This is a modern-English version of The Mystery and Romance of Alchemy and Pharmacy, originally written by Thompson, C. J. S. (Charles John Samuel).
It has been thoroughly updated, including changes to sentence structure, words, spelling,
and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If
you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.
Scroll to the bottom of this page and you will find a free ePUB download link for this book.

THE MYSTERY AND ROMANCE
OF
ALCHEMY AND PHARMACY
THE MYSTERY AND ROMANCE
OF
ALCHEMY AND PHARMACY
THE SCIENTIFIC PRESS, LTD.
The Scientific Press, Ltd.
The intrigue and romance
OF
ALCHEMY AND PHARMACY
BY
C. J. S. THOMPSON
AUTHOR OF “POISON ROMANCE AND POISON MYSTERIES,”
“THE CHEMIST’S COMPENDIUM,” “THE CULT OF BEAUTY,”
ETC., ETC.
BY
C. J. S. THOMPSON
AUTHOR OF “POISON ROMANCE AND POISON MYSTERIES,”
“THE CHEMIST’S COMPENDIUM,” “THE CULT OF BEAUTY,”
ETC., ETC.
LONDON
THE SCIENTIFIC PRESS, Limited
28 & 29 SOUTHAMPTON STREET, STRAND, W.C.
1897
LONDON
The Scientific Press, Limited
28 & 29 Southampton Street, Strand, W.C.
1897
PREFACE.
It has been my endeavour in the following pages to sketch, however imperfectly, some phases of the romance and mystery that have surrounded the arts of medicine, alchemy, and pharmacy from the earliest period of which we have record down to the close of the eighteenth century. The influence of the past on the present is greater than we commonly suppose. In this age of rapid scientific progress and brilliant research, we are apt to overlook and lose sight of the patient labours of the early pioneers of science, many of whom laid the foundations of discoveries that have since proved of inestimable value to mankind. Hence the history of the past, whether in science or in art, is always worthy of study and attention.
I have tried in the following pages to outline, even if imperfectly, some aspects of the romance and mystery that have surrounded the fields of medicine, alchemy, and pharmacy from the earliest records we have up to the end of the eighteenth century. The influence of the past on the present is more significant than we usually think. In this era of rapid scientific advancements and groundbreaking research, we often overlook the dedicated efforts of early scientific pioneers, many of whom established the foundations for discoveries that have since proven invaluable to humanity. Therefore, the history of the past, whether in science or art, is always worth studying and paying attention to.
My thanks are due to the Editor of the Pharmaceutical Journal for permission to reproduce several illustrations which appeared in its pages together with a portion of this work.
My thanks go to the Editor of the Pharmaceutical Journal for allowing me to reproduce several illustrations that appeared in its pages along with a part of this work.
C. J. S. T
C. J. S. T
Liverpool, 1897.
Liverpool, 1897.
CONTENTS.
- PART I.
- CHAPTER I.
- The Dawn of the Art of Healing.
- The foundation of the art of healing—The most ancient record of medicine and pharmacy—The Ebers Papyrus—Origin of the term pharmacist—Drugs used in ancient Egypt—Early Jewish medicines—The antiquity of medicine and alchemy in China—The Chinese and the Philosopher’s Stone—Ancient Chinese materia medica—The medical art in ancient Greece—The Grecian temples of medicine—Methods of treatment—The oath of Hippocrates pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER II.
- The Wizards of Early Greece.
- Tiresias—Abaris—Pythagoras—Epimenides—Empedocles—Aristras—Hermotimus pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER III.
- The Wizards of the Roman Empire.
- A Roman sorceress—Virgil’s sorceress—Canidia—A witches’ incantation pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__[viii]
- CHAPTER IV.
- The Fathers of Medicine.
- Æsculapius—Hippocrates—Diocles—Praxagoras—Chrysippus—Hierphilus—Erasistratus—Serapion—Asclepiades—Galen—His system of treatment—Medical practice in the fifth century—Alexander of Tralles—The fees of Roman practitioners—Votive offerings for health—Roman donaria—Roman temples of healing pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER V.
- The Early Age of Greek and Roman Pharmacy.
- Celsus—Roman pharmacy—Methods of administration—Antidotes—Grecian remedy for hydrophobia—Chemical bodies and drugs employed by the Greeks and Romans—Dioscorides—His work on materia medica—Ancient method of collecting opium—Preparation of wool fat—Drugs used in Pompeii and Herculaneum pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER VI.
- Alchemy—The Alchemists.
- Origin of the term chemistry—Practice of the hermetic science by the Egyptians—Al-Chindus—Geber—Rhazes—Merlin—St. Dunstan—Albertus Magnus—Vincent de Beauvais—Raymond Lulli—Arnauld de Villeneuve—Roger Bacon—Antonio Quainer—Discoveries made by the early alchemists—Eck—John Baptist Porta—Cornelius Agrippa—Dr. Dee—Symbols of the alchemists pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER VII.
- The Philosopher’s Stone.
- Alchemical research—Its objects—Supposed composition of the Philosopher’s Stone—Claimants to the discovery—The theories of Rhazes, Merlin and Bacon—Bacon’s definition of alchemy—Ripley’s process—The Elixir of Life—The theories of Paracelsus—His secret elixirs—Elixir Vitæ pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__[ix]
- CHAPTER VIII.
- The Black Art and Occult Sciences.
- The antiquity of magic—Early magicians and wise men—Variety of forms practised—Oneiromancy—Theurgy and Goetry—Historic dreams—Necromancy—Methods of evocation—Chiromancy—Origin of the practice—Astrology—Its antiquity—Famous astrologers pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER IX.
- The Art of Foretelling.
- Influence of the planets and signs of the Zodiac—Casting horoscopes—Methods of divination—Crystal gazing—Dactylomancy—Pyromancy pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER X.
- Black Magic.
- Practice of magic by the early alchemists—Demonology—Initiation of novices—Taking the oath—The ceremonial—Perfumes employed—Composition of the incense used—Black magic by burning—Witchcraft—Methods of practice—Trial of the Duchess of Gloucester—The “evil eye”—Apparitions in the sky—A witches’ Sabbath—Appearance of the devil—Origin of the word “witch”—Their initiation and pact pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER XI.
- Superstition and its Influence on Medicine.
- Origin of incantations and charms—The cure of disease by poetry and music—Ancient theory of the cause of disease—Precious stones as remedial agents—Influence of the planets on herbs—Survival of old superstitious customs—The “coral and bells”—Sympathetic powders—Curing by touch—Empirical nostrums—The doctrine of Signatories—Ancient superstitious practices pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__[x]
- CHAPTER XII.
- Love Philtres.
- Composition of philtres—Roman love philtres—Law against their use—Greek Love philtres—Ingredients employed—Botanomancy—“Water of Magnanimity” pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER XIII.
- The Pioneers of Pharmacy and Botany—Physic Gardens.
- Drugs used by the Arabs—Avicenna—Basil Valentine—Paracelsus—His life and teaching—Van Helmont—Monastic Gardens—Mesué—Ebor-Taitor—The medical treatment of the monks—Hildegarde—Gilbert and Hernicus Arviell—Simon de Cordo—Peter de Crescenzi—Bartholomew Glanvil—Advent of printing—George Agricola—Conrad Gesner—Jacques Gohory—The Jardin des Plantes—William Davisson—Matthias of Lille—Andrew Cesalpin—The first pharmacopœia—The London Pharmacopœia—The Dublin Pharmacopœia—The British Pharmacopœia—The Chelsea Physic Garden—Its origin—Thomas Dover—The “quicksilver doctor”—His exploits pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER XIV.
- Amulets, Talismans and Charms.
- Their antiquity—Definition—Object of their use—Egyptian amulets—Grecian amulets—Roman amulets—Chinese amulets—Knightly talismans—Precious stones as talismans—Metallic amulets—Written amulets—Amulet rings—Curious articles used as amulets—Charms—The “Lee Penny”—The “Holy Hand”—Medical Charms—Early British charm—Toadstones—Medicinal virtues of the toad—Roman charm for prolonging life pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__[xi]
- CHAPTER XV.
- Monk Physicians—Itinerant Doctors—Surgery in the Middle Ages.
- Monk physicians and their methods of treatment—Early hospitals—Their originators—The first school of nurses—Medical faculties of the thirteenth century—Examinations for title of master physician and surgeon—Barber surgeons—Itinerant barbers in France—Credulity of the public—Medical art in the fifteenth century—Surgery in the time of the Crusades—Early tests for water—Methods of disinfection pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER XVI.
- Plant Lore—Drug Charms—Folk Medicine.
- The mystery of dragon’s blood—Charms and superstitious practises connected with dragon’s blood—Use of dragon’s blood by the ancients—Modern practitioners of magic—Magic properties attributed to the walnut—Sage—Rue—Henbane—Moon Wort—Solomon’s Seal—Anemone—Trefoil—St. John’s Wort—Dill—Thistle—House-leek—Pimpernell—Vervain—Magic wreathes—Hawkweed—Mountain Ash—Squill—Mandrake—Method of gathering the mandrake—Abrunes—The willow as a symbol of sorrow—Almonds—The bachelor’s button—The bean and nut—White hawthorn—Ferns and fern seeds—Leaves of peculiar shape—Black hellebore—Ceremonial rites observed when collecting the root—Peony—Forget-me-not—Elder pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER XVII.
- Mummies and their use in Medicine—The Unicorn.
- The art of embalming and its antiquity—Various processes employed—The cost of embalming—The practitioners of the art—The drugs and substances employed—Process used for the poorer people—The veneration of mummies by the Egyptians—Trade in mummies for use in medicine—Fictitious mummies—How to tell genuine mummy—The dose and medicinal properties—The price in 1685—Varieties of mummies used in medicine—Process for preparing artificial mummy—Methods of administration—Human fat and its medicinal properties—Human skulls and their value—Human bones and[xii] other animal substances as remedial agents—The Unicorn—Its appearance described—Properties attributed to the horn—Where the horn was obtained—The value of the horn—A horn presented to King Charles I.—Virtues attributed to it pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER XVIII.
- Origin of the Society of Apothecaries—Apothecaries and their Practice—Apothecaries and their Bills—Curious Remedies—A Drug Price List of 1685.
- Earliest record of an apothecary in England—Powers granted to the College of Physicians—Foundation of the Society of Apothecaries—Nicholas Culpepper—History of the Society—Charter granted—The first hall and council house—Examinations found necessary—The apothecaries and the druggists—The glass tax—Rules for the guidance of apothecaries—The sale of drugs and poisons restricted in Glasgow—A cavalier’s experience of apothecaries and their treatment—His doctor’s bill and his opinion on it—Apothecaries’ bills—Favourite methods of administration—Animal materia medica—Broth of viper—Curious remedies employed—Drugs used by the physician to King Edward I.—Physicking an ambassador—An apothecary’s advertisement—Physicians’ fees—Midwife’s fee in the seventeenth century—Ancient pharmaceutical preparations and their origin—Mediæval method of improving the complexion—Human blood as a remedial agent—Celtic recipes—A remedy for drunkenness—Oil of red dog and its preparation—Strange recipes—The “everlasting pill”—Cleopatra and the asp—Ancient method of changing the colour of the hair—The aloe of Scripture—Pharmacy 200 years ago—The cupidity of the apothecaries—Denouncing the apothecaries—Herb-women of London—The price of bottles in 1656—Popular preparations—A drug price-list of 1685 pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER XIX.
- Pharmacy in the Time of Queen Elizabeth.
- An apothecary’s shop in the time of Queen Elizabeth—Description of the interior—The customers—Apothecaries’ prescriptions—Apothecaries’ guilds and their injunctions as to prayer—The itinerant dentist—Medicaments used in the time of Queen Elizabeth pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__[xiii]
- CHAPTER XX.
- Famous Empirics and their Nostrums.
- Early methods of introducing a nostrum—The origin of quack medicines—The Elixir of Life—The Collyrium of Danares—Sympathetic Powder—Hoffman’s Water of Magnanimity—Dutch Drops—Eau Médicinale de Husson—Dr. James’ fever powder—Count St. Germain’s tea—Cagliostro’s Balm of Life—How the Count was confounded—Count Thün of Leipzig—Dr. Brodum and his “Nervous Cordial”—Dr. Solomon and his “Balm of Gilead”—How “the doctor” was punished—Perkin’s Tractors—An old ballad pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER XXI.
- The Antiquity and History of the Mortar.
- The origin of the mortar—Derivation of the name—Primitive mortars—Grain crushers—Egyptian mortars—Antiquity of the mortar in Africa—A Cingalese mortar—Roman mortaria—Manufactories of mortaria in Britain—Stone mortars—Wooden querns—Origin of the pestle and mortar as a trade sign—Iron mortars—Bell-metal mortars—Brass mortars—Copper mortars—Marble mortars—Modern mortars pages __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__[xiv]
- PART II.
- Alchemy and Pharmacy in Literature.
- CHAPTER I.
- PAGES
- Chaucer __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER II.
- Shakespeare __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER III.
- Spenser __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER IV.
- Goethe __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER V.
- Le Sage __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER VI.
- Ben. Jonson __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__[xv]
- CHAPTER VII.
- Sir Walter Scott __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER VIII.
- Dumas __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER IX.
- Reade __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER X.
- Dickens, Thackeray __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
- CHAPTER XI.
- Marryat __A_TAG_PLACEHOLDER_0__-__A_TAG_PLACEHOLDER_1__
ALCHEMY AND PHARMACY:
THEIR MYSTERY AND ROMANCE.
ALCHEMY AND PHARMACY:
Their mystery and romance.
PART I.
CHAPTER I.
THE BEGINNING OF THE HEALING ART.
The birth of the art of healing goes back to a period of great antiquity. The instinct that first led man to utilise the fruits of the earth for his bodily sustenance, may perchance have suggested the herbs which grew around him as a means of alleviating the ills of his flesh.
The birth of the healing arts dates back to a time long ago. The instinct that initially drove humans to use the earth's resources for food might have also inspired the idea of using the herbs surrounding them to ease their physical ailments.
It is a matter of doubt whether medicine as an art was first practised in Egypt or China; from recent research probably the former, as at the time of the writing of the Ebers Papyrus, B.C. 1550, the Egyptians had a considerable knowledge of the use of herbs and other bodies for medicinal purposes.
It’s uncertain whether medicine as an art was first practiced in Egypt or China; recent research suggests it was likely the former, as by the time the Ebers Papyrus was written, around BCE 1550, the Egyptians had significant knowledge of using herbs and other substances for medicinal purposes.
The art of medicine had two foundations—empiricism[2] and superstition—which have influenced it from its birth down to the present time.
The practice of medicine has two main foundations—empiricism[2] and superstition—that have shaped it from the beginning to now.
The most ancient record of medicine and pharmacy known was discovered at Kahun in 1889, near the pyramid of Illahun in the ruins of an ancient town, which had apparently been inhabited by the builders of the pyramid. It dates from the twelfth dynasty, B.C. 2700 to 2500, more than a thousand years before the Exodus.
The oldest known record of medicine and pharmacy was found at Kahun in 1889, close to the pyramid of Illahun in the ruins of an ancient town that was likely inhabited by the pyramid's builders. It dates back to the twelfth dynasty, BCE 2700 to 2500, over a thousand years before the Exodus.
Besides containing instructions for midwives, it includes numerous formulæ for the treatment of various complaints, composed of such very homely articles as beer, cow’s milk, honey, oil, onions, herbs, dates, and other fruits.
Besides containing instructions for midwives, it includes numerous formulas for treating various complaints, made from such simple ingredients as beer, cow's milk, honey, oil, onions, herbs, dates, and other fruits.
The Ebers Papyrus, which was found reposing between the legs of a mummy, throws a light on ancient Egyptian pharmacy, and was written in the reign of King Amenhotep I., of the eighteenth dynasty. It commences as follows: “Beginning of the chapter of applying medicaments to every part of the patient.
The Ebers Papyrus, discovered resting between the legs of a mummy, sheds light on ancient Egyptian pharmacy and was written during the reign of King Amenhotep I. of the eighteenth dynasty. It starts with: “Beginning of the chapter on applying medications to every part of the patient."
“I have come forth from Heliopolis with the mighty ones of the Temple of the Sun, the wielders of protection, the princes of eternity.
“I have come from Heliopolis with the powerful ones of the Temple of the Sun, the bearers of protection, the rulers of eternity.”
“Rescuing (?) I have come forth from Sais with the Mothers of the Gods, who have given me their protection.
“Rescuing (?) I have come from Sais with the Mothers of the Gods, who have given me their protection.
“I have magic formulæ made by the Universal Lord to drive out the stroke of god and goddess, the Male Death and Female Death, et cetera,[1] that is in this my head, in this my neck, in this my shoulder, in this my flesh, in these my limbs, to punish the above-named enchanters (?) who introduce disturbance into this my flesh.”
“I have magical formulas created by the Universal Lord to drive away the curse of the god and goddess, Male Death and Female Death, et cetera,[1] that exists in my head, in my neck, in my shoulder, in my flesh, in these limbs, to punish the aforementioned enchanters who bring chaos into this flesh of mine.”
Such formulæ, evidently for recitation during the treatment, continue for a page and a half. The book has thus no general title, but plunges at once into the mysteries of the profession.
Such formulas, clearly meant for recitation during the treatment, go on for a page and a half. The book doesn't have a general title; instead, it dives straight into the mysteries of the profession.
“Beginning of the mystery of the physician who knows the motion of the heart. There are vessels in it to every limb. When any physician, doctor, or amulet-maker puts his fingers upon the top of the head, upon the occiput, upon the hands, upon the chest, upon the arms, upon the legs, he communicates (?) with the heart, for its vessels extend to every limb, wherefore it is called the starting-point of every limb.”
“Beginning of the mystery of the physician who understands how the heart works. There are vessels in it that connect to every limb. When any physician, doctor, or healer places their fingers on the top of the head, on the back of the head, on the hands, on the chest, on the arms, or on the legs, they connect with the heart, because its vessels extend to every limb, which is why it is referred to as the starting point for every limb.”
The following may be taken as an example of the recipes given in the manuscript:—
The following can be seen as an example of the recipes provided in the manuscript:—
“A remedy for the belly that is painful: Cummin 1∕64 hin, goose-grease 1∕8 hin, milk 1∕16 hekt; cool, strain, and drink”. The hin is about 29 cubic inches, and the 1∕16 hekt 18 cubic[4] inches; the prescription is thus roundly 1∕2 cubic inch of cummin, and 4 of goose fat, in half a pint of milk.
“A remedy for a painful stomach: 1/64 hin of cumin, 1/8 hin of goose grease, and 1/16 hekt of milk; cool it, strain it, and drink.” The hin is about 29 cubic inches, and the 1/16 hekt is 18 cubic inches; the recipe is roughly 1/2 cubic inch of cumin, 4 cubic inches of goose fat, in half a pint of milk.
This papyrus contains 110 pages, each page consisting of about twenty-two lines of bold Hieratic writing. It may be described as an encyclopædia of medicine as known and practised by the Egyptians of the eighteenth dynasty, and it contains prescriptions of all kinds of diseases—some borrowed from Syrian medical lore, and some of such great antiquity that they are ascribed to the mythological ages, when the gods yet reigned personally on earth. Among others is given the recipe for an application whereby Osiris cured Ra of a headache. In this papyrus is an example of an old Egyptian diagnosis and therapeutics, as follows: “When thou findest any one with a hardness in his re-hit (pit of the stomach), and when, after eating, he feels a pressure on his intestines, his hit is swollen and he feels bad in walking like one who suffers from heat in his back, then observe him when he lies stretched out, and if thou findest his intestines hot and a hardness in his re-hit, say unto thyself, This is a disease of the liver. Then prepare for thyself according to the secrets of the science from the plant pa-che-test and dates, mix them, and give in water.”
This papyrus has 110 pages, with each page featuring about twenty-two lines of clear Hieratic writing. It can be seen as an encyclopedia of medicine as understood and practiced by the Egyptians of the eighteenth dynasty, containing treatments for various diseases—some taken from Syrian medicinal traditions and others so ancient that they're attributed to the mythical times when the gods personally ruled the earth. Among the remedies is a recipe for a treatment through which Osiris cured Ra of a headache. This papyrus includes an example of an old Egyptian diagnosis and treatment that states: “When you find someone with a hardness in their re-hit (the pit of the stomach), and after eating, they feel pressure in their intestines, their hit is swollen, and they feel unwell walking like someone suffering from heat in their back, then observe them when they lie down, and if you find their intestines hot and a hardness in their re-hit, say to yourself, This is a disease of the liver. Then prepare for yourself according to the secrets of the science from the plant pa-che-test and dates, mix them, and give it in water.”
It also contains numerous recipes for the treatment of diseases, for internal and external use. Most of the drugs mentioned are derived from indigenous plants, and such chemical bodies as alum, salt, nitre, and sulphate of copper are included in some of the prescriptions.
It also has many recipes for treating diseases, for both internal and external use. Most of the medicines mentioned come from local plants, and some prescriptions include chemical substances like alum, salt, nitre, and copper sulfate.
It seems probable that most of the medicines used in these early times were first tried as foods; and those which when taken in large quantities or in special conditions influenced the functions of the body, these and others found to be too strong for dietetic use were relegated to the books of medicine.
It seems likely that most of the medicines used in these early times were initially tested as foods; and those that, when taken in large amounts or under certain conditions, affected the body's functions, along with others deemed too strong for dietary use, were moved to the medical records.
As an instance of this, the leaves and seeds of the castor oil plant and the astringent sycamore fig are included in many recipes, but Maspero states that there is little doubt that castor oil was taken regularly in food in the time of the Pharaohs, and at the present time it is a favourite adjunct to the salads of the Egyptian fellaheen. The same writer thinks the Egyptians began by eating every kind of food which the country produced, and so became acquainted with their therapeutic properties.
As an example, the leaves and seeds of the castor oil plant and the astringent sycamore fig are included in many recipes, but Maspero mentions that it's clear castor oil was regularly used in food during the time of the Pharaohs. Nowadays, it's a popular addition to salads among the Egyptian fellaheen. The same author believes the Egyptians started by consuming every type of food available in the country, which led them to discover their healing properties.
In another papyrus said to have been written about the time of King Chata of the first dynasty, who reigned B.C. 4000, the following[6] prescription for promoting the growth of the hair is given:—
In another papyrus believed to have been written around the time of King Chata of the first dynasty, who reigned B.C. 4000, the following[6] instructions for encouraging hair growth are provided:—
Pad of a dog’s foot | 1 |
Fruit of date palm | 1 |
Ass’s hoof | 1 |
Boil together in oil. |
Dr. v. Oefele states of pharmacy before the time of Hippocrates, that although the practice of medicine was not separated from pharmacy among the Greeks and Romans, there was such a separation among the ancient Egyptians, from whom the distinction was handed down to the Copts, and by them to the Arabians; and, in fact, that the term pharmacist is probably of Egyptian origin, being derived from Ph-ar-maki, which signifies the preparation of medicine from drugs. The Egyptian pharmaki who were engaged in that occupation belonged to the higher social ranks of writers or academically-educated persons, comprising also the priests, physicians, statesmen, and military commanders.
Dr. v. Oefele mentions that before Hippocrates, pharmacy and medicine were not separate practices among the Greeks and Romans. However, in ancient Egypt, there was a clear distinction, which was passed down to the Copts and then to the Arabs. In fact, the term "pharmacist" likely comes from Egyptian origins, derived from Ph-ar-maki, meaning the preparation of medicine from drugs. The Egyptian pharmaki involved in this work were part of the higher social classes, including writers, educated individuals, priests, physicians, statesmen, and military leaders.
The Jews were indebted to Egypt for their primary ideas of medicine, but they cast away the ideas of demonology and magic which clouded what was good in the practice of Egypt. The Talmud recommends onions for worms, and wine, pepper, and asafœtida for flatulency. The[7] Talmudists are responsible for calling the earth, air, fire, and water elementary bodies. In the middle ages the Jews rendered service to the healing art, and had a large share in the scientific work connected with the Arab domination of Spain.
The Jews relied on Egypt for their foundational concepts in medicine but rejected the notions of demonology and magic that obscured the beneficial aspects of Egyptian practices. The Talmud suggests using onions for worms and wine, pepper, and asafœtida for gas. The[7] Talmudists are credited with identifying earth, air, fire, and water as fundamental elements. During the Middle Ages, Jews contributed significantly to the field of medicine and played a key role in the scientific advancements associated with the Arab rule in Spain.
In China the use of drugs goes back to a very remote age, and alchemy was practised by the Chinese long previous to its being known in Europe. For two centuries prior to the Christian era, and for four or more subsequent, the transmutation of the base metals into gold, and the composition of the elixir of immortality, were questions ardently studied by the Chinese. It is, moreover, a matter of history that intercourse between China and Persia was frequent both before and after the Mahomedan conquest of the latter country; that embassies from Persia as well as from the Arabs, and even from the Greeks in Constantinople, visited the court of the Chinese emperor in Shansi; that Arab traders settled in China, and that there was frequent intercourse by sea between China and the Persian Gulf; and lastly, that China had an extensive alchemical literature anterior to the period when alchemy was studied in the West. All these facts go to prove that the ancient science known as alchemy was originated by the Chinese, and not[8] by the disciples of Mahomed, who only acquired the knowledge at second hand.[2]
In China, the use of drugs dates back to a very ancient time, and alchemy was practiced by the Chinese long before it was known in Europe. For two centuries before the Christian era, and for at least four more afterward, the transformation of base metals into gold and the creation of the elixir of immortality were topics passionately studied by the Chinese. Moreover, it's a historical fact that there was frequent interaction between China and Persia both before and after the Muslim conquest of the latter country; that embassies from Persia, as well as from the Arabs and even from the Greeks in Constantinople, visited the court of the Chinese emperor in Shansi; that Arab traders settled in China; and that there was regular maritime trade between China and the Persian Gulf. Lastly, China had a rich alchemical literature that predates the period when alchemy was studied in the West. All these facts support the idea that the ancient science known as alchemy originated in China, not by the followers of Muhammad, who only gained this knowledge secondhand.[8]
It is somewhat curious that while the alchemists of the West were always in doubt as to what constituted the true Philosopher’s Stone, the Chinese seemingly had no doubt as to its identity. Cinnabar was regarded by the early alchemists and philosophers of that nation as the wonderful body which was supposed to have the mysterious power of converting other metals into gold, and when used as a medicine would prolong life for an indefinite period. Ko-hung, author of the Pau-p’uh-tsi p’ian, a work of the fourth century, and undoubtedly genuine, gives various mineral and vegetable productions possessing in different degrees the properties of an elixir vitæ. In one paragraph of this work he states: “When vegetable matter is burnt it is destroyed, but when the Ian-sha (Cinnabar) is subjected to heat it produces mercury. After passing through other changes it returns to its original form. It differs widely, therefore, from vegetable substances, and hence it has the power of making men live for ever and raising them to the rank of the genii. He who knows the doctrine, is he not far above common men, etc.?”
It’s quite interesting that while Western alchemists were often unsure about what the true Philosopher’s Stone was, the Chinese seemed completely confident about its identity. Cinnabar was seen by the early alchemists and philosophers in China as the amazing substance that was believed to have the mysterious ability to turn other metals into gold and, when used as a medicine, could extend life indefinitely. Ko-hung, the author of the Pau-p’uh-tsi p’ian, a genuine work from the fourth century, describes various minerals and plants that have different levels of the properties of an elixir of life. In one paragraph of this work, he mentions: “When vegetable matter is burned, it is destroyed, but when Ian-sha (Cinnabar) is heated, it produces mercury. After going through other transformations, it returns to its original form. Therefore, it is very different from vegetable substances, and because of this, it has the power to make people live forever and elevate them to the status of genies. Isn’t the one who understands this knowledge far above ordinary people?”
In materia medica the knowledge of the[9] Chinese was much in advance of the nations of the West, and their great herbal, entitled Pun-Isaun-Kang-Mûh, written by Le-she-chin in the middle of the sixteenth century, shows the discernment possessed by these curious people. This work consists of forty thin octavo volumes, the first three of which contain woodcuts of many of the minerals, plants, and animals referred to in the text. The woodcuts alone number 1100, and the work itself is divided into fifty-two divisions. The antiquity of the practice of medicine among the Chinese may be gathered from the fact that there exists a work entitled A Treatise from the Heart on the Small-pox, which was written during the dynasty of Icheon, B.C. 1122. In this work the eruption is described, and some kind of inoculation is also referred to as a remedy.
In materia medica, the knowledge of the[9] Chinese was far ahead of the Western nations, and their comprehensive herbal, titled Pun-Isaun-Kang-Mûh, written by Le-she-chin in the mid-sixteenth century, illustrates the insight these curious people had. This work consists of forty thin octavo volumes, with the first three featuring woodcuts of many of the minerals, plants, and animals mentioned in the text. There are 1,100 woodcuts in total, and the work itself is divided into fifty-two sections. The ancient practice of medicine among the Chinese is evident from the existence of a work called A Treatise from the Heart on the Small-pox, which was written during the Icheon dynasty in BCE 1122. This work describes the eruption and mentions some form of inoculation as a treatment.
But it is to Greece that we have to look for the birth of medical art in the West, its practice by the priests being of great antiquity. The earliest record of a temple of medicine is of one erected in the Peloponnesus in the year B.C. 1130, or about fifty years after the fall of Troy. Other temples or centres of the healing art gradually sprang up, and round each of those clustered a little school of students. There were the temple of Health at Pergamus, the temple[10] of Hygeia at Cytea, and the temples of Æsculapius at Cos and Epidamus, where the famous statue of Æsculapius stood. The father of ancient medicine, Hippocrates, graduated as a student of Cos, and Galen is said to have been at Epidamus.
But we need to look to Greece for the beginning of medical art in the West, with its practice by priests dating back a long time. The earliest record of a temple dedicated to medicine is from the Peloponnesus, built in the year BCE 1130, around fifty years after the fall of Troy. Other temples or centers for healing gradually appeared, and around each of these developed a small school of students. There was the temple of Health at Pergamus, the temple[10] of Hygeia at Cytea, and the temples of Æsculapius at Cos and Epidamus, where the famous statue of Æsculapius stood. Hippocrates, often regarded as the father of ancient medicine, graduated as a student of Cos, and Galen is said to have studied at Epidamus.
It was in the temple of Æsculapius at Greece that any record of medicine was first kept, the names of diseases and their cures being registered on tablets of marble. The priests and priestesses, who were the guardians of the temple, prepared the remedies and directed their application, and thus commenced the practice of physic as a regular profession.
It was in the temple of Æsculapius in Greece that the first records of medicine were kept, with the names of diseases and their cures written on marble tablets. The priests and priestesses, who were the temple's guardians, prepared the remedies and guided their use, marking the beginning of medicine as a formal profession.
These official persons were ambitious to pass as the legitimate descendants of Æsculapius, and therefore assumed the title of the Asclepiades. The writings of Pausanius, Plutarch, and others abound with accounts of the artifices of these early practitioners. Aristophanes mentions the dexterity and promptitude with which they collected and put into their bags the offerings on the altar.
These officials were eager to be seen as the rightful descendants of Æsculapius, so they took on the title of the Asclepiades. The writings of Pausanius, Plutarch, and others are full of stories about the tricks of these early practitioners. Aristophanes notes the skill and quickness with which they gathered offerings for their bags at the altar.
The patients were wont to repose on the skins of sacrificed rams in order to procure celestial visions. As soon as they were supposed to be asleep, a priest, clothed in the dress of Æsculapius, imitating his manner, and accompanied by the daughters of the god (that[11] is, by young actresses well up in their parts), entered and solemnly delivered a medical opinion. The student sat at the feet of the philosopher of his choice, and after a certain period and course of probation, was granted the rights of priest and physician to practise as a teacher and healer.
The patients used to lie on the skins of sacrificed rams to have divine visions. Once they were thought to be asleep, a priest dressed like Æsculapius, mimicking his mannerisms and accompanied by the god's daughters (that[11] is, by young actresses well rehearsed in their roles), would enter and deliver a medical opinion in a solemn manner. The student would sit at the feet of his chosen philosopher, and after a period of training and evaluation, he would be granted the rights of priest and physician to practice as a teacher and healer.
They had their code and ethics of a standard almost equal to those of to-day, and their knowledge of surgery, and the use of the herbs and plants which grew around them, was not a little.
They had their own code and ethics that were nearly on par with today's standards, and their understanding of surgery, as well as their use of the herbs and plants that surrounded them, was quite extensive.
Entering on their novitiate at their chosen temple or school, they were required to make a protestation or oath, of which the following is the one made by Hippocrates:—
Entering their novitiate at their chosen temple or school, they were required to make a protest or oath, of which the following is the one made by Hippocrates:
“I, Hippocrates, do now promise and protest to the great god Apollo and his two daughters Hygeia and Panadie, and also to all the gods and goddesses, to observe the contents of this oath or tables wherein the oath is carved, written, or engraved, so far as I can possibly, and so far as my wit or understanding shall be able to direct me, viz., I yield myself tributary and debtor to the master and doctor, who hath instructed me and showed me this science and doctrine, even as much or rather more than to my father who hath begotten me, and that I shall live and communicate with him, and follow him in all necessities which I shall know him to[12] have, so far as my power shall permit and my goods extend. Also that I shall love and cherish his children as my brother’s, and his progeny as my own. Further, that I shall teach, show and demonstrate the said science without reward or covenant, and that I shall give all the canons, rules and precepts freely, truly and faithfully to my master, his children as to my own, without hiding or unacting anything, and to all other scholars who shall make the same oath or protestation, and to no others. Also that in practising and using my science towards the sick, I shall use only things necessary, so far as I am able, and as my spirit and good understanding shall give unto me, and that I shall cure the sick as speedily as I may without dilating or prolonging the malady, and that I shall not do anything against equity for hatred, anger, envy or malice to any person whatsoever. Moreover, that I shall minister no poison, neither counsel nor teach poison, nor the composing thereof to any. Also that I shall not give nor cause to be given, nor contend that anything be applied to a woman breeding, to destroy and make her void her fruit. But I shall protest to keep my life and science purely, sincerely and inviolably, without deceit, fraud or guile. And that I shall not cut or incise any person having the stone,[13] but shall leave the same to those who are expert in it. And, furthermore, that I shall not enter into the patient’s house lest with purpose to heal him, and that I shall patiently sustain the injuries, reproaches, and loathsomeness of sick men and other base railings, and that I shall eschew, as far as I may, all venereous lasciviousness. Moreover, I protest, be it man, woman, or servant who is my patient, to cure them of all things, that I may see or hear either in mind or manner, and I shall not betray that which should be concealed or hidden, but keep inviolable with silence; neither reveal any creature under pain of death. And therefore I beseech our gods that observing this protestation, promise, and vow entirely and inviolably, all things in my life, in my art, and science, may succeed securely, healthfully, and prosperously to me, and in the end eternal glory.
“I, Hippocrates, now promise and swear to the great god Apollo and his two daughters, Hygeia and Panadie, as well as to all the gods and goddesses, to uphold the principles of this oath or the writings where this oath is recorded, to the best of my ability and understanding. Specifically, I acknowledge my debt and obligation to my teacher, the master and doctor who has educated me in this science and knowledge, even more than to my father who gave me life. I will support and help him in all his needs as much as my strength and resources allow. I will cherish his children as if they were my own siblings and regard his descendants as my own family. I further promise to teach, show, and demonstrate this knowledge without any payment or agreement, and I will share all the guidelines, rules, and teachings honestly and faithfully with my master and his children, as I would with my own, without hiding or omitting anything, and with all other students who take the same oath, and no one else. In practicing my knowledge with the sick, I will only use what is necessary, as much as I can, guided by my judgment and common sense, and I will treat the sick as quickly as possible, avoiding any unnecessary delays. I will not act unfairly out of hatred, anger, envy, or malice towards anyone. Furthermore, I will not administer poison, nor will I advise or teach about poison or its preparation to anyone. I will not give or allow anyone else to give, nor will I argue for anything to be done to a pregnant woman that would harm or cause her to lose her child. I promise to uphold my life and profession purely, honestly, and without deceit. I will not perform surgery on anyone with stones but will leave that to those who are skilled in it. Additionally, I will not enter a patient’s house unless it is for the purpose of healing, and I will endure the insults, complaints, and unpleasantness from sick individuals and other disrespectful remarks as much as I can, avoiding all sinful behavior. Moreover, I vow to treat any patient, whether man, woman, or servant, for any issues I might observe or hear about, and I will keep confidential what should remain secret, maintaining silence under penalty of death. Therefore, I ask our gods that by following this promise and vow completely and without fail, all aspects of my life, my work, and my profession may go well, healthily, and successfully for me, ultimately leading to eternal honor.”
“And to him that shall violate, transgress, or become perjured, that the contrary may happen unto him, viz., misery, calamities, and continual maladies.”
“And to anyone who breaks, disobeys, or lies, may the opposite happen to them, namely, misery, disasters, and ongoing illnesses.”
We have here principles laid down which would do honour to any medical body, and which show the highly civilised condition and the excellent moral teaching of the early Greek philosophers and priests.
We have principles established here that would bring honor to any medical organization and demonstrate the advanced civilization and strong moral teachings of the early Greek philosophers and priests.
CHAPTER II.
THE WIZARDS OF ANCIENT GREECE.
One of the earliest magicians or soothsayers of which we have record out of the era of mythology was Tiresias. He lived in the times of Œdipus and the war of the seven chiefs against Thebes. For having offended the gods he was visited with blindness, but being repentant, tradition states they recompensed him for this affliction by endowing him with the gift of prophecy and the act of divination. He is also said to have been able to hold communion with the feathered world, and to have power over the spirits of the dead, whom he could compel to appear and reply to his inquiries. His incantations and spells were supposed to be irresistible, and he could foretell future events by signs from fire, smoke, and other methods of divining.
One of the earliest magicians or seers we know from the mythological era was Tiresias. He lived during the time of Œdipus and the war of the seven chiefs against Thebes. After offending the gods, he was struck blind, but out of repentance, tradition says they compensated him for this hardship by giving him the gift of prophecy and divination. He was also said to be able to communicate with birds and had power over the spirits of the dead, whom he could summon to answer his questions. His incantations and spells were thought to be unbreakable, and he could predict future events through signs from fire, smoke, and various other divination methods.
Abaris, a native of Scythia, was another magician of renown. There is no exact record of the time in which he lived, but he is represented by some as having constructed the Palladium which protected Troy from its enemies for a long time.[15] Other authors declare he was a friend of Pythagoras, who flourished some 600 years later.
Abaris, originally from Scythia, was another well-known magician. There's no clear record of when he lived, but some say he created the Palladium, which kept Troy safe from its foes for a long time.[15] Other writers claim he was a friend of Pythagoras, who thrived about 600 years later.
According to Herodotus, he travelled over the world with an arrow, eating nothing during his journey. By others it is said the arrow was presented to him by Apollo, and that upon it he rode through the air, and travelled over lands, seas, mountains, and other inaccessible places. But from all accounts his repute as a magician and seer is confirmed. He is said to have foretold earthquakes, allayed storms and pestilence, cured disease by charms and incantations, and was generally revered for his power and command over the dwellers in the unseen world.
According to Herodotus, he traveled across the world on an arrow, eating nothing during his journey. Some say the arrow was given to him by Apollo, and that he rode it through the air, passing over lands, seas, mountains, and other hard-to-reach places. From all accounts, his reputation as a magician and seer is well-established. He is said to have predicted earthquakes, calmed storms and plagues, cured illnesses through charms and spells, and was widely respected for his power and control over those in the unseen world.
Pythagoras, one of the most notable magicians in early history, was born about the year B.C. 586, and lived during the time of Cyrus and Darius Hystaspes, of Crœsus, of Pisistratus, of Polycrates, and Amasis King of Egypt. He was renowned not only as a philosopher but as a leader and politician, and was learned in all branches of science then known. The early part of his life was spent in Egypt, but he also travelled in order to gather experience and knowledge until he reached the age of forty years.
Pythagoras, one of the most famous thinkers in early history, was born around 586 B.C. and lived during the time of Cyrus, Darius Hystaspes, Croesus, Pisistratus, Polycrates, and Amasis, the King of Egypt. He was known not just as a philosopher but also as a leader and politician, and he was knowledgeable in all the fields of science that were known at the time. He spent the early part of his life in Egypt but traveled extensively to gain experience and knowledge until he turned forty.
Afterwards he founded a school, where he lectured and instructed a large number of followers who were attracted by his wisdom and[16] learning. He divided his pupils into two classes: the neophytes, to whom were explained the elementary and general principles of his philosophy, while the advanced were admitted into his entire confidence and formed a brotherhood, who threw their property into a common stock and lived together.
After that, he started a school where he taught and mentored a large group of followers drawn to his knowledge and[16] learning. He split his students into two groups: the beginners, who were taught the basic and general principles of his philosophy, and the advanced students, who were fully trusted and formed a community, pooling their resources and living together.
During the latter part of his life he is said to have lived in Magna Græcia, where he carried on his studies and made some of his great discoveries. He was a profound geometrician, and two great theorems, one still known as the Pythagorean, are ascribed to him. He propounded the doctrine that the earth is a planet of spherical form, and the sun the centre of the planetary system.
During the later years of his life, he is said to have lived in Magna Græcia, where he continued his studies and made some of his significant discoveries. He was an expert in geometry, and two major theorems, one still referred to as the Pythagorean theorem, are attributed to him. He proposed the idea that the earth is a spherical planet and that the sun is the center of the solar system.
His philosophy prescribed and taught a total abstinence from everything which had animal life, and temperance in all things, together with the subjection of the appetites of the body. By this strict discipline, he seems to have obtained almost complete control over the wills and minds of his followers, from whom he demanded the utmost docility. Preparatory to entering on his novitiate, the pupil was strictly examined by the master as to his principles, habits, and intentions. The tone of his voice, his manner of speaking, his walk, gestures, and the lines of[17] his face and the expression of his eyes, were all carefully observed, and only if all these features were satisfactory was he admitted as a probationer. After this interview the master withdrew from the sight of the pupil, who could then enter on his novitiate of three and five, in all eight years, during which time he was not permitted to look on the master, but only hear him speak from behind a curtain, and he was enjoined to preserve the strictest silence.
His philosophy taught complete abstinence from all living things and moderation in everything, along with controlling the body's desires. Through this strict discipline, he seemed to gain almost total control over the wills and minds of his followers, who he expected to be completely obedient. Before starting his training, the student was carefully evaluated by the master regarding his beliefs, habits, and intentions. The tone of his voice, how he spoke, his manner of walking, gestures, and the features of his face and expression in his eyes were all closely observed, and only if everything was satisfactory was he allowed to become a probationer. After this meeting, the master would step away from the student's view, who would then begin his novitiate of three and five years, totaling eight years, during which he was not allowed to see the master, only hear him speak from behind a curtain, and he was instructed to maintain complete silence.
To add to his mystery and authority, Pythagoras is said to have hid himself during the day from his pupils, and was only visible to them after the night had come on. He is described as having a most imposing and majestic appearance, with a grave and awe-inspiring countenance. When he came forth he appeared in a long garment of the purest white, with his long beard flowing, and a garland upon his head.
To enhance his mystery and authority, Pythagoras reportedly hid from his students during the day and was only seen by them after nightfall. He is described as having a striking and majestic presence, with a serious and impressive expression. When he appeared, he wore a long robe of the purest white, with his long beard flowing and a garland on his head.
He allowed his followers to believe he was one of the gods, and he is said to have told Abaris that he resumed human form so that he might win the confidence of man.
He let his followers think he was one of the gods, and it's said that he told Abaris he took on human form so he could gain the trust of people.
Doubtless, owing to his great attainments and his superiority to the men of his time, he considered himself more divine than human, and he claimed to have miraculous endowments. Those who were not of his followers ascribed the stories[18] related of him to magic, which probably, like other philosophers, he studied.
Without a doubt, because of his impressive achievements and his superiority over the men of his time, he saw himself as more divine than human and claimed to have miraculous abilities. Those who weren't his followers attributed the stories[18] about him to magic, which he likely studied, just like other philosophers.
Among other stories which tradition has handed down concerning Pythagoras are the following: He professed to have appeared in different ages in various human forms—first as Æthalides, the son of Mercury, and then as Euphorbu, who slew Patroclus at the siege of Troy, and as other individuals also.
Among other stories that have been passed down through tradition about Pythagoras are these: He claimed to have appeared in different eras in various human forms—first as Æthalides, the son of Mercury, then as Euphorbus, who killed Patroclus during the siege of Troy, and as other individuals too.
He is said to have tamed a bear by whispering in its ear, and prevailed on it to feed on vegetables alone. He called also an eagle down from its flight, causing it to sit on his hand as if quite tame. When Abaris addressed him as one of the heavenly host, he convinced him that he was indeed a celestial being by showing him his thigh of gold, which also he exhibited to sceptical pupils. At another period he absented himself from his associates in Italy for a year: when he re-appeared he stated he had been sojourning in the infernal regions, and gave them wonderful descriptions of the strange things he had seen there.
He’s said to have tamed a bear by whispering in its ear and convinced it to eat only vegetables. He also called an eagle down from the sky, making it perch on his hand as if it were completely tame. When Abaris referred to him as one of the heavenly beings, he proved that he was indeed a celestial being by showing him his golden thigh, which he also displayed to skeptical students. At another time, he stayed away from his friends in Italy for a year; when he returned, he claimed he had been wandering in the underworld and gave them amazing descriptions of the strange things he had seen there.
These and many other fabulous stories are related of this singular man, which prove him to have been as wily as he was wise.
These and many other incredible stories are about this unique man, showing that he was as clever as he was wise.
One curious rule by which he bound his pupils is worth mentioning. At the end of their novitiate, if it was discovered that their intellectual[19] faculties were too weak to grapple with the intricacies of his theories and problems, they were expelled the community; the double of the property they had contributed to the common stock was refunded to them; a monument inscribed with their names was placed in the meeting-place of the community, and they were considered as dead by the brotherhood.
One interesting rule he imposed on his students is worth mentioning. At the end of their training period, if it was found that their intellectual[19] abilities were too weak to handle the complexities of his theories and problems, they were removed from the community; they received back twice the amount they had contributed to the shared resources; a monument with their names was erected in the community's meeting place, and they were regarded as dead by the brotherhood.
It is easy to imagine with what feelings these measures would be regarded by some who were called to submit to them, and so they eventually proved the cause of the break-up of the Pythagorean school.
It’s easy to think about how some people who had to accept these measures felt about them, and in the end, they were a significant reason for the collapse of the Pythagorean school.
Cylon, a man of great wealth of Crotona, conceived a great partiality for Pythagoras, and became a novice with Perialus, and submitted to all the severities of the school. They passed through the three years of probation and five years of silence, and were received into the familiarity of the master. But after they had delivered their wealth into the common stock, Pythagoras pronounced them to be deficient in intellectual power, or for some other reason most probably they were expelled. A tablet inscribed with their names was set up, and they were pronounced dead to the school.
Cylon, a wealthy man from Crotona, developed a strong affinity for Pythagoras and became a student of Perialus, enduring all the strictures of the school. They completed three years of probation and five years of silence, eventually being welcomed into the master’s inner circle. However, after they contributed their wealth to the communal fund, Pythagoras deemed them lacking in intellectual ability, or for some other likely reason, they were expelled. A tablet with their names was erected, and they were declared dead to the school.
Cylon, who was a man of excitable and violent temperament, became highly incensed at this treatment, and resolved on vengeance. Collecting[20] a band of followers, which probably included a large number of rejected students, they surrounded the school of the master and set it on fire. Forty people are said to have perished in the flames, but Pythagoras with two of his pupils escaped to Metapontum, where he took refuge in the Temple of the Muses. The strife fomented by Cylon broke out afresh, and he was closely besieged in the temple by his enemies. The rioting continued, and as no provisions could be conveyed to him, he finally perished with hunger, according to Laertius, after forty days’ abstinence.
Cylon, who had a hot and violent temper, became extremely angry about this treatment and decided to get revenge. He gathered a group of followers, likely including many rejected students, and they surrounded the master's school and set it on fire. It is said that forty people died in the flames, but Pythagoras and two of his students escaped to Metapontum, where they took refuge in the Temple of the Muses. The conflict stirred up by Cylon flared up again, and he was besieged in the temple by his enemies. The rioting went on, and since no supplies could be brought to him, he ultimately starved to death, according to Laertius, after forty days without food.
Thus ended Pythagoras, a man of undoubted genius, and in knowledge much in advance of his time. Although his teachings were mixed up with considerable artifice and deception, he ranks, as one of the greatest of the Greek philosophers.
Thus ended Pythagoras, a man of undeniable genius, and in knowledge far ahead of his time. Although his teachings were entwined with significant artifice and deception, he is regarded as one of the greatest Greek philosophers.
Epimenides was a native of Crete, and probably lived before the time of Pythagoras. He was credited with marvellous performances from a very early age, and is said when quite a lad to have retired to a cave and slept for fifty-seven years. He then returned to his father’s house, which he found in the possession of a new tenant, and the family disappeared. At length he came across his brother, who had grown into an old man, who after some time acknowledged him.
Epimenides was originally from Crete and likely lived before Pythagoras. He was known for extraordinary achievements from a young age, and it's said that as a child, he went into a cave and slept for fifty-seven years. When he finally returned home, he found that his father’s house was occupied by a new tenant, and his family was gone. Eventually, he encountered his brother, who had aged into an old man, and after a while, the brother recognized him.
On this story becoming known, he was accounted a favourite of the gods, and he professed to be endowed with supernatural gifts.
Once this story became known, he was considered a favorite of the gods, and he claimed to have supernatural abilities.
He made it known that he was supplied with food by the nymphs, and that he was exempt from the usual necessities imposed on the body by Nature. He boasted that he could separate his soul from his body and recall it as he thought fit. He professed to have dealings with the unseen world, and would exorcise evil spirits or work spells. He had great renown as a seer, and his prophecies were regarded as direct messages from the gods. But the great act of his life was his delivery of Athens from a great pestilence after the rebellion of Cylon. The plague, which had almost decimated the city, could not be stopped, and the Athenian Senate, after much deliberation, resolved to send for Epimenides, who was at that time in Crete. A special vessel was placed under the command of one of the first citizens of the State, who was commissioned to bring the wise magician.
He made it clear that he was provided with food by the nymphs and that he was free from the usual needs imposed on the body by Nature. He bragged that he could separate his soul from his body and bring it back whenever he wanted. He claimed to have connections with the unseen world, and he would exorcise evil spirits or cast spells. He was well-known as a seer, and his prophecies were seen as direct messages from the gods. But the greatest achievement of his life was saving Athens from a terrible plague after Cylon's rebellion. The plague, which had nearly wiped out the city, couldn’t be stopped, and after much discussion, the Athenian Senate decided to send for Epimenides, who was in Crete at that time. A special ship was put under the command of one of the leading citizens of the State, who was tasked with bringing back the wise magician.
On his arrival at Athens he at once set to work with solemn rites and ceremonials. He commanded that a number of black and white sheep should be led to the Areopagus, then be let loose and allowed to wander whither they wished. Certain persons were instructed to[22] follow them and mark the spot where they lay down, on which place the animal was sacrificed to the local deity. In this manner, it is recorded, the plague was stayed. According to some writers he also sacrificed human victims. Although pressed by the Athenian Senate to take a recompense for his services, Epimenides is said to have refused all gifts, stipulating only that there should be perpetual peace between the Athenians and the people of Gnossus, his native city. He died shortly afterwards, at the reputed age of 157 years.
Upon arriving in Athens, he immediately began performing serious rituals and ceremonies. He ordered that several black and white sheep be brought to the Areopagus, then released to roam freely as they pleased. Certain people were instructed to[22] follow them and mark the spot where they rested, where the animal would then be sacrificed to the local deity. This method, it is said, helped end the plague. Some writers claim he also sacrificed human victims. Even though the Athenian Senate urged him to accept compensation for his services, Epimenides reportedly turned down all gifts, insisting only on a lasting peace between the Athenians and his hometown of Gnossus. He passed away shortly after, at the claimed age of 157 years.
Empedocles was a distinguished magician, orator, and poet, and was born in Agrigentum, Sicily. He was a follower of Pythagoras, and probably received instruction from his successors. He was credited with miraculous powers, and to have been able to restore the dead to life. He was skilled in medicine and the use of herbs, and was indeed a general benefactor to the citizens of his native place, where he was almost worshipped as a god. Like other philosophers of his time, he was inordinately vain, but was undoubtedly a man of great intelligence, and conferred immense benefits on his fellow-creatures. His belief in the power of magic is shown in the following words he was wont to address to his students: “By my instructions you shall learn medicines[23] that are powerful to cure disease and reanimate old age; you shall be able to calm the savage winds which lay waste the labours of all the husbandmen, and, when you will, shall send forth the tempest again; you shall cause the skies to be fair and serene; or, once more, shall draw down refreshing showers, reanimating the fruits of the earth; nay, you shall recall the strength of the dead man when he has already become the victim of Pluto”.
Empedocles was a renowned magician, speaker, and poet, born in Agrigentum, Sicily. He followed Pythagoras and probably learned from his successors. He was believed to have miraculous powers, including the ability to bring the dead back to life. He was skilled in medicine and herbal remedies, and he was a true benefactor to the citizens of his hometown, where he was almost worshipped as a god. Like many philosophers of his era, he was excessively vain, but he was undeniably extremely intelligent and provided significant benefits to his fellow beings. His belief in the power of magic is reflected in the following words he often shared with his students: “By my teachings, you will learn powerful medicines[23] that can cure diseases and rejuvenate old age; you will be able to calm the fierce winds that destroy the work of farmers, and, whenever you wish, you can unleash the storm again; you will bring clear and peaceful skies; or, once more, you will summon refreshing rains that revive the fruits of the earth; indeed, you will restore the strength of a dead man after he has already fallen victim to Pluto.”
Of himself he said: “I mix with you a god, no longer a mortal, and am everywhere honoured by you, as is just; crowned with fillets and fragrant garlands, adorned with which, when I visit populous cities, I am revered by both men and women, who follow me by ten thousands, inquiring the road to boundless wealth, seeking the gift of prophecy and who would learn the marvellous skill to cure all kinds of diseases”.
Of himself he said: “I mingle with you as a god, no longer just a human, and am honored everywhere by you, as is right; crowned with ribbons and fragrant garlands, I am celebrated when I visit crowded cities, where I am revered by both men and women, who follow me in the thousands, asking the way to endless wealth, seeking the gift of prophecy, and wanting to learn the incredible skill to cure all kinds of diseases.”
Of other wizards of early Greece, Herodotus mentions Aristras, a poet of Proconnesus, who is said to have mysteriously disappeared from the earth for 340 years, and then appeared again at Metapontum and commanded the citizens to erect a statue to him. Also Hermotimus, who was reputed to have the power of separating his soul from his body at will. But little is known beyond the merest tradition of these worthies.
Of other wizards from early Greece, Herodotus mentions Aristras, a poet from Proconnesus, who supposedly vanished from the world for 340 years and then reappeared in Metapontum, demanding that the citizens build a statue in his honor. There's also Hermotimus, who was believed to have the ability to separate his soul from his body at will. However, not much is known beyond a few scattered traditions about these figures.
CHAPTER III.
THE WIZARDS OF THE ROMAN EMPIRE.
The Roman philosophers, like the Greeks, claimed to possess occult powers, and the practitioners of magic and sorcery were numerous during the time of the Empire. We have a graphic description of the incantations of a Roman sorceress in the story of Dido. Deserted by Æneas, she resolves on self-destruction. To delude her sister as to her secret purpose she sends for a priestess from the gardens of the Hesperides, pretending that her object is to effect the return of her lover by means of certain magical incantations. The priestess, who is invested with magical powers, can call up the spirits of the dead, cause the solid earth to rock and quake, and the trees of the forest to descend from the mountains. On the arrival of the sorceress, she commands that a funeral pyre shall be erected in the interior court of the palace, and that the arms of Æneas, what remains of his attire, and the marriage bed in which Dido had received him, shall be placed[25] upon it. The pyre is to be hung round with garlands and branches of cypress, and the whole crowned with a picture of Æneas and his sword.
The Roman philosophers, like the Greeks, claimed to have hidden powers, and there were many practitioners of magic and sorcery during the Empire. We have a vivid description of the spells of a Roman sorceress in the story of Dido. Abandoned by Æneas, she decides to end her life. To mislead her sister about her true intentions, she calls for a priestess from the gardens of the Hesperides, pretending that her goal is to use certain magical incantations to bring back her lover. The priestess, who has magical abilities, can summon the spirits of the dead, make the earth tremble, and have the trees of the forest come down from the mountains. When the sorceress arrives, she commands that a funeral pyre be built in the inner court of the palace and that Æneas's weapons, what is left of his clothing, and the marriage bed in which Dido had welcomed him, be placed[25] on it. The pyre is to be decorated with garlands and cypress branches, and topped with a picture of Æneas and his sword.
Altars were placed around, and the priestess, with dishevelled hair, cried aloud with terrible charms upon her three hundred gods, upon Erebus, Chaos, and the three-faced Hecate. The waters of Avernus were then sprinkled about, and certain magical herbs that had been cut by moonlight with a sickle of brass. The priestess had with her the excrescence which is found upon the forehead of a new-cast foal, of the size of a dried fig, a talisman of great power.
Altars were set up all around, and the priestess, with messy hair, shouted loudly with powerful incantations aimed at her three hundred gods, including Erebus, Chaos, and the three-faced Hecate. The waters of Avernus were sprinkled around, along with some magical herbs that had been cut by moonlight using a brass sickle. The priestess had with her the growth that appears on the forehead of a newborn foal, about the size of a dried fig, a talisman of immense power.
Dido is then called upon to approach, and, with her robe drawn up exposing one bare foot, she makes the circle of the altars, embracing them successively, and breaks over each a consecrated cake. The pyre is lit, and the charm is supposed to be complete.
Dido is then asked to come forward, and, pulling up her robe to show one bare foot, she goes around the altars, embracing each one in turn, and breaking a sacred cake over each. The pyre is lit, and the ritual is believed to be complete.
But all the power and the elaborate ritual prescribed by the sorceress were of no avail. Æneas returns not, and the broken-hearted Dido finally stabs herself and dies.
But all the power and the elaborate ritual prescribed by the sorceress were useless. Æneas doesn’t return, and the heartbroken Dido ultimately stabs herself and dies.
Many prodigies are interspersed throughout the early history of Rome, and most of the acts of these people were surrounded with a halo of superstition natural at the time, and doubtless largely exaggerated. Virgil, Horace, Ovid, and[26] Lucan all allude to the belief in and the practice of sorcery and magic by the Romans.
Many remarkable individuals appear in the early history of Rome, and most of their actions were surrounded by a natural sense of superstition for that time, which was likely greatly exaggerated. Virgil, Horace, Ovid, and[26] Lucan all reference the belief in and practice of sorcery and magic among the Romans.
In the eighth eclogue of Virgil we have a detailed description of a Roman sorceress. She is introduced by the poet as giving directions to her assistant as to the working of certain charms. Her object (a common one apparently at that time) is to recall Daphnis, whom she calls her husband, to return once more to her arms. The assistant is directed to burn vervain and frankincense, and the highest efficacy is ascribed to a solemn chant, which is capable of calling down the moon from its sphere or making the cold-blooded snake burst in the field, and was the means by which Circe turned the companions of Ulysses into beasts. The image of Daphnis is then ordered to be thrice bound round with fillets of three colours, the assistant at the same time repeating the words, “Thus I bind the fillets of Venus,” and then paraded about a prepared altar.
In the eighth eclogue of Virgil, we get a detailed description of a Roman sorceress. The poet introduces her as she gives instructions to her assistant about how to perform certain charms. Her goal (a pretty common one back then) is to summon Daphnis, whom she refers to as her husband, to come back to her. She instructs her assistant to burn vervain and frankincense, and she believes that a serious chant has the greatest power, capable of calling down the moon from the sky or making a cold-blooded snake explode in the fields. This chant was also how Circe transformed Ulysses’ companions into beasts. The sorceress then orders the image of Daphnis to be wrapped three times with ribbons of three colors, while the assistant repeats the words, “Thus I bind the fillets of Venus,” and then displays it around a prepared altar.
An image of clay and one of wax are placed before the same fire; and as the image of clay hardens, so does the heart of Daphnis harden towards his new mistress; and as the figure of wax softens, so is the heart of the ex-lover made tender towards the sorceress. A sacred cake is then broken over the image, and crackling laurels[27] burnt before it. She prays that as the wanton heifer pursues the steer through woods and glens till at length, worn out with fatigue, she lies down on the oozy reeds by the banks of the stream, and the night dew will not even drive her away, so Daphnis may be led on after her for ever with inextinguishable love. The relics of his belongings are then buried beneath the threshold. She bruises poisonous herbs of resistless virtue, which had been gathered in the kingdom of Pontus, herbs which enabled him who gave them to turn himself into a hungry wolf prowling amidst the forests, to call up ghosts from the grave, and to translate the ripened harvest from the field where it grew to the lands of another. The ashes of these herbs are cast over her head into the running stream, while she must not look behind her.
An image made of clay and one made of wax are placed before the same fire; as the clay figure hardens, so does Daphnis’s heart harden towards his new mistress; and as the wax figure softens, so does the ex-lover’s heart become tender towards the sorceress. A sacred cake is then broken over the image, and crackling laurel leaves[27] are burned before it. She prays that just as the lustful heifer chases the bull through woods and glens until she eventually lies down on the muddy reeds by the stream, without even the night dew driving her away, Daphnis may forever follow her with unquenchable love. His belongings are then buried beneath the threshold. She crushes poisonous herbs with irresistible power, gathered from the kingdom of Pontus, herbs that allow whoever uses them to turn into a hungry wolf prowling through forests, to summon ghosts from the grave, and to transport ripened crops from the field where they grow to another land. The ashes of these herbs are sprinkled over her head into the flowing stream, while she must not look back.
At length the sorceress begins to despair and cries, “Daphnis heeds not my incantations, heeds not the gods”. She looks again, and perceives the ashes on the altar are glowing and emitting sparks of fire. Her faithful house dog barks before the door. “Can these things be,” she exclaims, “or do lovers dream what they desire? It is not so! The real Daphnis comes; I hear his steps; he has left the deluding town; he hastens to my longing arms!”
At last, the sorceress starts to lose hope and cries, “Daphnis doesn’t respond to my spells, doesn’t listen to the gods.” She looks again and sees the ashes on the altar glowing and sparking. Her loyal dog is barking at the door. “Is this really happening,” she exclaims, “or do lovers just dream of what they want? It can’t be! The real Daphnis is coming; I hear him approaching; he’s left that deceiving town; he’s rushing to my waiting arms!”
In the works of Horace an interesting description of a witches’ incantation is also given, the details of which it is instructive to compare with those given by other writers.
In Horace's works, there's an intriguing description of a witch's incantation, and it's helpful to compare the details with those provided by other authors.
Four sorceresses are assembled in conclave, the chief being Canidia, with three assistants, in order to work a charm by means of which a youth named Varus, for whom Canidia had conceived a passion, may be compelled to reciprocate her affections.
Four sorceresses gather in a meeting, led by Canidia, with three helpers, to cast a spell that will make a young man named Varus, for whom Canidia has developed feelings, return her love.
Canidia, with the locks of her dishevelled hair twined round with venomous and deadly serpents, orders the wild fig tree and the funeral cypress to be rooted up from the sepulchres on which they grew, and these, together with the egg of a toad smeared with blood, the plumage of the screech owl, various herbs brought from Thessaly and Georgia, and bones torn from the jaws of a famished dog, to be burnt in flames fed with perfumes from Colchis. One assistant, whose hair stands stiff and erect like the quills of the sea-hedgehog or the bristles of a hunted boar, sprinkles the ground with drops from the Avernus, while another, who is reputed to have had the faculty of conjuring the stars and moon down from heaven, assists in other ways.
Canidia, with her messy hair tangled up with poisonous and deadly snakes, commands that the wild fig tree and the funeral cypress be uprooted from the graves where they grew. These, along with a toad's egg covered in blood, the feathers of a screech owl, various herbs from Thessaly and Georgia, and bones ripped from the jaws of a starving dog, are to be burned in flames fueled with perfumes from Colchis. One assistant, whose hair stands stiff and straight like the spines of a sea urchin or the bristles of a hunted boar, sprinkles the ground with drops from Avernus, while another, believed to have the power to summon the stars and moon down from the sky, helps in other ways.
The fourth witch is busy digging a hole with a spade, in which is to be plunged up to his chin[29] the beardless youth stripped of his purple robe—the emblem of his noble descent—and naked, that from his marrow, already dry, and his liver (when at length his eyeballs, long fixed on the still renovated food which is withheld from his famished jaws, have no longer the power to discern), may be concreted the love potion from which the witches promise themselves the most wonderful results.
The fourth witch is busy digging a hole with a spade, where the beardless young man, stripped of his purple robe—the symbol of his noble heritage—and left naked, will be plunged up to his chin[29]. This way, from his already dry marrow and his liver (when his eyes, long fixated on the ever-renewing food that is kept from his starving mouth, can no longer see), a love potion will be created from which the witches expect the most amazing results.
Canidia, unmoved by his sufferings, works herself into a great rage, and calls upon the night and the morn to help in her infamous incantation. But her victim manages to evade destruction by means of some magical antidote. She then resolves to prepare a still more powerful charm, exclaiming, “Sooner shall the sky be swallowed up in the sea and the earth be stretched a covering over both, than thou, my enemy, shalt not be wrapped in the flames of love as subtle and tenacious as those of burning pitch”.[30]
Canidia, unaffected by his pain, gets extremely angry and calls on the night and the morning to assist with her wicked spell. But her victim manages to escape destruction using a magical antidote. She then decides to create an even more powerful charm, declaring, “The sky will be swallowed by the sea and the earth will stretch a cover over both before you, my enemy, are not engulfed in flames of love as crafty and persistent as those of burning tar.”[30]
CHAPTER IV.
THE FATHER OF MEDICINE.
Though Æsculapius is said to have lived so near to the time of the Trojan war, yet the Greeks knew very little about him. The superstition of the time gave him a position among the gods, and as he was adored under the character of the genius of physic, it came at last to be doubted whether he was ever a mortal; consequently his priests were obliged for their own sakes to make themselves masters of all the physic that the master could teach, that they might be qualified to give advice to those who applied to them; their prescriptions passed for the suggestions of the gods, the cures for the miraculous. But both diseases and remedies were carefully recorded. Strabo tells us that from these registers in the temple of Æsculapius at Cos, Hippocrates formed his plan for a proper diet.
Although Æsculapius is said to have lived so close to the time of the Trojan War, the Greeks knew very little about him. The superstitions of the time elevated him to a status among the gods, and since he was worshipped as the genius of medicine, it eventually raised doubts about whether he was ever human. As a result, his priests had to master all the medical knowledge that their master could provide so that they could give advice to those who sought their help; their prescriptions were seen as divine suggestions, and their cures were viewed as miraculous. However, both illnesses and treatments were meticulously documented. Strabo tells us that Hippocrates developed his ideas for a proper diet from these records in the temple of Æsculapius at Cos.
Hippocrates, the wise physician and father of medicine, was according to Soranus the son of Heraclides and Phænaretes, descended from Hercules[31] and Æsculapius. He was a Coan by birth, and was first instructed by his father, and then by Herodicus, and Democritus of Abdua, the philosopher. He flourished at the time of the Peloponnesian war, and after being instructed in physic and the arts, left his own country for Thessaly, where his fame soon became known, even as far as Persia. He was sent for by Perdiccás, King of Macedonia, who was then thought to be consumptive, but Hippocrates diagnosed it to be a disease of the mind, and soon cured the king. He is also said to have delivered his own country from a war with the Athenians by prevailing upon the Thessalians to come to their assistance, for which he received great honours from the Coans. He taught his art with great candour and liberality to those who were desirous to learn, and at length died full of honours, it is said, in his ninetieth year, and was buried between Gyrton and Larissa. A quaint old tradition states that at his tomb a swarm of bees settled and made their honey for a long time, with which children troubled with aphthas, anointed by their nurses at the grave, were easily cured.
Hippocrates, the wise physician and father of medicine, was, according to Soranus, the son of Heraclides and Phænaretes, and descended from Hercules and Æsculapius. He was born on the island of Kos and was initially taught by his father and later by Herodicus and Democritus of Abdua, the philosopher. He thrived during the Peloponnesian War, and after studying medicine and the related arts, left his homeland for Thessaly, where his reputation quickly spread even to Persia. He was summoned by Perdiccás, King of Macedonia, who was believed to be suffering from tuberculosis, but Hippocrates identified it as a mental condition and soon cured the king. He is also said to have saved his homeland from a war with the Athenians by persuading the Thessalians to assist them, for which he received great honors from the people of Kos. He taught his craft openly and generously to anyone eager to learn, and ultimately died, it is said, in his ninetieth year, being buried between Gyrton and Larissa. An old tradition claims that a swarm of bees settled at his tomb and made honey there for a long time, which nurses used to treat children suffering from mouth sores, providing effective relief.
He was by no means covetous of money, but grave in his behaviour and a lover of Greece, as appears from his curing those of that nation with[32] the utmost diligence, and freeing many of their cities from the plague, for which he acquired great honours.
He wasn't at all greedy for money, but was serious in his demeanor and a lover of Greece, as shown by his careful treatment of those from there, as well as his efforts to free many of their cities from the plague, earning him great honors.
At first the art of healing was accounted a branch of philosophy, so that the cure of diseases and the study of nature owed their rise to the same persons. Among the many philosophers skilled in the art the most celebrated were Pythagoras, Empedocles, Democritus, and Hippocrates of Cos. After them came Diodes the Carystian, Praxagoras, and Chrysippus, with Hierphilus and Erasistratus, many of whom practised their art in entirely different ways. At this period physic was divided into three schools; the first cured by diet, the second by medicines, the third by manual operations. Those who treated by dietetic methods endeavoured to extend their views farther with the assistance of natural philosophy. Then came Serapion, the apostle of practice and experience, and afterwards Asclepiades, who worked a revolution in medical science as then practised.
At first, healing was considered a branch of philosophy, so the treatment of diseases and the study of nature originated from the same thinkers. Among the many philosophers skilled in healing, the most famous were Pythagoras, Empedocles, Democritus, and Hippocrates of Cos. After them were Diodes the Carystian, Praxagoras, and Chrysippus, along with Herophilus and Erasistratus, many of whom practiced their art in completely different ways. During this time, medicine was divided into three schools: the first focused on diet, the second on medicines, and the third on manual procedures. Those who treated using dietary methods tried to broaden their insights with the help of natural philosophy. Then came Serapion, the advocate of practice and experience, and later Asclepiades, who brought about a revolution in medical science as it was practiced at that time.
The knowledge of both surgery and medicine even in the time of Celsus is very remarkable, and many of the forms of administration of medicine are employed at the present day. The enema was largely used by the ancients, a common one being hydromel, described by Dioscorides[33] as being made by mixing two parts of water to one of honey; sea-water was also employed for the same purpose, and Celsus recommends the copious drinking of hot water as a laxative remedy.
The understanding of both surgery and medicine during Celsus's time is quite impressive, and many methods of administering medicine are still in use today. The enema was widely used by the ancients, with one common type being hydromel, which Dioscorides[33] described as a mixture of two parts water to one part honey. Sea water was also used for similar purposes, and Celsus suggested drinking a lot of hot water as a laxative remedy.
Asclepiades was the originator of massage and friction, and in his book of general remedies describes his treatment, which is similar to that performed to-day. Poultices of meal of various descriptions were commonly employed, linseed or fenugreek being the favourite media.
Asclepiades was the pioneer of massage and friction, and in his book on general remedies, he describes his treatment, which is similar to what we do today. Poultices made from different types of flour were commonly used, with linseed or fenugreek being the preferred ingredients.
Asclepiades studied in Alexandria, and after practising in Greece and Asia Minor, finally settled in Rome in the early part of the first century B.C. Here he soon met with success, and established a reputation for great skill. He was the physician and friend of Cicero, and probably also the instructor of Lucretius in the Epicurean philosophy, of which he was an enthusiastic advocate.
Asclepiades studied in Alexandria, and after practicing in Greece and Asia Minor, he finally settled in Rome in the early part of the first century BCE There, he quickly found success and built a reputation for his exceptional skills. He was the physician and friend of Cicero and likely also taught Lucretius about Epicurean philosophy, which he passionately supported.
He believed the body to be composed of atoms or particles, with spaces between, through which, like a sieve, various atoms of other shapes were continually passing in and out of the body.
He believed the body was made up of atoms or particles, with gaps in between them, allowing various atoms of different shapes to constantly flow in and out of the body like a sieve.
In practice he believed in curing his patients with as little discomfort as possible, which doubtless helped to make him popular. He was averse to the employment of violent remedies and the[34] excessive use of emetics and purgatives so much favoured by his fellow-practitioners.
In practice, he believed in treating his patients with minimal discomfort, which surely contributed to his popularity. He was against using harsh remedies and the[34] excessive reliance on emetics and laxatives that many of his colleagues preferred.
He advocated the use of music as a soothing agent, and was strongly in favour of bathing frequently and of massage.
He recommended using music as a way to relax, and he strongly supported frequent bathing and massage.
He strongly believed in wine as a remedial agent, which it has been said may have accounted for his popularity with the Roman ladies, with whom as a physician he was in great demand. He lived to a very advanced age, and died it is stated from the effects of a fall.
He strongly believed in wine as a healing substance, which some say contributed to his popularity with the Roman ladies, with whom he was highly sought after as a physician. He lived to a very old age and reportedly died from the effects of a fall.
Galen, born at Pergamus in the year A.D. 131, studied in the school of Alexandria, which then had a considerable reputation, and there he formulated his system of treatment founded on his knowledge of anatomy and on observation. His fame having spread abroad, he travelled to Rome and became physician to the Emperor Marcus Aurelius. According to Galen, the health of the body depended on an equal and uniform mixture of solids and liquids, and its sickness arose from their inequality; consequently, the physician should foresee illness. He was a profound student of anatomy in his early career, and afterwards turned his attention to physiology. His views as to inflammation, intermittent fevers, and his system of antipathies and sympathies, place him very much above his predecessors.
Galen, born in Pergamum in A.D. 131, studied at the school in Alexandria, which was well-respected at the time, and there he developed his treatment system based on his knowledge of anatomy and observation. As his reputation grew, he traveled to Rome and became the physician for Emperor Marcus Aurelius. According to Galen, the body’s health depended on a balanced mix of solids and liquids, and illness resulted from their imbalance; therefore, a physician should anticipate sickness. He was a thorough student of anatomy early in his career and later focused on physiology. His insights on inflammation, intermittent fevers, and his theories on antipathies and sympathies significantly surpassed those of his predecessors.
“In the beginning of the fifth century,” says Lacroix, “the practice of medicine, like that of surgery, which was not yet a distinct branch, continued to be free without any authorisation being required. There were even women who, like the Druidesses of the Gauls, treated the sick.” Charmers, unconscious, no doubt, of the occult forces which they set to work, attempted to cure neuralgic pains, country bone-setters to mend fractured limbs, while oculists and impostors of the worst kind travelled the country.
“In the early fifth century,” says Lacroix, “the practice of medicine, similar to surgery, which hadn’t yet become a separate field, remained free and didn’t require any authorization. There were even women who, like the Druidesses of the Gauls, treated the sick.” Charmers, likely unaware of the hidden powers they tapped into, tried to cure nerve pain, local bone-setters fixed broken limbs, while eye specialists and the worst kinds of frauds roamed the country.
It was not until the close of the eighth century that a regular course of medical instruction was founded, the first of the kind being organised at Salerno, in the kingdom of Naples.
It wasn't until the end of the eighth century that a formal medical education program was established, with the first of its kind being set up in Salerno, in the kingdom of Naples.
Alexander of Tralles, a noted physician, flourished in the middle of the sixth century. No Greek doctor equalled him since the days of Hippocrates in regard to his knowledge of his art in those primitive days. He is said to have possessed to a high degree the art of diagnosis, and he laid down as a principle, that no decision should be arrived at as to the treatment of a case until the specific causes of disease had been carefully considered. His depreciation of violent aperients, his views on melancholia and gout, and his generally common-sense treatment, stamped him as a man of superior attainments[36] and ability. He was the first to resort to bleeding from the jugular vein, and to use iron in certain diseases affecting the blood.
Alexander of Tralles, a renowned doctor, thrived in the mid-sixth century. No Greek physician matched his expertise since the times of Hippocrates regarding his skills in those early days. He was known for his exceptional diagnostic ability and believed that no treatment decisions should be made until the specific causes of the illness had been thoroughly evaluated. His criticism of harsh laxatives, his perspectives on depression and gout, and his generally practical approach to treatment marked him as a person of remarkable knowledge and skill[36]. He was the first to practice bleeding from the jugular vein and to use iron for certain blood-related diseases.
It must not be imagined that the Roman practitioners of medicine were ill-paid, for it is recorded that Stertimus made some £6500 a year, and Canie, a surgeon, is said to have received £2000 for one operation, which contrasts well with fees of modern times. Votive offerings for health to the Roman deities were frequent, and sometimes consisted of land, animals, coin, jewellery, and other articles. Other bribes which have been discovered near ancient shrines are terra-cotta figures of deities, human beings, animals, and also portions of human anatomy, such as the liver or stomach. This superstition still exists, and is practised in many parts of Italy, the peasants making votive offerings similar to those of two thousand years ago.
It shouldn't be assumed that Roman doctors were underpaid, since records show that Stertimus earned about £6,500 a year, and Canie, a surgeon, reportedly got £2,000 for a single operation, which compares favorably to modern fees. It was common to make votive offerings to Roman gods for health, often in the form of land, animals, coins, jewelry, and other items. Other gifts found near ancient shrines include terracotta figures of gods, humans, animals, and even parts of human anatomy, like the liver or stomach. This superstition still exists and is practiced in many parts of Italy, where peasants make votive offerings much like those from two thousand years ago.
The object of offering models of various portions of the body to special deities, was doubtless to propitiate the god to heal that special part in which the patient believed his complaint originated.
The purpose of giving models of different body parts to specific deities was likely to please the god to heal the particular area where the patient thought their problem came from.
This custom of making offerings to the gods, called donaria by the Romans, originated at a very early period. They often took the form of land, buildings, cattle, tools of trade, jewellery,[37] and cast-off clothes. Thus the temple of Artemis Brauronia was filled with women’s clothing. In the temples of the healing gods, instruments of surgery, pharmaceutical appliances, painted tablets representing miraculous healings, and great numbers of models of various parts of the human frame, composed of metal, stone, and terra-cotta, were deposited.
This practice of making offerings to the gods, known as donaria by the Romans, started a long time ago. They often included land, buildings, livestock, tools, jewelry,[37] and old clothes. For example, the temple of Artemis Brauronia was filled with women's clothing. In the temples dedicated to healing gods, there were surgical instruments, medical tools, painted tablets depicting miraculous healings, and many models of different parts of the human body made of metal, stone, and terra-cotta.
Many of these ancient temples of healing were magnificent buildings with richly-decorated interiors, while others were simply shrines or grottos at the source of some hot spring or mineral water, where hundreds of those afflicted with various ailments flocked to bathe or drink the water. The priests in charge regulated the use of the waters and prescribed for the patients. After completing the course it was customary for the patient to throw an offering into the water, in the form of a silver cup, a coin, or some terra-cotta model of a limb, and then drag himself off, muttering a prayer. Others would hang their gifts on the walls, or deposit them at the feet of the statues of the gods placed around.
Many of these ancient healing temples were impressive structures with beautifully decorated interiors, while others were just simple shrines or grottos located at the source of a hot spring or mineral water, where hundreds of people suffering from various ailments came to bathe or drink the water. The priests in charge managed the use of the waters and made recommendations for the patients. After finishing their treatment, it was common for patients to toss an offering into the water, like a silver cup, a coin, or a clay model of a body part, and then leave while mumbling a prayer. Others would hang their gifts on the walls or place them at the feet of the statues of the gods positioned around.
Magnificent offerings, such as goblets of valuable metal with votive inscriptions, have been occasionally found, and other ornaments of gold and silver. It is said, however, that donaria of[38] precious metals were after a time melted down and disposed of by the priests.
Magnificent offerings, like goblets made of precious metal with dedicated inscriptions, have occasionally been discovered, along with other ornaments crafted from gold and silver. However, it is said that donaria of[38] precious metals were eventually melted down and disposed of by the priests.
Grateful patients or surgeons sometimes offered surgical instruments as a thanksgiving for a successful surgical operation; thus it is stated Erostratus offered to Apollo in the Temple of Delphus a forceps of lead, to show how little he approved of the fingers as a medium for extracting teeth. Drs. Sambon, Allaire, and others, who have discovered a large number of donaria of the Etruscan and Roman period, found among the pottery, invalid feeding-cups and feeding-bottles for infants. Many of the latter were modelled in the form of the female breast, and others in the shapes of animals. These articles were often placed in the tombs of young children who had died in babyhood, instead of the dishes of various foods which were deposited in the tombs of adults.
Grateful patients or surgeons sometimes gave surgical instruments as a thank-you for a successful operation; for instance, it's noted that Erostratus offered a lead forceps to Apollo in the Temple of Delphi to show how little he valued fingers as a tool for extracting teeth. Doctors Sambon, Allaire, and others, who have found many donaria from the Etruscan and Roman period, discovered invalid feeding cups and bottles for infants among the pottery. Many of these were shaped like a female breast, while others resembled animals. These items were often placed in the tombs of young children who had died in infancy, instead of the various foods that were left in the tombs of adults.
Among other donaria discovered, are models of the limbs and viscera of the human body in clay, showing upon them the marks of the various diseases from which the votaries had suffered. Thus the ancient temples must have presented a curious appearance, festooned on walls and ceilings with these numerous models, all of which told a tale of human suffering.
Among other donaria found are clay models of human limbs and organs, displaying the signs of the different diseases the worshippers had experienced. The ancient temples must have looked quite intriguing, adorned on walls and ceilings with these many models, each telling a story of human suffering.
CHAPTER V.
THE EARLY PERIOD OF GREEK AND ROMAN PHARMACY.
Rome at an early period gave birth to several philosophers and practitioners in the art of healing. Cornelius Celsus, who is thought to have been a Roman, was a much esteemed writer of the time, and his works on medicine show the advanced state of surgery and medicine during the Roman Empire.
Rome in its early days produced numerous philosophers and healers. Cornelius Celsus, believed to be a Roman, was a highly regarded writer of his time, and his medical writings reflect the advanced development of surgery and medicine during the Roman Empire.
His work on medicine gives a considerable insight into the pharmacy of the Romans in his day. With reference to their weights, he says: “I would have it understood that in an ounce is contained the weight of seven denarii; next, that I divide each denarius into six parts, that is, sextantes, so that I have the same quantity in the sextans of a denarius that the Greeks have in their obolus”.
His work on medicine provides a significant insight into Roman pharmacy during his time. Regarding their weights, he states: “I want it understood that an ounce contains the weight of seven denarii; furthermore, I divide each denarius into six parts, which are called sextantes, so that I have the same quantity in the sextans of a denarius that the Greeks have in their obolus.”
Of the methods of administration employed in early Roman pharmacy, the malagma was commonly used. It was a kind of soft mass composed of herbs and grass beaten up to the[40] consistency of a thick paste, and applied to the skin. Numerous formulæ for malagmas are given, in which pellitory, myrrh, resin, cardamoms, ammoniacum, galbanum, etc., are included. Their malagmas corresponded with our ointments. They also used plasters, of which the basilicon, of galbanum, pitch, resin, and oil, in an improved form, has survived two thousand years. Troches, for healing wounds, were composed of dry medicines held in suspension by some liquid such as wine or oil. Pessaries (vaginal) were originated by the Greeks, who called them pessi. The ingredients were placed in a piece of wool, and thus used. Powders and snuffs were also common methods of administration.
Of the methods of administration used in early Roman pharmacy, the malagma was commonly employed. It was a soft mass made of herbs and grass mashed into a thick paste that was applied to the skin. There are many formulas for malagmas, which include ingredients like pellitory, myrrh, resin, cardamoms, ammoniacum, galbanum, and others. Their malagmas were similar to our ointments. They also used plasters, with the basilicon—made from galbanum, pitch, resin, and oil—in an improved form that has lasted for two thousand years. Troches, used for healing wounds, were made of dry medicines suspended in a liquid like wine or oil. Pessaries (vaginal) originated with the Greeks, who called them pessi. The ingredients were placed in a piece of wool and used that way. Powders and snuffs were also common methods of administration.
Antidotes for bruises, bites, and poisons were regarded as extremely important. One was called ambrosia, which Zopyrus is said to have compounded for the King Ptolemy; another was the celebrated antidote of King Mithridates.
Antidotes for bruises, bites, and poisons were considered really important. One was called ambrosia, which Zopyrus supposedly created for King Ptolemy; another was the famous antidote of King Mithridates.
The Greeks called their embrocations or ointments euchrista. The catapotia was the method used for internal administration in liquid form, for which many recipes are given by Celsus. The following will serve as an example:—
The Greeks referred to their ointments as euchrista. The catapotia was the method used for internal administration in liquid form, for which Celsus provided many recipes. The following will serve as an Please provide the text you would like me to modernize.
Athenio’s Catapotia for a Cough. | |
Myrrh, pepper, each | p. ![]() |
Castor, poppy tears, each | p. ![]() |
which are bruised separately and afterwards mixed.
which are bruised separately and then mixed.
For venomous bites, the treatment of the ancients, if the wound was severe, was first cupping, or, if slight, the plaster of Diogenes was applied, or a salt fish bound over the wound. A curious remedy practised by the Greeks for hydrophobia was to throw the patient suddenly into a pond, and “if he could not swim let him sink several times, and thus drink; if he can swim, keep him down at times until he may be satiated with water, for thus at once,” writes Celsus, “is both the thirst and the dread of water removed”.
For venomous bites, the treatment used in ancient times was cupping if the wound was severe, or applying Diogenes' plaster if it was minor, or placing a salted fish over the wound. A strange remedy practiced by the Greeks for hydrophobia involved suddenly throwing the patient into a pond, and "if he couldn't swim, let him sink several times to drink; if he can swim, hold him underwater occasionally until he's had enough, for this way," writes Celsus, "both the thirst and the fear of water are eliminated."
Their antidote for nearly all poisons was warm oil, given in order to induce vomiting.
Their cure for almost all poisons was warm oil, which was given to make them vomit.
The word collyrium, now applied to a lotion for the eyes, was also used by the ancients; but they gave it a greater latitude, and also employed it to describe a composition of powders wrought to a pasty consistence with a liquid, and formed into something like a tent for insertion into cavities.
The term collyrium, which we now use for an eye lotion, was also used by ancient people; however, they had a broader definition and used it to describe a mixture of powders made into a paste with a liquid, shaped into something resembling a tent for placement in cavities.
Of the chemical bodies and drugs known both to the Greeks and the Romans, the number is not a few.
Of the chemical substances and medications recognized by both the Greeks and the Romans, there are quite a few.
Cinnabar, which seems to have been known from a very remote period, was the name applied[42] to the red sulphide of mercury, and also to dragon’s blood. It is doubtless of the latter Pliny says “he believed to be the gore of a dragon crushed by the weight of a dying elephant, with a mixture of the blood of these animals”. Copperas, lead, alum, copper, and iron were used as styptics.
Cinnabar, which appears to have been recognized from a very early time, was the name given[42] to the red sulfide of mercury, as well as to dragon’s blood. Pliny certainly believed that the latter was the blood of a dragon that was crushed under the weight of a dying elephant, mixed with the blood of those animals. Copperas, lead, alum, copper, and iron were used as astringents.
Myrrh, frankincense, cardamoms, linseed, isinglass, and cobwebs were used as astringents.
Myrrh, frankincense, cardamom, flaxseed, isinglass, and cobwebs were used as astringents.
Galbanum, storax, bitumen, are recommended for promoting suppuration, while pennyroyal, sulphur, pellitory, stavesacre, ox-gall, scammony, rue, and opium were all included in their medical recipes.
Galbanum, storax, and bitumen are suggested for encouraging pus formation, while pennyroyal, sulfur, pellitory, stavesacre, ox-gall, scammony, rue, and opium were all part of their medicinal recipes.
Dioscorides was the first to attempt to record in anything like a methodical manner the many drugs and chemical substances used by the early Greeks.
Dioscorides was the first to try to systematically document the various drugs and chemical substances used by the early Greeks.
Pedacion Dioscorides, born in Anazaba in Cilicia, was a Greek physician, who lived in or about the second century. He gathered a great portion of his information on materia medica during his travels with the Roman army, which he accompanied on several expeditions in the capacity of physician. Afterwards he wrote his great work Peri Hules Iatrikes (about materia medica), which for fifteen centuries or more remained one of the chief authorities on that science. It treats[43] of all the medicines then in use, with their preparations and action as then known. The work of this early physician first appeared in a Latin translation in 1478; the first Greek edition being published in 1499. The work was afterwards translated into Spanish, Italian, French, German, and Arabic.
Pedanius Dioscorides, born in Anazarbos in Cilicia, was a Greek doctor who lived around the second century. He gathered much of his knowledge on materia medica during his travels with the Roman army, which he joined on several campaigns as a physician. Later, he wrote his renowned work Peri Hules Iatrikes (about materia medica), which remained one of the main references on that subject for over fifteen centuries. It covers all the medicines in use at that time, along with their preparations and effects as understood then. This early physician's work was first published in Latin in 1478, and the first Greek edition came out in 1499. The work was later translated into Spanish, Italian, French, German, and Arabic.
In describing the Papaver sativum and its virtues in this work, he says: “It is not improper to subjoin the method in which the opus or juice of it is collected. Some, then, cutting the poppy heads with the leaves, squeeze them through a press, and rubbing them in a mortar, form them into troches. This is called meconium, and is weaker than the opus. But whoever desires to gather the juice must proceed thus: After the heads are moistened with dew, let him cut round the * (asterisk) with a knife, but not penetrate through them, and from the sides cut straight lines in the surface, and draw off the tear that flows with his finger into a shell. And come again, not long after, for it will be found standing upon it; and the day following it will be found in the same manner.” Hence the old name poppy tears. Dioscorides was also learned in the preparation of wool fat, which he calls œsypum, known to modern pharmacists as lanoline. He says: “Œsypum is the oily part[45] collected from sordid wool, thus: The wool was washed in warm water and all its sordes expressed; the fat floated with a froth, and upon throwing in some sea-water it subsided; and when all the œsypum was obtained from it in this manner, it was purified by repeated affusions of water. When pure it had no sharp taste, and was in some degree astringent and appeared white, and was emollient and filled up ulcers.”
In describing the Papaver sativum and its benefits in this work, he writes: “It’s appropriate to add how the sap or juice is collected. Some people cut the poppy heads with the leaves, press them, and grind them in a mortar to make troches. This is called meconium and is less potent than the sap. But for those who want to gather the juice, here's how to do it: After the heads have been moistened with dew, cut around the * (asterisk) with a knife, but don’t cut all the way through. Then, make straight cuts in the surface from the sides and use your finger to collect the sap that flows into a shell. Come back shortly after, and you’ll find it sitting there; the next day it will still be there.” Hence the old name poppy tears. Dioscorides also knew how to prepare wool fat, which he calls œsypum, known to modern pharmacists as lanoline. He states: “Œsypum is the oily part[45] collected from dirty wool like this: The wool was washed in warm water to remove all the dirt; the fat floated on top with froth, and when some seawater was added, it sank. Once all the œsypum was collected in this way, it was purified through repeated rinses with water. When it was pure, it had no sharp taste, was somewhat astringent, appeared white, and was soothing and helped heal ulcers.”
Recent excavations made at Pompeii and Herculaneum have thrown some further light on various articles of materia medica as it existed in the days just preceding the destruction of those cities. Aloe seems to have been held in high esteem by the practitioners of the time, and was employed, we learn from the historian, in twenty-nine diseases. It was prescribed in doses from 1 to 111 drachmas (about 68 grains), and mixed with wine was employed to stimulate the growth of the hair. Aconite, we find, was used in four diseases; and was supposed to be an antidote to any poison which might exist in the system. Other remedies mentioned include gum acacia, colocynth, elaterium, gold, silver, copper, and elecampane. It is further recorded of the latter drug, that Julia Augusta, daughter of Augustus Cæsar, used to eat the root daily.
Recent excavations at Pompeii and Herculaneum have shed more light on various items of materia medica as they existed just before the destruction of those cities. Aloe appears to have been highly valued by the practitioners of the time and was used, as noted by the historian, for twenty-nine different diseases. It was prescribed in doses ranging from 1 to 111 drachmas (about 68 grains) and was mixed with wine to promote hair growth. Aconite was used for four diseases and was believed to be an antidote for any poison that might be in the body. Other remedies mentioned include gum acacia, colocynth, elaterium, gold, silver, copper, and elecampane. It is also noted that Julia Augusta, the daughter of Augustus Caesar, used to consume the root daily.
Of the vegetable remedies about 150 are enumerated, and of these the cabbage seems to have held a prominent place. Other favourite medicines were rye, garlic, anise, mallow, rose, and lily.
Of the vegetable remedies, about 150 are listed, and among these, cabbage appears to have been particularly popular. Other favored remedies included rye, garlic, anise, mallow, rose, and lily.
In the animal kingdom, the remedies contributed were numerous, being mainly the various parts of man and beast. Among some of the least disgusting, hair, blood, and saliva may be mentioned.
In the animal kingdom, the remedies provided were many, primarily consisting of different parts of humans and animals. Among some of the least unpleasant, hair, blood, and saliva can be noted.
Scrapings from the bodies of athletes, mixed with the oil with which they anointed themselves, were used as a tonic. The hair of a man torn from the cross was used as a remedy for quartan fever. The hyæna was employed as a medicinal agent in seventy-nine diseases; and the crocodile, chameleon, lion, elephant, camel, and the hippopotamus all contributed certain curative agents. Wool fat was held in great esteem.
Scrapings from athletes' bodies, mixed with the oil they used to anoint themselves, were used as a tonic. Hair from a man torn from the cross was treated as a remedy for quartan fever. The hyena was used as a medicinal treatment for seventy-nine diseases, and the crocodile, chameleon, lion, elephant, camel, and hippopotamus all provided certain healing properties. Wool fat was highly valued.
Of minerals, iron, lead, nitrum, salt, gold, tin, silver, realgar, copper, and misy (a combination of the sulphates of copper and iron) are enumerated. Most of these articles are mentioned by the second Pliny, who was killed during the eruption of Mount Vesuvius which buried Pompeii.
Of minerals, iron, lead, nitrum, salt, gold, tin, silver, realgar, copper, and misy (a mix of copper and iron sulfates) are listed. Most of these items are mentioned by the second Pliny, who died in the eruption of Mount Vesuvius that buried Pompeii.
CHAPTER VI.
ALCHEMY—THE ALCHEMISTS.
The word chemistry was used for the first time by Suidas, a lexicographer of the tenth century, and at that time meant an alloy of gold and silver. It is alluded to in connection with the Emperor Diocletian, of whom it is said, that irritated by a revolt of the Egyptians against the laws of the empire, he had all their books of chemistry committed to the flames, so as to punish them for their rebellion by preventing them from carrying on the lucrative business arising out of the melting and working of precious metals. There is little doubt the Egyptians and Greeks were acquainted with certain chemical operations, or what was termed the hermetic science, which was afterwards called alchemy in the first century of the Christian era.
The word chemistry was first used by Suidas, a lexicographer from the tenth century, and back then it referred to an alloy of gold and silver. It’s mentioned in relation to Emperor Diocletian, who, angry about a rebellion by the Egyptians against the empire’s laws, ordered all their chemistry books to be burned. This was to punish them for their rebellion by stopping them from continuing the profitable work of melting and processing precious metals. There’s little doubt that the Egyptians and Greeks knew about certain chemical processes, or what was called hermetic science, which later became known as alchemy in the first century of the Christian era.
The first two great lights that appeared were Al-Chindus, and Geber who discovered the red oxide and bichloride of mercury, nitric acid, hydrochloric acid, and nitrate of silver. Geber’s Summa Perfectionis and Liber Philisophorum embody[48] his researches on the purification and malleability of metals. In the ninth century, the Arab alchemist Rhazes flourished. In his great work entitled El Hharvi, he alludes to realgar, orpiment, borax, mixtures of sulphur and iron with copper, and of mercury with acids, and arsenic. He further recommends physicians to use alcoholic preparations and animal oils, etc. He states: “The secret art of chemistry is nearer possible than impossible; the mysteries do not reveal themselves except by force of labour and perseverance. But what a triumph it is when man can raise a corner of the veil which conceals the works of God!” The knowledge displayed of chemistry and its application to the arts at that early period is wonderful, but books were few. The chief evidence of this knowledge is exhibited in the many specimens and art monuments in the museums of Spain, showing the skill of the Saracens and of the Moors.
The first two major figures in chemistry were Al-Chindus and Geber, who discovered red oxide, bichloride of mercury, nitric acid, hydrochloric acid, and nitrate of silver. Geber's Summa Perfectionis and Liber Philisophorum contain[48] his research on purifying and shaping metals. In the ninth century, the Arab alchemist Rhazes emerged. In his significant work titled El Hharvi, he mentions realgar, orpiment, borax, and mixtures of sulfur and iron with copper, as well as mercury and acids, and arsenic. He also advises doctors to use alcoholic preparations and animal oils, among other things. He states: “The secret art of chemistry is more possible than impossible; the mysteries only reveal themselves through hard work and perseverance. But what a victory it is when one can lift a corner of the veil that hides the works of God!” The understanding of chemistry and its application to the arts at that time is remarkable, but books were scarce. The primary evidence of this knowledge can be seen in the various specimens and art pieces in the museums of Spain, showcasing the skill of the Saracens and Moors.
A little later Mesué states, “certain principles had been recognised as to the analytical classification of the bodies which compose organic matter”.
A little later, Mesué states, “certain principles had been recognized regarding the analytical classification of the substances that make up organic matter.”
Of the ancient necromancers who have figured in history and romance, Merlin was perhaps the most extraordinary. The earliest mention of[49] his name is in records of the eleventh century, although he appears to have flourished about the time of the Saxon invasion of Britain, in the latter part of the fifth century.
Of the ancient necromancers who have appeared in history and stories, Merlin was probably the most remarkable. The first mention of[49]his name is found in records from the eleventh century, although it seems he was active around the time of the Saxon invasion of Britain, in the late fifth century.
He is first mentioned in connection with the fortune of Vortigern, who is represented by Geoffrey of Monmouth, as at that time King of England. Vortigern having lost all his strongholds in his struggle with the Saxons, at length consulted his magicians as to how he was to defend himself from his troublesome foe. They advised him to build an impregnable tower, and chose a suitable site for its erection. The builders set to work with might and main, but were astonished to find, that as fast as they built in one day, the next morning the earth had swallowed it up, and not a vestige remained. So the king called the wise men together again, when they arrived at the conclusion that the only way to remedy the matter was to cement the walls of the tower with the blood of a human being who was born of no human father.
He is first mentioned in connection with the fortune of Vortigern, who Geoffrey of Monmouth portrays as the King of England at that time. After losing all his strongholds in his battle against the Saxons, Vortigern finally consulted his magicians on how to defend himself from his troublesome enemy. They advised him to build an unbreakable tower and selected a suitable site for its construction. The builders got to work with great effort, but were shocked to discover that whatever they built during the day was gone by the next morning, as the earth had swallowed it up, leaving no trace. So, the king gathered the wise men again, and they concluded that the only way to solve the problem was to seal the walls of the tower with the blood of a human being who was born without a human father.
Vortigern at once sent forth emissaries to scour the country in search of this rara avis, and at length by good fortune they came across Merlin, near the town of Caermarthen in Wales, who claimed that his mother was the daughter of a king but his father was an angelic being. The[50] king’s emissaries evidently took his word for it, as they speedily carried him before Vortigern. A great meeting of the magicians was called, at which the king presided, and Merlin, instead of being condemned as the victim, confounded the wise men, and told the king the ground they had chosen for his tower had a lake beneath it, at the bottom of which, on being drained, they would find two dragons of inextinguishable hostility. Under the form of dragons he appears to have figured the Britons and Saxons in his speech, “all of which,” the historian tells us, “proved to be true”.
Vortigern immediately sent messengers to search the country for this rara avis, and eventually, they found Merlin near the town of Caermarthen in Wales. He claimed that his mother was the daughter of a king and his father was an angel. The[50] king's messengers clearly believed him, as they quickly brought him before Vortigern. A large gathering of magicians was called, with the king in charge, and instead of being punished, Merlin amazed the wise men. He told the king that the spot they chose for his tower had a lake beneath it, and if drained, they would find two dragons locked in eternal conflict. He seemed to represent the Britons and Saxons through the dragons in his speech, “all of which,” the historian tells us, “proved to be true.”
But the greatest exploit with which Merlin is credited, according to tradition, is the erection of Stonehenge as a lasting monument to the 300 British nobles massacred by the Saxons. It is supposed that these mighty stones had been originally set up in Africa, and from thence were transported to Ireland. Merlin commanded that they should be carried over the sea, and erected on Salisbury Plain; but no workman could be found to move them. He therefore brought his magical power to bear on the huge stones, and by this means they were caused to take the form in which they now stand.
But the greatest feat that Merlin is known for, according to tradition, is building Stonehenge as a lasting tribute to the 300 British nobles killed by the Saxons. It’s said that these giant stones were originally set up in Africa and then transported to Ireland. Merlin ordered that they be brought across the sea and erected on Salisbury Plain; however, no worker could be found to move them. He then used his magical powers on the massive stones, and with that, they were made to take the shape they have today.
Of the other wonderful stories which romance has woven round the career of this strange individual,[51] we can only say they are interesting, if not exactly true. As 600 years elapsed between the time of Merlin and the earliest known records of his achievements, it is impossible to pronounce on their veracity.
Of the other amazing stories that romance has created about this unusual person,[51] we can only say they are fascinating, if not entirely accurate. Since 600 years passed between Merlin's time and the earliest documented accounts of his feats, it’s impossible to determine their truthfulness.
Among the more famous of the early alchemists was St. Dunstan, who flourished in the tenth century; but, if tradition speaks truly, he was anything but a saint in character. He is said to have been a man of distinguished birth, who in his young days lived a life of great self-indulgence, even for that period of peculiar morality. At length, he was seized with a dangerous illness which threatened to terminate his career; but at the last extremity an angel appeared, bringing a medicine which speedily restored him to health. Hastening to the nearest church to return thanks, he was stopped by the devil with a pack of black dogs, whom however he speedily put to flight. In order to expiate his former irregularities, he now secluded himself in the abbey of Glastonbury, where he occupied a cell in which he could neither stand upright nor stretch his limbs in repose, and mortified his flesh exceedingly. Here he studied alchemy and magic, in which arts he soon became well versed. While in this cell, he is said to have had the most extraordinary visitations, and[52] among others the devil was constantly thrusting his head in at the window and taunting the saint, while immersed in his studies. At length, one day, wearied out, Dunstan lost all patience, and seizing his red-hot tongs from the little furnace in which he conducted his chemical operations, caught the devil by the nose, and held him firmly, “while the bellowings of Satan,” says the historian, “filled the whole neighbourhood for many miles round”. This incident is frequently represented in ancient carvings.
Among the more famous early alchemists was St. Dunstan, who thrived in the tenth century; however, if tradition is to be believed, he was far from a saint in terms of character. He's said to have been of noble birth and, in his youth, lived a life of significant self-indulgence, even by the standards of that time. Eventually, he fell seriously ill, with his life hanging in the balance; but in his darkest hour, an angel appeared, bringing a medicine that quickly restored his health. Rushing to the nearest church to give thanks, he was confronted by the devil, accompanied by a pack of black dogs, whom he swiftly scared away. To atone for his past misdeeds, he isolated himself in the abbey of Glastonbury, where he lived in a cramped cell that didn't allow him to stand upright or stretch out comfortably, and he severely punished his body. During this time, he studied alchemy and magic, becoming quite skilled in both. While in this cell, he reportedly experienced extraordinary visitations, and among others, the devil frequently poked his head through the window, taunting the saint as he focused on his studies. One day, completely fed up, Dunstan lost all patience and grabbed his red-hot tongs from the small furnace where he carried out his experiments, caught the devil by the nose, and held him tight, “while the bellowings of Satan,” according to the historian, “filled the whole neighborhood for many miles around.” This incident is often depicted in ancient carvings.
Dunstan was a Benedictine monk, and next came forth and took a prominent part in political and religious matters. He seems to have been the king-maker of his time, and took a prominent part in the ruling of the kingdom during the reigns of Edwy and Edgar.
Dunstan was a Benedictine monk who then became actively involved in political and religious affairs. He appears to have been the king-maker of his era and played a significant role in governing the kingdom during the reigns of Edwy and Edgar.
In the accompanying illustration the alchemist, with uplifted torch, is repeating the specified incantation over the still, under which he has just kindled a fire, having commenced the preparation of the “Elixir of Life”.[53]
In the illustration provided, the alchemist, holding a raised torch, is reciting the stated incantation over the still, beneath which he has just lit a fire, beginning the process of creating the “Elixir of Life”.[53]
In the year A.D. 1260, Albertus Magnus, formerly a Dominican monk, was made master of the sacred palace at the court of Rome, and afterwards Bishop of Ratisbon. This great philosophical student was learned in all the then known arts of chemistry, and his manuscripts[54] and works were copied by the thousand. All kinds of extraordinary powers were attributed to him, and it was commonly stated that he could make gold, and that he was a magician. Accused of “having dealings” with the evil one, he resigned his high position and returned to his cloistered cell to carry on his favourite researches and end his days. Next we come to Vincent de Beauvais, often called the Pliny of the middle ages. He, too, was accused of sorcery, and it is said that “at midnight people would creep along the quays of the Seine towards his laboratory in St. Chapelle yard, to see if they could get a glimpse reflected in the river of the magic furnaces in which De Beauvais was supposed to evoke his familiar spirit”.
In the year CE 1260, Albertus Magnus, who was once a Dominican monk, was appointed master of the sacred palace at the court of Rome and later became the Bishop of Ratisbon. This great philosophical scholar was knowledgeable in all the currently known arts of chemistry, and his manuscripts[54] and works were copied thousands of times. People attributed all kinds of extraordinary powers to him, and it was commonly said that he could create gold and that he was a magician. Accused of “having dealings” with the devil, he resigned from his high position and returned to his cloistered cell to continue his favorite research and spend his remaining days. Next, we come to Vincent de Beauvais, often referred to as the Pliny of the Middle Ages. He, too, was accused of sorcery, and it is said that “at midnight people would sneak along the quays of the Seine towards his laboratory in St. Chapelle yard, hoping to catch a glimpse reflected in the river of the magic furnaces where De Beauvais was believed to summon his familiar spirit.”
About the same time Raymond Lulli became known to fame. He also was a monk, and born in the island of Majorca, but having a roving disposition he wandered over Europe. He wrote several works on alchemy, among others Libilli Aliquot Chemici, etc. Fabulous stories are related of his adventures; and he was cruelly stoned to death by the populace in Tunis, in 1315. He left behind him a following of believers, who called themselves Lullists and spread all over Europe. The genius of the West at this time was Arnauld de Villeneuve,[55] who made several important discoveries in chemistry. His researches were particularly directed to the relation of chemistry to medicine. He is credited with having discovered sulphuric and other acids, and is said to have been the first to distil alcohol or spirit of wine.
Around the same time, Raymond Lulli became famous. He was also a monk, born on the island of Majorca, but because he had a wandering spirit, he traveled all over Europe. He wrote several works on alchemy, including Libilli Aliquot Chemici, among others. Incredible stories are told about his adventures, and he was brutally stoned to death by the people in Tunis in 1315. He left behind a group of followers who called themselves Lullists, and they spread throughout Europe. At this time, the leading thinker in the West was Arnauld de Villeneuve,[55] who made several significant discoveries in chemistry. His research focused particularly on the relationship between chemistry and medicine. He is credited with discovering sulfuric and other acids and is said to be the first to distill alcohol or spirits.
Contemporary with these men of learning was our own Roger Bacon, whose love for his art nearly cost him his life, besides many years in prison. The discoverer of gunpowder and the telescope spent most of his life in experimental researches, with the result that he revolutionised the art of war, and gave to astronomers the power of exploring the heavens. He was a man of great ability, never justly appreciated by his contemporaries, and has been rightly named the father of experimental physics. He described most of the laws which regulate matter, and the regular motion of the planets. Although a man of undoubted knowledge and great power of conception, he was bitten with the mania of endeavouring to discover the philosopher’s stone, his views respecting which he set forth in his work entitled Radix Mundi. Following Bacon came Antonio Quainer, of Pavia, who was the first to manufacture artificial mineral waters.
Contemporary with these scholars was our own Roger Bacon, whose passion for his work nearly cost him his life, along with many years in prison. The inventor of gunpowder and the telescope spent most of his life conducting experimental research, which led to a revolution in military operations and gave astronomers the ability to explore the universe. He was an exceptionally talented individual who was not truly appreciated by his peers and has rightly been called the father of experimental physics. He described many of the laws that govern matter and the predictable movement of the planets. Although a man of undeniable knowledge and great visionary ability, he was obsessed with the pursuit of discovering the philosopher’s stone, which he discussed in his work titled Radix Mundi. After Bacon came Antonio Quainer from Pavia, who was the first to create artificial mineral waters.
It has been said by some that the discoveries made by the alchemists were mainly the result of chance, and they were mostly ignorant charlatans; but although they had little method in their research, and a great deal of their knowledge was wrapped up in absurd and superstitious theories, when we look at the result of their discoveries up to the fifteenth century, the most prejudiced must admit that their labours were not spent entirely in vain. They demonstrated the existence of bismuth, liver of sulphur, and regulus of antimony, the distillation of alcohol, volatilisation of mercury, and preparation of aqua regia, sulphuric and other mineral acids, and the purification of alkalies. They had the scarlet dye for cloth, the secret of which has now been lost and cannot be equalled, and their processes of glass-staining cannot be approached by those employed at the present day. It is said that Eck, a German alchemist of Sultzbach, ascertained the existence of oxygen 300 years before it was demonstrated by Priestly. For these and other discoveries we have to thank the early alchemists.
Some people have claimed that the discoveries made by alchemists were mostly just a result of luck and that they were largely ignorant frauds; however, even though their research lacked a proper method and much of their knowledge was tied up in ridiculous and superstitious beliefs, if we consider the results of their discoveries up to the fifteenth century, even the most biased must admit that their efforts were not entirely wasted. They showed the existence of bismuth, liver of sulfur, and regulus of antimony, discovered the distillation of alcohol, and the volatilization of mercury, as well as the preparation of aqua regia, sulfuric and other mineral acids, and the purification of alkalis. They produced a scarlet dye for fabric, the secret of which has now been lost and is unmatched, and their glass-staining techniques cannot be matched by those used today. It's said that Eck, a German alchemist from Sultzbach, identified the existence of oxygen 300 years before it was proven by Priestley. For these and other discoveries, we owe a debt to the early alchemists.
During the fifteenth and sixteenth centuries alchemy began to shake itself free from the wild theories and absurd practices which had impeded its progress. Henry VII. issued a severe edict[57] against alchemical practices, which put a stop to the impositions of a number of charlatans. About this period John Baptist Porta discovered the means of reducing the metallic oxides and of colouring silver, and Isaac and Jean Hollandus made great improvements in enamelling, and demonstrated the manufacture of artificial gems.
During the 15th and 16th centuries, alchemy started to break free from the wild theories and ridiculous practices that had held it back. Henry VII. issued a strict edict[57] against alchemical practices, which stopped the tricks of many con artists. Around this time, John Baptist Porta discovered how to reduce metallic oxides and color silver, while Isaac and Jean Hollandus made significant advancements in enameling and showed how to create artificial gems.
From the time of Paracelsus and the introduction of printing, the science received a fresh impetus, and a new order of chemists came into being, whose conflict with the old order for many years is a matter of history.
From the time of Paracelsus and the introduction of printing, science gained new momentum, and a new generation of chemists emerged, whose struggle with the old order has been a historical topic for many years.
The old theories of the alchemists were gradually exploded and superseded, and many were driven to the most flagrant quackery to earn a living.
The old theories of the alchemists were slowly debunked and replaced, and many resorted to the most outrageous scams to make a living.
Cornelius Agrippa, who was one of the leaders of the new order, says: “It would take too much time to recount all the follies, the idle secrets, and the enigmas of this trade, of the green lion, the fugitive stag, the flying eagle, the inflated toad, the crow’s head of the black blacker than the black, of the seal of Mercury, of the mud of wisdom, and other countless absurdities of the time. Many of them travelled from fair to fair in order to make a little money by the sale of white lead, vermilion, antimony, and other drugs used by women for painting the face, and[58] drugs which the Scripture calls ointments of lust.” Meanwhile the efforts of the practical workers were encouraged by administrators and princes, with the result that the application of chemistry and the technical arts became predominant, and metallurgy the leading spirit of the science.
Cornelius Agrippa, one of the leaders of the new order, says: “It would take too long to list all the foolishness, the pointless secrets, and the puzzles of this trade, like the green lion, the wandering stag, the flying eagle, the inflated toad, the crow’s head darker than the darkest black, the seal of Mercury, the mud of wisdom, and countless other absurdities of the time. Many of them traveled from fair to fair to make a little money selling white lead, vermilion, antimony, and other substances women used for makeup, and[58] substances that Scripture calls ointments of lust.” Meanwhile, the efforts of the practical workers were supported by administrators and princes, leading to the dominance of chemistry and technical arts, with metallurgy becoming the main focus of the science.
A notable character in the time of Queen Elizabeth was Dr. Dee, alchemist and astrologer. The career of this man, who was more a charlatan than aught else, was one of extraordinary vicissitude. A Welshman by birth, he was educated at Oxford, and then travelled throughout Europe, claiming that he had discovered the elixir of life and the philosopher’s stone. He was a man of overweening ambition, and delighted to hear himself called “Most Excellent”. In company with a man named Kelly, it is said he discovered a quantity of the elixir in the ruins of Glastonbury Abbey; this they at once annexed and carried off to Poland, accompanied by a nobleman of that country. After travelling from one Court to another, where he is said to have performed wonderful feats with his elixir, he returned to England and settled at Mortlake, where Elizabeth often visited him to consult him on astrology, and he even ventured to predict her death.[3] He[59] was a great favourite at Court in 1595, and the Queen made him Chancellor of Paul’s and Warden of Manchester, but he died in great poverty.
A notable figure during Queen Elizabeth’s reign was Dr. Dee, an alchemist and astrologer. His career, which was more about show than substance, was filled with extreme ups and downs. Born in Wales, he was educated at Oxford and then traveled across Europe, claiming he had found the elixir of life and the philosopher’s stone. He was a man of excessive ambition and loved being called “Most Excellent.” Alongside a man named Kelly, he supposedly discovered some of the elixir in the ruins of Glastonbury Abbey; they quickly took it and brought it to Poland, accompanied by a nobleman from that country. After moving from one court to another, where he reportedly performed amazing feats with his elixir, he returned to England and settled in Mortlake, where Elizabeth often visited him for astrology consultations, and he even dared to predict her death.[3] He[59] was a favorite at court in 1595, and the Queen appointed him Chancellor of Paul’s and Warden of Manchester, but he died in great poverty.
The illustration represents an alchemist of the sixteenth century in an ante-room of his laboratory, engaged in fixing a portion of his apparatus. On the table is his luting box and knife. Through one window a view of the laboratory with stills of varied size is obtained, while through the other the sun looks with becoming gravity on the operation.
The illustration shows a sixteenth-century alchemist in a small room off his lab, working on a part of his equipment. On the table are his luting box and knife. One window provides a view of the laboratory filled with stills of different sizes, while the other window lets in the sunlight, casting a serious glow on the work he’s doing.
The Alchemists' Symbols.
As in modern science chemists write their formulæ and work out their processes by means of symbols, so the alchemists used signs and hieroglyphics to represent the then known elements, metals, and other articles in common use. The so-called elements—fire, air, water, earth—were represented by special symbols, here represented. The metals were supposed to be influenced by the planets to a certain degree, and were represented by their corresponding signs. Various other articles also had their symbols, which served as a means of shorthand at a period when caligraphy was little known or employed.
Just like modern chemists use symbols to write their formulas and work through their processes, alchemists used signs and hieroglyphics to represent the elements, metals, and other everyday items of their time. The elements—fire, air, water, and earth—were depicted with specific symbols, as shown here. It was believed that the planets had some influence over the metals, which were represented by corresponding signs. Many other materials also had their own symbols, functioning as shorthand during a time when handwriting skills were not well developed or commonly used.

Symbols for: Fire. Air. Water. Earth. Lead. Tin. Iron. Gold. Copper. Mercury. Silver. Antimony. Arsenic. Aqua Vitæ. Borax. To Purify. Cinnabar. Caput Mortuum. An Oil. Saltpetre. A Magnet. Sal Ammoniac. Sulphur. Tartar. A Covered Pot. To Sublime. To Precipitate.
Symbols for: Fire. Air. Water. Earth. Lead. Tin. Iron. Gold. Copper. Mercury. Silver. Antimony. Arsenic. Aqua Vitæ. Borax. To Purify. Cinnabar. Caput Mortuum. An Oil. Saltpetre. A Magnet. Sal Ammoniac. Sulphur. Tartar. A Covered Pot. To Sublime. To Precipitate.

Symbols for: Spirit of Wine. Roman Symbol for Denarius. To Digest. To Distil. Aqua Fortis. Aqua Regalis. A Brick. To Calcine. Camphire. Ashes. Cerusse. Lime. Quicklime. Cinnabar. Wax. Hartshorn. A Crucible. Crystal. A Gum. Oil. Steel Filings. Litharge.
Symbols for: Spirit of Wine. Roman Symbol for Denarius. To Digest. To Distill. Aqua Fortis. Aqua Regalis. A Brick. To Calcine. Camphire. Ashes. Cerusse. Lime. Quicklime. Cinnabar. Wax. Hartshorn. A Crucible. Crystal. A Gum. Oil. Steel Filings. Litharge.

Symbols for: To Lute. Sublimated Mercury. Precipitated Mercury. Nitre. Realgar. Sand. Soap. Sal Alkali. Sal Ammoniac. Salt. Talc. Vinegar. Verdigris. Vitriol. Urine. Day. Night.
Symbols for: To Lute. Sublimated Mercury. Precipitated Mercury. Nitre. Realgar. Sand. Soap. Sal Alkali. Sal Ammoniac. Salt. Talc. Vinegar. Verdigris. Vitriol. Urine. Day. Night.
CHAPTER VII.
The Philosopher's Stone.
The dominating ambition of the early alchemists was to discover the unknown. In the same spirit the modern worker in science gropes onward, and dreams of discovering some contribution towards solving the elixir of life, in the form, it may be, of conquering at least one fell disease. The ancient workers in alchemy confined their researches almost exclusively to metals; they believed that all natural things were composed of four elements, which they termed Fire, Air, Earth, and Water. “When these four elements are conjoined,” says Roger Bacon, in his Radix Mundi, “they become another thing, whereas it is evident that all things in Nature are composed of the said elements being altered and changed.”
The main goal of early alchemists was to uncover the unknown. In the same way, today’s scientists continue to move forward, hoping to make some discovery that could help solve the mystery of life, perhaps by defeating at least one terrible disease. The ancient alchemists focused mostly on metals; they believed everything in nature was made up of four elements, which they called Fire, Air, Earth, and Water. “When these four elements come together,” says Roger Bacon in his Radix Mundi, “they become something new, while it’s clear that everything in Nature is composed of these elements, changing and transforming.”
But the patient researches of the alchemists were not so much due to a love for scientific investigation as to the overwhelming desire to gain wealth.
But the careful work of the alchemists was driven more by their intense desire for wealth than by a passion for scientific exploration.
The majority had two fixed objects in view as the goals of their ambition, one being the discovery of some body that would be capable of transmuting the baser metals into gold and silver; and the other, the discovery of an elixir which would prolong the span of human life to an indefinite period. Both these objects seem to[66] have been sought for by man from prehistoric times, and their origin is lost in antiquity. Berthelot remarks that the term “Philosopher’s Stone” does not occur in writings earlier than the seventh century, although the central idea is much more ancient.
The majority had two main goals in mind as their ambitions: one was to find a substance that could turn base metals into gold and silver, and the other was to discover an elixir that could extend human life indefinitely. Both of these goals seem to[66]have been pursued by humans since prehistoric times, and their origins are lost in history. Berthelot points out that the phrase “Philosopher’s Stone” doesn't appear in writings earlier than the seventh century, although the core idea is much older.
The philosopher’s stone was sought for by the Chinese philosophers at a very remote period, afterwards by the Greeks, Arabs, and others down to the seventeenth century.
The philosopher’s stone was sought after by Chinese philosophers a long time ago, then by the Greeks, Arabs, and others, continuing up until the seventeenth century.
Men of undoubted ability and genius wasted both their lives and their fortunes over the search for this illusive chimera, and others condescended to fraud and trickery of the meanest description in its pursuit. Apparently no alchemist of any repute thought it right to die until he had at least claimed to have solved one of these great problems. Thus claimants to the discovery were numerous. The descriptions given of the various processes in ancient manuscripts and works for producing the philosopher’s stone are usually of a very elaborate description, and couched in the most fantastic language.
Men of undeniable talent and genius wasted both their lives and fortunes searching for this elusive dream, while others resorted to fraud and petty trickery in its pursuit. It seems that no reputable alchemist considered it acceptable to die without at least claiming to have solved one of these significant problems. Consequently, there were many who claimed to have made the discovery. The descriptions of the different processes in ancient manuscripts and works for creating the philosopher's stone are often very detailed and written in the most extravagant language.
Failure to produce the desired result was invariably accounted for by the omission to carry out some minute detail. Some who professed to have discovered the secret demanded large sums of money to reveal it, and several visited the[67] various courts of Europe to demonstrate it by means of trickery and conjuring.
Failure to achieve the expected outcome was always attributed to missing some small detail. Some who claimed to have found the secret asked for large amounts of money to share it, and several traveled to the[67] different courts across Europe to showcase it through deception and magic tricks.
The notorious Dr. Dee, who flourished in the time of Queen Elizabeth, was one of the last claimants to the discovery, and is said to have received immense sums of money from dupes for imparting the coveted secret, which he demonstrated by means of an ingenious trick.
The infamous Dr. Dee, who thrived during Queen Elizabeth's reign, was one of the final claimants to the discovery and is said to have made huge amounts of money from gullible people for sharing the sought-after secret, which he showcased through a clever trick.
Realgar, mercury, sulphur, and many other substances were credited with the magical property of transmutation.
Realgar, mercury, sulfur, and many other substances were believed to have the magical ability to transform one material into another.
In the illustration (p. 65), which is taken from an authentic engraving of the sixteenth century, we have a figure of the apparatus used for distilling the “Water of Life,” the process for which is described by Gesnerus in the Newe Jewell of Health, printed in 1576. The alchemist, arrayed in his imposing robes, is depicted giving instructions to his assistant as to certain precautions to be taken in conducting the process.
In the illustration (p. 65), which comes from a genuine engraving from the sixteenth century, we see a depiction of the equipment used for distilling the “Water of Life.” The process is explained by Gesnerus in the Newe Jewell of Health, published in 1576. The alchemist, dressed in his elaborate robes, is shown instructing his assistant on some safety measures to follow while carrying out the process.
Bacon states that sulphur and mercury are the mineral roots and natural principles upon which Nature herself acts and works in the mines and caverns of the earth; the latter metal he believed to be the true elixir of the philosopher’s stone; others, including Rhazes and Merlin, believed it to be an amalgam of gold and mercury, fantastically called the Red man and his White wife.
Bacon says that sulfur and mercury are the fundamental elements and natural principles that Nature uses to operate in the mines and caves of the earth; he thought the latter metal was the real elixir of the philosopher’s stone; others, like Rhazes and Merlin, believed it was a mix of gold and mercury, fancifully referred to as the Red man and his White wife.
Concerning the vessels for producing this “Citrine body,” as Bacon calls it, the most exact precautions were taken. Special apparatus was used, and a special heat, which was not to exceed the heat of the body. For this purpose horse-dung was employed. Senier, the philosopher, says: “Dig a sepulchre and bury the woman (mercury) with her man (gold) in horse-dung, the fire of the philosopher, until such time as they be conjoined”.
Concerning the containers used to create this “Citrine body,” as Bacon refers to it, the most careful precautions were taken. Special equipment was used, and the heat applied was not to exceed the temperature of the body. For this, horse manure was utilized. Senier, the philosopher, says: “Dig a grave and bury the woman (mercury) with her partner (gold) in horse manure, the fire of the philosopher, until they are united.”
Bacon’s definition of alchemy was: “Alchymie is the art or science teaching how to make or generate a certain kind of medicine which is called the elixir. It teaches how to transmute all kinds of metals, one with another; and this by a proper medicine.” George Ripley, a monk, in 1476, thought that he had discovered the much-coveted stone in pure sulphur. He says: “Let the two sulphurs, viz., the white and the red, be mingled with the oil of the white elixir that they may work the more strongly, and you shall have the highest medicine in the world to heal and cure human bodies, and to transmute the bodies of metals into the most pure fine gold and silver”. Berthelot, who has made an exhaustive study of the subject, comes to the conclusion that the doctrines of alchemy concerning the transmutation of metals, did not[69] originate in the philosophical views of the constitution of matter as generally supposed, but in the practical experiments of goldsmiths occupied in making fraudulent substitutes for the precious metals. One cannot but think with pity of the immense labour expended and lost in the attempt made by many of these pioneers of science in their pursuit after this chemical chimera.
Bacon defined alchemy as: “Alchemy is the art or science that teaches how to create a specific type of medicine known as the elixir. It shows how to transform all types of metals into one another using the right medicine.” George Ripley, a monk, believed he discovered the much-sought-after stone in pure sulfur back in 1476. He stated: “Let the two sulfurs, namely, the white and the red, be mixed with the oil of the white elixir so they can work more effectively, and you will have the most powerful medicine in the world to heal and cure human bodies, and to turn metals into pure gold and silver.” Berthelot, who conducted an extensive study on the topic, concluded that the beliefs of alchemy regarding the transformation of metals did not originate from the philosophical ideas about the nature of matter as commonly thought, but rather from the practical experiments of goldsmiths trying to create fraudulent alternatives for precious metals. One can’t help but feel pity for the immense effort wasted by many of these early scientists in their search for this chemical illusion.
Paracelsus, as well as his predecessors, laboured studiously to discover some method for prolonging life. Like Bacon and Verulam, he maintained that the human body could be rejuvenated to a certain extent by a fresh supply of vitality, and it was his aim to find means by which such a supply could be obtained. In one of his works he gives the following reasons for this belief: “Metals may be preserved from rust and wood may be protected against rot. Blood may be preserved a long time if the air is excluded. Egyptian mummies have kept their form for centuries without undergoing putrefaction. Animals awaken from their winter sleep, and flies having become torpid from cold become nimble again when they are warmed. Therefore, if inanimate objects can be kept from destruction, why should there be no possibility to preserve the life-essence of animate forms?” For this purpose he prepared a remedy he called Primum[70] Ens Melissæ, which was made by dissolving pure carbonate of potass, and macerating in the liquid the fresh leaves of the melissa plant. On this absolute alcohol was poured several times in successive portions to absorb the colouring matter, after which it was collected, distilled, and evaporated to the thickness of a syrup. The second great secret elixir of Paracelsus was his Primum Ens Sanguinis. This was prepared by mixing blood from the medium vein of a healthy young person, and digesting it in a warm place with twice its quantity of alcahest, after which the red fluid was to be separated from the sediment, filtered, and preserved.
Paracelsus, along with his predecessors, worked hard to find a way to extend life. Like Bacon and Verulam, he argued that the human body could be rejuvenated to some degree through a fresh intake of vitality, and he aimed to discover methods for obtaining such a supply. In one of his writings, he provided the following reasons for his belief: “Metals can be protected from rust and wood can be kept safe from rot. Blood can be preserved for a long time if it is kept away from air. Egyptian mummies have maintained their shape for centuries without decaying. Animals can wake from their winter hibernation, and flies that have become sluggish from the cold can become active again when warmed. So, if inanimate objects can be prevented from deteriorating, why shouldn't it be possible to preserve the life essence of living beings?” To achieve this, he created a remedy he called Primum[70] Ens Melissæ, which was made by dissolving pure potash and soaking fresh leaves of the melissa plant in the liquid. Absolute alcohol was then poured over it several times to extract the color, after which it was collected, distilled, and evaporated to a syrup-like thickness. The second major secret elixir of Paracelsus was Primum Ens Sanguinis. This was prepared by mixing blood from the medium vein of a healthy young person and digesting it in a warm place with twice its volume of alcahest, after which the red liquid was to be separated from the sediment, filtered, and preserved.
The alcahest was his celebrated universal medicine, and was considered the greatest mystery of all. It was made with freshly prepared caustic lime and absolute alcohol. These were distilled together ten times. The residue left in the retort was mixed with pure carbonate of potass and dried. This was again distilled with alcohol. It was then placed in a dish and set on fire, and the residue that remained was the alcahest.
The alcahest was his famous universal medicine and was regarded as the ultimate mystery of all. It was made with freshly prepared caustic lime and pure alcohol. These were distilled together ten times. The leftover material in the retort was mixed with pure potassium carbonate and dried. This was then distilled again with alcohol. Finally, it was placed in a dish, set on fire, and the remaining residue was the alcahest.
The following lines were found inscribed on the fly-leaf of an old work on alchemy, printed in 1550, and signed “Philo Veritas”:—[71]
The following lines were found written on the fly-leaf of an old book on alchemy, printed in 1550, and signed “Philosophy of Truth”:—[71]
When fire and water, earth and air In the genuine connection of love, we are brought together,
For all diseases, make sure to You have a reliable and guaranteed cure.
I'll confirm it's just here. The Philosopher's Stone exists.
This is the pure root of nature, Three times blessed are those who gather the harvest: But oh! where one true expert is found,
Ten million cheats abound.
In an ancient work in the library of York Minster, the writer came across the following in manuscript, signed “Raymund Lulli”:—
In an old book in the library of York Minster, the writer found the following in a manuscript, signed “Raymond Lully”:—
A neutral mercury-like substance that costs almost nothing,
It's bought with money by many; And our money isn't just our ox-tail too, About the sun and the moon; that’s what Raymund said.
CHAPTER VIII.
THE DARK ARTS AND OCCULT SCIENCES.
To make a thorough analysis of this interesting subject, and trace the origin of magic, would take much more space than we have at our command; and we can only mention a few of the many forms which may be grouped under the head of the occult sciences, and those especially which had any connection with the alchemists. There is little doubt that most of the alchemists were students, if not practitioners, of magic or some of its branches.
To conduct a comprehensive analysis of this fascinating topic and explore the origins of magic would require much more space than we have available; we can only highlight a few of the numerous forms that can be categorized under the umbrella of occult sciences, especially those that are related to the alchemists. There's little doubt that most alchemists were either students or practitioners of magic or some of its branches.
The antiquity of magic is very great; and we have record of magicians and wise men in early Jewish times, as well as the magic formulæ of the Vedas in India, as handed down to us in the religion of the Hindoos. Moreover, magic was practised by the Chaldeans, of whom a certain tribe devoted their energies to studying the occult sciences. Pliny tells us of the dealings in the supernatural in the time of Homer, and other writers record that magic was also known to the Etruscans and Assyrians at a very early period.[73] As time rolled on, the different forms of magic practised became specialised, according to their several natures. For instance, there were Astrology and Oneiromancy, which comprised the various forms of divination; Theurgy and Goetry, the art of evoking good or evil spirits; Necromancy, by means of which communication was held with the dead; and Sorcery, which exercised its power by the influence of dreams.
The history of magic goes back a long way; we have records of magicians and wise individuals from early Jewish times, as well as the magical practices found in the Vedas of India that have been passed down through Hinduism. Additionally, magic was practiced by the Chaldeans, with one particular tribe focusing on studying the occult sciences. Pliny mentions supernatural occurrences in the time of Homer, and other writers noted that magic was known to the Etruscans and Assyrians at a very early time.[73] As time progressed, the various forms of magic became specialized based on their specific characteristics. For example, there was Astrology and Oneiromancy, which involved different methods of divination; Theurgy and Goetry, which dealt with summoning good or evil spirits; Necromancy, which allowed communication with the dead; and Sorcery, which exerted its influence through dreams.
The longings after the supernatural and unknown felt by the great ignorant masses brought forth individuals in plenty to take advantage of their credulity. During the thirteenth and fourteenth centuries the occult sciences were openly taught in the universities and schools, and 200 years later reached the zenith of their influence; and practitioners of astrology and the black arts abounded and flourished throughout Europe.
The desires for the supernatural and the mysterious expressed by the large, uninformed groups led to many individuals taking advantage of their gullibility. During the 13th and 14th centuries, occult sciences were openly taught in universities and schools, and 200 years later, they peaked in influence; practitioners of astrology and dark magic were widespread and thrived across Europe.
The professors of Oneiromancy were those who divined or interpreted dreams, and founded their traditions in the art from its being in accordance with the Scriptures. The explanation of dreams also did not go counter to the doctrines of the Church, and so the cult found many believers among all classes of society. It was denounced by Pope Gregory II. as a detestable practice; but this did not prevent it being largely employed in forecasting the future.
The professors of Oneiromancy were those who interpreted dreams and based their traditions on the art’s alignment with the Scriptures. Explaining dreams also aligned with the Church's teachings, so the practice gained many followers across all social classes. Pope Gregory II condemned it as a terrible practice; however, this didn’t stop people from using it to predict the future.
Arnauld de Villeneuve, who wrote a work on the subject in the thirteenth century, gives a certain code by which those who practised it worked.
Arnauld de Villeneuve, who wrote a piece on the topic in the thirteenth century, provides a specific code that those who practiced it followed.
Whoever dreamt that his hair was thick and carefully curled would soon become wealthy. If anything was wrong with the hair, evil was betokened. It also foreshadowed harm if a wreath was worn composed of flowers that were not in season. Other codes signified that to dream of the eyes, related to children; the head, to a father; the arms, to brothers; the feet, to servants; the right hand, to the mother, to sons, and to friends; and the left hand, to the wife and daughter. Another method was founded on the theory that whatever was dreamt of, the antithesis or opposite would follow in life. From this we have probably the saying common to-day, “dream of a wedding and it is a sign of a funeral”. According to many old writers there was scarcely any important event in the middle ages which was not announced by a dream.
Whoever dreamed that their hair was thick and nicely styled would soon get rich. If there was anything wrong with the hair, it meant bad luck. Wearing a flower crown made of out-of-season flowers was also a bad sign. Other interpretations said that dreaming of eyes was related to children; the head was about a father; the arms represented brothers; the feet were linked to servants; the right hand was for mothers, sons, and friends; while the left hand related to the wife and daughter. Another belief was that whatever you dreamed about, the opposite was likely to happen in real life. From this, we probably get the saying we hear today, “dream of a wedding and it’s a sign of a funeral.” Many old writers claimed there was hardly any significant event in the Middle Ages that wasn’t foretold by a dream.
The day before Henry II. was struck by the blow of a lance during a tournament, Catherine de Medicis, his wife, dreamt that she saw him lose one of his eyes. Three days before he fell by the knife of Jacques Clément, Henry III. dreamt he saw the royal insignia stained with[75] blood and trodden under foot by monks and people of the lower orders.
The day before Henry II was hit by a lance during a tournament, Catherine de Medicis, his wife, dreamt that she saw him lose one of his eyes. Three days before he was killed by Jacques Clément, Henry III dreamt he saw the royal insignia stained with blood and trampled on by monks and common people.
Henry IV. also, before he was murdered by Raveillac, it is said, heard during the night his wife Marie de Medicis say to herself as she woke, “Dreams are but falsehoods!” and when he asked her what she had dreamt, she replied, “That you were stabbed upon the steps of the little Louvre!” “Thank God it is but a dream,” rejoined the king.
Henry IV also, before he was murdered by Ravaillac, reportedly heard his wife Marie de Medicis say to herself as she woke up during the night, “Dreams are just lies!” When he asked her what she had dreamed, she replied, “That you were stabbed on the steps of the little Louvre!” “Thank God it’s just a dream,” the king responded.
The necromancers, who were supposed to be able to conjure up spirits and raise the dead, were accounted on a somewhat higher plane than the interpreters of dreams. They also based their authority on the Old Testament. The nature of the art was gruesome and awe-inspiring, and there is little doubt many dark deeds were perpetrated by those who practised it. One method of evocation was to kill a child and place its head upon a dish surrounded by lighted candles; the desired spirit was supposed to enter this ghastly object and speak through its mouth. Sometimes the spirit simply consisted of some muttered words from behind a curtain in a dark cellar; another method was to cause the appearance of a sepulchral figure out of smoke or vapour, which would indicate by gesture and reply to questions asked. To evoke a dead[76] man’s spirit, it was necessary to go to the grave at midnight with a companion who bore a candle in the left hand and a crystal stone in the right, the conjurer holding a hazel wand with the name of God written on it, and repeating the words:—
The necromancers, believed to have the ability to summon spirits and raise the dead, were seen as being on a somewhat higher level than dream interpreters. They also drew their authority from the Old Testament. The practice itself was both horrifying and awe-inspiring, and there's little doubt that many dark acts were committed by those who engaged in it. One way to summon a spirit involved killing a child and placing its head on a plate surrounded by lit candles; the spirit was thought to enter this horrific object and speak through its mouth. Sometimes, the spirit manifested as a few whispered words from behind a curtain in a dark basement; another method involved creating a ghostly figure out of smoke or vapor, which would indicate answers through gestures in response to questions asked. To summon the spirit of a dead man, one had to go to the grave at midnight with a partner who held a candle in their left hand and a crystal stone in their right, while the conjurer held a hazel stick with the name of God inscribed on it, repeating the words:—
“Tetragrammaton + Adonai + Agla + Craton +”
“Tetragrammaton + Adonai + Agla + Craton +”
Then striking three times on the ground, with a prayer he commanded the spirit into the stone, when it appeared in the shape of a child.
Then he struck the ground three times and, with a prayer, commanded the spirit into the stone, where it appeared in the form of a child.
The conjurer often wore a girdle of lion’s skin with the name of God written on it, and the Solomon’s circle he described with a bright knife, on the blade of which were written certain mystic words. Necromancy gradually merged into sorcery, which has occasionally come to the surface in comparatively recent years.
The magician often wore a belt made of lion skin with God's name written on it, and he drew Solomon's circle with a shiny knife, on the blade of which were certain mystical words. Necromancy gradually blended into sorcery, which has occasionally resurfaced in fairly recent years.
Chiromancy, the art of divining or foretelling future events from marks on the palm of the hand, was also practised in antiquity, but in mediæval times it was strongly opposed by the Church. The practice is supposed to have been brought into Europe from the East by the Bohemians in the early part of the fifteenth century. This art eventually merged into astrology, which exerted the greatest influence of all the occult sciences.
Chiromancy, the art of predicting future events based on the lines and shapes on a person's palm, was practiced in ancient times, but in the medieval period, it faced strong opposition from the Church. It's believed this practice was introduced to Europe from the East by the Bohemians in the early fifteenth century. Over time, this art evolved into astrology, which became the most influential of all the occult sciences.
The antiquity of astrology is very great, it[77] having been originated by the Chaldeans, and was thought by some of the Jews to have been a method by which the Creator could communicate with His people. The art itself was based on astronomy, and, like alchemy, was the beginning of the study of real natural science. The teller of the stars was not only supposed to foretell forthcoming misfortunes to individuals, but also to forecast the destinies of kings and empires.
The history of astrology is very long, it[77] originating with the Chaldeans, and some of the Jews believed it was a way for the Creator to communicate with His people. The practice itself was rooted in astronomy and, like alchemy, was the start of exploring true natural science. Astrologers were not only expected to predict personal misfortunes but also to forecast the fates of kings and empires.
The belief in its power was so great that it became the fashion among royal personages of the sixteenth century to keep their own special astrologers, who were lodged easy of access and loaded with honours and wealth. These men were mostly astute Jews well versed in the science of their time, and by means of their supposed powers they often played a very important part in the political affairs of the nation. Thus in the fifteenth century Rovigo, an astrologer of eminence, who is said to have perfected the astrolabe, was attached to the Court of King John II. of Portugal; and Simon Pharès figured at the Court of France in the time of Charles VIII. We must not forget to mention Cosmo Ruggieri, the Florentine astrologer and the confidant of Catherine de Medicis; also the celebrated Nostradamus, astrologer and trusted[78] adviser of Charles IX. This extraordinary man played a prominent part in the history of his time, and was supposed to practise magic and alchemy as well as the healing art. He was consulted by the king in all positions of difficulty, and it is said became immensely wealthy. He died in 1566 at Salon, after having written several notable works.
The belief in its power was so strong that it became trendy for royals in the sixteenth century to have their own personal astrologers, who were easily accessible and honored with wealth. Most of these men were sharp-witted Jews skilled in the knowledge of their time, and through their supposed abilities, they often played a significant role in the nation’s political matters. For example, in the fifteenth century, Rovigo, a prominent astrologer known for improving the astrolabe, was connected to the Court of King John II. of Portugal; and Simon Pharès was part of the Court of France during the reign of Charles VIII. We should also mention Cosmo Ruggieri, the Florentine astrologer and confidant of Catherine de Medicis; and the famous Nostradamus, astrologer and trusted adviser of Charles IX. This remarkable man played a key role in the history of his time and was believed to practice magic and alchemy alongside medicine. He was consulted by the king during challenging situations and is said to have become very wealthy. He died in 1566 in Salon, having written several notable works.
CHAPTER IX.
The Art of Divination.
The early theory of the art of foretelling by means of the stars, and casting horoscopes, was as follows: The seven planets then known, including the Sun, with the twelve figures of the Zodiac, comprised the astrological system. Each unit or body or nation was supposed to be governed or influenced by a certain star or constellation, and this power extended to all things connected with the person or nation. Thus, Saturn was supposed to influence life, sciences, and buildings; Jupiter—honour, wishes, and wealth; Mars—wars, persons, marriages, and quarrels; the Sun—hope, gain, and happiness; Venus—love and friendship; Mercury—fear, disease, debts, and commerce; the Moon—robberies, wounds, and dreams. The intrinsic quality was denoted by the planet. The Sun was regarded as favourable; Saturn, cold; Jupiter, temperate; Mars, ardent; Venus, fruitful; Mercury, inconstant; the Moon,[80] melancholy. The days, colours, and metals also came under the same influences.
The early theory of predicting the future by using the stars and creating horoscopes was as follows: The seven planets known at the time, including the Sun, along with the twelve signs of the Zodiac, formed the astrological system. Each individual, body, or nation was believed to be governed or affected by a specific star or constellation, and this influence extended to everything connected with the person or nation. For example, Saturn was thought to affect life, science, and architecture; Jupiter—honor, desires, and wealth; Mars—wars, individuals, marriages, and conflicts; the Sun—hope, gain, and happiness; Venus—love and friendship; Mercury—fear, illness, debts, and trade; the Moon—thefts, injuries, and dreams. The inherent qualities were represented by the planet. The Sun was seen as beneficial; Saturn, cold; Jupiter, moderate; Mars, passionate; Venus, abundant; Mercury, unpredictable; the Moon, [80] somber. The days, colors, and metals were also influenced by the same factors.
In casting a horoscope, the astronomer had first to observe if the time was propitious, and what planet was dominant in the heavens. Then, by means of calculations and diagrams, he would deduce the consequences from the position and bearing of the stars. The day was divided into four equal parts—the ascendant of the sun, the middle of the sky, the descending of the sun, and the lower part of the sky. These four parts of the day were subdivided into twelve distinct parts, which were called the twelve houses of the sun. It was of the greatest importance in drawing a horoscope to tell exactly in which “house” the star appeared. One can easily trace the connection of the influence attributed to the planets with the old Egyptian and Greek mythologies, and it can hardly be wondered at that the same system should have been brought to bear on medicine.
In creating a horoscope, the astronomer first needed to check if the timing was favorable and which planet was in a dominant position in the sky. Then, using calculations and diagrams, he would figure out the implications based on the location and alignment of the stars. The day was split into four equal parts—the sun's ascent, the zenith, the sun's descent, and the nadir. These four parts of the day were further divided into twelve distinct sections, known as the twelve houses of the sun. It was crucial when creating a horoscope to identify exactly in which “house” the star was located. One can easily see the connection between the influence attributed to the planets and the ancient Egyptian and Greek mythologies, and it’s not surprising that the same system was applied to medicine.
A favourite method of divination, especially with the sorcerers, was that of gazing into a beryl or crystal. For the proper performance of this ceremony a pure virgin or equally pure youth should be the gazer. The sorcerer, having repeated the necessary charms and adjurations, with the invocation suitable to the spirits he[81] wished to consult, looked into a large beryl or crystal, wherein he saw the answer represented either by types or by figures, and sometimes it is said he might hear the spirit speak to him.
A popular method of fortune-telling, especially among sorcerers, was gazing into a beryl or crystal. To properly perform this ritual, a pure virgin or an equally pure young man should do the gazing. The sorcerer, after reciting the necessary charms and incantations while invoking the spirits he[81] wanted to consult, looked into a large beryl or crystal, where he saw the answers illustrated through symbols or figures, and sometimes, it’s said he could even hear the spirit speak to him.
Vallancey states that in the Highlands of Scotland large crystals of somewhat oval shape were kept by the priests to work charms with, and that water poured on them was given to cattle as a preventive of disease. Dr. Dee was a famous conjurer with the crystal in the time of Queen Elizabeth.
Vallancey mentions that in the Scottish Highlands, large oval-shaped crystals were kept by priests to cast charms, and water poured over them was given to cattle to prevent disease. Dr. Dee was a well-known magician using crystals during Queen Elizabeth's reign.
Lilly describes these crystals as being the size of an orange, set in silver, surmounted with a cross, and engraved all round with the names of the angels—Raphael, Gabriel, and Uriel.
Lilly describes these crystals as being the size of an orange, set in silver, topped with a cross, and engraved all around with the names of the angels—Raphael, Gabriel, and Uriel.
Among other charms practised was Dactylomancy, which was performed by means of a ring suspended by a thread in the centre of an earthenware or metal pitcher. The ring, which was supposed to have been made under the influence of a certain constellation, was swung from side to side of the vessel, and the sounds it made on touching were taken as predictions and oracles.
Among other charms used was Dactylomancy, which was done using a ring hanging by a thread in the center of an earthenware or metal pitcher. The ring, believed to have been created under the influence of a certain constellation, was swung back and forth inside the vessel, and the sounds it produced upon contact were interpreted as predictions and oracles.
The art of divination by fire was called Pyromancy, and was performed by allowing a certain body to burn, the smoke from which, by its density and colour, forecast the future. A[82] favourite medium for consulting this oracle was a donkey’s head roasted on hot coals.
The practice of predicting the future using fire was known as Pyromancy. It involved burning a specific item, with the smoke's density and color indicating what was to come. A[82] popular choice for this method was a donkey's head roasted over hot coals.
Popular belief in mediæval times attributed anything unusual or beyond its understanding, to magic; so most of the early alchemists were believed to be magicians. Both Albertus Magnus and Roger Bacon were accused of dealing in the black arts, one having to resign his bishopric of Cologne and retire to a monastery, and the other to the Franciscan cells in Paris, to free themselves from the charges of their accusers.
Popular belief in medieval times attributed anything unusual or beyond understanding to magic; so most of the early alchemists were thought to be magicians. Both Albertus Magnus and Roger Bacon were accused of practicing the dark arts, one having to resign as the bishop of Cologne and retreat to a monastery, and the other to the Franciscan cells in Paris, to escape the accusations against them.
CHAPTER X.
Dark magic.
Geber, an alchemist of great repute in Arabia, was believed to possess the power of creating gold by magic. He was a man of undoubted learning and a skilful practitioner of his time, yet he was dubbed a sorcerer. He was said to possess all kinds of extraordinary implements; among others, a book of black magic which gave him full power over demons, and a brass idol which spoke oracles. On the day of his death, in 1003, the Evil One is supposed to have carried him off. James Iodoc, an Englishman, achieved considerable notoriety by claiming that he had succeeded in setting the demon in a magic ring. These men should not be confounded with the host of impostors and charlatans who simply preyed on the credulity of the people, but in those days all were judged alike. Most of the great mediæval alchemists dabbled in magic, and all agreed that to obtain the intervention of Satan in human affairs it was necessary to enter into a pact with him. Those who[84] went to this length and became exponents of demonology, or the black art, were initiated with much solemnity.
Geber, a highly regarded alchemist in Arabia, was thought to have the ability to create gold through magic. He was undoubtedly knowledgeable and a skilled practitioner of his time, yet he was labeled a sorcerer. It was said that he possessed all kinds of extraordinary tools; among them, a book of black magic that gave him complete control over demons, and a brass idol that spoke prophecies. On the day he died, in 1003, it is believed that the Evil One took him away. James Iodoc, an Englishman, gained significant notoriety by claiming he had succeeded in trapping a demon in a magic ring. These men should not be confused with the numerous frauds and con artists who merely exploited the gullibility of people, yet at that time, all were judged the same. Most of the famous medieval alchemists dabbled in magic, and all agreed that to secure Satan's involvement in human affairs, one needed to make a pact with him. Those who[84] went to such lengths and became practitioners of demonology, or the black arts, were initiated with great seriousness.
Taking the Oath.
The oath to the demon had to be pronounced in the centre of a circle traced upon the ground, accompanied by the offer of some pledge, such as a garment of the noviciate. The edge of the circle was supposed to establish a mark which the demon could not cross. Heavy perfumes such as vervain, with burning incense and lighted tapers, always formed part of the ceremonial. The smoking brazier, which entered largely into the ritual, was believed to act upon the demons, and was constantly fed with all kinds of mysterious vegetable and animal substances, those that would produce most smoke being preferred. It is said that belladonna and opium were always used as ingredients in the incense, in order to produce a state of semi-stupor and influence the imagination.
The oath to the demon had to be recited in the center of a circle drawn on the ground, along with the offering of some pledge, like a garment from the novice. The edge of the circle was believed to create a boundary that the demon couldn't cross. Strong perfumes like vervain, along with burning incense and lit candles, were always part of the ceremony. The smoking brazier, which played a big role in the ritual, was thought to affect the demons and was constantly filled with various mysterious plant and animal materials, with those that produced the most smoke being preferred. It's said that belladonna and opium were always included in the incense to induce a state of semi-stupor and influence the imagination.
The perfumes employed by the professors of the art had each a special significance, and were offered to some planet to form a link with the earth. A mixture of saffron, amber, musk, cloves and incense, together with the brain of[85] an eagle and the blood of a cock, was offered to the Sun.
The perfumes used by the professors of the craft each had a unique significance and were dedicated to a specific planet to establish a connection with the earth. A blend of saffron, amber, musk, cloves, and incense, along with the brain of [85] an eagle and the blood of a rooster, was offered to the Sun.
The white poppy and camphor burnt in the head of a frog, with the eyes of a bull and the blood of a goose, were dedicated to the Moon; while to Mars, sulphur was mixed with hellebore and euphorbium, together with the blood of a black cat and the brain of a crow, and then burnt.
The white poppy and camphor burned in the head of a frog, with the eyes of a bull and the blood of a goose, were dedicated to the Moon; while for Mars, sulfur was mixed with hellebore and euphorbium, along with the blood of a black cat and the brain of a crow, and then burned.
One can imagine the horrible odour that would be caused by burning such articles as these; and, as the columns of smoke ascended, the half-stupefied and scared spectator fancied he saw the forms of writhing demons in the air.
One can imagine the terrible smell that would come from burning things like these; and, as the smoke rose, the dazed and frightened onlooker thought he saw the shapes of twisting demons in the air.
Very curious properties were attributed to certain articles when thrown on live coals. Thus, if thunder and rain were required, the liver of a chameleon was said to produce it; while the gall of a cuttle-fish burnt with roses and aloes-wood was all that was necessary to induce an earthquake.
Very strange properties were assigned to certain items when tossed on live coals. For example, if someone wanted thunder and rain, they believed that the liver of a chameleon could create it; while the gall of a cuttlefish burned with roses and aloes wood was thought to be all that was needed to trigger an earthquake.
By burning coriander, parsley, hemlock, liquor of black poppy, giant fennel, red sandal-wood and henbane, almost any number of demons could be raised. Sorcerers of this class were called tempest-raisers.
By burning coriander, parsley, hemlock, black poppy juice, giant fennel, red sandalwood, and henbane, you could summon just about any number of demons. Sorcerers of this type were known as tempest-raisers.
With the witchcraft practised largely by women in mediæval times, we have not much[86] to do; although belief in its influence was widespread during the middle ages. To bewitch an individual was to cause him gradually to die a mysterious death.
With the witchcraft mostly practiced by women in medieval times, we don’t have much[86] to discuss; although belief in its power was common during the Middle Ages. To bewitch someone meant to cause them to slowly die a mysterious death.
The process commenced at first with great secrecy, by modelling a figure of the intended victim in wax or clay. This having been done, a swallow was killed, and the heart placed under the right arm of the figure and the liver under the left. The effigy was next pricked all over with new needles, each prick being accompanied by the most terrible imprecations against the victim.
The process began quietly by creating a figure of the intended victim out of wax or clay. Once that was done, a swallow was killed, and its heart was placed under the right arm of the figure and its liver under the left. The effigy was then pricked all over with new needles, with each prick accompanied by the most terrible curses against the victim.
Another method was to make the figure of earth taken from a graveyard and mixed with dead bones. Certain mystic signs were then inscribed on it, which were said eventually to cause the death of the victim. So general did the practice of witchcraft become that no class of society was safe from accusation and suspicion, thousands perishing by the faggot and torture.
Another method was to create a figure of the earth using materials from a graveyard mixed with human bones. Certain mystical symbols were then carved into it, which were believed to ultimately lead to the victim's death. The practice of witchcraft became so widespread that no social class was exempt from accusations and suspicion, with thousands dying by fire and torture.
From the fourteenth to the sixteenth century, supernatural beliefs exerted a great influence on the people. One of the most celebrated trials of the time was that of the Duchess of Gloucester, who was accused of bewitching Henry VI. It transpired at the trial that she had instructed a priest, named Bolingbroke who practised necromancy,[87] to bewitch the king; a sorceress named Marie Gardimain being also implicated. An effigy of the king in wax was discovered half-melted in front of a fire of dry plants, which had been gathered by moonlight in a graveyard. Bolingbroke the necromancer was hanged, Gardimain burnt, and the Duchess of Gloucester condemned to imprisonment for life.
From the fourteenth to the sixteenth century, supernatural beliefs had a significant impact on people. One of the most famous trials of that time was the one involving the Duchess of Gloucester, who was accused of casting a spell on Henry VI. During the trial, it was revealed that she had instructed a priest named Bolingbroke, who practiced necromancy,[87] to bewitch the king; a sorceress named Marie Gardimain was also involved. A wax effigy of the king was found half-melted in front of a fire made of dry plants that had been collected by moonlight in a graveyard. Bolingbroke, the necromancer, was hanged; Gardimain was burned, and the Duchess of Gloucester was sentenced to life in prison.
The “evil eye” was another form of witchcraft, mostly practised by women. Visions or apparitions in the sky, foretelling some war or disaster, were firmly believed in by the Church, and caused great consternation. Fiery dragons appearing in the heavens were said to predict civil war; and we also read of pigs bearing royal crowns, and gory stars, all of which were doubtless caused by ordinary phenomena not understood at that time.
The "evil eye" was another form of witchcraft, mainly practiced by women. The Church strongly believed in visions or apparitions in the sky that foretold wars or disasters, causing a lot of worry. Fiery dragons appearing in the sky were thought to predict civil war; we also hear of pigs wearing royal crowns and bloody stars, all of which were likely just ordinary phenomena that people didn't understand back then.
The appearance of the devil presiding at a sabbath or meeting of sorcerers is thus described by De Lancre: “He is seated in a black chair with a crown of black horns, two horns in his neck, and one on the forehead, which sheds light on the assembly; the hair bristling, the face pale and exhibiting signs of uneasiness, the eyes round, large, and fully opened, inflamed and hideous, with a goat’s beard. The neck and the rest of the body deformed, and in the shape[88] of a man and a goat; the hands and the feet of a human being.”
The description of the devil at a gathering of witches is given by De Lancre: “He sits in a black chair with a crown of black horns, two horns on his neck, and one on his forehead, casting light on the group; his hair is standing on end, his face is pale and shows signs of anxiety, his eyes are round, large, and wide open, inflamed and ugly, with a goat's beard. His neck and body are misshapen, resembling both a man and a goat; he has the hands and feet of a human.”
The word witch is thought by some authorities to be derived from chausaph, which means a user of pharmaceutic enchantments, or an applier of drugs to magical purposes.
The word witch is believed by some experts to come from chausaph, which means someone who uses medicinal charms or applies drugs for magical purposes.
Witches sent storms and barrenness, drowned children, brought on ague, could kill with evil eye, slay with lightning, pass through key-holes, ride through the air on broom-sticks, and perform many other weird and wondrous things.
Witches created storms and caused infertility, drowned children, caused fevers, could kill with a glare, strike with lightning, slip through keyholes, fly through the air on broomsticks, and did many other strange and amazing things.
“They were generally old, blear-eyed, wrinkled dames,” says Scott, “ugly and crippled, frequently papists, and sometimes atheists; of cross-grained tempers and cynical dispositions.” They were often poisoners, and generally monomaniacs. Epilepsy and all diseases not understood by the physicians were set down to the influence of witches. They were said to make two covenants with the devil, one public and one private. Then the novices were presented to the devil in person, and instructed to renounce the Christian faith, tread on the Cross, break the fasts, joining hands with Satan, paying him homage, and yielding him body and soul. Some witches sold themselves for a term of years, and some for ever; then they kissed the devil, and signed their bond with blood, and a banquet[89] ended the meeting; their dances being accompanied with shouts of “Ha, ha! devil, devil! Dance here, dance here! Play here, play here! Sabbath, sabbath!” Before they departed the devil was said to give them philtres and amulets. These women were usually hypochondriacs, often driven by despair and misfortune to confess any charge made against them.
“They were generally old, bleary-eyed, wrinkled women,” says Scott, “ugly and disabled, often Catholics, and sometimes atheists; with sour tempers and cynical attitudes.” They were often thought to be poisoners and usually had one-track minds. Epilepsy and all illnesses that doctors couldn't explain were blamed on witchcraft. It was said they made two pacts with the devil, one public and one private. Then the newcomers were introduced to the devil himself and told to renounce their Christian faith, step on the Cross, break their fasts, hold hands with Satan, pay him homage, and surrender their body and soul. Some witches sold themselves for a set number of years, while others for eternity; then they kissed the devil, signed their pact in blood, and a feast[89] concluded the gathering, their dances echoing with cries of “Ha, ha! devil, devil! Dance here, dance here! Play here, play here! Sabbath, sabbath!” Before they left, the devil was said to give them potions and charms. These women were typically hypochondriacs, often pushed by despair and misfortune to confess to any accusation made against them.
CHAPTER XI.
SUPERSTITION AND ITS IMPACT ON MEDICINE.
Superstition is a belief in what is wholly opposite to the laws of the physical and moral world, and yet supposed to be attainable by supernatural agency.
Superstitions is a belief in something that completely contradicts the laws of the physical and moral world, yet is thought to be achievable through supernatural means.
The words incantation and charm seem to have been derived from the ancient practice of curing diseases by poetry and music. Democritus says that many diseases are capable of being cured by the sound of a flute when properly played. Marianus Capellus assures us also that fevers may be cured by suitable songs. Galen believed the sound of the flute efficacious in gout and epilepsy. Asclepiades actually employed the trumpet for the relief of sciatica, and tells us it is to be continued until the fibres of the part begin to palpitate, when the pain will vanish. What terrible visions might be conjured up if such remedies were used to-day.
The words incantation and charm seem to have come from the ancient practice of healing illnesses through poetry and music. Democritus claimed that many illnesses could be cured by the sound of a flute when played properly. Marianus Capellus also assured us that fevers could be treated with the right songs. Galen believed that the sound of the flute was effective for gout and epilepsy. Asclepiades even used the trumpet to relieve sciatica and reported that it should be continued until the fibers of the affected area begin to vibrate, at which point the pain would disappear. What terrifying images might be imagined if such remedies were used today.
The influence of superstition on medicine may[91] be accounted for by the fact, that from the very first, ideas with regard to the action of drugs must have been combined with those concerning supernatural agencies, for the phenomena of nature in very early times were attributed to spirits. Diseases were supposed to be due to an evil spirit, therefore to cast the disease out was equivalent to curing it, and the methods used for this purpose were by no means always ineffective in curing disease.
The impact of superstition on medicine can be explained by the fact that, from the beginning, beliefs about how drugs work were mixed with ideas about supernatural forces. In ancient times, natural phenomena were often thought to be caused by spirits. People believed that illnesses were the result of an evil spirit, so getting rid of the disease was seen as the same as curing it, and the methods used for this were often quite effective in treating illnesses.
Incantations and spells were generally used in addition to a real remedial agent, but the incantations usually got the credit for effecting the cure.
Incantations and spells were usually used alongside a genuine remedy, but the incantations typically received the credit for bringing about the cure.
In early times superstition played an important part in the cure of disease, and it prevails to a certain extent to-day. “In the opinion of the ignorant multitude,” says Lord Bacon, “witches and impostors have always held a competition with physicians.”
In ancient times, superstition was a key factor in treating illness, and it still exists to some degree today. “In the view of the uneducated masses,” says Lord Bacon, “witches and frauds have always competed with doctors.”
There has ever been a peculiar propensity in the human mind to foster a belief in the supernatural, and perhaps more especially in respect to medicine on account of the obscurity and ignorance with which it was once surrounded. In early times almost every disease was attributed to punishment for evil-doing, the working of some demon, or the influence of the stars; hence[92] the use of any article that was strange or rare as a remedy.
There has always been a strange tendency in the human mind to believe in the supernatural, especially when it comes to medicine, due to the confusion and lack of knowledge that once surrounded it. In ancient times, almost every illness was seen as a punishment for wrongdoing, the result of some demon, or the effect of the stars; thus[92] the use of any unusual or rare item as a cure.
“The employment of precious stones for medicinal purposes,” writes De Boot, “arises from an Arab superstition which supposed them to be the residence of spirits.” They were first used as amulets, and then gradually came to be administered inwardly for various ailments.
“The use of precious stones for medicinal purposes,” writes De Boot, “comes from an Arab superstition that believed they were home to spirits.” They were initially used as amulets and then slowly began to be taken internally for different health issues.
“Mystery is the very soul of empiricism,” says Paris; “withdraw the veil, and the confidence of the patient instantly languishes.” A propensity to attribute every ordinary and natural effect to extraordinary and unnatural causes, is one of the striking characteristics of medical superstition.
“Mystery is the very soul of empiricism,” says Paris; “remove the veil, and the confidence of the patient quickly fades.” A tendency to attribute every usual and natural effect to extraordinary and unnatural causes is one of the notable features of medical superstition.
The properties that herbs possessed were attributed by the old physicians to the planets which were supposed to influence them, and our medical men to this day head their prescriptions with a sign that originally meant an invocation to Jupiter, which is a surviving relic of this old superstitious practice. Another very curious fact with respect to medical superstition is, that many of the greatest philosophers were firm believers in it. Lord Bacon is said to have believed in the existence of a panacea that would prolong life beyond its natural term. He considered that the principal cause of death was the[93] action of the external air in drying and exhausting the body, which he thought might be prevented by nitre; but although he took three grains of his favourite salt every morning for the last thirty years of his life, he died at the age of sixty-six. We have many customs at the present day which are a survival of the days of superstition, and few have any idea of their origin. The mother, when she hangs round the neck of her child the plaything known as a coral and bells, little imagines she is perpetuating an ancient superstitious practice. The soothsayers attributed many mystic properties to coral, and it was believed to ward off the evil eye, and drive away devils and evil spirits. For this purpose it was suspended from a child’s neck as an amulet. Pliny and Dioscorides greatly esteemed the medicinal properties of coral, and Paracelsus recommends that it should be worn around the necks of infants to keep away fits, sorcery, charms, and to serve as an antidote to poisons. The bells usually suspended to it were originally intended to frighten away evil spirits, and not to amuse the child alone.
The properties that herbs had were believed by ancient physicians to be influenced by the planets, and our modern doctors still start their prescriptions with a symbol that originally was an invocation to Jupiter, which is a leftover from this old superstitious practice. Another interesting point about medical superstition is that many of the greatest philosophers strongly believed in it. Lord Bacon is said to have believed in a universal cure that could extend life beyond its natural limit. He thought the main cause of death was the effect of outside air, which dried and drained the body, and he believed this could be prevented by nitre; however, despite taking three grains of his favorite salt every morning for the last thirty years of his life, he died at sixty-six. Today, we have many customs that are remnants of superstitious times, and few people understand their origins. When a mother puts a coral and bells necklace on her child, she probably doesn't realize she is continuing an ancient superstitious practice. Soothsayers assigned many mystical properties to coral, believing it could protect against the evil eye and repel devils and evil spirits. For this reason, it was worn around a child's neck as an amulet. Pliny and Dioscorides highly valued the medicinal properties of coral, and Paracelsus advised that it should be worn by infants to prevent seizures, sorcery, and spells, and to act as an antidote to poisons. The bells that are usually attached were originally meant to scare away evil spirits, not just to entertain the child.
Paris mentions a curious circumstance, viz., that the same superstitious belief should exist among the negroes of the West Indies, who affirm that the colour of coral is always affected[94] by the state of health of the wearer, it becoming paler in disease.
Paris mentions an interesting fact, viz., that the same superstitious belief exists among the Black people of the West Indies, who claim that the color of coral always changes based on the wearer's health, becoming paler during illness. [94]
But all the remedies that originated in superstition were not entirely useless. Some, whether by accident or not, had a natural power of efficacy, and led to discoveries of importance. In the time of James I., a powder known as the sympathetic powder of Sir Kenelm Digby had a great reputation for healing wounds. Whenever a wound had been inflicted, this powder was applied to the weapon which had caused it, which was also smeared with ointment and dressed two or three times a day. The wound itself was directed to be brought together and carefully bound up with clean linen rags, but above all to be let alone for seven days, at the end of which time it was generally found to be healed. This was, of course, said to be due to the wonderful properties of the sympathetic powder, instead of the fact of excluding the air from the part and not interfering with nature’s own healing powers. The mysterious sympathetic healing powder was afterwards said to be simply calcined green vitriol. The rust of the spear of Telephus, alluded to by Homer as a cure for the wounds which that weapon inflicted, was probably verdigris, and led to the discovery of its use as a surgical dressing.
But all the remedies that came from superstition weren't completely useless. Some, whether by chance or not, actually worked and led to important discoveries. During the time of James I, a powder called the sympathetic powder created by Sir Kenelm Digby was highly regarded for healing wounds. Whenever someone got a wound, this powder was applied to the weapon that caused it, which was also coated with ointment and dressed two or three times a day. The wound itself was supposed to be closed up and carefully wrapped with clean linen rags, but above all, it was to be left alone for seven days. By the end of that time, it was usually found to be healed. This was, of course, attributed to the amazing properties of the sympathetic powder, rather than the fact that the air was kept away from the wound and no interference was made with the body's natural healing process. The so-called mysterious sympathetic healing powder was later said to just be calcined green vitriol. The rust from the spear of Telephus, mentioned by Homer as a cure for the wounds caused by that weapon, was probably verdigris, and it led to the discovery of its use as a surgical dressing.
The cures supposed to be performed by royal touch show the power of faith over desire, or mind over matter. The royal surgeons who introduced the patients to be touched for scrofula, doubtless took care to choose those who had a tendency to recover, and who, if left to nature, would probably have gradually recovered. Boswell says that Dr. Johnson, when thirty months old, was taken by his mother to London to be touched by Queen Anne, on the advice of Sir John Floyer, a physician of Lichfield.
The supposed healing powers of the royal touch demonstrate the influence of faith over desire, or the mind over physical ailments. The royal surgeons who brought patients to be touched for scrofula likely selected those who were predisposed to recover and who would probably have healed gradually on their own. Boswell mentions that Dr. Johnson, at thirty months old, was taken by his mother to London to be touched by Queen Anne, following the recommendation of Sir John Floyer, a physician from Lichfield.
From time immemorial the ignorant have had the most unbounded confidence in nauseous remedies, and it would seem as if the nastier and more disgusting the medicines were, the greater faith they had in them. The larger the price asked, the more implicit the faith seemed to be. The Collyrium of Danares, a famous quack eye lotion, was sold at Constantinople for £9 a bottle, and the elixirs sold by Paracelsus and Van Helmont brought extortionate prices. The doctrine of Signatories, as it was called, is of very great antiquity. It implied that every natural substance which possesses any medicinal virtues, indicates, by an obvious and well-marked external character, the disease for which it is a remedy. Thus the bloodstone was used to stop[96] bleeding, on account of its marks resembling drops of blood. The root of the mandrake, on account of its resemblance to the human form, was used as a remedy for sterility. Turmeric was administered for jaundice, and poppies for diseases of the head. Another belief of the ancients was that all poisonous bodies possessed a powerful attraction for one another, and that “like would cure like”. The hair of a mad dog was worn as a charm to prevent hydrophobia, and the foot of the ape was used as a remedy for its bite. On the same principle we are solemnly assured that three scruples of the ashes of a witch, after she has been well and carefully burnt at the stake, is a sure protection against the evil effects of witchcraft.
Since ancient times, uninformed people have had unwavering confidence in vile remedies, and it seems that the grosser and more repulsive the medicines were, the stronger their belief in them. The higher the cost, the more blind the trust appeared to be. The Collyrium of Danares, a notorious quack eye lotion, was sold in Constantinople for £9 a bottle, and the elixirs offered by Paracelsus and Van Helmont fetched outrageous prices. The doctrine of Signatories, as it was called, is very old. It suggested that every natural substance with any medicinal properties indicates, through a clear and distinct external feature, the ailment it can treat. For example, bloodstone was used to stop bleeding because its markings looked like blood drops. The mandrake root, resembling a human form, was used as a remedy for infertility. Turmeric was prescribed for jaundice, and poppies were used for head ailments. Another belief of the ancients was that all poisonous substances had a strong attraction for one another, and that "like cures like." The hair of a rabid dog was worn as a charm to ward off rabies, and the foot of an ape was used as a remedy for its bite. Based on the same principle, we are earnestly told that three scruples of a witch's ashes, after she has been thoroughly burned at the stake, guarantee protection against the harmful effects of witchcraft.
Many ancient superstitions are so deeply rooted that they find believers among the educated at the present day. Take, for instance, the belief that many people have in the efficacy of red flannel. For sore throat, rheumatism, or swelling, they believe it will cure when flannel of no other colour will. This belief may be traced to the colour of the cloth often used in incantations, which was always red.
Many ancient superstitions are so deeply ingrained that they still have believers among educated people today. For example, many people believe in the healing power of red flannel. They think it can cure sore throats, rheumatism, or swelling when flannel of any other color won’t. This belief likely comes from the fact that the cloth often used in incantations was always red.
In some parts of the country a wedding-ring is still believed to be a universal cure for sore eyes.
In some parts of the country, a wedding ring is still thought to be a universal remedy for sore eyes.
A curious superstition is still practised in some parts of Wales for the cure of the complaint called shingles. The term for shingles in Welsh means “The Eagle.” It was supposed in ancient times that if a person ate of the flesh of the eagle he would never suffer from shingles, and his direct descendants down to the ninth generation could not contract it, and furthermore had the power transmitted to them of curing others so afflicted by blowing on them.
A strange superstition is still practiced in some areas of Wales to treat shingles. The Welsh word for shingles means “The Eagle.” In ancient times, people believed that if someone ate eagle flesh, they would never get shingles, and their direct descendants up to the ninth generation would also be immune. Additionally, they believed these descendants could cure others afflicted by shingles simply by blowing on them.
CHAPTER XII.
Love potions.
Love Philtres were administered for the purpose of inspiring affection or hatred. In very early times they were frequently used, concocted, and sold by the magicians or sorcerers, who often obtained large sums of money in exchange, from amorously-inclined gallants and maidens. They were composed of various extraordinary ingredients used in medicine at the time, and were either in the form of a powder, which was to be surreptitiously slipped into an article of food to be swallowed, or in a liquid for anointing the clothes or hands, and by things to be held in the mouth.
Love potions were given to inspire feelings of love or hate. In ancient times, they were commonly created and sold by magicians or sorcerers, who often made a lot of money from romantic suitors and maidens. These potions were made from various unusual ingredients that were used in medicine back then, and they came either as a powder to be secretly added to food for consumption or as a liquid for applying to clothes or hands, or as something to be held in the mouth.
It is recorded that some sorcerers even used the Host, upon which they traced letters of blood. The following were also used in the preparation of philtres: the entrails of animals, feathers of birds, scales of fishes, parings of nails, powdered loadstones, and human blood.
It is recorded that some sorcerers even used the Host, on which they traced letters in blood. The following were also used in the preparation of potions: animal entrails, bird feathers, fish scales, nail clippings, powdered loadstones, and human blood.
It is little wonder they excited hatred. The poculum amatorium or love philtre of the[99] Romans, and the philtron of the Greeks, were venerated with superstitious awe in early times. They became used to such an extent by the former nation under the first emperors, that a decree was promulgated under the Roman criminal law whereby love philtres were deemed as poison, and the punishment inflicted on those using them was very severe. Hairs from a wolf’s tail, the bones of the left side of a toad which had been eaten by ants (those of the right side were used to cause hatred), the blood of pigeons, skeletons of snakes, the entrails of animals, and other equally disgusting things, were included as ingredients in Roman love philtres.
It’s no surprise they stirred up hatred. The poculum amatorium or love potion of the[99] Romans, and the philtron of the Greeks, were held in superstitious reverence in ancient times. The Romans in particular used them so much during the early emperors that a law was established declaring love potions as poison, with harsh punishments for anyone who used them. Ingredients for Roman love potions included hairs from a wolf's tail, bones from the left side of a toad that had been eaten by ants (the right side was used to incite hatred), pigeon blood, snake skeletons, animal entrails, and other equally off-putting items.
Pliny states, that there were also philtres for quenching love. Thus, “if a nest of young swallows is placed in a box and buried, on being dug up after a few days it will be found that some of the birds have died with their beaks closed, while others die as if gasping for breath”. The latter were used for exciting love, and the former for producing the opposite effect.
Pliny mentions that there were also potions for breaking love. He says, “if a nest of young swallows is put in a box and buried, when it’s dug up after a few days, some of the birds will be found dead with their beaks closed, while others will die as if they are struggling to breathe.” The ones that struggled were used to spark love, and the ones that died with their beaks closed were for creating the opposite effect.
Horace recommends a bone torn from a hungry and voracious dog, and Virgil describes a complete apparatus wherewith a maiden seeks to recover the affections of a faithless lover.
Horace suggests a bone taken from a hungry and greedy dog, while Virgil portrays a full setup that a girl uses to win back the love of a unfaithful partner.
The early Greek and Roman magicians used “hippomanes,” which was the lump of flesh[100] found in the head of a colt newly foaled, as an ingredient in their philtres.
The early Greek and Roman magicians used “hippomanes,” which was the lump of flesh[100] found in the head of a newborn colt, as an ingredient in their potions.
About the sixteenth century philtres came to be compounded and sold by the apothecaries, who doubtless derived from them a lucrative profit. Favourite ingredients with these later practitioners were mandragora, cantharides, and vervain, which were supposed to have Satanic properties. They were mixed with other herbs said to have an aphrodisiac effect; also man’s gall, the eyes of a black cat, and the blood of a lapwing, bat, or goat.
About the sixteenth century, potions started being created and sold by apothecaries, who surely made a good profit from them. Popular ingredients among these later practitioners included mandrake, cantharides, and vervain, which were believed to have evil properties. They were combined with other herbs thought to have aphrodisiac effects, along with man’s bile, the eyes of a black cat, and the blood of a lapwing, bat, or goat.
In Gay’s Shepherds’ Week reference is thus made to love philtres:—
In Gay’s Shepherds’ Week, there’s a mention of love love potions—
"And soon the young man with passionate love will shine."
“Botanomancy,” Ferrand states, “which is done by the noise or crackling that kneeholme, box, or bay leaves make when they are crushed betwixt one’s hands or cast into the fire, was of old in use among the pagans, who were wont to bruise poppy flowers betwixt their hands, and by this means thinking to know their loves.”
“Botanomancy,” Ferrand says, “is performed by the sound or crackling that kneeholme, boxwood, or bay leaves make when crushed between one’s hands or thrown into the fire. This practice was used by pagans in ancient times, who would commonly crush poppy flowers between their hands, believing it would reveal their loves.”
“If that's the case, let a toad be laid.” In a freshly tanned sheepskin,
And that tied to man will separate Him and his feelings always.”—Herrick’s Hesperides.
The winged ant was another favourite ingredient in love philtres, and was first used by Rhazes, who prepared the winged ant in the form of tincture by maceration in alcohol. This tincture, dropped in the homœopathic manner into wine or mixed with food, was supposed to have a wonderful action in producing symptoms of the tender passion in the coldest hearts. The winged ants alone were used in this preparation, which enjoyed a long reputation, and was subsequently known as “Hoffmann’s Water of Magnanimity,” and largely used in the seventeenth century as an aphrodisiac.
The winged ant was another popular ingredient in love potions and was first used by Rhazes, who prepared the winged ant as a tincture by soaking it in alcohol. This tincture, added homeopathically to wine or mixed with food, was believed to have a remarkable effect in stirring up feelings of love in even the coldest hearts. Only winged ants were used in this preparation, which had a long-standing reputation and became known as “Hoffmann’s Water of Magnanimity,” widely used in the seventeenth century as an aphrodisiac.
CHAPTER XIII.
THE PIONEERS OF PHARMACY AND BOTANY—MEDICAL GARDENS.
The operation of distillation was unknown to the ancient Greeks and Romans, although Dioscorides and Pliny describe a process which may be considered that of distillation in its infancy. The process was not known in England until the time of Henry II. To the Arabs we are indebted for the discovery of manna, cassia, senna, and rhubarb, also aromatics, such as musk, nutmeg, mace, and cloves. Blisters were known and used by the Arabs, who are the first also on record to mention sugar extracted from the cane, and sugar-candy, which they called honey of cane.
The process of distillation was not known to the ancient Greeks and Romans, although Dioscorides and Pliny describe an early form of it. In England, it wasn’t recognized until the time of Henry II. We owe the discovery of manna, cassia, senna, and rhubarb, as well as spices like musk, nutmeg, mace, and cloves, to the Arabs. They were also the first to use blisters and to mention sugar extracted from cane, referring to sugar-candy as the honey of cane.
Rhazes and Avicenna were the first physicians to introduce improvements in pharmaceutical preparations. The latter was the first to mention the three mineral acids, and distinguish between vegetable and mineral alkalies.
Rhazes and Avicenna were the first doctors to bring changes to how medicines were prepared. The latter was the first to identify the three mineral acids and to differentiate between plant-based and mineral alkalies.
In the year 1226, Roger Bacon, a native of Ilchester, in Somersetshire, and a Franciscan[103] monk, may be said to have laid the foundation of chemical science in Europe. He was excommunicated by Pope Nicholas, and imprisoned for ten years for supposed dealings with the devil. He professed to have discovered an elixir of life, which he affirmed prevented corruption of any constitution and the infirmities of age for many years. Following Bacon, at the end of the thirteenth century, came Arnoldas de Villa Nova, or Villeneuve, who was the first to recommend the distilled spirit of wine impregnated with certain herbs, from which we date our use of tinctures in medicine.
In 1226, Roger Bacon, a native of Ilchester in Somersetshire and a Franciscan monk, can be considered the founder of chemical science in Europe. He was excommunicated by Pope Nicholas and imprisoned for ten years for alleged dealings with the devil. He claimed to have discovered an elixir of life, which he said could prevent the decay of any body and the ailments of aging for many years. Following Bacon, at the end of the thirteenth century, came Arnoldas de Villa Nova, or Villeneuve, who was the first to recommend distilled wine infused with certain herbs, marking the beginning of our use of tinctures in medicine.
Basil Valentine followed as a pioneer in the administration of metallic medicines; he made volatile alkali from sal-ammoniac, and noticed the production of ether from alcohol.
Basil Valentine is recognized as a pioneer in the use of metallic medicines; he created volatile alkali from sal-ammoniac and observed the formation of ether from alcohol.
In the year 1493, Phillipus Theophrastus, Bombast of Hohenheim, afterwards known as Paracelsus, was born near Zurich in Switzerland, a man of extraordinary conceit and boldness, but who wrought a greater change and influence in materia medica than any physician since the time of Galen. He travelled all over Europe, and so obtained an extensive knowledge of chemistry and medicine.
In 1493, Phillipus Theophrastus, later known as Paracelsus, was born near Zurich in Switzerland. He was a man of remarkable self-importance and confidence, but he made a more significant impact on medicine than any doctor since Galen. He traveled across Europe, gaining a vast knowledge of chemistry and medicine.
This genius of science and quackery, for such Paracelsus must be termed, who scoffed at all[104] the doctrines believed in since the time of Hippocrates, professed to have received his knowledge from the Divine Being Himself. His sheer impudence carried the sympathies of the public with him, and they kissed the skirts of his gown as he passed through the streets, whilst he had among his followers many princes and nobles.
This genius of science and quackery, as Paracelsus must be called, who mocked all the beliefs held since the time of Hippocrates, claimed to have received his knowledge from the Divine Being Himself. His boldness won over the public, and they worshipped him as he walked through the streets, while he had many princes and nobles among his followers.
He denounced the apothecaries, who, he said, “could only compose insipid syrups and repulsive concoctions, when they have ready to hand at the bottom of their stills, extracts and dyes derived from the best vegetables and minerals”. He disagreed with the doctors also, whose prescriptions he stigmatised as barbarous, and was much against the use of correctives being added to pharmaceutical recipes when they had no natural relation to the preparation itself. He believed in the existence of an active principle in plants, which he termed the “Ether of Aristotle,” that could be isolated and used to avert the various disorders of the human body—an idea which is now the leading spirit in pharmaceutical research. His labours did much to stimulate the practical side of chemistry, though his language was mysterious, as, like other alchemists, he wrapped up all his wisdom and his ignorance in the garb of allegory. He was reported to carry about a[105] familiar spirit in the pommel of a long sword that always hung at his side.
He criticized the pharmacists, claiming they “could only make bland syrups and disgusting mixtures, even though they had the best extracts and dyes from vegetables and minerals readily available at the bottom of their stills.” He also disagreed with the doctors, whose prescriptions he called barbaric, and he firmly opposed the addition of correctives to pharmaceutical recipes when they had no natural connection to the preparation itself. He believed in an active principle in plants, which he referred to as the “Ether of Aristotle,” that could be isolated and used to prevent various ailments of the human body—an idea that is now central to pharmaceutical research. His work significantly promoted the practical side of chemistry, although his language was cryptic, as he, like other alchemists, cloaked all his knowledge and ignorance in the guise of allegory. He was said to carry a[105] familiar spirit in the pommel of a long sword that always hung by his side.
Paracelsus is said to have been the first to use mercury internally; he also employed opium, antimony, and lead largely in his treatment; and devised a process for the preparation of red oxide of mercury. He was sent for to many of the European Courts, and by the interest of Erasmus was made Professor of Chemistry at Bale, the first chair that was established in Europe. It was here while seated in his chair, that with arrogant impudence he burnt with great solemnity the writings of Galen and Avicenna, saying that “if God would not impart the secrets of physic, it was not only allowable, but was justifiable, to consult the devil”.
Paracelsus is said to be the first person to use mercury internally; he also heavily used opium, antimony, and lead in his treatments, and created a method for preparing red oxide of mercury. He was invited to many European courts, and through the influence of Erasmus, he became the first Professor of Chemistry in Bale, which was the first chair established in Europe. It was here, while sitting in his position, that with bold arrogance he solemnly burned the writings of Galen and Avicenna, claiming that "if God wouldn't share the secrets of medicine, it was not only acceptable but justifiable to consult the devil."
He had the greatest contempt for his fellow physicians, and said he had more knowledge in the very down on his bald pate than was in all their writings, and in the buckles of his shoes there was more learning than in Galen and Avicenna, and in his beard more experience than all their universities. The man was a mass of conceit and egotism, yet feared and liked by the people for his boldness.
He had a complete disdain for his fellow doctors, claiming he had more knowledge in the hair he had lost from his bald head than in all their writings. He believed the buckles on his shoes held more knowledge than Galen and Avicenna, and his beard contained more experience than all their universities combined. The man was full of arrogance and self-importance, yet the people both feared and admired him for his boldness.
Latterly he took to drinking heavily, seldom taking off his clothes for many nights together. At length he broke down, and the end came at[106] the age of forty-eight, when this singular man died after a few hours’ illness at Saltzburg, in Austria, a bottle of his boasted panacea for all ills being found in his pocket. He believed the human body to be composed of salt, sulphur, and mercury, and that in these “three fast substances” health and disease consist. To give Paracelsus his due, although empiricism and quackery were the chief elements in his career, he exerted an undoubted influence on the medical practice of his time, and with all his egotism did his best to advance the science and art of medicine.
Later on, he started drinking heavily, often going many nights without taking off his clothes. Eventually, he broke down, and the end came at[106] the age of forty-eight, when this unique man died after just a few hours of illness in Saltzburg, Austria, a bottle of his claimed cure-all found in his pocket. He believed that the human body was made up of salt, sulfur, and mercury, and that health and disease stem from these “three fixed substances.” To give Paracelsus his due, even though empiricism and quackery were the main aspects of his career, he undoubtedly influenced medical practice during his time and, despite his egotism, did his best to advance the science and art of medicine.
The next pioneer was Van Helmont, who flourished some hundred years later. He was the first to notice the existence of gases, also to use alum in uterine hæmorrhage, through which he acquired a great reputation.
The next pioneer was Van Helmont, who thrived about a hundred years later. He was the first to observe the existence of gases and also to use alum for uterine bleeding, which earned him a significant reputation.
Little was known of materia medica by the nations of the West from the eighth to the tenth century. The chief cultivation of medicinal herbs took place in the monasteries, each having its own botanical garden, which contributed much to the progress of medicine. At this time the knowledge of the medicinal value of herbs and roots was much more advanced in the East, and we find that during the reign of Almansour, in the eighth century, a large school was founded[107] at Bagdad, which became a refuge for scientists when exiled from Athens and Alexandria. The works of Aristotle and Galen were translated into Syriac, and the greatest generosity and encouragement were shown to savants who settled there. Before this the Arabs had considerable knowledge of the use of plants in medicine, and had made some valuable discoveries. Their physicians recommended the use of senna, tamarinds, and cassia in place of the violent purgatives used by the Greek physicians, and a number of new plants were introduced by Rhazes from India, Persia, and Syria. Mesué wrote his treatise on medicine (De Remedica), which, on being translated into Latin, was used as a manual in all the schools up to the Renaissance.
Little was known about materia medica by the Western nations from the eighth to the tenth century. Most of the cultivation of medicinal herbs happened in monasteries, each having its own botanical garden, which greatly contributed to the advancement of medicine. At this time, the understanding of the medicinal properties of herbs and roots was much more developed in the East. During the reign of Almansour in the eighth century, a large school was established[107] in Bagdad, which became a haven for scientists who were exiled from Athens and Alexandria. The works of Aristotle and Galen were translated into Syriac, and there was great generosity and support for savants who settled there. Before this, the Arabs already had a solid understanding of using plants in medicine and had made valuable discoveries. Their physicians recommended using senna, tamarinds, and cassia instead of the harsh purgatives used by Greek physicians, and several new plants were introduced by Rhazes from India, Persia, and Syria. Mesué wrote his treatise on medicine (De Remedica), which, when translated into Latin, became a manual used in all schools up to the Renaissance.
Constantine was the first to introduce the most noted Arabic works into Europe, himself a writer of no little repute. Then several Arab travellers added to the store of knowledge; among these, Ebor-Taitor, a native of Malaga, travelled in Asia to study plants, and eventually became minister of the Caliph at Cairo.
Constantine was the first to bring the most famous Arabic works to Europe, and he was also a well-known writer himself. Then, several Arab travelers contributed to this knowledge; one of them, Ebor-Taitor, who was from Malaga, journeyed through Asia to study plants and eventually became a minister of the Caliph in Cairo.
Otho, of Cremona, in a poem of 1500 lines, contributed his knowledge of plants, and John of Milan, in his Code of the School of Salerno, compiled the discoveries of a century in medical botany.
Otho, from Cremona, in a poem of 1500 lines, shared his knowledge of plants, and John of Milan, in his Code of the School of Salerno, gathered the findings of a century in medical botany.
Coming to the twelfth century, scientific progress was not so rapid, yet all the investigation that was made originated in the study of medicine. Most of the monasteries and convents besides their botanical gardens, had collections of minerals and animals, which were carefully watched and tended, and the monks and nuns would not only administer to the sick of their own orders, but also to the suffering who claimed their charity. Once lodged there, the treatment was good and wholesome, and consisted mostly of decoctions of simples, backed up by good kitchen medicine, quietness, and rest. One or two monks who had a special knowledge of herbs were usually allotted to this department. It can then hardly be wondered at, that during the thirteenth and fourteenth centuries most of the records we have of medicine are from works by the brethren of the monasteries. An excellent collection of recipes, comprising also a summary of plants, animals, and minerals was compiled by Hildegarde, Abbess of Bingen, and called the Jardin de Santé.
As the twelfth century rolled around, scientific progress wasn’t as quick, but the research that did happen mainly came from the study of medicine. Most monasteries and convents, in addition to their botanical gardens, had collections of minerals and animals that were carefully observed and cared for. The monks and nuns not only looked after members of their own orders who were sick but also provided care for those in need who sought their help. Once someone was taken in, the treatment was good and effective, relying largely on herbal teas and home remedies, along with rest and calmness. Usually, one or two monks with special knowledge of herbs would be assigned to this area. Therefore, it’s not surprising that during the thirteenth and fourteenth centuries, most of the medical records we have come from works created by the monks. A notable compilation of recipes, which also included a summary of plants, animals, and minerals, was put together by Hildegarde, Abbess of Bingen, and was titled Jardin de Santé.
This good lady, like many other abbesses of her time, was much interested in the art of healing. She cultivated her own medicinal plants, and carefully noted down their properties for the use of others, and thus left a valuable record.
This lady, like many other abbesses of her time, was very interested in the art of healing. She grew her own medicinal plants and carefully recorded their properties for others to use, leaving behind a valuable record.
In the thirteenth century an advance was made in materia medica by Gilbert and Hernicus Arviell, two Englishmen who travelled through Asia to study plants and their uses. Simon de Cordo, called Simon of Genoa, also took a botanising exploration into Sicily and the islands of the Archipelago, and afterwards wrote a botanic dictionary.
In the 13th century, there was a breakthrough in materia medica by Gilbert and Hernicus Arviell, two Englishmen who traveled through Asia to study plants and their uses. Simon de Cordo, known as Simon of Genoa, also went on a botanical exploration of Sicily and the islands of the Archipelago, and later wrote a botanical dictionary.
Another eminent botanist of this period was Peter de Crescenzi, a man of good birth and fortune, who was born at Bologna in 1330, and who greatly interested himself in botany and horticulture. His great work, which was translated into several languages, was called Opus Rubarium Commodorum. Contemporary with Peter were three names we must not omit, viz., Vincent de Beauvais, Albertus Magnus, and Arnaud de Villeneuve, who professed a knowledge of alchemy, astrology, and physic. Vincent de Beauvais was a Dominican monk, and his great work, the Speculum Naturale, is saturated with the superstition of the time. In this book he states, “the mandragora is of the same shape as the human body; the winged dragon is capable of carrying off an ox, and devouring the same whilst flying”. He also describes the scythion lamb, a sort of animal plant which had roots and grew in the ground,[110] and other fearsome creatures, and declared that “in Scotland the fruits of certain trees, when they fall into the water, produce the birds called black divers”. Villeneuve wrote many treatises on plants and animals, and eventually became teacher of medicine and botany at the University of Paris. He was undoubtedly a man in advance of his time, and boldly declared “that the most solemn mysteries of the Catholic faith could be explained by the teachings of natural history and experimental physics”.
Another prominent botanist from this time was Peter de Crescenzi, who came from a well-off family and was born in Bologna in 1330. He was deeply engaged in botany and horticulture. His major work, which was translated into several languages, was titled Opus Rubarium Commodorum. Alongside Peter, three other names are important: viz. Vincent de Beauvais, Albertus Magnus, and Arnaud de Villeneuve, who claimed expertise in alchemy, astrology, and medicine. Vincent de Beauvais was a Dominican monk, and his notable work, Speculum Naturale, is filled with the superstitions of the era. In this book, he claims, “the mandragora has the same shape as the human body; the winged dragon can carry off an ox and eat it while flying.” He also describes the scythion lamb, a kind of plant-animal that had roots and grew in the ground,[110] along with other terrifying creatures, and stated that “in Scotland, the fruits of certain trees, when they fall into the water, create the birds known as black divers.” Villeneuve wrote many essays on plants and animals, ultimately becoming a teacher of medicine and botany at the University of Paris. He was surely ahead of his time, boldly stating “that the most solemn mysteries of the Catholic faith could be understood through the principles of natural history and experimental physics.”
He was therefore accused by the magistrates of sorcery and magic, but escaped through the special protection of Charles of Anjou into Italy, where he settled for a long time.
He was thus accused by the magistrates of witchcraft and magic but escaped thanks to the special protection of Charles of Anjou to Italy, where he lived for a long time.
The fourteenth century saw little advance in the medical art, but it was enriched by one or two great works. One of these, written in Latin by Bartholomew Glanvil, an English monk, was a kind of encyclopædia of immense size, and was called Liber de Proprietatibus Rerum, and had a great reputation for centuries afterwards.
The fourteenth century saw little progress in medical practice, but it was enhanced by one or two significant works. One of these, written in Latin by Bartholomew Glanvil, an English monk, was a massive encyclopedic text called Liber de Proprietatibus Rerum, which maintained a strong reputation for centuries to come.
The advent of printing about the middle of the fifteenth century rapidly spread the knowledge of more recent discoveries throughout Europe, and many large works on botany and herbalism, illustrated with woodcuts, were published at Mayence and Louvain. At Venice[111] many of the works of the old Arab physicians, Avicenna, Mesué, and others, were printed and eagerly purchased. The discovery of America in 1492 heralded the introduction of numerous fresh additions to materia medica, which were brought to this country by explorers and naturalists.
The rise of printing in the mid-fifteenth century quickly spread knowledge of recent discoveries across Europe, leading to the publication of many comprehensive works on botany and herbalism, complete with woodcut illustrations, in Mainz and Louvain. In Venice[111], many works by ancient Arab physicians like Avicenna and Mesué were printed and eagerly bought up. The discovery of America in 1492 marked the beginning of many new additions to materia medica, which were brought to this country by explorers and naturalists.
In the sixteenth century, by the labours and researches of George Agricola, a German, and Conrad Gesner, a Swiss, a considerable advance was made in the knowledge of what was called chemical medicine and botany. Agricola, who was the greatest mineralogist the world had then seen, explored and spent much time in the mines of Bohemia and Saxony, and thus obtained a practical knowledge of the then known methods of the working of metals. His contemporary, Conrad Gesner, born at Zurich in 1516, has been called the originator of scientific botany, as he was the first to discover a method of recognising each genus and kind by examining the organs of fructification, and in this way discovered 1800 new varieties. A famous physic garden was planted in Paris in the early part of the seventeenth century by Jacques Gohory, an enthusiastic pharmacist, and this garden eventually became part of the Jardin des Plantes. In connection with this garden a school of medicine[112] was founded, the first occupant of the chair of chemistry being William Davisson, a Scotchman, and predecessor to Lefebvre, who afterwards became a chemist at St. James’s.
In the sixteenth century, through the work and research of George Agricola, a German, and Conrad Gesner, a Swiss, significant progress was made in the understanding of what was known as chemical medicine and botany. Agricola, who was the greatest mineralogist of his time, explored and spent a lot of time in the mines of Bohemia and Saxony, gaining practical knowledge of the methods used to work with metals. His contemporary, Conrad Gesner, born in Zurich in 1516, is regarded as the founder of scientific botany, as he was the first to figure out how to identify each genus and species by examining the reproductive organs, leading to the discovery of 1800 new varieties. A famous physic garden was established in Paris in the early seventeenth century by Jacques Gohory, an enthusiastic pharmacist, and this garden eventually became part of the Jardin des Plantes. In connection with this garden, a school of medicine[112] was founded, with William Davisson, a Scot, being the first to hold the chair of chemistry, preceding Lefebvre, who later became a chemist at St. James’s.
The practice of the teachers of this time was to dictate to their students, and in order to save themselves the trouble of dictating and the students the trouble of writing, which was a very laborious matter in those days, the lecturer would write a book. Thus Jean Beguin wrote a chemical text-book in 1612, which passed through no fewer than fifty-three editions.
The teachers of this time would dictate to their students, and to make things easier for themselves and reduce the effort for the students, who found writing very labor-intensive back then, the lecturer would write a book instead. This is how Jean Beguin wrote a chemistry textbook in 1612, which went through at least fifty-three editions.
We must not omit to mention two other pioneers of this period, who made important discoveries in botany; they were Matthias of Lille, who eventually settled in England, and Andrew Cesalpin, professor of botany at Pisa. The former first formulated the true principles of classification of plants and arrangement into families, such as the orchids, palms, and mosses; and to the latter belongs the honour of having devised the first system of botany. Having compared the process of generation in animals to the seeds of plants, he distinguished male plants by their stamens, and those which yielded seed as female.
We should also mention two other pioneers from this time who made significant discoveries in botany: Matthias of Lille, who eventually moved to England, and Andrew Cesalpin, a botany professor at Pisa. Matthias was the first to establish the true principles of plant classification and organizing them into families, like orchids, palms, and mosses. Cesalpin is credited with creating the first system of botany. By comparing the reproductive processes of animals to the seeds of plants, he identified male plants by their stamens and those that produced seeds as female.
The next era is marked by the publication of the first pharmacopœia at Nuremberg in 1542.[113] “For this act,” says Paris, “we are indebted to Valerius Cordus, a young student, who, during a transient visit at that place, accidentally produced a collection of medical receipts which he had selected from the works of the past esteemed writers, and with which the physicians of Nuremberg were so highly pleased that they urged him to print it for the benefit of the apothecaries, and obtained the sanction of the Senate to the undertaking.” To this slight circumstance we owe the institution of pharmacopœias. The first London Pharmacopœia was, however, not published until the reign of James I., in 1618, of which there were twelve subsequent editions, the last being in 1841. The Dublin Pharmacopœia first appeared in 1807, the last edition being published in 1850. Until the Medical Act passed in 1858, the right of publishing the Pharmacopœia for England, Scotland, and Ireland was vested in the College of Physicians of London, Edinburgh, and Ireland respectively; and as these books contained several preparations similar in name and different in strength, such obvious danger arose for travellers that the British Pharmacopœia, published in 1864, became, by Act of Parliament, the standard for Great Britain and Ireland.
The next era is marked by the publication of the first pharmacopœia in Nuremberg in 1542.[113] “For this achievement,” says Paris, “we owe it to Valerius Cordus, a young student who, during a brief visit to that place, accidentally created a collection of medical recipes he had gathered from the works of respected past authors. The physicians of Nuremberg were so impressed that they encouraged him to print it for the benefit of apothecaries and secured the Senate's approval for the project.” To this small event, we owe the establishment of pharmacopœias. However, the first London Pharmacopœia was not published until the reign of James I. in 1618, with a total of twelve subsequent editions, the last released in 1841. The Dublin Pharmacopœia first appeared in 1807, with the final edition published in 1850. Until the Medical Act passed in 1858, the right to publish the Pharmacopœia for England, Scotland, and Ireland was held by the College of Physicians of London, Edinburgh, and Ireland respectively; and since these books contained several preparations with similar names but different strengths, travelers faced obvious dangers, prompting the British Pharmacopœia, published in 1864, to become the official standard for Great Britain and Ireland by Act of Parliament.
The Chelsea Physic Garden is the oldest public[114] botanical garden in Great Britain, but there were private ones of older date, such as that of Gerard, the author of The Herbal, which was situated in Holborn, and that of Tradescant, the famous Dutch traveller, gardener to James I., who had an extensive garden of exotic plants in Lambeth.
The Chelsea Physic Garden is the oldest public[114] botanical garden in Great Britain, but there were private gardens that were even older, like Gerard's, the author of The Herbal, which was located in Holborn, and Tradescant's, the famous Dutch traveler who was the gardener to James I., who had a large garden filled with exotic plants in Lambeth.
The founders of the Chelsea Garden were the members of the Society of Apothecaries, who have maintained it for over two centuries entirely for scientific purposes, as was stipulated in the deed of gift, executed by Sir Hans Sloane, in which the growing or cultivation of plants for purely pharmaceutical purposes, or for trade, was strictly forbidden. The origin of this so-called Physic Garden was somewhat amusing, and anything but scientific. The ground was first fixed upon as an eligible spot for building a boathouse for the state barge of the Apothecaries’ Company. This ground was walled in about 1674, and planted with trees in 1678, and herbs were grown in it for use in the company’s laboratories, some of these plants being from time to time exchanged for others from the University of Leyden. Sir Hans (then Dr.) Sloane bought the estate in 1712; and, as might have been expected of a man of his parts, a pupil of the chemist Stahl and of the botanist Tournefort, and a friend of[115] the great Ray, a new era of usefulness was begun in the Chelsea Garden. In 1722 he handed over the land to the Apothecaries’ Society, at a yearly rental of £5, and an undertaking that fifty specimens of fifty species of distinct plants, well dried and mounted as herbarium specimens and properly named, should be handed over to the Royal Society each year until 2000 had been duly delivered. In a catalogue issued in 1730, written by Miller, the head gardener, are enumerated 499 plants, mostly medicinal, so one may judge of the extent of the gardens at that time. Exotics were cultivated in hothouses in 1732, and in 1736 Linnæus paid a visit to the garden.
The founders of the Chelsea Garden were members of the Society of Apothecaries, who have maintained it for over two centuries solely for scientific purposes, as outlined in the deed of gift executed by Sir Hans Sloane, which strictly prohibited the growing or cultivation of plants for purely pharmaceutical purposes or for trade. The origin of this so-called Physic Garden is somewhat amusing and far from scientific. The land was initially chosen as an ideal spot to build a boathouse for the state barge of the Apothecaries’ Company. This land was enclosed around 1674 and planted with trees in 1678, and herbs were grown there for use in the company’s laboratories, with some of these plants being exchanged from time to time for others from the University of Leyden. Sir Hans (then Dr.) Sloane purchased the estate in 1712, and as one might expect of a man of his caliber, a student of chemist Stahl and botanist Tournefort, and a friend of the great Ray, a new era of usefulness began in the Chelsea Garden. In 1722 he handed over the land to the Apothecaries’ Society for a yearly rent of £5 and on the condition that fifty specimens of fifty different species of well-dried and properly named plants be given to the Royal Society each year until 2000 had been delivered. In a catalogue published in 1730, written by Miller, the head gardener, 499 plants are listed, mostly medicinal, indicating the extent of the gardens at that time. Exotics were cultivated in hothouses in 1732, and in 1736 Linnæus visited the garden.
Thomas Dover, the originator of Dover’s powder, was born in England in the year 1660. He settled and practised medicine for a time in Bristol; left there for a period, and returned again. He lived with, and was contemporaneous with Sydenham. He gained much professional reputation on the occasion of a severe epidemic of fever. This may have suggested to him the use of ipecacuanha and opium in a compound.
Thomas Dover, the creator of Dover’s powder, was born in England in 1660. He practiced medicine in Bristol for a while, left for some time, and then returned. He lived at the same time as Sydenham. He gained a lot of professional recognition during a severe fever epidemic. This experience may have inspired him to combine ipecacuanha and opium.
In Dover’s day and time, the apothecaries were in the ascendancy, being the medical practitioners, whilst the physicians were chiefly called in to attend in childbirth and protracted illness. Indeed, it is naïvely stated that the apothecary[116] surgeons rode in their chaises, while the doctors walked, and that the former were generally first consulted when the choice of a family physician was to be made. Mercury had at this time an unrestrained use—perhaps abuse would be a better word,—and much severe public stricture was made upon the fact. Crude quicksilver was administered, and Dover was a warm advocate of its use—in fact, he was called the quicksilver doctor. One Captain Henry Coit, a patient of Dover’s, took an ounce and a quarter of crude mercury daily, until he had used more than two pounds weight! Dover professed to believe that mercury freed the patient from all vermicular diseases, opened all obstructions, and made a pure balsam of the blood.
In Dover's time, apothecaries were on the rise as the main medical practitioners, while physicians were mostly called upon for childbirth and serious illnesses. It's often said that apothecaries[116] rode in their carriages, while doctors walked, and that people usually consulted apothecaries first when picking a family doctor. Mercury was widely used at this point—though perhaps abuse is a better word for it—and there was a lot of public criticism about this. Crude mercury was commonly prescribed, and Dover was a strong supporter of its use; in fact, he was known as the quicksilver doctor. One of his patients, Captain Henry Coit, took an ounce and a quarter of crude mercury every day, totaling more than two pounds! Dover claimed that mercury eliminated all parasitic diseases, opened blockages, and purified the blood.
The doctors and apothecaries were at loggerheads. Dover said the best way to affront the latter was to order too little physic—each patient being deemed to be worth a certain sum to the dispenser.
The doctors and pharmacists were in conflict. Dover suggested that the best way to upset the pharmacists was to prescribe too little medicine—each patient being considered valuable to the dispenser in terms of a certain amount of money.
In 1708 Dover joined the company of a group of Bristol merchants in a scheme to fit out two vessels for privateering in the South Seas. Dover, it seems, went as captain, and the voyage was eminently successful in booty. They took in various reprisals from the Spaniards—the hoards of treasure and gold which they in turn[117] had obtained from the native Indians—the principle of might applied to right. The expedition returned to Britain enriched with spoil, the treasure amounting to £170,000 sterling. It was during this memorable voyage that Dover, landing with some of his crew on the island of Juan Fernandez, discovered the existence of Alexander Selkirk—Robinson Crusoe—in his dreary solitude on this desert shore.
In 1708, Dover teamed up with a group of Bristol merchants to outfit two ships for privateering in the South Seas. It seems Dover served as captain, and the voyage was extremely successful in terms of loot. They captured various goods from the Spaniards—treasure and gold that the Spaniards had taken from the native Indians—demonstrating the principle of might equating to right. The expedition returned to Britain loaded with riches, the treasure totaling £170,000 sterling. It was during this remarkable voyage that Dover, along with some of his crew, landed on the island of Juan Fernandez and discovered Alexander Selkirk—Robinson Crusoe—in his lonely existence on that desolate shore.
CHAPTER XIV.
Amulets, talismans, and charms.
From very remote times a somewhat curious link has existed between the art of healing and religion, and those who proposed the cure of the body or the soul have ever sought to work upon that uncanny chord we call superstition, which pervades more or less all classes of mankind. The influence of superstition manifested itself in many ways, and among others the belief in amulets, talismans and charms survives even to-day. Two thousand years ago they were dispensed by the priests, and afterwards by those who practised medicine, alchemy, and astrology, during the middle ages, when medical practice was mainly composed of a mixture of white magic, witchcraft, and religion.
From very early times, there has been a curious connection between healing and religion. Those who sought to heal the body or the soul have always tried to tap into that strange element we call superstition, which exists in some form across all segments of society. Superstition showed its influence in many ways, and even today, beliefs in amulets, talismans, and charms persist. Two thousand years ago, these were provided by priests, and later by those involved in medicine, alchemy, and astrology during the Middle Ages, when medical practices largely consisted of a mix of white magic, witchcraft, and religion.
An amulet consisted of an object in wood, stone, or metal, carved or painted; also certain words or signs, written or spoken, which were supposed to possess some mysterious virtue or hidden property, and avert disease and death from the wearer. The word means something[119] that is suspended from the neck, or bound round a part of the body, to strengthen it; to drive off disease or poison, bringing about certain results of a peculiar character, and invested with supernatural virtues. Portions of animals and herbs were also used for this purpose. Talismans were objects, usually of metal or one of the precious stones, worn about the person to ward off danger, ill-luck, or the evil eye, as well as for their supposed medicinal virtues.
An amulet was a piece made from wood, stone, or metal, either carved or painted. It also included certain words or symbols that were either written or spoken, believed to have some mysterious power or hidden qualities that could protect the wearer from illness and death. The term refers to something that is worn around the neck or wrapped around part of the body to provide strength, fend off disease or poison, and create specific results with unique properties, all believed to have supernatural powers. Parts of animals and plants were also used for this purpose. Talismans were objects, usually made of metal or precious stones, worn on the body to repel danger, misfortune, or the evil eye, as well as for their presumed healing properties.
By their means it was thought possible to hold commune with the world of spirits. Their origin is lost in antiquity, but they were used by the Assyrians, Egyptians, Persians, and Jews hundreds of years before the Christian era, and afterwards by the Greeks and Romans. It is probable the Jews learned the use of amulets from the Egyptians at the time of the captivity, by whom they were very generally worn. Egyptian amulets were mostly composed of stone or porcelain objects, fashioned in various forms. Some were emblematic of deities, such as the nilometer, which was a symbol of Osiris, while others represented human heads or the figures of animals. Many were engraved with zodiacal symbols which had special significance. The crab was worn to ward off fevers, the bull to guard against the evil-doing of others,[120] fishes kept away gout and kindred diseases, and the scorpion rendered the wearer invulnerable to the bites or stings of venomous reptiles. It was customary with the Egyptians to attach certain amulets to the bodies of the dead to protect them from evil spirits, and they are frequently found suspended from the necks of mummies. Amulets are worn in Egypt to-day, and also in most Mohammedan countries. They usually take the form of a small strip of parchment, on which is written some cabalistic sign or a few lines from the Koran, the whole being enclosed in a small leather or tin case, and hung around the neck. Amulets were also known and much used by the early Greeks. Pliny mentions their virtue, while Galen, Dioscorides, Cardamus, and other ancient writers on medicine, speak of their value in warding off disease. Galen tells us that the Egyptian king, Nechepsus, who lived 630 years B.C., wore a green jasper cut into the form of a dragon, surrounded with rays, which, applied externally to the region of the digestive organs, was said to wonderfully strengthen that part. The Romans were also great believers in the power of the amulet, and in the declining era of the great empire the custom of wearing them became so general that the Emperor Caracalla made a public edict, that[121] no man should wear an amulet about his person, under heavy penalties.
By their means, people believed it was possible to connect with the spirit world. Their origins are lost in history, but they were used by the Assyrians, Egyptians, Persians, and Jews hundreds of years before the Christian era, and later by the Greeks and Romans. It's likely that the Jews learned to use amulets from the Egyptians during their captivity, as these were commonly worn by them. Egyptian amulets were mainly made of stone or porcelain, shaped in various forms. Some symbolized deities, like the nilometer, which represented Osiris, while others showed human heads or animal figures. Many had zodiac symbols that held special meanings. The crab was worn to protect against fevers, the bull to guard against the harm caused by others, fishes were believed to ward off gout and similar illnesses, and the scorpion was thought to make the wearer immune to bites or stings from poisonous reptiles. It was common for Egyptians to attach certain amulets to the bodies of the dead to protect them from evil spirits, and they are often found hanging from the necks of mummies. Amulets are still worn in Egypt today, as well as in most Muslim countries. They usually consist of a small strip of parchment, inscribed with some mystical symbol or a few lines from the Quran, all enclosed in a small leather or tin case and worn around the neck. Amulets were also well-known and widely used by the early Greeks. Pliny mentioned their effectiveness, while Galen, Dioscorides, Cardamus, and other ancient medical writers discussed their value in preventing disease. Galen tells us that the Egyptian king, Nechepsus, who lived 630 years B.C., wore a green jasper carved into the shape of a dragon, surrounded by rays, which, when applied externally to the digestive organs, was said to greatly strengthen that area. The Romans were also strong believers in the power of amulets, and by the decline of the great empire, wearing them became so widespread that Emperor Caracalla issued a public decree that no man should wear an amulet, under severe penalties.
Amulets have been known to that curious nation the Chinese from the earliest period of their history, and are still worn by them. They are sold by the priests in the form of small pieces of metal, chains, or characters written on a piece of skin or parchment, and worn as a charm against accident, sickness, etc.
Amulets have been known to the curious nation of China since the earliest times in their history and are still worn today. They are sold by priests as small pieces of metal, chains, or symbols written on a piece of skin or parchment, and are used as charms to protect against accidents, illness, and other misfortunes.
To enumerate all the extraordinary objects used as amulets in early times, and the wonderful virtues attached to them, would fill a volume, so we must be content to mention a few of the most curious.
To list all the incredible objects used as amulets in ancient times and the amazing qualities associated with them would take a whole book, so we’ll just mention a few of the most interesting ones.
The amulets and talismans probably held in the highest esteem were those in the form of precious stones. They were supposed to be influenced in some mysterious way by the planets, and to be the abode of spirits. Five or six hundred years ago a lady would present her knight with a talisman on his departure on some adventurous or warlike expedition; this often took the form of a jewel set in the hilt of his sword. The diamond was thus supposed to endow the wearer with courage, and make him more fearless than careful. A jacinth had the reputation of being able to strengthen the heart, and was often worn close to the region of[122] that organ, fashioned into the form of some animal or saint. The sapphire was supposed to possess a Divine gift of sharpening the intellect, and was also worn as a preventive against the bites of venomous animals. A wearer of this stone was also said to have the power of resisting “necromantick apparitions”. The emerald was worn in a ring to prevent giddiness and strengthen the memory. Garcious quaintly states: “It takes away vain and foolish fears as of devils and hobgoblins, folly and anger, and causeth good conditions; if it do so being worn about one, reason will tell him, that being beaten into powder and taken inwardly it will do much more”. Great faith was placed in the ruby as an amulet to ward off plagues and pestilences. Cardamus says: “It has the power of making the wearer cheerful, and banishing idle and foolish thoughts”. The amethyst was supposed to promote temperance and sobriety, and cause the wearer to abstain from strong drinks and from taking too much sleep. By other writers it is also said to quicken the wit and repel vapours from the head—altogether a very useful kind of amulet to have about. The chrysolite was said to ward off fevers; while the onyx, worn round the neck, was supposed to prevent an attack of epilepsy. The opal was believed to cure weak eyes, and the topaz to cure[123] inflammation and keep the wearer from sleep-walking. Lapis-lazuli, worn as a jewel, was said to make the wearer fortunate and rich, while amulets of jasper resisted fevers and dropsy. Ancient warriors often carried an amulet composed of bloodstone, which was supposed to stop bleeding when applied to a wound. The old Egyptian amulets were mostly carved in stone, porcelain, carnelian, or lapis-lazuli, etc. They were fashioned in many forms, the most common being the heart, the symbolic eye, two fingers, disc and horns, snakes, the tat, and the papyrus sceptre.
The amulets and talismans that were likely held in the highest regard were those made from precious stones. They were believed to be influenced in some mysterious way by the planets and to house spirits. Five or six hundred years ago, a woman would give her knight a talisman when he was about to leave for an adventure or a military campaign; this often took the form of a jewel set in the hilt of his sword. The diamond was thought to give the wearer courage, making him more fearless than cautious. A jacinth was believed to strengthen the heart and was often worn close to that area, fashioned into the shape of an animal or saint. The sapphire was thought to have a divine ability to sharpen intelligence and was also worn to protect against venomous animal bites. A person wearing this stone was said to have the power to resist "necromantic apparitions." The emerald was worn in a ring to prevent dizziness and improve memory. Garcious quaintly states: “It takes away vain and foolish fears as of devils and hobgoblins, folly and anger, and causes good conditions; if it does so when worn, reason will tell him that being ground into powder and taken internally, it will do much more.” Great faith was placed in the ruby as an amulet to ward off plagues and diseases. Cardamus says: “It has the power of making the wearer cheerful, and banishing idle and foolish thoughts.” The amethyst was believed to promote temperance and sobriety, helping the wearer to avoid strong drinks and oversleeping. Other writers claimed it could quicken the wit and clear the mind—definitely a very useful kind of amulet to have. The chrysolite was said to ward off fevers, while the onyx, worn around the neck, was believed to prevent epileptic seizures. The opal was thought to cure weak eyesight, and the topaz was said to cure inflammation and keep the wearer from sleepwalking. Lapis lazuli, worn as a jewel, was said to bring fortune and wealth, while jasper amulets were believed to resist fevers and dropsy. Ancient warriors often carried an amulet made of bloodstone, which was thought to stop bleeding when applied to a wound. The old Egyptian amulets were primarily carved from stone, porcelain, carnelian, or lapis lazuli. They were made in many shapes, the most common being the heart, the symbolic eye, two fingers, disc and horns, snakes, the tat, and the papyrus scepter.

The Tat. The Heart. The Pillow. The Eye. Two Fingers. Papyrus Sceptre.
The Tat. The Heart. The Pillow. The Eye. Two Fingers. Papyrus Sceptre.
ANCIENT EGYPTIAN AMULETS OF GOLD AND CLAY FOUND IN MUMMY CASES.
ANCIENT EGYPTIAN AMULETS MADE OF GOLD AND CLAY DISCOVERED IN MUMMY CASES.
Coming to those fashioned in metal, amulets of gold were also highly esteemed. The precious metal was supposed to strengthen the heart, drive away melancholy, fever, and other infirmities. Silver was attributed with the possession of similar properties, but in a lesser degree. Zoroaster and Paracelsus advocated the use of metallic amulets. Special value was attached to those[124] made from a peculiar metal called electron, which was composed of seven metals fused together in fixed proportions. Amulet rings were always worn on the third finger, which was called the medicine-finger by alchemists, through which they believed the heart was most susceptible to influence. Written amulets usually consisted of some cabalistic character, or a few words written on a small piece of skin or parchment. This was either enclosed in a tiny case and suspended from the neck, or bound against the body. It was not uncommon for the physician of the fifteenth century to write his prescription in mysterious characters, and hang it round the neck of the patient, or bind it over the part nearest the seat of the complaint. Of written amulets perhaps the most famous formula was Abracadabra, which, when written on a piece of parchment in the following manner, was said to protect the wearer from most diseases:—
When it comes to those made of metal, gold amulets were highly valued. This precious metal was believed to strengthen the heart and ward off sadness, fever, and other ailments. Silver was thought to have similar benefits, but to a lesser extent. Zoroaster and Paracelsus recommended using metallic amulets. Amulets made from a special metal called electron, which was a blend of seven metals fused in specific proportions, were particularly prized. Amulet rings were traditionally worn on the third finger, known as the medicine finger by alchemists, as they believed this finger was most connected to the heart. Written amulets usually featured some mystic symbol or a few words on a small piece of skin or parchment. These were either placed in a small case and worn around the neck or fastened to the body. It was common for 15th-century doctors to write prescriptions in enigmatic symbols and hang them around patients' necks, or attach them near the area of concern. Among written amulets, one of the most famous incantations was Abracadabra, which was said to protect the wearer from many diseases:—
A B R A C A D A B R A
A B R A C A D A B R
A B R A C A D A B
A B R A C A D A
A B R A C A D
A B R A C A
A B R A C
A B R A
A B R
A B
A
A B R A C A D A B R A
A B R A C A D A B R
A B R A C A D A B
A B R A C A D A
A B R A C A D
A B R A C A
A B R A C
A B R A
A B R
A B
A
Another common formula was the sign A II, which, inscribed on parchment, was worn round the neck to prevent sore eyes. Others were composed of astrological signs and certain numbers. A favourite inscription was A B R A X A S, supposed to ward off fever and pestilence.
Another common charm was the sign A 2, which was written on parchment and worn around the neck to prevent sore eyes. Others included astrological symbols and specific numbers. A popular inscription was A B R A X A S, believed to protect against fever and disease.
The Jews used the fifth and sixth verses of the sixteenth Psalm as an amulet to discover hidden thieves, it being supposed that on repeating these words they would be compelled to come forth from their hiding-places. The modern burglar requires an amulet of a somewhat stronger nature in these prosaic days. A curious charm for warts, used some 400 years ago, was to write on seven little wafers the following words: Maximanus, Walchus, Johannes, Martinianus, Dionysius, Constantius, Serapion, and sing a prescribed incantation first into one ear, then into the other, and then above the patient’s poll, after which a virgin was to hang the incantation around the patient’s neck, when the warts would disappear. Another amulet to charm away warts was an iron ring made from the chain of a gibbet. The following incantation was supposed to stop bleeding from the nose: Make the sign of the Cross thrice, repeat the Lord’s Prayer thrice; then say the Ave Maria, and repeat the words Max, Hackx, Lyacx, Iseus, Christus.[126] Among the many strange and curious articles worn as amulets the old philosophers seem to have had the greatest veneration for certain mysterious stones, such as bezoar, the origin of which in most cases is exceedingly doubtful. Dark and weird are the legends relating to the power of the toadstone, that amulet so highly prized by witches and astrologers. Among other properties it was supposed to protect its owner from the bites of venomous animals. Lemnius tells us of “a stone of the bigness of a bean, to be found in the gizzard of an old cock, which makes him that wears it beloved, constant, bold, and valiant in fighting and sports”. Such amulets brought big prices, and were eagerly sought after. The toadstone was much esteemed as a charm against the bites of snakes and reptiles; it also had a reputation for curing weak eyes and headache. Orpheus believed that when this amulet was worn by a public speaker he could always compel and hold the attention of his audience. A charm against the evil eye consisted of a quill filled with mercury, sealed at each end, and worn bound to the body. A small portion of the plant called St. John’s Wort was carried about the person as a preventive from harm by witches or devils. A toad, well dried in the sun, put into a bag and hung round the neck, low enough to touch the[127] region of the heart, was used to allay hæmorrhage; and a very well salted herring split open and applied to the soles of the feet was a noted remedy for ague. An emerald suspended from the neck was worn as an amulet to ward off the same complaint. Aqua divina, a famous remedy, supposed to possess “magnetick power,” was prepared by macerating a human body in water and distilling it twice or thrice. Human bones, various parts of a mummy, and other equally gruesome objects, were supposed to be endowed with some mysterious power to ward off accident, disease, and death. In some parts of the country, especially in Cornwall, eel skins were and are still used, tied round the legs to prevent cramp; and two sticks laid crosswise on the bedroom floor were supposed to charm away the same painful complaint. It is still a common custom in other country districts to pass a weakly child through the split branch of a tree in order to make it grow stronger; and a certain class have the strongest belief in a charm of a romantic nature that is worked with the gum called dragon’s blood.
The Jews used the fifth and sixth verses of the sixteenth Psalm as an amulet to find hidden thieves, as it was believed that repeating these words would force them to come out of their hiding places. Modern burglars need a more powerful amulet in these practical times. A strange charm for warts, used around 400 years ago, involved writing the names Maximanus, Walchus, Johannes, Martinianus, Dionysius, Constantius, and Serapion on seven small wafers. Then, you would chant a specific incantation into one ear, then the other, and finally above the patient's head, after which a virgin would hang the incantation around the patient’s neck, causing the warts to disappear. Another amulet for getting rid of warts was an iron ring made from the chain of a gallows. The following incantation was believed to stop nosebleeds: make the sign of the Cross three times, repeat the Lord’s Prayer three times, then say the Ave Maria, and repeat the words Max, Hackx, Lyacx, Iseus, Christus.[126] Among the many strange and interesting items worn as amulets, old philosophers seemed to have the greatest respect for certain mysterious stones, like bezoar, whose origin is often quite questionable. Dark and eerie are the legends about the power of the toadstone, an amulet highly valued by witches and astrologers. It was believed to protect its owner from venomous animal bites. Lemnius described "a stone the size of a bean, found in the gizzard of an old rooster, which makes the wearer loved, loyal, brave, and fearless in combat and games." Such amulets fetched high prices and were in great demand. The toadstone was highly regarded as a protection against snake and reptile bites; it was also thought to cure weak eyes and headaches. Orpheus believed that when this amulet was worn by a public speaker, they could always capture and hold the audience's attention. A charm against the evil eye consisted of a quill filled with mercury, sealed at both ends, and worn attached to the body. A small piece of the plant known as St. John’s Wort was carried to prevent harm from witches or devils. A toad, thoroughly dried in the sun, placed in a bag and hung around the neck low enough to touch the heart area, was used to stop bleeding; and a highly salted, split herring applied to the soles of the feet was a well-known treatment for fever. An emerald worn around the neck served as an amulet to protect against the same ailment. Aqua divina, a famous remedy believed to have “magnetic power,” was made by soaking a human body in water and distilling it two or three times. Human bones, various mummy parts, and other equally macabre items were thought to possess mysterious powers to prevent accidents, diseases, and death. In some regions, especially in Cornwall, eel skins were and still are used, tied around the legs to prevent cramps; and two crossed sticks laid on the bedroom floor were believed to ward off the same painful condition. It remains a common practice in some rural areas to pass a frail child through a split tree branch to help it grow stronger; and a certain group firmly believes in the effectiveness of a romantic charm made with the resin known as dragon’s blood.
A famous amulet, the remarkable history of which inspired Sir Walter Scott to write The Talisman, was “The Lee Penny,” which we believe is still in existence, and held in veneration in[128] some parts of Scotland. The singular history attached to this coin was as follows: Sir Simon Lockhart, of Lee and Cartland, was a well-known knight in the time of Robert the Bruce and his son David. He was one of the chief Scottish knights who accompanied Lord Douglas on his expedition to the Holy Land with the heart of King Robert Bruce, and was there engaged in the war with the Saracens. Tradition goes on to state that he captured in battle an emir of great rank and wealth, and fixed a price at which he should be ransomed. The aged mother of the prisoner came to the Christian camp to redeem her son, and on pulling out a large purse which contained the ransom, a peculiar pebble inserted in a coin fell to the ground. The old woman, it is said, showed such haste and anxiety to recover it, that it gave the Scottish knight a high idea of its value—on which he refused to set the emir at liberty till the amulet was added to the ransom. This the woman consented to do, and also explained to Sir Simon the use of the talisman, which was of great repute. When dipped in water the liquid assumed the properties of a styptic and a febrifuge, etc. Sir Simon Lockhart, after much experience of its value, brought it home, and left it to his heirs, and it is known as the “Lee penny” from the name of his native[129] place. The coin is said to be of the early Byzantine period. The most remarkable part of its history, as stated in the introduction to The Talisman, was, that it escaped condemnation in an extraordinary manner when the Church of Scotland impeached many other cures of the kind which savoured of the miraculous, as occasioned by sorcery, and censured the appeal to them; “excepting only that to the amulet called the ‘Lee penny,’ to which it had pleased God to annex certain healing virtues which the Church did not presume to condemn”. It still exists, and its powers are sometimes yet resorted to.
A famous amulet, whose remarkable history inspired Sir Walter Scott to write The Talisman, is “The Lee Penny,” which we believe still exists and is revered in[128] some areas of Scotland. The unique history of this coin goes like this: Sir Simon Lockhart, of Lee and Cartland, was a well-known knight during the time of Robert the Bruce and his son David. He was one of the main Scottish knights who accompanied Lord Douglas on his journey to the Holy Land with King Robert Bruce's heart, and was involved in battles against the Saracens. Tradition says he captured a high-ranking and wealthy emir in battle and set a price for his ransom. The prisoner’s elderly mother came to the Christian camp to redeem her son, and when she pulled out a large purse containing the ransom, a unique pebble that was part of a coin fell to the ground. It’s said that the old woman was so eager and anxious to retrieve it that it impressed the Scottish knight with its importance—leading him to refuse to release the emir until the amulet was included in the ransom. The woman agreed to this and explained to Sir Simon the purpose of the talisman, which was highly regarded. When dipped in water, it transformed the liquid into a styptic and a fever reducer, etc. After experiencing its value firsthand, Sir Simon Lockhart brought it home and passed it down to his heirs. It's called the “Lee Penny” because of its connection to his hometown[129]. The coin is believed to date back to the early Byzantine period. The most fascinating part of its history, as mentioned in the introduction to The Talisman, is that it managed to avoid condemnation in an unusual way when the Church of Scotland rejected many other miraculous cures, labeling them as sorcery, and denounced the calls to them; “excepting only that to the amulet called the ‘Lee Penny,’ as it pleased God to attach certain healing powers to it, which the Church did not dare to condemn.” It still exists, and its powers are still sometimes sought after.
For epilepsy, a curious custom was to take the sick man by the hand and whisper softly in his ear, “I conjure thee by the sun and moon, and by the Gospel of the day delivered by God to Hubert, Giles, Cornelius, and John, that thou rise and fall no more”.
For epilepsy, there was a strange tradition where someone would take the sick person by the hand and whisper softly in their ear, “I summon you by the sun and moon, and by the Gospel of the day given by God to Hubert, Giles, Cornelius, and John, to rise and fall no more.”
When picking simples for burns the following charm was repeated:—
When choosing herbs for burns, the following charm was repeated:—
Growing on the ground, All at Mount Calvary,
First, you were found. You are good for many troubles,
And heal many wounds;
In the name of Sweet Jesus,
"I take you from the ground."
To produce sleep, the following is recommended to be repeated:—
To help you sleep, the following is suggested to be repeated:—
And both the son and the holy spirit upon my crown,
Dear Christ on my heart,
"Dear Lady, grant me eternal rest."
The following was supposed to stop the flux:—
The following was meant to stop the flux
In the blood of Christ, it was all meant to be quenched,
And by the same blood, I charge you. "That you no longer roam freely."
Singular virtues were supposed to be attached to a “dead man’s hand”. In a Roman Catholic chapel in Ashton-in-Mackerfield, there is preserved with great care in a white silk bag, a hand, which is still held in veneration, and wonderful cures are said to have been wrought by this ghastly relic.
Singular virtues were thought to be linked to a “dead man’s hand.” In a Roman Catholic chapel in Ashton-in-Mackerfield, a hand is carefully preserved in a white silk bag. This hand is still revered, and reports claim that amazing cures have been performed by this eerie relic.
The hand is said to have been that of one Father Edmund Arrowsmith, who was executed at Lancaster in 1628, for apparently no greater offence than that of being true to his faith. After his execution one of his friends cut off his right hand, which was preserved for many years at Bryn Hall, in Lancashire, and afterwards removed to Ashton.
The hand is believed to belong to Father Edmund Arrowsmith, who was executed in Lancaster in 1628, seemingly for no greater offense than staying true to his faith. After his execution, one of his friends cut off his right hand, which was kept for many years at Bryn Hall in Lancashire and later moved to Ashton.
This “Holy hand” was formerly held in great esteem in Lancashire, and pilgrims came[131] from all parts of the country to receive its touch, which was reputed to cure various diseases. It was believed to remove tumours when rubbed over the part, and restore health to the paralysed.
This “Holy hand” was once highly regarded in Lancashire, and pilgrims traveled[131] from all over the country to experience its touch, which was said to heal various ailments. It was thought to eliminate tumors when rubbed on the area and to restore health to those who were paralyzed.
There is a curious superstition still prevalent in some parts of Lancashire, that when cat’s hair gets into the stomach it causes sickness, which may be cured by eating a piece of egg-shell once a day.
There is a curious superstition still common in some parts of Lancashire, that when cat hair gets into the stomach it causes sickness, which can be cured by eating a piece of eggshell once a day.
Consumption was believed by the ignorant to be produced by drinking water which had been boiled too long. The cure was to dig a hole in the earth, lie in it face downwards, and breathe into the soil. This extraordinary remedy was also largely used for coughs, asthma, and those suffering from hysteria.
Consumption was thought by the uninformed to be caused by drinking water that had been boiled for too long. The treatment was to dig a hole in the ground, lie face down in it, and breathe into the soil. This bizarre remedy was also commonly used for coughs, asthma, and those experiencing hysteria.
A curious charm is still practised in Devonshire as a cure for the complaint called a white swelling or white leg. Bandages are used to tie round the afflicted limb, over which the following charm is repeated nine times, and each time followed by the Lord’s Prayer:—
A curious charm is still practiced in Devonshire as a cure for the issue known as white swelling or white leg. Bandages are wrapped around the affected limb, and the following charm is recited nine times, each time followed by the Lord’s Prayer:—
“As Christ was walking, He saw the Virgin Mary sitting on a cold marble stone. He said unto her, ‘If it is a white ill thing, or a red ill thing, or a black ill thing, or a sticking, crackling, pricking, stabbing, bone ill thing, or a sore ill thing, or a swelling ill thing, or a rotten[132] ill thing, or a cold creeping ill thing, or a smarting ill thing, let it fall from thee to the earth in My name, and the name of the Father, Son, and Holy Ghost. Amen.’”
“As Christ was walking, He saw the Virgin Mary sitting on a cold marble stone. He said to her, ‘If it’s a white bad thing, or a red bad thing, or a black bad thing, or a sticking, crackling, pricking, stabbing, bone bad thing, or a sore bad thing, or a swelling bad thing, or a rotten[132] bad thing, or a cold creeping bad thing, or a stinging bad thing, let it fall from you to the earth in My name, and the name of the Father, Son, and Holy Spirit. Amen.’”
This comprehensive charm would seem to cover a multitude of ills indeed.
This all-encompassing charm seems to address a wide range of problems.
The following charms are taken from a MS. of the year 1475:—
The following charms are taken from a manuscript from the year 1475:—
A Charme to Staunch Blood.
“Jesus, that was in Bethlehem born, and baptyzed was in the flumen Jordane, as stente the water at hys comyng, so stente the blood of thys man N, thy serwaunt, throw the virtu of thy holy name + Jesu + and of thy Cosyn swete Sent Jon. And sey thys Charme fyve tymes with fyve Pater nostirs, in the worshep of the fyve woundys.”
“Jesus, who was born in Bethlehem and was baptized in the Jordan River, when the water stood still at His coming, so let the blood of this man N, your servant, cease through the power of Your holy name + Jesus + and Your sweet cousin, Saint John. And say this charm five times with five Our Fathers, in the worship of the five wounds.”
For Fever.
“Wryt thys wordys on a lorell lef + Ysmael + Ysmael + adjuro vos per angelum ut soporetetur iste Homo N. and ley thys lef under hys head that he wote not thereof, and let hym ete Letuse oft and drynk Ip’e seed small grounden in a morter, and temper yt with ale.”
“Write these words on a laurel leaf + Ismael + Ismael + I urge you by the angel to put this man N. to sleep and place this leaf under his head so he does not know about it, and let him eat Letuse often and drink Ip’e seed finely ground in a mortar, and mix it with ale.”
It is said that the inhabitants of Colonsay had[133] an ancient custom of fanning the face of the sick with the leaves of the Bible.
It is said that the people of Colonsay had[133] an old tradition of fanning the faces of the sick with the leaves of the Bible.
Many and varied are the charms for curing warts. “For warts,” says Sir Thomas Brown, “we rub our hands before the moon and commit any maculated part to the touch of the dead.” Grose tells us to “steal a piece of beef from a butcher’s shop and rub your warts with it; then throw it down the ‘necessary house,’ or bury it; and as the beef rots your warts will decay”.
Many different remedies exist for curing warts. “For warts,” Sir Thomas Brown states, “we rub our hands in front of the moon and touch any blemished area with the hand of the dead.” Grose advises us to “steal a piece of beef from a butcher’s shop and rub your warts with it; then throw it into the toilet or bury it; and as the beef rots, your warts will disappear.”
The leaf of the castor-oil plant worn round the neck was believed to ward away devils, because the leaf is like an open hand.
The leaf of the castor-oil plant worn around the neck was thought to keep away evil spirits because the leaf resembles an open hand.
In Bale’s Interlude the following charms are given:—
In Bale’s Interlude, the following charms are provided:—
With the pairing of a pear,
And drink them without fear If you want a solution:
The sips are for the hiccup,
And six more for the chicken;
Thus my pretty peacock Recover gradually.
If you can't sleep but can doze off,
Give Otes to Saint Uncumber,
And Beanes in a certain number
To Saint Blaise and Saint Blythe.
Give onions to Saint Cutlake
And Garlycke to Saint Coyote,
If you will kick the headache. You will have them at Queen's Height.”
Amulet rings were made from various metals, and worn to ward off disease and misfortune.
Amulet rings were made from different metals and worn to protect against illness and bad luck.
In Berkshire there is a popular superstition that a ring made from a piece of silver collected at the communion is a cure for convulsions and fits.
In Berkshire, there's a well-known superstition that a ring made from silver collected during communion can cure convulsions and seizures.
Rings were also made from coffin-nails dug out of a grave, and coffin-hinges, and used to cure cramp. Boorde, in his Introduction to Knowledge (1542), says: “The kynges of Englande doth halowe every yere Crampe Rynges, ye which Rynges worne on one’s Fynger doth helpe them whych hath the crampe”.
Rings were also made from coffin nails taken from a grave and coffin hinges, and were used to treat cramps. Boorde, in his Introduction to Knowledge (1542), says: “The kings of England bless Cramp Rings every year, and these rings worn on one’s finger help those who have cramps.”
One of the favourite charms of the early Britons was the anguineum, or snake’s egg, which was supposed to be produced from the saliva of serpents, and besides its healing properties it got the credit of being able to float against the current.
One of the favorite charms of the early Britons was the anguineum, or snake’s egg, which was believed to come from the saliva of snakes. Besides its healing properties, it was also thought to have the ability to float against the current.
Many of the ancient writers believed that all charms were impotent without the repetition of certain words. Thus the following words are recommended by Barrett to be repeated as a charm against flux of blood:—
Many ancient writers thought that all charms were powerless without saying certain words. So, Barrett suggests repeating the following words as a charm against the flow of blood:—
In the blood of Christ, death is eliminated.
In the name of Christ, I command you, O blood,
"Stop being so moody."
A piece of clean new vellum bearing the letters
A clean, new piece of vellum with the letters

was considered a powerful amulet against ague.
was seen as a strong charm against fever.
Pliny makes several allusions to the poison of toads, and Juvenal tells us of the lady
Pliny makes several references to the poison from toads, and Juvenal informs us about the lady
The life of James VI. of Scotland was once attempted by a woman named Agnes Sampson, who confessed on her trial, that in order to compass the king’s death, she had hung up a black toad for nine days and collected the juice that fell from it. The toadstone was greatly valued as an amulet against a great variety of diseases. It was often set in valuable rings, which were handed down from generation to generation. Some are said to have borne a figure resembling a toad on their surface. They varied in colour, some being dark-grey, and others of a brownish fawn colour. These stones were supposed to grow only in very old toads, and to be extracted when they were dying. In reality, they were manufactured of fused borax and many other materials.
The life of James VI of Scotland was once targeted by a woman named Agnes Sampson, who confessed during her trial that to achieve the king’s death, she had hung a black toad for nine days and collected the juice that dripped from it. The toadstone was highly prized as an amulet against a wide range of diseases. It was often set in valuable rings, which were passed down through generations. Some are said to have had a design resembling a toad on their surface. They came in different colors, some being dark grey and others a brownish fawn. These stones were believed to only grow in very old toads and to be collected when the toads were dying. In reality, they were made from fused borax and various other materials.
The toadstone was supposed to be specially powerful against witchcraft and poison. When placed in proximity to the latter, or applied to one bewitched, the stone was believed to sweat[136] or change colour. It was sometimes given internally as a remedy for fever or the bites of reptiles. The toad itself was also credited with medicinal virtues, and was given in plague and small-pox. Aubrey gives a process for preparing the toad for internal use, in which “twenty great fatt toads are directed to be stewed slowly, while alive, in a pipkin on the fire. The calcined remains are again heated, and then finely powdered.” Sir Kenhelm Digby speaks of their virtues, and recommends toads for quinsy, bleeding at the nose, and, above all, a most valuable remedy in king’s evil and scrofula. Within the last fifty years “toad doctors” visited most country fairs, often selling bags containing the legs torn from the body of a living toad for six or seven shillings each.
The toadstone was believed to be particularly effective against witchcraft and poison. When placed near poison or used on someone who was bewitched, the stone was thought to sweat[136] or change color. It was sometimes given internally as a treatment for fever or snake bites. The toad itself was also thought to have healing properties and was used for plague and smallpox. Aubrey describes a method for preparing the toad for internal use, where “twenty large fat toads are to be simmered slowly, while alive, in a small pot over the fire. The charred remains are then reheated and finely ground.” Sir Kenhelm Digby talks about their benefits and recommends toads for quinsy, nosebleeds, and especially as a valuable treatment for king’s evil and scrofula. In the last fifty years, “toad doctors” frequented most country fairs, often selling bags that contained legs taken from live toads for six or seven shillings each.
Among other curious charms used by the Romans to prolong life, especially among the aged, was the singular practice of being breathed upon by young girls. This custom is frequently mentioned by ancient writers, and was believed to be efficacious also in prolonging life in certain diseases. A reference to this singular charm is recorded by Kohansen in an inscription which was discovered at Rome, cut in a marble tablet, and which ran as follows:—[137]
Among other peculiar methods the Romans used to extend life, especially for the elderly, was the unusual practice of being breathed upon by young girls. This tradition is often mentioned by ancient authors and was thought to be effective in extending life in certain illnesses. A reference to this unique charm is noted by Kohansen in an inscription found in Rome, engraved on a marble tablet, which read as follows:—[137]
“To Æsculapius and Health,
this is erected by
L. Clodius Hermippus,
who by the breath of young girls lived 115 years and 5
days
at which physicians were no little surprised.
——
Successive generations lead such a life.”
——
“To Asclepius and Health,
this is dedicated by
L. Clodius Hermippus,
who lived for 115 years and 5
days, sustained by the vitality of young girls,
which astonished the doctors.
——
Future generations will live similarly.”
——
In later times amulets in civilised countries merged into the wearing of images of saints, or consecrated objects, and the use of scapularies by Roman Catholics at the present time. There is little doubt that the custom of wearing precious stones in rings, and the charms worn as pendants to watch chains, originated in the amulet and talisman. Who can say that the belief in such charms has even yet died out? How many people are there at the present day who do not carry about them some coin, token, or object, to which they would probably be ashamed to confess, they attach some mysterious virtue? The belief in keeping a crooked sixpence or a broken ring is evidence of that peculiar vein of superstition that runs through most of us, which, strange though it may seem, the advance of science and education has not altogether dispelled.
In modern times, amulets in civilized countries have turned into wearing images of saints, holy objects, and the use of scapulars by Roman Catholics today. It's clear that the tradition of wearing precious stones in rings and charms as pendants on watch chains came from amulets and talismans. Who can truly say that the belief in such charms has completely faded away? How many people today carry some coin, token, or object that they might be embarrassed to admit holds some mysterious power? The belief in keeping a crooked sixpence or a broken ring shows that unique streak of superstition within most of us, which, oddly enough, the progress of science and education hasn't entirely erased.
CHAPTER XV.
MONK PHYSICIANS—TRAVELING DOCTORS—SURGERY IN THE MIDDLE AGES.
The treatment prescribed by the monks, who were ready to cure the body as well as the soul, consisted mainly of holy water, prayer, the touching of relics, and a number of decoctions of herbs, the properties of which they were acquainted with. Many of these physician monks wandered about the country devoting themselves to the wants of the sick.
The treatment recommended by the monks, who were eager to heal both the body and the soul, included mainly holy water, prayer, contact with relics, and various herbal mixtures they knew about. Many of these monk-physicians traveled around the country, dedicating themselves to the needs of the sick.
During the eleventh century hospitals began to spring up in various parts of the country and over Europe. They seem to have originated at the time of the crusades. Lacroix says: “The Johannists, and the brotherhoods of St. Mary and St. Lazarus devoted themselves to missions of charity in the East; in France, there were the brothers of St. Antony and of the Holy Ghost; and throughout the world the heroic chevaliers of St. John of Jerusalem or of the Templars, whose countless establishments combined the triple character of conventual church, almshouse,[139] and fortress, and who, attired in a dress both military and monastic, wore a mantle similar to that seen in the statues of Æsculapius, as a sign of the double mission—beneficent and warlike—which they had sworn to fulfil”.
During the 11th century, hospitals started to appear in various parts of the country and across Europe. They seem to have originated during the time of the Crusades. Lacroix states: “The Johannists and the brotherhoods of St. Mary and St. Lazarus dedicated themselves to charitable missions in the East; in France, there were the brothers of St. Antony and of the Holy Ghost; and around the world, the brave knights of St. John of Jerusalem and the Templars, whose numerous establishments served as a mix of convent, almshouse,[139] and fortress. Dressed in a combination of military and monastic attire, they wore a cloak similar to that found in the statues of Æsculapius, symbolizing their dual mission—both charitable and martial—that they had pledged to uphold.”
Each of these orders had a special form of treatment, and took charge of specific diseases. Thus, the Templars paid special attention to those pilgrim soldiers and travellers particularly troubled with ophthalmia, scurvy, or those suffering from wounds. The Johannists professed the cure of epidemical disease and pestilence. The order of St. Antony looked after those stricken with dysenteries and those complaints known as St. Anthony’s fire, while the Lazarists treated leprosy, small-pox, and pustular fevers. The first school of nurses of which we have record, is one organised by Hildegarde, Abbess of Rupertsberg, who died 1180. These nuns gave great assistance in the hospitals. Thus the monks about the twelfth century tended the bodies as well as the souls, and even accompanied armies on military expeditions in that capacity.
Each of these orders had a unique approach to treatment and focused on specific diseases. The Templars particularly cared for the soldier pilgrims and travelers who struggled with eye infections, scurvy, or wounds. The Johannists specialized in curing epidemic diseases and plagues. The Order of St. Antony took care of those suffering from dysentery and conditions known as St. Anthony’s fire, while the Lazarists treated leprosy, smallpox, and pustular fevers. The first known nursing school was established by Hildegarde, Abbess of Rupertsberg, who passed away in 1180. These nuns provided significant support in hospitals. Thus, the monks in the twelfth century cared for both bodies and souls and even accompanied armies on military campaigns in that role.
In the thirteenth century faculties were established at Montpellier, Salerno, and Paris, by the order of papal bulls, to grant degrees in medicine. In order to obtain the title of master physician, the candidate had first to become a[140] clerk, then pass an examination before masters or doctors selected from the staff of the college by the Bishop of Maguelonne.
In the thirteenth century, universities were set up at Montpellier, Salerno, and Paris by papal decree to award degrees in medicine. To earn the title of master physician, a candidate first had to become a[140] clerk, and then pass an exam before masters or doctors chosen from the college's faculty by the Bishop of Maguelonne.
The barbers at this time came to occupy an important position in medicine, and were promoted to the rank of subordinate surgeons, chiefly for blood-letting and minor accidents.
The barbers at this time held an important role in medicine and were elevated to the rank of junior surgeons, mainly for blood-letting and minor injuries.
In the fourteenth century medicine had rapidly progressed in Europe, and the celebrated physician and surgeon Lanfranc founded the St. Cosmo College at Paris, the examinations of which all surgeons were obliged to pass. A decree was also passed by the King of France in 1352 prohibiting any one who was not an apothecary, student, or mendicant monk from practising medicine. The king, we find, also exempted the master barbers from doing duty as watchmen, as “the barbers being nearly all of them in the habit of practising surgery, great inconvenience might arise if they were absent from their houses when sent for during the night”.
In the 14th century, medicine advanced quickly in Europe, and the famous physician and surgeon Lanfranc established St. Cosmo College in Paris, where all surgeons had to take exams. In 1352, the King of France also issued a decree that banned anyone who wasn’t an apothecary, a student, or a mendicant monk from practicing medicine. We also learn that the king exempted master barbers from acting as watchmen because "since almost all barbers practiced surgery, it could cause serious problems if they were away from their homes when needed during the night."
In France, the little barbers, as they were called, travelled about on foot from village to village with a bag containing their drugs and remedies, while the great barbers, or sworn surgeons, astride their hacks with tinkling bells to announce their approach, wore long robes[141] trimmed with fur, and other rich apparel. They were usually accompanied by an assistant and several servants, who carried their cases of instruments, which always included scissors, nippers, a probe or éprouvette, razors, lances, and needles. He also carried five kinds of ointments, viz., basilicon, apostles’ ointment, the white ointment, yellow ointment, and the dialtœa ointment for subduing local pain.
In France, the little barbers, as they were called, walked from village to village carrying a bag with their medicines and remedies, while the great barbers, or sworn surgeons, rode on their horses with jingling bells to signal their arrival. They wore long robes trimmed with fur and other fancy clothing. They were usually accompanied by an assistant and several servants who carried their instrument cases, which always included scissors, nippers, a probe or éprouvette, razors, lances, and needles. They also carried five kinds of ointments, namely, basilicon, apostles’ ointment, white ointment, yellow ointment, and dialtœa ointment for relieving local pain.[141]
Guy de Chauliac, who was physician to three successive popes, stated “he never went out on his visits without taking several clysters and plain remedies, besides gathering herbs in the field, so as to treat diseases in a proper manner”.
Guy de Chauliac, who was the doctor to three consecutive popes, said, “I never went out on my visits without taking several enemas and basic remedies, along with gathering herbs in the field, so I could treat illnesses properly.”
Even at that early time the credulity of the public became imposed upon by quacks, and Lacroix tells us of an English surgeon, one Goddesden, who had two sorts of prescriptions, one for the rich and another for the poor; he sold at a high price to the barbers a so-called panacea, which the latter sold at a large profit, and this was simply a mixture of frogs pounded in a mortar. In one of his books there is a short chapter on disagreeable diseases, as he terms them, “which work their own cure, and bring no grist to the doctor’s mill”.
Even at that early time, the public's gullibility was exploited by frauds, and Lacroix tells us about an English surgeon named Goddesden, who had two types of prescriptions: one for the rich and another for the poor. He sold a so-called cure-all to barbers at a high price, which they then sold at a hefty profit. This cure-all was just a mix of frogs ground up in a mortar. In one of his books, there’s a brief chapter on unpleasant diseases, as he calls them, “which heal themselves and don’t bring any business to the doctor’s practice.”
In the fifteenth century the practice of medicine became more and more influenced and[142] dominated by the occult sciences, and especially astrology. All mankind was ruled by the stars, and the cause of various diseases was attributed to the conjunction of certain planets. “They believed the blood rose during the daytime towards the sun, and descended into the lower extremities at night; that at the third hour the bile subsided, so that its acid properties might not be mixed with the course of the blood; and that at the second hour the atrabilis, and in the evening the phlegm, subsided.” Such illusions and erroneous beliefs stopped the progress of science, and threatened to turn a noble art into mere charlatanry. In this country the surgeons mostly practised as apothecaries; and we are told that when Henry V. invaded France in 1415, the only surgeon he had in his camp was one Thomas Morstede, who was with difficulty induced to accompany the army, bringing with him twelve assistants.
In the fifteenth century, the practice of medicine increasingly became influenced by and dominated by occult sciences, especially astrology. People believed that their lives were governed by the stars, and various diseases were thought to result from the alignment of certain planets. “They thought that blood rose during the day toward the sun and fell back to the lower body at night; that at the third hour, bile subsided to prevent its acid properties from mixing with the blood; and that at the second hour, melancholy and in the evening, phlegm, subsided.” These misconceptions and false beliefs hindered scientific progress and threatened to reduce a noble profession to mere quackery. In this country, surgeons mostly worked as apothecaries, and it is said that when Henry V. invaded France in 1415, the only surgeon he had in his camp was a man named Thomas Morstede, who reluctantly agreed to join the army, bringing twelve assistants with him.
The sixteenth century saw an effort to throw off some of these errors which had grown round the art. The invention of printing helped largely in disseminating knowledge throughout Europe, and the followers of medicine assumed a higher position.
The sixteenth century witnessed an attempt to eliminate some of the mistakes that had surrounded the art. The invention of printing greatly aided in spreading knowledge across Europe, and those in the field of medicine took on a more prominent role.
Towards the end of the fifteenth century Tachenius wrote: “There is no new thing[144] under the sun whatsoever, therefore the followers of Hippocrates have handed out, and as it were midwifed into the world, the same was from the beginning though our eyes were not so clear-sighted as to discern it”. To which Stephen Pasquier replied in the following rhyme:—
Towards the end of the fifteenth century, Tachenius wrote: “Nothing new exists[144] under the sun. So, the followers of Hippocrates have shared and helped bring forth what has always been, even though we haven't been perceptive enough to see it.” To which Stephen Pasquier responded in the following rhyme:—
For which crime he was once banished, So Hippocrates, Chrysippus, and in Rome Asclepiade were also new. They all had the same fate. Those who criticize new things are also criticizing the old,
"Or else both misjudge and are too bold."
During the crusades the surgeons naturally acquired a very large experience in the treatment of wounds—incised, lacerated, and contused. Baldwin was severely wounded before Jerusalem, having received a spear-thrust “through the thigh and the loins”. He fell fainting from his horse, but the most skilful leeches were summoned, “by whose art and skill the king and valiant athlete was enabled to recover from this deadly wound”. Baldwin was also wounded in the foot before Antioch, and the surgical talent available was baffled by the injury to such a degree that it was proposed to kill a Saracen after wounding him in the same part, so as to learn the proper course to pursue. Baldwin, however, refused to allow this crude attempt at[145] experimental surgery to be made. There seem to be no medical records of the second crusade. In the third, the French king, Philippe Auguste, and our own Cœur de Lion suffered grievously from a disease, the symptomatology of which included extensive exfoliation of the skin, shedding of the nails, and loss of the hair. The disease is called Arnoldia by the chroniclers, and is variously conjectured to have been leprosy or syphilis. It could hardly have been leprosy, for both the royal sufferers recovered, Cœur de Lion being killed eight years later at the siege of Chalus, and Philippe Auguste dying of quartan ague twenty-four years after Richard. Of the fourth crusade we have no medical details. In the fifth, St. Louis of France was accompanied by his private physician Dudon and other leeches; among them was a lady doctor or phisicienne named Hernandis, who probably attended the queen in her confinement, which took place at Damietta. The expedition suffered terribly from scurvy, typhus, and other pestilences. The part played by water in the diffusion of disease would seem to have been recognised, though the methods of water examination would hardly satisfy a modern chemist. A piece of white linen was dipped in the water to be tested, and then dried; if there were any stains on the linen the water[146] was condemned, but if not it was pronounced pure. The addition of four crushed almonds or beans was believed to make the water of the Nile safe for drinking. The method of disinfection adopted for the king’s tent was to fumigate it with a mixture of amber, chick peas, or lupine, which were macerated in wine, and then placed on live charcoal. In the sixth crusade, which took place twenty-two years later, vast numbers, including St. Louis himself, fell victims to ignorance of the elements of sanitation.
During the Crusades, surgeons naturally gained a lot of experience in treating wounds—cuts, tears, and bruises. Baldwin was seriously injured before Jerusalem, suffering a spear thrust "through the thigh and the loins." He fell, fainting from his horse, but the most skilled doctors were called in, "whose art and skill enabled the king and brave warrior to recover from this deadly wound." Baldwin was also hurt in the foot before Antioch, and the available surgical talent was so baffled by the injury that it was suggested to kill a Saracen after injuring him in the same area to learn the proper treatment. However, Baldwin refused to allow this crude attempt at[145] experimental surgery. There appear to be no medical records from the Second Crusade. In the Third Crusade, the French king, Philippe Auguste, and our own Richard the Lionheart suffered greatly from a disease that caused widespread skin shedding, nail loss, and hair loss. The chroniclers referred to this disease as Arnoldia, and it is speculated to have been leprosy or syphilis. It could hardly have been leprosy because both royal figures recovered; Richard was killed eight years later at the siege of Chalus, and Philippe Auguste died of quartan ague twenty-four years after Richard. There are no medical details from the Fourth Crusade. In the Fifth Crusade, St. Louis of France was accompanied by his personal physician Dudon and other doctors; among them was a lady doctor or phisicienne named Hernandis, who likely attended the queen during her childbirth at Damietta. The expedition suffered severely from scurvy, typhus, and other diseases. The role of water in spreading disease seemed to be recognized, although the methods of testing water would hardly meet modern standards. A piece of white linen was dipped in the water for testing, and then dried; if there were any stains on the linen, the water was deemed unsafe, but if not, it was declared pure. Adding four crushed almonds or beans was believed to make the Nile water safe to drink. The method of disinfecting the king’s tent involved fumigating it with a mixture of amber, chickpeas, or lupine, macerated in wine and then placed on burning charcoal. In the Sixth Crusade, which occurred twenty-two years later, many, including St. Louis himself, fell victim to a lack of understanding of basic sanitation.
CHAPTER XVI.
PLANT KNOWLEDGE, DRUG CHARMS, AND FOLK MEDICINE.
A curious survival of the age of superstition and romance attaches to the red resin known as dragon’s blood, and is still largely practised by a certain class of uneducated women in many parts of the country. The resin is the product of the Pterocarpus Indicus growing in the East Indies, and now chiefly used as a colouring agent in varnishes and stains, etc. It was formerly employed in medicine for its astringent properties, but has now entirely gone out of use for that purpose.[4]
A curious person remnant of the era of superstition and romance is the red resin known as dragon’s blood, which is still widely used by a certain group of uneducated women in many areas of the country. The resin comes from the Pterocarpus Indicus found in the East Indies and is now mostly used as a coloring agent in varnishes and stains, among other things. It was previously used in medicine for its astringent properties, but it has completely fallen out of use for that purpose.[4]
The secret of its use as a charm is shrouded in some mystery, and those who use it are very reticent in giving particulars; but it has been gathered, that several charms of a romantic nature are worked with this otherwise very commonplace[148] article of commerce. The most common of these seems to be practised by young girls who are jealous of their lovers and seek to win back their affection. A small quantity of dragon’s blood is procured, wrapped in paper, and thrown on the fire whilst the following couplet or incantation is repeated:—
The secret behind its use as a charm is somewhat mysterious, and those who use it are quite reserved about sharing details; however, it has been discovered that several charms of a romantic nature are created with this otherwise very ordinary[148] item. The most common of these seems to be practiced by young women who are jealous of their partners and want to regain their love. A small amount of dragon’s blood is obtained, wrapped in paper, and thrown into the fire while the following couplet or incantation is repeated:—
"Until he returns to me again.”
Another method much believed in by women of a certain class, and used by them to attract the opposite sex, is to mix dragon’s blood, quicksilver, saltpetre, and sulphur, and throw them on the fire, repeating a similar incantation.
Another method that many women of a certain social class strongly believe in, and use to attract men, is mixing dragon's blood, mercury, saltpeter, and sulfur, then throwing it on the fire while reciting a similar incantation.
A chemist in the north of England, giving his experience on the sale of dragon’s blood, says: “I have had great difficulty in finding out for what purpose it was used. It was not for medicine, but for a kind of witchcraft. The women burn it upon a bright fire, while wishing for their affection to be returned by some one of the opposite sex; also those who have quarrelled with their husbands and desire to be friends again; girls who have fallen out with their young men, and want to win them back; as well as young women wanting sweethearts. A working man recently came to me for a small quantity, and I[149] inquired for what purpose it was required. He was very reluctant to mention anything about it, but at length said, a man had made him lose three sovereigns, and he wished, as he had been swindled out of the money, to have his revenge, and make him suffer for it. He was going to turn the dragon’s blood on a clear fire, and he believed that the ill wishes of the person thus burning it would have a dire effect on the individual thought of.”
A chemist in northern England, sharing his insights on the sale of dragon’s blood, says: “I’ve had a hard time figuring out its purpose. It wasn't used for medicine, but rather for a type of witchcraft. Women burn it over a bright fire while hoping to get their feelings reciprocated by someone of the opposite sex; also those who have had disagreements with their husbands and want to reconcile; girls who have argued with their boyfriends and want to win them back; as well as young women looking for romantic partners. A laborer recently approached me for a small amount, and I asked what he needed it for. He was hesitant to say at first, but eventually admitted that a man had tricked him out of three sovereigns, and he wanted revenge for being cheated. He planned to burn the dragon’s blood over a clear fire, believing that the negative wishes of the person burning it would have a serious impact on the targeted individual.”
Another charm said to be worked with this drug, in which an inverted teacup plays a prominent part, has reference to the sex of expected offspring.
Another charm said to be performed with this drug, where an upside-down teacup is a key element, pertains to the gender of the anticipated child.
Altogether, considerable romantic properties seem to be associated with this resin, but there seems to be no authentic record of the same, the only probable explanation being, that it was used and sold, like other innocent articles, by those who were supposed to have dealings in the black art, for working charms, which have thus been handed down from mediæval times. Coles states: “The early Greeks called dragon’s blood Cinnabaris, not knowing whether it was of vegetable or mineral origin; and that Pliny, Solinus, and Monardus have set it down for truth that it was the blood of a dragon or serpent, crushed to death by the weight of the dying elephant falling[150] upon him; but he thinks it was certainly so called from the bloody colour that it is of, being nothing else but a mere gum”. It was used medicinally as an emmenagogue, and in the arts 300 years ago by goldsmiths and painters in glass, by the former as a base for enamel to set a foil under precious stones to give them greater lustre, and the latter by fire, to strike a crimson colour into glass for stained windows.
Overall, there seems to be a significant romantic association with this resin, but there's no verifiable record of this. The most likely explanation is that it was used and sold, like other harmless substances, by those thought to be involved in dark magic, for creating charms that have been passed down since medieval times. Coles notes: “The early Greeks referred to dragon's blood as Cinnabaris, not knowing whether it came from plants or minerals; Pliny, Solinus, and Monardus have claimed as fact that it was the blood of a dragon or serpent crushed to death under the weight of a dying elephant falling on it; however, he believes it was likely named for its bloody color, being nothing more than just a gum.” It was used medicinally as a menstruation stimulator and, 300 years ago, by goldsmiths and painters in glass, with goldsmiths using it as a base for enamel under precious stones to enhance their shine, and painters using it with fire to create a crimson hue in glass for stained windows.
That a belief in charms and witchcraft is still fostered by ignorant people in some parts of the country, is manifest from cases reported in the newspapers from time to time. Two practitioners of the occult sciences were haled before the magistrates but recently. One, an old crone, who confessed to using dragon’s blood in working her love charms, was rewarded with seven days with hard labour.
That some people in certain areas still believe in charms and witchcraft is clear from cases that occasionally appear in the news. Recently, two practitioners of the occult were brought before the magistrates. One, an elderly woman, admitted to using dragon’s blood to create her love charms and received a sentence of seven days of hard labor.
The other, which came to light in Cornwall, was a middle-aged individual who practised as a wizard. His treatment consisted of writing an amulet to be worn near the body. Money was then required to remove the spell from the bewitched patient to some one else. To this victim was to be lent neither “cock, pin, or pan,” and by the aid of the planets the patient would be cured. But these are hard times truly for the wizard and magician, and this professor[151] was rewarded with seven months’ incarceration in one of her Majesty’s gaols.
The other one, which came to light in Cornwall, was a middle-aged man who practiced as a wizard. His method involved writing an amulet for the person to wear close to their body. Then, money was needed to transfer the spell from the cursed patient to someone else. This victim wasn’t supposed to be lent anything—no “cock, pin, or pan”—and with the help of the planets, the patient would be healed. But these are truly tough times for wizards and magicians, and this professor[151] was sentenced to seven months in one of Her Majesty’s jails.
Singular superstitious properties are attributed to certain plants. The walnut was formerly employed in medicine as an application to wounds and an antidote to poisons; and the following old riddle, says William Coles in 1657, “almost every one knows”:—
Singular superstitious properties are attributed to certain plants. The walnut was once used in medicine as a treatment for wounds and as an antidote for poisons; and the following old riddle, says William Coles in 1657, “almost everyone knows:—
As small as a mouse,
As round as a ball, As bitter as bile,
As white as milk, "As soft as silk."
There is an old tradition that the more the branches are beaten, the more prolific the fruit will be. There is a fable in Æsop of a woman who asked the walnut tree growing by the wayside, which was pelted at with stones and sticks by them that passed by, why it was so foolish as to bring forth fruit seeing that it was so beaten for its pains, to which the tree rehearsed these two proverbial verses:—
There’s an old saying that the more the branches are struck, the more fruit they will produce. In Aesop’s fable, there’s a woman who asks the walnut tree by the road, which was being hit with stones and sticks by passersby, why it was so foolish to bear fruit despite being beaten for its trouble. The tree responded with these two proverbial verses:—
"People do nothing right if they stop being punished."
“The English whereof,” the chronicler quaintly continues, “I could tell you, but that I fear the women of this preposterous age would be[152] angry.” True it is that this tree, the more it is beaten the more nuts it bears. The walnut was one of the chief ingredients in the celebrated antidote against poison which was attributed to the wise king Mithridates. The formula ran as follows: “Two (wall) nuttes and two figges and twenty rewe beans, stamped together with a little suet and eaten fasting, doth defende a man from poison and pestilence that day”.[5]
“The English of that,” the chronicler amusingly continues, “I could tell you, but I worry the women of this ridiculous age would be[152] upset.” It’s true that this tree, the more it’s struck, the more nuts it produces. The walnut was a key ingredient in the famous antidote against poison said to be created by the wise king Mithridates. The recipe went as follows: “Two (wall) nuts, two figs, and twenty rue beans, pounded together with a bit of suet and eaten on an empty stomach, protects a person from poison and disease that day.”[5]
Sage was much esteemed by the housewife for simple ailments, and its properties are embodied in the following lines, which are of great antiquity:—
Sage was highly valued by the housewife for common ailments, and its qualities are captured in the following lines, which are quite ancient
"Seizures and fevers, it drives them away.”[6]
An old writer says, “Be sure you wash your sage for fear the Toades, who as I conceive come to it to discharge their poyson, should leave some of their venom upon the Leaves”.
An old writer says, “Make sure you wash your sage to avoid the Toads, who I believe come to it to release their poison, leaving some of their venom on the leaves.”
Of rue, which was largely used as a carminative, the following couplet has been handed down:—
Of rue, which was mainly used to soothe the stomach, the following couplet has been passed down:—
"Infuses wit, and fleas take flight."
Tradition says that a weasel, going to fight with[153] a serpent, eateth rue, and rubbeth herself therewith to avoid his poison. Crollius states: “The sign of the cross upon the seed of the rue, drives away all phantoms and evil spirits by signature”.
Tradition has it that a weasel, preparing to battle a serpent, eats rue and rubs it on herself to avoid the serpent's poison. Crollius claims: “The sign of the cross on the rue seeds keeps away all phantoms and evil spirits by its very nature.”
Henbane, the Latins called Apollinaris, either from Apollo, the inventor of physic, or because it makes men mad like unto Apollo’s creatures when they deliver his oracles. “It was called in English henbane, because the seeds are hurtful to hens,” says William Coles. “The fumes of the dryed herb when burnt, will make Hens fall from their roosting place as though they were dead.”
Henbane, the Romans referred to it as Apollinaris, either because of Apollo, the god of medicine, or because it drives people crazy like Apollo’s creatures when they give his prophecies. “In English, it’s called henbane because the seeds are harmful to hens,” says William Coles. “The fumes from the dried herb when burned will cause hens to drop from their perch as if they were dead.”
Of the moonwort, a simple used to allay bleeding and applied to fractures, an old tradition says that it can be used to open locks, fetters, and shoes from those horses feet that go on the places where it groweth, and of this opinion was Culpepper, who, though he railed against superstition in others, tells a story of a troop of horse of the Earl of Essex, which being drawn up in a body, many of them lost their shoes upon White Downe in Devonshire, near Tiverton, because moonwort grows upon the heaths.
Of moonwort, a plant used to stop bleeding and treat fractures, an old belief claims that it can unlock doors, chains, and the shoes of horses that tread where it grows. Culpepper shared this idea, and although he criticized others for their superstitions, he recounted a tale about a troop of horses from the Earl of Essex that, when gathered together, lost many of their shoes on White Down in Devonshire, near Tiverton, because moonwort grows in the heaths.
The root of the Polygonatum angulosum, commonly called Solomon’s Seal, has a popular reputation for removing the congealed blood[154] from a bruise after a blow or fall, for which property it appears to have been used 800 years ago. Coles states: “The bruised roots soddereth and gleweth together broken bones very speedily and strangely, the roots being stamped and outwardly applied as a pultis. The same also is available for outward bruises, falls, or blowes, both to dispel the congealed blood and to take away the paines, and the black and blew markes that abide after the hurt.” The origin of the name Solomon’s Seal is doubtless due to the dark marks seen on cutting the root transversely, which somewhat resemble an ancient seal engraved with characters.
The root of the Polygonatum angulosum, commonly known as Solomon’s Seal, is widely recognized for its ability to remove clotted blood from a bruise after an impact or fall, a use that has apparently been known for 800 years. Coles mentions: “The crushed roots quickly and unusually bind together broken bones when applied externally as a poultice. It’s also effective for external bruises, falls, or blows, helping both to clear up clotted blood and relieve the pain, as well as the black and blue marks that linger after an injury.” The name Solomon’s Seal likely comes from the dark marks that appear when the root is sliced crosswise, which somewhat resemble an ancient seal with engravings.
Of Solomon’s Seal, Dioscorides says that “the root pounded and laid on fresh wounds heals and seals them up”; and it is on this account that Gerard considers its name to have originated.
Of Solomon’s Seal, Dioscorides says that “the root crushed and applied to fresh wounds heals and closes them up”; and it is for this reason that Gerard believes its name came about.
An old author quaintly remarks with respect to its properties: “The roots of Solomon’s Seale stamped while it is fresh and greene and applied, taketh away in one night, or two at the most, any bruse, blacke or blew spots gotten by fals, or woman’s wilfulness in stumbling upon their hastie husband’s fists or such like”.
An old author amusingly notes about its properties: “The roots of Solomon’s Seal, when stamped while fresh and green and applied, can remove in one night, or at most two, any bruise, black or blue spots caused by falls, or a woman's carelessness from stumbling into her angry husband’s fists or similar situations.”
The anemone was regarded by the ancients as an emblem of sickness, and Pliny tells us that[155] the physicians and wise men ordered every person to gather the first anemone he saw in the year, repeating at the same time, “I gather thee for a remedy against disease”. It was then devoutly placed in scarlet cloth and kept undisturbed unless the gatherer became unwell, when it was tied either around the neck or the arm of the patient.
The anemone was seen by ancient people as a symbol of illness, and Pliny tells us that[155] doctors and wise individuals instructed everyone to pick the first anemone they came across each year, saying at the same time, “I pick you for a cure against sickness.” It was then carefully wrapped in scarlet cloth and kept untouched unless the person who picked it fell ill, in which case it was tied around the neck or arm of the patient.
The trefoil, vervain, St. John’s wort, and dill were supposed to possess the power of protecting the wearer from the evil eye or witchcraft, hence the old rhyme called Saint Colme’s charm:—
The trefoil, vervain, St. John’s wort, and dill were believed to have the power to protect the wearer from the evil eye or witchcraft, which is why there’s an old rhyme known as Saint Colme’s charm:—
Hinders witches from their will;
Well is them, that can do well. Fast on St. Andrew’s Day.
Saint Colme and his cat, Saint Michael and his spear, “Keep the home safe from theft and damage.”
There is an old tradition that the white veins of the variety of thistle known as the Carduus Marianus was caused originally by a drop of the milk of the Virgin Mary having fallen thereon, and for this cause the plant was in early times much revered.
There’s an old tradition that the white veins of the thistle variety called Carduus Marianus were originally caused by a drop of the Virgin Mary's milk falling on it, and because of this, the plant was very much revered in earlier times.
The house leek, with its pretty rose-coloured flowers, often seen growing along the tops of[156] walls and on the roofs of cottages in country places, was formerly known by the imposing name of the thunder plant, from the power it was supposed to possess of averting lightning from the house or building on which it was planted. Hence the custom of planting it on the roof.
The house leek, with its lovely pink flowers, is often found growing along the tops of[156] walls and on the roofs of cottages in rural areas. It used to be called the thunder plant because people believed it could protect houses or buildings from lightning when it was planted there. That’s why it became a tradition to plant it on the roof.
St. John’s wort was a noted herb in magical arts, and was also esteemed as a repellant of spectres and to drive away demons, and was called Fuga Dæmonum by the old botanists. French and German peasants still gather the plant with great ceremony on St. John’s Day.
St. John’s wort was a well-known herb in magical practices, and it was also valued for its ability to ward off spirits and drive away demons, referred to as Fuga Dæmonum by ancient botanists. French and German farmers still gather the plant with much ceremony on St. John’s Day.
That charming little wild flower the scarlet pimpernell, which grows in our fields and hedges, ranked among the simples of ancient times. It was used as a remedy against the plague, and an antidote against the bites and stings of venomous insects, and to stop bleeding. This latter attribute was doubtless more mythical than correct, being founded on what the ancients called having the signature, which meant that if a substance was of blood colour it signified it would stop bleeding because of the same. Hung over the door or porch of a house, it was believed to defend the inmates from witchcraft.
That lovely little wildflower, the scarlet pimpernel, found in our fields and hedges, was considered one of the herbal remedies of ancient times. It was used to treat the plague, counteract bites and stings from poisonous insects, and stop bleeding. The latter claim was likely more mythical than true, based on what the ancients referred to as having the "signature," meaning that if a substance was the color of blood, it was thought to help stop bleeding for that reason. When hung above the door or porch of a house, it was believed to protect the residents from witchcraft.
Josephus states in his History of the Jews[7][157] that Solomon discovered a plant efficacious in the cure of epilepsy, and that he employed the aid of a charm or spell for the purpose of assisting its virtues. The root of the herb was concealed in a ring, which was applied to the nostrils of the demoniac; and Josephus himself declares that he saw a Jewish priest practice the art of Solomon, with complete success, in the presence of Vespasian, his sons, and the tribune of the Roman army.
Josephus mentions in his History of the Jews[7][157] that Solomon found a plant effective in treating epilepsy and that he used a charm or spell to enhance its properties. The root of the herb was hidden in a ring, which was held to the nostrils of the afflicted person; Josephus himself stated that he witnessed a Jewish priest using Solomon's method with full success in front of Vespasian, his sons, and the commander of the Roman army.
From this art, exhibited through the medium of a ring or seal, we have the Eastern stories which celebrate the seal of Solomon and record its wonderful sway over the various orders of genii, who were supposed to be the invisible tormentors or benefactors of the human race.
From this art, showcased through a ring or seal, we have the Eastern tales that honor the seal of Solomon and document its remarkable influence over the different ranks of genies, who were believed to be the unseen tormentors or helpers of humanity.
“Vervain,” says Coles, “was reported to be effectual against all poisons and the venom of dangerous beasts and serpents, and also against bewitched drinks and the like, so that it is not only used in, but against witchcraft. That this herb is used by witches may appear from the story of Anne Bodenham, the witch of Salisbury, who sent her ruffian-like spirits to gather vervain and dill, which was to be given to one whom she desired to bewitch.”
“Vervain,” Coles says, “was believed to be effective against all poisons and the venom of dangerous animals and snakes, as well as against enchanted drinks and similar things, so it's not just used in witchcraft, but also against it. The fact that witches use this herb can be seen in the story of Anne Bodenham, the witch of Salisbury, who sent her thuggish spirits to gather vervain and dill, which she intended to give to someone she wanted to bewitch.”
The magi of the ancient Elamites or Persians made use of vervain in their worship or adoration[158] of the sun, always carrying branches of it in their hands when they approached the altar.
The wise men of the ancient Elamites or Persians used vervain in their worship of the sun, always carrying branches of it in their hands when they approached the altar.[158]
They also believed that by smearing the body over with the juice of this plant, the individual could have whatever he wished, be able to reconcile his most inveterate enemies, cure diseases, and perform other magical operations. They always gathered the plant when neither sun nor moon was visible, and poured honey and honeycomb on the earth as an atonement for robbing it of this precious herb.
They also believed that by rubbing the juice of this plant on their body, a person could get whatever they wanted, make peace with their worst enemies, heal illnesses, and do other magical things. They always collected the plant when neither the sun nor the moon was visible, and they poured honey and honeycomb on the ground as a way to make up for taking this valuable herb.
The Greeks called it the Sacred Herb, and used it to cleanse the festival table of Jupiter before any great ceremony took place.
The Greeks referred to it as the Sacred Herb and used it to purify the festival table of Jupiter before any major ceremony occurred.
The Romans also employed it in the performance of their religious rites, for cleansing their altars, and sprinkling holy water.
The Romans also used it in their religious ceremonies, for cleaning their altars, and sprinkling holy water.
It was hung in their dwellings to ward off evil spirits.
It was displayed in their homes to keep away evil spirits.
Vervain was also one of the sacred plants of the Druids, both in Gaul and Britain. They cut it with much ceremony in the spring of the year, and made offerings to the earth for so doing. They also used it to anoint the body to cure disease.
Vervain was also one of the sacred plants of the Druids, both in Gaul and Britain. They cut it with great ceremony in the spring and made offerings to the earth as part of the ritual. They also used it to anoint the body to heal illnesses.
The ancient Greeks and Romans dedicated it to the god of war, and in Scandinavia it was deemed sacred to Thor. The eye anointed with[159] an ointment of vervain was supposed to possess second sight. Its influence over Venus has doubtless to do with its use as a love token. It is said that the custom is still practised in Germany of presenting a bride with a wreath of vervain.
The ancient Greeks and Romans dedicated it to the god of war, and in Scandinavia, it was considered sacred to Thor. The eye that was anointed with [159] an ointment made from vervain was believed to have second sight. Its connection to Venus likely relates to its use as a love charm. It's said that the tradition of giving a bride a wreath of vervain is still practiced in Germany.
Other magic wreaths worn by lovers when they wished to see their fate, were composed of rue, crane’s bill, and willow.
Other magic wreaths worn by lovers when they wanted to see their future were made of rue, crane’s bill, and willow.
The hawkweed commonly seen in our fields was regarded by the Greeks as the emblem of quick-sightedness, believing that the hawk, a bird renowned for its bright eye and quick sight, sharpened its visual organs with the juice of this plant. Thus it became famed in early medical practice as a remedy for dimness of sight, and was employed to feed the hawks used in the old art of falconry.
The hawkweed often found in our fields was viewed by the Greeks as a symbol of keen vision, as they believed that the hawk, a bird known for its sharp eyesight, enhanced its vision with the juice of this plant. Therefore, it gained fame in early medicine as a cure for poor eyesight and was used to feed the hawks trained in the ancient practice of falconry.
In Scotland, a twig of the rowan tree or mountain ash is often sewed up in the cow’s tail, to protect the animal from witches and warlocks.
In Scotland, a twig from the rowan tree or mountain ash is often sewn into the cow's tail to protect the animal from witches and warlocks.
The squill was used by the Egyptians for dropsy, under the mystic name of the “Eye of Typhon”.
The squill was used by the Egyptians for swelling, known by the mystical name of the “Eye of Typhon.”
An old name for the fruit of the mandrake was “love apples”. They were frequently used in ancient times in philtres and love potions. This plant belongs to the natural order Solanaceæ, which also includes the potato and the tobacco[160] plant. Its leaves spring directly from the root similarly to those of the lettuce, before it shoots into flower, and its purple-coloured blossoms are succeeded by a yellow berry or “apple,” which still ripens in Palestine at the time of the wheat harvest. An overdose of the fruit is said to produce a sort of temporary insanity. From the earliest times it has been credited with magical virtues, and supposed to confer superhuman powers on its possessor. The most valued specimens were those which grew under a gibbet where a malefactor hung in chains. It was believed that on being torn from the earth the mandrake uttered a groan, and that whosoever heard it, dropped dead on the spot. The approved method of gathering it was to fasten the plant to a dog’s tail, and beat the animal till his struggles pulled the root up. The dog heard the groan and died, but those who directed the proceedings escaped by having their ears stopped with pitch or wax.
An old name for the fruit of the mandrake was "love apples." They were often used in ancient times in potions and love spells. This plant is part of the natural order Solanaceæ, which also includes the potato and tobacco[160] plants. Its leaves grow directly from the root, similar to lettuce, before it flowers, and its purple blossoms are followed by a yellow berry or "apple," which still ripens in Palestine during the wheat harvest. Eating too much of the fruit is said to cause a kind of temporary madness. From ancient times, it has been thought to have magical properties and to give superhuman abilities to those who possess it. The most prized specimens were those that grew under a gallows where a criminal had been hanged. It was believed that when pulled from the ground, the mandrake would let out a groan, and anyone who heard it would drop dead instantly. The traditional way to harvest it was to tie the plant to a dog's tail and then hit the animal until its struggles pulled the root out. The dog would hear the groan and die, but those orchestrating the process would avoid harm by plugging their ears with pitch or wax.
It was customary in Germany in mediæval times to form or carve small figures out of the mandrake root, which were called abrunes. “These images,” says Phillips, “they dressed regularly every day, consulted as oracles, and their repute was such that they were manufactured in great numbers and sold in cases.”
It was common in Germany during the Middle Ages to shape or carve small figures from the mandrake root, known as abrunes. “These images,” Phillips states, “were dressed up every day, consulted as oracles, and were so popular that they were produced in large quantities and sold in cases.”
They appear to have been brought over to England in the time of Henry VIII., and met with ready purchasers, it being pretended that they would, with the assistance of certain mystic words, be able to increase whatever money was placed near them. These roots were said to have been taken from plants which had grown underneath gibbets, and had been influenced by the flesh of the criminals hung thereon.
They seem to have been brought to England during the time of Henry VIII, and quickly found buyers, as it was claimed that with the help of certain magical words, they could increase any money placed near them. These roots were said to have been taken from plants that grew under gallows and had been affected by the bodies of the criminals who were hanged there.
It is singular how the willow has ever been associated with sorrow and sadness, even from the time the daughters of Israel hung their harps on its branches. Among heathen nations the tree was regarded as an evil omen, and was used as torches at funerals. “The early poets,” says Johns, “made the willow of despairing woe,” and Shakespeare frequently alludes to it as being used to weave garlands for jilted and sorrow-stricken lovers. Benedick says:—
It’s interesting how the willow has always been linked to grief and sadness, dating back to when the daughters of Israel hung their harps on its branches. Among pagan nations, the tree was seen as a bad sign and was used as torches at funerals. “The early poets,” says Johns, “made the willow a symbol of desperate sorrow,” and Shakespeare often references it as being used to create garlands for heartbroken and forlorn lovers. Benedick says:—
“I offered him my company to a willow tree, either to make him a garland, as being forsaken, or to bind him up a rod as being worthy to be whipped”.
“I invited him to sit under a willow tree, either to make him a wreath, since he felt abandoned, or to make a stick for him, as he deserved to be punished.”
And Bona, in Henry VI., remarks:—
And Bona, in Henry VI., says:—
It seems to have been customary to wear it twined round the head as a symbol of sorrow[162] and mourning, but the origin of the custom is unknown.
It appears that it was a common practice to wear it wrapped around the head as a symbol of grief and mourning, but the origin of this custom is unclear.[162]
A peculiar virtue was supposed to be attached to the eating of almonds, which is still believed in some parts of the country, viz., that it protects the eater from drunkenness.
A strange benefit was thought to come from eating almonds, which is still believed in some areas of the country, namely, that it protects the eater from getting drunk.
Gerard says, “Five or six being taken fasting keepe a man from being drunke”.
Gerard says, “Taking five or six on an empty stomach keeps a person from getting drunk.”
The pretty flower called the bachelor’s button, which is common in our hedgerows, is said to possess the following peculiar property of divination. “When carried in the pocket by men, and under the apron by women, it will retain or lose its freshness according to the good or bad success of the wearer’s amatory prospects.”
The pretty flower known as the bachelor's button, which is common in our hedgerows, is said to have a unique property related to fortune-telling. "When carried in the pocket by men and under the apron by women, it will keep or lose its freshness based on the success or failure of the wearer's romantic prospects."
A considerable amount of romantic lore lingers about the bean and nut. The bean was regarded with veneration by both the Greeks and Romans, and on account of its sacred associations became the instrument for voting by ballot in early times. Nuts of various kinds have long been associated with certain love charms, and some of these old customs, such as the cracking of nuts, still survive and are practised on All Hallow Eve. An old charm for nut-testing runs as follows:—
A lot of romantic tales are still around about beans and nuts. The bean was highly respected by both the Greeks and Romans, and because of its sacred connections, it became a tool for voting by ballot in ancient times. Different types of nuts have been linked to various love charms for a long time, and some of these old traditions, like cracking nuts, still exist and are practiced on Halloween. An old charm for testing nuts goes like this:
And for each nut, I gave a sweetheart's name; This, with the loudest bounce, really amazed me.[163] That blazed in a flame of the brightest color; As the nut burns, so may your passion shine,
For it was your nut that shone so brightly.
There is an old tradition that the white hawthorn was used to plait the sacred crown of thorns, and that from that time the tree was endowed with special virtues.
There’s an old tradition that the white hawthorn was used to weave the sacred crown of thorns, and ever since then, the tree has been believed to have special qualities.
An old writer says: “He that beareth a branch on hym thereof, no thundre, ne, no maner of tempest may dere hym; ne, in the howse that it is ynne may none evil ghost enter”.
An old writer says: “Whoever carries a branch from it, no thunder or any kind of storm can harm them; and no evil spirit can enter the house where it is.”
A great amount of superstition was associated with various ferns in mediæval times, and fern seed was supposed to possess the wonderful property of rendering those who swallowed it invisible.
A lot of superstition was linked to different ferns in medieval times, and fern seed was believed to have the amazing ability to make anyone who swallowed it invisible.
According to the doctrine of Signatures, various shaped leaves were used for special diseases. A liver-shaped leaf was used to cure complaints of that organ, and a heart-shaped leaf was used for diseases of the heart, and so on.
According to the doctrine of Signatures, different shaped leaves were used for specific diseases. A liver-shaped leaf was used to treat issues related to that organ, and a heart-shaped leaf was used for heart conditions, and so on.
The black hellebore was employed by the ancients to purify their dwellings, and they believed that its presence in their rooms drove away evil spirits. It was also customary to bless the cattle with hellebore to keep them free from spells wrought by the wicked.
The black hellebore was used by the ancients to cleanse their homes, and they believed that having it in their rooms would ward off evil spirits. It was also common to bless the cattle with hellebore to protect them from curses cast by the wicked.
When dug up for these purposes, certain religious[164] ceremonies were observed. First a circle was drawn round the plant with a sword, and then, turning to the east, a humble prayer was made by the devotee to Apollo and Æsculapius, for permission to dig up the root. If an eagle approached the spot during the performance of the rites, it was supposed to predict the certain death of the person who took up the plant in the course of the year.
When excavating for these purposes, certain religious[164] ceremonies were observed. First, a circle was drawn around the plant with a sword, and then, facing east, a humble prayer was offered by the devotee to Apollo and Æsculapius, asking for permission to dig up the root. If an eagle came near the area during the rituals, it was believed to predict the certain death of the person who took the plant within the year.
It is related by Dioscorides that Carneades, the Cyrenaic philosopher who undertook to answer the books of Zeno, sharpened his wit and quickened his spirit by purging his head with powdered hellebore.
Dioscorides relates that Carneades, the Cyrenaic philosopher who set out to respond to Zeno's writings, sharpened his mind and invigorated his spirit by cleansing his thoughts with powdered hellebore.
The peony owes its name to Pæon, a famous physician of ancient Greece, who is said to have cured, by the aid of this plant, the wounds which the Greeks received during the Trojan war. It was largely used as an amulet, and demons were supposed to fly from the spot where it was planted. A small piece was worn round the neck to protect the wearer from enchantment.
The peony gets its name from Pæon, a renowned doctor from ancient Greece, who supposedly healed the wounds that the Greeks received during the Trojan War using this plant. It was commonly used as a protective charm, and it was believed that demons would flee from the area where it was grown. A small piece was worn around the neck to shield the wearer from spells.
There is a curious tradition connected with that charming little flower the forget-me-not. It is, that the juice, or decoction of the plant, has the peculiar property of hardening steel, and that if edged tools of that metal be made red hot and then quenched in the juice or decoction, and[165] this be repeated several times, the steel will become so hard as to cut iron without turning the edge.
There is an interesting tradition associated with that lovely little flower, the forget-me-not. It is said that the juice or extract of the plant has a unique ability to harden steel. If you heat edged tools made of this metal until they are red hot and then cool them in the juice or extract, and repeat this several times, the steel will become so hard that it can cut through iron without losing its edge.
The elder had a great reputation as an amulet. An old writer states, “if one ride with two little sticks of elder in his pockets he shall not fret nor pant let the horse go never so hard”.
The elder was well-known as a powerful charm. An ancient writer claims, “if someone rides with two small pieces of elder in their pockets, they won’t worry or struggle no matter how fast the horse goes.”
According to the Anatomie of the Elder (1655), “The common people keep as a great secret in curing wounds the leaves of the elder, which they have gathered the last day of April, which, to disappoint the charms of witches, they had applied to their doors and windows”.
According to the Anatomie of the Elder (1655), “The common people keep a big secret for healing wounds: the leaves of the elder they gather on the last day of April, which they then place on their doors and windows to thwart witchcraft.”
A piece cut out between two knots was worn as an amulet against erysipelas.
A piece taken out between two knots was worn as an amulet to protect against erysipelas.
Lupton says: “Make powder of the flowers of elder gathered on Midsummer Day, being before well dryed, and use a spoonful thereof in a good draught of Borage water, morning and evening, first and last, for the space of a month, and it will make you seem young a great while”.
Lupton says: “Grind up the dried flowers of elder picked on Midsummer Day, and take a spoonful in a good glass of borage water, twice a day, morning and evening, for a month, and it will make you look young for a long time.”
The elder is still believed in the south of Germany to drive away evil spirits, and in Denmark and Norway it is held in the same veneration. It is customary in the Tyrol to plant an elder bush in the form of a cross on a new grave, and if it blossoms, the soul of the body interred beneath is supposed to be in Paradise.
The elder tree is still thought in southern Germany to ward off evil spirits, and it is similarly respected in Denmark and Norway. In Tyrol, it’s a tradition to plant an elder bush in the shape of a cross on a new grave, and if it blooms, it's believed that the soul of the person buried there is in Paradise.
CHAPTER XVII.
Mummies and Their Use in Medicine—The Unicorn.
Who first introduced mummies as medicinal agents is not known, but there is something particularly weird and gruesome in the idea of the ancient physician dosing a sick patient, with the remains of a predeceased fellowman, in order to restore him to health. The art of embalming was practised thousands of years before the Christian era, and was regarded as the greatest token of esteem that could be paid by the living to the dead. Pomet says there were two kinds of embalming practised by the ancient Egyptians. The first and most costly was used to none but persons of the highest class, and was valued at a talent of silver, or about £500. Three people were employed in the operation; one was a kind of designer or overseer, who marked out such parts of the body as were to be opened. The next was a dissector, who with a knife of Ethiopian stone cut the flesh as much as necessary, and as the law would permit, and[167] immediately afterwards fled away with all the expedition possible, because it was the custom of the relatives and domestics to pursue the dissector with stones and do him all the injuries they could, treating him as an impious wretch and the worst of men.
Who? first introduced mummies as medicinal agents is still unclear, but the idea of an ancient doctor treating a sick patient with the remains of someone who passed away is particularly strange and gruesome. The art of embalming was practiced thousands of years before the Christian era and was seen as the highest form of respect that the living could show to the dead. Pomet mentions that the ancient Egyptians practiced two types of embalming. The first and most expensive was reserved for the highest class of people and was worth a talent of silver, or about £500. Three people were involved in the process; one acted as a designer or overseer, marking out the parts of the body that needed to be opened. The second was a dissector who used a knife made of Ethiopian stone to cut the flesh as much as necessary and within the law, and[167] then quickly fled because it was customary for the relatives and servants to chase after the dissector with stones and harm him as best they could, treating him as an impious wretch and the worst of men.
After this operation the embalmers, who were accounted holy men, entered to perform their offices, which consisted in removing the internal organs, cleansing with palm wine and other aromatical liquor, and during the space of thirty days they filled the cavity with powdered myrrh, aloes, Indian spikenard, bitumen, and other aromatics. In the process of embalming used by the middle class, which cost about £250, the body was syringed with a decoction of herbs and oil of cedar, then put into salt for seventy days, after which it was enveloped in bandages of fine linen, which had been dipped in myrrh and asphaltum, and the designer, who was called the scribe, covered the wrapping with a painted cloth, on which were represented the rites of their religion in hieroglyphics, and the animals which the dead loved most. There was a third process of embalming used by the poorer people, in which a mixture of pitch and bitumen was used. The bodies were first dried with lime, and then coated with a mixture of nitre, salt,[168] honey, and wax to protect them from the air. Mummies of deceased persons were held in the greatest reverence by their relatives. The faces were sometimes gilded and painted and adorned with head-cloths, they were then placed in elaborate cases according to the position and rank of the person, and deposited in the highest part of their houses. An old writer states: “They reckoned their deceased as such a valuable token and pledge of their faith, that if any of them happened to want money he could not give a better security than the embalmed body of his relation; and that which made it esteemed so was, that they would spare no pains to pay the money again; for if by mischance the debtor could not redeem this pledge, he was reckoned unworthy of civil society, which engaged him indispensably to find out ways to recover his kinsman in the time limited, otherwise he was blamed by all the world”.
After this procedure, the embalmers, who were considered holy men, came in to do their work, which involved removing the internal organs, cleaning them with palm wine and other fragrant liquids. For thirty days, they filled the cavity with powdered myrrh, aloes, Indian spikenard, bitumen, and other aromatic substances. In the embalming process used by the middle class, which cost around £250, the body was injected with a herbal solution and cedar oil, then placed in salt for seventy days. After that, it was wrapped in fine linen bandages that had been soaked in myrrh and asphalt. The designer, known as the scribe, covered the wrapping with a painted cloth displaying the religious rituals in hieroglyphics and the animals that the deceased loved most. There was a third embalming process for poorer people, which involved a mixture of pitch and bitumen. The bodies were first dried with lime, then coated with a mixture of salt, nitre, honey, and wax to protect them from the air. Mummies of the deceased were held in the highest regard by their relatives. The faces were sometimes gilded and painted, adorned with headcloths, and then placed in elaborate cases based on the person's rank and status, stored in the highest part of their houses. An old writer noted: “They considered their deceased as such a valuable token and pledge of their faith that if anyone needed money, they couldn't offer better security than the embalmed body of their relative; what made it so valued was that they would go to great lengths to pay the money back. If by chance the debtor couldn't redeem this pledge, they were seen as unworthy of civil society, which obligated them to find ways to recover their kinsman within the set time; otherwise, they were blamed by everyone.”
Some 300 years ago a large trade was carried on, mostly by Jews, who imported mummies for medicinal purposes, as they were much used by the ancient physicians; but there is little doubt that a great deal of fraud was practised by the mummy merchants, and that many were specially manufactured for the purpose. Pomet, alluding to this in his History of Druggs, writes:[169] “We may daily see the Jews carrying on their rogueries as to these mummies, and after them the Christians; for the mummies that were brought from Alexandria, Egypt, Venice, and Lyons are nothing else but the bodies of people that die several ways. Those from Africa called white mummies, are nothing else but bodies that have been drowned at sea, which, being cast upon the African coast, are buried and dried in the sands, which are very hot.” When the ancient physician prescribed mummy for a bad headache, he rarely got what he imagined. “For,” the writer continues: “I am not able to stop the abuses committed by those who use this commodity. I shall only advise such as buy to choose what is of a fine shining black, not full of bones and dirt, of a good smell, and which being burnt does not stink of pitch. Such is reckoned proper for contusions, and to hinder blood from coagulating in the body. It is also given in epilepsies, vertigoes, and palsies. The dose is two drachms in powder, or the same made into a bolus. It also stops mortifications, heals wounds, and is an ingredient in many compositions.” In a price list, dated 1685, mummy is quoted at 5s. 4d. per lb.
About 300 years ago, there was a significant trade, mainly run by Jews, who imported mummies for medicinal purposes since ancient doctors used them a lot. However, there’s no doubt that a lot of fraud occurred among the mummy merchants, and many mummies were specifically made for this purpose. Pomet mentions this in his History of Druggs, writing:[169] “We can regularly see the Jews engaged in their scams regarding these mummies, and the Christians following them; for the mummies brought from Alexandria, Egypt, Venice, and Lyons are simply the bodies of people who died in various ways. Those from Africa, called white mummies, are just bodies that have drowned at sea, which, after being washed ashore on the African coast, are buried and dried in the sands, which are very hot.” When ancient doctors prescribed mummy for a bad headache, they rarely received what they expected. “For,” the writer adds, “I cannot stop the abuses committed by those who use this product. I can only advise buyers to choose the fine, shiny black stuff, not filled with bones and dirt, with a good smell, and that, when burned, doesn’t smell like pitch. This is considered suitable for bruises and to prevent blood from clotting in the body. It’s also used for epilepsy, dizziness, and paralysis. The recommended dose is two drachms in powder, or the same amount made into a bolus. It also stops decay, heals wounds, and is part of many compounds.” In a price list from 1685, mummy is listed at 5s. 4d. per lb.
Of the mummies used in medicine five kinds were known.
Of the mummies used in medicine, five types were known.
Factitious.—Those in which bitumen and pitch were largely used in the process of embalming.
Factitious.—Those in which bitumen and pitch were heavily used in the embalming process.
Those bodies dried by the sun in the country of the Hammonians between Cyrene and Alexandria, being mostly the bodies of passengers buried in the quicksands.
Those bodies dried by the sun in the land of the Hammonians between Cyrene and Alexandria, mostly the remains of travelers buried in the quicksands.
True Egyptian.
Authentic Egyptian.
The Arabian, being those bodies embalmed with myrrh, aloes, and other aromatic gums.
The Arabian refers to those bodies preserved with myrrh, aloes, and other fragrant resins.
Artificial mummies. Crollius in his Royal Chemist gives the following process for preparing artificial mummy:—
Artificial mummies. Crollius in his Royal Chemist provides the following method for making artificial mom:—
“Take the carcass of a young man (some say red haired), not dying of a disease but killed, let it lie twenty-four hours in clear water in the air, cut the flesh in pieces, to which add powder of myrrh and a little aloes, imbibe it twenty-four hours in spirit of wine and turpentine, take it out and hang it up for twelve hours, then imbibe it again, twenty-four hours in fresh spirit, then hang up the pieces in a dry air and a shady place.” A rather cheerful operation for the apothecary. It would possibly account for many a mysterious disappearance in those days.
“Take the body of a young man (some say with red hair), not dying from a disease but murdered, let it sit for twenty-four hours in clean water in the open air, cut the flesh into pieces, adding some powdered myrrh and a bit of aloes, soak it for another twenty-four hours in alcohol and turpentine, then take it out and hang it up for twelve hours, after which soak the pieces again for twenty-four hours in fresh alcohol, then hang them up in a dry and shady place.” A rather cheerful task for the pharmacist. It could explain many mysterious disappearances back then.
Mummy entered into a large number of preparations which we come across in the old dispensatories. There was the balsam, which is described by an old writer as “having such a[171] piercing quality that it pierceth all parts and restores wasted limbs, consumption, and cures all ulcers and corruptions”. Beside mummies, the apothecaries stocked human fat, respecting which gruesome material Pomet says: “Everybody knows in Paris the public executioner sells it, the druggists and apothecaries a little; nevertheless, they vend a sort of it prepared with aromatic herbs, and which is without comparison much better than that which comes from the hands of the hangman”. Human fat was much esteemed for rubbing, in cases of rheumatism and kindred complaints.
Mummy was used in many remedies that we find in old medical texts. There was the balsam, which an old writer described as “having such a[171] piercing quality that it penetrates all parts, restores wasted limbs, treats consumption, and cures all ulcers and infections.” Alongside mummies, apothecaries stocked human fat, which Pomet notes: “Everyone knows in Paris that the public executioner sells it; druggists and apothecaries sell a little too; however, they offer a version prepared with aromatic herbs that is far superior to what comes from the hangman.” Human fat was highly valued for massages, especially for rheumatism and similar issues.
Another part of the body used in ancient medicine was the human skull; also a growth called the moss from the human skull, probably of fungoid origin, that appeared on the bone on keeping. An old writer in the seventeenth century says: “You may see in the druggist shops of London some skulls entirely covered with moss, and some that only have the moss growing on some parts. They send these skulls especially to Germany, to put into the composition of the sympathetic ointment which Crollius describes in his Royal Chemist, and which is used for the falling sickness.”
Another part of the body used in ancient medicine was the human skull; there was also a growth called moss that appeared on the skull, likely of fungal origin, when it was stored. An old writer from the seventeenth century states: “You can see in the pharmacies of London some skulls completely covered with moss, and some with moss only on certain areas. These skulls are mainly sent to Germany to be used in the preparation of the sympathetic ointment described by Crollius in his Royal Chemist, which is used for epilepsy.”
Special virtue was attributed to skulls taken from gibbets. Referring to these, Pomet states:[172] “The English druggists, especially those of London, sell skulls of the dead upon which there is a little greenish moss called usnea, because of its near resemblance to the moss which grows on the oak. These skulls mostly come from Ireland, where they frequently let the bodies of criminals hang on the gibbet till they fall to pieces.” The human skulls were sold at 8s., 9s., 10s., and 11s. each. They were given in the form of powder, or one of the preparations, such as the oil or tincture. Besides the skull, other human bones, calcined and powdered were used. An oil and a tincture of skulls, an extract of the gall and the heart of man made with rectified spirit, was dropped into the ear as a remedy for deafness, and also given internally for epilepsy. Human hair was used for jaundice, finger-nails as an emetic (which one can hardly wonder at), and blood drawn from a healthy man, drunk hot, was used to prevent fits coming on. The brains of various birds and animals were highly esteemed. The latter were roasted and rubbed on children’s gums when teething. The livers of ducks and frogs, and a dead mouse dried and beaten into powder, were given to relieve kidney disease.
People attributed special significance to skulls taken from gibbets. Referring to these, Pomet states:[172] “English pharmacists, especially those in London, sell skulls of the dead that have a little greenish moss called usnea, because it closely resembles the moss that grows on oak trees. These skulls mostly come from Ireland, where they often leave the bodies of criminals hanging on the gibbet until they decompose.” The human skulls were sold for 8s., 9s., 10s., and 11s. each. They were provided in the form of powder or as one of the preparations, like oil or tincture. In addition to skulls, other human bones, calcined and powdered, were also used. An oil and tincture made from skulls, as well as an extract of the gall and heart of a man combined with rectified spirit, was dropped into the ear as a remedy for deafness and taken internally for epilepsy. Human hair was used for treating jaundice, finger-nails acted as an emetic (which isn't surprising), and blood drawn from a healthy person, consumed hot, was used to prevent seizures. The brains of various birds and animals were highly valued. They were roasted and applied to children's gums during teething. Duck and frog livers, along with a dried mouse ground into powder, were given to relieve kidney issues.
Another extraordinary article used in medicine was the horn of that fabulous animal the[173] unicorn. Concerning its origin we have recourse again to Pomet, who states, “the unicorn is an animal which our naturalists describe under the figure of a horse, having in the middle of his head a spiral horn of two or three feet long, but we know not the real truth of this matter to this day”. This horn was formerly held in high esteem because of the great virtues attributed to it by the ancients, especially against poisons, “which is the reason that so many great persons are fond of it, so that it has been valued at its weight in gold”.
Another incredible item used in medicine was the horn of the legendary creature, the [173] unicorn. Regarding its origin, we again refer to Pomet, who says, “the unicorn is an animal that our naturalists describe as resembling a horse, with a spiral horn in the center of its head measuring two or three feet long, but we still don’t know the real truth about this to this day.” This horn was once highly valued due to the numerous beneficial properties the ancients attributed to it, especially its effectiveness against poisons, “which is why so many prominent people are drawn to it, leading it to be valued at its weight in gold.”
Ambrose Paraens, in a treatise which he wrote on the unicorn, says that in the deserts of Arabia he found wild asses carrying a horn in the front, which they used to fight against the bulls. That there was an animal with one horn, most of the old writers agree, but whether it was a goat, or an ox, or a hart, or an ass, no one could say. The horn was probably collected from any of these animals, and as long as the horn was there it doubtless answered the purpose. The true unicorn, if you dare believe Ludovicus Vertomanus, who says he saw two of them in Mecca which were kept within the precincts of Mahomet’s sepulchre, is of a weasel colour, “with the head like that of a hart, the neck not long, and the mane growing all on one side, the[174] legs slender and lean like the legs of a hind, hoofs cloven like a goat’s feet, and the hinder legs all hairy and shaggy on the outside. His horn was wreathed in spires of an ivory colour.” There is little doubt that most of the horn used medicinally, was that obtained from the narwhal or sea unicorn. In the year 1553 a great unicorn’s horn was brought to the King of France, and valued at £20,000 sterling. That which was presented to Charles I. of England is supposed to have been one of the largest ever seen in the world. “It was seven feet long, weighed thirteen pounds, and was in the shape of a wax candle, but wreathed within itself in spires, hollow about a foot from its root, growing taper little by little towards the point of polished smoothness, and the colour not perfectly white.” Ancient authors ascribe wonderful properties to the horn of the unicorn. It was supposed to resist all kinds of poisons, cure the plague, all manner of fevers, the biting of serpents, mad dogs, etc., and was chiefly used as a cordial, for which purpose a jelly was made of it.
Ambrose Paraens, in a treatise he wrote about the unicorn, claims that in the deserts of Arabia he discovered wild asses with a horn on their foreheads, which they used to defend themselves against bulls. Most ancient writers agree that there was indeed an animal with one horn, but whether it was a goat, an ox, a deer, or an ass remains uncertain. The horn likely came from any of these animals, and as long as the horn was present, it certainly served its purpose. The true unicorn, if you choose to believe Ludovicus Vertomanus, who claimed to have seen two of them in Mecca kept near Muhammad’s tomb, is described as having a weasel-like color, “with a head resembling that of a deer, a not-too-long neck, and a mane that grows all on one side; its legs are slender and lean like a doe's, with cloven hooves like a goat’s feet, and its hind legs are hairy and shaggy on the outside. Its horn spirals in ivory hues.” It’s widely believed that most medicinal horn came from the narwhal, or sea unicorn. In 1553, a great unicorn horn was brought to the King of France, valued at £20,000. The one presented to Charles I of England is thought to be one of the largest ever seen in the world. “It measured seven feet long, weighed thirteen pounds, and resembled a wax candle, twisted inward in spirals, hollow about a foot from its base, tapering gradually towards a polished point, and its color was not perfectly white.” Ancient authors attributed remarkable properties to the unicorn's horn. It was thought to counteract all types of poison, cure the plague, various fevers, the bites of snakes, rabid dogs, and so on, and was mainly used as a cordial, for which it was made into a jelly.
CHAPTER XVIII.
THE ORIGIN OF THE SOCIETY OF APOTHECARIES—APOTHECARIES AND THEIR PRACTICE—APOTHECARIES AND THEIR BILLS—CURIOUS REMEDIES—A DRUG PRICE LIST OF 1685.
THE ORIGIN OF THE SOCIETY OF APOTHECARIES—APOTHECARIES AND THEIR PRACTICE—APOTHECARIES AND THEIR BILLS—CURIOUS REMEDIES—A DRUG PRICE LIST OF 1685.
The earliest record of the apothecary in England seems to be of one Richard Fitznigel, who acted in that capacity to Henry II. This individual subsequently rose in degree at Court, and exchanging the pestle for the crozier, eventually became Bishop of London. In 1345 we hear of one Coursus de Gangland receiving for his services as apothecary to Edward III., and for taking care of and attending his Majesty during his illness in Scotland, a pension of sixpence a day.
The earliest record of an apothecary in England appears to be Richard Fitznigel, who served in that role for Henry II. He later climbed the ranks at Court, swapping the pestle for the crozier, and eventually became the Bishop of London. In 1345, we learn about Coursus de Gangland, who received a pension of sixpence a day for his services as apothecary to Edward III. and for caring for and attending to the King during his illness in Scotland.
Those who practised medicine, surgery, and pharmacy were called physicians, while their assistants were known as apothecaries. Many of the latter, as they began to learn the secrets and habits of their employers, began business on their own account, also dealing in drugs and other commodities, until they became a powerful body.
Those who practiced medicine, surgery, and pharmacy were known as physicians, while their assistants were called apothecaries. Many of these assistants, as they learned the secrets and routines of their employers, started their own businesses, also selling drugs and other goods, until they grew into a powerful group.
When the College of Physicians was established in 1518, they were soon empowered “to[176] search, view, and see the apothecaries’ wares, drugs and stuffs, and destroy such as they found unfit for use”.
When the College of Physicians was established in 1518, they were quickly given the authority “to[176] investigate, examine, and assess the apothecaries’ goods, medications, and items, and dispose of whatever they found unsuitable for use.”
In the latter part of the century a distinct separation took place, and we find that in 1600 there were physicians, surgeons, apothecaries, barber surgeons, druggists or distillers and sellers of waters and oils, and preparers of chemical medicines. It was not until the year 1617 that the Apothecaries’ Society had a separate existence, when it was enacted that no grocer should keep an apothecary’s shop, and that no surgeon should sell medicines.
In the later part of the century, a clear separation occurred, and by 1600 we see that there were physicians, surgeons, apothecaries, barber-surgeons, druggists or distillers and sellers of waters and oils, and those who prepared chemical medicines. It wasn't until 1617 that the Apothecaries’ Society existed as a separate entity, when it was established that no grocer could operate an apothecary’s shop and no surgeon could sell medicines.
In 1623 the Society of Apothecaries established a dispensary, for the purpose of making some of the most important medicines then used in a uniform manner, and in May, 1618, the first Pharmacopœia was published by the College of Physicians. We are told that it was so imperfect that they brought out an improved edition in December of the same year. This was published in Latin, and it was through making and publishing his translation of this work that Nicholas Culpepper (who was a man of common-sense in his time) got into disgrace with the College of Physicians, who in consequence refused him a licence to practise.
In 1623, the Society of Apothecaries set up a dispensary to create some of the most important medicines used at the time in a consistent way, and in May 1618, the first Pharmacopœia was published by the College of Physicians. It's said that it was so flawed that they released a better edition in December of the same year. This version was published in Latin, and when Nicholas Culpepper (who was a practical man for his day) translated and published this work, he fell out of favor with the College of Physicians, who then denied him a license to practice.
The history of the Society of Apothecaries of London is an interesting one. It is a mystery or guild which has retained its original function of a trading corporation. It arose as an offshoot of the Grocers’ Company, which descended from the pepperers and the spicers, who amalgamated[178] in 1345 under the name of the Fraternity of St. Anthony. The Grocers’ Company is one of the most powerful and wealthy of the twelve great Livery Companies of London which have survived from mediæval times.
The history of the Society of Apothecaries of London is quite fascinating. It’s a guild that has kept its original role as a trading organization. It originated as a branch of the Grocers’ Company, which evolved from the pepperers and spicers who merged[178] in 1345 under the name of the Fraternity of St. Anthony. The Grocers’ Company is one of the most influential and affluent of the twelve major Livery Companies of London that have endured since medieval times.
King James I. appears to have interested himself in the separation of the two bodies about the year 1614, and in spite of vigorous opposition by the grocers, a charter was granted on 6th December, 1617, making the apothecaries a distinct mystery, under the title of the Society of Apothecaries. This charter restrained the grocers and all other persons from keeping an apothecary’s shop in or near London, and it gave the Society a right which had been inherent in the Grocers’ Company, of paying domiciliary visits to the apothecaries’ shops to search for, to seize, and destroy bad drugs and medicines, a power at first limited to London and seven miles round, but afterwards extended throughout England and Wales. This was discontinued shortly after 1833.
King James I seems to have taken an interest in the separation of the two groups around 1614, and despite strong opposition from the grocers, a charter was granted on December 6, 1617, establishing the apothecaries as a separate entity, called the Society of Apothecaries. This charter prohibited grocers and anyone else from operating apothecary shops in or near London, and it granted the Society a right that had previously belonged to the Grocers’ Company: the ability to conduct home visits to apothecary shops to search for, seize, and destroy bad drugs and medicines. Initially, this power was restricted to London and a seven-mile radius, but it was later expanded to all of England and Wales. This practice was stopped shortly after 1833.
The first hall or council-house of the society consisted of a house and grounds known as Cobham House, in Water Lane, Blackfriars, immediately behind what is now the Ludgate Hill Station. It was purchased in 1633, mainly through the instrumentality of Gideon Delaune,[179] chief apothecary to Anne of Denmark, who was one of the retinue sent to attend her from Norway when she became the wife of James I. This hall was destroyed by the great fire of London in 1666, and its site lay vacant for ten years before it was rebuilt. The second hall was enlarged and improved in 1786, and it still stands.
The first hall or council house of the society was a place called Cobham House, located in Water Lane, Blackfriars, right behind what is now the Ludgate Hill Station. It was bought in 1633, mainly thanks to Gideon Delaune, the chief apothecary to Anne of Denmark, who was part of the group sent from Norway when she married James I. This hall was destroyed in the Great Fire of London in 1666, and the site remained vacant for ten years before it was rebuilt. The second hall was expanded and improved in 1786, and it still stands today.
In the reign of Queen Anne, Prince George of Denmark, who was then Lord High Admiral, applied to the society to know if they would undertake to supply the navy with drugs, as it was very badly served at that time. This the society agreed to do, and for so doing was drawn into a long series of quarrels with the College of Physicians, whose members thought it was the duty of an apothecary “to remember his office is only to be the physician’s cooke”.
In the time of Queen Anne, Prince George of Denmark, who was the Lord High Admiral, asked the society if they would supply the navy with medicines, as it was not well served at that time. The society agreed to do this, and as a result, got involved in a long series of disputes with the College of Physicians, whose members believed it was the apothecary's role "to remember his job is just to be the physician's cook."
A knowledge of herbs and simples was soon found necessary to these early compounders of medicine, and as a means of instruction, botanical excursions or herborisings, as they were called in those days, soon formed a prominent feature of the society. This led eventually to the decision to rent a physic garden, for which purpose the gardens available near the hall were unsuitable, and in 1673 the Botanic Garden at Chelsea was leased to the apothecaries for a term of sixty-one[180] years, by Charles Cheyne, Esq., lord of the manor.
A knowledge of herbs and plants became essential for the early creators of medicine, and as a way to learn, botanical trips or "herborisings," as they were called back then, became a key part of the society. This eventually led to the decision to rent a physic garden, since the gardens available near the hall were not suitable. In 1673, the Botanic Garden at Chelsea was leased to the apothecaries for a period of sixty-one[180] years by Charles Cheyne, Esq., lord of the manor.
The custom of examination grew up within the society very gradually, the first examinations being found necessary to ascertain whether the apprentices could decipher the very illegible handwriting in which the physicians wrote their prescriptions or bills, an accomplishment for which apparently they have been ever famous.
The practice of exams developed slowly within society, with the first tests being necessary to determine if apprentices could read the hardly legible handwriting used by physicians in their prescriptions or bills, a skill they seem to have always been known for.

INTERIOR OF AN APOTHECARY’S SHOP.
INTERIOR OF A PHARMACY.
From a drawing by Drapentier, 1670.
From a drawing by Drapentier, 1670.
Then came the division of the apothecaries from the druggists, the former in the process of time becoming a subordinate class of practitioners who attended an individual afflicted with some internal disease not requiring external or manual aid, and who prescribed for the cure of such[181] complaint and supplied the medicine; while the latter were supposed to confine themselves to the dealing in and preparation of drugs for the apothecary.
Then came the split between apothecaries and druggists. Over time, apothecaries became a lower tier of practitioners who treated individuals with internal illnesses that didn’t need external or manual help. They prescribed treatments for these issues and provided the necessary medicine, while druggists were expected to focus solely on selling and preparing drugs for the apothecary.[181]
The apothecary was paid for the medicine which he supplied, which was not by any means in small quantities, and so was supposed not to encroach ostensibly upon the province of the physician, who received his remuneration for advice only, and did not provide medicine.
The pharmacist was paid for the medicine he provided, which was quite a lot, and was therefore not seen as encroaching on the doctor's territory, who only got paid for his advice and did not supply medicine.
In 1812 a tax was put upon glass which increased the price of bottles greatly, much to the chagrin of the apothecaries, who were paid according to the number of draughts and potions which they could induce their patients to swallow. It was customary to place each dose of medicine in a separate bottle, and charge it at the rate of one or two shillings a dose, so the apothecary naturally felt aggrieved at the glass tax, which, however, was soon afterwards repealed.
In 1812, a tax was imposed on glass that significantly raised the price of bottles, much to the dismay of the apothecaries, who earned their income based on how many doses and potions they could persuade their patients to take. It was standard practice to put each dose of medicine in its own bottle and charge one or two shillings per dose, so the apothecary was understandably upset about the glass tax, which was quickly repealed afterward.
The following excellent rules and regulations were laid down by William Bulleyn for the guidance of apothecaries of his time:—
The following outstanding rules and regulations were established by William Bulleyn for the guidance of apothecaries of his time:—
THE APOTICARYE.
THE APOTHECARY.
1. Must first serve God, foresee the end, be cleanly, pity the poor.
1. Must first serve God, consider the future, be cleanly, and have compassion for the poor.
2. Must not be suborned for money to hurt mankind.
2. Must not be bribed with money to harm people.
3. His place of dwelling and shop to be cleanly, to please the senses withal.
3. His home and shop should be kept clean to please the senses.
4. His garden must be at hand, with plenty of herbs, seeds, and roots.
4. His garden should be nearby, filled with lots of herbs, seeds, and roots.
5. To sow, set, plant, gather, preserve, and keep them in due time.
5. To plant, set, cultivate, harvest, store, and maintain them at the right time.
6. To read Dioscorides; to know the nature of plants and herbs.
6. To read Dioscorides; to understand the nature of plants and herbs.
7. To invent medicines; to choose by colour, taste, odour, figure, etc.
7. To create medicines; to select based on color, taste, smell, shape, etc.
8. To have his mortars, stills, pots, filters, glasses, and boxes clean and sweet.
8. To keep his mortars, stills, pots, filters, glasses, and boxes clean and odor-free.
9. To have charcoals at hand to make decoctions, syrups, etc.
9. To have charcoal ready for making decoctions, syrups, etc.
10. To keep his clean ware close, and cast away the baggage.
10. To keep his clean belongings close and get rid of the unnecessary baggage.
11. To have two places in his shop—one most clean for the physic, and a baser place for the chirurgic stuff.
11. To have two areas in his shop—one very clean for the medicines, and a less clean area for the surgical supplies.
12. That he neither increase nor diminish the physician’s bill (i.e., prescription), and keep it for his own discharge.
12. That he neither raises nor lowers the doctor's bill (i.e., prescription), and keeps it for his own records.
13. That he neither buy nor sell rotten drugs.
13. That he should neither buy nor sell expired drugs.
14. That he peruse often his wares that they corrupt not.
14. That he often checks his goods so they don’t spoil.
15. That he put not in quid pro quo without advisement.
15. That he didn't offer anything in return without thinking it through.
16. That he may open well a vein for to help pleurisy.
16. That he may successfully open a vein to help with pleurisy.
17. That he meddle only in his vocation.
17. That he only focuses on his own work.
18. That he delight to read Nicolaus, Myrepsus, Valerius, Cordus, Johannes Placaton, the Lubri, etc.
18. That he enjoys reading Nicolaus, Myrepsus, Valerius, Cordus, Johannes Placaton, the Lubri, etc.
19. That he do remember his office is only to be the physician’s cook.
19. He should remember that his role is just to be the physician’s assistant.
20. That he use true measure and weight.
20. That he uses accurate measurements and weights.
21. To remember his end and the judgment of God; and thus do I commend him to God, if he be not covetous or crafty, seeking his own lucre before other men’s help, succour and comfort.
21. To remember his end and the judgment of God; and thus I commend him to God, if he is not greedy or deceitful, putting his own gains ahead of helping others, providing support and comfort.
In Glasgow the sale of drugs and poisons was carefully restricted and regulated as far back as[183] 1599. Under the terms of a charter granted to the Faculty by King James VI., and dated November, 1599, visitors were appointed, and they were given
In Glasgow, the sale of drugs and poisons was tightly controlled and regulated as early as [183] 1599. According to a charter given to the Faculty by King James VI., dated November 1599, officials were assigned, and they were given
“Full power to call, sumonnd, and convene before thame, within the said burgh of Glasgow, or onie otheris of ouir said burrowis, or publict places of the foirsaids boundis, all personis professing or using the said airt of Chirurgie, to examine thame upon thair literature, knawledge and practize; gif they be fund wordie, to admit, allow, and approve thame, give them testimonial according to the airt and knawledge that they sal be fund wordie to exercise thareftir, resave thair aithis, and authorize thame as accordis, and to discharge thame to use onie farder nor they have knawledge passing their capacity, laist our subjectis be abusit”.
“Full authority to call, summon, and gather before them, within the city of Glasgow, or any of our other boroughs, or public places within those boundaries, all individuals practicing or engaged in the field of surgery, to examine them on their knowledge, skills, and practice; if they are found worthy, to admit, allow, and approve them, provide them with certificates according to the skills and knowledge they are deemed qualified to practice thereafter, receive their oaths, and authorize them as appropriate, and to prohibit them from practicing beyond their level of knowledge, lest our subjects be taken advantage of.”
It was further provided by “James, be the Grace of God, King of Scottis,” in his fatherly solicitude for his subjects, that
It was further provided by “James, by the Grace of God, King of Scots,” in his caring concern for his subjects, that
“The saidis visitouris sall visit everie hurt, murtherit, poisonit, or onie other persoun tane awa extraordinarily, and to report to the Magistrate of the fact as it is”.
“The mentioned visitors will check every injury, murder, poisoning, or any other person taken away in an unusual way, and report the facts to the Magistrate as they are.”
The visitors were also empowered, with the advice of their brethren, to make regulations for the common weal anent the art of surgery, and to inflict punishment upon those infringing them. With regard to the sale of drugs, it was provided that—
The visitors were also given the authority, with the help of their peers, to create rules for the common good regarding the practice of surgery, and to impose penalties on those who broke these rules. Concerning the sale of drugs, it was stated that—
“Na manir of personis sell onie droggis within the Citie of Glasgow, except the sam be sichtit be the saidis visitouris,[184] and be William Spang, apothecar, under the pane of confiscatioune of the droggis”.
“None of the people can sell any drugs within the City of Glasgow, unless they are inspected by the said visitors,[184] and by William Spang, apothecary, under the penalty of confiscation of the drugs.”
The responsibility of the seller is clearly defined in a clause which further stipulates that—
The seller's responsibility is clearly outlined in a clause that further specifies that—
“Nane sell retoun poison, asenick, or sublemate, under the pane of ane hundred merkis, excep onlie the apothecaries quha sall be bund to take cautioun of the byaris, for coist, skaith, and damage”.
“Nobody sells poison, arsenic, or sublimate, under a penalty of one hundred marks, except for the apothecaries who will be required to take caution of the buyers, for cost, harm, and damage.”
These powers were confirmed by Charles, “King of Great Britain, France, and Ireland”.
These powers were confirmed by Charles, “King of Great Britain, France, and Ireland.”
The ancient apothecary believed in the administration of physic in quantities which, in these advanced days of infinitesimal doses and concentrated preparations, would be considered something alarming.
The old apothecary believed in giving medicine in amounts that, in today's world of tiny doses and strong formulations, would be seen as quite shocking.
The following interesting extract is from the diary of William Blundell, a celebrated cavalier of Lancashire, who took an active part in many of the conflicts in Cromwell’s time. On being taken ill, we are told, he sent for his medical man, one Dr. Worthington, of Wigan. The doctor’s bill, together with some quaint remarks thereon, are entered in the cavalier’s diary by his man, Master Thelwall, as follows:—
The following interesting excerpt is from the diary of William Blundell, a famous cavalier from Lancashire, who was actively involved in many of the conflicts during Cromwell’s era. When he fell ill, it’s said that he called for his doctor, Dr. Worthington, from Wigan. The doctor’s bill, along with some amusing comments about it, is recorded in the cavalier’s diary by his servant, Master Thelwall, as follows:—
1681. “After my master had been long ill of a violent cold, Dr. Worthington came first unto him on 8th January. He staid two nights, and received for his pains £1 10s. He brought[185] along with him, a lohoch, ten pills, with a bottle of spirits somewhat bigger than one’s thumb, and a paper of lozenges, with French barley and several ingredients for making the water thereof. On the eleventh day he sent a glister, with a large pint bottle of a cordial julep, and a small bottle of syrups, to be sucked up with a liquorice stick, also some small quantity of sal prunella.
1681. “After my master had been sick for a long time with a bad cold, Dr. Worthington came to see him on January 8th. He stayed for two nights and was paid £1 10s for his services. He brought[185] with him a lollipop, ten pills, a small bottle of spirits, a bit larger than a thumb, and a packet of lozenges, along with French barley and several ingredients for making the water. On the eleventh day, he sent an enema, a large pint bottle of a cordial julep, a small bottle of syrups to be sipped through a licorice stick, and a small amount of sal prunella.”

A PHYSICIAN.
A doctor.
From a drawing by Amman, Sixteenth Century.
From a drawing by Amman, 16th Century.
“The doctor was with my master the second time, on 17th January, and received for his pains 15s.”
“The doctor was with my master for the second time on January 17th, and received 15 shillings for his services.”
Then comes the copy of Dr. Worthington’s bill, dated 24th October, 1681:—
Then comes the copy of Dr. Worthington’s bill, dated October 24, 1681:—
£ | s. | d. | |
---|---|---|---|
Spirits | 0 | 4 | 6 |
An ointment | 0 | 1 | 4 |
January 8. | |||
Spirits | 0 | 4 | 6 |
Ten pills | 0 | 2 | 0 |
A lohoch | 0 | 2 | 0 |
Lozenges | 0 | 4 | 0 |
Jujubes and sibertines | 0 | 0 | 8 |
French barley | 0 | 1 | 0 |
Ingredients | 0 | 1 | 6 |
Syrups | 0 | 3 | 0 |
A cordial julep | 0 | 10 | 6 |
A glister | 0 | 2 | 6 |
January 11. | |||
Syrups | 0 | 3 | 0 |
White powder | 0 | 0 | 4 |
Five pills | 0 | 1 | 3 |
The oiled sugar | 0 | 7 | 0 |
Syrups | 0 | 5 | 6 |
Oil of sweet almonds | 0 | 1 | 8 |
Spirits of ptisanne | 0 | 7 | 6 |
For a messenger | 0 | 1 | 6 |
£3 | 5 | 3 |
Master Thelwall then goes on to say: “My master’s opinion of these several things in particular,[187] is here to be inserted for further use, viz., that the spirits first named, of which twenty-six drops were put into one small cup of barley water and beer, had no apparent effect, although he doth not much doubt but the secret effect might be good. That the like might be said of the pills, mentioned in two places, although it seemed that they did somewhat assuage his cough, which was extremely violent. The lohoch, a liquor like syrup, did apparently bring up phlegm, and was well liked. The lozenges were pleasant, and did sometimes stop the cough. Barley water with the ingredients was cooling and pleasant. Syrups twice mentioned, although of much different prices, seemed to be the same.
Master Thelwall then says: “My master’s opinion on these various matters,[187] is included here for future reference, viz., that the spirits mentioned earlier, with twenty-six drops added to a small cup of barley water and beer, had no noticeable effect, although he doesn’t doubt that the hidden effect could be beneficial. The same could be said for the pills referenced in two places, even though they seemed to somewhat relieve his extremely severe cough. The lohoch, a syrup-like liquid, definitely helped expel phlegm and was well-received. The lozenges were pleasant and occasionally stopped the cough. The barley water with the ingredients was cooling and enjoyable. The syrups mentioned twice, despite having different prices, appeared to be the same.
“The cordial julep, of which there was a large pint bottle, was pleasant, but the effect not apparent. The glister extraordinary effective and good. White powder, supposed to be sal prunella, assuaged the thirst. The oiled sugar, with the spirits ptisanne, besides the extreme dearness, was almost wholly useless, in regard that the patient being much in the mending hand when they were sent unto him. He sent back to the doctor about seven-eighths of the oiled sugar, and yet he paid for the whole. The oil of sweet almonds, of which seven or eight drops were taken in a bolus of white sugar-candy,[188] frequently helped the breast made very sore by coughing.”
“The pleasant julep, which came in a large pint bottle, was enjoyable, but its effects weren’t noticeable. The extraordinary glister was effective and good. A white powder, thought to be sal prunella, quenched the thirst. The oiled sugar, along with the spirits ptisanne, was extremely expensive and nearly useless since the patient was mostly on the mend when they were sent to him. He returned about seven-eighths of the oiled sugar to the doctor but still paid for all of it. The oil of sweet almonds, from which seven or eight drops were taken in a bolus of white sugar-candy,[188] often alleviated the sore chest caused by coughing.”
We subsequently learn that the good old cavalier was at length cured of his ailments, which he certainly ought to have been from the[189] multiplicity of the remedies employed. Many of the forms in which medicine was administered in those days have entirely gone out of use, and others we have still with us.
We later find out that the good old cavalier was finally healed of his ailments, which he definitely should have been considering the[189] many remedies used. Many of the ways medicine was given back then have completely fallen out of practice, while others are still around today.
Another example of the apothecary’s bill appears in the appendix to the Eleventh Report of the Historical Manuscripts’ Commission, among the transcripts of the manuscripts of the Marquess Townshend. There is one, dated 24th June, 1619, of a paper endorsed “The Apothycarie’s bill,” Sir Roger Townshend’s account, which contains the following items:—
Another example of the apothecary’s bill appears in the appendix to the Eleventh Report of the Historical Manuscripts’ Commission, among the transcripts of the manuscripts of the Marquess Townshend. There is one, dated June 24, 1619, of a paper labeled “The Apothecary’s bill,” Sir Roger Townshend’s account, which contains the following items:—
s. | d. | |
---|---|---|
“Grene ginger” | 7 | 0 |
Tabacco | 2 | 0 |
Grene ginger | 8 | 0 |
A masse of pills | 5 | 0 |
An electuarye | 3 | 6 |
Under the name of Mr. Stanhope Townshend, 12th September, 1618, are:—
Under the name of Mr. Stanhope Townshend, 12th September, 1618, are:—
s. | d. | |
---|---|---|
“A clyster” | 3 | 4 |
A julep | 3 | 0 |
A cordiall with behoardston | 3 | 0 |
The cordiall julep | 3 | 0 |
Hearbs for brothe | 0 | 4 |
Rose water | 0 | 6 |
A suppositorye | 0 | 6 |
Another suppositorye | 0 | 6 |
An unguent | 0 | 3 |
A purge | 3 | 0 |
Purgeing pills | 2 | 6 |
The lohoch, the base of which consisted of honey or thick syrup, was a very favourite form of medicine for a cough, such as the lohoch demulcent, lohoch of fox’s lungs, and lohoch expectorant.
The lohoch, which was made from honey or thick syrup, was a popular type of medicine for a cough, like the lohoch demulcent, lohoch of fox’s lungs, and lohoch expectorant.
The julep was another ancient form of administration much in vogue. Balsams, of divers compositions, had great repute as expectorants. William Blundell in his diary (1681) mentions: “The Elder Lady Bradshaw sent a bottle containing, as we guess, about one ounce of balsam, which in her letter she calls ‘Balsam of Sulphur’. That it must be taken morning and night, three or four drops, naked and alone in a spoon; that it must be warmed before it will drop at all, by reason its thick and clammy.” The sugared oils were simply made by triturating various essential oils with white sugar, and usually given for their carminative action.
The julep was another ancient method of treatment that was very popular. Balsams, made from various mixtures, were highly regarded as cough remedies. William Blundell mentions in his diary (1681): “The Elder Lady Bradshaw sent a bottle containing, as we guess, about one ounce of balsam, which in her letter she calls ‘Balsam of Sulphur’. It must be taken morning and night, three or four drops, straight and alone in a spoon; it needs to be warmed before it will drop at all, because it’s thick and sticky.” The sugared oils were simply created by mixing different essential oils with white sugar and were typically given for their comforting effects on the stomach.
Another favourite vehicle was broth, generally composed of many and strange ingredients. We have come across the broth of calves’ lungs, broth of the bones of lizards, and broths made from snails, tortoises, woodlice, crabs, and vipers.
Another favorite dish was broth, usually made from all kinds of unusual ingredients. We’ve encountered broth made from calves’ lungs, broth of lizard bones, and broths made from snails, turtles, woodlice, crabs, and vipers.
The recipe for the broth of viper we have taken from an old black-letter book, and is rather curious:—[191]
The recipe for viper broth comes from an old black-letter book and is quite inquisitive:—[191]
“ ![]() |
j. |
Remove his head, tail and viscera, excepting his heart and liver, cut it into little pieces and mix it with the blood, and add— | |
Well water | 12 ounces |
in a close vessel, boil for two hours and strain, and the broth will be made.” |
The materia medica of the old apothecary was largely drawn from the animal kingdom, the greater part of it being, no doubt, handed down from a very early period, when witchcraft and superstition exerted a powerful influence on the minds of the people.
The materia medica of the old apothecary mainly came from the animal kingdom, with most of it likely passed down from a very early time when witchcraft and superstition had a strong hold on people's minds.
Among the many curious things used, we find that the liver of a mad dog, or a wolf, washed in wine and dried in a stove, was employed as a remedy for hydrophobia. The nimble lizard had a reputation as a sudorific and antisyphilitic. Dried toads and the cast-off skins of snakes and adders, were administered in dropsy as a diuretic.
Among the many strange things used, we find that the liver of a rabid dog or a wolf, washed in wine and dried in an oven, was used as a cure for rabies. The quick lizard was known for inducing sweating and treating syphilis. Dried toads and the shed skins of snakes and adders were given for swelling as a diuretic.
The horn of rhinoceros was used in epilepsy, and goat’s blood and eel’s liver as a cure for dysentery. The oil of frog’s spawn was celebrated as an application for chilblains. The jawbone of a pike and the spine of a lamprey in powder, were prescribed for leucorrhœa. Pepys mentions in his diary, that he wore a hare’s foot as a sovereign remedy against the plague, in which charm he seemed to place more faith than[192] in the various plague waters that were recommended to him as unfailing antidotes for that terrible disease.
The horn of a rhinoceros was used to treat epilepsy, while goat's blood and eel liver were remedies for dysentery. Frog spawn oil was praised as a treatment for chilblains. A powdered pike jawbone and lamprey spine were prescribed for leucorrhea. Pepys writes in his diary that he wore a hare’s foot as a proven remedy against the plague, and he seemed to trust this charm more than[192] the various plague waters that were suggested to him as foolproof cures for that awful disease.
In the time of Edward I. there was a list of drugs recorded by the king’s physician, one Nicholas de Tyngewyke, in 1307, which throws an interesting light on the pharmacy of that period. The list includes distilled oil of turpentine, aromatic flowers for baths, carminative electuaries, plasters and ointments of various kinds, the oils of wheat, ash, and bay, water of the roses of Damascus, wine of pomegranates, remedies prepared from pearls, jacinths, and coral, and many other drugs. The king was taken ill at Carlisle, and the cost of conveying these remedies from London to that city amounted to £159 11s. 10d., the apothecary’s bill for the medicines being £134 16s. 4d.
In the time of Edward I, there was a list of drugs recorded by the king’s physician, Nicholas de Tyngewyke, in 1307, which gives an interesting insight into the pharmacy of that period. The list includes distilled oil of turpentine, aromatic flowers for baths, carminative electuaries, plasters and ointments of various kinds, oils of wheat, ash, and bay, rose water from Damascus, pomegranate wine, remedies made from pearls, jacinths, and coral, and many other drugs. The king fell ill in Carlisle, and the cost of transporting these remedies from London to that city came to £159 11s. 10d., with the apothecary’s bill for the medicines totaling £134 16s. 4d.
In 1596 Sir Henry Winton, who was sent as ambassador by Elizabeth to Henry IV. of France, met with an accident while on his mission. According to the records “he was physicked with confectio alcarmas, which was composed of musk, amber, gold, pearl, and unicorn’s horn, and with pigeons applied to his side, and all other means that art could devise sufficient to expel the strongest poison, and he be not bewitcht withall”.[193]
In 1596, Sir Henry Winton, who was sent as an ambassador by Elizabeth to Henry IV of France, had an accident during his mission. According to the records, "he was treated with confectio alcarmas, which included musk, amber, gold, pearl, and unicorn's horn, and with pigeons placed on his side, along with all other methods that could be devised to remove the strongest poison, and he was not bewitched by any of it."[193]
The apothecaries of the seventeenth century were not overburdened with the estimable virtue of modesty, as instanced in the following quaint announcement:—
The apothecaries of the seventeenth century weren't exactly known for their modesty, as shown in the following quirkyannouncement:—
“Cornelius Tilbury, sworn chirurgeon-in-ordinary to K. Charles II., to his late Sovereign K. William, as also to her present Majesty Queen Anne—address at the Blue Flower Pot, in Great Lincoln’s Inn Fields, at Holbourn Row (where you see at night a light over the door); and for the convenience of those that desire privacy, they may come through the Red Lyon Inn in Holbourn, between the two turnstiles, which is directly against my back door, where you will see the sign of the Blue Ball hung over the door.
“Cornelius Tilbury, the official surgeon to King Charles II, to the late Sovereign King William, and to her current Majesty Queen Anne—located at the Blue Flower Pot in Great Lincoln’s Inn Fields, Holbourn Row (where you can see a light over the door at night); for those who prefer privacy, you may enter through the Red Lyon Inn in Holbourn, between the two turnstiles, which is directly opposite my back door, marked by the sign of the Blue Ball hanging over the door."
“I dispose of my famous Orvietan, either liquid or in powder, what quantity or price you please. This is that Orvietan that expelled that vast quantity of poison I took before K. Charles II., for which his Majesty presented me with a gold medal and a chain.”
“I sell my well-known Orvietan, either liquid or powdered, in any quantity or price you want. This is the Orvietan that eliminated the huge amount of poison I ingested before King Charles II, for which His Majesty awarded me a gold medal and a chain.”
The physician’s fees were by no means small in the time of the Commonwealth, as may be judged from the following extract from the Memoirs of the Verney Family:—[194]
The doctor's fees were definitely not low during the Commonwealth, as shown in the following excerpt from the Memoirs of the Verney Family:—[194]
“Sir Theodore Mayerne is buryed,” writes Dr. Denton, “and died worth £140,000.” Sir Ralph thought £30 too small a fee to pay Dr. Denton for his attendance on his wife during her confinement, but for his pressing poverty he would have sent him £50, equal to about £200 of our present money. Dr. Radcliffe’s regular[195] fees were estimated to bring him in an income of at least £4000 a year; Dr. Mead’s were valued at between £5000 and £6000. Sir George Wheler’s sickness, after a Christmas dinner at Dr. Denton’s, cost him “the best part of £100”. He had caught a chill after dancing, which turned to “a spotted feavour”; Sir George Ent was called in: he had all sorts of “Applications of Blisters and Loudanums”. “My Apothecary’s ... bill came to £28. He was a good man, and told me if I fell into a feavour again, Sage Possit would do me as much good as all the Physitians Prescriptions.”
“Sir Theodore Mayerne is buried,” writes Dr. Denton, “and he died with £140,000.” Sir Ralph thought £30 was too little to pay Dr. Denton for his care of his wife during her delivery, but if he hadn’t been so broke, he would have sent him £50, which is about £200 in today’s money. Dr. Radcliffe’s usual fees were expected to give him an income of at least £4000 a year; Dr. Mead’s were estimated at between £5000 and £6000. Sir George Wheler’s illness after a Christmas dinner at Dr. Denton’s cost him “the best part of £100.” He caught a chill after dancing, which led to “a spotted fever”; Sir George Ent was called in: he used all kinds of “Applications of Blisters and Laudanums.” “My Apothecary’s ... bill came to £28. He was a good man and told me that if I got a fever again, Sage Posset would do me as much good as all the Physicians’ prescriptions.”
In Sir Daniel Fleming’s account books we have record of the amount paid to medical practitioners in 1659, as follows:—
In Sir Daniel Fleming’s account books, we have a record of the amount paid to medical practitioners in 1659, as follows:—
To Doctor Dykes for comeing and laying plasters unto Will | £0 | 10 | 0 |
For his plaisters and paines contributed towards the cure of Will, the sum of | 5 | 0 | 0 |
A further entry also shows the value of the midwife’s services at the same period. Under date
A further entry also shows the value of the midwife’s services during the same time period. Under date
July 30th, 1659. Given unto Daniel Harrison’s wife for being my wife’s midwife, 5/-.
July 30th, 1659. Paid to Daniel Harrison’s wife for being my wife’s midwife, 5/-.
In the household books of Lord William Howard we learn that on 25th September, 1612, he paid one Mr. Adamson, an apothecary of[196] Keswick, “for xxii dayes and his physick, £xiii. vi,s. viii,d”.
In the household records of Lord William Howard, we find that on September 25, 1612, he paid Mr. Adamson, an apothecary from Keswick, “for 22 days and his medicine, £13.6s.8d.”
Some of the early preparations used in pharmacy were as elaborate as they were mysterious. The Treacle of Andromachus the elder, a recipe of great antiquity, contained sixty-three ingredients; and the celebrated Mithridate of Damocratis contained forty-eight.
Some of the early preparations used in pharmacy were as elaborate as they were mysterious. The Treacle of Andromachus the Elder, a recipe from a long time ago, included sixty-three ingredients; and the famous Mithridate of Damocratis had forty-eight.
The origin of the formula for “Mithridates” is ascribed to Mithridates, King of Pontus, whose recipe Pompey brought to Rome, where Damocratis sang its praises and proclaimed its virtues. It was considered by the ancients a panacea for every ill. Of the historic preparation known as the Treacle of Andromachus, its invention is attributed to that worthy. Pliny says that the formula of a similar composition was inscribed in verse 300 years before the Christian era upon the temple of Æsculapius, and that Andromachus merely imitated, by order of Nero, the composition of the Mithridate, which had then been known for a considerable time.
The formula for “Mithridates” is credited to Mithridates, the King of Pontus, whose recipe Pompey brought to Rome, where Damocratis praised it and highlighted its benefits. The ancients considered it a cure-all for various ailments. The historical mix known as the Treacle of Andromachus is said to be invented by him. Pliny mentions that a similar formula was written in verse 300 years before Christ on the temple of Æsculapius, and that Andromachus simply copied the Mithridate formula at Nero's request, which had been known for quite some time.
Of the forms of administration there were a great variety in the sixteenth century, and many, such as the Rob which consisted of the juice of fruits boiled down to two-thirds, the lohoch, and the treacle, have quite gone out of use.
Of the types of administration, there was a wide variety in the sixteenth century, and many, like the Rob, which was made from fruit juice boiled down to two-thirds, the lohoch, and the treacle, have totally fallen out of use.
But notwithstanding modern research and[197] scientific advance, some of the ancient formulæ still survive and are employed to-day.
But despite modern research and[197]scientific progress, some of the ancient formulas still exist and are used today.
It may not be generally known that the preparation known as hiera picra was originated by Galen, on the properties of which he placed high value on account of its excessively bitter taste. Charas states that the great physician gave it the name of hiera picra or holy bitter.
It may not be widely recognized that the preparation called hiera picra was created by Galen, who valued its properties highly because of its extremely bitter taste. Charas notes that the renowned physician named it hiera picra or holy bitter.
In the pil. aloes. et myrrh. of the British Pharmacopœia, commonly known by the old name of Pil. Ruffi., we have a formula handed down intact for over a thousand years.
In the pil. aloes. et myrrh. of the British Pharmacopœia, commonly referred to by the old name of Pil. Ruffi., we have a formula that has been preserved unchanged for over a thousand years.
In mediæval times ladies were not above using preparations to beautify their complexions, and among others for this purpose, we find the formula of a cerate composed of white wax, spermaceti, oil of cole seed, bismuth, borax, and alum, which was spread on a cloth to cover the face at night, and worn as a mask.
In medieval times, women didn't shy away from using products to enhance their complexions, and for this purpose, we see the recipe for a balm made of white wax, spermaceti, rapeseed oil, bismuth, borax, and alum, which was spread on a cloth to cover the face at night and worn as a mask.
Among the parts of the body used as medicine was human blood, on which some early physicians set great value for the cure of epilepsy and diseases of the brain.
Among the parts of the body used as medicine was human blood, which some early physicians highly valued for treating epilepsy and brain diseases.
Charas, in his Royal Pharmacopœia, says: “In the month of May take a considerable quantity of healthy young men’s blood, let blood in that season who are not red haired. This blood is to be distilled twice, or spread on plates and dried[198] in the sun or an oven. All writers extol the volatile salt of man’s blood, for the cure of epilepsy, it being also very proper to suppress vapours that arise from the stomach and spleen.”
Charas, in his Royal Pharmacopœia, states: “In May, take a significant amount of blood from healthy young men who are not red-haired. This blood should be distilled twice or spread on plates and dried[198] in the sun or an oven. All authors praise the volatile salt from human blood for treating epilepsy, and it is also quite effective for reducing vapors that come from the stomach and spleen.”
In a Celtic leech-book preserved in the University of Leyden, which is said to have been written in the ninth century, there are the following curious recipes:—
In a Celtic medical book kept at the University of Leyden, believed to have been written in the ninth century, there are the following interesting recipes:—
“1. To prevent wrinkles. Smear the face with a mixture of water and the pounded root of wild cucumber. Wash with cold water. ‘Hóc sí triduo facere uolueris mirabilem effectum uidebis.’
“1. To prevent wrinkles. Apply a mixture of water and crushed wild cucumber root to your face. Rinse off with cold water. ‘Hóc sí triduo facere uolueris mirabilem effectum uidebis.’”
“2. To remove freckles. Rub a bull’s gall on the face.
“2. To remove freckles. Rub a bull’s gall on your face.
“3. To cure headaches. Gather plantain-root before sunrise, and tie it on the head. Use also the juice of the seed of the elder-tree, a cow’s brain, goat’s dung dissolved in vinegar; swallows’ nests mixed with water, and applied to the forehead; water out of which an ass or an ox has drunk.
“3. To cure headaches. Gather plantain root before sunrise and tie it around your head. Also use the juice from elder tree seeds, a cow’s brain, goat manure dissolved in vinegar; swallows’ nests mixed with water and applied to the forehead; water that an ass or an ox has drunk.”
“4. To purge the head. Pour the juice of cabbage (brassica) into the nostrils.
“4. To clear the head. Pour cabbage juice (brassica) into the nostrils.
“5. For dimness of the eyes. Pound fennel-roots, mix with honey, and boil over a slow fire; add cistern-water or woman’s milk. Smear the eyes with the fat of a fox (adipe volpis).
“5. For blurry vision. Crush fennel roots, mix with honey, and simmer over low heat; add rainwater or breast milk. Apply the fat of a fox to the eyes.”
“6. Another remedy. Mix a child’s urine (lotium infantis) with the best honey; add a decoction of fennel-roots (‘omnem caliginem mirabiliter discutiet’).
“6. Another remedy. Mix a child’s urine (lotium infantis) with the best honey; add a boiled fennel root extract (‘will remarkably clear away all darkness’).
“7. The beginning of this paragraph has been cut off. The remedies prescribed are butter and cram occifæth (garlic...?), mixed with ram’s fat (‘per aruinam ariætis’).
“7. The beginning of this paragraph has been cut off. The suggested remedies are butter and cram occifæth (garlic...?), mixed with ram’s fat (‘per aruinam ariætis’).
“14. To cure the bite of a dog. Apply two or three onions calcined and boiled with lard and honey.
“14. To heal a dog bite. Use two or three onions cooked down and mixed with lard and honey.”
Among the various remedies fish play a prominent part. For gravel it is recommended that the head of a pike be boiled in a newly-glazed earthen pot, then reduced to powder and drunk in a glass of white wine. A sure means of curing gout is to wear continually three or four moles’ feet tied to one’s garters. For nose-bleeding, the sufferer is advised to blow up the nose the powder of a stone found in the head of a carp, or to plug up the nostrils with hare’s fur. A certain remedy for curing a drunkard of his evil way is to give him as many eggs of the screech owl, boiled hard, as he can possibly eat, when we are assured he will ever after be a total abstainer.
Among the various remedies, fish play a prominent role. For gravel, it’s suggested to boil the head of a pike in a newly-glazed earthen pot, then grind it into powder and mix it with a glass of white wine. A reliable way to treat gout is to continuously wear three or four moles’ feet tied to your garters. For nosebleeds, it’s recommended that the person blow the powder of a stone found in the head of a carp up their nose, or use hare’s fur to clog the nostrils. A certain remedy for curing a drunkard of their bad habits is to feed them as many hard-boiled eggs of the screech owl as they can eat; it is said that they will then become a total abstainer.
In the first book of the Secretes of the reverent Maister Alexis of Piemont, 1562, which is a kind of general receipt-book for the apothecaries of the time, there occur some curious formulæ, which may be taken as a fair example of the pharmacy of those days. The process of making the oil of red dog is given with elaborate detail.
In the first book of the Secretes of the reverent Maister Alexis of Piemont, 1562, which serves as a general recipe book for apothecaries of that time, there are some interesting formulas that represent the pharmacy of that era. The method for making oil from red dog is described in great detail.
“To make an oile of a redde dogge,” says the chronicler, “by the meane whereof (beside other infinit vertues that it hathe) I have healed a Fryer of Saint Onostres, who had by the space of[200] twelve years a lame and drye withered arme, lyke I styche so that nature gave it no more nouryshement—
“To make an oil from a red dog,” says the chronicler, “through which (among many other countless virtues it has) I have healed a Friar of Saint Onostres, who had for the last twelve years a lame and withered arm, so dry that nature provided it no more nourishment—”
“Take a yonge dogge of redde heare and keep him three days without meate, and then strangle him with a corde, and let him lie dead a quarter of an houre, and in the meane time boyle a kettell of ayle up by the fire, and putte the dogge in whole, or in pieces, it maketh no matter howe, so that he be all there with the skynne and heare; make him seethe so untyl he be almost sodden to pieces, keepying always the kettell close covered: In the meane tyme take scorpions to the number of four score or a hundred, and put them in a basyn on the fyre untyll they be thoroughly bruised. Then putte them in the sayde kettell with the ayle and the dogge, puttinge to it a good dishful of great grounde wormes, well washed, a good handful of Saint John’s Worte, a handful of wylde marshe mallowes, and a handful of wallworte, with an once of saffron. Seethe all these things well to-gether, and then let it ware colde.” The liquid being strained off and certain aromatic gums added, the preparation was complete.
"Take a young dog with red fur and keep him for three days without food, then strangle him with a cord and let him lie dead for fifteen minutes. In the meantime, boil a kettle of ale over the fire and put the dog in whole or in pieces; it doesn't matter how, as long as he is all there with the skin and fur. Let him simmer until he is almost falling apart, keeping the kettle tightly covered. Meanwhile, take scorpions, about eighty to a hundred, and put them in a basin over the fire until they are thoroughly crushed. Then add them to the kettle with the ale and the dog, along with a good dishful of large ground worms, well washed, a good handful of St. John's Wort, a handful of wild marsh mallows, a handful of wallwort, and an ounce of saffron. Let all these ingredients cook well together, and then allow it to cool." After straining off the liquid and adding certain aromatic gums, the preparation is complete.
The belief that carrying a piece of camphor will ward off infectious diseases, is a relic of the old days of amulets and charms. In 1547[201] Alexis recommended compounds to carry against the plague and fever, and we find that aromatics were used to perfume clothes in the time of the early Jews, long before the birth of Christ.
The idea that carrying a piece of camphor will protect you from infectious diseases is a throwback to the old days of amulets and charms. In 1547[201], Alexis suggested using compounds to guard against the plague and fever, and we know that aromatics were used to scent clothing during the time of the early Jews, long before Christ was born.
Among other secrets of Alexis, there is a curious recipe to “cause mervelous dreames”.
Among other secrets of Alexis, there's an interesting recipe to “cause mervelous dreames”.
“Take the bloode of a lampwink or black plover, and rubbe your temples with it and so goe to bedde, and you shall see mervelous thinges in your sleepe; or else if you eate at nighte a little of the herbe Solani or Visicaria, or some Mandragora, or elles of the herbe called in Greek Hyoscymus, in Latin hath these names, Altercum, Appolinaris, and Symphonia, and in the English some call it Henbane, and you shall see in the nighte goodly things in your dreame.”
“Take the blood of a lamp or black plover, and rub it on your temples before going to bed, and you'll see amazing things in your sleep; or if you eat a bit of the herb Solani or Viscaria at night, or some Mandrake, or the herb called Hyoscyamus in Greek, which has these names in Latin: Altercum, Appolinaris, and Symphonia, and in English, some call it Henbane, and you’ll see delightful things in your dreams at night.”
The apothecary apparently omits to mention that a heavy meal of very ordinary cheese, combined with the succulent fruit of the cucumber, before you go to bed, will also make you see marvellous and weird things in your sleep.
The apothecary seems to forget to mention that a big meal of plain cheese, along with the juicy fruit of the cucumber, before you hit the hay, will also lead to seeing amazing and strange things in your dreams.
The gifts and wisdom of the apothecaries were according to their writings very wonderful, but none perhaps is more remarkable than the following recipe on a matter which would baffle the scientists of the present day.
The gifts and knowledge of the apothecaries, according to their writings, were truly impressive, but perhaps none is more notable than the following recipe for a topic that would puzzle today's scientists.
The chronicler writes: “To make a woman[202] that beareth alwaies daughters to beare also sonnes, it is a thing very easy, and hath good succes, and hathe been divers times proved. Let her eate an herbe in English called mercurie, which hath only two seedes; also the skrapings of an elephant’s tooth.”
The chronicler writes: “To make a woman[202] who always has daughters also have sons is very easy, has a good success rate, and has been proven multiple times. Let her eat a herb in English called mercury, which has only two seeds; also the shavings of an elephant’s tooth.”
The name of the originator of the “everlasting pill” has not been handed down to posterity, but whoever he was, he was certainly an economist, and could not be charged with inventing it for his own gain. It consisted of a small globule of metallic antimony, which was believed to have the property of purging as often as it was swallowed.
The name of the creator of the "everlasting pill" hasn't been passed down to future generations, but whoever it was, he was definitely an economist and couldn't be accused of inventing it for personal profit. It was made of a small bead of metallic antimony, which was thought to have the ability to purge every time it was swallowed.
A single pill of this kind would serve a whole family during their lives, and was doubtless, transmitted as an heirloom to posterity.
A single pill like this could support an entire family for their entire lives and was definitely passed down as a cherished heirloom for future generations.
Paris says, “we have heard of a lady who, having swallowed one of these pills, became seriously alarmed at its not passing through”. “Madam,” said her physician, “fear not; it has already passed through a hundred patients without any difficulty.”
Paris says, “we’ve heard about a woman who, after taking one of these pills, got really worried when it didn’t come out.” “Ma'am,” said her doctor, “don’t worry; it has already gone through a hundred patients without any issues.”
It is said to have been the constant custom of Cardinal Wolsey to carry in his hand an orange deprived of its contents and filled with a sponge soaked in vinegar, impregnated with various spices, in order to protect him from infection[203] when passing through the crowds of people which his splendour of office attracted.
It is said that Cardinal Wolsey always carried an orange that had been emptied and filled with a sponge soaked in vinegar and mixed with various spices to protect him from infection while moving through the crowds that his high position attracted.[203]
An old writer, one James Penrose of the middle ages, questions if Cleopatra applied the asp to her breast as is commonly supposed, because, as he remarks, “the veines are so very slender”.
An old writer, James Penrose from the middle ages, wonders if Cleopatra actually applied the asp to her breast as people often think, because, as he notes, “the veins are so very slender.”
“Petrus Victorius blames the painters who depict the Egyptian queen applying the asp to her breast, seeing it is manifest out of Plutarch in the life of Antonius, and out of Plinie likewise, that she applied it to her arme.”
“Petrus Victorius criticizes the artists who show the Egyptian queen putting the snake to her breast, since it is clear from Plutarch's account of Antonius and from Pliny as well that she actually applied it to her arm.”
“Zonares relates, that there appeared no signe of death upon her, save two blew spots on her arme.”
“Zonares relates that there was no sign of death on her, except for two blue spots on her arm.”
“Cæsar also in her statue, which he carryed in tryumph, applyed the asp to her arme; for in the armes there are great veines and arteries which doe quickly and in a straight way convey the venom to the heart, whereas in the papps the vessels are slender.”
“Caesar also in her statue, which he carried in triumph, placed the asp on her arm; because the arms have large veins and arteries that quickly and directly carry the venom to the heart, whereas in the breasts the vessels are smaller.”
Gesnerus gives a method used by the apothecaries for changing the colour of the hair which is somewhat singular. It is by means of one of the many waters of the philosophers, and is made as follows, in the language of the text: “Take a moule which serveth unto the dying or coloring of heares whyte, eyther of man or[204] beast; let the moule be artely brought to powder with Brimstone, adde to it the juice of celandine which orderly be myxed, let to stande for certaine dayes, after dystill the whole according to taste. The virtue of this water is in such wise, that if a beast wholy blacke of heare shall be washed all over with this water, the heare shall in that time became so whyte as snowe.”
Gesnerus describes a method used by apothecaries to change hair color that is quite unusual. It involves one of the many philosopher's waters and is made as follows, in the text's own words: “Take a mold that is used for dyeing or coloring white hair, whether from a man or[204] beast; let the mold be finely ground with sulfur, add the juice ofcelandine and mix it well, then let it sit for several days before distilling the whole mixture according to taste. The power of this water is such that if a completely black-haired beast is washed all over with this water, its hair will turn as white as snow.”
The aloe mentioned in the Bible, usually in connection with myrrh and frankincense, is not the same drug as that used in medicine to-day, and is even without its bitterness. It is the product of the Aquilaria Agallocha, a tree of large size growing in the Laos country and Assam. The wood is light in colour and inodorous, but under certain conditions a change takes place in it, and it becomes charged with a dark aromatic juice. It was formerly used as a spice in embalming, and is employed in China and the East as incense in the temples.
The aloe mentioned in the Bible, usually associated with myrrh and frankincense, is not the same as the medicinal drug we use today, and it lacks its bitterness. It comes from the Aquilaria Agallocha, a large tree found in Laos and Assam. The wood is light in color and odorless, but under certain conditions, it transforms and becomes infused with a dark aromatic resin. It was historically used as a spice in embalming and is used in China and the East as incense in temples.
A curious little work, entitled The House Apothecary written by Dr. Gideon Harvey, physician-in-ordinary to his Majesty, and printed in 1670, affords a further interesting glimpse at pharmacy 200 years ago. It would appear that the apothecaries then, like some of their descendants of the present day, excited a considerable amount of jealousy among the[205] physicians by prescribing in certain cases, and meddling generally “in matters which they did not understand”.
A curious little work called The House Apothecary, written by Dr. Gideon Harvey, physician to the King, and printed in 1670, offers an interesting look at pharmacy 200 years ago. It seems that the apothecaries back then, like some of their modern counterparts, stirred up quite a bit of jealousy among the[205] physicians by prescribing in certain cases and generally interfering “in matters they didn’t understand.”
The worthy doctor begins by recommending people to prepare their medicine at their own homes, it being a far safer and easier way than sending it to the apothecary to be made, and as a further inducement states: “And you shall[206] also save nineteen shillings in twenty shillings, according to the extravagant rates charged by many apothecaries, in so doing. I must tell you, I have oft seen bills of apothecaries rise to twenty, and sometimes thirty pounds in the time of a fortnight; and what is more, I have known an apothecary’s bill so extravagant that the sum at the bottom of his account amounted to fifty pounds in the space of thirty days, when the ingredients of the whole course could not be computed to stand him in forty shillings.” A severe indictment indeed.
The good doctor starts by suggesting that people make their own medicine at home, as it’s a much safer and easier option than sending it to the pharmacy to be prepared. He also adds, “And you’ll save nineteen shillings out of twenty, considering the outrageous rates many pharmacies charge.” I have often seen pharmacy bills skyrocket to twenty or even thirty pounds in just two weeks. What’s more, I’ve seen a pharmacy bill so excessive that the total at the bottom reached fifty pounds in just thirty days, while the actual cost of all the ingredients couldn’t have been more than forty shillings.” Quite a serious accusation.
The doctor then goes on to inform us that “in preparing medicines at home you may be certain the ingredients are sound and fresh, and you can have your medicines without attending the apothecary’s leisure or having the trouble of sending three or four times to his shop for them; and, most important of all, you may be assured in so doing you shall save nine pounds in ten, and sometimes forty-eight pounds in fifty”.
The doctor then tells us that “when you make medicines at home, you can be sure the ingredients are good and fresh, and you can get your medicines without waiting for the apothecary or the hassle of going to his shop multiple times for them; and, most importantly, you can save nine pounds out of ten, and sometimes even forty-eight pounds out of fifty.”
Another treatise written to denounce the excessive charges of the apothecaries was The Accomplished Physician, the Honest Apothecary, and the Skilful Surgeon, published and sold at the “Angel” in Duck Lane, in 1656. It attacked the unfortunate apothecary on all[207] sides. It states that “if the apothecary finds you costive he sends you a clyster, at the price of half a crown, which by consulting The Accomplished Physician, etc., you may learn how to make yourself for three half-pence. If he apprehends your stomach to be oppressed, he orders his man to boil a little cardamoms in water, strain it, and put to it three or four spoonsful of rank oil of sweet almonds, to cause you to vomit and carry off a little phlegm, and for this he charges you half a crown, which you can make yourself for two-pence.”
Another treatise written to criticize the high fees of the apothecaries was The Accomplished Physician, the Honest Apothecary, and the Skilful Surgeon, published and sold at the “Angel” in Duck Lane, in 1656. It condemned the unfortunate apothecary on all[207] fronts. It states that “if the apothecary finds you constipated, he sends you a laxative, costing half a crown, which by referring to The Accomplished Physician, etc., you can learn to make for three half-pence. If he thinks your stomach is upset, he tells his assistant to boil a few cardamom seeds in water, strain it, and add three or four spoonfuls of cheap sweet almond oil to make you vomit and get rid of some phlegm, and for this he charges you half a crown, which you can prepare yourself for two-pence.”
The author finally confides to the public “that it is fortunate that the little apothecaries and prescribing surgeons have not much knowledge of the great medicines, such as mercury and antimony, as they would at most times do great mischief with them, using them at unseemly times, as if you laid hold of a club to knock down a louse; such great medicines should only be used by the physicians, who should reserve them in secret”.
The author finally shares with the public that it's a good thing the small-town pharmacists and prescribing surgeons don't have much knowledge of powerful medications like mercury and antimony. Most of the time, they would cause a lot of harm with them, using them inappropriately, like trying to use a club to squash a louse. Such strong medications should only be handled by physicians, who should keep them under wraps.
Most of the herbs and roots in common use were brought to the town markets and vended by the physical herb-women, who would bring them in baskets to Newgate Market, Gutter Lane, or Covent Garden, and there sell them by the handful, a dozen for a groat. The[208] measures in use were of a very primitive description, chiefly the fascicle and the pugil.
Most of the herbs and roots people commonly used were brought to the town markets and sold by the local herb women, who would carry them in baskets to Newgate Market, Gutter Lane, or Covent Garden, selling them by the handful, a dozen for a groat. The[208] measuring methods were quite basic, mainly the fascicle and the pugil.
In 1656 a quart white glass bottle cost 1s. 6d., and a green glass retort 8d. Plague water at certain times was in great demand, and was usually sold at the apothecaries for 3s. 6d. a pint. The price of most conserves was 2d. an ounce, and ointments retailed at 8d. an ounce. An ointment that was much in vogue and very popular among the people was Unguentum Ægyptiacum, similar to the ointment of the great Felix Wurtz. Its composition is somewhat interesting and quaint. “Take of verdigriese 12 drachms ground very fine in a brass mortar, observing while you are powdering to hold your head back from the mortar and keep your mouth and nose stopped, to prevent those venomous steams from getting up into your brain. Then take 3 ounces of honey and 12 drachms of sharpest vinegar, place them in a broad brass pipkin, put in the verdigriese, stir and boil them on a gentle fire unto the thickness of an oyntment of a purple colour.” Of the waters in common use the Accomplished Physician gives directions for the preparation of several. The London treacle water, aqua mirabilis and aqua raphani composita, were noted for scurvy. The London snail water was recommended[209] as an invaluable remedy in consumption, which, “owing to the cool, clammy, and glutinous substance of the snail, facilitated the expectoration and repaired the parts consumed”. Gascon’s powder, or pulvis é chelis cancrorum, was regarded as a valuable medicament, and much esteemed and ordered by the great physicians. It was an expensive mixture, and contained equal parts, in powder, of crab’s eyes, the oriental pearl, red coral, white amber, oriental bezoar, and the black tops of crab’s claws. It was sometimes ordered and taken in the form of pills mixed with hartshorn jelly. The apothecary’s price for this powder was 40s. an ounce, or one penny per grain. We are told that if made at home the cost would only be 13s. 11∕4d. Another preparation exceedingly popular in the seventeenth century was the emplastrum opodeldock of Feliz Wurtz, “so much cried up among surgeons beyond the sea”. It was a red plaster, composed of wax, Venice turpentine, juice of celandine, oak leaves, ammoniacum, galbanum, and vinegar. Then some powdered magnets, and such mysterious compounds as Crocus Martis, Crocus Veneris, and prepared tutria, were thrown in, and all boiled together. The following is extracted from an old price list of the seventeenth century, which gives a[210] good idea of some of the extraordinary articles kept in the old apothecaries’ shops, and the prices charged. It is headed “Rates and prices currant of Druggs and other commodities, belonging to physick, as they are commonly sold at the Apothecaries and Druggists in London, 1685”:—
In 1656, a quart white glass bottle cost 1s. 6d., and a green glass retort was 8d. Plague water was in high demand at certain times and was typically sold at apothecaries for 3s. 6d. per pint. Most conserves were priced at 2d. per ounce, while ointments retailed for 8d. per ounce. A very popular ointment among the people was Unguentum Ægyptiacum, similar to the ointment by the renowned Felix Wurtz. Its composition is quite interesting and peculiar. “Take 12 drachms of finely ground verdigris in a brass mortar, making sure to keep your head back and your mouth and nose covered to avoid those harmful fumes from entering your brain. Then take 3 ounces of honey and 12 drachms of the sharpest vinegar, place them in a wide brass pot, add the verdigris, stir, and boil over a gentle fire until it thickens to a purple-colored ointment.” The Accomplished Physician provides instructions for the preparation of several common waters. London treacle water, aqua mirabilis, and aqua raphani composita were known for treating scurvy. London snail water was recommended[209] as an essential remedy for consumption, as the cool, slimy, and sticky properties of the snail helped with expectoration and repaired damaged tissues. Gascon’s powder, or pulvis é chelis cancrorum, was considered a valuable medicine, highly regarded and prescribed by leading physicians. It was an expensive mixture, consisting of finely powdered equal parts of crab’s eyes, oriental pearl, red coral, white amber, oriental bezoar, and the black tips of crab’s claws. It was sometimes ordered in pill form mixed with hartshorn jelly. The apothecary's price for this powder was 40s. per ounce, or one penny per grain. It’s said that if made at home, it would only cost 13s. 11∕4d. Another highly popular preparation in the seventeenth century was the emplastrum opodeldock by Felix Wurtz, “so highly praised among surgeons overseas.” This was a red plaster made of wax, Venice turpentine, celandine juice, oak leaves, ammoniacum, galbanum, and vinegar. It also included powdered magnets and other mysterious ingredients like Crocus Martis, Crocus Veneris, and prepared tutria, all boiled together. The following is taken from an old price list from the seventeenth century, which provides a[210] good overview of some extraordinary items available at old apothecaries and the prices charged. It is titled “Rates and prices current of Druggs and other commodities related to medicine, as they are commonly sold at the Apothecaries and Druggists in London, 1685":—
Mother of Pearl | 6d. per oz. | |
Crab’s eyes | 5s. 4d. per lb. | |
Crab’s claws | 1s. 6d. | "” |
Fox’s lungs | 2s. | ” |
A mummy | 5s. 4d. | ” |
Bone of stag’s heart | 1s. 6d. | ” |
Borax | 4s. | "” |
Saltpetre | 10d. | ” |
Jalap | 3s. 4d. | ” |
Rhubarb | 14s. | ” |
Liquorice | 1s. | "Below is a short text." |
A boar’s tooth | 1s. each. | |
A dead man’s skull (cranium humanum) according to size | 8s. to 11s. each. | |
Musk | 5s. per drachm. | |
Bloodstone | 2s. 8d. per lb. | |
Opium | 12s. | ” |
Elaterium | 36s. per oz. | |
Lac Sulphur | 3s. | ” |
Red coral | 4s. per lb. | |
Oleum Copaibæ | 2s. per oz. | |
Gum acacia | 10s. per lb. | |
Turmerick | 8d. per lb. | |
Elicampane | 1s. 4d. per lb. | |
Galingal | 4s. | ” |
Gentian | 8d. | ” |
Spanish Liquorice | 6d. | ” |
Hellebore, white | 1s. | "”[211] |
Hellebore, black | 1s. per lb. | |
Pyrethrum | 1s. | ” |
Sarsaparil, according to its goodness, from | 4s. to 5s. per lb. | |
Squills | 6d. | ” |
Winter’s Bark | 2s. | ” |
Lig. Aloes. | 9d. per oz. | |
”Guaici | 2d. per lb. | |
Senna Alex., the best | 4s. | |
Cubebs | 2s. 4d. per lb. | |
Nucis Vomicæ | 1s. 4d. | ” |
Cardamom | 4s. | ” |
Aloes Succot, according to its goodness | 4s. to 6s. per lb. | |
Scammony | 12s. | It seems there is no text to modernize. Please provide a phrase for me to work on. |
Cantharides | 4s. | ” |
Civet | 5s. 6d. per dram. | |
Ising-glass | 5s. 4d. per lb. | |
Sea-horse tooth | 4d. per oz. | |
Sea-horse pizzle | 4d. | ” |
Skink, a piece | 1s. 4d. | |
Spermaceti | 3s. per ounce. | |
Stag’s pizzle | 6d. | The text is empty. Please provide a phrase to modernize. |
Elk’s claw | 2s. a piece. | |
White wax | 2s. per lb. | |
Yellow wax | 1s. 4d. per lb. | |
Cinnabar | 3s. per oz. | |
Mercury Sublimate | 5s. 8d., or 6s. per lb. | |
Seed Pearls | 4s. to 8s. per oz. | |
Mother of Pearl | 6d. per oz. | |
Mithridate | 6s. per lb. | |
Aqua Fortis | 5s. 4d. per lb. | |
Ol. Cinnamon | £1 12s. per oz. | |
Ol. Vitrioli | 5s. 4d. per lb. |
Besides the above, precious stones in powder, and diamond powder, which was regarded as a powerful poison, commanded very high prices.
Besides the above, powdered gemstones and diamond powder, which was seen as a potent poison, fetched very high prices.
CHAPTER XIX.
PHARMACY DURING QUEEN ELIZABETH'S REIGN.
To obtain a clear conception of the great advance that has been made in medicine and pharmacy, it is necessary to look back through the vista of centuries at the Elizabethan apothecary. In doing so, we should note how the influence of superstition and charlatanry, with which the art of healing was surrounded and intermixed, has been gradually dispersed under the searching light of science. One can picture the apothecary’s shop in the days of “good Queen Bess”. Up a narrow winding street, paved with round cobble stones, and no pathway to protect you from the jostling and nudges of the passing chair-bearers, French pages, and watermen who throng the thoroughfares, his abode may be denoted perhaps by the gilded crocodile which hangs over the doorway, accompanied by a pole from which depends a pair of brightly-burnished metal pans, denoting the practice of the chirurgical art. The overhanging gables of the half-timbered houses[213] darken the low-roofed shop, through whose small windows filled with little panes of bottle glass, a very dim light penetrates. A mysterious odour permeates the interior and strange things are seen hanging from the rafters,—flying fish, tortoises, and a long alligator float mid-air. Strings of poppy-heads, bunches of chamomile and centuary, also glass jars containing adders and worms adorn the counter. On one shelf an array of bright brass mortars, and round about on others, a great collection of quaint bottles and earthen pots, containing electuaries, unguents, and lohochs; syrup bottles with long curved spouts, and bladders full of seeds and wax. In the corner stands the great iron mortar, whose heavy pestle is suspended from a spring beam, and another is filled with little drawers to hold the gums and spices.
To gain a clear understanding of the significant progress made in medicine and pharmacy, we need to look back over the centuries to the Elizabethan apothecary. By doing this, we should observe how the influence of superstition and trickery, which surrounded and mixed with the healing arts, has gradually faded under the bright light of science. You can imagine the apothecary’s shop in the days of “good Queen Bess.” Up a narrow, winding street, paved with round cobblestones, with no path to shield you from the jostles and nudges of passing chair-bearers, French pages, and watermen crowding the roads, his establishment might be marked by the gilded crocodile hanging over the doorway, along with a pole from which dangles a pair of shiny metal pans, indicating the practice of surgical arts. The overhanging gables of the half-timbered houses[213] darken the low-roofed shop, through which a very dim light filters in from small windows filled with tiny panes of bottle glass. A mysterious scent fills the interior, and strange items hang from the rafters—flying fish, tortoises, and a long alligator appear to float in mid-air. Strings of poppy heads, bunches of chamomile and centaury, along with glass jars containing adders and worms decorate the counter. On one shelf, a collection of shiny brass mortars can be seen, and on others, a vast assortment of quirky bottles and clay pots filled with mixtures, ointments, and syrups; bottles with long curved spouts and bags filled with seeds and wax. In the corner stands a large iron mortar, whose heavy pestle is suspended from a spring beam, and another mortar is filled with small drawers for storing gums and spices.
Away at the back a red glow appears from the furnace, and alembics, big and little, lie about. At night the shop is crowded with poor women buying worm-seed for their children or treacle to drive out the measles, and with country people who have come for drugs and drenches for their sick cattle. “There are serving-men waiting for their masters’ purgatives and electuaries, or the fops’ facewashes of oil of tartar, lac virginis, and camphor dissolved in verjuice. Smart maids are buying conserves and sackets for their mistresses, or perfumes for my lady’s chamber. Here desperadoes and rakish gallants could purchase poisons, and blushing maidens would buy their love charms and philtres, or antidotes to counteract the same. Some apothecaries kept a little room for taking tobacco, furnished with silver trays, and a maple block for[215] cutting it, where the gallants met and gossiped, or learned tricks in smoking from fashionable professors, for nearly all the apothecaries sold tobacco—real Timidado—nicotine cane, and pudding, as it was called.” The old apothecary’s prescriptions were composed of strange ingredients, sometimes crab’s eyes and boar’s teeth, or powdered pearls, and viper broth. He would recommend you a toad, well dried in the sun, put in a bag, and hung round the neck by a string low enough to touch the region of the heart, to allay hæmorrhage. A preparation of garlic and honey smeared on the person was a certain charm against the bites of vicious dogs and reptiles, or the stings of venomous insects. Toothache could be charmed away by a few leaves of the “shepherd’s purse” placed in the sole of the shoe. An excellent recipe for sore eyes was the expressed juice of the calyx of the red honeysuckle, provided always that the flowers were gathered kneeling and repeating nine Pater nosters in honour of the Trinity, nine more “to greet our Ladye,” and a creed. My Ladye Falkenbrydge’s recipe for eye-water was much esteemed, and ran thus: “Corne-flowers gathered with their cuppes and bruyse them; macerate them in snowe or snowe water for twentye-foure houres, then dystyl in a moderate sandebath and[216] applye it night and morning”. This was prescribed in 1553. A favourite cure for rickety children was to pass them through the split stem of a tree. For ague, a very well salted herring, split open, was applied hot to the soles of the feet; or an emerald worn round the neck formed a potent charm against the same complaint. The learned Boorde, in his Breviary of Health, says: “The medical treatment of the day was a mixture of religious theories, superstition, and white magic”. He recommends for a bad rheum the application of oil of scorpions and fox fat; for a bruised skin, washing it with white wine and plastering with an oak leaf; and he quaintly states “the best remedy for itching is long nails and scratching,” which, at any rate, is common-sense. To preserve the health and a good complexion, he recommends young maids to wipe their faces daily with a scarlet cloth, and only wash them once a week.
In the back, a red glow comes from the furnace, and various sizes of alembics are scattered around. At night, the shop fills with poor women buying worm-seed for their kids or treacle to help with measles, along with country folks looking for medicine and treatments for their sick livestock. “There are servants waiting for their masters' purgatives and electuaries, or the snobby face washes made from tartar, lac virginis, and camphor mixed with verjuice. Stylish maids are buying conserves and powders for their mistresses, or perfumes for their lady’s chamber. Here, daring men and charming scoundrels could buy poisons, while blushing young women would pick up love charms and potions, or antidotes to counteract them. Some apothecaries set up a little room for smoking, equipped with silver trays and a maple block for cutting it, where young men would gather to chat or learn smoking tricks from trendy experts, since nearly all apothecaries sold tobacco—real Timidado—nicotine cane, and pudding, as it was called.” The old apothecary's prescriptions included strange ingredients like crab’s eyes and boar’s teeth, or powdered pearls and viper broth. He’d recommend carrying a well-dried toad in a bag around the neck, low enough to touch the heart, to stop bleeding. A garlic and honey mix applied to the skin was said to be an effective charm against bites from vicious dogs and reptiles, or stings from poisonous insects. Toothaches could be cured by placing a few leaves of “shepherd’s purse” in the sole of the shoe. A great remedy for sore eyes was the juice from red honeysuckle petals, gathered while kneeling and reciting nine Pater Nosters in honor of the Trinity, followed by nine more to “greet our Lady,” plus a creed. My Lady Falkenbrydge’s eye-water recipe was highly valued and stated: “Gather cornflowers with their cups and bruise them; soak them in snow or snow water for twenty-four hours, then distill in a moderate sand bath and apply it morning and night.” This was prescribed in 1553. A common treatment for rickety children was to pass them through a split tree trunk. For ague, a hot, well-salted herring, split open, was applied to the soles of the feet; or wearing an emerald around the neck served as a powerful charm against the same issue. The learned Boorde, in his Breviary of Health, says: “The medical treatments of the time combined religious beliefs, superstition, and white magic.” He suggested using scorpion oil and fox fat for a bad cold; for bruises, wash with white wine and cover with an oak leaf; and he humorously stated that “the best remedy for itching is long nails and scratching,” which, at least, is common sense. To maintain health and a clear complexion, he advised young women to wipe their faces daily with a scarlet cloth and only wash them once a week.
Another peculiar phase of pharmacy in those early days was the instructions of the various apothecaries’ guilds to their members as to prayer. The compounder of prescriptions was directed to go down on his knees and supplicate before he commenced his labours. Many old herbals and works on pharmacy, especially in Germany, contain curious wood-cut illustrations of the[217] apothecary at his devotional exercises. Cyriacus Schnaus, an apothecary of Nuremberg, published a book in 1565, wherein he, in person, is represented as kneeling on a large mortar before a sacred picture. This custom may have been originated by the monks, many of whom followed the art of healing.
Another strange aspect of pharmacy in those early days was the instructions from various apothecaries’ guilds to their members regarding prayer. The person preparing prescriptions was told to kneel and pray before starting their work. Many old herbals and pharmacy texts, especially in Germany, feature interesting woodcut illustrations of the[217] apothecary in his moments of devotion. Cyriacus Schnaus, an apothecary from Nuremberg, published a book in 1565, where he is depicted kneeling on a large mortar in front of a sacred image. This practice may have been started by monks, many of whom practiced healing.

A PHYSICIAN FORECASTING FROM THE URINE.
A DOCTOR PREDICTING FROM THE URINE.
From an engraving, 1517.
From an engraving, 1517.
A writer of the time states that the itinerant dentist was also a well-known figure at the street corner. For 100 marks he would put out both your eyes, and quite cure your inflammation with one drop of his aqua mirabilis, at twelve-pence a drop. He offered you an antidote from stab or bullet for five marks, and by his side waved a banner stuck all over with horses’ teeth, to show his skill.
A writer from that time says that the traveling dentist was a familiar sight at the street corner. For 100 marks, he would take out both your eyes, and with just one drop of his aqua mirabilis, he could completely cure your inflammation, charging twelve pence per drop. He offered an antidote for stab or gunshot wounds for five marks, and next to him, he waved a banner decorated with horse teeth to showcase his skills.
He cured your toothache by charms, sometimes writing mysterious words on a paper, and burning it under your nose; or he would sear your teeth with hot wires, most effectively; or make you inhale the hot vapour of henbane seeds, and then show you the worms that he had conjured out, which are certes now wriggling in the water. He wore a chain of molar teeth around his neck, and shook them from time to time as he held up a bottle of liquid and called out: “These are the spirits that pass with the blood into the rheum, to vex the teeth of men”. His descendants may still be seen at the present day working wondrous cures, decked out in similar fantastic garb, or extracting teeth gratis, and by sheer bold impudence reaping a golden harvest.
He cured your toothache with charms, sometimes writing mysterious words on a piece of paper and burning it in front of you; or he would scorch your teeth with hot wires, very effectively; or make you inhale the hot vapor from henbane seeds, then show you the worms he had conjured up, which are definitely now wriggling in the water. He wore a chain made of molar teeth around his neck and shook them from time to time as he held up a bottle of liquid and shouted: “These are the spirits that flow with the blood into the mucus, to annoy the teeth of people.” His descendants can still be seen today performing amazing cures, dressed in similar outlandish clothing, or pulling teeth for free, and by sheer boldness reaping a lucrative reward.
Having thus shown how the now almost forgotten pioneers of science laid the foundation[219] of the arts of medicine and pharmacy, and how much we owe to their patience and diligence, a brief reference may be made to the class of medicaments in use in the days of Queen Elizabeth, immediately prior to the differentiation in England of the first pharmacists—the apothecaries—and the beginnings of pharmacy as a separate art.
Having shown how the now nearly forgotten pioneers of science established the foundation[219] for the fields of medicine and pharmacy, and how much we owe to their patience and hard work, we can briefly mention the types of medicines that were used during the time of Queen Elizabeth, just before the emergence of the first pharmacists—the apothecaries—and the start of pharmacy as its own discipline.

AN ITINERANT DRUG SELLER.
A roaming drug dealer.
From a fifteenth century drawing.
From a 15th-century drawing.
“A few simples,” says Burton, “well prepared and understood, are better than such a heap of nonsense, confused compounds, which are in apothecaries’ shops ordinarily sold.”
“A few simple remedies,” says Burton, “well prepared and understood, are better than a bunch of nonsense, mixed-up compounds that are usually sold in pharmacies.”
For madness and melancholy, wormwood was used. Another remedy was clarified whey, with borage, bugloss, endive, succory, etc., a good[220] draught of which was taken in the morning, fasting. For the spleen and liver, syrups were prescribed composed of borage, thyme, epithyme, hops, scolopendra, fumitory, maiden-hair, and bizantine. These syrups were mixed with distilled water by the apothecaries, or stirred into juleps.
For dealing with madness and sadness, they used wormwood. Another remedy was clarified whey, combined with borage, bugloss, endive, succory, and so on—a good [220] drink of which was taken in the morning, on an empty stomach. For the spleen and liver, they prescribed syrups made from borage, thyme, epithyme, hops, scolopendra, fumitory, maiden-hair, and bizantine. These syrups were mixed with distilled water by the pharmacists or blended into juleps.
Of conserves there were innumerable varieties, and ointments of oil and wax, as well as liniments and plasters of herbs and flowers, well boiled with oil or spirits.
There were countless types of preserves, along with ointments made from oil and wax, as well as liniments and plasters made from herbs and flowers, carefully cooked with oil or alcohol.
Cataplasms and salves were frequently made of green herbs sodden, pounded, and applied externally.
Cataplasms and ointments were often made from green herbs that were soaked, crushed, and applied to the skin.
Gradually, as the years have rolled on, and as the science of chemistry has unlocked the marvellous resources and products of nature, most of these old relics of the days of superstition and witchcraft have been left behind and forgotten, and it remains only for some old black-lettered tome to tell the story and for us to fill in the background to the picture.
Slowly, as the years have passed and the science of chemistry has revealed the amazing resources and products of nature, most of these ancient reminders of superstition and witchcraft have been left behind and forgotten. Now, only some old book with faded writing can tell the story, and it's up to us to fill in the details.
CHAPTER XX.
Famous empirics and their remedies.
In the early part of the eighteenth century, the enterprising empiric seems to have hit on a new method of lining his pockets at the expense of the public, and we have the advent of the so-called proprietary or quack nostrum, which has developed into such gigantic proportions in later years. To bring some special drug into notoriety in those days it was first necessary to spread some tale abroad as to its extraordinary virtues, then by means of a pamphlet (for there were few other advertising media) recount the marvellous cures it had performed, and back them up by mentioning a few great names. In this way the quack medicines originated.
In the early part of the eighteenth century, the shrewd opportunist seems to have discovered a new way to fill his pockets at the expense of the public, leading to the rise of the so-called proprietary or quack remedies, which have grown incredibly in recent years. To make any specific drug well-known in those times, it was first necessary to spread some story about its amazing benefits, then through a pamphlet (since there were few other advertising options) recount the incredible cures it had achieved, and support those claims by mentioning a few reputable names. This is how quack medicines came into being.
In a similar manner, some drugs that have since proved of great use to humanity were brought into note. Peruvian bark was first imported into Spain by the Jesuits, where it remained seven years before a trial was given to it. It was first administered to a Spanish priest in 1639, and but for the supreme power of the[222] Church of Rome it would in all probability have sunk into oblivion. Pope Innocent X., however, at the intercession of Cardinal de Lugo, ordered the bark to be duly examined by the best experts of the time, and on a favourable report being presented, it at once rose high in favour.
In a similar way, some drugs that have since proven to be incredibly useful to humanity gained recognition. Peruvian bark was first brought to Spain by the Jesuits, where it stayed for seven years before anyone tried it. It was first given to a Spanish priest in 1639, and without the influential support of the[222] Church of Rome, it probably would have been forgotten. However, Pope Innocent X., upon the request of Cardinal de Lugo, ordered that the bark be thoroughly examined by the leading experts of the time. Once a positive report was submitted, it quickly gained popularity.
The “Elixirs of Life” made by the early alchemists may be said to have been the forerunners of quack medicines, and for these concoctions fabulous prices were demanded. Those made by Paracelsus and Van Helmont were known throughout Europe, and must have brought considerable grist to the mill of their proprietors. The Collyrium of Danares, which enjoyed a wide reputation in the seventeenth century, was sold at £9 per bottle. Then there was the Sympathetic Powder of Sir Kenelm Digby, noted for healing wounds, and Hoffman’s Water of Magnanimity. Another famous nostrum made by Paracelsus was called Præcipitatus Diaphoreticus Paracelsi, and warranted to cure a fever in four days.
The “Elixirs of Life” created by early alchemists can be seen as the ancestors of fraudulent medicines, and these mixtures were sold for outrageous prices. The ones made by Paracelsus and Van Helmont were famous all over Europe and likely made their sellers a lot of money. The Collyrium of Danares, which had a strong reputation in the seventeenth century, was priced at £9 per bottle. Then there was the Sympathetic Powder by Sir Kenelm Digby, known for healing wounds, and Hoffman’s Water of Magnanimity. Another well-known remedy made by Paracelsus was called Præcipitatus Diaphoreticus Paracelsi, which claimed to cure a fever in four days.
“Dutch drops,” which were originally sold for half a guinea a bottle, are said to have brought the proprietors £2000 in one year.
“Dutch drops,” which were originally sold for half a guinea per bottle, are said to have brought the owners £2000 in one year.
The Eau Médicinale de Husson, another well-known quack nostrum, was introduced by an[223] officer of that name in the service of Louis XVI. It is said to have been simply a decoction of meadow saffron. Dr. James’ celebrated fever powder, which enjoyed a great reputation in this country, is stated to have been the invention of an Italian named Lisle, and a recipe for its preparation was published in Colborne’s English Dispensary in 1756. Oliver Goldsmith believed this to be a remedy for all ills and took it regularly up to his death.
The Eau Médicinale de Husson, another famous quack remedy, was introduced by an[223] officer of that name who served under Louis XVI. It’s said to have just been a brew of meadow saffron. Dr. James’ famous fever powder, which had a great reputation in this country, is said to have been created by an Italian named Lisle, and a recipe for making it was published in Colborne’s English Dispensary in 1756. Oliver Goldsmith thought this was a cure for all ailments and used it regularly until his death.
The Count St. Germain, a Frenchman, realised large sums by vending an artificial tea, which he affirmed would prolong life. It is said to have been composed chiefly of senna and fennel leaves. The Chevalier d’Ailhoud was another adventurer who introduced a powder which met with such a sale that he soon saved enough to buy a whole county. That prince of empirics the Count Cagliostro sold his Balm of Life, or stomach elixir, at an exorbitant price. He asserted that he had lived 200 years by its use, and was rendered invulnerable against poison of every description.
The Count St. Germain, a Frenchman, made a lot of money by selling a fake tea that he claimed would extend life. It's said to have mostly been made of senna and fennel leaves. The Chevalier d’Ailhoud was another hustler who introduced a powder that sold so well he quickly saved enough to buy an entire county. That master of quacks, the Count Cagliostro, sold his Balm of Life, or stomach elixir, at an outrageous price. He claimed that he had lived for 200 years by using it and that it made him immune to all types of poison.
During his residence in Strasburg, while boasting and expounding the virtues of his nostrum and antidote to a large assembly of the townsfolk, a physician who was present, and who had not taken part in the conversation, quitting the room quietly, went to an apothecary’s shop and[224] ordered two pills to be made of equal size. Taking them with him, he made his way back to the room, and walking up to the loquacious quack he said, “Here, my worthy Count, are two pills. The one contains a deadly poison, and the other is perfectly innocent. Choose one and swallow it, and I will take the one you leave.”
During his time in Strasburg, while bragging about and explaining the benefits of his remedy and cure to a large crowd of locals, a physician who was there, and who hadn’t joined the discussion, quietly left the room, went to a drugstore, and[224] ordered two pills of the same size. He took them with him and returned to the room. Approaching the talkative quack, he said, “Here, my esteemed Count, are two pills. One contains a lethal poison, and the other is completely harmless. Choose one and swallow it, and I’ll take the one you leave behind.”
The Count took alarm, and after making all kinds of apologies and excuses, at last refused to swallow the pill. The physician, smiling, then took his place on the platform, and in view of the company swallowed both, and then, to the discomfort of Cagliostro, announced that both pills were simply composed of bread. The Count beat a speedy retreat.
The Count got worried, and after making all sorts of apologies and excuses, finally refused to take the pill. The doctor, smiling, then stepped up onto the platform and, in front of everyone, swallowed both pills. Then, much to Cagliostro's discomfort, he revealed that both pills were just made of bread. The Count quickly made his exit.
In 1794 considerable sensation was excited by the account of some wonderful cures made by a Count Thün of Leipzig, who professed to cure gout, hypochondria, and hysteria by laying his hands on the head of the patient.
In 1794, a lot of buzz was generated by the story of some amazing cures performed by Count Thün of Leipzig, who claimed to heal gout, depression, and hysteria by placing his hands on the patient’s head.
The early part of the present century saw a great increase in the number of these nostrums, the usual method adopted by their proprietors being to set up in great style in a fashionable part of the town, and by lavish display and various eccentricities, to attract general attention.
The early part of this century saw a big increase in the number of these remedies, with the usual approach taken by their owners being to open up in style in a trendy area of town, and through flashy displays and various quirks, to grab people's attention.
Among the foremost in London was a German[225] Jew who called himself Doctor Brodum. This individual, who, it is said, started life as a footman, took a large house in a fashionable square in the west-end, and drove a pair of horses in a gorgeous chariot. He called his nostrum “Nervous Cordial,” its properties being set forth in a pamphlet entitled A Guide to Old Age. He is said to have amassed a fortune in a very short time.
Among the most prominent in London was a German[225] Jew who referred to himself as Doctor Brodum. This person, said to have started out as a footman, took a large house in a fashionable square in the West End and drove a pair of beautiful horses in an impressive carriage. He named his remedy “Nervous Cordial,” and its benefits were described in a pamphlet titled A Guide to Old Age. It is said that he accumulated a fortune in a very short time.
Another notorious quack was Doctor Solomon, who eventually settled in Liverpool. He originally sold blacking in Newcastle, but finding it did not pay, came to Liverpool, where he tried to establish a newspaper. This effort also proved a failure, and Solomon at length turned his attention to quack doctoring, and brought out a nostrum called “The Balm of Gilead”. This proved successful, and he soon made enough money to build himself a substantial house in Kensington, which was at that time a fashionable suburban district. To advertise his preparation he wrote a pamphlet called The Guide to Health, extolling the virtues of the “Balm of Gilead and Anti-Impetigines”. This treatise, the cover of which was adorned with an engraving of his mansion at Kensington, stated “the most learned physicians have been unable to discover in the cordial Balm of Gilead the least[226] particle of mercury, antimony, or any other mineral except pure virgin gold and the balm of Mecca”.
Another infamous con artist was Doctor Solomon, who eventually settled in Liverpool. He originally sold boot blacking in Newcastle, but finding it unprofitable, he moved to Liverpool, where he tried to start a newspaper. This attempt also failed, and Solomon eventually shifted his focus to quack medicine, launching a remedy called “The Balm of Gilead.” This turned out to be successful, and he quickly made enough money to build a substantial house in Kensington, which was then a trendy suburban area. To promote his product, he wrote a pamphlet titled The Guide to Health, praising the benefits of the “Balm of Gilead and Anti-Impetigines.” This document, which featured an engraving of his Kensington mansion on the cover, claimed “the most knowledgeable physicians have been unable to find in the cordial Balm of Gilead the least[226] particle of mercury, antimony, or any other mineral except pure virgin gold and the balm of Mecca.”
The Doctor was a well-known character in the streets of Liverpool in the early part of this century, and in his daily promenade always carried an elaborate gold-headed cane. The celebrated “balm” is said to have been simply brandy flavoured with some aromatic oil, and although sold at a guinea a bottle, was in great demand.
The Doctor was a well-known figure on the streets of Liverpool in the early part of this century, and during his daily stroll, he always carried an ornate gold-headed cane. The famous “balm” was said to be just brandy flavored with some aromatic oil, and even though it was sold for a guinea a bottle, it was in high demand.
A story is told of a prominent tradesman of the time, who discovered that his wife was consuming considerable quantities of the invigorating balm. Being further informed that this had become a common habit with many of her friends, he took counsel with the husbands of these ladies, with the result that they determined to punish the doctor by carrying out the following plot. On a certain dark night, a messenger was despatched to the doctor’s house, asking him to come at once and see a patient a little way out in the country, and to be sure and bring with him several bottles of his Balm of Gilead. The unsuspecting victim soon set out on foot along the country lanes, and on getting to a very lonely part, was pounced upon by four men disguised in cowskins, who, with long horns and tails, looked like fiends[227] incarnate. The poor doctor thought his last hour had come, and went down on his knees and invoked all the prophets he could think of; but his tormentors dragged him off to a field close by, where they made him swallow bottle after bottle of his own nostrum, then ducked him in a pond and tossed him in a blanket.
A story is told of a well-known tradesman from that time who found out that his wife was consuming large amounts of a revitalizing balm. When he learned that this had become a common habit among many of her friends, he consulted with their husbands, and together they decided to take revenge on the doctor by setting up a scheme. One dark night, they sent a messenger to the doctor’s house, asking him to come immediately to see a patient a little way out in the countryside and to make sure he brought several bottles of his Balm of Gilead. The unsuspecting doctor soon set off on foot along the country lanes, and when he reached a very secluded area, he was ambushed by four men disguised in cowskins, who, with their long horns and tails, looked like demons incarnate. The poor doctor thought he was about to meet his end and fell to his knees, calling on every prophet he could remember; but his captors dragged him to a nearby field, where they forced him to drink bottle after bottle of his own remedy, then dunked him in a pond and tossed him in a blanket.
Solomon was so incensed at this outrage he determined to leave Liverpool and settle in Birmingham, but in a short time returned to the former city, where he died, and was buried, according to his directions, in his own garden.
Solomon was so furious about this outrage that he decided to leave Liverpool and move to Birmingham, but after a short time, he returned to the first city, where he died and was buried, as he had instructed, in his own garden.
The following verse, referring to these empirics, is extracted from an old ballad:—
The following verse, talking about these practical workers, is taken from an old song:—
Like death, send away the person who’s suffering,
Pursue a reliable and successful business;
Even though patients die, the doctor gets paid!
Licensed to kill, he acquires a palace
"For what someone else builds a gallows for!"
The electropathic girdles of our own time had their anti-type in Perkin’s far-famed tractors for preserving health, for which the proprietor demanded the sum of five guineas a set. The wonderful properties attributed to them were set forth in a small book, entitled The Influence of the Metallic Tractors on the Body.
The electropathic belts of our time had their counterpart in Perkin's famous tractors for maintaining health, for which the owner charged five guineas for a set. The amazing qualities credited to them were detailed in a small book called The Influence of the Metallic Tractors on the Body.
Among the nostrums that enjoyed popularity in the early part of this century were De[228] Velno’s Vegetable Syrup, Dr. Senate’s Lozenges of Steel to prolong life, Leake’s Patent Pills, Dr. Burton’s Vital Wine, Beddoe’s Volatile Cordial Oxygen Gas for preserving life, Dr. Squirrel’s Tonic Drops and Powders, Godbold’s Vegetable Balsam, and many others.
Among the remedies that were popular in the early part of this century were De[228] Velno’s Vegetable Syrup, Dr. Senate’s Lozenges of Steel to extend life, Leake’s Patent Pills, Dr. Burton’s Vital Wine, Beddoe’s Volatile Cordial Oxygen Gas for preserving life, Dr. Squirrel’s Tonic Drops and Powders, Godbold’s Vegetable Balsam, and many others.
The foibles of many of the most prominent empirics of the period are well hit off in the following old ballad:—
The quirks of many of the most notable empiricists of the time are captured well in the following old song:—
Can make the ape and the donkey immortal; While Swainson the botanist, son of Apollo, Swears we’ll never be sick if we take his syrup. Derry down.
His enchanted Balm of Mount Gilead to discover,
Little Brodum is simmering his herbs in a copper pot,
And he thinks it's right to sell his brew for money.
Derry down.
Like Leake, sells his pills to wake death from his lair;
And Perkins stands holding two-pointed tractors, To heal the bruises of girls, guys, and actors.
Derry down.
Distorting the characteristics of our modern Graces;
There, Lignum’s terrible pills—but that's enough nonsense!
Let John Bull grab his pipe and happily puff away.
Derry down.
CHAPTER XXI.
THE ANTIQUITY AND HISTORY OF THE MORTAR.
The mortar is the most ancient of pharmaceutical implements, its earliest use carrying us back to prehistoric times, when the early Briton bruised his grain in the hollow of a granite boulder. There is little doubt indeed that mortars were employed for the purpose of bruising and reducing hard bodies to powder, centuries before medicine as an art was thought of or known.
The mortar is the most ancient of pharmaceutical tools, its earliest use taking us back to prehistoric times, when early Britons ground their grain in the hollow of a granite boulder. There's little doubt that mortars were used to crush and grind hard substances into powder, centuries before medicine as we know it was even conceived.
The name is derived from the Latin word mortarium, which is probably from the root mordeo, to bite, akin to the Sanscrit mrid, to grind or to pound; the literal meaning of the word being a vessel in which substances may be pounded with a pestle.
The name comes from the Latin word mortarium, likely originating from the root mordeo, meaning to bite, similar to the Sanskrit mrid, which means to grind or pound. The literal meaning of the word refers to a container used for crushing substances with a pestle.
The origin of the mortar appears to have been identical with that of the mill or quern as it was called in ancient times. The primitive implement used by prehistoric nations for the purpose of crushing their grain, was simply made by hollowing out a cup-shaped hole in a block of[230] stone or granite, and pounding the grain placed in this receptacle with a smaller stone of suitable form. These grain-crushers, together with stone rollers and pounders, have been found in the circular huts of the Britons in several parts of North Wales.
The origin of the mortar seems to be the same as that of the mill, or quern, as it was called in ancient times. The basic tool used by prehistoric cultures for crushing grain was simply a cup-shaped hollow made in a block of[230]stone or granite, where they would pound the grain with a smaller stone of the right shape. These grain crushers, along with stone rollers and pounders, have been discovered in the round huts of the Britons in various parts of North Wales.
This method was also used by the early Jews before the Christian era for crushing their spices and gums, the knowledge of which they doubtless gathered from the Egyptians during the captivity.
This method was also used by the early Jews before the Christian era for crushing their spices and gums, knowledge they likely acquired from the Egyptians during the captivity.
In many of the ancient Egyptian papyri we find directions given to bruise certain herbs and roots, but no mention is made of the implement used for that purpose; carvings in stone, however, are extant which show the mortars used by the Egyptians were similar in form to those employed several centuries later.
In many of the ancient Egyptian papyri, we find instructions to crush certain herbs and roots, but there’s no mention of the tools used for that purpose. However, stone carvings that still exist show that the mortars used by the Egyptians were similar in shape to those used several centuries later.
It is interesting to note that the mortar has also been known to several Oriental and savage races from time immemorial; and in the mortar employed by the pharmacist to-day we have an implement that links us not only with prehistoric man,[231] but also with the savage races of the world. In Africa, mortars and pestles of wood have been used from a period of unknown antiquity for the purpose of crushing grain. The one illustrated in Fig. 1 is composed of wood, and was brought from Central Africa. In India, stone mortars with wooden pestles have for centuries been used for shelling and pounding rice. Fig. 2 represents a Cingalese mortar of stone, from two to three feet in height, taken from a drawing of the seventeenth century.
It’s interesting to point out that the mortar has been used by various Eastern and indigenous cultures for a very long time. The mortar that pharmacists use today connects us not only with prehistoric humans,[231] but also with the indigenous peoples of the world. In Africa, wooden mortars and pestles have been used for an unknown period to crush grain. The one shown in Fig. 1 is made of wood and was brought from Central Africa. In India, stone mortars with wooden pestles have been used for centuries to shell and pound rice. Fig. 2 depicts a Cingalese stone mortar, standing two to three feet tall, based on a drawing from the seventeenth century.
Coming to the time of the Roman Empire, we have the first real evidence of the use of the mortar for pharmaceutical purposes. Medicine and pharmacy allied, in the time of Celsus, had become practical arts; and we know from the preparations described by that author that practical appliances were necessary. Thus the malagma used as an application to the skin was a kind of[232] soft mass directed to be beaten up to the consistency of a thick paste; and the ingredients of the catapotia were often ordered to be bruised before being mixed.
During the Roman Empire, we see the first real evidence of using mortar for pharmaceutical purposes. Medicine and pharmacy, as noted by Celsus, had become practical arts. From the preparations described by him, it’s clear that practical tools were essential. For example, the malagma, used as a skin application, was a type of[232] soft mixture that needed to be beaten to a thick paste consistency; and the ingredients of the catapotia were often instructed to be crushed before mixing.
Roman mortaria composed of earthenware are very commonly found, and many examples may be seen in most of our museums among other Roman remains. They were chiefly made for domestic use, and although they vary very little in pattern, the sizes are numerous. The larger ones are, as a rule, very strongly made, and all have a thick divided rim with a rounded moulding. The inside was roughened with splinters of flint or hard stone, or hard-burnt earthenware, which was fixed on with a kind of “slip” or liquid clay with which the Romans finished their ware. A wooden pestle was used with these mortaria, which were no doubt chiefly employed for triturating and mixing various condiments for domestic use. The Roman mortarium shown in Fig. 3 is twenty-eight inches in breadth, and bears the stamp of the maker’s name, showing it to be the work of one Publius Raso.
Roman mortaria made of earthenware are very commonly found, and many examples can be seen in most of our museums alongside other Roman artifacts. They were mainly made for home use, and while their designs are quite similar, there are many different sizes. Generally, the larger ones are very well-made and all have a thick, divided rim with a rounded molding. The inside was roughened with pieces of flint or hard stone, or hard-burnt earthenware, which were attached with a type of “slip” or liquid clay that the Romans used to finish their pottery. A wooden pestle was used with these mortaria, which were likely mainly used for grinding and mixing various spices for home cooking. The Roman mortarium shown in Fig. 3 is twenty-eight inches wide and has the maker’s name stamped on it, indicating it was crafted by one Publius Raso.
Some of the smaller mortaria found are composed of a very white clay of a vitreous character burnt hard like porcelain, and are nonabsorbent. These were probably used for mixing more delicate condiments.
Some of the smaller mortaria found are made of a very white clay that has a glassy quality, fired hard like porcelain, and they don't absorb anything. These were likely used for mixing more delicate seasonings.
There were large manufactories for mortaria in Britain, situated chiefly in the south of England, at the mouth of the Thames, and in Essex and Staffordshire. From these factories there was a considerable export trade to Rome and Gaul.
There were large factories for mortaria in Britain, primarily located in the south of England, at the mouth of the Thames, and in Essex and Staffordshire. These factories had a significant export trade to Rome and Gaul.
Roman mortars of stone are much rarer, and the one depicted in Fig. 4 is a unique specimen, and was with little doubt at one time used for pharmaceutical purposes. Composed of stone, with a solid square base, it stands about twelve inches high, and is about eight inches broad. The notches at the corners are evidently intended for fixing it down on a wooden table or slab, to keep it steady when being used for pounding or breaking up hard substances. Closely akin to mortars were the querns or small mills used for grinding purposes from the Roman period. In shape they somewhat resembled the[234] mortar, but were covered in at the top, having a hole in the centre through which the pestle was worked. They were made of stone and wood. A beautiful example of a wooden quern is depicted in Fig. 5.[8] It stands thirteen inches high, and is made of very hard wood. It is an exquisite specimen of the turner’s art, some of the side mouldings being of great delicacy, no thicker than a fine needle, yet perfectly true in every particular. The pestle was worked through the hole in the centre of the cover. These wooden querns were used during the sixteenth and seventeenth centuries.
Roman stone mortars are quite rare, and the one shown in Fig. 4 is a unique example, likely used for pharmaceutical purposes at some point. Made of stone, it has a solid square base, stands about twelve inches tall, and is around eight inches wide. The notches at the corners are clearly meant for securing it to a wooden table or slab, ensuring it remains steady while being used to pound or break up hard materials. Similar to mortars were the querns or small mills used for grinding during the Roman period. They were somewhat shaped like the mortar, but closed at the top, featuring a hole in the center where the pestle was operated. These were made of stone and wood. A stunning example of a wooden quern is displayed in Fig. 5.[8] It stands thirteen inches high and is crafted from very hard wood. It's a remarkable specimen of woodworking, with some of the side moldings being incredibly delicate, no thicker than a fine needle, yet perfectly precise in every detail. The pestle was operated through the hole in the center of the cover. These wooden querns were in use during the sixteenth and seventeenth centuries.
There is little doubt that marble succeeded stone as a material for making mortars, and this brings us down to mediæval times, when the apothecaries, combining the practice of medicine and pharmacy, became wielders of the pestle.
There is little doubt that marble replaced stone as a material for making mortars, leading us to medieval times, when apothecaries, who combined medicine and pharmacy, became the ones using the pestle.
The value of the mortar as a pharmaceutical implement was recognised by these early practitioners,[235] and was given the most prominent position in their shops, and so the pestle and mortar became a symbol or trade sign of pharmacy.
The importance of the mortar as a pharmaceutical tool was acknowledged by these early practitioners,[235] and it was prominently displayed in their shops. As a result, the pestle and mortar became a symbol or trademark of pharmacy.
The great bell-shaped mortar, which was of considerable capacity, usually stood, mounted on a solid block of wood, near the centre of the shop, the huge pestle, three feet or more in length, being suspended from a long wooden spring beam by a chain and ring. One can readily picture the youthful apprentice, clad in jerkin and trunk hose, exercising his muscles with the ponderous pestle, and with what mingled feelings he would essay the task of pounding half a hundred-weight of aloes to begin his day’s work and give him an appetite for his midday meal. These large mortars were usually bell-shaped in form, as illustrated in Fig. 6, and composed of iron or bell-metal. The smaller mortars of this period were made of brass, copper, and bell-metal, and were occasionally ornamented with some symbol or device. Many were very elegant in form, and they usually stood[236] in bright array on the counter. The pestles were made flat, top and bottom, so that either end could be used for pounding.
The large bell-shaped mortar, which had a significant capacity, typically stood on a sturdy wooden block near the center of the shop. The massive pestle, over three feet long, was hung from a long wooden spring beam by a chain and ring. One can easily imagine the young apprentice, dressed in a jacket and knee-length trousers, using his strength to lift the heavy pestle, feeling a mix of emotions as he tackled the task of grinding half a hundred-weight of aloes to start his workday and work up an appetite for lunch. These large mortars were generally bell-shaped, as shown in Fig. 6, and made of iron or bell-metal. The smaller mortars from this time were crafted from brass, copper, and bell-metal, sometimes decorated with symbols or designs. Many were quite stylish, usually displayed brightly on the counter. The pestles were designed with flat tops and bottoms, allowing either end to be used for pounding.
The bell-metal mortar depicted in Fig. 7 dates from the time of Oliver Cromwell, and bears the arms of the Commonwealth on both sides. It was probably once the property of an official State apothecary. The brass mortar shown in Fig. 8 is peculiar in shape, and is supported by four short legs. It dates from the early part of the seventeenth century, and round the middle are inscribed the letters of the alphabet. Fig. 9 represents a particularly handsome example of the brass mortar of the seventeenth century. Copper mortars when polished have a very elegant appearance, and are somewhat rare. A specimen is depicted in Fig. 10. A very fine bell-shaped mortar of brass was found in Chester about two years ago, and is now deposited[237] in the museum of that city. It stands nearly two feet high, and dates from the early part of the eighteenth century.
The bell-metal mortar shown in Fig. 7 is from the time of Oliver Cromwell and features the arms of the Commonwealth on both sides. It likely once belonged to a state apothecary. The brass mortar illustrated in Fig. 8 has a unique shape and is supported by four short legs. It originates from the early seventeenth century, and the letters of the alphabet are inscribed around the middle. Fig. 9 shows a particularly attractive example of a seventeenth-century brass mortar. Polished copper mortars have a very elegant look and are somewhat rare. One example is shown in Fig. 10. A very fine bell-shaped brass mortar was discovered in Chester about two years ago and is now housed[237] in the city's museum. It stands nearly two feet tall and dates from the early eighteenth century.
Small brass mortars were also formerly used by housewives in the stillroom, and for other domestic purposes, and may often yet be found ornamenting the kitchen mantelshelf in old country houses.
Small brass mortars were also once used by housewives in the stillroom and for other home purposes, and they can often still be found decorating the kitchen mantel in old country houses.
During the last and the early part of this century Italian marble was largely employed for making mortars, but with the introduction of wedgewood and composition ware, which is lighter, more durable, and less liable to be acted on by chemicals, marble mortars have now almost gone out of use with pharmacists.
During the late 1800s and early 1900s, Italian marble was widely used for making mortars. However, with the introduction of Wedgwood and composite materials, which are lighter, more durable, and less reactive to chemicals, marble mortars have nearly disappeared from use among pharmacists.
Small antique mortars of bronze are still to be found in many French pharmacies, often bearing some symbol or device, such as St. Michael and the dragon.
Small antique bronze mortars can still be found in many French pharmacies, often decorated with symbols or designs, like St. Michael battling the dragon.
PART II.
Alchemy and pharmacy in literature.
CHAPTER I.
Chaucer.
Chaucer’s Canterbury Tales present one of the most interesting pictures of life and manners in the fourteenth century we have in English literature. The father of English poetry was born in 1328, and London is generally believed to have been his birthplace. It was his fortune to live under the wing of that chivalrous and high-spirited king, Edward III., a time when gallantry, prowess, and courage were counted in the highest esteem. In his Canterbury Tales he embodies some vivid sketches of the times and characters among which he lived. A physician of course forms one of his motley crew of pilgrims, who beguile the monotony of their ride to Canterbury, to pay homage at the shrine of Thomas à Becket, by the quaint stories related.
Chaucer's Canterbury Tales offers one of the most captivating glimpses into life and customs in the fourteenth century found in English literature. The father of English poetry was born in 1328, and it's widely believed that London was his birthplace. He had the fortune of living during the reign of the noble and spirited king, Edward III., an era when chivalry, skill, and bravery were held in the highest regard. In his Canterbury Tales, he captures some vivid portrayals of the people and times he experienced. A physician, of course, is part of his diverse group of pilgrims, who entertain themselves during the journey to Canterbury, to honor Thomas à Becket, by sharing their quirky stories.
The pilgrim doctor is thus described:—
The pilgrim doctor is described:—
In all this world, there was no one like him. To talk about medicine and surgery,
For he was well-versed in astronomy,
He kept his patient for a long time,
In hours through his natural magic.
He was quite lucky to have the advantage, Of his pictures for his patient __A_TAG_PLACEHOLDER_0__ He knew the reason behind every illness,
Whether it was cold, hot, moist, or dry, And where it was created and of what mood,
He was an incredibly skilled practitioner.
The cause, you know, and the root of his harm Soon he gave the sick man his boot.
He had fully prepared his apothecaries, To send his drugs and his lectures Each of them did something for the sake of winning. Their friendship was not new to begin with.
He knew the old Æsculapius well, And Dioscorides, and also Rufus, Old Hippocras, Hali, and Gallien, Serapion, Rasis, and Avicenna Averroes, Damascene, and Constantin,
Bernard, Gatisden, and Gilbertin. He was mindful of his diet, For it wasn't unnecessary,
But very nourishing and easy to digest; His study of the Bible was minimal,
He was dressed in red and in black, all. Lined with taffeta and with sendall,
And yet he was easy to get along with,
He maintained that he was victorious during the plague.
For gold in medicine is a tonic,
So, he had a special love for gold.
One can thus picture the ancient physician[241] riding his steady jennet, clad in doublet and hose of red and blue, with cloak of sendall, a fine silk material, all lined with taffata. In telling the stars and casting horoscopes he would be learned, as astrology entered very largely into his practice, and brought many big fees. So learned a leech would doubtless have a large practice, and the apothecaries evidently vied with one another in preparing his prescriptions. The names of ancient philosophers with whom he was familiar is quite formidable, nearly all the old authors being enumerated. It is satisfactory to know he was no glutton, and had an easy conscience. That he was a wise and careful man is evident from the fact that when an epidemic came he lived but moderately, and saved extra money that flowed in during the plague time.
One can easily imagine the ancient doctor[241] riding his reliable horse, dressed in a red and blue outfit with a fine silk cloak lined with taffeta. He would be knowledgeable in astrology, as it played a significant role in his practice and brought in plenty of fees. A skilled healer like him would surely have a large patient base, and the apothecaries clearly competed with each other to fill his prescriptions. The list of ancient philosophers he was familiar with is impressive, with nearly all the old authors mentioned. It’s good to know he wasn’t a glutton and had a clear conscience. His wisdom and caution are evident in how, during an epidemic, he lived modestly and saved extra money that came in during the plague.
The closing couplet is a pretty bit of wit, and alludes to the frequent use of gold in medicine in ancient times.
The closing couplet is a clever touch and references the common use of gold in medicine in ancient times.
Among the pilgrims also was a cook—
Among the pilgrims was also a cook
And powdered merchant tart and garlingale.
The former ingredient, probably a kind of baking powder, is now unknown, and the use of galingal in cookery has been quite forgotten. This aromatic condiment was commonly used as[242] a culinary spice in the middle ages. Reference is made to the drug in the writings of Ibn Khurdadbah, the Arabian geographer, in the year 869. It was used mixed with cloves and cardamoms, and also employed in medical practice as early as the ninth century.
The earlier ingredient, likely some type of baking powder, is now unknown, and the use of galingal in cooking has been mostly forgotten. This aromatic spice was commonly used as[242] a culinary spice in the Middle Ages. Ibn Khurdadbah, an Arabian geographer, mentioned the drug in his writings from the year 869. It was used alongside cloves and cardamom, and it was also utilized in medical practices as early as the ninth century.
In the course of the knight’s romantic tale, Palamon, a gallant young knight, escapes from a prison in which he has been immured for seven years, by drugging the jailer:—
In the story of the knight's romantic adventure, Palamon, a brave young knight, breaks free from a prison where he has been locked up for seven years by sedating the jailer:—
With the help of a friend, break out of his prison. And ran out of the city as fast as he could,
For he had given drink to his jailer too, Of a clarity made from a specific wine With the narcotic effects and the opium from Thebes fine, That all night long, people would shake him, The jailer slept even though he couldn't wake up.
Clary was Hippocras wine made with spices, probably chosen in order to mask the taste of the opium and other narcotics, of which it was evident Palamon must have given the unfortunate jailer a large dose if he slept through the vigorous shaking which is said to have been administered. The opium of Thebes was much used in the thirteenth and fourteenth centuries. Prosper Alpinus, who visited Egypt in 1580-83, states that opium or meconium was in his time prepared in the Thebäid from the expressed[243] juice of poppy-heads, and it was called Opium Thebaïcum. Later in the story a sharp encounter occurs between two bands of knights, in which:—
Clary was Hippocras wine flavored with spices, likely chosen to mask the taste of the opium and other drugs. It’s clear that Palamon must have given the poor jailer a hefty dose if he slept through the vigorous shaking that was supposedly used. The opium from Thebes was widely consumed in the 13th and 14th centuries. Prosper Alpinus, who visited Egypt from 1580 to 1583, mentions that opium, or meconium, was made in his time in Thebäid from the pressed juice of poppy heads, and it was known as Opium Thebaïcum. Later in the story, a fierce confrontation happens between two groups of knights, in which:—
To other injuries and to fractured arms,
Some had ointments and some had charms,
And herbal pharmacies also sell sage,
They drank because they wanted to keep their lives.
The carrying of salves by knights to battle probably originated with the Crusaders, who carried, prepared and blessed, unguents to dress their wounds. Other warriors scorned to encumber themselves with the healing medicines, and relied on the charm or talisman which almost every knight carried on going to war. Some would trust to the simple herb or decoction, and sage which is here mentioned was supposed to have special healing virtue.
The practice of knights bringing ointments into battle likely started with the Crusaders, who carried, prepared, and blessed salves to treat their wounds. Other warriors looked down on the idea of weighing themselves down with healing medicines, relying instead on charms or talismans that nearly every knight took into war. Some would depend on simple herbs or concoctions, and sage, mentioned here, was believed to have special healing properties.
In the Miller’s tale we are introduced to one Hendy Nicholas, a poor scholar or tutor who lived at Oxford, and
In the Miller's tale, we meet Hendy Nicholas, a struggling scholar or tutor who lived in Oxford, and
"Was turned to learn astrology."
Nicholas was a sly fellow to boot, and somewhat of a beau or a fop of his time and evidently having a turn for science, he practised it in his[244] leisure, and was consulted by the farmers of the neighbourhood as to the state of the weather, or in prognosticating the future for their wives. He had a laboratory at his lodgings, which is described in the following words:—
Nicholas was a crafty guy and a bit of a dandy for his time. He clearly had a knack for science, which he practiced in his[244] free time. The local farmers would consult him about the weather or ask for predictions about their futures. He had a lab at his place, which is described in the following words:—
Alone without any company,
Full herbal fetish delight, And he was as sweet as the root. Of licorice or any candy.
His almagest and books, both large and small,
His astrolabe connected to his craft,
His augrim stones were laid out neatly apart,
On shelves placed above his bed. His press was covered with a folding red, And above all of them was a cheerful harp,
He created music at night. So sweetly that the whole room echoed,
And he sang to the virgin, Angelus; Then he sang the Knight's note;
He was often blessed with a joyful voice. So this sweet clerk spent his time, After his friends found out, and his rent.
One can easily imagine from this sketch the astrologer sitting arrayed in his laboratory, the room filled with the perfume of fragrant herbs, with a manner that vied with the sweetness of liquorice or valerian root. Prominent among the many books with which he is surrounded is the Almagest, the book of Ptolomy, which formed the canon of astrological science in the middle ages. In one corner his bed, and above[245] on a shelf his astrolobe, with which he told the stars, and the augrim stones, probably pieces of slate marked with figures used by astrologers in their art. Then there was the press or chest covered with a red cloth, and hanging above it his psaltery gaily decked with ribbons, on which he accompanied himself when he sang, at which he was evidently an adept. Later in the story the astrologer and man of science becomes smitten by Cupid, and one fine morning goes forth at an early hour to serenade a comely maid (unfortunately for him, married) of whom he is enamoured, and we are told—
One can easily picture the astrologer in his lab, the room filled with the scent of fragrant herbs, with a vibe as sweet as licorice or valerian root. Among the many books around him is the Almagest, the book by Ptolemy that was the foundation of astrological science in the Middle Ages. In one corner is his bed, and above on a shelf is his astrolabe, which he used to read the stars, along with augrim stones, likely pieces of slate marked with symbols used by astrologers in their practices. There’s also a press or chest covered with a red cloth, and hanging above it is his psaltery, adorned with ribbons, which he played while singing, a skill he clearly mastered. Later in the story, the astrologer, a man of science, falls in love and one fine morning sets out early to serenade a beautiful maid (unfortunately for him, she's married) whom he admires, and we are told
Up got this cheerful lover Absolon,
And he was dressed stylishly with great attention to detail, But first he chewed on grains and licorice,
To smell sweet before he combed his hair.
He carries a true love under his tongue,
"For he thought that would make him kind."
Like unto other votaries at the shrine of Venus, our astrologer took pains to make himself look to the best advantage, and evidently bestowed the greatest care on his dress. To perfume his breath and make himself acceptable to his lady love, he chewed grains of paradise and liquorice. The former was a favourite spice in early times, but now rarely used. It has a strong aromatic taste, which is imparted by an[246] essential oil it contains. The “true love” is thought to mean some charm or sweetmeat in the form of a “true lover’s knot,” which he placed under his tongue for the same purpose, and thus this ancient gallant went forth to woo.
Like other admirers at the altar of Venus, our astrologer made an effort to present himself well and clearly put a lot of thought into his outfit. To freshen his breath and make himself appealing to his lady love, he chewed grains of paradise and licorice. The first was a popular spice in ancient times, but it’s rarely used now. It has a strong aromatic flavor, which comes from an[246] essential oil it contains. The “true love” is believed to refer to some charm or sweet treat in the shape of a “true lover’s knot,” which he kept under his tongue for the same purpose, and so this old-fashioned romantic set out to woo.
That belladonna was used in Chaucer’s time as a narcotic may be gathered from a passage in the Reeve’s tale, which runs:—
That belladonna was used in Chaucer’s time as a narcotic can be seen in a passage from the Reeve’s tale, which says:—
Dwale was an old name for the nightshade, and we may infer its properties were known, as it was used to produce sleep at this period.
Dwale was an old name for nightshade, and we can assume its properties were known since it was used to induce sleep during this time.
In the Nun’s Priest’s tale we are given a receipt for bad dreams and melancholy, which gives an example of the housewife’s knowledge of the herbs and simples which grew in her garden:—
In the Nun’s Priest’s tale, we are presented with a solution for bad dreams and sadness, showcasing the housewife’s understanding of the herbs and plants that grew in her garden:—
I will teach you about two herbs myself,
That will be for your health and for your skills,
And in our yard, I will find the herbs,
The property they have by type,
To cleanse you from below and also from above, Sir, don't forget this for God's sake. You have a fiery temperament, Beware that the sun is rising, You don't seem to be lacking in hot tempers, And if it does, I will confidently bet a groat,[247] You will have a recurring fever, Or else a fever that could be your doom.
In a day or two, you'll have digestive aids,
Of worms, before you take your laxatives Of laurel, centaury, and fumetére,
Or of the elderberries that grow there,
Of catapuce or gaitre berries,
Or herb ivy that cheerfully grows in our yard. Pick them as they grow and eat them in,
Be joyful, husband, for your father's family. "Don't fear the dream. I can't tell you anything more."
The patient seems threatened with a fever, and the good-wife, after some wholesome advice, doses him with digestives for a day or two, and afterwards with aperients. Laurel would doubtless refer to the leaves of the cherry laurel, which, infused with wine, was an old digestive tonic. Centaury, common in our fields, enjoyed a very early reputation. The herb was so called because it is said that by its virtue the centaur Chiron was healed when the poisoned arrow of Hercules had accidentally wounded his foot. Fumitory, too, was grown by the housewives, and was used as a tonic and a remedy for jaundice.
The patient seems to have a fever, and the good wife, after giving some useful advice, treats him with digestive aids for a day or two and then follows up with laxatives. Laurel likely refers to the leaves of the cherry laurel, which, when steeped in wine, was an old digestive tonic. Centaury, common in our fields, had a very early reputation. The herb got its name because it’s said that it healed the centaur Chiron when Hercules accidentally wounded his foot with a poisoned arrow. Fumitory was also grown by housewives and was used as a tonic and a remedy for jaundice.
The curative properties of the elder-berry are still recognised as astringent and sudorific, and take a place in domestic remedies.
The healing properties of elderberry are still recognized for being astringent and causing sweating, and they are included in home remedies.
Catapuce is the old name for spurge, a common herb formerly used for its purgative properties;[248] while the gaitre or dogwood-berries, and the herb ivy, were also used as laxative medicines and liver stimulants.
Catapuce is the old name for spurge, a common herb that was once used for its laxative properties; [248] while gaitre or dogwood berries, along with herb ivy, were also used as laxatives and liver stimulants.
In the Canon’s Yeoman’s tale we are introduced to a canon who practises alchemy, and whom Chaucer makes the butt for some keen satire against the followers of that science. “It seems,” says Tyrwhitt, “that some sudden resentment had determined Chaucer to interrupt the regular course of his work in order to insert a satire against the alchemists. That their pretended science was much cultivated about this time, and produced its usual evils, may fairly be inferred from the Act that was passed soon after, whereas it was made a felony to multiply gold or silver above the art of multiplication.” The description of the canon as he joined the procession is somewhat amusing:—
In the Canon’s Yeoman’s tale, we meet a canon who practices alchemy, and Chaucer uses him as a target for some sharp satire against those who follow that craft. “It seems,” says Tyrwhitt, “that some sudden anger motivated Chaucer to stop the regular flow of his work to insert a satire against the alchemists. The fact that their fake science was popular around this time, and caused its usual problems, can be reasonably inferred from the Act that was passed soon after, making it a felony to produce gold or silver beyond the art of multiplication.” The description of the canon as he joined the procession is somewhat amusing
For he had gone beyond just trotting or pacing, He had pricked like he was made of wood.
He had placed a clote leaf under his hood,
To sweat and protect his head from the heat,
But it was a joy to see him sweat.
His forehead lowered as a stillatory "Filled with plantains or with paritory."
To keep his head cool while riding hard he had placed a clote or burdock leaf, which was formerly used as a poultice, in his hat or hood, a[249] common custom in some parts of the country at the present time. To show the tone of the poet’s mind when he wrote this tale, it may be noted how early the chemical hyperbole is introduced, in comparing the canon’s perspiring forehead to a still which is in operation, filled with plantain, or paritory, an old name for the wallflower. The former plant had a large, thick, juicy leaf, and was formerly used as an astringent, while the wallflower once enjoyed a reputation as an anodyne. The yeoman, in proceeding with the story of his master’s practises, first describes his duties as the philosopher’s man:—
To keep his head cool while riding hard, he had put a burdock leaf, which was once used as a poultice, in his hat or hood, a[249] common practice in some parts of the country today. To reflect the poet’s mindset while writing this tale, it’s worth noting how soon the chemical exaggeration comes in, comparing the canon's sweaty forehead to a still in operation, filled with plantain or paritory, an old name for wallflower. The first plant had a large, thick, juicy leaf and was once used as an astringent, while the wallflower used to be known for its pain-relieving properties. As the yeoman continues the story of his master’s actions, he first describes his duties as the philosopher’s man:—
When we get there, we'll exercise. Our elvion craft seems incredible to us, Our terms are very scholarly and unusual,
I blow on the fire until my heart feels weak.
Why should I share each proportion? Regarding the things we are working on,
As five or six ounces can easily be Of silver, or a different amount?
And I'm busy telling you the names,
As orpiment, burnt bones, iron scales,
That is ground into very fine powder, "And how is it all placed in an earthen pot?"
The poet here describes an old amalgam used in alchemy composed of red lead, bone ash, and iron scales:—[250]
The poet here describes an old mixture used in alchemy made of red lead, bone ash, and iron scales:—[250]
And in combining and heating Of quicksilver, known as mercury, "For all our efforts, we can't come to a conclusion."
The subliming of mercury was considered a most important process, and was performed with much care.
The sublimation of mercury was seen as a very important process and was carried out with great care.
The yeoman then goes on to enumerate other articles and apparatus used by the craft, in a somewhat disjointed manner:—
The yeoman then proceeds to list other items and tools used by the trade in a somewhat scattered style:—
As ammonium carbonate, verdigris, borax,
And various containers made of clay and glass,
Our urinals and restrooms; Phials, croslets, and sublimatories,
Cucurbits and alembics too,
And other such dear enough a leek.
The descensorie was a kind of flask used in distilling per descensum, while the croslet was an old name for the crucible. The cucurbite was the retort used in distilling, and the alembike was the still itself.
The descensorie was a type of flask used for distilling per descensum, while the croslet was an old name for the crucible. The cucurbite was the retort used in distilling, and the alembike was the still itself.
The yeoman then continues:—
The farmer then continues:—
Arsenic, ammonia, and sulfur,
And I could also tell you about many herbs,
As echinacea, valerian, and lunar;[251] And other things if you want me to stay,
Our lamps are burning both night and day,
To carry out our work, if we can,
Our furnace for calcination,
And of waters whitening.”
Egremonoine or agrimony, commonly called liverwort, was used in early medical practice as an astringent tonic, lunary or moonwort (Botrychium Lunaria) being possessed of similar medicinal properties:—
Egremonoine or agrimony, often referred to as liverwort, was utilized in early medicine as an astringent tonic, with lunary or moonwort (Botrychium Lunaria) having similar medicinal properties:—
Of tartar. Alum, glass, yeast, wort, and argil,
Rosalgar and other topics, And also about our matters involving;
And of our silver citrine, Our binding and fermentation,
Our ingots, tests, and a lot more.
Among the other strange articles named, argoil was the potters’ clay used as a luting to close the joints, seal the flasks, and exclude the air. Rosalgar was the ancient name for flowers of antimony, much esteemed by the philosophers. The term citrination refers to the yellow colour, which, when it occurred through chemical action, proved the philosopher’s stone.
Among the other unusual items mentioned, argoil was the potters’ clay used as a sealant to close joints, seal flasks, and keep out air. Rosalgar was the old name for flowers of antimony, highly valued by philosophers. The term citrination refers to the yellow color, which, when it appeared due to chemical reactions, indicated the philosopher’s stone.
We next have the alchemist’s creed, and the fundamental principles of the old philosophy:—[252]
We now have the alchemist's creed and the basic principles of the old philosophy:— [252]
The four spirits and the seven bodies.
As often as I heard my lord mention them, The first spirit called quicksilver is;
The second orpiment, the third for sure Sal-ammoniac and the fourth brimstone,
The bodies will soon come here; Sol gold is, and Luna silver was three. Mars iron, Mercury quicksilver, we call it. Saturn is lead, and Jupiter is tin,
"And Venus copper by my father's family."
The metallic bodies were described in the
works of alchemists by the planet under whose
influence they were supposed to operate, and
known by the alchemical symbol of that planet.
Thus gold is called Sol, represented by the
symbol , and copper is termed Venus, represented
by the symbol
. It appears to have
been a custom of the apothecaries from very
early times to fill bottles with coloured solutions
which were marked with these symbols; thus,
a bottle containing a yellow solution signifying
gold would be marked
, and a red one would
be marked
, signifying iron. These gradually
became a kind of trade sign, and are
probably the origin of the coloured globes used
as the insignia of the pharmacist or compounder
of medicines at the present time.
The metallic elements were referred to in alchemical writings based on the planet they were thought to be influenced by, and were known by that planet's alchemical symbol. For example, gold is called Sol, represented by the symbol , and copper is referred to as Venus, represented by the symbol
. It seems to have been a long-standing practice among apothecaries to fill bottles with colored solutions marked with these symbols; for instance, a bottle with a yellow solution indicating gold would be labeled
, while a red one would be marked
, indicating iron. These symbols eventually became a sort of branding and are likely the inspiration for the colored globes currently used as the insignia of pharmacists or medicine compounders.
CHAPTER II.
Shakespeare.
The bard of Avon, in the wide and general knowledge he displays of the manners, ways, and customs of his own and other countries in his plays, makes many allusions to drugs and herbs, and their use. In his references to drugs, there is none perhaps on which greater difference of opinion exists than that alluded to in the speech of the Ghost in Hamlet, in which the apparition says:—
The bard of Avon, with his extensive understanding of the behaviors, traditions, and customs of his own and other societies in his plays, frequently mentions drugs and herbs, along with their applications. Among his references to drugs, perhaps the most debated is the one made in the Ghost's speech in Hamlet, where the apparition says:—
I usually take my time in the afternoon,
During my safe hour, your uncle took. With cursed hebenon juice in a vial,
And in the ear's porches did pour The leprous distilment; whose effect
Holds such a grudge against mankind,
That, fast as mercury, it flows through The body's natural openings and pathways; And, with a sudden energy, it thickens. And curd, like eager drops falling into milk,
"The pure and healthy blood: that's how I felt it." __A_TAG_PLACEHOLDER_0__
It has always been a matter of individual speculation[254] and dispute as to the juice of what plant Shakespeare alludes to here as the “cursed hebenon”. The meaning of the word hebenon is ebony-coloured, or black, so that it might apply to any dark liquid. Most writers and commentators seem to be of opinion that henbane is alluded to, but judging from the rapid effect of the liquid, it would appear that some more powerful poison is intended. The juice of henbane is not a powerful poison, and it is but a feeble narcotic whose effects are mainly sedative and soothing. It acts also as a neurotic, affecting the brain and producing delirium. It will be seen that there is little similitude between the actual effect of henbane and that of the poison described by the poet. Others think it more probable that hemlock, an ancient poison of the Greeks, is intended. Its action is much more rapid and powerful, the spinal cord being chiefly affected, and paralysis caused, ending in death. The drug is a powerful narcotic and anodyne, and is also a paralysant. It was well known to the apothecaries of Shakespeare’s day, its poisonous properties having been observed from very early times. It should be taken into account, that as a matter of fact the pouring of any poisonous liquid of vegetable origin into the ear would have little or no immediate effect; and unless the tympanum[255] had been ruptured it would be almost impossible for it to be absorbed into the system and at once prove fatal.
It has always been a topic of personal speculation[254] and debate about which plant Shakespeare is referring to as the “cursed hebenon.” The term hebenon means ebony-colored or black, so it could refer to any dark liquid. Most writers and commentators believe that he’s hinting at henbane, but given the quick effects of the liquid, it seems likely that a stronger poison is meant. The juice of henbane isn’t very toxic; it’s a mild narcotic with mainly sedative and calming effects. It can also act as a neurotoxin, impacting the brain and causing delirium. There’s little similarity between the actual effects of henbane and the poison described by the poet. Others think it’s more likely that hemlock, a well-known poison from ancient Greece, is what’s intended. Its effects are much faster and more potent, primarily affecting the spinal cord, leading to paralysis and eventually death. It’s a strong narcotic and pain reliever, as well as a paralytic. Apothecaries during Shakespeare’s time were very familiar with its toxic properties, which had been noted since ancient times. It’s important to consider that pouring any poisonous liquid of plant origin into the ear would have minimal to no immediate effect; unless the eardrum[255] was ruptured, it would be nearly impossible for it to be absorbed into the system and cause immediate fatality.
Paris says: “Might not the juice of cursed hebenon by which, according to Shakespeare, the King of Denmark was poisoned, have been the essential oil of tobacco?” In the first place, the learned commentator Dr. Grey observes, that the word here used—hebenon—was more probably designated by a metathesis, either of the poet or transcriber, for henebon, i.e., henbane. Now, it appears from Gerade, the “tobaco” was commonly called henbane of Peru—Hyoscyamus Peruvianus; and when we consider how high the public prejudice ran against this herb in the reign of James, it seems not unlikely that Shakespeare should have selected it as an agent of extraordinary malignity. No preparation of hyoscyamus with which we are acquainted would produce death by application to the ear, whereas the essential oil of tobacco might possibly have such an effect.
Paris says: “Could the juice of cursed hebenon, by which, according to Shakespeare, the King of Denmark was poisoned, have been the essential oil of tobacco?” First of all, the learned commentator Dr. Grey points out that the word used here—hebenon—was probably a mix-up, either by the poet or the transcriber, for henebon, i.e., henbane. It turns out that Gerade noted tobacco was commonly referred to as the henbane of Peru—Hyoscyamus Peruvianus; and when we think about how strong the public bias was against this plant during James's reign, it seems likely that Shakespeare chose it as a source of exceptional evil. No preparation of hyoscyamus that we know of would cause death from being applied to the ear, while the essential oil of tobacco might actually have that effect.
The term “distilment,” says Stevens, “is calculated to support this conjecture. Surely the expression signifies that the preparation was the result of a distillation.” It is a singular fact that the essential oil of tobacco differs considerably in its physiological action from an[256] infusion made from the leaves, the former affecting the brain, and the latter the heart.[10]
The term “distilment,” Stevens notes, “is intended to back up this theory. Clearly, the term means that the preparation was a result of distillation.” It's interesting to point out that the essential oil of tobacco has a very different physiological effect compared to an infusion made from the leaves; the former influences the brain, while the latter impacts the heart.[10]
Ellacombe states: “Before, and in the time of Shakespeare, other writers had spoken of the narcotic and poisonous effects of heben, hebenon, or hebona.”
Ellacombe states: “Before, and during the time of Shakespeare, other writers talked about the narcotic and poisonous effects of heben, hebenon, or hebona.”
Spenser says:—
Spenser says:—
"Now put away your deadly ebony bow."
Gower and Marlowe also wrote of the juice of hebon. It may be taken for granted that all these authors allude to the same tree.
Gower and Marlowe also wrote about the juice of hebon. It can be assumed that all these authors are referring to the same tree.
Nicholson and Harrison, after a very exhaustive investigation of the subject, agree that the true reading is hebona, and that hebona is the yew. Their main arguments are based on the following three facts:—
Nicholson and Harrison, after a thorough investigation of the topic, agree that the correct reading is hebona, and that hebona refers to the yew tree. Their main arguments are based on the following three facts:—
1. That in nearly all the northern nations the name of the yew is more or less like heben.
1. In almost all the northern countries, the name for the yew is somewhat similar to heben.
2. That all the effects attributed by Shakespeare to the action of hebona are described by different medical writers as arising from yew poisoning.
2. All the effects that Shakespeare attributed to the action of hebona are described by various medical writers as resulting from yew poisoning.
3. That the post-mortem appearances after yew poisoning and snake poisoning are similar.
3. That the post-mortem appearances after yew poisoning and snake poisoning are similar.
Later on, in the play performed before the[257] King, Lucianus thus speaks of the poisonous medicine he uses:—
Later on, in the play performed before the[257] King, Lucianus talks about the toxic medicine he uses:—
Confederate season, or else no creature is visible,
You foul mixture, made from weeds gathered at midnight,
With Hecate’s curse thrice struck, thrice harmed,
Your natural magic and serious power On wholesome life, take charge now.
Here allusion is made to a mixture of poisonous herbs gathered at midnight, probably hemlock among others, as mentioned in the witches’ incantation in Macbeth, to which we shall refer later. With regard to the gathering of herbs at night, the practice was common, it being supposed that the properties of the plant collected at night were stronger than in the daytime. That there is a certain amount of truth in this is proved by the researches of Sachs and Brown, who have found from their investigations that starch is formed in the leaves of plants during the day, and is consumed during the night, so that the old superstition of the increased activity of the midnight gathered herb was not mythical.
Here, there's a reference to a mix of poisonous herbs collected at midnight, likely including hemlock, as mentioned in the witches’ spell in Macbeth, which we’ll discuss later. As for gathering herbs at night, this was a common practice because people believed that the properties of plants collected at night were more potent than those collected during the day. There is some truth to this belief, as shown by research from Sachs and Brown, who discovered that starch is produced in plant leaves during the day and used up at night, indicating that the old superstition about herbs gathered at midnight being more active wasn’t just a myth.
Shakespeare’s well-known description of the poor apothecary of his time, which he introduces in Romeo and Juliet, presents an excellent picture of the needy practitioner in the sixteenth century:—[258]
Shakespeare’s famous depiction of the struggling apothecary in his time, featured in Romeo and Juliet, offers a vivid portrayal of the impoverished practitioner in the sixteenth century:—[258]
And here he lives, the one I noticed recently. In tattered clothes, with heavy brows,
Gathering of herbs; his appearance was frail,
Intense suffering had drained him completely:
And in his struggling shop, a tortoise was hanging, An alligator stuffed and other skins Of oddly shaped fish; and around his shelves A pitiful account of empty boxes,
Green clay pots, bladders, and old seeds;
Leftover bits of thread and old pieces of rose soap,
"Were dispersed in a way to create a performance."[11]
One can readily picture the poverty-stricken appearance of the dark little shop, littered and crowded with the stuffed skins of curious fishes and alligators. One can almost smell the close musty odour blended with the aromatic perfume of drugs and the old cakes of pressed rose leaves, the manner in which they were formerly preserved for medicinal purposes.
One can easily picture the rundown look of the small, dim shop, cluttered and packed with the stuffed skins of strange fish and alligators. You can almost smell the stale, musty scent mixed with the fragrant aroma of drugs and the old cakes of pressed rose leaves, which were once kept for medicinal uses.
The fashionably-dressed Romeo enters, after having made a considerable noise to rouse the attention of the old apothecary from his perchance much-needed repose, and offers his bribe for the poison. Of the purpose for which he requires it he makes little secret.
The stylishly dressed Romeo walks in, making quite a scene to wake the old apothecary from his much-needed nap, and offers his bribe for the poison. He doesn’t hide the reason he needs it.
Come hither, man. I see that thou art poor;
Come here, man. I see that you're poor;
Hold, there is forty ducats; let me have
Hold on, there are forty ducats; let me have
A dram of poison, such soon-speeding gear
A tiny bit of poison, such fast-moving stuff
That the life-weary taker may fall dead;
That the tired person may collapse and die;
And that the trunk may be discharged of breath
And that the trunk can be emptied of air
As violently as hasty powder fir’d
As violently as quickly lit gunpowder
Doth hurry from the fatal cannon’s mouth.”
Dashes from the deadly cannon’s mouth.
The Apothecary’s reply:—
The pharmacist's reply:—
"Death is the fate of anyone who speaks them,"
would show that Shakspeare’s idea of the law respecting the sale of poisons was a severe one, and much before his time. The law in England at that time as regards the selling of poisons was very lax. But for the poor apothecary the bribe was too tempting. Perchance he was hungry, and there is something pathetic in his rejoinder,
would show that Shakespeare’s idea of the law regarding the sale of poisons was strict, and well ahead of his time. The law in England back then about selling poisons was quite relaxed. But for the desperate apothecary, the temptation of a bribe was too strong. Perhaps he was hungry, and there’s something sad in his response,
And giving Romeo the poison:—
And giving Romeo the poison:—
And drink it up; and, if you had the strength "Out of twenty men, it would send you straight away."
The poet gives no indication of the nature of the poison beyond that its effect was very rapid, as when the distracted lover drinks to his lady love in the deadly draught he exclaims:—
The poet doesn't specify what the poison is, only that it acts very quickly, just like when the lovesick person drinks to their beloved from the fatal cup he shouts:—
"Your drugs work fast. So with a kiss, I die."
In the early part of the sixteenth century the practice of the black art was carried on throughout[260] England, mostly by old women, who also sold charms and love philtres. Shakespeare’s description of the witches’ incantations in Macbeth presents some idea of a seance, and the gruesome articles in which they dealt. To know the properties of the most poisonous herbs (often quite fictitious) was part of their trade.
In the early part of the sixteenth century, the practice of black magic was common across[260] England, mainly conducted by older women who also sold charms and love potions. Shakespeare’s portrayal of the witches’ spells in Macbeth gives a glimpse of a seance and the creepy items they used. Knowing the effects of the most poisonous plants (often entirely made up) was a key part of their work.
In the poisoned entrails throw. Toad, under the cold stone,
Days and nights have thirty-one Sweltering venom sleeping got, First, boil in the enchanted pot. Double, double, toil and trouble; Fire burns, and cauldron bubbles.
"Fillet of a marsh snake,
In the cauldron, simmer and cook; Eye of newt and toe of frog,
Bat wool and dog tongue,
Adder's fork and blind worm's sting, Lizard leg and owlet wing,
For a captivating mix of serious issues; Like a cauldron of chaos, bubbling and boiling. Double, double, toil and trouble; Fire burns, and cauldron bubbles.
“Dragon scale, wolf's tooth,
Witch's mummy, mouth and abyss Of the ravenous saltwater shark; Root of hemlock, dug up in the dark,
Liver of blaspheming Jew; Gall from a goat and pieces of yew,
Slivered in the moon's eclipse; Nose of a Turk and lips of a Tartar; Finger of a stillborn baby,
Ditch delivered by a dull,
[261] Make the porridge thick and chunky; Add a tiger’s cauldron, For the ingredients in our cauldron.
Double, double, work and strife; "Fire burn, and cauldron bubble."
The method here used by the witches to measure the time that the cauldron should boil by singing their incantation is, according to Dr. Lauder Brunton, an ancient mode of calculating time still used in some parts of the country at the present day. By thus repeating several verses they could regulate the time of boiling fairly well. The old apothecaries used the moon as a method of calculating the time certain processes should take, and the word “menstruum,” still commonly used, was employed because certain drugs were allowed to macerate a month in the liquid to extract the active constituents.
The way the witches measure how long the cauldron should boil by singing their spells is, according to Dr. Lauder Brunton, an old technique for tracking time that’s still used in some areas today. By repeating several verses, they could keep the boiling time pretty accurate. Old apothecaries used the moon to figure out how long certain processes should take, and the term “menstruum,” which is still commonly used, was used because some medicines needed to sit for a month in the liquid to draw out their active ingredients.
In the toad that had been lying under a stone for thirty-one days and nights, we have another curious instance how the empirical practitioners of mediæval times acted on a certain traditional knowledge, which modern science has since proved to be correct.
In the toad that had been resting under a stone for thirty-one days and nights, we have another interesting example of how the practical practitioners of medieval times relied on a certain traditional understanding that modern science has since confirmed to be accurate.
We have again in the toad which has lain dormant for a month, the idea that it was the best time for his use, when his venom would be most active, besides the advantage also of catching him napping, when he would have no opportunity[262] of getting rid of the poisonous principle contained in his skin. Dr. Lauder Brunton remarks with respect to this practice: “I remember reading as a child a story of how King John was poisoned by a friar who dropped a toad into his wine, but some books of natural history forty or fifty years ago scouted the idea of toads being poisonous at all. A little while ago, however, Dr. Leonard Guthie sent me an interesting account of a wicked Italian woman whose husband was dying of dropsy. He took so long about it that his wife became tired of the process, and thought that she would help him on. She accordingly caught a toad and put it in his wine, so that he should drink the liquid and die, but instead of dying he, to her astonishment and disgust, completely recovered. Forty years ago this story would have been scouted as equally mythical with that of King John, but now we know that it is precisely what the woman would have expected if she had only been acquainted with the researches of modern pharmacology. For the skin of a toad secretes a poison, the active principle of which, phrynin, has an action very much resembling that of digitalis, which is the remedy par excellence for dropsy depending on heart disease.”
We have, once again, the toad that has been inactive for a month, suggesting that it’s the ideal time for use, as its venom would be at its strongest. It also offers the advantage of catching it while it's resting, leaving it with no chance to eliminate the toxic substances in its skin. Dr. Lauder Brunton comments on this practice: “I remember reading a story as a child about how King John was poisoned by a friar who dropped a toad into his wine, but some natural history books from forty or fifty years ago dismissed the idea that toads could be poisonous. Recently, however, Dr. Leonard Guthie sent me an intriguing account of a wicked Italian woman whose husband was suffering from dropsy. He took so long to die that she grew impatient and decided to speed things up. She caught a toad and put it in his wine, hoping he would drink it and perish, but instead, to her shock and disgust, he completely recovered. Forty years ago, this story would have been dismissed as just as mythical as that of King John, but now we understand that it is exactly what the woman could have expected if she had been familiar with modern pharmacological research. The skin of a toad secretes a poison, and the active ingredient, phrynin, has an effect very similar to that of digitalis, which is the ideal treatment for dropsy caused by heart disease.”
Not less curious are the directions for gathering[263] the poisonous hemlock at night, which has recently been shown to be the time of its greatest activity. These few instances show that the ancient apothecaries had often much greater knowledge than we give them credit for, and that some of the modern discoveries in modern science were well known to them, even if they could not account for them.
Not to be overlooked are the instructions for collecting[263] poisonous hemlock at night, which has recently been found to be when it’s most potent. These few examples demonstrate that ancient apothecaries often had much more knowledge than we typically acknowledge, and that some modern scientific discoveries were already familiar to them, even if they couldn’t fully explain them.
In the Taming of the Shrew allusion is made to the simples in vogue at the time for hurts and bruises. The lord’s directions for the treatment of Christopher Sly, who is found sleeping in the road on a cold night after a drinking bout, are curious:—
In the Taming of the Shrew, there are references to the remedies that were popular at that time for injuries and bruises. The lord's instructions for taking care of Christopher Sly, who is discovered sleeping in the street on a cold night after a night of drinking, are interesting
"And burn sweet wood to make the place smell good."
The distilled aromatic waters, of which the apothecary manufactured a considerable number, were much used in the middle ages for the purpose of fomentation. The burning of sweet woods, such as aloe or sandal, to take away evil smells, was a very ancient practice.
The distilled fragrant waters, which the apothecary produced in large quantities, were widely used in the Middle Ages for fomentation. The burning of sweet-smelling woods, like aloe or sandalwood, to eliminate bad odors, was a very old practice.
An old cure for melancholy is embodied in the following lines:—
An old remedy for sadness is captured in the following lines:—
Come to enjoy a fun comedy, For your doctors consider it very appropriate:
Seeing too much sadness has hardened your heart,
[264] And sadness is the caregiver of madness,
So they thought it would be good for you to hear a play, And prepare your mind for joy and happiness,
"Which prevents a thousand dangers and extends life."
In Measure for Measure, the poet had evidently the dulcamara or bitter-sweet in mind when he penned the lines:—
In Measure for Measure, the poet clearly had the bittersweet in mind when he wrote the lines:—
That's a bitter-sweet ending.
The dulcamara or bitter-sweet has the peculiar property, when first taken into the mouth, of imparting a bitter flavour which gradually changes to a sweet one, hence its name.
The dulcamara, or bittersweet, has the unique quality of initially giving off a bitter taste when first placed in the mouth, which slowly transforms into a sweet flavor, thus its name.
The knowledge of drugs and herbs possessed by the noble dames and housewives is frequently mentioned by Shakespeare. The chatelaine of his time was well acquainted with the medicinal properties of all the simples and herbs, which she cultivated in her own garden. Her skill and experience were always at the service of her household and of dependants for miles around.
The knowledge of drugs and herbs held by noblewomen and housewives is often noted by Shakespeare. The lady of the house in his time was knowledgeable about the medicinal properties of all the plants and herbs she grew in her garden. Her skill and experience were always available to her household and to neighbors for miles around.
The Queen, wife of Cymbeline, gives evidence of this in her conversation with Cornelius the physician:—
The Queen, Cymbeline's wife, shows this in her talk with Cornelius the doctor:—
Whiles yet the dew’s on ground, gather those flowers;
While the dew is still on the ground, pick those flowers;
Make haste: who has the note of them?
Make haste: who has the note from them?
..........
..........
Pleaseth your highness, ay: here they are, madam
Please, your highness, yes: here they are, ma'am.
(presenting a small box),
(presenting a small box)
But I beseech your grace, without offence—
But I ask you kindly, without causing offense—
My conscience bids me ask—wherefore you have
My conscience compels me to ask—why do you have
Commanded of me these most poisonous compounds,
Commanded of me these highly toxic substances,
Which are the movers of a languishing death;
Which are the causes of a slow, painful death;
But, though slow, deadly?
But, is it slow and deadly?
I do wonder, doctor,
I do wonder, doc,
Thou ask’st me such a question. Have I not been
Thou ask’st me such a question. Have I not been
Thy pupil long? Hast thou not learned me how
Thy pupil long? Haven't you taught me how
To make perfumes, distil, preserve? yea, so,
To make perfumes, distill, preserve? Yeah, right,
That our great king himself doth woo me oft
That our great king himself often courts me
For my confections? Having thus far proceeded
For my desserts? So far I've moved
(Unless thou think’st me devilish), is’t not meet
(Unless you think I’m devilish), isn’t it right
That I did amplify my judgment in
That I did expand my judgment in
Other conclusions? I will try the forces
Other conclusions? I will test the forces.
Of these thy compounds on such creatures as
Of these compounds of yours on such creatures as
We count not worth the hanging, but none human,
We don't consider it worth hanging, but we're all human.
To try the vigour of them, and apply
To test their strength and put them to use
Allayments to their act, and by them gather
Allotments to their actions, and through them, collect
Their several virtues, and effects.
Their various virtues and effects.
Your highness
Your Highness
Shall from this practice but make hard your heart:
Shall this practice only harden your heart:
Besides, the seeing these effects will be
Besides, seeing these effects will be
Both noisome and infectious.
Both harmful and contagious.
Oh content thee.
Oh, be content.
Enter Pisanio.
Enter Pisanio.
(aside) Here comes a flattering rascal; upon him
(aside) Here comes a charming trickster; on him
And enemy to my son. How now, Pisanio?
And an enemy to my son. What's going on, Pisanio?
Doctor, your service for this time is ended;
Doctor, your service for this time is over;
Take your own way.
Take your own path.
(aside) I do suspect you, madam,
(aside) I do suspect you, ma'am,
But you shall do no harm.
But you must not cause any harm.
I do not like her. She doth think she has
I do not like her. She thinks she has
Strange lingering poisons. I do not know her spirit,
Strange lingering toxins. I don't understand her spirit,
And will not trust one of her malice with
And won't trust one of her spite with
A drug of such damn’d nature. Those she has
A drug of such cursed nature. Those she has
Will stupify and dull the sense a while:
Will numb and dull the senses for a bit:
Which first, perchance, she’ll prove on cats and dogs,
Which she might first test on cats and dogs,
Then afterwards up higher, but there is
Then afterwards up higher, but there is
No danger in what show of death it makes,
No risk in the display of death it creates,
More than the locking up the spirits a time
More than just locking up the spirits for a while
To be more fresh reviving. She is fool’d
To be more refreshing and revitalizing. She is deceived.
With a most false effect; and I the truer
With a totally false appearance; and I the more genuine
The caution of the physician is well described, and his resort to subterfuge in order to checkmate the evil design of his wily mistress and old pupil, whom he evidently distrusts.
The physician's caution is clearly illustrated, along with his use of trickery to outsmart the devious plans of his cunning mistress and former student, whom he clearly does not trust.
The Queen is supposed to have possessed considerable knowledge and skill in the use of drugs, and her conserves had evidently a great reputation. Her scientific ideas were in advance of the age she lived in when she states her desire to make physiological experiments on animals to advance her knowledge; but the clear acumen of Cornelius saw through the apparently laudable[267] spirit of research that imbued his pupil, and he supplied her with drugs of less potency.
The Queen was said to have had a lot of knowledge and skill in using drugs, and her preserves were well-known for their effectiveness. Her scientific ideas were ahead of her time, as she expressed a desire to conduct physiological experiments on animals to deepen her understanding. However, Cornelius, with his sharp insight, saw through the seemingly admirable spirit of research that inspired his student, and he provided her with less potent drugs.
The following allusions are made to the apothecary:—
The following references are made to the pharmacy:
And again, in Pericles, Prince of Tyre, Cerimon says:—
And again, in Pericles, Prince of Tyre, Cerimon says:—
Nothing can be given to nature, That can help him recover. Give this to the apothecary,
And explain how it works.”[14]
This lord of Ephesus was evidently something of an amateur physician, as he tells us later that
This lord of Ephesus clearly had some experience as an amateur doctor, since he later mentions that
I've studied physics, through which secret art,
By reviewing the authorities, I have
(Together with my practice) became familiar To me and my helper, the blessed blessings That live in plants, in metals, and stones; And can talk about the disruptions caused by nature __A_TAG_PLACEHOLDER_0__ Works, and the cures; which gives me
A deeper happiness in the pursuit of genuine joy
"Better to be thirsty after unsteady honor."
The lines—
The lines—
Although not accustomed to the melting mood,
Cry as quickly as the trees in Arabia. Their medicinal gum, __A_TAG_PLACEHOLDER_0__
spoken by Othello, refer to the manner in which many of the medicinal gums are collected in the East. Small slits or punctures are made in the bark of the tree, through which the semi-liquid gum slowly oozes. It then coagulates in the form of a tear, and is at length scraped off and collected.
spoken by Othello, refer to how many of the medicinal gums are gathered in the East. Small cuts or punctures are made in the bark of the tree, allowing the semi-liquid gum to slowly seep out. It then solidifies into the shape of a tear and is eventually scraped off and collected.
"Had been a bit of a nuisance for my sake.”[18]
Ratsbane, mentioned in the three preceding quotations, was an old name for arsenic, which in Shakespeare’s time was commonly used for poisoning rats, hence the name.
Ratsbane, referred to in the three previous quotes, was an old term for arsenic, which during Shakespeare’s time was commonly used to poison rats, giving it that name.
says Dromio of Syracuse. These were the medical comforts for the barque of Epidamnum, and show that sailing vessels in those days carried a certain amount of medicine. The oil may have been one of the many panaceas of the time for “purging the body of bile or humour,” while[269] balsams there were by the score, of Hungary, and aromatics for “wind and pain”. The aqua vitæ alluded to was probably brandy, which would serve to keep the courage of the voyagers up and the cold out.
says Dromio of Syracuse. These were the medical supplies for the ship of Epidamnum, showing that vessels back then carried a certain amount of medicine. The oil might have been one of the many cures of the time for “purging the body of bile or humor,” while there were numerous balsams from Hungary and spices for “gas and pain.” The aqua vitæ mentioned was probably brandy, which would help keep the spirits of the travelers high and the cold at bay.
Proteus, in the Two Gentlemen of Verona, exclaims:—
Proteus, in the Two Gentlemen of Verona, shouts:—
In Lucrece the bard shows he knew something of the counteracting effects of certain drugs from the following lines:—
In Lucrece, the bard demonstrates that he understood the opposing effects of certain drugs in the following lines:—
The united vessel of their blood,
The combined vessel of their blood,
Mingled with venom of suggestion,
Mixed with poisonous suggestion,
As, for a purpose, the age will pour it in,
As, for a purpose, the age will bring it in,
Shall never leak, though it do work as strong
Shall never leak, even though it works just as strong.
As aconitum or rash gunpowder.”[22]
As aconitum or rash gunpowder. __A_TAG_PLACEHOLDER_0__
The aconite or monkshood, formerly called wolf’s bane, gives us one of the most powerful vegetable poisons, its properties having long been known and employed in medical practice. It was used by the early Greeks and Romans,[270] and is probably even of still greater antiquity. On account of its rapid and deadly action, Shakespeare compares it to gunpowder. Some commentators are of the opinion that aconite was the poison sold by the apothecary to the lovesick Romeo.
The aconite or monkshood, once known as wolf’s bane, provides one of the strongest plant-based poisons, with its effects having been recognized and utilized in medicine for a long time. The early Greeks and Romans used it,[270] and it likely dates back even further. Due to its quick and lethal effects, Shakespeare likens it to gunpowder. Some commentators believe that aconite was the poison the apothecary sold to the lovestruck Romeo.
A curious old tradition is alluded to by Falstaff when speaking of the chamomile, in the following sentence:—
A curious old tradition is mentioned by Falstaff when talking about chamomile in the following —
The chamomile has an ancient reputation for its medicinal properties as a stomachic and febrifuge.
The chamomile has a long-standing reputation for its healing properties as a digestive aid and fever reducer.
Its growth is said to be improved by being pressed or trampled into the earth.
Its growth is said to be enhanced by being pressed or walked on into the ground.
“Shallow. Nay, you shall see my orchard, where, in an arbour, we will eat a last year’s pippin of my own graffing, with a dish of caraways and so forth.”[24]
“Surface-level. No, you will see my orchard, where, in a shelter, we will eat a last year’s pippin that I grew myself, with a plate of caraway seeds and so on.”[24]
Carraway seeds were very largely used in Shakespeare’s time as a spice and condiment. The essential oil they yield has carminative properties. The seeds were often served with roast[271] apples, a custom still said to be kept up at Trinity College, Cambridge.
Carraway seeds were commonly used in Shakespeare’s time as a spice and condiment. The essential oil they produce has digestive benefits. The seeds were often served with roast[271] apples, a tradition that is still said to be maintained at Trinity College, Cambridge.
The coloquintida mentioned, is the old name for colocynth, a drug largely used in medicine at the present time. It was employed by the Greek and Roman physicians as a purgative, and was known in Britain as early as the eleventh century. It has a drastic, bitter taste, and is commonly known as bitter apple.
The coloquintida mentioned is the old name for colocynth, a drug widely used in medicine today. It was used by Greek and Roman doctors as a purgative and was recognized in Britain as early as the eleventh century. It has a strong, bitter taste and is commonly known as bitter apple.
Shakespeare makes several allusions to the elder, a tree concerning which there are many old traditions. One of them will suffice.
Shakespeare references the elder tree, which is surrounded by many old traditions. One of those will be enough.
Begin, sir, you are my elder.
Begin, sir, you are older than me.
The sambucus nigra, or black elder, has long been used in medicine as a discutient, yet tradition gives it an evil name. Judas was supposed to have hanged himself on an elder tree, which doubtless brought it into disrepute, although its flowers distilled with water make an excellent cosmetic.
The sambucus nigra, or black elder, has been used in medicine as a remedy for a long time, but tradition has given it a bad reputation. It's believed that Judas hung himself on an elder tree, which probably contributed to its negative image, although its flowers infused in water create a fantastic cosmetic.
This herb was greatly valued by the old apothecaries, and was known also to the ancients. There was an old belief that the fennel in flower predicted an early summer. Its chief use now is as a flavouring agent.
This herb was highly valued by the old apothecaries and was also recognized by ancient people. There was a common belief that flowering fennel indicated an early summer. Today, its main use is as a flavoring agent.
Several allusions are also made to ginger.
Several references are also made to ginger.
“Clown. I must have saffron to colour the warden pies; mace; dates—none, that’s out of my note; nutmegs, seven; a race or two of ginger, but that I beg.”[28]
“Jester. I need saffron to color the warden pies; mace; dates—none, that’s outside my budget; nutmegs, seven; a bit of ginger, but that I request.”[28]
Ginger was known and used by the Greeks and Romans as a spice, and was esteemed by physicians in England at the time of the Norman Conquest. Its hot, burning taste is due to a resinous principle contained in the root, and is still used in medicine.
Ginger was recognized and used by the Greeks and Romans as a spice, and was valued by doctors in England during the time of the Norman Conquest. Its hot, spicy flavor comes from a resinous substance found in the root, and it's still utilized in medicine today.
The mandrake or mandragora is frequently mentioned in the plays. Thus says
The mandrake or mandragora is often referenced in the plays. So says
Also—
Also—
alluding to the old tradition that the mandrake groaned when pulled up by the roots, and the[273] person who did it would surely die soon. The mandragora, to which wonderful properties were ascribed by the ancients, is not now used in medicine.
alluding to the old tradition that the mandrake groaned when it was pulled up by the roots, and the[273] person who did this would surely die soon. The mandrake, which the ancients believed had amazing properties, is no longer used in medicine.
The medicinal properties of the pomegranate have been known from very ancient times, frequent mention of it being made in the Bible. A decoction of the root is recommended by Celsus, Dioscorides, and Pliny for tapeworm; and it is still used as an astringent.
The healing benefits of the pomegranate have been recognized since ancient times, with frequent references to it in the Bible. A brew made from the root is suggested by Celsus, Dioscorides, and Pliny for treating tapeworms; it’s still used today as an astringent.
The poppy is mentioned by Iago in the quotation previously given, as being known for its narcotic properties.
The poppy is referenced by Iago in the earlier quotation as being recognized for its narcotic effects.
Rhubarb was known to the Chinese 2700 B.C., and has been used for its purgative properties from the earliest times. It is said to take its name from the river Rhu, now the Volga, on whose banks it grows.
Rhubarb was known to the Chinese in 2700 BCE and has been used for its laxative properties since ancient times. It's believed to be named after the river Rhu, which is now called the Volga, where it grows along the banks.
Rosemary has been esteemed for centuries for its refreshing and aromatic perfume, due to the essential oil it contains, and which even now has a reputation as an application for the hair. It is mentioned by Pliny, and has been cultivated in Britain since the time of the Norman Conquest. On account of its evergreen leaves it was considered an emblem of constancy, and was frequently carried at wedding and funeral ceremonies. It was customary in France at one time, to place a bunch of rosemary in the hands of the dead. The old apothecaries had great faith in the oil as an embrocation, and it was largely used to place among clothes as a preventive of moths.
Rosemary has been valued for centuries for its refreshing and fragrant scent, thanks to the essential oil it contains, which even today is known for its benefits for hair. Pliny referenced it, and it has been cultivated in Britain since the Norman Conquest. Its evergreen leaves made it a symbol of loyalty, and it was often used in wedding and funeral ceremonies. In France, it was once a tradition to place a sprig of rosemary in the hands of the deceased. Old apothecaries strongly believed in the oil as a topical treatment, and it was widely used to protect clothing from moths.
Some curious traditions are attached to rue, or, as it was formerly called, the herb of grace, probably on account of its being often worn as an amulet to ward off disease, and also used by the old Romanists in the exorcisms. It has ever been regarded as a symbol of sorrow or pity, as its name implies. The word is probably derived[275] from the same root as Ruth, meaning sorrow and remorse, while “to rue” was to be sorry for.
Some interesting traditions are linked to rue, or what it used to be called, the herb of grace, probably because it was often worn as an amulet to prevent illness, and it was also used by the old Romans in exorcisms. It has always been seen as a symbol of sorrow or pity, as its name suggests. The word likely comes from the same root as Ruth, which means sorrow and remorse, while “to rue” means to feel sorry for.
In ancient times it was supposed to be useful for almost every disease, its properties being due to an essential oil still used in pharmacy.
In ancient times, it was believed to be helpful for nearly every illness, and its benefits came from an essential oil that is still used in medicine today.
It was largely employed in affections of the eye and for its antiseptic properties as a preservative to ward off decay.
It was mainly used for eye conditions and for its antiseptic qualities as a preservative to prevent decay.
The plant is not a native of England, but has been cultivated in this country for more than 800 years, and was extensively grown in the old herb gardens.
The plant isn't native to England, but it has been grown in this country for over 800 years and was widely cultivated in the old herb gardens.
Euphrasie and rue were often used together as a curative application for the eyes. In Paradise Lost Milton says:—
Euphrasie and rue were frequently used together as a treatment for the eyes. In Paradise Lost, Milton says:—
Rue was employed also to take away warts, the freshly cut stem being rubbed over the excrescence, and the following couplet repeated:—
Rue was also used to remove warts, with the freshly cut stem being rubbed on the growth, and the following couplet repeated:—
"Please bury these flaws of mine."
Another old rhyme runs:—
Another old rhyme goes:—
Saffron was formerly much prized as a medicine, a condiment, and a dye. It is said to have been introduced into England in the reign of Edward III., and was cultivated in the neighbourhood of Walden, in Essex, to which it gave its name. The quality of English saffron was renowned in Shakspeare’s time. It was used by the monks in mediæval days in illuminating their missals, and dyeing materials, as well as being esteemed as a febrifuge and cordial.
Saffron was once highly valued as a medicine, a spice, and a dye. It is believed to have been brought to England during the reign of Edward III. and was grown around Walden in Essex, which is how it got its name. The quality of English saffron was famous during Shakespeare’s time. Monks in medieval times used it to illuminate their missals and dye materials, and it was also regarded as a remedy for fevers and a tonic.
What rhubarb, senna, or what purgative drug
What rhubarb, senna, or any laxative medication
Would scour these English hence?”[36]
Would search these English for?__A_TAG_PLACEHOLDER_0__
The well-known purgative properties of senna leaves were held in great repute by the old apothecaries. The drug was introduced into Europe about the ninth or tenth century by the Arabs, and it soon attained a reputable position in medical practice. The best variety was originally supposed to have been brought from Mecca.
The well-known laxative properties of senna leaves were highly regarded by the old pharmacists. The drug was introduced to Europe around the ninth or tenth century by the Arabs, and it quickly gained a respected place in medical practice. The best variety was originally thought to have come from Mecca.
Wormwood has always had a high reputation as a medicine, and was chiefly used as a tonic. It yields an essential oil with an extremely bitter[277] taste, which is yet largely used in France in the manufacture of absinthe.
Wormwood has always been well-regarded as a medicine and was mainly used as a tonic. It produces an essential oil with a very bitter[277] taste, which is still widely used in France for making absinthe.
In one of his Sonnets, Shakespeare alludes to the old alembic of the alchemist in the following lines:—
In one of his Sonnets, Shakespeare references the old alembic of the alchemist in the following lines:—
"Distilled from hellish-looking stills inside."
And in the following verse he deals with some theories of medical treatment:—
And in the next verse, he addresses some theories of medical treatment:—
With eager flavors, we stimulate our taste buds; To prevent our hidden ailments, We become ill to avoid illness when we cleanse:
Still, being filled with your never-ending sweetness,
I created my meals with bitter sauces,
And, tired of welfare, found a sense of purpose. To be sick before there was a real need. So, in love, it's wise to be proactive. The problems that didn't exist became confirmed faults, And brought a healthy state to medicine. Which, in terms of goodness, would not be easily cured. But from that, I learn, and discover the lesson is true,
"Drugs are poisoning him, and that's why he got so sick from you." [38]
CHAPTER III.
SPENSER.
Edmund Spenser was born in London towards the close of the year 1552, and in his after career, added lustre to an age which for brilliancy in literature has never been equalled in the history of this country. He lived for some time in Lancashire in his early days, but in 1578 quitted the country for the court. It was probably his friend Sir Walter Raleigh who introduced him to court-favour and Queen Elizabeth. In 1589 he published the Faerie Queen, a poem which will ever live in English literature.
Edmund Spenser was born in London near the end of 1552, and throughout his career, he brought brilliance to an era that has never been matched for literary excellence in this country's history. He spent some of his early years in Lancashire but left for the court in 1578. It was likely his friend Sir Walter Raleigh who helped him gain favor with the court and Queen Elizabeth. In 1589, he published the Faerie Queene, a poem that will always be a part of English literature.
There are few allusions in the works of Edmund Spenser to medicinal plants, although he frequently mentions salves and other methods of administration used in the leechcraft of his time, as instanced in the following quotations:—
There are few references in the works of Edmund Spenser to medicinal plants, although he often mentions ointments and other methods of treatment used in the medicine of his time, as shown in the following quotations:—
In the first book of the Faerie Queen Spenser makes an interesting allusion to trees and their uses in his time, in the following lines:—
In the first book of the Faerie Queen, Spenser makes an interesting reference to trees and their uses during his time in the following lines:—
The vine-prop elm; the poplar always moist;
The builder oak, the one true king of all the forests; The aspen is good for making staves; the cypress is for funerals; The laurel, reward of great conquerors
And wise poets; the fir tree that still weeps; The willow, tired from lost lovers; The yew, complying with the binder's command; The birch for the shafts; the sallow for the mill; The sweet myrrh flows from the painful wound; The aggressive beech; the ash for no bad reason; The productive olive tree and the round plane tree; The carver's home; the maple, rarely makes a sound inside.”[41]
The sailing pine was doubtless so called on account of it being so largely used for the masts of ships. The wood of the aspen tree was often used for making staves on account of its toughness. He alludes also to the ancient use of the cypress at funeral rites, and the wearing of the willow as a badge of the unfortunate; the yew, chiefly employed for making the long bows; the birch, for the strongest arrows; and[280] the sallow, which when plaited formed the sails of the windmills.
The sailing pine was definitely named because it was widely used for ship masts. The wood from the aspen tree was often used to make staves due to its durability. He also mentions the ancient use of cypress in funerals and the wearing of willow as a symbol of sorrow; the yew was primarily used for making longbows, the birch for the strongest arrows; and[280] the sallow, which when woven, was made into sails for windmills.
Incisions are cut in the bark of the myrrh tree in order that the gum should exude as from an open wound.
Incisions are made in the bark of the myrrh tree so that the gum can ooze out like from an open wound.
Beech was used for the shafts of spears and axes, and the carver holm or cutting holly was so called from its prickles.
Beech was used for the shafts of spears and axes, and the carver holm or cutting holly got its name from its prickles.
In the sixth canto we have mention of the flower-de-luce:—
In the sixth canto, we mention the flower of the light
The iris her lovely lover. [42]
Flower-de-luce was the old name for the iris, and is also the French fleur-de-lis, and the origin of that symbol. The roots of many of the iris species have long been used in medicine for their cathartic and emetic properties. That of the I. florentina is well known for its sweet violet smell, and from early times has been employed to sweeten the breath and as an ingredient in tooth powders. Another old name for this plant was “The flower of delights”.
Flower-de-luce was the old name for the iris, and it's also the French fleur-de-lis, which is where that symbol comes from. The roots of many iris species have been used in medicine for their laxative and vomiting-inducing effects for a long time. The root of the I. florentina is well-known for its sweet violet scent and has been used since ancient times to freshen breath and as an ingredient in tooth powders. Another ancient name for this plant was “The flower of delights.”
In the seventh canto the poet shows he was well acquainted with some medicinal plants, and gives us quite a group of “herbs of ill favour”.[281]
In the seventh canto, the poet demonstrates that he was knowledgeable about various medicinal plants and presents us with a collection of "herbs of ill favor."[281]
And trees of bitter gall; and dark, sorrowful ebon; Dead sleeping poppy and black hellebore; Cold colocynth, and tetra mad; Mortal samnitis; and cicuta bad,
With which the unjust Athenians caused to die Wise Socrates, who, drinking from it happily, Gave everything he had, his final thoughts on life To the lovely Critias, his dearest friend!”[43]
Here we have mention of the narcotic poppy and the black hellebore, a drastic purgative with which tradition states Melampus, the great soothsayer and physician, cured the daughters of Prœtus, King of Argos, of madness. Also the colocynth or bitter apple; tetra mad, an old name for the belladonna or deadly nightshade; savin, here called mortal samnitis, a plant possessing powerful properties, used in medicine from the time of the Romans; and the cicuta or hemlock, which formed the active ingredient in the poison cup of the Greeks.
Here, we mention the narcotic poppy and black hellebore, a strong laxative that tradition says Melampus, the famous soothsayer and healer, used to cure the daughters of Prœtus, the King of Argos, of madness. Also, there's the colocynth or bitter apple; tetra mad, an old name for belladonna or deadly nightshade; savin, referred to here as mortal samnitis, a plant with powerful properties, used in medicine since Roman times; and cicuta or hemlock, which was the main ingredient in the poison cup of the Greeks.
In the Shepherd’s Calendar we have another allusion to the black hellebore:—
In the Shepherd’s Calendar, we have another reference to the black hellebore:—
And terebinth, great for goats;
The one my crazy kids want to mess with,
The next to soothe their throats.”[44]
The ancient name for hellebore was melampus root, hence the name melampode, which doubtless arose from the old tradition. By terebinth the poet probably means one of the species of pine from which turpentine is obtained.
The old name for hellebore was melampus root, which is likely where the term melampode came from, based on ancient tradition. When the poet mentions terebinth, he probably refers to one of the types of pine that produces turpentine.
CHAPTER IV.
Goethe.
The Faust-legend around which Goethe wove his great tragedy, was one of those floating traditions which were common in the romantic lore of many countries during the fifteenth and sixteenth centuries, and which seem to have originated in the general belief in occult forces. The Johann Faust of the popular stories was undoubtedly an individual of that name, born towards the close of the fifteenth century in the little town of Knittlingen, near Maulbronn, in Würtemberg. His parents were poor, but he was enabled by the bequest of a rich uncle to study medicine. He attended the University of Cracow (where he probably received his doctor’s degree), studied magic which was there taught as an accepted branch of knowledge, and appears to have afterwards travelled for many years through Europe. Manlius, the disciple of Melancthon, quotes the latter as having said: “This fellow Faust escaped from our town of Wittenberg, after our Duke John[284] had given the order to have him imprisoned. He also escaped from Nuremberg under the like circumstances. This sorcerer Faust, an abominable beast, a common sewer of many devils, boasted that he, by his magic arts had enabled the Imperial armies to win their victories in Italy.” It was probably the famous battle of Pavia fought in 1525 of which Faust spoke, as the time of his visit to Wittenberg appears to have been about the year 1530. Further evidence of the existence of such a character is to be found in the Index Sanitatis of the physician, Philip Begardi, published at Worms in 1539, and in the Sermones Conviviales of Johann Gast, who gives an account of a dinner given by Faust at Basle at which he was present. The original form of the legend is contained in a work published by Spiess in Frankfurt in 1587, entitled the History of Dr. Joh. Faust, the Notorious Sorcerer and Black-artist, etc., etc. This book was first translated into English in 1590, and from it Marlowe doubtless obtained the material for his tragedy of “Dr. Faustus,” which appears to have been first performed in London in 1593, the year of his death.
The Faust legend that Goethe worked into his great tragedy was one of those widely shared tales found in the romantic traditions of many countries during the fifteenth and sixteenth centuries, likely stemming from a general belief in supernatural forces. The Johann Faust from the stories was definitely a real person with that name, born toward the end of the fifteenth century in the small town of Knittlingen, near Maulbronn, in Würtemberg. His parents were poor, but thanks to a bequest from a wealthy uncle, he was able to study medicine. He went to the University of Cracow (where he probably earned his doctor’s degree), studied magic—which was accepted as a legitimate field of study there—and seems to have traveled across Europe for many years afterward. Manlius, a disciple of Melancthon, quotes him as saying: “This guy Faust escaped from our town of Wittenberg after our Duke John[284] ordered his imprisonment. He also fled from Nuremberg under similar circumstances. This sorcerer Faust, a terrible monster, a common source of many devils, claimed he had used his magical arts to help the Imperial armies win their battles in Italy.” He probably referred to the famous Battle of Pavia fought in 1525, as he seems to have visited Wittenberg around 1530. Further proof of this character's existence can be found in the Index Sanitatis written by the physician Philip Begardi, published in Worms in 1539, and in the Sermones Conviviales by Johann Gast, who described a dinner hosted by Faust in Basel, which he attended. The original version of the legend appears in a work published by Spiess in Frankfurt in 1587, titled History of Dr. Joh. Faust, the Notorious Sorcerer and Black-artist, etc., etc. This book was first translated into English in 1590, and Marlowe likely drew from it when writing his tragedy “Dr. Faustus,” which was probably first performed in London in 1593, the year he died.
In the first act of Goethe’s tragedy we are introduced to Faust, who is sitting in his lofty-arched Gothic chamber or laboratory, his desk[285] piled high with the works of noted writers on magic and astrology.
In the first act of Goethe’s tragedy, we meet Faust, who is seated in his high-arched Gothic room or lab, his desk[285] overflowing with books by famous authors on magic and astrology.
From Nostradamus' own hand,
"Isn't that enough company?"
Nostradamus, the famous astrologer, was born at St. Remy, in Provence, in the year 1503. His real name was Michel de Notre Dame. For some time he practised as a physician, but finally devoted himself to astrology, and published in 1555 a collection of prophecies in rhymed quatrains, entitled Les Prophecies de Michel Nostradamus, which created an immediate sensation, and found many believers, especially as the death of Henry II. of France seemed to verify one of his mystical predictions. He was appointed physician to Charles IX., and continued the publication of his prophecies, asserting, however, that the study of the planetary aspects was not alone sufficient, but that the gift of second sight, which God grants only to a few chosen persons, is also necessary.
Nostradamus, the famous astrologer, was born in St. Remy, Provence, in 1503. His real name was Michel de Notre Dame. For a while, he worked as a doctor, but eventually dedicated himself to astrology and published a collection of prophecies in 1555 in rhymed quatrains, titled Les Prophecies de Michel Nostradamus. This work created an immediate sensation and attracted many believers, especially since the death of Henry II. of France seemed to confirm one of his mystical predictions. He was appointed as the physician to Charles IX. and continued to publish his prophecies, insisting that studying planetary aspects alone wasn't enough; the gift of second sight, which God grants only to a few chosen people, is also essential.
He died in the year 1566.
He passed away in 1566.
In the following lines allusion is made to two popular forms of divination.
In the following lines, there are references to two popular methods of fortune-telling.
[286] It's true, she showed me on Saint Andrew’s Night,
My future sweetheart, just as if he were alive. "The Other. She showed me my reflection, in crystal clear," "With several reckless young guys, a soldier in love."
St. Andrew’s Night is celebrated in some parts of Germany by forms of divination very similar to those which are practised in Scotland on Hallow E’en. The maidens believe that by calling upon St. Andrew, undressed, before getting into bed, their future sweetheart will appear to them in a dream. Another charm is practised by pouring melted lead through the wards of a key, wherein there is the form of a cross, into a basin of water brought between eleven o’clock and midnight: the cooling lead will then take the form of tools which indicate the trade of the destined lover.
St. Andrew’s Night is celebrated in some parts of Germany with forms of divination that are very similar to those practiced in Scotland on Halloween. The young women believe that by calling on St. Andrew while undressed before getting into bed, their future sweetheart will appear to them in a dream. Another charm involves pouring melted lead through the wards of a key, which has the shape of a cross, into a basin of water brought between eleven o’clock and midnight: the cooling lead will then take the form of tools that indicate the trade of their destined lover.
Crystal gazing, which we have described in a previous chapter, was also a common method of foretelling future events, and young maidens were supposed to be specially successful in its practise.
Crystal gazing, which we described in a previous chapter, was also a common way of predicting future events, and young women were believed to be particularly skilled at it.
Faust’s description of the preparation of a panacea is a good illustration of the fantastic language employed by the alchemists:—
Faust’s description of how to prepare a panacea is a great example of the elaborate language used by the alchemists:—
With proven experts in the company,
Made from his endless recipes,
Conflicting substances are in agreement.
[287] There was a bold red Lion, a fearless suitor, In Lily's warm bath embraced, And both, then tormented by the unrelenting flames, Taking turns in either bridal chamber. If then appeared, with splendid colors,
The young Queen in her crystal shell,
This was the treatment—the patient’s troubles quickly came to an end,
"And no one asked—who recovered?"
Goethe is said to have drawn this description partly from Paracelsus, and partly from Welling’s Opus Mago Cabbalisticum. The “Lion red” is cinnabar, called a “wooer daring” on account of its action in rushing to an intimate union with other bodies. “The Lily” is a preparation of antimony, which bore the name of Lilium Paracelsi. Red, moreover, is the masculine, and white the feminine colour. The retort containing these substances was first placed in a “tepid bath” and gradually heated, then “tormented by flame unsparing,” the two were driven from one “bridal chamber” to another, that is, their wedded fumes were forced by the heat into an alembic. If then the “Young Queen,” the sublimated compound, appeared with a brilliant colour in the alembic the proper result was obtained and this signified the true medicine.
Goethe is said to have drawn this description partly from Paracelsus and partly from Welling’s Opus Mago Cabbalisticum. The “Red Lion” refers to cinnabar, also known as a “daring wooer” because of its tendency to seek a close union with other substances. “The Lily” is a preparation of antimony, named Lilium Paracelsi. Additionally, red represents the masculine and white the feminine color. The retort containing these substances was first placed in a “tepid bath” and gradually heated, then “tormented by unsparing flame,” forcing the two from one “bridal chamber” to another, meaning their combined vapors were drawn by heat into an alembic. If the “Young Queen,” the sublimated compound, appeared with a brilliant color in the alembic, the desired outcome was achieved, indicating the true medicine.
In scene iii. Mephistopheles says:—
In scene iii. Mephistopheles says:—
"The wizard's foot, that is on your doorstep."
The wizard’s foot or pentagram, was supposed to possess an especial potency against evil spirits, and was often chalked on the door-steps to protect the household from their influence. It consisted of a five-rayed star, thus:—
The wizard's foot or pentagram was believed to have a special power against evil spirits and was often drawn on doorsteps to protect the home from their influence. It consisted of a five-pointed star, so:—
The belief in its efficacy doubtless sprang from the circumstance that it resolves itself into three triangles, and thus a triple symbol of the Trinity. Paracelsus ascribes a similar, though a lesser degree of virtue to the hexagram. Another peculiarity of the pentagram is, that it may be drawn complete from one point, without lifting the pen, and therefore belongs to those involuntary hieroglyphics which we sometimes make in moments of abstraction. In scene xiii. where Margaret plucks a star-flower, and pulls off the leaves one after the other, murmuring—
The belief in its effectiveness likely came from the fact that it breaks down into three triangles, making it a triple symbol of the Trinity. Paracelsus gives a similar, but lesser, degree of significance to the hexagram. Another unique aspect of the pentagram is that it can be completed in one motion without lifting the pen, which means it belongs to those involuntary symbols we sometimes draw when we're lost in thought. In scene xiii., where Margaret picks a star-flower and removes the petals one by one, muttering—
we have an illustration of a favourite mode of amorous divination by means of flowers still practised by country maidens.
we have an example of a popular way of love divination using flowers that is still practiced by country girls.
The custom is of great antiquity and is mentioned[289] by Theocritus. The single daisy is a favourite flower for the purpose.
The custom is very ancient and is mentioned[289] by Theocritus. The single daisy is a popular flower for this purpose.
The following allusion to the red mouse refers to an ancient superstition concerning one of the many forms of diabolical possession. The “evil one” was supposed to enter the body in the form of a red mouse.
The following reference to the red mouse relates to an old superstition about one of the many types of demonic possession. The "evil one" was believed to enter the body in the shape of a red mouse.
Wherefore forsakest thou the lovely maiden,
Wherefore do you abandon the beautiful maiden,
That in the dance so sweetly sang?
That in the dance sang so sweetly?
Ah! in the midst of it there sprang
Ah! in the midst of it there sprang
A red mouse from her mouth—sufficient reason.”
A red mouse from her mouth—enough reason.”
In the second part of the work we are introduced to an astrologer who, prompted by Mephistopheles, delivers himself as follows:—
In the second part of the work, we meet an astrologer who, encouraged by Mephistopheles, presents himself as follows:—
From morning to night, I gaze at you with love; Chaste Luna has her own desires, each one different; Mars may pose a threat to you, even if he doesn't attack,
And Jupiter is still the magnificent star.
Saturn is amazing, even though it looks small and distant; As metal, we don't really honor him much, Of little value, though heavy in weight.
Now, when the unions of Sol and Luna had,—
Silver with gold makes the world happy. Everything else with them is easy to achieve,—
Palaces, gardens, and rosy cheeks; And so this highly educated man obtains, "Who can do what none of us ever can."
The astrologer here alludes to the seven[290] principal metals, to which the early alchemists attached the names of seven planets. The Sun was gold, the Moon silver, Mercury quicksilver, Venus copper, Mars iron, Jupiter tin, and Saturn lead.
The astrologer refers to the seven[290] main metals that early alchemists associated with seven planets. The Sun was gold, the Moon was silver, Mercury was quicksilver, Venus was copper, Mars was iron, Jupiter was tin, and Saturn was lead.
In the same act, reference is made to an old tradition that is still believed in some parts of Germany.
In the same act, there's a mention of an old tradition that is still believed in some areas of Germany.
Is the ancient juice of divine strength. Yet trust in him whose knowledge is gained, The wood of the staves has been rotten for a long time,
"A cask of tartar contains the wine.”
It is a general belief in the wine districts, that when a cask of wine has been kept for centuries, the crust of argol or crude cream of tartar which is gradually deposited, may acquire such a consistency as to hold the liquid when the staves have rotted away. The wine thus becomes its own cask, and preserves itself in a thick oily state. It is then said to possess wonderful medicinal virtues.
It is commonly believed in wine regions that when a barrel of wine has been aged for centuries, the layer of argol or crude cream of tartar that collects can become so solid that it can hold the liquid inside even after the wood has decayed. The wine then turns into its own container and remains preserved in a thick, oily form. It's said to have amazing medicinal properties.
Later on Mephistopheles is asked by a blonde beauty for a cure for her complexion.
Later on, Mephistopheles is approached by a blonde beauty who asks for a remedy for her complexion.
Sorry, summer, I'm wearing another one!
There are many brown and reddish freckles that appear, And irritate my fair skin with ugly spots.
A solution!
[291]
Spotted, when May arrives, like a young panther!
Take frogspawn and toad tongues, which contribute,
Under the full moon, skillfully distill; And when it decreases, use the mixture: __A_TAG_PLACEHOLDER_0__
Next spring, the spots will no longer be a permanent feature.
It annoys me a lot, whether I'm walking or dancing; I awkwardly manage to say hello.
The foot heals the foot, and each limb can soothe its own pain; Come closer! Pay attention! And please don’t get back at me!”
Frog’s spawn and toad’s tongues formed an old remedy for spots on the skin, and in the “gentle kick” we have a satire on the homœopathic theory of medicine.
Frog spawn and toad tongues were used as an old remedy for skin blemishes, and the "gentle kick" serves as a satire on the homeopathic approach to medicine.
CHAPTER V.
THE WISE.
Le Sage draws a vivid picture of the medical practitioner of his day in his well-known work Gil Blas. Doctor Sangrado, bigoted, obstinate, and dominated by one idea, was doubtless very true to nature, and a type of physician not unfrequently met with even later than the seventeenth century. The character is supposed to have been drawn from that of Doctor Hecquet, Dean of the Faculty of Medicine at Paris, a man extremely thin and spare in body, and who is said never to have drank anything but water.
Le Sage paints a clear picture of the medical practitioners of his time in his famous work Gil Blas. Doctor Sangrado, narrow-minded, stubborn, and fixated on a single idea, was certainly true to life and represents a type of doctor that was still common even after the seventeenth century. This character is believed to be inspired by Doctor Hecquet, the Dean of the Faculty of Medicine in Paris, a man who was extremely thin and frail and was said to have drunk nothing but water.
Le Sage describes his physician as “a tall, meagre, pale man, who had kept the shears of Clotho employed during forty years. He had a very solemn appearance, weighed his discourse, and gave an emphasis to his expressions: his reason was geometrical, and his opinions extremely singular.” All the city looked upon him as another Hippocrates. The licentiate[293] Sedillo, a fat clerical epicurean, having fallen sick with the fever and gout, this great physician was called in, and after examining his patient delivered himself of the following diagnosis: “The business here is to supply the defect of obstructed perspiration; others in my place would doubtless prescribe saline draughts, diuretics, diaphoretics, and such medicines as abound with mercury and sulphur; but cathartics and sudorifics are pernicious drugs invented by quacks, and all the preparations of chemistry are only calculated to do mischief,” said this disciple of Æsculapius.
Le Sage describes his doctor as “a tall, thin, pale man, who had been busy with the shears of Clotho for forty years. He had a very serious look, weighed his words, and emphasized his points: his reasoning was precise, and his opinions were quite unique.” The whole city regarded him as another Hippocrates. The licentiate[293] Sedillo, a plump, indulgent cleric, fell ill with fever and gout, and this esteemed physician was summoned. After examining his patient, he delivered the following diagnosis: “The issue here is to address the lack of proper sweating; others might prescribe salty drinks, diuretics, sweat-inducing meds, and so many treatments full of mercury and sulfur; but laxatives and sweat-inducing drugs are harmful concoctions from quacks, and all the chemistry-based remedies are just meant to cause harm,” said this follower of Æsculapius.
“You must renounce all palatable food; and do you drink wine?”
“You have to give up all tasty food; and do you drink wine?”
“Yes,” said the poor canon; “wine and water.”
“Yes,” said the poor canon; “wine and water.”
“Oh! watered as much as you please,” replied the physician: “what an irregularity is here! what a frightful regimen! You ought to have been dead long ago. If you had drunk nothing but pure water all your life, and had been satisfied with simple nourishment, such as, for example, boiled apples, peas, and beans, you would not now be tormented with gout, and all your limbs would perform their functions with ease.”
“Oh! Drink as much as you want,” replied the doctor. “What an irregularity this is! What a terrible routine! You should have been dead a long time ago. If you had only ever drunk pure water and stuck to simple foods like boiled apples, peas, and beans, you wouldn’t be suffering from gout now, and your body would be functioning just fine.”
The poor canon promised to obey in all these[294] things, but the doctor hadn’t finished yet, for he sent for a surgeon, and ordered him to let “six good porringers of blood as the first effort” to supply the want of perspiration.
The poor canon promised to follow all these[294] instructions, but the doctor wasn’t done yet. He called for a surgeon and instructed him to draw "six good bowls of blood as the first step" to replace the lack of sweating.
“And return in three hours, and take as much more, and repeat the same to-morrow,” said this veritable leech to the surgeon, “for a patient cannot be bled too much.”
“And come back in three hours, take even more, and do the same tomorrow,” said this true leech to the surgeon, “because a patient can never be bled too much.”
Besides this, the unfortunate patient was dosed incessantly with warm water, two or three pints in as many draughts, “for,” said the physician, “water is the true specific in all distempers what-ever”.
Besides this, the unfortunate patient was constantly given warm water, two or three pints in several gulps, “because,” said the doctor, “water is the real cure for all ailments, no matter what.”
Little wonder that in less than two days, Gil Blas tells us, the old canon was reduced to the last extremity, and soon after breathed his last, much to the regret of the physician, who declared it was because he had not lost blood enough, nor drank a sufficient quantity of water.
Little wonder that in less than two days, Gil Blas tells us, the old canon was at his limit, and soon after he passed away, much to the disappointment of the doctor, who claimed it was because he hadn't lost enough blood or drunk enough water.
The mercurial Gil Blas shortly after took service with this learned medico, and kept his books, which he declares might have been with great justice styled a register of the dead; for almost all the people whose names it contained died soon afterwards.
The unpredictable Gil Blas soon after started working for this knowledgeable doctor and managed his records, which he claims could rightly be called a death register; because nearly everyone whose names were listed ended up dying shortly after.
But after being about a week with the physician, Gil Blas was seized with a cramp which he attributed to the quantity of the[295] “universal dissolvent” he was compelled to imbibe, and had to consult his master.
But after spending about a week with the physician, Gil Blas was hit with a cramp that he blamed on the amount of the[295] “universal dissolvent” he was forced to drink, and he had to consult his master.
“Why, truly, Gil Blas, I am not at all surprised that thou dost not enjoy good health,” said the hydropathist. “Thou dost not drink enough, my friend. Water taken in small quantities serves only to disentangle the particles of the bile, and give them more activity, whereas they should be drowned in a copious dilution. I will warrant the consequence, and if thou wilt not take my word, Celsus himself shall be thy security.”
“Honestly, Gil Blas, I'm not surprised at all that you're not in good health,” said the hydropathist. “You’re not drinking enough, my friend. Drinking little bits of water just stirs up the bile particles and makes them more active, while they should be completely diluted. I can guarantee the outcome, and if you don’t believe me, Celsus himself will back me up.”
It need hardly be wondered at that Gil Blas soon came to believe that he also had a natural talent for the medical profession, which was so easy to acquire and lucrative to practise, and was rapidly promoted as assistant to his master.
It’s not surprising that Gil Blas quickly started to think he also had a knack for the medical field, since it seemed so easy to learn and profitable to work in, and he was quickly promoted to assistant to his mentor.
“Listen, my child,” said the doctor one day, “I will immediately disclose to thee the whole extent of that salutary art which I have professed so many years. Know, my friend, all that is required is to bleed thy patients and make them drink warm water. This is the secret of curing all the distempers incident to man. I have nothing more to impart; thou knowest physic to the very bottom.”
“Listen, my child,” said the doctor one day, “I will immediately share with you the full extent of the healing art that I have practiced for so many years. Know, my friend, all that is needed is to bleed your patients and make them drink warm water. This is the secret to curing all the ailments that affect humanity. I have nothing more to teach you; you understand medicine completely.”
Thus the ci-devant valet soon robed himself in a physician’s gown and long perruque, then[296] went forth to practise, but resolved to drink wine every day, of which he said he drank huge draughts, and (no disparagement to the Roman oracle) “the more I filled my stomach, the less did that organ complain of the injury it received”. So he bled and watered the community. But the time soon came when this young practitioner met with a reverse. When called in to consultation with a Spanish doctor of another school, a dispute arose on the subject of the water-cure, which ended in a pitched battle being fought between the rival medicos over the unfortunate patient, and they were not separated until each had lost a handful of hair. This ended in the discharge of Gil Blas, who immediately took the opportunity of imbibing a considerable quantity of wine at the first tavern he came across, and returned to his patron in a condition of considerable elevation.
So the former servant quickly dressed himself in a doctor’s robe and a long wig, then[296] went out to practice medicine, but he made a point to drink wine every day, claiming he drank large amounts of it, and (not to undermine the Roman oracle) “the more I filled my stomach, the less that organ complained about the damage it suffered.” So he bled and diluted the community. But soon enough, this young doctor faced a setback. When called for a consultation with a Spanish doctor from a different school, they argued about the water cure, which escalated into a full-blown fight between the two rival doctors over the unfortunate patient, and they weren’t separated until both had lost a handful of hair. This resulted in Gil Blas being fired, who immediately took the chance to drink a significant amount of wine at the first bar he found, and returned to his boss quite intoxicated.
The wine having made him thirsty, he consumed a large quantity of water while telling his story.
The wine made him thirsty, so he drank a lot of water while sharing his story.
“I see, Gil Blas, thou hast no longer an aversion to water,” said the physician. “Heaven be praised! thou drinkest it now like nectar! a change that does not at all surprise me, my friend.”
“I see, Gil Blas, you no longer have a dislike for water,” said the physician. “Thank heaven! You drink it now like it's nectar! A change that doesn’t surprise me at all, my friend.”
“Sir,” replied Gil Blas, “there’s a time for[297] all things; I would not at present give a pint of water for a hogshead of wine.”
“Sir,” replied Gil Blas, “there’s a time for[297] everything; right now, I wouldn’t trade a pint of water for a whole barrel of wine.”
That Le Sage had a very poor opinion of the professors of the art of medicine in his time may be gathered from the following conversation which Gil Blas holds with his employer: “Scarcely a day passed in which we did not visit eight or ten patients each, from whence it may be easily conceived what a quantity of blood was spilt and water drank. But I do not know how it happened, all our sick died. We very seldom had occasion to make three visits to one patient; at the second we were either told that he had just been buried, or we found them at the last gasp; and as I was but a young physician who had not yet had time to be inured to murder, I began to be very uneasy at the fatal events which might be laid to my charge.” And so he at last gave it up, after being threatened with his life by a gallant, whose wife had succumbed to his drastic treatment.
That Le Sage had a very low opinion of the medical professors of his time can be seen in the conversation between Gil Blas and his boss: “Almost every day, we visited eight or ten patients each, so it’s clear how much blood was spilled and water was consumed. But I don’t know how it happened; all our patients died. We hardly ever had to make three visits to one patient; by the second visit, we were either told that they had just been buried, or we found them barely hanging on. Since I was just a young doctor, still unaccustomed to death, I started to feel very anxious about the tragic outcomes that could be blamed on me.” Eventually, he quit after a man threatened his life because his wife had died from his harsh treatment.
Towards the close of the story Gil Blas has an interview with his former master, who describes to his old pupil the change that had taken place in the practice of medicine in a few years, which forms an interesting account of the transition through which the medical art was passing towards the end of the seventeenth century.
Towards the end of the story, Gil Blas has a meeting with his former master, who tells his old student about the changes that have happened in the practice of medicine over the years. This gives an intriguing insight into the transition the medical field was going through near the end of the seventeenth century.
“Ah, my son,” says the worthy doctor, “what a change has happened in physic within these few years. There are in this city, physicians, or such as call themselves so, who are yoked to the triumphal car of antimony—currus triumphalis antimonii. Truants from the school of Paracelsus, adorers of kermes, accidental curers who make the whole science of medicine consist in knowing how to prepare chymical drugs. What shall I tell you! Everything is turned topsy-turvey in their method. Bleeding at the foot, for example, hitherto so seldom practised, is now almost the only bleeding in use. Those purgatives which were formerly gentle and benign are now changed for emetics and kermes.
“Ah, my son,” says the esteemed doctor, “what a change has happened in medicine within these few years. In this city, there are physicians, or those who call themselves that, who are tied to the triumphal chariot of antimony—currus triumphalis antimonii. They're skipping the teachings of Paracelsus, worshipping kermes, and are random healers who believe that the whole practice of medicine is just about knowing how to prepare chemical drugs. What can I say! Everything is upside-down in their approach. Bleeding at the foot, for example, which was rarely done before, is now almost the only type of bleeding used. Those laxatives that used to be gentle and mild are now replaced by emetics and kermes.
“I published a book against this brigandage of medicine, but it was no use. The surgeons, mad with ambition of acting as physicians, think themselves sufficiently qualified when there is nothing to be done but to give kermes and emetics, to which they add bleeding at the foot, according to their own fancy. They even proceed so far as to mix kermes in apozems and cordial potions; and so they are on a par with your celebrated prescribers. This contagion has spread also among the cloisters. There are some monks who act both as apothecaries and surgeons. These apes of medicine apply themselves[299] to chemistry, and compose pernicious drugs, with which they abridge the lives of the reverend fathers.”
“I published a book against this medical nonsense, but it didn’t help. The surgeons, driven by their ambition to be seen as doctors, believe they’re qualified enough when all they do is prescribe kermes and emetics, adding bloodletting as they see fit. They even go as far as to mix kermes in herbal teas and tonic drinks; so they’re just as bad as your well-known prescribers. This problem has spread to the monasteries too. There are some monks who act as both pharmacists and surgeons. These wannabe doctors dabble in chemistry and create harmful drugs, which shorten the lives of the respected fathers.”
The doctor describes the dawn of pharmacy in France and Spain, which was first practised by the surgeons who became surgeon-apothecaries. The use of emetics in medical treatment came largely into vogue in 1658. It is said that the life of Louis XIV. was saved by an emetic administered by Dusausoi, in opposition to the opinion of Vallot, the chief physician to the king.
The doctor talks about the beginnings of pharmacy in France and Spain, which were initially practiced by surgeons who became surgeon-apothecaries. The use of emetics in medical treatment became popular around 1658. It's said that Louis XIV.'s life was saved by an emetic administered by Dusausoi, despite the disagreement of Vallot, the king's chief physician.
CHAPTER VI.
Ben Jonson.
Ben Jonson gives a description of the itinerant doctor in Queen Elizabeth’s time, who travelled the country, usually accompanied by a jester or zany, as he was called, who carried the box or chest containing his remedies. We see the professor with his copper rings, shining chain, better than gold but not quite so valuable, his yellow jewel, his dirty feather-embroidered suit, grave look, and starched beard.[45] Hush! he begins:—
Ben Jonson describes the traveling doctor from Queen Elizabeth’s era, who roamed the countryside usually accompanied by a jester or clown, as he was known, who carried the box or chest with his medicines. We see the doctor with his copper rings, shiny chain, more impressive than gold but of lesser value, his yellow gem, his dirty feather-embroidered outfit, serious expression, and stiff beard.[45] Hush! he begins:—
“Most noble gentlemen and my worthy patrons!—I have nothing to sell, little or nothing to sell, though I protest, I and my six servants are not able to make of my precious balsam so fast as it is fetched away from my lodging by the worthy men of the town. O health! health! the blessing of the rich, the riches of the poor, who can buy thee at too dear a rate? And since there is no enjoying the world without thee, for when a humid flux or[301] catarrh, by the mutability of air, falls from your head into an arm or shoulder, take you a rose noble or an angel of gold and apply to the place affected; see what good effect it can work. No, no; to this blessed unguent, this rare extraction, that hath only power to dispose all malignant humours that proceed either of hot, cold, moist, or windy causes; to fortify the most indigest and crude stomach—aye, were it one that through extreme weakness vomited blood, applying only a warm napkin to the place after the unction and fricace; for the vertigoe in the head, putting out a drop into your nostrils, likewise behind the ears, a most sovereign and approved remedy; the mal caduco, cramps, convulsions, paralysies, epilepsies, tremor cordia, retind nerves, ill vapours of the spleen, and stoppings of the liver, or stops a dysentery, immediately cureth poison of the small guts, and cures melancholia, being taken and applied according to my printed recipe (shows his bill and vial, and the zany sings a song). It will cost you eight crowns, and has cured all the kings in Christendom. Many have attempted to make this oil, wasting thousands of crowns in the ingredients (for there go to it sixty several simples, besides some quantity of human fat for conglutination, which we buy of the anatomists); but when[302] these practitioners come to the last decoction, blow, blow! puff, puff! it flies in fumes, poor wretches.
“Most noble gentlemen and my esteemed patrons!—I have nothing to sell, very little to sell, although I assure you, my six servants and I can’t produce my precious balm fast enough to keep up with what the good people of this town take from my place. Oh health! Health! The blessing of the rich, the treasure of the poor—who could pay too much for you? And since one cannot fully enjoy life without you, when a cold or a flu, due to changing weather, hits you and you feel it moving from your head to your arm or shoulder, take a rose noble or a gold angel and apply it to the affected area; see what good it can do. No, no; this miraculous balm, this rare extraction has the unique ability to treat all harmful humors that arise from hot, cold, moist, or windy conditions; it can strengthen the most troubled and upset stomach—yes, even one that, from extreme weakness, is vomiting blood—just by using a warm cloth on the area after applying the balm and giving it a gentle rub; for dizziness in the head, putting a drop in your nostrils and behind your ears is a highly effective and proven remedy; it treats the mal caduco, cramps, convulsions, paralysis, seizures, heart tremors, tense nerves, bad vapors from the spleen, and liver blockages, or it stops diarrhea, quickly cures poisoning of the intestines, and alleviates melancholy, when taken and applied according to my printed recipe (shows his bill and vial, and the performer sings a song). It will cost you eight crowns, and it has cured all the kings in Christendom. Many have tried to create this oil, spending thousands of crowns on the ingredients (it requires sixty different herbs, plus some human fat for thickening, which we acquire from the anatomists); but when these practitioners reach the final process, blow, blow! puff, puff! it evaporates in smoke, poor souls."
“Gentlemen, honourable gentlemen, I will undertake by virtue of chemical art, out of the honourable hat that covers your head, to extract the four elements—that is to say, the fire, air, water, and earth, and return you your felt without burn or stain. You all know, honourable gentlemen, I never valued this ampulla or vial at less than eight crowns, but for this time I am content to be deprived of it for six; six crowns, then, is the price in courtesy. I know you cannot offer me less; take it or leave it, howsoever, both it and I are at your service (zany sings another song).
"Gentlemen, esteemed gentlemen, I will use the power of chemistry to pull the four elements—fire, air, water, and earth—from the honorable hat on your heads, and give you back your felt without any burns or stains. You all know, esteemed gentlemen, I’ve never valued this flask at less than eight crowns, but this time I’m willing to let it go for six; so six crowns is the courteous price. I know you can't offer me less; take it or leave it, either way, both the flask and I are at your service (the zany sings another song)."
“Well, I am in a humour at this time to make a present of the small quantity my coffer contains to the rich in courtesy, and to the poor for God’s sake; wherefore now mark, I asked you six crowns, and six crowns at other times you have paid me: you shall not give me six crowns, nor five, nor four, nor three, nor two, nor one, nor half a one, nor a shilling; sixpence it will cost you or £60. Expect no lower price, for I will not bate a jot; and this I take away as a pledge of your love, to carry something from amongst you to show I am not condemned.”
“Well, I'm in the mood right now to give away the little bit of money I have in my coffer to the wealthy as a gesture of goodwill, and to the poor for the sake of God; so listen closely, I asked you for six crowns, and six crowns is what you’ve paid me before: you won’t be giving me six crowns, or five, or four, or three, or two, or one, or even half of one, or a shilling; it's either sixpence or £60. Don’t expect a lower price, because I won’t budge on it; and I'm taking this as a token of your affection, to bring something back from among you to show that I'm not forsaken.”
CHAPTER VII.
Sir Walter Scott.
That picturesque period when the astrologer formed part of the entourage of almost every European court, and was petted by emperors and kings, is graphically described by Sir Walter Scott in Quentin Durward in the following words:—
That charming time when astrologers were a common presence in nearly every European court, admired by emperors and kings, is vividly captured by Sir Walter Scott in Quentin Durward in the following words:—
“Louis XI. of France had retired to the castle of Plessis, where he received an ambassador from the Duke of Burgundy, with whom his relations were somewhat strained. Attached to the court of the king, we are told, and lodged in magnificent apartments, was the celebrated astrologer, poet, and philosopher, Galeotti Martius, author of the famous treatise De Vulgo Incognitis. He had long flourished at the court of the King of Hungary, from whom, it is said, he was in some measure decoyed by Louis, who grudged the Hungarian monarch the counsels of a sage accounted so skilful in reading the decrees of Heaven. Martius was none of those ascetic, withered, pale professors of mystic learning of[304] those days, who bleared their eyes over the midnight furnace, and macerated their bodies by outmatching the polar bear. He was trained in arms, and renowned as a wrestler. His apartment was splendidly furnished, and on a large oaken table lay a variety of mathematical and astrological instruments, all of the most rich materials and curious workmanship. His astrolabe of silver was the gift of the Emperor of Germany, and his Jacob’s staff of ebony, jointed with gold, was a mark of esteem from the reigning Pope. In person the astrologer was a tall, bulky, yet stately man. His features, though rather overgrown, were dignified and noble, and a Santon might have envied the dark and downward sweep of his long descending beard. His dress was a chamber robe of the richest Genoa velvet, with ample sleeves clasped with frogs of gold, and lined with sables. It was fastened round his middle by a broad belt of virgin parchment, round which were represented in crimson characters the signs of the zodiac.
“Louis XI. of France had retreated to the castle of Plessis, where he received an ambassador from the Duke of Burgundy, with whom he had a somewhat tense relationship. At the king's court, we learn, and residing in lavish rooms, was the famous astrologer, poet, and philosopher, Galeotti Martius, author of the well-known treatise De Vulgo Incognitis. He had long thrived at the court of the King of Hungary, from whom, it's said, he was somewhat lured away by Louis, who didn't want the Hungarian king to benefit from the advice of a sage known for his skill in interpreting celestial signs. Martius was not one of those ascetic, frail, pale scholars of mystic knowledge from those days, who squinted their eyes over the midnight fire and tortured their bodies in extreme ways. He was trained in combat and well-known as a wrestler. His quarters were lavishly decorated, and on a large oak table lay various mathematical and astrological tools, all made of the finest materials and with intricate craftsmanship. His silver astrolabe was a gift from the Emperor of Germany, and his ebony Jacob’s staff, inlaid with gold, was a sign of respect from the reigning Pope. Physically, the astrologer was a tall, solid, yet impressive man. His features, though somewhat bushy, were dignified and noble, and even a Santon might have envied the dark, flowing sweep of his long beard. He wore a richly made robe of Genoa velvet, with wide sleeves fastened with gold frogs, and lined with sable fur. It was cinched at the waist by a broad belt of fine parchment, adorned with crimson characters depicting the signs of the zodiac.
“Such was the astrologer of Louis XI., who was consulted in matters of state policy and intrigue, and exercised a considerable influence over that weak monarch.
“Such was the astrologer of Louis XI., who was sought for advice on state policy and intrigue, and had a significant impact on that indecisive king.
“The costly nature of such a courtier is well illustrated in an interview which the king has[305] with his astrologer, and leaves on his table a purse of gold as a reward for some special service. But the contents did not by any means satisfy the man of science.
“The expensive nature of such a courtier is clearly shown in an interview the king has[305] with his astrologer, where he leaves a purse of gold on his table as a reward for a special service. However, the contents did not satisfy the man of science at all.”
“He emptied the purse, which contained neither more nor less than ten gold pieces.
“He emptied the purse, which held exactly ten gold coins.”
“The indignation of the astrologer was extreme.
“The astrologer was really upset.
“‘Thinks he that for such paltry rate of hire I will practice that celestial science which I have studied with the Armenian Abbot of Istrahoff, who had not seen the sun for forty years; with the Greek Dubravius, who is said to have raised the dead; and have even visited the Scheik Ebn Hali in his cave in the desert of Thebais? No, by Heaven! He that contemns art shall perish through his ignorance. Ten pieces!—a pittance which I am half-ashamed to offer to Toinette to buy her new breast laces.’”[306]
“Does he think that for such a measly payment I’m going to use the heavenly knowledge I’ve gained from the Armenian Abbot of Istrahoff, who hadn’t seen the sun for forty years; from the Greek Dubravius, who’s said to have brought the dead back to life; and even visited Scheik Ebn Hali in his cave in the desert of Thebais? No, for heaven’s sake! He who disrespects art will suffer because of his ignorance. Ten coins!—that's an amount I’m almost embarrassed to offer Toinette to buy her new lace for her dress.”[306]
CHAPTER VIII.
Dumas.
Pharmacy, pure and simple, occupies but a small space in literature, although the disciples of the sister arts of medicine and alchemy have often formed interesting studies for many great writers of fiction.
Pharmacy, plain and clear, takes up only a small part of literature, even though the followers of the related fields of medicine and alchemy have often provided intriguing subjects for many renowned fiction writers.
Unfortunately the scientific knowledge of the average novelist is, as a rule, extremely limited, and the effects they attribute to certain drugs are usually as fabulous as those believed in the dark ages. They tell us of mysterious poisons of untold power, an infinitesimal quantity of which will cause instantaneous death without leaving a trace behind. They also describe anæsthetics so powerful that a whiff from a bottle or the wave of a handkerchief will at once produce insensibility for any period desired. In fact the writer of romance has a pharmacopœia of his own.
Unfortunately, the scientific knowledge of the average novelist is usually quite limited, and the effects they ascribe to certain drugs are often as fantastical as those believed in the dark ages. They talk about mysterious poisons of unimaginable power, where an infinitesimal amount can lead to instant death without leaving any trace. They also describe anesthetics that are so potent that just a whiff from a bottle or a wave of a handkerchief can immediately cause insensibility for as long as desired. In fact, the romance writer has their own pharmacopœia.
But why should we cavil at it or try to analyse it in the prosaic test-tube of modern science.
But why should we nitpick it or try to analyze it using the straightforward methods of modern science?
Exclude the marvellous and mysterious, and you kill romance. It performs its mission if it succeeds in interesting and amusing us, so we should be lenient if it errs in mere matters of science.
Exclude the amazing and mysterious, and you kill romance. It fulfills its purpose if it manages to interest and entertain us, so we should be forgiving if it slips up on scientific details.
The art of the romancer reaches its height when it succeeds in mixing the possible with the impossible so that we can scarce perceive it.
The art of the romancer is at its best when it blends the possible with the impossible so seamlessly that it's hard for us to notice.
There are few characters in the realm of romantic fiction more fascinating than the Count Monte Christo. As a work of imaginative power and absorbing interest, this masterpiece of Dumas stands unique. Nothing is impossible to this extraordinary individual, and incident after incident of the most dramatic and exciting nature crowd one upon another.
There are few characters in the world of romantic fiction more captivating than Count Monte Cristo. As a work of imagination and gripping interest, this masterpiece by Dumas is one of a kind. Nothing is beyond the reach of this remarkable individual, and thrilling event after thrilling event unfolds in rapid succession.
The count, who is supposed to have studied the art of medicine in the East, has always a remedy ready for every ill; from his hashis, in which he is a profound believer, to his mysterious stimulating elixir, a liquid, we are told, of the colour of blood, which he always kept in a phial composed of Bohemian glass.
The count, who is said to have studied medicine in the East, always has a remedy for every problem; from his hashish, which he strongly believes in, to his mysterious stimulating elixir, a liquid that is said to be the color of blood, which he always kept in a vial made of Bohemian glass.
A single drop of this vital fluid, if allowed to fall on the lips, almost before it reaches them, restores the marble and inanimate form to life. His pill-boxes were composed of emeralds and precious stones of huge size, and their[308] contents were composed of drugs whose effect was almost beyond comprehension.
A single drop of this essential fluid, if allowed to fall on the lips, almost before it reaches them, brings the lifeless marble form back to life. His pillboxes were made of large emeralds and precious stones, and their[308] contents contained drugs whose effects were nearly beyond understanding.
In the Memoirs of a Physician, Dumas describes an alchemist of the last century, a time when the seekers after the philosopher’s stone and the elixir vitæ had almost died out. Joseph Balsamo, the hero of the story, drawn from the life of the notorious Cagliostro, is a necromancer of the modern kind, who works his marvels by what is now known as hypnotism or mesmerism, a condition little understood in those days. Althotas, an alchemist of renown, lives with Balsamo, and aids him in his researches.
In the Memoirs of a Physician, Dumas describes an alchemist from the last century, a time when the quest for the philosopher’s stone and the elixir vitæ had nearly faded away. Joseph Balsamo, the main character in the story, inspired by the infamous Cagliostro, is a modern-day necromancer who performs his wonders using what we now call hypnotism or mesmerism, a concept that was not well understood back then. Althotas, a well-known alchemist, lives with Balsamo and helps him with his experiments.
He is described as “an old man of over a hundred years, with grey eyes, hooked nose, and trembling bony hands, and he sits half-buried in his chair. Clad in a long silk robe, now nothing but a shapeless, colourless ragged covering, he grumbled as he drew over his ears his cap of velvet, from under which a few locks of silver hair peeped out.
He is described as “an old man of over a hundred years, with gray eyes, a hooked nose, and trembling bony hands, sitting half-buried in his chair. Wearing a long silk robe, now just a shapeless, colorless ragged covering, he grumbled as he pulled his velvet cap over his ears, from which a few strands of silver hair peeked out.
“The dwelling of the alchemist,” says the novelist, “might be about eight or nine feet high and sixteen in diameter; it was lighted from the top like a well, and hermetically closed on the four sides.”
“The alchemist’s place,” the novelist says, “could be about eight or nine feet high and sixteen feet across; it was lit from above like a well and sealed tightly on all four sides.”
“Besides the phials, boxes, books, and papers strewed around, copper pincers were seen, and[309] pieces of charcoal which had been dipped in various liquids; there was also a large vase half full of water, and from the roof, hung by threads, were bundles of herbs, some apparently gathered the night before, others a hundred years ago. A keen odour prevailed in this laboratory, which in one less strange would have been called a perfume.
“Alongside the vials, boxes, books, and papers scattered around, there were copper tongs and[309] pieces of charcoal that had been soaked in different liquids; there was also a large vase half full of water, and from the ceiling, suspended by threads, were bunches of herbs, some seemingly picked the night before, others a hundred years ago. A sharp scent filled this laboratory, which in a less unusual place would have been called a perfume.”
“The old man was seated in his armchair on wheels, in the centre of a marble table formed like a horseshoe, and heaped up with a whole world, or rather whole chaos, of plants, phials, tools, books, instruments, and papers covered with cabalistic characters.
“The old man was sitting in his wheeled armchair, at the center of a marble table shaped like a horseshoe, piled high with a chaotic mix of plants, bottles, tools, books, instruments, and papers filled with mysterious symbols.”
“He was so absorbed that he never raised his head when Balsamo appeared.
“He was so focused that he didn’t look up when Balsamo showed up.
“The light of an astral lamp, suspended from the culminating point of the window in the roof, fell on his bald, shining head.
“The light from an astral lamp, hanging from the highest point of the roof window, shone on his bald, shiny head.”
“He was turning to and fro in his fingers a small white bottle, the transparency of which he was trying before his eye, as a good housekeeper tries the eggs which she buys at market.
“He was twisting a small white bottle in his fingers, testing its transparency against his eye, just like a good housekeeper checks the eggs she buys at the market."
“Balsamo gazed on him at first in silence; then, after a moment’s pause:—
“Balsamo looked at him in silence at first; then, after a moment’s pause:—
“‘Well,’ said he, ‘have you any news?’
“‘Well,’ he said, ‘do you have any news?’”
“‘Yes, yes; come hither, Acharat, you see[310] me enchanted—transported with joy! I have found—I have found——’
“‘Yes, yes; come here, Acharat, you see[310] me spellbound—overwhelmed with joy! I have found—I have found—’
“‘What?’
"What?"
“‘Pardieu! what I sought.’
“‘Wow! what I was looking for.’”
“‘Gold?’
"‘Gold?’"
“‘Gold, indeed! I am surprised at you!’
“‘Gold, really! I’m surprised by you!’”
“‘The diamond?’
“The diamond?”
“‘Gold? diamonds? The man raves! A fine discovery, forsooth, to be rejoiced at!’
“‘Gold? Diamonds? This guy is crazy! What a great find, for sure, to celebrate!’”
“‘Then what you have found is your elixir?’
“‘So what you’ve found is your elixir?’”
“‘Yes, my son, yes!—the elixir of life! Life?—what do I say?—the eternity of life!’
“‘Yes, my son, yes!—the elixir of life! Life?—what am I saying?—the eternity of life!’”
“‘Oh!’ said Balsamo in a dejected voice (for he looked on this pursuit as mere insanity), ‘so it is that dream which occupies you still?’
“‘Oh!’ said Balsamo in a downcast voice (for he viewed this pursuit as sheer madness), ‘so it is that dream that still occupies you?’”
“But Althotas, without listening, continued to gaze delightedly at his phial.
“But Althotas, ignoring everything, kept admiring his vial with pleasure.”
“‘At last,’ said he, ‘the combination is complete: the elixir of Aristæus, twenty grains; balm of mercury, fifteen grains; precipitate of gold, fifteen grains; essence of the cedar of Lebanon, twenty-five grains.’
“‘Finally,’ he said, ‘the combination is complete: the elixir of Aristæus, twenty grains; balm of mercury, fifteen grains; precipitate of gold, fifteen grains; essence of the cedar of Lebanon, twenty-five grains.’”
“‘But it seems to me that, with the exception of the elixir of Aristæus, this is precisely your last combination, master?’
“‘But it seems to me that, apart from the elixir of Aristæus, this is exactly your final combination, master?’”
“‘Yes, but I had not then discovered one more ingredient, without which all the rest are as nothing.’
“‘Yes, but I hadn’t discovered one more ingredient yet, without which everything else is meaningless.’”
“‘And have you discovered it now?’
“‘So, have you figured it out yet?’”
“‘Yes.’
"Sure."
“‘Can you procure it?’
“Can you get it?”
“‘I should think so!’
"I bet!"
“‘What is it?’
"What is it?"
“‘We must add to the several ingredients already combined in this phial, the three last drops of the life-blood of an infant.’
“‘We need to add to the various ingredients already mixed in this vial, the last three drops of an infant's life-blood.’”
“‘Well, but where will you procure this infant?’ said Balsamo horror-struck.
“‘Well, but where will you get this baby?’ said Balsamo, horrified.”
“‘I trust to you for that.’
"I’m counting on you for that."
“‘To me? You are mad, master!’
“‘What? You’re insane, boss!’”
“‘Mad? And why?’ asked the old man, perfectly unmoved at this charge, and licking with the utmost delight a drop of the fluid which had escaped from the cork of the phial and was trickling down the side.
“‘Mad? And why?’ asked the old man, completely unfazed by this accusation, and savoring with great pleasure a drop of the liquid that had leaked from the cork of the bottle and was running down the side.
“‘Why, for that purpose you must kill the child.’
“‘Well, for that, you have to kill the child.’”
“‘Of course we must kill him; and the handsomer he is the better.’”
“‘Of course we have to kill him; and the more attractive he is, the better.’”
But in the end the old man falls a victim to his own infatuation, and at length dies incontinently without discovering the long-looked-for arcana.
But in the end, the old man becomes a victim of his own obsession and ultimately dies abruptly without discovering the long-sought secrets.
CHAPTER IX.
READ.
An excellent picture of a physician of the fifteenth century is drawn by that master in the art of fiction, Charles Reade, in his work The Cloister and the Hearth, a story of much historic interest and beauty.
An excellent depiction of a doctor from the fifteenth century is created by the master of fiction, Charles Reade, in his work The Cloister and the Hearth, a story of great historical interest and beauty.
The hero, Gerard, wounded in an encounter with a bear, lies sick at Düsseldorf, and is visited by a physician.
The hero, Gerard, injured in an encounter with a bear, is lying sick in Düsseldorf and is visited by a doctor.
“It was an imposing figure that entered the sick room; an old gentleman in a long sober gown trimmed with rich fur, cherry-coloured hose, and pointed shoes, with a sword by his side in a morocco scabbard, a ruff round his neck, not only starched severely, but treacherously stiffened in furrows by rebatoes, or a little hidden framework of wood; and on his head a four-cornered cap with a fur border; on his chin and bosom, a majestic white beard. This was the full dress of a physician. A boy followed at his heels with a basket, where phials, lint, and[313] surgical tools rather courted than shunned observation.”
“It was an impressive sight when the old gentleman walked into the sick room. He wore a long, serious gown trimmed with luxurious fur, cherry-colored stockings, and pointed shoes, with a sword hanging by his side in a leather scabbard. A ruff tightly encircled his neck, not only starched to perfection but also stiffened in ridges by hidden wooden supports. He topped his outfit with a four-cornered cap lined with fur, and a majestic white beard graced his chin and chest. This was the traditional attire of a physician. A boy trailed behind him, carrying a basket filled with bottles, bandages, and surgical tools that seemed more eager for attention than to be ignored.”
The old doctor, on learning that his patient suffered from a wound, exclaimed, “This must be cauterised forthwith,” and immediately called for his urchin to heat his iron. Gerard, who didn’t like the look of things, informed the leech the wound was caused by the bear’s paw, and not his jaw.
The old doctor, upon finding out that his patient had a wound, exclaimed, “This needs to be cauterized right away,” and immediately called for his assistant to heat up the iron. Gerard, who wasn’t comfortable with the situation, told the doctor that the wound was caused by the bear’s paw, not his jaw.
“And why did’st not tell me that at once?”
“And why didn't you tell me that right away?”
“Because you kept telling me instead.”
“Because you kept telling me instead.”
“Never conceal aught from your leech, young man,” continued the senior, who was a good talker, but one of the worst listeners in Europe. “Well, it is an ill business. All the horny excrescences of animals—to wit, claws of tigers, panthers, badgers, cats, bears, and the like, and horn of deer, and nails of humans, especially children, are imbued with direst poison. I had better have been bitten by a cur, whatever you may say, than gored by a bull or stag, or scratched by bear. However, shalt have a good biting cataplasm for thy leg; meantime keep we the body cool: put out thy tongue!—good!—fever. Let me feel thy pulse: good!—fever! I ordain flebotomy, and on the instant. Hans, go fetch the things needful, and I will entertain the patient meantime with reasons.”
“Never hide anything from your doctor, young man,” the older man continued, who was a great talker but one of the worst listeners around. “Well, this is a bad situation. All the sharp bits from animals—like the claws of tigers, panthers, badgers, cats, bears, and so on, as well as deer horns and human nails, especially from children—are filled with the worst kinds of poison. I’d rather be bitten by a mutt, no matter what you say, than be gored by a bull or stag, or scratched by a bear. However, you’ll get a nice poultice for your leg; in the meantime, let's keep your body cool: stick out your tongue!—good!—you have a fever. Let me feel your pulse: good!—fever! I prescribe bloodletting, and right away. Hans, go get what we need, and I’ll keep the patient occupied with explanations.”
The man of art then entered into a learned disquisition on pathology and the healthful practice of blood-letting. Time was evidently no object, neither the extremity of his patient. “Think not,” said he warmly, “that it suffices to bleed; any paltry barber can open a vein. The art is to know what vein to empty, and for what disease. T’other day they brought me one tormented with earache. I let him blood in the right thigh, and away flew his earache. By-the-bye, he has died since then. Another came with the toothache. I bleed him behind the ear, and relieved him in a jiffey. He is also since dead as it happens.”
The artist then launched into a detailed discussion on pathology and the effective practice of blood-letting. Clearly, time was not a concern, nor was the seriousness of his patient. “Don’t think,” he said passionately, “that just bleeding someone is enough; any mediocre barber can open a vein. The real skill is knowing which vein to drain and for what illness. The other day, they brought me a guy suffering from an earache. I bled him in the right thigh, and his earache went away. By the way, he’s passed away since then. Another person came in with a toothache. I bled him behind the ear, and he was relieved in no time. He’s also, as it turns out, dead now.”
After thus reciting his powers in venesection, the worthy doctor thought he could not do better than back it up with a show of knowledge, and recommenced on a new theme.
After outlining his skills in bloodletting, the respectable doctor believed he should reinforce his credibility with a display of knowledge and started discussing a new topic.
“Know, young man, that two schools of art contend at this moment throughout Europe. The Arabian, whose ancient oracles are Avicenna, Rhazes, Allricazis; and its revivers are Chauliac and Lanfranc; and the Greek school, whose modern champions are Bessarion, Platinus, and Marsilius Ficinus, but whose pristine doctors were medicine’s very oracles—Phœbus, Chiron, Æsculapius, and his sons Podalinus and Machaon, Pythagoras, Democritus; Praxagoras, who[315] invented the arteries, and Dioctes, qui primus urinæ animum dedit. All these taught orally. Then came Hippocrates, the eighteenth from Æsculapius, and of him we have manuscripts, to him we owe ‘the vital principle’. He also invented the bandage, and tapped for water on the chest; and above all, he dissected, yet only quadrupeds, for the brutal prejudices of the pagan vulgar withheld the human body from the knife of science. Him followed Aristotle, who gave us the aorta, the largest blood-vessel in the human body.”
“Know, young man, that two schools of art are currently in competition across Europe. The Arabian school, whose ancient authorities are Avicenna, Rhazes, and Allricazis, and whose revivers are Chauliac and Lanfranc; and the Greek school, whose modern champions are Bessarion, Platinus, and Marsilius Ficinus, but whose original doctors were the very oracles of medicine—Phœbus, Chiron, Æsculapius, and his sons Podalinus and Machaon, Pythagoras, Democritus; Praxagoras, who invented the arteries, and Dioctes, who first gave a meaning to urine. All these taught orally. Then came Hippocrates, the eighteenth descendant of Æsculapius, from whom we have manuscripts and to whom we owe ‘the vital principle’. He also invented the bandage and tapped for fluid in the chest; and above all, he performed dissections, though only on quadrupeds, as the brutal prejudices of the pagan common people kept the human body away from the knife of science. After him came Aristotle, who described the aorta, the largest blood vessel in the human body.”
“Surely, sir, the Almighty gave us all that is in our bodies, and not Aristotle nor any Grecian man,” objected Gerard humbly.
“Surely, sir, the Almighty gave us everything that’s in our bodies, not Aristotle or any Greek man,” Gerard replied humbly.
“Child! of course He gave us the thing; but Aristotle did more—he gave us the name of the thing. But young men will still be talking. The next great light was Galen; he studied at Alexandria, then the home of science. He, justly malcontent with quadrupeds, dissected apes, as coming nearer to man, and bled like a Trojan. Then came Theophilus, who gave us the nerves, the lacteal vessels, and the pia mater.”
“Kid! Of course He gave us the thing; but Aristotle went further—he gave us the name for it. Still, young people are going to keep talking. The next big influence was Galen; he studied in Alexandria, which was then the center of science. He, rightly unhappy with studying four-legged animals, dissected apes since they’re closer to humans, and he bled like a Trojan. Then came Theophilus, who introduced us to the nerves, the lacteal vessels, and the pia mater.”
“I am put to silence, sir.”
"I can't talk, sir."
“And that is better still, for garrulous patients are ill to cure, especially in fever. I say, then, that Eristratus gave us the cerebral nerves and[316] the milk vessels; nay, more, he was the inventor of lithotomy, whatever you may say. Then came another whom I forget; you do somewhat perturb me with your petty exceptions. Then came Ammonius, the author of lithotrity, and here comes Hans with the basin to stay your volubility. Blow thy chafer, boy, and hand me the basin; ’tis well. Arabians, quotha! What are they but a sect of yesterday, who about the year 1000 did fall in with the writings of those very Greeks, and read them awry, having no concurrent light of their own? for their demi-god and camel-driver, Mahomed, impostor in science as in religion, had strictly forbidden them anatomy, even of the lower animals, the which he who severeth from medicine, tollit solem e mundo, as Tully quoth. Nay, wonder not at my fervour, good youth; where the general weal stands in jeopardy a little warmth is civic, humane, and honourable. Now, there is settled of late in this town a pestilent Arabist, a mere empiric, who, despising anatomy, and scarce knowing Greek from Hebrew, hath yet spirited away half my patients, and I tremble for the rest. Put forth thine ankle; and thou, Hans, breathe on the chafer.”
“And that’s even better because talkative patients are hard to treat, especially when they have a fever. So, I say that Eristratus gave us the cerebral nerves and[316] the milk vessels; what’s more, he was the one who invented lithotomy, no matter what anyone else might say. Then there was another person whose name I can’t remember; you’re bothering me with your little objections. Then came Ammonius, the author of lithotrity, and here comes Hans with the basin to stop your chatter. Blow your coals, boy, and hand me the basin; that’ll do. Arabs, really! What are they but a group from yesterday, who around the year 1000 encountered the writings of those very Greeks and misunderstood them, having no reliable knowledge of their own? For their demi-god and camel-driver, Mahomed, a fraud in science as in religion, strictly forbade them from studying anatomy, even of lower animals, for he who separates it from medicine, tollit solem e mundo, as Tully said. Don’t be surprised at my passion, good youth; when the public welfare is at risk, a little intensity is civic, humane, and honorable. Recently, a troublesome Arabist has settled in this town, just a mere empiric, who, ignoring anatomy and barely knowing Greek from Hebrew, has managed to lure away half my patients, and I fear for the rest. Put out your ankle; and you, Hans, breathe on the coals.”
At the end of this tirade Gerard’s friend and fellow-traveller Denys appears on the scene, and[317] will not hear of the bleeding being carried out. The blustering but good-tempered soldier soon comes to hot words with the old physician on the subject, and a wordy battle ensues, which ends by the doctor being offended, and decides to beat a dignified retreat. The concluding scene is too good to omit, and we will give it in the author’s own words.
At the end of this rant, Gerard’s friend and travel companion, Denys, shows up and[317] refuses to listen to the idea of bleeding. The loud but good-natured soldier quickly gets into a heated argument with the old doctor about it, leading to a verbal skirmish that ends with the doctor taking offense and deciding to make a dignified exit. The final scene is too good to leave out, so we'll present it in the author's own words.
“Ah! you reject my skill, you scorn my art. My revenge shall be to leave you to yourself; lost idiot, take your last look at me, and at the sun. Your blood be on your head!” And away he stamped.
“Ah! you dismiss my talent, you mock my craft. My revenge will be to leave you all alone; foolish one, take your final look at me and at the sun. Your blood is on your own head!” And he stomped away.
But on reaching the door he whirled and came back, his wicker tail twirling round after him like a cat’s.
But when he got to the door, he spun around and came back, his wicker tail swirling behind him like a cat’s.
“In twelve hours at furthest you will be in the secondary stage of fever. Your head will split. Your carotids will thump. Aha! And let but a pin fall, you will jump to the ceiling. Then send for me, and I’ll not come.” He departed. But at the door-handle gathered fury, wheeled and came flying, with pale, terror-stricken boy and wicker tail whisking after him. “Next will come—Cramps of the stomach. Aha!
“In just twelve hours at the most, you'll enter the next stage of the fever. Your head will feel like it's splitting. Your carotid arteries will throb. Aha! And if a pin drops, you'll jump to the ceiling. Then call for me, and I won’t come.” He left. But at the door handle, he felt a rush of fury, spun around, and came rushing back, with a pale, terrified boy and a wicker tail following closely behind him. “Next will come—Stomach cramps. Aha!
“Then—Bilious vomit. Aha!
“Then—Bilious vomit. Got it!
“Then—Cold sweat and deadly stupor.
“Then—Cold sweat and fatal daze.
“Then—Bloody vomit.
“Then—Bloody vomit.”
“And after that nothing can save you, not even I; and if I could I would not, and so farewell.”
“And after that, nothing can save you, not even me; and if I could, I wouldn’t, so goodbye.”
Even Denys changed colour at threats so fervent and precise; but Gerard only gnashed his teeth with rage at the noise, and seized his hard bolster with kindling eye.
Even Denys turned pale at such intense and specific threats; but Gerard just gritted his teeth in anger at the commotion and grabbed his hard pillow with a fiery gaze.
This added fuel to the fire, and brought the insulted ancient back from the impassable door, with his whisking train.
This added fuel to the fire and brought the offended elder back from the impossible door, with his sweeping cloak.
“And after that—Madness!
“And after that—Chaos!
“And after that—Black vomit!
“And after that—Black vomit!
“And then—Convulsions!
“Then—Seizures!
“And then—That cessation of all vital functions the vulgar call ‘death,’ for which thank your own Satanic folly and insolence. Farewell.” He went. He came. He roared: “And think not to be buried in any Christian churchyard, for the bailiff is my good friend, and I shall tell him how and why you died: felo de se! felo de se! Farewell.”
“And then—That stopping of all vital functions that people call ‘death,’ which you can thank your own foolishness and arrogance for. Goodbye.” He left. He returned. He shouted: “And don't think you’ll be buried in any Christian graveyard, because the bailiff is my good friend, and I’ll tell him how and why you died: felo de se! felo de se! Goodbye.”
Gerard sprang to his feet on the bed by some supernatural gymnastic power excitement lent him, and, seeing him so moved, the vindictive orator came back at him fiercer than ever, to launch some master-threat the world has unhappily lost, for as he came with his whisking[319] train and shaking his fist, Gerard hurled the bolster furiously in his face and knocked him down like a shot, the boy’s head cracked under his falling master’s, and crash went the dumb-stricken orator into the basket, and there sat, wedged in an inverted angle, crushing phial after phial. The boy, being light, was strewed afar, but in a squatting posture, so that they sat in a sequence, like graduated specimens, the smaller howling. But soon the doctor’s face filled with horror, and he uttered a far louder and unearthly screech, and kicked and struggled with wonderful agility for one of his age.
Gerard jumped to his feet on the bed with some supernatural athletic ability that excitement gave him, and seeing him so worked up, the vengeful speaker came back at him even fiercer, ready to unleash some master threat that the world has sadly lost. As he approached with his swishing train and shaking his fist, Gerard angrily threw the pillow in his face and knocked him down like a shot. The boy’s head hit the ground under the weight of his falling master, and with a crash, the stunned speaker landed in the basket, where he got stuck at an awkward angle, crushing vial after vial. The boy, being light, was thrown aside, but in a squatting position, so they sat in a line, like graduated specimens, the smaller one howling. But soon the doctor's face filled with terror, and he let out a much louder and otherworldly scream, kicking and struggling with astonishing agility for someone his age.
He was sitting on the hot coals.
He was sitting on the hot coals.
They had singed the cloth, and were now biting the man. Struggling wildly but vainly to get out of the basket, he rolled over with it sideways, and lo! a great hissing; then the humane Gerard ran and wrenched off the tight basket, not without a struggle. The doctor lay on his face groaning, handsomely singed with his own chafer, and slaked a moment too late by his own villainous compounds, which, however, being as various and even beautiful in colour as they were odious in taste, had strangely diversified his grey robe, and painted it more gaudy than neat.
They had burned the cloth and were now attacking the man. He struggled wildly but unsuccessfully to escape from the basket, rolling over onto its side, and suddenly there was a loud hissing; then the kind Gerard rushed in and forced off the tight basket, though it wasn't easy. The doctor lay face down, groaning, his hands scorched from his own concoction, barely saved by his own toxic mixtures that, while various and even beautiful in color, were terrible in taste, had oddly decorated his grey robe, making it look more vibrant than tidy.
Gerard and Denys raised him up and consoled[320] him. “Courage, man, ’tis but cautery; balm of Gilead—why, you recommended it but now to my comrade here.”
Gerard and Denys lifted him up and comforted[320] him. “Hang in there, man, it’s just a cauterization; balm of Gilead—hey, you just suggested it to my friend here.”
A curious specimen of medical treatment came to light when Philip, Duke of Burgundy, lay sick at Bruges. He was a doughty warrior this Earl of Holland, as he was sometimes called, and wealthy withal, so the best advice was secured.
A fascinating case of medical treatment emerged when Philip, Duke of Burgundy, was ill in Bruges. He was a brave warrior, often referred to as the Earl of Holland, and quite wealthy, so they got the best advice available.
“Now, paupers got sick and got well as Nature pleased, but woe betided the rich,” says the novelist, “in an age when for one Mr. Malady killed, three fell by Dr. Remedy.
“Now, poor people got sick and got better as Nature saw fit, but it was a different story for the rich,” says the novelist, “in a time when for every one person Mr. Malady killed, three were taken down by Dr. Remedy.”
“The duke’s complaint, nameless then, is now called diphtheria. He was old and weak, so Dr. Remedy bled him.
“The duke’s complaint, nameless then, is now called diphtheria. He was old and weak, so Dr. Remedy bled him."
“The duke turned cold—wonderful!
“The duke got cold—wonderful!
“Then Dr. Remedy had recourse to the arcana of science.
“Then Dr. Remedy turned to the secrets of science.
“Ho! This is grave. Flay me an ape incontinent, to clap him to the duke’s breast! Officers of state ran septemvious, seeking an ape to counteract the blood-thirsty tomfoolery of the human species.
“Wow! This is serious. Get me an ape right away, so I can present him to the duke! State officials rushed around, trying to find an ape to counter the violent nonsense of humans.
“But an ape could not be found.
But an ape couldn't be found.
“Then Dr. Remedy grew impatient, and bade flay a dog.
“Then Dr. Remedy grew impatient and ordered them to flay a dog.
“A dog is next best to an ape; only it must be a dog all of one colour.
“A dog is the next best thing to an ape; it just has to be a dog of a single color.”
“So they flayed a liver-coloured dog and clapped it, yet palpitating, to their sovereign’s breast; and he died.”
“So they skinned a liver-colored dog and pressed it, still twitching, against their king’s chest; and he died.”
Thus ended Philip the Good.
Thus ended Philip the Good.
CHAPTER X.
DICKENS.
The apothecary of romance is almost invariably pale and lean, with head nearly destitute of hirsute covering, and a man of retiring habits and sad demeanour. This is perhaps because he gets little chance to make the wherewithal to make him fat, and has few opportunities to seek enjoyment and recreation.
The romantic apothecary is usually pale and thin, with hardly any hair on his head, and he tends to be introverted and gloomy. This is likely because he rarely has the means to get rich and has few chances to find enjoyment and relaxation.
Dickens’ chemist, whom he describes in his pathetic little story The Haunted Man, is no exception to this rule. “Who could have seen his hollow cheek, his sunken, brilliant eye; his black-attired figure, indefinably grim, although well knit and well proportioned; his grizzled hair hanging like tangled seaweed about his face,—as if he had been through his whole life a lonely mark for the chafing and beating of the great deep of humanity—but might have said he looked like a haunted man?
Dickens’ chemist, whom he describes in his touching little story The Haunted Man, is no different. “Who could have seen his hollow cheek, his sunken, bright eye; his figure dressed in black, oddly grim yet well-built and proportioned; his gray hair hanging like tangled seaweed around his face—as if he had spent his entire life as a lonely target for the rough waves of humanity—but might have said he looked like a haunted man?
“Who could have observed his manner—taciturn, thoughtful, gloomy, shadowed by habitual reserve, retiring always and jocund never,[323] with a distraught air of reverting to a bygone place and time, or of listening to some old echoes in his mind—but might have said it was the manner of a haunted man?
“Who could have seen his behavior—quiet, reflective, downcast, always holding back, never cheerful,[323] with a distressed look as if he were going back to an earlier time or listening to old memories in his head—but wouldn’t say he had the manner of someone haunted?”
“Who could have heard his voice—slow-speaking, deep and grave, with a natural fulness and melody in it which he seemed to set himself against and stop—but might have said it was the voice of a haunted man?
“Who could have heard his voice—slow and deep, with a natural richness and melody that he tried to suppress—but wouldn't have thought it belonged to a haunted man?
“Who that had seen him in his inner chamber, part library and part laboratory,—for he was, as the world knew far and wide, a learned man in chemistry, and a teacher on whose lips and hands a crowd of aspiring ears and eyes hung daily,—who that had seen him there, upon a winter night, alone, surrounded by his drugs and instruments and books; the shadow of his shaded lamp, a monstrous beetle on the wall, motionless among a crowd of spectral shapes raised there by the flickering of the fire upon the quaint objects around him; some of these phantoms (the reflection of glass vessels that held liquids) trembling at heart like things that knew his power to uncombine them, and to give back their component parts to fire and vapour;—who that had seen him then, his work done and he pondering in his chair before the rusted grate and red flame, moving his thin mouth as if in speech, but silent[324] as the dead, would not have said that the man seemed haunted and the chamber too?”
“Who that had seen him in his private room, part library and part lab—for he was, as the world knew far and wide, a knowledgeable man in chemistry, and a teacher whose words and demonstrations captivated a crowd of eager students daily—who that had seen him there, on a winter night, alone, surrounded by his chemicals, tools, and books; the shadow of his dimmed lamp casting a huge beetle on the wall, still among a crowd of ghostly shapes formed by the flickering firelight on the unusual objects around him; some of these phantoms (the reflection of glass containers holding liquids) trembling as if they knew his ability to separate them and return their components to fire and vapor;—who that had seen him then, his work done and he deep in thought in his chair before the rusted fireplace and glowing coals, moving his thin lips as if speaking, but silent as the dead, would not have said that the man seemed haunted and the room too?”
In the Pickwick Papers the author describes in one of his happiest veins, the troubles of a chemist who is suddenly called to serve on a common jury—to try indeed the celebrated case of “Bardell versus Pickwick”.
In the Pickwick Papers, the author depicts in one of his most enjoyable styles the struggles of a chemist who is unexpectedly summoned to serve on a regular jury—to actually hear the famous case of “Bardell versus Pickwick.”
“‘Answer to your names, gentlemen, that you may be sworn,’ said the gentleman in black.
“‘Respond to your names, gentlemen, so you can be sworn in,’ said the man in black.”
“‘Richard Upwitch.’
"Richard Upwitch."
“‘Here,’ said the greengrocer.
“‘Here,’ said the grocer.”
“‘Thomas Groffin.’
‘Thomas Groffin.’
“‘Here,’ said the chemist.
“‘Here,’ said the scientist.”
“‘Take the book, gentlemen. You shall well and truly try——’
“‘Take the book, gentlemen. You shall seriously try—’
“‘I beg this court’s pardon,’ said the chemist, who was a tall, thin, yellow-visaged man, ‘but I hope this court will excuse my attendance.’
“‘I apologize to the court,’ said the chemist, who was a tall, thin man with a yellowish complexion, ‘but I hope you will excuse my presence.’”
“‘On what grounds, sir?’ said Mr. Justice Stareleigh.
“‘On what grounds, sir?’ asked Mr. Justice Stareleigh.
“‘I have no assistant, my lord,’ said the chemist.
“‘I don’t have an assistant, my lord,’ said the chemist.
“‘Then you ought to be able to afford it, sir,’ said the judge reddening, for Mr. Justice Stareleigh’s temper bordered on the irritable, and brooked not contradiction.
“‘Then you should be able to afford it, sir,’ said the judge, blushing, because Mr. Justice Stareleigh’s temper was on the edge of irritable and didn’t tolerate disagreement.”
“‘I know I ought to do, if I got on as well as[325] I desired, but I don’t, my lord,’ answered the chemist.
“‘I know I should do, if I was doing as well as[325] I wanted, but I'm not, my lord,’ answered the chemist.
“‘Swear the gentlemen,’ said the judge peremptorily.
“‘Swear in the gentlemen,’ the judge said firmly.”
“The officer had got no further than the ‘You shall well and truly try’ when he was again interrupted by the chemist.
“The officer hadn’t gotten past ‘You shall well and truly try’ when the chemist interrupted him again."
“‘I am to be sworn, my lord, am I?’ said the chemist.
“‘Am I really supposed to take an oath, my lord?’ said the chemist.
“‘Certainly, sir,’ replied the testy little judge.
“‘Of course, sir,’ replied the irritable little judge.
“‘Very well, my lord,’ replied the chemist in a resigned manner. ‘Then there’ll be murder before this trial’s over: that’s all. Swear me if you please, sir.’ And sworn the chemist was before the judge could find words to utter.
“‘Alright, my lord,’ the chemist replied with resignation. ‘Then there will definitely be murder before this trial is over: that’s all. Go ahead and swear me in if you want, sir.’ And the chemist was sworn in before the judge could even find the words to speak.”
“‘I merely wanted to observe, my lord,’ said the chemist, taking his seat with great deliberation, ‘that I’ve left nobody but an errand boy in my shop. He is a very nice boy, my lord, but he is not acquainted with drugs; and I know that the prevailing impression in his mind is, that Epsom salts means oxalic acid, and syrup of senna, laudanum. That’s all, my lord.’ With this, the tall chemist composed himself into a comfortable attitude, and, assuming a pleasant expression of countenance, appeared to have prepared himself for the worst.”
“‘I just wanted to point out, my lord,’ said the chemist, taking his seat with careful intention, ‘that I’ve only left an errand boy in my shop. He’s a really nice kid, my lord, but he doesn’t know anything about drugs; and I can tell that he thinks Epsom salts are oxalic acid, and syrup of senna is laudanum. That’s all, my lord.’ With that, the tall chemist settled into a comfortable position, and, putting on a pleasant expression, seemed to be ready for anything.”
This little sketch shows the disabilities the[326] chemist laboured under before he was exempted from jury service, and the intimate knowledge Dickens had of almost every phase of life on which he wrote.
This short description highlights the challenges the[326] chemist faced before he was relieved from jury duty, as well as the deep understanding Dickens had of nearly every aspect of life he wrote about.
In Oliver Twist he gives us an instance of prompt prescribing on the part of the parochial doctor’s assistant and dispenser, related by Bumble.
In Oliver Twist, he gives us an example of quick prescribing by the local doctor's assistant and dispenser, as told by Bumble.
Mr. Bumble betakes himself to the undertaker’s shop to arrange for the funeral.
Mr. Bumble goes to the undertaker’s shop to make arrangements for the funeral.
“‘Bayton,’ said the undertaker looking from the scrap of paper to Mr. Bumble; ‘I never heard the name before.’
“‘Bayton,’ said the undertaker, glancing from the scrap of paper to Mr. Bumble; ‘I’ve never heard that name before.’”
“Bumble shook his head as he replied, ‘Obstinate people, Mr. Sowerberry—very obstinate. Proud, too, I’m afraid, sir.’
“Bumble shook his head as he replied, ‘Stubborn people, Mr. Sowerberry—very stubborn. Proud, too, I’m afraid, sir.’”
“‘Proud, eh?’ exclaimed Mr. Sowerberry with a sneer. ‘Come, that’s too much.’
“‘Proud, huh?’ Mr. Sowerberry exclaimed with a sneer. ‘Come on, that’s too much.’”
“‘Oh, its sickening,’ replied the beadle; ‘antimonial, Mr. Sowerberry!’
“‘Oh, it's disgusting,’ replied the beadle; ‘antimonial, Mr. Sowerberry!’”
“‘So it is,’ acquiesced the undertaker.
“‘So it is,’ agreed the undertaker.
“‘We only heard of the family the night before last,’ said the beadle; ‘and we shouldn’t have known anything about them then, only a woman who lodges in the same house made an application to the parochial committee for them to send the parochial surgeon to see a woman as was very bad. He had gone out to dinner, but[327] his ’prentice (which is a very clever lad) sent ’em some medicine in a blacking bottle off hand.’
“‘We only heard about the family the night before last,’ said the beadle; ‘and we wouldn’t have known anything about them then, except a woman who lives in the same house requested the parochial committee to send the parochial surgeon to check on a woman who was very ill. He had gone out to dinner, but [327] his apprentice (who is a really clever kid) sent them some medicine in a shoe polish bottle right away.’”
“‘Ah, there’s promptness,’ said the undertaker.
“‘Ah, there’s promptness,’ said the funeral director.
“‘Promptness indeed!’ replied the beadle. ‘But what’s the consequence; what’s the ungrateful behaviour of these rebels, sir? Why, the husband sends back word that the medicine won’t suit his wife’s complaint, and so she shan’t take it—says she shan’t take it, sir! Good, strong, wholesome medicine, as was given with great success to two Irish labourers and a coal-heaver only a week before. Sent ’em for nothing, with a blacking bottle in, and he sends back word that she shan’t take it, sir!’”
“‘Promptness indeed!’ replied the beadle. ‘But what’s the consequence; what’s the ungrateful behavior of these rebels, sir? Well, the husband sends back word that the medicine won’t work for his wife’s issue, and so she refuses to take it—says she won’t take it, sir! Good, strong, wholesome medicine, which was given successfully to two Irish laborers and a coal worker just last week. Sent it for free, with a blacking bottle included, and he sends back word that she won’t take it, sir!’”
THACKERAY.
The great satirist, in Pendennis, gives us a brief sketch of the apothecary of the Georgian era in the early life of John Pendennis, who in the city of Bath practised as an apothecary and surgeon, “attending gentlemen in their sickrooms, and ladies at the most interesting periods of their lives, and condescending to sell a brown-paper plaister to a farmer’s wife across the counter, or to vend tooth-brushes, hair-powder,[328] and London perfumery”. How he eventually merged into John Pendennis, Esq., of Fairoaks, Clavering, with a “family pride,” is it not described with the pen of inimitable genius in the pages of the story?
The great satirist, in Pendennis, offers a brief glimpse into the life of an apothecary during the Georgian era through the early years of John Pendennis, who practiced as an apothecary and surgeon in Bath. He “cared for gentlemen in their sickrooms, helped ladies during significant moments in their lives, and even took the time to sell a brown-paper plaster to a farmer’s wife over the counter or to sell tooth brushes, hair powder, [328] and perfumes from London.” How he eventually evolved into John Pendennis, Esq., of Fairoaks, Clavering, with a sense of “family pride,” is vividly captured by the pen of unparalleled genius in the pages of the story.
CHAPTER XI.
MARRYAT.
In his novel entitled Japhet in Search of a Father, Captain Marryat introduces to us that eccentric apothecary, Mr. Phineas Cophagus; and although the character is doubtless exaggerated to some extent, it forms an amusing picture of the practising apothecary in the early part of this century.
In his novel titled Japhet in Search of a Father, Captain Marryat introduces us to the quirky apothecary, Mr. Phineas Cophagus; and even though the character is certainly exaggerated to some degree, it provides an entertaining portrayal of the practicing apothecary in the early part of this century.
Japhet, who is taken in hand and apprenticed to the worthy practitioner, describes the shop looking upon Smithfield Market, with its usual allowance of green, yellow, and blue bottles. All the patent medicines in the known world were kept in stock, even to the all-sufficient medicine for mankind of Mr. Euony. The shop was large, and at the back part there was a most capacious iron mortar with a pestle to correspond.
Japhet, who is taken in by and apprenticed to a respectable professional, describes the shop overlooking Smithfield Market, filled with its assortment of green, yellow, and blue bottles. All the patent medicines in the world were in stock, including Mr. Euony's universal remedy for humanity. The shop was spacious, and at the back, there was a huge iron mortar with a matching pestle.
The proprietor himself, we are told, might have been forty-five years of age. “He was of middle height, his face was thin, his nose very much hooked, his eyes small and piercing, with[330] a good-humoured twinkle in them. His mouth was large and drawn down at one corner. He was stout in his body, and carried a considerable protuberance before him, which he was in the habit of patting with his left hand complacently. But although stout in his body, his legs were mere spindles, so that in his appearance he reminded you of some bird of the crane genus.
The owner himself was probably around forty-five years old. He was of average height, had a thin face, a very hooked nose, and small, piercing eyes that sparkled with a good-humored twinkle. His mouth was large and slightly turned down at one corner. He was stout in the body and had a noticeable belly that he often patted with his left hand in a self-satisfied way. However, despite his stoutness, his legs were like thin sticks, making his appearance reminiscent of some type of crane.
“He dressed in a black coat and waistcoat, white cravat, and high collar to his shirt; blue cotton-net pantaloons and Hessian boots, both fitting so tight that it appeared as if he was proud of his spindle shanks. His hat was broad-brimmed and low, and he carried a stout black cane with a gold top in his right hand, almost always raising the gold top to his nose when he spoke.
“He wore a black coat and waistcoat, a white cravat, and a high-collared shirt; blue cotton-net pants and Hessian boots, both so tight that it looked like he was showing off his skinny legs. His hat was wide-brimmed and low, and he held a sturdy black cane with a gold top in his right hand, almost always lifting the gold top to his nose when he talked.”
“The apothecary’s assistant, Brookes, was a tall, fresh-coloured, but hectic-looking young man, and, with the ubiquitous Timothy, who took out the medicine, formed the staff of the establishment.”
“The apothecary’s assistant, Brookes, was a tall, fresh-looking, but overly energetic young man, and along with the ever-present Timothy, who retrieved the medicine, made up the staff of the establishment.”
Japhet’s introduction to the rudiments of the profession was to pound up some drugs in the big iron mortar, which he did with a will until the perspiration ran down him in streams. He hadn’t been many months in the shop before he was left in charge with Timothy, who, after[331] cudgelling his brains as to how they shall make a little money on their own account, agrees with Japhet to physic any one who comes in the shop.
Japhet’s first taste of the profession was grinding some medicine in the big iron mortar, which he did eagerly until he was sweating heavily. He hadn’t been in the shop for long before he was put in charge with Timothy, who, after[331] racking his brain about how they could make some money for themselves, agreed with Japhet to treat anyone who came into the shop.
The story is related by Japhet as follows:—
The story is told by Japhet as follows: —
“An old woman soon came in, and addressing Timothy, said that she ‘wanted something for her poor grandchild’s sore throat’.
“An old woman soon walked in and told Timothy that she ‘needed something for her poor grandchild’s sore throat.’”
“‘I don’t mix up the medicines, ma’am,’ replied Timothy; ‘you must apply to that gentleman, Mr. Newland, who is behind the counter; he understands what is good for everybody’s complaints.’
“‘I don’t mix up the medicines, ma’am,’ replied Timothy; ‘you should ask that gentleman, Mr. Newland, who is behind the counter; he knows what’s best for everyone’s issues.’”
“‘Bless his handsome face—and so young, too! Why, be you a doctor, sir?’
“‘Bless his good-looking face—and so young, too! Are you a doctor, sir?’”
“‘I should hope so,’ replied I. ‘What is it you require—a lotion or an embrocation?’
“‘I hope so,’ I replied. ‘What do you need—a lotion or a rub?’”
“‘I don’t understand those hard words, but I want some doctor’s stuff.’
“'I don’t get those complicated words, but I want some of that doctor’s stuff.'”
“‘Very well, my good woman; I know what is proper,’ replied I, assuming an important air. ‘Here, Timothy, wash out this phial very clean.’
“‘Alright, ma'am; I know what's appropriate,’ I said, putting on a serious expression. ‘Timothy, clean this bottle out really well.’”
“‘Yes, sir,’ replied Timothy very respectfully.
“‘Yes, sir,’ Timothy said politely.”
“I took one of the measures, and putting in a little green, a little blue, and a little white liquid from the medicine bottles generally used by Mr. Brookes, filled it up with water, poured the mixture into the phial, corked, and labelled it[332] haustus statim sumendus, and handed it over to the old woman.
“I took one of the measuring tools and added a bit of green, a bit of blue, and a bit of white liquid from the medicine bottles usually used by Mr. Brookes, then filled it up with water. I poured the mixture into the vial, corked it, and labeled it [332] haustus statim sumendus, and handed it over to the old woman.
“‘Is the poor child to take it, or is it to rub outside?’ inquired the old woman.
“‘Is the poor child supposed to take it, or is it meant to be applied externally?’ asked the old woman.”
“‘The directions are on the label; but you don’t read Latin?’
“‘The instructions are on the label; but you don’t read Latin?’”
“‘Deary me, no! Latin! and do you understand Latin? What a nice clever boy!’
"‘Oh dear, no! Latin! And do you understand Latin? What a nice, smart boy!’"
“‘I should not be a good doctor if I did not,’ replied I. On second thoughts I considered it advisable and safer that the application should be external, so I translated the label to her: haustus, rub it in; statim, on the throat; sumendus, with the palm of the hand.”
“I wouldn't be a good doctor if I didn’t,” I replied. After thinking it over, I decided it would be better and safer for the application to be external, so I translated the label for her: haustus, rub it in; statim, on the throat; sumendus, with the palm of the hand.”
Their next effort at doctoring is humorously described by the novelist in the following words:—
Their next attempt at fixing things is humorously described by the novelist in the following words:—
“An Irish labourer, more than half-tipsy, came in one evening and asked whether we had such a thing as was called ‘A poor man’s plaister’. ‘By the powers, it will be a poor man’s plaister when it belongs to me; but they tell me that it is a sure and sartain cure for the thumbago, as they call it, which I’ve at the small of my back, and which is a hinder to my mounting up the ladder; so as it’s Saturday night, and I’ve just got the money, I’ll buy the plaister first, and then try what a little whisky inside will do.[333] The devil is in’t if it won’t be driven out of me between the two.’
“An Irish laborer, more than a bit tipsy, walked in one evening and asked if we had something called ‘A Poor Man’s Plaster.’ ‘By the powers, it’ll be a poor man’s plaster when it’s mine; but they say it’s a sure and certain cure for what they call thumb pain, which I have in my lower back and makes it hard for me to climb the ladder. Since it’s Saturday night and I just got some money, I’ll buy the plaster first and then see what a little whisky will do for me. The devil is in it if it doesn’t work between the two.’[333]
“We had not that plaister in the shop, but we had blister plaisters, and Timothy, handing one to me, I proffered it to him. ‘And what may you be after asking for the same?’ inquired he.
“We didn’t have that adhesive in the shop, but we had blister pads, and Timothy, handing one to me, I offered it to him. ‘And what might you be asking for that?’ he asked.”
“The blisters were sold at a shilling each, when spread on paper, so I asked him eighteen-pence, that we might pocket the extra sixpence.
“The blisters were sold for a shilling each when spread on paper, so I asked him for eighteen pence, so we could pocket the extra six pence.”
“‘By the powers, one would think that you had made a mistake, and handed me the rich man’s plaister instead of the poor one’s. It’s less whisky I’ll have to drink, any how; but here’s the money, and the top of the morning to ye, seeing as how it’s jist getting late.’
“‘Honestly, you’d think you messed up and gave me the rich guy’s stuff instead of the poor guy’s. I guess it means I’ll drink less whisky, anyway; but here’s the cash, and good morning to you, since it’s just starting to get late.’”
“Timothy and I laughed as we divided the sixpence. It appeared that after taking his allowance of whisky the poor fellow fixed the plaister on his back when he went to bed, and the next morning found himself in a condition not to be envied. It was a week before we saw him again, and, much to the horror of Timothy and myself, he walked into the shop when Mr. Brookes was employed behind the counter. Timothy perceived him before he saw us, and pulling me behind the large mortar, we contrived to make our escape into the back parlour,[334] the door of which we held ajar to hear what would take place.
“Timothy and I laughed as we split the sixpence. It seemed that after having his share of whisky, the poor guy applied the plaster to his back before going to bed, and the next morning he woke up in a pretty unfortunate state. It was a week before we saw him again, and to the shock of Timothy and me, he walked into the shop while Mr. Brookes was working behind the counter. Timothy noticed him before he saw us, and pulling me behind the large mortar, we managed to sneak into the back parlor,[334] the door of which we left slightly open to hear what would happen next.
“‘Murder and turf!’ cried the man, ‘but that was the devil’s own plaister you gave me here for my back, and it left me as raw as a turnip, taking every bit of my skin off me entirely, forbye my lying in bed for a whole week and losing my day’s work.’
“'Murder and turf!' yelled the man, 'but that was the devil's own plaster you put on my back, and it left me as raw as a turnip, taking all the skin off me completely, besides me lying in bed for a whole week and losing my day's work.'”
“‘I really do not recollect supplying you with a plaister, my good man,’ replied Mr. Brookes.
“‘I honestly don’t remember giving you a bandage, my good man,’ replied Mr. Brookes.”
“‘Then by the piper that played before Moses, if you don’t recollect it, I’ve an idea that I shall never forget it. Sure enough, it cured me, but wasn’t I quite kilt before I was cured?’
“‘Then by the piper that played for Moses, if you don't remember it, I have a feeling that I will never forget it. It definitely cured me, but wasn't I completely exhausted before I was cured?’”
“‘It must have been some other shop,’ observed Mr. Brookes. ‘You have made a mistake.’
“‘It must have been a different store,’ Mr. Brookes pointed out. ‘You’ve made a mistake.’”
“‘Devil a bit of a mistake, except in selling me the plaister. Didn’t I get it of a lad in this same shop?’
“‘Not a single mistake, except for selling me the plaster. Didn’t I get it from a kid in this same shop?’”
“‘Nobody sells things out of this shop without my knowledge.’
“‘No one sells anything out of this shop without me knowing.’”
“The Irishman was puzzled—he looked round the shop. ‘Well, then, if this a’n’t the shop, it was own sister to it.’”
“The Irishman was confused—he looked around the shop. ‘Well, if this isn’t the shop, it’s pretty much identical to it.’”
“Like all embryo apothecaries,” says Japhet, “I carried in my appearance, if not the look of[335] wisdom, most certainly that of self-sufficiency, which does equally well with the world in general. My forehead was smooth and very white, and my dark locks were combed back systematically and with a regularity that said, as plainly as hair could do, ‘The owner of this does everything by prescription, measurement, and rule’. Altogether I cut such a truly medical appearance that even the most guarded would not have hesitated to allow me the sole conduct of a whitlow, from inflammation to suppuration, and from suppuration to cure, or have refused to have confided to me the entire suppression of a gumboil.
“Like all budding pharmacists,” says Japhet, “I had an appearance that, if not giving off the vibe of wisdom, definitely radiated self-sufficiency, which works just as well with the world in general. My forehead was smooth and very pale, and my dark hair was neatly combed back in a way that clearly communicated, as much as hair can, ‘The owner of this does everything by prescription, measurement, and rule.’ Overall, I looked so much like a true medical professional that even the most cautious would have had no qualms about letting me handle a whitlow, from inflammation to discharge, and from discharge to healing, or would have hesitated to trust me with the complete management of a gumboil.”
“Such were my personal qualifications at the time I was raised to the important office of dispenser of, I may say, life and death.”
“Those were my personal qualifications when I was appointed to the significant role of deciding matters of life and death.”
FOOTNOTES:
[2] Hanbury’s Notes on Chinese Materia Medica.
__A_TAG_PLACEHOLDER_0__ Hanbury’s Notes on Chinese Medicine.
[3] Lilly’s Autobiography, 1774.
[4] The Egyptian magical texts show that hair, feathers, the serpent’s skin, and “the blood of the mystic eye,” were used as charms of protecting or destroying power. This very probably denotes what is known as the charm of dragon’s blood, which is still employed as a potent love charm or philtre, the blood being now typified by the red resin of this name.
[4] The Egyptian magical texts indicate that hair, feathers, serpent skin, and “the blood of the mystic eye” were used as charms for protection or destruction. This likely refers to what's known as the charm of dragon’s blood, which is still used as a powerful love charm or potion, the blood now represented by the red resin of the same name.
[5] Bullen’s Governmente of Health. 1558.
[6] William Coles, Adam in Eden. 1657.
[7] Lib. viii., c. ii., 5.
[9] Hamlet, act i., scene v.
[10] Paris, Pharmacologia, p. 294.
[11] Romeo and Juliet, act v., scene i.
[12] Cymbeline, scene vi.
[13] Henry VI., part iii., act ii., scene iii.
[14] Pericles, act iii., scene ii.
[15] Othello, act v., scene ii.
[16] King Lear, act iii., scene iv.
[17] Henry IV., part ii., act i., scene ii.
[18] Henry VI., act v., scene iv.
[19] Comedy of Errors, act iv., scene i.
[21] Lucrece, v., 76.
[22] King Henry IV., part ii., act iv., scene iv.
[23] King Henry IV., part i., act ii., scene iv.
[24] King Henry IV., part ii., act v., scene iii.
[25] Othello, act i., scene iii.
[26] Love’s Labour’s Lost, act v., scene ii.
[27] Hamlet, act iv., scene v.
[28] Winter’s Tale, act iv., scene iii.
[29] Othello, act iii., scene iii.
[30] Romeo and Juliet, act iv., scene iii.
[32] Macbeth, act v., scene iii.
[33] Winter’s Tale, act iv., scene iv.
[34] Hamlet, act iv., scene v.
[35] Winter’s Tale, act iv., scene iii.
[36] Macbeth, act v., scene iii.
[37] Love’s Labour’s Lost, act v., scene ii.
[38] Sonnets, verses 118, 119.
[39] The Faerie Queen, book i., canto x.
[40] The Faerie Queen, book vi., canto vi.
[41] The Faerie Queen, book i., canto i.
[42] The Faerie Queen, book ii., canto vi.
[43] The Faerie Queen, book ii., canto vii.
[44] Shepherd’s Calendar—July.
[45] Ben Jonson’s Fox, act ii., scene i.

Transcriber’s note
Transcription note
A few errors in punctuation were corrected silently. Also the
following changes were made, on page
52 “furnance” changed to “furnace” (seizing his red-hot tongs from
the little furnace in which)
76 “Teragrammaton” changed to “Tetragrammaton” (Tetragrammaton +
Adonai)
234 “the” added (centre of the cover)
273 “Lanfen” changed to “Lafeu” (Lafeu. Go to, sir, you
were beaten in Italy)
278 “Spencer” changed to “Spenser” (Edmund Spenser was born in
London).
A few punctuation mistakes were corrected quietly. Also, the following changes were made on page
52 “furnance” changed to “furnace” (seizing his red-hot tongs from the little furnace in which)
76 “Teragrammaton” changed to “Tetragrammaton” (Tetragrammaton + Adonai)
234 “the” added (centre of the cover)
273 “Lanfen” changed to “Lafeu” (Lafeu. Go to, sir, you were beaten in Italy)
278 “Spencer” changed to “Spenser” (Edmund Spenser was born in London).
Otherwise the original was preserved, including unusual or inconsistent spelling and hyphenation, and possible errors in quotes from other books.
Otherwise the original was kept intact, including any unusual or inconsistent spelling and hyphenation, as well as any possible errors in quotes from other books.
Download ePUB
If you like this ebook, consider a donation!