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Contents.
List of Engravings.
Index.: A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, Z

Contents.
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PICTURESQUE
S K E T C H E S   O F   L O N D O N.

PICTURESQUE
S K E T C H E S   O F   L O N D O N.

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LONDON:

PRINTED BY ROBSON, LEVEY, AND FRANKLYN,
Great New Street, Fetter Lane.

LONDON:

PRINTED BY ROBSON, LEVEY, AND FRANKLYN,
Great New Street, Fetter Lane.

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PICTURESQUE

S K E T C H E S   O F   L O N D O N,

Then and Now.





vignette


By THOMAS MILLER,
AUTHOR OF THE “HISTORY OF THE ANGLO-SAXONS,”
“LADY JANE GREY,” &c.




L O N D O N: 227 STRAND.





vignette


By THOMAS MILLER,
AUTHOR OF “HISTORY OF THE ANGLO-SAXONS,”
“LADY JANE GREY,” etc.




L O N D O N: 227 STRAND.

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PICTURESQUE

S K E T C H E S   O F   L O N D O N,

Then and Now.

 
By T H O M A S   M I L L E R,
AUTHOR OF A “HISTORY OF THE ANGLO-SAXONS,” “LADY JANE GREY,”
“FAIR ROSAMOND,” “PICTURES OF COUNTRY LIFE,” &c.


WITH NUMEROUS ENGRAVINGS

OF

CHURCHES, PUBLIC BUILDINGS, ANTIQUITIES, STREET VIEWS, &c.




LONDON:
OFFICE OF THE NATIONAL ILLUSTRATED LIBRARY,
227 STRAND.


By T H O M A S   M I L L E R,
AUTHOR OF "A HISTORY OF THE ANGLO-SAXONS," "LADY JANE GREY,"
"FAIR ROSAMOND," "PICTURES OF COUNTRY LIFE," etc.


WITH NUMEROUS ILLUSTRATIONS

OF

CHURCHES, PUBLIC BUILDINGS, ANTIQUITIES, STREET VIEWS, etc.




LONDON:
OFFICE OF THE NATIONAL ILLUSTRATED LIBRARY,
227 STRAND.

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CONTENTS.

CHAPTER I.
PAGE

Ancient London—the dawn of history—Roman London—Saxon London—old London Bridge—remains of ancient London—old roads and streets

Old London—the beginning of history—Roman London—Saxon London—old London Bridge—remnants of ancient London—old roads and streets

17
CHAPTER II.

St. Paul’s Cathedral—Anniversary meeting of charity children—interior of St. Paul’s—the Times’ office—Doctors Commons—Prerogative Court—Examiners of wills—Shakspeare’s will—Porters of the neighbourhood—Paul’s Wharf—Knightrider-street—Old London thieves—Church of St. Mary Somerset—Cromwell and the clergy—Saracen’s Head, Friday-street—Baptism of John Milton—Gerard’s Hall—Painter-stainers’ Hall—Queenhithe—St. Mary, Aldermanbury—Bow Church

St. Paul’s Cathedral—Anniversary meeting of charity kids—interior of St. Paul’s—the Times office—Doctors Commons—Prerogative Court— Executors of wills—Shakespeare’s will—Porters in the area—Paul’s Wharf—Knightrider Street—Old London thieves—Church of St. Mary Somerset—Cromwell and the clergy—Saracen’s Head, Friday Street—Baptism of John Milton—Gerard’s Hall—Painter-stainers’ Hall—Queenhithe—St. Mary, Aldermanbury—Bow Church

29
CHAPTER III.

Cheapside—London thoroughfares—Southwark Bridge—Whittington—Bucklersbury—Walbrook—Roman remains found in Cannon-street—London Stone—The Mansion House—Lombard-street—London bankers—Bankers’ clerks—The Monument

Cheapside—London streets—Southwark Bridge—Whittington—Bucklersbury—Walbrook—Roman remains discovered on Cannon Street—London Stone—The Mansion House—Lombard Street—London bankers—Bankers’ clerks—The Monument

56
CHAPTER IV.

London Bridge Wharf—Billingsgate—Coal Exchange—Custom House—St. Dunstan’s Church—Mark-lane—Church of Allhallows Barking—East India House{x}

London Bridge Quay—Billingsgate—Coal Exchange—Custom House—St. Dunstan’s Church—Mark Lane—Church of All Hallows Barking—East India House{x}

78
CHAPTER V.

The Tower—The White Tower—Hentzner’s description of the Tower in the reign of Queen Elizabeth—Anecdotes of lions—The Crown Jewels—The Armoury—Execution of Lady Jane Grey—Prisoners in the Tower—Regulations of the Tower

The Tower—The White Tower—Hentzner’s account of the Tower during Queen Elizabeth’s reign—Stories about lions—The Crown Jewels—The Armoury—Execution of Lady Jane Grey—Prisoners held in the Tower—Rules of the Tower

103
CHAPTER VI.

London Docks—Emigrants—Canterbury colonists—London sempstresses—Emigration

London Docks—Emigrants—Canterbury colonists—London seamstresses—Emigration

126
CHAPTER VII.

Whitechapel—Row of butchers’ shops—Articles sold in them—Rag Fair—Church of St. Catherine Cree—Crosby Hall—Four Swans’ Inn

Whitechapel—A line of butcher shops—What they sell—Rag Fair—St. Catherine Cree Church—Crosby Hall—Four Swans’ Inn

141
CHAPTER VIII.

Guildhall—Lord Mayor’s Banquet—Lord Mayor’s Show—Description of, in time of Charles II.—Duties of the Lord Mayor—Gog and Magog—The Sheriff’s Court—Monuments in Guildhall—St. Giles’s, Cripplegate

Town hall—Lord Mayor’s Banquet—Lord Mayor’s Show—Description of, during the time of Charles II.—Roles of the Lord Mayor—Gog and Magog—The Sheriff’s Court—Memorials in Guildhall—St. Giles’s, Cripplegate

155
CHAPTER IX.

Christ’s Hospital—Foundation of, by Edward VI.—Description of supper in—Description of Christ’s Hospital as it was two hundred years ago—Christ’s Church

Christ’s Hospital—Established by Edward VI.—Overview of dinner there—Description of Christ’s Hospital as it was two hundred years ago—Christ’s Church

166
CHAPTER X.

Smithfield Market—Drovers and their dogs—Smithfield butchers—Countrymen in Smithfield

Smithfield Market—Cattle herders and their dogs—Smithfield butchers—Rural folks in Smithfield

174
CHAPTER XI.

Newgate—Scenes at executions{xi}

Newgate—Scenes at executions

183
CHAPTER XII.

Fleet Street—Whitefriars—St. Bride’s Church—Description of London Lodging-houses—St. Dunstan’s Church—the Cock Tavern

Fleet Street—Whitefriars—St. Bride’s Church—Description of London Lodging houses—St. Dunstan’s Church—the Cock Tavern

191
CHAPTER XIII.

Church of St. Clement’s Danes—The Strand May-pole—Church of St. Mary-le-Strand—Somerset House—Church of the Savoy—The Adelphi—Arches at the Adelphi—Covent-Garden Market—Church of St. Paul’s, Covent Garden

St. Clement Danes Church—The Strand May-pole—Church of St. Mary-le-Strand—Somerset House—Church of the Savoy—The Adelphi—Arches at the Adelphi—Covent-Garden Market—Church of St. Paul’s, Covent Garden

201
CHAPTER XIV.

Westminster Abbey—Monuments—Horse-Guards—St. James’s Park—Hyde Park—Regent’s Park—New Parks

Westminster Abbey—Monuments—Horse Guards—St. James’s Park—Hyde Park—Regent’s Park—New Parks

217
CHAPTER XV.

St. Giles’s—The Rookery—Church of St. Giles’s—Queen Anne’s Bath

St. Giles—The Rookery—Church of St. Giles’s—Queen Anne’s Bath

229
CHAPTER XVI.

London Fog

London Fog

243
CHAPTER XVII.

The Old Borough of Southwark—St. James’s Church—Tabard Inn

The Old Southwark Borough—St. James’s Church—Tabard Inn

249
CHAPTER XVIII.

Street Amusements—Punch and Judy—Organ-boys and monkeys—Fat boys—Tumblers—Stilt-dancers—Jack-in-the-green—Guy Fawkes

Street Entertainment—Punch and Judy—Organ boys and monkeys—Chubby kids—Acrobats—Stilt walkers—Jack-in-the-green—Guy Fawkes

254
CHAPTER XIX.

Spring-time in London{xii}

Spring in London{xii}

262
CHAPTER XX.

London Cemeteries—Ancient mode of burying the dead—Intramural interments—Ravages of the cholera in 1849

London Graveyards—Traditional ways of burying the dead—Burials within city walls—Destruction caused by cholera in 1849

269
CHAPTER XXI.

Greenwich Park—Old pensioners—Telescopes—Gipsies—Blackheath

Greenwich Park—Senior citizens—Telescopes—Gypsies—Blackheath

283
CHAPTER XXII.

Holidays of the London Poor

Holidays for London's Poor

293

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LIST OF ENGRAVINGS.

PAGE
 
 

Roman Hypocaust, Thames-street

Roman Underfloor Heating, Thames Street

22

Roman Remains, found in Thames-street

Roman Ruins, found on Thames Street

23

St. Paul’s Cathedral.—Charity Children’s Anniversary Festival

St. Paul’s Cathedral.—Charity Children’s Anniversary Festival

31

Prerogative Court.—Doctors’ Commons

Prerogative Court—Doctors' Commons

39

Saracen’s Head, Friday-street

Saracen’s Head, Friday Street

48

Roman Lamp

Roman Lamp

49

Gerard the Giant

Gerard the Giant

50

Gerard’s Hall Crypt

Gerard's Hall Basement

52

Bow Church, Cheapside

Bow Church, Cheapside

54

St. Stephen’s, Walbrook

St. Stephen's, Walbrook

61

Roman Vessels found in Cannon-street

Roman vessels discovered in Cannon Street

63

The London Stone

The London Stone

64

Lord Mayor’s Jewel

Mayor's Jewel

65

St. Michael’s Church, Cornhill

St. Michael's Church, Cornhill

68

Lombard Street

Lombard St

71

St. Mary’s Woolnoth

St. Mary Woolnoth

73

Old Billingsgate

Old Billingsgate Market

83

St. Dunstan’s-in-the-East

St. Dunstan's in the East

92

Silver-gilt Shrine

Silver-gold Shrine

95

Tippoo’s Elephant Howdah

Tipu Sultan's Elephant Howdah

97

Ajunta Caves

Ajunta Caves

99

Tower of London

Tower of London

107

Queen’s Diadem, Queen’s Coronation Bracelets, Prince of Wales’ Crown, Old Imperial Crown, Queen’s Crown, Spiritual Sceptre, and Temporal Sceptre

Queen’s Diadem, Queen’s Coronation Bracelets, Prince of Wales’ Crown, Old Imperial Crown, Queen’s Crown, Spiritual Sceptre, and Temporal Sceptre

115

Imperial Orb, Ampulla, Golden Salt-Cellar of State, Anointing Spoon, and State Salt-Cellars

Imperial Orb, Ampulla, Golden Salt-Cellar of State, Anointing Spoon, and State Salt-Cellars

117

Mast-House, Blackwall

Mast House, Blackwall

129

London Docks—Outer Basin

London Docks – Outer Basin

140

Butcher Row, Whitechapel{xiv}

Butcher Row, Whitechapel

143

The Four Swans’ Inn Yard

The Four Swans Inn Yard

151

St. Giles’s, Cripplegate

St. Giles’ Cripplegate

165

Old Staircase in Christ’s Hospital

Old staircase at Christ’s Hospital

171

Christ’s Church

Christ's Church

172

Smithfield

Smithfield

179

Newgate

Newgate Prison

185

Somerset House

Somerset House

204

Church of St. Mary-le-Savoy

St. Mary-le-Savoy Church

205

Interior of the Savoy Church

Inside the Savoy Church

206

Westminster Abbey

Westminster Abbey

218

Horse-Guards

Horse Guards

222

The Rookery, St. Giles’s

The Rookery, St. Giles

231

Queen Anne’s Bath

Queen Anne's Bath

241

Street Performers

Street Artists

258

Highgate Cemetery

Highgate Cemetery

271

One-Tree Hill, Greenwich Park

One Tree Hill, Greenwich Park

284

Old Pensioner, Greenwich Park

Senior Citizen, Greenwich Park

285

Telescopes, Greenwich Park

Telescopes, Greenwich Park

286

Gipsies, Greenwich Park

Gypsies, Greenwich Park

287

Greenwich Park

Greenwich Park

289

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ADVERTISEMENT.

THE greater portion of the following work originally appeared in the columns of the Illustrated London News. The beauty of the sketches, and the permanent interest attached to them, led the proprietors of the National Illustrated Library to believe that a reprint of them would form a valuable and welcome addition to that series of illustrated works. The various articles have accordingly been carefully revised by the author; many additions have been made, and curious extracts from rare old works have been introduced, more completely to illustrate the various scenes and objects described.

THE larger part of the following work originally appeared in the columns of the Illustrated London News. The appeal of the sketches and the ongoing interest in them prompted the owners of the National Illustrated Library to think that a reprint would provide a valuable and appreciated addition to that series of illustrated works. The different articles have thus been thoroughly revised by the author; many additions have been made, and interesting excerpts from rare old works have been included to better illustrate the various scenes and objects described.

The engravings, which consist chiefly of views of churches and other public buildings, of antiquities, views of streets and markets, sketches of street scenes, &c., have been carefully executed from original drawings.

The engravings, mainly featuring views of churches and other public buildings, antiquities, street scenes, and market views, have been meticulously created from original drawings.

The work is not to be considered as a guide-book, but as a series of sketches in “poetic prose” of various parts of London, in which, while perfect accuracy is preserved, the dulness of a mere itinerary is avoided; in which London of the present is sketched from constant personal observation, and London of the past from the rich historical and legendary lore that exists regarding it, and in which the thoughts that arise in “a free{xvi} mind and loving heart,” from a contemplation of the various objects and scenes described, are expressed in eloquent and forcible language.

The work should not be seen as a guidebook, but as a collection of “poetic prose” sketches of different areas in London. It maintains perfect accuracy while avoiding the dullness of a standard itinerary. The London of the present is portrayed through continuous personal observations, while the London of the past is drawn from the rich historical and legendary stories that exist about it. The thoughts that emerge in “a free{xvi} mind and loving heart” when contemplating the various objects and scenes described are expressed in powerful and eloquent language.

Nor must the work be considered as exhaustive of the subject. The places and scenes chosen for “Picturesque Sketches” are chiefly in the eastern or older part of London. To have included the whole of the metropolis would have required not one volume, but many. Nevertheless, it will be found that the subjects to which chapters are devoted are the most interesting in London, and that though the work is not complete as regards the whole of this mighty city, yet each chapter is complete as far as regards its individual subject.

Nor should the work be seen as fully covering the topic. The locations and scenes selected for “Picturesque Sketches” are primarily in the eastern or older part of London. Including the entire city would have needed not just one volume, but many. Still, you’ll find that the topics covered in each chapter are the most interesting in London, and while the work doesn’t encompass the entirety of this vast city, each chapter is thorough regarding its specific subject.

 
227 Strand, July 1, 1852.

227 Strand, July 1, 1852.

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PICTURESQUE SKETCHES
OF
L O N D O N.

Old London.

INSTEAD of wasting words on traditions which few can believe, or filling my pages with accounts of the fabulous kings who are said to have descended from Æneas, and to have reigned in Britain centuries before the Roman Invasion, I shall commence the present work by shewing that the remote past will ever remain a mystery which man is not permitted to penetrate. The following opening to my History of the Anglo-Saxons applies to the “unknown” origin of London—the new Troy of ancient fiction—the Augusta of the Romans—for in it I have described my impression of the unwritten History of the Past:

IINSTEAD of wasting words on traditions that few believe in, or filling my pages with stories of the legendary kings said to have descended from Æneas and reigned in Britain long before the Roman Invasion, I will start this work by showing that the distant past will always be a mystery that humans are not meant to fully understand. The following introduction to my History of the Anglo-Saxons relates to the “unknown” origins of London—the new Troy of ancient myths—the Augusta of the Romans—because in it, I have expressed my view of the unwritten History of the Past:

“Almost every historian has set out by regretting how little is known of the early inhabitants of Great Britain and its metropolis—a loss which only the lovers of hoar antiquity deplore, since, from all we can with certainty glean from the pages of contemporary history, we should find but little more to interest us than if we possessed written records of the remotest origin of the Red Indians; for both would alike but be the history of an unlettered and uncivilised race. The same dim obscurity, with scarcely an exception, hangs over the primeval inhabitants of every other country; and if we lift up the mysterious curtain which has so long fallen over and concealed the past, we only obtain glimpses of obscure hieroglyphics; and, from the unmeaning fables of monsters and giants, to which the rudest nations trace their origin, we but glance backward and backward, to find that civilised Rome and classic Greece can{18} produce no better authorities than old undated traditions, teeming with fabulous accounts of heathen gods and goddesses. What we can see of the remote past through the half-darkened twilight of time, is as of a great and unknown sea, on which some solitary ship is afloat, whose course we cannot trace through the shadows which every where deepen around her, nor tell what strange land lies beyond the dim horizon to which she seems bound. The dark night of mystery has for ever settled down upon the early history of our island, and the first dawning which throws the shadow of man upon the scene, reveals a rude hunter clad in the skins of beasts of the chase, whose path is disputed by the maned and shaggy bison, whose rude hut in the forest fastnesses is pitched beside the lair of the hungry wolf, and whose first conquest is the extirpation of these formidable animals. And so, in as few words, might the early history of any other country be written. The shores of Time are thickly strewn with the remains of extinct animals, which, when living, the eye of man never looked upon, as if from the deep sea of Eternity had heaved up one wave, which washed over and blotted out for ever all that was coeval with her silent and ancient reign, leaving a monument upon the confines of this old and obliterated world, for man in a future day to read, on which stands ever engraven the solemn sentence, ‘Hitherto shalt thou come, but no farther: beyond this boundary all is mine!’

“Almost every historian begins by lamenting how little we know about the early inhabitants of Great Britain and its capital—a loss that only those who cherish ancient history seem to mourn. From what we can reliably gather from contemporary history, we would find little more to pique our interest than if we had written records of the earliest origins of the Native Americans; for both would simply tell the story of an unlettered and uncivilized people. The same murky unknowing, with very few exceptions, hangs over the original inhabitants of all other countries. When we try to lift the mysterious curtain that has long obscured the past, we only get glimpses of obscure symbols; and from the meaningless myths of monsters and giants—where the most primitive nations trace their origins—we can only look back and back, finding that civilized Rome and classic Greece provide no better sources than old, undated traditions filled with fantastic tales of pagan gods and goddesses. What we can see of the distant past, through the dim twilight of time, resembles a great and unknown sea, where some solitary ship sails, her path lost in the shadows deepening around her, with no way to tell what strange land lies beyond the faint horizon she seems to head towards. The heavy night of mystery has forever settled over the early history of our island, and the first glimmer that casts the shadow of man upon the scene reveals a primitive hunter dressed in animal skins, whose path is challenged by the shaggy bison, whose crude hut in the forest is set beside the den of a hungry wolf, and whose first victory is the elimination of these formidable creatures. And so, with just a few words, one could sum up the early history of any other country. The shores of Time are cluttered with the remains of extinct creatures that, when alive, no human eye ever saw, as if one wave from the deep ocean of Eternity rose up, sweeping over and erasing everything that coexisted with her silent and ancient reign, leaving a monument at the edge of this old and erased world for future generations to read, bearing the eternal inscription, ‘Up to here you may come, but no farther: beyond this boundary, all is mine!’”

“Neither does this mystery end here; for around the monuments which were reared by the earliest inhabitants of Great Britain there still reigns a deep darkness; we know not what hands piled together the rude remains of Stonehenge; we have but few records of the manners, the customs, or the religion of the early Britons: here and there a colossal barrow heaves up above the dead; we look within, and find a few bones, a few rude weapons, either used in war or the chase, and these are all; and we linger in wonderment around such remains! Who those ancient voyagers were that first called England the ‘Country of Sea Cliffs,’ we know not; and while we sit and brood over the rude fragments of the Welsh Triads, we become so entangled in doubt and mystery as to look upon the son of Aedd the Great, and the Island of Honey to which he sailed, and wherein he found no man alive, as the pleasing dream of some old and forgotten poet; and we set out again with no more success to discover who were the earliest inhabitants of England, leaving the ancient Cymri and the country of Summer behind, and the tall, silent cliffs to stand, as they had done for ages, looking over a wide and mastless sea.

“Yet this mystery doesn't end here; around the monuments built by the earliest inhabitants of Great Britain, there remains a deep darkness. We don’t know who stacked the rough remains of Stonehenge; we have only a few records of the customs, manners, or religion of the early Britons. Here and there, a massive burial mound rises above the dead; when we look inside, we find a few bones and some crude weapons, possibly used in battle or hunting, and that’s it. We stand in awe around these remains! We don’t know who those ancient travelers were that first called England the ‘Country of Sea Cliffs.’ As we ponder the rough bits of the Welsh Triads, we get lost in doubt and mystery, regarding the son of Aedd the Great and the Island of Honey he sailed to, where he found no one alive, as simply the delightful fantasy of some old, forgotten poet. We set out again with no better luck to find out who the earliest inhabitants of England were, leaving behind the ancient Cymri, the land of Summer, and the tall, silent cliffs that have stood for ages, gazing over a vast, mastless sea.”

“We then look among the ancient names of the headlands, and harbours, and mountains, and hills, and valleys, and endeavour to trace a resemblance to the language spoken by some neighbouring{19} nation; and we only glean up a few scattered words, which leave us still in doubt, like a confusion of echoes, one breaking in upon the other; a minglement of Celtic, Pictish, Gaulish, and Saxon sounds; where, if for a moment but one is audible and distinct, it is drowned by other successive clamours which come panting up with a still louder claim; and in very despair we are compelled to step back again into the old primeval silence. There we find geology looking daringly into the formation of the early world, and boldly proclaiming that there was a period of time when our island heaved up bare and desolate amid the silence of the surrounding ocean—when on its ancient promontories and grey granite peaks not a green branch waved nor a blade of grass grew; and no living thing, saving the tiny corals, as they piled dome upon dome above the naked foundations of this early world, stirred in the ‘deep profound’ which reigned over those sleeping seas. Onward they go, boldly discoursing of undated centuries that have passed away, during which they tell us the ocean swarmed with huge monstrous forms; and that all those countless ages have left to record their flight are but the remains of a few extinct reptiles and fishes, whose living likenesses never again appeared in the world. To another measureless period are we fearlessly carried—so long as to be only numbered in the account of time which eternity keeps—and other forms, we are told, moved over the floors of dried-up oceans—vast animals which no human eye ever looked upon alive; these, they say, also were swept away, and their ponderous remains had long mingled with and enriched the earth; but man had not as yet appeared, nor in any corner of the whole wide world do they discover, in the deep-buried layers of the earth, a single vestige of the remains of the human race.

“We then search through the ancient names of the coastlines, harbors, mountains, hills, and valleys, trying to find any similarities to the languages spoken by nearby{19} nations. We only gather a few scattered words, which leave us still uncertain, like overlapping echoes, each one interrupting the next; a mix of Celtic, Pictish, Gaulish, and Saxon sounds; where, if one is clear for just a moment, it's quickly drowned out by other successive noises that come rushing in with a louder presence; and in our frustration, we are forced to retreat back into the ancient silence. There, we discover geology boldly examining the formation of the early world, confidently asserting that there was a time when our island arose barren and desolate amid the quiet of the surrounding ocean—when on its ancient cliffs and grey granite peaks, not a green branch swayed nor a blade of grass grew; and no living thing, except for tiny corals, which piled dome upon dome above the bare foundations of this early world, stirred in the 'deep profound' that dominated those still seas. They continue, boldly discussing untold centuries that have passed, during which they tell us the ocean was filled with huge, monstrous creatures; and that all those countless ages have left to show their existence are merely the remains of a few extinct reptiles and fishes, whose living counterparts never appeared again in the world. We are fearlessly carried into another immeasurable period—so long that it can only be counted in the time that eternity keeps—and we are told that other forms moved across the floors of dried-up oceans—massive animals that no human eye ever saw alive; these, they say, were also wiped out, and their heavy remains had long blended with and enriched the earth; yet man had not yet appeared, nor could they find, in any deep layers of the earth, a single trace of the human race.”

“What historian, then, while such proofs as these are before his eyes, will not hesitate ere he ventures to assert who were the first inhabitants of any country, whence they came, or at what period of time that country was first peopled? As well might he attempt a description of the scenery over which the mornings of the early world first broke,—of summit and peak which, ages ago, have been hurled down, and ground and powdered into atoms. What matters it about the date when such things once were, or at what time or place they first appeared? We can gaze upon the gigantic remains of the mastodon or mammoth, or on the grey silent ruins of Stonehenge; but at what period of time the one roamed over our island, or in what year the other was first reared, will for ever remain a mystery. The earth beneath our feet is lettered over with proofs that there was an age in which these extinct monsters existed, and that period is unmarked by any proof of the existence of man in our island. And{20} during those not improbable periods, when oceans were emptied and dried amid the heaving up and burying of rocks and mountains,—when volcanoes reddened the dark midnights of the world, when the “earth was without form and void,”—what mind can picture aught but His Spirit “moving upon the face of the waters?”—what mortal eye could have looked upon the rocking and reeling of those chaotic ruins when their rude forms first heaved up into the light? Is not such a world stamped with the imprint of the Omnipotent—from when He first paved its foundation with enduring granite, and roofed it over with the soft blue of heaven, and lighted it by day with the glorious sun, and hung out the moon and stars to gladden the night, until at last He fashioned a world beautiful enough for the abode of his “own image” to dwell in: then He created man. And what matters it whether or not we believe in all these mighty epochs? Surely it is enough for us to discover throughout every change of time the loving-kindness of God for mankind: we see how fitting this globe was at last made for man’s dwelling-place; that before the great Architect had put his last finish to his mighty work, instead of leaving us to starve amid the Silurian sterility, He prepared the world for man, and in place of the naked granite, spread out a rich carpet of verdure for him to tread upon, then flung upon it a profusion of the sweetest flowers. Let us not, then, daringly stand by, and say thus it was fashioned, and so it was formed; but by our silence acknowledge that it never yet entered the heart of man to conceive how the Almighty Creator laid the foundation of the world.

“What historian, then, when faced with evidence like this, would confidently claim to know who the first inhabitants of any country were, where they came from, or when that country was first populated? It’s as if they were trying to describe the landscape that greeted the dawn of the world—of peaks and summits that were, ages ago, toppled and eroded into dust. What does it matter about the date when such things existed, or when or where they first appeared? We can look at the massive remains of the mastodon or mammoth, or the ancient, silent ruins of Stonehenge; but when those creatures roamed our land or in what year the other monument was built will remain forever a mystery. The ground beneath us is marked with evidence that there was a time when these extinct giants roamed, and that time shows no signs of human presence on our island. And{20} during those likely periods, when oceans were drained and the land was shaped by uprooted rocks and mountains—when volcanoes lit the dark nights of the world, when the “earth was without form and void”—what mind can imagine anything other than His Spirit “moving upon the face of the waters?” What human eye could have witnessed the chaos of those primitive landscapes when they first emerged into the light? Isn’t such a world marked with the touch of the Omnipotent—from the moment He began laying its foundations with eternal granite, covering it with the gentle blue of the sky, illuminating it with the glorious sun during the day, and placing the moon and stars to brighten the night, creating a world beautiful enough to house His “own image”: then He created man. And does it really matter whether we believe in all these grand epochs? It’s enough for us to see God’s kindness for humanity throughout every change of time: we recognize how perfectly this planet was made for human habitation; that before the great Architect finished His remarkable creation, rather than letting us suffer in the barren Silurian period, He prepared the world for us, spreading a lush carpet of greenery for us to walk on, then bursting forth with an abundance of the prettiest flowers. Let us not arrogantly claim to know how it was shaped and formed; instead, let us acknowledge in humility that it has never crossed the mind of man to truly grasp how the Almighty Creator laid the foundation of the world.”

“To his great works must we ever come with reverential knee, and before them lowly bow; for the grey rocks, and the high mountain summits, and the wide-spreading plains, and the ever-sounding seas, are stamped with the image of Eternity; a mighty shadow ever hangs over them. The grey and weather-beaten headlands still look over the sea, and the solemn mountains still slumber under their old midnight shadows; but what human ear first heard the murmur of the waves upon the beaten beach, or what human foot first climbed up those high-piled summits, we can never know.

“To his great works we must always approach with respectful humility and bow down before them; because the aged rocks, the towering mountain peaks, the vast plains, and the endlessly crashing seas carry the mark of Eternity; a powerful shadow always hovers over them. The rugged, worn-down cliffs still gaze over the ocean, and the majestic mountains still rest under their ancient nighttime shadows; but which human ear first heard the waves whispering on the shore, or which human foot first ascended those towering heights, we can never know."

“What would it benefit us could we discover the date when our island was buried beneath the ocean; when what was dry land in one age became the sea in another; when volcanoes glowed angrily under the dark skies of the early world, and huge extinct monsters bellowed and roamed through the old forests and swam in the ancient rivers, which have perhaps ages ago been swept away? What could we find more to interest us were we in possession of the names, the ages, and the numbers of the first adventurers who were perchance driven by some storm upon our sea-beaten coast, than what is said in the ancient{21} Triad before alluded to? “There were no more men alive, nor any thing but bears, wolves, beavers, and the oxen with the high prominence,” when Aedd landed upon the shores of England. What few traces we have of the religious rites of the early inhabitants of Great Britain vary but little from such as have been brought to light by modern travellers who have landed in newly-discovered countries in our own age. They worshipped idols, and had no knowledge of the true God; and, saving in those lands where the early patriarchs dwelt, the same Egyptian darkness settled over the whole world. The ancient Greeks and Romans considered all nations, except themselves, barbarians; nor do the Chinese of the present day look upon us in a more favourable light; while we, acknowledging their antiquity as a nation, scarcely number them amongst such as are civilised. We have yet to learn by what hands the round towers of Ireland were reared, and by what race the few ancient British monuments that still remain were piled together, ere we can enter those mysterious gates which open upon the history of the past. We find the footprint of man there, but who he was, or whence he came, we know not; he lived and died, and whether or not posterity would ever think of the rude monuments he left behind concerned him not; whether the stones would mark the temple in which he worshipped, or tumble down and cover his grave, concerned not his creed; with his hatchet of stone, and spear-head of flint, he hewed his way from the cradle to the tomb; and under the steep barrow he knew that he should sleep his last sleep, and, with his arms folded upon his breast, he left the dead past to bury its dead: he lived not for us.”

“What would it benefit us if we could discover the date when our island was submerged beneath the ocean; when what was dry land in one era became the sea in another; when volcanoes burned fiercely under the dark skies of the early world, and gigantic extinct creatures roamed the ancient forests and swam in the primordial rivers that have perhaps long since been washed away? What could we find more captivating if we had the names, ages, and numbers of the first adventurers who might have been cast by some storm upon our rugged coast, than what is mentioned in the ancient{21} Triad referred to earlier? “There were no more men alive, only bears, wolves, beavers, and the oxen with the high prominence,” when Aedd landed on the shores of England. The few remnants we have of the religious practices of the early inhabitants of Great Britain are very similar to those uncovered by modern travelers who have arrived in newly-discovered lands in our time. They worshiped idols and had no understanding of the true God; and apart from those regions where the early patriarchs lived, the same Egyptian darkness spread over the entire world. The ancient Greeks and Romans regarded all nations, except themselves, as barbarians; nor do the modern Chinese view us more favorably; while we, acknowledging their long history as a nation, hardly consider them among the civilized. We still need to learn who built the round towers of Ireland and which people piled together the few ancient British monuments that remain, before we can unlock the mysterious gates that lead to the history of the past. We see the footprint of man there, but who he was, or where he came from, we do not know; he lived and died, and whether or not future generations would ever think of the crude monuments he left behind did not concern him; whether the stones would mark the temple where he worshiped, or fall and cover his grave, was insignificant to his beliefs; with his stone hatchet and flint spearhead, he forged his path from cradle to grave; and beneath the steep barrow, he knew he would rest for eternity, and, with his arms crossed over his chest, he left the dead past to bury its dead: he did not live for us.”

At what remote period of time the spot on which London now stands was first peopled can never be known. A few rude huts peering perchance through the forest-trees, with grassy openings that went sloping downwards to the edge of the Thames, where the ancient Briton embarked in his rude coracle, or boat made of wicker and covered with the hides of oxen,—a pile of rugged stones on the summit of the hill which marked the cromlech, or druidical altar, and probably stood on the spot now occupied by St. Paul’s, and which nearly two thousand years ago was removed to make room for the Roman temple dedicated to Victory—was, from all we know of other ancient British towns, the appearance of London soon after the period when the old Cymri first landed in England, and called it the “Country of Sea-Cliffs.”

At what distant time the place where London now stands was first inhabited can never be known. A few basic huts might have peeked through the trees, with grassy clearings sloping down to the Thames, where the ancient Briton set out in his simple boat made of wicker and covered with animal hides—a pile of rough stones at the top of the hill that marked the cromlech, or druidic altar, which probably stood where St. Paul’s is now located, and which was removed nearly two thousand years ago to make space for the Roman temple dedicated to Victory—this is the best we can gather about what London looked like shortly after the old Cymri first arrived in England and named it the “Country of Sea-Cliffs.”

We next see it through the dim twilight of time occupied by the Romans. Triumphal arches and pillared temples and obelisks look down upon the streets of the Roman city. Then comes Boadicea thundering at the head of her revengeful Britons in her war-chariot:{22} we hear the tramp of horses and the dealing of heavy blows; see the tesselated pavement stained with blood; behold pale faces upturned in the grim repose of death; then many a night of darkness again settles upon the streets of the old city.

We next see it through the dim twilight of time when the Romans were in charge. Triumphal arches, pillared temples, and obelisks tower over the streets of the Roman city. Then comes Boadicea thundering at the head of her vengeful Britons in her war chariot:{22} we hear the sound of horses' hooves and the impact of heavy blows; see the tiled pavement stained with blood; witness pale faces turned up in the grim stillness of death; then many nights of darkness once again settle over the streets of the old city.



ROMAN HYPOCAUST, THAMES-STREET.

ROMAN HYPOCAUST, THAMES-STREET.

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Roman Hypocaust, Thames Street.

But deep down it is rich in Roman remains; far below the invading legions tramped, upheaving the victorious eagles above the dim old tesselated pavements; for London has its Pompeii and Herculaneum. Unnumbered generations have trampled into dust its splendour, even as our own glory may one day be mingled in the urn that holds the ashes of empires. Crushed Samian ware, a rusted demi-god, a headless hero, whose very memory has perished; the coins of conquerors, whose features time and decay have corroded, and whose mere names (without a good or evil deed to tell how they came there,) are just catalogued in the “lots” of history; these are the mouldering remains of conquest, lying as far beneath our feet as we in intellectual arts have towered above their former possessors. We belong to the future, as they do to the present; and when we perish, our glory will be found lettered in every corner of the rounded globe. The finger of the shattered giant will be picked up in the remotest continent, and unborn generations will sigh, as they exclaim, “Here lies a fragment of the once mighty England that gave us life.”

But deep down, the place is full of Roman remnants; far below, the invading legions marched, raising their victorious eagles above the ancient, faded tiled floors. London has its own Pompeii and Herculaneum. Countless generations have trampled its beauty into dust, just as our own glory might someday be mixed in the urn that holds the ashes of empires. Fragments of Samian pottery, a rusted demigod, a headless hero whose memory has vanished, the coins of conquerors that time and decay have worn down, and whose names (with no good or bad deeds to explain their presence) are simply listed in the "lots" of history; these are the decaying remnants of conquest, lying as far beneath our feet as we have risen above those who owned this land before us in intellectual pursuits. We belong to the future, just as they belong to the present; and when we are gone, our glory will be recognized in every corner of the earth. The finger of a shattered giant will be found on the furthest continent, and future generations will sigh as they say, "Here lies a piece of the once mighty England that gave us life."

Westward of London we turn backward, and endeavour to obtain a view of that ancient neighbourhood as it looked when the Roman city stood upon the hill; and the Strand, as it is still called, was a{23} low, waste, and reedy shore, over which the tide came and went, and rocked the tufted reeds which waved over many a surrounding acre. Something like what it was in ancient days may yet be seen in those reedy and willowy inlets above the Red House at Battersea; and could we have stood and looked across the river while the spot on which Westminster now stands was an island, covered with thorns, and down to the water edged with green flags and rushes, we should have seen, far below what was called the Long Ditch (where the river divided, beside a low, lonely shore, on which the waves went lapping and surging, as they still do about those dreary bends that skirt the marshes of Woolwich), the fisherman in his coracle, the only figure that moved beside the sedgy margin of that mastless river, over which the piping of the tufted plover might then have been heard.

West of London, we look back in time and try to picture that old neighborhood as it was when the Roman city stood on the hill; and the Strand, as it’s still called, was a{23} low, barren, and marshy shore, where the tide flowed in and out, gently rocking the clumps of reeds that swayed over many surrounding acres. You can still see something similar to what it looked like in ancient times in the reedy and willow-filled inlets above the Red House at Battersea; and if we could have stood and looked across the river while what is now Westminster was an island, covered in thorns and bordered by green flags and rushes, we would have seen, far below what was called the Long Ditch (where the river split beside a lonely, low shore, with waves lapping and surging just like they still do around those dreary bends that edge the marshes of Woolwich), a fisherman in his coracle, the only person moving by the grassy bank of that sail-less river, where you might have heard the call of the tufted plover.



ROMAN REMAINS, FOUND IN THAMES-STREET.

ROMAN REMAINS, FOUND IN THAMES-STREET.

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Roman Remains Discovered on Thames Street.

Turning to the ancient city, Erkenwin the Saxon first appears with his boasted descent from Wodin, the terrible god of battle, conquers the remnant of the ancient Britons, tramples upon their standard of the red dragon, and plants the banner of the white horse upon the rude fortifications of their capital. After many convulsions{24} we see the kingdoms of the Octarchy overturned by Egbert, the first king of all the Saxons; and in some old hall, with its low stunted pillars and heavy vaulted roof (centuries ago levelled to the earth), we behold him seated gravely with his witenagemot, or assembly of wise men, deliberating upon the best means of repelling the incursions of the Danes. Under the reign of Ethelwulf the city is plundered by the stormy sea-kings and their fearless followers. We next see the army of Alfred hovering between the outskirts of the city and the foot of Highgate-hill, and protecting the old Londoners while they gather in their harvest; for Hastings, with his ivory horn swung to his baldric, was encamped with his Danish army beside the river Lea, and Alfred had thrown himself like a shield between the city and its enemies. We behold Etheldred the Unready escape into Normandy, and Sweyn, king of Denmark, passes the low-browed archway which leads into the capital. The old grey wall which stretched beside the Thames, where wharves and warehouses now stand, is defended by Edmund Ironside and his followers against Canute the Dane, and ships bearing the banner of the black raven are moving below the rude bridge, which at that early period stretched over into Southwark. Harold, the last king of the Saxons, next crosses that old bridge, in the sunset of an autumnal evening, on his way to the fatal field of Hastings; and when we again look upon those ancient streets they are filled with Norman soldiers, and echoing to the bray of Norman trumpets, for William the Conqueror is passing through the city to take possession of the remains of the old Roman Tower.

Turning to the ancient city, Erkenwin the Saxon first appears, boasting about his descent from Wodin, the fierce god of battle. He conquers what’s left of the ancient Britons, tramples their red dragon standard, and plants the white horse banner on the rough fortifications of their capital. After many upheavals{24}, we see Egbert, the first king of all the Saxons, overturn the kingdoms of the Octarchy. In some old hall, with its short pillars and heavy vaulted roof (long ago leveled to the ground), we find him seated solemnly with his witenagemot, or assembly of wise men, discussing the best ways to fend off the attacks from the Danes. Under Ethelwulf’s reign, the city is raided by the fierce sea-kings and their fearless followers. Next, we see Alfred’s army positioned between the outskirts of the city and the base of Highgate Hill, protecting the old Londoners as they gather their harvest; for Hastings, with his ivory horn hung around his shoulder, was camped with his Danish army by the river Lea, while Alfred placed himself like a shield between the city and its enemies. We witness Etheldred the Unready fleeing to Normandy, and Sweyn, king of Denmark, passing through the low archway leading into the capital. The old grey wall along the Thames, where wharves and warehouses now stand, is defended by Edmund Ironside and his men against Canute the Dane, as ships bearing the black raven banner sail below the crude bridge that crossed over to Southwark. Harold, the last king of the Saxons, then crosses that old bridge on a late autumn evening, heading to the doomed field of Hastings; and when we look back at those ancient streets, they’re filled with Norman soldiers and echoing with the sounds of Norman trumpets, for William the Conqueror is moving through the city to take possession of what’s left of the old Roman Tower.

We next glance at that ancient bridge, covered with houses, which spanned across the Thames, part of which stood even a few years ago, and had, after much patching and repairing, endured the wear and tear of time, with all the assaults of wind, water, war, and fire, for above six hundred years. Even until within the last half century the wheels of the great water-works first erected by Peter the Dutchman continued to moan and groan, and splash and dash, just as they had done for many a weary year,—for those ever-moving water-wheels seemed like the living spirit of the old bridge; and when they stopped, the ancient fabric, which had so long tottered to its crazy foundations, was soon swept away and numbered amongst the things that have been. Narrow, dark, and dangerous was the gloomy old street that, hung between the water and the sky, went stretching across the broad bosom of the Thames. Great darksome gables spanned overhead every way; and if you looked up in the twilight of those past days, you saw grinning above you, and looking down from the battlements, the ghastly and gory heads of murdered men, which were stuck upon spikes and left to bleach in the sun, wind, rain, and darkness,{25} day after day and night after night. When you looked down, you still seemed to see them, as if they moved side by side with you, past the windows of the old chapel, underneath the low-browed arches, beside the ancient shops; and ever below went the mad waters, gibbering and groaning and hissing; and in the deep midnight, when the old piers echoed back every footfall, you almost fancied that all those bodiless heads had leaped off the battlements, and, with their gory locks streaming out, were at your heels, hallooing and shrieking above and below the bridge, and “mopping and mowing” from every overhanging gable you hurried under.

We next look at that old bridge, lined with houses, that spanned the Thames, part of which was still standing just a few years ago. After countless repairs, it endured the test of time, facing all the attacks of wind, water, war, and fire, for over six hundred years. Even up until the last fifty years, the wheels of the great waterworks first set up by Peter the Dutchman continued to creak and splash, just as they had for many tiring years. Those constantly moving water-wheels seemed like the living spirit of the old bridge; when they finally stopped, the ancient structure, which had long been wobbling on its frail foundations, was quickly washed away and became a thing of the past. The narrow, dark, and dangerous street that hung between the water and the sky stretched across the wide river. Great, gloomy gables loomed overhead from all directions; and if you looked up in the twilight of those bygone days, you saw the grinning, ghastly heads of murdered men, stuck on spikes and left to bleach in the sun, wind, rain, and darkness, day after day and night after night. When you looked down, it felt like they moved alongside you, past the windows of the old chapel, beneath the low arches, and beside the ancient shops; while below, the wild waters continued their gurgling, groaning, and hissing. In the deep midnight, when the old piers echoed every footstep, you could almost imagine those headless bodies leaping off the battlements, their bloody locks streaming behind them, chasing after you, shouting and shrieking from above and below the bridge, and “mopping and mowing” from every gable you hurried beneath.{25}

When the wind was high, it ever went singing through those old houses and that silent chapel all night long; and the crazy old water-works sent out a thousand strange supernatural sounds; while all the rickety casements chattered again like a thousand teeth that have no power over the bitter blast which set them in motion. Then, too, the old swing-signs, which the least wind shook, swung and groaned upon their rusty hinges, one against the other; and what with the creaking of the signs, the whistling and moaning of the wind, that went booming with a hollow and unearthly sound under and over the vaulted street, mingled with the rush of the waters, and the cries for help from those beneath, who had run foul against the jutting sterlings, you wonder how any one could ever get a wink of sleep in those high old houses. That ancient bridge was the only highway into Kent and Surrey, and many a time had it been crossed by the conqueror and the conquered—one day a kingly procession, the next a train of prisoners in chains. It was alternately shaken by the shouts of Wat Tyler and his rebels, then by the acclaim which greeted some heroic king from the throats of the assembled citizens. And sometimes the drawbridge was raised, and the inhabitants of Southwark left to defend themselves as they could, while the citizens on the Middlesex side were safe, for between them there yawned an impassable gulf.

When the wind was strong, it sang through those old houses and the quiet chapel all night long; the crazy old waterworks produced a thousand strange, eerie sounds; and all the rickety windows rattled like a thousand teeth that couldn't resist the cold gusts that set them in motion. The old swinging signs, which shook at the slightest breeze, groaned on their rusty hinges, bumping against each other; and along with the creaking signs, the wind whistled and moaned, booming with a hollow, otherworldly sound under and over the vaulted street, mixing with the rush of water and cries for help from those below, who had collided with the jutting stones. You’d wonder how anyone could get a wink of sleep in those tall old houses. That ancient bridge was the only route into Kent and Surrey, and many times it had been crossed by the conquerors and the conquered—one day a royal procession, the next a line of prisoners in chains. It was rocked by the shouts of Wat Tyler and his rebels, then by the cheers that welcomed some heroic king from the mouths of the gathered citizens. Sometimes the drawbridge was raised, leaving the people of Southwark to fend for themselves while the citizens on the Middlesex side were safe, for between them lay an insurmountable divide.

Below the Tower we find a few old churches and ancient mansions, which stood long before the Great Fire went reddening and blackening through the streets of the old City. The row of picturesque shops at the entrance of Whitechapel will recall the period when this was the court end of London. The second house, with the projecting bay-windows, is rich in ornamental details. The Prince of Wales’s feathers, the arms of Westminster, the fleur de lis of France, and thistle of Scotland are still standing on the front of this ancient mansion; and it is just possible that the house was once the residence of Prince Henry, son of James I., as the monogram, yet visible, bears the initials H.S., surmounted with plumes, which, very probably,{26} stand for Henry Stuart. The Earls of Northumberland, the Throgmortons, and many noble families and wealthy merchants, in former days, resided in this neighbourhood; for, beside the Tower, there was Crosby-place at no great distance, where the Protector, afterwards Richard III., held his court.

Below the Tower, we find a few old churches and ancient mansions that were there long before the Great Fire scorched the streets of the old City. The row of charming shops at the entrance of Whitechapel will remind you of the time when this was the upscale area of London. The second house, with its bay windows, is filled with ornate details. The Prince of Wales's feathers, the arms of Westminster, the fleur de lis of France, and the thistle of Scotland are still visible on the front of this old mansion, and it’s possible that the house was once home to Prince Henry, the son of James I., as the still-visible monogram bears the initials H.S., topped with plumes, which likely stand for Henry Stuart.{26} In the past, the Earls of Northumberland, the Throgmortons, and many noble families and wealthy merchants lived in this area; nearby, there was Crosby-place, where the Protector, later known as Richard III, held his court.

How changed is this ancient neighbourhood! The very house in which the Black Prince lodged when he resided in the City had long before Stowe’s time been turned into an hostel, and the apartments in which grave councils were held, and where many a glorious victory was planned, even then echoed back the voice of some Francis, as, amid “the clinking of pewter,” he exclaimed, “Anon, anon, sir;” or, “Score a pint of bastard in the Half-Moon.” The citizens had at that early period turned into bowling-alleys the quaintly laid-out gardens in which the Percies of old Northumbria “took their pleasure;” and where some pretty Kate, shewing her pearly teeth, had no doubt threatened to “break the little finger” of her fiery Hotspur, who was too eager to leave her dainty bower and hasten to the wars.

How much this old neighborhood has changed! The very house where the Black Prince stayed during his time in the City had long before Stowe’s era been converted into an inn, and the rooms where serious discussions took place, and where many glorious victories were planned, even then echoed with the voice of some Francis, as, amid “the clinking of pewter,” he exclaimed, “Soon, soon, sir;” or, “Put a pint of cheap wine on the tab at the Half-Moon.” The citizens had at that early time turned the charmingly designed gardens, where the old Northumbrian Percies enjoyed themselves, into bowling alleys; and where some lovely Kate, flashing her bright smile, had no doubt threatened to “break the little finger” of her fiery Hotspur, who was too eager to leave her lovely retreat and rush off to war.

He also has long since vanished—the haughty Prior of the Holy Trinity, who, with “jingling bridle” in hand, bestrode his prancing palfrey, and rode “second to none” amongst the rich aldermen of London, proud of his broad domains, which in those days extended to the margin of the Thames, and over many rich acres beside those on which Whitechapel now stands. No Earl of Salisbury now goes “sounding” through the City streets, with his long train of five hundred mounted followers, clad in his household livery, and causing the old shopkeepers to cease their cry of “What do you lack?” while they watched the gay cavalcade until it was lost under the low-browed archway that stood before his ancient City mansion by Dowgate.

He has long since disappeared—the arrogant Prior of the Holy Trinity, who, with his “jingling bridle” in hand, rode his lively horse and was “second to none” among the wealthy aldermen of London, proud of his vast lands, which back then stretched to the edge of the Thames and over many fertile acres near where Whitechapel now sits. No Earl of Salisbury now rides through the City streets with his long procession of five hundred mounted followers, dressed in his household colors, making the old shopkeepers stop their cries of “What do you need?” as they watched the festive parade until it disappeared under the low archway in front of his historic City house by Dowgate.

Baynard Castle, where Henry VII. received his ambassadors, and in which the crafty Cecil plotted against Lady Jane Grey, almost before the ink was dry with which he had solemnly registered his name to serve her, has long ago been numbered amongst the things that were; and seldom do the “silver snarling trumpets,” with their loud acclaim, disturb the deep sleep of the old City, to announce the in-coming or the out-going of royalty. The archers of Mile-end, with their chains of gold, have departed. The spot on which the tent stood where bluff Hal regaled himself after having witnessed their sports, is now covered with mean-looking houses: the poetry of ancient London is dead. The voice of the stream is for ever hushed that went murmuring before the dwellings of our forefathers, along Aldgate and down Fenchurch-street, and past the door of Sir Thomas Gresham’s house in Lombard street, until it doubled round by the Mansion House and emptied itself into the river. There is still a sound of waters by{27} the wharf at London Bridge; but, oh, how different from the “brawling brook” of former days is the evil odour that now arises from the poisonous sewer which there empties itself into the Thames!

Baynard Castle, where Henry VII received his ambassadors and where the cunning Cecil schemed against Lady Jane Grey, almost right after he had pledged to serve her, has long been a thing of the past. Rarely do the “silver snarling trumpets,” with their loud fanfare, break the deep slumber of the old City to announce the arrival or departure of royalty. The archers of Mile-end, with their gold chains, are gone. The place where the tent stood, where bluff Hal enjoyed himself after watching their games, is now filled with shabby houses: the poetry of ancient London is gone. The voice of the stream that once softly flowed past the homes of our ancestors, along Aldgate and down Fenchurch Street, and past Sir Thomas Gresham’s house in Lombard Street, until it turned by the Mansion House and flowed into the river, is forever silenced. There’s still a sound of water near{27} the wharf at London Bridge; but, oh, how different is the foul stench that now rises from the toxic sewer that drains into the Thames compared to the “brawling brook” of former days!

Remains of ancient London are still to be found in the neighbourhood of Smithfield. The courts and alleys about Cloth Fair, and behind Long-lane, are perfect labyrinths, and so full of ins and outs, that they astonish the stranger who ventures to thread his way through them. Bartholomew’s Church is also one of the very oldest in the City; and we never look upon its weather-beaten tower without recalling the scenes which have taken place in the vast area which stretches out before it.

Remnants of ancient London can still be found around Smithfield. The courts and alleys near Cloth Fair and behind Long-lane are like perfect mazes, so packed with twists and turns that they amaze anyone unfamiliar who tries to navigate them. Bartholomew’s Church is also one of the oldest in the City, and we always think of the events that have taken place in the large space in front of its weathered tower.

There is no spot in London richer in historical associations than Smithfield. There the marshal of England presided over the lists; and there also the mitred bishops congregated to gaze upon the poor martyr who was burnt at the stake: that old church-tower has many a time glared redly as it was lit up by the blaze of those consuming fires; its vaulted roof has echoed back the clang of arms, when battle-axe and sword clashed against helmet and shield, while scarcely a murmur arose from the lips of the mighty multitude that stood silent and breathless around the combatants.

There’s no place in London with more historic significance than Smithfield. It’s where the marshal of England oversaw the tournaments, and where the bishops gathered to watch the poor martyr who was burned at the stake. That old church tower has often glowed red from the flames of those fires, and its vaulted roof has echoed with the clash of weapons when battle axes and swords hit helmets and shields, while hardly a sound was heard from the massive crowd that stood silently and breathlessly around the fighters.

Shakspeare and Ben Jonson have doubtless passed through those old narrow courts which still surround Bartholomew’s Church. It was to Smithfield Bardolph went to buy a horse, which we know he would steal if once allowed to get astride, and that, if any inquiries were made after it at the Boar’s Head in Eastcheap, Falstaff would avouch for Bardolph’s honesty. To us the whole neighbourhood is hallowed by a thousand poetical associations, and we never journey through it without feeling as if we were living again amid the past. As for Bartholomew Fair, though it now only lives in name, it will be remembered for ever in the works of rare Ben Jonson. To the thoughtful man it is a land of pleasant and solemn memories.

Shakespeare and Ben Jonson definitely walked through those old narrow courtyards that still surround Bartholomew’s Church. It was to Smithfield where Bardolph went to buy a horse, which we know he would steal as soon as he was allowed to hop on, and that if anyone asked about it at the Boar’s Head in Eastcheap, Falstaff would vouch for Bardolph’s honesty. To us, the whole area is filled with a thousand poetic memories, and we never pass through it without feeling like we’re reliving the past. As for Bartholomew Fair, even though it only lives on in name now, it will be remembered forever in the works of the remarkable Ben Jonson. For the thoughtful person, it’s a place of pleasant yet serious memories.

Then the streets of ancient London, what must they have been? In the west the roads were in such a state that the king could not open parliament in wet weather, unless faggots were first thrown into the deep pits and ruts. Foot and carriage-way had no other distinction than a row of posts; and if the passenger missed running his head against the low pent-house-lids, which here and there projected over the way, ten to one he came to some opening where a grim-headed and grinning spout sent down its torrents of water from the old-fashioned gabled building, and drenched him to the very skin. If he rushed out into the road, there

Then the streets of old London, what must they have been like? In the west, the roads were so bad that the king couldn’t open parliament in wet weather unless logs were first thrown into the deep holes and ruts. There was no real difference between the footpath and the carriageway except for a line of posts; and if a passerby avoided knocking his head against the low roof overhangs that jutted out here and there, he was likely to end up where a grim-looking spout was pouring down torrents of water from an old gabled building, soaking him to the skin. If he rushed out into the road, there

“Loaded carts with rumbling wagons come together,
"Wheels crashed against wheels, blocking the narrow street."

{28}

{28}

The roads of London were full of pits and hollows even in William and Anne’s time; and the coach-box was then a box indeed—a regular coach-repairer’s shop on a small scale; for to get through a long street in bad weather without either sticking fast, breaking down, turning over, or being turned over by some reckless carman, was something to boast about in those days. The coachman had then need to be a good hand at repairs, and was oftener seen tinkering up his vehicle than mounted on his box, which in time was covered with the hammer-cloth, to conceal the materials and implements which almost every hour were called into use. What a night-journey was in those old unpaved streets may be readily imagined, when it is known that there were not more than a thousand lamps to light the whole City—that these were only kept burning until midnight during one-half of the year, and the remainder of the season were never once lighted. Such was the London we now live in, a hundred years ago. Little link-boys then generally lay in wait at the corner of every street, either ready for a few pence to light the benighted wanderer home, or more probably to lead him astray, and extinguish the light at some dangerous spot, where the thieves he was associated with were in waiting.

The streets of London were filled with pits and holes even back in William and Anne’s time; and the coachman's seat was really a box—like a mini coach-repair shop. Getting through a long street in bad weather without getting stuck, breaking down, flipping over, or being flipped over by some careless driver was quite an achievement back then. The coachman had to be skilled at repairs and was often seen fixing his vehicle rather than sitting on the seat, which eventually got covered with a hammer-cloth to hide the tools and materials that were used almost every hour. One can easily imagine what a night journey was like on those old, unpaved streets, knowing there were only about a thousand lamps to light the entire City—these were only kept lit until midnight for half the year, and the rest of the time they weren’t lit at all. Such was the London we now live in, a hundred years ago. Back then, little link-boys usually waited at the corner of every street, either ready to take a few coins to guide a lost traveler home or, more likely, to lead them astray and snuff out the light at some risky spot, where the thieves they were associated with were lurking.

Over thousands of troubles and trials rolled the rapid years; then the “Great Fire” broke out, and nearly every ancient landmark was destroyed; and now we have to grope our way through the twilight of dim records and a few rudely executed prints, to catch a glimpse of the old London in which our forefathers lived. This we shall endeavour to do as we thread our way through city and suburb; now glancing at the London of the present day, then turning the eye of the imagination to the ancient metropolis, which Briton, Roman, Saxon, Dane, and Norman have in succession traversed.

Over thousands of troubles and challenges, the years flew by; then the “Great Fire” broke out, destroying nearly every historical landmark. Now, we have to navigate through the gloom of vague records and a few poorly made prints to get a glimpse of the old London where our ancestors lived. This is what we will try to do as we make our way through the city and its suburbs; sometimes looking at present-day London, and at other times letting our imagination wander back to the ancient city that Britons, Romans, Saxons, Danes, and Normans have all walked through in turn.

The old highway to London is that which the daring sea-kings poetically called “the road of the swans”—the broad bosom of the sea,—and then along the majestic river which leads to her grey old fortress, the Tower. But the railroad has ploughed up the country, and this ancient “silver pathway” is abandoned to commerce and pleasure-parties; so rapid is the transit from every point of the coast, that few care to thread the winding river when they can reach London by the railroads almost as direct as “the crow flies.” Such remains of ancient London as fall in our way we shall again glance at; and shall now commence our “Picturesque Sketches of London” by describing the most prominent landmark in the City—St. Paul’s Cathedral, together with a few of the most interesting objects in the neighbourhood.{29}

The old highway to London is what the bold sea-kings romantically referred to as “the road of the swans”—the vast expanse of the sea—and then along the grand river that leads to her old grey fortress, the Tower. But the railroad has reshaped the land, and this historic “silver pathway” has been left to commerce and leisure trips; so fast is the journey from every point on the coast that few bother to navigate the winding river when they can reach London by train almost as straight as “the crow flies.” We will take another look at the remnants of ancient London that we encounter; and now we’ll start our “Picturesque Sketches of London” by describing the most prominent landmark in the City—St. Paul’s Cathedral, along with a few of the most interesting sights in the area.{29}

CHAPTER II.

ST. PAUL’S CATHEDRAL—DOCTORS’ COMMONS—THE OLD CITY STREETS.

THE Cathedral of St. Paul’s is the great landmark of London. Long before the eye of the approaching stranger obtains a glimpse of the graceful spires, grey massy towers, and tall columns which ascend from every corner of the outstretched city, it rests upon that mighty dome, which looms through the misty sky, like some dim world hanging amid the immensity of space; for so does it seem suspended when the smoke from ten thousand homes throws a vapoury veil over the lower portion of the invisible building. From the long range of hills that overlook Surrey and Kent, from the opposite heights of Highgate and Hampstead, and for miles away in the level valley through which the Thames ebbs and flows, that rounded dome is seen standing sentinel day and night over the two-million peopled city. Above the busy hum of the multitude it keeps watch by day, and through the hushed night it looks up amid the overhanging stars, and throws back from its golden cross (emblem of our salvation) the silvery rays of the bright moon, when all the miles of streets below are wrapt in drowsy silence. High up it towers, a tribute of man to his Maker, carrying our thoughts almost unconsciously to God while we gaze upon it, and pointing out to the unbelieving heathens who have crossed the great deep a Christian land: an image of religion reflected in the deep tide of our commerce, shadowing forth a haven beyond the grave, when the fever and the fret of this life will have died away like a forgotten dream. It stands like a calm bay amid the ever-heaving sea of restless London, into which the tempest-tost mariner may at any time enter and anchor his barque nearer the{30} shores of eternity; for while all around him the wild elements of worldly gain are raging, scarcely a sound from without falls upon his ear to break the solemn silence which reigns in that mighty fabric.

TThe Cathedral of St. Paul’s is a major landmark in London. Long before a traveler gets a view of the elegant spires, sturdy towers, and tall columns rising from every corner of the sprawling city, their gaze is drawn to the impressive dome, which rises through the misty sky like a distant world floating in the vastness of space; it looks almost suspended when smoke from countless homes creates a hazy curtain over the lower part of the unseen structure. From the long hills that overlook Surrey and Kent, from the heights of Highgate and Hampstead, and for miles along the flat valley where the Thames flows, that rounded dome stands as a guardian day and night over the city of two million people. Amid the busy sounds of the crowd, it keeps watch by day, and in the quiet night, it gazes up at the stars, reflecting the silvery rays of the bright moon from its golden cross (a symbol of our salvation), while the miles of streets below are wrapped in drowsy silence. It towers high, a tribute from man to his Creator, drawing our thoughts almost unconsciously to God as we look at it, and showing unbelieving outsiders who have journeyed across the ocean that this is a Christian land: a representation of faith mirrored in the deep flow of our commerce, suggesting a refuge beyond the grave, when the struggles of this life will fade like a forgotten dream. It stands like a tranquil bay in the ever-turbulent sea of restless London, where a storm-tossed sailor can find shelter and anchor his ship closer to the{30} shores of eternity; for while around him the chaotic elements of worldly pursuits are raging, hardly a sound from outside disturbs the solemn silence that fills that grand structure.

No stranger can say that he has seen the vastness of London until he has mounted the hundreds of steps which lead to the Golden Gallery, and looked out upon the outstretched city and suburbs below. It is a sight never to be forgotten; the passengers underneath scarcely appear a foot high, and the omnibuses so diminished, that you fancy you could take one under your arm and walk off with it easily. But it is the immense range of country which the eye commands that astonishes the stranger. Here railroads branch out, there the noble river seems narrowed by distance to an insignificant brook; while weary miles of houses spread out every way, and the largest edifices of the metropolis are dwarfed beneath the lofty height from which you gaze. There are hills before and hills behind: to the right, a dim country, lost in purple haze; to the left, thousands of masts, which look like reeds, while the hulls of the ships seem to have dwindled to the smallness of boats.

No visitor can claim to have seen the vastness of London until they've climbed the hundreds of steps leading to the Golden Gallery and looked out over the sprawling city and its suburbs below. It’s a view you’ll never forget; the people below appear to be less than a foot tall, and the buses seem so tiny that you’d think you could pick one up and carry it away easily. But it’s the incredible expanse of countryside that really amazes the newcomer. Here, railroads spread out, and there, the grand river looks like a tiny stream from this height; meanwhile, endless rows of houses stretch out in every direction, and the largest buildings in the city seem small from this lofty vantage point. There are hills in front and hills behind: to the right, a distant landscape shrouded in a purple haze; to the left, thousands of masts looking like reeds, while the hulls of ships seem to shrink to the size of little boats.

Never did that cathedral appear to us more holy than when we visited it last summer during the Anniversary Meeting of the Charity Children; never did the sunbeams which occasionally streamed through the vaulted dome seem so much like the golden ladder on which the “angels of God ascended and descended” in the dream of the patriarch of old, as when they shone for a few moments upon the heads of those thousands of children who were congregated beneath. We seemed to picture Charity herself newly alighted from heaven, and standing in the midst overshadowing them with her white wings, while her angelic smile lighted up the holy fabric, as she stood with her finger pointing to the sky. It was a sight that went home to every heart, and made an Englishman proud of the land of his birth, to know that thousands of those children, who were fatherless and motherless, were watched over and tended by the angel of charity; and that hundreds who waited to do her bidding, with willing hearts and open hands, were assembled in the temple which her overpowering presence then hallowed. Then to know that so vast a multitude formed but a portion of the numbers which English charity clothed, fed, and educated; and that, if all could have been assembled tier above tier, as they then sat, they would have reached to the very summit of the dome itself, extending, as it were, to heaven, and with folded hands and meek supplicating faces seeming to plead in our behalf before the footstool of God.

Never did that cathedral look more sacred to us than when we visited it last summer during the Anniversary Meeting of the Charity Children; never did the rays of sunlight that occasionally streamed through the high dome feel so much like the golden ladder on which the “angels of God ascended and descended” in the dream of the old patriarch as when they briefly illuminated the heads of those thousands of children gathered below. We imagined Charity herself just landing from heaven, standing in the midst, overshadowing them with her white wings, while her angelic smile lit up the holy building, as she pointed to the sky. It was a sight that touched every heart and made an Englishman proud of his homeland, knowing that thousands of those children, who were fatherless and motherless, were cared for by the angel of charity; and that hundreds who were ready to do her bidding, with willing hearts and open hands, were gathered in the temple that her powerful presence had blessed. Then to know that such a vast crowd was just a small part of the many whom English charity clothed, fed, and educated; and that if all could have been arranged tier upon tier as they sat then, they would have reached all the way to the top of the dome itself, extending, in a way, to heaven, with folded hands and humble, pleading faces seeming to intercede on our behalf before the footstool of God.

It was a sight never to be forgotten, to see those thousands of clean and neatly clad children ranged one above another, to the height of{31}

It was a sight that could never be forgotten, to see those thousands of clean and neatly dressed children lined up one above another, reaching the height of{31}



ST. PAUL’S CATHEDRAL. CHARITY CHILDREN’S ANNIVERSARY FESTIVAL.

ST. PAUL’S CATHEDRAL. CHARITY CHILDREN’S ANNIVERSARY FESTIVAL.



ST. PAUL’S CATHEDRAL. CHARITY CHILDREN’S ANNIVERSARY FESTIVAL.

ST. PAUL'S CATHEDRAL. CHARITY CHILDREN'S ANNIVERSARY FESTIVAL.

{32}

{32}

{33}

{33}

twenty feet, beneath the huge overshadowing dome; to see the girls at the beginning or ending of a prayer (as if touched by the wand of some magician) raise or drop their thousands of snow-white aprons at the self-same instant of time, was like the sudden opening and folding of innumerable wings, which almost made the beholder start, as if he had stepped suddenly upon the threshold of another world. The gaudiest gardens that figure in oriental romance, with all their imaginary colouring, never approached in beauty the rich and variegated hues which that great group of children presented. Here the eye rested upon thousands of little faces that peeped out from the pink trimmings of their neat caps; there the pretty head-gear was ornamented with blue ribands, looking like blue-bells and white lilies blended together; farther on the high range of heads stood like sheeted May-blossoms, while the crimson baise which covered the seats looked in the distance as if the roses of June were peeping in between the openings of the branches. The pale pearled lilac softened into a primrose-coloured border, which was overhung by the darker drapery of the boys, upon whom the shadows of the arches settled. Ever and anon there was a sparkling as of gold and silver, as the light fell upon the glittering badges which numbers of the children wore, or revealed the hundreds of nosegays which they held in their little hands, or wore proudly in their bosoms. High above this vast amphitheatre of youthful heads, the outspreading banners of blue, and crimson, and purple, emblazoned with gold, were ranged, all filled with

twenty feet beneath the massive dome; seeing the girls at the start or end of a prayer (as if touched by a magician's wand) raise or drop their thousands of snow-white aprons at the exact same moment was like the sudden unfolding and folding of countless wings, almost making the observer jump, as if he had just stepped into another world. The most vibrant gardens from eastern tales, with all their fanciful colors, could never match the rich and varied hues presented by that large group of children. Here, the eye caught sight of thousands of little faces peeking out from the pink trims of their tidy caps; there, the pretty headwear was adorned with blue ribbons, resembling bluebells and white lilies mixed together; further along, the tall heads stood like blooming May flowers, while the crimson fabric covering the seats looked from afar as if the June roses were peekabooing between the branches. The pale pearly lilac faded into a primrose-colored edge, overshadowed by the darker drapery of the boys, who were cast in the shadows of the arches. Occasionally, there was a glimmer of gold and silver as the light hit the shiny badges that many of the children wore, or revealed the hundreds of nosegays they held in their little hands or wore proudly in their chests. High above this vast amphitheater of youthful heads, the wide banners of blue, crimson, and purple, adorned with gold, were displayed, all filled with

“Stains and vibrant dyes,
"As are the tiger moth's richly patterned wings.”

And when the sunlight at intervals fell upon the hair or the innocent faces of some snow-white group of girls, they seemed surrounded with

And when the sunlight occasionally hit the hair or the pure faces of a group of girls dressed in white, they looked like they were surrounded with

"A glory like a saint's." They looked like beautiful angels freshly dressed,
"Save wings for heaven." — Keats.

Eastward the organ rose with its sloping gallery of choristers, selected from Westminster, the Royal Chapel, and St. Mark’s; and from thence the full choir burst, and the sounds were caught up and joined by thousands of voices, until the huge building seemed to throb again beneath that mighty utterance. The eye fairly ached as it rested on the vast plane of human faces, which inclined from the west end of the cathedral, and came dipping down almost to the very foot of the choir, so chequered was the richly-coloured field it fell upon.

Eastward, the organ rose with its sloping gallery of singers, chosen from Westminster, the Royal Chapel, and St. Mark’s; and from there, the full choir erupted, their voices joining with thousands of others, making the enormous building seem to pulse under that powerful sound. The eye truly ached as it gazed at the vast expanse of human faces, sloping down from the west end of the cathedral, almost reaching the foot of the choir, the richly colored field it looked upon was so varied.

As the anthem stole upon the ear, we seemed borne away to another{34} state, to that heaven of which we catch glimpses in our sweetest dreams, when all those childish voices joined in the thrilling chorus; when we beheld thousands of childish faces in the ever-shifting light, we could almost fancy that we stood amid those ranks “who veil their faces with their wings” before the blinding glory of heaven. Over all pealed the full-voiced organ, sounding like music that belongs not to earth, now high, now low, near or remote, as the reverberated sound rose to the dome or traversed the aisles, coming in and out like wavering light between the pillars and shadowy recesses, spots in which old echoes seem to sleep, old voices to linger, which only broke forth at intervals to join in the solemn anthem that rose up and floated away, and would only become indistinct when it reached the star-paved courts above.

As the anthem filled the air, we felt transported to another{34} place, to that paradise we catch glimpses of in our sweetest dreams. When all those youthful voices came together in the stirring chorus and we saw thousands of young faces in the constantly changing light, we could almost imagine we were among those ranks “who veil their faces with their wings” before the blinding glory of heaven. Above it all, the powerful organ resonated, sounding like music that isn’t of this world—sometimes high, sometimes low, close or far away—as the echoing sound rose to the dome or moved through the aisles, coming in and out like flickering light between the columns and shadowy corners, places where old echoes seem to rest, where old voices lingered, only breaking out at intervals to join in the solemn anthem that rose up and floated away, becoming only faint when it reached the star-lit courts above.

There was something pleasing in the countenances of many of the girls, something meek and patient in the expression they wore, especially in the little ones. You could almost fancy you could distinguish those who were orphans, by their looking timidly round, as if seeking among the spectators for some one to love them.

There was something comforting in the faces of many of the girls, something gentle and enduring in the expressions they had, especially in the younger ones. You could easily imagine being able to tell who the orphans were, as they looked around shyly, as if searching among the crowd for someone to love them.

From such a scene our mind naturally turned to the huge amphitheatres of old, when the populace of ancient cities congregated to see some gladiator die, or to witness the struggle between man and the savage beast, while the air was rent with applauding shouts, as the combatants bled beneath each other’s swords, or were torn by the tusks of infuriated animals. How great the contrast! Instead of the shouts of the heathen multitude, here the solemn anthem was chanted by thousands of childish voices, while every heart seemed uplifted in silent prayer to God. Here we saw the youthful aspirants of heaven tuning their notes like young birds, dim, half-heard melodies, which can only burst forth in perfect music when they reach that immortal land where “one eternal summer ever reigns;” and we sighed as we thought how many thousands still uncared for were scattered through the streets and alleys of London, and left to live as they best could amid ignorance, rags, and hunger, with no one to teach them that, outcasts as they are on earth, they have still a Father in heaven who careth for them. Charitably disposed as England is to her poor children, she has yet much to do before her great work is perfected; she has yet to bring together her homeless thousands who have neither food nor raiment, nor any place at night where they can lay their weary and aching heads. The time will come when she will be convinced that she must do more than save a remnant, when there will be none left in hunger and ignorance to hang about her great cathedral, as we saw them then, envying the thousands of clean and healthy-looking children, who, more fortunate than they, were under the care of charitable{35} guardians. All these her protecting arms will in time encircle in one warm motherly embrace, without distinction. God send that the time may be near at hand!

From such a scene, our minds naturally turned to the massive amphitheaters of the past, where the crowds of ancient cities gathered to watch a gladiator fight to the death or witness the battle between man and wild beasts. The air would be filled with cheers as the fighters bled from each other's wounds or were attacked by furious animals. What a stark contrast! Instead of the shouts of the pagan crowd, here a solemn anthem was sung by thousands of youthful voices, with every heart seemingly lifted in silent prayer to God. We saw the young aspirants of heaven harmonizing their voices like young birds, producing soft, barely heard melodies that could only become beautiful music when they reach that eternal place where "one eternal summer ever reigns." We sighed as we thought about the many thousands still unnoticed, scattered through the streets and alleys of London, left to live as best they could amid ignorance, rags, and hunger, with no one to teach them that, as outcasts on earth, they still have a Father in heaven who cares for them. As charitable as England is to her poor children, there is still much to be done before her significant work is complete; she still needs to bring together her homeless thousands who have neither food nor clothing, nor a place at night to rest their weary heads. The time will come when she realizes she must do more than save a few; there will be none left in hunger and ignorance hanging around her grand cathedral, as we saw them then, envying the thousands of clean and healthy children who, more fortunate than they, were under the care of charitable guardians. In time, her protective arms will embrace all of them in one warm, motherly hug, without distinction. God grant that this time may come soon!

Many a “rapt soul” looked out with moistened eyes from that assemblage, which, when this earthly pilgrimage is ended, shall hear the voice of the great Master whom they have served exclaim: “For I was an hungered, and ye gave me meat; I was thirsty, and ye gave me drink; I was a stranger, and ye took me in.” Such we could distinguish, who felt no greater pleasure than in sharing their wealth amongst the poor and needy; on whose brow benevolence had set her seal; who do good by stealth, and “blush to find it fame.” Such as these feel an innate pleasure which the miser never experienced while gloating over his hoarded gold; and when the Angel of Death comes, he will bear them away gently; and in the soft beating of his dark wings they will hear again the sweet voices of those dear children singing a little way before, as if they had but to shew their faces, when the gates of Paradise would

Many “rapt souls” looked out with teary eyes from that gathering, which, when this earthly journey is over, will hear the voice of the great Master they have served say: “For I was hungry, and you gave me food; I was thirsty, and you gave me drink; I was a stranger, and you welcomed me.” We could see those who felt no greater joy than sharing their wealth with the poor and needy; on whose foreheads benevolence had marked its presence; who do good in secret, and “blush to find it fame.” People like these experience an innate joy that the greedy person never feels while reveling in his accumulated wealth; and when the Angel of Death comes, he will take them away gently; and in the gentle rustle of his dark wings, they will hear again the sweet voices of those dear children singing just ahead, as if they only needed to show their faces for the gates of Paradise to open.

“Wide on their golden hinges swing;”

while outstretched arms would be seen through the surrounding halo, holding forth the crowns of glory which had been prepared for them “from the foundation of the world.”

while outstretched arms would be visible through the surrounding halo, holding out the crowns of glory that had been prepared for them “from the foundation of the world.”

Glancing at the building, we must state that, from the base to the top of the cross, which overlooks the dome, the height is 400 feet; and that of the campanile towers, which front Ludgate-hill, 220 feet; the length of the building, from east to west, is 500 feet; and the breadth 100 feet; while the ground enclosed by the palisade measures upwards of two acres. As all the world knows, the architect was Sir Christopher Wren, whose grave is in the crypt below, and whose monument is the building itself; such a pile as no monarch ever erected to his own memory. The choir is enriched by the beautiful carving of Grinling Gibbons, who ought to have slept beside the great architect of St. Paul’s in the vault beneath. The sculpture on the west front is by Bird, and the beholder will be struck by the colossal size of the figures, if he pauses to look out as he ascends the dome. They are, Paul preaching to the Romans, his Conversion, &c.; while those at the sides represent the Evangelists. The minute-hand of the clock measures eight feet, and the dial is fifty-seven feet in circumference; while the great bell, which strikes the hour, weighs between four and five tons. It is only tolled at the deaths and burials of the royal family, and a few others, who may have been connected with the cathedral.

Glancing at the building, we should note that from the base to the top of the cross that looks over the dome, the height is 400 feet; the campanile towers facing Ludgate Hill stand at 220 feet; the length of the building from east to west is 500 feet, and the width is 100 feet; the area enclosed by the fence is over two acres. As everyone knows, the architect was Sir Christopher Wren, whose grave is in the crypt below, and whose monument is the building itself; a structure that no monarch ever built in their own honor. The choir is enhanced by the beautiful carvings of Grinling Gibbons, who should have been laid to rest beside the great architect of St. Paul’s in the vault below. The sculpture on the west front is by Bird, and viewers will be amazed by the gigantic size of the figures if they take a moment to look as they climb the dome. They depict Paul preaching to the Romans, his Conversion, etc.; while those on the sides represent the Evangelists. The minute hand of the clock is eight feet long, and the dial has a circumference of fifty-seven feet; while the great bell, which tolls the hour, weighs between four and five tons. It is only rung at the deaths and funerals of the royal family and a few others who may have been connected to the cathedral.

The Whispering-gallery, the Clock-room, the Library, and Model-room,{36} have been so often described, that we shall pass them by, and briefly glance at the monuments.

The Whispering-gallery, the Clock-room, the Library, and Model-room,{36} have been talked about so much that we’ll skip them and take a quick look at the monuments.

The monument to Nelson, by Flaxman, interests us all the more through knowing that the remains of the hero of Trafalgar, encased in a portion of the mainmast of L’Orient, repose below. The memorial to Abercrombie, by one stroke of genius, carries the mind to Egypt, while gazing on the symbols which are introduced. There are statues or monuments to Lord Cornwallis, Sir John Moore, Lord Heathfield, Collingwood, St. Vincent, Howe, Rodney, Ponsonby, and Picton, and many other naval and military heroes. John Saunders, in Knight’s London, says, “There must be something shocking to a pure and devout mind filled with the spirit of Him who came to preach ‘peace on earth, good will among men,’ to find the records of deeds of violence and slaughter intruded upon his notice in the very temples where he might least expect to find such associations, ... to make every pier, and window, and recess in our chief cathedral repeat the same melancholy story of war, war, still every where war. There are now about forty-eight monuments in St. Paul’s, of which there are but seven devoted to other than naval and military men ... ‘paragraphs of military gazettes,’ to use Flaxman’s phrase.” The other monuments are to Howard the philanthropist, Dr. Johnson, Sir Joshua Reynolds, Sir William Jones, Bishop Heber, Babington, Middleton, and Sir Astley Cooper.

The monument to Nelson, created by Flaxman, captures our attention even more knowing that the remains of the hero of Trafalgar, enclosed in a section of the mainmast of L’Orient, lie beneath. The memorial to Abercrombie, through a single stroke of brilliance, transports the mind to Egypt when observing the symbols that are included. There are statues or monuments for Lord Cornwallis, Sir John Moore, Lord Heathfield, Collingwood, St. Vincent, Howe, Rodney, Ponsonby, and Picton, along with many other naval and military heroes. John Saunders, in Knight’s London, states, “There must be something disturbing to a pure and devout mind filled with the spirit of Him who came to preach ‘peace on earth, good will among men,’ to encounter records of acts of violence and slaughter forced into view in the very places where he might least expect to find such associations,... making every pier, window, and recess in our main cathedral echo the same sorrowful story of war, war, and more war. There are currently about forty-eight monuments in St. Paul’s, of which only seven are dedicated to individuals other than naval and military figures... ‘paragraphs of military gazettes,’ as Flaxman put it.” The other monuments honor Howard the philanthropist, Dr. Johnson, Sir Joshua Reynolds, Sir William Jones, Bishop Heber, Babington, Middleton, and Sir Astley Cooper.

The paintings by Sir James Thornhill look dim and faded, and can scarcely be seen at all except through a few chinks in the dome, which you cannot peep down through without feeling dizzy, such a depth yawns beneath. This door, or trap, or whatever it is called, that opens above the dome, is for the convenience of hoisting up great and celebrated visitors, who are too distinguished and too lazy to climb the 600 steps which lead to the summit of St. Paul’s. Speaking of the summit recals to our recollection that, when we looked from it in the afternoon sunshine, the shadow of St. Paul’s extended to the Bank, while the dome threw all the houses on the left of Cheapside into the shade, and its rounded shoulder darkened the crowded buildings far behind, thus depriving hundreds of the citizens of sunshine.

The paintings by Sir James Thornhill look dull and faded, and can hardly be seen at all except through a few openings in the dome, which you can’t peek down through without feeling dizzy, because of the deep drop below. This door, or trapdoor, or whatever it’s called, that opens above the dome, is for the convenience of lifting up important visitors who are too notable and too lazy to climb the 600 steps that lead to the top of St. Paul’s. Speaking of the summit reminds us that, when we looked from it in the afternoon sun, the shadow of St. Paul’s stretched to the Bank, while the dome cast all the buildings on the left of Cheapside into darkness, and its rounded shoulder shaded the crowded structures far behind, thus denying hundreds of citizens sunlight.

In conclusion, we have only to add that Divine service commences at a quarter past ten in the morning, and a quarter to three in the afternoon; and that to see the whole of the building, above and below, the visitor must submit to pay the sum of 4s. 4d.; “which,” as gossiping old Pepys says, “is pretty to observe”—we mean, the amount.

In conclusion, we just want to mention that the religious service starts at 10:15 AM and 2:45 PM; and to see the entire building, both upstairs and downstairs, visitors need to pay a fee of 4s. 4d.; “which,” as chatty old Pepys says, “is interesting to note”—we mean, the amount.

There is but little to detain us in the streets behind Ludgate-hill, running into Upper Thames-street and Earl-street, beyond the mere{37} mention of Apothecaries’ Hall, which stands in the Broadway, that unites with Water-lane, and which was built soon after the Fire of London. There is a portrait of James I., and a statue of Delware, at whose intercession James granted a charter of incorporation. The controversy between this Company and the College of Physicians called forth Garth’s poem entitled “The Dispensary,” which was very popular at that period, and is still worthy of perusal.

There’s not much to keep us in the streets behind Ludgate Hill, which lead into Upper Thames Street and Earl Street, except for the mention of Apothecaries’ Hall. It’s located on the Broadway where it connects with Water Lane and was built shortly after the Great Fire of London. There’s a portrait of James I and a statue of Delaware, who helped persuade James to grant a charter for incorporation. The dispute between this Company and the College of Physicians inspired Garth’s poem titled “The Dispensary,” which was quite popular back then and is still worth reading.

The Times Office, in Printing-house-square, is the great lion of this neighbourhood; and the same spot was occupied by the king’s printers at least as far back as the reign of Charles II. A description of this mighty lever of the “fourth estate” does not come within the compass of our light pages.

The Times Office, located in Printing-house-square, is the main attraction of this area; this very place has been home to the king’s printers since at least the time of Charles II. A detailed look at this powerful influence of the “fourth estate” is beyond the scope of our brief pages.

Neither St. Andrew’s-hill nor Addle-hill requires much notice, though the former contains one of Wren’s churches, called St. Andrew by the Wardrobe; also a beautiful monument to the Rev. W. Romaine. Paul’s Chain and Bennet-hill bring us back again to St. Paul’s; and here our readers will consider that we make a fair start eastward, with the intention of describing the principal objects of interest that lie between the nearest great thoroughfare and the river on the south side of the way, while a few of the principal objects in the streets on the north will arrest our attention as we return on our journey westward.

Neither St. Andrew’s Hill nor Addle Hill needs much attention, although the former has one of Wren’s churches, called St. Andrew by the Wardrobe, along with a beautiful monument to the Rev. W. Romaine. Paul’s Chain and Bennet Hill bring us back to St. Paul’s, and here our readers should note that we’re making a good start eastward, planning to describe the main points of interest between the nearest major street and the river on the south side of the road, while a few key sights in the streets to the north will catch our eye as we head back on our trip westward.

Paul’s Chain took its name from the chain thrown across the road during the time of Divine service; a duty now performed by policemen, who, although they do not bar up the way, caution the drivers to go on slowly during service-time.

Paul’s Chain got its name from the chain that was thrown across the road during church services; a task that is now done by police officers, who, while they don’t block the road, advise drivers to proceed slowly during service times.

We have now arrived at Doctors’ Commons, and our engraving over-leaf represents the Prerogative Court, one of the chambers in which the wills of the dead are deposited. Through those doors many a beating and anxious heart enters to return disappointed, or half delirious with delight, through dreaming of the many pleasures which riches will procure. What thousands of human beings, fluttering between hope and fear, have passed through the shadow of that arched gateway which opens into St. Paul’s Churchyard; many to repass the possessors of riches, but never again to find that sweet sleep which hard-handed industry brought, and which moderate competency had never before heaved a sigh for! Legacies left, which proved a curse instead of a comfort, by arousing ambitious thoughts to soar amid airy speculations, where hundreds of captivating bubbles floated, tinged with the richest hues, until all in a moment burst, and left but a naked desolation behind—a hideous barrenness—never seen while those painted vapours danced before the eye. Wealth, over which Care ever after kept watch with sleepless eyes and{38} furrowed brow, uncertain into which stream of enjoyment he should launch with his freight, and so pondered until old age and then death came, and instead of the castle he had so long contemplated purchasing, he was installed without a tear into the narrow coffin, and borne without a sigh to the grave. Others, again, raised from enduring and patient poverty to undreamed-of comfort, because he who would not have advanced them a shilling, would it have saved them from starvation and death, was now powerless; his greatest agony, when he passed away, being the thought that he could not carry his unforgiving vengeance beyond the grave; that he had not power to disinherit the child whom he spurned and hated. We have gazed on those dark-bound volumes in the Prerogative Will-Office, and thought that if the dead were permitted to return again, what ghastly forms would enter that room, shrieking aloud names once beloved, and blotting out for ever such as they had in their blind passion inserted. One stroke of the pen, and she who sits weeping and plying her needle in one of the neighbouring attics (her children crying around her for bread) might have been trailing the roses around the trellised porch of some beautiful cottage, while they were playing on the green lawn, strangers to sorrow and hunger.

We have now arrived at Doctors’ Commons, and our drawing on the opposite page shows the Prerogative Court, one of the rooms where the wills of the deceased are kept. Through those doors, many anxious hearts enter only to leave disappointed or half-crazy with joy, dreaming of the pleasures that wealth can bring. Countless people, caught between hope and fear, have walked through the shadow of that arched gateway leading into St. Paul’s Churchyard; many to pass by the wealthy but never to regain that peaceful sleep that hard work once afforded them, which a modest living had never compelled them to sigh for! Inheritances that became a curse instead of a comfort, igniting ambitious thoughts to soar through fanciful notions where hundreds of enticing illusions floated, colored in the richest shades, until all of a sudden they burst, leaving nothing but stark desolation behind—a horrific emptiness—unseen while those painted illusions danced before their eyes. Wealth, under the constant vigil of Worry, who kept watch with sleepless nights and a furrowed brow, uncertain of which source of enjoyment to dive into with his burdens, and so he contemplated until old age and then death came, and instead of the mansion he had long dreamed of buying, he was placed without a tear into a small coffin and taken away without a sigh to the grave. Others, on the other hand, lifted from enduring and patient poverty to unexpected comfort, because the one who wouldn't have lent them a dime to save them from starvation and death was now powerless; his greatest sorrow, upon passing, was the realization that he couldn't carry his unyielding revenge beyond the grave; that he had no power to disinherit the child he rejected and despised. We have stared at those dark-bound volumes in the Prerogative Will-Office and thought that if the dead were allowed to return, what terrifying figures would enter that room, calling out names once cherished, and erasing forever those they had blindly put in place during their passionate moments. With one stroke of the pen, she who sits crying and sewing in one of the nearby attics (her children crying around her for food) might have been wandering among the roses around the trellis of a beautiful cottage, while they played on the green lawn, unaware of sorrow and hunger.

Let us pause for a few moments and examine the attitudes and countenances of those who are perusing the wills. See how that woman’s hand shakes as she turns over the leaves; look at the working of the muscles of that young man’s face; behold the play of light over the wrinkled features of that old lady; see how she clasps her hands together and is looking upward; and you may tell what each has discovered as clearly as if you knew them, had stood beside them, and had read every line which they have been reading. That low sound, falling on the ear like the faint dropping of the summer rain on the leaves, is caused by the tears shed by that pale young lady in deep mourning; they fall quicker and quicker on the pages, and she rests her head on her hand, for she can no longer see to read through those blinding tears. The old objects of a once happy home are floating before the eye of her imagination; it may be that they are all there enumerated; that she has in fancy been passing from room to room, looking into the mirror that threw back her image in happy childhood, leaning from the window where stood the box of mignonette which she watered in the dewy morning, while her shadow fell upon the sunshine which slept on the chamber-floor. Old faces and old voices have again been before and around her; and she weeps not at finding that she is forgotten, but because those she so fondly loved are either no more or far away, and refuse to countenance her for marrying the object of her love, a man rejected by all her family only{39}

Let’s take a moment to look at the expressions and feelings of those reading the wills. Notice how the woman’s hand trembles as she flips through the pages; observe the tension in that young man’s face; see the way light plays over the old lady's wrinkled features; watch how she clasps her hands together and gazes upward; you can tell what each one has realized as clearly as if you knew them, stood beside them, and read every word they’ve been reading. That soft sound, gentle like the light drizzle of summer rain on leaves, comes from the tears of that pale young woman in deep mourning; they fall faster and faster onto the pages, and she rests her head on her hand because she can no longer see to read through those blinding tears. The familiar sights of a once-happy home are swirling in her mind; they might all be listed right there; in her imagination, she has been moving from room to room, looking into the mirror that reflected her joyful childhood, leaning from the window where the mignonette box stood, which she watered in the early morning dew, while her shadow danced in the sunlight on the bedroom floor. Old faces and old voices are back with her, and she’s not crying because she feels forgotten, but because those she cherished are either gone or far away, and they won’t accept her marriage to the man she loves, someone all her family has rejected only{39}



PREROGATIVE COURT, DOCTORS COMMONS.

PREROGATIVE COURT, DOCTORS COMMONS.

__A_TAG_PLACEHOLDER_0__
PREROGATIVE COURT, DOCTORS COMMONS.

{40}

{40}

{41}

{41}

because he was poor. In that great mustering-ground beyond the grave, who would not rather occupy the place of that sufferer than stand ranged amid the ranks of those who have thus neglected her? Contrast her deportment with that of the young man at the end of the desk; his fists are clenched, the nails of his fingers are embedded in the palms of his hands, his teeth set, his eyebrows knit; he strikes his hat as he places it on his head, closes the door with a loud slam, and curses the memory of a dead man, because he has left a reckless spendthrift just enough to live on all his life without working, yet so bequeathed it that he can but draw a given sum monthly. He is savage because he cannot have the whole legacy at once in his possession. If he could, he would be likely enough to squander it all away in a single night at some notorious gambling-house.

because he was poor. In that great meeting place beyond the grave, who wouldn’t rather be in the shoes of that sufferer than stand among those who have ignored her? Compare her behavior with that of the young man at the end of the desk; his fists are clenched, his fingernails digging into his palms, his teeth gritted, his eyebrows furrowed; he slams his hat onto his head, shuts the door with a loud bang, and curses the memory of a deceased man, because he has left a reckless spendthrift just enough to live off for the rest of his life without working, yet arranged it so he can only withdraw a fixed amount each month. He’s furious because he can’t have the entire inheritance all at once. If he could, he’d likely blow it all in a single night at some infamous gambling den.

On another countenance you behold utter amazement slowly changing into the expression of contempt, disgust; and at last it settles down into black and sullen hatred. She, whose features have in a few moments undergone so many sudden alterations, finds that all her deeply-laid schemes and subtle plans have been of no avail, but that the poor relative, whose character she was ever disparaging in the eyes of the old man, and whom she kept from his bedside by the falsehoods she uttered to both, is now the possessor of all his riches. She is gnawing the end of her glove through sheer vexation: all he has left her is a book, an old volume, entitled, The Value of true Sincerity. The hypocrite is justly rebuked in his last will and testament. She departs burning red through shame and anger, and would give the world could she but leave her conscience behind her.

On another face, you see utter shock slowly turning into contempt and disgust; finally, it settles into dark, brooding hatred. She, whose features have changed so dramatically in just a few moments, realizes that all her carefully laid plans and manipulations have been useless, and that the poor relative she always belittled in front of the old man, and whom she kept away from his bedside with her lies, is now the one who has inherited all his wealth. In her frustration, she's biting the end of her glove: all he left her is an old book titled, The Value of True Sincerity. The hypocrite is rightly judged in his last will and testament. She leaves, burning with shame and anger, wishing she could give anything to escape her own conscience.

Watch that old man tottering on the very verge of the grave, and with hardly strength enough to lift the volume which he so eagerly scans: although he could already bury himself in gold, and leave the yellow lucre piled high above his narrow bed, he still covets more. He who has neither appetite nor taste for any rational enjoyment, who is compelled to sit up half the night because he cannot rest, is still eager to increase his riches. For what? the love of money alone. If he lends it, he never considers for what object; it may be good or evil, that concerns him not; all he looks to is the security, and the interest he is to receive on his capital: it may be to bring waste lands into cultivation, to aid a poor and industrious people; but one per cent more, and he would supply any armed tyrant with funds to destroy the whole peaceful populace, to leave their homes a mass of burning ruins, and the furrows of their fields running red with blood.

Watch that old man wobbling on the edge of death, barely able to lift the book he's so eager to read: even though he could bury himself in gold and stack it high above his narrow bed, he still craves more. He has no desire or appreciation for any real enjoyment, forced to stay up half the night because he can't find rest, yet he's still keen to grow his wealth. For what? Just the love of money. If he lends it out, he doesn’t care what it’s for; it could be for something good or bad; that doesn’t matter to him. All he cares about is the security and the interest he’ll make on his investment: it could be to turn barren land into farms or to help a struggling, hardworking community; but for just one percent more, he would fund any ruthless tyrant to wipe out an entire peaceful population, leaving their homes in ruins and their fields stained with blood.

Here is the last Will and Testament of the immortal Shakspeare; the very handwriting of the mighty bard “who was not for an age, but for all time.” On that document his far-seeing eyes looked, on{42} that page his hand rested; the same hand which obeyed the influence of his high-piled thoughts while he drew Hamlet, and Lear, and Macbeth, Desdemona, Ophelia, Perdita, and Imogen, held the pen which traced the very lines we now look upon. But for such old home-touches as these, we should almost doubt whether that god-like spirit ever descended to the common duties of this hard work-a-day world. But here we find him

Here is the last Will and Testament of the immortal Shakespeare; the very handwriting of the great writer “who was not just for an age, but for all time.” He gazed upon that document, and his hand rested on{42} that page; the same hand that followed his powerful thoughts while creating Hamlet, Lear, Macbeth, Desdemona, Ophelia, Perdita, and Imogen, held the pen that wrote the very lines we see now. If it weren't for such personal touches as these, we might almost question whether that god-like spirit ever engaged in the ordinary responsibilities of this tough, everyday world. But here we find him.

"Not very smart or good" For daily nourishment of humanity.”

But for proofs like these, we might fancy that such a soul had but mistaken its way while wandering from the abodes of the gods, and brought with it to the earth all the wisdom and poetry which it had taken an immortality to gather; that when he returned to his native home, the gates of heaven closed not suddenly enough upon him to shut out the undying echoes of his golden utterance; but that for ever the winds of heaven were chartered to repeat them—to blow them abroad into every corner of the earth—nor cease their mission until the language he spoke shall be uttered by “every nation, kindred, and tongue.” Such a deed as this alone proves his mortality; for the creations of his genius carry him as far away from the common standard of men as heaven is from earth.

But for proofs like these, we might think that such a soul had just lost its way while drifting from the homes of the gods and brought with it to earth all the wisdom and poetry it had taken an eternity to gather; that when he returned home, the gates of heaven didn't close fast enough behind him to block out the everlasting echoes of his beautiful words; but that forever the winds of heaven were set to repeat them—to spread them to every corner of the earth—and wouldn't stop until the language he spoke was spoken by “every nation, kindred, and tongue.” This alone shows his mortality; for the creations of his genius take him as far from the common measure of men as heaven is from earth.

What records have we here of old families long since passed away!—their very names forgotten in the places where they once enjoyed

What records do we have here of old families who have long since faded away!—their very names forgotten in the places where they once thrived.

“A small rule—a small influence,
A ray of sunshine on a winter day,
"Between the cradle and the grave." — Dyer.

Perhaps the last of the race perished a pauper in some obscure poorhouse; it may be, the one which his ancestors founded a century or two ago.

Perhaps the last of the race died broke in some little-known poorhouse; it might be the one that his ancestors established a century or two ago.

Another visits the Will-Office, who gained information of the death of some near and wealthy relative by chance—perhaps through the scrap of an old newspaper which formed the wrapper of the pennyworth of butter or cheese purchased at the little huckster’s shop at the corner of the filthy court in which for years the poor family have resided,—spots in which misery clings to misery for companionship. Letter after letter had they written, but received no answer; no one would take the trouble to reply. Then they sank lower and lower, and removed from place to place, until, at last, one single room in an undrained and breathless alley held all their cares and all their heart-aches; and there they tried to forget their wealthy relatives—to bury the remembrance of what they once were.

Another person visits the Will-Office, having come across the news of the death of a wealthy relative—perhaps from a scrap of an old newspaper that wrapped the little bit of butter or cheese they bought at the corner store in the dirty alley where the poor family has lived for years—places where misery seeks out misery for company. They wrote letter after letter, but received no response; nobody bothered to reply. Eventually, they sank deeper and deeper into despair, moving from one place to another, until finally, a single room in a stinking, airless alley contained all their worries and heartaches; and there, they tried to forget about their affluent relatives—to bury the memory of who they once were.

Meantime, he who had long been dead had remembered them{43} on his deathbed; letters had been written and advertisements had appeared, announcing “something to their advantage,” but they had fallen amongst the very poor, who, though living in the heart of London, concerned not themselves with matters foreign to their own wretched neighbourhood, unless it were some execution or low spectacle, suited to their depraved tastes. Poverty had long ago prostrated all their finer feelings. Even such as these have we seen enter the doors of the Prerogative Court, after they had with difficulty raised the shilling which they were compelled to pay before searching for the will, and come out exultingly the possessors of thousands.

In the meantime, the person who had been dead for a long time had remembered them{43} on his deathbed; letters had been sent and ads had been posted, announcing “something to their benefit,” but they had ended up among the very poor, who, even while living in the heart of London, didn’t care about things outside their own miserable neighborhood, unless it involved some execution or a low spectacle that catered to their rough tastes. Poverty had long stripped them of any finer feelings. Even those individuals we’ve seen enter the doors of the Prerogative Court, after struggling to come up with the shilling they had to pay before looking for the will, came out joyfully as the owners of thousands.

A strange place is that Prerogative Court, a fine picture of the great out-of-door world; for there Hope and Despair stand sentinels at the doors, and the living seem to jostle the dead in their eager hurry to hunt after what those in the grave have left them. There is a smell as of death about the place, as if grey old departed spirits lurked in the musty folios, and had scattered their ashes amid the yellow and unearthly-looking parchments, which rise up again in clouds of dust, while you turn over the mouldy and crackling leaves, making you sneeze again, while a hundred old echoes take up the sound, until every volume seems to shake and laugh and mock you, as if the grim old dead found it a rare spot to make merry in—to “mop and mow,” and play off a thousand devilish antics upon the living. That court is the great mart of merriment and misery, and its open doors too often lead to madness; groaning and moaning, when they open or shut, as if the spirits within wailed over those who come in search of wealth, to return disappointed. Beauty, Virtue, and Innocence also enter there, preceded by Pity; while Hope, with downcast eyes, leads them gently by the hand—her smile subdued, and her sweet countenance sorrowful. But these are angel visitants, who are compelled to appear in that court—who come in tears, and, when their duty is done, pass away for ever. There is a sound of sighs within those walls—a smell of green, stagnant tears: if you listen, you seem to hear the dead rustling among the old parchments: they move like black-beetles, and murmur to one another in an old Saxon language. Wickedness and Wrong have also their lurking-places there—where they lie concealed, and laugh at Right and Justice amid a pile of black-lettered laws, beneath which you find injured Poverty mourning unpitied. The grim judge, who has sat here for hundreds of years, is deaf and blind: he acts but for the dead—the living he can neither hear nor see—but ever sits with his elbow resting on a pile of musty volumes, mute as a marble image. It is a place filled with solemn associations—the ante-room of Life-in-Death.{44}

The Prerogative Court is a strange place, a vivid reflection of the great outdoors; here, Hope and Despair stand guard at the entrance, and the living seem to bump into the dead in their frantic search for what those in the grave have left behind. There’s a scent of death in the air, as if weary old spirits linger in the dusty books, scattering their ashes among the yellowed, otherworldly parchments that rise in clouds of dust as you flip through the moldy, crackling pages, making you sneeze, while countless old echoes respond to the sound, causing every book to tremble and laugh, mocking you as if the grim dead found joy in this place to “mop and mow” and perform a thousand wicked tricks on the living. This court is the great marketplace of joy and sorrow, and its open doors all too often lead to madness; they groan and moan when they open or close, as if the spirits inside lament for those who come seeking fortune, only to leave empty-handed. Beauty, Virtue, and Innocence also enter, guided by Pity; while Hope, with her gaze lowered, gently leads them by the hand—her smile muted, and her sweet face sorrowful. But these are angelic visitors, compelled to appear in this court—coming in tears, and when their duty is done, disappearing forever. Within those walls, there's a sound of sighs—a scent of stale, stagnant tears: if you listen closely, you can almost hear the dead rustling among the old parchments, moving like cockroaches, murmuring to each other in an ancient language. Evil and Injustice also have their hiding spots there—where they lie in wait, laughing at Right and Justice among a heap of dusty laws, beneath which you find wronged Poverty mourning without compassion. The grim judge, who has presided here for centuries, is deaf and blind: he acts only for the dead—the living he neither hears nor sees—but forever sits with his elbow resting on a stack of musty books, silent like a marble statue. It’s a place filled with serious associations—the antechamber of Life-in-Death.{44}

Knowing fellows are the porters who hang about this neighbourhood; you can tell that they have not plied there for years without picking up “a thing or two;” they appear almost as “ ’cute” as the learned proctors themselves; and should you find yourself the possessor of a fat legacy, and be so ignorant as to apply to these white-aproned messengers as to the best way of getting it at once, they will undertake to introduce you to a gentleman, who, from what you hear, you almost believe to be so clever that he could whip your name into a will if he chose, and obtain for you a fortune, if even you had no legal claim to a single shilling. “God bless you, sir, we knows plenty of people what’s got thousands as never expected to have a blessed mag whatsomdever.” And green countrymen follow these plump images of Hope, and treat them to whatever they please to take.

The knowledgeable guys are the porters hanging around this neighborhood; you can tell they haven't been here for years without picking up “a thing or two”; they seem almost as “smart” as the learned proctors themselves. If you happen to inherit a large sum of money and are so naive as to ask these guys in white aprons how to access it quickly, they'll promise to introduce you to a man who, from what you've heard, you almost believe is so skilled that he could work your name into a will if he wanted and secure you a fortune, even if you had no legal claim to a single penny. “God bless you, sir, we know plenty of people who’ve got thousands and never expected to have a single dime.” And unsuspecting country folks follow these plump symbols of Hope and buy them whatever they want.

Besides the Prerogative Will-Office, Doctors’ Commons contains the Court of Arches, a name well known to all the readers of newspapers; the Court of Faculties and Dispensation, having a good deal to do with marriage-licenses, and many other less lawful matters; the Consistory Court of the Bishop of London, and the High Court of Admiralty, so that “all is fish” which falls into the net of these courts—from a lady running away from her husband, to one ship running down another. A captive of Cupid’s or a capture in war, is all the same to these able practitioners, where either the owner or the husband of the Nancy Dawson may find redress—for either ship or spouse come alike to advocate or proctor.

Besides the Prerogative Will-Office, Doctors’ Commons includes the Court of Arches, a name familiar to everyone who reads the news; the Court of Faculties and Dispensation, which handles marriage licenses and a variety of other questionable issues; the Consistory Court of the Bishop of London, and the High Court of Admiralty. In these courts, “all is fish” that gets caught in their net—from a woman who has fled from her husband to one ship colliding with another. Whether it's a love affair or a wartime capture, these skilled professionals treat both situations the same, where either the owner of the Nancy Dawson or her husband can seek help—because both ship and spouse come equally before an advocate or proctor.

Here we have, also, the Heralds’ College, well worthy of notice, as it contains many curious rolls and valuable manuscripts.

Here we have the Heralds' College, which is definitely worth mentioning, as it holds many interesting rolls and valuable manuscripts.

At the bottom of Bennet’s-hill stood Paul’s-wharf—a famous landing-place before the Great Fire; the church still bears the name of St. Bennet, Paul’s-wharf. Here Knightrider-street and Carter-lane extend in the line of the river. Carter-lane has become classic ground, through one Richard Quyney having directed a letter from the Bell Inn, which formerly stood there, to Shakspeare. Little did Quyney dream how much the handwriting of the poet he was then addressing would one day be valued—of the hundreds of pilgrims who would visit the adjoining Court to see the will of Shakspeare. The society which bears his name are doing “good service” by hunting up and publishing such records as these, for they throw a charm around the old poetical neighbourhood of Blackfriars Bridge, and give to such places as Carter-lane an interest which they never before possessed;

At the bottom of Bennet’s Hill was Paul’s Wharf—a well-known landing spot before the Great Fire; the church still holds the name of St. Bennet, Paul’s Wharf. Here, Knightrider Street and Carter Lane stretch along the river. Carter Lane has become historic ground, thanks to one Richard Quyney who sent a letter from the Bell Inn, which used to be there, to Shakespeare. Little did Quyney know how much the handwriting of the poet he was addressing would one day be treasured—of the hundreds of visitors who would come to the nearby Court to see Shakespeare’s will. The organization that carries his name is doing “good service” by researching and publishing records like these, as they add a special charm to the old poetic neighborhood of Blackfriars Bridge and give places like Carter Lane an interest they never had before.

"For a poet's name is connected to" "A spell that can control the voice of fame.”

{45}

{45}

Knightrider-street, Stowe tells us, derived its name from the knights of old riding through it on their way from the Tower to Smithfield to hold their jousts and tournaments. It was in Knightrider-street that the mace was found which was stolen from the Lord Chancellor’s closet, in Great Queen-street, on Tuesday night, February 6th, 1676. A small quarto pamphlet, of eight pages, published in 1676, bears the following title:—“A perfect Narrative of the Apprehension, Trial, and Confession of the five several persons who were confederates in stealing the Mace and the two Privy Purses from the Lord High Chancellor of England, as it was attested at the Sessions held at Justice Hall, in the Old Bailey, the seventh and eighth of March, anno 1676.” The following extract is curious, as a picture of the old London thieves, and also of the lodging-house keepers, many of whom still inherit the gift of “opening the lock with a knife,” or any thing that first comes to hand:—“The manner of their apprehension was thus: some of the head of the gang had taken a lodging in Knightrider-street, near Doctors’ Commons, and there, in a closet, they had lodged the mace and purses. The woman’s daughter of the house going up in their absence to make the bed, saw some silver spangles, or some odd ends of silver, scattered about the chamber, which she with no small diligence picked up, not knowing from whence such riches should proceed. In this admiration she paused awhile, and it was not long before her fancy led her, like the rest of her sex, to pry into and search the furthermost point of this new and strange apparition; and directing her course to the closet-door, she through the keyhole could discern something that was not commonly represented to her view, which was the upper end of the mace, but knew not what it was; however, she thought it could not be amiss to acquaint her beloved mother with what she had beheld; and with this resolve she hastens down stairs, and with a voice betwixt fear and joy she cries out, ‘O mother, mother! yonder is the king’s crown in the closet. Pray, mother, come along with me and see it.’

Knightrider Street, Stowe tells us, got its name from the knights of old who rode through it on their way from the Tower to Smithfield for their jousts and tournaments. It was on Knightrider Street that the mace stolen from the Lord Chancellor’s closet in Great Queen Street was found, on Tuesday night, February 6th, 1676. A small quarto pamphlet, eight pages long, published in 1676, has the following title: “A perfect Narrative of the Apprehension, Trial, and Confession of the five individuals who were involved in stealing the Mace and the two Privy Purses from the Lord High Chancellor of England, as confirmed at the Sessions held at Justice Hall in the Old Bailey, on the seventh and eighth of March, anno 1676.” The following excerpt is interesting, as it gives a glimpse of the old London thieves and the lodging-house keepers, many of whom still possess the knack for “picking a lock with a knife,” or whatever is at hand: “The way they were caught was like this: some of the leaders of the gang had taken a room in Knightrider Street, near Doctors’ Commons, and there, in a closet, they had stored the mace and purses. The landlady’s daughter went up to make the bed in their absence and noticed some silver sequins or odd bits of silver scattered around the room, which she eagerly picked up, not knowing where such treasures came from. Curious, she paused for a moment, and soon her curiosity led her, like many girls, to investigate this new and strange sight; she moved toward the closet door and through the keyhole saw something unusual, which was the top of the mace, though she didn’t know what it was. Thinking it would be a good idea to tell her mother what she had seen, she hurried downstairs and, with a mix of fear and excitement, shouted, ‘Oh mother, mother! there’s the king’s crown in the closet. Please, mother, come see it with me.’”

“The admiring mother being something surprised at her daughter’s report, as also having no good opinion of her new lodgers, makes haste, good woman, and goes to the closet-door, and opening the lock with a knife, she entered into the closet, where she soon discerned it was not a crown but a mace, and having heard that such a thing was lost, sends immediately away to acquaint my Lord Chancellor that the mace was in her house; upon which information a warrant was soon granted, and officers sent to Mr. Thomas Northy, constable of Queenhithe ward, who, with a sufficient assistance, went into Knightrider-street to their lodging, and very luckily found them, being five in number, and of both sexes, viz. three men and two women, whom{46} they carried before the Right Worshipful Sir William Turner, who, after examination, according to justice, committed them to the common jail of Newgate.”

The surprised mother, a bit taken aback by her daughter’s news and not having a good opinion of her new lodgers, quickly goes to the closet door. She uses a knife to unlock it and steps inside, where she soon realizes it’s not a crown but a mace. Having heard that such an item was missing, she immediately informs Lord Chancellor that the mace is in her house. Because of this, a warrant was quickly issued, and officers were sent to Mr. Thomas Northy, constable of Queenhithe ward, who, with adequate backup, went to their lodging on Knightrider Street and fortunately found them—five in total, three men and two women. They brought them before the Right Worshipful Sir William Turner, who, after questioning them fairly, sent them to the common jail of Newgate.

It was only five years before that Colonel Blood had attempted to steal the crown from the Tower, but he—more fortunate than Sadler—escaped with his life, while the latter was hanged at Tyburn; the only one, we believe, who was executed for stealing the Lord Chancellor’s mace and purses.

It was only five years earlier that Colonel Blood had tried to steal the crown from the Tower, but he—luckier than Sadler—managed to escape with his life, while Sadler was hanged at Tyburn; the only one, we believe, who was executed for stealing the Lord Chancellor’s mace and purses.

What melancholy processions passed through Knightrider-street, as prisoners to the Tower, the old historian Stowe mentions not: like many another ancient street, it was often the highway of merriment and misery.

What sad processions went down Knightrider Street, as prisoners to the Tower, the old historian Stowe didn't mention: like many other old streets, it was often the path of joy and sorrow.

St. Paul’s School was founded by the venerable Dean Colet about the year 1500, who made the Company of Mercers his trustees. The present building was erected in 1824. At the commencement of June, when Anne Boleyn passed through the City on her way from the Tower to Westminster, to be crowned, we find, in Hall’s Chronicle, that “at St. Paul’s School, on a scaffold, stood two hundred children, well appareled, who recited various English versions of the ancient poets, to the honour of the king and queen, which her grace highly commended.”

St. Paul’s School was founded by the esteemed Dean Colet around 1500, who made the Company of Mercers his trustees. The current building was constructed in 1824. At the beginning of June, when Anne Boleyn passed through the City on her way from the Tower to Westminster for her coronation, we see in Hall’s Chronicle that “at St. Paul’s School, on a scaffold, stood two hundred children, well-dressed, who recited various English versions of the ancient poets in honor of the king and queen, which her grace praised highly.”

To the church of St. Austin, or Augustin, Old Change and Watling-street, was united that of St. Faith under St. Paul’s, after the Fire. The present church was built by Wren. The church of St. Faith stood in the crypt of old St. Paul’s, beneath the choir. Fuller called it the “babe of old St. Paul’s.” The author of the Ingoldsby Legends, who has never been surpassed in the art of grafting modern incident on the stem of old ballad lore, was the rector of St. Augustin’s.

To the church of St. Austin, or Augustin, located on Old Change and Watling Street, was joined the church of St. Faith under St. Paul’s after the Fire. The current church was built by Wren. The church of St. Faith used to be in the crypt of the old St. Paul’s, beneath the choir. Fuller called it the “babe of old St. Paul’s.” The author of the Ingoldsby Legends, who has never been outdone in combining modern stories with traditional ballad themes, was the rector of St. Augustin’s.

To see this closely-crowded neighbourhood thoroughly would require many “ups and downs.” Old Fish-street was formerly the great fish-market of London, when Queenhithe rivalled Billingsgate, and was the greatest landing quay in the City; the church of St. Mary Somerset, built by Wren, stands here. The former church was called St. Mary’s Mounthaut, or Mounthaw, as I find it spelt in an old pamphlet, which states that Mr. Thrall was “sequestered and shamefully abused” when the clergymen of London had to make room for the Puritans. Old Fish-street-hill had then two churches, but after the Great Fire that of St. Mary’s Mounthaw was not rebuilt. This is the old Saxon name of the berry of the hawthorn, and there was a time when Old Fish-street-hill was celebrated for its hawthorns, when it was called Hagthorn-hill or Mounthaw, long before old St. Mary’s was built upon it. The pamphlet I have alluded to was printed in{47} 1661, and is entitled, “A general Bill of the Mortality of the Clergy of London, or a brief Martyrology and Catalogue of the learned, grave, religious, and painful Ministers of the City of London, who have been imprisoned, plundered, and barbarously used, and deprived of all livelihood for themselves and their families, in the late Rebellion, for their constancy in the Protestant religion established in this kingdom, and their loyalty to the king under that grand Persecution. London: printed against Bartholom’ Day.” This pamphlet, as the date shews, was issued soon after the restoration of Charles II., no doubt with the view of giving him a broad hint that their loyalty and sufferings ought not to be forgotten in the then “good time coming.” Whether or not any thing was done for them by the “Merry Monarch,” we have no means of ascertaining. We shall occasionally refer to this curious list, to shew the sufferings of the clergy during the period of the Commonwealth.

To really explore this densely packed neighborhood, you'd need to experience a lot of ups and downs. Old Fish Street used to be London’s main fish market when Queenhithe competed with Billingsgate and was the biggest landing area in the City. The church of St. Mary Somerset, built by Wren, is located here. The previous church was called St. Mary’s Mounthaut, or Mounthaw, as I found it spelled in an old pamphlet that mentions Mr. Thrall was “sequestered and shamefully abused” when the London clergymen had to make way for the Puritans. At that time, Old Fish Street Hill had two churches, but after the Great Fire, St. Mary’s Mounthaw was not rebuilt. This is the old Saxon name for the berry of the hawthorn, and there was a time when Old Fish Street Hill was famous for its hawthorns, when it was known as Hagthorn Hill or Mounthaw, long before the old St. Mary’s was built there. The pamphlet I referred to was printed in{47} 1661 and is titled, “A General Bill of the Mortality of the Clergy of London, or a Brief Martyrology and Catalogue of the Learned, Grave, Religious, and Painful Ministers of the City of London, Who Have Been Imprisoned, Plundered, and Barbarously Treated, and Deprived of All Livelihood for Themselves and Their Families, in the Late Rebellion, for Their Constancy in the Protestant Religion Established in This Kingdom, and Their Loyalty to the King Under That Grand Persecution. London: Printed Against Bartholom' Day.” This pamphlet, as the date shows, was published soon after the restoration of Charles II., likely as a way to remind him that their loyalty and suffering shouldn’t be forgotten in the "good time coming." Whether anything was actually done for them by the “Merry Monarch,” we have no way of knowing. We will occasionally reference this interesting list to highlight the struggles of the clergy during the Commonwealth period.

Stowe tells us that the monuments of the old church of St. Mary Somerset were defaced; but whether by time or sacrilegious hands, he says not, nor can we now know, for the Great Fire destroyed all the traces that time had so long spared. We would rather the old church with the poetical name had been rebuilt on the ancient Hawthorn Mount than this. Stowe thinks that the old name of St. Mary Somerset was Summer Hithe. Summer and hawthorns! how we love the memory of the old historian for calling up these pleasant associations! We may be wrong in the name, but, for the sake of the poetry, we must picture the pretty Saxon maids, before London was a city, wandering down Mounthaw to Summer-wharf between long lines of hawthorn hedges, to see their lovers return from fishing in the Thames, or to watch the arrival of some corn-barque lower down the bank by Queenhithe. In Fish-street we have still a portion of the old burial-ground that belonged to St. Mary’s Mounthaw.

Stowe tells us that the monuments of the old church of St. Mary Somerset were damaged; but whether by time or disrespectful hands, he doesn’t say, nor can we know now, since the Great Fire wiped out all traces that time had so long spared. We would prefer that the old church with the poetic name had been rebuilt on the ancient Hawthorn Mount rather than this. Stowe believes that the old name of St. Mary Somerset was Summer Hithe. Summer and hawthorns! How we cherish the memory of the old historian for evoking these pleasant associations! We might be mistaken about the name, but for the sake of the poetry, we must imagine the lovely Saxon maidens, before London became a city, wandering down Mounthaw to Summer-wharf between long lines of hawthorn hedges, to see their lovers return from fishing in the Thames, or to watch the arrival of some grain barge lower down the bank by Queenhithe. In Fish-street, we still have a piece of the old burial-ground that belonged to St. Mary’s Mounthaw.

St. Nicholas’s Cold Abbey stands at the corner of Old Fish-street-hill, and is one of the first churches completed after the Fire. There is nothing either remarkable about this church or the neighbouring one called St. Mary’s Magdalen in Old Fish-street, except that both were rebuilt by Wren. In the pamphlet before alluded to I find the following entry: “St. Maudlin, Old Fish-street, Dr. Griffith sequestered, plundered; wife and children turned out of doors; his wife dead with grief. Mr. Weld, his curate, assaulted, beaten in the church, and turned out.” Rather rough handling of the old royalist clergymen in the stormy times of Cromwell. What talk there must have been amongst the parishioners of old St. Mary’s Magdalen, or Maudlin, when the Ironsides walked into the ancient City churches, and thus dragged out and beat the venerable pastors. These brief entries{48} bespeak volumes; and yet we wish the details were more fully given. Some of the worthy citizens no doubt dealt a blow or two in defence of their ministers. Poor Mr. Chestlin seems to have made his escape for a time only to be recaptured. “St. Matthew’s, Friday-street, Mr. Chestlin sequestered, plundered, and imprisoned in Newgate, whence being let out, he was forced to fly, and since imprisoned again in Peter House.”

St. Nicholas's Cold Abbey is located at the corner of Old Fish Street Hill and was one of the first churches finished after the Fire. There's nothing particularly special about this church or the nearby St. Mary's Magdalen in Old Fish Street, except that both were rebuilt by Wren. In the pamphlet I mentioned earlier, I found this entry: “St. Maudlin, Old Fish Street, Dr. Griffith sequestered, plundered; wife and children turned out of their home; his wife dead from grief. Mr. Weld, his curate, assaulted, beaten in the church, and kicked out.” It was quite rough treatment for the old royalist clergymen during the turbulent times of Cromwell. Can you imagine the conversations among the parishioners of old St. Mary’s Magdalen when the Ironsides marched into the ancient City churches, dragging out and beating the respected pastors? These brief notes{48} tell a lot, and yet we wish for more details. Some of the decent citizens undoubtedly threw a punch or two to defend their ministers. Poor Mr. Chestlin seems to have escaped for a while only to be caught again. “St. Matthew’s, Friday Street, Mr. Chestlin sequestered, plundered, and imprisoned in Newgate, from where he was released but forced to flee, and then imprisoned again in Peter House.”

Peter House stood in Aldersgate-street, and was used by Cromwell as a prison at this period, as were also several other celebrated houses.

Peter House stood on Aldersgate Street and was used by Cromwell as a prison during this time, just like several other famous houses.

Friday-street was famous in former times for its taverns. Our engraving represents the Saracen’s Head, which was taken down about seven years ago.

Friday Street was well-known in the past for its pubs. Our illustration shows the Saracen’s Head, which was demolished about seven years ago.



THE SARACEN’S HEAD, FRIDAY STREET.

THE SARACEN’S HEAD, FRIDAY STREET.

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THE SARACEN’S HEAD, FRIDAY STREET.

The stone beside the door in the wall of Allhallow’s, Bread-street, and in Watling-street, tells us that here John Milton was baptised on the 20th of December, 1608—that is, in the old church before the{49} Fire. The well-known lines, commencing “Three poets in three distant ages born,” &c., are engraved on the same stone that records the date of Milton’s baptism. We wish that all the City churches had their names engraved on some stone, like that of Allhallow’s, Bread-street. We shall scarcely be believed, when we say, that in one or two instances the people living next the church did not know its name. When we consider how many churches are crowded together here, on the space of a few acres of ground, we think it would be of service to strangers visiting London, and to thousands who reside in the City and suburbs, to have the names either legibly engraved or painted on each building. Lower down is the church of St. Mildred, also built by Wren. The interior is rather pleasing, and there is some beautiful work about the pulpit; but we know nothing of any interest connected with the church or the street, beyond that Milton was born in it, which, to dreamers like ourselves, makes Bread-street hallowed ground, although the Fire has swept away every trace of the building in which the God-gifted poet first saw the light. That this, the spot on which the great poet was born, was classic ground long centuries ago, the portion of the Roman wall, and the ancient lamp (which we have engraved), and which were discovered in Bread-street about five years ago, fully prove. Who can tell what foot, renowned in Roman history, may have trampled on the spot where the author of Paradise Lost was born?

The stone next to the door in the wall of Allhallow's, Bread Street, and on Watling Street, indicates that John Milton was baptized here on December 20, 1608—that is, in the old church before the{49} Fire. The famous lines starting with “Three poets in three distant ages born,” etc., are engraved on the same stone that notes the date of Milton’s baptism. We wish that all the City churches had their names engraved on some stone, like that of Allhallow’s, Bread Street. It’s hard to believe, but in one or two cases, people living next to the church didn't even know its name. Considering how many churches are packed together in such a small area, we think it would help visitors to London and countless residents of the City and suburbs to have the names clearly engraved or painted on each building. Further down is the church of St. Mildred, also built by Wren. The inside is quite nice, and there’s some beautiful work on the pulpit; however, we don’t know of anything interesting related to the church or the street, other than that Milton was born here, which, to dreamers like us, makes Bread Street sacred ground, even though the Fire erased all signs of the building where the gifted poet first opened his eyes. That this spot where the great poet was born was considered classic ground long ago is proven by the section of the Roman wall and the ancient lamp (which we have engraved) discovered in Bread Street about five years ago. Who knows what famous foot in Roman history may have stepped on the place where the author of Paradise Lost was born?



ROMAN LAMP.

ROMAN LAMP.

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Roman Lamp.

Bread-street formerly contained a famous tavern and a prison. The Mermaid is mentioned by Ben Jonson. There seems to have been a celebrated tavern here long before the time of Stowe, for he mentions Gerrarde’s Hall in his days as a hostelry for travellers, and, in his gossiping way, gives us an old-world story about the old building, which stood above the ancient crypt, which we have here engraved (as one of the vestiges of the London of our forefathers, doomed to be sacrificed to modern improvement), and in it he gives us a giant, and a long pole, which this son of Anak is said to have wielded in the{50} wars. We have heard that this Gerrarde the giant was buried under the ancient crypt, which to this day sounds hollow to the tread. But the good old historian, with his simple and child-like belief, and love for all undated traditions, shall “tell the tale.”

Bread Street used to have a famous tavern and a prison. The Mermaid is mentioned by Ben Jonson. There appears to have been a well-known tavern here long before Stowe’s time, as he notes Gerrarde’s Hall as an inn for travelers and shares an old story about the building that stood above the ancient crypt, which we have illustrated here (as one of the remnants of the London of our ancestors, destined to be lost to modern development). In his tale, he talks about a giant and a long pole that this son of Anak supposedly used in the{50} wars. We’ve heard that this giant Gerrarde was buried beneath the ancient crypt, which still sounds hollow when you step on it. But the good old historian, with his simple, child-like faith and love for all ancient stories, will “tell the tale.”



GERARD THE GIANT.

GERARD THE GIANT.

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GERARD THE GIANT.

“On the north side of Basing-lane is one great house of old time, built upon arched vaults, and with arched gates of stone, brought from Caen in Normandy, the same is now [about 1600] a common hostelry [inn] for receipt of travellers, commonly and corruptly called Gerrarde’s Hall, of a giant said to have dwelt there. In the high-roofed hall of this house some time stood a large fir-pole, which reached to the roof thereof, and was said to be one of the staves that Gerrarde the giant used in the wars to run with [away?]. There stood also a ladder of the same length, which (as they say) served to ascend to the top of the staff. Of later years this hall is altered, and divers rooms are made in it. [Alas, then, as now, they would improve; and cared not for their home antiquities even in good old{51} Stowe’s time!] Notwithstanding, the pole is removed to one corner of the hall, and the ladder hanged broken upon a wall in the yard. The hostelar of that house said to me, ‘The pole lacketh half a foot of forty in length.’ I measured the compass thereof, and found it fifteen inches. Reasons of the pole could the master of the hostelry give me none; but bade me read the ‘great’ Chronicles, for there he heard of it. [Our hosts were reading men we see in the time of Elizabeth; and we love the epithet ‘great’ before Chronicles, for we believe it was the host’s word and not Stowe’s.] I will now note what myself have observed concerning that house. I read that John Gisors, Mayor of London in the year 1245, was owner thereof [it might have been old then, for Stowe does not say that the mayor built it]; and that Sir John Gisors, constable of the Tower, 1311, and divers others of that name and family since that time owned it. [The Gisors must have been men of eminence for one to have become constable of the Tower in that jealous age, when the Normans ruled with an iron hand.] So it appeareth that this Gisors’ Hall of late time, by corruption, hath been called Gerrardes’ Hall for Gisors’ Hall. The pole in the hall might be used of old time [as then the custom was in every parish] to be set up in the summer, as a May-pole. The ladder served [serving?] for the decking of the May-pole and roof of the hall.”—Stowe.

“On the north side of Basing-lane, there is a large old house built on arched vaults, featuring arched stone gates brought from Caen in Normandy. This house is now [around 1600] a common inn for travelers, often called Gerrarde’s Hall, named after a giant said to have lived there. In the high-ceilinged hall, there once stood a large fir pole that reached up to the roof. It was said to be one of the staves that the giant Gerrarde used during wars. There was also a ladder of the same length, which, as the story goes, was used to climb to the top of the pole. In recent years, this hall has been modified, and several rooms have been created within it. [Sadly, just like now, they chose to improve; they didn’t care for their historical heritage even in the good old{51} Stowe’s time!] Nonetheless, the pole has been moved to one corner of the hall, and the broken ladder hangs on a wall in the yard. The innkeeper told me, ‘The pole is missing half a foot to make it forty feet long.’ I measured it and found its circumference to be fifteen inches. The innkeeper couldn’t provide any reasons for the pole's significance, but suggested I read the ‘great’ Chronicles because that’s where he heard about it. [Our innkeepers were educated men, it seems, during the time of Elizabeth; and we appreciate the term ‘great’ for Chronicles, believing it was the innkeeper’s word and not Stowe’s.] Now, I will share what I've personally observed about that house. I read that John Gisors, the Mayor of London in 1245, owned it [it might have been old even then, as Stowe doesn’t say the mayor built it]; and that Sir John Gisors, constable of the Tower in 1311, and various others from that name and family have owned it since. [The Gisors must have been notable people for one of them to become constable of the Tower in that suspicious era when the Normans ruled with an iron fist.] It appears that this Gisors’ Hall has, over time, been referred to as Gerrardes’ Hall due to corruption of the name. The pole in the hall might have been used long ago [as was customary in every parish] as a summer May-pole. The ladder was used [to decorate?] the May-pole and the hall’s roof.”—Stowe.

Surely this crypt ought to be spared for the sake of Stowe, and Gerard the giant, and the May-pole—the compass of which the honest old historian measured. What a picture it would make—Stowe, the host, and the ostler, with the old building and the broken ladder! what rich material for a chapter in an historical romance! If we live, we will do it some day. Of course the old hall was swept away in the Great Fire, and Gerard the giant (which we have here engraved) grew up after the flames had died out; though they went roaring and reddening above the ancient crypt, over which the generations of six centuries have trampled. The vaults are of great antiquity—at least as old as the building mentioned by Stowe—the date of which he does not give, although he mentions John Gisors, Mayor of London, as a resident there in 1245, that is, more than 600 years ago.

Surely this crypt should be preserved for the sake of Stowe, Gerard the giant, and the May-pole—the center that the honest old historian measured. What a scene it would create—Stowe, the host, and the stableman, with the old building and the broken ladder! What rich material for a chapter in a historical novel! If we survive, we'll do it someday. Of course, the old hall was destroyed in the Great Fire, and Gerard the giant (which we have depicted here) came into being after the flames had subsided; even as they roared and glowed above the ancient crypt, which six centuries of generations have walked over. The vaults are extremely old—at least as old as the building noted by Stowe—the date of which he doesn't provide, although he mentions John Gisors, Mayor of London, as a resident there in 1245, which is over 600 years ago.

In Little Trinity-street we have Painter-Stainers’ Hall, well worth a visit, although it is so badly lighted, that it is difficult to see the portraits. The principal pictures it contains are, Camden, Charles II. and his queen, William of Orange, by Kneller, and Queen Anne. The company also possesses a curious cup left by the celebrated antiquary Camden, and which is still used at their anniversary dinners. The church of the Holy Trinity was destroyed in the Great Fire, and{52} not rebuilt: a small chapel, of which we know nothing, stands on the site of the old church.

In Little Trinity Street, we have Painter-Stainers’ Hall, which is definitely worth a visit, even though it’s poorly lit and hard to make out the portraits. The main paintings featured are of Camden, Charles II and his queen, William of Orange by Kneller, and Queen Anne. The organization also has an interesting cup once owned by the famous antiquary Camden, which is still used at their anniversary dinners. The church of the Holy Trinity was destroyed in the Great Fire and was never rebuilt; a small chapel, about which we know nothing, now stands where the old church used to be.



GERARD’S HALL CRYPT.

GERARD’S HALL CRYPT.

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GERARD’S HALL CRYPT.

The church of St. Michael, Queenhithe, is remarkable for nothing except some carving at the east end, and the vane, which resembles a ship, and is said to be large enough to hold a bushel of corn.

The church of St. Michael, Queenhithe, is notable for nothing except some carvings at the east end and the weather vane, which looks like a ship and is said to be big enough to hold a bushel of corn.

The dues derived from the quay of Queenhithe belonged to the queens of England from a very early period, probably ever since the{53} Norman conquest. Mention is made of Eleanor, so famous in our old ballad lore as the rival and poisoner of Fair Rosamond, as possessing all the dues obtained from this royal landing-place. Raising the old drawbridge of London Bridge every time a ship went under, with all the trouble and stoppage of vehicles, when this was the only bridge leading into London, did, no doubt, as much for increasing the traffic of Billingsgate as if a law had been passed to make it a royal quay.

The fees from the Queenhithe wharf have belonged to the queens of England for a long time, likely since the{53} Norman conquest. Eleanor, known from our old ballad history as the rival and poisoner of Fair Rosamond, is said to have received all the fees from this royal landing spot. Lifting the old drawbridge of London Bridge every time a ship passed underneath, along with the hassle and delays for vehicles, when this was the only bridge into London, surely boosted the activity at Billingsgate just as much as if a law had been enacted to declare it a royal wharf.

At the foot of Southwark Bridge stands Vintners’ Hall. We can readily imagine that the old company of Vintners have ever been “right royal,” and great advocates for processions; that, when the City conduits ran wine, a great portion of the cost found its way into their coffers. Pepys tells us that, when Charles II. rode through the City the day before his coronation, “Wadlow the vintner, at the sign of the Devil, in Fleet-street, did lead a fine company of soldiers, all young comely men, in white doublets;” and we now find in the hall portraits of Charles II., James II., and others. That prince of rough wits, Tom Brown, in a bantering letter “from a vintner in the City to a young vintner in Covent Garden,” says, “You desire to know whether a vintner may take an advantage of people when they are in their cups, and reckon more than they have had? To which I answer in the affirmative, that you may, provided it be done in the way of trade, and not for any sinister end. This case has been so adjudged, many years ago, in Vintners’ Hall, and you may depend upon it.”

At the foot of Southwark Bridge stands Vintners’ Hall. We can easily imagine that the old Vintners’ company has always been “right royal” and strong supporters of parades; that when the City fountains flowed with wine, a significant portion of the cost ended up in their pockets. Pepys tells us that when Charles II rode through the City the day before his coronation, “Wadlow the vintner, at the sign of the Devil, in Fleet Street, led a fine company of soldiers, all young attractive men, in white doublets;” and we now find portraits of Charles II, James II, and others in the hall. That master of wit, Tom Brown, in a joking letter “from a vintner in the City to a young vintner in Covent Garden,” says, “You want to know if a vintner can take advantage of people when they're drunk and charge more than they actually had? To which I reply yes, you can, as long as it's done in the course of business, and not for any shady purpose. This has been ruled on many years ago in Vintners’ Hall, so you can count on it.”

Bow-lane is the only place to obtain a good view of the beautiful tower of St. Mary, Aldermanbury, one of the finest, in our opinion, in the City. This is another of Wren’s edifices, erected after the Fire. It is said to be a model of the former building, and that the great architect was compelled to adopt the style through the conditions of a bequest, according to Malcolm’s statement, of “Henry Rogers, Esq., who, influenced by sincere motives of piety, and affected with the almost irreparable loss of religious buildings, left the sum of 5000l. to rebuild a church in the City of London.” He died before the building was commenced, and left his lady executrix of his will; and so the present church was erected after the model of the one built by Henry Kebles, it is said, who died at the commencement of the fifteenth century. Stowe says it was called Aldermary, because it was the oldest church in the City dedicated to St. Mary. It is said that the crypt of the old church still remains under two of the houses now standing in Bow-lane. The tower, as seen from Bow-lane, is splendid, but little of the church is visible from Watling-street; nor have we any thing further to notice in this old Roman highway, for such, no{54} doubt, it formerly was, saving the church of St. Anthony, or Antholin, rebuilt by Wren, the dome of which is supported by columns. The early prayers at St. Antholin’s are alluded to by our old dramatists. Here we have only to turn up a court, a little farther on, and we are at once in Bow Churchyard, and under the very shadow of the tower in which swing the far-famed bells. Our engraving is a view of Bow Church as seen from Cheapside, one of the busiest thoroughfares in the whole City of London. Old Bow Church would of itself form a history, but, as we have not even described old St. Paul’s, and as we wish to make our readers acquainted with the London of to-day as well as the old City, which never arose again from its ruins, we shall glance briefly at the present neighbourhood, and pass on our way eastward.

Bow Lane is the only spot to get a great view of the beautiful tower of St. Mary, Aldermanbury, which we think is one of the finest in the City. This is another of Wren’s buildings, constructed after the Fire. It’s said to be a replica of the previous structure, and that the renowned architect had to stick to this style due to the conditions of a bequest from “Henry Rogers, Esq., who, driven by genuine piety and saddened by the almost irreparable loss of religious buildings, left £5000 to rebuild a church in the City of London,” according to Malcolm. He passed away before the construction began, leaving his wife as the executor of his will; thus, the current church was built based on the model of the one created by Henry Kebles, who is said to have died at the beginning of the fifteenth century. Stowe notes that it was called Aldermary because it was the oldest church in the City dedicated to St. Mary. It is said that the crypt of the old church still lies beneath two of the houses currently standing on Bow Lane. The tower, as seen from Bow Lane, is magnificent, but not much of the church is visible from Watling Street. We don’t have anything else to mention about this ancient Roman road, which it undoubtedly used to be, except for the church of St. Anthony, or Antholin, which was rebuilt by Wren and has a dome supported by columns. The early prayers at St. Antholin’s are referenced by our old playwrights. Here, we only need to turn into a court a little further on, and we’ll find ourselves in Bow Churchyard, right under the shadow of the tower where the famous bells ring. Our engraving shows a view of Bow Church from Cheapside, one of the busiest streets in all of London. Old Bow Church could tell its own history, but since we haven’t even described old St. Paul’s, and we want to familiarize our readers with both modern London and the old City that never rose from its ruins, we will quickly look at the current neighborhood and move on eastward.



BOW CHURCH, CHEAPSIDE.

BOW CHURCH, CHEAPSIDE.

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BOW CHURCH, CHEAPSIDE.

Bow-bells have become a by-word, more probably through those{55} who were born within the sound of their peal being called true cockneys, than for the superior quality of their music. The steeple is very beautiful; from the ground to the nave there is a harmony about it, and a lightness in the pillars, which seem as if they only required the air to rest upon. The form of the galleries is by some considered a beauty, by others a blot, as destroying the effect of the interior. The present church is built on a fine old crypt, perhaps as ancient as any remains to be found in the City, as the original Bow Church seems to have been the first that was built on stone arches. It is mentioned as far back as the time of William the Conqueror, and from it the Court of Arches takes its name. The old church suffered from tempest, fire, and siege. Murder was at last committed in it, and then it was pronounced unholy, and its doors and windows were filled with thorns, for

Bow bells have become a saying, probably because people born within earshot of their chime are called true Cockneys, rather than for the quality of their music. The steeple is very beautiful; from the ground to the nave, there’s a harmony about it, and a lightness in the pillars that make them seem like they just need the air to rest on. Some see the shape of the galleries as a beauty, while others view it as a flaw that ruins the impact of the interior. The current church is built on a lovely old crypt, possibly one of the oldest remnants in the City, as the original Bow Church seems to be the first constructed on stone arches. It’s mentioned as far back as the time of William the Conqueror, and from it, the Court of Arches gets its name. The old church endured storms, fire, and sieges. Eventually, a murder occurred there, and it was then declared unholy, with its doors and windows filled with thorns, for

“Something ailed it then,—
"The place was cursed."

In former times it contained a balcony, from which the royal processions and civic parades were viewed, though, in comparatively modern times, these processions were seen from the houses opposite Bow Church. 1681: “Soon after twelve, their majesties arrived at a house in Cheapside, opposite Bow Church, and were there diverted by the pageant,” or Lord Mayor’s show. So, again, with King William and Mary, in 1689. Queen Anne also witnessed the procession in 1702; and in 1761, George III. and the royal family, “from the house of Mr. Barclay, opposite Bow Church.” Before the Fire, these old City splendours were witnessed from a stone building called a “seldam, or shed;” which Stowe says, stood “without the north side of Bow Church, and greatly darkened the windows and doors.”

In the past, it had a balcony where royal processions and civic parades could be watched. However, in more modern times, these events were viewed from the houses across from Bow Church. In 1681: “Soon after twelve, their majesties arrived at a house in Cheapside, opposite Bow Church, and enjoyed the entertainment of the pageant,” or Lord Mayor’s show. The same was true for King William and Queen Mary in 1689. Queen Anne also observed the procession in 1702, and in 1761, George III and the royal family watched it “from Mr. Barclay’s house, across from Bow Church.” Before the Fire, these grand City spectacles could be seen from a stone structure called a “seldam, or shed;” which Stowe mentions stood “on the north side of Bow Church and heavily obstructed the windows and doors.”

About the meeting of the dragon on Bow Church steeple, and the grasshopper on the Royal Exchange, there are many quaint old-world prophecies in existence, which would be of but little interest to our readers. Here we must close this section of our work, having now reached Queen-street, Cheapside, and the cast-iron bridge of Southwark, and described all that lies within the compass of the heading to the present chapter.{56}

About the meeting of the dragon on Bow Church steeple and the grasshopper on the Royal Exchange, there are many old prophecies that wouldn't interest our readers much. Here, we need to wrap up this section of our work since we've now reached Queen Street, Cheapside, and the cast-iron bridge of Southwark, covering everything mentioned in the heading of this chapter.{56}

CHAPTER III.

CHEAPSIDE AND LOMBARD STREET.

WE have often wondered what effect Cheapside produces upon a countryman when he first visits London. The whole street is alive with cabs, carts, chariots, omnibuses, drays, wagons, and trucks, the latter of which are often drawn by boys, and we marvel that they are not flattened up amid the crowded ranks of vehicles, which form one continuous chain as far as the eye can penetrate.

WE have often wondered what impact Cheapside has on a country person when they first come to London. The whole street buzzes with cabs, carts, carriages, buses, delivery trucks, and wagons, many of which are pulled by boys. We can’t help but be amazed that they aren’t crushed under the endless line of vehicles that stretches as far as the eye can see.

The splendid shops must strike a stranger with amazement, although far inferior to many which have lately been built at “the West End:” at every two or three strides we take along the frontage, we pass houses for which two or three hundred a year rent is paid; half-a-dozen houses produce yearly nearly double the income of numbers of the foreign nobles, and many an old lady and gentleman live retired in the quiet suburbs on the rent derived from a single house which stands in this costly thoroughfare. Nearly every floor is a separate department of commerce. Up every flight of stairs which you climb there are attendants in waiting to receive you. Temptation follows temptation—each door but opens into richer scenes; each room is hung with costlier articles; and you stand bewildered, as if entangled amid the mazes of those splendid palaces which figure in the dreams of oriental romance. Silks from almost every land in the sunny south, shawls woven in the rainbow looms of India, are mingled with the products of flowery Cashmere, and blended with the gaudy plumage of birds of paradise; and vases, emblazoned with the dazzling dyes of China, that glitter amid piles of purple and green and crimson velvets hemmed{57} with silver and gold, and hangings which might have swept their costly fringes upon the cedar floors of Haroun al Raschid, while the weight of gold and silver seems heavy enough to bow down the windows.

The amazing shops would wow any visitor, although they’re not as impressive as many that have recently been built at “the West End.” With every couple of steps along the front, we pass houses rented for two or three hundred a year; a handful of these houses bring in nearly double the income of many foreign nobles, and plenty of elderly couples live quietly in the nearby suburbs, relying on the rent from just one house in this expensive area. Almost every floor is its own commercial space. As you climb each flight of stairs, there are staff ready to greet you. Each door leads to more temptation—every room displays even more luxurious items; you feel dazed, as if caught in the intricate beauty of splendid palaces from eastern fairy tales. Silks from nearly every sunny southern country, shawls crafted in India’s rainbow looms, intertwine with the lush products from Cashmere, and mix with the vibrant feathers of exotic birds; and vases, adorned with the brilliant colors of China, sparkle amidst stacks of purple, green, and crimson velvets trimmed with silver and gold, along with drapes that might have brushed their lavish fringes across the cedar flooring of Haroun al Raschid, while the weight of gold and silver seems heavy enough to bow down the windows.

Let the uninitiated be careful how they stand, whilst loitering and looking in through those costly plate-glass windows upon such gorgeous productions, for upward and downward, all day long, the rapid current of human life is ever rolling in living eddies, from east to west, and jostling, in its mighty strength, every idle object it meets with on its way; and, in this ever-moving ocean, each human wave has its allotted mission, each tiny ripple “its destined end and aim.”

Let those who aren't in the know be careful how they position themselves while hanging around and peering through those expensive plate-glass windows at such beautiful displays. All day long, the fast flow of human life is constantly swirling in dynamic currents, moving from east to west, bumping into every idle thing it encounters along the way. In this ever-shifting sea, every person has their own purpose, and each little ripple has its own intended goal.

How different from the London of the present day—from the splendid streets and shops which stretch from Temple-Bar to Whitechapel, and westward from those ancient City gates to a land of theatres, squares, and palace-like buildings—were the old narrow streets, with their high houses and overhanging gables, that rose tier above tier, their huge projecting signs, even at noon-day making a dim dreamy kind of twilight; while the cry of “What do you lack?” drawled forth by either master or apprentice, as they paced to and fro before their open-fronted and booth-like shops, gave a drowsy kind of murmur to the close ancient neighbourhood of the old City. How different from what we now see!

How different from today's London—from the amazing streets and shops that stretch from Temple Bar to Whitechapel, and westward from those historic City gates to a world filled with theaters, squares, and palatial buildings—were the old narrow streets, with their tall houses and overhanging gables, rising tier upon tier, their large hanging signs creating a dim, dreamy twilight even at noon; while the call of “What do you need?” lazily echoed from either the shop owner or apprentice as they walked back and forth in front of their open-fronted, booth-like shops, adding a sleepy murmur to the old City’s close-knit atmosphere. How different from what we see now!

To the quays, stations, halls, houses of business, and courts of justice, which abound in this mighty city, are thousands by unforeseen circumstances yearly driven; and those who have never seen each other since the days of their youth, are sometimes jostled together unexpectedly in this great human tide. The old citizen is suddenly summoned from the suburban retreat, where he had resolved quietly to spend the remainder of his days, and never again to “smell the smoke of London;” for his house has been broken into, the property is discovered, the thief is in custody, and the old man once more elbows his way through the crowd of London, in wonderment at the many changes which have taken place since he first retired from business. Another hears that he has not been fairly dealt with, and has come many a long mile that he may with his own eyes examine the will which is deposited in the Court of Doctors’ Commons. The invalid loiters with feeble step, halting every now and then to peep into the attractive windows, before he embarks in the vessel which lies in waiting to carry him to a more congenial climate. You see the ruddy-faced, top-booted countryman, who is either attending a committee, or summoned as a witness upon a trial, waiting patiently to cross the street, and marvelling in his own mind what strange{58} procession it can be that is made up of such a long train of all varieties of vehicles! You can at a glance detect the man of business from the man of pleasure, by the hurried and earnest manner of the one, and the idle and easy gait of the other. The down-looking thief is dragged along by the policeman almost unheeded, except by the lazy rabble of boys who follow their heels, with the poor woman on whose features crime and anguish have placed their stamp, and who exchanges a few low words with the culprit as he is hurried onward to prison. The undertaker rushes past, wrapt up in calculating the profits he shall derive from the funeral he has just received the order “to perform;” he sees not the sweet face of the intended bride, who, leaning upon her lover’s arm, is gazing with smiling looks upon the richly-decorated window, and making choice of her wedding jewels. The porter, with his load, runs against the “exquisite” in full-dress, and disarranges either his carefully-twirled ringlets or jauntily-set hat; a curse or a growl is exchanged on both sides, and they again pass on. The dandy goes by brandishing his light cane, followed by the stout and sturdy citizen, the very tapping of whose stick denotes him to be a man of substance; while the broad-built country bumpkin, with a fair cousin on each arm, occupies the whole breadth of the foot-way, and seems astonished at the rudeness of the “Lunnuners,” who jeer him as they pass. So rolls on this mighty river, with its six currents, bearing onwards those who pass and re-pass on each side of its shorelike pavement, and the rapid vehicles which glide swift as full-sailed vessels through its mid-channel.

To the docks, train stations, halls, businesses, and courts of justice that fill this great city, thousands are unexpectedly drawn each year by unforeseen events; and those who haven't seen each other since childhood sometimes find themselves unexpectedly thrown together in this human flood. The elderly resident is suddenly called back from the quiet suburban retreat where he thought he would spend his remaining days, never again to “smell the smoke of London,” as his house has been broken into, his property recovered, and the thief is in custody. The old man once again makes his way through the crowds of London, amazed at the many changes that have occurred since he last retired from business. Another person learns he hasn't been treated fairly and has traveled many miles to see the will deposited in the Court of Doctors’ Commons with his own eyes. The sick traveler moves slowly, pausing now and then to look into the attractive shop windows before boarding the ship waiting to take him to a more pleasant climate. You notice the red-faced, booted countryman, either attending a meeting or summoned as a witness in a trial, patiently waiting to cross the street while wondering what kind of strange procession is made up of such a long line of various vehicles! At a glance, you can distinguish the businessman from the pleasure-seeker, by the hurried, serious demeanor of one and the relaxed, leisurely pace of the other. The downcast thief is pulled along by the policeman almost unnoticed, except by the idle boys following closely, along with the poor woman whose face shows the marks of crime and distress, exchanging a few quiet words with the thief as he’s taken to prison. The undertaker rushes by, lost in calculating the profits from the funeral he has just been ordered to manage; he doesn’t see the bright-faced bride-to-be, who, leaning on her lover’s arm, is gazing with a smile at the beautifully decorated window and choosing her wedding jewelry. The porter, burdened with his load, bumps into the “dandy” in formal attire, messing up either his carefully styled hair or his stylish hat; a curse or a grunt is exchanged, and they move on. The dandy struts past, waving his light cane, followed by the solid and well-built citizen, whose stick tapping shows he's a man of means; while the sturdy country fellow, with a fair cousin on each arm, takes up the whole sidewalk, seemingly shocked by the rudeness of the “Lunnuners” who mock him as they go by. Thus flows this mighty river, with its six currents, carrying along those who come and go on either side of its pavement, and the fast-moving vehicles that glide swiftly like fully-sailed ships through its center.

All at once there is a stoppage; some heavily-laden wagon has broken down, and the long line of carriages of every description is suddenly brought to a stand-still—all are motionless. You see the old thorough-bred London cabman—who has promised to take his fare either east or west, as the case may be, in a given number of minutes—dodge in and out for a few seconds, through such narrow openings as no one except a real Jehu born on the stand would ever venture to move in, until he comes to the entrance of some narrow street, the ins and outs of which are only known to a few like himself, when, crack, bang! and he has vanished, giving one of his own peculiar leers at parting at the long line he has left stationary.

Suddenly, everything comes to a halt; a heavily loaded wagon has broken down, and the long line of vehicles of all kinds is brought to a complete stop—everyone is frozen in place. You see the veteran London cab driver—who promised to take his passenger either east or west, depending on the situation, in a specific number of minutes—slip in and out for a few seconds through narrow gaps that only a true expert driver born on the stand would dare navigate, until he reaches the entrance of a narrow street, the twists and turns of which are known only to a select few like him. Then, crack, bang!—he disappears, throwing one of his signature smirks at the long line he’s left stuck.

Now there is a slow movement, and the procession proceeds at a funeral pace. The donkey-cart laden with firewood heralds the way, and is followed by the beautiful carriage with its armorial bearings. Behind comes the heavy dray with its load of beer-barrels; the snail-paced omnibus follows; the high-piled wagon that rocks and reels beneath its heavy load next succeeds, and you marvel that it does not topple over, extinguish some dozen or so of foot-passengers, and{59} smash in the gorgeous shop-front. The wreck which left the street so silent for a few minutes is now drawn aside, and all is again noise and motion. The police-van rolls on with its freight of crime, and is followed by the magistrate’s cabriolet, as he hurries off to a West-end dinner;

Now there’s a slow movement, and the procession moves at a funeral pace. The donkey cart loaded with firewood leads the way, followed by the beautiful carriage displaying its coat of arms. Next is the heavy dray carrying beer barrels; the slowly moving omnibus follows; then comes the heavily loaded wagon that sways and lurches under its weight, and you wonder how it doesn’t topple over, crush a few pedestrians, and wreck the stunning shopfront. The wreck that made the street so quiet for a few minutes is now moved aside, and everything is noisy and in motion again. The police van rolls on with its load of criminals, followed by the magistrate's cab as he rushes off to a West-end dinner;

"And everything is going well, just like a wedding bell."

Queen-street is in a direct line with Guildhall and Southwark Bridge, and is remarkable for the loftiness of many of the warehouses at the Thames-street end. It was formerly called Soper-lane, and is frequently mentioned in the old processions; for, facing the end of Guildhall, no doubt some of the finest arches were erected there when royalty paraded the City. In an old pamphlet, printed by Richard Tothill about 1558, entitled “The Passage of our most drad Soveraigne Ladye Queene Elyzabeth through the Citie of London to Westminster, the Day before her Coronation,” we have the following allusion to Soper-lane, now Queen-street: “At Soper-lane end was another pageant of three open gates; above the centre of which, on three stages, sat eight children, explained by this inscription:

Queen Street runs straight from Guildhall to Southwark Bridge and is notable for the height of many warehouses at the Thames Street end. It used to be called Soper Lane and is often mentioned in historical processions; facing Guildhall, some of the most impressive arches were surely built there when royalty paraded through the City. In an old pamphlet printed by Richard Tothill around 1558, titled “The Passage of our most dread Sovereign Lady Queen Elizabeth through the City of London to Westminster, the Day before her Coronation,” there's a reference to Soper Lane, now Queen Street: “At Soper Lane end was another pageant of three open gates; above the center of which, on three stages, sat eight children, explained by this inscription:

The eight Beatitudes, found in the V chapter of the Gospel of Saint Matthew, are applied to our Sovereign Lady Queen Elizabeth.

The Three Cranes in the Vintry was formerly a celebrated tavern in this street; and near to where the bridge now stands were the old watering stairs, from whence the Lord Mayor embarked on his way to Westminster Hall. The old burying-ground of St. Thomas the Apostle is in this street; but the church was not rebuilt after the Fire.

The Three Cranes in the Vintry used to be a famous tavern on this street; and close to where the bridge is now were the old landing stairs, where the Lord Mayor set off on his way to Westminster Hall. The old burial ground of St. Thomas the Apostle is located on this street; however, the church was not rebuilt after the fire.

Southwark Bridge here spans the river. It consists of three cast-iron arches, the centre one wide enough for the Monument to float through cross-ways, and then leave a space of more than thirty feet. The weight of iron employed in its construction was nearly 6000 tons. To look up at the arches from the river, when underneath, recals the chambers built by the old enchanters; so many gloomy cells branch out and run into each other, that they appear marvellous, and compel you to respect the inventive genius of John Rennie, the architect of this wonderful structure, which was erected when railroads were unknown, and a tubular bridge across the Menai Straits undreamed of. These things ought to be borne in mind while looking at the cast-iron bridge of Southwark.

Southwark Bridge spans the river here. It has three cast-iron arches, the middle one being wide enough for the Monument to pass through sideways, leaving over thirty feet of space. The total weight of the iron used in its construction was nearly 6,000 tons. When you look up at the arches from the river below, they remind you of the chambers created by old sorcerers; so many dark cells branch out and connect in ways that seem incredible, making you appreciate the creative genius of John Rennie, the architect of this remarkable structure, which was built when railroads were still unknown and a tubular bridge across the Menai Straits was just a dream. These details should be kept in mind while admiring the cast-iron bridge of Southwark.

College-hill appears to have derived its name from a college founded on it by the famous Whittington, who lived in the time of Chaucer, and who was so many times Lord Mayor of London. The{60} last Duke of Buckingham resided on this hill, but at what period we have not been able to discover. There does not appear to us the remains of any house sufficiently imposing enough to have been his residence, nor any thing extant beyond a court-yard, which is said to have belonged to his princely mansion. Strype says he resided here “upon a particular humour;” and we cannot contradict him, though to us it seems very strange, knowing that the City had at this time ceased, with but few exceptions, to be occupied by the nobility. We know that he sold his house in the Strand in 1672, and it is just probable that he may have resided here about this time; if so, it must then have been a new house, for the Great Fire occurred in 1666; and how such a mansion came to be taken down, and when and for what purpose, we cannot explain.

College Hill seems to have gotten its name from a college established there by the famous Whittington, who lived during Chaucer's time and was multiple times the Lord Mayor of London. The{60} last Duke of Buckingham lived on this hill, but we haven't been able to find out when. We don't see any remains of a house grand enough to have been his residence, just a courtyard that’s said to have belonged to his royal mansion. Strype mentions that he lived here “upon a particular humour,” and we can't dispute that, although it seems odd to us since the City had largely stopped being occupied by nobility at that time. We know he sold his house in the Strand in 1672, so it's possible he lived here around that time; if that's the case, it would have to have been a new house because the Great Fire happened in 1666. We can’t explain how or why such a mansion was taken down, when it happened, or for what reason.

Here we have the Mercers’ School, which formerly stood beside the hall and chapel of this ancient company in Cheapside. It is said to be one of the oldest endowed schools in London, and to occupy the ground on which formerly stood “God’s Hospital,” founded by Whittington, now removed to Highgate, a great improvement on the original situation, considering that there is no longer any “flower-show” in Bucklesbury, and that the old Stocks Market has been removed to make room for the present Mansion House. St. Michael’s, College-hill, was rebuilt by Wren; it contains an altar-piece by Hilton, and is remarkable for nothing save that it was made a collegiate church by Whittington’s executors, and that the far-famed Lord Mayor is buried here—not forgetting an old poet (Cleveland), of whom we have in another work made honourable mention, for he was the first who called the bee “Nature’s confectioner.” His description of the ruins of “Old St. Paul’s” after the Fire ought to be better known. His hatred of the Roundheads was “right royal.”

Here we have the Mercers’ School, which used to be next to the hall and chapel of this historic organization in Cheapside. It’s known to be one of the oldest endowed schools in London and sits on the site where "God’s Hospital," founded by Whittington, once stood, which has now been moved to Highgate. This is a significant upgrade from the original location, especially since there's no longer a “flower-show” in Bucklesbury, and the old Stocks Market has been relocated to make way for the current Mansion House. St. Michael’s on College Hill was rebuilt by Wren; it has an altar-piece by Hilton and is noteworthy mainly because Whittington’s executors turned it into a collegiate church and because the famous Lord Mayor is buried here—not to mention an old poet (Cleveland), who we mentioned in another work, as he was the first to call the bee “Nature’s confectioner.” His account of the ruins of “Old St. Paul’s” after the Fire deserves to be more widely recognized. His dislike for the Roundheads was “right royal.”

Facing St. Pancras-lane, and running into Cheapside or the Poultry, is Bucklesbury, alluded to by Shakspeare, who makes Falstaff compare the dandies of his day to “lisping hawthorn buds, that come like women in men’s apparel, and smell like Bucklesbury in simple time.” It seems to have been principally inhabited by apothecaries in former times; and, as we know the faith our forefathers had in herbs, which they distilled and took in all kinds of forms as medicine, we can readily imagine what an aroma there was about the shops of these ancient herbalists.

Facing St. Pancras Lane and connecting to Cheapside or the Poultry is Bucklesbury, referenced by Shakespeare, who has Falstaff compare the trendy people of his time to “lisping hawthorn buds, that come like women in men’s clothing, and smell like Bucklesbury in simpler times.” It appears to have been mainly occupied by apothecaries in the past; and since we know the trust our ancestors placed in herbs, which they distilled and took in various forms as medicine, we can easily picture the aromas surrounding the shops of these old herbalists.

Walbrook is so called from a brook which formerly flowed from the City wall into the Thames, but in Stowe’s time was built over and “hidden under ground, and thereby hardly known.” We have here the beautiful church of St. Stephen’s, Walbrook. “This church,” says Mr. Godwin in his work entitled The Churches of London, “is{61}

Walbrook gets its name from a brook that used to flow from the City wall into the Thames, but by Stowe’s time, it had been built over and was “hidden underground, and therefore hardly known.” Here, we have the beautiful church of St. Stephen’s, Walbrook. “This church,” states Mr. Godwin in his book titled The Churches of London, “is{61}



ST. STEPHEN’S, WALBROOK.

ST. STEPHEN’S, WALBROOK.

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ST. STEPHEN'S, WALBROOK.

certainly more worthy of admiration in respect to its general arrangement, which displays great skill, than of the details, for they are in many respects faulty. The body of the church, which is nearly a parallelogram, is divided into five unequal aisles (the centre being the largest, and those next the walls on either side the smallest,) by four rows of Corinthian columns. Within one intercolumniation from the east end, two columns from each of the two centre rows are omitted, and the area thus formed is covered by an enriched cupola supported on eight arches which rise from the entablature of the columns. By the distribution of the columns and their entablature (as may be observed in the engraving) a cruciform arrangement{62} is given to this part of the church, and an effect of great elegance is produced, although marred in some degree by the want of connexion which exists between the square area formed by the columns and their entablature, and the cupola which covers it. The columns are raised on plinths of the same height as the pewing. The spandrils of the arches bearing the cupola present panels containing shields and foliage of uncertain and unmeaning form, perfectly French in style; and of the same character are the brackets against the side walls, in the shape of enriched capitals introduced to receive the ends of the entablature in the place of pilasters. At the chancel end pilasters are introduced, and serve to shew more plainly the impropriety of omitting them elsewhere. The enrichments of the entablature—itself meagre and imperfect—are clumsily executed. Above it is a clerestory, containing windows of mean form and construction. The cupola, around which runs a circular dentil cornice, just above the arches, is divided into panels ornamented with palm-branches and roses, and is terminated at the apex by a circular lantern light: the whole is elegant in outline, and is much more in design than are other portions of the church just now alluded to.” St. Stephen’s, Walbrook, is considered, in spite of Mr. Godwin’s architectural criticism, one of the most beautiful of all Wren’s churches, and for a comparatively modern building, is the gem of the City. Outside there is nothing to admire; but within it wears, in our eyes, a sweet cathedral-like look, so gracefully does the light stream down, so artistically do the shadows slumber. When the great architect planned this building, he must have been blessed with one of those happy thoughts which sometimes come upon a poet unaware, and for which he can no more account than he can for the fragrance that floats upon the summer breeze. The grace of those pillars, the beauty of that airy dome, haunt the memory long after they have been seen; and when far away, come upon the mind like pleasant recollections. The altar-piece by West finds many admirers; but the greatest charm is the eloquence of the rector, the Rev. Dr. Croly, whose literary works stand “second to none” of the many highly-gifted poets of the day; for the author of Salathiel has won himself a name which will never be forgotten while the language in which he clothed the “Angel of the World” is uttered.

Certainly more admirable in its overall layout, showcasing significant skill, than in the details, which are flawed in many ways. The body of the church, roughly a parallelogram, is divided into five uneven aisles (the center being the largest, and those next to the walls on either side the smallest) by four rows of Corinthian columns. One intercolumniation from the east end, two columns from each of the two center rows are missing, and the space created is topped by an ornate cupola supported on eight arches rising from the columns' entablature. The arrangement of the columns and their entablature (as seen in the engraving) gives this part of the church a cruciform layout{62} and creates a very elegant effect, although somewhat spoiled by the disconnection between the square area formed by the columns and their entablature and the cupola above it. The columns are set on plinths that are the same height as the pews. The spandrels of the arches holding the cupola feature panels with shields and foliage of vague and meaningless design, perfectly French in style; and similarly styled are the brackets on the side walls, shaped like embellished capitals meant to support the ends of the entablature instead of pilasters. At the chancel end, pilasters are present, highlighting more clearly the inconsistency of not having them elsewhere. The decorations on the entablature—already sparse and imperfect—are poorly crafted. Above it is a clerestory, with windows of unsatisfactory shape and design. The cupola, surrounded by a circular dentil cornice just above the arches, is divided into panels adorned with palm branches and roses, topped at the peak by a round lantern: the overall silhouette is elegant and is significantly more refined than other parts of the church mentioned earlier. St. Stephen’s, Walbrook, is regarded, despite Mr. Godwin’s architectural critique, as one of the most beautiful of all Wren’s churches and, for a relatively modern building, is a gem of the City. On the outside, there’s nothing to admire; but inside, it presents a serene cathedral-like appearance, with light streaming down beautifully and shadows resting artistically. When the great architect designed this building, he must have experienced one of those fortunate inspirations that sometimes surprise a poet, and for which he can’t account any more than he can for the scent that drifts on a summer breeze. The elegance of those pillars and the beauty of that airy dome linger in the memory long after being seen; and even from afar, they return to the mind like fond memories. The altar piece by West has many admirers; but the greatest allure is the eloquence of the rector, the Rev. Dr. Croly, whose written works are “second to none” among the many gifted poets of the time; for the author of Salathiel has earned a name that will never be forgotten as long as the language in which he expressed the “Angel of the World” is spoken.

Nearly bordering upon the ancient crypt in Basing-lane, at the depth of 12 feet 6 inches below the surface, some workmen recently came upon a Roman tesselated pavement, a space of which comprising about 27 feet was exposed. This pavement, which is composed of the common red tesseræ, without pattern, is embedded in a thin layer of cement and pounded brick, underneath which is a thick{63}

Nearly adjacent to the ancient crypt in Basing-lane, at a depth of 12 feet 6 inches below the surface, some workers recently discovered a Roman mosaic pavement, with an area of about 27 feet uncovered. This pavement, made up of the usual red tiles, has no pattern and is set in a thin layer of cement and crushed brick, beneath which is a thick{63}



1. Amphora, or wine vessel. 2. Black cinerary urn. 3, 4. Vessels of stone-coloured ware. 5. Mortaria, studded with quartz, with potter’s name. 6. Black urn, diamond patter. 7. Small Samian vessel. 8. Earthen lamp. 9. Small vessel, used probably for balsams or other funeral offerings.  ROMAN VESSELS FOUND IN CANNON STREET.

1.Amphora, or wine vessel.6. Black urn, diamond patter.
2. Black cinerary urn.7. Small Samian vessel.
3, 4. Vessels of stone-coloured ware.8. Earthen lamp.
5. Mortaria, studded with quartz, with potter’s name.9. Small vessel, used probably for balsams or other funeral offerings.
ROMAN VESSELS DISCOVERED IN CANNON STREET.

stratum of coarse sand cement. A cutting contiguous to the site of the pavement exhibits a section of chalk foundation, with layers of Roman tile, over which, supporting part of a brick building now in course of demolition, are the remains of a strong chalk wall, about 10 feet high and 4 feet in thickness. About 18 feet from the Roman pavement is a circular shaft, similar to that discovered near Billingsgate in connexion with Roman pavements and other remains on the site of the present Coal Exchange. This shaft is composed of chalk, and lined with hard stone. A chalk-built vault had been demolished by the workmen before it could be properly examined. Fragments of the fine red pottery called Samian ware, some of{64} them bearing an elegant pattern, were found at a depth of nearly 20 feet; of these we give engravings. In other parts of the excavation, and in the face of the cutting, about 4 feet below the pavement, were picked out bits of the same kind of pottery, and fragments from a large mass of carbonised wood imbedded in the clay, and seemingly one of the piles which had served to support the Roman edifice formerly occupying the spot, in like manner with those discovered near Billingsgate. It is worthy of remark that the site of these discoveries is, as nearly as can be ascertained, that formerly occupied by the fortress of Tower Royal, being just about the same distance east of Queen-street as the line once known as Tower Royal-street, so designated to mark the locality of the ancient royal fortress; and it seems not improbable that the chalk superstructure above described may have appertained to the walls of this edifice. Tower Royal stood in the parish of St. Thomas the Apostle, in Watling-street, and came down to the Thames with its gardens, stables, &c.

stratum of coarse sand cement. A cut near the pavement site shows a section of chalk foundation, with layers of Roman tiles. Above them, supporting part of a brick building currently being demolished, are the remains of a sturdy chalk wall about 10 feet high and 4 feet thick. About 18 feet from the Roman pavement is a circular shaft similar to one found near Billingsgate in relation to Roman pavements and other remains at the current Coal Exchange site. This shaft is made of chalk and lined with hard stone. A chalk-built vault was demolished by the workers before it could be properly examined. Fragments of fine red pottery known as Samian ware were found at a depth of nearly 20 feet, some featuring elegant patterns, of which we provide engravings. In other parts of the excavation and in the cut face, about 4 feet below the pavement, we discovered pieces of the same type of pottery and fragments from a large mass of carbonized wood embedded in the clay, seemingly one of the piles that supported the Roman building that once occupied this spot, similar to those found near Billingsgate. It's worth noting that the site of these discoveries is, as close as can be determined, the same area once occupied by the fortress of Tower Royal, located approximately the same distance east of Queen Street as the line previously known as Tower Royal Street, named to mark the location of the ancient royal fortress. It seems likely that the chalk superstructure described may have belonged to the walls of this building. Tower Royal stood in the parish of St. Thomas the Apostle on Watling Street and extended to the Thames with its gardens, stables, etc.



THE LONDON STONE.

THE LONDON STONE.

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THE LONDON STONE.

In Cannon-street, beside the church of St. Swithin, the old saint who, in the country, is still believed to have a good deal to do with fair or rainy weather, stands the far-famed London Stone, of which we give an engraving: it is “let into” the wall of this church. The stone appears to have stood on the opposite side of Cannon-street in Stowe’s time, and to have been “fixed in the ground very deep, and fastened with bars of iron so strongly set, that if the carts do run against it through negligence, the wheels be broken, and the stone itself{65}

In Cannon Street, next to St. Swithin's Church, named after the old saint who is still thought to influence whether it’s fair or rainy, stands the famous London Stone, which we have illustrated here. It is embedded in the wall of this church. It seems that the stone used to be located on the opposite side of Cannon Street back in Stowe’s time, firmly set deep into the ground and secured with iron bars so strongly that if carts accidentally hit it, their wheels would break, and the stone itself{65}



JEWEL.

JEWEL.

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JEWEL.

unshaken.” The cause why this stone was set there, the time when, or other memory hereof, is none.” Camden believes it to have been one of the old Roman milestones; but this, we think, is doubtful, as others would have been found in some of the old towns which the Romans inhabited. Every reader of Shakspeare will remember Jack Cade sitting upon this stone and proclaiming himself lord of London. The Mansion House was built about the year 1753: before this period, the Lord Mayor was compelled to reside in his own house, or to give{66} his entertainment in some of the City halls. In the Egyptian Hall, the Lord Mayor entertains his guests in such a style as few cities saving London can afford, for the plate used on these occasions is alone valued at 20,000l. Few princes live in greater state than the Lord Mayor of London; for he has his sword-bearer, his chaplain, mace-bearer, sergeant-at-arms, carver, esquires, bailiffs, and we know not who beside. To support this dignity, he is allowed 8000l. a year during his mayoralty, which sum, if he is liberal, finds him comparatively in little more than salt and servants; for the good citizens soon begin to cry out if he does not “cook” pretty often, and invite them to the banquet.

“Unshaken.” The reason this stone was placed here, when it happened, or any other details about it, are unknown. Camden thinks it might have been one of the old Roman milestones; however, we believe that's uncertain since others would have been discovered in some of the ancient towns the Romans occupied. Anyone familiar with Shakespeare will recall Jack Cade sitting on this stone and declaring himself lord of London. The Mansion House was constructed around 1753; before that, the Lord Mayor had to live in his own residence or host events in one of the City halls. In the Egyptian Hall, the Lord Mayor entertains guests in a way that few cities, apart from London, can match, as the silverware used on these occasions alone is valued at £20,000. Few monarchs live in as much grandeur as the Lord Mayor of London; he has a sword-bearer, a chaplain, a mace-bearer, a sergeant-at-arms, a carver, esquires, bailiffs, and other attendants we may not even know about. To uphold this dignity, he receives £8,000 a year during his term, which, if he is generous, barely covers more than food and staff; because the good citizens quickly start to complain if he doesn't “cook” often and invite them to the feast.

The sword of the Lord Mayor, which was presented to the Corporation by Elizabeth, is four feet long; the handle is gold, richly chased, and the scabbard set with beautiful pearls. The mace was the gift of one of the Charleses, but whether the first or second we have not been able to ascertain. In the Illustrated London News of 1844, we find the following description of the collar and jewel: “The collar and jewel are badges of great beauty; the former is formed of pure gold, and is composed of a series of links, each one formed of the letter S, which formerly signified squire or gentleman, a united York and Lancaster, or Henry VII. rose, and a massive knot. The ends of the chain are formed by the portcullis, the celebrated badge of Henry VII.; and from the points of it, suspended by a ring of diamonds, hangs the jewel. The entire collar contains 28 S’s, 14 roses, and 14 knots, and measures 64 inches. The jewel contains in the centre the City arms cut in cameo of a delicate blue on an olive ground. Surrounding this is a garter of bright blue, edged with white and gold, bearing the City motto, ‘Domine dirige nos,’ in gold letters. The whole is encircled with a costly border of gold S’s alternating with rosettes of diamonds set in silver.” On ordinary occasions the Lord Mayor wears a black silk robe, and in the courts of Common Council one of blue; when on the bench, or on the occasion of a royal visit, he has other robes of scarlet and crimson.

The sword of the Lord Mayor, which was given to the Corporation by Elizabeth, is four feet long; the handle is made of gold and is intricately designed, while the scabbard is adorned with beautiful pearls. The mace was a gift from one of the Charleses, but we haven't been able to determine whether it was from the first or the second. In the Illustrated London News of 1844, there's this description of the collar and jewel: “The collar and jewel are stunning badges; the collar is made of pure gold and consists of a series of links, each shaped like the letter S, which used to represent squire or gentleman, a united York and Lancaster, or Henry VII rose, and a large knot. The ends of the chain feature the portcullis, the famous badge of Henry VII.; and from the points of it, suspended by a ring of diamonds, hangs the jewel. The entire collar includes 28 S’s, 14 roses, and 14 knots, measuring 64 inches. The jewel features the City arms carved in cameo, a delicate blue on an olive background. Surrounding this is a bright blue garter edged in white and gold, displaying the City motto, ‘Domine dirige nos,’ in gold letters. The whole thing is bordered with an expensive design of gold S’s alternating with diamond rosettes set in silver.” On regular occasions, the Lord Mayor wears a black silk robe, and in the courts of Common Council, he wears one of blue; when sitting on the bench or during a royal visit, he has other robes of scarlet and crimson.

The Mansion House stands on the site of the old Stocks Market, where a pair of stocks formerly stood, which were the terror of those who dealt in stale fish or otherwise offended. A little more than a century ago, the market was removed to opposite the Fleet Prison, and is still held there, under the name of Farringdon Market.

The Mansion House is located where the old Stocks Market used to be, where a pair of stocks once stood, which scared those who sold spoiled fish or did something wrong. Just over a hundred years ago, the market was moved across from the Fleet Prison, and it’s still held there today, known as Farringdon Market.

In Suffolk-lane stands the Merchant Taylors’ School, built on the site of a mansion that formerly belonged to the Suffolk family; hence the next turning is called “Duck’s-foot-lane”—no doubt a corruption of “Duke.” The present building was erected a few years after the Great Fire, although there have been additions made to it as recently as{67} twenty years ago. Many very eminent men have been educated at this school; amongst them James Shirley, the dramatist, and author of that beautiful poem commencing with—

In Suffolk Lane stands the Merchant Taylors' School, built on the site of a mansion that used to belong to the Suffolk family; that's why the next turn is called "Duck's-foot-lane"—which is probably a variation of "Duke." The current building was constructed a few years after the Great Fire, although there have been additions made to it as recently as{67} twenty years ago. Many notable figures have been educated at this school, including James Shirley, the playwright, and author of that beautiful poem that begins with—

"The glories of our birth and state
Shadows aren't solid things;
There’s no protection against fate—
"Death puts his cold hand on kings."

In Thames-street, we have still a building bearing the name of Steelyard or Stilliard, an old name still in use in the country for the beam balance on which the portions of a pound are notched on the one side, with figures giving the number of pounds, and a hanging and sliding weight. It is principally used by butchers, and is known by no other name than that of stilliards in the north of England: hence, no doubt, the name of this ancient haunt of the Hanse merchants. The last church on the west side of London Bridge, in Upper Thames-street, is called Allhallows-the-Great; it was built by Wren, and contains a carved screen, presented by the Hanse merchants, who obtained a settlement in England a century or two after the Norman Conquest. At the Old Swan Pier, or Swan stairs, timid passengers were wont to land who had not courage enough to remain with the waterman in his wherry, and shoot the dangerous arches of old London Bridge, but generally walked on to some other landing-place below the bridge, where they again embarked.

In Thames Street, there’s still a building called the Steelyard or Stilliard, an old term that’s still used in the country for the beam balance that has notches showing parts of a pound on one side, with numbers indicating whole pounds, along with a sliding and hanging weight. It’s mainly used by butchers and is known simply as stilliards in the north of England; this is likely where the name of this historic area of the Hanse merchants comes from. The last church on the west side of London Bridge, in Upper Thames Street, is called Allhallows-the-Great; it was built by Wren and features a carved screen donated by the Hanse merchants, who established a presence in England a century or two after the Norman Conquest. At the Old Swan Pier, or Swan stairs, timid passengers would often land who didn’t have the nerve to stay with the waterman in his wherry and navigate the tricky arches of the old London Bridge, but usually walked on to another landing spot below the bridge, where they would board a boat again.

New London Bridge is built of granite; and was first opened by William IV. and the good Queen Adelaide, in 1831. It cost nearly two millions sterling.

New London Bridge is made of granite and was first opened by William IV and Queen Adelaide in 1831. It cost nearly two million pounds.

In King William-street stands the statue of King William IV., by Nixon, looking towards London Bridge. This statue, which is of granite, cost upwards of 2000l., of which 1600l. was voted by the Common Council of London. It is considered an admirable likeness; and the folds of the cloak are beautifully arranged, while the coil of rope reminds us of the “Sailor King.” The width and beauty of King William-street is very striking, especially after emerging from the narrow streets and hilly lanes which we have just described.

In King William Street, there’s a statue of King William IV, created by Nixon, facing London Bridge. This granite statue cost over £2000, with £1600 funded by the Common Council of London. It’s thought to be an excellent likeness; the folds of the cloak are nicely arranged, and the coil of rope is a nod to the “Sailor King.” The width and beauty of King William Street are quite striking, especially after coming out of the narrow streets and hilly lanes we've just discussed.

The churches of St. Michael and St. Peter, Cornhill, were both built by Wren, except the tower of the former, which escaped the Great Fire, but was rebuilt some fifty years after that terrible event. St. Peter’s possesses a rood-screen, a great rarity, and seldom found except in our old country churches. From the pamphlet which records the doings of the Puritans, and which we have before mentioned, we find the rector of St. Michael’s, Cornhill, “Dr. Brough, sequestered, plundered; wife and children turned out of doors; his{68}

The churches of St. Michael and St. Peter, Cornhill, were both built by Wren, except for the tower of the former, which survived the Great Fire but was rebuilt about fifty years after that catastrophic event. St. Peter’s has a rood-screen, which is quite rare and rarely found except in our old country churches. From the pamphlet that documents the actions of the Puritans, which we've mentioned before, we learn about the rector of St. Michael’s, Cornhill, “Dr. Brough, who was removed and plundered; his wife and children were thrown out of their home; his{68}



ST. MICHAEL’S CHURCH, CORNHILL.

ST. MICHAEL’S CHURCH, CORNHILL.

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St. Michael's Church, Cornhill.

wife dead with grief; Mr. Weld, his curate, assaulted, beaten in the church, and turned out.” At St. Peter’s, Cornhill. “Dr. Fairfax, sequestered, plundered; imprisoned in Ely House and the ships; his wife and children turned out of doors.” One of the first Christian churches built in England is supposed to have been St. Peter’s, Cornhill. The present church contains an ancient tablet which bears the following inscription: “Be it known unto all men that the year of Lord God. C.lxxix., Lucius, the first Christian king of this land, then{69} called Britain, founded the first church in London, that is to say, the church of St. Peter, upon Cornhill,” &c. &c. The inscription runs on to the coming of Augustine, and the making of Milletus bishop of London, &c.

wife dead from grief; Mr. Weld, his curate, attacked, beaten in the church, and expelled.” At St. Peter’s, Cornhill. “Dr. Fairfax, isolated, looted; imprisoned in Ely House and on the ships; his wife and children thrown out.” One of the first Christian churches built in England is believed to be St. Peter’s, Cornhill. The current church has an ancient tablet that bears the following inscription: “Be it known to all that in the year of our Lord, C.lxxix., Lucius, the first Christian king of this land, then called Britain, founded the first church in London, namely, the church of St. Peter, upon Cornhill,” & etc. & etc. The inscription continues with the arrival of Augustine and the appointment of Milletus as bishop of London, & etc.

We give an engraving of St. Michael’s, Cornhill, the tower of which is a copy of the one that escaped the fire; the upper portion is very beautiful—pity it is hidden by the houses in St. Michael’s-alley.

We provide an engraving of St. Michael’s, Cornhill, whose tower is a replica of the one that survived the fire; the top section is quite beautiful—it's a shame it's obscured by the buildings in St. Michael’s-alley.

As we are now in busy Lombard-street, so proverbial for its wealth, we will pause a few moments, and look at it through the dim haze of former years, how different from what it is now! As we gaze through the twilight of past centuries, we catch glimpses of the objects and echoes of the sounds that moved and floated over this ancient neighbourhood nearly three centuries before the Diamond let off her steam, or the Rob Roy omnibus carried thirteen “insides:” glimpses of vaulters, and dancers, and bear-wards, and leaders of apes, crossing and crowding where now the bank clerks hurry to clear out, carrying thousands of pounds in their bill-cases; still, however, reminding you that the old “rogueries” of London have not vanished, by the strong steel chains with which they secure their banking books. What a roaring and barking there must have been in that narrow thoroughfare in bygone days, when the bear was followed by all the dogs “from some four parishes,” as Ben Jonson has narrated! What a stir there was on that merry morning when Kemp set out from the house of the Lord Mayor to dance all the way to Norwich, accompanied by his taborer, Thomas Sly; or when Banks (the Ducrow of the Elizabethan period) exhibited his wonderful horse, named Morocco, in the London streets, and many of the simple citizens believed that both he and his marvellous steed had dealings with the old gentleman who manages the fire-office below! What cramming and jamming there would be about the Exchange on the day Queen Elizabeth ordered it to be opened by sound of trumpet; what motions and raree-shows, and antics of wooden puppets, such as Hogarth has preserved in his picture of “Southwark Fair,” and Jonson has called “a civil company” who live in baskets! Add to these all the “street-cries,” the balancers of straws and feathers, and all other out-of-door amusements, not forgetting the hares that played on tabors; the buzz also of the bearded merchants, who took up no small space with their ample trunk-hose: then you have, in the mind’s eye, the whole of this ancient panorama, moving in that high narrow street, with half the houses sleeping in shadow, while the other half caught the full sunshine. Seated at those carven and diamond-shaped lattices, which went bowing out far over the ill-paved pathway, were the{70} wives and pretty daughters of these “gray forefathers” of commerce; while below, many an apprentice sat sighing over his desk, wishing it were Sunday again, and he carrying the large clasped Bible behind his handsome young mistress, while thinking more about the neat foot and ankle she displayed than the sermon that was to be preached at St. Peter’s or St. Michael’s; or, as he passed some richly-sculptured conduit, wondering when it would again run with wine; or, if he walked that way, turning a longing look as he passed towards the apple-trees that grew around St. Martin’s Church, in Ironmonger-lane, and thinking how he should like to make a party to rob that City orchard. Such were the picturesque features of the London of this period in the streets.

As we find ourselves in bustling Lombard Street, known for its wealth, let’s take a moment to reflect on how different it is now compared to years past. Peering into the twilight of centuries gone by, we can catch glimpses of the sights and sounds that filled this historic neighborhood nearly three hundred years before the Diamond powered its steam or the Rob Roy bus carried thirteen passengers inside. We see acrobats, dancers, bear trainers, and monkey handlers crossing paths where bank clerks now rush to clear out, carrying thousands of pounds in their bags. Yet, reminders of old London’s “rogueries” remain, as evidenced by the strong steel chains securing their banking books. Just think of the noise and commotion in that narrow street back in the day, when a bear was chased by dogs from several parishes, as Ben Jonson described! Imagine the excitement on that cheerful morning when Kemp danced all the way to Norwich from the Lord Mayor's house, with his drummer, Thomas Sly; or when Banks, the Elizabethan version of a showman, showcased his incredible horse named Morocco in the streets of London, while many gullible citizens believed he and his magnificent steed were in cahoots with the devil himself! Picture the crowding and chaos at the Exchange when Queen Elizabeth commanded it to open with a trumpet fanfare; the lively performances, puppet shows, and antics of wooden figures that Hogarth captured in his painting “Southwark Fair,” which Jonson called a “civil company” living in baskets! Add to this the various street vendors, the entertainers balancing straws and feathers, and the outdoor festivities, not to mention the hares playing drums; and listen to the buzz of the bearded merchants whose voluminous trunk hose took up space on the streets. You can envision this vibrant panorama moving through the high, narrow street, with half the buildings cast in shadow while the other half basked in sunlight. At those intricately carved, diamond-shaped windows jutting over the rough cobblestones sat the wives and lovely daughters of these early merchants, while below, many apprentices sighed over their desks, wishing it were Sunday again—carrying the large clasped Bible for their attractive mistresses, more interested in their neat ankles and feet than in the sermon to be preached at St. Peter’s or St. Michael’s; or as they passed by a beautifully sculpted fountain, wondering when it would flow with wine again; or, if they strolled that way, casting longing glances at the apple trees near St. Martin’s Church in Ironmonger Lane, fantasizing about making a party to raid that City orchard. Such were the vivid scenes of London streets during this time.

How different were the old ordinaries from the quiet chop-houses we now find in every court and alley that runs into Lombard-street! In those days, ten to one you had to fight your man after having finished your dinner; for swash-bucklers abounded in every tavern. Still there were merry doings; and Queen Bess’s ruff at last bristled out with anger at the tidings of the quantity of venison those “fat and greasy citizens” consumed, and then the Lord Mayor and aldermen were called upon to interfere.

How different the old taverns were from the quiet chop houses we find now in every court and alley leading into Lombard Street! Back then, you were likely to end up in a fight after finishing your dinner because swaggering men were everywhere in the pubs. Still, there were lively times; and Queen Bess’s ruff eventually flared up with anger upon hearing about how much venison those "fat and greasy citizens" consumed, prompting the Lord Mayor and the aldermen to step in.

Now merchants whose autographs to a cheque would load the bearer with gold lunch in the neighbouring alleys on their humble chop and steak; and gentlemen worth thousands turn up their cuffs and peel their own potatoes—then hurry off by the train, or omnibus, or steamer, to their snug suburban residences to dinner, except on rare occasions. They no longer retire to the ancient hostels to smoke tobacco, which was sold for its weight in silver, and to purchase which they looked out their newest crowns and shillings to place in the opposite scale. Smoking then was a different thing from “burning” tobacco as we do now; yet there were men in those days who, no doubt, “blew a cloud” with Sir Walter Raleigh and Ben Jonson; and even Shakspeare himself must have sat in the society of these early smokers.

Now, merchants whose signatures on a check would load the bearer with cash enjoy a simple lunch of chop and steak in the nearby alleys; meanwhile, gentlemen worth thousands roll up their sleeves and peel their own potatoes—then rush off by train, bus, or boat to their cozy suburban homes for dinner, except on rare occasions. They no longer retreat to old inns to smoke tobacco, which was sold for its weight in silver, and for which they would dig out their newest coins to place in the opposite scale. Smoking back then was a different experience from how we “burn” tobacco now; yet there were undoubtedly men in those days who “blew a cloud” with Sir Walter Raleigh and Ben Jonson; and even Shakespeare himself must have mingled with these early smokers.

How the bankers of England sprang from goldsmiths and lenders of money on plate and other pledges, is already matter of history; and were King John now alive, he would hesitate before he dared to venture on a little dental surgery to fill his exchequer; the bench would get judgment signed a thousand times over with much more pleasure than he affixed his signature to the Great Charter. Even the fiery daughter of Henry VIII. would, under the existing state of things, pause before commanding the citizens to take back the money she had borrowed of them, without interest, in loan for which she demanded seven per cent should be paid, and all their gold and silver{71}

How the bankers of England evolved from goldsmiths and money lenders against plates and other collateral is already part of history; and if King John were alive today, he would think twice before attempting some minor financial tricks to boost his treasury. The court would sign off a judgment a thousand times over much more eagerly than he signed the Great Charter. Even the fiery daughter of Henry VIII would, considering the current situation, hesitate before ordering the citizens to repay the money she had borrowed from them without interest, for a loan where she demanded seven percent to be paid, along with all their gold and silver{71}



LOMBARD-STREET.

LOMBARD-STREET.

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Lombard Street.

{72}

{72}

{73}

{73}

plate deposited with her as security for the payment—a most original and profitable way of “paying them back in their own coin.”

plate deposited with her as collateral for the payment—a very original and profitable way of “paying them back in their own coin.”



ST. MARY’S WOOLNOTH.

ST. MARY’S WOOLNOTH.

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St. Mary’s Woolnoth.

There is something very beautiful and almost poetical in the domestic history of these early bankers, telling us that their honesty and honour were upheld by a rigid adherence to pure morality, which is confirmed by the many marriages which took place between the apprentices and their masters’ daughters. Day after day, and year after year, did these youthful citizens live under the same roof, and under the strong control of the same strict masters, practising every kind of self-denial for her sake, whom they perhaps saw but once a day,{74} or it might be at each meal-time; or, in strict establishments, only once a week, when they walked behind her to St. Mary’s Woolnoth, which stood on the site of the modern church our engraving represents. Through the dim light of bygone years we are enabled to see a face here and an arm there, a faint guarded smile, that would fall like a sunbeam all day long on the heavy ledger, as the youthful lover bent over his desk and sighed for a moment as he thought of his stern task-master; then, like Ferdinand in The Tempest, exclaimed, as he conjured up the image of his beautiful mistress—

There’s something really beautiful and almost poetic in the domestic history of these early bankers. It shows us that their honesty and integrity were maintained by a strict commitment to pure morality, which is proven by the many marriages between the apprentices and their masters’ daughters. Day after day, and year after year, these young citizens lived under the same roof and under the firm control of the same strict masters, practicing all kinds of self-denial for the sake of the women they might have seen only once a day, or perhaps at each meal; or, in stricter households, only once a week when they walked behind her to St. Mary’s Woolnoth, which was located where the modern church in our engraving stands. Through the dim light of the past, we can glimpse a face here, an arm there, a faint shy smile that would shine like a sunbeam all day on the heavy ledger, as the young lover leaned over his desk and sighed for a moment as he thought of his stern taskmaster; then, like Ferdinand in The Tempest, he exclaimed as he summoned the image of his beautiful lady—

“Oh, she is way more gentle than her father is grouchy!”

At the present day there is nothing either grand or striking in this wealthy street. You see, here and there, a name on a common brass plate which, in the commercial world, is “a tower of strength;” except this, there is no visible sign of the “unsunned treasures” that lie within. The houses have a plain, substantial look—a kind of commanding solidity, which seems in accordance with their unostentatious owners. Enter, and you tread the true “Californian” regions, where the gold is ready minted: bring a good cheque, and you need neither spade nor shovel; the “digging and the washing” are not required here. What a staff of clerks! all busily engaged. What a number of ledgers are in use! And after the day’s business is closed, all those account-books are stowed away in a fire-proof room under ground, and brought up again in the morning, and placed in readiness before the banker’s clerks arrive; and in some of these houses expensive machinery has been fitted up, to facilitate the lowering and raising of the bulky ledgers in and out of the fire-proof vaults below. Look at that young man, with his banking-case chained under his arm; the rolls of cheques and notes he holds in his hand probably amount to thousands of pounds; he only catches the eye of one of the clerks, calls out the amount, hands the bulky bundle over the brass railing, and departs, leaving the sum to be counted over at leisure. See how carelessly the cashier handles that heavy bag of gold: he has no time to count it, but thrusts it into the scale as a coal-heaver would a sack of coals—so long as it’s weight, that’s all he cares about; he then shoots it out into his large drawer, and throws the bag aside as if he did not mind a straw whether a sovereign or two stuck inside or not; this done, he begins to shovel it out, and pay away. He counts sovereigns by twos and threes at a time; you feel confident that he must have given you either too many or too few, he appears so negligent: you count, and there they are to one—he never makes a mistake.

Today, there's nothing particularly impressive or eye-catching about this wealthy street. You can spot a few names on ordinary brass plates that are considered “powerhouse” in the business world; apart from that, there’s no visible indication of the “hidden treasures” that lie within. The houses have a straightforward, sturdy appearance—a kind of commanding solidity that seems to match their unpretentious owners. Step inside, and you enter the true “Californian” areas, where gold is ready to be cashed in: just bring a good check, and there’s no need for a spade or shovel; “digging and washing” aren't necessary here. Look at the staff of clerks! All are busy at work. So many ledgers are in use! And after the day's business wraps up, all those account books are stored away in a fireproof room underground, then brought up again in the morning, ready for the banker’s clerks to start their day; in some of these offices, they’ve set up expensive machinery to assist in moving the heavy ledgers in and out of the fireproof vaults below. Check out that young man with his banking case chained to his arm; the rolls of checks and notes he holds probably add up to thousands of dollars; he just catches the attention of one of the clerks, announces the amount, hands over the hefty bundle across the brass railing, and leaves, letting the sum be counted later. Notice how casually the cashier deals with that heavy bag of gold: he doesn’t have time to count it, just tosses it onto the scale like a coal worker would with a sack of coal—he only cares about the weight; then he throws it into his big drawer and tosses the bag aside as if it didn’t matter whether a few coins were left in it or not; once that’s done, he starts to shovel it out and pay it out. He counts out sovereigns two or three at a time; you feel certain he must have given you either too many or too few because he seems so careless: you count, and there they are, perfectly accounted—he never makes a mistake.

Go and pay in a sum of money, or take up a bill, with gold that{75} looks light, and you will see another of his sleight-of-hand tricks. He jerks the one out of the scale without touching it, except with the sovereign he puts in, with such rapidity that you cannot catch the action, cannot see how it is done; the sovereign seems to fly in and out as if by magic. You might try for months and never be able to catch that peculiar jerk. You fancy that he must be weary of counting sovereigns; that a good pile of dirty brown coppers would be a great relief to him, equal at least to a change of diet. You wonder that his countenance is not yellow through bending over such piles of coin, and that, like the buttercups in the meadows steeped in sunshine, his face does not

Go and pay with some money, or take a bill, with gold that{75} looks light, and you'll see another one of his magic tricks. He snatches the one from the scale without touching it, except for the sovereign he puts in, so quickly that you can't catch the move, can't see how it’s done; the sovereign seems to zip in and out as if by magic. You could try for months and still not catch that unique flick. You think he must be tired of counting sovereigns; that a good pile of filthy brown coppers would be a nice change for him, at least like a change of diet. You wonder why his face isn’t yellow from leaning over such heaps of coins, and that, like the buttercups in the sunlit meadows, his face doesn’t

"Return gold for gold."

Sometimes these clerks are kept for hours beyond their usual time to rectify an error of sixpence in the balance, when during the day thousands of pounds have been entered. The mistake rests somewhere, and must be discovered before they quit the banking-house; and column after column is gone over again; that weary array of figures is summed up and up, and compared and called over until the mistake is righted. They would gladly pay the amount twenty times over to get away; but that would be the ruin of a system the very stability of which rests upon its being correct to the “uttermost farthing.”

Sometimes these clerks have to stay for hours beyond their usual time to fix a sixpence error in the balance, even though thousands of pounds have been recorded throughout the day. The mistake is somewhere, and it has to be found before they can leave the bank; they go over column after column again, summing up that tiring array of numbers, comparing and calling them out until the mistake is corrected. They would happily pay the amount twenty times just to get out, but that would ruin a system whose very stability relies on being accurate to the “last penny.”

The following picture of an old-fashioned banker we select from a recent work on Banks and Bankers: “He bore little resemblance to his modern successor: he was a man of serious manners, plain apparel, the steadiest conduct, and a rigid observer of formalities. As you looked in his face, you could read, in intelligible characters, that the ruling maxim of his life, the one to which he turned all his thoughts, and by which he shaped all his actions, was, that he who would be trusted with the money of other men, should look as if he deserved the trust, and be an ostensible pattern to society of probity, exactness, frugality, and decorum. He lived the greater part of the year at his banking-house, was punctual to the hours of business, and always to be found at his desk.”

The following picture of an old-fashioned banker is taken from a recent work on Banks and Bankers: “He looked nothing like his modern counterpart: he was a man of serious demeanor, simple clothing, steady behavior, and strictly followed formalities. When you looked at his face, it was clear that the guiding principle of his life, the one that shaped all his thoughts and actions, was that anyone who wanted to be trusted with other people's money should appear trustworthy and be an example to society of honesty, precision, frugality, and good behavior. He spent most of the year at his bank, was punctual to business hours, and could always be found at his desk.”

We have, in our opening article, made mention of Sir Thomas Gresham, the greatest of our old “merchant-princes,” and have now only to notice the three churches in Lombard-street, one of which, St. Mary’s Woolnoth, we have shewn in our engraving, and have but to add, that it was built by a pupil of Wren’s about 130 years ago. The following entry occurs in the old pamphlet we have before quoted from: “St. Mary’s Woolnoth: Mr. Shuite molested and vexed to death, and denied a funeral sermon to be preached by Dr.{76} Holdsworth, as he desired.” The church of Allhallows, Lombard-street, partially escaped the Fire, but was not considered, after careful examination, to be secure enough to stand, even when the body of the old church had been coped with “straw and lime.” The present building is by Wren, and contains nothing remarkable. The other church, St. Edward the King, is worth a visit, on account of one or two pictures it contains, together with some beautiful modern specimens of stained glass. Externally, we see nothing striking in the building.

In our opening article, we mentioned Sir Thomas Gresham, the most prominent of our old “merchant-princes,” and now we just need to point out the three churches on Lombard Street. One of them, St. Mary’s Woolnoth, is illustrated in our engraving, and all we should add is that it was built by a student of Wren’s about 130 years ago. The following entry appears in the old pamphlet we previously quoted: “St. Mary’s Woolnoth: Mr. Shuite was troubled and harassed to death, and denied a funeral sermon to be preached by Dr.{76} Holdsworth, as he wished.” The church of Allhallows on Lombard Street partially survived the Fire, but after a thorough inspection, it was deemed too unsafe to remain standing, even after the remains of the old church had been covered with “straw and lime.” The current structure is by Wren and doesn’t have anything notable. The other church, St. Edward the King, is worth visiting for a couple of its paintings and some beautiful modern stained glass. However, from the outside, there’s nothing striking about the building.

Birchin-lane was in former times the Holywell-street of London, so far as regarded the sale of second-hand garments. The church of St. Mary’s, in Abchurch-lane (that portion on the opposite side of King William-street), is mentioned, as follows, in the old pamphlet: “Mr. Stone plundered, sent prisoner, by sea, to Plymouth, and sequestered.” It was built by Wren, contains some excellent carving by Gibbons, and the cupola is painted by the artist who decorated the dome of St. Paul’s Cathedral. St. Clement’s, in Clement’s-lane, is another of Wren’s churches; and the living appears to have been held by the same Mr. Stone who held that of St. Mary’s, Abchurch, at the commencement of the Civil War; for under the name of the last-mentioned church we find the same entry, with the addition that “Mr. Stone was shamefully abused.”

Birchin Lane used to be the Holywell Street of London when it came to selling second-hand clothes. The church of St. Mary’s in Abchurch Lane (the part on the other side of King William Street) is mentioned in an old pamphlet: “Mr. Stone was robbed, taken prisoner by sea to Plymouth, and sequestered.” It was built by Wren, has some great carvings by Gibbons, and the dome is painted by the same artist who decorated the dome of St. Paul’s Cathedral. St. Clement’s in Clement’s Lane is another of Wren’s churches, and it seems the same Mr. Stone who held the position at St. Mary’s, Abchurch, at the start of the Civil War also held this one; because under the entry for the last-mentioned church, we find that “Mr. Stone was shamefully abused.”

With Gracechurch-street and Fish-street-hill we close this section of our work. Gracechurch-street, with its conduit, is often mentioned in the old processions. In 1501, when Catherine of Spain entered the city by London-bridge, a pageant was erected in the broadest part of “Grasschurch-street, in the middle of the street, where the water runneth into the channel”—a primitive way of draining the street. In the time of Elizabeth, it was changed from Grasschurch-street to Gracious-street; and Dekker, in describing a royal procession in 1604, says, “it was never worthy of that name (Gracious-street) it carries till this houre.” It is a great mustering-ground for omnibuses, especially such as come from the Surrey side of the river.

With Gracechurch Street and Fish Street Hill, we conclude this section of our work. Gracechurch Street, with its water conduit, is frequently mentioned in old processions. In 1501, when Catherine of Spain entered the city via London Bridge, a spectacle was set up in the widest part of "Grasschurch Street, in the middle of the street, where the water runs into the channel"—a primitive way of draining the street. During Elizabeth's reign, it was changed from Grasschurch Street to Gracious Street; and Dekker, while describing a royal procession in 1604, states, "it has never been worthy of that name (Gracious Street) it carries till this hour." It serves as a major gathering place for omnibuses, especially those coming from the Surrey side of the river.

The church at the end of Fenchurch-street is called St. Bennet’s: it was built by Wren. William Harrison was “minister” of Grace Church, and one who signed his name to the following remonstrance, headed, “The Dissenting Ministers’ Vindication of themselves from the horrid and detestable Murder of King Charles the First, of glorious memory:” London, 1648. Calamy also signed the “Vindication.” In no instance is the saint’s name affixed by them to the churches; some sign themselves “pastor,” one “minister of the word,” another “preacher.” We must do these old Puritans the justice to state, that this remonstrance was signed before the execution of King Charles,{77} and during the time of his trial, namely, January 28, 1648, that is, two days before the ill-starred monarch was beheaded. We give the following spirited extract from this old pamphlet, the whole of which only consists of six pages: “We hold ourselves bound in duty to God, religion, the King, parliament, and kingdom, to profess before God, angels, and men, that we verily believe that which is so much feared to be now in agitation—the taking away the life of the King, in the present way of tryal—is not only not agreeable to any word of God, the principles of the Protestant religion (never yet stained with the least drop of the blood of a king), or the fundamental constitution and government of this kingdom, but contrary to them, as also to the oath of allegiance, the protestation of May 5th, 1641, and the solemn ‘League and Covenant;’ from all or any of which engagements, we know not any power on earth able to absolve us or others.”

The church at the end of Fenchurch Street is called St. Bennet’s; it was built by Wren. William Harrison was the “minister” of Grace Church and was one of the signatories of the following statement titled, “The Dissenting Ministers’ Vindication of themselves from the horrid and detestable Murder of King Charles the First, of glorious memory:” London, 1648. Calamy also signed the “Vindication.” In no instance do they attach the saint’s name to the churches; some call themselves “pastor,” one “minister of the word,” and another “preacher.” We must give these old Puritans credit for noting that this statement was signed before the execution of King Charles,{77} during his trial, specifically on January 28, 1648, just two days before the ill-fated monarch was beheaded. Here’s a powerful excerpt from this old pamphlet, which consists of only six pages: “We feel it is our duty to God, religion, the King, parliament, and kingdom to declare before God, angels, and men, that we truly believe that what is currently feared to be now in discussion—the taking away the life of the King through the current trial—is not only not in line with any word of God, the principles of the Protestant religion (which has never spilled even a drop of a king's blood), or the fundamental constitution and government of this kingdom, but is actually against them, as well as against the oath of allegiance, the protestation of May 5th, 1641, and the solemn ‘League and Covenant;’ from all or any of these obligations, we know of no power on earth that can absolve us or others.”

The Monument on Fish-street-hill, which was designed by Wren, is about 200 feet high, and stands as many feet distant from the spot where the Fire first commenced on that awful Sunday, September 2, 1666, in Pudding-lane. The ascent is by 345 steps up a spiral staircase, lighted by what we might term, in old castellated architecture, arrow-slits. The interior of the column is nine feet wide. Several persons have committed suicide, by throwing themselves off the Monument; and it is now covered in with a kind of cage-work, to prevent such awful self-destruction. The view from the summit is not to be compared with that from St. Paul’s; and we should advise all sight-lovers to ascend the Monument first, on that account, and peep at the “wilderness of shipping,” and the thousands of house-roofs that rise in ridging disorder, as if some dark sea had suddenly been struck motionless, and so left silent with all its edged waves. On one side of the base is the following inscription of the destruction caused by the Great Fire, according to the translation of Maitland: “Eighty-nine churches, the city gates, Guildhall (not totally), many public structures, hospitals, schools, libraries; a vast number of stately edifices, 13,500 dwelling-houses, 400 streets; of twenty-six wards it utterly destroyed fifteen, and left eight others shattered and half burnt. The ruins of the city were 436 acres, from the Tower by the Thames side to the Temple Church, and from the north-east gate along the city wall to Holborn-bridge. To the estates and fortunes of the citizens it was merciless, but to their lives very favourable (only eight being lost).” One poet of the period, in be-rhyming the praiseworthy conduct of King Charles at the Great Fire, compares him to Cæsar, coming “with buckets in his eyes.” Pepys gives an interesting account of the Great Fire. Dryden also describes it in his Annus Mirabilis, commencing at verse 212.{78}

The Monument on Fish Street Hill, designed by Wren, is about 200 feet tall and stands as far away from the site where the Fire first started on that terrible Sunday, September 2, 1666, in Pudding Lane. You can climb it via 345 steps up a spiral staircase, which is lit by what we might call arrow slits in old castle architecture. The inside of the column is nine feet wide. Several people have committed suicide by jumping off the Monument, so it's now enclosed in a kind of cage to prevent this tragic self-destruction. The view from the top can't compare to the one from St. Paul’s; we recommend that anyone who loves sightseeing go up the Monument first to check out the “wilderness of shipping” and the thousands of rooftops that rise in chaotic disorder, as if some dark sea had suddenly been frozen in time, leaving behind all its sharp waves. On one side of the base is the following inscription about the destruction caused by the Great Fire, according to Maitland's translation: “Eighty-nine churches, the city gates, Guildhall (not completely), many public buildings, hospitals, schools, libraries; a vast number of impressive structures, 13,500 homes, 400 streets; out of twenty-six wards, it completely destroyed fifteen, and left eight others damaged and half burned. The ruined area of the city was 436 acres, stretching from the Tower by the Thames to the Temple Church, and from the north-east gate along the city wall to Holborn Bridge. It was merciless to the wealth and properties of the citizens but very favorable to their lives (only eight were lost).” One poet from that time, praising King Charles for his actions during the Great Fire, compared him to Cæsar, coming “with buckets in his eyes.” Pepys gives an interesting account of the Great Fire, and Dryden also describes it in his Annus Mirabilis, starting at verse 212.{78}

CHAPTER IV.

THE NEIGHBOURHOOD OF BILLINGSGATE, NEW COAL EXCHANGE, AND TOWER OF LONDON.

ALL doubts about the immense population of London would vanish from the mind of a stranger could he but stand on London Bridge Wharf, and see the vast multitudes that embark on the steamers, either at Easter or Whitsuntide, for Greenwich alone: he would behold such a sight as would convince him that no other city in the world could pour forth so many inhabitants; and all he had before seen would sink into insignificance beside what he would witness on the Thames, to say nothing of the numerous railways which throw out their iron arms into the country from almost every corner of the metropolis. It is a sight never to be forgotten, to see the steamers darting in and out amid the shipping below London Bridge, as if they had wills of their own, and could pick their way wherever there was space enough for them to pass, like aquatic birds that ever keep sailing around each other playfully upon the waters. Eastward, they hurry along to Woolwich, Erith, Gravesend, Sheerness, Herne Bay, Margate, and all the towns that dot our coast; while others move westward, under the bridges, and along the whole length of the river-front of London, on their way to Twickenham and Richmond: many of the smaller steamers also halting at almost every pretty village that stands on the banks of the Thames between London and Richmond. But we are wandering away from the neighbourhood we have now reached, and glancing at subjects which belong to the suburbs of the metropolis.

AAll doubts about the huge population of London would disappear from a stranger's mind if they stood on London Bridge Wharf and saw the massive crowds boarding steamers, especially during Easter or Whitsuntide, just for Greenwich alone. They would witness something that would convince them that no other city in the world could unleash so many people. Everything they had seen before would seem insignificant compared to what they would observe on the Thames, not to mention the many railways extending their iron arms into the countryside from nearly every corner of the city. It's an unforgettable sight to see the steamers weaving in and out among the shipping below London Bridge, as if they have minds of their own and can navigate wherever there's room, like playful birds gliding around each other on the water. To the east, they rush toward Woolwich, Erith, Gravesend, Sheerness, Herne Bay, Margate, and all the coastal towns; while others head west, passing under bridges and along the entire riverfront of London toward Twickenham and Richmond. Many smaller steamers also stop at nearly every charming village lining the Thames between London and Richmond. However, we're straying from the area we’ve just reached, and touching on topics that belong to the outskirts of the city.

The church at the entrance of this wharf is called St. Magnus, and was rebuilt by Wren. Miles Coverdale, whose name is associated with the earliest printed version of the holy Bible, was rector of St. Magnus above 300 years ago. He was buried in the church of St.{79} Bartholomew, by the Exchange; and when that building was taken down to enlarge the space for the new Royal Exchange, his remains were removed to the present church, and re-interred on the spot which he had hallowed by his pious labours. But few who look at the projecting clock, as they await the arrival or departure of the steamboats, are aware that the remains of Miles Coverdale, Bishop of Exeter, and one among the first translators of the Bible, rest so near the stir and traffic of that busy wharf.

The church at the entrance of this dock is called St. Magnus, and it was rebuilt by Wren. Miles Coverdale, known for his association with the first printed version of the Bible, was the rector of St. Magnus over 300 years ago. He was buried in the church of St.{79} Bartholomew, by the Exchange; and when that building was demolished to make way for the new Royal Exchange, his remains were moved to the current church and reburied in the place he had blessed through his dedicated work. Few people waiting for the arrival or departure of the steamboats, as they glance at the protruding clock, realize that the remains of Miles Coverdale, Bishop of Exeter, and one of the first Bible translators, are resting so close to the hustle and bustle of that busy dock.

The first turning on the opposite side of the way, behind the Monument, is Pudding-lane, in which the Great Fire that destroyed nearly the whole of the City first broke out. It now contains nothing worthy of our notice: the same may be said of Botolph lane, so called from the church which was destroyed in the Fire and never rebuilt.

The first turn on the other side of the road, behind the Monument, is Pudding Lane, where the Great Fire that nearly wiped out the entire City first started. There’s nothing noteworthy there now; the same goes for Botolph Lane, named after the church that was destroyed in the Fire and never rebuilt.

On St. Mary’s-hill stands a church partly built by Wren, and called St. Mary’s-at-Hill. On the 29th of May 1533, according to Hall’s Chronicle, “the mayor and his brethren, all in scarlet, such as were knights having collars of SS, and the remainder gold chains, and the council of the City with them, assembled at St. Mary’s-hill, and at one o’clock took barge. The barges of the companies amounted in number to fifty, and set forth in the following order: First, at a good distance before the mayor’s barge, was a foist or wafter, full of ordnance, having in the midst a dragon, continually moving and casting wild fire, and round about it terrible monsters and wild men casting fire and making hideous noises.” This procession, that embarked at the foot of St. Mary’s-hill, above 300 years ago, was “commanded” by Henry VIII. to go to Greenwich and bring Queen Anne Boleyn to London, to be crowned in Westminster Hall.

On St. Mary’s Hill, there’s a church that was partly built by Wren, called St. Mary’s-at-Hill. On May 29, 1533, according to Hall’s Chronicle, “the mayor and his associates, all dressed in scarlet, including knights with collars of SS and others in gold chains, along with the city council, gathered at St. Mary’s Hill and boarded a barge at one o’clock. The barges from the various companies totaled fifty and set off in this order: First, a good distance ahead of the mayor’s barge, there was a foist or wafter, loaded with cannons, featuring a dragon at its center that continuously moved and emitted wild fire, surrounded by terrifying monsters and wild men throwing fire and making horrifying noises.” This procession, which set sail from the base of St. Mary’s Hill over 300 years ago, was “ordered” by Henry VIII to go to Greenwich and bring Queen Anne Boleyn to London to be crowned in Westminster Hall.

It is on record that the old ports or quays of Billingsgate and Queenhithe were the cause of as many squabbles in ancient days as were ever witnessed in our own times by any two rival companies struggling for pre-eminence; for when the customs derived from the latter furnished the queen of Henry III. with pin-money, a sharp look-out was kept on the river, and fines frequently inflicted on masters of vessels who landed their fish at Billingsgate instead of the royal quay. But great London soon burst through all these restraints: the old merchants were proof against even royal mandates; they objected to passing through the dangerous arches of the crazy old bridge—so at last obtained the privilege of landing goods at whichever quay they pleased.

It’s recorded that the old ports or quays of Billingsgate and Queenhithe sparked as many disputes in ancient times as any two rival companies today competing for dominance; when the customs collected from the latter provided the queen of Henry III with extra money, there was a watchful eye on the river, and masters of vessels were often fined for unloading their fish at Billingsgate instead of the royal quay. However, Great London eventually broke free from these restrictions: the old merchants resisted even royal orders; they were unwilling to pass through the risky arches of the rickety old bridge—so they finally gained the right to unload goods at whichever quay they chose.

Those ancient fishmongers must have been able to muster together a goodly company; for, hearing of the victory Edward I. had obtained over the Scots, they paraded the City with above a thousand horsemen, trumpets sounding and banners streaming, on which were emblazoned{80} their quaint old arms, and followed by all the pride of their honourable guild.

Those old fishmongers must have been able to gather quite a crowd; because, hearing about the victory Edward I. had achieved over the Scots, they marched through the City with more than a thousand horsemen, trumpets blaring and banners waving, on which their unique old insignia were displayed{80}, followed by all the pride of their respected guild.

What a stir there must have been about Fish-street and Fish-street-hill, and all along the line of those streets which we have already described, when that famous fishmonger Walworth, Lord Mayor of London, slew Wat Tyler in Smithfield, and thus at one blow cut off the “head and front” of the great rebellion! What a running to and fro and shaking of hands there must have been! What talking along the quays about privileges which would be extended to their own company, and which none other would be allowed to share! And what disappointment must have been depicted on their countenances when they found that all the reward the City was to receive was an addition to its arms! If true, it was like giving the chaff to him that had separated it from the wheat.

What a commotion there must have been around Fish Street and Fish Street Hill, and all along those streets we've already talked about, when that famous fishmonger Walworth, the Lord Mayor of London, killed Wat Tyler in Smithfield, effectively cutting off the “head and front” of the great rebellion in one blow! There must have been so much running around and handshaking! There was probably a lot of discussion along the docks about the privileges that would be given to their own group and that no one else would be allowed to share! And how disappointed they must have looked when they found out that all the City was getting in return was an addition to its coat of arms! If it was true, it was like giving the chaff to someone who had already separated it from the wheat.

Those who were purveyors to the court had, in former times, the first pickings of the market; not a single fish was allowed to be sold until they had been served. We can picture the swagger with which the officers of the royal household entered the fish-market in those days, when a banquet was about to be given in the Tower. What pushing and cramming would there be to obtain a nod of recognition! now recommending the quality of some fish, then inquiring when the next execution would take place—their conversation shifting from salmon to the scaffold—from oysters, which, in those primitive times, sold for twopence a bushel, to the means of obtaining the best place when the next nobleman was to be beheaded.

Those who supplied the court once had the first choice at the market; no fish could be sold until they were served. We can imagine the confidence with which the royal household officials walked into the fish market back then, especially when a banquet was planned at the Tower. There must have been a lot of pushing and shoving to get a nod of approval! They would go from praising the quality of a fish to asking when the next execution was scheduled—conversations moving from salmon to the guillotine—from oysters, which in those early days sold for two pence a bushel, to figuring out how to get the best spot for watching the next noble's beheading.

There was a struggle for free-trade in those high narrow streets five hundred years ago: from Billingsgate to Queenhithe all was a scene of commotion; for the great fishmongers were aiming at monopoly, but the poor hawkers who picked up their living, as they do in our day, by crying fish in the streets, rose in a body, and so far carried the day that they were allowed to hawk fish, but not to keep a stall, nor stay in any of the streets a moment longer than while supplying their chance customers; for there was a strict police ever on the look-out after the poor hawkers, and the command of “Now then, move on there,” is nothing new. Nor were the fishmongers themselves free from “most biting laws;” for they were only allowed, at one period, to take a penny profit in every shilling, not to offer the same fish for sale (as fresh) a second day, nor to water their fish more than twice a day. If they did, and were found out, there stood the stocks ever in readiness, and up went the beam, and in went their legs; and there they were compelled to sit out the given time, no doubt to the great merriment of many of the bystanders. Their stalls in these primitive times were only boards placed beside the pavement. From these they{81} got to erecting little sheds, then shops and high houses. But the fronts of these were ordered to be left open, and the fish exposed. They would not allow sales to take place in dark and obscure spots; all must be done in the open noon of day, or heavy penalties be paid for offending against the laws.

There was a fight for free trade in those narrow streets five hundred years ago: from Billingsgate to Queenhithe, everything was chaotic; the big fishmongers were trying to monopolize, but the struggling hawkers, just as they do today, were selling fish on the streets and banded together. They managed to win the right to sell fish, but they weren’t allowed to set up stalls or stay in the streets any longer than it took to serve their customers; there was a strict police always watching for the poor hawkers, and the order “Now then, move on there” is nothing new. The fishmongers weren't free from “harsh laws” either; at one point, they could only keep a penny profit for every shilling, couldn't sell the same fish as fresh on a second day, and could only wash their fish twice a day. If they broke these rules and got caught, the stocks were always ready, and they’d get their legs locked in, forced to sit there for a set time, likely amusing many of the onlookers. Back then, their stalls were just boards placed along the pavement. Eventually, they started building little sheds, then shops and taller buildings. However, the fronts had to remain open, showcasing the fish. They wouldn’t allow sales to happen in dark or hidden spots; everything had to be done out in the open during the day, or hefty fines would be imposed for breaking the laws.

In remote times, long before the Norman invasion, frequent mention is made of the English fisheries. To three plough-lands in Kent, a fishery on the Thames is added. Ethelstan gave a piece of land for the use of taking fish, and forty acres were given with fishing, on the condition of every year receiving fifty salmon. The rent of land was frequently paid in eels; and in Elphit’s Dialogues, written for the instruction of the Saxon youths, we find that the implements used were nets, rods, lines, and baited hooks, which varied but little from those of the present time.

In ancient times, long before the Norman invasion, there are many references to English fisheries. Along with three plough-lands in Kent, there was a fishery on the Thames. Ethelstan gave a piece of land for fishing purposes, and forty acres were granted with the requirement of receiving fifty salmon every year. The rent for land was often paid in eels; and in Elphit’s Dialogues, written to educate Saxon youths, it mentions that the tools used were nets, rods, lines, and baited hooks, which were very similar to those used today.

Those who have once reached the Monument, may “smell” their way to Billingsgate; for there is an old monastic odour about the shops, recalling Lent and stock-fish, and telling you that you are hemmed in with smoked haddock and salted herrings—which, when nothing else could be had, it must have been a heavy penance to have lived upon, and caused the poor sinner to have made many a wry face while devouring such dry and thirsty food. Once in Lower Thames-street, and you are in a land of danger. You come in contact with big men bending beneath bulky boxes; huge hogsheads swing high above you, and make you tremble as you look up, while treading the slippery pavement; and you know that if the crane-chain were to slip, or the hooks to which the ponderous packages are affixed to give way, you must be crushed like an egg which an elephant tramples upon; for danger ever dangles in the air about Billingsgate. The pavement is often blocked up by barrels of oranges and herrings, and hampers of dried sprats, the latter crammed together as close as white-bait in the stomach of an alderman when he has just dined at Lovegrove’s. Sometimes the atmosphere is so impregnated with the smell of shrimps, that you almost fancy it has been raining shrimp sauce.

Those who have reached the Monument can “smell” their way to Billingsgate; there’s an old monastic smell around the shops, reminding you of Lent and stockfish, and letting you know you’re surrounded by smoked haddock and salted herring—which, when nothing else was available, must have been a heavy penance to survive on, leading the poor soul to make many a grimace while eating such dry and thirsty food. Once you’re on Lower Thames Street, you enter a dangerous area. You encounter big guys hunched over heavy boxes; huge hogsheads swing high above you, making you nervous as you look up while walking on the slippery pavement; and you realize that if the crane chain slips or the hooks holding those heavy packages give way, you’d be crushed like an egg under an elephant’s foot; danger always hangs in the air around Billingsgate. The pavement often gets blocked by barrels of oranges and herring, and hampers filled with dried sprats, the latter packed as tightly as whitebait in an alderman’s stomach after dining at Lovegrove’s. Sometimes the air is so infused with the smell of shrimps that you could almost believe it has been raining shrimp sauce.

You are now, as it were, in the very manufactory, where fish are brought and emptied out to be sold; where there is no attempt at show; but, rough and shining as when they flapped about on the ocean sand, or were thrown from the first hand ashore, so do you see them here in the early morning, rough and fresh as potatoes just dug out of the mould. There is none of that clean blue twilight look which gleams and plays about the shops of the West-End fishmongers, and is sometimes enlivened by the sunny flash of the gold-fishes that float about the silver-looking globes, which give such a picturesque{82} appearance to the shops in that more refined neighbourhood. Here all is of “the fish, fishy.”

You’re now, in a way, right in the factory where fish are brought in and sold; there’s no effort to impress; they look rough and shiny, just like when they flopped around on the ocean sand or were freshly brought ashore. In the early morning, you see them here as raw and fresh as potatoes just pulled from the ground. There’s none of that clean, blue twilight glow that sparkles in the West-End fishmonger shops, sometimes brightened by the sunny flash of goldfish swimming in silver-looking bowls, which give those shops a more picturesque{82} vibe in that posh area. Here, everything is just “fishy.”

To this “rough and ready” market, those who wish to see how matters are managed must come early; for a minute or two before five o’clock the wholesale dealers are seated in their stalls, or recesses; while at the end of the market, nearest the river, the porters are drawn up in a row, each ready with his first load of fish, each standing within the allotted line, like hounds eager to spring from the leash. The clock strikes, and off they rush, helter skelter, every man Jack putting his best leg foremost, each eager to be the first to reach the stall of his employer. Slap goes the skate out of the baskets—they shoot out cod like coke, pitching the plaice wherever they can find room; and off they run for another load at the same rapid pace, nor cease until the salesman has received the whole of his stock.

To this “rough and ready” market, those who want to see how things are run must arrive early; for a minute or two before five o’clock, the wholesale dealers are settled in their stalls or recesses. At the end of the market closest to the river, the porters are lined up, each ready with their first load of fish, each standing within the designated line, like hounds eager to spring from the leash. The clock strikes, and off they go in a frenzy, every single one putting their best foot forward, all eager to be the first to reach their employer’s stall. Slap goes the skate out of the baskets—they shoot out cod like coal, tossing the plaice wherever they can find space; and off they run for another load at the same breakneck speed, not stopping until the salesman has received all of his stock.

Then the sale commences, the seller fixing his price, and the buyer offering what he considers to be the value; sometimes they “meet each other halfway,” as it is called, one lowering and the other advancing. The fish are generally sold in lots without being weighed, and it requires good judgment on both sides to reach the right mark. Although there are so many salesmen, and generally such ample choice, the prices vary much, as fish brought from one part of the coast are often superior to what come from another.

Then the sale starts, with the seller setting their price and the buyer proposing what they think the value is; sometimes they "meet each other halfway," where one lowers the price and the other raises their offer. Fish are usually sold in lots without being weighed, and it takes good judgment from both sides to agree on the right price. Even though there are many sellers and usually a wide selection available, prices can vary greatly, as fish from one part of the coast are often better than those from another.

But the fun of the market commences with the hawkers, when they come to see what has been left by the large retail dealers: then you may hear a little of what is called “Billingsgate;” though, instead of the old renowned blackguardism, it is generally most good-natured “chaff.”

But the fun of the market starts with the vendors, when they come to check out what’s been left by the big retail stores: then you might hear a bit of what’s known as “Billingsgate;” although, instead of the old famous insults, it’s usually just some good-natured teasing.

“Fresh do you call these?” says one, who finds the price too high for him. “Look how they rolls up the whites of their eyes, as if they vanted a little rain. I should say they hasn’t had a blessed smell of water for this week past.”

“Fresh do you call these?” says one, who thinks the price is too high for him. “Look how they roll up the whites of their eyes, like they wanted a little rain. I’d say they haven’t had a whiff of water for the past week.”

“Think I’ve been robbing somebody?” says another. “Vy, bless you, all the whole bilin’ of my customers hasn’t got so much amongst them as would buy the lot—no, not if they sold their toothpicks!”

“Do you think I’ve been stealing from someone?” says another. “Well, bless you, all my customers together don’t have enough to buy the whole lot—not even if they sold their toothpicks!”

Billingsgate is more like a wholesale warehouse than a fish-market, although you may purchase a single mackerel in it. The hundreds of carts which are drawn up in Thames-street, proclaim how far and wide the produce of river and ocean is dispersed. From the next street to the most remote suburb are the loads of fish borne, to be washed and laid out temptingly in the thousands of shops which abound in London and the surrounding suburbs. Nor is the supply limited to this circle; the rapid trains carry off tons of fish to the distant towns, where they arrive in time enough for dinner; thus sending{83}

Billingsgate feels more like a wholesale warehouse than a fish market, even though you can buy a single mackerel there. The hundreds of carts lined up on Thames Street show just how far and wide the river and ocean's bounty is spread. Fish loads are transported from the next street to the most distant suburb, ready to be cleaned and displayed attractively in the thousands of shops throughout London and its surrounding areas. And it's not just limited to this region; the fast trains transport tons of fish to far-off towns, where they arrive just in time for dinner; thus sending{83}

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BILLINGSGATE.

BILLINGSGATE.

__A_TAG_PLACEHOLDER_0__
BILLINGSGATE.

into the country the turbot and salmon as fresh as we receive it in the metropolis; for what are a hundred miles on the great railways?

into the country the turbot and salmon as fresh as we get it in the metropolis; for what are a hundred miles on the big railways?

Old Billingsgate is now pulled down; the muddy dock, where so many fishing-smacks have been harboured is filled up; and, instead of the old-fashioned market which illustrates this chapter, a pile is erected more befitting the greatest city in the world, and more like the noble edifice—the New Coal Exchange—that faces it.

Old Billingsgate is now gone; the muddy dock, where so many fishing boats used to dock, has been filled in; and instead of the old market spotlighted in this chapter, there's now a building that suits the greatest city in the world, more like the impressive structure—the New Coal Exchange—that stands opposite it.

Eels cannot be brought to Billingsgate in such perfection as they formerly were. We have now before us a Parliamentary report, given in above twenty years ago, complaining of the poisonous state of the Thames. The following evidence of Mr. Butcher, a fish-salesman, and agent for Dutch vessels, will be interesting at this moment, while the Thames is made the great sewer of London:

Eels can't be brought to Billingsgate as perfectly as they used to be. We now have a Parliamentary report from over twenty years ago that complains about the toxic condition of the Thames. The following testimony from Mr. Butcher, a fish salesman and agent for Dutch vessels, will be relevant right now, while the Thames is serving as London's main sewer:

“Eight Dutch vessels arrived at Gravesend with full cargoes of healthy eels in July 1827, and the following is the state in which they reached the London market:

“Eight Dutch ships arrived at Gravesend with full loads of healthy eels in July 1827, and here’s the condition in which they reached the London market:

First15,000lbs.Reachedmarketalive4000lbs.
Second14,000""" 4000"
Third13,000""" 3000"
Fourth14,000"""about4000"

And so on in proportion, but little more than a fourth of the cargo being marketed alive.”

And so on in proportion, but just over a quarter of the cargo is being sold alive.

Mr. Butcher stated to the commissioners, that in 1815 (or twelve years before), “one of these vessels seldom lost more than thirty pounds weight of eels in a night in coming up the river; but that the water had become so bad, that as it flowed through the wells in the bottom of the vessels it poisoned the eels, and the quantity which died was more than three times the quantity marketed.”

Mr. Butcher told the commissioners that in 1815 (or twelve years earlier), “one of these vessels rarely lost more than thirty pounds of eels in a night while coming up the river; but the water had become so contaminated that as it flowed through the wells at the bottom of the vessels, it poisoned the eels, and the amount that died was more than three times the amount sold.”

Another witness (James Newland, master of a vessel, and sixteen years in the trade,) says: “Eels have not lived in Thames water as they did formerly. First observed the difference five or six years ago (before 1827), and find it gets worse every summer. Other fish are also affected by bad water, and will endeavour to get out of it on pieces of floating wood.”

Another witness (James Newland, captain of a ship, with sixteen years in the business) says: “Eels haven’t lived in Thames water like they used to. I first noticed the change five or six years ago (before 1827), and it keeps getting worse every summer. Other fish are also struggling with the poor water and will try to escape it by getting onto pieces of floating wood.”

Another witness says, “An hour after high water, eels will die in so short a time that I have had 3000 lbs. weight dead in half an hour.”

Another witness says, “An hour after high tide, eels will die so quickly that I’ve seen 3000 lbs. of them dead in just half an hour.”

“I have seen flounders,” says Thomas Hatherill, “put up their heads above the water; and if there was a bundle of weeds in the river, they would get on it out of the water.”

“I have seen flounders,” says Thomas Hatherill, “lift their heads above the water; and if there was a bunch of weeds in the river, they would climb on it out of the water.”

Mr. John Goldham, the yeoman of Billingsgate, deposed, that, “as clerk of the market, it was his business to ascertain the quality of fish, and seize and condemn that which was bad; that, twenty-five years ago (1802), above and below London-bridge, between Deptford{86} and Richmond, 400 fishermen, each having a boy and a boat, gained their livelihood by fishing in the river; that he had known them take 3000 smelt and ten salmon at one haul; the Thames salmon were then the best, and frequently sold for 3s. or 4s. a pound; now the fishery is gone.”

Mr. John Goldham, the local representative of Billingsgate, stated that, “as the market clerk, it was his job to check the quality of fish and to seize and condemn any that were bad; that, twenty-five years ago (1802), above and below London Bridge, between Deptford{86} and Richmond, 400 fishermen, each with a boy and a boat, made their living by fishing in the river; that he remembered them catching 3000 smelt and ten salmon in one haul; the Thames salmon were the best back then and often sold for 3s. or 4s. a pound; now the fishery is gone.”

As early as 1307, the Earl of Lincoln complained before Parliament that the river of Wells (Walbrook, Clement’s Well, Skinner’s Well, Clerk’s Well, Holy Well, &c.), running into the Thames, was obstructed by “filth of the tanners, and such others.” On this complaint being made, the river was ordered to be cleansed.

As early as 1307, the Earl of Lincoln brought up in Parliament that the river of Wells (Walbrook, Clement’s Well, Skinner’s Well, Clerk’s Well, Holy Well, etc.) flowing into the Thames was blocked by “the waste from the tanners and others.” Following this complaint, the river was ordered to be cleaned.

Honest old Stowe says of the Thames in his day, “What should I speak of the fat and sweet salmons daily taken in this stream, and that in such plenty (after the time of smelt is past) as no river in Europe is able to exceed it. But what store also of barbels, trouts, chevens, perches, smelts, breams, roaches, daces, gudgeons, flounders, shrimps, eels, &c., are commonly to be had therein, I refer me to them that know by experience better than I, by reason of their daily trade of fishing in the same. And albeit it seemeth from time to time to be as it were defrauded in sundry wise of these her large commodities, by the insatiable avarice of fishermen, yet this famous river complaineth commonly of no want, but the more it loseth at one time it gaineth at another.”

Honest old Stowe talks about the Thames in his time, “What can I say about the thick and sweet salmon caught daily in this river, and in such abundance (after the smelt season ends) that no river in Europe can compare? But there's also a wealth of barbel, trout, chub, perch, smelt, bream, roach, dace, gudgeon, flounder, shrimp, eel, etc., commonly found here; I leave it to those who know better from their daily fishing experience. And even though it sometimes seems to lose its rich resources due to the endless greed of fishermen, this well-known river usually has no shortage; whatever it loses at one time, it gains back at another.”

The immense traffic carried on in the winding Thames will never allow of its being stored with “fat sweet” fish as in Stowe’s time; but still we hope the great changes which are in progress will at least turn this mighty common sewer into something more like the ancient “silver Thames” which our old poets sang about, and prevent so many dead and dying eels being baked up into pies, and devoured by the poor purchasers of these dangerous dainties, as there now are.

The heavy traffic running along the winding Thames will never allow it to be filled with “fat sweet” fish like it was in Stowe’s day; but we still hope that the significant changes taking place will at least transform this massive common sewer into something closer to the ancient “silver Thames” that our old poets wrote about, and stop so many dead and dying eels from being baked into pies and eaten by the unfortunate buyers of these risky delicacies, as happens now.

Mr. Simon’s report to the City Commissioners of Sewers will, if we mistake not, do more towards arousing the inhabitants of London to agitate for pure air and sweet water, than any other remonstrance has hitherto done. It is clearly, ably, and powerfully drawn up; and done in such terse and simple language, that a child can understand it.

Mr. Simon’s report to the City Commissioners of Sewers will, if we’re not mistaken, do more to motivate the people of London to push for clean air and fresh water than any other complaint has done so far. It is clearly, skillfully, and powerfully written; and it's done in such straightforward and simple language that even a child can understand it.

The following graphic description of the Babel of sounds heard at Billingsgate, is from Mayhew’s London Labour and the London Poor, a work revealing more of the real life in London in the streets, courts, and alleys, than was ever before made known:

The following vivid depiction of the Babel of sounds heard at Billingsgate is from Mayhew’s London Labour and the London Poor, a work that unveils more of the real life in London found in the streets, courts, and alleys than ever known before:

“All are bawling together—salesmen, and hucksters of provisions, capes, hardware, and newspapers—till the place is a perfect Babel of competition. ‘Ha-a-ansome cod! best in the market! All alive! alive! alive O!’ ‘Ye-o-o! Ye-o-o! here’s your fine Yarmouth{87} bloaters! Who’s the buyer?’ ‘Here you are, governor: splendid whiting! Some of the right sort!’ ‘Turbot! turbot! all alive, turbot!’ ‘Glass of nice peppermint this cold morning, a ha’penny a glass!’ ‘Here you are at your own price! Fine soles O!’ ‘Oy! oy! oy! Now’s your time! fine grizzling sprats! all large and no small!’ ‘Hullo! hullo here! beautiful lobsters! good and cheap! fine cock crabs all alive O!’ ‘Five brill and one turbot—have that lot for a pound! come and look at ’em, governor; you won’t see a better sample in the market.’ ‘Here, this way! this way for splendid skate! skate O! skate O!’ ‘Had-had-had-had-haddick! all fresh and good!’ ‘Currant and meat puddings! ha’penny each!’ ‘Now, you mussel-buyers, come along! come along! come along! now’s your time for your fine fat mussels!’ ‘Here’s food for the belly and clothes for the back, but I sell food for the mind’ (shouts the newspaper vender). ‘Here’s smelt O!’ ‘Here ye are, fine Finney haddick!’ ‘Hot soup! nice pea-soup! a-all hot! hot!’ ‘Ahoy! ahoy here! live plaice! all alive O!’ ‘Now or never! whelk! whelk! whelk! whelk.’ ‘Who’ll buy brill O! brill O!’ ‘Capes! waterproof capes! sure to keep the wet out! a shilling a-piece!’ ‘Eels O! eels O! Alive! alive O!’ ‘Fine flounders, a shilling a lot! Who’ll buy this prime lot of flounders?’ ‘Shrimps! shrimps! fine shrimps!’ ‘Wink! wink! wink!’ ‘Hi! hi-i! here you are, just eight eels left, only eight!’ ‘O ho! O ho! this way—this way—this way! Fish alive! alive! alive O!’ ”

“All are shouting together—salespeople and street vendors selling food, raincoats, hardware, and newspapers—until the place is a complete babel of competition. ‘Hey handsome cod! Best in the market! All alive! Alive! Alive!’ ‘Yo! Yo! Here’s your fine Yarmouth{87} bloaters! Who wants to buy?’ ‘Here you go, mate: splendid whiting! Some of the best!’ ‘Turbot! Turbot! All alive, turbot!’ ‘A glass of nice peppermint this cold morning, a penny a glass!’ ‘Here you can get your own price! Fine soles!’ ‘Hey! Hey! Hey! Now’s your chance! Fine big sprats! All large, no small ones!’ ‘Hello! Hello here! Beautiful lobsters! Good and cheap! Fine live crabs!’ ‘Five brill and one turbot—get that lot for a pound! Come and check them out; you won’t see a better sample in the market.’ ‘This way! This way for splendid skate! Skate! Skate!’ ‘Had-had-had-had-haddock! All fresh and good!’ ‘Currant and meat puddings! A penny each!’ ‘Now, you mussel buyers, come on! Come on! Now’s your chance for some fine fat mussels!’ ‘Here’s food for your stomach and clothes for your back, but I sell food for the mind’ (shouts the newspaper vendor). ‘Here’s smelt!’ ‘Here you are, fine Finney haddock!’ ‘Hot soup! Nice pea soup! All hot! Hot!’ ‘Ahoy! Ahoy here! Live plaice! All alive!’ ‘Now or never! Whelk! Whelk! Whelk! Whelk!’ ‘Who’ll buy brill? brill!’ ‘Capes! Waterproof capes! Sure to keep you dry! A shilling each!’ ‘Eels! Eels! Alive! Alive!’ ‘Fine flounders, a shilling a lot! Who’ll buy this prime lot of flounders?’ ‘Shrimps! Shrimps! Fine shrimps!’ ‘Wink! Wink! Wink!’ ‘Hey! Hey! Here you are, just eight eels left, only eight!’ ‘Oh ho! Oh ho! This way—this way—this way! Fish alive! Alive! Alive!’”

The fishmongers of ancient times were not “scaly” men, in the present acceptation of the phrase, when they were disposed to shew their loyalty. On one occasion, Stowe says, “On St. Magnus’ day, * * * * the fishmongers, with solemn procession, paraded through the streets, having, among other pageants and shows, four sturgeons gilt, carried on four horses; and after, six and forty knights armed, riding on horses made like ‘luces of the sea:’ and then, St. Magnus, the patron saint of the day, with a thousand horsemen.” These “luces” or pike, pleasantly recall Shakspeare and the armorial bearings of Justice Shallow.

The fishmongers of ancient times weren’t “scaly” men in the way we think of the term today when they wanted to show their loyalty. One time, Stowe mentions, “On St. Magnus’ day, * * * * the fishmongers, in a solemn parade, marched through the streets, showcasing, among other displays, four gilded sturgeons carried on four horses; and following them were forty-six knights in armor, riding on horses designed to look like ‘pikes of the sea:’ and then came St. Magnus, the patron saint of the day, accompanied by a thousand horsemen.” These “pikes” bring to mind Shakespeare and the coats of arms of Justice Shallow.

Stepping across the street, we arrive at the Coal Exchange, opened by Prince Albert, at the close of 1849, at which period the following description of the building appeared in the Illustrated London News.

Stepping across the street, we reach the Coal Exchange, which was opened by Prince Albert at the end of 1849. During that time, the following description of the building was published in the Illustrated London News.

“The façades of the building are of very simple, yet bold and effective design; and, with the exception of the cornice, but few projections are introduced. The fronts in Thames-street and St. Mary’s-at-hill are respectively about 112 feet in width by 61 feet in height. The unequal form of the plot of ground on which the Exchange stands is skilfully masked at the corner by breaking the{88} mass of building, and introducing a circular tower in the re-entering angle, within which is the entrance vestibule. This circular tower is 109 feet to the top of the gilded ball, and 22 feet in diameter at the lowest part, and is divided into three stories. The lowest story, containing the vestibule, is of the Roman-Doric style of architecture; and there is a striking peculiarity in the arrangement of this part, to which we must advert. The wall of the tower not only shrines the vestibule by which entrance to the hall or Rotunda is attained, but serves also as a centre to flights of steps, which lead, on either hand, to a landing on the first story of the building, and thence a spiral staircase is carried up in the tower to the other stories. The first story is of the Ionic order, carrying an entablature, and is lighted by windows. The top story, fifteen feet in diameter, is ornamented by pilasters, with windows between—the roof rising to a cone, and being crowned with a gilded ball. This is, to our view, the least successful portion of the edifice, the termination being stiff, and not so piquant as it should have been. We should mention, the exterior is of Portland stone.

The facades of the building have a very simple, yet bold and effective design. Aside from the cornice, there aren't many projections. The fronts on Thames Street and St. Mary’s-at-Hill are about 112 feet wide and 61 feet high. The irregular shape of the plot on which the Exchange stands is cleverly hidden at the corner by breaking the{88} mass of the building and adding a circular tower in the re-entrant angle, which contains the entrance vestibule. This circular tower reaches 109 feet to the top of the gilded ball and has a diameter of 22 feet at the base, divided into three stories. The lowest story, which houses the vestibule, is designed in the Roman-Doric style. There’s a notable feature in this part that deserves mention. The wall of the tower not only encloses the vestibule that leads to the hall or Rotunda but also serves as the center for staircases that lead to a landing on the first story of the building, from which a spiral staircase ascends through the tower to the upper stories. The first story is of the Ionic order, topped with an entablature and illuminated by windows. The top story, which is fifteen feet in diameter, is decorated with pilasters and has windows in between—its roof rises to a cone and is topped with a gilded ball. In our opinion, this is the least successful part of the building, as the top feels stiff and isn’t as appealing as it could be. It's worth noting that the exterior is made of Portland stone.

“Entering the Rotunda, the attention of the visitor is immediately arrested by its beautiful effect and extremely novel arrangement. It forms a circle of some 60 feet in diameter, and is crowned with a dome, or, in fact, a double dome, as a lesser cupola rises from the eye of the great dome to the height of 74 feet from the floor. The dome rests on eight piers of light character; the space between each pier is divided by stancheons into three compartments; and there are three galleries, and from these entrance is obtained to the numerous offices of the building. The stancheons, galleries, ribs of dome, &c., are of iron; and, in fact, every part seems to be made of iron; and the arrangement of patterns in the stancheons, brackets of galleries, and soffits of galleries is original and good. There are about 300 tons of iron used in the building, in the several parts, each rib, of which there are thirty-two, weighing two tons. The ornament chiefly used is a cable, twisted about in various patterns; and the balustrade to the galleries is of loops of cable, at intervals broken by the introduction of the city arms. The framework to the offices is of wood, and panelled with rough plate-glass. By this means they receive light from the great dome of the hall. The dome itself is glazed with large pieces of roughened plate-glass of great thickness, the small upper dome having glass of a yellow tint. The chief public offices surrounding the Rotunda are those appropriated to the Corporation officers who have to collect the coal dues, and who are, we understand, appointed by the Corporation.

“Entering the Rotunda, the visitor’s attention is immediately grabbed by its stunning design and unique layout. It forms a circle about 60 feet in diameter, topped with a dome, or rather a double dome, as a smaller cupola rises from the center of the large dome to a height of 74 feet from the floor. The dome is supported by eight slender piers; the space between each pier is divided by stanchions into three sections; and there are three galleries that lead to various offices in the building. The stanchions, galleries, ribs of the dome, etc., are made of iron; in fact, almost everything seems to be constructed from iron, and the pattern arrangements in the stanchions, gallery brackets, and soffits are original and well-designed. About 300 tons of iron have been used throughout the building, with each of the thirty-two ribs weighing two tons. The main decorative element is a cable, twisted into various patterns, and the balustrade of the galleries is made of loops of cable, with occasional breaks featuring the city arms. The framework of the offices is made of wood and finished with rough plate glass, allowing them to receive light from the large dome of the hall. The dome itself is glazed with large pieces of thick, roughened plate glass, while the smaller upper dome uses glass with a yellow tint. The main public offices surrounding the Rotunda are allocated to the Corporation officers responsible for collecting coal dues, and we understand they are appointed by the Corporation.”

“The floor of the Rotunda is composed of inlaid woods, disposed{89} in form of a mariner’s compass, within a border of Greek fret. The flooring consists of upwards of 4000 pieces of wood, of various kinds. The varieties of wood employed comprise black ebony, black oak, common and red English oak, wainscott, white holly, mahogany, American elm, red and white walnut, and mulberry. The appearance of this floor is beautiful in the extreme. The whole of these materials were prepared by Messrs. Davison and Symington’s patent process of seasoning woods. The same desiccating process has been applied to the woodwork throughout the building. The black oak introduced is part of an old tree which was discovered in the bed of the river Tyne, where it had unquestionably lain between four and five centuries. The mulberry wood of which the blade of the dagger in the shield of the city arms is composed, is a piece of a tree planted by Peter the Great, when he worked as a shipwright in Deptford Dockyard.

The floor of the Rotunda is made of inlaid woods arranged in the shape of a mariner’s compass, surrounded by a border of Greek design. The flooring consists of over 4,000 pieces of wood of various types. The types of wood used include black ebony, black oak, common and red English oak, wainscot, white holly, mahogany, American elm, red and white walnut, and mulberry. The look of this floor is extremely beautiful. All of these materials were treated using Messrs. Davison and Symington’s patented wood seasoning process. The same drying process has been applied to the woodwork throughout the building. The black oak was sourced from an old tree found in the bed of the River Tyne, where it had likely been lying for four to five centuries. The mulberry wood used for the blade of the dagger in the city’s coat of arms comes from a tree planted by Peter the Great when he worked as a shipwright at Deptford Dockyard.

“The coloured decorations of this Exchange have been most admirably imagined and successfully carried out. They are extremely characteristic, and on this point deserve praise. The entrance vestibule is peculiarly rich and picturesque in its embellishments: terminal figures, vases with fruit, arabesque foliage, &c., all of the richest and most glowing colours, fill up the vault of the ceiling; and looking up through an opening in the ceiling, a figure of Plenty scattering riches, and surrounded figurini, is seen painted in the ceiling of the lantern. Over the entrance doorway, within a sunk panel, is painted the city arms. Within the Rotunda, the polychromic decorations immediately arrest the eye. The range of panels at the base of the dome, and the piers which carry the dome, are all fully and harmoniously decorated. We shall commence our description with the piers in the lowest story: the Raffaelesque decorations are very rich in character; and in each pier the scroll supports and encircles four compartments; the lowest are simicircular panels, within which are painted symbolic figures of the principal coal-bearing rivers of England: the Thames, the Mersey, the Severn, the Trent, the Humber, the Ayre, the Tyne, &c. Small oblong panels, with marine subjects, are a little above the symbolic figures just described; and above them, within borders of flowers of every kind, are figures symbolical of Wisdom, Fortitude, Vigilance, Temperance, Perseverance, Watchfulness, Justice, and Faith. These figures are the most prominent objects in the decorations of the piers in the lowest story; and in circles above them are painted groups of shells; whilst at the top, in semicircles corresponding with those at the base of the piers, snakes, lizards, and other reptiles, are introduced. In the first story the leading feature in the arabesques is a series of views of coal-mines, including the air-shaft{90} at Wallsend, Percy Pit Main Colliery, Wallsend Colliery, Regent’s Pit Colliery, &c. Groups of fruit and flowers are in small circles just above the views, and in oblong panels beneath the latter the series of nautical ‘bits’ is continued. At the base, in each pilaster, are representations of different specimens of Sigilaria—a fossil found in coal formations. In the second story the largest panels contain figures of miners at different portions of their avocations; whilst nautical subjects, clusters and flowers, are introduced amongst the arabesques.

The colorful decorations of this Exchange have been exceptionally well designed and executed. They are very distinctive and deserve praise for that. The entrance hall is particularly rich and visually striking, adorned with terminal figures, vases of fruit, arabesque foliage, and more, all in vibrant and glowing colors that fill the ceiling vault. Looking up through an opening in the ceiling, you can see a figure of Plenty scattering riches, surrounded by little figurines painted in the lantern ceiling. Above the entrance doorway, within a recessed panel, the city arms are painted. Inside the Rotunda, the colorful decorations catch your eye immediately. The panels at the base of the dome and the piers supporting it are all beautifully and harmoniously decorated. We’ll start our description with the piers on the lowest level: the Raffaelesque decorations are very rich in character, with scrolls supporting and encircling four compartments on each pier; the lowest ones are semicircular panels featuring symbolic figures of the main coal-bearing rivers in England: the Thames, the Mersey, the Severn, the Trent, the Humber, the Ayr, the Tyne, and more. Small rectangular panels with marine themes are a bit above these symbolic figures, and above them, bordered by different kinds of flowers, are figures symbolizing Wisdom, Fortitude, Vigilance, Temperance, Perseverance, Watchfulness, Justice, and Faith. These figures are the most prominent aspects of the decorations in the lowest level piers; above them are painted groups of shells, while at the top, in semicircles corresponding to those at the base of the piers, there are snakes, lizards, and other reptiles. In the first story, the main feature in the arabesques is a series of views of coal mines, including the air-shaft at Wallsend, Percy Pit Main Colliery, Wallsend Colliery, Regent’s Pit Colliery, and others. Groups of fruit and flowers are in small circles just above these views, and in rectangular panels beneath them, the series of nautical motifs continues. At the base, in each pilaster, there are representations of different specimens of *Sigilaria*—a fossil found in coal formations. In the second story, the largest panels feature figures of miners engaged in various aspects of their work, while nautical themes, clusters, and flowers are mixed in among the arabesques.

“The third story contains, within oval panels, miners at work picking the coal, &c.: flowers and small landscapes add to the richness and variety of the decorations on this floor; and both in this and the lower, calamites (fossils from the coal formations) are depicted in the arabesques. The twenty-four panels at the springing of the dome, of which we have before spoken, have oval compartments painted in them, surrounded by a gracefully-flowing border of extremely rich and varied design, being light ornaments on a dark ground. The spaces within the oval borders are coloured of a turquoise blue tint, on which is painted a series of representations of different fossil plants met with in the coal formations. This portion of the decoration is extremely striking and appropriate; and we need scarcely say, the representations of the plants are strictly correct.

“The third story features oval panels showing miners at work, picking coal, and other activities. Flowers and small landscapes enhance the richness and variety of the decorations in this area. Both this story and the lower one depict calamites (fossils from the coal formations) in the arabesques. The twenty-four panels at the base of the dome, which we mentioned earlier, contain oval compartments surrounded by a beautifully flowing border with a rich and varied design, appearing as light ornaments against a dark background. The spaces within the oval borders are painted a turquoise blue, showcasing a series of illustrations of different fossil plants found in the coal formations. This part of the decoration is incredibly striking and fits well with the theme; we should also mention that the representations of the plants are very accurate.”

“Ere we leave the pictorial portion of the Exchange, we must not forget the groups of mining implements, most skilfully treated, in the narrow panels in the dome over the piers.

“Before we leave the visual section of the Exchange, we must not overlook the groups of mining tools, expertly crafted, in the narrow panels in the dome above the piers.”

“The whole of the artistic embellishments of the building were designed by Mr. Sang, whose taste and skill in such works is well known, and executed under his immediate directions; and it may be considered a most successful specimen of the Raffaelesque style of ornamentation, now so extensively adopted in the mansions of the nobility.

The entire artistic decoration of the building was designed by Mr. Sang, who is well-known for his taste and skill in these works, and was carried out under his direct supervision. It can be seen as a highly successful example of the Raffaelesque style of ornamentation, which is currently widely used in the mansions of the nobility.

“For originality of design, this building is the most striking which has been erected in London for a long time past, and reflects the very highest credit on the talented architect, J. B. Bunning, Esq.

“For originality of design, this building is the most striking that has been built in London for a long time, and it reflects great credit on the talented architect, J. B. Bunning, Esq.

“Mr. William Trego was the builder; and the iron-work was executed by Messrs. Dewer of Old-street.”

“Mr. William Trego was the builder, and the ironwork was done by Messrs. Dewer of Old Street.”

While digging for the foundation of the Coal Exchange, a Roman hypocaust was brought to light, which has since been arched over and preserved—another addition to the many Roman remains which have been discovered in the neighbourhood of Upper and Lower Thames-street.

While digging for the foundation of the Coal Exchange, workers uncovered a Roman hypocaust, which has since been arched over and preserved—adding to the many Roman remains that have been found around Upper and Lower Thames Street.

Before quitting this part of the neighbourhood, we must state that the Custom-House stands close by the places we have just described; and as this is the last object in Lower Thames-street that{91} requires notice, we will briefly glance at it, and then ascend to the higher streets.

Before leaving this part of the neighborhood, we should mention that the Custom-House is nearby the places we've just described; and since this is the last thing on Lower Thames-street that{91} needs attention, we'll take a quick look at it and then move up to the higher streets.

The following mention is made of the Custom-House in a large volume now before us, consisting of upwards of 1200 pages, and entitled, The Historie of the Life and Reigne of that famous Princesse Elizabeth; printed at Oxford, 1634: “About this time [1590] the commodity of the Custom-House amounted to an unexpected value; for the queen being made acquainted by the means of a subtle fellow, named Caermardine, with the mystery of their gains, so enhanced the rate, that Sir Thomas Smith, master of the Custom-House, who heretofore farmed it of the queen for 14,000l. yearly, was now ‘mounted’ [raised] to 42,000l., and afterwards to 50,000l., which, notwithstanding, was valued but as an ordinary sum for such oppressing [extortionate?] gaine. The Lord Treasurer [Cecil?], the Earls of Leicester and Walsingham, much opposed themselves against this Caermardine, denying him entrance into the Privy Chamber, insomuch that, expostulating with the queen, they traduced her [for] harkening to such a fellow’s information, to the disparagement of the judgment of her council, and the discredit of their case.” [A little “palm-oil,” we guess, did this, in the shape of a free distribution of rose-nobles on the part of Sir Thomas Smith. Bribery, bribery! But look at the reply of that real John Bull-like old queen.] “But the queen answered them, that all princes ought to be, if not as favourable, yet as just, to the lowest as to the highest, desiring that they who falsely accuse her Privy Council of sloth or indiscretion should be severely punished; but [that?] they who justly accused them should be heard.” [Glorious Queen Bess!] “That she was queen as well to the poorest as to the proudest, and that therefore she would never be deaf to their just complaints. Likewise [further?], that she would not suffer that these toll-takers, like horse-leeches, should glut themselves with the riches of the realm, and starve her exchequer; which, as she will not bear it to be ‘docked’(?), so hateth she to enrich it with the poverty of the people.” (Page 31, second part, or volume, translated out of the French by Abraham Darcie. Initials of the original author, P. D. B., who knew Cecil intimately, had access to the original letters, and was present at the trial of Mary Queen of Scots.) The first book or volume is dedicated to King James I. I have been thus particular in describing this old volume, as it contains matter relating to London in the time of Elizabeth which I have not found in any other history.

The following mention is made of the Custom House in a large book now before us, consisting of over 1,200 pages and titled, The History of the Life and Reign of that Famous Princess Elizabeth; printed at Oxford, 1634: “Around this time [1590], the revenue from the Custom House reached an unexpected value; for the queen was informed by a clever man named Caermardine about the nature of their profits, which led her to raise the rate so much that Sir Thomas Smith, the master of the Custom House, who had previously rented it from the queen for £14,000 a year, was now increased to £42,000, and then to £50,000, which was still considered just an ordinary amount for such exorbitant gains. The Lord Treasurer [Cecil?], the Earls of Leicester and Walsingham, strongly opposed Caermardine, denying him entry to the Privy Chamber, to the point that, when arguing with the queen, they criticized her for listening to such a person’s information, which undermined the judgment of her council and discredited their case.” [A little “palm-oil,” we guess, did this, in the shape of a free distribution of rose-nobles on the part of Sir Thomas Smith. Bribery, bribery! But look at the reply of that real John Bull-like old queen.] “But the queen responded to them that all princes should be, if not as favorable, at least as just, to the lowest as to the highest, stating that those who falsely accuse her Privy Council of laziness or poor judgment should be punished severely; but those who justly accused them should be heard.” [Glorious Queen Bess!] “That she was queen to both the poorest and the proudest, and therefore she would never ignore their valid complaints. Furthermore, she would not allow these toll-collectors, like horse-leeches, to feast on the riches of the realm and starve her treasury; which, as she would not allow it to be ‘docked’(?), she also hated to enrich it at the expense of the people.” (Page 31, second part, or volume, translated from the French by Abraham Darcie. The initials of the original author, P. D. B., who knew Cecil intimately, had access to the original letters, and was present at the trial of Mary Queen of Scots.) The first book or volume is dedicated to King James I. I have been this detailed in describing this old volume, as it contains information about London during the time of Elizabeth that I haven’t found in any other history.

The “Long Room” of the Custom-House is worthy of its name, as it measures 190 feet, with a breadth of 66 feet, and there is not a pleasanter place for viewing the traffic on the Thames below London Bridge than the parade of the Custom-House quay. The present{92} building has been erected but little more than thirty years. The revenue now derived from customs is near twenty millions a year.

The “Long Room” of the Custom-House lives up to its name, measuring 190 feet long and 66 feet wide. There’s no better spot to watch the traffic on the Thames below London Bridge than from the Custom-House quay. This current{92} building has been up for just over thirty years. The revenue from customs now brings in nearly twenty million a year.



ST. DUNSTAN’S-IN-THE-EAST

ST. DUNSTAN’S-IN-THE-EAST

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St. Dunstan’s in the East

On St. Dunstan’s-hill stands the church dedicated to the old Saxon saint whose name it bears. This church partly escaped the Fire, and was restored by Wren. The beautiful tower is all that remains of this great architect’s work, the body of the church being rebuilt from the plans of Mr. Laing, to whom we are indebted for the present Custom-House. Speaking of this church, Mr. Elmes tells us, on the faith of an anonymous correspondent, “When Sir Christopher Wren made first attempt of building a steeple upon quadrangular columns, he{93} was convinced of the truth of his architectural principle; but, as he had never before acted upon it, and as a failure would have been fatal to his reputation, and awful in its consequences to the neighbourhood of the edifice, he naturally felt intense anxiety, when the superstructure was completed, in the removal of the supporters. The surrounding people shared largely in the solicitude. Sir Christopher himself went to London Bridge, and watched the proceedings through a lens. The ascent of a rocket proclaimed the stability of the steeple; and Sir Christopher would afterwards smile that he ever could, even for a moment, have doubted the truth of his mathematics.” While giving the anecdote, Mr. Elmes doubts the truth of it. The eastern window is said to be a copy of the one which formerly adorned the old church.

On St. Dunstan’s Hill stands the church dedicated to the old Saxon saint after whom it's named. This church partly survived the Fire and was restored by Wren. The beautiful tower is all that remains of this great architect’s work, while the body of the church was rebuilt based on the plans of Mr. Laing, to whom we owe the current Custom House. Speaking of this church, Mr. Elmes shares, based on an anonymous source, “When Sir Christopher Wren first attempted to build a steeple on quadrangular columns, he{93} was confident in his architectural principle; however, as he had never acted on it before, a failure would have been catastrophic for his reputation and disastrous for the surrounding area. Naturally, he felt intense anxiety when the superstructure was finished and the supports were removed. The local people were also quite anxious. Sir Christopher himself went to London Bridge and watched through a lens. The launch of a rocket signaled that the steeple was stable; and Sir Christopher would later smile at the fact that he had ever doubted his calculations, even for a moment.” While recounting this story, Mr. Elmes expresses skepticism about its accuracy. The eastern window is said to be a replica of the one that used to adorn the old church.

Stowe, in his Chronicle, describes a quarrel which took place in this church as follows: “In the year 1417, and on the afternoon of Easter Sunday, a violent quarrel took place in this church, between the ladies of the Lord Strange and Sir John Trussel, Knt., which involved the husbands, and at length terminated in a general contest. Several persons were seriously wounded, and an unlucky fishmonger, named Thomas Petwarden, killed. The two great men who chose a church for their field of battle were seized and committed to the Poultry Compter, and the Archbishop of Canterbury excommunicated them. On the 21st of April, that prelate heard the particulars at St. Magnus Church; and finding Lord Strange and his lady the aggressors, he cited them to appear before him, the Lord Mayor, and others, on the 1st of May, at St. Paul’s, and there submit to penance, which was inflicted by compelling all their servants to march before the rector of St. Dunstan’s in their shirts, followed by the lord bareheaded, and the lady barefooted [rather too hard on the lady], and Kentwode, Archdeacon of London, to the church of St. Dunstan, where, at the hallowing of it, Lady Strange was compelled to fill all the sacred vessels with water, and offer an ornament, value 10l., and her husband a piece of silver, worth 5l.

Stowe, in his Chronicle, describes a fight that happened in this church like this: “In the year 1417, on the afternoon of Easter Sunday, a fierce argument broke out in this church between the ladies of Lord Strange and Sir John Trussel, Knight, which involved their husbands and eventually escalated into a full-blown brawl. Several people were seriously hurt, and an unfortunate fishmonger named Thomas Petwarden was killed. The two prominent figures who picked a church as their battleground were arrested and taken to the Poultry Compter, and the Archbishop of Canterbury excommunicated them. On April 21st, that archbishop gathered the details at St. Magnus Church; and after finding that Lord Strange and his wife were the instigators, he summoned them to appear before him, the Lord Mayor, and others on May 1st at St. Paul’s, where they were required to do penance. This penance mandated that all their servants had to walk before the rector of St. Dunstan’s in their shirts, followed by the lord who was bareheaded and the lady who was barefoot [rather harsh on her], and Kentwode, Archdeacon of London, to the church of St. Dunstan, where, during its consecration, Lady Strange was forced to fill all the holy vessels with water and present an offering worth 10l., while her husband gave a piece of silver worth 5l..”

Leaving Eastcheap, with its Shakspearean Boar’s Head (long ago destroyed), and Great Tower-street, memorable for the carousals of Peter the Great, we come to Mincing-lane, where stands Clothworkers’ Hall, a company to which Pepys belonged, and which still possesses the “loving cup” he presented to the Clothworkers.

Leaving Eastcheap, with its Shakespearean Boar’s Head (long since gone), and Great Tower Street, famous for the parties of Peter the Great, we arrive at Mincing Lane, where Clothworkers’ Hall is located—a company that Pepys was part of and still has the “loving cup” he gave to the Clothworkers.

King James I. was a member of this company; and the following extract from Nichol’s Progresses furnishes us with the speech he made on the day he enrolled himself among the Clothworkers: “Now, I drink unto all my good brethren, the clothworkers; and I pray God to bless them all, and all good clothworkers; and for proof of our especial favour to this fraternity, and for their increase of mutual{94} amity, I do here give unto this company two brace of bucks yearly, for ever, against the time of the election of the master and wardens of this society.” This was on the 12th of June, 1607, after the king had privately dined “at the house of Sir John Watts, then lord mayor.”

King James I was a member of this group, and the following excerpt from Nichol’s Progresses gives us the speech he made when he joined the Clothworkers: “Now, I raise a toast to all my good brothers, the clothworkers; and I ask God to bless them all, along with all good clothworkers. As a sign of our special favor towards this brotherhood and to promote their mutual{94} friendship, I hereby give this group two pairs of bucks yearly, forever, for the time of the election of the master and wardens of this society.” This was on June 12, 1607, after the king had privately dined “at the house of Sir John Watts, then lord mayor.”

In Mark-lane we find the great Corn Exchange (lately damaged by fire). About three centuries ago, the corn-market was held at Queenhithe, although the oldest place for the sale of corn was Cornhill, a market having been held there, according to Stowe, “time out of mind.”

In Mark Lane, we find the large Corn Exchange (recently damaged by fire). About three hundred years ago, the corn market was held at Queenhithe, although the oldest location for selling corn was Cornhill, where a market has been held there, according to Stowe, "for as long as anyone can remember."

In Knight’s London, vol. iii. p. 364, we find the following curious remarks on this great metropolitan corn-market: “The market-days are Monday, Wednesday, and Friday, the first being by far the busiest day of the three; and the hours of business are from ten to three. A bargain does not become valid until an hour after the commencement of business on the next market-day. The general commercial reader will perhaps be interested in knowing that wheat is paid for in bills at one month, and all other descriptions of corn and grain in bills of two months. But the Kentish ‘hoymen,’ who may be distinguished by their sailors’ jackets, are privileged, by the custom of the market, to sell for ready money, though, of course, they sell only what they bring up themselves. They have stands free of expense, and pay less for metage and dues than others. The Essex dealers also enjoy some privileges. Their origin, in both cases, is said to have been in consideration of the men of Kent and Essex having continued to supply the City at a time when it was ravaged by the plague.”

In Knight’s London, vol. iii. p. 364, we find the following interesting comments on this major city corn market: “The market days are Monday, Wednesday, and Friday, with Monday being by far the busiest of the three; and the business hours are from ten to three. A deal doesn't become official until an hour after business starts on the next market day. The general commercial reader might be interested to know that wheat is paid for with bills due in one month, while all other types of corn and grain are paid for with bills due in two months. However, the Kentish ‘hoymen,’ identifiable by their sailors’ jackets, are allowed by market custom to sell for cash, though they can only sell what they bring themselves. They have stands at no cost and pay less in fees and dues than others. The Essex dealers also have some privileges. Their special status is said to stem from the fact that the men from Kent and Essex kept supplying the City during the plague.”

In Mark-lane stands the church of Allhallows Staining, which escaped the Fire, though the tower is all that remains of the ancient edifice. Here it is said Queen Elizabeth went to return thanks after her release from the Tower; and when the service was over, she adjourned to the adjoining tavern, the King’s-head, in Fenchurch-street, where she dined off the unladylike luxuries of pork and peas, in memory of which event the dish and cover are still preserved. In the parish-books of Allhallows are the following entries relating to old ecclesiastical holidays: “Paid unto Goodman Chese, broiderer, for making a new mitre for the Bishop, against St. Nicholas’s night, 2s. 8d.;” and again, “Paid for the hiring of a pair of wings and a crest for an angel on Palm Sunday, 8d.” Merry doings were there in the olden time at church-ales and Easter-tide, and many another ancient holiday which now lives but in name.

In Mark Lane stands the church of Allhallows Staining, which survived the Fire, though only the tower remains of the old building. It's said that Queen Elizabeth came here to give thanks after her release from the Tower; and when the service ended, she went to the nearby tavern, the King's Head, on Fenchurch Street, where she dined on the unladylike luxuries of pork and peas. To commemorate this event, the dish and cover are still kept. In the parish records of Allhallows are entries related to old church holidays: "Paid to Goodman Chese, embroiderer, for making a new mitre for the Bishop, for St. Nicholas's night, 2s. 8d.;" and again, "Paid for renting a pair of wings and a crest for an angel on Palm Sunday, 8d." There were merry celebrations back in the day at church ales and during Easter, among many other ancient holidays that now exist only in name.

At the corner of Seething-lane stands the church of Allhallows Barking. In this lane died Sir Francis Walsingham, who in Elizabeth’s time planted so many spies around the unfortunate Mary Queen of{95} Scots. Here also lived Pepys, adjoining the old Navy-office. He makes frequent mention of Seething-lane in his Diary. The church of Allhallows Barking very nearly marks the site of the termination of the Great Fire eastward; for though the church itself escaped destruction, its walls were licked by the flames and the porch destroyed. A glance at the map of London will shew its proximity to the Tower, and readily suggest that many a headless victim was removed from the scaffold to the grave in the old churchyard of Allhallows. The Earl of Surrey, who was beheaded in 1547, was buried here; also Bishop Fisher, beheaded in 1535, though his body was afterwards removed; so were the remains of Archbishop Laud. The first chapel founded on the site of the present church dates as far back as the time of Richard I.; and there is an old tradition that the heart of the king of the Crusaders was buried under the altar of that church. Here Edward I. set up an image of the Virgin Mary, which almost became as famous as the shrine of Thomas à Becket, so many were the pilgrims who visited it. Our engraving represents a silver-gilt shrine, in which, in ancient times, the relics of saints were deposited.

At the corner of Seething Lane stands the church of Allhallows Barking. In this lane, Sir Francis Walsingham died, the man who set up many spies around the unfortunate Mary, Queen of Scots, during Elizabeth's reign. Pepys also lived here, next to the old Navy office, and he often mentions Seething Lane in his Diary. The church of Allhallows Barking nearly marks the end point of the Great Fire to the east; although the church itself survived, its walls were scorched by the flames, and the porch was destroyed. If you look at a map of London, you'll see how close it is to the Tower, hinting that many a headless victim was taken from the scaffold to rest in the old churchyard of Allhallows. The Earl of Surrey, executed in 1547, was buried here, as was Bishop Fisher, beheaded in 1535, though his body was later removed, along with those of Archbishop Laud. The first chapel on this site goes back to the time of Richard I., and there’s an old tradition that the heart of the Crusader king was buried under the altar of that church. Here, Edward I. established a statue of the Virgin Mary, which became almost as famous as the shrine of Thomas à Becket due to the many pilgrims who visited it. Our engraving shows a silver-gilt shrine where, in ancient times, the remains of saints were kept.



SILVER-GILT SHRINE.

SILVER-GILT SHRINE.

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SILVER-GILT SHRINE.

Richard III. (it may be, to make amends for the murders he caused{96} to be committed in the adjacent Tower) rebuilt this church, and founded within it a college of priests. Even now it bears proofs of its great antiquity, in its massive and stunted Norman pillars, old inscriptions, ancient monuments, and early brasses, one of the latter dating back nearly four centuries. There is a story about an explosion of gunpowder, which destroyed twenty or thirty houses, and in which a cradle, “baby and all,” was blown on the leads of this church, and there found uninjured.

Richard III (maybe to atone for the murders he had committed in the nearby Tower){96} rebuilt this church and established a college of priests within it. Even today, it shows evidence of its great age, with its stout and short Norman pillars, old inscriptions, ancient monuments, and early brass plaques, one of which dates back nearly four centuries. There's a story about a gunpowder explosion that destroyed twenty or thirty houses, during which a cradle, “baby and all,” was thrown onto the roof of this church and found unharmed.

Seething-lane runs into Hart-street, Crutched Friars, and Jewry-street, Aldgate. In Hart-street stands the church of St. Olave, so often mentioned by Pepys. It escaped the Fire, and contains a few tablets well worth visiting. Some portion of the interior appears to be very ancient, though I am not able to assign any date to these remains, nor when the first church was built. Here Pepys and his wife (the “poor wretch” of his Diary) are buried. The chapel in which the Crutched Friars dwelt was, in Stowe’s time, demolished, and its site occupied by a tennis-court and other buildings.

Seething Lane leads into Hart Street, Crutched Friars, and Jewry Street, Aldgate. On Hart Street is the church of St. Olave, frequently mentioned by Pepys. It survived the Fire and has a few plaques that are definitely worth checking out. Some parts of the interior seem very old, but I can't pinpoint when those parts were created or when the first church was built. Here, Pepys and his wife (the “poor wretch” of his Diary) are buried. The chapel where the Crutched Friars lived was demolished during Stowe’s era, and the site is now occupied by a tennis court and other buildings.

On the right-hand side of Leadenhall-street stand the East India House and Leadenhall Market, the latter of which need only be mentioned as celebrated for its poultry and game. Stowe says, in his day it was used for “the making and resting of pageants shewed at Midsummer, in the watch; * * * * the lofts above were partly used by the painters in working for the decking of pageants, and other devices for the beautifying of the watch and watchmen.” Those who visit Leadenhall Market in Christmas-week will form some idea of the supply needed for the two-million mouthed metropolis.

On the right side of Leadenhall Street are the East India House and Leadenhall Market, the latter famous for its poultry and game. Stowe noted that in his time, it was used for “making and storing pageants shown at Midsummer in the watch; * * * * the upper levels were partly used by painters preparing decorations for the pageants and other designs to beautify the watch and the watchmen.” Visitors to Leadenhall Market during Christmas week will get an idea of the supply needed for the two-million strong metropolis.

The East India House was built but little more than half a century ago, though it contains portions of the older edifice, erected in 1726. The present building is about 200 feet in length, and wears somewhat of a princely look in its pillared portico and sculptured pediment, over the centre of which Britannia is placed, while figures representing Asia and Europe stand on each side of her. The ground-floor contains committee and other rooms, in which the directors and proprietors transact business.

The East India House was built just over fifty years ago, although it includes parts of the older building from 1726. The current structure is about 200 feet long and has a somewhat grand appearance with its pillared entrance and decorated pediment, above which Britannia is positioned, flanked by figures representing Asia and Europe. The ground floor has committee rooms and other spaces where the directors and owners conduct their business.

The handsomest saloon in the East India House is occupied by the Court of Directors, and is usually termed the Court-room: it is said to be an exact cube of 30 feet; it is superbly gilt, and embellished with large looking-glasses; the effect of its too great height being much diminished by the position of the windows near the ceiling. From the cornice hangs six pictures, representing the three presidencies—the Cape, St. Helena, and Tellichery. Over the chimney is a fine piece of sculpture in white marble, representing Britannia seated on a globe by the sea-shore, receiving{97} homage from three female figures—Asia, Africa, and India. Asia offers spices with her right hand, and with her left leads a camel; India presents a box of jewels; and Africa rests her hand upon the head of a lion. The Thames, as a river-god, stands upon the shore; a labourer is cording a bale of merchandise, and ships are sailing in the distance. The whole is supported by two caryatid figures, intended for Brahmins.

The most impressive room in the East India House is used by the Court of Directors and is commonly called the Court-room. It’s said to be a perfect cube measuring 30 feet on each side; it’s lavishly gilded and decorated with large mirrors, with its excessive height lessened by the placement of the windows near the ceiling. From the cornice hang six paintings depicting the three presidencies—the Cape, St. Helena, and Tellichery. Above the fireplace is a beautiful white marble sculpture of Britannia seated on a globe by the sea, receiving homage from three female figures—Asia, Africa, and India. Asia holds spices in her right hand and leads a camel with her left; India offers a box of jewels; and Africa rests her hand on the head of a lion. The Thames, depicted as a river-god, stands on the shore; a worker is tying up a bale of goods, and ships are sailing in the background. The entire structure is supported by two caryatid figures designed to represent Brahmins.



TIPPOO’S ELEPHANT HOWDAH.

TIPPOO’S ELEPHANT HOWDAH.

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TIPPOO'S ELEPHANT HOWDAH.

In another room there are six statues of Clive, Hastings, Cornwallis, Coote, Lawrence, and Pococke—all men who won for themselves distinguished names in India.

In another room, there are six statues of Clive, Hastings, Cornwallis, Coote, Lawrence, and Pococke—all men who earned their distinguished names in India.

The upper part of the house, besides offices, contains the library and museum: the latter is open on Saturdays from eleven to three;{98} and with the exception of the Tower, we know of no place where four hours can be more agreeably and profitably spent in the City, than in examining this rare collection. Here we see beautiful specimens of every description—Goorkha swords, Sumatra shields, and Lahore gauntlets. In another compartment we find models of Oriental manufactures: objects of natural history are also there—animals, birds, insects, and shells of the richest colours.

The upper part of the house, in addition to offices, includes the library and museum: the museum is open on Saturdays from eleven to three;{98} and aside from the Tower, we can't think of a better place to spend four hours in the City than exploring this unique collection. Here, you'll find amazing items of all kinds—Goorkha swords, Sumatra shields, and Lahore gauntlets. In another section, there are models of Oriental crafts: also on display are natural history items—animals, birds, insects, and shells in the most vibrant colors.

Here also is Tippoo Sultan’s tiger. “It is a curious piece of mechanism, displaying both the ingenuity and barbarism of the artist who produced it, no less than the ferocity of nature which could induce a prince to esteem it as a favourite toy. By turning a crank, like the handle of an organ, sounds are emitted resembling the shrieks of a man in the jaws of a tiger, while ever and anon a deeper tone is heard, intended to represent the roar of the animal.”

Here is Tippoo Sultan’s tiger. “It’s a fascinating piece of machinery, showing both the creativity and the brutality of the artist who made it, as well as the wildness of nature that could make a prince consider it a beloved toy. By turning a crank, similar to the handle of an organ, sounds that mimic the screams of a man caught in a tiger's jaws are produced, while occasionally a deeper tone is heard, meant to imitate the roar of the animal.”

We find here Tippoo’s howdah, or elephant seat, together with his quilted corslet. The seat is of silver, and the bird forming the canopy is of the same material, while the eyes are said to be of precious stones. The padded shirt is said to have belonged to Tippoo Sultan; also the corslet, which is lined with blue diaper.

We see Tippoo’s howdah, or elephant seat, along with his quilted breastplate. The seat is made of silver, and the bird that serves as the canopy is also made from the same material, with its eyes said to be precious stones. The padded shirt is believed to have belonged to Tippoo Sultan, as well as the breastplate, which is lined with blue fabric.

There are Hindoo idols of gold and silver, marble and wood, remnants of shrines and inscriptions, the very letters of which “would have made Quintilian stare and gasp.”

There are Hindu idols made of gold and silver, marble and wood, remnants of shrines and inscriptions, the very letters of which “would have made Quintilian stare and gasp.”

The Chinese curiosities are well worth examining, especially the materials for engraving, writing, and printing; nor ought the mariner’s compass to be overlooked, for we must remember that this strange nation have some claim to the invention of our “ocean guide,” though rude, perhaps, the first form may have been, and its bearings but little understood.

The Chinese curiosities are definitely worth checking out, especially the materials for engraving, writing, and printing. Also, the mariner’s compass shouldn't be ignored, as we should remember that this unique country has some claim to the invention of our “ocean guide,” even if its first version might have been somewhat crude and its directions not fully understood.

From the Illustrated London News, we give the following description of the paintings found in the Ajunta Caves, in India, copies of which have lately been added to the Museum of the East India Company:—“These paintings were found upon the interior walls and roofs of a series of temples, excavated out of the solid rock, situated near the Ajunta Pass, where the road from central Hindostan ascends the mural heights supporting the table-land of the Dekkan. The town of Ajunta is about 200 miles north-east from Bombay; and in a ravine amongst the hills, some four or five miles distant, occur the caves. According to Mr. Fergusson, in his ‘Memoir on the rock-cut Temples of India,’ published in the ‘Journal of the Royal Asiatic Society,’ the entrance to the ravine is nearly half a mile in width; but the ravine becomes narrower as the traveller winds up it, until it terminates in a cascade of seven falls, or leaps: the lowest is about 100 feet high, the others about 100 feet higher. Immediately below the fall the{99}

From the Illustrated London News, we provide the following description of the paintings found in the Ajunta Caves in India, copies of which have recently been added to the Museum of the East India Company:—“These paintings were discovered on the interior walls and ceilings of a series of temples, carved out of solid rock, located near the Ajunta Pass, where the road from central Hindostan climbs the steep heights leading up to the Dekkan plateau. The town of Ajunta is about 200 miles northeast of Bombay, and in a ravine among the hills, about four or five miles away, are the caves. According to Mr. Fergusson, in his ‘Memoir on the rock-cut Temples of India,’ published in the ‘Journal of the Royal Asiatic Society,’ the entrance to the ravine is nearly half a mile wide; however, the ravine narrows as you travel further in until it ends in a cascade of seven waterfalls: the lowest one is about 100 feet tall, and the others are around 100 feet higher. Right below the waterfall, the{99}

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ravine makes a sharp turn to the right, and it is in the perpendicular cliff forming the outer side of the bend, and facing the fall, that the caves are situated; the whole series extending about 500 yards from north to south-east. There are in this space twenty-seven caves, which are accessible by a sort of ledge or terrace of the cliff; but this has given way at the southern extremity, and left the face of the cliff perpendicular, to the height of about 300 feet. The general appearance of the ravine and of some of the excavations is given in our engraving, reduced from the original plate, forming part of Mr. Fergusson’s interesting illustrations of these and other Rock Temples delineated by him in India.

The ravine makes a sharp turn to the right, and it's along the cliff that forms the outer side of the bend, facing the waterfall, where the caves are located; the entire series stretches about 500 yards from north to southeast. Within this area, there are twenty-seven caves, which can be reached by a sort of ledge or terrace on the cliff. However, this has collapsed at the southern end, leaving the cliff face vertical, rising about 300 feet. The overall appearance of the ravine and some of the excavations is shown in our engraving, which has been adapted from the original plate, part of Mr. Fergusson’s fascinating illustrations of these and other rock temples he depicted in India.

“The Ajunta Caves are richly decorated with sculptured porticoes and columns; but their peculiar feature is the embellishment of their roofs and walls with paintings, which it is not yet determined to call frescoes. They have suffered much from time and neglect; and to counteract, in some measure, the further depredations of both, the Court of Directors have instructed their local governments to take measures for their careful delineation. An officer of the Madras Establishment, Captain Gill, made copies of them, and sent home those now at the India House. In one we have on the left a number of warriors apparently setting out on an expedition. The chief, indicated by the umbrella, is taking leave of his princess, whilst a group of women on the right are also bidding them farewell. The men are characterised by the intertwining of the hair with the cloth of the turban, a costume now chiefly met with amongst the Burmas. It is doubtful if it is to be found on the continent of India. There is nothing to denote the religion of the persons represented; but in another painting a group very similar are offering their adoration to a Chaitya or Buddhist monument, which is conclusive as to their professing the Buddhist faith.

The Ajunta Caves are beautifully adorned with sculptured porticoes and columns; however, their standout feature is the decorative paintings on their roofs and walls, which still haven't been definitively labeled as frescoes. They've been heavily affected by time and neglect, and to help prevent further damage from both, the Court of Directors has instructed local governments to take steps for their careful documentation. An officer from the Madras Establishment, Captain Gill, made copies of these paintings, and the ones currently at the India House were sent back home. In one painting, on the left, there are several warriors seemingly preparing for an expedition. The leader, distinguished by the umbrella, is saying goodbye to his princess, while a group of women on the right is also bidding them farewell. The men are recognized by their hair intertwined with the cloth of their turbans, a style primarily seen among the Burmese. It's uncertain if this style exists on the Indian mainland. There’s no indication of the religion of the individuals depicted; however, in another painting, a similar group is seen worshipping a Chaitya or Buddhist monument, which clearly indicates their adherence to the Buddhist faith.

“In another section we have various groups, which belong to the interior of the palace. The chief in one place is seated, in another standing, and in both attitudes is evidently communicating orders or instructions. This is probably a representation of Sakyasinha or Buddha, who admitted females to become his disciples, and was allowed free access to the female apartments. The privilege here is not confined to him, for in two places are men bringing presents carried upon a pole, with slings, as they are at the present day. In the right-hand corner we have what seems to be a garden; in the left a group of elephants very accurately represented—one appears to have triple tusks; a seated female in front appears to hold a book.

“In another section, we see different groups that belong to the inside of the palace. In one spot, the chief is seated, while in another, he is standing, and in both positions, he is clearly giving orders or instructions. This is likely an image of Sakyasinha or Buddha, who allowed women to become his disciples and had unrestricted access to the women's quarters. This privilege isn't exclusive to him, as there are two instances of men bringing gifts carried on a pole, secured with slings, just like they do today. In the right corner, we have what looks like a garden; on the left, there's a group of elephants very precisely depicted—one seems to have three tusks; a seated woman in front appears to be holding a book."

“The third picture represents a very different series of figures from either of the two preceding, and evidently belongs to the Saiva{102} branch of Brahminism. The much-defaced head in the centre, with a rich crown, ornamented amongst other things with crosses, is a not uncommon representation of Siva; and in the right compartment we have the same divinity attended by some of his hideous train of goblins. In one place, on the left, of two smaller figures the male is playing a flute. The figures appear to be partly in the clouds, partly in edifices and in gardens—perhaps the city of the God of Wealth upon the celestial mountain Kailas is intended.

“The third picture shows a completely different set of figures from the previous two, and clearly belongs to the Saiva{102} branch of Brahminism. The heavily damaged head in the center, wearing a rich crown decorated with crosses and other elements, is a fairly common depiction of Siva. In the right section, we see the same deity accompanied by some of his frightening group of goblins. On the left, among two smaller figures, the male is playing a flute. The figures seem to exist partly in the clouds and partly in buildings and gardens—perhaps depicting the city of the God of Wealth on the heavenly mountain Kailas.

“The indications of Buddhism are, however, the prevailing subjects of the paintings, although some of them are Saiva. Fragments of inscriptions are found on two of them, which, although too imperfect to be capable of translation, are valuable as guides to the age of the paintings. The characters in which they are written went out of use about the third century of our era, and the paintings in which they occur must, consequently, be of prior date. They were painted, probably, about the beginning of the Christian era.”

“The themes of Buddhism are, however, the main subjects of the paintings, although some depict Saiva influences. Fragments of inscriptions are found on two of them, which, although too damaged to be translated, are valuable for dating the paintings. The characters used in these inscriptions fell out of use around the third century of our era, meaning the paintings in which they appear must be older. They were likely created around the beginning of the Christian era.”

Trinity-square, Tower-hill, in which stands Trinity House, is the last object of any importance that claims notice in our present chapter. At what period Trinity House was established is not, for certainty, known, though it is believed to have been founded by Henry VIII., about the time that he formed the Navy-Office. Like all other jurisdictions, it gathered power gradually, through a long range of time, being at first limited in its privileges and circumscribed in its limits, until Elizabeth made the Company guardians of our sea-marks. Trinity House now has the sole management of the light-houses and buoys, and its operations may often be seen by a reference to the first page of the Times, where it announces new marks laid down by wrecks, and different changes made in beacons, “those watchmen of the sea.”

Trinity Square, Tower Hill, where Trinity House is located, is the last significant landmark to mention in this chapter. The exact date when Trinity House was established is not definitively known, but it is believed to have been founded by Henry VIII around the time he set up the Navy Office. Like many other authorities, it gained power gradually over time, initially having limited privileges and a restricted scope, until Elizabeth designated the Company as guardians of our sea marks. Today, Trinity House manages all the lighthouses and buoys, and you can often see updates about their operations in the Times, which reports on new markers established by wrecks and various changes made to beacons, “those watchmen of the sea.”

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CHAPTER V.

THE TOWER.

THE oldest remains of London, with few exceptions, nearly stand facing each other, and are on opposite sides of the river. Thus, the Tower, though some distance “below” bridge, looks on its ancient neighbour a little higher up, the Church of St. Mary Overies, now called St. Saviour’s; while westward, Lambeth Palace confronts Westminster Abbey and Hall, where they stand looking at each other, as they have done for more than six centuries. Had that highway of waters which rolls between these ancient edifices a tongue, what “deeds of other years” it might babble forth! scenes mirrored on its surface, of which we have no mention—events of which history has made no note, nor time preserved any record.

TThe oldest remains of London, with a few exceptions, nearly face each other and are on opposite sides of the river. So, the Tower, although some distance “below” the bridge, looks at its ancient neighbor a little higher up, the Church of St. Mary Overies, now known as St. Saviour’s; meanwhile, to the west, Lambeth Palace faces Westminster Abbey and Hall, where they have looked at each other for over six centuries. If the waters flowing between these ancient buildings could talk, what “deeds of other years” they might share! Scenes reflected on its surface, about which we have no record—events that history hasn’t documented, nor time preserved any trace of.

At what period a fortress was first built on the spot now occupied by the Tower will probably never be known, though it must have been a place of some strength when Edmund Ironside defended it against the Danes, and probably was centuries before that period.

At what time a fortress was first built on the site now occupied by the Tower will probably never be known, though it must have been a stronghold when Edmund Ironside defended it against the Danes, and likely existed centuries before that.

No one doubts but that London was long inhabited by the Romans; and from all we know of the many habits of those cautious warriors, we are certain that they would not leave the river front of their city undefended. Ancient foundations have been discovered in the Tower within the last century, so strong and thick, as to call back Fitz-Stephen’s description of those large and strong walls which rose up from a deep foundation, the mortar of which is “tempered with the blood of beasts.” Nearly seven hundred years ago did Fitz-Stephen write thus; so that the “Tower Palatine,” as he calls it, must have been so ancient even in his day, that he knew nothing of its origin,{104} more than that of the mortar being “tempered with the blood of beasts.” Nearly all our Roman remains in Lower Thames-street have been discovered “deep down,” and this goes far in favour of those strong and undated foundations, laid bare within the Tower, being Roman; the great width—three yards—corresponds also with all we have seen of such ancient relics.

No one doubts that London was long inhabited by the Romans; and based on what we know about the habits of those cautious warriors, we're certain they wouldn't leave the riverfront of their city undefended. Ancient foundations have been uncovered in the Tower within the last century, so strong and thick that they remind us of Fitz-Stephen’s description of those large and sturdy walls that rose from a deep foundation, the mortar of which is “tempered with the blood of beasts.” Fitz-Stephen wrote this nearly seven hundred years ago, so the “Tower Palatine,” as he calls it, must have been so ancient even in his time that he didn't know anything about its origin, aside from the fact that the mortar was “tempered with the blood of beasts.” Nearly all our Roman remains in Lower Thames-street have been found “deep down,” which strongly supports the idea that those strong and undated foundations uncovered within the Tower are Roman; the great width—three yards—also matches what we’ve seen of such ancient relics.{104}

We know that the first London Bridge was built of wood, but we know not the date of its erection, though it is mentioned many times long before the Norman invasion. We also know that Edmund Ironside defended a walled fortress which stood on the City side of the river; and that in those days there was a bridge which Canute the Dane’s ships did not pass under, and that the battle on the river and on land was at the foot of this old wooden bridge; and that the wall Edmund and his followers defended must have been somewhere about the spot on which the Tower now stands. This battle took place more than eight hundred years ago; and after Canute’s forces were repulsed by the London citizens, headed by the son of Ethelred the Unready, the Danish king sailed out of the Thames and landed in Mercia, somewhere near the mouth of the Humber.

We know the first London Bridge was made of wood, but we don’t know when it was built, even though it’s mentioned multiple times long before the Norman invasion. We also know that Edmund Ironside defended a walled fortress on the City side of the river; in those days, there was a bridge that Canute the Dane’s ships couldn’t pass under, and the battle on the river and on land happened at the foot of this old wooden bridge. The wall that Edmund and his followers defended must have been around where the Tower stands today. This battle took place more than eight hundred years ago; after Canute’s forces were driven back by the London citizens, led by the son of Ethelred the Unready, the Danish king sailed out of the Thames and landed in Mercia, somewhere near the mouth of the Humber.

This fortress was defended, and this wooden bridge stood, more than 150 years before Peter of Colechurch commenced his stone bridge in 1176; but how much longer we know not. London must have been well fortified to have held out as it did, against the invasion of Swein king of Denmark, who came up to its very walls with his ships, and was compelled to retreat. There must have been either tower or fortress beside the river, for the Saxon citizens to have driven back such a powerful enemy.

This fortress was defended, and this wooden bridge stood for more than 150 years before Peter of Colechurch started his stone bridge in 1176; but how much longer it lasted, we don't know. London must have been well fortified to hold out as it did against the invasion of Swein, the king of Denmark, who came right up to its walls with his ships and had to retreat. There must have been a tower or fortress by the river for the Saxon citizens to have pushed back such a powerful enemy.

It is generally admitted that Gundulp, Bishop of Rochester, was the architect of the White Tower; and that it was built in the time of William the Conqueror. Nor must we forget that soon after his first entry into London, William the Norman resided in the Tower, in proof (if true) that this fortress, whatever it might have been, was one of the strongest in London—one of the safest to retire into in a land filled with enemies, for he had then but few friends except his own soldiers.

It is widely accepted that Gundulp, Bishop of Rochester, designed the White Tower, and that it was constructed during the reign of William the Conqueror. We should also remember that shortly after he first arrived in London, William the Norman lived in the Tower, which suggests (if accurate) that this fortress, whatever it was, was one of the strongest in London—one of the safest places to retreat to in a land filled with enemies, as he had very few allies at that time other than his own soldiers.

What William the Norman built, and Rufus and Henry I. added to the old Saxon Tower of London, cannot distinctly be defined, for we read of the Great Tower, and a castle fronting the river beneath this Tower; and then we pass over a few years, and find Flambard, the fighting Bishop of Durham, a prisoner within the Tower walls, and from which, with the aid of a rope, he made his escape.

What William the Conqueror built, and what Rufus and Henry I. added to the old Saxon Tower of London, isn't clearly defined. We read about the Great Tower and a castle facing the river below this Tower; then we skip ahead a few years and find Flambard, the warrior Bishop of Durham, locked up within the Tower's walls, from which he escaped with the help of a rope.

Another Bishop, Longchamp, held the Tower against John and his retainers while the lion-hearted King Richard I. was waging war{105} in Palestine. Here we see it used as a prison, and find it a fortress too strong for Prince John and his followers to storm.

Another Bishop, Longchamp, defended the Tower against John and his followers while the brave King Richard I was fighting in Palestine. Here, we see it used as a prison, and it turns out to be a fortress too strong for Prince John and his men to attack.

Henry III., who built the Lion Tower and kept leopards in it, made many additions and improvements.

Henry III, who built the Lion Tower and kept leopards in it, made many additions and improvements.

Mr. Bayley says, “The records of that era, which abound with curious entries, evincing Henry’s great and constant zeal for the promotion of the fine arts, contain many interesting orders which he gave for works of that kind to be executed in different parts of the Tower.” Edward I. strengthened the fortifications, and seems to have left the Tower much in the state that we now see it; for, after this period, but few alterations or additions appear to have been made. Edward III. repaired it, and Mr. Bayley, in his History of the Tower, tells us how the sum (nearly 1000l.) was expended. The first interesting description we have of the Tower was written by a foreigner named Paul Hentzner, in the reign of Elizabeth, and is as follows:

Mr. Bayley says, “The records from that time, filled with intriguing entries, show Henry’s strong and ongoing commitment to promoting the fine arts, and they include many fascinating orders he placed for such works to be completed in various parts of the Tower.” Edward I. reinforced the fortifications and seems to have left the Tower mostly as we see it today, since after this time, only a few changes or additions were made. Edward III. repaired it, and Mr. Bayley, in his History of the Tower, tells us how the sum (almost 1000l.) was spent. The first notable description we have of the Tower was written by a foreigner named Paul Hentzner during Elizabeth’s reign, and it is as follows:

“Upon entering the Tower of London we were obliged to leave our swords at the gate, and deliver them to the guard. When we were introduced, we were shewn above a hundred pieces of arras belonging to the Crown, made of gold, silver, and silk; several saddles, covered with velvet of different colours; an immense quantity of bed-furniture, such as canopies and the like, some of them richly ornamented with pearl; some royal dresses, so extremely magnificent as to raise any one’s admiration at the sums they must have cost. We were next led to the Armoury, in which are these particulars: Spears out of which you may shoot; shields that will give fire four times;(?) a great many rich halberts, commonly called partisans, with which the guards defend the royal persons in battle; some lances covered with red and green velvet, and the suit of armour of King Henry VIII.; many and very beautiful arms, as well for men as for horse-fights; the lance of Charles Brandon, Duke of Suffolk, three spans thick; two pieces of cannon—the one fires three, the other seven balls at a time; two others made of wood, which the English had at the siege of Boulogne in France; and by this stratagem, without which they could not have succeeded, they struck a terror as at the appearance of artillery, and the town was surrendered upon articles: nineteen cannons, of a thicker make than ordinary, and in a room apart, thirty-six of a smaller; other cannons for chain-shot, and balls proper to bring down masts of ships; cross-bows and arrows, of which to this day the English make use in their exercises. But who can relate all that is to be seen here? Eight or nine men employed by the year are scarce sufficient to keep all the arms bright. The mint for coining money is in the Tower. N.B.—It is to be noted, that, when any of the nobility are sent hither on the charge of high crimes{106} punishable with death, such as murder, &c., they seldom or never recover their liberty. Here was beheaded Anne Bolen, wife of King Henry VIII., and lies buried in the chapel, but without any inscription; and Queen Elizabeth was kept prisoner here by her sister, Queen Mary, at whose death she was enlarged, and by right called to the throne. On coming out of the Tower, we were led to a small house close by, where are kept a variety of creatures; viz. three lionesses, one lion of great size, called Edward VI., from his having been born in that reign; a tiger, a lynex, a wolf, exceedingly old: this is a very scarce animal in England, so that their sheep and cattle stray about in great numbers without any danger, though without any body to keep them. There is, besides, a porcupine and eagle: all these creatures are kept in a remote place, fitted up for the purpose with wooden lattices, at the Queen’s expense.

“Upon entering the Tower of London, we had to leave our swords at the gate and hand them over to the guard. After we were introduced, we were shown over a hundred pieces of royal tapestry made from gold, silver, and silk; several saddles covered in velvet of various colors; a huge collection of bed furnishings like canopies, some richly adorned with pearls; and some royal garments so incredibly magnificent that they left anyone in awe at how much they must have cost. Next, we were taken to the Armoury, where we saw the following: spears that fire projectiles; shields that can fire four times; many ornate halberds, commonly called partisans, which the guards use to protect the royal family in battle; lances covered in red and green velvet and King Henry VIII's suit of armor; many beautiful weapons for both foot soldiers and cavalry; the lance of Charles Brandon, Duke of Suffolk, which is three spans thick; two pieces of cannon—one fires three shots, while the other fires seven at once; two wooden cannons used by the English during the siege of Boulogne in France; and with this tactic, which was crucial for their success, they instilled fear just like the sight of artillery, leading to the town’s surrender under favorable terms: nineteen cannons, thicker than usual, and in a separate room, thirty-six smaller ones; other cannons designed for chain-shot and balls suited to bring down ship masts; crossbows and arrows, which the English still use in their training. But who can describe everything to be seen here? Eight or nine men employed annually barely manage to keep all the weapons polished. The mint for coining money is located in the Tower. N.B.—It's important to note that when any members of the nobility are sent here for serious crimes punishable by death, such as murder, they seldom or never regain their freedom. Here, Anne Boleyn, wife of King Henry VIII, was beheaded and lies buried in the chapel, but without any inscription; and Queen Elizabeth was imprisoned here by her sister, Queen Mary, from whom she was released upon Mary’s death, allowing her rightful claim to the throne. Upon leaving the Tower, we were taken to a small nearby building that houses a variety of animals, including three lionesses, one large lion named Edward VI, after the time he was born; a tiger; an old lynx; and a very rare wolf in England, which allows sheep and cattle to roam in large numbers without fear, despite having no one to guard them. Additionally, there is a porcupine and an eagle; all of these creatures are kept in a secluded area enclosed with wooden lattices, at the Queen's expense.”

“Near to this Tower is a large open space; on the highest part of it (Tower-hill) is erected a wooden scaffold for the execution of noble criminals; upon which they say three Princes of England, the last of their families, have been beheaded for high treason. On the Thames, close by, are a great many cannon, such chiefly as are used at sea.”

“Close to this Tower is a big open area; at the highest point (Tower-hill) stands a wooden scaffold for executing noble criminals. It is said that three Princes of England, the last of their families, were beheaded there for high treason. Nearby on the Thames, there are many cannons, mostly those used at sea.”

Such was the Tower in the reign of Elizabeth, and such as it is now we shall proceed to explain, enriching our description with several engravings, which, though not placed exactly beside the text they illustrate, will be clearly understood by the names affixed to each engraving.

Such was the Tower during Elizabeth's reign, and we will now explain what it is like today, enhancing our description with several engravings that, while not placed right next to the text they illustrate, will be easily understood thanks to the names provided for each engraving.

Passing through the entrance-gate, we reach the Lion Tower, which stands at the corner of the moat or Tower ditch facing the Thames. Proceeding eastward, with the river on our right, we come to the Middle Tower—then the Bell Tower—the Lieutenant’s lodgings—and the Bloody Tower, which faces Traitor’s Gate, to which there is a water-entrance. Passing these, we either approach the White Tower in the centre, or visit the Salt Tower at the east end; then the Brick Tower on the north side, in which Lady Jane Grey was imprisoned, from thence to the Bowyer Tower, in which the Duke of Clarence was drowned in a butt of malmsey; and last to the west side, where stands the Beauchamp Tower, in which Anne Boleyn was imprisoned. The chapel of St. Peter ad Vincula, and the Jewel House, are the last places we shall describe. In something like the plan we have here adopted, we shall proceed to carry our readers with us while describing the above-named portions of this ancient fortress.

Passing through the entrance gate, we arrive at the Lion Tower, located at the corner of the moat or Tower ditch facing the Thames. Continuing eastward, with the river on our right, we reach the Middle Tower—then the Bell Tower—the Lieutenant’s lodgings—and the Bloody Tower, which looks out onto Traitor’s Gate, where there’s a water entrance. Beyond these, we can either head towards the White Tower in the center or visit the Salt Tower at the east end; then we’ll see the Brick Tower on the north side, where Lady Jane Grey was imprisoned, followed by the Bowyer Tower, where the Duke of Clarence was drowned in a cask of malmsey; and finally, to the west side, where the Beauchamp Tower stands, the place where Anne Boleyn was imprisoned. The chapel of St. Peter ad Vincula and the Jewel House are the last places we’ll describe. Following a similar plan to what we have laid out here, we will guide our readers as we describe these parts of this ancient fortress.

The entrance is on the west side, leading to the Lion Tower, in which the royal beasts were formerly kept. In Nicholl’s Progress of James I., we find the following:—“This spring of the year (1605){107}

The entrance is on the west side, leading to the Lion Tower, where the royal animals used to be kept. In Nicholl’s Progress of James I., we find the following:—“This spring of the year (1605){107}

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the king builded a wall, and filled up with earth all that part of the moat or ditch about the west side of the lions’ den, and appointed a drawing partition to be made towards the south part thereof, the one part thereof to serve for the breeding lioness when she shall have whelps, and the other part thereof for a walk for the other lions. The king caused also three trap-doors to be made in the wall of the lion’s den, for the lions to go into their walk at the pleasure of the keeper, which walk shall be maintained and kept for especial place to bait the lions with dogs, bears, bulls, boars, &c.”

the king built a wall and filled in the earth around the west side of the lions' den, blocking off that part of the moat or ditch. He arranged for a dividing wall to be constructed in the southern section, one part for the breeding lioness when she has cubs, and the other part as a walkway for the other lions. The king also had three trap doors made in the wall of the lions' den so the lions could access their walkway at the keeper's discretion, which would be specifically maintained as a place to bait the lions with dogs, bears, bulls, boars, etc.

Ned Ward, of “merry memory,” in his London Spy, published above a century and a half ago, has left us the following anecdotes of the Lions in the Tower.

Ned Ward, of “merry memory,” in his London Spy, published over a century and a half ago, has shared these anecdotes about the Lions in the Tower.

“One of the keeper’s servants, whilst he was shewing us his unruly prisoners, entertained us with a couple of remarkable stories, which, because the tragedy of the one will render an escape in the other story the more providential, I shall proceed to give them to the reader in their proper places—namely, that a maid, some years since, being a servant to the keeper, and a bold, spirited wench, took pleasure now and then in helping to feed the lions, and imprudently believing the gratitude of the beasts would not suffer them to hurt her, she would venture sometimes—though with extraordinary caution—to be a little more familiar with them than she ought to be. At last she either carelessly or presumptuously ventured too near their dens; and one of the lions caught hold of her arm, and tore it off quite at the shoulder, after a most lamentable manner, before any body could come to her assistance; killing her with a gripe, before he would loose her from his talons, till she was a miserable object of her own folly, the lion’s fury, and the world’s pity.

“One of the keeper’s servants, while he was showing us his unruly prisoners, entertained us with a couple of remarkable stories. Since the tragedy of one makes the escape in the other seem even more miraculous, I’ll share them with you in order. A few years back, a maid who worked for the keeper, a bold and spirited girl, occasionally enjoyed helping to feed the lions. Foolishly believing that the beasts would be grateful enough not to hurt her, she sometimes took the risk of getting a little too close to them, albeit with great caution. Eventually, she either carelessly or recklessly got too near their dens, and one of the lions grabbed her arm and ripped it off at the shoulder in a horrifying manner, before anyone could assist her. The lion held on tightly until she was a tragic sight, a victim of her own naivety, the lion’s rage, and the sympathy of those who witnessed it.”

“This story he succeeded by another, wherein was shewn as miraculous a preservation of himself, contrary to the cruelty the lion had before used to his unhappy fellow-servant, which he delivered after this following manner, namely:

“This story was followed by another, which showed just as miraculous a way of preserving himself, despite the brutality the lion had previously shown toward his unfortunate coworker. He told it like this:

“ ‘’Tis our custom,’ says he, ‘when we clean the lions’ dens, to drive them down over-night through a trap-door into a lower conveniency, in order to rise early in the morning and refresh their day apartments by clearing them; and having through mistake, and not forgetfulness, left one of the trap-doors unbolted, which I thought I had carefully secured, I came down in the morning, before daylight, with my candle and lanthern fastened before me to my button, with my implements in my hands, to despatch my business, as was usual; and going carelessly into one of the dens, a lion had returned through the trap-door, and lay couchant in a corner, with his head towards me. The sudden surprise of this terrible sight brought me under{110} such dreadful apprehensions of the dangers I was in, that I stood fixed like a statue, without the power of motion, with my eyes steadfast upon the lion, and his likewise upon me. I expected nothing but to be torn to pieces every moment, and was fearful to attempt one step back, lest my endeavour to shun him might have made him the more eager to have hastened my destruction. At last he roused himself, as though to have a breakfast off me; yet, by the assistance of Providence, I had the presence of mind to keep steady in my posture, for the reasons before-mentioned. He moved towards me without expressing in his countenance either greediness or anger; but, on the contrary, wagged his tail, signifying nothing but friendship in his fawning behaviour; and after he had stared me a little in the face, he raises himself up on his two hindmost feet, and laying his two fore paws upon my shoulders without hurting me, fell to licking my face, as a further instance of his gratitude for my feeding him, as I afterwards conjectured; though then I expected every minute when he would have stripped my skin over my ears, as a poulterer does a rabbit, and have cracked my head between his teeth, as a monkey does a small nut.

“'It's our routine,' he says, 'when we clean the lions' enclosures, to move them down overnight through a trapdoor into a lower area, so we can come in early the next morning to tidy up their living spaces. However, due to a mistake and not forgetfulness, I accidentally left one of the trapdoors unlatched, which I thought I had secured. I came down in the morning, before dawn, with my candle and lantern attached to my button, ready to get my work done as usual. As I walked carelessly into one of the enclosures, I was shocked to find a lion had come back through the trapdoor and was lying in a corner, facing me. The sudden shock of that terrifying sight filled me with such dread for my safety that I froze like a statue, unable to move, with my eyes locked on the lion, and his eyes fixed on me. I feared at any moment I would be torn apart and was hesitant to step back, worried that trying to escape might provoke him to attack. Eventually, he stirred as if he wanted to have me for breakfast; yet, thanks to a stroke of luck, I managed to stay calm for the reasons mentioned before. He approached me without showing any signs of hunger or anger; instead, he wagged his tail, behaving in a friendly manner. After staring at me for a moment, he stood up on his hind legs, placed his paws on my shoulders without hurting me, and began to lick my face, seemingly as a sign of gratitude for having fed him, as I later speculated; although at that moment, I expected him to rip my skin off like a butcher does with a rabbit and crush my head between his jaws like a monkey cracking a small nut.

“ ‘His tongue was so very rough, that with the few favourite kisses he gave me, it made my cheeks almost as raw as a pork griskin, which I was very glad to take in good part without a bit of grumbling. And when he had thus saluted me, and given me his sort of welcome to his den, he returned to his place, and laid him down, doing me no further damage; which unexpected deliverance hitherto occasioned me to take courage, that I slunk back by degrees till I recovered the trap-door, through which I jumped, and pulled it after me; thus happily, through an especial Providence, I escaped the fury of so dangerous a creature.’ ”

“His tongue was so rough that with the few favorite kisses he gave me, my cheeks felt almost as raw as a pork rind, which I was really glad to take in stride without any complaints. After he welcomed me to his space with those greetings, he went back to his spot and lay down, causing me no further harm. This unexpected escape gave me the courage to gradually sneak back to the trapdoor, through which I jumped and pulled it shut behind me; thus, through a special twist of fate, I successfully escaped the rage of such a dangerous creature.”

Ward also mentions two stuffed lions, one said to have been Queen Mary’s, the other King Charles’s: and of the latter he says, he “had no more fierceness in his looks that he had when living, than the effigies of his good master at Westminster has the prescence of the original.”—London Spy, part 13.

Ward also talks about two stuffed lions, one supposedly belonging to Queen Mary and the other to King Charles. He states that the latter "had no more fierceness in his looks when he was alive than the statue of his good master at Westminster has the presence of the original."—London Spy, part 13.

We know of no historical incident of any interest connected with the Middle Tower; but in the Bell Tower adjoining, Fisher, Bishop of Rochester, is said to have been imprisoned. How much this venerable bishop must have suffered before he wrote as follows to Cromwell we know not: “I beseech you to be good, master, in my necessity; for I have neither shirt nor yet other clothes that are necessary for me to wear, but that be ragged and rent too shamefully. Notwithstanding, I might easily suffer that, if they would keep my body warm. But my diet also, God knoweth how slender it is at many{111} times. And now in mine age [poor old man, he was nearly eighty] my stomach may not away but with a few kind of meats, which if I want, I decay forthwith.”

We don't know of any interesting historical events related to the Middle Tower; however, in the adjoining Bell Tower, it’s said that Fisher, the Bishop of Rochester, was imprisoned. We can't imagine how much this respected bishop suffered before he wrote the following to Cromwell: “I ask you to be kind, sir, in my time of need; for I have no shirt or other clothes that I can wear, just rags that are torn and disgraceful. Still, I could bear that easily if I could keep my body warm. But my food, God knows how scarce it is at many{111} times. And now in my old age [poor old man, he was nearly eighty], my stomach can only handle a few types of food; without them, I quickly decline.”

How we feel to hate the brutal Defender of the Faith, whose supremacy he refused to acknowledge, while perusing the catalogue of the venerable prelate’s sufferings.

How we hate the ruthless Defender of the Faith, whose authority he refused to recognize, while going through the list of the respected bishop’s suffering.

The martyr and the murderer have long since gone to render an account of their good and evil deeds.

The martyr and the murderer have long since passed away to account for their good and bad actions.

The Lieutenant’s lodgings contain a few old paintings, together with a bust of James I., and a marble monument recording the names of those who were examined regarding the Gunpowder Plot.

The Lieutenant’s place has a few old paintings, along with a bust of James I and a marble monument listing the names of those who were questioned about the Gunpowder Plot.

The Bloody Tower is supposed to have been the place in which the sons of Edward IV. were murdered; but of this we have no proof; neither in the discovery of the bones (which were found, in 1674, at the foot of the staircase near the chapel in the White Tower,) any proof that the princes were murdered in that part of the fortress. That they should be buried near the White Tower chapel bespeaks a reverence for their remains.

The Bloody Tower is said to be where the sons of Edward IV were killed, but there’s no evidence for this. The bones discovered in 1674 at the bottom of the staircase near the chapel in the White Tower don’t provide any proof that the princes were murdered in that area of the fortress. The fact that they were buried close to the White Tower chapel shows a respect for their remains.

There is something ominous and gloomy about the grim gateway, with its grated portcullis and grinning iron teeth, that leads to the Bloody Tower, which even now seems to chill the blood as we pass beneath it. Nor is this feeling at all diminished by the recollection that one of the Earls of Northumberland either committed suicide or was privately murdered within those very walls. It was at this gate where Sir John Bridge seized Wyatt by the collar and shook him, when he was made prisoner after the insurrection. “But that the law must pass upon thee,” said the angry lieutenant, “I would stick thee through with my dagger.” To which Wyatt replied, holding his arms under his side, and looking grievously with a grim look upon the lieutenant, “It is no mastery now,” and so passed on.

There’s something dark and foreboding about the grim entrance, with its barred portcullis and grimacing iron teeth, that leads to the Bloody Tower, which even now seems to freeze the blood as we walk under it. This feeling is only intensified by the memory that one of the Earls of Northumberland either took his own life or was secretly murdered within those very walls. It was at this gate where Sir John Bridge grabbed Wyatt by the collar and shook him when he was captured after the uprising. “If it weren’t for the law, I’d stab you with my dagger,” said the furious lieutenant. To which Wyatt replied, with his arms held close and a serious look on his face, “It doesn’t matter now,” and continued on.

The Salt Tower is remarkable for a curious engraving on the walls representing the signs of the Zodiac, the work of Hugh Draper, of Bristol, who was a prisoner in this turret in 1560. What a glimpse we obtain of the superstitious ignorance of this period, when recalling the “crime” he was committed for—that of practising the art of sorcery against Sir William Lowe and his lady. The Brick Tower, on the north-east side, near the mount, is said to be the spot in which Lady Jane Grey, the “nine-days’ Queen,” as she is called by the old chroniclers, was imprisoned.

The Salt Tower is notable for an intriguing engraving on the walls depicting the signs of the Zodiac, created by Hugh Draper from Bristol, who was imprisoned in this turret in 1560. It gives us a glimpse into the superstitious ignorance of that time, especially when considering the "crime" he was accused of—practicing sorcery against Sir William Lowe and his wife. The Brick Tower, located on the northeast side near the mount, is said to be the place where Lady Jane Grey, known as the “nine-days’ Queen” by old chroniclers, was imprisoned.

In the Bowyer Tower, which stands behind the barracks, it is said the Duke of Clarence was murdered, by being drowned in a butt of his own favourite drink. The upper portion of this tower is modern, and the whole was again greatly impaired in the fire which burnt down{112} the great storehouse in 1841, which also injured the Flint and the Brick Towers.

In the Bowyer Tower, located behind the barracks, it’s said that the Duke of Clarence was murdered by being drowned in a barrel of his favorite drink. The top part of this tower is modern, and the whole structure was significantly damaged in the fire that burned down{112} the major storehouse in 1841, which also affected the Flint and Brick Towers.

We next come to the Beauchamp or Wakefield Tower, in which are deposited so many records. “This is perhaps the most interesting building of the whole range, the White Tower not excepted,” says Mr. Howitt, in his Tower of London. “Employed for many years as a ‘prison lodging,’ its walls are covered with the carved memorials of its unfortunate occupants. Among those who have thus recorded their sorrows are John Dudley, Earl of Warwick, 1553; Philip Howard, Earl of Arundel, 1578; Charles Baily, a Fleming, and agent of Mary Queen of Scots; Arthur and Edmund Poole, grandchildren of George, Duke of Clarence, brother to King Edward IV.; Thomas Fitzger, son of the Earl of Kildare, 1534; Sedburn, Abbot of Joreval, 1537; Dr. Abel, chaplain of Queen Catherine of Arragon; Thomas Cobham, son of Lord Cobham, 1555; Robert Dudley, Earl of Leicester, the favourite of Queen Elizabeth; Sir Ingram Percy, son of the Earl of Northumberland, 1537; Eyremot Radclyffe, son of the Earl of Sussex, 1576; with many others. Couplets, maxims, or allegories are sometimes added, as—

We now come to the Beauchamp or Wakefield Tower, which holds so many records. “This is probably the most interesting building in the entire complex, excluding the White Tower,” says Mr. Howitt in his Tower of London. “Used for many years as a ‘prison lodging,’ its walls are covered with the carved memorials of its unfortunate inhabitants. Among those who have recorded their sorrows are John Dudley, Earl of Warwick, 1553; Philip Howard, Earl of Arundel, 1578; Charles Baily, a Fleming and agent of Mary Queen of Scots; Arthur and Edmund Poole, grandchildren of George, Duke of Clarence, who was the brother of King Edward IV.; Thomas Fitzger, son of the Earl of Kildare, 1534; Sedburn, Abbot of Joreval, 1537; Dr. Abel, chaplain to Queen Catherine of Aragon; Thomas Cobham, son of Lord Cobham, 1555; Robert Dudley, Earl of Leicester, the favorite of Queen Elizabeth; Sir Ingram Percy, son of the Earl of Northumberland, 1537; Eyremot Radclyffe, son of the Earl of Sussex, 1576; among many others. Sometimes couplets, maxims, or allegories are added, such as—

"Through strange torture, my truth was tested,
"But my freedom is denied." —1581, Thomas Myagh.

This torture was the rack.

This torture device was the rack.

"It is the mark of a wise person to try and then to trust,
“For happy is he who finds what is just.” —R. C.

The following is the conceit of a poor lover:

The following is the mindset of a love-struck person:

"Thomas Willynagh, Goldsmith. My heart is yours until death."

And by the side is a figure of a ‘bleeding hart,’ and another of ‘dethe.’ The initials, T. W. and P. A. on each side of the bleeding heart, are doubtless those of the lover and his mistress.”

And on the side is a figure of a ‘bleeding heart,’ and another of ‘death.’ The initials, T. W. and P. A. on either side of the bleeding heart, are likely those of the lover and his mistress.

This was the Tower in which Anne Boleyn was imprisoned. It is on record, that, when she passed under the Traitor’s Gate, she fell on her knees and prayed, declaring herself innocent. When about to be beheaded on the Green, she refused to have her eyes bandaged (those eyes into which her brutal, tiger-like husband had so often fondly looked), but kept them riveted on the headsman, who, while she gleamed on him, had not power to strike the blow, until some one attracted her attention, and then, when her eyes were turned away, he took off his shoes, strode forward noiselessly, and struck off her head.

This was the Tower where Anne Boleyn was imprisoned. Records show that when she passed under the Traitor’s Gate, she fell to her knees and prayed, insisting she was innocent. Just before her beheading on the Green, she refused to have her eyes covered (those eyes that her brutal, tiger-like husband had often gazed into with affection), choosing instead to fix her gaze on the executioner. He was unable to deliver the blow while she was looking at him, and it wasn’t until someone drew her attention away that he removed his shoes, stepped forward silently, and struck off her head.

Another inscription in this tower, in Italian, runs as follows:

Another inscription in this tower, in Italian, says:

“Since fortune hath chosen that my hope should go to the wind, to complain, I wish the time were destroyed, my planet being ever sad and unpropitious.”—Wilim Tyrree, 1541.

“Since fate has decided that my hopes are lost, I wish time would just end, with my luck always being sad and unfavorable.”—Wilim Tyrree, 1541.

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One underground cell was called the Rats’ Dungeon; it was below high-water mark, and dark as the grave. At high-water, hundreds of rats are believed to have sought shelter in this hideous cavern, until the tide subsided. In this den, it is said, prisoners were sometimes thrust, when the rack was found of no avail in extorting a confession. But all the shrieks and struggles would be drowned deep down in this inhuman hell, and only the Angel of Death left to look on the maddening horrors of the wretched prisoners. The imagination shrinks back, as, through the darkness of bygone years, it pictures for a moment the terrible tragedies which must have been enacted in such a blood-stained dungeon.

One underground cell was called the Rats’ Dungeon; it was below high-water mark and as dark as the grave. At high tide, hundreds of rats are believed to have sought refuge in this awful cave until the water receded. In this place, it is said, prisoners were sometimes thrown when torture was found to be ineffective in getting a confession. But all the screams and struggles would be drowned deep down in this brutal hell, with only the Angel of Death left to witness the maddening horrors of the doomed prisoners. The mind recoils as, through the darkness of past years, it briefly imagines the terrible tragedies that must have occurred in such a blood-soaked dungeon.

We now come to the White Tower, with its four turrets, which may be seen from many an eminence that overlooks London, and is always pointed out as “The Tower.” It is to the east of London what Westminster Abbey is to the west, and St. Paul’s to the centre of the city—the great object of attraction. The interior consists of three stories (beside the vaults), the first floor having two rooms, the roofs of which are no doubt as old as the walls that surround them. In ancient times they were used as prisons. The second story also contains two large rooms, in which are deposited arms and other stores; and here also stands the chapel, the most interesting of all the apartments, and shewing how great must be the strength of a building to support such massy pillars and heavy arches on its second story. It is a splendid specimen of true unaltered Norman architecture, and unlike any thing we have seen in London, except the interior of St. Bartholomew, Smithfield; not that it is so beautiful as a whole as the church of the old Priory, but there is a massiness about it in solemn keeping with the heavy and stupendous pile of buildings which it stands upon and overlooks, for it rises to the very roof of the Tower—the remainder of the third story forming the Council Chamber, which is a large, heavy, plain-looking room, and arrests the eye as soon as you enter. It is so unlike the chapel, that you are amazed at its rude and primitive appearance, its flat timber ceiling and plain rows of wooden beams, give to it something of a gigantic, barn-like look; lost, however, when you glance at the pierced walls and side arches, that tell you that all is in keeping with the solemn fortress that has stood the shock of war, and the wear and tear of time, through the long nights of nearly eight centuries. The scenes that have taken place in this vast chamber are written in the pages of English history, and are, with few exceptions, the most important in all our annals.

We now arrive at the White Tower, with its four turrets, visible from many high points overlooking London, and it's always recognized as “The Tower.” It stands to the east of London like Westminster Abbey does to the west, and St. Paul’s does to the city center—it's a major landmark. The interior has three stories (excluding the vaults), with the first floor featuring two rooms, whose ceilings are likely as old as the walls around them. In the past, these rooms were used as prisons. The second story also has two large rooms that store arms and other supplies, and here is the chapel, the most interesting space of all. It demonstrates the building's incredible strength to support such massive pillars and heavy arches on its second story. This chapel is a stunning example of authentic, unaltered Norman architecture, unlike anything else we've seen in London, except for the interior of St. Bartholomew in Smithfield; it may not be as beautiful overall as the church of the old Priory, but it has a solidness that resonates with the grand and monumental buildings it overlooks, as it rises to the very roof of the Tower. The rest of the third story is the Council Chamber, a large, heavy, straightforward room that catches your eye as soon as you enter. Its appearance is so different from the chapel that you’re struck by its crude and primitive look; the flat timber ceiling and simple rows of wooden beams give it a somewhat gigantic, barn-like feel, though that impression fades when you notice the pierced walls and side arches, which align with the solemn fortress that has weathered war and the passage of time for nearly eight centuries. The events that have unfolded in this vast chamber are etched in English history, representing, with few exceptions, the most significant moments in our records.

We will now glance at the Jewel-house, and give a brief description of the chief curiosities and treasures it contains.{114}

We will now take a look at the Jewel House and provide a brief description of the main curiosities and treasures it holds.{114}

The regalia appears to have been kept within the Tower from an early period, as mention is made of jewels deposited there as far back as the days of Henry III. These jewels were often pledged, and were sometimes in the hands of French and Flemish merchants. Henry VI. was the first, we believe, who went to “his uncle” to raise money on them; and Beaufort advanced him 7000 marks with the true pawn-broker-like proviso, that if they were not redeemed by a certain day, they were to remain his (uncle’s) property. Henry VIII., who melted down so many old monastic treasures, lightened the regalia of many a rich relic, and, free-trader like, dispersed it again in the shape of the current coin of the realm. Those who possess the rose-nobles of that period may retain a portion of the crown which once encircled the brow of one of his beautiful wives, whom, Bluebeard-like, he butchered. He thought no more of melting a rich sacramental cup than he did of a broken spoon.

The regalia seems to have been stored in the Tower since early times, with mentions of jewels kept there dating back to the reign of Henry III. These jewels were often used as collateral and were sometimes with French and Flemish merchants. We believe Henry VI was the first to go to “his uncle” to borrow money against them; Beaufort lent him 7,000 marks with the typical pawn-shop condition that if they weren’t redeemed by a certain date, they would become his (uncle’s) property. Henry VIII, who melted down many old monastic treasures, stripped the regalia of many valuable pieces and sold them off as current currency. Those who own the rose-nobles from that time might possess a piece of the crown that once adorned one of his beautiful wives, whom he brutally killed like Bluebeard. He thought nothing of melting down a valuable sacramental cup, treating it as casually as a broken spoon.

During the civil wars the regalia was again diminished; but to what extent we are not able to state, though mention is made of the sale of such plate as bore the emblems of the cross, or was engraven with “superstitious pictures.” In its present state there will be found worthy of notice the crown known as St. Edward’s, first worn by Charles II., and since that time used by all the monarchs who have ascended the throne of Great Britain. This is the very crown that Blood stole, as we have before stated, and the one placed on the head of her present Majesty when she was crowned in Westminster Abbey. The new crown made purposely for her Majesty is also here, and is formed of purple velvet, hooped with silver, and richly adorned with diamonds. The ruby in it is said to have been worn by the Black Prince, and the sapphire is considered to be of great value: the crown altogether is estimated at above 100,000l.

During the civil wars, the regalia was again reduced; however, we can't specify how much, although there are mentions of the sale of items that had the symbols of the cross or were engraved with "superstitious images." Currently, it's worth noting the crown known as St. Edward's, which was first worn by Charles II and has since been used by all the monarchs who have taken the throne of Great Britain. This is the very crown that Blood stole, as previously mentioned, and the one placed on the head of her current Majesty when she was crowned in Westminster Abbey. The new crown made specifically for her Majesty is also here; it's made of purple velvet, encircled with silver, and richly decorated with diamonds. The ruby in it is said to have been worn by the Black Prince, and the sapphire is considered to be very valuable; the entire crown is estimated to be worth over 100,000 l.

The Prince of Wales’s crown is formed of pure gold, without much addition of jewels; while that of the Queen’s consort is enriched with pearls, diamonds, and other precious stones. The Queen’s diadem was made for Maria d’Este, the unfortunate queen of James II., who stood sheltering in the rain under the wall of Lambeth Church on the night her husband abdicated, when he threw the great seal into the Thames as he crossed the river at Westminster to join her. Little did she dream, when that golden diadem first pressed her fair brow, of the troubles she was doomed to undergo.

The Prince of Wales’s crown is made of pure gold, with very few jewels added; on the other hand, the Queen’s consort’s crown is adorned with pearls, diamonds, and other precious stones. The Queen’s diadem was created for Maria d’Este, the unfortunate queen of James II, who stood in the rain under the wall of Lambeth Church on the night her husband abdicated, when he tossed the great seal into the Thames as he crossed the river at Westminster to join her. Little did she know, when that golden diadem first rested on her beautiful head, about the troubles she was destined to face.

St. Edward’s Staff (why so called we know not, as the gold coronation spoon is believed to be all that remains of the ancient regalia,) is four feet seven inches long, bearing at the top an orb and cross; the orb containing, it is said, a portion of the true cross. This staff is made of beaten gold, to the bottom of which is fixed a steel spike, no{115}

St. Edward’s Staff (we're not sure why it's called that, as the gold coronation spoon is thought to be the only surviving piece of the ancient regalia) is four feet seven inches long, featuring an orb and cross at the top; the orb supposedly contains a piece of the true cross. This staff is crafted from beaten gold, with a steel spike attached at the bottom, no{115}



1. Queen’s Diadem. 2 and 3. Queen’s Coronation Bracelets. 4. Prince of Wales’s Crown. 5. Old Imperial Crown. 6. Queen’s Crown. 7. Spiritual Sceptre. 8. Temporal Sceptre.

1. Queen’s Diadem. 2 and 3. Queen’s Coronation Bracelets. 4. Prince of Wales’s Crown. 5. Old Imperial Crown. 6. Queen’s Crown. 7. Spiritual Sceptre. 8. Temporal Sceptre.



1. Queen’s Diadem. 2 and 3. Queen’s Coronation Bracelets. 4. Prince of Wales’s Crown. 5. Old Imperial Crown. 6. Queen’s Crown. 7. Spiritual Sceptre. 8. Temporal Sceptre.

1. Queen's Diadem. 2 and 3. Queen's Coronation Bracelets. 4. Prince of Wales's Crown. 5. Old Imperial Crown. 6. Queen's Crown. 7. Spiritual Sceptre. 8. Temporal Sceptre.

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doubt intended for defence, as a strong arm would be able to drive it through any assailant. Nothing is known of the history of this staff; though we shall probably not be far wrong if we date the orb as far back as the days of the Crusaders, on account of the portion of the “true cross” which it is said to contain.

doubt intended for defense, as a strong arm could easily push it through any attacker. We don't know the history of this staff; however, we might not be too off if we date the orb back to the time of the Crusaders, because of the piece of the "true cross" that it is said to hold.

The Royal Sceptre is of gold, ornamented with precious stones; also with the rose, shamrock, and thistle, all in gold; the cross is richly jewelled, and contains a large diamond in the centre; the length of the sceptre is two feet nine inches.

The Royal Sceptre is made of gold, decorated with precious stones, as well as the rose, shamrock, and thistle, all in gold; the cross is adorned with jewels and has a large diamond in the center; the length of the sceptre is two feet nine inches.

The Rod of Equity is three feet seven inches in length, and is made of gold set with diamonds. The orb at the top is enriched with rose diamonds, and on the cross which surmounts it stands the figure of a dove with wings expanded. This is sometimes called the Sceptre with the Dove. Another sceptre, called the Queen’s Sceptre with the Cross, though much smaller, is very beautiful in design, and thickly set with precious stones. The Ivory Sceptre was made for Maria d’Este; and another sceptre, found behind the wainscoting in the apartment in which the regalia was formerly kept, is said to have been made for the queen of William III. There are also two orbs well worthy of observation, as are also the swords of Justice, ecclesiastical, and temporal, and the Sword of Mercy, or Curtana, which is pointless. A few of these will be best understood by a reference to the engravings, which shew the Ampulla for the holy oil, formed like an eagle; the Armillæ, or coronation bracelets, made of gold, and rimmed with pearls; the coronation spoon, used for anointing the sovereigns, very ancient; and the golden salt-cellar, shaped like a castle with turrets. There are several of these state salt-cellars worthy of notice; also a baptismal font, and a silver wine-fountain, beside many other valuable curiosities, which would give our work too much the appearance of a catalogue were we to describe them all.

The Rod of Equity is three feet seven inches long and is made of gold adorned with diamonds. The orb on top is embellished with rose diamonds, and perched on the cross above it is a dove with its wings spread. This is sometimes referred to as the Sceptre with the Dove. Another scepter, known as the Queen’s Sceptre with the Cross, although much smaller, is beautifully designed and richly set with precious stones. The Ivory Sceptre was created for Maria d’Este, and another scepter found behind the wall paneling in the room where the regalia was once stored is believed to have been made for the queen of William III. There are also two orbs that deserve special attention, along with the swords of Justice, both ecclesiastical and temporal, and the Sword of Mercy, or Curtana, which is blunt. A few of these are better understood by looking at the engravings, which show the Ampulla for the holy oil, shaped like an eagle; the Armillæ, or coronation bracelets, made of gold and edged with pearls; the ancient coronation spoon used for anointing the sovereigns; and the golden salt-cellar, designed like a castle with turrets. There are several state salt-cellars worth noting, as well as a baptismal font and a silver wine fountain, among many other valuable curiosities, which would make our work read too much like a list if we described them all.

On the south side of the White Tower stands the Horse Armoury, which was erected about a quarter of a century ago. Many of the suits of armour which these equestrian figures wear are very ancient; and a few are highly interesting, through having been worn by kings and warriors who stand proudly out in the annals of England. The first in supposed antiquity is a Norman Crusader, said to be nearly as old as the time of the Conqueror; and is formed of small iron rings, which make a kind of net-work that must have given far more play to the body of the wearer than the cumbrous mail worn on a later day. Similar armour was worn by the Saxons before the reign of Alfred, as is shewn in a few of the illuminated documents which have been preserved to the present day. There is a kite-shaped shield, such as was used at this period, in the Elizabethan Armoury, which{117}

On the south side of the White Tower stands the Horse Armoury, which was built about twenty-five years ago. Many of the suits of armor worn by these equestrian figures are very old, and some are particularly interesting because they were worn by kings and warriors who are notable in England's history. The oldest one is considered to be a Norman Crusader, thought to be nearly as ancient as the time of the Conqueror; it’s made of small iron rings, creating a sort of net-like structure that must have allowed for more movement than the heavy mail used later. Similar armor was worn by the Saxons before Alfred's reign, as shown in some of the illuminated documents that have survived to this day. There is a kite-shaped shield, like those used during this period, in the Elizabethan Armoury, which{117}



1. Imperial Orb. 2. Ampulla. 3. Golden Salt-Cellar of State. 4. Anointing Spoon. 5, 6, 7. State Salt-Cellars.

1. Imperial Orb. 2. Ampulla. 3. Golden Salt-Cellar of State. 4. Anointing Spoon. 5, 6, 7. State Salt-Cellars.



1. Imperial Orb. 2. Ampulla. 3. Golden Salt-Cellar of State. 4. Anointing Spoon. 5, 6, 7. State Salt-Cellars.

1. Imperial Orb. 2. Ampulla. 3. Golden State Salt-Cellar. 4. Anointing Spoon. 5, 6, 7. State Salt-Cellars.

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ought to be removed and affixed to this figure of the Crusader. The next in date that claims our attention, is the resemblance of a grim warrior, armed from head to heel, after the fashion of the heroes who fought in the days of Edward I. Here we have the long surcoat and rich emblazonry, which is so often mentioned in the wars of Palestine: the prick-spears are of a very primitive form, and worth examining, as is every portion of the armour on this figure; for even what is modern is a strict imitation of what was worn at this period. The next is a gorgeous specimen of the time of Henry VI., both as regards the armour and the trappings of the figured steed; the skirts and sleeves are splendid specimens of chain-mail, and the fluted gauntlets, “beautiful exceedingly.” The breasts and back are made of flexible plates, that is, loose, and put on in pieces; and the helmet, which is a salade, with a vizor or pontlet, has a grand appearance, surmounted as it is with a crest. All these it would require the skill of a Meyrick to describe accurately; for he tells us of sollerets, and tuilettes, vambraces, and rere-braces, camails, cuisses, and greaves, which are difficult to explain, and still more difficult to comprehend, without the aid of engravings. We then come to the reign of Edward IV., and here we find a rich but very singular-looking suit of armour. The angular-shaped helmet strikes the eye as being well adapted to throw off the point of a spear, if struck on the volant piece, which stands out sharp and ridgy as the point of a plough. The vambrace of the lance is very old, and shews how the hand was protected; there is also an addition to the safety of the wearer in the steel guard on the left side of the breast-plate, and also on the elbow, compared to that worn in the preceding reign. Armour of the time of Richard III. is placed on the next figure, very beautiful, being ribbed or plated; and here we have rosettes on the shoulders, which look like little wings or epaulets that have blown loose, and stand erect. This suit was worn by the Marquis of Waterford, when several gentlemen met to play at tournament at Eglintoun. Period of Henry VII.: a warrior dismounted, the armour of German workmanship; the figure remarkable for the change made in the helmet. Next to this another suit of the same age, and the horse majestically armed, especially about the head, neck, and upper parts of the chest. We now come to a suit of what is called Damask armour, and this the great wife-killer, Henry VIII., really wore—better for his fame if he had been killed in it the first day he rode armed; but we have “said our say” in a novel called Lady Jane Grey, and will pass on to mention that there is another suit, said to have been presented to him by Ferdinand, on his marriage with his daughter, Katherine of Arragon; of this suit, Mr. Howitt, in his Tower Armoury, says, “The badges of this king and queen,{119} the rose and pomegranate, are engraved on various parts of the armour. On the pins of the genouillères sheaf of arrows, the device adopted by Ferdinand, the father of Katherine, on his conquest of Granada; Henry’s badges, the portcullis, the fleur-de-lis, and the red dragon, also appear; and on the edge of the lamboys or skirts are the initials of the royal pair, ‘H. K.’ united by a true-lover’s knot.” The red dragon was the figure the ancient Britons bore on their standards in their wars against the Saxons. It is frequently mentioned by the Welsh bards who lived at that period, and also fought in these battles; but we do not think they bore standards before the invasion of the Romans, emblazoned with any devices. Passing by the armour of Edward VI., and that said to have been used by Hastings Earl of Huntingdon, we come to a suit that once covered the stately form of Dudley Earl of Leicester, “the gipsy,” as Essex called him, on account of those dark features that Queen Elizabeth loved to look on. A suit, said to have been worn by his once powerful rival, the Earl of Essex, is only divided from Dudley by the armed figure that wears the mail assigned to Sir Henry Lea. Passing by the figures of James I., Sir Maurice de Vere, and the Earl of Arundel, we come to a beautiful suit of armour, made for Henry Prince of Wales, who died young; it is gilt, and enriched with quaint designs of ancient battles and stormy sieges, and other emblems of “grim-visaged war.” Then follow suits said to have been worn by the Duke of Buckingham, James’s favourite; Charles I., when Prince of Wales; and the unfortunate Earl of Strafford, who was, like his royal master, beheaded. The suit said to have belonged to James II., a curious head-piece, believed to have been worn by Henry the Seventh’s jester, and several other curiosities, such as an ancient warder’s horn, swords, &c., that were formerly in the possession of Tippoo Saib, together with an old suit of unpolished armour, are things which will be shewn, if the stranger make himself agreeable to the warder.

ought to be removed and attached to this figure of the Crusader. The next one that catches our eye is the likeness of a grim warrior, fully armored, like the heroes who battled in the days of Edward I. Here we see the long surcoat and intricate heraldry frequently mentioned in the wars of Palestine: the prick-spears are quite primitive and worth inspecting, as is every part of the armor on this figure; even the modern pieces are strict imitations of what was worn during this period. Next, we have a stunning example from the time of Henry VI, both in terms of the armor and the decorations on the horse; the skirts and sleeves are magnificent examples of chain-mail, and the fluted gauntlets are “exceedingly beautiful.” The front and back are made of flexible plates, meaning they are loose and assembled in sections; the helmet, which is a salade with a visor or pontlet, looks impressive, especially with its crest on top. It would take the expertise of someone like Meyrick to describe all these accurately; he speaks of sollerets, tuilettes, vambraces, and rere-braces, camails, cuisses, and greaves, which are hard to explain and even harder to understand without illustrations. Moving on to the reign of Edward IV, we find a rich but very distinctive suit of armor. The angular helmet catches the eye, suggesting it’s designed to deflect spear points if struck on the sharp, ridge-like protrusion. The vambrace for the lance is quite old and shows how the hand was protected; there’s also a steel guard on the left side of the breastplate and at the elbow, which is an improvement from the previous reign. The armor from the time of Richard III is displayed on the next figure, beautifully ribbed or plated, featuring rosettes on the shoulders that resemble little wings or epaulets that have come loose and stand upright. This suit was worn by the Marquis of Waterford during a tournament at Eglintoun. From the period of Henry VII comes a warrior dismounted, wearing German-made armor; the figure is notable for the changes in the helmet. Next to this is another suit from the same era, with the horse beautifully armored, especially around the head, neck, and upper chest. We then see a suit of what is known as Damask armor, which was actually worn by that infamous wife-killer, Henry VIII—better for his reputation if he had been killed the first day he rode in it; but we have already discussed this in a novel called Lady Jane Grey, so let’s move on to mention another suit, allegedly given to him by Ferdinand, upon his marriage to his daughter, Katherine of Aragon. Of this suit, Mr. Howitt, in his Tower Armoury, notes, “The badges of this king and queen,{119} the rose and pomegranate, are engraved on various parts of the armor. On the pins of the genouillères are sheaves of arrows, the device used by Ferdinand, Katherine's father, upon his victory at Granada; Henry’s badges, the portcullis, the fleur-de-lis, and the red dragon, also appear; and on the edges of the lamboys or skirts, we see the initials of the royal couple, ‘H. K.’ united by a love knot.” The red dragon was the symbol the ancient Britons carried in their fights against the Saxons. It’s often mentioned by Welsh bards who lived during that time and fought in those battles, although we believe they didn’t carry standards before the Roman invasion adorned with any symbols. Skipping past the armor of Edward VI and that said to have been used by Hastings, Earl of Huntingdon, we arrive at a suit that once adorned the noble form of Dudley, Earl of Leicester, known as “the gipsy,” as Essex called him, because of his dark features that Queen Elizabeth adored. A suit, supposedly worn by his powerful rival, the Earl of Essex, is set apart from Dudley by the armed figure wearing the mail assigned to Sir Henry Lea. Ignoring the figures of James I, Sir Maurice de Vere, and the Earl of Arundel, we encounter a beautiful suit of armor made for Henry, Prince of Wales, who died young; it’s gilded and decorated with intricate designs depicting ancient battles, fierce sieges, and other symbols of “grim-faced war.” Then come suits believed to have belonged to the Duke of Buckingham, James’s favorite; Charles I when he was Prince of Wales; and the unfortunate Earl of Strafford, who, like his royal master, was executed. The suit thought to belong to James II, an unusual headpiece believed to have been worn by Henry’s jester, along with other curiosities like an ancient warder’s horn, swords, etc., that once belonged to Tippoo Saib, together with an old suit of unpolished armor, will be shown if the visitor is agreeable to the warder.

Quitting this gallery, we enter Queen Elizabeth’s Armoury by a staircase, passing by two carved figures called “Gin and Beer,” which were brought from the old palace of Greenwich, probably at the time of its destruction. We are again in the White Tower, and tread the very rooms in which Sir Walter Raleigh was imprisoned, for no doubt he had the privilege of stepping beyond what is called his sleeping-room. In the recessed arch at the end of this groined and vaulted apartment, stands the equestrian figure of Queen Elizabeth, in a similar costume to what she wore when she rode to St. Paul’s to return thanks for the destruction of the Spanish Armada. It would but make a dry catalogue were we to enumerate the whole of the miscellaneous articles in this Armoury, which consist of shields,{120} swords, bows, blocks, instruments of torture, partisans, poles, match-locks, &c. &c., all hanging on the walls, or standing upright, or huddled together like old iron in a marine-store. There, however, is the axe with which Lady Jane Grey is supposed to have been beheaded, nor can we in a more fitting place, while the mind is filled with horror, which this “heading-axe” and block (the latter comparatively new) call up, describe her execution, which we copy from a work edited by J. G. Nichols, Esq., F.R.S., entitled the Chronicle of Queen Jane, and another scarce pamphlet, called The Ende of Lady Jane Dudley. The heroic spirit she displayed at her execution was long the talk in the streets of old London, when Queen Mary ascended her sanguinary throne.

Exiting this gallery, we go into Queen Elizabeth’s Armoury via a staircase, passing two carved figures named “Gin and Beer,” which were taken from the old palace at Greenwich, likely during its destruction. We’re back in the White Tower, walking through the very rooms where Sir Walter Raleigh was locked up, as he probably had the privilege to step outside his so-called sleeping room. In the recessed arch at the end of this groined and vaulted space stands the equestrian statue of Queen Elizabeth, dressed similarly to how she appeared when she rode to St. Paul’s to thank God for the defeat of the Spanish Armada. Listing all the assorted items in this Armoury would be tedious, as they include shields, swords, bows, torture devices, partisans, poles, match-locks, and so on, all hanging on the walls, standing upright, or piled together like scrap metal in a junk store. However, there is the axe that Lady Jane Grey is believed to have been executed with, and in this chilling context, we can't help but reflect on her execution, which we recount from a work edited by J. G. Nichols, Esq., F.R.S., titled the *Chronicle of Queen Jane*, and another rare pamphlet called *The Ende of Lady Jane Dudley*. The brave spirit she showed at her execution was widely discussed in the streets of old London when Queen Mary took her bloody throne.

“By this tyme was ther a scaffolde made apon the grene over agaynst the White Tower, for the saide lady Jane to die apon. Who, with hir husband, was appoynted to have ben put to deathe the fryday before, but was staied tyll then, for what cause is not knowen, unlesse yt were because hir father was not then come into the Tower. The saide ladye being nothing at all abashed, (neither with feare of her owne deathe, which then approached, neither with the sight of the ded carcase of hir husbande, when he was brought in to the chappell,) came forthe, the levetenaunt leding hir, in the same gown wherin she was arrayned, hir countenance nothing abashed, neither hir eyes enything moysted with teares, although her ij. gentylwomen, mistress Elizabeth Tylney and mistress Eleyn, wonderfully wept, with her booke in hir hand, wheron she praied all the way till she cam to the saide scaffolde, wheron when she was mounted, &c.”

“By this time, a scaffold was built on the green in front of the White Tower for Lady Jane to die on. She and her husband were supposed to be executed the Friday before, but it was postponed for reasons unknown, unless it was because her father hadn't arrived at the Tower yet. The lady, showing no signs of fear—neither regarding her impending death nor at the sight of her husband's dead body when he was brought into the chapel—walked out, led by the lieutenant, in the same gown she had been dressed in, her expression completely composed, and her eyes not wet with tears at all, even though her two ladies-in-waiting, Mistress Elizabeth Tylney and Mistress Eleyn, were crying uncontrollably. With her book in hand, she prayed all the way until she reached the scaffold, where she mounted, etc.”

From the last-named pamphlet the narrative is continued as follows:

From the last-mentioned pamphlet, the story continues like this:

“She sayd to the people standing thereabout: ‘Good people, I am come hether to die, and by a lawe I am condemned to the same. The facte, indede, against the quenes highnesse was unlawful, and the consenting thereunto by me; but touching the procurement and desyre therof by me or on my halfe, I doo wash my handes thereof in innocencie, before God and the face of you, good Christian people, this day,’ and therewith she wrong hir handes, in which she had hir booke. Then she sayd, ‘I pray you all, good Christian people, to bear me witness that I dye a true Christian woman, and that I looke to be saved by none other meane but only by the mercy of God in the merites of the blood of his only sonne Jesus Christ: and I confesse, when I dyd know the word of God I neglected the same, loved my selfe and the world, and therefore this plague or punyshment is happely and worthely happened unto me for my sins; and yet I thank God of his goodnesse that he hath thus geven me a tyme and respet{121} to repent. And now, good people, while I am alyve, I pray you to assyst me with your prayers.’ And then, knelyng downe, she turned to Fecknam, saying, ‘Shall I say this psalme?’ And he said ‘Yea.’ Then she said the psalme of Miserere mei, Deus, in English, in most devout manner, to the end. Then she stode up, and gave her maiden, mistress Tylney, her gloves and handkercher, and her booke to maister Bruges, the levetenantes brother; forthwith she untyed her gown. The hangman went to her to help her of therewith; then she desyred him to let her alone, turning towardes her two gentylwomen, who helped her off therwith, and also with her frose past and neckercher, geving to her a fayre handkercher to knytte about her eyes. Then the hangman kneeled downe and asked her forgevenesse, whome she forgave most willingly. Then he willed her to stand upon the strawe; which doing, she sawe the blocke. Then she sayd, ‘I pray you dispatch me quickly.’ Then she kneeled down, saying, ‘Wil you take it (her head) off before I lay me downe?’ and the hangman answered her, ‘No, madame.’ She tyed the kercher about her eys; then feeling for the blocke, saide, ‘What shall I do? Where is it?’ One of the standers-by guyding her therunto, she layde her heade down upon the blocke, and stretched forth her body, and said, ‘Lorde, into thy hands I commende my spirite!’ And so she ended.”

“She said to the people gathered around: ‘Good people, I have come here to die, and by law, I am condemned to do so. The fact is, my actions against the queen were unlawful, and I consented to them; but regarding the instigation and desire for this by me or on my behalf, I wash my hands of it in innocence, before God and you, good Christian people, today,’ and with that, she wrung her hands, in which she had her book. Then she said, ‘I ask you all, good Christian people, to bear witness that I die a true Christian woman, and that I look to be saved by no means other than the mercy of God through the merits of the blood of His only son, Jesus Christ: and I confess that when I came to know the word of God, I neglected it, loved myself and the world, and therefore this plague or punishment has justly and deservedly come upon me for my sins; and yet I thank God for His goodness that He has given me time to repent. And now, good people, while I am alive, I ask you to assist me with your prayers.’ Then, kneeling down, she turned to Fecknam, saying, ‘Shall I say this psalm?’ And he replied, ‘Yes.’ Then she recited the psalm of Miserere mei, Deus, in English, in the most devout manner, to the end. After that, she stood up and gave her maid, Mistress Tylney, her gloves and handkerchief, and her book to Master Bruges, the lieutenant’s brother; immediately, she untied her gown. The hangman approached to help her with it; then she requested him to let her be, turning towards her two gentlewomen, who helped her with it and also with her dress and neckerchief, giving her a fair handkerchief to tie around her eyes. Then the hangman knelt down and asked for her forgiveness, which she granted most willingly. He instructed her to stand on the straw; as she did so, she saw the block. Then she said, ‘I pray you to finish me quickly.’ Then she knelt down, asking, ‘Will you take it (her head) off before I lie down?’ The hangman responded, ‘No, madame.’ She tied the kerchief around her eyes; then, feeling for the block, said, ‘What shall I do? Where is it?’ One of the bystanders guided her to it, and she laid her head down on the block, stretched out her body, and said, ‘Lord, into Your hands I commend my spirit!’ And so she ended.”

With a few of the names of the most celebrated persons who have been imprisoned, and some of them beheaded in the Tower and on Tower-hill, together with a slight notice of the chapel in which several of them lie buried, we shall close our description of this ancient fortress. Early in the fourteenth century, Wallace, the hero of Scotland, was prisoner within these walls, from whence he was dragged to Smithfield, fastened to the tails of horses, and there put to death, after enduring the most cruel and horrible tortures. Hither Mortimer was brought from Nottingham, laden with chains, having, we believe, been a prisoner in the Tower before that time, and escaped through making his keepers drunk. Here the brave Earl of Moray was confined for many weary years, unable to raise the extortionate ransom King Edward demanded. The Duke of Orleans was brought prisoner from the field of Agincourt, and long detained in the Tower. The victims of Henry VIII, we pass over, as they have a blood-stained page to themselves in English history. The Earl of Essex, whose death embittered the last moments of Elizabeth, and an account of which we extract verbatim from the scarce work we have so often mentioned, entitled The Life and Reign of Queene Elizabeth; it is as follows: “Wherefore on the same day was the Earle brought out between two diuines, apon the scaffold in the Tower-yard; where sate the Earls of Cumberland and Hartford, Viscount Howard of{122} Bindon, the Lords Howard of Walden, Darcy of Chile, and Compton. There were also present some of the aldermen of London, and some knights, and Sir Walter Rawleigh, to no other end (if we may beleeve him) then to answere him, if at his death he should chance to object any thing to him; although many intrepreted his being there to a worser sence, as though he had done it oneley to feed his eyes with his torments, and to glut his hate with the Earles bloud: wherefore being admonished that hee should not presse on him now he was dying, which was the property of base wilde beasts, he withdrew himselfe, and looked out upon him at the Armoury.

With a few names of the most famous people who have been imprisoned, and some who were executed in the Tower and on Tower Hill, along with a brief mention of the chapel where several of them are buried, we will conclude our description of this ancient fortress. In the early fourteenth century, Wallace, the hero of Scotland, was imprisoned within these walls, from where he was dragged to Smithfield, tied to the backs of horses, and executed after enduring the most brutal and horrifying tortures. Mortimer was brought here from Nottingham, heavily chained, after we believe he had been a prisoner in the Tower before that and escaped by getting his guards drunk. Here, the brave Earl of Moray was held for many painful years, unable to pay the exorbitant ransom King Edward demanded. The Duke of Orleans was brought here as a prisoner after the Battle of Agincourt and held in the Tower for a long time. We will skip the victims of Henry VIII, as they have a bloody chapter of their own in English history. The Earl of Essex, whose death darkened the final moments of Elizabeth, is mentioned in detail from the rare work we have referenced often, titled The Life and Reign of Queene Elizabeth; it states: “Thus on that same day, the Earl was brought out between two clergymen, onto the scaffold in the Tower yard; where the Earls of Cumberland and Hartford, Viscount Howard of Bindon, the Lords Howard of Walden, Darcy of Chile, and Compton sat. Some of the London aldermen and several knights were also present, along with Sir Walter Raleigh, who claimed he was there only to respond to the Earl if he happened to say anything against him at his death; although many interpreted his presence more negatively, seeing it as a way to enjoy the Earl's suffering and to satisfy his hatred with the Earl’s blood. Being told not to press him now that he was dying, which would be the behavior of a cowardly beast, he stepped back and watched him from the Armory.”

“The Earle as soone as he had mounted the scaffold uncovereth his head, and lifting up his eyes to Heaven, confesseth, that many and greivous were the sins of his youth, for which he earnestly begged pardon of the eternall Majesty of God, through the mediation of Christ, but especeialy for this his sinne, which hee said was a bloudy, crying, and contagious sinne, whereby so many men being seduced, sinned both against God and their Prince. Then he entreated the Queene to pardon him, wishing her a long life, and all prosperity, protesting he never meant ill towards her. He gave God hearty thanks that he never was an Atheist or Papist, but that always he put his trust in Christ’s merits. He beseeched God to strengthen him against the terrors of death, And he entreated the standers by to accompany him in a little short prayer, which with a fervent ejacculation and hearty devotion he made to God. Then he forgave his executioner and repeated his Creed, and fitting his neck to the blocke, having repeated the first five verses of the 51 Psalme, he said: ‘Lord, I cast my selfe downe humbly and obedeintly to my deserved punishment: Thou, O Lord, have mercy upon thy servant that is cast downe: Into thy hands, O Lord, I commit my spirit.’ His head after that was stricken off at the third blow, but the first tooke away both sence and motion.”

“The Earl, as soon as he stepped onto the scaffold, uncovered his head and lifted his eyes to Heaven. He confessed that he had many serious sins in his youth, for which he earnestly asked for forgiveness from the eternal Majesty of God through the mediation of Christ, especially for this sin, which he described as a bloody, crying, and contagious sin, by which so many men were led astray, sinning against both God and their Prince. He then asked the Queen to forgive him, wishing her a long life and all prosperity, insisting he never meant any harm towards her. He thanked God sincerely for never being an Atheist or Papist, but for always placing his trust in Christ’s merits. He pleaded with God to give him strength against the fears of death and requested those around him to join him in a short prayer, which he offered with fervent expression and heartfelt devotion to God. He then forgave his executioner and recited his Creed, and while preparing his neck for the block, after repeating the first five verses of Psalm 51, he said: ‘Lord, I humbly cast myself down obediently to my deserved punishment: You, O Lord, have mercy upon your servant who is cast down: Into your hands, O Lord, I commit my spirit.’ His head was then struck off at the third blow, but the first took away both sense and motion.”

Against this charge Sir Walter Raleigh defended himself, in his last speech, in the following words: “It is said I was a prosecutor of the death of the Earl of Essex, and stood in a window over against him when he suffered, and puffed out tobacco in disdain of him; but I take God to witness I had no hand in his blood; and was none of those that procured his death. My Lord of Essex did not see my face at the time of his death, for I had retired far off into the Armoury, where I indeed saw him, and shed tears for him.”

Against this accusation, Sir Walter Raleigh defended himself in his last speech, saying: “It’s claimed that I was responsible for the death of the Earl of Essex, that I stood in a window across from him when he was executed, and that I puffed out tobacco in disdain for him; but I swear to God I had nothing to do with his death and was not among those who arranged for it. My Lord of Essex did not see my face at the time of his execution, as I had moved far back into the Armory, where I did see him and cried for him.”

Sir Walter Raleigh’s execution is too closely interwoven with history to dwell upon any of the events of his imprisonment. Of him it may be truly said—{123}

Sir Walter Raleigh’s execution is too intertwined with history to focus on any of the events during his imprisonment. Of him, it can truly be said—{123}

“A small rule, a little influence—
A sunbeam on a winter day—
Is all the power the powerful have? "Between birth and death." —Dyer.

The night before his execution he wrote the following lines in a leaf of the Bible:

The night before his execution, he wrote these lines on a page of the Bible:

"Such is time, which takes on trust
Our youth, our happiness, everything we have,
And only pays us with the passage of time and decay; Who in the quiet and dark grave, When we have traveled all our paths,
"Closes the chapter on our lives."

Russel, Sydney, Shaftesbury, Buckingham, Laud, Davenant, and a score or more of others, whose names are mixed up with the stormy events of the period in which they lived, were prisoners in the Tower. These past away. Then came those who took part with the Pretender; some of whom were executed, a few pardoned; while others, like the Earl of Nithsdale, escaped. Then the names of Gordon, Burdett, and such like, of but little note in the present century, and they end

Russel, Sydney, Shaftesbury, Buckingham, Laud, Davenant, and a number of others, whose names are tied to the turbulent events of their time, were locked up in the Tower. They eventually passed away. Then came those who sided with the Pretender; some were executed, a few received pardons; while others, like the Earl of Nithsdale, managed to escape. Then we have the names of Gordon, Burdett, and similar figures, who are not very well-known in this century, and they conclude.

"This unusual and significant history."

The chapel of St. Peter’s ad Vincula stands at the north-west corner of the Tower, and must formerly have been very beautiful, though now sadly disfigured by modern innovators, who are cursed with such a taste as ought to be left only to its free indulgence in the walls of Bethlehem or St. Luke’s.

The chapel of St. Peter’s ad Vincula is located at the northwest corner of the Tower and must have once been very beautiful, although now it is unfortunately marred by modern designers, who possess a taste that should only be allowed to indulge freely in the walls of Bethlehem or St. Luke’s.

Here were interred the headless bodies of Queen Catherine Howard, Anne Boleyn, Margaret Countess of Shrewsbury, Lady Jane Grey: beauty, virtue, and talent, each bared her fair neck—the blow was struck, and now,

Here were buried the headless bodies of Queen Catherine Howard, Anne Boleyn, Margaret Countess of Shrewsbury, Lady Jane Grey: beauty, virtue, and talent, each revealed her fair neck— the blow was struck, and now,

"After life's restless struggle, they rest peacefully."

Here also repose Sir Thomas More, Cromwell, Earl of Essex, Seymour the Lord Admiral, and (strange retribution) his brother, the Protector Somerset; Dudley, the husband of Lady Jane Grey; Robert Devereux, Earl of Essex—all beheaded. The catalogue may be dismissed in the words of Shakspeare, where he

Here also lie Sir Thomas More, Cromwell, Earl of Essex, Seymour the Lord Admiral, and (strange twist of fate) his brother, the Protector Somerset; Dudley, the husband of Lady Jane Grey; Robert Devereux, Earl of Essex—all executed. The list can be summed up in the words of Shakespeare, where he

“Tells sorrowful tales about the demise of kings:
How some have been overthrown; some killed in battle; Some are haunted by the ghosts they have overthrown;
Some were poisoned by their wives, while others were killed in their sleep:
All killed!

Macaulay, in his History of England, speaking of this chapel, says: “There is no sadder spot on earth than this little cemetery.{124} Death is there associated, not, as in Westminster Abbey and St. Paul’s, with genius and virtue, with public veneration, and with imperishable renown; not, as in our humblest churches and churchyards, with every thing that is most endearing in social and domestic charities, but with whatever is darkest in human nature and in human destiny, with the savage triumph of implacable enemies, with the inconstancy, the ingratitude, the cowardice of friends, with all the miseries of fallen greatness and of blighted fame.”

Macaulay, in his History of England, speaks of this chapel, saying: “There is no sadder place on earth than this little cemetery.{124} Here, death is linked, not like in Westminster Abbey and St. Paul’s, with genius and virtue, public admiration, and lasting fame; nor like in our simplest churches and churchyards, with everything that is most beloved in social and family kindness, but with the darkest aspects of human nature and fate, with the brutal victory of relentless enemies, with the inconsistency, betrayal, and cowardice of friends, with all the sorrows of lost greatness and ruined reputation.”

We conclude with the following extract from the Illustrated London News of January 1843:

We finish with this excerpt from the Illustrated London News from January 1843:

“The extent of the Tower within the walls is twelve acres and five roods. The exterior circuit of the ditch—now a garden—surrounding it is 3156 feet. On the river-side is a broad and handsome wharf, or gravelled terrace, separated by the ditch from the fortress, and mounted with sixty pieces of ordnance, which are fired on the royal birthdays, or in celebration of any remarkable event. From the wharf into the Tower is an entrance by a drawbridge. Near it is a cut connecting the river with the ditch, having a water-gate, called Traitors’ Gate, state prisoners having been formerly conveyed by this passage from the Tower to Westminster for trial. Over Traitors’ Gate is a building containing the water-works that supply the interior with water.

“The area of the Tower within the walls is twelve acres and five roods. The outer perimeter of the ditch—now a garden—around it is 3,156 feet. On the river side is a wide and attractive wharf, or gravel terrace, separated by the ditch from the fortress, and equipped with sixty cannons that are fired on royal birthdays or to mark special occasions. There is an entrance from the wharf into the Tower via a drawbridge. Nearby is a cut that connects the river with the ditch, featuring a water gate known as Traitors’ Gate, through which state prisoners were previously transported from the Tower to Westminster for trial. Above Traitors’ Gate is a building that houses the waterworks supplying the Tower with water.”

“Within the walls of this fortress are several streets. The principal buildings which it contains are, the White Tower, the ancient chapel, the Ordnance-office, the Record-office, the Jewel-office, the Horse Armoury, the grand Storehouse, and the Small Armoury, besides the houses belonging to the constables and to other officers, the barracks for the garrison, and two suttling-houses, commonly used by the soldiers.

“Inside this fortress, there are several streets. The main buildings include the White Tower, the old chapel, the Ordnance office, the Record office, the Jewel office, the Horse Armoury, the grand Storehouse, and the Small Armoury, as well as the houses for the constables and other officers, the barracks for the garrison, and two shops typically used by the soldiers.”

“The principal entrance to the Tower is toward the west. It consists of two gates on the outside of the ditch, a stone bridge built over the ditch, and a gate in the inside. These gates are opened every morning with the following ceremony: the yeoman-porter, with a sergeant and six men, goes to the governor’s house for the keys. Having received them, he proceeds to the innermost gate, and passing that, it is again shut. He then opens the three outermost gates, at each of which the guards rest their firelocks while the keys pass and repass. On his return to the innermost gate he calls to the warders on duty to take the Queen’s keys, when they open the gate, and the keys are placed in the warders’ hall. At night the same formality is used in shutting the gates; and as the yeoman-porter with his guard is returning with the keys to the governor’s house, the main-guard, which, with its officers, is under arms, challenges{125} him with ‘Who comes there?’ he answers, ‘The keys,’ and the challenger replies, ‘Pass, keys.’ The guards, by order, rest their firelocks, and the yeoman-porter says ‘God save the Queen,’ the soldiers all answering, ‘Amen.’ The bearer of the keys then proceeds to the governor’s house, and there leaves them. After they are deposited with the governor, no person can enter or leave the Tower without the watchword for the night. If any person obtains permission to pass, the yeoman-porter attends, and the same ceremony is repeated.

The main entrance to the Tower is on the west side. It has two gates outside the moat, a stone bridge over the moat, and another gate on the inside. Every morning, the gates are opened with the following ceremony: the yeoman-porter, along with a sergeant and six men, goes to the governor’s house to get the keys. After receiving them, he heads to the innermost gate, passes through it, and closes it behind him. He then opens the three outer gates, where the guards lower their weapons while the keys are handed over. When he returns to the innermost gate, he calls out to the warders on duty to take the Queen’s keys, which then opens the gate, and the keys are stored in the warders’ hall. At night, the same procedure is followed for closing the gates; as the yeoman-porter and his guard return to the governor’s house with the keys, the main guard, along with its officers, stands ready and challenges him with, ‘Who goes there?’ He replies, ‘The keys,’ and the challenger responds, ‘Pass, keys.’ The guards then lower their weapons as ordered, and the yeoman-porter says, ‘God save the Queen,’ to which the soldiers all reply, ‘Amen.’ The key bearer then goes to the governor’s house and leaves the keys there. Once they are with the governor, no one can enter or exit the Tower without the night’s watchword. If someone gets permission to pass through, the yeoman-porter is present, and the same ceremony is repeated.

“The Tower is governed by its Constable, at present the Duke of Wellington; at coronations and other state ceremonies this officer has the custody of the crown and other regalia. Under him is a lieutenant, deputy-lieutenant, commonly called governor, fort-major, gentleman-porter, yeoman-porter, gentleman-gaoler, four quarter gunners, and forty warders. The warders’ uniform is the same as that of the yeomen of the Queen’s guards.

“The Tower is overseen by its Constable, currently the Duke of Wellington; during coronations and other state ceremonies, this officer is responsible for the crown and other regalia. Below him is a lieutenant, a deputy-lieutenant, often referred to as governor, as well as a fort-major, gentleman-porter, yeoman-porter, gentleman-gaoler, four quarter gunners, and forty warders. The warders’ uniform is the same as that of the Queen’s guards’ yeomen.”

“The Tower is still used as a state prison, and, in general, the prisoners are confined in the warders’ houses; but, by application to the Privy Council, they are usually permitted to walk on the inner platform during part of the day, accompanied by a warder.

“The Tower is still used as a state prison, and, generally, the prisoners are kept in the warders’ houses; however, by applying to the Privy Council, they are usually allowed to walk on the inner platform for part of the day, accompanied by a warder.”

“The fire which took place towards the winter of 1841 destroyed a great portion of the property in the grand Armoury, and materially altered the exhibitorial features of the edifices. The Armoury, said to have been the largest in Europe, was 345 feet in length, and was formerly used as a storehouse for the artillery train, until the stores were removed to Woolwich. A considerable number of chests filled with arms ready for any emergency were in a portion of the room which was portioned off; and in the other part a variety of arms were arranged in fanciful and elegant devices.

“The fire that occurred in the winter of 1841 destroyed a large part of the property in the grand Armoury and significantly changed the display features of the buildings. The Armoury, said to be the largest in Europe, was 345 feet long and was previously used as a storage facility for the artillery train until the supplies were moved to Woolwich. A good number of chests filled with weapons, ready for any emergency, were in a section of the room that was partitioned off, while in another part, various arms were arranged in creative and elegant designs.”

“A fearful destruction of property, at once curious and valuable, took place in this department; but one beautiful piece of workmanship was happily preserved. It consisted of the celebrated brass gun taken from Malta by the French, in 1798, and sent, with eight banners, which hung over the same, to the French Directory by General Buonaparte, in La Sensible, from which it was recaptured by the Seahorse, Captain Foote. The sword and sash which belonged to the late Duke of York were also saved, through the intrepidity of Captain Davies; who, however, severely cut his hands by dashing them through the plate-glass frame in which the sword and sash were enclosed.{126}

“A significant destruction of property, both strange and valuable, occurred in this department; but one beautiful piece of craftsmanship was thankfully preserved. It was the famous brass cannon taken from Malta by the French in 1798 and sent, along with eight banners that hung above it, to the French Directory by General Buonaparte on La Sensible, from which it was recaptured by the Seahorse, Captain Foote. The sword and sash that belonged to the late Duke of York were also saved, thanks to the bravery of Captain Davies, who, unfortunately, severely cut his hands by smashing them through the plate-glass frame that contained the sword and sash.{126}

CHAPTER VI.

Docks, Sailors, and Immigrants.

OUR rambles have now brought us to the Docks; but, before describing them, we must glance backward at the scenes which in former years met the eye on the very spots which these vast basins now occupy, for we shall include them all in this chapter.

OOur wanderings have now taken us to the docks; but before we describe them, we should look back at the sights that used to be on the very spots where these large basins now stand, because we will cover them all in this chapter.

There are people still living who can remember when Blackwall-Reach had for its landmarks grim gibbet-posts, on which the bodies of pirates bleached and blackened in the storm and sunshine, “making night hideous;” when the whole neighbourhood beyond the Tower, instead of being the home of mighty ships—that seem to sleep after their perilous voyages in the Docks—was a nest of ill-famed streets and dangerous alleys, unsafe even in the open noon of day, and at night trodden with dread by the peaceful passenger; when the Tower Hamlets disgorged their lawless inhabitants to witness an execution on Tower-hill, attack a press-gang, or rescue some sailor from the claws of justice, to be borne in triumph to the nearest tavern, and amid flip, fiddling, and dancing, bid defiance to every ‘Charley’ that for a mile around drawled out the passing hours. In those days it was not uncommon for the drum to beat an alarm, and a troop or two of soldiers to turn out of the Tower, to quell the brawls which arose between the land-lubbers and the sons of the salt sea; nor were the military always successful in putting down these midnight riots; for whether Jack hunted a Jew or unroofed a crimping house, he would not give in (unless overpowered) until he had chased down the one and demolished the other.{127}

There are people alive today who remember when Blackwall-Reach was marked by grim gallows posts, where the bodies of pirates rotted and decayed in the storm and sunshine, “making night horrible;” when the entire area beyond the Tower, instead of being home to mighty ships that seemed to rest after their dangerous voyages in the Docks, was a maze of notorious streets and risky alleys, unsafe even in broad daylight, and feared at night by those just passing through; when the Tower Hamlets sent out their unruly residents to witness an execution on Tower-hill, confront a press-gang, or rescue a sailor from the grip of the law, taking him triumphantly to the nearest pub to indulge in drinks, dancing, and music, defiantly ignoring every watchman for miles around who was trying to keep the peace. In those days, it was common to hear the drum beat an alarm and see a troop or two of soldiers emerge from the Tower to break up the fights between the landlubbers and the sailors; and the military didn't always succeed in stopping these midnight brawls; for whether a sailor was chasing a swindler or raiding a crimping house, he wouldn't back down (unless overpowered) until he had caught one and destroyed the other.{127}

Ned Ward, in his London Spy, describes the sailors he met with in his day in this neighbourhood, and says, “Sometimes we met in the street with a boat’s crew just come on shore, in search of those land debaucheries which the sea denies them; looking like such wild, staring, gamesome, uncouth animals, that a litter of squab rhinoceroses drest up in human apparel could not have made a more ungainly appearance.... Every post they came near was in danger of having its head broken; for every one as he passed by gave the senseless block a bang with his cudgel, as if they wished every post they met to be either the boatswain or the purser. The very dogs in the street shunned them with as much fear as a loitering vagrant would a gang of press-masters, being so cautioned against their ill usage by the stripes they had formerly received, that, as soon as ever they saw a seaman, away ran the poor curs, with their tails between their legs, to avoid the danger of the approaching evil. I could not forbear reflecting on the ‘prudence’ (?) of those persons who send their unlucky children to sea to tame and reform them.”

Ned Ward, in his London Spy, describes the sailors he encountered in his day in this neighborhood, saying, “Sometimes we would run into a crew just coming ashore, looking for those land debaucheries that the sea denies them; they looked like wild, staring, playful, awkward animals, so ungainly that a bunch of baby rhinoceroses dressed in human clothes wouldn’t have looked any more ridiculous.... Every post they walked by was at risk of getting smashed; as each one passed, they would hit the post with their club, as if they wanted every post they saw to be either the boatswain or the purser. Even the dogs in the street avoided them, as much as a wandering vagrant would steer clear of a group of press-gang officers, having been warned against their rough treatment by the beatings they had received in the past. So, as soon as they spotted a sailor, the poor pups would run away with their tails between their legs, trying to escape the coming threat. I couldn’t help but think about the ‘wisdom’ (?) of those people who send their unfortunate children to sea to try to tame and reform them.”

Even now, after all the alterations and improvements which have been made, there are places in the neighbourhood of St. Katherine and the London Docks which present almost the same features as they did a century or two ago, and such may be found within five minutes’ walk of the Docks we are describing. No contrast can be greater than that between the west and the east end of London; the very houses, dresses, and language of the inhabitants are different; for in the latter their talk is “all of ships.” Here, at the shop-doors dangle oil-case nor’-westers, with long fantails behind, telling that, unlike the hats in Bond-street, these are made to keep a billow that breaks over the head out of the nape of the neck; while the rough pilot-coats that hang like skins about the tent of a Russian bear-hunter, proclaim that they were never made to be worn in “a lady’s chamber,” but to be donned where the winds whistle, and the sea-gulls scream, and the big waves come roaring after each other like a thousand unchained hungry lions. There you see the gaudy handkerchief which Jack loves to leave a little out, that it may be seen from his blue jacket-pocket; those slops, in the whiteness of which he prides himself; and the checked shirt that he delights to throw open about his sun-browned throat, while he leaves the fringed corners of his black neckerchief to flutter like a pennon in the breeze. There is a forecastle-smell about the streets, a minglement of junk and rum, tar and biscuit, casks, ropes, and tobacco, not unpleasant to one who is proud of the wave-washed island on which he was born.

Even now, after all the changes and upgrades that have been made, there are areas near St. Katherine and the London Docks that look almost the same as they did a century or two ago, and you can find such spots within a five-minute walk from the Docks we’re talking about. The difference between the west and east ends of London couldn't be more striking; the very buildings, clothing, and speech of the people are distinct. In the east, their conversation is “all about ships.” Here, at the shop doors, oilskin jackets with long tails hang, indicating that, unlike the hats in Bond Street, these are designed to keep waves from crashing down your neck; while the rugged pilot coats draped like the skin of a Russian bear hunter clearly were never intended for “a lady’s room,” but meant to be worn where the winds howl, the seagulls cry, and the big waves crash against one another like a thousand hungry lions unleashed. You’ll see the flashy handkerchief that sailors like to leave partly out to show it off from their blue jacket pockets; those trousers that they take pride in for being so white; and the checked shirt that they love to leave unbuttoned around their sun-tanned necks, while the fringed edges of their black neckerchief flap in the wind like a flag. There’s a maritime scent in the streets, a blend of junk and rum, tar and biscuits, barrels, ropes, and tobacco, which isn’t unpleasant to someone who takes pride in the wave-battered island where they were born.

But the grandeur of this locality is its magnificent Docks—watery-squares{128} surrounded with high-piled warehouses, and filled with gigantic shipping, the tall masts of which tower proudly above the loftiest houses. Here you see keels that have ploughed up the stormy Atlantic—sails hanging idly in the breeze that have been filled with the spicy gales of India—figures ahead that have looked down into icy seas, or bent listlessly where the waves of the warm Mediterranean roll, and the arch-backed dolphins tumble. It makes the heart of a true-born Englishman, although he is not worth a groat, beat high when he enters the gates that open upon such a scene of naval grandeur; and we forgive those old sea-kings, while we gaze around, who all but conquered our country, and blended their Danish with our Saxon blood. Warriors of old, who guided their snorting seahorses along the road of the swans, and swept the stormy Baltic to stand face to face with Alfred the Great, and to be at last scattered like the ocean spray by the arm of the Island King. Peace to their manes! they were the first who taught our grey forefathers that England’s wooden walls are its safest bulwarks.

But the beauty of this place is its stunning Docks—water-filled squares{128} lined with tall warehouses, bustling with enormous ships, their tall masts towering proudly over the highest buildings. Here you can see keels that have navigated the rough Atlantic—sails hanging lazily in the breeze that have been filled with the fragrant winds of India—figures that have gazed into icy waters or drifted lazily where the waves of the warm Mediterranean crash, and the arch-backed dolphins play. It makes the heart of a true-born Englishman, even if he’s broke, swell with pride when he steps through the gates leading to such a scene of naval magnificence; and we forgive those old sea-kings, as we look around, who nearly conquered our land and mixed their Danish blood with our Saxon heritage. Warriors of old, who rode their snorting seahorses along the path of the swans, and crossed the stormy Baltic to meet Alfred the Great, ultimately getting scattered like ocean spray by the hand of the Island King. Peace to their spirits! They were the first to show our ancient forefathers that England’s wooden walls are its best defenses.

Many a house had to be levelled with the earth, and many an old graveyard to be dug up, before these mighty Docks could be made; even the ancient hospital founded by Queen Matilda seven centuries ago was demolished; and where oft the Sabbath-bell had tolled, and the old Londoners paused to glance at the “narrow beds” where their fathers slept, or wore the stones hollow with their passing feet—all were doomed to be swept away, to make room for the “guardian giants that prowl around our coasts.” From this, good came; living London had not room enough for her dead, and the green hills that look down upon her glory were then turned into sepulchres; rural cemeteries sprang up, and thither her departed sons and daughters were borne; instead of pent-up city churchyards, our metropolis became surrounded with great gardens of graves, which look like true resting-places. Over such, a poet might fancy their peaceful spirits would linger, and look beyond to where the vast city gradually grows in length and breadth from year to year, until, as is not improbable, it may at last extend its foot to the edge of the open ocean.

Many houses had to be torn down, and many old graveyards had to be dug up, before these massive docks could be built; even the ancient hospital founded by Queen Matilda seven centuries ago was demolished. Where the church bells once rang on Sundays, and where the old Londoners paused to look at the “narrow beds” where their ancestors rested, or wore the stones smooth with their footsteps—all were destined to be removed, to make way for the “guardian giants that roam our coasts.” From this, good emerged; living London didn’t have enough space for her dead, and the green hills overlooking her glory were then turned into graves; rural cemeteries popped up, and there her departed sons and daughters were laid to rest; instead of cramped city churchyards, our metropolis became surrounded by expansive gardens of graves that truly look like resting places. A poet might imagine their peaceful spirits lingering there, looking out towards where the vast city gradually expands in size year after year, until, as seems likely, it may eventually stretch its reach to the edge of the open ocean.

St. Katherine’s, and the two adjoining London Docks—which alone cover a space of more than a hundred acres—will contain six hundred ships, and near half a million tons of goods. In the West India Docks, which lie nearer Blackwall, merchandise valued at twenty millions of money has at one time been deposited on the wharfs, in the warehouses, and in the vaults below. The wealth of London lies not in her gaudy shops: beyond the Tower stand her great storehouses. A stranger who passes on the river on his way to Greenwich or Gravesend sees but little of these enormous treasuries—the{129}

St. Katherine's and the two nearby London Docks, which cover over a hundred acres, will hold six hundred ships and nearly half a million tons of goods. In the West India Docks, closer to Blackwall, merchandise worth twenty million has been stored on the docks, in warehouses, and in the vaults below at one time. The wealth of London isn't in its flashy shops; beyond the Tower are its massive storage facilities. A visitor traveling on the river to Greenwich or Gravesend sees only a fraction of these vast treasures—the{129}



MAST-HOUSE, BLACKWALL.

MAST-HOUSE, BLACKWALL.

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MAST-HOUSE, BLACKWALL.

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tops of the tall masts alone point out their “whereabouts.” These Docks are surrounded by high strong-built walls, so lofty, that it would be a puzzle to a most expert thief to scale them, on account of the finish of the coping; and if even this were accomplished, a greater difficulty would remain in getting over the bulky goods which are stored within. The walls which encircle the two London Docks were erected at a cost of sixty-five thousand pounds; and no less a sum than four millions was expended in completing this vast establishment. The East India Docks are at Blackwall, and our engraving is a view of the old Mast-House in the Export-Dock—one of the most prominent objects in the landscape, when the eye is turned in that direction, either from the summit of One-tree-hill in Greenwich Park, or as seen from the right of the Observatory.

The tops of the tall masts are the only things that show their “location.” These docks are surrounded by high, sturdy walls, so tall that it would be a challenge for even the most skilled thief to climb them, due to the design of the coping; and even if that hurdle were crossed, there would be a bigger challenge in getting past the bulky goods stored inside. The walls that enclose the two London Docks were built at a cost of sixty-five thousand pounds, and a total of four million was spent to complete this enormous establishment. The East India Docks are located at Blackwall, and our illustration shows the old Mast-House in the Export-Dock—one of the most notable features in the landscape when viewed from the top of One-tree-hill in Greenwich Park, or seen from the right side of the Observatory.

It will be readily imagined that such improvements as these were not made without meeting with much opposition, for it is on record that the cargo of a large vessel often took up five or six weeks before it was delivered: for before the Docks were made, goods were put into lighters at Blackwall, and carried to the old-fashioned quays near London Bridge, and after a long delay, occasioned even by the Custom House authorities themselves, they were finally removed to the different warehouses in the City. In these good old times river robbery was a thriving trade; and we have more than rumour for asserting that many a fortune was made by this systematic plunder. No marvel that when the first inroad was made on these old vested rights, a clamour was raised by carmen, porters, lightermen, and all the shoal of waterside labourers, who benefited more or less by the very difficulties which attended the removal of merchandise, and that from Wapping to Westminster the whole aquatic populace raised their voices against the dock crusades. Even the Trinity House itself murmured about an invasion of interests, and contended that the Royal Dock at Deptford would be ruined. City limits and city privileges were all in all to these sticklers for old rights; nor have matters altered much even up to the present day, when a proposed improvement in the sewerage of the City seems to create as much alarm as if all its charters and privileges were about to be undermined and swallowed up. All these claims and demands had to be bought up, and thousands were expended in silencing their clamours before the Docks were commenced; for there were legal quays beside the river, and moorages within, and landing-places, that time out of mind had their little perquisites. And when all the Joneses, Smiths, and Tomkinses were satisfied, the mighty work began to proceed; and thus in time spread out and rose up these broad city basins and high-piled warehouses, which are the pride of England and the envy of so many surrounding nations.{132}

It’s easy to imagine that such improvements faced a lot of pushback since records show that the cargo of a large vessel often took five or six weeks to be delivered. Before the Docks were built, goods were transferred to lighters at Blackwall and taken to the old quays near London Bridge. After a long delay, partly caused by the Custom House authorities, they were finally moved to various warehouses in the City. Back in those days, river robbery was a profitable business; there’s more than just rumor to suggest that many fortunes were made through this systematic theft. It’s no surprise that when the first steps were made to challenge these old rights, there was an uproar from carmen, porters, lightermen, and all the other waterside workers who benefited, to varying degrees, from the difficulties in moving merchandise. From Wapping to Westminster, the entire waterfront community protested against the dock initiatives. Even Trinity House complained about a threat to their interests, arguing that the Royal Dock at Deptford would be harmed. City boundaries and privileges were everything to those who defended old rights; not much has changed today, as even a proposed improvement in the City’s sewer system seems to cause as much concern as if all their charters and privileges were about to be taken away. All these claims and demands had to be settled, costing thousands to quiet the protests before the Docks could begin construction. There were legal quays by the river, moorages within, and landing places that had their little perks for as long as anyone could remember. Once all the Joneses, Smiths, and Tomkinses were satisfied, the grand project could finally move forward, leading to the development of the expansive city basins and towering warehouses that are now the pride of England and the envy of many other nations.{132}

But it is not the removal and storing of merchandise, in which as many as five thousand men are sometimes employed, that alone engrosses the eye of the observant stranger when he visits the Docks. There are other scenes of painful or pleasurable interest, which fall upon the eye and heart according to the humour of the man. One of those it is our province to portray. About a year ago we dined on board a large vessel in St. Katherine’s Docks which had been chartered to carry out emigrants to America; it was a few days before the ship was announced to sail. The owner was a worthy gentleman; the party who had hired the ship, needy adventurers, whose references had blinded all inquiries, and who were only found out when interference was of no legal avail. For days “hired vagabonds” had been “touting” at every wharf and public-house in the neighbourhood; and the call, although not so openly made as that of an omnibus conductor, only varied inasmuch as “America” was substituted for “Charing-cross” or “Paddington.” They took passengers for almost whatever they could get, paying no regard as to whether or not they had stores to last the voyage, or would starve before they were half over the Atlantic. “It was a sorry sight,” and the law had no power beyond that of making a few arrangements that would contribute to the comforts of the poor passengers.

But it's not just the unloading and storing of goods, where sometimes as many as five thousand men work, that catches the eye of an observant visitor to the Docks. There are other scenes, both painful and uplifting, that can touch the heart depending on how you feel. One of those scenes is what we're going to describe. About a year ago, we had dinner aboard a large ship in St. Katherine’s Docks that had been chartered to take emigrants to America; it was just a few days before the ship was scheduled to sail. The owner was a decent man; the group that had rented the ship were desperate adventurers whose references had obscured all inquiries, and they were only discovered when it was too late to intervene legally. For days, “hired wanderers” had been “fishing” around every wharf and pub in the area; their calls, while not as loud as that of a bus conductor, only differed in that “America” replaced “Charing-cross” or “Paddington.” They accepted passengers for almost any price they could get, regardless of whether those passengers had enough supplies for the journey or would end up starving before they were halfway across the Atlantic. “It was a sad sight,” and the law had no power beyond making a few arrangements to improve the conditions for the unfortunate travelers.

We went down the hold, which was fitted up with berths—if such a name may be given to the tiers of unplaned deal boards, which resembled large hen-coops piled one above another; and stretched on mattresses upon these wooden gridirons we saw many of the emigrants waiting wearily for the appointed hour that was fixed for sailing. It made the heart sicken to picture that hold, when out at sea with the hatches battened down, and the vessel driving through a storm. There were then little children running about, and playing at hide and seek among the bales and casks—fair-haired, red-cheeked, blue-eyed beauties, whose sun-burnt arms and necks told that they had had the run of the open village-green; and such we found had been the case when we inquired. Both father and mother were fine specimens of English peasantry: the grandfather and grandmother were also there. They had fixed up the very clock in the hold, which had for years ticked in the old familiar cottage, and brought a few choice flowers in pots, which they hoped to plant about their new home in a foreign land. An antique oak table, that had been in the family for many generations, was also doomed to bear them company in their long voyage. The old grandfather, whose countenance would have enraptured an artist, sat in a deep Rembrandt-like shadow at one corner of the hold, with the family Bible upon his knee. They appeared to be well provided for the voyage, and were full of “heart and hope.{133}

We went down into the hold, which had bunks—if that’s what you’d call the layers of rough wood that looked like big chicken coops stacked on top of each other; and lying on mattresses on these wooden frames, we saw many of the emigrants waiting tiredly for the set time to sail. It made my heart ache to imagine that hold, out at sea with the hatches closed tight, and the ship struggling through a storm. There were little kids running around, playing hide and seek among the bales and barrels—blonde, rosy-cheeked, blue-eyed cuties, whose sun-baked arms and necks showed they had been playing outside on the village green; and that turned out to be true when we asked. Both the father and mother were great examples of English farmers: the grandfather and grandmother were there too. They had even set up their old clock in the hold, which had ticked in their familiar cottage for years, and brought a few special flower pots that they hoped to plant around their new home in a foreign land. An old oak table, which had been in the family for generations, was also going to keep them company on their long journey. The old grandfather, whose face would have delighted an artist, sat in a deep shadow at one corner of the hold, with the family Bible on his lap. They seemed well prepared for the voyage and were full of “heart and hope.{133}

Another corner was occupied by a wretched-looking Irish family. All excepting the old countryman and his family seemed to regard this miserable group with an eye of suspicion more than of pity; for it was whispered that a few biscuits and a little oatmeal were all the provisions they had made for the voyage. The captain, however, who had had some experience, considered that they were amply provided, and he made the strictest inquiry. A bag of coarse bread, which had been cut into slices and then browned in the oven, had that morning, he said, been sent on board to assist them—it was the gift of a few poor Irish people who lived in the borough of Southwark. This bread, he said, with a little suet, would make excellent puddings; and he promised that Pat should not lack the latter ingredient. It appeared that there were many little things which a willing hand might do on board a ship, and, as he said, “We never yet allowed one to starve; but this is a queer lot.” If we remember rightly, the number of passengers was not sufficient to call for the interference of the Emigration Commissioners. The ship had been chartered to carry a cargo, a part of which, from some cause or other, was withheld; so the speculators endeavoured to make up the loss by passengers. Our attention was too much engrossed in conversation with those who were about to quit their native country, it might be for ever, to enter fully into these legal matters, although we believe the number at last became sufficient to call for this interference.

Another corner was taken by a miserable-looking Irish family. Everyone except for the old countryman and his family seemed to look at this unfortunate group with more suspicion than pity; it was rumored that a few biscuits and a little oatmeal were all the supplies they had for the trip. However, the captain, who had some experience, thought they were well-stocked and made a thorough inquiry. He mentioned that a bag of coarse bread, which had been sliced and browned in the oven, had been sent on board that morning to help them—it was a gift from a few poor Irish people living in Southwark. He explained that this bread, along with a bit of suet, would make great puddings, and promised that Pat wouldn’t be short on the latter ingredient. It seemed there were many small tasks a willing hand could do on a ship, and as he said, “We’ve never let anyone starve; but this is a strange group.” If we remember correctly, the number of passengers wasn’t enough to warrant the involvement of the Emigration Commissioners. The ship had been hired to carry a cargo, part of which was withheld for some reason, so the speculators tried to make up for the loss by adding passengers. Our attention was too consumed by conversations with those who were about to leave their home country, possibly forever, to fully engage with these legal matters, although we believe the number eventually grew enough to require involvement.

To our feelings there was something very revolting in married and single, young and old, being thus placed together in the hold of a ship, which was never intended for the accommodation of passengers; and we think that government might be worse employed than in applying a remedy to these evils. We fear that many who leave our shores with refined and delicate feelings, who, however humble may be their station in life, are gifted with that innate love of modesty which in no country has a more natural growth than in our own,—that many such are doomed to quit England, and through circumstances over which they have no control, land great losers in this never-to-be-recovered gift.

To us, there was something very disturbing about married and single people, young and old, being crammed together in the hold of a ship that was never meant for carrying passengers. We believe that the government might do well to address these issues. We worry that many who leave our shores with refined and sensitive feelings—no matter how humble their station in life—possess an inherent love of modesty that thrives in no place more naturally than in our own. Too many of these individuals are forced to leave England and, due to circumstances beyond their control, end up losing this invaluable trait forever.

A voyage to America in the hold of a vessel fitted up temporarily as we have described, is a scene not likely to fall under the eye of a popular author: it can only be sketched by getting the information from some unfortunate fellow who has been bumped and thumped against those huge beams which run inside the berths, and rolled about like a barrel, and has been lucky enough to outlive all such pitching and tossing. A state-cabin, in the roughest gale, must be a palace compared with such a place in a moderate calm; and a common steerage, rendered as comfortable as circumstances will permit, a perfect{134} elysium. Picture those who have never in all their lives encountered a stronger gale than needed a safe hand to keep on the hat, turning all sorts of imaginable somersaults, and who never heard any noise louder over their heads than when some relative fell down drunk upon the chamber-floor at a feast-time, first listening to the tramp, and thunder, and hurly-burly on deck, when the ship is struck by a heavy sea, and every timber groans again in its deep agony. No regular steward to assist—no servant to attend—berth moaning to berth—child squealing against child—one praying here, another cursing there—the hold all but dark, and where a glimmering of light is seen, the sea rushing in like a cataract—and over all, the wind howling like a raging demon, and every wave knocking at the ship’s side, and demanding admittance; and if such is not a picture of a certain nameless place under the earth, it would convey no bad idea of one upon the sea.

A trip to America in the hold of a ship that's been temporarily set up like we described is something you don't usually read about in popular novels. The best way to get a sense of it is to hear from someone unfortunate enough to have been jostled and battered against the big beams inside the bunks, rolling around like a barrel, and who managed to survive all that chaos. A private cabin during a rough storm must feel like a palace compared to that space in even a mild calm; and a basic steerage, made as comfortable as it can be given the circumstances, would feel like a perfect{134} paradise. Imagine those who've never faced a stronger wind than what you need to keep your hat on, doing all kinds of crazy flips, and who’ve only ever heard louder noises over their heads than when a relative drunkenly collapsed on the floor at a party, first listening to the thud, crash, and commotion on deck when a big wave hits, making every beam creak in deep pain. There’s no regular steward to help—no attendant to take care of things—bunks groaning against each other—kids crying—one person praying here, another cursing there—the hold is almost dark, and where you can catch a glimpse of light, the sea is pouring in like a waterfall—and above it all, the wind screams like a furious demon, and every wave slams against the ship’s side, demanding to come aboard; and if this isn't a picture of a certain unnamed place below ground, it would give you a pretty good idea of one on the sea.

And those dear children nestled together, with their little arms encircling one another in their cheerless berths, their mother incapable of comforting them! It gave one the heart-ache to think of what they were destined to endure. We pictured them in their restless slumber, murmuring like bees—dreaming of their cottage, then far away—or dizzy with the rocking of the ship, recalling the swing which hung between the apple-trees in the garden, and unconscious of the danger with which they were surrounded. Then we remembered Him who “tempereth the wind to the shorn lamb”—

And those dear children snuggled together, with their little arms wrapped around each other in their gloomy beds, their mother unable to comfort them! It was heartbreaking to think about what they were going to go through. We imagined them in their restless sleep, murmuring like bees—dreaming of their cottage, now far away—or feeling dizzy from the ship's rocking, remembering the swing that hung between the apple trees in the garden, unaware of the danger surrounding them. Then we remembered Him who “calms the wind for the shorn lamb”—

"Who operates in a mysterious way
His miracles to perform; Who walks on the sea,
And rides the storm.”

Wearily over the wilderness of waters would they journey onwards. Like birds with ruffled plumage, that feel themselves strangers when they have alighted upon a new land, the wild waste beside the ocean-shore where they landed would at first be trod with an aching heart; there would not be one old familiar object to comfort them. The Indian who carries the bones of his relatives to the far forest which he is driven into, and there erects a new hut, leaves scarcely an object of regret behind, for his hopes are anchored upon his great hunting-ground beyond the grave. One who soars into higher and purer realms in the dreams of an hereafter, is chained to earth by greater regrets. The very tree in the centre of the village-green wears a new charm when seen through the “mind’s eye” from a far distance, and the humblest objects become more endeared to us when they are no longer within our grasp. Brighter and broader{135} landscapes may burst upon the view in a new world beyond the ocean; but never shall we again find those familiar features in the scene which we have left behind: oft

Wearily, they journey onward over the wild waters. Like birds with ruffled feathers that feel out of place when they land in unfamiliar territory, the desolate stretch by the ocean where they arrive will first be walked with a heavy heart; there won’t be a single familiar thing to comfort them. The Native American who carries the bones of his ancestors to the distant forest he has been forced into, and builds a new hut there, leaves behind little to regret, for his hopes are tied to a great hunting ground beyond this life. Someone who dreams of soaring into higher and purer realms in the afterlife is weighed down by deeper sorrows. The very tree in the center of the village green has a new allure when viewed from afar through the "mind's eye," and even the simplest objects become more cherished when they are out of our reach. Brighter and wider{135} landscapes may unfold in a new world beyond the ocean; but we will never again find those familiar features in the scene we have left behind: often

“... in the quiet night,
When sleep's chain has bound us,
Good memories bring happiness Of the days around us.”

A far different scene met our eyes not long ago in the East India Docks, when the Canterbury Association sent out their emigrants to New Zealand. What we then witnessed compelled us to take another view of emigration, and to regret that many of our poor needlewomen were not numbered among the comfortable-looking Canterbury colonists.

A very different scene greeted us not long ago at the East India Docks when the Canterbury Association sent their emigrants to New Zealand. What we saw then made us reconsider emigration and regret that many of our struggling seamstresses weren’t part of the well-off Canterbury colonists.

The scene seemed to carry us back to bygone years, when the Pilgrim Fathers went forth over perilous seas (linked together by one faith) to establish colonies in far-off lands, and build cities in wild wooded wastes which had before borne no imprint but that of beasts of the chase, or the footmark the Indian hunter left behind while pursuing them. Stern men, such as Cromwell selected his Ironsides from, and staid matrons who, during the civil war, laid aside their psalters to load arquebusses, were the unflinching elements out of which our colonies were formed in those stormy old times. Neither gaols nor workhouses were emptied to people these early settlements, but firm, high-souled men and women went out, accompanied by their ministers and grave elders—such as in more ancient days assembled in our Saxon witenagemotes—full of moral resolves, and gave them laws, and established another England, in which they could worship God according to the dictates of their own consciences. They weeded not the garden to transplant its sickly and seedy roots, but (so to speak) took out the very seed and the purest mould, and formed for themselves strong and healthy beds, that produced such fruit as tempted and attracted others to sally forth and cultivate their newly-discovered fields.

The scene felt like it took us back to the past when the Pilgrim Fathers traveled across dangerous seas (united by a single faith) to set up colonies in distant lands and build towns in wild, forested areas that had only seen the footprints of animals or the traces left by Native American hunters. They were tough men, like those Cromwell chose for his Ironsides, and serious women who put down their prayer books to load firearms during the civil war. These were the steadfast individuals who formed our colonies during those turbulent times. It wasn’t prisoners or those from workhouses who populated these early settlements, but strong, principled men and women who traveled out with their ministers and respected elders—similar to those who gathered in our Saxon councils in earlier times—driven by moral determination. They created laws and established another England, where they could worship God according to their own beliefs. They didn’t just clear out the garden to move its weak and sickly roots but, so to speak, took the finest seeds and the best soil to create robust and fertile plots that produced such abundant harvests that they inspired others to venture out and cultivate the land they had newly discovered.

Of similar materials to these is the Canterbury Settlement, in New Zealand, to be formed, and more than a million acres to be peopled, by those who are of one faith—members of the English Church—and who are to begin by building schools and erecting places of worship, and thus providing for the intellectual and spiritual wants of the community. Food and raiment and shelter are not all they undertake to supply, but ample provision is to be made for much higher and holier purposes.

Of similar materials to these is the Canterbury Settlement in New Zealand, which is about to be established. More than a million acres will be populated by those who share the same faith—members of the English Church. They will start by building schools and creating places of worship, addressing the intellectual and spiritual needs of the community. Providing food, clothing, and shelter isn’t their only commitment; they also plan to ensure there’s plenty for much higher and more sacred purposes.

None who are really poor and wretched accompany them; such as go out, as servants and labourers, are men and women of good character,{136} and members of the English Church. The Archbishop of Canterbury is at the head of the association, which numbers amongst its members noblemen and gentlemen, and those connected with the Church; in short, we shall not err by calling it a religious community. Hunger, and crime, and sin, and sorrow, and nakedness, and wretchedness they leave behind. Except the working emigrants who accompany them, we believe that nearly the whole of the settlers are large purchasers of land: some few of those who have speculated remaining here. They are also at liberty to establish their own form of government—to be, in fact, free and independent of England. It will be seen that they set out with such wealth, respectability, and numbers, as surpass all that our former colonists ever possessed, but that they take away none of our unemployed and needy poor.

None who are truly poor and miserable join them; those who go out as servants and laborers are decent men and women,{136} and members of the Church of England. The Archbishop of Canterbury leads the group, which includes noblemen, gentlemen, and those affiliated with the Church; in short, we can accurately refer to it as a religious community. They leave behind hunger, crime, sin, sorrow, nakedness, and misery. Aside from the working emigrants who travel with them, we believe that almost all the settlers are large landowners: only a few of those speculating choose to stay here. They also have the freedom to create their own government—essentially becoming free and independent of England. It will be clear that they set out with more wealth, respectability, and numbers than any of our previous colonists ever had, but they do not take any of our unemployed and needy poor.

What we witnessed on board the vessel in the East India Docks awakened no painful feelings, for they were not people actually compelled to leave their country because they were unable to obtain a living in it, like the many thousands who covet but the common necessaries of life, and cannot obtain them. We turned from the well-spread tables then before us, and thought of the poverty and wretchedness of those who drag out a miserable existence in our over-crowded London streets; the thousands who stand

What we saw on the ship at the East India Docks didn't bring us any painful emotions, because these weren’t people who were forced to leave their country due to a lack of means to support themselves, like the many thousands who long for the basic necessities of life but can't get them. We looked away from the lavish tables in front of us and considered the poverty and misery of those who struggle to get by in the overcrowded streets of London; the thousands who stand

"Houseless near a thousand homes," "And nearly a thousand tables are longing for food;"

who bring no old memories into the crowded city, in which many of them were born. Home, with all its green boughs rustling above the rippling stream—the murmur of the bee—the shout of the cuckoo, and the mellow song of the golden-billed blackbird, were never to them old familiar sounds; they have nothing to sigh over, to look back upon and regret. The word “Home” to many of them has no charm, has never been surrounded with comfort; it is but a shifting from attic to attic, or from cellar to cellar; it but conjures up unhealthy back-rooms and high dead-walls, and breathless courts, which, when the wind reaches, it only stirs the sleeping poison, and scatters wider the stench of a thousand stagnant sewers. There they sit, in such neighbourhoods as Whitechapel and Bethnal-green, and hear of holidays and merry seasons, in which they have no share. The Christmas bells but ring out to them telling that nights are long and coals dear; and they are compelled to sit and listen to those sounds in the darkness, or by the glimmering of a handful of fire, for they are too poor to purchase even a candle. Spring processions and Whitsun holidays but tell them that there are pleasant places somewhere, which people are rushing out of town to see, though for them{137} the flowers grow not, nor have they ever rested under the cooling shadow of a green tree. All they know of time is by feeling hungry, and struggling against sleep, while “stitch, stiching” for such establishments as Mr. Mayhew has described in his London Labour and London Poor, keeping no other record of the hours but by the number of stitches they take, or how long it will be before they can afford to eat again, while hunger is gnawing within, though the insufficient meal is but just concluded. Their homes were places from which they were many a time turned out because they could not pay the rent, then left to stand shivering and starving in the street, until some one, who numbered as many miseries as they, all but the want of a wretched roof for a covering, invited them in—and they sat crouching beside the fireless grate, thankful that, in addition to hunger, they had not to endure

who bring no old memories into the busy city where many of them were born. Home, with its green branches rustling above the flowing stream—the buzz of the bee—the call of the cuckoo, and the sweet song of the golden-billed blackbird, were never familiar sounds to them; they have nothing to sigh over, to look back on and regret. The word “Home” has no charm for many of them, has never been filled with comfort; it’s just a move from one attic to another or from one cellar to another; it only brings to mind unhealthy back rooms and tall, grim walls, and stuffy yards, where, when the wind blows, it only stirs the sleeping poison and spreads the stench of a thousand stagnant sewers. There they sit, in neighborhoods like Whitechapel and Bethnal Green, and hear about holidays and joyful seasons in which they have no part. The Christmas bells ring out to them, reminding them that nights are long and coal is expensive; and they are forced to listen to those sounds in the darkness, or by the dim light of a small fire, as they are too poor to buy even a candle. Spring parades and Whitsun holidays remind them that there are nice places somewhere that people are leaving town to enjoy, though for them {137} flowers don’t grow, nor have they ever rested under the cool shade of a green tree. All they know about time is through feeling hungry and fighting against sleep while “stitch, stitching” for businesses like those Mr. Mayhew talked about in his London Labour and London Poor, keeping no record of the hours except by the number of stitches they complete or how long until they can afford to eat again, even as hunger gnaws at them, though they’ve just finished a meager meal. Their homes were places from which they were often thrown out because they couldn't pay the rent, left to stand shivering and starving in the street, until someone, facing as many hardships as they did, except the lack of a miserable roof over their heads, invited them in—and they sat huddled beside the fireless grate, grateful that, in addition to hunger, they didn’t have to suffer

"The relentless beating of the outer storm."

They have nothing to offer one another but sympathy—nothing to give but sigh for sigh, as they mingle tears with tears. What have they to throw a charm over home? Where is the comfortable bed on which to repose when their labour is ended? Behold that heap of rags and straw in the dark corner of the room! Where are their pictures to enliven the walls? their flowers, to tell that spring or summer has come? The imagination must form a landscape where the mortar has broken away—the only white patch in that dirty dwelling; their flowers of summer are dying in that broken jug where the halfpenny nosegay is placed, purchased when hunger needed appeasing, because memory was pining for nourishment, and the heart and eye were weary of those black roofs and tall chimneys, and they wanted to look on something which God had made; for,

They have nothing to offer each other but sympathy—nothing to give but sighs in response to each other’s, as they mix their tears together. What do they have to bring comfort to their home? Where is the cozy bed to rest on when their work is done? Look at that pile of rags and straw in the dark corner of the room! Where are their pictures to brighten the walls? Their flowers, to show that spring or summer has arrived? Imagination has to create a picture where the plaster has fallen away—the only clean spot in that filthy place; their summer flowers are wilting in that broken jug where the cheap bouquet sits, bought when they needed to satisfy their hunger because their memories were craving nourishment, and their heart and eyes were tired of those dark roofs and tall chimneys, and they longed to see something God had created; for,

"Even though people have the ability to create a town,
He can't make the thistledown,
"Which every wind shakes."

Mighty England, with all her glory, has but left them heirs to misery. When such as these are borne away to another country, we can almost picture the guardian-angels that would accompany them hiding their faces with their hands as they speed along with their white wings expanded above the vessel, as if weeping for these poor outcast daughters. But Hope, with her “golden hair” streaming out, would herald the way, pointing to other homes beyond the rim of the horizon, far over the sea, and bidding them remember that God is also there; and that there are no crowded courts and starving populace in those lands, where Health would stand with roses in her{138} hands to plant in their pale cheeks, while honest Labour waved his sickle to welcome them to the thatched hut, which, stored with plenty, would send its blue smoke under the green trees, and then in coiling shadows over the golden harvest-field. Alas! these go not out with the Canterbury colonists. We should consider the present emigrants as going before to prepare the way for their feebler or poorer brethren. Their intelligence, capital, and enterprise will, we trust, create such a demand for labour, that they will invite the misery and poverty left at home to join them in the happy land of Canterbury, where we hope plenty will be found for all. May their turn soon come, and may they speedily join those who are now on their way; and, when it does, may the sea on which they will sleep flow around them with a gentle murmur—may the breeze visit them as softly as a mother’s breath when she bends over her slumbering infant, and so dream during their long voyage over the ocean! May they at last anchor in a foreign land, where they will find a home such as they have never known!

Powerful England, with all her splendor, has only left them with a legacy of suffering. When people like these are taken away to another country, we can almost imagine the guardian angels that would accompany them, hiding their faces with their hands as they fly alongside the ship, their white wings spread above, as if mourning for these unfortunate daughters. But Hope, with her "golden hair" flowing, would lead the way, pointing to new homes beyond the horizon, far across the sea, reminding them that God is also present there; and that those lands are free from crowded courts and starving crowds, where Health would stand with roses in her hands to plant on their pale cheeks, while honest Labor waved his sickle to welcome them to a thatched cottage, filled with abundance, sending its blue smoke beneath the green trees and curling shadows over the golden fields of harvest. Unfortunately, those leaving do not go with the Canterbury colonists. We should view the current emigrants as pioneers, preparing the way for their weaker or poorer brothers and sisters. Their knowledge, resources, and drive will, we hope, create such a need for labor that it will invite the misery and poverty left behind to join them in the prosperous land of Canterbury, where we trust there will be enough for everyone. May their time come soon, and may they quickly reunite with those already on their journey; and when they do, may the sea on which they will rest flow around them with a gentle hush—may the breeze touch them softly, like a mother's breath over her sleeping child, allowing them to dream during their long voyage across the ocean! May they eventually anchor in a foreign land, where they will discover a home like none they have ever known!

Here, where there is not even room for their dead, but where the last silent tenant is removed to make room for the next comer, what have they to weep over? Nothing! No one, perhaps, would be by to close their dying eyes, or when they turned their faces to the cold wall, to bid “God bless them!” No friendly hand to lift them down those stairs up which they had so often gone with aching hearts, but be borne by pauper arms, in a pauper’s coffin, to a nameless grave, the very hillock of which would be levelled within a month after they had been thrust beneath it, as if there was neither room for them living nor dead. Who would not pray to heaven to send them a prosperous voyage (as those were prayed for who have gone before) as they fly from a shore which brings to memory only misery, where the only hours of happiness they knew were those which went winged over their unconscious childhood, when hunger was scarcely felt while they played, and sorrow only forgotten when they slumbered—when the Angel of Sleep came and carried away the very memory of wretchedness until they awoke again. May the peaceful daisies soon blow about their home in a land where there is plenty and to spare, and human life is not made up of labour, hunger pangs, and short, fitful, moaning snatches of slumber, which is not sleep. May they, like those who are now preceding them, find a home around which to twine their affections, with a few trees and flowers that they can love and call their own, where the sun has room to get near them at morning, and can give them a parting smile before he sets at night, where he comes streaming free as when, first launched from God’s almighty hand, he went thundering with a golden trail of glory behind, until the voice of the Omnipotent{139} bade him stop in the immensity of space. May they find verdant valleys over which no board ever looked, threatening the wanderer with imprisonment for trespassing, but where the land is as free as it is to the foot of the bird, and where in time the tall churchspire may rise and the Sabbath-bell ring, and the hum of childish voices be heard coming from beneath the blossoming trees in the orchard where they are at play. When we turn to such a picture as this, and look at the haunts of wretchedness they now inhabit, we are compelled to acknowledge emigration a blessing.

Here, where there isn't even space for their dead, and where the last silent occupant is taken away to make room for the next arrival, what do they have to mourn? Nothing! No one, perhaps, will be there to close their dying eyes, or when they face the cold wall, to say “God bless them!” No friendly hand to help them down the stairs they have climbed so many times with heavy hearts, but instead to be carried by the arms of the poor, in a pauper’s coffin, to a nameless grave, the very mound of which will be leveled within a month after they have been buried beneath it, as if there is no space for them, either alive or dead. Who wouldn’t pray to heaven for a smooth journey (as prayers are offered for those who went before) as they flee from a shore that only brings back memories of suffering, where the only moments of happiness they experienced were the ones that passed swiftly during their carefree childhood, when hunger was barely felt while they played, and sorrow was only forgotten when they slept—when the Angel of Sleep came and carried away all memories of misery until they woke again. May the gentle daisies soon bloom around their home in a land of abundance, where human life isn't filled with toil, hunger, and short, restless, moaning naps that aren’t really sleep. May they, like those who are now ahead of them, find a place to create bonds, with a few trees and flowers they can cherish and call their own, where the sun can come close to them in the morning and offer them a parting smile before it sets at night, where it streams down freely as it did when, first sent from God's powerful hand, it thundered with a golden trail of glory behind it, until the voice of the Almighty{139} told it to pause in the vastness of space. May they discover lush valleys where no sign threatens to imprison wanderers for trespassing, but where the land is as free as it is to the feet of birds, and where, in time, tall church spires may rise, and the Sunday bell may ring, and the cheerful sounds of children’s voices can be heard from beneath the blossoming trees in the orchard where they are playing. When we picture such a scene and compare it to the miserable places they currently inhabit, we must admit that emigration is a blessing.

If emigration is too expensive, let us not close our eyes to the fact that there are millions of acres of waste land in England and Ireland which might be brought into cultivation, and enable thousands to live thereon in comfort, or be made to bring in a good rental, so as to support those we cannot send out; and that this could be done at but little more cost than we should have to pay to get rid of them and their labour. Let us look at the quantity of fruit and cattle imported into England every week, and which might be grown and fed in our own country, if these wastes were brought into cultivation by the capital which we are sending abroad; buying in food on the one hand, and on the other, paying those to leave the country who might remain and produce it. A wise king, in a remote and barbarous age, found it cheaper to divide his kingdom with pirates and robbers than to be constantly at war with them, though they were aliens; surely England ought to do for her own children as much as Alfred did for the heathen Danes, if she will not send them to other countries. Labour is the only true wealth that Nature ordained when she provided us with the raw materials. The possessor of millions is compelled to buy labour; his gold will neither clothe nor feed him; with it he calls in hard-handed industry to his aid. These are old truisms which no arguments can overthrow. Have we exhausted all our resources of employment, that we are compelled to drive so many thousands who are willing to labour from the land? This is a question more important than any other, and of a thousand times more consequence than the money even now spent in sending out emigrants. How many little freeholds might be reared in our wastes, with our facilities, with what we are spending annually in emigration? and how much closer would these little spots bind the affections of the occupiers to the soil, and make them struggle proudly to bear their share of the burdens which are necessary to support the state! Let a large portion of these millions of acres be brought into cultivation at any cost; and then, if our busy hive is overstocked, send a swarm abroad. Women are needed in our colonies; let them go—at least, as many as we can safely spare—and spread sweet images of{140} themselves over distant lands,—faces to look upon in after years, which will call up the England their mothers were compelled to leave; such as we see breaking the evening shadows with their smiles, as they play until bed-time on the village-green. Any thing to lessen the vice and wretchedness which is eating like a canker into the heart of our over-crowded cities. Such as these the Canterbury colonists will not take with them; and if we cannot afford to send them abroad, let us see what can be done for them with our waste lands at home, instead of leaving them to pine and die, unwept and uncared for, in our over-crowded cities. This matter forces itself on all thinking men who visit the London Docks during the present high fever of emigration.

If emigration is too costly, we shouldn't ignore the fact that there are millions of acres of unused land in England and Ireland that could be cultivated, allowing thousands to live comfortably there, or generating good rental income to support those we can't send away. This could be achieved at only a little more cost than what we'd spend to remove them and their labor. If we consider the amount of fruit and livestock imported into England every week, which could be grown and raised here if these wastelands were cultivated with the capital we're sending abroad—buying food on one hand and paying those who could stay and produce it on the other. A wise king in a distant and rough time found it cheaper to share his kingdom with pirates and robbers than to constantly fight them, even though they were outsiders; surely England should do as much for its own people as Alfred did for the heathen Danes, if she won't send them to other countries. Labor is the only true wealth that nature intended for us when she provided the raw materials. Those who possess millions must purchase labor; their gold won't clothe or feed them; instead, they call upon skilled workers to assist them. These are old truths that no arguments can refute. Have we truly exhausted all our employment resources that we must drive so many thousands willing to work from the land? This is a question more crucial than any other and of far greater importance than the money currently spent on sending out emigrants. How many small farms could be established on our unused lands with the money we're spending annually on emigration? And how much stronger would these small plots tie the people to the land and motivate them to proudly share the responsibilities necessary to support the state? Let a significant portion of these millions of acres be cultivated at any cost; then, if our busy society is overcrowded, we can send a group abroad. Our colonies need women; let them go—at least, as many as we can safely spare—and spread their beautiful presence across distant lands—faces that will remind future generations of the England their mothers had to leave behind, like the children playing on the village green, lighting up the evening shadows with their smiles. Anything to reduce the vice and misery that is like a disease taking over our overcrowded cities. The Canterbury colonists won't take such people with them; and if we can't afford to send them away, let's explore what we can do for them with our unused lands at home, instead of letting them wither away, unacknowledged and uncared for, in our overcrowded cities. This issue demands attention from all thoughtful individuals who visit the London Docks during this current surge of emigration.



LONDON DOCKS—OUTER BASIN.

LONDON DOCKS—OUTER BASIN.

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LONDON DOCKS—OUTER BASIN.

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CHAPTER VII.

WHITECHAPEL, AND THE OLD REMAINS IN BISHOPSGATE-STREET.

HITHERTO our course has been eastward; we must now turn our faces towards the west, and describe a few of the objects which lie on our right hand, as we retrace our steps, and journey to where the sun sets. To the point from whence we started at the commencement of our work (the foot of Blackfriars Bridge) we shall find but little to detain us; for the Bank and Exchange are too commercial for our pages, as we have not undertaken to write a Guide-Book, and fear that we have already dwelt too minutely on many of the uninteresting portions of the City which we have already described. But, up to the Tower, the neighbourhood we have gone over lies like a mere edging on the great skirt of London, compared to the labyrinths of streets that spread north and west—to say nothing of the Surrey side of the Thames. A mere glance at the map of London appals us. We shall therefore select a picturesque object here and there after having quitted the city, just as fancy guides the way.

HUP UNTIL NOW, we’ve been heading east; it's time to turn west and highlight a few things on our right as we make our way back to where the sun sets. When we go back to where we started at the base of Blackfriars Bridge, there won’t be much to catch our attention; the Bank and the Exchange are too much about business for this narrative, as we’re not writing a guidebook, and we worry we've already focused too much on less interesting parts of the City we’ve covered. However, up to the Tower, the area we’ve explored feels like just a small trim on the vast landscape of London, especially compared to the maze of streets that stretch north and west—not to mention the Surrey side of the Thames. A quick look at the map of London is overwhelming. So, we’ll choose a few scenic spots here and there after we leave the city, guided by inspiration.

Turning our back on the Docks, and taking the nearest cut to the Mile-end-road, we will at once dash into Whitechapel; for all behind us belongs to the suburbs, and our present descriptions lie not there.

Turning our back on the Docks and taking the quickest route to Mile End Road, we will immediately head into Whitechapel; everything behind us is part of the suburbs, and our current descriptions aren’t about that.

We have in our opening article, entitled “Ancient London,” glanced at the picturesque appearance of this neighbourhood in former years, and now turn to the present to find that these old-world splendours have given place to gin-shops, plate-glass palaces, into which squalor and misery rush, and drown the remembrance of their wretchedness in drowsy and poisonous potations of gin;—splendour{142} and squalor, the very contrast of which makes thinking men pause, but are disregarded by those who contribute to the one and recklessly endure the other.

In our opening article called “Ancient London,” we looked at the charming appearance of this neighborhood in the past, and now we turn to the present to see that those old-world marvels have been replaced by pubs, flashy glass buildings, where poverty and misery flood in, drowning out memories of their suffering in lethargic and toxic gin;—splendor{142} and squalor, the stark contrast of which causes thoughtful people to pause, but which are ignored by those who contribute to one and carelessly endure the other.

Our engraving represents the well-known row of butchers’ shops; for the Whitechapel butcher still belongs to the old school, taking a delight in his blue livery, and wearing his steel with as much satisfaction as a young ensign does his sword. He neither spurns his worsted leggings nor duck apron; but, with bare muscular arms, and a knife keen enough to sever the ham-string of an old black bull, takes his stand proudly at the front of his shop, and looks “lovingly” on the well-fed joints that dangle above his head. The gutters before his door literally run with blood: pass by whenever you may, there is the crimson current constantly flowing; and the smell the passenger inhales is not such as may be supposed to have floated over “Araby the blest.” A “Whitechapel bird” and a “Whitechapel butcher” were once synonymous phrases, used to denote a character the very reverse of a gentleman; but in the manners of the latter we believe there is a very great improvement, and that more than one “knight of the cleaver,” who here in the daytime manufactures sheep into mutton-shops, keeps his country-house.

Our engraving shows the famous row of butcher shops; the Whitechapel butcher is still part of the old tradition, proudly wearing his blue uniform and brandishing his steel with as much pride as a young officer does his sword. He doesn’t turn his nose up at his woolen leggings or duck apron; instead, with his bare, muscular arms and a knife sharp enough to slice the tendon of an old black bull, he stands proudly at the front of his shop, looking “affectionately” at the well-fed cuts of meat hanging above him. The gutters in front of his door literally run with blood: no matter when you pass by, there’s a steady stream of crimson flowing, and the smell that wafts toward you is far from what one might expect from “Araby the blest.” A “Whitechapel bird” and a “Whitechapel butcher” used to be phrases that described someone the complete opposite of a gentleman; but we believe there’s been a significant improvement in the manners of the latter, and more than one “knight of the cleaver,” who during the day turns sheep into mutton for his shop, maintains a country house.

The specimens of viands offered for sale in these streets augur well for the strength of the stomachs of the Whitechapel populace; no gentleman of squeamish appetite would like to run the risk of trying one of those out-of-door dinners, which ever stand ready-dressed. The sheep’s trotters look as if they had scarcely had time enough to kick off the dirt before they were potted; and as for the ham, it appears bleached instead of salted; and to look at the sandwiches, you would think they were veal, or any thing except what they are called. As for the fried fish, it resembles coarse red sand-paper; and you would sooner think of purchasing a pennyworth to polish the handle of a cricket-bat or racket than of trying its qualities in any other way. The black puddings resemble great fossil ammonites, cut up lengthwise; for while you gaze on them you cannot help picturing these relics of the early world, and fancying that they must have been found in some sable soil abounding in broken fragments of gypsum, which would account for the fat-like substance inside. What the “faggots” are made of, which form such a popular dish in this neighbourhood, we have yet to learn. We have heard rumours of chopped lights, liver, suet, and onions being used in the manufacturing of these dusky dainties; but he must be a daring man who would convince himself by tasting: for our part, we feel confident that there is a great mystery to be unravelled before the innumerable strata which form these smoking hillocks{143}

The food available for sale in these streets suggests that the stomachs of the Whitechapel locals are quite strong; no gentleman with a delicate appetite would dare to try one of those ready-made outdoor meals. The sheep's trotters look like they barely had time to remove the dirt before being prepared; and the ham appears more bleached than salted. If you look at the sandwiches, you'd think they contained veal or something other than what they’re labeled. As for the fried fish, it resembles coarse red sandpaper, and you'd sooner think of buying a penny's worth to polish the handle of a cricket bat or racket than to actually eat it. The black puddings look like large fossil ammonites sliced in half; when you stare at them, you can't help but picture these remnants from the early world, imagining they must have been found in some dark soil filled with gypsum fragments, which would explain the fatty substance inside. We still don’t know what the "faggots," a popular dish in this area, are made from. We’ve heard rumors of chopped lungs, liver, suet, and onions being used to make these dark treats; but it would take a brave person to taste them to confirm. For our part, we’re sure there’s a big mystery to discover within the many layers that create these steaming mounds{143}

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will ever be made known. The pork-pies which you see in these windows contain no such effeminate morsels as lean meat, but have the appearance of good substantial bladders of lard shoved into a strong crust, from which there was no chance of escape, then sent to the oven and “done brown.” The ham-and-beef houses display the same love of fatness, as if neither pig nor bullock could be overfed that comes to be consumed by the “greasy citizens” of the east end of London.

will ever be made known. The pork pies you see in these windows don't contain any delicate bits of lean meat; instead, they look like hearty blobs of lard packed into a thick crust, with no way to break free, then sent to the oven until they’re “done brown.” The ham and beef shops show the same appreciation for richness, as if neither pig nor cow could be overfed before being devoured by the “greasy citizens” of East London.

As for fish! the very oysters gape at you with open mouths, as if they knew how useless it would be to keep closed in such a ravenous-looking neighbourhood. They seem to cast imploring glances at the passers-by, as if begging to be taken out of the hot sun, and devoured as quickly as possible. You see great suspicious-looking whelks, sweltering in little saucers of vinegar; and you cannot help wondering what would be the result if you attempted to eat one; and while you are thus doubting, without “doating,” some great broad-shouldered fellow comes up, throws down his penny, and, making but one mouthful of the lot, lifts the saucer to his lips, and drains the last drop of vinegar, then goes, for a finisher, into the nearest gin-shop. Pickled eels, cut up into Whitechapel mouthfuls, are fished up from the bottom of great brown jars, and devoured with avidity. You can never pass along without seeing brewers’ drays unloading somewhere in the streets; and you cannot help thinking what hundreds a year Barclay and Perkins might save, in the wear and tear of men and horses, if they laid down pipes all the way from their brewery in the Borough to Whitechapel.

As for fish! Even the oysters are gaping at you with open mouths, as if they know how pointless it would be to stay closed in such a hungry-looking area. They seem to be casting desperate looks at the people passing by, as if begging to be taken out of the hot sun and eaten as quickly as possible. You see big, suspicious-looking whelks, simmering in little bowls of vinegar; and you can't help but wonder what would happen if you tried to eat one. And while you're hesitating, some big, broad-shouldered guy walks up, tosses down his penny, and in one bite finishes the whole thing, lifts the bowl to his lips, and drains the last drop of vinegar, then heads straight into the nearest pub for a drink. Pickled eels, cut up into manageable pieces, are fished out from the bottom of large brown jars and devoured eagerly. You can’t walk by without seeing brewers' carts unloading somewhere in the streets; and you can't help but think of how much Barclay and Perkins could save in the wear and tear on men and horses if they laid down pipes all the way from their brewery in the Borough to Whitechapel.

What little taste they display (if we may make use of so classical a phrase in contradistinction to their “palatal” or gastronomic propensities), is shewn in their love of pigeon-keeping; and many of the “fanciers” in this district can boast of possessing both a choice and an extensive stock of these beautiful birds. From this taste arise good results, inasmuch as it leads them into the suburbs, especially on Sundays, when they either carry the pigeons with them in bags or thrust them into their coat-pockets, and so wander for three or four miles out, when they turn the birds loose, both parties thus enjoying the luxury of a little fresh air. They are excellent hands at decoying pigeons, for all the “strays” that alight in the neighbourhood are pretty sure to become “Whitechapel birds.” What means they use for entrapping these feathered favourites we have not been able to ascertain, though one knowing fellow told us, with a deep-meaning wink, that “it was the fineness of the climate, and a little hanky-panky’ business.” We paid a pot of beer for the information, without asking for any clearer definition of the latter phrase.{146}

What little taste they show (if we can use such an old-fashioned term as a contrast to their “palatal” or food preferences) is evident in their passion for keeping pigeons; many of the “fanciers” in this area take pride in having both a select and large collection of these beautiful birds. This interest has positive outcomes, as it prompts them to venture into the suburbs, especially on Sundays, when they either carry the pigeons in bags or stuff them into their coat pockets and wander three or four miles out, then release the birds, allowing both parties to enjoy a bit of fresh air. They are quite skilled at luring pigeons, as all the “strays” that land in the area are likely to become “Whitechapel birds.” We couldn’t find out what methods they use to trap these feathered favorites, although one clever guy hinted, with a knowing wink, that “it was the fineness of the climate, and a little hanky-panky business.” We bought him a beer for the information, without asking for a clearer explanation of what that second phrase meant.{146}

Having thus become enlightened in the art of pigeon-stealing, we turned up Houndsditch, and visited the real Rag Fair. The price of admission is “von halfpenny,” a toll from which neither Jew nor Gentile is exempt. This market or fair for old rubbish of every description is well worth seeing; and to whatever use the trash could be turned that met our eye in every direction, did at first, as old Pepys says, “puzzle us mightily.”

Having become skilled in the art of stealing pigeons, we headed up Houndsditch and checked out the real Rag Fair. The entry fee is “one halfpenny,” which everyone, regardless of being Jew or Gentile, has to pay. This market or fair for old junk of all kinds is definitely worth a visit; and whatever use the rubbish we spotted in every direction could be put to, initially, as old Pepys said, “puzzled us greatly.”

Rag Fair is a market consisting of long rows of standing or sitting places, having neither back nor front, but covered in by narrow penthouse roofs, supported on beams, under which the sellers or exchangers take their places: the wind and rain blow and beat through these open sheds, both drenching and sweetening the fusty rags that are exposed for sale. Those who wish to purchase pass up and down the “ragged” alleys. We were detained at the narrow entrance of the first row for several moments by two ancient and bearded children of Israel, who were endeavouring to bargain. The seller had the portions of two pairs of old shoes in his hand; one pair “soleless,” the other nearly “upperless.”

Rag Fair is a market made up of long rows of stalls where people can either stand or sit. There are no real front or back to these stalls, but they are covered with narrow shelter roofs supported by beams. Under these roofs, sellers or traders set up shop, while wind and rain come through these open structures, soaking and freshening up the musty rags laid out for sale. Shoppers wander through the "ragged" pathways. We were held up at the narrow entrance of the first row for a few moments by two old, bearded Jewish men who were trying to negotiate a deal. The seller was holding pieces from two pairs of old shoes; one pair was completely "soleless," and the other was almost "upperless."

“How much for these, Mo’?” inquired the purchaser.

“How much are these, Mo’?” asked the buyer.

“Twopence,” answered the other; “they be dirt-cheap.”

"Two pence," replied the other; "they're super cheap."

“Bah!—won’t do, Mo’,” was the reply, after having examined them; “could not cut off enough to stop up a mouse-hole. Say von penny!”

“Bah!—that won’t work, Mo’,” was the response after taking a look at them; “can’t cut off enough to block a mouse hole. Just one penny!”

“Vell, den, three-halfpence!”

"Well then, three halfpence!"

We passed on, and did not witness the close of the bargain, our ears being now assailed with such cries of “Who vants three vaist-coats for old coat?” “Who vants old hats for old shoes?” “Two shirts for von pair of strong preeches!” and so on. There we saw the hook-nosed, large-eyed collector of “old clo’ ” whom we had that very morning stopped to look at while he carried off a whole suit in exchange for two geraniums which looked as if they could not live a week. The very things he was then running down, as he pointed out every thin spot and speck of grease to the little Cinderella he was bargaining with in the Borough, he was now extolling, and vowing that they had but been worn “wery leetle, wery leetle indeed.” With keen eye the intended purchaser traversed every inch, examined carefully the knees of the trowsers, the arm-pits, elbows, and sleeves of the coat; then discovering something at last, as he shined it before the light, he pointed to the spot, and looked at the other in silence. “Vell, vot of dat?—Look at the pryshe!” was the reply of the geranium exchanger.

We moved on and didn’t see the end of the deal, as our ears were now overwhelmed by shouts of “Who wants three waistcoats for an old coat?” “Who wants old hats for old shoes?” “Two shirts for one pair of strong breeches!” and so on. There we spotted the hook-nosed, large-eyed collector of “old clothes” whom we had stopped to watch that very morning as he took away a whole suit in exchange for two geraniums that looked like they wouldn’t last a week. The very items he was belittling, pointing out every thin spot and grease mark to the little Cinderella he was bargaining with in the Borough, he was now praising, insisting that they had only been worn “very little, very little indeed.” With a sharp eye, the potential buyer inspected every inch, carefully examining the knees of the trousers, the armpits, elbows, and sleeves of the coat; then, finally noticing something as he held it up to the light, he pointed to the spot and looked at the other in silence. “Well, what about that?—Look at the price!” was the response of the geranium trader.

There is an old and mouldy smell about the place, telling that dank and fetid corners have been rummaged out to contribute to the{147} stock of filth there accumulated. And yet, through the dirty mass the eye may here and there detect the trappings of pride. Court-dresses, from which the former owners would now run, exclaiming with Hamlet—

There’s a musty, old smell in the place, indicating that damp and dirty corners have been dug through to add to the{147} collection of grime that’s built up there. And yet, amidst the filthy pile, you can occasionally spot signs of pride. Court gowns that their former owners would now flee from, exclaiming with Hamlet—

"And smelled like that? Pah!"

Small satin slippers which had once been white, but now wore a little of the hue of every foul thing they had come in contact with. The worn-out wedding-dress, now a heap of rags, bundled up beside the thread-bare blackness of the poor widow’s cast-off weeds. One might almost fancy that Pride had come here to crawl out of its shabby habiliments, and gone and laid down in some one of the dark alleys in the neighbourhood to die, having “shuffled off” the last vestiges of respectability.

Small satin slippers that used to be white but now carry a bit of the color from every disgusting thing they’ve touched. The tattered wedding dress, now just a pile of rags, bundled up next to the threadbare black clothing of the poor widow. One might almost imagine that Pride had come here to shed its shabby clothes and lay down in one of the dark alleys nearby to die, having “shuffled off” the last bits of respectability.

"What disgusting uses have we finally arrived at!"

Rags that may have touched a young and beautiful duchess, not now fit for dusters. A remnant of the dress-coat of some young lord, thrown down with disdain by the hunger-bitten jobbing-tailor, because he cannot get a patch out of it large enough to seat the “continuations” of the Whitechapel hawker.

Rags that might have once brushed against a young and beautiful duchess are no longer good for dusting. A leftover piece of a dress coat from some young lord, carelessly discarded by a starving tailor, who can’t find a piece big enough to patch the trousers of the street vendor from Whitechapel.

Passing on to Leadenhall-street, and nearly facing the East India House (which we have already described), we come upon two old churches, standing nearly together, that escaped the Great Fire, namely, St. Andrew’s Undershaft and St. Catherine Cree. In the first Stowe was buried, and there his monument still stands; and the second (according to the authority of Strype) contains the remains of Hans Holbein, the great painter; also of Sir Nicholas Throgmorton.

Passing on to Leadenhall Street, and almost directly across from the East India House (which we've already described), we come across two old churches, standing almost next to each other, that survived the Great Fire: St. Andrew’s Undershaft and St. Catherine Cree. Stowe was buried in the first one, and his monument still stands there; and the second one (according to Strype) holds the remains of Hans Holbein, the famous painter, as well as those of Sir Nicholas Throgmorton.

Part of the tower is said to be very old, though the body of the church was rebuilt in 1628, and, as it appears, without much disarranging the interior, though one magnificent window has been walled up, as may be seen by looking at it from the adjoining alley. Prynne has left us a splendid piece of half-quizzical and satirical description of the consecration of this church in 1630 by Laud, Bishop of London, which will not seem out of place in this age of Puseyite performances. “When the bishop approached near the communion-table, he bowed, with his nose very near the ground, some six or seven times; then he came to one of the corners of the table, and there bowed himself three times; then to the second, third, and fourth corners, bowing at each corner three times: but when he came to the side of the table where the bread and wine was, he bowed himself seven times; and then, after the reading of many prayers by himself and his two fat chaplains which were with him (and all this while were upon their knees by him, in their surplices,{148} hoods, and tippets), he himself came near the bread, which was cut and laid in a fine napkin, and then he gently lifted up one of the corners of the said napkin, and peeping into it till he saw the bread (like a boy that peeps into a bird’s nest in a bush), and presently clapped it down again, and flew back a step or two, and then bowed very low three times towards it and the table. When he beheld the bread, then he came near and opened the napkin again, and bowed as before; then he laid his hand upon the gilt cup, which was full of wine, with a cover upon it: so soon as he had pulled the cup a little nearer to him, he let the cup go, flew back, and bowed again three times towards it: then he came near again, and lifting up the corner of the cup, peeped into it; and seeing the wine, he let fall the cover on it again, and flew nimbly back and bowed as before. After these and many other apish, antick gestures, he himself received and then gave the sacrament to some three principal men only, they devoutly kneeling near the table; after which, more prayers being said, this scene and interlude ended.”

Part of the tower is said to be very old, although the main body of the church was rebuilt in 1628, apparently without disrupting the interior too much. However, one stunning window has been bricked up, as can be seen from the neighboring alley. Prynne has given us a brilliant, half-mocking, satirical account of the church's consecration in 1630 by Laud, the Bishop of London, which feels relevant in this era of Puseyite rituals. “When the bishop approached the communion table, he bowed, lowering his nose almost to the ground, about six or seven times; then he went to one corner of the table and bowed three times; he did the same at the second, third, and fourth corners, bowing three times at each one. But when he got to the side of the table with the bread and wine, he bowed seven times. After reading many prayers by himself and his two overweight chaplains (who were all kneeling beside him in their surplices, hoods, and tippets), he drew near to the bread, which was cut and laid in a fine napkin. He then gently lifted one corner of the napkin, peeking in until he saw the bread (like a boy peeking into a bird’s nest in a bush), then quickly put it down again and stepped back a couple of paces, bowing very low three times toward it and the table. When he saw the bread, he approached again, opened the napkin, and bowed as before. Then he placed his hand on the gilt cup, which was filled with wine and covered. As soon as he pulled the cup a little closer to him, he let it go, stepped back, and bowed three times toward it again. He approached once more, lifted the corner of the cup, peeked in, and upon seeing the wine, he let the cover fall back on it and nimbly stepped back and bowed again as before. After these and many other silly, ridiculous gestures, he received and then gave the sacrament to just three key men who were devoutly kneeling near the table; after that, with more prayers said, this scene and interlude came to an end.”

Could the cross, crop-eared old Puritan ever have been like other boys, and gone a bird-nesting? The simile seems to call up such a question, as if in his grim humour he reverted to his youthful days, little dreaming then that he should have to lose his ears and stand in the Westminster pillory. And Laud—he too (after all his pious “anticks,” as Prynne calls the ceremony of the consecration of St. Catherine Cree) was beheaded at the Tower. While we stood within this old church, we pictured those two earnest men in that cold January morning—the one religiously performing his duties, with no doubt reverential awe; the other, with a sneer on his lips, leaning, perhaps, near the effigy of the recumbent knight, and scarcely able to suppress the contempt he felt for the ceremonies which such as he and the stern-souled Cromwell despised, with many others who were so soon to shake a throne, and trample on the “divinity of kings,” as if it were but dust. But we are forgetting Stowe and the adjoining church of St. Andrew’s Undershaft. Why it was so called, the pleasing historian, who has long slept (not undisturbed) within the church, shall tell us in his own sweetly-quaint old language; for though “dead, he yet speaketh,” and never hath London before or since had so pleasing a chronicler. He says, “because that of old time every year, on May-day morning, it was used that an high or long shaft or May-pole was set up there before the south door of the said church.” And he had often seen that “long shaft” set up—perhaps in his younger days danced around it, eyeing askance some citizen’s pretty daughter: it may be she who outlived him, and at her own expense raised the present monument{149} to his memory; and as she came in after-days to look at it, sighed as she thought of the bygone years when they danced, hand in hand, together around the May-pole, or of their walks in the summer evenings, when he pointed out to her some old surviving landmark that to him was hallowed by its historical associations, little thinking then that to him after-ages would be so much indebted for all that is known of ancient London. Peace to his venerable ashes! his shadow seems to fill the old church, and we think only of him. The ribbed roof and “deep-dyed” window are all we can remember; but what the stained glass represents we cared not to inquire, so much was our mind occupied with Stowe and the merry May-days of old London.

Could the old Puritan with cropped ears ever have been like other boys and gone bird-nesting? The comparison brings up that question, as if in his grim humor he looked back to his youth, never imagining he would lose his ears and stand in the Westminster pillory. And Laud—he too (despite all his pious “antics,” as Prynne calls the ceremony of the consecration of St. Catherine Cree) was beheaded at the Tower. While we stood in this old church, we imagined those two earnest men on that cold January morning—the one performing his duties with reverential awe; the other, perhaps sneering, leaning near the effigy of the lying knight, barely able to hide his contempt for the ceremonies that he and the stern-hearted Cromwell despised, along with many others who would soon shake a throne and trample on the “divinity of kings” as if it were just dust. But we’re forgetting Stowe and the nearby church of St. Andrew's Undershaft. The delightful historian, who has long slept (not undisturbed) inside the church, will tell us why it’s called that in his charmingly old-fashioned language; for though “dead, he yet speaks,” and London has never had a more engaging chronicler. He says, “because in ancient times every year, on May Day morning, it was customary to set up a high or long shaft or May-pole there before the south door of the church.” He had often seen that “long shaft” erected—perhaps in his younger days danced around it, eyeing some citizen’s pretty daughter: it might be she who outlived him and raised the current monument{149} in his memory at her own expense; and as she came back in later years to look at it, she sighed, remembering the days when they danced hand in hand around the May-pole, or their summer evening walks when he pointed out to her some old landmark that held meaning for him due to its historical background, little knowing then how much future generations would owe to him for their knowledge of ancient London. Peace to his venerable ashes! His spirit seems to fill the old church, and we think only of him. The ribbed roof and “deep-dyed” window are all we can recall; but we didn’t care to inquire what the stained glass depicted, so occupied were we with Stowe and the joyful May Days of old London.

We will now turn up Bishopsgate-street, and glance at Crosby Hall (endeared to us through Shakspeare having made mention of it).

We will now head up Bishopsgate Street and take a look at Crosby Hall (which is dear to us because Shakespeare mentioned it).

Crosby Hall, or Place, was built by Sir John Crosby; who, according to Stowe, obtained a lease of the ground, in 1466, of Alice Ashfield, prioress of the adjoining convent of St. Helen’s, for ninety-nine years, at an annual rent of 11l. 6s. 8d. From grocer and woolman he became alderman of London, and was knighted by Edward IV. in 1471. His monument yet stands in the church of St. Helen.

Crosby Hall, or Place, was built by Sir John Crosby, who, according to Stowe, secured a lease for the land in 1466 from Alice Ashfield, the prioress of the nearby convent of St. Helen’s, for ninety-nine years, at an annual rent of 11l. 6s. 8d. Starting as a grocer and wool dealer, he became an alderman of London and was knighted by Edward IV in 1471. His monument still stands in the church of St. Helen.

Sir Thomas More states that it was in Crosby Place where Gloster, afterwards Richard III., planned the murder of the princes in the Tower, and by their removal paved his way to the throne. He says, “By little and little, all folk withdrew from the Tower, and drew to Crosby Place, in Bishopsgate-street, where the Protector kept his household. The Protector had his resort, the king (prince?) in a manner desolate; while some for their business made suit to them who had the doing; some were by their friends secretly warned that it might haply turn them to no good to be too much attendant about the king without the Protector’s appointment; who removed also divers of the prince’s old servants from him, and set new about him. Thus many things coming together, partly by chance, partly of purpose, caused at length, not common people only, who wave with the wind, but wise men also, and some lords eke, to mask the matter and muse thereon.”

Sir Thomas More mentions that it was at Crosby Place where Gloster, later known as Richard III, plotted the murder of the princes in the Tower, and by getting rid of them, he cleared his path to the throne. He writes, “Little by little, everyone moved away from the Tower and gathered at Crosby Place, on Bishopsgate Street, where the Protector held his household. The Protector had his circle of followers, while the king (prince?) was left in a sort of isolation; some approached those in charge for their business dealings; others were secretly warned by their friends that it could be risky to be too close to the king without the Protector’s approval; who also removed many of the prince’s old servants and replaced them with new ones. Thus, a series of events unfolded, partly by chance and partly by design, causing not just common people, who follow the crowd, but also wise individuals and certain lords to conceal the situation and ponder over it.”

Shakspeare makes Gloster appoint the place of meeting with the murderer, after he has given him the warrant, at Crosby Place. Here he also requests the Lady Anne to “repair” while he inters the remains of the king at Chertsey monastery. Marriage and murder were planned under the very roof which we can still look at by that daring duke. It is one of the few remaining places in the City in which the deeds recorded in our history were plotted, and to which{150} afterwards was given an enduring name in the pages of England’s greatest poet.

Shakespeare has Gloucester set the meeting place with the murderer at Crosby Place after giving him the warrant. Here, he also asks Lady Anne to “come” while he buries the king’s remains at Chertsey monastery. Marriage and murder were planned right under the roof that we can still see thanks to that daring duke. It’s one of the few remaining spots in the City where the events recorded in our history were conspired, and to which{150} a lasting name was later given in the writings of England’s greatest poet.

Here the rich Sir John Spencer resided; and when the Tower was the court-end of London, it was frequently the residence of foreign ambassadors. It is said to have been the dwelling of Sir Thomas More at one period; but this assertion is not well authenticated. The hall, at a first glance, appears somewhat narrow for its height—the latter exceeding its width by about 13 feet, while its length is 54 feet. From the depth of the oriel the dimensions appear magnificent, while the innumerable dyes thrown out from the stained glass carry the imagination back to “feast and revelry,” when beauty and valour there congregated, and all “went merry as a marriage-bell.”

Here, the wealthy Sir John Spencer lived, and when the Tower was the center of London’s court life, it often served as the home for foreign ambassadors. It’s rumored to have been the residence of Sir Thomas More at one point, though this claim isn't well supported. At first glance, the hall seems a bit narrow for its height—the height being about 13 feet greater than its width, while its length is 54 feet. The depth of the oriel makes the dimensions seem impressive, and the countless colors coming from the stained glass bring to mind “feast and revelry,” when beauty and bravery gathered there, and everything “was as merry as a wedding bell.”

The hall was long used as a packer’s warehouse; and during the period it was thus occupied much damage was done to its ornaments. The work of restoration commenced in 1836, and the building was re-opened in 1842. It is now used as a Literary Institution.

The hall was long used as a packer's warehouse, and during that time, much damage was done to its decorations. Restoration work began in 1836, and the building reopened in 1842. It is now used as a Literary Institution.

The adjoining church of St. Helen was founded in 1216. What alteration it has undergone, it is difficult to point out. It is a rich storehouse of ancient monuments, and perhaps, with the exception of the little church in the Tower, abounds more in these valuable records than any other building in the City that escaped the Great Fire. Here, as we have before stated, the founder of Crosby Hall is interred. The same altar-tomb also contains the recumbent effigy of Ann his wife.

The nearby church of St. Helen was established in 1216. It's hard to identify what changes it has gone through. It's a treasure trove of ancient monuments, and maybe, besides the small church in the Tower, it has more of these important records than any other building in the City that survived the Great Fire. As we mentioned earlier, the founder of Crosby Hall is buried here. The same altar-tomb also features the reclining statue of his wife, Ann.

Here Sir Thomas Gresham, the founder of the Royal Exchange, is also buried: he died in 1579. The “rich Spencer,” who bought Crosby Hall, and was Lord Mayor in 1594, lies here: he is said to have been worth near a million of money in his day, a sum which, multiplied according to the value of the period, almost throws our Rothschilds into the shades. These are but a few of the many interesting monuments dedicated to the memory of the “grey forefathers” of the City.

Here lies Sir Thomas Gresham, the founder of the Royal Exchange, who passed away in 1579. The "rich Spencer," who purchased Crosby Hall and served as Lord Mayor in 1594, is also buried here; he was reputed to have been worth nearly a million in his time, a sum that, adjusted for inflation, would overshadow our modern Rothschilds. These are just a few of the many fascinating memorials honoring the "grey forefathers" of the City.

On one of the walls stands a richly-sculptured niche, below which runs a row of little open arches, through which the refractory nuns, it is said, were sentenced to hear mass, while they stood in the crypt. These nuns appear to have been an unruly race at times, and must often have caused great anxiety to such worthy prioresses as Alice Ashfield; for it was not safe to entrust them with the “latch-key,” according to what is whispered by a dean of St. Paul’s, who, it seems, made a few unpleasant inquiries about them in 1439, long before Crosby Hall was built, and when all around the nunnery there stood old-fashioned tenements, full of ins and outs, and which required some “sad (grave) woman and discreet” to “keep the keys of the posterngate.{151}

On one of the walls, there's a beautifully carved niche, below which is a row of small open arches. It’s said that the rebellious nuns were sentenced to hear mass while standing in the crypt through these arches. These nuns seem to have been quite unruly at times and must have caused a lot of concern for respected prioresses like Alice Ashfield. It wasn't safe to give them the "latch-key," according to a dean from St. Paul’s who made a few uncomfortable inquiries about them in 1439, long before Crosby Hall was built, when the area around the nunnery was filled with old-fashioned buildings that had lots of hidden spots. It would have taken a "serious and discreet" woman to "keep the keys of the posterngate.{151}"



THE FOUR SWANS’ INN YARD.

THE FOUR SWANS’ INN YARD.

__A_TAG_PLACEHOLDER_0__
THE FOUR SWANS’ INN YARD.

{152}

{152}

{153}

{153}

It may be that many of the citizens’ daughters were only sent hither to be educated, and that they were not disciplined as rigidly as those who took the veil and vowed to lead a secluded life; if so, this will account for these little irregularities in those old devout days.

It’s possible that many of the citizens' daughters were only sent here to be educated, and that they weren’t trained as strictly as those who took on the veil and promised to live a secluded life; if that’s the case, it explains these minor irregularities from those devout old days.

We have in Bishopsgate-street one of those real old-fashioned London inns, with just such a yard and galleries as we may suppose were occupied by our early dramatists, while the stage was in its infancy. Our engraving requires no second glance to confirm the antiquity of the Four Swans Inn-yard.

We have one of those truly traditional London inns on Bishopsgate Street, with a yard and galleries that we can imagine were used by our early playwrights when theater was just getting started. Our illustration doesn't need a second look to prove the old-fashioned charm of the Four Swans Inn yard.

What merry masques have been played in that old open inn-yard—what beautiful forms have leant over that antique and pillared gallery! Oh, for a volume filled with the names and doings of those who have slept under that sloping roof—who have peeped through the old ancient bannisters of the wooden gallery! What saddling and mounting “in hot haste” must there have been in former times at the doors of those stables! What a tramping of feet on those spacious landing-places! What a staggering of jolly old Englishmen, who, when in their cups, went up those wide old-fashioned staircases.

What fun gatherings must have taken place in that old inn yard—what beautiful people must have leaned over that classic, pillared balcony! Oh, to have a book filled with the names and stories of those who have stayed under that sloping roof—who have looked through the old wooden railings of the gallery! What rushing to saddle up and ride “in hot haste” must have happened at the doors of those stables! What a thumping of feet on those spacious landings! What a swaying of cheerful old Englishmen, who, after a few drinks, made their way up those wide, old-fashioned staircases.

Or we can picture some newly-imported nun, arriving in her litter, or coming in with a string of pack-horses, staring about her for a few minutes, until carried away by the lady-prioress of St. Helen’s from the old inn-yard and across the street, and along the grey weather-beaten cloisters, never, perhaps, to see the green country again from which she had journeyed.

Or we can imagine a freshly arrived nun, coming in her carriage, or with a line of pack horses, looking around for a few minutes until the lady-prioress of St. Helen’s takes her away from the old inn yard, across the street, and along the gray, weather-beaten cloisters, possibly never to see the green countryside she traveled from again.

Or we call up the figures of old carriers, such as Shakspeare has described, exclaiming:

Or we think of the characters of old messengers, like Shakespeare described, saying:

“Pease and beans are as dank here as a dog; and that is the way to give poor jades the bots. This house is turned upside down, since Robin died. Poor fellow! never joyed since the price of oats rose: it was the death of him.”—Henry IV. act 2.

“Peas and beans are as wet here as a dog; and that’s how you end up giving poor horses the bots. This house is turned upside down since Robin died. Poor guy! Never enjoyed himself since the price of oats went up: that was the end of him.”—Henry IV. act 2.

Higher up the street we find another old house, in which Sir Paul Pindar resided (who contributed so largely towards restoring old St. Paul’s): it is now a public-house, still bearing his name. The monument of the worthy knight still remains in the adjoining church of St. Botolph’s, though the church has been rebuilt. It stands on the edge of what was the old City moat, “without” the ancient gate which, in former times, opened into the wide waste of fen and moor that lay beyond, and the names of which are still retained in Finsbury and Moorgate. Stowe says, “it continued a waste and unprofitable ground a long time, so that the same was all letten for four marks the year, in the reign of Edward II.{154}

Further up the street, we come across another old house where Sir Paul Pindar lived (he played a big role in restoring old St. Paul’s): it’s now a pub, still named after him. The monument of the admirable knight remains in the nearby church of St. Botolph’s, even though the church has been rebuilt. It sits on the edge of what used to be the old City moat, “outside” the ancient gate that once opened into the wide expanse of fen and moor beyond, names still preserved in Finsbury and Moorgate. Stowe mentions, “it remained a waste and unprofitable ground for a long time, so that it was all leased for four marks a year, during the reign of Edward II.{154}

Thomas Falconer, Lord Mayor of London, was the first to break down the old city wall, and to make walks over this fenny ground, so that the citizens might get to the green fields beyond, though it was not until nearly two centuries after this time that the fen was drained. Throughout all these changes the church of St. Botolph stood, escaping storm and fire, until in 1720 it was pronounced unsafe—worn out with age.

Thomas Falconer, the Lord Mayor of London, was the first to tear down the old city wall and create pathways over the marshy ground so that the citizens could access the green fields beyond. However, it wasn't until nearly two centuries later that the marsh was drained. Through all these changes, the church of St. Botolph remained standing, surviving storms and fires, until it was declared unsafe in 1720 due to its age and wear.

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CHAPTER VIII.

GUILDHALL AND THE LORD MAYOR’S SHOW.

ALTHOUGH Guildhall was seriously scarred by the Great Fire, and but little more left than the crypt and bare walls that had witnessed its ancient splendour, we are still enabled, through old records and time-honoured chronicles, to obtain glimpses of the pageants and processions which, nearly four centuries ago, were held within those grey old walls. Of the ancient hall, erected in 1411, I have met with no satisfactory description; nor does it appear that any of our kings dined in Guildhall before the time of Charles I., when, on November 25, 1641, the ill-starred monarch partook of the hospitality of the Lord Mayor. I have before mentioned that James I. dined privately with Sir John Watts, the Lord Mayor in 1607, and was afterwards made free of the Clothworkers’ Company; but I do not find that he ever visited Guildhall, or that on any occasion royalty was entertained there until on the above-named day in 1641. But before describing the entertainment given to King Charles I., we will give our own account of the Lord Mayor’s Banquet in November 1850.

AALTHOUGH Guildhall was heavily damaged by the Great Fire, with only the crypt and bare walls that had seen its former glory remaining, we can still catch glimpses of the celebrations and parades that took place within those old walls nearly four centuries ago, thanks to old records and long-standing chronicles. I have not found a satisfactory description of the ancient hall, built in 1411; nor does it seem that any of our kings dined in Guildhall until the time of Charles I., when, on November 25, 1641, the unfortunate king experienced the hospitality of the Lord Mayor. I previously mentioned that James I. had a private dinner with Sir John Watts, the Lord Mayor, in 1607, and was later made a member of the Clothworkers’ Company, but I do not see any evidence that he ever visited Guildhall, or that royalty was hosted there, until that day in 1641. Before detailing the event held for King Charles I., we will share our account of the Lord Mayor’s Banquet in November 1850.

To us, who from our boyish days have been dreamers “by the shores of old romance,” there was something startling in witnessing (for the first time) the splendid banquet in Guildhall. In sitting down amongst the guests within the very walls where Buckingham harangued the old citizens in favour of making Gloster king, and for which the latter rewarded him by chopping off his head; to know that those echoes had been broken by the gentle voice of Anne Askew, when she boldly declared her creed, and was for her sincerity{156} sent by the Defender of the Faith to the stake; that there Throgmorton nobly defended himself, and that, in those “evil days,” a jury of strong-souled citizens were daring enough to acquit him;—while these thoughts passed through our minds, we looked upon the monument of Beckford, who (it is said) bearded the king upon his throne; then glanced at that of Nelson, who died in the service of his country; and fancied that, if they were fronted by the statues of Charles and Cromwell, the history of English liberty might be read at a look.

To us, who have been dreamers since our childhood "by the shores of old romance," there was something shocking about witnessing (for the first time) the magnificent banquet in Guildhall. Sitting among the guests within the very walls where Buckingham spoke to the old citizens in favor of making Gloster king, and for which he was rewarded by having his head chopped off; knowing that those echoes had been disrupted by the gentle voice of Anne Askew, when she boldly declared her beliefs, and was sent by the Defender of the Faith to the stake for her sincerity{156}; that there Throgmorton bravely defended himself, and that, in those “evil days,” a jury of strong-minded citizens was brave enough to acquit him;—as these thoughts ran through our minds, we looked at the monument of Beckford, who (it is said) challenged the king on his throne; then glanced at that of Nelson, who died in the service of his country; and imagined that if they were facing the statues of Charles and Cromwell, the history of English liberty could be read in an instant.

Although the roof of this ancient hall is all but gone, and the fire which destroyed thousands of homes, nearly two centuries ago, has licked those time-honoured walls with its flaming tongue, they still stand, like giant oaks which bolt and blaze have blackened, venerable in their ruins—grey and weather-beaten landmarks, that point out the spot where the battle of English liberty has many a time been fought and won. To us there is something emblematical of England in this blending of the past with the present—in recalling the days when

Although the roof of this old hall is mostly gone, and the fire that destroyed thousands of homes nearly two centuries ago has scorched those historic walls, they still stand, like giant oaks blackened by fire, dignified in their ruins—grey and weather-beaten landmarks that mark the place where the battle for English liberty has been fought and won many times. For us, there's something symbolic of England in this mix of the past and the present—by remembering the days when

"Banners waved above, while battles raged below."

Although the deep braying of the trumpets proclaimed a feast instead of a fray, the sound was in keeping with the scene. The “bruised arms hung up for monuments,” overshadowed by banners, told that they need no longer be worn by a nation who could stop the progress of an army by refusing to sign a cheque. Picturesque as the old smoky cressets, and chain-dropped lamps, and iron sconces may have been, we preferred the thousands of gas-jets which ran like cords of golden light along the tracery of the architecture, though they did reveal the modern flat roof and the unsightly upper windows. The rude drinking-horns, and oaken peg-cups, and wooden trenchers were well replaced by the glittering glass and ornamental china which graced every table. And romantic as it may have been to have carved a baron of beef with the dagger which, a day or two before, had cut a Christian throat, we preferred the modern instruments, which had been polished like silver by the “patent knife-cleaner;” and thought that the mace looked better as an ornament than if wielded by so brave a mayor as Sir William Walworth, who, if old records tell the truth, killed Wat Tyler for burning down the stews his lordship owned by the Bankside in Southwark. All these, and a hundred other “old-world memories,” floated around us while seated at the banquet in that ancient City hall.

Although the loud blaring of the trumpets announced a celebration instead of a conflict, the noise fit the scene perfectly. The “bruised arms hung up as monuments,” overshadowed by banners, indicated they no longer needed to be worn by a nation that could halt an army's advance by simply refusing to sign a check. As charming as the old smoky torches, hanging lamps, and iron candle holders may have been, we preferred the thousands of gas lights that shimmered like golden strands along the intricate architecture, even if they did expose the modern flat roof and unsightly upper windows. The rough drinking horns, wooden cups, and wooden plates were well replaced by the sparkling glassware and fancy china that adorned every table. And as romantic as it might have been to carve a roast beef with the dagger that, a day or two before, had taken a Christian life, we favored the modern utensils, polished to look like silver by the “patent knife-cleaner;” and thought the mace looked better as decoration than if held by a courageous mayor like Sir William Walworth, who, if old records are to be believed, killed Wat Tyler for burning down the stews his lordship owned by the Bankside in Southwark. All these, along with countless other “old-world memories,” surrounded us while we sat at the banquet in that historic City hall.

The gorgeous star in the west window made the eye ache while looking on its brilliancy, and harmonised well with the Prince of{157} Wales’s plumes, which overhung the ranged shields at the opposite end of the building, above the baronial daïs. The massy chandeliers (high overhead), though rich in colours as the gaudy plumage of the humming-bird, had a dull and diapered look; and, in our eyes, appeared somewhat too heavy—a waste of beauty placed beyond the reach of vision. The galleries over the doorways filled with the musicians and singers, pleasantly recalled the days when the minstrel struck his harp, and chanted his heroic strains, before the “beauty and the chivalry” of bygone years.

The beautiful star in the west window made our eyes hurt from its brightness and matched perfectly with the Prince of{157} Wales’s feathers, which hung over the arranged shields at the other end of the room, above the grand daïs. The heavy chandeliers (high above), despite being rich in colors like the vibrant plumage of a hummingbird, looked dull and patterned; to us, they seemed a bit too bulky—a waste of beauty placed out of reach. The galleries over the doorways filled with musicians and singers brought back memories of when bards played their harps and sang their heroic songs before the "beauty and chivalry" of days gone by.

Then came the procession around the hall, as the gorgeously-clad trumpeters heralded the way, and went with stately march “sounding” to the banquet. Judges, with solemn countenances, rendered more grave and imposing by their large flowing wigs, stalked by in scarlet dresses; ministers, whose thoughts seemed far away, as if concocting some state despatch with as many meanings as there were turnings in Fair Rosamond’s labyrinth; brave sailor-looking men, bronzed by sun and wind, who rolled in their gait as if treading the decks of the war-ship they commanded in a stormy sea; soldiers, who would never run, though a bomb-shell exploded at their feet; city lieutenants, who had shed no other blood than that of the grape, though they had bravely stood before many a “Kentish fire;” clergymen, with classic countenances, who glanced on the tables as they passed, as if, amid their spiritual avocations, they had still time to turn their eyes “upon the good things of this world;” finely-clad young gentlemen, who marched along with a swing and a swagger, as if they thought that “the eyes of all Europe were upon them.” Old men, who had grown grey over eating Guildhall dinners, and, like the war-horse in Job, exclaimed “Ha, ha!” as they smelt the turtle afar off; beautiful ladies, “mincing in their gait,” and looking down with modest eyes, while the light from the jewels they wore trembled on their snow-white necks like moonbeams on the ripple of a river, as they passed with noiseless step; then came the richly-dressed servants, with elevated heads, seeming to say—

Then came the procession around the hall, as the elegantly dressed trumpeters announced the way and marched grandly to the banquet. Judges, with serious expressions made more imposing by their large, flowing wigs, strode by in scarlet robes; ministers, whose thoughts appeared distant, as if they were drafting some state document with as many interpretations as there were twists in Fair Rosamond’s labyrinth; brave sailors, tanned from sun and wind, who walked with a roll as if they were on the decks of the warship they commanded in a stormy sea; soldiers who would never run, even if a bombshell exploded at their feet; city officers who had shed no blood except that of grapes, though they had bravely stood before many a “Kentish fire;” clergymen, with classic features, who glanced at the tables as they passed, as if, amidst their spiritual duties, they still had time to cast their eyes “upon the good things of this world;” well-dressed young men who swaggered along with a confident stride, as if they believed that “the eyes of all Europe were upon them.” Old men, who had grown grey from dining at Guildhall, and like the warhorse in Job, laughed heartily as they caught the scent of turtle from afar; beautiful ladies, “mincing in their gait,” and looking down with modest gazes, while the light from their jewels shimmered on their snow-white necks like moonbeams on the rippling surface of a river, as they passed with silent steps; then came the richly dressed servants, with their heads held high, seeming to say—

"When connected to the renowned," "We share in their fame."

The costly plate, the piled flowers, and the rich viands which covered the ample tables, were outshone by the many beautiful faces which graced the feast. Pleasant was it to see the recognition, the friendly greeting between many of the old citizens, who seemed as if they but seldom met now, and who turned with pride to introduce their sons and daughters, trained up to tread the paths in which they had walked with honour. That old hall seemed in our eye a{158} fit mustering-ground for such scenes as these; it was all of a piece with the old Lord Mayor exchanging seats with the new one—the natural changes of life.

The expensive plates, the overflowing flowers, and the delicious dishes that filled the large tables were overshadowed by the many beautiful faces that added to the celebration. It was delightful to witness the recognition and warm greetings exchanged among the old residents, who appeared to rarely meet these days, as they proudly introduced their sons and daughters, raised to follow the honorable paths they once walked. That old hall seemed to us a{158} perfect gathering place for such moments; it all felt connected to the old Lord Mayor swapping seats with the new one—the natural changes of life.

The bill of fare we pass over, for it is written, as of old, in the tongues of turtles and turkeys, pears, pine-apples, and preserved ginger, with scores of other things, all excellent, as they always are. To us the clearing of the tables was an amusing sight. Here came No. 60, with a mountain of plates before him, from which projected the drumsticks of turkeys and the legs of geese; here a fish’s, there a pheasant’s tail; ruins of temples and castles, in broken pastry; porcupines, whose quills would never again be erected; ices, melting amid cakes and chips; and half-eaten apples, that stood up like first formations amid old undated seas.

The menu we skip over is still written, like before, in the languages of turtles and turkeys, pears, pineapples, and preserved ginger, along with many other tasty items, just as they always have been. For us, watching the clearing of the tables was quite entertaining. Here came No. 60, with a mountain of plates in front of him, from which the drumsticks of turkeys and the legs of geese jutted out; here a fish’s tail, there a pheasant’s tail; remnants of temples and castles made of broken pastry; porcupines, whose quills would never stand up again; ice desserts melting among cakes and chips; and half-eaten apples that stood like first formations in forgotten seas.

One thing we would fain have seen, instead of the plain crimson drapery which covered the doorways, namely,

One thing we really would have liked to see, instead of the plain red fabric that covered the doorways, namely,

"Arras filled with hunters, hawks, and hounds,"

to have corresponded with the ancient armour and blazoned banners that were placed around.

to have matched the ancient armor and decorated banners that were set up around.

After healths were drunk and speeches made, we ventured into the retiring-rooms, which seemed set apart for love and beauty; and we marvelled how there could be a bachelor in all London, while looking on that long array of sweet faces. Not that they were all dwellers in the City; but such as we often see in our suburban rambles pacing smooth grassy lawns, or peering over green hedgerows, before the neat villas that are scattered in hundreds around the skirts of this huge metropolis. There was the soft hazel eye of England, a look from which goes at once to the heart; lips that lay like roses resting upon each other; hair so bright and soft, that the richest silk would be coarse in comparison, though spun by the worms that fed on the mulberry-trees of Eden. Ever and anon forms swam by us more graceful than swans—beautiful as silver clouds sailing side by side over the noiseless blue of heaven. Here one coquetted with her fan; there another played with her bouquet; a third sat with her tiny hand half-buried amid a dark cluster of flowing ringlets; while a fourth beat her little foot to some well-remembered tune. On every hand stood flowers and choice greenhouse-plants high-piled, while a chastened light fell on the crimson carpet; and when we escaped, we scarcely knew whether we stood on our head or our heels, so entangled were our senses in jewels, flowers, rich dresses, bright eyes, long ringlets, and a thousand other sweet temptations, from which we prayed to be delivered.

After toasts were made and speeches given, we headed to the lounges, which felt especially meant for romance and beauty; and we wondered how there could be a single bachelor in all of London, gazing at that long line of lovely faces. Not all of them lived in the City; many were the kind we often see on our walks in the suburbs, strolling on smooth grassy lawns or peeking over green hedges outside the tidy villas that are scattered around the outskirts of this massive city. There was the soft hazel eye that is so characteristically English, a gaze that immediately touches the heart; lips that rested like roses against each other; hair so bright and soft that even the finest silk would feel rough in comparison, even if it were spun from the silkworms that fed on the mulberry trees of paradise. Now and then, forms glided by us, more graceful than swans—beautiful like silver clouds drifting together over the calm blue sky. Here, one flirted with her fan; there, another played with her bouquet; a third sat with her tiny hand half-hidden among a dark mass of flowing curls; while a fourth tapped her little foot to some familiar tune. Everywhere, flowers and exquisite greenhouse plants were piled high, while a gentle light fell on the crimson carpet; and when we finally got out, we hardly knew if we were upside down or right side up, so overwhelmed were we by jewels, flowers, glamorous dresses, bright eyes, long curls, and a thousand other alluring temptations we wished to escape.

From a work now before me, entitled the Royal Entertainments{159} in London, (the title-page of which is wanting), I find the following account of Charles I.’s entertainment at Guildhall:

From a work I currently have with me, titled Royal Entertainments{159} in London (the title page is missing), I find the following description of Charles I’s entertainment at Guildhall:

“Among the most important of the preliminary arrangements was that of providing a road for their majesties into the City, for the way from Kingsland to Shoreditch was impassable ‘in regard of the depth and foulness of it.’ A temporary approach was in consequence made across the meadows, in a line from Moorfields to Barnes, near Kingsland, ‘a retiring-house of Sir George Whitmore,’ who was then one of the aldermen; the banks being thrown down, and bridges fourteen feet wide thrown over the ditches. The previous night being rainy, and the morning gloomy and cloudy, the Lord Mayor commanded his tent to be pitched in a field, where his lordship and principal citizens, with some of the nobility, reposed themselves until their majesties came.* * * *

“Among the most important of the preliminary arrangements was providing a road for their majesties into the City, as the route from Kingsland to Shoreditch was impassable due to its depth and filth. A temporary path was created across the meadows, connecting Moorfields to Barnes, near Kingsland, which belonged to Sir George Whitmore, one of the aldermen at the time. The banks were leveled, and fourteen-foot-wide bridges were built over the ditches. After a rainy night and a gloomy, cloudy morning, the Lord Mayor ordered his tent to be set up in a field, where he and the key citizens, along with some nobility, rested until their majesties arrived.* * * *

“In Moorfields waited about five hundred horsemen, being the masters, wardens, and prime men of each company, in velvet or plush coats, with gold chains, every horseman attended by a footman with truncheons and torches. Each company was preceded by a pendant of its arms; and fourteen trumpeters, with bannered trumpets and scarfs, were placed, four at the head of the troop, and two between every hundred horsemen.* * * *

“In Moorfields, around five hundred horsemen waited, consisting of the masters, wardens, and leading members of each company, dressed in velvet or plush coats, with gold chains. Each horseman had a footman with a truncheon and a torch. Each company was led by a banner displaying its arms, and there were fourteen trumpeters with bannered trumpets and scarves, positioned four at the front of the troop and two between each hundred horsemen.* * *

“At Guildhall their majesties’ dinner was served up on the hustings, which were almost two yards from the ground, and the floor (of which was) covered with Turkey carpets. In the middle were two chairs under a cloth of state, and before them was placed a table six yards long: two yards from which, on the south, was ‘a table of garnish,’ or sideboard, of three yards square; and on the north, a room for music of all sorts.

“At Guildhall, the royal dinner was served on platforms that were nearly two yards above the ground, with the floor covered in Turkish carpets. In the center were two chairs beneath a canopy, with a table six yards long in front of them. Two yards to the south was a ‘garnish table,’ or sideboard, measuring three yards square; and to the north, there was a space for all kinds of music.”

“Upon a lower platform, raised about a yard from the ground, and extending from the hustings nearly to the door, were two tables for lords and ladies; while in the west end of the hall was a long table for his majesty’s pensioners; and in other rooms were tables prepared for the several sorts of their majesties’ attendants.

“On a lower platform, elevated about a yard off the ground, and stretching from the podium nearly to the door, there were two tables for the lords and ladies; while at the west end of the hall stood a long table for the king’s pensioners; and in other rooms, tables were set up for the different types of the king and queen’s attendants.”

“The dinner was served without confusion by means of two ranks of liverymen, formed of eighty grave citizens attired in furs and liveries, who, standing at about two yards’ distance from each other, passed the dishes from the dressers at the west end of the hall until the servers received them and placed them on the table.

“The dinner was served smoothly by two lines of liveried men, made up of eighty serious citizens dressed in furs and uniforms, who stood about two yards apart from each other, passing the dishes from the servers at the west end of the hall until the waiters received them and placed them on the table.”

“Their majesties’ meat was apportioned in four services. The first consisted of fifty dishes of cold meats, as brawn, fish, and cold baked meats, upon the garnish or side-table; the other three were of all sorts of hot flesh and fish, boiled, roasted, and baked, to the number of one hundred and twenty dishes: after which was served up a{160} curious and well-ordered dessert. To the two tables of the lords and ladies were appointed ten messes, consisting of five hundred dishes.

“Their majesties’ meal was served in four courses. The first course had fifty dishes of cold meats, like brawn, fish, and cold roasted meats, placed on the garnish or side-table; the other three courses included all kinds of hot meats and fish, boiled, roasted, and baked, totaling one hundred and twenty dishes. Afterward, a{160} fancy and well-arranged dessert was served. For the two tables of the lords and ladies, there were ten servings, which included five hundred dishes.”

“Only a few months after, on the 5th of January, the king came into London under very different circumstances,—to demand the members of the House of Commons whom he had accused of high treason, and believed to be shrouded in the City. The populace greeted him with exclamations for the ‘privileges of parliament;’ and one Henry Walker, an ironmonger, threw into his coach a paper whereon was written, ‘To your tents, O Israel!’ ”

“Only a few months later, on January 5th, the king entered London under very different circumstances—to demand the members of the House of Commons whom he had accused of high treason and believed to be hiding in the City. The crowd welcomed him with shouts for the ‘privileges of parliament,’ and a man named Henry Walker, an ironmonger, threw a paper into his coach that said, ‘To your tents, O Israel!’”

Stormy times followed soon after this visit, when Cromwell and his Ironsides obtained the ascendency; until at last the Protector’s fiery spirit passed away in an accompanying storm of thunder and lightning. Then Charles II. regained the throne, and together with his queen, more frequently joined the Lord Mayor’s banquet than any other monarch ever did before or since.

Stormy times soon followed this visit when Cromwell and his Ironsides gained power; eventually, the Protector’s fiery spirit faded away in a storm of thunder and lightning. Then Charles II regained the throne and, along with his queen, attended the Lord Mayor’s banquet more often than any other monarch before or since.

We are enabled to present our readers with a graphic picture of a Lord Mayor’s Show, no doubt soon after the close of Charles II.’s reign, from Ned Ward’s London Spy. We have never before seen it quoted, nor do we ever remember meeting with so truthful a description of an old London mob, in the works of any other author, as is here given by one whose work was published more than a century and a half ago.

We can give our readers a vivid representation of a Lord Mayor’s Show, probably shortly after the end of Charles II’s reign, from Ned Ward’s London Spy. We haven't come across it quoted before, nor do we recall encountering such an accurate description of an old London crowd in the works of any other author, as provided here by someone whose work was published over a century and a half ago.

“When the morning came that my Lord Mayor and his attendants were to take their amphibious journey to Westminster Hall, where his lordship, according to the custom of his ancestors, was by a kiss of the calves’-leather (book) to make a fair promise to his majesty, I equipped myself in order to bear with little damage the hustles and affronts of the unmannerly nobility, of whose wild pastimes and unlucky attacks I had no little apprehension. When I had thus carefully sheltered myself under my ancient drabberries, I ventured to move towards Cheapside, where I thought the triumphs would be most visible, and the rabble most rude, looking upon the mad frolics and whimsies of the latter to be altogether as diverting (providing a man takes care of the danger) as the solemn grandeur and gravity of the former.

“When the morning arrived for my Lord Mayor and his attendants to make their way to Westminster Hall, where his lordship, following the tradition of his ancestors, was to make a fair promise to his majesty with a kiss of the calfskin book, I got myself ready to handle the pushes and insults from the rude nobility, whose wild antics and unfortunate attacks I was quite wary of. Once I had carefully protected myself under my old coat, I decided to head towards Cheapside, where I thought the celebrations would be most visible, and the crowd would be the most unruly, viewing the crazy antics and foolishness of the latter as just as entertaining (as long as one watches out for the danger) as the solemn grandeur and seriousness of the former.”

“When I came to the end of Blow-bladder-street (this street opened into Cheapside out of Newgate-street), I saw such a crowd before my eyes, that I could scarcely forbear thinking the very stones of the street, by the harmony of their drums and trumpets, were metamorphosed into men, women, and children. The balconies were hung with old tapestry, and Turkey-worked table-cloths for the cleanly leaning of the ladies, with whom they were chiefly filled, (and) which the mob soon pelted into so dirty a condition with their kennel-ammunition,{161} that some of them looked as filthy as the cover-cloth of a led-horse that had travelled from Margate to London in the midst of winter; the ladies at every volley quitting their posts, and retreating into dining-rooms, as safer garrisons to defend them from the assaults of their mischievous enemies; some fretting at their daubed scarfs * * * others wiping their new commodes, which they had bought on purpose to honour his lordship. * * * The windows of each house from top to bottom were stuffed with heads; * * * while such a tide of mob overflowed the place we stood in, that the women cried out for room, the children for breath, and every man, whether citizen or foreigner, strove very hard for his freedom. * * * *

“When I reached the end of Blow-bladder-street (which led into Cheapside off Newgate-street), I saw such a crowd before me that I could barely help thinking the very stones of the street, with their drums and trumpets, had turned into men, women, and children. The balconies were draped with old tapestries and Turkey-patterned tablecloths for the neatly leaning ladies, who filled them, and the mob quickly turned them so dirty with their street debris,{161} that some looked as disgusting as the cover of a packhorse that had traveled from Margate to London in the dead of winter; the ladies at each volley would abandon their spots and retreat into dining rooms, which felt like safer places to defend themselves from the attacks of their troublesome enemies; some were annoyed at their stained scarves * * * others were wiping their new hairstyles, which they had bought specifically to honor his lordship. * * * The windows of every house were packed with heads; * * * while such a surge of people overflowed the area we stood in that the women cried out for space, the children for air, and every man, whether a local or a foreigner, struggled hard for his freedom. * * * *

“In this pageant was a fellow riding a cock-horse upon a lion, but without either boots or spurs. * * * At the base of a pedestal were seated four figures, representing, according to my most rational conjecture, the four principal vices of the City, namely, Fraud, Usury, Seeming-sanctity, and Hypocrisy. As soon as this was past, the industrious rabble, who hate idleness, procured a dead cat, covered all over with dirt, in which pickle it was handed about by these babes of grace as innocent diversion; every now and then being tossed into the face of some gaping booby or other, and making him look of as delicate a complexion as if his cheeks had been painted by a chimney-sweeper. * * *

“In this parade, there was a guy riding a wooden horse on a lion, but without any boots or spurs. * * * At the bottom of a pedestal were four figures that I believe represent the four main vices of the City: Fraud, Usury, Pretending to be pious, and Hypocrisy. As soon as that passed, the hardworking crowd, who despise laziness, found a dead cat covered in dirt, which they passed around as innocent fun; every now and then, it was tossed into the face of some unsuspecting fool, making him look as if his cheeks had been painted by a chimney-sweep. * * *

“Another pageant approached us, wherein an old fellow sat in a blue gown, dressed up like a country-schoolmaster; only he was armed with a scythe instead of a birch-rod; by which I understood this figure represented Time, which was designed, as I suppose, to put the City in mind how apt they are to abuse the old gentleman, and not dispose of him to such good uses as the laws of man require. * * * When this pageant was past, the ingenious rabble had got a leather-apron, which they tied full of mud, as hard as a football, and afterwards pricked it full of holes with a tailor’s bodkin, then flung it from one to another, it spouting its contents through the eyelet-holes upon every body it met with, the mob crying out, when it had hit any body, ‘All honey! all honey!’

“Another parade approached us, featuring an old man in a blue gown, dressed like a rural schoolteacher; but instead of a birch rod, he wielded a scythe. This indicated to me that this figure represented Time, meant to remind the City how likely they are to misuse the old fellow and not put him to the good use that human laws demand. * * * Once this parade passed, the clever crowd got a leather apron, filled it with mud, packed as tight as a football, and then poked it full of holes with a tailor's needle. They tossed it around, and it squirted its contents through the holes onto everyone it encountered, with the mob shouting whenever it hit someone, ‘All honey! all honey!’”

“The next pageant that moved was a most stately, rich, and noble chariot, made of slit deal and pasteboard, and in it sitting a woman. * * * The rabble had got bullocks’ horns, which they filled with kennel-water, and poured it down people’s necks, and into their pockets, that it ran down their legs into their shoes, the innocent sufferers not readily discovering from whence it came.

“The next parade that started was a really grand, luxurious, and impressive chariot, made of thin wood and cardboard, and in it sat a woman. *** The crowd had gotten bull’s horns, which they filled with dirty water and poured it down people’s necks and into their pockets, so that it ran down their legs into their shoes, with the unsuspecting victims not quickly figuring out where it came from.”

“When they had exercised this new invention about a quarter of an hour, the fifth pageant moved forward, wherein all sorts of trades were represented.” [What follows is so excellent that we have{162} placed it in italics.] “A man working at a tobacco-engine, as if he were cutting tobacco, but did not; a woman turning a wheel, as if she spun, but did not; a boy as if he was dressing an old woman’s hat, but was not; which was designed, as I suppose, to reflect upon the frauds and failings of the City-traders, and to shew that they often pretend to do what they do not, and to be what they are not, and will say what they think not, and will think what they say not; and that the world may there see cheats in all trades.”—The London Spy. Part XII.

“When they had used this new invention for about fifteen minutes, the fifth display moved forward, showcasing all kinds of trades.” [What follows is so excellent that we have{162} placed it in italics.] “A man pretending to work at a tobacco machine, as if he were cutting tobacco, but wasn’t; a woman acting like she was spinning at a wheel, but wasn’t; a boy as if he were fixing an old woman’s hat, but wasn’t; which was intended, I suppose, to point out the deceit and shortcomings of city traders, showing that they often pretend to do what they don’t, and to be what they’re not, and will say things they don’t mean, and think things they don’t say; so that the world can see fraud in all trades.”—The London Spy. Part XII.

The 29th of September is the day set apart for the election of the new Lord Mayor, when the liverymen meet in the hall, and the crier reads a list of the names of the aldermen who have served as sheriffs; this being a kind of city test, that those who are rich enough to serve as sheriffs have more than half climbed into the civic chair; and only such as have filled that high office are eligible for the mayoralty. The person named is generally elected, and it is seldom that a poll takes place; but if the party elected refuses the office, he is fined one thousand pounds. When elected, he must be presented to the Lord Chancellor, and approved of by the crown; after this, a few more presentations, together with the usual oaths, and he is a “made man.”

The 29th of September is the day designated for the election of the new Lord Mayor. On this day, the liverymen gather in the hall, and the crier announces the names of the aldermen who have served as sheriffs. This serves as a kind of city test since those wealthy enough to serve as sheriffs have more than half made it to the civic chair; only those who have held that high office are qualified for the mayoralty. The person named is usually elected, and a poll is rarely necessary. However, if the elected individual declines the position, they are fined one thousand pounds. Once elected, they must be presented to the Lord Chancellor and approved by the crown. After that, there are a few more presentations and the usual oaths, and then they are a “made man.”

Although the Lord Mayor of London may to many seem to “repose upon a bed of roses,” yet there are thorns in this much-coveted couch, and heavy duties ever arousing him from his comfortable slumber. He does not always sit in state with his mace-bearer before him, and his toast-master behind, drinking bumpers of champaigne, and emptying china bowls of turtle-soup, but has as much business to go through as the most plodding clerk that is compelled to labour for his daily bread.

Although the Lord Mayor of London may seem to many to be “resting on a bed of roses,” there are definitely thorns in this much-desired position, and heavy responsibilities constantly pulling him from his comfortable sleep. He doesn’t spend all his time sitting in a grand manner with his mace-bearer in front of him and his toast-master behind him, drinking big glasses of champagne and finishing bowls of turtle soup; he has just as much work to do as the most diligent clerk who has to grind away for his daily living.

He generally sits every week-day for three or four hours in the justice-room of the Mansion-House; presides over the sittings of the Court of Aldermen, where they do all but talk each other to death. He is a judge of the Central Criminal Court, and of the Sessions at Guildhall; holds eight courts a year as Conservator of the Thames; besides being a justice of the peace for Southwark, a trustee of St. Paul’s, and a governor both of Greenwich Hospital and King’s College. As to the number of affidavits and other documents he has to sign for the colonies, and of foreigners, “bearded like the pard,” he has to receive, entertain, and do “the amiable” to, we can just conceive that all the figures in a Ready Reckoner placed in a row would convey as clear an idea as we have of the “star-dust,” in the unfathomed nebulæ, which has yet to be balanced in our planetary ledgers.

He usually spends three or four hours every weekday in the justice room of the Mansion House, leading the meetings of the Court of Aldermen, where they practically talk each other to death. He serves as a judge at the Central Criminal Court and at the Sessions at Guildhall; he holds eight courts a year as the Conservator of the Thames, in addition to being a justice of the peace for Southwark, a trustee of St. Paul’s, and a governor of both Greenwich Hospital and King’s College. As for the number of affidavits and other documents he has to sign for the colonies, and the foreign visitors "bearded like the pard" that he has to welcome, entertain, and charm, we can only imagine that all the figures in a Ready Reckoner lined up would give as clear an idea as we have of the "star-dust" in the mysterious nebulas that still need to be accounted for in our planetary ledgers.

We have heard that the letters he receives average 200 a day;{163} and supposing only the tenth part of them to be from ladies, and not answered! what abuse he gets privately, publicly, and by post, gratis, must, as old Pepys says, “please him mightily.”

We've heard that the letters he gets average 200 a day;{163} and if only a tenth of them are from women and go unanswered! The amount of criticism he receives privately, publicly, and through the mail, for free, must, as old Pepys says, “please him a lot.”

Though shorn of its ancient grandeur by blocked-up windows and a flat unsightly roof, there is still something very striking in the noble dimensions of the hall, which is 152 feet long, 50 wide, and 55 feet high. But it is in the crypt where we see the true architecture of the building uninjured, where the clustered pillars throw out their reedy ramifications to support the roof with all that wild grace which our early architects so well understood when they copied the forest-avenues.

Though stripped of its former splendor by boarded-up windows and an unattractive flat roof, there's still something quite impressive about the hall's grand size, which measures 152 feet long, 50 feet wide, and 55 feet high. However, it's in the crypt that we find the building's true architecture intact, where the clustered pillars stretch out their slim branches to support the roof with the wild elegance that our early architects perfectly captured when they modeled it after forest paths.

“Those leafy temples, serious, towering, and impressive,
“Supported by oaks and covered by the hand of Heaven.”

This relic of the past is, we understand, to be cleared of its dingy covering—the accumulated dust and dirt of centuries—and thrown open to the public: may it be done quickly! I find the following mention of Guildhall and the Giants that stood therein at the time Ned Ward wrote his London Spy. He says, “I entered [Guildhall] with as great astonishment to see the Giants, as the Morocco ambassador did London when he saw the snow fall. I asked my friend the meaning and design of setting [up] those two lubberly preposterous figures; for I supposed they had some peculiar end in it. ‘Truly,’ says my friend, ‘I am wholly ignorant of what they intended by them, unless they were set up to shew the City what huge loobies their forefathers were, or else to frighten stubborn apprentices into obedience; for the dread of appearing before two such monstrous loggerheads will sooner reform their manners, or would force them into a compliance with their master’s will, than carrying them before my Lord Mayor or the Chamberlain of London; for some of them are as much frightened at the name of Gog and Magog as little children are at the terrible sound of Raw-head and Bloody-bones.

This relic from the past is, as we understand, going to be cleaned of its dingy covering—the centuries of dust and dirt—and opened to the public: may it happen soon! I find the following mention of Guildhall and the Giants that stood there when Ned Ward wrote his London Spy. He says, “I entered [Guildhall] with as much astonishment to see the Giants as the Morocco ambassador did when he first saw snow fall in London. I asked my friend what the purpose was of setting up those two clumsy, ridiculous figures; I assumed they must have some specific reason. ‘Honestly,’ my friend replied, ‘I have no idea what they were intended for, unless they were meant to show the City how huge and foolish their ancestors were, or perhaps to scare stubborn apprentices into obedience; because the fear of facing two such monstrous fools will likely reform their behavior or force them to comply with their master’s wishes faster than bringing them before my Lord Mayor or the Chamberlain of London; for some of them are as scared of the names Gog and Magog as little kids are of the terrifying tales of Raw-head and Bloody-bones.”

“ ‘Pray,’ said I, ‘what are yonder cluster of people doing, that seem as busy as so many fools at the Royal-oak Lottery?’

“‘Hey,’ I said, ‘what are those people over there doing, looking as busy as a bunch of fools at the Royal-oak Lottery?’”

“ ‘Truly,’ said my friend, ‘you are something mistaken in your comparison: if you had said knaves, you had hit it; for that is the Sheriff’s Court; and I must give them that character, that I never knew one fool amongst them, though they have to do with a great many. All those tongue-plodders who are chattering within the bar, are picking the pockets of those that stand without. You may know the sufferers by their pale faces: the passions of Hope, Fear, and Revenge have put them into such disorder, that they are as easy to{164} be distinguished in a crowd by their looks, as an owl from a hawk, or a country esquire from a town-sharper.’

“‘Honestly,’ my friend said, ‘you’ve misunderstood your comparison: if you had called them shady characters, you would have been spot on; because that’s what the Sheriff’s Court is. I have to say, I've never seen a fool among them, even though they deal with plenty. All those chatterboxes hanging around the bar are just picking the pockets of those standing outside. You can spot the victims by their pale faces: the emotions of Hope, Fear, and Revenge have thrown them into such chaos, that they stand out in a crowd just like an owl does from a hawk, or a country gentleman does from a city slicker.’”

“ ‘He’s a very comely gentlemen,’ said I, ‘that sits upon the bench, and puts on so pleasing a countenance, as if, like a god, he viewed with pleasure the fuss and discords of contending mortals, that fret and fume beneath him.’

“‘He’s a really good-looking guy,’ I said, ‘sitting on the bench with such a pleasant expression, as if, like a god, he enjoys watching the struggles and arguments of the people below him who are all stressed out.’”

“My friend replied, ‘He might well look merrily who sits the playing of so many great games, and is sure always to be on the winning side. For you must know,’ says he, ‘these courts are like public gaming-tables; the steward’s the box-keeper, and the clients the fools that are bubbled out of their money.’

“My friend replied, ‘He might seem happy who plays so many great games and always seems to be on the winning side. Because you should know,’ he says, ‘these courts are like public game tables; the steward is the dealer, and the clients are the fools who get tricked out of their money.’”

“ ‘Pray, what is that crowd doing at the other end of the hall?’ ‘That,’ says my friend, ‘is a court of Conscience, whose business is to take care that a debtor of a sum under forty shillings shall not pay money faster than he can get it. It is a very reasonable establishment for the prevention of poor people’s ruin, who lie at the mercy of a parcel of rascally tallymen, and such-like unconscionable traders, who build their own welfare upon the miseries and wants of others. There are several other courts held here beside what we now see sitting; but this, I think, does the most good of any of them, except to the lawyers, and they look upon it with an evil-eye.’ ”—London Spy, 1699.

“‘What’s that crowd doing at the other end of the hall?’ ‘That,’ my friend replies, ‘is a court of Conscience, which makes sure that someone who owes less than forty shillings doesn’t have to pay back money faster than they can earn it. It’s a pretty reasonable setup to prevent struggling people from being ruined by a bunch of unscrupulous salesmen and similar heartless traders who benefit from the suffering and needs of others. There are several other courts held here besides the one we’re seeing now, but this one, I think, does the most good for everyone except the lawyers, and they look at it with disdain.’” —London Spy, 1699.

The principal monuments are those of Lord Chatham, William Pitt, and Nelson; the inscription on the first was written by Burke, on the second by Canning, and the last by Sheridan. In the Council Chamber there are pictures of the death of Wat Tyler, Siege of Gibraltar, the judges who sat after the Great Fire and settled all differences about rebuilding the City; also a full-length portrait of Queen Anne. We feel disappointed that there are so few relics of old London on the hundreds of feet of bare walls that Guildhall and the courts within it contain—there could hardly be found a more appropriate place for the display of old city antiquities. It is true that the Library is enriched with many interesting objects, the chief of which is the autograph of Shakspeare appended to a deed, which is shewn in a glass-case for its better preservation. How many rare deeds and scarce manuscripts might be shewn if thus guarded! for there is much truth in the “old sayed-saw,” that

The main monuments are those of Lord Chatham, William Pitt, and Nelson; the inscription on the first was written by Burke, on the second by Canning, and the last by Sheridan. In the Council Chamber, there are paintings of the death of Wat Tyler, the Siege of Gibraltar, and the judges who convened after the Great Fire to resolve all disputes about rebuilding the City; there's also a full-length portrait of Queen Anne. We feel let down that there are so few artifacts of old London on the hundreds of feet of bare walls that Guildhall and its courts have—there could hardly be a more fitting place to showcase old city relics. It's true that the Library is filled with many interesting items, the most notable being Shakespeare's autograph on a deed, which is displayed in a glass case for better preservation. Just think of how many rare documents and scarce manuscripts could be shown if they were similarly protected! There’s a lot of truth in the “old saying," that

"Where there's a will, there's a way."

There is one old church that escaped the Great Fire standing some distance behind Guildhall which we must mention, and of which we give an engraving, that is, St. Giles’s, Cripplegate; for there Milton is buried, whose name, like that of Homer, conjures up one of the{165} greatest poems ever written. Here, too, awaiting a joyful resurrection, rests John Fox, the author of the Book of Martyrs; Speed, the historian and topographer. Many of the actors at the Fortune Theatre, in Whitecross Street, are also buried here. Oliver Cromwell was married in this church; and it contains a tablet of one Constance Whitney, represented rising from a coffin, erroneously believed to have been buried while in a trance, and restored to life by the sexton digging up the body to obtain possession of a ring upon one of her fingers.

There’s an old church that survived the Great Fire, located a bit behind Guildhall, that we need to mention, and we’ve included an engraving of it. That’s St. Giles’s in Cripplegate; it’s where Milton is buried, a name that, much like Homer’s, brings to mind one of the{165} greatest poems ever written. Here, too, waiting for a joyful resurrection, lies John Fox, the author of the Book of Martyrs; Speed, the historian and topographer. Many of the actors from the Fortune Theatre in Whitecross Street are also buried here. Oliver Cromwell got married in this church, and it features a tablet for someone named Constance Whitney, depicted rising from a coffin, mistakenly thought to have been buried while in a trance, and brought back to life by the sexton who dug her up to retrieve a ring from one of her fingers.



ST. GILES’S, CRIPPLEGATE.

ST. GILES’S, CRIPPLEGATE.

__A_TAG_PLACEHOLDER_0__
ST. GILES’S, CRIPPLEGATE.

Over the south-east door of the church is a figure of Time, with his scythe, &c., beautifully sculptured. Part of the ancient City-wall is still remaining on the south and east sides of the churchyard; particularly one of the bastions, which is close against the back of Barbers’ Hall, in Monkwell-street.{166}

Over the southeast door of the church is a beautifully carved figure of Time, holding his scythe and other elements. A section of the old city wall still exists on the south and east sides of the churchyard; especially one of the bastions, which is right next to the back of Barbers’ Hall on Monkwell Street.{166}

CHAPTER IX.

CHRIST’S HOSPITAL.

WE have often wondered how the mind of a stranger to London is impressed by seeing bare-headed young men moving about our city-thoroughfares wearing the costume of the period of the boy-king Edward VI.;—what he thinks of the blue-gown, orange-coloured petticoat, leather belt, yellow stockings, and clerkly band worn by the unmonk-like young gentry, who have succeeded the old Grey-Friars, those who in their day were seen in the narrow streets of ancient London. We have often seen a green-looking countryman peeping through the palisades in Newgate-street, while the boys have been at play in the open space before the hall; but could never divine what he thought, though his open mouth and fixed eyes told that something or another was passing through his brain; but whether he was struck by the dimensions of the building, the quaint dress of the schoolboys, or their cheerful laughter and merry romps, was alone known to himself. How few, except they are lovers of history, know or care any thing about Edward VI.! They may have heard that his brutal father beheaded wives as fast as he married them; that Lady Jane Grey perished on the scaffold; but of the events between, during the brief reign of the boy-king, they know nothing. More than one of our old chroniclers assert that he was poisoned. We often marvel that no one has closely examined contemporary authorities, and, by comparing them with the many documents of that period, which have of late years been brought to light, endeavoured to settle this disputed point of history.

WI have often wondered how a stranger to London views the sight of bare-headed young men walking through our city wearing outfits from the era of the boy-king Edward VI.;—what he thinks of the blue gown, orange petticoat, leather belt, yellow stockings, and clerical collar worn by the unmonk-like young gentlemen, who have replaced the old Grey Friars, those who once roamed the narrow streets of ancient London. We have often seen a green-looking countryman peeking through the fences in Newgate Street while the boys are playing in the open area in front of the hall; but we could never figure out what he thought, even though his open mouth and fixed gaze showed that something was going through his mind; whether he was struck by the size of the building, the quirky dress of the schoolboys, or their cheerful laughter and playful antics was known only to him. How few, unless they are history enthusiasts, know or care anything about Edward VI.! They may have heard that his brutal father executed wives as fast as he married them; that Lady Jane Grey lost her life on the scaffold; but they know nothing of the events in between, during the short reign of the boy-king. More than one of our old chroniclers claims he was poisoned. We often wonder why no one has critically examined contemporary accounts and, by comparing them with the many documents from that period that have recently come to light, tried to resolve this historical debate.

The remains of the monastery of Grey Friars were repaired for the reception of the “poor fatherless children” in 1552; and before the close of the year nearly four hundred found shelter within the old monastic walls. At first they wore a dress of russet-cotton, which{167} was afterwards changed for blue, and which colour they have no doubt worn ever since.

The ruins of the Grey Friars monastery were fixed up to welcome the “poor fatherless children” in 1552; and by the end of the year, nearly four hundred had found a home within the ancient monastery walls. Initially, they wore russet-cotton clothing, which{167} was later changed to blue, a color they have likely worn ever since.

Stowe has left us a most interesting and beautifully-written account of the origin of Christ’s Hospital, with something so nervous and touching in the language, that we feel the good old man’s heart must have been fixed on the subject while he wrote. He tells us how “Mr. Doctor Ridley, then Bishop of London, came and preached before the king’s majesty at Westminster, in which sermon he made a fruitful and goodly exhortation to the rich to be merciful to the poor; and also to move such as were in authority to travail by some charitable way and means to comfort and relieve them.”

Stowe has given us a fascinating and beautifully-written account of the origin of Christ’s Hospital, with language so heartfelt and moving that we can sense the good old man’s passion for the subject as he wrote. He shares how “Mr. Doctor Ridley, then Bishop of London, came and preached before the king’s majesty at Westminster, in which sermon he made a fruitful and inspiring call to the wealthy to show mercy to the poor; and also urged those in authority to work in some charitable way to comfort and support them.”

The boy-king was so struck by the appeal, that he sent for the bishop as soon as the service was over, when the following scene took place, as described by Stowe: “There were present no more persons than they two, and therefore (the king) made him sit down in one chair, and he himself in another, which, as it seemed, were before the coming of the bishop there purposely set, and caused the bishop, maugre his teeth,[A] to be covered, and then entered communication with him in this manner: first, giving him hearty thanks for his sermon and good exhortation, he therein rehearsed such special things as he had noted, and that so many, that the bishop said, ‘Truly, truly (for that commonly was his oath), I could never have thought that excellency to have been in his grace, but that I beheld and heard it in him. At last, his king’s majesty much commended him for his exhortation for the relief of the poor; ‘but, my lord,’ quoth he, ‘you willed such as are in authority to be careful thereof, and to devise some good order for their relief; wherein, I think, you mean me; for I am in (the) highest place, and therefore am the first that must make answer unto God for my negligence, if I should not be careful therein, knowing it to be the express commandment of Almighty God to have compassion of His poor and needy members, for whom we must make an account unto Him. And truly, my lord, I am, before all things else, most willing to travail that way; and doubting nothing of your long and approved wisdom and learning, who have such good zeal, as wisheth help unto them, but also that you have had some conference with others, what ways are best to be taken therein, the which I am desirous to understand, I pray you therefore say your mind.’ ”

The boy-king was so impressed by the sermon that he called for the bishop as soon as the service ended. What happened next, as described by Stowe, was this: “There were only the two of them present, so the king had the bishop sit in one chair while he sat in another, which seemed to have been placed there on purpose before the bishop arrived. He had the bishop, despite his objections, covered up, and then he began to talk to him this way: first, he expressed his sincere thanks for the sermon and good advice, recounting specific points he had noted, so many that the bishop said, ‘Truly, truly (which was his usual oath), I could never have imagined such excellence in Your Grace until I saw and heard it for myself. Finally, His Majesty praised him for his encouragement to help the poor; ‘But, my lord,’ he said, ‘you said that those in authority should be mindful of this and come up with a good plan for their support; I believe you mean me, as I hold the highest position, and I must answer to God for my negligence if I don’t pay attention to this, knowing it’s a direct command from Almighty God to show compassion to His poor and needy members, for whom we must give an account to Him. And truly, my lord, I am, above all else, most eager to work on this; and I have no doubt about your extensive wisdom and knowledge, along with your genuine desire to assist them, but I also believe you’ve talked to others about the best ways to approach this, which I would like to learn about, so I ask you to share your thoughts.’”

[A] Maugre—in spite of, whether he would or not.

[A] Despite—in spite of, whether he wanted to or not.

The bishop declared that he was so astonished he scarcely knew how to reply: he, however, thought of the citizens of London, and proposed to try what he could do amongst the wealthy merchants. The king at once gave him a letter, and the good bishop had an interview{168} that very evening with the Lord Mayor, Sir Richard Dobbs, who agreed to do all he could to carry out the boy-king’s wishes. Next day there was a dinner (no doubt the dinner did it); aldermen and other citizens were present; so the matter was decided and placed before the king. In short, beside many providing several other charities, the old monastery of Grey Friars was given up for children of the poor; and thus the charitable and pious son built up a blessing out of what his church-destroying father had made all but desolate. Henry had sold all the consecrated vessels, or appropriated them to his own use; for it is said that more than one sacramental cup of precious metal, which in the last hour had been pressed to the lips of the dying, was used in the drunken revels of the brutal Defender of the Faith. Even the costly monuments and grave-stones (many of them, no doubt, the tombs of pious benefactors) were torn up and sold, to furnish supplies for the revels of this wife-killing king.

The bishop said he was so shocked he hardly knew how to respond; still, he thought about the people of London and suggested he would try to gather support from the wealthy merchants. The king immediately provided him with a letter, and that very evening, the good bishop met with the Lord Mayor, Sir Richard Dobbs, who agreed to do whatever he could to fulfill the boy-king’s wishes. The next day there was a dinner (which surely helped); aldermen and other citizens attended; and the issue was decided and presented to the king. In short, along with many others contributing to various charities, the old Grey Friars monastery was repurposed for the poor children; and thus the charitable and devout son created a blessing from what his church-destroying father had nearly left in ruins. Henry had sold all the sacred vessels or kept them for himself; it is said that more than one precious sacramental cup, which had been pressed to the lips of the dying, was used in the drunken parties of the brutal Defender of the Faith. Even the expensive monuments and gravestones (many likely belonging to generous benefactors) were destroyed and sold to provide for the excesses of this wife-killing king.

It must have caused the heart of the young king to have swelled with pleasurable emotion, when those children were presented to him so shortly after the conversation which took place between himself and the bishop, and in (it is said) the very chamber of the palace where the king received him after he had preached that memorable sermon; and which event is preserved in the immense picture that still hangs in the hall of that Hospital, in which he is portrayed presenting the charter to the Lord Mayor.

It must have made the young king's heart swell with joy when those children were brought to him shortly after his conversation with the bishop, supposedly in the very chamber of the palace where the king welcomed him after he delivered that famous sermon. This moment is captured in the massive painting that still hangs in the hall of that Hospital, showing him presenting the charter to the Lord Mayor.

Stowe again says: “And, for a further relief, a petition being made to the king’s majesty for a license to take in mortmain, or otherwise without license, lands to a certain yearly value, and a space left in the patent for his grace to put in what sum would please him, he, looking on the void place, called for pen and ink, and with his own hand wrote this sum in these words, ‘Four thousand marks by the year;’ and then said, in the hearing of his Council, ‘Lord, I yield Thee most hearty thanks that Thou hast given me life thus long to finish this work, to the glory of Thy name.’ After which foundation established he lived not above two days; whose life would have been wished equal to the patriarchs, if it had pleased God so to have prolonged it.”

Stowe again says: “And, for further relief, a petition was made to the king for permission to take in mortmain, or otherwise without permission, lands worth a certain yearly value, leaving a space in the patent for His Grace to fill in whatever amount he pleased. He, looking at the empty space, called for pen and ink, and with his own hand wrote this amount in these words, ‘Four thousand marks a year;’ and then said, in front of his Council, ‘Lord, I give You my heartfelt thanks that You have granted me life long enough to complete this work, for the glory of Your name.’ After establishing this foundation, he lived only two more days; his life would have been wished to be as long as the patriarchs, if it had pleased God to prolong it.”

And so the boy-king died in the sixteenth year of his age, after having founded this grand hospital for boys—poisoned, as the old chroniclers tell us, with a nosegay, which had been prepared purposely to hasten his death. And children played around those cloisters while the young king’s favourite, Lady Jane Grey, was beheaded; and when, in Mary’s reign, the fires in Smithfield reddened over the bodies of pious men. And probably in those days they could see the{169} open space behind their play-ground beyond the ditch, and hear the shrieks of women carried to the fiery stake in that blood-stained and savage age; and in their dreams these “poor fatherless children” would see these sights and hear these sounds. But few very “poor fatherless children” are now inmates of Christ’s Hospital; and if the spirits of the dead can look down upon the deeds of men on earth, the eyes of the good and gentle young king must have been dimmed with tears, or flashed with anger, at witnessing the carriages that sometimes draw up and take away such children as need not his charity. When the Commissioners have done examining the title-deeds of our Universities, let them come here; for we are widely misinformed if a Whiston is not needed at Christ’s Hospital. From the Illustrated London News of March, 1843, we have copied the following graphic description of a supper in the hall of Christ’s Hospital:

And so the boy-king died at the age of sixteen, after having founded this grand hospital for boys—poisoned, as the old chroniclers tell us, with a nosegay that was intentionally prepared to hasten his death. Children played around those cloisters while the young king’s favorite, Lady Jane Grey, was beheaded; and when, during Mary’s reign, the fires in Smithfield blazed over the bodies of faithful men. Back then, they could probably see the{169} open space behind their playground beyond the ditch, and hear the cries of women being taken to the fiery stake in that bloody and brutal age; and in their dreams, these “poor fatherless children” would witness these sights and hear these sounds. But there are now very few “poor fatherless children” living at Christ’s Hospital; and if the spirits of the dead can look down upon the actions of people on earth, the eyes of the good and kind young king must have been filled with tears, or sparked with anger, at seeing the carriages that sometimes pull up and take away children who don’t need his charity. When the Commissioners finish examining the title deeds of our Universities, let them come here; for we are greatly mistaken if a Whiston isn’t needed at Christ’s Hospital. From the Illustrated London News of March, 1843, we have copied the following vivid description of a supper in the hall of Christ’s Hospital:

“One of the most interesting Lenten sights of the metropolis is the supping in public of the scholars of Christ’s Hospital on the evenings of eight Sundays, terminating with Easter-day. On these occasions admission may be obtained by tickets, liberally granted by the president, governors, and other officers of the Hospital, ‘the noblest institution in the world.’

“One of the most interesting sights during Lent in the city is the public dinners of the students from Christ’s Hospital on the evenings of eight Sundays, ending with Easter Sunday. During these events, you can get in with tickets, generously provided by the president, governors, and other officials of the Hospital, ‘the greatest institution in the world.’”

“These suppers are held in the magnificent hall, which, next to Westminster Hall, is the noblest room in the metropolis. It measures 187 feet in length, 51 wide, and 46-1/2 high. It was designed by the late Mr. Shaw, architect to the hospital, and is in the style of the last period of pointed architecture, before its Italian debasement.

“These dinners take place in the grand hall, which, after Westminster Hall, is the most impressive room in the city. It measures 187 feet long, 51 feet wide, and 46.5 feet high. It was designed by the late Mr. Shaw, the architect for the hospital, and showcases the style of the final period of Gothic architecture, before it was influenced by Italian styles.”

“Provided with your ticket, you enter the court-yard from Newgate-street, where the rattling of carriages denotes the arrival of the distinguished company; and the light streaming through ‘the stately range of beautiful windows, with their stained glass arms and devices,’ indicates that the hall is prepared for the occasion. The public are admitted to the floor of the hall as well as to the gallery facing the organ-loft. Assuming your privilege to be for the latter, you enter by the arcade beneath the hall, whence you ascend on the left by a newelled stone staircase to the gallery. The scene from hence is very impressive; the vast apartment is lit with a double row of chandeliers with argand lamps. Immediately above you is an immense picture, said to have been painted by Holbein, of Edward VI. granting the Hospital charter to the City; and on the long line of wall facing the windows is another great picture—‘Charles II. giving audience to a deputation from the Hospital,’ by Verrio. There are other paintings here, but they are seen to less advantage than the flat-ribbed ceiling, the well-proportioned windows, the tasteful oak fittings,{170} and, in short, the beautiful as well as gigantic architecture of the hall. The company fast pour in, and ‘the trade boys,’ a party to each table, bring in baskets of bread, knives, &c.; leathern piggins, into which the beer is poured from a leathern jack; and one brings candles, which are lit and set about the tables, already laid with the cloth. The boys next stream in, and seat themselves at their respective tables, each of which has its separate nurse. All being thus prepared, precisely at seven o’clock the official procession enters, consisting of the Lord Mayor, president, treasurer, and governors, walking two by two; the organ rolls forth its ‘billows of sound;’ the assemblage stand up en masse, and join in the hymn, which is led by the singing-boys in the organ-gallery. Meanwhile the distinguished personages take their seat on the raised daïs stretching across the farther end of the hall. The Lord Mayor takes a carved chair, made of oak from old St. Katherine’s Church; behind him sit the official personages, and next the distinguished visitors—invariably numbering many elegantly-dressed ladies; whilst other visitors are accommodated beneath the windows. On the opposite side a Grecian, or elder boy, mounts the pulpit; and, silence being enforced by three strokes of a hammer, he proceeds with the evening service, appropriate lessons, prayers, &c., at the close of which the supper commences; the visitors walking to and fro between the tables. It is a homely meal of bread and cheese, relieved by sundry ‘pulls’ at the contents of the piggins—carrying many a spectator back to his own school-days. After supper, an anthem accompanied on the organ is sung, that on Easter-day being composed by one of the senior scholars, and the subject of an annual prize in the school: an impressive prayer or blessing follows. The organ again peals forth; the singing-boys from the gallery join their fellows; and the tables having been cleared, and the cloths rolled up, the nurse of the first table leads the way, followed by the boys, two and two, towards the Lord Mayor, where she curtsies, and they bow two and two; the trade boys carrying the baskets, piggins, &c., and the rolled-up cloths, which add grotesqueness to their etiquette. Having passed the daïs, they return by nearly the whole length of the room to the door by which they entered; and thus the obeisance continues until the whole number of boys, upwards of 800, have disappeared. The official personages then retire, the organ ceases, and by this time the majority of the general company have quitted the hall. The spectacle is altogether a most impressive one, awakening associations of general benevolence, and an especial sense of the excellence of this right royal institution.”

“With your ticket in hand, you enter the courtyard from Newgate Street, where the sound of carriages signals the arrival of the distinguished guests; and the light streaming through 'the elegant range of beautiful windows, with their stained glass arms and emblems,' shows that the hall is ready for the event. The public is allowed on the floor of the hall as well as in the gallery facing the organ loft. If you're accessing the latter, you enter through the arcade beneath the hall and ascend on the left via a stone staircase to the gallery. The view from here is quite striking; the large space is illuminated by a double row of chandeliers with Argand lamps. Right above you is a massive painting, believed to have been done by Holbein, of Edward VI. granting the Hospital charter to the City; and on the long wall opposite the windows hangs another grand painting—‘Charles II. receiving a delegation from the Hospital,’ by Verrio. There are other artworks here, but they're overshadowed by the beautifully ribbed ceiling, the well-proportioned windows, the tasteful oak fittings, {170} and, in short, the stunning yet enormous architecture of the hall. The guests start arriving in droves, as 'the trade boys,' assigned to each table, bring in baskets of bread, knives, etc.; leather pails, into which the beer is poured from a leather jug; and one brings candles, which are lit and placed around the tables, already covered with cloths. The boys then flood in and take their seats at their respective tables, each attended by its own nurse. Once everything is set, exactly at seven o’clock, the official procession enters, consisting of the Lord Mayor, president, treasurer, and governors, walking two by two; the organ plays a powerful tune; the crowd stands up as a whole and joins in the hymn led by the choir boys in the organ gallery. Meanwhile, the honored guests take their seats on the raised platform at the far end of the hall. The Lord Mayor sits in a carved chair made from oak from old St. Katherine’s Church; behind him sit the official attendees, and next to them the distinguished guests—usually including many elegantly dressed ladies; while other guests are seated beneath the windows. On the opposite side, a senior boy steps up to the pulpit; and, silence being ensured by three knocks of a hammer, he begins the evening service, including appropriate lessons, prayers, etc., after which supper begins; the guests walk back and forth between the tables. It’s a simple meal of bread and cheese, enhanced by various ‘pulls’ from the contents of the pails—reminding many of their own school days. After supper, an anthem accompanied by the organ is sung, with the Easter Day piece composed by one of the senior scholars, which is the subject of an annual prize in the school: an impressive prayer or blessing follows. The organ plays again; the choir boys from the gallery join their fellow singers; and once the tables have been cleared and the cloths rolled up, the nurse at the first table leads the way, followed by the boys in pairs, towards the Lord Mayor, where she curtsies, and they bow in pairs; the trade boys carrying the baskets, pails, etc., and the rolled-up cloths, which add a whimsical touch to their etiquette. After passing the platform, they return nearly the full length of the room to the entrance they came in; and so the bowing continues until all the boys, over 800, have left. The official guests then withdraw, the organ stops, and by now the majority of the general public has exited the hall. The whole scene is genuinely impressive, stirring feelings of general goodwill and a particular appreciation for the greatness of this royal institution.”

“Early to bed and early to rise,”

“Go to bed early and wake up early,”

{171}

{171}

might be written up here for the benefit of visitors: for the boys, if well, are compelled to rise at six in summer and seven in winter. Still they have so many hours left for play, as they do not breakfast until eight, after which school commences at nine, and breaks up at twelve; they have then another hour and a half for washing, dinner, and play, and are again liberated at four; more play, supper and prayers—and so ends the day.

might be written up here for the benefit of visitors: for the boys, if well, are required to wake up at six in the summer and seven in the winter. Still, they have plenty of time left for play, as they don't have breakfast until eight, after which school starts at nine and ends at twelve; they then have another hour and a half for washing, lunch, and play, and they are free again at four; more play, dinner, and prayers—and that wraps up the day.



OLD STAIRCASE.

OLD STAIRCASE.

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Vintage Staircase.

From that scarce work, the London Spy, we quote the following description of Christ’s Hospital and its approaches as it appeared nearly two centuries ago: “We went through a narrow entry which led us by a parcel of diminutive shops, where some were buying gloves, some smoking tobacco, others drinking brandy; and from thence into a famous piazza, where one was selling toys, another turning nutcrackers, a third, with a pair of dividers, marking out such a parcel of tringum-trangums, [that] to understand the right use of which is [would be] enough to puzzle the brains of Esculapius. From thence we passed into another cloister, whose rusty walls and obsolete ornaments denoted great antiquity, where abundance of little children in{172}

From that rare work, the London Spy, we quote the following description of Christ’s Hospital and its surroundings as it appeared nearly two centuries ago: “We went through a narrow entrance which led us past a bunch of small shops, where some people were buying gloves, others were smoking tobacco, and some were drinking brandy; and from there into a famous plaza, where one person was selling toys, another was making nutcrackers, and a third, with a pair of dividers, was marking out a bunch of trinkets, which would be enough to puzzle the brains of Esculapius. From there we entered another cloister, whose rusty walls and outdated decorations indicated great age, where a lot of little children in {172}



CHRIST’S CHURCH.

CHRIST’S CHURCH.

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CHRIST'S CHURCH.

blue ‘jackets’ and kite-lanthorned caps was very busy at their several recreations. This, says my friend, was originally founded by Edward VI. for the education of ‘poor children,’ but has been largely improved since by additional gifts, and is one of the noblest foundations in England. No youth can have the advantage of a better education{173} than is here allowed them, [and they] are afterwards provided for according as they are qualified, being either sent to sea, [to] trades, or the university. There is a ridiculous story reported and credited by many people, which is, that a gentlewoman, possessed of great riches, when she came to die, gave her whole estate to this hospital, leaving behind her a poor sister, for whom she neglected to make any provision, who, having the expectancy of the estate after the other’s decease, and finding herself unhappily disappointed, reflecting upon her unfortunate condition and the unkindness of her sister, broke her heart, and upon her deathbed rashly pronounced the curse of some distemper always to attend the hospital; ever since which time it has always been subject to * * * But I look upon this tale to be very fabulous, for indeed it would be very wonderful that so many hundred children, though looked after with all the cleanliness imaginable, should at any time be all free from all those distempers to which they are chiefly incident.”—Part V. 1699.

The kids in blue ‘jackets’ and kite lantern caps were busy with their various activities. My friend mentioned that this was originally established by Edward VI for the education of ‘poor children,’ but it has been greatly enhanced since then with additional donations and is one of the greatest institutions in England. No young person can receive a better education{173} than what is offered here, and they are taken care of based on their abilities, either sent to sea, into trades, or to university. There’s a silly story that many people believe, which is that a wealthy woman, when she was about to die, left her entire fortune to this hospital, ignoring her less fortunate sister, for whom she made no arrangements. This sister, expecting to inherit the estate after her sister’s death, was devastated when that didn’t happen. Reflecting on her unfortunate situation and her sister's lack of kindness, she died of heartbreak and, in a moment of anger, cursed the hospital to always suffer from some kind of illness; ever since, it has been affected by * * * But I think this story is just a legend, as it would be quite remarkable for so many hundreds of children, even with the best care possible, to be completely free from the illnesses they are usually prone to.”—Part V. 1699.

We have given at page 171 an engraving of the old cloister which Ned Ward mentions, shewing the ancient staircase also. Both are still remaining. If the word “jacket” was understood in his day, as it is at present, to mean a coat without tails, the costume has undergone an alteration.

We included an engraving on page 171 of the old cloister that Ned Ward talks about, showing the ancient staircase too. Both are still intact. If the term “jacket” was understood in his time the way it is now, meaning a coat without tails, then the outfit has changed.

In Christ’s Church, which was built after the Great Fire (that damaged both the church and the old hospital) by Wren, the “Spital Sermons,” which were formerly preached at Paul’s Cross, are still delivered at Easter. The children of Christ’s Hospital attended then, as they do now, these ancient Spital Sermons. In this church Baxter, author of The Saint’s Rest, is buried. It is well worth a visit to see the blue-coat boys (as they are commonly called) seated in the galleries on each side the organ. We have given an engraving of the church.

In Christ’s Church, which was rebuilt by Wren after the Great Fire that damaged both the church and the old hospital, the "Spital Sermons" that used to be preached at Paul’s Cross are still held at Easter. The children of Christ’s Hospital attend these historic Spital Sermons just like they always have. In this church, Baxter, the author of The Saint’s Rest, is buried. It’s definitely worth a visit to see the blue-coat boys (as they’re commonly called) sitting in the galleries on either side of the organ. We’ve included an engraving of the church.

Lamb, Hunt, and Coleridge, who were all educated at Christ’s Hospital, have left pleasant reminiscences of this place in works which are in the hands of so many readers, that their names need only to be mentioned here.{174}

Lamb, Hunt, and Coleridge, who all went to Christ’s Hospital, have shared fond memories of this place in works that are read by many, so just mentioning their names is enough.{174}

CHAPTER X.

SMITHFIELD.

SMITHFIELD-market will soon be numbered with the things that “have been;” the defenders of dirt must give way, and the foul and musty corners of the City be purified. Should the present work turn up in “a lot” some century hence, our description of Smithfield may be as great a curiosity to the reader then, as Ned Ward’s picture of a Lord Mayor’s show one hundred and fifty years ago was to us, when we chanced to stumble upon the remains of the tattered old quarto volume in which it has been so long preserved.

SSMITHFIELD market will soon be part of history; the defenders of dirt must step aside, and the dirty and moldy corners of the City will be cleared out. If this work is discovered “in a lot” a century from now, our description of Smithfield may be as interesting to the reader then as Ned Ward’s account of a Lord Mayor’s show from one hundred and fifty years ago is to us, when we happened upon the remains of the worn old quarto volume that has kept it preserved all this time.

There is something about this busy market unlike any other that we have ever seen in England—in the mixture of cunning costermongers, and ruddy-faced countrymen; for in it buyers and sellers congregate from every corner of our sea-girt shores, and you hear the language of the provinces, and see costumes from the “nooks and corners” of England, which call up sweet green far-away places, where innocence and simplicity still reside, ignorant of the “fast” life we in this huge city are compelled to live.

There’s something about this bustling market that’s unlike anything we’ve ever seen in England—it's the blend of clever street vendors and rosy-cheeked country folk; here, buyers and sellers gather from every part of our coastal shores. You can hear the accents from different regions and see outfits from the “nooks and corners” of England, which remind you of lovely green places far away, where innocence and simplicity still exist, unaware of the hectic life we have to live in this vast city.

But we will begin with the eating-houses in and around Smithfield. Nowhere beside in London will you see such immense fat joints as they here cook, or behold such rich marrow puddings; for the eating-house keepers seem to understand the palates of their customers. They know that they have to feed men who put a pound upon their plates at a time; that they have come many a hungry mile through the open and breezy country, and brought ostrich-like stomachs, which are capable of digesting every heavy and solid thing they devour.

But we’ll start with the restaurants in and around Smithfield. Nowhere else in London will you find such massive cuts of meat being cooked, or see such rich marrow puddings; it's clear that the restaurant owners know what their customers like. They understand that they’re serving people who pile a pound of food on their plates at once; that they’ve traveled many hungry miles through the open and fresh countryside, and have stomachs like ostriches, able to digest everything heavy and solid that they eat.

But watch one of those drovers, after his cattle are safely penned, blow off the foam from a full pot of porter and drink. You can fairly{175} trace the current outside his ruddy throat, as gulp after gulp goes down, long, deep, and vast; you wonder how ever the fellow can hold his breath. If he does not empty the whole pot at a draught, he will not leave enough in the bottom to drown a fly. He brought in his throat the dust of many a weary mile; and, when you recal the shouting and hallooing which is so necessary in driving his cattle, you marvel not that he feels as thirsty as a lime-burner. Nor does his dog lose a moment before he visits the adjoining cab-stand, where he makes friends with the waterman, and, like his master, quenches his thirst. No dogs are more sagacious than those which have been well trained by a Smithfield drover—a look or a motion is sufficient to direct them: they need no telling to drive the sheep aside when a vehicle is passing; a runaway needs no pointing out to them, they are up and over the backs of the whole flock in a moment; and, having placed the deserter again in marching order, the side of the master is once more their post. As they look into his face, you might, from their actions, fancy that they read his very thoughts, and foresaw his wishes. Many of these men love their dogs as dearly as their children; and well do the faithful animals return such affection. We have seen a drover asleep on the pavement in summer, with his dog coiled up beside him, and ready to spring upon the first assailant who could be found bold enough to disturb his owner’s slumber. The watchfulness of the dog and the attitude of the sleeper would have delighted the eye of Landseer.

But watch one of those cattle herders, after he’s safely penned his animals, blow off the foam from a full pint of beer and drink. You can clearly{175} see how the liquid flows down his flushed throat, gulp after gulp, long, deep, and large; you wonder how he can even hold his breath. If he doesn't finish the whole pint in one go, there won't be enough left at the bottom to drown a fly. He carries the dust of many a long mile in his throat; and when you think about the shouting and hollering that’s essential in driving his cattle, it’s no surprise he feels as thirsty as a lime-burner. His dog doesn’t waste any time before heading to the nearby cab stand, where he makes friends with the waterman and, like his master, quenches his thirst. No dogs are more clever than those trained by a Smithfield herder—a look or a gesture is all it takes to guide them: they don't need to be told to steer the sheep aside when a vehicle goes by; a runaway doesn’t need to be pointed out to them, they’re up and over the backs of the whole flock in an instant; and, having herded the runaway back into line, they return to their master’s side. As they gaze up at him, you might think from their behavior that they can read his very thoughts and anticipate his wishes. Many of these men love their dogs as much as their children; and the loyal animals repay that love in kind. We've seen a herder sleeping on the pavement in the summer, with his dog curled up next to him, ready to spring on anyone bold enough to disturb his owner's sleep. The dog's watchfulness and the sleeper’s posture would have delighted Landseer’s eye.

To our ears there is something in the lowing and bleating sounds that fill Smithfield on a market-day that carries us away into the green quietude of the country; and we cannot look upon the flocks and herds without conjuring up the sloping hills and pastoral valleys from whence they have been driven. They call up images of homesteads and thatched granges, far off amid the dreamy murmur of open fields, where even the smell of the smoke has a pleasant aroma, and the dust on the road-side a clean look. Somehow, we seem to dislike seeing the little white lambs imprisoned in those strong and crowded pens; there is a pitiable plaintiveness about their bleat, which tells that they are not kindly used—as if they felt it hard to be driven away from the young round daisies which were just beginning to peep forth—that they missed their merry gambols on the breezy upland, and pined for their range over the wide and open fields. With an old or middle-aged sheep we have no such sympathy—it has lived until it has grown into mutton, to become as great an ornament to the table as it once was to the field. What a beautiful expression may sometimes be found in the face of an heifer, with its large mild eyes and finely-moulded head! Let any one walk down the foot-way on a{176} Monday, between the posts to which they are secured, and he will be struck by the calm and patient countenances of many of the cattle; for they are prisoners that awaken our pity. Nor is their colour less admirable. What a rich glossiness do we find about the red and black patches! while the white portions look clean and spotless as untrodden snow.

To us, the lowing and bleating sounds that fill Smithfield on market days take us away to the peaceful green countryside. We can’t help but envision the rolling hills and pastoral valleys they came from when we see the flocks and herds. They bring to mind images of homesteads and thatched barns, far off in the gentle whisper of open fields, where even the smoke smells nice, and the dust on the roadside looks fresh and clean. For some reason, we feel a sense of unease seeing the little white lambs trapped in those strong, crowded pens; their bleating has a sad tone that suggests they aren’t treated well—as if they’re struggling to be separated from the young daisies just starting to bloom, missing their playful runs on the breezy hills, and yearning for their freedom in the wide-open fields. With older or middle-aged sheep, we feel no such sympathy—they’ve lived long enough to become mutton, just as fitting for the table as they once were in the fields. Sometimes, a heifer's face can show such beauty, with its large gentle eyes and well-shaped head! If anyone walks down the path on a{176} Monday, tethered to the posts, they’ll notice the calm and patient expressions on many of the cattle; they’re prisoners that tug at our hearts. Their colors are equally striking, with a rich glossiness in the red and black patches, while the white areas look as clean and pristine as untouched snow.

In no city in the world can there be found such a splendid assemblage of cattle as Smithfield produces on a full market-day. A foreigner wonders no longer at the thews and sinews of Englishmen after he has seen the substantial material on which they feed. A drover with his sharp clasp-knife in his hand, and a mountain of beef before him, is no bad emblem of one of John Bull’s bulwarks.

In no city in the world can there be found such a splendid gathering of cattle as Smithfield produces on a busy market day. A foreigner no longer marvels at the strength and build of Englishmen after seeing the hearty food they consume. A cattle dealer with his sharp knife in hand and a mountain of beef in front of him is a fitting symbol of one of John Bull's defenses.

We have often wondered if the inhabitants around Smithfield ever sleep on a Sunday night; to us it has seemed impossible to close the eyes amid such an uproar as is then heard. Babel was never shaken by a greater confusion of sounds: the barking of a hundred dogs blend with the hallooing of a hundred drovers; sheep, whose number is legion, join in the chorus; then comes the deep bass of the bullocks, mingled with the shrill squealing of swine—a sound which sets the very teeth on edge; and this loud concert is kept up without ceasing until day opens its broad eyes in the east. Should the unwilling listener—worn out—begin to doze about the dawn, up comes the thunder of scores of butchers’ carts, making the old casements chatter again, and causing the houses to jar to their very foundations. Night is not a season of rest in this ancient neighbourhood.

We often wonder if the people around Smithfield ever get any sleep on a Sunday night; it seems impossible to relax with such a racket going on. Babel was never rocked by a greater mix of sounds: the barking of countless dogs blends with the shouting of dozens of drovers; sheep, by the thousands, join in the noise; then you have the deep bellowing of cattle, mixed with the high-pitched squealing of pigs—a sound that makes your teeth itch; and this loud performance goes on without a break until the sun rises in the east. If an exhausted listener tries to doze off around dawn, up come the crashing of multiple butchers’ carts, making the old windows rattle again, and causing the houses to shake to their very foundations. Night is not a time for rest in this old neighborhood.

Many of those Smithfield butchers can tell to a few pounds what a bullock will weigh by only looking at it: you will see them walk once leisurely round, muse for a few brief seconds, then make an offer; should the salesman argue that it will weigh so much to the quarter, they are ready in an instant to back their own judgment with a five-pound note. They seem to carry their scales in their eyes, to lift up the bullock and weigh him by only raising their eye-lids; as to sheep and pigs, we believe some of them would be ready to bet that they guessed the weight to a few ounces.

Many of those butchers in Smithfield can accurately guess a bullock's weight just by looking at it: you'll see them stroll around it casually, think for a few seconds, and then make an offer. If the seller insists that it weighs a certain amount per quarter, they're quick to back up their judgment with a five-pound note. It’s as if they have scales in their eyes, lifting the bullock's weight just by raising their eyelids; when it comes to sheep and pigs, we think some of them would even be willing to bet they can guess the weight within a few ounces.

But Friday is the great day to see Smithfield, if a stranger wishes to peep at a few of our real London characters. Such a motley group as is there congregated can never be found together in any other spot in the metropolis. There the costermonger shews the paces of his donkey, and the dustman forces his broken-kneed jade into a trot, while the knacker looks on with eye intent, selecting out such as he feels confident will have to be carried home. What riding, and running, and trotting to and fro, is there to be seen! You wonder what secret the men possess to get such poor and broken-down horses to go{177} at the speed they do. True, one or two fall now and then; but that, of course, is always the fault of the pavement, as they say. It puzzles you to see them dispose of animals that possess so many excellent qualities. Only to listen, you might fancy that the poor horse, which seems to stand with so much difficulty, could draw St. Paul’s if it were loose; that “Eclipse” was hardly to be named beside it for speed; and as for eating (the most wonderful of all), its keep costs less than nothing. Should the horse have swollen legs, they assign a reason, and swear it is a proof of its great strength; should the bones shew through the skin, it is tough and wiry; if broken-winded, it has only caught a slight cold. In short, they have a good for every evil, and would beat your practised horse-dealers hollow—even if they came from Yorkshire.

But Friday is the perfect day to check out Smithfield if someone wants to get a glimpse of some real London characters. You won't find such a mixed crowd anywhere else in the city. There, the street vendor shows off his donkey, and the garbage collector pushes his limping horse into a trot, while the knackers watch closely, picking out horses they think will need to be taken home. There’s so much riding, running, and trotting happening! You wonder what trick these guys have up their sleeves to get such worn-out horses to move at the speed they do. Sure, a couple might stumble now and then, but that’s just chalked up to the pavement, as they say. It’s puzzling to see them get rid of animals that have so many good qualities. Just listening, you might think that the poor horse, which seems to struggle to stand, could pull St. Paul’s if it broke loose; that “Eclipse” wouldn't even compare in speed; and as for feeding it (the most astonishing part), its upkeep costs practically nothing. If a horse has swollen legs, they have an explanation and insist it’s a sign of great strength; if its bones stick out, it’s supposed to be tough and wiry; if it’s wheezing, it’s just caught a little cold. In short, they have an excuse for every problem and could outsmart your average horse dealers—even those from Yorkshire.

One, whose hair peeps through his cap, has thrown an old bridle around his neck, and this he recommends as better than new, because it has got seasoned. A second, whose ragged suit would not fetch a crown, were he to try all Petticoat-lane, has an old saddle to dispose of; you see the hay it is stuffed with peeping out at a dozen openings. Another, having got rid of his donkey, wants a purchaser for his cart, which you fancy, from the look of the wheels, he must have brought thither on his head. Some are trying to recommend their whips by the loud cracking they are ever making within a few inches of your ear; while others gather in little knots around a celebrated trotter, and listen with delight at the distance he has “done” in his day. And over every bargain that is made, the huge pewter pot is filled and emptied, or the fiery gin chucked down at a single swallow.

One guy, whose hair sticks out from under his cap, has thrown an old bridle around his neck and insists it's better than a new one because it’s well-worn. Another, whose shabby clothes wouldn’t sell for a dime even if he searched all of Petticoat Lane, is trying to sell an old saddle; you can see the hay sticking out of several holes. Another guy, after selling his donkey, wants to find someone to buy his cart, which you can tell from the condition of the wheels he probably carried here on his head. Some people are trying to show off their whips by cracking them loudly just inches from your ear, while others gather in small groups around a well-known trotter, eagerly listening to tales of how far he’s run in his prime. And for every deal that's made, the huge pewter pot gets filled and emptied, or fiery gin gets knocked back in one go.

Some we have seen—driven doubtless by hard necessity to sell—part with their favourite animal, with a full heart and a tearful eye: and on one occasion we saw a poor sweep kiss the forehead of his donkey, and when it was led away he heaved such a sigh as would have caused Sterne to have hugged his “innocent blackness.”

Some we have seen—driven surely by tough necessity to sell—say goodbye to their beloved animal, with a heavy heart and tearful eyes: and once, we saw a poor chimney sweep kiss his donkey on the forehead, and when it was taken away, he let out a sigh that would have made Sterne embrace his “innocent blackness.”

We have often wondered into what sort of holes and corners these poor over-worked and ill-fed horses are thrust by their owners. We have peeped about into all kinds of strange places where we have seen the carts of the costermongers standing; but, for the life of us, we have never been able to discover their “whereabout” clearly. True, we have occasionally seen them enter doors, and go into houses; but whether they were occupiers of the ground-floor, or the ground in the back-yard, we have only in a few cases arrived at a satisfactory conclusion. Once we were bold enough to ask a rough-looking fellow, with a most awful squint, what he did with his donkey when he got it inside, and he answered, “Make a pillow of it, to be sure.”

We often wonder what kind of cramped spaces these poor, overworked, and poorly fed horses are shoved into by their owners. We've peeked into all sorts of strange places where we've seen the carts of the street vendors parked, but we’ve never really been able to figure out exactly where they go. Sure, we’ve occasionally seen them walk through doors and into houses; but whether they're using the ground floor or the back yard, we’ve only reached a clear conclusion in a few cases. Once, we were daring enough to ask a rough-looking guy with a terrible squint what he did with his donkey when he brought it inside, and he replied, “I make a pillow out of it, of course.”

Besides its cattle, Smithfield has its hay-market; and we have{178} many a time wondered, while reading the names of the places on the carts and wagons, at the great distance from which they have come. Sometimes, overpowering every other poisonous smell, we have caught a sniff as if from a hay-field, telling us a sad tale of some poor farmer who had been compelled to bring the produce of his little field to market before the smell of the sweet grasses had died away. Nor less melancholy is it to witness some old countryman driving his cow and calf before him, and looking around with astonishment, in the cold grey of the early morning, on the high houses and the busy scene. Oh, how different from the calm repose of his own humble cottage! You see care in his very countenance, and know that there is some unwritten history of poverty and trouble that compels him to make such a sacrifice.

Besides its cattle, Smithfield has its hay market; and we have{178} often wondered, while reading the names of the places on the carts and wagons, about the great distances from which they have arrived. Sometimes, overpowering every other unpleasant smell, we catch a whiff that seems to come from a hayfield, telling us a sad story of some poor farmer who had to bring the produce of his small field to market before the scent of the sweet grasses had faded. It's equally sorrowful to see an old countryman driving his cow and calf ahead of him, looking around in astonishment, in the cold gray of early morning, at the tall buildings and busy scene. Oh, how different it is from the peaceful comfort of his own modest cottage! You can see the worry on his face, knowing there’s some untold story of hardship and struggle that forces him to make such a sacrifice.

It was once our lot to meet such a character in the open area of Smithfield. Time had silvered his hair, but left a ruddy and youthful bloom upon his patriarchal countenance. He had driven his beautiful cow and calf into their allotted place, and stood with a short clean pipe in his hand, as if wondering how he should obtain a light: no doubt his morning pipe had long been to him a comfort. He glanced a moment at the cigar we were smoking, but was too diffident to ask for a light; it was not needed: an extra draw, the ash shaken off, and we offered him the fiery end, which glowed like charcoal. He “louted not low,” but made a bow that would have done honour to a herald. It required but little trouble to get him to enter into conversation: He had set out long before midnight; had driven his cow and calf above twenty miles, from a beautiful village in Surrey, and was about to sell them to purchase the discharge of his son, who was a soldier at Chatham. We turned away with a sad heart, for a tear gathered in the old man’s eye as he ended his simple narrative; and we thought that Smithfield still contained its martyrs. Once also we saw a young Gipsy mother and her dusky child standing silently beside her ass: she had brought it to market to sell, to release her husband from the prison, into which he was committed for poaching. But many a market in England is attended by such sufferers as these, besides Smithfield.

It was once our chance to meet a character in the open area of Smithfield. Time had turned his hair silver but left a healthy, youthful glow on his patriarchal face. He had led his beautiful cow and calf to their designated spot and stood there with a short clean pipe in hand, seeming to wonder how to get a light for it; no doubt his morning pipe had long been a comfort to him. He glanced at the cigar we were smoking but was too shy to ask for a light; it wasn't necessary: a quick draw, shaking off the ash, and we offered him the glowing end, which looked like charcoal. He didn’t bow low, but instead made a gesture that would have honored a herald. It took very little effort to strike up a conversation with him: He had set out long before midnight, driving his cow and calf more than twenty miles from a lovely village in Surrey, and was about to sell them to pay for his son's discharge, who was a soldier at Chatham. We walked away with a heavy heart, as a tear welled up in the old man’s eye as he finished his simple story; and we thought that Smithfield still had its martyrs. We also saw a young Gypsy mother and her dark-skinned child standing quietly beside her donkey: she had brought it to market to sell, to free her husband from the prison where he was held for poaching. But many markets across England are filled with such sufferers, not just Smithfield.

This great market, like Bartholomew-fair, is doomed to be swept away, and Smithfield to be shorn of its glory, and the old houses left to mourn in silence. A horned and angry bullock is not the most fitting object to rush through our crowded thoroughfares, to the terror of pretty nursery-maids and little children. But, as the inimitable Matthews said, “We cannot take a hackney-coach for it;” nor can such a danger be got rid of without great injury to many of the old inhabitants, whose very bread depends upon the market. It is a{179}

This big market, like Bartholomew Fair, is set to be wiped out, and Smithfield will lose its charm, leaving the old buildings to grieve in silence. A horned, angry bull isn't the best thing to have running through our busy streets, scaring nursery maids and little kids. But, as the unmatched Matthews said, “We can’t just take a cab for that;” and we can’t eliminate such a hazard without causing serious harm to many of the long-time residents, whose livelihoods depend on the market. It is a{179}

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question of “pitch and toss,” whether the few are to be tossed up, or the many thrown down;—whether it is better for a few Joneses and Smiths to be thrown occasionally over the battlements of Blackfriars-bridge, or the eatinghouse-keepers and tavern-keepers about Smithfield to give up boiling, baking, and brewing. It is fat joints, marrow puddings, and everybody’s entire, with no end of etceteras in the form of tollage, against the lives and limbs of her gracious Majesty’s liege subjects. As the boys say, “If heads, I win; if tails, you lose.” Whichever way it ends, the poetry of old Smithfield will still remain.

question of “pitch and toss,” whether it's better for a few people to be thrown up, or the many to be brought down;—whether it’s better for a few Joneses and Smiths to be tossed over the side of Blackfriars Bridge, or for the restaurant and pub owners around Smithfield to stop their boiling, baking, and brewing. It’s rich cuts of meat, marrow puddings, and everyone’s whole, along with countless extras in the form of tolls, against the lives and limbs of Her Majesty’s loyal subjects. As the kids say, “If heads, I win; if tails, you lose.” No matter how it turns out, the charm of old Smithfield will still be there.

Fat Ursula, who sold roasted pig, still lives in the pages of Rare Old Ben; and while his works exist, the memory of Bartholomew-fair will never be forgotten. Its old mummings, and masques, and mysteries, are numbered amongst the things that were. The merry din of ancient days will never resound again through the bars of Smithfield. The archers, who made it their great mustering-ground, have ages ago shot their last shaft. Death stept in and struck through the target, and they never again appeared. What visions of the past float before us while wandering around the old borders of Smithfield! What pictures have perished for ever that once glowed in all the colours of life upon that wide-spread canvass! Kings and heroes and martyrs; processions of solemn monks hymning along as they moved beneath the archway that leads to Bartholomew’s ancient church; and figures of brutal and bearded men, who fed the reddening fires—of shrieks and groans that pierced through the star-paved floors of heaven—and curses that went deep and hollow into the nethermost depths of dark perdition.

Fat Ursula, who sold roasted pig, still lives on in the pages of Rare Old Ben; and as long as his works exist, the memory of Bartholomew Fair will never fade. Its old performances, masquerades, and mysteries are counted among the things that were. The cheerful noise of ancient times will never echo again through the bars of Smithfield. The archers, who used to gather there, shot their last arrow long ago. Death stepped in and struck the target, and they never returned. What visions of the past come to mind while wandering around the old edges of Smithfield! What images have vanished forever that once shone in all the colors of life on that vast canvas! Kings and heroes and martyrs; processions of solemn monks singing as they moved under the archway leading to Bartholomew’s old church; and figures of fierce, bearded men who fed the blazing fires—of screams and groans that pierced through the starry floors of heaven—and curses that went deep and hollow into the darkest depths of hell.

In the early morning have we traversed that solemn neighbourhood, when neither the stir of trade nor traffic disturbed the silence. And at such times the past has seemed again to open its silent doors, and the phantoms of the departed dead to glide before us. Battle and banner have again been displayed: pale and bleeding we have in fancy seen Wat Tyler fall, struck down by the arm of the powerful Mayor of London. Then came the shadow of the king, who had broken faith with the brave rebel, flying before his murderers. The Bastard of Burgundy and Earl Rivers next passed with their visors down, and paused on the spot where the lists were erected, when all London rushed into the open square to gaze upon the single combat they there fought. We saw pale faces upraised amid the flames, lips silent, yet moving with inward prayer. The ancient watch passed by half-buried in the smoke of the burning cressets. A dark funeral swept slowly along under the dusky archway, and was lost in the shadow of the old church. Then the morning sun fell upon a gay{182} bridal party: they entered the low porch, and the door that opened into the gable-ended overhanging mansion was closed upon them for ever.

In the early morning, we walked through that quiet neighborhood, where the hustle of work and traffic didn’t disrupt the stillness. During these moments, the past seemed to open its quiet doors, and the spirits of those who had passed floated before us. Battles and banners appeared once more: we imagined seeing Wat Tyler fall, struck down by the hand of the powerful Mayor of London. Then came the shadow of the king, who had betrayed the brave rebel, fleeing from his murderers. The Bastard of Burgundy and Earl Rivers followed next, their visors down, pausing at the spot where the tournament was set up, as all of London gathered in the square to watch the duel they fought there. We saw pale faces raised amidst the flames, lips silent yet moving in silent prayer. The ancient watch passed by, half-hidden in the smoke of the burning torches. A dark funeral procession moved slowly through the dim archway, disappearing into the shadow of the old church. Then the morning sun shone on a cheerful bridal party: they entered the low porch, and the door that led into the gabled mansion closed behind them forever.

The high-piled City stands upon the dust of her millions of sons and daughters, who have ages ago sunk into the earth from whence they sprung. Even into the ancient church of Bartholomew itself we have now to descend as we enter—the remains of the forgotten dead have risen high above the antique floor; the youth and beauty of departed years are but a portion of the dark mould which rises around the hoary edifice.

The towering City is built on the dust of millions of its sons and daughters, who sank into the earth long ago. As we enter the old church of Bartholomew, we must go down; the remains of the forgotten dead have lifted high above the ancient floor. The youth and beauty of years gone by are now just part of the dark soil that surrounds the aged building.

"They loved, but whom they loved the grave" Has lost in its unconscious womb; Oh! they were beautiful, but nothing could save "Their beauty comes from the grave." — J. Montgomery.

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CHAPTER XI.

NEWGATE.

AROUND and within London lies a land chequered with lights and shadows, close city courts, and stifling suburban alleys, in which the sunshine only lingers for a few minutes during the day (where it seems imprisoned and in a hurry to escape above the dusky chimneys); and in this vast metropolis these scenes are contrasted with broad green, airy parks, and long lines of palace-like streets, which stretch westward and dip into the open and surrounding country. Its living crowds are ever in motion—now to witness a royal procession; then cleaving a November fog, or rolling eastward to gaze upon a “Lord Mayor’s Show;” or, while darkness still reigns over the solemn-looking streets, from its blind alleys and secluded nooks—haunts of vice and infamy—the uneducated heirs to crime and wretchedness grope their way towards Newgate, to see the black and ominous stage erected, on which a real and living actor is about to die, to glut the gaze of those who are assembled to witness this legal tragedy. From the first hour after the deep-toned bell of St. Paul’s had struck the death-knell of the departed Sabbath, the crowd began to congregate—only a few days ago—at the front of those forbidding barriers, the doors of the neighbouring coffee-houses and gin-shops were thrown open, and those who were not content to mingle with the mob below, and witness the horrible exhibition gratis, began to rush in, and bargain for their places. Then rang upon the ear the cries of “Comfortable room!” “Excellent situation!” “Beautiful prospect!” “Splendid view!” as each in turn recommended what may be termed the box-places at the windows, or the open and airy gallery on the roofs; for the pit lay dark and crowded below, and there the audience had free entrance. From every avenue this{184} human crowd rushed in; up narrow courts, and the wide openings of the streets, they came in dusky groups, that passed through light and shadow as they crossed over where the glare of the gas-lamps fell—then merged into the dark mass of human forms on which the gloomy shadow of Newgate settled down.

AROUND and within London lies a land marked by lights and shadows, tight city courts, and suffocating suburban alleys, where the sunshine only stays for a few minutes during the day (as if it's trapped and eager to escape above the dim chimneys); and in this vast city, these scenes contrast with wide green, open parks, and long stretches of grand streets that head west and blend into the open countryside. Its bustling crowds are always moving—now to watch a royal procession; then cutting through a November fog, or heading east to see a “Lord Mayor’s Show;” or, while darkness still covers the solemn streets, from its dark alleys and secret nooks—hangouts of vice and infamy—the uneducated heirs to crime and misery stumble their way toward Newgate, to witness the grim and foreboding stage set, on which a real and living actor is about to die, feeding the eyes of those gathered to watch this legal tragedy. From the moment the deep-toned bell of St. Paul’s sounded the death-knell for the departed Sabbath, the crowd began to gather—just a few days ago—at the front of those forbidding barriers, the doors of the nearby coffeehouses and gin shops swung open, and those who weren’t satisfied to blend in with the mob below, watching the horrific event for free, rushed in to secure their spots. Then the air was filled with cries of “Comfortable room!” “Excellent location!” “Beautiful view!” “Splendid sight!” as each in turn promoted what could be called the box seats at the windows, or the open and airy balcony on the roofs; because the pit lay dark and crowded below, and there the audience had free entrance. From every direction, this{184} human crowd surged in; up narrow alleys, and the wide openings of the streets, they came in shadowy groups, passing through light and darkness as they crossed over where the bright glow of the gas lamps fell—then merging into the dark mass of people upon which the gloomy shadow of Newgate loomed.

All night long were the workmen busily employed in erecting the gloomy scaffold: the sound of their hammers and saws fell upon the ear at intervals; these again were drowned by the loud jeers and coarse jests which were ever and anon uttered and responded to by many in that brutal mob. One after another the huge pieces of black wood were brought out and fitted together, until high above the crowd rose the grim stage on which the death-ending drama was to be represented. Even on the countenances of those who erected the pile no expression of pity could be traced; they hammered and sawed as if they were erecting a gay mansion for the living, instead of a place on which the doomed victim was a few moments to plant his feet, look around him, and—die! The posts, which supported the planks on which so many trembling actors had trod, were fitted into the same holes in the ground—foundations which had been dug long years ago, and stood firmly, with all their load of sorrow and crime, through scores of heart-aching executions: spots which the thoughtful man never passes without heaving a sigh, and where the brutal and the vicious only congregate to jest at degraded humanity.

All night long, the workers were busy setting up the dark scaffold: the sound of their hammers and saws echoed intermittently, occasionally drowned out by the loud taunts and crude jokes shouted back and forth by the brutal crowd. One after another, the large pieces of black wood were brought out and put together until the grim stage rose high above the onlookers, ready for the deadly drama to unfold. Even on the faces of those building the structure, there was no sign of sympathy; they hammered and sawed as if they were constructing a joyful home for the living, rather than a place where the condemned would soon stand, look around, and—die! The posts supporting the planks that so many trembling performers had walked on were fitted into the same holes in the ground—foundations dug long ago, standing strong under the weight of sorrow and crime from countless painful executions: locations that a thoughtful person would never pass without sighing, where only the brutal and the vicious gather to mock degraded humanity.

Ranged along the lines of the barriers, like hounds that are ever in foremost at the death, are seen those whom neither rain, snow, storm, nor darkness ever prevented from attending an execution. Their conversation is about their companions of former years—of those who were long ago imprisoned, transported, or hanged; while they alone, though often within the clutches of the law, are still at large, with all their crimes. Some of these, whose hair age and guilt have whitened, remember the days when men were hung up in a row—can tell who died basely and who bravely; and on his memory who met death in sorrow and repentance they cast reproach and shame; while he who plunged daringly into the darkness of eternity, as if he gloried in his iniquity, they hold up as an example to be followed. No rocking nor swaying of the crowd from without can remove these old idolaters of the gallows: the mass of human bodies behind may roll to and fro, like the waves of the ocean—the motion affects them not; they are anchored like rocks at the foot of the gloomy headland, which stands with its dark beam reared high above the billowy multitude. Nearly every countenance along those foremost ranks seems marked with the lines which witnessing such public executions have imprinted there—as if the very cordage had{185}

Ranged along the edges of the barriers, like eager dogs ready for the hunt, are those who never let rain, snow, storms, or darkness stop them from attending an execution. Their conversations usually revolve around their old friends—those who were imprisoned, banished, or executed long ago; while they themselves, often catching the eye of the law, remain free with all their crimes. Some of them, with hair turned white from age and guilt, recall the days when men were lined up to be hanged—they can recount who died cowardly and who died bravely; and upon the memory of those who faced death with sorrow and remorse, they cast scorn and shame; while those who plunged boldly into the abyss as if reveling in their wrongdoing are held up as role models. No swaying or pushing of the crowd from outside can shake these old worshippers of the gallows: the throngs behind may surge like ocean waves—the motion has no effect on them; they are as steadfast as rocks at the base of the dark cliff that towers high above the churning crowd. Almost every face in those front rows is marked by the lines that witnessing such public executions leaves behind—as if the very ropes had{185}

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left its twisted impress upon their visages, and the dark beam its ominous line upon their furrowed brows, giving to them the very reflex of the gallows itself, while watching its workings.

left its twisted impression on their faces, and the dark beam its ominous line on their wrinkled brows, giving them the exact reflection of the gallows itself while they observed its workings.

From the expression of such countenances we can see that the exhibition they are awaiting has for them no terrors; that it is but calculated to harden their hearts, by making them more familiar with the image of death; and that, instead of repenting, they are more likely to go and take away life; thus following the example which the law itself has set before their eyes. Here and there, mingled among the crowd, are seen the figures of women; some, whose countenances are marked with dissipation, yet bearing faint traces of former beauty, as if Nature was still reluctant to obliterate the fair image which she had first formed, though every trace of the pure spirit, which had once given it such light and animation, has long since perished. If they speak together in tones of pity, it is the besotted sympathy of maudlin inebriety. There is a rocking of the head, a swaying of the body, and a folding of the arms, which tell how low they have sunk,—that the once clear intellect is prostrated before the power of ardent spirits; while the crushed bonnet, the dirty shawl, the gown fastened with a single hook upon the back, and that slip-shod slovenliness of the feet, proclaim that all the pride of the woman has vanished. Girls and youths, too, are there, on whose countenances the impress of innocence is still stamped, though the white purity of the flower is sullied with the trail of the slimy soil in which it has grown. It makes the heart ache—while looking upon these stained and drooping flowers, that are growing amid such a wilderness of full-blown weeds—to reflect upon the deathly blight which must at last settle down and destroy them, unless they are transplanted by some kind and nurturing hand into a more favourable soil. Surely that law which can take away life might throw its protecting power over such as these, and a score or two of policemen be stationed to prevent them from witnessing such a scene as an execution, which is only calculated to brutalise their youthful minds. Pocket-picking, fighting, drunkenness, and profanity in almost every form, are the only examples to be picked up by these young frequenters of the gallows. No man can venture there with a kind and feeling heart, unless impelled by such motives as would lead him to plunge into a pest-house in the hope of restoring again to health some of those whom the plague has stricken down. They think not of the heart-broken relatives who have taken a last farewell as they stood within the massy and low-vaulted corridors behind that forbidding and impassable barrier of iron bars—nor of the condemned cell in which the doomed prisoner has passed so many hours{188} of bitter remorse, looking with an inward eye of awe into that mysterious future into which he is now to be suddenly launched.

From the look on their faces, it's clear that the event they're waiting for doesn’t frighten them; instead, it just toughens their hearts by making them more used to the idea of death. Rather than feeling remorse, they’re more likely to go out and take lives, following the example set by the law itself. Scattered throughout the crowd are women whose faces show the effects of a reckless lifestyle, yet still bear hints of past beauty, as if Nature is hesitant to erase the lovely image it once created, even though all signs of the pure spirit that once gave it vibrancy are long gone. If they talk among themselves, it's only the drunken sympathy of those who have lost their way. There’s a bobbing of heads, a swaying of bodies, and arms crossed that show how low they’ve fallen—how once-clear minds have been overwhelmed by alcohol; their crushed hats, dirty shawls, gowns held together by a single hook at the back, and their untidy shoes reveal that all their pride is gone. There are also girls and boys present, their faces still reflecting innocence, but the pure white of their youth is tarnished by the dirt of their surroundings. It’s heartbreaking to see these wilted and stained flowers among a tangle of thriving weeds, knowing that a tragic end will inevitably come unless someone compassionate replants them in better circumstances. Surely, the law that can take a life should also protect people like these, with a few police officers posted to keep them from witnessing executions, which only serve to harden their young minds. The young people frequenting the gallows only pick up lessons in pickpocketing, fighting, drunkenness, and cursing. No one can enter that place with kindness in their heart unless driven by the same desperation that would lead them into a plague-ridden area, hoping to save a few of the infected. They don’t think about the heartbroken families saying their last goodbyes in the heavy, low-ceilinged hallways behind that formidable wall of iron bars—or about the condemned cell where the doomed prisoner has spent countless hours filled with regret, gazing with a mix of fear and wonder into the unknown future that he is about to face.

Many a mechanic, who set out with his dinner in his basket and his tools upon his back, on his way to his daily labour, is tempted by those he there meets with to stay beyond his allotted hour—until finding that it is too late to accomplish a full day’s work, he returns to some neighbouring tap-room, and so the time is passed in recounting and listening to a long history of former executions, until night and drunkenness overtake him, at the very hour when the faithful wife, having prepared his evening meal, is sitting with pale cheek patiently awaiting his return. Many an unfortunate man may date his ruin from the day he first witnessed an execution—as the first hour that threw him amid the group who haunt the foot of the gallows; and as human nature is more prone to stoop to vice than to soar aloft to virtue, so from that moment he sank never more to rise again, all his finer feelings blunted, and he himself lowering all who were once endeared to him to his own vicious standard. Such as the herds among have no pity for the dead; they pick out every sentence uttered by the witnesses in favour of the culprit who is about to suffer—they turn not to the widowed wife, the weeping children, and the once happy home which the deed he has done has left dark and desolate. They argue that drink or anger, temptation or poverty, or a weariness of life, drove him to the act, and that, saving the momentary pang which for ever ends his troubles, his last hours were soothed by kindness and attention; and that, for their parts, they would sooner prefer such an ending than to be left to die amid disease, want, neglect, and wretchedness, with no human being near to breathe a word of hope and comfort. Time after time they have witnessed the worst—have seen the law armed, and in full power strike with all its might—and turned aside without a feeling of terror. Life has been taken away before their very eyes; they have seen a fellow-creature hanged “to make an English holiday,” and they have gone and again aroused the vengeance of “Justice,” have destroyed life as they have seen it destroyed, have made that their own act and deed, which the law is more formally—for lack of other merciful modes of punishment—again compelled to follow as an example, taking life for life, and visiting evil with evil, not in a spirit of hatred or revenge, but because custom has sanctioned the necessity. Above the murmur and tumult of that noisy assembly, the lowing and bleating of cattle, as they were driven into the stalls and pens of Smithfield, fell with a strange and unnatural sound upon the ear, calling up for a few moments the tranquillity of green hill-sides, and broad, level pasture-lands, where the fever, and the fret, and{189} the crime from crowded cities never came. What a contrast to the scene that stretched below, the cold grey dawn of the raw morning breaking upon the dark and weather-stained front of the prison, and giving to those iron-coloured and windowless walls an almost unearthly appearance. The very stones seemed to shape themselves into the faces of the dead, as if from the hard granite had started out the grey and eyeless faces of all the children of crime who had suddenly stept from that gloomy scaffold into the grave. Carts rolled by, bearing the produce of quiet fields and tree-sheltered gardens, to the market; the rustic driver turned his head for a moment; then, with eyes bent upon the ground, went musing along his way. The coach moved slowly along, severing in its course the closely-packed crowd; the warm-clad passengers glanced down the wide thoroughfare, with its dark pavement of human heads, upon the black and ominous beam that went spanning across, like the bridge of death, and ever would the same vision rise up before them all day long. They would see it in the arms of the trees which hung over the winding country-roads: it would fall like a blot upon the leaden-coloured sky, wherever a black and naked spray threw out its arm above the rounded horizon. In the rolling of the river they would hear the murmuring of the multitude; and the echo of the bridge over which they passed would send out from the mouths of its wide-spanning arches curses that would come floating deep and singly, as if from above the heads of that dimly-remembered crowd.

Many mechanics, who leave home with their lunch in a basket and tools on their backs, are often tempted by those they meet to linger longer than planned. When they realize it’s too late to finish a full day’s work, they head to a nearby pub, spending their time sharing and listening to long tales of past executions until night falls and drunkenness takes over, while their devoted wives, having prepared dinner, sit with pale faces, patiently waiting for their return. Many a man can trace his downfall back to the day he first saw an execution, that moment when he stood among the crowd at the gallows; and since human nature tends to lean toward vice over virtue, from that instant he sank and never rose again, all his finer feelings dulling, dragging down those he once loved to his own depraved level. Those in the crowd have no sympathy for the dead; they focus on every word spoken by witnesses in favor of the condemned, ignoring the grieving widow, the crying children, and the once-happy home now left dark and desolate because of his actions. They argue that drink, anger, temptation, poverty, or a weariness with life drove him to his crime, and that, apart from the brief pain that ends his suffering, his final moments were filled with kindness and care; they say they would rather meet such an end than be left to die in sickness, want, neglect, and misery, with no one to offer a word of hope or comfort. Time and again they've witnessed the worst—seeing the law struck down with all its might—and they've stood by without a flicker of fear. They've watched life taken before their eyes, seen a fellow human hanged “to make an English holiday,” then returned to stir up “Justice,” destroying life just as they saw it destroyed, making it their own act that the law, with no other merciful punishments available, had to follow as an example, taking a life for a life and repaying evil with evil, not out of hatred or revenge but because tradition demanded it. Amid the noise of the crowd, the sounds of cattle being driven into the stalls and pens of Smithfield created an oddly calming contrast, momentarily evoking the peace of green hillsides and vast, flat pastures, untouched by the fever, fret, and crime of crowded cities. What a stark difference to the scene below, as the cold, grey dawn of the raw morning broke upon the dark, weathered face of the prison, giving its iron-colored, windowless walls an almost otherworldly look. The very stones seemed to morph into the faces of the dead, as if the hard granite had birthed the grey, eyeless visages of all the children of crime who had suddenly stepped from the grim scaffold into the grave. Carts rolled by, carrying goods from quiet fields and sheltered gardens to the marketplace; the rustic driver glanced back for a moment, then with his gaze turned to the ground, continued on his way. The coach slowly moved through, parting the tightly packed crowd; the warmly dressed passengers looked down the wide street, with its dark pavement of human heads, at the black, ominous beam spanning across like a bridge of death, a vision that would haunt them all day. They would see it in the trees hanging over winding country roads; it would cast a shadow upon the leaden sky wherever a bare branch reached above the rounded horizon. In the flowing river, they would hear the murmurs of the crowd; the echo of the bridge they crossed would send forth from its wide arches curses that drifted softly, as if from above the dimly remembered crowd.

Hush! the unceasing murmur of the mob now breaks into a loud deep roar—a sound as if the ocean had suddenly broken through some ancient boundary, against which its ever-restless billows had for ages battered; the wide dark sea of heads is all at once in motion; each wave seems trying to overleap the other, as they are drawn onwards towards this outlet. Every link in that great human chain is shaken; along the whole lengthened lines has the motion jarred, and each in turn sees, coiled up on the floor of the scaffold, like a serpent, the hangman’s rope! The human hand that placed it there was only seen for a moment, as it lay, white and ghastly, upon the black boards, and then again was as suddenly withdrawn, as if ashamed of the deed it had done. The loud shout of the multitude once more subsided, or only fell upon the abstracted ear like the dreamy murmur of an ocean-shell. Then followed sounds more distinct and audible, in which ginger-beer, pies, fried fish, sandwiches, and fruit, were vended under the names of notorious murderers, highwaymen, and criminals, famous in the annals of Newgate for the hardihood they had displayed in the hour of execution, when they terminated their career of crime at the gallows. Threading his way among these{190} itinerant venders, was seen the meek-faced deliverer of tracts—the man of good intentions—now bonneted, now laughed at, the skirt of his seedy black coat torn across; yet, though pulled right and left, or sent headlong into the crowd by the swing of some brutal and muscular arm, never once from that pale face passed away its benign and patient expression, but ever the same form moved along in the fulfilment of his mission, in spite of all persecution. Another fight followed the score which had already taken place; this time two women were the combatants: blinded with their long hair, they tore at each other like two furies; their bonnets and caps were trodden under foot in the kennel, and lay disregarded beside the body of the poor dog, which, while searching for its master in the crowd, was an hour before kicked to death by the savage and brutal mob.

Hush! The continuous hum of the crowd suddenly erupts into a loud, deep roar—a sound like the ocean breaking through some ancient barrier, against which its restless waves had battered for ages; the vast, dark sea of heads is suddenly in motion; each wave seems to try to leap over the other as they surge forward toward this outlet. Every link in that massive human chain is shaken; the entire length of the lines is jolted, and each person in turn sees the hangman’s rope coiled up on the scaffold floor, like a serpent! The human hand that placed it there was seen for just a moment, pale and ghastly on the black boards, then quickly pulled away, as if ashamed of its action. The loud shout of the crowd fades again, or only drifts to the distracted ear like the dreamy murmur of an ocean shell. Then came clearer, more audible sounds, where ginger beer, pies, fried fish, sandwiches, and fruit were sold under the names of infamous murderers, highwaymen, and criminals, known in the history of Newgate for their daring in their final moments, as they ended their criminal careers at the gallows. Winding his way among these{190} street vendors was the mild-faced distributor of tracts—the well-meaning man—now wearing a bonnet, now laughed at, with the hem of his frayed black coat torn; yet, despite being pulled in different directions or tossed into the crowd by the swing of some brutal arm, his pale face never lost its kind and patient expression, but continued moving along in the pursuit of his mission, undeterred by all the harassment. Another fight broke out, following the previous one; this time, two women were the fighters: blinded by their long hair, they clawed at each other like two furies; their bonnets and caps were trampled underfoot in the gutter, lying disregarded next to the body of the poor dog that had been kicked to death by the savage mob an hour before while searching for its owner.

Another deep roar, louder than any which had preceded it, broke from the multitude. Then came the cry of “Hats off!” and “Down in front!” as at a theatre. It was followed by the deep and solemn booming of the death-bell from the church of St. Sepulchre—the iron knell that rang upon the beating heart of the living man who was about to die; and, with blanched cheek and sinking heart, we turned away from the scene.

Another loud roar, louder than any before it, erupted from the crowd. Then came the shouts of “Hats off!” and “Move down in front!” like at a theater. It was followed by the deep and solemn ringing of the death bell from St. Sepulchre's Church—the iron sound that resonated in the heart of the living man who was about to die; and, with pale faces and heavy hearts, we turned away from the scene.

{191}

{191}

CHAPTER XII.

FLEET-STREET, OLD ALSATIA, AND LONDON LODGING-HOUSES.

WE have again reached the point from which we started at the commencement of our work, leaving behind us undescribed many objects of great interest to such as love to dwell upon the past, beside others of importance belonging to the present, but possessing not those picturesque features which we prefer dwelling upon. Here we shall pause for a while, and, as there is but little around us in the shape of “bricks and mortar” to arrest our attention, take a glance at the lights and shadows of busy life. We have now arrived at Fleet-street, which, with its ramifications to the right and left, is as jagged as a spray of fern. Branching from this busy street you enter courts and alleys, such as if a stranger to the neighbourhood once got entangled amongst, he would scarcely find his way out of again, though he tried for a full hour by the clock, unless he made many inquiries: courts which somehow seem to have run into a knot—so ravelled that you can neither find beginning nor end, so often are you stopped by a dead wall here, and thrown into a whirlpool of alleys a little further on, as if they had been run up by hundreds of builders from different points in the dark, who, when daylight came, found themselves in all sorts of zigzag ways endeavouring to brick up one another. And in these places you will always find “Apartments to let.” True, they are very close, but then they are very central, for what part of London is there that the great main artery of Fleet-street does not lead into? If you are struck by the planet Venus, whatever astronomers may say to the contrary, there you will find that she has her satellites that are ever moving round and round. Should you happen to be overtaken by drink—a demon who ever lies in wait in this neighbourhood{192}—there you have station-houses and policemen at hand; if in debt, there are sponging-houses with their doors open to receive you. Should you even have the honour of being hanged, you cannot well miss finding your way to Newgate.

WE have once again returned to the point where we began our journey, leaving behind many interesting things that those who enjoy reminiscing might appreciate, along with other significant matters related to the present that don’t have the charming qualities we prefer to focus on. Here, we’ll pause for a bit, and since there’s not much around us in terms of “bricks and mortar” to capture our attention, let’s take a moment to observe the ups and downs of everyday life. We have now arrived at Fleet Street, which, with its twists and turns to the right and left, is as jagged as a fern frond. From this bustling street, you can enter courts and alleys that would leave a visitor so confused they might spend an hour trying to find their way out—unless they ask for help—courts that seem to form a tangled mess, so knotted that it’s hard to determine where they start or end, as you’re often halted by a dead-end wall and then thrown into a maze of alleys. It’s as if countless builders took their chances in the dark, and when daylight came, they found themselves all twisted up trying to connect their work. And in these locations, you’ll always discover “Apartments for rent.” True, they’re quite small, but they’re very central, as there’s no part of London that doesn’t connect back to the main artery of Fleet Street. If you’re struck by Venus, despite what astronomers might say otherwise, you’ll find that she has her satellites revolving around her. Should you happen to find yourself drunk—a persistent troublemaker in this area{192}—you’ll have police stations and officers close by; if you’re in debt, there are places ready to take you in. And if you have the misfortune of being sentenced to hang, you won’t miss your way to Newgate.

Whitefriars, in Fleet-street, appears to have been one of the most notorious places in London. We all remember Sir Walter Scott’s description of Alsatia (a name given to this locality about 1600) in the Fortunes of Nigel; and from the same work we have so often quoted, we are enabled to bring the spot once more before the “mind’s eye” of our readers, as it was in its decay. It first commences with Salisbury court as follows:

Whitefriars, on Fleet Street, seems to have been one of the most infamous places in London. We all recall Sir Walter Scott’s description of Alsatia (a name given to this area around 1600) in the Fortunes of Nigel; and from the same work we often quote, we can once again bring the location to the “mind’s eye” of our readers, as it was in its decline. It begins with Salisbury Court as follows:

“Every two or three steps we met some old figure or another which looked as if the devil had robbed them of all their natural beauty * * * and inspired (into them) his own infernal spirit; for nothing but devilism could be read in every feature. Theft, homicide, and blasphemy peeped out at every window of their souls; lying, perjury, fraud, impudence, and misery were the only graces of their countenances.

“Every two or three steps, we encountered some old figure that seemed like the devil had taken away all their natural beauty and replaced it with his own hellish spirit; because nothing but wickedness was visible in every aspect of their faces. Theft, murder, and disrespect were evident in every corner of their souls; deceit, betrayal, fraud, arrogance, and suffering were the only traits reflected on their faces.”

“One with slip-shoes, without stockings, and dirty linen, visible through a crape dress, was stepping from the ale-house to her lodgings with a parcel of pipes in one hand and a gallon-pot in the other; yet with her head dressed up to as much advantage as if the other members of her body were sacrificed to keep her ill-looking face in a little finery. Another, I suppose taken from the oyster-tub and put into (similar) allurements, made a more cleanly appearance, but became her ornaments as a cow would a curb-bridle or a sow a hunting-saddle. Then every now and then would bolt out a fellow, and whip nimbly across the way, being equally fearful, as I imagine, of both constable and sergeant, and looking as if the dread of the gallows had drawn its picture in his countenance. * * * *

“One woman in slip-on shoes, without stockings, and wearing dirty linen that showed through her sheer dress, was walking from the pub to her place with a bundle of pipes in one hand and a gallon pot in the other. Still, she had her hair styled up to look good, as if the rest of her body had been sacrificed to make her unattractive face appear somewhat presentable. Another woman, probably taken from the oyster stall and dressed similarly, looked cleaner but her decorations suited her as much as a cow would fit a curb-bridle or a sow would fit a hunting saddle. Then, every now and then, a guy would dash out and zip across the street, clearly scared of both the constable and the sergeant, looking as if the fear of the gallows was written all over his face."

“We soon departed hence, my friend conducting me to a place called Whitefriars, which, he told me, was formerly of great service to the honest traders of the city, who, if they could, by cant, flattery or dissimulation, procure large credit amongst their zealous fraternity, would slip in here with their effects, take sanctuary against the laws, compound their debts for a small matter, and oftentimes get a better estate by breaking than they could ever propose to do by trading. But now a late Act [he must here allude to the Act passed about 1696, William III.] of Parliament has taken away its privileges; and since knaves can neither break with safety nor advantage, it is observed that there are not a quarter so many shopkeepers play at bo-peep with their creditors as when they were encouraged to be rogues by such cheating conveniences. * * *{193}

“We soon left, and my friend took me to a place called Whitefriars. He mentioned that it was once very helpful to the honest traders of the city, who could, through tricks, flattery, or deceit, get a lot of credit among their eager peers. They would sneak in here with their goods, find refuge from the law, negotiate their debts for a small sum, and often end up in a better financial situation by cheating than they could ever achieve through legitimate trading. But now, a recent Act [he must be referring to the Act passed around 1696, during William III’s reign] of Parliament has stripped it of its privileges. Since dishonest people can no longer escape their debts safely or beneficially, it’s noted that there are not even a quarter as many shopkeepers dodging their creditors as there used to be when they were encouraged to be dishonest by such deceptive advantages. * * *{193}

“We came into the main street of this neglected asylum, so very thin of people, the windows broken, and the houses untenanted, as if the plague, or some like judgment from heaven, as well as execution on earth, had made a great slaughter amongst the poor inhabitants.”—London Spy, 1699. Part 7.

“We entered the main street of this abandoned asylum, so very few people around, the windows shattered, and the houses unoccupied, as if the plague, or some similar punishment from above, along with a reckoning on earth, had caused a massive loss among the unfortunate residents.”—London Spy, 1699. Part 7.

It seems strange that such a lawless community should then have dwelt almost within the very sanctuary of the law, for the author (Ned Ward) just quoted tells us, that “he passed through the little wicket of a great pair of gates into the Temple.”

It seems odd that such a lawless community existed almost right next to the very heart of the law, because the author (Ned Ward) just mentioned tells us that "he went through the small gate of a large pair of gates into the Temple."

We must not pass without noticing St. Bride’s Church, situated by the office of our merry neighbour Punch, who does his “spiriting gently,” and is as great a “terror to evil-doers” as the constables were in the olden time to the sinners of Alsatia.

We shouldn't miss St. Bride’s Church, located near the office of our cheerful neighbor Punch, who is known for his lighthearted "spiriting" and is just as much a "terror to wrongdoers" as the constables used to be for the sinners of Alsatia.

This is another of Wren’s beautiful churches, and is enriched by stained glass, copied from Rubens, the subject the Descent from the Cross. The steeple was struck by lightning in 1764, and when repaired was reduced in height, though it still towers a graceful and noble monument above the surrounding houses, as it

This is another one of Wren's beautiful churches, featuring stained glass copied from Rubens, depicting the Descent from the Cross. The steeple was struck by lightning in 1764, and when it was repaired, it was made shorter, but it still stands as a graceful and noble monument above the surrounding houses, as it

“Points its quiet finger to the sky,
"And teaches humble man to look up."

In the old church, destroyed in the Great Fire, was buried the famous printer Wynkin de Worde, whose works are now worth their weight in gold, and are almost as scarce as those which were issued from the press by Caxton. Here also was buried the notorious Mary Frith, commonly called Moll Cut-Purse. On her adventures Dekker and Middleton founded the play entitled The Roving Girl, or Moll Cut-Purse. She died in the seventy-fifth year of her age, at her house in Fleet-street, next the Globe tavern, in 1659. In her will she left 20l. for the conduit to run with wine at the Restoration of Charles II. It was Moll who robbed General Fairfax on Hounslow Heath. Her life was published in 1662. She was, says Granger, “a fortune-teller, a pickpocket, a thief, and a receiver of stolen goods.” She died of the dropsy, and her life is supposed to have been prolonged through the large quantity of tobacco which she smoked. Our great Milton at one time lodged in St. Bride’s churchyard. It would form a goodly catalogue of celebrated names to enumerate all who have been buried in St. Bride’s, or lived in the adjoining neighbourhood.

In the old church, destroyed in the Great Fire, was buried the famous printer Wynkin de Worde, whose works are now worth their weight in gold and are almost as rare as those published by Caxton. Here also lies the notorious Mary Frith, commonly known as Moll Cut-Purse. Her adventures inspired the play titled The Roving Girl, or Moll Cut-Purse by Dekker and Middleton. She died at the age of seventy-five in her house on Fleet Street, next to the Globe Tavern, in 1659. In her will, she left £20 for the conduit to run with wine during the Restoration of Charles II. Moll famously robbed General Fairfax on Hounslow Heath. Her life story was published in 1662. According to Granger, she was “a fortune-teller, a pickpocket, a thief, and a receiver of stolen goods.” She died of dropsy, and it is thought that her life was extended by the large amount of tobacco she smoked. Our great Milton once lived in St. Bride’s churchyard. It would make a fascinating list of famous names to mention all those who have been buried in St. Bride’s or lived in the surrounding area.

Many of the houses, as in the time of Milton, in the back streets and alleys are let out in lodgings; and we will now give, from our own experience, a specimen of a downright London lodging-house—we mean, one in which the landlord lives entirely by letting lodgings—for{194} we allude not to hotels, or respectable boarding-houses, but to places where you are “taken in and done for.”

Many of the houses, like in Milton's time, in the back streets and alleys are rented out as rooms; and we will now share, from our own experience, an example of a typical London boarding house—we’re talking about one where the landlord makes a living solely from renting rooms—for{194} we’re not referring to hotels or respectable guesthouses, but to places where you are “taken in and done for.”

An author, during his early career, is compelled to become acquainted with the “ins and outs” and “ways and means” of London lodging-houses; and as his occupation keeps him more within doors than those who hold situations, or are otherwise engaged, he is, to use a more expressive than elegant phrase, “Up to their moves and down to their dodges.” We have in our day known more than one gentleman who kept his own gridiron, and brought home his rump-steak—taught by experience that half a pound of his own cooking was equal to a pound after it had been entrusted to the Cinderella or the Cerberus of the kitchen. We have known whisky in such places (which overnight was above proof) become so weak in a single day during our absence, as never to require water; and have seen a shoulder of lamb, which, after our frugal dinner, was carried away with a gap in it scarcely wide enough to admit of our two fingers, return at supper-time with a hole in the middle big enough to shake hands through, without touching any thing on either side except the knuckle, or the edge of the bare blade-bone. It was wonderful how often the cat got to our meat, and what trouble our landlady had been at, according to her account, to cut off the portions puss had mangled, before it was again fit to appear on the table. Cruel woman! she was always beating the cat whenever we had a cold joint. As for our tea-caddy, we tried half-a-dozen various kinds of locks; but they were picked with far more ease than the clever American managed to pick Chubb’s patent. When we did at last get an unpickable lock, caddy and tea went altogether, and Cinderella said her mistress had had a strange sweep, and that sweeps were always sure to carry something or another away in the soot. The next day we found a sixpenny tin tea-caddy in our cupboard, so took the hint, and never sent out for more than two ounces at a time; and the landlady seemed to settle down satisfied with little more than half of it, so we had it “fresh and fresh” every day. We found that a twopenny French roll went as far as a half-quartern loaf, as we were never allowed to look a second time upon the remains of either. They charged us for cream and gave us milk-and-water; but perhaps this was done out of a tender regard for our health. How broth was made in these old model lodging-houses, we never could clearly comprehend; but the landlady had an herbalist book, and we believe made out her bill from the index, beginning at agrimony and ending at yarrow-root. A bottle of wine when decanted in the kitchen cost about eighteenpence a glass; walnuts, a penny each; filberts came up so ripe that we found one in a cluster where four or five had originally nestled together; lobsters{195} always lost their claws down-stairs, and very often came up with one side of the shell empty. Bottled stout was always going off in the cellar, and they shewed us the corks which had been blown out—indeed in these matters they were rather particular. They were dreadfully troubled with bluebottles in summer, and the largest joint would not keep beyond a day.

An author, early in his career, has to learn the ins and outs of London boarding houses. Since his job keeps him indoors more than those with regular jobs, he’s more aware of their tricks and schemes. We’ve known more than one guy who cooked his own meals and brought home his steak, realizing that half a pound of his own cooking was worth more than a pound when someone else prepared it. We've seen whiskey in those places (that was strong the night before) become so watered down in just one day that it didn’t need any more water. And a shoulder of lamb, which had a tiny piece taken out after our light dinner, would come back at supper with a hole big enough to shake hands through, barely touching anything else but the bone. It was amazing how often the cat got into our food, and our landlady claimed she had to cut away the cat-chewed parts before it was good enough to serve again. Cruel woman! She would always yell at the cat whenever we had leftover meat. As for our tea, we tried several types of locks for the tea caddy, but they were picked more easily than the clever American could pick a Chubb lock. When we finally got a lock that couldn’t be picked, the caddy and the tea disappeared altogether, and our landlady said her servant had done a thorough cleaning, claiming that cleaners always took something in the dust. The next day we found a cheap tin tea caddy in our cupboard, so we took the hint and only ordered two ounces at a time; our landlady seemed satisfied with just a little more than half of that, so we had fresh tea every day. We discovered that a two-penny French roll was as filling as a half loaf of bread since we were never allowed to see the leftovers more than once. They charged us for cream but gave us watered-down milk instead—probably out of concern for our health. We never really figured out how broth was made in these old boarding houses, but the landlady had a herbalist book and seemed to create her bills starting from agrimony to yarrow root. A bottle of wine, when poured in the kitchen, cost about eighteen pence a glass; walnuts were a penny each; the filberts were so ripe we found one stuck in a cluster where four or five had originally been. Lobsters always lost their claws downstairs, and often came up with one side of the shell empty. Bottled stout was always disappearing in the cellar, with corks blown out—actually, they were pretty particular about these things. They had a terrible bluebottle fly problem in the summer, and the biggest meat joints wouldn’t last beyond a day.

The game you brought home yourself was never sweet; what the landlady purchased for you was always good. Many cheap game-hawkers came to the door; and sometimes the landlady was dining off a fine pheasant, while your own was thrown into the dust-bin.

The game you brought home yourself was never great; what the landlady got for you was always good. Many low-cost game sellers knocked on the door; and sometimes the landlady was having a fancy pheasant for dinner, while yours was tossed into the trash.

The whole household were troubled with bad memories, and were always making mistakes. If you laid out a pair of trousers or a coat to be repaired, you found sixpence or ninepence on the mantelpiece a morning or two after, which was all the old clothesman would give for them. Then they were very sorry, but that stupid girl was always making some mistake or another, and the landlady would call on the tailor herself another time. There were no queen’s-heads in those days; and when we sent the money to prepay a letter, they invariably forgot to stamp “paid” on it at the post-office, though the girl knew to an inch where she had put the money at the time, and could remember every thing that was on the counter; and sometimes she said she had put the money in the scales, and was sure it could not have rolled off and fallen on the floor. Butter in these houses was very solid: it was wonderful what a thin slice you had for half a pound, though the Cinderella of the establishment swore that she saw it bump the scale down. Your linen wore out very fast, and, after the buttons began to come off, they were never fit to be sent to the laundress again. Your stockings stood darning twice; pocket-handkerchiefs and light gloves the landlady was kind enough to purchase for you every week. Your brushes, hair-brushes, combs, &c. were, of course, common property. They sent you up the newspaper about five minutes before the boy called for it, provided every body below had done with it.

The whole household was filled with bad memories and was always making mistakes. If you left out a pair of trousers or a coat to be fixed, you’d find sixpence or ninepence on the mantelpiece a morning or two later, which was all the old clothesman would pay for them. Then everyone felt bad, but that clueless girl was always messing something up, and the landlady would go to the tailor herself another time. There were no queen’s heads in those days; when we sent money to prepay a letter, they always forgot to stamp "paid" on it at the post office, even though the girl could remember exactly where she put the money and everything that was on the counter. Sometimes she claimed she had put the money in the scales and was sure it didn’t roll off and fall on the floor. Butter in these places was very solid: it was surprising how little you got for half a pound, even though the Cinderella of the house insisted she saw it bump the scale down. Your linen wore out quickly, and after the buttons started to come off, they were never fit to be sent to the laundress again. Your stockings could be mended twice; the landlady was kind enough to buy pocket-handkerchiefs and light gloves for you every week. Your brushes, hairbrushes, combs, etc., were, of course, shared property. They sent you the newspaper about five minutes before the boy came to collect it, provided everyone downstairs was done with it.

In some of these houses every thing about you is cold, hard, bright, and uncomfortably clean, as if always ready to be let—“got up,” as it were, to strike every new comer. If you drop a crumb on the carpet it is picked up before your face, by way of a gentle hint; a stain of ink on the table-cover you would never hear the last of. Some mysterious kind of white cabbage-network covers the back of the easy chair, and lies grinning at you, full of holes, all over the sofa; you see nothing but knots, and would as soon think of finding ease were you to lie down on a stone floor strewn with bullets as on that hard white knotted cordage. Everything in the room is for show, nothing for comfort. The mantelpiece{196} is covered with articles which are neither ornamental nor useful: shells, four a shilling; a couple of white delf candlesticks; two old hand-screens, picked up dirt-cheap at an auction; in the centre three ugly-shaped earthenware articles, red, blue, and gilt tarnished, holding about a dozen spills each, which are never used—you are sick of seeing them reflected in the long mirror which was bought a bargain. If you have a handful of fire in the cold glittering grate on a bitter winter night, it makes you shiver to look at it: the poker looks so bright and chilling, you are afraid to touch it; and if a piece of coal falls out, they come in to see if you called, for they are always listening. Sometimes you shove your boot toe into the fire in utter desperation, or walk up and down the room, and storm heartily for exercise. You feel as if you would like to kick the couple of cursed carpet-covered hassocks about to warm you, and end by knocking down the fire-irons, to break the homeless silence. Never, in such places, on any account, begin to sharpen your razors near midnight, for the Evil One seems ever to be lurking in the gloomy corners of such cheerless houses, and there is no knowing what thoughts he might put into your head.

In some of these houses, everything feels cold, hard, bright, and uncomfortably clean, as if it's always ready to impress every newcomer. If you drop a crumb on the carpet, it gets picked up right in front of you as a subtle hint; a stain of ink on the tablecloth will never be forgotten. Some strange white fabric covers the back of the easy chair, full of holes, and you see nothing but knots on the sofa; lying down on that rough, knotted fabric feels just as uncomfortable as resting on a stone floor strewn with bullets. Everything in the room is for show, nothing is for comfort. The mantelpiece{196} is filled with items that are neither decorative nor useful: shells, four for a shilling; a couple of white ceramic candlesticks; two old hand-held fans bought cheaply at an auction; in the center, three oddly-shaped earthenware pieces in red, blue, and tarnished gold, each holding about a dozen matches that are never used—you get sick of seeing them reflected in the long mirror that was also a bargain. If you have a small fire crackling in the cold, shimmering grate on a frigid winter night, it makes you shiver just to look at it: the poker gleams so brightly and seems so cold that you’re afraid to touch it; if a piece of coal tumbles out, they come in to check if you called, as they’re always listening. Sometimes you kick the fire in frustration or pace around the room, cursing to get some exercise. You feel like kicking the two annoyingly carpeted footrests just to warm up, and you end up knocking down the fireplace tools to break the oppressive silence. Never, in such places, should you attempt to sharpen your razors near midnight, because the Evil One seems to lurk in the dark corners of those cheerless houses, and you never know what thoughts he might put into your head.

These are the class of houses in which you see neat bills in the windows, announcing “Respectable Apartments for Single Gentlemen.” They never admit children into these old, keen, money-making lodging-houses: the echoes of those houses are never broken by childish laughter, nor these creaking floors shaken by merry romps; they like your shy, silent, bashful man, who submits quietly to every imposition; for they care not what he thinks, so long as he complains not openly.

These are the types of houses where you see tidy signs in the windows saying “Respectable Apartments for Single Gentlemen.” They never allow children in these old, money-making boarding houses: the sounds of laughter are never heard here, and the creaking floors aren’t disturbed by joyful play; they prefer your quiet, reserved man, who quietly accepts every burden; because they don’t care what he thinks, as long as he doesn’t complain publicly.

In some streets you find lodging-houses inhabited by three distinct classes, who are as much separated from each other as if they lived fifty miles apart. The poor inhabitant in the attic may be dying while the first-floor lodger is entertaining a party of friends; and although they have both dwelt under the same roof for years, it is likely enough that not a single word was ever exchanged between them.

In some streets, you find boarding houses filled with three different groups of people, who are as separated from each other as if they lived fifty miles apart. The poor person in the attic might be dying while the lodger on the first floor is hosting a party with friends; and even though they've lived under the same roof for years, it's very likely that they’ve never exchanged a single word.

The lodger who occupies the first floor seldom condescends to speak to the “common people” who live in the garrets, for there is almost as much difference in their habits as there is between the aristocracy and the quiet plodding citizen. He who occupies the attic is very probably an honest hard-handed mechanic, who comes home to his dinner regularly at twelve o’clock, gives one loud single knock at the door, and is admitted by his poor but clean-looking wife: he wipes his feet carefully before going up stairs—first and second-floor doors never by any possible chance opening in the mean time. Second-floor comes with a bold double-knock, something between a bum-bailiff’s, a postman’s, and a tax-gatherer’s; he dines at one or two, and is on nodding terms with the first-floor; he persevered for months trying on{197} a “Fine morning, sir,” and at last was made happy by a most surly “Very, sir.” He progressed a step farther one day by saying something unpleasant about the “common people up-stairs.” First-floor dines at three or four, if he is a clerk or holds some slight situation under government, obtained, perhaps, through his father selling his vote at a country election: he gives a regular “ran-tan-tan-tirra-irra-tir-tir-tir,” for he keeps a little draggle-tailed, dirty, poor parish-child, and she answers the door—that is “our servant.” The ground-floor people—that is, generally, the landlord and his family (if they do not live in the kitchen)—bow and smile at the first-floor from the parlour window: he is such a respectable “gent,” and pays so regular; has a gallon of spirits sent in at a time, and never disgraces the house by having in such beggarly things as half-a-hundred of coals and two bundles of wood.

The tenant on the first floor rarely bothers to talk to the "common folks" living in the attic, as there's almost as much difference in their lifestyles as there is between the elite and the everyday worker. The person in the attic is likely an honest, hard-working mechanic who comes home for lunch at noon, knocks loudly just once at the door, and is let in by his poor but tidy wife. He carefully wipes his feet before heading upstairs— the doors to the first and second floors don't open in the meantime. The tenant on the second floor knocks boldly, with a sound somewhere between a bailiff's, a postman's, and a tax collector's; he eats around one or two and is on nodding terms with the first-floor resident. He spent months trying to say a polite "Good morning, sir," and finally got a grumpy "Very well, sir" in return. One day, he even went a step further by making a snide comment about the "common people upstairs." The first-floor tenant eats around three or four, if he’s a clerk or has a minor government job, possibly secured through his father selling his vote in a local election. He gives an official "knock-knock," as he has a shabby, dirty little parish child to help him, and she answers the door—that is “our servant.” The people on the ground floor—usually the landlord and his family (if they don’t live in the kitchen)—bow and smile at the first-floor tenant from the parlor window: he is such a respectable “gent” and always pays on time; he orders a gallon of spirits at a time and never embarrasses the building by bringing in measly items like half a hundredweight of coal or two bundles of wood.

But the picture is not complete without the children. First-floor have their hair plaited behind (if they are girls), and the ends of these long tails are tied with either blue or pink ribbon; they also wear little trousers, frilled about the ankles like little bantam-cocks, and strut about before the door like the above-named bird. Second-floor children are very tidy, as most of the washing is put out, and the mother can spare time to look after them; they are taught to “toady” to first-floor as soon as they have learned to talk; to call them “miss” or “master,” and their father and mother “pa” and “ma.” Your heart aches while you look on the canting little creatures, whose every motion is watched by the eyes of the parents. Second-floor’s children are always to blame if any thing goes wrong, and the lick-spittle parents chide their children for the faults of the others, to keep in with first-floor. You have in those dear children a true picture of the humbug and hollow-heartedness of the insincere portion of mankind.

But the picture isn't complete without the kids. The first-floor kids have their hair braided in the back (if they're girls), and the ends of those long braids are tied with either blue or pink ribbons; they also wear little pants that are frilled at the ankles like little bantam chickens, strutting around in front of the door like those birds. The second-floor kids are very neat since most of the laundry gets done, and their mom can take the time to care for them; they're taught to “toe the line” with the first-floor kids as soon as they learn to talk, calling them “miss” or “master,” and their parents “pa” and “ma.” It makes your heart ache to watch those pretentious little ones, whose every move is monitored by their parents. The second-floor kids are always to blame if something goes wrong, and their fawning parents scold them for the mistakes of others just to stay in good graces with the first floor. Those dear kids are a true reflection of the deceit and hollowness of the insincere part of humanity.

Mean time, third-floor are sitting on the top landing, eating dry bread, their hands and faces very dirty through playing with the coal-scuttle, while their poor, pale, industrious mother is busy washing. But they will be taken out for a walk somewhere on Sunday, and for one day in the week be the happiest party under that roof. We are sorry that this savage-looking picture is true to nature; but on scanning it narrowly, there is not a single feature that we ought to soften down.

In the meantime, the kids on the third floor are sitting on the top landing, munching on dry bread, their hands and faces covered in dirt from playing with the coal scuttle, while their poor, pale, hardworking mom is busy doing laundry. But they’ll get to go out for a walk somewhere on Sunday, and for one day of the week, they’ll be the happiest group underneath that roof. It's unfortunate that this harsh reality reflects the truth; however, after looking closely, there isn’t a single detail we should try to soften.

Happy are they who can find lodging-houses in London in which they can feel “at home.” That there are thousands of these comfortable places, we entertain no doubt of; the worst of it is, young men are too fond of shifting about, and have not patience to wait until they become accustomed to the ways of these really respectable people.{198} “Slow” has become a bad word of late; and they are generally empty-headed, think-much-of-themselves, “fast,” frothy fellows, who use it. “Slow and sure” was an old saying, often quoted by our wise forefathers.

Happy are those who can find places to stay in London where they can feel “at home.” We have no doubt that there are thousands of these comfy spots; the problem is that young men often like to move around too much and don’t have the patience to get used to the ways of these truly respectable people. {198} “Slow” has recently become a negative term, and it’s usually the empty-headed, self-important, “fast,” shallow guys who use it. “Slow and sure” was an old saying frequently quoted by our wise ancestors.

Considering how cheerless and comfortless many of these lodging-houses are, we cease to wonder at the number of taverns and coffee-houses which abound in London, and should be glad to see a few more such admirable institutions as the Whittington Club, for we here see at least one cause why they are so much frequented. How lonely seems a place (except to a man whose studious habits require solitude), on a long winter night, where a young man has to sit five or six hours without having a living soul to speak to. He lights his lucifer-match, and, as the faint blue speck slowly bursts into flame, he looks round upon the voiceless solitude, and sighs. He sets a light to the sticks and coal which the char-woman or the dirty Cinderella placed in the grate, after they had arranged his bedroom in the morning, and for a time the crackling of the fire seems like pleasant companionship. Then the church-clock tolls slowly and sadly, and he yawns while he thinks of the weary hours that have yet to pass away before bedtime. He makes his own tea—or, perchance, the little dirty servant, who has sixpence a week and her “wittals,” brings it up: when he has finished, he rings the bell, the things are cleared away, and then he may hang himself if he pleases, quite certain that the deed would never be discovered until the morrow. Were he taken ill, and to ring the bell, the little servant would be sent to fetch a doctor, if the lodger had the wherewithal to pay; if not, they would advise him to go to one of the hospitals. If he required attendance, some old woman (fond of gin), who had perhaps been discharged from the hospitals for drunkenness, would be hired to nurse him, grumbling every time she entered the room, and declaring that she could not find a single thing she wanted in the house. Perhaps on the first day of his illness he would receive notice to quit the apartments at the end of the week: we have witnessed such conduct in a keen money-making London lodging-house in our day, and had much ado to prevent ourselves from throwing the mercenary wretch down-stairs who had given the helpless lodger warning to leave. In such houses as these there are always apartments to let, for very few stay a day longer than they are compelled.

Considering how dreary and uncomfortable many of these boarding houses are, it's no surprise that there are so many pubs and coffee shops in London. It would be great to see more places like the Whittington Club, as they offer at least one reason why people flock to them. A place feels incredibly lonely (unless you’re someone who prefers solitude for studying) on a long winter night, where a young man has to sit for five or six hours without anyone to talk to. He lights a match, and as the faint blue spark slowly catches fire, he gazes around at the silent emptiness and sighs. He sets fire to the sticks and coal that the cleaner or the messy Cinderella placed in the grate after tidying his room in the morning, and for a while, the crackling fire feels like a comforting companion. Then the church clock chimes slowly and sadly, and he yawns as he thinks about the long hours still ahead before he can go to bed. He makes his own tea—or maybe the little dirty servant, who earns sixpence a week plus her "wittals," brings it up; once he’s done, he rings the bell, and the dirty dishes are taken away. After that, he could just hang himself if he wanted, certain that nobody would find out until the next day. If he got sick and rang the bell, the little servant would be sent to find a doctor, as long as the lodger could pay; if not, they would suggest he go to one of the hospitals. If he needed care, an old woman (who loved gin) would be hired to nurse him, grumbling every time she came into the room and complaining that she couldn’t find a single thing she needed in the house. Maybe on the first day of his illness, he'd get a notice to leave the apartment by the end of the week: we've seen such behavior in London's money-hungry boarding houses, and we had a hard time stopping ourselves from throwing the greedy scoundrel down the stairs who had warned the helpless lodger to leave. In places like these, there are always rooms available because very few people stay even a day longer than they have to.

We have here described the worst class of London lodging-houses, such as are kept by unprincipled persons who have no other means of living except what they make by their apartments and by robbing their lodgers. A stranger cannot wholly avoid these man-traps; but, if he take our advice, he will stay at some decent coffee-house or tavern until he gets settled, and not venture into apartments, unless{199} those who have them to let can be recommended by such acquaintance as he is pretty sure to meet with when he has once found employment. Poor people do not rob each other in this manner; it is that hungry class which “apes gentility”—who “smile, and rob while they do smile.”

We have described the worst kind of lodging houses in London, run by unscrupulous people who have no other way of making a living except through their rooms and by taking advantage of their tenants. A newcomer can't completely avoid these traps, but if they follow our advice, they should stay at a decent coffee house or tavern until they get settled, and not risk renting a room unless{199} those offering it come highly recommended by acquaintances they are likely to meet once they find a job. Poor people don't steal from each other like this; it's that desperate group who “imitate gentility”—who “smile and rob while they smile.”

There are thousands of places to be found in London where it is their study to make a lodger feel “at home;” where a man may sit and sun himself in the smiles of a warm domestic hearth, and, though a stranger, never know what it is to feel lonely. But these are not houses in which people live alone by letting lodgings, neither will you find more than one or two lodgers under such a roof. Changes, such as they foresaw not, compel them to add a few shillings a week to their income—for they have lived so many years in the same house that it would make them miserable to leave it. A son is in a situation, or a daughter has got married, and they have no longer any use for the rooms they occupied; or the landlord cannot do so much work as he formerly did. These, and a hundred other causes, open the door to the most comfortable of all London lodgings, and fortunate is the stranger who finds a home under such a roof. Such people would scorn to take away the value of a pin that was not their own; and the only discomfort you feel is in the fear that they do not charge enough to remunerate them for their kindness and attention.

There are thousands of places in London designed to make a lodger feel “at home,” where someone can relax by a warm, inviting hearth and, even as a stranger, never feel lonely. But these aren’t houses where people live alone by renting out rooms; you’ll typically find only one or two lodgers under such a roof. Changes they didn’t foresee force them to add a few extra shillings to their income—after living in the same house for so many years, it would make them miserable to leave. A son has gotten a job, or a daughter has married, and they no longer need the rooms they used to occupy; or the landlord can’t manage as much work as before. These, along with countless other reasons, open the door to the coziest lodgings in London, and the lucky stranger who finds a home under such a roof is fortunate. These people would never dream of taking anything that doesn’t belong to them; and the only discomfort you might feel is the worry that they don’t charge enough for their kindness and attention.

Young men and “fast men!” if you are fortunate enough to dwell in such a home, where their circumstances will not allow them to keep a servant, but where a modest daughter honours you by her attendance, respect her as you would a sister. Remember, also, that it is poverty which compels the servant to wait upon you, and that it is your duty to respect her for those services. Remember that

Young men and "fast men!" if you are lucky enough to live in a home where your situation doesn’t permit you to afford a servant, but where a modest daughter is honored to help you, treat her with the same respect you would give to a sister. Also, keep in mind that it is poverty that forces the servant to assist you, and it's your responsibility to appreciate her for her services. Remember that

"Those who love best pray best." Everything, both big and small; For the dear God who loves us,
He made and loves all.”
Coleridge’s The Rime of the Ancient Mariner.

Although the old “memories” that float about Fleet-street would fill a volume, we must not pass on without glancing at St. Dunstan’s Church, though it is a new building, and the figures, so often gazed on in “wonderment” by the gaping crowds of other days, no longer step out in their wonted place to strike the hours. For the origin of these wooden “puppets,” see Douglas Jerrold’s St. James’s and St. Giles’s, in which he reads as severe a lecture to hard-hearted overseers as the old ballad of The Babes in the Wood does to “wicked uncles.” Before the statue of Queen Elizabeth, which stands over the doorway{200} fronting Fleet-street, a poor simple-hearted Irishwoman was one morning, not long ago, observed kneeling, and repeating her prayers: she mistook it for the figure of the Virgin. This statue is supposed to be the only relic preserved when Ludgate (one of the city-gates that stood on Ludgate-hill,) was taken down in 1760. It ornamented the old church of St. Dunstan, as it now does the present one.

Although the old “memories” that linger around Fleet Street could fill a book, we can't move on without mentioning St. Dunstan’s Church. Even though it’s a new building, the figures that used to amaze crowds in the past no longer appear in their usual spot to mark the hours. For the history of these wooden “puppets,” see Douglas Jerrold’s St. James’s and St. Giles’s, where he delivers as harsh a critique to callous overseers as the old ballad The Babes in the Wood does to “wicked uncles.” Recently, in front of the statue of Queen Elizabeth that hangs over the doorway{200} facing Fleet Street, a poor, simple-hearted Irishwoman was seen kneeling and reciting her prayers; she mistook it for the Virgin Mary. This statue is believed to be the only relic saved when Ludgate (one of the city gates on Ludgate Hill) was demolished in 1760. It adorned the old St. Dunstan’s Church, just as it does the current one.

Nor must we omit a word or two before we pass through Temple-Bar about the Cock Tavern, to which our living poet laureate Alfred Tennyson does “most resort,” according to his own confession, in “Will Waterproof’s lyrical monologue made at the Cock,” in an old box

Nor should we skip a word or two before we pass through Temple-Bar about the Cock Tavern, where our current poet laureate Alfred Tennyson claims he “frequents the most,” according to his own admission, in “Will Waterproof’s lyrical monologue made at the Cock,” in an old box.

"filled with steam
Of 30,000 dinners.

Many of the old taverns in Fleet-street—Dr. Johnson’s favourite “Mitre” for example—have rich recollections of the wit and wisdom of the wits and sages of former days. With many of these our readers are doubtless familiar, but they perhaps never heard of the “Cock” before reading Tennyson’s poems. Nevertheless there is a fact in the history of this old tavern worth knowing. The bird that gives name to this “haunt of hungry sinners” was, according to our laureate,

Many of the old taverns on Fleet Street—like Dr. Johnson’s favorite, the “Mitre”—hold vivid memories of the humor and intelligence of past thinkers and writers. Many of our readers probably know about these spots, but they may have never heard of the “Cock” before coming across Tennyson’s poems. Still, there’s a noteworthy fact about the history of this old tavern. The bird that names this “hangout for hungry sinners” was, according to our poet,

“Of a bigger egg
Than modern poultry waste,
Stepped forward on a stronger leg,
And packed a fuller harvest.”

He was, indeed, a regal fowl, for he not only coined copper money, but stamped it with his own effigy and circulated it amongst his customers in the form of tokens. If a man who had newly dined required change out of the money for his dinner, he received it, not in pence, but in copper cocks, which were afterwards duly honoured by the worthy landlord, who gave to their bearer full value in generous food and liquor. This currency was so extensive that when, during the ravages of the Great Plague in London, the door of the Cock was closed, “when the plump head waiter” and all other subordinates were dismissed, and the landlord had fled to the country to escape the scourge, public notice was given of the time when the house would be again opened, and that the copper tokens would be duly honoured. One of these is still carefully preserved as “a relic of the olden time.”

He was truly a regal bird, as he not only minted copper coins but also stamped them with his own image and distributed them to his customers as tokens. If someone who had just finished a meal needed change, they received it not in pennies, but in copper cocks, which were later honored by the generous landlord, who provided their holders full value in quality food and drinks. This currency was so widely accepted that when, during the devastation of the Great Plague in London, the door of the Cock shut, “when the plump head waiter” and all other staff were let go, and the landlord fled to the countryside to escape the outbreak, a public notice was posted announcing when the establishment would reopen, stating that the copper tokens would still be honored. One of these tokens is still carefully kept as “a relic of the olden time.”

The Temple alone would occupy a long chapter, and detain us in this locality far beyond the limits that our pages allow, so we shall without further apology pass through Temple Bar and enter the Strand.{201}

The Temple itself would take a long chapter and keep us in this area well past what we can cover in these pages, so we'll move on without further delay, passing through Temple Bar and entering the Strand.{201}

CHAPTER XIII.

THE STRAND, ADELPHI, AND COVENT-GARDEN MARKET.

WE have now quitted the City and entered the Strand; before us stands the Church of St. Clement Danes, on the right of which an archway opens into Clement’s Inn; beyond that is the old Angel Inn, from which Bishop Hooper was taken before he suffered martyrdom at Gloucester three centuries ago. Justice Shallow says: “I was once of Clement’s Inn, where I think they will talk of mad Shallow yet;” and no sooner is his back turned than Falstaff says: “I do remember him at Clement’s Inn, like a man made after supper of a cheese-paring;” * * * “he was for all the world like a forked radish, with a head fantastically carved upon it with a knife.”

WWe have now left the City and entered the Strand; ahead of us is the Church of St. Clement Danes, with an archway to Clement’s Inn on the right. Beyond that is the old Angel Inn, from which Bishop Hooper was taken before he was martyred in Gloucester three centuries ago. Justice Shallow says, “I was once at Clement’s Inn, where I think they will still talk about mad Shallow;” and no sooner does he turn his back than Falstaff says, “I remember him at Clement’s Inn, like a man made after dinner from a leftover cheese rind;” * * * “he was just like a forked radish, with a head that was oddly carved with a knife.”

Of the early church that occupied the site of the present one but little is really known. Stowe tells us that it was “so called, because Harold, a Danish king, and other Danes, were buried there.” There is a doubt whether Harold, who ascended the throne after Canute, was in any way related to the latter; his pretended mother, Algigiva, was never married to Canute, and it is recorded that she never had a child, but that Harold, who passed for her son, had no higher origin than a poor cobbler for his father. Harold was buried at Westminster; but when Hardicanute (the legitimate son of Canute) came to England, he ordered the body of Harold to be disinterred, decapitated, and thrown into the Thames. The body was taken out of the river by some Danish fishermen, and again interred in a cemetery in London, where only the Danes buried their dead. We have not entered into the reign of Harold at all; these few facts are all that history records of the origin of St. Clement Danes. The present church was built by Pierce under the guidance of Wren. The old church was pulled down in 1660. Dr. Johnson had a sitting in the{202} present church. The interior is heavily decorated with festoons and drops, and contains two tolerable statues of Moses and Aaron. Facing this church stands the office of the far-famed Illustrated London News, in the columns of which paper the greater portion of these sketches originally appeared.

Of the early church that used to be on the site of the current one, not much is really known. Stowe mentions that it was “so called, because Harold, a Danish king, and other Danes, were buried there.” There’s some uncertainty about whether Harold, who became king after Canute, was actually related to him; his supposed mother, Algigiva, was never married to Canute, and it's noted that she never had a child. In fact, Harold, who was thought to be her son, had no higher parentage than a poor cobbler for a father. Harold was buried at Westminster, but when Hardicanute (the legitimate son of Canute) came to England, he ordered Harold's body to be dug up, beheaded, and tossed into the Thames. Some Danish fishermen later retrieved the body from the river and reburied it in a cemetery in London, where only Danes buried their dead. We haven't discussed Harold's reign at all; these few facts are all that history records about the origins of St. Clement Danes. The current church was built by Pierce under Wren's guidance. The old church was torn down in 1660. Dr. Johnson had a seat in the{202} current church. The interior is richly decorated with festoons and drops and features two decent statues of Moses and Aaron. Opposite this church is the office of the famous Illustrated London News, in the columns of which most of these sketches originally appeared.

You still hear a few of the old London cries in the by-streets that branch out of this busy neighbourhood, though many, which the “oldest inhabitants” can just remember, are heard no more.

You can still hear some of the old London cries in the side streets that extend from this busy neighborhood, although many that the “oldest residents” can barely recall are no longer heard.

The cry of “green boughs” to deck the summer parlours, and “green rushes” to strew upon the floors, has long since ceased. The fire-place is no more adorned with bunches of the blossoming hawthorn, branches of sweetbrier, and huge pots filled with the fragrant and trailing honeysuckle: art, with its paper ornaments, has driven away these beautiful products of nature, and the less healthy carpet has carried off the meadow-like smell of the rushes. “Cherry ripe” we occasionally hear, sung out as clear and silvery as when Herrick composed his inimitable little song, though Ben Jonson, by the way, wrote one long before Herrick, on the same subject. “Watercresses,” though no longer borne by a nymph, who paused every now and then to throw aside the long hair which fell over her nut-brown and weather-stained cheeks, is a cry we still hear; but the figure that conjured up Sabrina and the “glassy cool translucent wave” has long since departed. Lemons and oranges are cried by the wandering race, whose dark-haired mothers, in ancient days, poured forth their songs in the land of Israel. The primroses and violets of spring are still sold in these streets, but the cry of “Come buy my pretty bow-pots” is now rarely heard. The apple-stall, with its roasted chestnuts, the oyster-stall (a simple trestle), and the pieman who is ever ready to try his luck at pitch-and-toss, still haunt the corners of a few of our obscure streets, as they did in bygone days. The grinder and the tinker, and those who yet follow many a primitive old calling, and who set up their workshops in every open street where they can find a job, have been driven, with their quaint cries, into the suburbs, and the men themselves are but shadows of the jolly tinkers and merry pedlars who figure in our ancient ballad lore. The rattle, and roll, and thunder of our modern vehicles have drowned their old-fashioned cries in the great thoroughfares of Fleet-street and the Strand.

The call of “green boughs” to decorate the summer parlors and “green rushes” to lay on the floors has long disappeared. The fireplace is no longer adorned with bunches of blooming hawthorn, branches of sweetbriar, and big pots filled with fragrant, trailing honeysuckle: art, with its paper decorations, has replaced these beautiful gifts of nature, and the less healthy carpet has taken away the meadow-like scent of the rushes. “Cherry ripe” is still occasionally heard, sung as clear and silvery as when Herrick wrote his unforgettable little song, although Ben Jonson actually wrote one on the same topic long before Herrick. “Watercresses,” even though they’re no longer carried by a nymph who paused now and then to toss aside the long hair falling over her nut-brown, weather-worn cheeks, is a cry we still hear; but the figure that evoked Sabrina and the “glassy cool translucent wave” has long since vanished. Lemons and oranges are called out by the wandering vendors, whose dark-haired mothers once sang in the land of Israel. The primroses and violets of spring are still sold in these streets, but the call of “Come buy my pretty bow-pots” is rarely heard now. The apple stall, with its roasted chestnuts, the oyster stall (a simple table), and the pie man, who is always ready to try his luck at pitch-and-toss, still linger at the corners of a few of our less busy streets, just like in the past. The grinder and the tinker, and those who still follow many old trades and set up their workshops in every open street where they can find work, have been pushed, along with their quirky calls, to the suburbs, and the men themselves are mere shadows of the cheerful tinkers and merry peddlers from our old ballads. The rattle, roll, and thunder of our modern vehicles have silenced their old-fashioned calls in the main roads of Fleet Street and the Strand.

But though many of these old cries are heard no more, there is still many a poetical association thrown around this busy neighbourhood.

But even though many of these old cries are no longer heard, there are still plenty of poetic connections woven throughout this bustling neighborhood.

Who has not heard of the May-pole that stood in the Strand, how it was removed by command of the stern protector Cromwell, and how, at the restoration of Charles, a new one was erected, amid{203} the beating of drums and loud-sounding music, and the cheers of assembled thousands, who were weary of the puritanic gloom which had so long hung over merry England? What a buzzing there would be in that neighbourhood on the occasion, while May-garlands hung across the streets, as we have often seen them in our day, in a few out-of-the-way old fashioned towns, where the manners and customs of the people have undergone but little change during the last two centuries.

Who hasn’t heard about the May-pole that used to stand in the Strand, how it was taken down by the strict protector Cromwell, and how, with the return of Charles, a new one was put up, amid{203} the beating of drums, loud music, and cheers from the thousands gathered, who were tired of the puritanical gloom that had long overshadowed merry England? What a buzz there must have been in that area during the event, with May-garlands strung across the streets, just like we’ve often seen in some quaint, old-fashioned towns today, where the customs and traditions of the people have changed little over the past two centuries.

In an old volume printed before the Great Fire of London, entitled, The Citie’s Loyalty displayed, we find the following account of the May-pole that stood in the Strand.

In an old book printed before the Great Fire of London, called The Citie’s Loyalty displayed, we discover the following account of the May-pole that stood in the Strand.

“This tree was a most choice and remarkable piece (134 feet high): it was made below bridge, and brought in two parts up to Scotland-yard, and from thence it was conveyed, April 14th, to the Strand to be erected. It was brought with a streamer flourishing before it, drums beating all the way, and other sorts of music. It was supposed to be so long, that landsmen could not possibly raise it. Prince James, the Duke of York, Lord High Admiral of England, commanded twelve seamen off aboard to come and officiate the business; whereupon they came, and brought their cables, pullies, and other tacklins, with six great anchors. The May-pole then being joined together, and hooped about with bands of iron, the crown and vane, with the king’s arms richly gilded, was placed on the head of it, [and] a large top like a balcony was about the middle of it; this being done, the trumpets did sound, and in four hours space it was advanced upright.” [Four hours to draw up a May-pole! a slow age, my masters; they could not have built Hungerford Suspension-Bridge in those days, which is a toy compared to that now stretched across the Menai Straits. But to proceed with our extract.] “After which, being established fast in the ground, six drums did beat, and the trumpets did sound: again great shouts and acclamation the people gave, that it did ring throughout all the Strand. * * * * It is placed as near at hand as they could guess in the very same pit where the former stood, but far more glorious, bigger, and higher than ever any one that stood before it. * * * Little children did much rejoice, and ancient people did clap their hands, saying, ‘Golden days begin to appear.’ ” This was in 1661. Whether a May-pole was erected after the one given to Sir Isaac Newton, it “being old and decayed,” we have not discovered. The one given to Newton was afterwards used for raising a telescope at Wansted in Essex.

“This tree was a truly exceptional piece, standing 134 feet tall; it was made below the bridge and brought in two parts to Scotland Yard, and from there it was transported on April 14th to the Strand to be set up. It was brought with a streamer waving in front, drums beating all the way, and various types of music playing. It was believed to be so long that ordinary people could not possibly raise it. Prince James, the Duke of York, Lord High Admiral of England, ordered twelve sailors to come and manage the task; they arrived with their cables, pulleys, and other equipment, along with six large anchors. After the Maypole was assembled and reinforced with iron bands, the crown and weather vane, adorned with the king’s arms richly gilded, were placed at the top, alongside a large platform-like feature in the middle; once this was completed, the trumpets sounded, and within four hours it was raised upright.” [Four hours to raise a May-pole! A slow time indeed; they couldn't have built the Hungerford Suspension Bridge back then, which is a simple task compared to what now spans the Menai Straits. But let’s continue with our account.] “After it was firmly fixed in the ground, six drums beat, and the trumpets played: again, there were great cheers and applause from the crowd, echoing throughout the Strand. * * * * It is placed as close as possible in the same pit where the previous one stood, but far more magnificent, larger, and taller than any that had stood there before. * * * Little children rejoiced greatly, and older folks clapped their hands, saying, ‘Golden days are beginning to appear.’” This was in 1661. Whether a May-pole was put up after the one given to Sir Isaac Newton, as it was “old and decayed,” remains unknown. The one given to Newton was later used to raise a telescope at Wansted in Essex.

Cleveland, the bold cavalier colonel under Charles I., has a few spirited lines on the May-pole, but which are scarcely quotable, so{204} hard does he hit the puritanical Tabithas and Obadiahs; we quote a few lines:

Cleveland, the daring colonel serving under Charles I, wrote some lively lines about the May-pole, though they’re hardly quotable, as he strongly criticizes the puritanical Tabithas and Obadiahs; here are a few lines:

“Whether it’s a painted pole or one that’s wrought
It was brought from a different place than the woods,
Whose head the idol-maker's hand cuts off,
Where a disrespectful bird, perched at the top, It resembles the calf at Horeb, at whose base
The young person without a yoke is using his feet: *    *    *    *
How can you choose not to complain when you see it? "Is Baal being worshiped in his groves again?"

The last line might have been uttered by some crop-eared holder-forth, who fought as well as preached under Cromwell. The church of St. Mary-le-Strand stands on the spot where the May-pole was formerly erected. It was built by Gibbs (1717), whose portico of St. Martin’s-in-the-Fields remains unrivalled for its beauty. The old church stood nearer the river, and was pulled down by the Duke of Somerset, 1549, who used the materials for building Somerset-place, but was beheaded before he had completed it. We forget in what old work we found a long account attempting to prove that he lost his head through destroying the church of St. Mary and the Innocents, as the old church was called.

The last line might have been spoken by some crop-eared speaker, who both fought and preached under Cromwell. The church of St. Mary-le-Strand is located where the May-pole used to stand. It was built by Gibbs in 1717, whose portico at St. Martin’s-in-the-Fields remains unmatched in its beauty. The old church was closer to the river and was torn down by the Duke of Somerset in 1549, who used the materials to build Somerset Place, but was beheaded before he could finish it. We forget where we read a lengthy account trying to prove that he lost his head because he destroyed the church of St. Mary and the Innocents, as the old church was called.



SOMERSET HOUSE.

SOMERSET HOUSE.

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SOMERSET HOUSE.

{205}

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Passing the present Somerset House (which is now used as Government offices, and of which we merely give an engraving) and Waterloo Bridge, both of which are deserving of a separate article, we will turn down to the left and glance at the old church of St. Mary-le-Savoy, which is all that now remains of the once famous Savoy Palace, first built above six hundred years ago, but destroyed by Wat Tyler and his rebels; after which it lay in ruins for above a century and a half. The present chapel, as it is called, was built in 1505. Our engravings represent the exterior and a portion of the interior. It contains several old monuments and crosses.

Passing the current Somerset House (which is now home to government offices, and of which we only provide an image) and Waterloo Bridge, both of which deserve their own feature, we'll turn left and take a look at the old church of St. Mary-le-Savoy, which is all that remains of the once-famous Savoy Palace, originally built over six hundred years ago but destroyed by Wat Tyler and his rebels; it then lay in ruins for more than a century and a half. The current chapel, as it’s referred to, was built in 1505. Our images show the exterior and part of the interior. It houses several old monuments and crosses.



CHURCH OF ST. MARY-LE-SAVOY.

CHURCH OF ST. MARY-LE-SAVOY.

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St. Mary-le-Savoy Church.

We now reach the Adelphi, a mass of large dwelling-houses and warehouses, built by the brothers Adam about 1770, on such a labyrinth of arches as startle a stranger who enters them for the first time.

We now arrive at the Adelphi, a collection of large apartment buildings and warehouses, constructed by the Adam brothers around 1770, featuring a maze of arches that surprises any newcomer who steps inside for the first time.

Those noble streets which open into the Strand, now known as the Adelphi, are built above the ground formerly occupied by Durham House and its princely gardens, from whence Lady Jane Grey, the “nine days’ queen” (as our old chroniclers call her), was led, with loud acclaim, to the Tower, and then—in tears, to the scaffold. The ground itself on which she walked, and meditated, and saw her garden-flowers blow, is at noonday overhung with midnight darkness, excepting where, here and there, a gaslight throws its dim rays, and{206} feebly illumines the cavernous gloom: where her youth and beauty once threw their sunshine a melancholy blackness now reigns. To us this dark land is filled with sad associations; and, though the grave hath long since closed over those who placed the crown upon her head, and then left her to bleed upon the block, we never walk through these sounding arches without thinking of their treachery.

Those noble streets that lead into the Strand, now known as the Adelphi, are built above the land that once held Durham House and its grand gardens. From there, Lady Jane Grey, the “nine days’ queen” (as our old historians refer to her), was taken in triumph to the Tower, and then—in tears—to the scaffold. The very ground she walked on, pondered over, and tended her garden flowers is now shrouded in darkness at noon, except for the occasional flicker of a gaslight that weakly lights up the cavernous gloom: where her youth and beauty once brought light, a sorrowful darkness now dominates. For us, this dark landscape is filled with painful memories, and even though the grave has long since covered those who placed the crown on her head and then left her to suffer on the block, we never walk through these echoing arches without remembering their betrayal.



INTERIOR OF THE SAVOY CHURCH.

INTERIOR OF THE SAVOY CHURCH.

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INSIDE THE SAVOY CHURCH.

Thousands who pass along the Strand never dream of the shadowy region which lies between them and the river—the black-browed arches that span right and left, before and behind, covering many a rood of ground on which the rain never beats nor the sunbeam rests, and at the entrance of which the wind only seems to howl and whine, as if afraid of venturing farther into the darkness. Many of our readers{207} will no doubt conclude that such a dreary place as this must be deserted and tenantless: such is not the case. Here many of those strong horses which the countryman who visits London looks upon with wonder and envy, are stabled—huge, broad-chested steeds, such as may be seen dragging the heavily-laden coal-wagons up those steep passages which lead into the Strand, and which seem “to the manner born.”

Thousands who walk along the Strand never imagine the dark area that lies between them and the river—the shadowy arches that stretch right and left, in front and behind, covering patches of ground where the rain never falls nor the sunlight shines, and at the entrance of which the wind only seems to howl and moan, as if it's scared to venture further into the darkness. Many of our readers{207} will likely think that such a gloomy spot must be abandoned and empty: that's not true. This is where many of those powerful horses that visitors to London stare at with awe and envy are kept—massive, broad-chested animals, like those seen pulling heavy coal wagons up the steep streets leading into the Strand, as if they were born to do it.

Cows are also kept here, which, rumour says, never saw any other light beyond that of the gas which gleams through their prison-bars, or, by way of change, the cheering rays from a lantern, when they are milked or fed: that here many of them were calved, and have lived on, giving milk to a good old age—buried like the main-pipe that supplies us with water, and finding its way into our houses, without our once inquiring how. We have often pitied the London cows, which we have seen driven up one street and down another, and have fancied that what little milk they had must have been churned into indifferent butter, as they ran on, to escape the stones thrown after them by boys, while mongrels were ever sallying out, and either biting or barking at their heels; but we had not then seen those which are doomed to dwell in the unbroken darkness of the Adelphi arches, without ever breathing any other than the sepulchral air which stagnates in this murky purgatory. Assuredly, they ought to be taken out for a little fresh air now and then, and be led by the horns to

Cows are kept here, and it’s said they’ve never seen any light except for the gas that shines through their prison bars or, occasionally, the comforting glow of a lantern when they’re being milked or fed. Many of them were born here and have lived long lives, providing milk just like the main pipe that brings us water into our homes, without us ever questioning how. We often felt sorry for the London cows we saw being herded up and down the streets, imagining that their milk must have been turned into mediocre butter as they hurried away from stones thrown by kids, while stray dogs continually ran out, either barking at them or nipping at their heels. But we hadn’t yet seen the cows trapped in the constant darkness of the Adelphi arches, where they breathe nothing but the lifeless air that lingers in this gloomy purgatory. They really should be taken out for some fresh air every now and then and led by the horns to

“New fields and fresh pastures;”

for we can readily conceive how pleased and patiently they would go “blinking” along compared to those horned blackguards who come with a butt and a “a boo” at us as they return from Smithfield, and, before we have time to say “Now, stupid!” pitch us over the battlements of one of the bridges, and leave us to sink or swim.

for we can easily imagine how happy and calmly they would walk “blinking” along compared to those horned thugs who come at us with a drink and a “boo” as they return from Smithfield, and, before we have time to say “Now, stupid!” toss us over the edge of one of the bridges, leaving us to sink or swim.

The Adelphi arches form a little subterranean city; there is nothing like it in London: in some places you catch a glimpse of the river; a small loop-hole then lets in the light like the end of a railway-tunnel, yet seeming to diminish more than these tunnels, on account of the steep descent, until one of the steamers, in passing, appears to fill up the opening like a half-closed door. Beside these arches, there are narrow passages which go dipping down to the water-side, where on either hand houses stand looking at one another in the openings between the darkness. There is a dismal and solitary look about these tall imprisoned houses; you cannot conceive how they are entered, for there appears to be no way to them, and you conclude that they are empty. Or, if they are inhabited, you wonder if the people ever look out of these dim, dirt-ditched windows at the dead-looking walls{208} opposite. We have turned back, and hunted up and down looking from below, but nowhere could we obtain a view of the entrance to those murderous-looking houses. We once saw a butterfly which had lost its way, and got into the little light which had stolen out to look at the entrance of these arches: it went up and down, and hither and thither, seeming to become feebler every moment, as if it had given up all hope of ever swinging with folded wings, like a peabloom, on the flowers again, and we doubted not but that it found a grave amid the green decay of some rotten water-butt.

The Adelphi arches create a little underground city; there's nothing like it in London. In some spots, you catch a glimpse of the river; a small opening lets in light like the end of a train tunnel, but it seems smaller due to the steep descent, until a passing steamer fills the gap like a half-closed door. Next to these arches, narrow passages dip down to the waterside, where houses face each other in the spaces between the darkness. These tall, isolated houses have a gloomy and confined look; you can’t imagine how anyone gets inside, as there seems to be no access, leading you to believe they are empty. Or, if someone lives there, you wonder if they ever peer out of those dim, dirty windows at the lifeless walls across from them{208}. We turned back and wandered around looking from below, but we couldn’t find a view of the entrance to those foreboding houses. Once, we spotted a lost butterfly that made its way into the little light spilling out to look at the entrances of these arches: it fluttered up and down, back and forth, seeming weaker every moment, as if it had given up all hope of ever resting with folded wings, like a bloom, on flowers again, and we didn’t doubt it found a grave among the green decay of some rotten water butt.

There was a time when the great thoroughfare between Westminster and Temple Bar was all but impassable, when a petition was presented for the repairing of the highway, in which the petitioners complained that the foot-road was so overgrown with thickets and bushes that the wayfarer had difficulty to get along. Besides the brambly and thorny footpath, there were three old bridges to cross between Temple Bar and the village of Charing, which spanned the sweet streams that came tinkling all the way from Highgate-hill, passing along and edging the velvet green of many a pleasant meadow, like braids of silver, before they sent their sailing foam-bells into the bosom of the Thames. Ivy Bridge-lane and Strand Bridge-lane still mark the sites of two of these old bridges. The third was only discovered a few years ago; and, as it was but eleven feet long, every ancient stone might have been preserved and built up again over the Lee or some narrow water-course, so that we might have had another relic of bygone days to have looked upon, a bridge over which conqueror and captive had passed—tears and triumphs—from the Tower to Westminster, and from thence to the Tower again. Bolingbroke weeping—the hero of Agincourt—what a chapter could we have written on that old bridge, which was discovered while making a sewer near the church of St. Clement the Dane! It had been buried so long that not an antiquary mentions it—nowhere is it recorded by our old historians. When it was discovered, it was broken up, removed, and no one seems to know what became of the fragments. Perhaps Alfred himself might have crossed that ancient bridge when he pursued the daring Sea-King Haestings; perhaps—— But it is gone; and we should like to know the name of the surveyor who allowed it to be destroyed; in these pages he should have a “local habitation and a name” such as he deserves.

There was a time when the major road between Westminster and Temple Bar was nearly impossible to navigate. A petition was presented to get the highway repaired, with the petitioners complaining that the footpath was so overgrown with brambles and bushes that travelers struggled to get through. Besides the thorny path, there were three old bridges to cross between Temple Bar and the village of Charing, spanning the lovely streams that flowed gently down from Highgate Hill, winding through and along the lush green of many pleasant meadows, like silver ribbons, before sending their foamy bubbles into the Thames. Ivy Bridge Lane and Strand Bridge Lane still indicate where two of these old bridges were located. The third was only uncovered a few years ago; and since it was only eleven feet long, every ancient stone could have been preserved and rebuilt over the Lee or some narrow waterway, allowing us to have another historical landmark to see—an old bridge over which conquerors and captives crossed—tears and triumphs—from the Tower to Westminster, and back again. Bolingbroke weeping—the hero of Agincourt—what a story could have been told about that old bridge, which was found while digging a sewer near the church of St. Clement the Dane! It had been buried for so long that no antiquary mentions it—nowhere is it recorded by our old historians. When it was found, it was destroyed, and no one seems to know what happened to the pieces. Perhaps Alfred himself crossed that ancient bridge when he chased the bold Sea-King Haestings; perhaps—— But it's gone now; and we would like to know the name of the surveyor who allowed its destruction; in these pages, he should have a “local habitation and a name” that he deserves.

There are still standing in Holywell and Wych-street a few houses which bring before the eye the old London our forefathers inhabited—when Bluff Hal beheaded a wife before he breakfasted; and Queen Elizabeth measured not her words to her ministers if they offended her, and thought nothing of striking a nobleman, as she did the Earl{209} of Essex, when not in a loving mood. In her endearing moments, we often picture her like a grim lioness at play with the king of the forest. We often wonder where Shakspeare was during the Sunday Essex broke out, and locked up the queen’s officers. We dare wager a silver groat, that he looked on that stormy scene in the Strand, and that, were he here to answer, we could point our pen to passages in his works which were suggested by what he either saw or heard on that memorable day.

There are still a few houses standing in Holywell and Wych Street that remind us of old London, the city our ancestors lived in—when King Henry VIII beheaded a wife before having breakfast; and Queen Elizabeth didn’t hold back her words to her ministers if they upset her, and didn’t hesitate to strike a nobleman, like she did with the Earl{209} of Essex, when she wasn’t in a good mood. In her affectionate moments, we often imagine her as a fierce lioness playing with the king of the forest. We often wonder where Shakespeare was on the Sunday when Essex rebelled and locked up the queen’s officers. We’d bet a silver groat that he witnessed that chaotic scene in the Strand, and that if he were here to respond, we could point to parts of his works that were inspired by what he either saw or heard that unforgettable day.

How the warlike old barons would stare in wonderment, if it were possible that they could again “revisit the glimpses of the moon,” and see the rent-roll produced from the ground on which their towered and loop-holed palaces stood; could peep at the productions exhibited at the Society of Arts, in the Adelphi, and look back again upon the days when a flexible gauntlet, that could guard the hand yet give freedom to the grasp, or a visor through which they could see yet with the bars so tempered as to resist the point of a lance, were considered as the greatest wonders of art! How they would rub their dim old eyes at the sight of an express-train; stare at a steamer, and think what a smash and crash a couple would have made, to have run into each other at their water-quintains! Then, to send a message from Tilbury Fort to Kenilworth by the electric telegraph, where the amorous old queen was coquetting with Leicester, and she ignorant of such an invention, to tell her that the Spanish Armada was coming, would have consigned the messenger who came from the station to something like the Spanish inquisition, if not a stake at Smithfield. Oh, that we had a photographic portrait of the dear old lady, with all those nicely marked shadows, to which she had so great an objection, down to the “cunning wrinkles round her eyes!”

How the battle-hardened old barons would stare in amazement if they could once again “revisit the glimpses of the moon,” and see the income generated from the land their towered and loop-holed castles stood on; if they could check out the displays at the Society of Arts in the Adelphi, and reflect back on the days when a flexible gauntlet that could protect the hand while allowing freedom to grip, or a visor that let them see while having bars tough enough to withstand a lance’s point, were considered the greatest marvels of art! How they would rub their cloudy old eyes at the sight of a train; gawk at a steamboat, and imagine the chaos if two of them collided at their water fountains! Then, to send a message from Tilbury Fort to Kenilworth via the electric telegraph, where the lovesick old queen was flirting with Leicester, completely unaware of such an invention, to inform her that the Spanish Armada was approaching, would have gotten the messenger sent from the station into something like the Spanish Inquisition, if not burned at the stake in Smithfield. Oh, how I wish we had a photographic portrait of the dear old lady, with all those perfectly captured shadows, which she disliked so much, right down to the “cunning wrinkles around her eyes!”

But we will cross over the way, and visit Covent-Garden Market, the ever-open flower-show of London. Here, when “the wind and rain beat dark December,” the costly chrysanthemum may be purchased, with which beauty decks her waving ringlets, as she shoots the arrows of love from her eyes, regardless on whom they may alight. In spring, summer, autumn, or winter, the choicest treasures of the floral world are here collected; from the conservatory and the humble cottage-garden, flowers of all hues are gathered to grace the Covent-Garden colonnades. Few places surprise a stranger more than when he emerges suddenly from that great, crowded, and noisy thoroughfare, the Strand, and finds himself all at once in this little world of flowers. In this spot are to be found the first offerings of spring; the snow-drop that comes “like an unbidden guest,” violets and primroses which have been gathered in many a far-off dell and sunny dingle, come to tell us the progress that Nature is making in{210} the green and out-of-door world. Many a sad and many a pleasing thought must have been awakened in the bosoms of thousands who have long been in-dwellers in this mighty city, by walking through the ranks of flowers which are here placed. They must have recalled the image of some old home far away, and probably never again to be visited by them—the porch, over which the woodbine or jasmine trailed, and the garden-fence, along which the clustering moss-roses hung. Many a flower is thus borne away and treasured for the old memories it awakens, for the tender recollections it recals—feelings to which the heart had long been a stranger. For Byron has shewn how small a key can open the human heart—how slight a chord may be struck, and some slumbering affection be in a moment aroused:

But we will cross the way and visit Covent Garden Market, the always-open flower show of London. Here, when "the wind and rain beat dark December," you can buy the expensive chrysanthemum, which beauty uses to adorn her flowing hair while shooting love's arrows from her eyes, no matter where they land. In spring, summer, autumn, or winter, the finest treasures of the floral world are gathered here; flowers of all colors come from conservatories and humble cottage gardens to beautify the Covent Garden colonnades. Few places surprise a stranger more than when they suddenly step away from the bustling and noisy Strand and find themselves in this little world of flowers. This spot showcases the first signs of spring; the snowdrop comes “like an uninvited guest,” and violets and primroses picked from distant nooks and sunny glades arrive to share Nature’s progress in the green, outdoor world. Many sad and happy thoughts must arise in the hearts of countless long-time residents of this huge city as they stroll through the rows of flowers displayed here. They may recall images of some distant home, likely never to be visited again—the porch trailed with woodbine or jasmine, and the garden fence adorned with climbing moss roses. Many flowers are taken away and cherished for the old memories they spark and the tender recollections they bring back—feelings that the heart had long forgotten. For Byron has demonstrated how a small key can unlock the human heart—how a slight chord can be struck, and some dormant affection can be awakened in an instant:

"It might just be a sound—
A musical tone—summer evening—or spring—
A flower—hitting the electric chain.”

Here are purchased the cut flowers that decorate the banquet and ball-room—the posy which the blushing bride bears with downcast look in her hand—the bouquet which is rained down at the feet of our favourite actresses; and here also affection comes for its last tribute to place beside the pale face of the beloved dead, or plant around the grave in the cemetery. The house of mirth and the house of mourning are both supplied from the same common store. Pride, love, interest, fame, and death come here to select their garlands.

Here, you can buy the cut flowers that adorn the banquet and ballroom—the bunch that the blushing bride holds with a shy glance—the bouquet that is tossed at the feet of our favorite actresses; and here, love pays its final respects, placing flowers beside the pale face of the beloved deceased or planting them around the grave in the cemetery. The house of celebration and the house of sorrow both draw from the same common source. Pride, love, ambition, fame, and death all come here to choose their arrangements.

Here the young lover purchases for his fair one the blue forget-me-not; the graceful acacia, emblem of elegance; the myrtle, the old Grecian symbol of love; pansies—“that’s for thoughts;” the red-streaked woodbine, which denotes devoted affection; the lily, that ancient representative of purity of heart; the rose, the queen of beauty, and for the earliest of which five or ten shillings is no unusual sum to pay; with every flower that makes up the great alphabet of love.

Here, the young lover buys his beloved the blue forget-me-not; the elegant acacia, a symbol of grace; the myrtle, an ancient Greek symbol of love; pansies—“that’s for thoughts;” the red-streaked woodbine, which signifies devoted affection; the lily, that timeless symbol of purity of heart; the rose, the queen of beauty, for which spending five or ten shillings is common; along with every flower that makes up the vast language of love.

The epicure may here feast his eyes with delight; and, if he is wealthy enough, purchase the natural produce of April or May while the snows of February are whitening the ground; for so has science triumphed over nature, by the aid of heat and manures, that there is scarcely any thing too difficult for your forcing-gardeners to accomplish. New potatoes, peas, and fruit of almost every description, are here to be found, fresh gathered, before spring has hung out a single leaf upon the oak. Green April is made to produce green gooseberries; and marrow-fats come in with the blossoms of May. Here conservatories are also formed over the colonnades; and{211} the choicest and most delicate flowers that ever bloomed in kingly gardens may be found as healthy and beautiful amid London smoke as if flourishing a hundred miles away in the country.

The foodie can here feast his eyes with joy; and, if he has enough money, buy the fresh produce of April or May while the February snows are covering the ground; because science has achieved victory over nature, with the help of heat and fertilizers, so there’s almost nothing too challenging for your greenhouse gardeners to manage. New potatoes, peas, and fruits of almost every kind are here to be found, freshly picked, before spring has even put out a single leaf on the oak. Green April is made to yield green gooseberries; and marrow-fats come in with the blossoms of May. Here, greenhouses are even built over the colonnades; and{211} the finest and most delicate flowers that have ever bloomed in royal gardens can be found just as healthy and beautiful amidst London’s smoke as if they were thriving a hundred miles away in the countryside.

Those itinerant dealers who make the streets of London ring with the pleasant spring-cry of “All a-blowing, all a-growing!” as they move along with barrow, basket, and cart, are generally supplied from this market; and few would credit the many hundreds of pounds expended in the metropolis for the purchase of flower-roots, to be re-planted in the little back-yards called gardens, which are a peculiar feature in most of the London streets beyond the city boundaries. Places which, to pass in front, a stranger would think no green thing had ever grown for years near such a neighbourhood; yet in the rear they contain choice wall-flowers, sweet-williams, carnations, Canterbury-bells, hollyhocks, sun-flowers, and fancy dahlias, which have been grown within a mile or so of the bridges, and have been sent forth to “dispute the prize” at a flower-show. Many a poor man has often expended his shilling when he could ill spare it, to purchase a choice tulip or dahlia, which he treasured as the pride of his garden; and this is one amongst other pleasing sights to witness in this market. The artisan here finds enjoyment as well as the wealthy citizen, or the aristocratic lady, who treads with “mincing gait” through the arcade, attended by John the page, and all his “eruption of buttons.” Fine specimens of English beauty are often met with here—faces that look not unlike our own island roses; the fine blue-eyed Saxon cast of countenance, and the long fair hair, such as centuries ago drooped about the brow of Rowena, and were the cause of King Vortigern losing his kingdom and his life.

Those street vendors who fill the streets of London with their cheerful call of “Everything’s blooming, everything’s growing!” as they stroll by with their carts, baskets, and barrows, usually get their supplies from this market. Few would believe the hundreds of pounds spent in the city on flower roots to be replanted in the small backyards called gardens, which are a unique feature found in many London streets beyond the city limits. Places that, from the front, might make a passerby think that no green thing has grown there in years; yet in the back, they hold beautiful wallflowers, sweet williams, carnations, Canterbury bells, hollyhocks, sunflowers, and fancy dahlias, all grown within a mile or so of the bridges, and sent out to compete for awards at a flower show. Many a poor man has often spent his last shilling to buy a prized tulip or dahlia, which he cherished as the highlight of his garden; and this is one of the many delightful sights to see in this market. Here, the working man finds enjoyment just like the wealthy citizen or the upper-class lady, who walks through the arcade with a delicate gait, accompanied by John the page and his “array of buttons.” You can often spot fine examples of English beauty here—faces that resemble our own island roses; with the light blue-eyed Saxon look and long fair hair, just like what used to fall around Rowena’s brow centuries ago, leading to King Vortigern losing his kingdom and his life.

In contrast to these are our Covent-Garden portresses—sturdy daughters of Erin, clad in almost manly attire, and, with scarcely an exception, every soul a smoker and drinker of neat gin. Wonderful are the loads which these “juvenile antiques” carry; they would make the neck of a strong man, unused to bearing such burdens, ache again, were he only to carry one a moderate distance. Their faithfulness and honesty are deserving of the highest praise: no matter how valuable the load may be that you purchase, or how great the distance it has to be borne into the suburbs, you have but to pay the trifle agreed upon, furnish the right address, and when you return home, there you will find every bud and blossom uninjured, for Biddy may be trusted with uncounted gold. They are all a sturdy, short-necked race; moving caryatides, strong enough to support a temple, although such forms never mingled with the dreams of our ancient sculptors. Beside a good-natured, it requires a strong-armed man to help to replace the load upon their heads when{212} they have rested; and few gentlemen, we hope, resist the appeal of “Will your honour plase to lend a lift to the basket?”

In contrast to these are our Covent-Garden portresses—strong daughters of Erin, dressed in almost masculine clothing, and, with hardly any exceptions, every one of them smokes and drinks neat gin. Amazing are the loads that these “juvenile antiques” carry; they would make the neck of a strong man, who isn’t used to such burdens, ache even if he only has to carry one a small distance. Their loyalty and honesty deserve the highest praise: no matter how valuable the load you buy, or how far it needs to be taken into the suburbs, you just need to pay the agreed-upon amount, give the right address, and when you get home, there you will find every bud and blossom intact because you can trust Biddy with untold gold. They are all a robust, short-necked group; they are like moving caryatids, strong enough to support a temple, even though such figures never featured in the dreams of our ancient sculptors. Alongside a good-natured helper, it takes a strong man to help replace the load on their heads when{212} they have taken a break; and few gentlemen, we hope, can resist the request of “Will your honour please lend a lift to the basket?”

At a very early hour in the morning, and while the rest of London—excepting in the markets—seem wrapt in sleep, the whole of the streets which open into Covent Garden are thronged with vehicles, and buyers and sellers; for either the greengrocer or his man must be here early, if our dinner-table is to be supplied with first-rate vegetables; and from the most remote street of the suburbs the greengrocers are compelled to come either to the Borough, to Farringdon, or Covent-Garden markets, for their stock; for these, with the exception of Spitalfields, which is celebrated for potatoes, are the only garden-markets. From one or other of these places have all those tempting shows of flowers, fruit, and vegetables, which give such a country-look to the greengrocers’ shops, been brought at an early hour.

At a very early hour in the morning, while the rest of London—except for the markets—seems wrapped in sleep, all the streets leading into Covent Garden are packed with vehicles and people buying and selling. The greengrocer or their assistant has to be here early to ensure our dinner table has top-quality vegetables. Greengrocers from the farthest suburbs must come to either the Borough, Farringdon, or Covent Garden markets for their supplies because these, along with Spitalfields, which is famous for potatoes, are the only garden markets. From one of these places, all those tempting displays of flowers, fruit, and vegetables that give such a country vibe to the greengrocers’ shops are brought in early.

Here an imaginative lover of good living may feed his fancy, and feast his eyes with the first rhubarb-pie of the season—conjure up the roast shoulder of lamb that is to accompany the asparagus—match the new potatoes with the brown veal cutlet—see a couple of ducks lying prostrate beside a dish of green peas—run streaks of fanciful pastry between the rich lines of raspberries—thrust bundles of sage and onions inside some stubble-fed goose, or call up the plump leg of mutton that is to be boiled along with those lily-white turnips; while cauliflowers, spinach, brocoli, and greens of every description may be found to match with the finest joints that either Leadenhall or Newgate markets can produce; for here they are to be seen “thick as leaves that strew the Vale of Vallambrosa.”

Here, a creative lover of good food can indulge his imagination and delight his eyes with the first rhubarb pie of the season—picture the roast shoulder of lamb that will go with the asparagus—pair the new potatoes with the brown veal cutlet—see a couple of ducks lying next to a dish of green peas—create beautiful patterns of pastry alongside the rich lines of raspberries—stuff bundles of sage and onions inside a goose that was fed on stubble, or envision the plump leg of mutton that will be boiled with those snowy-white turnips; while cauliflowers, spinach, broccoli, and greens of all kinds can be found to complement the finest cuts available from either Leadenhall or Newgate markets; for here they are to be seen “thick as leaves that strew the Vale of Vallambrosa.”

The poet may also ramble here, and call up visions of the Garden of Eden, where our first mother stood “half-spied, so thick the blushing roses round about her blowed;” or the golden fields of Enna and Proserpina, and her nymphs; and the wheels of that gloomy chariot, which ploughed up the waving flowers,—of Cupid and Psyche; and the beautiful vale of Arcady, and Venus mourning over her beloved Adonis, from whose blood there sprang a rich array of peerless blossoms.

The poet might also wander here and evoke images of the Garden of Eden, where our first mother stood “half-hidden, so thick the blushing roses bloomed around her;” or the golden fields of Enna with Proserpina and her nymphs; and the wheels of that dark chariot, which disturbed the waving flowers,—of Cupid and Psyche; and the lovely valley of Arcady, with Venus grieving for her beloved Adonis, from whose blood sprang a beautiful array of unmatched blossoms.

But, independent of these associations, Covent Garden has an interest of its own. Above six hundred years ago it bore the name of Convent Garden, and originally belonged to Westminster Abbey. A pleasant walk must it have been, a few centuries ago, from that grave and venerable pile to the garden, before even the village of Charing existed, and when probably the whole line of road from the Abbey consisted of avenues of trees and open fields, where the daisies blowed and the skylark built and sang. We can picture those early fathers{213} of the Church, with the rich missals in their hands, wiling away the hours in pleasant meditation, as they sauntered leisurely along between the Abbey and the Covent Garden, “in cope and stole arrayed.” Within the last three hundred years it was walled round, and covered with trees, whose blossoms waved white and beautiful in the breezes of spring, and in summer displayed a rich array of trembling green; while half a dozen thatched cottages and a convent were the only habitations that then heaved up in this small neighbourhood. A few noblemen’s mansions were all that at this time stood beside the river from Temple Bar to the Abbey; and these, with their beautiful gardens, sloped down by the edge of the water. Only a few years ago Covent Garden consisted of a mass of unsightly wooden sheds and open standing-places, inferior to the market of many a common country town; and it was not until about 1828 that this mass of rubbish began to be swept away, and the present market to be built. The foundations of the old convent, from which no doubt this place takes its name, are not yet wholly swept away, a considerable portion being at present enclosed within the house occupied by Mr. Bohn, the bookseller, in York-street. Here two or three bulky piles of masonry, no doubt containing the remains of the early fathers, who wandered about this ancient neighbourhood, while, with the exception of the convent, it was all one garden-ground, may still be seen. This convent, if we remember rightly, has escaped the notice of several of the London historians, who, because it was built on land belonging to the Abbey, seem to have lost sight of it as a separate structure.

But aside from these associations, Covent Garden has its own charm. More than six hundred years ago, it was called Convent Garden and originally belonged to Westminster Abbey. A few centuries ago, it must have been a lovely stroll from that grand and ancient building to the garden, before the village of Charing even existed, when the road from the Abbey was likely lined with trees and open fields, where daisies bloomed and skylarks nested and sang. We can imagine those early Church fathers, with their rich missals in hand, spending hours in peaceful contemplation as they casually walked between the Abbey and Covent Garden, "dressed in cope and stole." In the last three hundred years, it was surrounded by walls and planted with trees, which offered white blossoms in the spring breeze and a lush display of green in the summer. Only a handful of thatched cottages and a convent were the only homes in this small area at that time. A few noble mansions stood alongside the river from Temple Bar to the Abbey, beautifully landscaped gardens sloping toward the water. Just a few years ago, Covent Garden was a clutter of unattractive wooden sheds and open spaces, not even matching the market of many ordinary country towns; it wasn't until around 1828 that this mess began to clear, and the current market was constructed. The foundations of the old convent from which this place likely gets its name haven’t completely disappeared; a significant part of it is still inside the building occupied by Mr. Bohn, the bookseller, on York Street. Here, a few substantial piles of masonry, likely containing the remains of the early fathers who roamed this historic area, can still be seen, while the rest of the area was once just one big garden. This convent, as far as we remember, has been overlooked by several London historians, who seem to have ignored it as a separate building since it was constructed on land owned by the Abbey.

It was not until the time of Charles I. that any material improvement commenced in this neighbourhood. The name of Inigo Jones is connected with the first advances architecture made in this direction, through the spirited exertions of the fourth Earl of Bedford. A few of the princely mansions which rise up in the neighbourhood of Lincoln’s Inn are fine specimens of the buildings which were erected about this period.

It wasn't until the time of Charles I that any significant improvement began in this area. The name Inigo Jones is associated with the initial strides architecture took in this direction, thanks to the energetic efforts of the fourth Earl of Bedford. Some of the grand mansions that stand near Lincoln’s Inn are excellent examples of the buildings constructed around this time.

What an uncomfortable place must the old City have been, with its little poking market in Honey-lane, now covered by the City of London School and the Stocks Market, long since removed, and with only one bridge leading into this large London, which was then rapidly bursting its ancient barriers and shooting out far beyond its weather-beaten walls, while all propositions for improvement were considered as death-blows aimed at its old and barbarous privileges. Our forefathers never knew, nor needed, such places as the present Covent Garden Market.

What an uncomfortable place the old City must have been, with its small market on Honey-lane, now covered by the City of London School and the Stocks Market, long gone, and with only one bridge leading into this expansive London, which was quickly outgrowing its ancient boundaries and spreading far beyond its worn-down walls, while any suggestions for improvement were seen as attacks on its old and outdated privileges. Our ancestors never experienced, nor needed, places like the current Covent Garden Market.

We read, in old plays, of the apple-woman at the corner of the{214} street, and the vendor of herbs who passed through those ancient thoroughfares; but of the greengrocers, like those of our own day, we find no mention, for they had no predecessors; and, excepting the cabbage and the parsnip, peas and beans, and the radish mentioned by Izaak Walton, there seems but to have been a scanty supply of vegetables. The potato is of comparatively modern introduction, while fruit-trees appear to have been grown in England from time immemorial; even as far back as the days of the Saxons, we find the vine cultivated in the gardens of the monasteries, and that the monks made their own wine. Their vegetable diet was very limited; and we need no further proof than the quantity of cattle slaughtered for the winter consumption, and salted for the sole purpose of saving the food they would require. Indeed, with the exception of beans, peas, wheat, barley, and a kind of cabbage called kale, we scarcely find any other mention of the vegetables used by our Saxon ancestors. Even in the time of Elizabeth, according to old Tusser, a supper of bacon broth was not to be despised, and a breakfast off the same substance cold, with the addition of a piece of cabbage in its cold state, and a lump of barley-bread, formed the chief diet of the English farmer, washed down, no doubt, by a draught of beer.

We read in old plays about the apple seller at the corner of the {214} street, and the herb vendor who walked those ancient paths; but there’s no mention of greengrocers like we have today because they had no predecessors. Aside from cabbage, parsnips, peas, beans, and the radish mentioned by Izaak Walton, there seems to have been a limited supply of vegetables. The potato was introduced relatively recently, while fruit trees have been grown in England for ages. Even back in the Saxon days, we find that vines were cultivated in monastery gardens, and the monks made their own wine. Their vegetable diet was very restricted; the number of cattle slaughtered for winter supplies and salted specifically to preserve food is proof enough. Indeed, aside from beans, peas, wheat, barley, and a type of cabbage called kale, there’s hardly any record of other vegetables used by our Saxon ancestors. Even during Elizabeth's time, according to old Tusser, a bacon broth supper was considered acceptable, and a breakfast of the same cold meat with some cold cabbage and a piece of barley bread was the main diet of the English farmer, likely washed down with a drink of beer.

Still the Londoners seem always to have been a flower-loving people, and although the stern Puritans banished their May-poles and Whitsuntide games, they were revived again at the Restoration, and continued, but with little alteration, until the middle of the last century. Even chatty old Pepys allowed his wife to go down into the neighbourhood of Greenwich, so that she might rise early and wash her face in May-dew; and bluff Hal, attended by his queen and nobles, went out to “do observance to the May” at Shooter’s Hill. We cannot help marvelling, while such a love for the beauties of nature prevailed, that no such thing as a regular flower-market should exist. It is true the dramatists mention the smell that pervaded Bucklersbury; and no doubt a few centuries back this was the chief spot where the country-people assembled and sold the flowers and fruits they brought from the country. That thitherward they came, streaming from the wild woods of Hampstead and Highgate, or from the wilder wastes on which Norwood now stands, each bearing their burden into “Bucklersbury at simple-time,” when only one bridge spanned across the Thames.

Still, the people of London have always seemed to love flowers, and even though the strict Puritans got rid of their May-poles and Whitsun games, these traditions were brought back at the Restoration and continued, mostly unchanged, until the middle of the last century. Even the chatty old Pepys let his wife go to the Greenwich area so she could wake up early and wash her face in the May dew; and the hearty Hal, with his queen and nobles, went out to "celebrate May" at Shooter's Hill. It's hard to believe that despite such a passion for the beauty of nature, there wasn't a regular flower market. It’s true that playwrights mentioned the fragrance that filled Bucklersbury; and it’s likely that a few centuries ago, this was the main place where country folk gathered to sell the flowers and fruits they brought from the countryside. They came from the wild woods of Hampstead and Highgate, or from the even wilder lands where Norwood stands today, each carrying their goods into "Bucklersbury at simple-time," when there was only one bridge across the Thames.

Yet it must have been a merry London when, to quote the words of an old chronicler, “the king himself rose early in the morning to fetch May or green boughs—he fresh and richly appareled; and all his knights, squires, and gentlemen clothed in white satin; his guards and yeomen of the crown in white sarsenet. And so went every man{215} with his bow and arrows, shooting to the wood; and so repaired again to the court, every man with a green bough in his cap.” This was the time when, although London was without its Covent Garden Market, in May, according to Herrick’s description:

Yet it must have been a lively London when, to borrow the words of an old chronicler, “the king himself got up early in the morning to gather May or green branches—he fresh and dressed in rich clothes; and all his knights, squires, and gentlemen were dressed in white satin; his guards and yeomen of the crown in white sarsenet. And so went every man{215} with his bow and arrows, heading to the woods; and then returned to the court, every man with a green branch in his cap.” This was a time when, even though London was without its Covent Garden Market, in May, according to Herrick’s description:

"Every field turned into a street—every street became a park,
Made green and adorned with trees.
Devotion gave each house a branch, a bough; Every porch and door With white-thorn neatly woven, "As if they were the more stylish aspects of love."

In the first volume of the Illustrated London News we find the following description of the church of St. Paul’s, Covent Garden.

In the first volume of the Illustrated London News, we find this description of the church of St. Paul’s, Covent Garden.

“When Francis Duke of Bedford, in the reign of the first Charles, proposed to erect a place of worship for his tenantry in the then thinly populated locality of the Covent Garden, he called to his councils the celebrated Inigo Jones, suggesting, as we find it recorded, that ‘any thing—a barn would do;’ an expression sounding more of the prudence than of the piety of the said Francis. The architect took the hint; and thence arose, in 1640, the Palladian structure of which we now behold a duplicate; the original building having been destroyed in 1795, through the carelessness of some workmen engaged in its repair. The contemplation of this edifice has given rise to a shrewd suspicion in our mind, that the above venerable anecdote relating to its origin may have been the after-thought of some architectural critic, whose admiration for the designer of Whitehall was stronger than his respect for the memory of the duke. Be that as it may, the structure, for several years, was merely known as the Chapel of Ease to St. Martin’s-in-the-Fields, until 1645, when it was erected into a separate living, and, in the year of the Restoration (1660), the patronage was vested in the Duke of Bedford; the whilom chapelry becoming known as the church and parish of St. Paul’s, Covent Garden.

“When Francis, Duke of Bedford, during the reign of Charles I, proposed to build a place of worship for his tenants in the then sparsely populated area of Covent Garden, he consulted the famous Inigo Jones, suggesting, as recorded, that ‘any structure—a barn would work;’ a remark that reflects more of Francis’s practicality than his piety. The architect took the hint, and thus, in 1640, the Palladian building we now see as a replica was created; the original was destroyed in 1795 due to the negligence of some workers doing repairs. Looking at this building has led us to suspect that this well-known story about its origin might have been an afterthought from some architectural critic, whose admiration for the designer of Whitehall outweighed his respect for the duke’s legacy. Regardless, for several years, the structure was simply referred to as the Chapel of Ease to St. Martin’s-in-the-Fields, until 1645, when it was established as a separate parish, and in the year of the Restoration (1660), the patronage was granted to the Duke of Bedford; the former chapel then became known as the church and parish of St. Paul’s, Covent Garden."

“St. Paul’s, Covent Garden, has some peculiarities in its structure. The Tuscan portico, with its prazzi, being placed in the rear instead of the front of the edifice, which latter stands in the quiet by-way of Belford-street. Hence the back of the altar is (to use a palpable Hibernicism) the front, the lantern and principal entrance being at the western extremity of the church. Popularly speaking it is right; for this is the elevation which has looked down on the many glorious rows, cracked crowns, and mêlées consequent upon each recurrence of a Westminster election, the hustings-hammering high bailiff of that ancient borough and city having made this spot memorable as ‘the field of a thousand fights,’ by here fixing the polling-place for the{216} return of members to represent it in Parliament. Here, then, were the tag-rag and bob-tail of this ancient and radical borough wont to disport themselves in fighting, roaring, drinking, and swearing, during the fourteen days saturnalia of each contested election. But these scenes are no more; the Reform bill, by dividing the constituencies and the erection of district polling-booths, has destroyed the glorious anarchy, the rude liberty of the Westminster canaille; and we may look with equal success for the May-pole in the Strand or the Standard on Cornhill, as for an election-mob, such as in the days of Fox, Burdett, Hobhouse, Maxwell, or Sheridan, crowded the front of St. Paul’s, Covent Garden. But if the history of the hustings of Covent Garden would be the history of political party for the last hundred years, not less would the history of the hotels and coffee-houses, which occupy two sides of the quadrangle, comprise the anecdotal annals of the last century, and the earlier portion of the present. The early companions of George IV. here revelled; and a host of buried talent, senatorial, literary, forensic, and dramatic, has the ‘venue’ of its brightest witticisms and most brilliant sallies laid in the hotels of ‘the Garden’—in the Bedford, the Russell, the Piazza, Offley’s, Mother Butler’s, and the rest.

St. Paul’s, Covent Garden, has some unique features in its design. The Tuscan portico, with its prazzi, is located at the back rather than the front of the building, which is set along the quiet side street of Belford Street. As a result, the back of the altar is, to put it plainly, the front, with the lantern and main entrance situated at the western end of the church. In practical terms, this makes sense; for this is the side that has overlooked countless lively gatherings, chaotic scenes, and clashes that took place during each Westminster election. The high bailiff of that historic borough and city has made this spot famous as ‘the field of a thousand fights,’ by establishing the polling place for the{216} election of its members to Parliament. Here, the riff-raff of this old and radical borough used to enjoy themselves fighting, shouting, drinking, and swearing throughout the fourteen days of festivities during each contested election. But those days are gone; the Reform Act, with its division of constituencies and the establishment of district polling booths, has put an end to the glorious chaos and the wild freedom of the Westminster crowd; and we can expect to see a Maypole on the Strand or a Standard on Cornhill just as much as we can expect to see an election mob like the ones during the times of Fox, Burdett, Hobhouse, Maxwell, or Sheridan crowding the front of St. Paul’s, Covent Garden. If the history of the hustings at Covent Garden tells the story of political parties over the last hundred years, then the history of the hotels and coffee houses lining two sides of the square would also reflect the interesting tales of the last century and the earlier part of this one. The early friends of George IV partied here; and a wealth of hidden talent—political, literary, legal, and theatrical—has its brightest jokes and most brilliant remarks captured within the hotels of ‘the Garden’—in the Bedford, the Russell, the Piazza, Offley’s, Mother Butler’s, and others.

“All around the subject of our article has experienced its full share of change. There is a painting by Hogarth, from which an etching has been published, representing Covent Garden in 1745. There stands the predecessor of the present church, alike in every respect (except the illuminated clock in the pediment); but here the resemblance ceases. The area now occupied by the handsome market, with its granite columns, plate-glass windows, covered arcades and conservatories, is in Hogarth’s picture an uneven space divided by posts and chains, with a pump in its centre. Here and there a market-woman, with looped-up petticoats and exposed neck, presides over heaps of vegetables scattered on the ground, while among mounds of turnips, carrots, and cabbages, strut several formal figures in the uncouth head-dresses, pinched stomachers, and stiff diamond-quilted skirts of a century ago, accompanied by puppy-dogs, and beaux as precise and quaint in attire as themselves. But to return. The design both of church and piazza of the present building is said to have been borrowed from a place built by Cosmo de Medicis at Leghorn. The bold projecting cornice outside, and the eight Corinthian columns of the altar-piece within, have found many admirers among the cognoscenti. In conclusion, we must add, that the inimitable author of Hudibras is also buried here, and no less a humorist than Dr. Walcot, the well-known ‘Peter Pindar:’ their monuments ought to be preserved.{217}

“All around the subject of our article has gone through a lot of change. There’s a painting by Hogarth, from which an etching has been published, showing Covent Garden in 1745. There stands the predecessor of the current church, looking much the same (except for the illuminated clock in the pediment); but that’s where the similarities end. The area now taken up by the beautiful market, with its granite columns, plate-glass windows, covered walkways, and conservatories, is in Hogarth’s picture an uneven space divided by posts and chains, with a pump in the center. Here and there, a market woman, with her petticoats lifted and neck exposed, manages piles of vegetables scattered on the ground, while among mounds of turnips, carrots, and cabbages, several stiffly dressed figures flaunt the awkward head-dresses, tight stomachers, and rigid diamond-quilted skirts of a century ago, accompanied by small dogs and gentlemen dressed as precisely and oddly as themselves. But to get back to the point. It is said that the design of both the church and plaza of the current building was inspired by a place built by Cosmo de Medicis in Leghorn. The bold projecting cornice outside, and the eight Corinthian columns of the altar piece inside, have a lot of admirers among the experts. In closing, we should mention that the unique author of Hudibras is also buried here, as well as the humorist Dr. Walcot, the famous ‘Peter Pindar:’ their monuments should be preserved.{217}

CHAPTER XIV.

WESTMINSTER ABBEY AND THE PARKS.

WHAT a crowd of solemn associations gather around the mind of the intellectual visitor on first entering these ancient walls! the very silence which reigns around the vast edifice is startling, and the sound of a falling footstep seems to awaken a thousand sleeping echoes that were mute and voiceless as the surrounding tombs. We feel that we are in the presence of the mighty dead; and, as we gaze around, the deeds which throw a grandeur and a gloom over the pages of English history pass in vivid succession before the eye of the mind. The very pavement seems strewn with the ruins of crowns, sceptres, helmets, and swords, mitres and croziers, bent, crushed, dented, and broken; while, amid the dim gold and the rusted steel, the green laurels of the poet alone remain unchanged. What moving scenes have broken the lengthened shadows which those high-piled pillars throw over aisle and choir! the christenings, coronations, marriages, and funerals of departed monarchs, who have returned to the dust from whence they came. Light and darkness, summer and winter, have brightened and deepened thousands of times over the shadowy crypts in which their ashes repose—every thing grand and imposing is swept away excepting the mighty monuments, which scarcely seem the work of human hands; they rise like images of eternity, ever bending and keeping watch above their silent graves.

WWHat a crowd of serious memories gathers in the mind of the thoughtful visitor upon entering these ancient walls! The very silence that surrounds the vast structure is surprising, and the sound of a footstep creates a thousand echoes that were as silent as the surrounding tombs. We sense we are in the presence of the great dead; as we look around, the events that add both grandeur and sorrow to the pages of English history flash vividly before our minds. The ground seems to be scattered with the remnants of crowns, scepters, helmets, and swords, miters and staffs, all bent, crushed, dented, and broken; while among the faded gold and rusted steel, the green laurels of the poet remain unchanged. What powerful scenes have broken the long shadows cast by those towering pillars over the aisle and choir! The baptisms, coronations, weddings, and funerals of departed monarchs who have returned to the dust from which they came. Light and darkness, summer and winter, have illuminated and intensified the shadowy crypts where their ashes rest—everything grand and impressive has been swept away except for the magnificent monuments, which hardly seem like they were made by human hands; they rise like images of eternity, ever bending and watching over their silent graves.

Here, in the Pix-office, we are surrounded by Saxon architecture. How massive, plain, solid, and majestic, is this portion of the venerable{218} pile! As it stands now, so it stood before the shores of England were startled by the sound of Norman trumpets—a monument worthy of the descendant of Alfred the Great! The beautiful Mosaic pavement that lies before the altar in the choir, was brought from Rome by the good old Abbot Ware, about the close of the reign of the third Henry—a king to whose liberality we are indebted for a great portion of the erection of the Abbey: for the completion of the whole was the work of many eventful years; and before its towers rose, as they do now, pointing to the sky, many a crowned head sunk in succession into the dark quietude of the tomb. Suns rose and set, and the mighty work grew up; and amid the trump and thunder of a thousand battles, it has stood unshaken: it is too strong for the destroying hand of man; and Time, as if in reverence, has trod lightly as he stepped over it.

Here in the Pix-office, we are surrounded by Saxon architecture. How massive, plain, solid, and majestic this part of the ancient{218} structure is! It stands just as it did before the shores of England were amazed by the sound of Norman trumpets—a monument worthy of the descendant of Alfred the Great! The beautiful mosaic pavement in front of the altar in the choir was brought from Rome by the good old Abbot Ware, around the end of King Henry III's reign—a king whose generosity helped fund much of the Abbey's construction. Completing the entire building took many eventful years; before its towers rose to the sky as they do now, many crowned heads passed into the quiet darkness of the tomb. Suns rose and set, and the grand work progressed; despite the tumult of a thousand battles, it has remained steadfast: it is too strong for the destructive hands of man, and Time, as if in reverence, has tread lightly as it moved over it.



WESTMINSTER ABBEY.

WESTMINSTER ABBEY.

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Westminster Abbey.

Amid such an assemblage of architectural grandeur as the Abbey presents, the mind is filled with a rich confusion of imagery, as if incapable of grappling with the whole. It seems like the sunlight that flames in through the deep-dyed windows; we stand amid a dazzle of blaze and brightness that appears to have neither beginning{219} nor end; here flashing like gold, there stealing into the dim purple twilight, and gilding as it passes a shrine or a stony shroud; then settling down amid the vaulted shadows of the tombs, or just lighting faintly in its passage the uplifted hands of the recumbent image, that have been clasped for centuries in the attitude of silent prayer. We know not whether to start from the shrine of Edward the Confessor, or the coronation-chair, to count our footsteps through the long chapters of history; for the forms of the actors themselves come crowding around us; gazing upon the one, then seating themselves in the other—a rapid succession of phantoms, each dazzling the eye for a moment by its splendour, then sinking down again into the cold stony image that is doomed to hold its hands in the mute, meek penance of unceasing prayer, as it has done through the grey old years of departed centuries. How beautiful is the figure which graces the tomb of Queen Eleanor! Gaze on the calm loveliness of that matchless countenance, and you will fancy that a sweet sleep has stolen over it—that it has but laid down to rest awhile, and while dreaming, its beauty burst forth and dispelled every shade of sorrow, as if Time himself had kept watch over it, and sheltered it from dust and ruin with his wings, and guarded it with his scythe, allowing no mortal finger to touch the hallowed shrine over which he has long kept jealous watch. Death seems never to have entered that cold grey marble palace of beauty. Here lie the remains of Richard II. and his Queen; and while we gaze upon his monument, and recal his “sad, eventful history,” we think of the undying poetry in which Shakspeare has enshrined him, and feel as if we could sit for hours upon the pavement and tell “sad stories about the death of kings.” Bolingbroke ought to have been buried by his side; and for the sake of Shakspeare there would be no feeling outraged, nor no disrespect shewn to the dead, if his remains were exhumed and placed side by side of the monarch he dethroned. How rich and magnificent is Henry the Fifth’s monument, every way worthy of the hero of Agincourt! Strange that even amid the solemnity of death, the eye of an Englishman kindles while he recals the splendid achievements of this brave king, that neither the horrors of war, nor the blood shed at that victorious banquet, throw a sickening sensation over the heart while we gaze upon the tomb of the conqueror. The far past seems to deaden these sympathies; and we look upon the actors as we do upon the words on a time-worn monument, which tell how those who sleep below once lived and were famous in their day, that they died, and were buried: and we read and pass on with a feeling of pride, respect, or sorrow; and the next moment finds us gazing with similar thoughts and sympathies upon{220} the grave of another. Above hangs the helmet which the warrior king wore in battle, shewing by the deep dents which are imprinted upon it, that it was borne into the very thickest of the strife, and had its share of blows dealt heavily, when men lived but to “conquer or to die.”

Amid the impressive architecture of the Abbey, the mind is filled with a rich mix of images, almost overwhelmed by it all. It’s like the sunlight streaming through the stained glass windows; we find ourselves surrounded by a dazzling display of light that seems to have no beginning or end; here it shines like gold, there it fades into the dim purple twilight, illuminating a shrine or a stone casket as it moves by; then it rests in the vaulted shadows of the tombs or lightly touches the raised hands of the recumbent figure, which have been clasped in silent prayer for centuries. We can’t decide whether to start at the shrine of Edward the Confessor or the coronation chair to trace our steps through the long chapters of history; the figures of the past crowd around us, looking at one, then taking their places in the other—a rapid parade of phantoms, each dazzling the eye momentarily with its brilliance, then sinking back into the cold stone image doomed to remain in silent, humble penance of relentless prayer, just as it has done throughout the grey old years of long-gone centuries. How beautiful is the figure adorning the tomb of Queen Eleanor! Look at the serene beauty of that unmatched face, and you might think that sweet sleep has come over it—that it has simply laid down to rest for a while, and in dreaming, its beauty emerged to dispel every shadow of sorrow, as if Time itself had watched over it, protecting it from dust and decay with his wings, and guarding it with his scythe, ensuring that no mortal hand could disturb the hallowed shrine he has vigilantly watched over. Death seems never to have entered that cold grey marble palace of beauty. Here lie the remains of Richard II and his Queen; and as we look at his monument and recall his “sad, eventful history,” we think of the timeless poetry in which Shakespeare has immortalized him, feeling as if we could sit for hours on the pavement sharing “sad stories about the death of kings.” Bolingbroke should have been buried beside him; and for the sake of Shakespeare, there would be no offense taken, nor any disrespect shown to the deceased, if his remains were exhumed and placed next to the monarch he overthrew. How rich and magnificent is Henry the Fifth’s monument, truly worthy of the hero of Agincourt! It’s strange that even in the solemnity of death, an Englishman’s heart quickens when recalling the glorious achievements of this brave king, that neither the horrors of war nor the blood spilled at that victorious banquet create a sickening feeling when we gaze upon the tomb of the conqueror. The distant past seems to dull these emotions; and we regard the figures as we do the inscribed words on a weathered monument, which tell of those who lie beneath, how they once lived and were famous in their time, that they died, and were buried: and we read and move on with feelings of pride, respect, or sorrow; and the next moment finds us reflecting similarly on the grave of another. Above hangs the helmet that the warrior king wore in battle, marked with deep dents that show it was worn in the thick of the fighting, and that it took heavy blows, when men lived only to “conquer or to die.”

There is a strange want of harmony between the ancient and modern monuments. Our ancestors understood the “keeping” of their subjects within the pale of style, beauty, and order better than we do or have done. They made their ornaments and furniture to correspond with the venerable and costly edifice which their taste and piety had reared; and in the fulfilment of their solemn ceremonies, allowed no meddling undertaker to disfigure the hallowed mansion with his grave mockery. A glance at the tombs of our old kings is the proof—they have become a portion of Westminster Abbey, while the additions made during the last two centuries are, with a few exceptions, sadly misplaced. We look around, and feel as if, while in the midst of some impressive ceremony, a group of strange maskers had suddenly broken in, snapped the train of our thoughts, and by their antics diverted both mind and eye from the imposing subjects with which they were before so earnestly engrossed. Statues or monuments, that would look well in open squares or spacious halls, startle us by their very nakedness, when they step out between the shadowy and solemn crypts, where death itself is roofed over and vaulted in at the foot of the mighty mound whose very majesty is overwhelming. It is as if the eye, while contemplating the grandeur of Parnassus, was disturbed by the white butterflies that are ever crossing each other at its base. Mere inscriptions on some Gothic tablet would be better than these abortions: a list of names would not offend, like many of these pale, inexpressive countenances, that “fright” the aisle “from its propriety” in marble. The name alone in such a place would strike the right chord, while the ... but we are standing amongst the mighty dead.

There’s a strange lack of harmony between the old and new monuments. Our ancestors understood how to keep their subjects within the bounds of style, beauty, and order much better than we do now. They made their decorations and furniture match the grand and costly buildings that their taste and devotion had created; during their important ceremonies, they didn’t let any meddling undertaker spoil the sacred space with cheap imitations. A look at the tombs of our ancient kings proves this—these tombs have become a part of Westminster Abbey, while the additions made in the last two centuries are, with a few exceptions, sadly out of place. We look around and feel as if, in the middle of some impressive ceremony, a group of strange performers has suddenly barged in, breaking our train of thought and distracting both the mind and eyes from the serious matters we were so deeply focused on. Statues or monuments that would look great in open squares or spacious halls shock us with their starkness when they intrude upon the shadowy and solemn crypts where death itself is enclosed and vaulted under the great mound, whose majesty is overwhelming. It’s like trying to admire the grandeur of Parnassus while being interrupted by the white butterflies fluttering at its base. Simple inscriptions on a Gothic tablet would be better than these awkward pieces; a list of names wouldn’t be offensive, unlike many of these pale, expressionless faces that “frighten” the aisle “from its propriety” in marble. The name alone in such a place would hit the right note, while the ... but we are standing among the mighty dead.

The beautiful screen erected by Blore is a splendid exception to the mass of modern innovations. Turn to the monument of Sir Francis Vere, in the eastern aisle of the transept, and there you see what true genius can produce.

The beautiful screen built by Blore is a remarkable exception to the many modern innovations. Look at the monument of Sir Francis Vere, in the eastern aisle of the transept, and you'll see what real genius can create.

We will now glance at the Poets’ Corner, a spot haunted by sad and sweet associations. Here stands the massy and solemn-looking tomb of Chaucer, that “morning star” of poetry which first dawned through the long night of Egyptian darkness. He, the earliest child of English song, was the first bard interred within this great national mausoleum; and it now appears that the monument was erected soon after his death: there is an antique look about it which would{221} leave a stranger to conclude that the tomb was almost as old as the Abbey itself. Gentle Spenser, author of the immortal “Faëry Queen,” was the next heir to undying fame interred in this beautiful sanctuary; and Shakspeare and Jonson were no doubt mourners at that great funeral. Beaumont and Drayton were the next successors who sank into this silent city of the dead. “Rare Ben Jonson” soon followed; but he was buried in the northern aisle of the nave—it is supposed, very near to Killigrew’s monument. Cowley, Dryden, Gay, Prior, and Addison, although the latter was buried in another part of the Abbey, may be numbered among the illustrious dead who sleep their long sleep within those ancient walls. Many other monuments stand here erected to the memory of our celebrated poets, whose remains lie far and wide apart—some in the beautiful churches of London, others in the quiet seclusion of the country. The author of the “Pleasures of Hope,” whose mortal part we followed to the shallow grave which was opened near the front of Chaucer’s tomb, was the last true poet consigned to his “narrow cell” in this great graveyard of genius. Grand and solemn were the tones which the mighty organ poured out amid that listening silence—sounds which seemed more allied to heaven than earth; echoes that rolled on, then died away amid the shadowy crypts and pillared recesses, sounding as if the voices of the shrouded dead had found utterance, and were welcoming home another immortal spirit. Never was the funeral service more beautifully or feelingly read than on that occasion, by a brother poet. And that old Jerusalem Chamber in which we assembled, with its ancient tapestry, is itself a history. Here the great have, after death, lain in state; and the “props and pillars” of the nation have here assembled to make war or peace; and here also, stretched upon a pallet before the fire, Henry IV. died: the portrait of the ill-starred Richard II. hangs in this very chamber where Bolingbroke expired.

We will now take a look at Poets’ Corner, a place filled with both sad and sweet memories. Here stands the massive and solemn-looking tomb of Chaucer, the “morning star” of poetry that first appeared through the long night of darkness. He, the first child of English song, was the first poet buried in this great national mausoleum; and it seems the monument was built soon after his death: it has an old-fashioned appearance that might lead a stranger to think it is almost as ancient as the Abbey itself. The gentle Spenser, author of the immortal “Faëry Queen,” was the next writer of lasting fame interred in this beautiful sanctuary; and Shakespeare and Jonson were surely mourners at that grand funeral. Beaumont and Drayton were the next to rest in this silent city of the dead. “Rare Ben Jonson” soon followed; but he was buried in the northern aisle of the nave—most likely very close to Killigrew’s monument. Cowley, Dryden, Gay, Prior, and Addison, although Addison is buried in another part of the Abbey, can be counted among the esteemed dead who sleep their long sleep within those ancient walls. Many other monuments stand here in memory of our celebrated poets, whose remains lie scattered—some in the beautiful churches of London, others in the quiet countryside. The author of the “Pleasures of Hope,” whose body we followed to the shallow grave opened near the front of Chaucer’s tomb, was the last true poet laid to rest in this grand graveyard of genius. The tones from the mighty organ were grand and solemn amid that attentive silence—sounds that seemed more connected to heaven than earth; echoes that rolled on and faded away among the shadowy crypts and columned recesses, sounding as if the voices of the shrouded dead had found their voice and were welcoming another immortal spirit home. Never was the funeral service read more beautifully or with greater feeling than on that occasion, by a fellow poet. And that old Jerusalem Chamber where we gathered, with its ancient tapestry, is itself a piece of history. Here the great have laid in state after death; and the “props and pillars” of the nation have gathered here to negotiate war or peace; and here too, lying on a pallet before the fire, Henry IV. died: the portrait of the ill-fated Richard II. hangs in this very chamber where Bolingbroke passed away.

If one portion of the splendid Abbey more than another calls up the scriptural image of “a temple not made with hands,” it is Henry the Seventh’s Chapel. The opening of those beautiful gates which lead therein seems to reveal such a glimpse of heaven as we sometimes see in our sweetest dreams. The very roof appears buoyed up by the air, as if a thing so light and beautiful needed no more support than its own graceful interlacings, censers held up by invisible hands; a fretwork of innumerable wings, netted and open like those which the gaudy dragon-fly displays, seem as if they were frozen while fluttering over an endless succession of flowers. On each side hang the banners of the Knights of the Bath, drooping without motion over the monuments of the dead, above the head of the once{222} haughty Queen Elizabeth, who sleeps beside her sister Mary in the northern aisle. The brass screen which encloses the tomb of Henry VII. is of exquisite workmanship, and speaks much for the advance of art in this department. In this chapel, the stern Protector, Cromwell, was interred; but his body was afterwards dragged out of its grave by the consent of Charles II., drawn on a hurdle to Tyburn, hanged upon the gallows until sunset, then taken down and beheaded, and afterwards thrown into a pit at the foot of Tyburn-tree, where, “after life’s fitful fever, he sleeps well,” awaiting the same blast of the last trumpet that will arouse his headless victim and heartless persecutor.

If there's one part of the magnificent Abbey that evokes the biblical image of “a temple not made with hands,” it's Henry the Seventh’s Chapel. The opening of those beautiful gates seems to show us a glimpse of heaven, like what we sometimes experience in our sweetest dreams. The roof looks like it’s floating, as if something so light and beautiful needs no more support than its own elegant designs, with censers held up by invisible hands; a delicate pattern of countless wings, spread open like those of a colorful dragonfly, seems frozen in mid-flutter over an endless array of flowers. On either side, the banners of the Knights of the Bath hang motionlessly over the monuments of the dead, above the once-proud Queen Elizabeth, who rests beside her sister Mary in the northern aisle. The brass screen enclosing Henry VII's tomb is crafted beautifully, showcasing the progress of art in this area. In this chapel, the stern Protector, Cromwell, was buried; however, his body was later exhumed with the consent of Charles II, dragged on a hurdle to Tyburn, hanged on the gallows until sunset, then taken down and beheaded, and afterwards thrown into a pit at the foot of Tyburn-tree, where “after life’s fitful fever, he sleeps well,” waiting for the same sound of the final trumpet that will awaken his headless victim and heartless persecutor.



HORSE-GUARDS.

HORSE-GUARDS.

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Horse Guards.

Those who wish to witness the out-of-door pomp and pride of mighty London must enter by the Horse-Guards and visit the parks; for there all the array of rank and fashion and aristocratic beauty congregate, under the open eye of heaven: mounted on splendid horses, or seated in richly ornamented chariots, and arrayed in the most approved costumes, they confer a mutual pleasure upon all, by issuing forth to see and to be seen. Here, from the humble pedestrian—the nursery-maid, with her children, walking within the Enclosure—the man-about-town, fashionably dressed, and who may either be taken{223} for a member of the swell mob or a marquis,—the ranks ascend to celebrated statesmen, soldiers of renown, and lords and ladies, whose titles have figured for centuries in the pages of history, and who all appear to have no other object than that of inhaling the fresh air, and enjoying the beauty of the scenery. For in these places the leaves wave, and the flowers blow, and the waters run, as green, and sweetly, and freshly, as if the huge city, with its millions of murmuring voices, had been removed miles away. Yet, all is London; only a wider space in that great unbroken chain of streets and houses, whose squares are but the openings in the links that are locked together, in and out, and under and over, to the very ending.

Those who want to see the outdoor spectacle and grandeur of bustling London should enter through the Horse-Guards and explore the parks; there, all the displays of status, style, and elite beauty come together under the open sky. Whether mounted on magnificent horses or riding in lavishly decorated carriages, dressed in the latest fashion, they all create mutual enjoyment by coming out to see and be seen. Here, from the ordinary pedestrian—the nanny with her children strolling in the Enclosure—to the well-dressed city dweller, who could either pass for a member of the fashionable elite or a nobleman, the spectrum extends to famous politicians, renowned soldiers, and lords and ladies whose titles have been in history for centuries, all seemingly there just to breathe in the fresh air and enjoy the beautiful surroundings. In these spaces, the leaves flutter, the flowers bloom, and the waters flow, as green and sweet and fresh as if the enormous city, with its millions of bustling voices, had been pushed miles away. Yet, everything still belongs to London; it’s just a larger area in that vast unbroken chain of streets and buildings, where the squares are merely gaps in the links that intertwine in every direction, leading to infinity.

St. James’s Park, in the reign of Henry VIII., appears to have been nothing more than a wide space of open fields, formerly occupied by an hospital; on the site of which bluff Hal erected a palace, and formed a park, which he enclosed with brick walls. To this park he added a chase, which he threw out like a wide open noose, from his palace at Westminster, and where the line fell it formed the circle which ran from St. Giles’s-in-the-Fields, up by Islington, round Highgate and Hornsey, Hampstead Heath, and back again to St. Giles and Westminster; and all subjects of every degree were forbidden either to hawk or hunt within these boundaries. Only three centuries have passed away since this proclamation was issued. Old Death himself, with dart in hand, hunted down Henry soon after he had taken possession of his new chase; and, after the leading hart of the herd had fallen, the whole chase was soon disafforested. Edward VI. possessed not his father’s organs of destructiveness; but, instead of forming parks, founded hospitals; one of which will cause the name of the Boy-King to be reverenced throughout all time. But few features of that old park now remain, although there are spots about it in which the spectator may stand in such a situation as to shut out every other object, excepting the grey old Abbey of Westminster, against which the trees seem to rest, half burying it, as they no doubt did three hundred years ago.

St. James’s Park, during the reign of Henry VIII, was just a large area of open fields, which used to be the site of a hospital. On that spot, Henry built a palace and created a park, which he enclosed with brick walls. He also expanded the park into a hunting ground that stretched from his palace at Westminster, creating a broad loop that ran from St. Giles-in-the-Fields, up through Islington, around Highgate and Hornsey, past Hampstead Heath, and back to St. Giles and Westminster. Everyone, regardless of status, was banned from hawking or hunting within these boundaries. It’s only been three centuries since this rule was enacted. Death himself came for Henry soon after he claimed his new hunting ground; and after the leading stag of the herd was taken down, the entire area was quickly returned to common use. Edward VI didn’t inherit his father’s destructive tendencies; instead of creating parks, he established hospitals. One of these will ensure that the name of the Boy-King is honored forever. Very few features of that old park still exist today, although there are places within it where you can stand and block out everything except the old grey Westminster Abbey, which the trees seem to lean against, partially burying it, just as they did three hundred years ago.

There are many “pretty bits” about St. James’s Park, as you look up towards where the pale marble arch formerly stood, on which the royal banner of England, that threw out its golden lions upon the breeze, used to float; when, seen through the opening green of the foliage, it seemed to carry back the imagination into the land of old romance and chivalry. Nor is the Palace itself less pleasing; for although in many points deficient of architectural beauty, it throws the old black-bricked, gloomy pile of St. James’s altogether into the shade. But the most beautiful walks lie beside the canal, or sheet of ornamental water, which is fairly alive with water-fowl, brought from almost every{224} corner of the globe. Around this part there are many fine trees, which throw their green shadows into the water, broken at times by a hundred tiny ripples, which have been raised by the paddles of some strange-looking duck, or thrown up by the silver-breasted swans. We have seen little morsels mirrored in these “cool translucent waves” of the richest colour and beauty—the drooping gold of the laburnum, and the pearly white of the hawthorn, dangled amid moving shadows of green; while deep down, the blue sky lay sleeping, like another heaven, motionless, and without a cloud. This is the favourite haunt of children and nursery-maids; and few fowls are better fed in summer-time than those which skim about the water in the Park, for the handfuls of bread and biscuit which are thrown in by the “little dears” for the little ducks, and often gobbled up by the larger ones, would almost feed a workhouse. It has been a celebrated spot for love-making ever since the days of Charles II., and is frequently mentioned in the works of the dramatists who wrote at that period. In this it has not degenerated up to the present day, for many a “Corydon and Phillis” may yet be seen breathing out gentle vows in the most secluded retreats, some of the maidens with countenances as beautiful as ever figured in that gallery of graceless Graces which formed the seraglio of the Merry Monarch. In this park King Charles often amused himself by playing with his dogs, or feeding the ducks; or sometimes he stole away to have a gossip with Nell Gwynn, the Duchess of Cleveland, or Lady Castlemain, all of whom resided in the neighbourhood. Here he also played at “pall-mall,” for so is that game called by garrulous old Pepys. Horace Walpole makes mention of the Mall, and also tells us that pretty ladies were sometimes mobbed in the Park.

There are many lovely things about St. James’s Park. If you look up towards where the pale marble arch used to stand, where the royal banner of England would flutter with its golden lions in the breeze, it feels like it takes you back to a time of romance and chivalry. The Palace itself is also attractive; while it's not the most beautiful architecturally speaking, it completely overshadows the old, gloomy black-bricked St. James’s. The best walks are along the canal or ornamental lake, which is lively with waterfowl from nearly every corner of the globe. There are many beautiful trees around this area, casting their green shadows into the water, occasionally disturbed by tiny ripples caused by duck paddlers or the graceful swans. We have seen small beauties mirrored in these “cool translucent waves” of vibrant colors—the drooping gold of laburnum and the pearly white of hawthorn, flickering among moving shadows of green; beneath it all, the blue sky rests like another heaven, still and cloudless. This spot is a favorite for children and nursery maids, and the birds that glide around the lake in summer are well-fed, thanks to the handfuls of bread and biscuits tossed in by the “little dears” for the small ducks, often quickly snatched by the bigger ones, enough to feed a workhouse. It's been a well-known place for romance since the days of Charles II, frequently mentioned in works by playwrights from that time. To this day, it hasn’t lost that charm; many a “Corydon and Phillis” can still be found sharing sweet nothings in secluded spots, with some maidens as lovely as those who graced the court of the Merry Monarch. In this park, King Charles often enjoyed playing with his dogs or feeding the ducks, and sometimes he would sneak away for a chat with Nell Gwynn, the Duchess of Cleveland, or Lady Castlemain, who all lived nearby. He would also play “pall-mall,” a game noted by chatty old Pepys. Horace Walpole mentions the Mall and notes that pretty ladies were sometimes mobbed in the Park.

The Green Park possesses but little to interest us, beyond a walk beside the gardens which run up in a line with James-street, although far behind it. But those who know the locality will not pass without pausing to gaze at one house, conspicuous by its large bow-windows, the upper one of which is encircled by a gilt palisade. This is the residence of Samuel Rogers the poet. Within that house every distinguished literary man of the last half-century has been a guest. Here Scott, Byron, Shelley, Coleridge, and Campbell have many a time discoursed with the venerable poet. What a rich volume would that be, were it possible to write it, that contained all the good sayings which have been uttered beneath that roof! Here we first sat a guest, roaring with laughter at the wit of the late Sydney Smith; and here also we have listened with “bated breath” to the music murmured by the lips of Moore. Within those walls we first saw that true poetess and injured lady, Mrs. Norton; and from the host himself,{225} in our early career as an author, received that encouragement and kindness, without which we might have “fallen on the way.” A description of this celebrated house, all it contains, and the guests it has received, would require the hand of another Walpole to illustrate. The name of Samuel Rogers would alone save the Green Park from oblivion, and give it a popularity which it would never, but for him, have possessed.

The Green Park has little to interest us, except for a stroll along the gardens that align with James Street, although they’re much further back. However, anyone familiar with the area will stop and admire one house, noticeable for its large bow windows, the top one surrounded by a golden fence. This is the home of the poet Samuel Rogers. Every notable literary figure of the last fifty years has been a guest there. Scott, Byron, Shelley, Coleridge, and Campbell have often engaged in conversation with the esteemed poet. What an amazing collection it would be, if we could write it down, containing all the brilliant remarks made under that roof! It’s here we first joined as guests, laughing heartily at the humor of the late Sydney Smith; and here we also listened with bated breath to the music that flowed from Moore’s lips. Within those walls, we first met the true poetess and wronged woman, Mrs. Norton; and from Rogers himself, during our early days as an author, we received the encouragement and kindness that helped us avoid giving up. A description of this famous house, everything it holds, and the guests it has welcomed would need a writer as skilled as Walpole to do it justice. The name Samuel Rogers alone would keep the Green Park from being forgotten, giving it a fame it would never have achieved without him.

No stranger would ever think of entering Hyde Park without first casting a look at Apsley House, the abode of “the” Duke; if he did, the statue of Achilles, which seems stationed as if to point it out, would remind him where he was. This is the very maze and centre of fashion; here the pride and beauty of England may be seen upon their own stage; and on a fine day, in what is called the “season” in town, no other spot in the world can out-rival in rich display and chaste grandeur that which is here presented. It far excels St. James’s in pure rural scenery—there is less of art and more of nature in its appearance, and this is increased by the beauty of the Serpentine river. Then, be it remembered, we are in the vicinity of “Tyburn Tree,” the history of which has yet to be written. We have often pictured, while wandering here in the deepening twilight, the mouldering bodies of the stern Protector, Ireton, and Bradshaw, dangling upon that “triple-tree” in the sunset of a winter’s evening, after they had been dragged out of their graves in Westminster Abbey. This was indeed carrying revenge beyond the grave, and is one of the blackest blots that stain the memory of the Merry Monarch. Evelyn has a savage and unfeeling note in his “Diary” on the revolting exhibition. “On the 30th of January,” he says, “the carcases of those rebels—Cromwell, Bradshaw, the judge who condemned his Majesty, and Ireton (son-in-law to the Usurper)—were dragged out of their superb tombs in Westminster, among the kings, to Tyburn, and hanged on the gallows there from nine in the morning till six at night, and then buried under that fatal and ignominious monument in a deep pit, thousands who had seen them in all their pride being spectators.”

No visitor would think of entering Hyde Park without first taking a look at Apsley House, the home of "the" Duke; if they did, the statue of Achilles, which seems to be pointing it out, would remind them where they were. This is the hub and epicenter of fashion; here the pride and beauty of England can be seen on display; and on a nice day, during what's called the "season" in town, no place in the world can compare to the rich display and elegant grandeur found here. It far surpasses St. James’s in natural beauty—there's less artifice and more nature in its appearance, enhanced by the beauty of the Serpentine river. Plus, let's not forget that we're near "Tyburn Tree," the history of which still needs to be told. We often imagine, while wandering here in the fading twilight, the decaying bodies of the stern Protector, Ireton, and Bradshaw, hanging from that "triple-tree" in the sunset of a winter evening after they were pulled from their graves in Westminster Abbey. This truly was taking revenge beyond the grave, and it’s one of the darkest stains on the memory of the Merry Monarch. Evelyn has a harsh and unsympathetic entry in his “Diary” about the gruesome display. “On the 30th of January,” he writes, “the bodies of those rebels—Cromwell, Bradshaw, the judge who condemned his Majesty, and Ireton (son-in-law to the Usurper)—were dragged out of their grand tombs in Westminster, among the kings, to Tyburn, and hung on the gallows from nine in the morning until six at night, and then buried under that fatal and shameful monument in a deep pit, with thousands having witnessed them in all their former glory.”

Cromwell had a narrow escape in Hyde Park while driving his own coach; the horses ran away, and the stern Protector was thrown off the box, and falling on the pole, while his feet were entangled in the harness, he was carried some distance. On this accident the old rhyming cavalier Cleveland wrote the following lines:

Cromwell had a close call in Hyde Park while driving his own coach; the horses bolted, and the serious Protector was thrown off the front seat. He fell onto the pole, and with his feet stuck in the harness, he was dragged for quite a distance. Following this incident, the old rhyming cavalier Cleveland wrote these lines:

"The whip again! Go away! It’s too ridiculous!" That you should strike with a whip now, instead of a sword.
I’m happy to imagine how the joyful agreement Hackney cab drivers mock the final performance.{226}
Listen to how the mocking crowd comes from there. The saying, "you have to do what you have to do." Over there, a whipster shouts, "It's a clear case, He kicked us out to take our spot; But, for heaven's sake, horses once for you He stood up to it and kicked him out just like we did. Another, not following behind him with his taunts,
Shouts, 'Sir, honestly, you were in the wrong place; He did assume to rule, because, indeed,
He's been a horse leader since he was young; But he has to understand that there’s a difference in the reins
Of horses that are fed oats and grains.
I’m amazed by his playful spirit, because rest assured Four restrained coach horses can throw a Brewer:
But 'Pride comes before a fall,' that's just how the world works,
He who can rule three kingdoms can't control four horses;
Look at him who crushed thousands in their blood,
Dismounted by a group of four. But we’re done with it, and we can call it This reckless driver, Phaeton, in his downfall: I would pray to God for the sake of these three kingdoms,
"His neck, not the whip, was what made the crack."

We wonder whether Cromwell remembered the wish conveyed in the last line when the old royalist colonel had to petition the Protector for his deliverance from Yarmouth gaol. The letter he sent (now before us) is headed, “To the Protector, after long and vile durance in prison. May it please your Highness,” &c.

We’re curious if Cromwell recalled the wish expressed in the last line when the old royalist colonel had to ask the Protector for his release from Yarmouth jail. The letter he sent (now in front of us) is titled, “To the Protector, after enduring long and terrible imprisonment. May it please your Highness,” &c.

Hyde Park is mentioned as early as the reign of Edward VI, and was no doubt enclosed long before that period. During the time of the Commonwealth it was put up to auction and sold in lots, the deer alone being valued at near upon a thousand pounds. At that period it extended to the Acton-road one way, and to Knightsbridge the other; the boundary citywards being, as now, near Park-lane, while the distance it extended westward is at this day unknown. The consort of George II. was allowed to possess three hundred acres of this Park in her day, and early writers state that Queen Anne had enclosed thirty acres within Kensington Gardens.

Hyde Park is mentioned as early as the reign of Edward VI and was likely enclosed long before that. During the Commonwealth, it was auctioned off in lots, with the deer alone valued at nearly a thousand pounds. At that time, it stretched to Acton Road in one direction and Knightsbridge in the other; the city boundary was, as it is now, near Park Lane, while its western extent remains unknown today. The consort of George II was allowed to have three hundred acres of this park during her time, and early writers noted that Queen Anne had enclosed thirty acres within Kensington Gardens.

Hyde Park was the great mustering-ground for the May-day holidays in the olden time. Cleveland, who wrote and fought in the time of the first Charles, makes mention of it in a poem entitled “May-day,” which contains many beautiful lines. He speaks of “Delight beating her silvery wings,” warbling over the “dappled lawns;” of “snow-white milk-maids crowned with garlands;” of the youths and maidens tumbling and rolling upon the grass, and of revelling in the luxuries of “curds and cream.” Even Cromwell, with{227} all his gloomy Puritanism, went to witness the wrestling in Hyde Park, little dreaming that after he had been long dead and buried, his body would be hanged on the neighbouring gallows, which must have loomed ominously above those merry-makings. Gossiping good-natured old Pepys regrets, in his “Diary,” that he could not be in Hyde Park one May-day among the great gallants and fine ladies.

Hyde Park was the main gathering place for May Day celebrations in the old days. Cleveland, who wrote and fought during the reign of the first Charles, mentions it in a poem titled “May-day,” which features many beautiful lines. He describes “Delight beating her silvery wings,” singing over the “dappled lawns;” “snow-white milkmaids wearing garlands;” young men and women tumbling and rolling on the grass, enjoying the delights of “curds and cream.” Even Cromwell, with{227} all his serious Puritanism, went to watch the wrestling in Hyde Park, unaware that long after his death, his body would be hanged on the nearby gallows, which must have cast a dark shadow over those festivities. The gossipy, good-natured old Pepys laments in his “Diary” that he couldn’t be in Hyde Park one May Day among the elegant gentlemen and lovely ladies.

Regent’s Park has greater attractions than its scenery, although many portions of it are very beautiful. Here we find the Zoological Gardens and Colosseum, both important enough to deserve a separate notice in our Sketches of London, had we the space. On entering the Gardens you see a beautiful terrace, which reaches from the rural lodges to some distance, while below are placed the cages which contain the noble animals; and these are very commodious and airy. Beyond this terrace there is a pleasant rustic walk, hemmed in by luxuriant foliage, at the end of which there is an opening commanding an extensive view of the Park. To the right you have the domestic aviaries, well worth visiting, as they contain some fine specimens of the fowls of Peru and Mexico. To the left of the terrace there is a little morsel of real Watteau-like scenery, with its smooth lawn and clear pond, near to which are placed the gorgeous macaws, whose hues out-rival the colours of the rainbow. Further on there is another “green nestling spot,” adjoining a sheet of water, which, with its fountain and variety of aquatic fowls and beautiful beech-trees, tempted us to linger longer. Then there is the mossy rock, where the otter is located, with its silent water, into which live fish are thrown, when the long-bodied inhabitant plunges in after them, compelled to wet his jacket before he can enjoy his dinner. But were we to describe the monkeys and parrots, and every variety of bird and beast which are here assembled, we should require the whole space of our volume. The catalogue sold at the Gardens consists of nearly thirty pages, and to this we refer our readers when they visit Regent’s Park.

Regent's Park has more to offer than just its scenery, although many parts of it are quite gorgeous. Here, you'll find the Zoological Gardens and the Colosseum, both significant enough to deserve their own spotlight in our Sketches of London if we had more space. Upon entering the Gardens, you’re greeted by a beautiful terrace that stretches from the rustic lodges for quite a distance, while below are spacious and airy cages housing magnificent animals. Beyond this terrace, there’s a charming rustic path lined with lush greenery, which leads to a spot with a wide view of the Park. To the right, you'll find the domestic aviaries, which are worth a visit for their impressive collection of birds from Peru and Mexico. To the left of the terrace is a lovely scene reminiscent of Watteau, featuring a smooth lawn and a clear pond, near which stunning macaws sit, their colors rivaling those of the rainbow. Further along, there’s another "green nestling spot" next to a body of water, complete with a fountain and various aquatic birds and beautiful beech trees, inviting us to stay a little longer. Then there’s the mossy rock that’s home to the otter, with its quiet water where live fish are tossed in, making the long-bodied creature dive in after them, getting its coat wet before enjoying dinner. But if we were to describe the monkeys, parrots, and every type of bird and beast gathered here, we would need all the space in our volume. The catalog sold at the Gardens is nearly thirty pages long, and we recommend that readers refer to it when visiting Regent’s Park.

The ground occupied by Regent’s Park is not without its interest. The old monastic house of Marylebone stood within its boundaries in former days, and had in the time of Elizabeth its park and deer. Here also was a famous bowling-green, which the Duke of Buckingham in his day visited.

The land that makes up Regent’s Park has a rich history. The old monastery of Marylebone used to be located within its borders, and during Elizabeth's reign, it had its own park and deer. It also featured a well-known bowling green that the Duke of Buckingham frequented in his time.

The new Parks which are now forming around the metropolis do great credit to Government, and will, like charity, cover a multitude of minor transgressions; for those who legislate for the benefit of posterity must be influenced by something more noble than narrow and selfish views. Breathing-room has been sadly neglected of late around the metropolis. Let any one cross over London Bridge, and turn up by St. George’s Church in the Borough, along the Old Kent{228} Road, and as far as New Cross, he will find it one continuous and unbroken chain of buildings. Yet here is space ample enough, and grounds of but little value, that might be formed into a spacious park. If this is not done, those who twenty years hence live in this neighbourhood of railways will be compelled to wander as far as Blackheath or Greenwich Park, to obtain a mouthful of pure air. Kennington Common is but a name for a small grassless square, surrounded with houses, and poisoned by the stench of vitriol-works, and black, open, sluggish ditches; what it will be when the promised alterations are completed we have yet to see.

The new parks being developed around the city reflect well on the government and will, like charity, cover up a lot of small mistakes; because those who make laws for the good of future generations must be motivated by something greater than just selfish interests. Recently, breathing space has been sadly overlooked around the city. Anyone crossing London Bridge and heading up by St. George’s Church in the Borough, along the Old Kent{228} Road, and as far as New Cross will see a continuous line of buildings. Yet there is plenty of space available, and land that isn't worth much, that could be turned into a large park. If this doesn't happen, people living in this railway area twenty years from now will have to travel all the way to Blackheath or Greenwich Park just to get some fresh air. Kennington Common is merely a name for a small, grassless square, surrounded by houses and tainted by the smell of chemical factories and stagnant, dirty ditches; what it will look like when the promised changes are made remains to be seen.

Walworth Common has vanished; and the little fairy Green before the Swan at Stockwell is now no more; while even Clapham Common seems in our eyes to lessen every year. Wandsworth had set out in good earnest to reach Lambeth, and would soon have been near the Nine Elms station, had not Government stopped its career, by stepping in between at Battersea Fields. Cross the water, and some of the miscalled Parks are like the one named Whetstone—thrust into the corner of a square. Barnsbury Park is in any street which the conductor of the Islington omnibus may please to set you down at; while Islington, Highbury, Pentonville, and King’s Cross are all so jostled together, that you cannot tell which is the beginning or the end of either the one or the other. We have heard of a neighbourhood that stretches somewhere behind Houndsditch and Bishopsgate, and seen something of it while gazing from the dome of St. Paul’s; but from the view thus obtained of it, we should as soon hope to find our way out of the Cretan labyrinth, if once in it, as to extricate ourselves from this maze of streets and alleys. We can imagine some stranger losing his way in this perplexing maze, and ever moving on until he grew grey, without a hope of finding his way out again. The new Park in progress near this neighbourhood may, at last, be something like a landmark by which we can see through such an unknown wilderness. How the inhabitants of such localities as these must pine for

Walworth Common has disappeared, and the little fairy Green in front of the Swan at Stockwell is gone too; even Clapham Common seems to shrink a little more every year. Wandsworth was making serious progress toward Lambeth and would soon have reached the Nine Elms station, if the Government hadn't intervened at Battersea Fields. Cross the river, and some of the poorly named Parks resemble the one called Whetstone—jammed into the corner of a square. Barnsbury Park can be found on any street where the driver of the Islington bus decides to drop you off; meanwhile, Islington, Highbury, Pentonville, and King’s Cross are so crammed together that it's hard to tell where one starts and the other ends. We've heard about an area that stretches somewhere behind Houndsditch and Bishopsgate, and caught glimpses of it while looking from the dome of St. Paul’s; but from the view we got, we might as well hope to navigate the Cretan labyrinth if we ever got lost in it as to find our way out of this tangle of streets and alleys. We can picture a stranger getting lost in this confusing maze, wandering around until he turns gray with no chance of finding his way back. The new Park being developed in this area might eventually serve as a landmark to help us navigate through such an unknown jungle. How the residents of these neighborhoods must long for

"The crowded solitude of bees and birds,
And fairy-shaped and colorful things,
Who worship Him with melodies sweeter than words,
And happily spread their joyful wings,
Fearless and full of life; the rush of springs,
And the fall of tall fountains; and the curve Of rustling branches and the bud that comes "The quickest thought of beauty." —Byron.

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CHAPTER XV.

ST. GILES’s.

BY way of contrast, we will stride from splendour to squalour—from St. James’s to St. Giles’s, whose names Douglas Jerrold has rendered inseparable in his fearless and life-like novel.

BY way of contrast, we will move from luxury to poverty—from St. James’s to St. Giles’s, whose names Douglas Jerrold has made inseparable in his bold and vivid novel.

As St. Giles’s folds within its arms a portion of the fashion-frequented neighbourhood of Oxford-street, so do the low alleys of Tothill-fields hem in the palaces of Westminster, creeping up to the very walls of the grey old abbey, and dipping down to the rim of the river; while, eastward, the city of merchants is bounded by the wretchedness of Whitechapel on the one hand, and deep behind again by the thickly-inhabited parish of Shoreditch. Wealth cannot wholly seclude itself; to wheresover it moves poverty follows for companionship, for without its dependents it is useless: riches cannot dwell apart, without looking worse than the gold on gold in bad heraldry. The fungus and the lichen cling to the sound gigantic oak, the same as to the trunk of the decayed pollard. True, the wedge has been driven into the rotten heart of the old Rookery of St. Giles’s, and New Oxford-street has sprung up from the corruption; but what has become of the inhabitants who battened on the core of the decayed tree? Like a nest of ants, they are turned loose to overrun other neighbourhoods. The new houses and splendid streets which have risen above the old sites of sorrow, misery, and wretchedness, have but driven them from their ancient haunts, and compelled them to seek shelter in other quarters, where the poverty-stricken populace

As St. Giles embraces part of the trendy area around Oxford Street, the narrow alleys of Tothill Fields encircle the grand buildings of Westminster, creeping right up to the old grey abbey and dipping down to the river's edge. To the east, the city of merchants is bordered by the misery of Whitechapel on one side and, further back, the densely populated area of Shoreditch. Wealth can never completely isolate itself; wherever it goes, poverty tags along, because without its dependents, it loses its purpose: riches can't exist in isolation without looking worse than poorly matched gold in bad heraldry. Just like fungus and lichen cling to a strong, giant oak, they also attach themselves to a decayed tree. It's true that a wedge has been driven into the rotting heart of the old Rookery of St. Giles, and New Oxford Street has emerged from the decay; but what has happened to the people who thrived on that decayed core? Like a swarm of ants, they have scattered to invade other neighborhoods. The new homes and beautiful streets that have replaced the old sites of sorrow, suffering, and despair have merely pushed them from their former habitats, forcing them to seek refuge in other areas where the impoverished communities

"Most do gather,"

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where misery clings to misery for a little warmth, and want and disease lie down side by side, and groan together; where

where misery clings to misery for a little warmth, and want and disease lie down side by side, and groan together; where

“But thinking brings a lot of sadness,
And heavy-eyed despair.” —Keats.

Let us look these evils steadily in the face for a moment or two without blenching. The air which now blows through the open windows of the emblazoned carriage in which the diamonded duchess is seated, a few seconds ago swept over the poisonous avenues of Church-street and Carrier-street, and is laden with odours from the sink and sewerage of St. Giles’s. Yes, the self-same breeze which now uplifts those dark ringlets, a minute ago filled the lungs of Wiggins; those parted lips inhaled the poison that arose from the rotten garbage of these streets, the gases arising from the churchyard, and every other smell that is born of death and decay. How essential is it, then, fair lady, for thy own sake, to aid us in cleansing these Augean stables, in purifying these pest-houses of poor humanity. You may build yourself a fine house, my lady, and hem it round with a lofty wall; but you must, while in town, still breathe the poisonous air which they breathe, until these grievous evils are remedied.

Let’s confront these problems head-on for a moment without flinching. The air blowing through the open windows of the fancy carriage where the jeweled duchess sits just moments ago swept over the polluted streets of Church Street and Carrier Street, carrying with it odors from the filth and sewage of St. Giles’s. Yes, the same breeze that now lifts those dark curls filled Wiggins's lungs just a minute ago; those parted lips inhaled the toxins rising from the rotting garbage of these streets, the fumes from the graveyard, and every other stench born from death and decay. So, dear lady, it’s crucial for your own well-being to help us clean up these filthy places and purify these pits of human suffering. You can build yourself a beautiful house and surround it with a tall wall, but while you're in town, you still have to breathe the same toxic air they do until these serious issues are fixed.

We will enter these streets and peep into those dark, close, unhealthy, and forbidding-looking rooms. In this narrow alley a dusky twilight reigns throughout the sunny noon of day. We have to feel for the noisome staircases which open on either hand; and now we have found one, we will grope our way through this land of gloom and shadows. What a dead smell floats around us! a close noisome air, such as arises from an over-crowded vault, even more death-smelling than many a vault we have in our day visited. The staircase is encrusted with dirt, a kind of black greasy mud, which has been trampled into toughness, not unlike what covers the City streets after rain or snow in winter; but “that” is “clean” dirt in comparison to this, for here we tread upon old filth, the accumulation, it may be, of years; for by the side of the staircase, where it is least trodden, it is mildewy and mouldy. The smoke of our cigar is the only wholesome aroma that rises amid these stifling rooms. The perfume of flowers could never pierce through the weight of this dense atmosphere, but would fall back again and die amid the petals whence it arose; even the strong sweet-smelling May-blossoms would struggle in vain to disperse the poison of this motionless air.

We will walk through these streets and peek into those dark, cramped, unhealthy, and unwelcoming rooms. In this narrow alley, a dim twilight hangs over us throughout the sunny afternoon. We have to feel our way to the filthy staircases on either side, and now that we've found one, we'll navigate through this land of darkness and shadows. What a terrible smell surrounds us! A stuffy, foul air, similar to that from an overcrowded tomb, even more suffocating than many tombs we've visited in our time. The staircase is coated with grime, a kind of black, greasy mud that has been ground into a hard surface, not unlike what covers the city streets after rain or snow in winter; but "that" is "clean" dirt compared to this, for here we step on old waste, the buildup, possibly, of years; beside the staircase, where it’s less trampled, it's moldy and damp. The smoke from our cigar is the only pleasant scent that rises amidst these stifling rooms. The fragrance of flowers could never break through the heaviness of this thick atmosphere but would fall back and fade among the petals from which it came; even the powerful sweet scent of May blossoms would struggle in vain to clear the poison of this stagnant air.

Now we have reached the room, we cannot see what forms are before us, so little light streams in through that “dirt-ditched” and cobweb-covered casement, which appears as if it were never opened,{231}

Now that we've reached the room, we can't see what shapes are in front of us, since very little light comes through that “dirt-ditched” and cobweb-covered window, which looks like it hasn’t been opened in ages,{231}



THE ROOKERY, ST. GILES’S

THE ROOKERY, ST. GILES’S

__A_TAG_PLACEHOLDER_0__
THE ROOKERY, ST. GILES’S

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as if they knew that the noisome air was better kept out than in. There is no ventilation, no “thorough-draft” through any of these miserable rooms; the walls are damp through so many breaths, for where the moist air falls there doth it rest, hanging like cold beaded drops on the brow of one who wrestles sternly with death.

as if they knew that the foul air was better kept out than in. There’s no ventilation, no “through draft” in any of these miserable rooms; the walls are damp from so many breaths, because where the moist air settles, it remains, hanging like cold beads of sweat on the forehead of someone who is struggling fiercely with death.

It must have been many years since these apartments were either painted or whitewashed; a black grey hue pervades every thing, as if the very atmosphere had itself grown dark through hovering here so long and motionless, as if it were compelled to stand and sicken between the stench from below and the black vapours above—the one arising from the fœtid cellars, the other hurled down by the rain from the soot-covered roofs—exhalations of the earth earthy—of the sewer sewery—of the filth filthy—poison ever propagating poison—gutters ever generating deadly gases, and creeping into the blood of the inhabitants; and yet strange, in spite of its filth, this neighbourhood was passed over lightly by the “fell destroyer,” compared to others which He ravaged during the last dreadful epidemic.

It must have been many years since these apartments were painted or cleaned; a black-grey hue spreads over everything, as if the very air had darkened from being stale and still for so long, stuck between the foul smell from below and the black fumes above—the first coming from the disgusting cellars, the second falling from the soot-covered roofs—emanations of the earth that are dirty—of the sewer that are filthy—of the grime that is revolting—poison constantly spreading poison—gutters always producing toxic gases, seeping into the blood of the people living here; and yet, oddly, despite its dirt, this neighborhood was spared more than others by the “grim reaper” during the last terrible epidemic.

Behold! the curtain is at last uplifted, and those are living and breathing forms that sit or stand before us, and such—however much we may shun them here—as we shall be doomed to dwell amongst hereafter. That poor girl is tying up her water-cresses in bunches, ready for to-morrow’s sale; she has no other place but the floor to lay them on before she puts them into her little basket ready bunched. The green bunches at her feet will be sold and eaten on the morrow by those who never bestow a thought on the filthy floor on which they now lie. In that room they will be kept all night, amid the breathing of above a dozen sleepers. Those cabbages which the man is piling up in the corner are the unsold remainder of to-day’s stock; he will strip off the outer leaves in the morning to give them a fresh look: they will also be eaten on the morrow, in spite of the poisonous exhalations they are steeped in. He will sleep beside them all night; the man with the three dogs will share his bed, and perhaps the dogs themselves may find a couch amongst the cabbages. The woman who has just brought in that bundle of filthy rags (too late to be sold to-day in Monmouth-street) is also a lodger, and will no doubt make a pillow of her dirty burden. That pile of shavings, sacking, straw, and rags will be dragged out of the corner when they feel disposed to sleep, and one will lie down here and another there, and for a few hours bury their miseries in forgetfulness. How so many manage to sleep in one apartment, especially in hot weather, is only known to themselves. In the bleak bitterness of the chilling winter we can picture them crowding together for warmth. But we must retreat; for we find a difficulty in breathing,{234} and pant like a robin that has flown by mistake into a baker’s oven while it was gradually heating.

Look! The curtain is finally lifted, and those are living, breathing people sitting or standing before us—just like the ones we’ll be forced to live among in the future. That poor girl is tying up her watercress into bunches, getting ready for tomorrow’s sale; she has no choice but to lay them on the floor before putting them into her little basket. The green bundles at her feet will be sold and eaten tomorrow by people who never give a second thought to the dirty floor they’re sitting on. Those veggies will be kept in this room all night, surrounded by the breathing of over a dozen sleepers. The cabbages the man is stacking in the corner are what didn’t sell today; he will peel off the outer leaves in the morning to make them look fresh again. They’ll be eaten tomorrow too, despite being soaked in all sorts of nasty smells. He’ll sleep next to them all night; the man with three dogs will share his bed, and maybe the dogs will find a spot among the cabbages. The woman who just brought in that bundle of filthy rags (too late to sell today in Monmouth Street) is also staying here and will likely use her dirty burden as a pillow. That pile of shavings, sacks, straw, and rags will be pulled out of the corner when they decide to sleep, and one will lie down here and another there, trying to forget their troubles for a few hours. How so many people manage to sleep in one room, especially when it’s hot, is a mystery only they know. In the cold bitterness of winter, we can imagine them huddling together for warmth. But we have to step back; it’s hard to breathe,{234} and we’re gasping like a robin that accidentally flew into a preheating bakery oven.

Here we are again in the filthy street; for they have no back-yards into which to throw their refuse, so must either keep it to putrify and decay in the overheated rooms, or throw it out, and let their neighbours go “share and share alike” in the sights and smells which pervade the uncleansed neighbourhood. True, there is a man employed to clear away the garbage; but, when this is done, they have no water, saving what they beg, and not a drop can they spare to wash down the gutters. Wherever a sunbeam alights, you see it steaming with the filth, and behold the golden ray dimmed with the vapoury and deadly exhalations.

Here we are again on the dirty street; they don’t have backyards to throw out their trash, so they either have to keep it and let it rot in their overheated rooms, or throw it out and let their neighbors share in the disgusting sights and smells that fill the unclean area. Sure, there’s a guy hired to pick up the garbage, but when that's done, they have no water, except for what they can beg for, and not a drop to spare to clean the gutters. Wherever a sunbeam hits, you see it steaming with filth, and that golden ray is dimmed by the vaporous and toxic fumes.

Yet these poor people are not naturally dirty. From many of the windows you see their tattered garments hanging out to dry, though, from the colour, you have a difficulty in persuading yourself that they have ever been washed, and come to the conclusion that they are only hung there to be aired. The colour is not their fault; such an atmosphere would turn a root of milk-white daisies to the hue of parchment in a month, if it were possible that they could live so long in those breathless and airless alleys, where not a green leaf has grown for years.

Yet these poor people aren’t naturally dirty. From many of the windows, you can see their worn clothes hanging out to dry, although it’s hard to believe they've ever been washed based on their color, leading you to think they’re just being aired out. The color isn’t their fault; living in such an atmosphere would turn a root of milk-white daisies the shade of parchment in a month, if it were even possible for them to survive in those stuffy and airless alleys, where no green leaf has grown in years.

Sometimes little Jack, or his half-clothed sister, when playing about the room (for children play even here), catch the end of the prop on which the rags are suspended, when down comes the whole washing into the gutter; and, unless the poor washerwoman is pretty nimble in looking after them, the first dishonest passer-by will be likely enough to pick up the whole wardrobe, and to see what it weighs at the nearest rag-shop. They have not the means of keeping themselves clean; like the Israelites of old, they cannot complete the task without the straw; and in many places what little water there was, has, like other conveniences, been cut off while the new buildings were proceeding. Baths and wash-houses will no doubt in time supply these deficiencies; but until they are opened, we suppose the inhabitants must be left to shift for themselves as they best can, for the “improvements” as they are called have subjected many of the people in this poor neighbourhood to such privations as they never before experienced.

Sometimes little Jack or his partially dressed sister, while playing around the room (because kids do play even here), accidentally grab the end of the prop holding up the rags, causing the entire washing to tumble into the gutter. Unless the poor washerwoman is quick to manage them, the first dishonest person passing by is likely to scoop up the entire wardrobe and take it to the nearest rag shop to see what it’s worth. They don't have the means to keep themselves clean; like the Israelites of old, they can't finish the job without the straw. In many areas, any little water that was available has been cut off, just like other necessities, while the new buildings were going up. While baths and washhouses will hopefully eventually address these needs, until they open, the residents have to manage as best as they can, as the so-called “improvements” have left many in this poor neighborhood facing hardships they’ve never encountered before.

Let us lift up the flap of this cellar, and see what is going on below; for that gleam of fire, or candlelight, shews that these underground regions are inhabited—that the habits of the ancient Britons are not wholly abandoned, but that the descendants of those old burrowers of hill and rock have but changed the twilight of their dry caverns for the damp and darkness of these sewer-like habitations. Here we behold another human hive busily preparing for dinner, although it is so late in{235} the day; for, like our wealthy merchants, they must get through whatever business they may chance to have on hand before they have (the means or) time to eat. Saw you ever such a medley as is now frizzling in that capacious frying-pan? Parings of a loin of mutton, two beef sausages, a thin rasher of pickled pork, ditto of bacon, the scrag-end of a neck of mutton, a piece of beef-skirt, a small steak, and a kidney. That old fellow with the wooden leg quite enjoys the job of cooking, and has got a jug of water in readiness to make “gravy” for the whole community, who have clubbed towards the contents of the frying-pan. Those who sit on the unboarded and unpaved floor beside the wall, and who look on so wistfully, have nothing to cook—nothing to eat; they paid the last penny or twopence they possessed to be allowed to sleep on the floor of that cellar until morning. When those dinners or suppers are over, the broken table, the bottomless chairs, and old butter-tubs which are used for seats, will be set aside, and the whole of the naked cellar strewn over with straw or shavings, on which they may (if they can)

Let’s lift up the flap of this cellar and see what’s happening below; that flicker of fire or candlelight shows that these underground areas are inhabited, that the ways of the ancient Britons aren't completely forgotten, but that the descendants of those old dwellers in hills and rocks have simply traded the twilight of their dry caves for the damp darkness of these sewer-like homes. Here we see another human community bustling about, getting dinner ready, even though it’s so late in{235} the day; like our wealthy merchants, they have to finish whatever work they have before they get the chance or means to eat. Have you ever seen such a mix cooking in that big frying pan? Scraps from a loin of mutton, two beef sausages, a thin slice of pickled pork, a slice of bacon, the end cut from a neck of mutton, a piece of beef-skirt, a small steak, and a kidney. That old guy with the wooden leg really enjoys cooking and has a jug of water ready to make “gravy” for the whole group, who have pooled their resources for the contents of the frying pan. Those who sit on the unboarded and unpaved floor by the wall, watching so longingly, have nothing to cook—nothing to eat; they spent their last penny or two to be allowed to sleep on the floor of that cellar until morning. After those dinners or suppers are finished, the broken table, the bottomless chairs, and old butter-tubs used as seats will be cleared away, and the entire bare cellar will be covered with straw or shavings, where they may (if they can)

"Look around and relax."

And right glad will those foodless and moneyless creatures be when all the cooking and eating, in which they cannot become partakers, ceases, and when, amid sound asleep on the unboarded and unpaved floor, some kindly vision may come through the mysterious murmurs of the night, and

And those hungry and broke people will be so happy when all the cooking and eating, which they can’t join in, comes to an end, and when, while sound asleep on the bare and uneven floor, some kind vision might come through the mysterious whispers of the night, and

Satisfy the intense desire of hunger
"With just the bare imagination of a feast.”

In wet weather the inhabitants of these subterranean dwellings sometimes stand peeping through the open cellar-lights at the feet which pass over the pavement; and, while doing so, their faces are spotted like leopards with the mud. They seem as if they were ever looking at other people’s steps instead of taking heed of their own ways. Happy might they be if, like the long-tailed field-mouse, they could, in their burrows, store up provisions for the winter, while in summer they nibbled the herbage or fed on the acorns which fell from the broad hoary oak, quenching their thirst at the woodland brook; and, like the old barbarians who first landed on our island shore, have no care, beyond what they should eat and drink, about the morrow. Yet even they have something to be proud of; for they have only to issue out of their black and breathless courts through the breezy thoroughfares which open into Oxford-street, and there the same window, which the dandy shopman in the “white choker” and neat black suit “dressed” to allure the wealthier classes, is open for their inspection; and more than one merry laugh have we heard while{236} passing by, as some half-drunken Pat pictured his (far-from-sober) Biddy in a long Cashmere shawl and bonnet, plumed with the bird of paradise.

In rainy weather, the people living in these underground homes sometimes peek through the open cellar windows at the feet passing by on the pavement. Their faces get splattered with mud, making them look like leopards. They seem to be more focused on watching others than paying attention to their own lives. They would be better off if, like field mice, they could store food in their burrows for the winter, while in summer they grazed on grass or feasted on acorns that fell from the big old oak, drinking from the forest stream. Like the ancient settlers who first arrived on our shores, they wouldn't worry about anything beyond what they need to eat and drink for the next day. Still, they have a reason to feel proud; all they have to do is step out of their dark, stifling corners into the fresh streets that lead to Oxford Street. There, the same window that the dapper shopkeeper in a “white choker” and sharp black suit fancied to attract the wealthy is open for them to see. We've heard more than one good laugh while{236} passing by, as some tipsy guy imagines his equally tipsy Biddy dressed in a long Cashmere shawl and bonnet, topped with a bird of paradise feather.

Sometimes you may see one of the inhabitants halting outside the huckster’s shop, and endeavouring to squeeze a penny out of the sixpence (which has to purchase tea, sugar, bread, butter, tobacco, and a candle) for gin; and so accommodating are some of these shopkeepers, that they make halfpenny-worths of every thing they sell, and are ready to cut either a candle or a penny-loaf in two with the same knife.

Sometimes you might see one of the residents stopping outside the shop, trying to stretch a penny out of a sixpence (which needs to cover tea, sugar, bread, butter, tobacco, and a candle) for gin; and some of these shopkeepers are so helpful that they offer halfpenny portions of everything they sell and are willing to cut either a candle or a penny loaf in half with the same knife.

We well remember passing through the Rookery of St. Giles’s when the work of demolition first commenced; when those who had found no other residence were allowed to remain until the workmen began to pull the houses down. Many of the inhabitants who were then old were born in those tumble-down houses, then doomed to stand no longer. There they had tended the sick couch, and through those dilapidated doorways carried out their dead; smiles and tears had brightened and fallen in those apartments, which to them bore the endearing name of home. We looked up, and through the broken lattices saw the faces of little children—dirty images of innocence—dear to the hearts of their poor mothers. And many houses similar to these are still standing in St. Giles’s, with leaning door-posts and windows all awry; some propped up with beams, on which they rest, as if they had a stitch in their sides, and had placed their hands there to relieve the pain. Many of the door-posts are worn smooth and bright, through the idle loungers, who have rubbed and rested against them while smoking and looking out into the streets, hour after hour, and day after day,—men who seem to have no business upon earth, having to smoke and sleep, and when they awake, to smoke and lean against the self-same doorways until it is time to sleep again. On the steps, and on the edges of the pavement, or at the entrance of those unexplored courts, withered old women sit with folded arms scowling at you as you pass, and proclaiming by their looks that you are an intruder. And fortunate may a decently-clad man consider himself if he meets with nothing more serious than black looks while passing through the still dangerous neighbourhood of St. Giles’s.

We clearly remember walking through the Rookery of St. Giles’s when the demolition work first started; when those who had no other place to stay were allowed to stay until the workers began tearing down the houses. Many of the residents who were elderly at that time were born in those rundown houses, which were now marked for destruction. They had cared for the sick there, and through those crumbling doorways, they had carried out their dead; smiles and tears had filled those rooms, which they lovingly called home. We looked up and saw the faces of little children through the broken windows—messy symbols of innocence—beloved by their poor mothers. Many similar houses still stand in St. Giles’s, with crooked doorposts and misaligned windows; some propped up with beams, resting as if they had a stitch in their sides and had placed their hands there to ease the discomfort. Many of the doorposts are smooth and shiny from the idle people who have rubbed against them while smoking and looking out into the streets, hour after hour, day after day—men who seem to have no purpose in life, spending time smoking and sleeping, and when they wake up, they smoke and lean against the same doorways until it’s time to sleep again. On the steps, on the edges of the sidewalk, or at the entrance of those unexplored alleys, withered old women sit with their arms crossed, glaring at you as you pass by, making it clear with their expressions that you’re an unwelcome visitor. A man dressed decently would consider himself fortunate if he encounters nothing more serious than hostile looks while walking through the still dangerous neighborhood of St. Giles’s.

All are not idle, be it remembered, who frequent such haunts as these; many have seen “better days,” and only fell because they possessed not fortitude enough to struggle against unfortunate circumstances. Others had never been taught any trade, and when they lost such situations as ten thousands were capable of taking, they never raised their heads again, although they went many a weary day, week, and month afterwards in quest of employment, returning at{237} night to sleep in such dens as we have here described, sick and sad at heart. At length their attire became too shabby for their admission into respectable houses only to ask for employment, and then they sank with a kind of sullen recklessness amid the filth and squalor of St. Giles’s, and from that wretched state never emerged again. But these are the exceptions; the majority of the inhabitants are “to the manner born.”

Not everyone hanging out in places like these is lazy; many have experienced “better days” and only fell on hard times because they didn’t have the strength to fight against their bad luck. Some never learned a trade, and when they lost jobs that thousands could have taken, they never lifted their heads again, even after many tiring days, weeks, and months searching for work, returning at{237} night to sleep in the kinds of places we’ve described, feeling sick and sad. Eventually, their clothes became too worn to gain entry into decent establishments just to ask for jobs, and they slipped into a sort of grim resignation amidst the dirt and misery of St. Giles’s, never finding their way out of that miserable state. But these are the exceptions; most of the people living here are “to the manner born.”

Glancing at the remote past, it was in St. Giles’s where the criminal stopped in ancient times, and drank his last draught of ale on his way to Tyburn tree; and about the time when Chaucer died, the gallows was removed from Smithfield into this parish, probably because here it was more frequently needed. In the reign of Charles II. an attempt was made to improve this neighbourhood by a better class of houses, and for years some of the streets wore a look of respectability; then a change took place, and the old primeval dirt and darkness settled down again. Our modern improvers have commenced by rooting out the inhabitants; may we not expect a new St. Giles’s to rise up in some other corner of this vast metropolis?

Looking back at history, it was in St. Giles’s where criminals used to stop, having their last drink of ale on their way to Tyburn tree; around the time Chaucer died, the gallows were moved from Smithfield to this parish, likely because it was needed here more often. During Charles II's reign, there was an effort to upgrade this area with nicer houses, and for years, some of the streets looked respectable; then things changed, and the old dirt and darkness returned. Our modern developers have started by clearing out the locals; can we not expect a new St. Giles’s to emerge in another part of this vast city?

The following description of the Church of St. Giles’s is quoted from Vol. V. of the Illustrated London News:

The following description of the Church of St. Giles’s is quoted from Vol. V. of the Illustrated London News:

“Many a reader may start at the adjunct of ‘in the fields,’ to the dedicatory name of this metropolitan church; and the surprise is natural enough when we recollect that the structure is situated on the south side of the High-street, St. Giles’s, which probably was one of the narrowest roadways in this overgrown city. The name of the church receives its addition from the circumstance of being formerly in the fields, and to distinguish it from the Church of St. Giles’s, Cripplegate. This parish was anciently a village of the same name, and its church is supposed to owe its origin to the chapel which belonged to the hospital founded about 1117, by Queen Matilda, consort of Henry I., for the reception of leprous persons belonging to the City of London and the county of Middlesex. In 1354, Edward III. granted this hospital to the master and brethren of the order of Burton, St. Lazar, of Jerusalem, in Leicestershire, for certain considerations, for which it became a cell to that order, till the general dissolution of religious houses by Henry VIII., who, in 1545, granted it to Lord Dudley. Soon after this period, the chapel or church was made parochial; and on the 20th of April, 1547, William Rawlinson was instituted rector.

“Many readers might be puzzled by the addition of ‘in the fields’ to the name of this city church, especially since the building is located on the south side of High Street, St. Giles’s, which was likely one of the narrowest streets in this sprawling city. The church's name comes from the fact that it was once in the fields, and to differentiate it from the Church of St. Giles’s, Cripplegate. This parish was once a village of the same name, and it's believed the church originated from a chapel that was part of the hospital founded around 1117 by Queen Matilda, wife of Henry I., to care for people with leprosy from the City of London and Middlesex. In 1354, Edward III. granted this hospital to the master and brethren of the order of Burton, St. Lazar, of Jerusalem, in Leicestershire, for certain reasons, turning it into a cell for that order until the general dissolution of religious houses by Henry VIII, who granted it to Lord Dudley in 1545. Shortly after, the chapel or church became a parish church, and on April 20, 1547, William Rawlinson was appointed rector.”

“The ancient church being very small, and much dilapidated, was taken down in 1623, and a church of brick was erected in its stead. This also became in its turn too small and inconvenient, when the inhabitants applied for an Act of Parliament to enable them to rebuild{238} it; accordingly, the old fabric was taken down in 1730, and the present very handsome edifice was erected and completed in 1733; this being the third church built upon the site.

"The old church was really small and quite worn down, so it was demolished in 1623, and a brick church was built in its place. This new church later became too small and impractical, leading the locals to request an Act of Parliament to allow them to rebuild{238}. As a result, the old structure was taken down in 1730, and the beautiful building we see today was constructed and finished in 1733; this was the third church built on that site."

“Mr. Elmes, in his diligently compiled Topographical Dictionary of London, attributes the design to Gibbs; but the following statement is more circumstantial: ‘It is curious that this edifice, which has given to Flitcroft his reputation, should be attributed, in the Report of the Church Commissioners to the House of Commons, to Hawksmoor, who, they say, expended 8605l. 7s. 2d. upon it; but there is no doubt but Walpole, and the View, published in 1753, are correct in ascribing it to Flitcroft, who was probably employed by Gibbs, and not by the commissioners.’—Knight’s London.

“Mr. Elmes, in his diligently compiled Topographical Dictionary of London, credits the design to Gibbs; however, the following statement provides more detail: ‘It’s interesting that this building, which has given Flitcroft his reputation, should be attributed, in the Report of the Church Commissioners to the House of Commons, to Hawksmoor, who they claim spent 8605l. 7s. 2d. on it; but there’s no doubt that Walpole and the View, published in 1753, are right in giving credit to Flitcroft, who was likely hired by Gibbs, not by the commissioners.’—Knight’s London.

“The church is built of Portland stone, as are also the tower and the tall and graceful spire, which are 160 feet high to the vane. The interior is 75 feet in length, exclusive of the recess for the altar, and 60 feet in width: it has a wagon-headed ceiling, and is divided into nave and aisles by fluted stone Ionic columns, which assist the main walls in carrying the roof. The effect of the entire composition is more than usually chaste and beautiful.

“The church is made of Portland stone, and so is the tower and the tall, elegant spire, which is 160 feet high to the vane. The interior measures 75 feet in length, not counting the recess for the altar, and 60 feet in width: it features a wagon-headed ceiling and is divided into a nave and aisles by fluted stone Ionic columns that help support the roof. The overall effect is particularly clean and beautiful."

“A new entrance-gateway, of considerable beauty, has, within these forty years, been erected from the designs of William Leverton, Esq., in which is introduced an ancient piece of sculpture, of more curiosity than beauty, representing the last judgment. This work was taken from ‘The Resurrection Gate’ of the old church, which had also many rich monuments, one of which, to Sir Roger L’Estrange, the well-known loyalist and writer, still remains. Andrew Marvel was also buried here, ‘a man in whose reputation the glory of the patriot has eclipsed the finer powers of the poet.’ St. Giles’s also preserves the ashes of Chapman, the translator of Homer; and Flaxman, the truly great sculptor, was buried here on December 15, 1826, his body accompanied to the grave by the president and council of the Royal Academy. For once, an inscription speaks simple truth; we read here, ‘John Flaxman, R.A., P.S., whose mortal life was a constant preparation for a blessed immortality: his angelic spirit returned to the Divine Giver on the 7th of December, 1826, in the 72d year of his age.’

“A beautiful new entrance gateway has been built over the past forty years based on the designs of William Leverton, Esq. It features an old sculpture that is more interesting than attractive, depicting the Last Judgment. This piece was taken from ‘The Resurrection Gate’ of the old church, which also had many impressive monuments, including one for Sir Roger L’Estrange, the well-known loyalist and writer, which still stands. Andrew Marvel was also buried here, ‘a man whose reputation as a patriot has overshadowed his talents as a poet.’ St. Giles’s also holds the remains of Chapman, the translator of Homer; and the truly great sculptor Flaxman was buried here on December 15, 1826, with the president and council of the Royal Academy attending his funeral. For once, an inscription tells a straightforward truth; it reads, ‘John Flaxman, R.A., P.S., whose mortal life was a constant preparation for a blessed immortality: his angelic spirit returned to the Divine Giver on the 7th of December, 1826, in the 72nd year of his age.’”

“There is a peculiarly interesting circumstance connected with his death, told by Allan Cunningham in his Lives of the British Sculptors (p. 359), which we cannot resist the temptation of transcribing. He says ‘the winter had set in, and, as he was never a very early mover, a stranger found him rising one morning when he called about nine o’clock. ‘Sir,’ said the visitant, presenting a book as he spoke, ‘this work was sent to me by the author, an Italian artist, to present to{239} you, and at the same time to apologise for its extraordinary dedication. In truth, sir, it was so generally believed throughout Italy that you were dead, that my friend determined to shew the world how much he esteemed your genius, and having this book ready for publication, he has inscribed it Al Ombra di Flaxman. No sooner was the book published than the story of your death was contradicted, and the author, affected by his mistake, which, nevertheless, he rejoices at, begs you will receive his work and his apology.’ Flaxman smiled, and accepted the volume with unaffected modesty, and mentioned the circumstance, as curious, to his own family and some of his friends. This occurred on Saturday the 2d of December, when he was well and cheerful; the next day he was taken suddenly ill with cold, and on the 7th was dead.

“There is a particularly interesting detail related to his death, as noted by Allan Cunningham in his Lives of the British Sculptors (p. 359), which we can't help but share. He recounts that ‘the winter had set in, and, since he was never an early riser, a stranger found him getting up one morning when he called around nine o’clock. ‘Sir,’ said the visitor, presenting a book as he spoke, ‘this work was sent to me by the author, an Italian artist, to give to you, and to apologize for its unusual dedication. In fact, sir, it was so widely believed throughout Italy that you were dead, that my friend decided to show the world how much he valued your talent, and having this book ready for publication, he has dedicated it Al Ombra di Flaxman. No sooner was the book published than the news of your survival came out, and the author, affected by his mistake, which he is nonetheless happy about, asks you to accept his work and his apology.’ Flaxman smiled and received the book with genuine modesty, sharing the story, as a curious incident, with his family and some friends. This happened on Saturday, December 2nd, when he was in good spirits; the next day he suddenly fell ill with a cold, and by the 7th, he was dead."

“In the churchyard, too, is the tomb of the Pendrells, who aided in the escape of Charles II.; and a few years since was revived the custom of decorating this tomb on Restoration Day (May 29), with branches of oak, in commemoration of Pendrell’s loyalty and attachment to the ‘unkingship.’

“In the churchyard, there’s also the tomb of the Pendrells, who helped Charles II escape. A few years ago, the tradition of decorating this tomb on Restoration Day (May 29) was brought back, using branches of oak to honor Pendrell's loyalty and his connection to the ‘unkingship.’”

“In the tower is a clock, the dials of which are illuminated at night with gas; this being, if we remember rightly, the first improvement of the kind introduced into the metropolis.

“In the tower is a clock, the dials of which are lit at night with gas; this is, if I remember correctly, the first improvement of its kind introduced into the city.

“The church is a rectory, in the county and archdeaconry of Middlesex, in the diocese of London, and the patronage of the Lord Chancellor. “Although the church is very capacious, it is altogether inadequate to the spiritual wants of the parish.

“The church is a rectory in the county and archdeaconry of Middlesex, in the diocese of London, and under the patronage of the Lord Chancellor. Although the church is quite spacious, it completely falls short of meeting the spiritual needs of the parish.

“It was in front of the site of St. Giles’s Church that Sir John Oldcastle, Lord Cobham, was so savagely burnt during the reign of Henry V., his early friend. The phrase, ‘St. Giles’s Bowl,’ will remind many of the custom that formerly prevailed here of giving every malefactor on his way to Tyburn a bowl of ale, as his last worldly draught. Thus is the site associated with the fierceness and coarse spirit of bygone ages; and probably the most grateful relics are the trees in the churchyard, which carry the mind’s eye back to ‘the fields.’ The illuminated clock and the wood pavement of the roadway are unquestionably of our own time.”

“It was in front of St. Giles’s Church that Sir John Oldcastle, Lord Cobham, was brutally burned during the reign of Henry V, his early friend. The term 'St. Giles’s Bowl' will remind many of the tradition that used to exist here of giving every criminal on their way to Tyburn a bowl of ale as their last drink. This site is tied to the harshness and rough spirit of past times; and likely the most cherished remnants are the trees in the churchyard, which take one's mind back to 'the fields.' The illuminated clock and the wooden paving of the road are definitely from our own time.”

Besides the church, there is a curious old bath in the neighbourhood of St. Giles (of which we give an engraving), accompanied with the following quotation from the Times:

Besides the church, there’s an intriguing old bath in the St. Giles neighborhood (which we’ve included an engraving of), along with the following quote from the Times:

“In the thick of the once renowned ‘slums’ of St. Giles’s there has existed one of the finest springs in the metropolis, which has been ‘known to local fame,’ and esteemed for its medicinal properties, for the last two centuries; and, if the gossip of tradition may be relied on, it was once the favourite bagnio of Queen Anne, whose name it{240} still bears to this day: it is to be seen at No. 3 Old Belton-street, between Holborn and Long-acre, in the direct line of the new street between Holborn and the Strand; one side of the street in question has already been pulled down, so that the bath is now once again brought to light, though sadly shorn of its ancient splendour. It is a curious and interesting relic of bygone days: it is a large tank, paved at the bottom with black and white marble, and lined throughout with good Dutch tiles, of the time apparently of William III. or Queen Anne, having a lofty French groined dome roof. Being supplied direct from the spring, which is perpetually running into it, so that it is always fresh, it is much used by the inhabitants in the neighbourhood, as it is supposed to be a good cure for rheumatism and other disorders, is a powerful tonic, and, from its colour, evidently contains a considerable trace of iron. The spring from which the bath is supplied has been traced, I believe, from Highgate; and as it does not appear to be known to, or treated on by antiquaries who have written on these matters, I have been induced to direct your attention to it, in the hope that such a valuable spring may be rendered available for the benefit of the poor inhabitants of this great metropolis.”

“In the heart of the once-famous ‘slums’ of St. Giles’s, there’s one of the finest springs in the city, known to locals for its medicinal properties for the past two centuries; if the stories passed down are to be trusted, it was once the favorite bagnio of Queen Anne, whose name it still carries today: you can find it at No. 3 Old Belton Street, positioned between Holborn and Long Acre, directly along the new street connecting Holborn and the Strand; one side of this street has already been demolished, which has revealed the bath once more, though it has sadly lost its former grandeur. It’s a fascinating and intriguing reminder of days gone by: it features a large tank, with a bottom paved in black and white marble and lined with quality Dutch tiles, presumably from the era of William III or Queen Anne, topped with a tall, vaulted French dome roof. Fed directly by the spring, which constantly flows into it, keeping the water fresh, it is frequently used by the locals, as it’s believed to effectively treat rheumatism and other ailments, serves as a strong tonic, and, due to its color, clearly has a significant trace of iron. The spring supplying the bath is believed to originate from Highgate; and since it doesn’t seem to be recognized or discussed by antiquarians who have explored these topics, I felt compelled to bring it to your attention, hoping that this valuable spring can be made accessible to benefit the less fortunate residents of this great city.”

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QUEEN ANNE’S BATH.

QUEEN ANNE’S BATH.

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Queen Anne's Bath.

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CHAPTER XVI.

LONDON FOG.

SUCH of our readers as have never been in London in November can scarcely imagine what it is to grope their way through a downright thorough London fog. It is something like being imbedded in a dilution of yellow peas-pudding, just thick enough to get through it without being wholly choked or completely suffocated. You can see through the yard of it which, at the next stride, you are doomed to swallow, and that is all. It is a kind of meat and drink, and very sorry sustenance for those who are asthmatical, as you may tell by hearing one old cough answering to another from opposite sides of the street, and which, although you cannot see the passengers, you can tell, from their grumbling, that they do not like the fare at all. You have the same soft-soapy atmosphere served up at breakfast, dinner, tea, and supper; every time you open your mouth you partake of it, and all day long you are compelled to burn lights, and, in addition to the fog, inhale the fumes from gas, candle, or lamp, which have no more chance of escape than you have, so burn on dim, yellow, and sulkily, as if the very lights needed all the warmth they could obtain, and thus confine themselves to illuminating the smallest possible space. The whole city seems covered with a crust, and all the light you can see beneath it appears as if struggling through the huge yellow basin it overspreads. You fancy that all the smoke which had ascended for years from the thousands of London chimneys had fallen down all at once, after having rotted somewhere above the clouds; smelling as if it had been kept too long, and making you wheeze and sneeze as if all the colds in the world were{244} rushing into your head for warmth, and did not care a straw about killing a few thousands of people, so long as they could but lodge comfortably for a few hours any where. You blow like a grampus in a quicksand, with the keel of a seventy-four on his back, and get about as much fresh air as if you were in his situation: a pair of bellows with a hole in the side, through which you might cram your double fist, would make perfect music, when blown, compared to the noise of your own breathing. You seem as if you had swallowed six broken-winded horses; that they were inside of you alive and kicking; and, for the soul of you, you cannot get rid of one.

SMANY of our readers who have never been in London in November can hardly imagine what it’s like to navigate through a thick London fog. It feels like being stuck in a watery mix of yellow pea soup, just thick enough to move through it without completely choking or suffocating. You can see a little through it, but with the next step, you’re bound to inhale more, and that’s about it. It’s a kind of sustenance, but really miserable for anyone with asthma, as you can hear one old cough echoing back and forth across the street, and even though you can’t see the people, you can tell from their grumbling that they’re not enjoying the experience at all. You get the same soft, soapy atmosphere served at breakfast, lunch, tea, and dinner; every time you open your mouth, you take it in, and all day long, you have to burn lights. Plus, on top of the fog, you’re breathing in the fumes from gas, candles, or lamps, which have no chance of escaping, just like you, burning dimly, yellowly, and reluctantly, as if the lights needed all the heat they could get, limiting their glow to the smallest possible area. The whole city seems to be covered in a layer, and all the light you can see underneath looks like it’s struggling to break through the massive yellow blanket above. You might think that all the smoke that has risen from thousands of London chimneys has suddenly fallen back down, smelling like it’s been left too long, making you wheeze and sneeze as if all the colds in the world were flooding your head for warmth, not caring about the thousands of people it might doom, as long as they could settle in for a few hours. You’re gasping like a beached whale, weighed down like a battleship, and getting about as much fresh air as if you were in that situation: a pair of bellows with a hole in the side, big enough to fit your fist, would sound like music compared to the noise of your own breathing. It feels like you’ve swallowed six winded horses, and they’re alive and kicking inside you; no matter what, you can’t get rid of a single one.

You step gingerly along, feeling your way beside the walls, windows, and doors, whenever you can, until at last you tumble headlong into some cellar—perhaps on the shoulders of the little cobbler who is at work below, and who chances to have his sharp awl uplifted at the moment; or perhaps it is an underground coal-shed, and you alight on the back of the black-looking woman weighing coals, and double her up in her own scale—receiving, in return, a couple of black eyes from her husband. After a hearty drubbing, you escape once more into the street; and, as you cannot see a yard before you, break your shins over a milkman’s can, and upset the contents on the greasy pavement; he tries to collar you, but your blood is now up, and you give him a “straight-armer,” which sends him into the area, upsetting the fat cook as he falls. You then run for it, and come full butt against the “bow-window” of a respectable old gentleman, with whom you have a roll or two in the gutter, thankful that you did not fall on the other side, and stave in the shop-front. You shake yourself, and are glad that you are as you are; for a foot beyond where you fell there yawns an open grating, beneath which runs the huge sewer that empties itself into the Thames; and you wonder how many have slipt in during the day. You tumble into a heap of unslacked lime; but that you think nothing of, too thankful to find it was not a fire. You turn up what seems to be a court, to give yourself a rub-down, and run your head against a pail of whitewash, which hangs suspended from a ladder: the whole contents flow over you, and, before you can see where you are, you fall over a sweep, who is tying up his blanket of soot, roll into the midst of it, and come out a pretty picture—something like the inside of an old chimney and the outside of a rough-cast wall, just mortared.

You walk carefully, feeling your way along the walls, windows, and doors whenever you can, until you finally stumble into a cellar—maybe landing on the little cobbler who's working below, just as he happens to have his sharp awl raised; or perhaps it’s a coal shed, and you crash onto the back of a dark-skinned woman weighing coals, knocking her into her own scale—getting a couple of black eyes from her husband in return. After a good beating, you manage to escape back onto the street; and since you can’t see a thing in front of you, you trip over a milkman’s can and spill its contents all over the greasy pavement. He tries to grab you, but you’re fired up now, and you give him a stiff arm that sends him tumbling into the area, knocking over the fat cook as he falls. You then take off running and collide directly with the “bay window” of a respectable old gentleman, rolling around in the gutter, relieved that you didn’t fall the other way and smash the shopfront. You shake yourself off and are glad to be in one piece, because just a foot past where you fell, there’s an open grating leading to a massive sewer that drains into the Thames; and you wonder how many people have slipped in today. You crash into a pile of unslaked lime, but you don’t think much of it, grateful it wasn’t a fire. You wander into what looks like a courtyard to give yourself a wipe down, and bump your head against a pail of whitewash hanging from a ladder: the entire contents spill over you, and before you can figure out what’s happening, you trip over a chimney sweep who’s tying up his soot blanket, roll right into it, and emerge looking like a mess—something like the inside of an old chimney and the outside of a rough-cast wall that’s just been plastered.

Some good Samaritan in the court takes pity on you by lending you a towel, and furnishing you with a pail of water, and you make the best of a bad job by cleansing yourself as you can. This done, you sally out again, more cautious than ever—the deep yellow darkness meantime increasing; you proceed slowly, and feel every foot of{245} your way, for seeing is out of the question beyond arm’s length. Cautiously you grope along by the board of a fishmonger’s shop, on which lie three or four large black live lobsters; one with his claws open closes on your hand like a vice, and you run shrieking for very life. The fishmonger catches sight of the lobster dangling from your hand, and, believing you have stolen it, follows with a loud cry of “Stop thief!” He is brought up, with his head in the tar-barrel, at the front of his neighbour the oilman’s door; and the monster, by being banged against the wall, having by this time loosed his hold, you go along writhing and groaning, and wondering what will next befal you.

Some Good Samaritan in the court feels sorry for you and lends you a towel, giving you a bucket of water, and you make the best of a bad situation by cleaning yourself as best as you can. Once that's done, you head out again, more careful than ever—the dark yellow gloom getting thicker; you move slowly, feeling every step of{245} your way since you can’t see anything beyond arm's length. Carefully, you grope along by the side of a fishmonger’s shop, where three or four large black live lobsters are lying; one with its claws open grabs your hand tightly like a vise, and you scream and run for your life. The fishmonger sees the lobster hanging from your hand and, thinking you stole it, chases you, shouting “Stop thief!” He ends up getting stuck with his head in the tar barrel at the oilman’s door; by then, the lobster has released its grip after being banged against the wall, and you continue on, writhing and groaning, wondering what will happen next.

Porters with heavy burdens, women and men with fish, watercresses, &c., you run against every few minutes, and think nothing of. Sometimes you are knocked down, then again it is their lot to fall; and finding that the average runs pretty fair for and against the feller and the fallen, you rest contented on that score—considering the running of the edges of half a dozen umbrellas into your mouth as so many little ones in. If you mistake a dimly-lighted shop-front for some turning, and chance to shove your head through a pane of glass, all you can do is to walk as quietly on as if nothing were amiss—two strides and you are in safety, and as far out of sight as if buried in Egyptian darkness; and they are sure to seize the first unfortunate fellow they can lay hands upon, who might have been just as likely to have made the mistake as yourself—to know which is some comfort. That two or three dogs have run full gallop between your legs, and thrown you down as many times, are accidents too common to need recording. As for your watch, that of course went before you had walked one hundred yards: you saw the fellow’s arm that dragged it out of your pocket, and that was all; it was a jerk amid the deep fog, a rush, in which your nose came against a dead wall, and by the time you had rubbed the grazed tip a little, you thought that you might as well hunt for a needle in a bottle of hay, as attempt to follow the thief in that dusky, woolly, and deceptive light.

You keep bumping into porters carrying heavy loads, men and women with fish, watercress, and so on, and you don’t think twice about it. Sometimes you get knocked over, and sometimes they do; but since it seems to balance out for both the person who got knocked down and the one doing the knocking, you just deal with it—counting the edges of half a dozen umbrellas poking into your face as minor inconveniences. If you mistake a poorly lit shopfront for a street and accidentally crash your head through a pane of glass, all you can do is walk away calmly as if nothing happened—two steps and you’re safe and as out of sight as if you were buried in total darkness. They’re sure to grab the first unlucky person they can find, who could have easily made the same mistake as you, which is a bit comforting. The fact that two or three dogs have barreled between your legs and knocked you down a few times are just common mishaps that don’t need mentioning. As for your watch, that was gone before you’ve walked even a hundred yards: you saw the guy’s arm that yanked it out of your pocket, and that was it; it was just a quick move in the thick fog, a rush that left your nose hitting a wall, and by the time you’ve rubbed the scraped tip a little, you realized you might as well try to find a needle in a haystack as to chase after the thief in that dim, fuzzy light.

With great difficulty, and after many inquiries, you find a tavern; for you know no more than the man in the moon what part of London you are in. You enter a dim, cheerless room without a fire, in which the gas burns faintly, as if unable to pierce the fleecy fog which surrounds it. You wonder whether the peg on which you hang your hat would bear your weight; and, as you lay hold of the bell-rope, cannot help trying the strength of it: the height of the ceiling also catches your eye, and you marvel that more people do not hang themselves on such a day. The very poker in the fireless{246} grate has a cold, clammy, and murderous look; and when the waiter enters, you fancy that he has just been cut down. You light a cigar, and begin to think a little better of matters, and to reckon how many glasses of hot brandy-and-water would throw you into a state of oblivion—that is, leave you dead drunk until the dawning of another day. These thoughts vanish with a second glass, and you again venture forth, resolved this time to get into an omnibus, should one be found bold enough to venture out on such a day. After waiting for some time, and hailing by mistake half a dozen coal-wagons and carriers’ carts, you perceive an omnibus creeping by at a snail’s pace, enter, and squeeze yourself into a seat behind the door. You cannot see to the top of it for the fog, so have no fear of your tailor recognising you, should he happen to be inside—one comfort out of so many evils. While you are sitting, and congratulating yourself that you have escaped so well, up comes a cab-horse with his head through the open door, and his hot nostrils on your face. A few rough compliments are exchanged between the cab-driver and the conductor, during which something is said about the glanders, which haunts you for days after; the more so through your nose being red and raw by grazing it against the wall when the thief ran away with your watch. To what quarter the omnibus is going gives you no concern, for you are glad to get any where to be out of the way on such a day. Great, however, is your indignation, after having been carried some three-score yards, to find that you are at the Cross Keys, in Fleet-street, having got in at the corner of Bride-court, and that the omnibus goes no farther. You pay your threepence with a protest, and are thankful that you cannot see the passengers, who are laughing at you. You have, however, the satisfaction of seeing a heavy old gentleman plant one foot into a basket of oranges on the edge of the pavement, and that puts you into a little better humour, especially when, at the next step, he plunges his head into the window of a book-shop, and knocks down the middle of three rows of richly-bound volumes, besides smashing no end of panes of glass.

With a lot of effort, and after asking around a lot, you finally find a tavern; you’re as clueless as anyone about what part of London you’re in. You step into a dim, dreary room without a fire, where the gas light flickers faintly, as if it can’t cut through the thick fog surrounding it. You wonder if the peg where you hang your hat can actually hold your weight; and as you grab the bell-rope, you can’t help but test its strength: the ceiling height grabs your attention, and you’re surprised that more people don’t hang themselves on a day like this. Even the poker in the cold, empty fireplace looks cold, damp, and menacing; and when the waiter walks in, you imagine he has just been pulled down from a noose. You light a cigar and start to feel a bit better about things, calculating how many glasses of hot brandy-and-water it would take to make you totally oblivious—that is, dead drunk until the next morning. Those thoughts fade after downing a second glass, and you decide to head out again, resolved this time to get on an omnibus, if one dares to brave the weather. After waiting for a bit and mistakenly hailing half a dozen coal wagons and delivery carts, you spot an omnibus creeping by at a snail’s pace, hop on, and squeeze into a seat right by the door. You can’t see the top of it because of the fog, so you’re not worried about your tailor spotting you, which is one small comfort amidst all this trouble. While you’re sitting there, feeling pleased you’ve escaped so well, a cab horse suddenly sticks its head through the open door, its hot breath hitting your face. A few rough remarks pass between the cab driver and the conductor, during which something about glanders is mentioned, and that sticks with you for days after, particularly since your nose is red and sore from rubbing against the wall when the pickpocket stole your watch. You couldn’t care less where the omnibus is headed; you’re just glad to be away from everything on a day like this. However, your outrage grows after being carried only about sixty yards, to find yourself at the Cross Keys in Fleet Street, having boarded at the corner of Bride Court, and that the omnibus won’t go any farther. You pay your threepence with a grumble and are thankful you can’t see the passengers who are laughing at you. Yet, you get a little satisfaction from watching a heavy old gentleman step right into a basket of oranges on the pavement, which lifts your spirits a bit, especially when the next moment he plunges his head into the window of a bookstore, knocking over the center row of beautifully bound books and shattering a bunch of glass panes.

On such a day the man who milks his cow in the street is compelled to lay hold of her tail, for fear of losing sight of her; while the butcher-boy who carries out meat is often minus a joint or two when he reaches the door at which his orders ought to have been delivered. Should such a day be Smithfield market, all the cellar-flaps in the little by-streets are left open, in the hopes of catching a few stray sheep, and having a stock of mutton for nothing; should a prize bullock tumble in, they make no bones of him, but salt down what is left, and bless the fog for supplying them with so much excellent beef.{247}

On a day like that, the guy milking his cow on the street has to hold onto her tail so he doesn’t lose her sight; meanwhile, the butcher’s boy carrying out meat often ends up missing a joint or two by the time he gets to the door where his orders are supposed to be delivered. If it’s a day at Smithfield market, all the cellar flaps in the little side streets are left open in hopes of catching a few stray sheep for some free mutton. If a prize bull happens to wander in, they don’t hesitate to take advantage, preserving whatever is left and thanking the fog for providing such good beef.{247}

A stranger to London, when the fog sets in at night, and he looks upon it for the first time, fancies his apartments filled with smoke, and begins by throwing open his doors and windows; thus making bad worse, by destroying all the warm air in the rooms. Even one well accustomed to the ins and outs of our far-stretching city is strangely deceived in distance, and the size objects assume, as they loom in dim and gigantic dimensions through the heavy fog. The gas-lamps appear as if placed three-story high, unless you stand close beneath them, for what light they emit is nearly all thrown upward; while a cab comes heaving up (to appearance) as large as the huge caravan which Wombwell formerly used for the conveyance of his stupendous elephant. Once take a wrong turning, and you may consider yourself very fortunate if you ever discover the right road again within three hours; for the houses wear a different appearance, and the streets appear to be all at “sixes and sevens.”

A newcomer to London, when the fog rolls in at night and he sees it for the first time, imagines his apartment is filled with smoke and starts by flinging open his doors and windows, making things worse by letting all the warm air out. Even someone who knows their way around our sprawling city can be oddly misled about distances and the size of objects that look huge and distorted in the thick fog. The gas lamps seem as if they’re placed three stories high unless you stand right under them, since most of the light they give off goes upward; meanwhile, a cab appears as big as the giant caravan Wombwell once used to transport his enormous elephant. If you take a wrong turn, you’ll be lucky if you find the right road again within three hours; the houses look different and the streets seem completely disorganized.

Although a real Londoner looks upon a dense December fog as a common occurrence, and lights up his premises with as little ceremony as he would do at the close of the day, yet, to one unused to such a scene, there is something startling in the appearance of a vast city wrapt in a kind of darkness which seems neither to belong to the day nor the night, at the mid-noon hour, while the gas is burning in the windows of long miles of streets. The greatest marvel, after all, is that so few accidents happen in this dim, unnatural light, in the midst of which business seems to go on as usual, and would do, we believe, were the whole of London buried in midnight darkness at noonday, which would only be looked upon as a further deepening of the overhanging gloom. The number of lighted torches which are carried and waved at the corners and crossings of the streets add greatly to the wild and picturesque effect of the scene, as they flash redly upon the countenances of the passengers, and, in the distance, have the effect of a city enveloped in a dense mass of smoke, through which the smouldering flames endeavour in vain to penetrate.

Even though a true Londoner sees a thick December fog as just another day, casually lighting up their place like they would at the end of the day, for someone not used to it, there's something shocking about a massive city wrapped in a darkness that feels neither like day nor night at noon, while gas lights glow in the windows stretching for miles. The biggest surprise is how few accidents happen in this eerie, unnatural light, where business carries on as usual and would, we believe, continue even if all of London were plunged into midnight darkness at midday, which would just be seen as another layer of the heavy gloom. The number of lit torches waved at street corners and intersections really enhances the wild and picturesque vibe of the scene, casting a red glow on the faces of passersby, and in the distance, it looks like a city engulfed in thick smoke, with the flickering flames trying, but failing, to break through.

During a heavy fog many accidents occur on the river, through barges running foul of each other, or vessels coming athwart the bridges; for there is no seeing the opening arch from the rock-like buttress, as the whole river looks like one huge bed of dense stagnant smoke, through which no human eye can penetrate. If you lean over the balustrades of the bridge, you cannot see the vessel which may at that moment be passing beneath, so heavy is the cloudy curtain which covers the water. At such times the steam-boats cease running, and rest quietly at their moorings, for the man at the wheel would be unable to see half the length of his vessel. Sometimes a steamer coming up the river takes a fancy to a shorter cut, by trying to clear{248} Blackwall Reach, and come overland through the marshes below Greenwich, or by running her head into the Isle of Dogs, where she lies aground until the next tide.

During heavy fog, many accidents happen on the river because barges collide or boats hit the bridges; you can’t see the opening arch from the solid buttress since the entire river resembles a massive expanse of thick, stagnant smoke that no human eye can penetrate. If you lean over the railings of the bridge, you can’t see the boat that might be passing underneath at that moment, as the dense curtain of fog obscures the water. During these times, the steam boats stop running and stay calmly at their moorings because the person at the wheel wouldn’t be able to see past half the length of their vessel. Sometimes, a steamer traveling up the river decides to take a shortcut by trying to clear{248} Blackwall Reach and comes overland through the marshes below Greenwich, or by running aground at the Isle of Dogs until the next tide.

Many lives have been lost through foot-passengers mistaking the steps at the foot of some of the bridges for the opening of the bridge itself, and, ere they were aware of it, rolling head-foremost into the river. Strong iron-railings have been erected during the last few years, and have put an end to such dreadful accidents: at the foot of Blackfriars-bridge, many, we have heard, thus lost their lives.

Many people have died because pedestrians mistook the stairs at the base of some bridges for the actual entrance to the bridge and, before they realized it, fell headfirst into the river. Strong iron railings have been installed in recent years, which have prevented such terrible accidents: at the foot of Blackfriars Bridge, many, we’ve heard, lost their lives this way.

At this time the pavement is greasy, and, though you keep lifting up your legs, you are hardly positive whether or not you are making any progress. You seem to go as much backward as forward; and some old Cockneys do aver that the surest way of reaching Temple-bar from Charing-cross would be to start off with your face turned towards King Charles’s statue, to walk away manfully without once turning your head, and that, by the end of three hours, you would be pretty sure of reaching the point aimed at, should you not be run over.

Right now, the pavement is slick, and even though you keep lifting your legs, you can’t really tell if you’re making any progress. It feels like you’re moving as much backward as you are forward; some old Cockneys even say that the best way to get to Temple Bar from Charing Cross is to start out facing King Charles’s statue, walk straight ahead without ever looking back, and that after three hours, you’d probably make it to your destination—if you don’t get run over first.

{249}

{249}

CHAPTER XVII.

THE OLD BOROUGH OF SOUTHWARK.

THE first object that still strikes the eye when we have passed over into the Borough is the beautiful old church founded by a Saxon maiden called Mary of the Ferry, which in time was corrupted into Mary Overy, and is now called St. Saviour’s. No young poet need wish for a finer subject to try his hand on than this beautiful half holy old legend of the Ferryman’s Daughter, who, day after day, winter and summer, was seen with her quaint old-fashioned Saxon boat, ready to row passengers from the Borough to the City, and back again to the landing-place, where the Ferry-house had stood centuries before a bridge united the two shores. Pleasant to her ear must have been the lapping of the waves as they washed her little freehold, and fell with a dreamy murmuring upon the ear, while she sat revolving in her mind how she should begin to build a house for the reception of a few poor and pious sisters, in which they might live in content and comfort, and holy quiet; and when she was no more, there pray for the soul of Mary of the Ferry. And thus was the present St. Saviour’s first founded. In this ancient cathedral-like church, Gower, the contemporary of Chaucer, lies buried; his beautiful monument still exists. Our own immortal Shakspeare was no doubt a mourner here two hundred years ago, on the last day of December, 1607, when in the forenoon he attended the funeral of his brother Edmund. Perhaps the funeral took place earlier in the day, on account of the merry-making which our forefathers held at the close of the old year, and kept up until the new year had grown far into the day; and that this was the cause why Edmund Shakspeare was buried in the church “with a forenoone knell of the great bell.” Edmund was himself a player, and we can readily conjure up the images of those who witnessed his interment.{250}

TThe first thing that catches your eye when you enter the Borough is the beautiful old church founded by a Saxon woman named Mary of the Ferry, which eventually became known as Mary Overy, and is now called St. Saviour’s. Any young poet would have a fantastic subject to write about with the charming old legend of the Ferryman’s Daughter, who, day after day, in both winter and summer, could be seen with her quaint, old-fashioned Saxon boat, ready to take passengers from the Borough to the City and back to the landing place, where the Ferry-house had stood centuries before a bridge connected the two shores. The soothing sound of the waves lapping against her little property must have been pleasant to her as she sat there, thinking about how to build a house for a few poor, devout sisters, where they could live in comfort, contentment, and peaceful holiness; and when she was gone, they would pray for the soul of Mary of the Ferry. And that's how the present St. Saviour’s was first established. In this ancient, cathedral-like church, Gower, who lived at the same time as Chaucer, is buried; his beautiful monument is still there. Our own immortal Shakespeare was likely a mourner here two hundred years ago, on the last day of December, 1607, when he attended his brother Edmund’s funeral in the morning. Perhaps the funeral happened earlier in the day due to the celebrations our ancestors had at the end of the old year, which lasted well into the new year; and that might be why Edmund Shakespeare was buried in the church “with a morning knell of the great bell.” Edmund himself was an actor, and we can easily picture those who attended his burial.{250}

Were we to dwell upon the solemn memories which float around this hoary pile, they would alone fill this chapter; for Fletcher is buried here, so is Massinger; but not, as was supposed, “in a gloomy corner amid a mass of misshapen and melancholy graves,” for he is buried “within the church.”

Were we to focus on the serious memories surrounding this old building, they would take up this entire chapter; because Fletcher is buried here, and so is Massinger; but not, as was thought, “in a gloomy corner among a bunch of ugly and sad graves,” because he is buried “inside the church.”

But the spot to which the lover of poetry still directs his steps is to the Tabard—Chaucer’s old inn, still standing on the very spot, if not the identical building itself, from which the father of English poetry set out, when he accompanied his merry pilgrims to Canterbury. The portion of this old hostelry still remaining dates much further back than the period of Charles II., a proof that it escaped the terrible fire which raged in Southwark in the year 1676. The very style of the building needs not a second glance to proclaim its antiquity; it is beyond doubt the very inn which the old chronicler Stowe mentions by the name of the “Tabard,” and which he himself had no doubt seen in 1598, and called the “most ancient of the many fair inns in Southwark for receipt of travellers.” The old sign of the Tabard formerly hung swinging and creaking across the road, and there were then no houses in front to shut it in, as now; it lay openly and temptingly, as when Chaucer’s host, the merry “Harry Baily,” stepped out in the front in the sunny mornings of Spring and Summer, to see what the old Kent and Newington roads were producing him, and what sort of customers were riding up.

But the place where poetry lovers still go is the Tabard—Chaucer’s old inn, still standing on the same spot, if not the exact building, from which the father of English poetry set out when he accompanied his merry pilgrims to Canterbury. The part of this old inn that still exists is much older than the time of Charles II., proving that it survived the terrible fire that swept through Southwark in 1676. The style of the building doesn’t need a second look to reveal its age; it is undoubtedly the very inn that the old chronicler Stowe referred to as the “Tabard,” which he had obviously seen in 1598 and called the “most ancient of the many fine inns in Southwark for receiving travelers.” The old Tabard sign used to hang swinging and creaking across the road, and there were no houses in front to block it in, like today; it stood openly and invitingly, just like when Chaucer’s host, the cheerful “Harry Baily,” stepped out front in the sunny spring and summer mornings to see what the old Kent and Newington roads brought him and what kind of customers were riding up.

Even now there is something venerable in the old weather-beaten and iron-bound posts which prop up its comparatively modern gateway; they tell of the grazing and grinding of thousands of old wheels, while the stones are worn away with the tramping of many a worn-out steed.

Even now, there’s something impressive about the old, weathered, and solid posts that support its relatively modern gateway; they speak of the grazing and wear of countless old wheels, while the stones have been worn down by the footsteps of many tired horses.

Merry doings were there in that old inn-yard, on an April morning, five hundred years ago, for Harry Baily, the host was

Merry things were happening in that old inn-yard on an April morning, five hundred years ago, because Harry Baily, the innkeeper, was

"The early bird" "That gathered them together in a group."

And you might then have seen the Wife of Bath, leaning aside and listening as she sat in her saddle, for she could not hear very well, as she tells us Jankin, her fifth husband, had given her such a blow,

And you might have seen the Wife of Bath, leaning over and listening while she sat on her horse, because she couldn't hear very well, as she tells us Jankin, her fifth husband, had hit her so hard,

"To do that, she tore a page out of his book,
"Her ear was always deaf to the sound of the stroke."

Let those who have never read Chaucer, and who wish to become acquainted with the most minute and beautiful painting of character which poetry ever produced, only read the Prologue to his Canterbury Tales; it scarcely occupies more than twenty moderate pages of print.{251} If, after reading these, they are not tempted to proceed further, it will be because “they have no poetry in their souls.” In no work can we find such a faithful description of the dress, manners, customs, and language of our forefathers, as in the pages of Geoffrey Chaucer.

Let those who have never read Chaucer, and who want to get to know the most detailed and beautiful portrayal of characters that poetry has ever created, just read the Prologue to his Canterbury Tales; it takes up barely twenty regular pages of print.{251} If, after reading these, they aren't motivated to keep going, it's because “they have no poetry in their souls.” Nowhere else can we find such an accurate depiction of the clothing, behavior, customs, and language of our ancestors as in the pages of Geoffrey Chaucer.

Nor is the “Talbot,” as it is now called, the only ancient inn in the Borough. There are others which contain their surrounding galleries, and spacious yards open to the sky. Some years ago we glanced at other portions of this ancient Borough—especially that part called the old Mint. This is now fast disappearing; many of the houses that escaped the fire in 1676 have of late been pulled down. The following is a description which we wrote seven years ago, after visiting the remains of this dilapidated neighbourhood. Stretching from St. George’s Church, in the Borough, into the high road which leads to the cast-iron bridge of Southwark, are no end of narrow courts, winding alleys, and ruined houses, which a bold-hearted man would hesitate to thread after dusk. Here stand numbers of houses which are unroofed and uninhabited. Years ago they were doomed to be pulled down, and it was resolved that a wide, open street should be built upon the space they now occupy: years may still roll away before they are removed. There is no place like this in the suburbs of London—no spot that looks so murderous, so melancholy, and so miserable. Many of these houses, besides being old, are very large and lofty. Many of these courts stand just as they did when Cromwell sent out his spies to hunt up and slay the Cavaliers, just as they again were hunted in return, after the Restoration, by the Royalists, who threaded their intricacies, with sword and pistol in hand, in search of the fallen Roundheads. There is a smell of past ages about these ancient courts, like that which arises from decay—a murky closeness—as if the old winds which blew through them in the times of the Civil Wars had become stagnant, and all old things had fallen and died just as they were blown together, and left to perish. So it is now. The timber of these old houses looks bleached and dead; and the very brick-work seems never to have been new. In them you find wide, hollow-sounding, decayed staircases, that lead into great ruinous rooms, whose echoes are only awakened by the shrieking and running of large black-eyed rats, which eat through the solid floors, through the wainscot, and live and die without being startled by a human voice. From the Southwark-bridge Road you may see the roofs of many of these great desolate houses; they are broken and open; and the massy oaken rafters are exposed to the summer sun and the snow of winter. Some of the lower floors are still inhabited; and at the ends of those courts{252} you will see standing, on a fine day, such characters as you will meet with nowhere beside in the neighbourhood of London. Their very dress is peculiar; and they frequent the dark and hidden public-houses which abound in these close alleys,—places where the gas is burning all day long. Excepting the courts behind Long-lane, in Smithfield, we know no spot about London like this, which yet fronts St. George’s Church, in the Borough.

The “Talbot,” as it’s now called, isn’t the only old inn in the Borough. There are others that feature their surrounding galleries and spacious yards open to the sky. A few years ago, we took a look at different parts of this historic Borough—especially the area known as the old Mint. This is now quickly fading away; many of the houses that survived the fire in 1676 have recently been torn down. Here’s a description we wrote seven years ago after visiting the remnants of this rundown neighborhood. Stretching from St. George’s Church in the Borough to the main road leading to the Southwark cast-iron bridge, there are countless narrow courts, winding alleys, and crumbling houses that even the bravest person would hesitate to wander through after dark. There are many houses that are roofless and abandoned. They were long ago marked for demolition, and plans were made for a wide street to be built over the area they occupy now: it may be years before they are finally cleared. There’s no place like this in the suburbs of London—nothing that feels so sinister, so sorrowful, and so bleak. Many of these houses, aside from being old, are quite large and tall. Many of these courts remain just as they were when Cromwell sent out his spies to hunt down and take out the Cavaliers, and then again when the Royalists searched for the fallen Roundheads after the Restoration, navigating those same alleys with swords and pistols in hand. There’s a smell of ancient times in these old courts, like the scent that comes from decay—a heavy closeness—as if the winds that once blew through them during the Civil Wars have become stagnant, and everything old has fallen and decayed just as it was left. That’s how it is now. The wood of these old houses looks bleached and lifeless; even the bricks seem like they’ve never been new. Inside, you’ll find wide, hollow-sounding, decaying staircases that lead into massive, crumbling rooms, whose echoes are only stirred by the screeching and scurrying of large black-eyed rats, which tunnel through the solid floors and walls, living and dying without a human ever startling them. From the Southwark-bridge Road, you can see the roofs of many of these great, desolate houses; they are broken and exposed, with sturdy oak beams laid bare to the summer sun and winter snow. Some of the lower floors are still lived in; at the ends of those courts{252}, you’ll see on a nice day characters you won’t find anywhere else in the London area. Their clothing is unique, and they frequent the hidden pubs that fill these dark alleys—places where the gas stays lit all day long. Aside from the courts behind Long-lane in Smithfield, we don’t know of any other place in London like this, which faces St. George’s Church in the Borough.

Southwark, as all remember who are at all acquainted with history, beside containing Shakspeare’s Theatre, at Bankside, was, in former days, famous for its Bear-garden; which, we fear, was often more crowded than the spot where the author of “Hamlet” so frequently played.

Southwark, as anyone familiar with history knows, not only housed Shakespeare’s Theatre on Bankside but was also famous in the past for its bear garden, which, we fear, was often more packed than the place where the author of “Hamlet” performed so often.

What a different feature does the Southwark entrance to London Bridge present to what it did only a few brief years ago! Every few minutes omnibuses are now thundering to and from the railway terminus; while passengers think no more of journeying to Brighton and back, and remaining eight or ten hours there, on a long summer’s-day, than they formerly did of travelling to Greenwich; for it took the old slow stage-wagons as long to traverse the five miles to the latter as our iron-footed and fire-fed steed can with ease drag the five hundred passengers at his heels, and land them within sight of the wide, refreshing sea.

What a different sight the Southwark entrance to London Bridge is compared to just a few years ago! Every few minutes, buses are now rushing to and from the train station; meanwhile, passengers think nothing of traveling to Brighton and back, spending eight or ten hours there on a long summer day, just as casually as they once did going to Greenwich. It used to take the slow old stagecoaches just as long to cover the five miles to Greenwich as it now takes our fast trains to comfortably transport five hundred passengers to the shore, right by the expansive, refreshing sea.

Were it possible to revive again the forms of those old Canterbury Pilgrims, and, instead of sending them out of the Tabard-yard on horseback, to place them in an express train, then start them off with all the quaint, queer notions which haunted their living brains, what strange conclusions they would come to. Even the “perfect knight,” who had fought in “fifteen battles,” and seen many a strange sight in heathen lands, would, with all his wisdom, think he had at last fallen into the hands of the evil one, while gentle Chaucer would renounce his disbelief in fairy lore, and be ready to admit that the land was now filled with greater wonders than

Were it possible to bring back the forms of those old Canterbury Pilgrims, and instead of sending them out of the Tabard yard on horseback, put them on a fast train, then start them off with all the strange, unique ideas that filled their minds, what bizarre conclusions they would reach. Even the "perfect knight," who had fought in "fifteen battles" and seen many unusual sights in foreign lands, would, with all his wisdom, believe he had finally fallen into the clutches of the evil one, while gentle Chaucer would abandon his skepticism about fairy tales and be willing to acknowledge that the world was now full of greater wonders than

"In the days of King Arthur,
The Britons speak of it with great amazement; When the entire land was filled with fairies—
The Elf-Queen, along with her cheerful group,
"That danced often in many green meadows." Wife of Bath's Story.

What a change! to look up the ascent which led to that old London-bridge, with its Traitor’s-gate and ghastly heads grinning above the vaulted gateway, and the scene that now meets the eye! Living heads piled high on moving omnibuses, and journeying in{253} every direction, for twopenny or threepenny fares; steamboats passing from east to west, and carrying passengers for one halfpenny per head; such changes has the old square tower of St. Saviour’s overlooked—such things has the wonder-working hand of man accomplished. And yet the world is believed by many to be still in its infancy; that two more centuries will see mankind as far advanced and improved as the last two have placed us in the lead of our forefathers. That the London of the present day will then be as great a matter of curiosity to some future antiquary as old London-bridge and the ancient borough of Southwark is to us; that others will follow and exclaim as we do now:

What a change! Just look at the path that leads to the old London Bridge, with its Traitor’s Gate and ghastly heads grinning above the arched entrance, and compare it to the scene today! Living heads stacked high on moving buses, traveling in{253} every direction for twopenny or threepenny fares; steamboats crossing from east to west, carrying passengers for just a halfpenny each; such changes have occurred since the old square tower of St. Saviour’s has overlooked this place—such things have been achieved by the amazing hand of humanity. And yet many believe the world is still in its infancy; that in another two centuries, humanity will have advanced and improved as much as the last two centuries have propelled us ahead of our ancestors. The London of today will be as fascinating to some future historian as the old London Bridge and the ancient borough of Southwark are to us; that others will follow and exclaim just as we do now:

"The race of the past,
Who danced with us in our infancy, And shared our amazed childhood tales Of their unusual adventures that happened by land or sea,
"How are they removed from reality?" — Scott.

{254}

{254}

CHAPTER XVIII.

STREET AMUSEMENTS.

AT different times several ephemeral little treatises have appeared professing to teach the inhabitants of London how to live upon 50l., 100l., and divers other sums a year, not one, however, pointing out the way by which any of these incomes were to be obtained. Mrs. Glasse went very differently to work when she attempted to throw a new light upon the economy of cooking, by advising her readers to “first catch their hare,” thereby conveying most sensible information in one brief unmistakable sentence, and leaving them to proceed with the receipt, or not, just as they were or might be provided with the animal treated of. Although this introduction is hardly to the point, it will serve to lead us to the ways and means hundreds have recourse to of obtaining a livelihood, by appealing to our eyes and ears, by the sights and sounds which they produce in our busy streets; causing those within doors to curse their deafening clamour, and those without, who are interrupted by the assembled crowd, and prevented from passing on their way, to utter any thing but blessings upon their “devoted heads,” proving the moral of the old fable, that what is fun to one is death to another, by one class being amused at the expense of another’s annoyance.

AT various times, a few short guides have come out claiming to teach Londoners how to live on £50, £100, and other annual amounts, but none of them explain how to actually earn that money. Mrs. Glasse took a different approach when she tried to shed new light on cooking by telling her readers to “first catch their hare,” providing clear and sensible advice in one straightforward sentence, leaving it up to them to follow the recipe or not based on whether they had the hare. Although this introduction might seem off-topic, it leads us to the various ways people try to make a living, capturing our attention with sights and sounds in our busy streets. This noise drives those indoors to complain about the deafening racket, while those outside, blocked by crowds, have anything but nice things to say about their “devoted heads,” illustrating the moral of the old fable that what is fun for one person is a nuisance for another, as one group enjoys themselves at the expense of another’s irritation.

For our part we look on these street performers with a very lenient eye, knowing that they are struggling to live in the best way they can, and that their humble endeavours to please afford amusement to thousands. Look how the little urchins run at the first sound of Punch’s well-known voice; what a pattering there is of shod and unshod feet from every court and alley in the neighbourhood as soon as his “chuck, chuck, churee” is heard, startling the silence of the{255} street! They whip up their marbles, and start off with their pegtops half wound to get a front place; for the hardened old rogue was a favourite with their forefathers, and they are never weary of seeing him bang Judy with his truncheon. They have a keen relish for his rather coarse jokes—the only objectionable point in this old exhibition. How they dance round an Italian boy with his organ, forgetting all their poverty and hunger for the moment, while some little rascal, the raggedest in the group, keeps excellent time with his castanets, which are four bare bones placed between the fingers of each hand, and rattled over his head with laughter and delight, while he thinks himself the chief contributor to the amusement.

We look at these street performers with a very understanding attitude, knowing they're doing their best to make a living and that their humble efforts bring joy to thousands. Just watch how the little kids rush at the first sound of Punch’s familiar voice; there’s a flurry of shoes and bare feet from every path and alley in the area as soon as they hear his “chuck, chuck, churee,” breaking the silence of the{255} street! They grab their marbles and take off with their pegtops half wound to get a front-row spot; the old rascal has always been a favorite with their grandparents, and they never tire of watching him smack Judy with his club. They really enjoy his rather crude jokes—the only drawback of this old show. Look how they circle around an Italian boy with his organ, momentarily forgetting their poverty and hunger, while some little troublemaker, the scruffiest in the group, keeps perfect time with his castanets, which are just four bare bones held between his fingers, rattled above his head with laughter and joy, thinking he’s the main contributor to the fun.

But Punch and Judy are the chief characters in our sketch. Punch was a different performance in our youthful days: then he went out, got drunk, came home and quarrelled with his wife; from words they got to blows, and there used to be a tremendous fight between them, and sorry we are to say the drunken old rascal swore dreadfully. At last he struck Judy a tremendous blow with his truncheon, and she fell down senseless, as if dead. Then the conscience of the hump-backed villain smote him, and he wept and wailed over her, until at last the doctor came, felt her pulse, and pronounced her dead. Punch was inconsolable for her loss, pronounced the doctor a quack, and then they went at it. Oh, what a fight that was between Punch and the Doctor! but the man of physic fell beneath the truncheon of the hooked-nosed old blackguard, and appeared as if dead. Punch was next tried, and knocked the judge off the bench for finding him guilty of murder, and sentencing him to be hanged. Then the gallows was brought out, and you made sure that the old villain’s career of crime was ended; but not a bit of it; like Mat Prior’s thief, he

But Punch and Judy are the main characters in our sketch. Punch was a different show back in our younger days: he used to go out, get drunk, come home, and get into fights with his wife. They started with words and quickly escalated into physical blows, and we’re sorry to say the drunken old rascal swore a lot. Eventually, he struck Judy a huge blow with his stick, and she collapsed, seemingly dead. Then the guilty conscience of the hunchbacked villain hit him, and he cried and mourned over her until the doctor arrived, checked her pulse, and declared her dead. Punch was heartbroken over her loss, called the doctor a quack, and then they started fighting. Oh, what a battle that was between Punch and the doctor! But the doctor was no match for the old rascal with the hook nose, and he ended up looking like he was dead too. Punch was then put on trial and knocked the judge off the bench for finding him guilty of murder and sentencing him to hang. Then the gallows were brought out, and you thought that old villain’s life of crime was over; but not at all; like Mat Prior’s thief, he

"Now put on the halter, now crossed the cart,
"And often said goodbye, but was reluctant to leave."

He seemed willing enough to be hanged, but did not know how to place his neck in the halter; sometimes he put his arms through the noose, then half his body, but never by any chance did he allow the cord to touch his neck. At length he succeeded in persuading Jack Ketch to shew him the right way: the hangman did so, placed his own neck in the noose, received a crack on the head with the staff and a kick behind, and there he hung and swung to the delight of every beholder. Then came the Devil, horned, hoofed, tailed, saucer-eyed, and black as ebony; but Punch was game to the back-bone, and fought with all his might, causing the Devil himself to retreat several times before he would give in. Nor did we ever think the Devil beat him fairly; for he came behind, like a sneaking thief as he{256} is, pinioned both the arms of Punch, while the latter had his face turned towards us in triumph, and bore him away on his back: we could even hear the prominent-paunched old hero swearing, as his horned antagonist vanished with him below the green baize.

He seemed eager enough to be hanged, but didn't know how to fit his neck into the noose; sometimes he put his arms through it, then half his body, but never actually let the rope touch his neck. Eventually, he managed to convince Jack Ketch to show him the right way: the hangman did so, put his own neck in the noose, got hit on the head with the staff and kicked from behind, and there he hung, swinging to the delight of everyone watching. Then came the Devil, horned, hoofed, tailed, with big round eyes, and black as coal; but Punch was tough as nails and fought with all his strength, making the Devil retreat several times before he would give in. We never thought the Devil beat him fair and square; he came from behind, like a sneaky thief as he is, seized both of Punch's arms while Punch was facing us in triumph, and took him away on his back: we could even hear the old hero, with his big belly, swearing as his horned enemy disappeared with him under the green baize.

The dog Toby is a modern innovation. He belonged not to the Punch and Judy of our boyish days.

The dog Toby is a modern invention. He didn’t belong to the Punch and Judy of our childhood.

But our picture is not complete without the spectators. Look at that ragged woman holding up her dirty child. The little rogue claps his tiny hands, and crows again at every blow Judy receives; and that poor mother is more delighted with the pleasurable expression of her dirty darling’s countenance than she is with the exhibition, for her heart and eyes are fixed on her child. But for Punch sounding in the street, the urchin would probably have been creeping about the house, or seated upon the hearth crunching the cinders he picked up from under the grate. Even that thin pale-faced girl, who holds up a baby half as big as herself, and throws the long loose hair aside which fell over her clear blue eyes, as she came running and panting up with her heavy burden, stands looking on delighted. That respectable-looking old gentleman also halts, though half ashamed of being seen in such a motley assembly; then passes on with a smile on his face, for he remembers pausing many a time, when going or returning from school with his books swung idly over his shoulder, to look at Punch and Judy; and while he walks along his mind turns back to the days of other years. Then the drum—what a spirit-stirring sound it makes! and the shrill pandean pipes, stuck in a stock of faded crimson velvet, how clear and shrilly they sound!—the man’s head seems as if placed on a swivel, and he hammers and blows away as if for very life.

But our picture isn't complete without the spectators. Look at that ragged woman holding up her dirty child. The little troublemaker claps his tiny hands and cheers at every hit Judy takes; and that poor mother is more thrilled by the joyful look on her messy little darling's face than she is with the show, because her heart and eyes are focused on her child. If it weren't for Punch being loud in the street, the kid would probably be crawling around the house or sitting by the fireplace munching on the ashes he picked up from beneath the grate. Even that thin, pale-faced girl, who’s holding a baby half her size and pushes aside the long, loose hair that falls over her clear blue eyes as she comes running and breathless with her heavy load, stands watching happily. That respectable-looking old gentleman also stops, though he’s a bit embarrassed to be seen in such a mixed group; then he moves on with a smile, remembering how many times he paused while going to or coming back from school with his books dangling over his shoulder to watch Punch and Judy; and as he walks, his mind drifts back to the days of yesteryear. Then the drum—what a lively sound it makes! And the high-pitched pipes, stuck in some faded crimson velvet, sound so clear and shrill!—the man’s head looks like it’s on a swivel as he bangs and blows away as if it were a matter of life and death.

But whither is the crowd running? To see an organ-boy and his monkey. What an excellent tumbler Jocko is! his long tail seems no incumbrance to him, but head over heels he goes. What a strange language his jabbering seems, a running of one word into another! and he looks at us as if pitying our ignorance for not understanding him. There is something about his countenance conducive to merriment; something so old-manish in the expression of his face, that we cannot forbear laughing at him. See how he cracks that nut,—how nimbly he plies his fingers, and how knowingly he looks up at us all the time, as if wondering whether he shall get another or not when that is eaten. What a living caricature he is of our race; now an indignant ugly old man, jabbering and spitting out his vexation; then a mischievous boy, playing all kinds of tricks, and, though grumbled at, liked by every body. Poor fellow! we almost regret that he was ever caught and shoved into that scarlet jacket, to add to our street

But where is the crowd rushing off to? To see an organ grinder and his monkey. Jocko is an amazing performer! His long tail doesn't seem to hold him back at all; he tumbles head over heels with ease. His gibberish sounds so strange, blending one word into another! He looks at us as if he feels sorry for our cluelessness in not understanding him. There’s something about his face that makes us laugh; there's a look that’s so grumpy and old-man-like that we can’t help but chuckle. Look how he cracks that nut—he works his fingers so skillfully and glances up at us all the time, as if he's wondering if he’ll get another treat once he finishes this one. He’s like a living caricature of us; sometimes he’s an annoyed, cranky old man, grumbling and spitting out his frustration; other times, he’s a playful little kid, pulling all sorts of tricks and, even though people complain, everyone secretly likes him. Poor guy! We almost wish he had never been caught and put into that red jacket just to entertain us on the street.

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amusements; and when we see him looking sorrowful, we fancy that we can read his thoughts, can imagine that his memory has wandered far away, to where he hung upon his “old ancestral trees” by his prehensile tail, before the days of his captivity, chattering to his brother monkeys, who could comprehend every word he uttered, or pelting his venerable old grandfather with nuts from the topmost bough of the highest tree that waved amid his native forest. Heigho! The longer we look the more do we feel convinced that we in a thousand ways resemble him, for we are all of us more or less monkeys. Mary Howitt says that he gambolled about and played the very devil in the ark, without bestowing a thought on the wind and rain that blew and beat on the roof; and no one living can contradict her.

amusements; and when we see him looking sad, we imagine we can understand his thoughts, picturing that his mind has drifted far back to when he clung to his “old ancestral trees” with his prehensile tail, before he was captured, chatting with his brother monkeys, who understood every word he said, or throwing nuts at his wise old grandfather from the tallest branch of the highest tree that swayed in his native forest. Sigh! The longer we watch, the more we become convinced that in many ways we resemble him, because we are all, in some way, monkeys. Mary Howitt says he frolicked and caused all sorts of trouble in the ark, without a care for the wind and rain that pounded on the roof; and no one living can dispute that.

But what have we here? A caravan, and a wonderful fat boy in it: charge for admission, one halfpenny. What dodging they have to elude the police—pulling up at the end of every street, if it be only for five minutes—for the fat boy must be fed: were he to get thin, the whole establishment would be ruined. All, saving himself, are thin, the horse almost a skeleton. We can picture the fat fellow crying out that he is falling off pounds if his dinner is delayed an hour behind the usual time—and what a running about there must be to supply him with food! He looks a lazy rascal—a human hog. Dwarfs also, in our eyes, always look spiteful,—little morsels of humanity that would pinch and bite us, if they dare. And well they may be: we should feel so ourselves were we caught, imprisoned, and shewn to all comers at sixpence or threepence a head.

But what do we have here? A caravan, and a really chubby kid in it: admission fee, one penny. They have to be so clever to dodge the cops—pulling over at the end of every street, even if it’s just for five minutes—because the chubby kid needs to eat: if he loses weight, the whole thing is finished. Everyone else, except him, is thin, and the horse is practically a skeleton. We can imagine the chubby guy complaining that he’s losing weight if his dinner is delayed just an hour—what a hustle it must be to get him food! He looks like a lazy bum—a human pig. Dwarfs also, to us, always seem mean—tiny bits of humanity that would pinch and bite us if they could. And who can blame them? We would feel the same way if we were caught, locked up, and shown off to everyone for sixpence or threepence a head.

Look at that little girl in the spangled frock; she is brought out like another Samson, to make sport for the Philistines. How prettily she dances on that board—four feet by three! Through dirt and wet she is compelled to trudge; for she and that unsailor-like fellow, who dances the sailor’s hornpipe, have to supply the whole party with bread. He who drums and pipes also contributes his share. The other two shout, and go round to the crowd, hat in hand, to obtain what they can. Sometimes a similar party is accompanied by a tumbler,—a man whose feet appear to be of no other use to him than to kick them about in the air,—who can walk best on his hands,—and who, we fancy, must be many years in wearing out a pair of shoes. Into what shapes does he twist his body! He seems lithe as a serpent—must have been born without a spine—is all skin—all angles—the spokes of a wheel—a worm rolling in salt—a monkey’s tail that has been thrust into the fire. One would hardly be surprised to see such a limber elf jump clean out of his skin, rattle his bare bones like castanets for a few seconds to amuse us, then slip into his hide again, with less trouble than we could put on our coat.{260}

Check out that little girl in the sparkling dress; she’s brought out like another Samson, to entertain the crowd. How beautifully she dances on that board—four feet by three! Through dirt and mud, she has to trudge; because she and that awkward guy who dances the sailor’s hornpipe have to provide for the whole group. The one who drums and plays also does his part. The other two shout and go around to the audience, hat in hand, trying to gather what they can. Sometimes a similar group has a tumbler with them—a guy whose feet seem to serve no purpose other than kicking in the air—who can walk best on his hands—and who, we assume, takes ages to wear out a pair of shoes. Into what shapes does he twist his body! He looks as flexible as a snake—must have been born without a spine—is all skin—all angles—the spokes of a wheel—a worm rolling in salt—a monkey’s tail that’s been thrust into the fire. It wouldn’t be surprising to see such a nimble elf jump right out of his skin, rattle his bare bones like castanets for a moment to entertain us, then slip back into his skin with less effort than we would take to put on our coat.{260}

The next are the balancers,—from a feather to a fir-tree, nothing comes amiss. That fellow will balance a sword on his naked chin with the point downward; you look under his throat, and expect to see it come through every minute, and are greatly disappointed to behold it spinning round without making an incision. Now he takes a ladder, high enough to reach a second-floor window, and up it goes on his chin, as if it were no heavier than the straw he has just thrown down. Mercy on us! whatever is he going to do with that little boy in the harlequin dress? See, the daring child steps from the balancer’s shoulder to the ladder: higher the little fellow goes, slowly, cautiously—the ladder still on the man’s chin. It looks dangerous, and (self-preservation) you begin to think that if the ladder were to fall, it would be much safer to stand a few feet farther back.

The next act features the balancers—anything from a feather to a fir tree can be balanced. This guy can balance a sword on his bare chin with the point facing down; you glance underneath his throat, expecting to see it pierce through at any moment, and are surprised to see it spinning around without making a cut. Now he grabs a ladder tall enough to reach a second-floor window, and balances it on his chin as if it weighs no more than the straw he just tossed aside. Goodness! What on earth is he planning to do with that little boy in the harlequin outfit? Look, the brave kid is stepping from the balancer’s shoulder onto the ladder: the little guy climbs higher, slowly and carefully—the ladder still perched on the man’s chin. It looks risky, and your instinct for self-preservation makes you think that if the ladder were to fall, it would be much safer to stand a few feet further back.

The Stilt-dancers are not so common in our London streets as they were a few years ago, when they came popping up suddenly at our first-floor windows, and startled us in some occupation which we had no wish to be overlooked,—perchance trying on a peruke, so well-made, that all our friends gave us credit for wearing our own hair. Then, perhaps, they understood not a single word of English; and if you bade them go to Old Harry and shake themselves, they still kept smiling and smirking at you through the window, until their immovable goodnature overcome your slight anger, and you sent them away quite happy, and perfectly unconscious that you had given utterance to one angry word. We also miss the pipe and tabor, and those droll back-kneed fellows the dancing-dogs: these the new police act have driven away, or they are only to be met with in the far-off country.

The stilt-dancers aren’t as common on the streets of London as they used to be a few years ago when they would suddenly appear outside our first-floor windows and catch us in moments we didn't want anyone to see—maybe trying on a wig so well-made that all our friends believed we were wearing our own hair. Back then, they probably didn’t understand a word of English, and if you told them to go to Old Harry and shake it off, they just kept smiling and grinning at you through the window until their unwavering good nature made your mild annoyance fade, and you sent them away happy, completely unaware that you had even said anything out of frustration. We also miss the pipe and tabor, and those funny back-kneed dancing dogs; these have been driven away by the new police regulations, or now you can only find them in the distant countryside.

To what different objects the telescope is now turned from what Horace Walpole describes witnessing, when the heads of unfortunate rebels were placed on Temple Bar: for a penny we may peep at the mountains in the moon, or hear a poor but intelligent man describe the wonders of the

To what different things the telescope is now pointed compared to what Horace Walpole described seeing, when the heads of unfortunate rebels were displayed on Temple Bar: for just a penny, we can gaze at the mountains on the moon or listen to a humble yet knowledgeable person describe the wonders of the

"Spacious sky above,"

instead of paying to peep at those mangled and goary heads—a great improvement on those old barbarous street-sights. White mice and guinea-pigs are still to be met with as “plentiful as blackberries” in the yellow month of October; and from the sound of hurdy-gurdies and the droning of bagpipes, who has not prayed to be delivered? while from our hearts we pity those poor white-haired, pink-eyed mortals, who go winking and blinking hand in hand along the crowded pavements, gazed at in wonder even by the swarthy Lascars, who are ever thrusting tracts in our faces.{261}

instead of paying to look at those mangled and gory heads—a big improvement over those old barbaric street sights. White mice and guinea pigs are still as common as blackberries in the yellow month of October; and with the sound of hurdy-gurdies and the droning of bagpipes, who hasn’t wished for escape? Meanwhile, we feel for those poor white-haired, pink-eyed people, who wander winking and blinking hand in hand along the busy sidewalks, gazed at in amazement even by the swarthy Lascars, who are always shoving pamphlets in our faces.{261}

Nor must we forget the “chummies,” with their Jack-in-the-green, who, instead of sooty garments, cover in May their “innocent blackness” with spangles and tinsel. How Jack reels and staggers in the midst of his green portable arbour towards the close of the day! lurching aside like the massy trunk of a tree buried in ivy, which you expect every minute to fall; reminding us of Orpheus, and the life he put into the timber toes of the hoary old oaks when the forest trees stood bough linked with bough as they danced a merry reel, making all their green array of leaves to tremble again. Merrily does the “Sweepess,” or “Jackess” of the green, jingle her bright brass ladle before the doors; and freely is the produce of that day spent in gin, until the drinking and fighting is ended, when, disrobed of their tinselled trappings, they snore happily on a couch of soft soot.

We can’t forget the “chummies,” with their Jack-in-the-green, who, instead of wearing sooty clothes, cover their “innocent blackness” with sparkles and glitter in May. How Jack sways and stumbles in the middle of his green portable arbor as the day comes to an end, swaying like the thick trunk of a tree wrapped in ivy, ready to fall at any moment; reminding us of Orpheus and the life he brought into the wooden feet of those ancient oaks when the trees linked their branches and danced happily, making all their green leaves quiver. Cheerfully, the “Sweepess” or “Jackess” of the green jingles her shiny brass ladle before the doors; and they freely spend the day’s earnings on gin, until the drinking and fighting are over, when they, stripped of their glittery decorations, snore contentedly on a soft bed of soot.

Guy Fawkes still forms one of our London street amusements, though we regret to say that Guy is now oftener personated by some great hulking gin-drinking lazy fellow, than the old, uncouth stuffed figures which were frequently carried about, with one foot hanging down before and the other behind.

Guy Fawkes is still part of our street entertainment in London, but unfortunately, he is now more often represented by some big, lazy guy who drinks gin, rather than by the old, awkward stuffed figures that used to be carried around with one foot hanging down in front and the other behind.

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CHAPTER XIX.

SPRING-TIME IN LONDON.

THE cries of “All a-blowing! all a-growing!” are the first sounds with which the spring-flowers are ushered into the streets of London; and although not uttered by the lips of such fabled nymphs as the poets of old clothed in the richest hues of their imagination, and sent forth as attendants on blossom-bearing Spring, the voices still come like gentle greetings from old friends, all the sweeter through having been so long absent. Sometimes we see a pretty face looking out, through the homely bonnet, and behold a light and graceful form, and hear a clear musical voice calling out “Sweet primroses!” Another hurries along from street to street with the little basket balanced on her head, while with one hand she ever keeps throwing back the long silky hair that falls down and veils her deep violet-coloured eyes; and we think how some such figure haunted the poet’s fancy when he peopled the vales of Arcady with the “sweet spirits of the flowers.”

TThe cries of “All a-blowing! all a-growing!” are the first sounds that welcome the spring flowers into the streets of London; and even though they aren’t spoken by mythical nymphs like those imagined by ancient poets, who dressed in vibrant colors and were sent as companions of blooming Spring, the voices still feel like warm greetings from old friends, even sweeter for having been absent for so long. Sometimes we catch sight of a pretty face peeking out from under a simple bonnet, and we notice a light and graceful figure, hearing a clear, musical voice calling out “Sweet primroses!” Another one rushes by from street to street with a little basket balanced on her head, while she constantly pushes back her long silky hair that falls down and veils her deep violet eyes; and we think about how a figure like this might have inspired the poet when he filled the valleys of Arcady with the “sweet spirits of the flowers.”

Now windows, which have been closed throughout the long winter, are again thrown open, and the pleasant breeze which has come from “far away o’er the sea,” again blows freshly into those close and unhealthy-smelling rooms. Over dead walls and high houses has the refreshing air climbed—escaping from courts in which there was no thoroughfare. Through the steam of suffocating sewers it struggled; it shook off the malaria that clung to its skirts, as it swept over dark and stagnant ditches; over bone-boiling houses it hurried, and left the old poison behind to float around the places where it was first engendered; and, though somewhat shorn of its sweetness and its strength, it comes like a welcome guest in at the{263} open doors and uplifted casements of the poor. By it the grey hairs of that thin, pale-faced old man are uplifted; it tosses aside the long brown locks of the little grandchild that stands between his knees, fatherless and motherless; for the wind an hour ago blew over the empty house beside the black putrid ditch, where so many died during the past summer, and where that little orphan then lived. Even the imprisoned lark that hangs by the window feels his plumes ruffled by the breeze, and fancying for a moment that he is free, sends out his voice through the wiry cage, and sings as if he were again shivering his wings in some silvery cloud high above the opening daisies.

Now the windows that have been shut all winter are thrown open again, and the lovely breeze from “far away o’er the sea” blows fresh air into those stuffy, unpleasant-smelling rooms. The refreshing air climbs over blank walls and tall buildings, escaping from courtyards with no outlet. It struggles through the fumes of suffocating sewers; it shakes off the lingering malaria as it sweeps over dark, stagnant ditches; it rushes over houses that once boiled with disease, leaving the old toxins behind to linger in the spots where they first thrived. Though a bit less sweet and less strong, it enters like a welcome guest through the {263} open doors and raised windows of the poor. It lifts the gray hair of the thin, pale-faced old man; it tosses the long brown hair of the little grandchild standing between his knees, who is both fatherless and motherless. Just an hour ago, the wind blew over the empty house next to the foul, stagnant ditch, where so many had died last summer and where that little orphan used to live. Even the caged lark hanging by the window feels the breeze ruffle its feathers, and for a moment imagining it's free, it sends its voice through the cramped cage and sings as if it were once again fluttering its wings in some silvery cloud high above blooming daisies.

The blessed breeze and the sweet sunshine have aroused the poor children who vegetate in courts and alleys; and these dirty images of innocence have descended from the close, high attics, and climbed out of the low, damp cellars, and now, bare-headed and barefooted and scantily clad, they are chasing each other like swallows, and appear as happy as if neither rags nor hunger existed in this great city of palaces, poor-houses, and prisons. A drum battledore with its gilded shuttlecock they never saw, nor would such things make them happier than those they have manufactured out of the corks they picked up among the sweepings of the gin-shop, and the feathers from the stall of a distant poulterer; while the bottom of a saucepan, or the crown of a hat, even the fire-shovel (if nothing else is to be had) furnish them with battledores. Somewhere those little ones have been and thrust their tiny arms through the railings where a lilac-tree was in leaf, and they have dug up the stones in the court, and stuck the green lilac-twigs in the ground, and made themselves a garden, which they are watering out of oyster-shells and broken bits of pots; for the same instinct that leads a bird to build its nest causes them to imitate the making of gardens. They collect the leaves of the turnip-tops which the greengrocer has thrown into the street, and, placing them on their little bare heads, march up and down the court, crying “All a-blowing! all a-growing!”

The gentle breeze and warm sunshine have awakened the poor kids who idle away in courtyards and alleys; and these dirty but innocent faces have come down from the cramped, high attics and climbed out of the musty, low cellars, and now, with no shoes, no hats, and barely any clothes, they are running around like swallows, looking as happy as if neither rags nor hunger existed in this grand city of mansions, poorhouses, and jails. They’ve never seen a fancy drum with a gilded shuttlecock, nor would such things bring them more joy than the toys they've made from corks they found among the trash outside the bar and feathers from a far-off poultry stand; while the bottom of a pot, the top of a hat, or even a fire shovel (if nothing else is available) serve as their playthings. Somewhere, those little ones have been and stretched their tiny arms through the railings where a lilac tree was in bloom, and they’ve dug up the stones in the courtyard, stuck green lilac twigs into the ground, and created a garden, which they water with oyster shells and broken pieces of pots; for the same instinct that prompts a bird to build its nest inspires them to mimic making gardens. They collect the leaves from the turnip tops that the grocer has tossed into the street and, placing them on their little bare heads, march up and down the courtyard, chanting “All a-blowing! all a-growing!”

You peep through the open doors of little houses, at the fronts of which men and women are bartering old garments for roots or flowers, and through those open doors you see a little sunless spot between two dead walls, by the side of which a small portion of dark damp mould is portioned off, somewhere about a yard in width by eight feet in length, and those are the two garden-beds into which the “penny roots” will be stuck. Here they grow mustard-and-cress, on which the cats fight, and over which Cinderella shakes her doormats, while scores of little black flies play at hide and seek amongst the leaves; nor will all the washing in the world cleanse your salad{264} from these little superfluities. Then, just as the penny wallflower had struck, and the two roots of daisies, which cost per ditto, were beginning to try to open, and the hollyhock looked as if it might live, and the lupin had still a few leaves left, and the Canterbury-bell had one live shoot on,—just as “the garden” was really promising to rear at least one root, the woman that lived in the two-pair back hung a heavy coverlet on the clothes-line (the line itself consisting of six separate pieces), and it broke, and every root broke too, and not one again raised its head. Then Billy was always bowling his hoop, and could never turn it without going on the other bed; and the dustman had placed his basket on the two scarlet runners that were coming up; and where the nasturtiums were set earwigs were ever creeping in and out, and long-bodied wire-worms, that looked up at Billy as if they would like to taste of his little bare legs, and from which he always ran in screaming. Then they had told Mrs. So-and-so to save her soapsuds, to pour on the roots of the little bit of grape-vine which only shewed a leaf here and there; and she, wishing to oblige her landlady, had put the suds in the saucepan again, blown the fire, and emptied the contents, boiling hot, into the hole she made by the grape-vine!

You peek through the open doors of tiny houses, where men and women are trading old clothes for roots or flowers, and through those open doors, you see a little sunless spot between two dead walls. There's a small patch of dark, damp soil, roughly a yard wide and eight feet long, where the "penny roots" will be planted. Here, they grow mustard and cress, which the cats fight over, and where Cinderella shakes out her doormats, while countless little black flies play hide and seek among the leaves. No amount of washing will ever clean your salad from these little extras. Just as the penny wallflower was starting to bloom, and the two roots of daisies, which cost the same, were beginning to open, and the hollyhock seemed like it might survive, and the lupin still had a few leaves left, and the Canterbury bell had one live shoot—just as "the garden" seemed ready to produce at least one root, the woman who lived on the second floor hung a heavy coverlet on the clothesline (which was made up of six separate pieces), and it broke, taking every root down with it, so not a single one ever grew back. Then Billy was always rolling his hoop, and he could never avoid going onto the other bed; and the trash collector had put his basket on the two scarlet runners that were coming up; and where the nasturtiums were planted, earwigs kept crawling in and out, along with long-bodied wireworms, which looked up at Billy as if they wanted to taste his little bare legs, causing him to always run away screaming. Then they had told Mrs. So-and-so to save her soapy water to pour on the roots of the little grapevine, which only showed a leaf here and there. Wanting to please her landlady, she put the soapy water back in the saucepan, stoked the fire, and dumped the steaming contents into the hole she made by the grapevine!

“All a-blowing! all a-growing!” Saw you that poor woman turn round at the well-known sound? Had you been nearer you might have heard the low sigh she heaved. See, she has purchased with her last halfpenny a bunch of bluebells and primroses, and these she will place in water on her window-sill; and, while her face rests upon her hand, she will see miles beyond the little back yard, with its water-butt and cinder-heap, which her window overlooks, even as far off as the home of her childhood. The little cottage beside the wide open common, which was yellow with gorse and broom in summer, and purple with heath-bells in autumn, will again rise before her. In fancy she will hear the bees murmur as they went to and fro from her father’s garden—will see the beds of flowers which she called her own; the old apple-tree, robed in white and crimson blossoms; hear the very chirp of the sparrows that built in the thatched roof, under which the honeysuckle climbed. She will again picture the rustic stile—the walk along the green lane, when the hedges were white with May, when his arm was placed gently around her waist, who is now working in chains in some penal settlement. He, who was so good and so kind to her, until he was allured to London, where he met with evil companions, and first starved, then, stupified with gin, went forth in the stilly dark night, and returned home a housebreaker. See! her eyes are closed—she has fallen asleep in her broken chair; a tear still lingers in her eyelashes, and a faint sad{265} smile rests on her wan lips—for she fancies that she again hears the village-bells ringing, and that she is walking between those rows of graves, beneath the avenue of elms, with her bible and prayer-book in her hand, and about to enter the humble pew in which her father and mother (long since dead) knelt beside her in prayer. She awakes with a sigh; the sunshine falls on the chimney-pot opposite. She hears the drunken dustman, who lives beneath her, again quarrelling with his wife; the cry of “Beer!” in the street, then the smell from the sewer ascends; and, bringing in her flowers, she closes the window, and sits down to earn one-halfpenny per hour at the needlework supplied to her by that heart of nether millstone, the Great Nebuchadnezzar, through whose fiery furnace so many are compelled to pass, and in which such numbers perish, as they yield to his stern decree, because they know no other way by which they can obtain bread; garments made beneath burning sighs and scalding tears, that seem hot enough to blister the backs of those who wear them. God help thee, poor woman! thou canst not see it, although we can; there is an angel’s face shining through every tear thou hast shed over those flowers, and looking upon thee with mild and pitying eyes.

“All blowing! all growing!” Did you see that poor woman turn at the familiar sound? If you had been closer, you might have heard the soft sigh she let out. Look, she has spent her last halfpenny on a bunch of bluebells and primroses, which she plans to put in water on her window-sill; and, as her face rests on her hand, she will gaze far beyond the little backyard, with its water-butt and heap of cinders, that her window overlooks, all the way back to her childhood home. The little cottage by the wide open common, which turned yellow with gorse and broom in summer, and purple with heath-bells in autumn, will once again appear before her. In her imagination, she will hear the bees buzzing as they went back and forth from her father’s garden—she will see the flowerbeds she called her own; the old apple tree, dressed in white and crimson blossoms; and hear the chirping of the sparrows that built in the thatched roof, under which honeysuckle climbed. She will conjure up the rustic stile—the walk along the green lane, when the hedges bloomed white with May flowers, when his arm was gently placed around her waist, who is now enslaved in some penal settlement. He, who was so good and so kind to her until he was drawn to London, where he found bad company, first starved, then, numb from gin, ventured out into the still, dark night, returning home as a housebreaker. Look! her eyes are closed—she has dozed off in her broken chair; a tear still clings to her eyelashes, and a faint, sad smile rests on her pale lips—for she imagines she hears the village bells ringing again, and that she is walking between rows of graves, under the avenue of elms, with her bible and prayer book in hand, about to enter the humble pew where her father and mother (long gone) knelt beside her in prayer. She wakes with a sigh; the sunlight shines on the chimney pot across the way. She hears the drunken dustman, who lives below her, again arguing with his wife; the shout of “Beer!” in the street, then the smell from the sewer wafts up; and bringing in her flowers, she closes the window and sits down to earn a halfpenny an hour from the needlework supplied to her by that heartless tyrant, the Great Nebuchadnezzar, through whose fiery furnace so many must pass, and in which countless perish, yielding to his harsh decree, because they know of no other way to earn bread; clothes made from burning sighs and scalding tears, that seem hot enough to blister the backs of those who wear them. God help you, poor woman! You can't see it, though we can; there's an angel’s face shining through every tear you’ve shed over those flowers, looking at you with gentle and compassionate eyes.

See those old men and women “pottering” about the bit of ground before the almshouses; they also feel the cheering influence of spring. Although each plot or bed would but little more than make a grave, were a tolerable breadth of walk left between, they find a pleasure in cultivating so small a patch of earth, every inch of which brings something to remembrance as it is turned over: that root was given by old William, who is dead; the other by John, who is dying; from this, last summer, were cut the flowers he placed in a comrade’s coffin; that his wife, long dead, brought all the way from the country, when she went to see her daughter at Croydon, and was so poor, that she had to walk back—and that walk caused her death; for, while heated, she sat before the door in the cool, calm April evening—it “chilled” her, and she died. Honest old bedesman! I could kiss off the tear that fell on the blue sleeve of thy old coat, were it not for pride or shame. “Two years ago, sir; she was but seventy!” and thy heart still softens, and thy tears fall when her image rises before thee, for in thy eyes she never looked aged, but rose green and fresh through the memory of other years, even as when thou first didst woo her, walking between the quiet woods along the canal near Croydon, when the forget-me-not looked into the water at its shadow, and the crimson foxglove made a red streak like sunset in the crystal mirror, and no one then dreamed that a railway would bare its iron back where the silver water reflected both{266} your images and the broad-branched oak, beneath which ye were then seated.

See those old men and women “puttering” around the little patch of ground in front of the almshouses; they too feel the uplifting energy of spring. Even though each plot barely has enough space for a grave if they left room for walking, they find joy in tending to such a tiny piece of land, each inch evoking memories as it’s turned over: that root was given by old William, who has passed away; the other by John, who is not far from dying; from this patch, last summer, were cut the flowers he placed in a friend's coffin; those came from his wife, long gone, who brought them from the countryside when she visited their daughter in Croydon, and was so poor that she had to walk back—and that walk led to her death; for, feeling warm, she sat outside in the cool, calm April evening—it “chilled” her, and she died. Honest old bedesman! I could wipe away the tear that fell on the blue sleeve of your old coat, if not for pride or shame. “Two years ago, sir; she was just seventy!” and your heart still aches, and your tears fall when her image appears in your mind, because in your eyes, she never seemed old, but remained vibrant and fresh through the memories of other years, just as when you first courted her, walking between the quiet woods along the canal near Croydon, when the forget-me-nots peered into the water at their reflection, and the crimson foxgloves made a red streak like a sunset in the crystal mirror, and no one then imagined that a railway would expose its iron back where the silver water reflected both{266} your images and the wide-branched oak, beneath which you were seated.

Spring brings with it Easter—the first holiday that brightens on the departing gloom of winter. Then we hear mingled with the cry of “All a-blowing! all a-growing!” the reedy notes of penny trumpets, and the beat of tiny drums, and the shrill pipings of yellow wooden whistles: and tired children walk home from Greenwich with little dolls on their arms; and mothers carry their sleeping babies without murmuring; and little feet, that “scarcely stir the dust,” come plodding on, just as their young fathers and mothers had done some three or four-and-twenty years ago. Here, one on each side clung to her gown, there he carried another pick-a-back, who kept grinding his organ as he rode; while the fourth slept, covered over with the shawl, regardless of the busy crowds that were hurrying to and fro. Surely there was no selfishness in the enjoyment of the day on the part of the parents, shared as it was by those dear dusty children, the eldest not five years old, the youngest not so many months; and two of them carried every inch of the five miles back. For days after will those children talk about what they saw in the park at Greenwich, in the fair, and on the road; and their dreams will be of gilt gingerbread horses, and swings high as the tall trees, and booths, and music, the distant river, old pensioners with wooden legs and spyglasses, donkeys on Blackheath, swarthy gipsies, drinks of beer, and the heads and tails of shrimps. They will mimic the sights, and try to imitate the sounds, and go sounding and drumming through the house until the trumpet refuses to speak, and the drum is burst, and not a wire is left inside the threepenny organ. Then their grandfathers and grandmothers (if they were not with them) will come and ask a hundred questions as to what they saw, and what they did, and whither they went; and, from the answers they receive, go away convinced that there are no other children in this huge overgrown London to be compared with their grandchildren. May heaven shower its blessings on the conceit, and they never have cause to think otherwise!

Spring brings Easter—the first holiday that brightens the fading gloom of winter. Then we hear, mixed with the shout of “All a-blowing! all a-growing!” the squeaky sounds of penny trumpets, the thump of tiny drums, and the sharp notes of yellow wooden whistles: and tired kids walk home from Greenwich with little dolls in their arms; and mothers carry their sleeping babies without complaining; and little feet, that “barely stir the dust,” trudge along, just like their young fathers and mothers did twenty-three or twenty-four years ago. Here, one on each side clung to her dress, there he carried another on his back, who kept cranking his organ as he rode; while the fourth one slept, covered with a shawl, unaware of the busy crowds rushing around. There was definitely no selfishness in the joy of the day from the parents, shared as it was with those beloved dusty kids, the oldest not yet five, the youngest just a few months; and two of them carried every single inch of the five miles back. For days after, those kids will talk about what they saw in the park at Greenwich, at the fair, and on the road; and their dreams will be filled with gold-leaf gingerbread horses, swings as high as the tall trees, booths, music, the distant river, old pensioners with wooden legs and spyglasses, donkeys on Blackheath, swarthy gypsies, drinks of beer, and the heads and tails of shrimp. They will mimic the sights, try to imitate the sounds, and make trumpet noises and drum beats throughout the house until the trumpet breaks, the drum is ruined, and not a wire is left inside the threepenny organ. Then their grandfathers and grandmothers (if they weren’t with them) will come and ask a hundred questions about what they saw, what they did, and where they went; and, from the answers they get, they will leave convinced that there are no other kids in this huge sprawling London to compare with their grandchildren. May heaven shower its blessings on that belief, and may they never have reason to think otherwise!

Besides such groups as these, the pavements were almost blocked up with little carts, in which many a kiss and many a scratch were exchanged, and in these children squalled and smiled as they were dragged part of the way to the fair. And the little nurserymaid, who still wore her workhouse dress, was compelled to turn round every few minutes and to threaten what she would do at the impudent but good-natured boys who would help to shove on the little chaise, and cram a portion of their oranges or gingerbread into the children’s mouths. Then one fine-looking, dark-eyed lad, after a harmless fight{267} with the little maid, by some kind of freemasonry, was a minute or two after helping her to draw the chaise, and they went on chatting and laughing together, while he divided his fairings with her. On looking at that lad more closely, we remembered that for a month he brought our water-cresses, that for a fortnight he knocked at our door and called “Butcher!” then we lost sight of him for some weeks, and when he made his appearance again he came with our daily newspaper, followed by a dog, which he set on our favourite cat. Times got worse, and he came with another boy; and they swept the snow from the pavement for a penny, and as much bread and cheese as they could eat. Then he opened and shut a shop, but had the misfortune to break a pane of glass; and as it was on Tuesday when the accident took place, and he was informed that the price of the pane would be stopped out of his week’s wages; and as he calculated what that would amount to, and found that it would swallow up his whole week’s earnings, why he went to breakfast, and never returned; and, just before Easter, he had raised a basket, and, either by money or credit, obtained a goodly show of roots and flowers, and, instead of “Water-cresses!” “Butcher!” or “Paper!” we heard his cheerful and well-known voice in the street, crying “All a-blowing! all a-growing!” He is now aspiring to a donkey and cart, and if we err not, to the little nursery-maid in the mob-cap and workhouse dress, and sweet smiling countenance (when pleased), which proclaims her to have come “of gentle kin.”

Besides groups like these, the sidewalks were almost crowded with little carts, where many kisses and scratches were exchanged, and children squawked and smiled as they were pulled part of the way to the fair. The little nursery maid, still in her workhouse dress, had to turn around every few minutes and threaten what she would do to the cheeky but good-natured boys who helped push the little cart and shoved some of their oranges or gingerbread into the children’s mouths. Then one handsome, dark-eyed boy, after a harmless fight with the little maid, somehow ended up helping her pull the cart a minute or two later, and they chatted and laughed together while he shared his treats with her. Looking closely at that boy, we remembered that for a month he brought us watercress, and for a fortnight he knocked on our door calling “Butcher!” Then we lost sight of him for a few weeks, and when he showed up again, he came with our daily newspaper, followed by a dog he set loose on our favorite cat. Times got tougher, and he came with another boy, sweeping the snow from the sidewalk for a penny and as much bread and cheese as they could eat. Then he opened and closed a shop but had the bad luck of breaking a pane of glass; and since it was Tuesday when the accident happened, he was told the price would be deducted from his week's wages. When he calculated how much that would be and realized it would wipe out his entire week's earnings, he went to breakfast and never returned. Just before Easter, he had gotten a basket and, either with money or credit, secured a nice selection of roots and flowers, and instead of shouting “Water-cresses!” “Butcher!” or “Paper!” we heard his cheerful and familiar voice in the street calling out “All a-blowing! all a-growing!” He now aspires to have a donkey and cart, and if we’re not mistaken, to the little nursery maid in the mob cap and workhouse dress, with her sweet smiling face (when pleased), which indicates her "gentle kin."

Now bundles of rhubarb, that run all to water in the pies and puddings, may be seen in the greengrocers’ shops; and little new waxy potatoes, that have no taste, are ticketed a shilling a pound; and small gooseberries, that have the flavour of green-tea leaves, given to the old charwoman, and which she has kept stewing on the hob for a full hour, are ditto per half pint; and asparagus, that looks like candle-wicks, is tied up in bundles; while little salads made of two radishes, a couple of onions, a few slices of beet-root, mustard, cress, and a halfpenny bunch of water-cresses, sit in little baskets marked sixpence, and try to tempt the passers-by to purchase. Now men, who smell of the aroma of old woods, stand before the doors of public-houses, with young honeysuckles and eglantine, the roots buried in moss; and violets and primroses, fresh and blowing in their own native earth, just as they were dug up on the sunny banks by Sanderstead, or in the tree-shaded lanes around Cobham.

Now you can see bundles of rhubarb that turn to mush in pies and puddings in the grocery stores; and tiny new waxy potatoes, which have no flavor, priced at a shilling a pound; and small gooseberries, tasting like green tea leaves, given to the old cleaning lady, which she has been simmering on the stove for a whole hour, also sold for the same price per half pint; and asparagus, resembling candle wicks, tied up in bundles; while tiny salads made of two radishes, a couple of onions, a few slices of beetroot, mustard, cress, and a halfpenny bunch of watercress, sit in small baskets marked sixpence, trying to entice passersby to buy. Now men, smelling of old wood, stand in front of pubs, with young honeysuckles and eglantine, their roots wrapped in moss; and violets and primroses, fresh and blooming in their own native soil, just as they were dug up on the sunny banks of Sanderstead or in the tree-lined lanes around Cobham.

Finally, old hats, boots, shoes, and cast-off garments of every description are routed out at the cry of “All a-blowing! all a-growing!” and exchanged for flowers, the bearers of which barter on the principle of getting all they can and giving as little as possible in{268} return. Even the lady of the house cannot resist the entreaties of her children, who, attracted by the well-known call, and the sight of the basket of flowers outside the window, drag her to the door, and let her have no peace until she has purchased the lovely heath, the beautiful Iris, the pot of American primroses, or the gaudier group of gold and silver-coloured crocuses. The servant-girl must also have her flower-pot in the high attic window, and she looks at it the first thing in the morning and the last at night, and feels thankful, in the words of Solomon, that “the winter is past, the rain is over and gone; the flowers appear on the earth, the time of the singing of birds is come, and the voice of the turtle is heard in our land.”

Finally, old hats, boots, shoes, and discarded clothes of every kind are dug out at the shout of “All a-blowing! all a-growing!” and swapped for flowers, with the sellers trying to get as much as they can while giving as little as possible in{268} return. Even the lady of the house can’t resist her children's pleas, who, drawn by the familiar call and the sight of the flower basket outside the window, pull her to the door, insisting she buy the lovely heath, the beautiful Iris, the pot of American primroses, or the flashier bunch of gold and silver crocuses. The maid must also have her flower pot in the high attic window, and she checks it first thing in the morning and last at night, feeling grateful, in the words of Solomon, that “the winter is past, the rain is over and gone; the flowers appear on the earth, the time of the singing of birds has come, and the voice of the turtle is heard in our land.”

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CHAPTER XX.

LONDON CEMETERIES AND THE EPIDEMIC IN 1849.

THAT it was customary in ancient times to bury the dead outside the city-walls the holy Bible bears witness, even as far back as in the early chapters of the Book of Genesis, where it is recorded how Abraham bought the field of Macphelah of Ephron the Hittite, “and the cave which was therein, and all the trees that were in the field, (and) that were in all the borders round about.” (Chap. xxiii.) Here we find a rural cemetery in a green field bordered with trees, in which the venerable patriarch buried his wife nearly four thousand years ago, while we, with all our boasted improvements, are in the present day thrusting the dead together in countless thousands, in the very heart of our close and over-crowded cities—where the living have scarcely room enough to breathe, and the dead of to-day are crammed amongst the remains which have been disinterred to give them a short lodgment; when they again in turn are cast out, and mysteriously consumed or pounded into the smallest possible compass under our very eyes, in so unfeeling, heartless, and brutal a manner, that we dare not shock our readers with the revolting details.

TIT was common in ancient times to bury the dead outside the city walls, as the holy Bible shows, dating back to the early chapters of the Book of Genesis. It records how Abraham purchased the field of Macphelah from Ephron the Hittite, “and the cave which was therein, and all the trees that were in the field, (and) that were in all the borders round about.” (Chap. xxiii.) Here, we see a peaceful cemetery in a green field surrounded by trees, where the respected patriarch buried his wife nearly four thousand years ago. Meanwhile, despite all our claimed advancements, we now crammed the dead into the very center of our cramped and overcrowded cities—where the living barely have enough space to breathe, and the dead of today are packed in with remains that have been dug up to make room for them; when they, in turn, are discarded and mysteriously reduced to the smallest size possible right before our eyes, in such a cold, heartless, and brutal way that we hesitate to shock our readers with the disturbing details.

The head-stone, reared by the hand of pious affection, instead of pointing to the remains it was erected to commemorate, stands over the graves of strangers, and we shed our tears over those whom we never knew; while the sexton and the grave-digger grin at us behind the neighbouring tomb-stones, chinking the silver in their pockets, and laughing to think that the paupers whom they shoved into “our” grave on the previous night in a “huggermugger” way should be wept over by the broken-hearted mourner whom they have thus cheated. With these facts dinned into our ears every day by the{270} uplifted voice of the press, are we not guilty of disrespect towards the dead by burying them in these ever-changing and common lodging-houses? We know not where their remains are to be found at the end of the year; cannot tell whether they have been removed to lay the foundation of a new road, or sold and ground up to manure some distant field.

The headstone, put up out of heartfelt affection, instead of marking the remains it was meant to honor, stands over the graves of strangers, and we cry for people we never knew. Meanwhile, the sexton and the grave-digger smirk at us from behind the neighboring tombstones, jingling the coins in their pockets and laughing at the thought that the poor souls they buried in “our” grave last night in a hurried manner should be mourned by a grieving loved one they’ve tricked. With these truths hammered into our ears every day by the{270} loud voice of the media, are we not being disrespectful to the dead by burying them in these constantly changing and ordinary resting places? We don’t even know where their remains are by the end of the year; we can’t tell if they’ve been moved to make way for a new road or sold off and turned into fertilizer for some faraway field.

Let us not forget that when the heathen Greeks and Romans brought the remains of their heroes and poets into their ancient temples, the bodies were first burnt, and only the ashes preserved in richly sculptured urns, on which the achievements of the dead were pictured: their classical minds fashioned “a thing of beauty” out of the ashes of the departed; they gave to the dead a beautiful dwelling-place, and those who were buried unscathed by the funeral fire were interred in cemeteries where trees were planted over them, and marble monuments erected; and, idolators though they were, such places were held sacred, and were called “the silent cities of the dead,” and were ever remote from the abodes of the living.

Let’s remember that when the ancient Greeks and Romans honored their heroes and poets, they burned the bodies first and kept the ashes in beautifully crafted urns, which depicted the deceased's accomplishments. Their classic minds created “a thing of beauty” from the ashes of those who had passed away; they provided the dead with a lovely resting place, and those who weren’t cremated were buried in cemeteries where trees were planted above them and marble monuments were built. Even though they were idolaters, these places were considered sacred and were referred to as “the silent cities of the dead,” always separate from the homes of the living.

I have before remarked, in my Pictures of Country Life, that, amid the din and tumult of a populous city, the dead are sadly misplaced. I never look upon those close unhealthy corners, crowded with graves, without feeling that it is wrong to bury the dead there; that they ought to be removed from such shadowy and sunless spots to where the tall trees would make a soothing murmur above their heads, and all around them be “gentle images of rest.” Their business with this world is ended; they have finished their long day’s work; the roll of carriages, the tramp of busy passengers, and living voices, clamorous for gain, ever in my ear sound harshly when they come grating and jarring amongst the resting-places of the dead. The price of corn, the state of the money-market, or the rising and falling of the funds, are matters which ought to be discussed far away from those we followed, and wept over, and consigned to their silent chambers, there to sleep till the last trumpet sounds.

I’ve mentioned before in my Pictures of Country Life that, amidst the noise and chaos of a crowded city, it’s really wrong how the dead are treated. Whenever I see those cramped, unhealthy corners filled with graves, I feel it’s inappropriate to bury them there; they should be moved from those dark, sunless places to where tall trees can softly rustle above them, surrounded by “gentle images of rest.” Their time in this world is over; they’ve completed their long day’s work. The sound of carriages, the footsteps of busy people, and voices clamoring for profit clash harshly in my ears when they intrude on the resting places of the dead. Discussions about grain prices, the state of the money market, or rises and falls in stocks should happen far from those we’ve mourned, laid to rest, and left to their silent chambers, to sleep until the last trumpet sounds.

In the open Cemetery, we seem to walk through a land lettered with living affections, and strewn over with tokens of existing love. Our sympathies are divided between the mourned and the mourners; our sorrow is not alone for the dead; the flowers at our feet remind us that there are those behind us somewhere who come here now and then to weep. If we picture Grief standing there with bowed head, and hair unbound, “refusing to be comforted,” Pity seems to kneel before us at the same time; and, while she looks up timidly into the pale face of Grief, appears as if entreating of her to remember the mourners, who only survive to weep; while Memory, with downcast{271}

In the open cemetery, it feels like we walk through a space filled with living emotions, scattered with signs of ongoing love. Our sympathies are shared between those who have passed and those left behind; our sorrow isn't just for the dead; the flowers at our feet remind us that there are people who come here now and then to cry. If we imagine Grief standing there with her head down and hair loose, "refusing to be comforted," Pity seems to kneel before us at the same time; and, while she looks up shyly into the pale face of Grief, it seems she's trying to remind her of the mourners, who live on just to weep; while Memory, with downcast{271}



HIGHGATE CEMETERY.

HIGHGATE CEMETERY.

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Highgate Cemetery.

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eyes and folded arms, seems musing over the flowers which Affection has planted on their graves. In a dimly-lighted, breathless City churchyard, such images are not seen: our affections are there fettered—the imagination is chained down, and endeavours in vain to soar heavenward. If we call up the dead, they seem to sit weeping with bent head and folded wings among the dark shadows of the mouldering monuments on which the sunlight seldom falls.

eyes and folded arms, seems to be pondering the flowers that Affection has planted on their graves. In a dimly-lit, stuffy city cemetery, such images are not visible: our feelings are restricted there—the imagination is held down and struggles in vain to rise up. If we try to summon the dead, they seem to sit weeping with bowed heads and folded wings among the dark shadows of the decaying monuments that rarely see the sunlight.

Against these unhealthy graveyards sentence has been pronounced: they are doomed to be closed. It is useless for selfish and mercenary men to oppose the fiat which has gone forth, for the air of this mighty city has too long been poisoned through men who live by the dead. Let us create a good out of this evil; and after these unhealthy churchyards have been closed long enough to destroy the injurious exhalations which have of late numbered so many of the living with the dead, then let the grounds be planted with trees and flowers, and they will become sweet breathing-places, like our squares, and amid the brick walls call up images of the far-away country. The old monuments need not be disturbed. To see the drooping branches of a green tree falling over them, will add to their beauty and solemnity; and in the centre of our cities we can wander among groves rendered sacred by the remains of our forefathers,—can in the dim twilight-shadows which the flickering leaves will ever make, hold communion with the spirit of John Bunyan, while we peruse his immortal work in the burying-ground of Bunhill-fields; for by such association would these spots become hallowed. Nor would the records of the dead, who sleep without the walls of the church, be held less sacred, if their names were engraven on marble tablets, and placed within the consecrated buildings around which their dust would repose, beneath beds of blowing flowers and close-leaved evergreens.

Against these unhealthy graveyards, a sentence has been given: they are set to be closed. It’s pointless for selfish and greedy people to fight against the decision that has been made, because the air in this great city has been poisoned for too long by those who profit from the dead. Let’s turn this bad situation into something good; once these unhealthy churchyards have been closed long enough to eliminate the harmful fumes that have recently caused so many living souls to join the dead, let’s plant trees and flowers there. They could become pleasant breathing spaces, like our parks, evoking imagery of the countryside amidst the city’s brick walls. The old monuments don’t need to be disturbed. Watching the drooping branches of a green tree gently cover them will enhance their beauty and solemnity; in the heart of our cities, we can stroll through groves made sacred by the remains of our ancestors—there, in the soft twilight shadows created by the rustling leaves, we can connect with the spirit of John Bunyan while reading his timeless work in Bunhill Fields cemetery; such associations would truly sanctify these locations. The memories of the dead resting outside the church walls would hold equal importance if their names were carved on marble tablets and displayed within the consecrated buildings that surround the ground where their dust lies, beneath beds of blooming flowers and lush evergreen leaves.

The old grey weather-beaten tombs of the founders of charities would look more venerable overtopped by the tall elm, the sable yew, or the weeping willow, that seems ever to droop sadly above the dead. No busy builder should ever be permitted to rear a wall within these sacred enclosures, or disturb the robin that would pipe his sweet anthem in autumn, or drive away the belted bee, that would come over the high houses from some distant meadow, to make a plaintive murmur in the heart of this vast city as he flew in and out among the flowers that waved above these old households of the dead.

The old, weathered tombs of the charity founders would look even more dignified under the tall elm, the dark yew, or the weeping willow, which always seems to sadly droop over the dead. No busy builder should ever be allowed to put up a wall in these sacred grounds, or disturb the robin that sweetly sings in the autumn, or scare away the buzzing bee, which comes from some distant meadow over the tall buildings, adding a soft hum to the heart of this vast city as it flits among the flowers that sway above these ancient resting places.

Let us not sow these places with salt, nor strew them with lime, to destroy every trace of what they really are—spots sanctified by tears and prayers, and the bodies of our brother men; but, if necessity demands it, remove some of their remains tenderly to other places of{274} sepulture, and make gardens over the graves of those who are left undisturbed—spots above which the blue sky might be seen, while the sunshine slept below; amid which we could obtain glimpses of the face of heaven, while musing over the memory of those who have long since entered the gates of the “golden city.” Let not these old burial-grounds be closed with no more reverence than if we were shutting up a common sewer; let us not speak of them as loathsome, disgusting, and revolting, because they are made so by unfeeling, money-loving men—gnomes, who feed and fatten on the dead—who look on coffins as they do on cabbages—digging, planting, cutting down, and re-setting the ground, and only studying how to make more money; but let us remember that the mute and inoffensive dead contribute not unto the evils complained of until they are dislodged with brutal violence—that they cannot defend themselves, for

Let’s not cover these places with salt or lime, erasing every sign of what they truly are—areas sanctified by tears and prayers, and the bodies of our fellow humans. But if we must, let’s gently move some of the remains to other burial sites and create gardens above the graves of those who rest undisturbed—places where the blue sky is visible, and sunshine bathes the ground; where we can catch glimpses of heaven while remembering those who have long passed through the gates of the “golden city.” Let’s not treat these old burial grounds with less reverence than if we were closing up a common sewer. Let’s not describe them as filthy, disgusting, or repulsive, since they become that way through the actions of cold-hearted, money-hungry people—like gnomes who profit from the dead—viewing coffins as they do cabbages—digging, planting, cutting down, and rearranging the land, solely focused on making more money. But let’s remember that the silent and harmless dead aren't responsible for the problems we complain about until they are violently disturbed—that they cannot defend themselves, for

"They are very gentle and humble;
Even if (sextons) strike them on the cheek
"And they can't speak."

The inhuman vultures who prey on them injure the living, and only insult the dead through our sensitiveness. To the dead it matters not:

The cruel vultures that prey on them harm the living and only offend the dead through our sensitivity. To the dead, it doesn't matter:

“They don’t hear (Poor-law guardians) rant,
Nor moaning home shelter crave (When taken from each grave that has been sold three times).”

When our old churches were first built, they stood in wide, open, breezy spaces, at the remote ends of parish boundaries: such was Bartholomew Church, when Smithfield was really a field, and the lofty elm-trees towered high above the ancient gallows which was erected there. We have hemmed in the spots with streets and tall warehouses which our forefathers left free and open between the living and the dead, until they have become so close and breathless, that even the sparrows forsake their “old ancestral eaves,” and seek for other roosting-places.

When our old churches were first built, they were located in wide, open, breezy spaces, at the far edges of parish boundaries: such was Bartholomew Church, when Smithfield was truly a field, and the tall elm trees rose high above the ancient gallows that stood there. We have surrounded these places with streets and tall warehouses that our ancestors left open and free between the living and the dead, until they have become so cramped and suffocating that even the sparrows have abandoned their “old ancestral eaves” and are looking for other places to roost.

Open cheap cemeteries, and conveyances thither, will spring up rapidly enough; funeral omnibuses will be started at little more than the present fares. If nothing else will do, let us be rated for burying our dead: we do not murmur at supporting them while living, nor should we begrudge the slight tax that would be required for interring them in Suburban Cemeteries. There are thousands of acres of land to be sold within five miles of the City of London; if we go to the distance of ten miles it will be all the better for our children’s children; but let no buildings be erected within a measured mile of{275} these Silent Cities of the Dead, but each for ever remain a Great Garden of Graves.

Open affordable cemeteries and transportation to them will quickly emerge; funeral buses will start at just a bit more than current rates. If nothing else works, let’s pay a fee for burying our dead: we don’t complain about supporting them while they’re alive, so we shouldn’t mind the small tax needed to bury them in suburban cemeteries. There are thousands of acres of land available for sale within five miles of the City of London; if we extend that to ten miles, it will be even better for future generations. But let’s ensure that no buildings are constructed within a measured mile of{275} these Silent Cities of the Dead, leaving each one as a vast Garden of Graves.

Affection would often visit this Land of the Dead; the widow would take her children by the hand, and lead them into the country, to shew them the little freehold in which their father slept. The poor would become more pious, and amid their troubles thank God that they had at last a tranquil haven, in which they could for ever moor their storm-tossed barques: to them suburban cemeteries would become spots filled with solemn associations—homes to which they were fast hastening with patient resignation.

Affection would often visit this Land of the Dead; the widow would take her children by the hand and lead them into the area to show them the small plot where their father rested. The poor would become more devout, and despite their struggles, they would thank God for finally having a peaceful place to anchor their troubled souls: to them, suburban cemeteries would become places filled with solemn memories—homes to which they were quickly moving with patient acceptance.

To us there is no feeling of loneliness while wandering through a beautiful cemetery. The dead seem to belong to us; they are of our company; they have but taken their berths in the great ship, and are sleeping until we come to join them, to be fellow-voyagers with them into the unknown sea of eternity—trusting ourselves to the care of the same Almighty Captain whose “ministering angels” fill the sails. Around the cemetery we see the wide unwalled country, where we have so often walked and talked with those who now “sleep their long sleep,” and, while gazing over the landscape, they seem to accompany us, and to live again in our thoughts; or we stand, as it were, in a great picture-gallery, surrounded with portraits of the dead: not a single object rises up to shock our feelings;—the open country beyond—the trees around—the flowers that cover the graves by which we stand—cause us to contemplate death kindly, and, instead of becoming hideous, he is but a gentle porter, who sits patiently without the gates of heaven, and welcomes all who are prepared to enter.

To us, there’s no feeling of loneliness while wandering through a beautiful cemetery. The dead feel like they belong to us; they're part of our company; they’ve just taken their places on the great ship and are resting until we join them, to be fellow travelers into the unknown sea of eternity—trusting ourselves to the care of the same Almighty Captain whose “ministering angels” fill the sails. Around the cemetery, we see the vast open country, where we’ve often walked and talked with those who now “sleep their long sleep,” and, while looking over the landscape, they seem to accompany us and come back to life in our thoughts; or we stand, so to speak, in a great art gallery, surrounded by portraits of the dead: not a single thing rises up to shock our feelings;—the open country beyond—the trees around—the flowers covering the graves by which we stand—make us contemplate death kindly, and instead of being frightening, he is just a gentle porter, who patiently waits outside the gates of heaven, welcoming all who are ready to enter.

To plant a grave with such flowers as “the poor inhabitant below” loved whilst living, is a pious pleasure: it is a living link between us and the dead, and keeps alive an affection which belongs not to the world; though a “poor thing, it is our own;” for we know that the flowers are kept alive by an invisible hand, that in the still dark night they continue to grow, while we are wrapt in as sound a slumber as that which falls upon the dead—the only difference being that we perchance may again awaken. There is no such link between us and them in a cold, grey, hard, dead tomb-stone: the tears which fall upon the flowers are not lost, for we know not but that the perfume may be wafted to heaven.

To plant a grave with the flowers that "the poor inhabitant below" loved while alive is a meaningful joy: it creates a living connection between us and the deceased, keeping alive a bond that doesn't belong to the material world; although it may seem "poor," it is our own. We understand that the flowers are nurtured by an unseen force, continuing to grow in the still, dark night while we are wrapped in a sleep as deep as that of the dead—the only difference being that we might wake again. There’s no real connection with them in a cold, gray, hard, lifeless tombstone: the tears that fall on the flowers are not wasted, for we can’t tell if their fragrance might be carried to heaven.

We believe that the dead will again arise—that in some other state we shall again meet with them; and yet there are those who make their remains a source of profit. Perchance, the Angel of Death holds his court beyond the grave, and they may be summoned before him to account for their deeds. We, in our boyish days, were taught{276} to take off our hats when we entered a churchyard, and to walk amongst the dead as reverentially as we did up the aisle of the church—to look upon the grave as the gate which opened into heaven, as the only road which leads to the realms of eternal happiness.

We believe that the dead will rise again—that in some other existence we will reunite with them; yet there are those who profit from their remains. Perhaps, the Angel of Death holds his court beyond the grave, and they could be called to account for their actions. We learned in our younger days{276} to remove our hats when we entered a cemetery and to walk among the dead with as much respect as we showed while walking down the aisle of the church—to view the grave as the doorway to heaven, as the only path leading to eternal happiness.

I have, in the work formerly alluded to, endeavoured to paint an ancient funeral procession, from the pages of holy writ, and to shew how great was the respect paid to the dead in the patriarchal ages. Through what a laud of poetry and peril was the dead body of Joseph brought out of Egypt! We marvel that no painter has been bold enough to grapple with so sublime a subject. Amid the plagues that struck consternation into the hearts of the old Egyptians, there stood the coffin ready to be borne away: in the deep darkness which overshadowed the land—it stood black and silent amid the deep gloom. When the Israelites departed they bore it away: the pillar of fire flashed redly upon it by night, and by day it was slowly carried behind the pillar of cloud: through the Red Sea it was borne; below that high and terrible wall of water did the body of that dead man pass; then the sleeping billows rolled back, and there the haughty Egyptians found a grave. Through storm and battle, and the perils of the wilderness, and the thunder which shook Mount Sinai, was the body of Joseph carried; and when Moses held up his wearied arm and conquered Amalek, it was still there. On the waves of war it was at last washed to the Promised Land; it followed the Ark of God when Jordan was divided, and was at length buried in the field of Shechem, in the ground which Jacob had long before purchased of the sons of Hamor. In the whole annals of time, there is no funeral procession that in sublimity and grandeur approaches his, who when young was sold as a slave to the Egyptians. That dead-march through the God-dried ocean, and over the desert, led by Moses—the man who had spoken to his Maker, and who was a mourner at that solemn funeral—causes the eye to quiver beneath its gloomy and awful grandeur: we see the dead and the living pass away amid the roar of the ocean, the thunder of the Mount, and the clashing of battle upon battle; and while we read, we feel as if we stood trembling in the presence of God.

I have, in the work previously mentioned, tried to depict an ancient funeral procession, inspired by the scriptures, and to show how much respect was given to the dead in the patriarchal times. What an incredible journey the body of Joseph made out of Egypt! It's surprising that no artist has been daring enough to tackle such a magnificent subject. Amid the plagues that terrified the ancient Egyptians, the coffin stood ready to be taken away; in the deep darkness that covered the land—it stood there, black and silent among the shadows. When the Israelites left, they carried it with them: the pillar of fire illuminated it at night, and during the day it was slowly moved behind the pillar of cloud: it was carried through the Red Sea; beneath that high and terrifying wall of water, the body of that dead man passed; then the sleeping waves rolled back, and there the proud Egyptians found their grave. Through storms and battles, the dangers of the wilderness, and the thunder that shook Mount Sinai, Joseph's body was carried; and when Moses raised his tired arm and defeated Amalek, it was still there. Ultimately, it was washed to the Promised Land on the waves of war; it followed the Ark of God when the Jordan was parted, and was finally buried in the field of Shechem, in the land that Jacob had previously bought from the sons of Hamor. In the entire history of time, no funeral procession comes close to the grandeur and sublimity of his, who when young was sold as a slave to the Egyptians. That funeral march through the God-parted ocean, and across the desert, led by Moses—the man who spoke to his Creator, and who mourned at that solemn funeral—makes us feel the weight of its dark and awe-inspiring majesty: we see the dead and the living pass away amidst the roar of the ocean, the thunder of the mountain, and the clash of battles; and as we read, we feel as if we are trembling in the presence of God.

I will not break the chain of the reader’s thoughts while pondering over this great and grand funeral procession, by pointing to the desecration of the dead in the present day, further than stating that the revolting and impious evil can only be remedied by suburban cemeteries; for around such places there reigns a silence in keeping with the solemnity of death: there no jarring sounds fall upon the ear, for the lulling murmur made by the leaves is in keeping with{277} the repose of the dead. Flowers planted upon a grave seem like sacred objects; in our minds they somehow appear to belong to the dead, as if hallowed by the soil in which they have grown. There are numberless passages in our old poets abounding with descriptions of flowers which were dedicated to the dead; and we may, in some future work, return to the subject, and string together a garland of funeral emblems; for

I won’t disrupt the reader’s thoughts while reflecting on this grand funeral procession by mentioning the disrespect shown to the dead today, other than to say that this disturbing and disrespectful issue can only be addressed by suburban cemeteries. In those areas, there is a serene silence that matches the solemnity of death: there, no harsh sounds disturb the peace, as the gentle rustle of the leaves complements the stillness of the departed. Flowers placed on a grave seem like sacred offerings; in our minds, they somehow belong to the deceased, as if blessed by the earth they grow in. Many of our classic poets have rich descriptions of flowers dedicated to the dead; and we may, in some future work, revisit this topic and create a collection of funeral symbols; for

"I think the flowers" "Have spirits far more beautiful than ours." — Withers.

The gentle hearts of the old poets clung to the flowers with a fond affection; in their eyes they were sweet messengers, bearing meanings and thoughts “too deep for tears,” ever hinting of love which dieth not, but liveth on for ever in another state of existence. They traced in the flowers fanciful resemblances of fond passions—likenesses of what they loved and cherished all the more since the original forms which they fancied the flowers resembled were transplanted into the gardens of heaven.

The tender hearts of the old poets held onto the flowers with deep affection; to them, they were sweet messengers, conveying meanings and thoughts "too deep for tears," always suggesting love that never dies, but lives on forever in another form of existence. They found whimsical similarities in the flowers that resembled their cherished passions—echoes of what they loved even more because the original beings they thought the flowers resembled had been moved to the gardens of heaven.

We who sojourned during the whole of that summer in the very heart of the district which suffered the most severely during that calamitous visitation, almost unconsciously gathered materials for one of those gloomy pictures which so few living witnesses survive to paint, and which we hope may never again darken our pages. We seem like those who, having escaped some perilous shipwreck, sit shuddering on the rock on which they have been thrown, their faces buried in their hands, yet unable to shut out the appalling spectacle they beheld, even after it passed away. Fancy still calls up the phantoms, amid the white foam and the tumbling waves, as they float by, with pale faces, uplifted and beseeching hands; youth and beauty with her long hair unbound, and crisped with the boiling spray, while manly vigour buffets in vain with the billows, until darkness and destruction sweep over all; and we, like the mournful messenger in Job, “only escaped alone to tell thee.”

We who spent that entire summer in the very center of the area that was hit the hardest during that tragic event almost instinctively collected materials for one of those dark tales that so few living witnesses remain to share, and we hope will never again shadow our records. We feel like those who, having survived a dangerous shipwreck, sit trembling on the rock where they've landed, their faces buried in their hands, yet unable to forget the horrifying scene they witnessed, even after it has passed. Imagination still brings forth the ghosts amid the white foam and crashing waves, as they drift by with pale faces and pleading hands; youth and beauty with her long hair flowing and tangled in the churning spray, while strong men struggle futilely against the waves until darkness and destruction consume everything; and we, like the sorrowful messenger in Job, “only escaped alone to tell thee.”

The Land of Death in which we dwelt was Newington, hemmed in by Lambeth, Southwark, Bermondsey, and other gloomy parishes through which the pestilence stalked like a Destroying Angel in the deep shadows of the night and the open noon of day, while in every street

The Land of Death where we lived was Newington, surrounded by Lambeth, Southwark, Bermondsey, and other dark neighborhoods where the plague roamed like a Destroying Angel in the deep shadows of night and the bright light of day, while in every street

“All there was were mourning clothes,
And grief and sadness;
Where graves met other graves still,
And jostled by the way.” —Hogg.

The “Registrar-General” but gives an account of those who died; but marshals up the forces which have joined the ranks of Death;{278} how and where they fell are briefly touched upon; but a description of the battle-ground, with all those little accessories of moving light and shadow which enrich the picture, he leaves to other hands, for they come not within the compass of his graver duties. Though the task is far removed from a pleasant one, it is necessary that we should preserve some record of this eventful season, so that in after-years, when our pages are referred to, a faithful photograph, taken at the true moment of time, may therein be found. All day long was that sullen bell tolling—from morning to night, it scarcely ceased a moment; for as soon as it had rung the knell of another departed spirit, there was a fresh funeral at the churchyard-gate, and again that “ding-dong” pealed mournfully through the sad and sultry atmosphere. Those who were left behind, too ill to join the funeral procession, heard not always the returning footsteps of the muffled mourners, for sometimes Death again entered the house while they were absent; and when they reached home they found another victim ready to be borne to the grave: then they sat down and wept in very despair. Death came no longer as of old, knocking painfully at the door of life, but strode noiselessly in, and, before one was well aware, smote his victim—no one could tell how, for the strong man, who appeared hale and well one hour, was weak and helpless the next, and fell without knowing whence the blow came.

The "Registrar-General" keeps track of those who have died; it lists the souls who have joined the ranks of Death; {278} it briefly mentions how and where they fell, but leaves the detailed descriptions of the battleground and the interplay of light and shadow that enhance the scene to others, as those details are outside his serious responsibilities. While this job is far from pleasant, it's essential to keep a record of this significant time, so that in the future, when people look back at these pages, they can find an accurate snapshot captured at that precise moment. All day, that somber bell tolled—from morning until night, it hardly stopped; as soon as it rang for another lost soul, a new funeral appeared at the churchyard entrance, and once again that "ding-dong" echoed sorrowfully through the heavy atmosphere. Those left behind, too sick to join the funeral procession, often didn't hear the returning footsteps of the muffled mourners; sometimes, Death would enter the home while they were away, and when they returned, they found yet another victim ready to be taken to the grave, leading them to sit down and weep in utter despair. Death no longer came as before, knocking painfully at the door of life, but entered silently, and before one realized it, struck down its victim—no one could say how, for the strong man who seemed healthy and robust one moment was weak and defenseless the next, collapsing without knowing where the attack came from.

Little children were clothed suddenly in black, almost before they could reconcile themselves to the belief that they had lost their parents. Before they could well understand why their father slept so long, or was placed in a dark box, and carried out at the door in such haste, the mother had also ceased to live; and then they began to comprehend their loss, and wept bitterly to find themselves fatherless, motherless, and destitute. Some of these were so little, that they could but just repeat their prayers. Never more would they kneel at the feet of that dear, fond mother, as they had done but a night or two before; never more would those eyes beam on them again, or that sweet voice patiently instruct them, and, with a smile, repeat the words over and over again, until they knew them all by rote. Alas! they were the other night borne to a strange bed; a strange face bent over them—and, when they rose to kiss it, it turned away. Then the little orphans pressed each other more closely, and wept louder for the loss of their mother. At last, their sobbing subsided, though not until long after they had fallen asleep, perchance on the hard workhouse bed—even those who were before nursed so delicately that the cold wind had never visited their tender cheeks. Many such sudden changes as these have we met with; homes in which one day happiness and comfort reigned, changed on the morrow to the abodes of{279} sorrow, anguish, and naked destitution; or, by the end of the week, empty and closed!

Little children were suddenly dressed in black, almost before they could come to terms with the fact that they had lost their parents. Before they could fully grasp why their dad was sleeping for so long, or why he was placed in a dark box and hurried out the door, their mom had also passed away; and then they began to understand their loss and cried bitterly to find themselves without a father, without a mother, and without anything. Some of them were so small that they could barely repeat their prayers. They would never again kneel at the feet of that beloved, caring mother, as they had done just a night or two before; they would never see those eyes shining at them again or hear that sweet voice patiently teaching them, repeating the words over and over until they knew them all by heart. Unfortunately, they had just been taken to a strange bed; a strange face leaned over them—and when they reached out to kiss it, it turned away. Then the little orphans clung to each other tighter and cried harder for the loss of their mother. Finally, their sobbing quieted down, though not before they fell asleep, perhaps on the hard workhouse bed—even those who had previously been cared for so gently that the cold wind had never touched their delicate cheeks. Many such sudden changes like these have we encountered; homes where one day happiness and comfort flourished, changed the next day to places of{279} sorrow, anguish, and utter destitution; or, by the end of the week, empty and shut!

"Life and thought have disappeared together,
Leaving door and windows open; Careless tenants, they are! Everything inside is as dark as night: there's no light in the windows,
And there’s no noise at the door, which used to creak on its hinge all the time. Close the door—the shutters shut,
Or through the windows, we will see The emptiness and exposure Of the abandoned house.”—Tennyson.

In some houses all died; and after the dilapidated building had been closed a few days, other tenants took possession, and, in two or three of these changes, the new tenants also perished—the mercenary landlords never breathing a word about what had befallen the others. The putrid cesspool and stagnant sewer still yawned and bubbled and steamed in the sunshine, and poisoned all who inhaled the deadly gases; and when but few human beings were left, an investigation took place, and the evil was removed. In several death-engendering courts the whole of the inhabitants were driven out, and fresh shelter found for them until their wretched dwellings were purified.

In some houses, everyone died; and after the run-down building had been closed for a few days, new tenants moved in. In two or three of these cases, the new tenants also died—the greedy landlords never mentioning what had happened to the others. The foul cesspool and stagnant sewer continued to bubble and steam in the sunshine, poisoning anyone who inhaled the toxic fumes. When only a few people remained, an investigation was conducted, and the problem was addressed. In several deadly courts, all the residents were evacuated, and new housing was provided for them until their awful homes were cleaned up.

So few at first escaped after they were attacked by the malignant and mysterious disease, that you looked upon them as persons who had trodden the confines of another world—as beings rescued from the jaws of death, and destined to accomplish some great mission. You gazed on them in awe and wonder. Those in the prime of life, and ruddy with apparent health, fell around you like summer flowers beneath the scythe of the mower. Then medical men of long standing began to drop off: you missed one here, and another there, and with them hope at last fled. “They cannot save themselves,” exclaimed the terror-stricken populace; “then how can we hope to escape if the disease overtake us?” Old nurses who had grown grey in the service of Death shrank back and shuddered as they heard themselves summoned to attend the sick. Thousands who had the means fled into the country and hastened to the sea-side, where they thought themselves secure; but the wings of the Angel of Death threw a melancholy shadow over the whole land.

So few initially survived after being attacked by the deadly and mysterious disease that you viewed them as people who had stepped into another world—like beings pulled from the jaws of death, destined to complete some important mission. You looked at them with awe and wonder. Those in the prime of life, seemingly healthy and vibrant, fell around you like summer flowers cut down by the mower. Then the experienced doctors started to fall ill: you noticed one missing here, another missing there, and with them, hope gradually faded. “If they can’t save themselves,” cried the terrified crowd, “then how can we expect to survive if the disease comes after us?” Veteran nurses, who had grown old in the service of Death, recoiled in fear as they heard themselves called to care for the sick. Thousands who could afford it fled to the countryside and rushed to the coast, thinking they would be safe there; but the shadow of Death cast a sad gloom over the entire land.

Stout-hearted men who had families started suddenly from their sleep in the dead of night, if they only heard one of their children moaning in its slumber: words muttered in a dream were like a sharp icicle thrust into the heart, for they feared that the Destroyer had come; and they knew that he seldom retired without carrying{280} off his victim. In old tavern-parlours, where the same company had assembled for years, the sounds of merriment were no longer heard. Men spoke to one another “with bated breath;” inquired who was dead, and who dying; and if some old acquaintance was but a few minutes behind his usual time, they sat gazing on his vacant chair in silence, or perchance one ventured to inquire in a whisper if he had been seen that night. Many shook hands at the tavern-doors, went home, and never met again. Four in the morning was a dreaded hour, and numbers no doubt died through fright who were attacked in the faint dawning of the day, for they believed that time to be fatal. In some streets five or six shops that stood together were closed—many were not opened again for several days. You saw the windows standing open day and night, but not a living soul stirred within those walls. Many who died were removed in the night: sometimes twenty were buried in one grave.

Brave men with families would suddenly wake up in the dead of night if they heard one of their kids moaning in their sleep: words spoken in a dream felt like a sharp icicle piercing the heart, as they feared the Destroyer had come; and they knew he rarely left without taking his victim. In old tavern parlors, where the same group had met for years, laughter had faded away. Men spoke to each other in hushed tones, asking who had died and who was dying; if an old friend was just a few minutes late, they sat in silence, staring at his empty chair, or one might quietly ask if he had been seen that night. Many shook hands at the tavern doors, went home, and never saw each other again. Four in the morning became a dreaded hour, and many likely died from fear after being attacked in the faint light of dawn, believing that hour to be deadly. In some streets, five or six shops that were next to each other were closed—many wouldn’t open again for several days. You would see the windows wide open day and night, but no living soul moved within those walls. Many who died were taken away at night; sometimes twenty were buried in one grave.

Then the cry arose that the churchyards were too full, that there was no longer any room for the dead. “I must find room, or I shall be ruined,” exclaimed the sexton; “it cost me all I had in the world to get elected.” The grave-digger threw down his spade, wiped the perspiration from his brow, and said, “Our occupation’s gone.” The cry increased; and then the incessant tolling of the bell ceased; for an order was issued that the dead should no longer rout the dead, or their sleep be broken almost before the features had been effaced by slow decay. Then Death ceased to become his own avenger; for when he found that the secrets of his dark dominions were no more to be laid bare to the open eye of day, he no longer smote those who trod reverentially on the verge of his territories. The streets were no longer darkened with funerals; you no longer saw men running in every direction with coffins on their heads, knocking at doors, and delivering them with no more ceremony or feeling than the postman delivers his letters. The solemn hearse and the dark mourning-coach now moved slowly along, and the dead were borne away to green and peaceful cemeteries, far removed from the dwellings of the living. Nuisances were removed—sewers were cleansed—the abodes of the poor purified, and at last rendered habitable; and then “the plague was stayed.”

Then the cry went up that the graveyards were too full, that there was no longer any space for the dead. “I have to find more space, or I’m going to lose everything,” shouted the sexton; “it cost me all I had to get elected.” The grave-digger dropped his spade, wiped the sweat from his forehead, and said, “Our job is finished.” The outcry grew louder; and then the constant ringing of the bell stopped; for an order was given that the dead should no longer disturb the dead, or have their sleep interrupted almost before their features had faded due to slow decay. Then Death stopped being his own avenger; when he realized that the secrets of his dark realm were no longer to be exposed to the light of day, he ceased to strike those who walked respectfully at the edges of his territories. The streets were no longer filled with funerals; you didn’t see men rushing in all directions with coffins on their heads, knocking on doors, and delivering them with the same indifference as a mailman delivering letters. The solemn hearse and the dark mourning coach now moved slowly along, and the dead were taken away to green and peaceful cemeteries, far from the homes of the living. Nuisances were eliminated—sewers were cleaned—the homes of the poor were sanitized, and finally made livable; and then “the plague was contained.”

It seemed as if the winds of Heaven, which had been driven away for want of breathing-room, came back again, and flapped their “healing wings” above the homes of mankind; as if they were weary of wandering over the houseless sea, and gladly returned to sweep through the lofty streets and open squares, from which they had been driven by the poison-traps which were set every where to destroy them. The sun again gladdened the day, and the round moon walked up the{281} starry steep of heaven, while the sky bared its blue bosom, and shewed that the silvery clouds still slumbered there as tranquilly as if the Destroying Angel had never thrown his shadow betwixt earth and heaven.

It felt like the winds of Heaven, which had been pushed away for lack of space, returned and spread their “healing wings” over people’s homes; as if they were tired of drifting over the homeless sea and happily came back to flow through the tall streets and open squares, from which they had been chased away by the poison traps set everywhere to eliminate them. The sun brightened the day again, and the round moon ascended the{281} starry heights of the sky, while the blue sky revealed its vastness, showing that the silvery clouds still rested there as peacefully as if the Destroying Angel had never cast his shadow between earth and heaven.

Alas, the sun rose upon a shore strown with wrecks, and blackened with the bodies of the dead! If the eye alighted upon the living, it every where settled upon a group of mourners. Death had gone like a gleaner through the land, and taken an ear from every field. Where before had stood a bed of flowers, one resting upon and supporting another, a bare and open gap was found; and too often the tallest, around which the rest clung, had withered, and fallen and died. The place they had once known “would know them no more for ever.” The young bride, before the honeymoon had waned, came forth in her widowed weeds. Their first-born child came too late into the world to look on the face of its father. Sometimes the young mother fell before her infant had seen the light: the opening rose and the unfolded bud perished together. Respectable families fell from a state of comfort to almost naked destitution in a single night, leaving no mark on the steps of the ladder of time, by which men rise and fall, but plunging headlong to the foot of it in a moment. Some had passed many years in faithful servitude, and at last attained the long-coveted promotion. The larger house, so often talked of, was taken; they entered, and so did Death: the father fell, and with him all their hopes for ever perished. Since that day the garden-roller has never been moved, and where the spade was thrust into the ground when the improvements first commenced, there it rests: perchance the robin may alight upon the handle, and there chant his mournful anthem; but one branch is sawn from the overhanging tree that darkened the drawing-room window; all the rest remain untouched, for the workmen have departed. The merry Christmas so often talked of was a mournful meeting within those walls. What at another period would have formed a little history of trial, patient endurance, slow change, and long coming misfortune, was now accomplished almost as soon as one could say “It lightens.”

Sadly, the sun rose over a shore littered with wreckage and stained with the bodies of the deceased. If your gaze landed on the living, it would inevitably rest on a group of mourners. Death had swept through the land like a reaper, taking a piece from every field. Where there once was a bed of flowers, each one supporting the other, now lay a bare and empty space; all too often the tallest one, around which the others gathered, had withered and died. The places they had known “would know them no more for ever.” The young bride, before the honeymoon had faded, emerged in her widow’s attire. Their first-born child arrived too late to see its father's face. Sometimes the young mother fell before her baby had seen the light: the opening rose and the budding flower perished together. Respectable families plummeted from comfort to nearly complete destitution overnight, leaving no trace on the steps of time’s ladder, leaping straight to the bottom in an instant. Some had spent many years in loyal service, finally achieving the long-desired promotion. The larger house they had often talked about came into their possession; they moved in, and so did Death: the father fell, and with him all their hopes vanished forever. Since that day, the garden roller has remained untouched, and where the spade was driven into the earth when the renovations began, it still stays: perhaps the robin may rest on the handle and sing its mournful song; but one branch has been cut from the tree that cast shade over the drawing-room window; all the others remain undisturbed, for the workers have left. The cheerful Christmas they used to talk about became a somber gathering within those walls. What would have once been a story of struggle, patience, slow progress, and long-expected misfortune was now over almost as soon as you could say “It lightens.”

None knew whence the Destroyer came, nor in what hidden corner he lurked. The Registrar for the district we are describing closes his return for Walworth, for the week ending Sept. 8, 1849, in the following words: “It (the disease) has spread over the whole district—into almost every street—and taken persons of all classes, from the most respectable to the poorest.” Men hunted for it in the unhealthy drain, and endeavoured to destroy the unwholesome vapour; they searched for it in what they drank, and hoped to get rid of it by boiling the water; they impregnated the air with lime, and in every{282} court and alley you passed you inhaled the powerful chloride. Then a change was produced, and the returns of deaths gradually lessened every day; and those who for days and weeks dare not look into a newspaper, for fear of encountering those dark tables of death, were now eager to see the returns, and congratulate their neighbours on the daily decrease. “From the painless nature of the attack,” says the same Registrar, “persons seemed to be unconscious how highly necessary it is that immediate attention should be paid to it.” Thousands fell through this neglect, who, if the disease had first made its appearance attended by severe pain, would not have lost a single hour without seeking medical aid. Like a flood that slowly undermines a bank, and which the proprietor regards not when he sees so tiny a current dribbling and oozing through, and scarcely bowing the grass between which it trickles, so came the Destroyer—slowly and almost imperceptibly undermining the current of life, and eating out the foundations, until there needed but one mighty rush, and all was over beyond recovery, and the work of destruction was completed. A little precaution would have saved thousands of lives in London alone.

No one knew where the Destroyer came from or where it was hiding. The local Registrar closed his report for Walworth for the week ending September 8, 1849, with these words: “The disease has spread throughout the entire district—into nearly every street—and has affected people from all walks of life, from the most respected to the poorest.” People searched for it in the unhealthy drains, trying to eliminate the foul air; they looked for it in their drinking water, hoping to get rid of it by boiling it; they filled the air with lime, and in every{282} court and alley you passed, you inhaled the strong chloride. Then a change happened, and the death toll gradually decreased every day. Those who had avoided reading the newspaper for days and weeks, fearing to see those grim death statistics, were now eager to check the numbers and congratulate their neighbors on the daily decline. “Due to the painless nature of the illness,” the same Registrar noted, “people seemed unaware of how crucial it was to seek immediate attention.” Thousands died because of this negligence, who, if the disease had first shown up with severe pain, wouldn't have wasted a moment in getting medical help. Like a flood that slowly erodes a riverbank—something the owner overlooks as he sees just a tiny stream seeping through, barely moving the grass—it came, the Destroyer, gradually and almost unnoticed, undermining the current of life and eroding the foundations, until just one massive surge was needed, and everything was lost beyond recovery, completing the destruction. A little caution could have saved thousands of lives in London alone.

Let us then agitate for pure air and pure water, and break through the monopolies of water and sewer companies, as we would break down the door of a house to rescue some fellow-creature from the flames that raged within. It rests with ourselves to get rid of these evils; and scarcely one in a hundred will be foolhardy enough to oppose the sanitary measures which are already in motion. To aid these proposed improvements, we deemed it our duty to add to the “Picturesque Sketches of London” a brief but faithful description of the dreadful disease which caused almost every street in the metropolis to be hung in mourning.

Let’s push for clean air and clean water, and break down the monopolies of water and sewer companies, just like we would force open a door to save someone trapped in a burning house. It’s up to us to eliminate these problems; hardly anyone will be reckless enough to oppose the public health efforts that are already underway. To support these proposed improvements, we felt it was important to add a concise yet accurate description of the terrible disease that cast a shadow over nearly every street in the city in our “Picturesque Sketches of London.”

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CHAPTER XXI.

GREENWICH.

BEAUTIFUL as Greenwich Park is within itself, with its long aisles of overhanging chestnuts, through whose branches the sunlight streams, and throws upon the velvet turf rich chequered rays of green and gold, yet it is the vast view which stretches out on every hand that gives such a charm to the spot. What a glorious prospect opens out from the summit of One-Tree Hill! London, mighty and magnificent, piercing the sky with its high-piled towers, spires, and columns, while St. Paul’s, like a mighty giant, heaves up his rounded shoulders as if keeping guard over the outstretched city! Far away the broad bright river rolls along until lost to the eye in the dim green of the fading distance, while its course is still pointed out by the spreading sail, which hangs like a fallen cloud upon the landscape. Along this ancient road of the swans do vessels approach from every corner of the habitable globe, to empty their riches into the great reservoir of London, from whence they are again sent through a thousand channels to the remotest homes in her islands.

BBEAUTIFUL as Greenwich Park is on its own, with its long paths lined with overhanging chestnut trees, where sunlight streams through the branches, casting rich patterns of green and gold on the soft grass, it's the sweeping view all around that truly makes the place special. What an incredible sight you get from the top of One-Tree Hill! London, grand and impressive, reaches for the sky with its towering buildings, spires, and columns, while St. Paul’s stands tall like a giant, keeping watch over the sprawling city! In the distance, the wide, bright river flows along, eventually disappearing from sight into the soft green of the fading horizon, its path indicated by the sails that float above like fallen clouds on the landscape. Along this historic route of swans, ships arrive from every corner of the world to pour their treasures into the vast reservoir of London, from which they are then distributed through countless channels to the farthest homes in her islands.

About June, Greenwich Park may be seen in all its bloom and beauty; the fine old hawthorns are then generally in full blossom, and the hundreds of gigantic elms and chestnuts are hung in their richest array of summer-green, while here and there the antlered herd cross the shady avenues, or crouched amid what is called the Wilderness, lie half buried in the fan-like fern. The hill above and the plain below are crowded with the gay populace of London, all clothed in their holiday attire, the ladies looking in the distance like a bed of tulips, so rich and varied are the colours of the costume and parasols. At every few yards you meet with a new group, while the long avenue which leads up to Blackheath is one continuous stream of people. On the brow of the hill, and at the front of the Observatory, you see the{284}

About June, Greenwich Park is on full display in all its bloom and beauty; the old hawthorns are usually in full blossom, and the many gigantic elms and chestnuts are adorned in their brightest summer green. Here and there, the deer pass through the shady paths, or they rest among what is called the Wilderness, half-hidden in the fan-like ferns. The hill above and the flat below are filled with the lively crowds from London, all dressed in their festive outfits, with the ladies looking from a distance like a bed of tulips, so vibrant and varied are the colors of their clothing and parasols. Every few yards, you encounter a new group, while the long path leading up to Blackheath is a steady stream of people. At the top of the hill, in front of the Observatory, you see the{284}



ONE-TREE HILL.

ONE-TREE HILL.

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ONE TREE HILL.

old pensioners with their telescopes and glasses of every colour, which seem to give a golden or a purple hue to the landscape, or sometimes to change the scene to that of a country covered with snow. Some of these old heroes have lost a leg, others an arm, and yet they go stumping about as happy, to all appearance, as the credulous cockneys whom they delight to cram with an improbable yarn, while they{285} shoot cannon-balls to a distance which can be compared with nothing except Warner’s “long-range.”

old pensioners with their telescopes and glasses of every color, which seem to give a golden or purplish tint to the landscape, or sometimes turn the scenery into a snow-covered country. Some of these old heroes have lost a leg, others an arm, and yet they walk around as happy as the gullible city folk whom they love to entertain with unbelievable stories, while they{285} shoot cannonballs to distances that can only be compared to Warner’s “long-range.”



OLD PENSIONER.

OLD PENSIONER.

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SENIOR CITIZEN.

Rare fun is there amongst the younger visitors, as they scramble for the oranges, which are often bountifully rolled down the hills. Off goes the luscious fruit, cantering like a ball of gold along the greensward. It strikes and clears the head of the first youngster who rushes on to catch it: a second misses it, and falls; and it vanishes somewhere amongst a round dozen of the competitors, who are all tumbling and struggling hicklety-picklety together, like a pack of hounds who are in at the death. Farther on you see a little love-making; you can tell by the half-averted head and downcast eyes that the little lady has not yet made up her mind whether to accept the offered arm or not. But see—her boy-lover has purchased some oranges. She accepts one; he sends another down the hill. You hear her clear merry voice ringing out like a silver bell with joyous{286}

There’s rare fun among the younger visitors as they rush for the oranges that often roll down the hills in abundance. The juicy fruit bounces along the grass like a golden ball. It hits and knocks the hat off the first kid who runs to catch it; a second one misses and falls, and it disappears among a dozen competitors who are all tumbling and struggling together like a pack of hounds at the end of the hunt. Further along, you can spot a little romance; the way the girl tilts her head and looks down shows she’s still deciding whether to accept the offered arm. But look—her boy has bought some oranges. She takes one; he sends another rolling down the hill. You can hear her bright, happy voice ringing out like a silver bell with joy{286}



TELESCOPES.

TELESCOPES.

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TELESCOPES.

laughter. Ten to one it is a match—at least for the remainder of the day. Old and young are alike happy: the former sit in little groups talking of bygone times; the latter are tumbling head and heels upon the grass without a care about the coming morrow. Business and pleasure go hand in hand. If you take every card that is offered, you will have a score or two before you cross the Park:—“Tea, eightpence{287}—with a pleasant view of the river.” “Tea made with shrimps, ninepence”—a beverage we have no wish to taste; but, poor woman, she is unconscious of the mistake, and no doubt the printer faithfully followed his copy. They are the most accommodating people in the world at Greenwich. You can walk into almost every other house, order tea, and receive thanks at your departure, for only a few pence. Numbers come into the Park ready provided. They eat and drink while on the steam-boat, feel a fresh appetite as soon as they have climbed the hill, are hungry and thirsty again after a donkey-ride on Blackheath, and should any thing remain, in either basket or bottle, they finish it as they return by the steamboat.

laughter. Chances are it’s a match—at least for the rest of the day. Both old and young are happy: the older folks sit in small groups reminiscing about the past, while the younger ones are rolling around on the grass without a care for tomorrow. Business and pleasure go hand in hand. If you accept every offer you get, you’ll have a bunch of items before you cross the Park: “Tea, eight pence{287}—with a nice view of the river.” “Tea made with shrimp, nine pence”—a drink we have no desire to try; but, poor woman, she’s unaware of the mix-up, and no doubt the printer just followed the original text. They’re the most accommodating people in the world at Greenwich. You can walk into almost any house, order tea, and get thanked when you leave, all for just a few coins. Many people come into the Park fully prepared. They eat and drink while on the steamboat, feel hunger again as soon as they climb the hill, are hungry and thirsty yet again after a donkey ride on Blackheath, and if there’s anything left in either their basket or bottle, they finish it up on the way back by the steamboat.



GIPSIES.

GIPSIES.

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Gypsies.

Observe the stealthy step of that black-eyed gipsy; this is her harvest, and many a fortune will she tell before moonrise. She has{288} golden promises for all; would that the world could roll on as she prophesies, there would be but little of either sighing or sorrow in it. What though she is an arch impostor, she has by her promises added another pleasure to the day’s delight; happiness now and happiness in store may gladden many a future hour, which would otherwise be gloomy but for the hope with which the gipsy has gilded the future. It is a question, after all, whether the sixpence could have been better spent, though it has but purchased a harmless string of pleasing falsehoods, “which give delight but hurt not.” The poor gipsy-woman must live, and she is at the worst but an open and honestly-avowed cheat—a holiday evil, that might be worse employed than in telling fortunes. What a burst of laughter! It is just as we expected; the jolly sailor, with the corners of his neckerchief streaming out like the mane of a war-horse, has gone down the hill with a roll, and carried his partner, the dashing lady from Wapping in the pink bonnet, along with him. There will be many similar disasters before night, which end at the worst in a crushed hat or bonnet, or a few harmless bruises.

Watch the sneaky stride of that black-eyed gypsy; this is her moment, and she’ll share many fortunes before the sun sets. She has{288} golden promises for everyone; if only the world could keep turning as she predicts, there would be little sighing or sadness. Even if she’s a clever fraud, her promises have added another joy to the day; the happiness in the present and the happiness to come could brighten many future moments that would otherwise feel dark, all thanks to the hope the gypsy has sprinkled on what’s ahead. Really, it’s debatable whether the sixpence could have been better spent, even if it only bought a harmless string of enjoyable lies, “which give delight but hurt not.” The poor gypsy woman needs to make a living, and at worst, she’s just an open and honest trickster—a holiday nuisance, but a less harmful one than others might be. What a burst of laughter! Just as we expected; the cheerful sailor, with the ends of his neckerchief flapping like a war horse's mane, has dashed down the hill, taking his partner, the spirited lady from Wapping in the pink bonnet, with him. There will be many more mishaps like this before night falls, ending at worst with a squished hat or bonnet, or a few harmless bruises.

Much as we have murmured about trespassing, and prosecution, and enclosures, we really feel grateful to the Government for throwing open such a splendid park as this, over which we can wander at will, without being cautioned to keep on either foot-path or open road, but have liberty to tread on the grassy knolls, and are left as free as the antlered deer that walk and browse wherever they please. Fifteen minutes by the railway, and about thrice that time by the steamboat, and here we are treading the elastic sward, which on the hill yields to the footsteps like a rich carpet. What beautiful dips and rises lie every way, especially to the left of the Observatory! What mighty revolution of nature threw up that vast hill, sheer and abrupt from the valley, we can never know. Those ancient burrows, which lie scattered about the park, are the resting-places of the early inhabitants of Britain; beneath them lies the dust of the old Cymri,—disturb it not.

Even though we've complained about trespassing, legal action, and fenced-in areas, we truly appreciate the Government for opening up such a fantastic park like this, where we can roam freely, without being told to stay on any paths or roads, but can walk on the grassy hills and enjoy the same freedom as the deer grazing wherever they want. It takes just fifteen minutes by train and about three times that by boat, and here we are walking on the soft grass, which yields underfoot like a plush carpet. What beautiful dips and rises are visible in every direction, especially to the left of the Observatory! We'll never know the great natural forces that created that huge, steep hill rising from the valley. Those ancient mounds scattered throughout the park are the resting places of the early inhabitants of Britain; let us not disturb the dust of the old Cymri underneath them.

Let us pause on the brow of this hill, and recal a few of the stirring scenes which these aged hawthorns have overlooked. They are the ancient foresters of the chase, and many of them have stood through the wintry storms of past centuries, and were gnarled and knotted, and stricken with age, long before Evelyn planned and planted those noble avenues of chestnuts and elms. Below, between the plain at the foot of the hill and the river, stood the old Palace of Greenwich, in which Henry VIII. held his revels, and where Edward VI., the boy-king, died. That ancient palace was no doubt rich in the spoils of many a plundered abbey and ruined monastery,—in{289}

Let’s stop here on the edge of this hill and remember some of the exciting moments that these old hawthorns have witnessed. They are the timeless sentinels of the hunt, and many have endured the harsh winter storms of centuries past, growing gnarled and twisted from age long before Evelyn designed and planted those grand rows of chestnuts and elms. Below, between the flat land at the base of the hill and the river, stood the old Palace of Greenwich, where Henry VIII threw his parties and where Edward VI, the young king, died. That historic palace was undoubtedly filled with treasures from many looted abbeys and fallen monasteries,—in{289}



GREENWICH PARK.

GREENWICH PARK.

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GREENWICH PARK.

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vessels of gold and silver which had once been dedicated to holy purposes, but were then red with the dregs of the wine shed at many a midnight revel by the Defender of the Faith and woman-murdering monarch. Perhaps the walls of that old palace were hung with the portraits of the wives he had caused to be beheaded, while his own likeness in the centre looked like a tiger out of the frame upon its prey.

vessels made of gold and silver that had once been set apart for sacred purposes, but were now stained with the remnants of wine spilled during many late-night parties hosted by the Defender of the Faith and the woman-killing king. Maybe the walls of that old palace were adorned with portraits of the wives he had executed, while his own image in the center appeared like a tiger ready to pounce on its prey.

On this hill Cardinal Wolsey may have meditated with all his “blushing honours thick upon him.” Katherine, the broken-hearted queen, may here have reined-in her palfrey; or from this aged hawthorn have torn off a spray, when it was, as now, fragrant and white with May-blossoms, and presented it with a smile to the royal savage who rode beside her. On yonder plain, where so many happy faces are now seen, in former days the tournament was held. There gaudy galleries were erected, over which youth and beauty leant as they waved their embroidered scarfs. We can almost fancy that we can see the crowned tiger smile as he closes the visor of his helmet, bowing his plume while he recognises some fair face, which was soon to fall, with its long tresses dabbled in blood, upon the scaffold—the blood which then ran so clear and joyous through the violet-coloured veins which streaked the ivory of that graceful neck. In this park the crafty Cecil mused many an hour as he plotted the return of the Princess Mary, while the ink was scarcely dry with which he had recorded his allegiance to the Lady Jane Grey. The whole scenery teems with the remembrance of old stirring events, and grave historical associations. Hal, the murderer, comes straddling and blowing up the hill; the pale and sickly boy-king rides gently by, and breathes heavily as he inhales the sweet air on the summit; the titter and merry laugh of the ill-starred queens seems to fall upon the ear from behind the trees that conceal them. Then we have voices of mourning and loud lament from fair attendants—who refuse to be comforted—for those whom they loved and served were there no more.

On this hill, Cardinal Wolsey might have reflected with all his “blushing honors thick upon him.” Katherine, the heartbroken queen, may have paused with her horse here; or from this old hawthorn, she might have snapped off a branch, when it was, just like now, fragrant and white with May blossoms, and handed it with a smile to the royal savage riding next to her. On that plain, where so many happy faces are now seen, tournaments used to take place. There, colorful galleries were built, where youth and beauty leaned as they waved their embroidered scarves. We can almost imagine seeing the crowned tiger smile as he lowers the visor of his helmet, bowing his plume while he recognizes a pretty face, which was soon to fall, with long hair stained in blood, upon the scaffold—the blood that once flowed so clearly and joyfully through the violet-colored veins streaking the ivory of that elegant neck. In this park, the cunning Cecil spent many hours plotting the return of Princess Mary, even as the ink was hardly dry on the document where he recorded his allegiance to Lady Jane Grey. The entire landscape is full of memories of past stirring events and serious historical associations. Hal, the murderer, comes striding up the hill; the pale and sickly boy-king rides gently by, breathing heavily as he inhales the sweet air at the summit; the giggles and merry laughter of the ill-fated queens seem to reach our ears from behind the trees that hide them. Then there are voices of mourning and loud wails from beautiful attendants—who refuse to be consoled—since those they loved and served are no longer there.

Blackheath, which is only divided from its aristocratic neighbour the Park by a wall, pleasantly overlooks a portion of the counties of Kent and Surrey, and affords such extensive views of the distant scenery as can only be exceeded by climbing Shooter’s Hill, or some of the neighbouring heights on the left of the heath. In past times it was planted with gibbets: the bleached bones of men who had dared to ask for an extension of liberty, or who doubted the infallibility of kings, were here left to dangle in the wind. In the distance, the ancient palace of Eltham heaves up like a large barn, attracting even the eye of a stranger by its bulkiness, for not an architectural ornament from hence is visible. Blackheath at Whitsuntide,{292} and all summer long, is infested with asses, which ever stand, saddled and bridled, in readiness for the first comer. A donkey-ride is one of the favourite amusements of our holiday-loving Londoners of both sexes, nor is the day’s pleasure considered complete without it. The charges vary from a penny to a shilling, according to either the time or the distance; and a strange, rough, and inharmonious family are the proprietors, who beat and let out these animals. Their chief delight appears to consist in abusing one another, and running down the qualities of the poor long-eared quadrupeds—each applicant at the same time extolling the strength and speed of his own donkey. Here they may be found with side-saddles for the ladies, and neat chairs, covered with white drapery, and so secured that the little children can ride with safety.

Blackheath, which is only separated from its fancy neighbor, the Park, by a wall, offers a nice view of parts of Kent and Surrey, providing such wide-ranging views of the distant landscape that can only be surpassed by climbing Shooter's Hill or some of the nearby heights to the left of the heath. In the past, it was lined with gibbets: the bleached bones of men who had dared to seek more freedom or who questioned the infallibility of kings were left here to sway in the wind. In the distance, the old palace of Eltham rises like a big barn, catching the attention of passersby with its size, as there are no decorative features visible from this vantage point. Blackheath during Whitsun,{292} and through the summer, is overrun with donkeys, which are always saddled and bridled, ready for the next customer. A donkey ride is a favorite pastime for our holiday-loving Londoners of both genders, and a day out wouldn’t be complete without it. The prices range from a penny to a shilling, depending on the time or distance; and the quirky, rough family members who own these animals spend their time bickering and criticizing each other, while simultaneously boasting about their own donkey's strength and speed. Here, they offer side-saddles for the ladies and neat chairs covered in white fabric, securely fastened so that little children can ride safely.

A countryman who went by water for the first time from London to Greenwich, would be astonished to find that, with the exception of a few yards here and there, the whole five miles, on each side of the Thames, was one continuation of houses, warehouses, docks, and manufactories; that he could not for the life of him tell where London began nor where it ended; that when it ceased to stretch beside the river, it was still continued in a long line behind the marshes and the Isle of Dogs up to the Blackwall pier; and from no height in the neighbourhood could his eye at once glance over this lengthy range of continued streets. Twelve miles would scarcely exceed the almost unbroken link of buildings which extends from Blackwall to far beyond Chelsea, where street still joins to street in apparent endless succession. And all around this vast city lie miles of the most beautiful rural scenery. Highgate and Hornsey and Hampstead on the Middlesex side, hilly, wooded, and watered; and facing these, the vast range called the Hogsback, which hem in the Surrey side, from beyond Norwood, far away to the left, to where we have carried our readers in this chapter; while the valleys on both sides of the river are filled with pleasant fields, parks, and green winding lanes. Were London to extend five miles farther every way, it would still be hemmed in with some of the most beautiful rural scenery in England; and the lowness of fares, together with the rapidity of railway travelling, would render as nothing this extent of streets. Even the very poor are now satisfied, as they can travel from one end of the kingdom to the other by paying one penny per mile.

A country person taking a boat for the first time from London to Greenwich would be amazed to see that, except for a few yards here and there, the entire five miles along both sides of the Thames is a continuous stretch of houses, warehouses, docks, and factories. They wouldn’t be able to figure out where London begins or ends; when it stops alongside the river, it still continues in a long line behind the marshes and the Isle of Dogs up to Blackwall Pier. From any height nearby, they couldn’t see this long row of interconnected streets all at once. Twelve miles would hardly cover the nearly unbroken line of buildings that runs from Blackwall to well beyond Chelsea, where one street still connects to another in what seems like an endless pattern. Surrounding this huge city are miles of stunning countryside. Highgate, Hornsey, and Hampstead on the Middlesex side are hilly, wooded, and full of water; across from these is the vast range called the Hogsback, which encloses the Surrey side, stretching from Norwood far to the left to where we’ve brought our readers in this chapter. The valleys on both sides of the river are filled with lovely fields, parks, and winding green lanes. If London were to spread out five miles further in any direction, it would still be surrounded by some of the most beautiful countryside in England, and the low fares, combined with the speed of trains, would make this expanse of streets seem insignificant. Even the very poor are content now, as they can travel from one end of the kingdom to the other for just one penny per mile.

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CHAPTER XXII.

HOLIDAYS OF THE LONDON POOR.

FOOD and raiment, household shelter and a grave, are all the Poor-Law allows to the pauper; for there is no clause in that act permitting him the enjoyment of the sweet air of heaven, or the open and unwalled sunshine (the gold which God scatters down for all), beyond what blows and beats upon the narrow court-yard in which he is doomed to walk—the Prisoner of Poverty. The birds he there hears sing are the dirty sparrows that roost under the soot-blackened eaves, and weary the heart with their unchangeable chirrup. The hum of his insects is the buzz of the bloated blue-bottle, ever hovering around, and endeavouring to blow and spoil the morsel of meat that is doled out to him with a niggard hand. The murmur of his streams is heard in the flushing of the poisonous sewers. The waving of his trees, the coarse garments that dangle on the clotheslines—for in such places it is ever washing-day. His blue sky is the little morsel of the face of heaven which (by straining his neck) he can see roofing the tall bare walls that surround him. His flowers are the morsels of chickweed, the two or three dwindling blades of grass, or the dank green moss, that shoot up beside the damp wall, or between the fissures of the pavement. His fragrance, a life-destroying atmosphere, a compound of all unwholesome smells.

FOOD and raiment, A shelter to sleep in and a grave are all the poor law gives to the needy; there's nothing in that law that lets them enjoy the fresh air of heaven or the open sunshine (the gold that God spills down for everyone) beyond what blows and beats down on the small courtyard where they are forced to walk—the Prisoner of Poverty. The birds they hear sing are the dirty sparrows that nest under the soot-covered eaves, wearing down the heart with their constant chirping. The buzz of insects is the drone of the fat bluebottle fly, always hovering nearby and trying to spoil the small piece of meat that is handed to them with a stingy hand. The sound of water comes from the flushing of the foul sewers. The waving of trees, the rough clothes that hang on the clotheslines—because in these places, it's always laundry day. Their blue sky is the tiny patch of heaven they can see (by craning their necks) above the tall, bare walls that surround them. Their flowers are bits of chickweed, a few struggling blades of grass, or the damp green moss that grows by the wet wall or between the cracks in the pavement. The fragrance is a toxic atmosphere, a mix of all unhealthy smells.

Day after day, week after week, month after month—throughout the budding spring—all the while the long-leaved summer reigns—when autumn is throwing her rainbow-hues over the forest, and winter comes forth, blowing his blue nails, and with the snow-flakes hanging on his hair—throughout all these changes he feels but cold and heat: can only tell when it is spring by hearing the cry of “primroses” without the walls; summer, by the hot pavement on which he{294} treads; autumn, by the drawing in of the days and the chilly evenings; and winter, by the cold that seems to eat into his very bones. This is his life; these all the changes he knows, unless the rolling of the monotonous year is varied by the days he never left his sick-bed, or the weeks he spent in the hospital. The weary walls are ever the same; he has counted every fissure in the pavement; almost every morsel of gravel is familiar to his eye: he knows how many slabs are cracked and broken; at what hour he shall have gruel, when a change to potatoes. Meat-days are little feast-days; his spoon and porringer and plate his only comforters, until sleep comes and steeps his senses in forgetfulness. He knows when it is Sunday by receiving his clean shirt, and attending church.

Day after day, week after week, month after month—throughout the budding spring—all the while summer with its long leaves takes over—when autumn paints the forest in rainbow colors, and winter arrives, blowing cold and with snowflakes stuck in his hair—throughout all these changes, he just feels cold and heat: he can only tell it’s spring by the cry of “primroses” outside; summer by the hot pavement he walks on; autumn by the shorter days and chilly evenings; and winter by the cold that seems to get into his bones. This is his life; these are all the changes he knows, unless the endless year is interrupted by the days he never leaves his sickbed or the weeks he spends in the hospital. The weary walls are always the same; he has counted every crack in the pavement; almost every piece of gravel is familiar to him: he knows how many slabs are cracked and broken; at what time he’ll get gruel, and when he’ll switch to potatoes. Meat days are little celebrations; his spoon, bowl, and plate are his only comforters, until sleep comes and fills him with forgetfulness. He knows it’s Sunday because he gets his clean shirt and goes to church.

Poverty in the country—however poor it may be, however low it may have fallen—is still surrounded with a few fragments of the Paradise which was once man’s possession. There we see the blue of the sky bending and resting upon the dim rim of the horizon, or losing itself in the twilight of other worlds. The bladed green of the refreshing earth lies below like a rich velvet carpet which God hath diapered with flowers of “all hues,” and thrown down for man to tread upon. The solemn avenue of stately trees rises like a tall temple, roofed in by his mighty hand; and as we gaze upward, we feel the heart worshipping Him unawares, and walk along surrounded with the awe of an old religion. Every rounded pebble beside which the stream plays and murmurs, sends up its tiny voice through the bubbling silver, and fills up the pause in the great anthem which Nature hymns in His praise. In the greenless and sunless streets of the busy city we see not this God-created life, this old world, which has lived on ever since a broad leaf waved; long perchance before Eve planted her white and naked foot on the rounded daisies that blowed in Eden, when the voice of God was heard “walking in the garden in the cool of the day” (Genesis iii. 8).

Poverty in the country—no matter how poor it may be, no matter how low it has fallen—is still surrounded by a few remnants of the Paradise that was once humanity's. There, we see the blue of the sky bending and resting on the faint edge of the horizon, or disappearing into the twilight of other worlds. The vibrant green of the refreshing earth lies below like a rich velvet carpet adorned with flowers of “all colors,” laid down for us to walk on. The grand avenue of tall trees rises like a majestic temple, covered by His mighty hand; and as we look up, we feel ourselves unwittingly worshipping Him, walking in the reverence of an ancient faith. Every rounded pebble that the stream plays and murmurs around sends up its tiny voice through the bubbling silver, adding to the pause in the great anthem that Nature sings in His honor. In the lifeless and sunless streets of the bustling city, we don’t see this God-given life, this ancient world that has existed ever since a broad leaf waved—long before Eve placed her white, bare foot on the rounded daisies blooming in Eden, when the voice of God was heard “walking in the garden in the cool of the day” (Genesis iii. 8).

The visions which St. John the Evangelist obtained of heaven were of a city whose golden gates were never closed; of a river clear as crystal, and trees bending beneath their load of fruit. Isaiah also saw there “the glory of Lebanon: ... the fir-tree, the pine-tree, and the box together, to beautify the place of [his] sanctuary.” And in our own dreams of those immortal realms, we but catch dim glimpses of what is beautiful on earth—a peaceful country, green and flowery; and over the sunshine which sleeps thereon the shadows of angels are ever passing.

The visions that St. John the Evangelist had of heaven showcased a city with gates of gold that were always open; a river as clear as crystal, and trees heavy with fruit. Isaiah also described there “the glory of Lebanon: ... the fir tree, the pine tree, and the box tree together, to beautify the place of [his] sanctuary.” In our own dreams of those eternal realms, we only get vague glimpses of what is beautiful on earth—a peaceful countryside, lush and floral; and above the sunshine that rests there, the shadows of angels continually drift by.

Those who never see the beauties which God hath scattered over the face of the earth, can scarcely imagine any thing of heaven, or dream of delights beyond the worship which they join in here below.{295}

Those who never notice the beauties that God has spread across the earth can hardly imagine anything about heaven or dream of pleasures beyond the worship they participate in down here.{295}

Our forefathers were a holiday-loving people. With what delight they set out to bring home May! Herrick has told us, in undying verse: they hung a green bough on every door, and suspended from window to window, in the centre of the streets, endless garlands of flowers. The dance under the May-pole was surely preferable to reeling out of a gin-shop; and the archers practising in the cool of a summer evening, under the trees in Moorfields, much better than a stifling skittle-ground, reeking with tobacco, gin, and beer.

Our ancestors loved to celebrate holidays. With what joy they set out to welcome May! Herrick has captured it in timeless verse: they hung a green branch on every door and draped endless flower garlands between windows in the streets. The dance around the May-pole was definitely better than stumbling out of a bar; and archers practicing on a cool summer evening under the trees in Moorfields was far more enjoyable than a stuffy bowling alley filled with tobacco, gin, and beer.

If the country is a little farther from London than it was in those days, we are enabled to reach it as soon as they did, when linked to that space-cleaving thunder-bolt, a railway engine; and quick and far away as the flowers have flown, we can still overtake them in a few minutes.

If the countryside is a bit farther from London than it used to be, we can still get there just as quickly as they did back then, thanks to the powerful railway engine that cuts through distance. And as fast and far as those flowers have spread, we can still catch up to them in just a few minutes.

We have great faith in these holidays of the poor; for whatsoever contributes to their happiness removes a portion of what is evil, and supplies the place with what is good. To make a poor weary heart happy and contented for only a few hours, is to lessen the evils of life—it is a rest in the desert, a spring throwing its “loosened silver” through the arid sand, at which they drink, and taking heart, go on their way again more cheerfully. A more selfish and depraved class live not, than those who only think of their own pleasure; who never dream of the delight there is to be found in making others happy.

We have a strong belief in the joy these holidays bring to those in need. Anything that adds to their happiness reduces some of the negativity in life and replaces it with something positive. To bring happiness and contentment to a struggling heart, even for a few hours, eases the burdens of life—it’s like finding an oasis in the desert, a spring that pours out its “shimmering silver” through the dry sand, allowing them to drink and regain their spirit, continuing on their journey with renewed cheer. A more selfish and morally corrupt group of people doesn't exist than those who only think of their own enjoyment and never realize the joy that comes from making others happy.

How grateful the generality of the poor are for favours! They return the donor thanks, sincere thanks—they can offer God no more.

How grateful most poor people are for favors! They give the donor thanks, heartfelt thanks—they can offer nothing more to God.

We pay our poor-rates because we are forced; but is a parochial board to be the limits of our charity, is there nothing required beyond food, raiment, and household shelter, for the poor? Ask Joseph Brown, and he will point with a proud finger towards Bethnal-green, to those whom he led forth like a second Moses, out of a wilderness of bricks, mortar, and ruins, to a land where summer reigns, where he smote the rock, and sent the gushing waters bubbling and sparkling among a thousand brick-dried and dusty hearts.

We pay our taxes for the needy because we have to; but is the local board really all we can do in terms of charity? Is there nothing more needed beyond food, clothing, and shelter for the poor? Just ask Joseph Brown, and he will proudly point to Bethnal Green, to those he led out like a modern-day Moses, out of a wasteland of bricks, mortar, and decay, to a place where summer thrives, where he struck the rock, and sent flowing waters bubbling and sparkling among countless dry and dusty hearts.

At his bidding the little doubled-up old woman left off roasting chestnuts at the corner of the street, and went out to see them grow; the pale-faced girl for one day ceased her cry of water-cresses, and saw the clear brook in which they stood; while the pretty flower-girl gazed with wonderment over the gardens of Havering Bower, and thought how fresh and beautiful the flowers looked there compared with those she sold in the streets of London. The old man, bent with age, left his box of lucifer-matches (the beggar’s last shield) at home, and went to see the butterfly once more alight on the blossoms. And Joseph Brown walked at the head of these immortal souls, these poor outcasts of earth—many of them we trust angels on{296} their march to heaven, whose folded wings may in another state touch our own, when we kneel with bowed head and clasped hands on the star-paved floor of heaven, blushing to think how many tribulations they waded through without a murmur, while we looked on nor extended a helping hand.

At his request, the little hunched old woman stopped roasting chestnuts at the street corner and went out to see them grow; the pale-faced girl paused her call for watercress just for today and noticed the clear stream where they grew; while the pretty flower-girl looked on in amazement at the gardens of Havering Bower, thinking about how fresh and beautiful the flowers looked there compared to the ones she sold on the streets of London. The old man, bent with age, left his box of matches (the beggar’s last defense) at home and went to see the butterfly land on the blossoms once more. And Joseph Brown walked at the forefront of these immortal souls, these poor outcasts of the earth—many of whom we hope are angels on{296} their way to heaven, whose folded wings may in a different state touch ours when we kneel with bowed heads and clasped hands on the star-paved floor of heaven, embarrassed to think how many struggles they endured silently while we watched and didn’t offer a helping hand.

The last trumpet, when it awakes the dead, will have no soft and silvery sound for the silken sons and daughters of luxury, but send out the same earth-rending peal, and startle all from their long deep slumber.

The final trumpet, when it wakes the dead, won't have a gentle and soft sound for the privileged sons and daughters of luxury; instead, it will blast out the same earth-shattering call, jolting everyone from their long deep sleep.

These Bethnal-green holiday-people were a poor and homely race, looking what they really are, a badly-fed and badly-housed populace. They are small in stature and limb, and unwholesome in appearance, like flowers crammed into the bit of ground behind the smoky alleys in which they live, that dwindle and pine, and get less and less every year they live: so were these poor people—they had neither bulk, bone, nor muscle: they were like the trees in our city streets compared with the giant oaks of Sherwood Forest. Some of the girls were rather pretty but pensive; they seemed happy, and yet it did not look natural for them to appear so; you could not tell how it was, yet you “felt” it to be so. The ugliest and dirtiest were to all appearance the happiest; they saw only the present, they left the past behind them, quite sure that the old cares, privations, and sorrows would not run away while they were absent. Peace be with them, and all happiness attend such careful pastors as the Rev. Joseph Brown, Rev. Thomas French the curate of Bildeston, the Rev. R. H. Herschell, and all the kind friends who assist them by contributing their mite to these Holidays of the Poor. We place their names in our pages with a feeling of pleasure.

These holiday-goers from Bethnal Green were a struggling and humble group, clearly reflecting their situation as a poorly fed and poorly housed population. They were short and frail, and their appearance was unhealthy, like flowers squeezed into the tiny patch of ground behind the smoky alleys where they lived, barely surviving and diminishing a little more each year: so were these unfortunate people—they lacked bulk, bone, or muscle: they were like the trees lining our city streets compared to the mighty oaks of Sherwood Forest. Some of the girls were somewhat pretty but seemed thoughtful; they appeared happy, yet it didn’t seem quite right for them to look that way; you couldn’t quite place it, but you could “feel” it to be so. The ugliest and dirtiest among them seemed the happiest; they focused only on the present, leaving the past behind, fully aware that the old worries, hardships, and sorrows would still be there when they returned. Peace be with them, and may all happiness follow such devoted caretakers as Rev. Joseph Brown, Rev. Thomas French, the curate of Bildeston, Rev. R. H. Herschell, and all the kind friends who help them by contributing their part to these Holidays of the Poor. We include their names in our pages with great pleasure.

During one of our rural wanderings in summer, we chanced to stumble upon a holiday group of charity-school children, both boys and girls, which had been brought into the quietude of the country by half-a-score of pleasure-vans. They had not all the freedom we should have liked to have seen them enjoy: if one or two straggled a little out of bounds, they were called back. Poor little things! they seemed to envy the bees and birds that flew about, and to wish that they had no teachers to watch over them. We fancied how little some of them had slept on the previous night, through thinking about their country excursion; how often they had looked at the sky, and hoped that it would not rain—that it would surely be fair one day in the year, the only day on which they had a holiday. It made us sigh to look at some of them—they were such little specimens of humanity, especially when, on inquiry, we found that many of them were fatherless and motherless. They seemed to look on Nature with{297} that childish wonder which is pleased with every thing it sees: they gathered the white dead-nettle, the ox-eye, and red poppy, and thought that such were beautiful flowers; little darlings, that could only sob and weep when they were beaten, and nestle closer to one another for comfort, seeming to look about with their pretty eyes as if seeking for some friend to protect them. Others we saw with forbidding countenances, who had no doubt been beaten and starved, and felt a savage satisfaction in punishing such as were less than themselves, as if copying the examples they had suffered under.

During one of our summer walks in the countryside, we happened upon a holiday group of charity-school kids, both boys and girls, who had been brought out to the peaceful surroundings by a handful of pleasure-vans. They didn’t have all the freedom we would have liked to see them enjoy: if one or two wandered a little too far, they were called back. Poor little things! They seemed to envy the bees and birds flying around and wished they didn’t have teachers watching over them. We imagined that many of them had barely slept the night before, thinking about their country trip; how often they checked the sky, hoping it wouldn’t rain—that it would surely be nice on this one day of the year when they had a holiday. It made us sigh to look at some of them—they were such tiny examples of humanity, especially when we found out that many were fatherless and motherless. They seemed to gaze at Nature with that childlike wonder that finds joy in everything it sees: they picked white dead-nettle, ox-eye daisies, and red poppies, thinking they were beautiful flowers; little darlings who could only sob and weep when they were punished and snuggle closer together for comfort, looking around with their lovely eyes as if searching for someone to keep them safe. Others had grim expressions, likely because they had been beaten and neglected, finding a cruel satisfaction in tormenting those weaker than themselves, as if mimicking the treatment they had endured.

Some had eaten their dinners before reaching their journey’s end, and gazed with longing eyes on such as had been more provident; though we strongly suspected that many had been tempted by false promises and the hopes of sharing the dinner of their companion—hopes not likely to be realised in many cases, judging from what we saw.

Some had eaten their dinners before reaching their destination and looked longingly at those who had been more prepared; although we strongly suspected that many had been lured by false promises and the hopes of sharing a meal with their companions—hopes that were unlikely to come true in many cases, based on what we observed.

Oh, how we longed to have had those children under our own guidance for the day, to have taken them to one or another of the sweet spots we knew, so different from the dusty patch of green by the road-side, where the pleasure-vans were drawn up! such spots as we have often described—roads and lanes that lead only to fields; green nooks that seem too beautiful ever to be broken up into highways, as if it would be a sin to crush those lines of white daisies that seem to stretch onward and onward, as if trying to find their way to where, in spring, the primroses and violets and blue-bells nestle on the wood-side banks; spots which for ages have formed an old highway of flowers, over which have flown armies of birds and bees and butterflies; places beside which there ever went singing along with subdued voice some little brook, that seemed to chafe if only a pebble checked its course, as if it murmured at being kept away from the flowers that grew farther on, and which it had come a long way down the hills to look at, from whence the breeze had first blown the tidings about the beauty of the spot in which they grew; and ever over the stream the drooping May-buds waved, as if they tried to match their whiteness against the silver cloud that lay mirrored below, while here and there great trees threw their green arms across it, chequering its onward course with cooling shadows, as if for a little time to give it a pleasant resting-place before it went on again to where the unclouded sunshine falls; for where that pleasant stream goes broadening out, the gaudy dragon-flies meet together to play, and where it runs narrowing in, the black bulrushes, the feathery reeds, and the golden-flowered water-flags nod and bend and rustle together, as if they were never weary of telling one another how pleasant is the scenery around which they grow; spots where{298} the birds seem to come for new songs—sweet notes which they gather from the lapping water and the whistling reeds, and these they sing to the blossoms, and the blossoms breathe them back again to the bees, and the bees whisper them into the bells of the flowers they plunge into, and every insect that alights thereon catches the note, and all day long is humming the low tune high up in the air. To such places as these ought the dear children to be taken, while the pleasure-vans await their return beside the dusty high-road, where only the plantain, the ox-eye, the dead-nettle, and the hemlock grow.

Oh, how we wished we could have had those kids with us for the day, to take them to one of the lovely spots we knew, so different from the dusty patch of grass by the roadside where the pleasure-vans were parked! Spots like the ones we’ve often described—roads and lanes that lead only to fields; green nooks that seem too beautiful to ever be turned into highways, as if it would be a sin to trample those lines of white daisies that seem to stretch on and on, as if trying to find their way to where, in spring, the primroses and violets and bluebells settle on the banks by the woods; places that for ages have formed an old highway of flowers, over which have flown armies of birds, bees, and butterflies; spots beside which there’s always a little brook singing softly, that seems to get annoyed if just a pebble blocks its path, as if it complains about being kept away from the flowers that grow further on, and which it has traveled a long way down the hills to see, from where the breeze first carried the news about the beauty of the spot in which they grew; and over the stream, the drooping May-buds waved, as if trying to compare their whiteness against the silver cloud mirrored below, while here and there big trees stretched their green arms across it, creating patches of cool shade, as if to give it a nice place to rest for a moment before it continued on to where the unclouded sunshine shines; because where that pleasant stream widens, the colorful dragonflies gather to play, and where it narrows, the black bulrushes, feathery reeds, and golden water-flags sway and rustle together, as if they never get tired of telling each other how lovely the scenery around them is; spots where the birds seem to come for new songs—sweet notes that they gather from the lapping water and the whistling reeds, which they sing to the blossoms, and the blossoms send them back to the bees, and the bees whisper them into the flowers they land in, and every insect that rests there catches the tune, humming the soft melody all day long up in the air. Places like these are where the dear children should be taken, while the pleasure-vans wait for their return by the dusty road, where only plantain, ox-eye, dead-nettle, and hemlock grow.

But while the railway rushes on in its lightning-like speed, and the steam-boat tosses the water aside with proud disdain, as if angry that it should for a moment check its course, the slow moving canal-boat, drawn leisurely along by horses, has also its crowd of holiday-people. This is, no doubt, one of the cheapest and safest methods of spending the day after all. Here there is no rushing and thronging as on the railway, no dashing and rocking as in the steam-packet, nor any shaking in going over the ground as in the pleasure-vans. The ripple the boat makes is scarcely heard. You can even distinguish the rustling of the tiny waves among the sedge that sways idly to and fro on the banks of the canal. It is a beautiful sight to see these boats full of holiday passengers, gliding slowly along within a yard or two of the shore in the summer sunshine; to look down and see them all mirrored in the water, even to the little girl that is leaning over the side, and rippling the surface with her hand, beside the woman in the red shawl, that deep down is clear-shadowed. Pleasant it is to stand a little way off; and, while the boat is towed lazily along, to hear some old solemn hymn chanted: low at first, then gradually swelling higher, and to distinguish the children’s voices mingling with those of men and women; and nothing to drown the harmony saving the measured tramp of the horses which haul the boat, the creaking of a gate, or the short sharp crack of the driver’s whip—sounds which disturb not your thoughts. Not that we would have them always singing hymns, or listening to pious addresses, but leave them a little breathing-time to look on nature, to “commune with their own hearts,” to enjoy themselves on the lawn (as the kind curate of Bildeston allowed them to do a year or two ago, after giving them a hearty meal of plum-cake and tea; and, when wearied with their sports and pastimes, sending home, as he did, every poor child with a huge lump of plum-cake in its hand).

But while the train speeds by like lightning, and the steamboat proudly pushes the water aside, almost as if it’s angry for being slowed down, the slow-moving canal boat, pulled leisurely by horses, also has its share of vacationers. This is undoubtedly one of the most affordable and safest ways to spend a day. Here, there’s no rushing or crowding like on the train, no jolting and rocking like on the steamship, and no rough bumps like in the pleasure coaches. The soft ripples made by the boat are barely audible. You can even hear the gentle rustling of the small waves among the reeds swaying lazily on the canal banks. It’s a lovely sight to see these boats filled with holiday passengers gliding slowly along just a yard or two from the shore in the summer sun; to look down and see them all reflected in the water, including the little girl leaning over the edge, creating ripples with her hand beside the woman in the red shawl, her image clearly seen below. It’s nice to stand back a bit, and while the boat is being pulled along lazily, to hear an old, solemn hymn being sung: starting softly, then gradually getting louder, blending the voices of children with those of men and women; and the only sounds breaking the harmony are the steady steps of the horses pulling the boat, the creaking of a gate, or the quick crack of the driver’s whip—sounds that don’t interrupt your thoughts. Not that we want them to always be singing hymns or listening to religious talks, but let them have a little time to appreciate nature, to “reflect on their own thoughts,” to enjoy themselves on the lawn (as the kind curate of Bildeston allowed them to do a year or two ago after treating them to a hearty meal of plum cake and tea; and, when they were tired from their games and activities, he sent each poor child home with a big piece of plum cake in hand).

In the north of England the school-feasts are called “Potations,” for so is the word sounded, the origin of which we have never been able to discover, nor to find any other meaning for it than that of{299} drinking; yet it signifies a childish feast or holiday in the midland counties. We want a better compound word than “Pic-nic” for these Holidays of the Poor, and hope that some of our learned readers will help us to one.

In northern England, school feasts are called “Potations,” which is how the word is pronounced. We’ve never been able to figure out its origin or find any meaning for it other than drinking. However, it signifies a childish feast or holiday in the midland counties. We need a better term than “Pic-nic” for these Holidays of the Poor and hope that some of our knowledgeable readers will come up with one.

{300}

{300}

INDEX.

A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, Z

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Abercrombie, 36.
Adelphi, by whom built, 205;
on what ground built, 205;
connected with it Lady Jane Grey, 206;
neighbourhood of it between Strand and river, 206;
to what purposes used, 207;
descriptive notes of, 208,
descriptive notes of neighbourhood in old times, 208.
Addle-hill, 37.

Aedd the Great, 18.
Aldgate, 26.
Alfred, 24.
Algigiva, 201.
Allhallows Church, 76.
Ancient bridge, 25;
only highway to Kent and Surrey, 25;
by what parties traversed at different times, 25.
Ancient lamp, 49.
Ancient names of headlands and harbours, hills and valleys, 18;
endeavour to discover language by, 18, 19;
mixture of sounds in, 19.
Andrew’s-hill, 37;
church and monument on it, 37.
Angel Inn, old, from whence Bishop Hooper was taken to martyrdom, 201;
where situated, 201.
Anthony, St., church of, built by Wren, 54.
Apothecaries’ Hall, 37.
Appearance of spot in ancient times where Westminster stood, 23.
Apsley House, 225.
Augusta, 17.

Bartholomew’s Church, 27.
Bartholomew Fair, 27.
Bartholomew, 79.
Basing-lane, 62;
Roman tessalated pavement discovered in, 62;
extent and composition of pavement, 62;
in what embedded, 63;
building and wall exposed by cutting, 63; vessels discovered, 63;
circular shaft discovered, 63;
remains of piles discovered, 64;
site of these discoveries that formerly occupied by fortress of Tower Royal, 64.
Baynard’s Castle, 26;
various historical associations connected with detailed in 26 and 27.
Baxter, author of “Saints’ Rest,” where buried, 173.
Ben Jonson, 27.
Bennet’s-hill, 37.
Billingsgate, 79;
free trade in, 500 years ago, 80;
laws connected with fishmongers in, 80;
punishment for infringement of, 80;
stalls in, 80;
houses originating from, 81;
various descriptive notes of, 81, 82;
hawkers connected with, 82;
supplies from, 82;
railways in connexion with, 85;
old Billingsgate pulled down, 85;
new pile erected, 85;
allusion to Mayhew’s work, in connexion with it, 86.
Bird, sculptor, 35.
Bishopsgate-street, 149;
old-fashioned inn in, 153;
details and characteristics of, 153.
Bow Church, old, 54, 55.
Bridge, ancient characteristics of, 24, 25.
Broadway, 37.
Bucklersbury, 60;
descriptive details of, 60.

Canterbury Tales, 250.
Canute, 24.
Carter-lane, 44.
Catherine of Spain, 76.
Cheapside, 56;
effects of it on a countryman, 56;
splendid shops in, 56;
rent paid for, 56;
articles sold in, 56;
difference of London in the present day from that of old, manifested by shops, 57;
various characters described, 57, 58;
accident described, 58;
vehicles described, 58, 59.
Christ’s Hospital, 166;
custom connected with, 166;
allusion to founder of, Edward VI., 166;
monastery of Grey Friars repaired for reception of children, 166;
costume worn by, 167;
Stowe’s account of the origin of Hospital, 167;
Ridley Bishop of London, his connexion with, 167;
Lord Mayor’s connexion with, 168;
picture illustrative of 168;
sum voted by king for relief of hospital, 168;
notices connected with, hospital, 168, 169;
abuses incidental to, 169;
quotation from Illustrated London News of supper given in, 169, 170;
quotation from “London Spy” illustrative of hospital and its approaches, 171;
Christ’s church, 172;
story connected with hospital, 173;
illustrious parties there educated, 173.
Clement Danes, St., why so called, 201;
church of, by whom built, 201;
under whose guidance, 201;
old church, when pulled down, 201;
neighbourhood of, 202;
subjected to London cries, 202;
various ones noticed, 202;
diminution of them, 202;{301}
noise of vehicles one cause of this, 202.
Clement’s Inn, where situated, 201.
Cloth Fair, 27.
Coal Exchange, new, 85, 87;
descriptions connected with the opening of the building quoted from the Illustrated London News, 87, 88, 89, 90;
coloured decorations of, worthy of admiration, 89;
various subjects forming them, 89;
architect of, 90;
builder of, 90;
decorator of, 90;
furnishers of ironwork for, 90;
Roman hypocaust found in connexion with, 90.
Cock Tavern, 200;
Tennyson’s, the poet’s connexion with, 200;
currency connected with, 200.
Coins of conquerors, where lying, 22.
College-hill, descriptive notice of, 59;
name derived from a college founded by Whittington, 59;
who resided there, 60;
Strype referred to, 60.
Country of Sea Cliffs, name of England, 18.
Covent Garden, 209;
flowers collected there in season, 209;
feelings awakened by a walk through it, 210;
images recalled by such, 210;
supplies furnished by, 210;
parties frequenting it, 210;
itinerant dealers connected with, 211;
places in which they grow flowers, 211;
enjoyment afforded to various parties by Covent Garden, 211;
portresses connected with, 211;
their honesty and strength, 211;
characteristics of, 211, 212;
hours at which Covent Garden market is attended, 212;
historical associations, 212;
original name, 212;
belonged to Westminster Abbey, 212;
walk to it a few centuries ago, 212;
walled round within three hundred years, 213;
description of its neighbourhood, 213,
foundations of old convent from which it is named exist still in Mr. Bohn’s house, 213;
Inigo Jones connected with first advances to improvement, 213;
under the direction of the Earl of Bedford, 213;
specimens of the architecture of the period in Lincoln’s Inn, 213;
supply of vegetables in old times, 214;
love of flowers habitual to Londoners, 214;
Henry VIII’s. visit to Shooter’s Hill in illustration of this, 214;
quotation from Illustrated London News describing the church of St. Paul’s, Covent Garden, 215.
Coverdale, Miles, associated with earliest printed translation of the Bible, 78.
Crosby-place, 25;
one of the few places in the city where deeds historically recorded were plotted, 149, 150.
Crosby-hall, by whom built, 149,
lease obtained from prioress of convent, 149;
progress of purchaser, 149;
monument of same, 149.
Custom House, where situated, 90;
mention of in the reign of Elizabeth, 91;
long room in, 91;
parade of the quay, 91;
revenue derived from, 91.

Delware, statue of, 37.
Description of street across the Thames, 24.
Descriptive details of Canterbury settlement, 136.
Descriptive details of the borough, 25.
Dispensary poem, cause, and by whom written, 37.
Dissenting ministers, vindication of themselves, 76.
Doctors Commons, 37;
approach to, 37;
feelings of parties passing it, 37;
various parties described, 38, 39;
description and characteristics of, 37, 38, 41, 42, 43, 44;
prerogative and will office, 38;
detailed description of court of arches, 44;
court of faculties and dispensations, 44;
consistory court of the Bishop of London, 44;
high court of Admiralty, 44;
Herald’s College, 44.
Docks, 126;
Blackwall reach, 126;
neighbourhood of Tower, and state of society in, 126;
quotation from “London Spy,” illustrative of the same, 127;
description and characteristics of, 127;
origin of rural cemeteries in connexion with making the docks, 128;
hospital of Queen Matilda demolished, 128;
size of St. Catherine’s and London Docks, 128;
amount of ships capable of containing, 128;
West India Docks, 128;
value deposited in, 128;
wealth of London contained in docks, 128;
cost of walls surrounding, 131;
East India Docks, Blackwall, 131;
mast-house, 131;
time taken in delivering cargo of vessel, 131;
method of doing so, 131;
river robbery, 131;
opposition to docks in consequence of, 131;
also by Trinity House, 131;
difficulties met with in making docks, 131;
emigrants departing from, 132;
descriptive details of, 132, 133, 134;
Canterbury Association in connexion with, 135;
description and characteristics of, 136.
Dowgate, 26.

Eastcheap, 93.
East India House, 96;
where situated, 96;
when built, 96;
purpose of, 96;
court-room in, 96;
ornaments and size of, 96;
Tippoo’s elephant Howdah, 97;
statues of Clive, Hastings, Cornwallis, Coote, Lawrence, and Pococke, 97;
Library and Museum, where contained, 97;
latter is open on Saturdays, 97;
and well repays a visit, 98;
articles contained in, 98;
Tippoo’s Tiger, 98;
Hindoo idols, Chinese curiosities, 98;
description of Ajunta caves in India—copies of which have been lately added to the museum—taken from Illustrated London News, 98.
Edward I., 79.
Edward VI., 168.
Eels, rent of land paid in, 81;
not as good as formerly, 85;
affected by poisonous state of the Thames, 85;
evidence of Mr. Butcher in connexion with, 85.
Egbert, 24.
Elphitt’s dialogues, implements mentioned in, 81.
Emigration, 139.
England, description of at Aed’s landing, 21.{302}
Erkennin, the Saxon, 23.
Etheldred, 24.
Ethelstane, 81.
Ethelwulf, 24.

Fat Ursula, 181;
still lives in the pages of Ben Jonson, 181;
in the same pages is memory kept of Bartholomew fair, 181.
Fenchurch-street, 76.
Fish-street Hill, 76;
monument on, designed by Wren, 77;
height of, 77;
distance from the spot where the fire commenced, 77;
ascent of 77;
interior of column, width of, 77;
suicides committed from, 77;
view from the summit, 77;
characteristics of it, 77.
Fishmongers, ancient, 79;
on what occasion they paraded the city, 79;
in what numbers and order, 79, 80;
manner of selling fish in olden time, 80;
characteristics of those engaged in, 80;
allusions to fishmongers, 87;
by Stowe, quotation, 87.
Fleet-street, 191;
characteristics of its neighbourhood, 191;
central situation of, 191;
Whitefriars in, 192;
alluded to by Sir Walter Scott, 192;
quotation from “London Spy” illustrative of various features connected with it, 192.
Fog, London, time of its occurrence, 243;
nature and characteristics of it, 243;
atmosphere of, 243;
appearance of city in, 243;
variety of accidents occasioned by, 244, 245;
appearance of tavern in fog, 245;
appearance of London at night in fog, 247;
accidents on the river in fog, 248.

Geology, revelations made by, 19;
and discoveries attendant on, 19.
Gerard’s Hall, mentioned by Stowe, 49;
Giant connected with, 49;
tale connected with, 50;
Gisor’s Hall, proper name of, 51;
swept away in the Great Fire, 51.
Gibbs, architect of St. Martin’s portico, 204.
Gracechurch-street, 76;
its conduit mentioned, 76;
pageant erected in to Catharine of Spain, 76;
primitive way of draining mentioned in connexion with, 76;
name changed in Elizabeth’s reign, 76;
ground for omnibuses at present, 76.
Great Fire, date of commencement, 77;
place of likewise, 77;
inscription detailing destruction caused by, made on the monument, 77.
Green Park, 224;
house of Samuel Rogers in it, 224;
parties associating there, 224.
Greenwich, beauty of Park, 283;
description of, 283;
London seen from One-tree Hill in, 283;
appearance of described, 283;
chief beauty of park appears in June, 283;
crowded by visitors, 283;
Observatory, 283;
pensioners, 284;
characteristics of, 285;
various amusements practised, 285;
refreshments, appetite for, and cheapness of, 287;
Gipsies connected with, 288;
characteristics of, 288;
advantages derived from the opening of the park, 288;
historical associations connected with, 288, 291;
Blackheath connected with, 291;
view from, 291;
palace of Eltham seen from, 291;
donkeys to be procured there, 292;
appearance of river from London to Greenwich, 292.
Guildhall, 155;
scarred by great fire, 155;
ancient hall, when erected, 155;
first king who dined there, 155;
historical associations connected with, 155;
descriptive details of the banquet, 156;
and procession attendant, plate, flowers, bill of fare, 157, 158;
description of Charles First’s entertainment, 159, 160, 162;
Lord Mayor’s election, 162;
forms connected with, 162;
heavy duties of office, 162;
amount of letters received by, 162;
crypt of Guildhall, 163;
length of Guildhall, 163;
architecture of, 163;
quotation from “London Spy,” illustrative of giants in Guildhall, 163;
monuments in, 164;
of whom in memory of, 164;
picture in Council Chamber, 164;
subject of, 164;
library, 164;
autograph of Shakspeare in, 164.

Hall’s Chronicle, description of fête, quoted from, 79.
Harold, 24;
notes connected with, 201.
Harrison, William, 76;
connected with pamphlet, 76.
Hastings, 24.
Henry VIII., abuse of consecrated vessels, 168.
History, opening of Anglo-Saxon, applicable to origin of London, 17.
History of the past, 17.
History of our island, 18;
darkness of early part, 18;
first dawning of it by what discovered, 18.
History of life and reign of Elizabeth, 121.
Historical associations connected with houses in Holywell-lane and Wych-street, 208, 209.
Holidays of the London Poor, 293.
Holy Trinity, church of, destroyed by fire, great, 51;
Holy Trinity, prior of, 26.
Honey Island, 18.
Houndsditch, 146.
House connected with Black Prince, 26.
House at the entrance of Whitechapel, description of, 25;
whose residence possibly, 25;
emblems and ornaments on, 25, 26.
House in which Sir Paul Pindar resided, 153.
Hyde Park, 225;
Apsley House, and statue of Achilles, 225;
character of in season, 225;
rural scenery of, 225;
in vicinity of “Tyburn tree,” 225;
Cromwell, Ireton, Bradshaw, in connexion with, 225;
escape of Cromwell in Hyde-park, 225, 226;
Hyde-park when first mentioned, 226;
mustering-ground for “May-day holidays,” 226, 227.

Illustrated London News, office of, where situated, 202.
Importation of fruit and cattle, 139.
Inhabitants of our island, early, very doubtful, 19;
reasons for this, 19.
Ironside, Edmund, 24.{303}

King William-street, statue of William IV. in, 67;
by whom made, 67;
aspect of, 67;
cost of, and by whom voted, 67;
width and beauty of street, 67.
Knight-Rider-street, 44;
descriptive details of, 45.

Labour, thoughts connected with, 139, 140;
waste land in England and Ireland in connexion with, 139;
duty of England in connexion with, 139.
Laud, where beheaded, 148.
Leadenhall-street and market, alluded to by Stowe, 96.
Lodging-houses, 193;
variety of, 193;
descriptive details of a real lodging-house, 194;
various characteristics of the habits of servants in such, 194, 195;
various illustrations of diet, tenants, economy, furniture connected with such, 195, 196, 197, 198, 199.
Lombard-street, 69;
aspect of it, 69;
for what proverbial, 69;
appearance of, different now from what it was three centuries ago, 69;
in what respects, 69;
bear-baiting in it anciently, 69;
related by Ben Jonson, 69;
notices, historical incidents, 69;
Banks and his horse, 69;
opening of Exchange by Queen Elizabeth, 69;
details of street cries and various parties incidental to neighbourhood, 69;
characteristics of social state in olden time, 70;
Bankers of England in connexion with, 70;
characteristics of business done by them, 74;
and manner of doing it, 74;
old-fashioned banker, picture of, 75;
church in Lombard-street, built by a pupil of Wren’s, 75;
entry in old pamphlet connected with, 76.
London, when first peopled, unknown, 21;
first probable origin of, 21;
appearance of, in early times, 21;
during the occupation of the Romans, 21;
remains of ancient London, 27;
to be found still in neighbourhood of Smithfield, 27;
streets of London in olden time, 27;
state of roads in, 27;
by what evidenced, 27;
progress of passenger in, 27;
roads of London in William and Anne’s time, 28;
evidenced by characteristics of coachmen, 28;
numbers of lamps then used, 28;
old highway to London, poetically called “the road of the swans,” 28.
London cemeteries, 269;
custom of burying the dead in ancient times, 269;
from whence derived, 269;
opposite character of present customs, 269;
objections to, 270;
ashes of the dead only brought within the temples anciently, 270;
misplacing of our dead in cities, 270;
arguments in favour of open cemeteries, 270;
remarks on both, 273, 274;
different position of our churches when first built, 274;
proposed rating for burial of dead, 274;
opportunities offered for suburban cemeteries, 273, 275;
death less repulsive in a cemetery, 275;
allusion to and description of Joseph’s funeral, 276;
epidemic referred to in connexion with present subject, 277;
various characteristics of, 278, 279, 280, 281;
sexton and grave-digger how affected by, 280;
pure air to be agitated for in connexion with extra-mural interments, 282.
London poor, characteristics of, 136;
habits of life comfortless, 136;
neighbourhood of Whitechapel and Bethnal Green, inhabited by, 136;
associations connected with “Home” in their life, 136;
hunger, and work, and sleeplessness, modes of reckoning time, 137;
Mr. Mayhew’s work alluded to, 137;
their condition reflected on, 137;
emigration in connexion with, 138;
holidays of the, 293.
London Bridge, old, 25;
descriptive and historical references, 25.

Mansion House, 65;
when built, 65;
before which Lord Mayor resided in his own house, 65;
Egyptian Hall, where Lord Mayor entertains his guests, 66;
value of plate then used, 66;
princely style of Lord Mayor, 66;
allowance made him to support the dignity, sword of Lord Mayor described, 66;
mace likewise, 66;
collar and jewel, description of, taken from Illustrated London News, 66;
costume of Lord Mayor, 66;
Mansion House, where standing, 66.
Market held under name of Farringdon is still held, 66.
Markets, vegetable and fruit, 212.
Mark Lane, 94.
Mary Frith, where buried, 193;
her exploits, 193.
Mary Overy, or Mary of the ferry, 249.
May-pole in the Strand, 202;
by whom removed, 202;
at what time restored, 202, 203;
account of in the “City’s Loyalty displayed,” 203.
Merchant tailors’ school, 66;
connected with it Duck’s foot lane, corruption of Duke’s foot lane, 66;
eminent men there educated, 67;
among whom James Shirley, 67.
Mercers’ School, 60;
former situation of, 60;
said to be one of the oldest schools founded in London, 60;
what ground occupied by, 60;
by whom founded, 60.
Mermaid tavern, 49;
mentioned by Ben Johnson, 49.
Michael’s, St., College-hill, 60;
by whom built 60;
altar-piece contained in, 60;
what made by Whittington’s executors, 60;
who is there buried 60.
Mildred-street church, built by Wren, 49.
Milton’s baptism recorded on a stone in the wall beside a door in Allhallows, 48;
together with other names, 48.
Mincing-lane, 93.
Monument, descriptive notices of, 77.

Nelson’s monument, 36.
New parks, 227;
necessity of, illustrated by various details, 228.
New London Bridge, 67.
Newgate, 183;
neighbourhood peculiar to, described, 183;
crowd assembled to see execution in, 183;
of whom composed, 183;
time allotted for execution, 183;{304}
cries attendant on, and caused by, 183;
characteristics of workmen erecting scaffold, 184;
characteristics of parties attending executions, 184;
exhibition of such devoid of any terror to them, 185;
effects of it on them, 185;
youthfulness of parties attending, 185;
various details illustrative of pernicious effects of thus witnessing, 188;
details of prisoner forexecution, 190.
Northumberland, Earls of, 26.

Objects dwelt on in this work, 191.
Octarchy, when and by whom destroyed, 24.
Olave, St., 96.
Old change and Watling-street, 46;
church of St. Austin, in connexion with, 46.
Old Fish-street, contains church of St. Mary’s Somerset, built by Wren, 46.
Old Mint, 251.
Old city moat, 153;
neighbourhood of land in description of, 153.

Paper-staining Hall, 51;
pictures and antiquities connected with, 51.
Parks, 222;
characteristics and purposes of, 222, 223.
Park, St. James’s, 223;
in the time of Henry VIII., 223;
chase added to it by him, 223;
localities comprised in, 223;
laws connected with, 223;
death of Henry soon after, 223;
few features of the old park remaining, 223;
connected with it Buckingham Palace, 223;
beauty of walks beside the canal, and water fowl nurtured in, 224;
fine trees connected with, 224;
spot for love-making since the days of Charles II., 224;
mention of the “Mall,” by Horace Walpole, 224.
Park, Green, 224;
possesses little interest—house in it, residence of Samuel Rogers, 224;
distinguished men who have been guests there during the last half century, 224.
Park, Hyde, various characteristics of detailed, 225, 226.
Park, Regent’s, attractions to, 227;
Zoological Gardens and Colosseum, 227;
old house of Mary-le-bonne in connexion with, 227;
bowling-green of the Duke of Buckingham, 227.
Paul’s wharf, 44.
Peter House, note connected with, 48.
Peter the Dutchman, 24;
works erected by, 24.
Pilgrim fathers, 135.
Poor, holidays of the London, 293.
Prerogative court, 37.
Pudding-lane, 79.
Punch, reference to, 193.
Purveyors of fish to the court, notices of, 80.

Queenhithe quay, 53;
notices connected with, 53.
Queenhithe, 79.
Queen-street, notice of, 59.
Queen of Henry VIII., pin-money furnished by customs from Queenhithe, 79.

Rag-fair, 146;
price of admission to, 146;
details descriptive of, 146;
exposure to weather in, 146;
scenes occurring in described, 146;
various characteristics of, 147.
Richard III. rebuilt the church of Allhallows-Barking, 95, 96;
great antiquity of it proved by pillars, inscriptions, monuments, brasses, 96.
Roman lamp, 49.
Roman hypocaust, 22.

Samian ware, where lying, 22.
Seething-lane, 94;
church of Allhallows, Barking, connected with, 94.
Shakspeare, 27.
Sheriff’s court, descriptive details of, 163, 164.
Shrine, silver-gilt, 95.
Simon’s report to commissioners of sewers, allusion to, 86.
Sir John Watts entertained James I., 155.
Smithfield, 174;
intended abolishment of market, of, 174;
descriptive notices of, 174;
eating-houses connected with, 174;
drover connected with, description of, 175;
dogs connected with, description of, 175;
descriptive notices of, 175;
characteristics of it on Sunday night, 176;
Smithfield butchers, capabilities of, 176;
Friday, day on which to see it, 176;
haymarket connected with it, 178;
characteristics illustrative of it, and incidental to it, 178, 179;
illustrative description of it, and connected with it, 179;
historical details connected with, 181.
Somerset House, 204;
to what purposes used, 204.
Southwark entrance to London, 252;
contained in former days Shakspeare’s theatre and Bear-garden, 252;
different feature presented by it at present day, 252;
specially in connexion with vehicles, 252.
Spital Sermons, where preached, 173.
Statue of Queen Elizabeth, anecdote connected with, 199.
St. Andrew’s-Undershaft, 147;
why so called detailed by Stowe, 148;
who is buried there, 147.
St. Catherine-Cree, 147;
by whose authority said to be buried there, 147;
Hans Holbein and Sir Nicholas Throgmorton, 147;
consecration of the same described by Prynne, 147.
St. Clement’s, 76.
St. Clement Danes, why so called, 201.
St. Dunstan’s church, 92;
Mr. Elmes’ notice of Sir Christopher Wren in connexion with, 93;
quarrel in it described by Stowe, 93.
St. Giles’s, Cripplegate, 164, 165.
St. Helen’s, 150;
monuments in, 150;
buried there Sir T. Gresham and the rich Spencer, 150;
allusion to nuns connected with, 150.
St. James’s and St. Giles’s, origin of wooden puppets—see “Douglas Jerrold’s Magazine,” 199.
St. Magnus, 78.{305}
St. Mary’s-Mounthaw—the Saxon name of the hawthorn berry, 46.
St. Mary’s-Woolnoth, 75;
Dr. Shuite connected with, 75.
St. Mary’s church, Abchurch-lane, 76.
St. Maudlin, notice connected with, 47.
St. Michael and St. Peter’s churches, Cornhill, 67;
notices connected with, 67.
St. Mary-le-Savoy, 205;
of what it is the remains, by whom destroyed, 205;
present chapel when built, 205.
St. Nicholas’s Cold Abbey, 47.
St. Paul’s, 29;
appearance of, 29;
characteristics of, 29;
charity children connected with, 30;
festival, description of, 30;
appearance, contrasted with that of ancient amphitheatres, 34;
detailed description of the building, 35;
architect, 35;
size of clock, 35;
bell striking the hour, 35;
weight of it, 35;
whispering gallery, 35;
clock-room, 35;
library, 35;
model room, 35;
monuments in, to Nelson, 36;
Abercrombie, 36;
Lord Cornwallis, and various others, 36;
paintings in it by Sir James Thornhill, 36;
door in the dome, purpose of, 36;
shadow of St. Paul’s indicative of its size, 36;
hours of divine service, 36.
St. Paul’s school, 46;
by whom founded, 46;
trustees to it, 46;
notice of its connexion with Anne Boleyn, 46.
St. Saviour’s church, founded by Mary of the Ferry, a Saxon maiden, 249;
legend connected with her, 249;
buried there, Gower, Fletcher, and Massinger, 249;
Shakspeare attended brother’s funeral there, 249.
Stonehenge, 19.
Stone, Mr., 76.
Strand, early appearance of, 22.
Street amusements, 254;
a means of livelihood to many, 254;
Punch and Judy, 255;
illustrative description of their influences, 255;
descriptive details of Punch and Judy, 255;
descriptive details of spectators, 256;
organ-boy and monkey, 256;
descriptive details of monkey, 256-259;
caravan and fat boy, 259;
characteristics of, 259;
dancing girl, 259;
tumbler, characteristics of, 259;
balancers, description and characteristics of, 260;
stilt dancers, performances of, 260;
street telescopes, 260;
Jack-in-the-Green, 261;
Guy Fawkes, 261.
Surrey, earl of, where buried, 95.

Thames-street, 67;
notices connected with, and crowds witnessed in, 78;
steamers calling at places on Thames, 78;
evidencing population of London, 78;
Lower Thames-street, description of, 81.
Thames, poisonous state of, for fish, 85;
Mr. Butcher’s evidence in connexion with, 85;
James Newland’s evidence in connexion with, 85;
description by Stowe, 86;
traffic on it opposed to supply of fish, 86.
Three-cranes, Vintry-street, notices connected with, 59.
Times’ office, Printing-house-square, 37.
Tower, 103;
remains of London mentioned in connexion with, 103;
ancient foundation discovered in last century, 103;
Fitz-Stephen’s description alluded to, 103, 104;
various notices in connexion with this building;
defence of;
purposes for which used;
money expended on it, 105;
wall defended by Edmund Ironside where tower now stands, 104;
William the Norman, Rufus, and Henry I. in connexion with, 104;
architect of White Tower, Gundulph, Bishop of Rochester, 104;
Longchamp held the tower for Richard I.;
Henry III. beautified it, 105;
strengthened by Edward I., 105;
repaired by Edward III., 105;
description of by Paul Hentzner, a foreigner in the reign of Elizabeth, 105;
Nichols’ progress of James I.;
description of Lion tower, 106;
stories from “London Spy,” illustrative of lions’ habits, 109;
Fisher, Bishop of Rochester, imprisoned in Bell Tower, 110;
letter to Cromwell from him, 110;
Bloody tower, notices connected with, 111;
Salt tower, notices connected with, 111;
Bowyer tower, notices connected with, 112;
Rats’ dungeon, 113;
White tower, 113;
Jewel tower and description of regalia, 114, 115, 116;
description of horse armoury, 116;
description of Queen Elizabeth’s armoury, 119;
chronicle of Queen Jane, 120;
“Ende of Lady Jane Dudley.” 120;
quotations from, 120, 121;
names of celebrated persons confined in tower, 121, and anecdotes connected with them, 122, 123;
extract from Illustrated London News, 124.

Use of donkey, 177.

Various pageants at Lord Mayor’s Show in olden times, 160.
Vintners’ Hall, notices of, and historical details connected with, 53.
Virgin Mary’s Image set up by Edward I., 95.

Walbrook, descriptive notices of, 60;
church of St. Stephen’s connected with, 61.
Walworth, lord mayor, slew Wat Tyler, 80.
Waste land in England and Ireland, 139;
cost of reclaiming, 139.
Wat Tyler, picture of the death of, 160.
Westminster Abbey, associations connected with, and feelings arising from, 217;
Pix office, 217;
Saxon architecture of, 217;
various details, architecture, pavements, and other matters connected with the abbey, 218, 219;
its present aspect same as it was before Norman invasion, 218;
mosaic pavement, brought from Rome by Abbot Ware, 218;
great portion of abbey by Henry III., 218;
shrine of Edward the Confessor, 219;
tomb of Queen Eleanor, 219;
Richard II. and his queen, connected with Shakspeare’s mention of him, 219;
Bolingbroke, in connexion with, 219;
Henry the Fifth’s monument, feelings awakened by, 210;
want of harmony{306} in monuments, 220;
art with reference to them better understood formerly than now, 220;
proved by the tombs of our kings in Westminster Abbey, 220;
and by the introduction of modern statues and ornaments, 220;
screen erected by Blore, 220;
monument of Sir Francis Vere in eastern aisle of the transept, 220;
Poet’s Corner, associations connected with, 220;
Chaucer’s monument, 220;
first poet buried here, 220;
Spencer next poet buried here, 221;
his funeral, by whom probably attended, 221;
Beaumont and Drayton, Ben Jonson, Cowley, Dryden, Gay, Prior, and Addison, buried here, 221;
monuments erected to poets buried elsewhere, 221;
the author of the “Pleasures of Hope,” the last true poet buried here, 221;
notes descriptive of his funeral, 221;
Henry IV., death referred to, 221;
Henry Seventh’s chapel, details illustrative of its beauty, 221;
brass screen enclosing Henry the Seventh’s tomb, beauty of, 222;
Cromwell, where buried, 222;
to where taken afterwards, 222.
Where horses are kept by owners in London, difficulty of ascertaining, 177.
Whitechapel, 141;
number of objects in neighbourhood, and extent of interesting portion, make selection a difficulty, 141;
neighbourhood of Whitechapel alluded to in article “Ancient London,” 141;
contrast between present and past appearances, 141;
butchers’ shops in, 142;
old-school class of butchers, 142;
characteristics of, 142; viands sold in, 142;
characteristics of dinners there, 142;
ham and beef houses, 145;
fish sold there, 145;
pigeon-fanciers living there, 145;
pigeon-keeping practised there, 145;
good arising from this taste, 145;
details connected with practice, 145;
pigeon-decoying practised, 145;
means of, explained, 145.
Whitefriars, of what service to traders formerly, 192;
privileges taken away by Act of Parliament, 192;
situation peculiarly ineligible from local neighbourhood, 193.
William and Anne, 28.
William the Conqueror, 28.

Zoological Gardens, 227;
scenery in them described, 227;
aviaries containing specimens from Peru and Mexico, 227;
aquatic fowls, 227;
varieties of every kind there assembled, 227.

Abercrombie, 36.
Adelphi, built by 205;
on what it was built, __A_TAG_PLACEHOLDER_0__;
associated with Lady Jane Grey, __A_TAG_PLACEHOLDER_0__;
the area between Strand and the river, __A_TAG_PLACEHOLDER_0__;
its applications, __A_TAG_PLACEHOLDER_0__;
descriptive notes about it, __A_TAG_PLACEHOLDER_0__,
descriptive notes about the neighborhood in the past, __A_TAG_PLACEHOLDER_0__.
Addle-hill, 37.

Aedd the Great, 18.
Aldgate, 26.
Alfred, 24.
Algigiva, 201.
Allhallows Church, 76.
Ancient bridge, 25;
the only highway to Kent and Surrey, __A_TAG_PLACEHOLDER_0__;
the people who crossed it at various times, __A_TAG_PLACEHOLDER_0__.
Ancient lamp, 49.
Ancient names of headlands and harbors, hills and valleys, 18;
efforts to understand language through them, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
the mix of sounds in, __A_TAG_PLACEHOLDER_0__.
Andrew’s-hill, 37;
the church and monument there, __A_TAG_PLACEHOLDER_0__.
Angel Inn, the old place where Bishop Hooper was taken to martyrdom, 201;
its location, __A_TAG_PLACEHOLDER_0__.
St. Anthony’s church, built by Wren, 54.
Apothecaries’ Hall, 37.
Original appearance of the area where Westminster stood, 23.
Apsley House, 225.
Augusta, 17.

St. Bartholomew’s Church, 27.
Bartholomew Fair, 27.
Bartholomew, 79.
Basing-lane, 62;
Roman mosaic pavement discovered there, __A_TAG_PLACEHOLDER_0__;
the size and material of the pavement, __A_TAG_PLACEHOLDER_0__;
what it was embedded in, __A_TAG_PLACEHOLDER_0__;
building and wall revealed by excavation, __A_TAG_PLACEHOLDER_0__; artifacts found, __A_TAG_PLACEHOLDER_1__;
circular shaft found, __A_TAG_PLACEHOLDER_0__;
piles discovered, __A_TAG_PLACEHOLDER_0__;
The location of these discoveries was once the site of the Tower Royal fortress, __A_TAG_PLACEHOLDER_0__.
Baynard’s Castle, 26;
Various historical associations related to it are detailed in 26 and __A_TAG_PLACEHOLDER_0__.
Baxter, author of “Saints’ Rest,” where he is buried, 173.
Ben Jonson, 27.
Bennet’s-hill, 37.
Billingsgate, 79;
free trade, 500 years ago, __A_TAG_PLACEHOLDER_0__;
fishmonger laws there, __A_TAG_PLACEHOLDER_0__;
punishments for breaking these laws, __A_TAG_PLACEHOLDER_0__;
stalls in, __A_TAG_PLACEHOLDER_0__;
houses from __A_TAG_PLACEHOLDER_0__;
various descriptive notes about it, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
hawkers linked to it, __A_TAG_PLACEHOLDER_0__;
supplies from __A_TAG_PLACEHOLDER_0__;
railways related to __A_TAG_PLACEHOLDER_0__;
old Billingsgate torn down, __A_TAG_PLACEHOLDER_0__;
new structure built, __A_TAG_PLACEHOLDER_0__;
reference to Mayhew’s work related to it, __A_TAG_PLACEHOLDER_0__.
Bird, sculptor, 35.
Bishopsgate-street, 149;
a vintage inn in __A_TAG_PLACEHOLDER_0__;
details and characteristics of it, __A_TAG_PLACEHOLDER_0__.
Bow Church, old, 54, 55.
Ancient Bridge, characteristics, 24, 25.
Broadway, 37.
Bucklersbury, 60;
descriptive details of __A_TAG_PLACEHOLDER_0__.

Canterbury Tales, 250.
Canute, 24.
Carter-lane, 44.
Catherine of Spain, 76.
Cheapside, 56;
effects of it on a country person, __A_TAG_PLACEHOLDER_0__;
great shops in, __A_TAG_PLACEHOLDER_0__;
rent paid for, __A_TAG_PLACEHOLDER_0__;
articles sold in, __A_TAG_PLACEHOLDER_0__;
the differences between London today and in the past, illustrated by shops, __A_TAG_PLACEHOLDER_0__;
various characters described, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
a reported accident, __A_TAG_PLACEHOLDER_0__;
vehicles described, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__.
Christ’s Hospital, 166;
custom linked to it, __A_TAG_PLACEHOLDER_0__;
referring to its founder, Edward VI., __A_TAG_PLACEHOLDER_0__;
the Grey Friars monastery renovated for receiving children, __A_TAG_PLACEHOLDER_0__;
costumes worn by __A_TAG_PLACEHOLDER_0__;
Stowe's story about how the Hospital started, __A_TAG_PLACEHOLDER_0__;
Ridley, Bishop of London, and his association with it, __A_TAG_PLACEHOLDER_0__;
the Lord Mayor's involvement with it, __A_TAG_PLACEHOLDER_0__;
illustrative image of __A_TAG_PLACEHOLDER_0__;
the amount approved by the king for the hospital's support, __A_TAG_PLACEHOLDER_0__;
notices related to the hospital, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
abuses that occur with it, __A_TAG_PLACEHOLDER_0__;
quotation from Illustrated London News about a dinner held in __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
quote from “London Spy” showing the hospital and its environment, __A_TAG_PLACEHOLDER_0__;
Christ's church, __A_TAG_PLACEHOLDER_0__;
a story related to the hospital, __A_TAG_PLACEHOLDER_0__;
famous people educated there, __A_TAG_PLACEHOLDER_0__.
St. Clement Danes, why it is named so, 201;
the church, who built it, __A_TAG_PLACEHOLDER_0__;
under whose guidance, __A_TAG_PLACEHOLDER_0__;
When the old church was torn down, __A_TAG_PLACEHOLDER_0__;
the neighborhood, __A_TAG_PLACEHOLDER_0__;
subjected to London noises, __A_TAG_PLACEHOLDER_0__;
various ones noted, __A_TAG_PLACEHOLDER_0__;
their decrease, __A_TAG_PLACEHOLDER_0__;{301}
vehicle noise, one cause, __A_TAG_PLACEHOLDER_0__.
Clement’s Inn, its location, 201.
Cloth Fair, 27.
New Custom House, 85, 87;
Descriptions related to the building's opening are quoted from Illustrated London News, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__;
colored decorations that are truly admirable, __A_TAG_PLACEHOLDER_0__;
various subjects making them, __A_TAG_PLACEHOLDER_0__;
the architect, __A_TAG_PLACEHOLDER_0__;
the builder, __A_TAG_PLACEHOLDER_0__;
the decorator, __A_TAG_PLACEHOLDER_0__;
ironwork suppliers for it, __A_TAG_PLACEHOLDER_0__;
Roman hypocaust discovered in relation to it, __A_TAG_PLACEHOLDER_0__.
Cock Tavern, 200;
Tennyson’s relationship with it, __A_TAG_PLACEHOLDER_0__;
currency linked to it, __A_TAG_PLACEHOLDER_0__.
Coins of conquerors, where they are found, 22.
College-hill, descriptive note of, 59;
the name comes from a college established by Whittington, __A_TAG_PLACEHOLDER_0__;
who lived there, __A_TAG_PLACEHOLDER_0__;
Strype mentioned it, __A_TAG_PLACEHOLDER_0__.
Country of Sea Cliffs, ancient name of England, 18.
Covent Garden, 209;
seasonal flowers collected there, __A_TAG_PLACEHOLDER_0__;
feelings stirred by a walk through it, __A_TAG_PLACEHOLDER_0__;
images recalled through it, __A_TAG_PLACEHOLDER_0__;
supplies provided by it, __A_TAG_PLACEHOLDER_0__;
people visiting it, __A_TAG_PLACEHOLDER_0__;
traveling sellers linked to it, __A_TAG_PLACEHOLDER_0__;
places where they grow flowers, __A_TAG_PLACEHOLDER_0__;
enjoyment offered to different groups by Covent Garden, __A_TAG_PLACEHOLDER_0__;
porters linked to it, __A_TAG_PLACEHOLDER_0__;
their honesty and strength, __A_TAG_PLACEHOLDER_0__;
characteristics of them, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
store hours, __A_TAG_PLACEHOLDER_0__;
historical connections, __A_TAG_PLACEHOLDER_0__;
original name, __A_TAG_PLACEHOLDER_0__;
once belonged to Westminster Abbey, __A_TAG_PLACEHOLDER_0__;
a walk there a few centuries ago, __A_TAG_PLACEHOLDER_0__;
enclosed within the last three hundred years, __A_TAG_PLACEHOLDER_0__;
description of its neighborhood, __A_TAG_PLACEHOLDER_0__,
The remains of the old convent, after which it is named, can still be found in Mr. Bohn’s house, __A_TAG_PLACEHOLDER_0__;
Inigo Jones was associated with early advancements, __A_TAG_PLACEHOLDER_0__;
directed by the Earl of Bedford, __A_TAG_PLACEHOLDER_0__;
examples of historical architecture in Lincoln’s Inn, __A_TAG_PLACEHOLDER_0__;
supply of vegetables in the past, __A_TAG_PLACEHOLDER_0__;
Londoners' longtime love of flowers, __A_TAG_PLACEHOLDER_0__;
Henry VIII's visit to Shooter’s Hill serves as an example of this, __A_TAG_PLACEHOLDER_0__;
Quotation from Illustrated London News describing St. Paul’s Church, Covent Garden, __A_TAG_PLACEHOLDER_0__.
Coverdale, Miles, associated with the earliest printed translation of the Bible, 78.
Crosby-place, 25;
one of the few spots in the city where historical deeds were recorded, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__.
Crosby-hall, by whom built, 149,
lease obtained from the prioress of the convent, __A_TAG_PLACEHOLDER_0__;
purchaser's progress, __A_TAG_PLACEHOLDER_0__;
monument to the same, __A_TAG_PLACEHOLDER_0__.
Custom House, its location, 90;
mentioned during Elizabeth's rule, __A_TAG_PLACEHOLDER_0__;
the long room in, __A_TAG_PLACEHOLDER_0__;
the quay's parade, __A_TAG_PLACEHOLDER_0__;
revenue generated from it, __A_TAG_PLACEHOLDER_0__.

Delaware, statue of, 37.
Description of the street across the Thames, 24.
Descriptive details of the Canterbury settlement, 136.
Descriptive details of the borough, 25.
Dispensary poem, cause and author, 37.
Dissenting ministers, vindication of themselves, 76.
Doctors Commons, 37;
access to, __A_TAG_PLACEHOLDER_0__;
feelings of those passing by, __A_TAG_PLACEHOLDER_0__;
various described parties, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
detailed description and features of, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__, __A_TAG_PLACEHOLDER_5__;
prerogative and will office, __A_TAG_PLACEHOLDER_0__;
a detailed description of the Court of Arches, __A_TAG_PLACEHOLDER_0__;
court of faculties and exemptions, __A_TAG_PLACEHOLDER_0__;
consistory court of the Bishop of London, __A_TAG_PLACEHOLDER_0__;
High Court of Admiralty, __A_TAG_PLACEHOLDER_0__;
Herald’s College, __A_TAG_PLACEHOLDER_0__.
Docks, 126;
Blackwall Reach, __A_TAG_PLACEHOLDER_0__;
the area around the Tower and its social conditions, __A_TAG_PLACEHOLDER_0__;
quotation from “London Spy,” which illustrates this, __A_TAG_PLACEHOLDER_0__;
description and characteristics of __A_TAG_PLACEHOLDER_0__;
The origin of rural cemeteries is linked to the establishment of the docks, __A_TAG_PLACEHOLDER_0__;
the hospital of Queen Matilda was demolished, __A_TAG_PLACEHOLDER_0__;
the size of St. Catherine’s and London Docks, __A_TAG_PLACEHOLDER_0__;
the number of ships it can hold, __A_TAG_PLACEHOLDER_0__;
West India Docks, __A_TAG_PLACEHOLDER_0__;
value stored in them, __A_TAG_PLACEHOLDER_0__;
The wealth of London is found in its docks, __A_TAG_PLACEHOLDER_0__;
cost of surrounding walls, __A_TAG_PLACEHOLDER_0__;
East India Docks, Blackwall, __A_TAG_PLACEHOLDER_0__;
mast house, __A_TAG_PLACEHOLDER_0__;
time required to unload a ship's cargo, __A_TAG_PLACEHOLDER_0__;
way to do this, __A_TAG_PLACEHOLDER_0__;
river theft, __A_TAG_PLACEHOLDER_0__;
opposition to the docks because of this, __A_TAG_PLACEHOLDER_0__;
also by Trinity House, __A_TAG_PLACEHOLDER_0__;
challenges in dock construction, __A_TAG_PLACEHOLDER_0__;
emigrants leaving from there, __A_TAG_PLACEHOLDER_0__;
descriptive details of __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__;
Canterbury Association regarding __A_TAG_PLACEHOLDER_0__;
description and characteristics of __A_TAG_PLACEHOLDER_0__.
Dowgate, 26.

Eastcheap, 93.
East India House, 96;
its location, __A_TAG_PLACEHOLDER_0__;
when it was built, __A_TAG_PLACEHOLDER_0__;
its purpose, __A_TAG_PLACEHOLDER_0__;
courtroom in it, __A_TAG_PLACEHOLDER_0__;
ornaments and its size, __A_TAG_PLACEHOLDER_0__;
Tippoo's elephant saddle, __A_TAG_PLACEHOLDER_0__;
statues of Clive, Hastings, Cornwallis, Coote, Lawrence, and Pococke, __A_TAG_PLACEHOLDER_0__;
Library and Museum, where they are housed, __A_TAG_PLACEHOLDER_0__;
the latter is open on Saturdays, __A_TAG_PLACEHOLDER_0__;
and totally worth checking out, __A_TAG_PLACEHOLDER_0__;
items inside it, __A_TAG_PLACEHOLDER_0__;
Tipu Sultan's Tiger, __A_TAG_PLACEHOLDER_0__;
Hindu idols, Chinese curios, __A_TAG_PLACEHOLDER_0__;
Description of the Ajunta caves in India—copies of which have recently been added to the museum—taken from Illustrated London News, __A_TAG_PLACEHOLDER_0__.
Edward I., 79.
Edward VI., 168.
Eels, land rent paid in, 81;
not as good as before, __A_TAG_PLACEHOLDER_0__;
influenced by the polluted condition of the Thames, __A_TAG_PLACEHOLDER_0__;
evidence from Mr. Butcher about __A_TAG_PLACEHOLDER_0__.
Egbert, 24.
Elphitt’s dialogues, instruments mentioned in, 81.
Emigration, 139.
England, description at Aed’s landing, 21.{302}
Erkennin, the Saxon, 23.
Etheldred, 24.
Ethelstane, 81.
Ethelwulf, 24.

Fat Ursula, 181;
still remembered in the works of Ben Jonson, __A_TAG_PLACEHOLDER_0__;
On the same pages, there's a record of Bartholomew fair, __A_TAG_PLACEHOLDER_0__.
Fenchurch-street, 76.
Fish-street Hill, 76;
a monument there, designed by Wren, __A_TAG_PLACEHOLDER_0__;
its height, __A_TAG_PLACEHOLDER_0__;
the distance from the location where the fire began, __A_TAG_PLACEHOLDER_0__;
ascent of __A_TAG_PLACEHOLDER_0__;
interior of the column, its width, __A_TAG_PLACEHOLDER_0__;
suicides committed from it, __A_TAG_PLACEHOLDER_0__;
view from the top, __A_TAG_PLACEHOLDER_0__;
its features, __A_TAG_PLACEHOLDER_0__.
Ancient Fishmongers, 79;
the times they showed off in the city, __A_TAG_PLACEHOLDER_0__;
in what numbers and order, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
the way fish was sold in the past, __A_TAG_PLACEHOLDER_0__;
the traits of people involved in this trade, __A_TAG_PLACEHOLDER_0__;
references to seafood vendors, __A_TAG_PLACEHOLDER_0__;
by Stowe, quote, __A_TAG_PLACEHOLDER_0__.
Fleet-street, 191;
features of its neighborhood, __A_TAG_PLACEHOLDER_0__;
central location, __A_TAG_PLACEHOLDER_0__;
Whitefriars in it, __A_TAG_PLACEHOLDER_0__;
mentioned by Sir Walter Scott, __A_TAG_PLACEHOLDER_0__;
Quote from “London Spy” showing different aspects related to it, __A_TAG_PLACEHOLDER_0__.
Fog in London, time of its occurrence, 243;
its nature and characteristics, __A_TAG_PLACEHOLDER_0__;
its vibe, __A_TAG_PLACEHOLDER_0__;
city appearance in it, __A_TAG_PLACEHOLDER_0__;
a variety of accidents caused by it, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
taverns appearing in the fog, __A_TAG_PLACEHOLDER_0__;
London's appearance at night in the fog, __A_TAG_PLACEHOLDER_0__;
accidents on the river in fog, __A_TAG_PLACEHOLDER_0__.

Geology, insights gained from it, 19;
and related discoveries, __A_TAG_PLACEHOLDER_0__.
Gerard’s Hall, mentioned by Stowe, 49;
the Giant linked with it, __A_TAG_PLACEHOLDER_0__;
tale connected to it, __A_TAG_PLACEHOLDER_0__;
Gisor’s Hall, its official name, __A_TAG_PLACEHOLDER_0__;
lost in the Great Fire, __A_TAG_PLACEHOLDER_0__.
Gibbs, architect of St. Martin’s portico, 204.
Gracechurch-street, 76;
its conduit mentioned, __A_TAG_PLACEHOLDER_0__;
pageant built for Catherine of Spain, __A_TAG_PLACEHOLDER_0__;
the basic drainage method referred to in relation to __A_TAG_PLACEHOLDER_0__;
name changed during Elizabeth's reign, __A_TAG_PLACEHOLDER_0__;
now a bus terminal, __A_TAG_PLACEHOLDER_0__.
Great Fire, date when it started, 77;
its location too, __A_TAG_PLACEHOLDER_0__;
An inscription describing the destruction it caused is located on the monument, __A_TAG_PLACEHOLDER_0__.
Green Park, 224;
Samuel Rogers' house is there, __A_TAG_PLACEHOLDER_0__;
people linked there, __A_TAG_PLACEHOLDER_0__.
Greenwich, beauty of the Park, 283;
description of it, __A_TAG_PLACEHOLDER_0__;
London seen from One Tree Hill in it, __A_TAG_PLACEHOLDER_0__;
its look described, __A_TAG_PLACEHOLDER_0__;
The park is most beautiful in June, __A_TAG_PLACEHOLDER_0__;
packed with visitors, __A_TAG_PLACEHOLDER_0__;
Observatory, __A_TAG_PLACEHOLDER_0__;
retirees, __A_TAG_PLACEHOLDER_0__;
features of it, __A_TAG_PLACEHOLDER_0__;
various activities enjoyed, __A_TAG_PLACEHOLDER_0__;
of snacks, their availability and cost, __A_TAG_PLACEHOLDER_0__;
Gypsies associated with it, __A_TAG_PLACEHOLDER_0__;
their traits, __A_TAG_PLACEHOLDER_0__;
benefits obtained from the park's opening, __A_TAG_PLACEHOLDER_0__;
historical associations linked to it, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
Blackheath linked with it, __A_TAG_PLACEHOLDER_0__;
view from there, __A_TAG_PLACEHOLDER_0__;
Eltham Palace viewed from there, __A_TAG_PLACEHOLDER_0__;
donkeys available for purchase there, __A_TAG_PLACEHOLDER_0__;
the view of the river from London to Greenwich, __A_TAG_PLACEHOLDER_0__.
Guildhall, 155;
damaged by the big fire, __A_TAG_PLACEHOLDER_0__;
ancient hall, when it was constructed, __A_TAG_PLACEHOLDER_0__;
the first king who ate there, __A_TAG_PLACEHOLDER_0__;
historical connections related to it, __A_TAG_PLACEHOLDER_0__;
details of the banquet, __A_TAG_PLACEHOLDER_0__;
and the parade, dishes, flowers, menu, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
description of Charles I.’s entertainment, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__;
Lord Mayor election, __A_TAG_PLACEHOLDER_0__;
related formalities, __A_TAG_PLACEHOLDER_0__;
heavy responsibilities of the job, __A_TAG_PLACEHOLDER_0__;
number of letters received by __A_TAG_PLACEHOLDER_0__;
crypt of Guildhall, __A_TAG_PLACEHOLDER_0__;
length of Guildhall, __A_TAG_PLACEHOLDER_0__;
its design, __A_TAG_PLACEHOLDER_0__;
quotation from “London Spy,” showing giants in Guildhall, __A_TAG_PLACEHOLDER_0__;
monuments in it, __A_TAG_PLACEHOLDER_0__;
who are recognized there, __A_TAG_PLACEHOLDER_0__;
picture in the Council Chamber, __A_TAG_PLACEHOLDER_0__;
subject of it, __A_TAG_PLACEHOLDER_0__;
library, __A_TAG_PLACEHOLDER_0__;
Shakespeare's signature in it, __A_TAG_PLACEHOLDER_0__.

Hall’s Chronicle, description of fête, quoted from, 79.
Harold, 24;
notes related to him, __A_TAG_PLACEHOLDER_0__.
Harrison, William, 76;
linked to brochure, __A_TAG_PLACEHOLDER_0__.
Hastings, 24.
Henry VIII., abuse of sacred vessels, 168.
History, opening of Anglo-Saxon, relevant to the origin of London, 17.
History of the past, 17.
History of our island, 18;
darkness of the early part, __A_TAG_PLACEHOLDER_0__;
The first signs of it were discovered when __A_TAG_PLACEHOLDER_0__.
History of life and reign of Elizabeth, 121.
Historical associations connected with houses in Holywell-lane and Wych-street, 208, 209.
Holidays of the London Poor, 293.
Holy Trinity, church of, destroyed by the Great Fire, 51;
Holy Trinity, prior of, __A_TAG_PLACEHOLDER_0__.
Honey Island, 18.
Houndsditch, 146.
House linked with the Black Prince, 26.
Description of the house at the entrance of Whitechapel, 25;
possibly his home, __A_TAG_PLACEHOLDER_0__;
emblems and decorations on it, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__.
House where Sir Paul Pindar lived, 153.
Hyde Park, 225;
Apsley House and the statue of Achilles, __A_TAG_PLACEHOLDER_0__;
characteristics of it in season, __A_TAG_PLACEHOLDER_0__;
countryside view of it, __A_TAG_PLACEHOLDER_0__;
near "Tyburn Tree," __A_TAG_PLACEHOLDER_0__;
Cromwell, Ireton, and Bradshaw related to __A_TAG_PLACEHOLDER_0__;
Cromwell's escape in Hyde Park, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
Hyde Park when first mentioned, __A_TAG_PLACEHOLDER_0__;
a meeting place for “May Day holidays,” __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__.

Illustrated London News, office of, its location, 202.
Importation of fruit and cattle, 139.
Inhabitants of our island, early, very uncertain, 19;
reasons for this, __A_TAG_PLACEHOLDER_0__.
Ironside, Edmund, 24.{303}

King William-street, statue of William IV. in it, 67;
by whom it was made, __A_TAG_PLACEHOLDER_0__;
its appearance, __A_TAG_PLACEHOLDER_0__;
cost and who voted for it, __A_TAG_PLACEHOLDER_0__;
the width and beauty of the street, __A_TAG_PLACEHOLDER_0__.
Knight-Rider-street, 44;
descriptive details of __A_TAG_PLACEHOLDER_0__.

Labor, thoughts associated with it, 139, 140;
waste land in England and Ireland related to it, __A_TAG_PLACEHOLDER_0__;
England's responsibility regarding it, __A_TAG_PLACEHOLDER_0__.
Laud, where he was beheaded, 148.
Leadenhall-street and market, referenced by Stowe, 96.
Lodging-houses, 193;
varieties, __A_TAG_PLACEHOLDER_0__;
descriptive details of a real lodging house, __A_TAG_PLACEHOLDER_0__;
different traits of the habits of servants in them, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
Various examples of diet, housing, economy, and associated furniture, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__, __A_TAG_PLACEHOLDER_4__.
Lombard-street, 69;
its aspect, __A_TAG_PLACEHOLDER_0__;
for what it’s worth, __A_TAG_PLACEHOLDER_0__;
its appearance now differs from three centuries ago, __A_TAG_PLACEHOLDER_0__;
in what ways, __A_TAG_PLACEHOLDER_0__;
bear-baiting took place there in the past, __A_TAG_PLACEHOLDER_0__;
related by Ben Jonson, __A_TAG_PLACEHOLDER_0__;
references to historical events, __A_TAG_PLACEHOLDER_0__;
Banks and his horse, __A_TAG_PLACEHOLDER_0__;
the Exchange opening by Queen Elizabeth, __A_TAG_PLACEHOLDER_0__;
details of street vendors and different gatherings in the neighborhood, __A_TAG_PLACEHOLDER_0__;
characteristics of social conditions in the past, __A_TAG_PLACEHOLDER_0__;
Bankers in England and their relationship, __A_TAG_PLACEHOLDER_0__;
features of their business, __A_TAG_PLACEHOLDER_0__;
and the way of carrying it out, __A_TAG_PLACEHOLDER_0__;
depiction of the traditional banker, __A_TAG_PLACEHOLDER_0__;
the church on Lombard Street constructed by a student of Wren’s, __A_TAG_PLACEHOLDER_0__;
entry in an old pamphlet about it, __A_TAG_PLACEHOLDER_0__.
London, its earliest peopling, unknown, 21;
first likely origin, __A_TAG_PLACEHOLDER_0__;
appearance in ancient times, __A_TAG_PLACEHOLDER_0__;
during the Roman rule, __A_TAG_PLACEHOLDER_0__;
remnants of ancient London, __A_TAG_PLACEHOLDER_0__;
can still be found near Smithfield, __A_TAG_PLACEHOLDER_0__;
streets of London in ancient times, __A_TAG_PLACEHOLDER_0__;
condition of the roads there, __A_TAG_PLACEHOLDER_0__;
what proved it, __A_TAG_PLACEHOLDER_0__;
the journey of a traveler through it, __A_TAG_PLACEHOLDER_0__;
the streets of London during the era of William and Anne, __A_TAG_PLACEHOLDER_0__;
shown by the traits of coachmen, __A_TAG_PLACEHOLDER_0__;
the number of lamps used at that time, __A_TAG_PLACEHOLDER_0__;
an old highway to London, poetically called “the road of the swans,” __A_TAG_PLACEHOLDER_0__.
London's cemeteries, 269;
the old tradition of burying the dead, __A_TAG_PLACEHOLDER_0__;
the origins of this custom, __A_TAG_PLACEHOLDER_0__;
its contrast with current practices, __A_TAG_PLACEHOLDER_0__;
objections to, __A_TAG_PLACEHOLDER_0__;
In ancient times, the bodies of the dead were only brought inside temples, __A_TAG_PLACEHOLDER_0__;
the improper placement of our deceased in cities, __A_TAG_PLACEHOLDER_0__;
arguments for open cemeteries, __A_TAG_PLACEHOLDER_0__;
remarks on both, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
the various locations of our churches when they were originally constructed, __A_TAG_PLACEHOLDER_0__;
a suggested burial rating, __A_TAG_PLACEHOLDER_0__;
opportunities for suburban cemeteries, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
death seen with less horror in a cemetery, __A_TAG_PLACEHOLDER_0__;
reference to and description of Joseph’s funeral, __A_TAG_PLACEHOLDER_0__;
an epidemic related to this issue, __A_TAG_PLACEHOLDER_0__;
various characteristics of it, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__, __A_TAG_PLACEHOLDER_2__, __A_TAG_PLACEHOLDER_3__;
the sexton and grave-digger's responses to it, __A_TAG_PLACEHOLDER_0__;
Fresh air should be sought for outdoor burials, __A_TAG_PLACEHOLDER_0__.
London's poor, characteristics of, 136;
their tough lifestyles, __A_TAG_PLACEHOLDER_0__;
The neighborhoods of Whitechapel and Bethnal Green are home to them, __A_TAG_PLACEHOLDER_0__;
the “Home” connections in their lives, __A_TAG_PLACEHOLDER_0__;
hunger, work, and lack of sleep, their methods of tracking time, __A_TAG_PLACEHOLDER_0__;
reference to Mr. Mayhew’s work, __A_TAG_PLACEHOLDER_0__;
their conditions discussed, __A_TAG_PLACEHOLDER_0__;
emigration linked to this, __A_TAG_PLACEHOLDER_0__;
their vacations, __A_TAG_PLACEHOLDER_0__.
London Bridge, the old one, 25;
descriptive and historical references, __A_TAG_PLACEHOLDER_0__.

Mansion House, 65;
when it was built, __A_TAG_PLACEHOLDER_0__;
before which the Lord Mayor lived in his own home, __A_TAG_PLACEHOLDER_0__;
Egyptian Hall, where the Lord Mayor hosts guests, __A_TAG_PLACEHOLDER_0__;
the value of the plate used, __A_TAG_PLACEHOLDER_0__;
the royal style of the Lord Mayor, __A_TAG_PLACEHOLDER_0__;
the allowance given to him to uphold his dignity, the sword of the Lord Mayor mentioned, __A_TAG_PLACEHOLDER_0__;
the mace too, __A_TAG_PLACEHOLDER_0__;
description of the collar and jewel, taken from Illustrated London News, __A_TAG_PLACEHOLDER_0__;
the Lord Mayor's outfit, __A_TAG_PLACEHOLDER_0__;
the Mansion House's location, __A_TAG_PLACEHOLDER_0__.
The market held under the name of Farringdon is still conducted, 66.
Markets for vegetables and fruit, 212.
Mark Lane, 94.
Mary Frith, where she is buried, 193;
her adventures, __A_TAG_PLACEHOLDER_0__.
Mary Overie, or Mary of the ferry, 249.
May-pole in the Strand, 202;
by who removed it, __A_TAG_PLACEHOLDER_0__;
when it was restored, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__;
account of it in “City’s Loyalty Displayed,” __A_TAG_PLACEHOLDER_0__.
Merchant Tailors’ School, 66;
connected to Duck’s Foot Lane, a mispronunciation of Duke’s Foot Lane, __A_TAG_PLACEHOLDER_0__;
notable people educated there, __A_TAG_PLACEHOLDER_0__;
including James Shirley, __A_TAG_PLACEHOLDER_0__.
Mercers’ School, 60;
its previous location, __A_TAG_PLACEHOLDER_0__;
reported to be one of the oldest schools established in London, __A_TAG_PLACEHOLDER_0__;
the area taken by it, __A_TAG_PLACEHOLDER_0__;
by whom it was founded, __A_TAG_PLACEHOLDER_0__.
Mermaid Tavern, 49;
mentioned by Ben Johnson, __A_TAG_PLACEHOLDER_0__.
St. Michael's, College-hill, 60;
who built __A_TAG_PLACEHOLDER_0__;
altar-piece contained in it, __A_TAG_PLACEHOLDER_0__;
what was created by Whittington’s executors, __A_TAG_PLACEHOLDER_0__;
who is buried there __A_TAG_PLACEHOLDER_0__.
St. Mildred’s church, built by Wren, 49.
Milton’s baptism recorded on a stone in the wall beside a door in Allhallows, 48;
along with other names, __A_TAG_PLACEHOLDER_0__.
Mincing-lane, 93.
Monument, descriptive notes about it, 77.

Nelson’s monument, 36.
New parks, 227;
The need for them is demonstrated through various details, __A_TAG_PLACEHOLDER_0__.
New London Bridge, 67.
Newgate, 183;
the unique neighborhood described, __A_TAG_PLACEHOLDER_0__;
Crowds gathered to watch executions there, __A_TAG_PLACEHOLDER_0__;
of whom composed, __A_TAG_PLACEHOLDER_0__;
time allowed for executions, __A_TAG_PLACEHOLDER_0__;{304}
cries linked to them, and caused by, __A_TAG_PLACEHOLDER_0__;
characteristics of the workers building the scaffold, __A_TAG_PLACEHOLDER_0__;
characteristics of the people attending the executions, __A_TAG_PLACEHOLDER_0__;
the display of something that is completely free from fear for them, __A_TAG_PLACEHOLDER_0__;
its effects on them, __A_TAG_PLACEHOLDER_0__;
the youthfulness of attendees, __A_TAG_PLACEHOLDER_0__;
various details showing the negative effects of witnessing, __A_TAG_PLACEHOLDER_0__;
details of the prisoner awaiting execution, __A_TAG_PLACEHOLDER_0__.
Earls of Northumberland, 26.

Objects discussed in this work, 191.
Octarchy, when and by whom destroyed, 24.
St. Olave, 96.
Old Change and Watling-street, 46;
the Church of St. Austin associated with it, __A_TAG_PLACEHOLDER_0__.
Old Fish-street, includes the church of St. Mary’s Somerset, built by Wren, 46.
Old Mint, 251.
Old city moat, 153;
description of the neighborhood and its surroundings, __A_TAG_PLACEHOLDER_0__.

Paper-staining Hall, 51;
pictures and artifacts related to it, __A_TAG_PLACEHOLDER_0__.
Parks, 222;
features and purposes of them, __A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__.
St. James’s Park, 223;
during the time of Henry VIII, __A_TAG_PLACEHOLDER_0__;
the chase added by him, __A_TAG_PLACEHOLDER_0__;
localities included, __A_TAG_PLACEHOLDER_0__;
laws related to __A_TAG_PLACEHOLDER_0__;
Henry's death soon after, __A_TAG_PLACEHOLDER_0__;
only a few features of the old park are still there, __A_TAG_PLACEHOLDER_0__;
connected to it is Buckingham Palace, __A_TAG_PLACEHOLDER_0__;
the beauty of strolls along the canal and the waterfowl that are nurtured there, __A_TAG_PLACEHOLDER_0__;
the beautiful trees connected to it, __A_TAG_PLACEHOLDER_0__;
a place for romance since the time of Charles II., __A_TAG_PLACEHOLDER_0__;
reference to the “Mall” by Horace Walpole, __A_TAG_PLACEHOLDER_0__.
Green Park, 224;
holds little interest—one of the houses is the home of Samuel Rogers, __A_TAG_PLACEHOLDER_0__;
Many notable people have visited there over the past fifty years, __A_TAG_PLACEHOLDER_0__.
Hyde Park, various characteristics detailed, 225, 226.
Regent’s Park, attractions there, 227;
Zoos and Colosseum, __A_TAG_PLACEHOLDER_0__;
the old house in Marylebone related to it, __A_TAG_PLACEHOLDER_0__;
the Duke of Buckingham's bowling green, __A_TAG_PLACEHOLDER_0__.
Paul’s Wharf, 44.
Peter House, note linked to it, 48.
Peter the Dutchman, 24;
works he built, __A_TAG_PLACEHOLDER_0__.
Pilgrim fathers, 135.
Holidays of the London Poor, 293.
Prerogative court, 37.
Pudding-lane, 79.
Punch, reference to, 193.
Purveyors of fish to the court, notices regarding, 80.

Queenhithe quay, 53;
notices related to it, __A_TAG_PLACEHOLDER_0__.
Queenhithe, 79.
Queen-street, notice of, 59.
Queen of Henry VIII., pin-money provided by customs from Queenhithe, 79.

Rag-fair, 146;
entry fee, __A_TAG_PLACEHOLDER_0__;
details describing it, __A_TAG_PLACEHOLDER_0__;
exposure to the weather there, __A_TAG_PLACEHOLDER_0__;
scenes happening there described, __A_TAG_PLACEHOLDER_0__;
various traits, __A_TAG_PLACEHOLDER_0__.
Richard III. rebuilt the church of Allhallows-Barking, 95, 96;
Its great age is demonstrated by pillars, inscriptions, monuments, brasses, __A_TAG_PLACEHOLDER_0__.
Roman lamp, 49.
Roman hypocaust, __A_TAG

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PRINTED BY LEVEY, ROBSON, AND FRANKLYN,
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LONDON:
PRINTED BY LEVEY, ROBSON, AND FRANKLYN,
Great New Street, Fetter Lane.

{307}

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Typographical errors corrected by the etext transcriber:
King Wiliam IV.=> King William IV. {pg 67}
more gaceful than swan=> more graceful than swan {pg 158}
Arras rich with hunstman, hawk, and hound=> Arras rich with huntsman, hawk, and hound {pg 158}
the unmannerly mobility=> the unmannerly nobility {pg 160}
our fprincipal vices of the City=> four principal vices of the City {pg 161}
Such as he herds=> Such as the herds {pg 188}
has became a bad word=> has become a bad word {pg 198}


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