This is a modern-English version of Jungle Folk: Indian Natural History Sketches, originally written by Dewar, Douglas. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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Jungle Folk: Indian Natural History Sketches, by Douglas Dewar

JUNGLE FOLK

INDIAN NATURAL HISTORY
SKETCHES BY DOUGLAS DEWAR

INDIAN NATURAL HISTORY
SKETCHES BY DOUGLAS DEWAR

LONDON: JOHN LANE THE BODLEY HEAD
NEW YORK: JOHN LANE COMPANY MCMXII

LONDON: JOHN LANE THE BODLEY HEAD
NEW YORK: JOHN LANE COMPANY 1912

WM. BRENDON AND SON, LTD., PRINTERS, PLYMOUTH

WM. BRENDON AND SON, LTD., PRINTERS, PLYMOUTH

[v]


INTRO

It is not of the bigger jungle folk that I write—of lions, tigers, leopards, bears, bison, or even deer and antelopes; for of these it is vouchsafed to no man—not even to the shikari, who spends years in the jungle—to obtain more than an occasional fleeting glimpse.

It’s not the larger jungle animals I’m writing about—lions, tigers, leopards, bears, bison, or even deer and antelopes; because no man—not even the shikari, who spends years in the jungle—can hope to see more than a rare, quick sighting of them.

The subjects of my theme are the lesser fry—vivacious mynas, noisy babblers, vociferous cuckoos, silent herons, beautiful pittas, graceful wagtails, elegant terns, melodious rock-chats, cheeky squirrels.

The subjects of my theme are the smaller creatures—energetic mynas, loud babblers, boisterous cuckoos, quiet herons, stunning pittas, delicate wagtails, sleek terns, tuneful rock-chats, mischievous squirrels.

A cheery crowd are these. The man who passes his days in India without knowing them misses much of the pleasure of life.

A cheerful crowd, these people are. The man who spends his days in India without getting to know them misses out on a lot of the joy in life.

D. DEWAR.

D. DEWAR.

[vi]

CONTENTS

PAGE
I.Of Indian Birds in General 3
II.Respectable Cuckoos 9
III.The Brown Rock-Chat 16
IV.The Scavenger-in-Waiting 21
V.Indian Wagtails 28
VI.The Teesa 32
VII.Falconry in India 37
VIII.Hawks in Miniature 45
IX.The Roosting of the Bee-Eaters 51
X.Owls 56
XI.A Bundle of Iniquity 62
XII.The Interpretation of the Actions of Animals 68
XIII.At the Sign of the Farash 72
XIV.The Coot 78
XV.The Beautiful Porphyrio 84
XVI.The Cobra 89
XVII.The Mungoose 94
XVIII.The Swan 99
XIX.Kites of the Sea 104
XX.River Terns 110
XXI.Green Bulbuls 116
XXII.Cormorants 121
XXIII.A Melodious Drongo 126
XXIV.The Indian Pitta 132
XXV.The Indian White-eye 137
XXVI.Goosey, Goosey Gander 143
XXVII.Geese in India 149
XXVIII.A Swadeshi Bird 154
XXIX.The Indian Redstart 160
XXX.The Night Heron 165
XXXI.The Cement of Bird Masons 171
XXXII.Indian Fly-Catchers 178
XXXIII.Insect Hunters 184
XXXIV.The Rosy Starling 192
XXXV.The Pied Starling 197
XXXVI.A Bird of the Open Plain 202
XXXVII.Birds in the Cotton Tree 208
XXXVIII.Ugly Ducklings 214
XXXIX.Babbler Brotherhoods 220
XL.The Mad Babbler 227
XLI.The Yellow-eyed Babbler 233
XLII.The Indian Sand-Martin 237
XLIII.The Education of Young Birds 243
XLIV.Birds at Sunset 253
Glossary 261
Index 265

JUNGLE FOLK

[3]


I
OF INDIAN BIRDS IN GENERAL

Literary critics seem to be agreed that we who write about Indian birds form a definite school. “Phil Robinson,” they say, “furnished, thirty years ago, a charming model which all who have followed him in writing seem compelled to copy more or less closely.” Mr. W. H. Hudson remarks: “We grow used to look for funny books about animals from India, just as we look for sentimental natural history books from America.”

Literary critics seem to agree that those of us who write about Indian birds belong to a specific group. “Phil Robinson,” they say, “provided a delightful model thirty years ago that everyone who has come after him feels the need to imitate to some extent.” Mr. W. H. Hudson notes: “We’ve come to expect humorous books about animals from India, just as we anticipate sentimental natural history books from America.”

In a sense this criticism is well founded. Popular books on Indian ornithology resemble one another in that a ripple of humour runs through each. But the critics err when they attempt to explain this similarity by asserting that Anglo-Indian writers model themselves, consciously or unconsciously, on Phil Robinson, or that they imitate one another. The mistake made by the critics is excusable. When each successive writer discourses in the same peculiar style the obvious inference is that the later ones are guilty of more or less [4] unconscious plagiarism. The majority of literary critics in England have not enjoyed the advantage of meeting our Indian birds in the flesh. To those who do possess this advantage it is clear that the Indian birds themselves are responsible for our writings being “funny.” We naturalists merely describe what we see. The avifauna of every country has a character of its own. Mr. John Burroughs has remarked that American birds as a whole are more gentle, more insipid than the feathered folk in the British Isles. Still greater is the contrast between English and Indian birds. The latter are to the former as wine is to water.

In a way, this criticism is justified. Popular books on Indian birds are similar in that they all have a touch of humor. However, critics are wrong when they say this similarity comes from Anglo-Indian writers consciously or unconsciously copying Phil Robinson, or that they are simply imitating each other. It’s understandable that critics make this mistake. When each new writer uses the same unique style, it’s easy to think that the later writers are somewhat unconsciously plagiarizing. Most literary critics in England haven't had the chance to observe our Indian birds in person. But for those who have, it’s clear that the Indian birds themselves are what makes our writing “funny.” We naturalists just describe what we see. The birdlife in every country has its own character. Mr. John Burroughs has noted that American birds, as a whole, are gentler and less exciting than the birds in the British Isles. The difference between English and Indian birds is even greater. The latter are to the former what wine is to water.

India is peculiarly rich in birds of character. It is the happy hunting-ground of that unique fowl, Corvus splendens—the splendid crow—splendid in sagacity, resource, adaptiveness, boldness, cunning, and depravity; a Machiavelli, a Shakespeare among birds, a super-bird. The king crow (Dicrurus ater) is another superlative. He is the Black Prince of the bird kingdom. He is the embodiment of pluck. The thing in feathers of which he is afraid has yet to be evolved. Like the mediæval knight, he goes about seeking those upon whom he can perform some small feat of arms.

India is uniquely rich in distinctive birds. It's the perfect home for the remarkable bird, Corvus splendens—the splendid crow—renowned for its intelligence, resourcefulness, adaptability, boldness, cunning, and wickedness; a Machiavelli, a Shakespeare among birds, a true super-bird. The king crow (Dicrurus ater) is another standout. He is the Black Prince of the bird world. He embodies courage. The thing he fears has yet to be created. Like a medieval knight, he roams around looking for opportunities to showcase his skills.

When we turn to consider the more outward characteristics of birds, the peacock, the monal pheasant, the “blue jay,” the oriole, the white-breasted kingfisher, the sunbird, the little green bee-eater, and a host of others rise up before us. Of these some, showily resplendent, compel attention and admiration; others of quieter hues possess a beauty which cannot be appreciated unless they be held in the hand and each [5] feather minutely examined. At the other extreme stands the superlative of hideousness, the ugliest bird in the world—Neophron ginginianus, the scavenger vulture. The bill, the naked face, and the legs of this creature are a sickly yellow. Its plumage is dirty white, with the exception of the ends of the wing feathers, which are shabby black. Its shape is displeasing to the eye, and its gait is an ungainly waddle. Yet even this fowl looks almost beautiful as it sails on outstretched pinions, high in the heaven. Between the extremely beautiful and the extremely ugly birds we meet with another class of superlatives—the extremely grotesque. This class is well represented in India. The great hornbill—Dichoceros bicornis—and the adjutant—Leptoptilus dubius—are birds which would take prizes in any exhibition of oddities. The former is nearly four and a half feet in length. The body is only fourteen inches long, being an insignificant part of the bird, a mere connecting link between the massive beak and the great, loosely inserted tail. The beak is nearly a foot in length, and is rendered more conspicuous than it would otherwise be by a structure known as the casque. This is a horny excrescence, nearly as large as the bill, which causes the bird to look as though it were wearing a hat which it had placed for a joke on its beak rather than on its head. The eye is red, and the upper lid is fringed with eyelashes, which add still further to the oddity of the bird’s appearance. The creature has an antediluvian air, and one feels when contemplating it that its proper companions are the monsters that lived in prehistoric times. The actions [6] of the hornbill are in keeping with its appearance. It is the clown of the forest.

When we take a look at the more noticeable features of birds, the peacock, the monal pheasant, the "blue jay," the oriole, the white-breasted kingfisher, the sunbird, the little green bee-eater, and many others come to mind. Some of these birds, brightly colored and showy, grab our attention and admiration; while others, with their subtle tones, have a beauty that can only be appreciated when held in hand and each feather closely examined. On the other end of the spectrum is the epitome of ugliness, the most hideous bird in the world—Neophron ginginianus, the scavenger vulture. Its beak, bare face, and legs are an unappealing yellow. Its feathers are a dirty white, except for the tips of its wing feathers, which are a shabby black. Its shape is not pleasing to look at, and it waddles awkwardly. Yet even this bird looks somewhat beautiful as it glides with outstretched wings, high in the sky. Between the extremely beautiful and the extremely ugly birds, we find another category of superlatives—the extremely grotesque. This category is well represented in India. The great hornbill—Dichoceros bicornis—and the adjutant—Leptoptilus dubius—are birds that would win awards in any oddity showcase. The former measures nearly four and a half feet in length, but its body is only fourteen inches long, making it a small part of the bird, merely a link between its massive beak and its large, loosely attached tail. The beak is almost a foot long and stands out even more due to a structure called the casque. This is a bony growth nearly the size of the beak, which makes the bird look as if it’s wearing a hat placed jokingly on its beak instead of its head. The eye is red, and the upper lid has eyelashes, which further adds to the bird’s odd appearance. It has an ancient look, and one feels that its rightful companions are the creatures that roamed in prehistoric times. The hornbill's behavior matches its appearance; it’s the clown of the forest.

Even more grotesque is the adjutant. This is a stork with an enormous bill, a tiny head, and long neck, both innocent of feathers. From the front of the neck hangs a considerable pouch, which the bird can inflate at will. Round the base of the neck is a ruff of white feathers that causes the bird to look as though it had donned a lady’s feather boa. It is the habit of the adjutant to stand with its head buried in its shoulders, so that, when looked at from behind, it resembles a hunch-backed, shrivelled-up old man, wearing a grey swallow-tailed coat. It looks still more ludicrous when it varies the monotony of life by kneeling down; its long shanks are then stretched out before it, giving the idea that they have been mistakenly inserted hind part foremost! Its movements partake of the nature of a cake-walk. “For grotesque devilry of dancing,” writes Lockwood Kipling, “the Indian adjutant beats creation. Don Quixote or Malvolio were not half so solemn or mincing, and yet there is an abandonment and lightness of step, a wild lift in each solemn prance, which are almost demoniacal. If it were possible for the most angular, tall, and demure of elderly maiden ladies to take a great deal too much champagne, and then to give a lesson in ballet dancing, with occasional pauses of acute sobriety, perhaps some faint idea might be conveyed of the peculiar quality of the adjutant’s movements.” If the hornbill be the clown of the forest, the adjutant is the buffoon of the open plain.

Even more bizarre is the adjutant. This is a stork with a huge bill, a small head, and a long neck, both completely featherless. Hanging from the front of its neck is a large pouch that the bird can inflate whenever it wants. Around the base of its neck is a ruff of white feathers that makes it look like it's wearing a fancy feather boa. It’s typical for the adjutant to stand with its head tucked into its shoulders, so that when viewed from behind, it resembles a hunchbacked, shriveled old man in a grey swallow-tailed coat. It looks even more ridiculous when it changes things up by kneeling; its long legs then stretch out in front of it, making it seem like they were put in incorrectly! Its movements resemble a cake-walk. “For bizarre dancing," writes Lockwood Kipling, “the Indian adjutant is unmatched. Don Quixote or Malvolio weren't nearly as serious or prissy, and yet there’s a wild abandon and lightness in each solemn stride that feels almost devilish. If it were possible for the most angular, tall, and prim of elderly maidens to drink too much champagne and then teach ballet with sudden moments of acute sobriety, maybe we could get a hint of the unique quality of the adjutant's movements.” If the hornbill is the clown of the forest, the adjutant is the jester of the open plains.

Consider for a little avine craftsmanship, and you [7] will find no lack of superlatives among our Indian birds. The weaver-bird (Ploceus baya), the wren-warbler (Prinia inornata) are past masters of the art of weaving. The tailor-bird (Orthotomus sutorius), as its name implies, has brought the sartorial art to a pitch of perfection which is not likely to be excelled by any creature who has no needle other than its beak.

Think about the exceptional craftsmanship of our Indian birds, and you'll see there's no shortage of praise. The weaver-bird (Ploceus baya) and the wren-warbler (Prinia inornata) are experts in the art of weaving. The tailor-bird (Orthotomus sutorius), as its name suggests, has perfected the art of sewing to a level that is unlikely to be surpassed by any creature that only uses its beak as a needle.

If there be any characteristic in which Indian birds are not pre-eminent it is perhaps the art of singing. A notion is abroad that Indian birds cannot sing. They are able to scream, croak, and make all manner of weird noises, but to sing they know not how. This idea perhaps derives its origin from Charles Kingsley, who wrote: “True melody, it must be remembered, is unknown, at least at present, in the tropics and peculiar to the races of those temperate climes into which the song-birds come in spring.” This is, of course, absurd. Song-birds are numerous in India. They do not make the same impression upon us as do our English birds because their song has not those associations which render dear to us the melody of birds in the homeland. Further, there is nothing in India which corresponds to the English spring, when the passion of the earth is at its highest, because there is in that country no sad and dismal winter-time, when life is sluggish and feeble. The excessive joy, the rapture, the ecstasy with which we greet the spring in the British Isles is, to a certain extent, a reaction. There suddenly rushes in upon the songless winter a mighty chorus, a tumult of birds to which we can scarcely fail to attach a fictitious value. India possesses some song-birds which can hold their [8] own in any company. If the shama, the magpie-robin, the fan-tailed fly-catcher, the white-eye, the purple sunbird, the orange-headed ground thrush, and the bhimraj visited England in the summer, they would soon supplant in popular favour some of our British song-birds.

If there's one thing Indian birds might not be famous for, it's singing. There's a common belief that Indian birds can't sing. They can scream, croak, and make all sorts of strange sounds, but singing seems to be beyond them. This idea probably comes from Charles Kingsley, who wrote, "True melody, it must be remembered, is unknown, at least at present, in the tropics and peculiar to the races of those temperate climates into which the songbirds come in spring." This is, of course, ridiculous. There are plenty of songbirds in India. They don't leave the same impression on us as our English birds because their songs lack the associations that make the melodies of birds back home so special to us. Also, there's nothing in India that corresponds to the English spring, when nature bursts into life, as there’s no harsh winter season that makes life feel slow and weak. The overwhelming joy, excitement, and thrill we feel as we welcome spring in the British Isles is, to some extent, a reaction. Suddenly, a vibrant chorus of birds breaks the silence of winter, and we can't help but give it extra significance. India has its own songbirds that can compete with any. If the shama, the magpie-robin, the fan-tailed flycatcher, the white-eye, the purple sunbird, the orange-headed ground thrush, and the bhimraj visited England in the summer, they would quickly become more popular than some of our British songbirds.

Another feature of the Indian avifauna is its richness in species. Oates and Blanford describe over sixteen hundred of these. To the non-ornithological reader this may not convey much. He will probably obtain a better idea of the wealth of the Indian avifauna when he hears that among Indian birds there are numbered 108 different kinds of warbler, 56 woodpeckers, 30 cuckoos, 28 starlings, 17 butcher-birds, 16 kingfishers, and 8 crows. The wealth of the fauna is partly accounted for by the fact that India lies in two of the great divisions of the ornithological world. The Himalayas form part of the Palæarctic region, while the plains are included in the Oriental region.

Another aspect of India's birdlife is its richness in species. Oates and Blanford detail over sixteen hundred of these. To someone who isn't familiar with birds, this might not mean much. They will likely get a better sense of the diversity of India's birds when they learn that there are 108 different types of warblers, 56 woodpeckers, 30 cuckoos, 28 starlings, 17 butcher-birds, 16 kingfishers, and 8 crows. This abundance can be partly explained by the fact that India is situated within two major bird regions. The Himalayas are part of the Palearctic region, while the plains fall under the Oriental region.

Finally, Indian birds generally are characterised by their fearlessness of man. It is therefore comparatively easy to study their habits. I can count no fewer than twenty different species which, during past nesting seasons, have elected to share with me the bungalow that I happened to occupy. Is it then surprising that an unbounded enthusiasm should pervade the writings of all Indian naturalists, that these should constantly bubble over with humour? The materials on which we work are superior to those vouchsafed to the ornithologists of other countries. Our writings must, therefore, other things being equal, excel theirs.

Finally, Indian birds are typically known for their fearlessness around humans. This makes it relatively easy to observe their behaviors. I can count at least twenty different species that, during previous nesting seasons, chose to share the bungalow I was staying in. Is it any wonder that a deep enthusiasm fills the writings of all Indian naturalists, often overflowing with humor? The resources we have are better than those available to ornithologists in other countries. Therefore, our writings should, all else being equal, surpass theirs.

[9]


II
RESPECTABLE CUCKOOS

The general public derives its ideas regarding the manners and customs of the cuckoos from those of Cuculus canorus, the only species that patronises the British Isles. “The Man in the Street,” that unfortunate individual who seems never by any chance to catch hold of the right end of the stick, is much surprised, or is expected to express great surprise, when he is informed that some cuckoos are not parasitic, that not a few of them refuse to commit their eggs and young ones to the tender mercies of strangers. The non-parasitic cuckoos build nests, lay eggs and sit on them, as every self-respecting bird should do. All the American species of cuckoo lead virtuous lives in this respect. But the Western Hemisphere has its evil-living birds, for many cow-birds—near relatives of the starlings—lay their eggs in the nests of their fellow-creatures; some of them go so far as to victimise the more respectable members of their own brotherhood.

The general public gets its ideas about the behavior and habits of cuckoos from Cuculus canorus, the only species found in the British Isles. “The Man in the Street,” that poor guy who always seems to misunderstand things, is usually shocked, or is expected to be shocked, when he finds out that some cuckoos aren't parasitic and that quite a few of them take care of their own eggs and chicks instead of leaving them to strangers. Non-parasitic cuckoos build nests, lay eggs, and incubate them, just like any self-respecting bird should. All American cuckoo species lead respectable lives in this way. However, the Western Hemisphere does have its troublemaking birds, as many cowbirds—close relatives of starlings—lay their eggs in the nests of other birds; some even go so far as to target the more respectable members of their own species.

There are several upright cuckoos among our Indian birds, so that there is no necessity for us to go to America in order to study the ways of the non-parasitic species of cuckoo.

There are several upright cuckoos among our Indian birds, so we don't need to go to America to study the behavior of the non-parasitic species of cuckoo.

[10]

First and foremost among these is our familiar friend the coucal, or crow-pheasant (Centropus sinensis), known also as the lark-heeled cuckoo, because the hindmost of its toes has a long straight claw, like that of the lark. This cuckoo is sometimes dubbed the “Griff’s pheasant,” because the new arrival in India frequently mistakes the bird for a pheasant, and thereby becomes the laughing-stock of the “Koi-Hais.”

First and foremost among these is our familiar friend the coucal, or crow-pheasant (Centropus sinensis), also known as the lark-heeled cuckoo because the toe at the back has a long, straight claw, similar to a lark's. This cuckoo is sometimes called “Griff’s pheasant” because newcomers in India often mistake it for a pheasant, making them the target of jokes among the “Koi-Hais.”

It always seems to me that it is not quite fair to poke fun at one who makes this mistake. A man cannot be expected to know by instinct which birds are pheasants and which are not. The coucal is nearly as large as some species of pheasant, and rejoices in a tail fully ten inches long; moreover, the bird is usually seen walking on the ground. Further, Dr. Blanford states that crow-pheasants are regarded as a great delicacy by Indian Mohammedans, and by some Hindu castes. I have never partaken of the flesh of the coucal, and those Europeans who have done so do not seem anxious to repeat the experiment. Its breast is smaller than that of a dak bungalow murghi, for its wing muscles are very small. As to its flavour, Col. Cunningham informs us, in his volume Some Indian Friends and Acquaintances, that “a young fellow, who had recently arrived in the country, complained with good reason of the evil flavour of a ‘pheasant’ that one of his chums had shot near a native village, and had, much to the astonishment of the servants, brought home to be cooked and partaken of as a game-bird.” There is an allied species of crow-pheasant, which is still more like a long-tailed game-bird, so much so that it is known [11] to zoologists as Centropus phasianus. Here, then, we have examples of cuckoos which resemble other species and suffer in consequence. What have those naturalists who declare that mimicry is due to natural selection to say to this?

It always seems unfair to make fun of someone who makes this mistake. A person can't be expected to instinctively know which birds are pheasants and which aren't. The coucal is almost as big as some pheasant species and has a tail that’s a full ten inches long; plus, the bird is usually seen walking on the ground. Furthermore, Dr. Blanford notes that crow-pheasants are considered a delicacy by Indian Muslims and some Hindu groups. I’ve never tried coucal meat, and those Europeans who have don’t seem eager to try it again. Its breast is smaller than that of a dak bungalow murghi, since its wing muscles are quite small. Regarding its taste, Col. Cunningham tells us in his book Some Indian Friends and Acquaintances that “a young man, who had just arrived in the country, complained justifiably about the bad taste of a ‘pheasant’ that one of his friends had shot near a village and, much to the surprise of the servants, brought home to be cooked and eaten as a game bird.” There’s a related species of crow-pheasant that looks even more like a long-tailed game bird, so much so that zoologists call it Centropus phasianus. So, here we have examples of cuckoos that resemble other species and suffer because of it. What do those naturalists who claim that mimicry is the result of natural selection have to say about this?

The crow-pheasant is an easy bird to identify. The wings are chestnut in colour, while all the remainder of the plumage is black with a green or purple gloss.

The crow-pheasant is a bird that's easy to spot. Its wings are chestnut in color, while the rest of its feathers are black with a green or purple sheen.

But for the fact that the brown wings do not match well with the rest of the plumage, I should call the coucal a handsome bird. This, however, is not “Eha’s” view.

But because the brown wings don't really go with the rest of the feathers, I would call the coucal a good-looking bird. However, this isn't "Eha's" perspective.

The crow-pheasant is widely distributed in India, being found in gardens, in cultivated fields, and in the jungle. All the bird demands is a thicket or hedgerow in which it can take cover when disturbed. It does not wander far from shelter, for it is a poor flier. Its diet is made up chiefly of insects, but not infrequently it captures larger quarry in the shape of scorpions, lizards, small snakes, and the like delicacies. Probably freshwater mollusca and crustacea do not come amiss to the bird, for on occasions I have seen it wading in a nearly dried-up pond. It certainly picks much of its food from off the ground, but, as it is often seen in trees, and is able to hop from branch to branch with considerable address, I am inclined to think that it sometimes feeds on the caterpillars and other creeping things that lurk on the under surface of leaves. I have never actually observed it pick anything off a leaf, for the coucal is of a retiring disposition. Like some public personages, it declines to be interviewed.

The crow-pheasant is commonly found throughout India, showing up in gardens, farmland, and forests. All this bird needs is some bushes or a hedgerow for cover when it feels threatened. It doesn't stray far from its hiding spots since it isn't a strong flier. Its diet mainly consists of insects, but it also occasionally goes after larger prey like scorpions, lizards, small snakes, and similar treats. Freshwater mollusks and crustaceans likely appeal to the bird too, as I've seen it wading in a nearly dried-up pond. It definitely gathers a lot of its food from the ground, but since it's often spotted in trees and can hop from branch to branch quite skillfully, I believe it sometimes eats caterpillars and other critters hiding on the underside of leaves. I've never actually seen it pick anything off a leaf, as the coucal tends to be shy. Like certain public figures, it avoids being in the spotlight.

[12]

Its call is a very distinctive, sonorous Whoot, whoot, whoot, and, as the bird habitually calls a little before dawn in the early part of the hot weather, its voice is doubtless often attributed to some species of owl.

Its call is a very distinctive, resonant Whoot, whoot, whoot, and since the bird usually calls a bit before dawn during the early part of the warm season, its voice is often mistakenly attributed to some kind of owl.

The nest is, we are told, globular in shape, considerably larger than a football, composed of twigs and grass and lined with dried leaves. The entrance consists of an aperture at one side. I must confess that I have not yet seen any of the creature’s nests. I have located several, but each one of these has been placed in the midst of a dense thicket, which, in its turn, has been situated in the compound of one of my neighbours. The only way of bringing a nest built in such a position to human view is by pulling down the greater part of the thicket. This operation is not feasible when the thicket in question happens to be in the garden of a neighbour.

The nest is said to be round and much larger than a football, made up of twigs and grass, and lined with dried leaves. The entrance is an opening on one side. I have to admit that I haven't actually seen any of the creature's nests. I've found several, but each one is hidden in a dense thicket that's located in my neighbor's yard. The only way to get a glimpse of a nest like that is by tearing down most of the thicket. That isn’t really possible when the thicket is in someone else's garden.

Large though the nest is, it is not sufficiently commodious to admit the whole of the bird, so that the long tail of the sitting crow-pheasant projects outside the nest. “When in this position,” writes Hume, “the bird is about as defenceless as the traditional ostrich which hid its head in the sand.” This remark would certainly be justified were the crow-pheasant to build its nest in mid-desert, but I fail to see how it applies when the nest is in the middle of a thicket into which no crow or other creature with tail-pulling propensities is likely to penetrate. “In Australia,” continues Hume, “the coucal manages these things far better. There, we are told, ‘The nest, which is placed in the midst of a tuft of grass, is of a large size, composed of dried grasses, [13] and is of a domed form, with two openings, through one of which the head of the female protrudes while sitting, and her tail through the other.’ On the other hand, the Southern Chinese coucal, which Swinhoe declares to be identical with ours, goes a step further, and gets rid of the dome altogether.”

Although the nest is large, it’s not big enough to fit the entire bird, causing the long tail of the sitting crow-pheasant to stick out. “In this position,” Hume writes, “the bird is about as defenseless as the classic ostrich that hides its head in the sand.” This comment would definitely make sense if the crow-pheasant built its nest in the middle of a desert, but I don’t see how it applies when the nest is situated in a thicket where no crow or other animal likely to pull tails can get in. “In Australia,” Hume continues, “the coucal handles these situations much better. There, we’re told, ‘The nest, which is located in a clump of grass, is quite large, made of dried grasses, and has a domed shape, with two openings—one for the female’s head to stick out while she sits and the other for her tail.’ Meanwhile, the Southern Chinese coucal, which Swinhoe claims is the same as ours, takes it a step further and eliminates the dome entirely.”

Young crow-pheasants are of exceptional interest. Three distinct varieties have been described. In some the plumage is barred throughout. Jerdon supposed that these are all young females. Other young birds are like dull-coloured adults; these are smaller than the barred forms, and sometimes progress by a series of hops, instead of adopting the strut so characteristic of the species. These dull-coloured birds are very wild, whereas the barred ones are usually easily tamed. This interesting fact was pointed out by Mr. Frank Finn in his delightful volume Ornithological and Other Oddities. Jerdon regards these as young cocks. The third variety is coloured exactly like the adult. Finn does not accept Jerdon’s view, for, as he points out, the three forms differ in habits, and the barred and dull-coloured forms do not appear to occur in the same brood; the young in any given nest are either all barred, or all dull-coloured, or all like the adults in colour. So that if the barred and dull-plumaged birds represent different sexes, then all the individuals of a brood must be of the same sex. Instances of this phenomenon have been recorded, but they appear to be very rare. Finn therefore thinks that the three varieties of young correspond to three races. In this connection it is of interest to note that Hume divided this species into [14] three: Centropus rufipennis, found in the Indian Peninsula and Ceylon; C. intermedius, which occurs in Eastern Bengal, Assam, and Burma; and C. maximus, that inhabits Northern India and Sind. Blanford, while uniting all these into one species, says, “unquestionably these are all well-marked races.”

Young crow-pheasants are really interesting. Three different types have been identified. In some, the feathers are barred all over. Jerdon believed that these are all young females. Other young birds look like dull-colored adults; these are smaller than the barred ones and sometimes move by hopping instead of strutting, which is typical for the species. These dull-colored birds are quite wild, while the barred ones are usually easy to tame. Mr. Frank Finn pointed out this interesting fact in his charming book Ornithological and Other Oddities. Jerdon thinks these are young males. The third variety looks exactly like the adults. Finn doesn’t agree with Jerdon’s perspective because, as he mentions, the three forms have different behaviors, and the barred and dull-colored birds don't seem to come from the same brood; the young in any given nest are either all barred, all dull-colored, or all look like the adults. So, if the barred and dull-plumaged birds represent different sexes, then all individuals in a brood must be the same sex. There have been reports of this happening, but they seem to be very rare. Finn therefore believes that the three types of young correspond to three races. In this context, it’s interesting to note that Hume divided this species into three: Centropus rufipennis, which is found in the Indian Peninsula and Ceylon; C. intermedius, found in Eastern Bengal, Assam, and Burma; and C. maximus, which lives in Northern India and Sind. Blanford, while grouping all these into one species, says, “unquestionably these are all well-marked races.”

Finn had brought to him in Calcutta barred and dull-coloured young birds, these possibly correspond to the rufipennis and intermedius races. The matter needs further investigation.

Finn brought him some young birds in Calcutta that were barred and dull-colored; these might belong to the rufipennis and intermedius races. This needs more investigation.

In this connection it should be noted that the young of the Indian koel (Eudynamis honorata)—a cuckoo parasitic on crows—are of three kinds. Some are all black like the cock, some are barred black and white like the hen, while others, though nearly altogether black, display a few white bars. The fact that I have seen specimens of all three kinds of koel nestling in one garden at Lahore would seem to militate somewhat against the theory that these correspond to different races or gentes.

In this regard, it’s important to mention that the young Indian koel (Eudynamis honorata)—a cuckoo that relies on crows for breeding—come in three types. Some are completely black like the male, some have black and white barring like the female, while others are mostly black but show a few white bars. The observation that I’ve seen all three types of koel chicks in one garden in Lahore suggests that they might not represent different races or gentes.

I have discoursed at such length on the crow-pheasant that our other respectable cuckoos will not receive adequate treatment. The interesting malkohas will not get an innings to-day. I trust they will accept my apologies.

I’ve talked so much about the crow-pheasant that I haven’t left enough time to give our other fine cuckoos the attention they deserve. The fascinating malkohas will have to wait for another day. I hope they can forgive me.

I must content myself in conclusion with a few words regarding the sirkeer or grey ground-cuckoo. The scientific name of this species—Taccocua leschenaulti—affords an excellent example of the heights to which our scientific men can rise in their sublimer moments. This cuckoo always appears to me like a large babbler. [15] It has the untidy appearance, the sombre plumage, and the laborious flight of the “seven sisters.” But it does not go about in flocks. It appears to consider that “two is company, three is none.” Its cherry-red bill is the one bit of bright colour it displays. From its beak it derives its vernacular name jungli tota (jungle parrot), the villagers being evidently of opinion that the beak makes the parrot. This cuckoo seems to feed entirely on the ground, picking up insects of all sorts and conditions. It is found only in the vicinity of trees. In the Basti district of the United Provinces, where it is unusually abundant, I noticed it at almost every camping-ground I visited. Mango topes appear to be its favourite feeding-places. When alarmed it used to fly to the nearest cornfield, where it was quickly lost to view. Its habits are in many ways like those of the coucal. It builds a rough-and-ready nest, a mere collection of twigs with a few leaves spread over the surface. The eggs are chalky white, like those of the crow-pheasant. Both the cock and the hen take part in incubation.

I’ll wrap up with a few words about the sirkeer or grey ground-cuckoo. The scientific name of this species—Taccocua leschenaulti—is a great example of how high our scientists can soar in their more profound moments. This cuckoo always strikes me as a large babbler. [15] It has a messy look, dark feathers, and a clumsy flight like the "seven sisters." But it doesn’t move around in flocks; it seems to think that "two is company, three is none." Its cherry-red bill is the only splash of color it shows. Its common name, jungli tota (jungle parrot), comes from its beak, as the villagers clearly believe that the beak defines the parrot. This cuckoo seems to feed solely on the ground, hunting a variety of insects. It's found only near trees. In the Basti district of the United Provinces, where it’s particularly common, I noticed it at nearly every campsite I visited. Mango groves seem to be its favorite feeding spots. When scared, it would fly to the nearest cornfield, disappearing quickly from sight. Its behaviors are quite similar to those of the coucal. It builds a makeshift nest, just a jumble of twigs with a few leaves on top. The eggs are chalky white, like those of the crow-pheasant. Both the male and female participate in incubation.

It is a bird concerning the habits of which there is comparatively little on record. It therefore offers a fine field for the investigations of Indian ornithologists.

It’s a bird about which there is relatively little information available. Because of this, it presents a great opportunity for study by Indian ornithologists.

[16]


III
THE BROWN ROCK-CHAT

The standard books on Indian ornithology give inaccurate accounts of the distribution of some species of birds. In certain cases the mistakes are due to imperfect knowledge, in others it is probable that the range of the species in question has undergone change since the text-books were published. There must of necessity be a tendency for a flourishing species to extend its boundaries. Growing species, like successful nations, expand. A correspondent informs me that the Brahminy myna (Temenuchus pagodarum) is now a regular visitor at Abbottabad and Taran Taran in the Punjab, whereas Jerdon states that the bird is not found to the west of the United Provinces. Similarly, there is evidence that the red turtle dove (Œnopopelia tranquebarica) is extending its range westwards. Oates states that the tailor-bird (Orthotomus sutorius) does not occur at elevations over 4000 feet, but I frequently saw it at Coonoor, 2000 feet higher than the limit set by Oates.

The standard books on Indian ornithology provide inaccurate information about the distribution of some bird species. In some cases, the errors are due to incomplete knowledge; in others, it's likely that the range of the species has changed since the textbooks were published. There is naturally a tendency for a thriving species to expand its territory. Growing species, much like successful countries, tend to spread. A contributor has informed me that the Brahminy myna (Temenuchus pagodarum) is now a regular visitor to Abbottabad and Taran Taran in the Punjab, even though Jerdon claims that the bird isn’t found west of the United Provinces. Similarly, there’s evidence that the red turtle dove (Œnopopelia tranquebarica) is extending its range westward. Oates claims that the tailor-bird (Orthotomus sutorius) doesn’t occur at elevations over 4000 feet, but I often saw it at Coonoor, which is 2000 feet higher than Oates's stated limit.

The brown rock-chat (Cercomela fusca) is another species regarding the distribution of which the text-books are in error. Jerdon gives its range as “Saugor, [17] Bhopal, Bundlekhand, extending towards Gwalior and the United Provinces.” Oates says, “The western limits of this species appear to be a line drawn from Cutch through Jodhpur to Hardwar. Thence it extends to Chunar, near Benares, on the east, and to Jubbulpur on the south, and I have not been able to trace its distribution more accurately than this.” Nevertheless, this bird is very abundant at Lahore, some two hundred miles north-west of the occidental limit laid down by Oates. Brown rock-chats are so common at Lahore, and the locality seems so well suited to their mode of life, that I cannot think that the species is a recent addition to the fauna of the Lahore district. It must have been overlooked. It is scarcely possible for one individual to have a personal knowledge of all parts of so extensive a country as India: we cannot, therefore, expect accuracy in describing the range of birds until an ornithologist does for each locality what Jesse has done for Lucknow, that is to say, compiles a list of birds observed in a particular neighbourhood during a period of observation extending over a number of years.

The brown rock-chat (Cercomela fusca) is another species that textbooks get wrong about its distribution. Jerdon lists its range as “Saugor, Bhopal, Bundlekhand, extending toward Gwalior and the United Provinces.” Oates states, “The western limits of this species seem to be a line drawn from Cutch through Jodhpur to Hardwar. From there, it goes to Chunar, near Benares, in the east, and to Jubbulpur in the south, and I haven't been able to pinpoint its distribution more accurately than this.” However, this bird is very common in Lahore, roughly two hundred miles northwest of the western limit defined by Oates. Brown rock-chats are so prevalent in Lahore, and the area seems perfectly suited to their lifestyle, that I find it hard to believe that this species is a recent addition to the fauna of the Lahore district. It must have simply been overlooked. It’s hardly feasible for one person to have firsthand knowledge of all parts of such a vast country as India; therefore, we can’t expect precise descriptions of bird ranges until an ornithologist does for each location what Jesse has done for Lucknow, meaning compiling a list of birds observed in a specific area over several years.

Let us now pass on to the subject of this essay. The brown rock-chat is a dull-reddish-brown bird, slightly larger than a sparrow. There is no outward difference between the cock and the hen, both being attired with quaker-like plainness. They are, however, sprightly as to their habits, being quite robin-like in behaviour. As they hop about looking for food they make every now and again a neat bow, and by this it is easy to identify them. They seem invariably to [18] inhabit dry, stony ground. Round about Lahore numbers of ruined mosques and tombs exist, and each of these is the home of at least one pair of brown rock-chats. But these birds by no means confine themselves to old ruins. They are very partial to plots of building land on which bricks are stacked. When a man determines to build a bungalow in Lahore he acquires a plot of land, and then has pitched on to it a quantity of bricks in irregular heaps, each heap being a cartload. These bricks are then left undisturbed for any period up to ten years. Among these untidy and unsightly collections of building material numbers of brown rock-chats take up their abode. But there are not enough ruins and collections of bricks to accommodate all the rock-chats of the locality; consequently, many of them haunt inhabited buildings, and display but little fear of the human possessors of these. Indeed, an allied species (Cercomela melanura) is thought by some to be the sparrow of the Scriptures.

Let’s move on to the topic of this essay. The brown rock-chat is a dull reddish-brown bird, slightly larger than a sparrow. There’s no visible difference between the male and female; both are dressed in simple, plain colors. However, they’re lively in their habits and behave quite similarly to robins. As they hop around searching for food, they occasionally make a neat little bow, which makes them easy to spot. They usually live in dry, rocky areas. Near Lahore, there are many ruined mosques and tombs, and each of these is home to at least one pair of brown rock-chats. But these birds don’t just stick to old ruins; they also like building sites where bricks are stacked. When someone decides to build a bungalow in Lahore, they buy a piece of land and then have a bunch of bricks dumped in irregular piles, each pile being a cartload. These bricks can sit undisturbed for up to ten years. Among these messy and unappealing stacks of building material, many brown rock-chats make their homes. However, there aren’t enough ruins and brick piles to house all the rock-chats in the area, so many of them hang around human buildings and don’t show much fear of the people living there. In fact, some believe that a related species (Cercomela melanura) is the sparrow mentioned in the Scriptures.

A cock rock-chat used at the beginning of each hot weather to come into the skylight of my office at Lahore and sing most sweetly, while his mate was sitting on her eggs hard by. As I had not then seen a nest of this species I sent a Mohammedan chaprassi into the Shah Chirag—a tomb in the office compound—to ascertain whether the nest was inside it or not. He brought back word that the nest was inside the sepulchre, but that Christians were not allowed inside, adding, however, that the fakir in charge thought that an exception might be made in my favour. A rupee settled the question. Matting was laid down so that [19] the saint’s burying-place might not be defiled by the dust that fell from the boots of the infidel, and a ladder was taken inside. Let into the walls of the tomb were a number of large niches. In one of these, of which the base was some ten feet above the level of the ground, was the nest of the brown rock-chats, containing three beautiful pale blue eggs, blotched with light yellow at the broad end. The ledge on which the nest was built was covered with dust and pieces of fallen plaster, which had evidently been accumulating there for generations. The fallen plaster served as a foundation for the little nursery, which was composed entirely of fine dried grass. This had the appearance of being woven into a shallow cup, but I am inclined to think that the material had been merely piled on to the ledge, and that the cavity had resulted from the sitting of the bird. The nest was bounded on two sides by the wall, and the part of it next to the wall was deeper than the remainder. There was no attempt at weaving or cementing, and the whole was so loosely put together that it could have been removed only by inserting a piece of cardboard under it, and thus lifting it bodily away. In other niches were three disused nests, one of which I appropriated; they had probably been made in previous years by the same pair of birds. I subsequently came across another nest inside an inhabited bungalow at Lahore, and another on the inner ledge of the window of an outhouse. Hume stated that a pair of brown rock-chats built regularly for years in his house at Etawah. They do not invariably construct the nest inside buildings. Hume [20] writes: “Deep ravines and earthy cliffs also attract them, and thousands of pairs build yearly in that vast network of ravines that fringes the courses of the Jumna and Chambul from opposite Agra to Calpee. Others nest in quarries, and I got several nests from those in the neighbourhood of Futtehpoor Sikri.”

A rock-chat would show up at the start of each hot season to perch on the skylight of my office in Lahore and sing beautifully, while his mate sat nearby on her eggs. Since I hadn’t seen a nest of this kind before, I sent a Muslim chaprassi to the Shah Chirag—a tomb on the office grounds—to find out if the nest was inside. He came back saying the nest was within the tomb, but that Christians were not allowed in. However, he mentioned that the fakir in charge thought an exception could be made for me. A rupee took care of that. Matting was laid down to keep the saint’s resting place clean from the dust caused by the boots of the infidel, and a ladder was brought inside. The walls of the tomb had several large niches. In one of these, which was about ten feet above the ground, there was the nest of brown rock-chats, containing three lovely pale blue eggs, speckled with light yellow at the wide end. The ledge where the nest sat was covered in dust and bits of fallen plaster, which had clearly been building up for generations. The fallen plaster formed the base for the small nursery, which was made entirely of fine dried grass. It looked like it had been woven into a shallow cup, but I think the material was just piled on the ledge, and the shape came from the bird sitting on it. The nest was surrounded on two sides by the wall, and the part next to the wall was deeper than the rest. There was no weaving or cementing, and the whole thing was so loosely constructed that it could have been removed by simply sliding a piece of cardboard underneath and lifting it out. In other niches, I found three unused nests, one of which I took; they had likely been made in prior years by the same pair of birds. Later, I found another nest in an occupied bungalow in Lahore, and another on the inner ledge of a window in an outbuilding. Hume noted that a pair of brown rock-chats would nest regularly for years in his house at Etawah. They don’t always build their nests inside buildings. Hume writes: “Deep ravines and earthy cliffs also attract them, and thousands of pairs nest each year in the extensive network of ravines that line the courses of the Jumna and Chambul from Agra to Calpee. Others make their nests in quarries, and I collected several nests from those near Futtehpoor Sikri.”

During the nesting season the brown rock-chat knows not what fear is. Mr. R. M. Adam gives an account of a pair which built a nest in a hole in a bath-room wall. The birds did not appear to be frightened by people entering and leaving the room. When the first brood had been reared the hen laid a second clutch of eggs, and, on these being taken, she immediately laid a third batch. Colonel Butler writes: “During the period of incubation both birds are extremely pugnacious, and vigorously attack any small birds, squirrels, rats, lizards, etc., that venture to approach the nest.” The tameness of the brown rock-chat, together with his alluring ways and sweet song, make him an exceptionally fascinating little bird.

During the nesting season, the brown rock-chat shows no fear. Mr. R. M. Adam describes a pair that built a nest in a hole in a bathroom wall. The birds didn't seem bothered by people coming in and out of the room. After raising the first brood, the female laid a second set of eggs, and when those were taken, she immediately laid a third batch. Colonel Butler notes: “During the incubation period, both birds are extremely aggressive and vigorously attack any small birds, squirrels, rats, lizards, etc., that come near the nest.” The friendliness of the brown rock-chat, combined with its charming behavior and sweet song, makes it an exceptionally interesting little bird.

[21]


IV
THE SCAVENGER-IN-WAITING

The number of kites to be seen in any given place depends almost entirely upon the state of sanitation in that place. In England conservancy arrangements are so good that the kite is practically extinct. We have no use for the bird at home. “Il faut vive,” says the kite, “and if you do not provide me with offal I shall prey upon poultry,” “As to your living,” replies the farmer, “Je n’en vois pas la necessité, and, if you attack my poultry, I shall attack you.” The kites in the United Kingdom were as good as their word; so were the farmers. The result is that the kite is a rara avis at home; a nestling born in the British Isles is said to be worth £25.

The number of kites you can see in any location depends mostly on how clean that place is. In England, the sanitation systems are so effective that the kite is nearly extinct. We have no need for the bird here. “Il faut vive,” says the kite, “and if you don’t give me scraps, I’ll go after your chickens.” “As for your living,” replies the farmer, “Je n’en vois pas la necessité, and if you go after my chickens, I’ll go after you.” The kites in the United Kingdom kept their promise, as did the farmers. The result is that kites are a rare sight here; a nestling born in the British Isles is said to be worth £25.

India teems with kites (Milvus govinda); we may therefore infer that sanitation out there is primitive. Unfortunately, we Anglo-Indians do not require the kites to enable us to appreciate this fact. Kites, however, are useful in giving us the measure of the insanitariness of a town. Lahore is a great place for kites. That city contains a greater proportionate number of these scavenger birds for its size than any [22] other city or town I have ever visited. They are nearly as abundant as the crows; further, that beautiful bird, commonly known as Pharaoh’s chicken (Neophron percnopterus), shows his smiling face to one at every turn. Let me here observe that I am not calling anyone names; I am merely stating a fact. If the Lahore municipal authorities take my words to heart, so much the better!

India is filled with kites (Milvus govinda), which suggests that sanitation there is basic. Sadly, we Anglo-Indians don't need the kites to realize this. Still, kites are helpful in highlighting how unsanitary a town can be. Lahore is an excellent place for kites. That city has a higher number of these scavenger birds relative to its size than any other city or town I've ever been to. They are almost as common as crows; additionally, that stunning bird known as Pharaoh’s chicken (Neophron percnopterus) pops up at every turn. I’d like to point out that I'm not insulting anyone; I'm just stating a fact. If the Lahore city officials take my comments seriously, that would be great!

Kites are the assistant sweepers to Government; I was going to say “honorary sweepers,” but that would not have been strictly accurate, for in India nothing is done for nothing. The kites receive no money wages, nothing that comes under the Accountant-General’s audit, but they are paid in truck. They are allowed to keep the refuse they clear away. This seems on the face of it to be a bandobast most favourable to the Government, a very cheap way of securing servants; but, like many another arrangement which reads well on paper, it is in practice not so advantageous as it appears. Thus the kite is apt to put a wide, I might almost say an elastic interpretation on the word “refuse.” To take a concrete example: the other day one of these birds swooped down and carried off the chop that was to have formed the pièce de résistance of my breakfast.

Kites are like the assistant cleaners to the government; I was going to say “honorary cleaners,” but that wouldn't be completely accurate, since in India nothing is done for free. The kites don’t get any cash wages, nothing that would be counted by the Accountant-General, but they are compensated in kind. They’re allowed to keep the waste they remove. At first glance, this seems like a system that greatly benefits the government—a really cheap way to get help—but, like many arrangements that look good on paper, it’s not as beneficial in reality. For example, the kite tends to have a broad, and I might even say flexible, interpretation of the term “refuse.” Recently, one of these birds swooped down and took off with the chop that was meant to be the main dish of my breakfast.

But, notwithstanding his many misdeeds, the kite is a bird with which we in India could ill afford to dispense, for he subsists chiefly upon garbage. Fortified with this knowledge, we are able to properly appreciate the sublime lines of the poet Hurdis:

But, despite his many wrongdoings, the kite is a bird that we in India can't really do without, because he mainly feeds on trash. With this understanding, we can truly appreciate the beautiful lines of the poet Hurdis:

[23]

“Mark but the soaring kite, and she will reade

“Just look at the soaring kite, and she will read

Brave rules for diet; teach thee how to feede;

Brave rules for diet; teach you how to eat;

She flies aloft; she spreads her ayrie plumes

She soars high; she spreads her airy feathers.

Above the earth, above the nauseous fumes

Above the ground, above the sickening fumes

Of dang’rous earth; she makes herself a stranger

Of dangerous earth; she isolates herself

T’ inferior things, and checks at every danger.”

T’ inferior things, and checks at every danger.

Now, I like these lines. Not that I altogether approve of the sentiments therein expressed. I would not advise anyone, not even a German, to learn table manners from the kite. What I do like about the above is the splendid manner in which the poet strikes out a new line. [N.B.—The poets and their friends are strongly advised to omit the forty lines that follow.] The vulgar herd of poets can best be compared to a flock of sheep. One of them makes some wild statement about a bird, and all the rest plagiarise it. Not so Hurdis; he is no slavish imitator. He obviously knows nothing about the kite, but that is a trifle. If poets wrote only of things with which they were au fait, where would all our poetry be?

Now, I like these lines. Not that I fully agree with the sentiments expressed. I wouldn't advise anyone, not even a German, to learn table manners from the kite. What I appreciate about the above is the amazing way the poet creates a new line. [N.B.—The poets and their friends are strongly advised to skip the forty lines that follow.] The common crowd of poets can best be compared to a herd of sheep. One of them makes some outrageous statement about a bird, and the rest just copy it. Not Hurdis, though; he isn’t a mindless imitator. He clearly knows nothing about the kite, but that’s a minor issue. If poets only wrote about things they were au fait with, where would our poetry be?

What Hurdis did know was that, as a general rule, when you want to write about a bird of which you know nothing, you are pretty safe in reading what the poets say about it, and then saying the very opposite. That in this particular case the rule does not hold good is Hurdis’s misfortune, not his fault. The kite happens to be almost the only bird about which the poets write correctly. This is a phenomenon I am totally unable to explain.

What Hurdis did know was that, generally speaking, when you want to write about a bird you know nothing about, it's usually safe to read what poets say about it and then say the exact opposite. That this particular case doesn’t follow the rule is Hurdis’s bad luck, not his mistake. The kite is nearly the only bird that poets write about correctly. This is a phenomenon I can't explain at all.

Cowper sang:

Cowper sang:

“Kites that swim sublime

"Kites that fly beautifully"

In still repeated circles, screaming loud.”

In steady, repeated circles, yelling loudly.

[24]

Writes Clare:

Writes Clare:

“Of chick and duck and gosling gone astray,

“Of chick and duck and gosling gone astray,

All falling preys to the sweeping kite.”

All fall prey to the sweeping kite.

King says:

King says:

“The kite will to her carrion fly.”

“The kite will fly to her dead body.”

The most captious critic could not take exception to any of these sentiments. He might certainly pull a long face at Macaulay’s

The most picky critic couldn't argue against any of these feelings. He might definitely frown at Macaulay’s

“The kites know well the long stern swell

“The kites are aware of the long, steady waves

That bids the Roman close.”

That signals the Roman close.

But he would find it exceedingly difficult to prove that the kites do not know this.

But he would find it really hard to prove that the kites don’t know this.

But let us leave the poets and return to the bird as it is, for common though he be in the East, the “sailing glead” is a bird that will repay a little study. His powers of flight, his ability to soar high above the earth, to sail through the thin air with outstretched and apparently motionless wings, are equalled by few birds. Watch him as he glides overhead in great circles until he disappears from sight. He constantly utters his tremulous, querulous scream—Chēē-hēē-hēē-hēē-hēē; his head is bent so that his beak points downwards, and few things are there which escape his keen eye. Suddenly he espies a rabble of crows squabbling over a piece of meat. Quick as thought he is full on his downward career. A second or two later the fighting, squawking crows hear the swish of his wings—a sound very familiar to them—and promptly make way for him. None desires to feel the grip of his powerful talons. He sweeps above the bone of contention, drops [25] a little, seizes it with his claws, and sails away to the nearest housetop, where he devours his booty, fixing it with his talons as he tears it with his beak.

But let's leave the poets and get back to the bird as it truly is. Even though it's common in the East, the “sailing glead” is a bird worth some attention. Its flying skills, the way it soars high above the ground and glides through the air with outstretched and seemingly still wings, are matched by very few birds. Watch as it glides overhead in huge circles until it vanishes from view. It continuously lets out its shaky, complaining scream—Chēē-hēē-hēē-hēē-hēē; its head is tilted so that its beak points downwards, and not much escapes its sharp gaze. Suddenly, it spots a group of crows fighting over a piece of meat. In no time, it's diving down. A moment later, the squawking crows hear the whoosh of its wings—a sound they know all too well—and quickly make room for it. None of them want to feel the grip of its strong talons. It swoops above the prize, drops slightly, grabs it with its claws, and flies off to the nearest rooftop, where it enjoys its catch, holding it with its talons as it tears into it with its beak.

Crows love not the kite. His manner of living resembles theirs so closely that a certain amount of opposition is inevitable. Then, again, the kite never makes any bones about carrying off a young crow if the opportunity presents itself. If the truth be told, the crows are afraid of the kite. They will, of course, not admit this. You will never get a crow to admit anything that may be used as evidence against him.

Crows don’t like the kite. The way the kite lives is so similar to theirs that some level of conflict is unavoidable. Plus, the kite has no problem snatching a young crow whenever it gets the chance. To be honest, the crows are scared of the kite. They won’t ever admit it, though. You can never get a crow to admit anything that could be used against it.

The crows regard kites with much the same feelings that the smaller boys at school regard the big, bullying boys. Those who know the ways of the corvi (and who is there in India that does not?) will not be surprised to hear that they never lose an opportunity of scoring off a kite. There is no commoner sight than that of a brace of them, as likely as not aided and abetted by a king crow, chasing the fleeing glead, and endeavouring to pull a beakful of feathers out of his rump.

The crows see kites in much the same way that younger boys at school view the bigger, bullying ones. Anyone familiar with the behavior of crows (and who in India isn’t?) won’t be surprised to learn that they never miss a chance to get one over on a kite. It’s a common sight to see a couple of them, often helped by a king crow, chasing the escaping kite and trying to yank out some feathers from its tail.

But crows prefer to worry the kite upon terra firma, for the latter is a clumsy bird when on the ground. He is so heavy that he can only waddle along, and, notwithstanding his great pinions, he experiences difficulty in raising himself off a level plain. Hence it is when a kite is resting, half asleep, upon the ground, that the “lurking villain crows” usually worry him. It requires at least two of the “treble-dated birds” to do this with success. One alights in front of the victim and the other behind him. This apparently harmless manœuvre is quite sufficient to [26] excite the suspicions of the kite. He turns his eyes uneasily from crow to crow, and, although he utters no sound, he is probably cursing his luck that he has not a visual organ at the back of his head. If he is a sensible bird he will at once fly off, in hopes that the perditious crows will not follow him. If he remains, the posteriorly situated crow takes a peck at his tail. He, of course, turns upon the aggressor, and thus gives the front bird the opportunity for which it has been waiting. Sooner or later the kite has to move on.

But crows like to bother the kite on solid ground, since the kite isn't very graceful when it's on the ground. It's so heavy that it can only waddle, and despite its large wings, it struggles to lift itself off a flat surface. That's why when a kite is resting, half asleep, on the ground, the "sneaky crows" usually harass it. It takes at least two of these "triple-dated birds" to succeed in this. One stands in front of the kite and the other behind it. This seemingly innocent action is enough to raise the kite's suspicions. It looks back and forth between the crows, and even though it doesn't make a sound, it’s probably wishing it had eyes in the back of its head. If it's smart, it will fly away immediately, hoping the pesky crows won't follow. If it stays, the crow behind it will peck at its tail. Naturally, the kite will turn on the attacker, giving the front crow the chance it’s been waiting for. Eventually, the kite has to move on.

Kites are very fond of settling on the tops of posts, and on other spiky places; this feature they share with crows, green parrots, blue jays, and other birds. I cannot bring myself to believe that such perches are comfortable; but, just as a small boy will prefer balancing himself upon a narrow railing to sitting on a proper seat, so do birds seem to enjoy perching on all sorts of impossible places. Birds are like small boys in many respects. A kite, of course, enjoys one great advantage when he elects to rest upon such a perch: it is then impossible for “ribald” crows to come and squat to right and to left of him.

Kites really like to settle on the tops of posts and other sharp places; this is a trait they share with crows, green parrots, blue jays, and other birds. I just can’t believe that such spots are comfortable; but, just like a little boy would rather balance on a narrow railing than sit on a proper chair, birds seem to get a kick out of perching in all kinds of awkward places. Birds are a lot like little boys in many ways. A kite, of course, has one big advantage when it chooses to rest on such a perch: it keeps “raunchy” crows from coming to squat next to it.

Kites are not migratory birds in most parts of India. It is said, however, that the kites leave Calcutta during the rains. I have never visited the “Queen of Indian cities,” so I cannot say whether or not the kites act thus. Jerdon, Blanford, and Cunningham all declare that they do; but Finn writes: “How such an idea could have arisen I do not know. I have always noticed kites in the rains, and have never heard that they were ever in the habit of leaving Calcutta then.” The truth [27] of the matter seems to be that when it rains very heavily the streets of the city on the Hooghly are washed comparatively clean, and all the food of the “sailing glead” is swept out into the country, so the kites go after it, but they return as soon as the rain stops.

Kites aren’t migratory birds in most parts of India. However, it’s said that the kites leave Calcutta during the rainy season. I’ve never been to the “Queen of Indian cities,” so I can’t confirm if that really happens. Jerdon, Blanford, and Cunningham all say that they do; but Finn writes, “I have no idea how such a belief came about. I’ve always seen kites in the rain and have never heard that they typically leave Calcutta then.” The reality seems to be that when it rains heavily, the streets of the city by the Hooghly get cleaned up, and all the food for the “sailing gled” gets washed out into the countryside, so the kites follow it but return as soon as the rain stops.

The nesting season for the kites is at any time when they feel disposed to undertake the cares of the family. The books tell us that it begins in January. This is correct. Where they go wrong is in asserting that it ends in April. I should rather say that it ends in December. It is true, however, that in Northern India the greater number of nests are constructed in the first three months of the calendar year.

The nesting season for the kites starts whenever they feel ready to take on family responsibilities. The books say it begins in January, and that’s accurate. Where they’re mistaken is in claiming it ends in April. I would argue that it actually ends in December. However, it is true that in Northern India, most nests are built in the first three months of the year.

The completed nest is about the size of a football, and is an untidy mass of twigs, rags, mud, brickbats, and such-like things. It is usually placed high up in a tall tree, not quite at the top, on a forked branch. It is not a great architectural triumph, but it serves its purpose. Two eggs are usually laid. These have a white ground blotched with red or brown. Kites object to having their nest pried into, so that he who attempts to steal the eggs must not be surprised if the owners attack him.

The finished nest is about the size of a football and is a messy mix of twigs, rags, mud, bricks, and similar materials. It's typically built high up in a tall tree, not right at the top, on a forked branch. It's not exactly a stunning piece of architecture, but it gets the job done. Usually, two eggs are laid. These have a white background marked with red or brown spots. Kites don’t like it when someone tries to invade their nest, so anyone who tries to steal the eggs shouldn't be surprised if the owners come after them.

[28]


V
INDIAN WAGTAILS

“What art thou made of?—air or light or dew?

“What are you made of?—air or light or dew?

—I have no time to tell you if I knew.

—I don't have time to tell you if I knew.

My tail—ask that—perhaps may solve the matter;

My tail—ask about that—might just solve the issue;

I’ve missed three flies already by this chatter.”

I’ve already missed three flies because of this chatter.

I quite agree with Mr. Warde Fowler that wagtails are everything that birds should be. They are just the right size; their shape and form are perfect; they dress most tastefully; they display that sprightliness that one looks for in birds; their movements are elegant and engaging; their undulating flight is blithe and gay; their song is sweet and cheery; they are friendly, and sociable, fond of men and animals, “not too shy, not too bold.” They are, in short, ideal birds.

I completely agree with Mr. Warde Fowler that wagtails embody everything a bird should be. They’re the perfect size; their shape and form are spot on; they’re dressed in a stylish way; they have the lively energy you expect from birds; their movements are graceful and captivating; their flight is cheerful and delightful; their song is pleasant and uplifting; they’re friendly and social, enjoying the company of people and animals, “not too shy, not too bold.” In short, they are the ideal birds.

I know of nothing more enjoyable than to sit watching a wagtail feeding at the water’s edge.

I can't think of anything more enjoyable than sitting and watching a wagtail feeding at the water's edge.

“She runs along the shore so quickly,” writes a long-forgotten author, “that the eye is hardly able to follow her steps, and yet, with a flying glance, she examines every crevice, every stalk that conceals her reposing or creeping prey. Now she steps upon a smoothly washed stone; she bathes and drinks—and how becomingly, and with what an air! The very [29] nicest soubrette could not raise her dress more coquettishly, the best-taught dancer not move with more graceful pas than the pretty bather as she lifts her train and dainty feet. Suddenly she throws herself, with a jump and a bound, into the air, to catch the circling gnat; and now should be seen the beating of wings, the darting hither and thither, the balancing and the shakes and the allegretto that her tail keeps time to. Nothing can surpass it in lightness. In fine, of all the little feathered people, none, except the swallow, is more graceful, fuller of movement, more adroit or insinuating, than the wagtail.”

“She runs along the shore so quickly,” writes a long-forgotten author, “that the eye can barely keep up with her steps, and yet, with a quick glance, she inspects every crevice, every stalk that hides her resting or creeping prey. Now she steps onto a smoothly washed stone; she bathes and drinks—and how elegantly, and with what a poise! Even the most delicate soubrette couldn't lift her dress more playfully, and the best-trained dancer couldn't move with more graceful pas than the lovely bather as she raises her train and delicate feet. Suddenly, she leaps into the air to catch the buzzing gnat; and now you can see the flapping of wings, the darting back and forth, the balancing act, and the allegretto that her tail keeps time to. Nothing can match it in lightness. In short, of all the little feathered creatures, none, except the swallow, is more graceful, more full of movement, more skillful or charming, than the wagtail.”

Wagtails are essentially birds of the temperate zone. They remind us of a fact that we who dwell in the tropics are apt to forget, namely, that there are some beautiful birds found outside the torrid zone.

Wagtails are basically birds from the temperate zone. They remind us of something that we, who live in the tropics, often forget: there are some beautiful birds found outside the hot zone.

Fourteen species of wagtail occur in India, but the majority of them leave us to breed. They bring up their families in cool Kashmir, on the chilly, wind-swept heights of Thibet, or even in glacial Siberia, and visit India only in the winter when their native land becomes too frigid even for them.

Fourteen species of wagtail can be found in India, but most of them migrate to breed. They raise their young in the cool climate of Kashmir, on the cold, windy heights of Tibet, or even in icy Siberia, and come back to India only in the winter when their homeland gets too cold for them.

Many of the migratory wagtails do not show themselves in the southern portion of the peninsula, being rightly of opinion that the climate of Upper India is not far from perfect during the winter months.

Many of the migrating wagtails don't appear in the southern part of the peninsula, believing correctly that the climate in Upper India is nearly perfect during the winter months.

There is, however, one species—the most lovable of them all—the pied-wagtail (Motacilla maderaspatensis)—which has discovered that it is possible to live in the plains of India throughout the year; and, having made this discovery, it has decided that the [30] troubles and trials of the hot weather are lesser evils than the inconveniences and perils of the long migratory journey. The head of this species is black, relieved by a white streak running through the eye; the wings and tail are mostly black, and a bib—or is “front” a more correct word?—of similar hue is usually worn. The under parts of the bird are white.

There is, however, one species—the most lovable of them all—the pied-wagtail (Motacilla maderaspatensis)—that has figured out how to live in the plains of India all year round. After making this discovery, it has decided that the struggles and challenges of the hot weather are less of a hassle than the inconveniences and dangers of the long migratory journey. The head of this species is black, with a white stripe running through the eye; the wings and tail are mostly black, and it usually sports a black bib—or is "front" a more accurate term?—of the same color. The underbelly of the bird is white.

The pied-wagtail is common all over India. It is particularly abundant in the city of Madras, where it is to be seen everywhere—on the house-top, in the courtyard, in shady garden, in open field, and on the river bank in company with the soldiers who solemnly fish in the waters round about the fort.

The pied-wagtail is found throughout India. It is especially plentiful in the city of Madras, where you can see it everywhere—on rooftops, in courtyards, in shady gardens, in open fields, and along the riverbank, hanging out with the soldiers who quietly fish in the waters around the fort.

When in Madras I used to see almost daily one of these birds perched on the telegraph wire that runs across the Cooum parallel with the Mount Road bridge. The bird seemed to spend most of the day in pouring forth its sweet song. When sitting on the wire its tail used to hang down in a most unwagtail-like manner, so that the bird looked rather like a pipit. Pied-wagtails sometimes appropriate suitable parts of the bungalow for nesting sites; when this happens the human occupant has plenty of opportunity of studying their ways.

When I was in Madras, I would almost daily see one of these birds perched on the telegraph wire that runs across the Cooum, parallel to the Mount Road bridge. The bird seemed to spend most of the day singing its sweet song. While sitting on the wire, its tail hung down in a way that didn’t look much like a wagtail, making it appear more like a pipit. Pied wagtails sometimes choose suitable spots around the bungalow for nesting; when that happens, the human resident has plenty of chances to observe their habits.

The remaining thirteen species of wagtails are merely winter visitors to the plains of India. Two or three of these are to be seen feeding, during the cold weather, on every grass-covered field, and at the edge of every jhil. In the latter place wagtails are nothing short of a nuisance to the man who is out after snipe, for they have the habit of rising along with the snipe, [31] and the white outer-tail feathers invariably catch the eye. Many a snipe owes its life to the wagtail.

The remaining thirteen species of wagtails are simply winter visitors to the plains of India. Two or three of them can be seen feeding during the cold season on every grass-covered field and at the edge of every jhil. In that setting, wagtails can be quite a nuisance to anyone hunting snipe, since they tend to fly up alongside the snipe, and their white outer-tail feathers always stand out. Many snipe owe their lives to the wagtail.

The four commonest of the migratory wagtails are, I think, the white (Motacilla alba), the masked (M. impersonata), the grey (M. melanope), and the grey-headed wagtail (M. borealis). The two latter are characterised by much bright yellow in the lower plumage, which the first two lack; but I am not going to attempt to achieve the impossible by trying to describe the various species of wagtail. Owing to the fact that these birds, like ladies of fashion, are continually changing their gowns, it is very difficult to state the species to which an individual belongs without examining that individual feather by feather. You may see a dozen wagtails of the same species catching insects on your lawn, each of which differs markedly from all his companions. Most of us are satisfied with the knowledge that a given bird is a wagtail, and are able to enjoy the poetry and grace of its motion without troubling our heads about its scientific name.

The four most common migratory wagtails are, I think, the white (Motacilla alba), the masked (M. impersonata), the grey (M. melanope), and the grey-headed wagtail (M. borealis). The latter two are characterized by bright yellow in their lower plumage, which the first two don't have; but I’m not going to try to do the impossible by describing the different species of wagtails. Because these birds, like fashionable ladies, are always changing their appearances, it’s really hard to identify the species of a given bird without examining each feather closely. You might see a dozen wagtails of the same species catching insects on your lawn, but each one looks quite different from the others. Most of us are happy just knowing a bird is a wagtail and enjoy the beauty and elegance of its movement without stressing over its scientific name.

[32]


VI
THE TEESA

Butastur teesa used to be called the white-eyed buzzard, but one day a worthy ornithologist discovered that the bird was not the genuine article, that its legs and its eggs betrayed the fact that it is not a true buzzard. Therefore a new name had to be found for the bird. In their search for this, naturalists have not met with great success. Indeed, the last state of the bird is worse than the first, for it is now known as the white-eyed buzzard-eagle. To the adjectival part of the name no one can take exception, because the white eye and a whitish patch of feathers on the back of the head are the most remarkable features of a rather ordinary-looking fowl. The name “buzzard-eagle,” however, is most misleading. Although, as I have previously had occasion to state, eagles are not quite the noble creatures the poets have made them out to be, to suggest that Butastur teesa is one of them is to insult the whole aquiline community. Eagles, notwithstanding the fact that they sometimes eat carrion, attack, each according to the size of its talons, quarry of considerable size, and are, in consequence, the [33] terror of other birds. As Phil Robinson says of them, “they stand in the sky as the symbol of calamity. When they stoop to the earth it is a vision of sudden death.” To speak thus of Butastur teesa would be, as Euclid says, absurd. The white-eyed buzzard is almost contemptible as a bird of prey; he is a raptorial degenerate, a mere loafer.

Butastur teesa used to be known as the white-eyed buzzard, but one day, a respected ornithologist found out that this bird isn’t a true buzzard. Its legs and eggs revealed the truth. So, a new name was needed for the bird. Unfortunately, naturalists haven't had much luck in naming it. In fact, the situation is worse now, as it’s currently called the white-eyed buzzard-eagle. No one can really argue with the first part of the name, because the bird's distinctive white eye and the light feathers on the back of its head are its most notable features. However, calling it a “buzzard-eagle” is very misleading. Even though I’ve mentioned before that eagles aren't quite the noble creatures poets make them out to be, suggesting that Butastur teesa belongs to that group is an insult to all eagles. Despite sometimes eating carrion, eagles hunt sizeable prey, depending on the size of their talons, making them a threat to other birds. As Phil Robinson says about them, “they stand in the sky as the symbol of calamity. When they stoop to the earth, it is a vision of sudden death.” To say this about Butastur teesa would be, as Euclid puts it, ridiculous. The white-eyed buzzard is pretty pitiful as a bird of prey; it's a raptorial failure, just a lazy creature.

In India one often sees a white-eyed buzzard, some mynas, a pair of doves, several bee-eaters, one or two king crows, and a roller, sitting, all in a row, on a telegraph wire within a few yards of one another; the first and the last, as likely as not, on the tops of the telegraph poles, looking like pillar saints. Contrast this state of affairs with what happens when a hawk or a falcon appears on the scene. “Take to woodland,” writes Phil Robinson, “and fill it with your birds of beauty and of song; put your ‘blackbird pipers in every tree,’ and have linnets ‘starting all along the bushes.’ Let melody burthen every bough and every cloud hold a lark. Have your doves in the pines, and your thrushes in the hawthorn; spangle your thistle-beds with restless goldfinches, and your furze with yellowhammers. The sun is shining brightly, and the countryside seems fairly overflowing with gladness. But with a single touch you can alter the whole scene; for let one hawk come skimming round that copse yonder, and the whole woodland is mute in the moment. Here and there shrill warning cries of alarm, and here and there a bird dipping into the central covert of the brake. But for the rest there might not be one winged thing alive in all the landscape. The hawk throws a [34] shadow of desolation as it goes, its wings scatter fears on either side; silence precedes it and gloom pursues.”

In India, you often see a white-eyed buzzard, a few mynas, a pair of doves, several bee-eaters, one or two king crows, and a roller all sitting in a row on a telegraph wire just a few yards apart from each other. The first and last birds are likely perched on top of the telegraph poles, looking like statues. Now, compare this scene to what happens when a hawk or a falcon shows up. “Head to the woods,” writes Phil Robinson, “and fill it with your beautiful and song-filled birds; have your ‘blackbird pipers in every tree,’ and have linnets ‘starting all along the bushes.’ Let music echo from every branch, and let every cloud hold a lark. Keep your doves in the pines and your thrushes in the hawthorn; cover your thistle beds with lively goldfinches, and your furze with yellowhammers. The sun shines brightly, and the countryside seems to overflow with joy. But with a single move, you can change the entire scene; just let one hawk glide around that thicket over there, and suddenly the whole woods go silent. Here and there, you hear sharp warning calls of alarm, and here and there a bird dives into the thick underbrush. But apart from that, it might seem like not a single bird is alive in the whole landscape. The hawk casts a shadow of desolation as it flies, its wings spread fear on either side; silence follows it, and gloom trails behind.”

Small birds fear the hawk and despise the teesa, because they know that the former is as swift and energetic as the latter is slow and lazy. But it is not easy to understand why the white-eyed buzzard does not prey upon wild birds, because its wings are, in proportion to its size, longer than those of most birds of prey. It is not that Butastur considers birds unfit to eat. On the contrary, says Mr. C. H. Donald, “that he would love to catch a bird for his dinner is proved by the fact of his coming down to a bird behind a net as soon as he sees it, but I suppose experience has taught him that it is no use his trying to catch one in its wild state, and in full possession of its wings and feathers, and, consequently, he never tries.” Thus, we have no alternative but to regard the white-eyed buzzard as a degenerate, a bird that might starve in the midst of plenty.

Small birds are afraid of the hawk and look down on the teesa, because they know that the hawk is fast and energetic, while the teesa is slow and lazy. However, it's hard to understand why the white-eyed buzzard doesn’t hunt wild birds, since its wings are longer relative to its size than those of most birds of prey. It’s not that Butastur thinks birds aren’t good to eat. On the contrary, as Mr. C. H. Donald points out, “he would love to catch a bird for his dinner, which is clear from the way he drops down on a bird behind a net as soon as he spots it. But I guess he has learned from experience that there’s no point in trying to catch one that’s wild and fully feathered, so he never makes the attempt.” Thus, we have no choice but to see the white-eyed buzzard as a degenerate, a bird that could starve even when food is abundant.

When a hungry Butastur sees flitting all around him potential meals in the shape of small birds, his feelings must be akin to those of the impecunious man in the comic song who, as he contemplates the insurance policy on the life of his shrewish wife, cries out: “Stone broke with fifty quid staring me in the face!” The white-eyed buzzard has perforce to feed upon very humble quarry, upon the creeping and crawling things, upon beetles and insects, with an occasional rat or frog. His usual method of capturing his prey is very similar to that of the shrike, or butcher-bird, or, to come nearer home, to that of the true buzzards. He [35] takes up a position on a bare branch of a tree, a telegraph pole, a fence, or other point of vantage, such as a heap of kankar, and there waits patiently until some small creature wanders by. On to this he quietly drops, secures it in his feeble talons, and returns to the perch to devour his quarry and thus bring to a close one of nature’s little tragedies, of which millions are being daily enacted. After he has finished his dinner he loves to sit awhile, as the nursery rhyme tells us we should do, and quietly digest what he has eaten. I once disturbed a Butastur that had just finished a heavy meal in the shape of a frog, with the result that the bird “brought up” the frog!

When a hungry Butastur spots potential meals in the form of small birds flitting around him, his feelings must be similar to those of a broke man in a funny song who, while looking at the insurance policy on his nagging wife, exclaims: “Dead broke with fifty bucks in my face!” The white-eyed buzzard has no choice but to feed on very basic prey, like creeping and crawling critters, beetles and insects, along with the occasional rat or frog. He usually catches his food in a way similar to the shrike or butcher-bird, or, closer to home, to true buzzards. He perches on a bare branch of a tree, a telephone pole, a fence, or any good spot like a pile of kankar, and waits patiently for a small creature to wander by. When one does, he quietly swoops down, grabs it with his weak talons, and returns to his perch to eat his catch, thus wrapping up one of nature’s little tragedies, which happen millions of times every day. After finishing his meal, he likes to sit for a while, as the nursery rhyme suggests, and calmly digest what he has eaten. I once startled a Butastur that had just devoured a hefty frog, and as a result, the bird “brought back up” the frog!

Sometimes the white-eyed buzzard beats over the ground in search of its quarry, but this is not his usual modus operandi. If you would see the white-eyed buzzard, go into an open place and watch for a brown bird a little larger than a crow, sitting motionless on some point of vantage, like Patience on a monument. By its sluggish habits, its small size, its white eye, and the whitish patch at the back of its head, you may recognise it. It utters a peculiar plaintive screaming call, which is heard mostly at the nesting season. “In February and March,” writes Mr. Donald, “just before the breeding season, these birds may be frequently seen soaring high up in the heavens, and giving vent to their plaintive call, and might be taken for falcons if it were not for their much more rounded wings. When at a height their breasts appear dark and their wings (lower surface) very light and silvery.”

Sometimes, the white-eyed buzzard glides over the ground looking for its prey, but that's not its typical way of doing things. If you want to spot the white-eyed buzzard, find an open area and look for a brown bird that's a bit larger than a crow, perched quietly in a prominent spot, like Patience on a monument. You can identify it by its lazy habits, small size, distinctive white eye, and the light patch at the back of its head. It makes a unique, sorrowful screaming call, which you mostly hear during nesting season. "In February and March," writes Mr. Donald, "just before the breeding season, these birds can often be seen soaring high in the sky, letting out their mournful call, and might be mistaken for falcons if it weren't for their much rounder wings. When they're up high, their chests look dark, and the underside of their wings appears very light and silvery."

Needless to say, the nest of this species is not a very [36] skilfully constructed affair. It is not more beautiful than a dak bungalow, but, like the latter, serves the purpose for which it is built. It is very like that of the common crow—a loosely-put-together collection of sticks, devoid of anything in the form of lining, and placed fairly high up in the fork of a tree. The tree selected is usually one with rather dense foliage, and one of a clump or row, in preference to a solitary tree; nevertheless, I have seen a nest in an isolated tree. The eggs, which are greyish white, are not laid until some time after the nest has been made ready. Teesas are very noisy at the nesting season; the sitting hen utters constantly a mewing cry, which renders the nest easy to locate; but her vocal efforts pale into insignificance before those of the young hopefuls. These, to quote Mr. Benjamin Aitken, “keep up an incessant screaming for days before and after they leave the nest; so that you cannot pass within two hundred yards of a brood of nearly fledged or newly fledged birds without being made painfully aware of their existence and good spirits.”

Needless to say, the nest of this species isn’t very well built. It’s not more beautiful than a dak bungalow, but like the latter, it serves its purpose. It’s quite similar to that of the common crow—just a loosely assembled collection of sticks, with no lining, and placed fairly high up in the fork of a tree. The tree chosen usually has dense foliage and is part of a group or row rather than standing alone; still, I have seen a nest in a solitary tree. The eggs, which are grayish-white, aren’t laid until some time after the nest is completed. Teesas are very noisy during nesting season; the sitting hen makes a constant mewing sound that makes it easy to find the nest, but her calls are nothing compared to those of the eager chicks. To quote Mr. Benjamin Aitken, “they keep up an incessant screaming for days before and after they leave the nest; so that you cannot pass within two hundred yards of a brood of nearly fledged or newly fledged birds without being painfully aware of their existence and good spirits.”

[37]


VII
FALCONRY IN INDIA

Lest the title of this chapter should lead the reader to indulge in expectations that will not be realised, let me hasten to say that, in my opinion, hawking is a much overrated pastime. This statement will, of course, rouse the ire of the keen falconer, who will tell me that hawking is the sport of kings, and that it has no equal. To such a defence of the sport the obvious reply is that it has almost entirely died out in England, and that in India, where there is every facility for it, very few Europeans care to indulge in it. In Persia and India falconry is carried on in precisely the same way as it used to be in England. There can be little doubt that the sport originated in the East, and was introduced into the British Isles in Anglo-Saxon times. The hoods, the jesses, the lures, the gauntlets that are used in India to-day are exactly like those portrayed in old English hawking prints.

Lest the title of this chapter leads the reader to have unrealistic expectations, let me quickly say that, in my opinion, hawking is a highly overrated hobby. This statement will, of course, upset passionate falconers, who will argue that hawking is the sport of kings and unmatched in its appeal. The obvious counter to this defense is that it has nearly disappeared in England, and in India, where there are plenty of opportunities for it, very few Europeans are interested in participating. In Persia and India, falconry is performed in the same manner it used to be in England. There is little doubt that the sport originated in the East and was brought to the British Isles during Anglo-Saxon times. The hoods, jesses, lures, and gauntlets used in India today are identical to those depicted in old English hawking prints.

Hawks fall into two classes, according to the method of catching their quarry. These may be compared respectively to sprinters and long-distance men among human athletes. They are known to falconers as the [38] short-winged or yellow-eyed hawks and the long-winged or dark-eyed hawks. The former adopt what I may perhaps call slap-dash methods. A furious rush is made at the quarry, and if this be not secured at the first onslaught the chase is given up. The second class adopts the slow but sure method. The falcon, having sighted its quarry, settles down to a long pursuit, keeps on and on until it finds itself above its victim, on to which it stoops. The second class of raptorial birds, which includes all the falcons, affords the better kind of sport, because the following of the chase entails some hard riding. For falconry of this kind a stretch of flat, open country is a sine qua non, and, as this is comparatively easy to find in India, one would naturally expect that the long-winged form of falconry would be the most popular among Indians. But this is not so. In Northern India, at any rate, that species of falconry that does not involve hard riding on the part of the falconer is the most practised. The goshawk (Astur palabarius) is the hawk most commonly used.

Hawks are divided into two types based on how they catch their prey. These can be compared to sprinters and long-distance runners among human athletes. Falconers refer to them as the [38] short-winged or yellow-eyed hawks and the long-winged or dark-eyed hawks. The first group uses what I might call reckless methods. They make a quick, forceful dash at their prey, and if they don’t catch it on the first try, they give up the chase. The second group takes a slower but more reliable approach. The falcon, once it spots its target, settles in for a long pursuit, continuing until it positions itself directly above its prey to dive down. This second type of raptor, which includes all the falcons, offers a better sport because following the chase requires some serious riding. For this kind of falconry, a flat, open area is essential, and since such terrain is relatively easy to find in India, one would expect that long-winged falconry would be the most popular among Indians. However, this isn’t the case. In Northern India, at least, the type of falconry that doesn’t require hard riding by the falconer is more commonly practiced. The goshawk (Astur palabarius) is the hawk most frequently used.

Perhaps the best method of conveying an idea of falconry to one who has not witnessed the sport is to describe a day’s actual experience. The month is December, and the place Oudh. This means a sunny but perfectly cool day, so that riding, even when the sun is at its zenith, is delightful. Our party consists of an Indian gentleman—a Sikh and a large land-holder—who owns the hawks, and three Europeans all well mounted, also the chief falconer, indifferently mounted, who carries on his gloved forearm a goshawk. [39] Then there are two other falconers on foot, one carrying a goshawk and the other a sparrow-hawk (Accipiter nisus). Half a dozen beaters and three mongrel terriers complete the party. The sparrow-hawk is hooded, while the goshawk is not, being of a less excitable nature. The hood is a leather cap, constructed so as to cover up the wearer’s eyes but not her beak. The hood terminates in a point like a helmet. In the summit some plumes are stuck, so that the hooded bird has a fantastic appearance. Sparrow-hawks and peregrines are made to wear these hoods when taken out, until the falconer espies quarry, when he unhoods his hawk and lets the ends of the jesses go. The jesses are short straps made of soft leather, which all trained hawks and falcons always wear. The goshawks are both females. In all species of the raptores—listen to this, ye suffragettes!—the female is larger and bolder than the male, and hence is more highly esteemed by the falconer. The female goshawk is known as a baz, and is worth anything up to Rs. 150, while the male, called the jurra, will never fetch more than Rs. 80. The goshawks whose exploits I am about to recount cost Rs. 80 and Rs. 60 respectively. They have been trained more especially to take peafowl.

Perhaps the best way to convey the idea of falconry to someone who hasn't seen it is to describe a day’s actual experience. It's December, and we’re in Oudh. This means a bright but perfectly cool day, making riding enjoyable even in the midday sun. Our group consists of an Indian gentleman—a Sikh and a large landowner—who owns the hawks, along with three Europeans all well-mounted, and the chief falconer, who is on a less impressive horse and carries a goshawk on his gloved forearm. [39] There are also two other falconers on foot, one with a goshawk and the other with a sparrow-hawk (Accipiter nisus). A half dozen beaters and three mixed-breed terriers round out the group. The sparrow-hawk is hooded, while the goshawk is not, as it has a less excitable temperament. The hood is a leather cap designed to cover the bird's eyes but not her beak. The hood has a pointed top like a helmet, with some feathers stuck in it, giving the hooded bird a striking look. Sparrow-hawks and peregrines wear these hoods when taken out until the falconer spots prey, at which point he removes the hood and lets the ends of the jesses go. The jesses are short straps made of soft leather that all trained hawks and falcons wear. Both goshawks in our group are females. In all species of raptores—listen up, you suffragettes!—the female is larger and bolder than the male, making her more highly valued by falconers. The female goshawk is called a baz and can be worth up to Rs. 150, while the male, known as a jurra, won’t fetch more than Rs. 80. The goshawks whose stories I’m about to tell cost Rs. 80 and Rs. 60, respectively. They have been trained specifically to hunt peafowl.

The party sets out in a southerly direction across an uneven plain, much intersected by dried-up water-courses. There is no cultivation on the plain, which is to a large extent covered with long sarpat grass and other xerophilous plants. We move along in an irregular line, the dogs and beaters doing their best to put up game. Suddenly a quail rises. “Let loose [40] the sparrow-hawk,” cries the Sirdar. But, alas, the man carrying that bird has lagged behind, so the quail escapes. I may here say that on nine occasions out of ten when out hawking the man with the proper hawk is not where he should be. We continue our course, and presently come to a narrow river running through a deep nullah. Here two or three cormorants come flying overhead. They are forthwith “spotted” by the goshawks, which have all the time been eagerly looking about them in all directions. Having seen the cormorants, they begin tugging excitedly at their jesses. The falconers liberate the goshawks, and away they go in pursuit. After flying about eighty yards, first one goshawk, then the other, gives up the chase, and each repairs to the tree that happens to be nearest it. Then the falconers go up and show the birds pieces of meat, in order to entice them back to the fist. One baz immediately flies to the bait. Not so the other. She sits perched in her tree with an air of j’y suis, j’y reste. In a few seconds some crows catch sight of her and proceed to mob her by flying around her and squawking loudly. However, not one of them dares to touch her. Presently she too flies to her trainer, and the party moves on.

The group heads south across a bumpy plain, crisscrossed by dried-up water channels. There’s no farming here; the land is mostly covered with tall sarpat grass and other dry-loving plants. We move in a jagged line, with the dogs and beaters trying their best to flush out game. Suddenly, a quail takes off. “Release the sparrow-hawk,” shouts the leader. But unfortunately, the guy with that bird has fallen behind, so the quail gets away. I should mention that nine times out of ten when we're out hawking, the person with the right hawk isn't where they need to be. We keep going and soon reach a narrow river flowing through a deep nullah. Here, a few cormorants fly overhead. The goshawks, which have been scanning the area closely, immediately spot them. Once they see the cormorants, they start tugging excitedly at their jesses. The falconers release the goshawks, and they take off in pursuit. After flying about eighty yards, one goshawk gives up the chase, followed by the other, and each heads to the nearest tree. The falconers then approach and show the birds pieces of meat to lure them back to their hands. One baz quickly goes for the bait. Not the other, though. She stays perched in her tree, as if to say j’y suis, j’y reste. After a moment, some crows notice her and start to harass her by flying around and cawing loudly. Still, none of them dare to touch her. Eventually, she flies down to her trainer, and the group continues on.

We next ford the river. On the far side the country is still more rugged, but contains more trees. Presently there is a great commotion in the thicket, and up gets a great peacock. The goshawks are again released and give chase. They fly low and make straight for the peacock, upon which they gain rapidly. We ride hard after them. After a flight of perhaps two hundred [41] yards the hawks, when close up to the object of their chase, give up the pursuit, and fly to trees hard by. I ask their owner why they did not secure the peacock. He replies: “They would have taken it had it been a hen. They are not used to the male bird. Alas, my best hawk, which would take the cock, died last week!” Let me here remark that I have never yet come across a falconer whose best hawk had not recently died. This is the inevitable excuse for the apparently invariable failure of the falcon to secure its quarry. To cut a long story short, neither of those goshawks secured anything that day. Later, the sparrow-hawk was sent after an unfortunate myna (Acridotheres tristis), which it secured after a chase of perhaps a dozen yards. Its talons struck the myna in the neck, and it soon killed it, not, however, before the poor little creature had emitted some heart-rending shrieks. The goshawk must occasionally catch something, or it would not fetch so large a price, and would not be so popular a bird with falconers in Northern India, but I imagine that on most days the hawking party returns without having secured anything.

We next cross the river. On the other side, the landscape is even more rugged but has more trees. Suddenly, there's a lot of noise in the bushes, and up flies a giant peacock. The goshawks are released again and take off after it. They fly low and head straight for the peacock, gaining on it quickly. We ride hard after them. After a flight of about two hundred [41] yards, the hawks, when close to their target, abandon the chase and fly to some nearby trees. I ask their owner why they didn't catch the peacock. He replies, "They would have gotten it if it were a hen. They're not used to the male bird. Unfortunately, my best hawk, which would have taken the cock, died last week!” Let me just say that I’ve never met a falconer whose best hawk hadn’t recently died. This is the typical excuse for the usual failure of the falcon to catch its prey. To cut a long story short, neither of those goshawks caught anything that day. Later, a sparrow-hawk was sent after an unfortunate myna (Acridotheres tristis), which it caught after a chase of maybe a dozen yards. Its talons struck the myna in the neck, and it soon killed it, though not before the poor little creature let out some heart-wrenching shrieks. The goshawk must catch something occasionally, or it wouldn’t sell for such a high price and wouldn’t be so popular with falconers in Northern India, but I imagine that most days the hawking party returns without having caught anything.

Let me now give a brief account of hawking with the Bhairi, or peregrine falcon (Falco peregrinus). The scene, this time, is a huge expanse of flat plain in the Punjab, near the River Jhelum. The hawks belong to a European. We have ridden for several hours, not having succeeded in putting up quarry of any kind. As the falconer seems to have anticipated this, and as he has with him on trial a new peregrine, which he wants to see at work, an unfortunate crow, which was [42] captured in the morning and has been carried round in a bag with us, is let go. He flies in a very stiff manner. When he has flown some eighty yards the peregrine is unhooded and let go after him. She at once flies upwards, and in a few seconds is above the crow, who, seeing her, drops to the ground and lies there on his back prepared to show fight. The falcon stoops at him, but seems to be afraid to tackle him on the ground. The falconer then runs up to him and tries to make him get up; but he refuses, so he is picked up and thrown into the air. The falcon at once stoops at him, but before she reaches him the crow has again dropped to the ground, and still the falcon refuses to close with him. “That bird is of no use,” is the comment of my host, an assertion which I do not feel inclined to contradict.

Let me now give a brief account of hawking with the Bhairi, or peregrine falcon (Falco peregrinus). The scene this time is a vast flat plain in Punjab, near the River Jhelum. The hawks belong to a European. We’ve been riding for several hours without managing to flush out any game. Since the falconer seems to have expected this, and he has a new peregrine he's eager to see in action, an unfortunate crow that was captured in the morning and has been carried around in a bag with us is released. He flies awkwardly. After about eighty yards, the peregrine is unhooded and let go after him. She instantly soars upward, and within seconds, is above the crow, who, noticing her, drops to the ground and lies on his back, ready to fight. The falcon dives at him but seems hesitant to engage him on the ground. The falconer then rushes over and tries to make the crow get up; however, he refuses, so he's picked up and tossed into the air. The falcon dives at him again, but before she can reach him, the crow has dropped back to the ground, and still, the falcon won't go after him. “That bird is of no use,” remarks my host, a statement I don’t feel inclined to dispute.

The only other kinds of falconry I have witnessed are those with hawk-eagles (Spizaëtus nepalensis), shikras (Astur badius), and merlins (Æsalon regulus). Hodgson’s hawk-eagle is so large a bird that to watch him dashing after his quarry is a fine sight. It is said that this species can be trained to capture chinkara (Gazella bennetti). However, I have only seen it in pursuit of a hare that had been previously caught and then let loose. The hawk-eagle overtook this before it had gone fifty yards.

The only other types of falconry I've seen are with hawk-eagles (Spizaëtus nepalensis), shikras (Astur badius), and merlins (Æsalon regulus). Hodgson’s hawk-eagle is such a large bird that watching him chase his prey is an impressive sight. It’s said that this species can be trained to catch chinkara (Gazella bennetti). However, I have only seen it chasing a hare that had been caught earlier and then released. The hawk-eagle caught up to it before it had gone fifty yards.

Hawking with the shikra is, in my opinion, very poor sport, for this little bird of prey makes but one dash at its quarry, and at once desists if this does not enable it to overhaul it. It is usually flown at quails or mynas. While waiting for its victim it is carried on the hand, [43] but is not hooded. When one of the kind of bird to which it has been trained is flushed, the hawker takes the shikra in his hand, holds it between his thumb and fingers, and then throws it like a javelin in the direction of its quarry. Thus it enjoys the benefit of a flying start, but, notwithstanding this, it generally fails to make a catch.

Hawking with the shikra is, in my opinion, not a very good sport, because this small bird of prey makes just one quick attempt at its target and then stops if it can’t catch it. It’s usually used to hunt quails or mynas. While waiting for its prey, it’s held in the hand, [43] but it isn’t hooded. When one of the birds it’s trained to catch is flushed out, the hawker takes the shikra in his hand, grips it between his thumb and fingers, and then launches it like a javelin toward its target. This gives it a flying start, but even then, it usually fails to catch anything.

The contest between a merlin and a hoopoe is an exceedingly pretty sight. The hoopoe is not a very rapid flier, but he is a past master in the art of jinking and dodging, and the manner in which he times the onslaught of the merlin, and jerks himself a couple of inches to right or to left, is a sight for the gods. The merlin, thus cheated of his victim, is carried on by sheer force of momentum some sixty yards before he can turn for another dash at the hoopoe. Meanwhile the latter is steadily flapping towards cover. The merlin is no more successful in his second dash, nor in his third or his fourth; on each occasion the hoopoe escapes, apparently by the proverbial hair’s-breadth. A single merlin is usually not clever enough to capture the wily hoopoe, but when two of them act in concert they usually succeed in doing so.

The contest between a merlin and a hoopoe is a really beautiful sight. The hoopoe isn't the fastest flier, but he's a pro at zigzagging and dodging. The way he times the merlin's attack and shifts himself a couple of inches to the right or left is amazing to watch. The merlin, tricked out of his prey, is carried away by momentum for about sixty yards before he can turn to try again at the hoopoe. Meanwhile, the hoopoe keeps flapping steadily towards cover. The merlin isn't successful in his second, third, or fourth attempts; each time, the hoopoe escapes by what seems like a hair's breadth. A single merlin usually isn't smart enough to catch the clever hoopoe, but when two of them work together, they often manage to succeed.

Such, then, is falconry as I have seen it. I concede that my experience has not been great, but I have witnessed enough to enable me to understand how it is that shooting has almost entirely displaced it as a pastime.

Such is falconry as I have experienced it. I admit that my experience isn't extensive, but I have seen enough to understand how shooting has mostly taken its place as a hobby.

The training of hawks is, of course, most interesting, and must be a very fascinating pursuit to those engaged in it. When once the hawk or falcon has [44] been trained, it appears to me that the best of the fun is over.

The training of hawks is definitely fascinating and must be a thrilling activity for those involved. Once the hawk or falcon has been trained, it seems to me that the most enjoyable part is finished.

The going out in search of quarry seems only an excuse for spending a day in the open on horseback under very pleasant conditions.

The hunt for game feels more like a reason to spend a day outdoors on horseback in nice weather.

[45]


VIII
HAWKS IN MINIATURE

Even as the earth is overrun by dacoits, robbers, and highwaymen in all places where the arm of the law is not far-reaching and hard-striking, so is the air infested with bandits. These feathered marauders fall into three classes, according to the magnitude of their quarry. There are, first, the eagles, falcons, and hawks, which attack creatures of considerable size. Then follow the shrikes or butcher-birds—pocket editions of the raptores—which prey upon the small fry among reptiles, mammals, and birds, also upon the larger insects. Lastly come the fly-catchers, which content themselves with microscopic booty, with trifles that the larger birds of prey do not deem worthy of notice. These last are able to swallow their victims bodily. Not so the shrikes and birds of prey, whose quarry has to be devoured piecemeal, to be captured, killed, then torn to pieces.

Even as the earth is overrun by outlaws, thieves, and robbers in areas where the law doesn't reach effectively, the air is filled with bandits too. These feathered raiders fall into three categories based on the size of their prey. First, there are the eagles, falcons, and hawks, which hunt larger animals. Next are the shrikes or butcher-birds—smaller versions of the raptors—which feed on smaller reptiles, mammals, and birds, as well as larger insects. Finally, there are the fly-catchers, which are satisfied with tiny prey, things that the bigger birds of prey don’t consider worth their time. These last ones can swallow their victims whole. Not so with the shrikes and larger birds of prey, whose targets have to be eaten piece by piece, requiring them to capture, kill, and then tear them apart.

Similarity of calling not infrequently engenders similarity of appearance. Swifts and swallows afford a striking instance of this. Alike externally, they are widely separated morphologically. So is it with the [46] shrikes and the raptores. The earlier naturalists were misled by this outward likeness, and, in consequence, classed the swifts with the swallows and the shrikes with the falcons.

Similarity in function often leads to similarity in appearance. Swifts and swallows are a clear example of this. While they look alike on the outside, they are very different in terms of anatomy. The same is true for shrikes and raptors. Early naturalists were misled by this external resemblance and, as a result, grouped swifts with swallows and shrikes with falcons.

Many are the points of resemblance between the greater and the lesser bandits of the air. The ferocity of their mien is apparent to the most casual observer. Michelet speaks of the eagle as having a “repulsively ferocious figure, armed with invincible talons, and a beak tipped with iron, which would kill at the first blow.” Even more sinister is the aspect of the shrike. The broad black streak that runs from the bill to the nape of the neck serves to accentuate the fierce expression of the eye. The American naturalist Burroughs speaks of the shrike as a “bird with the mark of Cain upon him, . . . the assassin of the small birds, whom he often destroys in pure wantonness, or to sup upon their brains.”

There are many similarities between the larger and smaller birds of prey. Their fierce appearance is obvious to even the most casual observer. Michelet describes the eagle as having a “repulsively ferocious figure, armed with invincible talons, and a beak tipped with iron, which would kill with the first strike.” Even more ominous is the look of the shrike. The wide black streak that runs from the beak to the back of the neck highlights the intense expression in its eye. The American naturalist Burroughs refers to the shrike as a “bird with the mark of Cain upon him, . . . the assassin of the small birds, whom he often destroys out of sheer cruelty, or to feast on their brains.”

Much has been written about the cruelty of birds of prey. Their calling is indeed a barbarous one; they undoubtedly inflict much pain; but these are not reasons why they should be spoken of as villains of the deepest dye, as criminals worthy of the noose. The bird of prey kills his quarry because it is his nature to do so. He regards his victims as so many elusive loaves of bread, made for his consumption, to be obtained for the catching. The fly-catcher holds similar views regarding his quarry. We should bear in mind that the average insectivorous bird kills in the course of his life a vastly greater number of living things than does the eagle. The robin, for example, [47] has been known to devour two and a half times its weight in earthworms in a single day. Were the daily tale of its victims placed end to end they would form a wriggling line fourteen feet in length. Yet writers abuse the fierce and vicious eagle, while they belaud the gentle and good robin. Thus Michelet writes with typical romantic fervour: “These birds of prey, with their small brains, offer a striking contrast to the numerous amiable and plainly intelligent species which we find among the smaller birds. The head of the former is only a beak; that of the latter has a face. What comparison can be made between these giant brutes and the intelligent, all-human bird, the robin redbreast, which at this moment hovers about me, perches on my shoulder or my paper, examines my writing, warms himself at the fire, or curiously peers through the window to see if the spring-time will not soon return?”

A lot has been said about the cruelty of birds of prey. Their behavior is indeed brutal; they definitely cause a lot of suffering. However, that doesn't mean they should be labeled as villains or criminals deserving of punishment. A bird of prey hunts because it’s just in its nature. It views its prey as a series of elusive meals, there for the taking. Similarly, a fly-catcher sees its targets in the same way. It’s important to remember that an average insect-eating bird kills far more living things in its lifetime than an eagle does. For instance, a robin can eat two and a half times its weight in earthworms in just one day. If you lined up all the worms it eats in a day, they would stretch out to fourteen feet long. Yet, writers criticize the fierce and brutal eagle, while praising the kind and harmless robin. Michelet, for example, writes passionately: “These birds of prey, with their small brains, stand in stark contrast to the many lovable and clearly intelligent species found among the smaller birds. The former has just a beak, while the latter has a face. How can we compare these giant brutes to the clever, very human-like bird, the robin, which right now flits around me, perches on my shoulder or my paper, checks out my writing, warms itself by the fire, or curiously peeks through the window to see if spring will come soon?”

Writing of this description is possibly very magnificent, but it is not natural history. What is sauce for the goose is sauce for the gander. If it is wicked of the falcon to devour a duck, I fail to see that it is virtuous of the robin to gobble up a worm.

Writing this description may be really impressive, but it's not natural history. What's good for the goose is good for the gander. If it's wrong for the falcon to eat a duck, I don't see how it's right for the robin to eat a worm.

But to return to the shrike. His beak is very falcon-like. The short, arched, upper mandible, with its pointed, downwardly-directed tip and strong projecting tooth, is a weapon admittedly adapted to the tearing-up of raw flesh. The butcher-bird waits for his quarry much as the buzzard does, sitting immobile on the highest branch of a bush or low tree, whence he scans the surface of the earth. Something moving on the [48] ground arrests his attention. In an instant he has swooped and seized a grasshopper. A second later he is back on his perch, grasping his victim. I have already stated that shrikes feed upon small mammals, birds and reptiles, and large insects. These last make up by far the greater portion of his menu. Often have I watched the smaller species of Indian shrike obtaining a meal, but never have I seen any of these capture anything larger than an insect. Mr. W. Jesse says of the Indian grey shrike (Lanius lahtora)—the largest of our species: “It feeds on crickets, locusts, lizards, and the like. It may occasionally seize a sickly or a young bird, but I have never actually seen it do so.” Other observers have been more fortunate. Thus “Eha” says: “Sometimes it sees a possible chance in a flock of little birds absorbed in searching for grass seeds. Then it slips from its watch-tower and, gliding softly down, pops into the midst of them without warning, and strikes its talons into the nearest.” Similarly Benjamin Aitken writes: “The rufous-backed shrike, though not so large as the grey shrike, is a much bolder and fiercer bird. It will come down at once to a cage of small birds exposed at a window, and I once had an amadavat killed and partly eaten through the wires by one of these shrikes which I saw in the act with my own eyes. The next day I caught the shrike in a large basket, which I had set over the cage of amadavats. On another occasion I exposed a rat in a cage for the purpose of attracting a hawk, and in a few minutes found a Lanius erythronotus fiercely attacking the cage on all sides.”

But let's go back to the shrike. Its beak looks a lot like that of a falcon. The short, curved upper mandible, with its pointed, downward-facing tip and strong projecting tooth, is clearly designed for tearing up raw flesh. The butcher-bird waits for its prey similarly to how a buzzard does, sitting still on the highest branch of a bush or a low tree, where it scans the ground below. Something moving on the ground catches its eye. In an instant, it swoops down and grabs a grasshopper. A moment later, it’s back on its perch, holding its catch. I've already mentioned that shrikes feed on small mammals, birds, reptiles, and large insects. The latter make up the bulk of their diet. I've often watched smaller species of Indian shrike catch their meals, but I've never seen any of them catch anything larger than an insect. Mr. W. Jesse says about the Indian grey shrike (Lanius lahtora)—the largest of our species: “It feeds on crickets, locusts, lizards, and similar creatures. It might occasionally catch a sickly or young bird, but I've never actually seen it happen.” Other observers have had better luck. For example, “Eha” notes: “Sometimes it spots a chance among a flock of little birds focused on searching for grass seeds. Then it glides down from its lookout and unexpectedly swoops into the middle of them, striking with its talons at the closest one.” Similarly, Benjamin Aitken writes: “The rufous-backed shrike, though not as large as the grey shrike, is much bolder and fiercer. It will dive straight down to a cage of small birds displayed at a window; I once saw one of these shrikes kill and partially eat an amadavat through the wires while I was watching. The next day, I caught the shrike in a large basket that I had placed over the amadavat cage. On another occasion, I put a rat in a cage to attract a hawk, and within minutes, I found a Lanius erythronotus aggressively attacking the cage from all sides.”

[49]

I am disposed to regard such cases as the exceptions which prove the rule that the food of, at any rate, the smaller species of shrike, consists mainly of insects. This would explain why so few shrikes’ “larders” are discovered in India. Every popular book on natural history describes how the butcher-bird, having killed his victim, impales it upon a thorn, and leaves it there to grow tender preparatory to devouring it. I have not been lucky enough to come across one of these larders. Other naturalists have been more fortunate, and we may take it as an established fact that even the smaller Indian species of butcher-birds sometimes impale their victims on thorns. The existence of such larders is easily accounted for. When the little butcher captures a victim so large that it has to be torn to pieces before consumption, he has to find some method of fixing it while tearing it up. He is not heavy enough to pin it to the ground with his talons, as a raptorial bird does, so must perforce utilise the fork of a tree or a large thorn. Having taken his fill, he flies away, leaving the remains of his dinner impaled on the thorn, where it is discovered by some enterprising ornithologist.

I tend to see these cases as exceptions that confirm the rule that, at least for the smaller species of shrike, their diet mainly consists of insects. This could explain why so few shrikes’ “larders” are found in India. Every popular natural history book mentions how the butcher-bird, after killing its prey, impales it on a thorn and leaves it there to soften up before eating it. I haven’t been lucky enough to find one of these larders. Other naturalists have had more luck, and it's an established fact that even the smaller Indian species of butcher-birds sometimes impale their victims on thorns. The presence of such larders makes sense. When the small butcher captures a prey that’s too big to eat whole, it needs a way to hold it while tearing it apart. It can’t pin it to the ground like a raptor does, so it resorts to using a tree fork or a large thorn. After it’s eaten its fill, it flies away, leaving the remains stuck on the thorn, where some enterprising ornithologist eventually finds them.

Fifteen species of Lanius are described as existing in India. Of these the three most commonly seen are the rufous-backed, the bay-backed, and the grey species.

Fifteen species of Lanius are noted to exist in India. Among these, the three most frequently spotted are the rufous-backed, the bay-backed, and the grey species.

The rufous-backed shrike (Lanius erythronotus) is the only butcher-bird that is abundant on the Bombay side. It is about the size of a bulbul. It sits bolt upright, with tail pointing to the ground, and in this [50] attitude watches for its quarry. It has a grey head, with a conspicuous broad black band—the mark of the butcher-bird community—running through the eye. Its back is reddish brown. It has a white shirt-front, which makes it easy to see; moreover, it always sits on an exposed perch. To mistake a shrike is impossible. There is no other fowl like unto it.

The rufous-backed shrike (Lanius erythronotus) is the only butcher bird that's common on the Bombay side. It’s about the size of a bulbul. It perches upright, with its tail pointing down, and in this position, it watches for its prey. It has a grey head with a noticeable broad black stripe—the characteristic of butcher birds—running through its eye. Its back is reddish-brown. It has a white chest, which makes it easy to spot; plus, it always sits on a visible perch. You can't confuse a shrike with anything else. There is no other bird like it.

The bay-backed species (L. vittatus) is a somewhat smaller bird, but is very like erythronotus in appearance. It may, however, be distinguished at a glance when on the wing by the white in the wings and tail.

The bay-backed species (L. vittatus) is a slightly smaller bird, but looks very similar to erythronotus. However, it can be easily identified in flight by the white in its wings and tail.

The third common species—the Indian grey shrike (L. lahtora)—has the whole of the back grey, and thus is recognisable without difficulty.

The third common species—the Indian grey shrike (L. lahtora)—has a completely grey back, making it easy to identify.

The nest of the butcher-bird is an untidy, cup-shaped structure, from which pieces of rag frequently hang down. As often as not it is built in a thorny tree, and, by preference, pressed up close against the trunk. Baby shrikes make their début into the world during the hot weather.

The nest of the butcher bird is a messy, cup-shaped structure, often with pieces of rag hanging down. It’s usually built in a thorny tree and tends to be nestled close to the trunk. Baby shrikes make their debut in the warm weather.

[51]


IX
THE ROOSTING OF THE BEE-EATERS

One evening in August I was “on the prowl” with a pair of field-glasses, when I came across a tree from which emanated the twittering of many green bee-eaters (Merops viridis). As the sun was about to set, it was evident that these alluring little birds were getting ready to go to sleep. Most birds seem to roost in company. They do so presumably for the sake of companionship, warmth, and, perhaps, protection. To my mind there is no sight more amusing than that of a number of little birds going to bed, so I turned aside to watch these emerald bee-eaters. The tree in question was an isolated one, growing at the side of a field. I do not know its name, but it was about twenty feet high, with fairly dense foliage, the leaves being in colouring and shape not unlike those of the rose. The bee-eaters in the tree were making a great noise; all were twittering at the top of their musical little voices, and, as there were certainly more than forty of them, to say nothing of some other birds, the clamour may be imagined. From a little distance it [52] sounded like the calling of many cicadas. The birds were evidently busy selecting perches on which to pass the night, and there was, as there seems always to be on such occasions, a certain amount of squabbling. I was going to say “fighting,” but perhaps that would be too strong a word to use for this scramble for places. At times, indeed, the scramble would develop into a fight, and two birds emerge snapping at one another. Once outside they would desist from fighting and return to the tree. Occasionally a bee-eater would dart out of the tree, and make a sally after some flying insect, and, having caught it with a loud snap of its mandibles, return to the tree and disappear into the “leafy bower.” While this was going on amid the foliage, fresh bee-eaters kept coming in from a distance, mostly in pairs. These all made direct for the tree, evidently knowing it well.

One evening in August, I was out “on the prowl” with a pair of binoculars when I spotted a tree alive with the chirping of many green bee-eaters (Merops viridis). As the sun was about to set, it was clear that these charming little birds were preparing to go to sleep. Most birds tend to roost together, probably for companionship, warmth, and maybe protection. In my opinion, there's nothing more entertaining than watching a group of little birds settle down for the night, so I paused to observe these emerald bee-eaters. The tree in question was a solitary one, growing beside a field. I don't know its name, but it was about twenty feet tall, with fairly dense leaves that were similar in color and shape to those of a rose. The bee-eaters in the tree were making quite a racket; they were all chirping at the top of their little voices, and with certainly over forty of them, not to mention some other birds, you can imagine the noise. From a little distance, it sounded like the calls of many cicadas. The birds were clearly busy choosing perches for the night, and there was, as is often the case in such situations, a fair amount of squabbling. I was going to say “fighting,” but that might be too strong a word for this scramble for space. Sometimes, though, the scramble would turn into a fight, with two birds snapping at each other. Once outside, they would stop fighting and return to the tree. Occasionally, a bee-eater would dart out of the tree to chase a flying insect, and after catching it with a loud snap of its beak, it would return to the tree and disappear into the “leafy bower.” While this was happening among the leaves, more bee-eaters kept arriving from a distance, mostly in pairs. They all headed straight for the tree, clearly familiar with it.

I crept up to within about six yards of the dormitory, so as to witness as much as possible of what was going on amongst the leaves.

I quietly moved to about six yards from the dormitory to see as much as I could of what was happening among the leaves.

Some of the birds looked as though they had settled down for the night, since they were quite quiet. Two, in particular, had taken up a position, side by side, close up against one another on a somewhat isolated bough. They sat there quite still except for an occasional turn of the head, which seemed to express surprise and annoyance at the clamour of their fellows. Several other individuals had settled down in the same manner, in rows of two or more, huddled as close as possible together, each row being on a separate branch.

Some of the birds seemed to have settled in for the night, as they were very quiet. Two, in particular, sat side by side, pressed against each other on a somewhat isolated branch. They remained still, except for the occasional turn of their heads, which seemed to show surprise and annoyance at the noise from the others. Several other birds had settled down similarly, in pairs or groups, huddled as closely together as possible, with each group on a separate branch.

[53]

I noticed one line of eight bee-eaters, squeezed up against one another, and very pretty did the eight little heads look. But these rows were subjected to constant disturbance, and were continually being broken up and re-formed. The disturbances came both from within and from without. One of a row, usually the outside one (outside berths are not appreciated by the bird-folk), would suddenly determine to better his position, which he would seek to do by hopping on to his neighbour’s back, and trying to wedge himself in between him and the next bird. This would be resented by the aforesaid neighbour, who would try to shake off the intruder, and the struggle that ensued would, as often as not, result in the break-up of the whole row. Birds that had not already found suitable perches would join rows already in existence. This was a constant source of disturbance. Perhaps four bee-eaters would be sitting on a bough which their weight caused to hang horizontally, then a fifth bird would take it into his little head to alight at the extreme tip of the branch, and bear it down to such an extent that those already on it had to grip hard to maintain their equilibrium. It must be very disconcerting and annoying to a sleepy little bird when the angle of its perch is suddenly changed by fifteen or twenty degrees!

I saw a line of eight bee-eaters, packed closely together, and the eight little heads looked really cute. But these lines were constantly getting disrupted and were always breaking up and reforming. The disturbances came from both inside and outside the group. One bird in the row, usually the one on the end (the bird community doesn’t favor the outside spots), would suddenly decide to improve its position by hopping onto its neighbor's back, trying to squeeze in between that bird and the next one. This would annoy the neighbor, who would try to shake off the intruder, and the resulting struggle would often lead to the entire row falling apart. Birds that hadn’t found good spots to sit would then join existing rows. This was a continuous source of disruption. Maybe four bee-eaters would be perched on a branch, causing it to hang straight out, and then a fifth bird would decide to land at the very tip of the branch, causing it to bend down so much that those already sitting on it had to hold on tightly to keep their balance. It must be really unsettling and frustrating for a sleepy little bird when the angle of its perch suddenly changes by fifteen or twenty degrees!

While I was watching all this some village boys caught sight of me, and, with the curiosity so characteristic of the Punjabi, came up to see what I was looking at. Shortly after their arrival one of them showed his country manners by clearing his throat with such violence as to frighten all the bee-eaters out of [54] the tree in which they were settling down for the night! Some flew to a neighbouring tree, but the majority circled in the air with loud twitterings. Within less than three minutes, however, all were back again, trying to find suitable perches. Before they had half settled down a boy again disturbed them. This was obviously done to annoy me, so I sent the urchins about their business. All the bee-eaters were back again almost immediately. By this time the sun had disappeared below the horizon, a fact which the birds seemed to appreciate, judging by the celerity with which they settled down. It soon grew so dark that I could scarcely distinguish the birds from the foliage which they resemble so much in hue. But for the black streak through the eye I should not have been able to do so. I now crept up under the tree, and was able, by looking up, to distinguish little groups of bee-eaters huddled together. I noticed several couples, two rows of three, four rows of four, and one of five. The tails projected from behind, and by counting these I was able to determine the number in a row. I noticed that the tails were not parallel; some were crossed by others, showing that the birds do not roost so closely packed as they appear to be when looked at from the front. Birds are composed largely of feathers, so that it is easy for them to have the appearance of being packed like sardines in a tin when in reality they have plenty of room.

While I was watching all this, some village boys noticed me and, with the curiosity typical of Punjabis, came over to see what I was looking at. Shortly after they arrived, one of them showed his rural manners by clearing his throat so loudly that it scared all the bee-eaters out of the tree where they were settling down for the night! Some flew to a nearby tree, but most circled in the air, chirping loudly. Within less than three minutes, however, all were back again, trying to find suitable spots to perch. Before they had even half settled down, a boy disturbed them again. This was obviously done to annoy me, so I sent the kids on their way. All the bee-eaters returned almost immediately. By this time, the sun had disappeared below the horizon, a fact that the birds seemed to recognize, judging by how quickly they settled down. It soon got so dark that I could barely distinguish the birds from the foliage they resembled so much in color. If it weren't for the black streak through their eyes, I wouldn't have been able to tell them apart. I then crept under the tree and, by looking up, could make out little groups of bee-eaters huddled together. I saw several couples, two rows of three, four rows of four, and one row of five. The tails stuck out from behind, and by counting them, I was able to determine how many were in a row. I noticed that the tails weren't parallel; some were crossed over others, showing that the birds don’t roost as closely packed as they appear when viewed from the front. Birds are mostly made of feathers, so they can easily look crammed together like sardines in a tin, even when they have plenty of room.

All the birds in a row faced the same way, but some rows looked one way and others another.

All the birds in a row faced the same direction, but some rows looked one way and others looked a different way.

Bee-eaters do not sleep with the head under the wing, [55] as some birds do, but are content to allow it to drop into their downy shoulders.

Bee-eaters don't sleep with their heads tucked under their wings, [55] like some birds do. Instead, they let their heads rest comfortably on their fluffy shoulders.

The little company did not all roost at the same elevation, but none slept on the lowest branches, nor could I distinguish any on the highest boughs. I should say that all the birds roost in the middle zone of the tree. The branches selected were not necessarily those where the foliage was thickest, nor, so far as I could make out, where the sleeping birds would be best protected from dew and rain. As it rained very heavily in the night in question, some of those bee-eaters must have had a nocturnal shower-bath.

The little group didn’t all settle at the same height, but none slept on the lowest branches, and I couldn't see any on the highest ones. I’d say all the birds roost in the middle part of the tree. The branches they chose weren’t necessarily the ones with the thickest leaves, nor, as far as I could tell, were they the spots where the sleeping birds would be best sheltered from dew and rain. Since it rained heavily that night, some of those bee-eaters must have had an overnight shower.

[56]


X
OWLS

It is the misfortune of owls that they are universally unpopular. They are heartily detested by their fellow-birds, who never miss an opportunity of mobbing them. They are looked upon with superstitious dread by the more ignorant classes all the world over. Jews and Gentiles, Christians and heathens, alike hate them. Owls are thought to be “death birds,” “foul precursors of the fiend,” “birds whose breath brings sickness, and whose note is death,” death’s dreadful messengers, Satan’s chapprassis, the devil’s poultry. Poets join with the vulgar plebs in showering abusive epithets upon them. Owls are gibbering, moping, dull, ghastly, gloomy, fearful, cruel, fatal, dire, foul, baleful, boding, grim, sullen birds, birds of mean degree and evil omen. The naturalist is, however, above the vulgar and ill-founded prejudice against the “sailing pirates of the night.” To him, owls are birds of peculiar fascination and surpassing interest. They are of peculiar fascination because he has learned comparatively little about their habits. We day folk have but a slender knowledge of the lives of the creatures of the night. To [57] most of us owls are voces, et præterea nihil—voices which are the reverse of pleasant. Owls are of surpassing interest to the naturalist on account of their perfect adaptation to a peculiar mode of life.

It’s unfortunate for owls that they are generally disliked. Other birds strongly detest them and seize every chance to mob them. Many people around the world view them with superstitious fear. Jews and Gentiles, Christians and non-believers, all have a dislike for them. Owls are believed to be “death birds,” “evil harbingers,” “birds whose breath brings illness, and whose call signifies death,” messengers of death, servants of Satan, the devil’s poultry. Poets join the masses in hurling insults at them. Owls are seen as chattering, gloomy, eerie, frightening, cruel, deadly, ominous, foul, foreboding, grim, and sullen birds, lowly creatures associated with bad omens. However, the naturalist rises above this common and unfounded prejudice against the “sailing pirates of the night.” To him, owls are incredibly fascinating and interesting. They captivate him because he has learned relatively little about their behaviors. Those of us who are active during the day have only a limited understanding of the lives of nighttime creatures. For most, owls are just voces, et præterea nihil—sounds that are far from pleasant. They are of great interest to the naturalist because of their perfect adaptation to a unique way of life.

The owl is a bird of prey which seeks its quarry by night, a “cat on wings,” as Phil Robinson hath it. A master of the craft of night-hunting must of necessity possess exceptional eyesight. His sense of hearing too must be extraordinarily acute, for in the stillness of the night it is the ear rather than the eye that is relied upon to detect the presence of that which is sought. Another sine qua non of owl existence is the power of silent progression. Were the flight of owls noisy, like that of crows and other large birds, their victims would hear them coming, and so be able to make good their escape. He who hunts in the night has to take his quarry by surprise. Everyone must have noticed the great staring orbs of the owl. Like the wolf in the story of Little Red Riding Hood, it has large eyes in order the better to see its victim. The eye of the owl is both large and rounded, and the pupil is big for the size of the eye in order to admit as much moonlight as possible. The visual organs of the owl are made for night work, and so are unsuited to the hours of sunlight. Ordinary daylight is probably as trying to the owl as the glare of the noonday sun in the desert is to human beings. But it is not correct to speak of the owl as blind during the day. He can see quite well. He behaves stupidly when evicted from his shady haunts in the daytime because he is momentarily blinded, just as we human beings are when we suddenly [58] plunge from the darkened bungalow into the midday sun of an Indian June. I have seen owls of various species either sitting on a perch or flying about quite happily at midday.

The owl is a nocturnal bird of prey that hunts its prey at night, described as a “cat on wings,” according to Phil Robinson. A skilled night hunter must have exceptional eyesight and an exceptionally keen sense of hearing. In the quiet of night, it’s the ear, not the eye, that senses what’s nearby. Another essential trait for an owl's survival is the ability to move silently. If owls flew noisily like crows and other large birds, their prey would hear them coming and escape. Hunting at night requires surprising the target. Everyone notices the owl’s large, staring eyes. Like the wolf in Little Red Riding Hood, its big eyes help it better see its prey. The owl has large, round eyes, and its pupils are big relative to the eye size to let in as much moonlight as possible. The owl's vision is designed for nighttime, making it ill-suited for daylight. Bright daylight can be just as challenging for owls as the harsh desert sun is for humans. However, saying that owls are blind during the day isn’t accurate—they can see just fine. They may act confused when disturbed from their shady spots in the daytime because they’re temporarily blinded, just like we are when we suddenly step from a dark room into the bright midday sun in India. I’ve seen various owl species sitting on perches or happily flying around in the middle of the day.

The chief reason why most owls are so strictly nocturnal is because they are intensely unpopular among the birds of the day. These give them a bad time whenever they venture forth. In this the crows take the lead. Crows, like London cads, are intensely conservative. They hate the sight of any curious-looking or strangely dressed person. Put on a Cawnpore tent club helmet, and walk for a mile in the East End of London, and you will learn the kind of treatment to which owls are subjected by their fellow-birds when they venture forth by day. Mr. Evans, writing of the owl in his volume, The Songs of Birds, says: “There is some sad secret, which we do not know, which no bird has yet divulged to us, and which seems to have made him an outcast from the society of birds of the day. He is branded with perpetual infamy.” I trust that Mr. Evans will not take it ill if I state that there is no secret in the matter. Diurnal birds are not aware that the country is full of owls, so that when one of these appears they regard it as an intruder, a new addition to the local fauna, to extirpate which is their bounden duty. When a cockatoo escapes from its cage the local birds mob it quite as viciously as they do the owl.

The main reason most owls are active only at night is that they're really unpopular with daytime birds. These birds make life difficult for them whenever they come out. The crows are the biggest offenders. Crows, much like the rough crowd in London, are very traditional. They can't stand the sight of anyone who looks different or is dressed unusually. If you put on a Cawnpore tent club helmet and walk around for a mile in East London's streets, you'll quickly understand the kind of treatment owls get from other birds when they venture out during the day. Mr. Evans, in his book, The Songs of Birds, mentions: “There is some sad secret, which we do not know, which no bird has yet divulged to us, and which seems to have made him an outcast from the society of birds of the day. He is branded with perpetual infamy.” I hope Mr. Evans won't mind me saying that there’s no secret here. Daytime birds simply don't realize that owls are common in the countryside, so when they see one, they see it as an intruder, a new creature that needs to be driven away. When a cockatoo escapes from its cage, the local birds attack it just as aggressively as they do the owl.

Another peculiarity of the owl lies in the position of its eyes. These are forwardly directed. In most birds the eyes are placed at the side of the head, so that owls [59] alone among the feathered folk can truly be said to possess faces. The position of a bird’s eyes is not the result of chance or accident. A creature whose eyes are forwardly directed can see better ahead of him than he could were they placed at the sides of the head, but he cannot see what is going on behind his back. Animals whose eyes are at the side of the head have a much wider range of vision, for the areas covered by their visual organs do not overlap. Such creatures cannot see quite so well things in front of them, but can witness much of what is going on behind them. They are therefore better protected from a rear attack than they would be did their eyes face forwards. The result of this is that, if we divide birds and beasts into those which hunt and those which are hunted, we notice that in the latter the tendency is for the eyes to be placed at the sides of the head. They thereby enjoy a wider range of vision, while in the former the tendency is for the eyes to be so situated as to enable them best to espy their quarry. Compare the position of the eyes in the tiger and the ox, in the eagle and the sparrow. The tiger and eagle have little fear of being attacked, so have thrown caution to the winds and concentrated their energies to equipping themselves for attack. In owls the eyes are more forwardly directed than in the diurnal birds of prey, because they have to hunt their quarry under more difficult conditions. Even when its ears inform the owl that there is some creature near by, it requires the keenest eyesight to detect what this is. The position of a bird’s eyes is determined by natural selection. With colour and [60] such-like trifles natural selection has but little to do. It works on broad lines. It determines certain limits within which variations are permissible; it does not go into details. So far as it is concerned, an organism may vary considerably, provided the limits it defines are not transgressed. This statement will not meet with the approval of ultra-Darwinians, but I submit that it is nevertheless in accordance with facts. If we try to account for every trivial feature in every bird and beast on the principle of natural selection, we soon find ourselves lost in a maze of difficulties.

Another interesting thing about owls is how their eyes are positioned. Their eyes face forward. Most birds have eyes on the sides of their heads, which means owls are the only birds that can really be said to have faces. The placement of a bird’s eyes isn’t random or by chance. A creature with forward-facing eyes can see better in front of it than if its eyes were on the sides, but it can’t see what’s happening behind it. Animals with eyes on the sides have a much wider field of vision because their visual fields don’t overlap. These creatures may not see as well in front of them, but they can spot a lot of what’s going on behind them. This gives them better protection from attacks from the rear compared to those with forward-facing eyes. Consequently, if we separate animals into those that hunt and those that get hunted, we see that the prey typically has eyes positioned on the sides of their heads. This allows for a broader range of vision, while predators tend to have their eyes positioned for spotting prey. Consider the eye positions of a tiger versus an ox, or an eagle versus a sparrow. Tigers and eagles aren’t as worried about being attacked, so they focus their energy on being effective hunters. Owls have even more forward-facing eyes than daytime hunting birds because they need to catch their prey in more challenging conditions. Even when their ears tell them that something is nearby, they rely on sharp eyesight to figure out what it is. The position of a bird’s eyes is shaped by natural selection. Natural selection isn’t much concerned with color and other minor details. It works on broader principles, setting certain limits for permissible variations without getting into specifics. As far as it’s concerned, an organism can change quite a bit as long as it stays within those defined limits. This view may not be popular with extreme Darwinians, but I believe it aligns with the facts. If we try to explain every small feature of every bird and animal solely through natural selection, we quickly find ourselves in a complex web of challenges.

It is because the eyes of owls are forwardly-directed that they are such easy birds to mob. They can see only in one direction—a limitation which day-birds have discovered. The result is that when the owls do venture forth during the daytime, they come in for rough handling. The position of the eyes in the owl would lead us to infer that the bird has but few enemies to fear, and, so far as I am aware, there is no creature which preys on them, except, of course, the British gamekeeper. Why, then, are owls not more numerous than they are in those countries where there are no gamekeepers to vex their souls? The population of owls must of course be limited by the abundance of their quarry. But there is more than enough food to satisfy the hunger of the existing owls. What, then, keeps down their numbers? Mr. F. C. Selous has asked a similar question with regard to lions in Africa. Even before the days of the express rifle lions were comparatively scarce, while the various species of deer roamed about the country in innumerable herds. The [61] answer must, I think, be found in the intensity of the struggle for existence. Nature balances things with such nicety that the beasts of prey have their work cut out to secure their food. The quarry is there in abundance; the difficulty is to catch it. If this be so, it follows that the weaker, the less swift, the less skilled of the predaceous creatures must starve to death. In that case the lot of birds and beasts of prey is a less happy one than that of their victims. These latter are usually able to find food in abundance, and death comes suddenly and unexpectedly upon them when they are in the best of health. How much better is such an end than death due to starvation?

It’s because owls have their eyes facing forward that they’re such easy targets for mobbing. They can only see in one direction—a limitation that daytime birds have figured out. The result is that when owls do come out during the day, they get treated roughly. The way their eyes are positioned suggests that these birds have few enemies to worry about, and as far as I know, there’s no creature that preys on them, except for the British gamekeeper, of course. So why aren’t there more owls in places where gamekeepers don’t bother them? The owl population has to be limited by the availability of their food source. But there’s more than enough food to satisfy the hunger of the owls that are already around. What, then, keeps their numbers down? Mr. F. C. Selous has posed a similar question about lions in Africa. Even before the era of the express rifle, lions were relatively rare, while various species of deer wandered throughout the country in countless herds. The answer, I think, lies in the intense struggle for survival. Nature balances everything so delicately that predators have a hard time securing their food. The prey is plentiful; the challenge is catching it. If that’s the case, then the weaker, slower, and less skilled predators must end up starving. In that sense, the lives of predators are less fortunate than those of their prey. The latter usually find plenty of food, and death comes suddenly and unexpectedly while they’re in good health. How much better is that than dying of starvation?

In most birds the opening of the auditory organ is small; in owls it is very large and is protected by a movable flap of skin, which probably aids the bird in focussing sounds. In many species of owl the two ear-openings are asymmetrical and differ in shape and size. This arrangement is probably conducive to the accurate location of sound. Want of space debars me from further dilating upon the wonderful ear of the owl.

In most birds, the opening of the ear is small; in owls, it is quite large and is covered by a movable flap of skin, which likely helps the bird focus on sounds. In many owl species, the two ear openings are uneven and vary in shape and size. This setup probably helps them accurately locate sounds. I don't have enough space to go into more detail about the amazing ear of the owl.

In conclusion, mention must be made of the flexible wing feathers, and their soft, downy edges. Air rushing through these makes no sound. Hence the ear may not hear, but

In conclusion, it's important to note the flexible wing feathers and their soft, fluffy edges. Air rushing through them makes no sound. So, while the ear may not hear, but

“The eye

“The eye”

May trace those sailing pirates of the night,

May trace those sailing pirates of the night,

Stooping with dusky prows to cleave the gloom,

Stooping with dark bows to cut through the darkness,

Scattering a momentary wake behind,

Leaving a brief trail behind,

A palpable and broken brightness shed,

A clear but fractured light spread,

As with white wings they part the darksome air.”

As if they have white wings, they cut through the gloomy air.

[62]


XI
A BUNDLE OF INIQUITY

The common squirrel of India is a fur-covered bundle of iniquity. He is a bigger rascal than either the crow or the sparrow. I am aware that these statements will not be believed by many residents of Northern India. I am sorry, but the truth must be told. Let those who will imagine Sciurus palmarum to be a pretty, fluffy little creature, as charming as he is abundant. I know better. I have sojourned in Madras. In Northern India the little striped squirrel is merely one of the many tribes that live on your frontier; in South India he is a stranger who dwells within your gates. We who are condemned to residence in the plains of Northern India keep our bungalows shut up during the greater part of the year in order to protect ourselves from the heat, or the cold, or the dust, or whatever climatic ill happens to be in season. And when the weather does permit us to open our doors we have to guard them by means of chiks from the hordes of insects that are always ready to rush in upon us. Thus we keep the squirrel at arm’s length. In Madras you lead a very different life. The gentle breeze is always welcome, you rarely, if ever, close the doors of your bungalow, for [63] extremes of temperature are unknown. Nor are you obliged to protect every aperture by means of a chik. There is thus no barrier between the squirrel and yourself. The result is that the impudent little rodent behaves as though he believed that men build their bungalows chiefly for his benefit. Not content with living rent-free in your house during the nesting season, he expects you to furnish his quarters for him, and to provide him with food. As I have hinted elsewhere, Indian bungalows are constructed in such a manner as to lead one to infer that there is a secret compact between the builders and the fowls of the air. The rafters rarely fit properly into the walls, and the spaces left make ideal nesting sites for sparrows and squirrels. These last, although devoid of wings, are such adepts at climbing that there are few spots in any building to which they are unable to gain access.

The common squirrel of India is a furry bundle of trouble. He's a bigger rascal than both the crow and the sparrow. I know many people in Northern India won’t believe this. I’m sorry, but the truth needs to be told. Let those who want to think of Sciurus palmarum as a cute, fluffy little thing, as charming as he is plentiful, keep believing that. I know better. I’ve spent time in Madras. In Northern India, the little striped squirrel is just one of many species that live on your borders; in Southern India, he's a stranger residing right in your backyard. We who are stuck living in the plains of Northern India keep our bungalows shut for most of the year to shield ourselves from the heat, cold, dust, or whatever unpleasant weather is happening. And when the weather does allow us to open our doors, we have to use chiks to keep out the swarms of insects that are always eager to invade. This way, we keep the squirrel at a distance. In Madras, you live a very different lifestyle. The gentle breeze is always refreshing, and you hardly ever close your doors because extreme temperatures are a rarity. You aren’t forced to guard every opening with a chik. So, there’s no barrier between you and the squirrel. The result is that the cheeky little rodent acts like he believes that people build their bungalows mostly for his comfort. Not satisfied with living rent-free in your home during nesting season, he expects you to furnish his space and provide him with meals. As I’ve mentioned before, Indian bungalows are designed in such a way that it seems there’s a secret agreement between the builders and the birds in the sky. The rafters seldom fit snugly into the walls, leaving gaps that make perfect nesting spots for sparrows and squirrels. These last ones, even without wings, are such skilled climbers that there are very few places in any building they can’t reach.

In Madras punkahs are up all the year round, and, as usually they are pulled only at meal times, squirrels regard them as paths leading to their nests. Running up the hanging rope, walking, Blondin-like, along the leathern thongs that lead to the punkah, jumping from these on to the top of the punkah frame, climbing up the rope to a rafter, and marching along this to the nest, are feats which the little striped rodent performs without effort.

In Madras, punkahs are used year-round, and since they're usually only pulled during meal times, squirrels see them as routes to their nests. They effortlessly run up the hanging rope, walk along the leather thongs that lead to the punkah, jump onto the top of the punkah frame, climb up the rope to a rafter, and stroll along this to reach their nest.

In default of a suitable cavity, the squirrel constructs, among the branches of a tree, a large globular nest, which has the appearance of a conglomeration of grass, straw, and rubbish, but it contains a cosily lined central cavity. Any available soft material is used [64] to make the interior of the nest warm and comfortable. When squirrels are nesting it is not safe to leave any balls or skeins of wool lying about the bungalow. The fluffy little creatures sometimes display considerable ingenuity in adapting materials for use in nest construction. One rascal of my acquaintance destroyed a nearly new grey topi, finding the felt covering and the pith “the very thing” for nest-lining.

If there isn't a suitable hole, the squirrel builds a large round nest among the branches of a tree. It looks like a jumble of grass, straw, and miscellaneous bits, but inside, it has a cozy, lined central space. Any soft material available is used to make the nest warm and comfortable. When squirrels are nesting, it's not safe to leave any balls or skeins of wool lying around the house. These fluffy little creatures can be quite clever in finding materials for their nests. One little rascal I know destroyed a nearly new grey topi, thinking the felt cover and the pith were just perfect for lining the nest.

Books on natural history inform us that the food of this species of squirrel consists of seeds, fruits, and buds, with an occasional insect by way of condiment. This is the truth, but it is not the whole truth. The above list does not by any means exhaust the menu of Sciurus palmarum. My experience shows him to be nearly as omnivorous as the myna. Occasionally I fall asleep again after my chota hazri has been brought. In Madras I was sometimes punished for my laziness by the disappearance of the toast or the butter. Needless to state that theft had been perpetrated, and that the crows and the squirrels were the culprits.

Books on natural history tell us that this species of squirrel eats seeds, fruits, and buds, with an occasional insect as a treat. This is true, but it's not the whole story. The list above doesn't cover all the food options for Sciurus palmarum. In my experience, they're almost as omnivorous as the myna. Sometimes, I drift off again after my chota hazri has been served. In Madras, I would occasionally get in trouble for being lazy because the toast or butter would go missing. It's obvious that theft had occurred, and the crows and squirrels were the ones responsible.

On one occasion I feigned sleep in order to see what would happen. For a little all was still; presently a squirrel quietly entered the room, took a look round, then climbed up a leg of the table and boldly pulled a piece of toast out of the rack which was within a couple of feet of my face. It was no easy matter for the little thief to climb down the leg of the table with his big load. A loud thud announced that the toast had fallen on to the floor. The squirrel scampered away in alarm, leaving his booty behind him. In a few seconds his head appeared at the doorway; having [65] regarded me attentively with his bright little eye, and satisfied himself that all was well, he advanced to the toast and bore it off. But, alas, the way of transgressors is hard! A “lurking, villain crow,” who had been watching the theft from the verandah, pounced upon the thief, and bore off his ill-gotten toast. The wrath of the squirrel was a sight for the gods. His whole frame quivered as he told that crow what he thought of him.

Once, I pretended to be asleep to see what would happen. For a moment, everything was quiet; then a squirrel quietly came into the room, looked around, climbed up a table leg, and boldly snagged a piece of toast from the rack just a couple of feet from my face. It wasn't easy for the little thief to climb back down the table leg with his heavy load. A loud thump announced that the toast had fallen to the floor. The squirrel dashed away in a panic, leaving his prize behind. A few seconds later, his head popped up at the doorway; after checking me out with his bright little eye and making sure everything was okay, he moved closer to the toast and carried it off. But, unfortunately, the path of the wrongdoer is tough! A “sneaky, villainous crow,” who had been watching the theft from the porch, swooped down on the thief and snatched away his stolen toast. The squirrel’s anger was something to behold. His whole body shook as he told that crow exactly what he thought of him.

Sciurus palmarum is very fond of bread and milk, and will, in order to obtain this, perform deeds of great daring. I once kept a grackle, or hill-myna. This bird, when not at large, used to dwell in a wicker cage. In a corner of this cage a saucer of bread-and-milk was sometimes placed. The squirrels soon learned to climb up the leg of the table on which the cage stood, insert their little paws between the bars, and abstract the bread-and-milk, piece by piece. In order to frustrate them, I placed the saucer in the middle of the cage. Their reply to this was to gnaw through a bar, and boldly enter the cage. They grew so audacious that they used to walk into the cage while I was present in the room; but, of course, the least movement on my part was the signal for them to dash away into the verandah. On one occasion I was too quick for a squirrel who was feeding inside the grackle’s cage. I succeeded in placing my hand in front of the gnawed-through bar before he could escape. He dashed about the cage like a thing demented, and so alarmed the myna that I had to let him out. In half an hour he was again inside the cage!

Sciurus palmarum really loves bread and milk, and to get it, they’ll do some pretty daring things. I once had a grackle, or hill-myna. This bird lived in a wicker cage when it wasn't out flying around. Sometimes, I'd put a saucer of bread and milk in a corner of the cage. The squirrels quickly figured out how to climb the leg of the table where the cage was, slip their tiny paws through the bars, and snatch the bread and milk piece by piece. To stop them, I moved the saucer to the middle of the cage. Their response was to chew through a bar and boldly enter the cage. They got so brave that they would walk into the cage while I was in the room. But as soon as I moved, they would dash away to the verandah. One time, I managed to be quicker than a squirrel who was eating inside the grackle's cage. I was able to put my hand in front of the chewed bar before he could escape. He started scrambling around the cage like crazy, which frightened the myna, so I had to let it out. Half an hour later, the squirrel was back inside the cage!

[66]

The little striped squirrel feeds largely on the ground. As every Anglo-Indian knows, it squats on its hind legs when eating, and nibbles at the food which it holds in its fore-paws. In this attitude its appearance is very rat-like, its tail not being much en évidence. It is careful never to wander far away from trees, in which it immediately takes refuge when alarmed. It does not always wait for the seeds, etc., upon which it feeds, to fall to the ground: it frequently devours these while still attached to the parent plant. Being very light, it can move about on slender boughs. It is able to jump with ease from branch to branch, but in doing so causes a great commotion in the tree; its arboreal movements seem very clumsy when compared with those of birds of the same size.

The little striped squirrel mostly feeds on the ground. As any Anglo-Indian knows, it sits on its hind legs while eating and nibbles at the food it holds in its front paws. In this position, it looks quite rat-like, with its tail not being very noticeable. It is careful not to wander too far from trees, where it quickly takes cover when startled. It doesn’t always wait for seeds and other food to fall to the ground; it often eats these while they’re still attached to the parent plant. Being very light, it can move around on thin branches. It can easily jump from branch to branch, but this creates a lot of commotion in the tree; its movements through the branches seem very awkward compared to birds of the same size.

Squirrels are sociably inclined creatures; when not engaged in rearing up their families they live in colonies in some decayed tree. At sunrise they issue forth from the cavity in which they have slept, and bask for a time in the sun before separating to visit their several feeding-grounds; at sunset they all return to their dormitory. Before retiring for the night they play hide-and-seek on the old tree, chasing each other in and out of the holes with which it is riddled.

Squirrels are social animals; when they’re not busy raising their young, they live together in colonies in some decayed tree. At sunrise, they come out of the hole where they slept and soak up some sun before heading off to their different feeding spots. At sunset, they all come back to their sleeping place. Before settling in for the night, they play hide-and-seek on the old tree, chasing each other in and out of the holes that fill it.

Young squirrels are born blind and naked, and are then ugly creatures. Their skin shows the three black longitudinal stripes—the marks of Hanuman’s fingers—which give this creature its popular name. The hair soon grows and transforms the squirrels.

Young squirrels are born blind and hairless, making them look quite unattractive. Their skin displays three black stripes running along their bodies, which are the marks of Hanuman’s fingers and give these creatures their common name. Their fur quickly develops and changes the appearance of the squirrels.

A baby Sciurus makes a charming pet. The rapid movements are a never-failing source of amusement. It [67] is feeding out of your hand when it takes alarm at apparently nothing, and, before you can realise what has happened, it has disappeared. After a search it is found under the sofa, on the mantelpiece, or out in the garden. I know of one who took refuge in its owner’s skirts. She had to retire to her room and divest herself of sundry garments before she could recover it. Once, in trying to catch a baby squirrel that was about to leap off the table, I seized the end of its tail; to my astonishment the squirrel went off, leaving the terminal inch of its caudal appendage in my hand, nor did the severance of its note of interrogation seem to cause it any pain. A squirrel’s tail, like a lamp brush, is composed mainly of bristles.

A baby Sciurus makes a delightful pet. Its quick movements are always entertaining. It might be eating from your hand when it suddenly gets scared by something that seems harmless, and before you know it, it has vanished. After looking around, you might find it under the sofa, on the mantelpiece, or outside in the garden. I know of one that hid in its owner’s skirt. She had to go to her room and remove several pieces of clothing before she could get it back. Once, while trying to catch a baby squirrel about to jump off the table, I grabbed the end of its tail; to my surprise, the squirrel dashed away, leaving just the last inch of its tail in my hand, and it didn’t seem to feel any pain from that loss. A squirrel’s tail, like a lamp brush, is mostly made up of bristles.

[68]


XII
THE INTERPRETATION OF THE ACTIONS OF ANIMALS

The proper interpretation of the actions of animals is one of the greatest of the difficulties which confront the naturalist. We all know how liable a man’s actions are to be misinterpreted by his fellow-men, whose thoughts and feelings are similar to his. How much more must we be liable to put false constructions on the acts of those creatures whose thoughts are not our thoughts and whose feelings are not our feelings? The natural tendency is, of course, to assign human attributes to animals, to put anthropomorphic interpretations on their actions, to endow dumb creatures with mental concepts like those of man—in short, to credit them with reasoning powers similar to those enjoyed by human beings. That this is incorrect is the opinion of all who have made a study of the question, and yet even such seem unable completely to divest themselves of the tendency to regard animals as rather simple human folk. I do not wish to speak dogmatically upon this most difficult subject. Let it suffice that it is my belief that animals do not possess the mental powers [69] popularly ascribed to them. My object is not to argue, but to record some instances showing how liable we are to misinterpret animal actions.

The right way to understand the actions of animals is one of the biggest challenges faced by naturalists. We all know how easy it is for a person’s actions to be misread by others who share similar thoughts and feelings. So, how much more likely are we to misunderstand the actions of creatures whose thoughts and feelings are completely different from ours? Naturally, we tend to attribute human traits to animals, interpreting their actions in anthropomorphic ways and assuming they have mental concepts like ours—in short, believing they possess reasoning skills similar to humans. Most who study this issue agree that this view is incorrect, yet even they struggle to completely shake the habit of seeing animals as simple versions of people. I don’t want to speak too strongly on this complex topic. It’s enough to say that I believe animals do not have the mental abilities that people often think they do. My goal is not to debate, but to share some examples showing how likely we are to misinterpret animal behavior.

Some time ago, while walking near the golf-links at Lahore, I noticed a rat-bird, or common babbler (Argya caudata, to give it its proper name), with a green caterpillar hanging from its beak. The succulent insect was, of course, intended for a young bird in a nest near by. Being in no hurry, I determined to find that nest. Under such circumstances, the easiest way is to sit down and wait for the parent bird to indicate the position of the nursery. The bird with the caterpillar had seen me, so, instead of flying with it to the nest, moved about from bush to bush uttering his or her note of anger (I do not pretend to be able to distinguish a cock from a hen rat-bird). In a few minutes the other parent appeared on the scene, also with something in its beak. Observing that all was not well, it too began to “beat about the bush,” or rather from one bush to another. Meanwhile, both swore at the ungentlemanly intruder. However, I had no intention of moving on before I found that nest. After a little time the patience of the second bird became exhausted; it flew to a small bush, into which it disappeared, to reappear almost immediately with an empty beak. I immediately advanced on that bush, of which the top was not three feet above the ground. In the bush I found a neatly constructed, cup-shaped nest, which contained five young rat-birds. I handled these, taking one ugly, naked fellow in my hand in full view of the parents, who were swearing like bargees. I was careful [70] to make certain that the mother and father could see what I was doing, for I was anxious to find out how far their laudable attempts at the concealment of the nest from me were due to the exercise of intelligence. Having replaced the baby bird in the nest, I returned to the place where I had waited for the parents to direct me to their nursery, and watched their future actions. If they had been acting intelligently, they would reason thus, “The great ogre has found our nest and seen our little ones. If he wants them we are powerless to prevent him taking them. The game of keeping their whereabouts hidden from him is up. There is nothing left for us to do but to continue to feed our chicks in the ordinary way without further attempt at concealment.” If, however, they were acting blindly, merely obeying the promptings of the instinct which teaches them not to feed their young ones in the presence of danger, they would be as unwilling now to visit the nest as they were after they first caught sight of me. They pursued the latter course, thus demonstrating that this seemingly most intelligent behaviour is prompted by instinct.

Some time ago, while walking near the golf course in Lahore, I spotted a rat-bird, or common babbler (Argya caudata, to be precise), with a green caterpillar hanging from its beak. The juicy insect was obviously meant for a young bird in a nearby nest. Since I wasn’t in a hurry, I decided to find that nest. In this situation, the easiest thing to do is to sit down and wait for the parent bird to show me where the nursery is. The bird with the caterpillar had seen me, so instead of flying directly to the nest, it hopped from bush to bush, making noises of anger (I can’t tell the difference between a male and female rat-bird). A few minutes later, the other parent showed up, also with something in its beak. Seeing that something was wrong, it started to move from one bush to another as well. Meanwhile, both were scolding me, the unwanted intruder. However, I had no plans to leave until I found that nest. After a while, the second bird lost patience; it flew to a small bush and disappeared, only to pop back out almost immediately with an empty beak. I quickly moved towards that bush, which was no more than three feet off the ground. Inside, I found a neatly made, cup-shaped nest containing five young rat-birds. I handled them, holding one ugly, naked chick up in full view of the parents, who were swearing like sailors. I made sure the mother and father could see what I was doing because I wanted to know how much of their effort to hide the nest from me was due to intelligence. After returning the baby bird to the nest, I went back to where I had waited for the parents to lead me to their nursery and observed their next actions. If they were acting intelligently, they would think, “The big monster has discovered our nest and seen our little ones. If he wants them, we can’t stop him from taking them. The game of keeping their location from him is over. We should just continue feeding our chicks normally without trying to hide anymore.” However, if they were acting on instinct, merely responding to the urge to not feed their young in the presence of danger, they would be just as hesitant to visit the nest as they were when they first saw me. They chose the latter approach, showing that this seemingly intelligent behavior is driven by instinct.

It is a well-known fact that some birds, such as the partridge, whose young are able to run about when first hatched, behave in a very clever manner in presence of danger. The mother bird acts as though her wing was broken, and flutters away from the intruder with what appears to be a great and painful effort. By this means she draws the attention of the enemy to herself; meanwhile her chicks are able to hide themselves in whatever cover happens to be convenient. [71] If anything looks like an intelligent act this surely does. But in this case appearances are deceptive. It sometimes happens that a hen partridge acts in this manner before her eggs are hatched. Under such circumstances the pretence of a broken wing is not only useless, but positively harmful, since it probably directs the attention of the intruder to her white eggs. This feigning of injury would thus appear to be a purely instinctive act, a course of behaviour dictated by natural selection. Mr. Edmund Selous discusses the origin of this peculiar habit in that admirable book entitled Bird Watching, to which I would refer those who are interested in the matter. Instances such as these, of acts which are only apparently purposeful, could easily be multiplied. They should prevent our rushing to the conclusion that because a cat, or dog, or horse behaves in a sensible manner under certain conditions, it is exercising intelligence. Natural selection has brought instinct to such perfection that many instinctive actions are very difficult to distinguish from those which are intelligent.

It’s a well-known fact that some birds, like the partridge, have young that can run around right after they’re hatched, and they act very smart when faced with danger. The mother acts as if her wing were broken and struggles to fly away from the intruder, making it seem like a painful effort. This way, she distracts the enemy while her chicks can hide in any convenient cover. [71] If anything looks like a smart move, this surely does. But appearances can be misleading. Sometimes, a hen partridge behaves this way even before her eggs are hatched. In such cases, pretending to have a broken wing is not only pointless, but it can actually be harmful, as it likely draws the intruder’s attention to her white eggs. This act of feigning injury seems to be purely instinctive, a behavior shaped by natural selection. Mr. Edmund Selous explores the origin of this unique habit in his excellent book titled Bird Watching, which I recommend to those interested in the topic. Examples like this, where actions only seem purposeful, could easily be multiplied. They should make us cautious about concluding that behaviors by a cat, dog, or horse that seem sensible demonstrate intelligence. Natural selection has refined instinct to such a degree that many instinctive actions are tough to tell apart from intelligent ones.

[72]


XIII
AT THE SIGN OF THE FARASH

The farash tree (Tamarix articulata), regarded from the point of view of a human being, is everything that a tree should not be. Its wood has little or no commercial value, being of not much use even as fuel. Its needle-like leaves afford no shade. It has a dusty, dried-up, funereal appearance. During the day it absorbs a large amount of the sun’s heat, which it emits, with interest, at night-time, so that if, on a hot-weather evening, you happen to pass near a farash tree you cannot fail to notice that the temperature of the air immediately surrounding it is considerably higher than it is elsewhere. Each farash tree becomes, for the time being, a natural heating stove. In appearance the farash is not unlike a stunted casuarina tree. It is what botanists call a xerophile; it is addicted to dry, sandy soil, and is found only in the more desert-like parts of Sind and the Punjab. The one redeeming feature of the farash tree is the shelter it affords to the fowls of the air. Its wood is so soft and so liable to decay that the tree seems to have been evolved chiefly for the benefit of those birds which nest in holes. The interior of [73] every aged farash is as full of cavities as a honeycomb. A grove of farash trees is a veritable bird hotel; it might with truth be called L’Hôtel des Oiseaux. Like many of the hotels built for the accommodation of human beings, the Farash Hotel is almost deserted at some periods of the year and overcrowded at others. It has its “season.” During the winter months many of its rooms remain untenanted. The more commodious ones, however, are occupied all the year round; some by spotted owlets (Athene brama), and others by the little striped squirrel (Sciurus palmarum). The spotted owlets do not, like most birds, visit the farash merely for nesting purposes; they live in it, lying up in their inner chamber during the day, immune from the attacks of crows, kites, drongos, and other birds that vex the souls of little owls. No matter at what season of the year you call at the hotel, you will find Mr. and Mrs. Spotted Owlet at home during the daytime. If you tap on the trunk, which is tantamount to knocking at the door or shouting “Koi hai,” you may expect to see appear at the door of the suite occupied by the owlets a droll little face, that will bow to you, but with such grimaces as to leave no doubt that you are unwelcome.

The farash tree (Tamarix articulata) is everything a tree shouldn't be from a human perspective. Its wood has little to no commercial value and isn't even very useful as fuel. Its needle-like leaves provide no shade. It has a dusty, dried-up, funeral-like look. During the day, it absorbs a lot of the sun’s heat, which it releases at night, so on a hot evening, if you walk by a farash tree, you’ll definitely notice that the air around it is noticeably warmer than elsewhere. Each farash tree acts like a natural heating stove. Visually, the farash resembles a stunted casuarina tree. Botanists call it a xerophile; it thrives in dry, sandy soil and grows only in the more desert-like areas of Sind and Punjab. The one positive aspect of the farash tree is the shelter it provides for birds. Its wood is so soft and prone to decay that it seems to have evolved mainly for the benefit of birds that nest in holes. The inside of each old farash is as full of cavities as a honeycomb. A grove of farash trees is like a bird hotel; you could honestly call it L’Hôtel des Oiseaux. Much like many hotels built for humans, the Farash Hotel is nearly empty at certain times of the year and overcrowded at others. It has its “season.” During the winter months, many of its rooms stay vacant. However, the larger rooms are occupied year-round; some by spotted owlets (Athene brama) and others by the little striped squirrel (Sciurus palmarum). The spotted owlets don’t just visit the farash for nesting; they live there, resting in their inner chamber during the day, safe from crows, kites, drongos, and other birds that annoy little owls. No matter when you visit, you’ll find Mr. and Mrs. Spotted Owlet at home during the day. If you knock on the trunk, which is like knocking on the door or calling out “Koi hai,” you might see a funny little face appear at the door of the owlets’ suite, that will bow to you, but with such expressions that make it clear you're not welcome.

The squirrels are winter residents in the hotel; they like to dwell in it throughout the year, but are not always permitted to do so. Numbers of them are ejected every February by the green parrot (Palæornis torquatus). The green parrot is a bully, and is neither troubled by the Nonconformist conscience, nor hampered by the Ten Commandments; so that, when he [74] has set his heart on a certain suite in the hotel, he proceeds to install himself therein, regardless of the vested interests of the squirrels. The “season” may be said to begin with the arrival of the green parrots. These rowdy creatures make things “hum,” and must cause considerable annoyance to the more respectable birds that stay in the hotel. The green parrot is to bird gentlefolk what the Italian organ-grinder is to the musical Londoner—an ill that has to be endured. The little coppersmith (Xantholæma hæmatocephala) takes up its quarters in the bird hotel early in the season. It is very particular as regards its accommodation. It holds, and rightly holds, that rooms which have already been lived in are apt to harbour parasites and carry disease, so insists on hewing out a chamber for itself. Owing to the industry of both the cock and the hen, the excavation of their retort-shaped nesting chamber occupies surprisingly little time, and the neat, circular front-door that leads to it compares very favourably with the irregular, broken-down-looking entrance to the quarters occupied by the parrots or owlets. As often as not the coppersmith excavates its nest in a horizontal bough, in which case the entrance is invariably made on the under surface, with the object of preventing rain-water coming into the room.

The squirrels are year-round residents of the hotel; they enjoy staying there all year, but they’re not always allowed to. Each February, many of them are kicked out by the green parrot (Palæornis torquatus). The green parrot is a bully and doesn’t care about the Nonconformist conscience or the Ten Commandments, so when it decides it wants a specific suite in the hotel, it moves in without regard for the squirrels’ rights. The “season” can be said to start with the arrival of the green parrots. These noisy birds liven things up and must annoy the more respectable birds that stay in the hotel. The green parrot is to polite birds what the Italian organ-grinder is to the musical Londoner—an unavoidable nuisance. The little coppersmith (Xantholæma hæmatocephala) settles into the bird hotel early in the season. It is very particular about its living conditions. It rightly believes that rooms that have already been used are likely to have pests and carry disease, so it insists on carving out a space for itself. Thanks to the hard work of both the male and female, digging out their uniquely shaped nesting chamber takes surprisingly little time, and the neat, circular entrance is much nicer than the messy, rundown-looking entries used by the parrots or owlets. More often than not, the coppersmith digs its nest in a horizontal branch, in which case the entrance is always made on the underside to keep rainwater from getting inside.

Another regular patron of the Farash Hotel is the beautiful golden-backed woodpecker (Brachypternus aurantius). This bird usually arrives later in the season than the coppersmith, but, like it, disdains a room which has been occupied by others. It is not, as a rule, [75] so industrious as the coppersmith, for it usually selects for the site of its abode a part of the tree that is more or less hollow, and proceeds, by means of its pick-like beak, to cut out a neat round passage or tube leading to the ready-made cavity.

Another regular guest at the Farash Hotel is the stunning golden-backed woodpecker (Brachypternus aurantius). This bird typically shows up later in the season than the coppersmith but, like the coppersmith, refuses to stay in a room that’s been used by others. Generally, it isn't as hardworking as the coppersmith, since it usually chooses a part of the tree that’s somewhat hollow to make its home and uses its pick-like beak to carve out a neat round passage or tube leading to the ready-made cavity.

The most flashy of the habitués of the hotel is the Indian roller (Coracias indica), or “blue jay,” as he is more commonly called. Like “loud” human beings, the roller bird is excessively noisy. When there are both green parrots and blue jays in the hotel it becomes a veritable bear-garden, resembling the hotels in Douglas, a town of the Isle of Man. During the summer months these are filled with holiday-makers from the Lancashire mills, who seem to spend the greater part of the night in playing hide-and-seek, hunt the slipper, “chase me,” and such-like delectable games in the corridors and public rooms. There is, however, this difference between the rowdiness of the Lancashire “tripper” and that of the parrots and “jays”—the former is chiefly nocturnal, whereas the latter is strictly diurnal. The blue jays indulge in their screechings and caterwaulings, their aerial gymnastics, their “tricks i’ the air,” only during the hours of daylight. Not that the hotel is quiet at night. Far from it. The spotted owlets take care of that. The blue jay is not particular as to the nature of his accommodation; any kind of hole is accepted, provided it be fairly roomy. He is quite content with a depression in the broken stump of an upright bough. Sometimes the bird places in its quarters a little furniture, in the shape of a lining of feathers, grass, and paper. More often [76] the bird scorns such luxuries, and is content with the hard bare wood.

The most flamboyant of the regulars at the hotel is the Indian roller (Coracias indica), or “blue jay,” as it’s more commonly known. Similar to “loud” people, the roller bird is extremely noisy. When both green parrots and blue jays are present in the hotel, it turns into a real party scene, much like the hotels in Douglas, a town on the Isle of Man. During the summer, these places are filled with holiday-goers from the Lancashire mills, who seem to spend most of the night playing hide-and-seek, hunt the slipper, “chase me,” and other fun games in the hallways and common areas. However, there is a key difference between the rowdiness of the Lancashire visitors and that of the parrots and “jays”—the former are mostly active at night, while the latter are strictly daytime creatures. The blue jays engage in their screeching, caterwauling, aerial stunts, and “tricks in the air” only during daylight hours. But the hotel is far from quiet at night. Not at all. The spotted owlets make sure of that. The blue jay isn’t picky about where it stays; any kind of hole will do, as long as it’s reasonably spacious. It’s perfectly happy with a dip in the broken trunk of a standing branch. Sometimes the bird adds a bit of decor to its place with some feathers, grass, and paper. More often, the bird rejects such comforts and is satisfied with the hard, bare wood.

When a pair of blue jays first takes up its quarters in the hotel a great secret is made of the fact. Anyone who did not know the birds might think they were trying to avoid their creditors. This is not the case. The fact is that the nest contains some eggs which the owners imagine every other creature wants to steal. When, however, the young ones hatch out, the parents forget all about the necessity for concealing the whereabouts of the nest, so taken up are they with the feeding of their young ones.

When a couple of blue jays first settles into the hotel, it becomes a big secret. Anyone who doesn’t know the birds might think they’re trying to hide from their creditors. But that’s not true. The reality is that their nest has some eggs that the parents believe every other creature wants to steal. However, when the chicks finally hatch, the parents completely forget about the need to hide the nest's location, as they become so focused on feeding their young.

The hoopoe (Upupa indica) is another bird that must be numbered among the clientèle of the hotel. It is just the kind of visitor that a hotel proprietor likes. It is not in the least particular as to its quarters. Any tumble-down room will do, the filthier the better! All that it demands is that the front-door shall be a mere chink, only just large enough to admit of its' slender body. It then feels that its house is its castle; no enemy can possibly enter it.

The hoopoe (Upupa indica) is another bird that belongs on the hotel guest list. It's exactly the kind of visitor that a hotel owner appreciates. It isn't picky about where it stays. Any rundown room will work, the messier the better! All it asks for is that the front door be just a small opening, barely big enough for its slender body. Then it feels like its home is its fortress; no one can possibly get in.

The common myna (Acridotheres tristis) is another bird which habitually patronises the Farash Hotel. It is even less particular than the hoopoe as to the nature of its quarters—anything in the shape of a hole does quite well. Having secured accommodation, it proceeds to throw into it, pell-mell, a medley of straws, sticks, rags, bits of paper. That is its idea of house-furnishing. So untidy is the myna that you can sometimes discover the room it occupies by the pieces of furniture that stick out of the window! The mynas [77] arrive later than most of the birds which nest in the farash, hence they find all the more desirable suites occupied. This does not distress the happy-go-lucky creatures in the least. They are probably the most contented of all the members of the little colony that lives in the Hôtel des Oiseaux. Summæ opes, inopia cupiditatum.

The common myna (Acridotheres tristis) is another bird that often visits the Farash Hotel. It’s even less picky than the hoopoe about where it stays—any kind of hole works for it. Once it finds a place, it just tosses in a mix of straws, sticks, rags, and scraps of paper. That’s its version of decorating. The myna is so messy that you can sometimes spot its room by the bits of junk hanging out of the window! Mynas arrive later than most birds that nest in the Farash, so they often find the better spots already taken. This doesn’t bother these carefree birds at all. They’re likely the happiest members of the little colony that lives in the Hôtel des Oiseaux. Summæ opes, inopia cupiditatum.

[78]


XIV
THE COOT

The coot (Fulica atra) is a rail which has taken thoroughly to the water. It has, in consequence, assumed many of the characteristics of a duck. We may perhaps speak of it as a pseudo-duck. Certain it is that inexperienced sportsmen frequently shoot and eat coots under the impression that they are “black duck.” Nevertheless, there is no bird easier to identify than our friend, the bald coot. In the hand it is quite impossible to mistake it for a duck. Its toes are not joined together by webs, but are separated and furnished with lobes which assist it in swimming. Its beak is totally different from that of the true ducks. But there is no necessity to shoot the coot in order to identify it. Save for the conspicuous white bill, and the white shield on the front of the head, which constitutes its “baldness,” the coot is as black as the proverbial nigger-boy. Thus its colouring suffices to differentiate it from any of the ducks that visit India. Further, as “Eha” truly says, “its dumpy figure and very short tail seem to distinguish it, even before one gets near enough to make [79] out its uniform black colour and conspicuous white bill.” The difficulty which the coot experiences in rising from the water is another easy way of identifying it. Ducks rise elegantly and easily; the coot plunges and splashes and beats the water so vigorously with wings and feet that it appears to run along the surface for a few yards before it succeeds in maintaining itself in the air. But, when fairly started, it moves at a great pace, so that, as regards flight, it may well say, even at the risk of perpetrating a pun, Il n’y a que le premier pas qui coute. During the efforts preliminary to flight the bird presents a very easy mark; hence its popularity among inexperienced sportsmen. Now, since the coot is, to use a racing term, so indifferent a starter, raptorial birds must find it a quarry particularly easy to catch. Therefore, according to the rules of the game of natural selection, as drawn up by the learned brotherhood of zoologists, the coot ought to be as difficult to see as a thief in the night, and should spend its life skulking among rushes, in order to escape its foes. As a matter of fact it is as conspicuous as a lifeguardsman in full uniform, and, so far from having the habits of a skulker, it seems to take a positive delight in exposing itself, for, as Jerdon says, “It is often seen in the middle of some large tank far away from weeds or cover.”

The coot (Fulica atra) is a type of rail that has fully adapted to life in the water. As a result, it has taken on many features typical of ducks. We might call it a pseudo-duck. It's true that inexperienced hunters often shoot and eat coots thinking they are “black ducks.” However, there's no bird easier to identify than the bald coot. In hand, it’s impossible to mistake it for a duck. Its toes aren’t webbed together; instead, they are separated and have lobes that help with swimming. Its beak is completely different from that of real ducks. But you don’t need to shoot a coot to identify it. Aside from its noticeable white bill and the white shield on its forehead, which gives it its “baldness,” the coot is as black as the stereotypical dark-skinned child. Its coloring sets it apart from any ducks found in India. Furthermore, as “Eha” correctly points out, “its chunky body and very short tail make it recognizable, even before you get close enough to see its uniform black color and prominent white bill.” The coot's struggle to take off from the water is another easy identification method. Ducks take off gracefully and effortlessly; the coot dives and splashes, flapping its wings and feet so intensely that it seems to run across the surface for a few yards before it finally takes to the air. But once it gets going, it moves quickly, and when it comes to flying, it could say, even at the risk of a bad pun, Il n’y a que le premier pas qui coute. During its takeoff efforts, the bird is an easy target, which makes it popular among novice hunters. Given that the coot is, to use a racing term, such a poor starter, predatory birds must find it an especially easy catch. Thus, according to the principles of natural selection, as explained by the scholarly community of zoologists, the coot should be as elusive as a thief in the night and spend its life hiding among reeds to escape its predators. In reality, it is as visible as a lifeguard in full uniform, and rather than hiding, it seems to enjoy showing off, for as Jerdon notes, “It is often seen in the middle of some large pond far from weeds or cover.”

Someone has suggested that the coot is an example of warning colouration, that it is unpalatable to birds of prey, and that its black livery and white face are nature’s equivalent to the druggist’s label bearing the legend “Poison.” Unfortunately for this suggestion, [80] certain sportsmen, as we have seen, never lose an opportunity of dining off roast coot, and appear to be none the worse for the repast. Moreover, Mr. Frank Finn, who holds that no man is properly acquainted with any species of bird until he has partaken of the flesh thereof, informs us that “coots are edible, but need skinning, as the skin is tough and rank in taste.” Miss J. A. Owen has a higher opinion of the flavour of the bird. She maintains that coots are “very good for eating, but they are not often used for the table, chiefly because they are so difficult to pluck, except when quite warm.” Further, low-caste Indians appear to be very partial to the flesh of our pseudo-duck. One of the drawbacks to water-fowl shooting in this country is the constant wail of the boatmen, “Maro wo chiriya, sahib, ham log khate hain” (Shoot that bird, sir, we people eat it). Neither expostulations nor threats will stay the clamour. The sportsman will enjoy no peace until he sacrifices a coot. If, then, human beings of various sorts and conditions can and do eat the coot, it is absurd to suppose that the creature is unpalatable to birds of prey, some of which will devour even the crow. It is true that I do not remember ever having seen an eagle take a coot, but how few of us ever do see raptorial creatures seize their victims? What is more to the point, some observers have seen coots attacked by birds of prey. We are, therefore, compelled to regard the bald coot as a ribald fellow, who makes merry at the expense of modern zoologists by setting at naught the theory of natural selection as it has been developed of late.

Someone has suggested that the coot is an example of warning coloration, that it is unappetizing to birds of prey, and that its black plumage and white face are nature’s equivalent to the drugstore label reading “Poison.” Unfortunately for this idea, [80] some hunters, as we've seen, never miss the chance to enjoy roasted coot, and they seem to suffer no ill effects from the meal. Additionally, Mr. Frank Finn, who believes that no one really knows a bird species until they’ve eaten its flesh, tells us that “coots are edible, but need to be skinned, as the skin is tough and rank in taste.” Miss J. A. Owen has a better opinion of the bird's flavor. She claims that coots are “very good for eating, but they aren’t often prepared for the table, mainly because they’re so hard to pluck, except when they’re still warm.” Furthermore, lower-caste Indians seem to be quite fond of the flesh of our pseudo-duck. One of the downsides of waterfowl hunting in this country is the constant lament from the boatmen, “Maro wo chiriya, sahib, ham log khate hain” (Shoot that bird, sir, we eat it). Neither protests nor threats will quiet their demand. The hunter will find no peace until he gives in and shoots a coot. So, if various people can and do eat the coot, it’s ridiculous to think that it’s unpalatable to birds of prey, some of which will eat even a crow. It’s true that I don’t remember ever seeing an eagle catch a coot, but how many of us really witness raptors take their prey? More importantly, some observers have noted coots being attacked by birds of prey. We are, therefore, forced to see the bald coot as a cheeky character who mocks modern zoologists by dismissing the theory of natural selection as it has been recently proposed.

[81]

Some may, perhaps, accuse me of never missing an opportunity to cast a stone at this hypothesis. To the charge I must plead guilty; but at the same time I urge the plea of justification. The amount of nonsense talked by some naturalists in the name of natural selection is appalling. The generally accepted conception of the nature of the struggle for existence needs modification. Natural selection has of late become a kind of fetish in England. So long as biologists are content to fall down and worship the golden calf they have manufactured, it is hopeless to look for rapid scientific progress. The aspersions I cast on Wallaceism are either justified or they are not. If they are justified, it is surely high time to abandon the doctrine of the all-sufficiency of natural selection to account for the whole of organic evolution. If, on the other hand, they are not justified, why do not the orthodox biologists arise and refute my statements and arguments? It is my belief that the black livery of the coot is not only not the product of natural selection, but is positively harmful to its possessor; that the coot would be an even more successful species than it now is, if, while retaining all its habits and other characteristics, it had a coat of less conspicuous hue. I maintain that many organisms possess characters which are positively injurious to them, and yet manage to survive. Natural selection has to take animals and plants as it finds them—their good qualities with the bad. If a species comes up to a certain standard, that species will be permitted to survive, in spite of some defects. By the ill-luck of variation the coot has [82] acquired black plumage, but this ill-luck is out-weighed by its good-luck in possessing some favourable characters.

Some might, perhaps, accuse me of never missing a chance to criticize this theory. To that accusation, I have to admit it's true; but at the same time, I argue that it's justified. The amount of nonsense spoken by some naturalists in the name of natural selection is shocking. The commonly accepted idea of the struggle for existence needs to be revised. Natural selection has recently become somewhat of a fetish in England. As long as biologists are happy to worship the golden calf they’ve created, it’s pointless to expect significant scientific progress. The criticisms I make of Wallaceism are either justified or they’re not. If they are justified, it’s definitely time to reject the idea that natural selection alone can explain all of organic evolution. On the other hand, if my criticisms aren't justified, why don’t the traditional biologists step up and refute my statements and arguments? I believe that the black plumage of the coot isn’t just not a result of natural selection, but is actually detrimental to its survival; that the coot would be an even more successful species than it is now if it had a less noticeable color while keeping all its habits and other traits. I maintain that many organisms have features that are harmful to them, yet they still manage to survive. Natural selection has to work with animals and plants as they are—their strengths along with their weaknesses. If a species meets a certain standard, it will survive, despite some flaws. Due to unfortunate variation, the coot has developed black feathers, but this bad luck is outweighed by its good fortune in having some advantageous traits.

The first of these favourable attributes is a good constitution. Thanks to this the coot is able to thrive in every kind of climate: in foggy, damp England; in the hot, steamy swamps of Sind, and in cold Kashmir. In this respect it enjoys a considerable advantage over the ducks, inasmuch as it is not exposed to the dangers and tribulations of the long migratory flight.

The first of these positive traits is a strong constitution. Because of this, the coot can thrive in all kinds of climates: in foggy, damp England; in the hot, humid swamps of Sind, and in cold Kashmir. In this way, it has a significant edge over the ducks, as it doesn't face the risks and challenges of long migratory flights.

Another valuable asset of the coot is a good digestion. Creatures which can live on a mixed diet usually do well in the struggle for existence. Then, the coot is a prolific bird. It brings up several broods in the year, and its clutch of eggs is a large one. The nest is usually well concealed among reeds and floats on the surface of the water, so is difficult of access to both birds and beasts of prey. Moreover, the mother coot carefully covers up the eggs when she leaves the nest. Another useful characteristic of the coot is its wariness. Many water-fowl go to sleep in the daytime, but the coot appears to be always watchful. This perhaps explains its popularity with ducks and other water birds, although I should be inclined to attribute it to the extreme amiability of the coot. Nothing seems to ruffle him, except the approach of a strange male bird to the nest. Whatever be the reason therefor, the general popularity of the coot among his fellow-water-fowl is so well established that in England many sportsmen encourage coot on to their waters in order to attract other water-fowl. Thus, a strong constitution, [83] a good digestion, prolificness, and wariness, enable the coot to thrive, in spite of its showy livery. The first three of the above characteristics enable the species to contend successfully with climate and disease, which are checks on the increase of organisms far more potent than predaceous animals. It is also possible—but this has yet to be demonstrated—that the coot, although edible, is not considered a delicacy by birds of prey, and so is taken when nothing more dainty is obtainable. If this be the case, it could, of course, minimise the disadvantages of the coot’s conspicuousness. But even then there is no evading the fact that the blackness of the coot is an unfavourable characteristic.

Another valuable trait of the coot is its good digestion. Animals that can thrive on a varied diet typically do well in the struggle for survival. Additionally, the coot is a prolific bird, raising multiple broods each year with a large clutch of eggs. The nest is usually well hidden among reeds and floats on the water's surface, making it hard for both birds and predators to access. Furthermore, the mother coot carefully covers the eggs when she leaves the nest. Another useful quality of the coot is its cautiousness. Many waterfowl sleep during the day, but the coot seems to always be alert. This might explain its popularity with ducks and other water birds, though I think it also comes down to the coot's friendly nature. Nothing seems to bother it except when a strange male bird approaches the nest. Whatever the reason, the coot's popularity among its fellow waterfowl is so established that in England many hunters encourage coots to come to their waters to attract other waterfowl. Thus, a strong constitution, good digestion, prolific breeding, and wariness allow the coot to thrive despite its flashy appearance. The first three traits help the species successfully deal with climate and disease, which are bigger obstacles to growth than predatory animals. It is also possible—but this still needs to be proven—that the coot, while edible, isn't considered a delicacy by birds of prey, and is only taken when there's nothing better available. If this is true, it could help reduce the downsides of the coot's conspicuousness. But even then, the fact remains that the coot's black coloration is a disadvantage.

[84]


XV
THE BEAUTIFUL PORPHYRIO

The bald coot is, as we have seen, a rail that has taken thoroughly to an aquatic life. The purple coot may be described as a rail, which, while displaying hankerings after a life on the liquid element, has not definitely committed itself to the water. The porphyrio, then, is a rail which, to use a political expression, is “sitting on the fence.” The indecision of Mr. Porphyrio has somewhat puzzled ornithologists. These seem to be unable to come to an agreement as to what to call him. Jerdon dubs him a coot, Blanford a moor-hen. The New Zealanders term him a swamp-hen, and their name is better than that given him by either Jerdon or Blanford, as denoting that the bird is neither a coot nor a moor-hen. But, perhaps, the classical name best suits a bird which is arrayed in purple and fine linen. For the fine linen, please look under the tail, at what Dr. Wallace would call the bird’s recognition mark, although I am sure it will puzzle that great biologist to say what use so uniquely plumaged a bird as the porphyrio can have for a recognition mark. As well might Napoleon have worn a red necktie, to [85] enable his friends to recognise him when they met him! But this is a digression.

The bald coot is, as we've seen, a rail that has fully adapted to life in the water. The purple coot can be described as a rail that, while showing interest in a life on the water, hasn't completely committed to it. So, the porphyrio is a rail that, to put it politically, is “sitting on the fence.” Mr. Porphyrio's indecision has left ornithologists a bit puzzled. They can't seem to agree on what to call him. Jerdon calls him a coot, Blanford calls him a moor-hen. The people of New Zealand refer to him as a swamp-hen, which is a better name than either Jerdon or Blanford's, as it indicates that the bird is neither a coot nor a moor-hen. However, the classical name might suit a bird dressed in purple and fine linen best. For the fine linen, take a look under the tail, at what Dr. Wallace would refer to as the bird's recognition mark, although I’m sure it will stump that great biologist to explain what purpose such uniquely colored plumage serves as a recognition mark. It’s like Napoleon wearing a red necktie to help his friends recognize him when they saw him! But that's a digression.

The Greeks were well acquainted with a near relative of the Indian porphyrio, which they kept in confinement. “For a wonder,” writes Finn, “they did not keep it to eat, but because they credited it with a strong aversion to breaches of the conjugal tie in its owner’s household.” He adds: “Considering the state of morality among the wealthier Romans, I fear that accidents must often have happened to pet porphyrios.”

The Greeks were familiar with a close relative of the Indian porphyrio, which they kept in captivity. “Surprisingly,” writes Finn, “they didn’t keep it for food, but because they believed it had a strong dislike for infidelity in its owner's home.” He continues: “Considering the moral standards among the wealthy Romans, I fear that incidents must have frequently occurred with pet porphyrios.”

The purple moor-hen is a study in shades of art blue—a bird which should appeal strongly to Messrs. Liberty and Co. Its bill, which is not flat like that of a duck, but rounded, is bright red, as is the large triangular shield on the forehead. Its long legs and toes are a paler red. The plumage is thus described by Blanford: “Head pale, brownish grey, tinged with cobalt on cheeks and throat, and passing on the nape into the deep purplish lilac of the hind neck, back, rump, and upper tail-coverts; wings outside, scapulars and breast light greenish blue; abdomen and flanks like the back; the wing and tail-coverts black, blue on the exposed portions; under tail-coverts white.”

The purple moor-hen is a study in shades of artistic blue—a bird that should strongly attract Liberty and Co. Its bill, which is rounded rather than flat like a duck's, is bright red, as is the large triangular shield on its forehead. Its long legs and toes are a lighter shade of red. Blanford describes the plumage this way: “Head pale, brownish grey, tinged with cobalt on cheeks and throat, and transitioning on the nape into the deep purplish lilac of the hind neck, back, rump, and upper tail-coverts; wings outside, scapulars and breast light greenish blue; abdomen and flanks like the back; the wing and tail-coverts black, blue on the exposed parts; under tail-coverts white.”

So striking a bird is this coot, that it cannot fail to arrest one’s attention. Many sportsmen seem unable to resist the temptation of shooting it. Mr. Edgar Thurston informs me that a cold weather never passes without some sportsman sending him a specimen of Porphyrio poliocephalus for the Madras Museum. They [86] come across the bird when out snipe-shooting, and, thinking it a rare and valuable species, pay it the very doubtful compliment of shooting it. As the museum has now a sufficient stock of stuffed porphyrios to meet its requirements for the next few decades, I hope that sportsmen in that part of the world will in future stay their hand when they come across the beautiful swamp-hen.

So striking is this coot that it can’t help but catch your eye. Many hunters seem unable to resist the urge to shoot it. Mr. Edgar Thurston tells me that no cold season passes without some hunter sending him a specimen of Porphyrio poliocephalus for the Madras Museum. They encounter the bird while out snipe-shooting and, thinking it’s a rare and valuable species, pay it the questionable compliment of shooting it. Since the museum now has enough stuffed porphyrios to last for the next few decades, I hope that hunters in that area will think twice before taking aim at the beautiful swamp-hen.

Rush-covered marshes, lakes, and jhils, which are overgrown with reeds and thick sedges, form the happy hunting-grounds of this species. Its long toes enable it to run about on the broad floating leaves of aquatic plants. They also make it possible for the bird to cling to the stems of reeds and bushes. Very strange is the sight it presents when so doing—a bird as big as a fowl behaving like a reed warbler. The long toes of the porphyrio are not webbed, but are provided with narrow lobes which enable it to swim, though not with the same ease as its cousin, the bald coot.

Rush-covered marshes, lakes, and jhils, thick with reeds and sedges, create perfect hunting grounds for this species. Its long toes allow it to move easily on the wide floating leaves of aquatic plants. They also enable the bird to grip the stems of reeds and bushes. It’s quite a strange sight when it does this—a bird as large as a chicken acting like a reed warbler. The long toes of the porphyrio aren’t webbed, but have narrow lobes that help it swim, though not as effortlessly as its relative, the bald coot.

In places where it is abundant the purple swamp-hen is very sociable, and keeps much more to cover than does the coot. When flushed, it flies well and swiftly, with its legs pointing backwards—the position so characteristic of the legs of the heron during flight. Its diet is largely vegetarian, and it is said to commit much havoc in paddy fields. The harm it does is probably exaggerated, for the purple coot flourishes in many districts where no paddy is grown.

In areas where it’s common, the purple swamp-hen is very social and tends to stay hidden more than the coot. When startled, it flies quickly and well, with its legs angled backward—that's a characteristic feature similar to herons in flight. Its diet mainly consists of plants, and it’s said to cause a lot of damage in rice fields. The harm it causes is probably overstated, as the purple coot thrives in many regions where rice isn't cultivated.

This species has one very unrail-like habit, that of taking up its food in its claws. Its European cousin, P. veterum, was seen by Canon Tristram “to seize a [87] duckling in its large foot, crush its head and eat its brains, leaving the rest untouched.” This behaviour Legge stigmatises as cannibalism! There is no evidence that the purple moor-hen is a cannibal, but it is not safe to keep the bird in the same enclosure as weaker birds.

This species has one very unusual habit for a rail: it picks up its food with its claws. Its European relative, P. veterum, was observed by Canon Tristram “grabbing a duckling with its large foot, crushing its head, and eating its brains, while leaving the rest untouched.” Legge calls this behavior cannibalism! There's no evidence that the purple moor-hen practices cannibalism, but it’s not a good idea to keep this bird in the same enclosure as weaker birds.

Its voice is not melodious; indeed, it is scarcely more pleasant to refined ears than the wail of the street-singer.

Its voice isn’t melodious; in fact, it’s hardly more pleasant to sophisticated ears than the cry of a street performer.

Purple coots breed in company. The nest is a platform made of reeds and rushes, or, when these are not available, of young paddy plants, erected on a tussock of long grass projecting out of the water, usually some way from the edge of the jhil. Hume’s observations led him to lay down two propositions regarding the nesting habits of this species. First, “that all birds in the same swamp both lay and hatch off about the same time.” Secondly, “that in two different jhils only a dozen miles apart, and, apparently, precisely similarly situated, there will be a difference of fifteen days or more in the period of the laying of the two colonies.” Neither of these statements appears to hold good of the purple coot in Ceylon, for, according to Mr. H. Parker, “they do not breed there simultaneously.” “Young birds, eggs in all stages of incubation and partly built nests are all found in the same tank. In some cases the eggs are laid at considerable intervals. I have met with a nestling, partly incubated eggs of different ages and fresh eggs in the same nest.” Widely distributed species not infrequently display local variations in habit. Such local peculiarities [88] are of considerable interest, for they must sometimes form the starting-points for new species. They are also responsible for some of the discrepancies which occur in the accounts of the species by various observers. The nesting season is from June to September; August for choice, in India. The eggs are pale pink, heavily splashed with red, quite in keeping with the beautiful plumage that characterises the adult bird. Sometimes the eggs of purple coots are placed under the barn-door fowl. Young porphyrios hatched under such conditions become quite tame and form a pleasing addition to the farmyard.

Purple coots breed together. Their nest is a platform made from reeds and rushes, or, when those aren’t available, from young rice plants, built on a patch of long grass sticking out of the water, usually a bit away from the edge of the jhil. Hume’s observations led him to propose two points about the nesting habits of this species. First, “that all birds in the same swamp both lay and hatch at about the same time.” Secondly, “that in two different jhils only a dozen miles apart, and seemingly in the same conditions, there can be a difference of fifteen days or more in the timing of the two colonies’ egg-laying.” However, neither of these statements seems to apply to the purple coot in Ceylon, because, according to Mr. H. Parker, “they do not breed simultaneously there.” “Young birds, eggs at all stages of incubation, and partly built nests are all found in the same tank. In some cases, the eggs are laid at significant intervals. I have found a nestling, partly incubated eggs of different ages, and fresh eggs in the same nest.” Widely distributed species often show local variations in behavior. These local differences [88] are quite fascinating, as they can sometimes lead to the emergence of new species. They also account for some of the inconsistencies seen in the reports of the species by various observers. The nesting season runs from June to September; with August being preferable in India. The eggs are pale pink, heavily splashed with red, matching the beautiful plumage of the adult bird. Sometimes, the eggs of purple coots are placed under the barn-door hen. Young porphyrios hatched in this way become quite tame and make a lovely addition to the farmyard.

[89]


XVI
THE COBRA

According to my dictionary, the cobra di capello (Naia tripudians) is a reptile of the most venomous nature. This, like many other things the dictionary says, is not strictly true. There exist snakes whose bite is far more poisonous than that of the cobra. The common krait, for example, is four times as venomous, and yet the bite of this little reptile is mild as compared with that of the sea snake, which should be carefully distinguished from the sea-serpent of the “silly season.” But let us not quarrel with the writer of the dictionary; he did his best. The cobra is quite venomous enough for all practical purposes to merit the title of “the most venomous.” A fair bite kills a dog in from five minutes to an hour. Notwithstanding the lethal nature of his bite, the cobra is said by all who know him intimately to be a gentle, timid creature. Sulkiness is his worst vice. In captivity he sometimes sulks to such a degree as to starve to death unless food be pushed down his gullet! The cobra is a reptile who prefers retiring gracefully to facing the foe. It is only when driven into a corner that he strikes, and then [90] apparently he does so with the utmost reluctance. Nicholson writes: “A cobra standing at bay can be readily captured; put the end of a stick gently across his head and bear it down to the ground by a firm and gradual pressure. He will not resist. Then place the stick horizontally across his neck and take him up. You must not dawdle about this; sharp is the word, when dealing with snakes, and they have as much respect for firm and kind treatment as contempt for timidity and irresolution.” “There is very little danger,” he adds, “about handling this snake; nerve is all that is required.” I have no doubt that this is all true. It is certainly borne out by the nonchalance with which an Indian, who is accustomed to snakes, will put his hand into a basket of cobras and pull one out. There are, however, some things the doing of which I prefer to leave to others, and one of these is the handling of venomous snakes. There is always the colubrine equivalent of the personal equation to be taken into consideration. People whose fondness for playing with fire takes the form of snake-charming will do well to operate upon light-coloured specimens, for experience has taught those who handle snakes that dark-coloured varieties are worse-tempered than those of paler hue. In some unaccountable manner blackness seems to be correlated with evil temper. Another word of warning. A snake has a longer reach than might be anticipated. On one occasion, wishing to show how the cobra strikes, I walked up to within a yard or two of one standing at bay and threw a clod of earth at him. He [91] struck, and his head came unpleasantly near to my legs!

According to my dictionary, the cobra di capello (Naia tripudians) is one of the most venomous reptiles. However, like many other things the dictionary says, this isn't entirely accurate. There are snakes whose bites are much more poisonous than that of the cobra. The common krait, for instance, is four times as venomous, yet its bite is mild compared to that of the sea snake, which should not be confused with the sea-serpent from the “silly season.” But let's not argue with the dictionary's author; he did his best. The cobra is definitely venomous enough to deserve the title of “the most venomous.” A typical bite can kill a dog in five minutes to an hour. Despite the deadly nature of its bite, everyone who knows it well claims the cobra is a gentle, shy creature. Its worst flaw is sulkiness. In captivity, it can sulk so much that it might starve to death unless food is forced down its throat! The cobra tends to prefer retreating gracefully rather than confronting threats. It only strikes when cornered and seems to do so with great reluctance. Nicholson writes: “A cobra standing its ground can easily be captured; just place the end of a stick gently across its head and apply firm, gradual pressure to push it down to the ground. It won't resist. Then, place the stick horizontally across its neck and lift it up. You shouldn't linger; be quick when handling snakes, and they respond better to firm and gentle handling than to fear and hesitation.” “There's very little danger,” he adds, “in handling this snake; confidence is all that's needed.” I have no doubt this is true. It's certainly supported by the casual ease with which an Indian familiar with snakes will reach into a basket of cobras and pull one out. However, there are some things I'd rather leave to others, and one of them is handling venomous snakes. There's always a personal risk factor to consider. People whose love for danger manifests as snake-charming should stick to lighter-colored specimens, as experience has shown that darker varieties tend to be more aggressive than lighter ones. Some inexplicable connection seems to link darkness with bad temperament. Another caution: a snake's reach is often longer than you'd expect. Once, trying to demonstrate how a cobra strikes, I approached within a yard or two of one standing its ground and threw a clod of earth at it. It struck, and its head came uncomfortably close to my legs!

The cobra is a species of considerable interest to the zoologist. In the first place, several varieties exist. Some cobras have no figure marked on the hood, others display a pattern like a pair of spectacles, while others show a monocle. These are known respectively as the anocellate, the binocellate, and the monocellate varieties. The binocellate form is most frequently met with. It is found all over India. It is the only variety that occurs in Madras, and the one most commonly found in Bombay and North-Western India. The great majority of the cobras that dwell in Central India belong to the anocellate variety. This form is also found on the frontier from Afghanistan to Sikkim. The monocellate variety is the common cobra of Bengal, Burma, and China.

The cobra is a species of great interest to zoologists. First of all, there are several varieties. Some cobras don’t have any markings on the hood, others have a pattern that looks like a pair of glasses, while some have a single circular mark. These are known as the anocellate, binocellate, and monocellate varieties, respectively. The binocellate type is the most commonly seen. It is found all over India and is the only variety found in Madras, as well as the one most often seen in Bombay and North-Western India. Most of the cobras in Central India belong to the anocellate variety, which is also found along the border from Afghanistan to Sikkim. The monocellate variety is the common cobra in Bengal, Burma, and China.

There can be but little doubt that the cobra is a form undergoing active evolution. Naia tripudians appears to be splitting up into three species. The spectacled cobra is probably the ancestral form. The black anocellate variety seems best adapted to the climatic conditions of the Central Provinces, while the pale, binocellate form thrives in Southern India. It is possible that these external characteristics are in some way correlated with adaptability to particular environments. Curiously enough, brown, yellow, and black varieties of the African cobra (Naia haje) exist. Some species of birds display a similar phenomenon. The coucal or crow-pheasant, for example, is divided up into three local races. Most naturalists are agreed [92] that geographical isolation has been an important factor in the making of some species. Exactly why this should be so has yet to be explained.

There’s little doubt that the cobra is currently evolving. Naia tripudians seems to be diversifying into three species. The spectacled cobra is likely the original form. The black anocellate variety appears to be best suited to the climate of the Central Provinces, while the pale, binocellate form thrives in Southern India. These physical traits may be linked to how well they adapt to specific environments. Interestingly, there are brown, yellow, and black varieties of the African cobra (Naia haje). Some bird species show a similar trend. For example, the coucal or crow-pheasant has three local races. Most naturalists agree that geographical isolation has played a significant role in the development of certain species. The exact reasons for this remain to be explained.

Another interesting feature of the genus Naia is the dilatable neck or hood. Of what use is this to its possessor? Zoologists, or at least those of them who sit at home in easy chairs and formulate theories, have an answer to this question. They assert that the hood has a protective value. A cobra when at bay raises the anterior portion of its body, expands its hood, and hisses. This is supposed to terrify those animals which witness the demonstration. Thus Professor Poulton writes: “The cobra warns an intruder chiefly by attitude and the broadening of its flattened neck, the effect being heightened in some species by the ‘spectacle.’” Unfortunately for this hypothesis, no creature, with the possible exception of man, appears to be in the least alarmed at this display. Dogs regard it as a huge joke. Of this I have satisfied myself again and again, for when out coursing at Muttra we frequently came across cobras, which the dogs used invariably to chase, and we sometimes found it very difficult to keep the dogs off, since they seemed to be unaware that the creature was venomous. Colonel Cunningham’s experience has been similar. He writes: “Sporting dogs are very apt to come to grief where cobras abound, as there is something very alluring to them in the sight of a large snake when it sits up nodding and snarling; and it is often difficult to come up in time to prevent the occurrence of irreparable mischief.” He also states that many ruminants have [93] a great animosity to snakes and are prone to attack any that they may come across. We must further bear in mind that even if the cobra does bite his adversary, this will avail him nothing, for the bite itself, though painful, is not sufficiently so to put a large animal hors de combat immediately. It does not profit the cobra greatly that his adversary dies after having killed him.

Another interesting feature of the genus Naia is the expandable neck or hood. What purpose does this serve for the animal? Zoologists, or at least those who sit comfortably at home and create theories, have an answer. They claim that the hood is for protection. A cobra, when threatened, raises the front part of its body, spreads its hood, and hisses. This is believed to scare off any animals that observe this display. Professor Poulton writes: “The cobra warns an intruder mainly by its posture and the widening of its flattened neck, an effect that’s enhanced in some species by the ‘spectacle.’” Unfortunately for this theory, no creature, except possibly humans, seems to be alarmed by this display. Dogs find it to be quite amusing. I’ve confirmed this time and again, as during our hunting trips in Muttra, we often encountered cobras that the dogs would invariably chase, and we sometimes struggled to keep the dogs away since they didn’t seem to realize the snake was venomous. Colonel Cunningham has had a similar experience. He writes: “Sporting dogs often come to harm in areas where cobras are common, as they find it very enticing to see a large snake sitting up, nodding, and hissing; it’s often hard to intervene in time to prevent serious trouble.” He also notes that many grazing animals have a strong dislike for snakes and tend to attack any they encounter. Additionally, we must remember that even if the cobra does bite its opponent, it doesn’t help much, since the bite, although painful, is not severe enough to incapacitate a large animal right away. It doesn’t hugely benefit the cobra that its opponent dies after killing it.

Thus, it seems to me that neither the hood nor the venom is protective. Indeed, it is difficult to understand how it is that the poison fangs have been evolved. The venom, of course, soon renders a small victim quiescent and so makes the swallowing of it easier than would otherwise be the case. But non-venomous snakes experience no difficulty in swallowing their prey. Moreover, in order that natural selection can explain the genesis and perfecting of an organ it is not sufficient to show that the perfected organ is of use. We must demonstrate that from its earliest beginning the organ in question has all along given its possessor sufficient advantage in the struggle for existence to effect his preservation when his fellows have been killed.

It seems to me that neither the hood nor the venom offers protection. It's hard to understand how the poison fangs developed. The venom, of course, quickly incapacitates a small victim, making it easier to swallow than it would be otherwise. But non-venomous snakes have no trouble swallowing their prey. Moreover, for natural selection to explain the development and refinement of an organ, it's not enough to show that the perfected organ is useful. We must prove that from its very beginning, the organ has consistently provided its owner with enough advantage in the struggle for survival to ensure their continued existence while others have perished.

[94]


XVII
THE MUNGOOSE

From the cobra it is a natural step to his foe—the mungoose. This creature—the ichneumon of the ancients—occupies a most important place in the classical and mediæval bestiaries. Every old writer gives a graphic account, with variations according to taste, of the “mortall combat” between the aspis and the ichneumon. But the noble creature was not content with fighting a mere serpent, it used to pit itself against the leviathan. Pliny tells us that the crocodile, having gorged himself, falls asleep with open mouth in order that the little crocodile bird may enter and pick his teeth. Then the watchful ichneumon “whippeth” into the monster’s mouth and “shooteth” himself down his throat as quick as an arrow. When comfortably inside, the ichneumon sups off the bowels of his host, and, having satisfied his hunger, eats his way out through the crocodile’s belly, so that, to use the words of the learned Topsell, who gallantly gives place aux dames, “Shee that crept in by stealth at the mouth, like a puny thief, cometh out at the belly like a conqueror, through a passage opened by her own labour and industrie.”

From the cobra, it’s a natural transition to its enemy—the mongoose. This animal—the ichneumon of ancient times—holds a significant position in classical and medieval bestiaries. Every old writer provides a vivid description, with variations based on personal style, of the “mortal combat” between the aspis and the ichneumon. But this noble creature wasn’t satisfied with just battling a mere snake; it would also take on the leviathan. Pliny tells us that after gorging itself, the crocodile falls asleep with its mouth wide open, allowing the little crocodile bird to come in and clean its teeth. Then the alert ichneumon jumps into the creature's mouth and shoots down its throat as quickly as an arrow. Once comfortably inside, the ichneumon feasts on the crocodile’s insides, and after satisfying its hunger, it eats its way out through the crocodile’s belly, so that, to quote the learned Topsell, who gallantly gives place aux dames, “She who crept in stealthily at the mouth, like a petty thief, emerges from the belly like a conqueror, through a passage opened by her own effort and diligence.”

[95]

In these degenerate days the mungoose does not perform such venturesome exploits; nevertheless, he still has a “bold and sanguinary disposition.” Sterndale’s tame mungoose once attacked a greyhound. Although in the wild state he does nothing so quixotic as to assail large snakes, the mungoose is a match for the cobra. The natives of India declare that, when bitten by his adversary, he trots off into the jungle and there finds a root or plant which acts as an antidote to poison, so that he may claim to be the discoverer of the anti-venom treatment for snake-bite. We may term this the anti-venom theory to account for the immunity of the mungoose. It bears the stamp of antiquity, but is unsupported by any evidence. In this respect it is not much worse off than some modern zoological theories. The other hypothesis we may call the-prevention-is-better-than-cure theory. It attributes the immunity of the mungoose to his remarkable agility. He does not allow the cobra to “have a bite,” and even if the latter does succeed in striking, the chances are that its fangs will be turned aside by the erected hair of the mungoose or fail to penetrate his tough skin. Blanford states that although it has been repeatedly proved that the little mammal dies if properly bitten by a venomous snake, it is less susceptible to poison than other animals. He adds: “I have seen a mungoose eat up the head and poison glands of a large cobra, so the poison must be harmless to the mucous membrane of the former animal.”

In these troubled times, the mongoose doesn't take on such daring adventures. However, it still has a "bold and bloodthirsty nature." Sterndale’s pet mongoose once attacked a greyhound. Although in the wild, it doesn't engage in such chivalrous acts as attacking large snakes, the mongoose can take on a cobra. People in India say that when bitten by its enemy, it scurries off into the jungle and finds a root or plant that works as an antidote to the poison, which means it can be credited with discovering the anti-venom treatment for snake bites. We can call this the anti-venom theory to explain the mongoose’s immunity. It has an ancient feel but lacks any supporting evidence. In this way, it's not much different from some contemporary zoological theories. The other idea we can refer to as the prevention-is-better-than-cure theory. It credits the mongoose's immunity to its incredible agility. It doesn't let the cobra "get a bite in," and even if the cobra manages to strike, it’s likely that its fangs will be deflected by the raised hair of the mongoose or fail to pierce its tough skin. Blanford points out that while it's been repeatedly shown that the little mammal dies if properly bitten by a venomous snake, it is less vulnerable to poison than other animals. He adds: "I have seen a mongoose eat the head and poison glands of a large cobra, so the poison must be harmless to the mucus membrane of that animal."

Eight species of mungoose occur in the Indian [96] Empire. The only one which is well known is the common mungoose, which Jerdon calls Herpestes griseus. It is, I believe, now known as Herpestes mungo. During the last century it has been renamed some eight or nine times.

Eight species of mongoose are found in the Indian [96] Empire. The most well-known is the common mongoose, which Jerdon refers to as Herpestes griseus. I believe it is now called Herpestes mungo. Over the last century, it has been renamed about eight or nine times.

It is not necessary to describe the mungoose. The few Anglo-Indians who have not met him in the wild state must have frequently seen him among the “properties” of the individual who calls himself a snake-charmer.

It’s not necessary to describe the mongoose. The few Anglo-Indians who haven’t encountered one in the wild must have often seen it among the “props” of the person who calls himself a snake-charmer.

The mungoose lives in a hole excavated by itself. It is diurnal in habits, and feeds largely on animal food. Jerdon states that it is “very destructive to such birds as frequent the ground. Not infrequently it gets access to tame pigeons, rabbits, or poultry, and commits great havoc. . . . I have often seen it make a dash into a verandah where some cages of mynas, parrakeets, etc., were daily placed, and endeavour to tear them from their cage.” But birds are not easy for a terrestrial creature to procure, so that its animal food consists chiefly of mice, small snakes, lizards, and insects. Jerdon states that “it hunts for and devours the eggs of partridges, quail, and other ground-laying birds.” I am inclined to think that the carnivorous propensities of the mungoose have been exaggerated, for its food seems to contain a considerable admixture of vegetable substances. In captivity it will eat bread and bananas, although it requires animal food in addition. McMaster records the case of a mungoose killed near Secunderabad, of which the stomach contained a quail, a portion of a custard apple, a small [97] wasp’s nest, a blood-sucker lizard, and a number of insects—quite a recherché little repast!

The mongoose makes its home in a burrow it digs for itself. It's active during the day and mostly eats animal food. Jerdon mentions that it can be "very destructive to birds that are often found on the ground. It sometimes gets to tame pigeons, rabbits, or poultry and causes a lot of damage. . . . I've often seen it rush into a veranda where I kept cages of mynas, parakeets, etc., trying to pull them out of their cages." However, catching birds isn't easy for a ground creature, so its diet primarily includes mice, small snakes, lizards, and insects. Jerdon notes that "it hunts for and eats the eggs of partridges, quails, and other birds that lay on the ground." I suspect that the mongoose's meat-eating habits have been overstated, as its diet seems to include a fair amount of plant materials. In captivity, it will eat bread and bananas but still needs meat. McMaster documented a case of a mongoose killed near Secunderabad, which had a quail, part of a custard apple, a small wasp's nest, a blood-sucking lizard, and several insects in its stomach—a rather fancy little meal!

In Lahore I, or rather my wife, made the discovery that the mungoose is very fond of bird-seed. A certain individual contrived to spend the greater part of the day in our bungalow. He was probably attracted in the first instance by the amadavats. Finding that these were secure in their strongly-made cage, he turned his attention to their seed, and found that it was good. When he had devoured all that had fallen to the ground he would endeavour by means of his claws to extract seed from within the cage. This used to alarm the birds terribly; one night their flutterings woke me up. It takes an amadavat a long time to learn that it is safe in its cage. It is not until after months of captivity that it will sit on the floor of its house and gaze placidly at the hungry shikra which has alighted on the top. For this reason we did not encourage that mungoose. I may say that we distinctly discouraged it by throwing things at it, or chasing it out of the bungalow whenever we saw it. But it soon became so bold that, unless we ran out of the bungalow after it, it used to remain in hiding in the verandah, and, a few seconds after all was quiet, its little nose would appear at the doorway.

In Lahore, I, or actually my wife, discovered that the mongoose really likes birdseed. One particular mongoose managed to spend most of the day in our bungalow. He was probably first drawn in by the amadavats. When he realized they were safe in their sturdy cage, he focused on their food and found it delicious. Once he'd eaten everything that fell to the ground, he tried to use his claws to reach inside the cage for more seeds. This would frighten the birds a lot; one night, their flapping woke me up. It takes an amadavat a long time to understand that it’s safe in its cage. It’s not until months of being caged that it will sit on the floor and calmly watch the hungry shikra perched above. Because of this, we didn't encourage that mongoose. In fact, we actively discouraged it by throwing things at it or chasing it out of the bungalow whenever we spotted it. But it soon got so bold that unless we rushed out after it, it would stay hidden on the verandah, and just a few seconds after everything went quiet, its little nose would peek out from the doorway.

The impudence of the Indian house-crow is great, that of the sparrow is colossal, that of the striped squirrel staggering, but the impudence of all these is surpassed by that of the mungoose. Small wonder, then, that it makes an excellent pet. McMaster kept one that died of grief when separated from him. But, [98] in order to tame a mungoose, the animal must be captured while young. Babu R. P. Sanyal, in his useful Handbook on the Management of Animals in Captivity, writes: “Adult specimens seldom become tame enough even for exhibition in a menagerie; they either remain hidden away in the straw or snap at the wire, uttering a querulous yelp, possibly expressive of disgust, at the approach of man. They have been known to refuse nourishment and to starve to death.”

The boldness of the Indian house-crow is significant, that of the sparrow is immense, that of the striped squirrel is surprising, but the boldness of all these is surpassed by that of the mongoose. It's no wonder that it makes a great pet. McMaster had one that died from grief when separated from him. But, [98] to tame a mongoose, it needs to be caught when it's young. Babu R. P. Sanyal, in his helpful Handbook on the Management of Animals in Captivity, states: “Adult specimens rarely become tame enough even for display in a zoo; they either stay hidden in the straw or snap at the wire, letting out a whining yelp, possibly showing disgust, when a person approaches. They have been known to refuse food and starve to death.”

A mungoose (Herpestes ichneumon) allied to our Indian species is common in Egypt, where it is known as Pharaoh’s rat or Pharoe’s mouse. It is frequently trained by the inhabitants to protect them from rats and snakes.

A mongoose (Herpestes ichneumon) related to our Indian species is common in Egypt, where it's referred to as Pharaoh’s rat or Pharaoh’s mouse. The locals often train it to help keep rats and snakes away.

The mungoose is a ratter without peer. Bennet, in his Tower Menagerie, states that “the individual now in the Tower actually, on one occasion, killed no fewer than a dozen full-grown rats, which were loosed to it in a room 16 feet square, in less than a minute and a half.” The Egyptian species eats crocodiles’ eggs, so that Diodorus Siculus remarks that but for the ichneumon there would have been no sailing on the Nile. The Indian species seems to display no penchant towards crocodiles’ eggs.

The mongoose is an unmatched rat catcher. Bennet, in his Tower Menagerie, says that “the individual currently in the Tower actually, on one occasion, killed at least a dozen full-grown rats, which were released into a 16-foot square room, in less than a minute and a half.” The Egyptian species eats crocodile eggs, leading Diodorus Siculus to note that if it weren't for the ichneumon, there would have been no navigation on the Nile. The Indian species doesn’t seem to show any interest in crocodile eggs.

[99]


18
THE SWAN

“With that I saw two swannes of goodly hewe

"With that, I saw two beautiful swans."

Come softly swimming downe the lee;

Come gently swimming down the shore;

Two fairer birds I yet did never see;

Two prettier birds I have never seen;

The snow, which does the top of Pindus strew,

The snow that blankets the top of Pindus,

Did never whiter shew.”

"Never showed whiter."

When I speak of “the swan,” I mean the bird called by ornithologists the mute swan (Cygnus olor), the swan of the poets that warbles sublime and enchanting music when it is about to shuffle off its mortal coil, the tame swan of Europe, the swan that used to take Siegfried for cheap trips down the river, the swan that “graces the brook,” the swan of the “stately homes of England,” the swan I used to feed as a youngster on the Serpentine, not the black fellow in St. James’s Park, the swan that hovers expectantly in the offing while you are having tea in a boat on the Thames. This is, of course, by no means the only species of swan. There are plenty of others—white ones, black ones, black-and-white ones—for the family enjoys a wide distribution. Nevertheless, I propose to confine myself to this particular swan. I have excellent reasons for doing so. As it is the only swan with which I have had much to do, I can, like the Cambridge Don [100] who declared that the Kaiser was quite the pleasantest Emperor he had ever met, say that Cygnus olor is the most agreeable of my swan acquaintances. This may sound like flattery, like the fulsome praise of the penny-a-line puffer. It is nothing of the kind. It is barely complimentary. Among the blind the one-eyed is king, unless, of course, he lives in a republic. “You are the best of a very bad lot,” were the encouraging words with which a prize for arithmetic was once handed to me. The mute swan is the most agreeable of a bad-tempered clan.

When I talk about “the swan,” I’m referring to the bird that ornithologists call the mute swan (Cygnus olor), the swan celebrated by poets that sings beautiful and captivating music when it’s about to leave this life. It’s the mild-mannered swan of Europe, the one that used to take Siegfried on leisurely boat rides, the swan that “graces the brook,” the swan of the “stately homes of England,” the swan I fed as a kid on the Serpentine, not the black one in St. James’s Park, the swan that waits expectantly while you enjoy tea on a boat on the Thames. Of course, this is not the only type of swan. There are many others—white ones, black ones, and black-and-white ones—since the family is widely spread. However, I plan to stick to this specific swan. I have good reasons for that. Since it's the only swan I’ve interacted with a lot, I can, like the Cambridge Don who remarked that the Kaiser was the nicest Emperor he’d ever met, say that Cygnus olor is the most pleasant of my swan friends. This might sound like flattery, the kind of exaggerated praise from a low-rate hype artist. But it’s not that at all. It’s hardly complimentary. Among the blind, the one-eyed is king, unless he lives in a republic. “You’re the best of a very bad lot,” were the kind words I received when I was given an arithmetic prize once. The mute swan is the nicest of a grumpy family.

Swans are overrated birds. They cannot hold a candle to their despised cousins, the geese. I am sorry to have to say this, to thus shatter another idol of the poets, to expose yet another of what the Babu would call their “bull cock” stories. I am the more sorry as I am fully aware that this will bring down upon me the thunderous wrath of the literary critic, whose devotion to the British bards is truly affecting. Let me, therefore, by way of trimming, say that there is some justification for idolising the swan. The bird is as beautiful as the heroine in a three-volume novel. He is dignified and stately, full of “placid beauty.” “Proudly and slow he swims through the lake in the evening stillness. No leaf, no wave, is moving: the swan alone goes on his solitary course, floating silently like a bright water spirit. How dazzlingly his snowy whiteness shines! How majestically the undulating neck rises and bends! With what lightness and freedom he glides buoyantly away, the pinions unfurled like sails! Each outline melts into the other; every [101] attitude is full of feeling, in every movement is nobility: an ever-changing play of graceful lines, as though he knew that the very stream tarried to contemplate his beauty.”

Swans are overrated birds. They can’t compare to their disliked relatives, the geese. I’m sorry to say this, to shatter another idol of the poets, to expose yet another of what the Babu would call their “bull cock” stories. I feel especially sorry because I know this will bring down the thunderous wrath of literary critics, whose devotion to British poets is quite moving. So, let me soften the blow by saying there is some reason to idolize the swan. The bird is as beautiful as a heroine in a three-volume novel. It is dignified and stately, full of “placid beauty.” “Proudly and slowly, it swims through the lake in the evening stillness. No leaf, no wave, is moving: the swan alone continues on its solitary path, floating silently like a bright water spirit. How dazzlingly its snowy whiteness shines! How majestically the undulating neck rises and bends! With what lightness and freedom it glides buoyantly away, its wings unfurled like sails! Each outline melts into the next; every position is full of feeling, in every movement is nobility: an ever-changing display of graceful lines, as if it knows that the very stream pauses to admire its beauty.”

But his splendour is not without alloy. It is marred by the tiny, black, beady eye, which gives the bird an evil-tempered, sinister expression. This expression is in keeping with the character of the swan. Cygnus is a bully. He delights to tyrannise over the ducks who so often keep him company in captivity. The domineering behaviour of an old swan that used to live in the Zoological Gardens at Lahore was amusing to watch. The water-fowl are fed twice daily, the food being placed in a series of dishes so that all can eat at once. The swan used to appropriate the first dish to be filled, and no duck or goose durst approach that dish. Having taken the edge off his appetite, the swan would waddle to the next plate, and drive away the ducks that were eating out of it. He would then pass on to dish number three, and so on all along the line, his idea being, apparently, to cause the maximum of annoyance to his neighbours with the minimum of trouble to himself. There were great rejoicings among the ducks when that old swan died.

But his beauty isn’t without flaws. It’s spoiled by the tiny, black, beady eye, giving the bird a bad-tempered, sinister look. This look fits the nature of the swan. Cygnus is a bully. He loves to dominate the ducks that often keep him company in captivity. Watching the bossy behavior of an old swan that used to live in the Zoological Gardens in Lahore was entertaining. The waterfowl are fed twice a day, with the food served in a line of dishes so everyone can eat at once. The swan would claim the first dish filled, and no duck or goose dared to approach it. After easing his appetite, the swan would waddle to the next plate and chase away the ducks that were eating from it. He would then move on to dish number three, and so on, his goal seemingly being to annoy his neighbors as much as possible with minimal effort. There was great celebration among the ducks when that old swan died.

An angry swan is capable of inflicting a nasty blow with its powerful wings. It is said to be able to use these with such force as to break a man’s arm. Mr. Kay Robinson denies this, and declares that the wing of a swan is not a formidable weapon. Personally, I always give the wing the benefit of the doubt and an angry swan a wide berth.

An angry swan can deliver a nasty hit with its strong wings. It's said that it can use them with enough force to break a man's arm. Mr. Kay Robinson disagrees and insists that a swan's wing isn't a serious weapon. Personally, I always err on the side of caution and keep my distance from an angry swan.

[102]

Considering its size, the swan has a very small brain; hence it is not overburdened with intelligence. Mr. H. E. Watson relates how one day when shooting in Sind he came across five swans on a tank. “They let the boat get pretty close,” he writes, “and I shot one. The other four flew round the tank a few times and then settled on it again. I went up in the boat and fired again, but without effect. They flew round, and then settled again. The third time I shot another; the three remaining again flew round and settled, and the fourth time I fired I did not kill. Exactly the same thing happened the fifth time; the birds flew round and round, and settled close to me, and I shot a third. The remaining two flew a little distance, and settled, but I thought it would be a pity to kill them . . . so I began to shoot ducks, and then the two remaining swans flew by me, one on the right and one on the left, so that I could easily have knocked them over with small shot.” What a pity swans are such rare visitors to India! What grand birds they must be for an indifferent shot. One swan on a small jhil would give a really bad gunner a whole morning’s shooting; it would circle round and round the sportsman at short range, letting him blaze off to his heart’s content until it fell a victim to its trustfulness! Try to imagine the so-called stupid goose behaving in this manner.

Considering its size, the swan has a very small brain; so it isn't exactly known for being smart. Mr. H. E. Watson shares a story about a day he was hunting in Sind and came across five swans on a pond. “They let the boat get pretty close,” he writes, “and I shot one. The other four flew around the pond a few times and then settled back down. I moved the boat closer and fired again, but it didn't have any effect. They flew around and then settled again. The third time I shot another; the three that were left flew around and settled, and when I fired the fourth time, I missed. The same thing happened the fifth time; the birds flew around and settled close to me, and I shot a third. The remaining two flew a little ways off and settled, but I thought it would be a shame to kill them… so I started shooting ducks, and then the two remaining swans flew past me—one on the right and one on the left—so I could have easily taken them down with small shot.” What a shame swans are such rare sights in India! They must be magnificent birds for an indifferent shooter. One swan on a small jhil would give a really poor shot a whole morning of shooting; it would circle around the hunter at close range, allowing him to shoot at will until it became a victim of its trustfulness! Can you imagine a supposedly stupid goose behaving that way?

The swan is a very silent bird in captivity, for this reason it is called the mute swan. The only noise I have ever heard it make is a hiss when it is angry. At the breeding season it is said to trumpet sometimes. The ancients believed that the swan, though mute [103] throughout life, sings most sublimely at the approach of death; it then sings, not a funeral dirge, but a jolly, rollicking song. This presented an excellent opportunity for moralising. Mediæval authors were always on the look out for such opportunities. The swan, wrote the author of the Speculum Mundi, “is a perfect emblem and pattern to us, that our death ought to be cheerful, and life not so dear to us as it is.” This practice of singing before death has, like the crinoline, quite gone out of fashion. The mute swan can never have been so great a musician as some of his brethren, since the French horn which he carries in his breast-bone is not nearly so well developed as it is in either the hooper or the black swan. Let me here say, en passant, that both ancient and mediæval writers declined to believe in the existence of a black swan; they regarded it as “the very emblem and type of extravagant impossibility.” The phœnix, the dragon, and the mermaid they could believe, but they felt that they must really draw the line at a black swan.

The swan is a very quiet bird in captivity, which is why it’s called the mute swan. The only sound I've ever heard it make is a hiss when it's angry. During breeding season, it's said to trumpet occasionally. Ancient people believed that the swan, though silent throughout its life, sings beautifully as it approaches death; at that point, it doesn’t sing a mournful tune, but a happy, carefree song. This provided a great opportunity for moral lessons. Medieval authors were always on the lookout for such opportunities. The author of the Speculum Mundi wrote, “the swan is a perfect symbol and example for us, that our death should be joyful, and life shouldn't be so precious to us as it is.” This idea of singing before death has, like the crinoline, completely fallen out of fashion. The mute swan was never as talented a musician as some of its relatives, since the French horn it carries in its breastbone is not nearly as developed as it is in either the hooper or the black swan. Let me just add, en passant, that both ancient and medieval writers refused to believe in the existence of a black swan; they saw it as “the very symbol and type of extravagant impossibility.” They could believe in the phoenix, the dragon, and the mermaid, but they felt they really had to draw the line at a black swan.

A swan’s nest is a bulky structure composed of rushes, reeds, and other aquatic plants; it is placed on the ground near the water’s edge. Six or seven large greenish-white eggs are laid. The breeding season is from March to May. Swans do not, of course, breed in India. Indeed, it is only on rare occasions that they visit that country, and then they do not venture farther south than Sind.

A swan’s nest is a large structure made of rushes, reeds, and other water plants; it’s built on the ground close to the water’s edge. Six or seven large greenish-white eggs are laid inside. The breeding season is from March to May. Swans don’t breed in India, of course. In fact, they only visit that country on rare occasions, and they don’t go any farther south than Sind.

[104]


XIX
KITES OF THE SEA

“Graceful seagulls, plumed in snowy white,

“Graceful seagulls, dressed in snowy white,

Follow’d the creaming furrow of the prow,

Followed the smooth furrow of the bow,

With easy pinion, pleasurably slow;

With an easy pace, enjoyably slow;

Then on the waters floated like a fleet

Then on the waters floated like a fleet

Of tiny vessels, argosies complete,

Small ships, complete argosies,

Such as brave Gulliver, deep wading, drew

Such as brave Gulliver, wading deep, drew

Victorious from the forts of Blefuscu.”

Victorious from the forts of Blefuscu.

Of all the methods of obtaining food to which birds resort, none makes greater demands on their physical powers than that which we human beings term scavenging—the seeking-out and devouring of the multifarious edible objects left, unclaimed by the owners, on the face of the land or the sea. No bird can eke out an existence by scavenging unless it be endowed with wonderful power of flight, the keenest eyesight, and limitless energy, to say nothing of the ability and the will to fight when necessity arises. Thus it happens that it is to the despised scavengers that we must direct our eyes if we would behold the perfection of flight. The vultures, the kites, and the gulls are verily the monarchs of the atmosphere.

Of all the ways birds find food, none requires more from their physical abilities than what we humans call scavenging—searching for and eating various edible items left behind by their owners on land or at sea. No bird can survive by scavenging unless it has incredible flying skills, sharp eyesight, and endless energy, not to mention the courage and determination to fight when necessary. Therefore, it is the often-maligned scavengers that we should pay attention to if we want to see the art of flying at its best. Vultures, kites, and gulls are truly the rulers of the sky.

Bird scavengers are of two kinds—specialists and general practitioners. The former confine themselves [105] to one particular kind of food—the bodies of dead animals. Of such are the vultures. In the polity of the feathered folk might is right, so that these great birds enjoy the prerogative of picking and choosing their food. The lesser fry have to be content with that which the vultures do not require, with the crumbs that fall from the vulturine table; they are ready to devour “anything that is going.” All is grist that comes to their mill.

Bird scavengers come in two types—specialists and generalists. Specialists focus on one specific type of food—the remains of dead animals. Vultures are prime examples of this. In the bird world, the strong have the power, so these large birds get to choose their meals. The smaller birds must settle for what the vultures leave behind, for the scraps that fall from the vultures' feast; they will eat anything available. Anything that comes their way is fair game.

The kites and gulls are the chieftains of the clan of general scavengers. The sway of the former extends over the land: the latter have dominion over the seas. Kites cannot swim; their operations are in consequence necessarily confined to the land, and to water in the neighbourhood of terra firma. Sea-gulls, on the other hand, are as buoyant as corks, and have webbed feet; they are, further, no mean swimmers, and are eminently adapted to a seafaring life. They are birds of powerful flight, and almost as much at home on land as at sea. They confine their attention mainly to the sea, not because they are compelled by their structure to do so, but because they encounter less opposition there.

The kites and gulls are the leaders of the general scavenger group. Kites rule the land, while gulls dominate the seas. Kites can't swim, so their activities are limited to the land and nearby water. Sea-gulls, on the other hand, are as buoyant as corks and have webbed feet; they're also skilled swimmers and are well-suited for a life at sea. They are powerful fliers and feel almost equally at home on land and in the water. They focus mainly on the sea, not because they have to due to their physical build, but because they face less competition there.

Among birds, similarity in feeding habits often engenders similarity in appearance—a professional likeness grows up among those that pursue the same calling. The likeness between swifts and swallows is a remarkable instance of this. The separate sphere of influence occupied by kites and gulls sufficiently explains the dissimilitude of their plumage. In nearly all other respects the birds closely resemble one another. [106] In habits, gulls are marine kites. Grandeur of flight is the most marked attribute of each. They do not cleave the air at great velocity, like swifts or “green parrots.” It is the effortlessness, the perfect ease with which kites and sea-gulls perform their aerial movements for hours at a time, rather than phenomenal speed, that compels our admiration. A dozen gentle flaps of the wings in a minute suffices to enable a gull to keep pace with a fast steamship.

Among birds, similar feeding habits often lead to similar appearances—a professional resemblance develops among those that share the same lifestyle. The similarity between swifts and swallows is a striking example of this. The distinct ecological roles of kites and gulls explain the differences in their plumage. In nearly all other aspects, the birds closely resemble one another. [106] In behavior, gulls are like marine kites. The grandeur of flight is the most notable characteristic of both. They don’t slice through the air at high speeds like swifts or "green parrots." Instead, it’s the effortless, smooth way kites and sea-gulls carry out their aerial maneuvers for hours that earns our admiration, rather than their speed. Just a dozen gentle wing flaps per minute is enough for a gull to keep up with a fast steamship.

Cowper sang of—

Cowper sang about—

“Kites that swim sublime

"Sublime swimming kites"

In the still repeated circles, screaming loud.”

In the same endless loops, screaming out loud.

These words are equally appropriate to the kites of the sea.

These words are just as fitting for the sea's kites.

I have watched, until my eyes grew tired, kites floating in circles in the thin atmosphere, with scarce a movement of the pinions; I have seen gulls keeping pace with a steamer without as much as a quiver of their wings. In each case the wind was the motive power.

I have watched, until my eyes got tired, kites floating in circles in the thin air, barely moving their wings; I have seen seagulls keeping up with a steamer without even a flutter of their wings. In both cases, the wind was the driving force.

Both kites and gulls fly with downwardly directed eyes. Their life is one long search for food. So keen is their vision that no object seems minute enough to escape their notice. The smallest piece of bread thrown from a moving ship is immediately pounced upon by the “wild sea-birds that follow through the air,” but no notice appears to be taken of a piece of paper rolled up into a ball.

Both kites and gulls fly with their eyes focused downward. Their lives are one long quest for food. Their vision is so sharp that no object seems too small to go unnoticed. Even the tiniest piece of bread tossed from a moving ship is quickly snatched up by the "wild sea-birds that follow through the air," but they don't seem to pay any attention to a ball of rolled-up paper.

Gulls, like kites, are omnivorous. Some species occasionally prey upon fish which they catch alive; this method of obtaining food is, however, the exception [107] rather than the rule among gulls. They are sea-birds merely in the sense that they usually pick their food off water. They are found only where there is refuse to be picked up. In those parts of the ocean that are not frequented by ships gulls are conspicuous by their absence. They do not, as a rule, travel very far from land; when they do venture out to sea, it is invariably in the wake of some great ship. Every ocean liner sheds edible objects all along its course, and so attracts numbers of gulls. These follow the ship for perhaps two hundred miles, and then forsake it to return with some homeward-bound vessel.

Gulls, like kites, eat a variety of foods. Some species sometimes catch fish while they are still alive, but this way of finding food is more the exception than the norm for gulls. They are considered sea birds mainly because they usually get their food from the water. They are found only in places where there's trash to scavenge. In parts of the ocean that aren't visited by ships, gulls are noticeably absent. Generally, they don't travel far from land; when they do venture out to sea, it's usually following a large ship. Every ocean liner drops food along its route, attracting lots of gulls. These birds may follow the ship for around two hundred miles before leaving to return with a ship that's heading back to land. [107]

The seashore and the estuaries of tidal rivers are the favourite hunting-grounds of the sea-gulls, the flotsam of the rivers and the jetsam of the waves being the attractions. Numbers of the graceful birds await the return of the fishing smacks, in order to secure the fish thrown away by the fishermen. The marine kites are not always content to wait for rejected fish; not infrequently they boldly help themselves to some of the shining contents of the nets, and sometimes actually tear the meshes with their strong sharp bills. In India there is always much fighting between the gulls and the crows over the fish cast away by the fishers. The antagonists are well matched. Similar contests have been recorded in the British Isles. I cull from The Evening Telegraph the following description of a fight between gulls and rooks over ground covered with worms which had been killed by a salt-water flood: “Thousands of gulls and rooks fought each other with a determination and venom that could [108] not be appreciated unless witnessed. Feathers flew in all directions; the cawing and screaming were almost deafening. It was a genuine fight. At first it took place in mid-air, but soon the combatants came to the ground, and then the struggle centred in and around a fairly large hillock. Just as the gulls appeared to be gaining the upper hand, the report of a gun broke up the fight.”

The seashore and the estuaries of tidal rivers are the favorite hunting grounds of seagulls, drawn by the debris of the rivers and the flotsam of the waves. Many of these graceful birds wait for the return of fishing boats to snatch the fish thrown away by the fishermen. Some marine kites aren’t content to wait for the leftovers; they often take matters into their own hands, helping themselves to the shiny fish in the nets and sometimes even tearing the nets apart with their strong, sharp beaks. In India, there’s always a lot of fighting between gulls and crows over the discarded fish from the fishermen. The rivals are evenly matched. Similar battles have been noted in the British Isles. From The Evening Telegraph, I found this description of a fight between gulls and rooks over an area covered with worms that had been killed by a saltwater flood: “Thousands of gulls and rooks fought each other with a ferocity and intensity that could only be understood by those who witnessed it. Feathers flew everywhere; the cawing and screaming were nearly deafening. It was a real fight. Initially, it took place in the air, but soon the combatants hit the ground, focusing their struggle around a fairly large mound. Just when it seemed like the gulls were gaining the advantage, the sound of a gun interrupted the fight.”

The diet of the kites of the sea is not confined to small things. “A son of the marshes” states that he has seen them feeding with hooded crows on the carcases of moorland sheep. In the British Isles gulls frequently follow the plough and greedily seize the worms and grubs turned up in the furrow. In London and Dublin, and probably in other places, gulls have taken up their residence in the parks, where they feed largely on the bread thrown to the ornamental water-fowl, seizing it in the air before it reaches the ducks. So tame do these gulls become that they will almost take bread from the hands of children. Many people labour under the delusion that these gulls are domesticated ones kept by the authorities along with the ducks and swans.

The diet of sea kites isn't limited to small items. “A son of the marshes” mentions that he has seen them feeding alongside hooded crows on the carcasses of sheep from the moors. In the British Isles, gulls often follow the plow and eagerly grab the worms and grubs that are turned up in the soil. In cities like London and Dublin, and likely elsewhere, gulls have settled in parks, where they primarily eat the bread tossed to the decorative waterfowl, catching it mid-air before it reaches the ducks. These gulls become so accustomed to people that they will almost take bread directly from children's hands. Many people mistakenly believe that these gulls are domesticated ones kept by the authorities alongside the ducks and swans.

Of late years a large colony of gulls has established itself on the Thames opposite the Temple. These now form one of the sights of London. The townsfolk take so much interest in the graceful birds that some individuals earn a living by selling on the Embankment small baskets of little fish which passers-by purchase in order to throw to the screaming gulls that hover around expectantly.

In recent years, a large colony of gulls has made its home on the Thames across from the Temple. They have become one of the attractions in London. The locals are so interested in these graceful birds that some people make a living selling small baskets of little fish on the Embankment, which passers-by buy to toss to the screaming gulls that circle around eagerly.

[109]

Even as hunger frequently drives kites to commit larceny in the farmyard, so does it sometimes turn sea-gulls into birds of prey.

Even though hunger often pushes kites to steal in the farmyard, it can also sometimes turn seagulls into predators.

Mr. W. J. Williams gives an account, in The Irish Naturalist, of a lesser black-headed gull that used to frequent the lake in St. Stephen’s Green Park. It was wont to rest on the cornice of a house overlooking the park, till an opportunity presented itself of swooping down and snatching a duckling. It became so expert at this form of poaching that the Board of Works had the marauder executed. Another gull which attacked a duckling was in turn attacked by the parents (a pair of Chilian wigeons), with such success that the exhausted gull was killed with a stick by one of the Park constables.

Mr. W. J. Williams shares a story in The Irish Naturalist about a lesser black-headed gull that often visited the lake in St. Stephen’s Green Park. It would rest on the ledge of a house overlooking the park until it found a chance to swoop down and grab a duckling. It got so good at this kind of stealing that the Board of Works had the thief removed. Another gull that attacked a duckling was in turn confronted by the parents (a pair of Chilian wigeons), who managed to tire the gull out enough that one of the Park constables killed it with a stick.

In India gulls do not, I think, venture far inland. The terns regard the inland waters of Hindustan as their preserve. Some people eat gulls. The late Lord Lilford declared that the black-headed species is a good bird for the table. I am not prepared to deny this assertion. I shall not put it to the test, for, in my opinion, gulls should be a feast only for the eyes.

In India, gulls don’t, I think, go far inland. The terns see the inland waters of Hindustan as their own territory. Some people eat gulls. The late Lord Lilford said that the black-headed species is good to eat. I’m not going to argue with that. I won’t try it myself, though, because I believe gulls should be a feast for the eyes only.

[110]


XX
RIVER TERNS

A sojourn of a few years in Upper India usually teaches a European to make the most of the cold weather as it gives place to the heat of summer. There is a period of a week or two in March and early April when, although the days are very hot, the nights and early mornings are cool, when the mercury in the thermometer fluctuates between 104° and 68° F. If at this season a man is energetic enough to rise at 5.15, shortly after the birds awake, there are few more pleasant ways of spending the ensuing three hours than by taking what the French would term a promenade upon the water. The gliding motion of a boat propelled by sail or oar is always soothing, and is doubly so when one knows that the breeze which then blows cool upon the cheek will scorch the face seven hours hence. The morning excursion on the water is rendered especially enjoyable if it happens to take place at one of the comparatively few parts of the Ganges or the Jumna where the river-bed is narrow, so that the water fills the space between the banks, instead of being, as is more usually the case, a mere trickle of water meandering through a great expanse of sand. [111] Under the former conditions it is good to sit in the stern of a gliding boat and watch the birds that frequent the river.

A few years spent in Upper India usually teaches a European to make the most of the cold weather before the heat of summer hits. There's a week or two in March and early April when the days are very hot, but the nights and early mornings are cool, with temperatures ranging from 104° to 68° F. If a person is energetic enough to get up at 5:15, shortly after the birds wake up, there are few better ways to spend the next three hours than by taking what the French call a promenade on the water. The smooth motion of a boat moved by sail or oar is always relaxing, especially knowing that the cool breeze on your face now will feel scorching seven hours later. The morning outing on the water is especially enjoyable if it takes place at one of the few spots on the Ganges or the Jumna where the riverbed is narrow, allowing the water to fill the space between the banks, rather than just being a trickle of water winding through a vast area of sand. [111] In such conditions, it's nice to sit in the back of a gliding boat and watch the birds that visit the river.

At sunrise the crow-pheasants (Centropus rufipennis) come to the water’s edge to drink, so that numbers of the long-tailed, black birds with chestnut wings are to be seen from the boat. Having slaked their thirst, they hop up the steep bank with considerable dexterity, to disappear into the stunted bushes that grow on the top of the bank. Then there are, of course, the regular habitués of the water’s edge—the birds that frequent it at all hours of the day—the ubiquitous paddy bird (Ardeola grayii), which spends the greater part of its life ankle-deep in water, waiting motionless for the coming of its prey; the common sandpiper (Totanus hypoleucus), that solitary bird, as small as a starling, which, on the approach of a human being, emits a plaintive cry and flies away, displaying pointed wings along the length of which runs a narrow white bar; the handsome spur-winged plover (Hoplopterus ventralis), whose call is very like that of the did-he-do-it—but we must not dwell on these littoral birds, for to-day I would write of terns, the river birds par excellence. None of God’s creatures are more attractive than terns to those who love beauty. That few, if any, of our English poets have sung the praises of these beautiful birds surely demonstrates how little attention poets pay to nature, and how artificial are their writings. This will, I fear, annoy the friends of the poets. I am sorry, but I cannot help it. It is the fault of the bards for having so grossly neglected the terns.

At sunrise, the crow-pheasants (Centropus rufipennis) come to the water's edge to drink, so you can see plenty of the long-tailed, black birds with chestnut wings from the boat. After quenching their thirst, they hop up the steep bank with impressive skill, disappearing into the small bushes that grow at the top. Then there are, of course, the regulars at the water's edge—the birds that visit at all hours of the day—the ever-present paddy bird (Ardeola grayii), which spends most of its life standing in ankle-deep water, waiting perfectly still for its prey; the common sandpiper (Totanus hypoleucus), that solitary little bird, about the size of a starling, which gives a sad cry and flies off when a human approaches, showing pointed wings featuring a narrow white stripe; the striking spur-winged plover (Hoplopterus ventralis), whose call is very similar to that of the did-he-do-it—but we shouldn’t dwell on these shoreline birds, as today I want to write about terns, the ultimate river birds. None of God’s creatures are more beautiful than terns to those who appreciate beauty. The fact that few, if any, of our English poets have celebrated these lovely birds surely shows how little attention poets pay to nature, and how artificial their writing can be. This might annoy the poets' fans. I apologize, but I can't help it. It’s the poets' fault for so greatly overlooking the terns.

[112]

In colouring, these superb birds show what endless possibilities are open to the artist who confines himself to black and white and their combinations.

In coloring, these amazing birds demonstrate the endless possibilities available to an artist who limits themselves to black and white and their combinations.

There is in the flight of terns a poetry of motion over which no one with an eye for the beautiful can fail to wax enthusiastic. The popular name for terns—sea-swallows—is a tribute to their wing power. They are all designed upon a common plan. Length and slimness characterise every part of their anatomy, save the legs, which are very short. Terns rarely walk; nearly all their movements are aerial.

There’s a poetic quality to the way terns fly that anyone who appreciates beauty can’t help but admire. The common name for terns—sea-swallows—highlights their amazing flying ability. They all share a similar design. Length and slenderness define every part of their body, except for their very short legs. Terns hardly ever walk; nearly all their movements happen in the air.

The terns that commonly frequent the rivers of Upper India are of three species—the black-bellied tern (Sterna melanogaster), the Indian river tern (S. seena) with its deeply forked tail, and the whiskered tern (Hydrochelidon hybrida), a study in pale grey. These, when not resting on a sandbank, are dashing through the air without effort, ever and anon dropping on to the water to pick something from off the surface, or plunging in after a fish. Allied to the terns, and found along with them, are the Indian skimmers (Rynchope albicollis), easily recognised by their larger size and black wings.

The terns that are commonly seen around the rivers of Upper India belong to three species: the black-bellied tern (Sterna melanogaster), the Indian river tern (S. seena) with its deeply forked tail, and the whiskered tern (Hydrochelidon hybrida), which is a light grey color. When they're not resting on a sandbank, they effortlessly dart through the air, occasionally landing on the water to grab something from the surface or diving in after a fish. Alongside the terns, you'll also find the Indian skimmers (Rynchops albicollis), which are easy to identify due to their larger size and black wings.

The passing of a black crow causes some of the terns to desist from their piscatorial occupation, in order to mob the intruder. This means that there are terns’ eggs or young ones in the vicinity. Many species of birds betray the presence of their nests by displaying unusual pugnacity at the breeding season. To discover the eggs or young of the terns is not a difficult matter. It is only necessary to land upon the nearest island [113] between which and the river bank there is a sufficient depth of water to prevent jackals fording it. If the island contain eggs or young ones, the parent birds will make a hostile demonstration by collecting overhead and flying backwards and forwards, uttering their harsh cries, and the nearer one approaches the nest the more clamorous do they become. In this manner they unwittingly inform the nest-seeker whether he is getting “hot” or “cold,” to use the expressions employed in a nursery game.

The sight of a black crow makes some of the terns stop fishing to dive-bomb the intruder. This indicates that there are tern eggs or chicks nearby. Many bird species reveal the location of their nests by acting unusually aggressive during breeding season. Finding the eggs or young terns isn't hard. You just need to land on the closest island [113] where there's enough water between it and the riverbank to keep jackals from crossing. If the island has eggs or young ones, the parent birds will show their aggression by gathering above and flying back and forth while making loud calls. The closer you get to the nest, the more raucous they become. In this way, they inadvertently tell the nest-seeker whether they’re getting “hot” or “cold,” like in a children's game.

The terns which breed on islets in Indian rivers do not appear to do much incubating in the daytime. There is no need for them to do so, because the sand grows very warm under the rays of the sun. Moreover, the only foes to be feared are the crows and the kites, which the terns can keep at bay more effectually when on the wing than while sitting on the eggs. Very different is the behaviour of the sea terns, whose eggs are liable to attack by gulls and crabs. For safety’s sake the sea terns lay in large colonies, and, to use Colonel Butler’s expression, sit on their eggs “packed together as close as possible without, perhaps, actually touching one another.” He once came upon the nests of a colony of large-crested terns (Sterna bergii). The sitting birds did not leave their eggs until he was within a few yards of them. Having put them up, he retired to a little distance. “No sooner had I done so,” he writes, “than both species [i.e. the gulls and terns] began to descend in dozens to the spot where the eggs were lying. In a moment a general fight commenced, and it was at once evident that the eggs belonged to Sterna bergii, and that [114] the gulls were carrying them off and swallowing their contents as fast as they could devour them.” River terns do not construct any nest. They deposit their eggs on the bare, dry sand. The eggs have a stone-coloured ground, sometimes suffused with pink, blotched with dark patches, those at the surface of the shell having a sepia hue, and those deeper down appearing dark greyish mauve. The eggs, although not conspicuous, may, without difficulty, be detected when lying on the sand. Their colouring would seem to be adapted to match a stony, rather than a sandy environment, but the fact that the colouring of the eggs is but imperfectly protective does not much matter when the latter lie on a sand island, to which but few predaceous creatures have access; the watchfulness of the parent birds more than compensates for the comparative conspicuousness of the eggs.

The terns that breed on small islands in Indian rivers don’t seem to do much incubating during the day. There’s no need for it because the sand gets quite warm under the sun. Plus, their only real threats are crows and kites, which the terns can fend off more effectively while in the air than when sitting on the eggs. Sea terns behave very differently. Their eggs are at risk from gulls and crabs. To stay safe, sea terns nest in large groups and, as Colonel Butler put it, sit on their eggs “packed together as close as possible without, perhaps, actually touching one another.” He once discovered the nests of a colony of large-crested terns (Sterna bergii). The birds didn’t leave their eggs until he was just a few yards away. Once he scared them off, he stepped back a little. “No sooner had I done so,” he writes, “than both species [the gulls and terns] began to swoop down in dozens to the spot where the eggs were lying. Almost immediately, a general fight broke out, and it became clear that the eggs belonged to Sterna bergii, and that the gulls were stealing them and swallowing their contents as quickly as they could.” River terns don’t build nests. They just lay their eggs on the bare, dry sand. The eggs have a stone-colored base, sometimes tinged with pink, and are marked with dark patches, with the ones on the surface being a sepia color, while those underneath appear dark grayish mauve. Although the eggs aren’t very noticeable, they can be easily spotted when lying on the sand. Their coloring seems more suited for a stony environment than a sandy one, but since the eggs are relatively visible, it doesn’t matter much when they rest on a sand island that few predators can reach; the vigilant parent birds do more than make up for the eggs’ visibility.

Young terns, like most other birds, are born helpless, and are then covered with a greyish down; but before the tail feathers have broken through their sheaths, and while the wing feathers are quite rudimentary, the ternlets learn to run about and swim upon the water. At this stage the little terns look like ducklings when on the water, and, as they run along the water’s edge, may easily be mistaken, at a little distance, for sandpipers.

Young terns, like most other birds, are born helpless and are covered with a greyish down. But before their tail feathers have emerged from their sheaths, and while their wing feathers are still pretty underdeveloped, the young terns learn to run and swim in the water. At this stage, the little terns resemble ducklings when they're on the water, and as they scurry along the water's edge, they can easily be mistaken for sandpipers from a distance.

When a young tern is surprised by some enemy, his natural instinct is to crouch down, half buried in the sand, and to remain there quite motionless until the danger has passed. The colouring of his down is such as to cause him to assimilate more closely to the sandy [115] environment than the eggs do. If one picks up such a crouching ternlet, the bird will probably not struggle at all; it may, perhaps, peck at one’s fingers, but in nine cases out of ten will remain limp and motionless in the hand, looking as though it were dead, and if it be set upon the ground it falls all of a heap, and remains motionless in the position it assumed when dropped. If you take a young tern in your hand and lay it upon its back on the sand it makes no attempt to right itself, but remains motionless in that attitude, looking for all the world like a trussed chicken; but if you turn your back upon it, it will take to its little legs and run, with considerable speed, to the water, to which it takes just as a duck does, its feet being webbed at all stages of its existence.

When a young tern is startled by a predator, its instinct is to crouch down, partially buried in the sand, and stay completely still until the threat is gone. Its down has colors that help it blend in with the sandy surroundings better than the eggs do. If you pick up a crouching tern chick, it probably won't struggle at all; it might peck at your fingers, but in nine out of ten cases, it'll just stay limp and still in your hand, appearing as if it's dead. If you set it down on the ground, it collapses in a heap and stays motionless in the position it landed. If you hold a young tern in your hand and place it on its back on the sand, it won't try to flip over; instead, it stays still like a trussed chicken. However, if you turn away from it, it will quickly get up and run to the water, moving as swiftly as a duck does, since its feet are webbed at every stage of its life.

[116]


21
GREEN BULBULS

Since green is a splendid protective colour for an arboreal creature, it is surprising that there are not more green animals in existence. The truth of the matter is that green seems to be a difficult colour to acquire. There does not exist a really green mammal; while green birds are relatively few and far between. In India we have, it is true, the green parrots, the barbets, the green pigeons, the green bulbuls, and the bee-eaters. Take away these and you can count the remaining green birds on the fingers of your hands. Curiously enough, the bee-eaters spend very little time in trees; consequently the beautiful leaf-green livery seems rather wasted on them. And of the other green birds we may almost say that they are precisely those that seem least in need of this form of protection. The parrakeets and barbets, thanks to their powerful beaks, are well adapted to fighting, while more pugnacious birds than bulbuls and pigeons do not exist. I think, therefore, that the green liveries of these birds are not the result of their necessity for protection from raptorial foes. This livery is a luxury rather than a necessity.

Since green is a great protective color for a tree-dwelling creature, it’s surprising that there aren’t more green animals out there. The truth is that green seems to be a challenging color to achieve. There isn’t a truly green mammal, and green birds are also quite rare. In India, we do have green parrots, barbets, green pigeons, green bulbuls, and bee-eaters. Take those away, and you can count the other green birds on one hand. Interestingly, bee-eaters spend very little time in trees, so their beautiful leaf-green feathers seem somewhat wasted. As for the other green birds, they are almost all the ones that seem least in need of this type of protection. Parrakeets and barbets, thanks to their strong beaks, are well-equipped for fighting, while you won’t find more aggressive birds than bulbuls and pigeons. Therefore, I believe that the green feathers of these birds are not a result of needing protection from predators. Instead, their coloration is more of a luxury than a necessity.

[117]

Anatomically speaking, green bulbuls are not bulbuls at all. Jerdon called them bulbuls because of their bulbul-like habits, although, as “Eha” points out, they take more after the orioles. Oates tells us that these beautiful birds are glorified babblers, rich relations of the disreputable-looking seven sisters. He gives them the name Chloropsis.

Anatomically speaking, green bulbuls aren't actually bulbuls at all. Jerdon called them bulbuls because of their bulbuls-like behavior, but as “Eha” points out, they resemble orioles more. Oates tells us that these stunning birds are fancy babblers, well-off relatives of the unrefined-looking seven sisters. He names them Chloropsis.

Seven species of green bulbul are found in India; they thus furnish an excellent example of a bird dividing up into a number of local races. When the various portions of a species become separated from one another this phenomenon often occurs. The common grey parrot of Africa is, according to Sir Harry Johnston, even now splitting up into a number of local races. That interesting bird is presenting us with an example of evolution while you wait. It is quite likely that the process may continue until several distinct species are formed. We must bear in mind that there is no essential difference between a species and a race. When the differences between two birds are slight we speak of the latter as forming two races; when the divergence becomes more marked we call them species. Very often systematists are divided as to whether two allied forms are separate species or mere races. In such cases some peacemakers split the difference and call them sub-species.

Seven species of green bulbul are found in India; they provide an excellent example of a bird dividing into several local variations. When different parts of a species become separated from each other, this phenomenon often occurs. The common grey parrot of Africa is, according to Sir Harry Johnston, still evolving into several local varieties. This fascinating bird is giving us an example of evolution in real-time. It’s quite possible that this process may continue until several distinct species are formed. We must remember that there is no essential difference between a species and a race. When the differences between two birds are slight, we refer to them as two races; when the differences become more pronounced, we consider them separate species. Systematists are often divided on whether two related forms are distinct species or just races. In such situations, some mediators compromise and refer to them as sub-species.

Green bulbuls are essentially arboreal birds. In the olden time when India was densely wooded I believe that there was but one species of Chloropsis, even as there is but one species of house-crow in India proper. Then, as the land began to be denuded of forest in parts, [118] these green bulbuls became a number of isolated communities, with the result that they eventually evolved into several species. In this connection I may mention that the grey on the neck of Corvus splendens is much more marked in birds from the Punjab than in those that worry the inhabitants of Madras.

Green bulbuls are primarily tree-dwelling birds. Back in the day when India was heavily forested, I believe there was only one species of Chloropsis, just like there is only one species of house crow in mainland India. As the land started losing its forests in certain areas, these green bulbuls became scattered into separate groups, leading them to evolve into several distinct species. In this context, I should note that the gray on the neck of Corvus splendens is much more noticeable in birds from Punjab than in those that bother the residents of Madras.

Of the green bulbuls only two species occur in South India—the Malabar Chloropsis (C. malabarica) and Jerdon’s Chloropsis (C. Jerdoni). The former, as its name tells us, is found in Malabar. The green bulbul of the other parts of South India is Jerdon’s form. This handsome bird does not occur in or about the City of Madras; at least I have never seen it in the neighbourhood, nor indeed nearer than Yercaud. However, not improbably it occurs between the Shevaroys and the east coast. If anyone who reads these lines has seen this bird in that area, I hope that he or she will be kind enough to let me know. Here let me say that to identify a green bulbul is as easy as falling out of a tree. He is of the same size as the common bulbul. His prevailing hue is a rich bright grass-green—the green of grass at its best. His chin and throat are black, and he has a hyacinth-blue moustache, so that he deserves his Telugu name—the “Ornament of the Forest.” His wife is pale green where he is black and her moustache is of a paler blue. The Malabar species is easily distinguished by its bright orange forehead. Green bulbuls go about, sometimes in small flocks, more frequently in pairs. They rarely, if ever, descend to the ground, but flit about amid the foliage, to which they assimilate so closely, [119] seeking for the insects, fruit, and seed on which they feed. Like many other gaily attired birds, they give the lie to the oft-repeated assertion that it is only the dull-hued birds that are good songsters. Green bulbuls are veritable gramophones, “flagrant plagiarists” Mr. W. H. Hudson would call them. Not only have they a number of pretty notes of their own, but the feathered creature whose song they cannot imitate remains yet to be discovered. Green bulbuls might be called Indian mocking-birds were there not so many other birds in the country that imitate the calls of their fellows. Some ornithologist with a good ear for music should draw up a list of all our Indian birds that mock the calls of others, setting against each the names of these whose sounds they imitate.

Of the green bulbuls, only two species are found in South India—the Malabar Chloropsis (C. malabarica) and Jerdon’s Chloropsis (C. Jerdoni). As the name suggests, the first one is found in Malabar. The green bulbul found in other parts of South India is Jerdon’s species. This beautiful bird isn’t found in or around the City of Madras; at least, I’ve never seen it nearby, nor have I seen it closer than Yercaud. However, it probably exists between the Shevaroys and the east coast. If anyone reading this has spotted this bird in that area, I hope they’ll be kind enough to let me know. I should mention that identifying a green bulbul is as easy as pie. It’s about the same size as a common bulbul. Its main color is a vibrant grass-green—the color of lush grass. Its chin and throat are black, and it has a hyacinth-blue moustache, which earns it its Telugu name—the “Ornament of the Forest.” The female is pale green where the male is black, and her moustache is a lighter blue. The Malabar species can be easily recognized by its bright orange forehead. Green bulbuls often move around in small flocks, or more commonly, in pairs. They rarely, if ever, go to the ground, but flit among the leaves, blending in so well while searching for the insects, fruits, and seeds they eat. Like many brightly colored birds, they disprove the common notion that only dull-colored birds are good singers. Green bulbuls are like real gramophones; Mr. W. H. Hudson would call them “flagrant plagiarists.” They not only have several lovely notes of their own but also can imitate the songs of every bird except the one we haven’t yet discovered. Green bulbuls could be labeled Indian mockingbirds if there weren’t so many other birds in the country that imitate the calls of their counterparts. An ornithologist with a good musical ear should create a list of all the Indian birds that mimic other birds’ calls, noting next to each one the names of the birds they imitate. [119]

Green bulbuls are hardy birds and thrive well in captivity. I saw recently a specimen in splendid condition at a bird show in London. “There is one drawback, however,” writes Finn in his Garden and Aviary Birds of India, “to this lovely bird (from a fancier’s point of view), and that is its very savage temper in some cases. In the wild state Mr. E. C. Stuart Baker has seen two of these birds fight to death, and another couple defy law and order by hustling a king-crow, of all birds. And in confinement it is difficult to get two to live together; while some specimens are perfectly impossible companions for other small birds, savagely driving them about and not allowing them to feed. Many individuals, however, are quite peaceable with other birds, and a true pair will live together in harmony.”

Green bulbuls are tough birds and do really well in captivity. I recently saw one in great shape at a bird show in London. “There is one drawback, though,” writes Finn in his Garden and Aviary Birds of India, “to this beautiful bird (from a fancier’s perspective), and that is its extremely aggressive nature in some cases. In the wild, Mr. E. C. Stuart Baker has witnessed two of these birds fight to the death, and another pair even challenged a king-crow, of all birds. In captivity, it's hard to get two to live together; some individuals can't coexist with other small birds, aggressively chasing them away and preventing them from eating. However, many individuals are quite friendly with other birds, and a true pair can live together peacefully.”

[120]

There is nothing remarkable in the nest of the Chloropsis; it is a shallow cup, devoid of lining, placed fairly high up in a tree. July and August are the months in which to look for nests. Two eggs usually form the complete clutch. It would thus seem that green bulbuls have not a great many enemies to fear. Nevertheless they fuss as much over their eggs as some elderly ladies of my acquaintance do over their baggage when travelling. Birds and people who worry themselves unduly over their belongings seem to lose these more often than do those folk who behave more philosophically. Take the case of the common bulbuls. These certainly lose more broods than they succeed in rearing, yet the ado they make when a harmless creature approaches their nest puts one forcibly in mind of the behaviour of the captain of a Russian gunboat when an innocent vessel happens to enter the zone of sea in the centre of which the Czar’s yacht floats.

There’s nothing special about the nest of the Chloropsis; it’s a shallow cup with no lining, located fairly high up in a tree. July and August are the times to look for nests. Two eggs usually make up the whole clutch. This suggests that green bulbuls don’t have too many enemies to worry about. Still, they fuss over their eggs just like some older ladies I know fuss over their luggage when they travel. Birds and people who stress too much over their things seem to lose them more often than those who take a more laid-back approach. Take the common bulbuls, for example. They definitely lose more broods than they successfully raise, yet the fuss they make when a harmless creature approaches their nest really reminds one of the behavior of a Russian gunboat captain when an innocent vessel happens to enter the waters surrounding the Czar’s yacht.

[121]


XXII
CORMORANTS

Cormorants, like Englishmen, have spread themselves all over the earth. Save for a few out-of-the-way islands, there is no country in the world that cannot boast of at least one species of cormorant. Cormorants, then, are an exceedingly successful and flourishing family. It must be very annoying for those worthy professors and museum naturalists who are always lecturing to us about the all-importance of protective colouration that the most flourishing families of birds—the crows and the cormorants—are as conspicuous as it is possible for a thing in feathers to be.

Cormorants, like English people, have spread all over the world. Aside from a few remote islands, there isn’t a country that can’t claim at least one species of cormorant. So, cormorants are a very successful and thriving family. It must be quite frustrating for those esteemed professors and museum naturalists who constantly lecture us on the importance of protective coloration that the most successful bird families—the crows and the cormorants—are as visible as anything can be when it comes to feathers.

Mr. Seton Thompson well says that every animal has some strong point, or it could not exist; and some weak point, or the other animals could not exist. Cormorants have several strong points, and that is why they flourish like the green bay tree, notwithstanding their conspicuous plumage. They are as hardy as the Scotchman, as voracious as the ostrich, as tenacious of life as a cat, to say nothing of being piscatorial experts, powerful fliers, and champion divers.

Mr. Seton Thompson aptly points out that every animal has a strong point that allows it to survive, and a weak point that enables other animals to thrive. Cormorants have several strengths, which is why they thrive like the green bay tree, despite their noticeable feathers. They are as tough as a Scotsman, as greedy as an ostrich, and as resilient as a cat, not to mention their fishing skills, ability to fly powerfully, and talent for diving.

[122]

The cormorant family furnishes a very good example of the manner in which new species arise quite independently of natural selection. Notwithstanding their world-wide distribution, all cormorants belong to one genus, which is divided up into thirty-seven species. Of these no fewer than fifteen occur in New Zealand—a country not characterised by a large avifauna.

The cormorant family provides a great example of how new species can emerge independently of natural selection. Despite being found all over the world, all cormorants belong to one genus, which is split into thirty-seven species. Out of these, at least fifteen are found in New Zealand—a country not known for having a large number of bird species.

One species—the large cormorant (Phalacocorax carbo)—flourishes in almost every imaginable kind of climate and among all sorts and conditions of birds and beasts. Yet in New Zealand, in a country where the conditions of existence vary but little, cormorants have split up into fifteen species. It is therefore as clear as anything can be in nature that we must look to some cause other than natural selection for an explanation of the multiplicity of species of cormorant in New Zealand. It seems to me that the solution of this puzzle lies in the fact that the conditions of life are comparatively easy in New Zealand. Consequently a well-equipped bird like a cormorant is allowed a certain amount of latitude as to its form and colouring. In places where the struggle for existence is very severe, where organisms have their work cut out to maintain themselves, the chances are that every unfavourable variation will be wiped out by natural selection; but if the struggle is not particularly severe, or if a species has something in hand, it can afford to dispense with part of its advantage and still survive. Thus it is that in New Zealand we see a number of different species of cormorant living side by side. De Vries likens natural selection to a sieve [123] through which all organisms are sifted, and through the meshes of which only those of a certain description are able to pass. Bateson compares it to a public examination to which every organism must submit itself. Those animals that fail to get through are killed. The standard of the examination may vary in various parts of the world.

One species—the large cormorant (Phalacocorax carbo)—thrives in almost every type of climate and among all kinds of birds and animals. However, in New Zealand, a place where living conditions don't change much, cormorants have evolved into fifteen different species. It's pretty clear that we need to look beyond natural selection to explain the many cormorant species in New Zealand. I believe the answer lies in the fact that life is relatively easy there. As a result, a well-adapted bird like a cormorant has some freedom regarding its shape and color. In areas where survival is extremely challenging, where organisms have to work hard just to stay alive, any negative variation is likely to be eliminated by natural selection. But if the struggle for survival isn't too intense, or if a species is doing well, it can afford to lose some of its advantages and still continue to exist. This is why in New Zealand we see several different cormorant species coexisting. De Vries compares natural selection to a sieve [123] that filters all organisms, allowing only those of a certain type to pass through. Bateson likens it to a public examination that every organism must take. Those that don’t pass are eliminated. The standards of this examination can vary in different parts of the world.

So much for cormorants in general and the puzzle they present to evolutionists. Let us now consider for a little while our Indian cormorants. For once India is at a disadvantage as compared with New Zealand. There are but three species found in this country—the great, the lesser, and the little cormorant. The last—Phalacocorax javanicus—is the most commonly seen of them all. It is to be found in the various backwaters round about Madras, being especially abundant in the vicinity of Pulicat. At the place where the canal runs into the lake there are a number of stakes driven into the canal bed; these project above the level of the water, and on every one of them a little cormorant is to be seen. Cormorants in such a position always put me in mind of the pillar saints of ancient times. Although very active in the water, cormorants become statuesque in their stillness when they leave it.

So much for cormorants in general and the challenge they pose to evolutionists. Now, let's take a moment to look at our Indian cormorants. For once, India is at a disadvantage compared to New Zealand. There are only three species found in this country—the great, the lesser, and the little cormorant. The last one—Phalacocorax javanicus—is the most commonly seen of them all. You can find it in the different backwaters around Madras, especially abundant near Pulicat. At the spot where the canal flows into the lake, there are several stakes driven into the canal bed; these stick up above the water's surface, and you can see a little cormorant sitting on each one. Cormorants in this position always remind me of the pillar saints from ancient times. While they’re very active in the water, cormorants become statue-like in their stillness when they’re out of it.

The lesser cormorant (Phalacocorax fuscicollis) breeds in nests in the trees on the islets which stud the Redhills Tank near Madras, also on the tank at Vaden Tangal, near Chingleput. The third species of cormorant found in India is the great cormorant (Phalacocorax carbo). This is the one which is world-wide in its distribution. It is a large bird, being over 2 ft. 6 in. [124] in length. It is said to be capable of swallowing at one gulp a fish fourteen inches long. It is less gregarious in its habits than the other cormorants, but it breeds and roosts in colonies. Captain H. Terry states that this species’ nests are to be met with on a tank near Bellary. The great cormorant possesses fourteen tail feathers, while all other cormorants have to put up with twelve. Why the big fellow should be the happy possessor of two extra caudal feathers is a puzzle which no one has attempted to solve.

The lesser cormorant (Phalacocorax fuscicollis) builds its nests in trees on the islets that dot the Redhills Tank near Madras, as well as on the tank at Vaden Tangal, near Chingleput. The third type of cormorant found in India is the great cormorant (Phalacocorax carbo), which has a global presence. This large bird measures over 2 ft. 6 in. in length and is said to be able to swallow a fish up to fourteen inches long in one gulp. It is less social than other cormorants but still breeds and roosts in groups. Captain H. Terry mentions that nests of this species can be found on a tank near Bellary. The great cormorant has fourteen tail feathers, whereas all other cormorants have twelve. The reason this larger bird has two extra tail feathers remains a mystery that no one has tried to figure out.

It is not very easy to distinguish the three species of cormorant from one another. The great cormorant has a conspicuous white bar on each side of the head. This and his larger size serve to separate him from the two smaller forms. It is usually possible to distinguish the other two by the fact that the little cormorant has more white on the throat than his somewhat larger cousin. But, when all is said and done, it is not of great importance to distinguish the various species. All cormorants have almost exactly the same habits. The nests are all mere platforms of sticks. They are all expert fishermen, and seem equally at home on fresh or salt water. They can swim either on or under water and move at a considerable pace, covering nearly 150 yards in a minute. The young are said to feed themselves by inserting their heads into the gullet of the parent and pulling out the half-digested fish. Cormorants are readily tamed and are employed in China to fish for their masters, a rubber ring being inserted round the lower part of the neck in order to prevent the fish from going too far. In bygone days, [125] fishing by means of cormorants was considered good sport, and the royal household used to have its Master of the Cormorants.

It’s not very easy to tell the three species of cormorant apart. The great cormorant has a noticeable white bar on each side of its head. This feature, along with its larger size, helps to set it apart from the two smaller species. Typically, you can tell the other two apart by the fact that the little cormorant has more white on its throat compared to its slightly larger relative. However, at the end of the day, it's not very important to distinguish between the different species. All cormorants have nearly identical habits. Their nests are simply platforms made of sticks. They’re all skilled fishermen and seem just as comfortable in fresh or saltwater. They can swim both on and below the surface and move quite fast, covering nearly 150 yards in a minute. Young cormorants are said to feed themselves by inserting their heads into the parent's throat and pulling out half-digested fish. Cormorants can be easily tamed and are used in China for fishing, with a rubber ring placed around the lower neck to stop the fish from escaping too far. In the past, cormorant fishing was considered a great sport, and the royal family used to have its own Master of the Cormorants.

Cormorants’ eggs are of a very pale green colour, and their nests smell of bad fish, for the owners care nothing about sanitation. Young cormorants are not nearly so black as their parents, and do not attain adult plumage till they are four years old.

Cormorant eggs are a very light green color, and their nests smell like bad fish because the birds don't care about cleanliness. Young cormorants aren't nearly as black as their parents and don't get their adult feathers until they're four years old.

[126]


XXIII
A MELODIOUS DRONGO

Our friend the king crow (Dicrurus ater) is so abundant throughout India, and possesses to so great a degree the faculty of arresting the attention, that we are apt to overlook his less numerous relatives. In Ceylon it is otherwise. Dicrurus ater occurs in that fair isle, but only in certain parts thereof, and is not so abundant as his cousin, the white-vented drongo (Dicrurus leucopygialis). The former has, therefore, to play second fiddle in Ceylon, where he is usually known to Europeans as the black fly-catcher. The white-vented drongo is their king crow—the bird that lords over the corvi.

Our friend the king crow (Dicrurus ater) is so common across India and has such a strong ability to catch our attention that we often overlook his less frequent relatives. In Ceylon, it’s a different story. Dicrurus ater can be found on that beautiful island, but only in specific areas, and it’s not as plentiful as his cousin, the white-vented drongo (Dicrurus leucopygialis). As a result, he has to take a backseat in Ceylon, where Europeans typically refer to him as the black fly-catcher. The white-vented drongo is their king crow—the bird that rules over the corvi.

The drongos constitute a well-defined family. When you know one member you can scarcely fail to recognise the others. They fall into two great classes, the fancy and the plain, the dandies and those that dress quietly. The bhimraj, or larger racket-tailed drongo (Dissemurus paradiseus), is the most perfect example of the fancy or ornamental class. His head is set off by a crest, but his speciality is the pair of outer tail feathers, which attain a length of nearly two feet.

The drongos are a clearly defined family. Once you know one member, you can easily recognize the others. They fall into two main categories: the flashy and the simple, the showy and the understated. The bhimraj, or larger racket-tailed drongo (Dissemurus paradiseus), is the best example of the flashy or ornamental group. His head features a crest, but what really stands out are his long outer tail feathers, which can reach almost two feet in length.

[127]

Of the less ornamental drongos, the king crow is the best-known example. This bird is found in all parts of India, and occurs in Ceylon. Almost as widely distributed, but far less abundant, is the white-bellied drongo. This species may be met with in all parts of India save the Punjab. In the Western Province of Ceylon it is replaced by a drongo having less white in the plumage.

Of the less decorative drongos, the king crow is the most recognized example. This bird is found throughout India and is also present in Sri Lanka. The white-bellied drongo has a similar range but is much less common. This species can be found in all parts of India except for Punjab. In the Western Province of Sri Lanka, it is replaced by a drongo with less white in its feathers.

It is a moot question whether this last is to be looked upon as a race or a distinct species. Legge writes: “No bird in Ceylon is so puzzling as the present, and there is none to which I have given so much attention with a view to arriving at a satisfactory determination as to whether there are two species in the island or only one. I cannot come to any other conclusion than that there is but one, the opposing types of which are certainly somewhat distinct from one another, but which grade into each other in such a manner as to forbid their being rightly considered as distinct species; and I will leave it to others, who like to take the matter up for investigation, to prove whether my conclusions are erroneous or not.” Oates has since constituted the birds which have less white on the lower parts a distinct species, which he calls the white-vented drongo (Dicrurus leucopygialis). He admits that the amount of white on this form and on the white-bellied species (Dicrurus cærulescens) is variable, and that a bird is occasionally met with which might, as regards this character, be assigned indifferently to one or the other species, but, says he, the colour of the throat and breast will, in these cases, be a safe [128] guide in identification. The parts in question are grey in the white-bellied species and dark brown in the white-vented form. It seems to me that a slight difference in the colouring of the feathers of the throat is not a very safe foundation on which to establish a new species. However, this piece of species-splitting need not worry the Anglo-Indian, for the white-vented form is found only in Ceylon. All drongos with white underparts that occur in India are Dicrurus cærulescens. This bird is not common in Madras; I observed it but twice during eighteen months’ residence in that city. It is in shape exactly like the common king crow, and possesses the characteristic forked tail, but it is a smaller bird, being nine and a half inches in length, and therefore shorter by fully three inches than the black drongo. Its upper plumage is deep indigo; the throat and breast are grey; all the remainder of the lower plumage is white. Its habits are very much like those of the king crow, but it is less addicted to the open country, seeming to prefer well-wooded localities. I have never seen the Dhouli, or white-bellied drongo, perched on anything but a branch of a tree. It almost always catches its insect prey upon the wing, after the manner of a fly-catcher. Jerdon, however, states that he once saw it descend to the ground for an insect.

It's still an open question whether the last one should be considered a race or a separate species. Legge writes: “No bird in Ceylon is as puzzling as this one, and I've spent more time trying to determine whether there are two species on the island or just one. I can only conclude that there's one, with opposing types that are somewhat distinct from each other, but they blend together in a way that makes it inappropriate to classify them as different species; I’ll leave it to others who want to investigate further to prove whether my conclusions are wrong.” Oates has since classified the birds with less white on the lower parts as a distinct species, calling it the white-vented drongo (Dicrurus leucopygialis). He acknowledges that the amount of white on this type and on the white-bellied species (Dicrurus cærulescens) varies, and that sometimes a bird can be found that could fit either species based on this trait, but he says the color of the throat and breast will reliably identify them in those cases. The throat and breast are grey in the white-bellied species and dark brown in the white-vented form. To me, a slight difference in throat feather coloration isn’t a solid enough basis to declare a new species. However, the Anglo-Indian doesn’t need to worry about this splitting of species since the white-vented form is only found in Ceylon. All drongos with white underparts in India are Dicrurus cærulescens. This bird isn’t common in Madras; I only saw it twice during my eighteen months there. It's shaped like the common king crow and has the characteristic forked tail, but it's smaller, measuring nine and a half inches long, which is three inches shorter than the black drongo. Its upper plumage is deep indigo; the throat and breast are grey, and the rest of the lower plumage is white. Its habits are very similar to those of the king crow, but it doesn't prefer open areas, seeming to like well-wooded spots better. I have never seen the Dhouli, or white-bellied drongo, perched anywhere but on a tree branch. It almost always catches insects while flying, like a flycatcher. Jerdon mentions, however, that he once saw it go down to the ground for an insect.

As a singer it is far superior to the king crow. In addition to the harsh notes of that species it produces many melodious sounds. Tickell describes its song as “a wild, mellow whistle pleasingly modulated.” It was the voice of the bird that first attracted my notice. Some eight years ago, when camping in the Fyzabad [129] District, I heard a very pleasing but unknown song. Tracking this to the mango tope whence it issued, I discovered that the author was a white-bellied king crow. Last winter a member of this species favoured me with a fine histrionic performance. I was sitting outside my tent one afternoon, when I heard above me a harsh note that was not quite like that of the king crow. Looking up, I observed, perched on a bare branch at the summit of the tree, a white-bellied drongo. Then, as if for my especial benefit, he began to imitate the call of the shikra; he followed this up by a very fair reproduction of some of the cries of a tree-pie. Having accomplished this, he made, first his bow, then his exit. I was much interested in the performance, since an allied species, the bhimraj, is not only one of the best songsters in the East, but a mimic second only to the wonderful mocking-bird of South America.

As a singer, it's far better than the king crow. Besides the harsh notes of that bird, it produces many melodious sounds. Tickell describes its song as “a wild, mellow whistle pleasingly modulated.” It was the bird's voice that first caught my attention. About eight years ago, when I was camping in the Fyzabad District, I heard a very pleasing but unknown song. Following the sound to the mango grove where it came from, I found out the singer was a white-bellied king crow. Last winter, a member of this species gave me quite a show. I was sitting outside my tent one afternoon when I heard a harsh note that didn't quite sound like the king crow. Looking up, I saw a white-bellied drongo perched on a bare branch at the top of the tree. Then, as if just for me, he started to imitate the call of the shikra; after that, he did a pretty good version of some of the cries of a tree-pie. After his performance, he took a bow and then flew away. I was really intrigued by the show, especially since an related species, the bhimraj, is not only one of the best songbirds in the East but also a mimic that comes second only to the incredible mockingbird of South America.

The white-bellied drongo is so rare in the peninsula of India that not one of our ornithologists has given us anything like a full account of its habits, and no one appears to have discovered the nest in India. Fortunately, it is very common in Ceylon, so that Legge has been able to give some interesting details regarding its habits. We must bear in mind that Legge includes both the white-bellied varieties under one species. If we divide them into two, the question arises to which do his various observations apply? The reply is to either or both, for Legge was not able to detect any differences between them, except that perhaps the white-vented variety has a more powerful voice. He [130] writes: “It is occasionally, when there is abundance of food about, a sociable species, as many as three or four collecting on one tree, and carrying on a vigorous warfare against the surrounding insect world.” Like the king crow, it is an early riser and a late rooster. It is a great chaser of crows, and of any creature that dares to intrude into the tree in which its nest is placed. Needless to say that it detests owls. Says Legge: “The white-bellied king crow never fails to collect all the small birds in the vicinity whenever it discovers one of these nocturnal offenders, chasing it through the wood until it escapes into some thicket which baffles the pursuit of its persecutors.” But why does he call owls “nocturnal offenders”? Wherein lies their offence? So far as I can see, the only crime that owls commit is in being owls. The creatures they prey upon have reason for disliking them. But owls do not attack ornithologists. Why, then, should these gentry call them hard names?

The white-bellied drongo is so rare in the Indian peninsula that none of our ornithologists has provided a full account of its habits, and no one seems to have found its nest in India. Luckily, it's very common in Sri Lanka, allowing Legge to share some interesting details about its behavior. We should remember that Legge combines both white-bellied varieties into one species. If we split them into two, the question arises as to which of his observations apply. The answer is to either or both because Legge couldn’t find any differences between them, except that maybe the white-vented variety has a stronger voice. He [130] writes: “Occasionally, when there's plenty of food, it's a social species, with three or four gathering on one tree, energetically waging war against the surrounding insect world.” Like the king crow, it is an early riser and a late sleeper. It aggressively chases crows and any other creatures that dare intrude on the tree where its nest is situated. Naturally, it has a strong dislike for owls. Legge states: “The white-bellied king crow never fails to gather all the small birds in the area whenever it spots one of these nocturnal offenders, chasing it through the woods until it escapes into some thicket that eludes its pursuers.” But why does he refer to owls as “nocturnal offenders”? What exactly is their offense? From what I can see, the only “crime” owls commit is simply being owls. The creatures they hunt have reasons to dislike them. However, owls don’t attack ornithologists. So why do these folks give them such harsh titles?

The nesting habits of both the white-bellied and the white-vented drongos are very similar to those of the common king crow. Legge describes the nest as a shallow cup, almost invariably built at the horizontal fork of the branch of a large tree at a considerable height from the ground, sometimes as much as forty feet. The eggs seem to vary as greatly in appearance as do those of the common king crow.

The nesting habits of both the white-bellied and the white-vented drongos are very similar to those of the common king crow. Legge describes the nest as a shallow cup, usually built at the horizontal fork of a large tree branch, often quite high up, sometimes as much as forty feet from the ground. The eggs vary greatly in appearance, similar to those of the common king crow.

Since the white-bellied drongo appears to be quite as pugnacious as its black cousin, and to have almost identical habits, it is strange that it should be so [131] uncommon in India. As we have seen, its distribution is wide, so that it seems able to adapt itself to various kinds of climate. Nevertheless, it is common nowhere in India. What is the cause that keeps down its numbers? Naturalists are wont to talk airily about natural selection causing a species to be numerous or the reverse, but unless they can show precisely how natural selection acts they explain nothing. Those who write books on natural history convey the impression that it is the birds and beasts of prey that keep down the numbers of the smaller fry. As a matter of fact, predaceous creatures seem to exercise but little influence on the numbers of their quarry. There are hidden causes at work of which we know almost nothing. Damp and small parasites are probably far more powerful checks on multiplication than predaceous creatures. It would seem that there is something in the constitution of the white-bellied drongo which enables it to outnumber the king crows proper in Ceylon, but which prevents it from becoming abundant in the peninsula of India. What this something is we have yet to discover. We really know very little of the nature of that mysterious force with which naturalists love to conjure, and which Darwin named Natural Selection. We write it with a capital N and a capital S, and then imagine that we have explained everything.

Since the white-bellied drongo seems just as aggressive as its black counterpart, with almost the same habits, it’s surprising that it’s so rare in India. As we've seen, its range is broad, suggesting it can adapt to different types of climate. Still, it’s common nowhere in India. What causes its low numbers? Naturalists often speak casually about natural selection making a species abundant or sparse, but unless they can clearly show how natural selection works, they don't really explain anything. Those who write about natural history give the impression that predators are the ones keeping the numbers of smaller species down. In reality, predatory animals seem to have little impact on the population of their prey. There are hidden factors at play that we barely understand. Moisture and tiny parasites are probably much stronger limits on reproduction than predatory animals. It seems that there’s something in the makeup of the white-bellied drongo that allows it to outnumber the true king crows in Ceylon, but stops it from becoming numerous in mainland India. What that something is, we still need to find out. We really know very little about that mysterious force that naturalists love to reference, which Darwin called Natural Selection. We write it with a capital N and a capital S, then pretend we've explained everything.

“Twinkle, twinkle, little star,

"Twinkle, twinkle, little star,"

Now we all know what you are.”

Now we all know what you are.

[132]


XXIV
THE INDIAN PITTA

Some Indian birds are adepts at self-advertisement. To use an expressive vulgarism, they continually “hit you in the eye”; they obtrude themselves upon you in season and out of season. Others are so retiring that you may live among them for years without observing them. To this class, to the class that hide their light under a bushel, the beautiful Indian pitta (Pitta brachyura) belongs. There is at least one favoured compound in Madras where a pitta, or possibly a pair of them, spends the cool-weather season. Pittas proclaim their presence by uttering at dawn their cheery notes, which have been described as an attempt to whistle, in a moderately high key, the words “quite clear.” If, on hearing this call, you are sufficiently energetic to go out of doors, you will probably see on the ground a bluish bird, about the size of a quail, but before you have had time to examine it properly it will have taken to its wings and disappeared into the hedge. Those who are not so fortunate as to have pittas on the premises may be tolerably certain of seeing a specimen by visiting the well-wooded plot of land bordered on the west by the canal and on the south by the Adyar River.

Some Indian birds are great at drawing attention to themselves. To put it bluntly, they constantly “hit you in the eye”; they make sure to show up whether it's the right time or not. Others are so elusive that you could live around them for years without noticing them. This group, those that hide their light under a bushel, includes the beautiful Indian pitta (Pitta brachyura). There’s at least one popular area in Madras where a pitta, or maybe a pair of them, spends the cooler season. Pittas announce their presence with cheerful calls at dawn, which have been described as an attempt to whistle the words “quite clear” in a moderately high pitch. If you’re motivated enough to step outside upon hearing this sound, you’ll likely spot a bluish bird about the size of a quail on the ground, but before you can take a good look, it will have taken flight and vanished into the hedge. Those who aren’t lucky enough to have pittas nearby can be fairly sure they’ll see one by visiting the well-wooded area bordered to the west by the canal and to the south by the Adyar River.

[133]

This bird is about seven inches in length. Thus it does not measure much more than a sparrow, but it is nevertheless considerably larger, for the tail is very short, being barely one inch and a half in length. The crown is yellow, tinged with orange, and divided in the middle by a broad black band running from the beak to the nape of the neck, where it meets a broader black band that passes below the eye. The eyebrow is white. The back and shoulders are dull bluish green. The upper tail-coverts are pale blue. There is also a patch of this colour on the wing. The wings and tail are black, tipped with blue. During flight the pinions display a white bar. The chin and throat are white. The breast is of the same yellow hue as the head. There is a large crimson patch under the tail. Captain Fayrer’s photograph in Bombay Ducks conveys very well the shape of the bird, but, of course, does not reproduce the most marked feature of the pitta—its colouring. Indians in some localities call it the naurang—the nine-colours. The bird may truly be said to be arrayed in a coat of many colours. Unfortunately, such a garment is apt to lead to trouble. Even as the coat of many colours brought tribulation upon Joseph of old, so does the much-coveted, multi-hued plumage of the pitta frequently bring death to its possessor.

This bird is about seven inches long. So, it’s not much bigger than a sparrow, but it’s noticeably larger because its tail is very short, measuring barely one and a half inches. The crown is yellow with a hint of orange, divided in the middle by a broad black band that runs from the beak to the back of the neck, connecting to a wider black band that goes below the eye. The eyebrow is white. The back and shoulders are a dull bluish-green. The upper tail-coverts are pale blue, and there’s also a patch of this color on the wing. The wings and tail are black with blue tips. When flying, the pinions show a white bar. The chin and throat are white, and the breast has the same yellow color as the head. There’s a large crimson patch under the tail. Captain Fayrer’s photograph in Bombay Ducks effectively shows the shape of the bird, but it doesn’t capture its most striking feature—the coloring. In some regions, Indians call it the naurang—the nine colors. The bird can truly be described as wearing a coat of many colors. Unfortunately, such a vibrant outfit can lead to trouble. Just as Joseph's coat of many colors brought him hardship, the highly desirable, multi-colored plumage of the pitta often brings death to its wearer.

Apart from the colouring, it is impossible to confound the pitta with any other bird. Its long legs and its apology for a tail recall the sandpiper, but there is nothing else snippet-like about it. The classification of the bird has puzzled many a wise head. It has been variously called the Madras jay, the Bengal quail, [134] the short-tailed pye, the ant-thrush, the painted thrush, and the ground thrush. But it is not a jay, neither is it a quail, nor a thrush, nor a tailless pye. It is a bird made on a special model. It belongs to a peculiar family, to a branch of the great order of perching birds, which differs from all the other clans in some important anatomical details. Into these we will not go, for they belong to morphology, the science which concerns itself chiefly with the dry bones of zoology, with the lifeless aspect of the science of life.

Aside from its color, you can't mistake the pitta for any other bird. Its long legs and its minimal tail may remind you of a sandpiper, but that's where the similarities end. The bird's classification has baffled many experts. It's been called the Madras jay, the Bengal quail, the short-tailed pye, the ant-thrush, the painted thrush, and the ground thrush. But it's neither a jay, nor a quail, nor a thrush, nor a tailless pye. It's a bird designed in its own unique way. It belongs to a distinct family, part of the larger order of perching birds, which is different from all other groups due to some significant anatomical features. We won't delve into those specifics, as they relate to morphology, the branch of science that focuses mainly on the dry bones of zoology and the lifeless aspects of the science of life.

The Indian pitta is a bird which likes warmth, but not heat, so that it refuses to live in the Punjab, where the climate is one of extremes—a spell of cold, then a headlong rush into a period of intense heat, followed by an equally sudden return to a low temperature. The pitta seems to occur in all parts of Eastern, Central, and Southern India, undergoing local migration to the south in the autumn and back again in the spring. In places where the climate is never very hot or very cold, as, for example, Madras and the hills in Ceylon, some individuals seem to remain throughout the year. I have seen pittas in Madras at all seasons, and I know of no better testimonial to the excellence of the climate of that city. Jerdon writes of the pitta: “In the Carnatic it chiefly occurs in the beginning of the hot weather, when the land-winds first begin to blow with violence from the west; and the birds in many instances appear to have been blown, by the strong wind, from the Eastern Ghauts, for, being birds of feeble flight, they are unable to contend against the strength of the wind. At this time they take refuge in [135] huts, outhouses, or any building that will afford them shelter. The first bird of this kind that I saw had taken refuge in the General Hospital at Madras; and subsequently, at Nellore, I obtained many alive under the same circumstances.” Other observers have had similar experiences. Bligh, for instance, states that in Ceylon pittas are frequently caught in bungalows on coffee estates on cold and stormy days.

The Indian pitta is a bird that enjoys warm weather but not extreme heat, so it avoids living in the Punjab, where the climate is very unpredictable—a spell of cold followed by intense heat, then a quick return to low temperatures. The pitta is found throughout Eastern, Central, and Southern India, migrating south in the autumn and returning in the spring. In areas with consistently mild temperatures, like Madras and the hills of Ceylon, some individuals seem to stay year-round. I've seen pittas in Madras during all seasons, and I can't think of a better endorsement of that city's wonderful climate. Jerdon writes about the pitta: “In the Carnatic, it mainly appears at the start of the hot season, when the land-winds begin to blow forcefully from the west; in many cases, the birds seem to be blown from the Eastern Ghauts by the strong winds, as they are not strong fliers and struggle against the wind. During this time, they seek shelter in huts, outhouses, or any building that can protect them. The first pitta I saw had taken refuge in the General Hospital at Madras; later, in Nellore, I found many alive under similar circumstances.” Other observers have had the same experiences. Bligh, for example, notes that in Ceylon, pittas are often found in bungalows on coffee estates on cold, stormy days.

It is strange that so retiring a bird as the pitta should find its way with such frequency into inhabited houses. Jerdon’s explanation is its “feeble flight,” but I doubt whether he is correct in calling the pitta a bird of weak flight; it can travel very fast, for short distances at any rate. It seems to me that the pitta dislikes cold and wind, and therefore naturally seeks any shelter that presents itself. Not being a garden bird, it is unaware that the bungalow, which offers such tempting cover, is the abode of human beings. Possibly another reason why the pitta so frequently enters bungalows is to avoid the crows. Dr. Henderson tells me that he was playing tennis some years ago at a friend’s house in Madras when he saw a bird being chased by a mob of crows. The fugitive took refuge in the drawing-room of the house, where Dr. Henderson caught it, and found that it was an uninjured but very much frightened pitta. Mr. D. G. Hatchell informs me that he once picked up in his verandah a dead pitta that had probably been killed by crows. The corvi are out-and-out Tories. They strongly resent all innovation qua innovation. Any addition to the local fauna is exceedingly distasteful to them. They object to the [136] foreigner quite as strongly as do (perhaps I should say “did”) the Chinese. It is for this reason that they mob every strange bird that shows its face. Now, they seldom come across either the creatures of the night or the denizens of the thick undergrowth; consequently, when such venture forth into the light of day the crows forthwith attack them.

It's odd that such a shy bird as the pitta often ends up in people’s homes. Jerdon suggested it's because of its “feeble flight,” but I’m not sure he’s right about the pitta being a weak flyer; it can move quite quickly, at least over short distances. It seems to me that the pitta avoids cold and wind, so it naturally looks for any shelter it can find. Not being a bird that typically hangs around gardens, it doesn’t realize that the bungalow, which offers such attractive cover, is where humans live. Another reason the pitta frequently enters bungalows might be to escape the crows. Dr. Henderson once told me that while he was playing tennis at a friend's house in Madras, he saw a bird being chased by a bunch of crows. The poor thing took refuge in the drawing room, where Dr. Henderson caught it, discovering it was a pitta that was uninjured but very scared. Mr. D. G. Hatchell mentioned that he once found a dead pitta on his verandah that had likely been killed by crows. The crows are true conservatives; they really dislike any kind of change. They’re not fond of any additions to the local wildlife. They dislike outsiders just as much as the Chinese did, perhaps. That’s why they mob any strange bird that comes into sight. Now, they rarely encounter nocturnal creatures or those hidden in thick bushes; therefore, when such creatures emerge during the day, the crows immediately attack them.

The pitta feeds chiefly on beetles, termites, ants, and other creeping things, which it seeks out among fallen leaves, after the manner of the “seven sisters.” The pitta is quick on its feet, and is able to hop and run with equal ease. It thrives in captivity. It is an excellent pet, provided it be not kept with smaller birds. It regards these as so much fresh meat especially provided for it.

The pitta mainly eats beetles, termites, ants, and other small creatures, which it finds among fallen leaves, similar to the way the "seven sisters" do. The pitta is quick on its feet and can hop and run with ease. It does well in captivity and makes a great pet, as long as it’s not kept with smaller birds. It views them as potential meals specifically offered to it.

The nest of the pitta is described as a globular structure fully nine inches in horizontal diameter and six inches high, with a circular aperture on one side. Twigs, roots, and dried leaves are the building materials utilised. The eggs are exceedingly beautiful. “The ground colour,” writes Hume, “is China white, sometimes faintly tinged with pink, sometimes creamy; and the eggs are speckled and spotted with deep maroon, dark purple, and brownish purple as primary markings, and pale inky purple as secondary ones. Occasionally, instead of spots, the markings take the form of fine hair-like lines.”

The pitta's nest is described as a round structure about nine inches wide and six inches tall, featuring a circular opening on one side. It’s built using twigs, roots, and dried leaves. The eggs are extremely beautiful. “The base color,” Hume writes, “is bright white, sometimes slightly tinted with pink or creamy; and the eggs are marked with deep maroon, dark purple, and brownish purple as the main colors, and light inky purple as secondary ones. Occasionally, instead of spots, the markings look like fine hair-like lines.”

[137]


XXV
THE INDIAN WHITE-EYE

The Indian white-eye (Zosterops palpebrosa) is a bird which should be familiar to everyone who has visited the Nilgiris. To wander far in a hillside wood without meeting a flock of these diminutive creatures is impossible. Sooner or later a number of monosyllabic notes will be heard, each a faint, plaintive cheep. On going to the tree from which these notes appear to emanate a rustle will be observed here and there in the foliage. Closer inspection will reveal a number of tiny birds flitting about among the leaves. These are white-eyes—the most sociable of birds. Except when nesting, they invariably go about in companies of not less than twenty or thirty. Each individual is as restless as a wren, so that some patience must be exercised by the observer if he wish to obtain a good view of any member of the flock. But by standing perfectly motionless for a time under the tree in which the birds are feeding he who is watching will, ere long, be able to make out that the white-eye is a tiny creature, not much more than half the size of a sparrow. The upper parts are yellowish green, the chin, throat, and feathers under [138] the tail are bright yellow, and the remainder of the lower surface of whitish hue. The most marked feature of the Zosterops is a conspicuous ring of white feathers round the eye, which causes the bird to look as though it were wearing white spectacles. From this circle the species derives its popular names, the white-eye or spectacle bird. Thanks to the conspicuous eye-ring, it is impossible to mistake the bird.

The Indian white-eye (Zosterops palpebrosa) is a bird that anyone who has visited the Nilgiris should recognize. It's impossible to walk far in a hillside forest without encountering a flock of these small creatures. Soon enough, you’ll hear a series of short, sad cheeps. If you follow the sound to the tree it’s coming from, you’ll notice some rustling in the leaves. A closer look will reveal several tiny birds flitting around among the foliage. These are white-eyes—the friendliest of birds. Unless they’re nesting, they’re always found in groups of at least twenty or thirty. Each bird is as active as a wren, so you’ll need some patience if you want a good look at any of them. But if you stand completely still under the tree where they’re feeding, you’ll soon be able to see that the white-eye is a tiny bird, just a bit more than half the size of a sparrow. Its upper parts are yellowish green, the chin, throat, and feathers underneath the tail are bright yellow, and the rest of the underside is a whitish color. The most distinctive feature of the Zosterops is a noticeable ring of white feathers around its eye, which makes it look like it’s wearing white glasses. This eye-ring gives the species its common names, the white-eye or spectacle bird. Thanks to this obvious feature, you can’t mistake it for anything else.

All feathered creatures that go about in flocks and haunt thick foliage emit unceasingly a call note, by means of which the members of the flock keep in touch with one another. This ceaseless cheeping note is probably uttered unconsciously. Each individual listens, without knowing that it is doing so, for the calls of its fellows; so long as it hears these it is happy. When the main volume of the sound grows faint the individual white-eye knows that his companions are moving away from him; he accordingly flies in the direction from which their calls are coming, giving vent, as he goes, to a louder cheep than usual. Whenever a white-eye flies from one tree to another it utters this more powerful call and thereby informs its fellows that it is moving forward. This louder cry stimulates the others to follow the bird that has taken the lead. All the time they are thus flitting about the white-eyes are busy picking tiny insects off the leaves. I have never observed them eating anything but insects. Legge, however, asserts that their diet is for the most part frugivorous, in consequence of which the birds are, according to him, very destructive to gardens, picking off the buds of fruit trees, as well as attacking [139] the fruit itself. He further declares that he has known caged individuals in England feed with avidity on dried figs. Hutton also states that white-eyes feed greedily upon the small black berries of a species of Rhamnus, common in the Himalayas. Notwithstanding the authorities cited, it is my belief that these little birds are almost exclusively insectivorous. They perform a useful work in devouring numbers of obnoxious insects, which they extract from flowers. In so doing their heads sometimes become powdered with pollen, so that the white-eyes probably, like bees and moths, render service to plants by carrying pollen from one flower to another.

All birds that travel in flocks and hang out in dense trees continuously make a call, which helps the flock stay connected. This constant chirping is likely done without them thinking about it. Each bird listens, unknowingly, for the calls of its companions; as long as it hears them, it feels content. When the overall sound starts to fade, the individual white-eye realizes that its friends are moving away; it then flies toward the direction of their calls, letting out a louder chirp than usual. Anytime a white-eye flies from one tree to another, it gives this stronger call to let its group know it's moving. This louder sound encourages the others to follow the bird in the lead. While they are flitting about, the white-eyes are busy picking tiny insects off the leaves. I've only seen them eat insects. However, Legge claims that they mostly eat fruits, which makes them quite destructive to gardens by nibbling on the buds of fruit trees and even the fruit itself. He also notes that he has seen caged birds in England eagerly eat dried figs. Hutton mentions that white-eyes also voraciously eat the small black berries of a type of Rhamnus, commonly found in the Himalayas. Despite the opinions of these experts, I believe that these little birds primarily eat insects. They play a beneficial role by consuming numerous unwanted insects, which they pull from flowers. While doing so, their heads sometimes get coated in pollen, suggesting that white-eyes, similar to bees and moths, help plants by transferring pollen from one flower to another.

The search for food does not occupy the whole day. Except at the nesting season, the work of birds is light. In the early morning the white-eyes feed industriously; so that by noon they have satisfied their hunger. They then flit and hop and fly about purely for pleasure. White-eyes, like all small birds, literally bubble over with energy. They are as restless as children. Once when walking through the Lawrence Gardens at Lahore in the days when they had not yet fallen into the clutches of that enemy of beautiful scenery, the landscape gardener, I came across a company of these charming little birds disporting themselves amid some low bushes near a plantation of loquat trees. First one little bird, then another, then a third, a fourth, a fifth, etc., dropped to the ground, only to return at once to the bush whence they came. A whole flock appeared to be taking part in this pastime. There were two continuous streams, one of descending and the [140] other of ascending white-eyes. These might have been little fluffy, golden balls with which some unseen person was playing.

The search for food doesn’t take up the whole day. Except during nesting season, the work of birds is light. In the early morning, the white-eyes feed diligently so that by noon they’ve satisfied their hunger. They then flit, hop, and fly around just for fun. White-eyes, like all small birds, are brimming with energy. They’re as restless as kids. Once, while walking through the Lawrence Gardens in Lahore, back when they hadn’t yet fallen into the hands of that enemy of beautiful scenery, the landscape gardener, I came across a group of these delightful little birds having fun among some low bushes near a grove of loquat trees. First one little bird, then another, then a third, a fourth, a fifth, and so on dropped to the ground, only to quickly return to the bush they came from. A whole flock seemed to be joining in this game. There were two continuous streams: one of descending and the other of ascending white-eyes. They could have been little fluffy, golden balls with someone unseen playing with them.

When the heat of the day is at its zenith, white-eyes, like most birds in India, enjoy a siesta. At this hour little gatherings of them may be seen, each bird huddled against its neighbours on some bough of a leafy tree.

When the heat of the day is at its peak, white-eyes, like most birds in India, take a nap. During this time, you can see small groups of them, each bird snuggled up next to its neighbors on a branch of a leafy tree.

At the nesting season the white-eye sings most sweetly. The ordinary cheeping note then becomes glorified into something resembling the lay of the canary; less powerful, but equally pleasing to the ear.

At nesting season, the white-eye sings the sweetest melodies. Its usual cheeping turns into something closer to a canary's song; it may be less powerful, but it's just as enjoyable to listen to.

The nest of the white-eye is a neat little cup, or, as Mr. A. Anderson describes it, a hollow hemisphere. It is a miniature of the oriole’s nursery. It is large for the size of the bird, being usually over two inches in diameter. Some nests are fully two inches deep, while others are quite shallow. It is composed of fine fibres (i.e. grass stems, slender roots, moss, and seed down) and cotton, bound together by cobweb, which is the cement most commonly used by bird masons. The nursery is invariably provided with a lining. In one nest that I found, this lining consisted of human hair. Other lining materials are silky down, hair-like moss and fern-roots, and grass fibres so fine that the horsehairs which are sometimes utilised look quite coarse beside them. The most wonderful thing about the nest of this pretty little bird is the manner in which it is attached to its supports. I have called it a miniature of the oriole’s nursery, because it is usually suspended from two or more branches by cotton fibres. I once came upon a nest which was attached to but [141] one slender branch, and to the tip of this. The end was worked into the structure of the nest so that the whole looked like a ladle with a very thin handle. It seemed incredible that so slight a branch could support the nest and its contents.

The nest of the white-eye is a neat little cup, or, as Mr. A. Anderson describes it, a hollow hemisphere. It resembles a tiny version of the oriole’s nursery. It's surprisingly large for the size of the bird, usually measuring over two inches in diameter. Some nests can be fully two inches deep, while others are quite shallow. It's made of fine fibers (like grass stems, slender roots, moss, and seed down) and cotton, held together by cobwebs, which is the main material used by bird builders. The nursery always has a lining. In one nest I found, the lining was made of human hair. Other lining materials include silky down, hair-like moss, fern roots, and grass fibers so fine that the horsehairs sometimes used look quite coarse next to them. The most amazing thing about this beautiful little bird’s nest is how it’s attached to its supports. I called it a miniature of the oriole’s nursery because it’s usually suspended from two or more branches by cotton fibers. I once found a nest that was attached to just one slender branch, right at the tip. The end was woven into the nest structure so that the entire thing looked like a ladle with a very thin handle. It seemed unbelievable that such a delicate branch could support the nest and its contents.

I have not been fortunate enough to watch the white-eye building its nest. Mr. A. Anderson states that the pair—for both the cock and the hen take part in nest construction—“set to work with cobwebs, and having first tied together two or three leafy twigs to which they intend to attach their nest, they then use the fine fibre of the sunn (Crotalaria juncea), with which material they complete the outer fabric of their very beautiful and compact nest. As the work progresses, more cobwebs and fibre of a silky kind are applied externally, and at times the nest, when tossed about by the wind (sometimes at a considerable elevation), would be mistaken by a casual observer for an accidental collection of cobwebs. The inside of the nest is well felted with the down of the madar plant, and then it is finally lined with fine hair and grass stems of the softest kind.” The nest is usually situated within three or four feet of the ground, but is sometimes placed at much higher elevations.

I haven't been lucky enough to see the white-eye building its nest. Mr. A. Anderson notes that both the male and female work together on the nest construction. “They start off with cobwebs and first tie together two or three leafy twigs that will hold their nest. Then they use the fine fibers of the sunn (Crotalaria juncea) to finish the outer layer of their beautiful and compact nest. As they work, they add more cobwebs and silky fibers to the outside, and sometimes when the nest is swayed by the wind (even at a pretty high altitude), a casual observer might mistake it for a random pile of cobwebs. The inside of the nest is well padded with the down of the madar plant, and it's finally lined with fine hair and soft grass stems.” The nest is usually located about three or four feet off the ground, but it can sometimes be found at much higher spots.

In South India, the time to look for white-eyes’ nests is from January to March. In the north, the majority of nests are found between April and June.

In South India, the best time to search for white-eye nests is from January to March. In the north, most nests are found between April and June.

The eggs are a beautiful pale blue. Most commonly only two seem to be laid. There are, however, many cases on record of three and a few of four eggs. This is an unusually small clutch. Nevertheless it is unlikely [142] that a pair of white-eyes bring up more than two broods in the year. These facts, when taken in conjunction with the wide distribution of the species, indicate that the white-eye meets with exceptional success in rearing its young. The nest is usually well concealed in the depths of a leafy bush. Squirrels and lizards must find the suspended nursery difficult of access. In addition to this we must bear in mind that white-eyes are plucky little creatures. Mr. Ball describes how he saw one of them attacking a rose-finch, a vastly more powerful bird, and drive it away from the flowers of the mohwa, which form a favourite hunting-ground of the white-eye.

The eggs are a lovely pale blue. Typically, only two are laid, but there are quite a few records of three and a few of four eggs. This is an unusually small clutch. Still, it's unlikely that a pair of white-eyes raises more than two broods in a year. These facts, combined with the wide distribution of the species, show that the white-eye is particularly successful at raising its young. The nest is usually well hidden in the thick foliage of a bush. Squirrels and lizards must find it hard to reach the nursery. Plus, we should remember that white-eyes are brave little birds. Mr. Ball describes seeing one of them attacking a rose-finch, a much stronger bird, and driving it away from the flowers of the mohwa, which is a favorite hunting area for the white-eye.

As I have repeatedly stated, pugnacity is a more valuable asset than protective colouration in the struggle for existence.

As I have said many times, being aggressive is a more valuable asset than camouflage in the struggle for survival.

Lastly, the white-eye appears able to thrive under greatly varying conditions of climate.

Lastly, the white-eye seems capable of thriving in a wide range of climatic conditions.

These advantages possessed by white-eyes, I think, explain why the clutch of eggs is so small.

These benefits that white-eyes have, I think, explain why the number of eggs in the clutch is so small.

White-eyes make excellent pets. They will live amicably along with amadavats in a cage. Finn is my authority for saying that soft fruit, bread and milk, and small insects are all the food required by white-eyes, and they are so easy to keep that many specimens are sent to Europe.

White-eyes make great pets. They can live happily with amadavats in a cage. Finn is my source for saying that soft fruit, bread and milk, and small insects are all the food white-eyes need, and they’re so easy to care for that many are sent to Europe.

[143]


XXVI
GOOSEY, GOOSEY GANDER

The goose, like certain ladies who let lodgings, has seen better times. It is a bird that has come down in the world. For some reason which I have never been able to discover, it is nowadays the object of popular ridicule. It is commonly set forth as the emblem of foolishness. Invidious comparisons are proverbially drawn between it and its more handsome cousin, the swan. The modern bards vie with one another in blackening its character. As Phil Robinson says, “It does not matter who the poet is—he may be anyone between a Herbert and a Butler—the goose is a garrulous fool, et præterea nihil.” Well may the bird cry O tempora! O mores! It has indeed fallen upon evil days. Things were not ever thus. Time was when men held the goose in high esteem. Livy was loud in his praises of the bird. Pliny was an ardent admirer thereof. The Romans used to hold a festival in honour of the feathered saviour of the Capitol. The degradation of the goose is, I fear, a matter of looks. Its best friend can scarcely call it handsome. It is built for natation rather than perambulation; [144] nevertheless it spends much time out of water and feeds chiefly on terra firma. It is probably a bird that is undergoing evolution, a bird that is changing its habits. It has taken to a more or less terrestrial existence, but has not yet lost what I may perhaps call the aquatic waddle. While walking it looks as though it might lose its balance at any moment. As a matter of fact, the goose is no mean pedestrian, and is capable of performing considerable journeys on foot. When pressed, it can show a fine turn of speed. This I have had some opportunity of observing in the Zoological Gardens at Lahore. A crane (Grus antigone) is confined in the water-birds’ enclosure along with the ducks, geese, pelicans, etc. Now, cranes are the most frolicsome and playful of birds. In no other fowl is the sense of humour more highly developed. The crane in question continually indulges in “cake walks,” and cuts other mad capers. Sometimes it is seized with the impulse to “clear the decks,” that is to say, the banks of the ornamental pond. The operation is conducted as follows: The crane opens out its wings, takes two wild jumps into the air, then rushes at the nearest duck or goose, with wings expanded, looking as though it were going through one of the figures of the serpentine dance. The frightened duck flees before the crane; the latter keeps up the chase until the duck takes refuge in the water. Having succeeded in its object, the crane trumpets loudly and performs a dance which a Red Indian on the war-path could scarcely hope to emulate. It next turns its attention to some other inoffensive duck or goose. It is while being thus [145] chased that pinioned geese show a fine turn of speed. Fly they cannot, so they sprint with expanded wings.

The goose, like certain ladies who rent out rooms, has seen better days. It's a bird that has definitely lost its luster. For some reason I’ve never figured out, it’s become a target of public mockery. It’s often portrayed as a symbol of foolishness. Unflattering comparisons are routinely made between it and its more attractive relative, the swan. Today’s poets compete to tarnish its reputation. As Phil Robinson puts it, “It doesn’t matter who the poet is—he could be anyone from Herbert to Butler—the goose is a chattering fool, et præterea nihil.” It makes sense that the bird would lament O tempora! O mores! It truly has fallen on hard times. It wasn’t always this way. There was a time when people respected the goose. Livy sang its praises. Pliny was a passionate fan. The Romans even celebrated a festival in honor of the feathered guardian of the Capitol. The decline of the goose is, I fear, due to its appearance. Its closest friend wouldn’t even call it attractive. It’s built for swimming rather than walking; [144] however, it spends a lot of time out of the water and mostly eats on solid ground. It’s probably a bird undergoing evolution, adapting to a more ground-based lifestyle, but it hasn’t quite shed what I might call its awkward waddle. When it walks, it looks as if it might tip over at any moment. In reality, the goose is no slouch on foot and can travel quite a distance. When pushed, it can really pick up the pace. I’ve had the chance to see this in the Zoological Gardens in Lahore. A crane (Grus antigone) is kept in the water-birds’ enclosure with ducks, geese, pelicans, and others. Cranes are among the most playful birds; they have a well-developed sense of humor. The crane I saw constantly engaged in “cake walks” and other silly antics. Sometimes it feels the urge to “clear the decks,” meaning the banks of the ornamental pond. Here’s how it goes: The crane spreads its wings, takes two wild hops into the air, then charges at the nearest duck or goose, wings wide open, looking like it’s performing some kind of dance. The startled duck runs away from the crane, which continues the chase until the duck jumps into the water for safety. Having accomplished its goal, the crane trumpets loudly and does a dance that even a Native American warrior on the warpath would struggle to match. It then turns its focus to another unsuspecting duck or goose. It’s during these chases that tethered geese exhibit impressive speed. They can’t fly, so they sprint with their wings flared.

The goose is a great favourite of mine. The more one sees of the bird the more one likes it and appreciates its good qualities. It is a creature of character. It rapidly forms attachments, and will sometimes follow about, like a dog, the person to whom it has taken a fancy. A curious instance of this was recorded many years ago by The Yorkshire Gazette. A gander belonging to a farmer developed a liking for an old gentleman. The bird used to go every morning from the farmyard to the house of the said elderly gentleman and awake him by its cries. It would then accompany him the whole day in his walks and strut behind him in the most frequented streets, unmindful of the screams of the urchins by whom the strange pair were often followed. When the old gentleman sat down to rest the gander used to squat at his feet. When they were approaching a seat on which the old man was accustomed to sit the gander used to run on ahead and signify by cackling and flapping of wings that the resting-place was reached. When anyone annoyed the old gentleman the gander would express its displeasure by its cries and sometimes by biting. When its friend went into an inn to take a glass of ale, the bird used to follow him inside if permitted; if not allowed to do so, it would wait outside for him.

The goose is one of my favorites. The more you see this bird, the more you like it and appreciate its good traits. It has a lot of personality. It quickly forms bonds and will sometimes follow around the person it’s taken a liking to, just like a dog. A strange example of this was reported many years ago by The Yorkshire Gazette. A gander belonging to a farmer became fond of an elderly gentleman. Every morning, the bird would leave the farmyard and go to the old man’s house, waking him with its loud calls. It would then accompany him throughout the day, strutting behind him in the busiest streets, unfazed by the shouts of the children who often followed the unusual duo. When the old man took a break, the gander would sit at his feet. As they neared a bench where the old man usually sat, the gander would rush ahead and signal with cackling and flapping wings that they had arrived at their resting spot. If anyone bothered the old gentleman, the gander would voice its displeasure with loud cries and sometimes by pecking. When its friend went into a pub for a drink, the bird would try to follow him inside; if it wasn't allowed, it would wait outside for him.

One should not of course accept as gospel truth everything one reads in a newspaper. It is necessary to discriminate. Thus, when a well-known weekly journal [146] produces a picture of the ladies of a Sultan’s harem dancing unveiled before a distinguished company of gentlemen, one begins to wonder whether truth really is stranger than fiction. However, I see no reason to doubt the substantial accuracy of the story of the Yorkshire gander. The goose is an exceptionally intelligent bird and is very easily tamed. I once made friends with a goose in the Zoological Gardens at Lahore. It was a white, bazaar-bred bird. Whenever it saw me it used to walk up to the fence and emit a low note of welcome. I was able to distinguish that particular bird from the other geese by the fact that a piece had been broken off its upper mandible.

One shouldn't just accept everything in a newspaper as the absolute truth. It's important to be discerning. So, when a popular weekly magazine [146] shows a picture of ladies from a Sultan’s harem dancing without veils in front of a group of distinguished gentlemen, it makes you question if reality is really stranger than fiction. However, I have no reason to doubt the basic truth of the story about the Yorkshire gander. Geese are incredibly intelligent birds and can be easily trained. I once made friends with a goose at the Zoological Gardens in Lahore. It was a white, market-bred bird. Whenever it saw me, it would waddle over to the fence and give a soft welcoming honk. I could tell that specific goose apart from the others because a piece was missing from its upper beak.

I am glad to notice that Mr. W. H. Hudson, one of the leading British ornithologists, has a high opinion of the goose. In his Birds and Man he gives a delightful account of the home-coming of a flock of tame geese led by a gander. He writes: “Arrived at the wooden gate of the garden in front of the cottage, the leading bird drew up square before it, and with repeated loud screams demanded admittance. Pretty soon in response to the summons, a man came out of the cottage, walked briskly down the garden-path and opened the gate, but only wide enough to put his right leg through; then placing his foot and knee against the leading bird he thrust him roughly back; as he did so three young geese pressed forward and were allowed to pass in; then the gate was slammed in the face of the gander and the rest of his followers, and the man went back to the cottage. The gander’s indignation was fine to see, though he had probably experienced [147] the same rude treatment on many previous occasions. Drawing up before the gate again, he called more loudly than before; then deliberately lifted a leg, and placing his broad webbed foot like an open hand against the gate, actually tried to push it open. His strength was not sufficient, but he continued to push and call until the man returned to open the gate and let the birds go in.”

I’m glad to see that Mr. W. H. Hudson, one of the top British bird experts, has a high opinion of the goose. In his Birds and Man, he shares a charming story about a flock of tame geese coming home led by a gander. He writes: “When they arrived at the wooden gate of the garden in front of the cottage, the leading bird stopped directly in front of it and, with repeated loud screams, demanded to be let in. Soon after, a man came out of the cottage, walked briskly down the garden path, and opened the gate, but only wide enough to put his right leg through; then, placing his foot and knee against the leading bird, he pushed him roughly back. As he did this, three young geese moved forward and were allowed to go inside; then the gate was slammed in the face of the gander and the rest of his followers, and the man returned to the cottage. The gander’s frustration was impressive to see, even though he had likely faced the same rude treatment many times before. He stood in front of the gate again, calling louder than before; then he deliberately lifted a leg and placed his broad webbed foot like an open hand against the gate, actually trying to push it open. His strength wasn’t enough, but he kept pushing and calling until the man came back to open the gate and let the birds inside.”

If only for his sturdy independence and his insistence on his rights the gander is a bird whose character is worthy of study. He is courageous too; so is his wife. She will stand up fearlessly to a boy, a kite, or even a fox, when her brood is threatened. Last year in the Lahore Zoological Gardens a goose hatched a number of goslings. The kites regarded these as fair game, and, in spite of the efforts of the mother, carried off several of the young birds. Thereupon four ganders took counsel and constituted themselves a bodyguard for the goose and chicks, one or more of them being always on duty. In spite of this a kite managed to secure another gosling. The mother and her remaining five chicks were then placed in a cage; notwithstanding this, the ganders still maintained their guard and cried loudly whenever a human being approached the cage containing the brood.

If only for his strong independence and his insistence on his rights, the gander is a bird whose character deserves attention. He’s brave, and so is his mate. She will stand up fearlessly to a boy, a kite, or even a fox when her goslings are in danger. Last year at the Lahore Zoological Gardens, a goose hatched several goslings. The kites saw them as easy targets and, despite the mother’s efforts, they took several of the young birds. Then, four ganders decided to team up and became a bodyguard for the goose and her chicks, with one or more of them always on watch. Despite this, a kite managed to grab another gosling. The mother and her remaining five chicks were then put in a cage; nevertheless, the ganders continued to stand guard and loudly alerted everyone whenever a person approached the cage with the brood.

The goose, like the swan, uses its wing as a weapon. When it attacks it stretches its neck and head low along the ground and hisses; it then dashes at its adversary, seizes him with beak and claws, and lays on to him right well with its powerful wings.

The goose, like the swan, uses its wing as a weapon. When it attacks, it stretches its neck and head low to the ground and hisses; then it charges at its opponent, grabs them with its beak and claws, and hits them hard with its strong wings.

[148]

Here endeth the account of “Goosey, Goosey Gander.” I must apologise to the geese in their natural state for having completely ignored them. We will make amends by indulging in a wild-goose chase at an early date!

Here ends the story of “Goosey, Goosey Gander.” I apologize to the geese in their natural state for completely ignoring them. We'll make it up to them by going on a wild-goose chase soon!

[149]


XXVII
GEESE IN INDIA

Seven or eight species of goose have been recorded as winter visitors to India. With two exceptions they honour us with their presence only on rare occasions, and do not really form part and parcel of our Indian avifauna. The exceptions are the grey lag goose and the barred-headed goose, which visit India every winter in their millions. It is these that form the subject of this essay. It is difficult for the dweller in the south to realise how abundant geese are in Northern India throughout the cold weather. Flocks of them fly overhead so frequently that they scarcely attract notice. Each flight looks like a great trembling, quivering V, floating in the air, a V of which the angle is wide and one limb frequently longer than the other. During flight geese are distinguishable from cranes and storks by this V-shaped formation, and by the fact that they never sail on expanded wings; they progress by means of a steady, regular motion of the pinions, and are able to cover long distances in short time. Geese on the wing are distinguishable from the smaller species of duck by their larger size, and from Brahminy ducks (Casarca [150] rutila) by their lighter colour. Moreover, the curious note of this last species is very different from the cackle of geese. Brahminy ducks go about in couples; geese fly in flocks.

Seven or eight species of geese have been noted as winter visitors to India. With two exceptions, they typically visit us only occasionally and don’t really consider themselves part of our Indian birdlife. The exceptions are the greylag goose and the bar-headed goose, which come to India every winter in the millions. These are the focus of this essay. It’s hard for someone living in the south to grasp how plentiful geese are in northern India during the cold season. Flocks of them fly overhead so often that they hardly get noticed. Each flight resembles a large, trembling V floating in the air, with a wide angle and one side often longer than the other. While flying, geese can be distinguished from cranes and storks by this V-shaped formation and the fact that they don’t glide on extended wings; they move forward with a steady, rhythmic motion of their wings, allowing them to cover long distances quickly. Geese in flight can be recognized from smaller duck species by their larger size, and from Brahminy ducks (Casarca [150] rutila) by their lighter coloration. Additionally, the distinctive call of Brahminy ducks is very different from the honking of geese. Brahminy ducks are often seen in pairs, while geese travel in flocks.

Like most birds which breed in the far north, geese are largely nocturnal; their cries as they fly overhead are among the commonest of the sounds which break the stillness of the winter night in Upper India. They feed mainly in the hours of darkness, and do a certain amount of damage to the young wheat; nor do they leave their feeding ground until the sun is high in the heavens, when they repair to a river bank or shallow lake, where they love to bask in the sun, all with the head tucked under the wing, save one or two who do duty as sentinels.

Like most birds that breed in the far north, geese are mostly active at night; their calls as they fly overhead are among the most common sounds that break the stillness of the winter night in Upper India. They mainly feed during the dark hours and cause some damage to the young wheat; they don’t leave their feeding area until the sun is high in the sky, when they head to a riverbank or shallow lake, where they enjoy basking in the sun, all with their heads tucked under their wings, except for one or two who stand guard as sentinels.

The grey lag goose of India is, I believe, identical with the wild goose of England. This is a belief not shared by everyone. For over a century this species has been the plaything of the systematist. Linnæus classed ducks and geese as one genus—Anas. This goose he called Anas anser, the goose-duck. But it was soon recognised that ducks and geese are not sufficiently nearly related to form a common genus; hence, the geese were formed into the genus Anser, and the grey lag goose was then called Anser cinereus, the ashy-coloured goose, a not inappropriate name, although the bird is brown rather than grey. But the name was not allowed to stand. For some reason or other it was changed to Anser ferus. Then it was altered to Anser anser—the goosey goose, presumably meaning the goose par excellence. Then Salvadori [151] discovered, or thought that he discovered, that the grey lag geese of the East are not quite like those of the West; he therefore made two species of the bird, calling the Indian variety Anser rubirostris, the red-billed goose. Alphéraky denies the alleged difference. The result is that the bird has some half-dozen names, each of which has its votaries. It is this kind of thing which deprives classical nomenclature of all its utility. Until ornithologists learn to grasp the simple fact that the external appearance of every living creature is the result of two sets of forces, internal or hereditary, and external or the influence of environment, they will always be in difficulty over species. Englishmen who dwell in sunny climates get browned by the sun, yet no one dreams of making a separate species of sun-burned Englishmen. Why, then, do so in the case of birds whose external appearance is slightly altered by their environment?

The greylag goose of India is, I believe, the same as the wild goose in England. Not everyone agrees with this idea. For over a century, this species has fascinated taxonomists. Linné classified ducks and geese as one genus—Anas. He named this goose Anas anser, the goose-duck. However, it was soon recognized that ducks and geese aren’t closely enough related to be in the same genus; thus, geese were classified into the genus Anser, and the greylag goose was renamed Anser cinereus, the ashy-colored goose, which is somewhat fitting, even though the bird is brown rather than grey. But that name didn’t stick. For some reason, it was changed to Anser ferus. Then it was altered to Anser anser—essentially, the goose goose, presumably meaning the goose par excellence. Then Salvadori discovered, or at least thought he discovered, that the greylag geese of the East are not quite the same as those of the West; he therefore classified two species of the bird, naming the Indian variety Anser rubirostris, the red-billed goose. Alphéraky disputes the claimed difference. As a result, the bird has about half a dozen names, each with its supporters. This kind of confusion makes classical nomenclature nearly useless. Until ornithologists understand that the external appearance of every living creature results from two sets of influences—internal or hereditary, and external or environmental—they will continue to struggle with species classification. English people living in sunny climates get a tan from the sun, yet no one thinks of classifying sunburned Englishmen as a separate species. So why do this for birds whose external appearance is only slightly altered by their environment?

Even as scientific men have toyed with the Latin name of the bird, so have compositors played with its English name. Nine out of ten of them flatly decline to call it the grey lag goose; they persist in setting it down as the grey leg goose. If the bird’s legs were grey this would not matter. Unfortunately they are not. In extenuation of the conduct of the compositor there is the fact that etymologists are unable to agree as to the meaning and derivation of the word lag.

Even as scientists have played around with the bird's Latin name, typesetters have messed with its English name. Nine out of ten of them refuse to call it the grey lag goose; they keep writing it as the grey leg goose. If the bird’s legs were grey, this wouldn’t be a problem. Unfortunately, they aren't. To excuse the typesetter's mistake, it's worth noting that etymologists can’t agree on the meaning and origin of the word lag.

The other common species of goose is the barred-headed goose (Anser indicus). This is not found in Europe. It is a grey bird, more so than the grey lag goose, with two black bands across the back of the head. [152] The upper one runs from eye to eye, the lower is parallel to, but shorter than, the upper bar. The back of the neck is black and the sides white. There is some black in the wings. The bill and feet are yellow. Both these species of goose are a little smaller than the domestic bird.

The other common species of goose is the barred-headed goose (Anser indicus). This bird is not found in Europe. It's a gray bird, even more so than the gray lag goose, with two black bands across the back of its head. [152] The upper band goes from eye to eye, while the lower one is parallel to, but shorter than, the upper band. The back of the neck is black and the sides are white. There's some black in the wings. The bill and feet are yellow. Both of these goose species are a bit smaller than domestic geese.

Geese are very wary creatures, and possess plenty of intelligence. They all seem to know intuitively the range of a gun, and as they object to being peppered with No. 2, or any other kind of shot, it is necessary for the sportsman to have recourse to guile if he would make a bag. It is this which makes shooting them such good sport. Every bird obtained has to be worked for. By rising very early in the morning the gunner may sometimes get a shot at them while they are feeding. They seem to be less wary then than later in the day. Sometimes, when riding at sunrise, I have suddenly found myself within forty yards of a flock of geese feeding in a field.

Geese are very cautious animals and are quite intelligent. They seem to instinctively know the range of a gun, and since they don't like being shot at with No. 2 or any other type of ammunition, hunters need to be clever if they want to catch any. This challenge is what makes hunting them such an exciting sport. Each bird caught requires effort. By getting up early in the morning, a hunter might sometimes get a shot at them while they're feeding. They appear to be less cautious at that time than later in the day. Occasionally, while riding at sunrise, I've unexpectedly found myself within forty yards of a group of geese feeding in a field.

They usually indulge in their midday siesta in an open place, and invariably post sentinels. For this reason they do not give one much opportunity of observing them. They cannot, or pretend they cannot, distinguish between the naturalist and the sportsman. In this, perhaps, they are wise. Their intelligence has, I think, been exaggerated. Last winter, when punting down the Jumna, I noticed a flock of geese resting on the moist sand at the water’s edge. Behind them was a semi-circular sandbank, some fifteen feet in height. This bank sheltered the geese from the wind. Birds, like ladies, object to having their feathers ruffled. It [153] occurred to me that owing to the sandbank one could approach quite near to the flock unobserved. Knowing that geese are creatures of habit, I counted on the flock being at the identical spot next day. Consequently, I returned the following morning and approached on all fours from the sandbank side, and was rewarded by securing a barred-headed goose. I repeated the operation on the following day, and again bagged a goose. The third day I was unable to visit the place, so sent a friend, who was only prevented from slaying a goose by the fact that two Brahminy ducks in mid-stream saw him approaching and gave the alarm. We left the camp the next day. I do not, therefore, know whether the geese continued to frequent that danger-fraught sandbank. The fact that they allowed themselves to be caught napping thrice shows that they have not quite so much intelligence as some people credit them with. For all that, the goose is no fool.

They usually take their midday nap in an open area and always have someone keeping watch. Because of this, they don’t give you much chance to observe them. They can’t, or pretend they can’t, tell the difference between a naturalist and a hunter. In this, they might be smart. I think their intelligence has been exaggerated. Last winter, while punting down the Jumna River, I saw a flock of geese resting on the wet sand at the water’s edge. Behind them was a semi-circular sandbank about fifteen feet high. This bank protected the geese from the wind. Birds, like women, dislike having their feathers ruffled. It occurred to me that, thanks to the sandbank, I could sneak up close to the flock without being noticed. Knowing that geese are creatures of habit, I expected the flock to be in the same spot the next day. So, I returned the following morning and crawled on all fours from the sandbank side, which got me a barred-headed goose. I did the same thing the next day and caught another goose. On the third day, I couldn’t go back, so I sent a friend, who was only stopped from getting a goose because two Brahminy ducks in the middle of the stream spotted him and raised the alarm. We left the camp the next day, so I don’t know if the geese continued to hang out at that dangerous sandbank. The fact that they let themselves get caught napping three times suggests they aren’t as smart as some people think. Still, the goose is no idiot.

[154]


XXVIII
A SWADESHI BIRD

I commend the common peafowl (Pavo cristatus) to the Indian patriot, for it is a true Swadeshi bird. It is made in India and nowhere else. The beastly foreigner does, indeed, produce a cheap imitation in the shape of Pavo muticus—the Javan peafowl; but with this the patriotic Indian bird will have nothing to do. The two species are very like in appearance, the most noticeable difference being in the shape of the crest; that of the Indian species is like an expanded fan, while the cranial ornament of the Javan species resembles a closed fan. Notwithstanding their similarity they do not interbreed when brought together. This, I am aware, was not Jerdon’s view. He stated that hybrids between the two species were not rare in aviaries. In this particular instance Jerdon, mirabile dictu, seems to have been wrong; he probably mistook the japanned variety of the common bird for a hybrid. My experience tends to show that the two species will not interbreed. Caste feeling evidently runs high.

I recommend the common peafowl (Pavo cristatus) to the Indian patriot, as it is a true Swadeshi bird. It’s made in India and nowhere else. The inferior foreigner does create a cheap imitation in the form of Pavo muticus—the Javan peafowl; but the patriotic Indian bird wants nothing to do with it. The two species look quite similar, with the most noticeable difference being the shape of their crest; the Indian species has a fan-shaped crest, while the Javan species has a closed-fan crest. Despite their resemblance, they do not interbreed when they are together. I know this isn’t what Jerdon thought. He claimed that hybrids between the two species were common in aviaries. In this case, Jerdon, mirabile dictu, appears to be mistaken; he probably confused the shiny version of the common bird for a hybrid. My experience suggests that the two species do not interbreed. There’s clearly a strong sense of pride involved.

Peafowl are distributed all over India; they occur in most localities suited to their habits, that is to say [155] where there is plenty of cover, good crops, and abundance of water. They are very plentiful in the Himalayan terai, where they are a source of annoyance to the sportsman. You are sitting in your machan, listening to the approaching line of beaters. Presently there is a rustle among the fallen leaves; a creature is making its way through the undergrowth. You listen intently, and perceive with satisfaction that the moving object is coming towards your machan. You are now all attention, and grasp your rifle in such a manner that it can, in an instant, be brought to your shoulder. Then, to your disgust, a peacock emerges with a good-morning-have-you-used-Pear’s-soap air. When, after about half a dozen of these false alarms, a bear appears, you are, as likely as not, unprepared for him.

Peafowl are found all over India; they live in most places that suit their habits, meaning where there’s plenty of cover, good crops, and lots of water. They are especially abundant in the Himalayan terai, where they can be quite a nuisance for hunters. You’re sitting in your machan, listening to the sound of the approaching line of beaters. Suddenly, there’s a rustle among the fallen leaves; something is making its way through the underbrush. You listen closely and feel a sense of satisfaction as the moving object comes closer to your machan. You’re now fully alert, gripping your rifle in a way that it can be raised to your shoulder in an instant. Then, to your dismay, a peacock struts out, looking like it just stepped out of a salon. After about half a dozen of these false alarms, when a bear finally shows up, you’re likely to be completely unprepared for it.

In many parts of Northern India, notably in those districts through which the Jumna and Ganges run, peafowl are accounted sacred by the Hindu population. If you shoot one in such a locality the villagers have a disagreeable way of turning out en masse, armed with lathis. The reverence for the peacock is curiously local. In one village the people will invite you to shoot the birds on account of the damage they do to the crops; while the inhabitants of a village at a distance of less than a hundred miles will send a wire to the Lieutenant-Governor if you so much as point a gun at the sacred fowl. I once camped in a district where peafowl were exceptionally numerous, and on this account I concluded that they were venerated by the populace. But, sacred or not, I hold that there is nothing to equal a young peafowl as a table bird, so I [156] used to mark down the trees in which the pea-chicks roosted, and return to the spot with a gun, after the shades of night had fallen. Having shot a sleeping bird I smuggled it into camp in order not to offend the village folk. After having taken these precautions for about two months I learned that the people entertained no objection whatever to the birds being shot! Peafowl are objects of veneration in all the Native States of Rajputana. These are strongholds of orthodox Hinduism. Nilgai, even, may not be shot, because the Pundits, not being zoological experts, labour under the delusion that these ungainly antelope are kine.

In many parts of Northern India, especially in the areas around the Yamuna and Ganges rivers, the local Hindu population considers peafowl to be sacred. If you shoot one in these regions, the villagers have a tendency to come out in large numbers, armed with sticks. The reverence for peacocks is interestingly specific to certain areas. In one village, the locals might invite you to hunt the birds because of the damage they cause to crops; meanwhile, in a nearby village less than a hundred miles away, they would immediately contact the Lieutenant-Governor if you even aimed a gun at the sacred birds. I once camped in a place where peafowl were particularly abundant, so I assumed they were held in high regard by the community. But regardless of their sacred status, I believe nothing beats a young peafowl as a meal, so I made it a point to identify the trees where the pea-chicks roosted and would return with my gun after dark. After shooting a sleeping bird, I would sneak it back to camp to avoid upsetting the villagers. After taking these precautions for about two months, I discovered that the locals actually had no objection to hunting the birds! Peafowl are revered in all the Native States of Rajputana, which are bastions of strict Hinduism. Even nilgai cannot be hunted, as the Pundits, lacking expertise in zoology, mistakenly believe these awkward antelope are cows.

In some parts of India peafowl may be seen in a state of semi-domestication and are regularly fed by temple keepers. The drawback to the peacock as a domestic bird is that he renders the night hideous by his cries, which resemble those of an exceptionally lusty cat. Blanford, I notice, called them “sonorous.” There is no accounting for taste. In my opinion, peafowl should be seen and not heard.

In some areas of India, you can find peafowl that are semi-domesticated and regularly fed by temple caretakers. The downside of having a peacock as a pet is that it makes the night unbearable with its loud cries, which sound like an incredibly oversexed cat. Blanford, I see, referred to them as “sonorous.” Everyone has different tastes. Personally, I think peafowl should be seen, not heard.

The peacock, like the ostrich, is almost omnivorous; it feeds chiefly upon grain, buds, and shoots of grass, but it is not averse to insects, and will devour many of these, which are generally supposed to be inedible and so warningly coloured. Lizards and snakes complete a varied menu.

The peacock, similar to the ostrich, is almost omnivorous; it mainly eats grains, buds, and grass shoots, but it isn't picky about insects and will eat many of them, which are usually thought to be inedible and brightly colored as a warning. Lizards and snakes round out its diverse diet.

The peafowl is a bird of considerable interest to the zoologist, as it affords a striking example of sexual dimorphism. In plain English, the cock differs greatly from the hen in appearance. In some species, such [157] as the myna, the crow, and the blue jay, the cock is indistinguishable from the hen. In others, as, for example, the sparrow, the sexes differ slightly in appearance. In others, again, the cock differs from the hen as the sun does from the moon. The peafowl is one of these.

The peafowl is a bird that fascinates zoologists because it provides a striking example of sexual dimorphism. In simpler terms, the male looks very different from the female. In some species, like the myna, the crow, and the blue jay, the male and female look almost identical. In others, like the sparrow, the differences in appearance are subtle. However, in some cases, the male is as different from the female as the sun is from the moon. The peafowl is one of these cases.

Zoologists have for years been trying to find out why in some species the cock resembles the hen while in others it does not. Humiliating though it be, we must, if we are honest, admit that we are little, if any, nearer the explanation of the phenomenon than we were a couple of centuries ago. Darwin thought that the pretty plumage of the males was due to selection on the part of the females. He tried to prove that hens are able to pick and choose their mates, that they have a keen eye for beauty. Just as political economists of Ricardo’s school teach us that every man marries the richest woman who will have him, so does Darwin ask us to believe that hens always mate with the best-looking of their suitors, that they quiz each with the eye of an art critic, and pronounce judgment somewhat as follows: “Number one is no class; his train is too short. I would not be seen dead beside number two; he looks as though he had issued from a fifth-rate dyer’s shop. I’ll take number three, he is the pick of the bunch.” Darwin argued that the showy cocks are fully alive to their good looks, and know how to show them off to best advantage. There is much to be said in favour of his theory. A peacock, when he sees a hen that he admires, promptly turns his back upon her, erects his great train and his paltry [158] little tail which is hidden away underneath. He then spreads out his feathers and suddenly faces the hen, flapping his wings, and causing every feather in his body to quiver with a curious noise, so that he appears to be seized with a shivering fit. The hen either affects not to notice him, or assumes an air of studied boredom. Unfortunately for Darwin’s theory, peacocks sometimes show off in the absence of other living creatures. Moreover, a young cock with a train of which a magpie would be ashamed will strut about and show off with the greatest pride.

Zoologists have been trying for years to understand why in some species the male looks like the female while in others it doesn’t. It’s frustrating, but if we’re honest, we have to admit that we’re not much closer to explaining this phenomenon than we were a couple of centuries ago. Darwin believed that the males' attractive plumage was a result of female selection. He argued that hens can choose their mates and have a good eye for beauty. Just as political economists from Ricardo's school suggest that every man marries the richest woman who will have him, Darwin wants us to believe that hens always go for the best-looking mates, rigorously assessing each suitor like art critics, saying things like: “Number one is nothing special; his tail is too short. I wouldn’t be caught dead with number two; he looks like he came from a cheap dye shop. I’ll take number three; he’s the best of the bunch.” Darwin claimed that the flashy roosters are very aware of their looks and know how to flaunt them. There’s a lot to support his theory. When a peacock sees a hen he likes, he immediately turns his back to her, raises his impressive train, and shows off his little tail tucked underneath. He then spreads his feathers and suddenly turns to face the hen, flapping his wings and making every feather shiver with an odd sound, as if he's having a fit. The hen either pretends not to notice him or acts uninterested. Unfortunately for Darwin’s theory, peacocks sometimes show off when there are no other creatures around. Plus, a young rooster with a train that would embarrass a magpie will strut around showing off with great pride.

There are in the “Zoo” at Lahore a number of albino peacocks. These, although handsome birds, are not so beautiful as the coloured variety, being a uniform white; nevertheless they are exceedingly popular with the hens, and experience no difficulty in cutting out all the coloured beaux. It is very naughty of the hens to prefer the albinos, for by so doing they deal a severe blow to the theory of sexual selection. Stolzman has quite another hypothesis to account for the superior beauty of the male. As any “suffragette” will tell you, the male is a more or less superfluous being; the world would get along much better if he were less plentiful. Hence, in the interests of the race, it is necessary that the numbers of the pernicious creature should be strictly limited. Nature has, therefore, arrayed cock-birds in coats of many colours so that they shall be easily seen and devoured by beasts of prey! Wallace, again, thinks that the comparatively sombre hues of the hen are due to her greater need of protection, as it is she who does all the incubating. [159] An objection to this view is the well-known fact that many showy cocks sit on the eggs turn-about with the dull-coloured hens in open and exposed nests.

There are several albino peacocks in the “Zoo” at Lahore. Although they are attractive birds, they aren’t as stunning as the colored ones, since they are entirely white. Still, they are extremely popular with the hens and easily outshine the colorful males. It’s quite cheeky of the hens to prefer the albinos because it contradicts the theory of sexual selection. Stolzman has a different theory to explain the male's superior beauty. As any “suffragette” will tell you, males are somewhat unnecessary; the world would be better off if there were fewer of them. So, for the sake of the species, it’s essential to keep their numbers in check. Therefore, nature has dressed male birds in bright colors so they can be easily spotted and eaten by predators! On the other hand, Wallace believes the hen’s more muted colors are due to her greater need for protection since she is the one responsible for incubation. [159] A counterargument to this perspective is that many flamboyantly colored males take turns sitting on the eggs with the dull-colored hens in open, exposed nests.

Peafowl are polygamous. The breeding season begins in May and continues all through the hot weather. The typical nest is described as “a broad depression scratched by the hen, and lined with a few leaves and twigs or a little grass.” It is usually made amongst thick grass or in dense bushes, but occasionally there is no attempt at concealment. Mr. A. Anderson states that peahens frequently lay at high elevations, that he has on several occasions taken their eggs from the roofs of huts of deserted villages on which rank vegetation grew to a height of two or three feet. My experience of captive birds bears out this. The peahens in the Lahore “Zoo” lay all their eggs on a broad shelf in their aviary, some fifteen feet above the level of the ground. Seven or eight eggs of a dirty white hue are laid. These are, in the words of Hume, “delicious eating.”

Peafowl are polygamous. The breeding season starts in May and lasts throughout the hot weather. The typical nest is described as “a wide depression scratched by the hen, and lined with a few leaves and twigs or a bit of grass.” It's usually made in thick grass or dense bushes, but sometimes there's no attempt to hide it. Mr. A. Anderson notes that peahens often lay eggs at high places; he has taken their eggs from the roofs of abandoned village huts where tall vegetation grew to about two or three feet. My experience with captive birds supports this. The peahens at the Lahore “Zoo” lay all their eggs on a broad shelf in their aviary, around fifteen feet above the ground. Seven or eight eggs of a dirty white color are laid. These are, as Hume puts it, “delicious eating.”

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XXIX
THE INDIAN REDSTART

Poets, naturalists, essayists, and novelists have with one accord and from time immemorial extolled the English spring. In this particular instance their eulogies are justified, for spring in England is like a wayward maiden: when she does choose to be amiable, she is so amiable that her past perverseness is at once forgiven. But why do not Anglo-Indian writers sing to the glories of the Indian autumn? Is it not worthy of all praise? It is the season which corresponds most nearly to spring in England, and is as much longed for. Even as spring chases away the gloomy, cheerless English winter, so does autumn drive away the Indian hot weather, unpleasant everywhere, and terrible in the plains of the Punjab and the United Provinces. Those condemned to live in Portland Gaol probably suffer fewer physical discomforts than they who spend the summer in any part of the plains of Northern India. First, weeks of a furnace-like heat, when to breathe seems an effort; then a long spell of close, steamy heat, so that the earth seems to have become a great washhouse. From this the Anglo-Indian emerges, limp, listless, and languid. [161] How great, then, is his joy when one day he notices a suspicion of coolness in the air. Day by day this coolness grows more appreciable, so that by late September or early October to take an early-morning stroll becomes a pleasure. Then the sky is bluer, the atmosphere is clearer, the foliage is greener than at any other time of the year. Then at eventide the village smoke hangs low, looking like a thin blue semi-transparent cloud resting lightly on the earth—a sure sign of the approaching cold weather. Then, too, the winter birds begin to appear.

Poets, naturalists, essayists, and novelists have all praised the English spring through the ages. In this case, their praise is well-deserved, because spring in England is like a temperamental girl: when she decides to be nice, she's so delightful that her previous stubbornness is quickly forgotten. But why don’t Anglo-Indian writers celebrate the beauty of the Indian autumn? Isn’t it worthy of admiration? It’s the season that closely resembles spring in England and is just as eagerly awaited. Just as spring banishes the dreary, joyless English winter, autumn drives away the unbearable heat in India, which is uncomfortable everywhere and especially brutal in the plains of Punjab and the United Provinces. Those stuck in Portland Gaol probably experience fewer physical discomforts than those who endure the summer on the Northern India plains. First, there are weeks of intense heat, where even breathing feels like a struggle; then comes an extended period of stifling, muggy heat, making the earth feel like one big sauna. From this, the Anglo-Indian emerges feeling weak, tired, and lifeless. [161] How wonderful is the joy when one day he notices a hint of coolness in the air? Day by day, this coolness becomes more noticeable, so that by late September or early October, taking an early-morning walk turns into a delight. The sky is bluer, the air is clearer, and the leaves are greener than at any other time of the year. Then, at dusk, the village smoke hangs low, resembling a thin blue, translucent cloud resting lightly on the ground—a sure sign that cold weather is on the way. Also, the winter birds start to appear.

Even as the cuckoo is welcomed in England as the harbinger of the sweet spring, so in Northern India is the redstart looked for as the herald of the glorious cold weather. Within a week of the first sight of that sprightly little bird will come the day when punkahs cease to be a necessity. Last year (1907) the hot weather lingered long, and the redstarts were late in coming. It was not until the 27th September that I observed one at Lahore.

Even though the cuckoo is welcomed in England as the sign of sweet spring, in Northern India, the redstart is anticipated as the announcer of the beautiful cold weather. Within a week of seeing that lively little bird, the day will come when fans are no longer needed. Last year (1907), the hot weather stuck around for a while, and the redstarts arrived late. It wasn’t until September 27th that I spotted one in Lahore.

Several species of redstart are found within Indian limits, but only one of them haunts the plains, and so thoroughly deserves the name of the Indian redstart (Ruticilla rufiventris). This species visits India in hundreds of thousands from September to April.

Several species of redstart are found in India, but only one of them is commonly found in the plains, and it truly deserves the name of the Indian redstart (Ruticilla rufiventris). This species comes to India in the hundreds of thousands from September to April.

I have observed it in the city of Madras, but so far south as that it is not common, being a mere straggler to those parts. In the Punjab and the United Provinces, however, it is exceedingly numerous. Throughout the cold weather at least one pair take up their abode in every compound.

I’ve seen it in the city of Madras, but it’s not common that far south; it’s just a rare sight in that area. However, in the Punjab and the United Provinces, it’s very abundant. During the cold weather, at least one pair makes their home in every yard.

[162]

The Indian redstart is a sexually dimorphic species, that is to say the cock differs from the hen in appearance; the former, moreover, is seasonally dimorphic. The feathers of his head, neck, breast, and back are black with grey fringes. In the autumn and early winter the grey edges completely obliterate the black parts, so that the bird looks grey. But during the winter the grey edges gradually become worn away, and the black portions then show, so that by the middle of the summer the cock redstart is a black bird. Thus he remains until transformed by the autumnal moult. His under parts are deep orange, and his lower back and all the tail feathers, except the middle pair, are brick-red. Now, when the tail is unexpanded the two middle caudal feathers are folded over the others, and hide them from view, and, as the lower back is covered by the wings, the red parts are not visible when the bird walks about looking for food; but the moment it takes to its wings all the red feathers become displayed, so that the bird, as it flies away, looks as though its plumage were almost entirely red. Hence the name redstart—“start” being an old English word for tail. Another popular name for the bird is firetail.

The Indian redstart is a species that shows sexual dimorphism, meaning the male looks different from the female; additionally, the male also changes appearance with the seasons. His feathers on the head, neck, breast, and back are black with grey edges. In the autumn and early winter, the grey edges completely cover the black parts, making the bird appear grey. However, during the winter, the grey edges gradually wear away, revealing the black parts, so by mid-summer, the male redstart appears black. He stays that way until he changes feathers in the autumn. His underparts are a deep orange, and his lower back and all but the middle pair of tail feathers are brick-red. When his tail is not spread out, the two middle tail feathers overlap the others and hide them from view, and since his lower back is covered by his wings, the red parts aren’t visible when he’s foraging for food. But as soon as he takes off, all the red feathers are on display, making him look almost entirely red as he flies away. That's how he got the name redstart—“start” being an old English word for tail. Another common name for the bird is firetail.

Two species of redstart visit England, and these also are characterised by reddish tails. The hen Indian redstart is reddish brown where the cock is grey or black, and red where he is red. The gradual change in colour undergone by the cock redstart every year is instructive, because it seems to show that the bird is even now undergoing evolution. I think it likely that the feathers of the cock were at one time [163] uniformly grey and that they are becoming a uniform black. The tendency seems to be for the grey margin to become narrower. It will probably eventually disappear. In some birds it is so narrow that much black shows even after the autumn moult; in others the margin is so broad that it never disappears. What is causing this change in plumage? It cannot be the need for protection. The incipient blackness is probably an indirect result of either natural or sexual selection. Thus birds with black bases to their feathers may be either more robust or have stronger sexual instincts than those which have scarcely any black. In the former case natural selection, and in the latter sexual selection, will tend to preserve those individuals which have the least grey in their feathers. This idea of the connection between colour and strength is not mere fancy. Cuckoo-coloured (barred-grey) birds are very common among ordinary fowls, but are, I believe, never seen among Indian gamecocks. Grey plumage seems to be inconsistent with fighting propensities. Black, on the other hand, seems to be a good fighting colour. Most black-plumaged birds, as, for example, the king crow, the various members of the crow tribe, and the coot, are exceedingly pugnacious.

Two types of redstart come to England, and they both have reddish tails. The female Indian redstart is reddish-brown where the male is gray or black, and red where he is red. The gradual change in color that the male redstart goes through every year is interesting because it suggests that the bird is still evolving. I think it's likely that the feathers of the male were once completely gray and are now becoming uniformly black. The trend seems to be that the gray edges are getting narrower, and they will probably disappear completely. In some birds, the gray edges are so narrow that a lot of black is visible even after the autumn molt; in others, the edges are so wide that they never disappear. What is driving this change in feather color? It can't be for protection. The emerging black is likely a side effect of either natural or sexual selection. So, birds with black feathers might be either stronger or have a stronger mating drive than those with barely any black. In the former case, natural selection, and in the latter, sexual selection will likely help preserve those individuals with the least gray in their feathers. This concept of a link between color and strength isn't just a coincidence. Cuckoo-colored (barred-gray) birds are quite common among regular chickens, but I believe they are never found among Indian gamecocks. Gray feathers seem to be incompatible with fighting instincts. Black, however, appears to be a strong fighting color. Most birds with black feathers, like the king crow, various members of the crow family, and the coot, are extremely aggressive.

Redstarts live largely on the ground, from which they pick their food. This appears to consist exclusively of tiny insects. They sometimes hawk their quarry on the wing. They are usually found near a hedge or thicket, into which they take refuge when disturbed. They show but little fear of man, and, consequently, frequent gardens. They occasionally perch [164] on the housetop. Indeed, they are quite robin-like in their habits, and the species, thanks to its reddish abdomen, looks more like the familiar English robin than does the Indian robin.

Redstarts mainly stay on the ground, where they gather their food, which seems to be just tiny insects. Sometimes, they catch their prey while flying. They’re typically found near hedges or bushes, where they hide when they feel threatened. They aren’t very afraid of people, so you can often see them in gardens. They occasionally sit on rooftops. In fact, they behave a lot like robins, and because of their reddish belly, they resemble the familiar English robin more than the Indian robin does.

The Indian redstart, like all its family, has a peculiar quivering motion of its tail, which is especially noticeable immediately after it has alighted on a perch; hence its Hindustani name, Thir-thira, the trembler. Its Telugu name is said to be Nuni-budi-gadu—the oil-bottle bird—a name of which I am unable to offer any explanation. Eurasian boys call it the “devil bird,” for reasons best known to themselves.

The Indian redstart, like all its relatives, has a unique quivering motion of its tail, which is especially noticeable right after it lands on a perch; this is why its Hindustani name is Thir-thira, meaning the trembler. Its Telugu name is reportedly Nuni-budi-gadu—the oil-bottle bird—a name I can't explain. Eurasian boys refer to it as the “devil bird,” for reasons only they understand.

The redstart stays in India until May, when it goes into Tibet and Afghanistan to breed. A few individuals are said to spend the summer in India. There are in the British Museum specimens supposed to have been shot at Sambhar in July and Ahmednagar in June. I have never observed this bird in India between the end of May and the beginning of September, and am inclined to think that the above dates have been incorrectly recorded.

The redstart remains in India until May, when it migrates to Tibet and Afghanistan to breed. Some individuals are reportedly known to spend the summer in India. The British Museum has specimens that are said to have been shot at Sambhar in July and Ahmednagar in June. I have never seen this bird in India from the end of May to the beginning of September and suspect that the dates mentioned have been recorded incorrectly.

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XXX
THE NIGHT HERON

Some American millionaires are said to sleep for only three hours out of the twenty-four. I do not believe this; I regard the story as a fabrication of the halfpenny paper. But, even if it be true, the night heron (Nycticorax griseus) is able to eclipse the performance. That bird only sleeps when it has nothing better to do. It looks upon sleep as a luxury, not a necessity. As its name implies, it is a creature of the night; but it is equally a day bird. You will never catch it napping. Just before sunset, when the crows, wearied by the iniquities they have wrought during the day, are wending their way to the corvine dormitory, the night herons sally forth from the trees (“roosts” would be a misnomer for them) in which they have spent the day and betake themselves, in twos and threes, to the water’s edge. As they fly they make the welkin ring with their cries of waak, waak, or quaal, quaal—sounds which may be likened to the quacking of a distressed duck. Having arrived at their feeding-ground, they separate and proceed to catch fish and frogs in the manner of the orthodox heron. After an all-night sitting, or rather standing, in shallow [166] water, they return to their day quarters, where they are popularly supposed to sleep. They may possibly spend the day in slumber when they have neither nests to build nor young to feed. I am not in a position to deny this, never having visited a heronry on such an occasion. I speak, however, as one having authority when I say that all through the nesting season the night heron works harder during the hours of daylight than the British workman does. At the present time (April) thirty or forty night herons are engaged in nesting operations in the tall trees that grow on the islands in the ornamental pond that graces the Lahore Zoological Gardens, and as I visit those gardens almost daily I have had some opportunity of observing the behaviour of our night bird during the daytime. I may here say that night herons seem very partial to Zoological Gardens, inasmuch as they also resort to the Calcutta “Zoo” for nesting purposes. This is, of course, as it should be. Every well-conditioned bird should bring up its family in a “zoo” by preference. Had birds the sense to understand this, many of them would be spared the miseries of captivity.

Some American millionaires are said to sleep only three hours a day. I don’t believe this; I see it as a made-up story from a tabloid. But, even if it’s true, the night heron (Nycticorax griseus) can do better. That bird only sleeps when it has nothing else to do. It views sleep as a luxury, not something it must do. As its name suggests, it’s a nighttime creature, but it’s also active during the day. You’ll never catch one napping. Just before sunset, as crows, tired from their mischief during the day, head back to their roosts, the night herons come out from the trees (which wouldn’t really be called roosts) where they’ve spent the day and make their way, in pairs or threes, to the water’s edge. As they fly, they fill the air with their cries of waak, waak, or quaal, quaal—noises that sound like a distressed duck quacking. Once they reach their feeding area, they split up and catch fish and frogs like the typical heron would. After standing or sitting in shallow water all night, they head back to their daytime spots, where people think they sleep. They might actually nap during the day when they have no nests to build or young to feed. I can’t deny this since I’ve never been to a heronry during that time. However, I can say with confidence that throughout the nesting season, night herons work harder during daylight hours than a British worker does. Right now (April), about thirty to forty night herons are nesting in the tall trees on the islands of the decorative pond at the Lahore Zoological Gardens, and since I visit the gardens almost daily, I’ve had a chance to observe the behavior of our nighttime bird during the day. I should mention that night herons seem to really like zoological gardens, as they also go to the Calcutta “Zoo” for nesting. This is how it should be. Every well-adjusted bird should prefer to raise its family in a “zoo.” If birds had the sense to appreciate this, many of them would be spared the troubles of captivity.

Before discoursing upon its nesting habits it is fitting that I should try to describe the night heron, so that the bird may be recognised when next seen. I presume that everyone knows what a heron looks like, but possibly there exist persons who would be at a loss to say wherein it differs from a stork or a crane. It may be readily distinguished from the latter by its well-developed hind toe. Storks and herons are [167] perching waders, while cranes do not trust themselves to trees because they cannot perch, having no hind toe to grasp with. The heron’s bill is flatter and more dagger-shaped than that of a stork. Moreover the former possesses, inside the middle claw, a little comb, which the stork lacks. The heron flies with neck drawn in, head pressed against the back, and beak pointing forwards. It never sails in the air, but progresses, like the flying-fox, with a steady, continuous flapping motion. So much for herons in general. To those who would learn more of these and other long-legged fowls I commend Mr. Frank Finn’s excellent little book, entitled How to Know the Indian Waders.

Before discussing its nesting habits, I should describe the night heron so you can recognize the bird when you see it next. I assume everyone knows what a heron looks like, but some people might struggle to explain how it’s different from a stork or a crane. You can easily tell it apart from a crane by its well-developed hind toe. Storks and herons are both perching waders, while cranes don’t perch in trees because they lack a hind toe to grip with. The heron’s bill is flatter and more dagger-shaped than a stork’s. Additionally, the heron has a small comb inside its middle claw, which the stork doesn’t have. The heron flies with its neck pulled in, head pressed against its back, and beak pointed forward. It doesn’t glide; instead, it moves through the air with a steady, continuous flapping motion, similar to a flying fox. That’s a general overview of herons. For those interested in learning more about these and other long-legged birds, I recommend Mr. Frank Finn’s excellent little book, titled How to Know the Indian Waders.

The night heron is considerably smaller than the common heron—the heron we see in England, and larger than the Indian paddy bird—the ubiquitous fowl that looks brown when it is standing and white when it is flying. The head and back of the night heron are black, the remainder of the upper plumage is grey, the lower parts are white. There are two or three long, white, narrow feathers, which grow from the back of the head and hang down like a pigtail. The eye is rich ruby-red. Young night herons are brown with yellowish spots, and the eye is deep yellow.

The night heron is much smaller than the common heron—the one we see in England—and larger than the Indian paddy bird—the common bird that appears brown when standing and white when flying. The head and back of the night heron are black, while the rest of the upper feathers are grey, and the underside is white. There are two or three long, white, narrow feathers that grow from the back of the head and hang down like a ponytail. The eye is a bright ruby-red. Young night herons are brown with yellowish spots, and their eyes are a deep yellow.

Any resident of Madras may see this species if he repair to the Redhills Tank. One of the islands in that tank supports a considerable population of night herons and little cormorants. The former nest in the trees on the island in July. The place is well worth visiting then. As the boat carrying a human being approaches the islet, all the night herons fly away without a sound. [168] They love their young, but not so much as they love themselves, so they leave their offspring at the first approach of the human visitor and remain away until he turns his back on their nesting-ground. A night heron never allows his valour to get the better of his discretion. The nest is a platform of twigs placed anywhere in a tree. Four pale greenish-blue eggs are laid. A heronry is a filthy place. The possessors are, like our Indian brethren, utterly regardless of the principles of sanitation. The whole island will be found white with the droppings of the birds, and the unsavoury smell that emanates therefrom would do credit to a village inhabited by chamars. Although they are evil-tempered, cantankerous creatures, night herons always nest in company. It is no uncommon thing to find half a dozen nests in the same tree, so that the sitting birds are able to compare notes while engaged in the duties of incubation. Both the parent birds take part in nest construction, and, as they work by day, it is quite easy to watch the process. They wrench small branches from trees, and, as they have only the beak with which to grasp these, they find twig-gathering hard work. When a twig has been secured it is dropped on to the particular part of the tree in which the bird has thought fit to build. Forty or fifty twigs dropped haphazard in a heap constitute the nest. The birds make a great noise while engaged in building. Quarrels are of frequent occurrence. It sometimes happens that two birds want the same twig; this invariably gives rise to noisy altercation. The crows too are provocative of much bad language on the part of the [169] night herons. Whenever any of the crows of the neighbourhood has nothing else to do, he says to a kindred spirit: “Come, let us worry the night herons.” Whereupon the pair—Arcades ambo—go and pretend to show the herons how to build a nest.

Any resident of Madras can see this species if they head to the Redhills Tank. One of the islands in that tank has a sizable population of night herons and little cormorants. The herons nest in the trees on the island in July. It's well worth visiting then. As the boat carrying a person approaches the islet, all the night herons silently fly away. They care for their young, but not more than they care for themselves, so they abandon their chicks at the first sign of a human visitor and stay away until the person leaves their nesting area. A night heron never lets their courage override their sense. The nest is a platform of twigs placed anywhere in a tree. Four pale greenish-blue eggs are laid. A heronry is a filthy place. The owners, like our Indian friends, completely disregard sanitation principles. The entire island will be found coated in bird droppings, and the unpleasant smell coming from it would be expected from a village inhabited by chamars. Although they have bad temperaments and can be cantankerous, night herons always nest in groups. It's not unusual to find half a dozen nests in the same tree, allowing the sitting birds to compare notes while they incubate. Both parent birds help build the nest, and since they work during the day, it's easy to watch the process. They pull small branches from trees, and since they can only grasp these with their beaks, twig-gathering is tough work. Once a twig is secured, it's dropped onto the specific part of the tree where the bird decided to build. Forty or fifty twigs dropped haphazardly in a heap make up the nest. The birds make a lot of noise while building. Quarrels happen often. Sometimes, two birds want the same twig, which always leads to loud arguments. The crows also provoke a lot of foul language from the night herons. Whenever any local crow has nothing else to do, they say to a friend, "Come, let's annoy the night herons." Then the two—Arcades ambo—go and pretend to teach the herons how to build a nest.

When, my friends, you consider the untidiness and filthiness of the heron’s nest, you will be able to appreciate to the full the audacity of the latest falsehood circulated by the plume trade—to wit, the egret plucks out its nuptial plumes, which constitute the “osprey” of commerce, and weaves these into the nest to make it more cosy; and, after the young ones are fledged, some honest fellow visits the nest and disentangles the plumes therefrom!

When you think about how messy and dirty a heron’s nest is, you’ll really understand the boldness of the latest lie spread by the feather trade—that the egret pulls out its wedding plumes, which are the “osprey” of commerce, and weaves them into the nest to make it cozier; and after the chicks have fledged, some well-meaning person comes along and untangles the plumes from the nest!

A baby heron is a disgustingly ugly creature. It is a living caricature. Patches of long hair-like feathers are studded, apparently haphazard, over its otherwise naked body and give it an indescribably grotesque appearance. It looks like a bird in its dotage. If you lift a young heron out of the nest you will probably find that his “corporation” is distended to bursting-point, and, if you do not handle him carefully, a half-digested frog will, as likely as not, drop out of him!

A baby heron is an incredibly ugly creature. It's a living caricature. Patches of long, hair-like feathers are scattered, seemingly at random, across its mostly bare body, giving it an indescribably grotesque look. It resembles a bird at the end of its life. If you lift a young heron out of the nest, you'll probably notice that its belly is puffed up to the point of bursting, and if you’re not careful while handling it, there's a good chance that a half-digested frog will fall out!

The farther north one goes the earlier in the year does the night heron breed. In Kashmir the nesting season is in full swing in March. In the Punjab April and May are the nesting months; in Madras the birds do not begin to build until July; and I have seen eggs at the end of August. It is my belief that the night [170] heron is a migratory bird. During the winter months not a single specimen of that species is to be seen in or about Lahore, but they migrate there regularly every April. They disappear again to I know not where when they have reared up their young.

The farther north you go, the earlier the night heron breeds each year. In Kashmir, the nesting season starts in March. In Punjab, it's April and May; in Madras, the birds don’t start building their nests until July, and I’ve seen eggs by the end of August. I believe that the night heron is a migratory bird. During the winter months, you won’t find a single one around Lahore, but they come back regularly every April. They vanish again after raising their young, and I have no idea where they go.

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XXI
THE CEMENT OF BIRD MASONS

Birds may be divided into two classes—those which build nests and those which do not. To the latter belong the parasitic starlings and cuckoos, which drop their eggs in the nests of other birds; those, such as plovers, which lay their eggs on the bare ground; and those which deposit them in holes, in the earth, in trees, in banks, or in buildings, as, for example, the Indian roller or blue jay (Coracias indica).

Birds can be categorized into two groups—those that build nests and those that don't. The second group includes parasitic starlings and cuckoos, which lay their eggs in the nests of other birds; birds like plovers, which lay their eggs directly on the ground; and those that place their eggs in holes, whether in the ground, in trees, in banks, or in buildings, like the Indian roller or blue jay (Coracias indica).

Intermediate between the birds that build nests and those which do not—for there are no sudden transitions, no sharply defined lines of division in nature—are those birds which merely furnish, more or less cosily, the ready-made holes in which they deposit their eggs. The common myna (Acridotheres tristis) affords a familiar instance of this class of birds. Some of the nest-builders are really excavators; they dig out their nests in a tree or bank. The woodpeckers and the bee-eaters are examples of these. The rest of the nest-builders actually construct their nurseries. These buildings are of various degrees of complexity. Crows, doves, birds of prey, herons, and a few other families [172] are content with a mere platform of sticks and twigs, which rests in the fork of a tree, or on a ledge or other suitable surface. The birds which build primitive nests of this description are not put to the trouble of seeking or manufacturing any cohesive materials. It is only when the nest takes some definite shape and form that means have to be found of binding together the materials of which it is composed, and of attaching the whole to that which supports the nest. In such cases the component materials are either woven or cemented together. It is among the woven nests that we find the highest examples of avian architecture. The homes of the weaver-bird (Ploceus baya) and of the Indian wren-warbler (Prinia inornata) are constructed with a skill that defies competition. But it is not with these wonderful nests that we are concerned to-day. It must suffice to say that woven nests have to be supported; they cannot float in the air. There are various methods of supporting them. The nest may be firmly wedged into a forked branch. It may be bound to its supports, as in the case of the nest of the king crow (Dicrurus ater). The supporting branches may be worked into its structure, as is done by Prinia inornata. The nest may hang, as does that of Ploceus baya. It may be cemented to its support, as in the case of the nests of the various swifts; or it may rest on supporting fibres which are slung on to a forked branch, just as a prawn net is slung on to its frame. The golden oriole (Oriolus kundoo) resorts to this ingenious device.

In between the birds that build nests and those that don’t—since there are no sudden changes, no clear-cut lines in nature—are the birds that simply use pre-made holes, making their homes a bit more comfortable for laying their eggs. The common myna (Acridotheres tristis) is a well-known example of this type of bird. Some nest-builders actually dig out their nests in trees or banks, like woodpeckers and bee-eaters. Other nest-builders create their own nurseries, which can be simple or complex. Crows, doves, birds of prey, herons, and a few other families are fine with just a basic platform of sticks and twigs that rests in the fork of a tree, on a ledge, or on another suitable surface. These birds that make simple nests don’t bother to find or make any materials that stick together. It’s only when nests take on a specific shape that they need to find ways to hold the materials together and attach them securely. In these cases, the materials are either woven or cemented together. The most advanced examples of bird architecture are found in woven nests. The homes of the weaver-bird (Ploceus baya) and the Indian wren-warbler (Prinia inornata) are built skillfully and are hard to compete with. However, we aren’t focused on these amazing nests today. It’s enough to say that woven nests need support; they can’t just float in the air. There are different methods to support them. The nest might be tightly wedged into a forked branch, attached to its supports like the nest of the king crow (Dicrurus ater), or have supporting branches integrated into its structure, as seen with Prinia inornata. It could also hang, like the nest of Ploceus baya, be cemented to its support, like the nests of various swifts, or rest on supporting fibers that are slung onto a forked branch, similar to how a prawn net is hung on its frame—a clever trick used by the golden oriole (Oriolus kundoo).

Coming now to those nurseries in which the building [173] materials are cemented together, we must first consider the nests of the swallows and swifts. These birds secrete a very sticky saliva, which quickly hardens when it is exposed to the air. This constitutes an excellent cement. Watch a swift working at its nest under the eaves of a house. It flies to it with a feather or piece of straw carried far back in the angle of its mouth, hangs itself by means of its four forwardly directed toes on to the half-completed nest, which is stuck on to the wall of the house, and, having carefully placed the feather or straw in the required position, holds it there until the sticky saliva it has poured over it has had time to harden and thus firmly glue the added piece of material to the nest. The bits of straw, feathers, etc., may be said to constitute the bricks, and the saliva the cement of the swift’s nest. Some swifts build their nests exclusively of their saliva. These constitute the “edible birds’ nests” of commerce, and may be likened to houses built entirely of cement. The martin (Chelidon urbica), the common swallow (Hirundo rustica), and the wire-tailed swallow (H. smithii) construct their nests of clay and saliva. They repair to some puddle and there gather moist clay, which they stick on to some building, so as to form a projecting saucer-shaped shelf. In this the eggs are laid. But nature has not vouchsafed sticky saliva to all birds, so that many of them have to find their cement just as they have to seek out the other building materials they use.

Now let's talk about those nests where the building materials are stuck together with cement. First, we need to look at the nests of swallows and swifts. These birds produce a very sticky saliva that hardens quickly when exposed to the air, making it an excellent adhesive. If you watch a swift building its nest under the eaves of a house, you'll see it fly in with a feather or a piece of straw held way back in its mouth. It then hangs onto the partially completed nest using its four toes that are pointed forward. Once it's in position, it carefully places the feather or straw where it needs to go and holds it there until the sticky saliva it applied hardens, effectively gluing the material to the nest. The bits of straw, feathers, and so on can be seen as the bricks, while the saliva acts as the cement for the swift's nest. Some swifts make their nests entirely out of their saliva, which are known as "edible birds' nests" in commerce and can be compared to houses made completely of cement. The martin (Chelidon urbica), the common swallow (Hirundo rustica), and the wire-tailed swallow (H. smithii) build their nests using a mix of clay and saliva. They go to a puddle to collect wet clay, which they apply to a building to create a projecting saucer-shaped shelf for laying their eggs. However, not all birds are lucky enough to have sticky saliva, so many have to source their own cement just like they do with other building materials.

The chestnut-bellied nuthatch (Sitta castaneiventris), which nestles in holes in trees, fills up all but a small [174] part of the entrance with mud “consolidated with some viscid seed of a parasitical plant.”

The chestnut-bellied nuthatch (Sitta castaneiventris), which makes its home in tree holes, blocks almost all of the entrance with mud mixed with some sticky seeds from a parasitic plant. [174]

The hornbills close up the greater part of the orifice of the hole in which they nest with their droppings mixed with a little earth.

The hornbills block most of the opening of their nesting hole with their droppings mixed with a bit of dirt.

Hume informs us the rufous-fronted wren-warbler (Franklinia buchanani) utilises a fungus as its cement. “In all the nests that I have seen,” he writes, “the egg-cavity has been lined with something very soft. In many of the nests the lining is composed of soft, felt-like pieces of some dull salmon-coloured fungus, with which the whole interior is closely plastered.”

Hume tells us that the rufous-fronted wren-warbler (Franklinia buchanani) uses a fungus as its glue. “In all the nests I’ve seen,” he writes, “the egg cavity is lined with something very soft. In many of these nests, the lining is made of soft, felt-like pieces of some dull salmon-colored fungus, which covers the entire interior.”

The cement which is most commonly used is cobweb. I do not think that I am exaggerating when I say that cobweb enters extensively into the structure of the nests of more than one hundred species of Indian birds. What birds would do without our friend the spider I cannot imagine.

The most common type of cement used is cobweb. I don’t think I’m exaggerating when I say that cobweb is a major component in the nests of over a hundred species of Indian birds. I can’t imagine what birds would do without our friend the spider.

The nest of some birds is literally a house of cobwebs. The beautiful white-browed fan-tail fly-catcher (Rhipidura albifrontata) is a case in point. Its nursery is so thickly plastered with cobweb as to sometimes look quite white. It is a tiny cup that rests on a branch of a bush or small tree, and is composed of fine twigs and roots, which are cemented to the supporting branch and to one another by cobweb. This the bird takes from the webs of those trap-door spiders which weave large nets on the ground.

The nests of some birds are basically houses made of cobwebs. The beautiful white-browed fan-tail flycatcher (Rhipidura albifrontata) is a perfect example. Its nest is so densely covered in cobwebs that it can sometimes appear completely white. It's a tiny cup that sits on a branch of a bush or small tree and is made of fine twigs and roots, glued together and to the branch with cobweb. The bird gathers this from the webs of trap-door spiders that spin large nets on the ground.

Utterly regardless of the feelings of the possessor of the web, the fly-catcher takes beakful after beakful of it, and smears it over the part of the branch on which [175] the nest will rest. It then sticks to this some dried grass stems or other fine material, next adds more cobweb, and continues in this manner until the neat little cup-shaped nest is completed. This, as I have already said, is thickly coated exteriorly with cobweb to give it additional strength.

Utterly ignoring the feelings of the web's owner, the fly-catcher takes beakful after beakful of it and spreads it over the part of the branch where the nest will sit. It then attaches some dried grass stems or other fine materials, adds more cobweb, and keeps going like this until the neat little cup-shaped nest is finished. As I mentioned earlier, it is thickly covered on the outside with cobweb to give it extra strength.

The sunbirds or honeysuckers make nearly as extensive use of cobweb in nest construction as do the fan-tailed fly-catchers. Loten’s honeysucker (Arachnechthra lotenia) seeks until it finds a large spider’s web stretched horizontally across some bush; it then proceeds to build its nursery in the middle of this. As the material is added the nest grows heavier, and thus depresses the middle of the web until it at last assumes the shape of a V, in the angle of which the mango-shaped nest is situated. The nursery is thus suspended from the bush by the four corners of the cobweb.

The sunbirds, or honeysuckers, use cobwebs almost as much in building their nests as fan-tailed flycatchers do. Loten’s honeysucker (Arachnechthra lotenia) looks for a large spider's web stretched horizontally across a bush and then builds its nest right in the middle of it. As it adds materials, the nest becomes heavier, causing the middle of the web to sag until it eventually takes on a V shape, with the mango-shaped nest sitting in the angle. The nest is then suspended from the bush by the four corners of the cobweb.

A spider’s web looks such a flimsy affair that it does not seem possible that it could support a nest peopled by a number of birds. Sometimes the nest derives additional support by being attached to other branches. Moreover, a tiny creature such as a sunbird is almost as light as the proverbial feather. Then cobweb is exceedingly elastic, and, considering its attenuity, is able to support a surprising amount of weight. It occasionally happens that the common garden spider (Epeira diadema) is not able to find a point d’appui to which it can attach the lower part of its web; it then utilises a stone (which may be as much as a quarter-inch in each dimension) as a plummet to make the nest [176] taut. This comparatively heavy stone hangs by a single thread.

A spider's web looks so delicate that it seems unlikely it could support a nest filled with birds. Sometimes the nest gets extra support by being attached to other branches. Plus, a tiny creature like a sunbird is nearly as light as a feather. Cobweb is very elastic, and despite its thinness, it can hold a surprising amount of weight. Occasionally, the common garden spider (Epeira diadema) can’t find a spot to anchor the lower part of its web, so it uses a stone (which can be about a quarter-inch in size) as a weight to tighten the nest. This relatively heavy stone hangs by a single thread. [176]

I have sometimes amused myself by testing the strength of a strand of cobweb stretched across a path, by hanging bits of match or other light material on it. In one experiment a gossamer thread, thirty feet in length, stretched across a road, bore the weight of five blades of grass which were hung upon it. The sixth blade proved to be the last straw that broke the camel’s back.

I have sometimes entertained myself by testing the strength of a cobweb stretched across a path by hanging pieces of a match or other light materials on it. In one experiment, a silk thread, thirty feet long, stretched across a road held the weight of five blades of grass that I hung on it. The sixth blade was the final straw that broke the camel’s back.

The strength of cobweb is proved by the fact that many of the birds that build hanging nests use it as cement to attach them to the supports from which they are suspended. The Indian white-eye (Zosterops palbebrosa) fixes its tiny oriole-like nest to the supporting branches, not by fibres, but by cobweb. In the same way the yellow-eyed babbler (Pyctorhis sinensis), whose nest is shaped like an inverted cone, attaches this by cobweb to the stems of the crop in which it is situated.

The strength of cobweb is shown by the fact that many birds that build hanging nests use it as glue to attach them to the supports from which they hang. The Indian white-eye (Zosterops palbebrosa) secures its small oriole-like nest to the supporting branches, not with fibers, but with cobweb. Similarly, the yellow-eyed babbler (Pyctorhis sinensis), whose nest is shaped like an upside-down cone, uses cobweb to attach it to the stems of the crop where it is located.

The common honeysucker (Arachnechthra asiatica), whose nest looks like a tangle of dried twigs and other rubbish, uses much cobweb in the construction thereof. The little nursery is suspended by means of cobweb from some projecting branch of a bush, and the various materials which compose it are stuck together with spider’s web; but in this case some sticky resinous substance is usually used in addition to the cobweb.

The common honeysucker (Arachnechthra asiatica), whose nest resembles a jumble of dried twigs and other debris, heavily incorporates cobwebs in its construction. The small nursery hangs from a protruding branch of a bush, and the different materials that make it are held together with spider silk; however, a sticky resinous substance is typically added along with the cobwebs.

The tailor-bird (Orthotomous sutorius) always uses cobweb to draw together the edges of the leaf or leaves that compose its nest. Having made a series of punctures [177] along the edges of the leaf to be utilised, it procures some cobweb, and, having attached it to one edge of the leaf, carries the strand across to the other edge and, before attaching it to this, pulls it so tightly as to draw the two edges together. When the nest has taken its final shape the bird strengthens the first attenuated strands of cobweb by adding more cobweb or some threads of cotton.

The tailor-bird (Orthotomous sutorius) always uses cobwebs to pull together the edges of the leaves that make up its nest. After making a series of small holes along the edges of the leaf, it collects some cobweb, attaches one end to one edge of the leaf, and stretches it across to the other edge. Before securing it there, it pulls the strand tightly to bring the two edges together. Once the nest has its final shape, the bird reinforces the thin strands of cobweb by adding more cobweb or some cotton threads.

Many birds which weave their nests plaster the exterior more or less thickly with cobweb so as to add strength to the structure.

Many birds that build their nests cover the outside with cobwebs to make the structure stronger.

It would be wearisome to detail all the kinds of nest into the composition of which cobweb enters. Sufficient has been said to show that this very useful substance is the favourite cement of bird masons.

It would be tedious to list all the different types of nests that include cobwebs in their structure. Enough has been mentioned to demonstrate that this very useful material is the preferred adhesive for bird builders.

[178]


XXXII
INDIAN FLY-CATCHERS

There exist in the Indian Empire no fewer than fifty-one species of fly-catcher. This fact speaks volumes for the wealth of both the bird and the insect population of India. Fly-catchers are little birds that feed exclusively on insects, which they secure on the wing. Their habit is to take up a strategic position on some perch, usually the bare branch of a tree, whence they make sallies into the air after their quarry. Having secured the object of their sortie—and this they never fail to do—they return to their perch. A fly-catcher will sometimes make over a hundred of these little flights in the course of an hour; the appetite of an insectivorous bird appears to be insatiable. All fly-catchers obtain their food in this manner, but all birds which behave thus are not members of the fly-catcher family. As fly-catchers are characterised by rather weak legs, and, in consequence, do not often descend to the ground, they are of necessity confined to parts of the country well supplied with trees. Thus it comes to pass that the great majority of fly-catchers are found only in well-wooded hill [179] tracts. Four or five species, however, occur commonly in the plains. With two of these—the glorious paradise fly-catchers (Terpsiphone) and the very elegant fan-tail fly-catchers (Rhipidura)—I have dealt in my former books. I therefore propose to confine myself to some of the many other species. Of these last, the brown fly-catcher (Alseonax latirostris) is the one most frequently met with in the plains. This is the most inornate of all the fly-catchers. As its name implies, brown is its prevailing hue. Its lower parts are, indeed, whitish, and there is an inconspicuous ring of white feathers round the eye, but everything else about it is earthy brown. It is the kind of bird the casual observer is likely to pass over, or, if he does happen to observe it, he probably sets it down as one of the scores of warblers that visit India in the cold weather. It is only when the bird makes a sudden dash into the air after an insect that one realises that it is a fly-catcher. The brown fly-catcher is an Ishmaelite. It seems never to remain for long in one place, and, although it may be seen at all times of the year, its nest does not appear ever to have been found in this country.

In the Indian Empire, there are at least fifty-one species of flycatchers. This indicates the rich diversity of birds and insects in India. Flycatchers are small birds that solely feed on insects they catch in mid-air. They usually take a strategic position on a bare branch and then dart into the air after their prey. Once they've caught something—and they never miss—they return to their perch. A flycatcher can take over a hundred of these little flights in just an hour; an insect-eating bird's appetite seems to be endless. All flycatchers get their food in this way, but not every bird that behaves like this belongs to the flycatcher family. Because flycatchers have relatively weak legs, they don’t often come down to the ground, so they're mainly found in areas with plenty of trees. That's why most flycatchers are seen in well-wooded hilly regions. However, four or five species can commonly be found in the plains. I have already discussed two of these—the stunning paradise flycatchers (Terpsiphone) and the very graceful fan-tail flycatchers (Rhipidura)—in my previous books. Therefore, I will focus on some of the other species. Among these, the brown flycatcher (Alseonax latirostris) is the most common in the plains. This is the least colorful of all the flycatchers. As its name suggests, brown is its dominant color. Its underparts are somewhat whitish, and there’s a subtle ring of white feathers around its eye, but otherwise, it is earthy brown. It’s the kind of bird that a casual observer is likely to overlook, or if noticed, may mistake it for one of the many warblers that migrate to India in winter. It's only when the bird makes a quick dash into the air after an insect that one realizes it’s a flycatcher. The brown flycatcher is a wanderer. It doesn’t seem to stay in one spot for long, and while it can be seen throughout the year, its nest has never been found in this country.

A more ornamental fly-catcher which occasionally visits the plains is the grey-headed fly-catcher (Culicapa ceylonensis). In this species the head, neck, and breast are ash-coloured, the wings and tail are dark brown, the back greenish yellow, and the lower parts dull yellow. This fly-catcher is common both in the Nilgiris and the Himalayas. It has the usual habits of the family. Like the majority of them it is no songster, [180] although it frequently emits a cheeping note. Its nest is a very beautiful structure, a ball of moss which is attached to a moss-covered tree or rock, more often than not near a mountain stream.

A more decorative fly-catcher that occasionally visits the plains is the grey-headed fly-catcher (Culicapa ceylonensis). In this species, the head, neck, and breast are ash-colored, the wings and tail are dark brown, the back is greenish-yellow, and the underside is dull yellow. This fly-catcher is common in both the Nilgiris and the Himalayas. It has the typical habits of its family. Like most of them, it doesn't sing, although it often makes a cheeping sound. Its nest is a very beautiful structure, a round ball of moss that is attached to a moss-covered tree or rock, typically near a mountain stream.

Fly-catchers usually nidificate in the neighbourhood of water, because that element favours the existence of their insect food.

Flycatchers typically build their nests near water, as that environment supports the availability of their insect food.

Siphia parva—the European red-breasted fly-catcher—is a species which visits the plains of India in the cold weather, but not many individuals penetrate so far south as Madras. This bird is easily recognised, since the cock bears a strong likeness to the familiar English robin red-breast. I may here mention that an allied species—the Indian red-breasted fly-catcher, S. hyperythra—summers in Kashmir and winters in Ceylon, but, curiously enough, it has not been recorded from the plains of India. It would thus seem to fly from Kashmir to Ceylon in a single night. Even so, it would be very extraordinary if an occasional individual did not fail to perform the whole journey in so short a space of time; therefore, this species should be watched for in South India in spring and autumn. It is easily distinguished from allied species by a black band which surrounds the red breast and abdomen.

Siphia parva—the European red-breasted fly-catcher—is a species that migrates to the plains of India during the winter months, but not many individuals venture as far south as Madras. This bird is easy to identify, as the male looks a lot like the familiar English robin red-breast. It's worth mentioning an related species—the Indian red-breasted fly-catcher, S. hyperythra—which spends the summer in Kashmir and winters in Ceylon. Interestingly, it hasn't been recorded in the plains of India, which suggests it might fly from Kashmir to Ceylon in just one night. It would be quite unusual if an occasional individual didn’t manage to make the entire journey in such a short time; therefore, this species should be looked out for in South India during spring and autumn. It can be easily distinguished from related species by a black band that encircles the red breast and abdomen.

As it is impossible to detail in one brief essay all the species of fly-catcher found in the Indian hills, I propose merely to mention those that are most common in the Nilgiris and the Himalayas, and then to make a few observations on fly-catchers in general. In addition to the fan-tail, the grey-headed and the brown fly-catchers, [181] the following species are abundant in the Nilgiris: Tickell’s blue fly-catcher (Cyornis tickelli), the Nilgiri blue fly-catcher (Stoparola albicaudata), and the black and orange fly-catcher (Ochromela nigrirufa). In the Himalayas, the paradise fly-catcher is common in summer at lower altitudes. Above 6000 feet elevation the following are the species most commonly seen: the grey-headed fly-catcher, the white-browed blue fly-catcher (Cyornis superciliaris), and the beautiful verditer fly-catcher (Stoparola melanops), which is no mean songster.

Since it's impossible to cover all the species of flycatcher found in the Indian hills in a short essay, I will only mention the most common ones in the Nilgiris and the Himalayas, along with some general observations about flycatchers. Besides the fan-tail, grey-headed, and brown flycatchers, [181] the following species are plentiful in the Nilgiris: Tickell’s blue flycatcher (Cyornis tickelli), the Nilgiri blue flycatcher (Stoparola albicaudata), and the black and orange flycatcher (Ochromela nigrirufa). In the Himalayas, the paradise flycatcher is commonly seen in the summer at lower altitudes. Above 6000 feet, the species most often observed are the grey-headed flycatcher, the white-browed blue flycatcher (Cyornis superciliaris), and the beautiful verditer flycatcher (Stoparola melanops), which is also a talented singer.

Fly-catchers form a most interesting group of birds. It is, I maintain, quite impossible for any man possessed of a logical mind to contemplate this family without discovering that the theory of natural selection is utterly inadequate to account for the variety of animal life that exists upon the earth. The habits of practically all the fly-catchers are identical. They all dwell in an arboreal habitat; nevertheless, the various species display great dissimilarity in outward appearance. Some species are brightly plumaged, others are as dully clad as a bird can possibly be. Some have crests and long tails, others lack these ornaments. The adult cock paradise fly-catcher, with his long, white, satin-like tail feathers, is the most striking of birds, while the brown fly-catcher is less conspicuously attired than a hen sparrow. This is not the only difficulty presented to the theory of natural selection by fly-catchers. In some species, as, for example, the paradise fly-catcher, the sexes are altogether dissimilar in appearance, while in others the [182] most practised eye cannot distinguish between the cock and the hen. Nor does there appear to be any connection between nesting habits and the presence or absence of sexual dimorphism. The fan-tail fly-catchers, in which the sexes are alike, and the paradise fly-catchers, in which they differ widely, both build little cup-shaped nests in the lower branches of trees, and in both the cock shares with the hen the duty of incubation. Again, the verditer and the white-browed blue fly-catchers build their nests in holes in trees; yet in the former both sexes are blue, while in the latter the cock only is blue.

Flycatchers are a really fascinating group of birds. I believe it's impossible for anyone with a logical mind to look at this family and not see that the theory of natural selection completely falls short when explaining the variety of animal life on Earth. Almost all flycatchers share similar habits. They all live in trees; however, the different species show a lot of differences in their appearance. Some are vividly colorful, while others are dressed as drably as a bird can be. Some have crests and long tails, while others don’t have these features at all. The male paradise flycatcher, with its long, satin-like white tail feathers, is one of the most stunning birds, while the brown flycatcher is much less flashy than a female sparrow. This isn’t the only challenge to the theory of natural selection presented by flycatchers. In some species, like the paradise flycatcher, the males and females look completely different, while in others, even the most trained eye can’t tell the male from the female. Plus, there doesn’t seem to be any link between nesting habits and whether the sexes look different. The fan-tail flycatchers, where both sexes look alike, and the paradise flycatchers, where they look quite different, both build small cup-shaped nests in the lower branches of trees, and in both species, the males help the females with incubation. Similarly, the verditer and white-browed blue flycatchers build their nests in tree holes; yet in the former, both sexes are blue, while in the latter, only the male is blue.

Further, in the fly-catchers we see every gradation of sexual dimorphism, from a difference so slight as to be perceptible only when the sexes are seen side by side, to a difference so great as to make it difficult to believe that the sexes belong to one and the same species. It must, therefore, be obvious to any sane person that neither natural nor sexual selection can be directly responsible for the colouration of many species of fly-catcher.

Further, in the flycatchers, we observe every variation of sexual dimorphism, ranging from a difference so slight that it's only noticeable when the sexes are seen side by side, to a difference so significant that it’s hard to believe the two sexes belong to the same species. Therefore, it should be clear to any reasonable person that neither natural nor sexual selection can be directly responsible for the coloration of many species of flycatcher.

Another interesting characteristic of the fly-catchers is the total absence of green in the plumage of any of them. They are birds of a variety of colours; they display many shades of blue, yellow, orange, red, grey, and brown, also black and white; but not one carries any green feathers. Yet they are essentially arboreal birds, so that green would be a very useful colour to them from the point of view of protection from enemies. From the fact, then, that none of the fly-catchers are green, we seem to be compelled to infer [183] that there is something in their constitution that prevents green variations appearing in their plumage.

Another interesting thing about the flycatchers is that none of them have any green in their feathers. They come in a variety of colors; you can see many shades of blue, yellow, orange, red, gray, and brown, as well as black and white. But not a single one has green feathers. Since they are primarily tree-dwelling birds, having green would be really helpful for them in terms of hiding from predators. So, since there are no green flycatchers, it seems we have to conclude that there's something in their biology that stops green colors from showing up in their feathers. [183]

In conclusion, note must be made of the fact that fly-catchers, although they subsist almost entirely upon insect diet, appear but rarely to devour butterflies. I have watched fly-catchers closely for several years, and have on two occasions only seen them chase butterflies or moths. Five years ago in Madras I observed a paradise fly-catcher chasing a small butterfly, and recently, in the Himalayas, I saw a grey-headed fly-catcher drop down from a tree and seize a moth that was resting in the gutter. The reason why fly-catchers do not often attack butterflies is obvious; these insects offer very little meat and a great deal of indigestible wing surface. Nevertheless, the theory of protective mimicry is almost exclusively illustrated by examples taken from butterflies. In theory, these creatures are so relentlessly persecuted by insectivorous birds that in order to escape their foes many edible butterflies mimic the appearance of unpalatable species. Unfortunately for theory, few creatures in practice seem to attack butterflies when on the wing, which is just the time when the “mimicry” is most obvious.

In conclusion, it's important to note that flycatchers, even though they mainly eat insects, rarely eat butterflies. I've closely observed flycatchers for several years and have only seen them go after butterflies or moths twice. Five years ago in Madras, I saw a paradise flycatcher chasing a small butterfly, and recently in the Himalayas, I watched a grey-headed flycatcher swoop down from a tree to catch a moth resting in the gutter. The reason flycatchers don’t often go after butterflies is clear; these insects provide very little meat and a lot of indigestible wing surface. Still, the idea of protective mimicry is mostly demonstrated by examples from butterflies. The theory is that these creatures are so frequently hunted by insect-eating birds that many edible butterflies imitate the appearance of inedible species to escape their predators. Unfortunately, in reality, few creatures seem to attack butterflies when they’re flying, which is precisely when the “mimicry” is most apparent.

The elegant little fly-catchers, then, are birds which mock Darwin, laugh at Wallace, and make merry at the expense of Muller and Bates!

The graceful little flycatchers are birds that mock Darwin, laugh at Wallace, and have fun at the expense of Muller and Bates!

[184]


XXXIII
INSECT HUNTERS

Fly-Catchers, although they subsist almost entirely on insects, are by no means the only insectivorous creatures in existence. They merely form a considerable branch of the Noble Society of Insect Hunters.

Flycatchers, even though they mainly eat insects, aren't the only insect-eating animals out there. They just make up a significant part of the Noble Society of Insect Hunters.

If there exist any philosophers in the insect world they must find the uncertainty of life a fitting theme on which to lavish their philosophical rhetoric. Consider for a moment the precariousness of the life of an insect! There exist in India probably over three hundred species of birds which live almost exclusively upon an insect diet. Think of the mortality among insects caused by these birds alone, by the mynas, the swifts, the bee-eaters, the king crows, et hoc genus omne. Then there are insectivorous mammals, to say nothing of man who yearly destroys millions of injurious and parasitic hexapods. Fish too are very partial to insects, while for spiders, frogs, and lizards, life without insects would be impossible. Nor do the troubles of insects end here, they are preyed upon by their own kind, and, strange phenomenon, some plants entrap and destroy them. But we Anglo-Indians cannot [185] afford to sympathise with the insects. In spite of the high mortality of the hexapod tribes, they flourish like the green bay-tree. So prolific are they that, notwithstanding the fact that millions are daily destroyed by their foes, the life of human beings in India becomes a burden on account of the creeping things. In the monsoon the insects tax man almost to the limits of his endurance—they teaze, bite, and worry his person, they destroy his worldly goods, and, not content with this, find their way into his food and drink. For this reason I feel very kindly disposed to the frogs, the lizards, and the fly-catching birds.

If there are any philosophers in the insect world, they must see the uncertainty of life as a perfect theme to explore with their philosophical ideas. Just think about how fragile an insect's life is! In India, there are probably over three hundred bird species that mainly eat insects. Consider the death toll among insects due to these birds alone, like the mynas, swifts, bee-eaters, king crows, et hoc genus omne. Then there are insect-eating mammals, not to mention humans, who destroy millions of harmful and parasitic insects every year. Fish also love to eat insects, and for spiders, frogs, and lizards, life wouldn't be possible without them. But the struggles of insects don’t stop there; they are also hunted by their own species, and, oddly enough, some plants trap and kill them. However, we Anglo-Indians can’t really sympathize with the insects. Despite the high death rate among them, they thrive like the green bay-tree. They reproduce so quickly that, even though millions are killed every day by their enemies, the presence of these creatures becomes a burden for humans in India. During the monsoon, insects push humans to the edge of their patience—they pester, bite, and annoy us, ruin our belongings, and even make their way into our food and drinks. Because of this, I have a lot of appreciation for frogs, lizards, and fly-catching birds.

It is worth coming to India if only to see a frog or toad at work. Go at sunset, during a break in the rains, on to the chabutra, and place a lamp near you. Thousands of insects of all shapes and sizes are attracted by the light. In their wake come the toads. A toad always looks blasé. His stupid appearance and sluggish movements give him this air. Watch him as he hops into the zone of light. He advances to within an inch of a resting insect, and, before you can say “Jack Robinson,” the creature has flown into his mouth! The toad takes another hop, and a second insect follows the example of the first; then another and another! Have the insects all suddenly gone mad? Are they bewitched, mesmerised by the ugly face of the toad? Nothing of the kind. The insects have not jumped into the amphibian’s mouth at all. The toad has a long tongue attached at the front end to its mouth. This tongue is covered with sticky saliva and is capable of being protruded and retracted with [186] lightning rapidity. In other words, the toad’s tongue is just a fly-paper, capable of the most perfect manipulation. The unsuspecting insect is resting, and hears not the silent approach of its enemy. Suddenly it is caught up by a great sticky tentacle, then comes oblivion. The toad’s tongue has shot forth and back again so quickly as to be imperceptible to the human eye.

It’s definitely worth a trip to India just to see a frog or toad in action. Head out at sunset, during a break in the rainy season, to the chabutra, and set a lamp near you. Thousands of insects of all shapes and sizes will be drawn to the light. Following them are the toads. A toad always looks blasé. Its dull appearance and slow movements give off that vibe. Watch as it hops into the light. It moves to within an inch of a resting insect, and before you can say “Jack Robinson,” the insect is snatched up in its mouth! The toad takes another hop, and another insect follows the first; then another and another! Have the insects suddenly gone crazy? Are they enchanted, mesmerized by the toad’s ugly face? Not at all. The insects haven’t jumped into the amphibian’s mouth. The toad has a long tongue that's attached at the front to its mouth. This tongue is coated with sticky saliva and can shoot out and retract with [186] lightning speed. In other words, the toad’s tongue acts like fly paper, capable of perfect precision. The unsuspecting insect is resting, unaware of its predator’s silent approach. Suddenly, it’s snatched up by a large sticky tentacle, then comes oblivion. The toad's tongue shoots out and back so fast that it’s invisible to the human eye.

The lizard obtains its food in a similar way. It enters the bungalow and lies up during the day behind a picture. As soon as the lamps are lighted it comes forth as hungry as the proverbial hunter. In a single night it devours hundreds of insects. I have watched a lizard feeding in this way until he had consumed so many insects that he could scarcely move: and doubtless he would have continued his gluttonous meal but for the fact that he had become as slow as Mark Twain’s jumping frog after it had partaken copiously of shot! The lizard cannot shoot out his tongue to the extent that the frog can, so he has to make a dash at each insect before swallowing, and, to his credit, it must be said that he rarely lets a victim escape him unless, of course, he has over-eaten himself.

The lizard gets its food in a similar way. It sneaks into the bungalow and hides during the day behind a picture. As soon as the lights are on, it comes out as hungry as a typical hunter. In just one night, it devours hundreds of insects. I’ve watched a lizard feeding like this until it ate so many insects that it could hardly move: and surely it would have kept eating if it hadn’t become as sluggish as Mark Twain’s jumping frog after it had stuffed itself with shot! The lizard can’t shoot out its tongue as far as the frog can, so it has to rush at each insect before swallowing. To its credit, it rarely lets a victim get away unless, of course, it has overeaten.

Although I am very fond of the nimble little gecko, I must admit that he is an out-and-out glutton. Sometimes his gluttony leads him to try to capture quarry beyond his capacity. Let me relate an amusing little incident that I recently witnessed. The scene was my dressing-table, and the time 9 p.m. in the month of August; the day I forget. It matters not. A large stag-beetle was crawling laboriously across the dressing-table. [187] Upon this table was an ordinary looking-glass, under which a lizard had taken up his habitation. From his point of view the position was a good one, for the lamp overhead attracted to the table a number of insects which the lizard could watch from under the base of the glass.

Although I really like the quick little gecko, I have to admit he's a total glutton. Sometimes his greed causes him to go after prey that’s too much for him to handle. Let me share a funny little incident I saw recently. It took place on my dressing table at 9 p.m. in August; I can't remember the exact day. It doesn't matter. A large stag beetle was slowly making its way across the dressing table. [187] On this table was a regular mirror, under which a lizard had made its home. From his perspective, it was a great spot, since the lamp above attracted a bunch of insects that the lizard could observe from beneath the edge of the mirror.

The lizard caught sight of the beetle and began to stalk it. Surely, I thought, the lizard will not try to devour that beetle, which is nearly half as big as himself; but, as he emerged from under the glass, I saw that he meant business. Slowly but surely he gained upon the slow-moving beetle. Having arrived close up behind it, he shot forth his sticky tongue. The next moment the beetle found itself lying on a spot eight inches from where it had a second before stood, and the lizard was trembling in his lair. The reptile had apparently expected to find the beetle as soft and luscious as a strawberry, so the instant his tongue felt the hard, chitinous integument of the beetle he drew that organ back pretty smartly. But his tongue was so sticky that the beetle stuck to it for a moment, and so was thrown backwards over the reptile’s head. The lizard was startled at what had happened, so instinctively took cover. The insect too was scared nearly out of its wits, and did what most frightened insects do, that is to say, retracted its legs and remained perfectly motionless. When, however, several minutes passed and nothing happened, the beetle grew bold, and putting forth its legs, began again to crawl on its way. Directly it moved the lizard put himself on the qui vive, and even went so far [188] as again to follow it, but, profiting by his recent experience, did not attempt a second time to swallow it. Thus the beetle passed off the stage.

The lizard saw the beetle and started stalking it. I thought to myself, there's no way the lizard will try to eat that beetle, which is almost half its size; but as he came out from under the glass, I realized he was serious. Slowly but surely, he closed in on the sluggish beetle. Once he was close enough, he shot out his sticky tongue. In the next moment, the beetle found itself eight inches away from where it had just been, and the lizard was trembling in its place. Apparently, the reptile had expected the beetle to be as soft and delicious as a strawberry, so when his tongue hit the beetle's hard, chitinous shell, he quickly pulled back his tongue. But it was so sticky that the beetle stuck to it for a moment and got thrown backwards over the lizard's head. The lizard was startled by what had happened and instinctively took cover. The insect was also scared out of its mind and, like most frightened insects, pulled in its legs and stayed perfectly still. After several minutes passed with nothing happening, the beetle got brave, extended its legs, and started crawling again. As soon as it moved, the lizard perked up and even followed it again, but learning from his previous experience, he didn’t try to eat it a second time. And so, the beetle exited the scene.

Seeing that this particular lizard was not over sharp, I determined to play a little practical joke upon it. Taking a piece of black worsted, I rolled it up into a ball about the size of a fine, strapping blue-bottle fly, and, having attached a piece of cotton to it, I dangled this bait before the lizard. I succeeded in “drawing” him. He was on it before I could say “knife.”

Seeing that this particular lizard wasn't too clever, I decided to pull a little prank on it. I took a piece of black yarn, rolled it into a ball about the size of a large bluebottle fly, and attached a piece of string to it. I dangled this bait in front of the lizard. I managed to lure him in. He was on it before I could say "knife."

In less than a second the worsted was in his mouth, but he dropped it like a hot potato, and then sulked under the looking-glass, apparently greatly annoyed at having been made a fool of twice in succession. The next day I chanced to come upon a toad, busy catching insects. Wondering whether he would be deceived, I threw on to the grass near him the end of a lighted cigarette which I had been smoking. He at once caught sight of it, and sat there looking at it intently for some seconds, and I began to think he would not fall into the trap, but the temptation was too strong, for he shot forth his tongue to seize it. He discovered that the “tongue is an unruly member” as he retracted the smarting organ.

In less than a second, the yarn was in his mouth, but he dropped it like a hot potato and sulked under the mirror, clearly annoyed at being fooled twice in a row. The next day, I happened upon a toad busy catching insects. Curious if he would be tricked, I tossed the end of a lit cigarette I had been smoking onto the grass nearby. He immediately noticed it and stared at it intently for a few seconds. I started to think he wouldn't fall for the bait, but the temptation was too strong, and he shot out his tongue to grab it. He learned that “the tongue is an unruly member” as he quickly pulled back the stinging organ.

It is therefore clear that some insect-hunters are ever ready to try experiments as regards food.

It’s clear that some insect hunters are always ready to try out different foods.

Fish too, when really hungry, do not appear to exercise much discrimination as to the nature of the “fly” they will take.

Fish, when they're really hungry, don't seem to be very picky about the type of “fly” they will go after.

The swarming of the “white ants” is a red-letter day [189] for the insect-eating animals, an annual harvest in which they revel. The mynas and the crows do not disdain to partake of this copious meal supplied by nature.

The swarming of the “white ants” is a significant day [189] for the insect-eating animals, an annual feast they enjoy. The mynas and the crows don’t hesitate to join in on this abundant meal provided by nature.

The latter are omnivorous birds; all is grist which comes to their mill—carrion, fruit, locusts, termites, fish, grain, and the crumbs which fall from man’s table.

The latter are omnivorous birds; anything that comes their way is fair game—carrion, fruit, locusts, termites, fish, grain, and the crumbs that fall from humans' tables.

The mynas too eat a variety of food, but they are first and foremost insectivorous birds. They are never so happy as when chasing grasshoppers on the grass. By preference they accompany cattle, strutting along beside these and catching in their beaks the insects as these latter jump into the air, frightened by the approach of the great quadruped.

The mynas also eat a variety of foods, but they are primarily insect-eating birds. They are happiest when they're chasing grasshoppers on the lawn. They prefer to hang out near cattle, strutting alongside them and catching insects in their beaks as these critters jump into the air, startled by the big animal's approach.

The beautiful white cattle egrets (Bubulcus coromandus) in a similar way make buffaloes and kine act as their beaters.

The beautiful white cattle egrets (Bubulcus coromandus) similarly have buffalo and cows act as their beaters.

The familiar king crow (Dicrurus ater) adopts two methods of insect-catching. The one he favours most is that of the fly-catcher. Sometimes, however, he attaches himself to a flock of mynas. In such cases he flies to the van of the flock and squats on the ground, regardless of the fact that by so doing his beautiful forked tail gets dusty. As the mynas approach, snatching up grasshoppers, they put up a number of flying insects, and these the king crow secures on the wing. As soon as the last of the mynas has passed by the king crow again flies to the van and repeats the performance.

The familiar king crow (Dicrurus ater) uses two ways to catch insects. The one he prefers the most is like that of a flycatcher. However, he sometimes joins a flock of mynas. In these cases, he flies to the front of the flock and perches on the ground, not caring that his beautiful forked tail gets dusty. As the mynas come closer, scooping up grasshoppers, they flush out a number of flying insects, which the king crow catches mid-air. Once the last of the mynas has passed, the king crow flies to the front again and repeats the process.

In India almost every company of mynas has its [190] attendant king crow. Usually the two species are on good terms, but sometimes the king crow gets “above himself,” and then there is trouble. The other day I saw a bank myna (Acridotheres fuscus) hop on to a king crow’s back and administer unto him chastisement in the shape of a couple of vigorous pecks on the back of the head. On being released the king crow did not attempt to retaliate, but flew meekly away.

In India, almost every group of mynas has its own king crow accompanying them. Usually, the two species get along well, but sometimes the king crow gets a bit too confident, leading to some conflict. The other day, I saw a bank myna (Acridotheres fuscus) hop onto a king crow's back and give him a couple of strong pecks on the head as a form of punishment. After that, the king crow didn’t try to fight back; he just flew away quietly.

Among the élite of the insect-hunters we must number the swifts. Strange birds are these. Not once in their lives do they set foot upon the ground. For hours at a time they pursue their speedy course through the thin air, snatching up, as they move at full speed, minute insects.

Among the élite of the insect-hunters, we have to include the swifts. These birds are quite unusual. They never touch the ground in their entire lives. For hours on end, they fly through the thin air, catching tiny insects at full speed as they go.

But even their powerful pinions cannot vibrate for ever, so at intervals they betake themselves to the verandah of some bungalow, and there hang on to the wall close under the roof. Their claws are simply hooks, and this is their rest—clinging to a smooth horizontal wall!

But even their strong wings can't flap forever, so every now and then they settle on the porch of some bungalow and cling to the wall just under the roof. Their claws are like hooks, and this is their rest—hanging onto a flat wall!

So long is the list of insect-hunters, and so varied are their methods, that I am unable to so much as mention many of them. I must content myself, in conclusion, with noticing the tits, cuckoo-shrikes, minivets, and white-eyes, which flit from leaf to leaf, picking up tiny insects; babblers and laughing thrushes, which spend the day rummaging among fallen leaves for insects; nuthatches and tree-creepers, which run up and down tree-trunks on the hunt for insects; and woodpeckers, which seize, by means of [191] their sticky tongue, the insects they have, by a series of vigorous taps, frightened from their hiding-places in the bark.

The list of insect hunters is so long and their methods so diverse that I can’t even begin to mention many of them. In conclusion, I’ll just highlight the tits, cuckoo-shrikes, minivets, and white-eyes that dart from leaf to leaf, picking up tiny insects; the babblers and laughing thrushes that spend their days foraging through fallen leaves for insects; nuthatches and tree-creepers that run up and down tree trunks searching for insects; and woodpeckers that use their sticky tongues to catch insects that they’ve scared out of their hiding spots in the bark with a series of strong taps.

Consider these, and you cannot but be impressed with the trials and troubles of an insect’s life!

Consider this, and you can't help but be struck by the struggles and challenges of an insect's life!

[192]


XXXIV
THE ROSY STARLING

Every Anglo-Indian is acquainted with the rose-coloured starling (Pastor roseus), although some may not know what to call it. Nevertheless, it is a bird of many aliases; to wit, the rosy pastor, the tillyer, the cholum bird, the jowaree bird, the mulberry bird, the locust-eater, the golabi maina. The head, neck, breast, wings, and tail are glossy black, while the remainder of the plumage is a pale salmon or faint rose-colour. The older the bird the more rosy it becomes, but the great majority are pale salmon, rather than pink.

Every Anglo-Indian knows about the rose-colored starling (Pastor roseus), even if some might not know its name. It goes by many names, including the rosy pastor, the tillyer, the cholum bird, the jowaree bird, the mulberry bird, the locust-eater, and the golabi maina. The head, neck, breast, wings, and tail are shiny black, while the rest of the feathers are a light salmon or faint rose color. The older the bird gets, the rosier it appears, but most are more pale salmon than pink.

Rose-coloured starlings are sociable birds. They go about in large companies, which sometimes number several thousand individuals. They are cold-weather visitors to India, spreading themselves all over the peninsula, being most abundant in the Deccan. In the north straggling flocks occur throughout the winter, but it is in April that they are seen in their thousands, preparatory to leaving the country for breeding purposes. These great gatherings tarry for a short time in Northern India while the mulberries and various grain crops are [193] ripening. They seem to subsist chiefly upon these, whence some of their popular names, and the malice which the farmer bears them. They are undoubtedly a very great scourge to the latter, but they are not an unmixed pest, for they are said to devour locusts with avidity when the opportunity presents itself. Now, the slaying of a locust is a work of merit which ought to neutralise a multitude of sins.

Rose-colored starlings are social birds. They travel in large groups, sometimes numbering in the thousands. They visit India during cold weather, spreading throughout the peninsula, with the highest population in the Deccan. In the north, scattered flocks can be seen all winter, but in April, they appear in the thousands as they prepare to leave the country to breed. These large gatherings linger briefly in Northern India while the mulberries and various grain crops are ripening. They primarily feed on these crops, which has earned them some of their common names and the farmer's resentment. They are undoubtedly a significant nuisance for farmers, but they’re not purely a pest, as they are known to eagerly eat locusts when they can. Killing a locust is a good deed that should outweigh many wrongs.

The rosy starlings which occur in India are said to nest in Asia Minor. This may be so, but I am inclined to think that there must be some breeding-grounds nearer at hand, for these birds have been observed in India as late as July, and they are back with us again in September. To travel to Asia Minor, construct nests, lay eggs, hatch these out, rear up the young, and return to India with them, all within the space of two months, is an almost impossible feat. It is, of course, probable that the birds which remain in India so late as July do not return as early as September.

The rosy starlings found in India are said to nest in Asia Minor. This could be true, but I think there must be some breeding grounds closer by, since these birds have been seen in India as late as July, and they're back with us again in September. Traveling to Asia Minor, building nests, laying eggs, hatching them, raising the young, and returning to India with them all within two months seems nearly impossible. It's likely that the birds that stay in India until July don’t come back as early as September.

The large flocks of rosy starlings are quite a feature of spring in Northern India. On the principle that many hands make light work, a company of these birds experiences no difficulty in speedily thinning a crop of ripening corn. The starlings feed chiefly in the morning and before sunset. During the heat of the day they usually take a long rest, a habit for which the crop-watchers ought to be very thankful. When not feeding, rosy starlings usually congregate in hundreds in lofty trees which are almost bare of foliage. They then look like dried leaves. I have spoken of this as a rest, which is not strictly accurate. [194] They certainly do not feed, but they constantly flit about from branch to branch, and do a great deal of feather preening, and, during the whole day, they give forth a joyful noise. Their note is a sibilant twitter which is not very loud; indeed, considering the efforts put into it, there is remarkably little result, but the notes are so persistent, and so many birds talk at once, that they can be heard from afar. The song of the rosy starling is not musical, not more so than the “chitter, chitter” of a flock of sparrows at bed-time, yet it is not displeasing to the ear. There is an exuberance in it which is most attractive. It cannot be conversational, for all the birds talk at once, and their notes lack expression and variety. Their clamour is not unlike the singing of the kettle as it stands on the hob; in each case the sound is caused by the letting off of superfluous energy. Starlings literally bubble over with animal spirits. There can be no question as to their enjoyment of life.

The large flocks of rosy starlings are a definite highlight of spring in Northern India. Following the idea that many hands make light work, these birds have no trouble quickly clearing a field of ripening corn. The starlings mainly feed in the morning and just before sunset. During the hottest part of the day, they typically take a long break, a habit that crop-watchers should definitely appreciate. When they're not feeding, rosy starlings usually gather in large numbers in tall, nearly bare trees. They resemble dried leaves in that setting. I've described this as a rest, which isn’t entirely accurate. They certainly aren't eating, but they constantly flit from branch to branch, preening their feathers a lot, and they make joyful noises throughout the day. Their call is a soft twitter that isn’t very loud; in fact, considering the energy they put into it, the sound is surprisingly minimal, but the notes are persistent, and with so many birds chirping together, they can be heard from a distance. The song of the rosy starling isn’t melodious, not more than the “chitter, chitter” of a group of sparrows settling down for the night, yet it’s not unpleasant to listen to. There’s a liveliness in it that's really appealing. It can't be considered conversational since all the birds are squawking at once, and their notes are pretty uniform and unvaried. Their racket is reminiscent of a kettle singing on the stove; in both cases, the sound comes from releasing excess energy. Starlings are just bursting with vitality. There’s no doubt they enjoy life.

Rosy starlings are the favourite game birds of the natives of Northern India, for they are very good to eat and easy to shoot. When a thousand of them are perched in a bare tree, a shot fired into “the brown” usually secures a number of victims. It is, therefore, not difficult to obtain a big bag. Needless to say, the natives shoot these birds sitting. The way in which Europeans persist in firing only at flying objects is utterly incomprehensible to the average Indian; he regards it as part of the magnificent madness which is the mark of every sahib. I once asked a native Shikari if he had ever fired at a flying bird. He was a gruff [195] old man, and not afraid to express his feelings. He looked me up and down with eyes filled with withering contempt, and said “What do you take me for? Am I a sahib, that I should waste powder and shot on flying things? I never fire unless I think that by so doing I am likely to bring down at least six birds.”

Rosy starlings are the favorite game birds for the locals in Northern India because they’re tasty and easy to shoot. When a thousand of them are sitting in a bare tree, taking a shot at “the brown” usually guarantees several hits. So, it’s not hard to come home with a big catch. Naturally, the locals shoot these birds while they’re perched. The way Europeans insist on only shooting at birds in flight is completely baffling to the average Indian; they see it as part of the crazy behavior that characterizes every sahib. I once asked a local Shikari if he had ever shot at a bird in flight. He was a grumpy old man who wasn’t shy about sharing his thoughts. He looked me over with eyes full of disdain and said, “What do you think I am? Am I a sahib, that I would waste powder and shot on flying things? I never shoot unless I believe I can bring down at least six birds.”

It is impossible to watch a flock of jowaree birds without being struck by what I may perhaps term their corporate action, the manner in which they act in unison, as though they were well-drilled soldiers obeying the commands of their officer. This phenomenon is observable in most species of sociable birds, but, so far as I am aware, no ornithologist, save Mr. Edmund Selous, has paid much attention to the matter, or attempted to explain it. To illustrate. A flock of rosy starlings will be sitting motionless in a tree giving vent to their twittering notes, when suddenly, without any apparent cause, the whole flock will take to its wings simultaneously, as if actuated by one motive, nay, as if it were one composite individual. Again, a flock will be moving along at great speed, when suddenly the whole company will make a half-turn, and continue the flight in another direction. Yet again, a number of rosy starlings will be speeding through the air when six or seven of them, suddenly and simultaneously, change the direction of their flight, and thus form, as it were, a cross current. How are we to explain these simultaneous changes of purpose? It is not, at any rate, not always, a case of “follow my leader,” for frequently no one individual moves before the others. In some cases at least the [196] change in purpose is not due to any command, no sound being uttered previous to one of these sudden impulsive acts. Mr. Selous seeks to explain the phenomenon by assuming that “birds, when gathered together in large numbers, act, not individually, but collectively, or rather, that they do both one and the other.” According to him, the simultaneous acts in these cases are the result of thought-transference—a thought-wave passes through the whole flock.

It’s impossible to watch a flock of jowaree birds without being struck by what I might call their coordinated movement, the way they act together as if they were well-trained soldiers following their officer’s orders. This behavior can be seen in most types of social birds, but, as far as I know, no ornithologist, except Mr. Edmund Selous, has really focused on it or tried to explain it. For example, a flock of rosy starlings might be sitting still in a tree, chirping away, when suddenly, without any clear reason, the entire flock takes off at once, as if moved by a single impulse, or like one unified entity. Again, a group might be flying fast when they all suddenly turn halfway and change direction together. There are also times when a few rosy starlings, moving quickly through the air, suddenly and simultaneously shift their flight path, creating what seems like a cross current. How can we explain these simultaneous changes in behavior? It’s not always just a case of “follow the leader,” since often no individual goes before the rest. In some instances, at least, the change in direction isn’t prompted by any command; there’s no sound made before these sudden movements. Mr. Selous tries to explain this by suggesting that “when birds gather in big groups, they act not just as individuals but collectively, or perhaps they do both.” According to him, these simultaneous actions happen due to thought transference—a wave of thought spreads through the entire flock.

Some may be inclined to scoff at this theory, but such will, I think, find it difficult to put forward any other explanation of the difficulty. As Mr. Selous points out, it seems “a little curious that language of a more perfect kind than animals use has been so late in developing itself, but animals would feel less the want of a language if thought-transference existed amongst them to any appreciable extent.” Whether Mr. Selous has hit upon the correct explanation I hesitate to say. There is, however, no denying the fact that flocks of birds frequently act with what he calls “multitudinous oneness.”

Some might be tempted to laugh off this theory, but I think they'll find it hard to offer any other explanation for the issue. As Mr. Selous points out, it seems “a little curious that language of a more perfect kind than animals use has been so late in developing itself, but animals would feel less the need for a language if thought-transference existed among them to any noticeable extent.” Whether Mr. Selous has found the right answer, I'm not sure. However, there's no denying that flocks of birds often act with what he refers to as “multitudinous oneness.”

[197]


XXXV
THE PIED STARLING

Writing of pied starlings (Sturnopastor contra) Colonel Cunningham thus delivers himself: “They are not nearly such attractive birds as the common mynas, for their colouring is coarsely laid on in a way that recalls that of certain of the ornithological inmates of a Noah’s Ark; their heads have a debased look, and they have neither the pleasant notes nor the alluringly familiar ways of their relatives.” The above statement is, in my opinion, nothing short of libel. There are few living things more charming than pied mynas. These birds are clothed in black and white. Now a black and white garment usually looks well whether worn by a human being or an animal. In the case of the pied myna, or ablak as the Indians call it, the black and white are tastefully arranged. The head, neck, upper breast, back, and tail are glossy black, save for a large white patch on the cheek, which extends as a narrow line to the nape, a white oblique wing bar, and a white rump. The lower parts are greyish white. The bill is yellow, of deeper hue at the base than at the tip. I fail [198] to see in what way the head of the pied starling has a debased look; it is typical of its family. The bill, however, is a trifle longer and more slender than that of the common myna. The statement that pied mynas have not the pleasant notes of the common species is the most astounding of a series of astounding assertions; as well might a musician complain that the cathedral organ lacks the fine tones of the street hurdy-gurdy! I like the cheerful “kok, kok, kok, kekky, kekky” of the common myna. I also enjoy listening to the harsh cries with which he greets a foe. India would be a duller country than it is without these familiar sounds, but I maintain that his most ardent admirer can scarcely believe the common myna to be a fine songster. The notes of the pied starling, on the other hand, although essentially myna-like, are really musical. Its lay is that of Acridotheres tristis, purified of all the harshness, with an added touch of melody. Jerdon, I am glad to notice, speaks of its pleasant song, and Finn, who knows the bird well, writes in one place of its beautiful note, and in another says: “It does not indulge in any set song apparently, but its voice is very sweet and flute-like, and it appears not to have any unpleasant notes whatever—a remarkable peculiarity in any bird, and especially in one of this family.” In Northern India the cheerful melody of the pied starlings is one of the most pleasing adjuncts of the countryside.

Writing about pied starlings (Sturnopastor contra), Colonel Cunningham states: “They are not nearly as attractive as common mynas, as their coloring is applied in a coarse manner reminiscent of certain birds from a Noah’s Ark; their heads look less refined, and they lack the pleasant calls and friendly habits of their relatives.” In my opinion, this statement is nothing short of slander. There are few living creatures more charming than pied mynas. These birds are dressed in black and white. A black-and-white outfit usually looks good whether on a person or an animal. In the case of the pied myna, or ablak as the Indians call it, the black and white are tastefully arranged. The head, neck, upper breast, back, and tail are glossy black, except for a large white patch on the cheek, which extends as a narrow line to the nape, a white diagonal wing bar, and a white rump. The lower parts are grayish white. The bill is yellow, with a deeper color at the base than at the tip. I don’t see how the head of the pied starling looks less refined; it is typical for its family. The bill, however, is slightly longer and more slender than that of the common myna. The claim that pied mynas do not have the pleasant calls of the common species is one of the most shocking in a series of surprising statements; it’s like a musician complaining that the cathedral organ doesn't have the fine tones of a street hurdy-gurdy! I enjoy the cheerful "kok, kok, kok, kekky, kekky" of the common myna. I also appreciate the harsh cries it gives to warn off an enemy. India would be a duller place without these familiar sounds, but I maintain that even its biggest fan wouldn’t consider the common myna a great singer. The notes of the pied starling, on the other hand, while definitely myna-like, are genuinely musical. Its song is like that of Acridotheres tristis, refined of all harshness with an added touch of melody. Jerdon, I’m pleased to see, mentions its pleasing song, and Finn, who is familiar with the bird, notes once its beautiful sound, and at another point states: “It doesn’t seem to have a set song, but its voice is very sweet and flute-like, and it appears not to have any unpleasant notes at all—a remarkable quality in any bird, especially one from this family.” In Northern India, the cheerful melody of the pied starlings is one of the most delightful features of the countryside.

So jovial a bird is Sturnopastor contra that it is a great pity that his range is comparatively restricted. He would be a great acquisition to Madras and Bombay. [199] Unfortunately, the species is not found in South India, and is almost unknown in the Punjab. Agra is the most westerly place in which I have seen pied mynas. In Burma the species is replaced by an allied form, S. superciliaris, readily distinguished by the possession of a white eyebrow. By the way, I should be very glad if our Wallaceian friends would tell us why it is necessary to its existence that the Burmese species should possess a white eyebrow, while the Indian birds seem to fare excellently without that ornament.

So cheerful a bird is Sturnopastor contra that it’s a real shame his range is relatively limited. He would be a fantastic addition to Madras and Bombay. [199] Unfortunately, this species isn’t found in South India and is almost unknown in the Punjab. Agra is the farthest west I have seen pied mynas. In Burma, the species is replaced by a closely related form, S. superciliaris, which is easily recognized by its white eyebrow. By the way, I would really appreciate it if our Wallacean colleagues could explain why it’s essential for the Burmese species to have a white eyebrow when the Indian birds seem to thrive perfectly well without it.

Except at the nesting season, the habits of pied starlings are very like those of the other species of myna. They feed largely on the ground, over which they strut with myna-like gait—no myna would dream of losing its dignity to the extent of hopping. They feed largely on insects, but will also eat fruit. They do not, as a rule, gather together in such large companies as most kinds of starling, but in places where pied mynas exist two of them, at least, usually attach themselves to each flock of the common species.

Except during nesting season, the habits of pied starlings are quite similar to those of other types of mynas. They mainly feed on the ground, where they walk around with a myna-like swagger—no myna would ever consider losing its dignity by hopping. They primarily eat insects but will also consume fruit. Generally, they don't gather in large groups like most starlings, but in areas where pied mynas are found, at least two of them usually join each flock of the common species.

I am inclined to think that Sturnopastors pair for life, but that does not prevent them from performing the antics of courtship at the nesting season. This is a fact of some importance, for if birds that are mated for life indulge every year in what we call courtship, it is obvious that the commonly accepted explanation of the meanings of the antics of birds at the breeding season is a mistaken one. The accepted interpretation of these facts is that the cocks deliberately set themselves to “kill the girls,” and to this end cut mad [200] capers and perform the other absurdities that characterise the amorous swain. I incline to the view that, although birds select their mates, the songs and the dances and the displays of the males are not so much attempts to captivate the females as expressions of the superabundant energy that literally bubbles over at the breeding season. A ruff when courting is obviously as mad as the proverbial hatter: he will display all his splendours as readily to a stone as to a reeve. At the season of love-making one frequently sees one pied myna—presumably a cock—puff out his feathers and inflate his throat, and then strut after another bird just as the little brown dove (Turtur cambayensis) does when on matrimony intent. At another phase of the courtship of the pied mynas two birds will sit, side by side, on a perch and bow and sing to one another just as king crows (Dicrurus ater) do.

I believe that Sturnopastors mate for life, but that doesn't stop them from showing off during the nesting season. This is an important point, because if birds that mate for life engage in what we call courtship every year, it's clear that the usual explanations for bird behavior during the breeding season are wrong. The common idea is that males intentionally try to “win over the females,” and to do this, they act silly and perform other ridiculous behaviors typical of love-struck males. I think that, while birds choose their partners, the songs, dances, and displays of the males aren’t really aimed at impressing the females; they’re more about the excess energy that comes out during the breeding season. A ruff courting is obviously as crazy as the saying goes: he’ll show off all his beauty as eagerly to a rock as to a female. During mating season, it’s common to see one pied myna—likely a male—puffing out his feathers and inflating his throat, then strutting after another bird, just like the little brown dove (Turtur cambayensis) when it's ready to mate. In another part of the pied myna's courtship, two birds will sit side by side on a perch and bow and sing to each other, just like king crows (Dicrurus ater) do.

Most species of myna breed early in the hot weather, but the pied mynas invariably wait until the first rain has fallen before they set about the work of nest-building. Colonel Cunningham suggests that the reason for this peculiarity of the pied starling is that, as it does not nestle in a hole but builds in a tree, it requires the green leaves coaxed forth by the rain as a protection to its nest. If the nursery of the pied myna were a neatly constructed cup, something might be said for this idea, but no amount of foliage could hide from view the huge mass of straw and rubbish that does duty for the nest of this species. Pied mynas rely on their pugnacity, and not on concealment, for the protection of the nest. A list of the various materials [201] utilised by nesting Sturnopastors would include almost every inanimate object which is both portable and pliable; feathers, rags, twigs, moss, grass, leaves, paper, bits of string, rope and cotton, hay and portions of skin cast off by snakes, are the materials most commonly employed. The nest is not, as a rule, placed very high up. Sometimes it is situated in quite a low tree. Once when visiting the gaol at Gonda in the rains I observed a pair of pied mynas nesting in a solitary tree which grew in one of the courtyards inside the gaol walls. Like most of its kind, the pied starling displays little fear of man. The eggs of this species are a beautiful pale blue. Blue is the hue of the eggs of all species of myna. The fact that, notwithstanding its open nest, the eggs of the pied myna do not differ in colour from those of its brethren which nestle in holes, is one of the facts that the field naturalist comes across daily which demonstrate how hopelessly wrong is the Wallaceian view of the meaning of the colours of birds’ eggs.

Most myna species breed early in the hot weather, but the pied mynas always wait until it rains for the first time before they start building their nests. Colonel Cunningham suggests that this is because, unlike other birds that nest in holes, the pied mynas build their nests in trees and need the green leaves that come with the rain to protect their nests. If the nest of the pied myna were a neatly made cup, this idea might hold some weight, but no amount of greenery could hide the large pile of straw and junk that makes up the nest for this species. Pied mynas depend on their aggressive nature, not concealment, to keep their nests safe. A list of the various materials used by nesting Sturnopastors would include almost everything that is both portable and flexible: feathers, rags, twigs, moss, grass, leaves, paper, bits of string, rope and cotton, hay, and pieces of shed snake skin are the most commonly used materials. The nest is usually not placed very high up; sometimes it's in a low tree. Once, during the rainy season while visiting the jail in Gonda, I saw a pair of pied mynas nesting in a solitary tree that grew in one of the courtyards inside the jail walls. Like most of their kind, the pied starling is not very afraid of humans. The eggs of this species are a beautiful pale blue, which is the color of all myna eggs. The fact that, despite their open nest, the eggs of the pied myna do not differ in color from those of other mynas that nest in holes is one of those daily observations that show how completely misguided the Wallaceian view is regarding the colors of birds' eggs.

[202]


XXXVI
A BIRD OF THE OPEN PLAIN

It is the fashion for modern writers of books on ornithology to divide birds according to the localities they frequent, into birds of the garden, birds of the wood, birds of the meadow, birds of the waterside, etc. The chief drawback to such a system of classification, which is intended to simplify identification, is that most birds decline to limit themselves to any particular locality.

It’s common for today’s writers on ornithology to categorize birds based on the places they inhabit, like garden birds, woodland birds, meadow birds, waterside birds, and so on. The main issue with this classification method, which aims to make identification easier, is that most birds don’t stick to any specific area.

There are, however, some species which are so constant in their habits as to render it possible to lay down the law regarding them and to assert with confidence where they will be found. Of such are the finch-larks. I have never seen a finch-lark anywhere but on an open uncultivated plain or in fields that happen to be devoid of crops.

There are, however, some species that are so consistent in their behavior that it's possible to make clear predictions about where they can be found. Finch-larks are one such example. I've only ever seen a finch-lark in open, uncultivated plains or in fields that lack crops.

Any person living in India may be tolerably certain of making the acquaintance of the ashy-crowned finch-lark (Pyrrhulauda grisea) by repairing to the nearest open space outside municipal limits.

Any person living in India can be pretty sure they'll encounter the ashy-crowned finch-lark (Pyrrhulauda grisea) by heading to the nearest open area beyond the city limits.

The finch-lark is a dumpy, short-tailed bird, considerably smaller than a sparrow. Having no bright colours in its plumage, it is not much to look at, but [203] it makes up by its powers of flight for that which it lacks in form and colour.

The finch-lark is a chunky, short-tailed bird, much smaller than a sparrow. It doesn't have any bright colors in its feathers, so it’s not very eye-catching, but [203] it compensates for its lack of shape and color with its impressive flying capabilities.

The finch-larks found in India fall into two genera, each of which is composed of two species.

The finch-larks in India belong to two genera, and each one has two species.

The commonest species is that mentioned above—the ashy-crowned or, as Jerdon calls it, the black-bellied finch-lark.

The most common species is the one mentioned above—the ashy-crowned or, as Jerdon refers to it, the black-bellied finch-lark.

In the genus Pyrrhulauda the sexes differ much in appearance, while in the allied genus, Ammomanes, the cock is indistinguishable from the hen.

In the genus Pyrrhulauda, males and females look quite different, while in the related genus, Ammomanes, the male is indistinguishable from the female.

As the habits of these two genera are alike in all respects, they afford an instance of the futility of attempting, as some do, to account for the phenomenon of sexual dimorphism by alleging that the habits of the dimorphic species differ from those of the monomorphic species. When species A lives in the same locality as species B, nests at the same season, builds the same kind of nest, and when both feed and fly in the same manner, it should be obvious to every person not obsessed by a pet theory that natural selection cannot have had much to do with the fact that, whereas in species A the sexes are alike, in species B they differ. But, as we shall see, finch-larks would almost seem to have been created expressly to upset present-day zoological theories.

Since the habits of these two genera are completely similar, they show how pointless it is for some to try to explain sexual dimorphism by claiming that the behaviors of dimorphic species differ from those of monomorphic species. When species A and species B coexist in the same area, nest at the same time, build identical nests, and share similar feeding and flying habits, it should be clear to anyone not fixated on a personal theory that natural selection likely hasn't played a significant role in why species A has similar-looking sexes, while in species B, they look different. However, as we will explore, finch-larks seem almost designed to challenge modern zoological theories.

Well might one say to the indoor naturalist, who sits in his chair and theorises, “Go to the finch-lark, thou sluggard, consider her ways, and be wise.”

Well might one say to the indoor naturalist, who sits in his chair and theorizes, “Go to the finch-lark, you sluggard, observe her ways, and be wise.”

The cock Pyrrhulauda grisea is an ash-coloured bird with a short brown tail, and very dark brown, practically black, chin, breast, and abdomen. The [204] cheeks are whitish, as are the sides of the body; but these are separated by a black bar, so that the bird has stamped on its breast a black cross. There is also a black or very dark brown bar that runs from the chin through the eye. The hen is an earthy-brown bird, the plumage being tinged with grey above and reddish below. There is nothing peculiar in her colouring. But for her size, she might pass for a hen sparrow. The colouring of the cock, however, is very remarkable. Almost every bird in existence, which is not uniformly coloured, is of a much lighter hue below than above. In the cock finch-lark this relation is reversed. I cannot call to mind any other Indian bird, unless it be the cock brown-backed robin (Thamnobia cambaiensis), in which this phenomenon occurs. Moreover, the arrangement of colour—dark above and pale below—is not confined to birds, but runs through nearly the whole of the animal kingdom. So much so that Mr. Thayer asserts that the phenomenon is a striking example of protective colouration. The fact that a bird or mammal is darker in hue above than below renders it less conspicuous than it would be were it coloured alike all over, since the pale under parts tend to counteract the effects of light and shade. A few creatures, as, for example, the skunk in America, are darker below than above. These are usually cited as examples of warning colouration. The skunk, as everyone knows, is able when attacked to eject a very fœtid and blinding excretion, so that very few animals prey upon it. Consequently, the light-coloured back and the erect tail are supposed to act as danger signals [205] to its fellow-creatures. However, there are a number of nocturnal mammals, such as our Indian ratel (Mellivora indica), of which the fur is light-coloured above and dark below. These cannot be examples of warning colouration. The same must be said of the inoffensive little finch-lark, with its dark under parts.

The male Pyrrhulauda grisea is a grayish bird with a short brown tail, and its chin, breast, and abdomen are very dark brown, nearly black. The cheeks and sides of its body are whitish, but these are separated by a black bar, creating a black cross on its chest. There’s also a black or very dark brown stripe that goes from the chin through the eye. The female is a brown bird, with grayish tones on top and reddish ones below. There’s nothing unusual about her coloring. If it weren't for her size, she could easily be mistaken for a female sparrow. The male's coloring, however, is quite striking. Most birds that aren’t a single color tend to be lighter underneath than on top. In the male finch-lark, this pattern is reversed. I can’t think of any other Indian bird, except maybe the male brown-backed robin (Thamnobia cambaiensis), that shows this phenomenon. Additionally, the pattern of darker colors on top and lighter underneath isn’t limited to just birds; it’s found in nearly all of the animal kingdom. Mr. Thayer claims that this pattern is a clear example of protective coloration. The fact that a bird or mammal is darker on top than on the bottom makes it less noticeable than if it were the same color all over, since the lighter underparts help lessen the impact of light and shadow. A few animals, like the skunk in America, are darker on the bottom than on top. These are often cited as examples of warning coloration. Everyone knows that when threatened, the skunk can release a very foul and blinding spray, so few animals prey on it. Therefore, its light-colored back and raised tail signal danger to other creatures. However, there are several nocturnal mammals, such as the Indian ratel (Mellivora indica), that have lighter fur on top and darker fur underneath. These can’t be examples of warning coloration either. The same goes for the harmless little finch-lark with its dark underparts.

The fact that there exist so few creatures of which the under parts are of darker hue than the upper parts must, I think, be attributed to two causes. The first is that few species ever vary in that manner; the tendency is all the other way. The second is that such rare variations, when they do occur, are in most cases not conducive to the welfare of the individual, since they tend to make it conspicuous to its foes or its quarry. In certain cases, however, as in that of creatures like the shunk, which are not preyed upon, or that of nocturnal animals, the possession of dark under parts does not affect the chances of the possessor in the struggle for existence. So this variation has not been eliminated by natural selection. This, I believe, is the case with the finch-lark. The bird has very short legs, so that when it is on the ground its black under parts are scarcely visible even to a human being walking on the ground, and certainly would not be seen by a bird of prey flying overhead. My experience is that the cock finch-lark is not more conspicuous than the hen. Both, when they alight on a ploughed field, are lost to human sight until they move.

The fact that so few creatures have darker underparts than their upper parts can be attributed to two reasons. First, few species actually change in that way; generally, the opposite is true. Second, when these rare variations happen, they usually aren't beneficial for the individual, as they tend to make it more noticeable to predators or prey. However, in some cases—like with animals such as the skunk, which aren’t hunted, or nocturnal creatures—having dark underparts doesn’t impact their survival chances. So, this variation hasn’t been eliminated by natural selection. I believe this applies to the finch-lark. The bird has very short legs, so when it’s on the ground, its black underparts are hardly visible even to a person walking by, and they definitely wouldn’t be seen by a bird of prey flying overhead. In my experience, the male finch-lark isn’t more noticeable than the female. Both are pretty much invisible to humans when they land on a ploughed field until they move.

I believe finch-larks feed exclusively on the ground. I have not seen one perch in a tree. What they live [206] upon I do not know. The books do not tell us, and I have never had the heart to shoot one of these small birds in order to find out. But whatever their food consists of, the search for it leaves finch-larks plenty of leisure, much of which they spend after the manner of the skylark clan. Suddenly one of these birds will jump into the air, and rise almost perpendicularly by vigorous flappings of its powerful little wings. Having reached an altitude of from twenty to forty feet, its habit is to close its pinions and drop, head foremost, like a stone. Just before it reaches the ground, it checks its flight and again soars upwards. Often while disporting themselves in the air these birds display strange antics, twisting and turning about much as the common fly does. After amusing themselves for some time in this manner, the pair will take to their wings in real earnest, and fly off to a spot a quarter of a mile or more away, and there drop to the ground and begin feeding.

I think finch-larks only eat on the ground. I’ve never seen one sit in a tree. I don’t know what they eat. The books don’t say, and I’ve never had the heart to shoot one of these little birds to find out. But whatever their diet is, looking for food gives finch-larks plenty of free time, much of which they spend like the skylark family. Suddenly, one of these birds will leap into the air and rise almost straight up, flapping its strong little wings vigorously. Once it reaches an altitude of twenty to forty feet, it usually folds its wings and drops, headfirst, like a stone. Just before hitting the ground, it stops its fall and soars back up. While having fun in the air, these birds often act in strange ways, twisting and turning like a common fly. After playing around for a while, the pair will take flight seriously and head off to a spot a quarter of a mile or more away, where they land and start eating.

Finch-larks, like skylarks, nest on the ground. According to Hume, they have two broods, one in February or March, and the other in July or August. The nest, which consists of a small pad of dried grass and fibres, is usually placed in some depression on the ground; a hoof-print is considered an especially suitable site. As the bird sits very close, the nest is not easy to find. But when flushed the hen generally flies straight off the nest without first running along the ground; thus, if the spot from which the bird gets up be carefully marked, the nest ought to be found without much difficulty.

Finch-larks, like skylarks, nest on the ground. According to Hume, they typically have two broods—one in February or March and the other in July or August. The nest, which is a small pad made of dried grass and fibers, is usually situated in a depression on the ground; a hoof-print is considered an especially good location. Since the bird stays very close to the nest, it can be hard to spot. However, when disturbed, the hen usually flies straight off the nest without running along the ground first; so, if you carefully mark the spot where she takes off, you should be able to find the nest without too much trouble.

[207]

Finch-larks sometimes entertain queer notions as to what constitutes a desirable nesting site. At Futtehgarh Mr. A. Anderson once found a nest “in the centre of a lump of cow-dung, which must have been quite fresh when some cow or bullock ‘put its foot in it.’” “As the foot-print,” writes Mr. Anderson, “had not gone right through to the ground, I was enabled to remove the lump of dung without in any way hurting the nest. White ants had left their marks all over the dry dung, so that detection was almost impossible: it was altogether the most artfully concealed nest I have ever seen.” Scarcely less objectionable, from the human point of view, was the site of the finch-lark’s nest found at Etawah by Hume, namely, on the railway line, amongst the ballast between the rails. “When we think,” says Hume, “of the terrible heat glowing from the bottom of the engine, the perpetual dusting out of red-hot cinders, it seems marvellous how the bird could have maintained her situation.” Verily, there is no accounting for taste! Two eggs are laid, which are like miniature lark’s eggs.

Finch-larks sometimes have strange ideas about what makes a good nesting spot. In Futtehgarh, Mr. A. Anderson once discovered a nest “in the middle of a clump of cow dung, which had to be quite fresh when some cow or bullock 'stepped in it.'” “Since the footprint,” Mr. Anderson writes, “hadn't gone all the way through to the ground, I was able to remove the clump of dung without hurting the nest at all. Termites had left their marks all over the dry dung, making it nearly impossible to spot: it was definitely the most cleverly hidden nest I've ever seen.” Almost as unacceptable, from a human perspective, was the nesting site of the finch-lark found at Etawah by Hume, which was located on the railway line, among the gravel between the tracks. “When we think,” says Hume, “of the intense heat radiating from the bottom of the engine, along with the constant exposure to red-hot ashes, it's remarkable how the bird could have held her ground.” Truly, there’s no accounting for taste! Two eggs are laid, resembling tiny lark’s eggs.

The other species of finch-lark found in South India is Ammomanes phœnicura, the rufous-tailed finch-lark. This, as its name indicates, has a reddish tail. The rest of the plumage is brown. The sexes are alike. Its habits are those of the ashy-crowned species. I have not observed it in the vicinity of Madras.

The other type of finch-lark found in South India is Ammomanes phœnicura, the rufous-tailed finch-lark. As its name suggests, it has a reddish tail. The rest of its feathers are brown. Males and females look the same. Its behavior is similar to that of the ashy-crowned species. I haven’t seen it around Madras.

[208]


XXXVII
BIRDS IN THE COTTON TREE

Lack of green grass and the paucity of wild flowers are the chief of the causes which render the scenery of the plains of India so unlike that of the British Isles. India, not being blessed with frequent showers, the sine qua non of flower-decked, verdant meadows, has to be content with a xerophilous flora. But there is in this country some compensation for the lack of flowers of the field in the shape of flowering shrubs and trees. Among the most conspicuous of these is the cotton tree (Bombax malabaricum). This tree is not an evergreen. It loses its leaves in winter, and before the new foliage appears the flowers burst forth—these may be bright red or golden yellow. As they are larger than a man’s fist, and appear while the branches are yet bare, a cotton tree in flower is a very conspicuous and beautiful object. But it is of the feathered folk that visit this tree that I would write, not of the splendour of its blossom. Even before the March sun has risen and commenced to dispel the pleasant coolness of the night the cotton tree is the scene of riot and revelry. Throughout the morning hours, as the burning sun mounts higher and higher in the hard blue sky, the revelry [209] continues. It may, perhaps, cease for a time during the first two hours after noon, when the wind blows like a blast from a titanic furnace. But it soon recommences, and not until the sun has set in a dusty haze, and the harsh clamours of the spotted owlets (Athene brama) are heard, does the noisy assembly of brawlers leave the tree in peace.

The lack of green grass and the scarcity of wildflowers are the main reasons why the scenery of the plains of India differs so much from that of the British Isles. India, not being blessed with frequent rain—the essential element for flower-filled, green meadows—has to settle for a dry-loving flora. However, this country offers some compensation for the absence of field flowers in the form of flowering shrubs and trees. One of the most striking among these is the cotton tree (Bombax malabaricum). This tree isn't an evergreen; it sheds its leaves in winter, and before the new leaves come in, the flowers bloom—these can be bright red or golden yellow. Since they are larger than a man's fist and appear while the branches are still bare, a cotton tree in bloom is a remarkable and beautiful sight. But what I want to focus on is the birds that visit this tree, not the beauty of its flowers. Even before the March sun rises and starts to chase away the pleasant coolness of the night, the cotton tree becomes a scene of chaos and celebration. Throughout the morning, as the scorching sun climbs higher in the clear blue sky, the merriment continues. It might pause for a bit during the first couple of hours after noon when the wind blows like a blast from a gigantic furnace. But soon enough, it starts up again, and not until the sun has set in a dusty haze and the harsh calls of the spotted owlets (Athene brama) can be heard does the noisy crowd of rowdy birds leave the tree in peace.

The cause of all the revelry is this. The nectar which the great red flowers secrete is to certain birds what absinthe is to some Frenchmen. First and foremost, amongst the votaries of the silk-cotton tree are the rose-coloured starlings (Pastor roseus). During the winter months these birds are not a conspicuous feature of the India avifauna, for they do not then go about in great flocks. But from the time the cotton tree is in blossom until the grain crops are cut, the rosy starlings vie with the crows in obtruding themselves upon the notice of human beings in Northern India. You cannot ride far in the month of March without hearing these birds. Their clamour is truly starling-like; they produce that curious harsh sibilant sound which is so easy to recognise, but so difficult to describe, that noise which Edmund Selous calls a murmuration, and which the countryfolk at home term a “charm,” meaning, as Richard Jefferies expresses it, “a noise made up of innumerable lesser sounds, each interfering with the other.”

The reason for all the celebration is this. The nectar that the big red flowers produce is for certain birds what absinthe is for some Frenchmen. Leading the followers of the silk-cotton tree are the rosy starlings (Pastor roseus). During the winter months, these birds aren’t very noticeable in India because they don’t travel in large flocks. But from the time the cotton tree blooms until the grain harvest, the rosy starlings compete with the crows to get the attention of people in Northern India. You can’t go far in March without hearing these birds. Their noise is definitely starling-like; they make that peculiar harsh hissing sound that’s easy to recognize but hard to describe, the sound that Edmund Selous refers to as a murmuration, and which the country folks at home call a “charm,” meaning, as Richard Jefferies puts it, “a noise made up of countless smaller sounds, each interfering with the other.”

Look in the direction whence the sound issues and a blaze of scarlet will meet the eye; it is amid this that the rosy starlings are calling, for where the silk-cotton tree is in bloom there are these birds certain to be.

Look towards the direction the sound is coming from, and you'll see a burst of red; it's here that the rosy starlings are calling, because wherever the silk-cotton tree blooms, these birds are sure to be.

[210]

Approach the tree and look carefully into it; you will see it thronged with birds, mainly rosy starlings. Conspicuously arrayed though these birds are, it is not easy, unless they move, to distinguish them among the red petals and dark calyces. Pastors that are not dipping their heads into the red shuttlecock-like flowers are all either scolding one another or making a joyful noise. They move about so excitedly and jostle one another so rudely as to give you the impression that they are somewhat the worse for liquor. This may not be so. It may be the natural behaviour of the rosy starlings, for they are always noisy and pugnacious. But they seem to be exceptionally so when in the silk-cotton tree. So eagerly do they plunge their beaks into the cup-like flowers, that these latter are frequently knocked off the stalk in the process. This is especially the case with those flowers that have begun to fade. The floral envelopes and the stamens of such are easily detached from the ovary.

Approach the tree and look closely at it; you'll see it filled with birds, mostly rosy starlings. Even though these birds stand out, it’s not easy to spot them among the red petals and dark calyxes unless they move. The starlings that aren't dipping their heads into the red, shuttlecock-like flowers are either scolding each other or making a joyful noise. They move around so energetically and bump into each other so roughly that you might think they're a bit tipsy. This might not be true. It could just be the natural behavior of the rosy starlings, as they are always loud and quarrelsome. But they appear to be especially lively when around the silk-cotton tree. They eagerly dive their beaks into the cup-like flowers, often knocking them off the stalk in the process. This happens frequently with flowers that have started to fade; the floral envelopes and stamens of these are easily detached from the ovary.

The rose-coloured starlings are by no means the only members of the clan which drink deeply of the nectar provided by this hospitable tree. Among the mob of brawlers are to be seen the common, the bank, and the Brahminy mynas, but there is this difference between these latter and their rose-coloured brethren; the former are only occasional visitors to the tree. They are moderate drinkers; they visit the public-house perhaps but once in the day, stay there a short time, and then go about their business. The rosy starlings carouse throughout the hours of daylight.

The rose-colored starlings aren’t the only ones in the family that enjoy the nectar from this welcoming tree. Among the group of loud birds, you can also find the common mynas, bank mynas, and Brahminy mynas, but there’s a difference between these and their rose-colored counterparts; the latter are only occasional visitors to the tree. They are light drinkers; they might stop by the pub just once a day, hang out for a little while, and then get back to their routines. The rosy starlings, on the other hand, party all day long.

Another habitué of the silk-cotton tree is the Indian [211] tree-pie (Dendrocitta rufa), the nearest approach we have to the magpie in the plains of India. His long tail and general shape at once stamp him as a magpie, but his colouring is, of course, very different; in place of a simple garment of black and white he exhibits black, chestnut-brown, silver, white, and yellow in his coat of many hues. You are not likely to see a crowd of tree-pies among the red blossoms, for the simple reason that the species is not gregarious; but in all localities where tree-pies exist you may be tolerably certain of seeing at least one of these birds at every flowering cotton tree. Tree-pies, be it noted, although widely spread in India, are apparently very capriciously distributed. For some reason which I have not been able to fathom they occur in the neighbourhood of neither Madras nor Bombay.

Another habitué of the silk-cotton tree is the Indian [211] tree-pie (Dendrocitta rufa), the closest thing we have to a magpie in the plains of India. Its long tail and overall shape clearly identify it as a magpie, but its colors are quite different; instead of just black and white, it shows off a mix of black, chestnut-brown, silver, white, and yellow in its colorful plumage. You probably won't see a bunch of tree-pies hanging around the red blossoms because they’re not social birds, but in every area where tree-pies are found, you can reasonably expect to spot at least one of these birds at each flowering cotton tree. It’s worth noting that, while tree-pies are widely found in India, they are oddly distributed. For some reason I haven't been able to figure out, they don’t appear in the areas around Madras or Bombay.

Needless to say, the crows join in the drinking bout. The corvi rarely wander far from the path of the transgressor. Fortunately for the starlings, the crows are not passionately fond of the secretion of the Bombax flowers. Did these last exercise so great an attraction for the crows as they do for starlings, the smaller birds would be crowded out by their larger rivals, and the Bombax tree would be black with squawking corvi. The crow drinks the nectar of the cotton tree as a man drinks liqueurs; the result is that rarely more than two or three crows are to be seen among the scores of starlings and mynas. The flowing bowl seems to have greater attractions for the corby (Corvus macrorhynchus) than for the house crow (C. splendens); but there is a reason which prevents the too frequent [212] visiting of the silk-cotton tree by the corbies, namely, that it comes into flower in March, which happens to be the nesting season of those birds.

Needless to say, the crows join in the drinking spree. The crows rarely stray far from the path of the wrongdoer. Fortunately for the starlings, the crows aren't particularly fond of the nectar from the Bombax flowers. If those flowers were as appealing to the crows as they are to starlings, the smaller birds would be pushed out by their bigger rivals, and the Bombax tree would be covered with noisy crows. The crow drinks the nectar of the cotton tree like a man enjoys liqueurs; as a result, you usually see only two or three crows among the dozens of starlings and mynas. The flowing bowl seems to attract the jungle crow (Corvus macrorhynchus) more than the house crow (C. splendens); however, there's a reason that the jungle crows don't visit the silk-cotton tree too often: it blooms in March, which is also the nesting season for those birds.

The above seven species are, so far as my observation goes, the only birds that make a habit of drinking at the blossom of the cotton tree. It would thus appear that the nectar has a very pronounced taste, and that, in consequence, birds either like it intensely or positively dislike it.

The seven species mentioned above are, based on my observations, the only birds that regularly drink from the blossoms of the cotton tree. This suggests that the nectar has a strong flavor, which means that birds either really enjoy it or strongly dislike it.

“Eha,” I am aware, states that many other birds frequent the cotton tree, for the sake of its good cheer, “the king crow, and even the temperate bulbul and demure coppersmith, and many another, and, here and there, a palm squirrel, taking his drink with the rest like a foreigner.” But did not “Eha” mistake the purpose for which these creatures visit the silk-cotton tree? A bird may be present without taking part in the revelry. The other day I was watching all the fun at one of these trees when suddenly a little coppersmith (Xantholæma hæmatocephala) came and perched on one of the bare spiny branches. He sat there motionless, as out of place as a Quaker would among a mob of bookmakers. Suddenly a rosy starling hustled him off his perch. But the coppersmith did not fly away; he merely hopped on to another branch, and then suddenly performed the vanishing trick. Had I not been watching him very closely I could almost have persuaded myself that he had melted into thin air. As it was, I saw him dive into a round opening—scarcely the size of a rupee—about two inches from the broken end of a dead branch, not as thick as a woman’s [213] wrist, at the very summit of the tree. The circular opening in question had been neatly cut by the coppersmith and its mate, and led to a hollow in which three white eggs were doubtless lying. These and not the nectar-bearing flowers were the attraction for the coppersmith.

“Eha,” I know, mentions that many other birds visit the cotton tree for its lively atmosphere, “the king crow, and even the mild-mannered bulbul and shy coppersmith, and many others, along with an occasional palm squirrel enjoying a drink with the crowd like a stranger.” But did “Eha” misinterpret why these creatures come to the silk-cotton tree? A bird might be there without joining in the festivities. Just the other day, I was observing all the excitement at one of these trees when suddenly a little coppersmith (Xantholæma hæmatocephala) came and landed on one of the bare spiny branches. He sat there still, as out of place as a Quaker would be among a group of bookmakers. Suddenly a rosy starling pushed him off his perch. But the coppersmith didn’t fly away; he simply hopped onto another branch and then suddenly vanished. If I hadn’t been watching him so closely, I might have convinced myself he melted into thin air. As it was, I saw him dive into a small hole—barely the size of a rupee—about two inches from the broken end of a dead branch, not thicker than a woman’s wrist, at the very top of the tree. The circular hole had been expertly carved by the coppersmith and his partner and led to a hollow where three white eggs were likely resting. These eggs, not the nectar-filled flowers, were what attracted the coppersmith.

[214]


XXXVIII
UGLY DUCKLINGS

Some people invariably look untidy. They seem to be nature’s misfits. All the skill of the tailor, all the art of the milliner, can make them nothing else. No matter how well-cut their garments be, these always hang about them in a ridiculous, uncouth manner. If the individual be a man, the upper part of his collar seems to exercise an irresistible attraction for his tie; if a woman, she presents an unfinished appearance about the waist, as often as not displaying an ugly hiatus in that region. Similar creatures are to be found among the beasts of the field and the birds of the air. There exist not a few feathered things whose plumage usually looks as though a thorough spring-cleaning, followed by a “wash and brush-up,” would do it a world of good. Chief among these are our well-known friends the babbler thrushes, alias the seven sisters, or seven brothers, as some will have it.

Some people always look disheveled. They seem to be nature’s outcasts. No matter how skilled the tailor or how talented the hat maker, it can't change that. Regardless of how well-fitted their clothes are, they always hang on them in a strange, awkward way. If the person is a man, the top part of his collar seems to attract his tie; if a woman, she often appears incomplete around the waist, sometimes showing an unattractive gap in that area. You can find similar beings among the animals in the fields and the birds in the air. There are quite a few feathered creatures whose feathers look like they could really use a deep clean, followed by a good grooming. Chief among these are our familiar friends the babbler thrushes, also known as the seven sisters or seven brothers, depending on who you ask.

Like most human beings who are careless of their personal appearance, these birds possess many good qualities. First and foremost of these is the love which they show one to another. They are brotherly affection [215] personified. Except for a very rare squabble over a tempting piece of food, the harmony of the brotherhood is never broken. What more striking testimony to this admirable quality can be offered than the popular designation of the bird? It is always one of seven; there is no word whereby the man in the street may express an individual alone without his comrades. Nor, indeed, does he require such a term, for it is impossible to think of the bird otherwise than as one of a company. Has anyone ever seen brother Number One, or brother Number Two, or brother any other number alone? I trow not. These birds invariably hunt in little societies; usually eight or ten elect to fight the battle of life shoulder to shoulder, and a very good fight they appear to make of it, if we may judge by their wide distribution and contented faces.

Like most people who don't pay much attention to their looks, these birds have many great qualities. The most important of these is the love they show for one another. They are the embodiment of brotherly affection. Aside from the rare squabble over a tempting piece of food, their brotherhood's harmony is never disturbed. What better proof of this admirable quality could there be than the bird's common name? It's always one of seven; there's no term for a lone bird without its friends. And honestly, such a term isn't needed, as it's impossible to think of the bird as anything other than part of a group. Has anyone ever seen brother Number One, or brother Number Two, or brother any other number by itself? I doubt it. These birds always hunt in small groups; usually, eight or ten gather to tackle life's challenges together, and they seem to do quite well at it, judging by their widespread presence and content expressions.

While upon the subject of the bird’s name it is as well to have the usual hit at the ornithologist. Just as the popular name is appropriate, so is the scientific one ridiculous. Crateropus canorus is a strange name for a bird whose note is a cross between the creak of a door with a rusty hinge and the squeak of a cart-wheel of which the axle needs oiling. Nature, by way of compensation, often endows a sombre-plumaged bird with a sweet voice, and keeps down the pride of a gorgeous fowl by ordaining that its voice shall be a hoarse croak. To the seven brothers, however, the wise dame has given two wooden spoons. Their raucous voice is in keeping with their dull plumage. When the honest little company are merely whispering [216] sweet nothings one to another, the stranger unacquainted with their habits is apt to think that they are angrily squabbling, and that bloodshed must inevitably follow. Such is the voice of the bird yclept “canorus” by the ornithologist.

While we're on the topic of the bird's name, it's a good moment to poke fun at the ornithologist. Just as the common name fits, the scientific one is pretty ridiculous. Crateropus canorus is a bizarre name for a bird whose sound is a mix between a creaky door with rusty hinges and a squeaky cartwheel that needs some oil. Nature often compensates by giving a dull-looking bird a beautiful song, while a brightly colored bird might have a harsh croak. However, the wise dame has given the seven brothers two wooden spoons. Their loud voice matches their dull feathers. When this honest little group is just whispering sweet nothings to each other, an outsider unfamiliar with their ways might think they’re in a heated argument and that a fight is about to break out. Such is the voice of the bird referred to as “canorus” by the ornithologist.

Linnæus appears to have given this species this name under the impression that it was the Indian equivalent of our English thrush, that it sat in mango trees and warbled most sweetly.

Linnæus seems to have named this species under the belief that it was the Indian version of our English thrush, sitting in mango trees and singing very sweetly.

Hodgson made a gallant attempt to give the species the more appropriate name “terricollor,” but he laboured in vain. The tyranny of the priority rule proved too much for him.

Hodgson made a brave effort to give the species a more fitting name, “terricollor,” but he worked in vain. The strict enforcement of the priority rule was too much for him.

Ornithological public opinion has decreed that as regards the specific names of birds the race is to the swift: the first name hurled at a bird, no matter how inappropriate, is to be retained. This rule was made in the hope of introducing some sort of order into the chaos of ornithological terminology. But, far from effecting this, it has called into existence a race of ornithological pettifoggers, who spend their time in rummaging about in libraries in the hope of discovering that some bird bears a name which was not the first to be given it. Such a discovery means another change in ornithological terminology. This is provocative of much unparliamentary language on the part of the naturalist, but gives the priority-hunter unalloyed pleasure.

Ornithological public opinion has decided that when it comes to the names of birds, the race goes to the swift: the first name thrown at a bird, no matter how wrong, is the one that sticks. This rule was created to bring some order to the chaos of bird naming. However, instead of achieving this, it has led to the rise of a group of ornithological nitpickers who spend their time digging around in libraries, hoping to find that a bird has a name that wasn’t the first assigned. Discovering such a thing results in another change in bird naming. This often sparks some strong reactions from naturalists, but it brings endless joy to those obsessed with prioritizing names.

Is it necessary for me to describe these misnamed babblers? Who is not familiar with the untidy creature, with his dirty-looking brownish-grey plumage, [217] relieved by a yellow beak and a white, wicked eye? Who has not laughed at the drooping wings, the ruffled feathers, and the disreputable tail of the birds? Yet the seven brothers lead happy, contented lives. They have always company, and plenty to occupy their minds. They are numbered among those who despise not small things: no insect is too tiny, no beetle too infinitesimal, no creeping thing too insignificant, to be eaten by these birds, so the little company of friends hops together along the ground from tree to tree, from shrub to shrub, searching every nook and cranny, turning over every fallen leaf in the most methodical way, seizing with alacrity everything it comes across in the shape of food. During the search for food the chattering never ceases. Now and again the birds will take to a tree and hop about its branches, talking louder than ever. In the early morning, before the air has lost its first crispness, they delight to play about the trees, flying in a crowd from one to another. Again, in the evening, just before bedtime, they love to gambol among the branches and jostle one another in the most good-tempered way.

Do I really need to describe these wrongly named chatterboxes? Who isn’t familiar with the scruffy creature, sporting his messy-looking brownish-grey feathers, accented by a yellow beak and a white, mischievous eye? Who hasn’t chuckled at the drooping wings, the fluffed-up feathers, and the shabby tail of these birds? Yet the seven brothers lead happy, fulfilling lives. They’re never alone and always have plenty to keep them busy. They belong to those who don’t look down on small things: no insect is too tiny, no beetle too minuscule, and no creeping creature too insignificant for these birds to eat. So, this little group of friends hops together on the ground, moving from tree to tree, from shrub to shrub, thoroughly exploring every nook and cranny, flipping over every fallen leaf in a systematic way, eagerly grabbing anything they find that resembles food. During their food search, the chatter never stops. Occasionally, the birds will hop up into a tree and flit around its branches, raising their voices even more. In the early morning, before the air loses its first crispness, they love to play around the trees, flying in a flock from one to another. Again, in the evening, just before bedtime, they enjoy frolicking among the branches and playfully bumping into each other in the friendliest way.

These birds have adopted the motto of the French Republic, and they practise what they preach. Liberty, equality, and fraternity are theirs. They form a true republic, a successful one because of the smallness of its numbers. What bird is so free as our seven brothers? They are not hedged in by the conventions of dress. “Eha” says that they remind him of “old Jones, who passes the day in his pyjamas.” Is this not the acme of freedom? They squeak, croak, hop, and [218] fly where they list; well might they be enrolled in the Yellow Ribbon Army, that noble band who eat what they like, drink what they like, say what they like, and do what they like.

These birds have taken on the motto of the French Republic, and they actually live by it. Liberty, equality, and brotherhood belong to them. They create a real republic, one that works well because of their small numbers. What bird is freer than our seven brothers? They aren’t restricted by the rules of fashion. “Eha” says they remind him of “old Jones, who spends the day in his pajamas.” Isn’t that the peak of freedom? They squeak, croak, hop, and fly wherever they want; they could easily be part of the Yellow Ribbon Army, that noble group who eat what they want, drink what they want, say what they want, and do what they want.

Of the fraternity of the little society we have already spoken. Of their equality there can be no room for doubt. They have no leader. Now brother Number Two, now brother Number Five moves on first, to be followed by his comrades. They seem all to fall in with the views of whoever for the moment takes the lead. There is much to be said for this form of life. It makes the birds, who are individually weak, bold. They have often hopped about outside my tent, jumping on to the ropes, and seeking food within a couple of inches of the chik on the other side of which I was standing. They seem to court the company of man. It is in the compound rather than the jungle that they abound. If one of the little company be attacked by a more powerful bird, his comrades come at once to his assistance. Some naturalists declare that they will go so far as to attack a sparrow-hawk, others say they will not. Probably both are right. All men are not equally brave, nor are all babbler thrushes equally bold. Even the bravest species has to confess to a Bob Acres or two. As a matter of fact, the brotherhood is not afforded many opportunities of displaying its valour, for it is rarely attacked. Birds of prey know better than to molest social birds; they are aware of the fact that it is difficult to elude sixteen or twenty watchful eyes, and even if this feat be accomplished there is always the fear of a stout resistance. The babbler [219] thrushes recall the good old days of ancient Rome when all were for the State and none for a party.

We've already talked about the little society's group. There's no doubt about their equality. They have no leader. Sometimes brother Number Two takes the lead, other times brother Number Five steps up, and the others follow along. They all seem to agree with whoever is leading at the moment. There are many advantages to this way of life. It empowers birds that are weak on their own and makes them bold. They've often hopped around outside my tent, jumping onto the ropes, and searching for food just inches away from the chik on the other side where I was standing. They seem to enjoy being around humans. They thrive more in the compound than in the jungle. If one of the group is attacked by a stronger bird, their friends immediately come to help. Some naturalists claim they will even attack a sparrow-hawk, while others disagree. Probably both are correct. Not everyone is equally brave, just as not all babbler thrushes are equally bold. Even the bravest species have their Bob Acres or two. In reality, the brotherhood doesn't get many chances to show their courage since they're rarely attacked. Birds of prey know better than to bother social birds; they realize it's tough to evade sixteen or twenty watchful eyes, and even if they succeed, there's always the risk of facing strong resistance. The babbler thrushes remind us of the good old days of ancient Rome when everyone was for the State and no one was for a party. [219]

The seven brothers are as indifferent to the appearance of their home as to that of their persons. The nest they construct is a rude structure, but some species of cuckoo think it quite good enough to lay eggs in.

The seven brothers care just as little about how their home looks as they do about their own appearances. The nest they build is a rough construction, but some types of cuckoo birds think it's perfectly fine for laying their eggs in.

[220]


XXXIX
BABBLER BROTHERHOODS

The Crateropus babblers, known variously as the Sath Bhai, seven sisters, or dirt birds, furnish perfect examples of communal life. So highly developed are their social instincts that a solitary babbler, or even a pair, is a very unusual sight. They do not congregate in large flocks; from six to fourteen usually constitute a brotherhood, eight, nine, or ten being, perhaps, the commonest numbers. There is no truth in the popular idea that they always go about in flocks of seven. Sir Edwin Arnold recognised this when he wrote of “the nine brown sisters chattering in the thorn.”

The Crateropus babblers, also called the Sath Bhai, seven sisters, or dirt birds, are great examples of community living. Their social instincts are so well developed that seeing a single babbler or even just a pair is quite rare. They don’t gather in large groups; typically, a group consists of six to fourteen birds, with eight, nine, or ten being the most common. The common belief that they always travel in groups of seven is not true. Sir Edwin Arnold pointed this out when he described “the nine brown sisters chattering in the thorn.”

Notwithstanding the fact that babblers are among the commonest birds in India, there is much to be discovered regarding the nature of their flocks. The raison d’étre of these flocks is not far to seek. One has but to observe the laboured flight of a babbler to appreciate how easy a mark he is to a bird of prey. The strength of the babbler lies in his clan. Eight or ten pairs of eyes are superior to one. A party of seven sisters is not often caught napping. The incessant squeaking, and screeching, and wheezing indulged in [221] by each member keep them all in touch with one another. Then, in time of danger, it is good to see how they combine to drive off the hawk-cuckoo (Hierococcyx varius) which victimises them, and which they undoubtedly mistake for a species of raptorial bird.

Despite being one of the most common birds in India, there's still a lot to learn about the nature of babbler flocks. The reason these flocks exist is pretty clear. Just watch a babbler trying to fly to understand how easy it is for a predator to catch it. The babbler's strength comes from its group. Eight or ten pairs of eyes are better than one. A group of seven sisters is rarely caught off guard. The constant squeaking, screeching, and wheezing from each member keeps them all connected. Then, when danger strikes, it's impressive to see how they come together to fend off the hawk-cuckoo (Hierococcyx varius) that preys on them, which they likely mistake for a type of raptor.

But their clannishness does not shelter them from all tribulation. They are the dupes of the hawk-cuckoo, and they sometimes fall victims to birds of prey. A few weeks ago I had occasion to visit a friend, who was unwell and confined to his bungalow. I found him sitting in the verandah. While greeting him I heard a great clamour of scolding babblers (Crateropus canorus) emanating from a neem tree hard by. I had come just too late to witness a little jungle tragedy. There was a babbler’s nest containing young in that tree. A pair of rascally crows had discovered the nest, and one of them attacked it; the babbler in charge, with splendid courage, went out to meet his big antagonist, who promptly turned tail and fled, pursued by the screeching babbler. This left the nest open to the other crow, who carried off a young bird. When I arrived, the victims of the outrage were swearing as only babblers and bargees can, and making feints at the crows.

But their tight-knit community doesn't protect them from all troubles. They're tricked by the hawk-cuckoo, and sometimes they become targets for predators. A few weeks ago, I went to visit a friend who was sick and stuck in his bungalow. I found him sitting on the porch. While I greeted him, I heard a loud commotion of scolding babblers (Crateropus canorus) coming from a nearby neem tree. I had just missed a little drama in the wild. There was a babbler's nest with young ones in that tree. A pair of sneaky crows had found the nest, and one of them attacked it; the babbler on guard bravely faced off against the larger opponent, which quickly ran away, chased by the yelling babbler. This left the nest vulnerable to the other crow, which snatched away a young bird. When I got there, the victims were cursing like only babblers and bargees can, and making false charges at the crows.

It is thus obvious why these clubs, or brotherhoods, have been formed, but we are almost altogether in the dark as to how they are formed, as to their nature and constitution. We do not even know what it is that keeps them apparently so constant in size. It is even a disputed point whether these little companies persist throughout the year, or disband at the nesting season. [222] As to the nature of the companies, Colonel Cunningham maintains that they are family parties. This view is, however, untenable, unless we assume that the seven sisters are polygamists or polyandrists, because three or four is the normal number of eggs laid, so that if each little gathering were a family party, it should consist of not more than six members. The flocks are too large to be made up of mother, father, and children, and usually too small to be two such families.

It’s clear why these clubs or groups have been created, but we really don’t understand how they come together, what they’re like, or how they’re structured. We don’t even know what keeps their numbers seemingly stable. It’s also debated whether these small groups last throughout the year or break apart during nesting season. [222] Regarding the nature of these groups, Colonel Cunningham argues that they are family units. However, this argument doesn’t hold up unless we think that the seven sisters are either polygamists or polyandrists, since the typical number of eggs laid is three or four. If each gathering were a family unit, it should have no more than six members. The flocks are too large to be just a mother, father, and their kids, and usually too small to include two such families.

There is at present living in the compound of the Allahabad Club a company consisting of, I think, eight babblers. Seven are adults, and one is quite a child. This last goes about with its elders, every now and again flapping its wings, opening wide its yellow mouth, and calling for food. A day or two ago it took up a position within a few feet of my door, so that I was able to watch it closely through the chik. I saw one of the company come up with a grub in its bill, which it, with due ceremony, put into the young bird’s “yellow lane.” Having fed the youngster, it began rummaging about in the grass near by. Shortly afterwards a second babbler came up to the young one, bringing a caterpillar. This particular individual carried his (or her, for I don’t pretend to be able to sex a babbler at sight) tail askew. That organ protruded from under the left wing, instead of projecting between the wings, as is usual with tails—babblers, like actors and artists, affect a careless style of dress. Having delivered up its caterpillar to the clamorous youngster, it hopped away. I kept my eye carefully upon both it and the bird I had first seen bring food. In a few seconds [223] a third babbler came up and presented a caterpillar to the baby brown sister. Now, I submit that this can only mean that babblers are not monogamous, or that they nest in common sometimes, or, so close are the ties that bind the members of the little company that each feeds both his own offspring and those of his brethren. Personally, I am inclined to think that babblers are monogamous. That the same nest is sometimes used by more than one pair seems to be established by the fact that there are cases on record of nests containing as many as eight eggs, or young ones. This, however, is not a usual occurrence, and it is my belief that the members of the club are so greatly attached to one another that they look upon each infant as common property. Hume quotes Mr. A. Anderson as saying: “During the months of September and October I have observed several babblers in the act of feeding one young Hierococcyx varius (the brain-fever bird or hawk-cuckoo, which, as we have seen, is parasitic on babblers) following the bird from tree to tree, and being most assiduous in their attentions to the young interloper.” This observation, I submit, supports the view that each member of the flock takes a personal interest in the offspring of other members, even though it be spurious!

Right now, there’s a group living in the compound of the Allahabad Club consisting of, I think, eight babblers. Seven are adults, and one is just a little one. This young bird hangs out with its elders, occasionally flapping its wings, opening its bright yellow mouth, and begging for food. A day or two ago, it positioned itself a few feet from my door, allowing me to watch it closely through the chik. I saw one of the adults approach with a grub in its beak, which it, with all due ceremony, placed into the young bird’s “yellow lane.” After feeding the little one, it started rummaging through the grass nearby. Shortly after, a second babbler arrived with a caterpillar. This particular bird had its (or her, since I can't identify the sex of a babbler on sight) tail askew. The tail stuck out from under the left wing instead of between the wings, which is how it usually is—babblers, like actors and artists, prefer a laid-back style of dress. After delivering the caterpillar to the hungry youngster, it hopped away. I kept my eye on both this bird and the one I had first seen bringing food. In just a few seconds, a third babbler came up and presented a caterpillar to the baby brown sibling. Now, I suggest that this can only mean that babblers are not monogamous, or that they sometimes nest communally, or, considering how closely bonded the members of this little group are, that each one takes care of both its own young and those of its friends. Personally, I think babblers are monogamous. The fact that more than one pair sometimes uses the same nest seems backed up by the recorded cases of nests containing as many as eight eggs or young birds. However, this isn't common, and I believe that the club members are so closely connected that they see each baby as communal property. Hume quotes Mr. A. Anderson saying: “During September and October, I’ve noticed several babblers feeding one young Hierococcyx varius (the brain-fever bird or hawk-cuckoo, which, as we have seen, is parasitic on babblers), following the bird from tree to tree, and being very attentive to the young intruder.” This observation, I propose, supports the idea that every member of the flock takes a personal interest in the offspring of others, even if they aren't really theirs!

Thus we may take it that these gatherings are not family parties, but rather of the nature of clubs. The question, then, arises: What determines the membership of these clubs? At present our knowledge of the ways of these common birds is not sufficient to enable us to frame a satisfactory reply. It is even [224] an open question whether or not these clubs break up at the breeding season, or whether the nesting birds still continue to seek food in company. Colonel Cunningham declares that during April and May babblers “cease to go about in parties, and pairs of them are everywhere busily occupied in nesting.” Jerdon, on the other hand, states that the parties persist throughout the breeding season. I feel sure that Jerdon is right. No matter where one is stationed, parties of babblers are to be seen at all seasons of the year. From this, of course, it does not necessarily follow that the nesting birds do not forsake their brethren, at any rate for a time. It is probable, nay certain, that all the members of a flock do not pair and nest simultaneously. The breeding season extends at least from March to July. But the fact that there is quite a baby bird in the babbler brotherhood that dwells in the compound of the Allahabad Club seems to indicate that the nesting birds continue to find their food in company. There is no reason why they should not, for babblers neither migrate nor wander far afield.

So, we can conclude that these gatherings aren’t family get-togethers but are more like clubs. This brings up the question: What decides the membership of these clubs? Right now, our understanding of these common birds isn’t enough to give a clear answer. It’s even an open question whether these clubs break up during the breeding season or if the nesting birds still look for food together. Colonel Cunningham says that in April and May, babblers “stop moving in groups, and pairs are everywhere busy with nesting.” On the other hand, Jerdon says that the groups continue throughout the breeding season. I’m confident that Jerdon is correct. No matter where you are, you can see groups of babblers all year round. However, this doesn’t necessarily mean that the nesting birds don’t temporarily leave their flock. It’s likely that not all members of a flock pair up and nest at the same time. The breeding season lasts at least from March to July. However, the fact that there’s a baby bird in the babbler group that lives in the compound of the Allahabad Club suggests that the nesting birds continue to find food together. There’s no reason they shouldn’t, since babblers neither migrate nor wander far from their home base.

But the question arises: What happens to the young birds when they are grown up? If they attached themselves to the existing flocks, these would tend to increase in size, and sometimes, at any rate, we should see an enormous assembly. So far as one’s casual observation goes, the flocks keep constant in number throughout the year. It is, of course, quite possible that casual observation leads one astray in this case. Any person interested in the subject, who has a more or less fixed abode, would do some service to ornithology [225] if he would make a point of looking out for babbler clubs, and endeavouring to count the members of each, and keep a record of the results, with the date of each census. I am aware that it is not easy to count accurately a babbler club, for its members are always on the move, and odd birds are apt to pop out of unexpected places. But even rough figures, if they extended to a number of flocks, would, being all liable to the same error, prove fairly accurate as regards averages. Such observations, if they were to extend over a year, might lead to some interesting results. They would almost certainly show a reduction of numbers during the summer months, when nesting operations were in progress, but would this be followed by a considerable rise later in the year? If so, it would seem to indicate that some, at any rate, of the young ones attached themselves permanently to the flock in which they were born.

But the question is: What happens to the young birds when they grow up? If they join the existing flocks, those flocks would likely get bigger, and sometimes we’d see a huge gathering. From casual observations, the number of flocks seems to stay consistent throughout the year. However, it’s possible that casual observation could be misleading in this case. Anyone interested in the topic, who has a somewhat fixed home, could really contribute to ornithology [225] if they made it a point to look for babbler groups, try to count how many members each has, and keep a record of the results along with the date of each count. I know it’s challenging to accurately count a babbler group since its members are always on the move, and some birds can pop up from unexpected places. But even rough estimates, if they covered several flocks, would likely be fairly accurate on average due to the same potential errors involved. If these observations lasted over a year, they could lead to some interesting findings. They would probably show a drop in numbers during the summer months when nesting is happening, but would that be followed by a significant increase later in the year? If so, it would suggest that at least some of the young birds stay with the flock they were born into.

A somewhat more elaborate experiment which might yield interesting results would be to trap a whole “school” of babblers; they might be captured while asleep. After a piece of coloured material had been tied round the leg of each, every bird being decorated by a different colour, the irate sisters would be restored to liberty. Then it might be possible to follow the fortunes of each separate bird, and learn whether a given flock is always made up of the same individuals, whether they practise exogamy or favour endogamy, and a hundred and one other interesting facts relating to the vie intime of the brown sisters. I use the word “might” advisedly. For alas! bitter experience [226] has taught me that, more often than not, the most cunningly devised ornithological experiments yield no definite results. It is quite possible that the club of babblers thus captured and decorated with gay colours might flee from the neighbourhood in wrath and terror. The birds would not understand the why and the wherefore of the proceeding, and might, perhaps, think that you were going to make a practice of catching them every night and tying things round their limbs. A bird whose leg has been pulled once is apt to be twice shy.

A somewhat more detailed experiment that could produce interesting results would be to capture an entire "school" of babblers; they could be caught while they're asleep. After tying a piece of colored material around the leg of each one, with every bird sporting a different color, the annoyed sisters would be released. Then it might be possible to track the experiences of each individual bird and find out if a particular flock is always made up of the same members, whether they practice exogamy or prefer endogamy, and a hundred other intriguing facts related to the vie intime of the brown sisters. I use the word “might” deliberately. Sadly, bitter experience has taught me that, more often than not, even the most cleverly designed ornithological experiments yield no clear results. It's quite possible that the group of babblers captured and adorned with bright colors might flee from the area in anger and fear. The birds wouldn't understand the reasons behind it and might think you were going to routinely catch them every night and tie things around their limbs. A bird that’s been captured once tends to be cautious the next time.

[227]


XL
THE MAD BABBLER

The seven sisters (Crateropus canorus), which occur in every garden in India, are veritable punchinellos, so much so that schoolboys in the Punjab always call them “mad birds.” But nature is not content with having produced these. So readily does the babbler clan lend itself to the humoresque, that from it has been evolved the large grey babbler (Argya malcomi), a species even more comic than the noisy sisterhood. This is the Verri chinda, the mad babbler of the Telugu-speaking people. Pull the tail out of one of the seven sisters, and insert in its place another, half as long again, with the outer feathers of conspicuously lighter hue than the median ones, then brush up the plumage of the converted sister, and you will have effected a transmutation of species, turned a jungle babbler into a large grey one. This latter species has a wide range, but is capricious in its distribution. It does not, I believe, occur in the neighbourhood of the city of Madras, but is abundant in some parts of South India. The habits of this species seem to vary with the locality. In the south it appears to shun the madding [228] crowd; in the north it frequents gardens and loves to disport itself in the middle of the road, and is in no hurry to get out of the way of the pedestrian or the cyclist. Probably many a large babbler has, owing to its tameness, succumbed to the motor-car. Bold spirits, such as the little striped squirrel, which take a positive delight in experiencing a series of hair-breadth escapes, suffer considerably when a new and speedier conveyance is introduced into a locality. They have learned by experience how close to the inch they may with safety allow the ordinary vehicle to approach before they skedaddle, and it takes time for them to discover that with a speedier vehicle a larger margin must be allowed. The little Indian squirrel has not yet learned to gauge the pace of the motor-car. Recently I counted five of their corpses on the road between Agra and Fatehpur Sikri, which is much frequented by motor-cars.

The seven sisters (Crateropus canorus), found in every garden in India, are true clowns, so much so that schoolboys in Punjab call them “crazy birds.” But nature isn’t satisfied just with these. The babbler family is so inclined to comedy that it has given rise to the large grey babbler (Argya malcomi), an even funnier species than the noisy sisters. This is the Verri chinda, the crazy babbler of the Telugu-speaking people. If you pull the tail off one of the seven sisters and replace it with one that’s half again as long, with outer feathers that are noticeably lighter than the middle ones, and then smooth out the feathers of the altered sister, you will have created a new species, transforming a jungle babbler into a large grey one. This latter species has a broad range but is unpredictable in where it can be found. I don’t think it shows up near the city of Madras, but it’s plentiful in some areas of South India. The habits of this species seem to change depending on the location. In the south, it tends to avoid crowds; in the north, it hangs around gardens and enjoys frolicking in the middle of the road, and isn’t in a rush to move out of the way of pedestrians or cyclists. Many large babblers, due to their boldness, likely fall victim to cars. Fearless creatures like the little striped squirrel, which thrive on narrow escapes, suffer a lot when a faster mode of transport is introduced to an area. They have learned through experience how close they can let regular vehicles come before they scramble away, but it takes time for them to realize that with faster vehicles, they need to allow for a larger buffer. The little Indian squirrel hasn’t yet learned to judge the speed of cars. Recently, I counted five of their bodies on the road between Agra and Fatehpur Sikri, which sees a lot of car traffic.

The Sath Bhai are usually accounted noisy birds, but they are taciturn in comparison with their long-tailed cousins. From dewy morn till dusty eve the large grey babblers vie with the crows in their vocal efforts. The crows score at the beginning of the day, for they are the first to awake, or, at any rate, to begin calling. The king crow (Dicrurus ater) is usually said to be the first bird to herald the cheerful dawn. This is not always so; the voice of Corvus splendens sometimes precedes that of the king crow. But ere the sun has shown his face the grey babblers join vociferously in the chorus that fills the welkin. And how shall I describe the notes of these light-headed birds so as [229] to convey an adequate idea of them to those who have not heard with their own ears? I ought to be able to do so, for Allahabad, where I am now stationed, is the head-quarters of the clan of large grey babblers. Argya malcomi are to that city what the Macphersons are to Inverness-shire. You cannot avoid them. The sound of their voices is never out of my ears during the hours of daylight. Some of them are shouting at me even now. Yet words to describe what I hear fail me. The only instrument made by man that can rival the call of the mad babbler is the “rattle” used at our English Universities, or at any rate at Cambridge, to encourage the oarsmen in the Lent or May races. It is the delight of two of these birds each to take up a position at the summit of a tree and for one to commence calling. He bellows till his breath runs short; then his neighbour takes up the refrain—I mean, hullabaloo—and, ere number two has ceased, number one, having recovered breath, chimes in. In addition to this rattle-like call the grey babblers emit a more mellow note, which is well described by Jerdon as “Quey, quey, quey, quo, quo,” pronounced gutturally. Occasionally one of these extraordinary birds bursts out into a volley of excited squeaks, like the voice of Punch as rendered by the showman at the seaside. This I take to be a cry of alarm. The bird while uttering it careers about madly among the foliage of a tree, hopping from bough to bough with great dexterity.

The Sath Bhai are known as noisy birds, but they are pretty quiet compared to their long-tailed relatives. From early morning until late evening, the large grey babblers compete with the crows in their noisy antics. The crows usually get the upper hand at the start of the day since they’re the first to wake up, or at least the first to start calling. The king crow (Dicrurus ater) is often said to be the first bird to signal the bright dawn. However, that’s not always true; the call of Corvus splendens sometimes comes before the king crow. But before the sun has shown its face, the grey babblers join loudly in the chorus that fills the sky. How can I describe the sounds of these lively birds in a way that gives a clear idea to those who haven’t heard them for themselves? I should be able to, because Allahabad, where I am currently stationed, is home to a large population of grey babblers. Argya malcomi are to that city what the Macphersons are to Inverness-shire. You can’t escape them. Their voices are always in my ears during the day. Some of them are still calling out to me right now. Yet, I struggle to find the words to describe what I hear. The only man-made instrument that can compare to the call of the mad babbler is the “rattle” used at our English universities, particularly at Cambridge, to cheer on the oarsmen during the Lent or May races. It’s a common scene for two of these birds to take positions at the top of a tree, with one starting the call. It bellows until it runs out of breath, then its neighbor picks up the noise—I mean, the chaos—and before the second one stops, the first one, having caught its breath, joins back in. In addition to this rattle-like call, the grey babblers also produce a mellower note, described by Jerdon as “Quey, quey, quey, quo, quo,” pronounced deep in the throat. Occasionally, one of these remarkable birds bursts into a series of excited squeaks, similar to Punch’s voice as performed by the seaside showman. I think this signals alarm. The bird while making this noise rushes around frantically among the branches of a tree, leaping from limb to limb with impressive skill.

Mad babblers go about, like the seven sisters, in flocks of ten or twelve, and feed largely on the ground. [230] Their mode of progression when not on the wing is by a series of hops. Their movements are very like those of a thrush on an English lawn—a dash forward for about a yard, followed by an abrupt halt. They seem to subsist chiefly on insects, but grain does not come amiss to them. In places where they abound, several of them are usually to be seen in every field of large millet, each perched at the summit of a stalk eagerly devouring the ripening grain. When thus occupied they sometimes forget to call. They are birds of peculiarly feeble flight. Their tail is long and their wings are somewhat sketchy, and the result is that they have to flutter these latter frantically in order to fly at all. But for the fact that they always keep together in flocks, even at the nesting season, they would fall easy victims to birds of prey. Thanks to their clannishness and pluck, they appear to be tolerably immune from attack. Jerdon says: “If the Shikra sparrow-hawk be thrown at them, they defend each other with great courage, mobbing the hawk and endeavouring to release the one she has seized.” Only yesterday I saw a party of about a dozen large grey babblers attack and drive away a couple of black crows (Corvus macrorhynchus) from a position which the latter had taken up on the ground. The babblers advanced slowly in a serried mass, while the corbies remained motionless watching them. When the front rank of the babbler posse had advanced to within a foot of the crows a halt was called, and the adversaries contemplated one another in silence for a few seconds. Then one of the babblers made a lunge at the corby, which [231] caused it to take to its wings. Immediately afterwards the other crow was similarly driven away. While the babblers were still celebrating their bloodless victory with a joyful noise, a tree-pie (Dendrocitta rufa) came and squatted on the ground near them, evidently spoiling for a fight. The babblers advanced against him, this time in open order. On their approach the pie lunged at a babbler and caused it to retire. But immediately another babbler made a feint at the tree-pie, and things were becoming exciting when something scared away the combatants.

Mad babblers roam around in groups of ten or twelve, similar to the seven sisters, and mainly feed on the ground. [230] When they're not flying, they move by hopping. Their movement is quite similar to that of a thrush on an English lawn—a quick leap forward of about a yard, then a sudden stop. They mainly eat insects, but they also enjoy grain. In areas where they are plentiful, you'll often see several of them in fields of large millet, each one perched at the top of a stalk, eagerly munching on the ripening grain. While they’re eating, they sometimes forget to call out. They are birds with weak flight. Their tails are long and their wings are a bit underdeveloped, so they have to flap their wings frantically to manage flying at all. If it weren't for the fact that they always stick together in flocks, even during nesting season, they would easily fall prey to birds of prey. Fortunately, their social behavior and bravery seem to keep them safe from attacks. Jerdon notes: “If a Shikra sparrow-hawk comes after them, they support each other fiercely, swarming around the hawk and trying to rescue any of their own that she has grabbed.” Just yesterday, I watched a group of about twelve large grey babblers chase away a couple of black crows (Corvus macrorhynchus) that had settled on the ground. The babblers moved forward slowly in a tight formation while the crows stood still, watching them. When the front line of the babbler group got about a foot from the crows, they stopped, and both sides sized each other up in silence for a few seconds. Then one of the babblers lunged at a crow, prompting it to fly away. Shortly after, the other crow was also sent away. While the babblers were still celebrating their non-violent victory with joyful sounds, a tree-pie (Dendrocitta rufa) showed up and sat on the ground nearby, clearly looking to pick a fight. The babblers advanced toward it, this time spreading out more. As they approached, the pie lunged at one babbler and made it retreat. But right away, another babbler feigned an attack at the tree-pie, and things were getting interesting when something suddenly scared all the birds away.

Argya malcomi constructs a nest of the typical babbler type; that is to say, a somewhat loosely woven cup, which is placed, usually not very high above the ground, in a tree or bush. Nests are most likely to be found in the rains. The eggs are a beautiful rich blue—the hue of those of our familiar English hedge-sparrow (Accentor modularis)—which is so characteristic of babblers.

Argya malcomi builds a nest typical of babblers; that is, a loosely woven cup that’s usually situated not too high off the ground, in a tree or shrub. Nests are most commonly found during the rainy season. The eggs are a stunning rich blue—the same color as those of our well-known English hedge-sparrow (Accentor modularis)—which is a defining feature of babblers.

Like all of us, this happy-go-lucky babbler has its trials and troubles. It is victimised by that handsome, noisy ruffian, the pied crested cuckoo (Coccystis jacobinus), which deposits in the nest an egg, which is a first-class counterfeit of that of the babbler. The feckless babblers sit upon the strange egg until it gives forth its living contents. The presence of the spurious child does not greatly perturb the babblers. As we have seen, the flock does not break up even at the nesting season. Under such circumstances the whole flock probably takes part in administering to the young cuckoo the wherewithal to fill the inner bird, so that on [232] the principle “many hands make light work” the extra mouth to feed is scarcely noticed. But is it an extra mouth? Does the young pied cuckoo eject its foster-brethren, or do the parents turn out the legitimate eggs?

Like all of us, this carefree chatterbox has its ups and downs. It is targeted by that charming, loud troublemaker, the pied crested cuckoo (Coccystis jacobinus

[233]


XLI
THE YELLOW-EYED BABBLER

The babbler community embraces a most heterogeneous collection of birds. Every Asiatic fowl which does not seem to belong to any other family is promptly relegated to the Crateropodidæ. Thus it comes to pass that such dissimilar creatures as the laughing thrushes and the seven sisters find themselves classed together. Now, taken as a whole, the babbler class is characterised neither by beauty nor melodiousness. The best-known members are the widely distributed seven sisters, which in many respects are very like those human babblers who style themselves Labour Members of Parliament. They are untidy in appearance and exceedingly noisy; their voices are uncouth, and they never tire of hearing themselves shout. They are apt to meddle with affairs that do not concern them. Of course the Sath Bhai have their good points; so, I suppose, have Labour M.P.’s—at any rate when they are in their natural habitat. When they come to India and then try to wield the pen—but it is not of human babblers that I wish to write, nor of the plainly attired, noisy, avian babblers, for have not the seven sisters had a double innings already? Even as some Labour [234] Members of Parliament wear frock-coats and top hats, so are there some well-dressed members of the babbler clan. The yellow-eyed babblers belong to this class; and the most widely distributed of these—Pyctorhis sinensis—is the subject of the present discourse. This bird is, according to Oates, found in every portion of the Indian Empire up to a height of 5000 feet. As a matter of fact I have not seen it in or near the city of Madras, but that, perhaps, was not the fault of the bird, because we have Jerdon’s testimony that he saw it in every part of South India.

The babbler community includes a very diverse group of birds. Every Asian bird that doesn't seem to fit into any other family is quickly categorized as part of the Crateropodidæ. This is how completely different creatures like the laughing thrushes and the seven sisters end up grouped together. Overall, the babbler class is not known for beauty or melodiousness. The most recognizable members are the widely spread seven sisters, which are quite similar to those human babblers who call themselves Labour Members of Parliament. They have a messy appearance and are extremely loud; their voices are grating, and they never get tired of hearing themselves shout. They tend to interfere in matters that don’t concern them. Of course, the Sath Bhai have their positive traits; I suppose Labour M.P.s do too—at least when they’re in their natural environment. When they come to India and try to write, but I’m not here to write about human babblers or the noisy, plainly dressed avian babblers, since the seven sisters have already had their turn. Just as some Labour Members of Parliament wear formal suits and top hats, there are some well-dressed members of the babbler family. The yellow-eyed babblers fall into this category, and the most widespread of these—Pyctorhis sinensis—is the focus of this discussion. This bird is, according to Oates, found throughout the Indian Empire up to an elevation of 5,000 feet. In fact, I haven’t seen it in or near the city of Madras, but that may not be the bird's fault, since Jerdon claimed to have seen it throughout South India.

The yellow-eyed babbler is a sprightly little creature not much larger than a sparrow. Its upper plumage is a rich reddish brown, changing to cinnamon on some of the quill feathers. The chin, throat, cheeks, and breast are as white as snow. The conspicuous orange-yellow eye is set off by a small white eyebrow. The abdomen is cream-coloured. The bill is black and the legs a curious shade of dull yellow. The tail is 3½ inches long, at least the median feathers thereof are; the outer ones are barely two inches in length. This gradation in the size of the caudal feathers is, of course, visible only when the tail is spread during flight. The yellow-eyed babblers that inhabit Ceylon differ from those of the mainland in some unimportant details; hence systematists, with their usual aptitude for species-making, call the former Pyctorhis nasalis to distinguish them. In many parts of India the yellow-eyed babbler is quite a common bird. It is especially addicted to tall grass and hedgerows, and will occasionally enter a garden that is well provided with [235] bushes. It is not so clannish as most of its brethren; sometimes a small party of six or seven feed in company, but more often only solitary birds or pairs are seen. They hop about in and out of small bushes or on the ground, industriously seeking out the small beetles and other insects on which they prey. Every now and then one of these sprightly birds permits itself a little relaxation in the shape of a sweet melody, which it composes and pours forth from the summit of a convenient bush. Its more usual note is described by Jerdon as “a loud sibilant whistle”; it also utters a variety of chattering sounds, which proclaim it a true babbler.

The yellow-eyed babbler is a lively little bird, not much bigger than a sparrow. Its upper feathers are a rich reddish-brown, turning to cinnamon on some of the quill feathers. The chin, throat, cheeks, and breast are as white as snow. The noticeable orange-yellow eye is highlighted by a small white eyebrow. The belly is cream-colored. The bill is black and the legs are a curious shade of dull yellow. The tail is 3½ inches long, at least the middle feathers are; the outer ones are just under two inches long. This difference in tail feather size is only noticeable when the tail is spread during flight. The yellow-eyed babblers in Ceylon differ from those on the mainland in some minor details; thus, systematists, with their typical knack for naming species, call the former Pyctorhis nasalis to differentiate them. In many areas of India, the yellow-eyed babbler is quite a common bird. It especially likes tall grass and hedgerows, and will occasionally enter a garden that has plenty of bushes. It’s not as social as most of its relatives; sometimes a small group of six or seven feed together, but more often only single birds or pairs are seen. They hop in and out of small bushes or on the ground, diligently searching for the small beetles and other insects they feed on. Now and then, one of these lively birds allows itself to relax a bit with a sweet melody, which it sings from the top of a convenient bush. Its more common sound is described by Jerdon as “a loud sibilant whistle”; it also makes a variety of chattering noises, which clearly mark it as a true babbler.

For an Indian bird it is shy; if it sees that it is being watched it quickly disappears into cover.

For an Indian bird, it's pretty timid; if it realizes it's being watched, it quickly hides away.

The nest of this species is a veritable work of art. Its usual form is that of an inverted cone, composed of dried grass, fibres, or other suitable material very compactly and neatly woven, the whole being plastered over exteriorly with cobweb, which, as I have said before, is the cement generally used by bird artisans. The well-built little nursery is sometimes wedged into a forked branch of a tree; more often it will be found snugly tucked away in a bush. In the Punjab the nest is very frequently found attached to the stalks of growing millet, in much the same way as a reed-warbler’s nest is fastened to reeds. The babbler weaves its nest round a couple of adjacent stalks, so that these are worked into its walls. A nest which is thus supported by two stalks is in shape like the cocked hat worn by a political officer.

The nest of this species is truly a work of art. Its typical shape is like an inverted cone, made of dried grass, fibers, or other suitable materials that are tightly and neatly woven together, all coated on the outside with cobweb, which, as I mentioned earlier, is the glue that bird builders generally use. The well-constructed little nursery is sometimes wedged into a forked branch of a tree; more often, it’s found snugly hidden in a bush. In the Punjab, the nest is frequently found attached to the stalks of growing millet, much like how a reed-warbler’s nest is secured to reeds. The babbler weaves its nest around a couple of nearby stalks, incorporating them into its walls. A nest supported by two stalks resembles the cocked hat worn by a political officer.

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The eggs, which may be looked for at any time between May and September, are very beautiful. To describe them in a few words is not easy, because they exhibit great diversity in colour and markings. This is one of the hundreds of facts inconsistent with the orthodox theories of the significance of colour in organic nature that confront the field naturalist at every turn. The existence of such facts does not perturb in the least those theorists who “rule the roost” in the scientific world. Their attitude is “our word is law—if facts don’t fit in with it, so much the worse for facts.” As Hume points out, three main types of eggs occur, and there are many combinations of these types. Of the two types most often seen, “one has a pinkish-white ground, thickly and finely mottled and streaked over the whole surface with more or less bright and deep brick-dust red, so that the ground colour only faintly shows through here and there as a sort of pale mottling; in the other type the ground colour is pinkish white somewhat sparingly, but boldly, blotched with irregular patches and eccentric hieroglyphic-like streaks, often bunting-like in their character, of bright blood or brick-dust red.”

The eggs, which can be found anytime between May and September, are very beautiful. It's not easy to describe them in just a few words because they come in a wide variety of colors and patterns. This 사실 is one of the many things that challenge the conventional theories about the role of color in nature that field naturalists encounter all the time. Such facts don’t seem to bother those theorists who dominate the scientific community. Their attitude is “our word is the law—if the facts don’t align with it, that's too bad for the facts.” As Hume points out, there are three main types of eggs, along with many combinations of these types. Of the two most frequently seen types, “one has a pinkish-white base, heavily and finely marked with bright and deep brick-dust red, so that the base color only faintly appears in some areas as a sort of light mottling; in the other type, the base color is pinkish-white, somewhat sparsely but boldly splashed with irregular patches and quirky streaks, often resembling bunting, in bright blood or brick-dust red.”

[237]


XLII
THE INDIAN SAND-MARTIN

The Indian sand-martin (Cotile sinensis) is, I believe, the smallest of the swallow tribe. So diminutive is he that you could put him in your watch-pocket, were you so minded, without fear of damaging his plumage. His charm lies in his littleness and activity rather than in his colouring, for he belongs not to the dandies. Neat and quiet are the adjectives that describe his attire. The head, shoulders, and back are pale brown tinged with grey. The wing-feathers are dark brown. The under parts are white with a touch of grey on the chin and breast. The sexes dress alike. This description applies equally well to the sand-martin (Cotile riparia) that nests in sand-pits in England, for the only differences between this species, which occurs sparingly in India, and the Indian form are that the former is a little larger and possesses a dark necklace.

The Indian sand-martin (Cotile sinensis) is, I think, the smallest member of the swallow family. He's so tiny that you could fit him in your watch pocket without worrying about harming his feathers. His appeal lies in his small size and energy rather than his color, as he's not one of the flashy birds. "Neat" and "subtle" describe his appearance well. His head, shoulders, and back are light brown with a hint of gray. The wing feathers are dark brown. The underparts are white with a slight gray tint on the chin and chest. Both males and females look the same. This description also fits the sand-martin (Cotile riparia) that nests in sand pits in England, as the only differences between this species, which is rare in India, and the Indian version are that the former is slightly larger and has a dark necklace.

The feeding habits of sand-martins are those of the rest of the swallow tribe. They live on minute insects which they catch on the wing, not, after the manner of fly-catchers, by making little aerial sallies from a perch, but by careering speedily through the air during [238] the greater part of the day and seizing every insect that they meet.

The feeding habits of sand martins are similar to those of the rest of the swallow family. They primarily eat tiny insects that they catch in mid-air, not like flycatchers who make quick dives from a perch, but by flying rapidly through the air for most of the day and grabbing every insect they encounter.

The Indian sand-martin is a species especially dear to the ornithologist because it nests in winter, when comparatively few other birds are so occupied. Speaking generally, the cold weather may be said to be the “silly season” of the bird world.

The Indian sand-martin is a species particularly cherished by bird watchers because it nests in the winter, a time when relatively few other birds are engaged in nesting. Generally speaking, the cold season can be described as the “silly season” of the bird world.

There is one drawback to India from the point of view of the ornithologist, and that is the habit of the great majority of birds of building their nests at the time when the sun shines forth pitilessly from a cloudless sky for twelve hours out of the twenty-four, burning up all vegetation and raising the temperature of the air to furnace heat. Under such conditions the pleasure of watching the birds is tempered by the physical discomfort to which the bird-watcher is put. Very pleasant, then, is it, after months of excessive heat, to awake from sleep one morning to find that the cool weather has come at last, to feel the morning air blow fresh against the cheek, and to look out on an earth enveloped in dense mist. Before one’s horse is saddled, the first rays of the sun dissipate the mist with almost magic suddenness, and then one rides forth over dew-bejewelled plains of grass. If on such a morning one repairs to a sand-pit or a river bank, one is likely there to meet with a colony of sand-martins, for it is early in the cold weather that those birds begin to construct their nests, which are holes bored in sand-banks by the birds themselves.

There is one downside to India from an ornithologist's perspective, and that is the tendency of most birds to build their nests when the sun blazes down relentlessly from a clear sky for twelve hours a day, drying up all vegetation and making the air feel like a furnace. In these conditions, the enjoyment of watching the birds is dampened by the discomfort that comes with it for the bird-watcher. So, it’s truly delightful after months of overwhelming heat to wake up one morning and discover that cool weather has finally arrived, to feel the fresh morning air against your skin, and to see the earth wrapped in thick mist. Before your horse is saddled, the first rays of the sun clear the mist almost magically, and then you ride out over dewy grasslands sparkling with droplets. If on such a morning you head to a sand-pit or a riverbank, you’re likely to find a colony of sand-martins, as it’s early in the cool weather when those birds start building their nests, which are holes they dig into the sandbanks themselves.

Like the majority of very small birds, sand-martins show but little fear of human beings. Tits, white-eyes, [239] warblers, sand-martins, etc., will come in search of food quite close up to a motionless human being. Mr. W. H. Hudson relates in his Birds and Man how, when one day he went into his garden and walked under the trees, there was a great commotion among the little birds overhead, who mobbed him in the manner they mob an enemy. He discovered that the reason of this strange behaviour on the part of the small birds that usually paid no attention to him, was that he was wearing a striped cloth cap, which the birds appeared to mistake for a cat. It would almost seem that there is so vast a difference in size between a tiny bird and a human being that the former fails to recognise the latter as a living object provided he keeps still. This does not imply poor eyesight on the part of birds. The minds and eyes of birds are almost invariably directed on small things. Now, a man bears to a small bird much the same relation as a horse three hundred hands high would bear to a man. As regards detail, the eyesight of birds is probably superior to that of men, for each sand-martin seems never to mistake its nest, although the entrance to it is merely one of several score of holes scattered irregularly over the face of the cliff. To the human eye these holes look all very much alike, but each must possess minute peculiarities which loom large in the eye of the sand-martin. Whether or not the above explanation is the true one, the fact remains that a human being can take up a position within a few feet of the cliff without disturbing the martins in their nest-building operations.

Like most tiny birds, sand-martins show very little fear of people. Tits, white-eyes, warblers, sand-martins, and others will come looking for food quite close to a still human. Mr. W. H. Hudson shares in his Birds and Man that one day, when he walked through his garden under the trees, there was a huge commotion among the little birds above him, who swarmed around him as if he were an enemy. He found out that the reason for this unusual behavior from the small birds, who usually ignored him, was that he was wearing a striped cloth cap, which the birds seemed to mistake for a cat. It appears that the size difference between a tiny bird and a human is so vast that the bird fails to recognize the human as a living creature as long as he stays still. This doesn't mean that birds have poor eyesight. Birds' minds and eyes are almost always focused on small things. A human to a small bird is similar to how a horse three hundred hands high would be to a human. In terms of detail, birds probably have better eyesight than humans, since each sand-martin never seems to confuse its nest, even though the entrance is just one of many holes spread out randomly across the cliff. These holes all look very alike to the human eye, but each must have tiny differences that stand out to the sand-martin. Whether or not this explanation is correct, the fact remains that a person can stand just a few feet from the cliff without disturbing the martins as they build their nests.

Some birds, when busy at their nests, work with [240] feverish haste, as though they were under contract to finish them by a given date. Not so the sand-martins. With them, the spells of work at the nest would seem to be mere interludes between their gambols in the air. Each bird appears to visit its nest every few seconds, but generally it contents itself with hovering in front of the hole for a fraction of a minute and then dashes away. Frequently one sees a martin perch at the aperture for a few seconds without doing any work, and then fly off again. For every visit made with the object of doing work, ten or twelve seem to be made for the mere fun of the thing. Sand-martins appear to derive the greatest pleasure from the contemplation of the growing nursery. If the cliff be examined carefully, its soft sandy surface will be found to be scored in many places by marks made by the sharp little claws of the martins as the birds alight.

Some birds, when busy building their nests, work with a frantic pace, as if they have a deadline to meet. But the sand-martins are different. For them, working on the nest seems like just a brief break between their playful flights. Each bird seems to check on its nest every few seconds, but usually, it just hovers in front of the opening for a moment before zooming off. Often, you can see a martin sit at the entrance for a few seconds without doing any work and then fly away again. For every time they actually work, it seems like they make ten or twelve visits just for fun. Sand-martins seem to get the most joy from watching their growing nursery. If you look closely at the cliff, you'll notice its soft sandy surface is marked in many spots by the little claws of the martins as they land.

A colony of nesting martins presents a very animated appearance. The main body dash through the air to and fro in front of the cliff, uttering their feeble twittering, but a few are always at the nest holes, either resting or working. These latter are constantly reinforced from those on the wing, and vice versa, so that there are two streams of birds, one flying to the cliff and the other leaving it. Suddenly the whole flock, including both the resting and the flying birds, will, as if affected simultaneously by a common influence, fly off en masse and disappear from sight. But they are never absent for long. At the end of two or three minutes all are back again.

A colony of nesting martins looks very lively. The main group darts through the air in front of the cliff, making their soft chirping sounds, while a few are always at the nest holes, either resting or working. Those at the nests are constantly joined by those in the air, and vice versa, creating two streams of birds: one flying to the cliff and the other leaving it. Suddenly, the entire flock, including both resting and flying birds, will, as if influenced by a shared signal, take off together and vanish from sight. But they’re never gone for long. After two or three minutes, they all come back.

The birds utter unceasingly, when on the wing, a [241] twittering note, not so harsh as that of the sparrow, but sufficiently harsh to make it appear that the birds are squabbling. A certain amount of bickering does take place among the sand-martins. Every now and again a bird may be observed chasing its neighbour in a very unneighbourly manner. Occasionally two will attack one another with open beak, and fall interlocked to the ground. A prettier sight is that of a couple of martins resting side by side at the orifice of the nest hole twittering lovingly to one another. The excavation that leads to the nest is a round passage, less than three inches in diameter. After proceeding inwards and slightly upwards for about two feet, it ends in a globular cavity of larger diameter. This is the nesting chamber, and is lined with grass, fine twigs, feathers, and the like. Two or three white eggs are laid. Sand-martins probably bring up more than one brood in the year. Their nests are likely to be found in all the winter months.

The birds continuously chirp while in flight, making a soft, not quite as harsh sound as sparrows, but enough to seem like they’re arguing. There is some bickering among the sand-martins. Occasionally, you might see one bird chasing another in a not-so-friendly way. Sometimes, two will face off with open beaks and tumble down together. A nicer sight is when a pair of martins are resting side by side at the entrance of their nest, sweetly chirping to each other. The tunnel that leads to the nest is a round passage measuring less than three inches in diameter. After going in and slightly upward for about two feet, it opens into a rounded chamber that’s wider. This is the nesting area, which is lined with grass, small twigs, feathers, and similar materials. They lay two or three white eggs. Sand-martins likely raise more than one brood each year, and their nests can often be found throughout the winter months.

Cotile sinensis is a permanent resident in India and is common in all the northern portions of the country, but is not often seen so far south as Madras. It is curious that this species should be abundant in North India and rare in the south, where insect life is so plentiful. There must be something in the climatic conditions of South India that suits neither this nor the other species of sand-martin. Precisely what this is I cannot conjecture. Birds vary greatly in their adaptability to climate. Some, such as the hoopoe, appear absolutely indifferent to heat or cold, moisture or dryness; others, as most wagtails, shun heat. [242] The two common crows of India afford an excellent illustration of the way in which allied species differ in their power of adapting themselves to variation in climate. The grey-necked species (Corvus splendens) is found throughout the length and breadth of the plains of India, but does not ascend the Himalayas to any great height, and is, in consequence, not found in Murree Mussoorie or Naini Tal. The corby (C. macrorhynchus), on the other hand, is found in all parts of the plains save in the Punjab, and ascends the Himalayas up to 10,000 feet or higher, and is the only crow that occurs in most of the Himalayan hill stations. It is thus evident that the black species is far less sensitive to cold than the other, but why does it occur so sparingly in the Punjab? The connection between climate and the distribution of birds is a fascinating subject about which very little is known. Possibly in the varying sensitiveness of birds to climatic conditions lies the secret of some of the phenomena of bird migration.

Cotile sinensis is a permanent resident in India and is common in all the northern regions of the country, but it’s not often seen as far south as Madras. It’s interesting that this species is abundant in North India and rare in the south, where insect life is so plentiful. There must be something about the climate in South India that doesn’t suit this or other species of sand-martin. I can’t guess what it might be. Birds vary greatly in how well they adapt to different climates. Some, like the hoopoe, seem completely indifferent to heat or cold, moisture or dryness; others, like most wagtails, avoid heat. [242] The two common crows of India provide a great example of how related species differ in their ability to adapt to climate variations. The grey-necked species (Corvus splendens) is found throughout the plains of India, but it doesn’t go up the Himalayas to any significant height and is consequently not found in Murree, Mussoorie, or Naini Tal. The corby (C. macrorhynchus), on the other hand, is present in all parts of the plains except in Punjab and climbs the Himalayas up to 10,000 feet or higher, being the only crow found in most Himalayan hill stations. This shows that the black species is much less sensitive to cold than the other, but why is it so rare in Punjab? The connection between climate and the distribution of birds is a captivating topic about which we know very little. Perhaps the varying sensitivity of birds to climate holds the key to some of the phenomena of bird migration.

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XLIII
THE EDUCATION OF YOUNG BIRDS

A certain school of naturalists, in which Americans figure largely, lays great stress on the way in which parent birds and beasts educate their offspring. According to this school, a young bird is, like a human babe, born with its mind a blank, and has to be taught by its parents everything that it is necessary for a bird to know. Just as children study at various educational establishments, so do young animals attend what Mr. W. J. Long calls “the school of the woods.” “After many years of watching animals in their native haunts,” he writes, “I am convinced that instinct conveys a much smaller part than we have supposed; that an animal’s success or failure in the ceaseless struggle for life depends, not upon instinct, but upon the kind of training which the animal receives from its mother.” In short, but for its parents, a young bird would never learn to find its food, to fly, or sing, or build a nest.

A certain group of naturalists, which includes many Americans, emphasizes the way parent birds and animals raise their young. According to this group, a young bird is, like a human baby, born with a blank slate and needs to be taught by its parents everything it needs to know. Just like kids go to various schools, young animals go to what Mr. W. J. Long calls “the school of the woods.” “After years of observing animals in their natural habitats,” he writes, “I’m convinced that instinct plays a much smaller role than we thought; that an animal’s success or failure in the constant struggle for survival depends, not on instinct, but on the kind of training it gets from its mother.” In short, without its parents, a young bird would never learn how to find food, fly, sing, or build a nest.

This theory appears to have met with wide acceptance, chiefly because it brings animals into line with [244] human beings. It is but natural for us humans to put anthropomorphic interpretations on the actions of animals. Careless observation seems to justify us in so doing. While not denying that birds do spend much time and labour in teaching their young, I am of opinion that the lessons taught by them are comparatively unimportant, that their teachings are merely supplementary to the instinct, the inherited education, which is latent in young birds at birth, and displays itself as they increase in size, just as intelligence develops in growing human beings.

This theory seems to have gained a lot of acceptance, mainly because it aligns animals with human beings. It’s only natural for us to project human traits onto animals. Casual observation often backs us up in doing so. While I recognize that birds do invest a lot of time and effort in teaching their young, I believe that the lessons they provide are relatively minor, serving only as a supplement to the instincts and inherited knowledge that young birds are born with. This instinct becomes apparent as they grow, similar to how intelligence develops in humans as they age.

By the mere observation of birds and beasts in their natural state it is not easy to ascertain how far the progress made by young ones is the growth of their inborn instincts, and how far it is the result of parental instruction.

By just watching birds and animals in the wild, it’s not easy to tell how much the development of the young ones comes from their natural instincts and how much is due to guidance from their parents.

It is the failure to appreciate the magnitude of this difficulty that vitiates the teachings of Mr. Long and the school to which he belongs. We can gauge the value of the pedagogic efforts of parent animals only by actual experiment, by removing young birds from parental influence and noticing how far that which we may term their education progresses in the absence of the mother and father.

It’s the failure to recognize the scale of this challenge that undermines the teachings of Mr. Long and his school. We can assess the effectiveness of the educational efforts of parent animals only through actual experiments, by taking young birds away from their parents and observing how much their education advances without their mother and father.

The first and foremost of the things which a young bird must know is how to find its food. This is an accomplishment which it speedily acquires without any teaching. Young ducklings hatched under a barndoor hen take to the water of their own accord, and soon discover how to use their sieve-like bills.

The most important thing a young bird needs to learn is how to find food. It's something they quickly pick up on their own without any instruction. Young ducklings hatched under a barn door hen instinctively jump into the water and soon learn to use their bill-like sieves.

I read some time ago a most interesting account [245] of two young American ospreys, which Mr. E. H. Baynes took from the nest at an early age. Having secured them, he placed them in an artificial nest which he had made for them. The parents did not succeed in finding them out, the young birds had therefore to face the struggle for existence without a mentor. “For several days,” writes Mr. Baynes, “they spent most of their time lying still, with necks extended and heads prone on the floor of the nest.” At this stage they were, of course, unable to fly. It was not until they were five or six weeks old that the young ospreys entrusted themselves to their wings, and at the first attempt they, or rather one of them, performed an unbroken flight of several miles! After they had learned to use their wings, the ospreys were allowed full liberty, nevertheless they continued to remain in the neighbourhood of Mr. Baynes’s house, and became quite domesticated. When taken away, they returned like homing pigeons. Even as they had made the discovery that they could fly, so did they, one day, find out that they could catch fish. Mr. Baynes thus describes the earliest attempt of one of the young birds: “His tactics were similar to those employed by old and experienced ospreys, but the execution was clumsy. After sailing over the pond for a few minutes, he evidently caught sight of a fish, for he paused, flapped his wings to steady himself, and then dropped into the water. But it was the attempt of a tyro, and of course the fish escaped. The hawk disappeared, and when he came to the surface he struggled vainly to rise from the water. Then he seemed to give it up.” [246] At this, Mr. Baynes was about to jump into the water in order to rescue him; however, “the next moment he made a mighty effort, arose dripping wet, and flew to his old roost on the chimney, where he flapped his wings and spread them out to dry in the sun.” Far from being deterred by this experience, he repeated the operation, and ere long became an expert fisher.

I read some time ago a really interesting story about two young American ospreys that Mr. E. H. Baynes took from their nest when they were just chicks. He placed them in an artificial nest he had built for them. The parents weren't able to find them, so the young birds had to figure out how to survive on their own. “For several days,” writes Mr. Baynes, “they spent most of their time lying still, with their necks outstretched and heads down on the floor of the nest.” At this point, they couldn’t fly yet. It wasn’t until they were about five or six weeks old that the young ospreys finally tried using their wings, and during their first attempt, one of them flew several miles without stopping! After they learned to fly, the ospreys were free to roam but continued to stay near Mr. Baynes’s house and became pretty domesticated. When they were taken away, they came back like homing pigeons. Just as they discovered they could fly, they also eventually figured out that they could catch fish. Mr. Baynes describes one of the young birds’ first attempts: “His tactics were similar to those used by seasoned ospreys, but he was clumsy in execution. After gliding over the pond for a few minutes, he obviously spotted a fish, paused, flapped his wings to steady himself, and then plunged into the water. But it was the clumsy move of a beginner, and of course, the fish got away. The hawk disappeared, and when he resurfaced, he struggled to lift himself out of the water, looking like he was about to give up.” At this point, Mr. Baynes was about to jump into the water to save him; however, “the next moment he made a huge effort, came up dripping wet, and flew to his old perch on the chimney, where he flapped his wings and spread them out to dry in the sun.” Rather than being discouraged by this experience, he repeated the process and soon became a skilled fisherman.

According to the school to which Mr. Long belongs, young birds learn their song from their parents, just as young children learn how to talk. In the words of Barrington, “Notes in birds are no more innate than language is in man, but depend entirely upon the master under which they are bred, as far as their organs will enable them to imitate the sounds which they have frequent opportunities of hearing.”

According to the school that Mr. Long is part of, young birds pick up their songs from their parents, just like young children learn to talk. As Barrington said, “Birds' notes are no more instinctual than language is for humans, but they completely rely on the environment in which they are raised, as much as their bodies can mimic the sounds they often hear.”

Similarly Michelet writes: “Nothing is more complex than the education of certain singing birds. The perseverance of the father, the docility of the young, are worthy of all admiration.” There can be no doubt that young birds are very imitative. The young of the koel—an Indian parasitic cuckoo—make ludicrous attempts to caw in imitation of the notes of their corvine foster-parents; but later, when the spring comes, they pour forth the very different notes of their species. In the same way the young of the common cuckoo, no matter by what species they are reared, all cry “cuckoo” when they come of age. Ducklings, pheasants, and partridges, hatched under the domestic hen, and fowls reared by turkeys, have the calls peculiar to their species. It may, of course, be urged that these learn their cries from others of their [247] own kind. Here again, then, actual experiment is necessary to determine which view is correct. Such experiments were performed by Mr. John Blackwall as long ago as 1823. He writes:—

Similarly, Michelet writes: “Nothing is more complex than the education of certain singing birds. The persistence of the father and the responsiveness of the young are truly admirable.” There’s no doubt that young birds are highly imitative. The young of the koel—an Indian parasitic cuckoo—make funny attempts to caw, mimicking the sounds of their crowing foster parents; but later, when spring arrives, they produce the distinct calls of their own species. Similarly, young common cuckoos, regardless of the species they are raised by, all call “cuckoo” when they reach maturity. Ducklings, pheasants, and partridges hatched under a domestic hen, and chickens raised by turkeys, all have the unique calls of their species. It could be argued, of course, that these birds learn their calls from others of their own kind. Here again, real experimentation is needed to decide which perspective is accurate. Such experiments were conducted by Mr. John Blackwall as far back as 1823. He writes:—

“I placed the eggs of a redbreast in the nest of a chaffinch, and removed the eggs of the chaffinch to that of the redbreast, conceiving that, if I was fortunate in rearing the young, I should, by this exchange, ensure an unexceptional experiment, the result of which must be deemed perfectly conclusive by all parties. In process of time these eggs were hatched, and I had the satisfaction to find that the young birds had their appropriate chirps.

“I put the eggs of a robin in the nest of a finch and took out the finch's eggs to put in the robin's nest, thinking that if I succeeded in raising the young birds, this swap would create a flawless experiment, the results of which everyone would agree were perfectly conclusive. Over time, these eggs hatched, and I was pleased to find that the young birds had their correct chirps.”

“When ten days old they were taken from their nests, and were brought up by hand, immediately under my own inspection, especial care being taken to remove them to a distance from whatever was likely to influence their notes. At this period an unfortunate circumstance, which it is needless to relate, destroyed all these birds except two (a fine cock redbreast and a hen chaffinch), which, at the expiration of twenty-one days from the time they were hatched, commenced the calls peculiar to their species. This was an important point gained, as it evidently proved that the calls of birds, at least, are instinctive, and that, at this early age, ten days are not sufficient to enable nestlings to acquire even the calls of those under which they are bred. . . . Shortly after, the redbreast began to record (i.e. to attempt to sing), but in so low a tone that it was scarcely possible to trace the rudiments of its future song in those early attempts. As it [248] gained strength and confidence, however, its native notes became very apparent, and they continued to improve in tone till the termination of July, when it commenced moulting. . . . By the beginning of October . . . it began to execute its song in a manner calculated to remove every doubt as to its being that of the redbreast, had any such previously existed.” Mr. Long lays great stress on the manner in which parents inculcate into their young fear of enemies. Fear, he asserts, is not instinctive; young creatures, if found before they have been taught to fear, are not alarmed at the sight of man. I admit that very young creatures are not afraid of foes, and that, later, they do display fear, but I assert that this change is not the result of teaching, that it is the mere development of an inborn instinct which does not show itself until the young are some days old, because there is no necessity for it in the earliest stages of the existence of a young bird.

“When they were ten days old, I took them from their nests and raised them by hand, personally overseeing everything, with special care taken to keep them away from anything that might influence their calls. During this time, an unfortunate event, which doesn’t need to be explained, caused the loss of all but two of the birds (a lovely male robin and a female chaffinch). After 21 days from hatching, these two started to make the distinctive calls of their species. This was a significant milestone, as it clearly indicated that birds' calls are instinctive and that ten days is not enough for nestlings to learn even the calls of the birds around them. Shortly after, the robin attempted to sing, but in such a soft tone that it was hard to identify the beginnings of its future song in those early tries. As it grew stronger and more confident, its natural notes became very evident, and their quality improved until the end of July when it started to molt. By early October, it began to sing in a way that left no doubt about its identity as a robin, assuming there was any doubt before.” Mr. Long emphasizes the way parents teach their young to fear predators. He claims that fear is not instinctive; young animals, if found before they learn to be afraid, do not react with alarm at the sight of a person. I agree that very young creatures aren’t afraid of threats, and that later they do show fear, but I maintain that this change isn't due to teaching; rather, it’s the natural development of an instinct that doesn’t manifest until the young are several days old because there’s no need for it in the earliest stages of a young bird’s life.

“Some months ago one of my chaprassis brought me a couple of baby red-vented bulbuls which had fallen out of a nest. They were unable to feed themselves, and were probably less than a week old. One met with an early death, and the survivor was kept in a cage. One day, while I was writing in my study, this young bulbul began scolding in a way that all bulbuls do when alarmed. On looking round, I discovered that a chaprassi had silently entered the room with a shikra on his wrist. The shikra is a kind of sparrow-hawk, common in India. That particular individual was being trained to fly at quail. It had never before [249] been brought to my bungalow, nor is it likely that the captive bulbul, whose cage was placed in a small, enclosed verandah, had ever set eyes upon a shikra. It had left the nest before it was of an age at which it could learn anything from its parents. Its display of fear and its alarm-call were purely instinctive. Its inherited memory must have caused it to behave as it did. Speaking figuratively, its ancestors learned by experience that the shikra is a dangerous bird—a bird to be feared—and this experience has been inherited. To express the matter in more exact language, this inherited fear of the shikra is the product of natural selection. For generations those bulbuls who did not fear and avoid the shikra fell victims to it, while the more cautious ones survived and their descendants inherited this characteristic.

A few months ago, one of my chaprassis brought me a couple of baby red-vented bulbuls that had fallen from their nest. They couldn't feed themselves and were probably less than a week old. One of them died early on, and the other was kept in a cage. One day, while I was writing in my study, this young bulbul started making alarm calls, like all bulbuls do when they're scared. When I looked around, I saw that a chaprassi had quietly entered the room with a shikra on his wrist. The shikra is a type of sparrow-hawk that's common in India. This particular bird was being trained to hunt quail. It had never been to my bungalow before, and it's unlikely that the captive bulbul, which was in a small, enclosed verandah, had ever seen a shikra. It had left the nest before it was old enough to learn anything from its parents. Its display of fear and alarm calls were purely instinctive. Its inherited memory must have triggered its behavior. Figuratively speaking, its ancestors learned through experience that the shikra is a dangerous bird—a bird to be feared—and that experience has been passed down. To put it more precisely, this inherited fear of the shikra is the result of natural selection. For generations, bulbuls that didn't fear or avoid the shikra became its victims, while the more cautious ones survived, passing on this trait to their descendants.

“Of all the arts practised by birds none is so wonderful as that of nest-building. If it can be demonstrated (as I believe it can) that this art is innate in a bird, then there is no difficulty in believing that all the other arts practised by the feathered folk are innate.

“Of all the skills birds have, none is as amazing as building nests. If we can show (and I believe we can) that this skill is natural for a bird, then it’s easy to believe that all the other abilities of these feathered creatures are also instinctive."

“Michelet boldly asserts that a bird has to learn how to build a nest precisely as a schoolboy has to learn arithmetic or algebra. By way of proof, he quotes the case of his canary—Jonquille. “It must be stated at the outset,” he writes, “that Jonquille was born in a cage, and had not seen how nests were made. As soon as I saw her disturbed, and became aware of her approaching maternity, I frequently opened her door and allowed her freedom to collect in the room the materials of the bed the little one would stand in need [250] of. She gathered them up, indeed, but without knowing how to employ them. She put them together and stored them in a corner of the cage. . . . I gave her the nest ready made—at least, the little basket that forms the framework of the walls of the structure. Then she made the mattress and felted the interior coating, but in a very indifferent manner.”

“Michelet confidently claims that a bird has to learn how to build a nest just like a schoolboy has to learn arithmetic or algebra. To prove his point, he shares the example of his canary—Jonquille. “It should be noted from the beginning,” he writes, “that Jonquille was born in a cage and had never seen how nests are made. As soon as I noticed her getting restless and realized she was about to become a mother, I often opened her door and let her explore the room to gather the materials she would need for the nest. She collected them, but without knowing how to use them. She piled them up in a corner of the cage. . . . I gave her the nest all set up—at least, the little basket that serves as the framework of the walls. Then she made the mattress and lined the inside, but did so in a rather careless way.”

Michelet construes these facts as proof that the art of nest-building is not innate in birds, but has to be learned. As a matter of fact they prove exactly the opposite. The Frenchman’s reasoning is typical of that of those persons who make their facts fit in with their theories. Michelet is blinded by his preconceived notions. He is unable to see things which should be apparent to all. If the art of nest-building is not innate, why did the canary fly about the room collecting the necessary materials and heap them in a corner of the cage? That she did not go so far as to build a nest is easily explained by the fact that she was not given a suitable site for it, that the necessary foundation of branches was not provided for her. As well might one say that a bricklayer did not know his trade because he failed to build a wall on the surface of the sea. When given the framework, Michelet’s untaught canary lost no time in lining it. The alleged act that the lining was not well done may be explained in many ways. Michelet may have imagined this, or the materials provided may not have been altogether suitable; moreover, Jonquille must have worked in haste, as the framework was presumably not given until the bird had collected all the material. Again, [251] the nest was the first that that particular canary had built. Birds, like human beings, learn to profit by experience. Nest-building is an instinctive art, but intelligence may step in and aid blind instinct.

Michelet interprets these facts as evidence that birds don't naturally know how to build nests but have to learn it. In reality, they demonstrate the exact opposite. The Frenchman's logic is typical of those who twist facts to fit their theories. Michelet is blinded by his preexisting beliefs. He fails to notice things that should be clear to everyone. If nest-building isn’t innate, then why did the canary fly around the room gathering the necessary materials and pile them in a corner of the cage? The reason she didn’t actually build a nest is straightforward: she wasn't given a suitable place for it, nor was the needed base of branches provided. It would be just as absurd to say that a bricklayer doesn't know his trade because he couldn’t build a wall on the surface of the sea. When given the structure, Michelet’s untrained canary quickly moved to line it. The claim that the lining wasn't done well can be explained in several ways. Michelet might have conjured this up, or the materials provided may not have been entirely suitable; moreover, Jonquille likely worked quickly since the framework was presumably given after the bird had gathered all the materials. Again, this was the first nest that canary had ever built. Birds, like humans, learn from experience. Nest-building is an instinctive skill, but intelligence can step in to assist that instinct.

In this connection it is necessary to bear in mind that the nest is completed long before the young birds come out of the egg; that they leave, or are driven away from, the parents before the next nest-building season. If young birds are taught nest-building, who teaches them?

In this regard, it's important to remember that the nest is finished long before the young birds hatch; they leave or are pushed away from their parents before the next nest-building season. If young birds learn how to build nests, who teaches them?

Proof of the instinctiveness of nest-building might be multiplied indefinitely. There are on record scores of instances of birds selecting impossible sites for their nests; these are cases of instinct that has gone astray. Again, the persistent way in which martins will rebuild, or attempt to rebuild, nests that are destroyed, shows to what an extent nest-construction is a matter of instinct. One more concrete piece of evidence must suffice. My friend, Captain Perreau, has, among other birds in his aviary at Bukloh, in the Himalayas, some grey-headed love-birds. This species has the peculiar habit of lining the nest with strips of bark, which the hen carries up to the nest amongst the feathers of the back. Captain Perreau started with two cock love-birds and one hen, and this last had the peculiarity of not carrying up the lining to her nest in the orthodox way; nevertheless, her daughter, when she took unto herself a husband, used to carry up bark and grass to her nest in the orthodox manner. “Why did this hen do this?” Captain Perreau asks. “Her mother could not have taught her. I have no other true love-birds; and my [252] blue-crowned hanging parrakeets, or rather the hens, certainly do carry up to the nesting-hole bark, etc., but they carry it, not in the back, but tucked in between the feathers of the neck and breast.” This neat method of conveying material to the nest is, therefore, certainly an instinctive act, as is almost every other operation connected with nest-building.

Proof of how instinctive nest-building is could go on forever. There are many documented cases of birds choosing impossible locations for their nests; these are examples of instinct gone wrong. Additionally, the way martins constantly rebuild or try to rebuild nests that have been destroyed shows just how much nest construction is driven by instinct. One more concrete example will suffice. My friend, Captain Perreau, has some grey-headed lovebirds among other birds in his aviary at Bukloh in the Himalayas. This species has a unique habit of lining their nests with strips of bark, which the female carries up to the nest using feathers from her back. Captain Perreau started with two male lovebirds and one female, who had the unusual trait of not bringing the lining to her nest in the traditional way; however, her daughter, when she got married, did carry bark and grass to her nest in the standard manner. “Why did this female do this?” Captain Perreau asks. “Her mother couldn’t have taught her. I don’t have any other true lovebirds; and my [252] blue-crowned hanging parakeets, or rather the females, definitely do bring bark and other materials to the nesting hole, but they carry it not on their back, but tucked between the feathers of their neck and breast.” This smart way of transporting materials to the nest is certainly an instinctive act, as is almost every other task related to nest-building.

To sum up. The parental teaching forms a far less important factor in the education of birds than many naturalists have been led by careless observation to believe. Birds may be said to be born educated in the sense that poets are born, not made. In each case education puts on the finishing touches to the handiwork of nature.

To sum up. Parental teaching is a much less significant factor in the education of birds than many naturalists have concluded through careless observation. Birds can be considered to be born educated in the same way that poets are born, not made. In both cases, education adds the final touches to the work of nature.

[253]


XLIV
BIRDS AT SUNSET

It is refreshing to watch the birds at the sunset hour. The fowls of the air are then full to overflowing of healthy activity.

It’s refreshing to watch the birds at sunset. The birds are bursting with healthy energy during that time.

In the garden the magpie-robin (Copsychus saularis), daintily clothed in black and white, vigorously pours forth his joyous song from some leafy bough. From the thicket issue the sharp notes of the tailor-bird (Orthotomus sutorius), the noisy chatter of the seven sisters (Crateropus), and the tinkling melody of the bulbul.

In the garden, the magpie-robin (Copsychus saularis), elegantly dressed in black and white, energetically sings his cheerful song from a leafy branch. From the bushes come the crisp calls of the tailor-bird (Orthotomus sutorius), the chattering of the seven sisters (Crateropus), and the sweet tune of the bulbul.

The king crows (Dicrurus ater) are alternately catching insects on the wing and giving vent to their superfluous energy in the form of cheerful notes. Upon the lawn the perky, neatly-built mynas are chasing grasshoppers with relentless activity; nimble wagtails are accounting for numbers of the smaller insects, while the showy-crested hoopoes are eagerly extracting grubs and other good things from the earth by means of their long forceps-like bill. All, especially the hoopoes, have the air of birds racing against time. On that part of the lawn which the malli is flooding [254] to preserve its greenness the crows are thoroughly enjoying their evening bath.

The king crows (Dicrurus ater) are alternately catching insects in mid-air and letting out their excess energy with cheerful calls. On the lawn, the lively, well-built mynas are tirelessly chasing grasshoppers; quick wagtails are taking out many of the smaller insects, while the flashy hoopoes are eagerly digging out grubs and other treats from the ground with their long, forceps-like bills. All of them, especially the hoopoes, seem like birds racing against the clock. In the part of the lawn that's flooded by the malli to keep it green, the crows are happily enjoying their evening bath.

On the sandy path is a company of green bee-eaters (Merops viridis) engaged in dust-bath operations.

On the sandy path is a group of green bee-eaters (Merops viridis) taking dust baths.

Overhead the swifts—our little land albatrosses—are dashing hither and thither at full speed, revelling in the abundant insect life called forth by the fading light, and making the welkin ring with their “shivering screams.” Flying along with the swifts are some sand-martins (Cotile sinensis), easily distinguishable by their slower and more laboured motion.

Overhead, the swifts—our little land albatrosses—are zooming around at full speed, enjoying the plentiful insects brought out by the fading light, and making the sky resonate with their "shivering screams." Along with the swifts, there are some sand martins (Cotile sinensis), which are easy to distinguish due to their slower and more labored flight.

High above the sphere of action of the swifts and martins are numbers of kites and vultures, sailing in circles on their quest for the wherewithal to satisfy their insatiable appetite.

High above the area where the swifts and martins fly, there are several kites and vultures, gliding in circles as they search for food to satisfy their endless hunger.

As the darkness begins to gather these birds, one and all, put more energy into their movements. Each seems to be aware of the rapid approach of the night when work must cease, and each appears fully determined not to lose a moment of the precious daylight.

As the darkness starts to settle in, these birds, all of them, put more effort into their movements. Each one seems to realize that night is quickly approaching when they need to stop working, and each seems completely set on making the most of the valuable daylight.

While the sun is still well above the horizon great flocks of mynas sweep swiftly overhead towards the dense clump of bamboo bushes in which they will spend the night. They are joined by other species of starling. Before settling among the bamboos they perch in trees hard by, and make a joyful noise; every now and then some of the throng take to their wings and perform, like trained soldiers, a series of rapid evolutions. When at length the gloom compels [255] them reluctantly to desist from their vigorous exercise, and to disappear into the bamboo clump, they give out energy in the form of loud clamour.

While the sun is still high in the sky, large flocks of mynas swiftly fly overhead toward a thick cluster of bamboo bushes where they'll spend the night. They’re joined by other types of starlings. Before settling among the bamboo, they perch in nearby trees and make a joyful racket; every now and then, some of the group take flight and perform, like disciplined soldiers, a series of quick movements. When the darkness finally forces them to stop their energetic activity and disappear into the bamboo clump, they create a loud commotion.

From the grove of tall trees yonder, where thousands of crows will spend the hours of darkness, an even greater noise issues. Some twenty minutes before the sun dips below the horizon the advance guard of the corvi arrives; then, for the succeeding quarter-hour, continuous streams of crows come pouring in from east and west, from north and south.

From the grove of tall trees over there, where thousands of crows will spend the night, an even louder noise comes out. About twenty minutes before the sun sets, the first group of crows arrives; then, for the next fifteen minutes, streams of crows keep pouring in from the east and west, from the north and south.

Meanwhile the sparrows have been foregathering in their hundreds in the low shrubs that fringe the edge of the garden. And what a dissonance issues from those bushes!

Meanwhile, the sparrows have been gathering in their hundreds in the low shrubs that line the edge of the garden. And what a racket comes from those bushes!

Truly phenomenal is the activity of the birds at eventide. It is especially marked in India, where during the middle of the day the sun nearly always shines fierce and hot, so that the birds are glad to enjoy a siesta in the grateful shade. From this they emerge like giants refreshed.

Truly amazing is the activity of the birds at dusk. It’s particularly noticeable in India, where during the day the sun usually shines intensely hot, making the birds happy to take a nap in the cool shade. From this, they come out like refreshed giants.

This liveliness of the feathered folk at sunset is no small matter. It is one of the most pleasing facts of natural history. It shows how immensely birds enjoy life. It proves how healthy, how full of energy they are, how they, to speak figuratively, live within their incomes.

This energy of the birds at sunset is significant. It's one of the most delightful aspects of nature. It shows how much birds enjoy life. It demonstrates how healthy and full of energy they are, and how they, to put it metaphorically, live within their means.

Contrast such scenes as those described above with what may be seen in the City of London at six o’clock on a weekday. A multitude of pale, anxious, worn-looking men, and thin, tired, haggard women pursue with listless steps their homeward way. Compared [256] with the lot of these, how happy is that of the birds.

Contrast such scenes as those described above with what can be seen in the City of London at six o’clock on a weekday. A crowd of pale, anxious, worn-out men and thin, tired, haggard women walk home with sluggish steps. Compared to them, how happy are the birds.

Birds are, like children, loath to go to bed. They feel no weariness, and so great is their enjoyment of life, that they are almost sorry when the sun disappears for a little.

Birds are, like children, reluctant to go to bed. They feel no tiredness, and their enjoyment of life is so strong that they almost regret when the sun sets, even if it's just for a little while.

Jules Michelet, than whom no more wrong-headed naturalist ever lived, declares that birds dread the night. “Heavy,” he writes, “for all creatures is the gloom of evening. . . . Night is equally terrible for the birds. . . . What monsters it conceals, what frightful chances for the bird lurk in its obscurity. Its nocturnal foes have this characteristic in common—their approach is noiseless. The screech-owl flies with a silent wing, as if wrapped in tow. The weasel insinuates its long body into the nest without disturbing a leaf. The eager polecat, athirst for the warm life-blood, is so rapid that in a moment it bleeds both parents and progeny, and slaughters a whole family.

Jules Michelet, who was definitely a misguided naturalist, states that birds fear the night. “Heavy,” he writes, “is the gloom of evening for all creatures. . . . Night is just as frightening for the birds. . . . What monsters are hidden in it, what terrifying dangers lurk in the darkness for them. Their nighttime enemies share one thing in common—their approach is silent. The screech owl flies quietly, as if wrapped in cloth. The weasel slips its long body into the nest without disturbing a single leaf. The eager polecat, thirsty for warm blood, is so quick that in an instant it kills both parents and their young, slaughtering an entire family.

“It seems that the bird, when it has little ones, enjoys a second sight for these dangers. It has to protect a family far more feeble and more helpless than that of the quadruped, whose young can walk as soon as born. But how protect them? It can do nothing but remain at its post and die; it cannot fly away, for its love has broken its wings. All night the narrow entry of the nest is guarded by the father, who sinks with fatigue, and opposes danger with feeble beak and shaking head. What will this avail if the enormous jaw of the serpent suddenly appears, or the horrible [257] eye of the bird of death, immeasurably enlarged by fear?”

“It seems that when birds have young ones, they gain a kind of second sight for potential dangers. They need to protect a family that is much weaker and more helpless than that of four-legged animals, whose young can walk as soon as they’re born. But how can they protect them? They can only stay put and face death; they can't fly away, because their love has grounded them. All night, the narrow entrance of the nest is guarded by the father, who is exhausted and defends against danger with a weak beak and a trembling head. What good will that do if the massive jaws of a snake suddenly appear, or the terrifying eye of a predatory bird, magnified by fear?”

Greater nonsense than this was never penned outside a political pamphlet. Birds do not, as Michelet seems to imagine, go to sleep quaking with terror. They know not the meaning of the word death, nor have they any superstitious fears of ghosts and goblins.

Greater nonsense than this was never written outside a political pamphlet. Birds do not, as Michelet seems to think, go to sleep trembling with fear. They do not understand the concept of death, nor do they have any superstitious fears of ghosts and monsters.

Birds with young sleep the sleep of a man without a single care.

Birds with chicks sleep as soundly as a person with no worries at all.

At other times birds do not roost in solitude, but gather together in great companies, the members of which are as jolly as the young folks at a supper party after the theatre. The happiness of the fowls of the air at the sunset hour is almost riotous.

At other times, birds don't roost alone but come together in large groups, and they seem as cheerful as young people at a dinner party after the theater. The joy of the birds in the sky at sunset is almost overwhelming.

Darkness, however, exercises a soothing influence over them. A feeling of sleepiness steals over them, and they then doubtless experience the luxurious sensation of tiredness which we human beings feel after a day spent in the open air; for, although they know it not, their muscles are tired as the result of the activity of the day.

Darkness, however, has a calming effect on them. A wave of sleepiness washes over them, and they likely feel the comfortable exhaustion that we humans experience after a day outside; for, even if they aren't aware of it, their muscles are tired from the day's activities.

Their sweet slumbers completely refresh them. Before dawn they are awake again, and are up and about waiting for it to grow sufficiently light to enable them to resume the interrupted pleasures of the previous day.

Their sweet sleep completely refreshes them. Before dawn, they wake up again, getting up and moving around while waiting for it to get light enough for them to continue the fun they had the day before.

[259]

With the exception of “The Education of Young Birds,” which came out in The Albany Review, the chapters which compose this book appeared in one or other of the following Indian periodicals: The Madras Mail, The Times of India, The Indian Daily Telegraph, The Indian Field, The Indian Forester.

With the exception of “The Education of Young Birds,” which was published in The Albany Review, the chapters that make up this book appeared in one or more of the following Indian magazines: The Madras Mail, The Times of India, The Indian Daily Telegraph, The Indian Field, The Indian Forester.

The author begs to tender his thanks to the several editors for permission to reproduce this collection of essays.

The author would like to thank the various editors for allowing him to reproduce this collection of essays.

[261]


GLOSSARY

Bandobast. Arrangement.

Bandobast. Setup.

Bhimraj. The racket-tailed drongo (Dissemurus paradiseus).

Bhimraj. The racket-tailed drongo.

Chabutra. A masonry platform, erected outside the bungalow in the compound on which people sit in the evenings during the hot weather.

Chabutra. A stone platform built outside the bungalow in the yard where people sit in the evenings when it's hot out.

Chamar. The name of a low caste of Indians who skin animals and tan their skin.

Chamar. The name of a lower caste of Indians who process animal hides and turn them into leather.

Chaprassi. Lit., a badge-wearer. A servant who runs messages.

Chaprassi. Literally, a badge-wearer. A servant who delivers messages.

Chik. A number of thin pieces of bamboo strung together to form a curtain. Chiks are usually hung in front of doors and windows in India with the object of keeping out insects, but not air.

Chik. A bunch of thin bamboo sticks tied together to make a curtain. Chiks are typically hung in front of doors and windows in India to keep out bugs while still letting in fresh air.

Chota hazri. Early morning tea.

Chota hazri. Breakfast tea.

Dak bungalow. Government rest-house.

Guesthouse. Government rest-house.

Jhil. A lake or any natural depression which is filled with rain water all the year round or only at certain seasons.

Jhil. A lake or any natural hollow that holds rainwater throughout the year or only during specific seasons.

Kankar. Lumps of limestone with which roads are metalled in Northern India.

Kankar. Pieces of limestone used to pave roads in Northern India.

Koi Hai. Lit., Is anyone there? The expression used in India to summon a servant, bells being non-existent in that country.

Koi Hai. Literally, Is anyone there? This is a phrase used in India to call a servant, as bells are not commonly found in that country.

Lathi. A club or long stick often studded with nails to make it a more formidable weapon.

Lathi. A club or long stick usually fitted with nails to make it a more effective weapon.

[262]

Madar plant. Calotropis gigantea.

Madar plant. Calotropis gigantea.

Mohwa. Bassia latifolia.

Mohwa. Bassia latifolia.

Murghi. A fowl or chicken.

Murghi. A chicken.

Nullah. A ravine.

Nullah. A gorge.

Ryot. A cultivator or small farmer.

Ryot. A small-scale farmer.

Sahib. Sir, or a gentleman. A term used to denote a European.

Sahib. Sir, or a gentleman. A term used to refer to a European.

Sath Bhai. Any of the various species of Crateropus babblers.

Sath Bhai. Any of the different types of Crateropus babblers.

Shikari. One who goes out shooting or hunting.

Shikari. Someone who goes out to shoot or hunt.

Swadeshi. A jingoistic term meaning Indian.

Swadeshi. A patriotic term meaning Indian.

Terai. Lit., moist land. A low-lying tract of land running along the foot of the Himalayas.

Terai. Literally, moist land. A low-lying area that stretches along the base of the Himalayas.

Tope. A grove of trees.

Tope. A tree grove.

Topi. A sun-helmet.

Topi. A sun hat.

[265]


INDEX

A
Ablak, 197
Accentor modularis, 231
Accipiter nisus, 39
Acridotheres fuscus, 190
— tristis, 41, 76, 171, 198
Actions of animals, interpretation of, 68-71
Adam, Mr. R. M., 20
Adaptability to climate of birds, 241
Adjutant, 5, 6
Æsalon regulus, 42
Aitken, Mr. Benjamin, 36, 48
Alphéraky, 151
Alseonax latirostris, 179
Amadavat, 97
Ammomanes, 203
— phœnicura, 207
Anas anser, 150
Anderson, Mr. A., 140, 141, 159, 207, 223
Anser cinereus, 150
— ferus, 150
— rubirostris, 151
Arachnechthra asiatica, 176
— lotenia, 175
Ardeola grayii, 111
Argya caudata, 69
— malcomi, 227, 229, 231
Arnold, Sir Edwin, 220
Astur badius, 42
— palabarius, 38
Athene brama, 73, 209
B
Babbler, 14, 117, 190, 220-6
—, brotherhoods, 220-6
—, common, 69, 70, 214-9
—, large grey, 227-32
—, mad, 227-32
—, yellow-eyed, 176, 233-6
Baker, Mr. E. C. Stuart, 119
Ball, Mr., 142
Bank myna, 210
Barbet, 116
Barrington, 246
Bates, 183
Bateson, 123
Baynes, Mr. E. H., 245, 246
Bee-eater, little green, 4, 33, 51-5, 184, 254
Bennet, 98
Bhairi, 41
Bhimraj, 8, 126, 129
Bird of the open plain, 202-7
Birds and Man, 146, 239
Bird Watching, 71
Blackbird, 33
Blackwall, Mr. John, 247
Blanford, Dr., 8, 10, 14, 26, 84, 85, 95, 156
Bligh, 135
“Blue jay,” 4, 75, 171
Bombax malabaricum, 208
Bombay Ducks, 133
Brachypternus aurantius, 74
Brahminy duck, 149, 150, 153
— myna, 16
[266]
Brain-fever bird, 223
Bubulcus coromandus, 189
Bulbul, 212, 248, 249, 253
—, green, 116-20
Burroughs, John, 4, 46
Butastur teesa, 32-6
Butcher bird, 34, 45-50
Butler, 143
Butler, Colonel, 20, 113
Buzzard, 47
—, white-eyed, 32-6
C
Canary, 249, 250, 251
Casarca rutila, 149
Casque, 5
Cement of bird masons, 171-7
Centropus intermedius, 14
— maximus, 14
— phasianus, 11
— rufipennis, 14, 111
— sinensis, 10
Cercomela fusca, 16
— melanura, 18
Chaffinch, 247
Chat, brown rock-, 16-20
Chelidon urbica, 173
Chilian wigeon, 109
Chinkara, 42
Chloropsis, 117, 118, 120
— Jerdoni, 118
—, Jerdon’s, 118
—, Malabar, 118
— malabarica, 118
Cholum bird, 192
Clare, 24
Climate, adaptability of birds to, 241
Clubs, bird, 223
Cobra, 89-93
Cobweb, 174-7
Coccystis jacobinus, 231
Colouration, protective, 121, 142
—, warning, 79, 204
Coot, 78-83
—, purple, 84-8
Coppersmith, 74, 212, 213
Copsychus saularis, 253
Coracias indica, 75, 171
Corby, 211, 212, 242
Cormorant, 40, 121, 125
Corporate action, 195
Corvus macrorhynchus, 211, 230, 242
— splendens, 4, 118, 211, 228, 242
Cotile riparia, 237
— sinensis, 237, 241, 254
Cotton tree, birds in the, 208-13
Coucal, 10, 11, 12, 13, 91
—, Southern Chinese, 13
Cow-bird, 9
Cowper, 23, 106
Crab, 113
Crane, 144, 167
Crateropus canorus, 215, 221, 253
Crocodile, 94
Crotalaria juncea, 141
Crow, 14, 24, 25, 26, 41, 42, 64, 65, 107, 112, 136, 165, 168, 169, 171, 189, 211, 212, 228, 230, 242, 255
Crow-pheasant, 10, 11, 12, 13, 14, 91, 111
Cuckoo, 9-15, 161, 171
—, lark-heeled, 10
—, pied crested, 231, 232
— -shrike, 190
—, sirkeer, 14
Culicapa ceylonensis, 179
Cunningham, Colonel, 10, 26, 92, 197, 200, 222
Cygnus olor, 99-103
Cyornis superciliaris, 181
[267]
Cyornis tickelli, 181
D
Darwin, 131, 157, 158, 183
Dendrocitta rufa, 211, 231
Devil bird, 164
De Vries, 122
Dhouli, 128
Dichoceros bicornis, 5
Dicrurus ater, 126, 172, 189, 200, 228, 253
— cærulescens, 127, 128
— leucopygialis, 127, 128
Diodorus Siculus, 98
Dirt bird, 220
Dissemurus paradiseus, 126
Donald, Mr. C. H., 34, 35
Dove, 33, 171
—, little brown, 200
—, red turtle, 16
Drongo, large racket-tailed, 126
—, melodious, 126-31
—, white-bellied, 126-31
—, white-vented, 126-31
E
Eagle, 32, 45, 46, 47
Ear of owl, 61
Education of birds, 243-52
Egret, 189
“Eha,” 11, 78, 117, 212, 217
Epeira diadema, 175
Evans, Mr., 58
Eyes of owl, 58-60
Eyesight of birds, 239
F
Falcon, 33, 42, 45
Falcon, peregrine, 41, 42
Falconry, 37-44
Falco peregrinus, 41
Farash, at the sign of the, 72-7
Fayrer, Captain, 133
Finch-lark, 202-7
—, ashy-crowned, 202-7
—, rufous-tailed, 207
Finn, Mr. Frank, 13, 14, 26, 80, 85, 119, 142, 167, 198
Fly-catcher, 45, 46, 185, 237
—, black and orange, 181
—, brown, 179
—, European red-breasted, 180
—, fan-tailed, 8, 174, 179, 182
—, grey-headed, 179
—, Indian, 178-83
— —, red-breasted, 180
—, Nilgiri blue, 181
—, paradise, 179, 181, 182
—, Tickell’s blue, 181
—, verditer, 181
—, white-browed blue, 181
Fowler, Mr. Warde, 28
Franklinia buchanani, 174
G
Gamecocks, 163
Garden and Aviary Birds of India, 119
Gazella bennetti, 42
Gecko, 186
Glead, 24, 27
Golabi maina, 192
Goldfinch, 33
Goose, 143-53
—, barred-headed, 151, 153
—, grey lag, 150, 151
Goshawk, 38, 40, 41
Grackle, 65
Green birds, 116
Green bulbul, 116-20
— pigeon, 116
Grus antigone, 144
Gull, 104-9, 113
H
Handbook on the Management of Animals in Captivity, 98
Hatchell, Mr. D. G., 135
[268]
Hawk, 33, 34, 37, 45
—, dark-eyed, 38
—, long-winged, 38
—, short-winged, 38
—, yellow-eyed, 38
— -cuckoo, 221, 223
— -eagle, 42
Hawking, 37-44
Hedge-sparrow, 231
Henderson, Dr., 135
Herbert, 143
Heron, 166, 167, 171
—, night, 165-70
Herpestes griseus, 96
— ichneumon, 98
— mungo, 96
Hierococcyx varius, 221, 223
Hirundo rustica, 173
— smithii, 173
Hodgson, 216
Honeysucker, Loten’s, 175
Hooper swan, 103
Hoopoe, 43, 76, 241, 253
Hoplopterus ventralis, 111
Hornbill, great, 5, 6, 174
Hôtel des Oiseaux, 73, 77
How to Know the Indian Waders, 167
Hudson, Mr. W. H., 3, 119, 146, 239
Hume, 12, 13, 19, 87, 136, 159, 174, 206, 207, 223, 236
Hurdis, 22, 23
Hutton, 139
Hydrochelidon hybrida, 112
I
Ichneumon, 94
Injury-feigning instinct, 70-1
Insect hunters, 184-91
Instinct, nest-building, 249-50
J
Javan peafowl, 154
Jefferies, Richard, 209
Jerdon, 13, 16, 26, 84, 96, 117, 128, 134, 135, 154, 198, 203, 229, 230, 234, 235
Jesse, 17
Johnston, Sir H., 117
Jowaree bird, 192, 195
K
King crow, 4, 25, 33, 126-31, 184, 189, 190, 228, 253
Kingfisher, white-breasted, 4
Kingsley, Charles, 7
Kipling, Lockwood, 6
Kite, 21-7, 105, 106, 254
Kites of the sea, 104-9
L
Lanius erythronotus, 48-50
— lahtora, 48, 50
— vittatus, 50
Larders, shrikes’, 49
Lark, 33
Legge, 87, 127, 129, 130, 138
Leptoptilus dubius, 5
Lilford, Lord, 109
Linnæus, 216
Linnet, 33
Livy, 143
Lizard, 186-8
Long, Mr. W. J., 243, 246, 248
Loten’s honeysucker, 175
Love-bird, grey-headed, 251, 252
M
Macaulay, 24
Madar plant, 141
Magpie-robin, 8, 253
Martin, Indian Sand-, 237-42
McMaster, 96, 97
Mellivora indica, 205
Merlin, 42, 43
Merops viridis, 51-5, 254
Michelet, 46, 47, 246, 249, 256, 257
Milvus govinda, 21
[269]
Mimicry, 11, 183
Minivet, 190
Motacilla alba, 31
— borealis, 31
— impersonata, 31
— maderaspatensis, 29
— melanope, 31
Muller, 183
Multiplication, checks on, 131
Mungoose, 94-8
Myna, 41, 64, 76, 184, 189, 198, 200, 254
— bank, 190, 210
— Brahminy, 16, 210
— hill, 65
N
Naia haje, 91
— tripudians, 89, 91
Natural selection, 11, 59, 71, 79-82, 93, 122, 131, 163, 181, 205
Naurang, 133
Neophron ginginianus, 5
— percnopterus, 22
Nicholson, 90
Night heron, 165-70
Nuni-budi-gadu, 164
Nuthatch, chestnut-bellied, 173, 190
Nycticorax griseus, 165
O
Oates, 8, 16, 17, 117, 127, 234
Ochromela nigrirufa, 181
Œnopopelia tranquebarica, 16
Oriole, 172
Oriolus kundoo, 172
“Ornament of the Forest,” 118
Ornithological and other Oddities, 13
Orthotomus sutorius, 7, 16, 176, 253
Ospreys, American, 245, 246
Owen, Miss J. A., 80
Owlet, spotted, 73, 74, 75, 209
Owls, 36-61, 130
P
Paddy bird, 111
Palæornis torquatus, 73, 74
Parker, Mr. H., 87
Parrot, green, 73, 74
Partridge, 70
Pastor roseus, 192-6, 209
Pavo cristatus, 154
— muticus, 154
Peacock, 4, 40, 41, 154-9
Perreau, Captain, 251
Pettifoggers, ornithological, 216
Phalacocorax carbo, 122, 123
— fuscicollis, 123
— javanicus, 123
Pharaoh’s chicken, 22
— rat, 98
Pharoe’s mouse, 98
Pheasant, Griff’s, 10
—, monal, 4
Pitta, the Indian, 132, 136
brachyura, 132
Pliny, 94, 143
Ploceus baya, 7, 172
Plover, 171
—, spur-winged, 111
Polecat, 256
Porphyrio, the beautiful, 84-8
poliocephalus, 85
veterum, 86
Poulton, Professor, 92
Prinia inornata, 7, 172
Priority, rule, 216
Protective colouration, 121, 142
Pugnacity, 142
Pyctorhis nasalis, 234
— sinensis, 176, 234
Pyrrhulauda grisea, 202-7
Q
Quail, 39
[270]
R
Rat-bird, 69
Ratel, Indian, 205
Redbreast, 247
Redstart, Indian, 160-4
Rhamnus, 139
Rhipidura albifrontata, 174
Rynchope albicollis, 112
Robin, 46, 47
Robin, Indian, 204
Robinson, Kay, 101
—, Phil, 3, 33, 57, 143
Roller, 33, 75, 171
Rook, 107, 108
Roosting of bee-eaters, 51-5
S
Salvadori, 150
Sand-martin, 237, 254
— —, Indian, 237-42
Sandpiper, common, 111, 114
Sanyal, Babu R. P., 98
Sath Bhai, 220, 228, 233
Scavengers, bird, 104, 105
— -in-waiting, 21-7
Sciurus palmarum, 62-7, 73
Screech owl, 256
Seagull, 104-9
Selection, natural, 11, 59, 71, 79-82, 93, 122, 131, 163, 181, 205
Selection, sexual, 157, 158, 163
Selous, Edmund, 71, 195, 196, 209
Selous, F. C., 60
“Seven Sisters,” 15, 117, 220, 233
Sexual dimorphism, 182
— selection, 157, 158, 163
Shama, 8
Shikra, 42, 97, 230, 248, 249
Shrike, 34, 45-50
—, bay-backed, 49, 50
—, Indian grey, 48-50
—, rufous-backed, 48-50
Siphia hyperythra, 180
— parva, 180
Sirkeer cuckoo, 14
Sitta castaneiventris, 173
Skimmer, Indian, 112
Skunk, 204, 205
Some Indian Friends and Acquaintances, 10
Songbirds, 7
Songs of Birds, The, 58
“Son of the marshes,” 108
Sparrow, 255
— of Scripture, 18
— -hawk, 39, 40, 41, 218
Spectacle bird, 138
Speculum Mundi, 103
Spider, common garden, 175
Spizætus nepalensis, 42
Squirrel, Indian striped, 62, 67, 73, 212, 228
Stag beetle, 186
Starling, 8, 9
—, pied, 197-201
—, rosy, 192-6, 209
Sterna bergii, 113
— melanogaster, 112
— seena, 112
Sterndale, 95
Sturnopastor contra, 197, 201
— superciliaris, 199
Stolzman, 158
Stoparola albicaudata, 181
— melanops, 181
Stork, 166
Struggle for existence, 81
Sunbird, 4, 8, 175
Sunset, birds at, 253-7
Swadeshi bird, 154-9
Swallow, 45, 173
—, wire-tailed, 173
Swamp-hen, 84
Swan, 99-103
[271]
Swan, black, 103
—, mute, 99-102
Swift, 45, 173, 184, 190, 254
T
Taccocua leschenaulti, 14
Tailor bird, 7, 16, 176
Tamarix articulata, 72
Teesa, the, 32-6
Terpsiphone, 179
Tern, 110-15
—, black-bellied, 112
—, Indian river, 112
—, large crested, 113
—, whiskered, 112
Terry, Captain H., 124
Thamnobia cambaiensis, 204
Thayer, Mr., 204
The Evening Telegraph, 107
The Irish Naturalist, 109
The Yorkshire Gazette, 145
Thir-thira, 164
Thompson, Mr. Seton, 121
Thrush, 33, 230
—, laughing, 190
Thurston, Mr. Edgar, 85
Tickell, 128
Tillyer, 192
Temenuchus pagodarum, 16
Tit, 190, 238
Toad, 185, 186
Topsell, 94
Totanus hypoleucus, 111
Tower Menagerie, 98
Tree-creeper, 190
Tree-pie, Indian, 211, 231
Tristram, Canon, 86
Turtur cambayensis, 200
U
Ugly ducklings, 214-19
Upupa indica, 76
V
Verditer flycatcher, 181, 182
Verri chinda, 227
Vulture, 105, 254
—, scavenger, 5
W
Wagtail, 241
—, grey, 31
—, grey-headed, 31
—, masked, 31
—, pied, 29, 30
—, white, 31
Wagtails, Indian, 28-31
Wallace, 84, 158, 183
Wallaceism, 81
Warbler, 239
Warning colouration, 79, 204
Watson, Mr. H. E., 102
Weaver-bird, 7, 172
White ants, 188
White-browed fantail flycatcher, 174
White-eye, Indian, 8, 137-42, 176, 190, 238
Williams, Mr. W. J., 109
Woodpecker, 190
Wren-warbler, 7, 172
—, rufous-fronted, 174
X
Xantholæma hæmatocephala, 74
Y
Yellowhammer, 33
Yellow Ribbon Army, 218
Z
Zosterops palpebrosa, 137-42, 176

BY THE SAME AUTHOR

FROM THE SAME AUTHOR

BOMBAY DUCKS: An Account of some of the Everyday Birds and Beasts found in a Naturalist’s El Dorado. With numerous Illustrations reproduced from Photographs by Captain Fayrer, I.M.S. Demy 8vo.
BIRDS OF THE PLAINS. With numerous Illustrations. Demy 8vo.
INDIAN BIRDS: Being a Key to the Common Birds of the Plains of India. Demy 8vo.
(With Frank Finn). THE MAKING OF SPECIES. Demy 8vo.
[273]

THE MAKING OF SPECIES

BY DOUGLAS DEWAR, B.A., (Cantab.), I.C.S., F.Z.S., AND FRANK FINN, B.A., (Oxon.), F.Z.S., M.B.O.U., WITH NUMEROUS ILLUSTRATIONS

BY DOUGLAS DEWAR, B.A., (Cantab.), I.C.S., F.Z.S., AND FRANK FINN, B.A., (Oxon.), F.Z.S., M.B.O.U., WITH NUMEROUS ILLUSTRATIONS

Demy 8vo., 9 × 5¾ inches. Price 7s. 6d. net.
Postage 6d. extra.

Demy 8vo., 9 × 5¾ inches. Price £7.50 net.
Postage £0.30 extra.

PRESS OPINIONS

MEDIA REVIEWS

Christian World.—“In an interesting preface, Messrs. Dewar and Finn enlighten us as to the origin of their work.”

Christian World.—“In an engaging preface, Mr. Dewar and Mr. Finn explain the origin of their work.”

Daily Chronicle.—“There is a breezy, refreshing air about the book.”

Daily Chronicle.—“The book has a lively, fresh vibe.”

Birmingham Post.—“Messrs. Dewar’s and Finn’s volume shows the value of such first-hand experience.”

Birmingham Post.—“Messrs. Dewar and Finn’s book highlights the importance of having first-hand experience.”

Literary World.—“The book is certainly to be welcomed for the concise way in which it deals with the greatest problem of biology.”

Literary World.—“The book is definitely worth welcoming for the straightforward way it addresses the biggest challenge in biology.”

Outlook.—“‘The Making of Species’ is a book of knowledge and originality. Messrs. Dewar and Finn are capable investigators. This work is thoroughly characteristic of our day. A long volume full of interest and very clearly written.”

Outlook.—“‘The Making of Species’ is a knowledgeable and original book. Messrs. Dewar and Finn are skilled researchers. This work perfectly captures the essence of our time. It’s a lengthy volume packed with interesting content and very clearly written.”

New Age.—“The book is handsomely got up and fully illustrated.”

New Age.—“The book is beautifully designed and fully illustrated.”

Aberdeen Free Press.—“The book is well written. We do not doubt that the work will produce good fruit and attract considerable attention.”

Aberdeen Free Press.—“The book is well written. We have no doubt that it will have a positive impact and gain significant attention.”

Dublin Daily Express.—“The merits of the book are undoubtedly great. We recommend it to the attentive study of all who are interested in the subject of evolution.”

Dublin Daily Express.—“The book definitely has significant merits. We suggest it for the careful consideration of everyone interested in the topic of evolution.”

Manchester Courier.—“The amateur entering this perplexing field could hardly have a better guide. The illustrations are confined to birds, but are admirably executed.”

Manchester Courier.—“Anyone new to this complex field couldn’t ask for a better guide. The illustrations focus exclusively on birds and are beautifully done.”

Nation.—“An exceptionally interesting book. We gladly welcome the literary advent of two such able and independent Naturalists as Messrs. Dewar and Finn.”

Nation.—“A really fascinating book. We happily welcome the arrival of two such capable and independent Naturalists as Messrs. Dewar and Finn.”

Daily News.—“‘The Making of Species’ will be read with a good deal of pleasure and interest. There are many striking photographs.”

Daily News.—“‘The Making of Species’ will be enjoyable and interesting to read. There are numerous impressive photographs.”

T. P.’s Weekly.—“Messrs. Dewar and Finn have accumulated some very singular and striking facts in their ‘Making of Species.’”

T. P.’s Weekly.—“Dewar and Finn have gathered some very unique and notable facts in their ‘Making of Species.’”

Newcastle Daily Chronicle.—“The authors have stated their facts in a plain and common-sense fashion.”

Newcastle Daily Chronicle.—“The authors have presented their facts in a straightforward and practical way.”

Truth.—“‘The Making of Species’ will do much to arrest the fossilisation of biological science in England.”

Truth.—“‘The Making of Species’ will do a lot to stop the stagnation of biological science in England.”

Sunday Times.—“This handsome volume.”

Sunday Times.—“This beautiful book.”

Daily Telegraph.—“Interesting and suggestive. It should receive wide attention.”

Daily Telegraph.—“Engaging and thought-provoking. It deserves a lot of attention.”

[274]

BOMBAY DUCKS

AN ACCOUNT OF SOME OF THE EVERYDAY BIRDS & BEASTS FOUND IN A NATURALIST’S EL DORADO

AN ACCOUNT OF SOME OF THE COMMON BIRDS & ANIMALS FOUND IN A NATURALIST’S EL DORADO

By DOUGLAS DEWAR, F.Z.S., I.C.S.

By DOUGLAS DEWAR, F.Z.S., I.C.S.

With Numerous Illustrations from Photographs of Living Birds
By Captain F. D. S. FAYRER, I.M.S.

With Many Illustrations from Photos of Living Birds
By Captain F. D. S. FAYRER, I.M.S.

Demy 8vo. 16s. net.

Demy 8vo. £16.00 net.

PRESS OPINIONS.

PRESS REVIEWS.

Spectator.—“Mr. Douglas Dewar’s book is excellent. . . . A feature of the book is the photographs of birds by Captain Fayrer. They are most remarkable, and quite unlike the usual wretched snapshots and blurred reproductions with which too many naturalists’ books are nowadays illustrated.”

Spectator.—“Mr. Douglas Dewar’s book is excellent. . . . One standout aspect of the book is the bird photographs by Captain Fayrer. They are truly remarkable and completely different from the typical poor-quality snapshots and blurred prints that so many naturalist books use these days.”

Standard.—“The East has ever been a place of wonderment, but the writer of ‘Bombay Ducks’ brings before Western eyes a new set of pictures. . . . The book is entertaining, even to a reader who is not a naturalist first and a reader afterwards. . . . The illustrations cannot be too highly praised.”

Standard.—“The East has always been a place of wonder, but the author of ‘Bombay Ducks’ presents a fresh perspective to Western readers. . . . The book is engaging, even for those who aren't primarily interested in nature. . . . The illustrations deserve high praise.”

Daily News.—“This new and sumptuous book. . . . Mr. Dewar gives us a charming introduction to a great many interesting birds.”

Daily News.—“This new and lavish book. . . . Mr. Dewar offers us a delightful introduction to a wide variety of fascinating birds.”

Pall Mall Gazette.—“Most entertaining dissertations on the tricks and manners of many birds and beasts in India.”

Pall Mall Gazette.—“Very entertaining discussions about the behaviors and habits of various birds and animals in India.”

Graphic.—“The book is written in a most readable style, light and easy, yet full of information, and not overburdened with scientific words and phrases. . . . The habits of the different birds are fully described, often in a very amusing and interesting manner.”

Graphic.—“The book is written in a really readable style, light and easy to follow, yet packed with information and not overloaded with scientific jargon. . . . The habits of different birds are thoroughly described, often in a very entertaining and engaging way.”

BIRDS OF THE PLAINS

By DOUGLAS DEWAR, F.Z.S., I.C.S.
AUTHOR OF “BOMBAY DUCKS,” ETC.

By DOUGLAS DEWAR, F.Z.S., I.C.S.
AUTHOR OF “BOMBAY DUCKS,” ETC.

With numerous Illustrations.

With plenty of illustrations.

Demy 8vo. 10s. 6d. net.

Demy 8vo. £10.30 net.

PRESS OPINIONS.

Press Opinions.

Globe.—“Mr. Dewar is not only a keen and patient observer, but he is gifted with the descriptive art in high degree, and his vivacious style communicates the characters and habits of birds with unerring fidelity and infinite spirit.”

Globe.—“Mr. Dewar is not just an attentive and patient observer, but he also has a remarkable talent for description, and his lively writing conveys the traits and behaviors of birds with incredible accuracy and boundless energy.”

Sportsman.—“Mr. Dewar has a delightfully simple and quaintly humorous way of expressing himself, and his clever word pictures of bird life make charming reading.”

Sportsman.—“Mr. Dewar has a wonderfully straightforward and charmingly funny way of expressing himself, and his clever descriptions of birdlife make for delightful reading.”

Truth.—“The volume is handsomely produced, and, like its predecessor, it has a number of remarkably fine illustrations.”

Truth.—“The book is beautifully made, and, like the one before it, it features several exceptionally fine illustrations.”

Manchester Guardian.—“Those who enjoyed ‘Bombay Ducks’ will welcome ‘Birds of the Plains.’ His breezy style is pleasant and easy reading. The photographs deserve the highest praise.”

Manchester Guardian.—“Anyone who liked ‘Bombay Ducks’ will appreciate ‘Birds of the Plains.’ His casual writing style makes it enjoyable and easy to read. The photographs are truly exceptional.”

Daily Chronicle.—“Here is a work worthy of all commendation to those who love birds, and is ably seconded by Captain Fayrer’s excellent photographs.”

Daily Chronicle.—“This is a book that deserves great praise from anyone who loves birds, and it is wonderfully complemented by Captain Fayrer’s fantastic photographs.”

[275]

INDIAN BIRDS

BEING A KEY TO THE COMMON BIRDS OF THE PLAINS OF INDIA

BEING A GUIDE TO THE COMMON BIRDS OF THE PLAINS OF INDIA

By DOUGLAS DEWAR, F.Z.S., I.C.S.

By DOUGLAS DEWAR, F.Z.S., I.C.S.

Crown 8vo. 6s. net

Crown 8vo. £6.00 net

PRESS OPINIONS

PRESS REVIEWS

Spectator.—“The present book is by Mr. Douglas Dewar, a charming writer, whose earlier books on birds we have had the pleasure of recommending. The book is most carefully compiled, and much ingenuity is displayed in framing this artificial analysis.”

Spectator.—“This book is by Mr. Douglas Dewar, a delightful writer, whose previous works on birds we have enjoyed recommending. The book is very well put together, and a lot of creativity is shown in creating this artificial analysis.”

Pall Mall Gazette.—“This practical and useful work. Familiarity with these pages would enable the average man in a few weeks to know all the birds he meets in an Indian station.”

Pall Mall Gazette.—“This practical and helpful book. Getting to know these pages would allow the average person in just a few weeks to recognize all the birds they encounter in an Indian station.”

Athenæum.—“Mr. Dewar is a careful guide, already known as a careful observer and entertaining chronicler of the ways of Indian birds.”

Athenæum.—“Mr. Dewar is a thoughtful guide, already recognized as a keen observer and engaging storyteller about the habits of Indian birds.”

Indian Field.—“We can thoroughly recommend this book to all not versed in ornithology and who wish to know our birds without having to kill them.”

Indian Field.—“We highly recommend this book to anyone who isn’t knowledgeable about birds and wants to learn about our birds without having to harm them.”

ORNITHOLOGICAL AND OTHER ODDITIES

By FRANK FINN, B.A. (Oxon.), F.Z.S.
LATE DEPUTY-SUPERINTENDENT OF THE INDIAN MUSEUM, CALCUTTA

By FRANK FINN, B.A. (Oxon.), F.Z.S.
FORMER DEPUTY SUPERINTENDENT OF THE INDIAN MUSEUM, CALCUTTA

With numerous Illustrations from Photographs

With many illustrations from photos

Demy 8vo. 10s. 6d. net

Demy 8vo. £10.60 net

PRESS OPINIONS

Press Opinions

Standard.—“This book, dealing with the courting of birds, how they fight and mimic, and moult and blush, is one of the most fascinating we have read for some time. His book will prove as interesting to the general reader as to the enthusiastic naturalist.”

Standard.—“This book about how birds court, fight, mimic, molt, and show off their colors is one of the most captivating reads we've come across in a while. It will be just as interesting for casual readers as it is for passionate naturalists.”

Morning Post.—“The book consists of a number of papers—all are delightfully readable. A very interesting and delightful book. The style is always clear and free from technicalities; this volume will certainly prove as entertaining to the general reader as it is interesting to the naturalist.”

Morning Post.—“The book is made up of several essays—all of them are enjoyable to read. It’s a really fascinating and delightful book. The writing is always clear and straightforward; this volume will definitely be as entertaining for the average reader as it is engaging for the naturalist.”

Globe.—“The pleasantest of reading—produced most charmingly. The book is illustrated with numbers of beautiful photographs showing bird and beast life with wonderful truth and charm. We must congratulate Mr. Finn and his publisher on one of the most alluring nature books we have seen for a long time.”

Globe.—“This is the most delightful reading—crafted beautifully. The book is filled with stunning photographs that capture wildlife with amazing accuracy and charm. We should applaud Mr. Finn and his publisher for creating one of the most captivating nature books we've come across in a long time.”

Shooting Times.—“The volume is well illustrated, and is certainly a very amusing and highly instructive publication.”

Shooting Times.—“This publication is well illustrated and is definitely a very entertaining and highly informative read.”

[276]

JUNGLE BY-WAYS IN INDIA

Leaves from the Note-book of a Sportsman and a Naturalist, with upwards of 100 illustrations by the Author and others. Second Edition. Demy 8vo. 12/6 net.

Leaves from the Notebook of a Sportsman and a Naturalist, with over 100 illustrations by the Author and others. Second Edition. Demy 8vo. 12/6 net.

PRESS OPINIONS.

MEDIA REVIEWS.

Spectator.—“Well worth reading . . . told in a clever and vivid style.”

Spectator.—“Definitely worth reading... told in a smart and lively way.”

Athenæum.—“These sketches, containing information about most of the animals which attract sportsmen, enlivened by descriptions of their pursuit, deserve praise . . . the pen and ink sketches have much merit.”

Athenæum.—“These sketches, which provide information about most of the animals that attract hunters, along with lively descriptions of their pursuit, deserve recognition... the pen and ink drawings are quite impressive.”

Times.—“Mr. Stebbing has certainly the knack of setting down his jungle experiences in narrative which is interesting and vivid.”

Times.—“Mr. Stebbing definitely has a talent for capturing his jungle experiences in storytelling that is engaging and vivid.”

Standard.—“Mr. Stebbing writes with great spirit.”

Standard.—“Mr. Stebbing writes with a lot of energy.”

Daily Graphic.—“A first-rate sporting book.”

Daily Graphic.—“An excellent sports book.”

Daily Chronicle.—“Mr. Stebbing writes with the instinct and feeling of a true sportsman. The illustrations assist one to an understanding and appreciation of the text.”

Daily Chronicle.—“Mr. Stebbing writes with the intuition and passion of a genuine sportsman. The illustrations help enhance understanding and appreciation of the text.”

Outlook.—“This book is as instructive as it is entertaining, and should prove of great value to the novice anxious to tread in the author’s footsteps.”

Outlook.—“This book is both informative and entertaining, and it will be very helpful for beginners eager to follow in the author's footsteps.”

Morning Post.—“A delightful book . . . full of information and adventure . . . charmingly illustrated.”

Morning Post.—“A wonderful book . . . packed with information and excitement . . . beautifully illustrated.”

Morning Leader.—“A fascinating and informing record of every variety of sport.”

Morning Leader.—“An interesting and informative account of all kinds of sports.”

Sunday Times.—“A striking picture of jungle-life. Mr. Stebbing’s descriptions are vivid and admirable.”

Sunday Times.—“A captivating glimpse into jungle life. Mr. Stebbing’s descriptions are vivid and impressive.”

Queen.—“Mr. Stebbing has both knowledge and appreciation of the denizens of the jungle.”

Queen.—“Mr. Stebbing understands and values the creatures of the jungle.”

Pall Mall Gazette.—“This interesting book.”

Pall Mall Gazette.—“This engaging book.”

Sporting Times.—“A really good shikar book, full of useful information . . . one of the best.”

Sporting Times.—“A really great hunting book, packed with helpful information . . . one of the best.”

Country Life.—“A rich and varied record of sport.”

Country Life.—“A diverse and impressive collection of sports.”

T.P.’s Weekly.—“I can confidently recommend this excellent volume.”

T.P.’s Weekly.—“I can wholeheartedly recommend this amazing book.”

Graphic.—“An extremely interesting book.”

Graphic.—“A really interesting book.”

Manchester Guardian.—“Mr. Stebbing narrates his experiences in such a fresh and easy style, and shows such keen and humorous appreciation of the ways of the inhabitants of the jungle, great and small, that the reader can scarcely fail to be interested . . . the sketches are excellent and greatly assist the letterpress.”

Manchester Guardian.—“Mr. Stebbing shares his experiences in such a fresh and casual way, and shows a sharp and funny understanding of the behaviors of the jungle's inhabitants, both big and small, that the reader can't help but be engaged . . . the sketches are fantastic and really enhance the writing.”

Indian Daily Telegraph.—“The sportsman in this country will find much to amuse and instruct in Mr. Stebbing’s book.”

Indian Daily Telegraph.—“Sports enthusiasts in this country will find plenty to entertain and educate in Mr. Stebbing’s book.”

Indian Review.—“There are many good things in this book, which may be commended to all sportsmen, and should find a place on the bookshelf of all lovers of nature.”

Indian Review.—“There are many great things in this book that deserve praise from all sports enthusiasts and should be included on the bookshelf of everyone who loves nature.”

[277]

TWO DIANAS IN SOMALILAND

THE RECORD OF A SHOOTING TRIP.

THE RECORD OF A SHOOTING TRIP.

By AGNES HERBERT. With numerous
Illustrations. Demy 8vo. Price, 12s. 6d. net.
Postage 6d. extra.

By AGNES HERBERT. With many
Illustrations. Demy 8vo. Price, £1.05 net.
Postage 6d extra.

SOME PRESS OPINIONS.

PRESS REVIEWS.

The Sportsman.—“A more delightful book—nay, so delightful a book—is not met with once in a generation. It is sui generis; we know of none that can pretend to compare with it. There is not a line in it that cannot be read with pleasure, while the whole volume contains such a record of interesting and thrilling adventure as one rarely meets with.”

The Sportsman.—“You won’t find a more enjoyable book—seriously, it’s so enjoyable—that comes along only once in a generation. It’s one of a kind; there’s nothing else that even comes close to it. Every line is a pleasure to read, and the entire book is filled with fascinating and exciting adventures that are quite rare to encounter.”

The Field.—“The story is told with great animation throughout, and with a sense of humour that carries one on attentively to the end. We shall be much mistaken if this very attractive volume on big game shooting is not soon in a second edition.”

The Field.—“The story is told with great energy throughout, and with a sense of humor that keeps you engaged until the end. We would be very wrong if this appealing book on big game hunting doesn’t quickly see a second edition.”

The Athenæum.—“That most attractive book, ‘Two Dianas in Somaliland,’ which shows the author to be almost as skilful with her pen as with the rifle; and that is saying a great deal. The book is exceptionally interesting.”

The Athenæum.—“That incredibly engaging book, ‘Two Dianas in Somaliland,’ highlights the author’s talent with her writing just as much as her shooting; and that’s quite an accomplishment. The book is really fascinating.”

The County Gentleman.—“Miss Herbert’s light, breezy style in dealing with the humours of camp life is highly entertaining. We have never read a more piquantly written narrative of big game shooting.”

The County Gentleman.—“Miss Herbert’s light, breezy style in handling the fun of camp life is really entertaining. We’ve never seen a more vividly written account of big game hunting.”

Country Life.—“This sprightly and amusing book, full of wild life and adventure, of difficulties and dangers pluckily overcome is a welcome change after the innumerable recitals of ‘mere man’ in Africa.”

Country Life.—“This lively and entertaining book, filled with excitement and adventure, as well as challenges and risks bravely faced, is a refreshing change from the countless stories of ‘ordinary people’ in Africa.”

The World.—“Miss Herbert wields her pen to good purpose. She has a keen sense of humour, she goes straight to the point, she scorns padding in purple patches, and yet so vivid is her style that she at once interests the reader in her subject. No man, and few women, will fail to follow her to the end of her adventures.”

The World.—“Miss Herbert uses her writing effectively. She has a sharp sense of humor, gets straight to the point, avoids unnecessary embellishments, and yet her style is so vibrant that it instantly engages the reader in her topic. No man, and very few women, will miss following her through her adventures to the end.”

The Liverpool Post.—“It is a most chatty and vivacious account. The book can be enjoyed by all, sportsmen or not, and it will assuredly take an honoured place among its kind.”

The Liverpool Post.—“It’s a really lively and engaging account. The book can be enjoyed by everyone, whether they’re into sports or not, and it will definitely hold a respected spot among its peers.”

The Daily News.—“Certain to receive a friendly welcome from the general reader. A keen eye for the humorous side of things, a fluent and lively pen, and occasionally the display of a somewhat caustic wit, make the volume most amusing reading. We congratulate the authoress on the lively narrative. One can only hope that she will once again go a-hunting, and once again tell its story.”

The Daily News.—“Guaranteed to get a warm reception from the average reader. A sharp sense of humor, a smooth and engaging writing style, and sometimes a bit of biting wit make this book really entertaining. We applaud the author for the vibrant storytelling. One can only wish that she will go exploring again and share that adventure with us once more.”

The Birmingham Post.—“This is a book to read, if only for its delightfully unconventional vein; and there is a subtle suggestion of romance about it too.”

The Birmingham Post.—“This is a book worth reading, if only for its wonderfully unique style; and there’s a hint of romance in it as well.”

The Dundee Advertiser.—“The book in some respects is marvellous. It is the revelation of a sportswoman’s mind. Miss Herbert has a facile pen.”

The Dundee Advertiser.—“In some ways, this book is amazing. It showcases the insight of a sportswoman. Miss Herbert writes with ease.”

The Manchester Courier.—“Miss Herbert’s book is written light-heartedly. It is a delightfully humorous and witty record. It is also an assuming one.”

The Manchester Courier.—“Miss Herbert’s book is written with a light touch. It’s a charmingly funny and clever account. It also has a modest quality.”

The Daily Telegraph.—“This finely-printed and well-illustrated volume is a thoroughly entertaining and amusing record. Every sportsman will find this brisk and vivacious narrative to his taste.”

The Daily Telegraph.—“This well-printed and nicely illustrated book is a completely entertaining and fun read. Every sports enthusiast will enjoy this lively and engaging story.”

The Daily Mail.—“‘Two Dianas in Somaliland’ is a book out of the common run . . . very attractive reading.”

The Daily Mail.—“‘Two Dianas in Somaliland’ is a unique book . . . really engaging to read.”

The Scotsman.—“Certainly no one who reads this narrative will fail to be keenly interested and amused.”

The Scotsman.—“Definitely, anyone who reads this story will be very interested and entertained.”

The Daily Chronicle.—“You need not be a sportsman—or a sportswoman—to enjoy this book, because it has a vivacity which would carry any reader along. It it written with the merry heart that goes all the day, and it has much to record besides lion killing.”

The Daily Chronicle.—“You don’t have to be a sportsman—or a sportswoman—to enjoy this book, because it has an energy that’ll draw in any reader. It’s written with a cheerful spirit that lasts all day, and it has plenty of stories to share beyond just hunting lions.”

The Evening Standard.—“We are sure that no such story was ever related with greater charm or incisiveness. The volume is very welcome.”

The Evening Standard.—“We’re confident that no other story has been told with such charm or sharpness. This book is a very welcome addition.”

[278]

TWO DIANAS IN ALASKA

By AGNES HERBERT & a SHIKÁRI.

By AGNES HERBERT & a HUNTER.

With numerous Illustrations. Demy 8vo.
Price, 12s. 6d. net.

With many illustrations. Demy 8vo.
Price, £12.6 net.

SOME PRESS OPINIONS.

PRESS REVIEWS.

The Sportsman.—“The warm and lengthy praise we gave to the companion volume ‘Two Dianas in Somaliland’ might be repeated. They should have a place in every sportsman’s library; nay, in far more, for the piquancy of the style, and the charming friendliness of it all, enthral the reader.”

The Sportsman.—“The enthusiastic and extensive praise we offered for the companion volume ‘Two Dianas in Somaliland’ could be said again. They deserve a spot in every sportsman's library; in fact, in many more, because the engaging style and the delightful camaraderie throughout captivate the reader.”

The Field.—“The story is told by Miss Herbert with all the free and joyous spirit which characterised her former volume; the same love of exploration, admiration for the beauty in nature, keenness for sport, and withal a womanly restraint and tender-heartedness.”

The Field.—“Miss Herbert tells the story with all the free and joyful spirit that marked her previous book; the same passion for exploration, appreciation for nature’s beauty, enthusiasm for adventure, and yet a sense of feminine restraint and compassion.”

Country Life.—“Miss Herbert’s hand has lost nothing of its sprightliness, she describes graphically and with never failing nerve many exciting hunts. It is to the full as daring and lively as the Somaliland volume.”

Country Life.—“Miss Herbert’s writing is just as lively as ever; she vividly recounts many thrilling hunts with consistent energy. It’s just as bold and engaging as the Somaliland book.”

Vanity Fair.—“The most fascinating sporting book I have read this year, and quite the best written. In a dozen ways I found the book captivating. Miss Herbert’s success is as emphatic in book-making as in hunting.”

Vanity Fair.—“The most interesting sports book I’ve read this year, and definitely the best written. I found the book captivating in many ways. Miss Herbert’s success in writing is as impressive as it is in hunting.”

The Academy.—“We commend ‘Two Dianas in Alaska’ to many readers . . . an amusing and picturesque journey. Scenery is powerfully described, and so are the effects of light and shade and the flight of birds. But the ways of the moose provide the most attractive reading of all.”

The Academy.—“We recommend ‘Two Dianas in Alaska’ to many readers . . . an entertaining and vivid journey. The scenery is vividly described, along with the effects of light and shadow and the movement of birds. However, the behavior of the moose offers the most captivating reading of all.”

The Daily Telegraph.—“This is a delightful book, of equal interest to the sportsman and the general reader. Light and bright are the pages. We heartily recommend this book to all readers. It is all admirable.”

The Daily Telegraph.—“This is a fantastic book, equally engaging for both sports enthusiasts and casual readers. The pages are lively and enjoyable. We wholeheartedly recommend this book to everyone. It’s truly excellent.”

Ladies’ Field.—“Not less delightful than ‘Two Dianas in Somaliland.’ If anyone turns aside from this book because he or she is indifferent to sport they will lose some very pleasant hours. It is a charming book, and has not a dull page in it from first to last.”

Ladies’ Field.—“Just as enjoyable as ‘Two Dianas in Somaliland.’ If anyone skips this book because they don’t care about sports, they’ll miss out on some really nice hours. It’s a delightful book, and there isn’t a boring page in it from start to finish.”

Daily Graphic.—“The whole book is amazing good reading. The best book of sport and travel that we have seen this season.”

Daily Graphic.—“The entire book is incredibly engaging. It's the best book on sports and travel we've seen this season.”

Yorkshire Post.—“This is a book of high spirits, mixed with philosophy. In these prosaic days a romance from real life is not to be resisted.”

Yorkshire Post.—“This is a lively book, blended with philosophy. In these ordinary times, a true-life romance is hard to resist.”

The Queen.—“Very entertaining reading. It must not be thought that the work is entirely devoted to hunting, the scenery, places, and human beings are also described in very happy fashion.”

The Queen.—“This is a really engaging read. It shouldn't be assumed that the work focuses solely on hunting; the scenery, locations, and people are also described beautifully.”

The Morning Post.—“This delightful book. Lively is a poor name for it, it scintillates with life. We are soon carried away with the zest of it, and the irrepressible humour which bubbles out on every page.”

The Morning Post.—“This wonderful book. 'Lively' doesn't even begin to describe it; it sparkles with life. We quickly get swept up in its energy and the infectious humor that shines through on every page.”

The Manchester Courier.—“Those who had the good fortune to encounter the charming record of the ‘Two Dianas in Somaliland’ will want no recommendation to the equally sprightly description of their adventures in Alaska. Miss Herbert has a ready sense of humour, and her wayside jottings are inimitable.”

The Manchester Courier.—“Anyone who was lucky enough to come across the delightful story of the ‘Two Dianas in Somaliland’ will need no further endorsement for the equally lively account of their adventures in Alaska. Miss Herbert has a sharp sense of humor, and her roadside notes are one of a kind.”

Fortnightly Review.—“Miss Herbert has a happy knack of amusing the reader on almost every page of her bright narrative, and this alone places her above the majority of writers on travel. It is with her asides, her not unkindly satire, her unabated philosophy, that Miss Herbert attracts the reader.”

Fortnightly Review.—“Miss Herbert has a great talent for entertaining the reader on nearly every page of her engaging story, and this alone sets her apart from most travel writers. It is through her side notes, her gentle satire, and her consistent philosophy that Miss Herbert draws in the reader.”

Pall Mall Gazette.—“Miss Herbert has a pretty wit, word-pictures of magic beauty. The book is witty, picturesque, exciting, and the effect on the tired brain of a dweller in cities is that of a breeze bringing health from a salutary land.”

Pall Mall Gazette.—“Miss Herbert has a charming sense of humor and creates vivid imagery of enchanting beauty. The book is clever, visually stunning, and thrilling, giving the exhausted minds of city dwellers a refreshing feeling like a breeze bringing vitality from a healthy place.”

[279]

A VAGABOND IN THE CAUCASUS

WITH SOME NOTES OF HIS EXPERIENCES AMONG THE RUSSIANS

WITH SOME NOTES OF HIS EXPERIENCES AMONG THE RUSSIANS

By STEPHEN GRAHAM

By Stephen Graham

With Sixteen Illustrations and Two Maps
Demy 8vo, 12s. 6d. net

With Sixteen Illustrations and Two Maps
Demy 8vo, £12.50 net

PRESS OPINIONS

Press Opinions

Daily Telegraph.—“One of the most individual and interesting volumes of travel talk that we have had for many a long day. A work of quite exceptional charm and interest. An attraction that will make most readers look forward with pleasurable anticipation to the author’s future work.”

Daily Telegraph.—“One of the most unique and engaging travel books we've seen in a long time. A piece of writing with exceptional charm and appeal. An allure that will have most readers eagerly anticipating the author’s future projects.”

Morning Post.—“It is a good book, full of suggestiveness, promise, and horizon.”

Morning Post.—“It's a great book, full of ideas, potential, and possibilities.”

Westminster Gazette.—“Mr. Graham’s literary touch has the delightful intimate comradeship of the born wanderer, and his book is all too short.”

Westminster Gazette.—“Mr. Graham's writing has the charming close connection of a natural traveler, and his book is way too short.”

Daily News.—“A book of impressions and adventures with an unusually fine literary flavour.”

Daily News.—“A collection of experiences and stories with a uniquely rich literary style.”

Standard.—“. . . written with keen insight and literary skill . . . abounds with practical hints for prospective travellers.”

Standard.—“. . . written with sharp insight and great writing ability . . . filled with useful tips for future travelers.”

Evening Standard.—“Mr. Graham has had adventures. He relates them well. His style is direct and racy. Everything is real . . . entertaining.”

Evening Standard.—“Mr. Graham has had adventures. He tells them well. His style is straightforward and lively. Everything feels authentic... entertaining.”

Truth.—“A perfectly delightful book.”

Truth.—“An absolutely charming book.”

Academy.—“Mr. Graham writes with the intimate personal touch that gives distinction to Stevenson’s ‘Travels with a Donkey’ and Belloc’s ‘Path to Rome.’”

Academy.—“Mr. Graham writes with the personal touch that sets apart Stevenson’s ‘Travels with a Donkey’ and Belloc’s ‘Path to Rome.’”

Observer.—“Mr. Graham’s experiences make an entertaining book.”

Observer.—“Mr. Graham’s experiences make for an enjoyable read.”

Graphic.—“An attractive book.”

Graphic.—“A good-looking book.”

Country Life.—“You follow his adventures with the same interest you would follow an engrossing novel, because you see the man and feel something of his passion.”

Country Life.—“You follow his adventures with the same interest you would follow a gripping novel, because you see the man and feel some of his passion.”

Bookman.—“In every way this is a most charming and attractive book. Mr. Graham’s views are fresh and original.”

Bookman.—“This is truly a delightful and appealing book. Mr. Graham’s perspectives are innovative and unique.”

Shooting Times.—“Distinctly entertaining.”

Shooting Times.—“Clearly entertaining.”

[280]

KASHMIR: The Land of Streams and Solitudes. By P. Pirie. With Twenty-five Full-page Plates in Colour, and upwards of 100 other Illustrations by H. R. Pirie. Crown 4to (10 × 6½in.). 21s. net.

KASHMIR: The Land of Streams and Solitudes. By P. Pirie. With Twenty-five Full-page Color Plates, and over 100 other Illustrations by H.R. Pirie. Crown 4to (10 × 6½in.). 21s. net.

Globe.—“This is a delightful book.”

Globe.—“This is a wonderful book.”

Liverpool Courier.—“It is one of the handsomest productions that has come from the Bodley Head for a considerable time.”

Liverpool Courier.—“It's one of the most stunning publications to come from the Bodley Head in a long time.”

Observer.—“The book is a treasure, and will be turned over often with joy and sighs.”

Observer.—“This book is a treasure, and it will be revisited often with both happiness and nostalgia.”

RIFLE AND ROMANCE IN THE INDIAN JUNGLE: Being the Record of Thirteen Years of Indian Jungle Life. By Major A. I. R. Glasfurd (Indian Army). With numerous Illustrations by the Author and Reproductions from Photographs. New and Cheaper Edition. Crown 8vo. 7s. 6d. net.

RIFLE AND ROMANCE IN THE INDIAN JUNGLE: A Record of Thirteen Years of Life in the Indian Jungle. By Major A.I.R. Glasfurd (Indian Army). Featuring many illustrations by the author and photos. New and more affordable edition. Crown 8vo. 7s. 6d. net.

Literary World.—“To the list of books on big-game shooting that can be commended equally to the sportsman and the general reader must be added this truly fascinating work. We have read it through from cover to cover, and pronounce it excellent.”

Literary World.—“We should definitely include this captivating book in the collection of recommended big-game shooting literature for both sports lovers and casual readers. We’ve read it cover to cover and think it’s excellent.”

Academy.—“Search where we will through this entertaining book, we always happen upon sound literature, fine description, good natural history, and lively adventure. The author is clearly in love with his subject, and the pictures of jungle scenery and jungle life are wonderfully vivid . . . in all respects a first-rate book.”

Academy.—“Everywhere we turn in this enjoyable book, we find quality writing, great descriptions, solid natural history, and thrilling adventures. The author clearly has a passion for the subject, and the depictions of jungle scenery and life are incredibly vivid... truly a top-notch book.”

CEYLON: The Paradise of Adam. The Record of Seven Years’ Residence in the Island. By Caroline Corner. With Sixteen Full-page Illustrations. Reproduced from Photographs. Demy 8vo (9 × 5¾ in.). 10s. 6d. net.

CEYLON: The Paradise of Adam. The Record of Seven Years’ Residence in the Island. By Caroline's Corner. With Sixteen Full-page Illustrations. Reproduced from Photographs. Demy 8vo (9 × 5¾ in.). 10s. 6d. net.

Daily Chronicle.—“This book is merry—merry, witty, observant, and readable: observation in lighter vein, however, with a serious note of information and experience.”

Daily Chronicle.—“This book is entertaining—it's fun, smart, perceptive, and easy to read: it has some light observations but also provides meaningful insights and experiences.”

BIG GAME SHOOTING ON THE EQUATOR. By Captain F. A. Dickinson, F.R.G.S. With an Introduction by Sir Charles Norton Eliot, K.C.M.G., late Commissioner for British East Africa. 77 Illustrations reproduced from Photographs. Demy 8vo. 12s. 6d. net.

BIG GAME SHOOTING ON THE EQUATOR. By Captain F. A. Dickinson, F.R.G.S. With an Introduction by Sir Charles Norton Eliot, K.C.M.G., former Commissioner for British East Africa. 77 Illustrations reproduced from Photographs. Demy 8vo. 12sh. 6d. net.

LAKE VICTORIA TO KHARTOUM: With Rifle and Camera. By Captain F. A. Dickinson, D.C.L.I., F.R.G.S. With an Introduction by the Rt. Hon. Winston Churchill, and numerous Illustrations from Photographs taken by the Author. Demy 8vo. 12s. 6d. net.

LAKE VICTORIA TO KHARTOUM: With Rifle and Camera. By Captain F. A. Dickinson, D.C.L.I., F.R.G.S. With an Introduction by the Rt. Hon. Winston Churchill, and numerous Illustrations from Photographs taken by the Author. Demy 8vo. 12sh. 6d. net.

SERVICE AND SPORT IN THE SUDAN. A Record of Administrations in the Anglo-Egyptian Sudan, with Intervals of Sport and Travel. By D. C. E. ff. Comyn, F.R.G.S. (late of the Black Watch). With 31 Illustrations and 3 Maps. Demy 8vo. 12s. 6d. net.

SERVICE AND SPORT IN SUDAN. A Record of Administrations in the Anglo-Egyptian Sudan, with Breaks for Sports and Travel. By D. C. E. ff. Comyn, F.R.G.S. (formerly of the Black Watch). With 31 Illustrations and 3 Maps. Demy 8vo. 12s. 6d. net.

STALKS IN THE HIMALAYA: Jottings of a Sportsman-Naturalist. By E. P. Stebbing, F.R.G.S., F.Z.S. With upwards of 100 Illustrations by the Author and others. Demy 8vo. 12s. 6d. net.

STALKS IN THE HIMALAYA: Notes from a Sportsman-Naturalist. By E.P. Stebbing, F.R.G.S., F.Z.S. Featuring over 100 Illustrations by the Author and others. Demy 8vo. 12s. 6d. net.

[281]

NOTICE

Those who possess old letters, documents, correspondence, MSS., scraps of autobiography, and also miniatures and portraits, relating to persons and matters historical, literary, political and social, should communicate with Mr. John Lane, The Bodley Head, Vigo Street, London, W., who will at all times be pleased to give his advice and assistance, either as to their preservation or publication.

If you have old letters, documents, correspondence, manuscripts, personal writings, or miniatures and portraits related to historical, literary, political, or social figures and topics, please get in touch with Mr. John Lane at The Bodley Head, Vigo Street, London, W. He is always happy to offer advice and assistance regarding their preservation or publication.

[282]

LIVING MASTERS OF MUSIC.

An Illustrated Series of Monographs dealing with Contemporary Musical Life, and including Representatives of all Branches of the Art.

An Illustrated Series of Monographs discussing Contemporary Musical Life, featuring Representatives from all Branches of the Art.

Edited by ROSA NEWMARCH.

Edited by Rosa Newmarch.

Crown 8vo. Cloth. Price 2/6 net.

Crown 8vo. Cloth. Price £2.50 net.

HENRY J. WOOD. By Rosa Newmarch.
SIR EDWARD ELGAR. By R.J. Buckley.
JOSEPH JOACHIM. By J.A. Fuller Maitland.
EDWARD A. MACDOWELL. By Lawrence Gilman.
THEODOR LESCHETIZKY. By Annette Hullah.
GIACOMO PUCCINI. By Wakeling Dried.
IGNAZ PADEREWSKI. By E.A. Baughan.
CLAUDE DEBUSSY. By Mrs. Franz Liebich.
RICHARD STRAUSS. By Ernest Newman.

STARS OF THE STAGE

A Series of Illustrated Biographies of the Leading Actors, Actresses, and Dramatists.

A Collection of Illustrated Biographies of the Top Actors, Actresses, and Playwrights.

Edited by J. T. GREIN.

Edited by J.T. Grein.

Crown 8vo. Price 2/6 each net.

Crown 8vo. Price £2.50 each, net.

ELLEN TERRY. By Christopher St. John.
SIR HERBERT BEERBOHM TREE. By Mrs. George Cran.
SIR W. S. GILBERT. By Edith A. Browne.
SIR CHARLES WYNDHAM. By Florence Teignmouth Shore.
[283]

A CATALOGUE OF MEMOIRS, BIOGRAPHIES, ETC.

THE LAND OF TECK & ITS SURROUNDINGS. By Rev. S. Baring-Gould. With numerous Illustrations (including several in Colour) reproduced from unique originals. Demy 8vo. (9 × 5¾ inches.) 10s. 6d. net.

THE LAND OF TECK & ITS SURROUNDINGS. By Rev. S. Baring-Gould. With numerous Illustrations (including several in color) reproduced from unique originals. Demy 8vo. (9 × 5¾ inches.) 10s. 6d. net.

AN IRISH BEAUTY OF THE REGENCY: By Mrs. Warrenne Blake. Author of “Memoirs of a Vanished Generation, 1813-1855.” With a Photogravure Frontispiece and other Illustrations. Demy 8vo. (9 × 5¾ inches.) 16s. net.

AN IRISH BEAUTY OF THE REGENCY: By Mrs. Warrenne Blake. Author of “Memoirs of a Vanished Generation, 1813-1855.” With a Photogravure Frontispiece and other Illustrations. Demy 8vo. (9 × 5¾ inches.) 16s. net.

⁂ The Irish Beauty is the Hon. Mrs. Calvert, daughter of Viscount Pery, Speaker of the Irish House of Commons, and wife of Nicholson Calvert, M. P., of Hunsdson. Born in 1767, Mrs. Calvert lived to the age of ninety-two, and there are many people still living who remember her. In the delightful journals, now for the first time published, exciting events are described.

⁂ The Irish Beauty is the Hon. Mrs. Calvert, the daughter of Viscount Pery, who was the Speaker of the Irish House of Commons, and the wife of Nicholson Calvert, M.P., from Hunsdon. Born in 1767, Mrs. Calvert lived to be ninety-two, and there are still many people alive today who remember her. The delightful journals, now published for the first time, recount exciting events.

NAPOLEON IN CARICATURE: 1795-1821. By A. M. Broadley. With an Introductory Essay on Pictorial Satire as a Factor in Napoleonic History, by J. Holland Rose, Litt. D. (Cantab.). With 24 full-page Illustrations in Colour and upwards of 200 in Black and White from rare and unique originals. 2 Vols. Demy 8vo. (9 × 5¾ inches.) 42s. net.

NAPOLEON IN CARICATURE: 1795-1821. By A.M. Broadley. With an Introductory Essay on Pictorial Satire as a Factor in Napoleonic History, by J. Holland Rose, Litt. D. (Cantab.). With 24 full-page Illustrations in Color and more than 200 in Black and White from rare and unique originals. 2 Vols. Demy 8vo. (9 × 5¾ inches.) 42s. net.

Also an Edition de Luxe. 10 guineas net.

Also a deluxe edition. 10 guineas net.

MEMORIES OF SIXTY YEARS AT ETON, CAMBRIDGE AND ELSEWHERE. By Robert Browning. Illustrated. Demy 8vo. (9 × 5¾ inches.) 14s. net.

MEMORIES OF SIXTY YEARS AT ETON, CAMBRIDGE AND ELSEWHERE. By Robert Browning. Illustrated. Demy 8vo. (9 × 5¾ inches.) £14.00 net.

THE FOUNDATIONS OF THE NINETEENTH CENTURY. By Stewart Houston Chamberlain. A Translation from the German by John Lees. With an Introduction by Lord Redesdale. Demy 8vo. (9 × 5¾ inches.) 2 vols. 25s. net.

THE FOUNDATIONS OF THE NINETEENTH CENTURY. By Stewart Houston Chamberlain. A Translation from the German by John Lees. With an Introduction by Lord Redesdale. Demy 8vo. (9 × 5¾ inches.) 2 vols. £25.00 net.

THE SPEAKERS OF THE HOUSE OF COMMONS from the Earliest Times to the Present Day, with a Topographical Account of Westminster at various Epochs, Brief Notes on sittings of Parliament and a Retrospect of the principal Constitutional Changes during Seven Centuries. By Arthur Irwin Dasent, Author of “The Life and Letters of John Delane,” “The History of St. James’s Square,” etc. etc. With numerous Portraits, including two in Photogravure and one in Colour. Demy 8vo. (9 × 5¾ inches.) 21s. net.

THE SPEAKERS OF THE HOUSE OF COMMONS from the earliest times to today, including a geographical overview of Westminster at different periods, brief notes on Parliament sessions, and a recap of the major constitutional changes over seven centuries. By Arthur Irwin Dasent, author of “The Life and Letters of John Delane,” “The History of St. James’s Square,” and others. Featuring numerous portraits, including two in photogravure and one in color. Demy 8vo. (9 × 5¾ inches.) 21s. net.

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WILLIAM HARRISON AINSWORTH AND HIS FRIENDS. By S. M. Ellis. With upwards of 50 Illustrations, 4 in Photogravure. 2 vols. Demy 8vo. (9 × 5¾ inches.) 32s. net.

WILLIAM HARRISON AINSWORTH AND HIS FRIENDS. By S.M. Ellis. With over 50 Illustrations, 4 in Photogravure. 2 vols. Demy 8vo. (9 × 5¾ inches.) £32.00 net.

NAPOLEON AND KING MURAT. 1808-1815: A Biography compiled from hitherto Unknown and Unpublished Documents. By Albert Espitalier. Translated from the French by J. Lewis May. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

NAPOLEON AND KING MURAT. 1808-1815: A Biography compiled from previously Unknown and Unpublished Documents. By Albert Espitalier. Translated from the French by J. Lewis May. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

LADY CHARLOTTE SCHREIBER’S JOURNALS Confidences of a Collector of Ceramics and Antiques throughout Britain, France, Germany, Italy, Spain, Holland, Belgium, Switzerland, and Turkey. From the Year 1869 to 1885. Edited Montague Guest, with Annotations by Egan Mew. With upwards of 100 Illustrations, including 8 in colour and 2 in photogravure. Royal 8vo. 2 Volumes. 42s. net.

LADY CHARLOTTE SCHREIBER’S JOURNALS Confidences of a Collector of Ceramics and Antiques throughout Britain, France, Germany, Italy, Spain, Holland, Belgium, Switzerland, and Turkey. From the Year 1869 to 1885. Edited Montague guest, with Annotations by Egan Mew. With over 100 Illustrations, including 8 in color and 2 in photogravure. Royal 8vo. 2 Volumes. 42s. net.

CHARLES DE BOURBON, CONSTABLE OF France: “The Great Condottiere.” By Christopher Hare. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

CHARLES DE BOURBON, CONSTABLE OF France: "The Great Mercenary Leader." By Chris Hare. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

THE NELSONS OF BURNHAM THORPE: A Record of a Norfolk Family compiled from Unpublished Letters and Note Books, 1787-1843. Edited by M. Eyre Matcham. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 16s. net.

THE NELSONS OF BURNHAM THORPE: A Record of a Norfolk Family compiled from Unpublished Letters and Notebooks, 1787-1843. Edited by M. Eyre Matcham. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 16s. net.

⁂ This interesting contribution to Nelson literature is drawn from the journals and correspondence of the Rev. Edmund Nelson. Rector of Burnham Thorpe and his youngest daughter, the father and sister of Lord Nelson. The Rector was evidently a man of broad views and sympathies, for we find him maintaining friendly relations with his son and daughter-in-law after their separation. What is even more strange, he felt perfectly at liberty to go direct from the house of Mrs. Horatio Nelson in Norfolk to that of Sir. William and Lady Hamilton in London, where his son was staying. This book shows how completely and without reserve the family received Lady Hamilton.

⁂ This intriguing addition to Nelson literature comes from the journals and letters of Rev. Edmund Nelson, the Rector of Burnham Thorpe, and his youngest daughter, the father and sister of Lord Nelson. The Rector was obviously an open-minded and caring person, as shown by his ongoing friendly relationship with his son and daughter-in-law even after their separation. What’s even more surprising is his comfort in going directly from Mrs. Horatio Nelson's home in Norfolk to Sir William and Lady Hamilton's place in London, where his son was staying. This book illustrates how completely and willingly the family embraced Lady Hamilton.

A QUEEN OF SHREDS AND PATCHES: The Life of Madame Tallien Notre Dame de Thermidor. From the last days of the French Revolution, until her death as Princess Chimay in 1835. By L. Gastine. Translated from the French by J. Lewis May. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

A QUEEN OF SHREDS AND PATCHES: The Life of Madame Tallien Notre Dame de Thermidor. From the final days of the French Revolution until her death as Princess Chimay in 1835. By L. Gastine. Translated from the French by J. Lewis May. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

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SOPHIE DAWES, QUEEN OF CHANTILLY. By Violette M. Montagu. Author of “The Scottish College in Paris,” etc. With a Photogravure Frontispiece and 16 other Illustrations and Three Plans. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

SOPHIE DAWES, QUEEN OF CHANTILLY. By Violette M. Montagu. Author of “The Scottish College in Paris,” etc. With a Photogravure Frontispiece and 16 other Illustrations and Three Plans. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

⁂ Among the many queens of France, queens by right of marriage with the reigning sovereign, queens of beauty or of intrigue, the name of Sophie Dawes, the daughter of humble fisherfolk in the Isle of Wight, better known as “the notorious Mme. de Feucheres,” “The Queen of Chantilly” and “The Montespan de Saint Leu” in the land which she chose as a suitable sphere in which to exercise her talents for money-making and for getting on in the world, stand forth as a proof of what a women’s will can accomplish when that will is accompanied with an uncommon share of intelligence.

⁂ Among the many queens of France—those married to the reigning monarch, those recognized for their beauty or cleverness—the name Sophie Dawes stands out. She was the daughter of modest fishermen from the Isle of Wight and is more famously known as “the notorious Mme. de Feucheres,” “The Queen of Chantilly,” and “The Montespan de Saint Leu.” In the life she picked for herself, she showed what a woman's determination can accomplish when combined with a remarkable level of intelligence.

MARGARET OF FRANCE DUCHESS OF SAVOY. 1523-1574. A Biography with Photogravure Frontispiece and 16 other Illustrations and Facsimile Reproductions of Hitherto Unpublished Letters. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

MARGARET OF FRANCE, DUCHESS OF SAVOY. 1523-1574. A Biography with Photogravure Frontispiece and 16 other Illustrations and Facsimile Reproductions of Previously Unpublished Letters. Demy 8vo. (9 × 5¾ inches.) £12.60 net.

⁂ A time when the Italians are celebrating the Jubilee of the Italian Kingdom is perhaps no unfitting moment in which to glance back over the annals of that royal House of Savoy which has rendered Italian unity possible. Margaret of France may without exaggeration be counted among the builders of modern Italy. She married Emanuel Philibert, the founder of Savoyard greatness: and from the day of her marriage until the day of her death she laboured to advance the interests of her adopted land.

⁂ A time when Italians are celebrating the Jubilee of the Italian Kingdom is maybe the perfect moment to reflect on the history of the royal House of Savoy, which made Italian unity possible. Margaret of France can truly be seen as one of the architects of modern Italy. She married Emanuel Philibert, the founder of Savoyard greatness; and from the day she got married until her death, she worked hard to support the interests of her adopted country.

MADAME DE BRINVILLIERS AND HER TIMES. 1630-1676. By Hugh Stokes. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

MADAME DE BRINVILLIERS AND HER TIMES. 1630-1676. By Hugh Stokes. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

⁂ The name of Marie Marguerite d’Aubray, Marquise de Brinvilliers, is famous in the annals of crime, but the true history of her career is little known. A woman of birth and rank, she was also a remorseless poisoner, and her trial was one of the most sensational episodes of the early reign of Louis XIV. The author was attracted to this curious subject by Charles le Brun’s realistic sketch of the unhappy Marquise as she appeared on her way to execution. This chief d’oeuvre of misery and agony forms the frontispiece to the volume, and strikes a fitting keynote to an absorbing story of human passion and wrong-doing.

⁂ The name Marie Marguerite d’Aubray, Marquise de Brinvilliers, is famous in criminal history, but the true story of her life isn't widely known. Coming from a noble family, she was also a brutal poisoner, and her trial was one of the most dramatic events during the early reign of Louis XIV. The author became fascinated by this intriguing subject due to Charles le Brun’s realistic portrayal of the tragic Marquise on her way to execution. This chief d’oeuvre of suffering and despair serves as the frontispiece for the volume and sets the stage for a captivating tale of human passion and wrongdoing.

THE VICISSITUDES OF A LADY-IN-WAITING. 1735-1821. By Eugene Welvert. Translated from the French by Lilian O’Neill. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

THE VICISSITUDES OF A LADY-IN-WAITING. 1735-1821. By Eugene Welvert. Translated from the French by Lily O’Neill. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

⁂ The Duchesse de Narbonne-Lara was Lady-in-Waiting to Madame Adelaide, the eldest daughter of Louis XV. Around the stately figure of this Princess are gathered the most remarkable characters of the days of the Old Regime, the Revolution and the first Empire. The great charm of the work is that it takes us over so much and varied ground. Here, in the gay crowd of ladies and courtiers, in the rustle of flowery silken paniers, in the clatter of high-heeled shoes, move the figures of Louis XV., Louis XVI., Du Barri and Marie-Antoinette. We catch picturesque glimpses of the great wits, diplomatists and soldiers of the time, until, finally we encounter Napoleon Bonaparte.

⁂ The Duchesse de Narbonne-Lara served as a Lady-in-Waiting to Madame Adelaide, the eldest daughter of Louis XV. Surrounding this royal figure are some of the most prominent personalities from the Old Regime, the Revolution, and the early Empire. What makes this work truly enjoyable is the wide variety of topics it covers. In the vibrant company of ladies and courtiers, amidst the rustling of floral silk panniers and the sound of high-heeled shoes, we encounter Louis XV., Louis XVI., Du Barri, and Marie-Antoinette. We catch vivid glimpses of the era's wits, diplomats, and soldiers, leading us to an introduction to Napoleon Bonaparte.

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ANNALS OF A YORKSHIRE HOUSE. From the Papers of a Macaroni and his Kindred. By A. M. W. Stirling, author of “Coke of Norfolk and his Friends.” With 33 Illustrations, including 3 in Colour and 3 in Photogravure. Demy 8vo. (9 × 5¾ inches.) 2 vols. 32s. net.

ANNALS OF A YORKSHIRE HOUSE. From the Papers of a Macaroni and his Relatives. By A. M. W. Stirling, author of “Coke of Norfolk and his Friends.” With 33 Illustrations, including 3 in Color and 3 in Photogravure. Demy 8vo. (9 × 5¾ inches.) 2 vols. 32s. net.

MINIATURES: A Series of Reproductions in Photogravure of Eighty-Five Miniatures of Distinguished Personages, including Queen Alexandra, the Queen of Norway, the Princess Royal, and the Princess Victoria. Painted by Charles Turrell. (Folio.) The Edition is limited to One Hundred Copies for sale in England and America, and Twenty-Five Copies for Presentation, Review, and the Museums. Each will be Numbered and Signed by the Artist. 15 guineas net.

MINIATURES: A Series of Reproductions in Photogravure of Eighty-Five Miniatures of Distinguished Personages, including Queen Alexandra, the Queen of Norway, the Princess Royal, and the Princess Victoria. Painted by Charles Turrell. (Folio.) The edition is limited to one hundred copies for sale in England and America, and twenty-five copies for presentation, review, and museums. Each will be numbered and signed by the artist. 15 guineas net.

THE LAST JOURNALS OF HORACE WALPOLE. During the Reign of George III. from 1771-1783. With Notes by Dr. Doran. Edited with an Introduction by A. Francis Steuart, and containing numerous Portraits reproduced from contemporary Pictures, Engravings, etc. 2 vols. Demy 8vo. (9 × 5¾ inches.) 25s. net.

THE LAST JOURNALS OF HORACE WALPOLE. During the Reign of George III. from 1771-1783. With Notes by Dr. Doran. Edited with an Introduction by A. Francis Steuart, and containing numerous Portraits reproduced from contemporary Pictures, Engravings, etc. 2 vols. Demy 8vo. (9 × 5¾ inches.) 25s. net.

THE WAR IN WEXFORD. By H. F. B. Wheeler and A. M. Broadley. An Account of The Rebellion in South of Ireland in 1798, told from Original Documents. With numerous Reproductions of contemporary Portraits and Engravings. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

THE WAR IN WEXFORD. By H. F. B. Wheeler and A. M. Broadley. A Narrative of the Rebellion in Southern Ireland in 1798, based on Original Documents. Featuring many Reproductions of contemporary Portraits and Engravings. Demy 8vo. (9 × 5¾ inches.) £12.50 net.

RECOLLECTIONS OF GUY DE MAUPASSANT. by His Valet François. Translated from the French by Maurice Reynold. Demy 8vo. (9 × 5¾ inches.) 7s. 6d. net.

RECOLLECTIONS OF GUY DE MAUPASSANT. by His Valet François. Translated from the French by Maurice Reynod. Demy 8vo. (9 × 5¾ inches.) 7s. 6d. net.

FAMOUS AMERICANS IN PARIS. By John Joseph Conway, M.A. With 32 Full-page Illustrations. Demy 8vo. (9 × 5¾ inches.) 10s. 6d. net.

FAMOUS AMERICANS IN PARIS. By John Conway, M.A. With 32 Full-page Illustrations. Demy 8vo. (9 × 5¾ inches.) £10.50 net.

LIFE AND MEMOIRS OF JOHN CHURTON COLLINS. Written and Compiled by his son, L. C. Collins. Demy 8vo. (9 × 5¾ inches.) 7s. 6d. net.

LIFE AND MEMOIRS OF JOHN CHURTON COLLINS. Written and Compiled by his son, L.C. Collins. Demy 8vo. (9 × 5¾ inches.) 7s. 6d. net.

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THE WIFE OF GENERAL BONAPARTE. By Joseph Turquan. Author of “The Love Affairs of Napoleon,” etc. Translated from the French by Miss Violette Montagu. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

THE WIFE OF GENERAL BONAPARTE. By Joseph Turquan. Author of “The Love Affairs of Napoleon,” etc. Translated from the French by Miss Violette Montagu. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

⁂ Although much has been written concerning the Empress Josephine, we know comparatively little about the veuve Beauharnais and the citoyenne Bonaparte, whose inconsiderate conduct during her husband’s absence caused him so much anguish. We are so accustomed to consider Josephine as the innocent victim of a cold and calculating tyrant who allowed nothing, neither human lives nor natural affections, to stand in the way of his all-conquering will, that this volume will come to us rather as a surprise. Modern historians are over-fond of blaming Napoleon for having divorced the companion of his early years; but after having read the above work, the reader will be constrained to admire General Bonaparte’s forbearance and will wonder how he ever came to allow her to play the Queen at the Tuileries.

⁂ While a lot has been written about Empress Josephine, we actually know very little about the widow Beauharnais and the citoyenne Bonaparte, whose reckless actions during her husband's absence caused him significant pain. We usually see Josephine as the innocent victim of a cold and calculating tyrant willing to sacrifice anything, including human lives and genuine feelings, for his relentless ambition, so this book might be surprising. Modern historians often criticize Napoleon for divorcing his early partner, but after reading this work, readers may come to admire General Bonaparte’s patience and might wonder how he allowed her to take on the role of Queen at the Tuileries.

A SISTER OF PRINCE RUPERT. ELIZABETH PRINCESS PALATINE, ABBESS OF HERFORD. By Elizabeth Godfrey. With numerous Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

A SISTER OF PRINCE RUPERT. ELIZABETH PRINCESS PALATINE, ABBESS OF HERFORD. By Liz Godfrey. With numerous illustrations. Demy 8vo. (9 × 5¾ inches.) £12.50 net.

AUGUSTUS SAINT GAUDENS: an Appreciation. By C. Lewis Hind. Illustrated with 47 full-page Reproductions from his most famous works. With a portrait of Keynon Cox. Large 4to. 12s. 6d. net.

AUGUSTUS SAINT GAUDENS: A Tribute. By C. Lewis Hind. Featuring 47 full-page reproductions of his most famous works. Includes a portrait of Keynon Cox. Large 4to. £12.50 net.

JOHN LOTHROP MOTLEY AND HIS FAMILY: By Mrs. Herbert St. John Mildmay. Further Letters and Records, edited by his Daughter and Herbert St. John Mildmay, with numerous Illustrations. Demy 8vo. (9 × 5¾ inches.) 16s. net.

JOHN LOTHROP MOTLEY AND HIS FAMILY: By Mrs. Herbert St. John Mildmay. Additional Letters and Records, edited by his Daughter and Herbert St. John Mildmay, with many Illustrations. Demy 8vo. (9 × 5¾ inches.) 16s. net.

SIMON BOLIVAR: El Libertador. A Life of the Leader of the Venezuelan Revolt against Spain. By F. Loraine Petre. With a Map and Illustrations. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

SIMON BOLIVAR: The Liberator. A Life of the Leader of the Venezuelan Revolt against Spain. By F. Loraine Petre. With a Map and Illustrations. Demy 8vo. (9 × 5¾ inches.) £12.60 net.

A LIFE OF SIR JOSEPH BANKS, PRESIDENT OF THE ROYAL SOCIETY: With Some Notices of His Friends and Contemporaries. By Edward Smith, F.R.H.S., Author of “William Cobbett: a Biography,” “England and America after the Independence,” etc. With a Portrait in Photogravure and 16 other Illustrations. Demy 8 vo. (9 × 5¾ inches.) 12s. 6d. net.

A LIFE OF SIR JOSEPH BANKS, PRESIDENT OF THE ROYAL SOCIETY: With Some Notices of His Friends and Contemporaries. By Edward Smith, F.R.H.S., Author of “William Cobbett: a Biography,” “England and America after Independence,” etc. Includes a Portrait in Photogravure and 16 other Illustrations. Demy 8 vo. (9 × 5¾ inches.) £12.50 net.

⁂ “The greatest living Englishman” was the tribute of his Continental contemporaries to Sir. Joseph Banks. The author of his “Life” has, with some enthusiasm, sketched the record of a man who for a period of half a century filled a very prominent place in society, but whose name is almost forgotten by the present generation.

⁂ “The greatest living Englishman” was how his European peers referred to Sir Joseph Banks. The writer of his "Life" has passionately detailed the story of a man who was a significant figure in society for fifty years, yet his name is almost forgotten by the current generation.

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NAPOLEON & THE INVASION OF ENGLAND: The Story of the Great Terror, 1797-1805. By H. F. B. Wheeler and A. M. Broadley. With upwards of 100 Full-page Illustrations reproduced from Contemporary Portraits, Prints, etc.; eight in Colour. 2 Volumes. Demy 8vo. (9 × 5¾ inches.) 32s. net.

NAPOLEON & THE INVASION OF ENGLAND: The Story of the Great Terror, 1797-1805. By H.F.B. Wheeler and A. M. Broadley. Featuring over 100 full-page illustrations from contemporary portraits, prints, etc.; eight in color. 2 Volumes. Demy 8vo. (9 × 5¾ inches.) 32s. net.

Outlook.—“The book is not merely one to be ordered from the library; it should be purchased, kept on an accessible shelf, and constantly studied by all Englishmen who love England.”

Outlook.—“This book isn't just for borrowing from the library; it should be purchased, kept on a shelf that's easy to reach, and regularly revisited by all English people who love England.”

DUMOURIEZ AND THE DEFENCE OF ENGLAND AGAINST NAPOLEON. By J. Holland Rose, Litt.D. (Cantab.), Author of “The Life of Napoleon,” and A. M. Broadley, joint-author of “Napoleon and the Invasion of England.” Illustrated with numerous Portraits, Maps, and Facsimiles. Demy 8vo. (9 × 5¾ inches.) 21s. net.

DUMOURIEZ AND THE DEFENSE OF ENGLAND AGAINST NAPOLEON. By J. Holland Rose, Litt.D. (Cantab.), Author of “The Life of Napoleon,” and A. M. Broadley, co-author of “Napoleon and the Invasion of England.” Illustrated with numerous portraits, maps, and facsimiles. Demy 8vo. (9 × 5¾ inches.) 21s. net.

THE FALL OF NAPOLEON. By Oscar Browning, M.A., Author of “The Boyhood and Youth of Napoleon.” With numerous Full-page Illustrations. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

THE FALL OF NAPOLEON. By Oscar Browning, M.A., Author of “The Boyhood and Youth of Napoleon.” With numerous Full-page Illustrations. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

Spectator.—“Without doubt Mr. Oscar Browning has produced a book which should have its place in any library of Napoleonic literature.”

Spectator.—“It’s clear that Mr. Oscar Browning has produced a book that should be included in any collection of Napoleonic literature.”

Truth.—“Mr. Oscar Browning has made not the least, but the most of the romantic material at his command for the story of the fall of the greatest figure in history.”

Truth.—“Mr. Oscar Browning has fully utilized the romantic elements available to narrate the story of the fall of the greatest figure in history.”

THE BOYHOOD & YOUTH OF NAPOLEON, 1769-1793. Some Chapters on the early life of Bonaparte. By Oscar Browning, M.A. With numerous Illustrations, Portraits etc. Crown 8vo. 5s. net.

THE BOYHOOD & YOUTH OF NAPOLEON, 1769-1793. Some Chapters on the early life of Bonaparte. By Oscar Browning, Master's Degree With numerous Illustrations, Portraits etc. Crown 8vo. 5s. net.

Daily News.—“Mr. Browning has with patience, labour, careful study, and excellent taste given us a very valuable work, which will add materially to the literature on this most fascinating of human personalities.

Daily News.—“Mr. Browning has demonstrated remarkable patience, dedication, careful research, and excellent taste in delivering a valuable contribution that will greatly enhance the literature on this fascinating aspect of human nature.

THE LOVE AFFAIRS OF NAPOLEON. By Joseph Turquan. Translated from the French by James L. May. With 32 Full-page Illustrations. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

THE LOVE AFFAIRS OF NAPOLEON. By Joseph Turquan. Translated from the French by James L. May. With 32 Full-page Illustrations. Demy 8vo. (9 × 5¾ inches). 12sh. 6d. net.

THE DUKE OF REICHSTADT (NAPOLEON II.) By Edward de Wertheimer. Translated from the German. With numerous Illustrations. Demy 8vo. (9 × 5¾ inches.) 21s. net. (Second Edition.)

THE DUKE OF REICHSTADT (NAPOLEON II.) By Edward de Wertheimer. Translated from the German. With many Illustrations. Demy 8vo. (9 × 5¾ inches.) 21s. net. (Second Edition.)

Times.—“A most careful and interesting work which presents the first complete and authoritative account of this unfortunate Prince.”

Times.—“A very detailed and captivating piece that provides the first comprehensive and official account of this tragic Prince.”

Westminster Gazette.—“This book, admirably produced, reinforced by many additional portraits, is a solid contribution to history and a monument of patient, well-applied research.”

Westminster Gazette.—“This book is well-crafted and includes many additional portraits, making it a significant contribution to history and a testament to thorough, dedicated research.”

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NAPOLEON’S CONQUEST OF PRUSSIA, 1806. By F. Loraine Petre. With an Introduction by Field-Marshal Earl Roberts, V.C., K.G., etc. With Maps, Battle Plans, Portraits, and 16 Full-page Illustrations. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

NAPOLEON’S CONQUEST OF PRUSSIA, 1806. By F. Loraine Petre. With an Introduction by Field Marshal Earl Roberts, V.C., K.G., etc. With Maps, Battle Plans, Portraits, and 16 Full-page Illustrations. Demy 8vo. (9 × 5¾ inches). 12 s. 6 d. net.

Scotsman.—“Neither too concise, nor too diffuse, the book is eminently readable. It is the best work in English on a somewhat circumscribed subject.”

Scotsman.—“It's just the right length, making the book easy to read. It's the best book in English on a somewhat narrow topic.”

Outlook.—“Mr. Petre has visited the battlefields and read everything, and his monograph is a model of what military history, handled with enthusiasm and literary ability, can be.”

Outlook.—“Mr. Petre has visited the battlefields and researched everything, and his monograph is a great example of what military history can accomplish when approached with passion and writing talent.”

NAPOLEON’S CAMPAIGN IN POLAND, 1806-1807. A Military History of Napoleon’s First War with Russia, verified from unpublished official documents. By F. Loraine Petre. With 16 Full-page Illustrations, Maps, and Plans. New Edition. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

NAPOLEON'S CAMPAIGN IN POLAND, 1806-1807. A Military History of Napoleon's First War with Russia, verified from unpublished official documents. By F. Loraine Petre. With 16 Full-page Illustrations, Maps, and Plans. New Edition. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

Army and Navy Chronicle.—“We welcome a second edition of this valuable work. . . . Mr. Loraine Petre is an authority on the wars of the great Napoleon, and has brought the greatest care and energy into his studies of the subject.”

Army and Navy Chronicle.—“We’re thrilled to see a second edition of this important work. . . . Mr. Loraine Petre is a specialist in the wars of Napoleon Bonaparte and has put in a lot of care and effort into his research on the subject.”

NAPOLEON AND THE ARCHDUKE CHARLES. A History of the Franco-Austrian Campaign in the Valley of the Danube in 1809. By F. Loraine Petre. With 8 Illustrations and 6 sheets of Maps and Plans. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

NAPOLEON AND THE ARCHDUKE CHARLES. A History of the Franco-Austrian Campaign in the Valley of the Danube in 1809. By F. Loraine Petre. With 8 Illustrations and 6 sheets of Maps and Plans. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

RALPH HEATHCOTE. Letters of a Diplomatist During the Time of Napoleon, Giving an Account of the Dispute between the Emperor and the Elector of Hesse. By Countess Gunther Gröben. With Numerous Illustrations. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

RALPH HEATHCOTE. Letters of a Diplomat During the Time of Napoleon, Reporting on the Conflict between the Emperor and the Elector of Hesse. By Countess Gunther Groben. With Many Illustrations. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

MEMOIRS OF THE COUNT DE CARTRIE. A record of the extraordinary events in the life of a French Royalist during the war in La Vendée, and of his flight to Southampton, where he followed the humble occupation of gardener. With an introduction by Frédéric Masson, Appendices and Notes by Pierre Amédée Pichot, and other hands, and numerous Illustrations, including a Photogravure Portrait of the Author. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

MEMOIRS OF THE COUNT DE CARTRIE. A record of the extraordinary events in the life of a French Royalist during the war in La Vendée, and of his escape to Southampton, where he worked as a gardener. With an introduction by Frédéric Masson, appendices and notes by Pierre Amédée Pichot, and contributions from others, along with many illustrations, including a photogravure portrait of the author. Demy 8vo. (9 × 5¾ inches.) 12s. 6d. net.

Daily News.—“We have seldom met with a human document which has interested us so much.”

Daily News.—“We've hardly ever encountered a personal story that has pulled us in this much.”

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THE JOURNAL OF JOHN MAYNE DURING A TOUR ON THE CONTINENT UPON ITS REOPENING AFTER THE FALL OF NAPOLEON, 1814. Edited by his Grandson, John Mayne Colles. With 16 Illustrations. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

THE JOURNAL OF JOHN MAYNE DURING A TOUR ON THE CONTINENT AFTER ITS REOPENING FOLLOWING NAPOLEON'S FALL, 1814. Edited by his Grandson, John Mayne Colles. With 16 Illustrations. Standard size. (9 × 5¾ inches). 12s. 6d. net.

WOMEN OF THE SECOND EMPIRE. Chronicles of the Court of Napoleon III. By Frédéric Loliée. With an introduction by Richard Whiteing, and 53 full-page Illustrations, 3 in Photogravure. Demy 8vo. (9 × 5¾ inches.) 21s. net.

WOMEN OF THE SECOND EMPIRE. Chronicles of the Court of Napoleon III. By Frédéric Loliée. With an introduction by Richard Whiteing, and 53 full-page Illustrations, 3 in Photogravure. Demy 8vo. (9 × 5¾ inches.) 21s. net.

Standard.—“M. Frederic Loliee has written a remarkable book, vivid and pitiless in its description of the intrigue and dare-devil spirit which flourished unchecked at the French Court. . . . Mr. Richard Whiteing’s introduction is written with restraint and dignity.”

Standard.—“M. Frederic Loliee has written an exceptional book, powerful and direct in its depiction of the intrigue and adventurous spirit that flourished at the French Court. . . . Mr. Richard Whiteing’s introduction is written with elegance and balance.”

MEMOIRS OF MADEMOISELLE DES ECHEROLLES. Translated from the French by Marie Clothilde Balfour. With an introduction by G. K. Fortescue, Portraits, etc. 5s. net.

MEMOIRS OF MADEMOISELLE DES ECHEROLLES. Translated from the French by Marie Clothilde Balfour. With an introduction by G. K. Fortescue, portraits, and more. 5s. net.

Liverpool Mercury.—“. . . this absorbing book. . . . The work has a very decided historical value. The translation is excellent, and quite notable in the preservation of idiom.”

Liverpool Mercury.—“. . . this intriguing book. . . . The work holds considerable historical importance. The translation is outstanding and effectively preserves the original meaning.”

GIOVANNI BOCCACCIO: A BIOGRAPHICAL STUDY. By Edward Hutton. With a Photogravure Frontispiece and numerous other Illustrations. Demy 8vo. (9 × 5¾ inches) 16s. net.

GIOVANNI BOCCACCIO: A BIOGRAPHICAL STUDY. By Edward Hutton. With a Photogravure Frontispiece and many other Illustrations. Demy 8vo. (9 × 5¾ inches) 16s. net.

THE LIFE OF PETER ILICH TCHAIKOVSKY (1840-1893). By his Brother, Modeste Tchaikovsky. Edited and abridged from the Russian and German Editions by Rosa Newmarch. With Numerous Illustrations and Facsimiles and an Introduction by the Editor. Demy 8vo. (9 × 5¾ inches.) 7s. 6d. net. Second edition.

THE LIFE OF PETER ILICH TCHAIKOVSKY (1840-1893). By his Brother, Modest Tchaikovsky. Edited and shortened from the Russian and German Editions by Rosa Newmarch. With many illustrations and facsimiles and an Introduction by the Editor. Demy 8vo. (9 × 5¾ inches.) 7s. 6d. net. Second edition.

The Times.—“A most illuminating commentary on Tchaikovsky’s music.”

The Times.—“An insightful perspective on Tchaikovsky’s music.”

World.—“One of the most fascinating self-revelations by an artist which has been given to the world. The translation is excellent, and worth reading for its own sake.”

World.—“One of the most fascinating journeys of self-discovery shared by an artist. The translation is outstanding and worth reading for that alone.”

Contemporary Review.—“The book’s appeal is, of course, primarily to the music-lover; but there is so much of human and literary interest in it, such intimate revelation of a singularly interesting personality, that many who have never come under the spell of the Pathetic Symphony will be strongly attracted by what is virtually the spiritual autobiography of its composer. High praise is due to the translator and editor for the literary skill with which she has prepared the English version of this fascinating work. . . There have been few collections of letters published within recent years that give so vivid a portrait of the writer as that presented to us in these pages.”

Contemporary Review.—“The book primarily appeals to music enthusiasts; yet, it also contains so much human and literary significance, offering an intimate glimpse into a uniquely captivating personality, that many who have never felt the emotional impact of the Pathetic Symphony will be engaged by what is fundamentally the spiritual autobiography of its composer. The translator and editor deserve great commendation for the literary talent with which she has created the English version of this engaging work. . . There have been few letter collections published in recent years that provide such a vivid portrayal of the writer as the one found in these pages.”

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THE LIFE OF SIR HALLIDAY MACARTNEY, K.C.M.G., Commander of Li Hung Chang’s trained force in the Taeping Rebellion, founder of the first Chinese Arsenal, Secretary to the first Chinese Embassy to Europe. Secretary and Councillor to the Chinese Legation in London for thirty years. By Demetrius C. Boulger, Author of the “History of China,” the “Life of Gordon,” etc. With Illustrations. Demy 8vo. (9 × 5¾ inches.) Price 21s. net.

THE LIFE OF SIR HALLIDAY MACARTNEY, K.C.M.G., Commander of Li Hung Chang’s trained force during the Taeping Rebellion, founder of the first Chinese Arsenal, and Secretary to the first Chinese Embassy to Europe. He served as Secretary and Councillor to the Chinese Legation in London for thirty years. By Demetrius C. Boulger, Author of “History of China,” “Life of Gordon,” etc. With Illustrations. Demy 8vo. (9 × 5¾ inches.) Price 21s. net.

DEVONSHIRE CHARACTERS AND STRANGE EVENTS. By S. Baring-Gould, M.A., Author of “Yorkshire Oddities,” etc. With 58 Illustrations. Demy 8vo. (9 × 5¾ inches.) 21s. net.

DEVONSHIRE CHARACTERS AND STRANGE EVENTS. By S. Baring-Gould, Master's degree, Author of “Yorkshire Oddities,” etc. With 58 Illustrations. Demy 8vo. (9 × 5¾ inches.) 21s. net.

Daily News.—“A fascinating series . . . the whole book is rich in human interest. It is by personal touches, drawn from traditions and memories, that the dead men surrounded by the curious panoply of their time, are made to live again in Mr. Baring-Gould’s pages.”

Daily News.—“An interesting series... the whole book is packed with human interest. It’s through personal stories, drawn from traditions and memories, that the men of the past, immersed in the captivating elements of their era, are brought to life again in Mr. Baring-Gould’s pages.”

THE HEART OF GAMBETTA. Translated from the French of Francis Laur by Violette Montagu. With an Introduction by John Macdonald, Portraits and other Illustrations. Demy 8vo. (9 × 5¾ inches.) 7s. 6d.net.

THE HEART OF GAMBETTA. Translated from the French of Francis Laur by Violette Montagu. With an Introduction by John A. Macdonald, Portraits and other Illustrations. Demy 8vo. (9 × 5¾ inches.) 7s. 6d.net.

Daily Telegraph.—“It is Gambetta pouring out his soul to Léonie Leon, the strange, passionate, masterful demagogue, who wielded the most persuasive oratory of modern times, acknowledging his idol, his inspiration, his Egeria.”

Daily Telegraph.—“It’s Gambetta expressing his innermost thoughts to Léonie Leon, the unique, passionate, and authoritative leader, who delivered the most captivating speech of our era, acknowledging his idol, his inspiration, his guiding muse.”

THE LIFE OF JOAN OF ARC. By Anatole France. A Translation by Winifred Stephens. With 8 Illustrations. Demy 8vo. (9 × 5¾ inches.) 2 vols. Price 25s. net.

THE LIFE OF JOAN OF ARC. By Anatole France. A Translation by Winifred Stephens. With 8 Illustrations. Demy 8vo. (9 × 5¾ inches.) 2 vols. Price 25s. net.

THE DAUGHTER OF LOUIS XVI. Marie-Thérèse-Charlotte of France, Duchesse D’Angoulême. By G. Lenotre. With 13 Full-page Illustrations. Demy 8vo. (9 × 5¾ inches.) Price 10s. 6d. net.

THE DAUGHTER OF LOUIS XVI. Marie-Thérèse-Charlotte of France, Duchess of Angoulême. By G. Lenotre. With 13 Full-page Illustrations. Demy 8vo. (9 × 5¾ inches.) Price 10s. 6d. net.

WITS, BEAUX, AND BEAUTIES OF THE GEORGIAN ERA. By John Fyvie, author of “Some Famous Women of Wit and Beauty,” “Comedy Queens of the Georgian Era,” etc. With a Photogravure Portrait and numerous other Illustrations. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

WITS, BEAUX, AND BEAUTIES OF THE GEORGIAN ERA. By John Fyvie, author of “Some Famous Women of Wit and Beauty,” “Comedy Queens of the Georgian Era,” etc. With a Photogravure Portrait and many other Illustrations. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

MADAME DE MAINTENON: Her Life and Times, 1655-1719. By C. C. Dyson. With 1 Photogravure Plate and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

MADAME DE MAINTENON: Her Life and Times, 1655-1719. By C.C. Dyson. With 1 Photogravure Plate and 16 other Illustrations. Demy 8vo. (9 × 5¾ inches). 12s. 6d. net.

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DR. JOHNSON AND MRS. THRALE. By A. M. Broadley. With an Introductory Chapter by Thomas Seccombe. With 24 Illustrations from rare originals, including a reproduction in colours of the Fellowes Miniature of Mrs. Piozzi by Roche, and a Photogravure of Harding’s sepia drawing of Dr. Johnson. Demy 8vo. (9 × 5¾ inches). 16s. net.

DR. JOHNSON AND MRS. THRALE. By A. M. Broadley. With an Introductory Chapter by Thomas Seccombe. Featuring 24 illustrations from rare originals, including a color reproduction of the Fellowes Miniature of Mrs. Piozzi by Roche, and a photogravure of Harding’s sepia drawing of Dr. Johnson. Demy 8vo. (9 × 5¾ inches). 16s. net.

THE DAYS OF THE DIRECTOIRE. By Alfred Allinson, M.A. With 48 Full-page Illustrations, including many illustrating the dress of the time. Demy 8vo. (9 × 5¾ inches). 16s. net.

THE DAYS OF THE DIRECTOIRE. By Alfred Allinson, Master's degree With 48 Full-page Illustrations, including many showcasing the fashion of the era. Demy 8vo. (9 × 5¾ inches). 16s. net.

HUBERT AND JOHN VAN EYCK: Their Life and Work. By W. H. James Weale. With 41 Photogravure and 95 Black and White Reproductions. Royal 4to. £5 5s. net.

HUBERT AND JOHN VAN EYCK: Their Life and Work. By W.H. James Weale. With 41 Photogravure and 95 Black and White Reproductions. Royal 4to. £5 5s. net.

Sir Martin Conway’s Note.

Sir Martin Conway's Note.

Nearly half a century has passed since Mr. W. H. James Weale, then resident at Bruges, began that long series of patient investigations into the history of Netherlandish art which was destined to earn so rich a harvest. When he began work Memlinc was still called Hemling, and was fabled to have arrived at Bruges as a wounded soldier. The van Eycks were little more than legendary heroes. Roger Van der Weyden was little more than a name. Most of the other great Netherlandish artists were either wholly forgotten or named only in connection with paintings with which they had nothing to do. Mr. Weale discovered Gerard David, and disentangled his principal works from Memlinc’s, with which they were then confused.

Almost fifty years have gone by since Mr. W. H. James Weale, who was living in Bruges at that time, began his thorough and detailed research into the history of Dutch art, which would lead to important discoveries. When he started his work, Memlinc was still called Hemling and there were rumors that he had come to Bruges as a wounded soldier. The van Eycks were barely seen as more than legendary figures. Roger Van der Weyden was just a name. Most of the other great Dutch artists were either completely forgotten or only mentioned in connection with artworks they didn’t create. Mr. Weale rediscovered Gerard David and distinguished his main works from those of Memlinc, which had been mistakenly mixed up.

VINCENZO FOPPA OF BRESCIA, Founder of The Lombard School, His Life and Work. By Constance Jocelyn Ffoulkes and Monsignor Rodolfo Majocchi, D.D., Rector of the Collegio Borromeo, Pavia. Based on research in the Archives of Milan, Pavia, Brescia, and Genoa and on the study of all his known works. With over 100 Illustrations, many in Photogravure, and 100 Documents. Royal 4to. £5 5s. 0d. net.

VINCENZO FOPPA OF BRESCIA, Founder of The Lombard School: His Life and Work. By Constance Jocelyn Ffoulkes and Monsignor Rodolfo Majocchi, D.D., Rector of the Collegio Borromeo, Pavia. Based on research in the Archives of Milan, Pavia, Brescia, and Genoa, and the study of all his known works. With over 100 illustrations, many in photogravure, and 100 documents. Royal 4to. £5 5s. 0d. net.

MEMOIRS OF THE DUKES OF URBINO. Illustrating the Arms, Art and Literature of Italy from 1440 to 1630. By James Dennistoun of Dennistoun. A New Edition edited by Edward Hutton, with upwards of 100 Illustrations. Demy 8vo. (9 × 5¾ inches.) 3 vols. 42s. net.

MEMOIRS OF THE DUKES OF URBINO. Illustrating the Arms, Art, and Literature of Italy from 1440 to 1630. By James Dennistoun of Dennistoun. A New Edition edited by Edward Hutton, with over 100 Illustrations. Demy 8vo. (9 × 5¾ inches.) 3 vols. 42s. net.

THE DIARY OF A LADY-IN-WAITING. By Lady Charlotte Bury. Being the Diary Illustrative of the Times of George the Fourth. Interspersed with original Letters from the late Queen Caroline and from various other distinguished persons. New edition. Edited, with an Introduction, by A. Francis Steuart. With numerous portraits. Two Vols. Demy 8vo. (9 × 5¾ inches.) 21s. net.

THE DIARY OF A LADY-IN-WAITING. By Lady Charlotte Bury. A Diary Reflecting the Times of George the Fourth. Includes original Letters from the late Queen Caroline and various other notable figures. New edition. Edited, with an Introduction, by Francis Steuart. Featuring numerous portraits. Two Vols. Demy 8vo. (9 × 5¾ inches.) 21s. net.

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THE LAST JOURNALS OF HORACE WALPOLE. During the Reign of George III from 1771 to 1783. With Notes by Dr. Doran. Edited with an Introduction by A. Francis Steuart, and containing numerous Portraits (2 in Photogravure) reproduced from contemporary Pictures, Engravings, etc. 2 vols. Uniform with “The Diary of a Lady-in-Waiting.” Demy 8vo. (9 × 5¾ inches). 25s. net.

THE LAST JOURNALS OF HORACE WALPOLE. During the Reign of George III from 1771 to 1783. With Notes by Dr. Doran. Edited with an Introduction by A. Francis Steuart, and containing numerous Portraits (2 in Photogravure) reproduced from contemporary Pictures, Engravings, etc. 2 vols. Uniform with “The Diary of a Lady-in-Waiting.” Demy 8vo. (9 × 5¾ inches). 25s. net.

JUNIPER HALL: Rendezvous of certain illustrious Personages during the French Revolution, including Alexander D’Arblay and Fanny Burney. Compiled by Constance Hill. With numerous Illustrations by Ellen G. Hill, and reproductions from various Contemporary Portraits. Crown 8vo. 5s. net.

JUNIPER HALL: Meeting of various notable figures during the French Revolution, including Alexander D’Arblay and Fanny Burney. Compiled by Constance Hill. With many illustrations by Ellen G. Hill, and reproductions from different contemporary portraits. Crown 8vo. 5s. net.

JANE AUSTEN: Her Homes and Her Friends. By Constance Hill. Numerous Illustrations by Ellen G. Hill, together with Reproductions from Old Portraits, etc. Cr. 8vo. 5s. net.

JANE AUSTEN: Her Homes and Her Friends. By Constance Hill. Many Illustrations by Ellen G. Hill, along with Reproductions from Old Portraits, etc. Cr. 8vo. 5s. net.

THE HOUSE IN ST. MARTIN’S STREET. Being Chronicles of the Burney Family. By Constance Hill, Author of “Jane Austen, Her Home, and Her Friends,” “Juniper Hall,” etc. With numerous Illustrations by Ellen G. Hill, and reproductions of Contemporary Portraits, etc. Demy 8vo. 21s. net.

THE HOUSE IN ST. MARTIN’S STREET. Being Chronicles of the Burney Family. By Constance Hill, Author of “Jane Austen, Her Home, and Her Friends,” “Juniper Hall,” etc. With numerous Illustrations by Ellen G. Hill, and reproductions of Contemporary Portraits, etc. Demy 8vo. 21£ net.

STORY OF THE PRINCESS DES URSINS IN SPAIN (Camarera-Mayor). By Constance Hill. With 12 Illustrations and a Photogravure Frontispiece. New Edition. Crown 8vo. 5s. net.

STORY OF THE PRINCESS DES URSINS IN SPAIN (Camarera-Mayor). By Constance Hill. With 12 Illustrations and a Photogravure Frontispiece. New Edition. Crown 8vo. 5s. net.

MARIA EDGEWORTH AND HER CIRCLE IN THE DAYS OF BONAPARTE AND BOURBON. By Constance Hill. Author of “Jane Austen: Her Homes and Her Friends,” “Juniper Hall,” “The House in St Martin’s Street,” etc. With numerous Illustrations by Ellen G. Hill and Reproductions of Contemporary Portraits, etc. Demy 8vo. (9 × 5¾ inches). 21s. net.

MARIA EDGEWORTH AND HER CIRCLE IN THE DAYS OF BONAPARTE AND BOURBON. By Constance Hill. Author of “Jane Austen: Her Homes and Her Friends,” “Juniper Hall,” “The House in St Martin’s Street,” etc. With numerous Illustrations by Ellen G. Hill and Reproductions of Contemporary Portraits, etc. Demy 8vo. (9 × 5¾ inches). 21s. net.

CESAR FRANCK: A Study. Translated from the French of Vincent d’Indy, with an Introduction by Rosa Newmarch. Demy 8vo. (9 × 5¾ inches.) 7s. 6d. net.

CESAR FRANCK: A Study. Translated from the French of Vincent d’Indy, with an Introduction by Rosa Newmarch. Demy 8vo. (9 × 5¾ inches.) 7s. 6d. net.

MEN AND LETTERS. By Herbert Paul, M.P. Fourth Edition. Crown 8vo. 5s. net.

MEN AND LETTERS. By Herb Paul, M.P. Fourth Edition. Crown 8vo. 5s. net.

ROBERT BROWNING: Essays and Thoughts. By J. T. Nettleship. With Portrait. Crown 8vo. 5s. 6d. net. (Third Edition).

ROBERT BROWNING: Essays and Thoughts. By J.T. Nettleship. With Portrait. Crown 8vo. 5s. 6d. net. (Third Edition).

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NEW LETTERS OF THOMAS CARLYLE. Edited and Annotated by Alexandar Carlyle, with Notes and an Introduction and numerous Illustrations. In Two Volumes. Demy 8vo. (9 × 5¾ inches.) 25s. net.

NEW LETTERS OF THOMAS CARLYLE. Edited and Annotated by Alex Carlyle, with Notes, an Introduction, and many Illustrations. In Two Volumes. Demy 8vo. (9 × 5¾ inches.) 25s. net.

Pall Mall Gazette.—“To the portrait of the man, Thomas, these letters do really add value; we can learn to respect and to like him more for the genuine goodness of his personality.”

Pall Mall Gazette.—“These letters genuinely enhance the portrayal of Thomas; we can come to respect and like him more for the true goodness of his character.”

Literary World.—“It is then Carlyle, the nobly filial son, we see in these letters; Carlyle, the generous and affectionate brother, the loyal and warm-hearted friend, . . . and above all, Carlyle as a tender and faithful lover of his wife.”

Literary World.—“In these letters, we see Carlyle as a devoted son; Carlyle as a kind and loving brother, a loyal and caring friend, . . . and most importantly, Carlyle as a loving and committed husband to his wife.”

Daily Telegraph.—“The letters are characteristic enough of the Carlyle we know: very picturesque and entertaining, full of extravagant emphasis, written, as a rule, at fever heat, eloquently rabid and emotional.”

Daily Telegraph.—“The letters really capture the Carlyle we know: very vivid and engaging, full of dramatic emphasis, usually written in an intense state, passionately emotional.”

NEW LETTERS AND MEMORIALS OF JANE WELSH CARLYLE. A Collection of hitherto Unpublished Letters. Annotated by Thomas Carlyle, and Edited by Alexander Carlyle, with an Introduction by Sir James Crichton Browne, M.D., LLD., F.R.S., numerous Illustrations drawn in Lithography by T. R. Way, and Photogravure Portraits from hitherto unreproduced Originals. In Two Vols. Demy 8vo. (9 × 5¾ inches.) 25s. net.

NEW LETTERS AND MEMORIALS OF JANE WELSH CARLYLE. A Collection of previously Unpublished Letters. Annotated by Thomas Carlyle, and Edited by Alexander Carlyle, with an Introduction by Sir James Crichton-Browne, M.D., LLD., F.R.S., numerous Illustrations drawn in Lithography by T. R. Way, and Photogravure Portraits from previously unreproduced Originals. In Two Vols. Demy 8vo. (9 × 5¾ inches.) 25s. net.

Westminster Gazette.—“Few letters in the language have in such perfection the qualities which good letters should possess. Frank, gay, brilliant, indiscreet, immensely clever, whimsical, and audacious, they reveal a character which, with whatever alloy of human infirmity, must endear itself to any reader of understanding.”

Westminster Gazette.—“Few letters in the language have all the qualities that good letters should possess. They are genuine, upbeat, witty, a bit reckless, incredibly smart, unique, and daring, showcasing a personality that, despite any imperfections, is sure to appeal to any perceptive reader.”

World.—“Throws a deal of new light on the domestic relations of the Sage of Chelsea. They also contain the full text of Mrs. Carlyle’s fascinating journal, and her own ‘humorous and quaintly candid’ narrative of her first love-affair.”

World.—“Offers a lot of new insight into the home life of the Sage of Chelsea. They also feature the complete text of Mrs. Carlyle’s engaging journal, along with her own 'funny and refreshingly honest' take on her first love affair.”

THE LOVE LETTERS OF THOMAS CARLYLE AND JANE WELSH. Edited by Alexander Carlyle, Nephew of Thomas Carlyle, editor of “New Letters and Memorials of Jane Welsh Carlyle,” “New Letters of Thomas Carlyle,” etc. With 2 Portraits in colour and numerous other Illustrations. Demy 8vo. (9 × 5¾ inches). 2 vols. 25s. net.

THE LOVE LETTERS OF THOMAS CARLYLE AND JANE WELSH. Edited by Alexander Carlyle, Nephew of Thomas Carlyle, editor of “New Letters and Memorials of Jane Welsh Carlyle,” “New Letters of Thomas Carlyle,” and more. With 2 color portraits and many other illustrations. Demy 8vo. (9 × 5¾ inches). 2 vols. 25s. net.

CARLYLE’S FIRST LOVE. Margaret Gordon—Lady Bannerman. An account of her Life, Ancestry and Homes; her Family and Friends. By R. C. Archibald. With 20 Portraits and Illustrations, including a Frontispiece in Colour. Demy 8vo. (9 × 5¾ inches). 10s. 6d. net.

CARLYLE’S FIRST LOVE. Margaret Gordon—Lady Bannerman. A story about her life, background, and homes; her family and friends. By R.C. Archibald. With 20 portraits and illustrations, including a colored frontispiece. Demy 8vo. (9 × 5¾ inches). 10s. 6d. net.

EMILE ZOLA: Novelist and Reformer. An Account of his Life, Work, and Influence. By E. A. Vizetelly. With numerous Illustrations, Portraits, etc. Demy 8vo. 21s. net.

EMILE ZOLA: Author and Activist. A Summary of his Life, Work, and Impact. By E.A. Vizetelly. With various Illustrations, Portraits, etc. Demy 8vo. 21s. net.

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MEMOIRS OF THE MARTYR KING: being a detailed record of the last two years of the Reign of His Most Sacred Majesty King Charles the First, 1646-1648-9. Compiled by Alan Fea. With upwards of 100 Photogravure Portraits and other Illustrations, including relics. Royal 4to. £5 5s. 0d. net.

MEMOIRS OF THE MARTYR KING: being a detailed record of the last two years of the Reign of His Most Sacred Majesty King Charles the First, 1646-1648-9. Compiled by Alan Fea. With over 100 photogravure portraits and other illustrations, including relics. Royal 4to. £5 5s. 0d. net.

MEMOIRS OF A VANISHED GENERATION 1811-1855. Edited by Mrs. Warrenne Blake. With numerous Illustrations. Demy 8vo. (9 × 5¾ inches.) 16s. net.

MEMOIRS OF A VANISHED GENERATION 1811-1855. Edited by Mrs. Warrenne Blake. With numerous Illustrations. Demy 8vo. (9 × 5¾ inches.) 16s. net.

THE KING’S GENERAL IN THE WEST, being the Life of Sir Richard Granville, Baronet (1600-1659). By Roger Granville, M.A., Sub-Dean of Exeter Cathedral. With Illustrations. Demy 8vo. (9 × 5¾ inches.) 10s. 6d. net.

THE KING’S GENERAL IN THE WEST, the Life of Sir Richard Granville, Baronet (1600-1659). By Roger Granville, Master's degree., Sub-Dean of Exeter Cathedral. With Illustrations. Demy 8vo. (9 × 5¾ inches.) 10s. 6d. net.

THE LIFE AND LETTERS OF ROBERT STEPHEN HAWKER, sometime Vicar of Morwenstow in Cornwall. By C. E. Byles. With numerous Illustrations by J. Ley Pethybridge and others. Demy 8vo. (9 × 5¾ inches.) 7s. 6d. net.

THE LIFE AND LETTERS OF ROBERT STEPHEN HAWKER, former Vicar of Morwenstow in Cornwall. By C.E. Byles. With numerous illustrations by J. Ley Pethybridge and others. Demy 8vo. (9 × 5¾ inches.) 7£. 6p. net.

THE LIFE OF WILLIAM BLAKE. By Alexander Gilchrist, Edited with an Introduction by W. Graham Robertson. Numerous Reproductions from Blake’s most characteristic and remarkable designs. Demy 8vo. (9 × 5¾ inches.) 10s. 6d. net. New Edition.

THE LIFE OF WILLIAM BLAKE. By Alexander Gilchrist, Edited with an Introduction by W. Graham Robertson. Numerous reproductions of Blake’s most iconic and striking designs. Demy 8vo. (9 × 5¾ inches.) 10s. 6d. net. New Edition.

GEORGE MEREDITH: Some Characteristics. By Richard Le Gallienne. With a Bibliography (much enlarged) by John Lane. Portrait, etc. Crown 8vo. 5s. net. Fifth Edition. Revised.

GEORGE MEREDITH: Some Characteristics. By Richard Le Gallienne. With a Bibliography (greatly expanded) by John Lane. Portrait, etc. Crown 8vo. 5s. net. Fifth Edition. Revised.

A QUEEN OF INDISCRETIONS. The Tragedy of Caroline of Brunswick, Queen of England. From the Italian of G. P. Clerici. Translated by Frederic Chapman. With numerous Illustrations reproduced from contemporary Portraits and Prints. Demy 8vo. (9 × 5¾ inches.) 21s. net.

A QUEEN OF INDISCRETIONS. The Tragedy of Caroline of Brunswick, Queen of England. From the Italian of G. P. Clerici. Translated by Frederic Chapman. With numerous illustrations taken from contemporary portraits and prints. Standard size (9 × 5¾ inches). 21s. net.

LETTERS AND JOURNALS OF SAMUEL GRIDLEY HOWE. Edited by his Daughter Laura E. Richards. With Notes and a Preface by F. B. Sanborn, an Introduction by Mrs. John Lane, and a Portrait. Demy 8vo. (9 × 5¾ inches). 16s. net.

LETTERS AND JOURNALS OF SAMUEL GRIDLEY HOWE. Edited by his daughter Laura E. Richards. With notes and a preface by F.B. Sanborn, an introduction by Mrs. John Lane, and a portrait. Demy 8vo. (9 × 5¾ inches). 16s. net.

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GRIEG AND HIS MUSIC. By H. T. Finck, Author of “Wagner and his Works,” etc. With Illustrations. Demy 8vo. (9 × 5¾ inches.) 7s. 6d. net.

GRIEG AND HIS MUSIC. By H.T. Finck, Author of “Wagner and his Works,” etc. With Illustrations. Demy 8vo. (9 × 5¾ inches.) 7s. 6d. net.

EDWARD A. MACDOWELL: a Biography. By Lawrence Gilman, Author of “Phases of Modern Music,” “Strauss’ ‘Salome,’” “The Music of To-morrow and Other Studies,” “Edward Macdowell,” etc. Profusely illustrated. Crown 8vo. 5s. net.

EDWARD A. MACDOWELL: A Biography. By Lawrence Gilman, author of “Phases of Modern Music,” “Strauss’ ‘Salome,’” “The Music of Tomorrow and Other Studies,” “Edward Macdowell,” and more. Richly illustrated. Crown 8vo. 5s. net.

THE LIFE OF ST. MARY MAGDALEN. Translated from the Italian of an unknown Fourteenth-Century Writer by Valentina Hawtrey. With an Introductory Note by Vernon Lee, and 14 Full-page Reproductions from the Old Masters. Crown 8vo. 5s. net.

THE LIFE OF ST. MARY MAGDALEN. Translated from the Italian of an unknown Fourteenth-Century Writer by Valentina Hawtrey. With an Introductory Note by Vernon Lee, and 14 Full-page Reproductions from the Old Masters. Crown 8vo. 5£. net.

WILLIAM MAKEPEACE THACKERAY. A Biography by Lewis Melville. With 2 Photogravures and numerous other Illustrations. Demy 8vo. (9 × 5¾ inches). 25s. net.

WILLIAM MAKEPEACE THACKERAY. A Biography by Lewis Melville. With 2 Photogravures and numerous other Illustrations. Demy 8vo. (9 × 5¾ inches). 25s. net.

A LATER PEPYS. The Correspondence of Sir William Weller Pepys, Bart., Master in Chancery, 1758-1825, with Mrs. Chapone, Mrs. Hartley, Mrs. Montague, Hannah More, William Franks, Sir James Macdonald, Major Rennell, Sir Nathaniel Wraxall, and others. Edited, with an Introduction and Notes, by Alice C. C. Gaussen. With numerous Illustrations. Demy 8vo. (9 × 5¾ inches.) In Two Volumes. 32s. net.

A LATER PEPYS. The Correspondence of Sir William Weller Pepys, Bart., Master in Chancery, 1758-1825, with Mrs. Chapone, Mrs. Hartley, Mrs. Montague, Hannah More, William Franks, Sir James Macdonald, Major Rennell, Sir Nathaniel Wraxall, and others. Edited, with an Introduction and Notes, by Alice C. C. Gaussen. With numerous Illustrations. Demy 8vo. (9 × 5¾ inches.) In Two Volumes. 32s. net.

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JOHN LANE, THE BODLEY HEAD, VIGO STREET, LONDON, W.

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  • Corrected some palpable typos, including several botanical names.
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