensioners who had lost each an arm, and eleven others who had lost each a leg. The former won with ease. And again, on the 9th of August, 1796, a cricket match was played by eleven Greenwich pensioners with one leg, against eleven with one arm, for one thousand guineas, at the new cricket ground, Montpelier gardens, Walworth. At [Pg 409] nine o'clock the men arrived in three Greenwich stages; about twelve the wickets were pitched, and they commenced. Those with but one leg had the first innings, and got 93 runs; those with but one arm got but 42 runs during their innings. The one-leg commenced their second innings, and six were bowled out after they had got 60 runs; so that they left off one hundred and eleven more than those with one arm. Next morning the match was played out; and the men with one leg beat the one-arms by one hundred and three runs. After the match was finished the eleven one-legged men ran a sweep-stakes of one hundred yards distance for twenty guineas, and the three first had prizes.

Every day in summer, bets are placed at Lord's cricket ground on matches being played there; however, there have been even more extraordinary matches elsewhere related to this sport. In 1766, a cricket match took place on Blackheath between eleven Greenwich pensioners, each of whom had lost an arm, and eleven others, each of whom had lost a leg. The former won easily. Again, on August 9, 1796, a cricket match was played by eleven Greenwich pensioners with one leg against eleven with one arm for one thousand guineas at the new cricket ground in Montpelier Gardens, Walworth. At [Pg 409] nine o'clock, the players arrived in three Greenwich coaches; around noon, the wickets were set up, and they started. The one-legged team had the first innings and scored 93 runs; the one-armed team only managed 42 runs during their innings. The one-legged team began their second innings and got bowled out after scoring 60 runs, finishing with one hundred and eleven runs more than the one-armed team. The next morning, the match was concluded, and the one-legged team beat the one-armed team by one hundred and three runs. After the match, the eleven one-legged men ran a 100-yard dash for twenty guineas, and the top three finishers received prizes.

MUMMY CASES.

MUMMY BOXES.

Mummy Cases

The annexed engraving represents a set of Egyptian mummy cases, several of which were used for the interment of one body, the smaller one being enclosed within the larger. On the death of a king in Egypt, "three score and ten days" was the period that intervened from his departure to the termination of the embalming operations; the earlier and more important of which, exclusive of the soaking in natron, occupied forty days. The coffin, or wooden case, in which the embalmed body of Joseph was preserved, till at the exodus it was carried from Egypt, was, doubtless, of such a form and appearance as those with which we are familiar at our museums. An account of some specimens of these, and of the internal shells which were considered requisite for persons of rank, will be read with interest.

The attached engraving shows a collection of Egyptian mummy cases, some of which were made to hold a single body, with the smaller one placed inside the larger one. When a king died in Egypt, there was a waiting period of "three score and ten days" from the time of his death to the end of the embalming process; the initial and most significant steps, not including the soaking in natron, took forty days. The coffin, or wooden case, that held Joseph's embalmed body until it was taken from Egypt at the exodus, was likely similar in shape and appearance to those we see in our museums today. An account of some examples of these, along with the internal shells deemed necessary for people of high status, will be interesting to read.

Before the better kind of mummies were put into their wooden cases, they were placed in a shell in the following manner:—Nine thick layers of hempen or linen cloth were well gummed together, so as to make a strong flexible kind of board, something like a piece of papier mâché. This was formed into the shape of the swathed mummy, which was inserted in it by means of a longitudinal aperture on the under side, reaching from the feet to the head. The two sides of this long aperture were then drawn together by a coarse kind of stitching, done with a large needle and thin hempen cord. The inside of this hempen case was covered with a thin coating of plaster, and the outside was also covered with a similar sort of plaster, on which were painted rude figures of beetles, ibides, &c., &c., apparently with ochrous earths tempered with water; they could be easily rubbed off with the finger, except where they were fixed by an outer coating of gum. On the upper part of this case a human face was represented, and for the purpose of giving additional strength and firmness to that part of the hempen covering, a considerable quantity of earth [Pg 410] and plaster was stuck on the inside, so that it would be more easy to mould the material on the outside, while still flexible, into a resemblance of the human form. The face was covered with a strong varnish, to keep the colour fixed. The outer case was generally made of the Egyptian fig-sycamore wood, and the parts of it were fastened together with wooden pegs. This wood was used by the Egyptians for a variety of purposes, as we find even common domestic utensils made of it. The pegs of the sycamore cases were not always of the sycamore wood, which, when cut thin, would hardly be so suitable as some more closely-grained wood; the pegs, therefore, of the inner cases were of a different wood, generally of cedar. Bodies embalmed in the highest style of fashion, had, in addition to the inner coffin which we have described, an outer wooden box, such as Herodotus mentions, with a human face, male or female, painted on it. Some of these cases were plain, and others highly ornamented with figures of sacred animals, or with paintings representing mythological subjects.

Before the nicer mummies were placed in their wooden coffins, they were put in a shell like this: Nine thick layers of hemp or linen cloth were glued together to create a strong, flexible board, similar to a piece of papier mâché. This was shaped to fit around the wrapped mummy, which was inserted through a long opening on the underside, from the feet to the head. The two sides of this opening were then pulled together with coarse stitching using a large needle and thin hemp cord. The inside of this hemp shell was coated with a thin layer of plaster, and the outside was covered with a similar plaster that had rough paintings of beetles, ibises, etc., which seemed to be made from ochre mixed with water; these could be easily wiped off with a finger unless they were sealed by a top layer of gum. On the upper part of this shell, a human face was painted, and to provide extra strength and stability to that area of the hemp covering, a good amount of earth and plaster was added inside, making it easier to shape the outer material while still flexible, to resemble a human form. The face was coated with a strong varnish to keep the color intact. The outer shell was typically made from Egyptian fig-sycamore wood, and the pieces were held together with wooden pegs. This wood was commonly used by the Egyptians for various items, as even basic household utensils were made from it. The pegs in the sycamore coffins weren't always made of sycamore wood, which, when cut thin, wasn’t as suitable as some denser wood; therefore, the pegs of the inner coffins were usually made of cedar. Bodies that were embalmed in the most elaborate style had, in addition to the inner coffin we described, an outer wooden box, as mentioned by Herodotus, with a human face—male or female—painted on it. Some of these boxes were simple, while others were intricately decorated with images of sacred animals or with paintings of mythological scenes.

The wooden case which contained the body was sometimes cut out of one piece of wood, and the inside was made smooth, and fit for the reception of the painted figures, by laying on it a thin coat of fine plaster. This plaster was also used as a lining for the wooden cases which were not made of a single piece. There was often a second wooden case, still more highly ornamented and covered with paintings secured by a strong varnish. These paintings were intended to embody the ideas of the Egyptians as to the state of death, the judgment or trial which preceded the admission into the regions below, and other matters connected with the ritual of the dead and the process of embalming.

The wooden coffin that held the body was sometimes carved from one solid piece of wood, and the inside was smoothed out to make it ready for the painted figures by applying a thin layer of fine plaster. This plaster was also used as a lining for wooden coffins that weren’t made from a single piece. There was often a second, more elaborately decorated wooden coffin, covered with paintings protected by a strong varnish. These paintings were meant to reflect the Egyptians' beliefs about death, the judgment or trial that took place before entering the afterlife, and other aspects related to the rituals for the dead and the embalming process.

The upper part of each of the wooden cases was made to represent a human figure, and the sex was clearly denoted by the character of the head-dress, and the presence or absence of the beard. Both the head-dress and the ornaments about the neck, as far as the bosom, were exactly of the same character as those which we see on the sculptures and paintings. The brief remark of Herodotus, that the friends put the swathed mummy "into a wooden figure made to resemble the human form," is amply borne out.

The top part of each wooden case was designed to look like a human figure, with the sex clearly indicated by the style of the head-dress and whether or not there was a beard. Both the head-dress and the jewelry around the neck, up to the chest, were exactly like those we see in sculptures and paintings. Herodotus's quick note that friends placed the wrapped mummy "into a wooden figure made to resemble the human form" is well-supported.

INSTINCT OF ANIMALS.

ANIMAL INSTINCT.

Gall and various observers of animals have fully ascertained that the attention of dogs is awakened by our conversation. He brought one of these intelligent creatures with him from Vienna to Paris, which perfectly understood French and German, of which he satisfied himself by repeating before it whole sentences in both languages. A recent anecdote has been related of an old ship-dog, that leaped overboard and swam to shore on hearing the captain exclaim, "Poor old Neptune! I fear we shall have to drown him!" and such was the horror which that threat inspired, that he never afterwards would approach the captain or any of the ship's company, to whom he had previously been fondly attached. It must, however, be observed that in the brute creation, as in ours (sometimes more brutal species), peculiar attributes, that do not belong to the race, distinguish individuals gifted with what in man we [Pg 411] might call a superior intellect, but which in these animals shows a superiority of what we term instinct. Spurzheim relates an instance of a cow belonging to Mr. Dupont de Nemours, which, amongst the whole kindred herd, was the only one that could open the gate leading to their pastures; and her anxious comrades, when arriving at the wished-for spot, invariably lowed for their conductor. It is also related of a hound, who, unable to obtain a seat near the fire without the risk of quarrelling with the dozing occupants that crowded the hearth, was wont to run out into the court-yard barking an alarm that brought away his rivals in comfort, when he quietly re-entered the parlour, and selected an eligible stretching-place. This animal displayed as much ingenuity as the traveller who, according to the well-known story, ordered oysters for his horse for the purpose of clearing the fireside.

Gall and various animal observers have clearly established that dogs pay attention to our conversations. He brought one of these smart dogs with him from Vienna to Paris, which completely understood both French and German. He confirmed this by saying whole sentences in both languages in front of it. A recent story has been told about an old ship dog that jumped overboard and swam to shore when he heard the captain shout, "Poor old Neptune! I fear we shall have to drown him!" The horror that threat inspired was so great that he never approached the captain or any crew members again, despite having previously been very fond of them. However, it should be noted that, just like in our species (and sometimes even in more brutal ones), unique traits that aren't typical for the species distinguish individuals who possess what we might call superior intelligence in humans, but in these animals, it's a superiority of what we refer to as instinct. Spurzheim shares a story about a cow belonging to Mr. Dupont de Nemours, which was the only one in her entire herd that could open the gate to their pastures. Her eager companions, upon reaching their desired location, always lowed for their guide. It's also told of a hound that, unable to find a spot by the fire without risking a fight with the dozing people piled around it, would run out into the courtyard barking a warning that chased away his competition, allowing him to re-enter the room quietly and choose a good spot to stretch out. This dog showed as much cleverness as the traveler from the well-known story who ordered oysters for his horse just to clear space by the fireplace.

BELL OF ST. MURA.

St. Mura's Bell.

Bell of St. Mura

This curious relic, engraved over leaf, two-thirds the size of the original, is remarkable as a work of art, as well as a genuine relic of the most venerable antiquity; it was formerly regarded with superstitious reverence in Ireland, and any liquid drunk from it was believed to have peculiar properties in alleviating human suffering; hence, the peasant women of the district in which it was long preserved, particularly used it in cases of child-birth, and a serious disturbance was excited on a former attempt to sell it by its owner. Its legendary history relates that it descended from the sky ringing loudly; but as it approached the concourse of people who had assembled at the miraculous warning, the tongue detached itself and returned towards the skies; hence it was concluded that the bell was never to be profaned by sounding on earth, but was to be kept for purposes more holy and beneficent. This is said to have happened on the spot where once stood the famous Abbey of Fahan, near Innishowen (County Donegal), founded in the seventh century by St. Mura, or Muranus, during the reign of Abodh Slaine. For centuries this abbey was noted as the depository of various valuable objects, which were held in especial veneration by the people. Amongst these were several curious manuscripts written by St. Mura, his crozier, and this bell; which ultimately came into the possession of a poor peasant residing at Innishowen, who parted with it to Mr. Brown, of Beaumaris, at whose sale in 1855 it was purchased by Lord Londesborough. The material of the bell is bronze, and its form quadrangular, resembling other ancient Irish bells, and leading to the conclusion that it is the genuine work of the seventh century. The extreme feeling of veneration shown towards it in various ages is proved by the ornament with which it is encased. By the accidental removal of one portion of the outer casing, a series of earlier enrichments were discovered beneath, which were most probably placed there in the ninth century. The portion disclosed (the lower right hand corner) consists of a tracery of Runic knots wrought in brass, and firmly attached to the bell by a thin plate of gold;—whether the remainder of these early decorations, now concealed, be similar, cannot be determined without removing the outer plates. These exterior ornaments consist of a series of detached silver plates of various sizes [Pg 412] diversely embossed in the style known to have prevailed in the eleventh century. The centre is adorned with a large crystal, and smaller gems have once been set in other vacant sockets around it, only one of amber remaining. The two large spaces in front of the arched top were also most probably filled with precious stones, as the gold setting still remains entire. The best workmanship has been devoted to these decorations; the hook for suspending the bell is of brass, and has been covered with early bronze ornament which has been filled in with niello, the intervening space being occupied by silver plates ornamented like the rest of the later decorations which cover its surface. From the absence of any [Pg 413] traces of rivets on the back or sides of the bell, the decoration it has received may have been restricted to the casing of the handle and the enrichment of the front of this venerated relic.

This interesting relic, engraved on one side and two-thirds the size of the original, is impressive both as a piece of art and as an authentic artifact from a very ancient time. It was once regarded with superstitious awe in Ireland, and any liquid drunk from it was thought to have special powers in relieving human pain. Because of this, the local peasant women used it especially during childbirth, and there was quite a stir when its owner previously tried to sell it. According to its legendary history, it fell from the sky ringing loudly; but as it neared the crowd that had gathered for this miraculous event, the clapper fell off and returned to the heavens. This led people to believe that the bell was never meant to be rung on earth but should be preserved for more sacred and beneficial purposes. This is said to have taken place at the site of the famous Abbey of Fahan, near Innishowen (County Donegal), which was founded in the seventh century by St. Mura, or Muranus, during the reign of Abodh Slaine. For many centuries, this abbey was known as a repository for various valuable items that were deeply revered by the community. Among these were several unique manuscripts written by St. Mura, his crozier, and this bell; which eventually ended up in the hands of a poor peasant living in Innishowen, who sold it to Mr. Brown of Beaumaris. At his auction in 1855, it was bought by Lord Londesborough. The bell is made of bronze and has a quadrangular shape, similar to other ancient Irish bells, suggesting that it is indeed a genuine seventh-century piece. The intense reverence it received over the years is evident in the ornate casing that covers it. When one part of the outer casing was accidentally removed, a series of earlier decorations were revealed underneath, likely added in the ninth century. The uncovered portion (the lower right corner) features a pattern of Runic knots made of brass, securely attached to the bell with a thin gold plate; whether the rest of the early decorations, now hidden, are similar can only be determined by taking off the outer plates. The outer decorations consist of a variety of detached silver plates of different sizes, variously embossed in a style known to have been popular in the eleventh century. The center is embellished with a large crystal, and smaller gems were once set in other empty spaces around it, with only one amber stone still remaining. The two large areas in front of the arched top were likely once filled with precious stones, as the gold setting is still intact. The craftsmanship devoted to these decorations is of the highest quality; the hook for hanging the bell is made of brass and is adorned with early bronze decoration filled with niello, and the spaces in between are occupied by silver plates decorated like the later ornaments covering its surface. Due to the lack of any rivets on the back or sides of the bell, it seems that the decorations were limited to the handle casing and the embellishment of the front of this revered relic.

CURIOUSLY-SHAPED DRINKING CUP.

Curved drinking cup.

Curiously-Shaped Drinking Cup

Drinking cups of a fantastic shape were very much in vogue in the sixteenth century. Sometimes they assumed the shape of birds, sometimes of animals. In general it is the head that takes off, and serves as a lid or cover; but sometimes the orifice is in another part of the body, [Pg 414] as, for example, on the back. The specimen now before us is from Lord Londesborough's collection.

Drinking cups with unique designs were really popular in the sixteenth century. Sometimes they looked like birds, and other times like animals. Usually, the head comes off and acts as a lid; but sometimes the opening is in a different part of the body, [Pg 414] like on the back. The piece we're looking at now is from Lord Londesborough's collection.

The stag is of silver, gilt all over; the collar set with a garnet. Silver bands encircle this curious figure, to which are appended many small silver escutcheons engraved with the arms and names of distinguished officers of the Court of Saxe Gotha, the latest being "Her Von Maagenheim, Camer Juncker und Regierung Assessor in Gotha, d. 15 Augusti, Ao 1722." It has probably been a prize for shooting, successively won by those persons whose arms decorate it.

The stag is made of silver, covered in gold; it has a collar adorned with a garnet. Silver bands wrap around this unique figure, with many small silver shields attached that are engraved with the coats of arms and names of notable officers from the Court of Saxe Gotha, the most recent being "Her Von Maagenheim, Cameron Junker and Government Assessor in Gotha, d. 15 Augusti, Ao 1722." It has likely been a shooting trophy, won over time by those whose arms are displayed on it.

BANQUETS TO QUEEN ELIZABETH.

Banquets for Queen Elizabeth.

Few English sovereigns were so well acquainted with their dominions as was Queen Elizabeth: she may be said to have visited every corner of her empire, and in these royal journeys or "progresses," as they are called, her loyal subjects strove to outvie each other in the splendour of their receptions. Nothing could surpass the magnificence of the entertainments thus planned for the queen's gratification, either as respects the splendour of show, or the costliness of the more substantial banquet. These occasions are too numerous to mention; and we can only notice one of the queen's visits to the palace at Greenwich, as described by a German, who travelled in England in 1598. It was Sunday, and after attending service in the chapel, the queen prepared for dinner. A gentleman entered the room bearing a rod, and with him another bearing a table-cloth, which, after they had both kneeled three times, he spread upon the table, and after kneeling again, they both retired: then came two others, one with the rod again, the other with a salt-cellar, a plate, and bread, which, after kneeling, they also placed on the table: then came an unmarried and a married lady, bearing a tasting-knife, and having stooped three times gracefully, they rubbed the table with bread and salt. Then came the yeomen of the guard, bringing in, at each time, a course of dishes, served in plate, most of it gilt; these dishes were received by a gentleman, and placed upon the table, while the lady-taster gave to each guard a mouthful to eat of the particular dish he had brought, for fear of any poison. During the time that this guard (which consisted of the tallest and stoutest men that could be found in all England, being carefully selected for this service) were bringing dinner, twelve trumpets and two kettle-drums made the hall ring for half an hour together. After this a number of unmarried ladies appeared, who lifted the meat from the table, and conveyed it to the queen's inner and more private chamber, where, after she had chosen for herself, the rest was sent to the ladies of the court. The queen dined and supped alone, with very few attendants.

Few English monarchs knew their realms as well as Queen Elizabeth did. You could say she visited every part of her empire, and during these royal journeys, called "progresses," her loyal subjects competed to outdo one another in the grandeur of their receptions. The extravagance of the events organized for the queen's enjoyment was unmatched, both in terms of spectacle and the lavishness of the meals. There were far too many occasions to list, but we can highlight one of the queen's visits to the palace at Greenwich, as described by a German traveler in 1598. It was Sunday, and after attending service in the chapel, the queen got ready for dinner. A gentleman entered the room carrying a rod, followed by another who had a tablecloth. After both kneeled three times, the first spread the cloth on the table, and after kneeling again, they both left. Then came two more, one with the rod again and the other with a salt cellar, a plate, and bread, which they placed on the table after kneeling. Next, an unmarried and a married lady appeared carrying a tasting knife; after gracefully bowing three times, they wiped the table with bread and salt. The yeomen of the guard then brought in several courses of dishes, served on mostly gilt plates. A gentleman received these dishes and placed them on the table, while the lady-taster ensured each guard had a mouthful of the specific dish he carried, just in case it was poisoned. During the time this guard—comprising the tallest and strongest men available in all of England, carefully selected for this duty—was serving dinner, twelve trumpets and two kettle drums filled the hall with sound for half an hour. After that, several unmarried ladies came in, lifted the food from the table, and brought it to the queen's more private chamber, where she selected her meal before the rest was sent to the ladies of the court. The queen dined and had supper alone, with very few attendants.

THE GREAT FOG OF 1783.

THE GREAT FOG OF 1783.

It prevailed over the adjoining continent, and produced much fear that the end of all things was at hand. It appeared first at Copenhagen on the 29th of May, reached Dijon on the 14th June, and was perceived in Italy on the 16th. It was noticed at Spydberg, in Norway, on the 22nd, and at Stockholm two days later; the following day it reached [Pg 415] Moscow. On the 23rd it was felt on the St. Gothard, and at Buda. By the close of that month it entered Syria; and on the 18th of July, reached the Altai Mountains. Before its appearance at these places the condition of the atmosphere was not similar; for in this country it followed continued rains; in Denmark it succeeded fine weather of some continuance; and in other places it was preceded by high winds. The sun at noon looked rusty-red, reminding one of the lines of Milton. The heat was intense during its continuance, and the atmosphere was highly electric. Lightnings were awfully vivid and destructive. In England many deaths arose from this cause, and a great amount of property was lost. In Germany public edifices were thrown down or consumed by it; and in Hungary one of the chief northern towns was destroyed by fires, caused by the electric fluid, which struck it in nine different places. In France there were hailstones and violent winds. In Silesia there were great inundations. The dry fogs of 1782-83 were accompanied by influenza; at St. Petersburgh 40,000 persons were immediately attacked by it, after the thermometer had suddenly risen 30 degrees. Calabria and Sicily were convulsed by earthquakes; in Iceland a volcano was active, and about the same time one sprung out of the sea off Norway. The co-existence of dry fogs with earthquakes and volcanic eruptions had been previously observed—e.g., in the years 526, 1348, 1721; and since then, in 1822 and 1834.

It spread across the neighboring continent and caused a lot of fear that the end was near. It first appeared in Copenhagen on May 29th, reached Dijon on June 14th, and was detected in Italy on the 16th. It was reported in Spydberg, Norway, on the 22nd, and in Stockholm two days later; the next day it made it to Moscow. On the 23rd, people felt its effects on St. Gothard and in Buda. By the end of that month, it entered Syria, and by July 18th, it reached the Altai Mountains. Before its arrival in these places, the atmospheric conditions were different; in this country, it followed a period of continuous rain; in Denmark, it followed a stretch of nice weather; and in other locations, it came after strong winds. At noon, the sun appeared rusty-red, reminiscent of Milton's lines. The heat was intense during its presence, and the atmosphere was extremely electric. Lightning was shockingly bright and destructive. In England, many people died because of this, and a lot of property was lost. In Germany, public buildings were destroyed or burned down; in Hungary, one of the major northern towns was devastated by fires caused by the electric energy, which struck it in nine different spots. In France, there were hailstones and strong winds. Silesia experienced major flooding. The dry fogs of 1782-83 were accompanied by influenza; in St. Petersburg, 40,000 people were suddenly affected after the temperature shot up by 30 degrees. Calabria and Sicily experienced earthquakes; in Iceland, a volcano erupted, and around the same time, another emerged from the sea off Norway. The simultaneous occurrence of dry fogs with earthquakes and volcanic eruptions had been noted before—e.g., in the years 526, 1348, 1721; and since then, in 1822 and 1834.

A somewhat similar fog overspread London before the cholera of 1831, and the influenza of 1847. Hecker ("Epidemics of the Middle Ages") has collected notices of various phenomena of this kind, which have preceded the great continental plagues, and have often been characterised by offensive odours.

A similar fog covered London before the cholera outbreak in 1831 and the influenza outbreak in 1847. Hecker ("Epidemics of the Middle Ages") gathered reports of various phenomena like this that have preceded major continental plagues, and these events were often marked by foul smells.

MONKEYS DEMANDING THEIR DEAD.

Monkeys demanding their dead.

Mr. Forbes tells a story of a female monkey (the Semnopithecus Entellus) who was shot by a friend of his, and carried to his tent. Forty or fifty of her tribe advanced with menacing gestures, but stood still when the gentleman presented his gun at them. One, however, who appeared to be the chief of the tribe, came forward, chattering and threatening in a furious manner. Nothing short of firing at him seemed likely to drive him away; but at length he approached the tent door with every sign of grief and supplication, as if he were begging for the body. It was given to him, he took it in his arms, carried it away, with actions expressive of affection, to his companions, and with them disappeared. It was not to be wondered at that the sportsman vowed never to shoot another monkey.

Mr. Forbes shares a story about a female monkey (the Semnopithecus Entellus) who was shot by a friend of his and brought back to his tent. Forty or fifty members of her troop approached with threatening gestures but froze when the man aimed his gun at them. However, one monkey, seemingly the leader of the group, came forward, chattering and furiously threatening. Nothing short of firing at him seemed likely to scare him off; eventually, he approached the tent door showing signs of deep sadness and pleading, as if he was asking for the body. It was handed over to him, and he cradled it, carrying it away with gestures of affection, joined by his companions as they vanished. It's no surprise that the hunter vowed never to shoot another monkey again.

BARA.

BARA.

Mr. Howel, in his descriptive travels through Sicily, gives a particular account of the magnificent manner in which the festival of the Assumption of the Virgin is kept by the Sicilians under the title of Bara, which, although expressive of the machine he describes, is also, it appears, generally applied as a name of the feast itself. An immense machine of about 50 feet high is constructed, designing to represent Heaven; and [Pg 416] in the midst is placed a young female personating the Virgin, with an image of Jesus on her right hand; round the Virgin 12 little children turn vertically, representing so many Seraphim, and below them 12 more children turn horizontally, as Cherubim; lower down in the machine a sun turns vertically, with a child at the extremity of each of the four principal radii of his circle, who ascend and descend with his rotation, yet always in an erect posture; and still lower, reaching within about 7 feet of the ground, are placed 12 boys, who turn horizontally without intermission around the principal figure, designing thereby to exhibit the 12 apostles, who were collected from all corners of the earth, to be present at the decease of the Virgin, and witness her miraculous assumption. This huge machine is drawn about the principal streets by sturdy monks; and it is regarded as a particular favour to any family to admit their children in this divine exhibition.

Mr. Howel, during his travels through Sicily, provides a detailed account of the grand way the festival of the Assumption of the Virgin is celebrated by the Sicilians, known as the Bara. This term not only describes the elaborate structure he depicts but also seems to be commonly used for the feast itself. A massive structure, about 50 feet tall, is built to represent Heaven. In the center, a young woman represents the Virgin, holding an image of Jesus in her right hand. Surrounding the Virgin are 12 little children turning vertically, symbolizing the Seraphim, while below them, another 12 kids turn horizontally, representing the Cherubim. Lower down in the structure, a sun rotates vertically, with a child at the end of each of the four main rays, who rise and fall with the sun's movement, yet always remain upright. Further down, roughly 7 feet off the ground, are 12 boys who continuously turn horizontally around the central figure, meant to show the 12 apostles who came from all over the world to witness the Virgin's passing and her miraculous ascent. This enormous structure is pulled through the main streets by strong monks, and it is considered a special honor for any family to have their children participate in this divine display.

CRADLE OF HENRY V.

Henry V's birthplace.

Most of our readers have probably seen, in the illustrated newspapers of the day, sketches of the magnificently artistic cradles which have been made for the children of our good Queen, or for the Prince Imperial of France. It will be not a little curious to contrast with those elaborately beautiful articles the cradle of a Prince of Wales in the fourteenth century. We here give a sketch of it.

Most of our readers have probably seen, in today's illustrated newspapers, sketches of the beautifully artistic cradles made for our good Queen's children or for the Prince Imperial of France. It will be quite interesting to compare those elaborately beautiful pieces with the cradle of a Prince of Wales from the fourteenth century. We provide a sketch of it here.

Cradle of Henry V

It was made for the use of Henry Prince of Wales, afterwards King Henry V, generally called Henry of Monmouth, because he was born in the castle there in the year 1388. He was the son of Henry IV of Bolingbroke, by his first wife Mary de Bohun. He was educated at Queen's College, Oxford, under the superintendence of his half uncle, the great Cardinal Henry Beaufort. On the accession of his father to the throne, he was created Prince of Wales, and, at the early age of sixteen, was present at the battle of Shrewsbury, where he was badly wounded in the face. After having greatly distinguished himself in the war against Owen Glendour, he spent some years idleness and dissipation, but on his coming to the throne, by the death of his father, April 20, 1413, he threw off his former habits and associates, chose his ministers from among those of tried integrity and wisdom in his father's cause, and seemed everywhere intent on justice, on victory over himself, and on the good of his subjects. After a short but glorious reign of ten years, in which the victory of Agincourt was the principal event, he expired at the Bois de Vincennes, near Paris, on the last day of August, 1422, in the thirty-fourth year of his age. He was engaged at the time in a war with the Dauphin of France. His heart was warm as his head was cool, and his courage equal to his wisdom, which emboldened him to encounter the greatest dangers, and surmount the greatest difficulties [Pg 417] His virtues were not inferior to his abilities, being a dutiful son, a fond parent, an affectionate brother, a steady and generous friend, and an indulgent master. In a word, Henry V., though not without his failings, merits the character of an amiable and accomplished man, and a great and good king. Such was the sovereign, for whose infant years the plain, but still not tasteless, cradle was made, which we have here engraved, as it is preserved in the castle of Monmouth, his birthplace.

It was created for Henry, Prince of Wales, who later became King Henry V, often referred to as Henry of Monmouth because he was born in that castle in 1388. He was the son of Henry IV of Bolingbroke and his first wife, Mary de Bohun. He was educated at Queen's College, Oxford, under the guidance of his half-uncle, the prominent Cardinal Henry Beaufort. When his father ascended to the throne, he was made Prince of Wales, and at just sixteen years old, he participated in the battle of Shrewsbury, where he suffered a serious facial injury. After distinguishing himself in the war against Owen Glendour, he spent several years in idleness and indulgence. However, upon his father's death on April 20, 1413, he shed his past habits and friends, selected his ministers based on their integrity and expertise in his father’s cause, and focused on justice, self-discipline, and the welfare of his subjects. After a brief but glorious reign of ten years, highlighted by the victory at Agincourt, he passed away at Bois de Vincennes near Paris on the last day of August, 1422, at thirty-four years old. At the time, he was engaged in a conflict with the Dauphin of France. His heart was as warm as his mind was cool, and his bravery matched his wisdom, enabling him to face significant dangers and overcome great challenges. His virtues were on par with his abilities, as he was a devoted son, a loving parent, a caring brother, a loyal and generous friend, and a considerate master. In short, Henry V, despite his imperfections, deserves to be remembered as a kind and accomplished individual and a great and good king. This was the sovereign for whom the simple yet tasteful cradle was made, which we have illustrated here, preserved in the castle of Monmouth, his birthplace.

THE FONT AT KILCARN.

THE FONT AT KILCARN.

The venerable old church at Kilcarn, near Navan, in the county of Meath, contains a font of great rarity, and we have selected it as a fitting object for our work, inasmuch as it is a striking instance of the union of the beautiful with the curious.

The old church at Kilcarn, near Navan in County Meath, has a very rare font, and we have chosen it as a perfect subject for our work since it beautifully combines the elegant with the unique.

Font at Kilcarn

Placed upon its shaft, as represented in the cut, it measures in height about three feet six inches; the basin is two feet ten inches in diameter, and thirteen inches deep. The heads of the niches, twelve in number, with which its sides are carved, are enriched with foliage of a graceful but uniform character, and the miniature buttresses which separate the niches are decorated with crockets, the bases resting upon heads, grotesque animals, or human figures, carved as brackets. The figures within the niches are executed with a wonderful degree of care, the drapery being represented with each minute crease or fold well expressed. They are evidently intended to represent Christ, the Virgin Mary, and the twelve apostles. All the figures are seated. Our Saviour, crowned as a King, and holding in his hand the globe and cross, is in the act of blessing the Virgin, who also is crowned, the "Queen of Heaven." The figures of most of the apostles can easily be identified: Saint Peter by his key; Saint Andrew by his cross of peculiar shape; and so on. They are represented barefooted, and each holds a book in one hand.

Placed on its shaft, as shown in the image, it stands about three feet six inches tall; the basin is two feet ten inches in diameter and thirteen inches deep. The heads of the twelve niches carved into its sides are adorned with elegantly uniform foliage, and the small buttresses separating the niches are decorated with crockets, their bases resting on heads, grotesque animals, or human figures carved as brackets. The figures inside the niches are crafted with remarkable attention to detail, with every tiny crease or fold of the drapery clearly visible. They are clearly meant to depict Christ, the Virgin Mary, and the twelve apostles. All the figures are seated. Our Savior, crowned as a King and holding the globe and cross in his hand, is in the act of blessing the Virgin, who is also crowned as the "Queen of Heaven." Most of the apostles can be easily recognized: Saint Peter with his key; Saint Andrew with his distinctive cross; and so on. They are depicted barefoot, each holding a book in one hand.

THE BLOOD-SUCKING VAMPIRE.

THE BLOOD-SUCKING VAMPIRE.

Captain Stedman, who travelled in Guiana, from 1772 to 1777, published an account of his adventures, and for several years afterwards it was the fashion to doubt the truth of his statements. In fact, it was a general feeling, up to a much later period than the above, that travellers were not to be believed. As our knowledge, however, has increased, and the works of God have been made more manifest, the reputation of many a calumniated traveller has been restored, and, among others, that [Pg 418] of Captain Stedman. We shall, therefore, unhesitatingly quote his account of the bite of the vampire:—"On waking, about four o'clock this morning, in my hammock, I was extremely alarmed at finding myself weltering in congealed blood, and without feeling any pain whatever. Having started up and run to the surgeon, with a firebrand in one hand, and all over besmeared with gore, the mystery was found to be, that I had been bitten by the vampire or spectre of Guiana, which is also called the flying dog of New Spain. This is no other than a bat of monstrous size, that sucks the blood from men and cattle, sometimes even till they die; knowing, by instinct, that the person they intend to attack is in a sound slumber, they generally alight near the feet, where, while the creature continues fanning with his enormous wings, which keeps one cool, he bites a piece out of the tip of the great toe, so very small indeed, that the head, of a pin could scarcely be received into the wound, which is consequently not painful; yet, through this orifice he contrives to suck the blood until he is obliged to disgorge. He then begins again, and thus continues mucking and disgorging till he is scarcely able to fly, and the sufferer has often been known to sleep from time into eternity. Cattle they generally bite in the ear, but always in those places where the blood flows spontaneously. Having applied tobacco-ashes as the best remedy, and washed the gore from myself and my hammock, I observed several small heaps of congealed blood all around the place where I had lain upon the ground; upon examining which, the surgeon judged that I had lost at least twelve or fourteen ounces during the night. Having measured this creature (one of the bats), I found it to be, between the tips of the wings, thirty-two inches and a-half; the colour was a dark brown, nearly black, but lighter underneath."

Captain Stedman, who traveled in Guiana from 1772 to 1777, published an account of his adventures, and for several years afterward, people often doubted the truth of his claims. In fact, it was a common belief, even much later, that travelers were not to be trusted. However, as our knowledge has grown and the works of God have become clearer, the reputations of many wrongly criticized travelers have been restored, including that of Captain Stedman. Therefore, we will confidently quote his account of the vampire's bite:—"When I woke up around four o'clock this morning in my hammock, I was extremely alarmed to find myself covered in dried blood and feeling no pain at all. I jumped up and rushed to the surgeon, with a burning stick in one hand and dripping with blood. The mystery turned out to be that I had been bitten by the vampire or spectre of Guiana, also known as the flying dog of New Spain. This creature is simply a giant bat that sucks blood from humans and livestock, sometimes even to the point of death. Instinctively knowing when their target is in deep sleep, they usually land near the feet, and while the bat fans its enormous wings, which keeps the area cool, it nibbles a tiny piece from the tip of the big toe, so small that the head of a pin could hardly fit into the wound. Since it's not painful, the victim remains unaware. Yet through this tiny hole, the bat manages to suck blood until it has to spit it out. It then starts again, continuing this process until it can barely fly, while the victim has often been known to sleep from then until forever. They usually bite cattle on the ear or wherever the blood flows freely. After applying tobacco ashes as a remedy and cleaning the blood from myself and my hammock, I noticed several small puddles of congealed blood all around the spot where I had lain on the ground. Upon examining them, the surgeon estimated that I had lost at least twelve or fourteen ounces of blood during the night. When I measured one of these bats, it had a wingspan of thirty-two and a half inches; its color was a dark brown, almost black, but lighter underneath."

LUXURY IN 1562.

LUXURY IN 1562.

The luxury of the present times does not equal, in one article at least, that of the sixteenth century. Sir Nicholas Throckmorton, the Queen's ambassador at Paris, in a letter to Sir Thomas Chaloner, the ambassador at Madrid, in June, 1562, says,

The luxury of today doesn't compare, in at least one aspect, to that of the sixteenth century. Sir Nicholas Throckmorton, the Queen's ambassador in Paris, wrote in a letter to Sir Thomas Chaloner, the ambassador in Madrid, in June 1562, says,

"I pray you good my Lord Ambassador sende me two paire of parfumed gloves, parfumed with orrange flowers and jacemin, th'one for my wives hand, the other for mine owne; and wherin soever I can pleasure you with any thing in this countrey, you shall have it in recompence thereof, or els so moche money as they shall coste you; provided alwaies that they be of the best choise, wherein your judgment is inferior to none."

"I kindly ask you, good Lord Ambassador, to send me two pairs of scented gloves, infused with orange flowers and jasmine—one for my wife's hand and the other for mine. And whatever I can do to please you in this country, you will get it in return, or else I’ll pay you the amount they cost; just make sure they are of the best quality, as no one is better than you at judging."

SINGULAR PHENOMENON—PHOSPHORESCENCE OF THE SEA.

SINGULAR PHENOMENON—SEA PHOSPHORESCENCE.

The sea has sometimes a luminous appearance, a phenomenon that has been observed by all sailors, who consider it the forerunner of windy weather. It is said to occur most frequently in the summer and autumn months, and varies so much in its character, as to induce a doubt whether it can always be attributed to the same cause. Sometimes the luminous appearance is seen over the whole surface of the water, and the [Pg 419] vessel seems as though floating upon an ocean of light. At other times, the phosphorescence is only seen immediately around the ship. A portion of water taken from the sea does not necessarily retain its luminous appearance, but its brilliance will generally continue as long as the water is kept in a state of agitation. Some naturalists imagine the phosphorescence of the sea to arise from the diffusion of an immense number of animalculæ through the medium, and others attribute it to electricity. Dr. Buchanan has given an account of a very remarkable appearance of the sea, observed by him during a voyage from Johanna to Bombay. About eight o'clock in the evening of the 31st of July, 1785, the sea had a milk-white colour, and upon it were floating a multitude of luminous bodies greatly resembling that combination of stars known as the milky way, the brightest of them representing the larger stars of a constellation. The whiteness, he says, was such as to prevent those on board from seeing either the break or swell of the sea, although, from the motion of the ship and the noise, they knew them to be violent, and the light was sufficiently intense to illuminate the ropes and rigging. This singular phenomenon continued till daylight appeared. Several buckets of water were drawn, and in them were found a great number of luminous bodies, from a quarter of an inch to an inch and a half in length, and these were seen to move about as worms in the water. There might be, he said to Dr. Buchanan, four hundred of these animals in a gallon of water. A similar appearance had been observed before in the same sea by several of the officers, and the gunner had seen it off Java Head, in a voyage to China.

The sea sometimes has a glowing look, a phenomenon that all sailors have noticed and consider a sign of coming windy weather. It’s said to happen most often in the summer and fall months, and it varies so much in its nature that it raises questions about whether there’s always one cause. Sometimes, the glow lights up the entire surface of the water, making it seem like the ship is floating on an ocean of light. Other times, the glow is only visible right around the ship. A sample of seawater doesn’t always keep its glow, but its brightness usually lasts as long as the water is stirred. Some naturalists believe the glow in the sea comes from a huge number of tiny organisms, while others think it’s due to electricity. Dr. Buchanan described a very striking sight of the sea during his journey from Johanna to Bombay. Around eight o'clock in the evening on July 31, 1785, the sea appeared milky white, with countless glowing bodies floating on it, resembling the stars in the Milky Way, with the brightest ones mimicking the larger stars of a constellation. He mentioned that the whiteness was so intense it prevented those on board from seeing the waves, even though they could feel and hear the roughness of the sea. The light was bright enough to illuminate the ropes and rigging. This remarkable phenomenon lasted until dawn. Several buckets of water were drawn, revealing many glowing bodies ranging from a quarter of an inch to an inch and a half long, moving around like worms in the water. He told Dr. Buchanan that there might be about four hundred of these creatures in a gallon of water. A similar sight had been noticed before in the same waters by several officers, and the gunner had seen it off Java Head on a voyage to China.

MARRIAGE VOW.

Wedding vow.

The matrimonial ceremony, like many others, has undergone some variation in the progress of time. Upwards of three centuries ago, the husband, on taking his wife, as now, by the right hand, thus addressed her:—"I. N. undersygne the N. for my wedded wyfe, for better, for worse, for richer, for porer, yn sickness, and in helthe, tyl dethe us departe, (not "do part," as we have erroneously rendered it, the ancient meaning of "departe," even in Wickliffe's time, being "separate") as holy churche hath ordeyned, and thereto I plygth the my trowthe." The wife replies in the same form, with an additional clause, "to be buxom to the, tyl dethe us departe." So it appears in the first edition of the "Missals for the use of the famous and celebrated Church of Hereford, 1502," fol. In what is called the "Salisbury Missal," the lady pronounced a more general obedience: "to be bonere and buxom in bedde and at the borde."

The wedding ceremony, like many others, has changed over time. More than three centuries ago, the husband, while taking his wife's right hand, said to her:—"I. N. undersygne the N as my wedded wife, for better, for worse, for richer, for poorer, in sickness and in health, until death separates us, (not 'do part,' as we have incorrectly rendered it, the old meaning of 'departe,' even in Wycliffe's time, being 'separate') as holy church has ordained, and I pledge my faith to you." The wife responds in the same way, adding, "to be obedient to you, until death separates us." This is how it appears in the first edition of the "Missals for the use of the famous and celebrated Church of Hereford, 1502," fol. In what is known as the "Salisbury Missal," the wife made a broader promise of obedience: "to be obedient and submissive in bed and at the table."

LOVE OF GARDENS.

Garden Love.

Louis XVIII., on his restoration to France, made, in the park in Versailles, the facsimile of the garden at Hartwell; and there was no more amiable trait in the life of that accomplished prince. Napoleon used to say that he should know his father's garden in Corsica blindfolded, by the smell of the earth! And the hanging-gardens of Babylon are said to have been raised by the Median Queen of Nebuchadnezzar on the flat [Pg 420] and naked plains of her adopted country, to remind her of the hills and woods of her childhood. We need not speak of the plane-trees of Plato—Shakspeare's mulberry-tree—Pope's willow—Byron's elm? Why describe Cicero at his Tusculum—Evelyn at Wotton—Pitt at Ham Common—Walpole at Houghton—Grenville at Dropmere? Why dwell on Bacon's "little tufts of thyme," or Fox's geraniums? There is a spirit in the garden as well as in the wood, and the "lilies of the field" supply food for the imagination as well as materials for sermons.

Louis XVIII, upon returning to France, created a replica of the garden at Hartwell in the park at Versailles, and this was one of the most charming aspects of that refined prince's life. Napoleon used to say that he could recognize his father's garden in Corsica even with his eyes closed, just by the smell of the earth! The hanging gardens of Babylon are said to have been built by the Median Queen of Nebuchadnezzar on the flat and barren plains of her new land, to remind her of the hills and woods of her childhood. We need not mention Plato's plane trees—Shakespeare's mulberry tree—Pope's willow—Byron's elm. Why talk about Cicero at his Tusculum—Evelyn at Wotton—Pitt at Ham Common—Walpole at Houghton—Grenville at Dropmere? Why focus on Bacon's "little tufts of thyme," or Fox's geraniums? There is a spirit in the garden just like there is in the woods, and the "lilies of the field" provide inspiration for both imagination and sermons.

ANCIENT DANISH SHIELD.

OLD DANISH SHIELD.

Ancient Danish Shield

In Asia, from whence the greater number, probably all, of the European nations have migrated, numerous implements and weapons of copper have been discovered in a particular class of graves; nay, in some of the old and long-abandoned mines in that country workmen's tools have been discovered, made of copper, and of very remote antiquity. We see, moreover, how at a later period attempts were made to harden copper, and to make it better suited for cutting implements by a slight intermixture, and principally of tin. Hence arose that mixed metal to which the name of "bronze" has been given. Of this metal, then, the Northmen of "the bronze period" formed their armour, and among numerous other articles, three shields have been discovered which are made wholly of bronze; and we here give a sketch of the smallest of them, which is about nineteen inches in diameter, the other two being twenty-four. These shields are formed of somewhat thin plates of bronze, the edge being turned over a thick wire metal to prevent the sword penetrating too deeply. The handle is formed of a cross-bar, placed at the reverse side of the centre boss, which is hollowed out for the purpose of admitting the hand.

In Asia, where most of the European nations likely originated, many tools and weapons made of copper have been found in a specific type of grave. In fact, in some old, long-abandoned mines in that region, workers’ tools made of copper, dating back to ancient times, have been uncovered. Additionally, we see that later on, people tried to harden copper and improve its suitability for cutting tools by mixing it with a little bit of tin. This led to the creation of the metal known as "bronze." The Northmen from the "bronze period" used this metal to make their armor, and among various items, three shields made entirely of bronze have been found. We provide a sketch of the smallest shield, which is about nineteen inches in diameter, while the other two are twenty-four inches. These shields consist of relatively thin bronze plates with the edges wrapped over a thick wire to prevent swords from penetrating too deeply. The handle features a cross-bar on the back side of a central boss, which is hollowed out to allow for a hand grip.

SACRED GARDENS.

SACRED GARDENS.

The origin of sacred gardens among the heathen nations may be traced up to the garden of Eden. The gardens of the Hesperides, of Adonis, of Flora, were famous among the Greeks and Romans. "The garden of Flora," says Mr. Spence (Polymetis, p. 251), "I take to have been the Paradise in the Roman mythology. The traditions and traces of Paradise among the ancients must be expected to have grown fainter and fainter in every transfusion from one people to another. The Romans probably derived their notions of it from the Greeks, among whom this idea seems to have been shadowed out under the stories of the gardens of Alcinous. In Africa they had the gardens of the Hesperides, and in the East those of Adonis, or the Horti Adonis, as Pliny [Pg 421] calls them. The term Horti Adonides was used by the ancients to signify gardens of pleasure, which answers to the very name of Paradise, or the garden of Eden, as Horti Adonis does to the garden of the Lord."

The origin of sacred gardens among pagan nations can be traced back to the Garden of Eden. The gardens of the Hesperides, Adonis, and Flora were well-known among the Greeks and Romans. "The garden of Flora," says Mr. Spence (Polymetis, p. 251), "I believe was the Paradise of Roman mythology. The traditions and memories of Paradise among ancient peoples likely faded more and more with each exchange from one culture to another. The Romans probably got their ideas from the Greeks, among whom this concept appears to be reflected in the stories of the gardens of Alcinous. In Africa, they had the gardens of the Hesperides, and in the East, the gardens of Adonis, or the Horti Adonis, as Pliny [Pg 421] calls them. The term Horti Adonides was used by the ancients to refer to pleasure gardens, which corresponds to the name Paradise, or the Garden of Eden, just as Horti Adonis refers to the garden of the Lord."

ANCIENT CHAIR OF DAGOBERT.

DAGOBERT'S ANCIENT CHAIR.

Ancient Chair of Dagobert

The chair which we here engrave claims to be regarded as a great curiosity, on two separate grounds: it is the work of an artist who was afterwards canonized, and it was used by Napoleon I. on a most important occasion. Towards the close of the sixth century the artists of France were highly successful in goldsmith's work, and Limoges appears to have been the principal centre of this industry. It was at this time that Abbon flourished—a goldsmith and mint-master, with whom was placed the young Eloy, who rose from a simple artizan to be the most remarkable man of his century, and whose virtues were rewarded by canonization. The apprentice soon excelled his master, and his fame caused him to be summoned to the throne of Clotaire II., for whom he made two thrones of gold, enriched with precious stones, from a model made by the king himself, who had not been able to find workmen sufficiently skilful to execute it. The talents and probity of St. Eloy also gained him the affection of Dagobert I., who entrusted him with many important works, and among them, with the construction of the throne, or chair of state which is the subject of this article. It is made of bronze, carved and gilded, and is a beautiful specimen of workmanship. The occupant of the chair would sit upon a cloth of gold suspended from the two side bars. For a long time it was preserved in the sacristy of the royal church of St. Denis, at Paris; but it was subsequently removed to the Great Library, where it now is. It was upon this chair that Napoleon I., in August, 1804, distributed the crosses of the Legion of Honour to the soldiers of the army assembled at Boulogne for the invasion of England. Napoleon caused the chair to be brought from Paris for the express purpose.

The chair we’re engraving here is considered a remarkable curiosity for two main reasons: it's made by an artist who was later canonized, and it was used by Napoleon I during a very significant event. Toward the end of the sixth century, French artists excelled in goldsmithing, with Limoges being the main center for this craft. During this time, Abbon thrived as a goldsmith and mint-master, mentoring the young Eloy, who went from being a simple artisan to the most notable figure of his time, ultimately earning sainthood for his virtues. The apprentice quickly surpassed his master, and his reputation led to an invitation from Clotaire II, for whom he created two thrones of gold adorned with precious stones, based on a design by the king himself, who had struggled to find skilled workers for the task. St. Eloy's talents and integrity also earned him the favor of Dagobert I, who tasked him with many important projects, including the construction of the throne—or chair of state—discussed in this article. It’s made of carved and gilded bronze, showcasing exquisite craftsmanship. The person sitting in the chair would be on a gold cloth suspended from the two side bars. For many years, it was kept in the sacristy of the royal church of St. Denis in Paris, but it was later moved to the Great Library, where it remains today. It was on this chair that Napoleon I, in August 1804, awarded the crosses of the Legion of Honour to soldiers from the army gathered at Boulogne for the planned invasion of England. Napoleon had the chair brought from Paris specifically for this occasion.

ST GEORGE'S CAVERN.

St. George's Cavern.

Near the town of Moldavia, on the Danube, is shown the cavern where St. George slew the Dragon, from which, at certain periods, issue myriads of small flies, which tradition reports to proceed from the carcass of the dragon. They respect neither man nor beast, and are so destructive that oxen and horses have been killed by them. They are called the Golubacz's fly. It is thought when the Danube rises, as it [Pg 422] does in the early part of the summer, the caverns are flooded, and the water remaining in them, and becoming putrid, produces this noxious fly. But this supposition appears to be worthless, because, some years ago, the natives closed up the caverns, and still they were annoyed with the flies. They nearly resemble mosquitoes. In summer they appear in such swarms as to look like a volume of smoke; and they sometimes cover a space of six or seven miles. Covered with these insects, horses not unfrequently gallop about until death puts an end to their sufferings. Shepherds anoint their hands with a decoction of wormwood, and keep large fires burning to protect themselves from them. Upon any material change in the weather the whole swarm is destroyed thereby.

Near the town of Moldavia, by the Danube, there’s a cave where St. George is said to have killed the Dragon. At certain times of the year, swarms of small flies emerge from it, which tradition says come from the dragon's carcass. They don’t discriminate between people and animals, and they’re so destructive that they have been known to kill oxen and horses. These flies are called Golubacz's fly. It’s believed that when the Danube rises, as it does in early summer, the caves get flooded, and the stagnant water becomes foul, producing these harmful flies. However, this theory seems to be unfounded because, several years ago, locals sealed up the caves, yet they still faced issues with the flies. They closely resemble mosquitoes. In summer, they come in such vast numbers that they appear like a cloud of smoke and can spread over an area of six or seven miles. When covered in these insects, horses often run around until they die from the torment. Shepherds rub their hands with a wormwood infusion and keep large fires burning to ward them off. Any significant change in the weather wipes out the entire swarm.

ENGLISH LETTER BY VOLTAIRE.

Voltaire's Letter in English.

The subjoined letter is copied literally from the autograph of Voltaire, formerly in the possession of the Rev. Mr. Sim, the editor of Mickle's Poems:—

The letter below is copied exactly from Voltaire's original handwriting, which was once owned by Rev. Mr. Sim, the editor of Mickle's Poems:—

"Sir,

"Sir,"

"j wish you good health, a quick sale of yr burgundy, much latin, and greeke to one of yr Children, much Law, much of cooke, and littleton, to the other. quiet and joy to mistress brinsden, money to all. when you'll drink yr burgundy with mr furneze pray tell him j'll never forget his favours.

" I wish you good health, a fast sale of your burgundy, plenty of Latin and Greek for one of your children, lots of law and cookery for the other. Peace and happiness to Mrs. Brinsden, and money for everyone. When you drink your burgundy with Mr. Furneze, please tell him I'll never forget his kindness."

But dear john be so kind as to let me know how does my lady Bollingbroke. as to my lord j left him so well j dont doubt he is so still. but j am very uneasie about my lady. if she might have as much health as she has Spirit and witt, sure She would be the strongest body in england. pray dear sr write me Something of her, of my lord, and of you. direct yr letter by the penny post at mr Cavalier, Belitery Square by the R. exchange. j am sincerely and heartily yr most humble most obedient rambling friend

But dear John, please be so kind as to let me know how my lady Bollingbroke is doing. As for my lord, I left him in such good spirits that I don’t doubt he still is. However, I’m very worried about my lady. If she had as much health as she has spirit and wit, she would surely be the strongest person in England. Please, dear sir, write me something about her, about my lord, and about yourself. Send your letter through the penny post to Mr. Cavalier, Belitery Square, by the R. Exchange. I am sincerely and wholeheartedly your most humble and obedient rambling friend.

"Voltaire.

"Voltaire."

"to
"john Brinsden, esq.
"durham's yard
"by charing cross."

"to
John Brinsden, Esq.
"Durham’s Yard"
"near Charing Cross."

THE GOLDEN CHALICE OF IONA.

THE GOLDEN CHALICE OF IONA.

A chalice, as used in sacred ceremonies, is figured on various early Scottish ecclesiastical seals, as well as on sepulchral slabs and other medieval sculptures. But an original Scottish chalice, a relic of the venerable abbey of St. Columba, presented, till a very few years since, an older example of the sacred vessels of the altar than is indicated in any existing memorial of the medieval Church. The later history of this venerable relic is replete with interest. It was of fine gold, of a very simple form, and ornamented in a style that gave evidence of its belonging to a very early period. It was transferred from the possession of Sir Lauchlan MacLean to the Glengarry family, in the time of Æneas, afterwards created by Charles II. Lord Macdonell and Arross, under the circumstances narrated in the following letter from a cousin of the celebrated [Pg 423] Marshal Macdonald, Duke of Tarentum, and communicated by a clergyman (Rev. Æneas M'Donell Dawson), who obtained it from the family of the gentleman to whom it was originally addressed:—

A chalice, used in sacred ceremonies, appears on various early Scottish ecclesiastical seals, as well as on tombstones and other medieval sculptures. An original Scottish chalice, a relic from the venerable abbey of St. Columba, had been a notable example of the sacred altar vessels until just a few years ago, being older than any existing memorial of the medieval Church. The later history of this revered relic is full of interest. It was made of fine gold, had a very simple shape, and was decorated in a style that indicated it belonged to a very early period. It was passed from Sir Lauchlan MacLean to the Glengarry family during the time of Æneas, who was later made Lord Macdonell and Arross by Charles II, under the circumstances outlined in the following letter from a cousin of the famous Marshal Macdonald, Duke of Tarentum, shared by a clergyman (Rev. Æneas M'Donell Dawson), who received it from the family of the gentleman it was originally addressed to:—

"The following anecdote I heard from the late bishop, John Chisholm, and from Mr. John M'Eachan, uncle to the Duke of Tarentum, who died at my house at Irin Moidart, aged upwards of one hundred years:—

"The following story I heard from the late bishop, John Chisholm, and from Mr. John M'Eachan, uncle to the Duke of Tarentum, who passed away at my home in Irin Moidart, at over one hundred years old:—

"Maclean of Duart, expecting an invasion of his lands in Mull, by his powerful neighbour the Earl of Argyll, applied to Glengarry for assistance. Æneas of Glengarry marched at the head of five hundred men to Ardtornish, nearly opposite to Duart Castle, and crossing with a few of his officers to arrange the passage of the men across the Sound of Mull, Maclean, rejoicing at the arrival of such a friend, offered some choice wine in a golden chalice, part of the plunder of Iona. Glengarry was struck with horror, and said, folding his handkerchief about the chalice, 'Maclean, I came here to defend you against mortal enemies, but since, by sacrilege and profanation, you have made God your enemy, no human means can serve you.' Glengarry returned to his men, and Maclean sent the chalice and some other pieces of plate belonging to the service of the altar, with a deputation of his friends, to persuade him to join him; but he marched home. His example was followed by several other chiefs, and poor Maclean was left to compete, single-handed, with his powerful enemy."

"Maclean of Duart, anticipating an invasion of his lands in Mull by his powerful neighbor the Earl of Argyll, sought help from Glengarry. Æneas of Glengarry led five hundred men to Ardtornish, nearly opposite Duart Castle, and crossed over with a few of his officers to arrange the passage for the men across the Sound of Mull. Maclean, delighted by the arrival of such a friend, offered some fine wine in a golden chalice, a piece taken from Iona. Glengarry was horrified and said, wrapping his handkerchief around the chalice, 'Maclean, I came here to defend you against mortal enemies, but since you have made God your enemy through sacrilege and profanation, no human means can help you.' Glengarry returned to his men, and Maclean sent the chalice along with some other items from the altar, with a delegation of his friends to persuade him to stay; but he marched home. His departure was followed by several other chiefs, and poor Maclean was left to face his powerful enemy alone."

Such was the last historical incident connected with the golden chalice of Iona, perhaps, without exception, the most interesting ecclesiastical relic which Scotland possessed. Unfortunately its later history only finds a parallel in that of the celebrated Danish golden horns. It was preserved in the charter-chest of Glengarry, until it was presented by the late Chief to Bishop Ronald M'Donald, on whose demise it came into the possession of his successor, Dr. Scott, Bishop of Glasgow. Only a few years since the sacristy of St. Mary's Roman Catholic Church in that city, where it was preserved was broken into, and before the police could obtain a clue to the depredators, the golden relic of Iona was no longer a chalice. Thus perished, by the hands of a common felon, a memorial of the spot consecrated by the labours of some of the earliest Christian missionaries to the Pagan Caledonians, and which had probably survived the vicissitudes of upwards of ten centuries. In reply to inquiries made as to the existence of any drawing of the chalice, or even the possibility of a trustworthy sketch being executed from memory, a gentleman in Glasgow writes:—"I have no means of getting even a sketch from which to make a drawing. Were I a good hand myself, I could easily furnish one, having often examined it. It was a chalice that no one could look on without being convinced of its very great antiquity. The workmanship was rude, the ornamental drawings or engravings even more hard than medieval ones in their outlines, and the cup bore marks of the original hammering which had beaten it into shape."

Such was the last historical event connected with the golden chalice of Iona, arguably the most fascinating ecclesiastical relic that Scotland had. Unfortunately, its later history parallels that of the famous Danish golden horns. It was kept in the charter chest of Glengarry until it was given by the late Chief to Bishop Ronald M'Donald, and upon his death, it passed to his successor, Dr. Scott, Bishop of Glasgow. Just a few years ago, the sacristy of St. Mary's Roman Catholic Church in that city, where it was kept, was broken into, and before the police could find any leads on the thieves, the golden relic of Iona was no longer a chalice. Thus, a memorial of the site honored by the work of some of the earliest Christian missionaries to the Pagan Caledonians perished at the hands of a common criminal, having likely survived the challenges of over ten centuries. In response to inquiries about whether there was any drawing of the chalice or even a reliable sketch that could be made from memory, a man in Glasgow wrote:—"I have no way of obtaining even a sketch from which to create a drawing. If I were skilled myself, I could easily provide one since I have examined it many times. It was a chalice that no one could look at without believing in its great antiquity. The craftsmanship was rough, the ornamental drawings or engravings even more crude than medieval ones in their outlines, and the cup showed signs of the original hammering that had shaped it."

NEW MODE OF REVENGE.

NEW WAY TO GET EVEN.

Monkeys in India are more or less objects of superstitious reverence, and are, consequently, seldom or ever destroyed. In some places they [Pg 424] are even fed, encouraged, and allowed to live on the roofs of the houses. If a man wish to revenge himself for any injury committed upon him, he has only to sprinkle some rice or corn upon the top of his enemy's house, or granary, just before the rains set in, and the monkeys will assemble upon it, eat all they can find outside, and then pull off the tiles to get at that which falls through the crevices. This, of course, gives access to the torrents which fall in such countries, and house, furniture, and stores are all ruined.

Monkeys in India are often objects of superstitious reverence and, as a result, are rarely harmed. In some areas, they are even fed, encouraged, and allowed to live on rooftops. If someone wants to take revenge for a wrong done to them, all they need to do is sprinkle some rice or corn on top of their enemy's house or granary right before the rains start. The monkeys will gather, eat everything they can find outside, and then pull off the tiles to get to whatever falls through the cracks. This, of course, allows the heavy rains in those regions to pour in, ruining the house, furniture, and supplies.

CURIOUS SUPERSTITION.

Interesting superstition.

The ring of which we here give a sketch has been selected by us as a subject for engraving and comment, because it embodies a curious superstition which was very prevalent in England in the fifteenth and sixteenth centuries.

The ring that we are about to describe has been chosen by us for engraving and discussion because it represents an interesting superstition that was quite common in England during the fifteenth and sixteenth centuries.

Curious Superstition

The setting is of silver, and the jewel which it carries is called a toadstone. This stone was popularly believed to be formed in the heads of very old toads, and it was eagerly coveted by sovereigns, and by all persons in high office, because it was supposed to have the power of indicating to the person who wore it the proximity of poison, by perspiring and changing colour. Fenton, who wrote in 1569, says—"There is to be found in the heads of old and great toads a stone they call borax or stelon;" and he adds—"They, being used as rings, give forewarning against venom." Their composition is not actually known; by some they are thought to be a stone—by others, a shell; but of whatever they may be formed, there is to be seen in them, as may be noticed in the engraving, a figure resembling that of a toad, but whether produced accidentally or by artificial means is not known, though, according to Albertus Magnus, the stone always bore the figure on its surface, at the time it was taken out of the toad's head. Lupton, in his "1000 Notable Things," says—"A toadstone, called crepaudina, touching any part envenomed, hurt, or stung with rat, spider, wasp, or any other venomous beast, ceases the pain or swelling thereof." The well known lines in Shakespeare are doubtless in allusion to the virtue which Lupton says it possesses:—

The setting is silver, and the gem it carries is called a toadstone. This stone was commonly believed to form in the heads of very old toads, and it was highly sought after by rulers and anyone in a high position because it was thought to have the power to warn the wearer about poison by sweating and changing color. Fenton, who wrote in 1569, states, "There is to be found in the heads of old and big toads a stone they call borax or stelon;" and he adds, "When used as rings, they provide warnings against venom." Their actual composition is unknown; some believe they are a stone while others think they are a shell. Regardless of what they are made from, as seen in the engraving, there appears to be a figure resembling a toad, although it’s unclear whether this is an accident or a product of design. According to Albertus Magnus, the stone always had the figure on its surface when it was removed from the toad's head. Lupton, in his "1000 Notable Things," mentions, "A toadstone, called crepaudina, when it touches any part bitten, hurt, or stung by a rat, spider, wasp, or any other venomous creature, relieves the pain or swelling." The well-known lines in Shakespeare likely reference the qualities Lupton claims the stone possesses:—

"Sweet are the uses of adversity;
Which like a toad, ugly and venomous,
Wears yet a precious jewel in his head."

Ben Jonson also in the Fox, has,—

Ben Jonson also in the Fox, has,—

"Were you enamoured on his copper rings,
His saffron jewel, with the loadstone in't?"

And Lyly, in his Euphues

And Lyly, in his Euphues

"The foule toad hath a faire stone in his head."

The ring we have engraved is a work of the fifteenth century; it forms one of the many rare curiosities of the Londesborough Collection, and is considered to be a very perfect specimen.

The ring we have engraved is a piece from the fifteenth century; it’s one of the many rare curiosities in the Londesborough Collection and is regarded as a highly perfect example.

ANCIENT ARMLET.

Ancient bracelet.

In May, 1840, some workmen were employed at Everdale, near Preston, in carrying earth to replace the soil which had been washed away from behind a wall formerly built to protect the banks of the river Ribble. In digging for this purpose, they discovered, at a distance of about forty yards from the banks, a great number of articles, consisting of ingots of silver, a few ornaments, some silver armlets, and a large quantity of coins. An attentive examination of all these, and especially of the coins, leads to the conclusion that this mass of treasure was deposited about the year 910, and the articles must be considered such as were worn at the time of King Alfred, or perhaps somewhat earlier.

In May 1840, some workers were hired at Everdale, near Preston, to move earth to replace the soil that had been washed away from behind a wall that was built to protect the banks of the River Ribble. While digging for this purpose, they found, about forty yards from the banks, a large number of items, including silver ingots, a few ornaments, some silver bracelets, and a significant amount of coins. A careful examination of all these items, especially the coins, suggests that this treasure was buried around the year 910, and the items can be considered as those worn during the time of King Alfred or possibly a bit earlier.

Ancient Armlet

The armlets, which were all of silver, vary in breadth from a quarter of an inch to an inch and a quarter, and perhaps more. They are generally ornamented, and almost all the ornaments are produced by punching with tools of various forms. The patterns are numerous, but the forms of the punches are very few, the variations being produced by combining the forms of more punches than one, or by placing the same or differently-formed punches at a greater or less distance from each other, or by varying their direction. In the specimen which we have here engraved the punch has had a small square end, and the ornament is formed by a series of blows in transverse or oblique lines. Patterns of the period and localities to which these ornaments belong are scarcely ever found finished by casting or chasing. It would appear, also that the use of solder to unite the various parts of objects was either little known or little practised; for the ends of these ornaments are tied together, and, upon other occasions where union is necessary, rivets are employed.

The armlets, all made of silver, range in width from a quarter inch to an inch and a quarter, and possibly even wider. They're usually decorated, and nearly all the designs are created by punching with variously shaped tools. There are many patterns, but the shapes of the punches are quite limited. The differences come from combining the shapes of multiple punches, adjusting the distance between the same or differently shaped punches, or changing their angles. In the example we've engraved, the punch has a small square end, and the decoration is made by a series of strikes in horizontal or diagonal lines. Patterns from the time and places these ornaments come from are rarely found completed by casting or chasing. It also seems that soldering parts together was either not well known or not commonly used, as the ends of these ornaments are tied together, and for other instances where joining is needed, rivets are used.

CHINESE MIRRORS.

CHINESE MIRRORS.

There is a puzzling property in many of the Chinese mirrors which deserves particular notice, and we may give it, together with the solution furnished by Sir David Brewster:—"The mirror has a knob in the centre of the back, by which it can be held, and on the rest of the back are stamped in relief certain circles with a kind of Grecian border. Its polished surface has that degree of convexity which gives an image of the face half its natural size; and its remarkable property is, that, when you reflect the rays of the sun from the polished surface, the image of the ornamental border and circles stamped upon the back, is seen distinctly reflected on the wall," or on a sheet of paper. The metal of which the mirror is made appears to be what is called Chinese silver, a composition of tin and copper, like the metal for the specula of reflecting telescopes. The metal is very sonorous. The mirror has a rim (at the back) of about 1-4th or 1-6th of an inch broad, and the inner part, upon which the figures are stamped, is considerably thinner.

There is an interesting feature in many Chinese mirrors that stands out and deserves special attention, which we can discuss along with the explanation provided by Sir David Brewster:—"The mirror has a knob in the center of the back for holding it, and the rest of the back has certain circles embossed with a kind of Greek-style border. Its polished surface is slightly convex, which creates an image of the face that is half its actual size; and its remarkable feature is that when you shine sunlight on the polished surface, the image of the decorative border and circles stamped on the back is clearly reflected on the wall or on a piece of paper." The material of the mirror appears to be what is known as Chinese silver, a mix of tin and copper, similar to the metal used for the mirrors of reflecting telescopes. The metal has a very resonant quality. The mirror has a rim on the back that is about 1/4 inch or 1/6 inch wide, and the inner part, where the figures are stamped, is significantly thinner.

"Like all other conjurors (says Sir David Brewster), the artist has contrived to make the observer deceive himself. The stamped figures on the back are used for this purpose. The spectrum in the luminous area is not an image of the figures on the back. The figures are a copy of the picture which the artist has drawn on the face of the mirror, and so concealed by polishing, that it is invisible in ordinary lights, and can be brought out only in the sun's rays. Let it be required, for example, to produce the dragon as exhibited by one of the Chinese mirrors. When the surface of the mirror is ready for polishing, the figure of the dragon may be delineated upon it in extremely shallow lines, or it may be eaten out by an acid much diluted, so as to remove the smallest possible portion of the metal. The surface must then be highly polished, not upon pitch, like glass and specula, because this would polish away the figure, but upon cloth, in the way that lenses are sometimes polished. In this way the sunk part of the shallow lines will be as highly polished as the rest, and the figure will only be visible in very strong lights, by reflecting the sun's rays from the metallic surface."

"Like all other magicians (says Sir David Brewster), the artist has managed to make the viewer fool themselves. The stamped designs on the back serve this purpose. The spectrum in the illuminated area is not an image of the designs on the back. The designs are a reproduction of the image that the artist has drawn on the front of the mirror, and then hidden by polishing, so that it is not visible in normal light and can only be revealed in sunlight. For instance, if we need to show the dragon as seen in one of the Chinese mirrors. When the mirror's surface is prepared for polishing, the dragon's shape can be lightly outlined on it in very shallow lines, or it can be etched out using a very diluted acid to remove the tiniest section of the metal. The surface then needs to be polished to a high shine, but not with pitch like glass and specula, as that would erase the design; instead, it should be polished on cloth, similar to how lenses are sometimes finished. This way, the depressed part of the shallow lines will shine just as much as the rest, and the design will only be visible in very bright lights, by reflecting sunlight from the metallic surface."

THE CADENHAM OAK.

THE CADENHAM OAK.

Amongst the many remarkable trees in the New Forest in Hampshire, is one called the Cadenham Oak, which buds every year in the depth of winter. Gilpin says, "Having often heard of this oak, I took a ride to see it on the 29th of December, 1781. It was pointed out to me among several other oaks, surrounded by a little forest stream, winding round a knoll on which they stood. It is a tall straight plant, of no great age, and apparently vigorous, except that its top has been injured, from which several branches issue in the form of pollard shoots. It was entirely bare of leaves, as far as I could discern, when I saw it, and undistinguishable from the other oaks in its neighbourhood, except that its bark seemed rather smoother, occasioned, I apprehended, only by frequent climbing. Having had the account of its early budding confirmed on the spot, I engaged one Michael Lawrence, who kept the White Hart, a small alehouse in the neighbourhood, to send me some of the leaves to Vicar's Hill, as soon as they should appear. The man, who had not the least doubt about the matter, kept his word, and sent me several twigs on the morning of the 5th of January, 1782, a few hours after they had been gathered. The leaves were fairly expanded, and about an inch in length. From some of the buds two leaves had unsheathed themselves, but in general only one. One of its progeny, which grew in the gardens at Bulstrode, had its flower buds perfectly formed so early as the 21st of December, 1781.

Among the many amazing trees in the New Forest in Hampshire, there is one called the Cadenham Oak, which buds every year in the middle of winter. Gilpin says, "Having often heard about this oak, I took a ride to see it on December 29, 1781. It was pointed out to me among several other oaks, surrounded by a little forest stream that wound around a knoll where they stood. It is a tall, straight tree, not very old, and seems quite vigorous, except that its top has been damaged, causing several branches to grow like pollard shoots. It was completely bare of leaves, as far as I could see, when I saw it, and looked just like the other oaks around it, except that its bark appeared somewhat smoother, probably due to frequent climbing. After confirming the account of its early budding on-site, I asked a man named Michael Lawrence, who ran the White Hart, a small pub nearby, to send me some of the leaves to Vicar's Hill as soon as they appeared. The man, who had no doubt about it, kept his promise and sent me several twigs on the morning of January 5, 1782, just a few hours after they were gathered. The leaves were fully opened and about an inch long. Some of the buds had two leaves unfurled, but generally, there was only one. One of its offspring, which grew in the gardens at Bulstrode, had its flower buds fully formed as early as December 21, 1781."

"This early spring, however, of the Cadenham oak, is of very short duration. The buds, after unfolding themselves, make no further progress, but immediately shrink from the season and die. The tree continues torpid, like other deciduous trees, during the remainder of the winter, and vegetates again in the spring, at the usual season. I have seen it in full leaf in the middle of the summer, when it appeared, both in its form and foliage, exactly like other oaks."

"This early spring for the Cadenham oak is very brief. The buds, after they open up, don’t develop further but quickly wither and die. The tree stays dormant, like other deciduous trees, for the rest of the winter, and then comes back to life in the spring, at the usual time. I've seen it fully leafed in the middle of summer, and it looked just like any other oak in its shape and leaves."

Dean Wren, speaking of this tree, says, "King James could not be induced to believe the [Greek: to toi] (reason) of this, till Bishop Andrewes, in whose diocese the tree grew, caused one of his own chaplaines, a man of known integritye, to give a true information of itt, which he did; for upon the eve of the Nativitye he gathered about a hundred slips, with the leaves newly opened, which he stuck in claye in the bottom of long white boxes, and soe sent them post to the courte, where they deservedly raised not only admiration, but stopt the mouth of infidelitye and contradiction for ever. Of this I was both an eye-witness, and did distribute many of them to the great persons of both sexes in court and others, ecclesiastical persons. But in these last troublesome times a divelish fellow (of Herostratus humour) having hewen itt round at the roote, made his last stroke on his own legg, whereof he died, together with the old wondrous tree; which now sproutes up againe, and may renew his oakye age againe, iff some such envious chance doe not hinder or prevent itt; from which the example of the former villaine may perchance deterr the attempt. This I thought to testifie to all future times, and therefore subscribe with the same hand through which those little oakye slips past."

Dean Wren, talking about this tree, says, "King James couldn’t be convinced of the reason behind this until Bishop Andrewes, in whose diocese the tree grew, had one of his own chaplains, a man of known integrity, provide accurate information about it. He did so; on the eve of Christmas, he gathered about a hundred slips, with the leaves just opened, which he stuck in clay at the bottom of long white boxes, and then sent them by post to the court, where they rightfully caused not only admiration but also silenced doubt and contradiction forever. I was both an eyewitness and distributed many of them to notable people of both genders in the court and others, including ecclesiastical figures. But during these recent troubled times, a devilish fellow (with a character like Herostratus) cut it around the root, and in his last stroke, he injured his own leg, which led to his death, along with the old remarkable tree; which now sprouts up again, and might regain its old age if some envious fate doesn’t hinder or prevent it; hopefully, the example of that former villain might deter any attempts. I felt compelled to document this for all future times, and therefore I sign with the same hand through which those little oak slips passed."

SCHOOL EXPENSES IN THE OLDEN TIME.

SCHOOL EXPENSES IN THE PAST.

Of the expenses incurred for schoolboys at Eton early in the reign of Elizabeth, we find some curious particulars in a manuscript of the time: the boys were sons of Sir William Cavendish, of Chatsworth, and the entries are worth notice, as showing the manners of those days. Among the items, a breast of roast mutton is charged ten-pence; a small chicken, fourpence; a week's board, five shillings each; besides the wood burned in their chamber; to an old woman for sweeping and cleaning the chamber, twopence; mending a shoe, one penny; three candles, nine-pence; a book, Esop's Fables, fourpence; two pair of shoes, sixteen-pence; two bunches of wax lights, one penny; the sum total of the payments, including board paid to the bursars of Eton College, living expenses for the two boys and their man, clothes, books, washing, &c., amounts to twelve pounds twelve shillings and seven-pence. The expense of a scholar at the university in 1514 was but five pounds annually, affording as much accommodation as would cost sixty pounds, though the accommodation would be far short of that now customary at Eton.

Of the expenses for schoolboys at Eton early in Queen Elizabeth's reign, we find some interesting details in a manuscript from that time: the boys were the sons of Sir William Cavendish from Chatsworth, and the entries are notable for illustrating the customs of that era. Among the costs, a breast of roast mutton is charged ten pence; a small chicken, four pence; a week’s board, five shillings each; plus the wood used in their room; to an elderly woman for sweeping and cleaning the room, two pence; mending a shoe, one penny; three candles, nine pence; a book, Aesop's Fables, four pence; two pairs of shoes, sixteen pence; two bunches of wax candles, one penny; the total amount of the expenditures, including board paid to Eton College's bursars, living expenses for the two boys and their servant, clothes, books, laundry, etc., comes to twelve pounds, twelve shillings, and seven pence. The cost for a university scholar in 1514 was only five pounds a year, providing as much accommodation as would cost sixty pounds, although the accommodation would still be far less than what is customary at Eton today.

AN EVENTFUL LIFE.

A EVENTFUL LIFE.

It is much to be feared that on the field of battle and naval actions many individuals, apparently dead, are buried or thrown overboard. The history of François de Civille, a French captain, who was missing at the siege of Rouen, is rather curious. At the storming of the town he was supposed to have been killed, and was thrown, with other bodies, in the ditch, where he remained from eleven in the morning to half-past six in the evening; when his servant, observing some latent heat, carried the body into the house. For five days and five nights his master did not exhibit the slightest sign of life, although the body gradually recovered its warmth. At the expiration of this time, the town was carried by assault, [Pg 428] and the servants of an officer belonging to the besiegers, having found the supposed corpse of Civille, threw it out of the window, with no other covering than his shirt. Fortunately for the captain, he had fallen upon a dunghill, where he remained senseless for three days longer, when his body was taken up by his relatives for sepulture, and ultimately brought to life. What was still more strange, Civille, like Macduff, had "been from his mother's womb untimely ripp'd," having been brought into the world by a Cæsarean operation, which his mother did not survive; and after his last wonderful escape he used to sign his name with the addition of "three times born, three times buried, and three times risen from the dead by the grace of God."

It is greatly feared that on the battlefield and during naval actions, many people who appear dead are buried or thrown overboard. The story of François de Civille, a French captain who went missing at the siege of Rouen, is quite interesting. During the assault on the town, he was thought to have been killed and was tossed into a ditch with other bodies, where he lay from eleven in the morning until half-past six in the evening. His servant noticed some warmth and took the body back to the house. For five days and five nights, his master showed no sign of life, even though his body slowly got warmer. After this time, the town was taken by assault, [Pg 428] and the servants of an officer from the attacking side found what they thought was Civille's corpse and threw it out of the window, with nothing but his shirt covering him. Luckily for the captain, he landed on a dung heap, where he stayed unconscious for three more days until his relatives came to retrieve him for burial, and he eventually came back to life. Even stranger, Civille, like Macduff, had been "untimely ripped" from his mother's womb, as he was delivered by a Cæsarean section, which his mother did not survive. After this incredible escape, he liked to sign his name with the phrase "three times born, three times buried, and three times risen from the dead by the grace of God."

FIRST BRIDGE OVER THE THAMES.

FIRST BRIDGE OVER THE THAMES.

First Bridge over the Thames

The humble village bridge which we here engrave is well deserving of a place in our pages as being the first of that grand series of bridges whose last member is London-bridge. What a contrast between the first bridge over the Thames and the last! Thames Head, where the river rises, is in the county of Gloucester, but so near to its southern border, that the stream, after meandering a mile or two, enters Wiltshire, near the village of Kemble. On leaving this village, and proceeding on the main road towards the rustic hamlet of Ewen, the traveller passes over the bridge which forms the subject of our woodcut. It has no parapet, and is level with the road, the water running through three narrow arches. Such is the first bridge over the mighty Thames.

The simple village bridge we’re highlighting here truly deserves a spot in our book as the first in the impressive series of bridges, ending with London Bridge. Just imagine the difference between the first bridge over the Thames and the last! Thames Head, where the river begins, is in Gloucestershire, but it's so close to the southern border that after winding a mile or two, the river flows into Wiltshire, near the village of Kemble. When leaving this village and heading along the main road toward the quaint hamlet of Ewen, travelers cross the bridge that’s featured in our illustration. It has no safety railing and is at the same level as the road, with water flowing through three narrow arches. That’s the first bridge over the mighty Thames.

THE VENETIANS.

THE VENETIANS.

The Venetians were the first people in Italy who had printed books. They originated a Gazette in the year 1600, and the example was followed at Oxford in 1667, and at Vienna in 1700. They also undertook the discovery of America, and the passage to India by the Cape of Good Hope.

The Venetians were the first people in Italy to have printed books. They started a Gazette in 1600, which was later adopted in Oxford in 1667 and in Vienna in 1700. They also took on the exploration of America and the route to India around the Cape of Good Hope.

MEDMENHAM ABBEY.

Medmenham Abbey.

On descending the river Thames, from Henley, after passing Culham Court and Hambledon Lock, the adjacent country become exceedingly beautiful, varied by alternate mills, islands, meadows, and hills, with every now and then ornamental forest trees hanging over the stream, and giving pleasant shade to the current on its downward flow. The wood of Medmenham soon comes in sight; the ruined Abbey is seen among the trees, and close beside it is a pretty ferry, with the pleasant wayside inn of Mrs. Bitmead—a domicile well known to artists, her frequent guests, one of whom, who has since become famous, painted a sign-board which hangs over the door, and is of so good a quality that it might grace the exhibition of the Royal Academy. The Abbey has been pictured a hundred times, and is a capital subject seen from any point of view; the river runs close beside it; there is a hill adjacent—Dane's Hill; dark woods and green meadows are at hand; gay boats and traffic barges are continually passing; the ferry is always picturesque, and the artist is constantly supplied on the spot with themes for pictures; especially he has before him the venerable ruin—"venerable," at least, as far as the eye is concerned. Time has touched it leniently; some of its best "bits" are as they were a century ago, except that the lichens have given to them that rich clothing of grey and gold which the painter ever loves, and added to it, here and there, a green drapery of ivy.

As you float down the River Thames from Henley, after passing Culham Court and Hambledon Lock, the surrounding countryside becomes incredibly beautiful, featuring a mix of mills, islands, meadows, and hills, with an occasional ornamental tree leaning over the water, providing nice shade to the current as it flows downstream. Soon, the woods of Medmenham come into view; the ruined Abbey is nestled among the trees, and right next to it is a charming ferry with a lovely inn owned by Mrs. Bitmead—a place well-known to artists who often visit. One of those artists, who has since gained fame, painted a sign that hangs over the inn's door, which is of such high quality it could easily be displayed at the Royal Academy exhibition. The Abbey has been painted countless times and is a fantastic subject from any angle; the river flows right beside it; adjacent is a hill—Dane's Hill; dark woods and green meadows are nearby; colorful boats and freight barges are always passing by; the ferry is consistently picturesque, offering artists endless inspiration, especially with the ancient ruin—the "ancient," at least, from a visual standpoint. Time has treated it gently; some of its most beautiful details remain unchanged from a century ago, except for the lichen that has given them a rich gray and gold patina that painters love, along with, in spots, a green drape of ivy.

Medmenham Abbey

The manor of Medmenham was, in the reign of King Stephen, given by its lord, Walter de Bolebec, to the Abbey of Cistercian Monks he had founded at Woburn in Bedfordshire; and in 1204 the monks placed some [Pg 430] of their society here, on this pleasant bank of the Thames. Here arose a small monastery, being rather—as the writers of the order express themselves—"a daughter than a cell to Woburn." In 1536 it was annexed to Bisham. At the Dissolution, according to returns made by the commissioners, "the clear value of this religious house was 20l. 6s.; it had two monks designing to go to houses of religion; servants, none; woods, none; debts, none; its bells worth 2l. 1s. 8d.; the value of its moveable goods 1l. 3s. 8d.; and the house wholly in ruin." It must have undergone considerable repair early in the sixteenth century, and probably very little of the original structure now exists, although relics of antiquity may be traced in many of its remains. That portion which fronts the Thames is kept in proper repair, and a large room is used for the convenience of pleasure parties. The property belongs to the Scots of Danesfield, a mansion that crowns a neighbouring hill. Medmenham derives notoriety from events of more recent date than the occupation of its monks, without goods and without debt. Here, about the middle of the last century, was established, a society of men of wit and fashion, who assumed the title of the Monks of St. Francis, and wore the habit of the Franciscan order. Although it is said that the statements contained in a now forgotten but once popular novel—"Chrysal; or the Adventures of a Guinea,"—were exaggerated, the character which the assumed monks bore in the open world was sufficiently notorious to justify the worst suspicions of their acts in this comparative solitude. Their principal members were Sir Francis Dashwood (afterwards Lord Le Despencer), the Earl of Sandwich, John Wilks, Bubb Doddington, Churchill, and Paul Whitehead, the poet. The motto—"Fay ce que voudras," indicative of the principle on which the society was founded—still remains over the doorway of the Abbey House. Tradition yet preserves some anecdotes illustrative of the habits of the "order," and there can be little doubt that this now lonely and quiet spot was the scene of orgies that were infamous.

The manor of Medmenham was given to the Cistercian Monks by its lord, Walter de Bolebec, during King Stephen’s reign. He had founded the abbey at Woburn in Bedfordshire, and in 1204, some monks from there established a presence on this pleasant bank of the Thames. A small monastery was built here, described by the order's writers as more of "a daughter than a cell to Woburn." In 1536, it was annexed to Bisham. During the Dissolution, the commissioners reported that "the clear value of this religious house was £20 6s.; it had two monks planning to go to other religious houses; no servants; no woods; no debts; its bells were worth £2 1s. 8d.; the value of its movable goods was £1 3s. 8d.; and the house was completely in ruins." It must have undergone significant repairs early in the sixteenth century, and likely very little of the original structure now exists, although remnants of its history can still be seen in many remains. The part facing the Thames is well-maintained, and a large room is available for guests. The property belongs to the Scots of Danesfield, an estate that sits on a nearby hill. Medmenham is known for events that happened long after the monks had left. In the mid-18th century, a society of fashionable and witty men formed here, calling themselves the Monks of St. Francis and wearing the attire of the Franciscan order. Although it's said that the accounts in a now-obscure but once-popular novel, "Chrysal; or the Adventures of a Guinea," were exaggerated, the reputation of these so-called monks in public was notorious enough to raise serious suspicions about their behavior in this relatively secluded place. Key figures included Sir Francis Dashwood (later Lord Le Despencer), the Earl of Sandwich, John Wilks, Bubb Doddington, Churchill, and the poet Paul Whitehead. The motto—"Fay ce que voudras," reflecting the principle behind their society—still appears above the entrance to the Abbey House. Tradition still shares some stories that illustrate the habits of this "order," and there is little doubt that this now quiet and lonely spot was once the site of infamous parties.

PERSECUTION.

Persecution.

Grotius, an historian celebrated for moderation and caution, has computed that in the several persecutions promoted by Charles V., no less than a hundred thousand persons perished by the hands of the executioner. In the Netherlands alone, from the time that his edict against the reformers was promulgated, he states that there had been fifty thousand persons hanged, beheaded, buried alive, or burned, on account of their religion. Indeed, during the reign of Philip the Second, the Duke of Alva boasted that in the space of nine years he had destroyed, in the Low Countries, 36,000 persons by the hands of the executioner alone. At the massacre of Paris, on the feast of St. Bartholomew, King Charles the Ninth of France assisted in person, and boasted that he had sacrificed in one night 10,000 of his subjects; for that massacre the Pope had "Te Deum" sung in the chapel of the Vatican and issued a bull for a jubilee to be celebrated throughout France on the 7th December, 1512, in commemoration of what he termed the happy success of the king against his heretic subjects, and concluded by writing with his own hand [Pg 431] a letter to Charles the Ninth, exhorting him to pursue this salutary and blessed enterprise. In the short reign of Queen Mary, there were in this realm burned at the stake one archbishop, four bishops, twenty-one ministers, and nearly three hundred persons of all classes, of whom fifty-five were women, and four were children, one of whom sprang from its mother's womb while she was consuming, and was flung into the flames by the spectators. In 1640 the same spirit of papal bigotry occasioned in Ireland the butchery of 40,000 Protestants, under circumstances of aggravated atrocity which a Christian will shudder to peruse. Lewis XIV., the most Christian king and eldest son of the church, starved a million Huguenots at home, and sent another million grazing in foreign countries.

Grotius, a historian known for his moderation and caution, estimated that during the various persecutions led by Charles V, at least a hundred thousand people were executed. In the Netherlands alone, since the announcement of his edict against reformers, he claims that fifty thousand individuals were hanged, beheaded, buried alive, or burned because of their faith. During Philip II's reign, the Duke of Alva bragged that he had executed 36,000 people in the Low Countries over nine years. During the St. Bartholomew's Day Massacre, King Charles IX of France personally took part and boasted that he sacrificed 10,000 of his subjects in one night. For that massacre, the Pope had a "Te Deum" sung in the Vatican chapel and issued a bull for a jubilee to be observed across France on December 7, 1512, to commemorate what he called the happy success of the king against his heretic subjects, and he personally wrote a letter to Charles IX urging him to continue this righteous and blessed mission. In the brief reign of Queen Mary, one archbishop, four bishops, twenty-one ministers, and nearly three hundred people of all classes were burned at the stake in this realm, including fifty-five women and four children, one of whom was born from its mother while she was being burned and was thrown into the flames by onlookers. In 1640, the same spirit of papal intolerance led to the slaughter of 40,000 Protestants in Ireland under horrifically brutal circumstances that would horrify any Christian. Louis XIV, the most Christian king and the eldest son of the church, caused the starvation of a million Huguenots at home and pushed another million into exile.

INNKEEPER'S BILL IN 1762.

Innkeeper's Bill from 1762.

The following innkeeper's bill was sent in to the Duke de Nivernois, who supped and breakfasted at an inn in Canterbury, in 1762; and considering the value of money at that time, must be deemed extremely moderate:—

The following innkeeper's bill was submitted to the Duke de Nivernois, who had dinner and breakfast at an inn in Canterbury in 1762; and given the value of money back then, it should be seen as very reasonable:—

  £ s. d.
Tea, coffee, and chocolate 1 4 0
Supper for self and servant 15 10 0
Bread and beer 3 0 0
Fruit 2 15 0
Wine and punch 10 8 8
Wax candles and charcoal 3 0 0
Broken glass and china 2 10 0
Lodging 1 7 0
Tea, coffee, and chocolate 2 0 0
Chaise and horse, for next stage 2 16 0

There were only twelve persons in the whole company.

There were only twelve people in the entire group.

SPONTANEOUS COMBUSTION.

Spontaneous combustion.

Joseph Battaglia, a surgeon of Ponte Bosio, relates the following case: Don. G. Maria Bertholi, a priest of Mount Valerius, went to the fair of Filetto, and afterwards visited a relation in Fenilo, where he intended to pass the night. Before retiring to rest, he was left reading his breviary; when, shortly afterwards, the family were alarmed by his loud cries and a strange noise in his chamber. On opening the door, he was lying prostrate on the floor, and surrounded by flickering flames. Battaglia was immediately sent for, and on his arrival the unfortunate man was found in a most deplorable state. The integuments of the arms and the back were either consumed or detached in hanging flaps. The sufferer was sufficiently sensible to give an account of himself. He said that he felt, all of a sudden, as if his arm had received a violent blow from a club, and at the same time he saw scintillations of fire rising from his shirt-sleeves, which were consumed without having burned the wrists; a handkerchief, which he had tied round his shoulders, between the shirt and the skin, was intact. His drawers were also sound; but, strange to say, his silk skull-cap was burnt while his hair bore no marks [Pg 432] of combustion. The unfortunate man only survived the event four days. The circumstances which attended this case would seem to warrant the conclusion that the electric fluid was the chief agent in the combustion.

Joseph Battaglia, a surgeon from Ponte Bosio, describes the following case: Don G. Maria Bertholi, a priest from Mount Valerius, went to the Filetto fair and later visited a relative in Fenilo, where he planned to spend the night. Before going to bed, he was left reading his breviary; shortly after, his relatives were alarmed by his loud cries and strange noises coming from his room. When they opened the door, they found him lying on the floor, surrounded by flickering flames. Battaglia was called immediately, and upon his arrival, the unfortunate man was in a very terrible state. The skin on his arms and back was either burned away or hanging in flaps. He was conscious enough to explain what happened. He said that suddenly he felt as if his arm had been hit hard by a club, and at the same time, he saw sparks of fire rising from his shirt sleeves, which burned away without scorching his wrists; a handkerchief he had tied around his shoulders, under his shirt, was untouched. His underwear was also intact; however, oddly enough, his silk skullcap was burned while his hair showed no signs of being singed. The unfortunate man only survived four days after the incident. The circumstances surrounding this case seem to suggest that the electric fluid was the primary cause of the combustion.

SHOOTING FISH.

Shooting fish.

HORNED CHÆTODON.

Our shores have produced a few specimens of a richly-coloured fish called Ray's Sea Bream (Brama Rayi), interesting because it represents a family, almost confined to the tropical seas, of very singular forms and habits. The family is named Chætodontidæ, from the principal genus in it. They are very high perpendicularly, but thin and flattened sidewise; the mouth in some projects into a sort of snout, the fins are frequently much elevated, and send off long filaments. They are generally adorned with highly-contrasted colours, which run in perpendicular bands. They are often called scaly-finned fishes, because the dorsal and anal are clothed, at least in part, with scales, so as not to be distinguished from the body. The tubular snout of some, as of a little species which we here represent, is applied to an extraordinary use, that of shooting flies! The fish approaches under a fly which it has discovered, resting on a leaf or twig, a few feet above the water, taking care not to alarm it by too sudden a motion; then, projecting the tip of its beak from the surface, it shoots a single drop at the insect with so clever an aim, as very rarely to miss it, when it falls into the water and is devoured. Being common in the Indian seas, it is often kept by the Chinese in vases, as we keep golden-fish, for the amusement of witnessing this feat. A fly is fastened at some distance, at which the fish shoots, but, disappointed of course, and wondering that its prey does not fall, it goes on to repeat the discharge for many times in succession, without seeming to take in a fresh stock of ammunition, and scarcely ever missing the mark, though at a distance of three or four feet.

Our shores have produced a few specimens of a vividly colored fish called Ray's Sea Bream (Brama Rayi), which is interesting because it belongs to a family mostly found in tropical seas, known for their distinctive shapes and behaviors. This family is called Chætodontidæ, named after its main genus. These fish are very high vertically, but thin and flattened from the sides; in some, the mouth extends into a sort of snout, and their fins are often raised, with long filaments extending from them. They are usually decorated with bright, contrasting colors that appear in vertical stripes. They are often referred to as scaly-finned fish because their dorsal and anal fins are covered, at least in part, with scales, making them indistinguishable from their bodies. The tubular snout of some, like a small species we’ve depicted here, is used in a remarkable way—shooting at flies! The fish swims under a fly resting on a leaf or twig a few feet above the water, making sure not to startle it with sudden movements; then, it extends the tip of its snout above the surface and shoots a single drop of water at the insect with such precision that it rarely misses. When the fly falls into the water, it becomes prey. Common in the Indian seas, this fish is often kept by the Chinese in vases, similar to how we keep goldfish, for the entertainment of watching this unique behavior. A fly is secured at a distance, and the fish attempts to shoot it, but of course, it often misses, and, puzzled that its prey doesn't fall, it keeps repeating the shot multiple times without seeming to need to gather more drops of water, and it rarely misses its target, even from three or four feet away.

EXTRAORDINARY EARTHQUAKES.

UNBELIEVABLE EARTHQUAKES.

Around the Papandayang, one of the loftiest mountains in Java, no less than forty villages were reposing in peace. But in August 1772, a remarkable luminous cloud enveloping its top aroused them from their security. But it was too late; for at once the mountain began to sink into the earth, and soon it had disappeared, with the forty villages and most of the inhabitants, over a space fifteen miles long and six broad. [Pg 433] Still more extraordinary, the most remarkable on record was an eruption in Sumbawa, one of the Molucca islands, in 1815. It began on the fifth day of April, and did not cease till July. The explosions were heard in one direction nine hundred and seventy miles, and in another seven hundred and twenty miles. So heavy was the fall of ashes at the distance of forty miles that houses were crushed and destroyed. The floating cinders in the ocean, hundreds of miles distant, were two feet thick, and vessels were forced through with difficulty. The darkness in Java, three hundred miles distant, was deeper than the blackest night; and, finally, out of the twelve thousand inhabitants of the island, only twenty-six survived the catastrophe.

Around the Papandayang, one of the tallest mountains in Java, there were about forty villages living peacefully. But in August 1772, a strange glowing cloud surrounded its peak, waking them from their tranquility. Unfortunately, it was too late; the mountain began to sink into the ground, taking the forty villages and most of the residents with it, over an area fifteen miles long and six miles wide. [Pg 433] Even more remarkable was the eruption in Sumbawa, one of the Molucca islands, in 1815. It started on April 5th and lasted until July. The explosions were heard as far away as nine hundred and seventy miles in one direction and seven hundred and twenty miles in another. The ash fall was so heavy at a distance of forty miles that buildings were crushed and destroyed. The floating cinders in the ocean, hundreds of miles away, were two feet deep, making it hard for ships to pass through. The darkness in Java, three hundred miles away, was worse than the deepest night; ultimately, out of twelve thousand people on the island, only twenty-six survived the disaster.

BEAUTIFUL ARCH.

Gorgeous arch.

Beautiful Arch

One of the rarities of architecture is the beautiful arch in the choir of Cannistown Church, not far from Bective, near Trim, in Ireland. Down to the very latest period of Gothic architecture, the original plan of a simple nave, or nave and chancel, was followed, and the chief or only difference observable in churches of very late date, from those of the sixth and seventh centuries, consists in the form of the arch-heads, the position of the doorway, the style of the masonry, which is usually much better in the more ancient examples, and the use of bell-turrets, the cloigeteach, or detached round tower, having answered this purpose during the earlier ages. A beautiful and highly characteristic example of an early pointed church is that at Cannistown. As usual, it consists of a nave and chancel, and there are the remains of a bell-turret upon the west gable, the usual position. The choir arch is represented in the annexed cut.

One of the rare architectural features is the stunning arch in the choir of Cannistown Church, located not far from Bective, near Trim, in Ireland. Until the very end of the Gothic architecture period, the original design of a simple nave or nave and chancel was maintained, and the main difference you can see in churches from the very late period, compared to those from the sixth and seventh centuries, lies in the shape of the arch heads, the placement of the doorway, the quality of the masonry— which is usually much better in the older examples—and the addition of bell-turrets. The cloigeteach or standalone round tower served this purpose during earlier times. A beautiful and highly distinctive example of an early pointed church is the one at Cannistown. As is typical, it has a nave and chancel, and there are the remains of a bell-turret on the west gable, its usual location. The choir arch is shown in the attached image.

There are numerous examples of churches of this style scattered over Ireland, but they are usually plain, and the choir arch is generally the plainest feature in the building. As example, we can refer our readers to the churches of Kilbarrack, Dalkey, Kinsale, and Rathmichael, all in the immediate neighbourhood of Dublin.

There are many examples of this style of church spread throughout Ireland, but they are usually simple, with the choir arch typically being the simplest feature of the building. For instance, we can point our readers to the churches in Kilbarrack, Dalkey, Kinsale, and Rathmichael, all located close to Dublin.

THOMAS CONECTE.

THOMAS CONNECT.

There was a Carmelite friar, Thomas Conecte, who, previous to his being burnt as a heretic at Rome, in 1434, excited the admiration of all Flanders by his vehement sermons against the luxury of the women. His satire was chiefly levelled against their head-dresses, which rose to so enormous a height, that the most exalted head-dresses of a late day were but dwarfs to them. Juvenal des Ursins, who lived at that period, [Pg 434] declares that, notwithstanding the troubles of the times, the maidens and married ladies rose to prodigious excess in their attire, and wore hair of a surprising height and breadth, having on each side two ears of so unaccountable a size, that it was impossible for them to pass through a door. Their dresses were the hennins of Flanders, which the worthy Carmelite was so inveterate against. He made them dress themselves in a more modest manner. But, alas no sooner had Friar Thomas left the country than the head-dresses shot up to a greater height than ever. They had only bowed their heads like bullrushes during the storm. Poor Thomas attacked the infallible church itself, and they, in default of better arguments, burnt him.

There was a Carmelite friar named Thomas Conecte who, before being burned as a heretic in Rome in 1434, captured the admiration of all of Flanders with his passionate sermons against the extravagant luxury of women. His criticism mainly targeted their hairstyles, which reached such incredible heights that even the most elaborate styles of later days seemed tiny in comparison. Juvenal des Ursins, who lived during that time, [Pg 434] stated that despite the turmoil of the era, young women and married ladies indulged in excessive attire, sporting hair that was astonishing in height and width, with large ear accessories on each side that made it impossible for them to fit through a door. Their dresses featured the hennins of Flanders, which the dedicated Carmelite fiercely opposed. He urged them to dress more modestly. But as soon as Friar Thomas left the country, the hairstyles skyrocketed to even greater heights. They had only bent their heads like reeds during the storm. Poor Thomas confronted the infallible church itself, and in the absence of better arguments, they executed him.

CURIOUS COINCIDENCES.

Interesting coincidences.

On the 21st of April, 1770, Lewis XVI. was married.

On April 21, 1770, Louis XVI got married.

21st of June, 1770, fifteen hundred people were trampled to death at the fête.

21st of June, 1770, fifteen hundred people were trampled to death at the fête.

21st of January, 1782, fête for the birth of the Dauphin.

21st of January, 1782, celebration for the birth of the Dauphin.

21st of June, 1791, the flight to Varennes.

21st of June, 1791, the escape to Varennes.

21st of September, 1792, the abolition of royalty.

21st of September, 1792, the end of monarchy.

21st of January, 1793, the unfortunate monarch's decapitation.

21st of January, 1793, the tragic beheading of the monarch.

AMPHITHEATRES.

AMPHITHEATERS.

The deficiency of theatres erected by the Romans is far more than compensated by the number and splendour of their amphitheatres, which, with their baths, may be considered as the true types of Roman art. It seems almost certain that they derived this class of public buildings from the Etruscans. At Sutri there is a very noble one cut out of the tufa rock, which was no doubt used by that people for festal representations long before Rome attempted anything of the kind. It is uncertain whether gladiatorial fights or combats of wild beasts formed any part of the amusements of the arena in those days, though boxing, wrestling, and contests of that description certainly did; but whether the Etruscans actually proceeded to the shedding of blood and slaughter is more than doubtful.

The lack of theaters built by the Romans is more than made up for by the number and grandeur of their amphitheaters, which, along with their baths, can be seen as the true examples of Roman art. It's almost certain that they took this type of public building from the Etruscans. In Sutri, there's a very impressive one carved out of the tufa rock, which was likely used by that culture for festive events long before Rome tried anything similar. It’s unclear whether gladiatorial fights or animal combats were part of the arena's entertainment back then, although boxing, wrestling, and similar contests definitely were; but whether the Etruscans actually engaged in bloodshed and slaughter is highly questionable.

Even in the remotest parts of Britain, in Germany, and Gaul, wherever we find a Roman settlement, we find the traces of their amphitheatres. Their soldiery, it seems, could not exist without the enjoyment of seeing men engage in doubtful and mortal combats—either killing one another, or torn to pieces by wild beasts. It is not to be wondered at that a people who delighted so much in the bloody scenes of the arena should feel but very little pleasure in the mimic sorrows and tame humour of the stage. It fitted them, it is true, to be a nation of conquerors, and gave them the empire of the world, but it brought with it feelings singularly inimical to all the softer arts, and was perhaps the great cause of their debasement.

Even in the most remote areas of Britain, Germany, and Gaul, wherever we find a Roman settlement, we also see signs of their amphitheaters. It seems their soldiers couldn't thrive without the excitement of watching men engage in uncertain and deadly battles—either killing each other or being torn apart by wild animals. It's no surprise that a people who enjoyed such bloody spectacles would find little pleasure in the simulated tragedies and tame humor of the theater. While it indeed suited them to be a nation of conquerors and helped them gain control over the world, it also fostered feelings that were decidedly opposed to all the gentler arts, and was probably a major reason for their decline.

As might be expected, the largest and most splendid of these buildings is that which adorns the capital; and of all the ruins which Rome contains, none have excited such universal admiration as the Flavian amphitheatre. Poets, painters, rhapsodists, have exhausted all the [Pg 435] resources of their arts in the attempt to convey to others the overpowering impression this building produces on their own minds. With the single exception, perhaps, of the Hall at Karnac, no ruin has met with such universal admiration as this. Its association with the ancient mistress of the world, its destruction, and the half-prophetic destiny ascribed to it, all contribute to this. Still it must be confessed that

As you would expect, the largest and most impressive of these buildings is the one that graces the capital; and among all the ruins in Rome, none have garnered such widespread admiration as the Flavian amphitheater. Poets, painters, and storytellers have pulled out all the stops in their efforts to share the overwhelming impact this structure has on their own imaginations. With perhaps the sole exception of the Hall at Karnac, no other ruin has received such universal acclaim as this. Its connection to the ancient ruler of the world, its decline, and the almost prophetic fate associated with it, all add to this admiration. Still, it must be acknowledged that

"The gladiator's bloody circus stands
A noble wreck in ruinous perfection,"

and worthy of all or nearly all the admiration of which it has been the object. Its interior is almost wholly devoid of ornament, or anything that can be called architecture—a vast inverted pyramid. The exterior does not possess one detail which is not open to criticism, and indeed to positive blame. Notwithstanding all this, its mass, its form, and its associations, all combine to produce an effect against which the critic struggles in vain.

and deserving of all or nearly all the admiration it has received. Its interior is almost entirely lacking in decoration or anything that could be considered architecture—a huge upside-down pyramid. The exterior doesn't have a single detail that isn't subject to criticism, and in fact, to outright blame. Despite all this, its size, shape, and connections come together to create an impression that the critic finds impossible to resist.

The length of the building, measured along its greatest diameter, is 620 ft., its breadth 513, or nearly in the ratio of 6 to 5, which may be taken as the general proportion of these buildings, the variations from it being slight, and apparently either mistakes in setting out the work in ancient times, or in measuring it in modern days, rather than an intentional deviation. The height of the 3 lower stories is 120 ft.; the total height as it now stands, 157 ft. The arena itself measures 287 ft. in length by 180 in breadth, and it is calculated that the building would contain 80,000 spectators; 50,000 or 60,000 would be much nearer the truth, at least according to the data by which space is calculated in our theatres and public places.

The building's length, measured along its longest side, is 620 ft., and its width is 513 ft., which is almost in a 6 to 5 ratio. This ratio is generally typical for these structures, with slight variations likely due to either errors in construction during ancient times or in measurement in modern days, rather than intentional differences. The height of the three lower stories is 120 ft., while the total height as it currently stands is 157 ft. The arena itself measures 287 ft. long by 180 ft. wide, and it's estimated that the building could hold 80,000 spectators; however, a more accurate figure would be closer to 50,000 or 60,000, based on how space is usually calculated in our theaters and public venues.

HUNDRED FAMILIES' LOCK.

HUNDRED FAMILIES’ LOCK.

A common Chinese talisman is the "hundred families' lock," to procure which a father goes round among his friends, and, having obtained from a hundred different parties a few of the copper coins of the country, he himself adds the balance, to purchase an ornament or appendage fashioned like a lock, which he hangs on his child's neck, for the purpose of locking him figuratively to life, and making the hundred persons concerned in his attaining old age.

A common Chinese charm is the "hundred families' lock." To get one, a father goes around to his friends and collects a few copper coins from a hundred different people. He then adds some of his own money to buy a piece that looks like a lock, which he hangs around his child's neck. This symbolizes locking the child to life and making those hundred people part of the child's journey to old age.

THE DUKE DE REICHSTADT.

THE DUKE OF REICHSTADT.

At the Imperial Palace of Schönbrun, about five English miles from Vienna, is shown the window fractured by the bullet of the enthusiastic student who shot at Napoleon while he was reviewing the Imperial Guard, and also the apartment he occupied when he made this his head-quarters, instead of entering the city. An additional interest is imparted to the place, by the circumstance of the Duke de Reichstadt having, when taken ill, chosen the identical chamber and spot in which his father Napoleon had slept, to close his mortal career: and by a singular coincidence, the remains of the young prince were subjected to a post-mortem examination upon the same table at which the Emperor had held his councils. In imitation of the military hardihood of his sire, the young duke was in the habit of exposing himself to all [Pg 436] weathers, and keeping guard during successive nights, a practice which often called forth from his surgeon, Dr. Malfati, the expressive words, 'Rappelez vous, mon Prince, que vouz avez un Cœur de Fer dans un Corp de Verre.'

At the Schönbrunn Palace, about five miles from Vienna, you can see the window shattered by the bullet of the excited student who shot at Napoleon while he was reviewing the Imperial Guard. You can also visit the room he stayed in when he made this his headquarters instead of going into the city. The place is made even more interesting by the fact that the Duke of Reichstadt, when he fell ill, chose the exact room and spot where his father Napoleon had slept to spend his final moments. Interestingly, the young prince’s remains were examined on the same table where the Emperor had held his councils. Following in his father’s military footsteps, the young duke would often put himself out in all kinds of weather and stand guard through successive nights, a habit that often drew the pointed remark from his surgeon, Dr. Malfati, “Remember, my Prince, you have a Heart of Iron in a Body of Glass.”

MARY QUEEN OF SCOTS' CANDLESTICK.

Mary Queen of Scots' candlestick.

Almost every article, however trifling its intrinsic value, and however homely its appearance, which once belonged to a celebrated individual, is always regarded as an object of interest, and we have, therefore, no hesitation in presenting our readers with the annexed engraving of one of a pair of candlesticks which were once the property of the unfortunate Mary, Queen of Scots.

Almost every item, no matter how trivial its actual worth or how plain it looks, that once belonged to a famous person is always seen as interesting. So, we have no qualms about sharing with our readers the accompanying engraving of one of a pair of candlesticks that were once owned by the unfortunate Mary, Queen of Scots.

Mary Queen of Scots' Candlestick

They are made of brass, each of them of eleven and a-half inches in height. They are of French manufacture; the sunk parts are filled up with an inlay of blue, green, and white enamel, very similar to that done at Limoge. These extremely elegant and curious articles are the property of Lord Holland, and are preserved at Holland House, Kensington.

They are made of brass, each standing eleven and a half inches tall. They are made in France; the recessed areas are filled with inlays of blue, green, and white enamel, very similar to what's done in Limoges. These incredibly elegant and unique pieces belong to Lord Holland and are kept at Holland House, Kensington.

Holland House is associated "with the costly magnificence of Rich, with the loves of Ormond, the councils of Cromwell, and the death of Addison." It has been for nearly two centuries and a-half the favourite resort of wits and beauties, of painters and poets, of scholars, philosophers, and statesmen. In the lifetime of the late Lord Holland, it was the meeting-place of "the Whig Party;" and his liberal hospitality made it "the resort, not only of the most interesting persons composing English society—literary, philosophical, and political, but also to all belonging to those classes who ever visited this country from abroad."

Holland House is linked "with the extravagant splendor of Rich, the romances of Ormond, the discussions of Cromwell, and the death of Addison." For almost two and a half centuries, it has been the go-to spot for intellectuals and beauties, artists and poets, scholars, philosophers, and politicians. During the lifetime of the late Lord Holland, it served as the gathering place for "the Whig Party," and his generous hospitality made it "the destination not only for the most fascinating individuals in English society—literary, philosophical, and political—but also for all those from these classes who came to visit the country from abroad."

EXTRAORDINARY INSTANCES OF INHUMANITY.

Extraordinary acts of inhumanity.

In 1534, in the wars of Edward III. with France, Fordun relates that a Frenchman purchased from the Scots several English prisoners, and that he beheaded them to avenge the death of his father. This sentimental cruelty can perhaps be paralleled by that of Coccinas, who, at the massacre of Paris, bought many Huguenots, that he might torture them to death for his private satisfaction. Philip Galeas Visconti, Duke of Milan, was a man of a nature so timid, that thunder threw him into [Pg 437] agonies; yet was he so inhuman, that he could enjoy the shrieks of a female stretched upon a rack. Wenceslaus, the German Emperor, say Mezeray, Voltaire, and others, roasted his cook alive, for dressing his dinner amiss; and never had so intimate a friend in Prague as the common executioner; and even him he put to death at last, for not taking him at his word, when he once had bid him cut his head off, and actually knelt down to receive the stroke.

In 1534, during the wars of Edward III with France, Fordun mentions that a Frenchman bought several English prisoners from the Scots and beheaded them to avenge his father's death. This brutal act of revenge can be compared to that of Coccinas, who, during the massacre of Paris, bought many Huguenots just to torture them to death for his own pleasure. Philip Galeas Visconti, Duke of Milan, was so timid that thunderstorms caused him great distress; yet he was so cruel that he could find enjoyment in the screams of a woman being tortured on a rack. Wenceslaus, the German Emperor, as noted by Mezeray, Voltaire, and others, even went so far as to roast his cook alive for not preparing his dinner correctly, and he had no closer companion in Prague than the local executioner, whom he ultimately had killed for not taking him seriously when he jokingly asked him to behead him and actually knelt down to accept the blow.

ANCIENT ROMAN LAMPS.

Roman lamps.

The earliest lamps fabricated by the potters of ancient Rome have an open circular body, with a curved projecting rim to prevent the oil from spilling, and occur both in terra-cotta, and also in the black glazed ware found in the sepulchres of Nola. Many have a projecting hollow pipe in the centre, in order to fix them to a stick on the top of a candelabrum. These lamps have no handles. They may have been placed in the sacella or lararia, and were turned on the potter's wheel.

The earliest lamps made by ancient Roman potters have an open circular shape, featuring a curved rim to keep the oil from spilling. They were made from both terracotta and black glazed pottery found in the tombs at Nola. Many of these lamps have a hollow pipe in the center, allowing them to be attached to a stick on top of a candlestick. These lamps don't have handles. They might have been placed in small shrines or household altars and were created on a potter's wheel.

The shoe-shaped is the most usual, with a round body, a projecting spout or nozzle having a hole for the wick, and a small annular handle, which is more or less raised.

The shoe-shaped one is the most common, featuring a round body, a protruding spout or nozzle with a hole for the wick, and a small ring-shaped handle that is raised to varying degrees.

Ancient Roman Lamp

A singular variety of lamp, well adapted for a table, was fitted into a kind of small altar, the sides of which were ornamented with reliefs. Several however, from their unusual shape, maybe considered as fancy ware, the upper part, or the whole lamp, being moulded into the resemblance of some object. Such are lamps in the British Museum in the shape of a female head surmounted by a flower, or of the head of a negro or Nubian with open jaws, through which the wick was inserted.

A unique type of lamp, perfect for a table, was designed as a small altar, with the sides decorated with reliefs. However, due to their unusual shapes, some could be seen as decorative items, with the top or entire lamp shaped like a specific object. Examples include lamps in the British Museum shaped like a female head topped with a flower, or the head of a Black or Nubian figure with an open mouth, through which the wick was placed.

Most of these lamps appear to have been made between the age of Augustus and that of Constantine. The style, of course best at the earlier period of the empire, degenerates under the later emperors, such as Philip and Maximus, and becomes at last Byzantine and bad.

Most of these lamps seem to have been created between the time of Augustus and that of Constantine. The style, which is certainly at its best during the earlier period of the empire, deteriorates under later emperors like Philip and Maximus, ultimately becoming Byzantine and of poor quality.

Most lamps had only one wick, but the light they afforded must have been feeble, and consequently some have two wicks, the nozzle for which project beyond the body of the lamp. In the same manner were fabricated lamps of three, five, and seven wicks. If more were required the nozzles did not project far beyond the body of the lamp, which was then moulded in a shape adapted for the purpose, and especially the favourite one of a galley. Sometimes a conglomeration of small lamps was manufactured in a row, or in a serrated shape, which enabled the purchaser to obtain what light he required; still the amount of illumination must have been feeble. As many as twenty wicks have been found in some lamps.

Most lamps had only one wick, but the light they provided was probably weak, so some had two wicks, with the nozzle sticking out beyond the body of the lamp. Similarly, lamps with three, five, and seven wicks were made. If more wicks were needed, the nozzles didn't stick out much beyond the lamp's body, which was then shaped to accommodate this, often in the popular design of a galley. Sometimes a cluster of small lamps was created in a row or in a zigzag pattern, allowing the buyer to get the amount of light they needed; still, the overall brightness was likely dim. Some lamps have even been found with as many as twenty wicks.

The greater number average from three to four inches long, and one inch high; the walls are about one-eighth of an inch thick, and the [Pg 438] circular handles not more than one inch in diameter. Some of the larger lamps, however, are about nine inches or a foot long, with handles eight or nine inches high.

The larger ones usually measure about three to four inches long and one inch high; the walls are roughly one-eighth of an inch thick, and the [Pg 438] circular handles are no more than one inch in diameter. Some of the bigger lamps, however, can be around nine inches to a foot long, with handles that are eight or nine inches high.

AN ECCENTRIC ENGLISHMAN.

AN ECCENTRIC BRIT.

Mr. Henry Hastings, a most singular character, and genuine sportsman lived in the time of James and Charles I. Mr. Hastings was second son to the Earl of Huntingdon; and inherited a good estate in Dorsetshire from his mother. He was one of the keepers of New Forest, Hampshire; and resided in the lodge there during a part of every summer season. But his principal residence was at Woodlands, in Dorsetshire, where he had a capital mansion. One of his nearest neighbours, was the Lord Chancellor Cooper, first Earl of Shaftesbury. Two men could not be more opposite in their disposition and pursuits. They had little communication therefore; and their occasional meetings were rendered more disagreeable to both from their opposite sentiments in politics. Lord Shaftesbury, who was the younger man, was the survivor; and the following account of Mr. Hastings is said to have been the production of his pen. "Mr. Hastings was low of stature, but very strong, and very active; of a ruddy complexion, with flaxen hair. His clothes were always of green cloth. His house was of the old fashion; in the midst of a large park, well stocked with deer, rabbits, and fish-ponds. He had a long narrow bowling-green in it; and used to play with round sand-bowls. Here, too, he had a banqueting-room built, like a stand in a large tree. He kept all sorts of hounds, that ran buck, fox, hare, otter, and badger; and had hawks of all kinds, both long and short-winged. His great hall was commonly strewed with marrow-bones; and full of hawk-perches, hounds, spaniels, and terriers. The upper end of it was hung with fox-skins of this and the last year's killing. Here and there a pole-cat was intermixed; and hunter's poles in great abundance. The parlour was a large room, completely furnished in the same style. On a broad hearth, paved with bricks, lay some of the choicest terriers, hounds, and spaniels. One or two of the great chairs had litters of cats in them, which were not to be disturbed. Of these, three or four always attended him at dinner; and a little white wand lay by his trencher, to defend it, if they were too troublesome. In the windows, which were very large, lay his arrows, cross-bows, and other accoutrements. The corners of the room were filled with his best hunting and hawking poles. His oyster-table stood at the lower end of the room, which was in constant use twice a day, all the year round; for he never failed to eat oysters both at dinner and supper; with which the neighbouring town of Poole supplied him. At the upper end of the room stood a small table with a double desk; one side of which held a church Bible; the other, the Book of Martyrs. On different tables of the room lay hawks' hoods; bells, old hats with their crowns thrust in, full of pheasants' eggs, tables, dice, cards, and a store of tobacco pipes. At one end of this room was a door, which opened into a closet, where stood bottles of strong beer and wine, which never came out but in single glasses, which was the rule of the house; for he never exceeded himself, nor permitted others to exceed. Answering [Pg 439] to this closet was a door into an old chapel, which had been long disused for devotion; but, in the pulpit, as the safest place, was always to be found a cold chine of beef, a venison pasty, a gammon of bacon, or a great apple-pie with thick crust, well baked. His table cost him not much, though it was good to eat at. His sports supplied all but beef and mutton, except on Fridays, when he had the best of fish. He never wanted a London pudding; and he always sang it in with, "My part lies therein-a." He drank a glass or two of wine at meals; put syrup of gilly-flowers into his sack; and had always a tun-glass of small-beer standing by him, which he often stirred about with rosemary. He lived to be an hundred; and never lost his eyesight, nor used spectacles. He got on horseback without help; and rode to the death of the stag, till he was past fourscore."

Mr. Henry Hastings, a unique character and true sportsman, lived during the reigns of James and Charles I. Mr. Hastings was the second son of the Earl of Huntingdon and inherited a good estate in Dorsetshire from his mother. He was one of the keepers of New Forest in Hampshire and spent part of every summer in the lodge there. However, his main residence was at Woodlands in Dorsetshire, where he had a grand mansion. One of his closest neighbors was Lord Chancellor Cooper, the first Earl of Shaftesbury. The two men couldn't have been more different in their personalities and interests, so they had little communication. Their occasional encounters were often uncomfortable for both due to their conflicting political views. Lord Shaftesbury, being the younger man, outlived Hastings, and it's said that the following account of Mr. Hastings was written by him. "Mr. Hastings was short in stature but very strong and active, with a ruddy complexion and flaxen hair. He always wore green cloth clothing. His house was of the old style, situated in a large park filled with deer, rabbits, and fish ponds. He had a long, narrow bowling green where he played with round sand bowls. He also had a banqueting room built in a large tree. He kept various hounds for hunting deer, foxes, hares, otters, and badgers, as well as all types of hawks. His great hall was often filled with marrow bones and had plenty of hawk perches, hounds, spaniels, and terriers. The upper part of the hall was decorated with fox skins from this year and last. Occasionally, a polecat would be among them, along with a large number of hunting poles. The parlor was a large room, fully furnished in the same style. On a wide hearth, paved with bricks, lay some of his finest terriers, hounds, and spaniels. One or two of the big chairs had litters of cats in them, which were not to be disturbed. Three or four cats usually joined him at dinner, and a little white wand rested beside his plate to fend them off if they got too bothersome. In the very large windows lay his arrows, crossbows, and other gear. The corners of the room were filled with his best hunting and hawking poles. An oyster table at the far end of the room was constantly in use, as he always ate oysters at both lunch and dinner, courtesy of the neighboring town of Poole. At the upper end of the room was a small table with a double desk; one side holding a church Bible and the other the Book of Martyrs. On various tables in the room lay hawk hoods, bells, old hats with their crowns stuffed full of pheasant eggs, dice, cards, and plenty of tobacco pipes. At one end of the room was a door leading to a closet, which held bottles of strong beer and wine, dispensed only in single glasses as per house rules because he never drank to excess nor allowed others to do so. Across from this closet was a door leading to an old chapel that had long been unused for worship; however, in the pulpit—considered a safe spot—there was always a cold joint of beef, a venison pie, a ham, or a big, well-baked apple pie with a thick crust. His meals weren't expensive, yet they were good. His sports provided for everything except beef and mutton, which he reserved for Fridays when he had the finest fish. He never went without a London pudding, always singing as it was brought in, "My part lies therein-a." He drank a glass or two of wine with meals, added syrup of gillyflowers to his sack, and always had a tun-glass of small beer nearby, which he stirred with rosemary. He lived to be a hundred, never lost his eyesight, and never used glasses. He got on horseback without assistance and rode until the death of the stag, well into his eighties."

PERFUMED BANQUETS OF THE ANCIENTS.

Fragrant feasts of the ancients.

A very remarkable peculiarity in the banquets of the ancients was, their not confining the resources of the table to the gratification of one sense alone. Having exhausted their invention in the confection of stimulants for the palate, they broke new ground, and called in another sense to their aid; and by the delicate application of odours and richly-distilled perfumes, these refined voluptuaries aroused the fainting appetite, and added a more exquisite and ethereal enjoyment to the grosser pleasures of the board. The gratification of the sense of smelling (a sense held by us in very undeserved neglect, probably on account of its delicacy) was a subject of no little importance to the Romans. However this may be, it is certain that the Romans considered flowers as forming a very essential article in their festal preparations; and it is the opinion of Bassius, that at their desserts the number of flowers far exceeded that of fruits. When Nero supped in his Golden House, a mingled shower of flowers and odorous essences fell upon him; and one of Heliogabalus' recreations was to smother his courtiers with flowers, of whom it may be said, they "died of a rose in aromatic pain." Nor was it entirely as an object of luxury that the ancients made use of flowers; they were considered to possess sanative and medicinal qualities. According to Pliny, Athenæus, and Plutarch, certain herbs and flowers were of sovereign power to prevent the approaches of ebriety, or, as Bassius less clearly expresses it, clarify the functions of the brain.

A striking feature of ancient banquets was that they didn’t limit their dining experience to just one sense. After exploring various ways to please the taste buds, they innovatively engaged other senses as well; through the careful use of scents and finely distilled perfumes, these sophisticated pleasure-seekers stimulated the appetite and added a more refined and airy enjoyment to the coarser delights of the meal. Scent, often overlooked today probably because of its subtlety, was very important to the Romans. Regardless, it’s clear that they regarded flowers as a crucial part of their festive arrangements, and Bassius believed that at desserts, the number of flowers far outnumbered the fruits. When Nero dined in his Golden House, a mix of flowers and fragrant essences rained down on him, and one of Heliogabalus' pastimes was to bury his courtiers in flowers, leading to the saying that they "died of a rose in aromatic pain." Flowers were not just seen as luxurious; the ancients also valued them for their healing and medicinal properties. According to Pliny, Athenæus, and Plutarch, certain herbs and flowers had great power to ward off drunkenness or, as Bassius puts it more vaguely, to clear the functions of the brain.

CHINESE BRIDGES.

Chinese Bridges.

Of Chinese bridges, some have been very much exaggerated in the accounts by Du Halde and the missionaries, as it appears from the later reports concerning the bridge at Foo-chow-foo, visited during the unsuccessful commercial voyage of the ship "Amherst," in 1832, and since the war become familiar to our countrymen. This same bridge, which proved a very poor structure after all, had been extolled by the Jesuits as something quite extraordinary. A bridge of ninety-one arches, being in fact a very long causeway, was passed by Lord Macartney between Soo-chow and Hang-chow, and near the Lake called Tae-hoo. The highest arch, however, was supposed to be between [Pg 440] twenty and thirty feet in height, and the whole length of the causeway half a mile. It was thrown across an arm of the lake, on the eastern side of the canal. The late Sir George Staunton observed a bridge between Peking and Tartary, built across a river which was subject to being swelled by mountain floods. This was erected upon caissons of wattles filled with stones. It appeared to have been built with expedition, and at small cost, where the most solid bridge would be endangered by inundations. The caissons were fixed by large perpendicular spars, and over the whole were laid planks, hurdles, and gravel. It was only in Keâng-nan that solid bridges were observed to be thrown over the canal, being constructed of coarse grey marble, or of a reddish granite. Some of the arches were semicircular, others the transverse section of an ellipse, and others again approached the shape of a horseshoe, or Greek Ω, the space being widest at top. In the ornamental bridges that adorn gardens and pleasure-grounds, the arch is often of height sufficient to admit a boat under sail, and the bridge is ascended by steps.

Some accounts of Chinese bridges by Du Halde and the missionaries have been significantly exaggerated. This is evident from later reports about the bridge at Foo-chow-foo, which was seen during the unsuccessful commercial voyage of the ship "Amherst" in 1832, and has since become well-known to our countrymen due to the war. This same bridge, which turned out to be a poor structure, had been praised by the Jesuits as something extraordinary. A bridge with ninety-one arches, essentially a long causeway, was noted by Lord Macartney between Soo-chow and Hang-chow, near the lake called Tae-hoo. The highest arch was believed to be between twenty and thirty feet high, and the whole causeway stretched for half a mile. It spanned an arm of the lake on the eastern side of the canal. The late Sir George Staunton noticed a bridge between Peking and Tartary, built over a river prone to flooding from mountain runoff. This bridge was constructed on caissons made of woven branches packed with stones. It seemed to have been built quickly and cheaply, where a more robust bridge would be at risk during floods. The caissons were secured with large vertical timbers, and on top of everything were laid planks, hurdles, and gravel. Only in Keâng-nan did solid bridges made of coarse grey marble or reddish granite cross the canal. Some arches were semicircular, others were elliptical, and some resembled a horseshoe shape, widest at the top. In ornamental bridges that enhance gardens and parks, the arches are often high enough to allow a sailing boat to pass underneath, and the bridges are accessed by steps.

Chinese Bridge

All the stones of a Chinese arch are commonly wedge-shaped, their sides forming radii which converge towards the centre of the curve. It is observable that, according to the opinion of Captain Parish, who surveyed and made plans of the Great Wall, no masonry could be superior to it. The arched and vaulted work was considered by him as exceedingly well turned. The Chinese, therefore, must have understood the construction and properties of the arch long before the Greeks and Romans, whose original and most ancient edifices consisted of columns, connected by straight architraves, of bulk sufficient to support the incumbent pressure of solid masonry.

All the stones in a Chinese arch are typically wedge-shaped, with their sides forming radii that meet at the center of the curve. According to Captain Parish, who surveyed and created plans for the Great Wall, no masonry could match its quality. He regarded the arched and vaulted work as exceptionally well-constructed. Therefore, the Chinese must have understood the design and functionality of the arch long before the Greeks and Romans, whose earliest buildings were made of columns linked by straight beams, heavy enough to handle the weight of solid masonry.

SOCIABLE WEAVER-BIRD.

Sociable weaver bird.

There are some birds whose social instinct impels them to live in company, and to unite their powers in the construction of a common edifice: in this respect resembling the Beaver among quadrupeds, and the Bee among insects. Among these we may mention the Ani (Crotophaga ani) of the West Indies; the Pensile Grosbeak (Loxia pensilis) of West Africa; [Pg 441] and the Bottle-nested Sparrow of India: but more remarkable than any of these is the Sociable Grosbeak (Loxia socialis) of South Africa, whose habits are described by Le Vaillant.

There are some birds whose social instincts drive them to live together and collaborate on building a shared nest. This behavior is similar to that of the Beaver among mammals and the Bee among insects. Notable examples include the Ani (Crotophaga ani) from the West Indies, the Pensile Grosbeak (Loxia pensilis) from West Africa; [Pg 441] and the Bottle-nested Sparrow from India. However, the most remarkable of these is the Sociable Grosbeak (Loxia socialis) from South Africa, whose behaviors are detailed by Le Vaillant.

"Figure to yourself," says this enterprising traveller, "a huge, irregular, sloping roof, with all the eaves completely covered with nests, crowded close together, and you will have a tolerably correct idea of these singular edifices." The birds commence this structure by forming the immense canopy of a mass of grass, so compact and firmly basketed together as to be impenetrable to the rain. This sometimes surrounds a large tree, giving it, but for the upper branches, somewhat the form of a mushroom. Beneath the eaves of this canopy the nests are formed; the upper surface is not used for this purpose, but as it is sloping, with a projecting rim, it serves to let the rain-water run off, and preserves each little dwelling from the wet. Le Vaillant procured one of these great shelters, and cut it in pieces with a hatchet: the chief portion consisted of Boshman's grass, so compact as to be impenetrable by rain. Each nest is three or four inches in diameter, which is sufficient for the bird; but, as they are all close together around the eaves, they appear to the eye to form but one building, and, in fact, are distinguishable from each other only by a little external aperture, which serves as an entrance to the nest. This large nest contained 320 inhabited cells.

"Imagine," says this adventurous traveler, "a massive, uneven, sloping roof completely covered with nests, packed closely together, and you’ll have a pretty accurate idea of these unusual structures." The birds start building this massive canopy using a dense mass of grass, woven so tightly that it's waterproof. Sometimes, this canopy wraps around a large tree, making it look somewhat like a mushroom, except for the upper branches. The nests are built underneath this canopy; the top surface isn't used for nesting, but its sloped design, with a projecting edge, allows rain to run off and keeps each little home dry. Le Vaillant managed to get one of these large shelters and chopped it into pieces with an axe: the main part was made of Boshman's grass, tightly woven to be rainproof. Each nest is about three or four inches in diameter, just right for the bird, but since they're all clustered together under the eaves, they look like a single structure, and they can only be identified by a small opening that serves as the entrance to each nest. This large nest contained 320 living cells.

NEST OF SOCIABLE WEAVER BIRD.

WOLVES IN ENGLAND.

Wolves in England.

King Edward the First commissioned Peter Corbet to destroy the wolves in the counties of Gloucester, Worcester, Hereford, Salop, and Stafford; and ordered John Gifford to hunt them in all the forests of England.

King Edward the First hired Peter Corbet to eliminate the wolves in the counties of Gloucester, Worcester, Hereford, Shropshire, and Stafford; and instructed John Gifford to track them down in all the forests of England.

The forest of Chiltern was infested by wolves and wild bulls in the time of Edward the Confessor. William the Conqueror granted the lordship of Riddesdale, in Northumberland, to Robert de Umfraville, [Pg 442] on condition of defending that part of the country against enemies and wolves. King John gave a premium of ten shillings for catching two wolves.

The Chiltern Forest was overrun by wolves and wild bulls during the time of Edward the Confessor. William the Conqueror gave Robert de Umfraville control of Riddesdale in Northumberland, [Pg 442] with the condition that he would defend that area against enemies and wolves. King John offered a reward of ten shillings for capturing two wolves.

In the reign of King Henry the Third Vitalis de Engaine held the manors of Laxton and Pitchley, in the county of Northampton, by the service of hunting the wolf, whenever the king should command him. In the reign of Edward the First, it was found by inquisition that John de Engaine held the manor of Great Gidding, in the county of Huntingdon, by the service of hunting the hare, fox, wild cat, and wolf, within the counties of Huntingdon, Northampton, Buckingham, Oxford, and Rutland. In the reign of Edward the Third, Thomas de Engaine held certain manors by the service of finding, at his own proper cost, certain dogs for the destruction of wolves, foxes, martins, and wild cats in the counties of Northampton, Rutland, Oxford, Essex, and Buckingham.

During the reign of King Henry III, Vitalis de Engaine owned the manors of Laxton and Pitchley in Northamptonshire, and he was required to hunt wolves whenever the king ordered him to. In the reign of Edward I, an investigation revealed that John de Engaine held the manor of Great Gidding in Huntingdonshire, with the duty of hunting hares, foxes, wild cats, and wolves across the counties of Huntingdon, Northampton, Buckingham, Oxford, and Rutland. In the reign of Edward III, Thomas de Engaine was responsible for managing several manors, and he had to provide, at his own expense, dogs for hunting down wolves, foxes, martens, and wild cats in the counties of Northampton, Rutland, Oxford, Essex, and Buckingham.

TEMPLES OF BRAMBANAM.

Temples of Brambanam.

In the island of Java, and not far from the ruins of Boro Buddor, are situated the Buddhist temples of Brambanam; certainly one of the most extraordinary groups of buildings of its class, and very unlike anything we now find in India; though there can scarcely be a doubt but that the whole is derived from an Indian original now lost.

In the island of Java, not far from the ruins of Borobudur, are the Buddhist temples of Prambanan; definitely one of the most amazing groups of buildings of its kind, and very different from anything we see in India today; although there's hardly any doubt that it all comes from an Indian original that is now lost.

The great temple is a square building above 45 ft. square, and 75 ft. high, terminating upwards in an octagonal straight-lined pyramid. On each face of this is a smaller temple of similar design joined to the great one by corridors; the whole five thus constituting a cruciform building. It is raised upon a richly ornamented square base. One of the smaller temples serves as an entrance-porch. The building itself is very curiously and richly ornamented with sculpture; but the most remarkable feature of the whole group is the multitude of smaller temples which surround the central one, 239 in number. Immediately beyond the square terrace which supports the central temple stand 28 of these, forming a square of 8 on each side, counting the angular ones both ways. Beyond these, at a distance of 35 ft., is the second square, 44 in number; between this and the next row is a wide space of above 80 ft., in which only 6 temples are situated, two in the centre of the north and south faces, and one on each of the others. The two outer rows of temples are situated close to one another, back to back, and are 160 in number, each face of the square they form being about 525 ft. All these 239 temples are similar to one another, about 12 ft. square at the base, and 22 ft. high, all richly carved and ornamented, and in every one is a small square cell, in which was originally placed a cross-legged figure, probably of one of the Jaina saints, though the drawings which have been hitherto published do not enable us to determine whom they represent—the persons who made them not being aware of the distinction between Buddhist and Jaina images.

The great temple is a square building measuring over 45 ft. on each side and standing 75 ft. tall, topped with a straight-lined octagonal pyramid. Each side features a smaller temple of a similar design, connected to the main temple by corridors, making up a cross-shaped structure. It rests on a beautifully decorated square base. One of the smaller temples serves as an entrance. The building itself is intricately and lavishly adorned with sculptures; however, the standout aspect of the entire complex is the numerous smaller temples surrounding the central one, totaling 239. Directly beyond the square terrace that supports the main temple are 28 of these smaller temples, arranged in a square formation of 8 on each side, including the corners. Beyond them, spaced 35 ft. apart, is the second square with 44 temples; between this and the next row is a wide area of over 80 ft. that contains only 6 temples—two at the center of the north and south faces, and one on each of the other sides. The two outer rows of temples are closely positioned, back to back, totaling 160, with each side of the square they create being about 525 ft. long. All 239 temples are similar in design, roughly 12 ft. square at the base and 22 ft. high, all richly carved and adorned. Each contains a small square cell that originally held a cross-legged figure, likely representing one of the Jaina saints, though existing drawings don't clarify who they depict, as the creators didn't distinguish between Buddhist and Jaina images.

The date given to these monuments by the natives is about the 9th or 10th century, at which time the Jains were making great progress at Guzerat and the western parts of India; and if the traditions are to be relied upon, which bring the Hindu colonists of Java from that quarter, [Pg 443] it is almost certain that they would have brought that religion with them. If the age, however, that is assigned to them be correct, they are specimens of an earlier date and form than anything we now find in India, and less removed from the old Buddhist type than anything that now remains there.

The date assigned to these monuments by the locals is around the 9th or 10th century, when the Jains were making significant progress in Gujarat and western India. If the traditions are accurate, which claim that the Hindu settlers in Java came from that region, [Pg 443] it's very likely they brought that religion with them. However, if the assigned age is correct, these would be examples from an earlier time and style than anything we currently find in India, and they would be closer to the old Buddhist type than anything that remains there today.

GRAHAM ISLAND.

Graham Island.

The most recent instance of subaqueous eruption, with which we are acquainted is that which produced Hotham or Graham Island, in the year 1831. This island was thrown up in the Mediterranean, between the south-west coast of Sicily and the African coast, in latitude 37° 8' 30" north, and longitude 12° 42' 15" east. The eruption seems to have been first observed by John Corrao, the captain of a Sicilian vessel, who passing near to the spot on the 10th of July, observed an immense column of water ejected from the sea to the height of sixty feet, and about eight hundred yards in circumference.

The most recent underwater eruption we know of is the one that created Hotham or Graham Island in 1831. This island emerged in the Mediterranean, between the southwest coast of Sicily and the African coast, at a latitude of 37° 8' 30" north and a longitude of 12° 42' 15" east. The eruption was first noted by John Corrao, the captain of a Sicilian ship, who, passing by the area on July 10th, saw a massive column of water shot up from the sea to a height of sixty feet and roughly eight hundred yards in circumference.

On the 16th of July, Corrao again passed the same spot, and he found that a small island had been formed, twelve feet high, with a crater in the centre, from which immense columns of vapour and masses of volcanic matter were ejected.

On July 16th, Corrao traveled past the same location again and discovered that a small island had formed, rising twelve feet high, with a crater in the center that was spewing out huge columns of vapor and large chunks of volcanic material.

The island was afterwards visited by several scientific gentlemen, and is said to have been two hundred feet high, and three miles in circumference, on the 4th of August. But from this time the island decreased in size; for being composed of loose scoriæ and pumice, it was rapidly acted upon by the water; and on the 3rd of September, when carefully measured by Captain Wodehouse, was only three-fifths of a mile in circumference, and one hundred and seven feet high. At the end of October the island had entirely disappeared, except one small point composed of sand and scoriæ. Captain Swinburne examined the spot in the beginning of the year 1832, and found an extensive shoal to occupy the place where the island had once been. In 1833 there was a dangerous reef, of an oval form, three-fifths of a mile in circumference.

The island was later visited by several scientists and is said to have been two hundred feet high and three miles around on August 4th. But from that point on, the island started to shrink; made of loose scoria and pumice, it was quickly eroded by the water. By September 3rd, when Captain Wodehouse measured it carefully, it was only three-fifths of a mile in circumference and one hundred and seven feet high. By the end of October, the island had completely vanished, except for a small sand and scoria point. Captain Swinburne examined the area at the beginning of 1832 and found a large shoal where the island used to be. In 1833, there was a dangerous oval-shaped reef three-fifths of a mile around.

A ROYAL SPORTSMAN.

A royal athlete.

When the King of Naples (the greatest sportsman in Europe) was in Germany, about the year 1792, it was said in the German papers, that in the different times he had been shooting in Austria, Bohemia, and Moravia, he had killed 5 bears, 1,820 wild boars, 1,968 stags, 13 wolves, 354 foxes, 15,350 pheasants, 1,121 rabbits, 16,354 hares, 1,625 she-goats, 1,625 roebucks, and 12,435 partridges.

When the King of Naples (the top athlete in Europe) was in Germany around 1792, it was reported in the German newspapers that during his various hunting trips in Austria, Bohemia, and Moravia, he had killed 5 bears, 1,820 wild boars, 1,968 stags, 13 wolves, 354 foxes, 15,350 pheasants, 1,121 rabbits, 16,354 hares, 1,625 female goats, 1,625 roebucks, and 12,435 partridges.

LIFE IN DEATH.

Lifeless existence.

The wife of the consul of Cologne, Retchmuth, apparently died of the plague, in 1571; a ring of great value, with which she was buried, tempted the cupidity of the grave-digger, and was the cause of many future years of happiness. At night the purloiner marched to his plunder, and she revived. She lived to be the mother of three children, and, when deceased in reality, was re-buried in the same church, where a monument was erected, reciting the particulars above stated in German [Pg 444] verse. A woman of Poictiers, being buried with four rings, tempted the resurrection-man, who awoke the woman in the attempt, as he was rather rude in his mode of possessing them. She called out; he, being frightened, fled. The lady walked home, recovered, and had many children afterwards.

The wife of the consul of Cologne, Retchmuth, apparently died of the plague in 1571. A valuable ring with which she was buried caught the grave-digger's greed and led to many years of future happiness. At night, the thief went to claim his prize, and she came back to life. She lived to become the mother of three children and, when she actually passed away, was re-buried in the same church, where a monument was erected detailing the aforementioned events in German verse. A woman from Poictiers, buried with four rings, tempted a resurrection-man, who accidentally woke her up while he was rather rough in his attempt to take them. She called out, and he, scared, ran away. The lady walked home, recovered, and went on to have many children afterward.

ROCK-CUT MONUMENTS OF ASIA MINOR.

Rock-cut monuments of Asia Minor.

The engraving below represents an example of rock-cut monuments which are found at Doganlu, in Asia Minor. They are placed on the rocky side of a narrow valley, and unconnected apparently with any great city or centre of population. Generally they are called tombs, but there are no chambers nor anything about them to indicate a funereal purpose, and the inscriptions which accompany them are not on the monuments themselves, nor do they refer to such a purpose. Altogether, they are certainly among the most mysterious remains of antiquity, and, beyond a certain similarity to the rock-cut tombs around Persepolis, it is not easy to point out any monuments that afford even a remote analogy to guide us in our conjectures. They are of a style of art clearly indicating a wooden origin, and consist of a square frontispiece, either carved into certain geometric shapes, or prepared apparently for painting; at each side is a flat pilaster, and above a pediment terminating in two scrolls. Some, apparently the more modern, have pillars of a rude Doric order, and all indeed are much more curious than beautiful. [Pg 445] When more of the same class are discovered, they may help us to some historic data: all that we can now say of them is, that, judging from their inscriptions and the traditions in Herodotus, they seem to belong to some Indo-Germanic race from Thessaly, or thereabouts, who had crossed the Hellespont and settled in their neighbourhood; and their date is possibly as far back as 1000, and most probably before 700 B.C.

The engraving below shows an example of rock-cut monuments found at Doganlu, in Asia Minor. They are situated on the rocky side of a narrow valley and seem unrelated to any major city or population center. Generally, they are referred to as tombs, but there are no chambers or anything about them that indicates a funerary purpose, and the inscriptions that accompany them are not on the monuments themselves, nor do they refer to such a purpose. Overall, they are certainly among the most mysterious remnants of ancient times, and aside from a certain resemblance to the rock-cut tombs around Persepolis, it’s not easy to identify any monuments that offer even a slight analogy to help us in our speculations. They have an artistic style that clearly suggests a wooden origin, featuring a square frontispiece either carved into geometric shapes or seemingly prepared for painting; on each side is a flat pilaster, and above is a pediment ending in two scrolls. Some, apparently the more modern ones, have pillars of a rough Doric style, and all of them are indeed more curious than beautiful. [Pg 445] When more of these monuments are discovered, they may provide us with some historical information: all we can currently say about them is that, based on their inscriptions and the traditions in Herodotus, they seem to belong to some Indo-European group from Thessaly or nearby, who had crossed the Hellespont and settled in that area; their date might go back as far as 1000, and most likely before 700 BCE

Rock-Cut Monument

ARCH OF TRAJAN AT BENEVENTUM.

Arch of Trajan in Benevento.

Triumphal arches were among the most peculiar forms of art which the Romans borrowed from those around them, and used with that strange mixture of splendour and bad taste which characterises all their works.

Triumphal arches were one of the most unique forms of art that the Romans took from others, and they used them with that unusual blend of grandeur and poor taste that defines all their creations.

Arch of Trajan at Beneventum

These were in the first instance no doubt borrowed from the Etruscans, as was also the ceremony of the triumph with which they were ultimately associated. At first they seem rather to have been used as festal entrances to the great public roads, whose construction was considered as one of the most important benefits a ruler could confer on his country. There was one erected at Rimini in honour of an important restoration of the Flaminian Way by Augustus; another at Susa in [Pg 446] Piedmont, to commemorate a similar act of the same Emperor. Trajan built one on the pier at Ancona, when he restored that harbour, and another at Beneventum, when he repaired the Via Appia, represented in the woodcut here given. It is one of the best preserved as well as most graceful of its class in Italy. The arch of the Sergii at Pola in Istria seems also to have been erected for a like purpose. That of Hadrian at Athens, and another built by him at Antinoë in Egypt, were monuments merely commemorative of the benefits which he had conferred on those cities by the architectural works he had erected within their walls. By far the most important application of these gateways, in Rome at least, was to commemorate a triumph which may have passed along the road over which the arch was erected beforehand, for the triumphal procession to pass through, of which it would remain a memorial.

These were initially borrowed from the Etruscans, just like the triumph ceremony they eventually became associated with. At first, they seemed to serve as festive entrances to major public roads, whose construction was seen as one of the biggest benefits a ruler could provide to their country. One was built in Rimini to honor an important restoration of the Flaminian Way by Augustus; another was constructed in Susa in [Pg 446] Piedmont to celebrate a similar action by the same Emperor. Trajan built one at the pier in Ancona when he restored that harbor and another at Beneventum when he repaired the Via Appia, which is shown in the woodcut here. It's one of the best-preserved and most elegant examples of its kind in Italy. The arch of the Sergii at Pola in Istria also appears to have been built for a similar reason. Hadrian's arch in Athens and another he built at Antinoë in Egypt were simply commemorative monuments of the contributions he made to those cities through the architectural works he constructed within their walls. However, the most significant purpose of these gateways, at least in Rome, was to commemorate a triumph that likely took place along the road where the arch was built, serving as a memorial for the triumphal procession to pass through.

JUDGES' SALARIES.

Judges' Salaries.

In the reign of Henry III. the King's Justices enjoyed a salary of ten marks per annum, which, in the twenty-third year of that King, was augmented to twenty pounds, and soon after to more. Under Henry IV. the Chief Justices of the King's Bench and Common Pleas had forty pounds, and one of the judges of Common Pleas had fifty-five marks. In 1466, the salary of Thomas Littleton, judge of the King's Bench, amounted to £136 13s. 4d. modern money; besides about £17 7s. for his fur-gown, robes, &c.

In the reign of Henry III, the King's Justices earned a salary of ten marks a year, which was increased to twenty pounds in the twenty-third year of his reign, and soon after rose even more. Under Henry IV, the Chief Justices of the King's Bench and Common Pleas received forty pounds, while one of the judges of Common Pleas earned fifty-five marks. In 1466, the salary of Thomas Littleton, a judge of the King's Bench, amounted to £136 13s. 4d. in today's money, plus about £17 7s. for his fur gown, robes, etc.

EXTRAORDINARY OAK.

UNIQUE OAK.

Gilpin, in his "Forest Scenery," says, "Close by the gate of the water-walk at Magdalen College, in Oxford, grew an oak, which perhaps stood there a sapling when Alfred the Great founded the university. This period only includes a space of nine hundred years, which is no great age for an oak. It is a difficult matter indeed to ascertain the age of a tree. The age of a castle or abbey is the object of history; even a common house is recorded by the families that built it. All these objects arrive at maturity in their youth, if I may so speak. But the tree, gradually completing its growth, is not worth recording in the early part of its existence. It is then only a common tree; and afterwards, when it becomes remarkable for its age, all memory of its youth is lost. This tree, however, can almost produce historical evidence for the age assigned to it. About five hundred years after the time of Alfred, William of Wainfleet, Dr. Stukely tells us, expressly ordered his college to be founded near the Great Oak; and an oak could not, I think, be less than five hundred years of age to merit that title, together with the honour of fixing the site of a college. When the magnificence of Cardinal Wolsey erected that handsome tower which is so ornamental to the whole building, this tree might probably be in the meridian of its glory, or rather, perhaps, it had attained a green old age. But it must have been manifestly in its decline at that memorable era when the tyranny of James gave the fellows of Magdalen so noble an opportunity of withstanding bigotry and superstition. It was afterwards much injured in Charles the Second's time, when the present walks were laid [Pg 447] out. Its roots were disturbed, and from that period it declined fast, and became reduced by degrees to little more than a mere trunk. The oldest members of the university can scarcely recollect it in better plight. But the faithful records of history have handed down its ancient dimensions. Through a space of sixteen yards on every side from its trunk, it once flung its boughs, and under its magnificent pavilion could have sheltered with ease three thousand men, though in its decayed state it could for many years do little more than shelter some luckless individual whom the driving shower had overtaken in his evening walk. In the summer of 1788, this magnificent ruin fell to the ground, alarming the college with its rushing sound. It then appeared how precariously it had stood for many years. Its grand tap-root was decayed, and it had hold of the earth only by two or three roots, of which none was more than a couple of inches in diameter. From a part of its ruins a chair has been made for the President of the College, which will long continue its memory."

Gilpin, in his "Forest Scenery," says, "Right by the gate of the water-walk at Magdalen College in Oxford, there grew an oak tree, which might have been just a sapling when Alfred the Great founded the university. This period only spans about nine hundred years, which isn’t very long for an oak. It’s quite challenging to determine the age of a tree. The age of a castle or an abbey is noted in history; even a regular house is remembered by the families that built it. All these structures reach their prime early on, so to speak. But a tree, slowly reaching its full size, doesn’t get documented in its early years. At that stage, it’s just an ordinary tree. Later on, when it becomes notable for its age, all memories of its youth fade away. This oak, however, can almost provide historical proof of its age. About five hundred years after Alfred, William of Wainfleet, as Dr. Stukely tells us, specifically ordered that his college be founded near the Great Oak; I believe any oak worthy of this title should be at least five hundred years old to warrant establishing the site of a college. When Cardinal Wolsey's splendid tower, which adds so much beauty to the entire building, was constructed, this tree might have been at the peak of its glory, or perhaps it was already enjoying a dignified old age. However, it had clearly begun to decline by the significant time when James's tyranny gave the fellows of Magdalen a noble chance to resist bigotry and superstition. It suffered considerable damage during Charles the Second’s reign, when the current walks were laid out. Its roots were disturbed, and from that moment, it deteriorated quickly, gradually reducing to little more than a trunk. The oldest members of the university can barely remember it in better condition. Yet, the faithful records of history have preserved its ancient measurements. It once stretched its branches across a remarkable sixteen yards from its trunk and could easily have sheltered three thousand men under its magnificent cover, though in its decaying state for many years, it could do little more than provide shelter for an unfortunate person caught in a sudden rain during an evening stroll. In the summer of 1788, this magnificent ruin crashed to the ground, startling the college with its loud fall. It became clear how precariously it had been standing for many years. Its main tap-root had rotted, and it was gripping the earth only by two or three roots, with none thicker than a couple of inches in diameter. From part of its ruins, a chair has been crafted for the President of the College, ensuring that its memory will endure."

ECCENTRIC ADVERTISEMENT.

Quirky Ad.

The following strange advertisement is copied from the Harleian MSS.: "In Nova fert Animus. These are to give notice, (for the benefit of the public,) that there is newly arrived from his travels, a gentleman, who, after above forty years' study, hath, by a wonderful blessing on his endeavours, discovered, as well the nature as the infallible cure of several strange diseases, which (though as yet not known to the world) he will plainly demonstrate to any ingenious artist, to be the greatest causes of the most common distempers incident to the body of man. The names of which take as follow:

The following strange advertisement is copied from the Harleian MSS.: "In Nova fert Animus. This is to inform the public that a gentleman has recently returned from his travels. After more than forty years of study, he has, through an incredible blessing on his efforts, discovered both the nature and the reliable cure for several unusual diseases, which, although not yet known to the world, he will clearly demonstrate to any skilled individual, as being the main causes of the most common ailments affecting the human body. The names of these diseases are as follows:

The strong fives  
The marthambles
The moon-pall    
The hockogrocle.

The strong fives
The marthambles
The moon-pall
The hockogrocle.

"Now, though the names, natures, symptoms, and several cures of these diseases, are altogether unknown to our greatest physicians, and the particular knowledge of them would (if concealed) be a vast advantage to the aforesaid person; yet, he well knowing that his country's good is to be preferred to his private interest, doth hereby promise all sorts of people, a faithful cure of all or any of the diseases aforesaid, at as reasonable rates as our modern doctors have for that of any common distemper.

"Now, even though the names, characteristics, symptoms, and various treatments for these diseases are completely unknown to our best doctors, and knowing the specifics would (if kept secret) be a huge benefit to the mentioned person; he, understanding that the welfare of his country is more important than his personal gain, hereby promises everyone a reliable cure for any of the aforementioned diseases, at prices as fair as what our current doctors charge for any common illness."

"He is spoken with at the ordinary hours of business, at the Three Compasses, in Maiden-lane."

"He is talked to during regular business hours at the Three Compasses in Maiden Lane."

MODERN EGYPTIAN FEMALE ORNAMENTS.

Modern Egyptian women's jewelry.

Ckoo'r

Among the many ornaments which the women of Egypt in modern times are so fond of wearing, none is more curious or more generally worn than the Ckoo'r. It is a round convex ornament, commonly about five inches in diameter, of which there are two kinds. The first that we shall describe, and which is the only kind worn by ladies, or by the wives of tradesmen of moderate property, is the ckoor's alma's, or diamond [Pg 448] ckoor's. This is composed of diamonds set generally in gold; and is open work, representing roses, leaves, &c. The diamonds are commonly of a very poor and shallow kind; and the gold of this and all other diamond ornaments worn in Egypt is much alloyed with copper. The value of a moderately handsome diamond ckoor's is about a hundred and twenty-five, or a hundred and fifty pounds sterling. It is very seldom made of silver; and I think that those of gold, when attached to the deep red turboo'sh, have a richer effect, though not in accordance with our general taste. The wives even of petty tradesmen sometimes wear the diamond ckoor's: they are extremely fond of diamonds, and generally endeavour to get some, however bad. The ckoor's, being of considerable weight, is at first painful to wear; and women who are in the habit of wearing it complain of headache when they take it off: hence they retain it day and night; but some have an inferior one for the bed. Some ladies have one for ordinary wearing, another for particular occasions, a little larger and handsomer; and a third merely to wear in bed. The other kind of ckoor's, ckoor's dah'ab (or, of gold), is a convex plate of very thin embossed gold, and almost always a false emerald (a piece of green glass), not cut with facets, set in the centre. Neither the emerald nor the ruby are here cut with facets: if so cut, they would generally be considered false. The simple gold ckoor's is lined with a thick coat of wax, which is covered with a piece of paper. It is worn by many women who cannot afford to purchase diamonds; and even by some servants.

Among the many accessories that women in Egypt love to wear today, none is more interesting or commonly worn than the Ckoo'r. It's a round, convex ornament, usually about five inches in diameter, and there are two types. The first type we'll discuss, which only ladies or the wives of modestly wealthy traders wear, is the ckoor's alma's, or diamond ckoor's. This is made of diamonds typically set in gold, featuring open work designs of roses, leaves, etc. The diamonds are usually of low quality and shallow cut, and the gold used in this and other diamond ornaments in Egypt is heavily alloyed with copper. A moderately attractive diamond ckoor's is worth about one hundred twenty-five or one hundred fifty pounds sterling. It's rare for it to be made of silver, and personally, I think the gold ones, especially when worn with the deep red turboo'sh, look richer, although they may not match our usual taste. Even the wives of small traders often wear the diamond ckoor's: they have a strong affection for diamonds and usually try to acquire some, no matter how poor the quality. The ckoor's can be quite heavy at first, making it uncomfortable to wear; women who are used to it often report headaches when they take it off, which is why they tend to keep it on day and night, though some have a cheaper version for sleeping. Some ladies have one for everyday wear, another for special occasions that's a bit larger and fancier, and a third just for wearing in bed. The other type of ckoor's, ckoor's dah'ab (meaning "of gold"), is a thin, embossed gold plate with a fake emerald (a piece of green glass) that isn't cut into facets, placed in the middle. The emerald or ruby isn't faceted either; if they were, they'd generally be considered fake. The simple gold ckoor's has a thick layer of wax underneath, covered with a piece of paper. It's worn by many women who can’t afford diamonds, and even by some servants.

ANTIQUE ROMAN MEDICINE STAMP.

ROMAN MEDICINE STAMP ANTIQUE.

Antique Roman Medicine Stamp

By far the most remarkable of the recently discovered remains of the Roman occupants of Scotland is a medicine stamp, acquired by the Society of Antiquaries of Scotland, along with a very valuable collection [Pg 449] of antiquities, bequeathed to them by E. W. A. Drummond Hay, Esq., formerly one of the secretaries of the society. From his notes it appears that it was found in the immediate vicinity of Trenent Church, East Lothian, in a quantity of débris, broken tiles, and brick-dust, which may not improbably have once formed the residence and laboratory of Lucius Vallatinus, the Roman oculist, whose name this curious relic supplies. It consists of a small cube of pale green stone, two and three-fifth inches in length, and engraved on two sides as in the annexed woodcut; the letters being reversed for the purpose of stamping the unguents or other medicaments retailed by its original possessor. The inscriptions admit of being extended thus on the one side: L. VALLATINI EVODES AD CICATRICES ET ASPRITUDINES, which may be rendered—The evodes of Lucius Vallatinus for cicatrices and granulations. The reverse, though in part somewhat more obscure, reads: L. VALLATINI A PALo CRoCODES AD DIATHESES—The crocodes, or preparation of saffron, of L. Vallatinus, of the Palatine School, (?) for affections of the eyes. Both the Euodes and the Crocodes are prescriptions given by Galen, and occur on other medicine stamps. Several examples have been found in England, and many in France and Germany, supplying the names of their owners and the terms of their preparations. Many of the latter indicate their chief use for diseases of the eye, and hence they have most commonly received the name of Roman oculists' stamps. No example, however, except the one figured here, has ever occurred in Scotland; and amid legionary inscriptions, military votive altars, and sepulchral tablets, it is peculiarly interesting to stumble on this intelligent memento, restoring to us the name of the old Roman physician who ministered to the colonists of the Lothians the skill, and perchance also the charlatanry, of the healing art.

By far the most remarkable of the recently discovered remains of the Roman occupants of Scotland is a medical stamp, obtained by the Society of Antiquaries of Scotland, along with a very valuable collection [Pg 449] of antiques, which was donated to them by E. W. A. Drummond Hay, Esq., who was formerly one of the society’s secretaries. According to his notes, it was found near Trenent Church in East Lothian, amidst a pile of débris, broken tiles, and brick dust, which likely once made up the home and laboratory of Lucius Vallatinus, the Roman eye doctor, whose name this curious artifact bears. It is a small cube of pale green stone, measuring two and three-fifths inches in length, and carved on two sides as shown in the accompanying woodcut; the letters are reversed for stamping the ointments or other medicines sold by its original owner. The inscriptions can be expanded as follows on one side: L. Vallatini Evodes on Scars and Roughness, which translates to—The evodes of Lucius Vallatinus for scars and granulations. The reverse side, although somewhat more difficult to read, says: L. VALLATINI A PALo CRoCODES AD DIATHESES—The crocodes, or saffron preparation, of L. Vallatinus, from the Palatine School, (?) for eye conditions. Both the Euodes and the Crocodes are prescriptions attributed to Galen and appear on other medical stamps. Several examples have been found in England, and many in France and Germany, providing the names of their owners and details of their preparations. Many of these suggest their primary use for eye diseases, which is why they are often referred to as Roman oculist stamps. However, apart from the one shown here, no other example has ever been found in Scotland; and amidst various inscriptions, military votive altars, and burial tablets, it is especially intriguing to come across this insightful relic, reminding us of the old Roman physician who offered the colonists of the Lothians both the skills, and possibly the quackery, of the healing art.

CANDLES IN THE CHURCH.

Candles in the church.

In the formulæ of Marculphus, edited by Jerome Bignon, he tells us, with respect to lights, that the use of them was of great antiquity in the church; that the primitive Christians made use of them in the [Pg 450] assemblies which they held before day out of necessity; and that afterwards they were retained even in daylight, as tokens of joy, and in honour of the Deity. Lactantius says, speaking of the absurdities of the wax lights in Romish churches, "They light up candles to God, as if he lived in the dark; and do they not deserve to pass for madmen who offer lamps and candles to the author and giver of light?" It is really astounding to our ideas that wax candles as long as serjeants' pikes should be held as necessary in the worship of God. That it is so held, and that by a large class of Christians, every one must allow, for they may have occular demonstration of the singular fact. The show is however extremely imposing. Thirty-five thousand seven hundred and fifty pounds of wax lights were burned every year, for nine hundred masses said in the castle of Wittemburgh! Philip Melancthon speaks of a Jesuit who said that "he would not extinguish one taper, though it were to convert all the Huguenots" (Protestants).

In the writings of Marculphus, edited by Jerome Bignon, he mentions that the use of lights in the church dates back a long time; that early Christians used them during their gatherings held before dawn out of necessity; and that later, they were kept even during the day as symbols of joy and in honor of God. Lactantius critiques the practices of wax lights in Roman churches, saying, "They light candles for God, as if He lived in darkness; do they not seem crazy for offering lamps and candles to the source of light?" It's quite surprising to think that candles as tall as sergeants' pikes are considered essential in worship. Yet, this belief is upheld by many Christians, as it's obvious to see. The display is indeed impressive. Thirty-five thousand seven hundred and fifty pounds of wax lights were burned each year for nine hundred masses held in the castle of Wittemburgh! Philip Melancthon mentions a Jesuit who claimed he "would not put out a single taper, even if it meant converting all the Huguenots" (Protestants).

A RICH AND CRUEL CRIMINAL.

A wealthy and ruthless criminal.

John Ward, Esq. of Hackney, Member of Parliament, being prosecuted by the Duchess of Buckingham, and convicted of forgery, was first expelled from the House, and then stood on the pillory on the 17th of March, 1727. He was suspected of joining in a conveyance with Sir John Blount, to secrete £50,000 of that director's estate, forfeited to the South Sea Company by Act of Parliament. The Company recovered the £50,000 against Ward; but he set up prior conveyances of his real estate to his brother and son, and concealed all his personal, which was computed to be £150,000. These conveyances being also set aside by a bill in chancery, Ward was imprisoned, and hazarded the forfeiture of his life, by not giving in his effects till the last day, which was that of his examination. During his confinement, his amusement was to give poison to dogs and cats, and see them expire by slower or quicker torments. To sum up the worth of this man, at the several eras of his life; at his standing in the pillory, he was worth above £200,000; at his commitment to prison, he was worth £150,000.

John Ward, Esq. from Hackney, a Member of Parliament, was prosecuted by the Duchess of Buckingham and convicted of forgery. He was first expelled from the House and then stood in the pillory on March 17, 1727. He was suspected of being involved in a scheme with Sir John Blount to hide £50,000 of that director's estate, which had been forfeited to the South Sea Company by an Act of Parliament. The Company recovered the £50,000 from Ward, but he claimed he had previously transferred his real estate to his brother and son and hid all his personal assets, which were estimated to be £150,000. These conveyances were also invalidated by a bill in chancery, leading to Ward's imprisonment, where he risked losing his life by not declaring his assets until the final day of his examination. During his time in prison, he amused himself by poisoning dogs and cats, watching them suffer and die in various agonizing ways. To summarize the worth of this man at different stages of his life: when he was in the pillory, he was valued at over £200,000; at the time of his imprisonment, he was worth £150,000.

FOOD OF THE ANCIENTS.

ANCIENT FOODS.

The diversity of substances which we find in the catalogue of articles of food is as great as the variety with which the art or the science of cookery prepares them. The notions of the ancients on this most important subject are worthy of remark. Their taste regarding meat was various. Beef they considered the most substantial food: hence it constituted the chief nourishment of their athletæ. Camels' and dromedaries' flesh was much esteemed, their heels most especially. Donkey-flesh was in high repute: Mæcenas, according to Pliny, delighted in it; and the wild ass, brought from Africa, was compared to venison. In more modern times we find Chancellor Dupret having asses fattened for his table. The hog and the wild boar appear to have been held in great estimation; and a hog was called "animal propter convivia natum;" but the classical portion of the sow was somewhat singular—"vulvâ nil dulcius amplâ." Their mode of killing swine was as refined in barbarity [Pg 451] as in epicurism. Plutarch tells us that the gravid sow was actually trampled to death, to form a delicious mass fit for the gods. At other times, pigs were slaughtered with red-hot spits, that the blood might not be lost. Stuffing a pig with assafœtida and various small animals, was a luxury called "porcus Trojanus;" alluding, no doubt, to the warriors who were concealed in the Trojan horse. Young bears, dogs, and foxes, (the latter more esteemed when fed upon grapes,) were also much admired by the Romans; who were also so fond of various birds, that some consular families assumed the names of those they most esteemed. Catius tells us how to drown fowls in Falernian wine, to render them more luscious and tender. Pheasants were brought over from Colchis, and deemed at one time such a rarity, that one of the Ptolemies bitterly lamented his never having tasted any. Peacocks were carefully reared in the island of Samos, and sold at such a high price, that Varro informs us they fetched yearly upwards of £2,000 of our money.

The variety of foods we find in the catalog of items is as diverse as the ways in which cooking can prepare them. The ideas of ancient people on this important subject are worth noting. Their tastes in meat were diverse. They considered beef to be the most substantial food, which is why it made up the main diet of their athletes. Camel and dromedary meat were highly valued, especially the hindquarters. Donkey meat was also well-regarded; Mæcenas, according to Pliny, took delight in it, and the wild donkey from Africa was compared to venison. In more recent times, we see Chancellor Dupret having donkeys raised for his meals. Pigs and wild boar seem to have been held in high esteem; a pig was referred to as "animal propter convivia natum," but the classical part of the sow was quite unique—"vulvâ nil dulcius amplâ." Their methods of slaughtering pigs exhibited a refined kind of cruelty, as well as culinary sophistication. Plutarch tells us that a pregnant sow was actually trampled to death to create a delicious dish worthy of the gods. At other times, pigs were killed with red-hot spits so that the blood wouldn't be wasted. Stuffing a pig with asafetida and various small animals was a luxury referred to as "porcus Trojanus," no doubt alluding to the warriors hidden in the Trojan horse. Young bears, dogs, and foxes (the latter being more prized when fed grapes) were also highly regarded by the Romans, who were so fond of different birds that some consular families adopted the names of the birds they admired most. Catius describes how to drown fowl in Falernian wine to make them more flavorful and tender. Pheasants were brought over from Colchis and at one time were considered such a rarity that one of the Ptolemies mourned never having tasted one. Peacocks were carefully raised on the island of Samos and sold for such high prices that Varro tells us they fetched over £2,000 annually in today’s money.

THE EARLIEST ENGLISH BIBLE.

THE FIRST ENGLISH BIBLE.

The first translation of any part of the Holy Scriptures into English that was committed to the press was the New Testament, translated from the Greek, by William Tyndale, with the assistance of John Foye and William Roye, and printed first in 1526, in octavo.

The first printed translation of any part of the Holy Scriptures into English was the New Testament, translated from Greek by William Tyndale, with help from John Foye and William Roye, and it was first published in 1526, in octavo format.

Tyndale published afterwards, in 1530, a translation of the Five Books of Moses, and of Jonah, in 1531, in octavo. An English translation of the Psalter, done from the Latin of Martin Bucer, was also published at Strasburgh in 1530, by Francis Foye, in octavo. And the same book, together with Jeremiah and the Song of Moses, were likewise published in 1534, in duodecimo, by George Joye, sometime Fellow of Peter-House in Cambridge.

Tyndale later published a translation of the Five Books of Moses in 1530 and a translation of Jonah in 1531, both in octavo format. An English version of the Psalms, translated from Martin Bucer's Latin, was also published in Strasburgh in 1530 by Francis Foye, also in octavo. Additionally, the same book, along with Jeremiah and the Song of Moses, was published in 1534 in duodecimo format by George Joye, who was once a Fellow of Peter-House in Cambridge.

The first time the whole Bible appeared in English was in the year 1535, in folio. The translator and publisher was Miles Coverdale, afterwards Bishop of Exeter, who revised Tyndale's version, compared it with the original, and supplied what had been left untranslated by Tyndale. It was printed at Zurich, and dedicated to King Henry the Eighth. This was the Bible, which by Cromwell's injunction of September, 1536, was ordered to be laid in churches.

The first complete Bible in English was published in 1535, in folio format. The translator and publisher was Miles Coverdale, who later became the Bishop of Exeter. He revised Tyndale's version, compared it to the original texts, and filled in the parts that Tyndale hadn’t translated. It was printed in Zurich and dedicated to King Henry VIII. This was the version of the Bible that Cromwell ordered to be placed in churches in September 1536.

GREAT ERUPTION OF MOUNT ETNA.

GREAT ERUPTION OF MOUNT ETNA.

One of the most remarkable eruptions of this mountain was that which occurred in the year 1669, which was so violent that fifteen towns and villages were destroyed, and the stream was so deep that the lava flowed over the walls of Catania, sixty feet in height, and destroyed a part of the city. But the most singular circumstance connected with this eruption was the formation of a number of extensive fissures, which appeared as though filled with intumescent rock. At the very commencement of the volcanic excitement, one was formed in the plain of St. Lio, twelve miles in length and six feet broad, which ejected a vivid flame, and shortly after five others were opened. The town of Nicolosi, situated twenty miles from the summit of Etna, was destroyed by earthquake; and near the place where it stood two gulfs were formed, from [Pg 452] which so large a quantity of sand and scoriæ was thrown, that a cone, called Mount Rossi, four hundred and fifty feet high, was produced in about three months.

One of the most notable eruptions of this mountain happened in 1669. It was so intense that fifteen towns and villages were wiped out, and the lava was so deep that it spilled over the walls of Catania, which are sixty feet tall, and destroyed part of the city. However, the most unique aspect of this eruption was the creation of several large cracks that looked like they were filled with expanding rock. At the very start of the volcanic activity, one crack formed in the plain of St. Lio, stretching twelve miles long and six feet wide, which shot out a bright flame, and shortly after, five more cracks opened up. The town of Nicolosi, located twenty miles from the summit of Etna, was destroyed by an earthquake, and near where it once was, two gulfs formed, from [Pg 452] which so much sand and debris was ejected that a cone, known as Mount Rossi, was created in about three months, standing four hundred and fifty feet tall.

AMULETS WORN BY MODERN EGYPTIAN FEMALES.

AMULETS WORN BY MODERN EGYPTIAN WOMEN.

Amulets Worn by Modern Egyptian Females

One of the most remarkable traits in modern Egyptian superstition is the belief in written charms. The composition of most of these amulets is founded upon magic, and occasionally employs the pen of almost every village schoolmaster in Egypt. A person of this description, however, seldom pursues the study of magic further than to acquire the formulæ of a few charms, commonly consisting, for the greater part, of certain passages of the Koran, and names of God, together with those of spirits, genii, prophets, or eminent saints, intermixed with combinations of numerals, and with diagrams, all of which are supposed to have great secret virtues. The amulet thus composed, or hhega'b, as it is called, is covered with waxed cloth, to preserve it from accidental pollution, and enclosed in a case of thin embossed gold or silver, which is attached to a silk string, or a chain, hung on the right side, above the girdle, the string or chain being passed over the left shoulder. Sometimes these cases bear Arabic inscriptions, such as "Ma´sha-lla´h" ("God's will") and "Ya´cha´dee el-hhaga´t" ("O decreer of the things that are needful!") We here insert an engraving of three hhega'bs of gold, attached to a string, to be worn together. The central one is a thin, flat case, containing a folded paper: it is about a third of an inch thick; the others are cylindrical cases, with hemispherical ends, and contain scrolls: each has a row of burck along the bottom. Hhega´bs such as these, or of a triangular form, are worn by many children, as well as women; and those of the latter form are attached to a child's head-dress.

One of the most notable aspects of modern Egyptian superstition is the belief in written charms. Most of these amulets are based on magic and often involve the skills of almost every village schoolteacher in Egypt. However, these individuals rarely study magic deeply; they mainly learn the formulas for a few charms, which mostly consist of certain passages from the Koran and names of God, along with names of spirits, genies, prophets, or revered saints, mixed with combinations of numbers and diagrams, all thought to have powerful hidden benefits. The amulet created this way, or hhega'b, is covered in waxed cloth to protect it from unintentional contamination and is placed inside a thin, embossed gold or silver case. This case is then attached to a silk string or chain and worn on the right side above the belt, with the string or chain going over the left shoulder. Sometimes these cases have Arabic inscriptions, such as "Ma´sha-lla´h" ("God's will") and "Ya´cha´dee el-hhaga´t" ("O decreer of the things that are needful!"). We include an illustration of three hhega'bs made of gold, strung together for wearing. The central one is a thin, flat case containing a folded piece of paper, about a third of an inch thick; the others are cylindrical cases with rounded ends, containing scrolls, each adorned with a row of burck along the bottom. Many children and women wear hhega´bs like these, or in a triangular shape, and those in the latter form are often attached to a child's headpiece.

PERSONAL ORNAMENTS OF THE ANCIENT EGYPTIANS.

PERSONAL ORNAMENTS OF THE ANCIENT EGYPTIANS.

The passion of the Egyptians for decorative jewellery was indeed excessive. Men as well as women delighted thus to adorn themselves; and the desire was not confined to the higher ranks, for though the subordinate classes could not afford the sparkling gems and precious metals which glowed upon the persons of their superiors, their vanity was gratified by humbler imitations, of bronze, glass, and porcelain.

The Egyptians had an intense passion for decorative jewelry. Both men and women loved to adorn themselves, and this desire wasn’t limited to the upper classes. While the lower classes couldn’t afford the sparkling gems and precious metals worn by their superiors, they satisfied their vanity with simpler imitations made of bronze, glass, and porcelain.

"Costly and elegant ornaments," observes Professor Rosselini, "abounded in proportion as clothing in general was simple and scarce among the Egyptians. Girdles, necklaces, armlets, ear-rings, and amulets of various kinds suspended from the neck, are found represented in the painting, and in fact still exist on the mummies. Figures of noble youths are found entirely devoid of clothing, but richly ornamented with necklaces and other jewels."

"Expensive and stylish accessories," notes Professor Rosselini, "were plentiful as clothing was generally simple and rare among the Egyptians. Girdles, necklaces, bracelets, earrings, and various types of amulets hanging from the neck are depicted in the artwork and still exist on the mummies. Images of noble young men are found wearing no clothing at all, but are adorned with necklaces and other jewels."

An immense number of these "jewels of silver and jewels of gold" have been found in the tombs, and on the persons of mummies, and are deposited in profusion in every museum. The accompanying engravings will give an idea of the style and form of some of them.

An enormous number of these "silver and gold jewels" have been discovered in tombs and on mummies, and they are abundantly displayed in every museum. The engravings that accompany this text will provide an idea of the style and design of some of them.

Personal Ornaments

The ear-rings generally worn by the ladies were large, round, single hoops (as a) from 1½ inches to 2-1/3 inches in diameter; and frequently of a still greater size; or made of six rings soldered together (as b); sometimes an asp, whose body was of gold, set with precious stones, was worn by persons of rank as a fashionable caprice. Figures c, d, of gold bear the heads of fanciful animals; e, also of gold, is remarkable for its singularity of form, and for the delicacy of its workmanship; and f for its carrying two pearls and being double in its construction.

The earrings commonly worn by women were large, round, single hoops (like a) ranging from 1½ inches to 2-1/3 inches in diameter, and often even bigger. Some were made of six rings soldered together (like b). Occasionally, a gold asp set with precious stones was worn by people of high rank as a trendy choice. Figures c, d made of gold feature the heads of imaginative animals; e, also in gold, stands out for its unique shape and delicate craftsmanship; and f is noted for holding two pearls and having a double structure.

Bracelets, Armlets, Anklets

Bracelets, armlets, and anklets were worn by men as well as by women; they were usually of gold, frequently set with precious stones, or inlaid with enamel. The one marked a in the annexed cut is now in the Leyden Museum: it is of gold, 3 inches in diameter, and 1½ inches in height, and is interesting, because it belonged to the Pharaoh whom we conclude to have been the patron and friend of Joseph, Thothmes III., whose name it bears. The armlet b is of gold, and represents a snake; the other, c, is of bronze. Rings were worn in profusion, gold being the material chiefly selected. Some resemble watch seals of the present day—sometimes the stone having four flat sides, all engraved, turned on a pivot, like some seals seen at present. One of this character, which Sir J. G. Wilkinson estimates to contain 20l. worth of gold, is represented at d in the above engraving. It consists of a massive ring of gold, bearing an oblong plinth of the same metal, an inch in length, and more than half an inch in its greatest width. On one side is engraved the hieroglyphic name of Storus, the successor of Amunoph III.; the three others contain respectively a scorpion, a crocodile, and a lion.

Bracelets, armlets, and anklets were worn by both men and women; they were typically made of gold, often set with precious stones or inlaid with enamel. The one marked a in the attached image is currently in the Leyden Museum: it is made of gold, measures 3 inches in diameter, and 1½ inches in height. It's noteworthy because it belonged to the Pharaoh we believe was the patron and friend of Joseph, Thothmes III., whose name is inscribed on it. The armlet b is gold and features a snake design; the other one, c, is made of bronze. Rings were worn in large numbers, with gold being the most commonly chosen material. Some rings resemble modern watch seals, with stones that have four flat sides, all engraved, turning on a pivot like some seals we see today. One of these, which Sir J. G. Wilkinson estimates to be worth 20l. in gold, is depicted at d in the engraving above. It consists of a large gold ring with an oblong base of the same metal, measuring an inch in length and over half an inch at its widest point. One side is engraved with the hieroglyphic name of Storus, the successor of Amunoph III.; the other three sides feature a scorpion, a crocodile, and a lion, respectively.

GREAT PEAR TREE.

Great Pear Tree.

The most remarkable pear tree in England stands on the glebe of the parish of Holme Lacy, in Herefordshire. When the branches of this tree, in its original state, became long and heavy, their extremities drooped till they reached the ground. They then took root; each branch became a new tree, and in its turn produced others in the same way. Eventually it extended itself until it covered more than an acre of ground, and would probably have reached much further if it had been suffered to do so. It is stated in the church register, that "the great natural curiosity, the great pear tree upon the glebe, adjoining to the vicarage-house, produced this year (1776) fourteen hogsheads of perry, each hogshead containing one hundred gallons." Though now much reduced in size, it is still healthy and vigorous, and generally produces from two to five hogsheads. The liquor is not of a good quality, being very strong and heating. An idea of the superior size of this tree, when in its prime, over others of the same kind, may be formed from the fact, that in the same county, an acre of ground is usually planted with thirty trees, which, in a good soil, produce annually, when full grown, twenty gallons of perry each. So large a quantity as a hogshead from one tree is very unusual. The sorts principally used for perry are such as have an austere juice.

The most remarkable pear tree in England stands on the parish land of Holme Lacy in Herefordshire. When the branches of this tree were in their natural state, they grew long and heavy, causing their tips to droop until they touched the ground. They then took root; each branch became a new tree, which in turn produced more in the same way. Eventually, it spread out until it covered over an acre of land, and it likely would have extended even further if it had been allowed to do so. According to the church register, "the great natural curiosity, the great pear tree on the glebe, next to the vicarage house, produced this year (1776) fourteen hogsheads of perry, with each hogshead containing one hundred gallons." Although it is now much smaller, it remains healthy and vibrant, typically yielding between two to five hogsheads. The liquor it produces is not of good quality, being quite strong and heating. One can get an idea of the impressive size of this tree at its prime compared to others of the same kind by noting that in the same county, an acre of land is usually planted with thirty trees, which, in fertile soil, can produce twenty gallons of perry each per year when fully grown. It is quite rare for a single tree to yield a hogshead. The varieties mainly used for perry are those with a bitter juice.

LAW OF THE MOZCAS.

MOZCAS LAW.

A very remarkable law prevailed among the Mozcas, one of the tribes of the Nuevo Reyno de Granada. There, as among more advanced nations, the king could do no wrong; but the subordinate chiefs could. These chiefs were men, the people reasoned, like themselves; they could not be punished by their vassals, for there would be a natural unfitness in that; the king, it seems, was not expected to interfere, except in cases of state offences; the power of punishment, therefore, was vested in their wives; and a power it was, says Piedrahita, which they exercised famously whenever it fell to them to be judges of their poor husbands. The conqueror Quesada calling one morning upon the chief of a place called Suesca, found him under the hands of his nine wives, who were tying him, and having done so, proceeded, in spite of Quesada's intercession, to flog him one after the other. His offence was, that some Spaniards the night before had lodged in his house, and he had partaken too freely of their Spanish wine. Drunkenness was one of the sins which fell under the cognizance of his wives: they carried him to bed that he might sleep himself sober, and then awoke him in the morning to receive the rigour of the law.

A very interesting law existed among the Mozcas, one of the tribes of the Nuevo Reyno de Granada. There, like in more advanced societies, the king could do no wrong; but the subordinate chiefs could. The people reasoned that these chiefs were men, just like themselves; they couldn't be punished by their vassals because that would be naturally inappropriate; the king, it seemed, was not expected to get involved, except in cases of serious offenses; thus, the power of punishment was in the hands of their wives. Piedrahita notes that this power was exercised quite famously whenever they had the chance to judge their husbands. One morning, the conqueror Quesada visited the chief of a place called Suesca and found him being restrained by his nine wives, who had tied him up, and then proceeded, despite Quesada's protests, to hit him one after another. His offense was that some Spaniards had stayed at his house the night before, and he had drunk too much of their Spanish wine. Drunkenness was one of the sins that fell under the authority of his wives; they took him to bed so he could sleep it off, and then woke him up in the morning to face the consequences.

LARGEST METAL STATUE IN THE WORLD.

LARGEST METAL STATUE IN THE WORLD.

Arona is an island on the Lago Maggiore, and has a strong castle. Upon an eminence is a statue of bronze to St. Charles Borromeo, from whom the hill is called, Monte di S. Carlo. The statue was erected by the Pope in 1624, in memory of the Saint, who was Archbishop of Milan. The pedestal of the statue is thirty-six feet high. It is the largest metal statue in existence; and the height of the statue itself is seventy-two [Pg 455] feet, making a total of 108 feet. Fifteen persons may get into the saint's head, which will also accommodate four persons and a table on which they can dine. The cost is said to have been one million one hundred Milanaise livres.

Arona is an island on Lake Maggiore and features a large castle. At the top of a hill stands a bronze statue of St. Charles Borromeo, which gives the hill its name, Monte di S. Carlo. The statue was put up by the Pope in 1624 to honor the Saint, who was the Archbishop of Milan. The pedestal of the statue is thirty-six feet tall. It is the largest metal statue in the world, and the height of the statue itself is seventy-two feet, making a total of 108 feet. Fifteen people can fit inside the saint's head, which also has space for four people and a table where they can dine. The cost is said to have been one million one hundred Milanese livres.

THE OAK OF MAMRE.

The Oak of Mamre.

In one remarkable instance the Jews, the Christians, and the pagan Arabs united in religious feelings. This was in their reverence for the Oak of Mamre, where the angels appeared to Abraham: for Abraham's sake the Jews held the place holy; the Arabs for the angels'; the Christians, because, in their ignorance of their Scriptures, they affirmed that the Son of God had accompanied those angels to destroy Sodom and Gomorrah. An annual fair was held there, and every man sacrificed after the manner of his country; nor was the meeting ever disgraced by any act of intemperance or indecency. Nothing had been done to injure the venerable antiquity of the place. There was nothing but the well which Abraham had dug, and the buildings which he had inhabited, beside the oak. These remains were destroyed by order of Constantine, in abhorrence of the impious toleration exhibited there! A church was built upon the spot, and Mamre, so interesting to the poet, the philosopher, and the pious man, became a mere den of superstition.

In one remarkable instance, Jews, Christians, and pagan Arabs came together in their shared religious feelings. This was in their respect for the Oak of Mamre, where the angels appeared to Abraham. The Jews considered the place holy because of Abraham; the Arabs revered it for the angels; and the Christians, due to their misunderstanding of their Scriptures, claimed that the Son of God had accompanied those angels to destroy Sodom and Gomorrah. An annual fair was held there, and everyone made sacrifices in their own cultural traditions; the gathering was never tainted by any drunkenness or misconduct. Nothing had been done to harm the ancient significance of the place. There was only the well that Abraham had dug and the buildings he had lived in, alongside the oak. These remains were destroyed by order of Constantine, who was disgusted by the impious tolerance shown there! A church was built on the site, and Mamre, once so cherished by poets, philosophers, and devout individuals, became just a hub of superstition.

STRANGE ADVERTISEMENT.

WEIRD ADVERTISEMENT.

The following appeared in the Evening Post, May 23rd, 1730:—

The following appeared in the Evening Post, May 23rd, 1730:—

"I, Elizabeth, duchess dowager of Hamilton, acknowledge I have for several months been ill in my health, but never speechless, as certain penny authors have printed; and so, to confute these said authors and their intelligence, it is thought by my most intimate friends, it is the very last thing that will happen to me. I am so good an Englishwoman, that I would not have my countrymen imposed upon by purchasing false authors; therefore, have ordered this to be printed that they may know what papers to buy and believe, that are not to be bribed by those who may have private ends for false reports. The copy of this is left in the hands of Mr. Berington, to be shown to any body who has a curiosity to see it signed with my own hand.

"I, Elizabeth, dowager duchess of Hamilton, acknowledge that I’ve been unwell for several months, but I've never been speechless, as some tabloid writers have claimed. To set the record straight against these authors and their misinformation, my closest friends believe, it is the very last thing that will happen to me. I care deeply for my fellow English people and wouldn’t want them to be misled into buying false accounts; that’s why I’ve decided to have this printed so they know which reports to trust and which to ignore, especially those motivated by personal agendas. A copy of this is with Mr. Berington, who will show it to anyone interested in seeing it signed by me."

"E. Hamilton."

"E. Hamilton."

INTERMITTENT SPRINGS.

Intermittent Springs.

One of the most remarkable of these is at Bolder-Born in Westphalia. After flowing for twenty-four hours, it entirely ceases for the space of six hours. It then returns with a loud noise, in a stream sufficiently powerful to turn three mills very near its source. Another spring of the same nature occurs at Bihar in Hungary, which issues many times a day, from the foot of a mountain, in such a quantity as in a few minutes to fill the channel of a considerable stream.

One of the most remarkable ones is at Bolder-Born in Westphalia. After flowing for twenty-four hours, it completely stops for six hours. Then, it comes back with a loud roar, in a stream strong enough to power three mills close to its source. Another spring like this can be found at Bihar in Hungary, which flows multiple times a day from the foot of a mountain, filling the channel of a significant stream in just a few minutes.

The Lay Well near Torbay, ebbs and flows sixteen times in an hour: and in Giggleswick Well in Yorkshire, the water sometimes rises and falls in ten or fifteen minutes.

The Lay Well near Torbay rises and falls sixteen times in an hour, and in Giggleswick Well in Yorkshire, the water sometimes goes up and down in ten or fifteen minutes.

St. Anthony's Well, on Arthur's Seat, near Edinburgh, has a similar movement, but on a smaller scale.

St. Anthony's Well, on Arthur's Seat, near Edinburgh, has a similar flow, but on a smaller scale.

In Savoy, near the lake of Bourget, is another spring of this kind, but it differs from those which have been already mentioned in being very uncertain in its intervals.

In Savoy, near Lake Bourget, there’s another spring like this, but it’s different from the ones already mentioned because its intervals are very unpredictable.

CURIOUS JEWEL WHICH BELONGED TO JAMES I.

CURIOUS JEWEL THAT BELONGED TO JAMES I.

Curious Jewels Which Belonged to James I

In former times it was a common practice with princes and nobles to have elaborate articles of jewellery constructed in such forms as had a religious and emblematical signification. An inventory of the Dukes of Burgundy, made in 1396, speaks of a fleur-de-lys which opened, and contained inside a picture of the Crucifixion. In 1416, the Duke of Berri had "a fair apple," which opened, and contained within on one side the figure of Christ, and on the other that of the Virgin. Among the jewels of the Dukes of Burgundy in 1392 there were two pears of gold, enamelled, each containing an image of Our Lady. We find similar entries in the other different inventories of the Dukes of Burgundy: An apple of silver, enamelled, containing in the inside a picture of St. Catherine, in 1400; a pine-apple of gold, which contained figures of the birth of Christ, and of the three kings, in 1467; and, in the same year, two apples of gold, one containing, on the opposite halves, Our Lady and St. Paul, the other, St. Peter and St. Paul—the latter suspended by three small chains. These kinds of devices continued in fashion till a much later period, and a very curious example, from the collection of Lord Londesborough, which appears to have belonged to King James I., is here engraved.

In the past, it was common for princes and nobles to have intricate pieces of jewelry made in shapes that had religious and symbolic meanings. An inventory of the Dukes of Burgundy from 1396 mentions a fleur-de-lys that opened up and contained an image of the Crucifixion inside. In 1416, the Duke of Berri had "a beautiful apple" that opened, featuring the figure of Christ on one side and the Virgin on the other. Among the jewels of the Dukes of Burgundy in 1392, there were two gold pears, enamelled, each holding an image of Our Lady. Similar entries appear in other inventories from the Dukes of Burgundy: a silver apple, enamelled, containing a picture of St. Catherine in 1400; a gold pineapple with images of the birth of Christ and the three kings in 1467; and, in the same year, two gold apples—one with Our Lady and St. Paul on opposite halves, and the other with St. Peter and St. Paul, the latter hanging by three small chains. These kinds of items remained popular for a long time, and an interesting example from Lord Londesborough's collection, which seems to have belonged to King James I, is shown here.

The whole is of silver, and the leaves appear to have been painted green. On opening it we find in the inside the small skull here represented above the apple. The top of the skull opens like a lid, and inside are two small paintings, representing the Creation and the Resurrection, [Pg 457] with the inscription, "Post Mortem, vita eternitas." The external inscription is not gallant. To give the apple externally a more natural appearance, there are marks of two bites on the side opposite that here represented, showing a large and small set of teeth.

The whole object is made of silver, and the leaves look like they’ve been painted green. When we open it, we find a small skull inside, positioned above the apple. The top of the skull lifts off like a lid, revealing two small paintings that depict the Creation and the Resurrection, [Pg 457], with the inscription, "Post Mortem, vita eternitas." The inscription on the outside isn't very flattering. To make the apple look more natural, there are marks of two bites on the side opposite the one shown here, indicating both a large and small set of teeth.

STRANGE CURIOSITIES.

Weird wonders.

In the Anatomy Hall of Leyden is a drinking cup of the skull of a Moor, killed in the beleaguring of Haerlem. Also a cup made of a double brain pan. We observe also that No. 51 is the skin of a woman, and No. 52 the skin of a woman, prepared like leather; No. 53 the skin of a Malacca woman, above 150 years old, presented by Richard Snolk, who probably had her flayed.

In the Anatomy Hall of Leyden, there’s a drinking cup made from the skull of a Moor who died during the siege of Haarlem. There's also a cup made from a double brain case. We also note that No. 51 is the skin of a woman, and No. 52 is the skin of another woman, treated like leather; No. 53 is the skin of a Malacca woman, over 150 years old, donated by Richard Snolk, who likely had her skinned.

THE CROSS OF CONG.

THE CONG. CROSS

The cross, of which the following is a correct representation, possesses eminent claims to a place among our curiosities, since it constitutes the gem of the Museum of the Royal Irish Academy.

The cross, shown accurately below, has significant claims to being included among our curiosities, as it is the highlight of the Museum of the Royal Irish Academy.

Cross of Kong

This cross was made at Roscommon, by native Irishmen, about the year 1123, in the reign of Turlogh O'Connor, father of Roderick, the last monarch of Ireland, and contains what was supposed to be a piece of the true cross, as inscriptions in Irish, and Latin in the Irish character, upon two of its sides record. The engraving affords a correct idea of the original, as the extremely minute and elaborate ornaments with which it is completely covered, and a portion of which is worked in pure gold, could not possibly be expressed on so reduced a scale. The ornaments generally consist of tracery and grotesque animals fancifully combined, and similar in character to the decorations found upon crosses of stone of about the same period. A large crystal, through which a portion of the wood which the cross was formed to enshrine is visible, is set in the centre.

This cross was made in Roscommon by native Irish craftsmen around the year 1123, during the reign of Turlogh O'Connor, the father of Roderick, the last king of Ireland. It is said to contain a piece of the true cross, as inscribed in Irish and Latin on two of its sides. The engraving gives a good idea of the original, as the detailed and intricate decorations that cover it, with some portions worked in pure gold, can't be fully captured at such a small scale. The decorations mainly feature interlaced patterns and imaginative creatures, similar to those found on stone crosses from the same era. In the center, there's a large crystal that allows a glimpse of the wood that the cross was made to enshrine.

FOOT-RACING IN 1699.

Footrace in 1699.

A remarkable foot-race was run about the year 1699, which is thus described in the manuscript journal of a lady who was one of the spectators:—"I drove through the forest of Windsor to see a race run by two footmen, an English and a Scotch, the former a taller bigger man than the other. The ground measured and cut even in a round was about four miles; they were to run it round so often as to make up twenty-two miles, which was the distance between Charing Cross and [Pg 458] Windsor Cross, that is, five times quite round, and so far as to make up the odd miles and measure. They ran a round in twenty-five minutes. I saw them run the first three rounds and half another in an hour and seventeen minutes, and they finished it in two hours and a half. The Englishman gained the start the second round, and kept it at the same distance the five rounds, and then the Scotchman came up to him and got before him to the post. The Englishman fell down within a few yards of the post. Many hundred pounds were won and lost about it. They ran both very neatly, but my judgment gave it to the Scotchman, because he seemed to save himself to the last push."

A remarkable foot race took place around 1699, which is described in the manuscript journal of a lady who was one of the spectators:—"I drove through the Windsor Forest to watch a race between two footmen, one English and one Scottish, with the Englishman being a taller, bigger man. The track was evenly measured and about four miles around; they were supposed to run it enough times to cover a total of twenty-two miles, the distance between Charing Cross and [Pg 458] Windsor Cross, meaning they needed to go around five times and cover the additional distance to make up the full measure. They completed a lap in twenty-five minutes. I saw them run the first three laps and half of another in an hour and seventeen minutes, finishing the race in two hours and a half. The Englishman took the lead on the second lap and maintained that distance for all five laps, but then the Scotsman caught up and passed him before the finish. The Englishman fell just a few yards from the finish line. Hundreds of pounds were won and lost on the outcome. They both ran very well, but I felt the Scotsman deserved it because he seemed to save his energy for the final push."

THE CHERRY TREE.

THE CHERRY TREE.

The Cherry Tree was introduced into Great Britain before A.D. 53. The earliest mention of the fruit being exposed to sale by hawkers in London is in Henry the Fifth's reign, 1415. New sorts were introduced from Flanders, by Richard Haines, Henry the Eighth's fruiterer, and being planted in Kent were called "Flanders," or "Kentish Cherries," of which Gerard (1597) says, "They have a better juice, but watery, cold, and moist." Philips says, "There is an account of a cherry-orchard of thirty-two acres in Kent, which, in the year 1540, produced fruit that sold in those early days, for 1,000l.; which seems an enormous sum, as at that period good land is stated to have let at one shilling per acre." Evelyn tells us, that in his time (1662) an acre planted with cherries, one hundred miles from London, had been let at 10l. During the Commonwealth (1649), the manor and mansion of Henrietta Maria, Queen of Charles I., at Wimbledon, in Surrey, were surveyed previously to being sold, and it appears that there were upwards of two hundred cherry trees in the gardens. Since that time the cherry tree has found universal admission into shrubberies, gardens, and orchards.

The cherry tree was brought to Great Britain before CE 53. The earliest record of the fruit being sold by hawkers in London dates back to the reign of Henry the Fifth in 1415. New varieties were introduced from Flanders by Richard Haines, Henry the Eighth's fruit seller, and were planted in Kent, where they were called "Flanders" or "Kentish Cherries." Gerard (1597) notes, "They have a better juice, but are watery, cold, and moist." Philips mentions, "There is an account of a cherry orchard of thirty-two acres in Kent that, in the year 1540, produced fruit that sold for 1,000l. at that time, which seems like an enormous amount, as good land was renting for one shilling per acre." Evelyn tells us that in his time (1662), an acre of cherry trees, located one hundred miles from London, was rented for 10l. During the Commonwealth (1649), the manor and house of Henrietta Maria, Queen of Charles I, in Wimbledon, Surrey, were surveyed before being sold, and it was found that there were over two hundred cherry trees in the gardens. Since then, the cherry tree has become widely accepted in shrubberies, gardens, and orchards.

INSTRUCTIONS TO A CHAPLAIN.

Instructions for a Chaplain.

The following, and we believe they are unique, are Sir John Wynne of Gwedir's instructions to his chaplain, the Rev. John Pryce. "First, you shall have the chamber I showed you in my gate, private to yourself, with lock and key, and all necessaries. In the morning, I expect you should rise, and say prayers in my hall, to my household below, before they go to work, and when they come in at night, that you call before you all the workmen, specially the youth, and take account of them of their belief, and of what Sir Meredith taught them. I beg you to continue for the most part in the lower house: you are to have onlye what is done there, that you may inform me of any disorder there. There is a bayliff of husbandry and a porter, who will be commanded by you. The morning after you be up, and have said prayers, as afore, I would you to bestow in study on any commendable exercise of your body. Before dinner you are to come up and attend grace or prayers, if there be any publicke; and to sit up if there be not greater strangers above the chyldren, who you are to teach in your own chamber. When the table from half downwards is taken up, then you are to rise and to [Pg 459] walk in the alleys near at hand until grace time, and to come in then for that purpose. After dinner, if I be busy, you may go to bowles, shuffel bord, or any other honest, decent recreation, until I go abroad. If you see me void of business, and go to ride abroad, you shall command a gelding to be made ready by the grooms of the stable, and to go with me. If I go to bowles or shuffel bord, I shall lyke of your company, if the place be not made up with strangers. I would have you to go every Sunday in the year to some church hereabouts, to preache, giving warnynge to the parish, to bring the yowths at after noon to the church to be catechysed; in which poynt is my greatest care that you should be paynfull and dylygent. Avoyd the alehouse, to sytte and keepe drunkard's company ther, being the greatest discredit your function can have."

The following, which we believe to be unique, are Sir John Wynne of Gwedir's instructions to his chaplain, the Rev. John Pryce. "First, you will have the private chamber I showed you at my gate, complete with a lock and key, and all necessities. In the morning, I expect you to rise and say prayers in my hall for my household below, before they start work. In the evenings, when they return, you should gather all the workers, especially the young ones, and check on their beliefs and what Sir Meredith taught them. I ask you to mainly stay in the lower house; you are to focus on what happens there, so you can inform me of any disorder. There is a bailiff of husbandry and a porter who will take orders from you. The morning after you rise and have said prayers, as mentioned before, I want you to spend time studying or engaging in any worthwhile physical activity. Before dinner, you should come up for grace or prayers, if there are any public ones; and sit up if there aren’t greater strangers than the children, whom you will teach in your own chamber. When the table is cleared from halfway down, you should get up and walk in the nearby alleys until it's time for grace, and then return for that purpose. After dinner, if I’m busy, you may go play bowls, shuffleboard, or any other respectable recreation until I go out. If you see me free and I decide to ride out, you should have a gelding made ready by the grooms in the stable to accompany me. If I go to play bowls or shuffleboard, I would appreciate your company, provided the place isn't crowded with strangers. I want you to go to some church in the area every Sunday of the year to preach, giving the parish notice to bring the youths in the afternoon for catechism; my greatest concern is that you should be diligent and attentive in this matter. Avoid the alehouse; sitting and keeping company with drunks is the greatest discredit your role can have."

TWO MISERS.

TWO CHEAPSKATES.

In the year 1778 died, at a village near Reading, John Jackson, aged ninety-three, and James Jackson, aged eighty-seven. These two brothers were old bachelors, and afforded a striking instance of the insufficiency of wealth to create happiness. Though these old men had been blest with great riches ever since they were twenty years of age, they absolutely denied themselves the common necessaries of life; and lived in the village for fifty years past as poor men, and often accepted of charity from rich persons who resided near them. They never suffered any woman or man to come into their apartment (which was only one shabby room), and were both taken ill, and languishing a short time, they expired on the same day, within one hour of each other. It is computed, by the writings left behind them, that they died worth £150,000.

In 1778, John Jackson, aged ninety-three, and James Jackson, aged eighty-seven, died in a village near Reading. These two brothers were old bachelors and were a clear example of how wealth doesn’t guarantee happiness. Although they had been blessed with significant riches since they were twenty, they completely denied themselves basic necessities and lived in the village for the last fifty years as if they were poor, often accepting charity from wealthy neighbors. They never allowed anyone, whether a man or a woman, into their apartment, which was just one rundown room. After a short illness, they both passed away on the same day, within an hour of each other. It’s estimated, based on their writings, that they died with a net worth of £150,000.

ANECDOTE OF THE HOUSE OF BRUNSWICK.

ANECDOTE OF THE HOUSE OF BRUNSWICK.

The following anecdote relating to the august House of Brunswick is taken from the "Annual Register" of 1765:—"The late Duchess of Blakenburgh, great grandmother to the hereditary prince, who died some years since in a very advanced age, had the singular happiness to reckon amongst her posterity, sixty-two princes and princesses; (fifty-three of whom she saw at one time alive;) and amongst them three emperors, two empresses, two kings, and two queens; a circumstance that, probably, no sovereign house but that of Brunswick ever produced anything like it."

The following anecdote about the prestigious House of Brunswick is taken from the "Annual Register" of 1765:—"The late Duchess of Blakenburgh, great-grandmother to the hereditary prince, who died a few years ago at a very old age, had the unique joy of counting sixty-two princes and princesses among her descendants; (fifty-three of whom she saw alive at one time); and among them were three emperors, two empresses, two kings, and two queens; a situation that likely, no royal family aside from the Brunswick ever achieved anything comparable."

AMUSEMENTS OF SOME LEARNED AUTHORS.

Writings of Some Educated Authors.

Tycho Brahe polished glass for spectacles, and made mathematical instruments. D'Andilly delighted, like our Evelyn, in forest-trees; Balzac, with the manufacturing of crayons; Pieresc, with his medals and antiques; the Abbé de Marolles, with engravings; Rohault's greatest recreation was in seeing different mechanics at their labour; Arnauld read the most trashy novels for relaxation; as did our Warburton, the late Lords Loughborough and Camden; Montaigne fondled his cat; Cardinal Richelieu, in jumping and leaping. Grumm informs us that the Chevalier de Boufflers would crow like a cock, and bray like an ass; in both of which he excelled, not metaphorically but literally.

Tycho Brahe ground glass for glasses and created mathematical tools. D'Andilly enjoyed, like our Evelyn, the beauty of trees; Balzac was into making crayons; Pieresc collected medals and antiques; the Abbé de Marolles loved engravings; Rohault's favorite pastime was observing different mechanics at work; Arnauld relaxed by reading the most mindless novels, just like our Warburton, the former Lords Loughborough and Camden; Montaigne played with his cat; Cardinal Richelieu was known for jumping and leaping. Grumm tells us that the Chevalier de Boufflers would crow like a rooster and bray like a donkey; he excelled in both, not just figuratively but literally.

EARLY GERMAN DRINKING CUP.

Early German Drinking Cup.

Early German Drinking Cup

The above, taken from the Londesborough collection, is a good example of the German drinking cups of fanciful shape, which were so much in fashion in that country in the sixteenth and seventeenth centuries. The specimen before us is of silver, and dated 1619. The mill and scroll ornament on the cup are gilt. It was held in the hand to be filled, and could not be set down until emptied; the drinker, blowing through the tube into the mill, set the sails in motion, and reversed the cup on the table.

The above, taken from the Londesborough collection, is a great example of the uniquely designed German drinking cups that were trendy in Germany during the sixteenth and seventeenth centuries. This particular piece is made of silver and is dated 1619. The mill and scroll design on the cup are gold-plated. It was meant to be held in hand while being filled and couldn't be set down until it was finished; the drinker could blow through the tube into the mill to make the sails turn and then flipped the cup over on the table.

THE KING'S STONE.

THE KING'S STONE.

King's Stone

Kingston-on-Thames is among the oldest of English towns; and is said to have been "the metropolis of the Anglo-Saxon kings:" certainly it was a famous place when the Romans found and conquered the Britons in this locality: there are indeed arguments for believing that the "ford" which Cæsar crossed was here, and not at Walton; and indications of barrows, fosses, and ramparts of Roman origin, are to be found in many places in the neighbourhood. It is more than probable that a bridge was constructed by the Romans here, and that a fortress was erected for its protection. The Saxons followed in due course, and here they had many contests with their enemies the Danes; but A.D. 838, Egbert convened at Kingston an assembly of ecclesiastics and nobles in council, and here, undoubtedly, many of the Saxon kings were crowned: "The townish men," says Leland, "have certen knowledge that a few kinges were crounid afore the Conqueste." Its first charter was from King John, and many succeeding sovereigns accorded to it various grants and immunities. During the war between Charles I. and the Parliament, Kingston was the scene of several "fights," being always on the side of the king. The town is now populous and flourishing, although without manufactures of any kind. Since the establishment of a railway, villa residences have largely increased in the neighbourhood; and the two suburbs, Surbiton and Norbiton, are pretty and densely-crowded villages of good houses. [Pg 462] The church has suffered much from mutilation and restoration; it is a spacious structure, and was erected about the middle of the fourteenth century, on the site of an earlier edifice. Amongst the monuments is a fine brass, to a civilian and his wife, of the year 1437. Of existing antiquities there are but few: county historians, however, point out the sites of the ancient Saxon palace, "the castle," the Jews' quarter, and the Roman town, Tamesa; and the game of "foot-ball," it is said, is still practised by the inhabitants on Shrove Tuesday, in commemoration of the feats of their ancestors, by whom the head of a king-assassin was "kicked" about the town. But perhaps the most interesting object now to be found in Kingston is "The King's Stone." It had long remained neglected, though not unknown, among disregarded heaps of débris in "the new court-yard," when it occurred to some zealous and intelligent antiquaries that so venerable a relic of remote ages was entitled to some show of respect. It was consequently removed from its degraded position, planted in the centre of the town, and enclosed by a "suitable" iron railing. It is now, therefore, duly and properly honoured, as may be seen by the preceding engraving.

Kingston-on-Thames is one of the oldest towns in England and is said to have been "the capital of the Anglo-Saxon kings." It was already a well-known place when the Romans arrived and conquered the Britons here. There are indeed compelling reasons to believe that the "ford" crossed by Caesar was located here, not at Walton, and you can find remains of burial mounds, ditches, and ramparts of Roman origin scattered throughout the area. It’s very likely that the Romans built a bridge here and established a fortress for protection. The Saxons came later, and they engaged in many battles with their enemies, the Danes. In A.D. 838, Egbert gathered an assembly of clergy and nobles in Kingston, where many Saxon kings were certainly crowned. "The local men," says Leland, "know for certain that a few kings were crowned before the Conquest." The town received its first charter from King John, and many later monarchs granted it various privileges. During the war between Charles I and Parliament, Kingston was the site of several battles, always siding with the king. Today, the town is bustling and thriving, even without any manufacturing. Since the introduction of the railway, many villa residences have been established in the surrounding area, and the two suburbs, Surbiton and Norbiton, are charming and densely populated villages of quality homes. The church has undergone significant damage and restoration; it is a large structure built around the mid-fourteenth century, on the site of an earlier church. Among the monuments is a notable brass plaque honoring a civilian and his wife from the year 1437. There are few remaining antiquities, but local historians point out the locations of the ancient Saxon palace, "the castle," the Jewish quarter, and the Roman town of Tamesa. It is said that the game of "football" is still played by the locals on Shrove Tuesday, in memory of the extraordinary feats of their ancestors, who would "kick" the head of a king-assassin around the town. However, perhaps the most interesting object now in Kingston is "The King's Stone." It had long been neglected, lying among piles of debris in "the new courtyard," until some passionate and knowledgeable antiquarians realized that such a historic relic deserved better treatment. It was then moved from its shabby location, set up in the center of town, and surrounded by a "suitable" iron railing. It is now properly honored, as can be seen in the preceding engraving.

TRANCE AT WILL.

Mindfulness on Demand.

Colonel Townsend possessed the remarkable faculty of throwing himself into a trance at pleasure. The heart ceased apparently to throb at his bidding, respiration seemed at an end, his whole frame assumed the icy chill and rigidity of death; while his face became colourless and shrunk, and his eye fixed, glazed, and ghastly. His mind itself ceased to manifest itself, for during the trance it was as utterly devoid of consciousness as his body of animation. In this state he would remain for hours, when these singular phenomena wore away, and he returned to his usual condition. Medical annals furnish no parallel to this extraordinary case. Considered whether in a physiological or metaphysical point of view, it is equally astonishing and inexplicable.

Colonel Townsend had the incredible ability to put himself into a trance at will. His heart would seemingly stop beating at his command, breathing appeared to cease, and his entire body would take on the coldness and stiffness of death; his face became pale and sunken, and his eyes were fixed, blank, and ghostly. His mind also stopped showing any activity, as during the trance it was completely unconscious, just like his body was without life. He could stay in this state for hours, until these strange phenomena dissipated, and he returned to his normal self. Medical records offer no comparison to this unusual case. Whether looked at from a physiological or metaphysical perspective, it is both astonishing and puzzling.

DESTRUCTIVE FORCE OF RATS.

Rats: A Destructive Force.

The amount of destructive force possessed by rats cannot be better exemplified than in the report given to the French Government, relating to the removal of the horse slaughter-houses, situated at Montfaucon, to a greater distance from Paris; one great objection being the disastrous consequences which might accrue to the inhabitants of the neighbourhood, if these voracious creatures were suddenly deprived of their usual sustenance. It is well known that the mischief which they occasion is not confined to what they eat; but they undermine houses, burrow through dams, destroy drains, and commit incalculable havoc in every place and in everything.

The extent of damage caused by rats can be best illustrated by a report presented to the French Government regarding the relocation of the horse slaughterhouses from Montfaucon to a greater distance from Paris. One major concern was the potential disastrous impact on local residents if these voracious creatures were suddenly cut off from their usual food supply. It's widely recognized that the trouble they cause goes beyond just what they consume; they undermine buildings, burrow through dams, destroy drainage systems, and wreak havoc everywhere they go.

The report states, that the carcases of horses killed one day, and amounting to thirty-five, would be found the next morning with the bones picked clean. A person of the name of Dusaussois, belonging to the establishment, made this experiment. A part of his yard was enclosed by solid walls, at the foot of which, several holes were made for the entrance and exit of the rats. Into this enclosure he put the bodies [Pg 463] of three horses, and in the middle of the night he stopped up all the holes as quietly as he could; he then summoned several of his workmen, and each, armed with a torch and a stick, entered the yard, and carefully closed the door. They then commenced a general massacre; in doing which, it was not necessary to take aim, for wherever the blow fell it was sure to knock over a rat, none being allowed to escape by climbing over the walls. This experiment was repeated at intervals of a few days, and at the end of a month, 16,050 rats had been destroyed. In one night they killed 2,650; and yet this cannot give an entirely adequate idea of their number, for the yard in question did not cover more than a twentieth part of the space allotted to killing horses. The rats in this place have made burrows for themselves, like catacombs; and so great is their number, that they have not found room close by the slaughter-houses. They have gone farther; and the paths to and from their dwellings may be traced across the neighbouring fields.

The report says that the carcasses of thirty-five horses killed one day were found the next morning with their bones picked clean. A person named Dusaussois, who worked for the establishment, conducted this experiment. A part of his yard was surrounded by solid walls, and several holes were made for rats to come in and out. He placed the bodies of three horses in this enclosed area, then quietly blocked all the holes in the middle of the night. He called several of his workers, each armed with a torch and a stick, to enter the yard and carefully close the door. They then started a general slaughter; it wasn’t necessary to aim because wherever they struck, they would hit a rat, with no one able to escape over the walls. This experiment was repeated every few days, and after a month, they had killed 16,050 rats. In just one night, they killed 2,650, and this still doesn’t fully capture their number, as the yard was only a twentieth of the space used for killing horses. The rats had created burrows for themselves like catacombs; there were so many of them that they had to go further away from the slaughterhouses. Their paths to and from their homes could be seen across the neighboring fields.

ORDEAL OF THE CROSS.

CROSS CHALLENGE.

When a person accused of any crime had declared his innocence upon oath, and appealed to the cross for its judgment in his favour, he was brought into the church before the altar. The priest previously prepared two sticks exactly like one another, upon one of which was carved a figure of the cross. They were both wrapped up, with great care and many ceremonies, in a quantity of fine wool, and laid upon the altar, or on the relics of the saints. A solemn prayer was then offered up to God, that he would be pleased to discover, by the judgment of his holy cross, whether the accused person were innocent or guilty. A priest then approached the altar, and took up one of the sticks, and the assistants unswathed it reverently. If it was marked with the cross, the accused person was innocent; if unmarked, he was guilty. It would be unjust to assert, that the judgments just delivered were in all cases erroneous; and it would be absurd to believe that they were left altogether to chance. Many true judgments were doubtless given, and, in all probability, most conscientiously; for we cannot but believe that the priests endeavoured beforehand to convince themselves by strict inquiry and a strict examination of the circumstances, whether the appellant were innocent or guilty, and that they took up the crossed or uncrossed stick accordingly. Although, to all other observers, the sticks, as enfolded in the wool, might appear exactly similar, those who enwrapped them could, without any difficulty, distinguish the one from the other.

When a person accused of a crime declared their innocence under oath and called upon the cross for its judgment in their favor, they were brought into the church before the altar. The priest had prepared two identical sticks, one of which had a figure of the cross carved on it. Both sticks were carefully wrapped in fine wool with many ceremonies and placed on the altar or on the relics of the saints. A solemn prayer was then offered to God, asking Him to reveal through the judgment of His holy cross whether the accused was innocent or guilty. A priest would then approach the altar, pick up one of the sticks, and the assistants would unwrap it reverently. If it was marked with the cross, the accused was innocent; if not, they were guilty. It wouldn’t be fair to say that the judgments made were always wrong, and it would be silly to think they were completely left to chance. Many true judgments were undoubtedly given, and most likely done with care; we must believe that the priests tried hard to confirm by thorough inquiry and examination of the circumstances whether the appellants were innocent or guilty, and that they chose the crossed or uncrossed stick accordingly. Although the sticks might look exactly the same to outside observers as they were wrapped in wool, those who wrapped them could easily tell the difference.

KING JOHN AND POPE INNOCENT.

King John and Pope Innocent.

When Cardinal Langton was made Archbishop of Canterbury, by the intrigues of the Pope, whose creature he was, in despite of King John, to appease the latter, his Holiness presented him with four gold rings, set with precious stones, and enhanced the value of the gift (mark that, jewellers!) by informing him of the many mysteries implied in it. He begged of him (John) to consider seriously the form of the rings, their number, their matter, and their colour. Their form, he said, being round, shadowed out eternity, which had neither beginning nor end, [Pg 464] and he ought thence to learn the duty of aspiring from earthly objects to heavenly, from things temporal to things eternal. The numbers four, being a square, denoted steadiness of mind, not to be subverted either by prosperity or adversity, fixed for ever in the basis of the four cardinal virtues. Gold, which is the matter, being the most precious of metals, signified wisdom, which is the most precious of all accomplishments, and justly preferred by Solomon to riches, power, and all exterior attainments. The blue colour of the sapphire represented faith; the verdure of the emerald hope; the richness of the ruby charity; and the splendour of the topaz good works.

When Cardinal Langton became Archbishop of Canterbury, thanks to the Pope's influence—who he was basically a pawn of—despite King John’s objections, the Pope gifted him four gold rings adorned with precious stones, highlighting the significance of this gift (note that, jewelers!) by explaining the many meanings behind it. He urged King John to thoughtfully consider the shape of the rings, their quantity, their material, and their color. He explained that their shape, being round, represented eternity, which has no beginning or end, [Pg 464] and from this, John should learn the importance of moving from earthly concerns to heavenly ones, from temporary things to eternal truths. The number four, representing a square, symbolized a steady mind that cannot be swayed by either success or failure, grounded forever in the foundation of the four cardinal virtues. The gold, which is the material, being the most valuable of metals, represented wisdom, considered the most precious of all traits, and rightly valued by Solomon above wealth, power, and all external gains. The blue color of the sapphire stood for faith; the green of the emerald symbolized hope; the richness of the ruby represented charity; and the brilliance of the topaz represented good deeds.

DRUID'S SEAT.

DRUID'S SEAT.

Druid's Seat

The singular pile of stones which we have sketched here is popularly called the "Druid's Judgment Seat," and stands near the village of Killiney, not far from Drogheda, near the Martello Tower. It was formerly enclosed within a circle of great stones and a ditch. The former has been destroyed, and the latter so altered that little of its ancient character remains. The "Seat" is composed of large, rough, granite blocks, and if really of the period to which tradition refers it, an unusual degree of care must have been exercised for its preservation. The following are its measurements: Breadth, at the base, eleven feet and a half; depth of the seat, one foot nine inches; extreme height, seven feet.

The single pile of stones we’ve described here is commonly known as the "Druid's Judgment Seat" and is located near the village of Killiney, not far from Drogheda, close to the Martello Tower. It used to be surrounded by a circle of large stones and a ditch. The circle has been destroyed, and the ditch has been modified so much that hardly any of its original character remains. The "Seat" is made of big, rough granite blocks, and if it really dates back to the era that tradition suggests, a significant effort must have been made to preserve it. Here are its measurements: Width at the base is eleven and a half feet; depth of the seat is one foot nine inches; total height is seven feet.

BOOTS AN OBJECT OF HONOUR.

Boots as a symbol of honor.

Among the Chinese no relics are more valuable than the boots which have been worn by an upright magistrate. In Davis's interesting description of the empire of China, we are informed, that whenever a judge of unusual integrity resigns his situation, the people all congregate to do him honour. If he leaves the city where he has presided, the crowd accompany him from his residence to the gates, where his boots are drawn off with great ceremony, to be preserved in the hall of justice. Their place is immediately supplied by a new pair, which, in their turn, are drawn off to make room for others before he has worn them five minutes, it being considered sufficient to consecrate them that he should have merely drawn them on.

Among the Chinese, no relics are more valuable than the boots worn by an honorable magistrate. In Davis's fascinating description of the empire of China, we learn that whenever a judge of exceptional integrity steps down from his position, the people gather to honor him. If he leaves the city where he served, the crowds accompany him from his home to the gates, where his boots are ceremoniously removed and preserved in the hall of justice. They are immediately replaced with a new pair, which, in turn, are taken off to make way for others before he has even worn them for five minutes, as it is considered enough for them to be consecrated simply by being put on.

SAINT LAWRENCE.

ST. LAWRENCE.

In the south aisle of the church at Tuxford, beneath a flowery arch is a very rude relief of St. Lawrence placed on the gridiron. By him is a fellow with a pair of bellows, blowing the fire, and the executioner [Pg 465] going to turn him. The zealous Fox, in his "Martyrology," has this very thought, and makes the martyr say, in the midst of his sufferings, "This side is now roasted; turn me, O tyrant dear."

In the south aisle of the church in Tuxford, beneath a decorative arch, there’s a rather crude relief of St. Lawrence on a gridiron. Next to him is someone with a pair of bellows, stoking the fire, and the executioner is about to turn him. The passionate Fox, in his "Martyrology," captures this idea, making the martyr say, amid his pain, "This side is now roasted; turn me, dear tyrant."

PARIS GARDEN AT BLACKFRIARS.

Blackfriars Paris Garden.

Paris Garden at Blackfriars

The Blackfriar's Road now passes over the site of Paris Garden where, in the sixteenth century, bear and bull-baiting rejoiced the citizens, the gala days being usually Sundays. Our cut is copied from the rare woodcut map in the time of Henry VIII., in the library at Guildhall, and exhibits in the foreground the kennels for the dogs, and the tanks in which they were washed. A graphic description of the place has been left by Paul Hentzner, a German, who visited it in 1598. He says it was "built in the form of a theatre, for the baiting of bulls and bears: they are fastened behind, and then worried by great English bull-dogs; but not without great risk to the dogs, from the horns of the one and the teeth of the other; and it sometimes happens they are killed upon the spot: fresh ones are immediately supplied in the place of those that are wounded or tired. To this entertainment there often follows that of whipping a blinded bear, which is performed by five or six men, standing circularly with whips, which they exercise upon him without any mercy, as he cannot escape from them because of his chain. He defends himself with all his force and skill, throwing down all who come within his reach, and are not active enough to get out of it, and tearing the whips out of their hands, and breaking them. At these spectacles, and everywhere else, the English are constantly smoking tobacco. Fruits, such as apples, pears, and nuts, according to the season, are carried about to be sold, as well as ale and wine."

The Blackfriar's Road now crosses the site of Paris Garden where, in the sixteenth century, bear and bull-baiting entertained the locals, usually on Sundays. Our image is based on a rare woodcut map from the time of Henry VIII, found in the Guildhall library, showing the dog kennels and the tanks where they were washed. Paul Hentzner, a German visitor in 1598, left a vivid description of the place. He said it was "built like a theater for bull and bear baiting: the animals are tied up and then attacked by large English bulldogs; but it’s quite risky for the dogs due to the horns of the bulls and the teeth of the bears, and sometimes they are killed on the spot: fresh dogs are quickly brought in to replace the injured or exhausted ones. This entertainment is often followed by the cruel sport of whipping a blindfolded bear, performed by five or six men standing in a circle, mercilessly striking him while he can’t escape because of his chain. He fights back as much as he can, knocking down anyone who gets too close and tearing the whips from their hands, breaking them. At these shows, and everywhere else, the English are always smoking tobacco. Fruits like apples, pears, and nuts are sold depending on the season, along with ale and wine."

CANVASS OF AN INSURANCE AGENT.

INSURANCE AGENT CANVASS.

The Manchester agent of an Insurance Company, gives the following curious results of a personal canvass at 1,349 houses, in seventy streets [Pg 466] in the district of Hulme and Charlton, chiefly rentals from £12 to £24 per annum. The inquiry showed that there were 29 insured; 8 persons too old; 11 who never heard of life assurances, and who were anxious to have it explained to them; 471 who had heard of it, but did not understand it; 419 who were disinclined to assure; 19 favourable, if their surplus incomes were not otherwise invested; 89 persons who had it under consideration, with a view to assure, as soon as their arrangements were completed, and who appointed times for the agent to call again; 21 refused the circulars, or to allow an explanation; 175 doors not answered; 102 houses empty; 3 had sufficient property not to require it; 1 favourable, but afraid of litigation; 1 preferred the saving's bank; 1 used abusive language; 2 would trust their families to provide for themselves; and 1 had been rejected by an office, although he never was unwell, and was consequently afraid to try again, although very anxious.

The Manchester representative of an insurance company reported some interesting findings from a survey of 1,349 homes across seventy streets in the Hulme and Charlton areas, primarily with rents ranging from £12 to £24 per year. The inquiry revealed that there were 29 people insured; 8 individuals were too old; 11 had never heard of life insurance and wanted a clearer explanation; 471 had heard of it but didn’t understand it; 419 were unwilling to get insured; 19 would consider it if their extra income wasn’t invested elsewhere; 89 were considering it and set up times for the agent to come back once their plans were in place; 21 refused the brochures or any explanations; 175 doors were unanswered; 102 homes were vacant; 3 had enough assets not to need it; 1 was open to it but fearful of legal issues; 1 preferred a savings bank; 1 used offensive language; 2 believed their families could manage on their own; and 1 had been turned down by a company despite never having been sick, and was thus scared to try again, even though he was eager to get insured.

TERRA-COTTA WRITINGS.

TERRACOTTA WRITINGS.

The Assyrians, unlike any other nation of antiquity, employed pottery for the same objects, and to the same extent as papyrus was used in Egypt. Thus bulletins recording the king's victories, and even the annals of his reign, were published on terra-cotta cylinders, shaped like a rolling-pin, and usually hollow, and on hollow hexagonal prisms. These are of a remarkably fine material, sometimes unpolished or unglazed, and at others covered with a vitreous siliceous glaze, or white coating. On the cylinders the inscriptions are engraved lengthwise; on the prisms they are in compartments on each face. Each wedge is about one-eighth of an inch long, and the complicity with which the characters (a cuneiform writing-hand) are arranged is wonderful, and renders them extremely difficult for a tyro to read. Those hitherto published or known, contain the annals of the reign of Sennacherib, and the précis of the reign of another king.

The Assyrians, unlike any other ancient civilization, used pottery for the same purposes and to the same extent that papyrus was used in Egypt. As a result, they published bulletins recording the king's victories and even records of his reign on terra-cotta cylinders that resembled rolling pins and were typically hollow, as well as on hollow hexagonal prisms. These pieces are made from an exceptionally fine material, sometimes unpolished or unglazed, while other times they are covered with a glassy or white finish. On the cylinders, the inscriptions are engraved lengthwise; on the prisms, they are arranged in sections on each face. Each wedge is about one-eighth of an inch long, and the complexity of the arrangement of the characters (in cuneiform writing) is remarkable, making them incredibly difficult for beginners to read. The ones that have been published or are known so far include the records of Sennacherib's reign and a summary of another king's reign.

There are the Shergat cylinder, containing the History of Tiglath Pileser; a cylinder of Sargon; Sennacherib's cylinders; Esarhaddon's cylinder.

There are the Shergat cylinder, containing the History of Tiglath Pileser; a cylinder of Sargon; Sennacherib's cylinders; Esarhaddon's cylinder.

Sales of land and other title-deeds were also incised on pieces of this polished terra-cotta, and, in order to prevent any enlargement of the document, a cylinder was run round the edges, leaving its impression in relief; or if the names of witnesses were affixed, each impressed his oval seal on the wet terra-cotta, which was then carefully baked in the kiln. The celebrated cylinders of carnelian, chalcedony, and other substances, were in fact the official or private seals by which the integrity of these documents was attested. These title-deeds are portable documents of four or five inches square, convex on each side, and occasionally also at the edges. Their colour varies, being a bright polished brown, a pale yellow, and a very dark tint, almost black. The paste of which they are made is remarkably fine and compact. The manner in which the characters were impressed on the terra-cotta barrels and cylinders is not known; those on the bricks used for building were apparently stamped from a mould, but those on the deeds and books were separately incised, perhaps with a prismatic stick, or rod, or, as others have conjectured, [Pg 467] with the edge of a square rod of metal. In some instances, where this substance was used for taking accounts, it seems just possible that the moist clay, rolled up like paste, may have been unrolled and incised with rods. The characters are often so beautifully and delicately made, that it must have required a finely constructed tool to produce them.

Sales of land and other title deeds were also carved into pieces of this polished clay, and to prevent any alteration of the document, a cylinder was run around the edges, leaving a raised impression; or if witness names were added, each person impressed their oval seal on the wet clay, which was then carefully baked in the kiln. The renowned cylinders made of carnelian, chalcedony, and other materials were essentially the official or private seals that confirmed the authenticity of these documents. These title deeds are portable documents about four or five inches square, slightly rounded on each side, and sometimes also at the edges. Their color ranges from a bright polished brown to a pale yellow and a very dark shade, almost black. The material they are made from is exceptionally fine and compact. It's unclear how the characters were impressed on the clay barrels and cylinders; those on the bricks used for construction were likely stamped from a mold, while those on the deeds and books were probably carved individually, possibly using a prismatic stick or rod, or, as others have suggested, with the edge of a square metal rod. In some cases, when this material was used for accounts, it seems plausible that the moist clay, rolled up like dough, may have been flattened and carved with rods. The characters are often so beautifully and delicately crafted that it must have required a finely made tool to create them.

Some small fragments of a fine reddish-grey terra-cotta which have been found among the ruins, appear to contain calculations or inventories, whilst others are perhaps syllabaries or vocabularies, to guide the Assyrian readers of these difficult inscriptions. A large chamber, or library, of these archives, comprising histories, deeds, almanacks, and spelling-books, was found in the palace of Sennacherib at Kouyunjik. It is supposed that altogether about 20,000 of these clay tablets or ancient books of the Assyrians, containing the literature of the country, have been discovered. Some of the finer specimens are covered with a pale straw-covered engobe, over which has been thrown a glaze. Some horoscopes have been already found on stone, and careful examination has now detected the records of some astronomer royal of Babylon or Nineveh inscribed on a brick. Thus, while the paper and parchment learning of the Byzantine and Alexandrian schools has almost disappeared after a few centuries, the granite pages of Egypt, and the clay leaves of Assyria, have escaped the ravages of time and the fury of barbarism.

Some small pieces of fine reddish-grey terra-cotta found among the ruins seem to hold calculations or inventories, while others may be syllabaries or vocabularies aimed at helping Assyrian readers with these challenging inscriptions. A large chamber, or library, containing these archives, which include histories, records, calendars, and spelling books, was discovered in the palace of Sennacherib at Kouyunjik. It's estimated that around 20,000 of these clay tablets or ancient Assyrian books, holding the nation's literature, have been unearthed. Some of the more exquisite examples are coated with a pale straw-colored slip and topped with a glaze. A few horoscopes have already been found on stone, and meticulous examination has revealed records from a royal astronomer of Babylon or Nineveh inscribed on a brick. Thus, while the learning in paper and parchment from the Byzantine and Alexandrian schools has largely faded after just a few centuries, the granite pages of Egypt and the clay tablets of Assyria have withstood the passage of time and the destruction of barbarism.

In Egypt some receipts and letters have been discovered written on fragments of tile, and on the fine porcelain of the Chinese are often found extracts of biographical works, snatches of poetry, and even whole poems; but the idea of issuing journals, title-deeds, inventories, histories, prayers, and poems, not from the press, but from the kiln, is startling in the nineteenth century.

In Egypt, some receipts and letters have been found written on broken pieces of tile, and on fine Chinese porcelain, you often find excerpts from biographies, bits of poetry, and even entire poems; however, the concept of producing journals, title deeds, inventories, histories, prayers, and poems from the kiln instead of the press is quite shocking in the nineteenth century.

WONDERFUL FORMATION OF THE EYE IN INSECTS.

WONDERFUL FORMATION OF THE EYE IN INSECTS.

The perfection which is bestowed on the organs of sense in insects, especially when we consider their minuteness, is calculated to fill us with adoring admiration of the skill of "the Great Workmaster." Take an example from the eyes, which are of several kinds, evidently designed for distinct modes of vision, of which we, who have but one sort of eyes, can form no adequate notion. The bee and many other insects have on the crown of the head a number, usually three, of simple glassy eyes, set like "bull's-eyes" in a ship's deck; and besides these a great compound eye on each side, consisting of a multitude of lenses aggregated together upon the same optic nerve. The microscope reveals to us that the compound eye of an ant contains fifty lenses; that of a fly, four thousand; that of a dragon-fly, twelve thousand; that of a butterfly, seventeen thousand; and that of a species of Mordella (a kind of beetle), the amazing number of twenty-five thousand. Every one of these regular, polished, and many-sided lenses; is the external surface of a distinct eye, furnished with its own iris and pupil, and a perfect nervous apparatus. It will thus be seen that each hexagonal facet forms a transparent horny lens, immediately behind which is a layer of pigment diminishing to a point in the centre, where it forms a pupil; that [Pg 468] behind this a long six-sided prism, answering to the crystalline and vitreous humours in the human eye, extends, diminishing to its lower extremity, where it rests upon the retina, or network expansion of the optic nerve. Some of the minuter details of this exquisite organisation are still matters of conflicting opinion; but these we omit, as our purpose is rather to convey to our readers a general idea of the structure of this complex organ of vision. "This also cometh forth from the Lord of Hosts, which is wonderful in counsel and excellent in working."

The perfection present in the sensory organs of insects, especially considering their small size, inspires us with deep admiration for the skill of "the Great Workmaster." For instance, take the eyes, which come in various types, clearly designed for different ways of seeing—something we, with our single type of eyes, can hardly comprehend. Bees and many other insects have a few simple, shiny eyes on the top of their heads, usually three, arranged like "bull's-eyes" on a ship's deck. In addition to these, they have a large compound eye on each side, made up of countless lenses grouped together on the same optic nerve. Microscopic examination shows that an ant's compound eye has fifty lenses, a fly's has four thousand, a dragonfly's has twelve thousand, a butterfly's has seventeen thousand, and a beetle species called Mordella boasts an astounding twenty-five thousand. Each of these perfectly shaped, polished, and multi-faceted lenses is actually the outer surface of a separate eye, complete with its own iris and pupil, as well as a full nervous system. Each hexagonal facet forms a clear, hard lens, just behind which is a layer of pigment tapering to a point in the center, creating a pupil; that [Pg 468] behind it is a long six-sided prism, resembling the crystalline and vitreous humors in the human eye, which narrows to its lower end, resting on the retina or the net-like expansion of the optic nerve. Some of the finer details of this intricate structure remain debated, but we will skip those as our goal is to give our readers a general understanding of this complex organ of vision. "This also comes from the Lord of Hosts, who is wonderful in counsel and excellent in working."

FIRST COIN WITH BRITANNIA ON IT.

FIRST COIN WITH BRITANNIA ON IT.

First Coin With Britannia on It

In process of clearing away the foundations of Old London Bridge many antiquities were discovered; it had been the great highway over the Thames from the Roman era, and numerous relics were obtained, varying in date from that period to our own. We here engrave such specimens of Roman coins that were found as belong to the Britannic series. The large central coin is one struck by Hadrian, and remarkable for the figure of Britannia, the first time impersonated as an armed female seated on a rock. It is the prototype of the more modern Britannia, reintroduced by Charles II., and which still appears on our copper money. The smaller coins are such as were struck, during the reign of Constantine the Great, in the City of London, and are marked with the letters P. LON., for "Pecunia Londinensis," money of London.

In the process of clearing the foundations of Old London Bridge, many artifacts were uncovered; it had been the main route over the Thames since the Roman era, and numerous relics were discovered, dating from that time to the present. Here, we depict some Roman coins found that belong to the Britannic series. The large central coin is one minted by Hadrian, notable for its depiction of Britannia, the first time represented as an armed woman seated on a rock. It is the predecessor of the more modern Britannia, reintroduced by Charles II., and which still appears on our copper coins. The smaller coins were minted during the reign of Constantine the Great in the City of London and are marked with the letters P. LON., which stand for "Pecunia Londinensis," meaning money of London.

EXTRAORDINARY FORMATION OF THE TWIN-WORM.

UNIQUE TWIN-WORM FORMATION.

An extraordinary creature was discovered by Dr. Nordman, infesting the gills of one of our commonest river fishes—Cyprinus Brama—and to which he gave the appropriate appellation of the Twin-worm (Diplozoon paradoxum). It is not more than one-fourth of an inch in length, but consists of two bodies, precisely resembling each other, united by a central band, exactly in the manner of the Siamese youths, whose exhibition excited so much attention in England and America a few years ago. We might have supposed that, like the human monstrosity in question, the Twin-worm was formed by the accidental union of two individuals, if abundant observation had not proved that this is the common mode of life belonging to the species.

An extraordinary creature was discovered by Dr. Nordman, infesting the gills of one of our most common river fish—Cyprinus Brama—and he named it the Twin-worm (Diplozoon paradoxum). It measures no more than a quarter of an inch in length, but consists of two identical bodies connected by a central band, much like the Siamese twins whose exhibition attracted so much attention in England and America a few years ago. We might have assumed that, like the human anomaly in question, the Twin-worm was formed by the accidental joining of two individuals, if extensive observation had not shown that this is the typical way of life for the species.

Each portion of the animal is complete in all its organs and economy; possessing its own sets of suckers, its own mouth, its own digestive canal, with its tree-like ramifications, its own perfect generative system, and [Pg 469] its own elaborate series of vascular canals,—every organ or set of organs in the one-half finding its exact counterpart in the other.

Each part of the animal is fully equipped with all its organs and functions; it has its own set of suckers, its own mouth, its own digestive system with its branching pathways, its own complete reproductive system, and [Pg 469] its own complex network of blood vessels—every organ or group of organs on one side has an exact match on the other.

It scarcely detracts from the marvellous character assumed by this "Twin-worm," that, according to recent observations, the two halves have already enjoyed a phase of existence as distinct individuals. The organic union, or "fusion" of two such individuals, is necessary to the development of the generative system, which, up to that event, is wanting in each constituent half.

It hardly takes away from the incredible nature of this "Twin-worm" that, based on recent observations, the two halves have previously lived as separate individuals. The biological union, or "fusion," of these two individuals is essential for the development of the reproductive system, which, until that point, is absent in each half.

MILL AT LISSOY.

Mill at Lissoy.

Mill at Lissoy

The above picturesque sketch represents the "busy mill" at Lissoy, better known as "Sweet Auburn—loveliest village of the plain"—the scene of Goldsmith's beautiful poem of the "Deserted Village." Lissoy, about six miles from Athlone, stands on the summit of a hill at the base of which is the mill that forms the subject of our sketch. The wheel is still turned by the water of a small rivulet, converted, now and then, by rains, into a sufficient stream. The mill is a mere country cottage, used for grinding the corn of the neighbouring peasantry, and retains many tokens of age. Parts of the machinery are, no doubt, above a century old, and are probably the very same that left their impress on the poet's memory.

The picturesque sketch above shows the "busy mill" at Lissoy, better known as "Sweet Auburn—loveliest village of the plain"—the setting of Goldsmith's beautiful poem "The Deserted Village." Lissoy, about six miles from Athlone, is located on top of a hill, with the mill at its base, which is the focus of our sketch. The wheel is still driven by the water from a small stream that sometimes turns into a decent flow after rains. The mill is a simple country cottage used for grinding the corn of local farmers, and it shows many signs of age. Some parts of the machinery are definitely over a century old and are likely the exact pieces that made an impression on the poet's memory.

A CASTLE BUILT FOR A GROAT.

A CASTLE BUILT FOR A GROAT.

The castle of Monkstown, near Cork, is reported by popular tradition to have been built in 1636, at the cost of only a groat. To explain the enigma, the following story is told:—Anastatia Goold, who had become the wife of John Archdeken, determined, while her husband was abroad, serving in the army of Philip of Spain, to give him evidence of her thrift on his return, by surprising him with a noble residence which he might call his own. Her plan was to supply the workmen with provisions and other articles they required, for which she charged the ordinary price; but, as she had made her purchases wholesale, upon balancing her accounts, it appeared that the retail profit had paid all the expenses of the structure except fourpence! The Archdekens were an Anglo-Irish family, who "degenerating" became "Hibernices quam Hiberniores"—more Irish than the Irish themselves—and assumed the name of Mac Odo, or Cody. They "forfeited," in 1688, having followed the fortunes of James II.

The castle of Monkstown, near Cork, is said by local legend to have been built in 1636 for just a groat. To explain this mystery, the following story is shared: Anastatia Goold, who had married John Archdeken, decided that while her husband was away serving in the army of Philip of Spain, she would surprise him with a grand home that he could call his own. Her plan was to provide the workers with food and other supplies they needed, charging them the usual prices; however, since she bought in bulk, when she tallied up her expenses, it turned out that the profit from those sales covered the entire cost of the construction except for fourpence! The Archdekens were an Anglo-Irish family that "degenerating" became "Hibernices quam Hiberniores"—more Irish than the Irish themselves—and took on the name Mac Odo, or Cody. They "forfeited" in 1688, having aligned themselves with the cause of James II.

BATTLE OF WATER-SNAKES.

BATTLE OF WATER SNAKES.

The following story is narrated by Mr. St. John, in his "Letters of an American Farmer." After describing the size and strength of some hemp-plants, around which a wild vine had formed natural arbours, he thus proceeds:—"As I was one day sitting, solitary and pensive, in this primitive arbour, my attention was engaged by a strange sort of rustling noise at some paces distance. I looked all around without distinguishing anything, until I climbed up one of my great hemp-stalks; when, to my astonishment, I beheld two snakes of a considerable length, the one pursuing the other with great celerity through a hemp-stubble field. The aggressor was of the black kind, six feet long; the fugitive was a water snake, nearly of equal dimensions. They soon met, and in the fury of their first encounter, appeared in an instant firmly twisted together; and whilst their united tails beat the ground, they mutually tried, with open jaws, to lacerate each other. What a fell aspect did they present! Their heads were compressed to a very small size; their eyes flashed fire; but, after this conflict had lasted about five minutes, the second found means to disengage itself from the first, and hurried towards the ditch. Its antagonist instantly assumed a new posture, and, half-creeping, half-erect, with a majestic mien, overtook and attacked the other again, which placed itself in a similar attitude, and prepared to resist. The scene was uncommon and beautiful; for, thus opposed, they fought with their jaws, biting each other with the utmost rage; but, notwithstanding this appearance of mutual courage and fury, the water snake still seemed desirous of retreating towards the ditch, its natural element. This was no sooner perceived by the keen-eyed black one, than, twisting its tail twice round a stalk of hemp, and seizing its adversary by the throat, not by means of its jaws, but by twisting its own neck twice round that of the water snake, he pulled it back from the ditch. To prevent a defeat, the latter took hold likewise of a stalk on the bank, and, by the acquisition of that point of resistance, became a match for his fierce antagonist. Strange was this to behold; two great snakes strongly [Pg 471] adhering to the ground, mutually fastened together by means of the writhings which lashed them to each other, and stretched at their full length; they pulled, but pulled in vain; and in the moments of greatest exertion, that part of their bodies which was entwined seemed extremely small, while the rest appeared inflated, and now and then convulsed with strong undulations rapidly following each other. Their eyes appeared on fire, and ready to start out of their heads. At one time the conflict seemed decided; the water snake bent itself into great folds, and by that operation rendered the other more than commonly outstretched; the next minute the new struggles of the black one gained an unexpected superiority; it acquired two great folds likewise, which necessarily extended the body of its adversary in proportion as it had contracted its own. These efforts were alternate; victory seemed doubtful, inclining sometimes to one side, sometimes to the other, until at last the stalk to which the black snake was fastened suddenly gave way, and, in consequence of this accident, they both plunged into the ditch. The water did not extinguish their vindictive rage, for by their agitations I could still trace, though I could not distinguish, their attacks. They soon reappeared on the surface, twisted together, as in their first onset; but the black snake seemed to retain its wonted superiority, for its head was exactly fixed above that of the other, which it incessantly pressed down under the water, until its opponent was stifled, and sank. The victor no sooner perceived its enemy incapable of further resistance, than, abandoning it to the current, it returned to the shore and disappeared."

The following story is told by Mr. St. John in his "Letters of an American Farmer." After describing the size and strength of some hemp plants, around which a wild vine created natural shelters, he continues:—"One day, while sitting alone and deep in thought in this primitive shelter, I was startled by a strange rustling noise a short distance away. I looked around but couldn't see anything until I climbed up one of my large hemp stalks. To my surprise, I spotted two fairly long snakes, one chasing the other quickly through a field of hemp stubble. The pursuer was a black snake, about six feet long, while the one fleeing was a water snake, nearly the same size. They soon met, and in the heat of their initial encounter, became tightly intertwined; while their tails thrashed against the ground, they tried to bite each other with their open jaws. They looked fierce! Their heads were compressed to a small size, and their eyes seemed to blaze with fire. After about five minutes of fighting, the water snake managed to free itself and darted toward the ditch. The black snake then took on a new stance, half-crawling, half-upright, with a regal bearing, quickly caught up to and attacked the water snake again, which got into a similar position, preparing to fight back. The scene was unusual and beautiful; facing each other, they fought with their jaws, biting with intense rage. Despite their apparent courage and fury, the water snake still seemed eager to retreat to the ditch, its natural habitat. As soon as the black snake noticed this, it wrapped its tail around a hemp stalk and, instead of using its jaws, wound its neck around the water snake's throat, pulling it back from the ditch. To avoid defeat, the water snake also grabbed hold of a stalk on the bank, and by securing that point of resistance, it matched its fierce opponent. It was strange to see; two large snakes firmly attached to the ground, locked together by their writhing bodies, stretched to their full lengths; they pulled, but in vain. During their most intense struggle, the parts of their bodies that were entwined appeared very thin, while the rest looked inflated, occasionally convulsing with rapid undulations. Their eyes seemed ablaze, ready to pop out of their heads. At one moment, it seemed like the fight was decided; the water snake coiled into heavy folds, stretching the black snake further than usual, but the next moment, the black snake's renewed struggle unexpectedly gained the upper hand. It formed two large folds as well, which stretched the water snake's body in response as it contracted its own. These efforts alternated; victory seemed uncertain, swinging back and forth between them, until Suddenly, the stalk holding the black snake gave way, and they both tumbled into the ditch. The water didn’t quell their vengeful fury, as I could still sense their attacks through their movements, though I couldn’t see them clearly. They soon surfaced, twisted together as they were at the start; however, the black snake appeared to maintain its edge, with its head pressing down on the other’s, pushing it beneath the water until its opponent finally succumbed and sank. As soon as the victor realized its enemy could fight no longer, it let it drift away in the current and returned to the shore before disappearing."

FATES OF THE FAMILIES OF ENGLISH POETS.

FATES OF THE FAMILIES OF ENGLISH POETS.

It is impossible to contemplate the early death of Byron's only child without reflecting sadly on the fates of other females of our greatest poets. Shakspeare and Milton, each died without a son, but both left daughters, and both names are now extinct. Shakspeare's was soon so. Addison had an only child—a daughter, a girl of some five or six years at her father's death. She died, unmarried, at the age of eighty or more. Farquhar left two girls, dependant on the friendship of his friend Wilkes, the actor, who stood nobly by them while he lived. They had a small pension from the Government, and having long outlived their father, and seen his reputation unalterably established, both died unmarried. The son and daughter of Coleridge both died childless. The two sons of Sir Walter Scott died without children—one of two daughters died unmarried, and the Scotts of Abbotsford and Waverley are now represented by the children of a daughter. How little could Scott foresee the sudden failure of male issue? The poet of the "Fairie Queen" lost a child when very young by fire, when the rebels burned his house in Ireland. Some of the poets had sons and no daughters. Thus we read of Chaucer's son,—of Dryden's sons,—of the sons of Burns,—of Allan Ramsey's son,—of Dr. Young's son,—of Campbell's son,—of Moore's son,—and of Shelley's son. Ben Johnson survived all his children. Some, and those amongst the greatest, died unmarried—Butler, Cowley, Congreve, Otway, Prior, Pope, Gay, Thompson, Cowper, Akenside, [Pg 472] Shenstone, Collins, Gray, Goldsmith, and Rogers, who lately died. Some were unfortunate in their sons in a sadder way than death could make them. Lady Lovelace has left three children—two sons and a daughter. Her mother is still alive to see, perhaps, with a softened spirit, the shade of the father beside the early grave of his only child. Ada's looks, in her later years—years of suffering, borne with gentle and womanly fortitude—have been happily caught by Mr. Henry Phillips, whose father's pencil has preserved to us the best likeness of Ada's father.

It’s hard to think about the early death of Byron's only child without feeling sad about the fates of other daughters of our greatest poets. Shakespeare and Milton both died without sons but left behind daughters, and both family lines are now extinct. Shakespeare’s line faded quickly. Addison had one child—a daughter, just five or six years old when he died. She lived to be over eighty but never married. Farquhar had two daughters who relied on the friendship of Wilkes, the actor, who supported them throughout his life. They received a small government pension, and after outliving their father and seeing his reputation firmly established, both died unmarried. Coleridge's son and daughter both died without having children. Sir Walter Scott’s two sons also died childless; one of his two daughters never married, and the Scotts of Abbotsford and Waverley are now represented by the children of a daughter. How little could Scott have foreseen the sudden end of his male lineage? The poet of the "Fairie Queen" lost a young child in a fire when rebels burned his house in Ireland. Some poets had sons but no daughters. We read about Chaucer's son, Dryden's sons, the sons of Burns, Allan Ramsay's son, Dr. Young's son, Campbell's son, Moore's son, and Shelley's son. Ben Jonson outlived all his children. Many of the greatest poets died without marrying—Butler, Cowley, Congreve, Otway, Prior, Pope, Gay, Thompson, Cowper, Akenside, Shenstone, Collins, Gray, Goldsmith, and recently, Rogers. Some experienced unfortunate situations with their sons that were sadder than death itself. Lady Lovelace has three children—two sons and a daughter. Her mother is still alive to perhaps see, with a softened heart, the spirit of the father beside the grave of his only child. Ada’s appearance in her later years—years of suffering, borne with gentle and womanly strength—has been beautifully captured by Mr. Henry Phillips, whose father's artistry has given us the best likeness of Ada's father.

JEFFERY HUDSON, THE DWARF OF THE COURT OF CHARLES I.

JEFFERY HUDSON, THE DWARF IN THE COURT OF CHARLES I.

Jeffery Hudson

The celebrated dwarf of whom we here give a sketch, was born at Oakham in Rutlandshire in 1619, and about the age of seven or eight, being then but eighteen inches high, was retained in the service of the Duke of Buckingham, who resided at Burleigh-on-the-Hill. Soon after the marriage of Charles I., the king and queen being entertained at Burleigh, little Jeffery was served up at table in a cold pie, and presented by the duchess to the queen, who kept him as her dwarf. From seven years of age till thirty he shot up to three feet nine inches, and there fixed. Jeffery became a considerable part of the entertainment of the court. Sir William Davenant wrote a poem on a battle between Jeffery and a turkey cock, and in 1638 was published a very small book, called a "New Year's Gift," presented at court by the Lady Parvula to the Lord Minimus (commonly called Little Jeffery) her Majesty's servant, &c. &c., written by Microphilas, with a little print of Jeffery prefixed. Before this period Jeffery was employed on a negotiation of great importance; he was sent to France to fetch a midwife for the queen; and on his return with this gentlewoman and her majesty's dancing-master, and many rich presents to the queen from her mother, Mary de Medicis, he was taken by the Dunkirkers. This was in 1630. Besides the presents he was bringing for the queen, he lost to the value of £2,500 that he had received in France on his own account from the queen-mother and ladies of that court.

The famous dwarf we're discussing was born in Oakham, Rutlandshire in 1619. By the time he was seven or eight, he was only eighteen inches tall and was taken into the service of the Duke of Buckingham, who lived at Burleigh-on-the-Hill. Shortly after Charles I married, the king and queen were hosted at Burleigh, and little Jeffery was served at the table in a cold pie, presented by the duchess to the queen, who kept him as her dwarf. From the age of seven until he reached thirty, he grew to three feet nine inches, where he remained. Jeffery became a significant part of the entertainment at court. Sir William Davenant wrote a poem about a battle between Jeffery and a turkey cock, and in 1638, a tiny book titled "New Year's Gift" was presented at court by Lady Parvula to Lord Minimus (commonly known as Little Jeffery), her Majesty's servant, written by Microphilas, with a little illustration of Jeffery at the front. Before this, Jeffery was involved in a crucial negotiation; he was sent to France to bring back a midwife for the queen. Upon returning with this woman, the queen's dancing master, and many extravagant gifts from her mother, Mary de Medicis, he was captured by the Dunkirkers in 1630. In addition to the gifts intended for the queen, he lost £2,500 that he had received in France for himself from the queen-mother and ladies of that court.

Jeffery thus made of consequence, grew to think himself really so. He had borne with little temper the teasing of the courtiers and domestics, and had many squabbles with the king's gigantic porter. At last, being provoked by Mr. Crofts, a young gentleman of family, a challenge ensued; and Mr. Crofts coming to the rendezvous armed only with a squirt, the little creature was so enraged that a real duel ensued; and the appointment being on horseback, with pistols, to put them more [Pg 473] on a level, Jeffery, with the first fire, shot his antagonist dead on the spot. This happened in France, whither he had attended his royal mistress in the troubles.

Jeffery, thus feeling important, started to actually believe he was. He had tolerated the teasing from the courtiers and staff with little patience, and he had several arguments with the king's huge porter. Finally, after being provoked by Mr. Crofts, a young man from a prominent family, a challenge was made; and when Mr. Crofts showed up for their duel armed only with a squirt gun, Jeffery became so furious that a real fight broke out. Since the duel was supposed to be on horseback with pistols to make things more fair, Jeffery, with the first shot, killed his opponent right there. This happened in France, where he had accompanied his royal mistress during the troubles.

He was again taken prisoner by a Turkish rover, and sold into Barbary. He probably did not long remain in slavery; for at the beginning of the civil war, he was made a captain in the royal army, and in 1644 attended the queen to France, where he remained till the restoration.

He was captured again by a Turkish pirate and sold into slavery in Barbary. He probably didn't stay in captivity for long; at the start of the civil war, he became a captain in the royal army, and in 1644, he accompanied the queen to France, where he stayed until the restoration.

At last, upon suspicion of his being privy to the Popish Plot, he was taken up in 1682 and confined in the Gate-house, Westminster, where he ended his life in the sixty-third year of his age.

At last, based on suspicions that he was involved in the Popish Plot, he was arrested in 1682 and locked up in the Gate-house, Westminster, where he died at the age of sixty-three.

CHURCH AT NEWTON, IRELAND.

Church in Newton, Ireland.

Church at Newton, Ireland

The ancient doorway, of which, on account of its singular beauty, we give a sketch, belongs to the church which was built by the first of the Montgomeries at Newtown in Ireland. Though the church is a fine and beautiful example of architecture, no attempt whatever has been made to preserve it from sinking into ruin. The Montgomeries, ancient lords of this district, were the descendants of that Montgomery who accidentally killed Henry II., of France, at a tournament. Some years after the sad event, which was confessedly a mischance, he was taken by Catherine of Medicis, put to the torture and beheaded; with the additional penalty of having his children degraded to villeinnage; on his way to execution, he [Pg 474] pronounced this noble and memorable sentence, in reference to the punishment inflicted on his children, "If they have not the virtue to raise themselves again, I consent to their degradation."

The old doorway, which we've sketched here because of its unique beauty, belongs to the church built by the first Montgomeries in Newtown, Ireland. While the church is a stunning example of architecture, no efforts have been made to save it from falling into decay. The Montgomeries, who were the ancient lords of this area, were descendants of a Montgomery who accidentally killed Henry II of France during a tournament. Years after that tragic incident, which was clearly an accident, he was captured by Catherine de' Medici, tortured, and beheaded; in addition, his children were downgraded to serfdom. On his way to execution, he declared this noble and memorable statement regarding the punishment of his children: "If they do not have the virtue to lift themselves up again, I agree to their degradation."

INTERESTING CALCULATION.

Cool calculation.

Some years ago, an eminent zoologist gave the following table as his estimate of the probable number of existing species of animals, deduced from facts and principles then known. Later discoveries tend to increase rather than to diminish the estimate.

Some years ago, a well-known zoologist provided this table as his estimate of the likely number of animal species that exist, based on the facts and principles known at the time. Later discoveries tend to increase rather than decrease this estimate.

Quadrupeds 1,200     Worms 2,500
Birds 6,800     Radiata 1,000
Reptiles 1,500     Polypes, etc. 1,530
Fishes 8,000     Testacea 4,500
Insects 550,000     Naked Testacea 600

making an aggregate of 577,600 species.

making a total of 577,600 species.

VITALITY OF SUPERSTITION.

POWER OF SUPERSTITION.

In the "Annual Register" for 1760, an instance of the belief in witchcraft is related, which shows how superstition lingers. A dispute arose in the little village of Glen, in Leicestershire, between two old women, each of whom vehemently accused the other of witchcraft. The quarrel at last ran so high that a challenge ensued, and they both agreed to be tried by the ordeal of swimming. They accordingly stripped to their shifts—procured some men, who tied their thumbs and great toes together, cross-wise, and then, with a cart-rope about their middle, suffered themselves to be thrown into a pool of water. One of them sank immediately, but the other continued struggling a short time upon the surface of the water, which the mob deeming an infallible sign of her guilt, pulled her out, and insisted that she should immediately impeach all her accomplices in the craft. She accordingly told them that, in the neighbouring village of Burton, there were several old women "as much witches as she was." Happily for her, this negative information was deemed sufficient, and a student in astrology, or "white-witch," coming up at the time, the mob, by his direction, proceeded forthwith to Burton in search of all the delinquents. After a little consultation on their arrival, they went to the old woman's house on whom they had fixed the strongest suspicion. The poor old creature on their approach locked the outer door, and from the window of an upstairs room asked what they wanted. They informed her that she was charged with being guilty of witchcraft, and that they were come to duck her; remonstrating with her at the same time upon the necessity of submission to the ordeal, that, if she were innocent, all the world might know it. Upon her persisting in a positive refusal to come down, they broke open the door and carried her out by force, to a deep gravel-pit full of water. They tied her thumbs and toes together and threw her into the water, where they kept her for several minutes, drawing her out and in two or three times by the rope round her middle. Not being able to satisfy themselves whether she were a witch or no, they at last let her go or more properly [Pg 475] speaking, they left her on the bank to walk home by herself, if she ever recovered. Next day they tried the same experiment upon another woman, and afterwards upon a third; but fortunately, neither of the victims lost her life from this brutality. Many of the ringleaders in the outrage were apprehended during the week, and tried before the justices at quarter-sessions. Two of them were sentenced to stand in the pillory and to be imprisoned for a month; and as many as twenty more were fined in small sums for the assault, and bound over to keep the peace for a twelvemonth.

In the "Annual Register" for 1760, there’s a story that illustrates how superstition still holds sway. A conflict broke out in the small village of Glen in Leicestershire between two elderly women, each accusing the other of witchcraft. The argument escalated to the point where they challenged each other to a trial by swimming. They stripped down to their shifts and got some men to tie their thumbs and big toes together, cross-wise. Then, with a rope around their waists, they allowed themselves to be thrown into a pool of water. One woman sank right away, while the other struggled on the surface for a short time. The crowd, believing this was clear evidence of her guilt, pulled her out and demanded that she name all her accomplices in witchcraft. She claimed that in the nearby village of Burton, there were several old women "just as much witches as she was." Thankfully, this information was enough for the crowd, and a local astrologer, or "white-witch," who happened to be passing by directed the mob to Burton to hunt down the alleged culprits. Upon arriving, they quickly targeted the old woman they suspected the most. When they approached her house, she locked the outer door and asked from an upstairs window what they wanted. They told her she was accused of witchcraft and that they had come to dunk her, insisting that if she was innocent, she should submit to the ordeal so everyone would know. When she stubbornly refused to come down, they broke down the door and forcibly took her out to a deep gravel pit filled with water. They tied her thumbs and toes together and threw her in, pulling her in and out a few times with the rope round her waist. Unable to determine if she was a witch or not, they eventually let her go—more accurately, they left her on the bank to find her way home, assuming she would be able to recover. The next day, they tried the same thing on another woman and then on a third, but fortunately, none of the victims died from this brutal treatment. Many of the instigators were arrested during that week and faced trial before the justices at the quarter-sessions. Two were sentenced to stand in the pillory and serve a month in jail, while about twenty others were fined small amounts for the assault and required to keep the peace for a year.

SMALL FEET OF THE CHINESE LADIES.

Chinese women's small feet.

The compression of ladies' feet to less than half their natural size is not to be regarded as a mark, or as a consequence, of the inferiority of the sex; it is merely a mark of gentility. Various accounts are given of the origin of this custom. One is, that an emperor was jealous of his wife, and to prevent her from gadding abroad, put her feet in iron stocks. Another is, that a certain empress, Tan-ke (B.C. 1100), was born with club-feet, and that she caused the emperor to issue an edict, adopting her foot as the model of beauty, and requiring the compressing of female infants' feet so as to conform to the imperial standard. While a third account is, that the Emperor Le-yuh (A.D. 961) was amusing himself one day in his palace, when the thought occurred to him that he might improve the appearance of the feet of a favourite concubine. He caused her feet to be so bent as to raise the instep into an arch, to resemble the new moon. The figure was much admired by the courtiers, who soon began to introduce it into their families. It is said that another emperor, two hundred years later, placed a stamp of the lotus-flower (water-lily) on the sole of the small shoe of his favorite concubine, so that at every step she took she left on the ground the print of the flower; hence girls with small feet are complimented at the present day as "the golden lilies." The operation of bandaging and compressing the feet is very painful; children cry very much under it. Mortification of the feet has been known to result from the cruel practice. Custom, however, imposes it as a necessary attraction in a woman. An old gentleman at Canton, being asked the reason why he had bandaged his daughter's feet, replied, that if she had large feet she could not make a good marriage.

The practice of breaking women's feet to make them less than half their natural size shouldn't be seen as a sign of women's inferiority; it’s really just a sign of status. There are various stories about how this custom started. One story is that an emperor got jealous of his wife and, to keep her from going out, locked her feet in iron stocks. Another tale suggests that an empress named Tan-ke (B.C. 1100) was born with club feet and convinced the emperor to issue a decree declaring her foot the standard of beauty, which led to the practice of binding the feet of baby girls to fit this ideal. A third story tells of Emperor Le-yuh (A.D. 961) who, while having fun in his palace one day, decided to enhance the appearance of a favorite concubine’s feet by bending them to create an arched instep resembling a new moon. This look was admired by the courtiers, who soon started to adopt it in their own families. It’s said that another emperor, two hundred years later, had the image of a lotus flower stamped on the sole of his favorite concubine's tiny shoe so that she would leave the print of the flower with every step she took; that’s why girls with small feet are still called "golden lilies" today. The process of binding and compressing the feet is extremely painful, causing children to cry a lot. There have even been cases where the feet have become severely damaged because of this harsh practice. Nevertheless, society sees it as a necessary trait for women to have. An elderly man in Canton, when asked why he had wrapped his daughter's feet, replied that if she had large feet, she wouldn't be able to make a good match.

WONDERFUL CONSTRUCTION OF THE SEA-URCHIN.

GREAT DESIGN OF THE SEA URCHIN.

Professor Forbes informs us that in a moderate-sized Urchin there are sixty-two rows of pores in each of the ten avenues, and as there are three pairs of pores in each row, the total number of pores is 3,720; but as each sucker occupies a pair of pores, the number of suckers is 1,860. He says, also, that there are above three hundred plates of one kind, and nearly as many of another, all dovetailing together with the greatest nicety and regularity, bearing on their surfaces above 4,000 spines, each spine perfect in itself, and of a complicated structure, and having a free movement in its socket. "Truly," he adds, "the skill of the Great Architect of Nature is not less displayed in the construction of a Sea-urchin than in the building up of a world!"

Professor Forbes tells us that in a medium-sized sea urchin, there are sixty-two rows of pores in each of the ten pathways, and since there are three pairs of pores in each row, the total number of pores comes to 3,720. However, because each sucker occupies a pair of pores, the number of suckers is 1,860. He also notes that there are over three hundred plates of one type and almost as many of another, all fitting together with great precision and regularity, featuring more than 4,000 spines, each perfectly formed and intricately structured, with the ability to move freely in its socket. "Truly," he adds, "the skill of the Great Architect of Nature is just as evident in the design of a sea urchin as it is in the creation of a world!"

IVORY SCEPTRE OF LOUIS XII.

Ivory Scepter of Louis XII.

Ivory Sceptre of Louis XII

The above engraving represents an ivory sceptre, or Main de Justice, which was made at the early part of the sixteenth century for Louis XII., King of France. The three parts 1, 2, 3, screw together and form the sceptre. Fig. 4 is the hand on the top of the sceptre, given on a larger scale, showing the ring set with a small pearl, worn on the third finger. Fig. 5 is the inscription on the sceptre; it is engraved in relievo upon three of the convex decorations, and commences on the lowest one.

The engraving above shows an ivory scepter, or Main de Justice, that was created in the early 1500s for Louis XII, the King of France. The three parts 1, 2, 3 screw together to form the scepter. Fig. 4 is the hand at the top of the scepter, displayed larger to show the ring with a small pearl worn on the third finger. Fig. 5 features the inscription on the scepter; it's engraved in relief on three of the curved decorations, starting on the lowest one.

TOMB OF CÆCILIA METELLA.

Tomb of Cecilia Metella.

Tomb of Cæcilia Metella

Of the tombs of Consular Rome nothing remains except perhaps the sarcophagus of Scipio; and it is only on the eve of the Empire that we meet with the well-known one of Cæcilia Metella, the wife of Crassus, which is not only the best specimen of a Roman tomb now remaining to us, but the oldest building of the imperial city of which we have an authentic date. It consists of a bold square basement about 100 ft. square, which was originally ornamented in some manner not now intelligible. From this rose a circular tower about 94 ft. in diameter, of very bold masonry, surmounted by a brace of ox-skulls with wreaths joining them, and a well-profiled cornice: 2 or 3 courses of masonry above this seem to have belonged to the original work; and above this, almost certainly, in the original design rose a conical roof, which has perished. The tower having been used as a fortress in the middle ages, battlements have been added to supply the place of the roof, and it has been otherwise disfigured, so as to detract much from its beauty as now seen. Still we have no tomb of the same importance so perfect, nor one which enables us to connect the Roman tombs so nearly with the Etruscan. The only addition in this instance is that of the square [Pg 478] basement or podium, though even this was not unknown at a much earlier period, as for instance in the tomb of Aruns. The exaggerated height of the circular base is also remarkable. Here it rises to be a tower instead of a mere circular base of stones for the earthen cone of the original sepulchre. The stone roof which probably surmounted the tower was a mere reproduction of the original earthen cone.

Of the tombs from Consular Rome, nothing much is left except maybe the sarcophagus of Scipio. It’s not until the eve of the Empire that we encounter the famous tomb of Cæcilia Metella, who was the wife of Crassus. This tomb is not only the best-preserved example of a Roman tomb we have today, but it’s also the oldest building in the imperial city with a verified date. It features a bold square base measuring about 100 ft. on each side, which was originally decorated in a way that we can’t fully understand now. From this base rises a circular tower about 94 ft. in diameter, built with impressive masonry and topped with a pair of ox skulls joined by wreaths, along with a well-defined cornice. Two or three courses of masonry above this likely belonged to the original structure, and it’s almost certain that there would have been a conical roof above that, which has since been lost. The tower was used as a fortress in the Middle Ages, so battlements were added to replace the roof, resulting in modifications that have significantly detracted from its original beauty. Still, we don’t have another tomb of the same significance that is so intact, nor one that helps us connect Roman tombs so closely with Etruscan ones. The only additional feature here is the square [Pg 478] base or podium, although even that style was seen much earlier, such as in the tomb of Aruns. The notably tall circular base is also striking; it stands as a tower rather than just serving as a simple circular stone base for the original earthen cone of the tomb. The stone roof that likely once topped the tower was simply a replication of the original earthen cone.

POGONIAS.

POGONIAS.

These vocal fish differ from the umbrinas in having their jaws tagged laterally with many, in place of carrying but one barbel at the symphysis. Schœff reports of them that they will assemble round the keel of a vessel at anchor, and serenade the crew; and Mr. John White, lieutenant in the navy of the United States, in his voyage to the seas of China, relates to the same purpose, that being at the mouth of the river of Cambodia, the ship's company were "astonished by some extraordinary sounds which were heard around the bottom of the vessel. They resembled," he says, "a mixture of the bass of the organ, the sound of bells, the guttural cries of a large frog, and the tones which imagination might attribute to an enormous harp; one might have said the vessel trembled with it. The noises increased, and finally formed a universal chorus over the entire length of the vessel and the two sides. In proportion as we went up the river the sounds diminished, and finally ceased altogether." As the interpreter told Captain White, the ship had been followed by a "troop of fish of an oval and flattened form," they were most probably pogonias. Humboldt met with a similar adventure in the South Sea, but without suspecting its cause. "On February 20th, 1803, at seven P.M., the whole crew was astounded by a very extraordinary noise, resembling drums beaten in the air; we at first attributed it to the breakers; speedily it was heard all over the vessel, especially towards the poop, and was like the noise which escapes from fluid in a state of ebullition; we began to fear there might be some leak in the bottom. It was heard synchronously in all parts of the vessel, but finally, about nine P.M., ceased altogether." How these fish manage to purr in the deep, and by means of what organ they communicate the sound to the external air, is wholly unknown. Some suppose it to proceed from the swim-bladder; but if that be the drum, what is the drumstick that beats upon it? And cushioned as it is in an obese envelope and without issue, the swim-bladder cannot be a bagpipe or wind instrument.

These vocal fish are different from umbrinas because their jaws are laterally covered with many tags instead of just having one barbel at the chin. Schœff mentions that they gather around the keel of an anchored vessel and serenade the crew. Mr. John White, a lieutenant in the United States Navy, shares a similar story from his trip to the seas of China, saying that while at the mouth of the river of Cambodia, the ship's crew was "astonished by some extraordinary sounds coming from beneath the vessel. They sounded," he states, "like a mix of the bass from an organ, the ringing of bells, the croaks of a large frog, and the tones one might imagine coming from a giant harp; it felt as if the vessel trembled from it. The noises grew louder and eventually formed a universal chorus along the entire length of the ship and both sides. As we traveled up the river, the sounds gradually faded away and eventually stopped." According to the interpreter, the ship had been followed by a “group of fish with an oval and flattened shape,” likely pogonias. Humboldt experienced a similar situation in the South Seas but didn't understand the cause. "On February 20th, 1803, at seven P.M., the entire crew was startled by a strange noise that sounded like drums beating in the air; at first, we thought it was caused by the waves. Soon, it was heard all over the ship, particularly towards the stern, and resembled the sound of boiling liquid; we began to worry there might be a leak in the hull. It was heard simultaneously throughout the ship but stopped completely around nine P.M." How these fish can purr in the deep and how they produce the sound for anyone to hear is completely unknown. Some believe it comes from the swim-bladder, but if that's the drum, what’s the drumstick hitting it? And with it being cushioned in a fat envelope and having no exit, the swim-bladder can't function as a bagpipe or wind instrument.

CURIOUS ADVERTISEMENT.

INTERESTING ADVERTISEMENT.

The following appeared in the public papers of January 24th, 1737:—"Whereas Frances, wife of the Right Honourable the Lord Viscount Vane, has, for some months past, absented herself from her husband, and the rest of her friends:—I do hereby promise to any person or persons who shall discover where the said lady Vane is concealed, to me, or to Francis Hawes, esq. her father, so that either of us may come to the speech of her, the sum of £100, as a reward, to be paid by me on demand at my lodgings in Piccadilly. I do also promise the name of the person, [Pg 479] who shall make such discovery, shall be concealed, if desired. Any person concealing or lodging her after this advertisement, will be prosecuted with the utmost rigour; or, if her ladyship will return to me, she may depend upon being kindly received. She is about twenty-two years of age, tall, well-shaped, has light-brown hair, is fair-complexioned, and has her upper teeth placed in an irregular manner. She had on, when she absented, a red damask French sacque, and was attended by a French woman, who speaks very bad English.

The following appeared in the public papers of January 24th, 1737:—"Whereas Frances, the wife of the Right Honourable Lord Viscount Vane, has been away from her husband and her friends for several months:—I hereby promise to anyone who can find out where Lady Vane is hiding, and let either me or Francis Hawes, Esq., her father, know, so that we can speak to her, a reward of £100, to be paid by me on request at my place in Piccadilly. I also promise that the name of the person who makes this discovery will be kept confidential, if requested. Anyone who hides or provides shelter for her after this announcement will be dealt with to the fullest extent of the law; however, if her ladyship returns to me, she can expect to be warmly welcomed. She is about twenty-two years old, tall, well-shaped, has light-brown hair, a fair complexion, and her upper teeth are arranged irregularly. She was wearing a red damask French sacque when she left and was accompanied by a French woman who speaks very poor English."

"Vane."

"Vane."

THE EYE OF THE CHAMELEON.

THE CHAMELEON'S EYE.

A most extraordinary aspect is communicated to chameleons by the structure and movements of their eyes. In the first place, the head is enormous, and, being three-sided, with projecting points and angles, makes a sufficiently uncouth visage; but the eyes which illuminate this notable head-piece must, indeed, to borrow for the nonce the phraseology of Barnum, "be seen to be appreciated." There is on each side an immense eye-ball, full and prominent, but covered with the common shagreened skin of the head, except at the very entre, where there is a minute aperture, corresponding to the pupil. These great punctured eye-balls roll about hither and thither, but with no symmetry. You cannot tell whether the creature is looking at you or not; he seems to be taking what may be called a general view of things—looking at nothing in particular, or rather, to save time, looking at several things at once. Perhaps both eyes are gazing upwards at your face; a leaf quivers behind his head, and in a moment one eye turns round towards the object, while the other retains its upward gaze: presently a fly appears; one eye rapidly and interestedly follows all its movements, while the other leisurely glances hither and thither, or remains steady. Accustomed as we are to see in almost all animals the two eyes move in unison, this want of sympathy produces an effect most singular and ludicrous.

A really amazing thing about chameleons is how their eyes are built and move. First of all, their heads are huge and triangular, with sharp points and angles, which gives them a rather awkward look. But the eyes that light up this remarkable head really need to be seen to be believed. On each side, there's a massive eyeball that’s full and prominent, but covered with the same rough skin as the rest of the head, except for a tiny opening in the middle that acts as the pupil. These big punctured eyeballs move around in different directions, but without any pattern. You can’t tell if the chameleon is looking at you or not; it seems like it’s taking a general look at everything—gazing at nothing specific, or rather, trying to take in several things at once. Maybe both eyes are focused on your face; a leaf shakes behind its head, and in an instant, one eye swivels toward the object while the other keeps looking up. Soon a fly shows up; one eye quickly and curiously tracks its every move, while the other casually glances around or stays fixed. Since we're so used to seeing most animals’ eyes move together, this lack of coordination creates a really odd and funny effect.

DIVING FOR A WIFE.

Diving for a partner.

In many of the Greek islands, the diving for Sponge forms a considerable part of the occupation of the inhabitants, as it has done from the most remote antiquity. Hasselquist says:—"Himia is a little, and almost unknown island directly opposite Rhodes. It is worth notice, on account of the singular method the Greeks, inhabitants of the island, have to get their living. In the bottom of the sea the common Sponge is found in abundance, and more than in any other place in the Mediterranean. The inhabitants make it a trade to fish up this Sponge, by which they get a living far from contemptible, as their goods are always wanted by the Turks, who use an incredible number of Sponges at their bathings and washings. A girl in this island is not permitted by her relations to marry before she has brought up a certain quantity of Sponges, and before she can give proof of her agility by taking them from a certain depth." In other islands the same custom prevails, but with reversed application, as in Nicarus, where the father of a marriageable daughter bestows her on the best diver among her suitors,—"He [Pg 480] that can stay longest in the water, and gather the most Sponges, marries the maid."

In many of the Greek islands, sponge diving is a significant part of the locals' livelihoods, just as it has been since ancient times. Hasselquist notes:—"Himia is a small, nearly unknown island directly across from Rhodes. It's worth mentioning because of the unique way the Greek inhabitants earn their living. The seabed is rich in common sponges, more so than anywhere else in the Mediterranean. The locals have made a business out of harvesting these sponges, which provides them with a decent income, as the Turks always need sponges for their baths and cleaning. A girl on this island isn't allowed to marry until she has collected a specific number of sponges and can prove her skill by retrieving them from a certain depth." The same tradition exists in other islands, but with a different twist, as seen in Nicarus, where a father gives his daughter to the best diver among her suitors,—"He [Pg 480] who can stay underwater the longest and gather the most sponges gets to marry the girl."

KNIGHT'S COSTUME OF THE THIRTEENTH CENTURY.

KNIGHT'S COSTUME OF THE 13TH CENTURY.

Knight's Costume of the Thirteenth Century

The engraving represents a knight's costume of the year 1272, taken from the library of MSS. at Paris. It is that of a Count Hohenschwangen, of the family of Welf, and depicts the wearer in a long sleeveless, dark blue surcoat, with his armorial device; a white swan on a red field with a light red border. Under his coat he wears a cap-a-pié suit of mail. The helmet is original, very like the Greek, with the furred mantle as we see it in the seal of Richard King of England, of the date of 1498. This helmet does not appear to be a tilting helmet, which usually rests upon the shoulders; but this kind of helmet would be fastened, like the vizor with the mailed hood, by an iron throat-brace, and a leather thong. Upon the covered helmet he wears the swan as a crest. The sword-hilt is of gold, the sheath black, the girdle white, the furred mantle is red, lined with white.

The engraving shows a knight's outfit from the year 1272, taken from the library of manuscripts in Paris. It's that of Count Hohenschwangen, from the Welf family, and illustrates him in a long, sleeveless dark blue surcoat featuring his heraldic symbol: a white swan on a red background with a light red border. Underneath, he wears a full suit of mail. The helmet is original and resembles a Greek style, complete with a furred mantle like the one seen in the seal of Richard, King of England, from 1498. This helmet doesn't seem to be a tilting helmet, which typically rests on the shoulders; instead, it would be secured, like the visor with the mailed hood, using an iron throat-brace and a leather strap. On top of the helmet, he has the swan as a crest. The sword hilt is made of gold, the sheath is black, the belt is white, and the furred mantle is red, lined with white.

Chivalry began in Europe about A. D. 912. From the twelfth to the fifteenth century it had considerable influence in refining the manners of most of the nations of Europe. The knight swore to accomplish the duties of his profession as the champion of God and the ladies. He devoted himself to speak the truth, to maintain the right, to protect the distressed, to practise courtesy, to fulfil obligations, and to vindicate in every perilous adventure his honour and character. Chivalry, which owed its origin to the feudal system, expired with it. The origin of the title of knight, as a military honour, is said to be derived from the siege of Troy, but this solely depends on a passage or two in Homer, and the point is disputed by several learned commentators.

Chivalry began in Europe around CE 912. From the twelfth to the fifteenth century, it had a significant impact on improving the manners of most European nations. Knights pledged to fulfill their duties as champions of God and women. They dedicated themselves to speaking the truth, upholding what is right, protecting the helpless, practicing courtesy, meeting obligations, and defending their honor and character in every dangerous adventure. Chivalry, which originated from the feudal system, came to an end with it. The title of knight, as a military honor, is believed to trace back to the siege of Troy, but this is based on a few lines in Homer, and the issue is debated by several scholarly commentators.

CURIOUS CIRCUMSTANCE.

Curious situation.

Button, in his Life, tells us of one of his ancestors, a trooper, who, seeing a young girl at the river-side, lading water into her pail, cast a large stone with design to splash her; but not being versed in directing [Pg 481] a stone so well as a bullet, he missed the water, and broke her head; he ran off. Twelve years afterwards, he settled at Derby, courted a young woman, and married her. In the course of their conversations he proved to be the very man who had cast the stone, and she the girl with the broken head.

Button, in his Life, recounts a story about one of his ancestors, a soldier, who, upon seeing a young girl by the river filling her bucket, threw a large stone intending to splash her. However, since he wasn’t as skilled at throwing stones as he was with bullets, he missed the water and ended up injuring her. He then ran away. Twelve years later, he moved to Derby, pursued a young woman, and married her. During their conversations, it turned out that he was the same guy who had thrown the stone, and she was the girl who had been hurt.

FUNEREAL JAR.

Funeral urn.

The term "funereal" has been erroneously applied to all pottery found in tombs, even where the utensils have no relation to funereal purposes, but were probably in common use. There have been found, however, in Corsica vessels of earthenware, which may strictly be called "funereal."

The term "funereal" has been mistakenly used for all pottery discovered in tombs, even when the items have no connection to burial practices and were likely used in everyday life. However, in Corsica, there have been earthenware vessels found that can truly be classified as "funereal."

Funereal Jar

Though the precise period of the fabrication of the funereal vessels found in Corsica is not ascertained, they must be considered of very ancient date. These vessels, when found entire, at first appear completely closed up, and no trace of joining can be discovered. But it has been ascertained that they are composed of two equal parts, the end of one fitting exactly into the other, and so well closed that the body, or at least the bones which they contain, appear to have been placed within them before they were baked upon the kiln. Diodorus Siculus, in speaking of the usages of the Balearic Isles, states that these people were in the habit of beating, with clubs, the bodies of the dead which, when thus rendered flexible, were deposited in vessels of earthenware. This practice of the Corsicans coincides singularly with that of the Coroados Indians, who inhabit a village on the Paraïba river, near Campos, in the Brazils. They use large earthen vessels, called camucis, as funereal urns. The bodies of their chiefs, reduced to mummies, are placed in them in a bent posture, decked with their ornaments and arms, and are then deposited at the foot of the large trees of the forest.

Though the exact time when the burial vessels found in Corsica were made isn't known, they are definitely very ancient. When these vessels are found intact, they look completely sealed up, with no signs of any joints. However, it's been revealed that they consist of two equal halves, with the end of one fitting perfectly into the other, so well sealed that the body, or at least the bones inside, seem to have been placed in them before they were baked in the kiln. Diodorus Siculus mentions that in the Balearic Islands, the locals had a custom of beating the dead bodies with clubs, making them more flexible, and then placing them in clay vessels. This practice among the Corsicans is strangely similar to that of the Coroados Indians, who live in a village near the Paraïba river, close to Campos in Brazil. They use large clay vessels, called camucis, as burial urns. The bodies of their chiefs, turned into mummies, are placed within these vessels in a curled position, adorned with their jewelry and weapons, and are then laid at the base of large trees in the forest.

The cut which we here give speaks for itself. It represents the funereal jar containing the chief as described; the animal at his feet appears to be a panther or tiger cat.

The image we present here speaks for itself. It shows the burial jar containing the chief as described; the animal at his feet looks like a panther or tiger cat.

WRITING MATERIALS.

Writing supplies.

The materials used for writing on have varied in different ages and nations. Among the Egyptians slices of limestone, leather, linen, and papyrus, especially the last, were universally employed. The Greeks used bronze and stone for public monuments, wax for memorandums [Pg 482] and papyrus for the ordinary transactions of life. The kings of Pergamus adopted parchment, and the other nations of the ancient world chiefly depended on a supply of the paper of Egypt. But the Assyrians and Babylonians employed for their public archives, their astronomical computations, their religious dedications, their historical annals, and even for title-deeds and bills of exchange, tablets, cylinders, and hexagonal prisms of terra-cotta. Two of these cylinders, still extant, contain the history of the campaign of Sennacherib against the kingdom of Judah; and two others, exhumed from the Birs Nimroud, give a detailed account of the dedication of the great temple by Nebuchadnezzar to the seven planets. To this indestructible material, and to the happy idea of employing it in this manner, the present age is indebted for a detailed history of the Assyrian monarchy; whilst the decades of Livy, the plays of Menander and the lays of Anacreon, confided to a more perishable material, have either wholly or partly disappeared amidst the wreck of empires.

The materials used for writing have changed throughout different times and cultures. The Egyptians commonly used slices of limestone, leather, linen, and especially papyrus. The Greeks used bronze and stone for public monuments, wax for notes, and papyrus for everyday transactions. The kings of Pergamus switched to parchment, while most other ancient civilizations relied on paper from Egypt. However, the Assyrians and Babylonians used tablets, cylinders, and hexagonal prisms made of terra-cotta for their public records, astronomical calculations, religious texts, historical records, and even for title-deeds and promissory notes. Two of these cylinders, still in existence, contain the history of Sennacherib's campaign against Judah, and two others, dug up from Birs Nimroud, provide a detailed account of how Nebuchadnezzar dedicated the great temple to the seven planets. Thanks to this durable material and the clever idea of using it this way, we have a detailed history of the Assyrian monarchy today, while the works of Livy, the plays of Menander, and the poems of Anacreon, written on more fragile materials, have either vanished completely or only survive in fragments amid the ruins of empires.

CURIOUS DISPUTE AND APPROPRIATE DECISION.

Interesting disagreement and suitable resolution.

Fuller, in his 'Holy State,' p. 170, gives a very apposite story; a poor man in Paris, being very hungry, went into a cook shop, and staid there so long, (for the master was dishing-up meat,) that his appetite being lessened by the steam, he proposed to go without his meal; the cook insisted upon payment all the same. At length, the altercation was agreed to be referred to the first person that passed the door; that person happened to be a notorious idiot. Having heard the complaint, he decreed that the poor man's money should be placed between two empty dishes, and that the cook should be recompensed with the jingling of his cash, as the other was with the fumes of the meat; and this little anecdote is literally matter of fact.

Fuller, in his 'Holy State,' p. 170, shares a very relevant story: a poor man in Paris, feeling very hungry, went into a cook shop and stayed there so long (because the chef was preparing food) that his appetite diminished from the steam. He decided to leave without his meal, but the chef insisted on payment anyway. Eventually, they agreed to settle their dispute by asking the first person who passed by. That person turned out to be a well-known fool. After hearing the complaint, he decided that the poor man's money should be placed between two empty plates, and the cook should be paid with the sound of the coins, just as the man was with the aroma of the food; and this little anecdote is literally factual.

THE TEA-POT.

THE TEA KETTLE.

No specimen of the ceramic art possesses greater variety of form than the tea-pot. On none has the ingenuity of the potter been more fully exercised, and it is worthy of remark, that the first successful production of Böttcher in hard porcelain was a tea-pot. The so-called Elizabethan tea-pots must be of a later date, for tea was not known in England until the time of Charles II; but it is interesting to trace the gradual increase in the size of the tea-pot, from the diminutive productions of the Elers, in the time of Queen Anne and George I., when tea was sold in apothecaries' shops, to the capacious vessel which supplied Dr. Johnson with "the cup that cheers but not inebriates."

No example of ceramic art has a greater variety of forms than the tea pot. The creativity of the potter has been showcased more fully here than in any other piece, and it’s notable that Böttcher’s first successful hard porcelain creation was a tea pot. The so-called Elizabethan tea pots must date from later, since tea wasn’t known in England until Charles II’s time; however, it’s fascinating to see how the size of tea pots gradually increased, from the small pieces made by the Elers during the reigns of Queen Anne and George I, when tea was sold in apothecaries, to the large vessel that provided Dr. Johnson with "the cup that cheers but not inebriates."

Mr. Croker, in his edition of Boswell's Life, mentions a tea-pot that belonged to Dr. Johnson which held two quarts; but this sinks into insignificance compared with the superior magnitude of that in the possession of Mrs. Marryat, of Wimbledon, who purchased it at the sale of Mrs. Piozzi's effects at Streatham. This tea-pot, which was the one generally used by Dr. Johnson, holds more than three quarts. It is of old Oriental porcelain, painted and gilded, and from its capacity was well suited to the taste of one "whose tea-kettle had no time to cool, who with tea [Pg 483] solaced the midnight hour, and with tea welcomed the morn." George IV. had a large assemblage of tea-pots, piled in pyramids, in the Pavilion at Brighton. Mrs. Elizabeth Carter was also a collector of tea-pots, each of which possessed some traditionary interest, independently of its intrinsic merit; but the most diligent collector of tea-pots was the late Mrs. Hawes. She bequeathed no less than three hundred specimens to her daughter, Mrs. Donkin, who has arranged them in a room appropriated for the purpose. Among them are several formerly belonging to Queen Charlotte. Many are of the old Japan; one with two divisions, and two spouts for holding both black and green tea; and another of a curious device, with a small aperture at the bottom to admit the water, there being no opening at the top, atmospheric pressure preventing the water from running out. This singular Chinese toy has been copied in the Rockingham ware.

Mr. Croker, in his edition of Boswell's Life, mentions a teapot that belonged to Dr. Johnson, which held two quarts. However, this seems minor compared to the much larger one owned by Mrs. Marryat of Wimbledon, who bought it at the auction of Mrs. Piozzi's items in Streatham. This teapot, which was commonly used by Dr. Johnson, holds over three quarts. It's made of old Oriental porcelain, painted and gilded, and its capacity was perfect for someone "whose tea kettle had no time to cool, who with tea solaced the midnight hour, and with tea welcomed the morn." George IV had a large collection of teapots stacked in pyramids at the Pavilion in Brighton. Mrs. Elizabeth Carter was also a teapot collector, with each piece having some historical significance beyond its actual value. But the most dedicated collector of teapots was the late Mrs. Hawes. She left behind no less than three hundred pieces to her daughter, Mrs. Donkin, who has displayed them in a room designated for that purpose. Among them are several that once belonged to Queen Charlotte. Many are of the old Japan style; one features two compartments and two spouts for holding both black and green tea, while another has a unique design with a small opening at the bottom to let in water, as there is no opening at the top, with atmospheric pressure preventing the water from spilling out. This unusual Chinese creation has been replicated in Rockingham ware.

PROTRACTED SLEEP.

Long sleep.

One of the most extraordinary instances of excessive sleep is that of the lady at Nismes, published in 1777, in the "Memoirs of the Royal Academy of Sciences at Berlin." Her attacks of sleep took place periodically, at sunrise and about noon. The first continued till within a short time of the accession of the second, and the second continued till between seven and eight in the evening—when she awoke, and continued so till the next sunrise. The most extraordinary fact connected with this case is, that the first attack commenced always at daybreak, whatever might be the season of the year, and the other always immediately after twelve o'clock. During the brief interval of wakefulness which ensued shortly before noon, she took a little broth, which she had only time to do when the second attack returned upon her, and kept her asleep till the evening. Her sleep was remarkably profound, and had all the character of complete insensibility, with the exception of a feeble respiration, and a weak but regular movement of the pulse. The most singular fact connected with her remains to be mentioned. When the disorder had lasted six months, and then ceased, the patient had an interval of perfect health for the same length of time. When it lasted one year, the subsequent interval was of equal duration. The affection at last wore gradually away; and she lived, entirely free of it, for many years after. She died in the eighty-first year of her age, of dropsy, a complaint which had no connexion with her preceding disorder.

One of the most remarkable cases of excessive sleep is that of the woman from Nîmes, published in 1777 in the "Memoirs of the Royal Academy of Sciences at Berlin." Her sleep episodes occurred regularly, at sunrise and around noon. The first episode lasted until just before the second began, and the second lasted until between seven and eight in the evening—when she would wake up and stay awake until the next sunrise. The most astonishing aspect of this case is that the first episode always started at daybreak, regardless of the season, and the second always began right after noon. During the short period of wakefulness just before noon, she had a little broth, which she could only manage before the second episode returned and kept her asleep until the evening. Her sleep was extremely deep and exhibited all the characteristics of complete insensitivity, except for a faint breath and a weak yet steady pulse. The most unusual detail about her is worth mentioning. When the disorder lasted six months and then stopped, the patient experienced a full six-month period of perfect health. When it lasted a year, the following period of health was the same length. The condition eventually faded gradually, and she lived completely free of it for many years afterward. She died at the age of eighty-one from dropsy, a condition unrelated to her previous disorder.

ANCIENT SUIT OF MAIL.

ANCIENT CHAINMAIL.

The two figures depicted on next page represent Henry of Metz receiving the oriflamme from the hands of St. Denis, derived from a painted window in the church of Nôtre Dame de Chartres. The oriflamme was a red banner attached to a staff, and cut in the manner shown in our engraving. Henry of Metz was Marshal of France, and is here represented in a complete suit of mail, his hood being thrown back upon his shoulders. This suit is perfect, even to the extremities; and it is to be remarked that the defence for the hands is divided in the manner of a [Pg 484] common glove. Over the mail is worn a loose surcoat, on which is emblazoned the cross, traversed by a red baton—the type of his high office.

The two figures shown on the next page illustrate Henry of Metz receiving the oriflamme from St. Denis, based on a stained glass window in the church of Nôtre Dame de Chartres. The oriflamme was a red banner attached to a pole, shaped as depicted in our engraving. Henry of Metz served as Marshal of France and is shown wearing a full suit of chainmail, with his hood pulled back over his shoulders. This armor is complete, even down to his hands, which are protected in a way similar to a common glove. Over the chainmail, he wears a loose surcoat featuring a cross and a red baton, symbolizing his high rank.

Ancient Suit of Mail

THE POISON CUP.

The Poison Cup.

Poison Cup

In the time of James I. poison was too frequently resorted to, especially on the Continent, as a means of getting rid of individuals who had rendered themselves obnoxious to certain parties who were prosecuting their own private ends; and so extensively did this infamous [Pg 486] practice prevail that there was a class of persons who were known to have studied the art of secret poisoning, and whose services could be engaged for a high reward. In order to counteract the operations of the poisoners, various devices were employed, and among them was the art which the pretended magicians of those days professed to have discovered, of making a kind of glass which would fly in pieces if poison was poured into any vessel that was formed of it. The cut at the head of our article represents a tankard of this sort, in which the glass is mounted in silver gilt arabesque and silver filagree. It was believed that the large crystal which is seen standing out at the centre of the lid would become discoloured at the approach of poison. The tankard is a work of the sixteenth century, and was presented to Clare Hall, Cambridge—where it is still preserved—by Dr. William Butler, an eminent physician in the time of James I.

During the time of James I, poison was often used, especially in Europe, as a way to eliminate people who were seen as troublesome by those pursuing their own interests. This notorious practice became so common that there was a group of individuals known for mastering the art of secret poisoning, and their services could be hired for a hefty fee. To combat the activities of these poisoners, various methods were used, including one that the so-called magicians of the era claimed to have discovered: a type of glass that would shatter if poison was poured into any vessel made from it. The illustration at the beginning of our article shows a tankard of this kind, featuring glass mounted in silver gilt arabesque and silver filigree. It was believed that the large crystal on the lid would change color if poison was near. This tankard, a work from the sixteenth century, was gifted to Clare Hall, Cambridge—where it is still kept—by Dr. William Butler, a notable physician during the time of James I.

PORCELAIN FINGER-RINGS.

Ceramic finger rings.

The porcelain finger-rings of ancient Egypt are extremely beautiful; the band of the ring being seldom above one-eighth of an inch in thickness. Some have a plate on which, in bas-relief, is the god Set, or Baal, full face, or playing on the tambourine, as the inventor of Music; others have their plates in the shape of the right symbolical eye, the emblem of the Sun; of a fish, of the perch species; or of a scarabæus, which is said to have been worn by the military order. Some few represent flowers. Those which have elliptical plates with hieroglyphical inscriptions, bear the names of Amen-Ra, and of other gods and monarchs, as Amenophis III., Amenophis IV., and Amenanchut, of the Eighteenth and Nineteenth dynasties. One of these rings has a little bugle on each side, as if it had been strung on the beaded work of a mummy, instead of being placed on the finger. Blue is the prevalent colour, but a few white and yellow rings, and some even ornamented with red and purple colours are found. It is not credible that these rings, of a substance finer and more fragile than glass, were worn during life. Neither is it likely that they were worn by the poorer classes, for the use of the king's name on sepulchral objects seems to have been restricted to functionaries of state. Some larger rings of porcelain of about an inch diameter, seven-eighths of an inch broad, and one-sixteenth of an inch thick, made in open work, represent the constantly repeated lotus flowers, and the god Ra, or the Sun, seated, and floating through the heaven in his boat. Common as these objects were in Egypt, where they were employed as substitutes for the hard and precious stones, to the Greeks, Etruscans, and Italian Greeks they were articles of luxury, just as the porcelain of China was to Europeans some centuries ago. The Etruscans set these bugles, beads, and amulets in settings of their exquisite gold filigree work, intermixed with gold beads and precious stones. Strung as pendants they hung round the necks of the fair ones of Etruria. In one of the tombs already alluded to at the Polledrara, near Vulci, in Italy, was found a heap of annular and curious Egyptian bugles, which had apparently formed a covering to some bronze objects, but the strings having given way, the beads had dropped to pieces. These, as well as the former, had been [Pg 487] obtained from some of the Egyptian markets, like that at Naucratis: or from the Phoenician merchants, in the same manner as the flasks. One of the most remarkable of these personal ornaments is a bracelet, composed of small fish strung together and secured by a clasp.

The porcelain rings from ancient Egypt are incredibly beautiful, with the band usually being no thicker than one-eighth of an inch. Some feature a plate with a bas-relief image of the god Set or Baal, either facing forward or playing the tambourine as the inventor of music. Others are shaped like the symbolic right eye, an emblem of the Sun; a fish from the perch species; or a scarab, which is said to have been worn by military members. A few depict flowers. The rings with elliptical plates that have hieroglyphs display the names of Amen-Ra and other gods and rulers, such as Amenophis III., Amenophis IV., and Amenanchut from the Eighteenth and Nineteenth dynasties. One of these rings features a small bugle on each side, suggesting it was strung on a mummy's beaded work rather than worn on a finger. Blue is the main color, but there are also some white and yellow rings, and a few even feature red and purple decorations. It's hard to believe these rings, made from a material more delicate and finer than glass, were actually worn during life. It's also unlikely that they belonged to the poorer classes since the king's name on burial items seems to have been reserved for state officials. There are some larger porcelain rings about an inch in diameter, seven-eighths of an inch wide, and one-sixteenth of an inch thick, made in openwork, representing the often-seen lotus flowers and the god Ra, or the Sun, seated and floating through the sky in his boat. While these items were common in Egypt, where they served as substitutes for hard and precious stones, to the Greeks, Etruscans, and Italian Greeks, they were luxury items, much like fine porcelain from China was for Europeans centuries ago. The Etruscans set these bugles, beads, and amulets in their exquisite gold filigree work, mixed with gold beads and precious stones. Worn as pendants, they adorned the necks of the beautiful women of Etruria. In one of the tombs previously mentioned at Polledrara, near Vulci in Italy, a collection of unique Egyptian bugles was found, which appeared to have covered some bronze items, but the strings had broken, causing the beads to fall apart. Both this collection and others like it were likely sourced from Egyptian markets, such as Naucratis, or from Phoenician traders, similar to how flasks were acquired. One of the most notable personal ornaments is a bracelet made of small fish strung together and secured by a clasp.

PIGEON CATCHING NEAR NAPLES.

Catching Pigeons Near Naples.

Between La Cava and Naples, about half a mile from the town, are certain Bluebeard-looking towers, several centuries old, erected for the purpose of snaring wood-pigeons; with which view the gentlemen of the neighbourhood, who are generally expert and practised slingers, assemble and man the towers in May. A long line of nets, some quarter of a mile in circuit, held up in a slanting position by men concealed in stone sentry-boxes placed here and there along the enceinte, is spread in front. As the pigeons are seen advancing (the time of their approach is generally looked for at early dawn, when they are making for the woods), the nearest slingers commence projecting a succession of white stones in the direction of the nets. These the birds no sooner behold, then attracted, or alarmed (for the motive does not certainly appear), they swoop down upon them, and when sufficiently near to fall within reach of the nets, the persons holding let go, rush from their ambush, and secure the covey. Thousands of wood-pigeons are thus, we have been told by a proprietor, annually taken, and transmitted for presents to distant friends; as we used to send out game, before the sale of it was legalised. Thus birds, as well as fish, and fish as well as man, often get entangled and caught in their headlong pursuit of a pleasure that still eludes them.

Between La Cava and Naples, about half a mile from the town, there are some old towers that look like something out of a storybook, built several centuries ago for the purpose of catching wood pigeons. In May, local men, who are generally skilled and experienced slingers, gather in these towers. A long line of nets, about a quarter of a mile around, is held up at an angle by men hidden in stone sentry boxes placed along the perimeter. As the pigeons are spotted coming in—usually at dawn when they head for the woods—the nearest slingers start throwing a series of white stones towards the nets. As soon as the birds see these, whether they're attracted or scared (the reason isn't entirely clear), they swoop down to them. Once they're close enough to be caught in the nets, the men hiding let go, rush out of their hiding spots, and catch the group. We’ve been told by a landowner that thousands of wood pigeons are caught each year and sent as gifts to distant friends, just like we used to send out game before it was legal to sell it. This shows how both birds and fish, just like people, often get caught up in their relentless chase for a pleasure that continues to evade them.

FRAME REQUISITE TO SUPPORT THE DRESS.

FRAME REQUIRED TO SUPPORT THE DRESS.

James I., and his subjects who wished to clothe themselves loyally, wore stupendous breeches. Of course the "honourable gentleman" of the House of Commons were necessarily followers of the fashion. But it led to inconveniences in the course of their senatorial duties. It was an old mode revived; and at an earlier day, when these nether garments were ample enough to have covered the lower man of Boanerges, the comfort of the popular representative was thus cared for:—"Over the seats in the parliament-house, there were certain holes, some two inches square, in the walls, in which were placed posts to uphold a scaffold round about the house within, for them to sit upon who used the wearing of great breeches stuffed with hair like wool-sacks, which fashion being left the eighth year of Elizabeth, the scaffolds were taken down, and never since put up." So says Strutt; but doubtless the comforts of the members were not less cared for when the old fashion again prevailed.

James I and his loyal subjects wore huge breeches. Naturally, the "honorable gentlemen" of the House of Commons followed this trend. However, it created some challenges during their duties. This was a revival of an old style; in earlier times, when these bottom garments were large enough to cover the lower half of Boanerges, the comfort of the representatives was considered: "Over the seats in the parliament house, there were certain holes, about two inches square, in the walls, where posts were placed to support a scaffold around the house for those who wore large breeches stuffed with hair like wool sacks. When this style fell out of fashion in the eighth year of Elizabeth, the scaffolds were taken down and have not been put up since." So says Strutt; however, the comfort of the members was surely taken into account when the old style came back into vogue.

PRICES OF SÈVRES PORCELAIN.

Sèvres porcelain prices.

As one of the curiosities of luxury and taste it is worth while to note the high prices for which some portions of the very choice collection of Sèvres porcelain at Stowe were sold:—A small coffee cup, which weighed scarcely three ounces, realised 46 guineas; and another, similar, but somewhat inferior, sold for 35 guineas. A chocolate cup and saucer, [Pg 488] Bleu de Roi, with beautiful miniatures of two ladies of the Court of Louis XV., and four paintings of Cupids, though slightly injured during the view, realised 45 guineas. The prices obtained for most of the cups and saucers were from 10 to 12 guineas. A beautiful specimen of a Bleu de Roi cup, saucer and cover, jewelled in festoons, cameos, and imitation of pearls, sold for £35 10s.; and another, somewhat inferior, for 21 guineas. A salver, mounted in a table with ormolu ornaments, sold for 81 guineas; the companion piece for £100.

As one of the curiosities of luxury and taste, it’s interesting to note the high prices some pieces from the exquisite collection of Sèvres porcelain at Stowe fetched: A small coffee cup that weighed barely three ounces sold for 46 guineas; another similar, but slightly lower quality, went for 35 guineas. A chocolate cup and saucer, [Pg 488] Bleu de Roi, featuring beautiful miniatures of two ladies from the Court of Louis XV, and four paintings of Cupids, although slightly damaged during the viewing, sold for 45 guineas. Most of the cups and saucers fetched between 10 to 12 guineas. A stunning Bleu de Roi cup, saucer, and cover, adorned with jeweled festoons, cameos, and faux pearls, sold for £35 10s., while another, of slightly lesser quality, sold for 21 guineas. A salver, mounted on a table with ormolu decorations, went for 81 guineas; the matching piece sold for £100.

HENRY THE EIGHTH'S CHAIR.

HENRY VIII'S CHAIR.

In the earlier half of the sixteenth century a large proportion of the furniture used in this country, as well as of the earthenware and other household implements during the greater part of that century, was imported from Flanders and the Netherlands. Hence, in the absence of engravings at home, we are led to look at the works of the Flemish and German artists for illustrations of domestic manners at this period. The seats of that day were termed joint (or joined) stools and chairs. A rather fine example of a chair of this work, which was, as was often the case, three-cornered, is preserved in the Ashmolean museum, at Oxford, where it is reported to have been the chair of Henry VIII. We here annex a sketch of it.

In the first half of the sixteenth century, a significant amount of furniture used in this country, along with earthenware and other household items for most of that century, was brought in from Flanders and the Netherlands. Therefore, since there were no engravings made locally, we turn to the works of Flemish and German artists for illustrations of daily life during this time. The seating from that era was referred to as joint (or joined) stools and chairs. A notable example of this style, which was often three-cornered, is on display at the Ashmolean Museum in Oxford, where it's said to have belonged to Henry VIII. We have included a sketch of it here.

Henry the Eighth's Chair

MULLET AND TURBOT WITH THE ROMANS.

MULLET AND TURBOT WITH THE ROMANS.

The Romans were enthusiastic for the mullet. It was for them the fish, par excellence. It was sometimes served up six pounds in weight, [Pg 489] and such a fish was worth £60 sterling. It was cooked on the table, for the benefit and pleasure of the guests. In a glass vessel filled with brine made from water, the blood of the mackerel, and salt, the live mullet, stripped of all its scales, was enclosed; and as its fine pink colour passed through its dying gradations, until paleness and death ensued, the convives looked on admiringly, and lauded the spectacle.

The Romans were crazy about mullet. To them, it was the fish, truly the best. Sometimes, it was served weighing six pounds, [Pg 489] and such a fish was worth £60. It was cooked at the table for the enjoyment of the guests. A live mullet, stripped of all its scales, was placed in a glass container filled with brine made from water, mackerel blood, and salt. As its beautiful pink color changed through the stages of dying until it became pale and lifeless, the guests watched in admiration and praised the display.

The turbot was next in estimation, but as, occasionally, offending slaves were flung into the turbot preserves for the fish to feed upon, some gastronomists have affected to be horror-stricken at the idea of eating a turbot a la Romaine; quite forgetting that so many of our sea-fish, in their domain, feed largely on the human bodies which accident, or what men call by that name, casts into the deep.

The turbot was the next favorite, but since sometimes offending slaves were tossed into the turbot ponds for the fish to eat, some food enthusiasts have pretended to be horrified by the thought of eating a turbot a la Romaine; completely ignoring the fact that many of our sea fish, in their habitat, feed largely on human bodies that accidents, or what people call accidents, throw into the ocean.

"TOO LATE," QUOTH BOICE.

"Too late," said Boice.

The history of the ancient castle of Maynooth is one of much interest; abounding in incidents akin to romance. In the reign of Henry the Eighth, during the rebellion of "Silken Thomas," one of the bravest and most heroic of the Geraldines, it was taken by treachery. In the absence of its lord, the governorship was entrusted to "Christopher Parese," his foster-brother. This "white-livered traitor resolved to purchase his own security with his lord's ruin;" and therefore sent a letter to the lord-deputy, signifying that he would betray the castle, on conditions; "and here the devil betrayed the betrayer, for in making terms for his purse's profit, he forgot to include his person's safety." The lord-deputy readily accepted his offer, and, accordingly, the garrison having gained some success in a sally, and being encouraged by the governor in a deep joyous carouse, the ward of the tower was neglected—the traitorous signal given, and the English scaled the walls. They obtained possession of the strong-hold, and put the garrison to the sword—"all except two singing men, who, prostrating themselves before the deputy, warbled a sweet sonnet called dulcis amica, and their melody saved their lives." Parese, expecting some great reward, with impudent familiarity presented himself before the deputy, who addressed him as follows:—"Master Parese, thou hast certainly saved our lord the king much charge, and many of his subjects' lives, but that I may better know to advise his highness how to reward thee, I would ascertain what the Lord Thomas Fitzgerald hath done for thee?" Parese, highly elevated at this discourse, recounted, even to the most minute circumstance, all the favours that the Geraldine, even from his youth up, had conferred on him, to which the deputy replied, "And how, Parese, couldst thou find it in thy heart to betray the castle of so kind a lord? Here, Mr. Treasurer, pay down the money that he has covenanted for; and here, also, executioner, without delay, as soon as the money is counted out, cut off his head!" "Oh," quoth Parese, "had I known this, your lordship should not have had the castle so easily." Whereupon Mr. Boice, a secret friend of the Fitzgerald, a bystander, cried out "Auntraugh," i. e. "too late," which occasioned a proverbial saying, long afterwards used in Ireland—"Too late, quoth Boice." The castle is said by Archdall to have been erected by John, the sixth Earl of Kildare, early in the fifteenth century; [Pg 490] but in that case it must have been preceded by some other defensive structure; for it is certain that the Kildare branch of the Geraldines resided at Maynooth at a much earlier period. The first Earl of Kildare, John Fitz Thomas, was created by patent, dated 14th May, 1316.

The history of the ancient castle of Maynooth is quite fascinating, filled with events that read like a romance. During Henry the Eighth's reign, amid the rebellion of "Silken Thomas," one of the bravest and most heroic members of the Geraldines, the castle was captured through treachery. While its lord was away, the governorship was given to "Christopher Parese," his foster-brother. This "cowardly traitor decided to secure his own safety at the expense of his lord," so he sent a letter to the lord-deputy, stating that he would betray the castle under certain conditions; "and here the devil betrayed the betrayer, for in making terms for his financial gain, he forgot to ensure his own safety." The lord-deputy eagerly accepted the deal, and after the garrison had some success during a sortie and was encouraged by the governor in a deep, joyous celebration, the watch of the tower was neglected—the treacherous signal was given, and the English scaled the walls. They took control of the stronghold and killed the garrison—"except for two singing men, who, kneeling before the deputy, sang a sweet song called dulcis amica, and their melody saved their lives." Parese, expecting a great reward, arrogantly presented himself before the deputy, who said to him: "Master Parese, you have certainly saved our king a lot of money and many lives, but for me to better advise his highness on how to reward you, I need to know what Lord Thomas Fitzgerald has done for you?" Parese, feeling quite pleased with this conversation, recounted every detail of the favors the Geraldine had granted him from his youth, to which the deputy replied, "And how, Parese, could you have the heart to betray the castle of such a kind master? Here, Mr. Treasurer, pay him the amount he has agreed upon; and here, executioner, without delay, once the money is counted, behead him!" "Oh," said Parese, "if I had known this, your lordship wouldn't have so easily taken the castle." At this, Mr. Boice, a secret friend of the Fitzgeralds standing by, shouted "Auntraugh," i.e. "too late," which led to a saying that was used in Ireland for a long time—"Too late, said Boice." According to Archdall, the castle was built by John, the sixth Earl of Kildare, in the early fifteenth century; [Pg 490] but if that’s the case, it must have been preceded by another defensive structure, as it’s clear the Kildare branch of the Geraldines lived at Maynooth much earlier. The first Earl of Kildare, John Fitz Thomas, was granted his title by patent on May 14, 1316.

SUPPRESSED BIBLES.

Banned Bibles.

1538.—An English Bible, in folio, printed at Paris, unfinished.

1538.—An English Bible, in large format, printed in Paris, incomplete.

1542.—Dutch Bible by Jacob Van Leisvelt. The sixth and best edition given by Leisvelt, and famous as being the cause of this printer being beheaded.

1542.—Dutch Bible by Jacob Van Leisvelt. The sixth and best edition released by Leisvelt, known for being the reason this printer was executed.

1566.—French Bible by Rene Benoist, Paris, 1566, folio, 3 vols. completed.

1566.—French Bible by Rene Benoist, Paris, 1566, folio, 3 vols. completed.

1622.—Swedish Bible, printed at Lubeck, in 4to., very defective.

1622.—Swedish Bible, printed in Lubeck, in quarto format, has many defects.

1666.—A German Bible, printed at Helmstedt, in part only, 4to.

1666.—A German Bible, printed in Helmstedt, partially, 4to.

1671.—A French Bible, by Marolles, in folio, containing only the books of Genesis, Exodus, and the first twenty-three chapters of Leviticus.

1671.—A French Bible by Marolles, in folio, containing only the books of Genesis, Exodus, and the first twenty-three chapters of Leviticus.

EXTRAORDINARY REPRODUCTIVE POWER OF THE HYDRA.

EXTRAORDINARY REPRODUCTIVE POWER OF THE HYDRA.

One of the fresh-water Polypes, from its power of perpetual reproduction, has received the name of Hydra, by which it is known among naturalists: as if it realised the ancient monster of fabulous story, whose heads sprouted anew as fast as they were cut off by Hercules.

One of the freshwater polyps, due to its ability to reproduce endlessly, is called Hydra, a name recognized by naturalists. It's as if it embodies the ancient mythological monster, whose heads grew back just as quickly as Hercules cut them off.

Most curious monstrosities were produced by the experiments of philosophers on these animals, especially by partial separations. If a polype be slit from the summit to the middle, one will be formed having two heads, each of which will capture and swallow food. If these again be slit half-a-dozen times, as many heads will be formed surmounting the same body. If now all these be cut off, as many new ones will spring up in their place, while each of the severed heads becomes a new polype, capable of being, in its turn, varied and multiplied ad infinitum;—so that in every respect our little reality exceeds its fabulous namesake.

Most fascinating freaks were created by philosophers experimenting on these animals, especially through partial separations. If you cut a polype from the top to the middle, it will develop two heads, each of which can capture and swallow food. If you cut these again half a dozen times, the same body will have as many heads as there are cuts. If all these heads are removed, new ones will grow back in their place, while each severed head becomes a new polype, capable of being varied and multiplied ad infinitum;—so in every way our little reality surpasses its legendary counterpart.

The polypes may be grafted together. If cut-off pieces be placed in contact, and pushed together with a gentle force, they will unite and form a single one. The head of one may be thus planted on the trunk of another.

The polyps can be joined together. If you put cut-off pieces in contact and press them together gently, they will fuse to become one. The head of one can be placed on the body of another.

Another method of uniting them, perhaps still more wonderful, is by introducing one within the other; the operator forced the body of the one into the mouth of the other, pushing it down so that the heads were brought together. After forcibly keeping it for some time in this state, the two individuals at length united, and a polype was formed, distinguishable only by having twice the usual number of tentacles.

Another way to combine them, which is maybe even more incredible, is by placing one inside the other; the operator pushed one body into the mouth of the other, forcing it down so that their heads met. After keeping them in this position for some time, the two individuals eventually merged, and a polype was created, identifiable only by having double the usual number of tentacles.

There is one species which can actually be turned inside out like a glove, and yet perform all the functions of life as before, though that which was the coat of the stomach is now the skin of the body and vice versâ. If it should chance that a polype so turned had young in the act of budding, these are, of course, now within the stomach. If they have arrived at a certain degree of maturity, they extend themselves towards [Pg 491] the mouth of the parent, that they may thus escape when separated. But those which are less advanced turn themselves spontaneously inside out, and thus place themselves again on the exterior of the parent.

There’s one species that can actually be turned inside out like a glove and still carry out all its life functions as before, even though what used to be the stomach now acts as the skin, and vice versa. If a polyp like this happens to have offspring in the process of budding, those offspring end up inside the stomach. If they have matured to a certain point, they reach out toward the mouth of the parent so they can escape when they're separated. However, those that are less developed flip themselves inside out on their own, placing themselves back outside the parent.

A multitude of other variations, combinations, and monstrosities, have been, as it were, created by the ingenuity of philosophers; but these are sufficient to give a notion of the extraordinary nature of these animals; and to account for the wonder with which they were regarded.

A variety of other versions, mixes, and oddities have been, so to speak, created by the creativity of philosophers; but these are enough to give a sense of the remarkable nature of these animals; and to explain the amazement with which they were viewed.

EGYPT.

EGYPT.

Egypt was the land visited by Abraham in search of food, when there was a famine in his own country;—the land to which Joseph was carried as a slave, and which he governed as prime minister. From Egypt, Moses led the Israelites through the waters of the Red Sea. Here Jeremiah wrote his Lamentations. Here Solon, Pythagoras, Plato, and many other Greek philosophers, came to study. Here Alexander the Great came as conqueror; and here the Infant Saviour was brought by his parents to avoid the persecution of Herod. Egyptian hieroglyphics, in which the characters are taken from visible objects, are the earliest form of writing; and the Hebrew and Greek alphabets were both borrowed from them. Egypt taught the world the use of paper—made from its rush, the papyrus. In Egypt was made the first public library, and first college of learned men, namely, the Alexandrian Museum. There Euclid wrote his Elements of Geometry, and Theocritus his Poems, and Lucian his Dialogues. The beauty of Cleopatra, the last Egyptian Queen, held Julius Cæsar, and then Marc Antony, captive. In Egypt were built the first monasteries; the Christian fathers, Origen and Athanasius, lived there. The Arien and Athanasian controversy began there.

Egypt was the place Abraham visited in search of food during a famine in his homeland; the land where Joseph was taken as a slave and later became the prime minister. From Egypt, Moses led the Israelites through the Red Sea. This is where Jeremiah wrote his Lamentations. It’s also where Solon, Pythagoras, Plato, and many other Greek philosophers came to study. Alexander the Great arrived here as a conqueror, and the Infant Savior was brought by his parents to escape Herod's persecution. Egyptian hieroglyphics, which use characters based on visible objects, are the earliest form of writing, and both the Hebrew and Greek alphabets were derived from them. Egypt introduced the world to the use of paper, made from its papyrus plant. The first public library and the first college of learned men, the Alexandrian Museum, were established here. Euclid wrote his Elements of Geometry, Theocritus penned his Poems, and Lucian created his Dialogues there. The beauty of Cleopatra, the last Egyptian Queen, captivated Julius Caesar and then Marc Antony. Egypt was also home to the first monasteries, where Christian scholars Origen and Athanasius lived. The Arian and Athanasian controversy started here.

The buildings which now remain are the oldest buildings in the world, and the largest in the world. On the banks of its great river may be seen the oldest arch, and the oldest column. Up this noble river sailed Herodotus, the most entertaining of travellers, and Strabo, the most judicious. Indeed, as the country is little more than the narrow strip that is watered by the Nile's overflow, from the river may be seen almost all its great cities and temples.

The buildings that still stand today are the oldest in the world and also the largest. Along the banks of its great river, you can see the oldest arch and the oldest column. Herodotus, the most entertaining traveler, and Strabo, the most thoughtful, both sailed up this majestic river. In fact, since the country is just a narrow strip that the Nile's flooding nourishes, you can see almost all its great cities and temples from the river.

ABYSSINIAN LADIES.

Abyssinian Women.

The women of Abyssinia are dressed quite as decently as any women in the world, without having a particle of the trouble of the ladies of more civilised nations. There is a distinguishing costume for young girls, and for those who, from being married or otherwise, are no longer considered as such. The dress of the former is indeed rather slight, though far more picturesque than that of the latter. In one part of the country (about Shiré) the girls merely wear a piece of cotton stuff wrapped round the waist and hanging down almost to the knee, and another (or the end of the former, if it be long enough) thrown over the left shoulder, so as to leave the right arm and breast exposed. In other parts of Tigrè, a black goat-skin, ornamented with cowries, is often substituted for this latter. An ordinary woman wears a large loose shirt [Pg 492] down to the feet, with sleeves made tight towards the wrist. This, with a "quarry" similar to those of the men, but worn rather differently, and a parasol when out of doors, is a complete suit. A fine lady, however, as in our engraving, has a splendid "mergeff quarry," and her shirt is made probably of calico from Manchester, instead of the country fabric, and richly embroidered in silk of divers colours and various patterns round the neck, down the front, and on the cuffs. She will also, of course, own a mule; and then may choose to wear (alas, that it should be so, even in Abyssinia!) the inexpressibles. These are made of calico, and rather loose, but getting gradually tighter at the ankle, where they are embroidered like the shirt.

The women of Abyssinia dress just as modestly as any women in the world, without the hassle that the ladies of more civilized nations deal with. There’s a specific outfit for young girls and another for those who are married or otherwise no longer considered girls. The former’s dress is quite simple but much more colorful than the latter's. In one part of the country (around Shiré), girls wear a piece of cotton wrapped around their waist that hangs down almost to their knees, with another piece (or the end of the first if it's long enough) draped over their left shoulder, leaving their right arm and breast exposed. In other areas of Tigrè, a black goat-skin decorated with cowrie shells often replaces this latter piece. An ordinary woman wears a large, loose shirt that reaches her feet, with sleeves that narrow towards the wrist. This, along with a "quarry" similar to the men's but worn differently, and a parasol when she’s outside, makes for a complete outfit. A stylish lady, however, as shown in our engraving, has a beautiful "mergeff quarry," and her shirt is likely made of Manchester calico instead of local fabric, featuring rich embroidery in various colors and patterns around the neck, down the front, and on the cuffs. She will also own a mule and might choose to wear (unfortunately, even in Abyssinia!) trousers. These are made of calico, somewhat loose but gradually tighter at the ankle, where they are embroidered like the shirt.

Abyssinian Ladies

The fair sex all over the world are fond of ornaments. In Abyssinia they wear a profusion of silver, in the shape of chains, bracelets, &c., or, to be more explicit, a well-dressed lady will hang three or four sets of amulets about her neck, as well as her blue cord, and a large flat silver case (purporting to contain a talisman, but more often some [Pg 493] scented cotton) ornamented with a lot of silver bells hanging to the bottom edge of it, and the whole suspended by four chains of the same metal. Three pairs of massive silver and gilt bracelets are on her wrists, and a similar number of "bangles" on her ankles; while over her insteps and to her heels are a quantity of little silver ornaments, strung like beads on a silk cord. Her fingers (even the upper joints) are covered with plain rings, often alternately of silver and silver-gilt, and a silver hair-pin, something similar to those now worn by English ladies, completes her decoration. Women of the poorer class, and ladies on ordinary occasions, wear ivory or wooden pins neatly carved in various patterns, and stained red with henna-leaves. The Abyssinian ladies, like those of most Eastern nations, stain their hands and feet with henna, and darken their eyelids with antimony.

Women everywhere love jewelry. In Ethiopia, they wear a lot of silver in the form of chains, bracelets, and more. To be more specific, a stylish woman might have three or four sets of amulets around her neck, along with a blue cord and a large flat silver case (which is said to hold a talisman but often contains some scented cotton) decorated with several silver bells hanging from the bottom edge, all suspended by four chains of the same metal. She typically wears three pairs of chunky silver and gilt bracelets on her wrists and a similar number of bangles on her ankles. Additionally, there are small silver ornaments strung like beads on a silk cord across her insteps and heels. Her fingers, including the upper joints, are adorned with simple rings, often alternating between silver and silver-gilt, and she completes her look with a silver hairpin similar to those worn by English women today. Women from poorer backgrounds and those dressed for everyday occasions wear neatly carved ivory or wooden pins, stained red with henna leaves. Ethiopian women, like many from Eastern cultures, stain their hands and feet with henna and darken their eyelids with antimony.

1, 2. Hair-pins made of hard wood, and stained with henna. 3. Ditto, of silver and fil-et-grain work. (About one-half usual size.)

TREATMENT OF LEPERS IN ENGLAND.

Care for Lepers in England.

According to the tenor of various old civil codes and local enactments, when a person became affected with leprosy, he was looked upon as legally and politically dead, and lost the privileges belonging to his right of citizenship. By the laws of England, lepers were classed with idiots, madmen, outlaws, &c., as incapable of being heirs. But it was not by the eye of the law alone that the affected was looked upon as defunct, for the church also took the same view, and performed the solemn ceremonials of the burial of the dead over him, on the day on which he was [Pg 494] separated from his fellow creatures, and confined to a lazar house. The various forms and ceremonies which were gone through on this occasion are described by French authors; but it is highly probable that the same observances were common in our own country.

According to various old civil codes and local laws, when a person was diagnosed with leprosy, they were considered legally and politically dead, losing the rights that came with citizenship. Under English law, lepers were grouped with the mentally incapacitated and outlaws, deemed incapable of inheriting. However, it wasn't just the law that viewed the afflicted as dead; the church shared this perspective, conducting the formal burial rites on the day the person was separated from society and placed in a lazar house. French authors describe the various rituals and ceremonies that took place during this time, but it's likely that similar practices were found in our own country.

A priest, robed with surplice and stole, went with the cross to the house of the doomed leper. The minister of the church began the necessary ceremonies, by exhorting him to suffer, with a patient and penitent spirit, the incurable plague with which God had stricken him. He then sprinkled the unfortunate leper with holy water, and afterwards conducted him to the church, the usual burial services being sung during their march thither. In the church, the ordinary habiliments of the leper were removed; he was clothed in a funeral pall, and, while placed before the altar, between trestles, the libera was sung, and the mass for the dead celebrated over him. After this service he was again sprinkled with holy water, and led from the church to the house or hospital destined for his future abode. A pair of clappers, a barrel, a stick, cowl, and dress, &c., were given him. Before leaving the leper, the priest solemnly interdicted him from appearing in public without his leper's garb,—from entering inns, churches, mills, and bakehouses,—from touching children, or giving them ought he had touched,—from washing his hands, or any thing pertaining to him, in the common fountains and streams,—from touching, in the markets, the goods he wished to buy, with any thing except his stick,—from eating and drinking with any others than lepers,—and he specially forbade him from walking in narrow paths, or from answering those who spoke to him in roads and streets, unless in a whisper, that they might not be annoyed with his pestilent breath, and with the infectious odour that exhaled from his body,—and last of all, before taking his departure, and leaving the leper for ever to the seclusion of the lazar house, the official of the church terminated the ceremony of his separation from his living fellow-creatures, by throwing upon the body of the poor outcast a shovelful of earth, in imitation of the closure of the grave.

A priest, dressed in a robe and stole, went with the cross to the house of the doomed leper. The church minister began the necessary ceremonies, urging him to endure, with a patient and repentant heart, the incurable disease that God had afflicted him with. He then sprinkled the unfortunate leper with holy water and afterwards took him to the church, where the usual burial services were sung during their walk there. In the church, the leper's ordinary clothes were removed; he was dressed in a burial shroud, and while standing before the altar, between trestles, the libera was sung, and the mass for the dead was conducted for him. After this service, he was sprinkled with holy water again and led from the church to the house or hospital designated as his future home. He was given a pair of clappers, a barrel, a stick, a cowl, and a robe, etc. Before leaving the leper, the priest solemnly prohibited him from appearing in public without his leper’s attire, from entering inns, churches, mills, and bakehouses, from touching children or giving them anything he had touched, from washing his hands or anything belonging to him in common fountains and streams, from touching any goods he wanted to buy in the markets with anything except his stick, from eating and drinking with anyone other than lepers, and he specifically forbade him from walking in narrow paths or responding to anyone who spoke to him in roads and streets, except in a whisper, so that they wouldn't be disturbed by his pestilent breath and the infectious odor coming from his body. Lastly, before he left and abandoned the leper forever to the isolation of the lazar house, the official of the church concluded the ceremony of his separation from living beings by throwing a shovelful of earth onto the body of the poor outcast, imitating the closing of a grave.

According to the then customary usage, Leper Hospitals were always provided with a cemetery for the reception of the bodies of those who had died of the malady.

According to the usual practice at the time, Leper Hospitals were always equipped with a cemetery for the burial of those who had succumbed to the illness.

LUMINOUS APPEARANCE OF THE RED SEA.

LUMINOUS APPEARANCE OF THE RED SEA.

All who have frequented the Red Sea, have observed the luminous appearance or phosphorescence of its waters. "It was beautiful," says a picturesque writer, who sailed from Mocha to Cosseir, "to look down into this brightly transparent sea, and mark the coral, here in large masses of honeycomb-rock, there in light branches of a pale red hue, and the beds of green seaweed, and the golden sand, and the shells, and the fish sporting round the vessel, and making colours of a beauty to the eye which is not their own. Twice or thrice we ran on after dark for an hour or two; and though we were all familiar with the sparkling of the sea round the boat at night, never have I seen it in other waters so superlatively splendid. A rope dipped in it and drawn forth came up as a string of gems; but with a life, and light, and motion, the diamond [Pg 495] does not know." Those sea-lights have been explained by a diversity of causes; but the singular brilliancy of the Red Sea seems owing to fish spawn and animalculæ, a conjecture which receives some corroboration from the circumstance that travellers who mention it visited the gulf during the spawning period—that is, between the latter end of December and the end of February. The coral-banks are less numerous in the southern parts. It deserves notice, that Dr. Shaw and Mr. Bruce have stated—what could only be true, so far as their own experience went—that they observed no species of weed or flag; and the latter proposes to translate Yam Zuph "the Sea of Coral"—a name as appropriate as that of Edom.

All who have visited the Red Sea have noticed the glowing look or phosphorescence of its waters. “It was beautiful,” says a colorful writer who sailed from Mocha to Cosseir, “to look down into this clear, bright sea and see the coral, here in large chunks of honeycomb-like rock, there in light branches of a pale red color, and the beds of green seaweed, and the golden sand, and the shells, and the fish swimming around the boat, creating colors that are beautiful to the eye but not their own. We sailed on for an hour or two after dark a couple of times, and although we were all familiar with the sparkling sea around the boat at night, I have never seen it so incredibly splendid in any other waters. A rope dipped into it and pulled out came up looking like a string of gems, but with a life, light, and movement that diamonds don’t have.” Those sea lights have been explained by various causes, but the unique brilliance of the Red Sea seems to be due to fish spawn and tiny organisms, a theory supported by the fact that travelers mentioning it visited the gulf during the spawning season—that is, from late December to the end of February. The coral reefs are less common in the southern areas. It's worth mentioning that Dr. Shaw and Mr. Bruce noted—based on their own experiences—that they observed no type of seaweed or flag; and the latter suggests translating Yam Zuph as “the Sea of Coral”—a name just as fitting as Edom.

RECENT PRICES OF SLAVES.

CURRENT SLAVE PRICES.

Prices of course vary at Constantinople according to the vigilance of Russian cruisers, and the incorruptibility of Russian agents at Trebizond, Samsoon, and Sinope. The following is the average price in Circassia:—

Prices naturally fluctuate in Constantinople based on the watchfulness of Russian cruisers and the honesty of Russian agents in Trebizond, Samsoon, and Sinope. Here’s the average price in Circassia:—

A man of 30 years of age, £10
" 20 "   10 to £30
" 15 "   30 " 70
" 10 "   20 " 50
" 5 "   10 " 30
A woman of 50 years of age, £10 to £30
" 40 "   30 " 40
" 30 "   40 " 70
" 20 to 25 "   50 " 100
" 14 " 18 "   50 " 150
" 8 " 12 "   30 " 80
" 5 "   20 " 40

TATTOOED ABYSSINIAN LADY.

Tattooed Abyssinian Woman.

Tattoed Abyssinian Lady

The annexed cut is a sketch of an Abyssinian lady, tattooed in the height of the fashion. The following extract from that interesting work "Parkyns's Abyssinia" gives a good account of the custom as it prevails in the larger cities there, and of the manner in which the operation is performed. "The men seldom tattoo more than one ornament on the upper part of the arm, near the shoulder, while the women cover nearly the whole of their bodies with stars, lines, and crosses, often rather tastefully arranged. I may well say nearly the whole of their persons, for they mark the neck, shoulders, breasts, and arms, down to the fingers, which are enriched with lines to imitate rings, nearly to the nails. The feet, ankles, and calves of the legs, are similarly adorned, and even the gums are by some pricked entirely blue, while others have them striped alternately blue and the natural pink. To see some of their designs, one would give them credit for some skill in the handling of their pencil; but, in fact, their system of drawing the pattern is purely mechanical. I had one arm adorned; a rather blind old woman was the artist; her implements consisted of a little pot of some sort of blacking, made, she told me, of charred herbs; a large home-made iron pin, about one-fourth of an inch at the end of which was ground fine; a bit or two of hollow cane, and a piece of straw; the two last-named [Pg 496] items were her substitutes for pencils. Her circles were made by dipping the end of a piece of a cane of the required size into the blacking, and making its impression on the skin; while an end of the straw, bent to the proper length, and likewise blackened, marked all the lines, squares, diamonds, &c., which were to be of equal length. Her design being thus completed, she worked away on it with her pin, which she dug in as far as the thin part would enter, keeping the supply of blacking sufficient, and going over the same ground repeatedly to ensure regularity and unity in the lines. With some persons, the first effect of this tattooing is to produce a considerable amount of fever, from the irritation caused by the punctures; especially so with the ladies, from the extent of surface thus rendered sore. To allay this irritation, they are generally obliged to remain for a few days in a case of vegetable matter, which is plastered all over them in the form of a sort of green poultice. A scab forms over the tattooing, which should not be picked off, but allowed to fall off of itself. When this disappears, the operation is complete, and the marks are indelible; nay more, the Abyssinians declare that [Pg 497] they may be traced on the person's bones even after death has bared them of their fleshy covering."

The attached image is a drawing of an Abyssinian woman, tattooed in the latest style. The following excerpt from the fascinating book "Parkyns's Abyssinia" provides a good description of the customs in larger cities there and how the process is done. "Men usually get only one tattoo on the upper part of their arm, near the shoulder, while women cover almost their entire bodies with stars, lines, and crosses, often arranged quite tastefully. I can confidently say nearly their entire bodies, as they decorate their necks, shoulders, chests, and arms, down to their fingers, which are embellished with lines that mimic rings, almost all the way to the nails. The feet, ankles, and calves are similarly decorated, and even the gums of some are entirely blue, while others have them striped with blue and the natural pink color. Upon seeing some of their designs, one could credit them with skill in drawing; however, their method of creating the patterns is purely mechanical. I had one arm tattooed; a rather frail old woman was the tattooist. Her tools included a small pot of what she described as blacking, made from charred herbs; a large homemade iron pin, with the end ground fine; a couple of hollow pieces of cane, and a piece of straw. The last two items served as her versions of pencils. She created circles by dipping the end of a piece of cane into the blacking and pressing it onto the skin; a bent piece of straw, also blackened, was used to draw lines, squares, diamonds, etc., all of equal length. Once her design was created, she used her pin, pushing it in as far as the thin part would go, maintaining enough blacking, and going over the same area repeatedly to ensure uniformity and consistency in the lines. With some people, the initial effect of tattooing can cause significant fever from the irritation of the punctures, especially for women due to the large surface area affected. To soothe this irritation, they usually have to stay for a few days covered in a layer of plant material, applied like a green poultice. A scab forms over the tattoos, which should not be picked off but left to fall away naturally. When this comes off, the process is complete, and the marks are permanent; in fact, Abyssinians claim that they can even be seen on the person's bones after death has stripped away the flesh."

BULGARIAN FISHERMEN.

Bulgarian fishermen.

The following interesting account of the Bulgarian fishermen on the shores of the Black Sea is taken from the translation of a narrative of a boat excursion made in 1846 by M. Xavier Hommaire, along part of the northern coast of the Black Sea:—

The following intriguing story about the Bulgarian fishermen on the shores of the Black Sea comes from a translation of a narrative about a boat trip taken in 1846 by M. Xavier Hommaire, along a section of the northern coast of the Black Sea:—

Bulgarian Fishermen

"The fishermen are, almost without exception, Bulgarians—a population at once maritime and agricultural, very closely resembling, in race and costume, the Bretons of France—and they enjoy a monopoly of all the fisheries in the Bosphorus and the adjacent parts of the Black Sea. Their elegant barks appeared on stated days and hours, shooting along with extraordinary rapidity through the waters of the Gulf of Buyuk Déreh, which appears to be their head-quarters, and sustaining the test of comparison even with the famous caiques of Constantinople. The most important object of their fishery is a delicious kind of small thunny, [Pg 498] called palamede. They are Bulgarians, also, who own the singular fisheries which form such admirable subjects for the artist's sketch-book. They are found throughout the Bosphorus, from Bechiktusch and Scutari to the lighthouses of Europe and Asia. They might be called dog-kennels, but rickety and worm-eaten with antiquity, and are suspended by means of cords, pegs, and tatters to the top of an indescribable framework of props. There on high, petrified in motionless and uninterrupted silence, in company with some old pots of mignionette (where will not the love of flowers find a home!), a man, with the appearance of a wild beast or savage, leans over the sea, at the bottom of which he watches the passage of its smallest inhabitants, and the capricious variations of the current. At a certain distance is arranged, in the form of a square, a system of nets, which, at the least signal from the watcher, fall on the entire shoal of fish. A contrivance yet more primitive than these airy cells, if not so picturesque, was that of simple posts, which we encountered some time before in the channel of the Bosphorus, rising about fifteen feet above the surface of the water. Half-way up is perched, crouching (one cannot see how), something having the human form, and which is found to be a Bulgarian. For a long time I watched them without being able to make them out, either pole or its tenant; and often have I seen them in the morning, and observed them again in the evening, not having undergone the least change of posture.

"The fishermen are mostly Bulgarians—a group that's both maritime and agricultural, resembling the Bretons of France in race and dress—and they have a monopoly on all the fisheries in the Bosphorus and the nearby parts of the Black Sea. Their sleek boats show up on specific days and times, speeding through the waters of the Gulf of Buyuk Déreh, which seems to be their headquarters, and holding up well in comparison to the famous caiques of Constantinople. The main catch they target is a delicious type of small tuna, known as palamede. It’s also Bulgarians who own the unique fisheries that make for great subjects for artists. These fisheries can be found all over the Bosphorus, from Bechiktusch and Scutari to the lighthouses of Europe and Asia. They might be called shacks, but they’re ramshackle and aged with time, suspended by cords, pegs, and rags from a bizarre framework of supports. Up high, frozen in silence and stillness, alongside some old pots of mignonette (where will the love of flowers not find a place!), a man, looking like a wild beast or savage, leans over the sea, watching the movements of its tiniest inhabitants and the unpredictable changes of the current. A little way off, there's a square arrangement of nets that, at the slightest signal from the watcher, drop down over the entire school of fish. An even more primitive setup, if not as picturesque, was the simple posts we saw earlier in the Bosphorus channel, rising about fifteen feet above the water's surface. Halfway up, crouched (it's hard to see how), was something that looked human, which turned out to be a Bulgarian. I watched them for a long time, unable to figure out whether it was the pole or its occupant; and I often saw them in the morning and again in the evening, unchanged in posture."

"On returning to our encampment, the commandant of the fort, to whom we paid a visit, gave us a very different report of the fishermen of the morning, whom he described as an assemblage of all the vagabonds of the neighbourhood. Convinced even that the fact of their having fallen in with us must have inspired them with the project of coming to prowl by night round our camp, he wished us to accept some of the men in his garrison as a guard."

"Upon returning to our camp, the fort commander, whom we visited, shared a very different report about the fishermen we had encountered that morning. He described them as a group of all the local drifters. Believing that their meeting with us must have motivated them to plan prowling around our camp at night, he wanted us to accept some of the men from his garrison as protection."

HORSES OF THE ARABS.

Arabian Horses.

Arabs make intimate friends of their horses, and so docile are these creatures that they are ridden without a bit, and never struck or spurred. They share their owner's diet, and are as well cared for as a child. They divide their horses, however, into two kinds: The one they call kadischi, that is, horses of an unknown birth; the other, they call kochlani, that is, horses whose genealogy is known for thousands of years. They are direct descendants, so they say, of the stud of Solomon. The pedigree of an Arabian horse is hung round his neck soon after his birth, which is always properly witnessed and attested.

Arabs develop close bonds with their horses, and these animals are so gentle that they are ridden without a bit and are never kicked or spurred. They share their owner's meals and receive care as if they were children. However, they categorize their horses into two types: the first is called kadischi, meaning horses of unknown lineage; the second is kochlani, referring to horses with a family history that stretches back thousands of years. They claim these horses are direct descendants of Solomon's stud. The pedigree of an Arabian horse is hung around its neck shortly after birth, which is always properly witnessed and confirmed.

The following is the pedigree of a horse purchased by a French officer in Arabia:—"In the name of God, the merciful and compassionate, and of Saed Mahomed, agent of the high God, and of the companions of Mahommed, and of Jerusalem. Praised be the Lord, the Omnipotent Creator. This is a high-bred horse, and its colt's tooth is here in a bag about his neck, with his pedigree, and of undoubted authority, such as no infidel can refuse to believe. He is the son of Rabbamy, out of the dam Labadah, and equal in power to his sire of the tribe of Zazhalah; he is finely moulded, and made for running like an ostrich. In the [Pg 499] honours of relationship, he reckons Zuluah, sire of Mahat, sire of Kallac, and the unique Alket sire of Manasseh, sire of Alsheh, father of the race down to the famous horse, the sire of Lahalala; and to him be ever abundance of green meat, and corn, and water of life, as a reward from the tribe of Zazhalah; and may a thousand branches shade his carcass from the hyæna of the tomb, from the howling wolf of the desert; and let the tribe of Zazhalah present him with a festival within an enclosure of walls; and let thousands assemble at the rising of the sun in troops hastily, where the tribe holds up under a canopy of celestial signs within the walls, the saddle with the name and family of the possessor. Then let them strike the bands with a loud noise incessantly, and pray to God for immunity for the tribe of Zoab, the inspired tribe."

The following is the lineage of a horse bought by a French officer in Arabia:—"In the name of God, the merciful and compassionate, and of Saed Mahomed, agent of the high God, and of the companions of Mohammed, and of Jerusalem. Praised be the Lord, the all-powerful Creator. This is a thoroughbred horse, and his colt's tooth is here in a bag around his neck, along with his pedigree, from an unquestionable source that no nonbeliever can doubt. He is the son of Rabbamy, out of the mother Labadah, and is as powerful as his father from the tribe of Zazhalah; he is beautifully shaped and built for running like an ostrich. In the [Pg 499] lineage, he counts Zuluah, father of Mahat, father of Kallac, and the one and only Alket, father of Manasseh, father of Alsheh, the ancestor of the race down to the famous horse, the father of Lahalala; may he always have plenty of green pasture, grain, and refreshing water as a reward from the tribe of Zazhalah; may a thousand branches provide shade over his body from the hyena of the grave, from the howling wolf of the desert; and may the tribe of Zazhalah host a festival within walled grounds; and may thousands gather at sunrise in haste, where the tribe sets up under a canopy adorned with celestial symbols within the walls, the saddle bearing the name and lineage of the owner. Then let them beat the drums loudly and continuously and pray to God for protection for the tribe of Zoab, the blessed tribe."

DILEMMA.

Dilemma.

Protagoras, an Athenian rhetorician, had agreed to instruct Evalthus in rhetoric, on condition that the latter should pay him a certain sum of money if he gained his first cause. Evalthus when instructed in all the precepts of the art, refused to pay Protagoras, who consequently brought him before the Areopagus, and said to the Judges—"Any verdict that you may give is in my favour: if it is on my side, it carries the condemnation of Evalthus; if against me, he must pay me, because he gains his first cause." "I confess," replied Evalthus, "that the verdict will be pronounced either for or against me; in either case I shall be equally acquitted: if the Judges pronounce in my favour, you are condemned; if they pronounce for you, according to our agreement, I owe you nothing, for I lose my first cause." The Judges being unable to reconcile the pleaders, ordered them to reappear before the Court a hundred years afterwards.

Protagoras, an Athenian rhetorician, agreed to teach Evalthus about rhetoric, with the condition that Evalthus would pay him a certain amount of money if he won his first case. After learning all the principles of the art, Evalthus refused to pay Protagoras, who then took him before the Areopagus and said to the judges, "Any ruling you give will be in my favor: If you side with me, Evalthus is condemned; if you rule against me, he still has to pay me because he wins his first case." Evalthus replied, "I admit the verdict will be either for or against me; either way, I will be free of obligation: if the judges rule in my favor, you are condemned; if they rule for you, according to our agreement, I owe you nothing because I lose my first case." The judges, unable to resolve the dispute, ordered both parties to return to court a hundred years later.

ORIENTAL EXTRAVAGANCE.

Asian luxury.

Mr. Forbes has given a curious picture of the kind of magnificence affected by Asuf ul Dowlah, who succeeded his father on the throne of Oude. This nabob was fond of lavishing his treasures on gardens, palaces, horses, elephants, European guns, lustres, and mirrors. He expended annually about £200,000 in English manufactures. He had more than one hundred gardens, twenty palaces, one thousand two hundred elephants, three thousand fine saddle horses, one thousand five hundred double-barrel guns, seventeen hundred superb lustres, thirty thousand shades of various forms and colours; seven hundred large mirrors, girandoles and clocks. Some of the latter were very curious, richly set with jewels, having figures in continual movement, and playing tunes every hour; two of these clocks only, cost him thirty thousand pounds. Without taste or judgment, he was extremely solicitous to possess all that was elegant and rare; he had instruments and machines of every art and science, but he knew none; and his museum was so ridiculously arranged that a wooden cuckoo-clock was placed close to a superb timepiece which cost the price of a diadem; and a valuable landscape of Claude Lorraine suspended near a board painted with ducks and drakes. He sometimes gave a dinner to ten or twelve persons, sitting at their [Pg 500] ease in a carriage drawn by elephants. His jewels amounted to about eight millions sterling. Amidst this precious treasure, he might be seen for several hours every day handling them as a child does his toys.

Mr. Forbes painted an interesting picture of the kind of luxury flaunted by Asuf ul Dowlah, who took over the throne of Oude after his father. This nabob loved to spend his wealth on gardens, palaces, horses, elephants, European guns, chandeliers, and mirrors. He spent about £200,000 each year on English goods. He owned over a hundred gardens, twenty palaces, twelve hundred elephants, three thousand beautiful saddle horses, fifteen hundred double-barrel guns, seventeen hundred stunning chandeliers, thirty thousand shades in various shapes and colors; seven hundred large mirrors, candlesticks, and clocks. Some of the latter were quite extravagant, richly adorned with jewels, featuring figures that moved continuously and played music every hour; just two of these clocks cost him thirty thousand pounds. Lacking taste or judgment, he was very eager to possess everything elegant and rare; he had instruments and machines from every field of art and science, but he understood none of them; and his museum was so absurdly arranged that a wooden cuckoo clock was placed next to a magnificent timepiece that cost as much as a crown; and a valuable landscape by Claude Lorraine hung close to a board painted with ducks and drakes. Occasionally, he would host a dinner for ten or twelve people, comfortably seated in a carriage pulled by elephants. His collection of jewels was worth about eight million pounds. Amidst this wealth, he could often be seen spending hours each day handling them like a child with his toys.

ANCIENT SCOTTISH CHIEFTAIN.

Ancient Scottish chief.

Ancient Scottish Chieftain

Annexed is a Scottish costume of the eighth or ninth century, after a drawing on parchment, extracted from an old book, which, according to the characters on the back, appears to have been written in Gaelic or Erse. According to the assertion of the possessor, this Caledonian document was brought to Germany in the year 1596, during the devastating Reformation in Scotland, when all cloisters and religious endowments were destroyed, and a perfect victory obtained over the episcopacy, so that many persons took refuge with their treasures, on the Continent, where the Scottish monks possessed many religious houses; some being at Nuremberg. Our figure represents a Highland chief, whose dress is picturesque and extremely beautiful. The Scottish tunic or blouse, checkered or striped in light and dark green, with violet intermixed, and bordered with violet stripes, is covered with a steel breastplate, accompanied by a back-piece, judging from the iron brassarts—positively a bequest of the Romans, by whom the Scots were once subjugated; this, indeed, is also attested by the offensive weapon the javelin; the sword, however, must be excepted, for it is national and like that of the present time. The strong shield may also have descended from the Romans, as well as the helmet, which is decorated with an eagle's wing; these, together with the hunting-horn, give to the figure a very imposing appearance. The national plaid is wanting, this was borne by attendants or squires. We are involuntarily reminded of the heroes of Fingal and Ossian, and we might almost think [Pg 501] that this figure belonged to the time of the Scottish king, Kenneth the Second, grandson of King Achaias, and the sister of the Pictish king, Hang.

Annexed is a Scottish costume from the eighth or ninth century, based on a drawing on parchment taken from an old book, which, according to the markings on the back, seems to have been written in Gaelic or Irish. According to the owner, this Scottish document was brought to Germany in 1596 during the brutal Reformation in Scotland when all monasteries and religious establishments were destroyed, achieving a complete victory over the episcopacy. As a result, many people fled with their treasures to the Continent, where Scottish monks owned several religious houses, some located in Nuremberg. Our illustration depicts a Highland chief, whose outfit is striking and exceptionally beautiful. The Scottish tunic or blouse is checkered or striped in light and dark green, with violet mixed in, and bordered with violet stripes. It is covered by a steel breastplate, along with a back piece, judging by the iron arm guards—definitely a legacy from the Romans, who once conquered the Scots. This is further evidenced by the javelin as a weapon; however, the sword is an exception as it is national and resembles those used today. The strong shield may also have originated from the Romans, as well as the helmet, which is adorned with an eagle's wing; these, along with the hunting horn, give the figure a very impressive presence. The national plaid is missing, which was worn by attendants or squires. We are inevitably reminded of the heroes of Fingal and Ossian, and we might almost think that this figure belonged to the era of the Scottish king Kenneth the Second, grandson of King Achaias and the sister of the Pictish king Hang.

GREEK VASES.

Greek Vases.

Vases of various shapes have been found in the sepulchres of Greece, such as the œnochoe, or jug; the askos, or wine-skin; the phiale omphalotos, or saucer having a boss in the centre; rhyta, or jugs, imitated from the keras, or horn, as well as some moulded in the shape of the human bust. Vases of this class, however, occur more frequently in Italy than in Greece. Some are of remarkable shape. One in the Durand collection has its interior receded, and in the centre a medallion of the Gorgon's head; at the edge is the head of a dog or fox, and to it is attached a long handle terminating in the head of an animal. Similar handles are often found. Another vase from Sicily, also in the same collection, with a conical cover, is ornamented externally with moulded subjects of wreaths, heads of Medusa, &c., painted and gilded.

Vases of different shapes have been discovered in the tombs of Greece, such as the œnochoe, or jug; the askos, or wine-skin; the phiale omphalotos, a saucer with a raised center; rhyta, or jugs that resemble keras, or horns, as well as some shaped like human busts. However, these types of vases are found more often in Italy than in Greece. Some have particularly striking designs. One in the Durand collection features a recessed interior with a medallion of the Gorgon's head at the center; the edge displays the head of a dog or fox, and a long handle extends from it, ending with an animal's head. Similar handles are frequently seen. Another vase from Sicily, also in the same collection, has a conical cover and is decorated on the outside with molded designs of wreaths, heads of Medusa, etc., painted and gilded.

Greek Vase

Many of the vases intended for ornamental purposes are covered with a white coating, and painted with colours of the same kind as those used on the figures before described, but with few and simple ornaments, plain bands, mæanders, chequered bands and wreaths. A vase found at Melos affords a curious example. We here annex a sketch of it. It consists of a number of small vases united together and arranged in a double circle round a central stand. This kind of vase is supposed to be the kernos, used in the mystic ceremonies to hold small quantities of viands. By some persons, however, it is thought to have been intended for eggs or flowers. It is covered with a white coating of clay, and the zigzag stripes are of a maroon colour. Such vases might have been used for flower-pots, and have formed small temporary gardens like those of Adonis, or have been employed as lamps.

Many ornamental vases are coated in white and painted with colors similar to those used on the figures mentioned earlier, but they have few and simple decorations like plain bands, meanders, checkered bands, and wreaths. A vase found at Melos is a fascinating example. We’ve included a sketch of it here. It consists of several small vases linked together and arranged in a double circle around a central stand. This type of vase is thought to be the kernos, used in mystical ceremonies to hold small amounts of food. However, some people believe it was meant for eggs or flowers. It has a white clay coating, and the zigzag stripes are maroon. These vases might have been used as flower pots, creating small temporary gardens like those of Adonis, or they could have been used as lamps.

QUEEN ELIZABETH'S DRESSES.

Queen Elizabeth's dresses.

The list of the Queen's wardrobe, in 1600, shows us that she had then only 99 robes, 126 kirtles, 269 gowns (round, loose, and French), 136 foreparts, 125 petticoats, and 27 fans, not to mention 96 cloaks, 83 save guards, 85 doublets, and 18 lap mantles.

The list of the Queen's wardrobe, in 1600, shows us that she had 99 robes, 126 kirtles, 269 gowns (round, loose, and French), 136 foreparts, 125 petticoats, and 27 fans, along with 96 cloaks, 83 save guards, 85 doublets, and 18 lap mantles.

Her gowns were of the richest materials—purple, gold tissue, crimson satin, cloth of gold, cloth of silver, white velvet, munsy [Pg 502] cloth, tawney satin, horse-flesh coloured satin, Isabella coloured satin dove coloured velvet, lady blush satin, drake coloured satin, and [...] coloured satin.

Her dresses were made from the finest fabrics—purple and gold tissue, crimson satin, cloth of gold, cloth of silver, white velvet, munsy cloth, tawny satin, horse-flesh colored satin, Isabella colored satin, dove colored velvet, lady blush satin, drake colored satin, and [...] colored satin.

The cloaks are of perfumed leather, black taffety; the petticoats of blue satin; the jupes of orange coloured satin; the doublets of straw coloured satin; the mantles of white blush, striped with red swan's down.

The cloaks are made of scented leather and black taffeta; the petticoats are blue satin; the skirts are orange satin; the doublets are straw-colored satin; the mantles are white blush, striped with red swan down.

The most characteristic dresses are the following:—

The most distinctive dresses are as follows:—

A frock of cloth of silver, checquered with red silk, like bird's eyes, with demi sleeves, a cut of crimson velvet twisted on with silver, lined with crimson velvet.

A dress made of silver fabric, patterned with red silk, resembling bird's eyes, with half sleeves, featuring a twist of crimson velvet combined with silver, and lined with crimson velvet.

A mantle of white lawn, cut and turned in, embroidered all over with works of silver, like pomegranates, roses, honeysuckles, and acorns.

A white lawn, trimmed and folded, decorated everywhere with designs of silver, like pomegranates, roses, honeysuckles, and acorns.

One French kirtle of white satin, cut all over, embroidered with loops, flowers, and clouds of Venice gold, silver, and silk.

One French kirtle made of white satin, fully designed, embroidered with loops, flowers, and clouds of Venetian gold, silver, and silk.

One round kirtle of white satin, embroidered all over with the work like flames, peascods, and pillars, with a border likewise embroidered with roses.

One round white satin dress, completely embroidered with designs of flames, peapods, and pillars, and also featuring a border embroidered with roses.

The stomacher (fore part) of white satin, embroidered very fair with borders of the sun, moon, and other signs and planets of Venice gold, silver, and silk of sundry colours, with a border of beasts beneath, likewise embroidered.

The front part of the white satin bodice, beautifully embroidered with borders featuring the sun, moon, and other zodiac signs and planets in gold, silver, and various colored silks, also has a border of embroidered beasts underneath.

Other gowns we find adorned with bees, spiders, flies, worms, trunks of trees, pansies, oak leaves, and mulberries; so that "Bess" must have looked like an illustrated edition of Æsop's Fables.

Other dresses we see decorated with bees, spiders, flies, worms, tree trunks, pansies, oak leaves, and mulberries; so "Bess" must have looked like a colorful version of Æsop's Fables.

In one case she shines in rainbows, clouds, flames of fire, and suns; in another, with fountains and trees, snakes, and grasshoppers; the buttons themselves, in one instance, assume the shape of butterflies, in another of birds of Paradise.

In one case, she sparkles in rainbows, clouds, flames, and suns; in another, with fountains and trees, snakes, and grasshoppers; even the buttons themselves, in one instance, take the shape of butterflies, and in another, of exotic birds.

The fans were of white and coloured feathers, with gold handles set with precious stones, or of crystal and heliotrope; one of them contained a looking-glass, another Leicester's badge of the bear and ragged staff. Her swords had gilt handles and blood-stone studs; her poniards were gold and ivory, ornamented with tassels of blue silk; her slippers of cloth of silver, and of orange-coloured velvet, embroidered with seed pearls; her parasol was of crimson velvet damask, striped with Venetian gold and silver lace, the handle mother-of-pearl.

The fans were made of white and colored feathers, with gold handles decorated with precious stones, or crafted from crystal and heliotrope; one had a mirror inside, while another featured Leicester's badge of the bear and ragged staff. Her swords had gold handles and bloodstone studs; her daggers were made of gold and ivory, trimmed with blue silk tassels; her slippers were made of silver cloth and orange velvet, embroidered with seed pearls; her parasol was crimson velvet damask, striped with Venetian gold and silver lace, with a mother-of-pearl handle.

Her jewels were both numerous and curious: the head ornaments resembling a white lion with a fly on his side, a golden fern-branch with a lizard, ladybird, and a snail upon it, an Irish dart of gold set with diamonds, a golden rose with a fly and spider upon it, a golden frog set with jewels, a golden daisy, and emerald buttons, gown studs of rubies and pearls, and a chain of golden scallop shells, with chains of agate and jet. A sumptuous magnificence was the characteristic of the costume of this reign. When Elizabeth visited the Earl of Hertford, at Elvetham, that nobleman met her with 3,000 followers, with black and yellow feathers in their hats, and most of them wearing gold chains. When she visited Suffolk, 200 bachelors in white velvet, with [Pg 503] as many burghers in black velvet coats and gold chains, and 1800 serving-men received on horseback. For the French ambassador's amusement, in 1559, 1400 men-at-arms, clad in velvet, with chains of gold, mustered in arms in Greenwich Park; and on another occasion there was a tournament on Midsummer (Sunday) Night at the palace of Westminster, between ten knights in white, led by the Earl of Essex, and ten knights in blue, led by the Earl of Rutland.

Her jewelry was both plentiful and fascinating: headdresses shaped like a white lion with a fly on its side, a golden fern branch adorned with a lizard, ladybug, and snail, an Irish gold dart set with diamonds, a golden rose featuring a fly and spider, a jewel-encrusted golden frog, a golden daisy, emerald buttons, ruby and pearl gown studs, and a chain of golden scallop shells, along with chains made of agate and jet. The opulence was a defining feature of the fashion of this time. When Elizabeth visited the Earl of Hertford at Elvetham, he greeted her with 3,000 followers wearing black and yellow feathers in their hats, most adorned with gold chains. During her visit to Suffolk, 200 bachelors clad in white velvet, as well as 200 burghers in black velvet coats and gold chains, along with 1,800 serving men, welcomed her on horseback. In 1559, for the entertainment of the French ambassador, 1,400 men-at-arms dressed in velvet with gold chains gathered in arms in Greenwich Park; and on another occasion, there was a tournament on Midsummer Sunday night at the palace of Westminster between ten knights in white, led by the Earl of Essex, and ten knights in blue, led by the Earl of Rutland.

CARE OF THE BEARD.

Beard Care.

The Mahometans are very superstitious touching the beard. They bury the hairs which come off in combing it, and break them first, because they believe that angels have charge of every hair, and that they gain them their dismissal by breaking it. Selim I. was the first Sultan who shaved his beard, contrary to the law of the Koran. "I do it," said he apologetically to the scandalized and orthodox mufti, "to prevent my vizier leading me by it." He cared less for it than some of our ancestors, two centuries ago, did for their own. They used to wear pasteboard covers over them in the night, lest they should turn upon them and rumple them in their sleep!

The Muslims are quite superstitious about their beards. They bury the hairs that fall out while combing and break them first because they believe that angels watch over every hair, and breaking it ensures its safe passage. Selim I was the first Sultan to shave his beard, going against the law of the Koran. "I'm doing this," he said apologetically to the shocked and traditional mufti, "to stop my vizier from pulling me by it." He cared less about it than some of our ancestors did two centuries ago for their own beards. They would wear cardboard covers over theirs at night to prevent them from getting messed up while they slept!

The famous Raskolniki schismatics had a similar superstition to the Mahometan one mentioned above. They considered the divine image in man to reside in the beard.

The well-known Raskolniki schismatics had a superstition similar to the one mentioned earlier about the Mahometans. They believed that the divine image in humans was found in the beard.

DOLE IN CONSEQUENCE OF A DREAM.

DOLE AS A RESULT OF A DREAM.

At Newark-upon-Trent, a curious custom, founded upon the preservation of Alderman Clay and his family by a dream has prevailed since the days of Cromwell. On 11th March every year, penny-loaves are given away to every one who chooses to appear at the Town Hall and apply for them, in commemoration of the Alderman's deliverance, during the siege of Newark by the Parliamentary forces. This gentleman, by will, dated 11th December, 1694, gave to the Mayor and Aldermen, one hundred pounds, the interest of which was to be given to the Vicar yearly, on condition of his preaching an annual sermon. Another hundred pounds were also appropriated for the behoof of the poor, in the way above-mentioned. The origin of this bequest is singular. During the bombardment of Newark by Oliver Cromwell's forces, the Alderman dreamed three nights successively that his house had taken fire, which produced such a vivid impression upon his mind, that he and his family left it, and in a few days the circumstances of his vision actually took place, by the house being burned down by the besiegers.

At Newark-upon-Trent, a strange tradition, based on a dream that saved Alderman Clay and his family, has been practiced since the days of Cromwell. Every year on March 11th, penny loaves are handed out to anyone who shows up at the Town Hall to request them, in honor of the Alderman's rescue during the siege of Newark by Parliamentary forces. This gentleman, in a will dated December 11, 1694, bequeathed one hundred pounds to the Mayor and Aldermen, with the interest intended for the Vicar each year, on the condition that he would deliver an annual sermon. Another hundred pounds was set aside for the benefit of the poor in the same manner. The story behind this donation is unusual. During the bombardment of Newark by Oliver Cromwell's forces, the Alderman dreamed for three consecutive nights that his house was on fire, which left such a strong impression on him that he and his family evacuated. A few days later, his dream came true when his house was burned down by the attackers.

GLOVE MONEY.

Glove money.

Gloves were popular new-year's gifts, or sometimes "glove-money" in place of them; occasionally, these gloves carried gold pieces in them. When Sir Thomas More was Chancellor, he decided a case in favour of Mrs. Croaker against Lord Arundel; the former, on the following new-year's day, gratefully presented the judge with a pair of gloves with forty angels in them. "It would be against good manners," said the [Pg 504] Chancellor, "to forsake a gentlewoman's new-year's gift, and I accept the gloves. The lining you will elsewhere bestow."

Gloves were popular New Year's gifts, sometimes referred to as "glove money" when cash was given instead; occasionally, these gloves contained gold coins. When Sir Thomas More was Chancellor, he ruled in favor of Mrs. Croaker against Lord Arundel; the next New Year's day, she gratefully gifted the judge a pair of gloves that held forty golden angels. "It would be rude," said the [Pg 504] Chancellor, "to reject a lady's New Year's gift, so I accept the gloves. The lining you can give to someone else."

GLAIVES.

Glaives.

Glaive

The glaive was derived from the Celtic custom of placing a sword with a hollow handle at the end of a pole, called by the natives of Wales "llavnawr"—the blade weapon, and takes its name from the Cleddyv, or Gleddyv, of the Welsh. In an abstract of the grants of the 1st of Richard III., among the Harleian MSS., No. 443, is a warrant to Nicholas Spicer, authorising him to impress smiths for making 2,000 Welsh glaives; and 20s. 6d. are charged for 30 glaives, with their staves, made at Abergavenny and Llanllolved. In the romaunt of Guy, Earl of Warwick, by Walter of Exeter, written in the time of Edward II., also in the Harleian Library of the British Museum, they are called gleves; thus—

The glaive originated from the Celtic tradition of attaching a sword with a hollow handle to the end of a pole, known by the Welsh as "llavnawr"—the blade weapon—and is named after the Cleddyv, or Gleddyv, in Welsh. In a record of the grants from the 1st of Richard III, found among the Harleian MSS., No. 443, there is a warrant to Nicholas Spicer, giving him permission to recruit blacksmiths to make 2,000 Welsh glaives; 20s. 6d. is charged for 30 glaives, along with their staffs, made in Abergavenny and Llanllolved. In the romance of Guy, Earl of Warwick, by Walter of Exeter, written during the reign of Edward II and also housed in the Harleian Library at the British Museum, they are referred to as gleves; thus—

"Grant coupes de gleves trenchant
Les escurs ne lur vailut gans."

 

"Such powerful strokes from cutting gleves,
That the shields were not worth a glove."

They were also in frequent use on the Continent, and the "Chronicle of Flanders" mentions an instance of the cavalry having armed themselves with glaives, which they ornamented with pennoncels. The specimen which we have here engraved is one which was made for the Doge of Venice, during the time that the Emperor Charles V. had the command there, in compliment to whom the centre ornament is the Austrian eagle. Upon this the arms of the succeeding Doge, Francisco Veneri, who held the office from 1554 to 1556, have been deeply incised, no doubt to commemorate the expulsion of the Germans. The pole, at the top of which the weapon was fixed, is omitted in our engraving.

They were also commonly used on the Continent, and the "Chronicle of Flanders" mentions an instance where the cavalry armed themselves with glaives, which they decorated with pennons. The example we have here illustrated was made for the Doge of Venice, during the time Emperor Charles V was in charge, and the center decoration features the Austrian eagle as a tribute. Engraved on this are the arms of the next Doge, Francisco Veneri, who held the position from 1554 to 1556, likely to commemorate the expulsion of the Germans. The pole that held the weapon at the top is not included in our engraving.

CRUELTY OF FRANCIS CARRARA.

CRUELTY OF FRANCIS CARRARA.

Francis Carrara, the last Lord of Padua, was famous for his cruelties. They shew (at Venice) a little box for a toilette, in which are six little [Pg 505] guns, which are so ordered with springs, and adjusted in such a manner, that upon the opening of the trunk, the guns fired and killed the lady to whom Carrara sent it for a present. They show also with this, some little pocket cross-bows and arrows of steel, with which he took pleasure to kill those he met, so secretly, that they could hardly either perceive the blow, or him that gave it.

Francis Carrara, the last Lord of Padua, was notorious for his cruelty. In Venice, they display a small toiletry box containing six tiny guns that are rigged with springs so that when the box is opened, the guns fire and kill the woman Carrara sent it to as a gift. They also show some small pocket crossbows and steel arrows that he enjoyed using to secretly kill those he encountered, so quietly that his victims could barely notice the attack or the attacker.

IRISH PIPES.

Irish pipes.

COMMON BAGPIPES.

The accompanying figures represent the Irish bagpipes in their primitive and improved forms. We have here the earliest pipes, originally the same as the Scotch, as appears from a drawing made in the sixteenth century, and given in Mr. Bunting's work; but they now differ, in having the mouthpiece supplied by the bellows A, which, being filled by the motion of the piper's arm, to which it is fastened, fills the bag B; whence, by the pressure of the other arm, the wind is is conveyed into the chanter C, which is played on with the fingers, much like a common pipe. By means of a tube, the wind is conveyed into drones a, a, a, which, tuned at octaves to each other, produce a kind of cronan, or bass, to the chanter. The second cut represents the improved, or union pipes, the drones of which, tuned at thirds and fifths by the regulator, have keys attached to them, which not only produce the most delightful accords, but enable the player to perform parts of tunes, and sometimes whole tunes, without using the chanter at all. Both drones and chanter can be rendered quiescent by means of stops.

The accompanying figures show the Irish bagpipes in their basic and upgraded forms. Here we have the earliest pipes, originally identical to the Scotch ones, as seen in a drawing from the sixteenth century included in Mr. Bunting's work; however, they now differ by having a mouthpiece powered by bellows A. The bellows fill with air through the movement of the piper's arm, which is attached to it, pushing air into the bag B. The air is then directed into the chanter C through the pressure of the other arm, and the chanter is played using the fingers, similar to a regular pipe. A tube carries the air into the drones a, a, a, which are tuned in octaves to each other, creating a bass sound, or cronan, to accompany the chanter. The second image depicts the improved, or union pipes, whose drones are tuned in thirds and fifths by the regulator, featuring keys that not only produce beautiful harmonies but also allow the player to perform sections of tunes, and occasionally entire tunes, without using the chanter at all. Both the drones and the chanter can be silenced with stops.

UNION PIPES.

The pipers were at one period the "great originals" of Ireland. The race is gradually departing, or at least "sobering" down into the ranks of ordinary mortals; but there was a time when the pipers stood out very prominently upon any canvas that pictured Irish life. Anecdotes of their eccentricities might be recorded that would fill volumes. For many years past their power has been on the wane; temperance committed [Pg 506] sad havoc on their prospects; and at length the introduction of "brass bands" effectually destroyed the small balance that remained to them of hope.

The pipers were once the "great originals" of Ireland. The tradition is slowly fading, or at least "calming" down into the ranks of regular people; but there was a time when the pipers stood out prominently in any depiction of Irish life. Stories of their quirks could fill entire volumes. For many years now, their influence has been declining; temperance has taken a heavy toll on their prospects; and eventually, the rise of "brass bands" completely wiped out the little hope they had left.

NOVEL WAY OF CURING VICIOUS HORSES.

NOVEL WAY OF CURING Vicious Horses.

Burckhardt tells us of a strange mode of curing a vicious horse. He has seen, he says, vicious horses in Egypt cured of the habit of biting by presenting to them, while in the act of doing so, a leg of mutton just taken from the fire. The pain which the horse feels in biting through the hot meat causes it to abandon the practice.

Burckhardt shares a peculiar method for treating a vicious horse. He notes that he has witnessed vicious horses in Egypt overcome their biting habit by presenting them, at the moment they try to bite, with a leg of mutton freshly removed from the fire. The pain the horse experiences from biting into the hot meat prompts it to stop the behavior.

GROUND ICE.

Ground ice.

Every one who has watched the freezing of a lake or pond, or any other collection of still water, must be well aware that the ice begins to form on the surface in thin plates or layers, which on the continuance of the frost gradually become thicker and more solid, until the water is affected in a downward direction, and becomes, perhaps, a solid mass of ice. This is universally the case in stagnant water, but it has been repeatedly proved that in rapid and rugged streams the process of freezing is often very different. In direct opposition, as it would seem, to the laws of the propagation of heat, the ice in running water frequently begins to form at the bottom of the stream instead of the top; and this fact, while it is received with doubt by some, even among the scientific, is frequently attested by those whose business leads them to observe the phenomenon connected with rivers. Millers, fishermen, and watermen find that the masses of ice with which many rivers are crowded in the winter season rise from the bottom or bed of the stream. They say that they have seen them come up to the surface, and have also borne them up with their hooks. The under part of these masses of ice they have found covered with mud or encrusted with gravel, thus bearing plain marks of the ground on which the ice had rested. The testimony of people of this class in our country agrees with that of a similar class in Germany, where there is a peculiar term made use of to designate floating ice, i. e. grundeis (ground-ice).

Anyone who has watched a lake or pond freeze, or any other body of still water, knows that ice starts forming on the surface in thin layers. As the cold continues, these layers gradually thicken and become solid until the water is affected below, potentially turning into a solid block of ice. This is generally true for stagnant water, but it’s been proven that in fast and rough streams, the freezing process can be quite different. Contrary to how heat generally behaves, ice in running water often begins to form at the bottom of the stream rather than the top. While some scientists doubt this, many people whose jobs involve observing rivers, like millers, fishermen, and watermen, confirm it. They notice that the large ice masses that clog many rivers in winter rise from the streambed. They claim to have seen these ice masses come to the surface and have even lifted them with their hooks. The underside of these ice masses is often found to be covered in mud or gravel, clearly showing the ground on which the ice had rested. The reports from these individuals in our country match those from a similar group in Germany, where there is a specific term for floating ice: grundeis (ground-ice).

A striking example of the formation of ground-ice is mentioned by the Commander Steenk, of Pillau. On the 9th of February, 1806, during a strong south-east wind, and a temperature a little exceeding 34° Fahr., a long iron chain, to which the buoys of the fair-way are fastened, and which had been lost sight of at Schappeiswrack in a depth of from fifteen to eighteen feet, suddenly made its appearance at the surface of the water and swam there; it was, however, completely encrusted with ice to the thickness of several feet. Stones, also, of from three to six pounds' weight, rose to the surface; they were surrounded with a thick coat of ice. A cable, also, three and a half inches thick, and about thirty fathoms long, which had been lost the preceding summer in a depth of thirty feet, again made its appearance by swimming to the surface; but it was enveloped in ice to the thickness of two feet. On the same day it was necessary to warp the ship into harbour in face of an east wind; the anchor used for that purpose, after it had rested an [Pg 507] hour at the bottom, became so encrusted with ice, that it required not more than half the usual power to heave it up.

A striking example of ground ice formation is noted by Commander Steenk from Pillau. On February 9, 1806, during a strong southeast wind and a temperature just above 34°F, a long iron chain, which had been securing the buoys in the fairway and lost sight of at Schappeiswrack in depths of fifteen to eighteen feet, suddenly appeared at the water's surface and floated there; however, it was completely covered in ice several feet thick. Stones weighing three to six pounds also surfaced, surrounded by a thick layer of ice. A cable three and a half inches thick and about thirty fathoms long, which had been lost the previous summer in thirty feet of water, resurfaced as well, wrapped in two feet of ice. On the same day, it was necessary to warp the ship into harbor against an east wind; the anchor used for that purpose, after resting for an hour on the bottom, became so encrusted with ice that it required only half the usual effort to lift it.

M. Hugi, president of the Society of Natural History at Soleure, observed, in February, 1827, a multitude of large icy tables on the river Aar. These were continually rising from the bottom, over a surface of four hundred and fifty square feet, and the phenomenon lasted for a couple of hours. Two years afterwards he witnessed a similar occurrence. On the 12th of February, 1829, at sunrise, and after a sudden fall in the temperature, the river began to exhibit numerous pieces of floating ice, although there was no sign of freezing on the surface, either along the banks, or in shady places where the water was calm. Therefore it could not be said that the floating masses were detached from the banks. Nor could they have proceeded from any large sheet of ice farther up the river, because, higher up, the river exhibited hardly any ice. Besides, flakes of ice commenced soon to rise up above the bridge; towards mid-day, islands of ice were seen forming in the centre of the river; and by the next day these were twenty-three in number, the largest being upwards of two hundred feet in diameter. They were surrounded with open water, resisting a current which flowed at the rate of nearly two hundred feet in a minute, and extending over a space of one-eighth of a league. M. Hugi visited them in a small boat. He landed, examined them in every direction, and discovered that there was a layer of compact ice on their surface a few inches in thickness, resting on a mass having the shape of an inverted cone, of a vertical height of twelve or thirteen feet, and fixed to the bed of the river. These cones consisted of half-melted ice, gelatinous, and much like the spawn of a frog. It was softer at the bottom than at the top, and was easily pierced in all directions with poles. Exposed to the open air, the substance of the cones became quickly granulated, like the ice that is formed at the bottom of rivers.

M. Hugi, president of the Society of Natural History in Soleure, noticed in February 1827 a lot of large ice shelves on the Aar River. These shelves were constantly rising from the bottom, covering an area of four hundred and fifty square feet, and this phenomenon lasted for a couple of hours. Two years later, he saw a similar event. On February 12, 1829, at sunrise, after a sudden drop in temperature, the river started showing many pieces of floating ice, even though there was no freezing visible on the surface, either along the banks or in shady spots where the water was still. So, it couldn’t be said that the floating pieces had broken off from the banks. They couldn't have come from any large ice sheet upstream either, because there was hardly any ice upstream. In addition, ice flakes soon began to rise above the bridge; by midday, ice islands appeared in the center of the river; and by the next day, there were twenty-three of them, the largest being over two hundred feet in diameter. They were surrounded by open water, resisting a current moving at nearly two hundred feet per minute, and covering an area of one-eighth of a league. M. Hugi visited them in a small boat. He landed, examined them from all angles, and found a layer of solid ice on their surface a few inches thick, resting on a mass shaped like an upside-down cone, with a vertical height of twelve or thirteen feet, anchored to the riverbed. These cones were made of half-melted ice, gelatinous and similar to frog spawn. They were softer at the bottom than at the top and could easily be pierced with poles. When exposed to the air, the substance of the cones quickly became granulated, like the ice that forms at the bottom of rivers.

In the same year the pebbles in a creek of shallow water, near a very rapid current of the Rhine, were observed to be covered with a sort of transparent mass, an inch or two in thickness, and which, on examination, was found to consist of icy spicula, crossing each other in every direction. Large masses of spongy ice were also seen in the bed of the stream, at a depth of between six or seven feet. The watermen's poles entered these with ease, and often bore them to the surface. This kind of ice forms most quickly in rivers whose bed is impeded with stones and other foreign bodies.

In the same year, the pebbles in a shallow creek near a very fast current of the Rhine were found to be covered with a transparent layer about an inch or two thick. Upon closer inspection, this layer was discovered to be made up of icy spikes crossing each other in every direction. Large chunks of spongy ice were also seen on the riverbed at a depth of six or seven feet. The watermen's poles easily penetrated these and often brought them to the surface. This type of ice forms most rapidly in rivers where the bed is obstructed by stones and other materials.

HINDOO COMPUTATION.

Hindu Calculation.

The Hindoos call the whole of their four ages a divine age; a thousand divine ages form a calpa, or one of Brahma's days, who, during that period, successively invested fourteen menus, or holy spirits, with the sovereignty of the earth. The menu transmits his empire to his posterity for seventy-one divine ages, and this period is called manawantara, and as fourteen manawantara make but nine hundred and ninety-four divine ages, there remain six, which are the twilight of Brahma's day. Thirty of these days form his month; twelve of these months one of his years; [Pg 508] and one hundred of these years the duration of his existence. The Hindoos assert that fifty of these years have already elapsed, so that we are in the first day of the first month of the fifty-first year of Brama's age, and in the twenty-eighth divine age of the seventh manawantara. The first three human ages of this age, and five thousand years of the fourth are past. The Hindoos therefore calculate that it is 131,400,007,205,000 years since the birth of Brahma, or the beginning of the world.

The Hindus refer to all four of their ages as a divine age; a thousand divine ages make up a kalpa, or one of Brahma's days. During that time, he successively gave authority over the earth to fourteen menus, or sacred spirits. Each menu passes on his rule to his descendants for seventy-one divine ages, a period known as manawantara. Since fourteen manawantara equal only nine hundred and ninety-four divine ages, there are six left, which represent the twilight of Brahma's day. Thirty of these days make up his month; twelve of these months equal one year; [Pg 508] and one hundred of these years represent the length of his lifespan. The Hindus claim that fifty of these years have already passed, meaning we are currently in the first day of the first month of the fifty-first year of Brahma's age, and in the twenty-eighth divine age of the seventh manawantara. The first three human ages of this period and five thousand years of the fourth are already over. Thus, the Hindus calculate that it has been 131,400,007,205,000 years since the birth of Brahma, or the start of the world.

CHINESE TOMB.

CHINESE TOMB.

Like all people of Tartar origin, one of the most remarkable characteristics of the Chinese is their reverence for the dead, or, as it is usually called, their ancestral worship. In consequence of this, their tombs are not only objects of care, but have frequently more ornament bestowed upon them than graces the dwellings of the living.

Like all people of Tartar origin, one of the most notable traits of the Chinese is their respect for the dead, often referred to as ancestral worship. Because of this, their tombs are not only well-cared-for, but often receive more decoration than the homes of the living.

Chinese Tomb

Their tombs are of different kinds; but the most common arrangement is that of a horseshoe-shaped platform, cut out of the side of a hill, as represented in our engraving. It consequently has a high back, in which is the entrance to the tomb, and slopes off to nothing at the entrance to the horseshoe, where the wall generally terminates with two lions or dragons, or some fantastic ornament common to Chinese architecture. When the tomb is situated, as is generally the case, on a hillside, this arrangement is not only appropriate, but elegant. When the [Pg 509] same thing is imitated on a plain, it is singular, misplaced, and unintelligible. Many of the tombs are built of granite, finely polished, and carved with a profusion of labour that makes us regret that the people who can do such things should have so great a predilection for ephemeral wooden structures, when capable of employing the most durable materials with such facility.

Their tombs come in different styles; however, the most common design is a horseshoe-shaped platform carved into the side of a hill, as shown in our engraving. This results in a tall back where the entrance to the tomb is located, sloping down to nothing at the entrance of the horseshoe, where the wall usually ends with two lions, dragons, or some fantastical decoration typical of Chinese architecture. When the tomb is located, as is often the case, on a hillside, this design is not only fitting but also elegant. When the same style is replicated on flat land, it appears odd, out of place, and confusing. Many of the tombs are made of finely polished granite, intricately carved with so much skill that it makes us wish the people who can create such work would prefer using long-lasting stone instead of temporary wooden structures, especially since they can handle durable materials so easily.

ABYSSINIAN ARMS.

ABYSSINIAN WEAPONS.

Abyssinian Arms

The above engraving represents a group of Abyssinian arms. The sword, spear, and shield are essentially the weapons of the Abyssinians, firearms being only of comparatively recent introduction, and not generally used. The shields are round, and nearly a yard in diameter; they are very neatly made of buffalo's hide, and of the form most calculated to throw off a lance-point; namely, falling back gradually from the boss or centre (which protrudes) to the edges. At the centre, in the inside, is fixed a solid leather handle, by which the shield is held in the [Pg 510] hand when fighting, or through which the arm is passed to the elbow, for convenience of carrying on a journey. The edge is perforated with a number of holes, through which leather loops are passed, and by these it is hung up in the houses. The face of the shield is often ornamented in various ways, according to the wealth or fancy of the owner. Some have simply a narrow strip of lion's skin on each side of the boss, but crossing each other above and below it, the lower ends being allowed to hang at some length; others have a large broad strip of the mane down the centre of the shield, and hanging several inches below it. This is, of course, usually made of two or three pieces stitched together, as it would be difficult to get a single piece of sufficient length and beauty of fur. Others to this add a lion's paw or tail, fastened on the left side of the mane, and often highly adorned with silver. The beautiful long black and white fur of a sort of monkey, called "goréza," occasionally supplies the place of that of the nobler yet scarcely so beautiful animal. A shield almost completely covered with plates and bosses of silver, is usually the mark of the chief of some district. Those similarly plated in brass were likewise formerly used only by chiefs, though now they are carried by every soldier who can afford to buy them. The plated shield is called "tebbora." Those in brass are not much approved of, as they usually cover a bad skin; for a man possessed of a good handsome shield would never think of thus hiding its intrinsic beauties.

The engraving above shows a set of Abyssinian weapons. The sword, spear, and shield are the main arms used by the Abyssinians, with firearms being a relatively recent addition that aren't commonly employed. The shields are round and about a yard in diameter; they're well-crafted from buffalo hide, designed to deflect lance points by tapering from the protruding boss at the center to the edges. Inside, there’s a solid leather handle that you use to grip the shield when fighting or to slip your arm through for easier carrying while traveling. The edge has several holes where leather loops are threaded, allowing the shield to be hung up in homes. The front of the shield is often decorated in various styles, depending on the owner's wealth and taste. Some have a simple narrow line of lion's skin on either side of the boss, crossing above and below it, with the lower ends trailing down; others feature a wide strip of mane down the center that hangs a few inches below. This is usually made from two or three pieces stitched together since finding a single piece long enough and with attractive fur would be tough. Some even add a lion's paw or tail on the left side of the mane, often embellished with silver. Occasionally, the beautiful long black and white fur of a type of monkey called "goréza" replaces the fur from the fancier but not as visually striking animal. A shield almost entirely covered in silver plates and bosses typically indicates the chief of a district. Similar brass-plated shields were once exclusive to chiefs, but now any soldier who can afford them tends to have one. The plated shield is known as "tebbora." Brass-plated shields aren't favored much because they often conceal a poor-quality skin; a man with a nice, attractive shield would never think to hide its natural beauty.

In former times a beautiful crooked knife was used in Tigrè, the sheath and handle of which were profusely enriched with silver and gilt. These, however, are never worn now, the long "shotel" in Tigrè, and the European-shaped sword among the Amhàra and most of the soldiers, have entirely superseded them.

In the past, a beautiful curved knife was used in Tigrè, with a sheath and handle that were lavishly decorated with silver and gold. However, these are no longer worn. The long "shotel" in Tigrè and the European-style sword among the Amhàra and most soldiers have completely replaced them.

The "shotel" is an awkward-looking weapon. Some, if straight, would be nearly four feet long: they are two-edged, and curved to a semicircle, like a reaper's sickle. They are principally used to strike the point downwards over the guard of an adversary, and for this the long curved shape is admirably adapted. It is, however, a very clumsy weapon to manage. The sheath is of red morocco leather, its point being often ornamented with a hollow silver ball, called "lomita," as large as a small apple. Many of the swords used are made in Europe, and are such as would be carried by the light cavalry, though lighter than ours. Being, however, cheap, showy articles, they are apt to break, and therefore the Abyssinians are getting tired of them, preferring those made of soft iron in their own country. These they make also with the faible considerably broader than the forte, to give force to the blow. Of course, they bend on the least stress; but, in defence of this failing, their owners say that, if a sword breaks, who is to mend it?—while, if it bends, you have only to sit on it, and it gets straight again. The handles of both this and the "shotel" are made of the horn of the rhinoceros. They are cut out of the horn at great loss of material, and hence they fetch a good price. It should be remembered that the heart of the horn is black, outside of which there is a coating, not quite an inch thick, of a semi-transparent white colour. To make a sword-handle, a piece of horn of the requisite length is first sawn off. This is [Pg 511] then re-sawn longitudinally into three pieces, of which the inner one only is eligible for handles. This piece is about an inch and a half thick, four or five inches broad at the broader extremity, and three at the narrower. As it lies sawn flat before us we can distinctly see the black stripe in the centre, with the white on each side. Next, a nearly semicircular piece is cut out at each side, leaving only four points of the white as four corners, and the grasp black. The handle is then finished, bored for the shank of the blade, and polished. The shank is usually clinched over a half-dollar beaten convex; a fil-et-grain boss, called "timbora," is, however, sometimes substituted. A sword-hilt thus made is obviously a very clumsy one to handle, as the points are parallel to the edge, and those farthest from the blade are longest.

The "shotel" is a clumsy-looking weapon. Some, if they were straight, would be nearly four feet long: they have two edges and are curved in a semicircle, similar to a reaper's sickle. They are mainly used to strike downward over the guard of an opponent, and for this, the long curved shape works well. However, it's a pretty awkward weapon to control. The sheath is made of red morocco leather, and the tip is often decorated with a hollow silver ball, called "lomita," about the size of a small apple. Many of the swords used are made in Europe and are similar to those carried by light cavalry, but lighter than what we use. Since they are cheap and flashy, they tend to break easily, so the Abyssinians are starting to prefer those made of soft iron in their own country. They make these with the weak part considerably broader than the strong part to add power to the blow. Of course, they bend with the slightest stress; but in defense of this weakness, their owners argue that if a sword breaks, who can fix it?—while if it bends, you just have to sit on it, and it straightens out again. The handles of both this and the "shotel" are made from rhinoceros horn. They waste a lot of material when cutting them out, which makes them quite valuable. It's important to note that the heart of the horn is black, surrounded by a coating about an inch thick of semi-transparent white. To create a sword handle, a piece of horn of the required length is first cut off. This is then cut lengthwise into three pieces, with only the inner one being suitable for handles. This inner piece is about an inch and a half thick, four or five inches wide at the wider end, and three at the narrower end. When laid flat in front of us, we can clearly see the black stripe in the center, with white on either side. Next, a nearly semicircular piece is cut out from each side, leaving four white points as corners, while the grip remains black. The handle is then finished, bored for the shank of the blade, and polished. The shank is typically clinched over a convex half-dollar; sometimes, a fil-et-grain boss, called "timbora," is used instead. A sword hilt made this way is clearly quite clumsy to handle, as the points are parallel to the edge, and those farthest from the blade are the longest.

GEORGIANS AS TOPERS.

Georgians as drinkers.

It is as unsurpassable topers, as well as for their military qualities, which have always been acknowledged, that the Georgians have acquired notoriety. At their frequent drinking parties it is said they will pass several days and nights, almost without intermission, in quaffing the productions of the vineyards of Kakheti, a district in the mountains east of Tiflis. This wine is by no means of bad quality; it is of a deep red colour, so deep that one fancies it has been tinged with some dye to produce so intense a hue. They are said to consume incredible quantities of wine on these occasions, and in a fashion that would put to shame the drinking triumphs of Ireland, recorded by Sir Jonah Barrington, in days of old, when intoxication was the standard of spirit. The drinking vessel is a cow's horn, of considerable length, and the point of honour is to drain it at a draught. The brethren and convivial rivals of the Georgians in the neighbouring provinces of Imeretia and Mingrelia, instead of a horn, use a delicately-hollowed globe of walnut tree, with a long narrow tube at the orifice. It holds fully a pint, and like its companion, the horn, the contents are consumed at a single gulp. How these globes are hollowed is as great a marvel as the construction of the ingenious Chinese puzzle of ball within ball.

The Georgians are known for their unmatched drinking skills and their recognized military talents. At their frequent parties, they reportedly spend days and nights almost continuously drinking the wines from Kakheti, a region in the mountains east of Tiflis. This wine isn’t low quality; it’s a deep red, so intense that it looks like it’s been dyed to achieve that color. They are said to consume unbelievable amounts of wine during these gatherings, surpassing even the drinking feats of Ireland noted by Sir Jonah Barrington in the past, when getting drunk was a badge of honor. Their drinking vessel is a long cow's horn, and it’s a point of pride to finish it in one go. The Georgians' neighbors from Imeretia and Mingrelia use a delicately carved walnut globe instead of a horn, equipped with a long narrow tube at the opening. It can hold about a pint, and like the horn, its contents are downed in one gulp. The technique used to hollow out these globes is as impressive as the clever construction of the intricate Chinese puzzle of ball within a ball.

STAG-HUNT IN THE SIXTEENTH CENTURY.

Stag Hunt in the 1500s.

The following vivid picture of a stag-hunt is taken from the page of an old author, and refers to the days of the unfortunate Mary Queen of Scots:—"In the year 1567, the Earl of Athol, a prince of the blood royal, had, with much trouble and vast expense, a hunting-match for the entertainment of our most illustrious and gracious queen. Our people called this a royal hunting. I was then a young man, and present on that occasion. Two thousand Highlanders, or wild Scotch, as you call them, were employed to drive to the hunting-ground all the deer from the woods and hills of Athol, Badenoch, Marr, Murray, and the counties about. As these Highlanders use a light dress, and are very swift of foot, they went up and down so nimbly, that in less than two months' time, they brought together two thousand red deer, besides roes and fallow deer. The queen, the great men, and a number of others, were in a glen when these deer were brought before them. Believe me, the [Pg 512] whole body moved forward in something like battle order. The sight delighted the queen very much; but she soon had cause for fear. Upon the earl—(who had been accustomed from his early days to such sights)—addressing her thus:—'Do you observe that stag who is foremost of the herd? There is danger from that stag; for if either fear or rage should force him from the ridge of that hill, let every one look to himself, for none of us will be out of the way of harm; for the rest will follow this one, and having thrown us under foot, they will open a passage to this hill behind us.' What happened a moment after confirmed this opinion; for the queen ordered one of the best dogs to be let loose on one of the deer: this the dog pursues; the leading stag was frighted; he flies by the same way he had come there; the rest rush after him, and break out where the thickest body of Highlanders are; they had nothing for it but to throw themselves flat on the heath, and allow the deer to pass over them. It was told the queen that several of the Highlanders had been wounded, and that two or three had been killed outright; and the whole body had got off, had not the Highlanders, by their skill in hunting, fallen upon a stratagem to cut off the rear from the main body. It was of those that had been separated that the queen's dogs and those of the nobility made slaughter. There were killed that day three hundred and sixty deer, besides some roes."

The following vivid description of a stag hunt is taken from the writings of an old author and refers to the days of the unfortunate Mary Queen of Scots:—"In 1567, the Earl of Athol, a member of the royal family, organized a hunting event at great cost and effort for the entertainment of our most illustrious and gracious queen. Our people called this a royal hunt. I was a young man at the time and was present for the occasion. Two thousand Highlanders, or wild Scots as you might call them, were brought in to drive all the deer from the woods and hills of Athol, Badenoch, Marr, Murray, and the surrounding counties to the hunting ground. These Highlanders, dressed lightly and very swift on their feet, moved about so quickly that in less than two months, they gathered two thousand red deer, along with some roe and fallow deer. The queen, the nobles, and many others were in a glen when the deer were presented to them. Believe me, the whole group advanced in formation similar to a battle. The sight greatly pleased the queen, but she soon had cause for concern. The earl—who had been used to such sights since his youth—addressed her: 'Do you see that stag at the front of the herd? There is danger from that stag; if fear or rage drives him from the top of that hill, everyone should be cautious, for none will be safe; the others will follow him and trample us underfoot, opening a way to the hill behind us.' What happened moments later confirmed this warning; the queen ordered one of the best dogs to be released to chase one of the deer. The dog pursued the deer, which frightened the leading stag; he ran back the same way he had come, and the others rushed after him, breaking out among the densest group of Highlanders. They had no choice but to drop flat on the heath and let the deer pass over them. It was reported to the queen that several Highlanders had been injured, and two or three had been killed outright; the whole group would have escaped had the Highlanders, using their hunting skills, not devised a plan to separate the rear from the main group. It was from those who had been cut off that the queen's dogs and those of the nobility caused carnage. That day, three hundred sixty deer were killed, along with some roe."

TIME WASTED IN TAKING SNUFF.

Time wasted on taking snuff.

A vast quantity of valuable time is wasted by the votaries of tobacco, especially by the smokers; and that the devotees of snuff are not greatly behind in this respect, will be shown by the following singular calculation of Lord Stanhope:—

A huge amount of valuable time is wasted by tobacco users, especially smokers; and the snuff users aren't far behind in this regard, as shown by the following interesting calculation from Lord Stanhope:—

"Every professed, inveterate, and incurable snuff-taker," says his lordship, "at a moderate computation, takes one pinch in ten minutes. Every pinch, with the agreeable ceremony of blowing and wiping the nose and other incidental circumstances, consumes one minute and a half. One minute and a half out of every ten, allowing sixteen hours to a snuff-taking day, amounts to two hours and twenty-four minutes out of every natural day, or one day out of ten. One day out of every ten, amounts to thirty-six days and a half in a year. Hence, if we suppose the practice to be persisted in forty years, two entire years of the snuff-taker's life will be dedicated to tickling his nose, and two more to blowing it. The expense of snuff, snuff-boxes, and handkerchiefs, will be the subject of a second essay, in which it will appear that this luxury encroaches as much on the income of the snuff-taker as it does on his time; and that by proper application of the time and money thus lost to the public, a fund might be constituted for the discharge of the national debt."

"Every devoted, long-time, and stubborn snuff user," says his lordship, "generally takes a pinch every ten minutes. Each pinch, along with the enjoyable routine of blowing and wiping the nose and other related actions, takes about a minute and a half. If we consider one minute and a half out of every ten, and assume a snuff-taking day lasts sixteen hours, that adds up to two hours and twenty-four minutes each day, or one day out of ten. One day out of every ten means a total of thirty-six and a half days in a year. Therefore, if we assume this habit continues for forty years, two whole years of the snuff-taker's life will be spent itching their nose, and another two years will be spent blowing it. The cost of snuff, snuff boxes, and handkerchiefs will be discussed in a later essay, which will show that this luxury affects the snuff-taker's finances as much as it does their time; and with the right use of the time and money wasted, a fund could be created to help pay off the national debt."

VALUE OF A LONG PSALM.

VALUE OF A LONG PSALM.

Formerly a psalm was allowed to be sung at the gallows by the culprit, in case of a reprieve. It is reported of one of the chaplains to the famous Montrose, that being condemned in Scotland to die, for attending [Pg 513] his master in some of his glorious exploits, and being upon the ladder, ordered to set out a psalm, he expecting a reprieve, named the 119th Psalm (with which the officer attending the execution complied, the Scotch Presbyterians being great psalm-singers): and it was well for him he did so, for they had sung it half through before the reprieve came: any other psalm would have hanged him.

Previously, a condemned person was allowed to sing a psalm at the gallows in hopes of getting a reprieve. It's said that one of the chaplains to the famous Montrose, who was sentenced to die in Scotland for serving his master in some of his glorious battles, was on the ladder about to be executed. He requested to sing a psalm, expecting a reprieve, and chose the 119th Psalm (which the officer overseeing the execution agreed to, since Scottish Presbyterians are known for their love of psalm-singing). It turned out to be a good decision for him because they had sung it halfway through before the reprieve arrived; any other psalm would have led to his execution.

ANCIENT INCENSE CHARIOT.

Ancient incense cart.

Ancient Incense Chariot

The implement which we have engraved was found in a tomb at Cervetri in Etruria, and unquestionably belongs to a very remote date of the archaic period. It was used in the ritual services of the ancients, and seems to have been destined for burning incense. The perfume was, no doubt, placed in the concave part, and the fact of the whole being mounted upon four wheels proves that it was intended to be moved about, which, in religious services, may have been a great convenience. The borders are adorned by a row of flower-shaped ornaments, the graceful forms of which will be appreciated in the side-view we have given of it. It must be confessed, indeed, that this monument, which is marked by the stamp of an antiquity so exceedingly remote, displays within the limits of its archaic character much elegance, conveying the idea of a highly refined taste, suitable to a person of dignified position, as the priest or king may be supposed to have been, to whom the article belonged.

The item we've engraved was discovered in a tomb at Cervetri in Etruria and undoubtedly dates back to a very early time in the archaic period. It was used in ancient rituals and seems to have been meant for burning incense. The fragrance was likely placed in the concave part, and the fact that it’s mounted on four wheels indicates it was designed to be moved around, which probably made it very convenient during religious ceremonies. The edges are decorated with a row of flower-shaped ornaments, whose elegant shapes will be appreciated in the side view we've included. It's true that this artifact, marked by an extremely ancient origin, shows a lot of elegance within its archaic style, suggesting a highly refined taste fitting for someone of a dignified position, like the priest or king to whom it likely belonged.

TOO MUCH PARENTAL AUTHORITY.

OVERLY STRICT PARENTING.

All the world over, the current of natural affection flows strongly downwards to posterity. Love for children, in most nations, seems to be stronger than the love for parents. But in China, the current of natural affection is thrown back towards parents with undue strength. The love of posterity is in danger of being checked and weakened by their excessive veneration for parents. The father has absolute power, even the power of life and death, over his children. A few years ago, a Chinese father said to his wife, "What shall we do with our young son? He is undutiful and rebellious, and will bring disgrace on our family name; let us put him to death." Accordingly, having tied a cord round the boy's neck, the father pulled one end of it, and the mother the other, and [Pg 514] thus they strangled their son. The magistrates took no notice of the occurrence. A wealthy Chinese gentleman at Ningpo shut up one of his orphan grandchildren and starved her to death. He could not be troubled rearing her up. Another man at the same place, having commanded two of his sons one day to follow him, entered a boat, and rowed out to the middle of the stream. He then deliberately tied a stone to the neck of one of his sons, and threw him into the river. The other lad was compelled to assist his father in the cruel proceeding. These facts are well known to the missionaries at that place. They heard the cries of the poor girl, and rescued her sister from a similar fate, and they saw the youth drowned by his father. But the authorities never thought of interfering.

All around the world, natural affection strongly flows downwards to future generations. Love for children, in most cultures, seems to be stronger than love for parents. However, in China, the current of natural affection is misguidedly directed back towards parents with excessive force. The love for future generations is at risk of being stifled and diminished by their overwhelming respect for parents. A father has complete power, even the power of life and death, over his children. A few years ago, a Chinese father told his wife, "What should we do with our young son? He is disrespectful and rebellious, and he will bring shame to our family name; let's kill him." So, after tying a cord around the boy's neck, the father pulled one end while the mother pulled the other, and [Pg 514] thus they strangled their son. The authorities took no action on this incident. A wealthy Chinese man in Ningpo locked up one of his orphaned grandchildren and starved her to death because he didn't want to bother raising her. Another man in the same area commanded two of his sons to follow him one day, got into a boat, and rowed out to the middle of the stream. He then intentionally tied a stone around one of his son's necks and threw him into the river. The other boy was forced to help his father with this cruel act. These stories are well known to the missionaries there. They heard the girl's cries and saved her sister from a similar fate, and they witnessed the boy drown at his father's hands. Yet the authorities never considered intervening.

POPULAR PASTIMES.

Trending Activities.

The popular pastimes of the time of James the First are enumerated in the following lines, in a little work entitled "The Letting of Humour's Blood in the Head-vaine; with a New Morisco daunced by seven Satyres upon the bottome of Diogenes' tubbe:" 8vo, Lond. 1611.

The popular pastimes during the time of James the First are listed in the following lines, from a little work titled "The Letting of Humour's Blood in the Head-vaine; with a New Morisco danced by seven Satyrs on the bottom of Diogenes' tub:" 8vo, Lond. 1611.

"Man, I dare challenge thee to Throw the sledge,
To jump or Leap over ditch or hedge,
To Wrestle, play at Stooleball, or to Run:
To Pitch the Bar, or to Shoot Off a Gun:
To play at Loggets, Nine Holes, or Ten Pennies:
To try it out at Football by the shinnes:
At TikTok, Irish Noddie, Mouth, and Ruffe,
At Hot-cockles, Leapfrog, or Blindfold tag;
To drinke halfe-pots, or deale at the whole can:
To play at Base, or Pen-and-Ink Sir Juan;
To daunce the Morris, play at Barley break,
At all exploytes a man can thinke or speake;
At Shove-groat, Vent point, or Crosse & Pile,
At Cursed be the one last at that style over there.;
At Jumping over a midsummer bonfire,
Or at the Drawing Dun out of the mire.:
At any of those, or all these presently,
Wagge but your finger, I am for you, I!"

VACILLATING NEWSPAPERS.

Wavering newspapers.

The newspapers of Paris, submitted to the censorship of the press, in 1815, announced in the following terms, Bonaparte's departure from the Isle of Elba, his march across France, and his entry into the French Capital:—9th March—The Cannibal has escaped from his den. 10th—The Corsican ogre has just landed at Cape Juan. 11th—The Tiger has arrived at Gap. 12th—The Monster has passed the night at Grenoble. 13th—The Tyrant has crossed Lyons. 14th—The Usurper is directing his course towards Dijon, but the brave and loyal Burgundians have risen in a body, and they surround him on all sides. 18th—Bonaparte is sixty leagues from the Capital; he has had skill enough to escape from the hands of his pursuers. 19th—Bonaparte advances rapidly, but he [Pg 515] will never enter Paris. 20th—To-morrow, Napoleon will be under our ramparts. 21st—The Emperor is at Fontainebleau. 22nd—His Imperial and Royal Majesty last evening made his entrance into his Palace of the Tuileries, amidst the joyous acclamations of an adoring and faithful people.

The newspapers of Paris, subject to press censorship, in 1815, announced Bonaparte's departure from the Isle of Elba, his march across France, and his entry into the French Capital as follows:—9th March—The Cannibal has escaped from his den. 10th—The Corsican ogre has just landed at Cape Juan. 11th—The Tiger has arrived at Gap. 12th—The Monster spent the night in Grenoble. 13th—The Tyrant has crossed Lyons. 14th—The Usurper is heading towards Dijon, but the brave and loyal Burgundians have risen up and surround him on all sides. 18th—Bonaparte is sixty leagues from the Capital; he has cleverly escaped the hands of his pursuers. 19th—Bonaparte is advancing quickly, but he [Pg 515] will never enter Paris. 20th—Tomorrow, Napoleon will be at our ramparts. 21st—The Emperor is in Fontainebleau. 22nd—His Imperial and Royal Majesty made his entrance into the Tuileries Palace last evening, amidst the joyful cheers of a devoted and loyal people.

PRESSING TO DEATH, AND PRAYING AND FASTING.

PRESSING TO DEATH, AND PRAYING AND FASTING.

In a number of Oliver Cromwell's Newspaper, "The Perfect Account of the Daily Intelligence," dated April 16th, 1651, we find this horrid instance of torture:—

In several of Oliver Cromwell's newspapers, "The Perfect Account of the Daily Intelligence," dated April 16th, 1651, we find this terrible example of torture:—

"Mond. April 14th.—This session, at the Old Bailey, were four men pressed to death that were all in one robbery, and, out of obstinacy and contempt of the court, stood mute and refused to plead; from whence we may perceive the exceeding great hardness some men are grown unto, who do not only swerve from instructions, exhortations, and goodnesse, but become so lewd and insolent that they render themselves the proper subjects for whom severe laws were first invented and enacted."

"Mond. April 14th.—During this session at the Old Bailey, four men were pressed to death for being involved in a robbery. Out of stubbornness and contempt for the court, they remained silent and refused to enter a plea. This shows just how hardened some people have become, not only ignoring guidance, encouragement, and goodness but also becoming so wicked and arrogant that they make themselves the perfect examples for whom severe laws were originally created and enforced."

The very next paragraph in the paper is to the following effect:—

The very next paragraph in the paper is as follows:—

"Those of the congregate churches, and many other godly people in London and parts adjacent, have appointed Friday, the 25th instant, as a day of solemn fasting and prayer, for a blessing upon the armies at land, the fleet at sea, and negociations abroad."

"Members of the congregate churches and many other faithful people in London and nearby areas have set Friday, the 25th of this month, as a day for serious fasting and prayer, seeking blessings for the armies on land, the fleet at sea, and negotiations overseas."

THE FIRST WATCHES IN ENGLAND.

THE FIRST WATCHES IN ENGLAND.

In 1584 watches began to come from Germany, and the watchmaker soon became a trader of importance. The watches were often of immense size, and hung in a rich case from the neck, and by fops wound up with great gravity and ceremony in Paul's or at the ordinary dinner. Catgut mainsprings must have been slightly affected by changes of weather, and sometimes a little out of time in wet Novembers; but, Sessa, let the world live! An early specimen of the watch that we have seen engraved was, however, not larger than a walnut, richly chased, and enclosed in a pear-shaped case. It had no minute hand, but was of beautiful workmanship. Country people, like Touchstone, sometimes carried pocket dials, in the shape of brass rings, with a slide and aperture, to be regulated to the season.

In 1584, watches started coming from Germany, and watchmakers quickly became important traders. The watches were often huge, hanging in an ornate case from the neck, and wealthy men wound them up with serious pomp and circumstance in St. Paul's or at fancy dinners. Catgut mainsprings might have been a bit affected by changes in the weather, sometimes running a little slow in damp Novembers; but, oh well, let the world go on! An early example of a watch we've seen engraved was no bigger than a walnut, beautifully decorated, and enclosed in a pear-shaped case. It didn’t have a minute hand, but it was crafted beautifully. Country folks, like Touchstone, sometimes carried pocket dials shaped like brass rings, with a slide and opening, adjusted for the season.

EXTRAORDINARY CIRCUMSTANCE.

UNUSUAL SITUATION.

Jesse, in his interesting "Gleanings in Natural History," gives the following remarkable instance of an extraneous substance being found imbedded in the solid timber of an ash:—"A person on whose accuracy and veracity I can place every reliance, informed me that hearing from some of his brother workmen, that in sawing up the butt of a large ash-tree, they had found a bird's nest in the middle of it; he immediately went to the spot, and found an ash cut in two longitudinally on the saw-pit, and the bird's nest nearly in the centre of the tree. The nest was about two-thirds of a hollow globe, and composed of moss, hair, and feathers, all seemingly in a fresh state. There were three eggs in it, [Pg 516] nearly white and somewhat speckled. On examining the tree most minutely with several other workmen, no mark or protuberance was found to indicate the least injury. The bark was perfectly smooth and the tree quite sound." In endeavouring to account for this curious fact, we can only suppose that some accidental hole was made in the tree before it arrived at any great size, in which a bird had built its nest, and forsaken it after she had laid three eggs. As the tree grew larger, the bark would grow over the hole, and in process of time the nest would become embedded in the tree.

Jesse, in his fascinating "Gleanings in Natural History," gives the following amazing example of an external object being found embedded in the solid wood of an ash tree: "A person whose accuracy and honesty I can fully trust informed me that after hearing from some of his fellow workers that while sawing up the butt of a large ash tree, they discovered a bird's nest in the middle of it, he immediately went to the site and found an ash tree cut in two lengthwise on the saw-pit, with the bird's nest nearly in the center of the tree. The nest was about two-thirds of a hollow globe, made of moss, hair, and feathers, all appearing to be in a fresh state. There were three eggs in it, [Pg 516] nearly white and slightly speckled. When examining the tree very closely with several other workers, no marks or bumps were found to indicate any damage. The bark was perfectly smooth and the tree was completely sound." In trying to explain this curious fact, we can only assume that some accidental hole was made in the tree before it reached a significant size, in which a bird built its nest and abandoned it after laying three eggs. As the tree grew larger, the bark would cover over the hole, and over time the nest would become embedded in the tree.

PORT COON CAVE.

PORT COON CAVE.

Port Coon Cave

The above is a sketch of a cave which well deserves a place among our collection of Wonders. It is called Port Coon Cave, and is in the line of rocks near the Giants' Causeway. It may be visited either by sea or by land. Boats may row into it to the distance of a hundred yards or more, but the swell is sometimes dangerous; and although the land entrance to the cave is slippery, and a fair proportion of climbing is necessary to achieve the object, still the magnificence of the excavation, its length, and the formation of the interior, would repay greater exertion; the stones of which the roof and sides are composed, and which are of a rounded form, and embedded, as it were, in a basaltic paste, are formed of concentric spheres resembling the coats of an onion; the innermost [Pg 517] recess has been compared to the side aisle of a Gothic cathedral; the walls are most painfully slimy to the touch; the discharge of a loaded gun reverberates amid the rolling of the billows, so as to thunder a most awful effect; and the notes of a bugle, we are told, produced delicious echoes.

The above is a sketch of a cave that definitely deserves a spot in our collection of Wonders. It’s called Port Coon Cave and is located among the rocks near the Giants' Causeway. You can reach it by sea or by land. Boats can navigate into it for about a hundred yards or more, but the swell can be dangerous at times. The land entrance to the cave is slippery, and you'll need to do some climbing to get in, but the stunning beauty of the cave—its length and the layout of the interior—makes the effort worthwhile. The stones that make up the roof and walls are rounded and seem to be embedded in a basaltic paste, forming concentric spheres that resemble the layers of an onion. The innermost recess has been likened to the side aisle of a Gothic cathedral; the walls feel incredibly slimy to the touch. When a loaded gun is fired, the sound echoes through the cave amid the rolling waves, creating a thunderous effect, and we hear that the notes of a bugle produce beautiful echoes.

ANECDOTE IN PORCELAIN.

Anecdote in porcelain.

Anecdote in Porcelain

The finest specimens of Dresden porcelain were undoubtedly made previously to the Seven Years' War, when no expense was spared, and when any price might be obtained. Count Brühl, the profligate minister of Augustus III., whose splendid palace and terrace is the great ornament of Dresden, was importuned by his tailor to be allowed to see the manufactory, admission to which was strictly prohibited. At length he consented, and the tailor upon his entrance was presented with the two last new pieces made, which were—one a grotesque figure, a portrait of himself mounted upon a he-goat, with the shears, and all his other implements of trade; and the other, his wife upon a she-goat, with a baby in swaddling clothes. The poor tailor was so annoyed with these caricatures, that he turned back without desiring to see more. These pieces, known as Count Brühl's Tailor and his Wife, are now much sought after, from their historical interest. They were made in 1760, by Kändler.

The best examples of Dresden porcelain were definitely created before the Seven Years' War, when no expense was spared and any price could be asked. Count Brühl, the extravagant minister of Augustus III., whose magnificent palace and terrace are the pride of Dresden, was pressured by his tailor to be allowed to see the manufactory, which was strictly off-limits. Eventually, he agreed, and when the tailor entered, he was presented with the last two new pieces made—one was a funny figure, a portrait of himself on a he-goat, along with his shears and all his other trade tools; the other was his wife on a she-goat, holding a swaddled baby. The poor tailor was so upset by these caricatures that he turned around without wanting to see more. These pieces, known as Count Brühl's Tailor and his Wife, are now highly sought after due to their historical significance. They were made in 1760 by Kändler.

ANGLO-SAXON FEASTS.

ANGLO-SAXON FEASTS.

It is a mark of Anglo-Saxon delicacy, that table-cloths were features at Anglo-Saxon feasts; but, as the long ends were used in place of napkins, the delicacy would be of a somewhat dirty hue, if the cloth were made to serve at a second feast. There was a rude sort of display upon the board; but the order of service was of a quality that would strike the "Jeameses" of the age of Victoria with inexpressible disgust. The meat was never "dished," and "covers" were as yet unknown. The [Pg 518] attendants brought the viands into the dining-hall on the spits, knelt to each guest, presented the spit to his consideration; and, the guest having helped himself, the attendant went through the same ceremony with the next guest. Hard drinking followed upon these same ceremonies; and even the monasteries were not exempt from the sins of gluttony and drunkenness. Notwithstanding these bad habits, the Anglo-Saxons were a cleanly people; the warm bath was in general use. Water, for hands and feet, was brought to every stranger on entering a house wherein he was about to tarry and feed; and, it is said that one of the severest penances of the church was the temporary denial of the bath, and of cutting the hair and nails.

It reflects Anglo-Saxon sensitivity that tablecloths were part of their feasts; however, since the long ends were used instead of napkins, the cloth might end up looking somewhat dirty if reused for another feast. The presentation on the table was crude, but the way food was served would likely appall the "Jeameses" of the Victorian era. The meat was never served in dishes, and "covers" were not yet a thing. The [Pg 518] attendants brought food into the dining hall on spits, knelt before each guest, offered the spit for them to serve themselves, and then repeated this with the next guest. Heavy drinking followed these rituals, and even monasteries weren’t free from the excesses of gluttony and drunkenness. Still, despite these bad habits, the Anglo-Saxons were quite clean; warm baths were commonly used. Water for washing hands and feet was offered to every guest upon entering a home where they would stay and eat; it is said that one of the strictest church penalties was temporarily being denied a bath and having hair and nails cut.

HOUSEHOLD RULES IN THE SIXTEENTH CENTURY.

HOUSEHOLD RULES IN THE 16TH CENTURY.

From Sir J. Harrington's (the translator of Ariosto) rules for servants, we obtain a very clear conception of the internal government of a country gentleman's house in 1566.

From Sir J. Harrington's (the translator of Ariosto) guidelines for servants, we get a very clear picture of how a country gentleman's household was run in 1566.

A servant who is absent from prayers to be fined. For uttering an oath, 1d.; and the same sum for leaving a door open.

A servant who skips prayers will be fined. For swearing, 1d.; and the same amount for leaving a door open.

A fine of 2d., from Lady Day to Michaelmas, for all who are in bed after six, or out after ten.

A fine of 2d. from Lady Day to Michaelmas for anyone who is in bed after six or out after ten.

The same fine, from Michaelmas to Lady Day, for all who are in bed after seven, or out after nine.

The same fine, from Michaelmas to Lady Day, for anyone who's in bed after seven or out after nine.

A fine of 1d. for any bed unmade, fire unlit, or candle-box uncleaned after eight.

A fine of 1 penny for any unmade bed, unlit fire, or dirty candle box after eight o'clock.

A fine of 4d. for any man detected teaching the children obscene words.

A fine of 4d. for anyone caught teaching children inappropriate words.

A fine of 1d. for any man waiting without a trencher, or who is absent at a meal.

A fine of 1d. for any man waiting without a plate, or who is absent during a meal.

For any one breaking any of the butler's glass, 12d.

For anyone who breaks any of the butler's glassware, 12d.

A fine of 2d. for any one who has not laid the table for dinner by half-past ten, or the supper by six.

A fine of 2d. for anyone who hasn't set the table for dinner by 10:30, or for supper by 6:00.

A fine of 4d. for any one absent a day without leave.

A fine of 4d. for anyone who is absent for a day without permission.

For any man striking another, a fine of 1d.

For any man hitting another, a fine of 1d.

For any follower visiting the cook, 1d.

For any follower visiting the cook, 1d.

A fine of 1d. for any man appearing in a foul shirt, broken hose, untied shoes, or torn doublet.

A fine of 1 penny for anyone showing up in a dirty shirt, ripped pants, loose shoes, or a torn jacket.

A fine of 1d, for any stranger's room left for four hours after he be dressed.

A fine of 1 penny for any stranger's room left for four hours after he gets dressed.

A fine of 1d. if the hall be not cleansed by eight in winter and seven in summer.

A fine of 1d. if the hall is not cleaned by eight in winter and seven in summer.

The porter to be fined 1d. if the court-gate be not shut during meals.

The porter will be fined 1d if the court gate isn’t closed during meals.

A fine of 3d. if the stairs be not cleaned every Friday after dinner.

A fine of 3d. if the stairs are not cleaned every Friday after dinner.

All these fines were deducted by the steward at the quarterly payment of the men's wages. If these laws were observed, the domestic discipline must have been almost military in it.

All these fines were taken out by the steward during the quarterly payment of the men's wages. If these rules were followed, the household discipline must have been nearly as strict as military discipline.

THE QUEEN OF SHEBA.

Queen of Sheba.

Belkis, according to the Arabs, was the famous Queen of Sheba or Saba, who visited, and afterwards married, Solomon, in the twenty-first [Pg 519] year of her reign. Tabari has introduced her story with such gorgeous embellishments as to resemble a fairy tale rather than episode in serious narrative. She is said to have been subdued by the Jewish monarch, who discovered her retreat among the mountains, between Hejaz and Yemen by means of a lapwing, which he had despatched in search of water during his progress through Arabia. This princess is called Nicolaa by some writers. The Abyssinians claim the same distinction for one of their queens; and have preserved the names of a dynasty alleged to have been descended from her union with Solomon.

Belkis, according to Arab tradition, was the legendary Queen of Sheba, who visited and later married Solomon in the twenty-first year of her reign. Tabari presents her story with such lavish details that it feels more like a fairy tale than a part of serious history. It's said that the Jewish king found her hiding in the mountains between Hejaz and Yemen with the help of a lapwing he sent out to look for water while traveling through Arabia. Some writers refer to this princess as Nicolaa. The Abyssinians also claim her as part of their history and have kept records of a dynasty said to have descended from her marriage with Solomon.

SUPERSTITION IN FRANCE.

Superstitions in France.

In France, superstition at this day is even more prevalent than it is in England. Garinet, in his history of Magic and Sorcery in that country, cites upwards of twenty instances which occurred between the years 1805 and 1818. In the latter year no less than three tribunals were occupied with trials originating in this humiliating belief: we shall cite only one of them. Julian Desbourdes, aged fifty-three, a mason, and inhabitant of the village of Thilouze, near Bourdeaux, was taken suddenly ill, in the month of January 1818. As he did not know how to account for his malady, he suspected at last that he was bewitched. He communicated this suspicion to his son-in-law Bridier, and they both went to consult a sort of idiot, named Boudouin, who passed for a conjuror or white-witch. This man told them that Desbourdes was certainly bewitched, and offered to accompany them to the house of an old man named Renard, who, he said, was undoubtedly the criminal. On the night of the 23rd of January all three proceeded stealthily to the dwelling of Renard, and accused him of afflicting persons with diseases by the aid of the devil. Desbourdes fell on his knees and earnestly entreated to be restored to his former health, promising that he would take no measures against him for the evil he had done. The old man denied in the strongest terms that he was a wizard; and when Desbourdes still pressed him to remove the spell from him, he said he knew nothing about the spell, and refused to remove it. The idiot Boudouin, the white-witch, now interfered, and told his companions that no relief for the malady could ever be procured until the old man confessed his guilt. To force him to confession they lighted some sticks of sulphur which they had brought with them for the purpose, and placed them under the old man's nose. In a few moments he fell down suffocated and apparently lifeless. They were all greatly alarmed; and thinking that they had killed the man, they carried him out and threw him into a neighbouring pond, hoping to make it appear that he had fallen in accidentally. The pond, however, was not very deep, and the coolness of the water reviving the old man, he opened his eyes and sat up. Desbourdes and Bridier, who were still waiting on the bank, were now more alarmed than before, lest he should recover and inform against them. They therefore waded into the pond, seized their victim by the hair of the head, beat him severely, and then held him under water till he was drowned.

In France, superstition today is even more common than in England. Garinet, in his history of Magic and Sorcery in that country, mentions over twenty cases that happened between 1805 and 1818. In the latter year, three courts were involved in trials stemming from this embarrassing belief: we’ll mention just one of them. Julian Desbourdes, fifty-three years old, a mason living in the village of Thilouze near Bordeaux, suddenly fell ill in January 1818. Unsure of the cause of his sickness, he eventually suspected he was cursed. He shared this suspicion with his son-in-law Bridier, and together they decided to consult a sort of fool named Boudouin, who was known as a conjurer or “white-witch.” This man claimed that Desbourdes was definitely cursed and offered to take them to an old man named Renard, whom he accused of being the source of the problem. On the night of January 23rd, the three of them quietly went to Renard’s house and accused him of causing illnesses with the help of the devil. Desbourdes fell to his knees and desperately begged to be restored to health, promising he wouldn’t take any action against Renard for the harm he had done. The old man vehemently denied being a wizard, and when Desbourdes continued to plead for him to lift the spell, he claimed he knew nothing of it and refused to help. The fool Boudouin, the “white-witch,” then stepped in and told his companions that no cure for the illness could be found until the old man confessed his wrongdoing. To force him into a confession, they lit some sulfur sticks they had brought for this purpose and held them under the old man’s nose. Within moments, he collapsed, suffocated and seemingly lifeless. They were all very frightened and thinking they had killed him, carried him out and threw him into a nearby pond, hoping to make it look like an accident. However, the pond wasn’t very deep, and the cool water revived the old man, who opened his eyes and sat up. Desbourdes and Bridier, still waiting on the bank, were now even more frightened, worried he might recover and tell on them. They waded into the pond, grabbed the old man by his hair, beat him brutally, and then held him underwater until he drowned.

They were all three apprehended on the charge of murder a few days [Pg 520] afterwards. Desbourdes and Bridier were found guilty of aggravated manslaughter only, and sentenced to be burnt on the back, and to work in the galleys for life. The white-witch Boudouin was acquitted on the ground of insanity.

They were all three arrested on murder charges a few days [Pg 520] later. Desbourdes and Bridier were found guilty of aggravated manslaughter only and were sentenced to be branded on the back and to do hard labor for life. The white-witch Boudouin was found not guilty due to insanity.

HELMET OF SIR JOHN CROSBY.

Helmet of Sir John Crosby.

Helmet of Sir John Crosby

We here present our readers with a sketch of the helmet of Sir John Crosby, as it originally appeared when suspended over his tomb in St. Helen's Church, Bishopsgate. He was an eminent merchant of London; but is represented upon his tomb in a full suit of armour. He died in 1475. The extreme height of the crown of the helmet resembles that on the tomb of the Earl of Warwick, in the Beauchamp Chapel at Warwick; and was intended to support the crest of the wearer, the holes for affixing it being still visible.

We present our readers with a depiction of Sir John Crosby's helmet, as it originally hung over his tomb in St. Helen's Church, Bishopsgate. He was a prominent merchant in London, but is shown on his tomb in full armor. He passed away in 1475. The very tall crown of the helmet is similar to that on the tomb of the Earl of Warwick in the Beauchamp Chapel at Warwick, and it was meant to hold the wearer's crest, with the holes for attaching it still visible.

EARTHQUAKE PANIC.

Earthquake panic.

A panic terror of the end of the world seized the good people of Leeds and its neighbourhood in the year 1806. It arose from the following circumstances. A hen, in a village close by, laid eggs, on which were [Pg 521] inscribed the words, "Christ is coming." Great numbers visited the spot, and examined these wondrous eggs, convinced that the day of judgment was near at hand. Like sailors in a storm, expecting every instant to go to the bottom, the believers suddenly became religious, prayed violently, and flattered themselves that they repented them of their evil courses. But a plain tale soon put them down, and quenched their religion entirely. Some gentlemen, hearing of the matter, went one fine morning and caught the poor hen in the act of laying one of her miraculous eggs. They soon ascertained beyond doubt that the egg had been inscribed with some corrosive ink, and cruelly forced up again, into the bird's body. At this explanation, those who had prayed, now laughed, and the world wagged as merrily as of yore.

A panicked fear about the end of the world took hold of the good people of Leeds and the surrounding area in 1806. This fear stemmed from a particular incident. A hen in a nearby village laid eggs that were inscribed with the words, "Christ is coming." A large number of people flocked to see these amazing eggs, convinced that judgment day was imminent. Like sailors in a storm, expecting to sink at any moment, the believers suddenly became devout, prayed intensely, and convinced themselves that they were truly repenting for their sins. But a straightforward truth soon shattered their beliefs and extinguished their newfound faith. Some gentlemen, hearing about the situation, went one beautiful morning and caught the poor hen laying one of her miraculous eggs. They quickly confirmed that the egg had been inscribed with some kind of corrosive ink, which had cruelly been forced back into the bird's body. At this revelation, those who had prayed began to laugh, and life returned to normal once again.

OLD ENGLISH SACK-POT.

Old English sack pot.

Old English Sack-Pot

Sack was such a national beverage of the jolly old England of the seventeenth century, that we are sure our readers will thank us for giving them an idea of the vessel in which it was commonly used. The bottle here engraved, and inscribed "Sack," was found in Old Tabley Hall, Cheshire, and is a veritable specimen of the sort of vessel from which the topers of the "good old times" poured into their cups the drink with which they so loved to warm their heart-strings. It is of a dull-white, with blue letters, and it is in the possession of the Hon. Robert Curzon, jun., author of the interesting work on the Monasteries of the Levant. Two old English bottles of similar character, one lettered Sack, the other Claret, dated 1646, were sold at Strawberry Hill.

Sack was such a popular drink in merry old England during the seventeenth century that we're sure our readers will appreciate us giving them a glimpse of the vessel it was typically served in. The bottle shown here, labeled "Sack," was discovered in Old Tabley Hall, Cheshire, and is an authentic example of the kind of container from which drinkers of the "good old days" poured their beloved beverage to warm their spirits. It's a dull-white bottle with blue lettering, currently owned by the Hon. Robert Curzon, Jr., who wrote the fascinating book on the Monasteries of the Levant. Two other old English bottles of a similar style, one labeled Sack and the other Claret, dated 1646, were sold at Strawberry Hill.

AGE OF TREES.

TREE AGE.

Mr. Twining was engaged, in the year 1827, in measuring and inspecting a large lot of hemlock timber cut from the north-eastern slope of East Rock, New Haven (America), and destined for the foundation of a wharf. While thus employed he took particular notice of the successive layers, each of which constitutes a year's growth of the tree, and which in that kind of wood are very distinct. These layers were of various breadths, and plainly showed that in some seasons the trees made a much greater advance than in others, some of the layers being five or six times broader than others. Every tree had thus preserved a record of the seasons for the period of its growth, whether thirty years or two hundred—and what was worthy of notice, every tree told the same story. Thus, by beginning at the outer layer of two trees, the one young the other old, and counting back twenty years, if the young tree indicated, by a full layer, a growing season for that kind of timber, the other tree indicated the same.

Mr. Twining was busy in 1827 measuring and inspecting a large lot of hemlock timber cut from the northeastern slope of East Rock in New Haven, America, meant for the foundation of a wharf. While working, he noticed the distinct layers, each representing a year of the tree's growth, which were very clear in this type of wood. These layers varied in width, showing that some years the trees grew much more than in others, with some layers being five or six times wider than others. Every tree had preserved a record of the seasons for its growth period, whether it was thirty years or two hundred—and what was interesting was that every tree told the same story. By starting at the outer layer of two trees, one young and the other old, and counting back twenty years, if the young tree showed a full layer indicating a growing season for that type of timber, the older tree showed the same.

"I had then before me," (says this intelligent observer) "two or three hundred meteorological tables, all of them as unerring as nature; and by [Pg 522] selecting one tree from the oldest, and sawing out a thin section from its trunk, I might have preserved one of the number to be referred to afterwards. It might have been smoothed on the one side by the plane, so as to exhibit its record to the eye with all the neatness and distinctness of a drawing. On the opposite side might have been minuted in indelible writing the locality of the tree, the kind of timber, the year and month when cut, the soil where it grew, the side and point which faced the north, and every other circumstance which can possibly be supposed ever to have the most remote relation to the value of the table in hand. The lover of science will not be backward to incur such trouble, for he knows how often, in the progress of human knowledge, an observation or an experiment has lost its value by the disregard of some circumstance connected with it, which at the time was not thought worthy of notice. Lastly, there might be attached to the same section a written meteorological table compiled from the observations of some scientific person, if such observations had been made in the vicinity. This being done, why, in the eye of science, might not this natural, unerring, graphical record of seasons past deserve as careful preservation as a curious mineral, or a new form of crystals?"

"I had in front of me," (says this insightful observer) "two or three hundred meteorological tables, all as accurate as nature; and by [Pg 522] choosing one tree from the oldest, and cutting a thin slice from its trunk, I could have preserved one for future reference. It could have been smoothed on one side to show its record clearly, with all the neatness and precision of a drawing. On the other side, I could have inscribed in permanent writing the tree's location, the type of wood, the year and month it was cut, the soil it grew in, the direction it faced, and any other details that might be relevant to the value of the table at hand. A lover of science wouldn't hesitate to take on such effort, knowing how often, in the quest for knowledge, an observation or experiment loses its significance due to neglecting some detail that seemed unimportant at the time. Finally, I could attach to the section a written meteorological table created from observations by a scientist, if such observations had been made nearby. With that, why wouldn’t this natural, accurate, graphic record of past seasons be worthy of careful preservation, just like a rare mineral or a new crystal formation?"

THE CAMEL AS A SCAPE-GOAT.

THE CAMEL AS A SCAPEGOAT.

A very singular account of the use to which a camel is sometimes put, is given by the traveller Bruce. He tells us that he saw one employed to appease a quarrel between two parties, something in the same way as the scape-goat was used in the religious services of the Jewish people. The camel being brought out was accused by both parties of all the injuries, real or supposed, which belonged to each. All the mischief that had been done, they accused this camel of doing. They upbraided it with being the cause of all the trouble that had separated friends, called it by every opprobious epithet, and finally killed it, and declared themselves reconciled over its body.

A very unique story about how a camel is sometimes used is told by the traveler Bruce. He says he saw one used to settle a dispute between two groups, similar to how the scapegoat was used in the religious rituals of the Jewish people. The camel was brought out and both parties blamed it for all the harm, whether real or imagined, that each had suffered. They accused this camel of causing all the trouble that had driven friends apart, hurled insults at it, and ultimately killed it, declaring themselves reconciled over its carcass.

SUSPENDED VOLITION.

SUSPENDED FREE WILL.

A young lady, an attendant of the Princess ——, after having been confined to her bed for a great length of time with a violent nervous disorder, was at last, to all appearance, deprived of life. Her lips were quite pale, her face resembled the countenance of a dead person, and the body grew cold.

A young woman, a servant of the Princess ——, after being stuck in bed for a long time due to a severe nervous condition, finally seemed to have lost her life. Her lips were very pale, her face looked like that of a corpse, and her body grew cold.

She was removed from the room in which she lay, was put in a coffin, and the day of her funeral fixed on. The day arrived, and, according to the custom of the country, funeral songs and hymns were sung before the door. Just as the people were about to nail on the lid of the coffin, a kind of perspiration was observed to appear on the surface of her body. It grew greater every moment, and at last a kind of convulsive motion was observed in the hands and feet of the corpse. A few minutes after, during which time fresh signs of returning life appeared, she at once opened her eyes and uttered a most pitiable shriek. Physicians were quickly procured, and in the course of a few days she was considerably restored.

She was taken out of the room where she lay, placed in a coffin, and the date of her funeral was set. The day came, and, according to local tradition, funeral songs and hymns were sung before the door. Just as the people were about to nail the lid of the coffin shut, a type of sweat was seen on her body’s surface. It increased by the moment, and eventually, convulsive movements were noticed in the hands and feet of the corpse. A few minutes later, during which new signs of life appeared, she suddenly opened her eyes and let out a heartbreaking scream. Doctors were quickly called, and within a few days, she had significantly recovered.

The description which she gave of her situation is extremely remarkable, and forms a curious and authentic addition to psychology.

The description she provided of her situation is truly striking and adds an interesting and genuine contribution to psychology.

She said it seemed to her, as if in a dream, that she was really dead; yet she was perfectly conscious of all that happened around her in this dreadful state. She distinctly heard her friends speaking, and lamenting her death, at the side of her coffin. She felt them pull on the dead-clothes, and lay her in them. This feeling produced a mental anxiety which is indescribable. She tried to cry, but her soul was without power, and could not act on her body. She had the contradictory feeling as if she were in her body, and yet not in it, at one and the same time. It was equally impossible for her to stretch out her arm or to open her eyes, or to cry, although she continually endeavoured to do so. The internal anguish of her mind was, however, at its utmost height when the lid of the coffin was about to be nailed on. The thought that she was to be buried alive was the one that gave activity to her soul, and caused it to operate on her corporeal frame.

She felt like she was dead, almost as if it were a dream; yet she was fully aware of everything happening around her in this terrifying state. She clearly heard her friends talking and mourning her death beside her coffin. She sensed them dressing her in the burial clothes and placing her inside. This feeling created an indescribable mental anxiety. She tried to cry, but her soul felt powerless and couldn’t influence her body. She experienced the confusing sensation of being in her body and yet not in it at the same time. It was just as impossible for her to stretch out her arm, open her eyes, or cry, even though she kept trying. However, her mental anguish reached its peak when the coffin lid was about to be nailed shut. The thought of being buried alive was the only thing that stirred her soul and made it act on her physical self.

FASHIONS FOR THE DEAD.

Fashions for the deceased.

The following advertisement appeared in a Glasgow paper about the middle of the last century. "James Hodge, who lives in the first close above the Cross, on the west side of the street, Glasgow, continues to sell burying Crapes ready made; and his wife's niece, who lives with him, dresses dead Corpses at as cheap a rate as was formerly done by her aunt, having been educated by her, and perfected at Edinburgh, from whence she is lately arrived, and has all the newest and best fashions."

The following advertisement appeared in a Glasgow paper around the middle of the last century. "James Hodge, who lives in the first close above the Cross on the west side of the street in Glasgow, continues to sell ready-made burial clothes; and his wife's niece, who lives with him, dresses deceased bodies at the same low prices as her aunt used to, having been trained by her and perfected in Edinburgh, from where she recently arrived, and she has all the latest and best styles."

COMMON USE OF PLATE IN THE TIME OF HENRY VIII.

COMMON USE OF PLATES DURING THE TIME OF HENRY VIII.

A writer in the early part of the sixteenth century tells us that in his time, in the reign of Henry the Eighth, the luxury of the table had descended even to citizens, and that there were few whose tables were not daily provided with spoons, cups, and a salt-cellar of silver. Those of a higher sphere affected a greater profusion of plate; but the quantity accumulated by Cardinal Wolsey, though the precious metals are now so copious, still continues to excite our surprise. At Hampton Court, where he feasted the French ambassadors and their splendid retinue in 1528, two cupboards, extending across the banquet chambers, were piled to the top with plate and illuminated; yet, without encroaching on these ostentatious repositories, a profuse service remained for the table. Two hundred and eighty beds were provided for the guests; every chamber had a bason and ewer of silver, beside other utensils.

A writer from the early 1500s tells us that during his time, in the reign of Henry VIII, the luxury of dining had reached even ordinary citizens, and there were few homes not equipped daily with silver spoons, cups, and salt cellars. Those in higher social classes displayed an even greater amount of silverware; however, the sheer quantity amassed by Cardinal Wolsey, even with how abundant precious metals are today, still amazes us. At Hampton Court, where he hosted the French ambassadors and their impressive entourage in 1528, two large cupboards filled to the brim with silverware were displayed in the banquet halls; yet, without even touching these extravagant collections, there was still an abundant service for the dining table. Two hundred eighty beds were set up for the guests; every room had a silver basin and pitcher, along with other utensils.

DIOGENES IN A PITHOS, NOT TUB.

DIOGENES IN A PITHOS, NOT TUB.

A pithos is a description of earthen vessel or jar, distinguished from the amphora by its large mouth, and comparatively flattened base. Its shape was more that of a gourd, or pot; its size large enough to have rendered it applicable to the purposes of a cistern, or water butt. Such, indeed, appear in some instances to have been its dimensions, that it has long been a matter of dispute amongst the learned whether, if Diogenes dwelt in a tub at all (a point by no means settled), his [Pg 524] humble habitation were of wood or earthenware. Brougniart adopts the latter opinion, and has illustrated it by a partial copy from a print in Winckelmann. In the original, the philosopher is shown holding his well-known chat with Alexander the Great, at the gate of the Metroum, or Temple of the Mother of the Gods at Athens; but his tub has there the addition of a dog lying on the outside, above his master's head, evidently on the watch to defend him, if necessary, against any attack from the royal warrior. Winckelmann's engraving, which we here present, is taken from a bas-relief discovered in the Villa Albani; in which the cynic's tub is clearly of earthenware, having a large fracture on one side, which has been repaired with some other material dovetailed across the crack. This, Winckelmann concludes to have been lead (commesso col piombo), simply, however, upon the authority of the following lines in Juvenal:—

A pithos is a term for an earthen vessel or jar, recognized by its large opening and relatively flat base. Its shape resembles that of a gourd or pot, and it's large enough to serve as a cistern or water container. Indeed, it seems that in some cases its size has sparked debate among scholars about whether, if Diogenes ever lived in a tub at all (a question that remains unresolved), his humble dwelling was made of wood or clay. Brougniart supports the latter view and has illustrated it with a partial copy from a print by Winckelmann. In the original, the philosopher is depicted in a famous conversation with Alexander the Great at the entrance of the Metroum, or Temple of the Mother of the Gods in Athens; however, his tub features a dog lying outside, above him, clearly on alert to defend his master against any threats from the royal warrior. Winckelmann's engraving, which we present here, is based on a bas-relief found in the Villa Albani; in it, the cynic's tub is unmistakably made of earthenware, showing a large crack on one side that has been patched with another material sealed across the fracture. Winckelmann assumes this was lead (commesso col piombo), based simply on the following lines from Juvenal:—

"Si Fregeris, altera fiet
Cras domus, aut eadem plumbo commissa manebit."
Sat. xiv 310.

"If Fregeris, another one will happen"
"Tomorrow, the house will either stand strong or be propped up by lead."
Sat. 14 310.

Diogenes in a Pithos

Be all this, however, as it may, the controversy is not without its value in connexion with the ceramic productions of the period. If the "dolia" and "[Greek: pithaknê]." of the ancients had not been of sufficient capacity, however kennel-like, to have served as a dwelling, or shelter, for the philosopher, the tale would hardly have existed. Nor does it seem probable that Juvenal, in allusion to the story, would have used the term testâ (testâ cum vidit in illâ magnum habitatorem), or have dwelt [Pg 525] upon their fragility, or have said that they would not burn (dolia nudi non ardent Cynici), if vessels of the sort had not been commonly of earthenware. These vessels, both ancient and modern, have a thickness and strength which enables them to be rolled on a ladder to and from the top of the kiln, where they are baked, without injury.

Be that as it may, the debate isn’t without its significance in relation to the ceramic creations of the time. If the "dolia" and "[Greek: pithaknê]" of the ancients hadn't been large enough, however crude, to serve as a living space or shelter for the philosopher, the story probably wouldn’t exist. It also seems unlikely that Juvenal would have referenced the tale using the term testâ (testâ cum vidit in illâ magnum habitatorem) or emphasized their fragility, or stated that they wouldn't burn (dolia nudi non ardent Cynici), if such vessels weren’t typically made of earthenware. These vessels, both ancient and modern, have a thickness and durability that allow them to be rolled up and down a ladder to the top of the kiln, where they are fired, without damage.

CHINESE SCHOOL.

Chinese School.

Chinese School

The annexed engraving is a curiosity both in itself and in what it represents. It is taken from a sketch by a native Chinese artist, and depicts the internal arrangements of a native Chinese school. The extraordinary nature of the Chinese language renders it impossible for a schoolmaster to instruct more than a very few scholars at a time, since the meaning of the words actually depends on their correct intonation. Every vocable in the language is capable of being pronounced in six different tones of voice, and of conveying six meanings, totally different from each other, according to the tone given to it. Pronounced in one tone, it conveys one meaning, and is represented by one written character; pronounced in another tone, it conveys an entirely distinct meaning, and is represented in writing by another character altogether different. The correct and distinct enunciation of these tones is the chief difficulty in learning to speak the language. These tones are stereotyped and fixed, and must be learned, as part of the word, at the same time that its form and signification are mastered. Moreover, they are all arranged upon system, like the notes in a gamut, and when thoroughly mastered, the theory of the tones is really beautiful. If a wrong tone, then, is given to a word in reading or in conversation, it grates upon a Chinese ear like a false note in playing the fiddle. Further, if the voice be not correctly modulated, and the words correctly intoned, not only is a jarring note pronounced, but actually a wrong word is uttered, and a different meaning [Pg 526] conveyed from what was intended. A missionary to the Chinese, therefore, should be possessed of a musical ear. Without this, the acquisition of the spoken language will be attended by very arduous labour; and, perhaps, after years of toil, he will find that he still frequently fails in correctly conveying his meaning.

The attached engraving is interesting both on its own and in what it shows. It comes from a sketch by a local Chinese artist and illustrates the layout of a traditional Chinese school. The unique nature of the Chinese language makes it difficult for a teacher to instruct more than a handful of students at once, since the meaning of words relies heavily on their correct intonation. Each word can be pronounced in six different tones, each conveying a completely different meaning based on the tone used. When pronounced in one tone, it has one meaning and is represented by one written character; in another tone, it has an entirely different meaning and is represented by another character altogether. The accurate and clear pronunciation of these tones is the main challenge in learning to speak the language. These tones are fixed and must be learned alongside the word's form and meaning. Additionally, they are organized systematically, like musical notes, and when fully understood, the theory of tones is actually quite beautiful. If a word is spoken with the wrong tone, it sounds unpleasant to a Chinese listener, similar to hitting a wrong note on the violin. Moreover, if the voice is not modulated correctly and the words are not intonated properly, not only does it create a jarring effect, but it can also result in saying the wrong word, conveying a different meaning than intended. Therefore, a missionary working with Chinese people should have a good musical ear. Without it, learning to speak the language will be quite challenging; and after years of effort, he may still struggle to accurately express his thoughts.

LONDON LOCALITIES IN THE SIXTEENTH CENTURY.

LONDON LOCALITIES IN THE SIXTEENTH CENTURY.

At Ludgate was a gaol, where the prisoners clamoured for alms at the barred grate; and it was here that Sir Thomas Wyatt had been repulsed. The city wall that joined this gate to its other fellow gates ran from the Tower through the Minories to Aldgate, Houndsditch, and Bishopsgate, through Cripplegate to Aldersgate, and so past Christ's Hospital by Newgate and Ludgate to the Thames.

At Ludgate, there was a jail where prisoners begged for help at the barred gate; this was also where Sir Thomas Wyatt was turned away. The city wall that connected this gate to the other gates stretched from the Tower through the Minories to Aldgate, Houndsditch, and Bishopsgate, then through Cripplegate to Aldersgate, and continued past Christ's Hospital by Newgate and Ludgate down to the Thames.

Pimlico was a country place where citizens used to repair to eat "pudding pies" on a Sunday, as they did to Islington or Hogsden to take tobacco and drink new milk; as Islington was famous for its dairy, where Sir Walter Raleigh is said to have lived in an old house still standing, so Holloway was famous for its cheese cakes; and it is these peculiarities that, after all, confer immortality upon a place. Chelsea was the mere village of Chelsea, known from Sir Thomas More's house, where Henry VIII. had walked with his arm round that great statesman's doomed neck; as Holborn was then a country road leading to the pleasant village of St. Giles, and trending on to the way that led to Oxford and to fatal Tyburn, so called from its burn or brook, then well known to patient city anglers. The triple tree or gallows stood at the corner of the present Edgware Road. The same Oxford Street led also, if you turned up one side of the Hampstead Road, to the Tottenham Court, which stood there alone far in the country, and Primrose Hill was an untrodden hillock, surrounded by wide paths and ditches between this court and Hampstead.

Pimlico was a countryside spot where people used to go on Sundays to enjoy "pudding pies," just like they did in Islington or Hogsden to smoke tobacco and drink fresh milk. Islington was well-known for its dairy, where it's said Sir Walter Raleigh lived in an old house that's still standing. Holloway was famous for its cheesecake; these unique traits are what give a place its lasting reputation. Chelsea was just a small village, recognized because of Sir Thomas More's house, where Henry VIII walked with his arm around that great statesman’s neck, destined for disaster. Holborn was a country road that led to the charming village of St. Giles, moving toward the route that went to Oxford and the notorious Tyburn, named for its creek, which was popular with patient city fishermen. The gallows stood at the corner of what is now Edgware Road. The same Oxford Street also led, if you turned down one side of the Hampstead Road, to Tottenham Court, which stood alone far out in the countryside, while Primrose Hill was an untouched mound, surrounded by wide paths and ditches between the court and Hampstead.

A cheerful little stream, known by the pleasant name of the Fleet, rose near Hampstead Hill, and joined by the Old Bourne and recruited by sparkling Clerken Well, emptied itself in the Thames. Though even then merely a sewer, it was open, and had four bridges of its own, while the Thames had but one; and these were known as Holborn Bridge, Fleet-lane Bridge, Fleet Bridge, and Bridewell Bridge.

A cheerful little stream, affectionately called the Fleet, flowed from near Hampstead Hill, joined by the Old Bourne and fed by the clear waters of Clerken Well, before draining into the Thames. Even at that time, it was just a sewer, but it was open and had four bridges of its own, while the Thames only had one; these bridges were known as Holborn Bridge, Fleet-lane Bridge, Fleet Bridge, and Bridewell Bridge.

Spitalfields was a grassy open space, with artillery grounds and a pulpit and cross, where fairs were held and sermons preached. There were also Tothill Fields, and Finsbury Fields, and Moor Fields, just outside the city walls, laid out in walks, and planted, as far as Hoxton. Round these squares there were windmills and everything equally rural. As for Piccadilly, it was everywhere known as a road to Reading, and by many herbalists, as harbouring the small wild foxglove in its dry ditches.

Spitalfields was a grassy open area with artillery grounds, a pulpit, and a cross, where fairs took place and sermons were given. There were also Tothill Fields, Finsbury Fields, and Moor Fields, just outside the city walls, arranged with paths and greenery, stretching all the way to Hoxton. Surrounding these squares were windmills and everything else that felt quite rural. As for Piccadilly, it was well-known as a road to Reading and was noted by many herbalists for having the small wild foxglove in its dry ditches.

Outside Temple Bar, before the wooden gatehouse was built, lay the Strand, the road leading from the city to the houses of Court. This river bank was the chosen residence of the nobility, whose gardens stretched to the edge of the then undefiled river. The sky then was pure and bright, for our ancestors burnt wood fires, and the water was gay [Pg 527] with thousands of boats. Each house had its terrace, its water stairs, and garden. The street houses were so scattered that the river could be seen between them, and there were three water courses there traversed by bridges, besides two churches and a maypole. Here stood York House, where Bacon was born, and Durham Place, where Raleigh lived, with his study in a turret overlooking the river; there also were Arundel House and Essex House, where great men pined and plotted.

Outside Temple Bar, before the wooden gatehouse was built, lay the Strand, the road that connected the city to the Court's residences. This riverbank was the preferred home of the nobility, whose gardens extended right to the edge of the then-pristine river. The sky was clear and bright, as our ancestors burned wood fires, and the water was lively with thousands of boats. Each house had its terrace, its water stairs, and garden. The houses along the street were so spaced out that you could see the river between them, and there were three waterways crossed by bridges, along with two churches and a maypole. Here stood York House, where Bacon was born, and Durham Place, where Raleigh lived, with his study in a turret overlooking the river; there were also Arundel House and Essex House, where great men lingered and schemed. [Pg 527]

At Whitehall stood Wolsey's Palace, enlarged by Henry VIII., and Elizabeth's favourite residence when not at Nonsuch in Surrey, Windsor, Greenwich, or Richmond. The tilt-yard stood where the Horse Guards now stands. St. James's Palace, also built by Henry VIII., where the Queen's melancholy-bigot sister had died, was seldom inhabited by the Court; but the park was even then existing. As for the old palace of Richard III. (Baynard's Castle), that had been let to the Earl of Pembroke, and the same king's dwelling of Crosby Hall had fallen into the hands of an alderman.

At Whitehall was Wolsey's Palace, expanded by Henry VIII, and Elizabeth's favorite place to stay when she wasn't at Nonsuch in Surrey, Windsor, Greenwich, or Richmond. The tilt-yard was located where the Horse Guards now stands. St. James's Palace, also built by Henry VIII, where the Queen's gloomy, narrow-minded sister had died, was rarely occupied by the Court; however, the park was still there. As for the old palace of Richard III (Baynard's Castle), it had been leased to the Earl of Pembroke, while the same king's home at Crosby Hall had fallen into the hands of an alderman.

WARWICK THE KING-MAKER.

WARWICK THE KING-MAKER.

On the right-hand side of Newgate-street are various streets and courts leading into Paternoster-row. Of these, Warwick and Ivy lanes, Panyer-alley, and Lovel's-court, merit the attention of the lover of literary and historical antiquities. Warwick-lane, now the abode of butchers and tallow-chandlers, took its name from the inn or house of the celebrated Warwick, the king-maker.

On the right side of Newgate Street, there are various streets and alleys that lead into Paternoster Row. Among these, Warwick Lane, Ivy Lane, Panyer Alley, and Lovel's Court are worth checking out for anyone interested in literary and historical artifacts. Warwick Lane, which is now home to butchers and candle makers, got its name from the inn or house of the famous Warwick, the king-maker.

Stow mentions his coming to London in the famous convention of 1458, with 600 men, all in red jackets, embroidered, with ragged staves, before and behind, and was lodged in Warwick-lane; "in whose house there was often six oxen eaten at a breakfast, and every taverne was full of his meate, for hee that had any acquaintance in that house, might have there so much of sodden and roaste meate, as he could pricke and carry upon a long dagger."

Stow talks about arriving in London for the famous gathering in 1458, accompanied by 600 men all dressed in red embroidered jackets and carrying ragged staves. They stayed in Warwick Lane, where they often had six oxen served for breakfast, and every tavern was overflowing with their food. Anyone who knew someone in that house could take as much boiled and roasted meat as they could stab and carry on a long dagger.

The memory of the earl was long preserved by a small stone statue, placed in the side front of a tobacconist's, at the corner of this lane; and there is a public-house which has the earl's head for its sign.

The memory of the earl was kept alive by a small stone statue, located at the front side of a tobacco shop at the corner of this street; and there's a pub that has the earl's head as its sign.

THANKSGIVING DAY IN 1697.

Thanksgiving Day 1697.

The following is an extract from the "Post Boy" of the above date:—

The following is an excerpt from the "Post Boy" of the above date:—

"Thursday, December 2, 1697. Thursday being appointed for the day of Thanksgiving, the same was ushered in with ringing of bells; the king went to the Chapel Royal, where, &c., and at night we had bonfires and illuminations. The fine fireworks in St. James's Square were lighted after this manner:—About twelve o'clock, the Foot Guards lined the avenues; the rockets and all things being fixed on the rails the day before: a little after six, the king, attended by his guards, came to the Earl of Romney's house, from whence soon after a signal was given, by firing a rocket, for the fireworks to go off, which were immediately lighted; the performance was extraordinary fine, and much applauded; the same continued somewhat better than half an hour, and there were divers sorts of fireworks; some had the king's name, others [Pg 528] the arms of England; in a word, they were very curious. There was a man and a woman unfortunately killed, and divers others hurt by the falling down of sticks. About half an hour after, His Majesty went to St. James's there being a fine ball."

"Thursday, December 2, 1697. Thursday was designated as a day of Thanksgiving, which started off with bells ringing; the king attended the Chapel Royal, where, etc., and at night we had bonfires and light displays. The impressive fireworks in St. James's Square were set up like this: Around midnight, the Foot Guards lined the paths; the rockets and everything else had been prepared on the rails the day before. A little after six, the king, accompanied by his guards, arrived at the Earl of Romney's house, from where a signal was given soon after by firing a rocket to start the fireworks, which were lit immediately; the show was exceptionally impressive and received a lot of applause; it lasted for just over half an hour and included various types of fireworks. Some featured the king's name, while others displayed the arms of England; overall, they were quite intricate. Sadly, a man and a woman were killed, and several others were injured by falling debris. About half an hour later, His Majesty went to St. James's for a grand ball."

THE GREY MAN'S PATH.

THE GRAY MAN'S PATH.

Grey Man's Path

The annexed sketch depicts a scene in the coast rocks at Fairhead, near Ballycastle in Ireland. Fhir Leith, or "The Grey Man's Path," (a fissure in the precipice,) viewed either from land or sea, is never to be forgotten: it seems as though some supernatural power, determined to hew for itself a pathway through the wonderful formations that tower along the coast—so that it might visit or summon the spirits of the deep, without treading a road made by mortal hands—had willed the fearful chasm that divides the rocky promontory in two. The singular passage, in its narrow part, is barred across by the fragment of a pillar, hurled, as it were, over the fissure, and supported on both sides at a considerable elevation. If you descend, you perceive the passage widens, and becomes more important; its dark sides assume greater height, and a more wild and sombre magnificence; and at last they extend upwards, above 220 feet, through which the tourist arrives at the massive débris which crowd the base of the mighty promontory, where the northern ocean rolls his threatening billows. From the cragsmen and boatmen of this wild coast you hear no tales of Faery, no hints of the gentle legends and superstitions collected in the south, or in the inland districts of the north; not that they are a whit less superstitious, but their superstition is, as the superstition of the sea kings, of a bold and peculiar character; their ghosts come from out the deep, before or after the rising of the moon, and climb, or rather stalk up the rocks, and, seated upon those mysterious pillars, converse together; so that, in the fisherman's huts, they say, "it thunders." Even mermaids [Pg 529] are deemed too trifling in their habits and manners for this stupendous scenery, where spirits of the gigantic world congregate, and where the "Grey Man" of the North Sea stalks forth, silently and alone, up his appropriate path, to witness some mighty convulsion of nature.

The attached sketch shows a scene among the coastal rocks at Fairhead, near Ballycastle in Ireland. Fhir Leith, or "The Grey Man's Path," (a crack in the cliff), whether viewed from land or sea, is unforgettable. It feels as if some supernatural force, wanting to carve a path through the astonishing formations that rise along the coast—so it could visit or summon the spirits of the deep without using a road created by human hands—has created the terrifying chasm that splits the rocky promontory in two. The unique passage, in its narrow section, is blocked by a large piece of a pillar, seemingly thrown across the gap, and supported on both sides at a significant height. As you go down, you notice the passage widens and becomes more prominent; its dark sides rise higher, displaying a wilder and more somber grandeur; and eventually, they reach over 220 feet, leading the visitor to the massive debris that fills the base of the great promontory, where the northern ocean crashes its threatening waves. From the cragsmen and fishermen of this rugged coast, you won’t hear tales of fairies or gentle legends and superstitions found in the south or the inland areas of the north; not because they are any less superstitious, but their beliefs, like those of sea kings, are bold and unique; their ghosts emerge from the depths, before or after the moon rises, climbing, or rather stalking up the rocks, and sitting on those mysterious pillars, conversing with one another; so that, in the fishermen's huts, they say, “it thunders.” Even mermaids are considered too trivial for this majestic scenery, where spirits of the titanic world gather, and where the "Grey Man" of the North Sea silently and alone makes his way up his rightful path to witness some great upheaval of nature.

ANCIENT JET NECKLACE.

Ancient jet necklace.

Ancient Jet Necklace

Various interesting ornaments, belonging to the Archaic, or Bronze period in Scotland, are preserved in the Museum of Scottish Antiquaries, and one set in particular, found enclosed in an urn within a rude stone cist, on the demolition of a tumulus near the Old House of Assynt, Rossshire, in 1824, we here engrave. They include a necklace of irregular oval jet beads, which appear to have been strung together like a common modern string of beads, and are sufficiently rude to correspond with the works of a very primitive era. The other ornaments which are represented here about one-fourth the size of the original, are curiously studded with gold spots, arranged in patterns similar to those with which the rude pottery of the British tumuli are most frequently decorated, and the whole are perforated with holes passing obliquely from the back through the edge, evidently designed for attaching them to each other by means of threads.

Various interesting ornaments from the Archaic or Bronze period in Scotland are on display at the Museum of Scottish Antiquities. One particular set, discovered inside an urn within a rough stone cist during the demolition of a tumulus near the Old House of Assynt, Ross-shire, in 1824, is depicted here. They include a necklace made of irregular oval jet beads, which seem to have been strung together like a typical modern bead necklace, and are primitive enough to match the craftsmanship of a very early era. The other ornaments shown here are about a quarter of the size of the originals and are uniquely adorned with gold spots arranged in patterns similar to those commonly found on the rough pottery of British tumuli. All of these pieces have holes drilled through the edges at an angle, clearly meant for linking them together with threads.

JUGGLERS IN JAPAN.

Juggling in Japan.

The perfection of jugglery in Japan entitles it to be ranked amongst the fine arts. An eye-witness thus describes the performance of a Japanese juggler. "Here are some of his feats:—No. 1. He took an ordinary boy's top, spun it in the air, caught it on his hand, and then placed it (still spinning) upon the edge of a sword, near the hilt. Then he dropped the sword point a little, and the top moved slowly towards it. Arrived at the very end, the hilt was lowered in turn, and the top brought back. As usual, the sword was dangerously sharp. No. 2 was also performed with the top. He spun it in the air, and then threw the end of the string back towards it with such accuracy that it was caught up and wound itself all ready for a second cast. By the time it had done this it had reached his hand, and was ready for another spin. No. 3 was still performed with the top. There was an upright pole, upon the top of which was perched a little house, with a very large front door. The [Pg 530] top was spun, made to climb the pole, knock open the said front door, and disappear. As well as I remember, the hand end of the string was fastened near the door, so that this was almost a repetition of the self-winding feat. But feat No. 4 was something even more astonishing than all this. He took two paper butterflies, armed himself with the usual paper fan, threw them into the air, and, fanning gently, kept them flying about him as if they had been alive. 'He can make them alight wherever you wish! Try him!' remarked the Kami (Prince), through the interpreter. Mr. H—— requested that one might alight upon each ear of the juggler. No sooner expressed than complied with. Gentle undulations of the fan waved them slowly to the required points, and there left them comfortably seated. Now, whether this command over pieces of paper was obtained simply by currents of air, or by the power of a concealed magnet, Mr. H—— could not tell or ascertain. One thing, however, was certain, the power was there."

The skill of juggling in Japan qualifies it as a fine art. An observer describes a Japanese juggler's performance: “Here are some of his tricks:—No. 1. He took an ordinary boy’s top, spun it in the air, caught it on his hand, and then placed it (still spinning) on the edge of a sword, near the hilt. Then he tilted the sword point down slightly, and the top slowly moved towards it. When it reached the end, he lowered the hilt in turn, bringing the top back. As usual, the sword was dangerously sharp. No. 2 also involved the top. He spun it in the air, then threw the end of the string back towards it with such precision that it caught onto the string and wound itself up for a second spin. By the time it finished, it was back in his hand and ready for another spin. No. 3 still used the top. There was a vertical pole with a little house on top, featuring a very large front door. The top was spun, made to climb the pole, knock open the front door, and disappear. As far as I remember, the hand end of the string was attached near the door, making this almost a repeat of the self-winding trick. But trick No. 4 was even more impressive. He took two paper butterflies, armed himself with the usual paper fan, threw them into the air, and gently fanned them so they flew around him as if they were alive. 'He can make them land wherever you want! Give it a try!' said the Kami (Prince) through an interpreter. Mr. H—— asked for one to land on each of the juggler's ears. No sooner said than done. Gentle movements of the fan guided them to the designated spots, leaving them comfortably seated. Now, whether this control over paper pieces was achieved just by air currents or through the power of a hidden magnet, Mr. H—— couldn’t determine. One thing was certain, though: the power was real.”

may-fair play bill in the time of william iii.
WILLIAM REX.
MAY-FAIR.
MILLER'S,

or the Loyal Association Booth,
at the upper end of
Brook-field Market,
near Hyde Park Corner.
During the time of
MAY-FAIR, will be presented
an excellent droll, called
KING WILLIAM'S HAPPY DELIVERANCE
and Glorious Triumph over his Enemies,
or the Consultation of the
POPE, DEVIL, FRENCH KING, and the GRAND TURK,
with the whole Form of the Siege of Namur,
and the humours of a Renegade
FRENCH MAN
and
BRANDY JEAN,
with the conceits of Scaramouch and Harlequin,
together with the best Singing and Dancing that was
ever seen in a Fair, also a Dialogue song.
VIVAT REX.

May-Fair playbill in the era of William III.
WILLIAM KING.
MAY-FAIR.
MILLER'S,

also known as the Loyal Association Booth,
located at the top of
Brookfield Market,
close to Hyde Park Corner.
During the time of
Mayfairwe're going to present
an amazing show, called
KING WILLIAM'S JOYFUL RESCUE
and Glorious Victory over his Enemies,
or the Discussion of the
POPE, DEVIL, FRENCH KING, and the Grand Turk,
featuring the complete story of the Siege of Namur,
and the adventures of a Renegade
FRENCH GUYandBrandy Jean,
along with the antics of Scaramouche and Harlequin,
as well as the finest singing and dancing that was
ever showcased at a fair, plus a dialogue song.
LONG LIVE THE KING.

BELLS.

Bells.

Bells were formerly a prolific source of superstition. There is a valley in Nottinghamshire, where a village is said to have been swallowed up by an earthquake, and it was the custom on Christmas Day morning for the people to assemble in this valley and listen to the fancied ringing of the church bells underground. At Abbot's Morton there is a tradition that the silver bells belonging to the abbot are buried in the site of his old residence there. At Ledbury, a legend relates that St. Katharine had a revelation that she was to travel about, and not rest at any place, till she heard the bells ringing of their own accord. This was done by the Ledbury bells on her approaching that town. When the church at [Pg 531] Inkberrow was rebuilt on a new site in ancient days, it was believed that the fairies took umbrage at the change, as they were supposed to be averse to bells; they accordingly endeavoured to obstruct the building, but, as they did not succeed, the following lamentation was occasionally heard by the startled rustics:

Bells used to be a major source of superstition. There's a valley in Nottinghamshire where it's said a village was swallowed up by an earthquake, and every Christmas morning, people would gather in this valley to listen for the imagined ringing of the church bells from below. In Abbot's Morton, there's a belief that the silver bells belonging to the abbot are buried at the site of his former residence. In Ledbury, a legend says that St. Katharine had a revelation to travel around without stopping until she heard bells ringing by themselves. This occurred when the Ledbury bells rang as she approached the town. When the church at [Pg 531] Inkberrow was rebuilt at a new location long ago, it was thought that the fairies were upset about the change because they were known to dislike bells. They tried to stop the construction, but when they failed, the startled villagers sometimes heard the following lament:

"Neither sleep, neither lie,
For Inkbro's ting-tangs hang so nigh."

Many years ago the twelve parish churches in Jersey each possessed a beautiful and valuable peal of bells; but during a long civil war, the states determined on selling these bells to defray the heavy expenses of their army. The bells were accordingly collected, and sent to France for that purpose; but, on the passage, the ship foundered, and everything was lost, to show the wrath of Heaven at the sacrilege. Since then, before a storm, these bells ring up from the deep; and, to this day, the fishermen of St. Ouen's Bay always go to the edge of the water before embarking, to listen if they can hear "the bells upon the wind;" and, if those warning notes are heard, nothing will induce them to leave the shore; if all is quiet they fearlessly set sail. As a gentleman, who has versified the legend, says:

Many years ago, the twelve parish churches in Jersey each had a beautiful and valuable set of bells. However, during a long civil war, the government decided to sell these bells to cover their military expenses. The bells were gathered and sent to France for that purpose, but on the way, the ship sank, and everything was lost, which was taken as a sign of divine anger at the sacrilege. Since then, before a storm, these bells can be heard ringing from the depths; and even today, the fishermen of St. Ouen's Bay always go to the water's edge before setting out to listen for "the bells upon the wind." If they hear those warning sounds, they won't leave the shore; but if it’s quiet, they set sail without hesitation. As a gentleman who has put the legend into verse says:

"'Tis an omen of death to the mariner,
Who wearily fights with the sea;
For the foaming surge is his winding sheet,
And his funeral knell are we:
His funeral knell our passing bells beat,
And his winding sheet the sea."

BRIBING THE DEMONS.

Bribing the demons.

The rich inhabitants of the Celestial Empire, it is almost needless to say, make an exorbitant display at funerals. They invite as many relations and friends as they can, in order to muster an imposing procession, and the mourning dresses worn by the whole party are at the cost of the family of the deceased, who are also bound to provide them for several days together with splendid repasts. A great number of musicians are hired for the occasion, and also of weepers, for though most people in China are pretty well skilled in the art of shedding tears, there exist mourners by profession, who have carried it to still greater perfection, and are absolutely inimitable at sobs and groans. They follow the coffin in long white robes, hempen girdles, and dishevelled hair; and their lamentations are accompanied by the beating of gongs, by the sharp and discordant sounds of rude instruments of music, and the discharge of fireworks. The sudden explosion and the smell of the powder are supposed to be efficacious in frightening away the demons, and hindering them from seizing on the soul of the defunct, which never fails to follow the coffin; and as these malevolent spirits have also the reputation of being extremely covetous and fond of money, people endeavour to get on their weak side. They let fall, for this purpose, all along the road, sapecks and bank-notes, that the wind carries away in all directions; and as the demons in China are by no means so cunning as the men, they are taken in by this device, and fall into the trap with charming [Pg 532] simplicity, though, the supposed bank-notes are in fact only bits of white paper. Whilst they are engaged in pursuing these deceitful appearances of riches, the soul of the defunct proceeds quietly and comfortably after its coffin without any danger of its being stopped by the way.

The wealthy residents of the Celestial Empire, it’s almost unnecessary to mention, put on an extravagant show at funerals. They invite as many family members and friends as possible to create an impressive procession, and the mourning outfits worn by everyone are paid for by the family of the deceased, who are also expected to provide meals for several days. A large number of musicians are hired for the event, along with professional mourners, as most people in China are quite adept at crying, but there are mourners who have perfected the craft and are unmatched in their sobs and wails. They follow the coffin in long white robes, with hemp belts and messy hair, and their lamentations are accompanied by the sound of gongs, the harsh and jarring notes of simple musical instruments, and fireworks. The sudden bangs and the smell of gunpowder are believed to scare away demons and prevent them from seizing the soul of the deceased, which is always thought to follow the coffin; and since these malevolent spirits are also known for being very greedy and fond of money, people try to win them over. They drop coins and banknotes along the road, which the wind scatters everywhere; and because the demons in China aren't nearly as clever as humans, they fall for this trick and eagerly pursue these fake riches, even though the so-called banknotes are really just pieces of white paper. While they chase after these illusory treasures, the soul of the deceased can peacefully follow its coffin without any risk of being hindered along the way.

HOLY-WATER SPRINKLER.

Holy water sprinkler.

Holy-Water Sprinkler

To sprinkle the holy water was, in ancient times, the cant phrase for fetching blood, which will account for the appellation of a certain class of weapons, as there is no resemblance whatever between them and the aspergillum used by Roman Catholics. The specimen we have here sketched is a demi holy-water-sprinkler—to speak in the language of the time—"with gonnes at the ende." This awkward weapon, prior, in point of date, to the invention of the matchlock, and, therefore, not later than the time of Edward IV., was made to hang at the saddle-bow instead of a mace. The iron cap at the end is furnished with a spear-like blade, and opens on an hinge, or is held in its place by a hook. It contains four short barrels, each of which is fired by a match, and its touch-hole is protected by a sliding piece of wood.

To sprinkle holy water was, in ancient times, a euphemism for drawing blood, which explains the name of a certain type of weapon, as there is no real similarity between them and the aspergillum used by Roman Catholics. The example we have described here is a half holy-water sprinkler—using the terminology of the time—“with guns at the end.” This clumsy weapon, which predates the invention of the matchlock, and therefore goes back to the time of Edward IV, was designed to hang at the saddle-bow instead of a mace. The iron cap at the end has a spear-like blade and opens on a hinge or is secured by a hook. It has four short barrels, each of which is fired by a match, and its touch-hole is shielded by a sliding piece of wood.

In using this weapon the intention was first to fire at the enemy with the "gonnes at the ende," and then to club him on coming to close quarters. To effect all this, however, in a satisfactory manner, much time must have been lost, and many accidents, no doubt, were liable to happen to the person who used such a weapon as this, which was almost as dangerous to the man who possessed it, as to the enemy against whom he directed it. The lid at the top must first have been opened, and not only so, but must have been kept open all the time the weapon was used as a gun, and then, previously to closing with the foe, it must have been necessary to secure it, lest, in brandishing the instrument as a club, the open lid should strike against the head of the man who wielded it. No wonder that this dangerous compound of club and gun soon went out of fashion, and survived its invention only a very few years.

In using this weapon, the goal was initially to shoot at the enemy with the "gonnes at the end," and then to bludgeon them when getting in close. However, to make this work properly, a lot of time would have been wasted, and many accidents were sure to happen to the person using such a weapon, which was nearly as risky for the user as it was for the enemy they aimed at. The lid on top had to be opened first, and it also needed to stay open the whole time it was used as a gun. Then, before engaging the enemy in close combat, it needed to be secured to prevent the open lid from hitting the person wielding it. It's no surprise that this dangerous mix of a club and a gun quickly fell out of style and was only around for a few years after its invention.

FIRST TEA-DRINKERS PUZZLED.

FIRST TEA DRINKERS CONFUSED.

The first brewers of tea were often sorely perplexed with the preparation of the new mystery. "Mrs. Hutchinson's great grandmother was one of a party who sat down to the first pound of tea that ever came into Penrith. It was sent as a present, and without directions how to use it. They boiled the whole at once in a bottle, and sat down to eat the leaves [Pg 533] with butter and salt, and they wondered how any person could like such a diet."

The first people brewing tea often struggled to figure out how to prepare it. "Mrs. Hutchinson's great-grandmother was part of a group that sat down to the very first pound of tea that ever arrived in Penrith. It was sent as a gift, and there were no instructions on how to use it. They boiled it all at once in a bottle and sat down to eat the leaves [Pg 533] with butter and salt, and they couldn't understand how anyone could enjoy such a meal."

COLUMN AT CUSSI.

COLUMN AT CUSSI.

Column at Cussi

The great object of the erection of pillars of victory was to serve as vehicles for sculpture; though, as we now see them, or as they are caricatured at Paris and elsewhere, they are little more than instances of immense labour bestowed to very little purpose. In the original use of these pillars, they were placed in small courts surrounded by open porticos, whence the spectator could at two, or perhaps at three different levels examine the sculpture at his leisure at a convenient distance, while the absurdity of a pillar supporting nothing was not apparent, from its not being seen from the outside. A good specimen of this class is that at Cussi, near Beaune, in France. It is represented in the annexed cut. It probably belongs to the time of Aurelian, and no doubt was first erected within a court; but it is not known either by whom it was erected, or what victory it was designed to celebrate. Still that it is a pillar of victory is certain, and its resemblance to pillars raised with the same object in India is quite striking. The arrangement of the base, serving as a pedestal for eight statues, is not only elegant, but appropriate. The ornament which covers the shaft takes off from the idea of its being a mere pillar, and, at the same time, is so subdued as not to break the outline or interfere with constructive propriety. The capital of the Corinthian order is found in the neighbourhood, used as the mouth of a well. In its original position it no doubt had a hole through it, which being enlarged suggested its application to its present comparatively ignoble purpose, the hole being no doubt intended either to receive or support the statue or emblem that originally crowned the monument, but of that no trace now remains.

The main purpose of building victory pillars was to hold sculptures; however, as we see them now, or as they’re caricatured in Paris and other places, they are hardly more than examples of massive effort for minimal result. Originally, these pillars were placed in small courtyards surrounded by open porticoes, allowing spectators to examine the sculptures from two or three different levels at a comfortable distance, while the absurdity of a pillar supporting nothing wasn’t obvious, as it wasn’t visible from outside. A good example of this type is the one at Cussi, near Beaune, in France. It's shown in the attached illustration. It likely dates back to the time of Aurelian and was probably first put up within a courtyard; however, it’s unknown who built it or what victory it was meant to commemorate. Still, it's definitely a victory pillar, and its similarity to similar pillars in India is quite noticeable. The design of the base, which serves as a pedestal for eight statues, is not only elegant but also suitable. The decoration that covers the shaft detracts from the idea that it’s just a plain pillar and is subtle enough not to disrupt the outline or interfere with its structural integrity. The capital of the Corinthian order can be found nearby, being used as the mouth of a well. In its original position, it likely had a hole in it, which, when enlarged, led to its current, relatively lowly usage; this hole was probably meant to hold or support the statue or emblem that originally topped the monument, but no trace of that remains now.

STYLE OF LIVING AMONG THE NOBILITY OF THE FIFTEENTH CENTURY.

STYLE OF LIVING AMONG THE NOBILITY OF THE FIFTEENTH CENTURY.

The ordinary meals were now increased to four a day—breakfast at seven in the morning, dinner at ten, supper at four in the afternoon, and [Pg 534] "liveries," which were taken in bed, between eight and nine at night. These latter, as well as the breakfast, were of no light or unsubstantial character, consisting of good beef and mutton (or salt fish in Lent), with beer and wine in the morning; and of a loaf or two, with a few quarts of mulled wine and beer, at nights. At dinner the huge oaken table, extending the whole length of the great hall, was profusely covered with joints of fresh and salt meat, followed by courses of fowl, fish, and curious made-dishes. The Lord took his seat on the dais or raised floor at the head; his friends and retainers were ranged above or below the salt, according to their rank. As forks were not yet in use, the fingers were actively employed, whilst wine and beer in wooden or pewter goblets were handed round by the attendants. Over head the favourite hawks stood upon their perches, and below the hounds reposed upon the pavement.

The regular meals were now increased to four a day—breakfast at seven in the morning, dinner at ten, supper at four in the afternoon, and deliveries, which were taken in bed, between eight and nine at night. These later meals, along with breakfast, were substantial, featuring good beef and mutton (or salt fish during Lent), with beer and wine in the morning; and a loaf or two, with a few quarts of mulled wine and beer, at night. At dinner, the huge oak table, spanning the entire length of the great hall, was lavishly covered with joints of fresh and salt meat, followed by dishes of fowl, fish, and intricate preparations. The Lord sat on the dais or raised platform at the head; his friends and retainers were seated above or below the salt, depending on their rank. Since forks weren’t in use yet, everyone used their fingers, while wine and beer in wooden or pewter goblets were passed around by the attendants. Above, the favorite hawks perched on their stands, and below, the hounds lay on the floor.

The dinner generally lasted for three hours, and all pauses were filled up by the minstrels, jesters, or jugglers, or by the recitation of some romance of chivalry. At the end of each course they sometimes introduced a dish called subtlety, composed of curious figure in jellies or confectionery, with a riddling label attached for the exercise of social wit. The monasteries were especially noted for their good dinners, and the secular clergy, not to be outdone in their hospitality invented glutton-masses in honour of the Virgin. These were held five times a year in the open churches, whither the people brought food and liquor, and vied with each other in this religious gormandizing. The general diet of the common people continued, however, to be coarse and poor, and severe famines not unfrequently occurred.

The dinner usually lasted for three hours, with all breaks filled by musicians, comedians, or acrobats, or by someone reading a chivalric romance. At the end of each course, they sometimes served a dish called subtlety, featuring elaborate shapes made of jelly or sweets, accompanied by a riddle for social fun. Monasteries were especially famous for their great dinners, and the secular clergy, wanting to match their hospitality, created glutton-masses in honor of the Virgin. These events took place five times a year in open churches, where people brought food and drinks, competing with one another in this festive indulgence. However, the typical diet of the common people remained rough and meager, with severe famines occurring frequently.

ORIGIN OF THE TITLE "SFORZA."

ORIGIN OF THE TITLE "SFORZA."

James Sforza, the father of Francis the first duke, was the founder of the house of Sforza, which gave six dukes to Milan, and was allied with almost every sovereign in Europe during the fifteenth and sixteenth centuries. He was born in 1369, at Catignuola, near Faenza; his father, according to tradition, was a day labourer, and to others, a shoemaker, but probably wrought as both. Perceiving some soldiers pass, he was struck with the desire of bearing arms. "I will go," said he to himself, "and dart my hatchet against that tree, and if it stick fast in the wood I will immediately become a soldier." The hatchet stuck fast, and because, says the Abbot of Choisi, he threw the axe with all his force, he assumed the supposed fortunate name of Sforza, as his real name was Giacomuzzo, or James Attendulo.

James Sforza, the father of Francis, the first duke, founded the Sforza family, which provided six dukes to Milan and was connected with nearly every ruler in Europe during the fifteenth and sixteenth centuries. He was born in 1369 in Catignuola, near Faenza; his father, according to some accounts, was a day laborer, while others say he was a shoemaker, but he likely did both. After seeing some soldiers pass by, he felt the urge to join the military. "I will go," he said to himself, "and throw my hatchet at that tree, and if it sticks in the wood, I will become a soldier right away." The hatchet stuck, and because, as the Abbot of Choisi states, he threw the axe with all his strength, he took on the supposed lucky name of Sforza, as his real name was Giacomuzzo, or James Attendulo.

MAY-POLE IN THE STRAND.

Maypole in the Strand.

During the austere reign of the Puritans, when theatres were closed, and every sort of popular amusement was considered sinful, the May-poles fell into disrepute, and were pulled down in various parts of London. Among the rest, the famous May-pole in the Strand came to the ground. With the restoration of the monarchy, the people saw the restoration of their ancient sports; and on the very first May-day after the return of Charles II., the May-pole in the Strand was set up again, amid [Pg 535] great popular rejoicing. The following account of the ceremony is taken from a rare tract of the times, entitled "The Citie's Loyaltie displayed. London, 4to., 1641," and quoted in the first volume of Hone's "Every-Day Book," page 557:—

During the strict Puritan rule, when theaters were shut down and any kind of popular entertainment was seen as sinful, Maypoles lost their popularity and were taken down in various parts of London. One of the notable ones, the famous Maypole in the Strand, was also dismantled. When the monarchy was restored, people welcomed the return of their traditional festivities; on the very first May Day after Charles II's return, the Maypole in the Strand was raised again, sparking great celebrations among the crowd. The following description of the ceremony comes from a rare pamphlet of the era, titled "The Citie's Loyaltie displayed. London, 4to., 1641," and is quoted in the first volume of Hone's "Every-Day Book," page 557:—

"Let me declare to you the manner in general," says the loyal author, "of that stately cedar erected in the Strand, 134 feet high, commonly called the May-pole, upon the cost of the parishioners there adjacent, and the gracious consent of His Sacred Majesty, with the illustrious Prince the Duke of York. This tree was a most choice and remarkable piece, 'twas made below bridge, and brought in two parts up to Scotland Yard, near the King's Palace, and from thence it was conveyed, April 14th, to the Strand, to be erected. It was brought with a streamer flourishing before it, drums beating all the way, and other sort of music. It was supposed to be so long that landsmen, as carpenters, could not possibly raise it. Prince James, the Duke of York, Lord High Admiral of England, therefore commanded twelve seamen to come and officiate the business; whereupon they came, and brought their cables, pulleys, and other tackling, with six great anchors. After these were brought three crowns, borne by three men bareheaded, and a streamer displaying all the way before them, drums beating, and other music playing, numerous multitudes of people thronging the streets, with great shouts and acclamations all day long.

"Let me explain to you how it all went down," says the loyal author, "about that impressive cedar set up in the Strand, 134 feet tall, commonly known as the May-pole, built with the funds from the parishioners nearby, and with the kind approval of His Sacred Majesty, along with the prestigious Prince, the Duke of York. This tree was a beautifully crafted and remarkable piece, made downstream, and transported in two sections to Scotland Yard, close to the King's Palace, and then it was moved on April 14th to the Strand to be erected. It was paraded with a bright streamer leading the way, drums beating all along the route, and other types of music. It was thought to be so enormous that land workers, like carpenters, couldn't possibly raise it. Prince James, the Duke of York, Lord High Admiral of England, therefore ordered twelve sailors to come and handle the task; they arrived with their ropes, pulleys, and other equipment, along with six massive anchors. After that, three crowns were brought along by three men with their heads uncovered, and a streamer was displayed in front of them, drums drumming, and other music playing, with huge crowds of people filling the streets, cheering and celebrating all day long."

"The May-pole then being joined together, and hooped about with bands of iron, the crown and vane, with the King's arms, richly gilded, was placed on the head of it: a large top, like a balcony, was about the middle of it. This being done, the trumpets did sound, and in four hours' space it was advanced upright; after which being established fast in the ground, again great shouts and acclamations did the people give, that rang throughout all the Strand. After that came a morris-dance, finely decked with purple scarfs, in their half shirts, with a tabor and pipe, the ancient music, and danced round about the May-pole, and after that danced the rounds of their liberty. Upon the top of this famous standard is likewise set up a royal purple streamer, about the middle of it are placed four crowns more, with the King's arms likewise. There is also a garland set upon it, of various colours, of delicate rich favours, under which are to be placed three great lanthorns, to remain for three honours, that is, one for Prince James, Duke of York, Lord High Admiral of England; the other for the Vice-Admiral; the third for the Rear-Admiral. These are to give light on dark nights, and to continue so as long as the pole stands, which will be a perpetual honour for seamen. It is placed as near hand as they could guess in the very same pit where the former stood, but far more glorious, higher, and bigger, than ever any one that stood before it; and the seamen themselves do confess that it could not be built higher, and there is not such an one in Europe besides, which doth highly please His Majesty and the illustrious Prince, Duke of York. Little children did much rejoice, and ancient people did clap their hands, saying that golden days began to appear. I question not but it will ring like melodious music throughout every county in England when they read this story exactly penned. Let this story [Pg 536] satisfy for the glories of London, that other loyal subjects may read what we here do see."

"The Maypole was then put together and wrapped in iron bands, with a beautifully gilded crown and vane featuring the King's arms placed on top of it. A large fixture resembling a balcony was positioned around the middle. Once this was completed, the trumpets sounded, and within four hours it was raised upright. After it was securely planted in the ground, the crowd erupted in cheers and applause that echoed throughout the Strand. Following this, a morris dance took place, with participants adorned in purple scarves and half shirts, accompanied by a tabor and pipe, performing traditional music as they danced around the Maypole and then celebrated their freedom in rounds. On top of this famous standard, a royal purple banner was also displayed, and four more crowns featuring the King's arms were positioned around the middle. A garland in various colors made of beautiful decorations was placed on it, beneath which three large lanterns were set to symbolize three honors: one for Prince James, Duke of York, Lord High Admiral of England; another for the Vice-Admiral; and the third for the Rear-Admiral. These lanterns are meant to provide light on dark nights and will remain as long as the pole stands, serving as a lasting tribute for seamen. It was positioned as close as possible to the original spot, but it is far more magnificent, taller, and larger than any that stood before it; even the seamen agree that it couldn’t be constructed any higher, and there’s nothing like it elsewhere in Europe, which greatly pleases His Majesty and the esteemed Duke of York. Little children delighted in the sight, and older folks clapped their hands, proclaiming that golden days were beginning to emerge. I have no doubt this will resonate like beautiful music throughout every county in England when they read this story accurately recorded. Let this story [Pg 536] serve as a testament to the glories of London, so that other loyal subjects can learn what we see here."

COSTUME OF A GERMAN NOBLE.

COSTUME OF A GERMAN NOBLE.

Costume of a German Noble

The annexed cut represents the dress of a young noble of the year 1443, from the extremely interesting genealogical history of the baronial family of Haller von Halleostein. The figure is that of Franz Haller von Halleostein, who died unmarried in the above year. He wore an open jerkin of a greenish colour, and very finely plaited chemisette. The jerkin has a white silk trimming with a black border throughout, and is held together by fine white silk ribbons, beneath which appears the white shirt. The sword-couple and sheath, are black, hilt and mountings are of the colour of steel. The stockings are vermilion, and on the right leg is a white and yellow stripe. The shoes are black, turned with white. The hair is long, and over it is worn a neat cap with lappets and a golden agraffe and love-knot, to support the hair.

The attached illustration shows the outfit of a young nobleman from the year 1443, taken from the fascinating genealogical history of the baronial family of Haller von Halleostein. The figure represents Franz Haller von Halleostein, who died unmarried that year. He wore an open jerkin in a greenish color, along with a finely pleated shirt. The jerkin features white silk trim with a black border all around and is fastened with fine white silk ribbons, beneath which the white shirt is visible. The sword belt and sheath are black, with the hilt and fittings in a steel color. The stockings are bright red, and there is a white and yellow stripe on the right leg. The shoes are black with white edges. His hair is long, and it is topped with a neat cap with flaps, adorned with a golden clasp and love-knot to keep the hair in place.

At the period of this costume very great attention was bestowed by the German nobility to their dress. The sums they expended on it were enormous, and in many instances families were reduced to ruin by the extravagant decorations of their person. Jewellery, furs, silks, and laces, all of which were far more expensive and difficult to be obtained than they are now, were used in reckless profusion, and one nobleman vied with another in the magnificence, novelty, and expensiveness of their attire. The illustrated books of that period abound in sketches of the most beautiful costumes, and are a fund of interest to those who are curious in such matters.

During this time, the German nobility paid a lot of attention to their clothing. They spent huge amounts of money on it, and in many cases, families faced financial ruin due to their extravagant personal decorations. Jewelry, furs, silks, and laces—far more expensive and harder to obtain than they are today—were used excessively, with nobles competing with each other for the most impressive, unique, and costly outfits. The illustrated books from that era are filled with sketches of stunning costumes and are a treasure trove for those interested in fashion.

ABSURDITIES OF THE TOILET.

TOILET ABSURDITIES.

The ladies of Japan are said to gild their teeth, and those of the Indies to paint them red, while in Guzerat the test of beauty is to render them sable. In Greenland, the women used to colour their faces with blue [Pg 537] and yellow. The Chinese must torture their feet into the smallest possible dimensions—a proof positive of their contracted understandings. The ancient Peruvians, and some other Indian tribes, used to flatten their heads: and among other nations, the mothers, in a similar way, maltreat the noses of their offspring.

The women of Japan are known to gold-plate their teeth, while in the Indies, they paint them red. In Gujarat, the standard of beauty is to make them black. In Greenland, women used to paint their faces blue and yellow. The Chinese bind their feet to keep them as small as possible—a clear indication of their limited thinking. The ancient Peruvians and some other Indigenous groups would flatten their heads, and in other cultures, mothers similarly reshape their children’s noses.

AN EGYPTIAN DINNER.

An Egyptian dinner.

The complicated, and, at first sight, somewhat incomprehensible sketch which we here lay before our readers, was taken from an interior wall of a palace in Egypt. It is, of course, by Egyptian artists, and the subject of it is no other than an Egyptian dinner-table set out and adorned for a banquet.

The intricate and, at first glance, somewhat confusing drawing we present to our readers was taken from an interior wall of a palace in Egypt. It is, of course, created by Egyptian artists, and the subject is none other than an Egyptian dinner table set up and decorated for a banquet.

Egyptian Dinner

At a dinner in ancient Egypt, small and low circular tables were used, standing on a single pillar, with a dilated base; sometimes one of these was apportioned to every guest, the viands being brought round by the servants successively, from a larger pillar-table which had been brought in readily set out by two men. The accompanying engraving shows a table thus laid out, requiring, however, a little allowance for the lack of perspective. Round and oblong cakes of bread flattened and pricked in patterns, a goose, a leg of a kid or antelope, baskets of figs and other fruit, are crowned by a huge bunch of the lotus-lily. Under the table are bottles of wine placed on stands in a series, and crowned with a lotus-garland, upon which is thrown a long withe of what seems from the tendrils a vine, loaded with clusters of grapes, as well as thickly set with foliage.

At a dinner in ancient Egypt, small, low circular tables were used, standing on a single pillar with a flared base. Sometimes, each guest had their own table, while the food was brought around by the servants from a larger table that had been set up by two men. The accompanying illustration shows a table laid out like this, although there’s a bit of distortion in perspective. Round and rectangular flatbreads, marked with patterns, along with a goose, a leg of a kid or antelope, and baskets of figs and other fruits, are topped with a large bunch of lotus lilies. Under the table, bottles of wine are arranged on stands in a row, adorned with a lotus garland, and a long vine, heavy with grape clusters and lush foliage, is draped over it.

ELEPHANT-GOD OF BURMAH.

Burma's Elephant God.

A white elephant is a great rarity, and whenever one is caught, the Burmese treat it as a god and pay worship to it. Captain Yule thus describes the white elephant of 1855, and his palace at Amarapoora, the capital of Burmah:—

A white elephant is really rare, and whenever one is captured, the Burmese treat it like a deity and honor it. Captain Yule describes the white elephant of 1855 and its palace in Amarapoora, the capital of Burma:—

"In the area which stretches before the Hall of Audience are several detached buildings. A little to the north is the "Palace," or state apartment, of the Lord White Elephant, with his highness's humbler every-day residence in rear. To the south are sheds for the vulgar herd [Pg 538] of the same species, and brick godowns in which the state carriages and golden litters (the latter massive and gorgeous in great variety of design) are stowed away. Temporary buildings, used as barracks and gunsheds, run along the wall. The present white elephant has occupied his post for at least fifty years. I have no doubt he is the same as Padre San-germano mentions as having been caught in 1806, to the great joy of the King, who had just lost the preceding incumbent, a female, which died after a year's captivity. He is a very large elephant, close upon ten feet high, with as noble a head and pair of tusks as I have ever seen. But he is long-bodied and lanky, and not otherwise well made as an elephant. He is sickly and out of condition, and is, in fact, distempered during five months of the year, from April to August. His eye, the iris of which is yellow with a reddish outer annulus, and a small clear black pupil, has an uneasy glare, and his keepers evidently mistrust his temper. We were always warned against going near his head. The annulus round the iris of the eye is pointed out as resembling a circle of the nine gems. His colour is almost uniform all over; nearly the ground-tint of the mottled or freckled part of the trunk and ears of common elephants, perhaps a little darker. He also has pale freckles in the same parts. On the whole, he is well entitled to his appellation of white. His royal paraphernalia, which are set out when visitors are expected, are sufficiently splendid. Among them was a driving-hook about three feet long, the stem of which was a mass of small pearls, girt at frequent intervals with bands of rubies, and the hook and handle of crystal tipped with gold. His headstall was of fine red cloth, plentifully studded with fine rubies, and near the extremity having some valuable diamonds. To fit over the two bumps of the forehead were circles of the nine gems, which are supposed to be charms against evil influences. When caparisoned he also wore on the forehead, like other Burmese dignitaries, including the King himself, a golden plate inscribed with his titles, and a gold crescent set with circles of large gems between the eyes. Large silver tassels hung in front of his ears, and he was harnessed with bands of gold and crimson set with large bosses of pure gold. He is a regular "estate of the realm," having a woon or minister of his own, four gold umbrellas, the white umbrellas which are peculiar to royalty, with a suite of attendants said to be thirty in number. The Burmese who attended us removed their shoes before entering his 'Palace.' The elephant has an appanage or territory assigned to him 'to eat,' like any other dignitary of the empire. I do not know where his estate is at present, but in Burney's time it was the rich cotton district of Taroup Myo."

"In the area in front of the Hall of Audience, there are several separate buildings. A bit to the north is the "Palace," or state apartment, of the Lord White Elephant, with his highness's simpler everyday home behind it. To the south are sheds for the common animals of the same type, along with brick storage buildings where the state carriages and ornate litters (the latter being large and beautiful with various designs) are kept. Temporary structures, used as barracks and armories, line the wall. The current white elephant has held his position for at least fifty years. I'm pretty sure he's the same one mentioned by Padre San-germano, who was captured in 1806, bringing great joy to the King, who had just lost the previous one, a female, that died after a year in captivity. He is a very large elephant, nearly ten feet tall, with an impressive head and tusks like I've never seen before. However, he is long-bodied and lanky, not very well-built as elephants go. He suffers from ailments and is generally unwell, indeed sickly for five months each year, from April to August. His eye, with a yellow iris and a reddish outer ring, along with a small clear black pupil, has a restless look, and his keepers clearly have doubts about his temper. We were always cautioned not to go near his head. The ring around the iris is noted for resembling a circle of nine gems. His color is almost uniform, similar to the mottled or freckled parts of the trunk and ears of ordinary elephants, perhaps a bit darker. He also has light freckles in the same areas. All in all, he rightfully bears the title of white. His royal gear, displayed when visitors arrive, is quite impressive. Among these is a driving-hook about three feet long, with the handle being a mass of tiny pearls, adorned frequently with bands of rubies, and its hook and handle made of crystal tipped with gold. His headstall is made of fine red cloth, heavily decorated with fine rubies, and near the end, it holds some valuable diamonds. To fit over the two bumps of his forehead, there are circles of the nine gems, believed to be charms against negative influences. When dressed up, he also wears, like other Burmese dignitaries, including the King himself, a golden plate inscribed with his titles and a gold crescent decorated with large gems between his eyes. Large silver tassels hang in front of his ears, and he is harnessed with bands of gold and crimson set with large pure gold knobs. He is an official "estate of the realm," having his own minister, four gold umbrellas, the white umbrellas unique to royalty, and a retinue of attendants said to number thirty. The Burmese who accompanied us took off their shoes before entering his 'Palace.' The elephant has a designated territory or estate for him 'to eat,' just like any other noble in the empire. I don't know where his estate is now, but during Burney's time, it was the wealthy cotton district of Taroup Myo."

SUPERSTITION IN 1856.

Superstition in 1856.

In April, 1856, a poor woman, residing in a village about three miles from Pershore, acting upon the advice of her neighbours, brought her child, who was suffering from whooping cough, to that town, for the purpose of finding out a married couple answering to the names of Joseph and Mary, and soliciting their interference on behalf of her afflicted child, as she had been informed that if two married persons [Pg 539] having those names could but be induced to lay their hands on her child's head, the whooping cough would be immediately cured. After scouring the town for a considerable time in search of "Joseph and his fair lady," they were at length discovered in the persons of a respectable tradesman and his wife residing in Bridge Street, to whom the poor silly woman made known her foolish request, which at first excited a smile from the good woman of the house, but was quickly followed, not by "the laying on of hands," but by good advice, such as mothers only know how to give in these matters. The poor mother then thankfully departed a wiser woman.

In April 1856, a poor woman living in a village about three miles from Pershore, following the advice of her neighbors, took her child, who was suffering from whooping cough, to that town to find a married couple named Joseph and Mary. She hoped to ask for their help with her sick child, as she had been told that if two married people with those names could be convinced to place their hands on her child's head, the whooping cough would be cured right away. After searching the town for a long time in search of "Joseph and his fair lady," they were eventually found in the form of a respectable tradesman and his wife living on Bridge Street. The poor woman shared her naive request, which first made the good wife smile, but was soon followed not by "the laying on of hands," but by sound advice that only mothers seem to know how to give in such situations. The grateful mother then left, feeling wiser.

PRAYING BY WHEEL AND AXLE.

Praying with wheel and axle.

The Japanese, like the inhabitants of Thibet, are not content with devout prayers, pilgrimages, prostrations, offerings to the gods in order to secure blessings here and hereafter; they also pray by machine, by wheel and axle. There is a square post, nearly eight feet in length, and near the centre, at a convenient height to be reached by the hand, is fixed vertically a wheel, which moves readily on an axle passed through the post. Two small rings are strung upon each of three spokes of the wheel. Every person who twists this instrument in passing is supposed to obtain credit in heaven for one or more prayers inscribed on the post, the number being graduated according to the vigour of the performer's devotion, and the number of revolutions effected. The jingle of the small iron rings is believed to secure the attention of the deity to the invocation of the devout, and the greater the noise, the more certain of its being listened to. Some of the inscriptions on this post are worth remembering:—"The great round mirror of knowledge says, 'wise men and fools are embarked in the same boat;' whether prospered or afflicted, both are rowing over the deep lake; the gay sails lightly hang to catch the autumnal breeze; then away they straight enter the lustrous clouds, and become partakers of heaven's knowledge."

The Japanese, like the people of Tibet, don’t just rely on sincere prayers, pilgrimages, prostrations, and offerings to the gods to gain blessings in this life and beyond; they also pray using a machine, with a wheel and axle. There’s a square post, nearly eight feet tall, with a wheel fixed vertically at a comfortable height for reaching by hand, able to spin easily on an axle that goes through the post. Two small rings are threaded onto each of the three spokes of the wheel. Anyone who spins this device as they pass by is believed to gain credit in heaven for one or more prayers engraved on the post, with the amount depending on how earnestly they perform it and how many times they make it spin. The sound of the small iron rings is thought to attract the deity’s attention to the prayers of the faithful, and the louder the noise, the more likely it is to be heard. Some of the sayings on this post are noteworthy:—"The great round mirror of knowledge says, 'wise men and fools are in the same boat;' whether successful or struggling, both are rowing across the deep lake; the colorful sails gently hang to catch the autumn breeze; then away they sail straight into the brilliant clouds, becoming partakers of heaven's knowledge."

"He whose prescience detects knowledge says:—'As the floating grass is blown by the gentle breeze, or the glancing ripples of autumn disappear when the sun goes down, or as the ship returns home to her old shore, so is life: it is a smoke, a morning tide.'"

"He who has foresight understands:— 'Just like the floating grass sways in the gentle breeze, or the shimmering ripples of autumn vanish when the sun sets, or as the ship comes back to its familiar shore, life is like that: it’s a fleeting moment, like morning mist.'"

"Others are more to the point—as to the machine—'Buddha himself earnestly desires to hear the name of this person (who is buried), and wishes he may go to life.'"

"Others are more direct—regarding the machine—'Buddha himself sincerely wants to hear the name of this person (who is buried), and hopes he may be reborn.'"

NOVEL WAY OF DESIGNATING A HOUSE.

NOVEL WAY OF NAMING A HOUSE.

In the "New View of London," published in 1708, it is mentioned as a remarkable circumstance attaching to the history of Prescott Street, near the Strand, that instead of signs, the houses were distinguished by numbers, as the stair-cases in the Inns of Court, and Chancery. The following advertisement, taken from newspapers a century and a half old, is interesting at this distance of time, as it shows the shifts to which advertisers were reduced, to point out their houses to their customers:—

In the "New View of London," published in 1708, it notes an interesting fact about Prescott Street, near the Strand: the houses were recognized by numbers instead of signs, similar to the staircases in the Inns of Court and Chancery. The following advertisement, taken from newspapers from a century and a half ago, is intriguing today as it highlights the lengths to which advertisers had to go to direct customers to their houses:—

"Doctor James Tilborgh, a German doctor, states that he liveth at present over against the New Exchange, in Bedford Street, at the sign of [Pg 540] the 'Peacock,' where you shall see at night two candles burning within one of the chambers before the balcony; and a lanthorn with a candle in it upon the balcony: where he may be spoke with all alone, from 8 in the morning till 10 at night."

"Doctor James Tilborgh, a German physician, currently resides across from the New Exchange, on Bedford Street, at the place marked by the sign of [Pg 540] the 'Peacock.' At night, you can see two candles lit in one of the rooms before the balcony, and a lantern with a candle on the balcony. He is available for consultations alone from 8 in the morning until 10 at night."

DYAK WAR-BOAT IN BORNEO.

Dyak war boat in Borneo.

The Malay war-boat, or prahu, is built of timber at the lower part; the upper is of bamboo, rattan, and kedgang (the dried leaf of the Nepa palm). Outside the bends, about a foot from the water line, runs a strong gallery, in which the rowers sit cross-legged. At the after-part of the boat is a cabin for the chief who commands, and the whole of the vessel is surmounted by a strong flat roof, upon which they fight, their principal weapons being the kris and spear, both of which, to be used with effect, require elbow-room.

The Malay war boat, or prahu, is constructed from wood at the lower part; the upper part is made of bamboo, rattan, and kedgang (the dried leaf of the Nepa palm). Outside the sides, about a foot above the water line, there is a sturdy gallery where the rowers sit cross-legged. At the back of the boat, there’s a cabin for the chief in command, and the entire vessel is topped with a strong flat roof, where they fight, using their main weapons, which are the kris and spear. Both of these weapons require enough space to be used effectively.

Dyak War-Boat in Borneo

The Dyak war-boat, as represented in the annexed sketch, is a long-built canoe, more substantially constructed than the prahu of the Malays, and sufficiently capacious to hold from seventy to eighty men. This also has a roof to fight from. They are generally painted, and the stern ornamented with feathers.

The Dyak war boat, shown in the attached sketch, is a long, sturdy canoe that’s built better than the Malay prahu and can hold around seventy to eighty men. It also has a roof for fighting from. They are usually painted, and the stern is decorated with feathers.

Both descriptions of war-boats are remarkably swift, notwithstanding such apparent top-weight.

Both descriptions of warboats are surprisingly fast, despite their obvious bulk.

WAR-DANCE OF THE DYAKS OF BORNEO.

WAR-DANCE OF THE DYAKS OF BORNEO.

Almost every savage nation has its peculiar war-dance, and the different steps, movements, and cries, in each depict different stages in the supposed fight. An account of the various kinds of dances would form an interesting work, and as a contribution to it we here call attention to [Pg 541] the following description of a war-dance which was practised for the entertainment of the officers of the Semarang, on the occasion of their visiting a Dyak Chief. It is taken from Captain Marryat's "Borneo:"—

Almost every primitive culture has its unique war dance, and the different steps, movements, and cries in each represent various stages of the imagined battle. A detailed account of the different styles of dances would make for an interesting piece, and as a contribution to that, we would like to highlight [Pg 541] the following description of a war dance that was performed for the entertainment of the officers of the Semarang during their visit to a Dyak Chief. This is taken from Captain Marryat's "Borneo:"—

War-Dance of the Dyaks of Borneo

"A space was cleared in the centre, and two of the oldest warriors stepped into it. They were dressed in turbans, long loose jackets, sashes round their waists descending to their feet, and small bells were attached to their ankles. They commenced by first shaking hands with the rajah, and then with all the Europeans present, thereby giving us to understand, as was explained to us, that the dance was to be considered only as a spectacle, and not to be taken in its literal sense, as preparatory to an attack upon us, a view of the case in which we fully coincided with them.

A space was cleared in the center, and two of the oldest warriors stepped into it. They were wearing turbans, long loose jackets, sashes around their waists that reached their feet, and small bells were attached to their ankles. They began by shaking hands with the rajah and then with all the Europeans present, which made it clear to us— as we were told— that the dance was meant solely as a performance and not to be interpreted literally as a preparation for an attack on us, a view with which we fully agreed.

"This ceremony being over, they rushed into the centre, and gave a most unearthly scream; then poising themselves on one foot, they described a circle with the other, at the same time extending their arms like the wings of a bird, and then meeting their hands, clapping them and keeping time with the music. After a little while the music became louder, and suddenly our ears were pierced with the whole of the natives present joining in the hideous war-cry. Then the motions and screams of the dancers became more violent, and every thing was worked up to a state of excitement, by which even we were influenced. Suddenly, a [Pg 542] very unpleasant odour pervaded the room, already too warm, from the numbers it contained. Involuntarily we held our noses, wondering what might be the cause, when we perceived that one of the warriors had stepped into the centre, and suspended round the shoulders of each dancer a human head in a wide-meshed basket of rattan. These heads had been taken in the late Sakarron business, and were therefore but a fortnight old. They were encased in a wide network of rattan, and were ornamented with beads. Their stench was intolerable, although, as we discovered upon after examination, when they were suspended against the wall, they had been partially baked and were quite black. The teeth and hair were quite perfect, the features somewhat shrunk, and they were altogether very fair specimens of pickled heads; but our worthy friends required a lesson from the New Zealanders in the art of preserving. The appearance of the heads was the signal for the music to play louder, for the war-cry of the natives to be more energetic, and for the screams of the dancers to be more piercing. Their motions now became more rapid, and the excitement in proportion. Their eyes glistened with unwonted brightness. The perspiration dropped down their faces, and thus did yelling, dancing, gongs, and tom-toms become more rapid and more violent every minute, till the dancing warriors were ready to drop. A farewell yell, with emphasis, was given by the surrounding warriors; immediately the music ceased, the dancers disappeared, and the tumultuous excitement and noise was succeeded by a dead silence. Such was the excitement communicated, that when it was all over we ourselves for some time remained panting to recover our breath. Again we lighted our cheroots, and smoked for a while the pipe of peace."

"This ceremony finished, they rushed into the center and let out a deafening scream. Balancing on one foot, they moved the other in a circle while extending their arms like bird wings, then clapped their hands together in rhythm with the music. After a little while, the music got louder, and suddenly, we were overwhelmed by the natives joining in a terrifying war cry. The dancers' movements and screams grew more intense, and the excitement rose to a level that even affected us. Suddenly, a [Pg 542] very unpleasant smell filled the already warm room, crowded with people. Without thinking, we covered our noses, wondering what was causing it, when we noticed one of the warriors stepping into the center and hanging a human head in a wide-meshed rattan basket around the shoulders of each dancer. These heads had been taken during the recent Sakarron conflict and were only about two weeks old. They were wrapped in a loose network of rattan and decorated with beads. The stench was unbearable, although, upon closer inspection, we found that when hung against the wall, they had been partially dried and were quite dark. The teeth and hair were intact, the features slightly shriveled, and they were overall good examples of preserved heads; however, our friendly hosts could learn a thing or two from the New Zealanders about proper preservation techniques. The sight of the heads triggered the music to play louder, the natives' war cries to become more vigorous, and the dancers' screams to grow more piercing. Their movements quickened, and the excitement escalated. Their eyes sparkled with unusual brightness, and sweat streamed down their faces as the yelling, dancing, gongs, and drums intensified, pushing the warriors to their limits. A final, loud yell was given by the surrounding warriors; instantly, the music stopped, the dancers vanished, and the chaotic noise gave way to complete silence. The excitement was so overwhelming that when it was all over, we were left panting to catch our breath. Once again, we lit our cigars and smoked for a while, enjoying a moment of peace."

WONDERFUL FISH.

AMAZING FISH.

The Greek Church of Baloukli contains an extraordinary instance of the credulity of superstition. Some wonderful fish are there preserved, which are thus described by Mr. Curzon in his admirable book on the "Monasteries of the Levant:"—

The Greek Church of Baloukli has an incredible example of how gullible superstition can be. Some amazing fish are kept there, which Mr. Curzon describes in his excellent book on the "Monasteries of the Levant:"—

"The unfortunate Emperor Constantine Paleologus rode out of the city alone to reconnoitre the outposts of the Turkish army, which was encamped in the immediate vicinity. In passing through a wood he found an old man seated by the side of a spring, cooking some fish on a gridiron for his dinner; the emperor dismounted from his white horse, and entered into conversation with the other; the old man looked up at the stranger in silence, when the emperor inquired whether he had heard anything of the movement of the Turkish forces: 'Yes,' said he, 'they have this moment entered the city of Constantinople.' 'I would believe what you say,' replied the emperor, 'if the fish which you are broiling would jump off the gridiron into the spring.' This, to his amazement, the fish immediately did, and, on his turning round, the figure of the old man had disappeared. The emperor mounted his horse and rode towards the gate of Silivria, where he was encountered by a band of the enemy, and slain, after a brave resistance, by the hand of an Arab or a Negro.

The unfortunate Emperor Constantine Paleologus rode out of the city alone to scout the Turkish army's outposts, which were camped nearby. As he passed through a woods, he came across an old man sitting by a spring, cooking some fish on a grill for his dinner. The emperor got off his white horse and started a conversation with the old man. The old man looked up at the stranger in silence when the emperor asked if he had heard anything about the Turkish forces' movements. "Yes," he replied, "they have just entered the city of Constantinople." "I would believe you," said the emperor, "if the fish you’re grilling jumped off the grill into the spring." To his amazement, the fish immediately did so, and when he turned back, the old man had vanished. The emperor got back on his horse and rode toward the Silivria gate, where he encountered a group of enemies and was killed, after a brave fight, by the hand of an Arab or a Negro.

"The broiled fishes still swim about in the water of the spring, the [Pg 543] sides of which have been lined with white marble, in which are certain recesses in which they can retire when they do not wish to receive company. The only way of turning the attention of these holy fish to the respectful presence of their adorers is accomplished by throwing something glittering into the water, such as a handful of gold or silver coin: gold is the best; copper produces no effect; he that sees one fish is lucky, he that sees two or three goes home a happy man; but the custom of throwing coins into the spring has become, from its constant practice, very troublesome to the good monks, who kindly depute one of their community to rake out the money six or seven times a day with a scraper at the end of a long pole. The emperor of Russia has sent presents to the shrine of Baloukli, so called from the Turkish word Balouk, a fish. Some wicked heretics have said that these fishes are common perch: either they or the monks must be mistaken; but of whatever kind they are, they are looked upon with reverence by the Greeks, and have been continually held in the highest honour from the time of the siege of Constantinople to the present day."

"The grilled fish still swim around in the spring water, the [Pg 543] sides of which are lined with white marble, featuring some nooks where they can retreat when they don't want to entertain visitors. The only way to catch the attention of these sacred fish and let them know about the respectful presence of their admirers is by tossing something shiny into the water, like a handful of gold or silver coins: gold works best; copper doesn't do anything. If you spot one fish, you're lucky; seeing two or three means you’ll go home happy. However, the tradition of throwing coins into the spring has become quite bothersome for the kind monks, who have assigned one of their members to scoop out the money six or seven times a day with a rake on a long pole. The emperor of Russia has sent gifts to the shrine of Baloukli, named after the Turkish word for fish, 'Balouk.' Some mischievous heretics claim these fish are just common perch: either they or the monks must be wrong; but no matter what type they are, the Greeks hold them in great reverence and have esteemed them highly since the time of the siege of Constantinople to this very day."

CURIOUS MARRIAGE CUSTOM.

Unusual wedding tradition.

At Petzé, in the department of Finisterre, in France, the following singular marriage custom still prevails:—"On an appointed day, the paysannes, or female pretenders to the holy state of matrimony, assemble on the bridge of the village, and, seating themselves upon the parapet, there patiently await the arrival of the intended bridegrooms. All the neighbouring cantons contribute their belles to ornament this renowned bridge. There may be seen the peasant of Saint Poliare, her ruddy countenance surrounded by her large muslin sleeves, which rise up and form a kind of framework to her full face; by her may be seated the heavy Touloisienne, in her cloth caline, or gown; the peasant of la Léonarde, in a Swiss boddice, bordered with different coloured worsted braid, and a scarlet petticoat, may next appear, presenting a gaudy contrast to her neighbour from Saint Thegonnec, in her nun-like costume. On one side extends la coulie de Penhoat, bordered with willows, honeysuckles, and the wild hop; on the other, the sea, confined here like a lake, between numerous jets of land covered with heath and sweet broom; and below the bridge, the thatched town, poor and joyous as the beggar of Carnouailles. The bay is here so calm, that the whole of this gay scene is reflected in its still waters; and a few scenes of rural festivity present a more animated or diverting picture.

At Petzé, in the Finisterre region of France, a unique marriage custom still exists: On a designated day, the paysannes, or women hoping to get married, gather on the village bridge and sit on the parapet, patiently waiting for their prospective husbands to arrive. Young women from surrounding areas come to enhance the charm of this famous bridge. You can spot the peasant from Saint Poliare, her rosy cheeks framed by her large muslin sleeves, creating a sort of border around her round face. Next to her might be the sturdy Touloisienne, dressed in her cloth caline, or gown; then you may see the peasant from la Léonarde, in a Swiss bodice adorned with colorful worsted braid and a bright red petticoat, standing out next to her neighbor from Saint Thegonnec, who wears a nun-like outfit. On one side of the bridge is la coulie de Penhoat, lined with willows, honeysuckles, and wild hops; on the other side lies the sea, appearing like a lake, surrounded by land dotted with heath and sweet broom. Below the bridge is the thatched village, as poor and cheerful as the beggar from Carnouailles. The bay is so calm that this lively scene is reflected in its still waters, and a few moments of rural celebration create a vibrant and entertaining picture.

"The arrival of the young men, with their parents, is the signal for silence among the candidates for a husband. The gentlemen advance, and gravely parade up and down the bridge, looking first on this side, and then on that, until the face of some one of the lasses strike their fancy. The fortunate lady receives intimation of her success by the advance of the cavalier, who, presenting his hand, assists her in descending from her seat, making at the same time a tender speech; compliments are exchanged, the young man offers fruit to his intended bride, who remains motionless before him, playing with her apron strings. In the mean while the parents of the parties approach each other, talk over [Pg 544] the matter of their children's marriage, and if both parties are agreeable they shake hands, and this act of friendly gratulation is considered a ratification of the treaty between them, and the marriage is shortly afterwards celebrated."

"The arrival of the young men, along with their parents, signals silence among the candidates for a husband. The gentlemen move forward and solemnly stroll back and forth on the bridge, checking first one side and then the other, until one of the young women's faces catches their interest. The lucky lady finds out she's been chosen when the gentleman approaches her, offering his hand to help her get up from her seat, while also making a sweet speech; they exchange compliments, and the young man offers fruit to his future bride, who stands still in front of him, fiddling with her apron strings. Meanwhile, the parents of both sides come together, discuss their children's marriage, and if everyone agrees, they shake hands. This friendly gesture is seen as a confirmation of their agreement, and the wedding is celebrated shortly after."

FOREIGN COSTUME IN 1492.

Foreign Costume in 1492.

Foreign Costume in 1492

The nobleman portrayed here is Count Eberhard the elder, first Duke of Wurtemberg, in a festival habit at Stuttgardt, in the year 1492, on the occasion of his receiving the order of the Golden Fleece, the first which Austria instituted for herself (King Maximilian inherited it from Burgundy) and which he received together with King Henry VIII. of England. His costume is taken from an old illumination which, in the year 1847, was copied for King William of Wurtemberg, and which is now preserved in his private library at Stuttgardt. This exemplifies the quilled doublet, made of a kind of damasked black velvet, which appears to have been worn over the defensive armour improved by King Maximilian. Upon the black surcoat appear the orders of the Golden Fleece and the Holy Sepulchre. According to contemporary statues and monuments, Georg von Ekingen and Heinrich von Wællwerth, officers of the court of Eberhard, wore this kind of doublet. The former, according to a portrait, of a red colour; the latter authority is in the Wællwerth Chapel, in the cloister of Lorch near Schw. Gmuend.

The nobleman depicted here is Count Eberhard the Elder, the first Duke of Württemberg, wearing a ceremonial outfit in Stuttgart in 1492 during the celebration of receiving the Order of the Golden Fleece, which was the first order established by Austria (King Maximilian inherited it from Burgundy) and which he received alongside King Henry VIII of England. His outfit is based on an old illustration that was copied in 1847 for King William of Württemberg, and it is now kept in his private library in Stuttgart. This shows the quilted doublet made from a type of damasked black velvet, which seems to have been worn over the improved defensive armor created by King Maximilian. On the black surcoat, you can see the orders of the Golden Fleece and the Holy Sepulchre. Based on contemporary statues and monuments, Georg von Ekingen and Heinrich von Wællwerth, courtiers of Eberhard, wore this style of doublet. The former is shown in a portrait wearing red, while the latter is depicted in the Wællwerth Chapel in the cloister of Lorch near Schwäbisch Gmünd.

PETER THE GREAT AT ZAANDAM.

PETER THE GREAT IN ZAANDAM.

We learn from authentic records that Peter the Great, Czar of Russia, entered himself, in the year 1697, on the list of ship's carpenters at the Admiralty Office of Amsterdam, in Holland. This is true; but before Peter so enrolled himself, he had made an attempt to fix his abode, for the purpose of study, at Saardam, or Zaandam, a little town situated on the river Zaan, about half an hour's voyage, by steam, from the populous and wealthy city of Amsterdam.

We learn from real records that Peter the Great, Czar of Russia, signed up as a ship's carpenter at the Admiralty Office in Amsterdam, Holland, in 1697. This is true; however, before Peter enrolled, he had tried to settle in Saardam, or Zaandam, a small town located on the Zaan River, about a half-hour steam journey from the busy and wealthy city of Amsterdam.

Zaandam, though then, as now, one of the most primitive, original little towns in Europe, had for some time held important commercial intercourse [Pg 545] with Russia; and Peter had long seen the advantage to be derived from studying at its head-quarters the art which he felt sure would elevate his country in an extraordinary way. He therefore opened a private correspondence with some trusty friends in Holland, and set forth, with his hand of intelligent companions, early in the summer of 1697; in the autumn of the same year he disembarked at Zaandam, and, alone and unattended, sought an humble lodging from a man of the name of Gerrit Kist, who had formerly been a blacksmith in Russia, and who, as may well be imagined, was astonished at the "imperial apparition;" indeed he could not believe that Peter really wished to hire so humble an abode. But the Czar persevered, and obtained permission to occupy the back part of Kist's premises, consisting of a room and a little shed adjoining, Kist being bound to secresy as to the rank of his lodger: Peter's rent amounted to seven florins (about eleven shillings) a week.

Zaandam, even back then, like it is now, was one of the most basic, original little towns in Europe. It had been engaged in significant trade with Russia for some time, and Peter had long recognized the benefits of learning the skills that he believed would greatly advance his country. So, he started a private correspondence with some trusted friends in Holland and set out with his group of knowledgeable companions in early summer 1697. By autumn of that year, he arrived at Zaandam and, alone and unnoticed, sought a modest place to stay from a man named Gerrit Kist, who had previously been a blacksmith in Russia. Kist was understandably shocked by the "imperial appearance" of his guest; in fact, he couldn’t believe that Peter genuinely wanted to rent such a simple space. However, the Czar insisted and was granted permission to use the back part of Kist's property, which included a room and a small adjoining shed, with Kist bound to keep the identity of his renter secret. Peter paid a rent of seven florins (about eleven shillings) a week.

Hut of Peter the Great

The maisonnette, or hut, of Peter the Great now stands alone, and has been encased in a strong wooden frame in order to preserve it. It is in much the same state as when occupied by the Czar. The chief apartment is entered by the door you see open, the projecting roof covers the room probably occupied by Peter's servant, and on the left of the larger room is the recess or cupboard in which Peter slept. Formerly the rear of this abode was crowded with inferior buildings; it is now an airy space, with trees waving over the wooden tenement, and a garden full of sweet-scented flowers embalms the atmosphere around it. A civil old [Pg 546] Dutchwoman is the guardian of the property, which is kept up with some taste, and exquisite attention to cleanliness.

The maisonnette, or hut, of Peter the Great now stands alone and has been enclosed in a sturdy wooden frame to keep it safe. It remains much like it was when the Czar lived there. You can enter the main room through the door you see open, and the overhanging roof covers what was likely Peter's servant's room. On the left side of the larger room is the nook or closet where Peter slept. In the past, the back of this dwelling was packed with smaller buildings; now, it’s an open space with trees rustling over the wooden structure, and a garden full of fragrant flowers fills the air around it. A friendly elderly Dutchwoman takes care of the property, which is maintained with care and great attention to cleanliness.

The maisonnette has but one door. In Zaandam the old Dutch custom of closing one entrance to the house, except on state occasions, is still kept up; the purpose of the other, the porte mortuaire, or mortuary portal, is sufficiently explained by its name.

The maisonnette has only one door. In Zaandam, the old Dutch tradition of keeping one entrance to the house closed, except for special occasions, is still maintained; the purpose of the other, the porte mortuaire, or mortuary portal, is clearly indicated by its name.

After Peter's departure, his dwelling passed from hand to hand, and would have fallen into oblivion had not Paul the First of Russia accompanied Joseph the Second of Austria and the King of Sweden to Zaandam, on purpose to visit the Czar's old abode. After this it became a sort of fashion to make pilgrimages to the once imperial residence; and it acquired a still greater celebrity when the Emperor Alexander visited it in 1814, and made a great stir in the waters of the Zaan with a fleet of three hundred yachts and innumerable barges, gaily decked with flying pennons. In 1818, William the First of Holland purchased the property, and gave it to his daughter-in-law, the Princess of Orange and a royal Russian by birth: it is to her care the building owes its present state of preservation. Her royal highness appointed a Waterloo invalid as first guardian of the place.

After Peter left, his home changed hands multiple times and would have been forgotten if Paul I of Russia hadn't visited Zaandam with Joseph II of Austria and the King of Sweden to see the Czar's former residence. Following this visit, it became trendy to make pilgrimages to this once-imperial home. It gained even more fame when Emperor Alexander visited in 1814, creating quite a splash on the Zaan River with a fleet of three hundred yachts and countless barges, festively adorned with flying flags. In 1818, William I of Holland bought the property and gifted it to his daughter-in-law, the Princess of Orange, who was a royal from Russia: thanks to her, the building is well-preserved today. Her royal highness appointed a Waterloo veteran as the first guardian of the site.

Bonaparte brought Josephine here in 1812. Poor Josephine had no idea of old associations; she jumped from the sublime to the ridiculous at once on entering the "mean habitation," and startled the then proprietor by a burst of untimely laughter.

Bonaparte brought Josephine here in 1812. Poor Josephine had no clue about the old connections; she went from being in awe to finding it all absurd as soon as she walked into the "humble home," and surprised the current owner with a sudden fit of laughter.

Many royal and illustrious names may be read on the walls of the principal chamber, and in the book in which the traveller is requested to write his name. Verses and pictures challenge, somewhat impertinently, the attention of the wayfarer; but as we sat down in the triangular arm-chairs, and turned from the dark recess in which Peter slept, to the ingle-nook of the deep chimney, and from the ingle to the dark recess again, we could realize nothing but Peter in his working dress of the labours of the day. There he was in the heat of an autumnal evening still at work, with books and slates, and instruments connected with navigation, before him on the rude deal table, and he plodding on, as diligently as a common mechanic, in pursuit of that knowledge by which nations are made great.

Many famous royal names can be seen on the walls of the main room, and in the book where visitors are asked to sign their names. Poems and pictures somewhat cheekily grab the attention of travelers; but as we settled into the triangular armchairs and shifted our gaze from the dark corner where Peter slept to the cozy nook of the large fireplace, and back to the dark corner again, all we could focus on was Peter in his work clothes from the day. There he was, still working on an autumn evening, surrounded by books, slates, and navigation tools on the rough wooden table, diligently persevering like any ordinary worker, chasing the knowledge that builds great nations.

SUPPLY OF WATER FOR LONDON IN OLDEN TIMES.

SUPPLY OF WATER FOR LONDON IN OLDEN TIMES.

In 1682 the private houses of the metropolis were only supplied with fresh water twice a-week. Mr. Cunningham, in his "Handbook of London," informs us that the old sources of supply were the Wells, or Fleet River, Wallbrook and Langbourne Waters, Clement's, Clerk's, and Holy Well, Tyburn, and the River Lea. Tyburn first supplied the city in the year 1285, the Thames not being pressed into the service of the city conduits till 1568, when it supplied the conduit at Dowgate. There were people who stole water from the pipes then, as there are who steal gas now. "This yere" (1479), writes an old chronicler of London, quoted by Mr. Cunningham, "a wax charndler in Flete-stre had bi craft perced a pipe of the condite withynne the ground, and so conveied the water into his celar; wherefore he was judged to ride through the citee with a condite [Pg 547] upon his hedde." The first engine which conveyed water into private houses, by leaden pipes, was erected at London-bridge in 1582. The pipes were laid over the steeple of St. Magnus; and the engineer was Maurice, a Dutchman. Bulmer, an Englishman, erected a second engine at Broken Wharf. Previous to 1656, the Strand and Covent Garden, though so near to the river, were only supplied by water-tankards, which were carried by those who sold the water, or by the apprentice, if there were one in the house, whose duty it was to fill the house-tankard at the conduit, or in the river. In the middle of the seventeenth century, Ford erected water-works on the Thames, in front of Somerset House; but the Queen of Charles II.—like the Princess Borghese, who pulled down a church next to her palace, because the incense turned her sick, and organ made her head ache—ordered the works to be demolished, because they obstructed a clear view on the river. The inhabitants of the district depended upon their tankards and water-carriers, until the reign of William III., when the York-buildings Waterworks were erected. The frequently-occurring name of Conduit-street, or Conduit-court, indicates the whereabout of many of the old sources whence our forefathers drew their scanty supplies.

In 1682, private homes in the city got fresh water only twice a week. Mr. Cunningham, in his "Handbook of London," tells us that the main sources of supply were the Wells, Fleet River, Wallbrook and Langbourne Waters, Clement's, Clerk's, and Holy Well, Tyburn, and the River Lea. Tyburn started supplying the city in 1285, while the Thames was not used for city conduits until 1568, when it served the conduit at Dowgate. There were people stealing water from the pipes back then, just as some steal gas now. "This year" (1479), an old chronicler of London, as quoted by Mr. Cunningham, wrote, "a wax chandler in Fleet Street had skillfully pierced a pipe of the conduit underground and conveyed the water into his cellar; for this, he was judged to ride through the city with a conduit [Pg 547] on his head." The first engine that pumped water into private homes via lead pipes was established at London Bridge in 1582. The pipes ran over the steeple of St. Magnus, and the engineer was Maurice, a Dutchman. Bulmer, an Englishman, built a second engine at Broken Wharf. Before 1656, the Strand and Covent Garden, despite being so close to the river, only received water from tankards carried by water sellers or by an apprentice, if there was one, who was responsible for filling the house tankard at the conduit or in the river. In the mid-17th century, Ford set up waterworks on the Thames, in front of Somerset House; but Charles II's queen—like Princess Borghese, who demolished a church next to her palace because the incense made her sick and the organ gave her headaches—ordered the works demolished because they blocked the view of the river. The people in the area relied on tankards and water carriers until the reign of William III, when the York-buildings Waterworks were built. The frequently mentioned names of Conduit Street or Conduit Court indicate where many of the old sources from which our ancestors drew their meager supplies were located.

DRINKING BOUTS IN PERSIA.

Drinking parties in Persia.

In their drinking parties the Persians are reported, among even the highest classes, to exceed all bounds of discretion. Half a dozen boon companions meet at night. The floor is covered with a variety of stimulating dishes to provoke drinking, for which no provocation whatever is required; among these are pickles of every possible variety, and salted prawns or cray-fish from the Persian Gulf—a food which ought to be an abomination to a true Sheeah. Singers and dancing-boys enliven the scene. A Persian despises a wine-glass; a tumbler is his measure. He has an aversion to "heeltaps," and he drains his glass to the dregs, with his left hand under his chin to catch the drops of wine, lest he should be detected next morning in respectable society by the marks on his dress. They begin with pleasant conversation, scandal, and gossip; then they become personal, quarrelsome, abusive, and indecent, after the unimaginable Persian fashion. As the orgies advance, as the mirth waxes fast and furious, all restraint is thrown aside. They strip themselves stark naked, dance, and play all sorts of antics and childish tricks. One dips his head and face into a bowl of curds, and dances a solo to the admiring topers; while another places a large deeg, or cooking-pot, on his head, and display his graces and attitudes on the light fantastic toe, or rather heel.

In their drinking parties, the Persians are said, even among the upper classes, to go far beyond any sense of moderation. A group of six friends gathers at night. The floor is filled with a variety of enticing dishes intended to encourage drinking, which hardly needs any encouragement; these include pickles of every kind and salted prawns or crayfish from the Persian Gulf—a food that should be offensive to a true Sheeah. Singers and dancers bring energy to the atmosphere. A Persian looks down on wine glasses; a tumbler is his preferred measure. He dislikes leaving any drops behind, so he finishes his drink completely, holding his left hand under his chin to catch any spilled wine, to avoid being seen the next day in decent company with stains on his clothes. They start with light conversation, gossip, and scandal; then they get personal, quarrelsome, abusive, and indecent in ways only the Persians can imagine. As the parties go on and the fun becomes more intense, all restraint is thrown out the window. They strip down completely, dance, and engage in all kinds of silly antics and childish tricks. One person dips his head and face into a bowl of curds and performs a solo dance for the cheering drinkers, while another balances a large cooking pot on his head and shows off his skills and moves, dancing lightly on his toes—or rather, his heels.

GERMAN COSTUMES OF THE SIXTEENTH CENTURY.

GERMAN COSTUMES OF THE 16TH CENTURY.

The costume-sketch which we give on next page, is taken from an original drawing, having the following superscription:—

The costume sketch we provide on the next page is based on an original drawing that has the following inscription:—

"Varium et mutabile semper foemina
Faec suo quem amat scripsit.
Georgius Wolfgang Von Kaltenthal. 1579."
German Costumes of the Sixteenth Century

The group represents the above-named young knight, with his youthful wife, taking a ride. She wears a blue silken dress, with a boddice of gold brocade, trimmed with fur, and a rose-coloured silk scarf; the head-dress is quite plain, the hair being fastened with a golden dagger set in jewels. The knight's dress consists of a light green doublet, with dark green stripes; slashed hose, edged with white; yellowish leather surcoat without sleeves, riding boots of untanned leather, and grey felt hat with red and white plume, dagger, and sword. The accoutrements of the horse are simply black, with some metal ornaments. The young lady is the beautiful Leonora Caimingen, who was at that time a great favourite of the Court at Wurtemberg. In travelling thus (which was at that time the only mode), females of the higher rank only were accustomed to make use of masks, or veils, for the preservation of their complexions, that custom being generally unusual. The [Pg 549] ancestral castle of the knights of Kaltenthal was situated between Stuttgardt and Boeblingen, on the summit of a rock overhanging the valley of Hesslach. It exists no longer.

The group shows the aforementioned young knight and his young wife on a ride. She’s wearing a blue silk dress with a gold brocade bodice, trimmed with fur, and a rose-colored silk scarf; her headpiece is quite simple, with her hair secured by a golden dagger set with jewels. The knight’s outfit consists of a light green doublet with dark green stripes, slashed hose with white edging, a sleeveless yellowish leather surcoat, untanned leather riding boots, and a grey felt hat adorned with a red and white plume, along with a dagger and sword. The horse's gear is simply black with some metal decorations. The young lady is the beautiful Leonora Caimingen, who was a favorite at the Court in Wurtemberg at that time. When traveling like this (the only way to travel back then), only women of higher rank typically wore masks or veils to protect their complexions, as this custom was generally uncommon. The [Pg 549] ancestral castle of the knights of Kaltenthal was located between Stuttgart and Böblingen, perched on a rock overlooking the Hesslach valley. It no longer exists.

ANCIENT TRIPOD.

OLD TRIPOD.

Ancient Tripod

Tripods are, next to vases, the most ancient furniture in the world; the imagination of the ancients invested them with fanciful forms, and we meet with designs which, although very simple, show already the power exercised by the re-productive faculties of the mind upon the objects surrounding these ancient nations. Representations of the kind were, however, exceedingly rare till the last forty years, and it must be considered an especial piece of good fortune that the excavations made in several parts of Etruria, have afforded more than one example of this description. The specimen engraved was found in the Gailassi Regulini tomb of Cervetri, in Etruria, and in it we see a large vessel placed on the tripod, from the edge of which five lions' heads start forth with hideous expression. These monsters lend to the whole that fanciful aspect distinguishing objects of the archaic period. When we imagine to ourselves this kettle boiling, and these cruel animals wreathed and enveloped in smoke, we can understand how the fancy of superstitious worshippers, who were wont to make use of these implements in their religious ceremonies, may have found in them an allusion to the spirits of the victims whose remains were exposed to the destructive fire glowing underneath. To us, at least, this representation may illustrate the terrific but grand passage of Homer, where the bodies of the slaughtered sun [Pg 550] bulls become once more instinct with life, demanding vengeance with fearful cries: Odyssey, Book xii, verse 395.

Tripods are, alongside vases, some of the oldest furniture in the world. Ancient cultures imagined them in creative ways, and we encounter designs that, while very simple, demonstrate the influence of the mind's creative faculties on the objects around these ancient peoples. However, representations like these were extremely rare until the last forty years, making it particularly fortunate that excavations in various parts of Etruria have uncovered more than one example of this type. The engraved piece was found in the Gailassi Regulini tomb in Cervetri, Etruria, where we see a large vessel resting on the tripod, from which five lions' heads emerge with terrifying expressions. These creatures add a whimsical look to the whole, characterized by the objects of the archaic period. When we picture this kettle boiling and these fierce animals surrounded by smoke, we can grasp how the imagination of superstitious worshippers, who used these items in their religious ceremonies, might have seen them as a reference to the spirits of the victims whose remains were set ablaze by the fierce fire below. For us, this image can illustrate the terrifying yet magnificent passage from Homer, where the bodies of the slaughtered sun bulls come back to life, crying out for revenge: Odyssey, Book xii, verse 395.

"The skins began to creep, and the flesh around the spits bellowed,
The roasted as well as the raw. And thus grew the voice of the oxen."

"The skins started to twitch, and the meat around the spits sizzled,
Both the roasted and the raw. And so the voice of the oxen grew."

The careful construction of the three-legged mechanism which lends a firm support to this fire-stand, has been restored according to the indication of some fragments found on the spot. It presents a graceful aspect, and forms, in some respects, a remarkable contrast to the heavy character of the vessel occupying so lofty a position, as the proportions of the legs are exceedingly slender, and the feet themselves, instead of being broad and shapeless, are all composed of a great many fine articulations.

The careful design of the three-legged mechanism that provides solid support for this fire stand has been restored based on some fragments found at the site. It has an elegant appearance and, in some ways, offers a striking contrast to the bulky nature of the vessel in such a prominent position, as the legs are very slender, and the feet, instead of being wide and featureless, consist of many delicate joints.

FONDNESS OF THE ROMANS FOR PEARLS.

FONDNESS OF THE ROMANS FOR PEARLS.

Of all the articles of luxury and ostentation known to the Romans, pearls seem to have been the most esteemed. They were worn on all parts of the dress, and such was the diversity of their size, purity, and value, that they were found to suit all classes, from those of moderate to those of the most colossal fortune. The famous pearl ear-rings of Cleopatra are said to have been worth about £160,000, and Julius Cæsar is said to have presented Servilia, the mother of Brutus, with a pearl for which he had paid above £48,000; and though no reasonable doubt can be ascertained in regard to the extreme exaggeration of these and similar statements, the fact that the largest and finest pearls brought immense prices is beyond all question. It has been said that the wish to become master of the pearls with which it was supposed to abound, was one of the motives which induced Julius Cæsar to invade Britain. But, though a good many were met with in various parts of the country, they were of little or no value, being small and ill-coloured. After pearls and diamonds, the emerald held the highest place in the estimation of the Romans.

Of all the luxury items admired by the Romans, pearls were the most valued. They were worn in various ways on clothing, and due to their size, quality, and worth, they appealed to all social classes, from those with modest means to the incredibly wealthy. Cleopatra's famous pearl earrings were said to be worth around £160,000, and Julius Caesar reportedly gave Servilia, the mother of Brutus, a pearl that cost him over £48,000; while there’s reasonable doubt about the extreme exaggeration of these accounts, it's undeniable that the largest and finest pearls fetched enormous prices. It's said that the desire to control the pearls believed to be plentiful in Britain was one reason Julius Caesar decided to invade. However, while some pearls were found throughout the country, they were mostly small and of poor quality. After pearls and diamonds, the emerald was held in high regard by the Romans.

THE BLACK STONE AT MECCA.

The Black Stone in Mecca.

Near the entrance of the Kaaba at Mecca, at the north-eastern corner, is the famous Black Stone, called by the Moslems Hajra el Assouad, or Heavenly Stone. It forms a part of the sharp angle of the building, and is inserted four or five feet above the ground. The shape is an irregular oval, about seven inches in diameter. Its colour is now a deep reddish brown, approaching to black; and it is surrounded by a border of nearly the same colour, resembling a cement of pitch and gravel, and from two to three inches in breadth. Both the border and the stone itself are encircled by a silver band, swelling to a considerable breadth below, where it is studded with nails of the same metal. The surface is undulated, and seems composed of about a dozen smaller stones, of different sizes and shapes, but perfectly smooth, and well joined with a small quantity of cement. It looks as if the whole had been dashed into many pieces by a severe concussion, and then re-united—an appearance that may perhaps be explained by the various disasters to which it has been exposed. During the fire that occurred in the time of Yezzid I. (A.D. 682), the violent heat split it into three pieces; and [Pg 551] when the fragments were replaced, it was necessary to surround them with a rim of silver, which is said to have been renewed by Haroun el Raschid. It was in two pieces when the Karmathians carried it away, having been broken by a blow from a soldier during the plunder of Mecca. Hakem, a mad sultan of Egypt, in the 11th century, endeavoured, while on the pilgrimage, to destroy it with an iron club which he had concealed under his clothes; but was prevented and slain by the populace. Since that accident it remained unmolested until 1674, when it was found one morning besmeared with dirt, so that every one who kissed it returned with a sullied face. Though suspicion fell on certain Persians, the authors of this sacrilegious joke were never discovered. As for the quality of the stone, it does not seem to be accurately determined. Burckhardt says it appeared to him like a lava, containing several small extraneous particles of a whitish and yellowish substance. Ali Bey calls it a fragment of volcanic basalt, sprinkled with small-pointed coloured crystals, and varied with red feldspar upon a dark black ground like coal, except one of its protuberances, which is a little reddish. The millions of kisses and touches impressed by the faithful have worn the surface uneven, and to a considerable depth. This miraculous block all orthodox Mussulmans believe to have been originally a transparent hyacinth, brought from heaven to Abraham by the angel Gabriel; but its substance, as well as its colour, have long been changed by coming in contact with the impurities of the human race.

Near the entrance of the Kaaba in Mecca, at the northeastern corner, is the famous Black Stone, known to Muslims as Hajra el Assouad, or Heavenly Stone. It is set into the corner of the building, positioned about four or five feet above ground. Its shape is an irregular oval, approximately seven inches in diameter. The stone now has a deep reddish-brown color that nearly approaches black, and it's surrounded by a border of a similar color, resembling a mix of pitch and gravel, about two to three inches wide. Both the stone and its border are encircled by a silver band that flares out below, where it is studded with silver nails. The surface of the stone is uneven, appearing to be made up of about a dozen smaller stones of different sizes and shapes, all perfectly smooth and bonded with a small amount of cement. It looks as if it was shattered into many pieces by a strong impact and then put back together—an appearance that may be explained by the many disasters it has faced. During a fire in the time of Yezzid I. (CE 682), the intense heat caused it to split into three pieces; and [Pg 551] when the fragments were replaced, they needed to be surrounded by a silver rim, which is said to have been renewed by Haroun el Raschid. It was in two pieces when the Karmathians stole it, having been broken by a soldier's blow during the plundering of Mecca. In the 11th century, a mad sultan of Egypt named Hakem attempted to destroy it with an iron club he had hidden under his clothes while on pilgrimage, but he was stopped and killed by the crowd. After that incident, it remained unharmed until 1674, when it was found one morning covered in dirt, so that everyone who kissed it left with a dirty face. Although some suspected certain Persians, the culprits behind this sacrilegious prank were never identified. The exact composition of the stone isn't clearly defined. Burckhardt described it as looking like lava with several small specks of whitish and yellowish material. Ali Bey referred to it as a piece of volcanic basalt sprinkled with small colored crystals and mixed with red feldspar on a dark coal-like background, except for one slightly reddish protrusion. The millions of kisses and touches from the faithful have made the surface uneven and worn down to a considerable depth. All orthodox Muslims believe that this miraculous stone was originally a transparent hyacinth brought down from heaven to Abraham by the angel Gabriel; however, its substance and color have long been altered by contact with human impurities.

PARAGRAPH FROM THE "POSTMAN" IN 1697.

PARAGRAPH FROM THE "POSTMAN" IN 1697.

"Yesterday being the day of thanksgiving appointed by the States-General for the peace, His Excellency, the Dutch ambassador, made a very noble bonfire before his house in St. James's Square, consisting of about 140 pitch barrels placed perpendicularly on seven scaffolds, during which the trumpets sounded, and two hogsheads of wine were kept continually running amongst the common people."

"Yesterday was the day of thanksgiving designated by the States-General for the peace. His Excellency, the Dutch ambassador, held a grand bonfire in front of his house in St. James's Square, made up of about 140 pitch barrels arranged vertically on seven scaffolds. Meanwhile, trumpets played, and two hogsheads of wine were kept flowing for the crowd."

LORD MAYOR'S FEAST IN 1663.

LORD MAYOR'S FEAST IN 1663.

Pepys gives a curious account of a Lord Mayor's dinner in 1663. It was served in the Guildhall, at one o'clock in the day. A bill of fare was placed with every salt-cellar, and at the end of each table was a list of the persons proper there to be seated. Here is a mixture of abundance and barbarism. "Many were the tables, but none in the hall, but the Mayor's and the Lords' of the Privy Council, that had napkins or knives, which was very strange. I sat at the merchant-stranger's table, where ten good dishes to a mess, with plenty of wine of all sorts; but it was very unpleasing that we had no napkins, nor change of trenchers, and drank out of earthen pitchers and wooden dishes. The dinner, it seems, is made by the Mayor and two Sheriffs for the time being, and the whole is reckoned to come to £700 or £800 at most." Pepys took his spoon and fork with him, as was the custom of those days with guests invited to great entertainments. "Forks" came in with Tom Coryat, in the reign of James I.; but they were not "familiar" [Pg 552] till after the Restoration. The "laying of napkins," as it was called, was a profession of itself. Pepys mentions, the day before one of his dinner-parties, that he went home, and "there found one laying of my napkins against to-morrow, in figures of all sorts, which is mighty pretty, and, it seems, is his trade, and he gets much money by it."

Pepys shares an interesting account of a Lord Mayor's dinner in 1663. It was held at the Guildhall, starting at one o'clock in the afternoon. A menu was placed by every salt cellar, and at the end of each table was a list of who was supposed to sit where. There was a mix of plenty and a lack of refinement. "There were many tables, but only the Mayor's and the Lords' of the Privy Council had napkins or knives, which was very strange. I sat at the merchant-stranger's table, which had ten good dishes for each group, along with plenty of wine of all kinds; but it was quite unpleasant that we had no napkins, no clean trays, and drank from earthen pitchers and wooden dishes. It seems the dinner is put together by the Mayor and the two Sheriffs at the time, and the whole thing is estimated to cost around £700 or £800 at most." Pepys brought his own spoon and fork, as was the practice back then for guests invited to large dinners. "Forks" were introduced by Tom Coryat during the reign of James I; however, they didn't become common until after the Restoration. The "laying of napkins," as it was known, was a profession in itself. Pepys notes that the day before one of his dinner parties, he went home and "found someone laying out my napkins for tomorrow, in all sorts of patterns, which looks really nice, and apparently, it's his job, and he makes a lot of money from it."

THE CUPID OF THE HINDOOS.

THE CUPID OF THE HINDUS.

Among the Hindoo deities Camdeo, or Manmadin differs but little from the Cupid of the ancients. He is also called Ununga, or, without body; and is the son of Vishnu and Lacshmi. Besides his bow and arrows, he carries a banner, on which is delineated a fish: his bow is a sugar-cane; the cord is formed of bees; the arrows are of all sorts of flowers; one only is headed, but the point is covered with a honeycomb—an allegory equally just and ingenious, and which so correctly expresses the pleasures and the pangs produced at one and the same time by the wounds of love. Manmadin is represented, as in the annexed plate, riding on a parrot.

Among the Hindu deities, Camdeo, or Manmadin, is very similar to the Cupid of ancient times. He is also known as Ununga, meaning without a body, and is the son of Vishnu and Lakshmi. In addition to his bow and arrows, he carries a banner featuring a fish. His bow is made of sugar cane, the string is made of bees, and his arrows are various types of flowers; only one arrow has a head, which is covered with honeycomb—both a clever and accurate symbol that illustrates the simultaneous pleasures and pain caused by love’s wounds. Manmadin is depicted, as shown in the attached plate, riding a parrot.

Cupid of the Hindoos

One day, when Vishnu, to deceive Sheeva, had assumed the figure of a beautiful young female, Manmadin discharged an arrow, which pierced the heart of the formidable deity, and inflamed it with love of the nymph. The latter fled, and at the moment when Sheeva had overtaken her, Vishnu resumed his proper form. Sheeva, enraged at the trick played upon him, with one flash of his eyes burned and consumed the imprudent Manmadin, who hence received the name of Ununga. He was restored to life by a shower of nectar, which the gods in pity poured [Pg 553] upon him: but he remained without body and is the only Indian deity who is accounted incorporeal. Camdeo is particularly worshipped by females desirous of obtaining faithful lovers and good husbands.

One day, when Vishnu, to trick Sheeva, took on the appearance of a beautiful young woman, Manmadin shot an arrow that struck the heart of the powerful deity and ignited it with love for the nymph. She fled, and just as Sheeva caught up with her, Vishnu changed back to his true form. Enraged by the deception, Sheeva burned and consumed the reckless Manmadin with a single glance, earning him the name Ununga. He was brought back to life by a shower of nectar that the gods compassionately poured on him: however, he remained without a physical form and is the only Indian deity considered incorporeal. Camdeo is especially worshipped by women hoping to find faithful lovers and good husbands.

OLD DIAL AND FOUNTAIN IN LEADENHALL-STREET.

OLD DIAL AND FOUNTAIN IN LEADENHALL-STREET.

Old Dial and Fountain in Leadenhall-Street

The above sketch is taken from an old work on astronomy and geography by Joseph Moxon, and printed by him, and sold "at his Shop on Cornhill, at the signe of Atlas, 1659." We cannot do better than give Moxon's own words with reference to the dial:—"To make a dyal upon a solid ball or globe, that shall show the hour of the day without a gnomon. The equinoctial of this globe, or (which is all one) the middle line must be divided into 24 equal parts, and marked with 1, 2, 3, 4, &c., and then beginning again with 1, 2, 3, &c. to 12. Then if you elevate one of the poles so many degrees above an horizontal line as the pole of the world is elevated above the horizon in your habitation, [Pg 554] and place one of the twelves directly to behold the north, and the other to behold the south, when the sun shines on it, the globe will be divided into two halfs, the one enlightened with the sunshine, and the other shadowed; and where the enlightened half is parted from the shadowed half, there you will find in the equinoctial the hour of the day, and that on two places on the ball, because the equinoctial is cut in two opposite points by the light of the sun. A dyal of this sort was made by Mr. John Leak and set up on a composite columne at Leadenhall Corner, in London, in the majoralty of Sir John Dethick, knight. The figure whereof I have inserted because it is a pretty peece of ingenuity, and may, perhaps, stand some lover of the art in stead either for imitation or help of invention."

The sketch above comes from an old book on astronomy and geography by Joseph Moxon, printed and sold "at his Shop on Cornhill, at the sign of Atlas, 1659." We might as well share Moxon's own words about the dial:—"To create a dial on a solid ball or globe that shows the time of day without a gnomon. The equator of this globe, or (which is the same thing) the middle line, must be divided into 24 equal parts, labeled 1, 2, 3, 4, etc., and then starting again with 1, 2, 3, etc. up to 12. Then, if you raise one of the poles a certain number of degrees above a horizontal line as the pole of the Earth is elevated above the horizon at your location, [Pg 554] and position one of the twelve to face north and the other to face south, when the sun shines on it, the globe will be divided into two halves, one lit by sunlight and the other in shadow. The line where the lit half meets the shadowed half will indicate the hour of the day on the equator, and this will occur at two points on the globe since the equator is bisected at two opposite points by the sun’s light. A dial of this kind was made by Mr. John Leak and placed on a composite column at Leadenhall Corner in London during the mayoralty of Sir John Dethick, knight. I’ve included its figure here because it’s a clever piece of craftsmanship and may be useful for anyone interested in the art, either for imitation or inspiration."

MAGNIFICENCE OF MADYN, THE CAPITAL OF PERSIA, WHEN INVADED BY THE SARACENS, A.D. 626.

MAGNIFICENCE OF MADYN, THE CAPITAL OF PERSIA, WHEN INVADED BY THE SARACENS, A.D. 626.

The invaders could not express their mingled sensations of surprise and delight, while surveying in this splendid capital the miracles of architecture and art, the gilded palaces, the strong and stately porticoes, the abundance of victuals in the most exquisite variety and profusion, which feasted their senses, and courted their observation on every side. Every street added to their astonishment, every chamber revealed a new treasure; and the greedy spoilers were enriched beyond the measure of their hopes or their knowledge. To a people emerging from barbarism, the various wonders which rose before them in all directions, like the effect of magic, must have been a striking spectacle. We may therefore believe them when they affirm, what is not improbable, that the different articles of merchandise—the rich and beautiful pieces of manufacture which fell a prey on this occasion—were in such incalculable abundance, that the thirtieth part of their estimate was more than the imagination could embrace. The gold and silver, the various wardrobes and precious furniture, surpassed, says Abul-feda, the calculation of fancy or numbers; and the historian Elmacin ventured to compute these untold and almost infinite stores at the value of 3,000,000,000 pieces of gold.

The invaders couldn't quite express their mix of surprise and delight as they took in the incredible sights of the capital—the stunning architecture and art, the lavish palaces, the grand and sturdy entrances, and the vast array of delicious food that appealed to their senses from every angle. Every street amazed them, and each room unveiled a new treasure; the greedy looters became richer beyond what they had ever hoped for or imagined. For a people just coming out of barbarism, the many wonders that appeared before them like something out of a fairy tale must have been an extraordinary sight. So, we can believe them when they say, which is not far-fetched, that the various goods—the rich and beautiful items they seized this time—were so overwhelmingly abundant that even a thirtieth of their worth was beyond what anyone could comprehend. The gold and silver, the various wardrobes and valuable furniture, exceeded, as Abul-feda states, any fanciful calculations or numbers; and the historian Elmacin even estimated these unimaginable and nearly limitless treasures at a value of 3,000,000,000 pieces of gold.

One article in this prodigious booty, before which all others seemed to recede in comparison, was the superb and celebrated carpet of silk and gold cloth, sixty cubits in length, and as many in breadth, which decorated one of the apartments of the palace. It was wrought into a paradise or garden, with jewels of the most curious and costly species; the ruby, the emerald, the sapphire, the beryl, topaz, and pearl, being arranged with such consummate skill, as to represent, in beautiful mosaic, trees, fruits, and flowers, rivulets and fountains; roses and shrubs of every description seemed to combine their fragrance and their foliage to charm the sense of the beholders. This piece of exquisite luxury and illusion, to which the Persians gave the name of Baharistan or the mansion of perpetual spring, was an invention employed by their monarchs as an artificial substitute for that loveliest of seasons. During the gloom of winter they were accustomed to regale the nobles of their court on this magnificent embroidery, where art had supplied the absence of nature, and wherein the guests might trace a brilliant imitation of her [Pg 555] faded beauties in the variegated colours of the jewelled and pictured floor. In the hope that the eyes of the Caliph might he delighted with this superb display of wealth and workmanship, Saad persuaded the soldiers to relinquish their claims. It was therefore added to the fifth of the spoil, which was conveyed to Medina on the backs of camels. But Omar, with that rigid impartiality from which he never deviated, ordered the gaudy trophy to be cut up into small pieces, and distributed among the chief members of the Mohammedan commonwealth. Such was the intrinsic value of the materials, that the share of Ali alone, not larger than the palm of a man's hand, was afterwards sold for 20,000 drachms (£458 6s. 8d.), or, according to others, for as many dinars (£9,250). Out of this vast store the Caliph granted pensions to every member of his court in regular gradation, from the individuals of the Prophet's family to the lowest of his companions, varying from £275 to £4 11s. per annum.

One item in this amazing treasure, which made everything else seem insignificant, was the stunning and famous carpet made of silk and gold, measuring sixty cubits long and the same in width, that adorned one of the palace rooms. It was designed to look like a paradise or garden, filled with the most exquisite and expensive jewels; rubies, emeralds, sapphires, beryls, topaz, and pearls were arranged with such skill that they formed a beautiful mosaic of trees, fruits, and flowers, as well as streams and fountains. Roses and shrubs of all kinds seemed to blend their scents and greenery to delight those who beheld it. This masterpiece of luxury and illusion, which the Persians called Baharistan or the mansion of eternal spring, was a creation used by their kings as an artificial substitute for the most beautiful season. During the dreariness of winter, they would entertain the nobles of their court on this magnificent tapestry, where art made up for the absence of nature, allowing guests to enjoy a vivid imitation of her faded charms through the colorful patterns of the jeweled and painted floor. Hoping to please the eyes of the Caliph with this impressive show of wealth and craftsmanship, Saad convinced the soldiers to give up their claims. It was therefore included in the fifth of the spoils, which was transported to Medina on the backs of camels. However, Omar, with his unwavering sense of fairness, ordered the flashy trophy to be cut into small pieces and distributed among the leading members of the Muslim community. The intrinsic value of the materials was such that Ali’s share, only about the size of a man’s hand, was later sold for 20,000 drachms (£458 6s. 8d.), or according to some, for the equivalent of that amount in dinars (£9,250). From this considerable wealth, the Caliph awarded pensions to every member of his court in a structured manner, from members of the Prophet's family to the lowest of his companions, ranging from £275 to £4 11s. per year.

The military part of the booty was divided into 60,000 shares, and every horseman had 12,000 dinars (£5,550); hence, if the army consisted of 60,000 cavalry, their united shares would amount to the incredible sum of £333,000,000 sterling.

The military portion of the loot was divided into 60,000 shares, and each horseman received 12,000 dinars (£5,550); therefore, if the army had 60,000 cavalry, their total shares would amount to an astonishing £333,000,000 sterling.

COURTSHIP OF WILLIAM THE CONQUEROR.

Courting William the Conqueror.

The following extract from the life of the wife of the Conqueror, is exceedingly curious, as characteristic of the manners of a semi-civilized age and nation:—"After some years' delay, William appears to have become desperate; and, if we may trust to the evidence of the 'Chronicle of Ingerbe,' in the year 1047 way-laid Matilda in the streets of Bruges, as she was returning from mass, seized her, rolled her in the dirt, spoiled her rich array, and, not content with these outrages, struck her repeatedly, and rode off at full speed. This Teutonic method of courtship, according to our author, brought the affair to a crisis; for Matilda, either convinced of the strength of William's passion, by the violence of his behaviour, or afraid of encountering a second beating, consented to become his wife. How he ever presumed to enter her presence again, after such a series of enormities, the chronicler sayeth not, and we are at a loss to imagine."

The following extract from the life of the wife of the Conqueror is really interesting, as it reflects the customs of a semi-civilized age and society:—"After a few years of waiting, William seems to have grown desperate; and, if we can believe the 'Chronicle of Ingerbe,' in the year 1047 he ambushed Matilda in the streets of Bruges as she was coming back from mass, grabbed her, rolled her in the dirt, ruined her beautiful clothes, and, not satisfied with these insults, hit her several times before riding off at full speed. This rough style of courtship, according to our author, pushed the situation to a turning point; for Matilda, either convinced of William's strong feelings by the violence of his actions or scared of facing another beating, agreed to become his wife. How he had the audacity to approach her again after such a series of abuses, the chronicler doesn’t say, and we can only guess."

BRAMA, THE HINDOO DEITY.

Brahma, the Hindu deity.

Brama, Birmah, or Brouma, is one of the three persons of the Indian Trinity, or rather the Supreme Being under the attribute of Creator. Brama, the progenitor of all rational beings, sprung from a golden egg, sparkling like a thousand suns, which was hatched by the motion imparted to the waters by the Supreme Being. Brama separated the heavens from the earth, and placed amid the subtle ether the eight points of the universe and the receptacle of the waters. He had five heads before Vairevert, one of Sheeva's sons, cut off one of them. He is delineated floating on a leaf of the lotus, a plant revered in India. The Bramins relate, that the fifteen worlds which compose the universe were each produced by a part of Brama's body. At the moment of our birth he imprints in our heads, in characters which cannot be effaced, all that we shall do, and all that is to happen to us in life. It is not in our [Pg 556] power, nor in that of Brama himself, to prevent what is written from being fulfilled.

Brama, Birmah, or Brouma, is one of the three figures in the Indian Trinity, or more accurately, the Supreme Being embodying the attribute of Creator. Brama, the originator of all rational beings, emerged from a golden egg that shone like a thousand suns, which was hatched by the movement created in the waters by the Supreme Being. Brama separated the heavens from the earth and placed the eight directions of the universe and the body of water in the subtle ether. He originally had five heads until Vairevert, one of Sheeva's sons, cut one off. He is depicted floating on a lotus leaf, a plant that is highly regarded in India. The Bramins say that the fifteen worlds that make up the universe each came from different parts of Brama's body. At the moment of our birth, he marks in our minds, in indelible characters, everything we will do and everything that will happen to us in life. It is neither in our power nor in Brama's to prevent what is written from coming to pass.

Brama, the Hindoo Deity

Brama, according to the vulgar mythology, takes but little notice of human affairs. Identified with the sun, he is adored by the Bramins in the gayatri, the most sacred passage of the vedas (or sacred books), which is itself ranked among the gods, and to which offerings are made. One of the most important attributes of Brama is that of father of legislators; for it was his ten sons who diffused laws and the sciences over the world. He is considered as the original author of the vedas, which are said to have issued from his four mouths; though it was not till a later period, that is, about fourteen hundred years before Christ, that they were collected and arranged by Vyasa, the philosopher and poet. The laws which bear the name of Menu, the son of Brama, and the works of the other richeys, or holy persons, were also re-copied, or perhaps collected from tradition, long after the period when they are said to have been published by the sons of Brama.

Brama, according to popular mythology, pays little attention to human affairs. Linked with the sun, he is worshipped by the Bramins in the gayatri, the most sacred verse of the vedas (or holy texts), which itself is honored among the gods and to which offerings are made. One of Brama's most important roles is as the father of lawmakers; it was his ten sons who spread laws and knowledge throughout the world. He is seen as the original creator of the vedas, which are said to have come from his four mouths; however, it wasn't until much later, around fourteen hundred years before Christ, that they were compiled and organized by Vyasa, the philosopher and poet. The laws attributed to Menu, the son of Brama, along with the works of other richeys, or holy individuals, were also transcribed, or maybe gathered from oral tradition, long after the time they are said to have been published by Brama's sons.

Brama, the father of the legislators of India, has a considerable resemblance to the Jupiter of the Greek poets, the father of Minos, whose celebrated laws were published in the very same century that Vyasa collected the vedas. Jupiter was worshipped as the sun, by the name of Anxur or Axur, and Brama is identified with that luminary. The most common form in which Brama is represented, is that of a man with four heads and four hands; and it is remarkable that the Lacedæmonians [Pg 557] gave four heads to their Jupiter. Lastly, the title of Father of Gods and Men is equally applicable to Brama and to Jupiter.

Brama, the father of India's lawmakers, bears a notable resemblance to Jupiter from Greek mythology, the father of Minos, whose famous laws were introduced in the same century that Vyasa compiled the vedas. Jupiter was revered as the sun, by the names Anxur or Axur, and Brama is associated with that celestial body. The most common depiction of Brama shows him as a man with four heads and four hands; interestingly, the Lacedæmonians [Pg 557] also portrayed their Jupiter with four heads. Finally, the title Father of Gods and Men applies equally to both Brama and Jupiter.

Brama is delineated, as in the engraving, holding in one hand a ring, the emblem of immortality; in another, fire, to represent force; and with the other two writing on olles, or palm-leaves, the emblem of legislative power.

Brama is shown, like in the engraving, holding a ring in one hand, which symbolizes immortality; in another hand, fire, representing strength; and with the other two hands, writing on olles, or palm leaves, which symbolize legislative power.

JAMES II. AND THE CHURCH OF DONORE.

JAMES II. AND THE CHURCH OF DONORE.

Church of Donore

The annexed engraving represents a celebrated locality. It is the ruin of the little church on the hill at Donore, in the county of Meath, the spot where James II. was stationed when he beheld the overthrow of his army and the ruin of his cause at the battle of the Boyne, Tuesday, July 1st, 1690. The Boyne is a very beautiful and picturesque river; it winds through the fertile valleys of Meath, and from its richly-wooded banks the hills rise gradually; there are no lofty mountains in the immediate neighbourhood. The depth, in nearly all parts, is considerable, and the current, consequently, not rapid; its width, near the field of battle, varies little, and is seldom less than fifty or sixty yards. James had the choice of ground, and it was judiciously selected. On the south side of the river, in the county of Meath, his army was posted with considerable skill: on the right was Drogheda; in front were the fords of the Boyne, deep and dangerous, and difficult to pass at all times; the banks were rugged, lined by a morass, defended by some breastworks, with "huts and hedges convenient for infantry;" and behind them was an acclivity stretching along the whole of "the field." James fixed his own tent upon the summit of a hill close to the little church of Donore, now a ruin; it commanded an extensive view of the adjacent country, and the opposite or south side of the river—the whole range, indeed, from [Pg 558] Drogheda to Oldbridge village—and looked directly down upon the valley, in which the battle was to be fought, and the fords of the Boyne, where there could be no doubt the troops of William would attempt a passage. From this spot, James beheld his prospering rival mingling in the thick of the mêlée, giving and taking blows; watched every turn of fortune, as it veered towards or against him; saw his enemies pushing their way in triumph, and his brave allies falling before the swords of foreigners—a safe and inglorious spectator of a battle upon the issue of which his throne depended. The preceeding night he had spent at Carntown Castle, from whence he had marched, not as the leader, but as the overseer, of the Irish army; having previously given unequivocal indications of his prospects, his hopes, and his designs, by despatching a commissioner to Waterford, "to prepare a ship for conveying him to France, in case of any misfortune."

The attached engraving shows a famous location. It’s the ruins of the small church on the hill at Donore, in County Meath, where James II was positioned when he witnessed the defeat of his army and the collapse of his cause at the Battle of the Boyne on Tuesday, July 1, 1690. The Boyne is a very beautiful and scenic river; it flows through the fertile valleys of Meath, and from its lush wooded banks, the hills rise gently; there are no tall mountains nearby. The river is quite deep in most areas, which means the current isn’t fast; its width near the battlefield doesn’t vary much, usually around fifty or sixty yards. James had the choice of ground, and he chose wisely. On the south side of the river, in County Meath, his army was positioned with considerable skill: Drogheda was on the right; in front were the deep and dangerous fords of the Boyne, which were hard to cross at any time; the banks were rugged, bordered by a marsh, defended by some makeshift fortifications, with “huts and hedges convenient for infantry,” and behind them was a slope extending across the entire battlefield. James set up his tent on the top of a hill near the little church of Donore, which is now in ruins; it provided a wide view of the surrounding area and the opposite or south side of the river—the whole stretch, in fact, from [Pg 558] Drogheda to Oldbridge village—and looked directly down into the valley where the battle would take place, and the fords of the Boyne, where there was no doubt William’s troops would try to cross. From this spot, James watched his successful rival in the thick of the fighting, giving and receiving blows; he observed every twist of fate as it shifted toward him or against him; he saw his enemies advancing triumphantly while his brave allies fell before the swords of the foreigners—an unremarkable and safe spectator of a battle that determined the fate of his throne. The previous night, he had spent at Carntown Castle, from where he marched, not as the leader but as the overseer of the Irish army; he had earlier indicated his plans, hopes, and intentions by sending a messenger to Waterford, “to prepare a ship for taking him to France in case of any misfortune.”

HANGING GARDENS OF BABYLON.

Hanging Gardens of Babylon.

When Babylon the Great was in the zenith of her glory, adjoining the grand palace, and within the general enclosure, the Hanging Gardens were constructed by the king to gratify his wife Amytis, who being a native of Media (she was the daughter of Astyages, the king of Media), desired to have some imitation of her native hills and forests.

When Babylon the Great was at the height of her glory, next to the grand palace and within the overall complex, the Hanging Gardens were built by the king to please his wife Amytis, who was originally from Media (she was the daughter of Astyages, the king of Media) and wanted a version of her home hills and forests.

"Within the walls was raised a lofty mound,
Where flowers and aromatic shrubs adorn'd
The pensile garden. For Nebassar's queen,
Fatigued with Babylonia's level plains,
Sigh'd for her Median home, where nature's hand
Had scooped the vale, and clothed the mountain's side
With many a verdant wood: nor long she pined
Till that uxorious monarch called on Art
To rival Nature's sweet variety.
Forthwith two hundred thousand slaves uprear'd
This hill—egregious work; rich fruits o'erhang
The sloping vales, and odorous shrubs entwine
Their undulating branches."

These gardens, as far as we learn from ancient accounts, contained a square of above 400 feet on each side, and were carried up in the manner of several large terraces, one above the other, till the height equalled that of the walls of the city. The ascent from terrace to terrace was by stairs ten feet wide. The whole pile was sustained by vast arches, raised on other arches one above another, and was defended and condensed by a wall, surrounding it on every side, of twenty-two feet in thickness. On the top of the arches were first laid large flat stones, sixteen feet long and four broad; over these was a layer of weeds mixed and cemented with a large quantity of bitumen, on which were two rows of bricks closely cemented together with the same material. The whole was covered with thick sheets of lead, on which lay the mould of the garden. And all this floorage was so contrived as to keep the moisture of the mould from running away through the arches. The earth laid thereon was so deep that large trees might take root in it: and with such the terraces were covered, as well as with the [...] [Pg 559] plants and flowers proper to adorn an eastern pleasure-garden. The trees planted there are represented to have been of various kinds. Here grew the larch, that, curving, flings its arms like a falling wave; and by it was seen the grey livery of the aspen; the mournful solemnity of the cypress and stately grandeur of the cedar intermingled with the elegant mimosa; besides the light and airy foliage of the silk-tasselled acacia, with its vast clusters of beauteous lilac flowers streaming in the wind and glittering in the sun; the umbrageous foliage of the chesnut, and ever-varying verdure of the poplar; the birch, with its feathered branches light as a lady's plumes—all combined with the freshness of the running stream, over which the willow waved its tresses.—

These gardens, according to ancient accounts, had a square shape measuring over 400 feet on each side and were designed with several large terraces stacked on top of each other, reaching a height equal to the city walls. The way up from one terrace to the next was via stairs that were ten feet wide. The entire structure was supported by massive arches, built one on top of another, and protected by a surrounding wall that was twenty-two feet thick. On top of the arches were large flat stones, measuring sixteen feet long and four feet wide; above these lay a layer of weeds mixed with a lot of bitumen, on which were two rows of bricks tightly cemented together with the same material. The whole thing was covered with thick sheets of lead, on which the soil of the garden rested. This entire structure was designed to keep the moisture in the soil from escaping through the arches. The earth on top was so deep that large trees could take root in it; the terraces were filled with trees as well as various plants and flowers suitable for an eastern pleasure garden. The trees planted there were said to be of different kinds. There grew the larch, which, curving, reaches out like a falling wave; and alongside it was the grey foliage of the aspen, the solemn cypress, the majestic cedar mixed with the graceful mimosa; along with the light, airy leaves of the silk-tassel acacia, adorned with large clusters of beautiful lilac flowers that danced in the wind and shimmered in the sunlight; the shady leaves of the chestnut, and the ever-changing green of the poplar; the birch, with its feathery branches as light as a lady's plumes—all combined with the freshness of the flowing stream, over which the willow swayed its branches.

"And the jessamine faint, and the sweet tuberose,
The sweetest flower for scent that blows;
And all rare blossoms from every clime
Grew in that garden in perfect prime."

All these varied delights of nature were ranged in rows on the side of the ascent as well as on the top, so that at a distance it appeared to be an immense pyramid covered with wood. The situation of this extraordinary effort of human skill, aided by human wealth and perseverance, adjoining the river Euphrates, we must suppose that in the upper terrace was an hydraulic engine, or kind of pump, by which the water was forced up out of the river, and from thence the whole gardens were watered, and a supply of the pure element furnished to the fountains and reservoirs for cooling the air. In the spaces between the several arches, on which the whole structure rested, were large and magnificent apartments, very lightsome, and commanding the most beautiful prospects that even the glowing conceptions of an eastern imagination could dream to exist.

All these different natural wonders were lined up on the way up and at the top, making it look from a distance like a giant pyramid covered in trees. Considering the location of this incredible feat of human skill, supported by wealth and determination, next to the Euphrates River, we can assume that on the upper terrace there was some kind of hydraulic system or pump that drew water from the river. This same water supplied the entire garden and fed the fountains and reservoirs that cooled the air. Between the various arches that supported the entire structure were large and impressive rooms that were bright and offered stunning views that even the most vivid imagination of the East could dream of.

THE GREAT BELL OF BURMAH.

THE GREAT BELL OF BURMA.

At a temple in the environs of Amarapoora, the capital of Burmah, there is an enormous bell, which is thus described by Captain Yule:—"North of the temple, on a low circular terrace, stands the biggest bell in Burmah—the biggest in the world, probably, Russia apart. It is slung on a triple beam of great size, cased and hooped with metal; this beam resting on two piers of brickwork, enclosing massive frames of teak. The bell does not swing free. The supports were so much shaken by the earthquake, that it was found necessary to put props under the bell, consisting of blocks of wood carved into grotesque figures. Of course no tone can now be got out of it. But at any time it must have required a battering-ram to elicit its music. Small ingots of silver (and some say pieces of gold) may still be traced, unmelted, in the mass, and from the inside one sees the curious way in which the makers tried to strengthen the parts which suspend it by dropping into the upper part of the mould iron chains, round which the metal was run. The Burmese report the bell to contain 555,555 viss of metal (about 900 tons). Its principal dimensions are as follow:—External diameter at the lip, 16 feet 3 inches; external diameter 4 feet 8 inches above the lip, 10 feet; interior height, 11 feet 6 inches; exterior ditto, 12 feet; interior diameter at top, 8 feet [Pg 560] 6 inches. The thickness of metal varies from six inches to twelve, and the actual weight of the bell is, by a rough calculation, about eighty tons, or one-eleventh of the popular estimate. According to Mr. Howard Malcolm, whose authority was probably Colonel Burney, the weight is stated in the Royal Chronicle at 55,500 viss, or about ninety tons. This statement is probably, therefore, genuine, and the popular fable merely a multiplication of it by ten."

At a temple near Amarapoora, the capital of Burma, there is a massive bell described by Captain Yule: “North of the temple, on a low circular terrace, stands the largest bell in Burma—the largest in the world, probably, except for those in Russia. It hangs from a large triple beam, covered and banded with metal; this beam is supported by two brick piers that encase heavy teak frames. The bell doesn’t swing freely. The supports were so shaken by the earthquake that it was necessary to prop up the bell with blocks of wood carved into strange shapes. Naturally, it can't produce any sound now. However, it must have taken a battering ram to make it ring back then. Small pieces of silver (and some say gold) are still visible, unmelted, in the structure, and from the inside, you can see the unusual method the makers used to strengthen the parts that hold it up by dropping iron chains into the upper part of the mold, around which the metal was poured. The Burmese claim the bell contains 555,555 viss of metal (about 900 tons). Its main dimensions are as follows: External diameter at the lip is 16 feet 3 inches; external diameter 4 feet 8 inches above the lip is 10 feet; interior height is 11 feet 6 inches; exterior height is 12 feet; interior diameter at the top is 8 feet 6 inches. The thickness of the metal ranges from six to twelve inches, and the actual weight of the bell is estimated to be about eighty tons, or one-eleventh of the commonly believed figure. According to Mr. Howard Malcolm, whose authority likely came from Colonel Burney, the weight is recorded in the Royal Chronicle as 55,500 viss, or about ninety tons. This claim is probably genuine, and the popular legend is likely just a tenfold exaggeration.”

This monster Burmese bell is, therefore, fourteen times as heavy as the great bell of St. Paul's, but only one-third of that given by the Empress Anne to the Cathedral of Moscow.

This massive Burmese bell weighs fourteen times more than the great bell of St. Paul's, but it's only one-third the weight of the one gifted by Empress Anne to the Cathedral of Moscow.

BANDOLIERS.

Bandoliers.

Bandoliers

We here engrave a set of bandoliers, a species of weapon much in vogue about the close of the sixteenth century. The specimen before us consists of nine tin cases covered with leather, with caps to them, each containing a charge of powder, and suspended by rings from a cord made to pass through other rings. The caps are retained in their places by being contrived so as to slip up and down their own cords. Two flaps of leather, on each side, are intended to protect the bandoliers from rain, and attached to one of these may be perceived a circular bullet-purse, made to draw with little strings. This specimen was buckled round the waist by means of a strap; others were worn round the body and over the shoulder. The noise they made, agitated by the wind, but more especially the danger of all taking fire from the match-cord, occasioned their disuse, as Sir James Turner tells us, about the year 1640.

We’re showing a set of bandoliers, a type of weapon that was quite popular at the end of the sixteenth century. The example here has nine tin containers covered in leather, each with a cap, and each holds a powder charge. They are hung by rings from a cord that runs through other rings. The caps stay in place by sliding up and down their cords. There are two leather flaps on each side to protect the bandoliers from rain, and attached to one of these is a circular bullet pouch that can be pulled open with strings. This example was fastened around the waist with a strap; other designs were worn around the body and over the shoulder. The noise they made when the wind blew, especially the risk of all of them igniting from the match-cord, led to their decline in use, as Sir James Turner notes, around the year 1640.

TOMB OF DARIUS.

Tomb of Darius.

Among the most remarkable tombs of the ancients, may be noticed the sepulchre carved out of the living rock, by order of Darius, the warrior and conqueror king of Persia, for the reception of his own remains; and which is existing to this day at Persepolis, after a duration of twenty-three centuries.

Among the most remarkable tombs of the ancients is the sepulchre carved from the living rock, commissioned by Darius, the warrior and conquering king of Persia, for his own remains; it still exists today in Persepolis, after twenty-three centuries.

The portico is supported by four columns twenty feet in height, and in the centre is the form of a doorway, seemingly the entrance to the interior, but it is solid; the entablature is of chaste design. Above the portico there is what may be termed an ark, supported by two rows of figures, about the size of life, bearing it on their uplifted hands, and at each angle a griffin—an ornament which is very frequent at Persepolis. On this stage stands the king, with a bent bow in his hand, worshipping the sun, whose image is seen above the altar that stands before him, while above his head hovers his ferouher, or disembodied spirit. This is the good genius that in Persian and Ninevite sculpture [Pg 561] accompanies the king when performing any important act. On each side the ark are nine niches, each containing a statue in bas-relief. No other portion of the tomb was intended to be seen, excepting the sculptured front; and we must, therefore, conclude that the entrance was kept secret, and that the avenues were by subterranean passages, so constructed that none but the privileged could find their way. We are told by Theophrastus, that Darius was buried in a coffer of Egyptian alabaster; and also that the early Persians buried their dead entire, preserving their bodies with honey or wax.

The portico is held up by four columns that are twenty feet tall, and in the center is a doorway that looks like an entrance to the inside, but it’s solid; the entablature has a simple, elegant design. Above the portico is something that could be called an ark, supported by two rows of life-sized figures lifting it with their hands, and at each corner is a griffin—an ornament commonly found at Persepolis. On this platform stands the king, holding a bent bow, worshipping the sun, whose image can be seen above the altar in front of him, while above him hovers his ferouher, or spirit. This is the good genius that appears in Persian and Ninevite sculpture [Pg 561] accompanying the king during important acts. On each side of the ark are nine niches, each containing a bas-relief statue. No other part of the tomb was meant to be visible, except for the sculpted front; we must conclude that the entrance was kept hidden and that the pathways were underground passages designed so that only the privileged could navigate them. Theophrastus tells us that Darius was buried in a coffin made of Egyptian alabaster; he also noted that the early Persians buried their dead whole, preserving their bodies with honey or wax.

THE GATE ON OLD LONDON BRIDGE.

THE GATE ON OLD LONDON BRIDGE.

Gate of Old London Bridge

In the reign of Queen Elizabeth, a strongly embattled gate protected the entrance from Southwark to Old London Bridge, and it was usually garnished with traitors' heads in "rich abundance," as may be seen in the accompanying cut, which is copied from Visscher's view, in 1579. The bridge was at that period covered with houses, a narrow road passing through arcades beneath them, and they abutted on props over the river on either side. The bridge was proudly spoken of by our ancestors. Thus, in the translation of Ortelius, published by J. Shaw, in 1603, he says of the Thames:—"It is beautified with statelye pallaces, built on the side thereof; moreover, a sumptuous bridge sustayned on nineteen arches, with excellent and beauteous housen built thereon." Camden, in his great work, the "Britannica," says, "It may worthily carry away the prize from all the bridges in Europe," being "furnished on both sides with passing faire houses, joining one to another in the manner of a street."

In Queen Elizabeth's reign, a heavily fortified gate protected the entrance from Southwark to Old London Bridge, and it was often decorated with traitors' heads in "rich abundance," as shown in the accompanying image, which is taken from Visscher's view in 1579. At that time, the bridge was lined with houses, with a narrow road running through arcades beneath them, supported by pillars on either side over the river. Our ancestors spoke highly of the bridge. In the translation of Ortelius, published by J. Shaw in 1603, he describes the Thames:—"It is beautified with stately palaces built along its banks; moreover, a splendid bridge supported on nineteen arches, with excellent and beautiful houses built upon it." Camden, in his renowned work, the "Britannica," states, "It may justifiably take the prize from all the bridges in Europe," being "surrounded on both sides with remarkably fine houses, connecting to each other like a street."

EXTRAORDINARY PONDS AND FISH.

Amazing ponds and fish.

The ponds in the department of Ain in France are 1667 in number. The industry and ingenuity of man have converted the marshes into fertile plains and productive ponds, by constructing dykes from one hill to the other, for the plateaux are covered with small hills. When the proprietor of one of these ponds wishes to cultivate it, he draws off the water into the dyke attached to it. Wheat, barley, and oats are then sown, and the seed thus fertilised by the slime produces a crop double that produced by the land in the vicinity. After the harvest is collected, the water is permitted to return to its former bed, and carp, tench, and [Pg 562] roach are then thrown into it. Some of these ponds will support 100,000 of carp, and 100 pounds of little tench and roach. In the course of two years these carp, which weighed only one ounce and a-half, will have attained the size of two pounds and a half. The fishing begins in April, and is continued until November. The increase of the fish is as one to five.

The ponds in the Ain department of France number 1,667. The skill and creativity of people have turned marshes into fertile land and productive ponds by building dikes from one hill to another since the plateaus are dotted with small hills. When the owner of one of these ponds wants to cultivate it, they drain the water into the associated dike. Wheat, barley, and oats are then planted, and the seed fertilized by the mud produces a crop that is double that of the surrounding fields. After the harvest is gathered, the water is allowed to flow back into its original place, and carp, tench, and roach are then introduced. Some of these ponds can hold 100,000 carp and 100 pounds of small tench and roach. In just two years, these carp, which started out weighing only one and a half ounces, can grow to two and a half pounds. Fishing starts in April and continues until November, with a growth rate of the fish at a ratio of one to five.

THE CEREMONIAL OF MAKING THE KING'S BED.

THE CEREMONIAL OF MAKING THE KING'S BED.

The following account of the old ceremony of making the King's bed in the time of Henry the Eighth, was sent to the Society of Antiquaries, in 1776, by Mr. J. C. Brooke, of the Heralds' College, F.S.A. &c. In a letter to the president, he says,—

The following account of the old ceremony of making the King's bed during the time of Henry the Eighth was sent to the Society of Antiquaries in 1776 by Mr. J. C. Brooke of the Heralds' College, F.S.A. etc. In a letter to the president, he says,—

"It is extracted from an original manuscript, elegantly written, beautifully illuminated, and richly bound, which was some time in the library of Henry, Duke of Norfolk, earl marshal of England, to whom it came by descent from Thomas, the great Duke of Norfolk, beheaded in the reign of Queen Elizabeth; who married Mary, daughter and coheir of Henry Fitz-Alan, Earl of Arundel, lord chamberlain to King Henry the Eighth. It contains the whole duty of the lord chamberlain, and of the officers in his department; is the original copy kept for the information of that earl; and had been compiled by order of, and approved by, the King himself in council."

"It comes from an original manuscript that is elegantly written, beautifully illustrated, and richly bound. At one point, it was in the library of Henry, Duke of Norfolk, Earl Marshal of England, who inherited it from Thomas, the great Duke of Norfolk, who was executed during Queen Elizabeth's reign. Thomas married Mary, the daughter and co-heir of Henry Fitz-Alan, Earl of Arundel, who was the Lord Chamberlain to King Henry the Eighth. This manuscript outlines the full responsibilities of the Lord Chamberlain and the officers in his department; it is the original copy kept for that earl's reference and was compiled by order of, and approved by, the King himself in council."

"The oolde ordre of Makynge the Kynges Bedd not to used nor done, but as Hys Grace woll comaund and apoynte from tyme to tyme herafter.

"The old order of making the king's bed is not to be used or done, except as His Grace will command and appoint from time to time thereafter."

"Furste, a groome or a page to take a torche, and to goo to the warderobe of the kynges bedd, and bryng theym of the warderobe with the kynges stuff unto the chambr for makyng of the same bedde. Where as aught to be a gentylman-usher, iiii yomen of the chambr for to make the same bedde. The groome to stande at the bedds feete with his torch. They of the warderobe openyng the kinges stuff of hys bedde upon a fayre sheete, bytwen the sayde groome and the bedds fote, iii yeomen, or two at the leste, in every syde of the bedde; the gentylman-usher and parte commaundyng theym what they shall doo. A yoman with a dagger to searche the strawe of the kynges bedde that there be none untreuth therein. And this yoman to caste up the bedde of downe upon that, and oon of theym to tomble over yt for the serche thereof. Then they to bete and tufle the sayde bedde, and to laye oon then the bolster without touchyng of the bedd where as it aught to lye. Then they of the warderobe to delyver theym a fustyan takyng the saye therof. All theys yomen to laye theyr hands theroon at oones, that they touch not the bedd, tyll yt be layed as it sholde be by the comaundement of the ussher. And so the furste sheet in lyke wyse, and then to trusse in both sheete and fustyan rownde about the bedde of downe. The warderoper to delyver the second sheete unto two yomen, they to crosse it over theyr arme, and to stryke the bedde as the ussher shall more playnly shewe unto theym. Then every yoman layeing hande upon the sheete, to laye the same sheete upon the bedde. And so the other fustyan upon or ii with such covervnge as shall content the kynge. Thus doon, the ii [Pg 563] yomen next to the bedde to laye down agene the overmore fustyan, the yomen of the warderobe delyverynge theym a pane sheete, the sayde yoman therewythall to cover the sayde bedde. And so then to laye down the overmost sheete from the beddes heed. And then the sayd ii yomen to lay all the overmost clothes of a quarter of the bedde. Then the warderoper to delyver unto them such pyllowes as shall please the kynge. The sayd yoman to laye theym upon the bolster and the heed sheete with whych the sayde yoman shall cover the sayde pyllowes. And so to trusse the endes of the sayde sheete under every ende of the bolster. And then the sayd warderoper to delyver unto them ii lyttle small pyllowes, werwythall the squyres for the bodye or gentylman-ussher shall give the saye to the warderoper, and to the yoman whych have layde on hande upon the sayd bedde. And then the sayd ii yomen to lay upon the sayde bedde toward the bolster as yt was bifore. They makyng a crosse and kissynge yt where there handes were. Then ii yomen next to the feete to make the feers as the ussher shall teche theym. And so then every of them sticke up the aungel about the bedde, and to lette down the corteyns of the sayd bedde, or sparver.

Furste, a servant or page to take a torch and go to the king's wardrobe to bring the king's items to the chamber for making the bed. There should be a gentleman usher and four yeomen of the chamber to make the bed. The servant stands at the foot of the bed with his torch. The wardrobe staff opens the king's bedding onto a nice sheet, located between the servant and the bed's foot, with three yeomen, or at least two, on each side of the bed; the gentleman usher directing them in their tasks. A yeoman with a dagger checks the straw in the king's bed to ensure there is nothing false within. This yeoman then tosses the down bed over that, and one of them tumbles over it for inspection. Then they beat and fluff the bed, placing the bolster without touching the bed where it should lie. Then the wardrobe staff will deliver them a fustian, taking the say thereof. All these yeomen must place their hands on it at once, so they do not touch the bed until it is laid out as it should be by the usher’s command. The first sheet is similarly dealt with, then they tuck both sheets and fustian around the down bed. The wardrobe staff delivers the second sheet to two yeomen who cross it over their arms and fluff the bed as the usher will explain further. Then each yeoman places a hand on the sheet to lay it upon the bed. And the other fustian on one or two with such covering that will satisfy the king. Once done, the two [Pg 563] yeomen next to the bed lay down the top fustian, with the wardrobe staff delivering them a panel sheet which the yeoman will use to cover the bed. They then place the top sheet down from the head of the bed. After that, the two yeomen lay all the top covers of a quarter of the bed. Then the wardrobe staff provides them with pillows that will please the king. The yeoman places them on the bolster and the head sheet with which the yeoman will cover the pillows. They tuck the ends of the sheet under each end of the bolster. Then the wardrobe staff supplies them with two small pillows, which the body squires or gentleman usher will give to the wardrobe staff, and to the yeoman who has just worked on the bed. The two yeomen then lay these pillows on the bed towards the bolster like before, making a cross and kissing it where their hands were. Then two yeomen at the foot will make the feirs as the usher teaches them. Finally, each of them will stick up the angel around the bed and let down the curtains of the said bed or sparver.

"Item, a squyer for the bodye or gentylman-ussher aught to sett the kynges sword at hys beddes heed.

"Item, a squire for the body or gentleman-usher should place the king's sword at his bedside."

"Item, a squyer for the bodye aught to charge a secret groome or page, to have the kepynge of the sayde bedde with a lyght unto the time the kynge be disposed to goo to yt.

"Item, a squire for the body should appoint a secret groom or page to keep the said bed with a light until the king is ready to go to it."

"Item, a groome or page aught to take a torche, whyle the bedde ys yn makyng, to feche a loof of brede, a pott wyth ale, a pott wyth wine, for them that maketh the bedde, and every man.

"Item, a groom or page should take a torch while the bed is being made, to fetch a loaf of bread, a pot of ale, a pot of wine, for those who are making the bed, and for everyone."

"Item, the gentylman-ussher aught to forbede that no manner of man do sett eny dysshe upon the kynge's bedde, for fere of hurtying of the kynge's ryche counterpoynt that lyeth therupon. And that the sayd ussher take goode heede, that noo man wipe or rubbe their handes uppon none arras of the kynges, wherby they myght bee hurted, in the chambr where the kynge ys specially, and in all other."

"First, the gentleman usher should forbid anyone from placing any dish on the king's bed, to avoid damaging the rich counterpoint that is laid upon it. And the said usher must be careful that no one wipes or rubs their hands on any of the king's tapestries, so they might not be harmed, especially in the chamber where the king is, and in all others."

ORIGIN OF SANDWICHES.

Origin of sandwiches.

To the memory of "Lord Sandwich" belongs the name of that edible. Being, during his administration (as was very usual with him), at a gambling-house, he had, in the fascination of play, for more than five and twenty hours forgotten fatigue and hunger, when suddenly, feeling disposed to break his fast, though still riveted to the table, he called to bid some one bring anything that was to be had to eat, which happened to prove a slice of beef, and two pieces of bread. Placing them together for the sake of expedition, he devoured them with the greatest relish. The most ecstatic encomiums published his discovery, and giving it his name, bequeathed it as a memento to his country, as one of the most important acts of his administration.

To the memory of "Lord Sandwich" belongs the name of that food. While he was in charge (as he often did), he found himself at a gambling house and, caught up in the excitement of the game, forgot about fatigue and hunger for more than twenty-five hours. Suddenly, feeling the urge to eat, yet still stuck at the table, he called for someone to bring him whatever they had available, which happened to be a slice of beef and two pieces of bread. He quickly put them together and enjoyed them with great enthusiasm. His discovery received rave reviews, and he named it after himself, leaving it as a reminder to his country, as one of the most significant acts of his term in office.

THE TREATY-STONE AT LIMERICK.

The Treaty Stone in Limerick.

The city of Limerick is very famous in history. Before it, in 1651, Ireton "sate down;" there he continued to "sit" for six months; and [Pg 564] underneath its walls the fierce republican died of plague. Greater celebrity, and higher honour, were, however, obtained by Limerick in 1690. Early in August, William summoned it to surrender; the French general, Boileau, who commanded the garrison—"rather for the King of France than the King of England"—returned for answer, that "he was surprised at the summons, and thought the best way to gain the good opinion of the Prince of Orange was to defend the place for his master King James." The siege was at once commenced. The flower of the Irish army were within its walls, or in its immediate neighbourhood; the counties of Clare and Galway were open to them, from which to draw supplies; and a French fleet rode triumphantly in the Shannon. The garrison, however, were little disposed to act in concert: the jealousy of the commanders of the French and Irish had spread to their troops; and they cherished feelings of contempt or hatred towards each other, that argued ill for their success in opposing the steady and disciplined forces of William.

The city of Limerick is very well-known in history. Before it, in 1651, Ireton "sat down;" he stayed there for six months; and [Pg 564] beneath its walls the fierce republican died of the plague. However, Limerick gained greater fame and higher honor in 1690. In early August, William demanded its surrender; the French general, Boileau, who was in charge of the garrison—"more for the King of France than the King of England"—responded that "he was surprised by the demand and thought the best way to earn the Prince of Orange's goodwill was to defend the place for his master King James." The siege began immediately. The best of the Irish army were inside its walls or nearby; the counties of Clare and Galway were open to them for supplies; and a French fleet was confidently stationed in the Shannon. However, the garrison was not inclined to act together: the rivalry between the French and Irish commanders had spread to their troops, and they held feelings of contempt or hatred toward each other, which boded poorly for their success against the steady and disciplined forces of William.

Treaty-Stone at Limerick

Yet the Irish succeeded; the siege was raised on the 30th of August. But, in the autumn of 1691, it endured a second, which occupied about six months; when the garrison, wearied of a struggle from which they could derive nothing but glory, on the 23rd of September, a cessation of hostilities took place; an amicable intercourse was opened between the two armies; and articles of capitulation were, after a few brief delays, agreed upon. The "violated treaty" was signed on the 3rd of October, 1691; it consisted of two parts, civil and military. It is said to have been signed by the several contracting parties on a large stone, near to Thomond Bridge, on the county of Clare side of the river. The stone remains in the position it occupied at the period, and is an object of curiosity to strangers, as well as of interest to the citizens of Limerick. We, therefore, thought it desirable to procure a drawing of the relic, which retains its name of "the Treaty Stone."

Yet the Irish succeeded; the siege ended on August 30th. But in the fall of 1691, they faced a second siege that lasted about six months. The garrison, tired of fighting for nothing but glory, agreed to a ceasefire on September 23rd. An amicable dialogue opened between the two armies, and after a few brief delays, they agreed on terms of capitulation. The "violated treaty" was signed on October 3rd, 1691; it consisted of two parts, civil and military. It is said to have been signed by the parties involved on a large stone near Thomond Bridge on the Clare side of the river. The stone remains in its original position and is a curiosity for visitors as well as of interest to the citizens of Limerick. We thought it was important to get a drawing of this relic, which is still called "the Treaty Stone."

THE TEMPLARS' BANNER CALLED BEAUSEANT.

The Templars' banner called Beauseant.

When Constantine the Great was on the eve of a battle with Maxentius, we are told that a luminous standard appeared to him in the sky with a cross upon it, and this inscription:—"In hoc signo vinces—By this sign you shall conquer;" and that this sign so encouraged Constantine and his soldiers that they gained the next day a great victory.

When Constantine the Great was about to battle Maxentius, it is said that a bright standard appeared to him in the sky with a cross on it and the words:—"In hoc signo vinces—By this sign you shall conquer;" and this sign motivated Constantine and his soldiers so much that they achieved a great victory the following day.

When Waldemar II. of Denmark was engaged in a great battle with the Livonians in the year 1219, it is said that a sacred banner fell from [Pg 565] heaven into the midst of his army, and so revived the courage of his troops, that they gained a complete victory over the Livonians; and in memory of the event, Waldemar instituted an order of knighthood, called "St. Danebrog," or the strength of the Danes, and which is still the principal order of knighthood in Denmark. Now, taking these legends for as much as they are worth, and no more; what do they prove? Not that this miraculous standard and cross came to the assistance of Constantine; not that this miraculous banner came to the aid of Waldemar; but they prove that such was the paramount importance attached to the sacred banner among the forces, that wherever it was present, it was a great means of inspiriting the men with increased confidence and courage, and so contributed to the victory.

When Waldemar II of Denmark was fighting a major battle against the Livonians in 1219, it’s said that a sacred banner fell from heaven into the middle of his army, boosting the morale of his troops so much that they achieved a complete victory over the Livonians. In remembrance of this event, Waldemar established an order of knighthood called "St. Danebrog," meaning the strength of the Danes, which is still the main order of knighthood in Denmark today. Now, taking these legends for what they are worth and no more, what do they really prove? Not that this miraculous standard and cross helped Constantine; nor that this miraculous banner aided Waldemar; rather, they show the immense importance placed on the sacred banner among the forces, such that its presence significantly inspired the men, filling them with confidence and courage, and contributed to their victory.

Templars' Banner Called Beauseant

The great importance attached to the banner in the middle ages is not to be wondered at, when we consider that it was a kind of connecting link between the military and the clergy; it was a religious symbol applied to a military purpose, and this was the feeling which animated the Crusaders and the Templars in their great struggle against the enemies of Christianity. The contest then was between the crescent and the cross—between Christ and Mahomet. The Knights Templars had a very remarkable banner, being simply divided into black and white, the white portion symbolising peace to their friends, the black portion evil to their enemies, and their dreaded war cry, "Beauseant."

The significance of the banner in the Middle Ages is understandable when you think about how it served as a link between the military and the clergy; it was a religious symbol used for military purposes, which inspired the Crusaders and the Templars in their struggle against the foes of Christianity. The battle was essentially between the crescent and the cross—between Christ and Muhammad. The Knights Templars had a notable banner, simply split into black and white, with the white side representing peace for their allies and the black side symbolizing evil for their enemies, accompanied by their feared battle cry, "Beauseant."

SWORD-FISH v. WHALES.

SWORD-FISH vs. WHALES.

So boundless is the sword-fish's rage and fury against whales in particular, that many observers imagine his sallies against rocks and timber to originate in an error of judgment, that all these lunges are intended to punish leviathan, and are only misdirected in consequence of the [Pg 566] imperfect vision which prevents this scomber, like many of his family, from accurately distinguishing forms. Whenever a supposed whale is descried, our savage sabreur rushes forward to intercept his progress, and suddenly flashing before his victim, either alone or in conjunction with some other unfriendly fish, instantly proceeds to the attack. Relations of such sea-fights, attested by credible eye-witnesses, are not uncommon; we content ourselves with the citation of one of unimpeachable accuracy. Captain Crow, cited by Mr. Yarrell, relates that in a voyage to Memel, on a calm night, just off the Hebrides, all hands were called up to witness a strange combat between some thrashers (carcharias vulpes) and a sword-fish leagued together against a whale; as soon as the back of the ill-starred monster was seen rising a little above the water, the thrashers sprang several yards into the air, and struck him with their descending tails, the reiterated percussions of which sounded, we are told, like a distant volley of musketry. The sword-fish meanwhile attacked the whale from below, getting close under his belly, and with such energy and effect that there could be little doubt of the issue of a fray, which the necessity of prosecuting their voyage prevented the crew from watching to its close. The sword-fish is not less remarkable for strength than pugnacity, the depôt of its great physical powers being, as in most scombers, in the tail.

The swordfish's rage and fury towards whales is so intense that many observers think its attacks on rocks and timber are due to a misjudgment; they believe that all these lunges are meant to punish the whale and are simply misdirected because this fish, like many in its family, has a [Pg 566] limited ability to see and can't accurately identify shapes. Whenever it spots what it thinks is a whale, our fierce fighter rushes in to block its path, suddenly appearing in front of its target, whether alone or alongside other aggressive fish, and immediately goes in for the attack. Accounts of such sea battles, confirmed by reliable witnesses, are fairly common; we will share just one with unquestionable accuracy. Captain Crow, mentioned by Mr. Yarrell, recounts that during a trip to Memel, on a calm night near the Hebrides, all crew members were called up to witness a bizarre fight between some thrashers (carcharias vulpes) and a swordfish that teamed up against a whale. As soon as the back of the unfortunate creature was seen rising slightly above the water, the thrashers leaped several yards into the air and struck it with their tails, creating a sound reminiscent of distant gunfire. Meanwhile, the swordfish attacked the whale from below, getting right under its belly, and with such force that the outcome of the conflict seemed inevitable, but the crew had to continue their voyage and couldn't see the end of the battle. The swordfish is notable not only for its aggression but also for its strength, with most of its physical power concentrated in its tail, like many other scombers.

WEALTH OF SPAIN UNDER THE MOORS.

WEALTH OF SPAIN UNDER THE MOORS.

The Moors, whose conquest and expulsion were attended with such atrocities, and such triumphs to the Catholic church, were by far the most industrious and skilful part of the Spanish population, and their loss was a blow to the greatness and prosperity of that kingdom from which it has never recovered. The literary activity and commercial enterprise of the Arabs, which the wise policy of their Caliphs encouraged, contributed both to enrich and adorn their adopted country. Cordova, the seat of the Ommiades, was scarcely inferior, in point of wealth and magnitude, to its proud rival on the banks of the Tigris. A space of twenty-four miles in length, and six in breadth, along the banks of the Guadalquiver, was occupied with palaces, streets, gardens, and public edifices; and for ten miles the citizens could travel by the light of lamps along an uninterrupted extent of buildings. In the reign of Almansor it could boast of 270,000 houses, 80,455 shops, 911 baths, 3,877 mosques, from the minarets of which a population of 800,000 were daily summoned to prayers. The seraglio of the Caliph, his wives, concubines, and black eunuchs, amounted to 6,300 persons; and he was attended to the field by a guard of 12,000 horsemen, whose belts and scimitars were studded with gold. Granada was equally celebrated for its luxury and its learning. The royal demesnes extended to the distance of twenty miles, the revenues of which were set apart to maintain the fortifications of the city. Of the duty on grain, the king's exchequer received about £15,000 yearly, an immense sum at that time, when wheat sold at the rate of sixpence a bushel. The consumption of 250,000 inhabitants kept 130 water-mills constantly at work in the suburbs. The population of this small kingdom under the Moors is [Pg 567] said to have amounted to 3,000,000, which is now diminished perhaps to one-fifth of that number. Its temples and palaces have shared the same decay. The Alhambra stands solitary, dismantled, and neglected. The interior remains of the palace are in tolerable preservation, and present a melancholy picture of the romantic magnificence of its former kings. Seville, which had continued nearly 200 years the seat of a petty kingdom, enjoyed considerable reputation as a place of wealth and commerce. The population in 1247 was computed at 300,000 persons, which, in the sixteenth century, had decreased one-third. It was one of the principal marts for olives in the Moorish dominions; and so extensive was the trade in this article alone that the axarafe, or plantations round the suburbs, employed farm-houses and olive-presses to the amount of 100,000, being more than is now to be found in the whole province of Andalusia.

The Moors, whose conquest and expulsion were marked by such brutality and success for the Catholic Church, were by far the most hardworking and skilled segment of the Spanish population, and their loss dealt a serious blow to the greatness and prosperity of that kingdom from which it has never fully recovered. The literary contributions and commercial endeavors of the Arabs, encouraged by the wise policies of their Caliphs, helped to both enrich and beautify their adopted homeland. Córdoba, the center of the Umayyads, was nearly as wealthy and large as its proud rival by the Tigris River. A stretch of twenty-four miles long and six miles wide along the banks of the Guadalquivir was filled with palaces, streets, gardens, and public buildings; for ten miles, citizens could travel under the light of lamps past an uninterrupted line of structures. During Almansor’s reign, it boasted 270,000 houses, 80,455 shops, 911 baths, and 3,877 mosques, from the minarets of which a population of 800,000 was called to prayer daily. The Caliph’s harem, which included his wives, concubines, and black eunuchs, amounted to 6,300 people; he was attended in the field by a guard of 12,000 horsemen, whose belts and scimitars were adorned with gold. Granada was equally famous for its luxury and learning. The royal lands stretched out over twenty miles, with revenues set aside to maintain the city’s fortifications. From the grain duties, the king’s treasury received about £15,000 per year, a huge amount at that time when wheat sold for sixpence a bushel. The needs of 250,000 residents kept 130 water mills constantly running in the suburbs. The population of this small kingdom under the Moors is [Pg 567] said to have reached 3,000,000, which has perhaps now dwindled to one-fifth of that number. Its temples and palaces have suffered the same decline. The Alhambra stands alone, dismantled and neglected. The interior remains of the palace are in fair condition and offer a sad glimpse of the romantic grandeur of its former kings. Seville, which had served as the seat of a minor kingdom for nearly 200 years, had a solid reputation as a center of wealth and trade. The population in 1247 was estimated at 300,000, which had dropped by a third by the sixteenth century. It was one of the main markets for olives in the Moorish territories; the olive trade was so extensive that the axarafe, or plantations around the suburbs, utilized farmhouses and olive presses totaling 100,000, more than exists in the entire province of Andalusia today.

THE FIRST OPERA.

THE FIRST OPERA.

The first composer who tried his hand at setting an opera to music was Francisco Bamirino, an Italian artist; and the piece to which he lent the charm of a melodious accompaniment, was the "Conversion of St. Paul," which was brought out at Rome in 1460.

The first composer who attempted to create an opera was Francisco Bamirino, an Italian artist. The piece he enhanced with a beautiful musical accompaniment was the "Conversion of St. Paul," which premiered in Rome in 1460.

RUINS OF EUROPA.

EUROPA RUINS.

Lady Sheil, in her "Life in Persia," thus describes some wonderful ruins which she saw about thirty miles from Tehran:—

Lady Sheil, in her "Life in Persia," describes some amazing ruins she saw about thirty miles from Tehran:—

"From near Verameen a most remarkable antiquity still survives the lapse of twenty centuries, that is, if what we hear be true. It consists of an immense rampart, twenty or thirty feet in height, and of proportional thickness, including a space of about half a mile in length and nearly the same in breadth. It is in the form of a square; the rampart is continuous, and at short intervals is strengthened by bastions of prodigious size. The whole is constructed of unbaked bricks of large dimensions, and is in a state of extraordinary preservation. The traces of a ditch of great size, though nearly filled up, are evident in front of the rampart. No buildings are found inside, where nothing is visible excepting a few mounds,—not a single habitation or human being. The solitude of this striking vestige of antiquity adds to its solemnity. It stood alone; Elboorz, distant only a few miles, gazing down on its hoary walls, with Demawend, in its garments of snow, to complete the scene. From no place have I had a finer view of this grand mountain, which seemed to lie exactly to the north. I am informed that these magnificent ruins represent Europa, a city built by Seleucus, which, if true, would make it upwards of two thousand years old. On seeing the perfect state of the ruins, and the materials of which they are composed, one feels no hesitation in crediting so venerable an antiquity. Seleucus chose the spot well. The district of Verameen is renowned for its fertility, though not at this period for the salubrity of its climate. The surrounding country is covered with earthen mounds, denoting former edifices, which, if explored, might reveal objects worthy of the erudition and intellect of even Sir Henry Rawlinson."

"Near Verameen, an incredible ancient structure has survived for twenty centuries, assuming what we hear is accurate. It consists of a massive wall, about twenty to thirty feet high and similarly thick, covering an area of roughly half a mile in length and nearly the same in width. It’s square in shape; the wall is continuous and reinforced at regular intervals by enormous bastions. The entire structure is made of large unbaked bricks and is exceptionally well-preserved. There are clear signs of a large ditch in front of the wall, although it's nearly filled in. No buildings are found inside; only a few mounds are visible—there's not a single home or person around. The isolation of this impressive remnant of the past adds to its solemnity. It stands alone, with Elboorz just a few miles away, looking down on its ancient walls, while Demawend, dressed in snow, completes the view. From no other place have I seen a better view of this magnificent mountain, which seems to lie directly to the north. I’ve been told that these splendid ruins are what remains of Europa, a city founded by Seleucus, which, if true, would make it over two thousand years old. Seeing the pristine condition of the ruins and the materials used, one has no doubt about such an ancient heritage. Seleucus picked the location well. The Verameen area is famous for its fertility, though it’s not known for having a healthy climate at this time. The surrounding land is dotted with earth mounds, indicating the presence of former structures that, if excavated, could uncover valuable artifacts worthy of the knowledge and intellect of someone like Sir Henry Rawlinson."

CELEBRATED GUN.

CELEBRATED FIREARM.

Celebrated Gun

The gun, of which the annexed is a sketch, is one of the many curiosities of the Londesborough Museum. It once formed part of the collection of Prince Potemkin, and was originally the property of Charles IX. of France; it is traditionally reported to have been the gun he used in firing on his Huguenot subjects, from one of the windows of the Louvre, during the massacre of St. Bartholomew. The barrel is richly chased in high relief, with a stag-hunt amid foliage. The stock is inlaid with ivory, sculptured into a series of hunting scenes, knights on horseback.

The gun shown in the attached sketch is one of the many curiosities at the Londesborough Museum. It was once part of Prince Potemkin's collection and originally belonged to Charles IX of France. It is said to have been the gun he fired on his Huguenot subjects from one of the windows of the Louvre during the St. Bartholomew's Day Massacre. The barrel features elaborate high-relief designs of a stag hunt among foliage. The stock is inlaid with ivory, carved into a series of hunting scenes with knights on horseback.

The dreadful massacre of Saint Bartholomew commenced at Paris on the night of the festival of that saint, August 24th, 1572. Above 500 persons of rank, and 10,000 of inferior condition, perished in Paris alone, besides those slaughtered in the provinces. The king, who had been persuaded that the destruction of the Huguenots to the last man was necessary to the safety of his throne, beheld the slaughter from a window, and being carried away by the example of those whose murderous doings he witnessed, ordered some long arquebusses to be brought, and on their being loaded, and handed to him one after another, he for some time continued to fire on the unfortunate fugitives as they passed, crying at the same time with a loud voice, "Kill, kill." He afterwards went and inspected the bodies of the slain, and expressed his satisfaction at the effective manner in which his orders had been executed.

The horrific massacre of Saint Bartholomew began in Paris on the night of the saint's festival, August 24th, 1572. Over 500 nobles and 10,000 common people were killed in Paris alone, not to mention those murdered in the provinces. The king, convinced that eliminating all the Huguenots was essential for his throne's security, watched the slaughter from a window. Caught up in the violence he saw, he ordered some long guns to be brought to him. After they were loaded and handed to him one by one, he continued to fire at the unfortunate people trying to escape, shouting loudly, "Kill, kill." Later, he went to examine the bodies of the dead and expressed his approval of how effectively his orders had been carried out.

TOMB OF RAFFAELLE.

Raffaelle's Tomb.

The great painter Raffaelle died at Rome, April 7th 1520, at the early age of thirty-seven. He was buried in the Pantheon, in a chapel which was [Pg 569] afterwards called Raffaelle's Chapel. For more than a century and a half his tomb had only a plain epitaph, but Carlo Maratti desired to place a more striking memorial of Raffaelle's resting-place than the simple inscription, and accordingly, in the year 1764, a marble bust of the painter, executed by Paolo Nardini, was placed in one of the oval niches on each side of the chapel. The epitaph to Maria Bibiena (Raffaelle's betrothed) was removed to make way for Maratti's new inscription; and it was currently believed that the skull of Raffaelle was removed; at least such was the history given of a skull shown as the painter's, religiously preserved by the Academy of St. Luke, and descanted on by phrenologists as indicative of all the qualities which "the divine painter" possessed. But scepticism played its part; doubts of the truth of this story led to doubts of Vasari's statement respecting the exact locality of Raffaelle's tomb. Matters were brought to a final issue by the discovery of a document proving this skull to be that of Don Desiderio de Adjutorio, founder of the society called the Virtuosi, in 1542. Thereupon, this society demanded the head of its founder from the Academy of St. Luke; but they would neither abandon that, nor the illusion that they possessed the veritable skull of the great artist. Arguments ran high, and it was at length determined to settle the question by an examination of the spot, which took place on the 13th of September 1833, in the presence of the Academies of St. Luke and of Archæology, the Commission of the Fine Arts (including Overback and others), the members of the Virtuosi, the governor of Rome (Monsignor Grimaldi), and the Cardinal Zurla, the representative of the pope.

The great painter Raffaelle died in Rome on April 7, 1520, at the young age of thirty-seven. He was buried in the Pantheon, in a chapel that was [Pg 569] later known as Raffaelle's Chapel. For more than a hundred and fifty years, his tomb had only a simple epitaph, but Carlo Maratti wanted to create a more impressive memorial at Raffaelle's resting place than the basic inscription. So, in 1764, a marble bust of the painter, made by Paolo Nardini, was placed in one of the oval niches on either side of the chapel. The epitaph for Maria Bibiena (Raffaelle's betrothed) was removed to make room for Maratti's new inscription, and it was widely believed that Raffaelle's skull was taken out; at least, that was the story surrounding a skull claimed to be the painter's, carefully preserved by the Academy of St. Luke and discussed by phrenologists as a representation of all the qualities that "the divine painter" had. However, skepticism arose; doubts about the truth of this story led to questions about Vasari's claim regarding the exact location of Raffaelle's tomb. The matter was finally resolved with the discovery of a document proving that this skull actually belonged to Don Desiderio de Adjutorio, founder of the society called the Virtuosi, in 1542. The society then requested the return of its founder's head from the Academy of St. Luke, but they refused to give it up, nor did they want to lose the belief that they had the true skull of the great artist. Heated arguments ensued, and it was ultimately decided to settle the matter with an examination of the site, which took place on September 13, 1833, in the presence of the Academies of St. Luke and of Archaeology, the Commission of the Fine Arts (including Overback and others), members of the Virtuosi, the governor of Rome (Monsignor Grimaldi), and Cardinal Zurla, representing the pope.

Tomb of Raffaelle

The result will be best given in the words of an eye-witness, Signor Nibby (one of the Commission of Antiquities and Fine Arts), who thus described the whole to M. Quatremere de Quincy, the biographer of [Pg 570] Raffaelle:—"The operations were conducted on such a principle of exact method as to be chargeable with over nicety. After various ineffectual attempts in other directions, we at length began to dig under the altar of the Virgin itself, and taking as a guide the indications furnished by Vasari, we at length came to some masonry of the length of a man's body. The labourers raised the stone with the utmost care, and having dug within for about a foot and a half, came to a void space. You can hardly conceive the enthusiasm of us all, when, by a final effort, the workmen exhibited to our view the remains of a coffin, with an entire skeleton in it, lying thus as originally placed, and thinly covered with damp dust. We saw at once quite clearly that the tomb had never been opened, and it thus became manifest that the skull possessed by the Academy of St. Luke was not that of Raffaelle. Our first care was, by gentle degrees, to remove from the body the dust which covered it, and which we religiously collected, with the purpose of placing it in a new sarcophagus. Amongst it we found, in tolerable preservation, pieces of the coffin, which was made of deal, fragments of a painting which had ornamented the lid, several bits of Tiber clay, formations from the water of the river, which had penetrated into the coffin by infiltration, an iron stelletta, a sort of spur, with which Raffaelle had been decorated by Leo X, several fibulæ, and a number of metal anelli, portions of his dress." These small rings had fastened the shroud; several were retained by the sculptor Fibris, who also took casts of the head and hand, and Camuccini took views of the tomb and its precious contents; from one of these our cut is copied.

The best way to convey the result is through the words of an eyewitness, Signor Nibby (a member of the Commission of Antiquities and Fine Arts), who described everything to M. Quatremere de Quincy, the biographer of [Pg 570] Raffaelle:—"The operations were carried out with such precision that they could be criticized for being overly meticulous. After several unsuccessful attempts in different areas, we finally started digging under the altar of the Virgin itself, using the indications provided by Vasari as our guide. Eventually, we discovered masonry about the length of a man's body. The laborers carefully lifted the stone, and after digging down about a foot and a half, they reached an empty space. You can hardly imagine the excitement among us all when, with one final effort, the workers revealed to us the remains of a coffin containing a complete skeleton, lying exactly as it was originally placed and lightly covered in damp dust. It became immediately clear that the tomb had never been disturbed, proving that the skull held by the Academy of St. Luke was not Raffaelle's. Our first task was to slowly remove the dust covering the body, which we carefully gathered with the intention of placing it in a new sarcophagus. Among the remains, we found, in fairly good condition, pieces of the coffin made of softwood, remnants of a painting that had decorated the lid, several bits of clay from the Tiber, which had seeped into the coffin, an iron stelletta, a kind of spur with which Raffaelle had been honored by Leo X, some fibulæ, and several metal anelli, parts of his clothing." These small rings had secured the shroud; some were kept by the sculptor Fibris, who also made casts of the head and hand, while Camuccini took pictures of the tomb and its valuable contents; our illustration is reproduced from one of these.

On the following day the body was further examined by professional men: the skeleton was found to measure five feet seven inches, the narrowness of the coffin indicated a slender and delicate frame. This accords with the contemporary accounts, which say he was of a refined and delicate constitution; his frame was all spirit; his physical strength so limited that it was a wonder he existed so long as he did. The investigation completed, the body was exhibited to the public from the 20th to the 24th, and then was again placed in a new coffin of lead, and that in a marble sarcophagus presented by the pope, and taken from the antiquities in the Museum of the Vatican. A solemn mass was then announced for the evening of the 18th of October. The Pantheon was then illuminated, as for a funeral; the sarcophagus, with its contents, was placed in exactly the same spot whence the remains had been taken. The presidents of the various academies were present, with the Cavalier Fabris at their head. Each bore a brick, which he inserted in the brickwork with which the sepulchre was walled in. And so the painter awaits "the resurrection of the just," and the fellowship of saints and angels, of which his inspired pencil has given us the highest realisation on earth.

On the next day, professionals further examined the body: the skeleton was found to measure five feet seven inches, and the narrowness of the coffin suggested a slender and delicate frame. This matches contemporary reports, which describe him as having a refined and delicate constitution; his body was all spirit, and his physical strength was so limited that it was surprising he lived as long as he did. After the investigation was complete, the body was displayed to the public from the 20th to the 24th, and then placed in a new lead coffin, which was put inside a marble sarcophagus presented by the pope, taken from the antiquities in the Museum of the Vatican. A solemn mass was announced for the evening of October 18th. The Pantheon was illuminated as if for a funeral; the sarcophagus, with its contents, was placed exactly where the remains had been taken. The leaders of the various academies were present, with Cavalier Fabris at the forefront. Each carried a brick, which he placed in the brickwork used to seal the tomb. And thus, the painter awaits "the resurrection of the just," and the company of saints and angels that his inspired art has depicted in its highest form on earth.

ANTIMONY.

ANTIMONY.

The origin of the use of anti-moine, or antimony, is a remarkable circumstance. Basil Valentin, superior of a college of religionists, having observed that this mineral fattened the pigs, imagined that it [Pg 571] would produce the same effect on the holy brotherhood. But the case was seriously different; the unfortunate fathers, who greedily made use of it, died in a short time, and this is the origin of its name, according to the pure French word. In spite of this unfortunate beginning, Paracelsus resolved to bring this mineral into practice; and by mixing it with other preparations make it useful. The Faculty at Paris were on this occasion divided into two parties, the one maintaining that antimony was a poison; the other affirmed that it was an excellent remedy. The dispute became more general, and the Parliament and the College of the Sorbonne interfered in the matter; but sometime afterwards people began to judge rightly concerning this excellent mineral; and its wonderful and salutary effects have occasioned the Faculty to place it among their best medicines.

The origin of the use of anti-moine, or antimony, is quite remarkable. Basil Valentin, head of a religious college, noticed that this mineral helped pigs gain weight and figured it might do the same for the holy brotherhood. However, the outcome was vastly different; the unfortunate fathers who eagerly used it died shortly after, and that’s how it got its name, based on the pure French word. Despite this unfortunate start, Paracelsus decided to incorporate this mineral into practice, mixing it with other preparations to make it beneficial. The Faculty in Paris became divided over the issue; one side argued that antimony was a poison, while the other claimed it was a great remedy. The debate spread further, and the Parliament and the College of the Sorbonne got involved. Eventually, people began to recognize the true value of this remarkable mineral, and its amazing and healthful effects led the Faculty to rank it among their best medicines.

PERSONAL APPEARANCE OF MAHOMET.

MAHOMET'S PERSONAL APPEARANCE.

For the personal appearance and private life of Mahomet, we must rely on the Arabian writers, who dwell with fond and proud satisfaction on the graces and intellectual gifts with which nature had endowed him. He was of a middle stature, of a clear, fair skin, and ruddy complexion. His head and features, though large, were well proportioned; he had a prominent forehead, large dark-brown eyes, an aquiline nose, and a thick bushy beard. His mouth, though rather wide, was handsomely formed, and adorned with teeth white as pearls, the upper row not closely set, but in regular order—which appeared when he smiled, and gave an agreeable expression to his countenance. He had a quick ear, and a fine sonorous voice. His dark eyebrows approached each other without meeting. His hair fell partly in ringlets about his temples, and partly hung down between his shoulders. To prevent whiteness, the supposed effect of Satanic influence, he stained it, as the Arabs often do still, of a shining reddish colour. His frame was muscular and compact—robust rather than corpulent. When he walked, he carried a staff, in imitation of the other prophets, and had a singular affectation of being thought to resemble Abraham. The assertion of the Greeks and Christians, that he was subject to epilepsy, must be ascribed to ignorance or malice.

For the personal appearance and private life of Muhammad, we have to depend on Arabian writers, who speak with fondness and pride about the qualities and intelligence that nature gave him. He was of average height, had clear, fair skin, and a rosy complexion. His head and features, though large, were well-proportioned; he had a prominent forehead, large dark brown eyes, an aquiline nose, and a thick bushy beard. His mouth, although a bit wide, was nicely shaped, with teeth as white as pearls, the upper row not tightly packed but arranged in a regular pattern—which showed when he smiled, giving a pleasant expression to his face. He had a keen ear and a rich, resonant voice. His dark eyebrows neared each other without touching. His hair fell partly in curls around his temples, and partly hung down between his shoulders. To avoid grey hair, which was thought to be a sign of Satanic influence, he dyed it, like many Arabs do today, with a shiny reddish hue. His build was muscular and compact—more robust than overweight. When he walked, he carried a staff, imitating other prophets, and had a peculiar desire to be seen as resembling Abraham. The claims by Greeks and Christians that he had epilepsy must be attributed to ignorance or malice.

STIRRUPS.

Stirrups.

From every information we have been able to collect, we believe that the appendage of stirrups were not added to saddles before the sixth century. It is said, that previous to the introduction of stirrups, the young and agile used to mount their horses by vaulting upon them, which many did in an expert and graceful manner; of course, practice was essential to this perfection. That this should be afforded, wooden horses were placed in the Campus Martius, where this exercise was performed of mounting or dismounting on either side; first, without, and next with arms. Cavalry had also occasionally a strap of leather, or a metallic projection affixed to their spears, in or upon which the foot being placed, the ascent became more practicable. Respecting the period of this invention, Montfaucon has presumed that the invention must have been subsequent to the use of saddles; however, opposed to this [Pg 572] opinion, an ingenious argument has been offered, that it is possible they might have been anterior to that invention; because, it is said, they might have been appended to a girth round the body of the horse. Both Hippocrates and Galen speak of a disease to which the feet and ancles were subject, from long riding, occasioned by suspension of the feet without a resting-place. Suetonius, the Roman, informs us that Germanicus, the father of Caligula, was wont to ride after dinner, to strengthen his ancles, by the action of riding affording the blood freer circulation in the part.

From all the information we have been able to gather, we believe that stirrups were not added to saddles until the sixth century. It is said that before stirrups were introduced, young and agile people mounted their horses by vaulting onto them, which many did in a skilled and graceful way; of course, practice was essential to achieve this skill. To provide this training, wooden horses were set up in the Campus Martius, where people practiced mounting and dismounting from either side; first, without arms, and then with arms. Cavalry also sometimes had a strap of leather or a metal projection attached to their spears, which they placed their foot on to make mounting easier. Regarding the timing of this invention, Montfaucon suggested it must have come after the use of saddles; however, contrary to this opinion, a clever argument has been made that it could have been introduced before that invention because it is said they might have been attached to a girth around the horse's body. Both Hippocrates and Galen mention a condition affecting the feet and ankles from long riding, caused by hanging the feet without a place to rest. Suetonius, the Roman historian, tells us that Germanicus, the father of Caligula, used to ride after dinner to strengthen his ankles, as riding promoted better blood circulation in that area.

THE GREAT SHOEMADOO PAGODA.

THE GREAT SHOEMADOO PAGODA.

Great Shoemadoo Pagoda

The Buddhist temple of which we here give an engraving is the great Shoëmadoo Pagoda at Pegu. Among other things it is interesting as being one of the earliest attempts at that class of decoration, which consists in having at the base of the building a double range of small pagodas, a mode of ornamentation that subsequently became typical in Hindu architecture; their temples and spires being covered, and indeed composed of innumerable models of themselves, clustered together so as to make up a whole.

The Buddhist temple we’ve illustrated here is the magnificent Shoëmadoo Pagoda in Pegu. It’s notable for being one of the first examples of the decorative style that features a double row of small pagodas at the base of the structure. This type of ornamentation later became a hallmark of Hindu architecture, where their temples and spires are adorned and made up of countless replicas of themselves, grouped together to form a cohesive design.

The building stands on two terraces, the lower one about 10 ft. high, and 1391 ft. square: the upper one, 20 ft. in height, is 684 ft. square; from the centre of it rises the pagoda, the diameter of whose base is 395 ft. The small pagodas are 27 ft. high, and 108 or 110 in number; while the [Pg 573] great pagoda itself rises to the height of 331 ft. above its terrace, or 361 ft. above the country, thus reaching a height nearly equal to St. Paul's Cathedral; while the side of the upper terrace is only 83 ft. less than that of the great Pyramid.

The building is situated on two levels, with the lower one about 10 feet high and measuring 1,391 square feet, while the upper level, at 20 feet high, covers 684 square feet. From the center of the upper level rises the pagoda, which has a base diameter of 395 feet. The smaller pagodas are 27 feet tall and number between 108 and 110; meanwhile, the main pagoda itself reaches a height of 331 feet above its terrace, or 361 feet above the surrounding land, making it almost as tall as St. Paul's Cathedral. The side of the upper terrace is only 83 feet shorter than that of the Great Pyramid.

Tradition ascribes its commencement to two merchants, who raised it to the height of 12 cubits at an age slightly subsequent to that of Buddha himself. Successive kings of Pegu added to this from time to time, till at last it assumed its present form, most probably about three or four centuries ago.

Tradition says it started with two merchants, who raised it to a height of 12 cubits shortly after Buddha's time. Over the years, various kings of Pegu contributed to it, until it took on its current form, likely around three or four centuries ago.

PEST HOUSE DURING THE PLAGUE IN TOTHILL FIELDS.

PEST HOUSE DURING THE PLAGUE IN TOTHILL FIELDS.

Pest House During the Plague in Tothill Fields

Tothill Fields, a locality between Pimlico and the Thames, was anciently the manor of Tothill, belonging to John Maunsel, chancellor, who in 1256, entertained here Henry III. and his court at a vast feast in tents and pavilions. Here were decided wagers of battle and appeals by combat. Necromancy, sorcery and witchcraft were punished here; and "royal solemnities and goodly jousts were held here." In Culpeper's time the fields were famous for parsley. In 1642 a battery and breastwork were erected here. Here also were built the "Five Houses," or "Seven Chimneys," as pest-houses for victims of the plague. One of these pest-houses is given in the above engraving, taken from an old print. In the plague time of 1665, the dead were buried "in the open [Pg 574] Tuttle Fields." In Queen Anne's reign here was William Well's head garden on the site of Vincent-square. The Train Bands were drawn out here in 1651. In the last century the fields were a noted duel-ground, and here, in 1711, Sir Cholmeley Deering, M.P., was killed by the first shot of Mr. Richard Thornhill, who was tried for murder and acquitted, but found guilty of manslaughter and burnt in the hand.

Tothill Fields, an area between Pimlico and the Thames, was once the manor of Tothill, owned by John Maunsel, chancellor, who in 1256 hosted Henry III and his court at a grand feast in tents and pavilions. This was the site where wagers of battle and appeals by combat were decided. Necromancy, sorcery, and witchcraft were punished here, and "royal ceremonies and splendid jousts took place here." During Culpeper's time, the fields were known for parsley. In 1642, a battery and breastwork were built here. This area also included the "Five Houses" or "Seven Chimneys," which served as pest-houses for plague victims. One of these pest-houses is shown in the engraving above, taken from an old print. During the plague year of 1665, the dead were buried "in the open [Pg 574] Tothill Fields." In Queen Anne's reign, William Wells had a head garden on the site of Vincent-square. The Train Bands were gathered here in 1651. In the last century, the fields became a well-known duel ground, and here, in 1711, Sir Cholmeley Deering, M.P., was killed by the first shot from Mr. Richard Thornhill, who was tried for murder and acquitted, but found guilty of manslaughter and branded on the hand.

THE THUGS.

THE GANG.

The following account of these horribly extraordinary men is taken from Dr. Hooker's Himalayan Journals; writing at Mirzapore, he says:—"Here I had the pleasure of meeting Lieutenant Ward, one of the suppressors of Thuggee (Thuggee, in Hindostan, signifies a deceiver; fraud, not open force, being employed). This gentlemen kindly showed me the approvers, or king's evidence of his establishment, belonging to those three classes of human scourges, the Thug, Dakoit, and Poisoner. Of these the first was the Thug, a mild-looking man, who had been born and bred to the profession: he had committed many murders, saw no harm in them, and felt neither shame nor remorse. His organs of observation and destructiveness were large, and the cerebellum small. He explained to me how the gang waylay the unwary traveller, enter into conversation with him, and have him suddenly seized, when the superior throws his own girdle round the victim's neck and strangles him, pressing the knuckles against the spine. Taking off his own girdle, he passed it round my arm, and showed me the turn as coolly as a sailor once taught me the hangman's knot. The Thug is of any caste, and from any part of India. The profession have particular stations, which they generally select for murder, throwing the body of their victim into a well.

The following account of these horribly extraordinary men is taken from Dr. Hooker's Himalayan Journals; writing from Mirzapore, he says:—"Here I had the pleasure of meeting Lieutenant Ward, one of the enforcers against Thuggee (Thuggee, in Hindostan, means a deceiver; fraud, not open force, is used). This gentleman kindly showed me the informants, or king's witnesses, of his establishment, belonging to those three classes of human scourges: the Thug, Dakoit, and Poisoner. The first was the Thug, a mild-looking man who had been born and raised in the profession: he had committed many murders, felt no harm in them, and had no shame or remorse. His observation and destructiveness traits were prominent, while his cerebellum was small. He explained how the gang would ambush unsuspecting travelers, start a conversation with them, and then suddenly seize them, when the leader would throw his own girdle around the victim's neck and strangle him, pressing his knuckles against the spine. Taking off his own girdle, he looped it around my arm and showed me the technique as casually as a sailor once taught me the hangman's knot. The Thug can be from any caste and from anywhere in India. The profession has specific locations they typically choose for murder, disposing of the victim’s body in a well."

"Their origin is uncertain, but supposed to be very ancient, soon after the Mahommedan conquest. They now claim a divine original, and are supposed to have supernatural powers, and to be the emissaries of the divinity, like the wolf, the tiger, and the bear. It is only lately that they have swarmed so prodigiously—seven original gangs having migrated from Delhi to the Gangetic provinces about 200 years ago, from whence all the rest have sprung. Many belong to the most amiable, intelligent, and respectable classes of the lower and even middle ranks: they love their profession, regard murder as sport, and are never haunted with dreams, nor troubled with pangs of conscience during hours of solitude, or in the last moments of life. The victim is an acceptable sacrifice to the goddess Davee, who by some classes is supposed to eat the lifeless body, and thus save her votaries the necessity of concealing it.

"Their origins are unclear, but they are believed to be very ancient, dating back to shortly after the Islamic conquest. They now claim a divine heritage and are thought to possess supernatural powers, acting as emissaries of the divine, much like the wolf, tiger, and bear. It's only recently that their numbers have exploded—seven original groups moved from Delhi to the Gangetic provinces about 200 years ago, from which all the others have descended. Many are part of the friendliest, smartest, and most respected classes among the lower and even middle ranks: they take pride in their profession, view murder as a game, and are never plagued by nightmares or troubled by guilt during moments of solitude or at the end of life. The victim is seen as an acceptable offering to the goddess Davee, who, according to some groups, is believed to consume the lifeless body, thus relieving her followers from the need to hide it."

"They are extremely superstitious, always consulting omens, such as the direction in which a hare or a jackal crosses the road; and even far more trivial circumstances will determine the fate of a dozen of people, and perhaps of an immense treasure. All worship the pickaxe, which is symbolical of their profession, and an oath sworn on it binds closer than on the Koran. The consecration of this weapon is a most elaborate ceremony, and takes place only under certain trees. The Thugs rise [Pg 575] through various grades: the lowest are scouts; the second, sextors; the third, are holders of the victim's hands; the highest, stranglers.

"They are very superstitious, always paying attention to omens, like the way a hare or a jackal crosses the road; and even more insignificant things can decide the fate of a dozen people and possibly an enormous treasure. Everyone worships the pickaxe, which represents their trade, and an oath sworn on it is more binding than one sworn on the Koran. The consecration of this tool is a very elaborate ceremony and happens only under specific trees. The Thugs advance through different ranks: the lowest are scouts; the second rank are sextors; the third rank are the ones who hold the victim's hands; and the highest are the stranglers. [Pg 575]

"Though all agree in never practising cruelty, or robbing previous to murder—never allowing any but infants to escape (and these are trained to Thuggee), and never leaving a trace of such goods as may be identified—there are several variations in their mode of conducting operations: some tribes spare certain castes, others none; murder of woman is against all rules; but the practice crept into certain gangs, and this it is which led to their discountenance by the goddess Davee, and the consequent downfall of the system. Davee, they say, allowed the British to punish them, because a certain gang had murdered the mothers to obtain their daughters to be sold to prostitution.

"While everyone agrees to never be cruel or rob before killing—only allowing infants to escape (who are trained for Thuggee) and never leaving behind identifiable goods—there are several differences in how they carry out their operations: some tribes spare certain castes, while others spare none; killing women goes against all rules, but this practice crept into certain gangs, which led to disapproval from the goddess Davee and eventually caused the downfall of the system. They say that Davee allowed the British to punish them because a particular gang murdered mothers to obtain their daughters for prostitution."

"Major Sleeman has constructed a map demonstrating the number of 'bails,' or regular stations for committing murder, in the kingdom of Oude alone, which is 170 miles long by 100 broad, and in which are 274, which are regarded by the Thug with as much satisfaction and interest as a game preserve is in England; nor are these 'bails' less numerous than in other parts of India. Of twenty assassins who were examined, one frankly confessed to having been engaged in 931 murders, and the least guilty of the number in 24. Sometimes 150 persons collected into one gang, and their profits have often been immense, the murder of six persons on one occasion yielding 82,000 rupees, upwards of £8,000."

"Major Sleeman has created a map that shows the number of 'bails,' or regular spots for committing murder, in the kingdom of Oude, which is 170 miles long and 100 miles wide. There are 274 of these locations, which Thugs regard with as much pleasure and interest as a game reserve in England; and the number of 'bails' is no less in other parts of India. Out of twenty assassins interviewed, one openly admitted to being involved in 931 murders, while the least guilty among them was connected to 24. At times, 150 people would band together in one group, and their earnings have often been massive, with the murder of six people on one occasion bringing in 82,000 rupees, over £8,000."

ENGLISH EARTHENWARE AND SHAKSPEARE'S JUG.

ENGLISH POTTERY AND SHAKESPEARE'S JUG.

Much uncertainty exists regarding the period when the manufacture of fine earthenware was first introduced into England. Among the documents in the Fœdera, occur various lists of articles, ordered to be purchased in England for several foreign potentates, and permitted to be exported for their use without paying the Custom duties. One of these lists, dated in 1428, enumerates many objects as then shipped for the use of the King of Portugal and the Countess of Holland, among which are "six silver cups, each of the weight of six marks (or four pounds), a large quantity of woollen stuffs, and 2000 plates, dishes, saucers, and other vessels of electrum."

Much uncertainty surrounds when the production of fine earthenware first began in England. Among the documents in the Fœdera, there are various lists of items that were ordered to be purchased in England for several foreign rulers and allowed to be exported for their use without paying customs duties. One of these lists, dated 1428, includes many items shipped for the King of Portugal and the Countess of Holland, such as "six silver cups, each weighing six marks (about four pounds), a large quantity of woolen fabrics, and 2000 plates, dishes, saucers, and other vessels made of electrum."

As these articles were, no doubt, the produce of the country, it would appear that utensils for domestic use were then made of metal, and not of pottery; and it was not till some time afterwards that the latter was introduced by the Dutch, whose manufactory at Delft probably existed as early as the fifteenth century, and who sent large quantities of their ware to England. The skill and excellence of the English artizans consisted in the manufacture of silver and other metals. Of this, instances are recorded in the correspondence of La Mothe Fénelon, the French ambassador at the Court of Queen Elizabeth; and in the travels of Hentzner, who visited England in 1598. Both describe in glowing colours the silver plate which adorned the buffets, as well as the magnificent furniture and decorations of the palaces of that sumptuous queen.

As these articles were clearly made in the country, it seems that household utensils were made of metal rather than pottery at that time. Pottery didn't come into play until some time later, likely introduced by the Dutch, whose factory in Delft probably started as early as the fifteenth century and sent large amounts of their products to England. The skill and excellence of English craftsmen were in making silver and other metals. There are examples of this in the letters of La Mothe Fénelon, the French ambassador at Queen Elizabeth's court, and in the travels of Hentzner, who visited England in 1598. Both describe in vivid detail the silver plates that decorated the sideboards, as well as the stunning furniture and decorations in the palaces of that lavish queen.

Still Elizabeth, who so highly prided herself upon the state and splendour of her establishment, and who was in constant intercourse with the [Pg 576] Court of France and the Low Countries, was not likely to have remained altogether satisfied without possessing, among the manufactures of her own kingdom, something similar to the fine Fayence then in use in every foreign court. Though it is probable that Delft ware procured from Holland was first used, it may reasonably be presumed that the ware called by her name was afterwards manufactured, under her immediate patronage, for the use of the court and the nobility; and although there is no record of the fact, it is supposed that Stratford-le-Bow was the site of the manufactory.

Still, Elizabeth, who took great pride in the status and grandeur of her court, and who was in constant communication with the [Pg 576] courts of France and the Low Countries, was unlikely to be completely satisfied without having, among the products of her own kingdom, something similar to the fine faience that was popular in every foreign court. While it's likely that Delftware from Holland was initially used, it can be reasonably assumed that the ware named after her was later produced, under her direct patronage, for use by the court and the nobility; and although there is no documentation of this, it is believed that Stratford-le-Bow was the location of the factory.

Shakespeare's Jug

Shakspeare's Jug, of which we here give an engraving, which has been carefully preserved by the descendants of the immortal bard since the year 1616, is, perhaps, the most remarkable example of the Elizabethan pottery now existing. The shape partakes very much of the form of the old German or Dutch ewer, without, however, the usual top or cover; the one now attached to the jug being a modern addition of silver, with a medallion bust of the poet in the centre, beautifully executed and inscribed "Wm. Shakspeare, at the age of forty." It is about ten inches high, and sixteen inches round at the largest part, and is divided lengthwise into eight compartments, having each a mythological subject in high relief. All of these, although executed in the quaint style of the period, possess considerable merit. Some of them, indeed, manifest much masterly grouping of both human figures and animals; and such is the admirable state of preservation of this very interesting old English relic, that as correct a judgment may be formed of its workmanship, as in the days of its first possessor; at all events, as regards the degree of perfection to which English Pottery had attained in the Elizabethan age; an inspection of this jug will justify the presumption, that her Court was not less tastefully provided in that respect than those of the Continent, notwithstanding the obscurity in which the precise locality and extent of the manufactory is unfortunately involved.

Shakespeare's Jug, which we’re showcasing in this engraving, has been carefully preserved by the descendants of the immortal bard since 1616. It’s possibly the most remarkable example of Elizabethan pottery still in existence. The shape resembles the old German or Dutch ewer but lacks the usual top or cover; the one currently attached to the jug is a modern silver addition featuring a medallion bust of the poet at the center, beautifully crafted and inscribed "William Shakespeare, at the age of forty." The jug is about ten inches tall and sixteen inches around at its widest point, divided lengthwise into eight compartments, each showcasing a mythological subject in high relief. Even though they reflect the quirky style of the period, these subjects display considerable artistic merit. Some exhibit impressive groupings of both human figures and animals. The jug’s excellent state of preservation allows for a clear assessment of its craftsmanship, comparable to the days of its original owner, highlighting the level of perfection English Pottery achieved during the Elizabethan era. An examination of this jug will support the idea that the English Court was no less tastefully furnished than those on the Continent, despite the unfortunate lack of clarity regarding the specific location and scale of the manufacturing.

PRICE OF MACKAREL.

Mackerel Price.

The price of mackarel, in May, 1807, in the Billingsgate market, was as follows:—Forty guineas for every hundred of the first cargo, which made the fish come to seven shillings apiece! The next supplies were also exorbitant, though much less so than the first, fetching thirteen [Pg 577] pounds per hundred, or two shillings apiece. The very next year the former deficiencies were more than made up, for it appears that during the season 1808, mackarel were hawked about the streets of Dover, at sixty for a shilling, or five for a penny; whilst they so blockaded the Brighton coast that on one night it became impossible to land the multitudes taken, and at last both fish and nets went to the bottom together.

The price of mackerel in May 1807 at the Billingsgate market was as follows:—Forty guineas for every hundred of the first cargo, which made the fish cost seven shillings each! The next supplies were also high, though not as much as the first, going for thirteen [Pg 577] pounds per hundred, or two shillings each. The following year, the earlier shortages were more than compensated for, as it appears that during the 1808 season, mackerel were sold on the streets of Dover at sixty for a shilling, or five for a penny; while they overcrowded the Brighton coast so badly one night that it became impossible to land the huge catches, and in the end, both fish and nets sank together.

POPE'S CHAIR.

Papal Throne.

Pope's Chair

In one of the rooms at that stately and picturesque baronial hall, Audley End, the seat of Lord Braybrooke, there is preserved the interesting relic which forms the subject of the annexed engraving. Its history is thus told on a brass plate inserted in the back—"This chair, once the property of Alexander Pope, was given as a keep-sake to the nurse who attended him in his illness; from her descendants it was obtained by the Rev. Thomas Ashley, curate of the parish of Binfield, and kindly presented by him to Lord Braybrooke, in 1844, nearly a century after the poet's decease." It is apparently of Flemish workmanship, and of rather singular design; in the centre medallion is a figure of Venus holding a dart in her right hand, and a burning heart in her left. The narrow back and wide-circling arms give a peculiarly quaint appearance to this curious relic of one of our greatest poets.

In one of the rooms at the impressive and picturesque Audley End, the home of Lord Braybrooke, there's an interesting relic featured in the engraving next to this text. Its history is detailed on a brass plate attached to the back: "This chair, once owned by Alexander Pope, was given as a keepsake to the nurse who cared for him during his illness; it was later acquired from her descendants by Rev. Thomas Ashley, the curate of Binfield, and generously presented to Lord Braybrooke in 1844, nearly a century after the poet's death." It seems to be of Flemish craftsmanship and has quite a unique design; in the center medallion, there's a figure of Venus holding a dart in her right hand and a burning heart in her left. The narrow back and wide arms give this curious relic from one of our greatest poets a particularly quaint appearance.

FIRST WIND-MILLS.

First Wind Turbines.

Mabillon mentions a diploma of the year 1105, in which a convent in France is allowed to erect water and windmills, molendina ad ventum.

Mabillon talks about a document from 1105, in which a convent in France is permitted to build water and windmills, molendina ad ventum.

Bartolomeo Verde proposed to the Venetians in 1332, to build a wind-mill. When his plan had been examined, he had a piece of ground assigned him, which he was to retain if his undertaking succeeded within a specified time. In 1373, the city of Spires caused a wind-mill to be erected, and sent to the Netherlands for a person acquainted with the method of grinding by it. A wind-mill was also constructed at Frankfort, in 1442; but it does not appear to have been ascertained whether there were any there before.

Bartolomeo Verde proposed to the Venetians in 1332 to build a windmill. Once his plan was reviewed, they assigned him a piece of land, which he would keep if his project succeeded within a certain timeframe. In 1373, the city of Spires had a windmill built and sent to the Netherlands for someone who knew how to use it for grinding. A windmill was also constructed in Frankfurt in 1442; however, it’s unclear whether any existed there before.

About the twelfth century, in the pontificate of Gregory, when both [Pg 578] wind and water-mills became more general, a dispute arose whether mills were titheable or not. The dispute existed for some time between the persons possessed of mills and the clergy; when neither would yield. At length, upon the matter being referred to the pope and sacred college, the question was (as might have been expected when interested persons were made the arbitrators) determined in favour of the claims of the church.

About the twelfth century, during the papacy of Gregory, when both [Pg 578] wind and water mills became more common, a debate started over whether mills were subject to tithes. This dispute went on for a while between the mill owners and the clergy, with neither side willing to compromise. Eventually, when the issue was brought to the pope and the sacred college, the decision was (as you might expect when those with stakes in the matter are the judges) ruled in favor of the church's claims.

THE "HAPPY DISPATCH" IN JAPAN.

THE "HAPPY DISPATCH" IN JAPAN.

The Hari-kari, or "Happy Dispatch," consists in ripping open their own bowels with two cuts in the form of a cross—after the artistic dissector's fashion. Officials resort to it under the fear of the punishment which they may expect; for it is a leading principle that it is more honourable to die by one's own hand than by another's. Princes and the high classes receive permission to rip themselves up as a special favour, when under sentence of death: their entire family must die with the guilty. Sometimes, by favour, the nearest relative of the condemned is permitted to perform the function of executioner in his own house. Such a death is considered less dishonourable than by the public executioners, aided by the servants of those who keep disreputable houses.

The Hari-kari, or "Happy Dispatch," involves cutting open one’s own abdomen in two cross-shaped cuts—similar to what an artist might do. Officials choose this method out of fear of the punishment they could face; it’s generally believed that it’s more honorable to take one’s own life than to be killed by someone else. Princes and people from high society are granted permission to end their own lives as a special privilege when facing a death sentence: their entire family must also die with the condemned person. Sometimes, as an exception, a close relative of the person sentenced to death is allowed to act as the executioner in their own home. Such a death is seen as less disgraceful than being executed by public executioners, with the assistance of those who serve in degrading establishments.

But the Japanese, for the most part, always ask permission to rip themselves; and they set about it with astonishing ease, and not without evident ostentation. The criminal who obtains this favour assembles all his family and his friends, puts on his richest apparel, makes an eloquent speech on his situation, and then, with a most contented look, he bares his belly, and in the form of a cross rips open the viscera. The most odious crimes are effaced by such a death. The criminal thenceforward ranks as a brave in the memory of men. His family contracts no stain, and his property is not confiscated.

But the Japanese, for the most part, always ask for permission to take their own lives; and they do it with surprising ease, and not without clear display. The person committing this act gathers all their family and friends, dresses in their finest clothes, gives an eloquent speech about their situation, and then, looking quite content, exposes their belly and makes a cross-shaped cut to open up their insides. The most horrible crimes are erased by such a death. From then on, the person is remembered as brave. Their family doesn't suffer any dishonor, and their property isn't taken away.

It is curious that the Romans and the Japanese should hit upon crucifixion as a mode of punishment. These coincidences often startle us in reviewing the manners and customs of men. Vainly we strive to conjecture how such a mode of punishment could have suggested itself to the mind of man. The in terrorem object scarcely accounts for it. Constantine abolished it amongst the Romans, in honour of Him who was pleased to make that mode of dying honourable in the estimation of men.

It’s interesting that both the Romans and the Japanese chose crucifixion as a form of punishment. These kinds of coincidences can be surprising when we look back at the customs and behaviors of people. We struggle to understand how such a punishment could have occurred to anyone. The fear-based purpose doesn’t really explain it. Constantine ended the practice among the Romans to honor the one who made that way of dying respected in the eyes of people.

The Hari-kari, or happy dispatch, is still more incomprehensible. We shudder at the bare idea of it. To commit suicide by hanging, by drowning, by poison, by firearms, by a train in rapid motion—all these modes are reasonable in their madness; but to rip open our bowels!—and with two cuts! We are totally at a loss to imagine how such a mode of self-murder could have been adopted; we cannot but wonder at the strength of nerve which enables it to be accomplished: but we feel no doubt of the everlasting force of national custom—especially amongst the Orientals—in the continuance of this practice. Montesquieu said, "If the punishments of the Orientals horrify humanity, the reason is, that the despot who ordains them feels that he is above all laws. It is [Pg 579] not so in Republics, wherein the laws are always mild, because he who makes them is himself a subject." This fine sentiment, thoroughly French, is evidently contradicted by the institutions of Japan, where the Emperor himself, the despot, is a subject: besides, Montesquieu would have altered his antithesis had he lived to see the horrors of the Reign of Terror in the glorious French Republic.

The hari-kari, or happy dispatch, is even more baffling. We cringe at the mere thought of it. Committing suicide by hanging, drowning, poison, firearms, or being hit by a fast-moving train—these methods, while insane, seem somewhat reasonable; but to disembowel oneself!—and with two cuts! We can hardly fathom how such a method of self-destruction could be chosen; we can only marvel at the incredible nerve it takes to pull it off: yet we have no doubt about the lasting power of national customs—especially among the Eastern cultures—in maintaining this practice. Montesquieu argued, "If the punishments of the Orientals horrify humanity, it’s because the despot who enforces them believes he is above all laws. It is [Pg 579] different in Republics, where the laws are always lenient, because the one who creates them is also a subject." This insightful observation, distinctly French, is clearly contradicted by the systems in Japan, where the Emperor himself, the despot, is subject too: furthermore, Montesquieu would have revised his contrast had he lived to witness the atrocities of the Reign of Terror in the so-called glorious French Republic.

PURITAN ZEAL.

Puritan passion.

The following is a copy of the order issued by Government for the destruction of Glasgow Cathedral:—"To our traist friendis,—Traist friendis, after most hearty commendacion, we pray you fail not to pass incontinent to the kirk, (of Glasgow, or elsewhere, as it might be) and tak down the hail images thereof, and bring furth to the kirk-zyard, and burn them openly. And sicklyke cast down the altaris, and purge the kirk of all kynd of monuments of idolatrye. And this ze fail not to do, as ze will do us singular emplesure; and so commitis you to protection of God.

The following is a copy of the order issued by the Government for the destruction of Glasgow Cathedral:—"To our trusted friends,—Dear friends, after warm greetings, we ask you to immediately go to the church (of Glasgow, or elsewhere, as needed) and take down all the images there, bringing them out to the churchyard and burning them publicly. Also, knock down the altars and clean the church of all kinds of symbols of idolatry. And make sure not to neglect this, as it would greatly please us; and so we commit you to the protection of God."

(Signed)Ar. Argyle.
James Stewart.
Ruthven.

(Signed)Ar. Argyle.
James Stewart.
Ruthven.

From Edinburgh the XII. of Aug. 1560.

From Edinburgh, August 12, 1560.

"Fail not, but ze tak guid heyd that neither the dasks, windows, nor duris, be ony ways hurt or broken, uthe glassin wark, or iron wark."

"Don't fail, but take good care that neither the desks, windows, nor doors are in any way hurt or broken, including the glasswork or ironwork."

FREDERICK THE GREAT AT TABLE.

Frederick the Great at Dinner.

The table of the great Frederic of Prussia was regulated by himself. There were always from nine to a dozen dishes, and these were brought in one at a time. The King carved the solitary dish, and helped the company. One singular circumstance connected with this table was, that each dish was cooked by a different cook, who had a kitchen to himself! There was much consequent expense, with little magnificence. Frederic ate and drank, too, like a boon companion. His last work, before retiring to bed, was to receive from the chief cook the bill of fare for the next day; the price of each dish, and of its separate ingredients, was marked in the margin. The monarch looked it cautiously through, generally made out an improved edition, cursed all cooks as common thieves, and then flung down the money for the next day's expenses.

The great Frederick of Prussia managed his own table. There were usually between nine and a dozen dishes, served one at a time. The King carved the only dish and served his guests. One unusual thing about this table was that each dish was prepared by a different cook, each with their own kitchen! This led to considerable expense without much grandeur. Frederick also ate and drank like a good friend. Before heading to bed, his last task was to receive the menu for the next day from the head cook; the price of each dish and its individual ingredients were noted in the margins. The king would go through it carefully, usually create an improved version, curse all cooks as regular thieves, and then toss down the money for the following day's expenses.

ARTIFICIAL SWEETS.

Artificial sweets.

Professor Playfair, in an able lecture delivered in the Great Exhibition, and since published, has raised a curtain, which displays a rather repulsive scene. He says, the perfume of flowers frequently consists of oils and ethers, which the chemist can compound artificially in his laboratory. Singularly enough these are generally derived from substances of an intensely disgusting odour. A peculiarly fetid oil, termed the "fusel" oil, is formed in making brandy. This fusel oil distilled with sulphuric acid and acetate of potass, gives the oil of pears (?). The oil of apples is made from the same fusel, by distillation with the same acid and chromate of potass. The oil of pineapples is obtained from [Pg 580] the product of the action of putrid cheese on sugar! or by making a soap with butter. The artificial oil of bitter almonds is now largely employed in perfuming soap confectionary; extracted by nitric acid and the fetid oil of gas tar. Many a fair forehead is damped with eau de mille fleurs without the knowledge that its essential ingredient is derived from the drainage of cow-houses!

Professor Playfair, in an insightful lecture given at the Great Exhibition and later published, has revealed a rather unappealing truth. He points out that the scent of flowers often consists of oils and ethers that can be artificially created in a chemist's lab. Interestingly, these are usually sourced from substances that have a very unpleasant smell. A particularly foul-smelling oil, known as "fusel" oil, is produced during the making of brandy. When this fusel oil is distilled with sulfuric acid and potassium acetate, it results in what’s referred to as the oil of pears. The oil of apples comes from the same fusel, distilled with the same acid and potassium chromate. The oil of pineapples is derived from [Pg 580] the result of rotten cheese interacting with sugar! or it can be produced by making a soap with butter. The synthetic oil of bitter almonds is now widely used in scents for soap and sweet treats; it's extracted using nitric acid and the stinky oil from gas tar. Many a beautiful forehead is adorned with eau de mille fleurs without realizing that its key ingredient comes from the runoff of cow sheds!

TEUTONIC HUT-SHAPED VASES.

Teutonic hut-shaped vases.

Teutonic Hut-Shaped Vases

Some remarkable sepulchral urns, of which we give a sketch, resembling those of the early inhabitants of Alba Longa, in Italy, have been found in Germany, and are distinctly Teutonic. They occur in the sepulchres of the period when bronze weapons were used, and before the predominance of Roman art. One found at Mount Chemnitz, in Thuringen, had a cylindrical body and conical top, imitating a roof. In this was a square orifice, representing the door or window, by which the ashes of the dead were introduced, and the whole then secured by a small door fastened with a metal pin. A second vase was found at Roenne; a third in the island of Bornholm. A similar urn exhumed at Parchim had a shorter body, taller roof, and door at the side. Still more remarkable was another found at Aschersleben, which has its cover modelled in shape of a tall conical thatched roof, and the door with its ring still remaining. Another, with a taller body and flatter roof, with a door at the side, was found at Klus, near Halberstadt. The larger vases were used to hold the ashes of the dead, and are sometimes protected by a cover, or stone, or placed in another vase of coarser fabric. The others are the household vessels, which were offered to the dead filled with different viands. Some of the smaller vases appear to have been toys.

Some remarkable burial urns, which we sketch here, similar to those of the early inhabitants of Alba Longa, Italy, have been found in Germany and are clearly Teutonic. They are found in graves from the time when bronze weapons were used, before Roman art became dominant. One urn discovered at Mount Chemnitz in Thuringia had a cylindrical body and a conical top that resembled a roof. It featured a square opening representing a door or window, through which the ashes of the deceased were placed, and it was then sealed with a small door fastened by a metal pin. A second vase was found at Roenne, and a third on the island of Bornholm. A similar urn unearthed in Parchim had a shorter body, a taller roof, and a side door. Even more notable was another found at Aschersleben, which had a cover shaped like a tall conical thatched roof, and the door with its ring still intact. Another urn with a taller body and flatter roof and a side door was found at Klus, near Halberstadt. The larger vases were used to hold the ashes of the deceased and were sometimes covered with a lid or stone, or placed inside a larger vase made of coarser material. The other vases were everyday vessels offered to the dead filled with various foods. Some of the smaller vases seem to have been toys.

Extraordinary popular superstitions have prevailed amongst the [Pg 581] German peasantry as to the origin and nature of these vases, which in some districts are considered to be the work of the elves,—in others, to grow spontaneously from the ground like mushrooms—or to be endued with remarkable properties for the preservation of milk and other articles of food. Weights to sink nets, balls, discs, and little rods of terra-cotta, are also found in the graves.

Extraordinary popular superstitions have existed among the [Pg 581] German peasantry regarding the origin and nature of these vases, which in some areas are thought to be the creations of elves, while in others, they are believed to grow naturally from the ground like mushrooms, or to have special properties that preserve milk and other food items. Weights for sinking nets, balls, discs, and small rods made of terra-cotta are also discovered in the graves.

LYNCH'S CASTLE, GALWAY.

Lynch's Castle, Galway.

Lynch's Castle, Galway

The house in the town of Galway, still known as "Lynch's Castle," although the most perfect example now remaining, was at one period by no means a solitary instance of the decorated habitations of the Galway merchants. The name of Lynch, as either provost, portreve, sovereign, or mayor of Galway, occurs no fewer than ninety-four times between the years 1274 and 1654; after that year it does not appear once. The house here pictured was the residence of the family for many generations. It had, however, several branches, whose habitations are frequently pointed out by their armorial bearings, or their crest, a lynx, over the gateway. One of its members is famous in history as the Irish Junius Brutus. The mere fact is sufficiently wonderful without the aid of invention; but it has, as may be supposed, supplied materials to a host of romancers. The story is briefly this:—

The house in Galway, still called "Lynch's Castle," is the best-preserved example of the decorated homes of Galway's merchants, although it wasn’t the only one at a time. The name Lynch appears a staggering ninety-four times between 1274 and 1654 as either provost, portreve, sovereign, or mayor of Galway; after that year, it doesn't show up again. This house was home to the family for many generations. However, there were several branches of the family, whose homes are often identified by their coat of arms or their crest, a lynx, over the entrance. One family member is well-known in history as the Irish Junius Brutus. The mere fact is quite remarkable even without embellishment, but it has, as expected, inspired many storytellers. The story goes like this:—

James Lynch Fitzstephen was mayor or warden of Galway in 1493; he traded largely with Spain, and sent his son on a voyage thither to [Pg 582] purchase and bring back a cargo of wine. Young Lynch, however, spent the money entrusted to him, and obtained credit from the Spaniard, whose nephew accompanied the youth back to Ireland to be paid the debt and establish further intercourse. The ship proceeded on her homeward voyage, and as she drew near the Irish shore, young Lynch conceived the idea of concealing his crime by committing another. Having seduced, or frightened, the crew into becoming participators, the youth was seized and thrown overboard. The father and friends of Lynch received the voyager with joy; and the murderer in a short time became himself a prosperous merchant. Security had lulled every sense of danger, and he proposed for a very beautiful girl, the daughter of a wealthy neighbour, in marriage. The proposal was accepted; but previous to the appointed day, one of the seamen became suddenly ill, and in a fit of remorse summoned old Lynch to the dying-bed, and communicated to him a full relation of the villany of his only and beloved son. Young Lynch was tried, found guilty, and sentenced to execution—the father being his judge. The wretched prisoner, however, had many friends among the people, and his relatives resolved with them that he should not die a shameful death. They determined upon his rescue. We copy the last act of the tragedy from "Hardiman's History of Galway." "Day had scarcely broken when the signal of preparation was heard among the guards without. The father rose, and assisted the executioner to remove the fetters which bound his unfortunate son. Then unlocking the door, he placed him between the priest and himself, leaning upon an arm of each. In this manner they ascended a flight of steps lined with soldiers, and were passing on to gain the street, when a new trial assailed the magistrate for which he appears not to have been unprepared. His wretched wife, whose name was Blake, failing in her personal exertions to save the life of her son, had gone in distraction to the heads of her own family, and prevailed on them, for the honour of their house, to rescue him from ignominy. They flew to arms, and a prodigious concourse soon assembled to support them, whose outcries for mercy to the culprit would have shaken any nerves less firm than those of the mayor of Galway. He exhorted them to yield submission to the laws of their country; but finding all his efforts fruitless to accomplish the ends of justice at the accustomed place, and by the usual hands, he, by a desperate victory over parental feeling, resolved himself to perform the sacrifice which he had vowed to pay on its altar. Still retaining a hold of his unfortunate son, he mounted with him by a winding stair within the building, that led to an arched window overlooking the street, which he saw filled with the populace. Here he secured the end of the rope—which had been previously fixed round the neck of his son—to an iron staple, which projected from the wall, and after taking from him a last embrace, he launched him into eternity. The intrepid magistrate expected instant death from the fury of the populace; but the people seemed so much overawed or confounded by the magnanimous act, that they retired slowly and peaceably to their several dwellings. The innocent cause of this sad tragedy is said to have died soon after of grief, and the unhappy father of Walter Lynch to have secluded himself [Pg 583] during the remainder of his life from all society except that of his mourning family. His house still exists in Lombard Street, Galway, which is yet known by the name of 'Dead Man's Lane;' and over the front doorway are to be seen a skull and cross-bones executed in black marble, with the motto, 'Remember Deathe—vaniti of vaniti, and all is but vaniti.'"

James Lynch Fitzstephen was the mayor of Galway in 1493; he traded extensively with Spain and sent his son on a journey there to [Pg 582] buy and bring back a load of wine. However, young Lynch spent the money he was given and obtained credit from a Spaniard, whose nephew accompanied him back to Ireland to collect the debt and establish further trade. As the ship returned home and drew near the Irish shore, young Lynch thought of hiding his wrongdoing by committing another crime. After tricking the crew into joining him, he was seized and thrown overboard. His father and friends welcomed the returning sailor joyfully, while the murderer soon became a successful merchant. Feeling secure, he proposed to marry a stunning girl, the daughter of a wealthy neighbor. The proposal was accepted, but before the wedding day, one of the sailors fell suddenly ill and, filled with remorse, called old Lynch to his bedside and revealed everything about his beloved son’s wrongdoing. Young Lynch was tried, found guilty, and sentenced to death—his father being the judge. However, the unfortunate prisoner had many friends among the townspeople, and his relatives joined forces with them to prevent his shameful execution. They decided to rescue him. We quote the final act of the tragedy from "Hardiman's History of Galway." "Day had just begun when the guards outside signaled the preparations. The father got up, helped the executioner remove the chains binding his unfortunate son, and then unlocked the door, placing him between the priest and himself, leaning on each of their arms. They climbed a flight of stairs lined with soldiers and were about to reach the street when a new challenge unexpectedly faced the magistrate. His desperate wife, named Blake, failing to save her son through personal efforts, went into a frenzy and convinced her family to rescue him for the honor of their house. They armed themselves, and a large crowd quickly gathered to support them. Their shouts for mercy for the culprit would have shaken the nerves of anyone less steadfast than the mayor of Galway. He urged them to accept the laws of their country; but after finding all his efforts to achieve justice at the usual place and through the usual means ended in vain, he made a desperate sacrifice overcoming his parental feelings, resolved to fulfill the vow he had made. Still holding onto his unfortunate son, he ascended a winding staircase inside the building that led to an arched window overlooking the street filled with people. Here he secured the end of the rope, which had already been fastened around his son’s neck, to an iron staple protruding from the wall. After sharing a final embrace, he sent him into eternity. The brave magistrate expected to face immediate death from the crowd’s wrath; yet, the people appeared so taken aback by his noble act that they slowly retreated peacefully to their homes. The innocent cause of this tragic event reportedly died shortly after from grief, and the unhappy father, Walter Lynch, secluded himself [Pg 583] for the rest of his life, avoiding all company except that of his mourning family. His house still stands in Lombard Street, Galway, known today as 'Dead Man's Lane;' and over the front door, there are a skull and cross-bones carved in black marble, accompanied by the motto, 'Remember Death—vanity of vanity, and all is but vanity.'"

The house in which the tragedy is said to have occurred was taken down only so recently as 1849; but the tablet which contains the "skull and cross-bones" bears the date 1624—upwards of a century after the alleged date of the occurrence.

The house where the tragedy supposedly happened was only torn down in 1849; however, the plaque with the "skull and cross-bones" is dated 1624—more than a century after the supposed date of the event.

WASHINGTON.

WASHINGTON.

It is something singular, that Washington drew his last breath, in the last hour, of the last day, of the last week, of the last month, of the last year, of the last century. He died on Saturday night, twelve o'clock, December 31st, 1799.

It’s remarkable that Washington took his last breath in the last hour of the last day of the last week of the last month of the last year of the last century. He died on Saturday night at midnight, December 31st, 1799.

ANCIENT BANNERS AND STANDARDS.

Ancient flags and symbols.

Banners have been in use from the earliest ages. Xenophon gives us the Persian standard as a golden eagle, mounted on a pole or spear. We find banners very early in use among the nations of Europe. In this country the introduction of banners was clearly of a religious origin. Venerable Bede says, that when St. Augustin and his companions came to preach Christianity in Britain in the latter part of the sixth century, and having converted Ethelbert, the Bretwalda of the Anglo-Saxons (his Queen Bertha had already embraced the Christian faith) the monk and his followers entered Canterbury in procession, chanting, "We beseech thee O Lord, of thy mercy, let thy wrath and anger be turned away from this city, and from thy Holy Place, for we have sinned. Hallelujah." And they carried in their hands little banners on which were depicted crosses. The missionaries were allowed to settle in the Isle of Thanet, and Canterbury became the first Christian church.

Banners have been used since ancient times. Xenophon describes the Persian standard as a golden eagle on a pole or spear. We see banners used early among European nations. In this country, the use of banners clearly has a religious origin. The Venerable Bede notes that when St. Augustine and his companions came to preach Christianity in Britain in the late sixth century, after converting Ethelbert, the Bretwalda of the Anglo-Saxons (whose Queen Bertha had already accepted the Christian faith), the monk and his followers entered Canterbury in a procession, chanting, "We beseech you, O Lord, in your mercy, turn away your wrath and anger from this city and your Holy Place, for we have sinned. Hallelujah." They carried small banners depicting crosses. The missionaries were permitted to settle in the Isle of Thanet, and Canterbury became the first Christian church.

The raven has been regarded from very early ages as an emblem of God's providence, no doubt from the record in Holy Writ of its being employed to feed Elijah the Prophet, in his seclusion by the brook Cherith; and it was the well-known ensign of the Danes, at the time of their dominion in this country. In the year 742, a great battle was fought at Burford, in Oxfordshire, and the Golden Dragon, the standard of Wessex, was victorious over Ethelbald, the King of Mercia. The banners of several of the Saxon kings were held in great veneration, especially those of Edmund the Martyr, and of Edward the Confessor. The latter king displayed as an ensign a cross flory between five martlets gold, on a blue field, and which may still be seen on a very ancient shield in the south aisle of Westminster Abbey. When William the Norman set out to invade England he had his own ensign, the two lions of Normandy, depicted on the sails of his ships; but on the vessel in which he himself sailed, besides some choice relics, he had a banner at the mast-head with a cross upon it, consecrated by the Pope, to give sanctity to the expedition. Indeed it has been the practice in every [Pg 584] age for the Pope to give consecrated banners wherever he wished success to any enterprise, numerous instances of which might be cited in very recent times. And in our own army down to the present day, whenever any regiment receives new banners (or colours, as the modern term is), the regiment is drawn out in parade, the colours are then blessed by the prayers of several clergymen of the Church of England, and afterwards presented to the regiment by the fair hand of a lady of rank.

The raven has been seen since ancient times as a symbol of God's care, likely due to the account in the Bible of its role in feeding the Prophet Elijah while he was by the brook Cherith. It was also a well-known standard for the Danes during their reign in this country. In 742, a significant battle took place at Burford in Oxfordshire, where the Golden Dragon, the flag of Wessex, triumphed over Ethelbald, the King of Mercia. The banners of various Saxon kings were held in high regard, particularly those of Edmund the Martyr and Edward the Confessor. King Edward's banner featured a cross flory surrounded by five gold martlets on a blue background, which can still be seen on a very old shield in the south aisle of Westminster Abbey. When William the Norman set out to invade England, he flew his own flag, the two lions of Normandy, on the sails of his ships; however, on the ship he sailed, he also carried a banner with a cross, blessed by the Pope, to sanctify the mission. Throughout history, it has been customary for the Pope to grant consecrated banners whenever he wanted success for a venture, with many examples evident even in recent times. In our own army, up to the present day, whenever a regiment gets new banners (or colors, as we say now), the regiment parades, the colors are blessed by several Church of England clergymen, and then they are presented to the regiment by a lady of rank.

Ancient Standard

Cæsar has recorded a fine example of patriotism, to the credit of one of his own officers, when he attempted to land his Roman forces on our shores, and meeting with a warmer reception than they anticipated from the Britons, considerable hesitation arose among his troops; but the [Pg 585] standard-bearer of the Tenth Legion, with the Roman eagle in his hand, invoking the gods, plunged into the waves, and called on his comrades to follow him, and do their duty to their general and to the republic; and so the whole army made good their landing.

Cæsar has recorded a great example of patriotism, crediting one of his own officers. When he tried to land his Roman forces on our shores, they faced a much tougher response from the Britons than expected, which caused significant hesitation among his troops. However, the standard-bearer of the Tenth Legion, holding the Roman eagle, called on the gods, charged into the waves, and urged his comrades to follow him, fulfilling their duty to their general and to the republic; as a result, the entire army successfully landed.

Standard

We have in the Nineveh sculptures some highly interesting specimens of the ancient Assyrian standards, consisting principally of two varieties, which are here given. The principal archer appears to be drawing his bow, while the standard-bearer elevates the standard in front of the chariot.

We have some really interesting examples of ancient Assyrian standards in the Nineveh sculptures, mainly consisting of two types that are shown here. The main archer seems to be pulling back his bow, while the standard-bearer holds the standard up in front of the chariot.

ANCIENT MANNERS OF THE ITALIANS.

ITALIAN TRADITIONS FROM ANCIENT TIMES.

About the year 1238, the food of the Italians was very moderate, or, rather scanty. The common people had meat only three days a week. Their dinner consisted of pot-herbs, boiled with meat; their supper, the [Pg 586] cold meat left from dinner. The husband and wife eat out of the same dish; and they had but one or two cups in the house. They had no candles made of wax or tallow; but, a torch, held by one of the children, or a servant, gave them light at supper. The men, whose chief pride was in their arms and horses, wore caps made with iron scales, and cloaks of leather, without any other covering. The women wore jackets of stuff, with gowns of linen, and their head-dresses were very simple. Those who possessed a very small sum of money, were thought rich; and the homely dress of the women required only small marriage portions. The nobles were proud of living in towers; and thence the cities were filled with those fortified dwellings.

About the year 1238, Italians had a pretty modest diet, or rather, a pretty limited one. The common people ate meat just three days a week. Their dinners included boiled vegetables with meat, while their suppers consisted of the cold meat left over from dinner. The husband and wife shared a dish, and they had only one or two cups in the house. They didn’t have candles made of wax or tallow; instead, a torch held by one of the children or a servant provided light during supper. The men, who took pride in their weapons and horses, wore caps made of iron scales and leather cloaks without any other covering. The women wore wool jackets with linen gowns, and their headwear was quite simple. Those with even a small amount of money were seen as rich, and women’s plain dresses required only small dowries. The nobles took pride in living in towers, which is why the cities were filled with those fortified homes.

AMUSEMENTS OF THE LOWER ORDERS IN THE FIFTEENTH CENTURY.

AMUSEMENTS OF THE LOWER CLASSES IN THE FIFTEENTH CENTURY.

The most popular amusements of the lower orders were wrestling, bowling, quoit and ninepin playing, and games at ball. In wrestling the Cornwall and Devonshire men excelled, and a ram, or sometimes a cock, was the prize of the victor. Bowling alleys were commonly attached to the houses of the wealthy, and to places of public resort. Among the games at ball we find tennis, trap-ball, bat and ball, and the balloon-ball, in which a large ball filled with air was struck from one side to the other by two players with their hands and wrists guarded by bandages. Archery was now on the decline, owing to the introduction of firearms; nor could all the legislative enactments of the day revive its constant use. The quarter-staff was also a favourite weapon of sportive fence, which was a staff about five or six feet long, grasped in the middle with one hand, while the other slid up and down as it was required to strike or to ward a blow.

The most popular pastimes for the lower class were wrestling, bowling, quoits, ninepins, and ball games. The men from Cornwall and Devonshire were especially skilled at wrestling, and the prize for the winner was often a ram or sometimes a cock. Bowling alleys were typically attached to the homes of the wealthy and to public venues. Among the ball games were tennis, trap-ball, bat and ball, and balloon-ball, where a large air-filled ball was hit back and forth by two players with their hands and wrists protected by bandages. Archery was starting to decline due to the rise of firearms, and no amount of legislation could restore its popularity. The quarter-staff was also a favored weapon for sport fencing; it was a staff about five or six feet long, held in the middle with one hand while the other hand moved up and down as needed to strike or block a blow.

The citizens of London enjoyed themselves in winter by skating on the Thames, (the old shankbones of sheep having now been superseded by regular skates, probably introduced from the Netherlands,) and in summer with sailing and rowing. Dice and cards, prisoner's base, blind man's buff, battledoor and shuttlecock, bull-baiting, and cock-fighting, a rude species of mumming, the dancing of fools at Christmas, and other games, completed the gratifications of the populace.

The people of London had fun in winter by skating on the Thames, using regular skates (which replaced the old sheep shankbones, likely brought in from the Netherlands), and in summer, they enjoyed sailing and rowing. They entertained themselves with dice and cards, prisoner's base, blind man's buff, battledoor and shuttlecock, bull-baiting, cock-fighting, a rough form of mumming, foolish dancing at Christmas, and other games that pleased the crowd.

NOVEL MODE OF TAKING VENGEANCE.

NEW WAY OF GETTING REVENGE.

The Chinese have a book entitled Si-yuen, that is to say, "The Washing of the Pit," a work on medical jurisprudence, very celebrated all over the empire, and which should be in the hands of all Chinese magistrates. It is impossible to read the Si-yuen without being convinced that the number of attempts against life in this country is very considerable, and especially that suicide is very common. The extreme readiness with which the Chinese are induced to kill themselves, is almost inconceivable; some mere trifle, a word almost, is sufficient to cause them to hang themselves, or throw themselves to the bottom of a well; the two favourite modes of suicide. In other countries, if a man wishes to wreak his vengeance on an enemy, he tries to kill him; in China, on the contrary, he kills himself. This anomaly depends upon various causes, of which these are the principal:—In the first place, [Pg 587] Chinese law throws the responsibility of a suicide on those who may be supposed to be the cause or occasion of it. It follows, therefore, that if you wish to be revenged on an enemy, you have only to kill yourself to be sure of getting him into horrible trouble; for he falls immediately into the hands of justice, and will certainly be tortured and ruined, if not deprived of life. The family of the suicide also usually obtains, in these cases, considerable damages; so that it is by no means a rare case for an unfortunate man to commit suicide in the house of a rich one, from a morbid idea of family affection. In killing his enemy, on the contrary, the murderer exposes his own relatives and friends to injury, disgraces them, reduces them to poverty, and deprives himself of funeral honours, a great point for a Chinese, and concerning which he is extremely anxious. It is to be remarked also, that public opinion, so far from disapproving of suicide, honours and glorifies it. The conduct of a man who destroys his own life, to avenge himself on an enemy whom he has no other way of reaching, is regarded as heroic and magnanimous.

The Chinese have a book called Si-yuen, meaning "The Washing of the Pit," which is a well-known work on medical law and is widely recognized throughout the country. This book should be in the hands of all Chinese officials. It's impossible to read the Si-yuen without realizing that the number of attempts on life in China is quite significant, and notably, that suicide is very prevalent. The ease with which the Chinese are driven to take their own lives is almost unbelievable; often, just a trivial matter or a single word can lead them to hang themselves or jump into a well — the two most common methods of suicide. In other countries, if someone wants to get revenge on an enemy, they try to kill that person; in China, however, the person takes their own life. This odd behavior stems from several factors, the main ones being: First, [Pg 587] Chinese law attributes the responsibility for a suicide to those believed to have caused or contributed to it. Therefore, if you want to get back at an enemy, you simply have to kill yourself to ensure they get into serious trouble; they end up in the hands of justice and will definitely be tortured and ruined, if not executed. Additionally, the family of the deceased often receives significant compensation in these cases. It’s not uncommon for a distressed person to commit suicide in the home of a wealthy individual out of a twisted sense of familial loyalty. In contrast, killing an enemy puts the murderer’s own relatives and friends in danger, brings them shame, reduces them to poverty, and denies the murderer proper funeral rites, which is critically important to a Chinese person. It’s also worth noting that public opinion, rather than condemning suicide, tends to honor and glorify it. The actions of someone who takes their own life to avenge an enemy they can’t otherwise reach are seen as heroic and noble.

PERSECUTION IN THE REIGN OF QUEEN MARY.

Persecution in Queen Mary's reign.

The total number of persons who perished in the flames for their religion during this reign has been variously reckoned at 277 and 288, amongst whom were 5 bishops, 21 divines, 8 gentlemen, 84 artificers, 100 husbandmen, servants, and labourers, 26 wives, 20 widows, 9 unmarried women, 2 boys, and 2 infants, of which last one was whipped to death by the savage Bonner, and the other, springing out of its mother's womb, at the stake, was mercilessly thrown back into the fire. The number of those that died in prison was also very great. Yet England may be considered as comparatively free from persecution during this period, for all over the continent the victims of bigotry were reckoned, not by hundreds, but by thousands, and in the Netherlands alone 50,000 persons are said to have lost their lives in the religious wars of the Spaniards.

The total number of people who died in the flames for their faith during this reign has been estimated at either 277 or 288. Among them were 5 bishops, 21 ministers, 8 gentlemen, 84 skilled workers, 100 farmers, servants, and laborers, 26 wives, 20 widows, 9 unmarried women, 2 boys, and 2 infants. One infant was whipped to death by the cruel Bonner, while the other, born as its mother was being executed, was heartlessly thrown back into the fire. The number of those who died in prison was also significant. However, England can be considered relatively free from persecution during this time, as throughout the continent, the victims of intolerance were counted not in hundreds but in thousands; in the Netherlands alone, it’s said that 50,000 people lost their lives in the religious wars involving the Spaniards.

WAYSIDE MONUMENTS.

Wayside memorials.

The sketch on next page represents a curious custom which still prevails in the neighbourhood of Cong, near Oughterard in Ireland. It is well described in the following account of their tour by Mr. and Mrs. S. C. Hall:—"On the way to Joyce's Country we saw heaps of piled-up stones on either side of the road; these heaps continuing for above a mile, after their commencement a short distance from the western entrance to the town. The artist may convey a better notion of their peculiar character than any written description can do. We left our car to examine them minutely; and learned they were monuments to the memory of "deceased" persons, "erected" by their surviving friends. Upon death occurring, the primitive tumulus is built,—if that may be called building which consists in placing a few large stones upon a spot previously unoccupied. Each relative of the dead adds to the heap; and in time it becomes a "mountain" of tolerable size. Each family knows its own particular monument; and a member of, or a descendant from it, prays and leaves his offering only at that especial one. The custom has endured for many generations: [Pg 588] some of the heaps bore tokens of great age; and one was pointed out to us of which there were records, in the transferred memories of the people, for at least 500 years. The bodies are in no instance buried here—it is not consecrated earth; the monuments are merely memorials, and no doubt originated at a period when a Roman Catholic was, according to the provisions of a law equally foolish and cruel, interred, without form or ceremony, in church ground—the ground that had been the property of their ancestors. None of these stone cairns have any masonwork, and they are generally of the rudest forms, or rather without any form, the stones having been carelessly cast one upon another. Upon one of them only could we discover any inscription—this one is introduced into the print; it is built with far more than the usual care; it contained an inscription; "Pray for ye soule of John Joyce, & Mary Joyce, his wife, died 1712;" some of them, however, seem to have been constructed with greater care than others, and many of them were topped with a small wooden cross. We estimated that there were at least 500 of these primitive monuments—of all shapes and sizes—along the road. In each of them we observed a small hollow, which the peasants call a "window;" most of these were full of pebbles, and upon inquiry we learned that when one of the race to whom the deceased belonged kneels by the side of this record to his memory and offers up a prayer for the repose of his soul, it is customary to fling a little stone into this "cupboard;" the belief being that gradually as it fills, so, gradually, the soul is relieved from punishment in purgatory; when completely full the soul has entered paradise. We have prolonged our description of this singular and interesting scene, because it seems to have been altogether overlooked by travellers, and because we believe that nothing like it is to be met with [Pg 589] in any other part of Ireland; although similar objects are to be found in several other places about Connemara, none of them, however, are so extensive as this which adjoins Cong."

The sketch on the next page shows an interesting tradition that still exists in the area of Cong, near Oughterard in Ireland. It’s well described in the following account of their trip by Mr. and Mrs. S. C. Hall:—"On our way to Joyce's Country, we saw piles of stones on both sides of the road; these piles stretched for over a mile, starting just a short distance from the western entrance to the town. The artist can illustrate their unique nature better than any written description. We got out of our car to examine them closely and found out they were memorials for deceased individuals, erected by their surviving relatives. When someone died, a primitive mound is created—if that's what you can call it, which is basically just placing some large stones on an unoccupied spot. Each relative of the deceased adds to the pile, and over time it becomes a sizable mound. Each family recognizes their specific monument; a family member or descendant prays and leaves offerings only at that particular one. This tradition has lasted for many generations: [Pg 588] some of the piles showed signs of great age; one was pointed out to us that had been remembered by the locals for at least 500 years. The bodies aren’t buried here—it's not consecrated ground; these monuments are just memorials, probably originating from a time when a Roman Catholic could be buried, as per a cruel and foolish law, without ceremony in church ground—land that belonged to their ancestors. None of these stone piles have any masonry, and they’re usually quite rough in shape, often just stones stacked haphazardly. We found only one pile with an inscription—it’s included in the print; it was constructed with much more care and read: "Pray for ye soule of John Joyce, & Mary Joyce, his wife, died 1712;" although some appear to have been made with more attention than others, and many were topped with a small wooden cross. We estimated there were at least 500 of these simple monuments—of all different shapes and sizes—along the road. In each, we noticed a small hollow, which the locals call a "window;" most of these were filled with pebbles, and when we asked, we learned that when someone from the deceased's family kneels beside this memorial to pray for their soul, it’s customary to throw a small stone into this "cupboard;" the belief is that as it fills up, the soul is gradually relieved from punishment in purgatory; when it is completely full, the soul has entered paradise. We’ve extended our description of this unique and fascinating scene because it seems to have been completely overlooked by travelers, and we believe that nothing like it can be found [Pg 589] in any other part of Ireland; although similar objects can be found in several other places around Connemara, none are as extensive as this one near Cong."

Wayside Monument

HINDOO ADORATION OF THE SÁLAGRÁM.

Hindu Worship of the Sálagrám.

Hindoo Adoration of the Sálagrám

Among the many forms which Vishnu is believed by his Hindoo worshippers to have assumed is that of the Sálagrám—an ammonite-stone, found in the river Gandaká and other streams flowing from the Himalayas. The reason for the worship of this is stated in one of the sacred books. "Vishnu created the nine planets to preside over the fates of men. Sani (Saturn) proposed commencing his reign by taking Brahma under his influence for twelve years. The matter was referred to Vishnu, who being equally averse to be placed under the inauspicious influence of this planet, requested him to call the next day. The next day Saturn could nowhere discover Vishnu, but perceived that he had united himself to [Pg 590] the mountain Gandaká; he entered the mountain in the form of a worm called Vajrakita (the thunderbolt worm). He continued to afflict the mountain-formed Vishnu for twelve years, when Vishnu assumed his proper shape, and commanded that the stones of this mountain should be worshipped, and become proper representatives of himself; adding that each should have twenty marks in it, similar to those on his body, and that its name should be Sálagrám."

Among the many forms that Vishnu is believed to have taken by his Hindu worshippers is that of the Sálagrám—an ammonite stone found in the Gandaká River and other streams that flow from the Himalayas. The reason for worshipping this stone is explained in one of the sacred texts. "Vishnu created the nine planets to oversee the destinies of people. Sani (Saturn) suggested starting his reign by bringing Brahma under his influence for twelve years. This matter was brought before Vishnu, who, not wanting to be under the negative influence of this planet, asked Sani to return the next day. When the next day came, Saturn couldn't find Vishnu anywhere but noticed that he had merged with the mountain Gandaká; he entered the mountain as a worm called Vajrakita (the thunderbolt worm). For twelve years, he tormented the mountain-shaped Vishnu, until Vishnu finally took on his true form and commanded that the stones from this mountain be worshipped and become proper representations of himself; he added that each stone should have twenty marks on it, similar to those on his body, and that it would be called Sálagrám."

The Sálagrám is usually placed under a tulasi-tree, which is planted on the top of a pillar in the vicinity of a temple of Vishnu, or near a house. Tulasi, a female, desired to become Vishnu's wife, but was metamorphosed by Lakshmi into a tree, a small shrub, called therefore Tulasi, or holy basil (Ocymum Sanctum). Vishnu, however, promised to assume the form of a Sálagrám, and always continue with her. The Vaishnaya priests, therefore, keep one leaf of the shrub under and another over the Sálagrám, and thus pay their adorations to the stone and the tree. In the evening a lamp is placed near it. In the month of May it is watered from a pot suspended over it, as appears in the engraving, which represents a person engaged in the worship at this singular shrine.

The Sálagrám is typically placed under a tulasi tree, which is planted on top of a pillar near a Vishnu temple or a house. Tulasi, a woman, wanted to become Vishnu's wife, but Lakshmi turned her into a tree, a small shrub, which is called Tulasi, or holy basil (Ocymum Sanctum). However, Vishnu promised to take the form of a Sálagrám and always stay with her. Therefore, the Vaishnava priests keep one leaf of the shrub below and another above the Sálagrám, paying their respects to both the stone and the tree. In the evening, a lamp is placed nearby. In May, it is watered from a pot hanging above it, as shown in the engraving, which depicts a person worshiping at this unique shrine.

TOMB OF THE EMPEROR MAXIMILIAN AT INSPRUCK.

TOMB OF THE EMPEROR MAXIMILIAN AT INNSBRUCK.

This majestic tomb is placed in the centre of the middle aisle of the church, upon a platform approached by steps of red marble. The sides of the tomb are divided into twenty-four compartments, of the finest Carrara marble, on which are represented, in bas-relief, the most interesting events of the emperor's warlike and prosperous career. The workmanship of the tablets is exquisite; and, taken in connexion with the lofty deeds they record, they form the most princely decorations ever seen. Each of the tablets contributing to this splendid lithobiography is in size 2 feet 4 inches by 1 foot 8 inches; and every object contained therein is in the most perfect proportion, while the exquisite finish of the heads and draperies requires a magnifying glass to do it justice. The tomb is surmounted by a colossal figure in bronze of the emperor, kneeling in the act of prayer; and around it are four allegorical figures, of smaller size, also in bronze.

This impressive tomb is located in the center of the middle aisle of the church, on a platform accessible by steps made of red marble. The sides of the tomb are divided into twenty-four sections made from the finest Carrara marble, featuring bas-relief representations of the most significant events from the emperor's military and successful career. The craftsmanship of the panels is exquisite; combined with the lofty deeds they depict, they create the most regal decorations ever seen. Each of the panels that make up this stunning lithobiography measures 2 feet 4 inches by 1 foot 8 inches; and everything depicted is in perfect proportion, while the intricate detailing of the faces and drapery requires a magnifying glass to truly appreciate. The tomb is topped with a large bronze statue of the emperor, kneeling in prayer; and surrounding it are four smaller allegorical figures, also in bronze.

But, marvellous as is the elaborate beauty of this work, it is far from being the most remarkable feature of this imperial mausoleum. Ranged in two long lines, as if to guard it, stand twenty-eight colossal statues in bronze, of whom twenty are kings and princes, alliances of the house of Hapsburg, and eight their stately dames. Anything more impressive than the appearance of these tall dark guardians of the tomb, some clad in regal robes, some cased in armour, and all seeming animated by the mighty power of the artist, it would be difficult to imagine.

But as amazing as the detailed beauty of this work is, it’s not the most striking feature of this imperial mausoleum. Arranged in two long lines, almost like they’re guarding it, stand twenty-eight massive bronze statues, twenty of which are kings and princes from the Hapsburg dynasty, and eight are their elegant ladies. It’s hard to imagine anything more impressive than the sight of these tall dark guardians of the tomb, some dressed in royal robes, some in armor, and all seeming alive with the powerful talent of the artist.

In the death-like stillness of the church, the visitor who, for the first time, contemplates this tomb and its gloomy guard, is struck by a feeling of awe, approaching to terror. The statues, with life-like individuality of attitude and expression—each solemn, mournful, dignified, and graceful; and all seeming to dilate before the eye into enormous dimensions, and, as if framed to scare intruders, endowed by [Pg 591] a power more than mortal, to keep watch and ward round the mighty dead. They appear like an eternal procession of mourners, who, while earth endures, will cease not to gaze on, mourn over, and protect the relics of him who was the glory of their noble, long since fallen race.

In the death-like stillness of the church, the visitor who is seeing this tomb and its gloomy guard for the first time is filled with a sense of awe that borders on terror. The statues, each with lifelike individuality in their posture and expression—solemn, mournful, dignified, and graceful—seem to expand before the eye into enormous proportions, almost as if designed to scare off intruders, possessing a power beyond the mortal to keep vigil over the mighty dead. They resemble an eternal procession of mourners who, as long as the earth remains, will never stop watching over, grieving for, and safeguarding the remains of the one who was the pride of their noble, long-fallen lineage.

THE FAYENCE OF HENRY II. OF FRANCE.

THE FAYENCE OF HENRY II. OF FRANCE.

The earliest known fabric of this earthenware is that mysterious and unique manufacture of the "Renaissance," the fine Fayence of Henry II. The manufacture of this ware, which was at once carried to a high degree of perfection, seems to have been suddenly and unaccountably lost, without leaving any record of where or by whom it was produced. By many it is supposed to be of Florentine manufacture, and to have been sent by some of the relations of Catherine de Medicis as a present to Henry II.; but it differs too essentially from Italian Majolica, both in the paste of which it is composed, and in the style in which it is decorated, to warrant such a conjecture. Italy does not possess in her museums a single specimen of this ware, and of the thirty-seven pieces extant, twenty-seven have been traced as coming from Touraine and La Vendée. Many antiquaries, therefore, infer that the manufacture was at Thouars, in Touraine, although the Fayence may have been the work of an Italian artist.

The earliest known type of this earthenware is that mysterious and unique creation from the "Renaissance," the fine Fayence of Henry II. The production of this ware, which reached a high level of excellence, seems to have been abruptly and inexplicably lost, without any record of where or by whom it was made. Many believe it to be made in Florence and sent by some relatives of Catherine de Medicis as a gift to Henry II.; however, it varies too significantly from Italian Majolica, both in the material it's made from and in the style of its decoration, to support this idea. Italy doesn't have a single example of this ware in its museums, and out of the thirty-seven existing pieces, twenty-seven have been traced back to Touraine and La Vendée. Therefore, many historians deduce that the production was in Thouars, in Touraine, though the Fayence may have been created by an Italian artist.

But if the place of its manufacture is unknown, the pieces extant clearly attest the period of its fabrication. The Salamander, and other insignia of Francis I., are met with on the earlier specimens of this pottery; but upon the majority of pieces, upon those more pure in design and more beautiful in execution than the preceding, we find the arms of Henry II., with his device, the three crescents, or his initial H, interlaced with the two D's of the Duchesse de Valentinois. Indeed, so constantly do her emblems appear upon the pieces, that the ware, though usually designated as "Faïence de Henri II.," is sometimes styled "Faïence de Diane de Poitiers." Even her widow's colours, black and white, are the two which are employed in some of the finest pieces. They were the fashionable colours of the court, Henry wore no others during his life, and was attired in them in the fatal tournament in which he fell. Her impresa, the crescent of Diana, is conspicuous on his palaces, and he even caused it to be engraved upon his coins. From these circumstances we must, therefore, conclude that the manufacture of this ware began at the end of the reign of Francis I., was continued under that of Henry II., and, as we find upon it the emblems of these two princes only, we may naturally infer that it is of French origin.

But if we don't know where it was made, the existing pieces clearly show when they were created. The Salamander and other symbols of Francis I. can be found on the earlier examples of this pottery; however, on most pieces, which are more refined in design and more beautifully executed than the earlier ones, we see the coat of arms of Henry II., along with his emblem, the three crescents, or his initial H, intertwined with the two D's of Diane de Poitiers. In fact, her symbols appear so often on these pieces that the ware, although usually called "Faïence de Henri II.," is sometimes referred to as "Faïence de Diane de Poitiers." Even her widow's colors—black and white—are used in some of the finest pieces. These were the fashionable colors of the court; Henry wore no others during his lifetime and was dressed in them during the tragic tournament where he died. Her impresa, the crescent of Diana, is prominent on his palaces, and he even had it engraved on his coins. From these facts, we can conclude that this ware began to be produced at the end of Francis I.'s reign, continued under Henry II., and since we only see the emblems of these two kings on it, we can reasonably assume that it is of French origin.

The paste of which this Fayence is composed is equally distinct from Majolica and Palissy ware. The two latter are both soft, whereas this, on the contrary, is hard. It is a true pipeclay, very fine, and very white, so as not to require, like the Italian Fayence, to be concealed by a thick enamel, and the ornaments with which it is enriched are simply covered with a thin, transparent, yellowish varnish.

The clay that makes up this Fayence is clearly different from both Majolica and Palissy ware. The latter two are soft, but this one is hard. It’s a true pipeclay, very fine and very white, so it doesn’t need to be hidden under a thick enamel like Italian Fayence does. The decorations on it are just coated with a light, transparent, yellowish glaze.

The style of decoration in this ware is unique. Patterns or arabesques, are engraved on the paste, and the indentures filled with coloured pastes, so as to present an uniform, smooth surface, of the [Pg 592] finest inlaying, or resembling, rather, a model of Cellini's silver work, chiselled and worked in niello. Hence it is sometimes styled "Faïence a niellure." These patterns are sometimes disposed in zones of yellow ochre, with borders of dark brown, sometimes of a pink, green, violet, black, or blue; but the dark yellow ochre is the predominant colour.

The decoration style of this pottery is one-of-a-kind. Patterns or arabesques are engraved into the material, and the grooves are filled with colored pastes to create a smooth, uniform surface that showcases the finest inlaying, resembling a piece of Cellini's silver work, skillfully chiselled and treated in niello. That's why it's sometimes called "Faïence a niellure." These patterns are often arranged in bands of yellow ochre, with edges of dark brown, and sometimes in pink, green, violet, black, or blue; however, dark yellow ochre is the most dominant color.

Faience Candlestick

The collection of the late M. Préaux was the richest in the world in the most beautiful examples of Fayence; it was disposed of by auction about twelve years ago, in consequence of the death of the proprietor, and the choicest specimen in it was the candlestick, of which we give a figure, and which was purchased by Sir Anthony de Rothschild for about £220, duty included. The surface is exquisitely enriched with arabesque patterns, either in black upon a white ground, or in white upon a black. The form is monumental, and in the finest style; three figures of genii support escutcheons, bearing the arms of France, and the double D. These genii stand upon masks, which are united by garlands enamelled in green. The top of the candlestick terminates in the form of a vase, and bears inscribed the fleurs-de-lys and the monogram of our Saviour. This piece, for delicacy of detail and beauty of execution, is unequalled by any specimen known of this exquisite Fayence. Sir Anthony de Rothschild also purchased at M. Préaux's sale a small cup, decorated in the same style, with the descents interlaced, for which he gave 1300 francs. He, therefore, now is fortunate in having the finest collection known of this ware, as, in addition to the specimens already mentioned, he possesses two exquisite ewers of the Henry II. Fayence. One he purchased at the sale of the Comte de Monville for 2300 francs; the other, with a curious handle of elaborate workmanship, he bought for nineteen guineas at Strawberry Hill, where he also purchased a tripod salt-cellar, supported with scroll ornaments for £21.

The collection of the late M. Préaux was the richest in the world, featuring the most beautiful examples of Fayence. It was sold at auction about twelve years ago after the owner's death, and the standout piece was a candlestick, which we illustrate, purchased by Sir Anthony de Rothschild for around £220, including duty. The surface is beautifully decorated with arabesque patterns, either in black on a white background or in white on a black one. Its shape is monumental and in the finest style; three genies support shields featuring the arms of France and the double D. These genies stand on masks connected by garlands enamelled in green. The top of the candlestick is vase-shaped, adorned with the fleurs-de-lys and the monogram of our Savior. This piece, for its delicate detail and beauty, is unmatched by any known examples of this exquisite Fayence. Sir Anthony de Rothschild also acquired a small cup at M. Préaux's auction, decorated in the same style with interlaced designs, for which he paid 1300 francs. He is now lucky to have the finest collection of this ware, as in addition to the pieces already mentioned, he owns two stunning ewers of the Henry II. Fayence. He bought one at the sale of the Comte de Monville for 2300 francs and the other, featuring a uniquely crafted handle, for nineteen guineas at Strawberry Hill, where he also bought a tripod salt-cellar supported by scroll ornaments for £21.

REFRESHMENTS FOR THE PULPIT.

Pulpit Refreshments.

In the books of Darlington parish church, the following items appear, showing that, in the olden time, provision was made for comforting the inner man: "Six quarts of sack to the minister who preached when he had no minister to assist, 9s. For a quart of sack bestowed on Jillett, when he preached, 2s. 6d. For a pint of brandy when Mr. George Bill [Pg 593] preached here, 1s. 4d. For a stranger who preached, a dozen of ale. When the Dean of Durham preached here, spent in a treat in the house, 3s. 6d." This would hardly be considered orthodox at the present day.

In the records of Darlington parish church, the following items are noted, showing that in the past, arrangements were made to support the spiritual needs of the congregation: "Six quarts of sack for the minister who preached when there was no assistant, 9s. For a quart of sack given to Jillett when he preached, 2s. 6d. For a pint of brandy when Mr. George Bill preached here, 1s. 4d. For a stranger who preached, a dozen ales. When the Dean of Durham preached here, spent on a gathering in the house, 3s. 6d." This would hardly be seen as acceptable nowadays.

BEDESMEN IN THE TIME OF HENRY VII.

BEDESMEN IN THE TIME OF HENRY VII.

Bedesmen in the Time of Henry VII

Most of the monasteries in former times had hospitals of poor men and women attached to them; generally either within the precincts or near adjoining. Thus, at St. Edmund's Bury, there was St. John's Hospital, or God's House, without the South Gate, and St. Nicholas' Hospital without the East Gate, and St. Peter's Hospital without the Risby Gate, and St. Saviour's Hospital without the North Gate,—all founded by abbots of St. Edmund's. At Reading there was the Hospital of St. Mary Magdalene for twelve leprous persons and chaplains, and the Hospital of St. Lawrence for twenty-six poor people, and for the entertainment of strangers and pilgrims, both founded by abbots of Reading. One at the gate of Fountains' Abbey for poor persons and travellers; one at Glastonbury, under the care of the almoner, for poor and infirm persons. Thirteen was a favourite number for the inmates of a hospital. From the initial letter of a deed in the British Museum (Harl. 1498), by which King Henry VII. founded a fraternity of thirteen poor men in Westminster Abbey, who were to be under the governance of the monks, we take the accompanying illustration, which represents the abbot and monks before the king, with a group of the king's bedesmen, each of whom has the royal badge, a rose surmounted by a crown, on the shoulder of his habit.

Most monasteries in the past had hospitals for poor men and women connected to them, usually located either on the premises or nearby. For example, at St. Edmund's Bury, there was St. John's Hospital, or God's House, outside the South Gate, St. Nicholas' Hospital outside the East Gate, St. Peter's Hospital outside the Risby Gate, and St. Saviour's Hospital outside the North Gate—all established by the abbots of St. Edmund's. At Reading, there was the Hospital of St. Mary Magdalene for twelve leprous individuals and chaplains, and the Hospital of St. Lawrence for twenty-six poor people and for hosting strangers and pilgrims, both founded by the abbots of Reading. One was located at the gate of Fountains' Abbey for poor individuals and travelers; another at Glastonbury, managed by the almoner, for poor and sick individuals. Thirteen was a favored number for the residents of a hospital. From the first letter of a deed in the British Museum (Harl. 1498), in which King Henry VII. established a fraternity of thirteen poor men in Westminster Abbey, who were to be overseen by the monks, we include the accompanying illustration that shows the abbot and monks before the king, alongside a group of the king's bedesmen, each wearing the royal badge—a rose topped with a crown—on the shoulder of their attire.

CHINESE GAMBLERS PLAYING FOR FINGERS.

Chinese gamblers playing for fingers.

The following strange account is taken from Hue's "Chinese Empire:—

The following strange account is taken from Hue's "Chinese Empire:—

"The Chinese are industrious and economical, but their cupidity, their immoderate love of lucre, and their decided taste for stockjobbing and speculation, easily tempts them to gambling, when they are not engaged in traffic. They seek eagerly for strong excitements, and when once they have got into the habit of gambling they seldom or never recover from it. They cast aside every obligation of station, duty, and family, to live only for cards and dice; and this fatal passion gains such an empire over them, that they proceed even to the most revolting extremities. When they have lost all their money they will play for their houses, their land, and their wives even, whose destiny often depends on a cast of the dice. Nay, the Chinese gambler does not stop here, for he will stake the very clothes he has on for one game more, and this [Pg 594] horrible custom gives rise to scenes that would not be credible, did we not know that the passions always tend to make men cruel and inhuman.

The Chinese are hard-working and frugal, but their greed, their excessive love of money, and their strong interest in trading and speculation easily lead them to gamble when they’re not engaged in business. They eagerly seek out intense excitement, and once they get into the habit of gambling, it's rare for them to break free. They ignore all obligations of rank, duty, and family, living only for cards and dice; this destructive passion takes such control over them that they often go to extreme lengths. When they lose all their money, they'll gamble their homes, their land, and even their wives, whose fates often hinge on a roll of the dice. The Chinese gambler doesn't stop there; he'll even wager the clothes he's wearing for just one more game, leading to scenes so outrageous that they would be unbelievable if we didn't know that passions can drive people to be cruel and inhumane.

"In the northern provinces, especially in the environs of the Great Wall, you may sometimes meet, during the most intense cold of winter, men running about in a state of complete nudity, having been driven pitilessly from the gaming-houses when they had lost their all. They rush about in all directions like madmen to try and save themselves from being frozen, or crouch down against the chimneys, which in those countries are carried along the walls of the houses, on a level with the ground. They turn first one side towards the warmth, then the other, while their gambling companions, far from trying to help them, look on with ferocious and malignant hilarity. The horrible spectacle seldom lasts long, for the cold soon seizes the unfortunate creatures, and they fall down and die. The gamblers then return to their table, and begin to play again with the most perfect composure. Such facts as these will appear fabulous to many persons, but having resided several years in the north of China, we can testify to their perfect authenticity.

"In the northern provinces, especially around the Great Wall, you might sometimes see, during the harshest cold of winter, people running around completely naked, having been mercilessly kicked out of the gaming houses after losing everything. They dart in all directions like they’re frantic, trying to avoid freezing, or crouch down against chimneys that are built along the walls of the houses at ground level. They shift from one side to the other to catch some warmth, while their gambling buddies, rather than offering any help, watch on with cruel amusement. This grim scene rarely lasts long, as the cold quickly overpowers the unfortunate individuals and they collapse and die. The gamblers then return to their table, resuming their play with complete calm. These kinds of events may seem unbelievable to many, but having lived several years in northern China, we can confirm they are entirely true."

"These excesses seem surprising enough, but the truth is, that Chinese gamblers have invented still more extraordinary methods of satisfying their passion, which is really carried to absolute madness. Those who have nothing more to lose will collect round a table and actually play for their fingers, which they will cut off reciprocally with frightful stoicism. We had thought to pass over these revolting particulars, for we do not like to put the confidence of our readers to too great a trial. We have a strong objection to relating things that, although we know them to be strictly true, have an improbable appearance. But these facts concerning Chinese gamblers were known, and commented upon, by the Arab travellers in the ninth century. Here is a passage on the subject from the 'Chain of Chronicles,' from which we have already quoted more than once:—

"These excesses are quite surprising, but the reality is that Chinese gamblers have come up with even more outrageous ways to feed their obsession, which reaches absolute madness. Those who have nothing left to lose will gather around a table and actually bet on their fingers, which they will cut off from each other with horrifying calm. We considered skipping these disturbing details, as we do not want to push our readers' limits too far. We are strongly against sharing things that, even though we know them to be entirely true, seem unbelievable. However, these facts about Chinese gamblers were known and discussed by Arab travelers in the ninth century. Here’s a relevant passage from the 'Chain of Chronicles,' which we have referenced more than once:—"

"'Amongst men of a volatile and boastful character, those who belong to the lower classes, and who have no money, will sometimes play for the fingers of their hands. During the game, they keep by them a vase containing nut, or sesame oil, for olive oil is not known in this country. A fire is kept burning under it, and between the two players is placed a small but very sharp hatchet. The one who wins then takes the hand of the loser, places it on a stone and cuts off one of his fingers with the hatchet; the piece falls, and the vanquished party immediately dips his hand into the hot oil, which cauterises the wound. This operation does not prevent the players from beginning again. Some will take a match, dip it in oil, place it on their arms, and set fire to it; the match burns, and you can smell the odour of the consuming flesh, but the man goes on with his game, and exhibits no sign of pain.'"

"'Among men who are impulsive and boastful, those from lower classes with no money sometimes gamble by risking their fingers. During the game, they keep a vase filled with nut or sesame oil nearby, since olive oil isn’t known in this region. A fire burns underneath it, and a small but very sharp hatchet is placed between the two players. The winner then takes the loser's hand, puts it on a stone, and chops off one of their fingers with the hatchet; the piece falls, and the defeated player immediately dips their hand into the hot oil, which cauterizes the wound. This procedure doesn’t stop the players from starting again. Some will take a match, dip it in oil, put it on their arms, and light it; the match burns, and you can smell the scent of burning flesh, but the person continues with the game, showing no signs of pain.'"

ENTRY OF THE FRENCH AMBASSADOR INTO LONDON, IN 1698.

ENTRY OF THE FRENCH AMBASSADOR INTO LONDON, IN 1698.

The following is an extract from the "Flying Post," of May 17, 1698:—

The following is an excerpt from the "Flying Post," dated May 17, 1698:—

"Yesterday, (Monday, May 16,) in the afternoon, Count Tallard, the French Ambassador, made his public entry. The Earl Marshal's men [Pg 595] came first, then followed the Earl of Macclesfield's footmen, after them twenty of the Ambassador's footmen, in red liveries with gold lace; then came two of the Ambassador's gentlemen and six pages on horseback; next came two heralds before His Majesty's coach, in which His Excellency the Ambassador, the Earl of Macclesfield, and some others of quality: after them came three of His Royal Highness the Prince of Denmark's coaches, and next, three of the Ambassador's coaches, the first of them very rich, and drawn by eight horses; then followed His Grace the Duke of Norfolk's coach, with about forty-seven more, drawn by six horses each. There was a splendid entertainment prepared for His Excellency at Ossulston House, in St. James's Square."

"Yesterday, (Monday, May 16,) in the afternoon, Count Tallard, the French Ambassador, made his public entrance. The Earl Marshal's men [Pg 595] came first, followed by the Earl of Macclesfield's footmen, then twenty of the Ambassador's footmen dressed in red uniforms with gold lace; next were two of the Ambassador's gentlemen and six pages on horseback; then came two heralds in front of His Majesty's coach, which carried His Excellency the Ambassador, the Earl of Macclesfield, and some other dignitaries. After them followed three coaches of His Royal Highness the Prince of Denmark, and then three of the Ambassador's coaches, the first of which was very lavish, drawn by eight horses. Following them was His Grace the Duke of Norfolk's coach, along with about forty-seven others, each pulled by six horses. A grand feast was prepared for His Excellency at Ossulston House, in St. James's Square."

EXPENSES AT CORONATIONS.

Costs at coronations.

The quantity of provisions consumed at the feasts given by some of our early Kings, was extraordinarily great. For that of King Edward I. February 10th, 1274, the different Sheriffs were ordered to furnish butcher meat at Windsor, in the following proportions:—

The amount of food served at the feasts hosted by some of our early kings was incredibly large. For King Edward I’s feast on February 10th, 1274, the various Sheriffs were instructed to provide butcher meat at Windsor in the following amounts:—

Oxen. Swine. Sheep. Fowls.
Sheriff of Gloucester, 60 101 60 3,000
       " Bucks and Bedford 40 66 40 2,100
       " Oxford 40 67 40 2,100
       " Kent 40 67 40 2,100
       " Surrey and Sussex 40 67 40 2,100
       " Warwick and Leicester 60 98 40 3,000
       " Somerset and Dorset 100 176 110 5,000
       " Essex 60 101 60 3,160
—— —— —— ——
Total, twelve counties 440 743 430 22,560

In the year 1307, King Edward II. issued an order to the seneschal of Gascony, and constable of Bordeaux, to provide a thousand pipes of good wine, and send them to London, to be used at the approaching coronation. The purchase and freight were to be paid by a company of Florentine merchants, who farmed the revenues of Gascony. The coronation oath was first taken by Ethelred II., A. D. 979; that now used in 1377. It was amended in 1689. The first coronation sermon was preached in 1041. The following statement of the prices given for seats, to obtain a view of passing objects during the coronations of former times, may, perhaps, prove interesting:—

In 1307, King Edward II issued an order to the seneschal of Gascony and the constable of Bordeaux to supply a thousand pipes of good wine and send them to London for the upcoming coronation. The cost and shipping were to be covered by a group of Florentine merchants who managed the revenues of Gascony. The coronation oath was first taken by Ethelred II in A.D. 979; the version used in 1377. It was revised in 1689. The first coronation sermon was delivered in 1041. The following statement about the prices charged for seats to get a view of the procession during past coronations might be of interest:—

The price of a good place at the coronation of William the Conqueror, was a blank; at that of his son, William Rufus, the same. At Henry I's., it was a crocard; at Stephen's and Henry II.'s, it was a pollard. At Richard's, and King John's, it was a fuskin. It rose at the 3d. Henry's, to a dodkin. In the reign of Edward, the coin begins to be more intelligible; and we find that, for a seat, to view his coronation, a Q was given, or the half of a ferling, or farthing, the fourth part of a sterling, or penny. At the 2d. Edward's, it was a farthing; and at his son's, Edward III. a halfpenny. At Richard II.'s it was a penny, and continued the same to that of Henry IV. inclusive. At the 5th Henry's, it was two pennies; and similar prices were paid at the coronations of Henry VI., Edward IV., Edward V., Richard III., and [Pg 596] Henry VII. At that of Henry VIII. it was a grossus, or groat; and the same was paid at that of Edward VI. and Queen Mary's. At Queen Elizabeth's, it rose to a testoon, or tester. At those of James I. and Charles I. a shilling was given; which was advanced to half-a-crown, at those of Charles II. and James II. At King William's and Queen Anne's it was a crown, and the same at that of George I. At George II.'s half-a-guinea, and, afterwards, at George III.'s a guinea was the common charge. But, at that of George IV, as high as forty guineas were given for a single seat.

The price of a good spot at the coronation of William the Conqueror was a blank; at his son William Rufus's, it was the same. At Henry I's, it was a crocard; at Stephen's and Henry II's, it was a pollard. At Richard's and King John's, it was a fuskin. It increased to a dodkin during Henry III's reign. In Edward's reign, the coins became clearer, and we see that for a seat to watch his coronation, Q was given, or half a ferling, or farthing, which is a quarter of a sterling or penny. At Edward II's, it was a farthing; and at his son Edward III's, it was a halfpenny. At Richard II's, it was a penny, and it remained the same through Henry IV. At Henry V's it was two pennies; similar prices were charged at the coronations of Henry VI, Edward IV, Edward V, Richard III, and [Pg 596] Henry VII. At Henry VIII's it was a grossus, or groat; the same amount was paid at Edward VI's and Queen Mary's. At Queen Elizabeth's, it rose to a testoon, or tester. At James I's and Charles I's, a shilling was given; this increased to half-a-crown at Charles II's and James II's. At King William's and Queen Anne's, it was a crown, the same for George I. At George II's, it was half-a-guinea, and later, at George III's, it was a guinea as the common charge. However, at George IV's coronation, as much as forty guineas were paid for a single seat.

CURIOUS ANTIQUE SWORD.

UNIQUE VINTAGE SWORD.

The engraving which accompanies this article is a sketch of the upper part of an antique Danish sword, which was found, together with several other weapons, by the labourers who were engaged in the construction of the railway from Dublin to Cashel.

The engraving that goes with this article is a sketch of the top part of an old Danish sword, which was discovered, along with several other weapons, by the workers who were building the railway from Dublin to Cashel.

Curious Antique Sword

The discovery of the weapons was made at a locality called Island Bridge, and many of them were fortunately secured for the Museum of the Royal Irish Academy, where they may now be seen. The swords are long and straight, formed for cutting as well as thrusting, and terminate in points formed by rounding off the edge towards the back of the blade. The hilts are very remarkable in form, and in one or two instances, like the example we have engraved, are highly ornamented. The mountings are generally of a kind of brass, but several richly plated with silver were found, and it is said that one of them had a hilt of solid gold. The spears are long and slender, and similar in form to the lance-heads used in some of the cavalry corps.

The discovery of the weapons was made at a place called Island Bridge, and many of them were thankfully secured for the Museum of the Royal Irish Academy, where they can now be seen. The swords are long and straight, designed for both cutting and thrusting, and have pointed tips achieved by rounding off the edge toward the back of the blade. The hilts are quite distinctive, and in one or two cases, like the one we have illustrated, are highly decorative. The fittings are mostly made of a type of brass, but several were found that are richly plated with silver, and it’s said that one of them had a solid gold hilt. The spears are long and slender, resembling the lance-heads used in some cavalry units.

All these weapons, with one exception, are composed of a soft kind of iron. Many of the swords were found doubled up, a circumstance for which it is difficult to assign a reason, as they had evidently been purposely bent. The sword we have represented in our engraving, is remarkable for the unusual degree of ornament which appears upon its hilt, and also for its material, steel.

All these weapons, except for one, are made of a soft kind of iron. Many of the swords were found bent in half, and it’s hard to determine why, as they clearly had been intentionally twisted. The sword shown in our engraving stands out for its unusually elaborate design on the hilt, and also for being made of steel.

DINNER IN CHINA.

Dinner in China.

It is certain that a real Chinese dinner would be a very odd thing in the eyes of a stranger, especially if he were one of those who think, as some people do, that there is only one way of living. To begin dinner with the dessert, and end it with the soup; to drink the wine smoking hot, out of little china cups, and have your food brought to you ready cut up into small pieces, and to be presented with a couple of sticks, instead of a knife and fork, to eat it with; to have, instead of napkins, a provision of little bits of silk paper by the side of your plate, which, as you use, the attendants carry off; to leave your place between the courses, to smoke or amuse yourself; and to raise your chop-sticks to your forehead, and then place them horizontally upon your cup, to signify [Pg 597] that you have finished your dinner;—all these things would doubtless seem very odd, and create the curiosity of Europeans. The Chinese, on the other hand, can never get over their surprise at our way of dining. They ask how we can like to drink cold fluids, and what can have put it into our heads to make use of a trident to carry food to our mouths, at the risk of pricking our lips or poking our eyes out. They think it very droll to see nuts put on the table in their shell, and ask why our servants cannot take the trouble to peel the fruit, and take the bones out of the meat. They are themselves certainly not very difficult in the nature of their food, and like such things as fried silkworms and preserved larvæ, but they cannot understand the predilection of our epicures for high game, nor for cheese that appears to belong to the class of animated beings.

It’s clear that an authentic Chinese dinner would seem really strange to an outsider, especially if they believe, like some folks do, that there’s only one way to live. Starting with dessert and ending with soup; drinking wine while it’s steaming hot from little china cups; having food served already cut into small pieces; and being handed a couple of chopsticks instead of a knife and fork to eat with; using little pieces of silk paper instead of napkins, which the staff takes away after you’re done; leaving your seat between courses to smoke or entertain yourself; and raising your chopsticks to your forehead before laying them horizontally on your cup to show you’ve finished your dinner—all of these would surely seem very odd and spark curiosity among Europeans. On the flip side, the Chinese are equally puzzled by our dining customs. They wonder how we can enjoy drinking cold drinks and what made us think to use a fork to eat, risking poking ourselves. They find it funny that we put nuts on the table in their shells and question why our servers can’t bother to peel the fruit or remove bones from the meat. They’re not very picky about food themselves and enjoy things like fried silkworms and preserved larvae, but they can’t grasp why our foodies have a taste for fancy game or cheese that seems to come from something alive.

CISTERN OF MAJOLICA WARE.

Majolica Ware Cistern.

Cistern of Majolica Ware

We have engraved the annexed, as it affords at once both a beautiful specimen of the potter's art, and also an example of the taste and luxury of the present day in articles of expensive ornament. It is a cistern made of Majolica, or the enamelled pottery of Italy, the most beautiful specimens of which were made in the sixteenth century. The one before us came to England from the collection of the Borghese Palace; and at the great sale at Stowe, the seat of the Duke of Buckingham, was disposed of by auction for sixty-four guineas, and this although it was much broken.

We have included the attached piece because it showcases both the stunning craft of pottery and the taste and luxury of today's expensive decorations. It’s a cistern made from Majolica, which is the enamel-coated pottery from Italy, with the finest examples produced in the sixteenth century. The piece we have came to England from the collection of the Borghese Palace, and during the major auction at Stowe, the Duke of Buckingham's estate, it sold for sixty-four guineas, despite being quite damaged.

THEATRES IN THE TIME OF SHAKSPEARE.

THEATRES IN THE TIME OF SHAKESPEARE.

In Blackfriars was a theatre, the memory of which with the one or the other shore of the river at Bankside, enjoys the honour of having been used for the first representations of many of Shakspeare's plays, and where the bard himself performed in them. The whole district becomes classic, from the remembrance. The following interesting description of the theatres in London at that time, and which applies to the Blackfriars' theatre as we well as the rest, is taken from a short memoir of Shakspeare, by the Rev. Alexader Dyce, prefixed to the Aldine edition of Shakspeare's poems: "Nearly all these buildings, it is probable, were constructed of wood. Those which, for some undiscovered reason, were termed private theatres, were entirely roofed in from the weather, while the public theatres were open to the sky, except over the stage and galleries. On the outside of each was exhibited a sign indicative of its name; and on the roof, during the time of performance, was hoisted a flag. The interior arrangements resemble those of the present day. There were tiers of galleries or scaffolds; beneath these the boxes or rooms, intended for persons of the higher class, and which at the private theatres were secured with locks, the keys being [Pg 598] given to the individuals who engaged them; and there was the centre area, (separated, it seems, from the stage by pales), at the private theatres, termed the pit, and furnished with seats; but at the public theatres, called the yard, and affording no such accommodation. Cressets, or large open lanterns, served to illuminate the body of the house; and two ample branches, of a form similar to those now hung in churches, gave light to the stage. The band of musicians, which was far from numerous, sat, it is supposed, in an upper balcony, over what is now called the stage box: the instruments chiefly used were trumpets, cornets, hautboys, lutes, recorders, viols, and organs. The amusements of the audience previous to the commencement of the play, were reading, playing at cards, smoking tobacco, drinking ale, and eating nuts and apples. Even during the performance it was customary for wits, critics, and young gallants, who were desirous of attracting attention, to station themselves on the stage, either lying on the rushes or seated on hired stools, while their pages furnished them with pipes and tobacco. At the third sounding, or flourish of trumpets, the exhibition began. The curtain, which concealed the stage from the audience, was then drawn, opening in the middle, and running upon iron rods. Other curtains, called traverses, were used as a substitute for scenes. At the back of the stage was a balcony, the platform of which was raised about eight or nine feet from the ground; it served as a window, gallery, or upper chamber. From it a portion of the dialogue was sometimes spoken, and in front of it curtains were suspended to conceal, if necessary, those who occupied it, from the audience. The internal roof of the stage, either painted blue or adorned with drapery of that colour, was termed the heavens. The stage was generally strewed with rushes, but on extraordinary occasions was matted. There is reason to believe that, when tragedies were performed, it was hung with black. Moveable painted scenery there was assuredly none. A board, containing the name of the place of action in large letters, was displayed in some conspicuous situation. Occasionally, when some change of scene was necessary, the audience was required to suppose that the performers, who had not quitted the boards, had retired to a different spot. A bed thrust forth showed that the stage was a bed-chamber; and a table, with pen and ink, indicated that it was a counting-house. Rude contrivances were employed to imitate towers, walls of towns, hell-mouths, tombs, trees, dragons, &c. Trap-doors had been early in use; but to make a celestial personage ascend to the roof of the stage was more than the machinists of the theatre could always accomplish. The price of admission appears to have varied according to the rank and estimation of the theatres. A shilling was charged for a place in the best boxes; the entrance-money to the pit and galleries was the same—sixpence, twopence, and a penny. The performance commenced at three in the afternoon."

In Blackfriars, there was a theater that, along with the one at Bankside on the opposite shore of the river, holds the distinction of being the first venue for many of Shakespeare's plays, where the playwright himself performed. The entire area has become iconic because of this. Here’s an intriguing description of the theaters in London at that time, which applies to the Blackfriars theater as well as others, taken from a short memoir of Shakespeare by Rev. Alexander Dyce, included in the Aldine edition of Shakespeare's poems: "Almost all these buildings were likely made of wood. Those known for some unknown reason as private theaters were completely covered to protect from the weather, whereas public theaters were open to the sky, except above the stage and galleries. Each theater displayed a sign showing its name outside, and during performances, a flag was raised on the roof. The interior arrangements were similar to today’s. There were tiers of galleries or scaffolds; beneath these were boxes or rooms designed for the upper class, which at private theaters were locked, with keys given to those who reserved them. There was a central area (separated from the stage by a fence, it seems) at private theaters called the pit, equipped with seats, but at public theaters, it was known as the yard and had no seating. Large open lanterns, called cressets, lit the main area, while two large branches, similar to those in churches, illuminated the stage. The band of musicians, not very numerous, presumably sat in an upper balcony over what is now referred to as the stage box: the instruments mainly used were trumpets, cornets, hautboys, lutes, recorders, viols, and organs. Before the play started, the audience amused themselves by reading, playing cards, smoking tobacco, drinking ale, and snacking on nuts and apples. Even during the performance, it was common for clever people, critics, and young men wanting to show off to settle on the stage, either lying on the rushes or sitting on hired stools, while their attendants provided them with pipes and tobacco. At the third call of the trumpets, the show began. The curtain that hid the stage from the audience was drawn back in the center and slid on iron rods. Other curtains, known as traverses, were used as a stand-in for scenes. At the back of the stage was a balcony, raised about eight or nine feet off the ground; this served as a window, gallery, or upper room. Sometimes dialogue was spoken from it, and curtains could be hung in front of it to hide the occupants from the audience if needed. The interior roof of the stage, either painted blue or draped in blue fabric, was called the heavens. The stage was usually covered with rushes but was matted on special occasions. It’s believed that when tragedies were performed, it was draped in black. There was certainly no movable painted scenery. A board with the name of the location marked in large letters was displayed in a prominent spot. Occasionally, when a scene change was necessary, the audience was expected to believe that the performers, who had stayed on stage, had moved to another place. A bed brought out indicated that the stage was a bedroom, while a table with pen and ink suggested it was an office. Crude devices were used to mimic towers, city walls, hell-mouths, tombs, trees, dragons, etc. Trapdoors had been used early on; however, elevating a celestial character to the roof of the stage was something the theater's technicians could not always achieve. The price of admission varied based on the theater’s reputation. A shilling was charged for the best boxes; entrance to the pit and galleries was the same—sixpence, twopence, and a penny. Performances started at three in the afternoon."

OLD CUSTOM RELATING TO CRIMINALS.

Outdated custom regarding criminals.

The custom of offering doomed criminals a last earthly draught of refreshment is undoubtedly one of considerable antiquity. The right of offering wine to criminals, on their passage to the scaffold, was often a [Pg 599] privilege granted to religious communities. In Paris, the privilege was held by the convent of Filles-Dieu, the nuns of which kept wine prepared for those who were condemned to suffer on the gibbet of Montfaucon. The gloomy procession halted before the gate of the monastery, the criminal descended from the cart, and the nuns, headed by the Lady Abbess, received him on the steps with as much, perhaps more, heartfelt ceremony than if he had been a king. The poor wretch was led to a crucifix near the church door, the feet whereof he humbly kissed. He then received, from the hands of the Superior, three pieces of bread (to remind him of the Trinity), and one glass of wine (emblem of Unity). The procession then resumed its dread way to the scaffold.

The tradition of giving condemned criminals a final drink before execution is definitely quite old. The right to offer wine to these individuals on their way to the gallows was often a privilege given to religious groups. In Paris, this privilege was held by the convent of Filles-Dieu, where the nuns prepared wine for those who were sentenced to die at the gibbet of Montfaucon. The somber procession stopped at the monastery's gate, the criminal got down from the cart, and the nuns, led by the Lady Abbess, welcomed him on the steps with as much, if not more, genuine ceremony than if he were a king. The unfortunate man was taken to a crucifix near the church door, where he humbly kissed its feet. He then received from the Superior three pieces of bread (to remind him of the Trinity) and one glass of wine (symbolizing Unity). The procession then continued its grim journey to the scaffold.

ALE TOO STRONG.

Beer too strong.

A memorial signed by nineteen inhabitants of Bayton, in Worcestershire, was sent to the Sessions in the year 1612, setting forth "that John Kempster and John Byrd do not sell their ale according to the law, but doe sell a pynte for a penny, and doe make ytt soe extraordynarye strong that itt draweth dyvers ydle p'sons into the said alehouses, by reason whereof sondrye assaults, affrayes, blodshedds, and other misdeameanors, are there daylie comytted by idle and dronken companie which doe thither resort and there contineue in their dronckenes three days and three nights together, and also divers men's sonnes and servants do often resort and contineue drinking in the said houses day and night, whereupon divers disorders and abuses are offered to the inhabitants of Bayton aforesaid, as in pulling down styles, in carrying away of yertes, in throwing men's waynes, plowes, and such like things, into pooles, wells, and other bye places, and in putting their yokes for their oxen into lakes and myery places, &c." A nice picture of young England in the seventeenth century.

A memorial signed by nineteen residents of Bayton, Worcestershire, was sent to the Sessions in 1612, stating that "John Kempster and John Byrd do not sell their ale according to the law, but sell a pint for a penny, and make it so extraordinarily strong that it draws in various idle people to these alehouses. Because of this, numerous assaults, fights, bloodshed, and other misdemeanors are committed daily by idle and drunken crowds who come and stay there, continuing their drunkenness for three days and three nights straight. Additionally, many men's sons and servants often gather and drink in these houses day and night, leading to various disorders and abuses against the residents of Bayton, such as pulling down fences, taking away carts, throwing people’s wagons, plows, and similar items into ponds, wells, and other out-of-the-way places, and putting their yokes for their oxen into lakes and muddy places, etc." A vivid portrayal of young England in the seventeenth century.

A CHAPTER-HOUSE IN THE TIME OF HENRY VII.

A CHAPTER-HOUSE IN THE TIME OF HENRY VII.

Chapter-House in the Time of Henry VII

In abbey-churches of the olden time the Chapter-house was always on the east side of the court. In establishments of secular canons it seems to have been always multisided, with a central pillar to support its groining, and a lofty, conical, lead-covered roof. In these instances it is placed in the open space eastward of the cloister, and is usually approached by a passage from the east side of the cloister court. In the houses of all the other orders the chapter-house is rectangular, even where the church is a cathedral. Usually, then, the chapter-house is a rectangular building on the east side of the cloister, and frequently its longest apsis is east and west—at Durham it has an eastern apsis. It was a large and handsome room, with a good deal of architectural ornament; often the western end of it is divided off as a vestibule or ante-room; and generally it is so large as to be divided into two or three aisles by rows of pillars. Internally, rows of stalls or benches were arranged round the walls for the convent; there was a higher seat at the east end for the abbot or prior, and a desk in the middle from which certain things were read. Every day after the service called Tierce, the convent walked in procession from the choir to the chapter-house, and took their proper [Pg 600] places. When the abbot had taken his place, the monks descended one step and bowed; he returned their salutation, and all took their seats. A sentence of the rule of the order was read by one of the novices from the desk, and the abbot, or in his absence, the prior, delivered an explanatory or hortatory sermon upon it; then, from another portion of the book was read the names of brethren, and benefactors, and persons who had been received into fraternity, whose decease had happened on that day of the year; and the convent prayed a requiescat in pace for their souls, and the souls of all the faithful departed this life. Then members of the convent who had been guilty of slight breaches of discipline confessed them, kneeling upon a low stool in the middle, and on a bow from the abbot, intimating his remission of the breach, they resumed their seats. If any had a complaint to make against any brother, it was here made and adjudged. Convent business was also transacted. The woodcut gives an example of the kind. Henry VII. had made grants to Westminster Abbey, on condition that the convent performed certain religious services on his behalf; and in order that the services should not fall into disuse, he directed that yearly, at a certain period, the chief justice, or the king's attorney, or the recorder of London, should attend in chapter, and the abstract of the grant and agreement between the king and the convent should be read. The grant which was thus to be read still exists in the British Museum; it is written in a volume superbly bound, with the royal seals attached in silver cases; it is from the illuminated letter at the head of one of the deeds that our woodcut is taken. It rudely represents the chapter-house, with the chief-justice and a group of lawyers on one side, the abbot and convent on the other, and a monk reading the grant from the desk in the midst.

In the abbey churches of the past, the chapter house was always located on the east side of the courtyard. In institutions of secular canons, it was usually multi-sided, featuring a central pillar to support its vaulted ceiling and a tall, conical roof covered in lead. In these cases, it was situated in the open area to the east of the cloister and was typically accessed by a path from the east side of the cloister courtyard. In houses of other orders, the chapter house is rectangular, even when the church is a cathedral. Generally, the chapter house is a rectangular building on the east side of the cloister, often with its longest apse oriented east and west—at Durham, it has an eastern apse. It was a large and attractive room with a fair amount of architectural detail; the western end is often partitioned off as a vestibule or ante-room, and it is usually spacious enough to be divided into two or three aisles by rows of columns. Inside, rows of stalls or benches were arranged around the walls for the monks; there was a higher seat at the eastern end for the abbot or prior, and a desk in the center from which various texts were read. Every day after the service known as Tierce, the monks would walk in procession from the choir to the chapter house and take their designated places. When the abbot took his seat, the monks descended one step and bowed; he returned their greeting, and everyone took their seats. A passage from the order's rule was read by one of the novices from the desk, and the abbot, or in his absence, the prior, would give an explanatory or motivational sermon on it; then, from another part of the book, the names of brothers, benefactors, and individuals who had joined the fraternity, who had died on that date in the year, were read, and the community prayed a requiescat in pace for their souls and for all the faithful departed. Afterward, members of the convent who had committed minor disciplinary infractions confessed while kneeling on a low stool in the center, and upon a nod from the abbot, indicating his forgiveness of the infraction, they returned to their seats. If anyone had a complaint against another brother, it was raised and resolved at this gathering. Convent business was also conducted. The woodcut shows an example of this kind of business. Henry VII had made grants to Westminster Abbey, on the condition that the convent would perform certain religious services on his behalf, and to ensure these services wouldn't fall into disuse, he ordered that annually, at a set time, the chief justice, the king's attorney, or the recorder of London would attend the chapter, and the summary of the grant and the agreement between the king and the convent would be read. The grant that was to be read still exists in the British Museum; it is in a beautifully bound volume with royal seals attached in silver cases; our woodcut is derived from the illuminated letter at the start of one of the deeds. It crudely depicts the chapter house, with the chief justice and a group of lawyers on one side, the abbot and convent on the other, and a monk reading the grant from the desk in the center.

ANNE BOLEYN's GLOVES.

Anne Boleyn's Gloves.

Anne Boleyn was marvellously dainty about her gloves. She had a nail which turned up at the side, and it was the delight of Queen Catharine to make her play at cards, without her gloves, in order that the deformity might disgust King Hal. The good Queen Bess was extravagant, fastidious, and capricious in the extreme, about her gloves. She [Pg 601] used to display them to advantage in playing the virginal, and gloves at that time were expensive articles.

Anne Boleyn was incredibly picky about her gloves. She had a nail that curved up at the side, and Queen Catharine loved to make her play cards without her gloves, hoping the imperfection would disgust King Hal. Good Queen Bess was extremely extravagant, particular, and unpredictable when it came to her gloves. She used to show them off while playing the virginal, and gloves were quite expensive back then. [Pg 601]

DELLA ROBBIA WARE.

Della Robbia ceramics.

Della Robbia Ware

Luca della Robbia, born in 1388, was an eminent sculptor in marble and bronze, and worked both at Florence and at Rimini. Having abandoned his original employment for that of modelling in terra cotta, he succeeded, after many experiments, in making a white enamel, with which he coated his works, and thus rendered them durable. Vasari writes of him, "che faceva l'opere di terra quasi eterne." His chief productions are Madonnas, Scripture subjects, figures, and architectural ornaments: they are by far the finest works ever executed in pottery. He adorned the Italian churches with tiles, as well as with altar-pieces, in terra cotta enamelled; and he is the founder of a school which produced works not much inferior to his own. The "Petit Château de Madrid," in the Bois de Boulogne, near Paris, received the appellation of "Château de Fayence," from having been ornamented with enamelled tiles, the work of an Italian artist, named Girolamo della Robbia, a grand nephew of Luca, whom Francis I. brought from Italy. This château is now wholly destroyed. The tiles seem to have been introduced into portions of the architectural composition, rather as accessory ornaments than as a "lining" or revêtement of the walls. Analogous ornaments, the work of Luca de Maiano, 1521, were to be seen in the old gate, Whitehall, and at Hampton Court.

Luca della Robbia, born in 1388, was a renowned sculptor in marble and bronze, working in both Florence and Rimini. After leaving his initial job, he focused on modeling in terra cotta and, after numerous experiments, created a white enamel that he used to coat his works, making them durable. Vasari wrote about him, "che faceva l'opere di terra quasi eterne." His main works include Madonnas, biblical scenes, figures, and architectural decorations: they are the finest pottery works ever made. He decorated Italian churches with tiles and altar pieces made of glazed terra cotta; he also founded a school that produced works nearly as impressive as his own. The "Petit Château de Madrid" in the Bois de Boulogne near Paris was called "Château de Fayence" because it was adorned with glazed tiles made by Girolamo della Robbia, Luca’s grandnephew, whom Francis I brought from Italy. This château is now entirely destroyed. The tiles were integrated into parts of the architectural design more as decorative elements than as a lining or surface covering for the walls. Similar decorations made by Luca de Maiano in 1521 could be seen in the old gate at Whitehall and at Hampton Court.

Luca della Robbia sometimes, though rarely, used a coloured instead of white enamel in his compositions. The above cut represents the altar-piece of San Miniato, near Florence, by him. The ground is blue, the figures white, the fruits, &c., gold colour, and the garlands green.

Luca della Robbia occasionally, but not often, used colored enamel instead of white in his works. The image above shows the altarpiece of San Miniato, located near Florence, created by him. The background is blue, the figures are white, the fruits, etc., are gold, and the garlands are green.

VOLCANIC ERUPTION IN JAPAN.

VOLCANO ERUPTION IN JAPAN.

The peninsula of Wountsendake, and the greater part of Kewsew, bristle with volcanic mountains, some extinct, others still acting as safety-valves to the incomprehensible excitements of mother Earth; but of all the manifestations of her internal throes and torment, and their consequent desolation inflicted on the habitations of her children, that of 1792 was the most terrible for ages before.

The peninsula of Wountsendake and most of Kewsew are dotted with volcanic mountains, some of which are extinct while others still serve as pressure release valves for the intense forces of the Earth; however, among all the signs of her internal struggles and the devastation they bring to the lives of her inhabitants, the events of 1792 were the most horrific in ages.

"On the eighteenth day of the first month of that year," says the Annals of Japan, "the summit of the mountain was seen to crumble suddenly, and a thick smoke rose in the air. On the sixth of the following month there was an eruption in a spur on the eastern slope of the mountain. On the second of the third month an earthquake shook the whole island. At Simabara, the nearest town to the mountain, all the houses were thrown down, amidst a general terror and consternation, the shocks following each other with frightful rapidity. Wountsendake incessantly sent forth a hail-storm of stones, showers of ashes, and streams of lava, which devastated the country for many leagues round. At length, on the first day of the fourth month, there was a new commotion, which increased in intensity from moment to moment.

"On the eighteenth day of the first month of that year," says the Annals of Japan, "the top of the mountain suddenly crumbled, and thick smoke filled the air. On the sixth of the following month, there was an eruption on a spur of the mountain's eastern slope. On the second of the third month, an earthquake shook the entire island. In Simabara, the closest town to the mountain, all the houses collapsed, causing widespread terror and panic, with the shocks occurring in rapid succession. Wountsendake continuously unleashed a storm of stones, clouds of ash, and streams of lava, which ravaged the surrounding area for many miles. Finally, on the first day of the fourth month, there was another disturbance, which intensified moment by moment."

"Simabara was now a vast heap of ruins. Enormous blocks of rock, tumbling from the top of the mountain, crushed and ground to atoms all beneath them. Thunder rolled overhead, and dreadful sounds rumbled beneath the feet at one and the same time. All of a sudden, after an interval of calm, when men thought the scourge had passed over, the northern spur of Wountsendake, the Moikenyamma, burst forth with a tremendous detonation. A vast portion of that mountain was blown into the air. Colossal masses fell into the sea. A stream of boiling water rushed forth foaming from the cracks of this new volcano, and sped to the ocean, which at the same time advanced and flooded the land."

"Simabara was now a massive pile of ruins. Huge blocks of rock, tumbling down from the mountain, crushed everything beneath them to pieces. Thunder rolled overhead, and terrifying sounds rumbled beneath people's feet at the same time. Suddenly, after a brief moment of calm when everyone thought the worst was over, the northern spur of Wountsendake, the Moikenyamma, erupted with a tremendous blast. A large part of that mountain was sent flying into the air. Colossal chunks fell into the sea. A torrent of boiling water surged out, foaming from the cracks of this new volcano, racing toward the ocean, which simultaneously surged forward and flooded the land."

Then was seen a sight never seen before, intensifying the terror of the innumerable witnesses of that terrible day, which might well seem a Day of Judgment come. From the conflict of the boiling waters of the volcano with the cold waters of the tempestuous ocean, suddenly mingled, there arose waterspouts which ravaged the land in their devouring gyrations.

Then a sight appeared that had never been seen before, heightening the fear of the countless witnesses on that dreadful day, which could easily be mistaken for a Day of Judgment. From the clash of the volcano's boiling waters with the cold waters of the raging ocean, waterspouts suddenly formed, wreaking havoc on the land in their destructive whirlings.

The disasters caused by this accumulation of catastrophes, earthquakes, volcanic eruptions, waterspouts, inundations, united together, exceed belief. Not a single house of Simabara and its environs was spared: only the citadel remained, whose Cyclopean walls were formed of gigantic blocks of stone. The convulsions of nature on that day so changed the coast-line, that the most experienced mariners could not recognise its once familiar shape and bendings.

The disasters resulting from this buildup of calamities—earthquakes, volcanic eruptions, waterspouts, and floods—were beyond belief. Not a single house in Simabara and the surrounding areas was left untouched; only the citadel survived, its massive walls made of gigantic stone blocks. The natural upheavals that day altered the coastline so dramatically that even the most experienced sailors couldn’t recognize its once-familiar shape and curves.

Fifty-three thousand persons perished on that fatal day.

Fifty-three thousand people died on that tragic day.

ORIGIN OF THE HOUSE OF MULGRAVE.

ORIGIN OF THE HOUSE OF MULGRAVE.

The first diving bell was nothing but a very large kettle, suspended by ropes, with the mouth downwards, and planks to sit on fixed in the middle of its concavity. The Greeks at Toledo, in 1588, made an experiment before the Emperor Charles V. with it, when they descended with a lighted candle to a considerable depth. In 1683 William Phipps, the son of a blacksmith, formed a project for unloading a rich Spanish ship, sunk at Hispaniola; Charles II. gave him a ship, with every necessary for the undertaking; but being unsuccessful, Phipps returned in great poverty. He then endeavoured to procure another vessel, but failing, he got a subscription, to which the Duke of Albemarle contributed. In 1687, Phipps set sail in a ship of 200 tons, having previously engaged to divide the profits according to the twenty shares of which the subscription [Pg 603] consisted. At first all his labours proved fruitless, but at length, when he seemed almost to despair, he was fortunate enough to bring up so much treasure that he returned to England with £200,000 sterling. Of this sum he got about £20,000, and the Duke of Albemarle £90,000. Phipps was knighted by the king, and laid the foundation of the present house of Mulgrave.

The first diving bell was just a really large kettle, hanging upside down by ropes, with planks to sit on placed in the middle of its curve. In 1588, some Greeks in Toledo performed a test in front of Emperor Charles V, where they went down with a lit candle to a significant depth. In 1683, William Phipps, the son of a blacksmith, came up with a plan to unload a rich Spanish ship that had sunk near Hispaniola; Charles II provided him with a ship and everything he needed for the mission. However, when he failed, Phipps returned home in great poverty. He then tried to get another ship but, after failing, managed to raise a subscription, which the Duke of Albemarle supported. In 1687, Phipps set sail on a 200-ton ship, having previously agreed to share the profits according to the twenty shares of the subscription. At first, all his efforts were in vain, but eventually, when he was almost ready to give up, he was lucky enough to recover enough treasure to return to England with £200,000. Of this amount, he received about £20,000, and the Duke of Albemarle got £90,000. Phipps was knighted by the king and helped establish the current house of Mulgrave.

SHRINE OF ST. SEBALD AT NUREMBURG.

SHRINE OF ST. SEBALD AT NUREMBURG.

The city of Nuremberg—the birthplace of Albert Durer—is enriched with many works of high art. The most remarkable is the bronze shrine of St. Sebald, the work of Peter Vischer and his five sons, which still stands in all its beauty in the elegant church dedicated to the saint. The sketch on next page is a correct representation of it.

The city of Nuremberg—the birthplace of Albert Durer—is filled with many impressive works of art. The most notable is the bronze shrine of St. Sebald, created by Peter Vischer and his five sons, which still stands beautifully in the elegant church dedicated to the saint. The sketch on the next page provides an accurate representation of it.

Shrine of St. Sebald at Nuremburg

The shrine encloses, amid the most florid Gothic architecture, the oaken chest encased with silver plates, containing the body of the venerated saint: this rests on an altar decorated with basso-relievos, depicting his miracles. The architectural portion of this exquisite shrine partakes of the characteristics of the Rennaissance forms engrafted on the mediæval, by the influence of Italian art. Indeed, the latter school is visible as the leading agent throughout the entire composition. The figures of the Twelve Apostles and others placed around it, scarcely seem to belong to German art; they are quite worthy of the best Transalpine master. The grandeur, breadth, and repose of these wonderful statues, cannot be excelled. Vischer seems to have completely freed his mind from the conventionalities of his native schools: we have here none of the constrained, "crumpled draperies," the home studies for face and form so strikingly present in nearly all the works of art of this era, but noble figures of the men elevated above the earthly standard by companionship with the Saviour, exhibiting their high destiny by a noble bearing, worthy of the solemn and glorious duties they were devoted to fulfil. We gaze on these figures as we do on the works of Giotto and Fra Angelico, until we feel human nature may lose nearly all of its debasements before the "mortal coil" is "shuffled off," and that mental goodness may shine through and glorify its earthly tabernacle, and give an assurance in time present of the superiorities of an hereafter. Dead, indeed, must be the soul that can gaze on such works unmoved, appealing, as they do, to our noblest aspirations, and vindicating humanity from its fallen position, by asserting its innate, latent glories. Here we feel the truth of the scriptural phrase—"In his own image made he them."

The shrine features, amid the most elaborate Gothic architecture, an oak chest covered with silver plates, housing the body of the revered saint: this rests on an altar adorned with bas-reliefs that show his miracles. The architectural aspects of this stunning shrine incorporate characteristics of Renaissance styles blended with medieval forms, influenced by Italian art. Indeed, the latter school stands out as the main influence throughout the entire composition. The figures of the Twelve Apostles and others surrounding it hardly appear to be products of German art; they are worthy of the finest Transalpine masters. The grandeur, scale, and calmness of these incredible statues are unmatched. Vischer seems to have completely freed himself from the conventions of his native schools: instead of the stiff, "crumpled draperies," and the studied faces and forms typically found in nearly all artworks of this era, we see noble figures elevated above earthly standards through their connection with the Savior, displaying their high purpose with dignified postures, fitting for the solemn and glorious tasks they were dedicated to. We look at these figures as we do the works of Giotto and Fra Angelico, feeling that human nature can shed much of its shortcomings before the "mortal coil" is "shuffled off," and that mental goodness can shine through and elevate its earthly form, giving a promise of the greater existence to come. Only a dead soul could view such works without being moved, as they appeal to our highest aspirations and redeem humanity from its fallen state, asserting its inherent, hidden glories. Here, we feel the truth of the biblical phrase—"In his own image made he them."

The memory of Peter Vischer is deservedly honoured by his townsmen. The street in which his house is situated, like that in which Durer's stands, has lost its original name, and is now only known as Peter Vischer's Strasse; but these two artists are the only ones thus distinguished. Vischer was born in 1460, and died in 1529. He was employed by the warden of St. Sebald's, and magistrate of Nuremberg, Sebald Schreyer, to construct this work in honour of his patron saint; he began it in 1506, and finished it in 1519. Thirteen years of labour were thus devoted to its completion, for which he received seven hundred and seventy florins. "According to this tradition, Vischer was miserably paid for [Pg 604] this great work of labour and art; and he has himself recorded, in an inscription upon the monument, that 'he completed it for the praise of God Almighty alone, and the honour of St. Sebald, Prince of Heaven, by the aid of pious persons, paid by their voluntary contributions.'" The elaboration of the entire work is marvellous; it abounds with fanciful figures, seventy-two in number, disposed among the ornaments, or acting as supporters to the general composition. Syrens hold candelabra at the angles; and the centre has an air of singular lightness and grace. It is supported at the base by huge snails. At the western end there is a small bronze statue of Vischer; he holds his chisel in his hand, and in his workman's dress, with capacious leather apron, stands unaffectedly forth as a true, honest labourer, appealing only to such sympathies as are justly due to one who laboured so lovingly and so well.

The memory of Peter Vischer is rightfully honored by his fellow townspeople. The street where his house is located, like the one where Dürer's is, has lost its original name and is now only known as Peter Vischer's Strasse; however, these two artists are the only ones with such recognition. Vischer was born in 1460 and died in 1529. He was commissioned by Sebald Schreyer, the warden of St. Sebald's and a magistrate of Nuremberg, to create this work in honor of his patron saint; he started in 1506 and completed it in 1519. Thus, thirteen years of effort went into its completion, for which he received seven hundred seventy florins. "According to this tradition, Vischer was poorly compensated for [Pg 604] this significant work of labor and art; and he himself noted, in an inscription on the monument, that 'he completed it for the praise of God Almighty alone, and the honor of St. Sebald, Prince of Heaven, with the aid of pious individuals, funded by their voluntary contributions.'" The detail of the entire work is incredible; it features an abundance of imaginative figures, seventy-two in total, arranged among the decorations or serving as supports to the overall composition. Sirens hold candelabras at the corners; and the center displays a sense of unique lightness and grace. It is supported at the base by large snails. At the western end, there is a small bronze statue of Vischer; he holds his chisel in hand, and in his work attire, complete with a large leather apron, he stands authentically as a true and honest laborer, appealing only to the sympathies that are rightfully given to someone who worked so lovingly and so well.

A GREAT RESULT FROM TRIVIAL CIRCUMSTANCES.

A BIG OUTCOME FROM SMALL EVENTS.

That magnificent institution of active benevolence, Guy's Hospital, is one among a numerous list of instances where trifling events have produced most disproportionate consequences.

That incredible place of genuine kindness, Guy's Hospital, is one of many examples where small events have led to unexpectedly huge outcomes.

Thomas Guy

Thomas Guy, of whom the above is a sketch, taken from an old print, was the son of Thomas Guy an Anabaptist, lighterman and coal-dealer, in Horsleydown, Southwark. He was put apprentice in 1660 to a bookseller in the porch of Mercer's Chapel, and set up trade with a stock of about two hundred pounds, in the house that forms the angle between Cornhill and Lombard-street. The English Bibles being at that time very badly printed, Mr. Guy engaged with others in a scheme for printing them in Holland and importing them; but this being put a stop to, he contracted with the University of Oxford for their privilege of printing them, and carried on a great Bible trade for many years to considerable [Pg 606] advantage. He thus began to accumulate money, and his gains rested in his hands, for being a single man, and very penurious, his expenses were very trifling. His custom was to dine on his shop counter, with no other table-cloth than an old newspaper; he was also as little nice in regard to his dress. The bulk of his fortune, however, was acquired by the less reputable purchase of seamen's tickets during Queen Anne's wars, and by the South Sea stock in the memorable year 1720.

Thomas Guy, described in the sketch above, was the son of Thomas Guy, an Anabaptist, lighterman, and coal dealer in Horsleydown, Southwark. He became an apprentice to a bookseller in 1660 at Mercer's Chapel and started his business with around two hundred pounds in the location at the corner of Cornhill and Lombard Street. At that time, English Bibles were poorly printed, so Mr. Guy collaborated with others to print them in Holland and import them. However, when that plan was halted, he made a deal with the University of Oxford for the rights to print them, which led to a successful Bible business for several years with significant profit. He began to save money, as he was single and very frugal, so his expenses were minimal. His routine involved eating lunch on his shop counter with nothing but an old newspaper as a tablecloth, and he was equally unconcerned about his clothing. Most of his wealth, however, came from the less reputable acquisition of seamen's tickets during Queen Anne's wars and from the South Sea stock during the infamous year of 1720.

In proof of what we said at the outset, it is a fact that the public are indebted to a most trifling incident for the greatest part of his immense fortunes being applied to charitable uses. Guy had a maid-servant whom he agreed to marry; and preparatory to his nuptials he had ordered the pavement before his door to be mended as far as a particular stone which he marked. The maid, while her master was out, innocently looking on the paviours at work, saw a broken place they had not repaired, and mentioned it to them; but they told her that Mr. Guy had desired them not to go so far. "Well," says she, "do you mend it; tell him I bade you, and I know he will not be angry." It happened, however, that the poor girl presumed too much on her influence over her wary lover, with whom the charge of a few shillings extraordinary turned the scale against her, for Guy, enraged to find his orders exceeded, renounced the matrimonial scheme, and built hospitals in his old age. In 1707 he built and furnished three wards on the north side of the outer court of St. Thomas's Hospital, and gave one hundred pounds to it annually for eleven years preceding the erection of his own hospital.

In support of what we mentioned earlier, it’s a fact that the public owes a significant part of his vast fortune being used for charity to a very minor incident. Guy had a maid he planned to marry; to prepare for their wedding, he ordered the pavement in front of his door to be repaired up to a specific stone that he marked. While her master was out, the maid, innocently watching the workers, noticed a broken spot they hadn't fixed and brought it up to them. They told her that Mr. Guy had instructed them not to go that far. “Well,” she said, “go ahead and fix it; tell him I asked you to, and I know he won't mind.” Unfortunately, the poor girl overestimated her influence over her cautious partner, and a few extra shillings tipped the balance against her. Guy, furious to discover his orders had been disregarded, canceled the marriage plans and went on to build hospitals in his later years. In 1707, he constructed and furnished three wards on the north side of the outer court of St. Thomas's Hospital, and he donated one hundred pounds annually for eleven years leading up to the building of his own hospital.

Sometime before his death he erected the stately gate with the large houses on each side, at the expense of about three thousand pounds. He was seventy-six years of age when he formed the design of building the hospital near St. Thomas's, which bears his name. The charge of erecting this vast pile amounted to £18,793, besides £219,499 which he left to endow it, and he just lived to see it roofed in.

Sometime before he passed away, he built the impressive gate with the large houses on either side, spending about three thousand pounds. He was seventy-six years old when he came up with the idea of constructing the hospital near St. Thomas's, which is named after him. The cost of building this massive structure came to £18,793, in addition to £219,499 that he left to fund it, and he narrowly lived to see it finished with a roof.

He erected and endowed an almshouse and library at Tamworth, the place of his mother's nativity, and which he represented in Parliament. It contains fourteen poor men and women, and the fund provides also for the apprenticing of poor children. He also bequeathed four hundred pounds a-year to Christ's Hospital.

He built and funded an almshouse and library in Tamworth, where his mother was born and which he represented in Parliament. It supports fourteen poor men and women, and the fund also helps to apprentice poor children. He also left four hundred pounds a year to Christ's Hospital.

Mr. Guy died December 17th, 1724 in the eighty-first year of his age, and his will bears date September 4th, in the same year.

Mr. Guy died on December 17, 1724, at the age of eighty-one, and his will is dated September 4 of that same year.

PHAROS AT ALEXANDRIA.

Lighthouse at Alexandria.

To render the harbour safe of approach at all times, Ptolemy Soter, who, on the death of Alexander, obtained the government of Egypt, determined on erecting a lighthouse on the eastern extremity of the isle of Pharos, the celebrity of which has given the same name to all other lighthouses.

To ensure that the harbor was safe to approach all the time, Ptolemy Soter, who took control of Egypt after Alexander's death, decided to build a lighthouse on the eastern end of the island of Pharos, which became so famous that it's what all other lighthouses are named after.

This "pharos" was in height 450 feet, and could be seen at a distance of 100 miles. It was built of several stories, decreasing in dimension towards the top, where fires were lighted in a species of lantern. The [Pg 607] ground-floor and the two next above it were hexagonal; the fourth was a square with a round tower at each angle; the fifth floor was circular, continued to the top, to which a winding staircase conducted. In the upper galleries some mirrors were arranged in such a manner as to show the ships and objects at sea for some considerable distance. On the top a fire was constantly kept, to direct sailors into the bay, which was dangerous and difficult of access.

This "pharos" was 450 feet tall and could be seen from 100 miles away. It was built in several stories, getting smaller as it went up, where fires were lit in a kind of lantern. The [Pg 607] ground floor and the next two floors were hexagonal; the fourth floor was a square with a round tower at each corner; the fifth floor was circular and extended to the top, where a winding staircase led up. In the upper galleries, some mirrors were positioned to reflect images of ships and objects at sea for quite a distance. At the top, a fire was kept burning continuously to guide sailors into the bay, which was dangerous and hard to navigate.

The whole of this masterpiece of art was exquisitely wrought in stone, and adorned with columns, balustrades, and ornaments, worked in the finest marble. To protect the structure from the ocean storms, it was surrounded entirely by a sea wall. Ancient writers say the building of this tower cost 800 talents, which is equivalent to £165,000, if Attic talents; but if Alexandrian, double that sum.

The entire masterpiece was beautifully crafted from stone and decorated with columns, railings, and details made from the finest marble. To shield the structure from ocean storms, it was completely surrounded by a sea wall. Ancient writers claim that building this tower cost 800 talents, which is about £165,000 if using Attic talents; but if using Alexandrian talents, it would be double that amount.

The building was not completed during the reign of the first Ptolemy, but was finished in the reign of his son Ptolemy Philadelphus, who put this inscription upon it:—

The building wasn't finished during the rule of the first Ptolemy, but it was completed during the reign of his son Ptolemy Philadelphus, who put this inscription on it:—

"King Ptolemy, to the Gods the Saviours, for the benefit of sailors."

"King Ptolemy, to the Gods the Saviors, for the benefit of sailors."

Sostratus the architect, wishing to claim all the glory of the building, engraved his own name on the solid marble, and afterwards coated it with cement. Thus, when time had decayed the mortar Ptolemy's name disappeared, and the following inscription became visible:—

Sostratus the architect, wanting to take full credit for the construction, carved his own name into the durable marble, and then covered it with cement. So, when time wore away the mortar, Ptolemy's name faded, and the following inscription became visible:—

"Sostratus the Cnidian, to the Gods the Saviours, for the benefit of sailors."

"Sostratus of Cnidus, to the Gods the Saviours, for the benefit of sailors."

Of this remarkable tower not a vestige remains, and history gives us no further information than we have here: of its gradual decay or of its violent destruction we have no record; but that such a structure as described stood there, there can be not a shadow of doubt, from the fact that all buildings for like purposes among the Greeks and Romans derive their designation from this.

Of this impressive tower, not a trace remains, and history doesn’t provide us with any more information than we have here: we have no record of its slow deterioration or sudden destruction; however, there’s no doubt that such a structure as described once stood there, since all buildings for similar purposes among the Greeks and Romans are named after it.

SEPULCHRAL VASES OF ANCIENT EGYPT.

Ancient Egyptian funerary vases.

Sepulchral Vase

In ancient Egypt terra-cotta pottery was extensively made use of for vases or jars to hold the entrails of the dead. In order to preserve the body effectually, it was necessary to remove the softer portions, such as the thoracic and abdominal viscera, and these were embalmed separately. In some instances they were returned into the stomach, with wax models of four deities, commonly called the four genii of the Ament or Hades. It was, however, usual in the embalmment of the wealthier classes to soak them carefully in the requisite preparations, tie them up in neat cylindrical packets, and deposit them in vases having the shape of the four genii. The bodies of these deities, which were usually represented as mummied, formed the bodies of the vases, and were cylindrical below and rounded above. The mouths of the jars were sometimes countersunk to receive the lower part of the covers which fitted into them like a plug. The jar of the first genius, whose name was Am-set, "the devourer of filth," held the stomach and large intestines, and was formed at the top like a human head. This genius typified, or presided over the southern quarter of the compass. He was the son of Osiris [Pg 608] or of Phtha Socharis Osiris, the pygmean god of Memphis. The second vase of the series was in the shape of the genius Hapi, the "concealed." Its cover was shaped like the head of a cynocephalus, and it held the smaller viscera. This genius presided over the north, and was also the son of Osiris. The third vase was that of the genius Trautmutf, "the adorer of his mother." We here annex an engraving of it. It had a cover in shape of the head of a jackal, and held the lungs and heart. This genius presided over the East, and was brother of the preceding. The last was that of the genius Kebhsnuf, the refresher of his brethren. It had a cover shaped like the head of a sparrow-hawk, and held the liver and gall-bladder. This genius presided over the west, and was also brother of the preceding. Three vases of a set, in the British Museum, have all human-shaped heads, and are provided with handles at the sides of the bodies. Specimens of a very unusual kind are also to be found in the same collection, having the whole body formed without a cover, in the shape of a dome above, and surmounted by a rudely modelled figure of a jackal, couchant upon a gateway, formed of a detached piece. The entrails were introduced by the rectangular orifice in the upper part. In some other instances the covers appear to have been secured by cords passing through them to the body of the vase. When secured, the vases were placed in a wooden box, which was laid on a sledge and carried to the sepulchre, where they were often taken out and placed, two on each side of the coffin. It was only the poorer classes that used pottery for these purposes. The viscera of high officers of state were embalmed in jars of fine white limestone, and the still more valuable oriental alabasters or arragonite, obtained from the quarries of Tel El Amarna, or the ancient Alabastron.

In ancient Egypt, clay pottery was widely used for vases or jars to store the entrails of the dead. To effectively preserve the body, it was essential to remove the softer parts, like the organs in the chest and abdomen, which were embalmed separately. In some cases, these were placed back into the stomach along with wax models of four deities, commonly referred to as the four genii of the Ament or Hades. However, for wealthier individuals, the organs were carefully soaked in necessary preparations, wrapped in neat cylindrical packets, and stored in vases shaped like the four genii. The bodies of these deities, typically depicted as mummified, formed the bases of the vases, which were cylindrical at the bottom and rounded at the top. The tops of the jars were sometimes indented to hold the lower part of the lids that fit in like a plug. The jar of the first genius, named Am-set, "the devourer of filth," contained the stomach and large intestines and was shaped at the top like a human head. This genius symbolized the southern part of the compass. He was the son of Osiris or Phtha Socharis Osiris, the pygmy god of Memphis. The second vase was shaped like the genius Hapi, "the concealed." Its cover resembled the head of a cynocephalus and contained the smaller organs. This genius presided over the north and was also the son of Osiris. The third vase belonged to the genius Trautmutf, "the adorer of his mother." We include an engraving of it here. It had a lid shaped like a jackal's head and held the lungs and heart. This genius presided over the East and was the brother of the previous one. The last vase belonged to the genius Kebhsnuf, the refresher of his siblings. It had a lid shaped like a sparrow-hawk's head and held the liver and gallbladder. This genius presided over the west and was also a brother of the preceding. Three vases from a set in the British Museum all have human-shaped heads and come with handles on the sides. There are also very unique specimens in the same collection, featuring a body shaped like a dome with a crudely modeled figure of a jackal resting on top of a gateway, made from a separate piece. The entrails were inserted through a rectangular opening at the top. In some other cases, the lids appear to have been secured with cords going through them to the body of the vase. Once secured, the vases were placed in a wooden box, which was loaded onto a sledge and taken to the tomb, where they were often removed and placed two on each side of the coffin. Only the poorer classes used pottery for these purposes. The organs of high-ranking officials were embalmed in jars made of fine white limestone and even more valuable oriental alabasters or arragonite, sourced from the quarries of Tel El Amarna, or the ancient Alabastron.

THE SACRO CATINO.

THE SACRO CATINO.

The celebrated "Sacro Catino," part of the spoil taken by the Genoese at the storming of Cesarea, which was believed to be cut from a single emerald, and had, according to tradition, been presented by the Queen of Sheba to Solomon, was for ages the pride and glory of Genoa, and an object of the greatest devotional reverence at the yearly exhibitions, which were attended with great pomp and ceremony. Such was the opinion of its intrinsic value, that on many occasions the republic borrowed half a million of ducats upon the security of this precious relic. [Pg 609] When the French armies, during the first Revolution, plundered Italy of its treasures, it was sent with other spoils to Paris. Upon examination, it was, instead of emerald, proved to be composed of glass, similar to that found in the Egyptian tombs, of which country it was, no doubt, the manufacture. At the Restoration the Sacro Catino was returned in a broken state, and now lies shorn of all its honours, a mere broken glass vessel, in the sacristy of the Church of San Lorenzo.

The famous "Sacro Catino," which was taken by the Genoese during the storming of Cesarea and was believed to be carved from a single emerald—traditionally said to have been gifted by the Queen of Sheba to Solomon—was for centuries a source of pride and glory for Genoa. It was highly revered during the annual exhibitions that featured it with great pomp and ceremony. Its perceived value was so high that the republic once borrowed half a million ducats using this precious relic as collateral. [Pg 609] When the French armies plundered Italy during the first Revolution, it was sent along with other treasures to Paris. Upon inspection, it turned out not to be emerald but glass, resembling that found in Egyptian tombs, indicating it was likely made in Egypt. After the Restoration, the Sacro Catino was returned, but in a broken state, and now it exists stripped of all its honors, merely a shattered glass vessel, in the sacristy of the Church of San Lorenzo.

DINNER PARTY IN THE SEVENTEENTH CENTURY.

DINNER PARTY IN THE SEVENTEENTH CENTURY.

Dinner Party in the Seventeenth Century

The cut which we here present to our readers is taken from the English edition of the Janua Linguarum of Comenius, and represents the forms of dining in England under the Protectorate. It will be best described by the text which accompanies it in the book, and in which each particular object is mentioned. "When a feast is made ready," we are told, "the table is covered with a carpet and a table-cloth by the waiters, who, besides, lay the trenchers, spoons, knives, with little forks, table napkins, bread, with a salt-cellar Messes are brought in platters, a pie in a plate. The guests being brought in by the host, wash their hands out of a laver or ewer, over a hand-basin, or bowl, and wipe them with a hand towel: they then sit at the table on chairs. The carver breaketh up the good cheer, and divideth it. Sauces are set amongst roste-meat in sawsers. The butler filleth strong wine out of a cruse, or wine-pot, or flagon, into cups or glasses, which stand on a cupboard, and he reacheth them to the master of the feast, who drinketh to his guests." It will be observed here that one salt-cellar is here placed in the middle of the table. This was the usual custom; and, as one long table had been substituted for the several tables formerly standing in the hall, the salt-cellar was considered to divide the table into distinct parts, guests of more distinction being placed above the salt, while the places below the salt were assigned [Pg 610] to inferiors and dependents. This usage is often alluded to in the old dramatists. Thus, in Ben Jonson, it is said of a man who treats his inferiors with scorn, "he never drinks below the salt, i. e. he never exchanges civilities with those who sit at the lower end of the table." And in a contemporary writer, it is described as a mark of presumption in an inferior member of the household "to sit above the salt."

The excerpt we’re sharing with our readers comes from the English edition of Comenius' *Janua Linguarum* and illustrates dining customs in England during the Protectorate. It is best explained by the accompanying text in the book, which details each item. "When a feast is prepared," we learn, "the waiters cover the table with a cloth and a carpet, and also set out the trenchers, spoons, knives, small forks, napkins, bread, and a salt cellar. Dishes are served on platters, with a pie on a plate. When the guests arrive, the host leads them to wash their hands in a basin or bowl, drying them with a towel. They then sit at the table on chairs. The carver serves the food and divides it. Sauces are placed among the roasted meats in sauce dishes. The butler pours strong wine from a pitcher or flagon into cups or glasses arranged on a sideboard, and hands them to the host, who drinks to his guests." It’s noticeable that there’s a salt cellar in the middle of the table. This was the common practice; since a long table replaced the several tables that used to be in the hall, the salt cellar was seen as a way to divide the table into sections. Guests of higher status sat above the salt, while those below the salt were considered inferiors and dependents. This practice is frequently referenced in old plays. For instance, Ben Jonson remarks on a man who looks down on his inferiors, saying, "he never drinks *below the salt*, meaning he doesn’t acknowledge civilities with those sitting at the lower end of the table." A contemporary writer notes that it is a sign of arrogance for a lower-ranking member of the household "to sit above the salt."

SAND-COLUMNS IN AFRICA.

Sand columns in Africa.

Of this remarkable phenomenon, we extract the following interesting account from the Rev. N. Davis's "Evenings in my Tent";—

Of this remarkable phenomenon, we pull the following interesting account from Rev. N. Davis's "Evenings in my Tent";—

"The heat, during the last day or two, has been intense. The thermometer in my tent, during day and night, has been almost stationary at 100 degrees. My men have done, and still do, everything in their power to keep the tent cool, by erecting a high palm-branch fence around it, and by a constant immersion of the ground, but all this to very little effect. The wind, during this day, has been as hot as the flames issuing from a furnace; and the clouds of sand it raised, and carried along in its furious march, have been immense. In the distance could be seen numbers of sand columns; but these did not retain their form any considerable length of time. A contrary blast brought them in collision with each other; and these, blending their contents, raised a complete and dense barrier between us and the country beyond. I am no lover of danger; but, I must confess, I had an inward desire to see this phenomenon—one of the horrors of the desert—in greater perfection. I believe Bruce witnessed one of the most stupendous exhibitions of sand columns or sand spouts, caused by circular or whirl-winds, on record. In his journey through the desert of Senaar, his attention was attracted to a number of prodigious pillars of sand, at different distances, moving at times with great celerity, at others, stalking on with majestic slowness: at intervals, he thought they were coming in a very few minutes to overwhelm him and his companions. Again they would retreat, so as to be almost out of sight, their tops reaching to the very clouds. There the tops often separated, from the bodies; and these, once disjoined, dispersed in the air, and appeared no more. Sometimes they were broken near the middle, as if struck with a large cannon-shot. About noon, they began to advance with considerable swiftness upon them, the wind being very strong at north. Eleven of these awful visitors ranged alongside of them, at about the distance of three miles. The greatest diameter of the largest appeared to him, at that distance, as if it would measure ten feet. They retired from them, with a wind at south-east, leaving an impression upon the mind of our intrepid traveller to which he could give no name, though he candidly admits that one ingredient in it was fear, with a considerable deal of wonder and astonishment. He declares it was in vain to think of flying; the swiftest horse, or fastest sailing ship, could be of no use to carry them out of this danger,—and the full persuasion of this riveted him to the spot where he stood. Next day they were gratified by a similar display of moving pillars, in form and disposition like those already described, only they seemed to be more in number, and less in size. They came several times in a direction close [Pg 611] upon them; that is, according to Mr. Bruce's computation, within two miles. They became, immediately after sunrise, like a thick wood, and almost darkened the sun, his rays, shining through them for near an hour, gave them an appearance of pillars of fire. At another time they were terrified by an army of these sand pillars, whose march was constantly south, a number of which seemed once to be coming directly upon them, and, though they were little nearer than two miles, a considerable quantity of sand fell around them. On the 21st of November, about eight in the morning, he had a view of the desert to the westward as before, and saw the sands had already begun to rise in immense twisted pillars, which darkened the heavens, and moved over the desert with more magnificence than ever. The sun shining through the pillars, which were thicker, and contained more sand apparently than any of the preceding ones, seemed to give those nearest them an appearance as if spotted with stars of gold. A little before twelve, the wind at north ceased, and a considerable quantity of fine sand rained upon them for an hour afterwards."

The heat over the last couple of days has been extreme. The thermometer in my tent has been stuck at around 100 degrees both day and night. My team has done everything they can to keep the tent cool, building a tall palm-branch fence around it and constantly soaking the ground, but it has barely helped. Today, the wind has been as hot as flames from a furnace, kicking up huge clouds of sand as it rushed by. In the distance, you could see several sand columns, but they didn’t hold their shape for long. Different winds slammed them together, mixing them up and creating a solid wall of sand between us and the land beyond. I’m not one for danger, but I can't deny I had a strong urge to see this spectacle—one of the terrifying aspects of the desert—in all its glory. I believe Bruce witnessed one of the most impressive displays of sand columns or spouts caused by whirlwinds ever recorded. While traveling through the desert of Senaar, he saw massive pillars of sand at varying distances, sometimes moving quickly and at other times slowly and majestically. There were moments when it looked like they might overwhelm him and his crew, only for them to retreat almost out of sight, their tops reaching the clouds. The tops often separated from the bases and, once disconnected, vanished into thin air. At times, they broke apart in the middle, as if struck by cannon fire. Around noon, several of these terrifying formations quickly advanced toward them, the wind blowing strongly from the north. Eleven of these enormous pillars moved alongside them, about three miles away. The widest of the largest appeared to be about ten feet across at that distance. They retreated with the wind coming from the southeast, leaving a lasting impression on our brave traveler that he couldn’t quite name, though he openly admits it included fear mixed with a lot of wonder and amazement. He stated it was pointless to think of fleeing; no fast horse or ship could help them escape this danger—and that realization pinned him to the spot. The next day, they were treated to another display of moving sand pillars, similar in shape and arrangement to the previous ones but greater in number and smaller in size. They moved toward them several times, according to Mr. Bruce's calculations, within two miles. After sunrise, they resembled a dense forest, nearly blocking out the sun; the rays shining through created an effect like pillars of fire. At another moment, they were alarmed by a group of these sand pillars, moving steadily south, a few of which seemed to be headed right for them, and although they weren’t even two miles away, a significant amount of sand fell all around them. On November 21st, around eight in the morning, he looked westward at the desert and saw that massive twisted pillars of sand had begun to rise, darkening the sky and gliding across the desert more magnificently than before. The sun shone through the pillars, which appeared thicker and contained more sand than any seen previously, making those nearest to them look as if they were speckled with stars of gold. A little before noon, the northern wind died down, and a substantial amount of fine sand rained down on them for about an hour afterward.

ANTIQUITY OF INTOXICATING DRINKS.

History of Alcoholic Beverages.

It is a common belief that wine was the only inebriating liquor known to antiquity, but this is a mistake. Tacitus mentions the use of ale or beer as common among the Germans of his time. By the Egyptians, likewise, whose country was ill adapted to the cultivation of the grape, it was employed as a substitute for wine. Ale was common in the middle ages, and Mr. Park states that very good beer is made, by the usual process of brewing and malting, in the interior of Africa. The favourite drink of our Saxon ancestors was ale or mead. Those worshippers of Odin were so notoriously addicted to drunkenness, that it was regarded as honourable rather than otherwise; and the man who could withstand the greatest quantity was looked upon with admiration and respect: whence the drunken songs of the Scandinavian scalds: whence the glories of Valhalla, the fancied happiness of whose inhabitants consisted of quaffing draughts from the skulls of their enemies slain in battle. Even ardent spirit, which is generally supposed to be a modern discovery, probably existed from a very early period. It is said to have been first made by the Arabians in the middle ages, and in all likelihood may lay claim to a still remoter origin. The spirituous liquor called arrack has been manufactured in the island of Java, as well as in the continent of Hindostan, from time immemorial. Brandy was made in Sicily at the commencement of the fourteenth century. As to wine, it was so common in ancient times as to have a tutelar god appropriated to it; Bacchus and his companion Silenus are as household words in the mouths of all, and constituted most important features of the heathen mythology. We have all heard of the Falernian and Campanian wines, and of the wines of Cyprus and Shiraz. Indeed, there is reason to believe that the ancients were in no respect inferior to the moderns in the excellence of the vinous liquors, whatever they may have been in the variety. Wine was so common in the eastern nations that Mahomet, foreseeing the baleful effects of its propagation, forbade [Pg 612] it to his followers, who, to compensate themselves, had recourse to opium. The Gothic or dark ages seem to have been those in which it was the least common; in proof of this it may be mentioned that, so late as 1298, it was vended as a cordial by the English apothecaries. At the present day it is little drunk, except by the upper classes, in those countries which do not naturally furnish the grape. In those that do, it is so cheap as to come within the reach of even the lowest.

It’s a common belief that wine was the only alcoholic drink known to ancient times, but that’s a mistake. Tacitus mentions that ale or beer was common among the Germans of his era. The Egyptians, whose land wasn’t suitable for growing grapes, also used it as a substitute for wine. Ale was popular in the Middle Ages, and Mr. Park states that good beer is made, using the usual brewing and malting processes, in the interior of Africa. Our Saxon ancestors favored ale or mead. Those who worshipped Odin were known for their heavy drinking, which was seen as honorable; the person who could drink the most was admired and respected, leading to the drunken songs of the Scandinavian skalds and the glory of Valhalla, where the happiness of its inhabitants came from drinking from the skulls of their enemies killed in battle. Even spirits, which are generally thought to be a modern invention, likely existed much earlier. They were first made by Arabs in the Middle Ages, but they probably have an even older history. The spirit called arrack has been made on the island of Java, as well as in the continent of Hindostan, for a very long time. Brandy was produced in Sicily at the beginning of the fourteenth century. Wine was so common in ancient times that it had a guardian god; Bacchus and his companion Silenus are well-known names and were significant figures in pagan mythology. We’ve all heard of Falernian and Campanian wines, as well as wines from Cyprus and Shiraz. There’s reason to believe that the ancients were at least as good as modern people when it comes to the quality of their wines, if not in their variety. Wine was so widely consumed in Eastern nations that Mahomet, anticipating its harmful effects, forbade it to his followers, who turned to opium instead. The Gothic or Dark Ages seemed to be a time when wine was the least available; for example, as late as 1298, it was sold as a cordial by English apothecaries. Nowadays, it’s mostly consumed by the upper classes in countries that don’t naturally produce grapes. In places that do, it’s so inexpensive that even the poorest can afford it.

RUINS OF CLONMACNOIS.

Clonmacnoise Ruins.

Ruins of Clonmacnois

A few miles south of Athlone are the famous ruins of Clonmacnois, the school where, according to Dr. O'Connor, "the nobility of Connaught had their children educated, and which was therefore called Cluan-mac-nois, 'the secluded recess of the sons of nobles.'" It was also, in ancient times, a renowned cemetery of the Irish kings; and for many centuries it has continued a favourite burial-place, the popular belief enduring to this day, that all persons interred here pass immediately from earth to heaven. The abbey is said to have been founded by St. Kieran about the middle of the sixth century, and soon became "amazingly enriched," so that, writes Mr. Archdall, "its landed property was so great, and the number of cells and monasteries subjected to it so numerous, that almost half of Ireland was said to be within the bounds of Clonmacnois." The ruins retain marks of exceeding splendour. In the immediate vicinity there are two "Round Towers." The above engraving represents one of the many richly-carved stone crosses that are scattered in all directions among the ruins.

A few miles south of Athlone are the famous ruins of Clonmacnois, the school where, according to Dr. O'Connor, "the nobility of Connaught had their children educated, and which was therefore called Cluan-mac-nois, 'the secluded recess of the sons of nobles.'" It was also, in ancient times, a well-known cemetery for the Irish kings; and for many centuries, it has remained a popular burial site, with the enduring belief that everyone buried here goes straight from earth to heaven. The abbey is said to have been founded by St. Kieran around the mid-sixth century and quickly became "amazingly enriched," so that, as Mr. Archdall writes, "its landed property was so great, and the number of cells and monasteries under its authority so numerous, that almost half of Ireland was said to be within the bounds of Clonmacnois." The ruins show signs of great splendor. Nearby, there are two "Round Towers." The engraving above depicts one of the many intricately carved stone crosses scattered throughout the ruins.

THE BRICKS OF BABYLON.

THE BRICKS OF BABYLON.

Bricks of Babylon

Besides sun-dried bricks, remains of kiln-baked or burnt bricks are found in all the principal ruins of ancient Babylonia, and were used for the purpose of revetting or casing the walls. Like the sun-dried [Pg 613] bricks they are made of clay mixed with grass and straw, which have, of course, disappeared in the baking, leaving, however, traces of the stalks or stems in the clay. Generally they are slack-burnt, of a pale red colour, with a slight glaze or polish. The finest sort, according to Mr. Rich, are white, approaching more or less to a yellowish cast, like our Stourbridge, or fire-brick; the coarsest are red, like our ordinary brick. Some have a blackish cast, and are very hard. The finest are those which come from the ruins of the Akerkuf. The general measurement of the kiln-dried bricks, at the Birs Nimrúd, is 1 ft. 1 in. square, and 3 in. thick. Some are submultiples, or half of these dimensions. A few are of different shapes for particular purposes, such as rounding corners. Those at the Akerkuf measured a trifle less, or 12½ in. square, and 2¾ in. thick, and are placed at the base of the monument. The bricks of Al Hymer, on the eastern bank, measure 14 in. long, 12¾ in. broad, 2½ in. thick, and are of fine fabric. There are bricks of two dimensions at this ruin of the Birs Nimrúd; those on the northern brow, a little way down it, measure 12 in. square, and 3¼ in. thick; they are of a pale red colour, and used for revetting the monument. Lower down to the east of this, they are 4¾ in. broad, and 12¾ in. long. Similar bricks were found at the Mujellibe, and in one place was an entire wall of them 60 feet thick. The whole plain here is covered with masses of brick work, and on one of the mounds the bricks are so red, that it looks one bright gleaming mass. The bricks from the Mujellibe or Kasr are described as very hard, and of a pale yellow colour; and this edifice presents a remarkable appearance of freshness. We have seen only one fragment of a brick from Niffer; it is of a white, or rather yellowish white colour, and sandy, gritty texture. This spot, it will be remembered, is supposed to be the site of old Babylon. All these bricks are made by the same process as those of Assyria, namely, stamped out of a wooden or terra-cotta mould, and are also impressed with several lines of cuneiform character. This impression is always sunk below the superficies, rectangular, and often placed obliquely on the brick, with that disregard to mechanical symmetry which is so usual on works of [Pg 614] ancient art. The stamp is generally about 6 inches long, by 4 inches wide, and the number of lines varies from three to seven: an arrangement quite different from that observed on the bricks of Assyria, and rather resembling that adopted by the brick-makers of Egypt. The engraving on previous page is of a brick stamped with the name of Nebuchadnezzar, which is now in the possession of the Royal Society of Literature. The inscriptions sometimes commence with the figure of a lion, a bull, or what may be intended for an altar. These read, according to Sir H. Rawlinson,—

Besides sun-dried bricks, remains of kiln-baked or burnt bricks are found in all the main ruins of ancient Babylonia and were used to line or cover the walls. Like the sun-dried bricks, they are made from clay mixed with grass and straw, which of course burned away during baking, leaving traces of the stalks or stems in the clay. Generally, they are undercooked, pale red, and have a slight glaze or shine. According to Mr. Rich, the finest ones are white, with a yellowish tint, similar to Stourbridge or fire-brick; the coarsest are red, like standard bricks. Some have a blackish tint and are quite hard. The best ones come from the ruins of Akerkuf. The typical size of the kiln-dried bricks at Birs Nimrúd is 1 ft. 1 in. square and 3 in. thick. Some are smaller, being half those dimensions. A few are shaped differently for specific purposes, like rounding corners. The bricks at Akerkuf measured slightly less, at 12½ in. square and 2¾ in. thick, and are placed at the base of the monument. The bricks from Al Hymer, on the eastern bank, are 14 in. long, 12¾ in. wide, and 2½ in. thick, and have a fine quality. There are two sizes of bricks at the ruin of Birs Nimrúd; those on the northern slope measure 12 in. square and 3¼ in. thick; they are pale red and used for coating the monument. Further down to the east, they measure 4¾ in. wide and 12¾ in. long. Similar bricks were found at Mujellibe, where one wall was 60 feet thick. The entire plain here is covered with masses of brickwork, and on one of the mounds, the bricks are so red that they appear as a bright, gleaming mass. The bricks from Mujellibe or Kasr are described as very hard and pale yellow; this structure looks remarkably fresh. We have seen only one fragment of a brick from Niffer; it is white, or rather yellowish-white, with a sandy, gritty texture. This site is believed to be the location of ancient Babylon. All these bricks are made by the same methods as those of Assyria, stamped from wooden or terra-cotta molds, and are also marked with various lines of cuneiform characters. This impression is always recessed below the surface, rectangular, and often slanted on the brick, showing a disregard for mechanical symmetry typical in ancient art. The stamp is generally about 6 inches long and 4 inches wide, with the number of lines varying from three to seven; this arrangement is quite different from those seen on Assyrian bricks and resembles the style used by Egyptian brick-makers. The engraving on the previous page shows a brick stamped with Nebuchadnezzar's name, which is now held by the Royal Society of Literature. The inscriptions sometimes start with the image of a lion, a bull, or a symbol that may represent an altar. These read, according to Sir H. Rawlinson,—

[of] Nebuchadnezzar,
the king of Babylon,
founder of Beth Digla, or Saggalu,
and of Beth Tzida
son of Nebopalasar [I am].

[of] Nebuchadnezzar,
the king of Babylon,
founder of Beth Digla, or Saggalu,
and of Beth Tzida
son of Nebopalasar [I am].

A TURKISH BAZAAR.

A Turkish market.

A Turkish bazaar is one of the most wonderful sights in the world, and well deserves a place in our record of curiosities. We cannot do better than quote the description which Mr. Albert Smith gives of one of these extraordinary places in his "Month at Constantinople:"—

A Turkish bazaar is one of the most incredible sights in the world and truly deserves a spot in our list of curiosities. We couldn't do better than to quote the description Mr. Albert Smith provides of one of these extraordinary places in his "Month at Constantinople:"—

"Smyrna had, in some measure, prepared me for the general appearance of an oriental bazaar; but the vast extent of these markets at Constantinople created a still more vivid impression. To say that the covered rows of shops must altogether be miles in length—that vista after vista opens upon the gaze of the astonished stranger, lined with the costliest productions of the world, each collected in its proper district—that one may walk for an hour, without going over the same ground twice, amidst diamonds, gold, and ivory; Cashmere shawls, and Chinese silks; glittering arms, costly perfumes, embroidered slippers, and mirrors; rare brocades, ermines, Morocco leathers, Persian nick-nacks; amber mouthpieces, and jewelled pipes—that looking along the shortest avenue, every known tint and colour meets the eye at once, in the wares and costumes, and that the noise, the motion, the novelty of this strange spectacle is at first perfectly bewildering—all this, possibly, gives the reader the notion of some kind of splendid mart, fitted to supply the wants of the glittering personages who figure in the Arabian Nights' Entertainments; yet it can convey but a poor idea of the real interest which such a place calls forth, or the most extraordinary assemblage of treasures displayed there, amidst so much apparent shabbiness. No spot in the world—neither the Parisian Boulevards, nor our own Regent-street—can boast of such an accumulation of valuable wares from afar, as the great bazaar at Constantinople. Hundreds and thousands of miles of rocky road and sandy desert have been traversed by the moaning camels who have carried those silks and precious stones from Persia, with the caravan. From the wild regions of the mysterious central Africa, that ivory, so cunningly worked, in the next row, has been brought—the coal-black people only know how—until the Nile floated it down to Lower Egypt. Then those soft Cashmere shawls have made a long and treacherous journey to Trebizond, whence the fleet barks of the cold and stormy Euxine at last [Pg 615] brought them up the fairy Bosphorus to the very water's edge of the city. From the remote active America; from sturdy England; from Cadiz, Marseilles, and all along the glowing shores of the Mediterranean, safely carried over the dark and leaping sea, by brave iron monsters that have fought the winds with their scalding breath, these wares have come, to tempt the purchasers, in the pleasant, calm, subdued light of the bazaars of Stamboul."

"Smyrna had somewhat prepared me for the general look of an oriental bazaar, but the massive scale of the markets in Constantinople made an even stronger impression. The covered rows of shops stretch for miles—each vista opens up before the astonished visitor, filled with the most expensive goods from around the world, all arranged in their specific areas. You can walk for an hour without retracing your steps, surrounded by diamonds, gold, and ivory; Cashmere shawls and Chinese silks; shining weapons, luxury perfumes, embroidered slippers, and mirrors; rare brocades, ermine, Moroccan leathers, Persian trinkets; amber mouthpieces and jeweled pipes. Looking down the shortest pathway, every known hue and shade catches your eye in the merchandise and clothing, and the noise, movement, and novelty of this strange sight can be completely overwhelming at first. All of this might give you an idea of some kind of lavish market that caters to the glamorous figures in the Arabian Nights' tales, but it barely captures the true fascination of such a place or the extraordinary collection of treasures displayed there amidst apparent roughness. No other place in the world—neither the Parisian Boulevards nor our own Regent Street—can claim such a vast accumulation of valuable goods from afar as the great bazaar of Constantinople. Hundreds and thousands of miles of rocky roads and sandy deserts have been crossed by the groaning camels that carried those silks and precious stones from Persia with the caravan. From the wild regions of mysterious central Africa, the intricately carved ivory in the next row has been brought—how, only the coal-black people know—until the Nile carried it down to Lower Egypt. Then those soft Cashmere shawls embarked on a long and perilous journey to Trebizond, from where the swift boats of the cold and stormy Euxine finally brought them up the enchanting Bosphorus right to the city's edge. From far-off active America; from sturdy England; from Cadiz, Marseilles, and all along the vibrant shores of the Mediterranean, safely transported over the dark and turbulent sea by brave iron giants that battled the winds with their scorching breath, these goods have arrived, ready to entice buyers in the pleasant, calm, subdued light of the bazaars of Stamboul."

VARNISH-TREE OF THE JAPANESE.

Japanese Varnish Tree.

The urusi or varnish-tree, of which they make so extensive a use, is a noble tree when grown to its full size. On incision it yields a rich, milky, glutinous juice, out of which the Japanese make the celebrated varnish, known by the name of Japan. With this varnish they cover and coat all their household furniture, all their dishes and plates, and all their drinking-vessels, whether made of wood or of paper. The use of plate, or porcelain, or glass appears to be very limited, and is probably interdicted by some rule of nationality or religion: from the emperor down to the meanest peasant, all make use of the light varnished or japanned cups and dishes, the inner substance of which is wood or paper, or what we term papier-maché.

The urusi or varnish tree, which they use extensively, is an impressive tree when fully grown. When cut, it produces a rich, milky, sticky sap that the Japanese turn into the famous varnish known as Japan. They use this varnish to coat all their furniture, dishes, and drinking vessels, whether made of wood or paper. The use of plates, porcelain, or glass seems to be quite limited, likely due to some cultural or religious rule: from the emperor to the simplest peasant, everyone uses lightweight varnished or japanned cups and dishes, which are made of wood, paper, or what we call papier-mâché.

Another tree, called forasi, renders a varnish of an inferior quality.

Another tree, called forasi, produces a lower-quality varnish.

TORTURE-CHAMBER AT NUREMBERG.

Nuremberg Torture Chamber.

Nuremberg, being a "free city," was governed by its own appointed magistrates, having independent courts of law. The executive council of state consisted of eight members, chosen from the thirty patrician families, who, by the privilege granted to them from the thirteenth century, ruled the city entirely. In process of time these privileges assumed the form of a civic tyranny, which was felt to be intolerable by the people, and occasionally opposed by them. The fierce religious wars of the sixteenth century assisted in destroying the monopoly of power still more; yet now that it is gone for ever, it has left fearful traces of its irresponsible strength. All who sigh for "the good old times," should not moralise over the fallen greatness of the city, and its almost deserted but noble town-hall; but descend below the building into the dark vaults and corridors which form its basement; the terrible substructure upon which the glorious municipal palace of a free imperial self-ruled city was based in the middle ages, into whose secrets none dared pry, and where friends, hope, life itself, were lost to those who dared revolt against the rulers. There is no romance-writer who has imagined more horrors than we have evidences were perpetrated under the name of justice in these frightful vaults, unknown to the busy citizens around them, within a few feet of the streets down which a gay wedding procession might pass, while a true patriot was torn in every limb, and racked to death by the refined cruelty of his fellow-men. The heart sickens in these vaults, and an instinctive desire to quit them takes possession of the mind, while remaining merely as a curious spectator within them. The narrow steps leading to them are reached through a decorated doorway, and the passage below receives light through a series of gratings. [Pg 616] You shortly reach the labyrinthine ways, totally excluded from external light and air, and enter, one after another, confined dungeons, little more than six feet square, cased with oak to deaden sounds, and to increase the difficulty of attempted escape. To make these narrow places even more horrible, strong wooden stocks are in some, and day and night prisoners were secured in total darkness, in an atmosphere which seems even now too oppressive to bear. In close proximity to these dungeons is a strong stone room, about twelve feet wide each way, into which you descend by three steps. It is the torture-chamber, which we here engrave.

Nuremberg, as a "free city," was ruled by its own appointed officials and had independent courts. The executive council was made up of eight members selected from thirty wealthy families who, since the thirteenth century, had full control over the city. Over time, these privileges turned into a form of oppressive rule that the people found unbearable and sometimes resisted. The intense religious wars of the sixteenth century further weakened this concentration of power; however, its disappearance left behind deep scars from its unchecked authority. Those who long for "the good old days" should not dwell on the city's past glory and its nearly abandoned but grand town hall; instead, they should explore the dark vaults and corridors beneath it, the grim foundations of the magnificent municipal palace of a free imperial self-governed city from the Middle Ages, where no one dared to intrude and where friends, hope, and life were lost for those who dared oppose their rulers. No romance writer could conceive of more horrors than those committed under the guise of justice in these terrifying vaults, hidden from the bustling citizens above, just a few feet away from streets where joyous wedding processions could pass, all while a true patriot suffered torment and a brutal death at the hands of his fellow beings. The heart aches in these vaults, and an instinctive urge to escape overwhelms the mind, even while one remains merely a curious observer. The narrow steps leading down are accessed through a beautifully decorated doorway, and the passage below is illuminated by a series of grates. [Pg 616] You soon reach a maze of paths completely cut off from light and air, entering one by one cramped dungeons, each barely six feet square, lined with oak to muffle sounds and complicate escape attempts. To make these tight spaces even more horrifying, heavy wooden stocks are present in some, and day and night, prisoners were locked in complete darkness, in an atmosphere that feels even now too stifling to endure. Close to these dungeons is a robust stone chamber, about twelve feet wide in each direction, which you descend into via three steps. It is the torture chamber, which we illustrate here.

Torture-Chamber at Nuremberg

The massive bars before you are all that remain of the perpendicular rack, upon which unfortunates were hung with weights attached to their ankles. Two such of stone, weighing each fifty pounds, were kept here some years back, as well as many other implements of torture since removed or sold for old iron. The raised stone bench around the room was for the use of the executioner and attendants. The vaulted roof condensed the voice of the tortured man, and an aperture on one side gave it freedom to ascend into a room above, where the judicial listeners waited for the faltering words which succeeded the agonising screams of their victim.

The massive bars in front of you are all that’s left of the vertical rack where unfortunate people were hung with weights on their ankles. A couple of stone weights, each weighing fifty pounds, were kept here a few years ago, along with many other torture devices that have since been removed or sold as scrap metal. The raised stone bench around the room was for the executioner and his assistants. The vaulted ceiling amplified the cries of the tortured man, while an opening on one side allowed those sounds to carry up into a room above, where the judges waited for the shaky words that would come after their victim's agonizing screams.

SEPULCHRAL VASES OF GREEK POTTERY.

Greek pottery burial vases.

The number of these vases deposited in the great public museums of Europe is very large, and from calculations derived from catalogues, or from observations made on the spot, may be stated in round numbers as follows:—The Museo Borbonico, at Naples, contains about 2,100; the [Pg 617] Gregorian Museum in the Vatican, about 1,000; Florence has about 700; and at Turin there are 500. On the side of the Alps, the Imperial Museum of Vienna possesses about 300; Berlin has 1,690; Munich about 1,700; Dresden, 200; Carlsruhe, 200; the Louvre, at Paris, about 1,500; while 500 more may be found in the Bibliothèque Imperiale. The British Museum has about 2,600 vases of all kinds. Besides the public collections, several choice and valuable specimens of ancient art belong to individuals. The most important of these private collections are those of the Duc de Luynes, the Duc de Blacas, the Count de Pourtales-Gorgier, the Jatta collection, that belonging to M. St. Angela at Naples, and a fine and choice one belonging to the Marquis Campana at Rome. In England, the collections of Mr. Hope, of Mr. Jekyll, of the Marquis of Northampton, and of Mr. Hertz, contain several interesting examples. In addition to these, several thousand more vases are in the hands of the principal dealers, as S. Barone, of Naples; and the heirs of S. Basseggio, Capranesi and Messrs. Sotheby, in London. The total number of vases in public and private collections probably amounts to 15,000 of all kinds.

The number of these vases in the major public museums of Europe is quite large, and based on catalogues or observations made in person, it can be roughly estimated as follows: The Museo Borbonico in Naples has about 2,100; the [Pg 617] Gregorian Museum in the Vatican has around 1,000; Florence has about 700; and Turin has 500. On the south side of the Alps, the Imperial Museum of Vienna holds approximately 300; Berlin has 1,690; Munich has about 1,700; Dresden has 200; Carlsruhe has 200; the Louvre in Paris has about 1,500; and an additional 500 can be found in the Bibliothèque Imperiale. The British Museum has about 2,600 vases of various types. Besides the public collections, several valuable private specimens of ancient art are owned by individuals. The most significant of these private collections include those of the Duc de Luynes, the Duc de Blacas, the Count de Pourtales-Gorgier, the Jatta collection, the one owned by M. St. Angela in Naples, and a fine selection owned by the Marquis Campana in Rome. In England, the collections of Mr. Hope, Mr. Jekyll, the Marquis of Northampton, and Mr. Hertz have several interesting examples. Additionally, several thousand more vases are held by leading dealers, such as S. Barone in Naples, and the heirs of S. Basseggio, Capranesi, and Messrs. Sotheby in London. The total number of vases in both public and private collections likely amounts to around 15,000 of all kinds.

Sepulchral Vases of Greek Pottery

All these were discovered in the sepulchres of the ancients, but the circumstances under which they were found differ according to locality. In Greece, the graves are generally small, being designed for single corpses, which accounts for the comparatively small size of the vases discovered in that country. At Athens, the earlier graves are sunk deepest in the soil, and those at Corinth, especially such as contain the early Corinthian vases, are found by boring to a depth of several feet beneath the surface. The early tombs of Cività Vecchia and Cære, or Cervetri, in Italy, are tunnelled in the earth; and those at Vulci and in the Etruscan territory, from which the finest and largest vases have been [Pg 618] extracted, are chambers hewn in the rocks. In Southern Italy, especially in Campania, they are large chambers, about 5¼ palms under the surface.

All these were found in the tombs of the ancients, but the circumstances of their discovery vary by location. In Greece, the graves tend to be small, meant for single bodies, which explains the relatively small size of the vases discovered there. In Athens, the older graves are dug deeper into the ground, while those in Corinth, particularly the ones containing early Corinthian vases, are found several feet below the surface. The early tombs of Cività Vecchia and Cære, or Cervetri, in Italy, are dug into the earth, whereas those at Vulci and in the Etruscan region, where the finest and largest vases have been extracted, are chambers carved from the rock. In Southern Italy, especially in Campania, the graves are larger chambers, about 5¼ palms below the surface.

The engraving on previous page will convey an idea of the manner in which the vases are arranged round the bodies of the dead in the tombs of Veii, Nola, and Cumæ.

The engraving on the previous page will give you an idea of how the vases are arranged around the bodies of the deceased in the tombs of Veii, Nola, and Cumæ.

The tomb there represented is constructed of large blocks of stone, arranged in squared masses, called the Etruscan style of wall, in contradistinction to the Cyclopean. The walls are painted with subjects, the body is laid upon the stone floor, and the larger vases, such as the oxybapha and craters are placed round it. The jugs are hung upon nails round the walls.

The tomb described here is made of large stone blocks arranged in squared sections, known as the Etruscan style of wall, as opposed to Cyclopean. The walls are decorated with various images, the body is positioned on the stone floor, and larger vases, like the oxybapha and craters, are placed around it. Jugs are hung on nails around the walls.

GAMES WITH CARDS IN THE SIXTEENTH CENTURY.

GAMES WITH CARDS IN THE SIXTEENTH CENTURY.

Cards were used by every one. The game of Gleek was played by three persons. The dealer dealt twelve cards and left eight on the table for stock, seven were bought, and the ace turned up for the dealer; if it was Tiddy (four of trumps) such player gave four to the dealer. The ace was called Tib, the knave Tim, the fifth Towser, and the sixth Tumbler. The players then begin bidding for the stock in hopes of bettering their game, the buyer taking in seven cards and putting out seven. If Tib was turned up, it counted fifteen to the dealer. The players then picked for Ruff, the one having most of a suit winning it—unless any one had four aces, which always carried it. The first then said, "I'll vie the Ruff;" the next, "I'll see it:" the third, "I'll see it, and revie it;" the first again, "I'll see your revie;" and the middle, "I'll not meddle with it." They then showed their cards, and he that had most of a suit won six of him that held out longest, and forty of him who said he could see it, and then refused to meddle with it.

Cards were used by everyone. The game of Gleek was played by three people. The dealer dealt twelve cards and left eight on the table for stock, seven were bought, and the ace was revealed for the dealer; if it was Tiddy (four of trumps), that player gave four to the dealer. The ace was called Tib, the knave Tim, the fifth Towser, and the sixth Tumbler. The players then began bidding for the stock in hopes of improving their game, with the buyer adding seven cards and discarding seven. If Tib was revealed, it counted as fifteen to the dealer. The players then picked for Ruff, with the one having the most of a suit winning it—unless someone had four aces, which always won. The first player said, "I'll vie for the Ruff;" the next, "I'll see it:" the third, "I'll see it and revie it;" the first again, "I'll see your revie;" and the middle player said, "I won't meddle with it." They then revealed their cards, and the one with the most of a suit won six from whoever held out the longest, and forty from the one who said they could see it but then refused to get involved.

Ombre, Basset, Whist, Costly Colours, and Five Cards, were, we believe, of later introduction. Of our period, are Ruff, Bone, Ace, Pult. The great game in the West of England was Post and Pair, as All Fours was in Kent, and Five Cards in Ireland. In Post and Pair, the ace of trumps was the best card; at Post the best cards were one and two, but a pair of court cards one. The daring of the game consisted in the vye, or the adventuring upon the goodness of your hand to intimidate your antagonist.

Ombre, Basset, Whist, Costly Colours, and Five Cards likely came along later. From our time, we have Ruff, Bone, Ace, and Pult. The popular game in the West of England was Post and Pair, while All Fours was favored in Kent, and Five Cards was played in Ireland. In Post and Pair, the ace of trumps was the strongest card; in Post, the best cards were one and two, but a pair of court cards counted as one. The excitement of the game came from the vye, or the risk of betting on the strength of your hand to intimidate your opponent.

RESCUED RELICS.

Salvaged Treasures.

The following is a list—translated from the original in the chartulary of the University of Glasgow; of the relics which were carried away from Glasgow Cathedral, by the Archbishop, before the work of demolition began, in 1560:—

The following is a list—translated from the original in the chartulary of the University of Glasgow—of the relics that were taken from Glasgow Cathedral by the Archbishop before the demolition work started in 1560:—

The image of Christ in gold, and those of the twelve apostles in silver, with the whole vestments belonging to the church.

The image of Christ in gold, and those of the twelve apostles in silver, along with all the vestments that belong to the church.

A silver cross, gilt in the upper part, and adorned with precious stones in the lower part, with a small portion of the cross of our Saviour!

A silver cross, gold-plated at the top, decorated with precious stones on the bottom, containing a small piece of the cross of our Savior!

Another silver cross, adorned with precious stones, with several other portions of the cross of Christ!

Another silver cross, decorated with gems, along with several other pieces of the cross of Christ!

A silver casket, gilt, containing the hair of the blessed Virgin!

A silver box, gold-plated, holding the hair of the Virgin Mary!

A square silver coffer, containing several of the scourges of St. Kentigern, and St. Thomas of Canterbury, and a portion of the hair garment worn by the former saint!!

A square silver box, holding several of the scourges of St. Kentigern, St. Thomas of Canterbury, and a piece of the hair shirt worn by the former saint!!

Another silver casket, gilt, containing part of the skin of Bartholomew, the apostle!!

Another silver casket, gold-plated, holding a piece of the skin of Bartholomew, the apostle!!

A silver casket containing a bone of St. Ninian!

A silver box holding a bone of St. Ninian!

A silver casket, containing part of the girdle of the Virgin Mary!!

A silver box that holds part of the Virgin Mary's girdle!!

A crystal case, containing a bone of some saint and of St. Magdalene!!

A glass case holding a bone from some saint and from St. Magdalene!!

A small vial of crystal, containing the milk of the blessed Virgin, and part of the manger of Christ!!!

A small vial of crystal, holding the milk of the blessed Virgin, and a piece of Christ's manger!!!

A small phial of a saffron colour, containing the fluid which formerly flowed from the tomb of St. Mungo!

A small vial of saffron color, holding the liquid that once flowed from the tomb of St. Mungo!

A phial, containing several of the bones of St. Eugene, and of St. Blaze!

A vial holding some of the bones of St. Eugene and St. Blaze!

A phial, containing a part of the tomb of St. Catherine the virgin!

A vial containing a piece of the tomb of St. Catherine the virgin!

A small hide, with a portion of the cloak of St. Martin!

A small hide, along with part of St. Martin's cloak!

A precious hide, with portions of the bodies of St. Kentigern and St. Thomas of Canterbury!!

A valuable hide that includes parts of the bodies of St. Kentigern and St. Thomas of Canterbury!!

Some other hides, with bones of saints and other relics!

Some other hides, along with bones of saints and other relics!

A wooden chest, containing many small relics!

A wooden chest filled with various small treasures!

Two linen bags, with the bones of St. Kentigern, St. Thanew, and other deceased saints!!

Two linen bags containing the bones of St. Kentigern, St. Thanew, and other deceased saints!!

PAPER.

Document.

With respect to the paper now in use, Dr. Blair says, the first paper-mill (in England, we suppose) was erected at Dartford, in the year 1588, by a German of the name of Speillman; from which period we may, perhaps, date its manufacture in this country.

With regard to the paper currently in use, Dr. Blair states that the first paper mill (in England, we assume) was built at Dartford in 1588 by a German named Speillman; from this point, we can perhaps mark the beginning of its production in this country.

It appears, however, that it was known in the East much earlier; it being observed that most of the ancient manuscripts in Arabic and other Oriental languages, were written upon cotton paper, and it is thought the Saracens first introduced it into Spain.

It seems, however, that it was known in the East much earlier; it was noted that most of the ancient manuscripts in Arabic and other Eastern languages were written on cotton paper, and it's believed the Saracens were the ones who first brought it to Spain.

Anderson, in his "History of Commerce," says that, till the year 1690, there was scarcely any paper made in England but the coarse brown sort. Paper was previously imported from France, Genoa, and Holland. However, the improvement of this article in England, in consequence of the French war, produced a saving to the country of £100,000 annually, which had been paid to France for paper alone.

Anderson, in his "History of Commerce," states that, until 1690, there was barely any paper produced in England except for the rough brown kind. Most paper was imported from France, Genoa, and Holland. However, the advancements in paper production in England due to the French war resulted in savings of £100,000 a year for the country, which had previously been spent on paper imports from France.

LOTTERIES.

LOTTERIES.

If the antiquity of a practice could justify its existence, lotteries might claim peculiar reverence. The Romans, we are told, used to enliven their Saturnalia with them, by distributing tickets, all of which gained some prize. Augustus instituted lotteries, that consisted, however, of things of little value. Nero also established lotteries, for the people, in which 1,000 tickets were daily distributed, and several of those who were favoured by fortune got rich by them. The first lottery of which we find any record in our annals, was in the year 1659, which, according [Pg 620] to Stow, consisted of 40,000 lots, at 10s. each. The prizes were plated; and the profits were to be applied to the purpose of repairing the havens of the kingdom. This lottery was drawn at the west door of St. Paul's cathedral; and began on the 11th July, 1569, and continued incessantly, day and night, till the 6th May following. The tickets were three years in being disposed of. In the year 1612, King James granted a lottery to promote the plantation of English colonies in Virginia, which was also drawn at St. Paul's.

If the age of a practice could justify its existence, lotteries might be seen with special respect. The Romans, we’re told, used to brighten their Saturnalia with them by handing out tickets, each of which won some prize. Augustus set up lotteries, although they only offered items of little value. Nero also created lotteries for the people, where 1,000 tickets were distributed daily, and many lucky individuals got rich from them. The first lottery we have any record of in our history was in 1659, which, according to Stow, had 40,000 lots priced at 10s. each. The prizes were plated, and the profits were intended to be used for repairing the kingdom's ports. This lottery was drawn at the west door of St. Paul's Cathedral and started on July 11, 1569, continuing non-stop, day and night, until May 6 of the following year. It took three years to sell the tickets. In 1612, King James approved a lottery to support the establishment of English colonies in Virginia, which was also drawn at St. Paul's.

TEMPLE AT SIMONBONG.

SIMONBONG TEMPLE.

Great Lepcha Temple at Simonbong

The above is a correct representation of the great Lepcha temple at Simonbong, in Sikkim, a district of India near Thibet. We take the following account of it from the Journal of Dr. Hooker, who visited it in 1848:—"Simonbong is one of the smallest and poorest goompas, or temples, in Sikkim, being built of wood only. It consists of one large room, raised on a stone foundation, with small sliding shutter windows, and roofed with shingles of wood; opposite the door a wooden altar was placed, rudely chequered with black, white, and red; to the right and left were shelves, with a few Tibetan books, wrapped in silk; a model of Symbonath temple in Nepal, a praying-cylinder, and some implements for common purposes, bags of juniper, English wine-bottles and glasses, with tufts of Abies Webbina, rhododendron flowers, and peacock's feathers, besides various trifles, clay [Pg 621] ornaments and offerings, and little Hindoo idols. On the altar were ranged seven little brass cups, full of water; a large conch-shell, carved with the sacred lotus; a brass jug from Lhassa, of beautiful design, and a human thigh-bone, hollow, and perforated through both condyles.

The above is an accurate depiction of the great Lepcha temple at Simonbong, in Sikkim, a region of India near Tibet. We have the following description from Dr. Hooker's Journal, who visited it in 1848:—"Simonbong is one of the smallest and poorest gompas, or temples, in Sikkim, built entirely of wood. It features one large room raised on a stone foundation, with small sliding shutter windows and a wooden shingle roof. Opposite the door, there’s a wooden altar, roughly checkered in black, white, and red. On either side, there are shelves holding a few Tibetan books wrapped in silk, a model of the Symbonath temple in Nepal, a prayer cylinder, and some everyday items, including bags of juniper, English wine bottles and glasses, tufts of Abies Webbina, rhododendron flowers, and peacock feathers, along with various trinkets, clay ornaments and offerings, and small Hindu idols. On the altar, there are seven small brass cups filled with water, a large conch shell carved with the sacred lotus, a beautifully designed brass jug from Lhasa, and a hollow human thigh bone, with holes through both ends."

"Facing the altar was a bench and a chair, and on one side a huge tambourine, with two curved iron drumsticks. The bench was covered with bells, handsomely carved with idols, and censers with juniper-ashes; and on it lay the dorge, or double-headed thunderbolt. Of all these articles, the human thigh-bone is by much the most curious; it is very often that of a Lama, and is valuable in proportion to its length. As, however, the Sikkim Lamas are burned, these relics are generally procured from Tibet, where the corpses are cut in pieces and thrown to the kites, or thrown into the water."

"Facing the altar was a bench and a chair, along with a huge tambourine and two curved iron drumsticks. The bench was adorned with bells, beautifully carved idols, and censers filled with juniper ashes; resting on it was the dorge, or double-headed thunderbolt. Of all these items, the human thigh bone is by far the most interesting; it's often from a Lama and more valuable the longer it is. However, since Sikkim Lamas are cremated, these relics are usually obtained from Tibet, where the bodies are cut into pieces and fed to the kites or thrown into the water."

IMPLEMENTS USED IN BUDDHIST TEMPLES.

Tools Used in Buddhist Temples.

Implements Used in Buddhist Temples

The above sketch places before us the implements generally used in the Buddhist temples of India:—a praying cylinder in stand, another to be carried in the hand, cymbals, bell, brass cup, three trumpets (one of them made of a human thigh-bone), conch, and dorje, or double-headed thunderbolt, which the Lama, or high-priest, holds in his hand during service. The praying cylinder is made to revolve by means of an axle and string, and a projecting piece of iron strikes a little bell at each revolution. Within such cylinders are deposited written prayers, and whoever pulls the string properly is considered to have said his prayers as often as the bell rings. The worshippers, on entering the temple, walk up to the altar, and, before or after having deposited their gifts, they lift both hands to the forehead, fall on their knees, and touch the ground three times with head and hands. They then advance to the head Lama, kotow similarly to him, and he blesses them, laying [Pg 622] both hands on their heads, and repeating a short formula. Sometimes the dorje is used in blessing, as the cross is in Europe, and when a number of people request a benediction, the Lama pronounces it from the door of the temple with outstretched arms, the people all being prostrate, with their foreheads touching the ground.

The sketch above shows the tools commonly found in Buddhist temples in India: a prayer wheel on a stand, a handheld prayer wheel, cymbals, a bell, a brass cup, three trumpets (one made from a human thigh bone), a conch shell, and a dorje, or double-headed thunderbolt, which the Lama, or high priest, holds during the service. The prayer wheel is turned using an axle and string, and a piece of iron strikes a small bell with each turn. Inside these cylinders, written prayers are stored, and anyone who pulls the string correctly is considered to have said their prayers for every time the bell rings. Worshippers enter the temple, approach the altar, and before or after placing their offerings, they lift both hands to their foreheads, kneel, and touch the ground three times with their heads and hands. They then go up to the head Lama, bow as he does, and he blesses them by placing both hands on their heads and reciting a short blessing. Sometimes the dorje is used for blessings, similar to how a cross is used in Europe, and when a group of people asks for a blessing, the Lama delivers it from the temple door with his arms outstretched, while the people prostrate themselves, touching their foreheads to the ground.

PROCLAMATION FOR THE PERSON OF GEORGE II.

PROCLAMATION FOR THE PERSON OF GEORGE II.

On the young Pretender landing in Scotland, Government issued a proclamation, offering a reward of £30,000 for his head, alive or dead. In opposition to this, the following curious paper was issued by the Prince and his council, which, Mr. Beloe says, "is so rare, that I never heard of any other than that which accident lately deposited in the British Museum."

On the young Pretender's arrival in Scotland, the Government released a proclamation offering a reward of £30,000 for him, dead or alive. In response, the Prince and his council issued the following intriguing document, which Mr. Beloe states is "so rare that I have never heard of any other than the one that was recently found in the British Museum."

"Charles, Prince of Wales, &c.

Charles, Prince of Wales, etc.

Regent of the Kingdoms of Scotland, France, and Ireland, and the Dominions thereunto belonging,

Regent of the Kingdoms of Scotland, France, and Ireland, and their associated territories,

Whereas, we have seen a certain scandalous and malicious paper, published in the style and form of a proclamation, bearing date the 1st instant, wherein, under pretence of bringing us to justice, like our Royal Ancestor, King Charles I. of blessed memory, there is a reward of £30,000 sterling promised to those who shall deliver us into the hands of our enemies, we could not but be moved with a just indignation at so insolent an attempt; and though, from our nature and principles, we abhor and detest a practice so unusual among Christian Princes, we cannot but, out of just regard to the dignity of our person, promise a like reward of £30,000 sterling to him, or those, who shall seize and secure till our further orders, the person of the Elector of Hanover, whether landed, or attempting to land, in any part of his Majesty's dominions. Should any fatal accident happen from hence, let the blame be entirely at the door of those who first set the infamous example.

We have come across a scandalous and malicious document, published like a proclamation, dated the 1st of this month. This document pretends to bring us to justice, similar to our Royal Ancestor, King Charles I, of blessed memory, and promises a reward of £30,000 sterling to anyone who hands us over to our enemies. We cannot help but feel rightly indignant about such an audacious attempt. Although we fundamentally oppose and detest a practice so uncommon among Christian rulers, we must, in light of our dignity, offer a similar reward of £30,000 sterling to anyone who captures and holds the Elector of Hanover until we give further instructions, whether he is on land or trying to land in any part of our Majesty's territories. If any unfortunate incident comes from this, let the blame solely fall on those who initiated this infamous example.

"Charles, P. R.

"Charles, P. R.

"Given at our Camp, at Kinlockeill, August 22, 1745.
"By his Highness's Command.

"Released at our Camp in Kinlockeill, August 22, 1745."
"By the authority of His Highness."

"John Murray."

John Murray.

DOGS IN JAPAN.

Dogs in Japan.

Dogs or common curs they have, and in superfluous numbers. These dogs are as much the pest of the towns of Japan as they are of Constantinople and the other foul cities and towns of the Ottoman Empire. This vast increase of the canine species, and the encouragement and immunity accorded to it, arose (according to the popular account) out of a curious superstition and an extravagant imperial decree. An Emperor who reigned at the close of the eighteenth century chanced to be born under the Sign of the Dog, the Dog being one of the twelve celestial signs of the Japanese Zodiac. For this reason the Emperor had as great an esteem for dogs as the Roman Emperor Augustus is reported to have entertained for rams. When he ascended the throne, he willed and ordained that dogs should be held as sacred animals; and, from that time, more puppies saw the light, and were permitted to live in Japan [Pg 623] than in any other country on the face of the earth, Turkey, perhaps, excepted. These dogs have no masters, but lie and prowl about the streets, to the exceeding great annoyance of passengers, especially if they happen to be foreign travellers, or Christians in Christian dresses. If they come round you in packs, barking, snarling, and showing their teeth; nay, even if they fall upon you and bite you, you must on no account take the law into your own hands, and beat them off or shoot them. To kill one of them is a capital crime, whatever mischief the brute may have done you. In every town there are Guardians of the Dogs, and to these officers notice must be given in case of any canine misdemeanour, these guardians alone being empowered to punish the dogs. Every street must keep a certain number of these animals, or at least provide them with victuals; huts, or dog-hospitals, stand in all parts of the town, and to these the animals, in case of sickness, must be carefully conveyed by the inhabitants. The dogs that die must be brought up to the tops of mountains and hills, the usual burying-places of men and women, and there be very decently interred. Old Kæmpfer says:—"The natives tell a pleasant tale on this head. A Japanese, as he was carrying the carcase of a dead dog to the top of a steep mountain, grew impatient, grumbled, and cursed the Emperor's birthday and whimsical command. His companion bid him hold his tongue and be quiet, and, instead of swearing, return thanks to the gods that the Emperor was not born under the Sign of the Horse, for, in that case, the load would be heavier."

Dogs, or common mutts, are everywhere in excessive numbers. These dogs are just as much a nuisance in the towns of Japan as they are in Constantinople and other filthy cities of the Ottoman Empire. This huge increase in the canine population, along with the support and protection given to them, reportedly came from a strange superstition and an extravagant imperial decree. An Emperor who ruled at the end of the eighteenth century happened to be born under the Sign of the Dog, which is one of the twelve signs in the Japanese Zodiac. Because of this, the Emperor held dogs in high regard, similar to how the Roman Emperor Augustus is said to have felt about rams. When he took the throne, he declared that dogs should be treated as sacred animals. From then on, more puppies were born and allowed to live in Japan than in any other country in the world, except perhaps Turkey. These dogs have no owners and roam the streets, greatly annoying pedestrians, especially foreign travelers or Christians in their traditional clothes. If they approach you in packs, barking, snarling, and showing their teeth, and even if they attack and bite you, you must not take matters into your own hands by beating them off or shooting them. Killing one is a serious crime, regardless of what the beast may have done to you. In every town, there are Guardians of the Dogs, and you must report any dog-related incidents to them, as they are the only ones who can punish the dogs. Each street must have a certain number of these animals or at least provide them with food; shelters or dog hospitals are scattered throughout the town, and sick animals must be carefully taken there by the residents. Dogs that die are taken to the tops of mountains and hills, which are the usual burial sites for men and women, and they must be buried with dignity. Old Kæmpfer mentions a humorous story about this. A Japanese man, as he was carrying the body of a dead dog up a steep mountain, became impatient, complained, and cursed the Emperor's birthday and peculiar command. His friend told him to be quiet and instead of swearing, to be thankful to the gods that the Emperor wasn't born under the Sign of the Horse; otherwise, the burden would be heavier.

LAGMI, AND THE USE MADE OF IT.

LAGMI AND HOW IT'S USED.

Mohammed, we are told, prohibited the use of wine, owing to a drunken quarrel among the chiefs of his army, which produced great disorder and confusion in his affairs, and almost caused the prophet's death in one of his daring military engagements. He, therefore, addressed his followers in these words: "The devil desires to sow dissensions among you, through wine and games of chance, to divert you from remembering God, and praying to him. Abandon wine and games of chance. Be obedient to God and the prophet, his apostle, and take heed unto yourselves." But the prophet, who could so minutely delineate the furniture of heaven, and the instruments of torture of hell—who could describe the mysterious occurrences before the creation was formed into its present shape, and predict stupendous events to happen in thousands of years to come—could not forsee that man would stupify himself by any other beverages besides "wine." The believers in the Koran at Tozar, a city near the Great Desert, in Africa, certainly abstain from wine, and thus obey the prophet's precept, but then they indulge freely in lagmi, or the juice of the palm-tree, which, when fermented, is as pernicious in its effect, when taken in excess, as the wine possibly can be. This juice is easily obtained, and more easily still prepared. An incision is made in the tree, just beneath the branches, and a jar so fastened that it receives every drop of liquid flowing out. During a night they procure from a tree "in a producing condition" (in which it is not always) from a quart to three pints of lagmi. When drunk immediately it tastes [Pg 624] like genuine rich milk, and is perfectly harmless; but when allowed to stand one night, or, at most, twenty-four hours, it partakes (with the exception of the colour, which is whitish,) of the quality and flavour of champagne, and that of a far superior sort than is usually offered in the British markets. This date-tree wine, (for so it may be called,) procured at so little trouble and expense, is to be found in every house, and has its victims reeling through the streets of Tozar, just as the stupifying porter has in the streets of English cities. But the curious part in connexion with this is, that "the faithful" persist in their justification that they do not transgress their prophet's precept! "Lagmi is not wine," they say, "and the prophet's prohibition refers to wine."

Mohammed is said to have banned wine because of a drunken fight among his army's leaders, which caused chaos in his affairs and nearly led to the prophet's death during a risky military engagement. He then told his followers, "The devil wants to create conflicts among you through wine and games of chance, distracting you from remembering God and praying to Him. Stop drinking wine and playing games of chance. Be obedient to God and His prophet, and take care of yourselves." However, the prophet, who could detail the decor of heaven and the torture of hell—who could describe mysterious events before creation took shape and predict incredible things that would happen thousands of years in the future—couldn't foresee that people would find other drinks to intoxicate themselves besides "wine." The believers of the Koran in Tozar, a city near the Great Desert in Africa, definitely avoid wine to follow the prophet's command, but they freely consume lagmi, the juice of the palm tree, which when fermented is just as harmful in excess as wine can be. This juice is easy to get and even easier to prepare. An incision is made in the tree below the branches, and a jar is attached to catch every drop of liquid that flows out. In a good-producing tree, they can get about a quart to three pints of lagmi overnight. When drunk immediately, it tastes like rich milk and is completely harmless; but if left to sit for a night or up to twenty-four hours, it develops qualities and flavors similar to champagne, and a far superior kind than what's typically found in British markets. This date tree wine, as it could be called, is easily available and inexpensive, found in every home, and has people staggering through the streets of Tozar just like the drunken porters do in English cities. What's curious about this is that "the faithful" insist they are following the prophet's command! "Lagmi isn't wine," they argue, "and the prophet's prohibition only concerns wine."

ANGLO-SAXON UMBRELLA.

ANGLO-SAXON UMBRELLA.

Anglo-Saxon Umbrella

In Anglo-Saxon times the traveller always wore a covering for his head, which, though in various shapes, in no instance resembled our hat, though it was characterised by the general term hæt. He seems to have been further protected against the inclemency of the weather by a cloak or (mentel). One would be led to suppose that this outer garment was more varied in form and material than any other part of the dress from the great number of names which we find applied to it, such as—basing, hæcce, hæcla, or hacela, poell, pylca, scyccels, wæfels, &c. The writings which remain throw no light upon the provisions made by travellers against rain; for the dictionary makers who give scur-scead (shower-shade) as signifying an umbrella are certainly mistaken. Yet that umbrellas were known to the Anglo-Saxons is proved beyond a doubt by a figure in the Harleian MSS. which we have engraved above. A servant or attendant is holding an umbrella over the head of a man who appears to be covered at the same time with the cloak or mantle.

In Anglo-Saxon times, travelers always wore something on their heads, which, despite coming in various shapes, never looked like our modern hats, though it was generally called hæt. They also seemed to be protected from bad weather by a cloak or (mentel). It appears that this outer garment was more diverse in shape and material than any other part of their clothing, as indicated by the numerous names associated with it, such as basing, hæcce, hæcla, or hacela, poell, pylca, scyccels, wæfels, etc. The surviving writings don't clarify how travelers prepared for rain; dictionary makers who claim scur-scead (shower-shade) means an umbrella are certainly mistaken. However, the existence of umbrellas among the Anglo-Saxons is clearly demonstrated by an illustration in the Harleian MSS., which we have reproduced above. A servant or attendant is seen holding an umbrella over a man who appears to be wearing a cloak or mantle at the same time.

THE HEJIRA.

The Hejira.

The Hejira, Hegira, or Hejra. The flight of Mohammed from Mecca to Medina is the epoch of the Mohammedan nations. Omar, the second Caliph, instituted the Hegira in imitation of the Christians, who counted their years from their persecution by Diocletian, (A.D. 284,) and who called it the era of the martyrs. Thus the Mohammedans wished to commence their calculation of time from the period of the most memorable persecution they had suffered. The learned Mohammedan astronomers have been divided in opinion on the exact year of the Christians which corresponds with the Hegira. But the generality of writers place this epoch on Friday, the 16th of July, A.D. 622. The ancient Arabs counted time by solar months; these months always returned in the same season, and their names correspond with the employments which the seasons rendered necessary. Since the epoch of the Hegira was fixed the Mohammedans count time by lunar months, the Arabian year consisting of 354 days, eight hours, and forty-eight minutes. The intercalary [Pg 625] days are adjusted by a cycle of thirty lunar years, of which nineteen are of 354 days, and eleven of 355 days. The years of excess are in the following order:—2, 5, 7, 10, 13, 15, 18, 21, 24, 26, 29.

The Hejira, Hegira, or Hejra. The migration of Mohammed from Mecca to Medina marks the beginning of the Muslim nations. Omar, the second Caliph, started the Hegira to mirror the Christians, who began their year count from the persecution by Diocletian in CE 284, referring to it as the era of the martyrs. Similarly, the Muslims wanted to start counting their years from the time of their most significant persecution. The knowledgeable Muslim astronomers have debated the exact Christian year that matches the Hegira. However, most scholars place this event on Friday, July 16, CE 622. The ancient Arabs used solar months for their calendar; these months always occurred in the same season, and their names reflected the tasks relevant to those seasons. Since the Hegira, Muslims have been counting time by lunar months, with the Arabian year consisting of 354 days, eight hours, and forty-eight minutes. The extra [Pg 625] days are adjusted through a cycle of thirty lunar years, which includes nineteen years of 354 days and eleven years of 355 days. The years with extra days follow this pattern: 2, 5, 7, 10, 13, 15, 18, 21, 24, 26, 29.

CHINESE PAILOOS.

CHINESE PAILLOTTES.

Chinese Pailoos

The Pailoos, or, as they are commonly but erroneously called, triumphal arches, form an object of Chinese architecture which, from its constant recurrence in views of Chinese scenery, is almost as familiar to us as the pagoda. They are, in fact, monuments to deceased persons of distinction, generally of widows who have not married a second time, or of virgins who have died unmarried. The smaller and less important ones consist merely of two upright posts of wood or granite, supporting a flat board with an inscription, like, both in purpose and design, to the wooden rails which are used as substitutes for tombstones in some districts in England. The more important Pailoos have three openings, supported by several boards, with more or less ornament and carving. Sometimes they are wholly of wood; in others no material is used but stone, generally granite; and these two materials are combined in various proportions in other examples. Sometimes they are raised on platforms as in the annexed example, from a peculiarly graceful one near Canton.

The Pailoos, or what people often mistakenly call triumphal arches, are an aspect of Chinese architecture that we see frequently in images of Chinese landscapes, making them almost as recognizable to us as pagodas. They actually serve as memorials for distinguished individuals, typically widows who haven’t remarried or unmarried virgins who have passed away. The smaller and less significant Pailoos consist of two vertical wooden or granite posts supporting a flat board with an inscription, similar in purpose and design to the wooden rails used as substitutes for gravestones in some areas of England. The more prominent Pailoos feature three openings, supported by several boards, with varying levels of decoration and carving. Sometimes they are entirely made of wood; in other instances, they consist solely of stone, usually granite, and these two materials are combined in different ways in other examples. Occasionally, they are elevated on platforms, as seen in the example nearby, which is a notably elegant one close to Canton.

At other times they are placed on the ground, and even across roads, so as to form arches, if they may be called, though certainly not triumphal ones.

At other times, they're set on the ground, and even across roads, creating arches, if you can call them that, though definitely not triumphant ones.

REMARKABLE GROTTO, AND STORY CONNECTED WITH IT.

REMARKABLE GROTTO, AND STORY CONNECTED WITH IT.

Near Lunel, in France, on the eastern bank of the river Hérault, is the grotto, known in this part of the country as la Baume de las Donmaisellas, or des Fées. This grotto consists of many large, deep apartments, some of which are indeed inaccessible; the second (and they are all one below the other), presents to the eye of the beholder four beautiful pillars, about thirty feet high, terminating at the top like palm trees; they are detached from the roof, which is only to be accounted for by supposing that the bottom, or floor, has, in some concussion of nature, sunk from its original level: the third chamber, still descending, and like the former only to be reached by ropes and ladders, presents, at [Pg 626] the farther end, one vast curtain of crystal, to which the lights, carried on such occasions, give the appearance of all manner of precious stones. Some of the stalactites of this apartment are solid and white as alabaster, some clear and transparent as glass; they are of every fantastic form and description, as well as displaying perfect representations of cascades, trees, festoons, lances, pillars, fruits, flowers, and even the regular arrangement of architecture in a cathedral. The fourth chamber is a long gallery covered with fine sand: beyond this three great pillars present themselves, and behind, there is a lake of thick muddy water. All these grottoes have been long known to the peasantry, but another was lately penetrated, in which every former variety of stalactite was seen, but, in addition to these was found an altar, white, like fine china, having regular steps to it, of the same material: it is composed apparently of layers of the opaque stalactite, of a dazzling white and exquisite polish: four twisted columns, of a yellow colour and transparent, whose height is lost in the vast roof; an obelisk, perfectly round, of a reddish colour, of a great height, and a colossal figure of a woman, holding two children in her arms, and placed upon a pedestal, completed the astonishment of the daring explorers of this subterraneous cavern. But alas! this astonishment was changed into feelings of a more melancholy description, when they recalled the circumstance, still current in the neighbourhood, that, during the religious wars, a family (whether Protestant or Catholic is not ascertained), consisting of a father and mother and one or two children, sought refuge in these subterraneous grottoes from the persecution of their enemies, and there preserved a miserable existence, far from the cruelty of

Near Lunel, in France, on the eastern bank of the Hérault River, is a grotto known in this region as la Baume de las Donmaisellas or des Fées. This grotto has many large, deep rooms, some of which are inaccessible. The second chamber (and they’re all stacked one below the other) features four beautiful pillars, about thirty feet tall, ending at the top like palm trees. They are separate from the ceiling, which can only be explained by assuming that the bottom or floor has sunk during some natural upheaval. The third chamber, also descending and reachable only by ropes and ladders, showcases at the far end a massive curtain of crystal, which glows with the appearance of various precious stones when lit. Some of the stalactites in this chamber are solid and as white as alabaster, while others are clear and transparent like glass; they come in every fantastic shape imaginable, perfectly mimicking cascades, trees, garlands, lances, pillars, fruits, flowers, and even the intricate architecture seen in a cathedral. The fourth chamber is a long corridor covered in fine sand: beyond this, three large pillars stand, and behind them, a lake of thick, muddy water. The local farmers have long known about these grottos, but recently, another was explored that had every type of stalactite previously seen, plus an altar, white like fine china and with regular steps made from the same material. This altar seems to be made of layers of opaque stalactite, dazzling white and exquisitely polished; four twisted columns of yellow, transparent stone rise high into the massive ceiling; a perfectly round red obelisk stands tall, and a colossal figure of a woman holding two children in her arms, set on a pedestal, left the brave explorers of this underground cavern in awe. Unfortunately, this amazement turned to a somber mood when they remembered the story that still circulates in the area about how, during the religious wars, a family (whether Protestant or Catholic isn’t known) consisting of a father, mother, and one or two children sought refuge in these underground grottoes to escape persecution, and there endured a miserable existence, far from cruelty.

Man, whom Nature formed of milder clay,
With every kind emotion in his heart,
And taught alone to weep.

For some years they supported themselves with berries, and now and then they were seen endeavouring to secure a stray kid or goat for food. The solitude and silence of their almost inaccessible dwelling, imbued them and their fate with an awful character; and from being objects of pity, they became at length objects of terror, to the neighbouring peasantry, who told strange stories of the unfortunate beings thus consigned to cold and hunger, and compelled to seek a wretched home within the bowels of the earth. Their spare forms, their pale countenances, their tattered garments waving in the breeze, all threw a mystic feeling over their appearance, and they were transformed into fairies and spectres. The shepherds fled when they appeared, and the children, as they clung affrighted to their parents, with strained eyes and parted lips, followed the rapid movements of the mountaineers, as they in their turn, alarmed at the sight of their fellow-creatures, fled from height to height, until they gained their rocky asylum. Such an accumulation of suffering and misery was not, however, calculated to prolong existence: terror and fear destroyed the mind, as hunger and cold destroyed the body, and after the lapse of a few years, one by one, these spectres disappeared: but still they figure in all the local stories and traditions peculiar to the neighbourhood, under the form of witches, fairies, and [Pg 627] sorcerers. The question is, whether the altar and the figure are not the work of these unfortunate beings, who might find in this employment a transitory solace for their misery.

For some years, they survived on berries, and occasionally, they'd be seen trying to catch a stray kid or goat for food. The isolation and silence of their nearly unreachable home gave them and their situation a terrifying vibe; from being seen as objects of pity, they eventually became objects of terror to the nearby villagers, who shared strange stories about these unfortunate souls doomed to face cold and hunger, forced to seek a miserable existence underground. Their thin bodies, pale faces, and tattered clothes fluttering in the wind created a mystical aura around them, turning them into fairies and specters. Shepherds would run away at their sight, and children, terrified, would cling to their parents, wide-eyed and gasping, as they watched the swift movements of the mountaineers, who in turn, alarmed by their fellow humans, fled to higher ground until they reached their rocky refuge. However, such a heavy burden of suffering and misery wasn't likely to extend their lives: fear and anxiety shattered their minds, just as hunger and cold broke down their bodies, and after a few years, one by one, these specters vanished. Yet, they remain present in all the local stories and traditions specific to the area, appearing as witches, fairies, and [Pg 627] sorcerers. The real question is whether the altar and the figure are creations of these unfortunate individuals, who might have found a brief escape from their sorrow in this work.

CRUELTY OF HINDOO RITES.

Hindu Ritual Cruelty.

We extract the following account from "The Land of the Veda," as it affords an extraordinary instance of the lengths to which the fanaticism of a gross superstition will induce men to proceed:—

We take the following account from "The Land of the Veda," as it provides an exceptional example of how far the fanaticism of a deep superstition can drive people to go:—

"To satisfy ourselves of the sanguinary character of some of the Hindoo deities, and of the influence they exert over the deluded victims of superstition, we must witness some of the cruel practices which the popular goddess, Kali, imposes on her worshippers. The most remarkable festival is the one called Charak Puja.

"To understand the violent nature of some of the Hindu deities and the impact they have on the misguided followers of superstition, we need to observe some of the harsh rituals that the popular goddess, Kali, demands from her worshippers. The most notable festival is known as Charak Puja."

"This festival derives its name from chakra, a wheel or discus; in allusion to the circle performed in the act of rotating, when suspended from the instrument of this horrible superstition. Being desirous of witnessing the ceremony in all its parts, I went to the spot where one of these ceremonies was about to take place. An upright pole, twenty or thirty feet in height, was planted in the ground, across the top of which, moving on a pivot, a long pole was placed. From one end of this transverse beam a long rope was suspended and left to hang loosely, whilst a shorter rope was attached to the other end, bearing a couple of strong iron hooks. A good-looking man, perhaps thirty years of age, came from the midst of the crowd, and doing obeisance beneath the instrument of torture, presented himself as a candidate for the honour he aspired to. The attendant, before whom he stood erect, struck a smart blow on the small of the back, and fixed one of the hooks in the flesh, and then did the same on the other side. The man then laid hold of the rope just above the hooks and held it, whilst certain persons in the crowd, seizing the loose rope, pulled him up, by depressing the other end of the beam. As he rose he relinquished his hold of the rope by which he was suspended, and resigned himself to the rotary motion, by which he was whirled round and round in mid air, suspended by the flesh of his own body. Whilst he was thus enduring the torture incident to this horrid service, at once gratifying the cruel goddess Kali and the crowd of admiring spectators, he drew from his girdle fruits and flowers, which he scattered among the attendants. These were picked up by the crowd, with the greatest eagerness, as precious relics that might avail as charms in cases of personal or domestic extremity. This wretched dupe of a foul superstition remained in the air at least a quarter of an hour, and, of course, in his own estimation and in that of the spectators, gained by this brief infliction a large amount of merit, and consequent title to certain rewards to be reaped in a future state of being. No sooner had he descended, than another was ready for the ceremony. These cruel practices are carried on in various parts of the native town, from day to day, as long as the festival lasts. It not unfrequently happens that the ligaments of the back give way, when the man, tossed to an immense distance, is dashed to pieces. In such cases, the inference is, that the victim of such accident, by virtue of demerit in a former state of existence, [Pg 628] was not merely unworthy of the privileges attached to this privileged ceremonial, but destined to expiate his evil deeds by this dreadful accident."

"This festival gets its name from chakra, meaning a wheel or discus; referring to the circle made during the act of spinning when attached to this horrific superstition. Eager to see the ceremony in its entirety, I went to the location where one of these events was about to start. A tall pole, around twenty or thirty feet high, was planted in the ground, and a long pole was placed across the top, able to pivot. A long rope hung loosely from one end of this beam, while a shorter rope with two strong iron hooks was attached to the other end. A good-looking man, probably around thirty, emerged from the crowd, bowed beneath the instrument of torture, and stepped forward as a candidate for the honor he sought. The attendant, standing before him, struck a sharp blow to his lower back and attached one of the hooks to his flesh, then did the same on the other side. The man grasped the rope just above the hooks and held on, as some people in the crowd pulled the loose rope, lowering the other end of the beam. As he ascended, he let go of the rope he was hanging from and surrendered to the spinning motion, being whirled around in mid-air, held only by his own flesh. While he endured this painful ordeal, satisfying the cruel goddess Kali and the crowd of fascinated spectators, he pulled fruits and flowers from his belt and scattered them among the attendants. The crowd eagerly picked these up, viewing them as valuable relics that could serve as charms in times of personal or domestic trouble. This unfortunate victim of a wretched superstition stayed suspended for at least a quarter of an hour, gaining, in his eyes and the spectators’, a significant amount of merit and the expectation of rewards in a future life. No sooner had he come down than another participant was ready for the ceremony. These brutal practices occur daily in different parts of the town as long as the festival lasts. It often happens that the ligaments in the back give way, sending the man flying a great distance and resulting in his death. In such cases, it’s believed that the victim’s misfortune stems from past bad deeds, meaning he was not only unworthy of the privileges of this ceremonial but also condemned to atone for his wrongs through this terrible accident." [Pg 628]

CURIOUS MUSICAL INSTRUMENT.

Cool musical instrument.

The musical instrument which we engrave below, is used in the Burman empire, and is thus described by Captain Yule, in his "Mission to Ava," writing from the town of Magwé, in Burmah. The Captain says;—

The musical instrument we describe below is used in the Burmese Empire and is explained by Captain Yule in his "Mission to Ava," while writing from the town of Magwé in Burma. The Captain says;—

Drum-Harmonicon

"This evening the members of the mission made their first acquaintance with the Burmese drama; an entertainment which from this time would occupy a very large place in the daily history of our proceedings if all were registered.

"This evening, the members of the mission experienced Burmese drama for the first time; an entertainment that would take up a significant amount of our daily activities if everything were recorded."

"The Governor had provided both a puppet play and a regular dramatic performance for our benefit, and on this first occasion of the kind the Envoy thought it right that we should visit both.

"The Governor had arranged both a puppet show and a regular theater performance for our enjoyment, and on this first occasion of its kind, the Envoy believed it was appropriate for us to attend both."

"Each performance was attended by a full Burmese orchestra. The principal instruments belonging to this are very remarkable, and, as far as I know, peculiar to Burmah.

"Each performance was attended by a full Burmese orchestra. The main instruments in this orchestra are quite remarkable and, as far as I know, unique to Burma."

"The chief instrument in size and power is that called in Burmese pattshaing, and which I can only name in English as a drum-harmonicon. It consists of a circular tub-like frame about thirty inches high and four feet six inches in diameter. This frame is formed of separate wooden staves fancifully carved, and fitting by tenon into a hoop which keeps them in place. Round the interior of the frame are suspended vertically some eighteen or twenty drums, or tom-toms, graduated in tone, and in size from about two and a-half inches diameter up to ten. In tuning the [Pg 629] instrument the tone of each drum is modified as required by the application of a little moist clay with a sweep of the thumb, in the centre of the parchment. The whole system then forms a sort of harmonicon, on which the performer, squatted in the middle, plays with the natural plectra of his fingers and palms, and with great dexterity and musical effect."

"The main instrument in size and power is called in Burmese pattshaing, which I can only refer to in English as a drum-harmonicon. It features a circular tub-like frame about thirty inches tall and four feet six inches in diameter. This frame is made of separate wooden staves that are beautifully carved, fitting into a hoop that holds them in place. Inside the frame, there are about eighteen or twenty drums, or tom-toms, hanging vertically, ranging in size from about two and a half inches in diameter to ten inches. To tune the [Pg 629] instrument, the tone of each drum is adjusted by applying a bit of moist clay with a sweep of the thumb at the center of the skin. The entire setup acts like a harmonicon, where the performer, sitting in the middle, plays with their fingers and palms, showcasing great skill and musicality."

BURMESE MUSICAL INSTRUMENTS.

Burmese musical instruments.

Burmese Musical Instruments

The two Burmese musical instruments which we here engrave are thus described by Captain Yule in his "Mission to Ava:"—

The two Burmese musical instruments that we’re engraving here are described by Captain Yule in his "Mission to Ava:"—

"The bamboo harmonicon or staccato is a curious example of the production of melody by simple and unexpected means. Its use, though unknown in India, extends throughout the Eastern Archipelago; and something similar is possessed, I believe, by the negro slaves in Brazil. Eighteen to twenty-four flat slips of bamboo, about an inch and a half broad, and of graduated length, are strung upon a double string and suspended in a catenary over the mouth of a trough-like sounding box. The roundish outside of the bamboo is uppermost, and whilst the extremities of the slips are left to their original thickness, the middle part of each is thinned and hollowed out below. The tuning is accomplished partly by the regulation of this thinning of the middle part. The scale so formed is played with one or two drumsticks, and the instrument is one of very [Pg 630] mellow and pleasing tone. Though the materials are of no value, a good old harmonicon is prized by the owner, like a good old Cremona, and he can rarely be induced to part with it.

"The bamboo harmonicon, also known as the staccato, is a fascinating example of how melody can be created using simple and surprising methods. While it is not found in India, it is popular throughout the Eastern Archipelago, and something similar is made by African slaves in Brazil. Eighteen to twenty-four flat pieces of bamboo, about an inch and a half wide and of different lengths, are strung on a double string and hung in a curve over the opening of a trough-like sound box. The rounded side of the bamboo faces up, and while the ends of the pieces remain their original thickness, the middle section of each is thinned and hollowed out underneath. The tuning is achieved by adjusting the thickness of the middle section. The resulting scale is played with one or two drumsticks, and the instrument has a very [Pg 630] rich and pleasant tone. Although the materials have little value, a good old harmonicon is cherished by its owner, much like a fine old Cremona, and they are rarely willing to sell it."

"There was one example at the capital, of a similar instrument formed of slips of iron or steel. It was said to have been made by the august hands of King Tharawadee himself, who, like Louis Seize, was abler as a smith than as a king. The effect was not unpleasing, and strongly resembled that of a large Geneva musical box, but it was far inferior in sweetness to the bamboo instrument.

"There was one example in the capital of a similar instrument made of strips of iron or steel. It was said to have been created by the distinguished hands of King Tharawadee himself, who, like Louis XVI, was a better blacksmith than a king. The effect was quite pleasant and closely resembled that of a large Geneva music box, but it was far less sweet than the bamboo instrument."

"Another instrument used in these concerts is a long cylindrical guitar of three strings, shaped like an alligator and so named. It is placed on the ground before the performer."

"Another instrument used in these concerts is a long cylindrical guitar with three strings, shaped like an alligator and named as such. It is positioned on the ground in front of the performer."

DRESS REGULATED BY ACT OF PARLIAMENT.

DRESS REGULATED BY ACT OF PARLIAMENT.

The foreign knights and visitors who came to Windsor in Edward the First's reign, and brought with them a continual succession of varying fashions, turned the heads of the young with delight, and of the old with disgust. Douglas, the monk of Glastonbury, is especially denunciative and satirical on this point. He says that in the horrible variety of costume,—"now long, now large, now wide, now straight,"—the style of dress was "destitute and devert from all honesty of old arraye or good usage." It is all, he says, "so nagged and knibbed on every side, and all so shattered and also buttoned, that I with truth shall say, they seem more like to tormentors or devils in their clothing, and also in their shoying and other array, than they seemed to be like men." And the old monk had good foundation for his complaint; and the Commons themselves having, what the Commons now have not, a dread of becoming as extravagant as their betters in the article of dress, actually sought the aid of Parliament. That august assembly met the complaint by restricting the use of furs and furls to the royal family and nobles worth one thousand per annum. Knights and ladies worth four hundred marks yearly, were permitted to deck themselves in cloths of gold and silver, and to wear certain jewellery. Poor knights, squires, and damsels were prohibited from appearing in the costume of those of higher degree. As for the Commons themselves, they could put on nothing better than unadorned woollen cloth; and if an apprentice or a milliner had been bold enough to wear a ring on the finger, it was in peril of a decree that it should be taken off,—not the finger, but the ring,—with confiscation of the forbidden finery.

The foreign knights and visitors who came to Windsor during the reign of Edward the First brought a constant stream of changing fashions that fascinated the young and disgusted the old. Douglas, the monk of Glastonbury, is particularly critical and sarcastic about this. He says that in the terrible variety of clothing—“sometimes long, sometimes large, sometimes wide, sometimes straight”—the style of dress was “lacking and deviated from all decency of old attire or good practices.” He claims it is all “so ragged and knotted on every side, and so shattered and buttoned, that I must honestly say, they look more like tormentors or devils in their outfits, and also in their footwear and other garments, than they look like men.” The old monk had good reason for his complaint; the Commons, who once feared becoming as extravagant as their superiors in fashion, actually sought help from Parliament. That esteemed assembly responded to the complaint by limiting the use of furs and fine fabrics to the royal family and nobles earning one thousand per annum. Knights and ladies with an income of four hundred marks a year were allowed to dress in gold and silver cloths and wear certain jewelry. Poor knights, squires, and ladies were forbidden from wearing the attire of those of higher status. As for the Commons, they could only wear plain woolen cloth; and if an apprentice or a milliner dared to wear a ring on their finger, they risked a decree that it should be removed—not their finger, but the ring—along with the confiscation of the prohibited finery.

The consequence was that the Commons, being under prohibition to put on finery, became smitten with a strong desire to assume it; and much did they rejoice when they were ruled over by so consummate a fop as Richard of Bordeaux. All classes were content to do what many classes joyfully do in our own days,—dress beyond their means; and we find in old Harding's "Cronicle" that not only were

The result was that the common people, being forbidden to wear fancy clothes, developed a strong longing to wear them; and they celebrated when they were ruled by such a complete dandy as Richard of Bordeaux. Everyone was willing to do what many are happy to do today—spend more on clothes than they can afford; and we see in old Harding's "Chronicle" that not only were

"Yemen and gromes in cloth of silk arrayed,
Sattin and damask, in doublettes and in gownnes."

but that all this, as well as habits of "cloth of greene and scarleteen,—cut work and brodwar, was all," as the Chronicler expresses it, "for [Pg 631] unpayed;" that is, was not paid for. So that very many among us do not so much despise the wisdom afforded us by the example of our ancestors as didactic poets and commonplace honest writers falsely allege them to do. And those ancestors of Richard the Second's time were especially given to glorify themselves in parti-coloured garments of white and red, such being the colours of the King's livery (as blue and white were those of John of Gaunt); and they who wore these garments, sometimes of half-a-dozen colours in each, why they looked, says an old writer, "as though the fire of St. Anthony, or some such mischance," had cankered and eaten into half their bodies. The long-toed shoes, held up to the knee by a chain and hook, were called crackowes, the fashion thereof coming from Cracrow in Poland. The not less significant name of "devil's receptacles" were given to the wide sleeves of this reign, for the reason, as the Monk of Evesham tells us, that whatever was stolen was thrust into them.

but all of this, along with the habits of "green and scarlet cloth, cut work and embroidery, was all," as the Chronicler puts it, "for [Pg 631] unpaid;" meaning, not paid for. So, many of us don't actually despise the wisdom passed down from our ancestors as so-called didactic poets and ordinary honest writers falsely claim. Those ancestors during Richard the Second's time were particularly fond of showing off in brightly colored garments of white and red, which were the King's livery colors (just as blue and white were for John of Gaunt); and those who wore these outfits, sometimes with half a dozen colors each, looked, as an old writer noted, "as if the fire of St. Anthony, or some such disaster," had burned and eaten into half their bodies. The long-toed shoes, held up to the knee by a chain and hook, were called crackowes, a style that came from Kraków in Poland. The not-so-subtle nickname "devil's receptacles" referred to the wide sleeves of this period because, as the Monk of Evesham tells us, anything stolen was stuffed into them.

A CAT-CLOCK.

A cat clock.

The following curious incident is to be found in Huo's "Chinese Empire:—

The following intriguing incident can be found in Huo's "Chinese Empire:—

"One day when we went to pay a visit to some families of Chinese Christian peasants, we met, near a farm, a young lad, who was taking a buffalo to graze along our path. We asked him carelessly, as we passed, whether it was yet noon. The child raised his head to look at the sun, but it was hidden behind thick clouds, and he could read no answer there. "The sky is so cloudy," said he; "but wait a moment;" and with these words he ran towards the farm, and came back a few minutes afterwards with a cat in his arms. "Look here," said he, "it is not noon yet;" and he showed us the cat's eyes, by pushing up the lids with his hands. We looked at the child with surprise, but he was evidently in earnest; and the cat, though astonished, and not much pleased at the experiment made on her eyes, behaved with most exemplary complaisance. "Very well," said we; "thank you;" and he then let go the cat, who made her escape pretty quickly, and we continued our route.

"One day when we went to visit some families of Chinese Christian peasants, we encountered a young boy near a farm who was taking a buffalo to graze along our path. We casually asked him as we walked by if it was noon yet. The boy looked up to check the sun, but it was hidden behind thick clouds, so he couldn’t find the answer there. 'The sky is so cloudy,' he said, 'but wait a moment;' and with that, he ran toward the farm and returned a few minutes later with a cat in his arms. 'Look here,' he said, 'it’s not noon yet;' and he showed us the cat's eyes by lifting the lids with his hands. We looked at the boy in surprise, but he was clearly serious; and the cat, though confused and not thrilled about what was happening to her eyes, remained remarkably patient. 'Alright,' we said; 'thank you;' and he then let go of the cat, who quickly bolted away, and we continued on our way."

To say the truth, we had not at all understood the proceeding; but we did not wish to question the little pagan, lest he should find out that we were Europeans by our ignorance. As soon as ever we reached the farm, however, we made haste to ask our Christians whether they could tell the clock by looking into the cat's eyes. They seemed surprised at the question; but as there was no danger in confessing to them our ignorance of the properties of the cat's eyes, we related what had just taken place. That was all that was necessary; our complaisant neophytes immediately gave chase to all the cats in the neighbourhood. They brought us three or four, and explained in what manner they might be made use of for watches. They pointed out that the pupil of their eyes went on constantly growing narrower until twelve o'clock, when they became like a fine line, as thin as a hair, drawn perpendicularly across the eye, and that after twelve the dilation recommenced.

To be honest, we didn’t really understand what was happening, but we didn’t want to ask the little pagan, fearing he’d realize we were Europeans because of our ignorance. As soon as we got to the farm, though, we quickly asked our Christian friends if they could tell the time by looking into the cat's eyes. They seemed surprised by the question, but since there was no risk in admitting our lack of knowledge about cat’s eyes, we shared what had just happened. That was all it took; our eager neophytes immediately went after all the cats in the area. They brought us three or four and explained how they could be used as watches. They pointed out that the pupils of their eyes kept getting smaller until twelve o'clock, when they became like a thin line, as fine as a hair, drawn vertically across the eye, and after twelve, they started to widen again.

When we had attentively examined the eyes of all the cats at our [Pg 632] disposal, we concluded that it was past noon, as all the eyes perfectly agreed upon the point.

When we carefully looked at the eyes of all the cats we had available, we realized it was past noon, since all the eyes were in perfect agreement on that.

We have had some hesitation in speaking of this Chinese discovery, as it may, doubtless, tend to injure the interest of the clock-making trade, and interfere with the sale of watches; but all considerations must give way to the spirit of progress. All important discoveries tend in the first instance to injure private interests, and we hope, nevertheless, that watches will continue to be made, because, among the number of persons who may wish to know the hour, there will, most likely, be some who will not give themselves the trouble to run after the cat, or who may fear some danger to their own eyes from too close an examination of hers."

We've been a bit reluctant to talk about this Chinese discovery since it might hurt the watchmaking industry and affect watch sales. However, we believe that the pursuit of progress is more important than those concerns. Major discoveries often disrupt private interests at first, but we still hope that watches will continue to be made. After all, among the people who want to know the time, there will likely be some who won't bother to chase after the cat or who might worry about putting their eyes at risk by getting too close to hers.

EARLY ENGLISH HELMET.

Medieval English helmet.

Early English Helmet

The above is a correct representation of a helmet of the latter part of the twelfth century, resembling those seen on the great seals of Richard I. The aventaille, or moveable grating for covering the face, has been lost, but the hinges, staples, and other means of fastening it still remain. Its form may be seen on the great seals of Henry III. and Edward I.

The above is a correct representation of a helmet from the late twelfth century, similar to those found on the great seals of Richard I. The aventaille, or movable face grate, is missing, but the hinges, staples, and other methods for securing it are still intact. Its shape can be seen on the great seals of Henry III and Edward I.

ILLUSTRIOUS FARMERS.

Famous Farmers.

Adam was a farmer while yet in Paradise, and after his fall was commanded to earn his bread by the sweat of his brow. Job, the honest, upright, and patient, was a farmer, and his firm endurance has passed into a proverb. Socrates was a farmer, and yet wedded to the glory of his immortal philosophy. Cincinnatus was a farmer, and the noblest Roman of them all. Burns was a farmer, and the Muse found him at his plough, and filled his soul with poetry. Washington was a farmer, and retired from the highest earthly station to enjoy the quiet of rural life, and present to the world a spectacle of human greatness. To these names may be added a host of others, who sought peace and repose in the cultivation of their earth. The enthusiastic Lafayette, the steadfast [Pg 633] Pickering, the scholastic Jefferson, the fiery Randolph, all found an El Dorado of consolation from life's cares and troubles, in the green and verdant lawns that surrounded their homestead.

Adam was a farmer even in Paradise, and after his fall, he was told to earn his living by working hard. Job, honest, upright, and patient, was a farmer, and his strong endurance became a saying. Socrates was a farmer, yet devoted to the legacy of his enduring philosophy. Cincinnatus was a farmer, and the noblest Roman of them all. Burns was a farmer, and the Muse found him at his plow, filling his soul with poetry. Washington was a farmer who stepped down from the highest position to enjoy the peace of country life, presenting the world with a model of human greatness. Alongside these names are many others who sought peace and rest in cultivating their land. The passionate Lafayette, the dedicated Pickering, the intellectual Jefferson, the fiery Randolph—all found a paradise of comfort from life's worries in the green lawns surrounding their homes.

ANCIENT COUTEAU-DE-CHASSE.

Ancient hunting knife.

Ancient Couteau-de-Chasse

As the chase was regarded as the honourable and most instructive occupation of an age in which warlike prowess was deemed the principal object of emulation and applause, every respectable mansion had, in former times, its hall decorated with hunting implements. One of these we here present to our readers. It is a couteau-de-chasse of the time of William III. The left-hand figure represents it in its sheath, which is highly ornamented; the other figures represent the blade drawn, and the three knives, fork, and bodkin, which the sheath also contains. The form is precisely like those engraved in the "Triumph of Maximilian," which shows that no variation had taken place since the commencement of the sixteenth century. Erasmus, in his "Praise of Folly," thus alludes to this weapon, Kennet translating it "a slashing hanger." Speaking of those engaged in the chase, he says, "When they have run down their game, what strange pleasure they take in cutting it up! Cows and sheep may be slaughtered by common butchers, but what is killed in hunting must be broke up by none under a gentleman, who shall throw down his hat, fall devoutly on his knees, and drawing a slashing hanger (for a common knife is not good enough), after several ceremonies, shall dissect all the parts as artistically as the best skilled anatomist; while all that stand round shall look very intently and seem to be mightly surprised with the novelty, though they have seen the same an hundred times before; and he that can but dip his finger and taste of the blood shall think his own bettered by it."

As hunting was seen as an honorable and highly educational activity in a time when military skill was the main goal of admiration and competition, every respectable home used to boast a hall filled with hunting gear. We present one of these to our readers. It is a hunting knife from the era of William III. The left-side image shows it in its beautifully decorated sheath, while the other images show the blade pulled out, along with three knives, a fork, and a bodkin that the sheath also holds. The design is exactly like those depicted in the "Triumph of Maximilian," indicating that there hadn't been any changes since the early sixteenth century. Erasmus mentions this weapon in his "Praise of Folly," where Kennet translates it as "a slashing hanger." He comments on those participating in the hunt, saying, "Once they’ve caught their prey, what odd joy they find in butchering it! Cows and sheep can be killed by ordinary butchers, but anything hunted must be handled by someone of higher status, who will lay down his hat, kneel reverently, and using a slashing hanger (since a regular knife isn’t adequate), after some rituals, will expertly cut it into pieces just like a skilled anatomist; while everyone watching will appear very focused and seem greatly amazed by the spectacle, even though they’ve witnessed it hundreds of times before; and whoever can just dip their finger and taste the blood will think they’ve been improved by it."

DIVISION OF TIME IN PERSIA.

Time Management in Persia.

Time is of no value in Persia, from which reason it must be that so complicated a system has been maintained as that of counting by solar time, lunar time, and the Toork cycle. The first is observed by astronomers, and was in general use in Persia until it was superseded by [Pg 634] Mahommed's lunar year. It consists of twelve months of thirty days each, with the required number of intercalary days. The second, which is now in general use, consisting of three hundred and fifty-four days, is therefore perpetually changing: an event commemorated in one year will come round ten days earlier the succeeding year. The third is a curious method of counting introduced by the Toorks into Persia, but which we are told has been forgotten in Turkey. They divide time into cycles of twelve years, each year having a separate name, but they have no designation for the cycles. Thus, if they wanted to describe an event which happened sixty-five years ago, they could only mention the name of the fifth year. These years are solar, and are thus designated:—

Time doesn't hold much value in Persia, which is likely why such a complex system has been kept that includes solar time, lunar time, and the Toork cycle. The first is followed by astronomers and was mainly used in Persia until it was replaced by [Pg 634] Mahommed's lunar year. This system has twelve months of thirty days each, plus the necessary number of extra days. The second system, which is currently in general use, has three hundred and fifty-four days, so it continually shifts: an event celebrated in one year will occur ten days earlier in the following year. The third is an interesting way of counting introduced by the Toorks in Persia, but we are told it's been forgotten in Turkey. They break time into cycles of twelve years, with each year having a unique name, but they don't have a term for the cycles. So, if they wanted to refer to an event that happened sixty-five years ago, they could only note the name of the fifth year. These years are solar and are designated as follows:—

Sichkan eel Year of the Mouse.
Ood eel " Bull.
Bars eel " Leopard.
Tavishkan eel " Hare.
Looee eel " Crocodile.
Eelan eel " Snake.
Yoont eel " Horse.
Kooree eel " Ram.
Beechee eel " Monkey.
Tekhakoo eel " Cock.
Eet eel " Dog.
Tenkooz eel " Hog.

It seems strange their number should be twelve, as if there were a zodiac of years, instead of months.

It seems odd that there are twelve of them, as if there were a zodiac of years instead of months.

This method of marking time is preserved only in government documents, such as firmans, grants, &c. No one seems able to account for its origin, excepting that, according to tradition, the Toorks of old brought it from Tartary.

This way of tracking time is only found in government documents, like firmans, grants, etc. No one seems to know where it came from, except that, according to tradition, the Turks of old brought it from Tartary.

DIFFERENT SORTS OF HORSES IN THE SIXTEENTH CENTURY.

DIFFERENT TYPES OF HORSES IN THE SIXTEENTH CENTURY.

The different sorts of horses in use among the nobility and others, may be collected from the following entry in the Northumberland household-book, first printed in the year 1768. It is entitled the regulations and establishment of Algernon Percy the Earl of Northumberland, 1512.

The various types of horses used by the nobility and others can be gathered from the following entry in the Northumberland household book, first published in 1768. It's titled the regulations and establishment of Algernon Percy the Earl of Northumberland, 1512.

"This is the ordre of the chequir roule of the nombre of all the horsys of my lordis and my ladys, that are apoynted to be in the charge of the hous verely, as to say gentill hors, palfreys, hobys, naggis, clothsek hors.

"This is the order of the check list of all the horses of my lords and my ladies, that are appointed to be in the care of the house indeed, namely gentle horses, palfreys, hobby horses, nags, and cloth-sack horses."

"First, gentill hors, to stand in my lordis stable, six. Item, palfreys of my ladys, to wit, oone for my lady, and two for her gentill-women, and oone for her chamberer. Four hobys and naggis for my lordis oone saddill, viz. oone for my lorde to ride, oone to led for my lorde, and oone to stay at home for my lorde. Item, chariot hors to stand in my lordis stable yerely: Seven great trottynge hors to draw in the chariott, and a nagg for the chariott-man to ryde, eight. Again, hors for my lorde Percy, his lordis sonne. A great doble trottynge hors to travel on in winter. Item, double trottynge hors, called a curtal, for his lordship to ryde on out of townes. Another trottynge gambaldyn hors, for his lordship to ryde upon when he comes into townes. An amblynge hors, for [Pg 635] his lordship to journey on daily. A proper amblyng little nag, for his lordship when he gaeth on hunting or hawkin. A gret amblyng gelding to carry his male."

"First, six fine horses to stand in my lord's stable. Also, my lady's palfreys, one for her and two for her ladies-in-waiting, and one for her chambermaid. Four hobby horses and naggers for my lord's single saddle, namely one for my lord to ride, one to lead for my lord, and one to stay at home for my lord. Additionally, horses for my lord's chariot to remain in his stable yearly: seven large trotting horses to pull the chariot, and one nag for the chariot driver to ride, making eight. Again, horses for Lord Percy, his lord's son. A large double trotting horse for winter travel. Also, a double trotting horse, called a curtal, for him to ride out of towns. Another trotting horse for him to ride when he comes into towns. An ambling horse for him to travel on daily. A nice little ambling nag for him when he goes hunting or hawking. A big ambling gelding to carry his luggage."

The gentill horse was one of superior breed, so called in contrast to such as were of ordinary extraction.

The gentill horse was of a superior breed, referred to as such in contrast to those of ordinary lineage.

Palfreys, were an elegant and easy sort of horses, used upon common occasions by knights, and others, who reserved their great and managed horses for battle and the tournament.

Palfreys were elegant and easygoing horses, commonly used by knights and others who kept their larger, more trained horses for battle and tournaments.

Hobys, were strong, active horses, of rather a small size. They are said to be originally natives of Ireland.

Hobys were strong, active horses that were relatively small in size. They are believed to have originated in Ireland.

Nags were of the same description.

Nags were the same type.

Clothseck, was a cloak-bag horse; as a male horse was one that carried the portmanteau. Horses to draw the chariots, were waggon horses; from the French word charrette, whence, the English word cart.

Clothseck was a cloak-bag horse; as a male horse was one that carried the portmanteau. Horses that pulled the chariots were wagon horses; from the French word charrette, which is where the English word cart comes from.

A great double trottynge horse, was a tall, broad horse, whose best pace was the trot, being too unwieldly to be able to gallop.

A great double trotting horse was a tall, broad horse, whose best pace was the trot, being too bulky to gallop.

A curtail, was a horse whose tail was cut, or shortened.

A curtail was a horse with a shortened tail.

A gambaldynge horse, was one of shew and parade; a managed horse.

A gambaldynge horse was all about show and spectacle; a well-trained horse.

An amblynge horse, received this appellation, from the ease and smoothness of its pace. In former times almost all saddle horses were broke to perform it.

An amblynge horse got this name because of how easy and smooth its pace is. In the past, nearly all saddle horses were trained to do this.

THE NAORA.

THE NAORA.

The Oasis of Tagius or Wodian, in the Desert of Sahara, in Africa, comprehends these villages—D'kash, Krees, Wozorkan, Owlad, Majed, Sedadah, Zowiat Elarab, and Sidy Bohlan.

The Oasis of Tagius or Wodian, in the Sahara Desert, Africa, includes these villages—D'kash, Krees, Wozorkan, Owlad, Majed, Sedadah, Zowiat Elarab, and Sidy Bohlan.

These villages are situated at short distances from each other, numbering together a population of between 25,000 and 30,000, whose chief employment consists in cultivating the palm, or date tree. At Kreez they have an excellent spring, but which does not suffice to water all their plantations, and hence they are forced to have recourse to the naora, so common on the coast. The naora is the name given to the rude, though ingenious contrivance, by means of which, through the agency of either a camel, a mule, or a horse, water is raised from a deep well in earthen jars, which, as soon as they have emptied their contents into a wooden trough, descend for fresh supplies. The water from the trough is then conducted by the planters into channels and trenches, as occasion requires. These are again easily diverted, and as soon as it is considered that the trees in one particular direction have had a sufficient supply, fresh trenches are opened in another direction, and in this manner the whole plantation receives the requisite moisture and nourishment. We here engrave the naora.

These villages are located close to each other, with a combined population of around 25,000 to 30,000, primarily working in cultivating palm or date trees. At Kreez, there is a great spring, but it isn’t enough to water all their fields, so they have to rely on the naora, which is common along the coast. The naora is the term for a simple yet clever device that uses a camel, mule, or horse to lift water from a deep well in earthen jars. Once the jars empty their water into a wooden trough, they go back down for more. The water from the trough is then directed by the farmers into channels and ditches as needed. These channels can be easily redirected, and once it’s determined that the trees in one area have gotten enough water, new ditches are dug in another area. This way, the entire plantation gets the moisture and nutrients it needs. We illustrate the naora here.

The pain and labour which the inhabitants of such an oasis take with their vast date plantations are immense, but their toil is amply repaid by the "lord of the vegetable world." Independent of its picturesque appearance, grateful shade, luscious fruit, and agreeable beverage, it supplies them with fuel, and wood for the construction of their houses. From its leaves they manufacture baskets, ropes, mats, bags, couches, brushes, brooms, fans, &c. From the branches they make fences, stools, [Pg 636] and cages. The kernels, after being soaked in water for two or three days, are eagerly eaten by camels.

The effort and hard work that the people living in such an oasis put into their extensive date farms is enormous, but their labor is well rewarded by the “king of the plant kingdom.” Aside from its beautiful appearance, refreshing shade, delicious fruit, and pleasant drink, it also provides them with fuel and wood for building their homes. They use its leaves to make baskets, ropes, mats, bags, couches, brushes, brooms, fans, etc. From the branches, they create fences, stools, [Pg 636] and cages. The seeds, after being soaked in water for a couple of days, are eagerly eaten by camels.

Every palm-tree shoots forth a number of suckers, which are removed at the proper season and transplanted. With care, these will produce fruit in about ten years, whereas those raised from kernels will only yield dates when they reach to the age of twenty. The tree reaches its vigour at thirty, and continues so till a hundred years old, when it begins to decline, and decays about the end of its second century. During its vigorous years, a good tree will produce between twenty and thirty clusters, each weighing about thirty pounds.

Every palm tree produces several offshoots, which are taken out at the right time and replanted. With proper care, these will start producing fruit in about ten years, while those grown from seeds won’t yield dates until they’re around twenty. The tree reaches its peak health at thirty and remains strong until it’s a hundred years old, when it starts to decline and usually dies around its two-hundredth year. During its prime years, a healthy tree will produce between twenty and thirty clusters, each weighing about thirty pounds.

Naora

Mr. Morier relates an anecdote, which greatly illustrates how highly the date-tree is appreciated by those who are from their infancy taught to value it. An Arab woman who had been in England, and who returned in the suite of the English ambassador to Persia, on her reaching home, told her countrywomen of the riches and beauty of the country she had visited, and described the roads, the carriages, the scenery, the splendour of the cities, and the fertility of the well-cultivated soil. Her audience were full of admiration, and had almost retired in envy, when she happened to mention that there was but one thing wanting to make the whole almost a Paradise. "And what is that?" said they. "Why, it has not a single date-tree. All the time that I was there, I never ceased to look for one, but I looked in vain." The charm was instantly [Pg 637] broken; the Arabs turned away in pity for men, who, whatever might be their comforts, or their magnificence, were doomed to live in a country where there are no date-trees.

Mr. Morier shares a story that highlights how much the date palm is valued by those who are taught to appreciate it from a young age. An Arab woman who had spent time in England and returned with the English ambassador to Persia told her fellow countrywomen about the wealth and beauty of the country she visited. She described the roads, the carriages, the scenery, the splendor of the cities, and the fertility of the well-tended fields. Her audience listened with admiration and felt a touch of envy until she mentioned that there was just one thing missing that could make the place almost a paradise. "And what is that?" they asked. "Well, it doesn’t have a single date tree. The whole time I was there, I kept looking for one, but found none." Instantly, the charm was shattered; the Arabs turned away, feeling sorry for people who, no matter how comfortable or magnificent their lives might be, had to live in a country without date palms. [Pg 637]

PRIMITIVE PAIR OF BELLOWS.

Basic pair of bellows.

Primitive Pair of Bellows

Atmospheric denudation and weathering have produced remarkable effects on the lower part of the Nonkreem valley, in the Khasia mountains, in India, which is blocked up by a pine-crested hill, 200 feet high, entirely formed of round blocks of granite, heaped up so as to resemble an old moraine; but, like the Nunklow boulders, these are not arranged as if by glacial action. The granite is very soft, decomposing into a course reddish sand, that colours the Boga-panee. To procure the iron sand, which is disseminated through it, the natives conduct water over the beds, and as the lighter particles are washed away, the remainder is removed to troughs, where the separation of the ore is [Pg 638] completed. The smelting is very rudely carried on in charcoal fires, blown by enormous double-action bellows, worked by two persons, who stand on the machine, raising the flaps with their hands, and expanding them with their feet, as shown in our cut. There is neither furnace nor flux used in the reduction. The fire is kindled on one side of an upright stone (like the head-stone of a grave), with a small arched hole close to the ground: near this hole the bellows are suspended: and a bamboo tube from each of its compartments meets in a larger one, by which the draft is directed under the hole in the stone to the fire. The ore is run into lumps as large as two fists, with a rugged surface: these lumps are afterwards cleft nearly in two to show their purity.

Atmospheric erosion and weathering have created remarkable effects on the lower part of the Nonkreem valley in the Khasia mountains of India. This area is blocked by a 200-foot-high hill covered in pine trees, made entirely of round granite blocks stacked to resemble an old moraine. However, like the Nunklow boulders, these aren’t arranged as if shaped by glacial action. The granite is quite soft, breaking down into a coarse reddish sand that colors the Boga-panee. To collect the iron sand found within it, locals channel water over the beds, and as the lighter particles wash away, the remaining material is sent to troughs where the ore is separated. The smelting process is quite primitive, carried out in charcoal fires powered by large double-action bellows operated by two people standing on the machine, raising the flaps with their hands and expanding them with their feet, as depicted in our illustration. There’s no furnace or flux used in the reduction process. The fire is lit beside an upright stone (similar to a grave marker) that has a small arched hole near the ground; the bellows hang near this hole. A bamboo tube connects the compartments of the bellows to a larger one, directing the airflow under the hole in the stone to the fire. The ore forms lumps as big as two fists with a rough surface; these lumps are later split nearly in half to reveal their purity.

PRESERVATION OF DEAD BODIES.

Preserving Dead Bodies.

About a mile distant from Palermo in Sicily, is a celebrated Monastery of Capuchins, in which there is a vault made use of as a receptacle for the dead. It consists of four wide passages, each forty feet in length, into which the light is admitted by windows, placed at the ends. Along the sides of these subterraneous galleries are niches, in which the bodies are placed upright, and clothed in a coarse dress, with their heads, arms, and feet bare. They are prepared for this situation by broiling them six or seven months upon a gridiron, over a slow fire, till all the fat and moisture are consumed. The skin which looks like pale-coloured leather, remains entire, and the character of the countenance is, in some degree preserved.

About a mile away from Palermo in Sicily, there’s a famous Capuchin Monastery that has a vault used to house the dead. It features four wide hallways, each forty feet long, with windows at the ends letting in light. Along the sides of these underground corridors are niches where the bodies are placed upright, dressed in a rough garment, with their heads, arms, and feet exposed. They are prepared for this by drying them out for six or seven months on a gridiron over a low fire until all the fat and moisture are gone. The skin, which resembles pale leather, stays intact, and some aspect of the facial features is preserved.

THE CAGOTS.

THE CAGOTS.

In the Department of the Hautes Pyrénées in France is sometimes to be met with a creature about four feet high, with an enormous head, stiff, long hair, a pale countenance, a dead-looking eye, legs that have the appearance of being in the last stage of a dropsy, and an enormous goitre on the neck, which sometimes hangs down below the stomach. This unhappy being begs for charity by extending his hand, smiling vaguely, and by uttering inarticulate sounds or suppressed cries, which his desolate and degraded situation alone interprets. These Cagots, for so they are here called, live isolated from the rest of the world; twenty years ago, if any one of these unfortunate beings left his hut, and ventured into the towns or villages, the children would exclaim—Cagot! Cagot! and this cry would bring the smith from his forge, the shopkeeper from his counter, the private individual from his fireside; and, if the poor being did not hasten his flight, and slow was his progress, he not unfrequently lost his life by the stones that were flung after him. There was, however, one day in the week—Sunday, the Lord's day—and one asylum—the church, the Lord's house—that was free to them; yet man there made a distinction between him and his fellow man. A narrow door, through which no one passed but the Cagots, a chapel, which no one entered but these unhappy Cagots, was reserved for their sole use, where they offered up their imperfect prayers, without seeing or being seen by any one. Even in these days, they are still considered an outcast race; and an alliance of a peasant girl of the plains with a [Pg 639] Cagot, would excite as much commotion among the inhabitants of the valleys of the Pyrénées, as the famed one between Idamore and Néala, in M. Delavigne's celebrated tragedy of the Paria. Yet it is strange that these deformities do not show themselves until a child has passed the age of six or seven: he is before this period like other healthy children; his complexion is fresh, his eye lively, and his limbs in proportion; but at twelve, his head has increased prodigiously, his complexion has become sallow, his teeth have lost their whiteness, his eye its fire. Three years later his skin is shrivelled, his teeth open with difficulty, and he pronounces all the consonants with a whistling indistinctness, that renders his language unintelligible to strangers. His mind partakes of the deformity and weakness of his body, for he is, at fifteen, little better than an idiot. Such are the Cagots of the Pyrénées.

In the Hautes Pyrénées region of France, there is sometimes a creature about four feet tall, with a huge head, stiff, long hair, a pale face, a lifeless eye, legs that look like they’re at a severe stage of swelling, and a large goiter on the neck that sometimes hangs down below the stomach. This unfortunate being begs for help by extending a hand, smiling vaguely, and making inarticulate sounds or muffled cries that only his pitiful and miserable condition can explain. These Cagots, as they are called here, live separated from everyone else; twenty years ago, if any of these unfortunate beings left their hut and dared to enter the towns or villages, children would yell—Cagot! Cagot!—and this cry would summon the blacksmith from his forge, the shopkeeper from his counter, and the private individual from his fireside; and if the poor being didn’t hurry away, and moved slowly, he would often lose his life to the stones thrown at him. However, there was one day of the week—Sunday, the Lord's day—and one refuge—the church, the Lord's house—that was open to them; yet even there, people made a distinction between him and others. A narrow door, used only by the Cagots, and a chapel, entered solely by these unfortunate Cagots, was set aside for their exclusive use, where they offered their imperfect prayers, without seeing anyone or being seen. Even today, they are still treated as an outcast race; a peasant girl from the plains marrying a Cagot would cause just as much uproar among the residents of the Pyrénées valleys as the famous case of Idamore and Néala in M. Delavigne's famous tragedy of the Paria. Yet it’s strange that these deformities don’t appear until a child is about six or seven years old: before that, he is like any other healthy child; his skin is fresh, his eyes are lively, and his limbs are proportional; but by twelve, his head has grown enormously, his complexion has become pale, his teeth have lost their whiteness, and his eyes their spark. Three years later, his skin is wrinkled, his teeth have a hard time opening, and he pronounces all the consonants with a whistling indistinctness that makes his speech unintelligible to outsiders. His mind also reflects the deformities and weaknesses of his body, as at fifteen, he is little better than an idiot. Such are the Cagots of the Pyrénées.

DISCONTINUANCE OF TORTURE.

STOP TORTURE.

Torture had been applied, down to the close of Elizabeth, to the investigation of all kinds of crime; but after that time it was chiefly confined to state offences. Its favourite instrument was the dreadful rack, or break, traditionally said to have been introduced under Henry VI. by John, Duke of Exeter, constable of the Tower, whence it was called the Duke of Exeter's daughter. A milder punishment was inflicted by Skevington's gyves, which compressed the victim closely together, whilst the rack distended his whole frame in the most painful manner. In 1588 the manacles were introduced, and soon became the most usual mode of torture, but their precise character is not well understood. A variety of instruments of torture are still shown in the Tower, taken, it is said, out of the Spanish Armada, but at all events admirably suited to the gloomy dungeon wherein they appear, and in which half-starvation, and the horrid cells called Little Ease and Rat's Dungeon (the latter placed below high water mark, and totally dark, so that the rats crowded in as the tide rose,) added to the sufferings of the poor victim when released for a brief space from the fell grasp of the prison-ministers. Torture was not abolished in Scotland till 1708; in France till 1789; in Russia till 1801; in Bavaria and Wurtemberg till 1806; in Hanover till 1822; nor in the Grand Duchy of Baden till 1831.

Torture was used, up until the end of Elizabeth's reign, to investigate all sorts of crimes; but after that, it was mostly limited to political offenses. Its preferred tool was the terrifying rack, or break, which was traditionally said to have been introduced during Henry VI's time by John, Duke of Exeter, who was the constable of the Tower, hence it was referred to as the Duke of Exeter's daughter. A milder form of punishment was Skevington's gyves, which tightly compressed the victim, while the rack painfully stretched their entire body. In 1588, manacles were introduced and quickly became the most common method of torture, although their exact design isn't well understood. A variety of torture devices are still displayed in the Tower, supposedly taken from the Spanish Armada, but they are certainly well-suited to the dark dungeon where they are found, and where half-starvation, along with the dreadful cells known as Little Ease and Rat's Dungeon (the latter located below high water mark and completely dark, allowing rats to swarm in as the tide rose), increased the suffering of unfortunate victims who were only briefly released from the cruel grip of their captors. Torture wasn’t abolished in Scotland until 1708; in France until 1789; in Russia until 1801; in Bavaria and Wurtemberg until 1806; in Hanover until 1822; and not in the Grand Duchy of Baden until 1831.

THE MODERN NAMES OF REGIMENTS.

THE CURRENT NAMES OF REGIMENTS.

The modern names of regiments were first given to them in the reign of Charles II., the Coldstreams or Foot Guards being formed in 1660, when two regiments were added to one raised about ten years before by General Monk at Coldstream on the borders of Scotland; to these were added the 1st Royal Scots, brought over from France at the Restoration. The Life Guards were raised in 1661, with the Oxford Blues (so called from the first commander, Aubrey, Earl of Oxford); and also the 2nd or Queen's Foot. The 3rd or Old Buffs were raised in 1665, and the 21st Foot or Scotch Fusileers (from their carrying the fusil, which was lighter than the musket), in 1678. In that year the Grenadiers (so named from their original weapon, the hand grenade) were first brought into our service, and in 1680 the 4th or King's Own were raised. James II. [Pg 640] added to the cavalry the 1st or King's Regiment of Dragoon's Guards, and the 2nd or Queen's ditto in 1685; and to the infantry, in the same year, the 5th and 7th, or Royal Fusileers; and in 1688 the 23rd or Welsh Fusileers.

The modern names of regiments were first assigned during the reign of Charles II. The Coldstreams or Foot Guards were established in 1660, when two regiments were added to one that General Monk had raised about ten years earlier at Coldstream on the Scottish border. To these, the 1st Royal Scots were brought over from France at the time of the Restoration. The Life Guards were formed in 1661, along with the Oxford Blues (named after their first commander, Aubrey, Earl of Oxford); and the 2nd or Queen's Foot also came into existence. The 3rd or Old Buffs were formed in 1665, and the 21st Foot or Scotch Fusileers (named for carrying the fusil, which was lighter than the musket) were established in 1678. That same year, the Grenadiers (named after their original weapon, the hand grenade) were first introduced into our service, and in 1680 the 4th or King's Own was raised. James II. [Pg 640] added to the cavalry the 1st or King's Regiment of Dragoon's Guards and the 2nd or Queen's in 1685; and to the infantry, in the same year, the 5th and 7th or Royal Fusileers; and in 1688 the 23rd or Welsh Fusileers.

WATCH PRESENTED BY LOUIS THE THIRTEENTH OF FRANCE TO CHARLES THE FIRST OF ENGLAND.

WATCH PRESENTED BY LOUIS XIII OF FRANCE TO CHARLES I OF ENGLAND.

Watch Made for Louis XIII

The annexed engraving represents the watch which was made for Louis XIII. to present to King Charles I. It is of silver, richly gilt, the ornaments covered with transparent enamel in white, red, green, blue, and yellow. The numbers are on a band of deep blue; the wheel-like ornament in the centre on a ruby ground. The back is chased in high relief with a figure of St. George conquering the Dragon; the horse is covered with white enamel; the flesh tints on St. George are also of enamel; his tunic is red, and his scarf blue. On the side of the watch is the motto of the Order of the Garter; the fleurs-de-lys above and below it on a ruby ground. The interior of the case is enriched by a delicately executed arabesque filled with black enamel upon a dotted ground. The entire works take out of the case, being secured thereto by springs, and are all more or less decorated with engraving, the whole interior being chased and gilt. The maker's name is S. Vallin.

The attached engraving shows the watch that was made for Louis XIII. to give to King Charles I. It's made of silver and lavishly gilded, with the designs covered in transparent enamel in white, red, green, blue, and yellow. The numbers are on a deep blue band, and the wheel-like design in the center is set against a ruby background. The back is intricately designed in high relief featuring St. George slaying the Dragon; the horse is coated in white enamel, and St. George's flesh tones are also in enamel; his tunic is red, and his scarf is blue. Along the side of the watch, there's the motto of the Order of the Garter, with fleurs-de-lys above and below it on a ruby background. The inside of the case is adorned with a finely crafted arabesque filled with black enamel on a dotted surface. The entire mechanism can be removed from the case, held in place by springs, and is decorated with engravings; the whole interior is chased and gilded. The watchmaker's name is S. Vallin.

A WEDDING A HUNDRED YEARS AGO.

A WEDDING A HUNDRED YEARS AGO.

On the 7th June, 1750, was married at Rothbury, Mr. William Donkin, a considerable farmer, of Tosson, in the county of Northumberland, to Miss Eleanor Shotten, an agreeable young gentlewoman, of the same [Pg 641] place. The entertainments on this occasion were very grand, there being provided no less than one hundred and twenty quarters of lamb, forty quarters of veal, twenty quarters of mutton, a large quantity of beef, twelve hams, with a suitable number of chickens, which was concluded with eight half ankers of brandy made into punch, twelve dozen of cider, and a great many gallons of wine. The company consisted of five hundred ladies and gentlemen, who were diverted with the music of twenty-five fiddlers and pipers; and the evening was spent with the utmost unanimity.

On June 7th, 1750, Mr. William Donkin, a prominent farmer from Tosson in Northumberland, married Miss Eleanor Shotten, a charming young woman from the same place. The celebrations for this occasion were quite grand, featuring a feast that included one hundred and twenty quarters of lamb, forty quarters of veal, twenty quarters of mutton, a large amount of beef, twelve hams, and a suitable number of chickens, all capped off with eight half barrels of brandy mixed into punch, twelve dozen ciders, and many gallons of wine. The guest list included five hundred ladies and gentlemen, who enjoyed the music provided by twenty-five fiddlers and pipers; and the evening was filled with joy and harmony.

GRACE KNIVES.

Grace Knives.

There is a curious class of knives, of the sixteenth century, the blade, of which have on one side the musical notes to the benediction of the table, or grace before meat, and on the other the grace after meat. We here engrave a specimen.

There is an interesting type of knives from the sixteenth century, featuring blades that have musical notes for the blessing of the table, or grace before meals, on one side, and the grace after meals on the other. We present a sample here.

Grace Knives

The set of these knives usually consisted of four. They were kept in an upright case of stamped leather, and were placed before the singer according to the adaptation of each part to the voice indicated upon them.

The set of these knives usually had four pieces. They were kept in an upright case made of stamped leather and were arranged in front of the singer based on how each part matched the voice noted on them.

GARDEN AT KENILWORTH WHEN IN ITS PRIME.

GARDEN AT KENILWORTH WHEN IT WAS AT ITS BEST.

Gossiping Laneham is very eloquent about the Kenilworth Garden, at which he took a timid and surreptitious peep. It was an acre or more in extent, and lay to the north of the stately castle: a pleasant terrace, ten feet high, and twelve feet broad, even under foot and fresh with trim grass, ran beside it along the castle wall. It was set with a goodly show of obelisks and spheres, and white bears of stone, raised upon goodly bases. At each end was a fine arbour, redolent with sweet trees and flowers. The garden-plot near had fair alleys of turf, and others paved with smooth sand, pleasant to walk on as the sea-shore when the wave has just retired. The enclosure was divided into four even quarters: in the midst of each, upon a base of two feet square, rose a porphyry square pilaster, with a pyramidical pinnacle fifteen feet high, pierced and hollowed, and crowned with an orb. All around was covered with redolent herbs and flowers, varied in form, colour, and quantity, and mixed with fruit trees.

Gossiping Laneham is very articulate about the Kenilworth Garden, where he took a timid and sneaky peek. It was over an acre in size and located north of the impressive castle: a nice terrace, ten feet high and twelve feet wide, was smooth and fresh with well-maintained grass, running alongside the castle wall. It featured a good display of obelisks and spheres, and stone white bears on sturdy bases. At each end, there was a lovely arbor filled with fragrant trees and flowers. The garden area had nice grass paths and others paved with smooth sand, pleasing to walk on like the shoreline when the tide has just gone out. The space was divided into four equal sections: in the center of each, on a two-foot square base, stood a square porphyry pillar with a pyramid-shaped top fifteen feet high, hollowed out and topped with a sphere. All around was covered with fragrant herbs and flowers, diverse in shape, color, and number, mixed in with fruit trees.

In the midst, opposite the terrace, stood a square aviary, joined to the north wall, in height twenty feet, thirteen long, and fourteen broad; it had four great windows, two in front and two at each end, and each [Pg 642] five feet wide. These windows were arched, and separated by flat pilasters, which supported a cornice. The roof was of wire net, of meshes an inch wide; and the cornice was gilded and painted with representations of precious stones. This great aviary had also eaves in the wall, for shelter from sun and heat, and for the purpose of building. Fair holly trees stood at each end, on which the birds might perch and pounce. They had a keeper to attend to their seeds and water, and to clean out their enclosure. The birds were English, French, and Spanish. Some were from America; and Laneham is "deceived" if some were not from the Canary Islands.

In the middle, across from the terrace, was a square aviary attached to the north wall, standing twenty feet high, thirteen feet long, and fourteen feet wide. It had four large windows, two in the front and two at each end, each measuring five feet wide. These windows were arched and separated by flat pillars that supported a cornice. The roof was made of wire mesh with one-inch openings, and the cornice was gilded and painted with designs of precious stones. This large aviary also featured eaves in the wall for shade from the sun and heat, as well as for nesting purposes. Beautiful holly trees stood at each end for the birds to perch and pounce on. There was a caretaker to manage their seeds and water, and to clean out their space. The birds included English, French, and Spanish species. Some were from America; and Laneham would be mistaken if there weren’t any from the Canary Islands.

In the centre of this miniature Paradise stood a fountain with an octagonal basin rising four feet high; in the midst stood the figures of two Athletes, back to back, their hands upholding a fair marble bowl, from whence sundry pipes distilled continual streams into the reservoir. Carp, tench, bream, perch, and eel disported in the fresh falling water; and on the top of all the ragged staff was displayed; on one side Neptune guided his sea-horses with his trident, on another stood Thetis with her dolphins. Here Triton and his fishes, there Proteus and his herds, Doris and her daughter, and half the Nereids, disported in sea and sand, surrounded by whales, sturgeons, tunnies, and conch shells, all engraven with exquisite device and skill. By the sudden turn of a tap, the spectator could be drenched at the pleasure of any wit.

In the middle of this tiny paradise was a fountain with an octagonal basin rising four feet high; in the center, there were two athletes standing back to back, their hands holding up a beautiful marble bowl, from which several pipes sent continuous streams into the reservoir. Carp, tench, bream, perch, and eel played in the fresh falling water; and on top of the ragged staff was displayed; on one side, Neptune guided his sea-horses with his trident, and on the other stood Thetis with her dolphins. Here, Triton and his fish, there, Proteus and his herds, Doris and her daughter, and half of the Nereids played in the sea and sand, surrounded by whales, sturgeons, tunas, and conch shells, all intricately engraved with exquisite designs and skill. With the quick turn of a tap, the onlooker could get splashed at the whim of any clever person.

EGYPTIAN ANTIQUITIES.

Egyptian Artifacts.

It appears from a paper recently read in the Academy of Archæology, at Rome, that Father Secchi has found a new interpretation of the Egyptian hieroglyphics, which enables him to declare, that most of them are not mere tombstone inscriptions, as is generally assumed, but poems. He has given several of his readings, which display great ingenuity, and professes to be able to decipher the inscriptions on the Obelisk of Luxor, at Paris.

It seems from a recent paper presented at the Academy of Archaeology in Rome that Father Secchi has discovered a new way to interpret Egyptian hieroglyphics. This allows him to assert that many of them are not just tombstone inscriptions, as commonly thought, but actually poems. He has shared several of his interpretations, which show considerable creativity, and claims he can decipher the inscriptions on the Obelisk of Luxor in Paris.

THE BAYEUX TAPESTRY.

The Bayeux Tapestry.

The cathedral at Bayeux is a gothic building, dedicated to the Virgin. The portal and three belfries, which belong to it, are objects of curiosity. It is in this cathedral that the celebrated tapestry, denominated of Bayeux, is kept. Its length is one hundred and thirty-two feet; its breadth, seven and a half. "I had," says Dr. Ducarel, "the satisfaction of seeing that famous piece of furniture, which, with great exactness, though in barbarous needlework, represents the history of Harold, King of England; and of William, Duke of Normandy; from the embassy of the former to Duke William, at the command of Edward the Confessor, to his overthrow and death, at the battle fought near Hastings. The ground of this piece of work is a white linen cloth, or canvas. The figures of men, horses, &c. are in their proper colours, worked in the manner of the samplers, in worsted, and of a style not unlike what we see upon the China and Japan ware; those of the men, particularly, being without the least symmetry or proportion. There is a small border, which runs at the top and the bottom of the tapestry; with several figures [Pg 643] of men, beasts, flowers, and even fables, which have nothing to do with the history, but are mere ornaments. At the end of every particular scene there is a tree, by way of distinction; and over several of the principal figures there are inscriptions, but many of them obliterated. It is annually hung up on St. John's day, and goes round the nave of the church, where it continues eight days; and at all other times it is carefully kept locked up in a strong wainscot press, in a chapel on the south side of the cathedral, dedicated to Thomas à Becket. By tradition it is called, Duke William's toilet, and is said to be the work of Matilda, his queen, and the ladies of her court, after he had obtained the crown of England." Mr. Strutt, in his "Complete View of the Dresses and Habits of the People of England," affirms, that it is the work of half a century later than the time of the Conqueror.

The Bayeux Cathedral is a Gothic structure dedicated to the Virgin Mary. The portal and three belfries are intriguing features. This cathedral houses the famous tapestry known as the Bayeux Tapestry. It measures one hundred thirty-two feet long and seven and a half feet wide. "I had," says Dr. Ducarel, "the pleasure of seeing that renowned piece of art, which, with great accuracy, although in rough needlework, depicts the story of Harold, King of England, and William, Duke of Normandy; from Harold's embassy to Duke William, on orders from Edward the Confessor, to his defeat and death in the battle near Hastings. The tapestry is made of white linen cloth or canvas. The images of people, horses, etc. are in their actual colors, stitched like samplers, using worsted, and in a style reminiscent of Chinese and Japanese ceramics; particularly the figures of men lack any symmetry or proportion. There’s a small border at the top and bottom of the tapestry featuring various figures of men, animals, flowers, and even fables, which are unrelated to the story and serve as decoration. At the end of each scene, there’s a tree for distinction, and above some of the main figures, there are inscriptions, though many are faded. It is displayed every year on St. John's Day and circles around the nave of the church for eight days; at all other times, it is securely stored in a sturdy wooden press in a chapel on the south side of the cathedral, dedicated to Thomas à Becket. By tradition, it is called Duke William's Toilet and is believed to have been created by Matilda, his queen, and the ladies of her court after he claimed the crown of England." Mr. Strutt, in his "Complete View of the Dresses and Habits of the People of England," claims that it was made about fifty years after the time of the Conqueror.

ROMAN STAMP.

ROME STAMP.

This curiosity is preserved in the British Museum. It is the very earliest specimen we possess of printing, by means of ink or any similar substance. It is made of metal, a sort of Roman brass; the ground of which is covered with a green kind of verdigris rust, with which antique medals are usually covered. The letters rise flush up to the elevation of the exterior rim which surrounds it. Its dimensions are, about two inches long, by one inch broad. At the back of it is a small ring for the finger, to promote the convenience of holding it. As no person of the name which is inscribed upon it is mentioned in Roman History, he is therefore supposed to have been a functionary of some Roman officer, or private steward, and who, perhaps, used this stamp to save himself the trouble of writing his name. A stamp somewhat similar, in the Greek character, is in the possession of the Antiquarian Society, of Newcastle-on-Tyne.

This curiosity is preserved in the British Museum. It's the earliest example we have of printing using ink or any similar substance. It's made of metal, a type of Roman brass; the surface is covered with a green kind of verdigris rust, which is usually found on antique medals. The letters are raised to the height of the outer rim that surrounds it. Its dimensions are about two inches long and one inch wide. On the back, there’s a small ring for the finger to make it easier to hold. Since no person with the name inscribed on it is mentioned in Roman History, he is thought to have been an official for some Roman officer or a private steward, who maybe used this stamp to avoid the hassle of writing his name. A similar stamp, in Greek characters, is held by the Antiquarian Society in Newcastle-on-Tyne.

TYRIAN PURPLE.

Tyrian Purple.

The shell-fish portrayed on next page is that from which the Tyrian purple dye is obtained. The ancients were very devoid of chemical knowledge; their list of adjective dye-stuffs was therefore restricted, and all the most celebrated dyes of antiquity belonged to the substantive division, of which Tyrian purple was undoubtedly the chief. The purple dye of Tyre, which admits with great propriety of being included amongst the dyes of Greece and Rome, was discovered about fifteen centuries before the Christian era, and the art of using it did not become lost until the eleventh century after Christ. It was obtained from two genera of one species of shell-fish, the smaller of which was denominated buccinum, the larger purpura, and to both the common name murex was applied. The dye-stuff was procured by puncturing a vessel in the throat of the larger genus, and by pounding the smaller entire. Having been thus extracted, salt was added, also a certain amount of water. The whole was then kept hot about eight or ten days in a vessel of lead or tin, the impurities as they rose being assiduously skimmed off. The dye-stuff was now ready to receive the texture to be dyed (wool, universally), and the operation of dyeing was simple enough; nothing further being [Pg 644] required than the immersion of the whole for a sufficient time, when, at the expiration of a certain period, the whole of the colouring matter was found to have been removed, and to have combined with the textile fabric.

The shellfish shown on the next page is the source of Tyrian purple dye. The ancients lacked advanced chemical knowledge; therefore, their list of dye materials was limited, with the most famous dyes of that time falling into a basic category, with Tyrian purple being the most prominent. The purple dye from Tyre, which rightfully belongs to the dyes of Greece and Rome, was discovered about fifteen centuries before Christ, and the technique for using it was not forgotten until the eleventh century AD. It was made from two types of shellfish of the same species, where the smaller was called buccinum and the larger purpura, both commonly referred to as murex. The dye was obtained by puncturing a gland in the throat of the larger shellfish and crushing the smaller whole. After being extracted, salt and a certain amount of water were added. This mixture was then kept hot for about eight to ten days in a lead or tin vessel, with impurities skimmed off as they formed. The dye was now ready for the fabric to be dyed (typically wool), and the dyeing process was straightforward; all that was needed was to immerse the material for a sufficient time, after which it was found that all of the dye had bonded with the textile.

Tyrian Purple Shell-Fish

The tints capable of being imparted by this material were various—representing numerous shades between purple and crimson. Amongst these a very dark violet shade was much esteemed, but the right imperial tint, we are informed, was that resembling coagulated blood. The discovery of Tyrian purple dye is referred to the fifteenth century before Christ. That it was known to the Egyptians, in the time of Moses, is sufficiently obvious from the testimony of more than one scriptural passage. Ultimately, in later ages, a restrictive policy of the eastern emperors caused the art to be practised by only a few individuals, and at last, about the commencement of the twelfth century, when Byzantium was already suffering from attacks without, and dissensions within, the secret of imparting the purple dye of Tyre became lost.

The colors that could be produced with this material were diverse, showing many shades between purple and crimson. Among these, a very dark violet shade was highly valued, but the true imperial color, according to reports, was one that looked like dried blood. The discovery of Tyrian purple dye is traced back to the fifteenth century B.C. It's clear from several scripture passages that it was known to the Egyptians during the time of Moses. Eventually, in later periods, a restrictive policy by the eastern emperors limited the art to just a few individuals, and by the early twelfth century, when Byzantium was already facing external attacks and internal conflicts, the secret of producing the purple dye from Tyre was lost.

The re-discovery of Tyrian purple as it occurred in England was made by Mr. Cole of Bristol. About the latter end of the year 1683, this gentleman heard from two ladies residing at Minehead, that a person living somewhere on the coast of Ireland, supported himself by marking with a delicate crimson colour the fine linen of ladies and gentlemen sent him for that purpose, which colour was the product of some liquid substance taken out of a shell-fish. This recital at once brought to the recollection of Mr. Cole the tradition of Tyrian purple. He, without delay, went in quest of the shell-fish, and after trying various kinds without success, his efforts were at length successful. He found considerable quantities of the buccinum on the sea-coast of Somersetshire, and the opposite coast of South Wales. The fish being found, the next difficulty was to extract the dye, which in its natural [Pg 645] state is not purple, but white, the purple tint being the result of exposure to the air. At length our acute investigator found the dye stuff in a white vein lying transversely in a little furrow or cleft next to the head of the fish.

The re-discovery of Tyrian purple in England was made by Mr. Cole of Bristol. Towards the end of the year 1683, this gentleman learned from two ladies living in Minehead that someone on the coast of Ireland was making a living by dyeing fine linen for both ladies and gentlemen with a delicate crimson color. This color came from some liquid substance taken from a shellfish. Hearing this, Mr. Cole immediately recalled the tradition of Tyrian purple. He quickly set out to find the shellfish, and after trying various kinds without success, he eventually succeeded. He discovered significant quantities of the buccinum on the coast of Somersetshire and the opposite coast of South Wales. With the fish found, the next challenge was extracting the dye, which is not purple in its natural state but white; the purple color develops when exposed to air. Finally, our sharp investigator found the dye in a white vein running transversely in a small furrow next to the fish's head.

THE INCARNATIONS OF VISHNU.

THE AVATARS OF VISHNU.

There is a part of the mythology of India which seems to be blended with the history of that country. It relates to the different avatars of Vishnu, or his incarnations and appearances on earth.

There’s a part of Indian mythology that appears to be mixed with the country’s history. It concerns the different avatars of Vishnu, or his incarnations and appearances on Earth.

Incarnation of Vishnu

The first of these avatars has reference to that general deluge of which all nations have preserved some traditions. Vishnu, we are told, metamorphosed himself into a fish.

The first of these avatars refers to the great flood that all nations have kept some stories about. According to tradition, Vishnu transformed himself into a fish.

The second incarnation is that of Kourma, or the tortoise. The gods and the giants, wishing to obtain immortality by eating amourdon, delicious butter, formed in one of the seven seas of the universe, which the Indians call sea of milk, transported, by Vishnu's advice, the mountain of Mandreguivi into that sea: they twisted round it the serpent Adissechen, and alternately pulling, some by his hundred heads, others by the tail, they made the mountain turn round in such a manner, as to agitate the sea and to convert it into butter; but they pulled with such rapidity, that Adissechen, overcome with weakness, could no longer endure it. His body shuddered; his hundred trembling mouths made the universe resound with hisses; a torrent of flames burst from his eyes; his hundred black pendent tongues palpitated, and vomited forth a deadly poison, which immediately spread all around. The gods and giants betook themselves to flight. Vishnu, bolder than the rest, took the poison, and with it rubbed his body, which became quite blue. It is in memory of this event, that this colour is given to his image in almost all the temples.

The second incarnation is that of Kourma, or the tortoise. The gods and the giants, wanting to achieve immortality by consuming amourdon, a tasty butter formed in one of the seven seas of the universe, known as the sea of milk by the Indians, moved the mountain of Mandreguivi into that sea on Vishnu's advice. They wrapped the serpent Adissechen around it, and by pulling alternately—some grabbing his hundred heads, others his tail—they made the mountain spin to stir the sea and turn it into butter. However, they pulled so quickly that Adissechen, overwhelmed and exhausted, could no longer withstand it. His body trembled; his hundred quivering mouths filled the universe with hisses; a torrent of flames erupted from his eyes; his hundred black, hanging tongues thrashed and spewed forth a deadly poison, which immediately spread everywhere. The gods and giants fled in panic. Vishnu, braver than the others, took the poison and rubbed it on his body, turning it completely blue. This event is why his image is often depicted in that color in almost all temples.

The gods and the giants, encouraged by Vishnu's example, fell to [Pg 646] work again. After they had laboured a thousand years, the mountain was on the point of sinking in the sea, when Vishnu, in the form of a tortoise, quickly placed himself beneath, and supported it. At length they saw the cow Camadenu, the horse with seven heads, and the elephant with three trunks, coming out of the sea of milk; also the tree calpaga vrutcham; Lacshmi, goddess of riches, wife of Vishu; Saraswadi, goddess of the sciences and of harmony, married to Brama; Mondevi, goddess of discord and misery, whom nobody would have, and who is represented riding on an ass, and holding in her hand a banner, on which a raven is delineated; and, lastly, Danouvandri, the physician, carrying a vessel full of amourdon, which the gods instantly seized, and greedily devoured, without leaving a morsel. The giants, disappointed in their expectations, dispersed over the earth, prevented mankind from paying worship to the gods, and strove to obtain adoration for themselves. Their insolence occasioned the subsequent incarnations of Vishnu, who endeavoured to destroy this race, so inimical to the gods. He is adored in this second metamorphosis, by the name of Kourma Avatara. The followers of Vishnu believe that this god, though omnipresent, resides more particularly in the vaicondom, his paradise, amidst the sea of milk, reclined, in contemplative slumber, on the serpent Adissechen, which serves him for a throne: in this state he is called Siranguan. In all the temples of Vishnu is to be seen the figure of this god; but as the serpent on which he lies cannot be represented with his hundred heads, he is delineated with only five.

The gods and the giants, inspired by Vishnu's example, got back to work. After a thousand years of labor, the mountain was about to sink into the sea, when Vishnu, taking the form of a tortoise, quickly positioned himself underneath to support it. Eventually, they saw the cow Camadenu, the seven-headed horse, and the three-trunked elephant emerging from the ocean of milk; also the tree calpaga vrutcham; Lakshmi, the goddess of wealth and Vishnu's wife; Saraswati, the goddess of knowledge and harmony, married to Brahma; Mondevi, the goddess of discord and suffering, whom no one wanted, depicted riding a donkey and holding a banner with a raven on it; and finally, Danouvandri, the healer, carrying a container full of amourdon, which the gods eagerly grabbed and devoured without leaving a bite. The giants, feeling let down, scattered across the earth, preventing people from worshipping the gods and trying to gain adoration for themselves. Their arrogance led to the later incarnations of Vishnu, who sought to destroy this race, which was so hostile to the gods. He is worshipped in this second incarnation as Kourma Avatara. The followers of Vishnu believe that, although he is everywhere, he particularly resides in the vaicondom, his paradise, lying in contemplative slumber on the serpent Adissechen, which serves as his throne: in this state, he is called Siranguan. In all the temples dedicated to Vishnu, you can see his figure; however, since the serpent he rests on can't be shown with all his hundred heads, he is depicted with just five.

There are altogether ten incarnations of Vishnu; nine of these have already been fulfilled, and one is yet to be manifested, it is expected about ninety thousand years hence. The account of many of the transformations is exceedingly extraordinary, but we have room for no more than the one we have given.

There are a total of ten incarnations of Vishnu; nine of these have already occurred, and one is yet to come, which is expected to happen in about ninety thousand years. The stories of many of the transformations are quite extraordinary, but we can only focus on the one we've mentioned.

ORIGIN OF LONG-TOED SHOES.

Origin of long-toed shoes.

Long-toed shoes were invented by Fulk, Count of Anjou, to hide an excrescence on one of his feet. These toes were so long as to be fastened to the knees with gold chains, and carved at the extreme point with the representation of a church window, a bird, or some fantastic device.

Long-toed shoes were created by Fulk, Count of Anjou, to cover up a growth on one of his feet. These toes were so long that they were tied to his knees with gold chains, and the tips were carved to look like a church window, a bird, or some imaginative design.

THE HOUSE OF HEN'S FEATHERS.

THE HOUSE OF HEN'S FEATHERS.

There exists at Pekin a phalanstery which surpasses in eccentricity all that the fertile imagination of Fourier could have conceived. It is called Ki-mao-fan—that is, "House of the Hen's Feathers." By dint of carrying out the laws of progress, the Chinese have found means to furnish to the poorest of the community a warm feather-bed, for the small consideration of one-fifth of a farthing per night. This marvellous establishment is simply composed of one great hall, and the floor of this great hall is covered over its whole extent by one vast thick layer of feathers. Mendicants and vagabonds who have no other domicile come to pass the night in this immense dormitory. Men, women, and children, old and young, all without exception, are admitted. Communism prevails in the full force and rigour of the expression. Every one settles [Pg 647] himself and makes his nest as well as he can for the night in this ocean of feathers; when day dawns he must quit the premises, and an officer of the company stands at the door to receive the rent of one sapeck each for the night's lodging. In deference no doubt to the principle of equality, half-places are not allowed, and a child must pay the same as a grown person.

There is a place in Beijing called Ki-mao-fan, or "House of the Hen's Feathers," which is more eccentric than anything Fourier could have imagined. By embracing progress, the Chinese have found a way to provide the poorest community members with a warm feather bed for just one-fifth of a farthing per night. This remarkable establishment consists of a large hall with a thick layer of feathers covering the entire floor. Homeless people and wanderers who have nowhere else to stay come to spend the night in this huge dormitory. Men, women, children, the elderly, and the young are all welcome. True communism is in full effect here. Everyone finds their own spot and makes a nest for the night in this sea of feathers; when morning comes, they have to leave, and an employee stands at the door to collect one sapeck for the night’s stay. To honor the principle of equality, half-places aren’t allowed, so a child pays the same as an adult.

On the first establishment of this eminently philanthropic and moral institution, the managers of it used to furnish each of the guests with a covering, but it was found necessary to modify this regulation, for the communist company got into the habit of carrying off their coverlets to sell them, or to supply an additional garment during the rigorous cold of winter. The shareholders saw that this would never do, and they should be ruined, yet to give no covering at all would have been too cruel, and scarcely decent. It was necessary therefore to find some method of reconciling the interests of the establishment with the comfort of the guests, and the way in which the problem was solved was this. An immense felt coverlet, of such gigantic dimensions as to cover the whole dormitory, was made, and in the day time suspended from the ceiling like a great canopy. When everybody had gone to bed, that is to say, had lain down upon the feathers, the counterpane was let down by pulleys; the precaution having been previously taken to make a number of holes in it for the sleepers to put their heads through, in order to escape the danger of suffocation. As soon as it is daylight, the phalansterian coverlet is hoisted up again, after a signal has been made on the tam-tam to awaken those who are asleep, and invite them to draw their heads back into the feathers, in order not to be caught by the neck and hoisted into the air with the coverlet. This immense swarm of beggars is then seen crawling about in the sea of dirty feathers, and inserting themselves again into their miserable rags, preparatory to gathering into groups, and dispersing about the various quarters of the town to seek by lawful or unlawful means their scanty subsistence.

On the initial setup of this highly charitable and ethical institution, the managers used to provide each guest with a blanket. However, they found it necessary to change this rule because the communal residents began taking their blankets to sell or to use as extra clothing during the harsh winter cold. The shareholders realized that this wouldn't work, and they would face financial ruin, but not providing any covering at all seemed too cruel and hardly appropriate. Therefore, a solution was needed to balance the needs of the institution with the comfort of the guests, and this is how the issue was resolved. A massive felt blanket was created, large enough to cover the entire dormitory, and during the day it was hung from the ceiling like a large canopy. When everyone went to bed, meaning they lay down on the feathers, the blanket was lowered using pulleys; precautions were taken to make several holes in it for the sleepers to put their heads through to avoid suffocation. As soon as daylight arrived, the communal blanket was pulled back up again after a signal was made on the drum to wake those who were still asleep, inviting them to pull their heads back into the feathers to avoid getting caught by the neck and lifted into the air with the blanket. This large group of beggars could then be seen crawling through the sea of filthy feathers, putting their ragged clothes back on, getting ready to gather in groups and spread out across the different parts of the town to seek out their meager livelihoods by whichever means necessary.

THE USEFUL AND THE BEAUTIFUL.

The Useful and the Beautiful.

The tomb of Moses is unknown; but the traveller slakes his thirst at the well of Jacob. The gorgeous palace of the wisest and wealthiest of monarchs, with cedar, and the gold, and ivory, and even the great Temple of Jerusalem, hallowed by the visible glory of the Deity himself, are gone; but Solomon's reservoirs are as perfect as ever. Of the ancient architecture of the Holy City, not one stone is left upon another, but the Pool of Bethsaida commands the pilgrim's reverence, at the present day. The columns of Persepolis are mouldering into dust; but its cistern and aqueducts remain to challenge our admiration. The golden house of Nero is a mass of ruins, but the Aqua Claudia still pours into Rome its limpid stream. The Temple of the Sun, at Tadmore, in the wilderness, has fallen, but its fountain sparkles in its rays, as when thousands of worshippers thronged its lofty colonnades. It may be that London will share the fate of Babylon, and nothing be left, to mark it, save mounds of crumbling brickwork. The Thames will continue to flow as it does now. And if any work of art should rise over the deep ocean, time, we [Pg 648] may well believe, that it will be neither a palace nor a temple, but some vast aqueduct or reservoir; and if any name should flash through the mist or antiquity, it would probably be that of the man, who in his day, sought the happiness of his fellow men, rather than glory, and linked his memory to some great work of national utility or benevolence. This is the true glory which outlives all others, and shines with undying lustre from generation to generation, imparting to works some of its own immortality, and in some degree rescuing them from the ruin which overtakes the ordinary monument of historical tradition or mere magnificence.

The location of Moses' tomb is unknown, but travelers can quench their thirst at Jacob's well. The grand palace of the wisest and wealthiest king, adorned with cedar, gold, ivory, and even the magnificent Temple of Jerusalem, blessed by the visible glory of God himself, are all gone; but Solomon's reservoirs are still as impressive as ever. No stone remains of the ancient architecture of the Holy City, but the Pool of Bethsaida still commands the pilgrim's respect today. The columns of Persepolis are crumbling into dust, yet its cistern and aqueducts continue to inspire awe. Nero's golden house is now a pile of ruins, but the Aqua Claudia still flows into Rome with its clear waters. The Temple of the Sun at Tadmor in the wilderness has fallen, but its fountain sparkles in the sunlight, just as it did when thousands of worshippers filled its grand colonnades. It's possible that London will meet the same fate as Babylon, leaving only piles of decaying bricks to remember it by. The Thames will keep flowing as it does now. And if any artwork were to emerge from the depths of the ocean, we can imagine that it wouldn’t be a palace or a temple, but rather some massive aqueduct or reservoir; and if any name were to shine through the mists of time, it would likely be that of a person who, in their lifetime, sought the happiness of others rather than fame, associating their memory with a significant work of public benefit or kindness. This is the real glory that outlasts all others, shining with eternal brilliance through the ages, granting its works a measure of immortality and, in some way, saving them from the decay that afflicts ordinary monuments of history or sheer grandeur.

CROMWELL'S BRIDGE AT GLENGARIFF.

Cromwell's Bridge at Glengarriff.

Cromwell's Bridge at Glengariff

The village of Glengariff, near Bantry Bay, consists of but a few houses. The only "antiquity" in the immediate neighbourhood is the old bridge, now a picturesque ruin, which, in ancient times, was on the high road to Berehaven; it is called "Cromwell's Bridge." It is accurately represented in the above engraving. History being silent as to the origin of the name, we must have recourse to tradition. When Oliver was passing through the glen, to "visit" the O'Sullivans, he had so much trouble in getting across the narrow but rushing river, that he told the inhabitants, if they did not build him a bridge by the time he returned, he would hang up a man for every hour's delay he met with. "So the bridge was ready agin he come back," quoth our informant; "for they knew the ould villian to be a man of his word."

The village of Glengariff, near Bantry Bay, has only a few houses. The only "historic" site in the immediate area is the old bridge, now a scenic ruin, which used to be on the main route to Berehaven; it’s known as "Cromwell's Bridge." It is accurately depicted in the engraving above. Since history doesn’t explain the origin of the name, we rely on tradition. When Oliver was passing through the valley to "visit" the O'Sullivans, he had such a hard time getting across the narrow but fast-flowing river that he warned the locals that if they didn’t build him a bridge by the time he got back, he would hang a man for every hour of delay. "So the bridge was ready by the time he returned," said our informant; "because they knew the old villain meant what he said."

THE TURBAN IN ARABIA.

The Turban in Arabia.

A fashionable Arab will wear fifteen caps one above another, some of which are linen, but the greater part of thick cloth or cotton. That which covers the whole is richly embroidered with gold, and inwrought with texts or passages from the Koran. Over all there is wrapped a sash or large piece of muslin, with the ends hanging down, and ornamented with silk or gold fringes. This useless encumbrance is considered a mark of respect towards superiors. It is also used, as the beard was formerly in Europe, to indicate literary merit; and those who affect to be thought men of learning, discover their pretensions by [Pg 649] the size of their turbans. No part of Oriental costume is so variable as this covering for the head. Niebuhr has given illustrations of forty-eight different ways of wearing it.

A fashionable Arab will wear fifteen caps stacked one on top of the other, some made of linen and most from thick cloth or cotton. The one that covers everything is richly embroidered with gold and features verses from the Koran. Wrapped around it all is a sash or a large piece of muslin, with the ends hanging down and decorated with silk or gold fringes. This unnecessary burden is seen as a sign of respect towards superiors. It's also used, much like how beards were in Europe, to show literary merit; those who want to be seen as learned display their status by the size of their turbans. No part of Eastern clothing is as variable as this head covering. Niebuhr has illustrated forty-eight different ways to wear it.

STONEWARE.

Stoneware.

Stoneware was made at a very early period in China, and is much used as a basis on which a paste of porcelain is laid, to save the expenditure of the latter material, as well as to give strength and solidity to the piece. Most of the larger pieces of Oriental production are found to be thus formed. The red Japan ware is a very fine unglazed stoneware, and has raised ornaments, which are sometimes gilt. A curious coffee-pot of this ware, imitating a bundle of bamboo canes, and not unlike the Chinese musical instrument called a mouth-organ, from the collection of the late Mr. Beckford, is here represented.

Stoneware has been produced since ancient times in China and is commonly used as a foundation for a porcelain paste, helping to reduce the cost of the latter material while also adding strength and durability to the item. Most of the larger pieces from the Orient are made this way. The red Japan ware is a high-quality, unglazed stoneware with raised decorations that are sometimes gilded. A unique coffee pot from this ware, designed to look like a bundle of bamboo canes and reminiscent of the Chinese mouth organ, from the collection of the late Mr. Beckford, is shown here.

Stoneware

Stoneware is supposed to have been made at a very early period in England by Dutch and German workmen; and from this circumstance it is almost impossible to distinguish the earlier fabrics of these respective countries. The discovery, in 1690, of an economical process of glazing this ware by means of common salt, which made it impermeable to liquids, soon brought it into general use, and displaced all the manufactures of the Delft and soft paste fabrics. A mottled-brown stoneware, known to collectors, is stated to be the manufacture of the age of Edward VI., in consequence of some of the specimens having a silver mounting of the make and fashion of the period of Elizabeth's reign. There is also a large flagon in the Museum of Economic Geology, ornamented with the royal arms of Elizabeth in relief, with the date 1594. These specimens cannot, however, be deemed conclusive of so early a manufacture in England. The first-mentioned specimens, though the mounting is English, may have been of German manufacture, as pieces of similar description of ware are to be seen in various collections of German pottery abroad. The latter specimen may either have been made at Cologne for the use of the Queen's household, or if of English manufacture, it must, in the opinion of a very eminent manufacturer, have been made at a much later period than the date upon it. In a letter received, he states "that it is a common practice even now among potters to use moulds of all dates and styles, which have been got up originally for very different kinds of ornamental work, and that he is strongly inclined to think that the mould from which the devices on this vessel have been pressed, was modelled many years before the vessel was made, and that the vessel itself is comparatively [Pg 650] modern." Stoneware, ornamented with devices in white clay, was made in the seventeenth century at Fulham, also at Lambeth, and subsequently at Staffordshire; but there is no satisfactory evidence of any earlier manufactory in England.

Stoneware is believed to have been produced very early in England by Dutch and German workers; because of this, it's nearly impossible to tell the early styles of these countries apart. The discovery in 1690 of a cost-effective glazing process using common salt, which made the ware waterproof, quickly led to its widespread use and replaced all Delft and soft paste pottery. A mottled-brown stoneware, which collectors recognize, is thought to be from the time of Edward VI, as some pieces feature a silver mounting typical of Elizabeth's reign. There's also a large flagon in the Museum of Economic Geology, decorated with Elizabeth's royal arms in relief, dated 1594. However, these items can't definitively prove that such early manufacturing existed in England. The earlier mentioned pieces, although the mounts are English, might have been made in Germany, as similar items can be found in various German pottery collections abroad. The later specimen might have been produced in Cologne for the Queen's household, or if it's English, according to a well-known manufacturer, it would have been made much later than the date inscribed on it. In a letter he sent, he mentions, "It's a common practice even now among potters to use molds of all dates and styles that were originally created for very different kinds of ornamental work, and I strongly believe that the mold used for the designs on this vessel was made many years before the vessel itself, which is quite modern." Stoneware, decorated with white clay designs, was produced in the seventeenth century at Fulham, then at Lambeth, and later in Staffordshire; but there's no convincing evidence of any earlier production in England.

Towards the end of the seventeenth century, some specimens of red Japan ware were imported into Europe. Both Dutch and English manufacturers attempted to imitate them, but failed for want of the proper clay. About this period, two brothers of the name of Elers, from Nuremberg, discovered at Bradwell, only two miles distant from Burslem, a bed of fine compact red clay, which they worked in a small manufactory, established in a retired situation upon the bed itself. They took every precaution to prevent any one seeing their process or learning their secret. They went so far as to employ none but the most ignorant and almost idiot workmen they could find. Astbury, the elder, had the talent to counterfeit the idiot, and, moreover, the courage to persevere in this character for some years during which he continued in their employ. From memory he made notes of the processes, and drawings of the machinery used. In consequence of the secret being thus discovered, numerous establishments arose in competition with that of the Elers, and, owing to the general prejudice against them as foreigners, they were finally compelled, in 1720, to quit their establishment. They retired to the neighbourhood of London, and, it is supposed, contributed by their skill and industry to the establishment of the Chelsea Porcelain Manufactory.

Towards the end of the 17th century, some examples of red Japan ware were brought into Europe. Both Dutch and English manufacturers tried to copy them but failed because they didn't have the right clay. Around this time, two brothers named Elers from Nuremberg found a deposit of fine, compact red clay at Bradwell, just two miles from Burslem. They set up a small factory in a secluded area on the clay deposit itself. They took every measure to keep their process and secrets hidden from others. They even went as far as to hire only the most inexperienced and nearly simple-minded workers they could find. Astbury, the older brother, had the knack for pretending to be simple-minded and also had the determination to maintain this act for several years while working with them. He made notes from memory about the processes and sketches of the machinery used. Because their secret was eventually uncovered, many competing establishments sprang up, and due to the widespread bias against them as foreigners, they were forced to leave their business in 1720. They moved to the London area, and it’s believed that their skills and hard work contributed to the establishment of the Chelsea Porcelain Manufactory.

GREAT BELL OF ROUEN.

GREAT BELL OF ROUEN.

The grand entrance to the cathedral of Rouen is flanked by two towers, the one was erected by St. Romain; the expense for constructing the other, which bears the whimsical name of Tour-de-beurre, was raised by the product arising from permissions granted to the more wealthy and epicurean part of the inhabitants of the city, to eat butter in Lent. It was in this tower that the celebrated bell, the largest in the world, was erected; it weighed 40,000 lbs.; it was converted into cannon in the year 1793. The founder of this bell died of joy on seeing its completion. It went by his name, that of George D'Amboise, and round it was the following distich in gothic characters:—

The grand entrance to the Rouen cathedral is flanked by two towers. One was built by St. Romain, while funding for the other, whimsically named Tour-de-beurre, came from the money collected from allowing the wealthier, more indulgent residents of the city to eat butter during Lent. It was in this tower that the famous bell, the largest in the world, was installed; it weighed 40,000 lbs. and was turned into a cannon in 1793. The bell's creator died from joy upon seeing it finished. It was named after him, George D'Amboise, and around it was the following distich in gothic letters:—

"Je suis nomme George d'Amboise,
Qui bien trente-six-mille poise,
Et celui qui bien me pesera,
Quarante mille trouvera."

VARIATIONS IN THE COINAGE.

Coin variations.

Henry VIII. greatly debased both his gold and silver coins, which he alloyed with copper to a great extent. The proportions of the pound, indeed, in 1546, amounted to 8 oz. of alloy to 4 oz. of silver, which constituted, a positively base coin, the old allowance having been but 18 pennyweights of alloy to 11 oz. and 2 pennyweights of silver. His depreciations were equally daring, for out of the pound of silver he now coined 576 pennies or 48s. The gold coins of this monarch were sovereigns, half-sovereigns or rials, half and quarter rials, angels, half and quarter [Pg 651] angels, George nobles, and forty-penny pieces. In this reign the immemorial privileges of the sees of Canterbury, York, and Durham, for coining small money, was abandoned, the last Bishop that used it being Wolsey's successor, Edward Lee.

Henry VIII significantly reduced the quality of both his gold and silver coins by mixing them with a lot of copper. In fact, by 1546, the composition of a pound was 8 ounces of alloy for every 4 ounces of silver, resulting in a highly inferior coin, compared to the previous standard of only 18 pennyweights of alloy for every 11 ounces and 2 pennyweights of silver. His reductions were also quite bold, as he now minted 576 pennies or 48 shillings from a pound of silver. The gold coins during this period included sovereigns, half-sovereigns or rials, half and quarter rials, angels, half and quarter angels, George nobles, and forty-penny pieces. During this reign, the long-standing rights of the sees of Canterbury, York, and Durham to produce small change were revoked, with the last bishop to exercise this being Edward Lee, Wolsey's successor.

Edward VI. carried both depreciation and debasement still farther; but towards the close of his reign he was obliged to restore the currency to something like the ancient standard. He was the first that issued crowns, half-crowns, and sixpences. Little alterations were made by Mary, beyond striking coins with her husband's head as well as her own; but under Elizabeth the coinage was, at length, completely recovered from its debasement, the old proportion of 18 pennyweights of alloy being restored, which has continued to the present day. The number of shillings struck out of a pound of silver was not lessened, however, for it continued to be sixty, as in the preceding reign, till 1601, when it was increased to sixty-two, at which rate it went on to 1816, when it was raised to sixty-six, at which it now remains. Her gold coins are much the same as before, but are distinguished by having the edges milled for the first time. Shortly before her death she had intended to coin farthings and other small pieces of copper, a metal which had not yet been made use of in this country.

Edward VI took the depreciation and debasement of currency even further; however, towards the end of his reign, he had to bring the currency back to something resembling the old standard. He was the first to introduce crowns, half-crowns, and sixpences. Mary made only minor changes, primarily minting coins with her husband's head alongside her own. But under Elizabeth, the coinage was finally fully restored from its debasement, bringing back the old ratio of 18 pennyweights of alloy, which has persisted to this day. The number of shillings produced from a pound of silver did not decrease, as it remained sixty, just like during the previous reign, until 1601, when it was increased to sixty-two. This rate continued until 1816, when it was raised to sixty-six, which it remains at now. Her gold coins are largely the same as before but were marked by having milled edges for the first time. Just before her death, she planned to mint farthings and other small copper coins, a metal that had not yet been used in this country.

CHAFFINCH CONTEST.

FINCH COMPETITION.

At the town of Armentières, in France, there is a fête du pays, called hermesse, or ducasse d'Armentières, in which the chaffinch and its fellows are the chief actors and objects of attraction. Numbers of these birds are trained with the greatest care, and no small share of cruelty, for they are frequently blinded by their owners, that their song may not be interrupted by any external object. The point upon which the amusement, the honour, and the emolument rests, is, the number of times which a bird will repeat his song in a given time. A day being fixed, the amateurs repair to the appointed place, each with his bird in a cage. The prize is then displayed, and the birds are placed in a row. A bird-fancier notes how many times each bird sings, and another verifies his notes. In the year 1812, a chaffinch repeated his song seven hundred times in one hour. Emulated by the songs of each other, they strain their little "plumed throats," as if conscious that honour was to result from their exertions.

At the town of Armentières in France, there's a local festival called hermesse, or ducasse d'Armentières, where chaffinches and their friends take center stage. Many of these birds are trained with great care, often with a fair amount of cruelty, as their owners sometimes blind them to prevent any distractions from interfering with their singing. The entertainment, prestige, and rewards hinge on how many times a bird can repeat its song in a set amount of time. On a designated day, enthusiasts gather at the chosen location, each bringing their bird in a cage. The prize is then displayed, and the birds are lined up. A bird-fancier counts how many times each bird sings, while another person confirms the counts. In 1812, a chaffinch sang seven hundred times in just one hour. Competing with each other's songs, they push their little "plumed throats" to the limit, aware that their efforts could bring them honor.

EXPENSIVENESS OF DRESS IN THE TIME OF JAMES I.

EXPENSIVENESS OF DRESS IN THE TIME OF JAMES I.

Dress, indeed, must have swallowed up almost every thing at a time when James and his courtiers set the fashion of appearing in a new garb almost every day. When the Duke of Buckingham was sent to France to bring over Henrietta Maria, he provided, amongst others, one suit of white uncut velvet, and a cloak set all over with diamonds, valued at £80,000; besides a feather made of great diamonds, and sword, girdle, hat-band, and spurs, thick set with the same. Another suit of purple satin, embroidered all over with pearls, was valued at £20,000. At the marriage of the Princess Elizabeth with the Palatine, Lady Wotton wore a gown profusely ornamented with embroidery that cost £50 a yard; [Pg 652] and Lord Montague spent £1,500 on the dresses of his two daughters for that occasion. By this account it would seem that the ladies were, at all events, not more expensive in their attire than gentlemen.

Fashion must have consumed almost everything at a time when James and his court set the trend of wearing a new outfit nearly every day. When the Duke of Buckingham was sent to France to bring back Henrietta Maria, he arranged, among other things, one suit of white uncut velvet and a cloak covered entirely in diamonds, valued at £80,000; in addition to a feather made of large diamonds, a sword, a girdle, a hatband, and spurs, all heavily adorned with the same. Another outfit of purple satin, fully embroidered with pearls, was valued at £20,000. At the wedding of Princess Elizabeth to the Palatine, Lady Wotton wore a gown lavishly decorated with embroidery that cost £50 per yard; [Pg 652] and Lord Montague spent £1,500 on the dresses of his two daughters for that event. By this account, it seems that, at least, the ladies were not more extravagant in their clothing than the gentlemen.

INGENUITY OF THE TUNISIANS.

Tunisian Ingenuity.

A stranger visiting a city like Tunis, cannot but be struck with the various peculiarities, which present themselves to his view, wherever he turns. In their government, mercantile pursuits, professions and trades, the Tunisians are centuries behind. But, with all their disadvantages, the traveller, in traversing their crowded sooks (market places) and serpentine streets, finds numerous illustrations of the proverb, "Necessity is the mother of invention." In every workshop some tool, or implement, presents itself, which is as curious in its formation as it is strange to see the peculiar use for which it is intended, and the manner in which it is employed. We may illustrate this by a sketch of a turner.

A stranger visiting a city like Tunis can't help but notice the various oddities that catch their eye wherever they look. In terms of government, business practices, professions, and trades, the Tunisians are centuries behind. However, despite all their challenges, the traveler, while wandering through their crowded sooks (marketplaces) and winding streets, comes across many examples of the saying, "Necessity is the mother of invention." In every workshop, there's some tool or implement that is as intriguing in its design as it is unusual in its specific use and the way it's utilized. We can illustrate this with an example of a woodturner.

Ingenuity of the Tunisians

The extraordinary ingenuity here exhibited by the remarkable use which the artisan makes of his feet and toes, as well as of his hands, cannot fail to attract attention; and the display of his lathe and tools is equally curious.

The incredible skill shown by the artisan in using his feet and toes, along with his hands, is sure to catch your eye, and the setup of his lathe and tools is just as fascinating.

SHÁNÁR MUSICAL INSTRUMENT.

SHÁNÁR musical instrument.

Two acts seem essential to the demon worship of the Shánárs of Tin-nevelly (a portion of the aborigines of India)—dancing and bloody sacrifices. They have no priest. The person who conducts the ceremony, which is undertaken from choice, is called the rotator of the demon. The head man of the village, or any other person, male or female, may officiate. The dress is grotesque, consisting of a sort of coat of various colours, a cap, and other vestments, arranged so as to strike the spectators with their comic appearance. In this service several musical instruments [Pg 653] are used, but the most notable among them is one called a bow. It consists of a bow strung and ornamented with bells. This is placed on a brazen vessel of a globular form. The bow is struck with a plectrum, and the bass is produced by the application of an instrument to the brazen pot, another person keeping time by playing a pair of cymbals, as seen in the annexed cut.

Two main activities are crucial to the demon worship practiced by the Shánárs of Tin-nevelly (a group of indigenous people in India)—dancing and bloody sacrifices. They don’t have a priest. The person who leads the ceremony, which is done voluntarily, is known as the rotator of the demon. The village chief, or any other person, regardless of gender, can take on this role. Their outfit is absurd, made up of a colorful coat, a cap, and other clothing that is arranged to amuse the audience with its silly look. Various musical instruments are used in this service, but the standout one is called a bow. It’s a bow that's strung and decorated with bells. This bow is placed on a round brass pot. The bow is played with a pick, and the bass sound comes from striking the brass pot, while another person keeps the rhythm with a pair of cymbals, as shown in the attached illustration.

Shánár

The jarring, discordant, uproarious and cacophonous character of this musical accompaniment exceeds description, and when the parties are vieing with each other for pre-eminence, it is indeed the most horrid din that can be produced. At first the movements of the dancer may be slow, but as the music waxes louder and takes effect, he becomes gradually more excited, urging himself to phrenzy by striking himself violently, and applying his mouth to the neck of the decapitated sacrificial victim, he drinks its blood, and possibly a potation of ardent spirits. The afflatus thus acquired, its effects become visible in the frantic glare and the convulsive gesticulations of the possessed. This is greeted by the spectators with the loudest acclamations. The dancer is now deified or demonized, and he is consulted by the eager and delighted worshippers who do him homage. Each one puts his questions as his fancy or his needs may dictate. The possessed or demonized dancer, being more like a maniac than aught else, and subject to various contortions of body, utters his oracles with much indistinctness, rendering it necessary that some one initiated into these mysteries should interpret his wild and incoherent utterances. His ambiguous sayings and curious innuendos are so indefinite as to need interpretation.

The jarring, chaotic, loud, and overwhelming nature of this musical accompaniment is beyond description, and when the performers are competing for dominance, it creates an atrocious noise. At first, the dancer's movements may be slow, but as the music gets louder and starts to take effect, he becomes increasingly excited, pushing himself to frenzy by hitting himself hard. He drinks the blood from the neck of the beheaded sacrificial victim and maybe even a drink of strong alcohol. The energy he gains from this is evident in the wild look in his eyes and the frantic movements of the possessed. The audience responds with loud cheers. The dancer is either worshipped as a god or feared as a demon, and eager worshippers crowd around him, eager for his insight. Each one asks questions based on their own desires or needs. The possessed dancer, looking more like a maniac than anything else and contorting his body in various ways, speaks his prophecies in a way that's hard to understand, making it necessary for someone who knows these secrets to interpret his wild and incoherent words. His vague statements and strange hints are so unclear that they require explanation.

SINGULAR LOCAL CUSTOMS.

UNIQUE LOCAL CUSTOMS.

In the department of the Hautes Alpes of France, in the commune of Guillaume-Perouse, at the village of Andrieux, where the inhabitants [Pg 654] are deprived during one hundred days of the bright beams of the sun, there is a fête, called Le retour du soleil, on the 10th of February. At the dawn of day, four shepherds announce, to the sound of fifes and trumpets, the commencement of this joyous day. Every cottager having prepared an omelette, the eldest inhabitant of the village, to whom the title of Vénérable is given, leads the way to the square; here they form a chain and dance the ferandola round him: after the dance is concluded, he leads the way to a stone bridge at the entrance of the village, the shepherds playing upon their rural instruments the while. Every one having deposited his omelette on the stone coping, they repair to a neighbouring meadow, where the dancing re-commences and continues until the first rays of the sun gleam athwart the velvet turf: the dance then instantly ceases, each one hastens for his pancake, and holding it up, presents it as an offering to the god of day; the Vénérable holds his up with both his hands. As soon as the sun shines upon the village the procession returns to the square, where the party separates, and every one repairs to his own home, to eat his pancake with his family. This ceremony cannot fail to recal the heathen mythology to the reader, who must see in it the offerings made to Apollo; or, perhaps, it may be the remains of some Druidical superstition, as the Druids paid particular devotion to the sun; at any rate, it is a curious vestige of some religion long since gone by. In some of the communes of this department the dead are wrapped in a winding-sheet, but are not inclosed in a coffin. In the valleys of Queyras and of Grave, the dead are suspended in a barn during five months in the winter, until the earth be softened by the sun's rays, when the corpse is consigned to its native element. All funereal ceremonies are closed by eating and drinking. In some communes the people carry a flagon of wine to the churchyard; and on the return of the guests to the home of the deceased, it becomes a scene of bacchanalian revels, in which the groans and sighs of the mourners mingle with the songs and jests of the inebriated guests. At Argentiere, after the burial, the tables are set out round the churchyard; that of the curate and the mourning family over the grave itself. The dinner concluded, the nearest relation takes a glass; his example is followed by the rest, repeating with him, A la santé du pauvre mort.

In the Hautes Alpes region of France, in the commune of Guillaume-Perouse, at the village of Andrieux, where the locals are deprived of sunlight for a hundred days, there is a festival called Le retour du soleil on February 10th. At dawn, four shepherds announce the start of this joyful day with fifes and trumpets. Each household prepares an omelette, and the oldest villager, known as the Vénérable, leads everyone to the square. They form a chain and dance the ferandola around him. After the dance, he guides them to a stone bridge at the village entrance, with the shepherds playing their instruments along the way. Everyone places their omelette on the stone ledge, then they head to a nearby meadow where dancing resumes until the first rays of sunlight shine on the grass. The dance then suddenly stops, and everyone rushes to retrieve their pancake, holding it up as an offering to the sun god; the Vénérable raises his with both hands. As soon as the sun shines on the village, the procession returns to the square, where people disperse to go home and enjoy their pancakes with their families. This ceremony undoubtedly evokes thoughts of ancient mythology, reminding one of offerings to Apollo or possibly reflecting remnants of Druidic beliefs, as Druids revered the sun. In any case, it serves as a fascinating reminder of a long-lost religion. In some communes of this region, the dead are wrapped in a shroud but not placed in a coffin. In the valleys of Queyras and Grave, the deceased are kept in a barn for five months during the winter until the ground is softened by the sun, at which point the body is laid to rest. All funeral traditions conclude with a feast. In some villages, attendees bring a jug of wine to the cemetery; upon returning to the deceased's home, the atmosphere turns into a lively gathering where the sobs of mourners mix with the laughter and revelry of inebriated guests. At Argentiere, after the burial, tables are set up around the cemetery, with the curate and the grieving family seated over the grave. Once the meal is finished, the closest relative raises a glass, prompting others to join in, repeating, A la santé du pauvre mort.

SEVERITY OF RUSSIAN PUNISHMENTS.

SERIOUSNESS OF RUSSIAN PUNISHMENTS.

The Russians are remarkable for the severity and variety of their punishments, which are both inflicted and endured with a wonderful insensibility. Peter the Great used to suspend the robbers upon the Wolga, and other parts of his dominions by iron hooks fixed to their ribs, on gibbets, where they writhed themselves to death, hundreds, nay thousands, at a time. The single and double knoute were lately inflicted upon ladies, as well as men of quality. Both of them are excruciating, but in the double knoute, the hands are bound behind the prisoner's back; and the cord being fixed to a pulley, lifts him from the ground, with the dislocation of both his shoulders, and then his back is in a manner sacrificed by the executioner, with a hard thong, cut from a wild ass's akin. This punishment has been so often fatal, that a surgeon [Pg 655] generally attends the patient to pronounce the moment that it should cease. Another barbarous punishment practised in Russia is, first boring the tongue of the criminal through with an hot iron, and then cutting it out: and even the late Empress Elizabeth, though she prohibited capital punishments, was forced to give way to the necessity of those tortures. From these particulars, many have concluded that the feelings of the Russians are different from those of mankind in general.

The Russians are known for the harshness and range of their punishments, which they inflict and endure with astonishing indifference. Peter the Great used to hang robbers above the Volga and elsewhere in his territories with iron hooks attached to their ribs on gallows, where they would writhe until they died, hundreds, even thousands, at a time. The single and double knout were recently used on both men and women of nobility. Both are excruciating, but in the double knout, the hands are tied behind the prisoner's back; the cord is attached to a pulley, which lifts them off the ground, dislocating both shoulders, and then their back is essentially destroyed by the executioner with a tough strap made from a wild donkey's skin. This punishment has often been fatal, so a surgeon [Pg 655] usually accompanies the victim to determine when it should stop. Another cruel punishment used in Russia involves first piercing the criminal's tongue with a hot iron and then cutting it out: even the recent Empress Elizabeth, although she banned capital punishments, had to concede to the necessity of these tortures. From these details, many have concluded that Russians feel differently than people in general.

FIRST RHINOCEROS IN EUROPE.

FIRST RHINO IN EUROPE.

The first rhinoceros ever seen in Europe was that of which Pliny speaks as having been presented by Pompey to the Roman people. According to Dion Cassius, Augustus caused another to be killed in the Roman circus, when celebrating his triumph over Cleopatra. Strabo states that he saw one at Alexandria, and he has left a description of it. All these were of the one-horned species. At a later period the two-horned species were introduced, as appears from medals bearing their effigies struck in the reign of Domitian. During the time known as the dark ages, investigations in natural history and every other department of science and learning were utterly neglected, and the rhinoceros was as mythical to Europe as the phœnix or the salamander. On the revival of letters, however, and the extension of maritime discovery, a lively interest was manifested in the productions of foreign countries. In 1513 the king of Portugal presented the Roman Pontiff with a rhinoceros captured in India; but, unfortunately, the ship was wrecked on its way to Italy: the pope lost his present, and the rhinoceros his life. All that was preserved was a rough sketch, engraved by Albert Durer; and down to a very recent date, nearly all our representations were taken from this rough draft.

The first rhinoceros ever seen in Europe was the one that Pliny mentioned as having been given to the Roman people by Pompey. According to Dion Cassius, Augustus had another one killed in the Roman circus while celebrating his victory over Cleopatra. Strabo claimed he saw one in Alexandria, and he left a description of it. All of these were from the one-horned species. Later on, the two-horned species was introduced, as can be seen from coins featuring their images that were minted during Domitian's reign. During the dark ages, the study of natural history and other fields of science and learning was completely ignored, and the rhinoceros was as mythical to Europe as the phoenix or the salamander. However, with the revival of learning and the expansion of maritime exploration, there was a renewed interest in the products of foreign lands. In 1513, the king of Portugal gave the Pope a rhinoceros captured in India; unfortunately, the ship sank on its way to Italy. The pope lost his gift, and the rhinoceros lost its life. All that remained was a rough sketch engraved by Albert Dürer, and until very recently, nearly all our depictions were based on this rough drawing.

In 1685 a rhinoceros was captured and brought to England. In 1739 and 1741 two others were exhibited in various parts of Europe. In 1800 a young one was brought from India, intended for a menagerie at Vienna, but died at London on the way, and was dissected by Mr. Thomas, who published the results of his investigations, and thus gave the public a better idea of the animal than they ever had before.

In 1685, a rhinoceros was captured and brought to England. In 1739 and 1741, two more were showcased in different parts of Europe. In 1800, a young one was brought from India for a zoo in Vienna, but it died in London on the way. Mr. Thomas performed the dissection and published his findings, giving the public a clearer understanding of the animal than ever before.

TURKISH CARRIAGE.

TURKISH CAR.

The curiously-shaped vehicle which we have engraved on the next page, is a Turkish araba, a carriage chiefly used by ladies. An account of one of them is pleasantly introduced by Mr. Albert Smith in his "Month at Constantinople" when describing the visit of the Sultan to one of the mosques:—

The oddly-shaped vehicle we’ve shown on the next page is a Turkish araba, a carriage mainly used by women. Mr. Albert Smith gives a delightful account of one in his "Month at Constantinople" while describing the Sultan’s visit to one of the mosques:—

"Every Friday the Sultan goes to mosque publicly. It is not known until the very morning which establishment he means to patronise; but your dragoman has secret channels of information, and he always informs you in time to 'assist' at the ceremony.

"Every Friday, the Sultan goes to the mosque in public. It isn’t revealed until that very morning which mosque he intends to visit, but your guide has insider information, and he always lets you know in time to 'attend' the ceremony."

"The first time I went, Abdul Medjid had selected for his devotions the mosque of Beglerbeg, a village on the Asiatic side of the Bosphorus, the temple of which stands in the same relation and bearing to St. Sophia—to use a very familiar simile—as Rotherhithe Church does to St. [Pg 656] Paul's. It was a perfect English morning—foggy and cold (Oct. 7) with muddy streets and spitting rain. I crossed into Asia—one learns to speak of Asia, at Constantinople, as he would do of the borough—in a two-oared caique, and on landing went up to the mosque, which is close to the shore.

"The first time I went, Abdul Medjid chose the mosque of Beglerbeg for his prayers, a village on the Asian side of the Bosphorus, which stands in the same relation to St. Sophia—as a familiar comparison would have it—as Rotherhithe Church does to St. [Pg 656] Paul's. It was a typical English morning—foggy and cold (Oct. 7) with muddy streets and drizzling rain. I crossed into Asia—people learn to refer to Asia in Constantinople just like they would talk about a borough—in a two-oared boat, and upon landing, I walked up to the mosque, which is right by the shore."

A crowd of people, consisting principally of females, had collected before the mosque, and a square space was kept by the soldiers. Some little courtesy was shown to visitors, as the Franks were permitted to cross this enclosure to a corner close to the door, by which the Sultan was to enter.

A crowd of people, mainly women, had gathered in front of the mosque, and the soldiers maintained a square area. Some small courtesy was extended to visitors, as the Franks were allowed to cross this area to a spot near the door where the Sultan was supposed to enter.

Turkish Carriage

He was not very punctual to his time, but there was enough to amuse the visitors; more especially in the arrival of the women, who came up as near as they could to the building, in all sorts of odd vehicles. Several were like those I had seen on the bridge at Pera, but one was very fine indeed. It was more like a waggon than a carriage, and painted bright blue, with red wheels and awning. In it were five ladies of the Sultan's harem, very gaily dressed, and laughing loudly as the vehicle shook them about over the rugged road. It was drawn by two buffaloes, and they had a singular arrangement of worsted tufts over their heads, of various bright colours. This was the first waggon of the kind I had seen, but I afterwards found them very common. Other women were on foot, and a number of these had collected upon a hillock under a tree, where they talked and quarrelled incessantly. One very pale and handsome girl arrived alone, in a car, preceded by two or three attendants: and, whilst trying to pass a narrow thoroughfare amongst the other vehicles, the wheel of her own got smashed to pieces. She was then close to the Frank visitors, and, as she appeared likely to be overturned, two or three gentlemen from Misseri's hotel, ran forward to offer their assistance. In a minute they were put back by the attendants, who could not think of allowing their mistress to be touched, even from chance, by a [Pg 657] Christian. The carriage was propped up, as well as it could be; and its inmate, who had remained perfectly tranquil during the accident, fixed her large eyes on the enclosure, and never moved them again, to the right or left."

He wasn’t very punctual, but there was enough to entertain the visitors, especially with the arrival of the women who came as close as they could to the building in all sorts of quirky vehicles. Some resembled those I had seen on the bridge at Pera, but one was particularly nice. It looked more like a wagon than a carriage and was painted bright blue with red wheels and an awning. Inside were five ladies from the Sultan's harem, dressed colorfully and laughing loudly as the vehicle bounced them around over the rough road. It was pulled by two buffaloes, which had a unique arrangement of colorful tufts over their heads. This was the first wagon of its kind I had seen, but later I found them to be quite common. Other women were on foot, and many gathered on a small hill under a tree, where they talked and argued nonstop. One very pale, beautiful girl arrived alone in a carriage, followed by two or three attendants. While trying to navigate a narrow passage between the other vehicles, her wheel broke apart. She was close to the Western visitors, and as it looked like she might tip over, two or three gentlemen from Misseri's hotel rushed forward to help. In an instant, the attendants pushed them back, insisting that their mistress couldn't be touched, even by accident, by a [Pg 657] Christian. They propped up the carriage as best as they could, and the girl, who had remained completely calm during the mishap, stared fixedly at the enclosure, not shifting her gaze to the right or left.

CURIOUS INDIAN COMB.

CURIOUS INDIA COMB.

Curious Indian Comb

At the foot of the Himalayas, and not far from the European station of Darjeeling, there is a tract of country which is still inhabited by a tribe of very ancient origin, called the Mechs; they are rapidly degenerating, and indeed may be said to be even now almost worn out as a distinct tribe. They are but rarely visited by Europeans; but Dr. Hooker inspected their district in 1850, and gives the following brief description of its appearance:—

At the base of the Himalayas, not far from the European resort of Darjeeling, there's a region still home to a very old tribe known as the Mechs. They are quickly declining and can almost be considered nearly extinct as a distinct group. Europeans rarely visit them, but Dr. Hooker explored their area in 1850 and provided the following brief description of its appearance:—

"We arrived on the third day at the Mechi river, to the west of which the Nepal Morung begins, whose belt of Sal forest loomed on the horizon, so raised by refraction as to be visible as a dark line, from the distance of many miles. It is, however, very poor, all the large trees having been removed. We rode for several miles into it, and found the soil dry and hard, but supporting a prodigious undergrowth of gigantic harsh grasses that reached to our heads, though we were mounted on elephants. Tigers, wild elephants, and the rhinoceros are said to be found here; but we saw none.

"We reached the Mechi River on the third day. To the west lies the Nepal Morung, where the Sal forest appears on the horizon, elevated by refraction so it looks like a dark line, visible from many miles away. Unfortunately, it’s quite poor, as all the large trees have been cut down. We traveled several miles into it and found the soil dry and hard, but it supported an immense undergrowth of towering, tough grasses that came up to our heads, even while we were riding on elephants. There are supposed to be tigers, wild elephants, and rhinoceroses here, but we didn’t see any."

"The old and new Mechi rivers are several miles apart, but flow in the same depression, a low swamp many miles broad, which is grazed at this season, and cultivated during the rains. The grass is very rich, partly owing to the moisture of the climate, and partly to the retiring [Pg 658] waters of the rivers; both circumstances being the effects of proximity to the Himalayas. Hence cattle (buffaloes and the common humped cow of India) are driven from the banks of the Ganges 300 miles to these feeding grounds, for the use of which a trifling tax is levied on each animal. The cattle are very carelessly herded, and many are carried off by tigers."

The old and new Mechi rivers are several miles apart but flow through the same low-lying area, a broad swamp that is grazed during this season and farmed during the rainy season. The grass is very lush, partly due to the moist climate and partly because of the receding waters of the rivers; both of these factors are influenced by the nearby Himalayas. As a result, cattle (buffaloes and the typical humped cow of India) are herded from the banks of the Ganges, 300 miles away, to these feeding grounds, which require a small tax on each animal. The cattle are poorly monitored, and many are taken by tigers.

We give a sketch on previous page of a pocket-comb which Dr. Hooker obtained from one of the natives: it is, at all events, much more tasteful in its form and ornamentation than the usual run of English pocket-combs.

We provided a brief overview on the previous page of a pocket comb that Dr. Hooker got from one of the locals: it is, in any case, much more stylish in its shape and design than the typical English pocket combs.

SINGULAR HINDOO VOW.

SINGULAR HINDU VOW.

The following extraordinary vow is performed by some of the Hindoo at their festival of Charak Puja:—Stretching himself on the earth on his back, the devotee takes a handful of moist earth, and placing this on his under lip, he plants in it some mustard-seed, and exposes himself to the dews of the night and the heat of the day till the seed germinates. In this posture the man must lie in a fixed motionless condition, without food or drink, till the vegetable process liberates him, which will generally be about the fourth day.

The following extraordinary vow is performed by some Hindus at their festival of Charak Puja:—Lying on the ground on his back, the devotee takes a handful of moist earth and puts it on his lower lip, then plants some mustard seeds in it. He endures the night’s dew and the day’s heat until the seeds germinate. In this position, he must remain completely still without food or drink until the plants free him, which typically happens around the fourth day.

THE ARRANGEMENT OF ABBEY BUILDINGS.

The layout of abbey buildings.

At the dissolution of the Abbeys in England, under King Henry VIII., 190 were dissolved, of from £200 to £35,000 a year; amounting to an aggregate sum of £2,853,000 per annum. The principal buildings of an Abbey, were, first, the church, differing little from one of the cathedrals of the present day. Attached to one side of the nave, commonly the southern, was, secondly, the great cloister, which had two entrances to the church, at the eastern and western ends of the aisles of the nave, for the greater solemnity of processions. Over the western side of the cloister, was, thirdly, the dormitory of the monks; a long room, divided into separate cells, each containing a bed, with a mat, blanket, and rug, together with a desk and stool, and occupied by a monk. This apartment had a door, which opened immediately into the church, on account of midnight offices. Attached to the side of the cloister, opposite to the church, was fourthly, the refectory, where the monks dined; near to which, was the locutorium, or parlour, an apartment answering to the common room of a college, where in the intervals of prayer and study, the monks sat and conversed. Beyond, was the kitchen and its offices; and, adjoining to it, the buttery, &c. On the eastern side of the cloisters was, in the centre, the chapter-house, where the business of the Abbey was transacted; and near it, the library, and scriptorium, where the monks employed themselves in copying books. On this side, also, was the treasury, where the costly plate and church ornaments were kept. The abbot and principal officers of the convent, had all separate houses, to the eastward of the cloister; in which part of the building, were usually the hostelry and question hall—rooms for the entertainment of strangers; and, also, the apartment of novices. Westward of the cloister was an outward court, round which was the monks' infirmary, and the [Pg 659] almery. An embattled gatehouse led to this court, which was the principal entrance of the Abbey. The whole was surrounded with a high wall, including in its precincts, gardens, stables, granary, &c. Some of the great Abbeys—as Glastonbury, and Furness—covered sixty acres of ground. The situation chosen for the site of an Abbey was as different from that of the castle as the purpose to which it was applied. The one meant for defence stands boldly on the hill; the other, intended for meditation, is hid in the sequestered valley. The abbots were originally laymen and subject to the bishop.

At the time of the dissolution of the Abbeys in England under King Henry VIII, 190 abbeys were closed, generating annual revenues ranging from £200 to £35,000, totaling £2,853,000 per year. The main buildings of an abbey included, first, the church, which was quite similar to today's cathedrals. Attached to one side of the nave, usually on the southern side, was the great cloister, featuring two entrances to the church at the eastern and western ends of the nave's aisles, adding solemnity to processions. Over the western side of the cloister was, thirdly, the dormitory for the monks—a long room divided into individual cells, each with a bed, mat, blanket, rug, a desk, and a stool, occupied by a monk. This room had a door that opened directly into the church for midnight services. On the side of the cloister opposite the church was, fourthly, the refectory where the monks dined; nearby was the locutorium, or parlor, a space similar to a college common room, where monks gathered during breaks from prayer and study. Beyond that was the kitchen and its service areas, alongside which was the buttery, etc. On the eastern side of the cloisters was the chapter house in the center, where abbey business was conducted; close by were the library and scriptorium, where monks copied books. This side also housed the treasury, where valuable plate and church ornaments were stored. The abbot and the main officers of the convent each had separate residences to the east of the cloister; this part of the building also included the hostelry and question hall—rooms for hosting guests—and the novice quarters. To the west of the cloister was an outer courtyard, surrounding which were the monks' infirmary and the almery. A fortified gatehouse led to this courtyard, serving as the abbey's main entrance. The entire complex was enclosed by a high wall, which also contained gardens, stables, a granary, etc. Some of the larger abbeys, like Glastonbury and Furness, covered 60 acres of land. The location chosen for an abbey was as different from that of a castle as its intended purpose; the castle for defense stood prominently on a hill, while the abbey for meditation was nestled in a secluded valley. Initially, the abbots were laymen and answered to the bishop.

TAME FISH.

Tame fish.

In sailing down the river Irawadi, in the neighbourhood of Amarapoora, the capital of the empire of Burmah, Captain Yule met with some tame fish, which he thus describes:—

In sailing down the Irrawaddy River, near Amarapura, the capital of the Burmese empire, Captain Yule encountered some tame fish, which he describes as follows:—

"Having gone over the little island, I returned to my boat, where a sight awaited me, that I confess astonished me more than anything I have ever seen before.

"After exploring the small island, I went back to my boat, where I was met with a sight that honestly amazed me more than anything I've ever seen before."

"On nearing the island as we descended the river, the headman in the boat had commenced crying out tet-tet! tet-tet! as hard as he could, and on my asking him what he was doing, he said he was calling the fish. My knowledge of Burmese did not allow me to ask him further particulars, and my interpreter was in the other boat, unwell. But, on my coming down to the boat again, I found it surrounded on both sides with large fish, some three or four feet long; a kind of blunt-nosed, broad-mouthed dog-fish. Of these there were, I suppose, some fifty. In one group, which I studied more than the others, there were ten. These were at one side of the boat, half their bodies, or nearly half, protruded vertically from the water, their mouths all gaping wide. The men had some of the rice prepared for their own dinners, and with this they were feeding them, taking little pellets of rice, and throwing these down the throats of the fish. Each fish, as he got something to eat, sunk, and having swallowed his portion, came back to the boatside for more. The men continued occasionally their cry of tet-tet-tet! and, putting their hands over the gunnel of the boat, stroked the fish on the back, precisely as they would stroke a dog. This I kept up for nearly half an hour, moving the boat slightly about, and invariably the fish came at call, and were fed as before. The only effect which the stroking down or patting on the back of the fish seemed to have, was to cause them to gape still wider for their food. During March, I am told, there is a great festival here, and it is a very common trick for the people to get some of the fish into the boat, and even to gild their backs by attaching some gold leaf, as they do in the ordinary way to pagodas, &c. On one of these fish remains of the gilding were visible. I never was so amused or astonished. I wished to have one of the fish to take away as a specimen, but the people seemed to think it would be a kind of sacrilege, so I said nothing more on the point. The Phoongyis are in the habit of feeding them daily, I was informed. Their place of abode is the deep pool formed at the back of the island, by the two currents meeting round its sides. And it is, it appears, quite a sight, which the people from [Pg 660] great distances come to see, as well as to visit the Pagoda, which is said to be very ancient and much venerated."

"As we approached the island while descending the river, the headman in the boat started shouting tet-tet! tet-tet! as loudly as he could. When I asked him what he was doing, he explained that he was calling the fish. My knowledge of Burmese didn’t let me ask him anything more detailed, and my interpreter was in the other boat, feeling unwell. However, when I returned to my boat, I found it surrounded on both sides by large fish, some three or four feet long; a type of blunt-nosed, broad-mouthed dogfish. There were probably about fifty of them. In one group that I observed closely, there were ten. These fish were on one side of the boat, with about half of their bodies sticking up vertically from the water, their mouths wide open. The men had some cooked rice for their own meals, and they were feeding the fish by taking small bits of rice and tossing them into the fishes' mouths. Each fish that got a bite would sink down, and after swallowing their food, they’d return to the side of the boat for more. The men occasionally continued their cry of tet-tet-tet! while reaching over the edge of the boat to stroke the fish's backs, just like they would pet a dog. I kept this up for nearly half an hour, moving the boat slightly, and the fish always came when called, eagerly awaiting their meal. The only effect of stroking or patting the fish seemed to be that they opened their mouths even wider for food. I was told there’s a big festival in March, and it’s a common trick for people to get some fish into their boat and even decorate their backs with gold leaf, just like they do for pagodas, etc. On one of the fish, I saw remnants of gilding. I had never been so amused or astonished. I wanted to take one of the fish as a specimen, but the locals seemed to think it would be sacrilegious, so I dropped the idea. I learned that the Phoongyis feed them daily. The fish live in the deep pool formed at the back of the island, where the two currents meet. It’s a sight to see, and people come from [Pg 660] far away to watch, as well as to visit the ancient and revered Pagoda."

ANCIENT WEAPON.

Ancient weapon.

Concealed Ranseur

The formidable weapon which we here engrave, is a concealed ranseur of the time of Henry VIII., from Genoa. It forms one long instrument, but our limits have compelled us to divide into three parts. 1, is the butt: 2, the middle; and 3, the point. The upper part is an iron cylinder, with a cap on the top. This is opened by touching the bolt seen a little below it in front, and then, by giving the weapon a jerk forwards, the blades fly out, and produce the form of the partisan. Upon those, on each side, is written, "Al Segno Del Cor"—"To the mark of the heart." When in the state seen in the engraving, the blades are held so firmly that they cannot be thrust back; and the only mode of returning them into the cylinder is by striking the butt end against the ground, when they instantly fall in.

The powerful weapon we’re showcasing here is a concealed ranseur from the time of Henry VIII, hailing from Genoa. It consists of one long instrument, but due to our constraints, we’ve split it into three parts: 1 is the butt, 2 is the middle, and 3 is the point. The upper part is an iron cylinder with a cap on top. This is opened by pressing the bolt located just below it in front, and then, with a quick jerk forward, the blades shoot out, taking the shape of a partisan. On each side of those blades, it reads, "Al Segno Del Cor"—"To the mark of the heart." When in the position shown in the engraving, the blades are locked in place, making them impossible to retract; the only way to bring them back into the cylinder is by striking the butt end against the ground, which causes them to fold in immediately.

This weapon, we apprehend, must have been more formidable in appearance than useful in action. Once let a man get a fair thrust with it at his enemy, and, it is true, the effect of that one stroke would be fatal, but in battle it would most probably prove fatal also to the man who wielded the weapon, for before he could have time to draw it back, a comrade of the wounded man would have plenty of opportunity to rush in and cut the striker of the blow down. On seeing this and other clumsy weapons which were so much in vogue in former times, we cannot be surprised that none of them have continued in use to the present day. Weapons such as the one we here engrave, have long been thrown aside, and short weapons are now only used for all hand to hand encounters.

This weapon, we understand, must have looked more impressive than it was effective in action. Sure, if a person managed to land a solid hit with it on their opponent, the impact of that one strike could be deadly, but in battle, it would likely end up being deadly for the person using the weapon as well. Before they could pull it back, a friend of the injured person would have more than enough time to rush in and take down the attacker. Considering this and other awkward weapons that were common in the past, it's no surprise that none of them are still in use today. Weapons like the one we're illustrating here have long since been discarded, and shorter weapons are now standard for all close combat situations.

THE BABES OF BETHLEHEM.

THE BABES OF BETHLEHEM.

It is an ancient custom at Norton, near Evesham, Worcestershire, on the 28th of December (Innocents' Day) to ring a muffled peal, in token [Pg 661] of sorrow for the slaughter of the hapless "babes of Bethlehem," and, immediately afterwards, an unmuffled peal, in manifestation of joy for the deliverance and escape of the infant Saviour.

It is an old tradition at Norton, near Evesham, Worcestershire, on December 28th (Innocents' Day) to ring a muted bell as a sign of grief for the killing of the unfortunate "babes of Bethlehem," and right after that, a ringing bell without muffling, to celebrate the rescue and survival of the infant Savior.

GAUNTLET OF HENRY PRINCE OF WALES.

GAUNTLET OF HENRY PRINCE OF WALES.

Gauntlet of Henry Prince of Wales

The highly interesting relic of which we here give a sketch is of a russet colour, engraved and gilt, the ornamental parts being sunk lower than the surface. The initials of the owner, surmounted by a coronet, occur in two places, as do also the rose and thistle. Henry was born on the 19th of February, 1594 and was nine years of age when his father ascended the throne of England. When seven, he commenced the acquirement of martial exercises—as the use of the bow, pike, firearms, and the art of riding; and at ten applied to Colonel Edmondes to send him a suit of armour from Holland. On the discovery of the Gunpowder Plot, Lord Spencer made him a present of a sword and target; and, in 1607, Louis, the Dauphin, son of Henry IV. of France, sent him a suit of armour, well gilt and enamelled, together with pistols and a sword of the same kind, and the armour for a horse. His martial and romantic disposition displayed itself on the occasion of his being created Prince of Wales in 1610, when he caused a challenge to be given to all the knights in Great Britain, under the name of Mæliades, Lord of the Isles; and on the day appointed, the Prince, assisted only by the Duke of Lenox, the Earls of Arundel and Southampton, Lord Hay, Sir Thomas Somerset, and Sir Richard Preston, who instructed his Highness in arms, maintained the combat against fifty-six earls, barons, knights, and esquires. Henry himself gave and received thirty-two pushes of the pike, and about three hundred and sixty strokes of the sword, not being yet sixteen years of age. From the size of the gauntlet, the initials H. P., and a prince's coronet, if not made on this occasion, it could not have been much anterior; and, from most of his armour being sent from abroad, the impression would be that it is of foreign manufacture. Yet there is in [Pg 662] the State Paper Office an original warrant ordering the payment of £200, the balance of £340, for a rich suit of armour made for Henry Prince of Wales, dated July 11, 1614, he having died on the 6th of November, 1612. This document is directed by King James I. to the Commissioners for the exercise of the office of High Treasurer of England, and states that, "Whereas there was made, in the office of our armory of Greenwich, by William Pickeringe, our master workman there, one rich armour with all peeces compleate, fayrely gilt and graven, by the commaundement of our late deere sonne Prince Henry, which armour was worth (as we are informed) the somme of three hundred and forty poundes, whereof the said William Pickeringe hath receaved of our said late deere sonne the somme of one hundred and forty poundes only, soe as there remayneth due unto him the somme of two hundred poundes"—therefore they are ordered to discharge the same forthwith.

The fascinating relic we’re discussing is a russet color, engraved and gold-plated, with the decorative parts set lower than the surface. The initials of the owner, topped with a coronet, appear in two places, along with the rose and thistle. Henry was born on February 19, 1594, and he was nine years old when his father became king of England. At seven, he began learning martial skills such as using the bow, pike, firearms, and riding; and by ten, he asked Colonel Edmondes to send him a suit of armor from Holland. After the Gunpowder Plot was uncovered, Lord Spencer gifted him a sword and target; in 1607, Louis, the Dauphin, son of Henry IV of France, sent him a well-gilt and enamelled suit of armor, along with pistols and a sword of the same style, plus armor for a horse. His martial and romantic nature showed when he was made Prince of Wales in 1610, prompting him to challenge all the knights in Great Britain under the name Mæliades, Lord of the Isles. On the designated day, the Prince, aided only by the Duke of Lenox, the Earls of Arundel and Southampton, Lord Hay, Sir Thomas Somerset, and Sir Richard Preston, who trained him in arms, faced fifty-six earls, barons, knights, and esquires. Henry himself engaged in thirty-two bouts with the pike and about three hundred sixty sword strikes, all before he turned sixteen. Given the size of the gauntlet, the initials H. P., and a prince's coronet, it’s likely that this was crafted around that time. Most of his armor came from abroad, suggesting it was foreign-made. However, in [Pg 662] the State Paper Office, there’s an original warrant for a payment of £200, which is the balance of £340 for a rich suit of armor made for Henry, Prince of Wales, dated July 11, 1614, after he had died on November 6, 1612. This document, directed by King James I to the Commissioners for the office of High Treasurer of England, states that "Whereas there was made, in our armory at Greenwich, by William Pickeringe, our master workman there, one rich armor with all pieces complete, beautifully gilt and engraved, by the command of our late dear son Prince Henry, which armor was worth (as we are informed) the sum of three hundred and forty pounds, of which the said William Pickeringe has received from our late dear son the sum of one hundred and forty pounds only, so there remains due to him the sum of two hundred pounds"—therefore, they are ordered to pay the amount immediately.

THE SIMOOM.

THE SIMOOM.

Arabia is frequently visited by the terrible simoom, called by the natives shamiel, or the wind of Syria, under whose pestilential influence all nature seems to languish and expire. This current prevails chiefly on the frontiers, and more rarely in the interior. It is in the arid plains about Bussora, Bagdad, Aleppo, and in the environs of Mecca, that it is most dreaded, and only during the intense heats of summer. The Arabs, being accustomed to an atmosphere of great purity, are said to perceive its approach by its sulphureous odour, and by an unusual redness in the quarter whence it comes. The sky, at other times serene and cloudless, appears lurid and heavy; the sun loses his splendour, and appears of a violet colour. The air, saturated with particles of the finest sand, becomes thick, fiery, and unfit for respiration. The coldest substances change their natural qualities; marble, iron, and water, are hot, and deceive the hand that touches them. Every kind of moisture is absorbed; the skin is parched and shrivelled; paper cracks as if it were in the mouth of an oven. When inhaled by men or animals, the simoom produces a painful feeling as of suffocation. The lungs are too rarefied for breathing, and the body is consumed by an internal heat, which often terminates in convulsions and death. The carcases of the dead exhibit symptoms of immediate putrefaction, similar to what is observed to take place on bodies deprived of life by thunder, or the effect of electricity.

Arabia is often hit by the harsh simoom, known to the locals as shamiel, or the wind of Syria, under whose toxic influence all of nature seems to weaken and die. This wind is most common along the borders and is less frequent in the interior. It is in the dry plains around Bussora, Bagdad, Aleppo, and near Mecca that it is most feared, especially during the extreme heat of summer. The Arabs, used to a very pure atmosphere, can sense its arrival by its sulfurous smell and an unusual redness in the direction from which it comes. The sky, usually clear and bright, looks ominous and heavy; the sun loses its brilliance and appears violet. The air, filled with fine sand particles, becomes thick, hot, and hard to breathe. Even the coldest objects feel hot, deceiving anyone who touches them—marble, iron, and water. Any moisture is sucked away; skin becomes dry and wrinkled, and paper breaks like it's in an oven. When inhaled by people or animals, the simoom causes a painful feeling of suffocation. The lungs can't handle the thin air, and the body burns with an internal heat that can lead to convulsions and death. The bodies of the dead show signs of rapid decay, similar to what happens to those who die from lightning or electric shock.

When this pestilence visits towns or villages, the inhabitants shut themselves up, the streets are deserted, and the silence of night everywhere reigns. Travellers in the desert sometimes find a crevice in the rocks; but if remote from shelter, they must abide the dreadful consequences. The only means of escaping from these destructive blasts, is to lie flat on the ground until they pass over, as they always move at a certain height in the atmosphere. Instinct teaches even animals to bow down their heads, and bury their nostrils in the sand. The danger is most imminent when they blow in squalls, which raise up clouds of sand in such quantities, that it becomes impossible to see to the distance of a few yards. In these cases the traveller generally lies down on the lee side of [Pg 663] his camel; but as the desert is soon blown up to the level of its body, both are obliged frequently to rise and replace themselves in a new position, in order to avoid being entirely covered. In many instances, however, from weariness, faintness, or sleepiness, occasioned by the great heat, and often from a feeling of despair, both men and animals remain on the ground, and in twenty minutes they are buried under a load of sand. Caravans are sometimes swallowed up; and whole armies have perished miserably in these inhospitable deserts.

When this plague strikes towns or villages, the people lock themselves in, the streets become empty, and a nighttime silence takes over. Travelers in the desert might find a gap in the rocks; but if they are too far from shelter, they have to face the terrible consequences. The only way to escape these deadly blasts is to lie flat on the ground until they pass, as they always move at a certain height in the atmosphere. Even animals instinctively lower their heads and bury their noses in the sand. The danger is greatest when the winds come in strong bursts, whipping up clouds of sand that make it impossible to see even a few yards ahead. In such cases, the traveler typically lies down on the sheltered side of [Pg 663] their camel; but as the sand quickly rises to the camel's level, both have to keep getting up and repositioning themselves to avoid being completely covered. However, from exhaustion, dizziness, or sleepiness caused by the intense heat, and often from a sense of hopelessness, both people and animals sometimes stay on the ground, and in twenty minutes, they can be buried under a pile of sand. Caravans can be completely consumed, and entire armies have tragically perished in these unforgiving deserts.

BOILING TO DEATH.

BOILING ALIVE.

One Rouse, who had attempted to poison Fisher, Bishop of Rochester, who was afterwards murdered in his 77th year, (by Henry VIII.)—was actually boiled to death in Smithfield, for his offence. The law which thus punished him, was afterwards repealed.

One Rouse, who tried to poison Fisher, Bishop of Rochester, who was later murdered in his 77th year by Henry VIII, was actually boiled to death in Smithfield for his crime. The law that punished him this way was later repealed.

SIKKIM PRIESTS.

Sikkim Priests.

The Sikkim country is situated on the frontiers of Thibet and Nepal and on a portion of the Himalayas. Dr. Hooker, who visited it a few years ago, gives the following account in his Journal of some of its scenery:—"January 1st, 1849.—The morning of the new year was bright and beautiful, though much snow had fallen on the mountains; and we left Sunnook for Pemiongchi, situated on the summit of a lofty spur on the opposite side of the Ratong.

The Sikkim region is located on the borders of Tibet and Nepal and spans part of the Himalayas. Dr. Hooker, who visited a few years back, provides this description in his Journal about some of its scenery:—"January 1st, 1849.—The morning of the new year was bright and beautiful, even though a lot of snow had fallen on the mountains; and we departed from Sunnook for Pemiongchi, which is located at the top of a high ridge on the other side of the Ratong.

"The ascent to Pemiongchi was very steep, through woods of oaks, chesnuts, and magnolias, but no tree-fern, palms, pothos, or planntain, which abound at this elevation on the moister outer ranges of Sikkim. The temple is large, eighty feet long, and in excellent order, built upon the lofty terminal point of the great east and west spur, that divides the Kulhait from the Ratong and Rungbee rivers; and the great Changachelling temple and monastery stands on another eminence of the same ridge, two miles further west.

"The climb to Pemiongchi was very steep, through forests of oak, chestnut, and magnolia trees, but there were no tree ferns, palms, pothos, or plantains, which are common at this elevation on the wetter outer ranges of Sikkim. The temple is large, eighty feet long, and in great condition, built at the high point of the main east-west ridge that separates the Kulhait from the Ratong and Rungbee rivers; and the impressive Changachelling temple and monastery sits on another peak of the same ridge, two miles further west."

"The view of the snowy range from this temple is one of the finest in Sikkim; the eye surveying at once glance the vegetation of the tropics and the poles. Deep in the valleys the river beds are but 3,000 feet above the sea, and are choked with fig-trees, plantains, and palms; to these succeed laurels and magnolias; and still higher up, oaks, chesnuts, birches, &c.; there is, however, no marked line between the limits of these two last forests, which form the prevailing arboreous vegetation between 4,000 and 10,000 feet, and give a lurid hue to the mountains. Fir forests succeed for 2,000 feet higher, when they give place to a skirting of rhododendron and barberry. Among these appear black naked rocks, between which are gulleys, down which the snow now descended to 12,000 feet. The mountain flanks are much more steep and rocky than those at similar heights on the outer ranges, and cataracts are very numerous, and of considerable height, though small in volume.

"The view of the snowy range from this temple is one of the best in Sikkim; you can see both tropical and polar vegetation at a glance. Deep in the valleys, the riverbeds are only 3,000 feet above sea level and are filled with fig trees, bananas, and palms. Above these, you'll find laurels and magnolias, and even higher, oaks, chestnuts, birches, etc. There isn’t a clear boundary between the last two types of forests, which dominate the tree cover between 4,000 and 10,000 feet and give a reddish tint to the mountains. Fir forests take over for another 2,000 feet, after which rhododendrons and barberries appear. Among these, there are exposed black rocks and gullies down which the snow now descends to 12,000 feet. The slopes of the mountains are much steeper and rockier than those at similar elevations on the outer ranges, with many waterfalls that are quite tall, although small in volume."

"Pemiongchi temple, the most ancient in Sikkim, is said to be 400 years old; it stands on a paved platform, and is of the same form and general character as that of Tassisuding. Inside, it is most beautifully [Pg 664] decorated, especially the beams, columns, capitals, and architraves, but the designs are coarser than those of Tassisuding. The square end of every beam in the roof is ornamented either with a lotus flower, or with a Tibetan character, in endless diversity of colour and form, and the walls are completely covered with allegorical paintings of Lamas and saints with glories round their heads, mitred, and holding the dorje and jewel.

Pemiongchi temple, the oldest in Sikkim, is said to be 400 years old. It stands on a paved platform and has a similar style and overall appearance as Tassisuding. Inside, it's beautifully decorated, especially the beams, columns, capitals, and architraves, but the designs are rougher than those at Tassisuding. The square end of each beam in the roof is adorned with either a lotus flower or a Tibetan character, in an endless variety of colors and shapes. The walls are completely covered with symbolic paintings of Lamas and saints with halos around their heads, wearing miters and holding the dorje and jewel.

"The principal image is a large and hideous figure of Sakya-thoba in a recess under a blue silk canopy, contrasting with a calm figure of the late Rajah, wearing a cap and coronet.

"The main image is a large and ugly figure of Sakya-thoba in a nook beneath a blue silk canopy, standing in contrast to a serene figure of the late Rajah, who is wearing a cap and coronet."

"Pemiongchi was once the capital of Sikkim, and called the Sikkim Durbar: the Rajah's residence was on a curious flat to the south of the temple, and a few hundred feet below it, where are the remains of (for this country) extensive walls and buildings. During the Nepal war, the Rajah was driven east across the Teesta, whilst the Ghorkas plundered Tassisuding, Pemiongchi, Changachelling, and all the other temples and convents to the west of that river. It was then that the famous history of Sikkim, compiled by the Lamas of Pemiongchi, and kept at this temple, was destroyed, with the exception of a few sheets, with one of which Dr. Campbell and myself were each presented. We were told that the monks of Changachelling and those of this establishment had copied what remained, and were busy compiling the rest from oral information, &c.: whatever value the original may have possessed, however, is irretrievably lost. A magnificent copy of the Buddhist Scriptures was destroyed at the same time; it consisted of 400 volumes, each containing several hundred sheets of Daphne paper."

"Pemiongchi was once the capital of Sikkim and was known as the Sikkim Durbar: the Rajah's residence was on a unique flatland south of the temple and a few hundred feet below it, where the remains of extensive walls and buildings can be found. During the Nepal war, the Rajah was forced to flee east across the Teesta River while the Ghorkas looted Tassisuding, Pemiongchi, Changachelling, and all the other temples and convents west of that river. It was during this time that the famous history of Sikkim, compiled by the Lamas of Pemiongchi and kept at this temple, was destroyed, except for a few sheets, one of which was given to Dr. Campbell and me. We were told that the monks of Changachelling and those from this temple had copied what remained and were busy compiling the rest from oral accounts, etc.: whatever value the original may have had is now irretrievably lost. A magnificent copy of the Buddhist Scriptures was also destroyed at the same time; it consisted of 400 volumes, each with several hundred sheets of Daphne paper."

Sikkim Priests

Of the figures given in our article, the one on the extreme left is a Lama, or Sikkim priest, having in his hand a dorge, or double-headed thunderbolt; next to him, a monk; next to the monk, a priest, with a praying cylinder; and at the extreme right, another monk.

Of the figures shown in our article, the one on the far left is a Lama, or Sikkim priest, holding a dorge, or double-headed thunderbolt; next to him is a monk; next to the monk is a priest, holding a prayer cylinder; and on the far right is another monk.

A HEAD-BREAKER.

A brain teaser.

Head-Breaker

With many savage nations it is a custom when prisoners have been captured in war, to keep them in confinement for some time, till the preparations for a grand festival have been completed, and then to put them to death in the presence of the great men and chief priests of the country. They were slaughtered, sometimes as offerings to the gods, sometimes as sacrifices to the spirits of those slain in the war in which they were captured, and at other times as incentives to the young warriors who were to be the future defenders of the nation. In all these cases, appropriate and peculiar ceremonies were prescribed, and the victims were generally despatched by a particular official, whose especial duty it was to perform the bloody deed. A particular weapon was also used, and one of these is sketched at the head of our article. It was used by one of the tribes which inhabit the shores of Nootka Sound. It is intended to represent the sacred bird of their nation, and is made of wood, inlaid with mother-of-pearl, with a blade of basalt. The lower end is hollow for the insertion of a handle.

With many brutal nations, it's common practice to keep war prisoners locked up for a while until preparations for a big festival are finished, and then execute them in front of the important leaders and chief priests of the country. They were killed, sometimes as offerings to the gods, other times as sacrifices to the spirits of those who died in the war that led to their capture, and sometimes to motivate the young warriors who would be the future defenders of the nation. In all these situations, specific and unique ceremonies were required, and the victims were usually put to death by a designated official whose job was to carry out the grim task. A specific weapon was also used, one of which is illustrated at the beginning of our article. It belonged to one of the tribes living along the shores of Nootka Sound. It represents the sacred bird of their nation, crafted from wood, inlaid with mother-of-pearl, and featuring a basalt blade. The lower end is hollow for attaching a handle.

ANCIENT STONE COLLARS.

Ancient stone collars.

Perhaps the most singular relics of that Pagan period in Scotland when the use of metals was in a great measure unknown, are two stone collars, found near the celebrated parallel roads of Glenroy, and now preserved at the mansion of Tonley, Aberdeenshire. We here give an engraving of them.

Perhaps the most unique artifacts from that Pagan period in Scotland, when the use of metals was largely unknown, are two stone collars found near the famous parallel roads of Glenroy, which are now kept at the Tonley mansion in Aberdeenshire. We’ve included an engraving of them here.

Ancient Stone Collars

They are each of the full size of a collar adapted to a small Highland horse; the one formed of trap or whin-stone, and the other of a fine-grained red granite. They are not, however, to be regarded as the primitive substitutes for the more convenient materials of later introduction; on the contrary, a close imitation of the details of a horse collar of common materials is attempted, including the folds, the leather, nails, buckles, and holes for tying particular parts together. They are finished with much care and a high degree of polish, and are described as obviously the workmanship of a skilful artist. Mr. Skene, who first drew attention to these remarkable relics, suggests the peculiar natural features [Pg 666] of Glenroy having led to the selection of this amphitheatre for the scene of ancient public games, and that these stone collars might commemorate the victor in the chariot race, as the tripods, still existing, record the victor in the Choragic games of Athens. But no circumstances attending their discovery are known which could aid conjecture either as to the period or purpose of their construction.

They are each the size of a collar meant for a small Highland horse; one is made of trap or whin-stone, and the other is made of fine-grained red granite. However, they shouldn’t be seen as primitive substitutes for the more convenient materials that came later; instead, they closely imitate the details of a horse collar made from common materials, including the folds, leather, nails, buckles, and holes for tying specific parts together. They are finished with great care and a high level of polish, and it’s clear that they are the work of a skilled artist. Mr. Skene, who first highlighted these remarkable relics, suggests that the unique natural features of Glenroy may have caused this amphitheater to be chosen as the venue for ancient public games, and that these stone collars could commemorate the winner of the chariot race, similar to how the tripods that still exist honor the victors of the Choragic games in Athens. However, there are no details surrounding their discovery that could help speculate about the period or purpose of their construction.

THE OFFSPRING OF DRUNKENNESS.

The Children of Alcoholism.

From an interesting lecture on drunkenness, and on popular investments, recently delivered by the Rev. J. B. Owen, M.A., of Bilston, we select this impressive enumeration of the crimes mainly springing from drunkenness. Drink was the desolating demon of Great Britain. They had spent in intoxicating drinks during the present century as much as would pay the national debt twice over! There were 180,000 gin drinkers in London alone, and in that city three millions a year are spent in gin! In thirteen years 249,006 males and 183,921 females were taken into custody for being drunk and disorderly. In Manchester no less than a million a-year were spent in profligacy and crime. In Edinburgh there were 1,000 whisky shops—160 in one street—and yet the city contained only 200 bread shops. Of 27,000 cases of pauperism, 20,000 of them were traceable to drunkenness. In Glasgow the poor rates were £100,000 a-year. "Ten thousand," says Alison, "get drunk every Saturday night—are drunk all day Sunday and Monday, and not able to return to work till Tuesday or Wednesday." Glasgow spends £1,200,000 annually in drink, and 20,000 females are taken into custody for being drunk. And what were some of the normal results of such appalling statistics? insanity, pauperism, prostitution, and crime. As to the insanity affiliated on drink, the Bishop of London stated, that of 1,271 maniacs, whose previous histories were investigated, 649, or more than half of them, wrecked their reason in drinking. As to its pauperism, it is estimated that not less than two-thirds of our paupers were the direct or indirect victims of the same fatal vice. As to its prostitution, its debauching influence was remotely traceable in the 150,000 harlots of London, and in their awful swarms in all our large towns and cities. Its relation to crime was equally conclusive. In Parkhurst prison, it was calculated, that 400 out of 500 juvenile prisoners, were immured there, as the incidental results of parental debauchery. The Chaplain of the Northampton County Gaol, lately informed the lecturer, that, "of 302 prisoners in this gaol, during the last six months, 176 attributed their ruin to drunkenness; 64 spent from 2s. 6d. to 10s. a week in drink; 15 spent from 10s. to 17s.; and 10 spent all their savings. Is it not remarkable," he added, "that out of 433 prisoners in this gaol, I have not had one that has had one sixpence in a saving's bank, nor above six that ever had sixpence in one? On the contrary, I have many members of friendly societies, of course of unsound ones, which with two or three exceptions, all met at public houses; and there they learned to drink, and became familiarised with crime." Judge Erskine declared at the Salisbury Assizes in 1844, that 96 cases out of every 100 were through strong drink. Judge Coleridge added, at Oxford, that he never [Pg 667] knew a case brought before him, which was not directly or indirectly connected with intoxicating liquors; and Judge Patteson capped the climax, at Norwich, by stating to the grand jury, "If it were not for this drinking, you and I should have nothing to do!" Of the 7,018 charges entered at Bow Street Police Office, in the year 1850, half of them were for being drunk and incapable; and if they added to these the offences indirectly instigated by intoxication, the proportion rose at least to 75 per cent.

From an interesting lecture on drunkenness and popular investments, recently given by Rev. J. B. Owen, M.A., of Bilston, we present this striking list of crimes that largely stem from drunkenness. Alcohol was the destructive force in Great Britain. People spent enough on alcoholic drinks this century to pay off the national debt twice! There were 180,000 gin drinkers in London alone, and in that city, three million pounds a year went towards gin! In thirteen years, 249,006 males and 183,921 females were arrested for being drunk and disorderly. In Manchester, a staggering million a year was spent on vice and crime. Edinburgh had 1,000 whisky shops—160 on one street—yet only 200 bakeries. Out of 27,000 cases of poverty, 20,000 could be linked to alcoholism. In Glasgow, poor rates reached £100,000 annually. "Ten thousand," says Alison, "get drunk every Saturday night—are drunk all day Sunday and Monday, and can’t return to work until Tuesday or Wednesday." Glasgow spends £1,200,000 each year on alcohol, and 20,000 women are taken into custody for being drunk. What are some of the typical outcomes of such shocking statistics? Insanity, poverty, prostitution, and crime. Concerning the insanity linked to alcohol, the Bishop of London reported that out of 1,271 examined maniacs, 649, or more than half, lost their sanity due to drinking. Regarding poverty, it’s estimated that at least two-thirds of our poor are direct or indirect victims of this deadly vice. For prostitution, its corrupting effect can be traced back to the 150,000 sex workers in London, as well as the significant numbers in all our large towns and cities. Its connection to crime is equally evident. In Parkhurst prison, it was estimated that 400 out of 500 juvenile prisoners were locked up as a direct result of their parents’ drinking. The chaplain of Northampton County Gaol recently told the lecturer that, "of 302 prisoners in this jail in the last six months, 176 attributed their downfall to alcohol; 64 spent between 2s. 6d. to 10s. a week on drink; 15 spent between 10s. to 17s.; and 10 spent all their savings. Isn’t it interesting," he added, "that out of 433 prisoners in this jail, not one had sixpence in a savings bank, nor more than six had even been able to save sixpence? Instead, many were members of friendly societies, mostly unsound ones, which, with a couple of exceptions, all met in pubs; and that’s where they learned to drink and became familiar with crime." Judge Erskine stated at the Salisbury Assizes in 1844 that 96 out of every 100 cases were due to strong drink. Judge Coleridge added at Oxford that he never knew of a case brought before him that wasn’t directly or indirectly linked to alcohol; and Judge Patteson topped it off at Norwich by telling the grand jury, "If it weren't for drinking, you and I would have nothing to do!" Of the 7,018 charges filed at Bow Street Police Office in 1850, half were related to being drunk and incapable; and if we include offenses indirectly caused by intoxication, the number rises to at least 75 percent.

AN OLD PIKE.

AN OLD FISHING ROD.

In the year 1497 a giant "Jack-killer" was captured in the vicinity of Mannheim, with the following announcement in Greek appended to his muzzle:—"I am the first fish that was put into this pond by the hands of the Emperor Frederic the Second, on this 3rd day of October, 1262." The age of the informant, therefore, if his lips spoke truth (and the unprecedented dimensions of the body left little doubt on that point), was more than two hundred and thirty-five years. Already he had been the survivor of many important changes in the political and social world around, and would have swam out perhaps as many more had the captors been as solicitous to preserve his life as they were to take his portrait. This, on the demise of the original, was hung up in the castle of Lautern, and the enormous carcase (which, when entire, weighed three hundred and fifty pounds, and measured nineteen feet) was sent to the museum at Mannheim, where, deprived of its flesh, and caparisoned de novo, it hung, and haply yet hangs, a light desiccated skeleton, which a child might move.

In 1497, a massive "Jack-killer" was captured near Mannheim, with a Greek message attached to its mouth: “I am the first fish that was put into this pond by Emperor Frederic the Second, on October 3, 1262.” Therefore, if the informant was telling the truth (and the extraordinary size of the body left little doubt), he was over two hundred and thirty-five years old. He had already witnessed many significant changes in the political and social landscape, and he might have lived many more years if his captors had cared as much about preserving his life as they did about taking his picture. After his death, the portrait was displayed in the castle of Lautern, and the massive body (which, when whole, weighed three hundred fifty pounds and measured nineteen feet) was sent to the museum in Mannheim, where, stripped of its flesh and reassembled, it hung—and perhaps still hangs—as a light, dried-out skeleton that a child could move.

BURMESE BOAT.

Burmese boat.

The curious boat which is here depicted in full sail is one of those which is used by the Burmese on the river Irawadi. They are called hnau, and Captain Yule gives the following description of them in his "Mission to Ava:"—

The interesting boat shown here with its sails wide open is one of the types used by the Burmese on the Irawadi River. They are called hnau, and Captain Yule provides the following description of them in his "Mission to Ava:"—

"The model is nearly the same for all sizes, from the merest dinghy upwards. The keel-piece is a single tree hollowed out, and stretched by the aid of fire when green, a complete canoe, in fact. From this, ribs and planking are carried up. The bow is low with beautiful hollow lines, strongly resembling those of our finest modern steamers. The stern rises high above the water, and below the run is drawn out fine to an edge. A high bench or platform for the steersman, elaborately carved, is an indispensable appendage. The rudder is a large paddle lashed to the larboard quarter, and having a short tiller passing athwart the steerman's bench.

"The design is pretty much the same for all sizes, from the smallest dinghy and up. The keel is a single piece of wood that's hollowed out and shaped with fire while it's still green, basically making a complete canoe. From this, the ribs and planking are built up. The bow is low with elegant curved lines, closely resembling those of our finest modern steamships. The stern rises high above the water, and below the hull, it tapers to a sharp edge. A high bench or platform for the helmsman, intricately carved, is a must-have addition. The rudder is a large paddle tied to the left side, with a short tiller that goes across the steersman's bench."

"The most peculiar part of the arrangement of these vessels is in the spars and rigging. The mast consists of two spars; it is, in fact, a pair of shears, bolted and lashed to two posts rising out of the keel-piece, so that it can be let down, or unshipped altogether, with little difficulty. Above the mainyard the two pieces run into one, forming the topmast. Wooden rounds run as ratlines from one spar of the mast to the other, forming a ladder for going aloft.

"The most unusual part of how these vessels are set up is in the spars and rigging. The mast is made of two spars; it’s actually a pair of shears that are bolted and tied to two posts sticking out of the keel-piece, making it easy to lower or completely remove if needed. Above the main yard, the two pieces merge into one, creating the topmast. Wooden rounds act as ratlines, connecting one spar of the mast to the other and forming a ladder for climbing up."

"The yard is a bamboo, or a line of sliced bamboos, of enormous length, and, being perfectly flexible, is suspended from the mast-head by numerous guys or halyards, so as to curve upwards in an inverted bow. A rope runs along this, from which the huge mainsail is suspended, running on rings like a curtain outwards both ways from the mast. There is a small topsail of similar arrangement.

"The yard is a long bamboo pole, or a line of cut bamboos, and since it’s completely flexible, it hangs from the top of the mast with several lines or halyards, curving upwards like an inverted bow. A rope runs along this pole, from which the large mainsail hangs, moving outwards in both directions from the mast on rings like a curtain. There’s also a small topsail set up in a similar way."

Burmese Boat

"The sail-cloth used is the common light cotton stuff for clothing. Of any heavier material it would be impossible to carry the enormous spread of sail which distinguishes these boats. At Menh'lá one vessel was lying so close to the shore that I was enabled to pace the length of the half-yard. I found it to be 65 feet, or for the length of the whole spar, neglecting the curve, 130 feet. The area of the mainsail in this case could not have been very much less than 4,000 square feet, or one-eleventh of an acre.

"The sail material used is the typical light cotton fabric for clothing. Using anything heavier would make it impossible to manage the enormous sail area that sets these boats apart. At Menh'lá, one boat was so close to the shore that I was able to measure its length along half the yard. I found it to be 65 feet, or for the total length of the entire spar without considering the curve, 130 feet. The area of the mainsail in this case must have been nearly 4,000 square feet, which is about one-eleventh of an acre."

"These boats can scarcely sail, of course, except before the wind. But in ascending the Irawadi, as on the Ganges during the rainy season, the wind is almost always favourable. A fleet of them speeding before the wind with the sunlight on their bellying sails has a splendid though [Pg 669] fantastic appearance. With their vast spreading wings and almost invisible hulls, they look like a flight of colossal butterflies skimming the water."

"These boats can hardly sail except when the wind is in their favor. However, while traveling up the Irawadi, like on the Ganges during the rainy season, the wind is almost always helpful. A fleet of them racing with the wind and the sunlight reflecting off their full sails looks amazing, even a bit surreal. With their large, spread-out sails and nearly hidden hulls, they resemble a group of giant butterflies gliding over the water."

DANCING DERVISHES.

Dancing Dervishes.

Dancing Dervishes

The Dancing Dervishes at Constantinople are a remarkable instance of the lengths to which superstition and credulity will proceed. The saltatory ceremony which they perform at their religious services is thus admirably described by Mr. Albert Smith in his "Month at Constantinople:"—

The Dancing Dervishes in Constantinople are a striking example of how far superstition and gullibility can go. The jumping ceremony they carry out during their religious services is beautifully described by Mr. Albert Smith in his "Month at Constantinople:"—

"I have said it was Friday; and so, on my return, I had an opportunity of seeing the Dancing Dervishes at Pera. They exhibit—for it is rather a sight than a solemnity—on this day, as well as on Tuesday, in every week. Their convent is facing the scrap of burying-ground on the road from Galata to Pera, and any one may witness their antics. Having put off our shoes, we entered an octagonal building, with galleries running round it, and standing places under them, surrounding the railed enclosure in which the Dervishes were to dance, or rather spin. One division of this part of the building was put aside for Christians, the others were filled with common people and children. When I arrived, one old Dervish, in a green dress, was sitting at one point of the room, [Pg 670] and twenty-four in white, were opposite to him. A flute and drum played some very dreary music in the gallery. At a given signal they all fell flat on their faces, with a noise and precision that would have done honour to a party of pantomimists; and then they all rose and walked slowly round, with their arms folded across their breasts, following the old green Dervish, who marched at their head, and bowing twice very gravely to the place where he had been sitting, and to the spot opposite to it. They performed this round two or three times. Then the old man sat down, and the others, pulling off their cloaks, appeared in a species of long petticoat, and one after the other began to spin. They commenced revolving precisely as though they were waltzing by themselves; first keeping their hands crossed on their breast, and then extending them, the palm of the right hand and the back of the left being upwards. At last they all got into play, and as they went round and round, they put me in mind of the grand party we have seen on the top of an organ, where a cavalier seul revolves by himself, and bows as he faces the spectators.

"I mentioned it was Friday; so, on my way back, I had the chance to see the Dancing Dervishes at Pera. They perform—it's more of a spectacle than a ceremony—on this day, as well as on Tuesday, every week. Their lodge is across from a small cemetery on the road from Galata to Pera, and anyone can come and watch their performance. After taking off our shoes, we entered an octagonal building with galleries running around it, and standing areas beneath, surrounding the railed space where the Dervishes would dance, or rather spin. One section of this space was reserved for Christians, while the others were filled with everyday people and children. When I arrived, one old Dervish, dressed in green, was sitting at one end of the room, and twenty-four in white were seated opposite him. A flute and drum played some rather gloomy music in the gallery. At a signal, they all collapsed flat on their faces with a thud and precision that would have impressed any group of performers; then they all got up and walked slowly around with their arms crossed over their chests, following the old Dervish in green, who led the procession, bowing twice very solemnly—first to where he had been seated and then to the spot in front of him. They went around this way two or three times. Then the old man sat down, and the others, removing their cloaks, revealed a kind of long petticoat, and one by one began to spin. They started rotating just as if they were waltzing alone; first with their hands crossed over their chest, and then extending them, with the palm of the right hand and the back of the left facing up. Eventually, they all joined in, and as they spun around and around, they reminded me of the grand figures we’ve seen on top of an organ, where a cavalier seul revolves by himself, bowing as he faces the audience."

"They went on for a long time without stopping—a quarter of an hour, perhaps, or twenty minutes. There was something inexpressibly sly and offensive in the appearance of these men, and the desire one felt to hit them hard in the face became uncomfortably dominant. At the end of their revolutions they made another obeisance to the old man, and all this time the players in the orchestra howled forth a kind of hymn. This ceremony was repeated three or four times, and then they all sat down again and put their cloaks on, whilst another Dervish, who had walked round and round amongst the dancers, whilst they were spinning, sang a solo. During this time their faces were all close to the ground. This done, they rose and marched before the old green Dervish once more, kissing his hand as they passed, and the service concluded, occupying altogether about three-quarters of an hour."

"They kept going for a long time without stopping—maybe fifteen minutes or twenty. There was something sneakily annoying about the way these guys looked, and the urge to punch them in the face became hard to ignore. After their show, they bowed to the old man again, while the orchestra played a sort of hymn. This routine happened three or four times, and then they all sat down again and put on their cloaks, while another Dervish walked around the dancers and sang a solo. During this, their faces were all close to the ground. Once that was done, they stood up and marched in front of the old green Dervish again, kissing his hand as they went by, and the whole ceremony lasted about three-quarters of an hour."

EXTRAORDINARY MALADY.

UNUSUAL ILLNESS.

Digne, the principal town in the department of the Basses Alpes in France might be passed by the traveller without exciting one observation, its walks and its warm mineral waters being the only objects worthy of notice. Its inhabitants do not now exceed 3,500; but, in the year 1629, 10,000 industrious citizens followed their numerous avocations within its precincts. At that period, however, an extraordinary plague broke out, in the month of June, which lasted till October, committing the most awful ravages, so that in that short space of time the wretched inhabitants were reduced to the number of 1,500, among whom six only had escaped this very singular malady, the effects of which are thus described by a French writer:—"This malady strangely affected the invalids; some fancied they could fly; others, climb from one object to another like squirrels; some sunk into a profound lethargy, even for so long a time as six days; and one young woman who had been hastily interred in a vineyard, rose three days afterwards, for the grave-diggers were content just to cover the bodies. During these four months the town was covered with a thick fog: the heat was suffocating, accompanied [Pg 671] by frequent and dreadful storms; and in order to complete the horrors of such a situation, the parliament forbade any of the inhabitants to quit the city, or the small territory belonging to it. Guards placed upon the Bléonne fired upon those who attempted to escape. The magistrates abandoned their functions; the clocks no longer sounded the hours; the neighbouring springs dried up, so that the mills could not work; and famine began to add its fearful horrors to the miseries which already desolated the city, now become a living sepulchre, for the dead bodies lay in the streets unburied, and the few remaining persons who still paraded the streets appeared more like the spectres of those departed than living beings. Many persons not only prepared but put on the habiliments of death, and quietly awaited the approach of the king of terrors. A new edict condemned the pestilential city to the flames; but this inhuman decree was countermanded, after the destruction of one country house, with all its inhabitants. The disease having somewhat abated in the surrounding villages, humanity at length dictated the necessity of making some efforts to save the remaining few, who had escaped the contagion, from the no less frightful evil of famine. The scene that presented itself was appalling; several little children, whose parents were dead, were found sucking goats; in short, the desolation was so great that, although two centuries have passed away since this fatal scourge devastated the country, Digne has never recovered its effects."

Digne, the main town in the Basses Alpes region of France, might be overlooked by travelers, with only its parks and warm mineral waters catching their attention. The population now doesn’t exceed 3,500 people, but in 1629, 10,000 hardworking citizens were engaged in various trades there. At that time, though, an extraordinary plague erupted in June and lasted until October, causing devastating destruction, reducing the suffering population to just 1,500, among whom only six had survived this peculiar illness. A French writer described the effects of this malady: “The sickness strangely affected the sick; some believed they could fly, others jumped from one thing to another like squirrels, some fell into a deep sleep lasting up to six days; and one young woman, who had been quickly buried in a vineyard, rose three days later because the grave-diggers were only willing to cover the bodies. For those four months, the town was shrouded in a heavy fog: the heat was stifling, accompanied by frequent and terrifying storms. To make matters worse, the local government forbade anyone from leaving the city or its small territory. Guards on the Bléonne shot at those who tried to escape. The officials abandoned their duties, the clocks stopped ticking, the nearby springs ran dry, making it impossible for the mills to operate, and famine began to compound the horrors of the suffering city, which had turned into a living graveyard, with unburied corpses lying in the streets, while the few remaining people looked more like ghosts than the living. Many individuals not only prepared but also wore funeral garments, calmly waiting for the king of terrors to approach. A new decree condemned the plague-stricken city to be burned; however, this cruel order was rescinded after the destruction of one country house with all its inhabitants. As the disease waned somewhat in the neighboring villages, humanity finally prompted the need to make efforts to save the few remaining survivors from the equally terrifying threat of starvation. The scene was horrifying; several small children, who had lost their parents, were found sucking on goats. In short, the devastation was so profound that, even after two centuries since this deadly plague ravaged the area, Digne has never fully recovered from its effects.”

QUACKERY IN THE OLDEN TIME.

QUACKERY IN THE PAST.

In the reign of Henry VIII. many of the medical practitioners were mere horse-farriers. A distinguished patient, the great Lord Burghley, secretary of state to Queen Elizabeth, was addressed by one Audelay, on a certain occasion, in this wise, "Be of goode comfort, and plucke up a lustie, merrie hearte, and then shall you overcome all diseases: and because it pleased my good Lord Admiral lately to praise my physicke, I have written to you such medicines as I wrote unto him, which I have in my boke of my wyffe's hand, proved upon herselfe and mee both: and if I can get anything that may do you any goode, you may be well assured it shall be a joye unto me to get it for you." "A good medicine for weakness or consumption:—Take a pig of nine days olde, and slaye him, and quarter him, and put him in a skillat, with a handfull of spearment, and a handfull of red fennell, a handfull of liverwort, half a handfull of red neap, a handfull of clarge, and nine dates, cleaned, picked, pared, and a handful of great raisins, and picke out the stones, and a quarter of an ounce of mace, and two stickes of goode cinnamon, bruised in a mortar, and distill it with a soft fire, and put it in a glass, and set it in the sun nine days, and drinke nine spoonfulls of it at once when you list!" "A compost:—item—take a porpin, otherwise called an English hedgehog, and quarter him in pieces, and put the said beast in a still, with these ingredients: item—a quart of redde wyne, a pinte of rose-water, a quarter of a pound of sugar—cinnamon and two great raisins." "If thore be any manner of disease that you be aggrieved withal, I pray you send me some knowledge thereof, and I doubt not but to send you [Pg 672] an approved remedie. Written in haste at Greenwiche, ye 9 of May, 1553, by your trewe heartie friend, John of Audelay."

In the time of Henry VIII, many medical practitioners were just horse farriers. A prominent patient, the great Lord Burghley, who was Secretary of State to Queen Elizabeth, was addressed by one Audelay on one occasion like this: "Be of good comfort, and lift your spirits, and you will overcome all diseases. Since my good Lord Admiral recently praised my medicine, I’ve written to you the same remedies I shared with him, which I have in my wife’s handwriting, tested on both her and me: and if I can find anything that may help you, rest assured it will bring me joy to get it for you." "A good remedy for weakness or consumption:—Take a pig that's nine days old, kill it, and quarter it. Put it in a pot with a handful of spearmint, a handful of red fennel, a handful of liverwort, half a handful of red beet, a handful of sorrel, and nine dates, cleaned, pitted, and sliced, along with a handful of large raisins, with the stones removed, a quarter of an ounce of mace, and two sticks of good cinnamon, crushed in a mortar. Distill it over a gentle heat, put it in a glass, and place it in the sun for nine days. Drink nine spoonfuls of it all at once when you feel like it!" "A poultice:—Item—take a porcupine, which is also known as an English hedgehog, and chop it into pieces, then put the said animal in a still with these ingredients: item—a quart of red wine, a pint of rose water, a quarter of a pound of sugar—cinnamon and two large raisins." "If there is any disease you are suffering from, please let me know, and I have no doubt I will send you [Pg 672] an effective remedy. Written quickly at Greenwich, the 9th of May, 1553, by your true and loyal friend, John of Audelay."

A POISON WEAPON.

A poisonous weapon.

Poison Weapon

The instrument sketched forms one of the curiosities in the splendid museum of the late Sir S. R. Meyrick, and is a singular instance of that refinement of cruelty which is too prominent a characteristic of the sixteenth century. It is a weapon for throwing poisoned needles among a crowd. Where the lid at the top is seen lifted up, is the chamber in which the needles are kept stuck into a cork at the bottom. On the opposite side a needle is seen put through a hole in a strong spring, held in its place by a catch above, which, when pressed by the thumb disengages it and ejects the needle with considerable force. As the fore-finger goes through the centre ring, and the thumb is at the top, the weapon is almost entirely concealed by the hand. The spring can be adjusted by a screw at the side. This cruel instrument was used by men on horseback, or from a window, and as the needles were poisoned, many painful injuries must have been inflicted without the sufferers being able to discover by whom their wounds were caused.

The instrument described is one of the curiosities in the impressive museum of the late Sir S. R. Meyrick, and it's a unique example of the cruel refinement that was a defining feature of the sixteenth century. It's a weapon designed to launch poisoned needles into a crowd. The lid at the top lifts to reveal the chamber where the needles are secured in a cork at the bottom. On the opposite side, a needle is pushed through a hole in a strong spring, held in place by a catch above. When pressed by the thumb, the catch releases the spring, ejecting the needle with significant force. As the index finger fits through the center ring and the thumb rests at the top, the weapon is mostly hidden by the hand. The tension of the spring can be adjusted with a screw on the side. This brutal instrument was used by mounted individuals or from windows, and since the needles were poisoned, many painful injuries were likely inflicted without the victims being able to identify their attackers.

ANCIENT SWORD-BREAKER.

Sword-breaker from ancient times.

Ancient Sword-Breaker

The immense two-handed swords of former times were most fearful weapons, and far more easily used than the appearance of them would lead us to suppose. They were admirably poised, and the position in which they were held may be learned from various writers of their times. One hand was placed close to the cross-bar, while the other held the pommel. De Grassi, in 1594, tells us that those who use them contrive to "amase with the furie of the sword, and deliver great edge blows down-right and reversed, fetching a full circle or compass therein with exceeding great swiftness, staying themselves upon one foote, sometimes on the other, utterlie neglecting to thrust, and persuading themselves that the thrust serveth to amaze one man onlie, but those edge blows are of force to incounter many. The hand towards the enemie must take hold fast of the handle neere the crosse and underneath, the other hand above and near the pomell."

The huge two-handed swords of the past were truly intimidating weapons, and they were actually easier to use than they might seem. They were perfectly balanced, and the way they were held is documented by various writers of that time. One hand was placed close to the cross-guard, while the other grasped the pommel. De Grassi, in 1594, explains that those who wield them manage to "amaze with the fury of the sword and deliver powerful edge strikes from both angles, making full circular motions with incredible speed, often balancing on one foot or the other, completely disregarding thrusts, believing that thrusting is only useful to scare one opponent, while those edge strikes have the power to challenge many. The hand facing the enemy should grip the handle near the cross-guard and underneath, while the other hand is placed above and near the pommel."

Silver, in his "Paradox" gives the following as the proportions of a [Pg 673] two-handed sword in his day: "The perfect length of your two-handed sword is the blade to the length and hilt of your single sword."

Silver, in his "Paradox," states the following proportions for a [Pg 673] two-handed sword in his time: "The ideal length of your two-handed sword is equivalent to the blade and hilt length of your single sword."

The instrument which we have sketched on previous page, was used in the time of Henry VIII., for the purpose, not only of defence against one of those "great edge-blows down-right" but of catching the blade between the teeth, and then breaking it by a sharp turn of the wrist.

The tool we outlined on the previous page was used during the time of Henry VIII, not just for defending against those "great edge-blows straight down" but also for catching the blade between the teeth and then snapping it with a quick twist of the wrist.

ORIGIN OF THE BALLOT.

ORIGIN OF THE VOTE.

The origin of electing members by balls may be traced to the Grecians. When a member was to be elected, every one threw a little pellet of bran, or crumb of bread into a basket, carried by a servant on his head round the table, and whoever dissented flattened their pellet at one side.

The origin of electing members by ballots can be traced back to the Greeks. When it was time to elect a member, everyone would toss a small piece of bran or a crumb of bread into a basket that a servant carried on their head around the table, and anyone who disagreed would flatten their piece to one side.

ANCIENT DAGGER.

Ancient dagger.

Ancient Dagger

The weapon which forms the subject of the woodcut is a dagger of the time of Philip and Mary, ornamented with engraving. After being thrust into a person, by pulling a little catch, it is made to open within him, and the prolongation of the blade allows means for a second blow. The two small hooks at the inner side of the two blades would admit of the dagger being thrust deeper in, but would prevent its being drawn out.

The weapon shown in the woodcut is a dagger from the era of Philip and Mary, decorated with engravings. Once it’s been stabbed into someone, pulling a small catch causes it to open inside them, and the extended blade allows for a second strike. The two small hooks on the inner sides of the blades let the dagger go deeper but stop it from being pulled out.

At the period these daggers were most in vogue, personal combats were very sanguinary and determined, seldom terminating without the death of one, and in some cases of both, of the parties engaged. They first used the long sword, and when that weapon was broken, they closed with one another, and used their daggers by stabbing at the most mortal part of their foe they could manage to reach.

At the time when these daggers were most popular, personal fights were extremely violent and intense, rarely ending without one person dying, and sometimes both of the fighters ended up dead. They initially used long swords, and when those weapons broke, they would grapple with each other and use their daggers to stab at the most vulnerable parts of their opponent they could reach.

THE TEMPLE OF POU-TOU.

THE TEMPLE OF POU-TOU.

Pou-tou is an island of the great archipelago of Chusan, on the coasts of the province of Tche-kiang. More than 100 monasteries, more or less important, and two of which were founded by Emperors, are scattered over the sides of the mountains and valleys of this picturesque and enchanting island, which nature and art have combined to adorn with their utmost magnificence. All over it you find delightful gardens, full of beautiful flowers,—grottoes cut in the living rock, amidst groves of bamboo and other trees, with aromatic banks. The habitations of the Bonzes are sheltered from the scorching rays of the sun by umbrageous foliage, and scattered about in the prettiest situations imaginable. Thousands of winding paths cross the valleys in various directions, and [Pg 674] the brooks and rivulets, by means of pretty bridges of stone or painted wood, and for the communications between the scattered dwellings. In the centre of the island rise two vast and brilliant edifices—Buddhist temples—the yellow bricks of which announce that their construction is due to imperial munificence. The religious architecture of the Chinese does not at all resemble ours. They have no idea of the majestic, solemn, and perhaps somewhat melancholy style, that harmonizes so well with the feelings which ought to be inspired by a place devoted to meditation and prayer. When they wish to build a pagoda, they look out for the most gay and smiling site they can find on the declivity of a mountain or in a valley; they plant it with great trees of the evergreen species; they trace about it a number of paths, on the sides of which they place flowering shrubs, creeping plants, and bushes. It is through these cool and fragrant avenues you reach the building, which is surrounded by galleries, and has less the air of a temple than of a rural abode charmingly situated in the midst of a park or garden.

Pou-tou is an island in the great archipelago of Chusan, off the coast of the Tche-kiang province. There are over 100 monasteries, varying in size, including two established by Emperors, scattered across the beautiful mountains and valleys of this enchanting island, where nature and art come together in stunning ways. You’ll find lovely gardens filled with beautiful flowers, grottoes carved into the living rock, nestled among bamboo groves and other trees, with fragrant banks. The homes of the Bonzes are shaded from the intense sun by lush foliage and are set in the most picturesque spots imaginable. Thousands of winding paths crisscross the valleys, connecting the brooks and streams with charming bridges made of stone or painted wood that link the scattered dwellings. In the center of the island stand two vast and impressive Buddhist temples, constructed with yellow bricks that signify their imperial funding. Chinese religious architecture looks nothing like ours. They don’t embrace the grand, solemn, and somewhat melancholy style that fits so well with the feelings inspired by places meant for meditation and prayer. When they decide to build a pagoda, they select the most cheerful and welcoming site they can find on a mountainside or in a valley; they surround it with large evergreen trees and create several paths with flowering shrubs, climbing plants, and bushes lining the sides. It is through these cool, fragrant walkways that you reach the building, which is surrounded by galleries and feels more like a charming country home set in a park or garden than a temple.

The principal temple of Pou-tou is reached by a long avenue of grand secular trees, whose thick foliage is filled with troops of crows with white heads; and their cawings and flapping of wings keep up a continual clamour. At the end of the avenue is a magnificent lake, surrounded with shrubs that lean over its waters like weeping willows. Turtle and gold-fish gleam through them; and mandarin-ducks, in their gaily-coloured plumage, play over their surface, amidst the splendid water-lilies whose rich corollas rise majestically upon tender green stalks spotted with black. Several bridges of red and green wood are thrown over this lake, and lead to flights of steps, by which you ascend to the first of the temple buildings—a kind of porch, supported upon eight enormous granite columns. On the right and left are stationed, like sentinels, four statues of colossal size, and two side gates lead to the vestibule of the principal nave, where is enthroned a Buddhist Trinity, representing the Past, the Present, and the Future. These three statues are entirely gilt, and, although in a crouching posture, of gigantic dimensions—at least twelve feet high. Buddha is in the midst, his hands interlaced, and gravely placed on his majestic abdomen. He represents the Past, and the unalterable and eternal quiet to which it has attained; the two others, which have the arm and the right hand raised, in sign of their activity, the Present and Future. Before each idol is an altar covered with little vases for offerings, and cassolets of chiselled bronze, where perfumes are constantly burning.

The main temple of Pou-tou is reached by a long path lined with impressive trees, whose thick leaves are filled with groups of crows with white heads; their cawing and flapping wings create a constant noise. At the end of the path is a stunning lake, surrounded by shrubs that lean over its waters like weeping willows. Turtles and goldfish sparkle beneath them, while mandarin ducks, with their brightly colored feathers, swim on the surface among the beautiful water lilies with rich blossoms rising gracefully on delicate green stalks dotted with black. Several bridges made of red and green wood cross the lake and lead to a set of steps that take you up to the first of the temple buildings—a kind of porch supported by eight massive granite columns. On either side stand four colossal statues like sentinels, and two side gates open to the vestibule of the main hall, where a Buddhist Trinity is enshrined, representing the Past, Present, and Future. These three statues are completely gilded and, although crouching, are gigantic—at least twelve feet tall. Buddha is in the middle, his hands interlaced and resting solemnly on his grand abdomen. He represents the Past and the unchanging, eternal peace it has achieved, while the other two, with one arm and a hand raised to signify their activity, represent the Present and Future. In front of each idol is an altar adorned with small vases for offerings and intricately crafted bronze censers where incense is always burning.

A crowd of secondary divinities are ranged round the hall, the ornaments of which are composed of enormous lanterns of painted paper or horn—square, round, oval—indeed, of all forms and colours; and the walls are hung with broad strips of satin, with sentences and maxims.

A crowd of lesser gods are gathered around the hall, which is decorated with huge lanterns made of painted paper or horn—square, round, oval—pretty much every shape and color you can think of; and the walls are adorned with wide strips of satin featuring sayings and proverbs.

The third hall is consecrated to Kouang-yu, whom the greater number of accounts of China persist in regarding as a goddess of porcelain, and sometimes also of fecundity. According to the Buddhist mythology, Kouang-yu is a person of the Indian Trimourti, or Triune God, representing the creative power.

The third hall is dedicated to Kouang-yu, who many accounts of China still see as a goddess of porcelain and sometimes also of fertility. According to Buddhist mythology, Kouang-yu is part of the Indian Trimourti, or Triune God, symbolizing creative power.

Finally, the fourth hall is a pantheon, or pandemonium, containing a [Pg 675] complete assortment of hideous idols, with ogres' and reptiles' faces. Here you see, huddled together pell-mell, the gods of heaven and earth; fabulous monsters, patrons of war, of the silk manufacture, of agriculture, and of medicine; the images of the saints of antiquity, philosophers, statesmen, warriors, literary men—in a word, the most heterogeneous and grotesque assembly conceivable.

Finally, the fourth hall is a pantheon, or a chaotic mix, filled with a [Pg 675] complete collection of ugly idols, featuring the faces of ogres and reptiles. Here, you’ll find the gods of heaven and earth jumbled together; incredible monsters, protectors of war, silk production, agriculture, and medicine; the images of ancient saints, philosophers, statesmen, warriors, and writers—in short, the most diverse and bizarre gathering imaginable.

ORACLES OF APOLLO IN FRANCE.

APOLLO'S ORACLES IN FRANCE.

Towards the frontiers of Auvergne and Velay, upon the high rock of Polignac, there was formerly a temple of Apollo, famous for its oracles. The time of its foundation ascends to the first years of the Christian era, since, in the year 47, the Emperor Claudius came hither in great pomp, to acknowledge the power of the god; and he left proofs of his piety and munificence. The débris and mysterious issues that are found even now upon the rock, in the heart of its environs, reveal the secret means employed by the priests to make their divinities speak, and to impose upon the people. At the bottom of the rock was an ædicula: it was on this spot that the pilgrims took up their first station, and deposited their offerings and made their vows. A subterranean passage communicated from this ædicula to the bottom of a great excavation, pierced, in the form of a tunnel, from the base to the summit of the rock. It was by this enormous opening that the vows, the prayers and questions, pronounced in the very lowest voice by the pilgrims, reached instantly the top of the rock, and were there heard and collected by the college of priests; the answers were then prepared, while the believers, by a sinuous and long path, slowly arrived at the end of their pilgrimage. The answers being ready, the priests commissioned to transmit them repaired to profound and deep apartments, contiguous to a well, the orifice of which terminated in the temple. This well, crowned by an altar, being enclosed by a little hemispherical roof, supported in its external parts the colossal figure of Apollo; the mouth of this statue being half open, in the middle of a large and majestic beard, appeared always ready to pronounce the supreme decrees. It was also through this opening, by the means of a long speaking-trumpet, that the priests at the bottom of this den of mystery and superstition made known those famous oracles so imposing and so powerful in their effects upon the human soul as to impede for centuries the substitution of the more pure and holy precepts of the gospel.

Towards the borders of Auvergne and Velay, on the high rock of Polignac, there used to be a temple of Apollo, well-known for its oracles. It was established in the early years of the Christian era, as, in the year 47, Emperor Claudius visited in grand style to honor the god; he left behind evidence of his devotion and generosity. Even today, the remains and mysterious artifacts found on the rock and in the surrounding area reveal the secret methods used by the priests to make their gods speak and deceive the people. At the base of the rock was a small temple; this was where the pilgrims first stopped, leaving their offerings and making their vows. A hidden passage connected this temple to a large tunnel dug from the bottom to the top of the rock. Through this massive opening, the vows, prayers, and questions spoken in whispers by the pilgrims reached the top and were heard and collected by the group of priests; the answers were then prepared while the believers took a winding and lengthy route to the end of their pilgrimage. Once the answers were ready, the priests assigned to deliver them went to deep chambers next to a well, whose opening led into the temple. This well, topped with an altar and enclosed by a small dome, supported a colossal statue of Apollo; its mouth, slightly open amid a grand beard, always seemed ready to issue supreme decrees. It was also through this opening, using a long speaking trumpet, that the priests in this den of mystery and superstition announced those famous oracles, which were so impressive and powerful in their impact on the human spirit that they hindered the adoption of the purer and holier teachings of the gospel for centuries.

BEST POSITION FOR SMOKING OPIUM.

Best position for smoking opium.

Opium is not smoked in the same manner as tobacco. The pipe is a tube of nearly the length and thickness of an ordinary flute. Towards one end of it is fitted a bowl of baked clay or some other material, more or less precious, which is pierced with a hole communicating with the interior of the tube. The opium, which before smoking is in the form of a blackish viscous paste, is prepared in the following manner:—A portion, of the size of a pea, is put on a needle, and heated over a lamp until it swells and acquires the requisite consistence. It is then placed over the hole in the bowl of the pipe, in the form of a little cone that has [Pg 676] been previously pierced with a needle so as to communicate with the interior of the tube. The opium is then brought to the flame of the lamp, and after three or four inspirations the little cone is entirely burnt, and all the smoke passes into the mouth of the smoker, who then rejects it again through his nostrils. Afterwards the same operation is repeated, so that this mode of smoking is extremely tedious. The Chinese prepare and smoke their opium lying down, sometimes on one side, sometimes on the other, saying that this is the most favourable position; and the smokers of distinction do not give themselves all the trouble of the operation, but have their pipes prepared for them.

Opium isn't smoked the same way as tobacco. The pipe is a tube that's almost as long and thick as a regular flute. One end has a bowl made of baked clay or another material, which can be more or less valuable, that has a hole connected to the inside of the tube. The opium, which is a blackish, sticky paste before smoking, is prepared like this: a piece about the size of a pea is put on a needle and heated over a lamp until it puffs up and gets the right consistency. It’s then shaped into a small cone and placed over the hole in the pipe's bowl, with a needle having pierced it to connect to the inside of the tube. The opium is brought to the lamp's flame, and after three or four inhales, the cone is completely burnt, with all the smoke inhaled by the smoker, who then exhales it through their nostrils. This process is repeated, making this way of smoking quite slow. The Chinese usually prepare and smoke their opium while lying down, sometimes on one side and sometimes on the other, claiming this is the best position; and the distinguished smokers often have their pipes prepared for them without doing the work themselves.

EXECUTIONER'S SWORD.

Executioner's sword.

Executioner's Sword

The weapon engraved below forms one of the curiosities in the superb collection of ancient armour belonging to the late Sir Samuel R. Meyrick, at Goodrich Court, Herefordshire. It is the sword of an executioner, having on it the date 1674. The blade is thin, and exceeding sharp at both edges; and engraved on it is a man impaled, above which are the words, in German, of which the following is a translation:—

The weapon engraved below is one of the interesting pieces in the amazing collection of ancient armor owned by the late Sir Samuel R. Meyrick, at Goodrich Court, Herefordshire. It is the sword of an executioner, dated 1674. The blade is thin and extremely sharp on both sides; and etched on it is a figure of a man impaled, above which are the words, in German, which translate to:—

"Let every one that has eyes
Look here, and see that
To erect power on wickedness
Cannot last long:"

a man holding a crucifix, his eyes bandaged, and on his knees; the executioner, with his right hand on the hilt, and his left on the pommel, is about to strike off his head; above is written—

a man holding a crucifix, his eyes covered with bandages, and on his knees; the executioner, with his right hand on the hilt and his left on the pommel, is about to chop off his head; above is written—

"He who ambitiously exalts himself,
And thinks only of evil,
Has his neck already encompassed
By punishment."

On the other side, a man broken on the wheel; over which is—

On the other side, a man shattered on the wheel; over which is—

"I live, I know not how long;
I die, but I know not when:"

and a man suspended by the ribs from a gibbet, with the inscription—

and a man hanging by his ribs from a gallows, with the inscription—

"I move, without knowing whither;
I wonder I am so tranquil."

ORIGIN OF EXCHEQUER BILLS.

ORIGIN OF TREASURY BILLS.

In the year 1696 and 1697, the silver currency of the kingdom being by clipping, washing, grinding, filing, &c., reduced to about half its nominal value, Acts of Parliament were passed for its being called in [Pg 677] and recoined, and whilst the recoinage was going on, Exchequer bills were first issued to supply the demands of trade.

In 1696 and 1697, the kingdom's silver currency was reduced to about half its face value due to clipping, washing, grinding, filing, etc. Acts of Parliament were passed to withdraw the currency and recoin it, and while the recoinage was happening, Exchequer bills were issued for the needs of trade.

ANCIENT ETRURIAN BUST.

Ancient Etruscan Bust.

Ancient Etrurian Bust

If we look backwards to the most remote times of Greek industry, we find that long before fire-casting became customary, almost every kind of work was carried out by the simple means of the hammer and tongs, wielded by skilful hands. Even products of art were created in this manner; and as statues, vases, and the like could not be put together by the process of soldering, nails were used for the purpose, as we learn not only from ancient writers, but even from monuments which have lately been discovered in Etruria, and the most important specimens of which are now possessed by the British Museum. In one of the tombs belonging to the vast necropolis of Vulci were discovered, about twenty years ago, a great many bronzes of this very ancient workmanship; one of them represents a bust placed on a basement covered with thin copper plates, and adorned by a row of figures, which are likewise chased; long curls fall down over the neck and shoulders, and these parts especially are formed in the most simple manner: one would be tempted to call it child-like, did not the whole composition show a certain character which enables the experienced eye of the art-philosopher to distinguish in these rude attempts at plastic metal work the very germ of those wonderfully-styled productions of a later period. The engraving here annexed, giving a side view of this remarkable, and as yet unique monument, is intended to show the arrangement of the hair, which, in spite of its simple treatment, presents as a whole some trace of grace, and principles of fine proportions. We perceive that the curls are formed by rolling and twining together small strips of bronze plate, connected with the head itself by the mechanical means we have alluded to. There is no trace of soldering; and we may be sure that we possess in this figure a good specimen of those hammer-wrought sculptures of old which were spoken of by the Greeks themselves as belonging to a fabulous period.

If we look back at the earliest days of Greek craftsmanship, we can see that long before fire-casting became common, nearly all kinds of work were done using just a hammer and tongs, operated by skilled hands. Even artworks were made this way; since statues, vases, and similar items couldn't be assembled through soldering, nails were used instead. This is confirmed not only by ancient writers but also by monuments recently discovered in Etruria, the most significant of which are now held in the British Museum. About twenty years ago, many bronze items from this very ancient style were found in one of the tombs in the large necropolis of Vulci. One of these pieces is a bust on a base covered with thin copper plates, decorated with a row of figures that are also intricately crafted. Long curls cascade down the neck and shoulders, and these areas, in particular, are made in a very simple way; it might seem almost child-like, if not for the overall composition that reveals a certain quality, allowing the trained eye of an art historian to recognize in these primitive attempts at metalwork the very beginnings of the remarkably styled creations of a later era. The engraving provided here, showing a side view of this unique monument, aims to illustrate the hair arrangement, which, despite its straightforward execution, still shows some grace and principles of good proportion. We see that the curls are made by rolling and twisting small strips of bronze, attached to the head using the mechanical methods we've mentioned. There are no signs of soldering, and we can be confident that this figure is a fine example of the hammer-wrought sculptures of old that the Greeks themselves referred to as belonging to a mythical time.

THE HAIRY WOMAN OF BURMAH.

THE HAIRY WOMAN OF BURMA.

The following account of this remarkable freak of nature is taken from Captain Yule's "Mission to Ava." Writing from the city of Amarapoora, the capital of Burmah, the Captain says:—

The following account of this extraordinary natural occurrence is taken from Captain Yule's "Mission to Ava." Writing from the city of Amarapoora, the capital of Burma, the Captain says:—

"To-day we had a singular visitor at the residency. This was Maphoon, the daughter of Shwé-maong, the "Homo hirsutus" described [Pg 678] and depicted in Crawfurd's narrative, where a portrait of her, as a young child, also appears. Not expecting such a visitor, one started and exclaimed involuntarily as there entered what at first-sight seemed an absolute realization of the dog-headed Anubis.

"Today we had a unique visitor at the residency. This was Maphoon, the daughter of Shwé-maong, the "Homo hirsutus" described [Pg 678] and depicted in Crawfurd's narrative, where a portrait of her as a young child also appears. Not expecting such a visitor, I was taken aback and exclaimed involuntarily when what at first glance appeared to be a true embodiment of the dog-headed Anubis entered."

"The whole of the Maphoon's face was more or less covered with hair. On a part of the cheek, and between the nose and mouth, this was confined to a short down, but over all the rest of the face was a thick silky hair of a brown colour, paling about the nose and chin, four or five inches long. At the alea of the nose, under the eye, and on the cheek-bone, this was very fully developed, but it was in and on the ear that it was most extraordinary. Except the extreme upper tip, no part of the ear was visible: all the rest was filled and veiled by a large mass of silky hair, growing apparently out of every part of the external organ, and hanging in a dependent lock to a length of eight or ten inches. The hair over her forehead was brushed so as to blend with the hair of the head, the latter being dressed (as usual with her countrywomen) à la Chinoise. It was not so thick as to conceal altogether the forehead.

The entire face of the Maphoon was mostly covered with hair. On part of the cheek and between the nose and mouth, there was just a short fuzz, but the rest of the face was covered in thick, silky brown hair, which faded around the nose and chin, measuring about four or five inches long. The area around the nose, under the eye, and on the cheekbone had a rich growth, but the most remarkable feature was the hair on and around the ears. Except for the very top tip, no part of the ear was visible; the rest was completely covered by a large mass of silky hair that seemed to grow from every area of the outer ear, hanging down in a lock about eight to ten inches long. The hair on her forehead was styled to blend in with her head hair, which was done (as is typical for women from her country) à la Chinoise. It wasn’t so thick that it completely hid her forehead.

"The nose, densely covered with hair so as no animal's is that I know of, and with long fine locks curving out and pendent like the wisps of a fine Skye terrier's coat, had a most strange appearance. The beard was pale in colour, and about four inches in length, seemingly very soft and silky.

"The nose was thickly covered with hair like no other animal's that I know of, and had long, fine strands curling out and hanging down like the wisps of a fine Skye terrier's coat, giving it a very odd look. The beard was pale and about four inches long, appearing very soft and silky."

"Poor Maphoon's manners were good and modest, her voice soft and feminine, and her expression mild and not unpleasing, after the first instinctive repulsion was overcome. Her appearance rather suggested the idea of a pleasant-looking woman masquerading than that of anything brutal. This discrimination, however, was very difficult to preserve in sketching her likeness, a task which devolved on me to-day in Mr. Grant's absence. On an after-visit, however, Mr. Grant made a portrait of her, which was generally acknowledged to be most successful. Her neck, bosom, and arms appeared to be covered with fine pale down, scarcely visible in some lights. She made a move, as if to take off her upper clothing, but reluctantly, and we prevented it. Her husband and two boys accompanied her. The elder boy, about four or five years old, had nothing abnormal about him. The youngest, who was fourteen months old and still at the breast, was evidently taking after his mother. There was little hair on the head, but the child's ear was full of long silky floss, and it could boast a moustache and beard of pale silky down that would have cheered the heart of many a cornet. In fact, the appearance of the child agrees almost exactly with what Mr. Crawford says of Maphoon herself as an infant. This child is thus the third in descent exhibiting this strange peculiarity; and in this third generation, as in the two preceding, this peculiarity has appeared only in one individual. Maphoon has the same dental peculiarity also that her father had—the absence of the canine teeth and grinders, the back part of the gums presenting merely a hard ridge. Still she chews pawn like her neighbours.

"Poor Maphoon's manners were polite and humble, her voice gentle and feminine, and her expression soft and not unpleasant, once the initial instinctive repulsion faded. Her appearance suggested a pleasant-looking woman in disguise rather than anything harsh. However, it was quite challenging to maintain this distinction while trying to sketch her likeness today, a task I took on in Mr. Grant's absence. Later on, Mr. Grant created a portrait of her that was widely regarded as very successful. Her neck, chest, and arms seemed to have a fine, pale fuzz, barely noticeable in certain lights. She moved as if to take off her outer clothing, but hesitated, and we stopped her. Her husband and two boys were with her. The older boy, about four or five years old, didn't seem unusual at all. The younger one, who was fourteen months old and still breastfeeding, clearly took after his mother. He had little hair on his head, but his ear was full of long, silky strands, and he sported a light fuzz of a mustache and beard that would have made many a cornet envious. In fact, the child's appearance closely matched what Mr. Crawford described about Maphoon as a baby. This child is the third generation to show this peculiar trait; and like in the previous two generations, this trait has appeared in only one individual. Maphoon also shares the same dental oddity her father had—missing canine teeth and molars, with just a hard ridge in the back of her gums. Nonetheless, she chews pawn like her neighbors."

Mr. Camaretta tells some story of an Italian wishing to marry her and take her to Europe, which was not allowed. Should the great Barnum hear of her, he would not be so easily thwarted.

Mr. Camaretta shares a story about an Italian who wants to marry her and take her to Europe, but that isn't allowed. If the famous Barnum found out about her, he wouldn't let anything stop him.

According to the Woundouk, the King offered a reward to any man who would marry her, but it was long before any one was found bold enough or avaricious enough to venture. Her father, Shwé-maong, was murdered by robbers many years ago."

According to the Woundouk, the King promised a reward to anyone who would marry her, but it took a long time before anyone was brave or greedy enough to step up. Her father, Shwé-maong, was killed by robbers many years ago.

A TRAVELLER'S PASSPORT.

A TRAVELER'S PASSPORT.

The following document, included among the rolls, is dated 1680, from Whitehall:—

The following document, included among the rolls, is dated 1680, from Whitehall:—

"Dame Mary Yate, having asked his majesty's permission to pass beyond the seas, for the recovery of her health, his majesty was most graciously pleased to grant her request, under the usual clauses and provisoes, according to which ye said Dame Mary Yate having given security not to enter into any plott or conspiracy against his majesty or his realms, or behave herself in any such manner as may be prejudicial to his majesty's government, or the religion here by law established, and that she will not repaire to the city of Roome, or return unto this kingdome without first acquainting one of his majesty's principal secretaries of state, and obtaining leave for the same, in pursuance of his majesty's commands in council hereby will and require you to permit and suffer the said Dame Mary Yate to imbarque with her trunkes of apparel and other necessaries not prohibited at any port of this kingdom, and from thence to pass beyond the seas, provided that shee departe this kingdom within 14 days after the date hereof."—April 14.

"Dame Mary Yate, having requested permission from His Majesty to travel abroad for her health, was graciously granted her request, under the usual conditions. According to these conditions, Dame Mary Yate provided security not to engage in any plots or conspiracies against His Majesty or his realms, nor to act in any way that could harm His Majesty's government or the legally established religion. She also agreed not to go to the city of Rome or return to this kingdom without first informing one of His Majesty's principal secretaries of state and obtaining permission to do so, in line with His Majesty's directives in council. Therefore, I hereby command you to allow Dame Mary Yate to embark with her trunks of clothing and other necessary items not prohibited at any port in this kingdom, and to travel abroad, provided that she leaves this kingdom within 14 days from the date of this order."—April 14.

If the above refers to the celebrated Lady Mary Yate (a daughter of the house of Pakington) who is commemorated on a monument in Chaddesley Church, Worcestershire, as having died in 1696, at the age of 86, she must have been 70 years old when these precautions were taken by the Government against the poor old lady attempting to invade the country, or to comfort the Pope with her presence and support. Dame Mary Yate was no doubt a Roman Catholic, and the permission above referred to was granted under the seventh section of the statute 3rd James I, chap. 5, which was virtually repealed by the statute 33rd George III, chap. 30, which exempted Roman Catholics from all the penalties and restrictions mentioned and enjoined in the older acts, if in one of the Courts at Westminster or at the Quarter Sessions they made a declaration which to them was unobjectionable.

If the above refers to the famous Lady Mary Yate (a daughter of the Pakington family) who is remembered on a monument in Chaddesley Church, Worcestershire, as having died in 1696 at the age of 86, she must have been 70 years old when the Government took these precautions against the poor old lady trying to enter the country or to comfort the Pope with her presence and support. Dame Mary Yate was definitely a Roman Catholic, and the permission mentioned above was granted under the seventh section of the statute 3rd James I, chap. 5, which was practically repealed by the statute 33rd George III, chap. 30, that exempted Roman Catholics from all the penalties and restrictions outlined in the older acts, as long as they made a declaration in one of the Courts at Westminster or at the Quarter Sessions that was acceptable to them.

CURIOUS PROVINCIAL DANCE IN FRANCE.

Curious local dance in France.

The inhabitants of Roussillon are passionately fond of dancing; they have some dances peculiar to themselves. The men generally commence the country dance by a contre-pas, the air of which is said to be of Greek origin; the women then mingle in the dance, when they jointly perform several figures, passing one among the other, and occasionally turning each other round. At a particular change in the air, the male dancer must dexterously raise his partner and place her on his hand in a sitting posture. Accidents sometimes happen upon these occasions, and the lady falls to the ground amidst the jokes and laughter of her companions. One of these dances, called lo salt, is performed by four men and four women. At the given signal, the cavaliers simultaneously [Pg 680] raise the four ladies, forming a pyramid, the caps of the ladies making the apex. The music which accompanies these dances consists of a lo flaviol, a sort of flageolet, a drum, two hautboys, prima and tenor, and the cornemuse, called in the country lo gratla: this instrument, by its description, must somewhat resemble the bagpipes. The dance called Segadilles is performed with the greatest rapidity: at the end of every couplet, for the airs are short and numerous, the female dancers are raised, and seated on the hands of their partners.

The people of Roussillon really love dancing; they have some unique dances that are their own. The men usually start the country dance with a contre-pas, which is said to have Greek origins. Then the women join in, and together they perform several figures, passing by each other and occasionally spinning around. At a specific moment in the music, the male dancer must skillfully lift his partner and place her on his hand in a sitting position. Sometimes accidents happen, and the lady ends up falling to the ground while her friends joke and laugh. One of these dances, called lo salt, is performed by four men and four women. At the signal, the men simultaneously [Pg 680] lift the four ladies to form a pyramid, with the ladies' hats at the top. The music for these dances includes a lo flaviol (a type of flageolet), a drum, two oboes (one for the melody and one for harmony), and a cornemuse, known locally as lo gratla; this instrument is likely similar to bagpipes. The dance called Segadilles is done at lightning speed: at the end of each short and plentiful tune, the female dancers are lifted and seated on the hands of their partners.

ANCIENT INSTRUMENT OF PUNISHMENT.

Old punishment device.

Ancient Instrument of Punishment

The instrument which we here engrave is a whip of steel that was made and used as an engine of punishment and torture about the middle of the sixteenth century. It is composed of several truncated cones, grooved with sharp edges, and held in opposite directions, so as to give sufficient oscillation without rising so far as to strike the hand of the executioner. It seems to have been held by a strap; but its barbarity is evident.

The tool we are depicting here is a steel whip that was created and used as a means of punishment and torture in the mid-sixteenth century. It consists of several truncated cones, notched with sharp edges, and positioned in opposite directions to allow for enough swing without hitting the executioner's hand. It appears to have been gripped with a strap; however, its cruelty is clear.

PUNISHING BY WHOLESALE.

Punishing en masse.

Henry VIII. is recorded, in the course of his reign, to have hanged no fewer than 72,000 robbers, thieves, and vagabonds. In the latter days of Elizabeth scarcely a year passed without 300 or 400 criminals going to the gallows. In 1596, in the county of Somerset alone, 40 persons were executed, 35 burnt in the hand, and 37 severely whipped.

Henry VIII is noted to have hanged at least 72,000 robbers, thieves, and vagrants during his reign. In the later years of Elizabeth’s rule, hardly a year went by without 300 or 400 criminals being executed. In 1596, in Somerset County alone, 40 people were executed, 35 had their hands burned, and 37 were given severe whippings.

MONKS AND FRIARS.

Monks and Friars.

There was a distinction between the Monks and Friars, which caused the latter to become the object of hatred and envy. Both the monastic, or regular, and parochial clergy, encouraged the attacks made upon them. The Monks were, by most of their rules, absolutely forbidden to go out of their monasteries, and, therefore, could receive only such donations as were left to them. On the contrary, the Friars, who were professed mendicants, on receiving notice of the sickness of any rich person, constantly detached some of their members, to persuade the sick man to bequeath alms to their convent; thus often, not only anticipating the Monks, but, likewise the parochial clergy. Besides, as most of them were professed preachers, their sermons were frequently compared with [Pg 681] those of the clergy, and in general, not to the advantage of the latter. In these sermons, the poverty and distress of their order, were topics that, of course, were neither omitted, nor slightly passed over. Considering the power of the Church, before the Reformation, it is not to be supposed that any of the Poets, as Chaucer, &c., would have ventured to tell those rediculous stories of the Friars, with which their works abound, had they not been privately protected by the superior clergy.

There was a clear difference between Monks and Friars, which made the latter the target of hatred and jealousy. Both the monastic, or regular, clergy and the local church clergy fueled these attacks against them. Monks, due to their rules, were strictly forbidden from leaving their monasteries, so they could only receive donations left to them. In contrast, Friars, who were dedicated beggars, often sent some of their members to persuade wealthy individuals who were sick to leave charitable gifts to their community; this often allowed them to beat the Monks and the local clergy to the punch. Additionally, since most of them were trained preachers, their sermons were frequently compared to those of the clergy, typically to the latter's disadvantage. In these sermons, they regularly highlighted the poverty and struggles of their order, making sure these points were neither omitted nor glossed over. Given the Church's influence before the Reformation, it’s unlikely that any poets, like Chaucer, would have dared to share the ridiculous stories about Friars found in their works if they weren’t privately supported by the upper clergy.

CURIOUS TURKISH CONTRIVANCE.

Curious Turkish gadget.

Wonderful are the appliances by which ingenuity contrives to supply the evasions of idleness. We give one of them, as described by Mr. Albert Smith, in his "Month at Constantinople."

Wonderful are the inventions that creativity comes up with to fill the gaps left by boredom. We present one of them, as described by Mr. Albert Smith in his "Month at Constantinople."

Curious Turkish Contrivance

"Passing some cemeteries and public fountains, we came to the outskirts of the city, which consist chiefly of gardens producing olives, oranges, raisins and figs, irrigated by creaking water-wheels worked by donkeys. To one of these the droll contrivances which attracted our notice was affixed. The donkey who went round and round was blinded, and in front of him was a pole, one end of which was fixed to the axle and the other slightly drawn towards his head-gear and there tied: so that, from the spring he always thought somebody was pulling him on. The guide [Pg 682] told us that idle fellows would contrive some rude mechanism so that a stick should fall upon the animal's hind quarters at every round, and so keep him at work whilst they went to sleep under the trees."

"Passing some cemeteries and public fountains, we reached the edge of the city, which mainly consisted of gardens growing olives, oranges, raisins, and figs, watered by creaky water-wheels powered by donkeys. Attached to one of these was a funny device that caught our attention. The donkey going around in circles was blind, and in front of him was a pole, one end fixed to the axle and the other slightly pulled towards his harness and tied there: so that, from the tension, he always thought someone was pulling him forward. The guide [Pg 682] told us that lazy guys would create a simple mechanism that would strike the donkey's hindquarters with a stick every time he went around, keeping him working while they napped under the trees."

FIGURES OF DOGS ON ANCIENT TOMBS.

FIGURES OF DOGS ON ANCIENT TOMBS.

In attempting to assign a reason for the frequent occurrence of dogs at the feet of tombs, we shall most probably be right if we simply attribute the circumstance to the affection borne by the deceased for some animal of that faithful class. That these sculptured animals were sometimes intended for likenesses of particular dogs is evident. Sir Bryan Stapleton, on his brass at Ingham, Norfolk, rests one foot on a lion, the other on a dog; the name of the latter is recorded on a label, Jakke. Round the collar of a dog at the feet of an old stone figure of a knight, in Tolleshunt Knight's Church, Essex, letters were formerly traced which were supposed to form the word Howgo.

In trying to figure out why dogs are often found at tombs, it makes sense to think that it’s because the deceased had a strong bond with a dog. It’s clear that these carved dogs sometimes represent specific animals. For example, Sir Bryan Stapleton, on his brass at Ingham, Norfolk, has one foot resting on a lion and the other on a dog; the dog's name is noted on a label, Jakke. Around the collar of a dog at the feet of an old stone figure of a knight in Tolleshunt Knight's Church, Essex, there were previously letters that were thought to spell out Howgo.

In a dictionary of old French terms, we find that the word Gocet means a small wooden dog, which it was customary to place at the foot of the bed. Now it has been thought that something of this kind was intended in the representation of dogs on tombs, and that this support of the feet merely indicates the old custom of having that sort of wooden resting-place for the feet when in a recumbent position. But our first supposition appears the more natural, and is supported by the fact that a large proportion of these sculptured dogs, instead of being placed beneath the feet, are seated on the robe or train, looking upwards with the confidence of favourite animals. Judith, daughter of the Emperor Conrad, is represented on her tomb (1191) with a little dog in her right hand.

In a dictionary of old French terms, we find that the word Gocet means a small wooden dog, which was typically placed at the foot of the bed. It's been suggested that something like this was intended in the depiction of dogs on tombs, and that this foot support simply indicates the old practice of having that type of wooden resting place for the feet while lying down. However, our initial assumption seems more natural and is backed by the fact that a large number of these carved dogs, instead of being positioned beneath the feet, are seated on the robe or train, gazing up with the trust of beloved pets. Judith, daughter of Emperor Conrad, is depicted on her tomb (1191) holding a little dog in her right hand.

On the tomb of Sir Ralph de Rochford, in Walpole Church, Norfolk, his lady is by his side, dressed in a reticulated head-dress and veil, a standing cape to her robe, long sleeves buttoned to her wrists, a quatrefoil fastens her girdle, and a double necklace of beads hangs from her neck. At her feet is a dog looking up, and another couchant. In the chancel at Shernborne, Norfolk, the figure of Sir Thomas Shernborne's lady (1458) has at the right foot a small dog sitting, with a collar of bells.

On the tomb of Sir Ralph de Rochford, in Walpole Church, Norfolk, his lady is beside him, wearing a decorative headpiece and veil, a flowing cape over her robe, long sleeves buttoned at her wrists, a quatrefoil fastening her belt, and a double necklace of beads around her neck. At her feet is a dog looking up at her, and another dog lying down nearby. In the chancel at Shernborne, Norfolk, the figure of Sir Thomas Shernborne's lady (1458) has a small dog sitting at her right foot, wearing a collar of bells.

On a large antique marble in the chancel at Great Harrowden, Northamptonshire, are the portraits of a man in armour, and his wife in a winding sheet. The man stands on a greyhound, and the woman has at her feet two little dogs looking upwards, with bells on their collars. This monument is that of William Harwedon and Margery, daughter of Sir Giles St. John of Plumpton. She died in the twentieth year of Henry VI.

On a large antique marble in the chancel at Great Harrowden, Northamptonshire, are the portraits of a man in armor and his wife in a shroud. The man stands on a greyhound, and the woman has two little dogs at her feet looking up, with bells on their collars. This monument is for William Harwedon and Margery, daughter of Sir Giles St. John of Plumpton. She died in the twentieth year of Henry VI.

THE FATE OF THE LAST MAY-POLE IN THE STRAND.

THE FATE OF THE LAST MAY-POLE IN THE STRAND.

The May-pole, which had been set up in 1641, having long been in a state of decay, was pulled down in 1713, and a new one, with two gilt balls and a vane on the top of it, was erected in its stead. This did not continue long in existence; for, being in 1718 judged an obstruction, to the view of the church then building, orders were given by the parochial [Pg 683] authorities for its removal. Sir Isaac Newton begged it of the parish, and it was conveyed to Wanstead Park, where it long supported the largest telescope in Europe, belonging to Sir Isaac Newton's friend, Mr. Pound, the rector of Wanstead. It was 125 feet long; and presented to Mr. Pound by Mr. Huson, a French member of the Royal Society.

The Maypole, which had been put up in 1641, had fallen into disrepair and was taken down in 1713. A new one was built to replace it, featuring two gold balls and a weather vane on top. However, it didn't last long; by 1718, it was considered an obstruction to the view of the church that was being constructed, so local authorities ordered its removal. Sir Isaac Newton requested it from the parish, and it was transported to Wanstead Park, where it was used to support the largest telescope in Europe, owned by Sir Isaac Newton's friend, Mr. Pound, the rector of Wanstead. The telescope was 125 feet long and had been given to Mr. Pound by Mr. Huson, a French member of the Royal Society.

MEANS OF ATTRACTING CUSTOM.

Ways to attract customers.

Before houses were numbered, it was a common practice with tradesmen not much known, when they advertised, to mention the colour of their next neighbour's door, balcony, or lamp, of which custom the following copy of a handbill will present a curious instance:—

Before houses had numbers, tradesmen usually mentioned the color of their neighbor's door, balcony, or lamp in their advertisements. The following example of a handbill illustrates this interesting practice:—

"Next to the Golden Door, opposite Great Suffolk Street, near Pall Mall, at the Barber's Pole, liveth a certain person, Robert Barker, who having found out an excellent method for sweating or fluxing of wiggs; his prices are 2s. 6d. for each bob, and 3s. for every tye wigg and pigtail, ready money."

"Next to the Golden Door, across from Great Suffolk Street, near Pall Mall, at the Barber's Pole, lives a certain person, Robert Barker, who has discovered a great way to sweat or cleanse wigs; his prices are 2s. 6d. for each bob, and 3s. for every tye wigg and pigtail, cash only."

MUSIC OF THE HINDOOS.

Hindu Music.

Among the fine arts of India, music holds a distinguished place; and although its cultivation has declined, and but few are now found who have attained to eminence either in the science or art of this unequalled source of recreation, refinement, and pleasure, yet no people are more susceptible of its charms than the Hindoos. Reading is with them invariably, as with the Arabians and other Eastern nations, a species of recitativo, a sort of speaking music, delivered in dulcet though not measured tones. The recitation of lessons in a school or academy always takes this form. The man at the oar, women beating lime, the labourer engaged in irrigation, alike accompany their toil with song.

Among the fine arts of India, music occupies a special place; and although its practice has declined, and only a few have reached a high level in either the science or art of this unmatched source of enjoyment, refinement, and pleasure, no group is more responsive to its beauty than the Hindus. For them, reading is consistently, like for the Arabians and other Eastern nations, a type of recitativo, a kind of speaking music presented in sweet but not rhythmically measured tones. The recitation of lessons in a school or academy always takes this format. The man rowing, women grinding lime, and the laborer working in irrigation all sing while they work.

The word sangíta, symphony, as applied to music by the Hindoos, conveys the idea of the union of voices, instruments, and action. Musical treatises accordingly treat of gáná, vádya, uritya, or song, percussion, and dancing; the first comprising the measures of poetry; the second, instrumental sounds; and the third, theatrical representation. The ancient dramas of the Hindoo exhibited the union of these in their unequalled poetry, modulated with the accompaniments of voice, and instruments, and the attractions of appropriate scenery.

The term sangíta, or symphony, used in reference to music by Hindus, represents the idea of combining voices, instruments, and action. Consequently, musical texts focus on gáná, vádya, uritya, or song, percussion, and dancing; the first covers the patterns of poetry, the second deals with instrumental sounds, and the third involves theatrical performance. The ancient Hindu dramas showcased this combination in their unparalleled poetry, enhanced with vocal and instrumental accompaniment, along with visually appealing scenery.

The music of the Hindoos includes eighty-four modes, each supposed to have a peculiar expression, capable of moving some particular sentiment or affection. The modes take their denomination from the seasons, or from the hours of day or night. Musical composition is supposed capable of adaptation to the different periods of the day, and therefore its provisions are regulated by the hours. The ideas of the Hindoos on music, as promoting the pleasures of imagination, may be inferred from the names applied by ancient authors to their musical treatises. One is called Rágárnava, the Sea of the Passions; another, Rágaderpana, the Mirror of Modes; and a third, Sóbhavinóda, the Delight of Assemblies; a fourth, Sangítaderpana, the Mirror of Song; and another, Rágavibódha, the Doctrine of Musical Modes. Some of these works explain the law of musical sounds, their divisions and succession, variations of scales by [Pg 684] temperament, and the enunciation of modes; besides a minute description of the different vínás (lute), and the rules for playing them. This is a fretted instrument of the guitar kind, usually having seven wires or strings, and a large gourd at each end of the finger-board. Its extent is two octaves, and its invention is attributed to Náredá, the son of Brahma. There are many varieties, named according to the number of their strings. Of one of them we give an engraving below.

The music of the Hindus includes eighty-four modes, each believed to express a specific emotion or feeling. The modes are named after the seasons or the times of day or night. Musical composition is thought to be tailored to different times of the day, so it's organized according to the hours. The Hindus' views on music as enhancing the pleasures of imagination can be seen in the titles of their ancient musical texts. One is called Rágárnava, meaning the Sea of the Passions; another is Rágaderpana, the Mirror of Modes; a third is Sóbhavinóda, the Delight of Assemblies; a fourth is Sangítaderpana, the Mirror of Song; and another is Rágavibódha, the Doctrine of Musical Modes. Some of these works explain the laws of musical sounds, their divisions and sequences, variations of scales by [Pg 684] temperament, and the articulation of modes, along with a detailed description of the different vínás (lute) and the rules for playing them. This is a fretted instrument similar to a guitar, typically having seven wires or strings and a large gourd at each end of the fingerboard. Its range is two octaves, and its invention is credited to Náredá, the son of Brahma. There are many varieties, named based on the number of their strings. We provide an engraving of one of them below.

Music, like everything else connected with India, is invested with divine attributes. From the sacred Veda was derived the Upaveda, or subsidiary Veda of the Gandharbas, the heavenly choristers. The art was communicated to mortals by Sarasvati, the consort of Brahma. She, as before stated, is the patroness of the fine arts, the goddess of speech. Their son, an ancient lawgiver and astronomer, invented the Víná. The first inspired man, Bherat, invented the Drama.

Music, like everything else related to India, has divine qualities. The sacred Veda led to the Upaveda, or the associated Veda of the Gandharbas, the heavenly singers. This art was passed down to humans by Sarasvati, the partner of Brahma. As mentioned earlier, she is the patron of the fine arts and the goddess of speech. Their son, an ancient lawmaker and astronomer, created the Víná. The first inspired individual, Bherat, developed Drama.

Music of the Hindoos

PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND DECCLES.

PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND DECCLES.


FOOTNOTES:

[1] Thus we have the origin of Twelfth-day.

[1] So that's where Twelfth Day comes from.

[2] A good specimen was demolished at Tottenham not long ago.

[2] A great example was destroyed at Tottenham recently.

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London: George Routledge & Sons, Limited.

London: George Routledge & Sons, Limited.


Transcriber's Note:

  • Minor typographical errors have been corrected without note.
  • Punctuation and spelling were made consistent when a predominant preference was found in this book; otherwise they were not changed.
  • Ambiguous hyphens at the ends of lines were retained.
  • Mid-paragraph illustrations have been moved between paragraphs and some illustrations have been moved closer to the text that references them. The Index to Engravings paginations were not corrected.
  • The links for some incorrect index entries have been remedied, but others may remain, as the index was not checked for accuracy.
  • VARIANTS UNCHANGED:
    • Pages xiii and 201: Colebrook and Colebroke.
    • Page 51: Tchang-tchin and Tchang-tching.
    • Pages 108, 390 and others: Southwark and Southwarke.
    • Pages 498 and 571: Mahomed, Mahommed and Mahomet.
    • Pages 298, 306 and others: Hindostan and Hindoostan.
    • Pages 322 and 452: Rossellina, Rosselini and Rossellini.
    • Pages 370 and 371: ivil and ivel.
    • Pages 432, 537 and others: Brama and Brahma.
    • Pages 416 and 422: Bolinbroke and Bollinbroke.
    • Pages 634 and 635: Clothseck and clothsek; Gambaldyn and gambaldynge.
    • Page 635: Krees and Kreez.
    • Multiple pages: Shakespere/Shakspeare/Shakspere.
  • OTHER NOTES:
    • Pages v and xi: Removed entry "Architecture for Earthquakes" as no such engraving or description could be found.
    • Page 85: bénéficiare changed to bénéficiaire.
    • Page 128: Hatherly changed to Hatherley.
    • Page 246: Sackvile changed to Sackville.
    • Page 250: Clarencieux changed to Clarenceux.
    • Page 330: Shaftsbury to Shaftesbury.
    • Page 339: Hasselquiet changed to Hasselquist.
    • Page 346: + IONA + IHOAT + IONA + HELOI + YSSARAY + 11 +
      MEPHENOLPHETON + AGLA + ACHEDION + YANA +
      BACHIONODONAVALI M ILIOR + 11 BACHIONODONAVLI M ACH +
      updated to
      + IONA + IHOAT + LONA + HELOI + YSSARAY + || +
      MEPHENOLPHETON + AGLA + ACHEDION + YANA +
      BACHIONODONAVALI [M*]  ILIOR + || BACHIONODONAVALI [M**] ACH  +
      [M*] denotes counter-clockwise rotated M and [M**] clockwise rotated M. Also rendered in other texts as the letter Z or the number 3. Sources: Thomas R. Forbes, "Verbal Charms in British Folk Medicine." Proceedings of the American Philosophical Society, Vo. 115, August 20, 1971, p. 308.  And Frederick W. Fairholt, Ancient, Medieval, and Renaissance Remains in the Possession of Lord Londesborough. Drawn, Engraved and Described by Frederick W. Fairholt. London: Chapman and Hall, 1857, p. 83.
    • Page 451: Strasburgh changed to Strasburg.
    • Page 502: "drake coloured satin, and [illegible word] coloured satin." Changed to "drake coloured satin, and [...] coloured satin."
    • Page 546: "into his elar;" changed to "into his celar.
    • Pages 549-550: "the slaughtered sun hulls become...." "hulls" changed to "bulls."
    • Page 550: "according the the indication" changed to "according to the indication."
    • Page 558: "as with the [illegible word]" changed to "as with the [...]."
    • Page 630: "It said to have been made...." changed to "It was said to have been made...."

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