This is a modern-English version of Birds and Nature Vol. 11 No. 3 [March 1902]: Illustrated by Color Photography, originally written by Various. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

Scroll to the bottom of this page and you will find a free ePUB download link for this book.

Birds and Nature, Volume XI Number 3
97

BIRDS AND NATURE.

ILLUSTRATED BY COLOR PHOTOGRAPHY.
Vol. 11.MARCH, 1902.No. 3.

CONTENTS

EASTER CAROL. 97
SPRING. 97
THE WINTER WREN. (Troglodytes hiemalis.) 98
VOICES IN THE GARDEN. 101
THE LECONTE’S SPARROW. (Ammodramus leconteii.) 107
EASTER LILIES. 108
THE CALL OF THE KILLDEE. 109
THE NORTHERN PHALAROPE. (Phalaropus lobatus.) 110
OUR LITTLE MARTYRS. 113
A CARGO OF STOWAWAYS. 114
THE HAIRY WOODPECKER. (Dryobates villosus.) 119
A VARICOLORED FROG. 120
WAS IT REASON OR INSTINCT? 121
OPAL. 122
THE CROCUS. 127
MARCH. 128
THE DOMESTIC SHEEP. (Ovis aries.) 131
THE BEAUTY OF A STORM. 133
The snow-plumed angel of the north 133
THE VIOLET. 134
THE ROUND-LOBED LIVERWORT. (Hepatica hepatica.) 137
THE SPRING MIGRATION. I. THE WARBLERS. 138
A PET SQUIRREL. 140
THE ENGLISH WALNUT AND RELATED TREES. (Juglans regia L.) 143
AWAKENING. 144

EASTER CAROL.

Hepatica, anemone,

Hepatica, anemone,

And bloodroot snowy white,

And bloodroot snowy white,

With their pretty wildwood sisters,

With their beautiful wildwood sisters,

Are opening to the light.

Are opening up to the light.

Each blossom bears a message

Each blossom has a message

That a little child may read,

That a young child can read,

Of the wondrous miracle of life

Of the amazing miracle of life

Hid in the buried seed.

Hid in the buried seed.

In the woods and fields and gardens

In the woods, fields, and gardens

We may find the blessed words

We might discover the blessed words

Writ in beauty, and may hear them,

Writ in beauty, and may hear them,

Set in music by the birds.

Set to music by the birds.

It is Nature’s Easter carol,

It’s Nature’s Easter song,

And we, too, with gladness sing,

And we also happily sing,

For we see the Life immortal

For we see eternal life

In the promise of the spring.

In the spring's promise.

Anna M. Pratt,

Anna M. Pratt,

From “Among Flowers and Trees with the Poets.”

From “Among Flowers and Trees with the Poets.”

SPRING.

O beautiful world of green!

O beautiful green world!

When bluebirds carol clear,

When bluebirds sing clearly,

And rills outleap,

And streams rush out,

And new buds peep,

And new buds are emerging,

And the soft sky seems more near;

And the gentle sky feels closer;

With billowy green and leaves,—what then?

With leafy greens—what now?

How soon we greet the red again!

How soon we see the red again!

G. Cooper, “Round the Year.”

G. Cooper, “Around the Year.”

98

THE WINTER WREN.
(Winter wren.)

How rich the varied choir! The unquiet finch

How rich the diverse choir! The restless finch

Calls from the distant hollows, and the wren

Calls from the distant hollows, and the wren

Uttereth her sweet and mellow plaint at times.

Utters her sweet and soothing complaint at times.

—Isaac McLellan, “The Notes of the Birds.”

—Isaac McLellan, “The Notes of the Birds.”

The Winter Wren inhabits that part of North America east of the Rocky Mountains, breeding chiefly north of the United States and migrating at the approach of winter nearly or quite to the Gulf of Mexico.

The Winter Wren lives in the area of North America east of the Rocky Mountains, mainly breeding north of the United States and migrating southward almost all the way to the Gulf of Mexico as winter approaches.

This diminutive form of bird life, which is also called Bunty Wren and Little Log Wren, is a denizen of the forest, and it is more common in those forests found on bottom lands adjacent to rivers. It is a shy bird, and does not seek the intimacy of man as will its cousin, the house wren. It is seldom seen far above the ground. In many places where it does not seem abundant it may be quite common, for it readily eludes observation in the underbrush because of its neutral color. It frequents old logs, where it may be seen “hopping nimbly in and out among the knotholes and other hollow places, then flitting like a brown butterfly to another place of refuge on the too near approach of an intruder.” Some one has said, “Its actions are almost as much like that of a mouse as of a bird, rarely using its wings except for a short flutter from one bush or stone-heap to another; it creeps slyly and rapidly about, appearing for an instant and is then suddenly lost to view.”

This small type of bird, also known as the Bunty Wren and Little Log Wren, lives in the forest, especially in areas near rivers. It’s a shy bird that doesn’t seek out human interaction like its cousin, the house wren. You rarely see it flying high off the ground. In many places where it seems scarce, it can actually be pretty common since it easily hides in the underbrush due to its neutral color. It often hangs around old logs, where you can spot it “hopping skillfully in and out of knotholes and other hollow spaces, then darting away like a brown butterfly to find safety when an intruder gets too close.” Someone once said, “Its movements are almost as much like a mouse as a bird, hardly using its wings except for a quick flutter from one bush or rock pile to another; it sneaks around quickly, showing itself for just a moment before disappearing from sight.”

The Winter Wren builds its nest in the matted roots of an overturned tree, in brush-heaps, in moss-covered stumps, or on the side of a tree trunk. It may be attached to a ledge of rock, and is occasionally found in some unoccupied building, especially if it be a log hut in the woods. The nest is very large and bulky when compared with the size of the bird. Dr. Minot describes a nest that he found in a moss-covered stump in a dark, swampy forest filled with tangled piles of fallen trees and branches. This nest was made of small twigs and moss. It had a very narrow entrance on one side, which was covered by an overhanging bit of moss, which the bird pushed aside on entering. The nests are usually more or less globular and thickly lined with feathers and hair.

The Winter Wren builds its nest in the tangled roots of an overturned tree, in piles of brush, on mossy stumps, or on the side of a tree trunk. It can also be attached to a rock ledge and is sometimes found in abandoned buildings, particularly if it's a log cabin in the woods. The nest is quite large and bulky compared to the size of the bird. Dr. Minot describes a nest he found in a moss-covered stump in a dark, swampy forest filled with tangled piles of fallen trees and branches. This nest was made of small twigs and moss. It had a very narrow entrance on one side, covered by a bit of overhanging moss that the bird pushed aside to get in. The nests are typically more or less globular and are thickly lined with feathers and hair.

This little brown bird, which carries its tail pertly cocked on high, is a notable singer. Many have described this song, or perhaps it is better to say have tried to do so. But words are too inadequate to portray this sweetest of woodland sounds. Reverend Mr. Langille says: “I stand entranced and amazed, my very soul vibrating to this gushing melody, which seems at once expressive of the wildest joy and the tenderest sadness. Is it the voice of some woodland elf, breaking forth into an ecstasy of delight, but ending its lyric in melting notes of sorrow?”

This little brown bird, with its tail held high, is an impressive singer. Many people have attempted to describe its song, but words just can't capture this beautiful sound of the woods. Reverend Mr. Langille shares: “I stand captivated and in awe, my very soul resonating with this flowing melody, which expresses both wild joy and deep sadness. Is it the voice of a woodland spirit, bursting forth in sheer delight, only to finish its song in soft notes of sorrow?”

Of this song Florence A. Merriam says: “Full of trills, runs, and grace notes, it was a tinkling, rippling roundelay. It made me think of the song of the ruby-crowned kinglet, the volume and ringing quality of both being startling from birds of their size. But while the kinglet’s may be less hampered by considerations of tune, the Wren’s song has a more appealing, human character. It is like the bird itself. The dark swamps are made glad by the joyous, wonderful song.”

Of this song, Florence A. Merriam says: “Full of trills, runs, and grace notes, it was a tinkling, rippling roundelay. It reminded me of the song of the ruby-crowned kinglet, with both their volume and ringing quality being surprising for birds of their size. But while the kinglet's song may be less concerned with melody, the Wren's song has a more charming, human quality. It reflects the bird itself. The dark swamps are brightened by the joyful, amazing song.”

WINTER WREN.
(Troglodytes hiemalis.)
About Life-size.
FROM COL. CHI. ACAD. SCIENCES.

WINTER WREN.
(Troglodytes hiemalis.)
About Life-size.
FROM COL. CHI. ACAD. SCIENCES.

101

And Audubon beautifully expresses the song as it appealed to him: “The song of the Winter Wren excels that of any other bird of its size with which I am acquainted. It is truly musical, full of cadence, energetic and melodious; its very continuance is surprising, and dull indeed must be the ear that thrills not on hearing it. When emitted, as it often is, from the dark depths of the unwholesome swamps, it operates so powerfully on the mind that it by contrast inspires a feeling of wonder and delight, and on such occasions has impressed me with a sense of the goodness of the Almighty Creator, who has rendered every spot of earth in some way subservient to the welfare of His creatures.”

And Audubon beautifully captures the song as it resonated with him: “The song of the Winter Wren outshines that of any other bird of its size that I know. It’s truly musical, full of rhythm, vibrant and melodic; its very persistence is astonishing, and only someone with a dull ear wouldn't be thrilled to hear it. When it is often heard from the dark depths of the unhealthy swamps, it impacts the mind so strongly that it evokes a sense of wonder and joy, and in those moments, it has left me with an appreciation for the goodness of the Almighty Creator, who has made every part of the earth somehow beneficial to the well-being of His creatures.”

VOICES IN THE GARDEN.

As the snows were being guarded on the mountain tops by the gentle herder Spring two small seeds, dropped from the same busy hand, fell so near together in a fresh furrow that they could hear each other shiver as they struck the cold, damp earth and were covered over by the same.

As the snows were being watched over on the mountain tops by the gentle herder Spring, two small seeds, dropped from the same busy hand, landed so close together in a fresh furrow that they could hear each other shiver as they hit the cold, damp earth and were buried by it.

“How cold our bed is,” said seed number One, as a cold chill ran down her back.

“How cold our bed is,” said seed number One, as a chill ran down her back.

“Yes,” replied seed number Two. “But we will soon get used to this cold, and when Father Sun sends the sunbeams to play on our top cover we will get warmth from their little hot feet.”

“Yes,” replied seed number Two. “But we’ll soon get used to this cold, and when Father Sun sends the sunbeams to play on our top cover, we’ll feel the warmth from their little hot feet.”

With this thought seed number Two snuggled down in her new bed of earth and pulled the tiny clods around her and shut her eyes to sleep. But seed number One still shivered and complained and wished that she was back in the paper package so loudly that all her companions in the furrow were disturbed, especially number Two, who was lying so near.

With this thought, seed number Two settled into her new bed of soil and tucked the small clumps around her, closing her eyes to sleep. But seed number One kept shivering and grumbling, wishing she was back in the paper bag so loudly that it disturbed all her companions in the row, especially number Two, who was lying so close.

“Aren’t you feeling more comfortable?” asked seed number Two.

“Aren’t you feeling more comfortable?” asked seed number Two.

“No, I am not. I am freezing, and these cold clods are mashing me. I wish I was back in the paper though we were crowded on top of each other.”

“No, I’m not. I’m freezing, and these cold lumps are crushing me. I wish I was back in the paper even though we were packed on top of each other.”

“But you could not grow there.”

“But you couldn't thrive there.”

“No, but I could be more comfortable. If it takes these old black clods to make me grow I don’t know that I want to grow,” and she gave a sniff to show her contempt.

“No, but I could be more comfortable. If it takes these old black clods to make me grow, I don’t know that I want to grow,” and she sniffed to show her disdain.

“Stop! You don’t realize what you are saying! You are near committing the unpardonable sin. Do you remember your promise to Mother Nature as she placed within your bosom the sacred germ of life? That promise which you gave to grow, at the first opportunity, and to do all within your power to become strong and vigorous, producing seeds in which she could place like germs. Then have you forgotten your dying mother’s request that you live up to this solemn promise?”

“Stop! You don't realize what you're saying! You're close to committing an unforgivable act. Do you remember your promise to Mother Nature when she placed the sacred seed of life within you? That promise to grow, as soon as you could, and to do everything in your power to become strong and healthy, producing seeds that she could nurture just like you? Have you forgotten your dying mother’s wish for you to uphold this serious promise?”

Seed number One did not reply, but gave a little rebellious grunt to show her state of feelings and remained silent.

Seed number One didn't respond but let out a small defiant grunt to express her feelings and stayed quiet.

This was a great relief to the other seeds, who were enduring the discomforts of their new and chilly environments with as much fortitude as possible, hoping and believing that their new home would yet become more comfortable. Finally all became quiet and they shut their eyes and waited and dreamed.

This was a huge relief to the other seeds, who were putting up with the discomfort of their new, chilly surroundings as best as they could, hoping and believing that their new home would eventually get more comfortable. Finally, everything became quiet, and they closed their eyes, waiting and dreaming.

The cold, dark night was at last over. The seeds in their little dark chambers could not see this, but they knew it was so when they felt the warm influence of the sunbeams as it crept stealthily down through the damp soil and warmed their cold, wet wrappings. Oh, how it did revive them! They grew larger as they tried to express their thankfulness. The quickening power within pictured to them bright sunshine, refreshing showers and warm, balmy nights. But there they lay helpless in the dark, waiting and dreaming and dimly feeling that—

The cold, dark night was finally over. The seeds in their little dark chambers couldn’t see this, but they knew it was true when they felt the warm influence of the sunbeams as they crept down through the damp soil and warmed their cold, wet coverings. Oh, how it revived them! They grew larger as they tried to show their gratitude. The energy within them imagined bright sunshine, refreshing rain, and warm, pleasant nights. But there they lay, helpless in the dark, waiting and dreaming and vaguely sensing that—

Instinct within that reaches and towers

Instinct within that reaches and towers

And, groping blindly above for light,

And, reaching up blindly for light,

Climbs to a soul in grass and flowers.

Climbs to a spirit in the grass and flowers.

But the greatest change of all was in seed number One. She had spent the dark, cold night in thinking of the promise she had given and about which she had been reminded by seed number Two. Gradually the angry, rebellious feelings passed away and she began to realize how sinful her spirit had been. And now that the warm sunshine had turned the cold, wet clods into a blessing she most heartily 102 felt ashamed of herself and could get no rest until she gave some expression to this feeling. She began by snuggling closer down among the clods and trying to make them feel that she was glad to be among them.

But the biggest change of all was with seed number One. She had spent the dark, cold night thinking about the promise she had made, which seed number Two had reminded her of. Gradually, her angry, rebellious feelings faded, and she realized how sinful her spirit had been. Now that the warm sunshine had turned the cold, wet clods into a blessing, she felt deeply ashamed of herself and couldn't find peace until she expressed this feeling. She started by nestling closer among the clods, trying to show them that she was happy to be with them.

Then she whispered to them softly: “I am so sorry for the rude, impatient, angry words I spoke yesterday when I first came among you. Can you forgive me?”

Then she whispered to them gently: “I’m really sorry for the rude, impatient, angry words I said yesterday when I first joined you. Can you forgive me?”

“Certainly we will,” said the big clod that the seed had accused of mashing her. “I know we are rough looking companions for a tiny seed and oftimes we are forced, by influences from without, to act rudely. But Mother Nature knows our needs and will send water to soften our natures and men will lift and stir us about so that we can do our very best work in helping you and other seeds to perform life’s obligations.”

“Of course we will,” said the big lump that the seed had called out for squashing her. “I know we look pretty rough as friends for a tiny seed, and sometimes we’re pushed to act harshly by outside factors. But Mother Nature understands what we need and will bring water to soften our forms, and people will lift and move us around so we can do our best to help you and other seeds fulfill life’s responsibilities.”

“Yes,” replied the seed, “I now remember how my mother used to praise you and tell us children that the nice juicy food she brought for us to eat came from the soil surrounding her roots.”

“Yes,” replied the seed, “I remember now how my mother used to praise you and tell us kids that the nice, juicy food she brought for us to eat came from the soil around her roots.”

“I am glad you can remember us so kindly,” responded the clod. “Though we are the lowest of God’s creation, we are also the oldest, and He has most graciously used us as an instrument in performing His higher works. We hold a very humble place, and are trodden upon by all of His creatures, yet we are happy in realizing that we, too, have a direct commission from him and a part to perform in the creation of the great living world above us. Our most extensive and immediate work is helping Mother Nature to produce the vegetable kingdom, to which you belong, and we want you to feel,” continued the clod, “that you are among friends who are waiting and anxious to serve you.”

“I’m glad you remember us so kindly,” replied the clod. “Even though we are the lowest of God’s creation, we are also the oldest, and He has graciously used us as a tool to carry out His higher works. We have a very humble place and are walked on by all of His creatures, yet we are happy knowing that we, too, have a direct mission from Him and a role to play in the creation of the great living world above us. Our main and immediate task is helping Mother Nature produce the plant kingdom, which you belong to, and we want you to feel,” continued the clod, “that you are among friends who are eager to serve you.”

“Thank you,” replied the seed; “you are very, very kind, and I am sure I shall learn to love you dearly.” Saying this she crept down closer into the warm little crevice and the clod, absorbing the water that had been turned into the furrow, melted around her and gave her protection, moisture and food.

“Thank you,” replied the seed; “you’re really, really kind, and I’m sure I’ll come to love you dearly.” Saying this, she nestled closer into the warm little crevice, and the clod, soaking up the water that had pooled in the furrow, surrounded her and provided protection, moisture, and nourishment.

The next night did not seem so cold to the seeds. They had become better acquainted with the soil and through the influence of the sun and water were clasped more warmly and tenderly in his arms. There they lay and waited until the little germ within them began to stir and knock for egress. The kind soil had by his own virtues softened their walls so that it was not difficult for the swelling germs to make an opening through which they stretched tiny white hands and laid them lovingly into the strong ones of their benefactor. In these handclasps were pledged mutual co-operation, sympathy and love throughout life. “Useless each without the other.”

The next night didn’t feel as cold to the seeds. They had gotten used to the soil, and with the warmth from the sun and water, they were held more snugly and gently in its embrace. They lay there, waiting for the little germ inside them to start moving and knock for a way out. The nurturing soil had, through its own qualities, softened their walls, making it easy for the swelling germs to create an opening through which they reached out tiny white hands, lovingly placing them into the strong hands of their provider. In these handshakes, they promised to work together, support each other, and share love throughout their lives. “Each is useless without the other.”

No sooner had these little hands made sure of their hold upon the soil than there came an irrepressible longing in the heart bud to reach up and to know another world. In obedience to this call the little bud peeped out of its own hull and crept softly through the soil, up to the sunshine and air. There it unfolded two tiny leaves in thankfulness and praise to One who had made possible this new life. As the fullness of the higher world was comprehended, other leaves were thrown out until the little plant became a whorl of praise and gladness.

No sooner had these little hands secured their grip on the soil than an irresistible desire blossomed in the heart of the bud to reach up and discover another world. In response to this urge, the little bud peeked out of its own shell and gently pushed through the soil, rising towards the sunshine and air. There, it unfolded two tiny leaves in gratitude and praise to the One who had made this new life possible. As the fullness of the higher world was understood, more leaves were sprouted until the little plant became a swirl of praise and joy.

At this juncture new difficulties arose. These little leaves forgot their higher mission of love and praise and began to crowd and push each other, each striving to grow tallest and command the greatest space. As seeds number One and Two lay very near each other it was not long before their leaves came together in the air world. They had been so busy growing that they had talked but little to each other since the first night. Seed number One had grown so happy, gentle and meek that she was fast gaining friends on all sides. Every one regretted that they had so harshly condemned her. But now this new trial was a severe test to her genuine heart goodness. At first she made some show of patience, for seed number Two, her closest neighbor, was so unselfish and gentle in all that she did that there was little excuse to be otherwise. But no sooner did other leaves come into the space she considered her own than her leaves began to rustle and complain and to say: “It is no use for me to try to grow, crowded up like this. I wish I had been planted somewhere all by myself.”

At this point, new challenges emerged. These little leaves forgot their greater purpose of love and appreciation and started to push and jostle each other, each trying to grow taller and take up more space. Since seeds One and Two were very close to each other, it didn’t take long for their leaves to intertwine in the air. They had been so focused on growing that they hadn’t talked much since their first night. Seed One had become so happy, kind, and gentle that she was quickly making friends all around. Everyone regretted having judged her so harshly. But now, this new challenge was a tough test for her true goodness. At first, she tried to be patient because seed Two, her closest neighbor, was so selfless and kind in everything she did that there was little reason to be anything else. But as soon as other leaves entered the space she considered her own, her leaves started to rustle and complain, saying, “I can’t grow like this, all crowded together. I wish I had been planted somewhere alone.”

Then seed number Two gently whispered: “He who took you from your 103 mother’s dead arms, kept you from freezing during the cold winter months and prepared for you this nice loose furrow in which to grow had a right to plant you where He wished and to do with you what He thinks best. As for ‘growing room,’ there is likely to be plenty of it within a few days for all those who have the good fortune to be here.” At this there was a rustle of surprise among the bystanders and they asked what she meant.

Then seed number Two softly said: “He who took you from your 103 mother’s lifeless arms, kept you warm during the freezing winter months and prepared this nice loose soil for you to grow in has the right to plant you where He wants and to do with you what He thinks is best. As for ‘growing room,’ there will probably be plenty of it in just a few days for everyone who is lucky enough to be here.” At this, there was a rustle of surprise among the bystanders, and they asked what she meant.

“I remember mother telling about her early life,” continued seed number Two, “how at first she and her companions were so crowded together that some lost all their beautiful green color and became white and sickly. But one day a girl, with a bucket on her arm and a knife in her hand, came and sat down near them. They all held their breath, not knowing what she intended to do. Then the girl took the knife and, catching a number of mother’s companions by the leaves, cut them off just below their bud. This she continued to do until her bucket was full. When she left there was plenty of room for those remaining to grow, but their hearts were sad and anxious.

“I remember my mom talking about her early life,” continued seed number Two, “how at first she and her friends were so cramped together that some lost all their beautiful green color and turned white and sickly. But one day, a girl with a bucket on her arm and a knife in her hand came and sat down near them. They all held their breath, unsure of what she was going to do. Then the girl took the knife and, grabbing a few of my mom’s friends by the leaves, cut them off just below their bud. She kept doing this until her bucket was full. When she left, there was plenty of space for those who stayed to grow, but their hearts were sad and worried.

“Each day the girl came back to some portion of the bed and acted in the same manner until the bunches were so scattering that the leaves did not touch each other. Each time mother expected that she would be one of the number and be cut off from the life she loved and in which she was hoping to redeem her promise to bear seeds for Mother Nature. Finally she and her companions began to notice that the girl always chose the largest and freshest looking bunches. Then some of them began to say: ‘What is the use of us trying our best to grow strong and vigorous? That very state endangers our lives. Mother Nature surely did not understand these surroundings when she exacted this promise from us!’ One bold, rebellious spirit said: ‘I am going to have my roots stop their work that my leaves may turn yellow and brown; and then I will get the wind to split and break them.’ ‘But,’ said mother, ‘that will be death.’

“Each day, the girl returned to a part of the bed and acted the same way until the bunches got so spread out that the leaves didn’t touch each other. Every time, mother worried that she would be one of the ones taken and cut off from the life she loved, hoping to fulfill her promise to bear seeds for Mother Nature. Eventually, she and her friends started to notice that the girl always picked the largest and freshest bunches. Some of them began to say, ‘What’s the point of us trying our best to grow strong and healthy? Being in that state puts our lives at risk. Mother Nature surely didn’t understand this environment when she made us this promise!’ One bold, rebellious spirit said, ‘I’m going to stop my roots from working so my leaves can turn yellow and brown; then I’ll let the wind break them.’ ‘But,’ said mother, ‘that will be death.’”

“‘Well, what does it matter? I would as lief die one way as another,’ gruffly responded the bold speaker.

“‘Well, what does it matter? I’d just as soon die one way as another,’ grumbled the bold speaker.”

“Most of mother’s companions nodded their assent, so she said nothing more until she had time to quietly think over the matter. That night mother stood, awake, looking up at the stars and trying to know what was best to do. Finally, when the first whispers of morning could be heard, they brought her this message: ‘Always and under all circumstances do your best. Live up to the highest and noblest within you and leave the result to Him who knows the heart.’

“Most of Mom’s friends nodded in agreement, so she said nothing more until she had time to think things over quietly. That night, Mom stood awake, looking up at the stars and trying to figure out what to do. Finally, when the first signs of morning could be heard, they brought her this message: ‘Always do your best, no matter the situation. Live up to the highest and noblest parts of yourself and leave the results to Him who knows the heart.’”

“Then there came peace and courage, and mother rose above the fear of death and resolved that she would not relax one effort to grow and carry out in detail the promise she had given. She was convinced that Mother Nature wanted her best each day rather than a mere existence in order that she might bear some puny seeds.

“Then peace and courage arrived, and mother overcame her fear of death and decided that she wouldn’t ease up on her efforts to grow and fulfill the promise she had made. She believed that Mother Nature expected her to give her best every day instead of just getting by so she could produce a few tiny seeds.”

“Several days went by and the girl did not appear. The contrast became greater and greater between mother and her companions. She stood erect, holding her broad green leaves up to the sun, while in the midst of them could be seen a young, vigorous seed stalk crowned with the precious promises of the future. The leaves of her companions were fast turning yellow and brown and their whole attitude was dejected and forlorn.

“Several days passed, and the girl didn’t show up. The difference between the mother and her companions became more and more pronounced. She stood tall, holding her broad green leaves up to the sun, while in the middle of them was a young, strong seed stalk topped with the precious promises of the future. The leaves of her companions were quickly turning yellow and brown, and their entire demeanor was downcast and hopeless.”

“One day they heard voices in the garden. They thought this must be the girl coming to fill her bucket. All eyes were turned toward mother. They felt sure she would be the first chosen. But mother was calm and possessed, rejoicing in the knowledge that she had lived up to her higher duties and therefore was better prepared to either be cut down or left standing as fate would decide.

“One day they heard voices in the garden. They thought this must be the girl coming to fill her bucket. All eyes were turned toward mom. They were sure she would be the first picked. But mom was calm and collected, happy in knowing that she had fulfilled her higher responsibilities and was therefore better prepared to either be taken down or left standing, depending on what fate decided."

“As the voices came nearer they recognized the owner of the garden and with her John, who had always been their good friend, pulling up the weeds and loosening the soil around their roots. The owner and John were soon standing beside the bed where mother and her companions grew, and then the voice of the woman could be heard saying: ‘John, this bed is doing no good. The season is about over, anyway, so you can spade it up and sow it to early turnips. But look!’ and the woman stooped and touched mother’s crisp leaves. ‘Isn’t this a beautiful specimen of fine lettuce? John, you 104 may leave this bunch for seed.’

“As the voices got closer, they recognized the owner of the garden and John, who had always been their good friend, pulling up the weeds and loosening the soil around their roots. The owner and John soon stood beside the bed where mother and her companions grew, and then they heard the woman say: ‘John, this bed isn’t doing any good. The season is almost over anyway, so you can turn it over and plant early turnips. But look!’ The woman bent down and touched mother’s crisp leaves. ‘Isn’t this a beautiful specimen of fine lettuce? John, you can leave this bunch for seed.’

“So it came about that mother only, of all her companions, was allowed to complete a natural life and to realize the hope that we all have in common.”

“So it happened that only mother, out of all her friends, was allowed to live a full life and to achieve the hope that we all share.”

As seed number Two finished this narrative they were all very thoughtful and felt more considerate for each other in their crowded condition.

As seed number Two wrapped up this story, they all became quite reflective and felt more thoughtful towards each other in their cramped situation.

Sure enough, within the next day or two a woman with a pan and knife came down the row and began to thin out their number. Seed numbers One and Two trembled as she passed them, but she did not stop to take either.

Sure enough, within the next day or two, a woman with a pan and knife came down the row and started to reduce their numbers. Seed numbers One and Two shuddered as she walked by them, but she didn't stop to take either.

That evening seed number One whispered to her companion: “You are very fortunate to have had such a noble mother. I know now why it is so easy for you to be patient and good.”

That evening, seed number one whispered to her companion, “You’re really lucky to have such an amazing mother. Now I understand why it’s so easy for you to be patient and kind.”

“Ah! you do not know nor understand, or you would not call me good nor think that it is easy for me to be always patient. I love and honor the memory of my mother, but she does not possess the power to make me good. Mother Nature holds each of us responsible for our own acts and judges us accordingly.”

“Ah! You don’t know or understand, or you wouldn’t call me good or think it’s easy for me to always be patient. I love and respect the memory of my mother, but she doesn’t have the power to make me good. Mother Nature makes each of us accountable for our own actions and judges us accordingly.”

After a thoughtful silence seed number One said: “I am growing to try to be good and to grow strong and upright,” and she stretched herself a little bit higher in her own effort to appear so.

After a thoughtful silence, seed number one said, “I’m growing to try to be good and to grow strong and upright,” and she stretched herself a little bit higher in her effort to look that way.

A few days after this a small, tiny worm came creeping and shivering along the ground and stopped first under the leaves of seed number One and asked for a nibble.

A few days later, a small, tiny worm came crawling and shivering along the ground and stopped first under the leaves of seed number One and asked for a bite.

“No,” replied the seed, “my leaves must be kept whole and beautiful, for it is only in this way that I can be my best self and thereby win Mother Nature’s approval.”

“No,” replied the seed, “I need to keep my leaves whole and beautiful because that’s the only way I can be my best self and earn Mother Nature’s approval.”

“But I am starving,” replied the worm. “I cannot find a morsel to eat anywhere. Please give me one of your under leaves that I may gain strength to crawl on and hunt other food. I do not ask your life, but only a bit of your under leaves, which you can well spare.”

“But I’m starving,” replied the worm. “I can’t find a bite to eat anywhere. Please give me one of your lower leaves so I can gain the strength to crawl around and find more food. I’m not asking for your life, just a little piece of your lower leaves, which you can easily spare.”

“But it will spoil my appearance,” said the seed, “and Mother Nature wants me to be beautiful. And then I can’t bear to have a nasty worm touch me,” and she rustled and drew up her beautiful green leaves to show her disgust.

“But it will ruin my looks,” said the seed, “and Mother Nature wants me to be gorgeous. Plus, I can’t stand the thought of a gross worm touching me,” and she rustled and lifted her beautiful green leaves to show her disgust.

“Very well,” said the worm, “I will not take by force what you are not willing to give through mercy. Some day you will know me better,” and the worm crawled away.

“Alright,” said the worm, “I won’t take by force what you’re not willing to give out of kindness. Someday you’ll understand me better,” and the worm crawled away.

He stopped at seed number Two and made the same request. At first she hesitated, but seeing how near starved the poor worm was and how humbly and meekly he asked for the food, she relented.

He stopped at seed number Two and made the same request. At first, she hesitated, but seeing how close to starving the poor worm was and how humbly and meekly he asked for the food, she gave in.

“I know,” said the seed, “you will spoil the appearance of my leaves and I shall look shabby among my companions, but knowing that you, too, are one of Mother Nature’s children, I cannot believe that she would have me withhold life from you. Therefore, I give you of my leaves as giving unto her, leaving the result with her.”

“I know,” said the seed, “you will ruin the look of my leaves and I’ll end up looking shabby next to my friends, but since I know that you’re also one of Mother Nature’s children, I can’t believe she would want me to keep life from you. So, I’m giving you some of my leaves as a gift to her, leaving the outcome in her hands.”

The worm most heartily thanked the seed and began eating. He stayed a day or two, making several large holes through the under leaves, but at the end of that time he had become strong and vigorous, and again thanking her, he crawled away.

The worm sincerely thanked the seed and started eating. He stayed for a day or two, making several big holes in the lower leaves, but by the end of that time, he had grown strong and healthy, and after thanking her once more, he crawled away.

Several days after the worm had departed and seeds numbers One and Two had grown to be quite large bunches, the woman with her knife came down the row. She seemed to be in a great hurry and was gathering the largest bunches as she came along. When she reached the two companions she stooped and laid her knife at the root of number Two, but noticing the holes in her leaves she quickly changed to seed number One and the knife went home. Poor seed number One fell over on her side and was gathered up and placed in the pan. The woman passed on and seed number Two was left standing, but shaking with the emotions of fear, thankfulness and regret. For after all, she loved seed number One and was truly sorry that she had been taken.

A few days after the worm had left and seeds One and Two had grown into big bunches, a woman with a knife came down the row. She seemed to be in a rush, gathering the biggest bunches as she went. When she reached the two companions, she bent down and set her knife at the root of seed number Two, but noticing the holes in its leaves, she quickly switched to seed number One, and the knife came down. Poor seed number One fell over onto its side and was scooped up and placed in the pan. The woman moved on, leaving seed number Two standing there, shaking with a mix of fear, gratitude, and regret. After all, she loved seed number One and truly felt sorry that it had been taken.

All that afternoon seed number Two remained very quiet and her companions knew why.

All that afternoon, seed number Two stayed really quiet, and her friends knew why.

“How strange!” they murmured. “What we thought was her degradation and destruction has really been her salvation.”

“How strange!” they whispered. “What we believed was her downfall and ruin has actually been her rescue.”

And they looked upon her with awe and whispered:

And they stared at her in amazement and murmured:

“How strange! How strange!”

“How weird! How weird!”

M. Alice Spradlin.

M. Alice Spradlin.

LECONTE’S SPARROW.
(Ammodramus leconteii.)
About Life-size.
FROM COL. CHI. ACAD. SCIENCES.

LECONTE’S SPARROW.
(Ammodramus leconteii.)
About Life-size.
FROM COL. CHI. ACAD. SCIENCES.

107

THE LECONTE’S SPARROW.
Ammodramus leconteii

The Leconte’s Sparrow has an interesting history. It was first discovered and named by Audubon in 1843. Later, his account seemed almost a myth, for no more individuals were taken, and even the specimen on which he based his published report of the new species was lost. It was not seen again until Dr. Coues rediscovered it in 1873, obtaining his specimens on the Turtle Mountain, near the border of Dakota.

The Leconte’s Sparrow has a fascinating history. It was first discovered and named by Audubon in 1843. Later, his account seemed almost like a myth because no more individuals were found, and even the specimen he used for his published report of the new species was lost. It wasn’t seen again until Dr. Coues rediscovered it in 1873, collecting his specimens on Turtle Mountain, near the Dakota border.

Of their habits, Dr. Coues says: “In their mode of flight the birds resemble wrens; a simile which suggested itself to me at the time was that of a bee returning home laden with pollen; they flew straight and steady enough, but rather feebly, as if heavily freighted for their very short wings.”

Of their habits, Dr. Coues says: “In their flying style, the birds are similar to wrens; a comparison that came to mind at the time was that of a bee flying back home loaded with pollen; they flew straight and steady enough but seemed a bit weak, as if weighed down by their very short wings.”

Its range is quite extensive, for it is found from the Great Plains eastward through Illinois and Indiana and from Manitoba southward. During the winter months it frequents the States bordering the Gulf of Mexico. This Sparrow is often seen in the stubble of grain fields which have become covered with grass and low weeds, to the cover of which it will retreat when frightened. In this respect it resembles the grasshopper sparrow, and like it is easily overlooked. Mr. Nelson found it on moist prairies that were covered with a growth of coarse grass. It is also frequently seen in the swampy prairies of the Mississippi bottom lands.

Its range is quite extensive, as it can be found from the Great Plains eastward through Illinois and Indiana, and down from Manitoba. During the winter months, it stays in the states along the Gulf of Mexico. This Sparrow is often spotted in grain fields that have become overgrown with grass and low weeds, where it will hide when scared. In this way, it’s similar to the grasshopper sparrow and can easily be missed. Mr. Nelson found it in wet prairies with a lot of coarse grass. It is also commonly seen in the swampy prairies of the Mississippi lowlands.

Mr. Oliver Davie quotes the following description of the bird’s habits from an observer who studied their habits in Manitoba, where they nest extensively: “Leconte’s Sparrows are fairly numerous in Manitoba. Their peculiar note can be heard both day and night in fine weather; the only sound I can compare it to is the note of the grasshopper. It is one of the most difficult of all the small birds to collect that I know of. They are great skulkers. I have often followed them, guided by their chirping, in the grass until I was sure the bird was not more than a few yards away; then he would suddenly ‘crowd on all sail’ and dart away at a high rate of speed, gyrating from side to side in a manner that would test the skill of any collector.”

Mr. Oliver Davie quotes the following description of the bird's habits from an observer who studied them in Manitoba, where they nest extensively: “Leconte’s Sparrows are quite common in Manitoba. Their unique call can be heard both day and night in good weather; the only sound I can compare it to is the call of a grasshopper. They are among the hardest small birds to catch that I know of. They are excellent at hiding. I have often tracked them, guided by their chirping, through the grass until I was sure the bird was only a few yards away; then it would suddenly 'take off' and zip away at a high speed, weaving from side to side in a way that would challenge the skill of any collector.”

The nests are described as concealed in a thick tuft of grass and are rather deep and cup shaped. They are constructed of fine grass and fibers.

The nests are described as hidden in a dense bunch of grass and are quite deep and cup-shaped. They are made from fine grass and fibers.

Though this elegant little Sparrow baffled bird lovers for so many years, it is now known to be abundant in many localities, and it is only because of its peculiar and retiring habits, living as it does in grassy places not easily accessible, that it is not more often observed.

Though this elegant little Sparrow has puzzled bird lovers for many years, it is now known to be plentiful in many areas. It’s mainly due to its unique and shy behavior, as it lives in grassy spots that are not easily reachable, that it isn't seen more often.

108

EASTER LILIES.

The one delight of Grace Newton’s life was to visit Aunt Chatty White. Winter or summer, autumn or spring—no matter what the season nor how bright or how gloomy the weather—there was sure to be found some unusually fascinating pleasure or employment. There were books of every description with which to while away the winter days. And in summer the trees were full of fruit, the yard with flowers, the fields and garden with good things, while the birds saucily claimed possession of all.

The one joy in Grace Newton’s life was visiting Aunt Chatty White. Winter or summer, autumn or spring—regardless of the season or how bright or gloomy the weather—there was always some incredibly interesting activity or pleasure to be had. There were books of every kind to pass the winter days. And in summer, the trees were loaded with fruit, the yard was filled with flowers, the fields and garden were overflowing with goodies, while the birds confidently took ownership of it all.

But when she was told by Mamma that she should open Easter with Aunt Chatty her heart was a-flutter with a joy not known before. Easter—her first away from home! And she was sure that there would be presents, and new books to read, and new stories to hear, and rabbits’ nests to visit, and—well, it would be the gladdest Easter of her life, she was certain.

But when Mamma told her that she would celebrate Easter with Aunt Chatty, her heart raced with a joy she had never felt before. Easter—her first one away from home! And she was sure there would be gifts, new books to read, exciting stories to hear, and rabbit nests to explore, and—well, it would be the happiest Easter of her life, she was certain.

It was Good Friday when she arrived at her aunt’s quiet country home. The winter was dying away and spring was making itself known and felt, while a few birds were venturing to sing of summer’s return. The buds were swelling, the lawns and meadows were becoming green, and in the woods Grace was sure she could find, should she try, a violet, a bloodroot bloom, or a dainty snowdrop. For these were the first flowers, and sometimes appeared, her mother told her, before the snow was fairly gone.

It was Good Friday when she arrived at her aunt’s peaceful country home. Winter was fading away, and spring was starting to show itself, while a few birds were daring to sing about summer’s arrival. The buds were getting bigger, the lawns and meadows were turning green, and in the woods, Grace was sure she could find, if she looked, a violet, a bloodroot bloom, or a delicate snowdrop. Because these were the first flowers, and sometimes they appeared, her mother told her, before the snow was completely gone.

A surprise awaited her, however; for, as she was wandering aimlessly about the garden borders that afternoon, she suddenly came upon a bed of golden buds and blossoms. After gazing at them a few moments to make sure she was not dreaming, she hastened away to Aunt Chatty for an explanation.

A surprise awaited her, though; as she was wandering around the garden edges that afternoon, she suddenly stumbled upon a patch of golden buds and flowers. After staring at them for a few moments to confirm she wasn't dreaming, she quickly ran to Aunt Chatty for an explanation.

“Why, dearie, those are Easter flowers,” laughed her aunt.

“Why, sweetie, those are Easter flowers,” laughed her aunt.

“But I thought Easter lilies were white.”

“But I thought Easter lilies were white.”

“Not all of them. I have some white ones—in another part of the garden. Those you saw are daffodils and jonquils.”

“Not all of them. I have some white ones—in another part of the garden. Those you saw are daffodils and jonquils.”

“John—who?” queried Grace, in astonishment.

“John—who?” Grace asked, astonished.

“Jonquils,” repeated Mrs. White, amused not a little at Grace’s ignorance and wonder. “Come! I’ll show you which is which.”

“Jonquils,” repeated Mrs. White, clearly entertained by Grace’s lack of knowledge and curiosity. “Come! I’ll show you which is which.”

Grace ran on ahead, and was minutely inspecting the tender young blossoms when her aunt arrived.

Grace ran ahead, carefully examining the delicate young blossoms when her aunt arrived.

“The large double yellow ones are daffodils. Those across yonder are the white ones. Wait!” she called, for the impatient child had already started toward the bed of more familiar lilies. “Here are the jonquils—these with cups. Really the name for these, both the yellow and the white, is Narcissus. Presently I’ll tell you how they came to have that name. There are twenty or thirty kinds, but the most perfect forms grow in Europe and Japan. Cultivation has done a great deal for the Narcissus, both in this and other countries, but these of mine are but the old-fashioned sort that grandmother planted here. Now let’s go see the white ones. Will they be in full bloom for Easter?”

“The big double yellow ones are daffodils. Those over there are the white ones. Wait!” she called, as the eager child had already started towards the more familiar lilies. “Here are the jonquils—these with cups. The actual name for these, both the yellow and the white, is Narcissus. I’ll explain later how they got that name. There are twenty or thirty varieties, but the most beautiful ones are found in Europe and Japan. Growing them has really improved the Narcissus, both here and in other countries, but these I have are just the old-fashioned ones that my grandmother planted here. Now let’s go see the white ones. Will they be in full bloom for Easter?”

“Yes,” replied Grace. “See, here are two now. Mamma has this kind,” and she fondled the snowy blossoms as though they were friends of long standing.

“Yes,” replied Grace. “Look, here are two now. Mom has this kind,” and she gently touched the white flowers as if they were long-time friends.

“These are, without doubt, the ‘lilies of the field’ that Christ spoke of,” said Aunt Chatty. “Isn’t it nice of them to hurry from the ground in the spring in time to remind us of the resurrection of Him who commended them so highly? And their whiteness tells us of His purity, as though they wish to honor Him as long as they live.”

“These are definitely the ‘lilies of the field’ that Christ talked about,” Aunt Chatty said. “Isn’t it lovely how they come up from the ground in the spring just in time to remind us of the resurrection of Him who praised them so much? And their whiteness represents His purity, as if they want to honor Him for as long as they live.”

“But tell me, aunty, how they came to have that other name,” urged Grace presently.

“But tell me, Aunt, how they ended up with that other name,” Grace pressed on.

“Oh, yes. That story was told by the ancients to frighten boys and girls who were selfish and unkind.”

“Oh, yes. That story was told by the ancients to scare selfish and unkind boys and girls.”

To the cosy sitting room they repaired, for the air had not yet become warm enough for so lengthy a stay out of doors. When both were comfortably settled Aunt Chatty began:

To the cozy living room they went, because the air hadn't warmed up enough for such a long stay outside. Once they were both comfortably settled, Aunt Chatty began:

109

“There was a very beautiful youth, mythology tells us, who was devotedly loved by a wood nymph, Echo. But she had incurred the displeasure of Juno, their goddess of the heavens, and by her had been condemned to have the power to speak only the last word and was forbidden any other. For this reason she could not address Narcissus, much as she desired to do so. When he did speak, finally, Echo answered by repeating his last word. Her heart was full of joy, for she was sure that at last her opportunity had come. But in spite of her beauty and purity the youth repelled her, and left her to haunt the recesses of the woods. In her disappointment she pined for him until her form faded because of grief. Her bones were changed to rocks and there was nothing left but her voice. With that she is still ready to reply to anyone who calls to her and keeps up her old habit of having the last word.

“There was a really beautiful young man, mythology tells us, who was deeply loved by a wood nymph named Echo. But she had fallen out of favor with Juno, their goddess of the heavens, and as a result, she was cursed to only be able to repeat the last word spoken to her and forbidden from saying anything else. Because of this, she couldn't talk to Narcissus, no matter how much she wanted to. When he finally did speak, Echo responded by mimicking his last word. Her heart was filled with joy, believing that her chance had finally come. But despite her beauty and innocence, the young man turned her away, leaving her to wander the depths of the woods. In her sadness, she longed for him until she withered away from grief. Her bones transformed into rocks, and all that remained was her voice. With that, she continues to respond to anyone who calls her and maintains her old habit of having the last word.”

“Narcissus was cruel not in this case alone. He shunned every one else as he had done poor Echo. One day one of those whom he repelled so heartlessly breathed a prayer that he should some day feel what it was to receive no return of affection. The wish was granted.

“Narcissus was not just cruel in this instance. He rejected everyone else just like he had poor Echo. One day, one of those he coldly pushed away prayed that he would someday know what it felt like to not receive love in return. The wish was granted."

“There was a fountain, with water like silver, to which the shepherds never drove their flocks. In fact, nothing ever disturbed its water, and here one day Narcissus chanced to stop to drink. He saw his own likeness in the water and, thinking it a beautiful water spirit living in the fountain, admired and loved it. He talked to it, but it would not answer; he tried to catch it, but it fled whenever he touched the water. He could not tear himself away from the spot, for he was so captivated by the lovely face in the fountain that he ignored all else. So there he stayed until he lost his color, his vigor, and the beauty which had so charmed Echo. She kept near him, however, and when, in his grief, he exclaimed, ‘Alas! alas!’ she answered with the same words. He pined away and died. The nymphs prepared a funeral pile and would have burned the body, but it was nowhere to be found; in its place was a flower, purple within and surrounded with white leaves, which bears the name and preserves the memory of Narcissus.”

“There was a fountain with water that shimmered like silver, but the shepherds never took their flocks there. In fact, nothing ever disturbed its water, and one day, Narcissus happened to stop by to drink. He saw his own reflection in the water and, thinking it was a beautiful water spirit living in the fountain, he admired and fell in love with it. He talked to it, but it wouldn’t respond; he tried to catch it, but it vanished whenever he touched the water. He couldn’t pull himself away from that spot, captivated by the beautiful face in the fountain, ignoring everything else. So he stayed there until he lost his color, his strength, and the beauty that had charmed Echo. She remained close to him, and when he cried out in his sorrow, 'Alas! alas!' she echoed his words. He faded away and died. The nymphs prepared a funeral pyre and would have burned the body, but it was nowhere to be found; in its place was a flower, purple in the center and surrounded by white petals, which carries his name and keeps the memory of Narcissus alive.”

When Aunt Chatty had finished, Grace, after gazing out at the white Easter lilies a few moments, said:

When Aunt Chatty was done talking, Grace, after looking at the white Easter lilies for a moment, said:

“I like the story, but I don’t like Narcissus. He was too selfish and ungrateful. I like the story best that you told me in the garden, the one about the ‘lilies of the field.’”

“I like the story, but I don’t like Narcissus. He was too selfish and ungrateful. I like the story best that you told me in the garden, the one about the ‘lilies of the field.’”

Claudia May Ferrin.

Claudia May Ferrin.

THE CALL OF THE KILLDEE.

“Killdee, killdee.”

"Killdee, killdee."

The pleasantest sight to me

The most pleasant sight to me

Is a little brown bird with a curious word;

Is a small brown bird with an interesting sound;

A queer little word that to-day I have heard

A strange little word that I have heard today

For the very first time this spring, you see,

For the very first time this spring, you see,

And that queer little word is “Killdee, killdee.”

And that strange little word is “Killdee, killdee.”

That curious word is “Killdee.”

That interesting word is “Killdee.”

“Killdee, killdee.”

“Killdee, killdee.”

It is cheery and clear as can be.

It is bright and clear as ever.

And there’s snow in the gully not melted away,

And there’s snow in the gully that hasn’t melted yet,

And ice in the river; I saw it to-day.

And ice in the river; I saw it today.

Yet there he goes dipping and skimming along

Yet there he goes, dipping and skimming along.

And singing so blithely his queer little song:

And singing so cheerfully his strange little song:

“’Tis spring. Killdee, Killdee.”

"Spring is here. Killdee, Killdee."

Mary Morrison.

Mary Morrison.

110

THE NORTHERN PHALAROPE.
(Phalaropus lobatus.)

The Northern Phalarope has a wide range, extending throughout the northern portion of the Northern Hemisphere and in winter reaching the tropics. It breeds only in Arctic latitudes. It is a bird of the ocean, and seldom is observed inland except as a rare migrant early in May or in October. Then it “frequents slow streams or marshy pools.”

The Northern Phalarope has a broad range, spreading across the northern part of the Northern Hemisphere and moving to the tropics during winter. It only breeds in Arctic regions. This bird is primarily found in the ocean and is rarely seen inland, except as a rare migrant in early May or October. During that time, it tends to hang out by slow streams or marshy pools.

This Phalarope belongs to the shore birds and to a family that contains but three known species. Two of these are sea birds. The other, Wilson’s phalarope, is an inhabitant of the interior of North America. Their feet are webbed, and usually the two marine forms, or sea snipe, as they are sometimes called, migrate in flocks far from land. Mr. Chapman says: “I have seen it in great numbers about one hundred miles off Barnegat, New Jersey, in May. For several hours the steamer passed through flocks, which were swimming on the ocean. They arose in a body at our approach, and in close rank whirled away to the right or left in search of new feeding grounds.”

This Phalarope is a type of shorebird and is part of a family that consists of only three known species. Two of these are seabirds. The other, Wilson’s phalarope, lives in the interior of North America. They have webbed feet, and typically the two marine types, also known as sea snipe, migrate in flocks far from land. Mr. Chapman notes: “I have seen it in great numbers about one hundred miles off Barnegat, New Jersey, in May. For several hours, the steamer passed through flocks that were swimming in the ocean. They took flight in unison as we approached, quickly swirling away to the right or left in search of new feeding areas.”

It is not an exaggeration to say that it is one of the most beautiful of our aquatic birds. All its motions are graceful. It possesses a quiet dignity and elegance while swimming in search of food, which it frequently obtains by thrusting its bill into the water. In this manner it obtains a large number of marine animals and flies that may be on the surface of the water. When on the shore it may be seen wading and swimming in ponds near the coast.

It’s no exaggeration to say that it’s one of the most beautiful aquatic birds we have. All its movements are graceful. It has a quiet dignity and elegance while swimming to find food, which it often gets by dipping its bill into the water. This way, it catches a lot of marine animals and insects that might be on the water's surface. On the shore, you can see it wading and swimming in ponds near the coast.

Dr. Coues wrote in an interesting manner of this bird. He said that the Northern Phalarope is “a curious compound of a wader and swimmer. Take one of our common little sandpipers, fit it for sea by making oars of its feet, and launch it upon the great deep, you have a Northern Phalarope. You may see a flotilla of these little animated cockle-boats riding lightly on the waves anywhere off the coast of New England.”

Dr. Coues wrote about this bird in an engaging way. He described the Northern Phalarope as “a fascinating mix of a wader and a swimmer. Imagine taking one of our typical little sandpipers, turning its feet into paddles for swimming, and setting it loose on the vast ocean; that’s what you get with a Northern Phalarope. You can spot a group of these lively little boats floating gently on the waves anywhere along the coast of New England.”

Its habits at the mating season are most interesting, and no words can better describe them than those of Mr. E. W. Nelson: “As the season comes on when the flames of love mount high, the dull-colored male moves about the pool, apparently heedless of the surrounding fair ones. Such stoical indifference usually appears too much for the feelings of some of the fair ones to bear. A female coyly glides close to him and bows her head in pretty submissiveness, but he turns away, pecks at a bit of food and moves off; she follows and he quickens his speed, but in vain; he is her choice, and she proudly arches her neck and in mazy circles passes and repasses close before the harassed bachelor. He turns his breast first to one side, then to the other, as though to escape, but there is his gentle wooer ever pressing her suit before him. Frequently he takes flight to another part of the pool, all to no purpose. If with affected indifference he tries to feed she swims along side by side, almost touching him, and at intervals rises on wing above him and, poised a foot or two over his back, makes a half dozen quick, sharp wing-strokes, producing a series of sharp, whistling noises in rapid succession. In the course of time it is said that water will wear the hardest rock, and it is certain that time and importunity have their full effect upon the male of this Phalarope, and soon all are comfortably married, while mater familias no longer needs to use her seductive ways and charming blandishments to draw his notice.”

Its behaviors during mating season are really interesting, and no one describes them better than Mr. E. W. Nelson: “As the season approaches when the flames of love rise high, the dull-colored male roams around the pool, seemingly oblivious to the lovely females nearby. This stoic indifference often proves too much for some of the females to handle. A female shyly glides close to him and bows her head in a charming show of submission, but he turns away, pecks at some food, and moves on; she follows, and he quickens his pace, but it’s no use; she has chosen him, and she proudly arches her neck, circling around him in elaborate patterns. He turns his chest to one side, then the other, as if trying to escape, but his gentle admirer keeps pressing her advances. Often, he flies to another part of the pool, but it's pointless. If he pretends to be indifferent while feeding, she swims almost alongside him, nearly touching, and at times she rises above him, a foot or two in the air, making quick, sharp wing strokes that produce a series of rapid, whistling sounds. Over time, it's said that water can wear down the hardest rock, and it’s clear that time and persistence take their toll on the male of this Phalarope, and soon all are happily paired off, while the female no longer needs to use her seductive ways and charming tactics to get his attention.”

Then after the four dark and heavily marked eggs are laid the “captive male is introduced to new duties, and spends half his time on the eggs, while the female keeps about the pool close by.”

Then after the four dark and heavily marked eggs are laid, the “captive male is introduced to new duties and spends half his time on the eggs, while the female hangs around the pool nearby.”

NORTHERN PHALAROPE.
(Phalaropus lobatus.)
¾ Life-size.
FROM COL. CHI. ACAD. SCIENCES.

NORTHERN PHALAROPE.
(Phalaropus lobatus.)
¾ Life-size.
FROM COL. CHI. ACAD. SCIENCES.

113

These birds, which possess such dainty elegance in all their motions, do not exhibit a corresponding degree of taste in home building. Their nests, at best, consist of only a few blades of grass and fragments of moss laid loosely together. Often the eggs are laid in some convenient hollow, with no bedding whatever except that which happened to lodge there.

These birds, which display such delicate grace in all their movements, don't show the same level of care when it comes to building their homes. Their nests, at best, are made up of just a few blades of grass and bits of moss piled together loosely. Often, the eggs are simply placed in a convenient hollow, with no bedding at all except for whatever just happened to be there.

These are a few of the facts in the life history of this bird, which starts in its career as a little ball of buff and brown and later in life “glides hither and thither on the water, apparently drifted by its fancy, and skims about the pool like an autumn leaf wafted before the playful zephyrs on some embosomed lakelet in the forest.”

These are some facts about the life of this bird, which begins its journey as a small ball of tan and brown and later in life “glides here and there on the water, seemingly carried by its whims, and skims around the pond like an autumn leaf blown by the gentle breezes on a secluded little lake in the woods.”

OUR LITTLE MARTYRS.

Do we care, you and I,

Do we care?

For the songbirds winging by?

For the songbirds flying by?

Ruffled throat and bosom’s sheen,

Ruffled throat and chest’s shine,

Thrill of wing, of gold or green,

Thrill of flight, of gold or green,

Sapphire, crimson—gorgeous dye

Sapphire, crimson—beautiful dye

Lost or found across the sky,

Lost or found across the sky,

’Midst the glory of the air,

’Midst the glory of the air,

Birds who tenderer colors wear?

Birds that wear brighter colors?

What to us the free bird’s song,

What does the free bird's song mean to us,

Breath of passion, breath of wrong,

Breath of passion, breath of wrong,

Wood-heart’s orchestra, her life,

Wood-heart’s orchestra, her life,

Breath of love and breath of strife,

Breath of love and breath of struggle,

Joy’s fantasias, anguish breath,

Joy’s fantasies, anguish breath,

Cries of doubt and cries of death?

Cries of uncertainty and cries of death?

Shall we care when nesting-time

Shall we care during nesting time

Brings no birds from any clime,

Doesn't bring any birds.

Not a voice or ruby wing,

Not a voice or ruby wing,

Not a single nest to swing

Not a single nest to swing

’Midst the reeds or higher up,

’Midst the reeds or higher up,

Like a dainty fairy-cup;

Like a delicate fairy cup;

Not a single little friend,

Not a single little buddy,

All the way as footsteps wend

All the way as footsteps go

Here and there through every clime,

Here and there in every region,

Not a bird at any time?

Not a single bird at any time?

Does it matter, do we care

Does it matter? Do we care?

What the feathers women wear

What the women’s feather accessories

Cost the world? For birds must die;

Cost the world? Birds must die;

Not a clime where they may fly

Not a place where they can escape

Safely through their native air;

Safely through their natural environment;

Slaughter meets them everywhere.

Slaughter is everywhere.

Scorned be hands that touch such spoil!

Scorn be upon the hands that touch such waste!

Let women pity, and recoil

Let women feel pity and pull back

From traffic, barbarous and grave,

From traffic, brutal and serious,

And quickly strive the birds to save.

And quickly try to save the birds.

George Klingle.

George Klingle.

114

A CARGO OF STOWAWAYS.

“Birds of ocean and of air

“Birds of the sea and sky

Hither in a troop repair.”

“Here in a troop repair.”

Aristophanes’ “The Birds.”

Aristophanes’ “The Birds.”

Passing out of the golden sunrise into a world of blue sky and the blue waters of Lake Huron, we regretfully assured ourselves that save for the shadowy gray and white gulls that followed in the wake of our steamer in search of a breakfast, there would be for us no bird reviews so dear to the heart of the ornithologist in a strange country, or not at least until we should have reached the far distant islands in the picturesque River Sault Ste. Mary, so with the inertia of the blank waters about us we prepared to be content, but in this instance, as in many others, we were to learn that conclusions are by no means conclusive, and it was with joy that we could exclaim with Aristophanes:

Passing out of the golden sunrise into a world of blue sky and the blue waters of Lake Huron, we reluctantly reassured ourselves that aside from the shadowy gray and white seagulls following our steamer in search of breakfast, we wouldn’t encounter any birdwatching opportunities so treasured by ornithologists in an unfamiliar country, at least not until we reached the far-off islands in the scenic St. Mary’s River. So, with the stillness of the calm waters surrounding us, we prepared to settle for what we had. However, in this case, as in many others, we were about to discover that conclusions aren’t always final, and we joyfully exclaimed with Aristophanes:

“But hark! the rushing sound of rushing wings

“But listen! the sound of rushing wings

Approaches us,”

Approaches us.

when before our delighted and surprised eyes alighted a bronze grackle, most majestic of blackbirds, who stepped off across the deck with all of the pride of a lately promoted major, doubtless glad enough to find himself on solid footing after the heavy gale of the past night, which has blown him into unknown seas. His rich metallic plumage gleamed in the sunlight as he eyed us inquisitively, the while walking calmly about us picking up the insects of which we seemed to have an abundant supply aboard. But where is the little wife to whom he was so devoted, and whose labors of incubation he so materially assisted, taking his “turn” on the nest with clock-like regularity? But also he shared with her their rich song notes which so delight us during the courting season. But our grackle is by no means the only stowaway we were to carry north with us, for all at once the air was resonant with excited “chips” and “zeeps” as the different winged passengers arrived. At least half a dozen pine warblers contentedly flitted onto the deck, filling the air with their sweet calls, and dancing about like little balls of yellow feathers. And to delight beyond anything the heart of a bird enthusiast, far more indeed than can any result of gun, camera or opera glass, was the fact that exhaustion and hunger had entirely obliterated from these birds every trace of their dread of the human kind, and they associated with us as fearlessly as tho’ to the manor born. Particularly was this true of the pine warblers who hopped about us on the hatchways like chickens, one venturesome little fellow even becoming so familiar as to alight on the toe of my slipper, and quietly inspect its steel embroidery with silent curiosity, occasionally glancing up at me out of his round, bright eyes as confidentially as though he was a connoisseur in footwear. Another warbler lit on the corner of a book that one of the passengers was holding in her hand. This rare friendliness made us feel that we had not only the bird in the hand, but also the two in the bush, with still a balance in our favor, for we could study their movements as intimately as we desired, but I could hardly keep from rubbing my eyes in amazement, fearing “’twas but a dream,” or that my brain has been turned, as topsy turvy this morning as was my stomach the night before. But the experience was certainly uniquely delightful to say the least. After all of these years of careful peeking and prying to secure a moment’s observation of some of these birds, to have them now flitting about me, at my very feet as it were, in this familiar and friendly fashion 115 was indeed a rare treat. It is Darwin who has said that he had come to the conclusion that the wildness of birds with regard to man is a particular instinct directed against him, and not dependent on any general degree of caution arising from other sources of danger. Birds in general, however, have had reason to become timid from their experience of the human biped, and hold with Eben Holden that “Men are the most terrible of all critters, an’ the meanest. They’re the only critters that kill fer fun,” and it has become instinctive for them to act accordingly.

When a majestic bronze grackle, the most impressive of blackbirds, appeared before our delighted and surprised eyes, it stepped across the deck with the pride of a recently promoted major, surely relieved to find solid ground after the fierce storm of the previous night that had blown him into unfamiliar waters. His rich, metallic feathers shone in the sunlight as he curiously observed us while walking around, picking up the insects we seemed to have in abundant supply on board. But where is the little mate he was so devoted to, the one whose incubation efforts he so reliably supported by taking his “turn” on the nest with clock-like precision? He even shared with her their beautiful songs that bring us so much joy during the courting season. However, our grackle isn't the only stowaway we're taking north with us, as suddenly the air was filled with excited “chips” and “zeeps” as various winged passengers arrived. At least half a dozen pine warblers flitted onto the deck, filling the air with their sweet calls and darting around like little balls of yellow feathers. And to the delight of any bird enthusiast, far more than any results from a gun, camera, or binoculars, was the fact that exhaustion and hunger had completely erased any fear these birds had of humans, and they mingled with us as if they were completely at home. This was especially true for the pine warblers, who hopped around us on the hatchways like chickens; one brave little guy even became so familiar that he landed on the toe of my slipper and quietly inspected its steel embroidery, occasionally glancing up at me with his round, bright eyes as if he were a shoe expert. Another warbler perched on the corner of a book one of the passengers was holding. This rare friendliness made us feel like we had not only the bird in hand but also two in the bush, with an advantage in our favor since we could observe their movements as closely as we wanted. Yet, I could hardly believe my eyes in amazement, fearing “'twas but a dream,” or that my mind had been turned topsy-turvy this morning, just like my stomach the night before. But the experience was undeniably delightful, to say the least. After all these years of careful peeking and prying to catch a moment’s glimpse of these birds, having them flit around me, practically at my feet, in such a familiar and friendly way was indeed a rare treat. Darwin once concluded that the wildness of birds towards humans is a specific instinct aimed against us, and not merely a general caution due to other dangers. Nonetheless, birds have good reason to be timid because of their experiences with humans, and they agree with Eben Holden, who said, “Men are the most terrible of all critters and the meanest. They’re the only critters that kill for fun,” which has made it instinctive for them to act accordingly.

However, we had not yet arrived at the end of our experience with the sociable bird world, for it seemed that we were to carry a full cargo of stowaways, for the next arrivals were six or seven juncos savoring of frost and wintry weather, notwithstanding the heat of the autumnal sun. Miss Merriam has quaintly styled these busy little birds: “Gray robed monks and nuns,” though their character does not cleverly carry out that conception, for they are a pugnacious lot of feathers and blood, and there were pitch battles going on at every hatch corner, the juncos playing the part of the aggressor every time, turning and conspicuously flaunting their stylish white tail markings in the face of their opponents. The next advent was that of a tiny house wren, who seemed to have had a good deal of his natural belligerency blown out of him, and was content to make a peaceful breakfast on the Canada soldiers that were swarming about. Wrens are noticeable for the interest that they take in human belongings, and love to make their home among them. At Marquette I was shown a nest built in an overshoe inadvertently left in the crotch of an apple tree, and which, I am glad to report, the owner left undisturbed when she learned by whom it was pre-empted. I thought of our little stowaway when I saw the nest and wondered how much he could have told me of its construction. Some one has mentioned a nest built in an old coat sleeve, and Audubon tells us of a pair that nested in his parlor, paying him rent in song music. The wren has also received much “honorable mention” in history, Aristotle being the first, I believe, to call him the King of Birds, possibly because of the legend that tells us that to gain his sovereignty in a trial of flight he concealed himself on the back of an eagle who was one of the contestants, and after that bird of mighty wing power had reached his limit the wren, arising from his seat among the eagle’s feathers, easily flew much higher, thus gaining the race and title. Perhaps not the first time that high places have been arrived at through duplicity. But, in justice to his species, mention should be made of the myth that asserts that in ye golden time the wren was the only bird brave enough to enter heaven and bring down fire to earth for the benefit of the mortals. In this philanthropical work he scorched off his feathers, so the other birds made a donation party and each contributed some spare feathers to the singed benefactor (but we notice that their generosity, like that of some others, was confined to donating their plainest apparel), all but the owl, who refused to part with a single quill, but who for his stinginess was at once ostracised from good society, and forced to make his appearance only after nightfall, when the “best people” were not in evidence.

However, we had not yet reached the end of our adventure with the friendly bird world, as it appeared we were to carry a full load of stowaways. The next arrivals were six or seven juncos, which seemed to embody frost and winter weather, despite the warmth of the autumn sun. Miss Merriam amusingly referred to these busy little birds as “Gray robed monks and nuns,” although their behavior doesn’t quite fit that description, as they are quite feisty and often engage in fierce battles at every corner, with the juncos consistently taking the role of aggressors, turning and proudly displaying their stylish white tail markings to their opponents. The next visitor was a tiny house wren, who seemed to have lost a lot of his natural aggression and was happily having a peaceful breakfast on the Canada soldiers that were swarming around. Wrens are known for their interest in human belongings and love to make their homes among them. In Marquette, I saw a nest built in an overshoe that had been left in the crotch of an apple tree, and I’m glad to report that the owner left it undisturbed once she realized it was occupied. I thought of our little stowaway when I saw the nest and wondered how much he could have shared about its construction. Someone mentioned a nest made in an old coat sleeve, and Audubon tells us of a pair that nested in his parlor, paying him rent in the form of song. The wren has also received a lot of “honorable mention” in history, with Aristotle being one of the first, I believe, to call him the King of Birds, possibly due to the legend that says he gained his title in a flight contest by hiding on the back of an eagle, one of the competitors, and after the powerful eagle reached its limit, the wren emerged from the eagle's feathers and easily flew much higher, thus winning the race and the title. This might not be the first time that high positions have been attained through trickery. However, in fairness to his kind, there’s a myth that claims that in the golden age, the wren was the only bird brave enough to enter heaven and bring down fire to earth for the benefit of humans. In this generous act, he scorched off his feathers, so the other birds held a donation party and each contributed some spare feathers to the singed benefactor (though it’s noted that their generosity, like that of some others, was limited to lending their plainest clothing), except for the owl, who refused to give up a single feather, and for his stinginess, was immediately ostracized from good society, forced to appear only after dark when the “best people” were not around.

Of the two other members of the warbler family, who traveled north with us singly and alone, one was a Blackburnian warbler, silent and dull of plumage as befitted the season, and the other a dainty black-throated blue warbler, one of the most dressy and gentlemanly appearing birds of the warbler species. In his steely blue coat, black stock and evening vest and wide expanse of white shirt front, he looks as though fully attired for a swell reception. His two white wing patches closely resemble handkerchiefs peeping from side pockets, completing the illusion. He was rather more reserved in his movements than the gang of noisy associates, and picked daintily at the flies as befits well-bred superiority. But he, like the rest, showed no apparent distrust of us, neither did some newly arrived white-throated sparrows, who joined in the general scramble for insects. But not now do we hear their cheerful “I-have-got-plenty-to-eat-but-no-che-eze,” as Dr. Brewer interprets their song. I am sure that they could have had cheese or anything else they 116 desired on board the Castalia, for on hospitable thoughts intent I secured some crumbs from the table, but my feathered fellow travelers would have none of me, passing my humble offerings by in disdain. There was but one death on the passage, and that was a white-eyed vireo, who either succumbed to exhaustion or struck the rigging too violently in boarding the steamer.

Of the two other members of the warbler family who traveled north with us alone, one was a Blackburnian warbler, silent and dull in color as suited the season, and the other a lovely black-throated blue warbler, one of the most stylish and gentlemanly birds of the warbler species. In his sleek blue coat, black neck, and vest with a wide expanse of white shirt front, he looked like he was dressed for a fancy reception. His two white wing patches resembled handkerchiefs sticking out of side pockets, completing the look. He was a bit more reserved in his movements than the noisy group around him, delicately picking at flies as befits someone with good breeding. But like the others, he showed no signs of distrust towards us, nor did some newly arrived white-throated sparrows join in the general hunt for insects. However, we no longer hear their cheerful “I-have-got-plenty-to-eat-but-no-che-eze,” as Dr. Brewer interprets their song. I’m sure they could have had cheese or anything else they wanted from the Castalia, as I had some crumbs from the table with hospitable intentions, but my feathered travel companions ignored my humble offerings with disdain. There was only one death during the journey, and it was a white-eyed vireo, who either collapsed from exhaustion or hit the rigging too hard while boarding the steamer.

But birds were not the only winged creatures who took passage with us. For several hours a continuous stream of honey bees and yellow-jackets flew exhausted upon the deck, only to become food for the bee-eating passengers. The few who escaped and revived sufficiently to crawl up onto the cabin were so fatigued that one could stroke them gently without provoking any antagonism. Wafted across the blue waters by adverse winds came also myriads of common yellow butterflies, tossing in the gentle breeze like handfuls of shining buttercups, and great troops of beautiful milkweed butterflies (Anosia plexippus), their brilliant colors gleaming in the sunlight in all the richness of ebony and crimson. They hovered about the steamer like gorgeous blossoms cut from the parent stalk and left poised in mid air at the mercy of treacherous gales. Funny little atoms of vanity and brightness, whose homes are among the gardens of peace and sunshine, what business had they here in this region of seething waters and tempestuous winds?

But birds weren’t the only winged creatures that traveled with us. For several hours, a steady stream of honey bees and yellow-jackets flew exhausted on the deck, only to become food for the bee-eating passengers. The few who managed to escape and revive enough to crawl onto the cabin were so tired that you could stroke them gently without causing any hostility. Carried across the blue waters by contrary winds came also swarms of common yellow butterflies, fluttering in the gentle breeze like handfuls of shining buttercups, along with large groups of beautiful milkweed butterflies (Anosia plexippus), their vibrant colors sparkling in the sunlight in all the richness of ebony and crimson. They floated around the steamer like stunning flowers cut from their stalks and left suspended in mid-air at the mercy of unpredictable winds. Funny little bits of vanity and brightness, whose homes are in peaceful sunny gardens, what were they doing here in this tumultuous sea and stormy winds?

We looked to have our feathered friends leave us upon the first appearance of land, but, on the contrary, they remained with us all of the afternoon, as we sailed in and out among the picturesque islands of the “Soo” river, and it was not until toward their bed-time and the setting of the sun that they gradually began to disappear; the last to leave, and that was at dusk, was the black-throated blue warbler. Just before reaching the lock a couple of juncos perched on the rail and engaged in what seemed to us a very heated discussion, until finally one of them, with a chip of command, flew to the shore, the other following in a moment with a note of protest. The latter’s idea doubtless was to remain with a good thing in hand rather than venture into pastures new of unknown possibilities.

We expected our feathered friends to leave us as soon as we saw land, but instead, they stuck around with us all afternoon while we sailed among the beautiful islands of the “Soo” river. It wasn't until their bedtime and the sun was setting that they gradually began to vanish; the last to go was the black-throated blue warbler at dusk. Just before we reached the lock, a couple of juncos perched on the railing and seemed to have a very heated discussion. Eventually, one of them flew to the shore with a sense of authority, and the other followed a moment later with a note of protest. The second bird probably wanted to stay with the good thing they had rather than risk going into unfamiliar territory.

On our return trip, the weather being calm, no birds were:

On our way back, the weather was calm, and there were no birds:

“Buffeted and baffled, with the gusty gale,”

“Blown about and confused by the strong winds,”

hence our only stowaways were a couple of yellow warblers, who spent most of their time in one of the offices catching flies on the wall, and we were obliged to resort to other resources for our entertainment, and found at least artistic as well as botanical enjoyment in looking at the great bunches of golden rod, yellow cone flowers and pale primroses, a combination of yellows that formed an exquisite blend, and which covered the embankment of the great willow dike on St. Clair Flats, that seems fast running into a state of dilapidation and decay. But it is a delightful sail down the willow-bordered lane of blue water, a stray bit of Venice with Venice left out, as it were, and where no angry waters toss the brave mariner and consequently seasick traveler across mighty billows, a performance which is a by no means charming accessory to one’s erstwhile home on the bounding deep.

hence our only stowaways were a couple of yellow warblers, who spent most of their time in one of the offices catching flies on the wall, and we had to find other ways to entertain ourselves. We found at least artistic and botanical enjoyment in looking at the great bunches of goldenrod, yellow cone flowers, and pale primroses, a combination of yellows that formed an exquisite blend, and which covered the embankment of the great willow dike on St. Clair Flats, which seems to be quickly falling into a state of dilapidation and decay. But it’s a delightful sail down the willow-bordered lane of blue water, a bit of Venice without the chaos, so to speak, and where no angry waters toss the brave mariner and therefore seasick traveler across mighty billows, a situation which is by no means a charming aspect of one’s former home on the open sea.

Alberta A. Field.

Alberta A. Field.

HAIRY WOODPECKER.
(Dryobates villosus.)
⅔ Life-size.
FROM COL. CHI. ACAD. SCIENCES.

HAIRY WOODPECKER.
(Dryobates villosus.)
⅔ Life-size.
FROM COL. CHI. ACAD. SCIENCES.

119

THE HAIRY WOODPECKER.
(Hairy Woodpecker.)

The woodpeckers on trunk of gnarled trees

The woodpeckers on the trunks of twisted trees

Tap their quick drum-beats with their horny beaks.

Tap their quick drumbeats with their sharp beaks.

—Isaac McLellan, “Nature’s Invitation.”

—Isaac McLellan, “Nature’s Invitation.”

The geographical and the breeding ranges of the Hairy Woodpecker are practically the same. These include eastern North America from the southern provinces of Canada southward to the States bordering the Gulf of Mexico and those of the southeastern United States bordering the Atlantic Ocean. In these States it is occasionally found during the winter season. Westward its range extends to the Rocky Mountains. It is, however, most abundant in the forest areas of the Northern and Middle States, where, as it is a hardy bird and not greatly affected by extreme cold, it is generally a constant resident. Though occasionally found in old orchards, its choice feeding grounds are the timbered regions of river banks and other bodies of water. Here and in the trees at the outer borders of forests it seeks its food by itself, for it has an unsocial disposition, and it is seldom that more than a pair are seen together. “It does not live in harmony with smaller species of its own kind, and drives them away when they encroach on its feeding grounds, being exceedingly greedy in disposition and always hungry.” It also is not adverse to a home in the deeper forests and may even frequent clumps of trees in the open.

The geographical and breeding ranges of the Hairy Woodpecker are essentially the same. These include eastern North America, from the southern provinces of Canada down to the states along the Gulf of Mexico and those in the southeastern U.S. near the Atlantic Ocean. In these states, it can occasionally be found during the winter. Westward, its range extends to the Rocky Mountains. However, it is most abundant in the forested areas of the Northern and Middle States, where, being a resilient bird that is not significantly impacted by extreme cold, it is generally a year-round resident. Although it can sometimes be found in old orchards, its preferred feeding grounds are the wooded regions along riverbanks and other bodies of water. Here, and in the trees at the edge of forests, it looks for food alone, as it tends to be unsociable, and it is rare to see more than a pair together. “It does not live in harmony with smaller species of its own kind and drives them away when they invade its feeding grounds, being incredibly greedy by nature and always hungry.” It also doesn’t mind setting up its home in deeper forests and may even visit clusters of trees in open areas.

The Hairy Woodpecker is one of the most useful and valuable friends of human interests. Not only does it feed upon the larvæ that burrow in the wood and bark of our forest and orchard trees, but also upon beetles and other insects. It is only in the winter season, when its natural food is not readily obtained, that it gathers seeds and fruits. It never attacks a sound tree for any purpose, and the loss caused by the amount of useful grain destroyed is greatly overbalanced by the good that it does in the destruction of noxious insects.

The Hairy Woodpecker is one of our most helpful and valuable allies. It not only eats larvae that tunnel into the wood and bark of our forest and orchard trees, but also feeds on beetles and other insects. Only in winter, when its natural food isn’t easily available, does it collect seeds and fruits. It never harms a healthy tree for any reason, and the damage done by the amount of useful grain it consumes is far outweighed by the benefits it provides by getting rid of harmful insects.

The value of this shy and retiring bird is well illustrated by Mr. V. A. Alderson, who says in the “Oologist” (July, 1890): “Last summer potato bugs covered every patch of potatoes in Marathon County, Wisconsin. One of my friends here found his patch an exception, and, therefore, took pains to find out the reason, and observed a Hairy Woodpecker making frequent visits to the potato field and going from there to a large pine stub a little distance away. After observing this for about six weeks, he made a visit to the pine stub, and found, on inspection, a large hole in its side, almost fifteen feet up. He took his ax and cut down the stub, split it open, and found inside over two bushels of bugs. All had their heads off and bodies intact. Now, why did the Woodpecker carry the bugs whole to the tree and only bite off and eat the heads, which could have been done in the open field?”

The value of this shy and reserved bird is clearly shown by Mr. V. A. Alderson, who states in the “Oologist” (July, 1890): “Last summer, potato beetles infested every patch of potatoes in Marathon County, Wisconsin. One of my friends here found that his patch was an exception, so he made an effort to figure out why and observed a Hairy Woodpecker making regular trips to the potato field and then to a large pine stub a short distance away. After watching this for about six weeks, he decided to check out the pine stub and found a large hole on the side, almost fifteen feet up. He took his axe, cut down the stub, split it open, and discovered over two bushels of bugs inside. All had their heads missing but their bodies were intact. So, why did the Woodpecker carry the bugs whole to the tree and only bite off and eat the heads, which he could have done in the open field?”

The Hairy Woodpecker has no leisure moments. He is always active and

The Hairy Woodpecker has no downtime. He's always busy and

The little tap of busy bill

The little tap of busy Bill

The signal of his work and skill.

The sign of his effort and talent.

is ever present

is always present

To rid the soil of every foe,

To clear the soil of every enemy,

To guard the leafy trees.

To protect the leafy trees.

The movements of this Woodpecker are interesting, for, like its sister species, it moves with equal facility either upwards or downwards, sidewise or backwards upon a tree trunk. From time to time it will stop and seem to listen, and, finally bracing itself with the stiff feathers of its spiney tail, it will deliver powerful blows with its chisel-like bill at some point that will be likely to furnish a dainty morsel of food. There is little doubt that its sense of hearing is very acute and that it can detect the slightest movement of an insect in the bark 120 or wood of a tree that to other animals would be imperceptible.

The movements of this woodpecker are fascinating because, like its related species, it can easily move up, down, sideways, or even backward on a tree trunk. Occasionally, it will pause and seem to listen intently, and then, using the stiff feathers of its spiny tail for support, it will deliver strong pecks with its chisel-like beak at spots likely to provide a tasty snack. There's no doubt that its hearing is highly sensitive, allowing it to detect the slightest movement of an insect in the bark or wood of a tree that would be unnoticeable to other animals. 120

The flight of the Hairy Woodpecker is like that of the other species of its group. It is wavering and undulating, seldom protracted and usually consisting of a number of short vibrations of the wings. When alighting, they grasp the object with both feet simultaneously. This Woodpecker is the earliest of all the family to build its nest. Mating begins in the latter part of March, and at this time the birds are exceedingly noisy. The male when not feeding will resort to some dead limb and vigorously drum and “the louder the noise produced, the more satisfactory it appears to be to the performer.”

The flight of the Hairy Woodpecker is similar to that of other species in its group. It is shaky and wavy, rarely long, and typically includes a series of quick wing vibrations. When landing, they grab the surface with both feet at once. This Woodpecker is the first in the family to start building its nest. Mating begins in late March, and during this time, the birds are very loud. When the male isn’t feeding, he will go to some dead branch and drum vigorously, and “the louder the noise produced, the more satisfying it seems to the performer.”

Regarding the building of the nest, Major Bendire says: “Both sexes take part in the labor, and it is really wonderful how neat and smooth an excavation these birds can make with their chisel-shaped bills in a comparatively short time. The entrance hole is round, as if made with an auger, about two inches in diameter, and just large enough to admit the body of the bird; the edges are nicely beveled, the inside is equally smooth, and the cavity is gradually enlarged toward the bottom. The entrance hole, which is not unfrequently placed under a limb for protection from the weather, generally runs in straight through the solid wood for about three inches, and then downward from ten to eighteen inches, and some of the finer chips are allowed to remain on the bottom of the cavity, in which the eggs are deposited. Both dead and living trees are selected for nesting sites, generally the former. When living trees are chosen, the inner core, or heart of the tree, is usually more or less decayed. These nesting sites are nearly always selected with such good judgment that such obstacles as hard knots are rarely encountered; should this occur, the site is abandoned and a fresh one selected.” The male, after the work is completed, will often excavate one or more holes in the same tree in order that he may have a resting place at night near to his mate.

Regarding the building of the nest, Major Bendire says: “Both males and females participate in the work, and it’s truly amazing how neat and smooth a hole these birds can carve out with their chisel-shaped bills in a relatively short time. The entrance hole is round, as if drilled with an auger, about two inches in diameter, just wide enough for the bird to fit through; the edges are nicely beveled, the inside is equally smooth, and the cavity gradually widens toward the bottom. The entrance hole, which is often placed under a limb for protection from the weather, typically goes straight into the solid wood for about three inches, then angles down from ten to eighteen inches. Some of the finer shavings are left at the bottom of the cavity where the eggs are laid. Both dead and living trees are chosen for nesting sites, with a preference for the former. When living trees are used, the inner core or heart of the tree is usually somewhat decayed. These nesting sites are almost always selected so wisely that obstacles like hard knots are seldom encountered; if they are, the site is abandoned and a new one is chosen.” The male, after the work is done, often digs one or more holes in the same tree so he has a resting place at night close to his mate.

A VARICOLORED FROG.

An amateur naturalist, amid the ordinary organic forms that he may encounter in his own country, is often grievously puzzled at curious specimens of animal life that may be brought under his attention. But amid the illimitable animal life of the wild region of the upper Orinoco even the most expert and learned naturalist will often find himself “stumped” by the many unusual and hitherto undiscovered things that occasionally beset his pathway.

An amateur naturalist, surrounded by the usual plants and animals he might find in his own country, is often perplexed by interesting specimens of wildlife that catch his eye. But in the vast animal life of the wild areas along the upper Orinoco, even the most skilled and knowledgeable naturalist can frequently feel "stumped" by the many strange and previously unknown things that occasionally cross his path.

Among the many curious and quaint animal specimens encountered by the writer in this region was an arboreal frog of startlingly beautiful colorings. This little creature rested upon a stomach of orange flame hue, while the head and back were marked with velvet purple tints, and a narrow snow-white stripe extended from the point of his nose to the tip of a tiny tail. With such brilliant colorings it is easily and distinctly observed, but the snakes, weasels and other arch enemies of the amphibians have no relish for this handsome specimen. Its weapon of defense against its would-be enemies is a sweat venom of a most nauseous odor, which it emits when any one approaches it. This venom is common among the toads, and the fact is referred to by Juvenal (Dryden’s translation) of the lady “who squeezed a toad into her husband’s wine.” It is probable that the beautiful frog of so many glaring colors would have long since been exterminated by its many enemies and persecutors but for the poisonous and nauseous fluid ejected from its glands.

Among the many interesting and unusual animal specimens the writer encountered in this area was a tree frog with stunning colors. This little creature rested on a bright orange belly, while its head and back were marked with deep purple hues, and a narrow white stripe stretched from the tip of its nose to the end of its tiny tail. With such vibrant colors, it's easy to spot, but snakes, weasels, and other natural enemies of amphibians aren't attracted to this beautiful specimen. Its defense against potential threats is a sweat venom with a really unpleasant smell, which it releases when anyone comes close. This venom is common among toads, and it's mentioned by Juvenal (in Dryden’s translation) regarding the lady “who squeezed a toad into her husband’s wine.” It's likely that this bright frog would have been eliminated long ago by its many predators if it weren't for the toxic and repulsive fluid it secretes from its glands.

Andrew James Miller.

Andrew James Miller.

121

WAS IT REASON OR INSTINCT?

Old Boney is a large shaggy dog of a deep tan color, and a general favorite among the people in the quarter of the city in which he lives, while he is honored and respected by every member of the canine race for miles around. Especially are the little children fond of him; and it seems to be as much a pastime for him as for his young playmates to carry the boys and girls on his broad back, their little, chubby hands buried in his long, matted hair in their half-frightened efforts to keep from slipping off and tumbling upon the ground.

Old Boney is a big, shaggy dog with a deep tan coat, and he’s a favorite among the people in his neighborhood. Every dog in the area respects and admires him. The kids especially love him; it’s as much fun for him as it is for them to carry the boys and girls on his broad back, their little, chubby hands tangled in his long, matted fur as they nervously try to hold on and avoid falling off.

His owner’s daughter, a young girl just entering her teens, attends the high school, about three blocks from her home, which is reached by rather a circuitous route. Boney had often accompanied his young mistress to the school and was familiar with the way thither as well as with the main entrance and winding stairway of the building.

His owner’s daughter, a young girl just starting her teenage years, goes to the high school about three blocks from her house, which is reached by a bit of a roundabout route. Boney had often gone with his young mistress to school and knew the way there as well as the main entrance and winding staircase of the building.

It was in the showery month of April, and Etta had repeatedly neglected to wear her rubbers when she started for school in the morning, a fault for which she had often been reprimanded.

It was in the rainy month of April, and Etta had consistently forgotten to wear her rain boots when she left for school in the morning, a mistake for which she had often been scolded.

Now it happened one warm afternoon that a copious shower came down in due April style. The door leading from the dining room out upon the veranda was wide ajar, and Etta’s mother, looking out, saw her daughter’s rubbers upon the veranda floor near the rug where they were usually deposited when not in use. “There,” exclaimed the mother, “that child has gone again without her rubbers and will come home with wet feet.”

Now, it happened one warm afternoon that a heavy shower came down in classic April fashion. The door from the dining room to the veranda was wide open, and Etta’s mother, looking outside, saw her daughter’s rain boots on the veranda floor near the rug where they usually ended up when not being used. “There,” the mother exclaimed, “that child has gone out again without her rain boots and is going to come home with wet feet.”

This sharp remark aroused the attention of old Boney, for he got up from his prone condition on the rug, looked at the speaker, sniffed at the rubbers and lay down again. At this juncture Etta’s father quietly picked up the rubbers, carried them over to the school building and handed them to his daughter, whom he met at the upper landing of the stairway. This had been done more than once, Boney generally lying upon the veranda floor where he could easily hear and see what was being done on such occasions, and he had often followed his master and stood by when father and daughter met at the school building.

This sharp comment caught old Boney's attention, as he got up from the rug, looked at the speaker, sniffed at the rubbers, and then lay back down. At this moment, Etta’s father quietly picked up the rubbers, took them to the school building, and gave them to his daughter, whom he met at the top of the stairs. This had happened more than once, with Boney usually lying on the veranda floor where he could easily hear and see what was going on during these moments, and he often followed his master and stood by when father and daughter met at the school building.

Now comes the interesting part of our story. A drenching shower came down about three o’clock one afternoon and Etta had, as usual, neglected to take her needed footwear. It happened this time that none of the family was at home. Boney, however, was keeping house in his accustomed place on the rug. Now, what do our readers think the noble animal did. Why, he just picked up both of the rubbers, carried them in his mouth through the driving rain to the school building, up the winding stairway and laid them upon the landing. As if this were not enough, he lay down and faithfully watched his charge till Etta made her appearance, when he politely dropped her property at her feet.

Now comes the interesting part of our story. A heavy downpour started around three o’clock one afternoon, and Etta had, as usual, forgotten to bring her shoes. This time, none of the family was home. Boney, however, was managing the house in his usual spot on the rug. So, what do you think the noble animal did? Well, he picked up both of the rubber boots and carried them in his mouth through the pouring rain to the school building, up the winding staircase, and laid them on the landing. As if that wasn’t enough, he lay down and kept a watchful eye on them until Etta showed up, at which point he politely dropped her boots at her feet.

Thereafter Etta’s father was relieved of this service, Boney regularly attending to the business himself, and, what is more wonderful still, he never attempted to discharge his duty on a pleasant day.

Thereafter, Etta’s father was freed from this duty, and Boney took care of the business himself. Even more surprisingly, he never tried to fulfill his responsibilities on a nice day.

Query. Was this reason or instinct? If the latter, what is instinct?

Query. Was this reason or instinct? If it was instinct, what is instinct?

L. P. Venen.

L. P. Venen.

122

OPAL.

“The Opal, when pure and uncut in its native rock,” says Ruskin in his lecture on Color, “presents the most lovely colors that can be seen in the world except those of clouds.”

“The Opal, when pure and uncut in its native rock,” says Ruskin in his lecture on Color, “shows the most beautiful colors you can find in the world, except for those of clouds.”

While not all of us may share the great art critic’s preference for uncut stones, there are few probably who will not join him heartily in his admiration of the brilliant gem from whose depths come welling up tints of so varied hue that we appropriately speak of them as colors at play. Our interest in these colors may be heightened by reading what Ruskin has further to say of them: “We have thus in nature, chiefly obtained by crystalline conditions, a series of groups of entirely delicious hues; and it is one of the best signs that the bodily system is in a healthy state when we can see these clearly in their most delicate tints and enjoy them fully and simply with the kind of enjoyment that children have in eating sweet things. I shall place a piece of rock opal on the table in your working room; and if on fine days you will sometimes dip it in water, take it into sunshine and examine it with a lens of moderate power, you may always test your progress in sensibility to color by the degree of pleasure it gives you.”

While not everyone may share the great art critic’s preference for uncut stones, few will likely join him in admiring the brilliant gem from which vibrant colors emerge, giving the impression of colors at play. Our interest in these colors may increase when we read what Ruskin has to say about them: “In nature, primarily through crystalline conditions, we find a range of completely delightful hues; and one of the best signs of a healthy bodily system is our ability to see these clearly in their most subtle shades and enjoy them fully and simply, much like children delight in sweets. I will place a piece of rock opal on the table in your workspace; and if, on nice days, you occasionally dip it in water, take it into the sunlight, and examine it with a moderate lens, you can always check your progress in sensitivity to color by the level of pleasure it brings you.”

The Opal is indeed one of the most fascinating of gems; yet often elusive and at times disappointing. Of its freaks and foibles strange stories are told. Gems of brilliant quality are known suddenly to have lost their hues never to regain them, while others previously dull and lusterless have become radiant as the rainbow.

The Opal is truly one of the most fascinating gems; however, it's often hard to find and can be disappointing at times. There are strange stories about its quirks and oddities. Brilliant gems are known to suddenly lose their colors and never get them back, while others that were once dull and lifeless have become as radiant as a rainbow.

Prof. Egleston, of New York city, relates that a bottle of cut Opals once given him by a prominent jewelry firm because they had lost their color, after remaining in his cabinet for a time regained their brilliancy and retained it. But to have opals regain their color is, unfortunately, far less usual than for them to lose it. The gem often exhibits brilliant colors when wet either with water or oil that disappear when it is dry. Taking advantage of this peculiarity dishonest dealers often keep opals immersed until just before offering them for sale. The experience of having stones so treated as well as others which might with more reason be expected to retain their brilliancy, lose it, has very likely led to the superstition commonly attached to the Opal that it is an unlucky gem. Some authorities, however, trace the origin of the superstition to Sir Walter Scott’s novel, “Anne of Geierstein,” in which the baleful influence of the Opal plays a prominent part, and it is stated that within a year of the publication of the book the price of Opals declined fifty per cent in the European market. Even if the superstition did not originate in either of these ways it was probably from a source quite as trivial and it should prevent no one from enjoying the pleasure to be derived from the beauties of this gem.

Prof. Egleston from New York City shares that a jewelry firm once gave him a bottle of cut opals because they had lost their color. After being in his cabinet for a while, they regained their brilliance and kept it. Unfortunately, it's much less common for opals to regain their color than to lose it. The gem often shows vibrant colors when wet with either water or oil, but those colors vanish when it dries. Taking advantage of this characteristic, dishonest dealers often keep opals submerged until right before they sell them. The experience of having treated stones, along with others that might reasonably be expected to maintain their brilliance but fail to do so, likely contributed to the superstition that opals are unlucky. However, some experts trace the origin of this superstition to Sir Walter Scott’s novel, “Anne of Geierstein,” where the negative influence of the opal is significant. It’s noted that within a year of the book's release, the price of opals dropped by fifty percent in the European market. Even if the superstition didn't start in either of these ways, it likely came from a similarly trivial source, and it shouldn't stop anyone from enjoying the beauty of this gem.

Chemically, Opal is oxide of silicon with varying amounts of water, the water varying from 3 to 9 per cent. It is, therefore, closely allied to quartz, but differs physically in being softer and not as heavy. Further, it never crystallizes, and it is soluble in caustic potash, which quartz is not. It is infusible, but cracks and becomes opaque before the blowpipe. In sulphuric acid it turns black, on account probably of the organic matter it contains.

Chemically, opal is a silicon oxide with varying amounts of water, ranging from 3 to 9 percent. Because of this, it's closely related to quartz, but it differs physically as it is softer and not as heavy. Additionally, it never crystallizes and dissolves in caustic potash, which quartz does not. It's infusible but cracks and turns opaque when exposed to a blowpipe. In sulfuric acid, it turns black, likely due to the organic matter it contains.

Its hardness is sometimes as low as 5.5 in the scale in which quartz is 7 and its specific gravity is from 1.9 to 2.3, while that of quartz is 2.6. On account of its relative softness a cut Opal often does not retain its polish well and requires frequent smoothing. Opals when first taken from the ground are often softer even than the above and for this reason it is usual and desirable to allow them to harden or “season,” as it is called, for some time after quarrying, before they are polished.

Its hardness can sometimes be as low as 5.5 on the scale where quartz is rated at 7, and its specific gravity ranges from 1.9 to 2.3, while quartz has a specific gravity of 2.6. Because it's relatively soft, a cut opal often doesn't hold its polish well and needs regular smoothing. When opals are first extracted from the ground, they can be even softer than those measurements, which is why it's common and preferable to let them harden or "season," as it's called, for a while after being mined before they’re polished.

OPAL.
LOANED BY FOOTE MINERAL CO.

OPAL.
LOANED BY FOOTE MINERAL CO.

Top row:
Precious Opal in Matrix (Queensland.)
Wood Opal (Idaho.)
Precious Opal (New South Wales.)
Center:
Precious Opal (New South Wales.)
Precious Opal (New South Wales.)
Fire Opal in Matrix (Mexico.)
Bottom:
Prase Opal (Germany.)
125

Opal as a mineral is quite common, so that no one need suppose because he has specimens labeled “opal” in his collection that he has as many precious stones. It occurs in many varieties, and, especially if it contains foreign matter, in many colors. Nearly all silica deposited by hot waters is in the form of Opal, so that the geysers of Yellowstone Park build up cones of Opal and fall into Opal basins. This particular form of Opal is known as geyserite, and it is often differently colored by different ingredients.

Opal is a common mineral, so just because someone has pieces labeled “opal” in their collection doesn’t mean they have a lot of precious stones. It comes in many varieties and, especially when mixed with other materials, in many colors. Almost all silica that gets deposited by hot water appears as Opal, which means the geysers in Yellowstone Park create Opal cones and fall into Opal basins. This specific type of Opal is called geyserite and it often has different colors due to various ingredients.

Wood is often preserved by silica in the form of Opal, the siliceous waters taking away the wood and replacing it by Opal, grain by grain, with such delicacy and accuracy that the structure of the wood is perfectly maintained. The minute shells which diatoms make consist of Opal, and when these dead shells accumulate to form deposits of some extent we call the powdery substance tripoli and use it for polishing silverware and other metals. Then there are hyalite, a variety of Opal looking like transfixed water, so clear and colorless is it; hydrophane, a translucent variety which sticks to the tongue and becomes more nearly transparent when soaked in water; cacholong, a porcelain-like variety, and menilite, a concretionary variety.

Wood is often preserved by silica in the form of opal, as siliceous waters wash away the wood and replace it with opal, grain by grain, so delicately and accurately that the structure of the wood is perfectly maintained. The tiny shells that diatoms create are made of opal, and when these dead shells pile up to form substantial deposits, we call the powdery substance tripoli, which we use for polishing silverware and other metals. Then there’s hyalite, a type of opal that looks like suspended water, so clear and colorless; hydrophane, a translucent variety that sticks to the tongue and becomes more transparent when soaked in water; cacholong, a porcelain-like variety; and menilite, a concretionary variety.

Common Opal varies from transparent to opaque, being most often translucent and sometimes exhibiting the peculiar milkiness of color which we call opalescence. It has sometimes a glassy, but often a waxy luster, the latter when pronounced giving rise to the varieties known as wax Opal and resin Opal. When Opal has the banded structure of agate it is known as Opal-agate; when it has the color of jasper as jasper Opal, and when that of chrysoprase as prase Opal. But none of these varieties are used in any quantity as gems. This distinction is reserved almost wholly for the variety known as noble or precious Opal. This is Opal which exhibits a play of colors. No essential chemical or physical distinction between noble Opal and other varieties is known. In a large vein of Opal portions will exhibit the play of colors and the remainder will not, but why the difference has not yet been determined. Neither can the origin of the varied coloring; i. e., the iridescence, be determined. Some regard it as due to interspersed layers containing different percentages of water, which break up the rays of light somewhat as a prism does, while others think that minute cracks and fissures through the stone furnish surfaces from which the rays are reflected in different colors back to the eye. Some Opals which are dull and lusterless when dry exhibit considerable play of color when immersed in water, and this fact seems to favor the first theory of the cause of the iridescence, but the subject is not understood. The character of the play of colors differs in different Opals, and this gives rise to different varieties. The true noble Opal has the color quite uniformly distributed. When the color appears in flashes of red, yellow, etc., the stone is known as fire Opal; if blue as girasol, and if chiefly yellow as golden Opal. When the patches of color are small, angular and uniformly distributed it is called harlequin Opal, and if these are long and somewhat parallel, flame Opal. These colors are not, of course, inherent in the stone, its color varying from colorless to opaque white. The black Opals sometimes seen and highly prized by some are usually artificial, and are made by soaking ordinary Opals in oil and then burning oil on them. The brilliancy of the stone is thus increased, but it is usually fragile and liable to lose color.

Common Opal ranges from transparent to opaque, usually being translucent and sometimes showing a unique milky color we refer to as opalescence. It can have a glassy look, but often it has a waxy shine; when this waxy appearance is strong, it leads to varieties known as wax Opal and resin Opal. When Opal has a banded structure like agate, it’s called Opal-agate; when it has the color of jasper, it’s known as jasper Opal, and when it resembles chrysoprase, it’s called prase Opal. However, none of these varieties are used much as gemstones. The distinction is mainly reserved for the type known as noble or precious Opal, which displays a play of colors. There’s no clear chemical or physical difference known between noble Opal and other varieties. In a large vein of Opal, some pieces will show the play of colors while others won’t, but the reason for this difference hasn’t been figured out yet. The source of the varied coloring, or iridescence, also remains unclear. Some people think it's due to layers with different water content that break up light like a prism, while others believe that tiny cracks and fissures in the stone reflect light in different colors back to the eye. Some Opals that appear dull and lifeless when dry can show significant color play when soaked in water, which supports the first theory about iridescence, but the topic is still not fully understood. The nature of the color play varies in different Opals, leading to different types. True noble Opal has color that is pretty evenly spread out. When the color appears in bright flashes of red, yellow, etc., it’s called fire Opal; if it’s blue, it’s known as girasol, and if it’s mostly yellow, it’s called golden Opal. When the color patches are small, angular, and evenly distributed, it’s referred to as harlequin Opal, and if they are long and somewhat parallel, it's called flame Opal. These colors are not inherent to the stone itself, as its color can range from colorless to opaque white. The black Opals that are sometimes seen and highly valued by some are typically artificial, made by soaking regular Opals in oil and then burning the oil onto them. This process enhances the stone’s brilliance, but they tend to be fragile and can lose color easily.

Any Opal will lose its play of colors on being heated too highly, hence possessors should avoid subjecting them to more than ordinary heat. It is the variety and brilliancy of their changing colors which give to Opal nearly all its desirability as a precious stone, for, as has often been remarked, the qualities of hardness, transparency and rich body color which give to most other gems their value are lacking in the Opal. But together with the beauty of its changing colors Opal possesses an advantage over all other gems in that it cannot 126 be successfully imitated. It is said that the Romans were able to make artificial Opals closely resembling the real, but, if so, the art has been lost never to be recovered, and we may hope it never will be. Hence, however much danger there may be in buying an Opal that it has not been properly “seasoned,” or may not retain its color, the purchaser may at least be sure he has an Opal and not an imitation. The stones are usually cut in the oval form known as en cabouchon, this cutting being found to bring out their brilliancy better than any facetted form. The brilliancy of the stone may be increased in setting by giving it a backing of mother of pearl or black silk. When a number of Opals are placed together they seem to borrow brilliancy from one another, a fact which is taken advantage of in settings by placing a number together and also by Opal dealers to dispose of inferior stones by grouping them with good ones. For this reason when Opals are purchased they should be examined separately. The value of Opals depends almost wholly on the brilliancy of their coloring and their size. Stones without the play of colors are practically worthless, while stones of ten to twenty carats’ weight, with brilliant coloring, may bring several hundred dollars. The most highly valued Opals have long come from the mines of Czernowitza in northern Hungary. These Opals are often known as Oriental Opals from the fact that in early days they were first purchased by Greek and Turkish merchants, and by them sent to Holland. There are, however, no localities in the Orient where precious Opals are found. The rock in which the Hungarian Opals occur is eruptive, and of the kind known as andesite. It is considerably decomposed, and the Opal occurs in clefts and veins. There is little doubt that it was from these mines that the Romans obtained the Opals known to them, and the output has been quite constant since.

Any Opal will lose its play of colors if it's heated too much, so owners should avoid exposing them to more than normal heat. It's the variety and brilliance of their shifting colors that makes Opal so desirable as a precious stone because, unlike most other gems, Opals lack the qualities of hardness, transparency, and rich body color that typically give gems their value. However, with the beauty of its changing colors, Opal has the advantage over all other gems in that it can't be effectively imitated. It's said that the Romans were able to create artificial Opals that closely resembled the real ones, but if that was true, that skill has been lost and hopefully will never be found again. Therefore, no matter the risk involved in buying an Opal that may not have been properly “seasoned” or might not keep its color, the buyer can at least be confident they’re getting an actual Opal and not a fake. The stones are typically cut in an oval shape called cabochon, as this cut showcases their brilliance better than any faceted form. The brilliance of the stone can be enhanced in a setting by backing it with mother of pearl or black silk. When several Opals are grouped together, they seem to enhance each other's brilliance, a fact that jewelers take advantage of in settings and that Opal dealers use to sell lesser stones by pairing them with higher quality ones. For this reason, when purchasing Opals, they should be examined individually. The value of Opals primarily relies on the brilliance of their colors and their size. Stones without the play of colors are nearly worthless, while stones weighing between ten and twenty carats with vibrant colors can fetch several hundred dollars. The most valued Opals have traditionally come from the mines of Czernowitza in northern Hungary. These Opals are often referred to as Oriental Opals because, in ancient times, they were first bought by Greek and Turkish merchants and then sent to Holland. However, there are no locations in the East where valuable Opals are found. The rock where the Hungarian Opals occur is eruptive and known as andesite. It is significantly decomposed, and the Opal is found in crevices and veins. There’s little doubt that these were the mines from which the Romans sourced the Opals known to them, and the output has remained fairly consistent since.

It is said that the Hungarian Opals are less likely to deteriorate than any others. Still the danger of deterioration is not great in any Opal. The other important countries from which precious Opals are obtained are Mexico, Honduras and Australia. The Mexican Opals are mostly of the fire Opal variety. They are mined in a number of the States of the Republic—Queretaro, Hidalgo, Guerrero, Michoacan, Jalisco and San Luis Potosi. The oldest mines are in the State of Hidalgo, near Zimapan, where the Opal occurs in a red trachyte. Most of the Mexican Opals on the market at the present time, however, come from the State of Queretaro, where mining for them is conducted on a more extensive scale. The Opal here occurs in long veins in a porphyritic trachyte, and is mined at various points. The stones are cut and polished by workmen in the city of Queretaro who use ordinary grind-stones and chamois skins for the work and are said to receive an average wage of 23 cents a day.

It's said that Hungarian opals are less likely to deteriorate than others. Still, the risk of deterioration isn't high for any opal. Other key countries where precious opals are sourced include Mexico, Honduras, and Australia. Most Mexican opals are of the fire opal variety. They're mined in several states—Queretaro, Hidalgo, Guerrero, Michoacan, Jalisco, and San Luis Potosi. The oldest mines are in Hidalgo, near Zimapan, where the opal occurs in red trachyte. However, most Mexican opals on the market today come from Queretaro, where mining is more extensive. The opal here occurs in long veins within porphyritic trachyte and is mined at various locations. The stones are cut and polished by workers in Queretaro, who use regular grindstones and chamois skins for the job, reportedly earning an average wage of 23 cents a day.

The Honduras Opals reach foreign markets but rarely and usually uncut. The mines are in the western part of Honduras, in the Department of Gracias. They are little worked, but there is no doubt that extensive deposits exist which might afford a good supply of gems if they were properly exploited. The Australian Opals come from several localities, the most prominent at the present time being White Cliffs, New South Wales. The matrix is a Cretaceous sandstone which has been permeated by hot volcanic waters. Shells, bones and other fossils are found here entirely altered to precious Opal, making objects of great beauty. In 1899 Opals to the value of $650,000 were sold from this single region. There is no doubt that the present popularity of the Opal is due to some extent to the supply of beautiful stones which has come from these mines at prices at from one-third to one-tenth those of the Hungarian stones. Other localities in Australia whence precious Opals are obtained are places on the Barcoo River and Bulla Creek, Queensland, and occasional finds in West Australia.

The Honduras opals do reach international markets, but it's rare and usually in an uncut form. The mines are located in the western part of Honduras, specifically in the Department of Gracias. They're not extensively worked, but there's definitely a large amount of deposits that could yield a good supply of gems if they were properly mined. The Australian opals come from several areas, with the most notable one currently being White Cliffs in New South Wales. The opals are found in Cretaceous sandstone that has been saturated by hot volcanic waters. Shells, bones, and other fossils are discovered here, completely transformed into precious opal, creating stunning pieces. In 1899, opals valued at $650,000 were sold from this single area. It's clear that the current popularity of opals is partly due to the beautiful stones sourced from these mines, priced from one-third to one-tenth of those from Hungary. Other Australian locations where precious opals are found include areas along the Barcoo River and Bulla Creek in Queensland, as well as occasional discoveries in Western Australia.

No localities in the United States yielding precious Opals in any quantity have yet been discovered. Some good stones have been cut from an occurrence in Idaho, and some other minor finds have been made, but they possess 127 little commercial importance at present.

No areas in the United States that produce precious opals in any significant amount have been found yet. A few decent stones have been cut from a site in Idaho, and some other minor discoveries have been made, but they have little commercial value right now. 127

Opal does not seem to have been extensively known or used by the ancients, although we know the Romans prized it highly and ascribed to it the power of warning against disaster. The Roman Senator Nonius owned one set in a ring which was said to be valued at nearly a million dollars. History records that for refusing to sell the stone to Mark Antony he was sent into exile. The next most famous Opal in history is one owned by the Empress Josephine which was called “The Burning of Troy,” on account of the brilliancy of the flames which shot forth from its depths. The present whereabouts of neither of these gems is known. A large Mexican Opal, now in the Field Columbian Museum, is carved in the image of the Mexican sun-god, and has a setting of gold representing the diverging rays of the sun. This gem is very ancient and is believed to have been kept by the Aztecs in a temple, so it is probable that the Aztecs knew and prized Opals.

Opal doesn't seem to have been widely known or used by ancient cultures, though it's clear that the Romans valued it highly and believed it could warn against disaster. The Roman Senator Nonius owned an opal set in a ring that was said to be worth nearly a million dollars. History tells us that he was exiled for refusing to sell the stone to Mark Antony. The next most famous opal in history belonged to Empress Josephine and was called “The Burning of Troy” because of the brilliant flames that appeared to shoot from its depths. The current location of neither of these gems is known. A large Mexican opal, now in the Field Columbian Museum, is carved in the shape of the Mexican sun-god and is set in gold to represent the rays of the sun. This gem is very ancient and is believed to have been kept by the Aztecs in a temple, so it's likely that the Aztecs were aware of and valued opals.

The Arabians believe that Opals fall from heaven with the lightning’s flash, a beautiful fancy, indeed. Modern usage makes the Opal the birthstone of the month of October, some of the properties assigned to it being that it has the power of making its wearer a general favorite, enhancing the keenness of his sight and shielding him from suicide.

The Arabians believe that opals drop from the sky with a flash of lightning, which is quite a lovely idea. Today, the opal is known as the birthstone for October, and some of the traits attributed to it include its ability to make its wearer popular, improve their vision, and protect them from suicide.

October’s child is born for woe

October’s child is born for sorrow

And life’s vicissitudes must know;

And life's ups and downs must know;

But lay an Opal on her breast

But place an opal on her chest

And Hope will lull those woes to rest.

And Hope will soothe those troubles to sleep.

Oliver Cummings Farrington.

Oliver Cummings Farrington.

THE CROCUS.

“Rest, little sister,” her sisters said—

“Rest, little sister,” her sisters said—

Violet purple and wild-rose red—

Violet and wild rose red—

“Rest, dear, yet, till the sun comes out,

“Rest, dear, just wait until the sun comes out,

Till the hedges bud, and the grass blades sprout.

Till the bushes bloom, and the grass blades grow.

We are safe in the kindly earth, and warm—

We are safe on this friendly earth, and warm—

In the upper world there is sleet and storm.

In the upper world, there's sleet and a storm.

Oh, wait for the robin’s true, clear note,

Oh, wait for the robin’s bright, clear song,

For the sound of a drifting wing afloat;

For the sound of a drifting wing in the air;

For the laughter bright of an April shower

For the bright laughter of an April shower

To call and wake you, sweet Crocus flower.”

To call and wake you, lovely Crocus flower.”

But brave-heart Crocus said never a word,

But brave Crocus didn’t say a thing,

Nor paused to listen for note of bird,

Nor paused to listen for the sound of a bird,

Or laugh of raindrop * * * In rough green vest

Or laugh of raindrop * * * In rough green vest

And golden bonnet, herself she dressed

And she dressed herself in a golden bonnet.

By the light of a glow worm’s friendly spark,

By the light of a glowworm's friendly glow,

And softly crept up the stairway dark,

And quietly went up the dark staircase,

Out through the portal of frozen mold

Out through the doorway of frozen mold

Into the wide world, bleak and cold.

Into the vast world, dreary and chilly.

But somehow a sunbeam found the place

But somehow a sunbeam found its way there.

Where the snow made room for her lifted face.

Where the snow cleared space for her lifted face.

Madeline S. Bridges, in Ladies’ Home Journal.

Madeline S. Bridges, in Ladies’ Home Journal.

128

MARCH.

The stormy March is come at last,

The stormy March has finally arrived,

With wind and cloud and changing skies;

With wind, clouds, and ever-changing skies;

I hear the rushing of the blast,

I hear the rushing of the blast,

That through the snowy valley flies.

That flies through the snowy valley.

Ah, passing few are they who speak,

Ah, few are the ones who speak,

Wild, stormy month, in praise of thee;

Wild, stormy month, I celebrate you;

Yet, though thy winds are loud and bleak,

Yet, even though your winds are loud and harsh,

Thou art welcome month to me.

You are a welcome month to me.

For thou, to Northern lands again,

For you, to the Northern lands again,

The glad and glorious sun dost bring,

The happy and glorious sun brings,

And thou hast joined the gentle train

And you have joined the kind group

And wear’st the gentle name of Spring.

And wear the gentle name of Spring.

And, in thy reign of blast and storm,

And, in your reign of wind and storm,

Smiles many a long, bright sunny day,

Smiles many a long, bright sunny day,

When the changed winds are soft and warm,

When the shifted winds are gentle and warm,

And heaven puts on the blue of May.

And the sky wears the blue of May.

Then sing aloud the gushing rills

Then sing out loud the flowing streams

And the full springs, from frosts set free,

And the full springs, freed from the frosts,

That, brightly leaping down the hills,

That, brightly jumping down the hills,

Are just sent out to meet the sea.

Are just sent out to meet the ocean.

The year’s departing beauty hides

The year's fading beauty hides

Of wintry storms the sullen threat;

Of winter storms the gloomy threat;

But in thy sternest frown abides

But your harshest frown stays

A look of kindly promise yet.

A look of gentle promise still.

Thou bring’st the hope of those calm skies,

You bring the hope of those calm skies,

And that soft time of many showers,

And that gentle time of frequent rain,

When the wide bloom, on earth that lies,

When the wide flower, on the ground that rests,

Seems of a brighter world than ours.

Seems like a brighter world than ours.

—Royal Arcanum.

—Royal Arcanum.

DOMESTIC SHEEP.
(Ovis aries.)
ADAPTED FROM A PAINTING BY FRED. WILLIAMSON.

DOMESTIC SHEEP.
(Ovis aries.)
ADAPTED FROM A PAINTING BY FRED WILLIAMSON.

131

THE DOMESTIC SHEEP.
(Ovis aries.)

It was a little strip of fur which adorned a lady’s cloak. It was soft and warm and black and curly. The lady called it astrakhan, but the sheep, whose lamb met an early death that its pleasing fine coat might become the covering of someone in far away America, still lives on the steppes of the Far East. Her master and herder belong to one of the wandering tribes which roam about Central Asia. Had the lamb lived to maturity its beautiful fine coat would have changed to coarse hair, very unlike the wool of the sheep we find in America. It would have grown to a large size; it would have had short horns, a very short, flat tail, with great bunches of fat on the haunches at either side.

It was a small piece of fur that decorated a woman's coat. It was soft, warm, black, and curly. The woman called it astrakhan, but the sheep, whose lamb met an early end so its lovely coat could become a cover for someone in far-off America, still lives on the steppes of the Far East. Its owner and herder are part of one of the nomadic tribes that wander through Central Asia. If the lamb had grown up, its beautiful fine coat would have turned into coarse hair, completely different from the wool of the sheep we find in America. It would have grown large; it would have had short horns, a very short, flat tail, and big lumps of fat on each side of its hips.

There would have been among its companions some sheep entirely white; others white with black heads; but in its immediate family all would have been black throughout.

There would have been some completely white sheep among its companions; others would have been white with black heads; but in its immediate family, all would have been black all over.

Imagine the little lamb taking the journey across the Eastern continent! Should we follow it in its journey we would find many interesting varieties of its kind. In crossing Syria and Asia Minor we would find the curious, flat-tailed sheep; their tails are most remarkable to one unaccustomed to the sight, for they are long masses of fat, sometimes weighing forty or fifty pounds, and often trailing upon the ground. In this case they are frequently supported by little sledges to relieve the animal of its burden. It seems impossible to understand why these tails should grow to this inconvenient and enormous length, when other breeds near by have practically no tails at all.

Imagine the little lamb making its way across the Eastern continent! If we followed on its journey, we’d discover many fascinating varieties of its kind. As we cross Syria and Asia Minor, we’d encounter the peculiar flat-tailed sheep; their tails are quite striking to those who aren’t used to seeing them, as they consist of large masses of fat, sometimes weighing forty or fifty pounds, often dragging on the ground. In such cases, they are typically supported by small sledges to help the animal carry the load. It’s hard to understand why these tails grow to such an inconvenient and enormous length when other nearby breeds have almost no tails at all.

Leaving the country of the broad-tailed sheep and passing along the south of Europe, we find in Spain a very important and interesting variety, the Merino sheep. While in the mountains of Spain they are found in the greatest perfection, the breed has spread over many parts of Europe and has been introduced into South Africa, America and Australia. It is noted for the fineness of its wool and is considered by many to be the most profitable of all sheep.

Leaving the land of the broad-tailed sheep and traveling through southern Europe, we come across a notable and fascinating variety in Spain: the Merino sheep. Although they are seen in their highest quality in the mountains of Spain, this breed has expanded throughout much of Europe and has also been brought to South Africa, America, and Australia. It is known for the softness of its wool and is regarded by many as the most profitable type of sheep.

For some reason the Merino sheep has not found favor in the British isles, but we find there many other well known round-tailed varieties.

For some reason, the Merino sheep hasn't gained popularity in the British Isles, but we do find many other well-known round-tailed varieties there.

The Shetland and Orkney breeds have in their fleece soft, fine wool, largely intermixed with hair. They are of small size and horns may be found on both sexes, although they may be lacking in the ewes.

The Shetland and Orkney breeds have soft, fine wool in their fleece, mostly mixed with hair. They are small in size, and both sexes may have horns, although ewes might not have them.

The soft-wooled sheep of Scotland are a breed nearly extinct; they have short horns, lank bodies and short wool.

The soft-wool sheep of Scotland are a breed that is almost extinct; they have short horns, slim bodies, and short wool.

In Wales we find two races of small size; one lives in the higher mountains, is dark in color, has much hair mixed with soft wool, and horns are found on both sexes. The other race is without horns and is covered with a soft wool. Both varieties are hardy and are noted for their fine flesh.

In Wales, there are two breeds of small animals; one lives in the higher mountains, is dark in color, has a lot of hair mixed with soft wool, and both males and females have horns. The other breed has no horns and is covered in soft wool. Both types are tough and are known for their excellent meat.

The Irish Wicklow sheep were originally very similar to the Welsh variety. Among other Irish breeds the Kerry is best known. It is wild in disposition, larger than the Welsh sheep, with the horns frequently absent in the ewes.

The Irish Wicklow sheep were originally quite similar to the Welsh variety. Among other Irish breeds, the Kerry is the most famous. It has a wild temperament, is larger than the Welsh sheep, and ewes often lack horns.

The hardiest and boldest of all the British races are the black-faced Heath breed; these have dark colored limbs and faces and coarse and shaggy fleeces.

The toughest and most fearless of all the British breeds are the black-faced Heath breed; they have dark-colored limbs and faces and rough, shaggy fleeces.

The Cheviot breed are hornless, with white limbs and faces; they are heavier than the Heath breed, but have less endurance.

The Cheviot breed is hornless, with white legs and faces; they are heavier than the Heath breed, but they have less stamina.

The old Norfolk breed of the east of England are strong and active, with horns, which are thick and spiral in the rams; the body and limbs are long, the face and legs black, and the silky wool is of medium length.

The old Norfolk breed from the east of England is strong and active, with thick, spiral horns on the rams; their bodies and limbs are long, their faces and legs are black, and their silky wool is of medium length.

The Dartmoor and Exmoor sheep are “the breeds of the older forests, commons and chases.” They are of small size, may or may not have horns, have dark or gray faces and have wool of medium length.

The Dartmoor and Exmoor sheep are “the breeds of the older forests, commons, and chases.” They are small in size, may or may not have horns, have dark or gray faces, and have medium-length wool.

The well known Southdowns have no horns; they have dark brown faces, ears 132 and limbs; the head is always comparatively small, the lower jaws are thin and fine and the space between the ears is well covered with wool.

The well-known Southdowns have no horns; they have dark brown faces, ears, and limbs. Their heads are always relatively small, the lower jaws are thin and delicate, and the area between the ears is nicely covered with wool.

The Dorset and pink-nosed Somerset breed are in the southwest of England. They are known by their long white limbs and their white faces; the muzzle is sometimes flesh-colored and the wool is of medium length.

The Dorset and pink-nosed Somerset breed are in the southwest of England. They are recognized for their long white legs and white faces; the muzzle can sometimes be a flesh color and their wool is of medium length.

Then there are the various long-wooled sheep of which the new Leicester breed is considered first in respect to form and ability to fatten readily. Other long-wooled sheep are the Lincolnshire, the Romney Marsh, the Cotswold, the Devonshire, the Notts and the long-wooled Irish breeds.

Then there are the different types of long-wooled sheep, with the new Leicester breed being regarded as the best in terms of shape and its ability to gain weight easily. Other long-wooled sheep include the Lincolnshire, Romney Marsh, Cotswold, Devonshire, Notts, and long-wooled Irish breeds.

There are other breeds less well known and less important, but the breeds of the British isles are by no means confined to that locality. They have been taken to the United States and to other countries. In fact, some variety of domestic sheep can be found in every land, and no animal is more useful to its owner.

There are other breeds that are less well-known and less significant, but the breeds from the British Isles aren't limited to that area. They've been brought to the United States and other countries. In fact, some type of domestic sheep can be found in every nation, and no animal is more beneficial to its owner.

In spite of the various breeds, the characteristics of all domestic sheep are similar. They have not the courage and independence of their cousins, the wild sheep of the mountains. These delight to roam to the highest altitudes, some species being found as high as 22,000 feet above the level of the sea. No other animal save the musk ox and the mountain goat can exist at this height. Doubtless the domestic sheep would thrive better if it could escape the low levels and the plains, for, like the wild sheep, it is a mountain-loving creature. It has adapted itself to the lower altitude, but at a great loss of its original characteristics. It has to an extreme extent become a dependent animal, unable to care for itself, totally lacking in courage and resources, very easily frightened and without marked character. An entire flock is easily startled by any unusual noise; thunder and lightning completely unsettles them, and human efforts to quiet them often prove unavailing.

Despite the different breeds, all domestic sheep share similar traits. They lack the bravery and independence of their wild mountain relatives. These wild sheep love to roam at high altitudes, with some species found as high as 22,000 feet above sea level. No other animals, except the musk ox and mountain goat, can survive at this height. Certainly, domestic sheep would do better if they could escape the lowlands and plains, because, like their wild counterparts, they are creatures that thrive in the mountains. They have adjusted to lower altitudes, but they've lost a lot of their original qualities in the process. They have become extremely dependent, unable to fend for themselves, completely lacking in courage and resourcefulness, very easily startled, and lacking strong personalities. A whole flock can be easily frightened by any strange noise; thunder and lightning can completely unsettle them, and attempts by humans to calm them often fail.

Brehm tells us that “on the steppes of Russia and Asia the shepherds often have the most arduous tasks in preserving their charges. During a snowstorm or thunderstorm the panicstricken flocks disperse in a wild stampede, rushing out into the wastes of the steppe like senseless creatures, and then resignedly suffer themselves to be snowed under or to freeze without making any attempt to shelter themselves from the storm or even to seek for food.” In Russia a goat is generally used as a leader for a flock of sheep, but even a goat is not always able to keep the stupid animals under proper guidance. During a thunderstorm they huddle together and cannot be made to move. “If lightning strikes into the flock,” says Lenz, “many are killed at once; if fire breaks out in the sheepfold the sheep do not run out, but, on the contrary, sometimes rush into the fire.” The best manner of rescuing sheep from a burning fold or structure is to let the sheep dog to which they are accustomed, drive them out.

Brehm tells us that “on the steppes of Russia and Asia, shepherds often face the toughest challenges in keeping their flocks safe. During a snowstorm or thunderstorm, the terrified sheep scatter in a chaotic stampede, running into the vastness of the steppe like mindless creatures, and then helplessly allow themselves to be buried in snow or freeze to death without trying to find shelter from the storm or even looking for food.” In Russia, a goat is typically used as a leader for a flock of sheep, but even a goat isn't always able to keep these foolish animals properly guided. During a thunderstorm, they bunch together and won’t budge. “If lightning strikes the flock,” says Lenz, “many are killed instantly; if a fire breaks out in the sheepfold, the sheep don’t run out but, instead, sometimes charge into the flames.” The best way to rescue sheep from a burning pen or structure is to let the sheepdog they’re familiar with lead them out.

To a certain degree, however, the sheep exhibits mental capacity. It learns to know its keeper, obeys his call and displays a certain amount of affection and docility towards him. It seems to have a liking for music, or at least it patiently and passively listens to the bagpipe playing of the shepherd, and it has evidently some premonition of impending changes in the weather.

To some extent, though, the sheep shows some intelligence. It learns to recognize its keeper, responds to his calls, and shows a degree of affection and obedience toward him. It appears to enjoy music, or at least it listens patiently and quietly to the shepherd playing the bagpipe, and it seems to sense when the weather is about to change.

Sheep thrive best on a diet of various dried plants. The botanist Linnæus states that they “feed on three hundred and twenty-seven of the common Central European plants, avoiding one hundred and forty-one. Ranunculus, cypress spurge, meadow-saffron, shave-grass, wild cabbage or skunk cabbage and rushes are poison to it. It is fond of salt and fresh drinking water is necessary to its well being.”

Sheep do best on a diet of different dried plants. The botanist Linnæus observes that they "feed on three hundred and twenty-seven common Central European plants, avoiding one hundred and forty-one. Ranunculus, cypress spurge, meadow saffron, shave grass, wild cabbage or skunk cabbage, and rushes are toxic to them. They enjoy salt, and access to fresh drinking water is essential for their health."

The mother usually gives birth to but one lamb, although occasionally there are more. The little creature must first have human care, but later they are permitted to follow their mother, which shows great affection for her offspring.

The mother usually gives birth to just one lamb, though sometimes there are more. The little one needs human care at first, but later they can follow their mother, who shows a lot of love for her baby.

A sheep may live to be fourteen years of age, though at nine or ten years it will lose most of its teeth and cannot maintain itself by grazing.

A sheep can live up to fourteen years, but by nine or ten years, it will lose most of its teeth and can no longer support itself by grazing.

John Ainslie.

John Ainslie.

133

THE BEAUTY OF A STORM.

The person standing by the window watching the progress of the storm may see some of its beauty, but he will miss the most vital part—its very spirit.

The person standing by the window watching the storm unfold might notice some of its beauty, but they'll miss the most important part—its true essence.

Perhaps the majority of people looking out of the window this morning exclaimed, “What a disagreeable day!” And so it might seem to those who remained indoors; and, alas! also to many pedestrians who are not attuned to Nature and who have not yet seen the wisdom of providing themselves with suitable attire for stormy weather, instead of foolishly clinging to the old idea that “anything will do to wear on a rainy day.”

Perhaps most people looking out the window this morning exclaimed, “What an awful day!” And so it might seem to those who stayed indoors; and, unfortunately, also to many pedestrians who are not in tune with Nature and who have not yet realized the importance of dressing appropriately for bad weather, instead of foolishly holding onto the old idea that “anything works for a rainy day.”

These very likely were oblivious to the beauty which surrounded them and failed to be touched by the spirit of the storm.

They were probably unaware of the beauty around them and didn't feel the power of the storm.

To many besides myself, however, I hope it was a “beautiful morning.” When I started forth to walk the wind, which was quite strong, was blowing in fitful gusts, while the rain fell heavily, in spite of which state of things the note of a brown creeper smote my ear cheerily, assuring me that one little friend, at least, was sharing my enjoyment.

To many besides me, I hope it was a "beautiful morning." When I set out for a walk, the wind was pretty strong, blowing in bursts, while the rain was pouring down heavily. Despite this, I distinctly heard the cheerful note of a brown creeper, letting me know that at least one little friend was sharing my enjoyment.

After about two hours, during which time the rain had not ceased to fall, I set out on my return walk. The first sound to attract attention, on again setting foot out doors, was the crackling of the needles in a tall pine tree, and I was surprised to note that the rain was freezing on the trees. It had not seemed cold enough. Very soon there was sleet mixed with the rain, which changed again presently to snow and sleet. Then the snow and the wind commenced a mad frolic, and Oh! how beautiful they made the world! Who could be deaf to the deep-toned music of the wind roaring through the upper branches of the trees!

After about two hours, during which the rain hadn’t stopped, I started my walk back. The first sound that caught my attention when I stepped outside again was the crackling of needles in a tall pine tree, and I was surprised to see that the rain was freezing on the trees. It didn’t seem cold enough for that. Soon, there was sleet mixed with the rain, which then turned into a mix of snow and sleet. Then the snow and wind began to dance wildly, and oh! How beautiful they made the world! Who could ignore the deep, rich sound of the wind roaring through the upper branches of the trees!

The spirit of the storm entered into my veins and a wild delight seized me. I could have shouted aloud with the mere joy of living. The redbird’s call note was as the greeting of a friend, and the hairy woodpecker’s loud “pique” seemed to say “Hi! down there; this is a world worth living in!”

The energy of the storm rushed through me, and I was filled with a wild joy. I could have shouted with the sheer happiness of being alive. The call of the redbird felt like the greeting of a friend, and the loud “pique” of the hairy woodpecker seemed to say, “Hey! down there; this is a world worth living in!”

It is in such moments as these that our unity with Nature is most strongly felt and our co-partnership with the elements realized. We are as much a part of the great and wonderful universe as the stars or the clouds, the mountains or the sea.

It is in moments like these that our connection with Nature is most strongly felt and our partnership with the elements becomes clear. We are just as much a part of the amazing universe as the stars, the clouds, the mountains, or the sea.

Thus may the storm spirit embrace our spirit as the wind and rain and snow encircle our bodies. If the invisible and visible parts of our being be both equally prepared to face the elements, we shall return from our encounter with them exalted in mind and refreshed in body; with new life in our veins, and in our hearts new wonder at the beauty of Nature in her wilder moods.

Thus may the storm spirit embrace our spirit as the wind, rain, and snow surround our bodies. If both the unseen and seen parts of our being are equally ready to confront the elements, we will return from our encounter with them uplifted in spirit and rejuvenated in body; with new energy in our veins, and in our hearts a renewed appreciation for the beauty of Nature in her wildest moods.

Anne Wakely Jackson.

Anne Wakely Jackson.


The snow-plumed angel of the north

The snow-covered angel of the north

Has dropped his icy spear;

Has dropped his cold spear;

Again the mossy earth looks forth,

Again the mossy ground looks out,

Again the streams gush clear.

Again the streams flow clear.

John Greenleaf Whittier.

John Greenleaf Whittier.

134

THE VIOLET.

With the exception of the rose, no other plant is so widely distributed and at the same time so universally admired as the Violet. Not alone is it esteemed because of its beauty and fragrance, but a wealth of romance, of historical associations and mythical lore have clustered around the purple blossoms, endearing them to the poet and scientist alike.

With the exception of the rose, no other plant is as widely spread and equally admired as the violet. It's not only valued for its beauty and fragrance, but also for the rich romance, historical connections, and mythical stories that surround its purple flowers, making them beloved by both poets and scientists.

The Violet was formally baptized with the ancient Latin name Viola in 1737. Since that time, by some strange oversight, botanists have allowed the name to remain unchanged. Two hundred and fifty species of the Violet have been described, although a more careful study of the genus has reduced the number to one hundred or more species. Three-fourths of these forms are found in the temperate Northern Hemisphere and the balance in the Southern. Under these diverse conditions of growth the plants assume many seemingly unnatural characteristics. Thus, in Brazil a species of Violet is eaten like spinach, while others found in Peru are violent purgatives. Among certain Gaelic tribes the plants are highly esteemed as a cosmetic, and the ancients largely used the flowers to flavor wines.

The Violet was officially named Viola in Latin back in 1737. Since then, for some odd reason, botanists have kept the name the same. There have been 250 species of Violet described, but closer examination has trimmed that down to about 100 or more species. About three-fourths of these types are found in the temperate Northern Hemisphere, with the rest in the Southern Hemisphere. In these different growing conditions, the plants take on many unusual traits. For instance, in Brazil, a type of Violet is eaten like spinach, while others in Peru act as strong laxatives. Some Gaelic tribes highly value the plants as a cosmetic, and the ancient people often used the flowers to flavor wines.

Whatever other attributes a plant may possess, it is predestined in large measure to waste its fragrance on the desert air, unless it catches the fancy of the minstrel or tips the bolts that fly from Cupid’s bow. In fact, the Violets were originally white, until they were accidentally struck by Cupid’s dart, which was hurled at Diana, and since then the petals have been “purple with love’s wounds.” Hence Shakespeare calls the Violet “Cupid’s flower of purple dye.” Another reason for the change from white to purple is found in the jealousy of Venus, who, envious of Cupid’s admiration of the purity of the flowers, changed them all to blue.

Whatever other qualities a plant might have, it's largely destined to waste its fragrance on the desert air unless it catches the attention of a poet or gets hit by the arrows from Cupid's bow. Actually, the Violets were originally white, until they were accidentally struck by Cupid’s dart, which was thrown at Diana, and ever since then, the petals have been “purple with love’s wounds.” That’s why Shakespeare refers to the Violet as “Cupid’s flower of purple dye.” Another reason for the shift from white to purple is Venus's jealousy, who, envious of Cupid’s admiration for the purity of the flowers, changed them all to blue.

The Greek myth, however, would certainly not be content if it could not more fully account for the origin of the Violet, and so it appears from the classic legend that Ianthea, the most beautiful of Diana’s nymphs, while dancing in the woodlands, was pursued by the sun god, and in order to save her favorite the immortal huntress changed her into a Violet. The name Ion was given to the plants by the Greeks after the nymphs of Ionia presented the flowers to Jupiter. The Thunderer evidently saw something more than a mere blossom in the dainty flowers, for it appears that the Violet became a beautiful priestess in Juno’s temple, known as Io. In order to protect her from the jealousy of his consort, Jupiter was forced to change the young goddess into a heifer, and whenever she lowers her head to feed, the white violet springs from her perfumed breath as it comes in contact with the soil.

The Greek myth certainly wouldn’t be satisfied if it couldn’t fully explain the origin of the Violet. According to the classic legend, Ianthea, the most beautiful of Diana’s nymphs, was dancing in the woods when the sun god pursued her. To protect her favorite, the immortal huntress transformed her into a Violet. The Greeks named the plants Ion after the nymphs of Ionia gifted the flowers to Jupiter. The Thunderer clearly saw more than just a simple bloom in these delicate flowers, as the Violet became a lovely priestess in Juno’s temple, known as Io. To shield her from his wife’s jealousy, Jupiter had to turn the young goddess into a heifer. Whenever she lowers her head to graze, a white violet springs from her sweet-smelling breath as it touches the ground.

Among the ancients the Violet was the flower of honor. It was the sacred flower of the Acropolis, and the “Athenian crowned with Violets” was a distinction much sought after. Pindar writes of “Violet-crowned Athens,” and in the “Cyprea” it is said that Violets were among the perfumes employed by Venus to win from Paris the prize of beauty.

Among ancient cultures, the Violet was a symbol of honor. It was the sacred flower of the Acropolis, and being the “Athenian crowned with Violets” was a highly sought-after distinction. Pindar writes about “Violet-crowned Athens,” and in the “Cyprea,” it is noted that Violets were among the fragrances used by Venus to win the prize of beauty from Paris.

No less esteemed were the purple blossoms among the more rugged people of the North, for a Saxon legend tells how Czernebogh, god of the Vandals, lived with his beautiful daughter in a stately castle. When Christianity swept through Saxony, destroying all evidences of the heathen faiths, the god and his castle were turned into rocks, and the lovely daughter became a Violet, nestling among the crags. Whoever is fortunate enough to discover the hidden flower will restore the maiden and the castle to their original form and may claim this Saxon Flora as his bride.

No less revered were the purple flowers among the tougher folks of the North, as a Saxon legend tells how Czernebogh, the god of the Vandals, lived with his beautiful daughter in a grand castle. When Christianity rolled through Saxony, wiping out all traces of the pagan beliefs, the god and his castle were transformed into rocks, and the lovely daughter turned into a Violet, resting among the cliffs. Anyone lucky enough to find the hidden flower will bring back the maiden and the castle to their original state and can claim this Saxon Flora as his bride.

COMMON PURPLE VIOLET.
(Viola obliqua.)
LIVERWORT.
(Hepatica hepatica.)
FROM “NATURE’S GARDEN.”
COPYRIGHT 1900, BY
DOUBLEDAY, PAGE & COMPANY.

COMMON PURPLE VIOLET.
(Viola obliqua.)
LIVERWORT.
(Hepatica hepatica.)
FROM “NATURE’S GARDEN.”
COPYRIGHT 1900, BY
DOUBLEDAY, PAGE & COMPANY.

137

In Norse mythology the Violet is called Tyr’s flower, and this is the first instance in which the modest plant became disassociated from the realm of love and assumed the guise of war. Tyr’s violet mantle, however, in later years, fell upon the great Napoleon, who adopted the flower as his emblem. He was, in fact, called by his followers Pere de la Violette, and upon going into exile Napoleon assured his friends that he would return with the Violets. Hence the flower became the sacred symbol by which his followers recognized each other. When asked, “Do you like the Violet?” if the reply was “Oui” the answerer was not a confederate. If, however, the reply came, “Eh, bien,” they recognized a brother conspirator and completed the sentence, “It will appear again in the spring.”

In Norse mythology, the Violet is known as Tyr’s flower, marking the first time this humble plant moved away from its association with love and took on the identity of war. However, in later years, Tyr’s violet mantle was taken up by the great Napoleon, who made the flower his emblem. His followers even called him Pere de la Violette, and when he went into exile, Napoleon reassured his friends that he would return with the Violets. Thus, the flower became a sacred symbol for his followers to recognize each other. When asked, “Do you like the Violet?” if the reply was “Oui,” the person was not an ally. However, if the response was “Eh, bien,” they identified a fellow conspirator and would finish the phrase, “It will appear again in the spring.”

During the middle ages the Violet became the chosen symbol to the minstrel and troubadour, of loyalty and faithful love. A blue Violet was the first love token passed by Clemence Isaure through a hole in the wall of her convent garden to her noble lover, Count Raymond, of Toulouse, and in its association as a bridal flower Milton used it to carpet Eve’s bower in Paradise.

During the Middle Ages, the violet became the favored symbol for minstrels and troubadours, representing loyalty and true love. A blue violet was the first love token passed by Clemence Isaure through a hole in the wall of her convent garden to her noble lover, Count Raymond of Toulouse. Additionally, because of its connection to weddings, Milton used it to decorate Eve’s bower in Paradise.

Charles S. Raddin.

Charles S. Raddin.

THE ROUND-LOBED LIVERWORT.
(Hepatica hepatica.)

All the woodland path is broken

All the woodland path is uneven.

By warm tints along the way,

By warm colors along the way,

And the low and sunny slope

And the soft, sunny hill

Is alive with sudden hope,

Is filled with new hope,

When there comes the silent token

When the unspoken signal arrives

Of an April day—

On an April day—

Blue hepatica.

Blue hepatica.

Dora Read Goodale.

Dora Read Goodale.

There are many plants that are closely related to the mythology and folklore of nations. This is even true of many that are native only in our own young country. The Liverwort, or Hepatica, as it is more often called, though it is not entirely free from mythical association among the Indian tribes, does not enter largely into their folklore.

There are many plants that are closely related to the myths and stories of different nations. This is also true for many plants that are only native to our own young country. The Liverwort, or Hepatica as it’s commonly known, while it has some mythical connections among the Indian tribes, doesn't play a big role in their folklore.

This beautiful plant has, however, been the inspiration of many poets. Helen Chase calls the Hepaticas

This beautiful plant has, however, been the inspiration for many poets. Helen Chase refers to the Hepaticas

“Hooded darlings of the spring,

"Spring's hooded darlings,"

Rarest tints of purple wearing.”

"Rarest shades of purple wearing."

The delicate blue of the flowers is mentioned by William Cullen Bryant:

The delicate blue of the flowers is mentioned by William Cullen Bryant:

“The liverleaf put forth her sister blooms

The liverleaf produced her sister blooms

Of faintest blue.”

Of light blue.

The life of this plant is poetical. During the summer months a luxuriant growth of leaves is produced. As cold weather approaches these lie down upon the ground and are soon covered by the falling leaves, which have been nipped from the trees by bite of the frost king. Soon, too, they are covered with snow. In this warm cradle they sleep through the winter, yet, as it were, with open eyes for the dawn of spring. Had the Hepatica the power of reason we would say that it longed for spring, for after the first few warm days that herald the approach of that season there is activity in every part of the plant. It does not wait to produce new leaves, but in an incredibly short time sends up its flower stalk and spreads its blue, purple or white petals to the warm rays of the sun. The Hepatica is truly a harbinger of spring, and in Eastern North America, from Southern British America to the Gulf of Mexico, its appearance introduces the new season. In the northern portion of its habitat its flowers are among the first to grace the dreary, leafless forests. This Hepatica is also found in Europe and Asia. It is not only a flower of the forests of lower altitudes, but is also found in mountainous regions at an elevation of nearly three thousand feet.

The life of this plant is poetic. During the summer months, it produces a lush growth of leaves. As cold weather approaches, these leaves drop to the ground and are soon covered by the falling leaves, which have been knocked off the trees by the frost. Soon, they are blanketed with snow. In this warm cradle, they rest through the winter, almost with open eyes waiting for the dawn of spring. If the Hepatica could think, we would say that it longs for spring, because after the first few warm days signaling its arrival, there's activity in every part of the plant. It doesn’t wait to produce new leaves; in an incredibly short time, it sends up its flower stalk and spreads its blue, purple, or white petals to bask in the warm rays of the sun. The Hepatica is truly a sign of spring, and in Eastern North America, from Southern British America to the Gulf of Mexico, its appearance marks the new season. In the northern part of its range, its flowers are among the first to brighten the dreary, leafless forests. This Hepatica is also found in Europe and Asia. It’s not just a flower of the lower forest regions but is also found in mountainous areas at elevations close to three thousand feet.

This plant was first described by Linnæus in 1753, who gave it the name Hepatica, as he saw in the shape of the leaf 138 a resemblance to the form of the liver.

This plant was first described by Linnaeus in 1753, who named it Hepatica because he noticed that the shape of the leaf resembled the form of the liver. 138

Of the four known species of Hepaticas but one other is found in North America. This species has the lobes of the leaves pointed instead of round. In some localities it is quite as common as the plant of our illustration, and by many it is considered merely a variety of that form.

Of the four known species of Hepaticas, only one other is found in North America. This species has pointed lobes on its leaves instead of round ones. In some places, it is just as common as the plant in our illustration, and many consider it simply a variety of that form.

Bishop Coxe has said:

Bishop Coxe stated:

Flowers are words

Flowers are expressions

Which even a babe may understand.

Which even a baby can understand.

The word expressed by the beautiful and hardy Hepatica is confidence.

The word conveyed by the beautiful and resilient Hepatica is confidence.

THE SPRING MIGRATION.
I. THE WARBLERS.

In two former papers I told you of some of the birds that spend their winters in the Gulf States. It is my purpose in the present article to tell some of the features of the great spring migration as viewed from a Mississippi standpoint; how myriads of the little fellows in yellow, black, white, and olive-green stop in these forests to rest and feed for a day or two, then under the impulse of a little-understood instinct continue their journey to the region of their birth. The migration takes place in successive waves, till the last one breaks upon us and spring is over.

In two previous articles, I shared information about some of the birds that winter in the Gulf States. In this article, I aim to highlight some features of the great spring migration from a Mississippi perspective; how countless little birds in yellow, black, white, and olive-green pause in these forests to rest and feed for a day or two, then driven by an instinct we don't fully understand, they resume their journey to their birthplace. The migration happens in consecutive waves until the last one arrives and spring comes to an end.

In early March the first wave rolls in upon us; happy little creatures hop about and chatter among the opening buds and feast on the insect life awakened by the returning sun. On successive days or, perhaps, at intervals of a few days other waves roll in from the far lands of the Gulf and the Caribbean Sea, till the final one beats against these hills and we awake about the first of May to realize that summer, fervid, tropical, is here. For the months of March and April all is bustle among the feathered traveling public; after that the summer residents have things all their own way till the fall migration begins.

In early March, the first wave rolls in upon us; cheerful little creatures hop around and chatter among the budding flowers, feasting on the insect life stirred up by the returning sun. On successive days, or maybe a few days apart, other waves arrive from the distant regions of the Gulf and the Caribbean Sea, until the final one crashes against these hills, and we wake up around the beginning of May to realize that summer, hot and tropical, is here. During March and April, there’s plenty of activity among the migrating birds; after that, the summer residents have things completely their own way until the fall migration starts.

As the sun draws near the line you notice that up in the tops of the gum trees are little birds about the size of a savanna sparrow, and, viewed hastily, of much the same coloring. You know they are not savannas, because the savanna never frequents such places. Some of them have probably spent their winter in this latitude; but just now by their restless activity they tell us that the sap has begun to stir and that the great migration is about to begin. Closer inspection with a good glass will show four spots or patches of yellow, one on the crown, one under each wing, and another on the rump, hence the bird’s name, the yellow rumped warbler, sometimes known as the myrtle warbler. A month later you will scarcely recognize the males of this species, the dull brown of the winter coat being replaced by the shiny black of his bridegroom’s suit.

As the sun approaches the horizon, you notice that in the tops of the gum trees are small birds about the size of a savanna sparrow, and, at a quick glance, similar in color. You know they aren’t savanna sparrows because they don’t usually hang out in these areas. Some of them probably spent their winter here, but right now their restless activity signals that the sap is starting to flow and that the big migration is about to start. A closer look with a good pair of binoculars will reveal four patches of yellow: one on the crown, one under each wing, and one on the rump, giving the bird its name, the yellow-rumped warbler, sometimes called the myrtle warbler. In a month, you’ll barely recognize the males of this species, as the dull brown of their winter plumage will be replaced by the shiny black of their breeding outfit.

When the beech buds swell and the jessamine puts forth its little yellow trumpets to announce that spring has actually come, the first great wave comes flooding into the awakening woods. Here come the first arrivals, both sexes in coats of grayish blue, with shirtwaists of brilliant yellow, the male distinguished by a patch of rufous of an irregular crescent shape across the lower part of the throat and upper part of the breast. On fine sunshiny days the parula warbler, for that is his name, loves the topmost branches of the tallest trees; if the day is gloomy he comes down to the lower branches, affording a better opportunity to study him. His only note at these times is an insect-like buzz much in keeping with his diminutive size.

When the beech buds start to swell and the jasmine shows off its little yellow trumpets to signal that spring is truly here, the first big wave rushes into the waking woods. Here come the first guests, both males and females in coats of grayish-blue, with bright yellow shirts. The male stands out with a rufous patch in an irregular crescent shape across the lower throat and upper breast. On sunny days, the parula warbler—that's his name—likes to perch in the highest branches of the tallest trees; if it's a gloomy day, he comes down to the lower branches, making it easier to observe him. At these times, he only makes an insect-like buzz that fits his tiny size perfectly.

In the lowlands the Halesia or silver bell is putting out its graceful pendulous racemes of purest white, and it is time to look for the next migrant, the hooded warbler, one of the largest and finest of his race. A V of brilliant yellow coming down to the bill, covering the forehead and running backwards past the eye, bordered by a well defined band of intense black, and a back and tail of green slightly 139 tinted with olive make him a marked bird. Unlike the parula, he cares nothing for treetops or sunshine; a perch on a swinging rattan vine or in a shrub in the dark woods hard by a canebrake is good enough for him.

In the lowlands, the Halesia, or silver bell, is displaying its elegant drooping clusters of pure white flowers, and it’s time to look for the next migrant, the hooded warbler, one of the largest and most impressive of its kind. A V-shaped patch of bright yellow extends down to its bill, covering its forehead and continuing past its eye, bordered by a distinct band of deep black, with a back and tail that are green tinged with olive, making it a standout bird. Unlike the parula, it doesn’t care about treetops or sunlight; it prefers a perch on a swinging rattan vine or in a shrub in the dim woods near a canebrake.

As soon as the hooded warbler appears we will see the black and white creeping warbler, the connecting link (so to speak) between the creepers and warblers in both appearance and habits. Like our common brown creeper, he loves the dense woods, but unlike him seems to prefer the tops and higher branches. Alternate patches and streaks of white and black without a suggestion of the yellow or olive green so characteristic of his genus make his identification easy. His note is simple and short; in fact the sounds that he emits in his journeys are scarcely worth being called a song.

As soon as the hooded warbler shows up, we will notice the black and white creeping warbler, the link (so to speak) between creepers and warblers in both looks and behavior. Like our common brown creeper, he enjoys dense forests, but unlike him, he seems to prefer the tops and higher branches. Alternating patches and streaks of white and black, without any hint of the yellow or olive green typical of his genus, make him easy to identify. His call is simple and short; in fact, the sounds he makes while traveling barely qualify as a song.

The flood tide comes about the first of April and lasts two weeks. Prominent among the multitude of visitors you may see a warbler slightly smaller than the hooded but of the same general coloring, yellow, black and green, only in this bird the black is in three patches, one on the top of the head, the others running from the bill back and down. This is the Kentucky warbler, a lover of the ground and of the low growths. There is another that the hasty observer might mistake for the hooded or the Kentucky, and that is the Maryland yellowthroat. The black on the latter is confined to broad bands of rich velvety black below the eyes; the yellow is more of a sulphur than a chrome shade, and the green is more nearly olive than in the two just mentioned. Many of this species make their summer home in this latitude, making their nests and rearing their broods in the mat of vines and weeds along the fence rows. The usual song is wichety, wichety, wichety, uttered with the cheerful vigor that makes the Carolina wren so attractive. During the months of April and May, 1900, I had frequent opportunities to observe two pairs of yellow throats that had built just inside the fence that parallels the railroad; the males, as they caught sight of me coming down the track, would mount the highest weed within reach and sing with all their might, but as I came opposite their perch would drop suddenly down into the weeds and remain there till I was well past, then resume their perch and song as long as I was in hearing.

The flood tide begins around the first of April and lasts for two weeks. Among the many visitors, you might spot a warbler that's a bit smaller than the hooded one but has similar colors: yellow, black, and green. In this bird, the black appears in three patches—one on the top of its head and the others running from the bill back and down. This is the Kentucky warbler, which prefers the ground and low growths. There's another bird that a quick observer might confuse with the hooded or Kentucky warbler, and that's the Maryland yellowthroat. The black on this one is limited to broad bands of rich, velvety black below the eyes; the yellow is more of a sulfur color than a chrome shade, and the green is closer to olive than in the other two. Many of these birds make their summer homes in this area, building nests and raising their young in the tangle of vines and weeds along the fence rows. Their usual song is "wichety, wichety, wichety," sung with the cheerful energy that makes the Carolina wren so appealing. During April and May of 1900, I had many chances to observe two pairs of yellow throats that had built nests just inside the fence next to the railroad. When the males spotted me walking down the track, they would hop up to the tallest weed they could find and sing as loudly as they could, but as I got close to their perch, they would suddenly drop down into the weeds and stay quiet until I passed by. Once I was far enough away, they would return to their perch and resume their song as long as I could still hear them.

Another of this family conspicuous for its brilliant coloring is the prothonotary warbler. Yellow breast, head, neck and shoulders, yellowish olive wings and back and darker olive tail render him conspicuous against any woodland background. If you want to see him during these busy April days we must go where he is, i. e., in the cypress or willow swamps. The dark gray festoons of Spanish moss (Tillandsia usneoides) and the tender young green of the cypress leaves afford both contrast for his bright colors and provisions for his larder. Some of this species also nest here, choosing for their homes oftentimes the holes made by some of our smaller woodpeckers in dead willow stubs. I remember one morning seeing a cheerful flock of prothonotary and parula warblers and noticing one of the former leave his companions and fly to a clump of willows where another less brilliantly colored, presumably the female, joined him. Together they inspected the willow stubs, running in and out and up and down the trunks, peering into every cavity. Finally they found one that met their requirements, then, after a short but earnest discussion, flew away through the swamp.

Another member of this family that stands out for its vivid colors is the prothonotary warbler. With its yellow breast, head, neck, and shoulders, along with yellowish-olive wings and back and a darker olive tail, it really stands out against any forest backdrop. If you want to see it during these busy April days, we have to go where it is, meaning in the cypress or willow swamps. The dark gray strands of Spanish moss (Tillandsia usneoides) and the soft young green of the cypress leaves provide both contrast to its bright colors and food for its nest. Some of these birds also nest here, often choosing the holes made by smaller woodpeckers in dead willow stubs. I remember one morning watching a lively group of prothonotary and parula warblers. I noticed one of the prothonotary warblers leave its friends and fly to a clump of willows, where another less brightly colored bird, presumably the female, joined it. Together they checked out the willow stubs, moving in and out and up and down the trunks, peering into every hole. Finally, they found one that suited their needs, and after a brief but serious discussion, they flew away through the swamp.

Inhabiting the marshes and swamps is the Louisiana water thrush, a slender brown bird shaped much like the brown thrasher, only much smaller, being about six inches in length as compared with the thrasher’s eleven or twelve. A gifted singer, he is very wild and shy, always resenting the intrusion of the lords of creation upon his quiet haunts, flitting quietly on before you in the shadows, evincing his distrust of your motives by an occasional angry “clink.” He well illustrates the principle of compensation: though denied the brilliant yellows and greens of his warbler brethren, he surpasses them all in the quality of his song, as free, as beautiful, as wild as the bird himself. All the individuals of this species that I saw in three years’ observation were either in the water beeches (Carpinus caroliniana) that grew so thickly along the creek or in the sweet gums 140 and cypress along the borders of an immense swamp.

The Louisiana water thrush lives in marshes and swamps. It’s a slender brown bird, similar in shape to the brown thrasher but much smaller, about six inches long compared to the thrasher’s eleven or twelve inches. A talented singer, it is quite wild and shy, always wary of humans intruding on its peaceful habitats, quietly flitting away before you in the shadows and showing its distrust with an occasional annoyed "clink." It embodies the idea of compensation: although it lacks the bright yellows and greens of its warbler relatives, its song is superior, as free, beautiful, and wild as the bird itself. In three years of observation, all the individuals of this species I saw were either in the water beeches (Carpinus caroliniana) that grew thickly along the creek or in the sweet gums and cypress along the edges of a vast swamp. 140

As the Louisiana water thrush is the star soloist of the warbler contingent, so the yellow breasted chat is the clown of our woodland troupe. His coloring is vivid but simple, being green with a wash of olive above, lores black, breast bright chrome yellow, other under parts white or whitish. Under most circumstances this bird is shy and difficult to approach, as I learned by personal experience; but when one of his strange moods comes upon him—perhaps it is the approach of the nuptial season that so affects him—he doffs much of his shyness and becomes a veritable clown, making such a profusion and variety of noises that one would fain believe that there is a whole score of birds in the bush or thicket from which the medley proceeds. He darts out of his retreat and flies away over the shrubbery, twisting and turning his body, raising and dropping his tail as if all his joints were of the ball and socket pattern, making as many ridiculous contortions and as many varieties of squeaks and squalls as an old-time elocutionist.

As the Louisiana water thrush is the main soloist among the warblers, the yellow-breasted chat is the jester of our woodland group. His colors are bright yet straightforward, with green and an olive wash on top, black lores, a vibrant chrome yellow breast, and white or off-white underparts. Most of the time, this bird is shy and hard to get close to, as I found out from experience; but when he gets into one of his quirky moods—maybe it’s the approach of the mating season that triggers it—he sheds a lot of his shyness and turns into a real clown. He produces such a wide range of noises that you might think there's a whole bunch of birds hidden in the bushes providing the soundtrack. He darts out of his hiding spot and flies over the shrubs, twisting and turning, raising and lowering his tail as if all his joints are ball-and-socket, making ridiculous contortions and an array of squeaks and squawks like an old-time speech performer.

Besides numerous individuals of the species of warblers already named, in the two weeks between April 9 and 23 I saw one or more of each of the following: Yellow or summer, bluewinged, worm-eating, magnolia, golden winged, chestnut sided, prairie, and the redstart. As I write these names they call up mornings spent in the land of the ’possum and persimmon while yet the steamy breath of the dew was going up to meet the fervor of an April sun, and all the air was heavy with the perfume of the blooming holly, mornings of music from a thousand throats inspired by “the new wine of the year.” At such times one realizes the force of these two lines from Richard Hovey:

Besides many individuals of the warbler species already mentioned, during the two weeks from April 9 to 23, I saw one or more of each of these: Yellow or summer, blue-winged, worm-eating, magnolia, golden-winged, chestnut-sided, prairie, and the redstart. As I write these names, they bring back memories of mornings spent in the land of possums and persimmons, while the warm dew rose to greet the intensity of an April sun, and the air was thick with the fragrance of blooming holly, mornings filled with music from a thousand voices inspired by “the new wine of the year.” In those moments, one truly appreciates the power of these two lines from Richard Hovey:

Make me over, Mother April,

Revamp me, Mother April,

When the sap begins to stir.

When the sap starts to flow.

James Stephen Compton.

James Stephen Compton.

A PET SQUIRREL.

“Grandma, what made those little scars on this finger?” asked Nellie.

“Grandma, what caused those little scars on this finger?” asked Nellie.

“Those,” said grandma, reflectively, “were made by a saucy little gray squirrel.”

“Those,” said grandma thoughtfully, “were made by a cheeky little gray squirrel.”

“How?”

"How?"

“When I was a little girlie, smaller than you, uncle gave me a gray squirrel in a cage for a pet. As we all fondled him he soon became very tame. We often opened his cage door and allowed him to run around the house at will. One day he ran upstairs and played havoc in a feather bed. After that when out of his cage we kept a close watch on him, never allowing him in a bedroom.

“When I was a little girl, smaller than you, my uncle gave me a gray squirrel in a cage as a pet. We all petted him, and he quickly became very friendly. We often opened his cage door and let him run around the house freely. One day, he ran upstairs and caused chaos in a feather bed. After that, when he was out of his cage, we kept a close eye on him, never allowing him in a bedroom.”

“But he had already learned a new trick which he seemed very loth to forget. Every time that he could sneak into a bedroom he would make a bee-line for the bed, tear a hole in the tick and be inside among the feathers in a flash.

“But he had already learned a new trick that he seemed really reluctant to forget. Whenever he could sneak into a bedroom, he would head straight for the bed, rip a hole in the mattress, and be inside among the feathers in no time.”

“As I said before, everyone around the place petted and handled him and he had never bitten nor scratched anyone. But one day while playing with him he suddenly leaped from my arms and raced upstairs. Just as he jumped upon a bed I caught him. This angered his squirrel-ship. He turned and savagely ran his long, sharp teeth through my finger. The sores were slow about healing and left these little scars. After that mother would not allow me to let him out of his cage.”

“As I mentioned earlier, everyone around here loved to pet and play with him, and he had never bitten or scratched anyone. But one day while I was playing with him, he suddenly jumped out of my arms and dashed upstairs. Just as he leaped onto a bed, I managed to catch him. This upset him. He turned around and bit my finger with his long, sharp teeth. The wounds took a long time to heal and left little scars. After that, my mom wouldn’t let me take him out of his cage anymore.”

Loveday Almira Nelson.

Loveday Almira Nelson.

ENGLISH WALNUT.
(Juglans regia.)
FROM KŒHLER’S MEDICINAL-PFLANZEN.

ENGLISH WALNUT
(Juglans regia.)
FROM KŒHLER’S MEDICINAL PLANTS.

Description of Plate.—A, twig with staminate and pistillate flowers; B, twig with pistillate flowers; C, fruit; 1-6, flowers and floral parts; 7-10, fruit and seed (nut).

Plate Description.—A, branch with male and female flowers; B, branch with female flowers; C, fruit; 1-6, flowers and floral parts; 7-10, fruit and seed (nut).

143

THE ENGLISH WALNUT AND RELATED TREES.
(Walnut)

Children fill the groves with the echoes of their glee,

Children fill the groves with the sounds of their joy,

Gathering tawny chestnuts, and shouting when beside them

Gathering brown chestnuts and yelling when we're next to them

Drops the heavy fruit of the tall black-walnut tree.

Drops the heavy fruit from the tall black walnut tree.

—William Cullen Bryant: “The Third of November.”

—William Cullen Bryant: “The Third of November.”

The English walnut, butternut, black walnut, shagbark or shellbark hickory, mockernut or whiteheart hickory, bitternut hickory and pignut hickory are closely related, belonging to the butternut family, or technically the Juglandaceæ. They are large, handsome trees, with spreading branches and cleancut leaves. They are of comparative slow growth but hardy and enduring.

The English walnut, butternut, black walnut, shagbark or shellbark hickory, mockernut or whiteheart hickory, bitternut hickory, and pignut hickory are all closely related, part of the butternut family, or scientifically known as Juglandaceæ. These are large, attractive trees with wide branches and well-defined leaves. They grow relatively slowly but are tough and long-lasting.

The English walnut is a tall, large, handsome tree which undoubtedly came from India. The name walnut is from Walish or Welsch nut; Juglans from Jovis glans, meaning the nut of Jove, and regia, meaning royal, hence the royal nut of Jove. The Greeks dedicated the tree to their chief deity Zeus, who corresponds to the chief deity of the Romans, namely, Jove or Jupiter. At a Greek wedding the nuts were scattered among the guests that Zeus might bless the marriage. The tree was described by numerous ancient writers, among others by Dioscorides, Plinius, Varro, Columella, and Palladius. Medicinal and other virtues were ascribed to the fruit and leaves and even to the shade of this remarkable tree. Arabian physicians used the hull of the unripe fruit and the leaves medicinally, Karl der Grosse (Charlemagne) recommended the cultivation of this plant in Germany about 812. It was introduced into the Mediterranean countries at an early period and extensively cultivated. From these countries it rapidly spread to northern Europe, and about 1562 it found its way into the British Isles, where it is extensively cultivated. It is cultivated somewhat in the United States.

The English walnut is a tall, large, beautiful tree that likely originated from India. The name walnut comes from Walish or Welsch nut; Juglans comes from Jovis glans, meaning the nut of Jove, and regia means royal, hence the royal nut of Jove. The Greeks dedicated the tree to their chief god Zeus, who is equivalent to the Roman chief god, Jove or Jupiter. At a Greek wedding, the nuts were tossed among the guests so that Zeus might bless the marriage. The tree was noted by many ancient writers, including Dioscorides, Plinius, Varro, Columella, and Palladius. Medicinal and other benefits were attributed to the fruit and leaves, and even to the shade of this remarkable tree. Arabian doctors used the hull of the unripe fruit and the leaves for medicinal purposes. Charlemagne recommended cultivating this plant in Germany around 812. It was introduced to the Mediterranean countries early on and was widely grown. From those countries, it quickly spread to northern Europe, and by 1562, it made its way to the British Isles, where it is widely cultivated. It is also grown to some extent in the United States.

All the other members of the Juglandaceæ are common throughout the United States, either growing wild or under cultivation. The wood of the butternut or white walnut and that of the black walnut is extensively used in cabinet making, furniture making and interior finish, particularly the wood of the black walnut. The earlier craze for black walnut furniture threatened to exterminate the plant, but fortunately (for the walnut tree) the fashion is waning. The wood is heavy, dark brown in color, of medium hardness, easily worked and readily polished, though it does not take the glossy polish of the harder woods, as ebony. Hickory wood is very hard, tough and durable, but it is not suitable for cabinet making, etc., because it warps too much. It is an excellent wood for making handles for tools of all descriptions, oxen yokes, hoops, walking sticks, whiffletrees, wagon stocks, etc. Its tensile strength is enormous, being said to be equal to that of wrought iron.

All the other members of the Juglandaceae family are common throughout the United States, growing either in the wild or in cultivation. The wood from the butternut or white walnut, as well as from the black walnut, is widely used in cabinet-making, furniture production, and interior finishes, especially the black walnut. The earlier trend for black walnut furniture almost led to the extinction of the tree, but fortunately (for the walnut tree), that trend is dying down. The wood is heavy, dark brown, medium-hard, easy to work with, and can be polished, although it doesn't achieve the glossy finish of harder woods like ebony. Hickory wood is very hard, tough, and durable, but it's not suitable for furniture making because it warps too easily. It's excellent for making handles for all types of tools, oxen yokes, hoops, walking sticks, whiffletrees, wagon stocks, and more. Its tensile strength is enormous, said to be comparable to that of wrought iron.

The seeds (kernels) of the English walnut, butternut, black walnut and shagbark hickory are edible and greatly relished, while those of the bitter and pignut hickories are not edible. Eating too many of the kernels causes distressing dyspeptic symptoms because of the large amount of oil which they contain. Salting the kernels before eating or taking a little salt with them is said to lessen these disturbances. The oil of these nuts is expressed and used as a salad oil and by artists in mixing pigments. The half-grown green fruits of the walnuts are pickled with spices and eaten, but as such relishes have never come into great favor. They are too severe in their action on the intestinal tract, due to the tannin, acids and coloring substances present. The hulls of these nuts are used in dyeing cloth; also the bark of the butternut and black walnut. The leaves and hull of the English walnut and the inner bark of the 144 roots of the butternut are still quite extensively used medicinally. A decoction of the leaves is said to cure gout, scrofula and rickets. The hulls are recommended in gout and eruptive skin diseases. Fresh leaves are applied as a fomentation to carbuncles. The extract is used as a gargle, wash for ulcerous eruptions and taken internally in tubercular meningitis. The juice of the green hull has been extensively employed as a popular remedy to remove warts, as an external application for skin diseases, and internally as a stomachic and worm remedy. The medicinal virtues of these plants are, however, apparently limited and unreliable.

The seeds (kernels) of the English walnut, butternut, black walnut, and shagbark hickory are edible and highly enjoyed, while those of the bitter and pignut hickories are not safe to eat. Eating too many of these kernels can cause uncomfortable digestive issues because of the high oil content. Salting the kernels before eating or having a little salt with them is said to reduce these problems. The oil from these nuts is extracted and used as salad oil and by artists for mixing paints. The immature green fruits of the walnuts are pickled with spices and consumed, but these dishes have never gained much popularity. They can be harsh on the digestive system due to the tannins, acids, and coloring compounds present. The husks of these nuts are used for dyeing fabric; the bark of the butternut and black walnut is also utilized. The leaves and hull of the English walnut, along with the inner bark of the butternut roots, are still widely used for medicinal purposes. A tea made from the leaves is said to treat gout, scrofula, and rickets. The hulls are suggested for gout and skin rashes. Fresh leaves can be used as a poultice for carbuncles. The extract is used as a gargle, for treating ulcerous skin conditions, and taken internally for tubercular meningitis. The juice from the green hull has been commonly used as a remedy for warts, as an external treatment for skin diseases, and internally as a stomach tonic and worm treatment. However, the medicinal benefits of these plants seem to be somewhat limited and inconsistent.

The nut so-called of the English walnut, black walnut, butternut and hickory nut consists of the kernel (seed) and the inner layer (endocarp) of the fruit coat (pericarp). The endocarp, which is ordinarily designated as the shell, is very hard and splits more or less easily into two equal parts. The shell of the English walnut is comparatively thin and quite easily removed from the kernel. The shell of black walnut and butternut is very rough, very dark in color, thick, and not so easily removed from the seed or kernel. The hickory shell is quite difficult to remove. The kernels are eaten direct or added to cake, cake frosting, and other pastry, or encased by sugar and chocolate by the candy maker. The halves of the shell of the English walnut figure conspicuously in the well known “shell game” of the gambler who seems to be the central figure at county fairs and many circuses.

The so-called nut of the English walnut, black walnut, butternut, and hickory nut consists of the kernel (seed) and the inner layer (endocarp) of the fruit coat (pericarp). The endocarp, usually referred to as the shell, is very hard and splits fairly easily into two equal halves. The shell of the English walnut is relatively thin and can be removed from the kernel quite easily. The shell of the black walnut and butternut is very rough, dark in color, thick, and harder to remove from the seed or kernel. The hickory shell is quite difficult to take off. The kernels can be eaten directly or added to cakes, cake frosting, and other pastries, or coated in sugar and chocolate by candy makers. The halves of the shell of the English walnut are prominent in the well-known “shell game” of the gambler, who often appears as the central figure at county fairs and many circuses.

As already stated, the trees belonging to the butternut or hickory family grow quite slowly, and do not attain their full growth for many years. In our latitude the nuts are planted in the fall when they begin to germinate late the following spring. In order to give the trees free growth they should be planted at least thirty feet apart. They begin to bear fruit at about the tenth year, few nuts at first, but gradually more and more each year, and they continue to bear for many years. The leaves, buds and green fruits have a resinous, characteristic aromatic odor, recalling the lemon. All who have ever handled leaves, green bark and fruit will remember that the juice colors the skin a dark brown which is very difficult to remove.

As mentioned before, butternut or hickory trees grow quite slowly and take many years to reach their full height. In our area, the nuts are planted in the fall when they start to germinate by late spring. To allow the trees to grow freely, they should be spaced at least thirty feet apart. They usually start producing fruit around the tenth year, with just a few nuts at first, but gradually increasing each year, and they keep bearing for many years. The leaves, buds, and green fruits have a resinous, distinctive aromatic smell similar to lemon. Anyone who has ever touched the leaves, green bark, and fruit will remember that the juice stains the skin a dark brown that is really hard to get off.

The fruit of the black walnut and butternut when ripe is gathered, the hulls removed by stamping with mauls, the nuts dried for a week in the sun and then stored for use. The hull of the English walnut and the hickory nut is quite easily removed.

The ripe black walnut and butternut fruits are gathered, the hulls are removed by pounding with mallets, the nuts are dried in the sun for a week, and then stored for later use. The hulls of the English walnut and hickory nuts come off quite easily.

Albert Schneider.

Albert Schneider.

AWAKENING.

My heart is glad,

I'm happy,

And hopes deemed dead now wake to life again.

And hopes that were thought to be dead are coming back to life again.

This morn I heard,

This morning I heard,

Ere I to conscious thought returnéd had,

Ere I returned to conscious thought,

The spring song of the sparrows in the rain.

The spring song of the sparrows in the rain.

M. Townshend Maltby.

M. Townshend Maltby.

Transcriber’s Notes

  • Reconstructed the Table of Contents (originally on each issue’s cover).
  • Silently corrected a few palpable typos.

Download ePUB

If you like this ebook, consider a donation!