[iii]

EDITED

WITH INTRODUCTION AND NOTES

BY

ROSA M. R. MIKELS

SHORTRIDGE HIGH SCHOOL, INDIANAPOLIS, IND.

CHARLES SCRIBNER’S SONS

[iv]

Copyright, 1915, by
CHARLES SCRIBNER’S SONS

Why must we confine the reading of our children to the older literary classics? This is the question asked by an ever-increasing number of thoughtful teachers. They have no wish to displace or to discredit the classics. On the contrary, they love and revere them. But they do wish to give their pupils something additional, something that pulses with present life, that is characteristic of to-day. The children, too, wonder that, with the great literary outpouring going on about them, they must always fill their cups from the cisterns of the past.

The short story is especially adapted to supplement our high-school reading. It is of a piece with our varied, hurried, efficient American life, wherein figure the business man’s lunch, the dictagraph, the telegraph, the telephone, the automobile, and the railway “limited.” It has achieved high art, yet conforms to the modern demand that our literature—since it must be read with despatch, if read at all—be compact and compelling. Moreover, the short story is with us in almost overwhelming numbers, and is probably here to stay. Indeed, our boys and girls are somewhat appalled at the quantity of material from which they must select their reading, and welcome any instruction that enables them to know the good from the bad. It is certain, therefore, that, whatever else they may throw into the educational discard when they leave the high school, they will keep and use anything they may have learned about this[viii] form of literature which has become so powerful a factor in our daily life.

This book does not attempt to select the greatest stories of the time. What tribunal would dare make such a choice? Nor does it attempt to trace the evolution of the short story or to point out natural types and differences. These topics are better suited to college classes. Its object is threefold: to supply interesting reading belonging to the student’s own time, to help him to see that there is no divorce between classic and modern literature, and, by offering him material structurally good and typical of the qualities represented, to assist him in discriminating between the artistic and the inartistic. The stories have been carefully selected, because in the period of adolescence “nothing read fails to leave its mark”;[1] they have also been carefully arranged with a view to the needs of the adolescent boy and girl. Stories of the type loved by primitive man, and therefore easily approached and understood, have been placed first. Those which appealed in periods of higher development follow, roughly in the order of their increasing difficulty. It is hoped, moreover, that this arrangement will help the student to understand and appreciate the development of the story. He begins with the simple tale of adventure and the simple story of character. As he advances he sees the story develop in plot, in character analysis, and in setting, until he ends with the psychological study of Markheim, remarkable for its complexity of motives and its great spiritual problem. Both the selection and the arrangement have been made with this further purpose in view—“to keep the heart warm, reinforcing all its good motives, preforming choices, universalizing sympathies.”[2]

[ix]

It is a pleasure to acknowledge, in this connection, the suggestions and the criticism of Mr. William N. Otto, Head of the Department of English in Shortridge High School, Indianapolis; and the courtesies of the publishers who have permitted the use of their material.

REQUIREMENTS OF THE SHORT STORY

Critics have agreed that the short story must conform to certain conditions. First of all, the writer must strive to make one and only one impression. His time is too limited, his space is too confined, his risk of dividing the attention of the reader is too great, to admit of more than this one impression. He therefore selects some moment of action or some phase of character or some particular scene, and focuses attention upon that. Life not infrequently gives such brief, clear-cut impressions. At the railway station we see two young people hurry to a train as if fearful of being detained, and we get the impression of romantic adventure. We pass on the street corner two men talking, and from a chance sentence or two we form a strong impression of the character of one or both. Sometimes we travel through a scene so desolate and depressing or so lovely and uplifting that the effect is never forgotten. Such glimpses of life and scene are as vivid as the vignettes revealed by the searchlight, when its arm slowly explores a mountain-side or the shore of a lake and brings objects for a brief moment into high light. To secure this single strong impression, the writer must decide which of the three essentials—plot character, or setting—is to have first place.

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As action appeals strongly to most people, and very adequately reveals character, the short-story writer may decide to make plot pre-eminent. He accordingly chooses his incidents carefully. Any that do not really aid in developing the story must be cast aside, no matter how interesting or attractive they may be in themselves. This does not mean that an incident which is detached from the train of events may not be used. But such an incident must have proper relations provided for it. Thus the writer may wish to use incidents that belong to two separate stories, because he knows that by relating them he can produce a single effect. Shakespeare does this in Macbeth. Finding in the lives of the historic Macbeth and the historic King Duff incidents that he wished to use, he combined them. But he saw to it that they had the right relation, that they fitted into the chain of cause and effect. The reader will insist, as the writer knows, that the story be logical, that incident 1 shall be the cause of incident 2, incident 2 of incident 3, and so on to the end. The triangle used by Freytag to illustrate the plot of a play may make this clear.

AC is the line of rising action along which the story climbs, incident by incident, to the point C; C is the turning point, the crisis, or the climax; CB is the line of falling action along which the story descends incident by incident to its logical resolution. Nothing may be left to luck or chance. In life the element of chance does sometimes[xiii] seem to figure, but in the story it has no place. If the ending is not the logical outcome of events, the reader feels cheated. He does not want the situation to be too obvious, for he likes the thrill of suspense. But he wants the hints and foreshadowings to be sincere, so that he may safely draw his conclusions from them. This does not condemn, however, the “surprise” ending, so admirably used by O. Henry. The reader, in this case, admits that the writer has “played fair” throughout, and that the ending which has so surprised and tickled his fancy is as logical as that he had forecast.

To aid in securing the element of suspense, the author often makes use of what Carl H. Grabo, in his The Art of the Short Story, calls the “negative” or “hostile” incident. Incidents, as he points out, are of two kinds—positive and negative. The first openly help to untangle the situation; the second seem to delay the straightening out of the threads or even to make the tangle worse. He illustrates this by the story of Cinderella. The appearance of the fairy and her use of the magic wand are positive, or openly helpful incidents, in rescuing Cinderella from her lonely and neglected state. But her forgetfulness of the hour and her loss of the glass slipper are negative or hostile incidents. Nevertheless, we see how these are really blessings in disguise, since they cause the prince to seek and woo her.

The novelist may introduce many characters, because he has time and space to care for them. Not so the short-story writer: he must employ only one main character and a few supporting characters. However, when the plot is the main thing, the characters need not be remarkable in any way. Indeed, as Brander Matthews has said, the heroine may be “a woman,” the hero “a man,” not any woman or any man in particular. Thus, in The Lady or the Tiger? the author leaves the princess without[xiv] definite traits of character, because his problem is not “what this particular woman would do, but what a woman would do.” Sometimes, after reading a story of thrilling plot, we find that we do not readily recall the appearance or the names of the characters; we recall only what happened to them. This is true of the women of James Fenimore Cooper’s stories. They have no substantiality, but move like veiled figures through the most exciting adventures.

Setting may or may not be an important factor in the story of incident. What is meant by setting? It is an inclusive term. Time, place, local conditions, and sometimes descriptions of nature and of people are parts of it. When these are well cared for, we get an effect called “atmosphere.” We know the effect the atmosphere has upon objects. Any one who has observed distant mountains knows that, while they remain practically unchanged, they never look the same on two successive days. Sometimes they stand out hard and clear, sometimes they are soft and alluring, sometimes they look unreal and almost melt into the sky behind them. So the atmosphere of a story may envelop people and events and produce a subtle effect upon the reader. Sometimes the plot material is such as to require little setting. The incidents might have happened anywhere. We hardly notice the absence of setting in our hurry to see what happens. This is true of many of the stories we enjoyed when we were children. For instance, in The Three Bears the incidents took place, of course, in the woods, but our imagination really supplied the setting. Most stories, however, whatever their character, use setting as carefully and as effectively as possible. Time and place are often given with exactness. Thus Bret Harte says: “As Mr. John Oakhurst, gambler, stepped into the main street of Poker Flat on the morning of the twentythird[xv] of November, 1850, he was conscious of a change in its moral atmosphere since the preceding night.” This definite mention of time and place gives an air of reality to the story. As to descriptions, the writer sifts them in, for he knows that few will bother to read whole paragraphs of description. He often uses local color, by which we mean the employment of epithets, phrases, and other expressions that impart a “feeling” for the place. This use of local color must not be confused with that intended to produce what is called an “impressionistic” effect. In the latter case the writer subordinates everything to this effect of scene. This use of local color is discussed elsewhere.

Perhaps the writer wishes to make character the dominant element. Then he subordinates plot and setting to this purpose and makes them contribute to it. In selecting the character he wishes to reveal he has wide choice. “Human nature is the same, wherever you find it,” we are fond of saying. So he may choose a character that is quite common, some one he knows; and, having made much of some one trait and ignored or subordinated others, bring him before us at some moment of decision or in some strange, perhaps hostile, environment. Or the author may take some character quite out of the ordinary: the village miser, the recluse, or a person with a peculiar mental or moral twist. But, whatever his choice, it is not enough that the character be actually drawn from real life. Indeed, such fidelity to what literally exists may be a hinderance to the writer. The original character may have done strange things and suffered strange things that cannot be accounted for. But, in the story, inconsistencies must be removed, and the conduct of the characters must be logical. Life seems inconsistent to all of us at times, but it is probably less so than it seems. People puzzle us by their apparent[xvi] inconsistencies, when to themselves their actions seem perfectly logical. But, as Mr. Grabo points out, “In life we expect inconsistencies; in a story we depend upon their elimination.” The law of cause and effect, which we found so indispensable in the story of plot, we find of equal importance in the story of character. There must be no sudden and unaccountable changes in the behavior or sentiments of the people in the story. On the contrary, there must be reason in all they say and do.

Another demand of the character story is that the characters be lifelike. In the plot story, or in the impressionistic story, we may accept the flat figures on the canvas; our interest is elsewhere. But in the character story we must have real people whose motives and conduct we discuss pro and con with as much interest as if we knew them in the flesh. A character of this convincing type is Hamlet. About him controversy has always raged. It is impossible to think of him as other than a real man. Whenever the writer finds that the characters in his story have caused the reader to wax eloquent over their conduct, he may rest easy: he has made his people lifelike.

Setting in the character story is important, for it is in this that the chief actor moves and has his being. His environment is continually causing him to speak and act. The incidents selected, even though some of them may seem trivial in themselves, must reveal depth after depth in his soul. Whatever the means by which the author reveals the character—whether by setting, conduct, analysis, dialogue, or soliloquy—his task is a hard one. In Markheim we have practically all of these used, with the result that the character is unmistakable and convincing.

Stories of scenes are neither so numerous nor so easy to produce successfully as those of plot and character.[xvii] But sometimes a place so profoundly impresses a writer that its demands may not be disregarded. Robert Louis Stevenson strongly felt the influence of certain places. “Certain dank gardens cry aloud for murder; certain old houses demand to be haunted; certain coasts are set apart for shipwreck. Other spots seem to abide their destiny, suggestive and impenetrable.” Perhaps all of us have seen some place of which we have exclaimed: “It is like a story!” When, then, scene is to furnish the dominant interest, plot and character become relatively insignificant and shadowy. “The pressure of the atmosphere,” says Brander Matthews, holds our attention. The Fall of the House of Usher, by Edgar Allan Poe, is a story of this kind. It is the scene that affects us with dread and horror; we have no peace until we see the house swallowed up by the tarn, and have fled out of sight of the tarn itself. The plot is extremely slight, and the Lady Madeline and her unhappy brother hardly more than shadows.

It must not be supposed from the foregoing explanation that the three essentials of the short story are ever really divorced. They are happily blended in many of our finest stories. Nevertheless, analysis of any one of these will show that in the mind of the writer one purpose was pre-eminent. On this point Robert Louis Stevenson thus speaks: “There are, so far as I know, three ways and three only of writing a story. You may take a plot and fit characters to it, or you may take a character and choose incidents and situations to develop it, or, lastly, you may take a certain atmosphere and get actions and persons to express and realize it.” When to this clear conception of his limitations and privileges the author adds an imagination that clearly visualizes events and the “verbal magic” by which good style is secured, he produces the short story that is a masterpiece.

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HOW THIS BOOK MAY BE USED

This book may be used in four ways. First, it may serve as an appetizer. Even the casual reading of good literature has a tendency to create a demand for more. Second, it may be made the basis for discussion and comparison. By using these stories, the works of recognized authors, as standards, the student may determine the value of such stories as come into his home. Third, these selections may be studied in a regular short-story course, such as many high schools have, to illustrate the requirements and the types of this form of narration. The chapter on “The Requirements of the Short Story” will be found useful both in this connection and in the comparative study of stories. Fourth, the student will better appreciate and understand the short story if he attempts to tell or to write one. This does not mean that we intend to train him for the literary market. Our object is entirely different. No form of literature brings more real joy to the child than the story. Not only does he like to hear stories; he likes to tell them. And where the short-story course is rightly used, he likes to write them. He finds that the pleasure of exercising creative power more than offsets the drudgery inevitable in composition. A plan that has been satisfactorily carried out in the classroom is here briefly outlined.

The teacher reads with the class a story in which plot furnishes the main interest. This type is chosen because it is more easily analyzed by beginners. The class discusses this, applying the tests of the short story given elsewhere in this book. Then a number of short stories of different types are read and compared. Next, each[xix] member of the class selects from some recent book or magazine a short story he enjoys. This he outlines and reports to the class. If this report is not satisfactory, the class insists that either the author or the reporter be exonerated. The story is accordingly read to the class, or is read and reported on by another member. The class is then usually able to decide whether the story is faulty or the first report inadequate.

Next the class gives orally incidents that might or might not be expanded into short stories. The students soon discover that some of these require the lengthy treatment of a novel, that others are good as simple incidents but nothing more, and that still others might develop into satisfactory short stories. The class is now asked to develop original plots. Since plots cannot be produced on demand, but require time for the mind to act subconsciously, the class practises, during the “period of incubation,” the writing of dialogue. For these the teacher suggests a list of topics, although any student is free to substitute one of his own. Among the topics that have been used are: “Johnny goes with his mother to church for the first time,” “Mrs. Hennessy is annoyed by the chickens of Mrs. Jones,” “Albert applies for a summer job.” Sometimes the teacher relates an incident, and has the class reproduce it in dialogue. By comparing their work with dialogue by recognized writers the youthful authors soon learn how to punctuate and paragraph conversation, and where to place necessary comment and explanation. They also discover that dialogue must either reveal character or advance the story; and that it must be in keeping with the theme and maintain the tone used at the beginning. A commonplace dialogue must not suddenly become romantic in tone, and dialect must not lapse into ordinary English.

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The original plots the class offers later may have been suggested in many ways. Newspaper accounts, court reports, historical incidents, family traditions—all may contribute. Sometimes the student proudly declares of his plot, “I made it out of my own head.” These plots are arranged in outline form to show how incident 1 developed incident 2, that incident 3, and so on to the conclusion. The class points out the weak places in these plots and offers helpful suggestions. This co-operation often produces surprisingly good results. A solution that the troubled originator of the plot never thought of may come almost as an inspiration from the class. Criticism throughout is largely constructive. After the student has developed several plots in outline, he usually finds among them one that he wishes to use for his story. This is worked out in some detail, submitted to the class, and later in a revised form to the teacher. The story when complete is corrected and sometimes rewritten.

Most of the class prefer to write stories of plot, but some insist upon trying stories of character or of setting. These pupils are shown the difficulties in their way, but are allowed to try their hand if they insist. Sometimes the results are good; more often the writer, after an honest effort, admits that he cannot handle his subject well and substitutes a story of plot.

In any case the final draft is sure to leave much to be desired; but even so, the gain has been great. The pupil writer has constantly been measuring his work by standards of recognized excellence in form and in creative power; as a result he has learned to appreciate the short story from the art side. Moreover, he has had a large freedom in his work that has relieved it of drudgery. And, best of all, he has been doing original work with plastic material; and to work with plastic material is[xxi] always a source of joy, whether it be the mud that the child makes into pies, the clay that the artist moulds into forms of beauty, or the facts of life that the creative imagination of the writer shapes into literature.

A STORY OF THE FOREST

BY

Henry Van Dyke

[2]

This story is placed first because it is of the type that first delighted man. It is the story of high adventure, of a struggle with the forces of nature, barbarous men, and heathen gods. The hero is “a hunter of demons, a subduer of the wilderness, a woodman of the faith.” He seeks hardships and conquers them. The setting is the illimitable forest in the remote past. The forest, like the sea, makes an irresistible appeal to the imagination. Either may be the scene of the marvellous and the thrilling. Quite unlike the earliest tales, this story is enriched with description and exposition; nevertheless, it has their simplicity and dignity. It reminds us of certain of the great Biblical narratives, such as the contest between Elijah and the prophets of Baal and the victory of Daniel over the jealous presidents and princes of Darius. In “The First Christmas Tree,” as in many others of these stories, a third person is the narrator. But the hero may tell his own adventures. “I did this. I did that. Thus I felt at the conclusion.” Instances are Defoe’s “Robinson Crusoe” and Stevenson’s “Kidnapped.” But whether in the first or third person, the story holds us by the magic of adventure.

[3]

THE FIRST CHRISTMAS TREE[3]

THE CALL OF THE WOODSMAN

The day before Christmas, in the year of our Lord 722.

Broad snow-meadows glistening white along the banks of the river Moselle; pallid hill-sides blooming with mystic roses where the glow of the setting sun still lingered upon them; an arch of clearest, faintest azure bending overhead; in the centre of the aerial landscape the massive walls of the cloister of Pfalzel, gray to the east, purple to the west; silence over all,—a gentle, eager, conscious stillness, diffused through the air like perfume, as if earth and sky were hushing themselves to hear the voice of the river faintly murmuring down the valley.

In the cloister, too, there was silence at the sunset hour. All day long there had been a strange and joyful stir among the nuns. A breeze of curiosity and excitement had swept along the corridors and through every quiet cell.

The elder sisters,—the provost, the deaconess, the stewardess, the portress with her huge bunch of keys jingling at her girdle,—had been hurrying to and fro, busied with household cares. In the huge kitchen there was a bustle of hospitable preparation. The little bandy-legged dogs that kept the spits turning before the fires had been trotting steadily for many an hour, until their[4] tongues hung out for want of breath. The big black pots swinging from the cranes had bubbled and gurgled and shaken and sent out puffs of appetizing steam.

St. Martha was in her element. It was a field-day for her virtues.

The younger sisters, the pupils of the convent, had forsaken their Latin books and their embroidery-frames, their manuscripts and their miniatures, and fluttered through the halls in little flocks like merry snow-birds, all in black and white, chattering and whispering together. This was no day for tedious task-work, no day for grammar or arithmetic, no day for picking out illuminated letters in red and gold on stiff parchment, or patiently chasing intricate patterns over thick cloth with the slow needle. It was a holiday. A famous visitor had come to the convent.

It was Winfried of England, whose name in the Roman tongue was Boniface, and whom men called the Apostle of Germany. A great preacher; a wonderful scholar; he had written a Latin grammar himself,—think of it,—and he could hardly sleep without a book under his pillow; but, more than all, a great and daring traveller, a venturesome pilgrim, a high-priest of romance.

He had left his home and his fair estate in Wessex; he would not stay in the rich monastery of Nutescelle, even though they had chosen him as the abbot; he had refused a bishopric at the court of King Karl. Nothing would content him but to go out into the wild woods and preach to the heathen.

Up and down through the forests of Hesse and Thuringia, and along the borders of Saxony, he had wandered for years, with a handful of companions, sleeping under the trees, crossing mountains and marshes, now[5] here, now there, never satisfied with ease and comfort, always in love with hardship and danger.

What a man he was! Fair and slight, but straight as a spear and strong as an oaken staff. His face was still young; the smooth skin was bronzed by wind and sun. His gray eyes, clear and kind, flashed like fire when he spoke of his adventures, and of the evil deeds of the false priests with whom he contended.

What tales he had told that day! Not of miracles wrought by sacred relics; not of courts and councils and splendid cathedrals; though he knew much of these things, and had been at Rome and received the Pope’s blessing. But to-day he had spoken of long journeyings by sea and land; of perils by fire and flood; of wolves and bears and fierce snowstorms and black nights in the lonely forest; of dark altars of heathen gods, and weird, bloody sacrifices, and narrow escapes from murderous bands of wandering savages.

The little novices had gathered around him, and their faces had grown pale and their eyes bright as they listened with parted lips, entranced in admiration, twining their arms about one another’s shoulders and holding closely together, half in fear, half in delight. The older nuns had turned from their tasks and paused, in passing by, to hear the pilgrim’s story. Too well they knew the truth of what he spoke. Many a one among them had seen the smoke rising from the ruins of her father’s roof. Many a one had a brother far away in the wild country to whom her heart went out night and day, wondering if he were still among the living.

But now the excitements of that wonderful day were over; the hour of the evening meal had come; the inmates of the cloister were assembled in the refectory.

On the daïs sat the stately Abbess Addula, daughter[6] of King Dagobert, looking a princess indeed, in her violet tunic, with the hood and cuffs of her long white robe trimmed with fur, and a snowy veil resting like a crown on her snowy hair. At her right hand was the honored guest, and at her left hand her grandson, the young Prince Gregor, a big, manly boy, just returned from the high school.

The long, shadowy hall, with its dark-brown rafters and beams; the double rows of nuns, with their pure veils and fair faces; the ruddy glow of the slanting sunbeams striking upwards through the tops of the windows and painting a pink glow high up on the walls,—it was all as beautiful as a picture, and as silent. For this was the rule of the cloister, that at the table all should sit in stillness for a little while, and then one should read aloud, while the rest listened.

“It is the turn of my grandson to read to-day,” said the abbess to Winfried; “we shall see how much he has learned in the school. Read, Gregor; the place in the book is marked.”

The tall lad rose from his seat and turned the pages of the manuscript. It was a copy of Jerome’s version of the Scriptures in Latin, and the marked place was in the letter of St. Paul to the Ephesians,—the passage where he describes the preparation of the Christian as the arming of a warrior for glorious battle. The young voice rang out clearly, rolling the sonorous words, without slip or stumbling, to the end of the chapter.

Winfried listened smiling. “My son,” said he, as the reader paused, “that was bravely read. Understandest thou what thou readest?”

“Surely, father,” answered the boy; “it was taught me by the masters at Treves; and we have read this epistle clear through, from beginning to end, so that I almost know it by heart.”

[7]

Then he began again to repeat the passage, turning away from the page as if to show his skill.

But Winfried stopped him with a friendly lifting of the hand.

“Not so, my son; that was not my meaning. When we pray, we speak to God; when we read, it is God who speaks to us. I ask whether thou hast heard what He has said to thee, in thine own words, in the common speech. Come, give us again the message of the warrior and his armor and his battle, in the mother-tongue, so that all can understand it.”

The boy hesitated, blushed, stammered; then he came around to Winfried’s seat, bringing the book. “Take the book, my father,” he cried, “and read it for me. I cannot see the meaning plain, though I love the sound of the words. Religion I know, and the doctrines of our faith, and the life of priests and nuns in the cloister, for which my grandmother designs me, though it likes me little. And fighting I know, and the life of warriors and heroes, for I have read of it in Virgil and the ancients, and heard a bit from the soldiers at Treves; and I would fain taste more of it, for it likes me much. But how the two lives fit together, or what need there is of armor for a clerk in holy orders, I can never see. Tell me the meaning, for if there is a man in all the world that knows it, I am sure it is none other than thou.”

So Winfried took the book and closed it, clasping the boy’s hand with his own.

“Let us first dismiss the others to their vespers,” said he, “lest they should be weary.”

A sign from the abbess; a chanted benediction; a murmuring of sweet voices and a soft rustling of many feet over the rushes on the floor; the gentle tide of noise flowed out through the doors and ebbed away down the[8] corridors; the three at the head of the table were left alone in the darkening room.

Then Winfried began to translate the parable of the soldier into the realities of life.

At every turn he knew how to flash a new light into the picture out of his own experience. He spoke of the combat with self, and of the wrestling with dark spirits in solitude. He spoke of the demons that men had worshipped for centuries in the wilderness, and whose malice they invoked against the stranger who ventured into the gloomy forest. Gods, they called them, and told strange tales of their dwelling among the impenetrable branches of the oldest trees and in the caverns of the shaggy hills; of their riding on the wind-horses and hurling spears of lightning against their foes. Gods they were not, but foul spirits of the air, rulers of the darkness. Was there not glory and honor in fighting with them, in daring their anger under the shield of faith, in putting them to flight with the sword of truth? What better adventure could a brave man ask than to go forth against them, and wrestle with them, and conquer them?

“Look you, my friends,” said Winfried, “how sweet and peaceful is this convent to-night, on the eve of the nativity of the Prince of Peace! It is a garden full of flowers in the heart of winter; a nest among the branches of a great tree shaken by the winds; a still haven on the edge of a tempestuous sea. And this is what religion means for those who are chosen and called to quietude and prayer and meditation.

“But out yonder in the wide forest, who knows what storms are raving to-night in the hearts of men, though all the woods are still? who knows what haunts of wrath and cruelty and fear are closed to-night against the advent of the Prince of Peace? And shall I tell you what religion means to those who are called and chosen[9] to dare and to fight, and to conquer the world for Christ? It means to launch out into the deep. It means to go against the strongholds of the adversary. It means to struggle to win an entrance for their Master everywhere. What helmet is strong enough for this strife save the helmet of salvation? What breastplate can guard a man against these fiery darts but the breastplate of righteousness? What shoes can stand the wear of these journeys but the preparation of the gospel of peace?”

“Shoes?” he cried again, and laughed as if a sudden thought had struck him. He thrust out his foot, covered with a heavy cowhide boot, laced high about his leg with thongs of skin.

“See here,—how a fighting man of the cross is shod! I have seen the boots of the Bishop of Tours,—white kid, broidered with silk; a day in the bogs would tear them to shreds. I have seen the sandals that the monks use on the highroads,—yes, and worn them; ten pair of them have I worn out and thrown away in a single journey. Now I shoe my feet with the toughest hides, hard as iron; no rock can cut them, no branches can tear them. Yet more than one pair of these have I outworn, and many more shall I outwear ere my journeys are ended. And I think, if God is gracious to me, that I shall die wearing them. Better so than in a soft bed with silken coverings. The boots of a warrior, a hunter, a woodsman,—these are my preparation of the gospel of peace.”

“Come, Gregor,” he said, laying his brown hand on the youth’s shoulder, “come, wear the forester’s boots with me. This is the life to which we are called. Be strong in the Lord, a hunter of the demons, a subduer of the wilderness, a woodsman of the faith. Come!”

The boy’s eyes sparkled. He turned to his grandmother. She shook her head vigorously.

“Nay, father,” she said, “draw not the lad away[10] from my side with these wild words. I need him to help me with my labors, to cheer my old age.”

“Do you need him more than the Master does?” asked Winfried; “and will you take the wood that is fit for a bow to make a distaff?”

“But I fear for the child. Thy life is too hard for him. He will perish with hunger in the woods.”

“Once,” said Winfried, smiling, “we were camped by the bank of the river Ohru. The table was spread for the morning meal, but my comrades cried that it was empty; the provisions were exhausted; we must go without breakfast, and perhaps starve before we could escape from the wilderness. While they complained, a fish-hawk flew up from the river with flapping wings, and let fall a great pike in the midst of the camp. There was food enough and to spare. Never have I seen the righteous forsaken, nor his seed begging bread.”

“But the fierce pagans of the forest,” cried the abbess,—“they may pierce the boy with their arrows, or dash out his brains with their axes. He is but a child, too young for the dangers of strife.”

“A child in years,” replied Winfried, “but a man in spirit. And if the hero must fall early in the battle, he wears the brighter crown, not a leaf withered, not a flower fallen.”

The aged princess trembled a little. She drew Gregor close to her side, and laid her hand gently on his brown hair.

“I am not sure that he wants to leave me yet. Besides, there is no horse in the stable to give him, now, and he cannot go as befits the grandson of a king.”

Gregor looked straight into her eyes.

“Grandmother,” said he, “dear grandmother, if thou wilt not give me a horse to ride with this man of God, I will go with him afoot.”

[11]

THE TRAIL THROUGH THE FOREST

Two years had passed, to a day, almost to an hour, since that Christmas eve in the cloister of Pfalzel. A little company of pilgrims, less than a score of men, were creeping slowly northward through the wide forest that rolled over the hills of central Germany.

At the head of the band marched Winfried, clad in a tunic of fur, with his long black robe girt high about his waist, so that it might not hinder his stride. His hunter’s boots were crusted with snow. Drops of ice sparkled like jewels along the thongs that bound his legs. There was no other ornament to his dress except the bishop’s cross hanging on his breast, and the broad silver clasp that fastened his cloak about his neck. He carried a strong, tall staff in his hand, fashioned at the top into the form of a cross.

Close beside him, keeping step like a familiar comrade, was the young Prince Gregor. Long marches through the wilderness had stretched his limbs and broadened his back, and made a man of him in stature as well as in spirit. His jacket and cap were of wolf-skin, and on his shoulder he carried an axe, with broad, shining blade. He was a mighty woodsman now, and could make a spray of chips fly around him as he hewed his way through the trunk of spruce-tree.

Behind these leaders followed a pair of teamsters, guiding a rude sledge, loaded with food and the equipage of the camp, and drawn by two big, shaggy horses, blowing thick clouds of steam from their frosty nostrils. Tiny icicles hung from the hairs on their lips. Their flanks were smoking. They sank above the fetlocks at every step in the soft snow.

[12]

Last of all came the rear guard, armed with bows and javelins. It was no child’s play, in those days, to cross Europe afoot.

The weird woodland, sombre and illimitable, covered hill and vale, tableland and mountain-peak. There were wide moors where the wolves hunted in packs as if the devil drove them, and tangled thickets where the lynx and the boar made their lairs. Fierce bears lurked among the rocky passes, and had not yet learned to fear the face of man. The gloomy recesses of the forest gave shelter to inhabitants who were still more cruel and dangerous than beasts of prey,—outlaws and sturdy robbers and mad were-wolves and bands of wandering pillagers.

The pilgrim who would pass from the mouth of the Tiber to the mouth of the Rhine must travel with a little army of retainers, or else trust in God and keep his arrows loose in the quiver.

The travellers were surrounded by an ocean of trees, so vast, so full of endless billows, that it seemed to be pressing on every side to overwhelm them. Gnarled oaks, with branches twisted and knotted as if in rage, rose in groves like tidal waves. Smooth forests of beech-trees, round and gray, swept over the knolls and slopes of land in a mighty ground-swell. But most of all, the multitude of pines and firs, innumerable and monotonous, with straight, stark trunks, and branches woven together in an unbroken flood of darkest green, crowded through the valleys and over the hills, rising on the highest ridges into ragged crests, like the foaming edge of breakers.

Through this sea of shadows ran a narrow stream of shining whiteness,—an ancient Roman road, covered with snow. It was as if some great ship had ploughed through the green ocean long ago, and left behind it a[13] thick, smooth wake of foam. Along this open track the travellers held their way,—heavily, for the drifts were deep; warily, for the hard winter had driven many packs of wolves down from the moors.

The steps of the pilgrims were noiseless; but the sledges creaked over the dry snow, and the panting of the horses throbbed through the still, cold air. The pale-blue shadows on the western side of the road grew longer. The sun, declining through its shallow arch, dropped behind the tree-tops. Darkness followed swiftly, as if it had been a bird of prey waiting for this sign to swoop down upon the world.

“Father,” said Gregor to the leader, “surely this day’s march is done. It is time to rest, and eat, and sleep. If we press onward now, we cannot see our steps; and will not that be against the word of the psalmist David, who bids us not to put confidence in the legs of a man?”

Winfried laughed. “Nay, my son Gregor,” said he, “thou hast tripped, even now, upon thy text. For David said only, ’I take no pleasure in the legs of a man.’ And so say I, for I am not minded to spare thy legs or mine, until we come farther on our way, and do what must be done this night. Draw the belt tighter, my son, and hew me out this tree that is fallen across the road, for our camp-ground is not here.”

The youth obeyed; two of the foresters sprang to help him; and while the soft fir-wood yielded to the stroke of the axes, and the snow flew from the bending branches, Winfried turned and spoke to his followers in a cheerful voice, that refreshed them like wine.

“Courage, brothers, and forward yet a little! The moon will light us presently, and the path is plain. Well know I that the journey is weary; and my own heart wearies also for the home in England, where those I[14] love are keeping feast this Christmas eve. But we have work to do before we feast to-night. For this is the Yuletide, and the heathen people of the forest have gathered at the thunder-oak of Geismar to worship their god, Thor. Strange things will be seen there, and deeds which make the soul black. But we are sent to lighten their darkness; and we will teach our kinsmen to keep a Christmas with us such as the woodland has never known. Forward, then, and let us stiffen up our feeble knees!”

A murmur of assent came from the men. Even the horses seemed to take fresh heart. They flattened their backs to draw the heavy loads, and blew the frost from their nostrils as they pushed ahead.

The night grew broader and less oppressive. A gate of brightness was opened secretly somewhere in the sky; higher and higher swelled the clear moon-flood, until it poured over the eastern wall of forest into the road. A drove of wolves howled faintly in the distance, but they were receding, and the sound soon died away. The stars sparkled merrily through the stringent air; the small, round moon shone like silver; little breaths of the dreaming wind wandered whispering across the pointed fir-tops, as the pilgrims toiled bravely onward, following their clue of light through a labyrinth of darkness.

After a while the road began to open out a little. There were spaces of meadow-land, fringed with alders, behind which a boisterous river ran, clashing through spears of ice.

Rude houses of hewn logs appeared in the openings, each one casting a patch of inky blackness upon the snow. Then the travellers passed a larger group of dwellings, all silent and unlighted; and beyond, they saw a great house, with many out-buildings and enclosed courtyards, from which the hounds bayed furiously, and[15] a noise of stamping horses came from the stalls. But there was no other sound of life. The fields around lay bare to the moon. They saw no man, except that once, on a path that skirted the farther edge of a meadow, three dark figures passed by, running very swiftly.

Then the road plunged again into a dense thicket, traversed it, and climbing to the left, emerged suddenly upon a glade, round and level except at the northern side, where a swelling hillock was crowned with a huge oak-tree. It towered above the heath, a giant with contorted arms, beckoning to the host of lesser trees. “Here,” cried Winfried, as his eyes flashed and his hand lifted his heavy staff, “here is the thunder-oak; and here the cross of Christ shall break the hammer of the false god Thor.”

THE SHADOW OF THE THUNDER-OAK

Withered leaves still clung to the branches of the oak: torn and faded banners of the departed summer. The bright crimson of autumn had long since disappeared, bleached away by the storms and the cold. But to-night these tattered remnants of glory were red again: ancient blood-stains against the dark-blue sky. For an immense fire had been kindled in front of the tree. Tongues of ruddy flame, fountains of ruby sparks, ascended through the spreading limbs and flung a fierce illumination upward and around. The pale, pure moonlight that bathed the surrounding forests was quenched and eclipsed here. Not a beam of it sifted downward through the branches of the oak. It stood like a pillar of cloud between the still light of heaven and the crackling, flashing fire of earth.

[16]

But the fire itself was invisible to Winfried and his companions. A great throng of people were gathered around it in a half-circle, their backs to the open glade, their faces towards the oak. Seen against that glowing background, it was but the silhouette of a crowd, vague, black, formless, mysterious.

The travellers paused for a moment at the edge of the thicket, and took counsel together.

“It is the assembly of the tribe,” said one of the foresters, “the great night of the council. I heard of it three days ago, as we passed through one of the villages. All who swear by the old gods have been summoned. They will sacrifice a steed to the god of war, and drink blood, and eat horse-flesh to make them strong. It will be at the peril of our lives if we approach them. At least we must hide the cross, if we would escape death.”

“Hide me no cross,” cried Winfried, lifting his staff, “for I have come to show it, and to make these blind folk see its power. There is more to be done here to-night than the slaying of a steed, and a greater evil to be stayed than the shameful eating of meat sacrificed to idols. I have seen it in a dream. Here the cross must stand and be our rede.”

At his command the sledge was left in the border of the wood, with two of the men to guard it, and the rest of the company moved forward across the open ground. They approached unnoticed, for all the multitude were looking intently towards the fire at the foot of the oak.

Then Winfried’s voice rang out, “Hail, ye sons of the forest! A stranger claims the warmth of your fire in the winter night.”

Swiftly, and as with a single motion, a thousand eyes were bent upon the speaker. The semicircle opened silently in the middle; Winfried entered with his followers; it closed again behind them.

[17]

Then, as they looked round the curving ranks, they saw that the hue of the assemblage was not black, but white,—dazzling, radiant, solemn. White, the robes of the women clustered together at the points of the wide crescent; white, the glittering byrnies of the warriors standing in close ranks; white, the fur mantles of the aged men who held the central place in the circle; white, with the shimmer of silver ornaments and the purity of lamb’s-wool, the raiment of a little group of children who stood close by the fire; white, with awe and fear, the faces of all who looked at them; and over all the flickering, dancing radiance of the flames played and glimmered like a faint, vanishing tinge of blood on snow.

The only figure untouched by the glow was the old priest, Hunrad, with his long, spectral robe, flowing hair and beard, and dead-pale face, who stood with his back to the fire and advanced slowly to meet the strangers.

“Who are you? Whence come you, and what seek you here?” His voice was heavy and toneless as a muffled bell.

“Your kinsman am I, of the German brotherhood,” answered Winfried, “and from England, beyond the sea, have I come to bring you a greeting from that land, and a message from the All-Father, whose servant I am.”

“Welcome, then,” said Hunrad, “welcome, kinsman, and be silent; for what passes here is too high to wait, and must be done before the moon crosses the middle heaven, unless, indeed, thou hast some sign or token from the gods. Canst thou work miracles?”

The question came sharply, as if a sudden gleam of hope had flashed through the tangle of the old priest’s mind. But Winfried’s voice sank lower and a cloud of disappointment passed over his face as he replied: “Nay, miracles have I never wrought, though I have[18] heard of many; but the All-Father has given no power to my hands save such as belongs to common man.”

“Stand still, then, thou common man,” said Hunrad, scornfully, “and behold what the gods have called us hither to do. This night is the death-night of the sun-god, Baldur the Beautiful, beloved of gods and men. This night is the hour of darkness and the power of winter, of sacrifice and mighty fear. This night the great Thor, the god of thunder and war, to whom this oak is sacred, is grieved for the death of Baldur, and angry with this people because they have forsaken his worship. Long is it since an offering has been laid upon his altar, long since the roots of his holy tree have been fed with blood. Therefore its leaves have withered before the time, and its boughs are heavy with death. Therefore the Slavs and the Wends have beaten us in battle. Therefore the harvests have failed, and the wolf-hordes have ravaged the folds, and the strength has departed from the bow, and the wood of the spear has broken, and the wild boar has slain the huntsman. Therefore the plague has fallen on our dwellings, and the dead are more than the living in all our villages. Answer me, ye people, are not these things true?”

A hoarse sound of approval ran through the circle. A chant, in which the voices of the men and women blended, like the shrill wind in the pine-trees above the rumbling thunder of a waterfall, rose and fell in rude cadences.

“O Thor, the Thunderer,
Mighty and merciless,
Spare us from smiting!
Heave not thy hammer,
Angry, against us;
Plague not thy people.
Take from our treasure
[19]Richest of ransom.
Silver we send thee,
Jewels and javelins,
Goodliest garments,
All our possessions,
Priceless, we proffer.
Sheep will we slaughter,
Steeds will we sacrifice;
Bright blood shall bathe thee,
O tree of Thunder,
Life-floods shall lave thee,
Strong wood of wonder.
Mighty, have mercy,
Smite us no more,
Spare us and save us,
Spare us, Thor! Thor!”

With two great shouts the song ended, and a stillness followed so intense that the crackling of the fire was heard distinctly. The old priest stood silent for a moment. His shaggy brows swept down over his eyes like ashes quenching flame. Then he lifted his face and spoke.

“None of these things will please the god. More costly is the offering that shall cleanse your sin, more precious the crimson dew that shall send new life into this holy tree of blood. Thor claims your dearest and your noblest gift.”

Hunrad moved nearer to the handful of children who stood watching the red mines in the fire and the swarms of spark-serpents darting upward. They had heeded none of the priest’s words, and did not notice now that he approached them, so eager were they to see which fiery snake would go highest among the oak branches. Foremost among them, and most intent on the pretty game, was a boy like a sunbeam, slender and quick, with blithe brown eyes and laughing lips. The priest’s hand was laid upon his shoulder. The boy turned and looked up in his face.

[20]

“Here,” said the old man, with his voice vibrating as when a thick rope is strained by a ship swinging from her moorings, “here is the chosen one, the eldest son of the Chief, the darling of the people. Hearken, Bernhard, wilt thou go to Valhalla, where the heroes dwell with the gods, to bear a message to Thor?”

The boy answered, swift and clear:

“Yes, priest, I will go if my father bids me. Is it far away? Shall I run quickly? Must I take my bow and arrows for the wolves?”

The boy’s father, the Chieftain Gundhar, standing among his bearded warriors, drew his breath deep, and leaned so heavily on the handle of his spear that the wood cracked. And his wife, Irma, bending forward from the ranks of women, pushed the golden hair from her forehead with one hand. The other dragged at the silver chain about her neck until the rough links pierced her flesh, and the red drops fell unheeded on the snow of her breast.

A sigh passed through the crowd, like the murmur of the forest before the storm breaks. Yet no one spoke save Hunrad:

“Yes, my Prince, both bow and spear shalt thou have, for the way is long, and thou art a brave huntsman. But in darkness thou must journey for a little space, and with eyes blindfolded. Fearest thou?”

“Naught fear I,” said the boy, “neither darkness, nor the great bear, nor the were-wolf. For I am Gundhar’s son, and the defender of my folk.”

Then the priest led the child in his raiment of lamb’s-wool to a broad stone in front of the fire. He gave him his little bow tipped with silver, and his spear with shining head of steel. He bound the child’s eyes with a white cloth, and bade him kneel beside the stone with his face to the east. Unconsciously the wide arc of[21] spectators drew inward toward the centre, as the ends of the bow draw together when the cord is stretched. Winfried moved noiselessly until he stood close behind the priest.

The old man stooped to lift a black hammer of stone from the ground,—the sacred hammer of the god Thor. Summoning all the strength of his withered arms, he swung it high in the air. It poised for an instant above the child’s fair head—then turned to fall.

One keen cry shrilled out from where the women stood: “Me! take me! not Bernhard!”

The flight of the mother towards her child was swift as the falcon’s swoop. But swifter still was the hand of the deliverer.

Winfried’s heavy staff thrust mightily against the hammer’s handle as it fell. Sideways it glanced from the old man’s grasp, and the black stone, striking on the altar’s edge, split in twain. A shout of awe and joy rolled along the living circle. The branches of the oak shivered. The flames leaped higher. As the shout died away the people saw the lady Irma, with her arms clasped round her child, and above them, on the altar-stone, Winfried, his face shining like the face of an angel.

THE FELLING OF THE TREE

A swift mountain-flood rolling down its channel; a huge rock tumbling from the hill-side and falling in mid-stream; the baffled waters broken and confused, pausing in their flow, dash high against the rock, foaming and murmuring, with divided impulse, uncertain whether to turn to the right or the left.

Even so Winfried’s bold deed fell into the midst of[22] the thoughts and passions of the council. They were at a standstill. Anger and wonder, reverence and joy and confusion surged through the crowd. They knew not which way to move: to resent the intrusion of the stranger as an insult to their gods, or to welcome him as the rescuer of their darling prince.

The old priest crouched by the altar, silent. Conflicting counsels troubled the air. Let the sacrifice go forward; the gods must be appeased. Nay, the boy must not die; bring the chieftain’s best horse and slay it in his stead; it will be enough; the holy tree loves the blood of horses. Not so, there is a better counsel yet; seize the stranger whom the gods have led hither as a victim and make his life pay the forfeit of his daring.

The withered leaves on the oak rustled and whispered overhead. The fire flared and sank again. The angry voices clashed against each other and fell like opposing waves. Then the chieftain Gundhar struck the earth with his spear and gave his decision.

“All have spoken, but none are agreed. There is no voice of the council. Keep silence now, and let the stranger speak. His words shall give us judgment, whether he is to live or to die.”

Winfried lifted himself high upon the altar, drew a roll of parchment from his bosom, and began to read.

“A letter from the great Bishop of Rome, who sits on a golden throne, to the people of the forest, Hessians and Thuringians, Franks and Saxons. In nomine Domini, sanctae et individuae trinitatis, amen!”

A murmur of awe ran through the crowd. “It is the sacred tongue of the Romans: the tongue that is heard and understood by the wise men of every land. There is magic in it. Listen!”

Winfried went on to read the letter, translating it into the speech of the people.

[23]

“‘We have sent unto you our Brother Boniface, and appointed him your bishop, that he may teach you the only true faith, and baptize you, and lead you back from the ways of error to the path of salvation. Hearken to him in all things like a father. Bow your hearts to his teaching. He comes not for earthly gain, but for the gain of your souls. Depart from evil works. Worship not the false gods, for they are devils. Offer no more bloody sacrifices, nor eat the flesh of horses, but do as our Brother Boniface commands you. Build a house for him that he may dwell among you, and a church where you may offer your prayers to the only living God, the Almighty King of Heaven.’”

It was a splendid message: proud, strong, peaceful, loving. The dignity of the words imposed mightily upon the hearts of the people. They were quieted, as men who have listened to a lofty strain of music.

“Tell us, then,” said Gundhar, “what is the word that thou bringest to us from the Almighty. What is thy counsel for the tribes of the woodland on this night of sacrifice?”

“This is the word, and this is the counsel,” answered Winfried. “Not a drop of blood shall fall to-night, save that which pity has drawn from the breast of your princess, in love for her child. Not a life shall be blotted out in the darkness to-night; but the great shadow of the tree which hides you from the light of heaven shall be swept away. For this is the birth-night of the white Christ, son of the All-Father, and Saviour of mankind. Fairer is He than Baldur the Beautiful, greater than Odin the Wise, kinder than Freya the Good. Since He has come to earth the bloody sacrifices must cease. The dark Thor, on whom you vainly call, is dead. Deep in the shades of Niffelheim he is lost forever. His power in the world is broken. Will you serve a helpless god?[24] See, my brothers, you call this tree his oak. Does he dwell here? Does he protect it?”

A troubled voice of assent rose from the throng. The people stirred uneasily. Women covered their eyes. Hunrad lifted his head and muttered hoarsely, “Thor! take vengeance! Thor!”

Winfried beckoned to Gregor. “Bring the axes, thine and one for me. Now, young woodsman, show thy craft! The king-tree of the forest must fall, and swiftly, or all is lost!”

The two men took their places facing each other, one on each side of the oak. Their cloaks were flung aside, their heads bare. Carefully they felt the ground with their feet, seeking a firm grip of the earth. Firmly they grasped the axe-helves and swung the shining blades.

“Tree-god!” cried Winfried, “art thou angry? Thus we smite thee!”

“Tree-god!” answered Gregor, “art thou mighty? Thus we fight thee!”

Clang! clang! the alternate strokes beat time upon the hard, ringing wood. The axe-heads glittered in their rhythmic flight, like fierce eagles circling about their quarry.

The broad flakes of wood flew from the deepening gashes in the sides of the oak. The huge trunk quivered. There was a shuddering in the branches. Then the great wonder of Winfried’s life came to pass.

Out of the stillness of the winter night, a mighty rushing noise sounded overhead.

Was it the ancient gods on their white battle-steeds, with their black hounds of wrath and their arrows of lightning, sweeping through the air to destroy their foes?

A strong, whirling wind passed over the tree-tops. It gripped the oak by its branches and tore it from its[25] roots. Backward it fell, like a ruined tower, groaning and crashing as it split asunder in four great pieces.

Winfried let his axe drop, and bowed his head for a moment in the presence of almighty power.

Then he turned to the people, “Here is the timber,” he cried, “already felled and split for your new building. On this spot shall rise a chapel to the true God and his servant St. Peter.”

“And here,” said he, as his eyes fell on a young fir-tree, standing straight and green, with its top pointing towards the stars, amid the divided ruins of the fallen oak, “here is the living tree, with no stain of blood upon it, that shall be the sign of your new worship. See how it points to the sky. Let us call it the tree of the Christ-child. Take it up and carry it to the chieftain’s hall. You shall go no more into the shadows of the forest to keep your feasts with secret rites of shame. You shall keep them at home, with laughter and song and rites of love. The thunder-oak has fallen, and I think the day is coming when there shall not be a home in all Germany where the children are not gathered around the green fir-tree to rejoice in the birth-night of Christ.”

So they took the little fir from its place, and carried it in joyous procession to the edge of the glade, and laid it on the sledge. The horses tossed their heads and drew their load bravely, as if the new burden had made it lighter.

When they came to the house of Gundhar, he bade them throw open the doors of the hall and set the tree in the midst of it. They kindled lights among the branches until it seemed to be tangled full of fire-flies. The children encircled it, wondering, and the sweet odor of the balsam filled the house.

Then Winfried stood beside the chair of Gundhar, on[26] the daïs at the end of the hall, and told the story of Bethlehem; of the babe in the manger, of the shepherds on the hills, of the host of angels and their midnight song. All the people listened, charmed into stillness.

But the boy Bernhard, on Irma’s knee, folded by her soft arm, grew restless as the story lengthened, and began to prattle softly at his mother’s ear.

“Mother,” whispered the child, “why did you cry out so loud, when the priest was going to send me to Valhalla?”

“Oh, hush, my child,” answered the mother, and pressed him closer to her side.

“Mother,” whispered the boy again, laying his finger on the stains upon her breast, “see, your dress is red! What are these stains? Did some one hurt you?”

The mother closed his mouth with a kiss. “Dear, be still, and listen!”

The boy obeyed. His eyes were heavy with sleep. But he heard the last words of Winfried as he spoke of the angelic messengers, flying over the hills of Judea and singing as they flew. The child wondered and dreamed and listened. Suddenly his face grew bright. He put his lips close to Irma’s cheek again.

“Oh, mother!” he whispered very low, “do not speak. Do you hear them? Those angels have come back again. They are singing now behind the tree.”

And some say that it was true; but others say that it was only Gregor and his companions at the lower end of the hall, chanting their Christmas hymn:

“‘All glory be to God on high,
And to the earth be peace!
Good-will, henceforth, from heaven to men
Begin, and never cease.’”

BY

Joel Chandler Harris

[28]

The fable was one of the first tributaries to the stream of story-telling. Primitive man with a kind of fine democracy claimed kinship with the animals about him. So Hiawatha learned the language and the secrets of birds and beasts,

“Talked with them whene’er he met them,
Called them Hiawatha’s Brothers.”

Out of this intimacy and understanding grew the fable, wherein animals thought, acted, and talked in the terms of human life. This kind of story is illustrated by the “Fables” of Æsop, the animal stories of Ernest Thompson-Seton, the “Jungle Books” of Rudyard Kipling, and the “Uncle Remus” stories of Joel Chandler Harris. The fable is a tale rather than a true short-story.

[29]

A FRENCH TAR-BABY[4]

In the time when there were hobgoblins and fairies, Brother Goat and Brother Rabbit lived in the same neighborhood, not far from each other.

Proud of his long beard and sharp horns, Brother Goat looked on Brother Rabbit with disdain. He would hardly speak to Brother Rabbit when he met him, and his greatest pleasure was to make his little neighbor the victim of his tricks and practical jokes. For instance, he would say:

“Brother Rabbit, here is Mr. Fox,” and this would cause Brother Rabbit to run away as hard as he could. Again he would say:

“Brother Rabbit, here is Mr. Wolf,” and poor Brother Rabbit would shake and tremble with fear. Sometimes he would cry out:

“Brother Rabbit, here is Mr. Tiger,” and then Brother Rabbit would shudder and think that his last hour had come.

Tired of this miserable existence, Brother Rabbit tried to think of some means by which he could change his powerful and terrible neighbor into a friend. After a time he thought he had discovered a way to make Brother Goat his friend, and so he invited him to dinner.

Brother Goat was quick to accept the invitation. The dinner was a fine affair, and there was an abundance of good eating. A great many different dishes were served. Brother Goat licked his mouth and shook his long beard with satisfaction. He had never before been present at such a feast.

[30]

“Well, my friend,” exclaimed Brother Rabbit, when the dessert was brought in, “how do you like your dinner?”

“I could certainly wish for nothing better,” replied Brother Goat, rubbing the tips of his horns against the back of his chair; “but my throat is very dry and a little water would hurt neither the dinner nor me.”

“Gracious!” said Brother Rabbit, “I have neither wine-cellar nor water. I am not in the habit of drinking while I am eating.”

“Neither have I any water, Brother Rabbit,” said Brother Goat. “But I have an idea! If you will go with me over yonder by the big poplar, we will dig a well.”

“No, Brother Goat,” said Brother Rabbit, who hoped to revenge himself—“no, I do not care to dig a well. At daybreak I drink the dew from the cups of the flowers, and in the heat of the day I milk the cows and drink the cream.”

“Well and good,” said Brother Goat. “Alone I will dig the well, and alone I will drink out of it.”

“Success to you, Brother Goat,” said Brother Rabbit.

“Thank you kindly, Brother Rabbit.”

Brother Goat then went to the foot of the big poplar and began to dig his well. He dug with his forefeet and with his horns, and the well got deeper and deeper. Soon the water began to bubble up and the well was finished, and then Brother Goat made haste to quench his thirst. He was in such a hurry that his beard got in the water, but he drank and drank until he had his fill.

Brother Rabbit, who had followed him at a little distance, hid himself behind a bush and laughed heartily. He said to himself: “What an innocent creature you are!”

[31]

The next day, when Brother Goat, with his big beard and sharp horns, returned to his well to get some water, he saw the tracks of Brother Rabbit in the soft earth. This put him to thinking. He sat down, pulled his beard, scratched his head, and tapped himself on the forehead.

“My friend,” he exclaimed after a while, “I will catch you yet.”

Then he ran and got his tools (for Brother Goat was something of a carpenter in those days) and made a large doll out of laurel wood. When the doll was finished, he spread tar on it here and there, on the right and on the left, and up and down. He smeared it all over with the sticky stuff, until it was as black as a Guinea negro.

This finished, Brother Goat waited quietly until evening. At sunset he placed the tarred doll near the well, and ran and hid himself behind the trees and bushes. The moon had just risen, and the heavens twinkled with millions of little star-torches.

Brother Rabbit, who was waiting in his house, believed that the time had come for him to get some water, so he took his bucket and went to Brother Goat’s well. On the way he was very much afraid that something would catch him. He trembled when the wind shook the leaves of the trees. He would go a little distance and then stop and listen; he hid here behind a stone, and there behind a tuft of grass.

At last he arrived at the well, and there he saw the little negro. He stopped and looked at it with astonishment. Then he drew back a little way, advanced again, drew back, advanced a little, and stopped once more.

“What can that be?” he said to himself. He listened, with his long ears pointed forward, but the trees[32] could not talk, and the bushes were dumb. He winked his eyes and lowered his head:

“Hey, friend! who are you?” he asked.

The tar-doll didn’t move. Brother Rabbit went up a little closer, and asked again:

“Who are you?”

The tar-doll said nothing. Brother Rabbit breathed more at ease. Then he went to the brink of the well, but when he looked in the water the tar-doll seemed to look in too. He could see her reflection in the water. This made Brother Rabbit so mad that he grew red in the face.

“See here!” he exclaimed, “if you look in this well I’ll give you a rap on the nose!”

Brother Rabbit leaned over the brink of the well, and saw the tar-doll smiling at him in the water. He raised his right hand and hit her—bam! His hand stuck.

“What’s this?” exclaimed Brother Rabbit. “Turn me loose, imp of Satan! If you do not, I will rap you on the eye with my other hand.”

Then he hit her—bim! The left hand stuck also. Then Brother Rabbit raised his right foot, saying:

“Mark me well, little Congo! Do you see this foot? I will kick you in the stomach if you do not turn me loose this instant.”

No sooner said than done. Brother Rabbit let fly his right foot—vip! The foot stuck, and he raised the other.

“Do you see this foot?” he exclaimed. “If I hit you with it, you will think a thunderbolt has struck you.”

Then he kicked her with the left foot, and it also stuck like the other, and Brother Rabbit held fast his Guinea negro.

“Watch out, now!” he cried. “I’ve already butted a great many people with my head. If I butt you in[33] your ugly face I’ll knock it into a jelly. Turn me loose! Oho! you don’t answer?” Bap!

“Guinea girl!” exclaimed Brother Rabbit, “are you dead? Gracious goodness! how my head does stick!”

When the sun rose, Brother Goat went to his well to find out something about Brother Rabbit. The result was beyond his expectations.

“Hey, little rogue, big rogue!” exclaimed Brother Goat. “Hey, Brother Rabbit! what are you doing there? I thought you drank the dew from the cups of the flowers, or milk from the cows. Aha, Brother Rabbit! I will punish you for stealing my water.”

“I am your friend,” said Brother Rabbit; “don’t kill me.”

“Thief, thief!” cried Brother Goat, and then he ran quickly into the woods, gathered up a pile of dry limbs, and made a great fire. He took Brother Rabbit from the tar-doll, and prepared to burn him alive. As he was passing a thicket of brambles with Brother Rabbit on his shoulders, Brother Goat met his daughter Bélédie, who was walking about in the fields.

“Where are you going, papa, muffled up with such a burden? Come and eat the fresh grass with me, and throw wicked Brother Rabbit in the brambles.”

Cunning Brother Rabbit raised his long ears and pretended to be very much frightened.

“Oh, no, Brother Goat!” he cried. “Don’t throw me in the brambles. They will tear my flesh, put out my eyes, and pierce my heart. Oh, I pray you, rather throw me in the fire.”

“Aha, little rogue, big rogue! Aha, Brother Rabbit!” exclaimed Brother Goat, exultingly, “you don’t like the brambles? Well, then, go and laugh in them,” and he threw Brother Rabbit in without a feeling of pity.

[34]

Brother Rabbit fell in the brambles, leaped to his feet, and began to laugh.

“Ha-ha-ha! Brother Goat, what a simpleton you are!—ha-ha-ha! A better bed I never had! In these brambles I was born!”

Brother Goat was in despair, but he could not help himself. Brother Rabbit was safe.

A long beard is not always a sign of intelligence.

BY

Ruth McEnery Stuart

[36]

This is the story of character, in the form of dramatic monologue. There is only one speaker, but we know by his words that another is present and can infer his part in the conversation. This story has the additional values of humor and local color.

[37]

SONNY’S CHRISTENIN’[5]

Yas, sir, wife an’ me, we’ve turned ’Piscopals—all on account o’ Sonny. He seemed to prefer that religion, an’ of co’se we wouldn’t have the family divided, so we’re a-goin’ to be ez good ’Piscopals ez we can.

I reckon it’ll come a little bit awkward at first. Seem like I never will git so thet I can sass back in church ’thout feelin’ sort o’ impident—but I reckon I’ll chirp up an’ come to it, in time.

I never was much of a hand to sound the amens, even in our own Methodist meetin’s.

Sir? How old is he? Oh, Sonny’s purty nigh six—but he showed a pref’ence for the ’Piscopal Church long fo’ he could talk.

When he wasn’t no mo’ ’n three year old we commenced a-takin’ him round to church wherever they held meetin’s,—’Piscopals, Methodists or Presbyterians,—so’s he could see an’ hear for hisself. I ca’yed him to a baptizin’ over to Chinquepin Crik, once-t, when he was three. I thought I’d let him see it done an’ maybe it might make a good impression; but no, sir! The Baptists didn’t suit him! Cried ever’ time one was douced, an’ I had to fetch him away. In our Methodist meetin’s he seemed to git worked up an’ pervoked, some way. An’ the Presbyterians, he didn’t take no stock in them at all. Ricollect, one Sunday the preacher, he preached a mighty powerful disco’se on the doctrine o’ lost infants not ’lected to salvation—an’ Sonny? Why, he slep’ right thoo it.

[38]

The first any way lively interest he ever seemed to take in religious services was at the ’Piscopals, Easter Sunday. When he seen the lilies an’ the candles he thess clapped his little hands, an’ time the folks commenced answerin’ back he was tickled all but to death, an’ started answerin’ hisself—on’y, of co’se he’d answer sort o’ hit an’ miss.

I see then thet Sonny was a natu’al-born ‘Piscopal, an’ we might ez well make up our minds to it—an’ I told her so, too. They say some is born so. But we thought we’d let him alone an’ let nature take its co’se for a while—not pressin’ him one way or another. He never had showed no disposition to be christened, an’ ever sence the doctor tried to vaccinate him he seemed to git the notion that christenin’ an’ vaccination was mo’ or less the same thing; an’ sence that time, he’s been mo’ opposed to it than ever.

Sir? Oh no, sir. He didn’t vaccinate him; he thess tried to do it; but Sonny, he wouldn’t begin to allow it. We all tried to indoose ’im. I offered him everything on the farm ef he’d thess roll up his little sleeve an’ let the doctor look at his arm—promised him thet he wouldn’t tech a needle to it tell he said the word. But he wouldn’t. He ’lowed thet me an’ his mamma could git vaccinated ef we wanted to, but he wouldn’t.

Then we showed him our marks where we had been vaccinated when we was little, an’ told him how it had kep’ us clair o’ havin’ the smallpock all our lives.

Well, sir, it didn’t make no diff’ence whether we’d been did befo’ or not, he ’lowed thet he wanted to see us vaccinated ag’in.

An’ so, of co’se, thinkin’ it might encour’ge him, we thess had it did over—tryin’ to coax him to consent after each one, an’ makin’ pertend like we enjoyed it.

Then, nothin’ would do but the nigger, Dicey, had[39] to be did, an’ then he ’lowed thet he wanted the cat did, an’ I tried to strike a bargain with him thet if Kitty got vaccinated he would. But he wouldn’t comp’omise. He thess let on thet Kit had to be did whe’r or no. So I ast the doctor ef it would likely kill the cat, an’ he said he reckoned not, though it might sicken her a little. So I told him to go ahead. Well, sir, befo’ Sonny got thoo, he had had that cat an’ both dogs vaccinated—but let it tech hisself he would not.

I was mighty sorry not to have it did, ’cause they was a nigger thet had the smallpock down to Cedar Branch, fifteen mile away, an’ he didn’t die, neither. He got well. An’ they say when they git well they’re more fatal to a neighborhood ‘n when they die.

That was fo’ months ago now, but to this day ever’ time the wind blows from sou’west I feel oneasy, an’ try to entice Sonny to play on the far side o’ the house.

Well, sir, in about ten days after that we was the down-in-the-mouthest crowd on that farm, man an’ beast, thet you ever see. Ever’ last one o’ them vaccinations took, sir, an’ took severe, from the cat up.

But I reckon we’re all safe-t guarded now. They ain’t nothin’ on the place thet can fetch it to Sonny, an’ I trust, with care, he may never be exposed.

But I set out to tell you about Sonny’s christenin’ an’ us turnin’ ‘Piscopal. Ez I said, he never seemed to want baptism, though he had heard us discuss all his life both it an’ vaccination ez the two ordeels to be gone thoo with some time, an’ we’d speculate ez to whether vaccination would take or not, an’ all sech ez that, an’ then, ez I said, after he see what the vaccination was, why he was even mo’ prejudyced agin’ baptism ‘n ever, an’ we ’lowed to let it run on tell sech a time ez he’d decide what name he’d want to take an’ what denomination he’d want to bestow it on him.

[40]

Wife, she’s got some ‘Piscopal relations thet she sort o’ looks up to,—though she don’t own it,—but she was raised Methodist an’ I was raised a true-blue Presbyterian. But when we professed after Sonny come we went up together at Methodist meetin’. What we was after was righteous livin’, an’ we didn’t keer much which denomination helped us to it.

An’ so, feelin’ friendly all roun’ that-a-way, we thought we’d leave Sonny to pick his church when he got ready, an’ then they wouldn’t be nothin’ to undo or do over in case he went over to the ‘Piscopals, which has the name of revisin’ over any other church’s performances—though sence we’ve turned ‘Piscopals we’ve found out that ain’t so.

Of co’se the preachers, they used to talk to us about it once-t in a while,—seemed to think it ought to be did,—’ceptin’, of co’se, the Baptists.

Well, sir, it went along so till last week. Sonny ain’t but, ez I said, thess not quite six year old, an’ they seemed to be time enough. But last week he had been playin’ out o’ doors bare-feeted, thess same ez he always does, an’ he tramped on a pine splinter some way. Of co’se, pine, it’s the safe-t-est splinter a person can run into a foot, on account of its carryin’ its own turpentine in with it to heal up things; but any splinter thet dast to push itself up into a little pink foot is a messenger of trouble, an’ we know it. An’ so, when we see this one, we tried ever’ way to coax him to let us take it out, but he wouldn’t, of co’se. He never will, an’ somehow the Lord seems to give ’em ambition to work their own way out mos’ gen’ally.

But, sir, this splinter didn’t seem to have no energy in it. It thess lodged there, an’ his little foot it commenced to swell, an’ it swole an’ swole tell his little toes stuck out so thet the little pig thet went to market looked like ez[41] ef it wasn’t on speakin’ terms with the little pig thet stayed home, an’ wife an’ me we watched it, an’ I reckon she prayed over it consider’ble, an’ I read a extry psalm at night befo’ I went to bed, all on account o’ that little foot. An’ night befo’ las’ it was lookin’ mighty angry an’ swole, an’ he had limped an’ “ouched!” consider’ble all day, an’ he was mighty fretful bed-time. So, after he went to sleep, wife she come out on the po’ch where I was settin’, and she says to me, says she, her face all drawed up an’ workin’, says she: “Honey,” says she, “I reckon we better sen’ for him an’ have it did.” Thess so, she said it. “Sen’ for who, wife?” says I, “an’ have what did?” “Why, sen’ for him, the ‘Piscopal preacher,” says she, “an’ have Sonny christened. Them little toes o’ hisn is ez red ez cherry tomatoes. They burnt my lips thess now like a coal o’ fire an’—an’ lockjaw is goin’ roun’ tur’ble.

“Seems to me,” says she, “when he started to git sleepy, he didn’t gap ez wide ez he gen’ly does—an’ I’m ’feered he’s a-gittin’ it now.” An’, sir, with that, she thess gathered up her apron an’ mopped her face in it an’ give way. An’ ez for me, I didn’t seem to have no mo’ backbone down my spinal colume ‘n a feather bolster has, I was that weak.

I never ast her why she didn’t sen’ for our own preacher. I knowed then ez well ez ef she’d ’a’ told me why she done it—all on account o’ Sonny bein’ so tickled over the ‘Piscopals’ meetin’s.

It was mos’ nine o’clock then, an’ a dark night, an’ rainin’, but I never said a word—they wasn’t no room round the edges o’ the lump in my throat for words to come out ef they’d ’a’ been one surgin’ up there to say, which they wasn’t—but I thess went out an’ saddled my horse an’ I rid into town. Stopped first at the doctor’s an’ sent him out, though I knowed ’twouldn’t do[42] no good; Sonny wouldn’t ’low him to tech it; but I sent him out anyway, to look at it, an’, ef possible, console wife a little. Then I rid on to the rector’s an’ ast him to come out immejate an’ baptize Sonny. But nex’ day was his turn to preach down at Sandy Crik, an’ he couldn’t come that night, but he promised to come right after services nex’ mornin’—which he done—rid the whole fo’teen mile from Sandy Crik here in the rain, too, which I think is a evidence o’ Christianity, though no sech acts is put down in my book o’ “evidences” where they ought rightfully to be.

Well, sir, when I got home that night, I found wife a heap cheerfuler. The doctor had give Sonny a big apple to eat an’ pernounced him free from all symptoms o’ lockjaw. But when I come the little feller had crawled ’back under the bed an’ lay there, eatin’ his apple, an’ they couldn’t git him out. Soon ez the doctor had teched a poultice to his foot he had woke up an’ put a stop to it, an’ then he had went off by hisself where nothin’ couldn’t pester him, to enjoy his apple in peace. An’ we never got him out tell he heered us tellin’ the doctor good-night.

I tried ever’ way to git him out—even took up a coal o’ fire an’ poked it under at him; but he thess laughed at that an’ helt his apple agin’ it an’ made it sizz. Well, sir, he seemed so tickled that I helt that coal o’ fire for him tell he cooked a good big spot on one side o’ the apple, an’ et it, an’ then, when I took it out, he called for another, but I didn’t give it to him. I don’t see no use in over-indulgin’ a child. An’ when he knowed the doctor was gone, he come out an’ finished roastin’ his apple by the fire—thess what was left of it ’round the co’e.

Well, sir, we was mightily comforted by the doctor’s visit, but nex’ mornin’ things looked purty gloomy ag’in.[43] That little foot seemed a heap worse, an’ he was sort o’ flushed an’ feverish, an’ wife she thought she heard a owl hoot, an’ Rover made a mighty funny gurgly sound in his th’oat like ez ef he had bad news to tell us, but didn’t have the courage to speak it.

An’ then, on top o’ that, the nigger Dicey, she come in an’ ’lowed she had dreamed that night about eatin’ spare-ribs, which everybody knows to dream about fresh pork out o’ season, which this is July, is considered a shore sign o’ death. Of co’se, wife an’ me, we don’t b’lieve in no sech ez that, but ef you ever come to see yo’ little feller’s toes stand out the way Sonny’s done day befo’ yesterday, why, sir, you’ll be ready to b’lieve anything. It’s so much better now, you can’t judge of its looks day befo’ yesterday. We never had even so much ez considered it necessary thet little children should be christened to have ’em saved, but when things got on the ticklish edge, like they was then, why, we felt thet the safest side is the wise side, an’, of co’se, we want Sonny to have the best of everything. So, we was mighty thankful when we see the rector comin’. But, sir, when I went out to open the gate for him, what on top o’ this round hemisp’ere do you reckon Sonny done? Why, sir, he thess took one look at the gate an’ then he cut an’ run hard ez he could—limped acrost the yard thess like a flash o’ zig-zag lightnin’—an’ ’fore anybody could stop him, he had clumb to the tip top o’ the butter-bean arbor—clumb it thess like a cat—an’ there he set, a-swingin’ his feet under him, an’ laughin’, the rain thess a-streakin’ his hair all over his face.

That bean arbor is a favoryte place for him to escape to, ’cause it’s too high to reach, an’ it ain’t strong enough to bear no grown-up person’s weight.

Well, sir, the rector, he come in an’ opened his valise an’ ’rayed hisself in his robes an’ opened his book, an[44]’ while he was turnin’ the leaves, he faced ’round an’ says he, lookin’ at me direc’, says he:

“Let the child be brought forward for baptism,” says he, thess that-a-way.

Well, sir, I looked at wife, an’ wife, she looked at me, an’ then we both thess looked out at the butter-bean arbor.

I knowed then thet Sonny wasn’t never comin’ down while the rector was there, an’ rector, he seemed sort o’ fretted for a minute when he see how things was, an’ he did try to do a little settin’ fo’th of opinions. He ’lowed, speakin’ in a mighty pompious manner, thet holy things wasn’t to be trifled with, an’ thet he had come to baptize the child accordin’ to the rites o’ the church.

Well, that sort o’ talk, it thess rubbed me the wrong way, an’ I up an’ told him thet that might be so, but thet the rites o’ the church didn’t count for nothin’, on our farm, to the rights o’ the boy!

I reckon it was mighty disrespec’ful o’ me to face him that-a-way, an’ him adorned in all his robes, too, but I’m thess a plain up-an’-down man an’ I hadn’t went for him to come an’ baptize Sonny to uphold the granjer of no church. I was ready to do that when the time come, but right now we was workin’ in Sonny’s interests, an’ I intended to have it understood that way. An’ it was.

Rector, he’s a mighty good, kind-hearted man, git down to the man inside the preacher, an’ when he see thess how things stood, why, he come ’round friendly, an’ he went out on the po’ch an’ united with us in tryin’ to help coax Sonny down. First started by promisin’ him speritual benefits, but he soon see that wasn’t no go, and he tried worldly persuasion; but no, sir, stid o’ him comin’ down, Sonny started orderin’ the rest of us christened thess the way he done about[45] the vaccination. But, of co’se, we had been baptized befo’, an’ we nachelly helt out agin’ that for some time. But d’rec’ly rector, he seemed to have a sudden idee, an’ says he, facin’ ’round, church-like, to wife an’ me, says he:

“Have you both been baptized accordin’ to the rites o’ the church?”

An’ me, thinkin’ of co’se he meant the ‘Piscopal Church, says: “No, sir,” says I, thess so. And then we see that the way was open for us to be did over ag’in ef we wanted to. So, sir, wife an’ me we was took into the church, then an’ there. We wouldn’t ’a’ yielded to him, thoo an’ thoo, that-a-way ag’in ef his little foot hadn’t ’a’’ been so swole, an’ he maybe takin’ his death o’ cold settin’ out in the po’in’-down rain; but things bein’ as they was, we went thoo it with all due respects.

Then he commenced callin’ for Dicey, an’ the dog, an’ the cat, to be did, same ez he done befo’; but, of co’se, they’s some liberties thet even a innocent child can’t take with the waters o’ baptism, an’ the rector he got sort o’ wo’e-out and disgusted an’ ’lowed thet ’less’n we could get the child ready for baptism he’d haf to go home.

Well, sir, I knowed we wouldn’t never git ’im down, an’ I had went for the rector to baptize him, an’ I intended to have it did, ef possible. So, says I, turnin’ ’round an’ facin’ him square, says I: “Rector,” says I, “why not baptize him where he is? I mean it. The waters o’ Heaven are descendin’ upon him where he sets, an’ seems to me ef he’s favo’bly situated for anything it is for baptism.” Well, parson, he thess looked at me up an’ down for a minute, like ez ef he s’picioned I was wanderin’ in my mind, but he didn’t faze me. I thess kep’ up my argiment. Says I: “Parson,” says I, speakin’ thess ez ca’m ez I am this minute—“Parson,[46]” says I, “his little foot is mighty swole, an’ so’e, an’ that splinter—thess s’pose he was to take the lockjaw an’ die—don’t you reckon you might do it where he sets—from where you stand?”

Wife, she was cryin’ by this time, an’ parson, he claired his th’oat an’ coughed, an’ then he commenced walkin’ up an’ down, an’ treckly he stopped, an’ says he, speakin’ mighty reverential an’ serious:

“Lookin’ at this case speritually, an’ as a minister o’ the Gospel,” says he, “it seems to me thet the question ain’t so much a question of doin’ ez it is a question of withholdin’. I don’t know,” says he, “ez I’ve got a right to withhold the sacrament of baptism from a child under these circumstances or to deny sech comfort to his parents ez lies in my power to bestow.”

An’, sir, with that he stepped out to the end o’ the po’ch, opened his book ag’in, an’ holdin’ up his right hand to’ards Sonny, settin’ on top o’ the bean-arbor in the rain, he commenced to read the service o’ baptism, an’ we stood proxies—which is a sort o’ a dummy substitutes—for whatever godfather an’ mother Sonny see fit to choose in after life.

Parson, he looked half like ez ef he’d laugh once-t. When he had thess opened his book and started to speak, a sudden streak o’ sunshine shot out an’ the rain started to ease up, an’ it looked for a minute ez ef he was goin’ to lose the baptismal waters. But d’rec’ly it come down stiddy ag’in an’ he went thoo the programme entire.

An’ Sonny, he behaved mighty purty; set up perfec’ly ca’m an’ composed thoo it all, an’ took everything in good part, though he didn’t p’intedly know who was bein’ baptized, ’cause, of co’se, he couldn’t hear the words with the rain in his ears.

He didn’t rightly sense the situation tell it come to the part where it says: “Name this child,” and, of[47] co’se, I called out to Sonny to name hisself, which it had always been our intention to let him do.

“Name yo’self, right quick, like a good boy,” says I.

Of co’se Sonny had all his life heered me say thet I was Deuteronomy Jones, Senior, an’ thet I hoped some day when he got christened he’d be the junior. He knowed that by heart, an’ would agree to it or dispute it, ’cordin’ to how the notion took him, and I sort o’ ca’culated thet he’d out with it now. But no, sir! Not a word! He thess sot up on thet bean-arbor an’ grinned.

An’ so, feelin’ put to it, with the services suspended over my head, I spoke up, an’ I says: “Parson,” says I, “I reckon ef he was to speak his little heart, he’d say Deuteronomy Jones, Junior.” An’ with thet what does Sonny do but conterdic’ me flat! “No, not Junior! I want to be named Deuteronomy Jones, Senior!” says he, thess so. An’ parson, he looked to’ards me, an’ I bowed my head an’ he pronounced thess one single name, “Deuteronomy,” an’ I see he wasn’t goin’ to say no more an’ so I spoke up quick, an’ says I: “Parson,” says I, “he has spoke his heart’s desire. He has named hisself after me entire—Deuteronomy Jones, Senior.”

An’ so he was obligated to say it, an’ so it is writ in the family record colume in the big Bible, though I spelt his Senior with a little s, an’ writ him down ez the only son of the Senior with the big S, which it seems to me fixes it about right for the time bein’.

Well, when the rector had got thoo an’ he had wropped up his robes an’ put ’em in his wallet, an’ had told us to prepare for conformation, he pernounced a blessin’ upon us an’ went.

Then Sonny seein’ it was all over, why, he come down. He was wet ez a drownded rat, but wife rubbed him off an’ give him some hot tea an’ he come a-snuggin[48]’ up in my lap, thess ez sweet a child ez you ever see in yo’ life, an’ I talked to him ez fatherly ez I could, told him we was all ‘Piscopals now, an’ soon ez his little foot got well I was goin’ to take him out to Sunday-school to tote a banner—all his little ‘Piscopal friends totes banners—an’ thet he could pick out some purty candles for the altar, an’ he ’lowed immejate thet he’d buy pink ones. Sonny always was death on pink—showed it from the time he could snatch a pink rose—an’ wife she ain’t never dressed him in nothin’ else. Ever’ pair o’ little breeches he’s got is either pink or pink-trimmed.

Well, I talked along to him till I worked ’round to shamin’ him a little for havin’ to be christened settin’ up on top a bean-arbor, same ez a crow-bird, which I told him the parson he wouldn’t ’a’’ done ef he’d ’a’’ felt free to ’ve left it undone. ’Twasn’t to indulge him he done it, but to bless him an’ to comfort our hearts. Well, after I had reasoned with him severe that-a-way a while, he says, says he, thess ez sweet an’ mild, says he, “Daddy, nex’ time y’all gits christened, I’ll come down an’ be christened right—like a good boy.”

Th’ ain’t a sweeter child in’ardly ‘n what Sonny is, nowheres, git him to feel right comf’table, and I know it, an’ that’s why I have patience with his little out’ard ways.

“Yes, sir,” says he; “nex’ time I’ll be christened like a good boy.”

Then, of co’se, I explained to him thet it couldn’t never be did no mo’, ’cause it had been did, an’ did ‘Piscopal, which is secure. An’ then what you reckon the little feller said?

Says he, “Yes, daddy, but s’pos’in’ mine don’t take. How ’bout that?”

An’ I didn’t try to explain no further. What was[49] the use? Wife, she had drawed a stool close-t up to my knee, an’ set there sortin’ out the little yaller rings ez they’d dry out on his head, an’ when he said that I thess looked at her an’ we both looked at him, an’ says I, “Wife,” says I, “ef they’s anything in heavenly looks an’ behavior, I b’lieve that christenin’ is started to take on him a’ready.”

An’ I b’lieve it had.

BY

John Fox, Jr.

[52]

“All that is literature seeks to communicate power.”[6] Here the power communicated is that of sympathizing with God’s “lesser children.” The humanitarian story is a long step in advance of the fable. It recognizes the true relations of the animal world to man, and insists that it be dealt with righteously and sympathetically.

[53]

CHRISTMAS NIGHT WITH SATAN[7]

No night was this in Hades with solemn-eyed Dante, for Satan was only a woolly little black dog, and surely no dog was ever more absurdly misnamed. When Uncle Carey first heard that name, he asked gravely:

“Why, Dinnie, where in h——,” Uncle Carey gulped slightly, “did you get him?” And Dinnie laughed merrily, for she saw the fun of the question, and shook her black curls.

“He didn’t come f’um that place.”

Distinctly Satan had not come from that place. On the contrary, he might by a miracle have dropped straight from some Happy Hunting-Ground, for all the signs he gave of having touched pitch in this or another sphere. Nothing human was ever born that was gentler, merrier, more trusting or more lovable than Satan. That was why Uncle Carey said again gravely that he could hardly tell Satan and his little mistress apart. He rarely saw them apart, and as both had black tangled hair and bright black eyes; as one awoke every morning with a happy smile and the other with a jolly bark; as they played all day like wind-shaken shadows and each won every heart at first sight—the likeness was really rather curious. I have always believed that Satan made the spirit of Dinnie’s house, orthodox and severe though it was, almost kindly toward his great namesake. I know I have never been able, since I knew little Satan, to think old Satan as bad as I once painted[54] him, though I am sure the little dog had many pretty tricks that the “old boy” doubtless has never used in order to amuse his friends.

“Shut the door, Saty, please,” Dinnie would say, precisely as she would say it to Uncle Billy, the butler, and straightway Satan would launch himself at it—bang! He never would learn to close it softly, for Satan liked that—bang!

If you kept tossing a coin or marble in the air, Satan would keep catching it and putting it back in your hand for another throw, till you got tired. Then he would drop it on a piece of rag carpet, snatch the carpet with his teeth, throw the coin across the room, and rush for it like mad, until he got tired. If you put a penny on his nose, he would wait until you counted, one—two—three! Then he would toss it up himself and catch it. Thus, perhaps, Satan grew to love Mammon right well, but for another and better reason than that he liked simply to throw it around—as shall now be made plain.

A rubber ball with a hole in it was his favorite plaything, and he would take it in his mouth and rush around the house like a child, squeezing it to make it whistle. When he got a new ball, he would hide his old one away until the new one was the worse worn of the two, and then he would bring out the old one again. If Dinnie gave him a nickel or a dime, when they went down-town, Satan would rush into a store, rear up on the counter where the rubber balls were kept, drop the coin, and get a ball for himself. Thus, Satan learned finance. He began to hoard his pennies, and one day Uncle Carey found a pile of seventeen under a corner of the carpet. Usually he carried to Dinnie all coins that he found in the street, but he showed one day that he was going into the ball-business for himself.[55] Uncle Carey had given Dinnie a nickel for some candy, and, as usual, Satan trotted down the street behind her. As usual, Satan stopped before the knick-knack shop.

“Tum on, Saty,” said Dinnie. Satan reared against the door as he always did, and Dinnie said again:

“Tum on, Saty.” As usual, Satan dropped to his haunches, but what was unusual, he failed to bark. Now Dinnie had got a new ball for Satan only that morning, so Dinnie stamped her foot.

“I tell you to tum on, Saty.” Satan never moved. He looked at Dinnie as much as to say:

“I have never disobeyed you before, little mistress, but this time I have an excellent reason for what must seem to you very bad manners——” and being a gentleman withal, Satan rose on his haunches and begged.

“You’re des a pig, Saty,” said Dinnie, but with a sigh for the candy that was not to be, Dinnie opened the door, and Satan, to her wonder, rushed to the counter, put his forepaws on it, and dropped from his mouth a dime. Satan had found that coin on the street. He didn’t bark for change, nor beg for two balls, but he had got it in his woolly little head, somehow, that in that store a coin meant a ball, though never before nor afterward did he try to get a ball for a penny.

Satan slept in Uncle Carey’s room, for of all people, after Dinnie, Satan loved Uncle Carey best. Every day at noon he would go to an upstairs window and watch the cars come around the corner, until a very tall, square-shouldered young man swung to the ground, and down Satan would scamper—yelping—to meet him at the gate. If Uncle Carey, after supper and when Dinnie was in bed, started out of the house, still in his business clothes, Satan would leap out before him, knowing that he too might be allowed to go; but if Uncle Carey had put on black clothes that showed a big, dazzling[56] shirt-front, and picked up his high hat, Satan would sit perfectly still and look disconsolate; for as there were no parties or theatres for Dinnie, so there were none for him. But no matter how late it was when Uncle Carey came home, he always saw Satan’s little black nose against the window-pane and heard his bark of welcome.

After intelligence, Satan’s chief trait was lovableness—nobody ever knew him to fight, to snap at anything, or to get angry; after lovableness, it was politeness. If he wanted something to eat, if he wanted Dinnie to go to bed, if he wanted to get out of the door, he would beg—beg prettily on his haunches, his little red tongue out and his funny little paws hanging loosely. Indeed, it was just because Satan was so little less than human, I suppose, that old Satan began to be afraid he might have a soul. So the wicked old namesake with the Hoofs and Horns laid a trap for little Satan, and, as he is apt to do, he began laying it early—long, indeed, before Christmas.

When Dinnie started to kindergarten that autumn, Satan found that there was one place where he could never go. Like the lamb, he could not go to school; so while Dinnie was away, Satan began to make friends. He would bark, “Howdy-do?” to every dog that passed his gate. Many stopped to rub noses with him through the fence—even Hugo the mastiff, and nearly all, indeed, except one strange-looking dog that appeared every morning at precisely nine o’clock and took his stand on the corner. There he would lie patiently until a funeral came along, and then Satan would see him take his place at the head of the procession; and thus he would march out to the cemetery and back again. Nobody knew where he came from nor where he went, and Uncle Carey called him the “funeral dog” and said he was doubtless looking[57] for his dead master. Satan even made friends with a scrawny little yellow dog that followed an old drunkard around—a dog that, when his master fell in the gutter, would go and catch a policeman by the coat-tail, lead the officer to his helpless master, and spend the night with him in jail.

By and by Satan began to slip out of the house at night, and Uncle Billy said he reckoned Satan had “jined de club”; and late one night, when he had not come in, Uncle Billy told Uncle Carey that it was “powerful slippery and he reckoned they’d better send de kerridge after him”—an innocent remark that made Uncle Carey send a boot after the old butler, who fled chuckling down the stairs, and left Uncle Carey chuckling in his room.

Satan had “jined de club”—the big club—and no dog was too lowly in Satan’s eyes for admission; for no priest ever preached the brotherhood of man better than Satan lived it—both with man and dog. And thus he lived it that Christmas night—to his sorrow.

Christmas Eve had been gloomy—the gloomiest of Satan’s life. Uncle Carey had gone to a neighboring town at noon. Satan had followed him down to the station, and when the train started, Uncle Carey had ordered him to go home. Satan took his time about going home, not knowing it was Christmas Eve. He found strange things happening to dogs that day. The truth was, that policemen were shooting all dogs found that were without a collar and a license, and every now and then a bang and a howl somewhere would stop Satan in his tracks. At a little yellow house on the edge of town he saw half a dozen strange dogs in a kennel, and every now and then a negro would lead a new one up to the house and deliver him to a big man at the door, who, in return, would drop something[58] into the negro’s hand. While Satan waited, the old drunkard came along with his little dog at his heels, paused before the door, looked a moment at his faithful follower, and went slowly on. Satan little knew the old drunkard’s temptation, for in that yellow house kind-hearted people had offered fifteen cents for each dog brought to them, without a license, that they might mercifully put it to death, and fifteen cents was the precise price for a drink of good whiskey. Just then there was another bang and another howl somewhere, and Satan trotted home to meet a calamity. Dinnie was gone. Her mother had taken her out in the country to Grandmother Dean’s to spend Christmas, as was the family custom, and Mrs. Dean would not wait any longer for Satan; so she told Uncle Billy to bring him out after supper.

“Ain’t you ’shamed o’ yo’self—suh—?” said the old butler, “keeping me from ketchin’ Christmas gifts dis day?”

Uncle Billy was indignant, for the negroes begin at four o’clock in the afternoon of Christmas Eve to slip around corners and jump from hiding-places to shout “Christmas Gif’—Christmas Gif’”; and the one who shouts first gets a gift. No wonder it was gloomy for Satan—Uncle Carey, Dinnie, and all gone, and not a soul but Uncle Billy in the big house. Every few minutes he would trot on his little black legs upstairs and downstairs, looking for his mistress. As dusk came on, he would every now and then howl plaintively. After begging his supper, and while Uncle Billy was hitching up a horse in the stable, Satan went out in the yard and lay with his nose between the close panels of the fence—quite heart-broken. When he saw his old friend, Hugo the mastiff, trotting into the gas-light, he began to bark his delight frantically. The big mastiff stopped[59] and nosed his sympathy through the fence for a moment and walked slowly on, Satan frisking and barking along inside. At the gate Hugo stopped, and raising one huge paw, playfully struck it. The gate flew open, and with a happy yelp Satan leaped into the street. The noble mastiff hesitated as though this were not quite regular. He did not belong to the club, and he didn’t know that Satan had ever been away from home after dark in his life. For a moment he seemed to wait for Dinnie to call him back as she always did, but this time there was no sound, and Hugo walked majestically on, with absurd little Satan running in a circle about him. On the way they met the “funeral dog,” who glanced inquiringly at Satan, shied from the mastiff, and trotted on. On the next block the old drunkard’s yellow cur ran across the street, and after interchanging the compliments of the season, ran back after his staggering master. As they approached the railroad track a strange dog joined them, to whom Hugo paid no attention. At the crossing another new acquaintance bounded toward them. This one—a half-breed shepherd—was quite friendly, and he received Satan’s advances with affable condescension. Then another came and another, and little Satan’s head got quite confused. They were a queer-looking lot of curs and half-breeds from the negro settlement at the edge of the woods, and though Satan had little experience, his instincts told him that all was not as it should be, and had he been human he would have wondered very much how they had escaped the carnage that day. Uneasy, he looked around for Hugo; but Hugo had disappeared. Once or twice Hugo had looked around for Satan, and Satan paying no attention, the mastiff trotted on home in disgust. Just then a powerful yellow cur sprang out of the darkness over the railroad track, and Satan sprang to meet[60] him, and so nearly had the life scared out of him by the snarl and flashing fangs of the new-comer that he hardly had the strength to shrink back behind his new friend, the half-breed shepherd.

A strange thing then happened. The other dogs became suddenly quiet, and every eye was on the yellow cur. He sniffed the air once or twice, gave two or three peculiar low growls, and all those dogs except Satan lost the civilization of centuries and went back suddenly to the time when they were wolves and were looking for a leader. The cur was Lobo for that little pack, and after a short parley, he lifted his nose high and started away without looking back, while the other dogs silently trotted after him. With a mystified yelp, Satan ran after them. The cur did not take the turnpike, but jumped the fence into a field, making his way by the rear of houses, from which now and then another dog would slink out and silently join the band. Every one of them Satan nosed most friendlily, and to his great joy the funeral dog, on the edge of town, leaped into their midst. Ten minutes later the cur stopped in the midst of some woods, as though he would inspect his followers. Plainly, he disapproved of Satan, and Satan kept out of his way. Then he sprang into the turnpike and the band trotted down it, under flying black clouds and shifting bands of brilliant moonlight. Once, a buggy swept past them. A familiar odor struck Satan’s nose, and he stopped for a moment to smell the horse’s tracks; and right he was, too, for out at her grandmother’s Dinnie refused to be comforted, and in that buggy was Uncle Billy going back to town after him.

Snow was falling. It was a great lark for Satan. Once or twice, as he trotted along, he had to bark his joy aloud, and each time the big cur gave him such a fierce[61] growl that he feared thereafter to open his jaws. But he was happy for all that, to be running out into the night with such a lot of funny friends and not to know or care where he was going. He got pretty tired presently, for over hill and down hill they went, at that unceasing trot, trot, trot! Satan’s tongue began to hang out. Once he stopped to rest, but the loneliness frightened him and he ran on after them with his heart almost bursting. He was about to lie right down and die, when the cur stopped, sniffed the air once or twice, and with those same low growls, led the marauders through a rail fence into the woods, and lay quietly down. How Satan loved that soft, thick grass, all snowy that it was! It was almost as good as his own bed at home. And there they lay—how long, Satan never knew, for he went to sleep and dreamed that he was after a rat in the barn at home; and he yelped in his sleep, which made the cur lift his big yellow head and show his fangs. The moving of the half-breed shepherd and the funeral dog waked him at last, and Satan got up. Half crouching, the cur was leading the way toward the dark, still woods on top of the hill, over which the Star of Bethlehem was lowly sinking, and under which lay a flock of the gentle creatures that seemed to have been almost sacred to the Lord of that Star. They were in sore need of a watchful shepherd now. Satan was stiff and chilled, but he was rested and had had his sleep, and he was just as ready for fun as he always was. He didn’t understand that sneaking. Why they didn’t all jump and race and bark as he wanted to, he couldn’t see; but he was too polite to do otherwise than as they did, and so he sneaked after them; and one would have thought he knew, as well as the rest, the hellish mission on which they were bent.

Out of the woods they went, across a little branch,[62] and there the big cur lay flat again in the grass. A faint bleat came from the hill-side beyond, where Satan could see another woods—and then another bleat, and another. And the cur began to creep again, like a snake in the grass; and the others crept too, and little Satan crept, though it was all a sad mystery to him. Again the cur lay still, but only long enough for Satan to see curious, fat, white shapes above him—and then, with a blood-curdling growl, the big brute dashed forward. Oh, there was fun in them after all! Satan barked joyfully. Those were some new playmates—those fat, white, hairy things up there; and Satan was amazed when, with frightened snorts, they fled in every direction. But this was a new game, perhaps, of which he knew nothing, and as did the rest, so did Satan. He picked out one of the white things and fled barking after it. It was a little fellow that he was after, but little as he was, Satan might never have caught up, had not the sheep got tangled in some brush. Satan danced about him in mad glee, giving him a playful nip at his wool and springing back to give him another nip, and then away again. Plainly, he was not going to bite back, and when the sheep struggled itself tired and sank down in a heap, Satan came close and licked him, and as he was very warm and woolly, he lay down and snuggled up against him for a while, listening to the turmoil that was going on around him. And as he listened, he got frightened.

If this was a new game it was certainly a very peculiar one—the wild rush, the bleats of terror, gasps of agony, and the fiendish growls of attack and the sounds of ravenous gluttony. With every hair bristling, Satan rose and sprang from the woods—and stopped with a fierce tingling of the nerves that brought him horror and fascination. One of the white shapes lay still before[63] him. There was a great steaming red splotch on the snow, and a strange odor in the air that made him dizzy; but only for a moment. Another white shape rushed by. A tawny streak followed, and then, in a patch of moonlight, Satan saw the yellow cur with his teeth fastened in the throat of his moaning playmate. Like lightning Satan sprang at the cur, who tossed him ten feet away and went back to his awful work. Again Satan leaped, but just then a shout rose behind him, and the cur leaped too as though a bolt of lightning had crashed over him, and, no longer noticing Satan or sheep, began to quiver with fright and slink away. Another shout rose from another direction—another from another.

“Drive ’em into the barn-yard!” was the cry.

Now and then there was a fearful bang and a howl of death-agony, as some dog tried to break through the encircling men, who yelled and cursed as they closed in on the trembling brutes that slunk together and crept on; for it is said, every sheep-killing dog knows his fate if caught, and will make little effort to escape. With them went Satan, through the barn-yard gate, where they huddled in a corner—a shamed and terrified group. A tall overseer stood at the gate.

“Ten of ’em!” he said grimly.

He had been on the lookout for just such a tragedy, for there had recently been a sheep-killing raid on several farms in that neighborhood, and for several nights he had had a lantern hung out on the edge of the woods to scare the dogs away; but a drunken farm-hand had neglected his duty that Christmas Eve.

“Yassuh, an’ dey’s jus’ sebenteen dead sheep out dar,” said a negro.

“Look at the little one,” said a tall boy who looked like the overseer; and Satan knew that he spoke of him.

[64]

“Go back to the house, son,” said the overseer, “and tell your mother to give you a Christmas present I got for you yesterday.” With a glad whoop the boy dashed away, and in a moment dashed back with a brand-new .32 Winchester in his hand.

The dark hour before dawn was just breaking on Christmas Day. It was the hour when Satan usually rushed upstairs to see if his little mistress was asleep. If he were only at home now, and if he only had known how his little mistress was weeping for him amid her playthings and his—two new balls and a brass-studded collar with a silver plate on which was his name, Satan Dean; and if Dinnie could have seen him now, her heart would have broken; for the tall boy raised his gun. There was a jet of smoke, a sharp, clean crack, and the funeral dog started on the right way at last toward his dead master. Another crack, and the yellow cur leaped from the ground and fell kicking. Another crack and another, and with each crack a dog tumbled, until little Satan sat on his haunches amid the writhing pack, alone. His time was now come. As the rifle was raised, he heard up at the big house the cries of children; the popping of fire-crackers; tooting of horns and whistles and loud shouts of “Christmas Gif’, Christmas Gif’!” His little heart beat furiously. Perhaps he knew just what he was doing; perhaps it was the accident of habit; most likely Satan simply wanted to go home—but when that gun rose, Satan rose too, on his haunches, his tongue out, his black eyes steady and his funny little paws hanging loosely—and begged! The boy lowered the gun.

“Down, sir!” Satan dropped obediently, but when the gun was lifted again, Satan rose again, and again he begged.

“Down, I tell you!” This time Satan would not down, but sat begging for his life. The boy turned.

[65]

“Papa, I can’t shoot that dog.” Perhaps Satan had reached the stern old overseer’s heart. Perhaps he remembered suddenly that it was Christmas. At any rate, he said gruffly:

“Well, let him go.”

“Come here, sir!” Satan bounded toward the tall boy, frisking and trustful and begged again.

“Go home, sir!”

Satan needed no second command. Without a sound he fled out the barn-yard, and, as he swept under the front gate, a little girl ran out of the front door of the big house and dashed down the steps, shrieking:

“Saty! Saty! Oh, Saty!” But Satan never heard. On he fled, across the crisp fields, leaped the fence and struck the road, lickety-split! for home, while Dinnie dropped sobbing in the snow.

“Hitch up a horse, quick,” said Uncle Carey, rushing after Dinnie and taking her up in his arms. Ten minutes later, Uncle Carey and Dinnie, both warmly bundled up, were after flying Satan. They never caught him until they reached the hill on the outskirts of town, where was the kennel of the kind-hearted people who were giving painless death to Satan’s four-footed kind, and where they saw him stop and turn from the road. There was divine providence in Satan’s flight for one little dog that Christmas morning; for Uncle Carey saw the old drunkard staggering down the road without his little companion, and a moment later, both he and Dinnie saw Satan nosing a little yellow cur between the palings. Uncle Carey knew the little cur, and while Dinnie was shrieking for Satan, he was saying under his breath:

“Well, I swear!—I swear!—I swear!” And while the big man who came to the door was putting Satan into Dinnie’s arms, he said sharply:

[66]

“Who brought that yellow dog here?” The man pointed to the old drunkard’s figure turning a corner at the foot of the hill.

“I thought so; I thought so. He sold him to you for—for a drink of whiskey.”

The man whistled.

“Bring him out. I’ll pay his license.”

So back went Satan and the little cur to Grandmother Dean’s—and Dinnie cried when Uncle Carey told her why he was taking the little cur along. With her own hands she put Satan’s old collar on the little brute, took him to the kitchen, and fed him first of all. Then she went into the breakfast-room.

“Uncle Billy,” she said severely, “didn’t I tell you not to let Saty out?”

“Yes, Miss Dinnie,” said the old butler.

“Didn’t I tell you I was goin’ to whoop you if you let Saty out?”

“Yes, Miss Dinnie.”

Miss Dinnie pulled forth from her Christmas treasures a toy riding-whip and the old darky’s eyes began to roll in mock terror.

“I’m sorry, Uncle Billy, but I des got to whoop you a little.”

“Let Uncle Billy off, Dinnie,” said Uncle Carey, “this is Christmas.”

“All wite,” said Dinnie, and she turned to Satan.

In his shining new collar and innocent as a cherub, Satan sat on the hearth begging for his breakfast.

BY

James Whitcomb Riley

[68]

This is the simple character sketch in which there is romance treated with a fine reserve. It employs the local color so characteristic of Mr. Riley’s poems of Indiana.

[69]

A NEST-EGG[8]

But a few miles from the city here, and on the sloping banks of the stream noted more for its plenitude of “chubs” and “shiners” than the gamier two- and four-pound bass for which, in season, so many credulous anglers flock and lie in wait, stands a country residence, so convenient to the stream, and so inviting in its pleasant exterior and comfortable surroundings—barn, dairy, and spring-house—that the weary, sunburnt, and disheartened fisherman, out from the dusty town for a day of recreation, is often wont to seek its hospitality. The house in style of architecture is something of a departure from the typical farmhouse, being designed and fashioned with no regard to symmetry or proportion, but rather, as is suggested, built to conform to the matter-of-fact and most sensible ideas of its owner, who, if it pleased him, would have small windows where large ones ought to be, and vice versa, whether they balanced properly to the eye or not. And chimneys—he would have as many as he wanted, and no two alike, in either height or size. And if he wanted the front of the house turned from all possible view, as though abashed at any chance of public scrutiny, why, that was his affair and not the public’s; and, with like perverseness, if he chose to thrust his kitchen under the public’s very nose, what should the generally fagged-out, half-famished representative [70]of that dignified public do but reel in his dead minnow, shoulder his fishing-rod, clamber over the back fence of the old farmhouse and inquire within, or jog back to the city, inwardly anathematizing that very particular locality or the whole rural district in general. That is just the way that farmhouse looked to the writer of this sketch one week ago—so individual it seemed—so liberal, and yet so independent. It wasn’t even weather-boarded, but, instead, was covered smoothly with some cement, as though the plasterers had come while the folks were visiting, and so, unable to get at the interior, had just plastered the outside.

I am more than glad that I was hungry enough, and weary enough, and wise enough to take the house at its first suggestion; for, putting away my fishing-tackle for the morning, at least, I went up the sloping bank, crossed the dusty road, and confidently clambered over the fence.

Not even a growling dog to intimate that I was trespassing. All was open—gracious-looking—pastoral. The sward beneath my feet was velvet-like in elasticity, and the scarce visible path I followed through it led promptly to the open kitchen door. From within I heard a woman singing some old ballad in an undertone, while at the threshold a trim, white-spurred rooster stood poised on one foot, curving his glossy neck and cocking his wattled head as though to catch the meaning of the words. I paused. It was a scene I felt restrained from breaking in upon, nor would I, but for the sound of a strong male voice coming around the corner of the house:

“Sir. Howdy!”

Turning, I saw a rough-looking but kindly featured man of sixty-five, the evident owner of the place.

I returned his salutation with some confusion and much deference. “I must really beg your pardon for this [71]intrusion,” I began, “but I have been tiring myself out fishing, and your home here looked so pleasant—and I felt so thirsty—and——”

“Want a drink, I reckon,” said the old man, turning abruptly toward the kitchen door, then pausing as suddenly, with a backward motion of his thumb—“jest foller the path here down to the little brick—that’s the spring—and you’ll find ’at you’ve come to the right place fer drinkin’-worter! Hold on a minute tel I git you a tumbler—there’re nothin’ down there but a tin.”

“Then don’t trouble yourself any further,” I said, heartily, “for I’d rather drink from a tin cup than a goblet of pure gold.”

“And so’d I,” said the old man, reflectively, turning mechanically, and following me down the path. “‘Druther drink out of a tin—er jest a fruit-can with the top knocked off—er—er—er a gourd,” he added in a zestful, reminiscent tone of voice, that so heightened my impatient thirst that I reached the spring-house fairly in a run.

“Well-sir!” exclaimed my host, in evident delight, as I stood dipping my nose in the second cupful of the cool, revivifying liquid, and peering in a congratulatory kind of way at the blurred and rubicund reflection of my features in the bottom of the cup, “well-sir, blame-don! ef it don’t do a feller good to see you enjoyin’ of it that-a-way! But don’t you drink too much o’ the worter!—’cause there’re some sweet milk over there in one o’ them crocks, maybe; and ef you’ll jest, kindo’ keerful-like, lift off the led of that third one, say, over there to yer left, and dip you out a tinful er two o’ that, w’y, it’ll do you good to drink it, and it’ll do me good to see you at it——But hold up!—hold up!” he called, abruptly, as, nowise loath, I bent above the vessel designated. “Hold yer hosses fer a second! Here’s Marthy; let her [72]git it fer ye.”

If I was at first surprised and confused, meeting the master of the house, I was wholly startled and chagrined in my present position before its mistress. But as I arose, and stammered, in my confusion, some incoherent apology, I was again reassured and put at greater ease by the comprehensive and forgiving smile the woman gave me, as I yielded her my place, and, with lifted hat, awaited her further kindness.

“I came just in time, sir,” she said, half laughingly, as with strong, bare arms she reached across the gurgling trough and replaced the lid that I had partially removed.—“I came just in time, I see, to prevent father from having you dip into the ’morning’s-milk,’ which, of course, has scarcely a veil of cream over the face of it as yet. But men, as you are doubtless willing to admit,” she went on jocularly, “don’t know about these things. You must pardon father, as much for his well-meaning ignorance of such matters, as for this cup of cream, which I am sure you will better relish.”

She arose, still smiling, with her eyes turned frankly on my own. And I must be excused when I confess that as I bowed my thanks, taking the proffered cup and lifting it to my lips, I stared with an uncommon interest and pleasure at the donor’s face.

She was a woman of certainly not less than forty years of age. But the figure, and the rounded grace and fulness of it, together with the features and the eyes, completed as fine a specimen of physical and mental health as ever it has been my fortune to meet; there was something so full of purpose and resolve—something so wholesome, too, about the character—something so womanly—I might almost say manly, and would, but for the petty prejudice maybe occasioned by the trivial fact of a locket having dropped from her bosom as she knelt; and [73]that trinket still dangles in my memory even as it then dangled and dropped back to its concealment in her breast as she arose. But her face, by no means handsome in the common meaning, was marked with a breadth and strength of outline and expression that approached the heroic—a face that once seen is forever fixed in memory—a personage once met one must know more of. And so it was, that an hour later, as I strolled with the old man about his farm, looking, to all intents, with the profoundest interest at his Devonshires, Shorthorns, Jerseys, and the like, I lured from him something of an outline of his daughter’s history.

“There’re no better girl ‘n Marthy!” he said, mechanically answering some ingenious allusion to her worth. “And yit,” he went on reflectively, stooping from his seat in the barn door and with his open jack-knife picking up a little chip with the point of the blade—“and yit—you wouldn’t believe it—but Marthy was the oldest o’ three daughters, and hed—I may say—hed more advantages o’ marryin’—and yit, as I was jest goin’ to say, she’s the very one ’at didn’t marry. Hed every advantage—Marthy did. W’y, we even hed her educated—her mother was a-livin’ then—and we was well enough fixed to afford the educatin’ of her, mother allus contended—and we was—besides, it was Marthy’s notion, too, and you know how women is thataway when they git their head set. So we sent Marthy down to Indianop’lus, and got her books and putt her in school there, and paid fer her keepin’ and ever’thing; and she jest—well, you may say, lived there stiddy fer better’n four year. O’ course she’d git back ever’ once-an-a-while, but her visits was allus, some-way-another, onsatisfactory-like, ’cause, you see, Marthy was allus my favorite, and I’d allus laughed and told her ’at the other girls could git married if they wanted, but she was goin’ to be the ‘nest-egg’ [74]of our family, and ’slong as I lived I wanted her at home with me. And she’d laugh and contend ’a’t she’d as lif be an old maid as not, and never expected to marry, ner didn’t want to. But she had me sceart onc’t, though! Come out from the city one time, durin’ the army, with a peart-lookin’ young feller in blue clothes and gilt straps on his shoulders. Young lieutenant he was—name o’ Morris. Was layin’ in camp there in the city somers. I disremember which camp it was now adzackly—but anyway, it ’peared like he had plenty o’ time to go and come, fer from that time on he kep’ on a-comin’—ever’ time Marthy ’ud come home, he’d come, too; and I got to noticin’ ’a’t Marthy come home a good ’eal more’n she used to afore Morris first brought her. And blame ef the thing didn’t git to worryin’ me! And onc’t I spoke to mother about it, and told her ef I thought the feller wanted to marry Marthy I’d jest stop his comin’ right then and there. But mother she sorto’ smiled and said somepin’ ’bout men a-never seein’ through nothin’; and when I ast her what she meant, w’y, she ups and tells me ’a’t Morris didn’t keer nothin’ fer Marthy, ner Marthy fer Morris, and then went on to tell me that Morris was kindo’ aidgin’ up to’rds Annie—she was next to Marthy, you know, in pint of years and experience, but ever’body allus said ’a’t Annie was the purtiest one o’ the whole three of ’em. And so when mother told me ’a’t the signs pinted to’rds Annie, w’y, of course, I hedn’t no particular objections to that, ’cause Morris was of good fambly enough it turned out, and, in fact, was as stirrin’ a young feller as ever I’d want fer a son-in-law, and so I hed nothin’ more to say—ner they wasn’t no occasion to say nothin’, ’cause right along about then I begin to notice ’a’t Marthy quit comin’ home so much, and Morris kep’ a-comin’ more. Tel finally, one time he was out here all by hisself, ’long [75]about dusk, come out here where I was feedin’, and ast me, all at onc’t, and in a straightfor’ard way, ef he couldn’t marry Annie; and, some-way-another, blame ef it didn’t make me as happy as him when I told him yes! You see that thing proved, pine-blank, ’a’t he wasn’t a-fishin’ round fer Marthy. Well-sir, as luck would hev it, Marthy got home about a half-hour later, and I’ll give you my word I was never so glad to see the girl in my life! It was foolish in me, I reckon, but when I see her drivin’ up the lane—it was purt’ nigh dark then, but I could see her through the open winder from where I was settin’ at the supper-table, and so I jest quietly excused myself, p’lite-like, as a feller will, you know, when they’s comp’ny round, and I slipped off and met her jest as she was about to git out to open the barn gate. ’Hold up, Marthy,’ says I; ’set right where you air; I’ll open the gate fer you, and I’ll do anything else fer you in the world ’a’t you want me to!’

“‘W’y, what’s pleased you so?’ she says, laughin’, as she druv through slow-like and a-ticklin’ my nose with the cracker of the buggy-whip.—’What’s pleased you?’

“‘Guess,’ says I, jerkin’ the gate to, and turnin’ to lift her out.

“‘The new peanner’s come?’ says she, eager-like.

“‘Yer new peanner’s come,’ says I; ’but that’s not it.’

“‘Strawberries fer supper?’ says she.

“‘Strawberries fer supper,’ says I; ’but that ain’t it.’

“Jest then Morris’s hoss whinnied in the barn, and she glanced up quick and smilin’ and says, ’Somebody come to see somebody?’

“‘You’re a-gittin’ warm,’ says I.

“‘Somebody come to see me?’ she says, anxious-like.

[76]“‘No,’ says I, ’a’nd I’m glad of it—fer this one ’a’t’s come wants to git married, and o’ course I wouldn’t harber in my house no young feller ’a’t was a-layin’ round fer a chance to steal away the “Nest-egg,’” says I, laughin’.

“Marthy had riz up in the buggy by this time, but as I helt up my hands to her, she sorto’ drawed back a minute, and says, all serious-like and kindo’ whisperin’:

“‘Is it Annie?’

“I nodded. ’Yes,’ says I, ’a’nd what’s more, I’ve give my consent, and mother’s give hern—the thing’s all settled. Come, jump out and run in and be happy with the rest of us!’ and I helt out my hands ag’in, but she didn’t ’pear to take no heed. She was kindo’ pale, too, I thought, and swallered a time er two like as ef she couldn’t speak plain.

“‘Who is the man?’ she ast.

“‘Who—who’s the man?’ I says, a-gittin’ kindo’ out o’ patience with the girl.—’W’y, you know who it is, o’ course.—It’s Morris,’ says I. ’Come, jump down! Don’t you see I’m waitin’ fer ye?’

“‘Then take me,’ she says; and blame-don! ef the girl didn’t keel right over in my arms as limber as a rag! Clean fainted away! Honest! Jest the excitement, I reckon, o’ breakin’ it to her so suddent-like—’cause she liked Annie, I’ve sometimes thought, better’n even she did her own mother. Didn’t go half so hard with her when her other sister married. Yes-sir!” said the old man, by way of sweeping conclusion, as he rose to his feet—“Marthy’s the on’y one of ’em ’a’t never married—both the others is gone—Morris went all through the army and got back safe and sound—’s livin’ in Idyho, and doin’ fust-rate. Sends me a letter ever’ now and then. Got three little chunks o’ grandchildren out there, and I’ never laid eyes on one of ’em. You [77]see, I’m a-gittin’ to be quite a middle-aged man—in fact, a very middle-aged man, you might say. Sence mother died, which has be’n—lem-me-see—mother’s be’n dead somers in the neighborhood o’ ten year.—Sence mother died I’ve be’n a-gittin’ more and more o’ Marthy’s notion—that is,—you couldn’t ever hire me to marry nobody! and them has allus be’n and still is the ’Nest-egg’s’ views! Listen! That’s her a-callin’ fer us now. You must sorto’ overlook the freedom, but I told Marthy you’d promised to take dinner with us to-day, and it ’ud never do to disappint her now. Come on.” And, ah! it would have made the soul of you either rapturously glad or madly envious to see how meekly I consented.

I am always thinking that I never tasted coffee till that day; I am always thinking of the crisp and steaming rolls, ored over with the molten gold that hinted of the clover-fields, and the bees that had not yet permitted the honey of the bloom and the white blood of the stalk to be divorced; I am always thinking that the young and tender pullet we happy three discussed was a near and dear relative of the gay patrician rooster that I first caught peering so inquisitively in at the kitchen door; and I am always—always thinking of “The Nest-egg.”

BY

Rudyard Kipling

[80]

As the sub-title, “An Officer and a Gentleman,” indicates, this is a story of character. Mr. Kipling, like Robert Louis Stevenson, James Whitcomb Riley, and Eugene Field, has carried into his maturity an imperishable youth of spirit which makes him an interpreter of children. Here he has shown what our Anglo-Saxon ideals—honor, obedience, and reverence for woman—mean to a little child.

[81]

WEE WILLIE WINKIE[9]

“An officer and a gentleman.”

His full name was Percival William Williams, but he picked up the other name in a nursery-book, and that was the end of the christened titles. His mother’s ayah called him Willie-Baba, but as he never paid the faintest attention to anything that the ayah said, her wisdom did not help matters.

His father was the Colonel of the 195th, and as soon as Wee Willie Winkie was old enough to understand what Military Discipline meant, Colonel Williams put him under it. There was no other way of managing the child. When he was good for a week, he drew good-conduct pay; and when he was bad, he was deprived of his good-conduct stripe. Generally he was bad, for India offers many chances of going wrong to little six-year-olds.

Children resent familiarity from strangers, and Wee Willie Winkie was a very particular child. Once he accepted an acquaintance, he was graciously pleased to thaw. He accepted Brandis, a subaltern of the 195th, on sight. Brandis was having tea at the Colonel’s, and Wee Willie Winkie entered strong in the possession of a good-conduct badge won for not chasing the hens round the compound. He regarded Brandis with gravity for at least ten minutes, and then delivered himself of his opinion.

“I like you,” said he slowly, getting off his chair and coming over to Brandis. “I like you. I shall call you[82] Coppy, because of your hair. Do you mind being called Coppy? It is because of ve hair, you know.”

Here was one of the most embarrassing of Wee Willie Winkie’s peculiarities. He would look at a stranger for some time, and then, without warning or explanation, would give him a name. And the name stuck. No regimental penalties could break Wee Willie Winkie of this habit. He lost his good-conduct badge for christening the Commissioner’s wife “Pobs”; but nothing that the Colonel could do made the Station forego the nickname, and Mrs. Collen remained “Pobs” till the end of her stay. So Brandis was christened “Coppy,” and rose, therefore, in the estimation of the regiment.

If Wee Willie Winkie took an interest in any one, the fortunate man was envied alike by the mess and the rank and file. And in their envy lay no suspicion of self-interest. “The Colonel’s son” was idolized on his own merits entirely. Yet Wee Willie Winkie was not lovely. His face was permanently freckled, as his legs were permanently scratched, and in spite of his mother’s almost tearful remonstrances he had insisted upon having his long yellow locks cut short in the military fashion. “I want my hair like Sergeant Tummil’s,” said Wee Willie Winkie, and, his father abetting, the sacrifice was accomplished.

Three weeks after the bestowal of his youthful affections on Lieutenant Brandis—henceforward to be called “Coppy” for the sake of brevity—Wee Willie Winkie was destined to behold strange things and far beyond his comprehension.

Coppy returned his liking with interest. Coppy had let him wear for five rapturous minutes his own big sword—just as tall as Wee Willie Winkie. Coppy had promised him a terrier puppy, and Coppy had permitted him to witness the miraculous operation of shaving.[83] Nay, more—Coppy had said that even he, Wee Willie Winkie, would rise in time to the ownership of a box of shiny knives, a silver soap-box, and a silver-handled “sputter-brush,” as Wee Willie Winkie called it. Decidedly, there was no one except his own father, who could give or take away good-conduct badges at pleasure, half so wise, strong, and valiant as Coppy with the Afghan and Egyptian medals on his breast. Why, then, should Coppy be guilty of the unmanly weakness of kissing—vehemently kissing—a “big girl,” Miss Allardyce to wit? In the course of a morning ride Wee Willie Winkie had seen Coppy so doing, and, like the gentleman he was, had promptly wheeled round and cantered back to his groom, lest the groom should also see.

Under ordinary circumstances he would have spoken to his father, but he felt instinctively that this was a matter on which Coppy ought first to be consulted.

“Coppy,” shouted Wee Willie Winkie, reining up outside that subaltern’s bungalow early one morning—“I want to see you, Coppy!”

“Come in, young ’un,” returned Coppy, who was at early breakfast in the midst of his dogs. “What mischief have you been getting into now?”

Wee Willie Winkie had done nothing notoriously bad for three days, and so stood on a pinnacle of virtue.

“I’ve been doing nothing bad,” said he, curling himself into a long chair with a studious affectation of the Colonel’s languor after a hot parade. He buried his freckled nose in a tea-cup and, with eyes staring roundly over the rim, asked: “I say, Coppy, is it pwoper to kiss big girls?”

“By Jove! You’re beginning early. Who do you want to kiss?”

“No one. My muvver’s always kissing me if I don’t stop her. If it isn’t pwoper, how was you kissing[84] Major Allardyce’s big girl last morning, by ve canal?”

Coppy’s brow wrinkled. He and Miss Allardyce had with great craft managed to keep their engagement secret for a fortnight. There were urgent and imperative reasons why Major Allardyce should not know how matters stood for at least another month, and this small marplot had discovered a great deal too much.

“I saw you,” said Wee Willie Winkie calmly. “But ve sais didn’t see. I said, ’Hut jao!’”

“Oh, you had that much sense, you young Rip,” groaned poor Coppy, half amused and half angry. “And how many people may you have told about it?”

“Only me myself. You didn’t tell when I twied to wide ve buffalo ven my pony was lame; and I fought you wouldn’t like.”

“Winkie,” said Coppy enthusiastically, shaking the small hand, “you’re the best of good fellows. Look here, you can’t understand all these things. One of these days—hang it, how can I make you see it!—I’m going to marry Miss Allardyce, and then she’ll be Mrs. Coppy, as you say. If your young mind is so scandalized at the idea of kissing big girls, go and tell your father.”

“What will happen?” said Wee Willie Winkie, who firmly believed that his father was omnipotent.

“I shall get into trouble,” said Coppy, playing his trump card with an appealing look at the holder of the ace.

“Ven I won’t,” said Wee Willie Winkie briefly. “But my faver says it’s un-man-ly to be always kissing, and I didn’t fink you’d do vat, Coppy.”

“I’m not always kissing, old chap. It’s only now and then, and when you’re bigger you’ll do it too. Your father meant it’s not good for little boys.”

[85]

“Ah!” said Wee Willie Winkie, now fully enlightened. “It’s like ve sputter-brush?”

“Exactly,” said Coppy gravely.

“But I don’t fink I’ll ever want to kiss big girls, nor no one, ’cept my muvver. And I must do vat, you know.”

There was a long pause, broken by Wee Willie Winkie.

“Are you fond of vis big girl, Coppy?”

“Awfully!” said Coppy.

“Fonder van you are of Bell or ve Butcha—or me?”

“It’s in a different way,” said Coppy. “You see, one of these days Miss Allerdyce will belong to me, but you’ll grow up and command the Regiment and—all sorts of things. It’s quite different, you see.”

“Very well,” said Wee Willie Winkie, rising. “If you’re fond of ve big girl, I won’t tell any one. I must go now.”

Coppy rose and escorted his small guest to the door, adding—“You’re the best of little fellows, Winkie. I tell you what. In thirty days from now you can tell if you like—tell any one you like.”

Thus the secret of the Brandis-Allardyce engagement was dependent on a little child’s word. Coppy, who knew Wee Willie Winkie’s idea of truth, was at ease, for he felt that he would not break promises. Wee Willie Winkie betrayed a special and unusual interest in Miss Allardyce, and, slowly revolving round that embarrassed young lady, was used to regard her gravely with unwinking eye. He was trying to discover why Coppy should have kissed her. She was not half so nice as his own mother. On the other hand, she was Coppy’s property, and would in time belong to him. Therefore it behooved him to treat her with as much respect as Coppy’s big sword or shiny pistol.

[86]

The idea that he shared a great secret in common with Coppy kept Wee Willie Winkie unusually virtuous for three weeks. Then the Old Adam broke out, and he made what he called a “camp-fire” at the bottom of the garden. How could he have foreseen that the flying sparks would have lighted the Colonel’s little hay-rick and consumed a week’s store for the horses? Sudden and swift was the punishment—deprivation of the good-conduct badge and, most sorrowful of all, two days’ confinement to barracks—the house and veranda—coupled with the withdrawal of the light of his father’s countenance.

He took the sentence like the man he strove to be, drew himself up with a quivering under-lip, saluted, and, once clear of the room, ran to weep bitterly in his nursery—called by him “my quarters.” Coppy came in the afternoon and attempted to console the culprit.

“I’m under awwest,” said Wee Willie Winkie mournfully, “and I didn’t ought to speak to you.”

Very early the next morning he climbed on to the roof of the house—that was not forbidden—and beheld Miss Allardyce going for a ride.

“Where are you going?” cried Wee Willie Winkie.

“Across the river,” she answered, and trotted forward.

Now the cantonment in which the 195th lay was bounded on the north by a river—dry in the winter. From his earliest years, Wee Willie Winkie had been forbidden to go across the river, and had noted that even Coppy—the almost almighty Coppy—had never set foot beyond it. Wee Willie Winkie had once been read to, out of a big blue book, the history of the Princess and the Goblins—a most wonderful tale of a land where the Goblins were always warring with the children of men until they were defeated by one Curdie. Ever[87] since that date it seemed to him that the bare black and purple hills across the river were inhabited by Goblins, and, in truth, every one had said that there lived the Bad Men. Even in his own house the lower halves of the windows were covered with green paper on account of the Bad Men who might, if allowed clear view, fire into peaceful drawing-rooms and comfortable bedrooms. Certainly, beyond the river, which was the end of all the Earth, lived the Bad Men. And here was Major Allardyce’s big girl, Coppy’s property, preparing to venture into their borders! What would Coppy say if anything happened to her? If the Goblins ran off with her as they did with Curdie’s Princess? She must at all hazards be turned back.

The house was still. Wee Willie Winkie reflected for a moment on the very terrible wrath of his father; and then—broke his arrest! It was a crime unspeakable. The low sun threw his shadow, very large and very black, on the trim garden-paths, as he went down to the stables and ordered his pony. It seemed to him in the hush of the dawn that all the big world had been bidden to stand still and look at Wee Willie Winkie guilty of mutiny. The drowsy sais gave him his mount, and, since the one great sin made all others insignificant, Wee Willie Winkie said that he was going to ride over to Coppy Sahib, and went out at a foot-pace, stepping on the soft mould of the flower-borders.

The devastating track of the pony’s feet was the last misdeed that cut him off from all sympathy of Humanity. He turned into the road, leaned forward, and rode at fast as the pony could put foot to the ground in the direction of the river.

But the liveliest of twelve-two ponies can do little against the long canter of a Waler. Miss Allardyce was far ahead, had passed through the crops, beyond the[88] Police-posts, when all the guards were asleep, and her mount was scattering the pebbles of the river-bed as Wee Willie Winkie left the cantonment and British India behind him. Bowed forward and still flogging, Wee Willie Winkie shot into Afghan territory, and could just see Miss Allardyce a black speck flickering across the stony plain. The reason of her wandering was simple enough. Coppy, in a tone of too-hastily-assumed authority, had told her over night that she must not ride out by the river. And she had gone to prove her own spirit and teach Coppy a lesson.

Almost at the foot of the inhospitable hills, Wee Willie Winkie saw the Waler blunder and come down heavily. Miss Allardyce struggled clear, but her ankle had been severely twisted, and she could not stand. Having fully shown her spirit, she wept, and was surprised by the apparition of a white, wide-eyed child in khaki, on a nearly spent pony.

“Are you badly, badly hurted?” shouted Wee Willie Winkie, as soon as he was within range. “You didn’t ought to be here.”

“I don’t know,” said Miss Allardyce ruefully, ignoring the reproof. “Good gracious, child, what are you doing here?”

“You said you was going acwoss ve wiver,” panted Wee Willie Winkie, throwing himself off his pony. “And nobody—not even Coppy—must go acwoss ve wiver, and I came after you ever so hard, but you wouldn’t stop, and now you’ve hurted yourself, and Coppy will be angwy wiv me, and—I’ve bwoken my awwest! I’ve bwoken my awwest!”

The future Colonel of the 195th sat down and sobbed. In spite of the pain in her ankle, the girl was moved.

“Have you ridden all the way from cantonments, little man? What for?”

[89]

“You belonged to Coppy. Coppy told me so!” wailed Wee Willie Winkie disconsolately. “I saw him kissing you, and he said he was fonder of you van Bell or ve Butcha or me. And so I came. You must get up and come back. You didn’t ought to be here. Vis is a bad place, and I’ve bwoken my awwest.”

“I can’t move, Winkie,” said Miss Allardyce, with a groan. “I’ve hurt my foot. What shall I do?”

She showed a readiness to weep anew, which steadied Wee Willie Winkie, who had been brought up to believe that tears were the depth of unmanliness. Still, when one is as great a sinner as Wee Willie Winkie, even a man may be permitted to break down.

“Winkie,” said Miss Allardyce, “when you’ve rested a little, ride back and tell them to send out something to carry me back in. It hurts fearfully.”

The child sat still for a little time, and Miss Allardyce closed her eyes; the pain was nearly making her faint. She was roused by Wee Willie Winkie tying up the reins on his pony’s neck and setting it free with a vicious cut of his whip that made it whicker. The little animal headed towards the cantonments.

“Oh, Winkie! What are you doing?”

“Hush!” said Wee Willie Winkie. “Vere’s a man coming—one of ve Bad Men. I must stay wiv you. My faver says a man must always look after a girl. Jack will go home, and ven vey’ll come and look for us. Vat’s why I let him go.”

Not one man, but two or three, had appeared from behind the rocks of the hills, and the heart of Wee Willie Winkie sank within him, for just in this manner were the Goblins wont to steal out and vex Curdie’s soul. Thus had they played in Curdie’s garden (he had seen the picture), and thus had they frightened the Princess’s nurse. He heard them talking to each other,[90] and recognized with joy the bastard Pushto that he had picked up from one of his father’s grooms lately dismissed. People who spoke that tongue could not be the Bad Men. They were only natives, after all.

They came up to the boulders on which Miss Allardyce’s horse had blundered.

Then rose from the rock Wee Willie Winkie, child of the Dominant Race, aged six and three-quarters, and said briefly and emphatically, “Jao!” The pony had crossed the river-bed.

The man laughed, and laughter from natives was the one thing Wee Willie Winkie could not tolerate. He asked them what they wanted and why they did not depart. Other men with most evil faces and crooked-stocked guns crept out of the shadows of the hills, till, soon, Wee Willie Winkie was face to face with an audience some twenty strong. Miss Allardyce screamed.

“Who are you?” said one of the men.

“I am the Colonel Sahib’s son, and my order is that you go at once. You black men are frightening the Miss Sahib. One of you must run into cantonments and take the news that the Miss Sahib has hurt herself, and that the Colonel’s son is here with her.”

“Put our feet into the trap?” was the laughing reply. “Hear this boy’s speech!”

“Say that I sent you—I, the Colonel’s son. They will give you money.”

“What is the use of this talk? Take up the child and the girl, and we can at least ask for the ransom. Ours are the villages on the heights,” said a voice in the background.

These were the Bad Men—worse than Goblins—and it needed all Wee Willie Winkie’s training to prevent him from bursting into tears. But he felt that to cry before a native, excepting only his mother’s ayah, would be an[91] infamy greater than any mutiny. Moreover, he, as future Colonel of the 195th, had that grim regiment at his back.

“Are you going to carry us away?” said Wee Willie Winkie, very blanched and uncomfortable.

“Yes, my little Sahib Bahadur,” said the tallest of the men, “and eat you afterwards.”

“That is child’s talk,” said Wee Willie Winkie. “Men do not eat men.”

A yell of laughter interrupted him, but he went on firmly—“And if you do carry us away, I tell you that all my regiment will come up in a day and kill you all without leaving one. Who will take my message to the Colonel Sahib?”

Speech in any vernacular—and Wee Willie Winkie had a colloquial acquaintance with three—was easy to the boy who could not yet manage his “r’s” and “th’s” aright.

Another man joined the conference, crying, “O foolish men! What this babe says is true. He is the heart’s heart of those white troops. For the sake of peace let them go both, for if he be taken, the regiment will break loose and gut the valley. Our villages are in the valley, and we shall not escape. That regiment are devils. They broke Khoda Yar’s breastbone with kicks when he tried to take the rifles; and if we touch this child they will fire and rape and plunder for a month till nothing remains. Better to send a man back to take the message and get a reward. I say that this child is their God, and that they will spare none of us, nor our women, if we harm him.”

It was Din Mahommed, the dismissed groom of the Colonel, who made the diversion, and an angry and heated discussion followed. Wee Willie Winkie, standing over Miss Allardyce, waited the upshot. Surely his[92] “wegiment,” his own “wegiment,” would not desert him if they knew of his extremity.

The riderless pony brought the news to the 195th, though there had been consternation in the Colonel’s household for an hour before. The little beast came in through the parade-ground in front of the main barracks, where the men were settling down to play Spoilfive till the afternoon. Devlin, the Color-Sergeant of E Company, glanced at the empty saddle and tumbled through the barrack-rooms, kicking up each Room Corporal as he passed. “Up, ye beggars! There’s something happened to the Colonel’s son,” he shouted.

“He couldn’t fall off! S’help me, ’e couldn’t fall off,” blubbered a drummer-boy. “Go an’ hunt acrost the river. He’s over there if he’s anywhere, an’ maybe those Pathans have got ’im. For the love o’ Gawd don’t look for ’im in the nullahs! Let’s go over the river.”

“There’s sense in Mott yet,” said Devlin. “E Company, double out to the river—sharp!”

So E Company, in its shirt-sleeves mainly, doubled for the dear life, and in the rear toiled the perspiring Sergeant, adjuring it to double yet faster. The cantonment was alive with the men of the 195th hunting for Wee Willie Winkie, and the Colonel finally overtook E Company, far too exhausted to swear, struggling in the pebbles of the river-bed.

Up the hill under which Wee Willie Winkie’s Bad Men were discussing the wisdom of carrying off the child and the girl, a lookout fired two shots.

“What have I said?” shouted Din Mahommed. “There is the warning! The pulton are out already and are coming across the plain! Get away! Let us not be seen with the boy!”

The men waited for an instant, and then, as another[93] shot was fired, withdrew into the hills, silently as they had appeared.

“The wegiment is coming,” said Wee Willie Winkie confidently to Miss Allardyce, “and it’s all wight. Don’t cwy!”

He needed the advice himself, for ten minutes later, when his father came up, he was weeping bitterly with his head in Miss Allardyce’s lap.

And the men of the 195th carried him home with shouts and rejoicings; and Coppy, who had ridden a horse into a lather, met him, and, to his intense disgust, kissed him openly in the presence of the men.

But there was balm for his dignity. His father assured him that not only would the breaking of arrest be condoned, but that the good-conduct badge would be restored as soon as his mother could sew it on his blouse-sleeve. Miss Allardyce had told the Colonel a story that made him proud of his son.

“She belonged to you, Coppy,” said Wee Willie Winkie, indicating Miss Allardyce with a grimy forefinger. “I knew she didn’t ought to go acwoss ve wiver, and I knew ve wegiment would come to me if I sent Jack home.”

“You’re a hero, Winkie,” said Coppy—“a pukka hero!”

“I don’t know what vat means,” said Wee Willie Winkie, “but you mustn’t call me Winkie any no more. I’m Percival Will’am Will’ams.”

And in this manner did Wee Willie Winkie enter into his manhood.

BY

Edgar Allan Poe

[96]

Poe was the first American short-story writer. Others had written stories that were short, but he was the first to recognize the short-story as having a form and an aim all its own. Moreover, he was willing to admit the public to his laboratory and to explain his process, for he discounted inspiration and emphasized craftsmanship. In “The Philosophy of Composition” he declares that every plot “must be elaborated to its dénouement before anything is attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents and especially the tone, at all points, tend to the development of the intention.” He also tells us that he prefers beginning with an effect. Having chosen, in the first place, an effect that is both novel and vivid, he decides “whether it can be best wrought by incident or tone,” and afterward looks about “for such combinations of events, or tone, as shall best aid ... in the construction of the effect.”

In view of such explanations, it is interesting to study “The Gold Bug” and to see how well the plot has been worked out and the tone established. It is doubtful whether in this story the plot meant to the writer what it means to the reader. The latter likes the adventure with its ingeniously fitted parts, each so necessary to the whole. But after the gold has been found—and that is the point of greatest interest—the story goes on and on to explain the cryptogram. This, no doubt, was to Poe the most interesting thing about the story, the tracing of the steps by which the scrap of parchment was deciphered and reasoned upon and made to yield up its secret. As to the time and place, the strange conduct and character of Legrand, the fears and superstitions of Jupiter, and the puzzled solicitude of the narrator—all these aid materially in establishing and maintaining the tone.

[97]

THE GOLD BUG[10]

“What ho! what ho! this fellow is dancing mad!
He hath been bitten by the Tarantula.”

—All in the Wrong.

Many years ago, I contracted an intimacy with a Mr. William Legrand. He was of an ancient Huguenot family, and had once been wealthy; but a series of misfortunes had reduced him to want. To avoid the mortification consequent upon his disasters, he left New Orleans, the city of his forefathers, and took up his residence at Sullivan’s Island, near Charleston, South Carolina.

This island is a very singular one. It consists of little else than the sea sand, and is about three miles long. Its breadth at no point exceeds a quarter of a mile. It is separated from the mainland by a scarcely perceptible creek, oozing its way through a wilderness of reeds and slime, a favorite resort of the marsh-hen. The vegetation, as might be supposed, is scant, or at least dwarfish. No trees of any magnitude are to be seen. Near the western extremity, where Fort Moultrie stands, and where are some miserable frame buildings, tenanted during summer by the fugitives from Charleston dust and fever, may be found, indeed, the bristly palmetto; but the whole island, with the exception of this western point, and a line of hard white beach on the seacoast, is covered with a dense undergrowth of the sweet myrtle, so much prized by the horticulturists[98] of England. The shrub here often attains the height of fifteen or twenty feet, and forms an almost impenetrable coppice, burdening the air with its fragrance.

In the utmost recesses of this coppice, not far from the eastern or more remote end of the island, Legrand had built himself a small hut, which he occupied when I first, by mere accident, made his acquaintance. This soon ripened into friendship—for there was much in the recluse to excite interest and esteem. I found him well educated, with unusual powers of mind, but infected with misanthropy, and subject to perverse moods of alternate enthusiasm and melancholy. He had with him many books, but rarely employed them. His chief amusements were gunning and fishing, or sauntering along the beach and through the myrtles, in quest of shells or entomological specimens;—his collection of the latter might have been envied by a Swammerdamm. In these excursions he was usually accompanied by an old negro, called Jupiter, who had been manumitted before the reverses of the family, but who could be induced, neither by threats nor by promises, to abandon what he considered his right of attendance upon the footsteps of his young “Massa Will.” It is not improbable that the relatives of Legrand, conceiving him to be somewhat unsettled in intellect, had contrived to instil this obstinacy into Jupiter, with a view to the supervision and guardianship of the wanderer.

The winters in the latitude of Sullivan’s Island are seldom very severe, and in the fall of the year it is a rare event indeed when a fire is considered necessary. About the middle of October, 18—, there occurred, however, a day of remarkable chilliness. Just before sunset I scrambled my way through the evergreens to the hut of my friend, whom I had not visited for several weeks—my residence being at that time in Charleston, a distance[99] of nine miles from the island, while the facilities of passage and re-passage were very far behind those of the present day. Upon reaching the hut I rapped, as was my custom, and, getting no reply, sought for the key where I knew it was secreted, unlocked the door and went in. A fine fire was blazing upon the hearth. It was a novelty, and by no means an ungrateful one. I threw off an overcoat, took an armchair by the crackling logs, and awaited patiently the arrival of my hosts.

Soon after dark they arrived, and gave me a most cordial welcome. Jupiter, grinning from ear to ear, bustled about to prepare some marsh-hens for supper. Legrand was in one of his fits—how else shall I term them?—of enthusiasm. He had found an unknown bivalve, forming a new genus, and, more than this, he had hunted down and secured, with Jupiter’s assistance, a scarabæus which he believed to be totally new, but in respect to which he wished to have my opinion on the morrow.

“And why not to-night?” I asked, rubbing my hands over the blaze, and wishing the whole tribe of scarabæi at the devil.

“Ah, if I had only known you were here!” said Legrand, “but it’s so long since I saw you; and how could I foresee that you would pay me a visit this very night of all others? As I was coming home I met Lieutenant G——, from the fort, and, very foolishly, I lent him the bug; so it will be impossible for you to see it until the morning. Stay here to-night, and I will send Jup down for it at sunrise. It is the loveliest thing in creation!”

“What?—sunrise?”

“Nonsense! no!—the bug. It is of a brilliant gold color—about the size of a large hickory-nut—with two jet black spots near one extremity of the back, and[100] another, somewhat longer, at the other. The antennæ are——“

“Dey aint no tin in him, Massa Will, I keep a-tellin’ on you,” here interrupted Jupiter; “de bug is a goole-bug, solid, ebery bit of him, inside and all, sep him wing—neber feel half so hebby a bug in my life.”

“Well, suppose it is, Jup,” replied Legrand, somewhat more earnestly, it seemed to me, than the case demanded, “is that any reason for your letting the birds burn? The color”—here he turned to me—“is really almost enough to warrant Jupiter’s idea. You never saw a more brilliant metallic lustre than the scales emit—but of this you cannot judge till to-morrow. In the mean time I can give you some idea of the shape.” Saying this, he seated himself at a small table, on which were a pen and ink, but no paper. He looked for some in a drawer, but found none.

“Never mind,” said he at length, “this will answer;” and he drew from his waistcoat pocket a scrap of what I took to be very dirty foolscap, and made upon it a rough drawing with the pen. While he did this, I retained my seat by the fire, for I was still chilly. When the design was complete, he handed it to me without rising. As I received it, a low growl was heard, succeeded by a scratching at the door. Jupiter opened it, and a large Newfoundland, belonging to Legrand, rushed in, leaped upon my shoulders, and loaded me with caresses; for I had shown him much attention during previous visits. When his gambols were over, I looked at the paper, and, to speak the truth, found myself not a little puzzled at what my friend had depicted.

“Well!” I said, after contemplating it for some minutes, “this is a strange scarabæus, I must confess; new to me: never saw anything like it before—unless it was a skull, or a death’s-head, which it more nearly[101] resembles than anything else that has come under my observation.”

“A death’s-head!” echoed Legrand—“Oh—yes—well, it has something of that appearance upon paper, no doubt. The two upper black spots look like eyes, eh? and the longer one at the bottom like a mouth—and then the shape of the whole is oval.”

“Perhaps so,” said I; “but, Legrand, I fear you are no artist. I must wait until I see the beetle itself, if I am to form any idea of its personal appearance.”

“Well, I don’t know,” said he, a little nettled, “I draw tolerably—should do it at least—have had good masters, and flatter myself that I am not quite a blockhead.”

“But, my dear fellow, you are joking then,” said I, “this is a very passable skull,—indeed, I may say that it is a very excellent skull, according to the vulgar notions about such specimens of physiology—and your scarabæus must be the queerest scarabæus in the world if it resembles it. Why, we may get up a very thrilling bit of superstition upon this hint. I presume you will call the bug scarabæus caput hominis, or something of that kind—there are many similar titles in the Natural Histories. But where are the antennæ you spoke of?”

“The antennæ!” said Legrand, who seemed to be getting unaccountably warm upon the subject; “I am sure you must see the antennæ. I made them as distinct as they are in the original insect, and I presume that is sufficient.”

“Well, well,” I said, “perhaps you have—still I don’t see them;” and I handed him the paper without additional remark, not wishing to ruffle his temper; but I was much surprised at the turn affairs had taken; his ill humor puzzled me—and, as for the drawing of[102] the beetle, there were positively no antennæ visible, and the whole did bear a very close resemblance to the ordinary cuts of a death’s-head.

He received the paper very peevishly, and was about to crumple it, apparently to throw it in the fire, when a casual glance at the design seemed suddenly to rivet his attention. In an instant his face grew violently red—in another as excessively pale. For some minutes he continued to scrutinize the drawing minutely where he sat. At length he arose, took a candle from the table, and proceeded to seat himself upon a sea-chest in the farthest corner of the room. Here again he made an anxious examination of the paper; turning it in all directions. He said nothing, however, and his conduct greatly astonished me; yet I thought it prudent not to exacerbate the growing moodiness of his temper by any comment. Presently he took from his coat pocket a wallet, placed the paper carefully in it, and deposited both in a writing-desk, which he locked. He now grew more composed in his demeanor; but his original air of enthusiasm had quite disappeared. Yet he seemed not so much sulky as abstracted. As the evening wore away he became more and more absorbed in revery, from which no sallies of mine could arouse him. It had been my intention to pass the night at the hut, as I had frequently done before, but, seeing my host in this mood, I deemed it proper to take leave. He did not press me to remain, but, as I departed, he shook my hand with even more than his usual cordiality.

It was about a month after this (and during the interval I had seen nothing of Legrand) when I received a visit, at Charleston, from his man, Jupiter. I had never seen the good old negro look so dispirited, and I feared that some serious disaster had befallen my friend.

[103]

“Well, Jup,” said I, “what is the matter now?—how is your master?”

“Why, to speak de troof, massa, him not so berry well as mought be.”

“Not well! I am truly sorry to hear it. What does he complain of?”

“Dar! dat’s it!—him neber plain of notin—but him berry sick for all dat.”

“Very sick, Jupiter!—why didn’t you say so at once? Is he confined to bed?”

“No, dat he aint!—he aint find nowhar—dat’s just whar de shoe pinch—my mind is got to be berry hebby bout poor Massa Will.”

“Jupiter, I should like to understand what it is you are talking about. You say your master is sick. Hasn’t he told you what ails him?”

“Why, massa, taint worf while for to git mad bout de matter—Massa Will say noffin at all aint de matter wid him—but den what make him go about looking dis here way, wid he head down and he soldiers up, and as white as a gose? And den he keep a syphon all de time——”

“Keeps a what, Jupiter?”

“Keeps a syphon wid de figgurs on de slate—de queerest figgurs I ebber did see. Ise gittin to be skeered, I tell you. Hab for to keep mighty tight eye pon him noovers. Todder day he gib me slip fore de sun up and was gone de whole ob de blessed day. I had a big stick ready cut for to gib him d——d good beating when he did come—but Ise sich a fool dat I hadn’t de heart arter all—he look so berry poorly.”

“Eh?—what?—ah yes!—upon the whole I think you had better not be too severe with the poor fellow—don’t flog him, Jupiter—he can’t very well stand it—but can you form no idea of what has occasioned this illness, or[104] rather this change of conduct? Has anything unpleasant happened since I saw you?”

“No, massa, dey aint bin noffin onpleasant since den—’twas fore den I’m feared—’twas de berry day you was dare.”

“How? what do you mean?”

“Why, massa, I mean de bug—dare now.”

“The what?”

“De bug—I’m berry sartain dat Massa Will bin bit somewhere bout de head by dat goole-bug.”

“And what cause have you, Jupiter, for such a supposition?”

“Claws enuff, massa, and mouff too. I nebber did see sich a d——d bug—he kick and he bite ebery ting what cum near him. Massa Will cotch him fuss, but had for to let him go gin mighty quick, I tell you—den was de time he must ha got de bite. I didn’t like de look ob de bug mouff, myself, no how, so I wouldn’t take hold ob him wid my finger, but I cotch him wid a piece ob paper dat I found. I rap him up in de paper and stuff piece ob it in he mouff—dat was de way.”

“And you think, then, that your master was really bitten by the beetle, and that the bite made him sick?”

“I don’t tink noffin about it—I nose it. What make him dream bout de goole so much, if taint cause he bit by de goole-bug? Ise heerd bout dem goole-bugs fore dis.”

“But how do you know he dreams about gold?”

“How I know? why cause he talk about it in he sleep—dat’s how I nose.”

“Well, Jup, perhaps you are right; but to what fortunate circumstance am I to attribute the honor of a visit from you to-day?”

“What de matter, massa?”

“Did you bring any message from Mr. Legrand?”

[105]

“No, massa, I bring dis here pissel;” and here Jupiter handed me a note which ran thus:

There was something in the tone of this note which gave me great uneasiness. Its whole style differed materially from that of Legrand. What could he be dreaming of? What new crotchet possessed his excitable brain? What “business of the highest importance” could he possibly have to transact? Jupiter’s account of him boded no good. I dreaded lest the continued pressure of misfortune had, at length, fairly unsettled the reason of my friend. Without a moment’s hesitation, therefore, I prepared to accompany the negro.

Upon reaching the wharf, I noticed a scythe and three spades, all apparently new, lying in the bottom of the boat in which we were to embark.

“What is the meaning of all this, Jup?” I inquired.

“Him syfe, massa, and spade.”

“Very true; but what are they doing here?”

[106]

“Him de syfe and de spade what Massa Will sis pon my buying for him in de town, and de debbil’s own lot of money I had to gib for ’em.”

“But what, in the name of all that is mysterious, is your ’Massa Will’ going to do with scythes and spades?”

“Dat’s more dan I know, and debbil take me if I don’t blieve ’tis more dan he know, too. But it’s all cum ob de bug.”

Finding that no satisfaction was to be obtained of Jupiter, whose whole intellect seemed to be absorbed by “de bug,” I now stepped into the boat and made sail. With a fair and strong breeze we soon ran into the little cove to the northward of Fort Moultrie, and a walk of some two miles brought us to the hut. It was about three in the afternoon when we arrived. Legrand had been awaiting us in eager expectation. He grasped my hand with a nervous empressement, which alarmed me and strengthened the suspicions already entertained. His countenance was pale even to ghastliness, and his deep-set eyes glared with unnatural lustre. After some inquiries respecting his health, I asked him, not knowing what better to say, if he had yet obtained the scarabæus from Lieutenant G——.

“Oh, yes,” he replied, coloring violently, “I got it from him the next morning. Nothing should tempt me to part with that scarabæus. Do you know that Jupiter is quite right about it?”

“In what way?” I asked, with a sad foreboding at heart.

“In supposing it to be a bug of real gold.” He said this with an air of profound seriousness, and I felt inexpressibly shocked.

“This bug is to make my fortune,” he continued, with a triumphant smile, “to reinstate me in my family[107] possessions. Is it any wonder, then, that I prize it? Since Fortune has thought fit to bestow it upon me, I have only to use it properly and I shall arrive at the gold of which it is the index. Jupiter, bring me that scarabæus!”

“What! de bug, massa? I’d rudder not go fer trubble dat bug—you mus git him for your own self.” Hereupon Legrand arose, with a grave and stately air, and brought me the beetle from a glass case in which it was enclosed. It was a beautiful scarabæus, and, at that time, unknown to naturalists—of course a great prize in a scientific point of view. There were two round, black spots near one extremity of the back, and a long one near the other. The scales were exceedingly hard and glossy, with all the appearance of burnished gold. The weight of the insect was very remarkable, and, taking all things into consideration, I could hardly blame Jupiter for his opinion respecting it; but what to make of Legrand’s agreement with that opinion, I could not, for the life of me, tell.

“I sent for you,” said he, in a grandiloquent tone, when I had completed my examination of the beetle, “I sent for you, that I might have your counsel and assistance in furthering the views of Fate and of the bug——”

“My dear Legrand,” I cried, interrupting him, “you are certainly unwell, and had better use some little precautions. You shall go to bed, and I will remain with you a few days, until you get over this. You are feverish and——”

“Feel my pulse,” said he.

I felt it, and, to say the truth, found not the slightest indication of fever.

“But you may be ill, and yet have no fever. Allow me this once to prescribe for you. In the first place, go to bed. In the next——”

[108]

“You are mistaken,” he interposed, “I am as well as I can expect to be under the excitement which I suffer. If you really wish me well, you will relieve this excitement.”

“And how is this to be done?”

“Very easily. Jupiter and myself are going upon an expedition into the hills, upon the mainland, and, in this expedition, we shall need the aid of some person in whom we can confide. You are the only one we can trust. Whether we succeed or fail, the excitement which you now perceive in me will be equally allayed.”

“I am anxious to oblige you in any way,” I replied; “but do you mean to say that this infernal beetle has any connection with your expedition into the hills?”

“It has.”

“Then, Legrand, I can become a party to no such absurd proceeding.”

“I am sorry—very sorry—for we shall have to try it by ourselves.”

“Try it by yourselves! The man is surely mad!—but stay—how long do you propose to be absent?”

“Probably all night. We shall start immediately, and be back, at all events, by sunrise.”

“And will you promise me, upon your honor, that when this freak of yours is over, and the bug business (good God!) settled to your satisfaction, you will then return home and follow my advice implicitly, as that of your physician?”

“Yes; I promise; and now let us be off, for we have no time to lose.”

With a heavy heart I accompanied my friend. We started about four o’clock—Legrand, Jupiter, the dog, and myself. Jupiter had with him the scythe and spades—the whole of which he insisted upon carrying,[109] more through fear, it seemed to me, of trusting either of the implements within reach of his master, than from any excess of industry or complaisance. His demeanor was dogged in the extreme, and “dat d——d bug” were the sole words which escaped his lips during the journey. For my own part, I had charge of a couple of dark lanterns, while Legrand contented himself with the scarabæus, which he carried attached to the end of a bit of whip-cord; twirling it to and fro, with the air of a conjurer, as he went. When I observed this last, plain evidence of my friend’s aberration of mind, I could scarcely refrain from tears. I thought it best, however, to humor his fancy, at least for the present, or until I could adopt some more energetic measures with a chance of success. In the mean time I endeavored, but all in vain, to sound him in regard to the object of the expedition. Having succeeded in inducing me to accompany him, he seemed unwilling to hold conversation upon any topic of minor importance, and to all my questions vouchsafed no other reply than “we shall see!”

We crossed the creek at the head of the island by means of a skiff, and, ascending the high grounds on the shore of the mainland, proceeded in a northwesterly direction, through a tract of country excessively wild and desolate, where no trace of a human footstep was to be seen. Legrand led the way with decision; pausing only for an instant, here and there, to consult what appeared to be certain landmarks of his own contrivance upon a former occasion.

In this manner we journeyed for about two hours, and the sun was just setting when we entered a region infinitely more dreary than any yet seen. It was a species of tableland, near the summit of an almost inaccessible hill, densely wooded from base to pinnacle, and[110] interspersed with huge crags that appeared to lie loosely upon the soil, and in many cases were prevented from precipitating themselves into the valleys below merely by the support of the trees against which they reclined. Deep ravines, in various directions, gave an air of still sterner solemnity to the scene.

The natural platform to which we had clambered was thickly overgrown with brambles, through which we soon discovered that it would have been impossible to force our way but for the scythe; and Jupiter, by direction of his master, proceeded to clear for us a path to the foot of an enormously tall tulip-tree, which stood, with some eight or ten oaks, upon the level, and far surpassed them all, and all other trees which I had then ever seen, in the beauty of its foliage and form, in the wide spread of its branches, and in the general majesty of its appearance. When we reached this tree, Legrand turned to Jupiter, and asked him if he thought he could climb it. The old man seemed a little staggered by the question, and for some moments made no reply. At length he approached the huge trunk, walked slowly around it, and examined it with minute attention. When he had completed his scrutiny, he merely said:

“Yes, massa, Jup climb any tree he ebber see in he life.”

“Then up with you as soon as possible, for it will soon be too dark to see what we are about.”

“How far mus go up, massa?” inquired Jupiter.

“Get up the main trunk first, and then I will tell you which way to go—and here—stop! take this beetle with you.”

“De bug, Massa Will!—de goole-bug!” cried the negro, drawing back in dismay—“what for mus tote de bug way up de tree?—d——n if I do!”

“If you are afraid, Jup, a great big negro like you,[111] to take hold of a harmless little dead beetle, why, you can carry it up by this string—but, if you do not take it up with you in some way, I shall be under the necessity of breaking your head with this shovel.”

“What de matter now, massa?” said Jup, evidently shamed into compliance; “always want fur to raise fuss wid old nigger. Was only funnin anyhow. Me feered de bug! what I keer for de bug?” Here he took cautiously hold of the extreme end of the string, and, maintaining the insect as far from his person as circumstances would permit, prepared to ascend the tree.

In youth, the tulip-tree, or Liriodendron Tulipifera, the most magnificent of American foresters, has a trunk peculiarly smooth, and often rises to a great height without lateral branches; but, in its riper age, the bark becomes gnarled and uneven, while many short limbs make their appearance on the stem. Thus the difficulty of ascension, in the present case, lay more in semblance than in reality. Embracing the huge cylinder, as closely as possible, with his arms and knees, seizing with his hands some projections, and resting his naked toes upon others, Jupiter, after one or two narrow escapes from falling, at length wriggled himself into the first great fork, and seemed to consider the whole business as virtually accomplished. The risk of the achievement was, in fact, now over, although the climber was some sixty or seventy feet from the ground.

“Which way mus go now, Massa Will?” he asked.

“Keep up the largest branch,—the one on this side,” said Legrand. The negro obeyed him promptly, and apparently with but little trouble, ascending higher and higher, until no glimpse of his squat figure could be obtained through the dense foliage which enveloped it. Presently his voice was heard in a sort of halloo.

“How much fudder is got for go?”

[112]

“How high up are you?” asked Legrand.

“Ebber so fur,” replied the negro; “can see de sky fru de top ob de tree.”

“Never mind the sky, but attend to what I say. Look down the trunk and count the limbs below you on this side. How many limbs have you passed?”

“One, two, tree, four, fibe—I done pass fibe big limb, massa, pon dis side.”

“Then go one limb higher.”

In a few minutes the voice was heard again, announcing that the seventh limb was attained.

“Now, Jup,” cried Legrand, evidently much excited, “I want you to work your way out upon that limb as far as you can. If you see anything strange, let me know.”

By this time what little doubt I might have entertained of my poor friend’s insanity was put finally at rest. I had no alternative but to conclude him stricken with lunacy, and I became seriously anxious about getting him home. While I was pondering upon what was best to be done, Jupiter’s voice was again heard.

“Mos feerd for to ventur pon dis limb berry far—’tis dead limb putty much all de way.”

“Did you say it was a dead limb, Jupiter?” cried Legrand in a quavering voice.

“Yes, massa, him dead as de door-nail—done up for sartain—done departed dis here life.”

“What in the name of heaven shall I do?” asked Legrand, seemingly in the greatest distress.

“Do!” said I, glad of an opportunity to interpose a word, “why come home and go to bed. Come now!—that’s a fine fellow. It’s getting late, and, besides, you remember your promise.”

“Jupiter,” cried he, without heeding me in the least, “do you hear me?”

[113]

“Yes, Massa Will, hear you ebber so plain.”

“Try the wood well, then, with your knife, and see if you think it very rotten.”

“Him rotten, massa, sure nuff,” replied the negro in a few moments, “but not so berry rotten as mought be. Mought ventur out leetle way pon de limb by myself, dat’s true.”

“By yourself!—what do you mean?”

“Why, I mean de bug. ’Tis berry hebby bug. Spose I drop him down fuss, and den de limb won’t break wid just de weight ob one nigger.”

“You infernal scoundrel!” cried Legrand, apparently much relieved, “what do you mean by telling me such nonsense as that? As sure as you let that beetle fall, I’ll break your neck. Look here, Jupiter! do you hear me?”

“Yes, massa, needn’t hollo at poor nigger dat style.”

“Well! now listen!—if you will venture out on the limb as far as you think safe, and not let go the beetle, I’ll make you a present of a silver dollar as soon as you get down.”

“I’m gwine, Massa Will—deed I is,” replied the negro very promptly—“mos out to the eend now.”

“Out to the end!” here fairly screamed Legrand, “do you say you are out to the end of that limb?”

“Soon be to de eend, massa,—o-o-o-o-oh! Lord-gol-a-marcy! what is dis here pon de tree?”

“Well!” cried Legrand, highly delighted, “what is it?”

“Why taint noffin but a skull—somebody bin lef him head up de tree, and de crows done gobble ebery bit ob de meat off.”

“A skull, you say!—very well!—how is it fastened to the limb?—what holds it on?”

“Sure nuff, massa; mus look. Why, dis berry curous[114] sarcumstance, pon my word—dare’s a great big nail in de skull, what fastens ob it on to de tree.”

“Well now, Jupiter, do exactly as I tell you—do you hear?”

“Yes, massa.”

“Pay attention, then!—find the left eye of the skull.”

“Hum! hoo! dat’s good! why, dar aint no eye lef at all.”

“Curse your stupidity! do you know your right hand from your left?”

“Yes, I nose dat—nose all bout dat—’tis my lef hand what I chops de wood wid.”

“To be sure! you are left-handed; and your left eye is on the same side as your left hand. Now, I suppose, you can find the left eye of the skull, or the place where the left eye has been. Have you found it?”

Here was a long pause. At length the negro asked,

“Is de lef eye of de skull pon de same side as de lef hand of de skull, too?—cause de skull aint got not a bit ob a hand at all—nebber mind! I got de lef eye now—here de lef eye! what must do wid it?”

“Let the beetle drop through it, as far as the string will reach—but be careful and not let go your hold of the string.”

“All dat done, Massa Will; mighty easy ting for to put de bug fru de hole—look for him dar below!”

During this colloquy no portion of Jupiter’s person could be seen; but the beetle, which he had suffered to descend, was now visible at the end of the string, and glistened, like a globe of burnished gold, in the last rays of the setting sun, some of which still faintly illumined the eminence upon which we stood. The scarabæus hung quite clear of any branches, and, if allowed to fall, would have fallen at our feet. Legrand immediately took the scythe, and cleared with it a circular space,[115] three or four yards in diameter, just beneath the insect, and, having accomplished this, ordered Jupiter to let go the string and come down from the tree.

Driving a peg, with great nicety, into the ground, at the precise spot where the beetle fell, my friend now produced from his pocket a tape-measure. Fastening one end of this at that point of the trunk of the tree which was nearest the peg, he unrolled it till it reached the peg, and thence farther unrolled it, in the direction already established by the two points of the tree and the peg, for the distance of fifty feet—Jupiter clearing away the brambles with the scythe. At the spot thus attained a second peg was driven, and about this, as a centre, a rude circle, about four feet in diameter, described. Taking now a spade himself, and giving one to Jupiter and one to me, Legrand begged us to set about digging as quickly as possible.

To speak the truth, I had no especial relish for such amusement at any time, and, at that particular moment, would most willingly have declined it; for the night was coming on, and I felt much fatigued with the exercise already taken; but I saw no mode of escape, and was fearful of disturbing my poor friend’s equanimity by a refusal. Could I have depended, indeed, upon Jupiter’s aid, I would have had no hesitation in attempting to get the lunatic home by force; but I was too well assured of the old negro’s disposition to hope that he would assist me, under any circumstances, in a personal contest with his master. I made no doubt that the latter had been infected with some of the innumerable Southern superstitions about money buried, and that his fantasy had received confirmation by the finding of the scarabæus, or, perhaps, by Jupiter’s obstinacy in maintaining it to be “a bug of real gold.” A mind disposed to lunacy would readily be led away by such[116] suggestions, especially if chiming in with favorite preconceived ideas; and then I called to mind the poor fellow’s speech about the beetle’s being “the index of his fortune.” Upon the whole, I was sadly vexed and puzzled, but at length I concluded to make a virtue of necessity—to dig with a good will, and thus the sooner to convince the visionary, by ocular demonstration, of the fallacy of the opinions he entertained.

The lanterns having been lit, we all fell to work with a zeal worthy a more rational cause; and, as the glare fell upon our persons and implements, I could not help thinking how picturesque a group we composed, and how strange and suspicious our labors must have appeared to any interloper who, by chance, might have stumbled upon our whereabouts.

We dug very steadily for two hours. Little was said; and our chief embarrassment lay in the yelpings of the dog, who took exceeding interest in our proceedings. He, at length, became so obstreperous that we grew fearful of his giving the alarm to some stragglers in the vicinity; or, rather, this was the apprehension of Legrand; for myself, I should have rejoiced at any interruption which might have enabled me to get the wanderer home. The noise was, at length, very effectually silenced by Jupiter, who, getting out of the hole with a dogged air of deliberation, tied the brute’s mouth up with one of his suspenders, and then returned, with a grave chuckle, to his task.

When the time mentioned had expired, we had reached a depth of five feet, and yet no signs of any treasure became manifest. A general pause ensued, and I began to hope that the farce was at an end. Legrand, however, although evidently much disconcerted, wiped his brow thoughtfully and recommenced. We had excavated the entire circle of four feet diameter, and now[117] we slightly enlarged the limit, and went to the farther depth of two feet. Still nothing appeared. The gold-seeker, whom I sincerely pitied, at length clambered from the pit, with the bitterest disappointment imprinted upon every feature, and proceeded, slowly and reluctantly, to put on his coat, which he had thrown off at the beginning of his labor. In the mean time I made no remark. Jupiter, at a signal from his master, began to gather up his tools. This done, and the dog having been unmuzzled, we turned in profound silence towards home.

We had taken, perhaps, a dozen steps in this direction, when, with a loud oath, Legrand strode up to Jupiter, and seized him by the collar. The astonished negro opened his eyes and mouth to the fullest extent, let fall the spades, and fell upon his knees.

“You scoundrel,” said Legrand, hissing out the syllables from between his clenched teeth—“you infernal black villain!—speak, I tell you!—answer me this instant, without prevarication!—which—which is your left eye?”

“Oh, my golly, Massa Will! aint dis here my lef eye for sartain?” roared the terrified Jupiter, placing his hand upon his right organ of vision, and holding it there with a desperate pertinacity, as if in immediate dread of his master’s attempt at a gouge.

“I thought so!—I knew it! hurrah!” vociferated Legrand, letting the negro go, and executing a series of curvets and caracoles, much to the astonishment of his valet, who, arising from his knees, looked mutely from his master to myself, and then from myself to his master.

“Come! we must go back,” said the latter, “the game’s not up yet;” and he again led the way to the tulip-tree.

“Jupiter,” said he, when we reached its foot, “come[118] here! was the skull nailed to the limb with the face outward, or with the face to the limb?”

“De face was out, massa, so dat de crows could get at de eyes good, widout any trouble.”

“Well, then, was it this eye or that through which you dropped the beetle?”—here Legrand touched each of Jupiter’s eyes.

“‘Twas dis eye, massa—de lef eye—jis as you tell me,” and here it was his right eye that the negro indicated.

“That will do—we must try it again.”

Here my friend, about whose madness I now saw, or fancied that I saw, certain indications of method, removed the peg which marked the spot where the beetle fell, to a spot about three inches to the westward of its former position. Taking, now, the tape-measure from the nearest point of the trunk to the peg, as before, and continuing the extension in a straight line to the distance of fifty feet, a spot was indicated, removed, by several yards, from the point at which we had been digging.

Around the new position a circle, somewhat larger than in the former instance, was now described, and we again set to work with the spades. I was dreadfully weary, but, scarcely understanding what had occasioned the change in my thoughts, I felt no longer any great aversion from the labor imposed. I had become most unaccountably interested—nay, even excited. Perhaps there was something, amid all the extravagant demeanor of Legrand—some air of forethought, or of deliberation—which impressed me. I dug eagerly, and now and then caught myself actually looking, with something that very much resembled expectation, for the fancied treasure, the vision of which had demented my unfortunate companion. At a period when such vagaries[119] of thought most fully possessed me, and when we had been at work perhaps an hour and a half, we were again interrupted by the violent howlings of the dog. His uneasiness, in the first instance, had been evidently but the result of playfulness or caprice, but he now assumed a bitter and serious tone. Upon Jupiter’s again attempting to muzzle him, he made furious resistance, and, leaping into the hole, tore up the mould frantically with his claws. In a few seconds he had uncovered a mass of human bones, forming two complete skeletons, intermingled with several buttons of metal, and what appeared to be the dust of decayed woollen. One or two strokes of a spade upturned the blade of a large Spanish knife, and, as we dug farther, three or four loose pieces of gold and silver coin came to light.

At sight of these the joy of Jupiter could scarcely be restrained, but the countenance of his master wore an air of extreme disappointment. He urged us, however, to continue our exertions, and the words were hardly uttered when I stumbled and fell forward, having caught the toe of my boot in a large ring of iron that lay half buried in the loose earth.

We now worked in earnest, and never did I pass ten minutes of more intense excitement. During this interval we had fairly unearthed an oblong chest of wood, which, from its perfect preservation and wonderful hardness, had plainly been subjected to some mineralizing process—perhaps that of the bichloride of mercury. This box was three feet and a half long, three feet broad, and two and a half feet deep. It was firmly secured by bands of wrought iron, riveted, and forming a kind of trellis-work over the whole. On each side of the chest, near the top, were three rings of iron—six in all—by means of which a firm hold could[120] be obtained by six persons. Our utmost united endeavors served only to disturb the coffer very slightly in its bed. We at once saw the impossibility of removing so great a weight. Luckily, the sole fastenings of the lid consisted of two sliding bolts. These we drew back—trembling and panting with anxiety. In an instant, a treasure of incalculable value lay gleaming before us. As the rays of the lanterns fell within the pit, there flashed upwards, from a confused heap of gold and of jewels, a glow and a glare that absolutely dazzled our eyes.

I shall not pretend to describe the feelings with which I gazed. Amazement was, of course, predominant. Legrand appeared exhausted with excitement, and spoke very few words. Jupiter’s countenance wore, for some minutes, as deadly a pallor as it is possible, in the nature of things, for any negro’s visage to assume. He seemed stupefied—thunderstricken. Presently he fell upon his knees in the pit, and, burying his naked arms up to the elbows in gold, let them there remain, as if enjoying the luxury of a bath. At length, with a deep sigh, he exclaimed, as if in a soliloquy:

“And dis all cum ob de goole-bug! de putty goole-bug! de poor little goole-bug, what I boosed in dat sabage kind ob style! Aint you shamed ob yourself, nigger?—answer me dat!”

It became necessary, at last, that I should arouse both master and valet to the expediency of removing the treasure. It was growing late, and it behooved us to make exertion, that we might get everything housed before daylight. It was difficult to say what should be done, and much time was spent in deliberation—so confused were the ideas of all. We finally lightened the box by removing two-thirds of its contents, when we were enabled, with some trouble, to[121] raise it from the hole. The articles taken out were deposited among the brambles, and the dog left to guard them, with strict orders from Jupiter neither, upon any pretence, to stir from the spot, nor to open his mouth until our return. We then hurriedly made for home with the chest; reaching the hut in safety, but after excessive toil, at one o’clock in the morning. Worn out as we were, it was not in human nature to do more just now. We rested until two, and had supper; starting for the hills immediately afterwards, armed with three stout sacks, which by good luck were upon the premises. A little before four we arrived at the pit, divided the remainder of the booty, as equally as might be, among us, and, leaving the holes unfilled, again set out for the hut, at which, for the second time, we deposited our golden burdens, just as the first streaks of the dawn gleamed from over the tree-tops in the East.

We were now thoroughly broken down; but the intense excitement of the time denied us repose. After an unquiet slumber of some three or four hours’ duration, we arose, as if by pre-concert, to make examination of our treasure.

The chest had been full to the brim, and we spent the whole day, and the greater part of the next night, in a scrutiny of its contents. There had been nothing like order or arrangement. Everything had been heaped in promiscuously. Having assorted all with care, we found ourselves possessed of even vaster wealth than we had at first supposed. In coin there was rather more than four hundred and fifty thousand dollars: estimating the value of the pieces, as accurately as we could, by the tables of the period. There was not a particle of silver. All was gold of antique date and of great variety: French, Spanish, and German money, with a few English guineas, and some counters, of which[122] we had never seen specimens before. There were several very large and heavy coins, so worn that we could make nothing of their inscriptions. There was no American money. The value of the jewels we found more difficulty in estimating. There were diamonds—some of them exceedingly large and fine—a hundred and ten in all, and not one of them small; eighteen rubies of remarkable brilliancy; three hundred and ten emeralds, all very beautiful; and twenty-one sapphires, with an opal. These stones had all been broken from their settings and thrown loose in the chest. The settings themselves, which we picked out from among the other gold, appeared to have been beaten up with hammers, as if to prevent identification. Besides all this, there was a vast quantity of solid gold ornaments: nearly two hundred massive finger and ear rings; rich chains—thirty of these, if I remember; eighty-three very large and heavy crucifixes; five gold censers of great value; a prodigious golden punch-bowl, ornamented with richly chased vine-leaves and Bacchanalian figures; with two sword handles exquisitely embossed, and many other smaller articles which I cannot recollect. The weight of these valuables exceeded three hundred and fifty pounds avoirdupois; and in this estimate I have not included one hundred and ninety-seven superb gold watches; three of the number being worth each five hundred dollars, if one. Many of them were very old, and as time-keepers valueless, the works having suffered more or less from corrosion; but all were richly jewelled and in cases of great worth. We estimated the entire contents of the chest, that night, at a million and a half of dollars; and, upon the subsequent disposal of the trinkets and jewels (a few being retained for our own use), it was found that we had greatly undervalued the treasure.

[123]

When, at length, we had concluded our examination, and the intense excitement of the time had in some measure subsided, Legrand, who saw that I was dying with impatience for a solution of this most extraordinary riddle, entered into a full detail of all the circumstances connected with it.

“You remember,” said he, “the night when I handed you the rough sketch I had made of the scarabæus. You recollect also, that I became quite vexed at you for insisting that my drawing resembled a death’s-head. When you first made this assertion I thought you were jesting; but afterwards I called to mind the peculiar spots on the back of the insect, and admitted to myself that your remark had some little foundation in fact. Still, the sneer at my graphic powers irritated me—for I am considered a good artist—and, therefore, when you handed me the scrap of parchment, I was about to crumple it up and throw it angrily into the fire.”

“The scrap of paper, you mean,” said I.

“No: it had much of the appearance of paper, and at first I supposed it to be such, but when I came to draw upon it, I discovered it, at once, to be a piece of very thin parchment. It was quite dirty, you remember. Well, as I was in the very act of crumpling it up, my glance fell upon the sketch at which you had been looking, and you may imagine my astonishment when I perceived, in fact, the figure of a death’s-head just where, it seemed to me, I had made the drawing of the beetle. For a moment I was too much amazed to think with accuracy. I knew that my design was very different in detail from this—although there was a certain similarity in general outline. Presently I took a candle and, seating myself at the other end of the room, proceeded to scrutinize the parchment more closely. Upon turning it over, I saw my own sketch[124] upon the reverse, just as I had made it. My first idea, now, was mere surprise at the really remarkable similarity of outline—at the singular coincidence involved in the fact that, unknown to me, there should have been a skull upon the other side of the parchment, immediately beneath my figure of the scarabæus, and that this skull, not only in outline, but in size, should so closely resemble my drawing. I say the singularity of this coincidence absolutely stupefied me for a time. This is the usual effect of such coincidences. The mind struggles to establish a connection—a sequence of cause and effect—and, being unable to do so, suffers a species of temporary paralysis. But, when I recovered from this stupor, there dawned upon me gradually a conviction which startled me even far more than the coincidence. I began distinctly, positively, to remember that there had been no drawing on the parchment when I made my sketch of the scarabæus. I became perfectly certain of this; for I recollected turning up first one side and then the other, in search of the cleanest spot. Had the skull been then there, of course I could not have failed to notice it. Here was indeed a mystery which I felt it impossible to explain; but, even at that early moment, there seemed to glimmer, faintly, within the most remote and secret chambers of my intellect, a glowworm-like conception of that truth which last night’s adventure brought to so magnificent a demonstration. I arose at once, and, putting the parchment securely away, dismissed all farther reflection until I should be alone.

“When you had gone, and when Jupiter was fast asleep, I betook myself to a more methodical investigation of the affair. In the first place I considered the manner in which the parchment had come into my possession. The spot where we discovered the scarabæus[125] was on the coast of the mainland, about a mile eastward of the island, and but a short distance above high-water mark. Upon my taking hold of it, it gave me a sharp bite, which caused me to let it drop. Jupiter, with his accustomed caution, before seizing the insect, which had flown towards him, looked about him for a leaf, or something of that nature, by which to take hold of it. It was at this moment that his eyes, and mine also, fell upon the scrap of parchment, which I then supposed to be paper. It was lying half buried in the sand, a corner sticking up. Near the spot where we found it, I observed the remnants of the hull of what appeared to have been a ship’s long boat. The wreck seemed to have been there for a very great while; for the resemblance to boat timbers could scarcely be traced.

“Well, Jupiter picked up the parchment, wrapped the beetle in it, and gave it to me. Soon afterwards we turned to go home, and on the way met Lieutenant G——. I showed him the insect, and he begged me to let him take it to the fort. On my consenting, he thrust it forthwith into his waistcoat pocket, without the parchment in which it had been wrapped, and which I had continued to hold in my hand during his inspection. Perhaps he dreaded my changing my mind, and thought it best to make sure of the prize at once—you know how enthusiastic he is on all subjects connected with Natural History. At the same time, without being conscious of it, I must have deposited the parchment in my own pocket.

“You remember that when I went to the table, for the purpose of making a sketch of the beetle, I found no paper where it was usually kept. I looked in the drawer, and found none there. I searched my pockets, hoping to find an old letter, and then my hand fell[126] upon the parchment. I thus detail the precise mode in which it came into my possession; for the circumstances impressed me with peculiar force.

“No doubt you will think me fanciful—but I had already established a kind of connection. I had put together two links of a great chain. There was a boat lying on a seacoast, and not far from the boat was a parchment—not a paper—with a skull depicted on it. You will, of course, ask ’where is the connection?’ I reply that the skull, or death’s-head, is the well-known emblem of the pirate. The flag of the death’s-head is hoisted in all engagements.

“I have said that the scrap was parchment, and not paper. Parchment is durable—almost imperishable. Matters of little moment are rarely consigned to parchment; since, for the mere ordinary purposes of drawing or writing, it is not nearly so well adapted as paper. This reflection suggested some meaning—some relevancy—in the death’s-head. I did not fail to observe, also, the form of the parchment. Although one of its corners had been, by some accident, destroyed, it could be seen that the original form was oblong. It was just such a slip, indeed, as might have been chosen for a memorandum—for a record of something to be long remembered and carefully preserved.”

“But,” I interposed, “you say that the skull was not upon the parchment when you made the drawing of the beetle. How then do you trace any connection between the boat and the skull—since this latter, according to your own admission, must have been designed (God only knows how or by whom) at some period subsequent to your sketching the scarabæus?”

“Ah, hereupon turns the whole mystery; although the secret, at this point, I had comparatively little difficulty in solving. My steps were sure, and could afford[127] but a single result. I reasoned, for example, thus: When I drew the scarabæus, there was no skull apparent on the parchment. When I had completed the drawing I gave it to you, and observed you narrowly until you returned it. You, therefore, did not design the skull, and no one else was present to do it. Then it was not done by human agency. And nevertheless it was done.

“At this stage of my reflections I endeavored to remember, and did remember, with entire distinctness, every incident which occurred about the period in question. The weather was chilly (O rare and happy accident!), and a fire was blazing on the hearth. I was heated with exercise and sat near the table. You, however, had drawn a chair close to the chimney. Just as I placed the parchment in your hand, and as you were in the act of inspecting it, Wolf, the Newfoundland, entered, and leaped upon your shoulders. With your left hand you caressed him and kept him off, while your right, holding the parchment, was permitted to fall listlessly between your knees, and in close proximity to the fire. At one moment I thought the blaze had caught it, and was about to caution you, but, before I could speak, you had withdrawn it, and were engaged in its examination. When I considered all these particulars, I doubted not for a moment that heat had been the agent in bringing to light, on the parchment, the skull which I saw designed on it. You are well aware that chemical preparations exist, and have existed time out of mind, by means of which it is possible to write on either paper or vellum, so that the characters shall become visible only when subjected to the action of fire. Zaffre, digested in aqua regia, and diluted with four times its weight of water, is sometimes employed; a green tint results. The regulus of cobalt, dissolved in[128] spirit of nitre, gives a red. These colors disappear at longer or shorter intervals after the material written upon cools, but again become apparent upon the re-application of heat.

“I now scrutinized the death’s-head with care. Its outer edges—the edges of the drawing nearest the edge of the vellum—were far more distinct than the others. It was clear that the action of the caloric had been imperfect or unequal. I immediately kindled a fire, and subjected every portion of the parchment to a glowing heat. At first, the only effect was the strengthening of the faint lines in the skull; but, on persevering in the experiment, there became visible at the corner of the slip, diagonally opposite to the spot in which the death’s-head was delineated, the figure of what I at first supposed to be a goat. A closer scrutiny, however, satisfied me that it was intended for a kid.”

“Ha! ha!” said I, “to be sure I have no right to laugh at you—a million and a half of money is too serious a matter for mirth—but you are not about to establish a third link in your chain: you will not find any especial connection between your pirates and a goat; pirates, you know, have nothing to do with goats; they appertain to the farming interest.”

“But I have just said that the figure was not that of a goat.”

“Well, a kid, then—pretty much the same thing.”

“Pretty much, but not altogether,” said Legrand. “You may have heard of one Captain Kidd. I at once looked on the figure of the animal as a kind of punning or hieroglyphical signature. I say signature; because its position on the vellum suggested this idea. The death’s-head at the corner diagonally opposite had, in the same manner, the air of a stamp, or seal. But I was sorely put out by the absence of all else—of the[129] body to my imagined instrument—of the text for my context.”

“I presume you expected to find a letter between the stamp and the signature.”

“Something of that kind. The fact is, I felt irresistibly impressed with a presentiment of some vast good fortune impending. I can scarcely say why. Perhaps, after all, it was rather a desire than an actual belief;—but do you know that Jupiter’s silly words, about the bug being of solid gold, had a remarkable effect on my fancy? And then the series of accidents and coincidences—these were so very extraordinary. Do you observe how mere an accident it was that these events should have occurred on the sole day of all the year in which it has been, or may be, sufficiently cool for fire, and that without the fire, or without the intervention of the dog at the precise moment in which he appeared, I should never have become aware of the death’s-head, and so never the possessor of the treasure?”

“But proceed—I am all impatience.”

“Well; you have heard, of course, the many stories current—the thousand vague rumors afloat about money buried, somewhere on the Atlantic coast, by Kidd and his associates. These rumors must have had some foundation in fact. And that the rumors have existed so long and so continuously, could have resulted, it appeared to me, only from the circumstance of the buried treasure still remaining entombed. Had Kidd concealed his plunder for a time, and afterwards reclaimed it, the rumors would scarcely have reached us in their present unvarying form. You will observe that the stories told are all about money-seekers, not about money-finders. Had the pirate recovered his money, there the affair would have dropped. It seemed to me that some accident—say the loss of a memorandum indicating its[130] locality—had deprived him of the means of recovering it, and that this accident had become known to his followers, who otherwise might never have heard that treasure had been concealed at all, and, who, busying themselves in vain, because unguided, attempts to regain it, had given first birth, and then universal currency, to the reports which are now so common. Have you ever heard of any important treasure being unearthed along the coast?”

“Never.”

“But that Kidd’s accumulations were immense is well known. I took it for granted, therefore, that the earth still held them; and you will scarcely be surprised when I tell you that I felt a hope, nearly amounting to certainty, that the parchment so strangely found involved a lost record of the place of deposit.”

“But how did you proceed?”

“I held the vellum again to the fire, after increasing the heat, but nothing appeared. I now thought it possible that the coating of dirt might have something to do with the failure; so I carefully rinsed the parchment by pouring warm water over it, and, having done this, I placed it in a tin pan, with the skull downwards, and put the pan upon a furnace of lighted charcoal. In a few minutes, the pan having become thoroughly heated, I removed the slip, and, to my inexpressible joy, found it spotted, in several places, with what appeared to be figures arranged in lines. Again I placed it in the pan, and suffered it to remain another minute. Upon taking it off, the whole was just as you see it now.”

Here Legrand, having reheated the parchment, submitted it to my inspection. The following characters were rudely traced, in a red tint, between the death’s-head and the goat:—

[131]

53‡‡†305))6*;4826)4‡.)4‡);806*;48†8¶60))85;;]8*;:‡*8†83(88)5*†;46(;88*96*?;8)
*‡(;485);5*†2:*‡(;4956*2(5*—4)8¶8*;4069285);)6†8)4‡‡;1(‡9;48081;8:8‡1;48†85;4)
485†528806*81(‡9;48;(88;4(‡?34;48)4‡;161;:188;‡?;

“But,” said I, returning him the slip, “I am as much in the dark as ever. “Were all the jewels of Golconda awaiting me on my solution of this enigma, I am quite sure that I should be unable to earn them.”

“And yet,” said Legrand, “the solution is by no means so difficult as you might be led to imagine from the first hasty inspection of the characters. These characters, as any one might readily guess, form a cipher—that is to say, they convey a meaning; but then, from what is known of Kidd, I could not suppose him capable of constructing any of the more abstruse cryptographs. I made up my mind, at once, that this was of a simple species—such, however, as would appear, to the crude intellect of the sailor, absolutely insoluble without the key.”

“And you really solved it?”

“Readily; I have solved others of an abstruseness ten thousand times greater. Circumstances, and a certain bias of mind, have led me to take interest in such riddles, and it may well be doubted whether human ingenuity can construct an enigma of the kind which human ingenuity may not, by proper application, resolve. In fact, having once established connected and legible characters, I scarcely gave a thought to the mere difficulty of developing their import.

“In the present case—indeed in all cases of secret writing—the first question regards the language of the cipher; for the principles of solution, so far, especially, as the more simple ciphers are concerned, depend on, and are varied by, the genius of the particular idiom.[132] In general, there is no alternative but experiment (directed by probabilities) of every tongue known to him who attempts the solution, until the true one be attained. But, with the cipher now before us, all difficulty is removed by the signature. The pun upon the word ’Kidd’ is appreciable in no other language than the English. But for this consideration I should have begun my attempts with the Spanish and French, as the tongues in which a secret of this kind would most naturally have been written by a pirate of the Spanish main. As it was, I assumed the cryptograph to be English.

“You observe there are no divisions between the words. Had there been divisions, the task would have been comparatively easy. In such case I should have commenced with a collation and analysis of the shorter words, and, had a word of a single letter occurred, as is most likely (a or I, for example), I should have considered the solution as assured. But, there being no division, my first step was to ascertain the predominant letters, as well as the least frequent. Counting all, I constructed a table, thus:

[133]

“Now, in English, the letter which most frequently occurs is e. Afterwards the succession runs thus: a o i d h n r s t u y c f g l m w b k p q x z. E predominates, however, so remarkably that an individual sentence of any length is rarely seen, in which it is not the prevailing character.

“Here, then, we have, in the very beginning, the groundwork for something more than a mere guess. The general use which may be made of the table is obvious—but, in this particular cipher, we shall only very partially require its aid. As our predominant character is 8, we will commence by assuming it as the e of the natural alphabet. To verify the supposition, let us observe if the 8 be seen often in couples—for e is doubled with great frequency in English—in such words, for example, as ’meet,’ ’fleet,’ ’speed,’ ’seen,’ ’been,’ ’a’gree,’ &c. In the present instance we see it doubled no less than five times, although the cryptograph is brief.

“Let us assume 8, then, as e. Now, of all words in the language, ‘the’ is most usual; let us see, therefore, whether there are not repetitions of any three characters, in the same order of collocation, the last of them being 8. If we discover repetitions of such letters, so arranged, they will most probably represent the word ’the.’ On inspection, we find no less than seven such arrangements, the characters being ;48. We may, therefore, assume that the semicolon represents t, that 4 represents h, and that 8 represents e—the last being now well confirmed. Thus a great step has been taken.

“But, having established a single word, we are enabled to establish a vastly important point; that is to say, several commencements and terminations of other words. Let us refer, for example, to the last instance[134] but one, in which the combination ;48 occurs—not far from the end of the cipher. We know that the semicolon immediately ensuing is the commencement of a word, and, of the six characters succeeding this ’the,’ we are cognizant of no less than five. Let us set these characters down, thus, by the letters we know them to represent, leaving a space for the unknown—

t eeth.

“Here we are enabled, at once, to discard the ’th,’ as forming no portion of the word commencing with the first t; since, by experiment of the entire alphabet for a letter adapted to the vacancy, we perceive that no word can be formed of which this th can be a part. We are thus narrowed into

t ee,

and, going through the alphabet, if necessary, as before, we arrive at the word ’tree’ as the sole possible reading. We thus gain another letter, r, represented by (, with the words ’the tree’ in juxtaposition.

“Looking beyond these words, for a short distance, we again see the combination ;48, and employ it by way of termination to what immediately precedes. We have thus this arrangement:

the tree ;4(‡?34 the,

or, substituting the natural letters, where known, it reads thus:

the tree thr‡?3h the.

“Now, if, in place of the unknown characters, we leave blank spaces, or substitute dots, we read thus:

the tree thr . . . h the,

[135]

when the word ’through’ makes itself evident at once. But this discovery gives us three new letters, o, u, and g, represented by ‡ ? and 3.

“Looking now, narrowly, through the cipher for combinations of known characters, we find, not very far from the beginning, this arrangement,

83(88, or egree,

which, plainly, is the conclusion of the word ’degree,’ and gives us another letter, d, represented by †.

“Four letters beyond the word ’degree,’ we perceive the combination

;46(;88*

“Translating the known characters, and representing the unknown by dots, as before, we read thus:

th . rtee . ,

an arrangement immediately suggestive of the word ’thirteen,’ and again furnishing us with two new characters, i and n, represented by 6 and *.

“Referring, now, to the beginning of the cryptograph, we find the combination,

53‡‡†.

“Translating, as before, we obtain

good,

which assures us that the first letter is A, and that the first two words are ’A good.’

“To avoid confusion, it is now time that we arrange our key, as far as discovered, in a tabular form. It will stand thus:

[136]

“We have, therefore, no less than ten of the most important letters represented, and it will be unnecessary to proceed with the details of the solution. I have said enough to convince you that ciphers of this nature are readily soluble, and to give you some insight into the rationale of their development. But be assured that the specimen before us appertains to the very simplest species of cryptograph. It now only remains to give you the full translation of the characters upon the parchment, as unriddled. Here it is:

“‘A good glass in the Bishop’s hostel in the devil’s seat twenty-one degrees and thirteen minutes north-east and by north main branch seventh limb east side shoot from the left eye of the death’s-head a bee-line from the tree through the shot fifty feet out.’”

“But,” said I, “the enigma seems still in as bad a condition as ever. How is it possible to extort a meaning from all this jargon about ’devil’s seats,’ ’death’s-heads,’ and ’Bishop’s hotels’?”

“I confess,” replied Legrand, “that the matter still wears a serious aspect, when regarded with a casual glance. My first endeavor was to divide the sentence into the natural division intended by the cryptographist.”

[137]

“You mean, to punctuate it?”

“Something of that kind.”

“But how was it possible to effect this?”

“I reflected that it had been a point with the writer to run his words together without division, so as to increase the difficulty of solution. Now, a not over-acute man, in pursuing such an object, would be nearly certain to overdo the matter. When, in the course of his composition, he arrived at a break in his subject which would naturally require a pause, or a point, he would be exceedingly apt to run his characters, at this place, more than usually close together. If you will observe the MS., in the present instance, you will easily detect five such cases of unusual crowding. Acting on this hint, I made the division thus:

“‘A good glass in the Bishop’s hostel in the Devil’s seat—twenty-one degrees and thirteen minutes—north-east and by north—main branch seventh limb east side—shoot from the left eye of the death’s-head—a bee-line from the tree through the shot fifty feet out.’”

“Even this division,” said I, “leaves me still in the dark.”

“It left me also in the dark,” replied Legrand, “for a few days; during which I made diligent inquiry, in the neighborhood of Sullivan’s Island, for any building which went by the name of the ’Bishop’s Hotel’; for, of course, I dropped the obsolete word ’hostel.’ Gaining no information on the subject, I was on the point of extending my sphere of search, and proceeding in a more systematic manner, when one morning it entered into my head, quite suddenly, that this ’Bishop’s Hostel’ might have some reference to an old family, of the name of Bessop, which, time out of mind, had held possession of an ancient manor-house, about four miles to the northward of the island. I accordingly went[138] over to the plantation, and reinstituted my inquiries among the older negroes of the place. At length one of the most aged of the women said that she had heard of such a place as Bessop’s Castle, and thought that she could guide me to it, but that it was not a castle, nor a tavern, but a high rock.

“I offered to pay her well for her trouble, and, after some demur, she consented to accompany me to the spot. We found it without much difficulty, when, dismissing her, I proceeded to examine the place. The ’castle’ consisted of an irregular assemblage of cliffs and rocks—one of the latter being quite remarkable for its height as well as for its insulated and artificial appearance. I clambered to its apex, and then felt much at a loss as to what should be next done.

“While I was busied in reflection, my eyes fell on a narrow ledge in the eastern face of the rock, perhaps a yard below the summit upon which I stood. This ledge projected about eighteen inches, and was not more than a foot wide, while a niche in the cliff just above it gave it a rude resemblance to one of the hollow-backed chairs used by our ancestors. I made no doubt that here was the ’devil’s seat’ alluded to in the MS., and now I seemed to grasp the full secret of the riddle.

“The ’good glass,’ I knew, could have reference to nothing but a telescope; for the word ’glass’ is rarely employed in any other sense by seamen. Now here, I at once saw, was a telescope to be used, and a definite point of view, admitting no variation, from which to use it. Nor did I hesitate to believe that the phrases, ’twenty-one degrees and thirteen minutes,’ and ‘north-east and by north,’ were intended as directions for the levelling of the glass. Greatly excited by these discoveries, I hurried home, procured a telescope, and returned to the rock.

[139]

“I let myself down the ledge, and found that it was impossible to retain a seat on it unless in one particular position. This fact confirmed my preconceived idea. I proceeded to use the glass. Of course, the ’twenty-one degrees and thirteen minutes’ could allude to nothing but elevation above the visible horizon, since the horizontal direction was clearly indicated by the words, ‘north-east and by north.’ This latter direction I at once established by means of a pocket-compass; then, pointing the glass as nearly at an angle of twenty-one degrees of elevation as I could do it by guess, I moved it cautiously up or down, until my attention was arrested by a circular rift or opening in the foliage of a large tree that overtopped its fellows in the distance. In the centre of this rift I perceived a white spot, but could not, at first, distinguish what it was. Adjusting the focus of the telescope, I again looked, and now made it out to be a human skull.

“On this discovery I was so sanguine as to consider the enigma solved; for the phrase ’main branch, seventh limb, east side,’ could refer only to the position of the skull on the tree, while ’shoot from the left eye of the death’s-head’ admitted, also, of but one interpretation, in regard to a search for buried treasure. I perceived that the design was to drop a bullet from the left eye of the skull, and that a bee-line, or, in other words, a straight line, drawn from the nearest point of the trunk through ’the shotì (or the spot where the bullet fell), and thence extended to a distance of fifty feet, would indicate a definite point—and beneath this point I thought it at least possible that a deposit of value lay concealed.”

“All this,” I said, “is exceedingly clear, and, although ingenious, still simple and explicit. When you left the Bishop’s Hotel, what then?”

[140]

“Why, having carefully taken the bearings of the tree, I turned homewards. The instant that I left ’the devil’s seat,’ however, the circular rift vanished; nor could I get a glimpse of it afterwards, turn as I would. What seems to me the chief ingenuity in this whole business, is the fact (for repeated experiment has convinced me it is a fact) that the circular opening in question is visible from no other attainable point of view than that afforded by the narrow ledge on the face of the rock.

“In this expedition to the ’Bishop’s Hotel’ I had been attended by Jupiter, who had no doubt observed, for some weeks past, the abstraction of my demeanor, and took especial care not to leave me alone. But on the next day, getting up very early, I contrived to give him the slip, and went into the hills in search of the tree. After much toil I found it. When I came home at night my valet proposed to give me a flogging. With the rest of the adventure I believe you are as well acquainted as myself.”

“I suppose,” said I, “you missed the spot, in the first attempt at digging, through Jupiter’s stupidity in letting the bug fall through the right instead of through the left eye of the skull.”

“Precisely. This mistake made a difference of about two inches and a half in the ’shot’—that is to say, in the position of the peg nearest the tree; and had the treasure been beneath the ’shot,’ the error would have been of little moment; but ’the shot,’ together with the nearest point of the tree, were merely two points for the establishment of a line of direction; of course the error, however trivial in the beginning, increased as we proceeded with the line, and, by the time we had gone fifty feet, threw us quite off the scent. But for my deep-seated convictions that treasure was here somewhere[141] actually buried, we might have had all our labor in vain.”

“I presume the fancy of the skull—of letting fall a bullet through the skull’s eye—was suggested to Kidd by the piratical flag. No doubt he felt a kind of poetical consistency in recovering his money through this ominous insignium.”

“Perhaps so; still, I cannot help thinking that common-sense had quite as much to do with the matter as poetical consistency. To be visible from the Devil’s seat, it was necessary that the object, if small, should be white; and there is nothing like your human skull for retaining and even increasing its whiteness under exposure to all vicissitudes of weather.”

“But your grandiloquence, and your conduct in swinging the beetle—how excessively odd! I was sure you were mad. And why did you insist on letting fall the bug, instead of a bullet, from the skull?”

“Why, to be frank, I felt somewhat annoyed by your evident suspicions touching my sanity, and so resolved to punish you quietly, in my own way, by a little bit of sober mystification. For this reason I swung the beetle, and for this reason I let it fall from the tree. An observation of yours about its great weight suggested the latter idea.”

“Yes, I perceive; and now there is only one point which puzzles me. What are we to make of the skeletons found in the hole?”

“That is a question I am no more able to answer than yourself. There seems, however, only one plausible way of accounting for them—and yet it is dreadful to believe in such atrocity as my suggestion would imply. It is clear that Kidd—if Kidd indeed secreted this treasure, which I doubt not—it is clear that he must have had assistance in the labor. But, the worst of this labor[142] concluded, he may have thought it expedient to remove all participants in his secret. Perhaps a couple of blows with a mattock were sufficient, while his coadjutors were busy in the pit; perhaps it required a dozen—who shall tell?”

BY

O. Henry

[144]

This is a plot-story of the kind in which the American public delights. The reader enjoys the humor due to situation, hyperbole, satire, and astounding verbal liberties to which the writer is given; but he enjoys even more the sharp surprise that awaits him in the plot. He has prepared himself for a certain conclusion and finds himself entirely in the wrong. Nevertheless, he admits that the ending is not illogical nor out of harmony with the general tone. Bill and Sam subscribe themselves “Two Desperate Men,” but they are so characterized as to prepare us for their surrender of the boy on the father’s own terms.

It is interesting to know that O. Henry himself put slight value upon local color. “People say that I know New York well!” he says. “But change Twenty-third Street to Main Street, rub out the Flatiron Building and put in the Town Hall. Then the story will fit just as truly elsewhere. At least, I hope that is the case with what I write. So long as your story is true to life, the mere change of local color will set it in the East, West, South, or North. The characters in ’The Arabian Nights’ parade up and down Broadway at midday, or Main Street in Dallas, Texas.”

[145]

THE RANSOM OF RED CHIEF[11]

It looked like a good thing: but wait till I tell you. “We were down South, in Alabama—Bill Driscoll and myself—when this kidnapping idea struck us. It was, as Bill afterward expressed it, “during a moment of temporary mental apparition”; but we didn’t find that out till later.

There was a town down there, as flat as a flannel-cake, and called Summit, of course. It contained inhabitants of as undeleterious and self-satisfied a class of peasantry as ever clustered around a Maypole.

Bill and me had a joint capital of about six hundred dollars, and we needed, just two thousand dollars more to pull off a fraudulent town-lot scheme in Western Illinois with. We talked it over on the front steps of the hotel. Philoprogenitiveness, says we, is strong in semirural communities; therefore, and for other reasons, a kidnapping project ought to do better there than in the radius of newspapers that send reporters out in plain clothes to stir up talk about such things. We knew that Summit couldn’t get after us with anything stronger than constables and, maybe, some lackadaisical bloodhounds and a diatribe or two in the Weekly Farmers’ Budget. So, it looked good.

We selected for our victim the only child of a prominent citizen named Ebenezer Dorset. The father was respectable and tight, a mortgage fancier and a stern, upright collection-plate passer and forecloser. The kid was a boy of ten, with bas-relief freckles, and hair the color of[146] the cover of the magazine you buy at the news-stand when you want to catch a train. Bill and me figured that Ebenezer would melt down for a ransom of two thousand dollars to a cent. But wait till I tell you.

About two miles from Summit was a little mountain, covered with a dense cedar brake. On the rear elevation of this mountain was a cave. There we stored provisions.

One evening after sundown, we drove in a buggy past old Dorset’s house. The kid was in the street, throwing rocks at a kitten on the opposite fence.

“Hey, little boy!” says Bill, “would you like to have a bag of candy and a nice ride?”

The boy catches Bill neatly in the eye with a piece of brick.

“That will cost the old man an extra five hundred dollars,” says Bill, climbing over the wheel.

That boy put up a fight like a welter-weight cinnamon bear; but, at last, we got him down in the bottom of the buggy and drove away. We took him up to the cave, and I hitched the horse in the cedar brake. After dark I drove the buggy to the little village, three miles away, where we had hired it, and walked back to the mountain.

Bill was pasting court-plaster over the scratches and bruises on his features. There was a fire burning behind the big rock at the entrance of the cave, and the boy was watching a pot of boiling coffee, with two buzzard tail-feathers stuck in his red hair. He points a stick at me when I come up, and says:

“Ha! cursed paleface, do you dare to enter the camp of Red Chief, the terror of the plains?”

“He’s all right now,” says Bill, rolling up his trousers and examining some bruises on his shins. “We’re playing Indian. We’re making Buffalo Bill’s show look[147] like magic-lantern views of Palestine in the town hall. I’m Old Hank, the Trapper, Red Chief’s captive, and I’m to be scalped at daybreak. By Geronimo! that kid can kick hard.”

Yes, sir, that boy seemed to be having the time of his life. The fun of camping out in a cave had made him forget that he was a captive himself. He immediately christened me Snake-eye, the Spy, and announced that, when his braves returned from the warpath, I was to be broiled at the stake at the rising of the sun.

Then we had supper; and he filled his mouth full of bacon and bread and gravy, and began to talk. He made a during-dinner speech something like this:

“I like this fine. I never camped out before; but I had a pet ’possum once, and I was nine last birthday. I hate to go to school. Rats ate up sixteen of Jimmy Talbot’s aunt’s speckled hen’s eggs. Are there any real Indians in these woods? I want some more gravy. Does the trees moving make the wind blow? We had five puppies. What makes your nose so red, Hank? My father has lots of money. Are the stars hot? I whipped Ed Walker twice, Saturday. I don’t like girls. You dassent catch toads unless with a string. Do oxen make any noise? Why are oranges round? Have you got beds to sleep on in this cave? Amos Murray has got six toes. A parrot can talk, but a monkey or a fish can’t. How many does it take to make twelve?”

Every few minutes he would remember that he was a pesky redskin, and pick up his stick rifle and tip-toe to the mouth of the cave to rubber for the scouts of the hated paleface. Now and then he would let out a war-whoop that made Old Hank the Trapper, shiver. That boy had Bill terrorized from the start.

“Red Chief,” says I to the kid, “would you like to go home?”

[148]

“Aw, what for?” says he. “I don’t have any fun at home. I hate to go to school. I like to camp out. You won’t take me back home again, Snake-eye, will you?”

“Not right away,” says I. “We’ll stay here in the cave a while.”

“All right!” says he. “That’ll be fine. I never had such fun in all my life.”

We went to bed about eleven o ’clock. We spread down some wide blankets and quilts and put Red Chief between us. We weren’t afraid he’d run away. He kept us awake for three hours, jumping up and reaching for his rifle and screeching: “Hist! pard,” in mine and Bill’s ears, as the fancied crackle of a twig or the rustle of a leaf revealed to his young imagination the stealthy approach of the outlaw band. At last, I fell into a troubled sleep, and dreamed that I had been kidnapped and chained to a tree by a ferocious pirate with red hair.

Just at daybreak, I was awakened by a series of awful screams from Bill. They weren’t yells, or howls, or shouts, or whoops, or yawps, such as you’d expect from a manly set of vocal organs—they were simply indecent, terrifying, humiliating screams, such as women emit when they see ghosts or caterpillars. It’s an awful thing to hear a strong, desperate, fat man scream incontinently in a cave at daybreak.

I jumped up to see what the matter was. Red Chief was sitting on Bill’s chest, with one hand twined in Bill’s hair. In the other he had the sharp case-knife we used for slicing bacon; and he was industriously and realistically trying to take Bill’s scalp, according to the sentence that had been pronounced upon him the evening before.

I got the knife away from the kid and made him lie down again. But, from that moment, Bill’s spirit was[149] broken. He laid down on his side of the bed, but he never closed an eye again in sleep as long as that boy was with us. I dozed off for a while, but along toward sun-up I remembered that Red Chief had said I was to be burned at the stake at the rising of the sun. I wasn’t nervous or afraid; but I sat up and lit my pipe and leaned against a rock.

“What you getting up so soon for, Sam?” asked Bill.

“Me?” says I. “Oh, I got a kind of a pain in my shoulder. I thought sitting up would rest it.”

“You’re a liar!” says Bill. “You’re afraid. You was to be burned at sunrise, and you was afraid he’d do it. And he would, too, if he could find a match. Ain’t it awful, Sam? Do you think anybody will pay out money to get a little imp like that back home?”

“Sure,” said I. “A rowdy kid like that is just the kind that parents dote on. Now, you and the Chief get up and cook breakfast, while I go up on the top of this mountain and reconnoitre.”

I went up on the peak of the little mountain and ran my eye over the contiguous vicinity. Over toward Summit I expected to see the sturdy yeomanry of the village armed with scythes and pitchforks beating the countryside for the dastardly kidnappers. But what I saw was a peaceful landscape dotted with one man ploughing with a dun mule. Nobody was dragging the creek; no couriers dashed hither and yon, bringing tidings of no news to the distracted parents. There was a sylvan attitude of somnolent sleepiness pervading that section of the external outward surface of Alabama that lay exposed to my view. “Perhaps,” says I to myself, “it has not yet been discovered that the wolves have borne away the tender lambkin from the fold. Heaven[150] help the wolves!” says I, and I went down the mountain to breakfast.

When I got to the cave I found Bill backed up against the side of it, breathing hard, and the boy threatening to smash him with a rock half as big as a cocoanut.

“He put a red-hot boiled potato down my back,” explained Bill, “and then mashed it with his foot; and I boxed his ears. Have you got a gun about you, Sam?”

I took the rock away from the boy and kind of patched up the argument. “I’ll fix you,” says the kid to Bill. “No man ever yet struck the Red Chief but what he got paid for it. You better beware!”

After breakfast the kid takes a piece of leather with strings wrapped around it out of his pocket and goes outside the cave unwinding it.

“What’s he up to now?” says Bill, anxiously. “You don’t think he’ll run away, do you, Sam?”

“No fear of it,” says I. “He don’t seem to be much of a home body. But we’ve got to fix up some plan about the ransom. There don’t seem to be much excitement around Summit on account of his disappearance; but maybe they haven’t realized yet that he’s gone. His folks may think he’s spending the night with Aunt Jane or one of the neighbors. Anyhow, he’ll be missed to-day. To-night we must get a message to his father demanding the two thousand dollars for his return.”

Just then we heard a kind of war-whoop, such as David might have emitted when he knocked out the champion Goliath. It was a sling that Red Chief had pulled out of his pocket, and he was whirling it around his head.

I dodged, and heard a heavy thud and a kind of a sigh from Bill, like a horse gives out when you take his saddle off. A niggerhead rock the size of an egg had[151] caught Bill just behind his left ear. He loosened himself all over and fell in the fire across the frying pan of hot water for washing the dishes. I dragged him out and poured cold water on his head for half an hour.

By and by, Bill sits up and feels behind his ear and says: “Sam, do you know who my favorite Biblical character is?”

“Take it easy,” says I. “You’ll come to your senses presently.”

“King Herod,” says he. “You won’t go away and leave me here alone, will you, Sam?”

I went out and caught that boy and shook him until his freckles rattled.

“If you don’t behave,” says I, “I’ll take you straight home. Now, are you going to be good, or not?”

“I was only funning,” says he sullenly. “I didn’t mean to hurt Old Hank. But what did he hit me for? I’ll behave, Snake-eye, if you won’t send me home, and if you’ll let me play the Black Scout to-day.”

“I don’t know the game,” says I. “That’s for you and Mr. Bill to decide. He’s your playmate for the day. I’m going away for a while, on business. Now, you come in and make friends with him and say you are sorry for hurting him, or home you go, at once.”

I made him and Bill shake hands, and then I took Bill aside and told him I was going to Poplar Cove, a little village three miles from the cave, and find out what I could about how the kidnapping had been regarded in Summit. Also, I thought it best to send a peremptory letter to old man Dorset that day, demanding the ransom and dictating how it should be paid.

“You know, Sam,” says Bill, “I’ve stood by you without batting an eye in earthquakes, fire, and flood—in[152] poker games, dynamite outrages, police raids, train robberies, and cyclones. I never lost my nerve yet till we kidnapped that two-legged skyrocket of a kid. He’s got me going. You won’t leave me long with him, will you, Sam?”

“I’ll be back some time this afternoon,” says I. “You must keep the boy amused and quiet till I return. And now we’ll write the letter to old Dorset.”

Bill and I got paper and pencil and worked on the letter while Red Chief, with a blanket wrapped around him, strutted up and down, guarding the mouth of the cave. Bill begged me tearfully to make the ransom fifteen hundred dollars instead of two thousand. “I ain’t attempting,” says he, “to decry the celebrated moral aspect of parental affection, but we’re dealing with humans, and it ain’t human for anybody to give up two thousand dollars for that forty-pound chunk of freckled wildcat. I’m willing to take a chance at fifteen hundred dollars. You can charge the difference up to me.”

So, to relieve Bill, I acceded, and we collaborated a letter that ran this way:

I addressed this letter to Dorset, and put it in my pocket. As I was about to start, the kid comes up to me and says:

“Aw, Snake-eye, you said I could play the Black Scout while you was gone.”

“Play it, of course,” says I. “Mr. Bill will play with you. What kind of a game is it?”

“I’m the Black Scout,” says Red Chief, “and I have to ride to the stockade to warn the settlers that the Indians are coming. I’m tired of playing Indian myself. I want to be the Black Scout.”

“All right.” says I. “It sounds harmless to me. I guess Mr. Bill will help you foil the pesky savages.”

“What am I to do?” asks Bill, looking at the kid suspiciously.

“You are the hoss,” says Black Scout. “Get down on your hands and knees. How can I ride to the stockade without a hoss?”

“You’d better keep him interested,” said I, “till we get the scheme going. Loosen up.”

Bill gets down on his all fours, and a look comes in his eye like a rabbit’s when you catch it in a trap.

“How far is it to the stockade, kid?” he asks, in a husky manner of voice.

“Ninety miles,” says the Black Scout. “And you have to hump yourself to get there on time. Whoa, now!”

[154]

The Black Scout jumps on Bill’s back and digs his heels in his side.

“For Heaven’s sake,” says Bill, “hurry back, Sam, as soon as you can. I wish we hadn’t made the ransom more than a thousand. Say, you quit kicking me or I’ll get up and warm you good.”

I walked over to Poplar Cove and sat around the post-office and store, talking with the chawbacons that came in to trade. One whiskerando says that he hears Summit is all upset on account of Elder Ebenezer Dorset’s boy having been lost or stolen. That was all I wanted to know. I bought some smoking tobacco, referred casually to the price of black-eyed peas, posted my letter surreptitiously, and came away. The postmaster said the mail-carrier would come by in an hour to take the mail on to Summit.

When I got back to the cave Bill and the boy were not to be found. I explored the vicinity of the cave, and risked a yodel or two, but there was no response.

So I lighted my pipe and sat down on a mossy bank to await developments.

In about half an hour I heard the bushes rustle, and Bill wabbled out into the little glade in front of the cave. Behind him was the kid, stepping softly like a scout, with a broad grin on his face. Bill stopped, took off his hat, and wiped his face with a red handkerchief. The kid stopped about eight feet behind him.

“Sam,” says Bill, “I suppose you’ll think I’m a renegade, but I couldn’t help it. I’m a grown person with masculine proclivities and habits of self-defence, but there is a time when all systems of egotism and predominance fail. The boy is gone. I have sent him home. All is off. There was martyrs in old times,” goes on Bill, “that suffered death rather than give up the particular graft they enjoyed. None of ’em ever was[155] subjugated to such supernatural tortures as I have been. I tried to be faithful to our articles of depredation; but there came a limit.”

“What’s the trouble, Bill?” I asks him.

“I was rode,” says Bill, “the ninety miles to the stockade, not barring an inch. Then, when the settlers was rescued, I was given oats. Sand ain’t a palatable substitute. And then, for an hour I had to try to explain to him why there was nothin’ in holes, how a road can run both ways, and what makes the grass green. I tell you, Sam, a human can only stand so much. I takes him by the neck of his clothes and drags him down the mountain. On the way he kicks my legs black-and-blue from the knees down; and I’ve got to have two or three bites on my thumb and hand cauterized.

“But he’s gone”—continues Bill—“gone home. I showed him the road to Summit and kicked him about eight feet nearer there at one kick. I’m sorry we lose the ransom; but it was either that or Bill Driscoll to the madhouse.”

Bill is puffing and blowing, but there is a look of ineffable peace and growing content on his rose-pink features.

“Bill,” says I, “there isn’t any heart disease in your family, is there?”

“No,” says Bill, “nothing chronic except malaria and accidents. Why?”

“Then you might turn around,” says I, “and have a look behind you.”

Bill turns and sees the boy, and loses his complexion and sits down plump on the ground and begins to pluck aimlessly at grass and little sticks. For an hour I was afraid for his mind. And then I told him that my scheme was to put the whole job through immediately[156] and that we would get the ransom and be off with it by midnight if old Dorset fell in with our proposition. So Bill braced up enough to give the kid a weak sort of a smile and a promise to play the Russian in a Japanese war with him as soon as he felt a little better.

I had a scheme for collecting that ransom without danger of being caught by counterplots that ought to commend itself to professional kidnappers. The tree under which the answer was to be left—and the money later on—was close to the road fence with big, bare fields on all sides. If a gang of constables should be watching for any one to come for the note, they could see him a long way off crossing the fields or in the road. But no, sirree! At half-past eight I was up in that tree as well hidden as a tree toad, waiting for the messenger to arrive.

Exactly on time, a half-grown boy rides up the road on a bicycle, locates the pasteboard box at the foot of the fence-post, slips a folded piece of paper into it, and pedals away again back toward Summit.

I waited an hour and then concluded the thing was square. I slid down the tree, got the note, slipped along the fence till I struck the woods, and was back at the cave in another half an hour. I opened the note, got near the lantern, and read it to Bill. It was written with a pen in a crabbed hand, and the sum and substance of it was this:

“Great pirates of Penzance!” says I; “of all the impudent——”

But I glanced at Bill, and hesitated. He had the most appealing look in his eyes I ever saw on the face of a dumb or a talking brute.

“Sam,” says he, “what’s two hundred and fifty dollars, after all? We’ve got the money. One more night of this kid will send me to a bed in Bedlam. Besides being a thorough gentleman, I think Mr. Dorset is a spendthrift for making us such a liberal offer. You ain’t going to let the chance go, are you?”

“Tell you the truth, Bill,” says I, “this little he ewe lamb has somewhat got on my nerves too. We’ll take him home, pay the ransom, and make our get-away.”

We took him home that night. We got him to go by telling him that his father had bought a silver-mounted rifle and a pair of moccasins for him, and we were going to hunt bears the next day.

It was just twelve o’clock when we knocked at Ebenezer’s front door. Just at the moment when I should have been abstracting the fifteen hundred dollars from the box under the tree, according to the original proposition, Bill was counting out two hundred and fifty dollars into Dorset’s hand.

When the kid found out we were going to leave him at home he started up a howl like a calliope and fastened himself as tight as a leech to Bill’s leg. His father peeled him away gradually, like a porous plaster.

“How long can you hold him?” asks Bill.

“I’m not as strong as I used to be,” says old Dorset, “but I think I can promise you ten minutes.”

“Enough,” says Bill. “In ten minutes I shall cross[158] the Central, Southern, and Middle Western States, and be legging it trippingly for the Canadian border.”

And, as dark as it was, and as fat as Bill was, and as good a runner as I am, he was a good mile and a half out of Summit before I could catch up with him.

BY

Ralph D. Paine

[160]

The chief interest in “The Freshman Full-Back” is that of character. The action has real dramatic quality and is staged with the local color of a college contest. But the great value of the action is ethical, for it shows that one may “wrest victory from defeat” and that it is a shameful thing to be a “coward and a quitter.”

[161]

THE FRESHMAN FULL-BACK[12]

The boyish night city editor glanced along the copy-readers’ table and petulantly exclaimed:

“Isn’t that spread head ready yet, Mr. Seeley? It goes on the front page and we are holding open for it. Whew, but you are slow. You ought to be holding down a job on a quarterly review.”

A portly man of middle age dropped his pencil and turned heavily in his chair to face the source of this public humiliation. An angry flush overspread his face and he chewed at a grayish mustache as if fighting down rebellion. His comrades at the long table had looked up from their work and were eyeing the oldest copy-reader with sympathetic uneasiness while they hoped that he would be able to hold himself in hand. The night city editor felt the tension of this brief tableau and awaited the threatened outbreak with a nervous smile. But Seeley jerked his green eyeshade so low that his face was partly in eclipse, and wheeled round to resume his task with a catch of the breath and a tone of surrender in his reply.

“The head will be ready in five minutes, sir. The last pages of the story are just coming in.”

A much younger man, at the farther end of the table, whispered to his neighbor:

“That’s cheap and nasty, to call down old man Seeley as if he were a cub reporter. He may have lost his grip, but he deserves decent treatment for what[162] he has been. Managing editor of this very sheet, London correspondent before that, and the crack man of the staff when most of the rest of us were in short breeches. And now Henry Harding Seeley isn’t any too sure of keeping his job on the copy-desk.”

“That’s what the New York newspaper game can do to you if you stick at it too long,” murmured the other. “Back to the farm for mine.”

It was long after midnight when these two put on their coats and bade the city editor’s desk a perfunctory “Good-night.”

They left Henry Harding Seeley still slumped in his chair, writing with dogged industry.

“He’s dead tired, you can see that,” commented one of the pair as they headed for Broadway, “but, as usual, he is grinding out stuff for the Sunday sheet after hours. He must need the extra coin mighty bad. I came back for my overcoat at four the other morning, after the poker game, and he was still pegging away just like that.”

Other belated editors and reporters of the Chronicle staff drifted toward the elevator, until the gray-haired copy-reader was left alone in the city room as if marooned. Writing as steadily as if he were a machine warranted to turn out so many words an hour, Seeley urged his pencil until the last page was finished. Then he read and corrected the “story,” slipped it through a slit in a door marked “Sunday Editor,” and trudged out, while the tower clock was striking three.

Instead of seeking the chop-house, wherein the vivacious and tireless youth of the staff were wont to linger over supper, he turned into a side street and betook himself to a small café as yet unfrequented by the night-owls of journalism. Seeley was a beaten man, and he preferred to nurse his wounds in a morbid isolation.[163] His gait and aspect were those of one who was stolidly struggling on the defensive, as if hostile circumstances had driven him into a corner where he was making his last stand.

Through the years of his indomitable youth as a reporter of rare ability and resourcefulness, he had never spared himself. Burning the candle at both ends, with a vitality which had seemed inexhaustible, he had won step after step of promotion until, at forty, he was made managing editor of that huge and hard-driven organization, the New York Chronicle. For five years of racking responsibility Henry Harding Seeley had been able to maintain the pace demanded of his position.

Then came an error of judgment—a midnight decision demanded of a fagged mind—and his O. K. was scrawled upon the first sheet of a story of embezzlement in Wall Street. By an incredible blunder the name of the fugitive cashier was coupled with that of the wrong bank. Publication of the Chronicle story started a terrific run on this innocent institution, which won its libel suit against the newspaper in the amount of one hundred thousand dollars.

The managing editor, two reporters, and the copy-reader who had handled the fatal manuscript, were swept out of the building by one cyclonic order from the owner thereof. Henry Seeley accepted his indirect responsibility for the disaster in grim, manly fashion, and straightway sought another berth befitting his journalistic station. But his one costly slip was more than a nine-days’ scandal along Park Row, and other canny proprietors were afraid that he might hit them in the very vital regions of their pockets. Worse than this, his confidence in himself had suffered mortal damage. The wear and tear of his earlier years had left[164] him with little reserve power, and he went to pieces in the face of adverse fortune.

“Worked out at forty-five,” was the verdict of his friends, and they began to pity him.

The will to succeed had been broken, but Seeley might have rallied had not his wife died during the ebb-tide of his affairs. She had walked hand in hand with him since his early twenties, her faith in him had been his mainstay, and his happiness in her complete and beautiful. Bereft of her when he stood most in need of her, he seemed to have no more fight in him, and, drifting from one newspaper office to another, he finally eddied into his old “shop” as a drudging copy-reader and an object of sympathy to a younger generation.

There was one son, strong, bright, eager, and by dint of driving his eternally wearied brain overtime, the father had been able to send him to Yale, his own alma mater. More or less pious deception had led young Ernest Seeley to believe that his father had regained much of his old-time prestige with the Chronicle and that he had a hand in guiding its editorial destinies. The lad was a Freshman, tremendously absorbed in the activities of the autumn term, and his father was content that he should be so hedged about by the interests of the campus world as to have small time or thought for the grizzled, taciturn toiler in New York.

This was the kind of man that trudged heavily into the little German café of an early morning after his long night’s slavery at the copy-desk. His mind, embittered and sensitive to slights like a raw nerve, was brooding over the open taunt of the night city editor, who had been an office boy under him in the years gone by. From force of habit he seated himself at a table in the rear of the room, shunning the chance of having[165] to face an acquaintance. Unfolding a copy of the city edition, which had been laid on his desk damp from the press-room, Seeley scanned the front page with scowling uneasiness, as if fearing to find some blunder of his own handiwork. Then he turned to the sporting page and began to read the football news.

His son Ernest had been playing as a substitute with the university eleven, an achievement which stirred the father’s pride without moving his enthusiasm. And the boy, chilled by his father’s indifference, had said little about it during his infrequent visits to New York. But now the elder Seeley sat erect, and his stolid countenance was almost animated as he read, under a New Haven date line:

“The Yale confidence of winning the game with Princeton to-morrow has been shattered, and gloom enshrouds the camp of the Elis to-night. Collins, the great full-back, who has been the key-stone of Yale’s offensive game, was taken to the infirmary late this afternoon. He complained of feeling ill after the signal practice yesterday; fever developed overnight, and the consulting physicians decided that he must be operated on for appendicitis without delay. His place in the Princeton game will be filled by Ernest Seeley, the Freshman, who has been playing a phenomenal game in the back-field, but who is so lacking in experience that the coaches are all at sea to-night. The loss of Collins has swung the betting around to even money instead of 5 to 3 on Yale.”

The elder Seeley wiped his glasses as if not sure that he had read aright.

Ernest had seemed to him no more than a sturdy infant and here he was, on the eve of a championship football battle, picked to fight for the “old blue.” The father’s career at Yale had been a most honorable one. He, too, had played on the eleven and had helped to win two desperate contests against Princeton. But all this belonged to a part of his life which was dead and[166] done for. He had not achieved in after years what Yale expected of him, and his record there was with his buried memories.

Supper was forgotten while Henry Seeley wondered whether he really wanted to go to New Haven to see his boy play. Many of his old friends and classmates would be there and he did not wish to meet them.

And it stung him to the quick as he reflected:

“I should be very happy to see him win, but—but to see him whipped! I couldn’t brace and comfort him. And supposing it breaks his heart to be whipped as it has broken mine? No, I won’t let myself think that. I’m a poor Yale man and a worse father, but I couldn’t stand going up there to-day.”

Even more humiliating was the thought that he would shrink from asking leave of the city editor. Saturday was not his “day off,” and he so greatly hated to ask favors at the office, that the possibility of being rebuffed was more than he was willing to face.

Into his unhappy meditations broke a boisterous hail:

“Diogenes Seeley, as I live. Why, you old rascal, I thought you were dead or something. Glad I didn’t get foolish and go to bed. Here, waiter, get busy.”

Seeley was startled, and he looked much more distressed than rejoiced as he lumbered from his table to grasp the outstretched hand of a classmate. The opera-hat of this Mr. Richard Giddings was cocked at a rakish angle, his blue eye twinkled good cheer and youthful hilarity, and his aspect was utterly care-free.

“How are you, Dick?” said Seeley, with an unusual smile which singularly brightened his face. “You don’t look a day older than when I last saw you. Still cutting coupons for a living?”

“Oh, money is the least of my worries,” gayly rattled Mr. Giddings. “Been doing the heavy society act to-night,[167] and on my way home found I needed some sauerkraut and beer to tone up my jaded system. By Jove, Harry, you’re as gray as a badger. This newspaper game must be bad for the nerves. Lots of fellows have asked me about you. Never see you at the University Club, nobody sees you anywhere. Remarkable how a man can lose himself right here in New York. Still running the Chronicle, I suppose.”

“I’m still in the old shop, Dick,” replied Seeley, glad to be rid of this awkward question. “But I work nearly all night and sleep most of the day, and am like a cog in a big machine that never stops grinding.”

“Shouldn’t do it. Wears a man out,” and Mr. Giddings sagely nodded his head. “Course you are going up to the game to-day. Come along with me. Special car with a big bunch of your old pals inside. They’ll be tickled to death to find I’ve dug you out of your hole. Hello! Is that this morning’s paper? Let me look at the sporting page. Great team at New Haven, they tell me. What’s the latest odds? I put up a thousand at five to three last week and am looking for some more easy money.”

The alert eye of the volatile Richard Giddings swept down the New Haven dispatch like lightning.

With a grievous outcry he smote the table and shouted:

“Collins out of the game? Great Scott, Harry, that’s awful news. And a green Freshman going to fill his shoes at the last minute. I feel like weeping, honest I do. Who the deuce is this Seeley? Any kin of yours? I suppose not or you would have bellowed it at me before this.”

“He is my only boy, Dick,” and the father held up his head with a shadow of his old manner. “I didn’t know he had the ghost of a show to make the team until I saw this dispatch.”

[168]

“Then, of course, you are coming up with me,” roared Mr. Giddings. “I hope he’s a chip of the old block. If he has your sand they can’t stop him. Jumping Jupiter, they couldn’t have stopped you with an axe when you were playing guard in our time, Harry. I feel better already to know that it is your kid going in at full-back to-day.”

“No, I’m not going up, Dick,” said Seeley slowly. “For one thing, it is too short notice for me to break away from the office, and I—I haven’t the nerve to watch the boy go into the game. I’m not feeling very fit.”

“Stuff and nonsense, you need a brain cure,” vociferated Richard Giddings. “You, an old Yale guard, with a pup on the team, and he a Freshman at that! Throw out your chest, man; tell the office to go to the devil—where all newspapers belong—and meet me at the station at ten o’clock sharp. You talk and look like the oldest living grad with one foot in the grave.”

Seeley flushed and bit his lip. His dulled realization of what Yale had been to him was quickened by this tormenting comrade of the brave days of old, but he could not be shaken from his attitude of morbid self-effacement.

“No, Dick, it’s no use,” he returned with a tremulous smile. “You can’t budge me. But give my love to the crowd and tell them to cheer for that youngster of mine until they’re blue in the face.”

Mr. Richard Giddings eyed him quizzically, and surmised that something or other was gravely wrong with his grizzled classmate. But Seeley offered no more explanations and the vivacious intruder fell to his task of demolishing sauerkraut with great gusto, after which he nimbly vanished into a cruising hansom with a sense of having been rebuffed.

[169]

Seeley watched him depart at great speed and then plodded toward his up-town lodgings. His sleep was distressed with unhappy dreams, and during a wakeful interval he heard a knock at his sitting-room door.

An office boy from the Chronicle editorial rooms gave him a note and waited for an answer.

Seeley recognized the handwriting of the managing editor and was worried, for he was always expecting the worst to happen. He sighed with relieved surprise as he read:

Seeley fished his watch from under a pillow. It was after ten o’clock and the game would begin at two. While he hurried into his clothes he was conscious of a distinct thrill of excited interest akin to his old-time joy in the day’s work. Could he “do this kind of stuff in fine style”? Why, before his brain had begun to be always tired, when he was the star reporter of the Chronicle, his football introductions had been classics in Park Row. If there was a spark of the old fire left in him he would try to strike it out, and for the moment he forgot the burden of inertia which had so long crushed him.

“But I don’t want to run into Dick Giddings and his crowd,” he muttered as he sought his hat and overcoat. “And I’ll be up in the press-box away from the mob of old grads. Perhaps my luck has turned.”

[170]

When Henry Seeley reached the Yale field the eleven had gone to the dressing-rooms in the training house, and he hovered on the edge of the flooding crowds, fairly yearning for a glimpse of the Freshman full-back and a farewell grasp of his hand. The habitual dread lest the son find cause to be ashamed of his father had been shoved into the background by a stronger, more natural emotion. But he well knew that he ought not to invade the training quarters in these last crucial moments. Ernest must not be distraught by a feather’s weight of any other interest than the task in hand. The coaches would be delivering their final words of instruction and the old Yale guard could picture to himself the tense absorption of the scene. Like one coming out of a dream, the past was returning to him in vivid, heart-stirring glimpses. Reluctantly he sought his place in the press-box high above the vast amphitheatre.

The preliminary spectacle was movingly familiar: the rippling banks of color which rose on all sides to frame the long carpet of chalked turf; the clamorous outbursts of cheering when an eddy of Yale or Princeton undergraduates swirled and tossed at command of the dancing dervish of a leader at the edge of the field below; the bright, buoyant aspect of the multitude as viewed en masse. Seeley leaned against the railing of his lofty perch and gazed at this pageant until a sporting editor, long in harness, nudged his elbow and said:

“Hello! I haven’t seen you at a game in a dozen years. Doing the story or just working the press-badge graft? That namesake of yours will be meat for the Tigers, I’m afraid. Glad he doesn’t belong to you, aren’t you?”

Seeley stared at him like a man in a trance and replied evasively:

[171]

“He may be good enough. It all depends on his sand and nerve. Yes, I am doing the story for a change. Have you the final line-up?”

“Princeton is playing all her regular men,” said the sporting editor, giving Seeley his note-book. “The only Yale change is at full-back—and that’s a catastrophe.”

Seeley copied the lists for reference and his pencil was not steady when he came to “Full-back, Ernest T. Seeley.” But he pulled his thoughts away from the eleven and began to jot down notes of the passing incidents which might serve to weave into the fabric of his description. The unwonted stimulus aroused his talent as if it were not dead but dormant. The scene appealed to him with almost as much freshness and color as if he were observing it for the first time.

A roar of cheering rose from a far corner of the field and ran swiftly along the Yale side of the amphitheatre, which blossomed in tossing blue. The Yale eleven scampered into view like colts at pasture, the substitutes veering toward the benches behind the side-line. Without more ado the team scattered in formation for signal practice, paying no heed to the tumult which raged around and above them. Agile, clean-limbed, splendid in their disciplined young manhood, the dark blue of their stockings and the white “Y” gleaming on their sweaters fairly trumpeted their significance to Henry Seeley. And poised behind the rush-line, wearing his hard-won university blue, was the lithe figure of the Freshman full-back, Ernest Seeley.

The youngster, whose fate it was to be called a “forlorn hope,” looked fragile beside his comrades of the eleven. Although tall and wiry, he was like a greyhound in a company of mastiffs. His father, looking down at him from so great a height that he could not[172] read his face, muttered to himself while he dug his nails into his palms:

“He is too light for this day’s work. But he carries himself like a thoroughbred.”

The boy and his fellows seemed singularly remote from the shouting thousands massed so near them. They had become the sole arbiters of their fate, and their impressive isolation struck Henry Seeley anew as the most dramatic feature of this magnificent picture. He must sit idly by and watch his only son battle through the most momentous hour of his young life, as if he were gazing down from another planet.

The staccato cheers of Princeton rocketed along the other side of the field, and the eleven from Old Nassau ran briskly over the turf and wheeled into line for a last rehearsal of their machine-like tactics. Henry Seeley was finding it hard to breathe, just as it had happened in other days when he was waiting for the “kick-off” and facing a straining Princeton line. The minutes were like hours while the officials consulted with the captains in the centre of the field. Then the two elevens ranged themselves across the brown turf, there was breathless silence, and a Princeton toe lifted the ball far down toward the Yale goal. It was the young full-back who waited to receive the opening kick, while his comrades thundered toward him to form a flying screen of interference. But the twisting ball bounded from his too eager arms, and another Yale back fell on it in time to save it from the clutches of a meteoric Princeton end.

“Nervous. Hasn’t steadied down yet,” exclaimed a reporter behind Henry Seeley. “But he can’t afford to give Princeton any more chances like that. Her ends are faster than chain lightning.”

The father groaned and wiped the sweat from his eyes. If the team were afraid of this untried full-back,[173] such a beginning would not give them confidence. Then the two lines locked and heaved in the first scrimmage, and a stocky Yale half-back was pulled down in his tracks. Again the headlong Princeton defence held firm and the Yale captain gasped, “Second down and three yards to gain.” The Yale interferers sped to circle one end of the line, but they were spilled this way and that and the runner went down a yard short of the needed distance.

The Yale full-back dropped back to punt. Far and true the ball soared into the Princeton field, and the lithe Freshman had somewhat redeemed himself. But now, for their own part, the sons of Old Nassau found themselves unable to make decisive gains against the Yale defence. Greek met Greek in these early clashes, and both teams were forced to punt again and again. Trick-plays were spoiled by alert end-rushers for the blue or the orange and black, fiercely launched assaults at centre were torn asunder, and the longer the contest raged up and down the field the more clearly it was perceived that these ancient rivals were rarely well matched in point of strength and strategy.

The Yale coaches were dismayed at this turn of events. They had hoped to see the ball carried toward the Princeton goal by means of shrewdly devised teamwork, instead of which the burden of the game was shifted to one man, the weakest link in the chain, the Freshman at full-back. He was punting with splendid distance, getting the ball away when it seemed as if he must be overwhelmed by the hurtling Tigers. Once or twice, however, a hesitant nervousness almost wrought quick disaster, and the Yale partisans watched him with tormenting apprehension.

The first half of the game was fought into the last few minutes of play and neither eleven had been able[174] to score. Then luck and skill combined to force the struggle far down into Yale territory. Only ten yards more of trampled turf to gain and Princeton would cross the last white line. The indomitable spirit which had placed upon the escutcheon of Yale football the figure of a bulldog rampant, rallied to meet this crisis, and the hard-pressed line held staunch and won possession of the ball on downs. Back to the very shadow of his own goal-posts the Yale full-back ran to punt the ball out of the danger zone. It shot fairly into his grasp from a faultless pass, but his fingers juggled the slippery leather as if it were bewitched. For a frantic, awful instant he fumbled with the ball and wildly dived after it as it caromed off to one side, bounded crazily, and rolled beyond his reach.

The Princeton quarter-back had darted through the line like a bullet. Without slackening speed or veering from his course, he scooped up the ball as he fled toward the Yale goal-line. It was done and over within a twinkling, and while the Yale team stampeded helplessly in his wake the devastating hero was circling behind the goal-posts where he flopped to earth, the precious ball apparently embedded in his stomach. It was a Princeton touchdown fairly won, but made possible by the tragic blunder of one Yale man. While ten thousand Princeton throats were barking their jubilation, as many more loyal friends of Yale sat sad-eyed and sullen and glowered their unspeakable displeasure at the slim figure of the full-back as he limped into line to face the try for goal.

The goal was not scored, however, and the fateful tally stood five to nothing when the first half ended, with the blue banners drooping disconsolate.

Henry Seeley pulled his slouch hat over his eyes and sat with hunched shoulders staring at the Yale team[175] as it left the field for the intermission. He had forgotten about his story of the game. The old spectre of failure obsessed him. It was already haunting the pathway of his boy. Was he also to be beaten by one colossal blunder? Henry Seeley felt that Ernest’s whole career hung upon his behavior in the second half. How would the lad “take his medicine”? Would it break his heart or rouse him to fight more valiantly? As if the father had been thinking aloud, the sporting editor at his side observed:

“He may win the game yet. I like the looks of that boy. But he did make a hideous mess of it, didn’t he? I hope he hasn’t got a streak of yellow in him.”

Henry Seeley turned on his neighbor with a savage scowl and could not hold, back the quivering retort:

“He belongs to me, I want you to understand, and we’ll say nothing about yellow streaks until he has a chance to make good next half.”

“Whew-w-w, why did you hold it out on me, old man?” gasped the sporting editor. “No wonder you kicked me black and blue without knowing it. I hope he is a chip of the old block. I saw you play here in your last game.”

Seeley grunted something and resumed staring at the field. He was thinking of the present moment in the training quarters, of the muddy, weary players sprawled around the head coach, of his wise, bitter, stinging rebukes and admonitions. Perhaps he would take Ernest out of the game. But Seeley was confident that the coaches would give the boy a chance to redeem himself if they believed his heart was in the right place. Presently the two teams trotted on the field, not as nimbly as at their first appearance, but with dogged resolution in their demeanor. Henry Seeley saw his son glance up at the “cheering sections,” as if wondering whether[176] their welcome was meant to include him. One cheer, at least, was intended to greet him, for Henry Seeley stood on his chair, waved his hat, and thundered:

“‘Rah, ’rah, ’rah, for Yale, my boy. Eat ’em alive as your daddy used to do.”

The men from Princeton had no intention of being devoured in this summary fashion. They resumed their tireless, whirlwind attack like giants refreshed, and so harried their Yale foemen that they were forced to their utmost to ward off another touchdown. This incessant battering dulled the edges of their offensive tactics, and they seemed unable to set in motion a consistent series of advances. But the joy of Princeton was tempered by the knowledge that this, her dearest enemy, was not beaten until the last play had been signalled.

And somehow the Yale machine of muscle, brains, and power began to find itself when the afternoon shadows were slanting athwart the arena. With the ball on Princeton’s forty-yard line the chosen sons of Eli began a heroic advance down the field. It was as if some missing cog had been supplied. “Straight old-fashioned football” it was, eleven minds and bodies working as one and animated by a desperate resolve, which carried the Yale team along for down after down into the heart of Princeton’s ground.

Perhaps because he was fresher than the other backs, perhaps because the captain knew his man, the ball was given to the Yale full-back for one swift and battering assault after another. His slim figure pelted at the rush-line, was overwhelmed in an avalanche of striped arms and legs, but somehow twisted, wriggled, dragged itself ahead as if there was no stopping him. The multitude comprehended that this despised and disgraced Freshman was working out his own salvation[177] along with that of his comrades. Once, when the scrimmage was untangled, he was dragged from beneath a heap of players, unable to regain his feet. He lay on the grass a huddled heap, blood smearing his forehead. A surgeon and the trainer doused and bandaged him, and presently he staggered to his feet and hobbled to his station, rubbing his hands across his eyes as if dazed.

When, at length, the stubbornly retreating Princeton line had been driven deep down into their end of the field, they, too, showed that they could hold fast in the last extremity. The Yale attack crumpled against them as if it had struck a stone wall. Young Seeley seemed to be so crippled and exhausted that he had been given a respite from the interlocked, hammering onslaught, but at the third down the panting quarter-back croaked out his signal. His comrades managed to rip a semblance of an opening for him, he plunged through, popped clear of the line, fell to his knees, recovered his footing by a miracle of agility, and lunged onward, to be brought down within five yards of the coveted goal-posts.

He had won the right to make the last momentous charge. Swaying in his tracks, the full-back awaited the summons. Then he dived in behind the interference for a circuit of the right end. Two Princeton men broke through as if they had been shot out of mortars, but the Yale full-back had turned and was ploughing straight ahead. Pulled down, dragging the tackler who clung to his waist, he floundered to earth with most of the Princeton team piled above him. But the ball lay beyond the fateful chalk-line, the Yale touchdown was won, and the game was tied.

The captain clapped Seeley on the shoulder, nodded at the ball, and the full-back limped on to the field[178] to kick the goal or lose a victory. There were no more signs of nervousness in his bearing. With grave deliberation he stood waiting for the ball to be placed in front of the goal-posts. The sun had dropped behind the lofty grand-stands. The field lay in a kind of wintry twilight. Thirty thousand men and women gazed in tensest silence at the mud-stained, battered youth who had become the crowning issue of this poignant moment. Up in the press-box a thick-set, grayish man dug his fists in his eyes and could not bear to look at the lonely, reliant figure down yonder on the quiet field. The father found courage to take his hands from his face only when a mighty roar of joy boomed along the Yale side of the amphitheatre, and he saw the ball drop in a long arc behind the goal-posts. The kick had won the game for Yale.

Once clear of the crowds, Henry Seeley hurried toward the training quarters. His head was up, his shoulders squared, and he walked with the free stride of an athlete. Mr. Richard Giddings danced madly across to him:

“Afraid to see him play were you, you silly old fool? He is a chip of the old block. He didn’t know when he was licked. Wow, wow, wow, blood will tell! Come along with us, Harry.”

“I must shake hands with the youngster, Dick. Glad I changed my mind and came to see him do it.”

“All right, see you at Mory’s to-night. Tell the boy we’re all proud of him.”

Seeley resumed his course, saying over and over again, as if he loved the sound of the words, “chip of the old block,” “blood will tell.”

This verdict was like the ringing call of bugles. It made him feel young, hopeful, resolute, that life were worth having for the sake of its strife. One thing at[179] least was certain. His son could “take his punishment” and wrest victory from disaster, and he deserved something better than a coward and a quitter for a father.

The full-back was sitting on a bench when the elder Seeley entered the crowded, steaming room of the training house. The surgeon had removed the muddy, blood-stained bandage from around his tousled head and was cleansing an ugly, ragged gash. The boy scowled and winced but made no complaint, although his bruised face was very pale.

“Must have made you feel pretty foggy,” said the surgeon. “I shall have to put in a few stitches. It was a deuce of a thump.”

“I couldn’t see very well and my legs went queer for a few minutes, but I’m all right now, thanks,” replied the full-back, and then, glancing up, he espied his father standing near the door. The young hero of the game beckoned him with a grimy fist. Henry Seeley went over to him, took the fist in his two hands, and then patted the boy’s cheek with awkward and unaccustomed tenderness.

“Sit still, Ernest. I won’t interfere with the doctor’s job. I just wanted to let you know that I saw your bully work. It made me think of—it made me think of——”

Henry Seeley’s voice broke curiously and his lip quivered. He had not meant to show any emotion.

His son replied with a smile of affectionate admiration:

“It made you think of your own teams, didn’t it? And I was thinking of you in that last half. It helped my nerve a whole lot to remember that my dad never knew when he was licked. Why, even the coaches told me that between the halves. It put more ginger into[180] me than anything else. We’ve got to keep up the family record between us.”

The father looked beyond the boy as if he were thinking of a bigger, sterner game than football. There was the light of a resurrected determination in his eyes, and a vibrant earnestness in his voice as he said:

“I’m not worrying about your keeping the family record bright, Ernest. And, however things may go with me, you will be able to hang fast to the doctrine which helped you to-day, that your father, too, doesn’t know when he is whipped.”

A NEWSPAPER STORY

BY

Richard Harding Davis

[182]

This is an illustration of a popular type of the short-story. The movement from beginning to end is swift and urgent; something important is happening all the time. Description is reduced to the minimum, and where it is used does not impede the action. The local color of a great newspaper office in a large city contributes to the impression of orderly activity and haste. Gallegher, moreover, is the kind of character that enlists sympathy by his youth, his daring, and his resourcefulness.

[183]

GALLEGHER[13]

We had had so many office-boys before Gallegher came among us that they had begun to lose the characteristics of individuals, and became merged in a composite photograph of small boys, to whom we applied the generic title of “Here, you”; or “You, boy.”

We had had sleepy boys, and lazy boys, and bright, “smart” boys, who became so familiar on so short an acquaintance that we were forced to part with them to save our own self-respect.

They generally graduated into district-messenger boys, and occasionally returned to us in blue coats with nickel-plated buttons, and patronized us.

But Gallegher was something different from anything we had experienced before. Gallegher was short and broad in build, with a solid, muscular broadness, and not a fat and dumpy shortness. He wore perpetually on his face a happy and knowing smile, as if you and the world in general were not impressing him as seriously as you thought you were, and his eyes, which were very black and very bright, snapped intelligently at you like those of a little black-and-tan terrier.

All Gallegher knew had been learnt on the streets; not a very good school in itself, but one that turns out very knowing scholars. And Gallagher had attended both morning and evening sessions. He could not[184] tell you who the Pilgrim Fathers were, nor could he name the thirteen original States, but he knew all the officers of the twenty-second police district by name, and he could distinguish the clang of a fire-engine’s gong from that of a patrol-wagon or an ambulance fully two blocks distant. It was Gallegher who rang the alarm when the Woolwich Mills caught fire, while the officer on the beat was asleep, and it was Gallegher who led the “Black Diamonds” against the “Wharf Rats,” when they used to stone each other to their hearts’ content on the coal-wharves of Richmond.

I am afraid, now that I see these facts written down, that Gallegher was not a reputable character; but he was so very young and so very old for his years that we all liked him very much nevertheless. He lived in the extreme northern part of Philadelphia, where the cotton- and woollen-mills run down to the river, and how he ever got home after leaving the Press building at two in the morning, was one of the mysteries of the office. Sometimes he caught a night car, and sometimes he walked all the way, arriving at the little house, where his mother and himself lived alone, at four in the morning. Occasionally he was given a ride on an early milk-cart, or on one of the newspaper delivery wagons, with its high piles of papers still damp and sticky from the press. He knew several drivers of “night hawks”—those cabs that prowl the streets at night looking for belated passengers—and when it was a very cold morning he would not go home at all, but would crawl into one of these cabs and sleep, curled upon the cushions, until daylight.

Besides being quick and cheerful, Gallegher possessed a power of amusing the Press’s young men to a degree seldom attained by the ordinary mortal. His clog-dancing on the city editor’s desk, when that gentleman[185] was upstairs fighting for two more columns of space, was always a source of innocent joy to us, and his imitations of the comedians of the variety halls delighted even the dramatic critic, from whom the comedians themselves failed to force a smile.

But Gallegher’s chief characteristic was his love for that element of news generically classed as “crime.”

Not that he ever did anything criminal himself. On the contrary, his was rather the work of the criminal specialist, and his morbid interest in the doings of all queer characters, his knowledge of their methods, their present whereabouts, and their past deeds of transgression often rendered him a valuable ally to our police reporter, whose daily feuilletons were the only portion of the paper Gallegher deigned to read.

In Gallegher the detective element was abnormally developed. He had shown this on several occasions, and to excellent purpose.

Once the paper had sent him into a Home for Destitute Orphans which was believed to be grievously mismanaged, and Gallegher, while playing the part of a destitute orphan, kept his eyes open to what was going on around him so faithfully that the story he told of the treatment meted out to the real orphans was sufficient to rescue the unhappy little wretches from the individual who had them in charge, and to have the individual himself sent to jail.

Gallegher’s knowledge of the aliases, terms of imprisonment, and various misdoings of the leading criminals in Philadelphia was almost as thorough as that of the chief of police himself, and he could tell to an hour when “Dutchy Mack” was to be let out of prison, and could identify at a glance “Dick Oxford, confidence man,” as “Gentleman Dan, petty thief.”

There were, at this time, only two pieces of news[186] in any of the papers. The least important of the two was the big fight between the Champion of the United States and the Would-be Champion, arranged to take place near Philadelphia; the second was the Burrbank murder, which was filling space in newspapers all over the world, from New York to Bombay.

Richard F. Burrbank was one of the most prominent of New York’s railroad lawyers; he was also, as a matter of course, an owner of much railroad stock, and a very wealthy man. He had been spoken of as a political possibility for many high offices, and, as the counsel for a great railroad, was known even further than the great railroad itself had stretched its system.

At six o’clock one morning he was found by his butler lying at the foot of the hall stairs with two pistol wounds above his heart. He was quite dead. His safe, to which only he and his secretary had the keys, was found open, and $200,000 in bonds, stocks, and money, which had been placed there only the night before, was found missing. The secretary was missing also. His name was Stephen S. Hade, and his name and his description had been telegraphed and cabled to all parts of the world. There was enough circumstantial evidence to show, beyond any question or possibility of mistake, that he was the murderer.

It made an enormous amount of talk, and unhappy individuals were being arrested all over the country, and sent on to New York for identification. Three had been arrested at Liverpool, and one man just as he landed at Sydney, Australia. But so far the murderer had escaped.

We were all talking about it one night, as everybody else was all over the country, in the local room, and the city editor said it was worth a fortune to any one who chanced to run across Hade and succeeded in handing[187] him over to the police. Some of us thought Hade had taken passage from some one of the smaller sea-ports, and others were of the opinion that he had buried himself in some cheap lodging-house in New York, or in one of the smaller towns in New Jersey.

“I shouldn’t be surprised to meet him out walking, right here in Philadelphia,” said one of the staff. “He’ll be disguised, of course, but you could always tell him by the absence of the trigger finger on his right hand. It’s missing, you know; shot off when he was a boy.”

“You want to look for a man dressed like a tough,” said the city editor; “for as this fellow is to all appearances a gentleman, he will try to look as little like a gentleman as possible.”

“No, he won’t,” said Gallegher, with that calm impertinence that made him dear to us. “He’ll dress just like a gentleman. Toughs don’t wear gloves, and you see he’s got to wear ’em. The first thing he thought of after doing for Burrbank was of that gone finger, and how he was to hide it. He stuffed the finger of that glove with cotton so’s to make it look like a whole finger, and the first time he takes off that glove they’ve got him—see, and he knows it. So what youse want to do is to look for a man with gloves on. I’ve been a-doing it for two weeks now, and I can tell you it’s hard work, for everybody wears gloves this kind of weather. But if you look long enough you’ll find him. And when you think it’s him, go up to him and hold out your hand in a friendly way, like a bunco-steerer, and shake his hand; and if you feel that his forefinger ain’t real flesh, but just wadded cotton, then grip to it with your right and grab his throat with your left, and holler for help.”

There was an appreciative pause.

“I see, gentlemen,” said the city editor, drily, “that[188] Gallegher’s reasoning has impressed you; and I also see that before the week is out all of my young men will be under bonds for assaulting innocent pedestrians whose only offence is that they wear gloves in mid-winter.”

It was about a week after this that Detective Hefflefinger, of Inspector Byrnes’s staff, came over to Philadelphia after a burglar, of whose whereabouts he had been misinformed by telegraph. He brought the warrant, requisition, and other necessary papers with him, but the burglar had flown. One of our reporters had worked on a New York paper, and knew Hefflefinger, and the detective came to the office to see if he could help him in his so far unsuccessful search.

He gave Gallegher his card, and after Gallegher had read it, and had discovered who the visitor was, he became so demoralized that he was absolutely useless.

“One of Byrnes’s men” was a much more awe-inspiring individual to Gallegher than a member of the Cabinet. He accordingly seized his hat and overcoat, and leaving his duties to be looked after by others, hastened out after the object of his admiration, who found his suggestions and knowledge of the city so valuable, and his company so entertaining, that they became very intimate, and spent the rest of the day together.

In the meanwhile the managing editor had instructed his subordinates to inform Gallegher, when he condescended to return, that his services were no longer needed. Gallegher had played truant once too often. Unconscious of this, he remained with his new friend until late the same evening, and started the next afternoon toward the Press office.

As I have said, Gallegher lived in the most distant part of the city, not many minutes’ walk from the Kensington[189] railroad station, where trains ran into the suburbs and on to New York.

It was in front of this station that a smoothly-shaven, well-dressed man brushed past Gallegher and hurried up the steps to the ticket office.

He held a walking-stick in his right hand, and Gallegher, who now patiently scrutinized the hands of every one who wore gloves, saw that while three fingers of the man’s hand were closed around the cane, the fourth stood out in almost a straight line with his palm.

Gallegher stopped with a gasp and with a trembling all over his little body, and his brain asked with a throb if it could be possible. But possibilities and probabilities were to be discovered later. Now was the time for action.

He was after the man in a moment, hanging at his heels and his eyes moist with excitement.

He heard the man ask for a ticket to Torresdale, a little station just outside of Philadelphia, and when he was out of hearing, but not out of sight, purchased one for the same place.

The stranger went into the smoking-car, and seated himself at one end toward the door. Gallegher took his place at the opposite end.

He was trembling all over, and suffered from a slight feeling of nausea. He guessed it came from fright, not of any bodily harm that might come to him, but at the probability of failure in his adventure and of its most momentous possibilities.

The stranger pulled his coat collar up around his ears, hiding the lower portion of his face, but not concealing the resemblance in his troubled eyes and close-shut lips to the likenesses of the murderer Hade.

They reached Torresdale in half an hour, and the[190] stranger, alighting quickly, struck off at a rapid pace down the country road leading to the station.

Gallegher gave him a hundred yards’ start, and then followed slowly after. The road ran between fields and past a few frame-houses set far from the road in kitchen gardens.

Once or twice the man looked back over his shoulder, but he saw only a dreary length of road with a small boy splashing through the slush in the midst of it and stopping every now and again to throw snowballs at belated sparrows.

After a ten minutes’ walk the stranger turned into a side road which led to only one place, the Eagle Inn, an old roadside hostelry known now as the headquarters for pothunters from the Philadelphia game market and the battle-ground of many a cock-fight.

Gallegher knew the place well. He and his young companions had often stopped there when out chestnutting on holidays in the autumn.

The son of the man who kept it had often accompanied them on their excursions, and though the boys of the city streets considered him a dumb lout, they respected him somewhat owing to his inside knowledge of dog- and cock-fights.

The stranger entered the inn at a side door, and Gallegher, reaching it a few minutes later, let him go for the time being, and set about finding his occasional playmate, young Keppler.

Keppler’s offspring was found in the wood-shed.

“‘Tain’t hard to guess what brings you out here,” said the tavern-keeper’s son, with a grin; “it’s the fight.”

“What fight?” asked Gallegher, unguardedly.

“What fight? Why, the fight,” returned his companion, with the slow contempt of superior knowledge.

[191]

“It’s to come off here to-night. You knew that as well as me; anyway your sportin’ editor knows it. He got the tip last night, but that won’t help you any. You needn’t think there’s any chance of your getting a peep at it. Why, tickets is two hundred and fifty apiece!”

“Whew!” whistled Gallegher, “where’s it to be?”

“In the barn,” whispered Keppler. “I helped ’em fix the ropes this morning, I did.”

“Gosh, but you’re in luck,” exclaimed Gallegher, with flattering envy. “Couldn’t I jest get a peep at it?”

“Maybe,” said the gratified Keppler. “There’s a winder with a wooden shutter at the back of the barn. You can get in by it, if you have some one to boost you up to the sill.”

“Sa-a-y,” drawled Gallegher, as if something had but just that moment reminded him. “Who’s that gent who come down the road just a bit ahead of me—him with the cape-coat! Has he got anything to do with the fight?”

“Him?” repeated Keppler in tones of sincere disgust. “No-oh, he ain’t no sport. He’s queer, Dad thinks. He come here one day last week about ten in the morning, said his doctor told him to go out ’en the country for his health. He’s stuck up and citified, and wears gloves, and takes his meals private in his room, and all that sort of truck. They was saying in the saloon last night that they thought he was hiding from something, and Dad, just to try him, asks him last night if he was coming to see the fight. He looked sort of scared, and said he didn’t want to see no fight. And then Dad says, ’I guess you mean you don’t want no fighters to see you.’ Dad didn’t mean no harm by it, just passed it as a joke; but Mr. Carleton, as he calls himself, got white as a ghost an’ says, ’I’ll go to the fight[192] willing enough,’ and begins to laugh and joke. And this morning he went right into the bar-room, where all the sports were setting, and said he was going in to town to see some friends; and as he starts off he laughs an’ says, ’This don’t look as if I was afraid of seeing people, does it?’ but Dad says it was just bluff that made him do it, and Dad thinks that if he hadn’t said what he did, this Mr. Carleton wouldn’t have left his room at all.”

Gallegher had got all he wanted, and much more than he had hoped for—so much more that his walk back to the station was in the nature of a triumphal march.

He had twenty minutes to wait for the next train, and it seemed an hour. While waiting he sent a telegram to Hefflefinger at his hotel. It read: “Your man is near the Torresdale station, on Pennsylvania Railroad; take cab, and meet me at station. Wait until I come. Gallegher.”

With the exception of one at midnight, no other train stopped at Torresdale that evening, hence the direction to take a cab.

The train to the city seemed to Gallegher to drag itself by inches. It stopped and backed at purposeless intervals, waited for an express to precede it, and dallied at stations, and when, at last, it reached the terminus, Gallegher was out before it had stopped and was in the cab and off on his way to the home of the sporting editor.

The sporting editor was at dinner and came out in the hall to see him, with his napkin in his hand. Gallegher explained breathlessly that he had located the murderer for whom the police of two continents were looking, and that he believed, in order to quiet the suspicions of the people with whom he was hiding, that he would be present at the fight that night.

[193]

The sporting editor led Gallegher into his library and shut the door. “Now,” he said, “go over all that again.”

Gallegher went over it again in detail, and added how he had sent for Hefflefinger to make the arrest in order that it might be kept from the knowledge of the local police and from the Philadelphia reporters.

“What I want Hefflefinger to do is to arrest Hade with the warrant he has for the burglar,” explained Gallegher; “and to take him on to New York on the owl train that passes Torresdale at one. It don’t get to Jersey City until four o’clock, one hour after the morning papers go to press. Of course, we must fix Hefflefinger so’s he’ll keep quiet and not tell who his prisoner really is.”

The sporting editor reached his hand out to pat Gallegher on the head, but changed his mind and shook hands with him instead.

“My boy,” he said, “you are an infant phenomenon. If I can pull the rest of this thing off to-night, it will mean the $5,000 reward and fame galore for you and the paper. Now, I’m going to write a note to the managing editor, and you can take it around to him and tell him what you’ve done and what I am going to do, and he’ll take you back on the paper and raise your salary. Perhaps you didn’t know you’ve been discharged?”

“Do you think you ain’t a-going to take me with you?” demanded Gallegher.

“Why, certainly not. Why should I? It all lies with the detective and myself now. You’ve done your share, and done it well. If the man’s caught, the reward’s yours. But you’d only be in the way now. You’d better go to the office and make your peace with the chief.”

“If the paper can get along without me, I can get[194] along without the old paper,” said Gallegher, hotly. “And if I ain’t a-going with you, you ain’t neither, for I know where Hefflefinger is to be, and you don’t, and I won’t tell you.”

“Oh, very well, very well,” replied the sporting editor, weakly capitulating. “I’ll send the note by a messenger; only mind, if you lose your place, don’t blame me.”

Gallegher wondered how this man could value a week’s salary against the excitement of seeing a noted criminal run down, and of getting the news to the paper, and to that one paper alone.

From that moment the sporting editor sank in Gallegher’s estimation.

Mr. Dwyer sat down at his desk and scribbled off the following note:

The sporting editor stepped into the waiting cab, while Gallegher whispered the directions to the driver. He was told to go first to a district-messenger office, and from there up to the Ridge Avenue Road, out Broad Street, and on to the old Eagle Inn, near Torresdale.

It was a miserable night. The rain and snow were falling together, and freezing as they fell. The sporting editor got out to send his message to the Press office,[195] and then lighting a cigar, and turning up the collar of his great-coat, curled up in the corner of the cab.

“Wake me when we get there, Gallegher,” he said. He knew he had a long ride, and much rapid work before him, and he was preparing for the strain.

To Gallegher the idea of going to sleep seemed almost criminal. From the dark corner of the cab his eyes shone with excitement, and with the awful joy of anticipation. He glanced every now and then to where the sporting editor’s cigar shone in the darkness, and watched it as it gradually burnt more dimly and went out. The lights in the shop windows threw a broad glare across the ice on the pavements, and the lights from the lamp-posts tossed the distorted shadow of the cab, and the horse, and the motionless driver, sometimes before and sometimes behind them.

After half an hour Gallegher slipped down to the bottom of the cab and dragged out a lap-robe, in which he wrapped himself. It was growing colder, and the damp, keen wind swept in through the cracks until the window-frames and woodwork were cold to the touch.

An hour passed, and the cab was still moving more slowly over the rough surface of partly paved streets, and by single rows of new houses standing at different angles to each other in fields covered with ash-heaps and brick-kilns. Here and there the gaudy lights of a drug-store, and the forerunner of suburban civilization, shone from the end of a new block of houses, and the rubber cape of an occasional policeman showed in the light of the lamp-post that he hugged for comfort.

Then even the houses disappeared, and the cab dragged its way between truck farms, with desolate-looking, glass-covered beds, and pools of water, half-caked with ice, and bare trees, and interminable fences.

[196]

Once or twice the cab stopped altogether, and Gallegher could hear the driver swearing to himself, or at the horse, or the roads. At last they drew up before the station at Torresdale. It was quite deserted, and only a single light cut a swath in the darkness and showed a portion of the platform, the ties, and the rails glistening in the rain. They walked twice past the light before a figure stepped out of the shadow and greeted them cautiously.

“I am Mr. Dwyer, of the Press,” said the sporting editor, briskly. “You’ve heard of me, perhaps. Well, there shouldn’t be any difficulty in our making a deal, should there? This boy here has found Hade, and we have reason to believe he will be among the spectators at the fight to-night. We want you to arrest him quietly, and as secretly as possible. You can do it with your papers and your badge easily enough. We want you to pretend that you believe he is this burglar you came over after. If you will do this, and take him away without any one so much as suspecting who he really is, and on the train that passes here at 1.20 for New York, we will give you $500 out of the $5,000 reward. If, however, one other paper, either in New York or Philadelphia, or anywhere else, knows of the arrest, you won’t get a cent. Now, what do you say?”

The detective had a great deal to say. He wasn’t at all sure the man Gallegher suspected was Hade; he feared he might get himself into trouble by making a false arrest, and if it should be the man, he was afraid the local police would interfere.

“We’ve no time to argue or debate this matter,” said Dwyer, warmly. “We agree to point Hade out to you in the crowd. After the fight is over you arrest him as we have directed, and you get the money and the credit of the arrest. If you don’t like this, I will arrest[197] the man myself, and have him driven to town, with a pistol for a warrant.”

Hefflefinger considered in silence and then agreed unconditionally. “As you say, Mr. Dwyer,” he returned. “I’ve heard of you for a thoroughbred sport. I know you’ll do what you say you’ll do; and as for me I’ll do what you say and just as you say, and it’s a very pretty piece of work as it stands.”

They all stepped back into the cab, and then it was that they were met by a fresh difficulty, how to get the detective into the barn where the fight was to take place, for neither of the two men had $250 to pay for his admittance.

But this was overcome when Gallegher remembered the window of which young Keppler had told him.

In the event of Hade’s losing courage and not daring to show himself in the crowd around the ring, it was agreed that Dwyer should come to the barn and warn Hefflefinger; but if he should come, Dwyer was merely to keep near him and to signify by a prearranged gesture which one of the crowd he was.

They drew up before a great black shadow of a house, dark, forbidding, and apparently deserted. But at the sound of the wheels on the gravel the door opened, letting out a stream of warm, cheerful light, and a man’s voice said, “Put out those lights. Don’t youse know no better than that?” This was Keppler, and he welcomed Mr. Dwyer with effusive courtesy.

The two men showed in the stream of light, and the door closed on them, leaving the house as it was at first, black and silent, save for the dripping of the rain and snow from the eaves.

The detective and Gallegher put out the cab’s lamps and led the horse toward a long, low shed in the rear of the yard, which they now noticed was almost filled[198] with teams of many different makes, from the Hobson’s choice of a livery stable to the brougham of the man about town.

“No,” said Gallegher, as the cabman stopped to hitch the horse beside the others, “we want it nearest that lower gate. When we newspaper men leave this place we’ll leave it in a hurry, and the man who is nearest town is likely to get there first. You won’t be a-following of no hearse when you make your return trip.”

Gallegher tied the horse to the very gate-post itself, leaving the gate open and allowing a clear road and a flying start for the prospective race to Newspaper Row.

The driver disappeared under the shelter of the porch, and Gallegher and the detective moved off cautiously to the rear of the barn. “This must be the window,” said Hefflefinger, pointing to a broad wooden shutter some feet from the ground.

“Just you give me a boost once, and I’ll get that open in a jiffy,” said Gallegher.

The detective placed his hands on his knees, and Gallegher stood upon his shoulders, and with the blade of his knife lifted the wooden button that fastened the window on the inside, and pulled the shutter open.

Then he put one leg inside over the sill, and leaning down helped to draw his fellow-conspirator up to a level with the window. “I feel just like I was burglarizing a house,” chuckled Gallegher, as he dropped noiselessly to the floor below and refastened the shutter. The barn was a large one, with a row of stalls on either side in which horses and cows were dozing. There was a haymow over each row of stalls, and at one end of the barn a number of fence-rails had been thrown across from one mow to the other. These rails were covered with hay.

[199]

In the middle of the floor was the ring. It was not really a ring, but a square, with wooden posts at its four corners through which ran a heavy rope. The space inclosed by the rope was covered with sawdust.

Gallegher could not resist stepping into the ring, and after stamping the sawdust once or twice, as if to assure himself that he was really there, began dancing around it, and indulging in such a remarkable series of fistic manœuvres with an imaginary adversary that the unimaginative detective precipitately backed into a corner of the barn.

“Now, then,” said Gallegher, having apparently vanquished his foe, “you come with me.” His companion followed quickly as Gallegher climbed to one of the haymows, and crawling carefully out on the fence-rail, stretched himself at full length, face downward. In this position, by moving the straw a little, he could look down, without being himself seen, upon the heads of whomsoever stood below. “This is better’n a private box, ain’t it?” said Gallegher.

The boy from the newspaper office and the detective lay there in silence, biting at straws and tossing anxiously on their comfortable bed.

It seemed fully two hours before they came. Gallegher had listened without breathing, and with every muscle on a strain, at least a dozen times, when some movement in the yard had led him to believe that they were at the door.

And he had numerous doubts and fears. Sometimes it was that the police had learnt of the fight, and had raided Keppler’s in his absence, and again it was that the fight had been postponed, or, worst of all, that it would be put off until so late that Mr. Dwyer could not get back in time for the last edition of the paper.[200] Their coming, when at last they came, was heralded by an advance-guard of two sporting men, who stationed themselves at either side of the big door.

“Hurry up, now, gents,” one of the men said with a shiver, “don’t keep this door open no longer’n is needful.”

It was not a very large crowd, but it was wonderfully well selected. It ran, in the majority of its component parts, to heavy white coats with pearl buttons. The white coats were shouldered by long blue coats with astrakhan fur trimmings, the wearers of which preserved a cliqueness not remarkable when one considers that they believed every one else present to be either a crook or a prize-fighter.

There were well-fed, well-groomed clubmen and brokers in the crowd, a politician or two, a popular comedian with his manager, amateur boxers from the athletic clubs, and quiet, close-mouthed sporting men from every city in the country. Their names if printed in the papers would have been as familiar as the types of the papers themselves.

And among these men, whose only thought was of the brutal sport to come, was Hade, with Dwyer standing at ease at his shoulder,—Hade, white, and visibly in deep anxiety, hiding his pale face beneath a cloth travelling-cap, and with his chin muffled in a woollen scarf. He had dared to come because he feared his danger from the already suspicious Keppler was less than if he stayed away. And so he was there, hovering restlessly on the border of the crowd, feeling his danger and sick with fear.

When Hefflefinger first saw him he started up on his hands and elbows and made a movement forward as if he would leap down then and there and carry off his prisoner single-handed.

[201]

“Lie down,” growled Gallegher; “an officer of any sort wouldn’t live three minutes in that crowd.”

The detective drew back slowly and buried himself again in the straw, but never once through the long fight which followed did his eyes leave the person of the murderer. The newspaper men took their places in the foremost row close around the ring, and kept looking at their watches and begging the master of ceremonies to “shake it up, do.”

There was a great deal of betting, and all of the men handled the great roll of bills they wagered with a flippant recklessness which could only be accounted for in Gallegher’s mind by temporary mental derangement. Some one pulled a box out into the ring and the master of ceremonies mounted it, and pointed out in forcible language that as they were almost all already under bonds to keep the peace, it behooved all to curb their excitement and to maintain a severe silence, unless they wanted to bring the police upon them and have themselves “sent down” for a year or two.

Then two very disreputable-looking persons tossed their respective principals’ high hats into the ring, and the crowd, recognizing in this relic of the days when brave knights threw down their gauntlets in the lists as only a sign that the fight was about to begin, cheered tumultuously.

This was followed by a sudden surging forward, and a mutter of admiration much more flattering than the cheers had been, when the principals followed their hats, and slipping out of their great-coats, stood forth in all the physical beauty of the perfect brute.

Their pink skin was as soft and healthy-looking as a baby’s, and glowed in the lights of the lanterns like tinted ivory, and underneath this silken covering the great biceps and muscles moved in and out and[202] looked like the coils of a snake around the branch of a tree.

Gentleman and blackguard shouldered each other for a nearer view; the coachmen, whose metal buttons were unpleasantly suggestive of police, put their hands, in the excitement of the moment, on the shoulders of their masters; the perspiration stood out in great drops on the foreheads of the backers, and the newspaper men bit somewhat nervously at the ends of their pencils.

And in the stalls the cows munched contentedly at their cuds and gazed with gentle curiosity at their two fellow-brutes, who stood waiting the signal to fall upon, and kill each other if need be, for the delectation of their brothers.

“Take your places,” commanded the master of ceremonies.

In the moment in which the two men faced each other the crowd became so still that, save for the beating of the rain upon the shingled roof and the stamping of a horse in one of the stalls, the place was as silent as a church.

“Time!” shouted the master of ceremonies.

The two men sprang into a posture of defence, which was lost as quickly as it was taken, one great arm shot out like a piston-rod; there was the sound of bare fists beating on naked flesh; there was an exultant indrawn gasp of savage pleasure and relief from the crowd, and the great fight had begun.

How the fortunes of war rose and fell, and changed and rechanged that night, is an old story to those who listen to such stories; and those who do not will be glad to be spared the telling of it. It was, they say, one of the bitterest fights between two men that this country has ever known.

But all that is of interest here is that after an hour of this desperate brutal business the champion ceased[203] to be the favorite; the man whom he had taunted and bullied, and for whom the public had but little sympathy, was proving himself a likely winner, and under his cruel blows, as sharp and clean as those from a cutlass, his opponent was rapidly giving way.

The men about the ropes were past all control now; they drowned Keppler’s petitions for silence with oaths and in inarticulate shouts of anger, as if the blows had fallen upon them, and in mad rejoicings. They swept from one end of the ring to the other, with every muscle leaping in unison with those of the man they favored, and when a New York correspondent muttered over his shoulder that this would be the biggest sporting surprise since the Heenan-Sayers fight, Mr. Dwyer nodded his head sympathetically in assent.

In the excitement and tumult it is doubtful if any heard the three quickly repeated blows that fell heavily from the outside upon the big doors of the barn. If they did, it was already too late to mend matters, for the door fell, torn from its hinges, and as it fell a captain of police sprang into the light from out of the storm, with his lieutenants and their men crowding close at his shoulder.

In the panic and stampede that followed, several of the men stood as helplessly immovable as though they had seen a ghost; others made a mad rush into the arms of the officers and were beaten back against the ropes of the ring; others dived headlong into the stalls, among the horses and cattle, and still others shoved the rolls of money they held into the hands of the police and begged like children to be allowed to escape.

The instant the door fell and the raid was declared Hefflefinger slipped over the cross rails on which he had been lying, hung for an instant by his hands, and then dropped into the centre of the fighting mob on the[204] floor. He was out of it in an instant with the agility of a pickpocket, was across the room and at Hade’s throat like a dog. The murderer, for the moment, was the calmer man of the two.

“Here,” he panted, “hands off, now. There’s no need for all this violence. There’s no great harm in looking at a fight, is there? There’s a hundred-dollar bill in my right hand; take it and let me slip out of this. No one is looking. Here.”

But the detective only held him the closer.

“I want you for burglary,” he whispered under his breath. “You’ve got to come with me now, and quick. The less fuss you make, the better for both of us. If you don’t know who I am, you can feel my badge under my coat there. I’ve got the authority. It’s all regular, and when we’re out of this d——d row I’ll show you the papers.”

He took one hand from Hade’s throat and pulled a pair of handcuffs from his pocket.

“It’s a mistake. This is an outrage,” gasped the murderer, white and trembling, but dreadfully alive and desperate for his liberty. “Let me go, I tell you! Take your hands off of me! Do I look like a burglar, you fool?”

“I know who you look like,” whispered the detective, with his face close to the face of his prisoner. “Now, will you go easy as a burglar, or shall I tell these men who you are and what I do want you for? Shall I call out your real name or not? Shall I tell them? Quick, speak up; shall I?”

There was something so exultant—something so unnecessarily savage in the officer’s face that the man he held saw that the detective knew him for what he really was, and the hands that had held his throat slipped down around his shoulders, or he would have fallen.[205] The man’s eyes opened and closed again, and he swayed weakly backward and forward, and choked as if his throat were dry and burning. Even to such a hardened connoisseur in crime as Gallegher, who stood closely by, drinking it in, there was something so abject in the man’s terror that he regarded him with what was almost a touch of pity.

“For God’s sake,” Hade begged, “let me go. Come with me to my room and I’ll give you half the money. I’ll divide with you fairly. We can both get away. There’s a fortune for both of us there. We both can get away. You’ll be rich for life. Do you understand—for life!”

But the detective, to his credit, only shut his lips the tighter.

“That’s enough,” he whispered, in return. “That’s more than I expected. You’ve sentenced yourself already. Come!”

Two officers in uniform barred their exit at the door, but Hefflefinger smiled easily and showed his badge.

“One of Byrnes’s men,” he said, in explanation; “came over expressly to take this chap. He’s a burglar; ’Arlie’ Lane, alias Carleton. I’ve shown the papers to the captain. It’s all regular. I’m just going to get his traps at the hotel and walk him over to the station. I guess we’ll push right on to New York to-night.”

The officers nodded and smiled their admiration for the representative of what is, perhaps, the best detective force in the world, and let him pass.

Then Hefflefinger turned and spoke to Gallegher, who still stood as watchful as a dog at his side. “I’m going to his room to get the bonds and stuff,” he whispered; “then I’ll march him to the station and take that train. I’ve done my share; don’t forget yours!”

[206]

“Oh, you’ll get your money right enough,” said Gallegher. “And, sa-ay,” he added, with the appreciative nod of an expert, “do you know, you did it rather well.”

Mr. Dwyer had been writing while the raid was settling down, as he had been writing while waiting for the fight to begin. Now he walked over to where the other correspondents stood in angry conclave.

The newspaper men had informed the officers who hemmed them in that they represented the principal papers of the country, and were expostulating vigorously with the captain, who had planned the raid, and who declared they were under arrest.

“Don’t be an ass, Scott,” said Mr. Dwyer, who was too excited to be polite or politic. “You know our being here isn’t a matter of choice. We came here on business, as you did, and you’ve no right to hold us.”

“If we don’t get our stuff on the wire at once,” protested a New York man, “we’ll be too late for to-morrow’s paper, and——”

Captain Scott said he did not care a profanely small amount for to-morrow’s paper, and that all he knew was that to the station-house the newspaper men would go. There they would have a hearing, and if the magistrate chose to let them off, that was the magistrate’s business, but that his duty was to take them into custody.

“But then it will be too late, don’t you understand?” shouted Mr. Dwyer. “You’ve got to let us go now, at once.”

“I can’t do it, Mr. Dwyer,” said the captain, “and that’s all there is to it. Why, haven’t I just sent the president of the Junior Republican Club to the patrol-wagon, the man that put this coat on me, and do you think I can let you fellows go after that? You were[207] all put under bonds to keep the peace not three days ago, and here you’re at it—fighting like badgers. It’s worth my place to let one of you off.”

What Mr. Dwyer said next was so uncomplimentary to the gallant Captain Scott that that overwrought individual seized the sporting editor by the shoulder, and shoved him into the hands of two of his men.

This was more than the distinguished Mr. Dwyer could brook, and he excitedly raised his hand in resistance. But before he had time to do anything foolish his wrist was gripped by one strong, little hand, and he was conscious that another was picking the pocket of his great-coat.

He slapped his hands to his sides, and looking down, saw Gallegher standing close behind him and holding him by the wrist. Mr. Dwyer had forgotten the boy’s existence, and would have spoken sharply if something in Gallegher’s innocent eyes had not stopped him.

Gallegher’s hand was still in that pocket, in which Mr. Dwyer had shoved his note-book filled with what he had written of Gallegher’s work and Hade’s final capture, and with a running descriptive account of the fight. With his eyes fixed on Mr. Dwyer, Gallegher drew it out, and with a quick movement shoved it inside his waistcoat. Mr. Dwyer gave a nod of comprehension. Then glancing at his two guardsmen, and finding that they were still interested in the wordy battle of the correspondents with their chief, and had seen nothing, he stooped and whispered to Gallegher: “The forms are locked at twenty minutes to three. If you don’t get there by that time it will be of no use, but if you’re on time you’ll beat the town—and the country too.”

Gallegher’s eyes flashed significantly, and nodding his head to show he understood, started boldly on a run toward the door. But the officers who guarded it[208] brought him to an abrupt halt, and, much to Mr. Dwyer’s astonishment, drew from him what was apparently a torrent of tears.

“Let me go to me father. I want me father,” the boy shrieked, hysterically. “They’ve ’rested father. Oh, daddy, daddy. They’re a-goin’ to take you to prison.”

“Who is your father, sonny?” asked one of the guardians of the gate.

“Keppler’s me father,” sobbed Gallegher. “They’re a-goin’ to lock him up, and I’ll never see him no more.”

“Oh, yes, you will,” said the officer, good-naturedly; “he’s there in that first patrol-wagon. You can run over and say good-night to him, and then you’d better get to bed. This ain’t no place for kids of your age.”

“Thank you, sir,” sniffed Gallegher, tearfully, as the two officers raised their clubs, and let him pass out into the darkness.

The yard outside was in a tumult, horses were stamping, and plunging, and backing the carriages into one another; lights were flashing from every window of what had been apparently an uninhabited house, and the voices of the prisoners were still raised in angry expostulation.

Three police patrol-wagons were moving about the yard, filled with unwilling passengers, who sat or stood, packed together like sheep, and with no protection from the sleet and rain.

Gallegher stole off into a dark corner, and watched the scene until his eyesight became familiar with the position of the land.

Then with his eyes fixed fearfully on the swinging light of a lantern with which an officer was searching among the carriages, he groped his way between horses’ hoofs and behind the wheels of carriages to the cab[209] which he had himself placed at the furthermost gate. It was still there, and the horse, as he had left it, with its head turned toward the city. Gallegher opened the big gate noiselessly, and worked nervously at the hitching strap. The knot was covered with a thin coating of ice, and it was several minutes before he could loosen it. But his teeth finally pulled it apart, and with the reins in his hands he sprang upon the wheel. And as he stood so, a shock of fear ran down his back like an electric current, his breath left him, and he stood immovable, gazing with wide eyes into the darkness.

The officer with the lantern had suddenly loomed up from behind a carriage not fifty feet distant, and was standing perfectly still, with his lantern held over his head, peering so directly toward Gallegher that the boy felt that he must see him. Gallegher stood with one foot on the hub of the wheel and with the other on the box waiting to spring. It seemed a minute before either of them moved, and then the officer took a step forward, and demanded sternly, “Who is that? What are you doing there?”

There was no time for parley then. Gallegher felt that he had been taken in the act, and that his only chance lay in open flight. He leaped up on the box, pulling out the whip as he did so, and with a quick sweep lashed the horse across the head and back. The animal sprang forward with a snort, narrowly clearing the gate-post, and plunged off into the darkness.

“Stop!” cried the officer.

So many of Gallegher’s acquaintances among the ’longshoremen and mill hands had been challenged in so much the same manner that Gallegher knew what would probably follow if the challenge was disregarded. So he slipped from his seat to the footboard below, and ducked his head.

[210]

The three reports of a pistol, which rang out briskly from behind him, proved that his early training had given him a valuable fund of useful miscellaneous knowledge.

“Don’t you be scared,” he said, reassuringly, to the horse; “he’s firing in the air.”

The pistol-shots were answered by the impatient clangor of a patrol-wagon’s gong, and glancing over his shoulder Gallegher saw its red and green lanterns tossing from side to side and looking in the darkness like the side-lights of a yacht plunging forward in a storm.

“I hadn’t bargained to race you against no patrol-wagons,” said Gallegher to his animal; “but if they want a race, we’ll give them a tough tussle for it, won’t we?”

Philadelphia, lying four miles to the south, sent up a faint yellow glow to the sky. It seemed very far away, and Gallegher’s braggadocio grew cold within him at the loneliness of his adventure and the thought of the long ride before him.

It was still bitterly cold.

The rain and sleet beat through his clothes, and struck his skin with a sharp chilling touch that set him trembling.

Even the thought of the overweighted patrol-wagon probably sticking in the mud some safe distance in the rear, failed to cheer him, and the excitement that had so far made him callous to the cold died out and left him weaker and nervous.

But his horse was chilled with the long standing, and now leaped eagerly forward, only too willing to warm the half-frozen blood in its veins.

“You’re a good beast,” said Gallegher, plaintively. “You’ve got more nerve than me. Don’t you go back[211] on me now. Mr. Dwyer says we’ve got to beat the town.” Gallegher had no idea what time it was as he rode through the night, but he knew he would be able to find out from a big clock over a manufactory at a point nearly three-quarters of the distance from Keppler’s to the goal.

He was still in the open country and driving recklessly, for he knew the best part of his ride must be made outside the city limits.

He raced between desolate-looking corn-fields with bare stalks and patches of muddy earth rising above the thin covering of snow, truck farms and brick-yards fell behind him on either side. It was very lonely work, and once or twice the dogs ran yelping to the gates and barked after him.

Part of his way lay parallel with the railroad tracks, and he drove for some time beside long lines of freight and coal cars as they stood resting for the night. The fantastic Queen Anne suburban stations were dark and deserted, but in one or two of the block-towers he could see the operators writing at their desks, and the sight in some way comforted him.

Once he thought of stopping to get out the blanket in which he had wrapped himself on the first trip, but he feared to spare the time, and drove on with his teeth chattering and his shoulders shaking with the cold.

He welcomed the first solitary row of darkened houses with a faint cheer of recognition. The scattered lamp-posts lightened his spirits, and even the badly paved streets rang under the beats of his horse’s feet like music. Great mills and manufactories, with only a night-watchman’s light in the lowest of their many stories, began to take the place of the gloomy farmhouses and gaunt trees that had startled him with their grotesque[212] shapes. He had been driving nearly an hour, he calculated, and in that time the rain had changed to a wet snow, that fell heavily and clung to whatever it touched. He passed block after block of trim workmen’s houses, as still and silent as the sleepers within them, and at last he turned the horse’s head into Broad Street, the city’s great thoroughfare, that stretches from its one end to the other and cuts it evenly in two.

He was driving noiselessly over the snow and slush in the street, with his thoughts bent only on the clock-face he wished so much to see, when a hoarse voice challenged him from the sidewalk. “Hey, you, stop there, hold up!” said the voice.

Gallegher turned his head, and though he saw that the voice came from under a policeman’s helmet, his only answer was to hit his horse sharply over the head with his whip and to urge it into a gallop.

This, on his part, was followed by a sharp, shrill whistle from the policeman. Another whistle answered it from a street-corner one block ahead of him. “Whoa,” said Gallegher, pulling on the reins. “There’s one too many of them,” he added, in apologetic explanation. The horse stopped, and stood, breathing heavily, with great clouds of steam rising from its flanks.

“Why in hell didn’t you stop when I told you to?” demanded the voice, now close at the cab’s side.

“I didn’t hear you,” returned Gallegher, sweetly. “But I heard you whistle, and I heard your partner whistle, and I thought maybe it was me you wanted to speak to, so I just stopped.”

“You heard me well enough. Why aren’t your lights lit?” demanded the voice.

“Should I have ’em lit?” asked Gallegher, bending over and regarding them with sudden interest.

[213]

“You know you should, and if you don’t, you’ve no right to be driving that cab. I don’t believe you’re the regular driver, anyway. Where’d you get it?”

“It ain’t my cab, of course,” said Gallegher, with an easy laugh. “It’s Luke McGovern’s. He left it outside Cronin’s while he went in to get a drink, and he took too much, and me father told me to drive it round to the stable for him. I’m Cronin’s son. McGovern ain’t in no condition to drive. You can see yourself how he’s been misusing the horse. He puts it up at Bachman’s livery stable, and I was just going around there now.”

Gallegher’s knowledge of the local celebrities of the district confused the zealous officer of the peace. He surveyed the boy with a steady stare that would have distressed a less skilful liar, but Gallegher only shrugged his shoulders slightly, as if from the cold, and waited with apparent indifference to what the officer would say next.

In reality his heart was beating heavily against his side, and he felt that if he was kept on a strain much longer he would give way and break down. A second snow-covered form emerged suddenly from the shadow of the houses.

“What is it, Reeder?” it asked.

“Oh, nothing much,” replied the first officer. “This kid hadn’t any lamps lit, so I called to him to stop and he didn’t do it, so I whistled to you. It’s all right, though. He’s just taking it round to Bachman’s. Go ahead,” he added, sulkily.

“Get up!” chirped Gallegher. “Good-night,” he added, over his shoulder.

Gallegher gave an hysterical little gasp of relief as he trotted away from the two policemen, and poured[214] bitter maledictions on their heads for two meddling fools as he went.

“They might as well kill a man as scare him to death,” he said, with an attempt to get back to his customary flippancy. But the effort was somewhat pitiful, and he felt guiltily conscious that a salt, warm tear was creeping slowly down his face, and that a lump that would not keep down was rising in his throat.

“‘Tain’t no fair thing for the whole police force to keep worrying at a little boy like me,” he said, in shame-faced apology. “I’m not doing nothing wrong, and I’m half froze to death, and yet they keep a-nagging at me.”

It was so cold that when the boy stamped his feet against the footboard to keep them warm, sharp pains shot up through his body, and when he beat his arms about his shoulders, as he had seen real cabmen do, the blood in his finger-tips tingled so acutely that he cried aloud with the pain.

He had often been up that late before, but he had never felt so sleepy. It was as if some one was pressing a sponge heavy with chloroform near his face, and he could not fight off the drowsiness that lay hold of him.

He saw, dimly hanging above his head, a round disc of light that seemed like a great moon, and which he finally guessed to be the clock-face for which he had been on the lookout. He had passed it before he realized this; but the fact stirred him into wakefulness again, and when his cab’s wheels slipped around the City Hall corner, he remembered to look up at the other big clock-face that keeps awake over the railroad station and measures out the night.

He gave a gasp of consternation when he saw that it was half-past two, and that there was but ten minutes[215] left to him. This, and the many electric lights and the sight of the familiar pile of buildings, startled him into a semi-consciousness of where he was and how great was the necessity for haste.

He rose in his seat and called on the horse, and urged it into a reckless gallop over the slippery asphalt. He considered nothing else but speed, and looking neither to the left nor right dashed off down Broad Street into Chestnut, where his course lay straight away to the office, now only seven blocks distant.

Gallegher never knew how it began, but he was suddenly assaulted by shouts on either side, his horse was thrown back on its haunches, and he found two men in cabmen’s livery hanging at its head, and patting its sides, and calling it by name. And the other cabmen who have their stand at the corner were swarming about the carriage, all of them talking and swearing at once, and gesticulating wildly with their whips.

They said they knew the cab was McGovern’s and they wanted to know where he was, and why he wasn’t on it; they wanted to know where Gallegher had stolen it, and why he had been such a fool as to drive it into the arms of its owner’s friends; they said that it was about time that a cab-driver could get off his box to take a drink without having his cab run away with, and some of them called loudly for a policeman to take the young thief in charge.

Gallegher felt as if he had been suddenly dragged into consciousness out of a bad dream, and stood for a second like a half-awakened somnambulist.

They had stopped the cab under an electric light, and its glare shone coldly down upon the trampled snow and the faces of the men around him.

Gallegher bent forward, and lashed savagely at the horse with his whip.

[216]

“Let me go,” he shouted, as he tugged impotently at the reins. “Let me go, I tell you. I haven’t stole no cab, and you’ve got no right to stop me. I only want to take it to the Press office,” he begged. “They’ll send it back to you all right. They’ll pay you for the trip. I’m not running away with it. The driver’s got the collar—he’s ’rested—and I’m only a-going to the Press office. Do you hear me?” he cried, his voice rising and breaking in a shriek of passion and disappointment. “I tell you to let go those reins. Let me go, or I’ll kill you. Do you hear me? I’ll kill you.” And leaning forward, the boy struck savagely with his long whip at the faces of the men about the horse’s head.

Some one in the crowd reached up and caught him by the ankles, and with a quick jerk pulled him off the box, and threw him on to the street. But he was up on his knees in a moment, and caught at the man’s hand.

“Don’t let them stop me, mister,” he cried, “please let me go. I didn’t steal the cab, sir. S’help me, I didn’t. I’m telling you the truth. Take me to the Press office, and they’ll prove it to you. They’ll pay you anything you ask ’em. It’s only such a little ways now, and I’ve come so far, sir. Please don’t let them stop me,” he sobbed, clasping the man about the knees. “For Heaven’s sake, mister, let me go!”

The managing editor of the Press took up the india-rubber speaking-tube at his side, and answered, “Not yet” to an inquiry the night editor had already put to him five times within the last twenty minutes.

Then he snapped the metal top of the tube impatiently, and went upstairs. As he passed the door of the local room, he noticed that the reporters had not[217] gone home, but were sitting about on the tables and chairs, waiting. They looked up inquiringly as he passed, and the city editor asked, “Any news yet?” and the managing editor shook his head.

The compositors were standing idle in the composing-room, and their foreman was talking with the night editor.

“Well?” said that gentleman, tentatively.

“Well,” returned the managing editor, “I don’t think we can wait; do you?”

“It’s a half-hour after time now,” said the night editor, “and we’ll miss the suburban trains if we hold the paper back any longer. We can’t afford to wait for a purely hypothetical story. The chances are all against the fight’s having taken place or this Hade’s having been arrested.”

“But if we’re beaten on it——” suggested the chief. “But I don’t think that is possible. If there were any story to print, Dwyer would have had it here before now.”

The managing editor looked steadily down at the floor.

“Very well,” he said, slowly, “we won’t wait any longer. Go ahead,” he added, turning to the foreman with a sigh of reluctance. The foreman whirled himself about, and began to give his orders; but the two editors still looked at each other doubtfully.